Sov-ciai Jo1 J.oal.i cn' 7 Mon»Vmkt Ow§.} U. S POiTAtt?cc‘ j PAIDlliteair. !] Pratt H*. 79S1SG general election and referendumvote are postponed until next weekBy LISA CAPELLGeneral elections for Student Government(SG) and referendum voting have beenpostponed until Wednesday, Thursday, andFriday of next week. The filing date forcandidacy petitions for the SG generalelection has been extended for one day onlyTuesday, April 24. Freshmen elections,however, went ahead as scheduled thisThursday.According to Ron Davis, chairman of theElection and Rules committee, the decisionto postpone the elections is based on thepremise that “we want to make sureeveryone can file a candidacy form and havesome time to campaign.” Davis received several ‘informal’ com¬plaints on Monday and Tuesday fromstudents who found the SG office closed whenthey wanted to drop off their candidacyforms. One other complaint charged thatID’s were not checked to insure that can¬didates brought their own forms to the SGoffice.Monday evening Davis went before theStudent-Faculty-Administration (SFA)Court to ask for an injunction therebypostponing the elections. The injunction wasdenied on the grounds that “immediate in¬jury had been done.”According to Davis, since there existed an‘election dispute’ the matter was in theElection and Rules Committee’s jurisdiction.AT THE POLLS: Elections of freshman student government representatives wereyesterday. Photo by Linda Lorincz.Study shows minority employmenttops five major Chicago universitiesBy STEVE DURBINIn a report on minority enrollment andemployment at Chicago’s six majoruniversities, the University of Chicago wasfound to employ the highest percentage ofminority non-academic personnel. Thereport was featured in “The ChicagoReporter” a monthly publicationspecializing in reporting and analyzingracial issues in the metropolitan area.The University employed 3,144 minoritiesout of 7,051 non-academic personnel duringthe last academic year, for a percentage of44.5 per cent. The average percentage for allsix universities (UC, DePaul, UI Circle,Loyola, Northwestern, and Roosevelt) was38.4 per cent.In regard to students, 10.6 percent of the 71-72 UC enrolement of 7,112 were minorities, or754 persons. Of these, 500 were black. Thislaagged slightly behind 11.9 percent averageof the total group, or about half of the 23.3percent minority population of metropolitanChicago. According to the 1970 census, only 3percent of the college and universityeiiiuiiincm ouuaa me COuiibj was block.In minority faculty employment, theUniversity was again slightly behind the average. Seventy-four out of 1,079 facultywere minorities, for 6.6 percent. Only 17 ofthese were black, or 1.6 percent of the total.The averages for the six universities were 7.6percent and 3.2 percent respectively.(Minority includes blacks, Spanish sur-named, Orientals and American Indians.)The report states that minority enrollmentand employment has been a greater concernfor universities since the 1965 ExecutiveOrder No 11246, issued by Lyndon Johnson,requiring federal contractors to practiceequal employment opportunity, andprohibiting discrimination by them.Universities, often very substantial federalcontractors, are pressured by the threat ofloss of funds to follow the order. The sixChicago universities received $67,083,000 infederal funding for fiscal year 1970, of which$39,597,000 or more than half, went to theUniversity of Chicago.As another index of minority represen¬tation at the universities, the report listed thenumber and names of minority trustees. Thesix as a whole had minority members out of280 trustees, as of September 1972. UC hadtwo out of seventy sever., psychologistKenneth Clark and publisher W. LeonardEvans: The committee voted Tuesday evening toissue the following statement:“In response to camplaints by DennisHinckson and Patricia Yates concerning thecandidacy forms regulation, the E and Rcommittee had decided to;1) contact all candidates personally to thevalidity of their candidacy (sic)2) set Tuesday, April 24 as the final andonly remaining day for acceptance of can¬didacy forms.3) set Wednesday, Thursday, and Friday,April 25-27 as the dates of balloting in theAssembly election.”Wednesday evening Tom Campbell, SGpresident filed a petition with the SFA courtrequesting an injunction be issued preven¬ting the election from being postponed. Thepetition was denied because “no immediateinjury had been done.”