The Chicago MaroonVolume 81, Number 53 The University of Chicago Friday May 4, 1973Discrimination claim results in HEWrecommendation to rehire MonterBy CLARA HEMPHILLThe U S Department of Health Educationand Welfare has recommended the rehiringof a professor as a result of a complaint ofsex discrimination lodged against theUniversity by Barbara Monter. formerassistant professor in the department ofSlavic languages and literatures.Barbara Monter was denied a renewedcontract as assistant professor in the fall of1970. HEW began an investigaion of the casein the spring of 1971. The findings of the in¬vestigation were sent in letters to Ms Monterand to the University at the end of March ofthis yearThe findings of the investigation statedthat there was sex discrimination in theMonter case in terms of initial rank salary,and promotion, when compared to a maleprofessor who was hired the same year w iththe same qualifications. The HEW report ofthe investigations proposed remedial actionswhich include retroactive payment of salary-differential for the four years which MsMonter taught here, and rehiring Ms Monterat the same rank as the male who was hiredthe same year as she. Failure to meet therecomendations of HEW’ may result in loss ofgovernment contracts to the University.The University sent their reply to the HEWreport about two weeks ago The Maroon wasnot able to obtain a copy, but there are in¬dications that the University feels the case isa dispute concerning the extent to which agovernment agency can control decisionmaking in a private university Along withtheir reply, the University has sent “ad¬ditional information” concerning the case toHEW The agency, according to KennethMines. Chicago Regional Civil RightsDirector of HEW. is assessing the new in¬formation and analyzing the University’sreply. HEW’s response is anticipated withina few weeks. At that point, if the Universityis willing, the negotiations will begin.The University is reluctant to comment onthe HEW' findings on the circumstancesunder which her contract was denied, or thepossibility that she will be re-hired. WalterLeen. the University’s legal council, saidthat Ms Monter “may be right, may bewrong,’’ but that “it is unappropriate for theUniversity to comment while the case is stillpending," and that it is wrong to “try thesecases in the newspaper."Robert Streeter. Dean of the Humanities,would not comment on the University’s replyto HEW. the present status of thenegotiations with HEW. or the salarydiscrepencies between Ms Monter and hercolleagues "In fairness to Mrs Monter andto everyone involved." he said. "I don’t wishto comment."One administrator, however, was able tocomment to the Maroon. D J R Bruckner,vice-president for Public Affairs, said. “Wedisagree with the findings and recom¬mendations and we are convinced that wecan persuade HEW that the findings of theregional office are not substantiated by theevidence... The University is very deter¬mined to maintain its position."The University’s position is that BarbaraMonter’s contract was not renewed forpurely academic reasons. Edward Wasiolek,chairman of the Slavic department, said thatMrs Monter “just wasn’t good enough for theUniversity of Chicago." He cited acolleague’s assessment of the case: “Thecase is very simple— she’s incompetent."Ms Monter responded to these commentssaying, “I’d like to know exactly whatstandards I don’l meet. Neither of the seniorprofessors in the department had written abook when he was promoted to tenure. One ofmy senior colleagues wrote in a letter to methat my dissertation was ‘in essence apublishable book ’ He must have changed his mind later I published an article on Nabokovwhich Nabokov himself called in printimpeccable.’ Until the day I was fired, noneof my colleagues had ever mentioned to methat found fault with my teaching or mvpublications. Quite the contrary. When awoman is more qualified than a man. theysay that the man shows promise ’ ’’ In ad¬dition t<* these qualifications. Monterreceived favorable student responses in thecourse evaluation booklet The Committee onSlavic Area Studies subsidized thepublication of her book.It is difficult to specify the qualificationswhich the Slavic department considered inthe decision not to renew Ms Monter’scontract. When asked about thequalifications used to evaluate professors.Wasiolek said. “You can’t quantitate theWASIOLEK: Edward Wasiolek was theacting chairman of the Department ofSlavic Languages and Literature whenMs Monter was fired. criteria.“ He cited brilliant men who neverreceived a PhD. and incompetent men whohad He criticized the notion that promotionsshould be made merely on the basis ofsenority or publication records DeanStreeter also stated that the criteria forcontract renewals — and hiring — weredifficult to specify. He said that decisionswere made on the basis of ’scholarlyachievement’— a combination of academicpromise and demonstrated talent Anothercriterion, he said, was a demonstration of“service to the department and theuniversity.’’ service demonstrated, forexample, by membership to departmentalcommittees and by work on curriculumchanges.As the debate over Ms Monter’s dismissalcontinues, the question arises: will she be re¬hired0 Bruckner is confident that theUniversity will win the case Mines, fromHEW. said that it was too early to venture aguess, but said cautiously that “there hasbeen some degree of co-operation from theUniversity, "and that in other cases ofdiscrimination complaints, compromiseswere agreed upon For example, aUniversity can agree to remedial action suchas re-hiring or granting back-pay. withoutadmission of sex discriminationThe Barbara Monter case is not merely adispute over the re-hiring of one professor Itis an issue which has greater ramificationsbecause the decision on this case will setguidelines for other cases of complaints ofsex discrimination and for the determinationof hiring practices in the UniversityWasiolek said. “The real issue is whether agovernment agency can make decisionsconcerning academic appointments— notjust here, but at all universities."Barbara Monter countered “The realissue is whether a so-called privateuniversity can receive millions of dollars ingrants and contracts from the governmentand still run itself like a private men s club " MONTER: HEW has recommended thatthe University rehire former assistantprofessor Barbara Monter.First aidThe Hyde Park committee for emergencymedical aid w ill sponsor a first aid course inthe Hyde Park-Woodlawn community duringMayThe course material will include first aidfor burns, poisons, fractures, and fevers Amovie about cardiac pulmonaryresuscitation and a demonstration dummywill be used in the instructionThe course has been prepared by Dr PeterRosen, director of the Billings hospitalemergency room Dr Rosen will teach allthree sessions of the courseSessions will be held at the center forcontinuing education. 1307 E 60th St at 8 pmon May 10. 15. and 29 All sessions are freeand open to the community Everyone isinvitedUC employees shot on 59th StreetTwo University employees, mother andson, were shot as they left the Social Sciencesbuilding Monday night.Mrs Alice Monroe, 47, of 1400 West 55thStreet, and her son Robert. 19. of 9723 SMorgan, were shot by two men standing outon the Midway in front of the building. 1126 E59 Street, according to witnesses. Theshooting occurred shortly after 5 pmReported motives for the shooting differed,with police sources citing it as an attemptedrobbert and witnesses saying there was noapparent motive at all.Mrs Monroe, shot twice in the chest, wasreported in critical condition Tuesday afteremergency surgery Monday night at Billingshospital. Her son. also taken to Billings,sustained an eye injury and was reported tobe in serious condition, although conscious,with surgery scheduled for Tuesday. “Theirconditions could change," cautioned Billingsinformation officer John Milkereit.According to police reports, the attackersfired two or three shots, then fled across theMidway and commandeered a car. The carwas later found abandoned in WashingtonPark, as the attackers apparently continuedtheir flight on foot. Both attackers and bothvictims were blackLieutenant Gorman of the Area Onerobbery unit later reported that the two gunmen and two others had been taken intocustody with regard to the shooting. Anyonehaving any knowledge about the shooting is "requested to come forward" by theSoutheast Chicago Commission and gneevidence by calling them at FA 4-6926SHOOTING: Chicago oolice investigated the shooting of two UC employees. Photoby John Vail.THE "DO IT YOURSELF-AND SAVEMUSIC SYSTEMAT A REMARKABLE PRICE 99\ N0FBuilding the DYNACO SCA-80Q Kit will take youabout 12 hours. When you're done you will have a 80Watt RMS amplifier with all of the performance ofDYNA'S best pre-amp and more than enough power todrive the loudspeakers. Four pre-assembled circuitboards facilitate fast accurate construction. The DYNASCA-80Q is very nearly the ideal amplifier for mostusers. QUAD? Built right in! Add a second pair ofspeakers now or later. The DYNACO "Top Rated"Model A-25 loudspeaker systems are those famous 10inch 2-way units that all your friends rave about (as do all the music critics). HEAR THEM! 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The panel, chaired byPaul Meier, an ISS adviser, devoted much ofthe time to problems in the residence halls.Two recent incidents which occurred in theresidence halls were related to the audience.One involved a girl in International Housewho discovered a man hiding there. Shecalled the campus security and the man wasapprehended. However, the campus securityand the Chicago policemen, who arrivedlater, advised her not to press any charges.The girl insisted on filing a complaintanyway. Eventually, the University filed atrespassing charge, and the state a peeping-tom charge. The man received one year onprobation.The second incident was told by MsMargaret Morley, resident head of Snell.About two weeks ago, one of the residentshad fallen asleep in a basement commonsroom, where she was assaulted by a manarmed with a knife. Campus security wascalled, and the girl was taken to Billingshospital. She made statements of rape tosecurity and to the Chicago police. A suspectwas immediately apprehended, but the girlidentification. A short time later, shedetermined that the suspect was not the rightperson, and there are at present no suspectsin the case.After these two incidents were told, WalterWalker, vice-president for planning,discussed the scope of University security.He said that the security force, which coversfrom 48th to 61st St, and from Cottage Groveto the Lake, is on paper the fourth largestsecurity force in the state, behind theChicago, Springfield, and Peoria policeforces. One of the problems, however, is thatmost people consider security an annoyanceuntil they need it.Walker also told of a shooting which oc¬curred on 59th St last Monday. Four personsshot a man and a woman in the presence of alarge crowd at about 5 pm in front of theSocial Science building. They are both listedin satisfactory condition at Billings, but theyoung man, a mail room employee, lost aneye. All four suspects have been ap¬prehended, and there are many witnesses. Atthe time, security guard was only a half ablock away, and was the first one on thescene.This is an example, according to Walker,of how “we are susceptible to crime anytime, any place.”At this time, it was asked what a personshould do if they come across a crime in aresidence hall. Ed Turkington, Director ofStudent Housing, said there were threethings a student can do: One, report thematter immediately to the resident head;two, contact the switchboard; or three, calluniversity security. Turkington said that allresidence hall employees are instructed tocall the security immediately. If it is amatter of any importance, someone on theDean of Students Office should also benotified. The university security usuallynotify the Chicago police.David O’Leary, head of the securitydepartment, described what happens whensecurity gets a call. The dispatcher sends thenearest unit, either a patrol car or a man onfoot, to the place, and almost simultaneouslycalls the Chicago police communicationcenter. The officer on the scene gets in¬formation, and discusses the details with the witnesses and the victim. Through anelaborate array of two-way radio equipment,he immediately notifies other officers to beon the alert for any suspects, if necessary.O’Leary said that the Chicago Police arecontacted on every criminal incident. Headded that the security officers have thepower to arrest in the case of on-view visiblefelony, and have the prerogative of citizensarrest in other circumstances. The officersare armed.By LISA CAPELLOver 15 percent of the student populationvoted in this week’s student governmentgeneral elections. Last year only 10 percentturned out to vote.Although the required 15 percent castballots the proposed amendments to theconstitution were ruled to have failed by theelection and rules committee. The amend¬ments to elect the SG officers and CORSOmembers from the campus-at-large wereapproved 710 to 165, and 714 to 158, respec¬tively.This decision was appealed to the Student-Faculty Administration Court Wednesdayevening by the current SG president, TomCampbell. He argued “the constitutionrequires that an amendment receive amajority of votes cast, provided the totalvote is 15 percent of the student body. Thus,7.5 percent of the student body voting infavor can carry an amendment.On the first two amendments, almost 10percent of the student body voted in favor,and eight percent of the student body voted infavor of the third amendment. It the Electionand Rules committee interpretation holds,then even though better than 15 percent ofthe student body turned out, these amend¬ments failed when a few more NO votescould have carried them!”“This anomaly underlines the in¬terpretation I wish the court to take: the 15percent requirement is simply a provision toguarantee against a hastily called, ill- Several vocal members of the audience ofabout 70 people were residents of Snell, andon several occasions argued for a full-timeguard to prevent such incidents as the recentrape. Ed Turkington, against whom many ofthe arguments were directed, discussed theissue:“I don’t think I know the best possible wayto provide security. It is comforting to thinkthat the problems could be solved by amassive introduction of manpower onadvertised referendum at which only thosein-the-know’ would vote. We certainly do nothave such a case here. To use this provisionto defeat the expressed will of 10 percent ofthe student body, in a better than 4 to 1landslide, would be most unjust.“Parliamentary law includes ‘yes, no, orpresent,’ in its definition of vote — those whotook a ballet, read it, marked at least part ofit, and did not wish to vote yes or no must beincluded as voting present.’ From the pointof view of justice as well, these voters clearlyfulfill the purpose of the 15 percentprovision.”SFA court, however, did not agree. Theirstatement reads: “In its interpretation ofarticle 10, section B, the court considers theamendment ballot as containing fourseparate amendments. Thus the minimumpassage number must apply to eachamendment separately. A failure to mark aballot does not constitute a vote cast. Thusthe sum of the yes and no votes must exceedthe minimum passage number of votes. Noneof the amendments received enough yes andno votes to exceed the minimum passagenumber. The decision was unanimous.” SFAcourt chief justice declined to comment.Campbell stated “On this technicality,our attempt to salvage SG was defeated. Butnone of those who worked with suchdedication for these amendments need beashamed of our failure.”Fifty-two graduate seats were filed (at twovotes each) and of those elected. 27 were campus, but the problem is. on some sense,insoluble. I can't conceive any guaranteedsolution. As Walter Walker said, the securityis not liked until the people need it StudentsI’ve talked to have requested personnel, theywant personnel removed, they want locksadded to some buildings, they want lockstaken away.“Our experience has led us to believe that -we can serve the entire community best byhaving a large, mobile, well-trained securityforce. The residence halls are all undersurveillance, they are entered by thesecurity. We do not have stationary guards.If we did, we would have to sacrificecoverage elsewhere One difficulty of havingthat kind of surveillance, is the question ofwho can enter the dorm. They students mighthave to sacrifice certain privileges,freedoms, life styles, etc "Jarl Dyrud, a professor in the departmentpf psychology, commented that the “newlook” in dorms, with the open visitation andsuch, has resulted in the rise in dormitorycrimes all over the country. “There is nopoint in having an armed guard if there isopen traffic in the building The street willalways be a calculated risk ”James Vice, the assistant dean of students,also commented on the security problems inthe dorms. “A resident in the city must takesecurity precautions in his own home; thesame is true for dormitory residents. Theuniversity housing problems are often onesof doors being propped open, apartmentdwellers being incautious, etc.” He addedthat the residents themselves could do a lotto alleviate the security problems.write-ins. Undergraduates are to fill 43 seatsand only one winner was a write-in can¬didate. This will be broken at the firstassembly meeting. Wednesday, May 9. 