“Anyone else who wants to run can run.Just drop off their candidacy forms onTuesday.” commented Davis. He expressedthe hope that the election would proceed withno irregularities.Regarding the freshman elections inprogress Thursday, a late report from anelection judge reveals a very light turnout.He extimates that by two o’clock only about50 freshman had voted at Cobb Hall. man election and nobody came. Photoby Linda Lorincz.Lurie denies charge ofhospital strikebreakingBy CD JACOThe controversy over the strike atWoodlawn Hospital boiled over againthis week as Graduate School ofBusiness Professor James Lorie and theWoodlawn Strike Support Committee ofthe Students for a Democratic Society(SDS) traded charges.SDS, in a leaflet and letter to theMaroon, charged that Lorie was “...astrikebreaker and proven racist”, andthat he had hired a professionalstrikebreaking agency to attackhospital pickets and cross picket lines.Lorie, who is Chairman of the Board ofDirectors of the hospital, countered bysaying that “There is no tincture oftruth whatsoever to any of the chargesmade by SDS.”In its statement, SDS charged thatLorie had hired Brian Flisk, a Chicagoslumlord currently under indictmentfor piping unmetered gas into hisbuildings, and an agency he heads, theCounterpoint Bureau of Investigation,to break the hospital strike. Lorie said,in reply to these charges, “I have neverheard of nor have I ever met BrianF"lisk. I know nothing about any sort ofactivity like strike-breaking. 1 never didnor never would authorize any suchactivity.”SDS had also charged that, sinceWoodlawn Hospital was governmentfunded, Lorie could claim tax-deductions from being affiliated with it,and could therefore profit from hisassociation with the hospital. Lorie said“Tiled chdige is lidiculuua. Fiiat of all,the hospital ia nut government funded. The only way I can get a tax deductionis to actually give money to the hospital.The Board of Directors of the hospitalserves without pay. There is no direct orindirect financial benefit to me or to anymember of the Board.”Referring to the SDS allegation thathe was affiliated with several Chicagobanks and that he might be a slumlordhimself, Lorie said “I am not affiliatedwith any banks, nor do I have any realestate holdings outside of my home.”Woodlawn Hospital, at the corner of62nd and Drexel, has 143 beds andhandles 42 to 43 thousand patient daysper year. The hospital, which is a non¬profit organization, has been the targetof a strike since June, 1972 by house¬keeping, nurses aide, and dietaryemployees. _The employees, members ofTeamsters local 746, claim that they arebeing denied the right to form a union oftheir choice. A striking employee said“We had 104 cards signed out of a totalof 117 employees who said that theywanted a union in December of 1971. Wethink we re entitled to a union.”Lorie said “W’e agreed in DecemberContinued on page 5Photo issueThe issue displaying the winners of the FirstAnnual Hyde Park Photo Contest is almostready to go to the press. The issue will be onthe street Tuesday, May 1. The advertisingdeadline for this issue is noon Wed April 25This promises to be one of the best Maroorever so get your ads in now!lit:Drive begun to supportlowering drinking ageBy LISA CAPELLHouse Bill 200, a bi-partisan proposal tolower the age for drinking beer and wine to 19years of age will probably come up for a votein mid-May in the Illinois Senate. A drive iscurrently underway to encourage students towrite to their state senators asking them tosupport the bill.John McLees, a member of the beersubcommittee of the Faculty Student Ad¬visory Committee on Campus Student Life(FSACCL), advises people to write im¬mediately. The letters should include simplearguments in favor of the bill.