7:30pm at Soc Sci 122.The unofficial party breakdown of winners(by votes) is as follows: College Reform. 18;Department of City Sanitation, 8; OBS 2; noparty affiliation, 15. Graduate - OBS, 36;Reform, 10; Department of City Sanitation.4; Vote for Me, 2; no party affiliation, 52.The following is a list of the no'wiy elected representatives 'from the undergraduate houses ’he college a* large, andthe fraternitiesBreckmridge Gershenfeid. Esty Mead NavarraVincent Hanrahan, Dodd Hayes. Salisbury StoutChamberlin Wiley, Snell Rosen Biarkston McJiltonHarper. Greenwood Weidenbach. Merry, ThompsonKihnski Tufts Hmkson Henderson Kawalek ShoreyBrickcll Hitchcook Sobelsohn £■ o* Bouc 'r (tiePiwinski. Ehmann, Lower Ricker* Kr<-i* r LowerWallace Fragm, Upper Wallace Turnbo1 iwr FlintAxlerod Upper Flint Deshpande Fratcrr.t ■ HarmonRayfield Carooll Carden, Other Collect' P*. > Jarmin,Roberts, Schwartz, Spam, F rancke. • WilliamsDickerson Collins, Kuehneman, Harrs i,-reen (tie)Johnson Mickevice, and Pettigrew-The graduate school winners areSchool ot Education (tie Marsnall tt.cn BeckerCrown Biological Sciences Or; »m tar-- McArdle, "S'aats Haruda Quinalm Thompson f lohr k ahn ClarkSSA A Averret'e Duncan P erre Hardon Soc alSciences Hitchner Williams Frankl n Washington. W-llis.t ernandez Oden, Willis, Hare Patton Hamilton PearsonGrant, (tie1 McNeal Gaer Winston, Truant BusinessSchool Wallman Miller Ritter Petruzzi LipseyPleasants. Thompkms. Divinity Schoo1 Ham Hon (tieDoane, Kaplan Aldarone Calago Hekmkpanah DioncRoca D Davis. Humanities Machefskv • • SheehanCauallo Barry Bantz Bartram Gear* n mV RothAnderson Kawaisky, Caplan Malt.- '• -u.iuen 1Horowdz Boots. Bolotsky, Cordon Lang.*. *• iav desLibrary Science Martin School of Medic.ne R -thbaumMorty kelsick Sales. Physical Science Morivnq 'heLamp Grove Kelly Wmqo Law School t cr co. Sm •>Boocker Bixby HomerOPERA HOUSETOMORROW NIGHT — 8 P.M.TICKETS: $5.50 — $6.50 — $7.50Available af all TICKETRON Outlets NOWAt Box Office beginning Mon., Apr. 23Mail Orders to Opera House, 20 N. Wacker, Chgo. 60606Enclose Stamped Self-Addressed Envelope HEADQUARTERSFOR• PASSPORTPHOTOGRAPHSAPPLICATIONS* PHOTOGRAPHSinblack & whiteand colorCall MU 4-7424 nowfor an appointmentCorona Studios1314E. 53RD JAMESWAYPETERSONCall ORUdn 646-1234MOVING & STORAGE646-4411 forfree estimatesCompletePre-Planned Moving ServiceLocal • Long Distance # Packing • CratingImport-Fxport. . A, Containerized StorageFormerly al General Office55th & Ellis 12655 So. DotyChicago. III. 60633 £ ** 5fC £ 3|C3fe # # 5$J # sfc %@oi«ieU 'JCoiCit ^J 1645 E. 55TH STRFET^CHICAGO, ILL. 60615 J5 Phone: FA 4-1651 ILc**********tFactory AuthorizedDealerSAAiVolkswagenSouth Shore Inc.7234 S. Stony IslandBU 8-4900Friday, May 4 • 1973 - The Chicago Maroon - 3Photo by John Vail15 percent vote in '73, SG electionsDUtSFA court rules out amendmentsHeisenberg uncertain about particlesBy MARK SPIEGLANProfessor Werner Heisenberg, famedphysicist and originator of the uncertaintyprinciple, spoke to an overflow crowd inQuantrell auditorium Monday afternoon in alecture sponsored by the Enrico Fermi In¬stitute. Not surprisingly, a consistent themewas his questioning of notions of objectivityand the search for “really” elementaryparticles.Heisenberg began with what he termed a“history of concepts”, promising not torelate “all the mistakes of 50 years ago, onlysome.” When, in 1913, Bohr describeddiscrete states of electron orbits, he had “notintended to explain phenomenon in the senseexplaining had been used in earlier physics.“What had to be explained was the “strangestability of the atom; “conventionalNewtonian mechanics would allow theslightest disturbance to disrupt it.“Wherever one started,” he said, “one gotinto difficulty.” Part of the confusion isillustrated by what Heisenberg reported OttoStern to have said that same year: “If thatnonsense is correct which Bohr publishes, Iwill give up being a physicist.”The Nobel laureate described other con¬tributions by eminent physicists in the decades which followed, such as Einstein’sconcept of light quanta, Born’s call in 1925 forquantum mechanics, Schroedinger’s wavemechanics, and Dirac’s prediction of thepositron. He emphasized throughout thedifficulty of coping with theoretical -prejudices. He quoted Einstein as sayingthat it is “theory which decides what can beobserved” and added that the “theoreticalpicture unavoidably goes in” when an ex¬periment is conceptualized. Language, heclaimed, has notions of objectivity whichsimply have no meaning in the context of -atomic phenomena.Perhaps the most memorable part of thespeech was when Heisenberg spoke of hislast meeting with Einstein in 1954, a fewmonths before his death. One is inevitablyreminded of Einstein’s famous “God doesnot play dice!” protest against the un¬certainty principle, and Heisenberg con¬fessed that they “could not convince eachother” of anything.At the finish of his talk, Heisenberg hadwhat were perhaps discouraging words forelementary particle physicists. He said thatwe “cannot hope that elementary particlephysics will ever be simpler than quantumchemistry.” This drew scattered laugher,presumably from people familiar (or at least attempting to become familiar) withquantum chemistry. He claimed that it is dueto questions inherent in our languages thatwe are still looking for “really” elementaryparticles. Perhaps, he mused, if a proton iscomposed of three quarks, it can also becomposed of four quarks and an anti-quark.(The quark is today a much sought-after, andBy MIKE KUNGENSMITHSome days you can’t hit. Some days youcan’t pitch. On other days you have troublewith errors and mental lapses. But theChicago baseball Maroons put it all togetherlast Saturday at Stagg field and the resultwas an eye-boggling double loss to LakeForest. Operating under the guideline that ifyou are going to lose a ball game, you mightas well lose it badly, U C got whipped 14-0 and9-3.Lake Forest pitcher John Mistzal had quitea bit to do with the Maroon’s miseries in thefirst game. Tom Cullen was the only Chicagoballplayer to reach first against Mistzal.Cullen singled in the fifth inning to break theLake Forest hurler’s perfect game, and thensingled again in the seventh. Mistzal facedonly 23 batters in the seven inning contest,striking out 11 and walking none.Meanwhile in the other half of each inning,the Maroon mound staff was being blasted bythe slugging Lake Foresters. Starting pit¬cher Paul Kowalek was ineffective early andwas relieved by Jack LeVan in the secondinning. By the end of that inning the scorewas 8-0 and the outcome was determined.The visitors had their hitting shoes on,pounding out 11 hits and taking advantage offour Chicago errors.Thus with their record standing 4-6 at theoutset of the second game, the Maroons wereprepared to put their past behind them andeven the afternoon with Lake Forest. But itwas not to be, and the Foresters made thatpainfully evident in the first half of the first so far undiscovered, particle in high-energyphysics.) What we should look for, hedecided, is fundamental symmetries, notfundamental particles.Heisenburg also met informally earlierthat afternoon with graduate and un¬dergraduate physics students in the Eckhartlounge.inning. This time it was not completely thefault of starting pitcher Tom George.After A1 Denzer led off with a single tocenter and Kevin Cunnane walked, Forestercenter fielder Brad Hale lofted a high pop flyto right field. Chicago outfielder Jim Berkemisjudged the ball and played it into a baseerror, one run scoring. George Burgessfollowed with a single to left, scoring Cun¬nane and sending Hale to third.At this point, Lake Forest employed the oldsucker play, perhaps unintentionally. TimGeorge’s pickoff move to first “trapped”Burgess off base. However in the subsequentputout of Burgess, the runner from thirdcame home uncontested.This was only an indication of things tocome as an error by Tom Cullen, who at¬tempted to play first in the second game,opened the floodgate wide. Without the initialtwo errors of the ball game the Maroonscould have been out of the inning only threeruns down. As it turned out, before the inningwas finally over Lake Forest had nine runsand the Maroons had nine embarrassedfielders.Coach Angelus was visibly shaken by someof the happenings of the afternoon and, infact, shaking was the order of the day atStagg field; shaking of the body due to thecold and of the head at the Maroon’s per¬formance.Saturday afternoon the Maroons host St.Francis in a double header. As the weather isimproving, and as baseball is the nationalpastime, there would be worse places tospend the afternoon than at the old ball park.BASEBALL: Maroon pitcher Tim Geroge threw a two hitter, but the UC defensecollapsed as Chicago lost the second game to Lake Forest, 9-3. Photo by RobertNewcombe. Maroons drop two toLake Forest SaturdayThis summer,pick up some credits ot Oxford,tn<or comp out on the Russian steppes,get a iob on the Rivieraspend another great summer ot home.You wait nine months for a summervacation. 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Ours always includeshowers, toilets and washing facilities.Summer Schools.How about studying acting at thefamed Royal Academy of Dramatic Art7This drama/workshop in London aisoincludes visits to several Londontheatres, and to performances inStratford-on-Avon and Chicester.Courses also available for college credit in literature, ecology,education, art and architecture, journalism, economics—evenantiques Most are 4 weeks, with 2 or 3 weeks in London and theremainder in another British city.The John Clark Academy is a London based non-profit organi¬zation that features an unusual range of courses: Mood andAtmosphere, Pop Music, Archaeo'ogy, The Role of Women inSociety, The English Cinema and Magic and Ritual. For teachers,there’s a special course in Open Education.These courses run 5 weeks and consist of tutorials, seminars,field visits and guest lecturers such as Jonathan Miller andGermaine Greer. Sessions at Oxford, and the Universities of Yorkand London. Credit is awarded at both the graduate and under¬graduate levels.For information on any of the above programs, check theappropriate boxes and mail the coupon today. We know you’ll hateto miss out on another great summer at home, but we’ll make itwell worth your while.BOAC B-ilibh Airways. Box VC10 Dept 10-444, New York, N Y. 10011 \Tr :«:pt ,ne (212) 687-1600 or call your local BOAC otficeBargains in BritainSummer Jobs European CampingSummer SchoolsAddressCity State ZipMy Travel Agent is 10boac takes good core of you.British Airways ~ w CLASSIFIEDSMOVE IT ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900TIIK PAKISTAN "OUrUlL, Ctllt.'AOO I.WIVKJ HA) TO .101.( JH A OHI.KH (AVIOII Or ;IQBAL DAYTHE PROGRAM WILL INCLUDE SPEAKERS^DR. JAVED IQBALSON OF MUHAMMAD IQBAL;PROF HESHMAT MOAYYAD on“PERSIAN POETRY OF IQBAL"andSINGING OF POEMS BY IQBALFRIDAY MAY 4, 8:00pm, BREASTED HALLFOLLOWING THE PROGRAM THERE WILL BE A RECEPTIONAT THE OLD LIBRARY of the ORIENTAL INSTITUTEUsed 6 ft. wide bulletin boards-$l 2.50Used 3 drawer files-$l 5.00Used wood desks-$l 5.00Used metal desks-$25.00"cash and carry"withihis ad only-IQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thors, till MW P.M.4- The Chicago Maroon * Friday, May 4,1973ABOUT THE MIDWAYRate increasesRoom and board rates in the UniversityHouse System will be increased for the 1973-74 academic year. The rates on most roomswill be increased by 10 percent. The boardrate will be increased by 8.8 percent. AtBurton-Judson, Pierce, Woodward, Snell-Hitchcock, Breckinridge and Boucher therates for rooms for the academic year willbe: Doubles - $645; Singles - $705 and $775. AtBlackstone, Greenwood, Harper, Broadview,Laughlin, and 5518-26 Ellis the room andapartment rates for the academic year willrange from $615 to $1090. The rate for a fulltwenty-meal board contract will rise from$855 to $930.Lists of the specific rates for each Housewill be available prior to the beginning of theroom reservation process which is likely tobegin the week of May 14.Edward Turkington, director of studenthousing stated “I need not dwell on thedegree to which rising costs have keptcontinual pressure on the House Systembudget. The expenses of wages and salaries,electricity, heat, telephones, and othersupplies and services are expected to in¬crease 3 percent to 12 percent next year. Youwill not be surprised to know I’m sure, thatfood costs alone are expected to rise 8 per¬cent to 10 percent.Dormitory housing and food serviceoperations have been running a substantialdeficit in recent years. In 1971-72 expensesexceeded income by $556,000. “This year, asa result of some service cutbacks and amodest rate increase which were introducedafter a series of discussions with the Inter-House Council, we hope to hold the deficit to$500,000. The new 1973-74 rates should keepthe deficit for next year at or under$500,000.” he concluded.LanguageA new three-quarter course calledLanguage 1, 2, 3 will be offered by the NewCollegiate Division next year. The objective of the course will be to examine the topic ollanguage through the variety of approachesthat have been made to it in order to understand how different disciplines pose theirquestions and look for their answers. Thecourse will cover problems of language in¬volving biology, psychology, anthropology,sociology, philosophy, literary criticism andlinguistic theory.A large part of the student’s time will bespent gathering linguistic data that mightbear on the questions being asked.Because the course is specifically in¬terdisciplinary, it is intended to satisfy theextra-divisional second quartetrequirements for students in any division.Primarily responsible for the course areJoseph Williams, English; Ted Cohen,philosophy; and Kostas Kazazis, linguistics,but other faculty members will serve asvisiting lecturers in their particular fields.The course is offered at 10 - 11:30, Tuesdayand Thursday.BerriganFather Philip Berrigan, nationally knownJosephite priest will arrive on his first visitto Chicago, Tuesday, May 8, for a two-dayworkshop with Chicago students of theologyas the guest of the student executive com¬mittee of the Catholic Theological Union andof the Chicago Cluster of TheologicalSchools.After small-group daytime seminars atCatholic Theological Union, 5401 S. CornellSt, Father Berrigan will speak at theLutheran School of Theology auditorium,1100 E 55th St, Tuesday May 8 at 7:30 pm on“Prison reform: What can be done” and onWednesday at the Del Prado Hotel, 5307 SHyde Park, at 7:30 pm on “Sign of hope in thechurch.”Father Robert Flinn, coordinator for theChicago Cluster of Theological Schoolsoutlined the purpose of the two-day visit.