“The most important arguments are theapparent reasonableness of the law and theconsistency of the law in that young adultshave been given all sorts of civic respon-sibiity and rights except drinking.” saidLie Lees.Students from out of state should write toHyde Park’s State Senator RichardNewhouse or Senator Bradley Glass who isthe senate sponsor. Other Prominentsenators to whom one can write are, SenatorWilliam Harris, President of the Senate,Senator Cecil Partee, Democratic MinorityLeader, and Senator Philip Rock. AssistantMinority Leader.The letters may be sent to the senator’shome or his/ her office in Springfield. TheSpringfield address is State Capitol Building,Springfield, Illinois 62706.A complete list of Illinois State Senators,their districts, and their home addressesfollows.District Senator Address1 Bradley M. Glass (R), 723 Happ Road, Northfield 600932 John A. Graham (R), 715 South Cook Street, Barrington600103 David J. Regner (R), 910 South See Gwun, Mt. Prospect60056t John J. Nimrod (R), 9216 Kildare, Dkokie 600765 Howard R. Mohr (R), 1103 Troost Avenue, Forest Park601306 Terrel E Clarke (R), 4070 Central Avenue, WesternSprings 605587 James C. Soper (R), 1844 South Austin Blvd., Cicero618308 Frank M Ozinga (R), 9626 South Homan Avenue,Evergreen Park 606429 Don A. Moore (R), 14636 South Long Avenue, Midlothian6044510 Jack E. Walker (R), 18018 Arcadia Avenue, Lansing6043811 Esther Saperstein (D), 1432 West Rosemont Avenue,Chicago 6062612 Ben E. Palmer (D), 2601 West Balmoral Avenue,Chicago 6062513 Dawn Clark Netsch (D), 20 East Cedar, Chicago 60611a kosmski (D), 1418 West Division Street, Chicago 60622 15 Howard W. Carroll (D), 6241 North Rockwell Street,Chicago 6064516 Edward T. Scholl (R), 7738 West Palatine Avenue,Chicago 6063117 Kenneth W. Course (D), 3413 West Armitage Avenue,Chicago 6064718 Philip J. Rock (D), 5840 West Midway Park, Chicago6064419 Harold M. Nudelman (D), 1506 North Kedzie Avenue,Chicago 6062320 Sam Romano (D), 2347 South Oakley Avenue, Chicago6060821 Raymond J. Weish, Jr. (D), 911 North Oak ParkAvenue, Oak Park 6030222 Fred J. Smith (D), 4949 South Dr. Martin Luther KingDrive, Chicago 6061523 Richard M. Daley (D), 3536 South Lowe Avenue,Chicago 6061624 Richard H. Newhouse, Jr. (D), 5421 South RidgewoodCourt, Chicago 6061525 Donald T. Swinarski (D), 4655 South SpringfieldAvenue, Chicago 6063226 Cecil A. Partee (D), 6032 South Michigan Avenue,Chicago 6063727 Frank D. Savickas (D), 6940 South Artesian Avenue,Chicago 6062928 Thomas C. Hynes (D), 10525 South Talman Avenue,Chicago 6065529 Charles Chew, Jr. (D), 8156 South Champlain Avenue,Chicago 6061930 Daniel Dougherty (D), 1957 East 93rd Street, Chicago6061731 John H Conolly (R), 837 North Sheridan Road,Waukegan 6008532 Karl Berning (R), 1006 Rosemary Terrace, Deerfield6001533 Jack Schaffer (R), 8505 Wium Road, Twp. of Algonquin,Cary 6001334 Mrs. Thomas A. (Betty Ann) Keegan (D), 1210 Nat'l.Avenue, Rockford 6110035 John B Roe (R), R.F.D. 1, Rochelle 6106836 Don Wooten (D), 1034 23rd Street, Rock Island 6120137 David C Shapiro (R), 32 North Jefferson, Amboy 6131038 William C. Harris (R), 706 South Walnut Street, Pontiac6176439 William C. Harris (R),39 Robert W Mitchler (R), Hill Spring Oaks, Oswego 6054340 Jack T. Knuepfer (R), 901 Washington Street, Elmhurst6012641 Harris W Fawell (R), 444 South Sleight, Naperville6054042 James F. (Jim) Bell (R), 1216 West Acres Road, Joliet6043543 Edward McBroom (R), 1190 South Eighth Avenue,Kankakee 6090144 Harber H. Hall (R), 1202 East Jefferson, Bloomington6170145 Roger Sommer (R), 321 East Jackson Street, Morton6155046 Hudson Ralph Sours (R), 2623 West Moss Avenue,Peoria 6160447 Clifford B Latherow (R), R. R. 3, Carthage 6232148 John Linebaugh Knuppel (D), R. R 2, Petersburg 6267549 A. C. (Junie) Bartulis (R), 404 West Oak Street, Benld6200950 John A. Davidson (R), 2509 South Glenwood Avenue,Springfield 6270451 Robert W. McCarthy (D), 260 North Woodlawn Avenue,Decatur 6252252 Stanley B Weaver (R), R. R. 3, Urbana 6180153 Tom Merritt (R), 858 East Lincoln Street, Hoopeston6094254 Terry L. Bruce (D), 232 East Cherry Street, Olney 6245055 James H. Donnewald (D), 340 North Eleventh Street,Breese 6223056 Sam M. Vadalabene (D), 64 Circle Drive, Edwardsville6202557 Kenneth Hall (D), 1725 Kansas Avenue, East St. Louis6220558 Kenneth V Buzbee (D), R R . 5, Carbondale 6290159 Gene Johns (D), 402 Bambridge Road, Marion 62959 Photo by Linda Lorincz.BULL: Perhaps with the long-awaited coming of spring, buffaloes will once againroam wild on the Midway.*13.OPERA HOUSESAT., MAY 5 —8 P.M.TICKETS: $5.50 — $6.50 — $7.50Available at all TICKETRON Outlets NOWAt Box Office beginning Mon., Apr. 23Mail Orders to Opera House, 20 N. Wacker, Chgo. 60606Enclose Stamped Self-Addressed Envelope.2 - The Chicago Maroon^- Friday, April 20, 1973JAMESWAYPETERSONMOVING & STORAGEr „ 646-4411Call OR tor'/d" 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-ExportContainerized StorageFormerly at General Office35th A Ellis 12653 So. DotyChicago, ill. 60633U'tttod Vtf/i Llnmm 2^, IESSELSON’ST^FRESH FISH & SEAFOOD^752 2870,752-8190.363-9186 -1340 E. 53rd WATCH FOR ARBOR DAYCEREMONY NEXT FRIDAY!authorized yTSS. sales & service!312-mi 3-3113• foreign car hospital & clinic, inc.^■^5424 south kimbark avenue • Chicago 60615 HAVILL’SRADIO, TELEVISION& HIGH FIDELITYSALES, SERVICE & ACCESSORIESZenity — PanasonicMaslzrtvork — KLH1368 E. 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde ParkJ3'. KIMBARKqdfc. UQUORS|»gifewiNE MERCHANTSOF THE FINEST^ggegfSisIMPORTED ANDDOMESTIC WINESUsed 6 ft. wide bulletin boards-$l 2.50Used 3 drawer files-$l 5.00Used wood desks-$ 15.00Used metal desks-$25.00"cash and carry"withihis ad only-C BRAND X3™"' Featuring our direct imports,bringing better value to youl8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Thurs. till 900 P.M. THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141.53rd St.53-Kimbark Plaza NY 3-3355:* UC gridiron great Womer reminisces1934 MAROONS: John Womer is second from right, bottom row; Elmore Patterson,team captain, is at bottom row center with the football. Jay Berwanger, the firstHeisman trophy winner, is fifth from right, first row from bottom, with EwaldNyquist, New York state commissioner of education, on his right.By MIKE KRAUSSThis is the first of three storiesprofiling the past and present lives ofthree of Chicago’s top Varsity athletes.In the twilight years of the University’s BigTen competition three men stood out amongChicago’s “Monsters of the Midway.” JayBerwanger, Ellmore Patterson and JohnWomer were among the last of the Maroongreats.Many have learned of Jay Berwanger, thefirst Heisman Trophy winner, whose fan¬tastic running put Chicago football into thelimelight for the last time in 1935. Othersmay be familiar with Ellmore Patterson,football team captain, president of the classof ‘35 and a distinguished trustee of theUniversity. Fewer are familiar with JohnWomer, a Maroon great who graduated inJune of 1935.Because his name begins with the letter“W” John Womer was the last Chicago manto receive a letter in football from AmosAlonzo Stagg. Womer was a sophomore whenStagg retired from coaching in 1932 after 42years at Chicago.In recent interview Womer praised theUniversity’s uniquely amateur athleticprogram. “At time when Huey Long wasconstructing dormitory rooms inside offootball stadiums at Louisiana State Uni¬versity Chicago stood strongly againsthigh powered recruiting.” Womer referredto Louisiana State and the University ofSouthern California as, “Prime examples ofuniversities hiring professionals to play intheir collegiate football programs.” It wasthis trend toward professionalism in collegefootball which Chicago would not participatein, that cost the University its footballheritage.Womer received no scholarshipfor playing football at Chicago andhe did not go on to become a professional. Heplayed merely because he