“Theological educators have something veryvalid to say about the crucial issues of ourday, quite aside from the classroom context.There is a living out in flesh and blood of what God means to man and what manmeans to himself. Father Berrigan, as suchan educator, is truly a seer in our day. Hewill give Chicago students a uniquetheological point of view on prisons and theChristian church in America "Resident mastersResident masters at the Woodward Court,Pierce Tower, and Burton-Judson residencehalls at the University have all accepted re¬appointment by Provost John Wilson for the1973-74 academic year, according to EdwardTurkington, director of student housing.They are: Woodward Court: Izaak Wir-szup, professor of Mathematics and in theCollege; Pierce Tower Kenneth Northcott,professor in and chairman of the departmentof Germanic Languages and Literatures andin the College; and, Burton-Judson: WalterWalker, vice-president for planning andassociate professor in the school of socialservice administrationTurkington also announced that Dr andMrs Francis Straus have accepted reap¬pointment as senior fellows in BreckinridgeHouse. Dr Straus is associate professor in thedepartment of pathology. Mrs Straus isassistant professor in the department ofanatomy and in the College and dean ofstudents in the CollegePeter Dembowski, professor of RomanceLanguages and Literatures and in theCollege, was recently named residentmaster of Snell-Hitchcock residence hallResident masters and their families live inapartments in their respective residencehalls. Senior fellows are affiliated withsmaller residence halls, but on a non¬resident basis. Both programs were startedin 1970 and have the same goal: to fostercloser out-of-classroom relationships bet¬ween undergraduate students and seniorfaculty members.Med studentsMore than half of the 84 seniors graduatingin June from the University of Chicago’sPritzker School of Medicine will go on to internships and residencies at their first orsecond choice teaching hospitals, theschool’s dean of students announced todayJoseph J. Ceithaml. Dean of Students forthe University’s Division of the BiologicalSciences and the Pritzker School ofMedicine, said the seniors had received “thebest group of first-year doctoral ap¬pointments secured by a graduating classin the last five years."The appointments, announced to theseniors on Friday, April 13. came from theNational Internship and Resid< ncy MatchingProgram (NIRMP). New interns andresidents begin service on or about July 1NIRMP. a computer matching service, isused by teaching hospitals and seniormedical students throughout the country tomatch available graduates to internship andresidency openings. Once a year, the com¬puter-matched results are announced tosenior medical students across the countryon the same day.It is significant that this year a third of thegraduating class of The Pritzker School ofMedicine will enter first-year residenciesdirectly from medical school. In the past,medical school graduates usually completeda year of internship before startingspecialized studies in residency programs.Only six students in the graduating class ayear ago went directly into residencies.Twenty-eight, or one third of the 1973 class,will go into residency programs in surgery,pediatrics, psychiatry, rediology. op-thalmologv, or family practice.PetitionPlans are currently being made to cir¬culate a petition requesting that theRecordings Collection in Regenstein librarybe kept open during the summerThough the language has not beenfinalized, the originators, who prefer toremain unnamed, plan to circulate thepetition at the Music Department and in theContinued on page 6Congratulations toGEORGE B. SCH ALLER(wherever he is—somewhere in Pakistan)on receiving the National Book Awardfor the most distinguished book in sciencepublished in 1972The Serengeti LionA Study of Predator-Prey Relationsavailable at your bookstore(wherever you are)$12.50Thei liversity cChicagoPRESS PABOUT THE MIDWAYARBOR DAY: SG president Tom Campbell delivered an ode to trees. Photo by JohnContinued from page 5record library sometime in the next twoweeks.A preliminary draft of the petition asksthat "the decision to close the collection forthe summer be reconsidered." The petitioncited three factors for the reversal of thedecision"Use of the facilities," the first reasonstates, "is essential to graduate musicstudents preparing for their comprehensiveexaminations in the fall.”The second reason given is "students in thesummer course given by the extensiondivision will also need use of the recordings."The third reason is more general, citingbenefits to the whole University. "Inasmuchas the recordings collection is a service to theUniversity community in general (as is theentire library system) and not only an ad¬junct to specific courses given by the MusicDepartment, we feel it is indefensible toclose the collection, depriving those mem¬bers of the University who remain oncampus for the summer of its services, as itwould be to close any department ofRegenstein library."Garbe appointmentChicago author Mrs Raymond Garbe hasbeen appointed chairman of the women’sboard at the University.Garbe is a prize-winning author and for¬mer Chicago newspaperwoman She isknown professionally as Ruth Moore. She hasbeen a member of the women’s board sinceits founding in 1960.Born in St Louis, Garbe was with TheChicago Sun-Times from 1943 to 1970, servingas the paper’s Washington correspondentfrom 1943 to 1950.Psych and ed Vail.recognition for his success in treatingseverely disturbed children as head of theUniversity’s Sonia Shankman OrthogenicSchool. Except for a one-year period, he hasdirected the School since 1944.In dealing with children, Bettelheim hasnoticed that learning is often stymied by astudent’s unconscious association with ananxiety-producing incident. RugbyThe UC Rugby Club took high hopes and ahealthy team to the Midwest Union’s annualtournament in Naperville last weekend.Favored by good weather, twenty four teamsmet to mix in the bruising competition.In the opener against St John’s of Min¬ nesota, Chicago’s fumbling backs andlethargic play enabled the Seminarians tostage a dramatic comeback. Speedster BobEsty scored in the corner and CaptainGeorge Davis stunned his teammates byconverting the difficult angle kick, to knotthe score 6-6 at the end of regulation time.Chicago came around to dominate play in theseven-a-side overtime, winning 16-12 on BobJones’ breakaway score.The Chicago stalwarts rested betweengames, analyzing the moves of the opposingteams, and mainly praying for the ap¬pearance of their new star centers, theMilobar twins, who had spent the morningfrolicking in a Gary steel mill. Ted and Jimwho seasoned the rugby they had learned atUC with a year of play on the west coast,arrived intact about five minutes beforekickoff. The game was downhill from thatpoint as Chicago steamrolled a large-andpanting St. Louis Ramblers side 28-0.Left wing John Laing scored three tries,right wing John Schwitz one, and TedMilobar touched down another. Most sur¬prising of all was prop forward Tom Hunter’spass to Davis at the goal line for the lastscore. Forwards never pass to backs withinthe fifty yard line, and to no one at all withinthe twenty. Hunter, needless to say, did notknow how close he was.Neither Hunter’s anguished cry nor theMilobar’s fleet feet could rally the Maroonand Blue XV for Sunday’s semi-final. Shakenby early penalties and stunned by hardrunning backs, UC was blanked by theChicago Lions, who went on to win the finalover Big Ten champion Minnesota.CALENDARBruno Bettelheim. the noted educationalpsychologist will undertake a three-yearstudy this fall to explore how the unconsciousmind affects what students learn in a normalclassroom settingThrough a psychoanalytic approach, theinternationally-famed educator and authorwill seek to determine what occurs in theunconscious minds of children as they aretaught, and in the unconscious mi.iu of theinstructor as he or she teaches.A $123,000 grant from Spencer Foundationis supporting the study. Bettelheim sayswhat little research has been done in thisarea has been applied to individuals, notgroups “To my knowledge, there is not asingle study trying to elucidate on the basisof psychoanalytic insight what goes on in aclassroom where some 30 children are taughtby one teacher." he says.Bettelheim. the Stella M Rowleydistinguished service professor of educationand professor of psychology and psychiatryat the University, has gained worldwide Friday, May 4POETRY READING: Florence James Adams Poetryreading competition . for further information, go to WieboldtJOS. Ida Noyes, 3 pmDOC FILM: Macbeth, Cobb, SI, 7.15 & 9:30 pm.CONCERT: Chicago front for iazz presents Ken Chaney 8.The Awakening, and Terry Callier Lutheran Seminary,SS'h 8, University, 3pm Students SI 50, others S2.BLACKFRIARS: Struggling Upward, Mandel, 8.30Students Si, others SI 50 T ickets at Mandel Box officeFOLKDANCING WORKSHOP: Russian workshop withDanny Karczun through May 6 Call Janet, 955 8184LECTURE Biochemistry of Cancer 'Transfer NucleicAcids m Cancer Cells/' Dr Ting Wa Wong, 3 pm, Billings M11/LECTURE Geophysical Sciences colloquium "On theUnstable Modes of Barotropic and Quasigeostrophichyperbolic tangent shear flows,” Robert Dickson, NationalCenter for atmospheric research, 3 30 pm, Hinds 101,LECTURE: Contemporary mathematics from a historicalviewpoint LiouviUe theorems for elliptical partial differemial equations James Serrin, University of Menneso'a. i 30 pm, Fckhart 133LECUTRE H nai B nth Hillel foundation 'The RefugeeProblem m Israeli Arab Relations,” Avigdor Levy,University of Tel Aviv, 8 30 pm, 5715 WoodlawnFILM: Red Detachment of Women” a film of the con•emporary Chinese ballet Blue Gargoyle, 5655 University, 78. 9 15, Blue Gargoyle LECTURE: Intrasonic Meditation, B K Avenell, 7:30 pm,First Unitarian church, 57th 8. WoodlawnPHOTON MONTAGE : Works by a wide range of artists;electronic concert by Dr Wilding White, 8 pm. 11 E Cedar St,ChicagoLECTURE The Psychological role of Women in theAncient History of Iran,” Dr Azar Rahnama, 3 pm, Pick 102TRAVELOGUE: To Easter Europe, International House, 8Dm Students 50 cents, others SISaturday, May 5U OF C PRESS SALE : Ida Noyes cloister club, 10 am 8 pm.Through Wednesday, May 9Sunday, May 6FOLKDANCERS: Outdoor dance with Vardar macedonianorchestra Main Quad (Ida Noyes if rain), noon 5 pm,RECEPTION: For Graduating artists 8. exhibition of Ar’ists works Midway studios, 2 pm ( Exhibition through May12UF/LR FILM. Bonnie & Clyde, 7 15 8. 9 30, Cobb, SI.CRICKET PRACTICE: 12 noon, Stagg field Call Sam 7217517 Anyone interested in playing please attend,POETRY READING: Elizabeth Eddy, Chicago Poet,painter, 8, prmtmaker Baptist graduate center, 4901 Ellis, 3pmUNIVERSITY RELIGIOUS SERVICE Rockefeller Chapel, II am Preacher Reverend Beverly Asbury,University Chaplain, Vanderbilt U : "The Painful Wisdom ofihe Survivor "Monday, May 7MEHER BABA:East Lounge, Ida Noyes, 8 pmMIME: T Daniel, (FOTA), Cobb, Free, 8 pmLECTURE: Biochemistry of Cancer: "Nuclear Metabolismof Cancer Cells,” Dr Harris Busch, Baylor, 3:30 pm, BillingsM 137LECTURE: Committee on Genetics 'Analysis of a GeneticHistory,” Dr Hugette Moran, 3 pm, Abbott 101LECTURE: Statistics seminar "An Information TheoreticProof that there are Infinitely Many Primes,” PatrickBillingsley, 4 pm, Eckhart 202LECTURE : ’Casal s Cuban Counterpoint of Art 8. Reality,”Ivan Schulman, 4 pm, Classics 21.LECTURE : On the Beginning of Popular Greek Literaturein Byzantium,” Hans Georg Beck, 4 pm, Pick 118LECTURE: "Bach's St Matthew Passion: A Reconsideration of its Chronology," Lexington Studio, 3 pm.READINGS Short stories by Mark Costello Ida NoyesLibrary, Free, 8:30 pm.Wednesday, May 9BASE BALL: Maroons v St Francis Stagg F leid 12:30pmRUGBY : vs. U of Illinois Stagg I 30pmINDIA ASSOCIATION: Ida Noyes theater, 7 pm,CEF FILM: Play It Again, Sam, 7:00 8. 915 pm, Cobb, SIauthorized sales & service312-mi 3-3113foreign car hospital & clinic,*^5424 south kimbark avenue • Chicago 60615 inc."Hollow) queucketa B.Mt0.C. 6 * Huw-Mjed tkiwl (ikeAkadam Red! "Take it from one with a man-sized yen,men. When a * Big Man on Campus getsa big thirst. It takes a big drink to satiateIt. And nothing. I repeat nothing,l.iiilates the tonsils and taunts a thirstlike Akadama Red, Fred.AkadwiHi RadThe toast of the campusImported by Suntory International, Los Angeles, Calif.6 - The Chicago Maroon - Friday, May 4, 1973 The Caretaker by Harold PinterMay 10-13 8:30 p.m. Mandel Hall$2.50/$2.00 studentsUniversity Theatre OVERLAND EXPEDITION AFRICALeaves London Mar 10 (& Oct.(Arrives Jo'berg .June $990Also overland INDIA/NEPAL. Leaves Mav.June & Oct $67(11 weeks) Experimental Expedition from Los Angeles to1BEUNOS AIRES July Nov. $1350u) y Brochure*: ENCOUNTER OVERLAND18, Wert Hill Court, Millfield Lane,Londonfor peoplewho walk onthis earth...If you've walkedbarefoot on sand orsoil you know howgreat it is. Yourheels sink low andyour feet embracethe earth. Then youput on your shoes,return to the city,and become anotherconcrete fighter...but the concretealways wins. You yearn for the earththat lies buriedbeneath the city.The Earth Shoe isthe first shoe inhistory with the heellower than the sole...this helps return youto nature thoughyou are forced to livein a cement-coatedworld. The EarthShoe's patenteddesign gently guidesyou to a more erectand graceful walk,and reduces fatigueand the aches and pains caused by ourhard-surfaced city.For men and womenin shoes, sandalsand sabots.From $23.50 to $40.Brochure available.2112 N. Clark St.LETTERS TO THE EDITORJews for JesusAs a Christian chaplain on the campus ofthe University of Chicago, and as minister ofthe University Church of Disciples of Christ(The Blue Gargoyle), I object to the ob¬noxious full-page ad that appeared in theTuesday, May 1st, issue of the Maroon: “Notall Jews are for Jesus.” Certainly everyperson with a profound religious persuasionought to witness to his faith, and if he thinkshe has a good thing going try to win others toit. And yet this kind of so-called Christianevangelism which targets on our Jewishbrothers and sisters is not only in ex¬ceedingly bad taste, I find it contrary to theChristian spirit. Christians hopefully winthose to their persuasion by the quality oftheir lives and their capacity to be caring,loving, giving people, not by trying to eye-gouge the Jews on behalf of Jesus. Christianhistory is already too smeared withevidences of ungodly acts perpetrated byChristians on Jews. To insinuate that the Jewwould become really happy if he only took onJesus strikes me as another kind of put-down.Many Jewish persons, both religious andnon-religious, share in the life of theGargoyle, and regularly attend religiousservices at the church. However, we neverattempt to say “Look here, Jews, if you onlysaw it theologically like we see it, your lifewould be better.” If the quality of what we doand are doesn’t say anything to persons,we’ve got no message.I realize that what ads one accepts anddoesn’t accept is a perennial problem for anewspaper. Certainly censorship of ads isone form of curtailment of the freedom of thepress. If on one hand I’m critical of theMaroon for accepting the ad, I understandthat we live in an open society and that whennewspapers decide what ads they can take,on the basis of political or religious grounds,they are on shaky territory. I have per¬sonally contacted the Aedus Center, phone: 338-5959, which placed the ad, and I wouldencourage others, particularly Christians, inand around the campus to do the same.Charles H BayerMore on JewsI find the advertising in your last issue, of“Jews for Jesus” disgusting. I am sure the“Jews for Jesus” feel they are doing us afavor, but they aren’t. They are alienatingJewish young people from their roots just ata time when American Jewry needs activelyGod-seeking people the most. God makes Hispresence felt as much among the Jews as inany other religion. There is no reason forJews to seek Him elsewhere.I sometimes wonder how these sorts ofChristians would feel if Jews were free toproselytize as they do, and if we constantlybombarded them with this kind of filth.Please, “Jews for Jesus,” leave us alone. Wehave our own beliefs, our own traditions, andour own way of seeking God, and we deserveto be able to preserve our own integrity inpeace, just as you do. Jews have had to putup with this kind of insult for an awfully longtime, and now is the time to stop.Evelyn FreudliehMissionary movementThanks to well-filled coffers, the Key 73missionary movement is quite capable ofproliferating its dangerous message viamass advertising. Unfortunately, myhumble pockets are empty, leaving meunable to compete on the same level.Nevertheless, my outrage at the culturalgenocide underlying these ads compels me tocomment. Hopefully, the Maroon willprovide the forum to do so.I will not attempt to argue with the leadersof this “Jews for Jesus” catastrophe. Theirmotives are the complete spiritual an¬nihilation of the Jewish people and they willMANDEL HALL8 30 RM.MAY 4,5based on. theHoratio Alger novdU*K£ LaKKIm’S LiMffc. STUDENTSOTHERS $1.50Tickets at MandcJ fJa*Offset A- Student ActivitiesOfficebook, lyrics, anolmasic bvjHike D°rfMarc Pri«nack.Paul Kruty£,nid Ricser be satisfied with nothing less. Hitler wascondemned as a barbaric murderer forrobbing us only of our lives. How much morebarbaric are those who steal our souls?It is to the young, impressionable andmisguided Jewish youth that this response isdirected. To those young people who areconfused enough into believing that theirhappiness lies with this horrendousmovement, I plead, “DO NOT BEFOOLED!” How much love can begenerated from a man in whose name bloodywars and senseless slaughter have beenperpetrated throughout 20 centuries9 TheMessiah’s coming is one that will usher inpeace, tranquility and brotherhood? Whathas this man’s appearance wrought but morewar, turmoil and prejudice? Anything that isgood about Christianity owes its origin toJudaism. Do not be misled -- go to the sourceof your own heritage and you will find morelove and wisdom than you could haveimagined possible.I can appreciate the internal dilemma youmay be facing; but the Judaism that yourassimilated parents gave yen — a religionfilled with monolithic temples, empty ser¬mons and false values — is not the real Judaism of our ancestors That faith, the onethat still flourishes among the modern or¬thodox of today, is real, vibrant andrelevant; as much now as it was more than2000 years ago. Before you forsake yourbirthright, remember the millions of Jewswho died willingly rather than forsake theirsWhere is the sense in embracing a foreignideology before you have become totallyfamiliar with your own? Contact aLubavitch. Mizrachi or Agudath Israel group- the love and honesty any of these sides ofmodern orthodoxy can give your life willshow you the values you seekJewish youth — do not let thesemissionaries destroy our people!And missionaries— leave us alone If youdon’t, remember that we will never relent toyour persuasion. You have always thoughtthat the Jewish People’s greatest fault istheir tendency to be stiff-necked But you arewrong. Being stiff-necked has kept us alivedespite programs, massacres, concentrationcamps and missionaries.And that is our greatest virtue.Sincerely,Henry W Hochermanr PHOTO CONTEST ENTRANTS*!I Monday 4:30 PM is the last I| day to pick up your photos. ItCome to the MAROON of- k^ flee. fWith TWAit pays lobe young.Armed with just your TWA Bed andBreakfast* Plan, and a pack on your back,you can get a lot more of Europe for a ^lot less with TWA.Here are some ways we helpBed and BreakfastTWA’s "Bed and Breakfast^gets you guest houseaccommodations (at theleast) in 47 European cities,breakfast and extras likesightseeing or theatre ticketsall at really low prices.Europe Bonus Coupon Books.Take your boarding pass to any TWATicket Office in London, Paris, Rome,Frankfurt, Madrid, Athens or Amsterdam,and you’ll get a book of bonus coupons good*aasB\COUPON^jBONUSiCOUPON! ccupcnIIBOOKSj coupcnSC°t">0/v5 tickets, sightseeing, meals and lots, lotsmore. Like we said, with TWA it pays to beyoung. For all the details write: TWA —IT PAYS TO BE YOUNG, Box 25, GrandCentral Station, New York, N.Y. 10017.no r«i i r amdiic did iamcc nnr.r,AN0SS470S' Bed and Breakfast is a service mark uwned exclusively by TWAFriday, May 4, 1973 - The Chicago Maroon - 7These students will graduatewith more than just a surface knowledgeof the worldImagine an exquisite stillness brokenonly by the sound of your own breathing asyou float effortlessly through a world of shim¬mering pastel colors. Velvet plants undulatein currents that simulate gentle breezes. Aschool of tiny silver-blue fish sparkle aroundyour head as they dart by. A striped parrot fishpecks into your mask to say hello.Your legs pump in long graceful motionsas you move through deep blue water frag¬mented by golden shafts of sunlight. And asyou float along, a part of this magnificentenvironment you are so happy that you canstay there. Just sitting around on the oceanfloor. Just sitting and staring and grooving onthis incredible new world.And now for the best part. Scuba diving is easy to learn. It isn’t a sport you have topractice for months before you can enjoy it.You’ll be down there blowing your mind thefirst or second day.After learning about the equipment,breathing techniques and safety procedures ina pool or some shallow water, you'll soonfeel confident enough to try your new skillsunder the constant supervision of expert diversand instructors. And when you complete theseven day course, you'll graduate as a certifiedscuba diver.This summer take a week or weekenddiving in the Virgin Islands.Or a week in Mexico—diving off theisland of Cozumel and exploring the ancientMayan ruins in the Yucatan. Either way you’ll meet some nice new people.And you’ll cram enough excitement,memories, and first-hand knowledge into yourvacation to iast for the rest of the summer.And more likely, for the rest of your life.Eastern’* Scuba Safaris. A week ora weekend in the Virgin Islands or a weekin Mexico.Call your travel agent. Or call Easternfor complete details, reservations, and our“Part of the Earth Catalogue."4^) easternThe Wings of Man.“ (he Wing),of Vl«i" lturi of KaMvrn An 1 im-v lot.8 - The Chicago Maroon - Friday, May 4, 1973ENTERTAINMENT AND THE ARTSPinter: Theater of the RealBy BILL REDDYMay tenth through thirteenth University Theatre ispresenting Harold Pinter’s “The Caretaker. ’’ The castfor this challenging project is made up of three ex¬perienced actors: Kenneth Northcott, Pat Billingsley,and the director of University Theatre: Nick Rudall,Last Monday I asked Mr. Rudall to talk about hisreasons for doing the play, about some uniquedirecting problems, and about the progress beingmade in rehearsals. Mr. Rudall first brought up thelights on the Reynolds Club Theatre stage revealingan elaborate assortment of old furniture, ancientappliances, stacks of newspapers, and useless bric-a-brac that will serve as the set for the play when it isput on in Mandel next week. Here are excerpts fromthe conversation that followed.Rudall: Maybe I should tell you about the play first.Reddy: Okay.Rudall: It’s one of the earliest, if not the earliest, fulllength play by Harold Pinter; it is a play aboutviolence and about territorial rights. An old tramp, ahobo, has been picked up by a man after the tramp hasbeen involved in a street fight. The man brings him tohis home, which is an attic room that is just filled withjunk. Overflowing. And, as the play unfolds, onelearns that this man who brought the tramp home wasgiven electric shock treatments in his youth. He hasn’tbeen lobotomized, but it’s close to that. He is nowcalm, but one senses the violence behind him. He has ayounger brother who appears at the end of the firstact, wrestles the tramp to the ground and proceeds totorment him through the whole of the second act.Torment him verbally, torment him physically. I saidthe play was also about territory; it is in this way, thatthe tramp who is absolutely possessionless-he doesn’thave shoes, he doesn’t have anything-graduallyseems to take over this room in a strange kind of way.Pinter, in an interview, once said about the play thathe didn’t know how to resolve it. At one point hethought that the only resolution was the violent deathof the tramp. He didn't write the play that way; theyfinally just throw him out, just let him go.Reddy : The plot is very similar to that of The Ser¬vant.Rudall: Very similar to The Servant. The interest init for us, Kenneth Northcott and myself, we got thisidea some time ago, was that, of all the plays, it useseveryday speech in a way that I don’t think any of hislater plays do, especially the full-length ones. Whichmay be a problem for our audience; but part of thepleasure of doing it is the extraordinary accuracy ofhis capturing of everyday speech.Wp derided that we would like to do this playbecause we felt very strongly about the way Pinter has been done in Chicago. We felt, wrongly. It’sbecause Pinter has been branded as an absurdistplaywright that the productions we have seen aroundhere, especially recently at Goodman Theatre, alwaysseem to be saying, “This is absurd.’’Reddy: They make no attempt to present it as partof real life.Rudall: That’s right. They don’t attempt to presentit simply as realistically as possible; then you cansense the horror, you in the audience. It’s the audiencethat’s supposed to say, this is horrific, not those onstage. Pinter, for example, orchestrates pauses; hewrites into the play “pause” at a certain point. Thosepauses are really absolutely unthreatening in Pinter;that is, one pauses because one doesn’t know what tosay next. However, if you do it wrongly, you can makethose pauses the most threatening things in the wholeworld, as though something cerebral and strange washappening in the pause.Reddy : People take what was originally intended asa reflection of a real situation as some kind of surrealor absurdist technique.Rudall: Indeed. That’s why we wanted to do it in thefirst place. We then felt that we should probably act it,since we felt so strongly about it.Reddy: Since you’re both English, were you in¬terested in the finer details of pronunciation?Rudall: Yes, we’re very interested in that. Iremember once seeing a short film of Pinter workingwith Donald Pleasance on a scene about an old mangoing to buy a cup of tea. The film showed Pinter andDonald Pleasance going over one line twenty or thirtyor forty times to get it right.Reddy: Just the pronunciation.Rudall: Just the pronunciation. So, in a strangeway. there’s a curious mixture of internalization andexternalization in these plays. That is, to be able tomake them work, you have to find internaljustification for these characters till it’s coming out ofyour ears. At the same time, the speech pattern is soabsolutely accurate in the first place. Pinter’s ear is soextraordinarily perceptive in picking up speechpatterns, that one can actually find a characterthrough just seeing the way he talks. The firstrehearsals were just trying to find the people we’dheard talk like this.The next step in the thing was this; we did want tosee if we could both act it. and at the same time haveother people direct it, which could have fallen flat onits face. It’s a very strange process. We asked forvolunteers who w'ould like to direct the play, and wehad about six or seven.Roddy What was the idea behind thi*9Rudall It was meant very simply, perhaps blatantly, to be a form of instruction. They wouldlearn by doing, that is, putting a show on. whichmeans, for example, working on one hideous problemin this play, assembling a set. There are close to twohundred and fifty objects on the stage to be collectedand arranged. Then there are the simple things thathave to be done, setting up a rehearsal schedule,getting people together. But then the other aspect ofdirecting has also worked. Those people who have feltinclined to be there as objective commentators, arethere and we do take their advice.Reddy: What stage are you at right now. are youdoing dress rehearsals yet. or run throughs. or are youstill working on different parts of it?Rudall: Dress rehearsals will start next week, nextMonday. We’re at a complicated stage actually; we rerunning the play each night trying to get the oneaspect of the play which has been very difficult. Theplay depends on rhythm, the slowness or the quicknessof speech. Individual units of the play, individualscenes of the play have their own pace. Here is an oldman who just talks, about shoes, for example, for fiveminutes in various configurations saying the samething in about twenty different ways. And the nextscene will be very quick, violent, physical. What we redoing at this point is trying to reach a peak; we getexactly the right pace, the exact slowness and theexact quickness not too fast, and not too slow. Andthat’s what this stage of rehearsal is for. We’ve foundone strange thing, I don’t think we could haverehearsed this without having the set in all its detail.It's like living in a room. We've also found that to wearthe costumes that are required is very important. Forthe last three weeks of the production, we’ve beenworking on a mock-up of the set.Reddy: What do you think of that very commontheme in Pinter’s work? There is very often acharacter who starts out in a subservient role andends up in a position of power. I wonder, do you thinkPinter imagines he is investigating peculiarcharacters or an aspect of all human interactions, orwhat’.’Rudall: He commented on his more recen‘ work asbeing without violence for the first time; therefore, Iwould hesitate to say that he thinks this is the humancondition. On the other hand I would not like to saythat Pinter would not think that the violent acquisitionof territorial rights is not a very strong part ot humannature. That's something he is obsessed by. He hatestalking about his plays, as you may know. He oncegave my favorite cryptic answer; he said that hisplays were about “the weasel under the cocktailcahinet ” Evil* things going on without anyonenoticingFridoy, May 4, 1973 - The Chicago Maroon - 9Wagner and Horne Move ChicagoansBy TOBY LOU HOFSLUND“Moving" is an often overused word.However, when describing Sir GeorgSolti's performance of the third act of(iotterdammerung. it not only fits, but ifanything is an understatement.Solti's Gotterdammerung —it was hisalong with the orchestra—reached thedepths of intense emotion and peaks ofexcitement. And throughout this magnificent performance Solti wasfirmly in command. Whether thedecisive general or the playful puppeteer. at all times he was a mastercraftsman, a sculptor molding the raw-clay of dynamics, motifs, andunresloved harmonies into a finishedform fired with beauty and artistry.This concert version did not lack thedrama of the opera house. The scenariowas all there in the handling of the music. Orchestral echoes created thedepth of visual space. A sensitivity tothe detail of shading and colorsfashioned a picture of the wild andwoody valley with crags and cliffs.Snatches of Wagner's numerous motifsrippled in and out with the ease of tinywaves lapping at the banks of the Rhine.Also, listening to the different temposand the direction of phrases in themusic, one could picture the huntingparty making and hurried descent to thevalley floor (accompanied by horn callsthat also came nearer and nearer), thesplashing Rhinemaidens, and thetortured procession described with themajestically mournful orchestralpassage known as Siegfried’s FuneralMarch. The grief in the music produceda genuine emotional response. Even theebbing away of Siegfried's life could beheard in the beat of the fading, falteringdrum.C'olors, force and majesty reallycame about through the ChicagoSymphony Orchestra. A superb en¬semble at its finest.Although Solti dominated this Got-terdammerung the eight soloists eachcontributed their fair share of ex¬pressiveness and insight as they cutthrough the mammouth orchestra withvarying degrees of success..Jess Thomas, America's fine flexibletenor, sang Siegfried with expressionand intense feeling when reminiscingsoftly about his past or dealing boldywith the Rhinemaidens. Helga Der-nesch as Brunnhilde sang with a well-focused. pointed tone and broughtreserves of energy, power and emotionto her role as her voice soared. MarttiTalvela came across as a malevolentlyangry Hagen and sang with a resonant,dark, smooth sound.Whether their attitudes were benttoward playful frolic, charm or anger,the Rhinemaidens—Gwendolyn Jones,Barbara Pearson and SandraWalker sang individually and togetherwith tonal qualities that glistenedcolorfully against the orchestralsoundstream like the dazzling sun¬beams of a spring rainbow. There werealso fine performances from the twoGibichungs, Donald Gramm (Gunther)and Karen Altman (Gutrune), and themen of the Chicago Symphony Chorusacting as Siegfried's bold vassals.It was indeed a memorable per¬formance. And the audience was quickto recognize this. The long sustainedenthusiasm of their ovation demandedmany curtain calls from conductor andsoloists. Only at the end, when Soltifinally came out alone—accompaniedonly by thunderous applause—did hisorchestra disobey as they refused to stand at his call. They would not intrudeupon his sole acceptance of theclamorous thanks that rivalled theintensity and volume of their own soundmoments before. Instead, they joined inhonoring him.Any music following on the heels ofthat Gotterdammerung would havetrouble inspiring the audience. For¬tunately, Marilyn Horne’s singingSaturday night at the Auditorium of¬fered the listener a great manypleasures and surprises, somepredictable and som not.We usually don't think of MarilynHorne as being able to sing a simplesong. Well, the Debussy and Fallataught us a lesson. In both she con¬vincingly captured the mood of musicand text and displayed vocal resourceswe hadn't heard in appearances atLyric Opera. In “Beau Soir” her lyricalvoice shimmered like the setting sun.She alternately bubbled and sustained arich, smooth tone in “Mandoline”. Andthe distinguished soprano of the Metbrought superb technical ability andsensitivity to Falla’s “Siete CancionesPopulaires Espanolas”.She was all charm and flirtatiousnessin Wolf's “Aufeiner Wanderung” and“In dem Schatten meiner Locken,” a bitof a comic in “Mein Liebster hat zuTische mich gelanden.” Yet to the lastof the group. “Mignon: Kennst du dasLand," she brought an exceptionallybeautiful interpretation and performedlyrically and easily with gorgeousresonant mixtures in the high notes.In the Rossini aria—“Non temer d’unbasso affetto”, from Maometto //—theornamentation, rapidfire turns and runsthroughout an extensive range cameacross in her own distinctive way. So?She sounded like a mixed quar¬tet sometimes a soprano, alto, tenor,and a lot of the time bass. And some ofthe bass sounds she produced wereplain ugly. On the other hand, no onecan knock a facility which changesregisters and hits notes with such speedand accuracy.The works in English were certainlyamong the pleasures of the evening. Herown obvious joy in singing was apparentfrom the very first phrases of Purcell’s“Sweeter Than Roses” and Arne’s “0too Lovely.” Handel's “AwakeSaturnia” and “Iris, Hence Away”from Semele rang out.as determined adramatic.And the final impression—a secure,through singer who loves to sing beforean enthusiastic audience (whichSaturday night’s was)—an ac¬complished soprano who brings artistryand expression to art song and lieder aswell as opera.Marilyn Horne sang before an enthusiastic audience at the Auditorium TheaterSaturday night. Photo by Christian Steiner.f§ lj lESSELSON’SFRESH FISH & SEAFOOD752-2870,752-8190. 363-9186 - 1340 E. 53rdROCKEFELLER MEMORIAL CHAPELSunday May 6,1973 11:00 A.M.BEVERLY A. ASHBURYUniversity ChaplainVanderbilt UniversityNashville, Tennessee“THE PAIHFUL WISDOMOF THE SURVIVOR’’ StudentDiscountModelCamera1342 E. 55t,h493-6700Most complete photo4shop on South Side. total price September Special toACAPULCO3 departures in SeptemberPer Personbased on double occupancyIncludes: Hotel accomodationAir fareTransfersAll taxes and tipsBilingual tour escortsMAKE YOUR493-1813Hyde ParkBank Lobby1525 E. 53rd St. RESERVATIONS NOW!10 - The Chicago Maroon - Friday, May 4. 