enjoyed the sport.As with most players of his day Womeralternated at several positions. He playedguard, tackle, and halfback on the last trulyrespectable Chicago Big Ten squad.In Womer’s three years as a Varsityfootball player, the Maroons compiled anoverall win-loss record of 10-11-3. In hisjunior year the University of Michigandefeated Chicago 28-0 and went on to be theBig Ten Champion of 1933. Womer’s mostmemorable game experience came in hissenior year of 1934-35, when the Maroonswent out on October 13th and defeated thereigning champions 27-0.In ‘35 athletics were an accepted andnormal part of life at a modern University.Athletes participated in various campusactivities in addition to their academiccurriculum. Womer found time to be amember of the Psi U fraternity, president ofthe interfraternity council, a member ofSkull and Crescent, Iron Mask, and Owl andSerpent as well as a varsity athlete. Hegraduated with a degree from the Universitylaw school and is currently president of theGreat Lakes Mortgage Corporation.He cited former varsity teammates toillustrate the successful and intellectualCALENDARFriday, April 20DANCING: Folkdancers, Ida Noyes, 50«, 8 pmDRINK: At the Ida Noyes Coffee House, 8 12pm.COLLOQUIUM: "Effects of pressure on transition metalsin minerals," Edward Gaffney, HGS 101, 3:30 pm.SEMINAR: "Dynamical Systems," Cal prof Michael Shub,Eck 133, 4:30 pm.PERFORMANCE: Julius Sneed's Inner City dance troupe,Lutheran School of Theology, 8 pmFILM: "Triumph of the Will," DOC, Cobb, SI, 7:15 and 9:30pm.SPECIAL EVENT: NIA First annual black arts weekendFor information call 753 3566. Until April 22.SERVICE: Good Friday Ecumenical service, RockefellerChapel, midnightTENNIS: UC vs Xavier of Ohio, Stagg Field courts, 55th andCottage Grove, 3 pmLECTURE: "The Islamic Community in Bengladesh,"Oakland U prof Peter Bertocci, Pick 506, 2:30 pm.Saturday, April 21EVENT: Judo in Bartlett Gym, 3 pm.FILM: "The Virgin and the Gypsy," based on the novel by DH Lawrence, CEF, Cobb, 7:15 and 9:30 pm.GAME: UC rugby club takes on Northwestern, Stagg Field,2 pmSERVICE AND CELEBRATION: Ecumenical Easter evecelebration, followed by Easter breakfast, 11 pm.* ‘ * WORKSHOPS! Workshops IKdAnce, art, politics and music,6042 Kimbark, noon nature of the University’s athletes. EwaldNyquist became Commissioner of Educationin New York state, Ellmore Patterson ischairman of the board of Morgan GuaranteeTrust and Savings, one of the world’s largestbanks. Jay Berwanger is owner of Ber¬wanger Corporation, a manufactuer’srepresentative corporation. Keith Parsonsbecame a prominent Chicago attorney.Womer could not accept the reasons forChicago dropping football. He disagreed withHutchins’ attitude that athletics held noplace in an intellectual insitution. Womerdoesn’t feel Hutchins believed that concepthimself. He thinks the decision to dropfootball was foolish, Hutchins lacking thecourage to be intellectually honest about it.“If athletics hold no place at an intellectualinstitution, why was football the only varsitysport to be dropped?” The reason footballwas discontinued, said Womer, was that theconstant defeats held Chicago to ridicule.By CARYL INGLISDespite problems of fund-raising, a smallstaff and great turnover in the organizationof this year’s Festival of the Arts, chairmanMark Brickell and his staff have managed toovercome the difficulties, (at least in part,)and have scheduled a number of eventsExpanded from a four-day to a four-weekcultural event four years ago, FOTA hasreceived approximately one-third of itssupport from private donors, one-third fromCORSO—as well as an overdraft allowan¬ce—and one-third from a grant by a Chicagofoundation.At its inception, the foundation grant wasintended only to tide FOTA over until it couldreceive increased support from privatedonors. The $5000 grant was originallyrestricted to three years and has now ex¬pired, leaving FOTA short of funds this yearsince past chairmen have not concentratedon increasing donations from the privatesector.This year’s