19731Luke Larkin (Mike Dorf) proves that nice guys finish first and fresh oatmeal cookies build strong bodies twelve ways. Photo by Susie LyonYou’re a Good Boy, Luke LarkinBy LOIS ROSEMother love, oatmeal cookies,kumquat preserves, and a little helpfrom your friends—these are theingredients for success in HoratioAlger’s world, recaptured in the 1973Blackfriars production StrugglingUpward, based on the 1886 Alger novelLuke Larkin’s Luck.Mike Dorf, Marc Primack, PaulKruty, and Enid Rieser, veterans ofsuch previous smash hits as TheDemocratic Way, The Deceitful Dean,and You’re a Good Man, Charlie Brown,have once again upheld the Blackfriarstradition of excellence with originalbook and lyrics on a theme of un¬deniable contemporary interest- howto make it (even if the modern definitionof success would be a little puzzling toLuke). This year’s show is the firstBlackfriars musical not slantedspecifically at the University com¬munity and topical humor; StrugglingUpward deserves an audience broaderthan Hyde Park. Struggling Upward exploits the bestfeatures of musical comedy, collegehumor, and nineteenth-century virtuesand morality, all executed with in¬fectious high spirits and ingeniousprofessionalism by a large andunusually competent cast. Five chorusnumbers (“The Spelling Bee,’’ “TheQuadrille,’’ “I’m Innocent,” “NewYork Dance,” and the show stealer“The Code of the West”) give thesupporting cast ample opportunity tocontribute to the success of theproduction. Jeff Smith (Goofy) andKelly Kleiman (Madge) deserve specialmention for their preformances in thebar scene.Mike Dorf, who stepped into the leadrole on short notice after illness causedDanny Seitz to leave the show, provesthat familiarity with his own lines andsongs only breeds a great performance.Rather than succumb to the pitfall ofplaying Luke as a stereotyped goody-goody, Dorf manages to breathe morelife and credibility into his characterthan the plot would seem to allow. As Groveton’s local underdog, Lukesuffers the ignominy of unfair defeat athis high school spelling bee, the jeersand taunts of his rival Randolph Duncan(Rick Rayfield) and his rich-bovcronies, and, worst of all, tarnish of thesterling reputation Luke and his motherhave so carefully nurtured when he isaccused by Randolph's notorious andunscrupulous lather. Squire Duncan, ofthe theft of a strongbox from Duncan'sbank.Dennis Navarra plays the blustery,stuffed short Squire Duncan with greatstyle and swagger. He and BonnieEggers, who in the role of Miss MelindaSprague, the town busybody, sets thewheels in action for Luke's arrest, arevery good character actors. MissEggers’ “The Gossip's Tale” is a cleverpatter song and a highpoint of the show.Cleared of the charges against him bythe mysterious Roland Reed (DeanKrone), Luke is ready to start up thepath of success. Through the in¬tervention of Roland Reed and GeorgeArmstrong (Mark Johnson), a “rich Newr York capitalist.” Luke has thechance he has been waiting for to provethat he is trustworthy, dependable, and.as luck would have it, miraculouslyresourceful. Not even the wiles of a J.Madison Coleman (Steve Holliday)successful at the task Mr. Armstronghas set him. Luke triumphs lead himastray with a flourish that has not beenseen since Horatio Alger's day.It is hardly fair to suggest that Luke'sgood fortune is solely the result of maleintervention Without the ever-presentencouragement of his teacher MissHooper (Marguerite Kelly), his loyalgirl. Florence Grant (PeggyNewcomer), and the original Super-mom. Mrs. Larkin (Peggy Finertv),Luke Larkin might still be lookingforward to rewards as meager as afreshly baked oatmeal cookie.Struggling Upward will be performedtwice more this weekend. May 5 and 6,at 8:30 p.m. in Mandel Hall. Tickets are$1.00 for students and $1.50 for friends.Don't miss it!A MODEST APOLOGYThe information which appeared inlast Friday’s Maroon concerning theupcoming University Theatreproduction of May 24-27 was in error.Performances are scheduled for May24, 25, and 27 at 8:30 p.m. and May 26 at7 and 9:30 p.m. in Reynolds ClubTheatre. The evening will include twostudent-directed plays: a musical andchoreographed adaption of JeanGenet’s The Maids, director CourtDorsey, Movement. Melody Page, andMusic David Patton; and Chaconne,“An Original Dance Theatre Work” bynr student I orpna Kozan THE MONTH IN DANCEThe University of Utah's “BalletWest” will open the month of dance I’vegot in store for you, giving one show atthe Opera House, May 6, at 2:30 p.m.Ticket prices range from $3.50-7.50.As part of the Chicago Festival of theArts, T. Daniel, a pupil of MarcelMarceau, will give a mime per¬formance next Monday night at 8 inQuantrell. Halim El-Dabh, an Egyptianpercussionist, will offer a sound andmovement workshop on May 10 from6:30-8:00 p.m. in Ida Noyes Hall.Another workshop on May 11 from 5-6:30 p.m will be followed by a per¬formance in Ida Noyes at h The Leningrad Kirov Ballet is comingto Mandel Hall on May 15, alas, in theform of a film to be shown at 7:30 and9:15 p.m. Admission is $1. ArthurMitchell's Dance Theatre of Harlemw ill be here in person. May 18-19, at theAuditorium Theatre. Evening per¬formances begin at 8.Modern dancer Ze'eva Cohen willdance May 22 in Mandel Hall, sponsoredalso by FOTA. The concert begins at 8p.m. Interested in what Chicagochoreographers are doing and in seeingthe best of their work? Go to the “BalletShowcase,” May 24, at 8 p.m. in theaudiTorium of Northeastern Illinois University. The school is located atBryn Mawr and St. Louis Avenues.University of Chicago student LorenaKozan has choreographed Chaconne, adance to be done as part of the U. of C.Theatre's production of The Maids. May24-27. in the Reynolds Club Theatre. OnMay 26th The Maids will be performedat 7 and 9:30 p.m.; on all other nights-at8:30 p.m.Members of the Columbia CollegeDance Troupe, including directorShirley Mordine. will perform recentchoreographic studies at the DanceCenter. May 25-27 and June 1-3 Eveningperformances will start at 8pmFriday, May 4, 1973 - The Chicago Maroon - 1 1GER than EV,MORE BOOKS— More than 800 titles and editionsMORE TIME-5full daysMORE SAVI NGS — Huge discountsNew this year- sheltered waiting area in case of rain.Saturday May 5thru WednesdayMay 910a. m. to8p. m. the secondUniversity of Chicago PressSpringWarehouse Clearance Sale5^>th STREETEASY ACCESSfrom trains,the Dan RyanandLake Shore DrivePARKING ON THE MIDWAY59 th street IDA NOYES HALL1212 E. 59™ Streeton the University of Chicago campus12 • The Chicago Maroon - Friday, May 4, 1973The Little Film That Couldn’tBy DAVE KEHRI would like to be able to say that thefuror over Last Tango In Paris hassomething to do with the film itself,rather than the chillingly effectivepublicity campaign that United Artistshas developed for it. Last Tango InParis is not the greatest film evermade, nor is it the most erotic, nor is itvery much of anything. To find the filmitself somewhat disappointing afterreading nothing but lavish praise of itfor months and months is not suprising(that seems almost inevitable), but Iwas surprised at how little of what I hadread had anything at all to do with whatI saw on the screen. Last Tango In Parishas been blown out of proportion to thepoint where it is difficult to find theproper critical perspective. Whatever Iexperienced when I saw it wasnecessarily somewhat colored by what Ihad been expecting, and when the filmfell so short of what I thought it couldhave been (especially in the light of therecent run of The Spider’s Strategem) Ifound myself turning against it to aprobably irrational degree. There weremany things I liked about it, but I can’tsantisfactorily account for them in theseriously flawed context of the film as awhole. Last Tango has its moments oftrue excellence, here a flash of genuineinsight, there are nicely realized mood.But the conception is hopelesslymuddled: I found myself spending moretime trying to understand the order ofevents than I did on any other elementof the film. When a director is unable totell a coherent story, I begin to wonderabout his abilities in general. Sadly, itseems, in Last Tango at least, thatBertolucci is no more adept atdeveloping themes than he is at han¬dling plot. In the cinema, probably more than inany other art except music, the formbecomes the content. The way the ac¬tors stand, what color clothes they haveon, the way the shot is framed—theseand the many many other elementswhich come together as the film’s mise-en-scene carry a weight of the meaning.Film as a medium is incapable ofdealing in abstracts. These things arebetter left to the novel and the essay. Afilm shows, it does not tell, and there iswhere its strength lies for a directorwho can exploit these particularities,for a director who can make us see. Thisis what Bertolucci was able to do in, forexample. The Spiders Strategem. Whenthe young man gets off the train at thebeginning of the film, Bertolucci uses along tracking shot down the main streetof the town to show the mystical at¬traction that it will have for him. Theshot serves to draw the caracter into themileu, serving simultaneously anarrative and thematic purpost. In LastTango, on the other hand, there is anenourmous dispairty between form andcontent.The film is full of stunning shots, sobeautifully lit and composed that youcan’t help being impressed by them. Inan early scene, Brando takes anelevator up to the apartment where heholds his liasons with Maria Schnieder.Bertolucci holds on the elevator as itgoes up the well, and comes to rest on aglobe light hanging from the ceilingagainst the background of the art decomolding on the wall. It’s a ravishingeffect, but it has, obviously, no relationto what is going on in the film. As thepicture continues, these gratuitousshots, does simply because the op¬portunity was there, get more and moreannoying. This is the picture post card approach to filmmaking. If it lookspretty, it goes in, never mind that theshot has nothing to do with the action, orindeed, works contrary to it. Much ofthe film is shot with a smooth, elegant,well balanced style—the exact an¬tithesis to the action. Bertolucci doesnot seem to realize that well-balanced,classically composed images areinappropriate to a story of socialalienation and psychological violence.Brando's isolation, instablity, anddesperation are not well portrayed bysmoothly symmetrical tracking shots,which show harmony and tranquilitywhere none exist.There is one scene, at least, whereBertolucci is able to make sense of hisvisual style—towards the end of thefilm, when Brando takes Schnieder outto a ballroom to attempt a recon-cilitation. They drink and watch a tangocontest, which develops into the centralmetaphor of the film. Bertolucci cap¬tures the scene almost perfectly: thesmooth tracks across the bleakballroom mock the stiff formalmovements of the dancers, whichBrando and Schnieder will mock inturn. The shine of the varnished dancingfloor contrasts effectively with thecrumbling white plaster and splinteringwoodwork of the rest of the ancientbuilding. These deadfaced dancers,stomping through their ritual to the non¬beat of the sleazy orchestra, become theembodiment of everything Brando, theradical individualist, has resisted.Drunk, he and Schnieder invade thefloor, laughing and sliding and falling,until they are thrown out by an irate oldwoman. It is here, and only here, thatLast Tango lives up to something of itspromise, no mean thing to do.Bertolucci makes it clear that the character that Brando is playing isBrando himsell, or at least the Brandothat we have come to know through hisfilms. At one point, a minor characterrecites Brando (Paul’s) biography— asummary of his film career from On theWaterfront to Mutiny on the Bounty (apart which Brando humorously slipsinto in the ballroom scene). Thecharacter of Paul is, then, little morethan the sum of our impressions ofBrando on the screen: The Great In¬dividualist. Brando’s iconographicalsignificance, accumulated mainly in thefifties, is then turned back upon itself.Brando, now nearly fifty, is old, tired,and out of his element in the world thatBertolucci has conjured up for himIt was easier to be different in thefifties; all you had to do. it seems, wasto refrain from playing golf. Now, saysBertolucci, times have changed,everyone is different, and somehoweveryone is the same. Yesterday'sindividualist is today's misanthrope,not so much independant as he is alone.Brando's performance is impressive,but far from great, especially whencompared with his past work. Perhapswe have too much of Brando the manand not enough of Brando the actorBrando, himself, seems to be havingtrouble discovering the right per¬spective on his role, not quite being ableto decide if this is Candid Camera orPlayhouse 90.Bertolucci's film is about peoplebeing alone together, but is it good formto alienate the audience from the film aswell as alientaing the characters fromone another? The film held my attentiononly on an intellectual level, andsometimes not at all. Yet, as I said, ithas its moments, but I can't quite un¬derstand why it should.CO-OPSPECIALSCOUNTRY'S DELIGHTCHOCOLATEMILK SCOTTTOILETTISSUE1000 sheets GRADE "A" WHOLEFRYINGCHICKENS45* GOLDENBANANAS10*,NOW! 15 CHECKOUTS TO SERVE YOUTHE NEW YOGURT CENTER IS OPENNEW HOURS MONDAY-WEDNESDAY 9 A.M. -7:30 P.M.THURSDAY-FRIDAY 9 A.M.-9 P.M.SATURDAY 9 A.M. 7 P.M.SUNDAY 9 A.M.-5 P.M.HYDE PARK CO-OP SUPER MARKET1526 E. 55th STREETFriday, May 4, 1973 - The Chicago Maroon -1.3•’* f ■ ’« ,v. ■ * v * \mLive Scenery Bursts Through NewspapersBy NANCY MOOREChicago dance concerts do not alwaysoccur in well-lighted theatres withsumptuous velvet curtains and prices tomatch. There was a dance Friday nightunderneath the El tracks, nearthe dark, clammy intersection ofWabash and Van Buren. It emergedfrom behind a wall of newspapers, not acurtain, and was accompanied by theaural equivalent of State Street at 8am. The scenery was alive. Theaudience, who paid $1 to get in. num¬bered five..Jagna Stangenberg. a former studentof Chicago dance instructorFrances Allis, had ventured fromNew York City to give a performance inher old home town. The tiny Third FloorTheater at 22 E. Van Buren must havereminded her of why she left Chicago inthe first place. In New York she danceson such hallowed grounds as theCubiculo and Washington StreetMethodist Church while studying withthe Paul Sanasardo Dance Company.For her three weekend performanceshere. .Jagna chose five dances whichwould fit into a small space, needing aminimum of props and lighting effects.The scenery, as mentioned above,consists of Francis Allis' ramblingassortment of potted plants. As is usualwith dances staged in this theater< room *. half of the floor was allotted toDANCEthe performer, the otherhalf-to theaudience, with two supporting columnsdividing one from the other.I nless the choreographer is billiant,dances in this space tend to movehorizontally, presenting a two-dimensional surface to the audience.The dancer must be careful not to lurchinto a pot or pole. And because of theshallow dimensions of the room, adancer's body seems enormous.For those desensitized to movement,the small dance theater may succeed indoing what the richly layered operanouse will never do—get the dance intoa spectator's muscles so that it becomesmore than an intellectual diversion.When you're sitting two feet away froma dancer, you can t help noticing the gasps for breath, the sweat, thevulnerability of a supporting leg. Youfind yourself wanting to breathe for thedancer, to wipe off the perspiration.When the dance is over, you may very well find yourself as wet as if you’d beendancing.After Jagna’s concert, (as the adgoes), I was still dry. Which is not to saythat nothing happened. As a dancer and choreographer this solid, dark-hairedwoman with bold, floor-bound shapes offlawless and unbroken line. A move¬ment phrase is stark—stripped offluttering fingers, aimless left arms,uncertain steps. Her balances never tipprecariously off-center, one never fearsthat she will fall. Perhaps because ofthe limited space, or because sheprefers the floor to the void above it, hermovements began low. “Why fly inspace when there is so much to be doneon the ground?,” she might say.However you read that, my responseis that in Jagna’s case the groundproblems are minimal—she knows howto take off and land, her balances ap¬pear effortless because she’s strong andshe knows where her center is, sheunderstands precisely how to get fromone place to another. So what’s keepingher down? The lack of space, I suspect,and some fear of tangling with theforces of gravity, of submitting for aninstant to the powers which play on abody after it’s left the ground.Jagna’s favorite piece of her Fridaynight concert, The Red Chair, was anintimate communion between dancerand chair. Its success as a dancer mightbe estimated by considering that at itsconclusion the chair had been imbuedwith the dancer’s energy. One forgotthat such furniture should be sat uponand saw instead a formidable objectwith the powder to move a dancer.Jagna initiated this enchantmentwhen she walked out from behind thenewspaper partition ringing a tinygolden bell. The silence around eachring was a noose. One noticed the barsof the red wooden chair and the tautgathering of her rik cage. With thesudden introduction of a Charles Ivesrecording, this repressed energy ex¬ploded into a movement tantrum. Thedancer dashed the bell to the floor.Admist her frantic contractions thechair loomed square and rigid—its slatsforming the grid of a cell.Jagna Stangenburg performs her world-famous imitation of the Maroon editorialstaff at 4 p.m. on Thursday.The Horace Silver Quintet is at theJazz Showcase through Sunday, May 6,featuring the Becker brothers, Randy ontrumpet and Mike on tenor. On Wednes¬day, May 9, for one night only, Richard“Muhal” Abrams is there with theAACM All-Star Band, led byKalaparusha Difda. From Thursdaythrough Sunday, May 10-13, the world’sforemost drummer, Elvin Jones,returns with his quartet. Tonight on the rock scene, you’ll findLittle Feat and John Sebastion at theAragon, and Argent will be at theKinetic Playground. There’s a rumor(unconfirmed when I am writing this)that Phil Ochs will be performing at theQuiet Knight this weekend. If so, it willbe the first time he has been in town inyears, and will be my pick of the week.Jim Post is at Amazingrace in Evan¬ston, an all too rare chance to see himsince he left Chicago. With her energy dissipated, thedancer pulled herself back together andmounted the chair. She caressed itsback with her hands. The slatsglistened. She crept to the floor, laydown, and covered herself with the seatof the chair. It sank into her chest. Ashort breath, a chest lift, and the chairhad slid over and onto its back. Thedancer turned to contemplate the raisedwooden legs. An obstacle removed fromher life? Or a red prison from which shecan't escape? I wasn’t sure. But the bellnever rang again.(RATING)1 HILARIOUS"ROGER EBERT, CHICAGO SUN TIMESMAX ItBMANSTen wornYOUA/HOWOF/HOUJ/- -.SID CAESAR IMOGENE COCA CARL REINER HOWARD MORRIS..«„MAX LIEBMANPLAYBOYtheater12p« N D—fbotn . 944 >0414 - The Chicago Maroon - Friday. May 4, 1973o' • noo^oM jgoiTilxeoi -{AVI t yow ,fi bni *****#*****t*********** COLD CITY INNi given * * * * #***by the Maroon *New Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m.A Gold Mine Of Good Food"Student Discount:1 0% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.* (Try our convenient take-cut orders.)* #tfc***********aMc************L KIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141. 53rd St.53-Kimbark Plaza NY 3-3355CONCERTSGEORGE BENSONBy BEN HUANGPeople watching at the Jazz Showcase is an interesting diversionwhile waiting for my favorite jazz guitarist. Many are guitarists,with the calloused fingertips of the left hand that give them awayevery time. Kind of like the forever tilted head of the flutists. Someof the guitarists are classical players as they impatiently arpegiatethe table with their long and shaped right hand fingernails. Also it'sa nice game to try and identify some locally famous musician. 1 Say,that looks like Jack Cecchini over there." So who's Jack Cecchini?Probably the best Jazz/Classical guitarist in Chicago.So who s George Benson? Very possibly the best jazz juitarist inthe country. While there are other excellent jazz guitarists around,most of them tend to be specialists. Jim Hall is at this best playingchords and rhythmic figures behind a group. Johnny Smith istechnique personified, but his musical ideas tend to be unoriginaland predictable. Tal Farlow is the speed merchant of the finger¬board, but sometimes lacks sensitivity in his ballads. So what do youdo if you are hearing someone who has the Johnny Smith technique,the swing of Charlie Christian, the musicality of Jim Hall, and thepure speed of Tal Farlow? Probably do as I did; order a beer, sitback, and listen.George Benson and his quartet - Earl Klughe on amplifiedclassical guitar, Roland Wilson on bass, and David Parrish on drums- started off with "The Gentle Rain", a light and bouncy tune.Although enjoyable, it wasn't an outstanding son, and I suspect thatit served to warm up both the band and the audience. But Georgereally wowed the crowd next with an extended blues numberfeaturing some amazing dialog with Earl Klughe. George didn't letthe crowd get away as he continued to hold them in his magic with aJimmy Smith song called Ready and Able". It was a fast bebop stylesong, very much like vintage Charlie Christian. Some of thepassages were played with incredible speed but always withflawless accuracy. What's more impressive were the many difficultshifts in position on the fingerboard. Watching him handle theguitar rapidly and fluidly and still maintain his lines of musicalthought is awe-inspiring.George Benson is not all technique though. His ability to use theguitar to express and communicate his ideas is what distinguisheshim as a great guitarist. Benson demonstrated this when he nextplayed a gentle ballad featuring predominately octave playing, atechnique pioneered by Wes Montgomery and well suited for soft,reflective songs. George and Earl Klughe then collaborated on aflamenco tinged song called El Mar". Earl showed his well con¬ceived adaptation of flamenco techniques to a jazz tune with somerousing rasqueados (a flamenco technique of percussiveleysweeping all the strings with the right hand fingers) and tremolos.Earl continued with (a very delicate and sensitive) solo in¬terpretation of When You Wish Upon a Star". Earl made good use ofthe pizzicato and harmonic techniques which accentuated the soft,almost whimsical mood of the tune.The group finished their set with a bossa-nova type of song. Abrief review of the types of songs played will give you an idea of theversatility of George Benson. It wasn't only versatility in merelybeing able to play different types of songs, but the complete mastery of the styles: the almost introspective playing of theballads, the vigorous playing of the Jimmy Smith tune, and the funkand feeling of the blues number proved to me that George Bensoncan play just about any type of jazz and play it well.I had a chance to talk with George after the set and he impressedme as a gentle and humble man: unusual in the music world, andespecially when he has such formidable talent. He showed me hisguitar which I spotted as a D'Angelico (comparable in the jazzguitar world to an Amati or a Stradavari). We talked about recordcompanies, and he said that the company he records for now (CreedTaylor Industries, who also have Hubert Laws, Ron Carter, and Fred¬die Hubbard) is the best that he s found. Benson can be heard on-White Rabbit, a record he did for CTI, and he said he s going intothe studios in a month or so to do a new album.The George Benson performance was one of the most satisfyingmusical experiences I've had. Another triumph for the JazzShowcase. It's been 2 days since the show, and I can still see thosefingers dancing unerringly on the fingerboard, and still hear thealmost miraculous sounds echoing in my memory chambers.SUN RA-ALICE COLTRANEBy LARRY FRISKEIn the second production sponsored by Jazz Extensions In BlackDimensions", Sun Ra and his Intergalactic Myth-Science Arkestraunveiled a sight-and-sound spectacular of fantastic dimensions. Thepresentation was a live-multi-media show of dynamic Space Theatreenvolving at least twenty instrumentalists including four trap drum¬mers, an ensemble of horns and saxophones in addition to a chorusof singers and dancers. The listener was projected into a panoramasound excursion aided by a slightly less effective visual journey. Rawas in complete charge as he danced around the stage in his blueand yellow solar-inspired combination of tinsel capes andheadgear. From his keyboards of Solar Sound Organs and mini-Moog synthesizer, which was hooked up to a strobe panel, layersand layers of solar sounds were peeled off laying the basis for solosand group-improvisations by the Arkestra. The Sound of theUniverse is within my voice.For many years, the composer, arranger and keyboard master,Sun Ra, has been the leader of his ensembles, beginning here inChicago, and since 1960, in New York. Early in his career, he playedpiano with Fletcher Henderson s house band at Chicago s Club DeLisa and was also with Gene Wright s big band. He has recorded atleast 30 albums by now, a number exceeded by very few jazzmusicians, but many were issued on the elusive Saturn label. Ra sbig band method is to present his players with clearly-definedoutlines of his music s forms and within these the members arerequired to improvise to their fullest capabilities. The movements ofband-soloists-rhythm section-background provided an arena forRa s love for multi-sound colors. The method moves from rhythm,then sound, and then ensemble density. It's difficult to compare Rawith any other music, including the avant-garde, and Ra has con¬sistently maintained his independence from either traditions or thenew thing eminating from these traditions. Too many people arefollowing the past. In this space age, this is dangerous. The past isDEAD and those who are following the past are doomed to die. The choral units further defined the cosmic consciousness of theArkestra by asking, Do you call this life here? Let s show themwhat love is! This launced the dancers to life and sparked the en¬semble into an explosion of rhythm and a dynamic orgy of sound.Regrettably, this was briefly interrupted when someone apparentlythree glass onto the stage underneath the dancer s bare feet, prompting Sun Ra to reaffirm that Chicago has never been very nice tohim and adding that we are acclaimed throughout the world andwe don t need America. We ve risen above America.Fortunately, the incident did not dampen the spirits of theArkestra which burst forth with Space Is the Place," the title cutfrom the latest album and proceeded to carry the music into theaudience and the aisles from a 360-degree stereo effect. The wholeArkestra lead into a drum-ensemble which prompted the con¬cluding segment of Ra s improvisation as he unleased his musicalgenius on his Solar Dound keyboards. The Universe in me to con-vers with you."All of this was in addition to a fine set by the quartet led by AliceColtrane which opened the evening. The music of Journey In Sat-chidananda was inspired by Alice s association with the Swami Sat-chidananda. It is more than a musicol composition-it is an unveilingand confession of faith. This was the first time I d heard it done withorgan, and the heavier solor added to the subdued mood of themusicians early in the set did not provide any memorable spark. Infact, except for two stints with her harp, Alice regrettably preferredthe organ throughout the evening.The late, great John Coltrane lives on in his compositions and it isparticularly striking when one is able to hear his musical thinking asinterpreted by Lady Trane. Reverend Mr. King and Leo allowedtenorist Frank Lowe to shine brightly showing his highly free formand piercing style. His most intense and rasping solo come onMiles Smiles, making his tenor sound like a completely differentand unique instrument in his hands. The veteran Reggie Workmanburst forth nicely in a virtuoso bowed bass solo in the compositionOn Africa and by this time the audience s standing ovation urgedon another one of John Coltrane s well-known numbers, MyFavorite Things.Yusef Lateef accurately suggested, in a discussion after the showthat John Coltrane lives through Lady Trane He could have addedthat he will live as long as there is the freedom of Black classicalmusic.FACESBy JUICE AND THE STARLast Wednesday, the Auditorium Theatre sponsored an eveningof entertainment which was marked by an air of taste andrestraint—two element s which are usually not to be found inpopular music s periodic table. The concert opened with a short setby Sandy Denny, who is perhaps best known to American audiencesas the writer of Who Knows Where the Time Goes . Formerly thelead singer of Fairport Convention, Miss Denny now chooses to perform solo, conveying the emotions and thoughts of a woman of immense musical and lyrical maturity. Her songs reveal her Britishorigins, as they often structurally resemble Old English and Scottish(Continued on page 17)CORSO cornerCORSO CORNERRussian folk dance workshop at Ida Noyes Hall; Friday 8 p.m., Satur¬day 9:30 a.m. and 2:00 p.m. Admission per session, students $1.50,others $2.00. Party Sat. 8 p.m. Free outdoor dance on mainquadrangle (Ida Noyes in case of rain) with the Vardan MacedonianOrchestra playing both folk and rock music. For info call Janet 955-8184.CAY WOMEN'S COFFEE NOOSETONIGHT 8-12BLUE GARGOYLE5655 S. UNIVERSITYINDIA ASSOCIATION OF U OF CCelebrates "Holi"-The Spring Festival of Colors-with Indian Sweets.On Saturday, May 5th7:00 P.M.AT IDA NOYES THEATEROPEN TO ALL FREE OF CHARGEFOTA *73 CONTINUESMONDAY MAY 7 MIME with T. DANIELQuantrell Auditorium 8:00 P.M. FREEWEDNESDAY MAY 9 CULINARY EXPERTISEwith CHEF LOUIS SZATHMARY, head chef andproprietor of THE BAKERY Restaurant.QUANTRELL AUDITORIUM 3:00 P.M. FREEWEDNESDAY May 9 NOONTIME SERIES CHALK-INHUTCHINSON COURT 12:00THURSDAY MAY 10 NOONTIME SERIESMEDIEVAL TOURNEYwith the SOCIETY FOR CREATIVE ANACHRONISMMAI QUAD 12:00THURSDAY MAY 10 MODERN DANCEGalim El-Dabh, Ethiopian percussionist and DancerWorkshop.IDA NOYES 6:30-84)0 P.M. FREE With TWAit pays to be young.TWA’s got a lot of things to help youin a lot of ways around the U.S. and Europe.But nothing comes close to the adventure¬some brave blockbuster Worldtrek expe¬ditions (arranged exclusively through TWA).Worldtrek.This isn't a vacation, it’s an experience.From two weeks trekking the fjords ofScandinavia to 12 weeks on a pilgrimage,to Kashmir. You’ll find yourselfcamping with nomadic reindeerherdsmen, or boating across theBlack Sea to Yalta.For the exciting details, go toyour TWA Travel Agent, TicketOffice, or Campus Rep. — or sendthe coupon below.TWA - "IT PAYS TO BE YOUNG,”Box 25, Grand Central Station, N.Y., N.Y. 10017Please send me information on the following:Worldtrek Bonus Coupon BooksStu tel pass Ovemite PassDestination Europe Pack Bed and BreakfastNameAddressCity State Zip■'Service marks owned exclusively by WA.or call campus rep. James Boggan 955-4705Friday, May 4, 1973 - The Chicago Maroon - 15Today Saint Alphonsus...By MELINDA KANNERAND KAREN ROOTHAANThe Stone-Camryn School of Ballet isin some dance circles an impressivename. Its distinguished dance-masters.Bentley Stone and Walter Camryn, haveshaped their young students into highlyproficient performers, as demonstratedin the School's Annual Spring Concert atthe St. Alphonsus Athenaeum Theatre.The Stone-Camryn proteges havetalent, enthusiasm, and stage presence.They showed that the success of aperformance depends ultimately on thedancers; material and direction ex¬clusively cannot make or break adance. At times the choreography wasunimaginative, but the dancers neverfailed to be anything short of amazing.Stone and Camryn may be heldresponsible for uninterestingchoreography, but they must also begiven credit for the excellence of thedancers they have trained.The Athenaeum Theatre, small butwith enormous boxes and over-sizedornamentations, was jammedjwithbeaming parents and siblings. Even inthe main floor, last row. we had a senseof intimacy with the dancers. A feelingpermeated the theatre that no one wasgoing to judge by particularly rigorousstandards; that everyone was there tohave a good time.The easy-going atmosphere wastransformed into one of electricity withCarnival Dances, choreographed byCamryn to Mozart. Our immediatereaction was, “Hey these kids aregood!" Mostly on pointe, nine girispirouetted and weaved around eachMASS MEDIA/73presents a public lecture by other, sometimes ducking under eachothers’ raised arms. Smooth ports debras were coordinated with equallysmooth developees en pointe. Crispsoussus and controlled pas de bourescharacterized the dancers’ precisefootwork. The proximity of the dancersto the audience made it possible forthem to contact each member withsincere and ever-present smiles.Andante from Schubert Trio, alsochoreographed by Camryn. was dancedby Mark Trudeau, who partneredAnnette Kubajak and Vannessa Meria.and Charles Pizarro— partneringJudith Bardis and Marth Birchett. Eachtrio danced as a separate unit,repeating the intricate, almost tortuous,weaving patterns used briefly in Car¬nival Dances. The girls wore soft, puff¬sleeved dresses, beautiful in that thecolors were muted, not the usual Easteregg shades. The romantic music andcostumes were a fitting background forthe lyrical dancing.To The Sun opened with TheElements, led by Julie Walder, breezingacross the stage in ephemeral pastels.The touch of another choreographer.Stone, was evident in the loose, flowingmovements of this piece. The Elementswere soon joined by The Earthlings—four men in grey and black and brownleotards, who looked like granite andsoil. They tremored and quaked, layisometrically rigid, and moved with ajagged hardness characteristic of earthelements. When spring came, theydefrosted right on stage. Spring washeralded by The Peasant— four girlsMessed in pink-and-blue dirndls and aooy in lederhosen. The peasant dances culminated in a May Day ceremonywith the boy serving as a maypoleEach group. The Elements, The Ear¬thlings. and The Peasants, would dopart of its dance, only to give way toanother group. The action began tochange so fast that the mood became abit frantic, as though no one wanted tostay off stage for more than a fewseconds. The confusion was heightenedby contrasts between the gentlysweeping Elements, the restraineddynamism of The Earthlings, and theprancing, high-kicking antics of ThePeasants.Lilacs from a Dead Land was located,w e assume, somewhere on the coast ofGreece, spilling onto theMediterranean. The beachcomberswere basking and lolling about theAthenaeum set. Orange and whitestriped socks covered one group fromneck to toe. Judith Svalander and Ms.Walder wore midriff halter tops andpalazzo pants. All wore toe shoes. Themen were dressed in red tank tops andbrown pants. Of particular interest wasMs. Svalander’s barefoot solo. In awhite bikini and huge grey cape, sheteased the audience with seductivemovements, often suggested onlythrough the cape.Enfortunately we could not stay to seethe whole concert— it w;as over twohours long. Three other ballets whichwe did not see were The SingingYankee, Divertissements, and Cum¬berland Gap Suite. Eor a group whoseaverage age is 15, this long evening ofseven ballets was no small ac¬complishment. Ho3o•i•ioJoseph Kraftsyndicated columnistTuesday, May 8,1973,8 pm.The Law School Auditorium, 1111 East 60th StreetJoseph Kraft, a syndicated columnist since 1963,writes for more than 100 newspapers in the UnitedStates and abroad, including the Washington Post, theChicago Daily News, the New York Post, the BostonGlobe, the Los Angeles Times and the Baltimore Sun.He