FOTA staff has had to make anCONCERT: Music and players unknown, but there is aconcert in Mandel, 8 pm.WORKSHOP: University theater tap dance workshop,Mandel, 4 6 pmBASEBALL: Doubleheader, Maroons vs George Williams,12 pm.Sunday, April 22LUNCH: Mandarin Chinese meal, Bonheffer House, 5554Woodlawn, $1.25, 12:30 pm.DANCING: Intermediate folkdancing, Ida Noyes, 50e, 8 pm.FILM: "Play Misty for Me," NIA, Cobb, 7:15 and 9:30 pm.SERVICE: Easter service, Rockefeller chapel, 11 am.Monday, April 23FOR YOU THEATERGOERSTHistorical note—today isShakespeare's birthdayEVENT: Judo at Bartlett gym, 6 pm.EVENT: Karate at Ida Noyes, fee, 6:30 pm.TOURNAMENT: Swiss system chess tournament, IdaNoyes, $1.25 plus USCF membership required, registrationfrom 6:30 7 pm. Continuing ‘or four successive Mondays.LECTURE: "The Bengladesh crisis and Indian Muslims,"Prof C M Naim, second lecture in series begun on Friday,Pick 421, 4 pm.COLLOQUIUM: "Pooling cross sectional and time seriesdata in advertising modeling," Perdue prof Frank Bass,Kosenwato iii, i:ju pm.SEMINAR: "Approximate percentage points for X2,"Harvard prof David Coaglin, Eck 202, 4 pmSEMINAR: Title unknown and speakers secret, but it issponsored by the Biology club, Zoology 14,4 30cm. “Perhaps the problem was budgeting, butin any case the dropping of football was amistake. It alienated alumni who could havehelped support the University.” Womer feelsthat it made it difficult to attract students,because it gave the University the reputationof being a very strange place.” ApparentlyChicago recognized their error for theyreinstated football, though they never ex¬plained its demise.”Today Womer makes a practice of seeingat least one Chicago game per season Heattended last year’s Valparaiso game, inwhich Chicago was clobbered 29-0. Theteam’s loss wasn't really important to himThe most important facet to Womer is thatathletics remain amateur and enjoyable tothose students who take part. A 1-6 recordisn't important. Womer recounted, “When Iwas in school Bill Harlow won the Big Tenscoring championship, but the basketballteam only won one game all season.”“aggressive” effort to solicit donations,according to Mark Brickell. Thus far over$5000 has been received after calls weremade to foundations and locally prominentpersons.The FOTA staff has also asked in aproposal to CORSO for a $5000 grant and a$5000 loan. The loan would be repaid with aprojected $2000 in additional privatedonations—to be repaid even before thefestival starts, according to Cliff Tabin,FOTA’s new finance chairman—and $3000from festival profits. The amount of thegrant FOTA has asked from CORSO is lessthan last year’s grant plus overdraft.However, only $4000 of the requested grantand $2000 of the loan has been appropriatedby CORSO for the festival thus far. FOTAhas already collected $1200 of the projected$2000 which would repay part of the loan.“The loan is coming so late that we arealready beginning to lose performers. Wemust have the money before we sign thecontract. . . . Their reluctance is beginningto hurt the festival and now it’s beginning tolose us performers,” said Mark Brickell.Other problems faced by FOTA are thesize and the turnover of the staff, which iscurrently made up of less than ten people. Alarger staff would permit more fund-raisingand more publicity than there has been in thepast. With limited budget and staff it has notbeen possible to make the festival more thana campus event, but it is hoped that next yearFOTA will be publicized city-wide. Brickellprojects that next year’s festival will beexpanded in “base and audience” whichshould also result in increased donationsfrom people currently unaware of thefestival.Despite these handicaps FOTA has comethrough with a schedule of events which maybe added to as the festival begins. Tabin hascriticized CORSO for indirectly attemptingto influence FOTA’s choice of events,through funding, toward those with “greaterpopular appeal and less artistic value.”Brickell commented similarly that CORSOwould have FOTA become “one long Rockyand Bullwinkle retrospective. We’re tryingto make it broader.”Initiating the festival are the per¬formances this Saturday, April 21 by theNational Shakespeare Company of “An¬tigone” at 2 p.m. and “King Lear” at 8 p.m.in the Lutheran School of Theology WOMER; John Womer, who playedtackle, guard, and halfback for theMaroons in the Big Ten, posed in thetrophy room of Bartlett Gym. Photo byLeonard Lamberg.