is a regular contributor to the New YorkerMagazine and has contributed articles on foreign anddomestic policies to Harper's, the Atlantic Monthlyand the New York Times Magazine.!V!r. Kraft was one of two nationally syndicatedcolumnists to accompany President Nixon to Chinaand the only Amerucan journalist whom the Chinesepermitted to stay on. He is the author of three booksand is also one of the few American newspapermen tohave visited North Viet Nam.NO TICKETS REQUIREDNO ADMISSION CHARGEW:M A CALL TO ACTIONORGANIZE!Get together some friends and set up a table atthe FLEA MARKET. Sell your Trash; Pocketthe cash! Tables, bookshelves, lamps, books,curiosa, impedimenta. May 19th. Details: 3-3591Student Activities16 - The Chicago Maroon - Friday, May 4, 1973\ Vf ■ nooioM cuo:m»0 ■ i'\i4 ’ > ifoM ,yobMCONCERTS(Continued from page 15)ballads, and reflect a distinctly European form of pathos. "It SuitsMe Well" and "Listen Litsten", both from her most recent album"Sandy", and "John the Gun”, an anti-war song, highlighted the set.What do you say about a Texan, who lives in Italy, who recordsin London and Hollywood, and who has somehow managed tobecome a cult figure of sorts in Chicago? Shawn Phillips, through aseries of performances at the Quiet Knight, has established himselfas an artist of seemingly unlimited talent. Unfortunately, his concertat the Auditorium was seasoned with a permeating dash of hero-worship (just who is to be held responsible for the saintly at¬mosphere is a mystjry—the crowd? the promoters? ShawnPhillips?), and one wondered if he hadn't come to see Donovan in¬stead of Shawn Phillips. Otherwise, Shawn delivered an ex¬ceptionally long set that was marked with his usual sense ofdelicacy, grace, and showmanship. Phillips opened with "Us WeAre", and continued in an acoustical vein with some of his morepopular tunes "We", "Hey Miss Lonely" and "The Ballad of CaseyDreiss". After a new song "The Lady of the Blue Rose", Shawn per¬formed "Butterflies"—a composition which served as a transitionalelement from the quieter songs to the electric ones which were tofollow.Assisted by three musicians, Shawn performed "Jesus Was ASpaceman”, "Anello (Where Are You)", and an usually good"Springwind", which featured exceleent work from Peter Robinsonon keyboards. Shawn's greatest asset is his panoramic voice, whichspans several octabes and then some. A medley of songs from thesecond side of his album Second Contribution followed, and Shawnclosed his set with "Not Quite Nonsense". His encore was long,powerful and driving, aselection of songs from the first side of- Second Contribution. It looks like no more Shawn at the QuietKnight.SHAWN PHILLIPS-SANDY DENNYBy JUICE AND THE STARAfter viewing the rather mellow sounds of artists Sandy Dennyand Shawn Phillips, we were off to Northwestern the following dayto rock with the Faces and Jo Jo Gunne. Northwestern Universitystages all of its major concerts in their huge fieldhouse, McGawHall. Needless to say, without a perfect sound system, the acousticsat McGaw are on a par with the Amphitheatre. Jo Jo Gunne did nothave a perfect sound system. In fact they took already pooracoustics and magnified the effects with overamplification of theirall too long 45 minute set.Jo Jo Gunne, was formed by two ex-members of Spirit, bassistJay Ferguson and guitarist Mark Andes. Featured throughout theshow was Mark Andes' brother Mathew on piano, gymnastics andlead vocals. If you never thought anyone could do stunts while sit¬ting on his piano stool, go see Jo Jo Gunne for that. Mathew Andes,unlike his brother and the rest of the group, is cute and enjoyable toview. In terms of their music though they are comparable to thesound (?) of the early Blue Cheer. The only recognizable song intheir whole set was their big hit of 1972, Run, Run, Run". The restof the thoroughly unrecognizable material is off their new album-Bite Down Hard .The audience, during most of the new material, was getting slap¬ped around with an iron glove, but like true Chicago masochiststhey enjoyed the whole thing. They calmed down a little after that, due to the cramped hour wait for the Faces. Ostensibly the reasonfor the delay was the nonarrival of organist Ian MacLagan s hair¬dresser, but all of us suspect the boys were up to something.All past faults were forgiven as the concert started with "MissJudy's Farm", one of the best cuts off the previous Faces' album, ANod Is As Good As a Wink To A Blind Horso. The Faces rockedthrough what can be best called the Best of Rod Stewart and TheFaces included "I'm Losing You,' Maybe I'm Amazed," and "TrueBlue". No matter how you like your Faces, soft or hard, they hodsomething for you.Each song was done well, with the possible exception of "I'mLosing You”. The song, particularly the drum solo by Kenny Jones,demonstrated that the band was too wrecked to be tight musically.But who cared? It sounded just fine. Another minor irritation wasthe similar treatment of every song by Ron Wood s guitar. As abassist with Jeff Beck, Woods stepped on Beck s guitar repeatedlyand so one would assume he has the skill as a guitarist, but all weheard was one basic riff. There are some positive aspects to Wood'smore aggressive, if repetitive, playing. The Faces hove long beensomeone s backup band and, now, lead by Woodsy and (Lane)Laneole on bass, the bond have become upfront full-fledgedrockers. Witness the title-track on the newest Faces album Ooh LaLa", the lead vocals are handled by Woods. Still, the main thrust ofany Faces concert is the man himself. Rodney is a master showman,a great vocalist (especially live), and an all-around fine entertainerHe can take some of the most insipid songs in Rock, like SiliconeGrown and Borstal Boys", and make them masterpieces. It is sim¬ple Rock and Roll Brought to you by Masters, and it is the treatmentaccorded to each of the songs by those masters that makes a Facesconcert worthwhile.RECORDSJoe Louis Milk v ■■'V#- v a V-1- #v < X- '-*• — vocals are passed among them. There is also oneRandy Newman song and four minutes and fourteen seconds of David Skinner s brainchild. LastNight I Had a Dream", the Newman Special,provides a good opening sample of Rundgrenselectronic flair.Long Road Home written by June Millingtonwho also sings lead, is my personal nominationfor show-stopper of the album. Written in NewYork while its composer was tired and homesick,stoned and crazed it's great mood music for mid¬term studying, quitting your job or dropping out ofschool. June also wrote All Mine in cooperationwith Jean, and overcomes the inherent sexismwhich seems to part and parcel of most lovesongs. Putting these two together with SummerSong and Polecat Blues", also written by thesame person, leads me to think that June is themost talented of the group. She certainly has themost melodious and strongest voice, althoughshe s in no way a budding Streisand.Unfortunately, for all their feminist histrionics,Fanny doesn't seem quite convinced that they canlast in a predominately male business withoutresorting to cutesey, fainthearted antics withdepressing regularity. Solid Gold", the now-we ve -finally-made-it ditty sung (after a fashion)by Alice with turn the stomach of everyone whohears it. Is It Really You? is another lump ofNausea in the same vein-about a pop songstresswho discovers the joys (?) of fourteen-year-oldboys, it's reminiscent ot a temale Alice Cooper.Nevertheless, incorporating only two losers onthis album leaves Fanny a lot better off than theywere before. Heads up, music lovers: Fanny is nolonger half-assed. --Elizabeth RussoDown the RoadStephen Stills(Atlantic SD 7250)Stephen Stills seems to have hit an extendedplateau during what began as his rapid ascent upthe musical mountain. Looking across thestagnant reaches of his recent career, it is almosthard to believe that he was once one of the mostincisive forces in Buffalo Springfield and CSNY.His new album finds him apparently veryresigned to his current position."Isn't it About Time", which opens side one,manages to sound angry and impotent at thesame time. "Lies" is a bitter lament about beingtromped on by his woman (does Stills suffer fromthe "Liberation Blues"?); rhe song isn't reallysexist, however. It's only the use of flashy stereoeffects in an attempt to disguise the fact that hisguitar doesn't have any balls that makes it seemsexist. "Pensamiento" was written in Spanishand I'm still working on the translation, but withthe quality of lyrics shown elsewhere I might likeit better not knowing what it means."So Many Times" is a two-level song - again,Stephen is oppressed by his woman (blues), buthere he uses an understated pedal-steel guitarand a vast hyperbolic of his own problem as thehuman dilemma to create a sad parody of theworst country "pins-and-needles-in-my-heart"songs. "Business on the Street" shows how ludicrous it is to write a song about the hassles ofbeing at the top when you haven't gotten thereyet.Do You Remember The Americans", on sidetwo, combines wry patriotism and good countrypickin in what is Stills' forte - capturing andrevealing one isolated moment. No microcosmhere, just a simple, troubled question. The bestsong on the album, "Down the Road", is about asclose to blues as this album gets. The road leadspast death, coke, grass, "herowine" and Jesus,and he s still gotta go on down the road/seewhat s goin' on". The spare slide guitar, the hoar¬se, raspy voice, and the very simple andrepetitive structure offer an honest and insightthat is often lacking elsewhere."City Junkies sounds so much like the Stones'Let s Spend the Night Together" that if Jaggersang it you might never notice the words weredifferent. Definitive proof that stills is notJagger, but its nice to know that Dallas Taylor,Chris Hillman, Paul Harris et al. could be theStones. "Guaguanco de Vero" comes across likePaul Simon hung over on Jamaican rum, feelingbad about his affair with Mrs. Robinson.Rollin' My Stone suffers from overelaboration of Stills apparent rolling stones'fixation, but is saved by the first really goodguitar work on the album. I assume that Stills isto be credited for the nice slide lines, and thereare a few quick riffs that I couldn't helped a lot too. Stills can t seem to play anymore (with a few exceptions) and his hang-upwith his departed woman shows that traumadoesn t release the same creative demons that itdoes for Joni Mitchell. Manassas is havingtrouble too, being too much noice for Stills ideas."Down rhe Road was nice, but the rest of thealbum was wasted. -Gage AndrewsMother's PrideFanny(Reprise MS 2137)In big bold print at the top, the type sheet says,"We can stop the Fanny puns-tfiese girls areserious artists. And do they give good music!"And an all-professional record company like War¬ner Brothers-Reprise wouldn t lie. I always knewthe group had the potential, although Fanny s firstthree albums were unpolished to the point ofbeing out-and-out embarrassing. (Charity Ballwas a mild exception). But with a little help fromtheir friends, in this case Todd Rundgren a truewizard and exploding star as producer, the girlshave matured admirably.Mother's Pride is an above-average rockalbum, both musically and engineering-wise.Todd took care of the horns-mellotron-synthesizercollaboration and he has already proven himselfseveral times. Fanny, composed of June and JeanMillington, Nickey Barclay and Alice de Buhr, canboth sing and write. Most of the songs on thealbum are written by these four ladies and lead2193NEW 73■ *193 50 Down. *68 88I Monthly 36 Payment*' Annual Percentage itote to 14 34 Total ADeterred price!*2673 18 MnTulitn A rscossr vO Bourn YWith OK Credit t*19351VOLKSWAGEN SOUTH SHOREAuthorized VW Dealer/ Open Daily —Closed Sundoy PhOH^*7234 S. Stony Island BU 8-4900CEF Presents Woody Allen-'s/inPLAY IT AGAIN SAMCobb, 7s00&9:15 *1Friday, May 4,1973 - The Chicago Maroon • 17wEverything’s French Except the PriceBy LESLIE KOHNFrom the outset of this article I mustmake it quite clear that this reviewprobably will not sound objective. Itreally isn’t intended to be. for I founddinner at "La Creperie,” 2845 No. Clarkin New Town, to be a truly appealingexperience. To attempt to describe itwith scholarly detachment would be todo it an injustice in my eyes."La Creperie" is a small and com¬fortable restaurant and is run by aBreton chef, along with a staff of onlyfour people. It offers some of the best inFrench cooking by specializing increpes and only crepes. Its manageablesize is an obvious advantage over the"La Crepe" chain of New York. Bostonand Philadelphia. It appears to be aquite successful operation; we had towait about 30 minutes for seating onerecent Saturday evening. While waiting however, one can watch the chef inaction as he prepares his crepes, oc-cadionally throwing away crepe shellsthat didn't come out to his liking. Theselection is somewhat limited, so thatall the fillings remain absolutely freshand do not sit around for long periods.They are about equally divided betweenentree crepes and dessert crepes,totalling about 15 choices in all. Atypical meal might consist of a tasty"salade maison," an entree crepe suchas creamed chicken; seafood; ham,egg, and tomato; or spinach, a dessertcrepe with a filling of strawberry,chocolate, powdered sugar, or GrandMarnier, and a beverage.We began dinner with the "salademaison," followed by a creamedchicken crepe for me and a ham, egg,and tomato filled crepe for my com¬panion. The chicken crepe came withsauteed muschrooms on top and was superb; the shell was crisp, thin, andtasty, the chicken filling was well spicedand had large chunks of juicy meat. Theham, egg, and tomato combination wasquite good as well. Both are recom¬mended.FOODDessert was equally good; we triedthe strawberry filled and chocolatefilled crepes. Both came topped withwhipped cream and the strawberrieswere whole and fresh-obviously notthose overly sweet strawberry fillingsone finds in most restaurants. Hot ciderwith a stick of cinnamon ended the mealfor me. All in all, an excellent dinner,satisfying without the heavy feeling thatso often arrives at the end of a meal.The service was attentive, neitherhurried nor lazy. As the actual processof preparing a crepe takes only abouttwo minutes, it appears that ours wereprepared when we were ready for themrather than when they were ready forus. Even though there were a number ofpeople waiting to be seated, we felt notat all pressured to finish and leave. “LaCreperie" has won my highest respect,as it combines fine cooking withpleasant atmosphere at veryreasonable prices. Two special dinnersare available, featuring the creamedchicken crepe ($3.70), and the seafoodcrepe ($4.70L They include salad, en¬tree, dessert, and beverage. All otherselections are a la carte. Bring yourown wine, relax, and enjoy a good meal.Also a good idea for a late supper.Stalking the Down-Home DandelionBy SHIRLEY BAKERAs I walk across the Midway thesedays, I find my mouth watering at thesight of something that would givea suburban lawn - owner thewillies—thousands of young dandelions.Those who read Stalking the WildAsparagus will learn something thePensylvania Dutch have known for along time: dandelion is edible, andindeed tasty, but must be picked in theearly spring before it gets bitter, whenthe weather is still crisp enough torequire a buttoned-up sweater and ababushka.What makes dandelion such a treat isnot so much the dandelion itself but thesweet and sour bacony dressing thatgoes over it. I tried to get my mother togive me the recipe for years. Sheusually makes it standing at the stovelooking like a down-home version of aFrench sauce chef. 1 would try to keeptrack of how much of what she put in,hut she was constantly tasting it and "adjusting". Needless to say, it washard to get an accurate recipe that way.Nonetheless, here is what I havedistilled from my mother’s actions andit tastes like mother used to make.Ironically, we have always referred to itas "Mom’s Hot lettuce,” a name whichunfortunately reflects how seldom weactually got to make the dish withdandelions.RECIPEMom’s Hot Lettuce2 (juarts dandelion greens or, inChicago. 2 quarts curly endive1/4 lb. bacon, diced2 eggs1/2 cup water1/2 cup white vinegar or lemon juice1/2 cup sugarsliced, hard boiled eggs Wash and pick over the greens and)reak into pieces. Fry the bacon untilcrisp and let it set in the frying pan, withthe fat, to cool for about five minutes (ifyou don’t do this the eggs cook in lumpswhen you add the rest of the stuff). Inbow l beat the eggs with a fork and addthe sugar, water, and vinegar or lemonjuice (vinegar is better and traditional,but it clashes with the wine you mightbe serving). Add the egg mixture to thebacon and its fat and cook over lowheat, stirring constantly, until themixture thickens.Now, you can either be elegant andpour the mixture over the crisp greensand garnish w ith sliced hard boiled eggsor be inelegant and traditional. To betraditional, dump the greens and hardboiled eggs into the frying pan witheverything else (I assume you haveused an enormous cast iron pan) andstir over heat until the greens wilt andlie there completely dead. I prefer thefirst method since it does not look soweird to non-Pennsylvania Dutch guests — a salad with hot dressing isstrange enough; a dead salad with hotdressing is too much. My husband,however, who does not have a drop ofPennsylvania Dutch blood in his veins,insists on the superiority of traditionand the value of stretching one’s palateand mind It’s a toss up.Lettuce can be used in place of endivebut is a bad substitute since it doesn’thave the "bite" of dandelion or endiveand can’t stand up to the strong flavorsof the dressing.Serve this, as I intend to for Easter,with baked country cured ham andbaked potatoes or just with fried slicesof any ham and plain boiled potatoes.U5GEDby CAR REPAIRS /Sur/fch ..BRIGHTONFOREIGN AUTO SERVICE3967 S. ARCHER AVE.“JoA. $atlA$actLOtL LtL SsJWUJL927-8000SPRING SALEOF GOODYEAR &CONTINENTAL TIRESIS NOW IN PROGRESS. Thank goodness some thingsnever change.Good things, like expressingyour love with a diamond.And good things, like the 62 year oldHollands Jewelers policy of returning yourmoney if you're not satisfied.Lots of things have changed, too. Forthe better. Like the newest cuts in diamonds,especially cur exciting new heart shapes.And the large selection of beautifulnew settings that you'll find atHollands Jewelers today.%Hollands JewelersSine# 1910Downtown Eve-g-een Plaza lak#hurst Woodfiald MARK COSTELLOAuthor of the Murphy Storiesgives a readingMonday, May 7 at 8:30 p.m.Ida Noyes Library1212 E. 59th St.Presented by Chicago Review Speakers Series18 - The Chicago Maroon - Friday, May 4, 1973jrr c.t)T > ‘’ t \ >' ! * (l* ’¥MAROON CLASSIFIED ADSSCENESSee BONNIE 8. CLYDE May 6 Cobb $1Hear Pro*. Avigdor Levy of Tel AvivUniversity on "The Refugee Problemin Arab Israeli Relations" tonight at8:30 at Hillcl, 5715 Woodlawn.SPACESummer su.blet on campus, one f Ownroom bath S75/mo. 955 4182 eveQuiet FM grad student seeks FM toshare apt $160/mo 8. util. June on, 2bdrm Sunny 54th Harper 324 6136Rmmte wanted tor Ige sunny apt onbus rte, June 1 $68/mo 643 7528Need garage or indoor space to rent inHyde Park for motorcycle I'm not acreep call 493 7973 evesSUBLET June thru Sept need Fmrmmte, own bdrm, bath, sunny safe5559 S University 324 7982Straight male roommate needed toshare 4 room third floor apt with samenear 53rd 8, Kenwood $77 50 rent Call324 1237 Sublet June 1 mid Sept large 4 rm apt54th & Woodlawn Furnished airy 2416845 around dinner timeSSA student looking for other womento share apt (cheap) starting SeptCall 241 7260 after 10pmWe'll pay $280,month lor a nice 4bedroom apartment close to campusor Co op. Call Wayne at 753 3774Summer sublet w/fall opt one femaleor 2m or f. own rm 8. bath next to park.6830 S. Shore Dr. call 346 8918 9am 5pmwkdys 8. 643 0645 wkends 8. after 6pmwkdysLive in cheerful Little Pierce thissummer! Two female roommatesneeded to share furnished cleanapartment air conditioned mid June toSeptember 1 Call 643 6515Seeking tern rmmt $60 8. utils, nearhosp must like cats 493 4076; 5 6pmSummer sublet furnished fac apt 3br, air, tv, on campus $275/moUtilities incl July 1 Sept 24 Call Mark752 9895, Miles 947 9719Must Sublet I '? Ige clean 2 bedroomapt near Coop Pref fern 241 6532AN INVITATIONTo JoinTHE FLAMINCO CABANA CLUB5500 South Shore DriveFun at the pool in country club surroundings.for Information Call 752-38QO Mr». AdalmanHuge rm in huge house on the lake forrent summer qtr 2560 E 72 one blockfrom 1C and campus bus Fun tranquilmysterious O ioy 374 9334To sublet now 3 1/2 rms 1 bdrm verysafe good cond all applianced inclFurniture opt 5305 Kimbark $155 .all753 3362 9 5 nr 324 2550 evesSUBLET 6/1 1071 flexible, turn 2bdrm 5400 S Harper, SI95/mo call241 7913 or 752 7124 evesSummer sublet for 4 1400 E 57. Airconditioned, furnished 684 4613SUMMER SUBLET Three bedroomapt near park, lake 1C shoppingBeautifully furnished $245; 667 6215Large 2 bdrm apt avail June 15 in SoShore qarage opt. 363 3261 evesSUMMER SUBLET w FALL OPTIONSpace for two or three 6/10 Air Cond2bdrm 2bth Ivngrm/ktchn. 55th &Dorchester Rich or Howie 955 9096eveJAMESSCHULTECLEANERSCUSTOM QU AUTYCLEANING10% student discount1363 E. 53rd St.752-693340% OFFat'%Actom from the Go-Off1THIS WEEK!New Michael JacksonBeatles 1967 - 1970Donald Byrd • Black Byrd 3 roommts wanted M F to sharebeautiful just renovated 4 bdrm aptwith me on campus bus line modernfacilities 2 baths rent ea personS62 50 mo 8. util Call Sid at 363 5151before 9 am or after 10pmMod 2 bdrm, 2 bath condo, located inHyde Park many extras Immediateoccupancy by owner 568 4533 eve$34,000.00Sublet avail June 2 Beautiful spaciousAl R COND S Shore 2 bdrm turn apt Areally nice place Larry 667 2775 eves8. weekendsRoommate wanted to share housenear coop and campus. Backyardavail June 15 Fall option 643 8184Sublet 2 places in a clean apt 56th 8.University 947 8277Summer Sublet Can Apply Singly Apt 6Rms 2 Bdrm 55th 8. Univ. 2 porch$175 mo Call Robin 3304, 753 2249Summer sublet w/fa!l option. Ownroom in large clean quiet apt Close toshopping, campus. Lots of extras. CallJane Katz 753 3751. Leave message ifnot in.Male third year political science gradstudent looking for room in reasonablyquiet fairly cheap apt taking occupancy in Fall Call Al 493 8845Summer sublets/fall option in airconditioned Little Pierce 1400 E 57 CallAl Steve or Chris 493 8845Summer roommate wanted for smallbut decent apt 56 8, Kimbark call 9478243 after 9 pm.2 responsible female psych gradstudents will care for the home ot avacationing faculty member tor thesummer. Call Maxine 753 0249 orJoyce 753 0259FURNISHED 4rm API to sublet Jun9 Sept 23 54 8. Grnwood. S135/moShopng 2 blocks call 753 2240 rm 1801or 1805Roomy apartment, unfurnished, 57th-& Harper close to everything!Available June 1 or sooner. Call 8288568 days, 752 8444 eves, wkndsSpacious, sunny E Hyde Park apt for3 or more people June thru Sept. Call752 2439One bedroom apt avail, immediately5550 S. Dorchester 9th floor $136 permo incl. gas Call Mohun at 947 5722days or 752 3961 after 3 pmSummer sublet avail immed. ownroom in large apt Kenwood nr 57th. S67per mo Call 241 7230 evenings.Apt, available at 53rd and Kenwood torsummer sublet with fall optic ■ Call363 7407 eveningsIPIZZAi PLATTER >I 1460 E. 53rd [| Ml 3-2800 |! FAST DELIVERY j! AND PICKUP II ii arur«— i| HHTWUBIIH |I Clink in CWcnf nmn. I to 14 .1 wad prnfftnnclnt tor* I(mlnntnd. by Ilcnn»n4 ok- !atatrkton gywccloght. Quick Ilarvlcti will bn arranged. »IFInnndfl eveM. |call comer V1 (216) MI-6060 I' I. woo. suvki ; MAO TSE-TUNOStrongly suggests thatAmerican people MUSTdrink TEA from thePeople s Republic OfChina.quantity"SUNFLOWER" 50TEA BAGS $2.00"PAUCE” % Lb.muse ilh #i.«5(postage paid. Money Back guarantee.)NAMEADDRESSRononna Importers8601 Bovorly Blvd. If ALos Angelos,Calif. 90048 Wtd inexpensive apt or house June 1Sept l for Mich prof, wife 8. welltrained Airedale Will care for plants8, ro pets. Prefer AC 947 8571Summer sublet w/tall option Large 3bdrm apt close to co op, 1CS165 month. 493 3788WANTED 3 bdrm apt Hy Parkbginning 6/1/73 Call 753 2233 room 324leave phone no will contact youSAMEDAYLg airy 2 bdrm apt New kit,, endporch 5338 Harper Avail June 1S2I3 mo call 947 9)l6 aft 6 pmKitchenet apt w-fireplace, quietperson only SI44/mo. 643 0741 evesReliable tern grad wants privaterooms in Hyde Park home for low rentplus babysitting or household help363 6700 x 246 days5405 S Woodlawn, 2 8. 3rm furnishedapts 643 2760 or 667 5746 Mrs GreenFern wanted to share turn apt for•■immer Own room, bath Air condLarge Lake studio air cond So Shoresblt 8. renew cptg 4 sale 667 2257 ev2 BDRM APT 54th 8, Harper Completely furnished Available June 1Call Alan at 2-M 7274 eveningsWtd 4 5 bdrm Hse apt UC area 2416941S Bedroom House on Cape Cod BayJune July Sept $1000 per mo Familiesonly Eve 324 4180 or 644 5237CHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks, 1Ctrains, II mins, to loop U of C anddowntown loop buses at door Modestdaily weekly monthly rates. 24 hr.desk Complete hotel services 5100 S.Cornell DO 3 2400Lge mod studio, kit., AC, Ige. closetsAvail 6 15 E 55th PI 955 2699Live m Federika's famous bldg.Nearby, turn or unturn. 2 8, 3 rm.apts. for 1, 2, 3 people Refrig , stove.,pvt bath, stm. heat Quiet. Sunny,view Parking, trans. $120.00 up FreeUtils Robinson, 6043 Woodlawn 9559209 or 427 2583 Short term lease orlongerPEOPLE WANTEDAss ' needed immediately with aboveaverage intelligence, extremely fast-accurate typing, good math, for fulltime challenging job as IBM Mag cardoperator Will consider training only ifyou are exceptionally capable individual with above qualificationsFuture to include computer. You willbe paid and treated extremely well.Rewards dependent upon your abilityand efforts. Call between 9:30 noononly for appt Ms. Zee 332 6900Graduate student 8. wife Sept 1 to liveon third floor of Kenwood home andcare tor two girls 5 and 6 years oldafter school References required Calllor details 624 6915.Bakers needed for VISA bakesale to beheld at the Uof C Press Book Fairstarting May 5. Proceeds will gotowards buying bikes, bats, balls etcfor children at Chicago Reed MentalHospital If interested contact MaryPickering at 753 2749Secretary for 3 researchers in Univ.setting Good typing skills 55 60 wpmdictaphone or shorthand helpful I CallMrs. Holling 753 4443 U of C PersonnelOffice 956 E 58th St.Travel partnet, Europe for summerFrance, Greece, etc ?Debbie 68404613Wanted Subjects tor socialpsychological study of development ofpersonal philosophies 8. ideologies.Time 111/2 hrs. Richard S 955 9096Hyde Park Babies 2 3 mos old Haveyour sociability tested by grad in infant child development Have Momcall Janet 741 6532/753 4178 leavemesgBabysitter needed 4 hours a day forone child Call 788 9811 after 4UNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAYS684-3661HairstylingRazor cuts Homemaker live in with time off forclasses Excellent opportunity forimpecunious grad student. 947 9054after 6pm or weekendsWanted a number of males age 21 orolder to serve as paid research subjects on human fertility Apply DrsTom Jones 8. Richard Landau, M 168Billinqs Hosp 947 5534to come to see BONNIE AND CLYDEMay 6 Quantreli 15. 9 30 tickets S!Babysitter 3 or 4 days/week Ilex hrs 1child 3 yrs old 493 2287TEACHERS WANTED ContactSouthwest Teachers Agency Box 4337,Albuquerque, N M 87106 "Our 26thYear" Bonded and a member ofN A T AExperience Doctors' Recep Steno inattractive Loop office, serving 3 inlermsts Light bookeeping 8. insuranceforms 5 day week Salary openContact Miss Siqale 372 6383Babies in first year of life to be givenBayley Infant Mental 8, Motor Scalesfor course in infant testing Resultswill be made available Call DrFreedman 753 3862 to live atTHE FLAMINGOON THE LAKE5500South Shore DriveStudios from $1 54One bedroom from $170Furnished or unfurnishedShort term leasesSwimming pool-no fee752-3800Mrs. AdelmanTHE VERSAILLES5254 S. DorchesterShort term leasesavailable. Well main¬tained, secure building.Attractive 1V3, 2 Viroom studios, furnishedor unfurnished. $127-$172 utilities included.At campus bus stop.FA 4-0200 Mrs GroakDrama Reviewers Wanted for theMaroon We will sponsor you to showson or off campus in return for a usablereview Contact Debbie Davison 241/239 mornings.PEOPLE FOR SALEStudent seeks part time work inJune July e g. cleaning babysittingsewing Call Sheila 955 5098 eveSecretarial student will type paperthesis cheap Call Ling 924 1705 eveFree classes offered for beginning andadvanced speakers of English as asecond language International HouseMon 8, Wed eves 6:30 8.15EXP TYPIST all kinds of papers 9476353 or 779 8034 Have dictaph alsoImage Makers Photography forphotography at its best.. ImageMakers lead the rest. 6942 S StonyIsland 363 9506.Moving? Need help? Hire my van andI Best rates Jerry a* 684 1 175.Experienced manuscript typing onIBM Selectric. 376 5774Like Julian Bream's music? ForCLASSIC GUITAR STUDY 262 4689Portraits 4 tor $4 00 and up MaynardStudio, 1459 E 53, 2nd floor 643 4083FOR SALEWalnut Formica Dinette w one leaf 4blk vinyl chairs $65 877 5223.1966 Ply Fury III a c , pwr strng 8.brks S400 00. 684 7195 '63 VW Less than 6000 mi since engrebuilt in 71, good trans 8. gener Thiscar works. S400 call 288 7985Leaving town Must Dispose of AllFurn D rm table 8. 6 chairs SI5,couches easy chairs, book shelves 8.desl. Call 288 7985t II mattrs 8, bx sprgs $20 643 0669Honda 175, 3 yrs old, luggage rackother xtrs Ask S300 248 2399 evesUsed furniture air conditioner, muchmore Priced right Call 324 8790eveningsYard Sale May 58,6 p m 5448 Cornellfurn clothes oppl books grand pianoAdorable intelligent pedigreed German short hair pups They areludicious watchdogs 947 905468 Saab V4 new trans runs fine needuooy wk cheap Call 324 5761BONNIE AND CLYDE May 6 Cobb SIDouble bed mattress, frame S35 (avail25 May) dinette set S10, other furniture, 643 1277 alter 6BOOKS11! 40°o OFF at Chicago s mostinteresting old bookstore Going out ofbusiness Oct 31 20,000 bound booksi0°o off Also thousands of paperbacksand long play records Bill Newman'sA I Bookstore. 1112 N State Daily 2 30y 00 p m Sat and Sun I 30 6:005 yr old house across from park nrUniv 2 Bdrms 1 I 2 Bath Finishedbsemt Small yard Dishwasher,yvasher and dryer Private parkingCall 955 0447 evenings69 Olds Cutlass exc cond pwr brks 8.strng., air cond Call 649 1714 evesFOLK DANCINGRussian folk danc workshops at IdaNoyes Hall Fri 8pm Sat 9 30am and?pm Party Sat 8 pm Free outdoordance on main quad (Ida Noyes incase ot ram) with the VardarMacedonia Orchestra playing bothfolk and rock. For information callJanet V *>55 8184SUMMER DAY CAREExperience UC couple, 2 3 yr oldspreferred, combined park indooractivities. I opening now, rest start6 18 73. Call 324 5292LOX& BAGELSSunday, 11 am at Hillel $1 25REACTIONThe Jews tor Jesus advertisment runin Tuesday's MAROON does not, webelieve, represent the opinion of themajority of Jewish students on thiscampus Indeed, we believe it to bereprehensible to the feelings of amajority of us. Intense proselytizationhas no place at the University ofChicagoWATERGATESMELLSEVEN HEREJeb Stuart Magruder called U of C"home" (MBA 63)9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOJk*1552 E. 53rd - under 1C tracksAll students get 10% fask for "Big Jim" JPipes Imported CigarettesPipe Tobaccos CigarsHA YELL'SRADIO, TELEVISION& HH.H EIDEimSALES SERVIC E & ACCESSORIES/emlh — f'nnanonirUasleru urk — Kill1311 E. 53rd, Chicago 60515 • PL 2-780045 Years Serving Hyde ParkPR. A. ZIMBLERDR. M. MASLOVOptomatrlateyo examinationscontact lansasin theNew Hyde ParkShopping Center1510 E. 55th St.363-6363 TAhSAMA&NCHINESE-AMER1CANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO §t30 P.M.SUNDAYS AND HOLIDAYS12 TO Si30 P.M.Orders to toko out!41* tost 63rd MU4-I0O* BLOOD AND GORE!Bonnie 8, Clyde 5/6 Cobb $1 7 15, 9 30WANTEDTransportation to N Y C or L I forstereo Call 288 6407GAY LIBERATIONGAY LIB OFFICE is open again SunThurs 7:30 Up m Ida Noyes 301 7533774 Tues is Women's NightWOMEN'S NIGHT AT THE GAYCOFFEE HOUSE Blue Gargoyle 5655S University Ave 8 12p m TonightISRAEL INDE -PENDENCE DAYJoin us for the 25th birthdaycelebration of the State of Israel atHillel on 5/12 a* 9 00 Have somelelafel and then sing and dance it off(SI 00 admission)LOSTGrey and white male cat 54th andWoodlawn Call Steve at 324 7356FOUNDJ keys found in quads 5 1 call 288 6955German shppherd found at 59th 8.Blackstone part Malamute distinclive white eye approx 2 yr Call Chloe753 3751NSOMNIAOBJECTS WANTED BY SLEEPLAB FOR STUDIES OF INSOMNIAFEMALES ONLY,AGE 18 28 S10 perNIGHT APPLY IN PERSON TO 5741DREXEL POOM 302 M F, 9 5VOUTH CARDSt.*,1 your Youth Card from yourAmerican Airlines campus rep beforethe summer travel season, Call LarryMarden at 947 8867 after 6 00 p.mReservations alsoTENNIS LESSONSAh ages 8, levels. Hyde P inexpensive Jim Smith, S08 2572 or 667:Q.'bPLAY TENNIS6 indoor courts, 3 outdoor courtsPrivate & group lessons availableSouth Side Raquet Club, 1401 E SibleyV19 1235.PERSONALSWe're driving a U Haul truck toBoston area June 12. Would like toshare space expenses Call 241 6433A long Sunday of studying needs ashort food break a* the Snack Bar 1stfloor Pierce, every Sunday 5 9pmSEE BONNIE AND CLYDE tor Only$1 Sunday May 6 Quantreli 7 15, 9 30Free to any interested person TheNation (2 foot stack) NYT BookRc-.iew (from about 1959) NYT Weekm Review (from about 1959) Ramparts (2 foot stack) London Times LitSuppl (from about 1960) Drop note toAnthony Yucevicious 7136 S FairfeildSt , Chicago, 29Bui la a Labor Center, 1325 S WabashCall 922 7893 eves SI for studentsWRITER'S WORKSHOP (PL 2 8377).vVe need people to play in the CoffeeHouse Call Debbie 753 3444. (DU)EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptomatriat(53 Kimbark Plaza)1200 East 53rd StreetHYdePark 3-8372iy t ? I'O 3. /caluringVlli- / A, fresit grounJAll Vitamins20* OFFMHTMWMHEALTH FOODSPlus these everyday pricesVitamin E d'alpha100 I U 250 caps S3 25200 I U 150 caps S3 75400 I U 100 caps $4 95250 caps $11.15Vitamin C 1000 mgs100 tabs $1 95250 tabs $4 40Vitamin C crystals5000 mgs per tsp.1 kilo S7 501 pound $4 005210 S Harper in Harper Court363 1S0CFriday, May 4, 1973 - The Chicago Maroon - 19WHO NEEDS A LIQUORSTORE THAT CARRIESWhat kind of a store carries PineappleLiquer from Australia? Who needs England'sfinest Mead? Why does a store carry 8 kindsof corkscrews, 4 kinds of can punches or 7kinds of jiggers; Botas, straws, fondue pots,napkins in a rainbow of colors with coasters tomatch?Why a store like the Party Mart does all ofthis is because we want to be sure you getexactly what you want. Even if it is only abottle of 1890 Vintage Port at only $60.00 abottle or a bottle of straight unblendedScotch for only $6.99.Daily: 10 ani-11 pm Sunday: Noon-!) pm - ' Daily: 9am-10pm Sunday: Noon-9 pm20 - The Chicago Maroon - Friday, May 4, 1973i