“In the '30’s Chicago had an excellentathletic program. It was the other schoolswhich were off base We had an opportunityto let America’s bigger academic institutionslearn how football has a place as an amateurstudent activity.”In the wake of Oklahoma's forfeiture ofeight football victories we should recognizethe virtues of Amos Alonzo Stagg's creed ofamateurismCelebrating the 100th birthday in 1973 ofthe composer, there will be a RalohVaughan-Williams Commemorative Concertin Rockefeller Chapel at 3 p.m., April 29.Senior Larry Mendes is producing thisconcert with a 52 member or¬chestra-composed of members of theChicago Symphony, Lyric Orchestra, andother professionals—and 42 man chorus.Director Stephanie Rothman, one ofAmerica’s foremost female directors, willshow four of her horror and sexploitationfilms May 2 and 3 in Quantrell at 7:30 p.mMs Rothman will lecture following the films.Chef Louis Szathmary, head chef of “TheBakery” and cookbook author, willdemonstrate and lecture on French icingtechniques at 3 p.m.. May 9 in Quantrell.Clifford Smith, a composer-pianist who hasperformed his own work since he was 14, willgive a recital in Quantrell at 3 p.m., May 13and in Mandel Hall at 8 p.m . May 14.On May 15 there will be a film ofTchaikovsky's “Swan Lake.” danced by theKirov Ballet, shown in Mandel Hall at 8 p.m.A flutist of international repute, PaulaRobison will preview her upcomingEuropean tour in a program May 21 inMandel Hall at 8 p.m.Mandel Hall will be the scene of a rockconcert May 20 featuring Chicago's BillQuateman, Wilderness Road and anothergroup.Two dance soloists are scheduled byFOTA. Ze’eva Cohen will dance May 22 at 8p.m. in Mandel Hall. Ms. Cohen, a graduateof the Julliard School and former soloist withthe Anna Sokolow Dance Company and theAmerican Dance Theatre, has taught at theYale Drama School and is presently asupervisor of Modern Dance for the Prin¬ceton University Creative Arts Program.Halim El-Dabh, teacher of dance at KentState University, will present a solo per¬formance and a sound and movementworkshop. The date has not been announced.May 24, the Hyde Park Chamber Or¬chestra will perform three concertos inMandel Hall.“The Phantom Tollbooth,” a drama-fantasy for children, will be presented on adate to be announced.Finally, a series of neon entertainments or.Wednesdays through Fridays will includewhat Brickell calls the “usual potpourri oflunchtime entertainment.”• 7 0 • . • » i U. O M , .1 • ,Friday, April 20 -1973 - The Chicago Maroon - 3FOTA 73: regicide and necrophiliaJ—p,Ysr-I PLATTERj 1460 E. 53rd| Ml 3-2800j FAST DELIVERYj AND PICKUPUNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAYS684-3661HairstylingRazor cutsStudentDiscountModelCamera;1342 E. 55th493-6700Most complete photoshop on South Side. 9 AM - 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOfc1552 E. 53rd - under 1C tracksAll students get 10% off/ask for "Big Jim!'PipesPipe Tobaccos Imported GgarettesCigarsNEW 73 II s21935°iA VOLKSWAGEN -Mw[$193 50 Down. $6S SBMonthly 3A PaymentsAnnual PercentageRate to 14.S4. TotalDeferred price$2673. It Met Tei litre ^6 S MONTHLY^RrtbOK CrtfCH 93 DOWNVOLKSWAGEN SOUTH SHOREAuthorized VW Deoler/ Open Doily—Cloied Sunday Phone'7234 S. Stony Island BU 8-4900leg of lamb, mint jelly, baked ham, candiedyams, old-fashioned dressing, friedoysters, jello molds, potato salad, ricepilaf, stuffed grape leaves, cracked wheatsalad, cottage cheese, deviled eggs, ricepudding, shortcake, fresh fruit, etc.with chilled Chablisreservations: 955-5151Easter Sunday Buffet April 22nd.served from 11:30 am to 7:00 p.m.menu selections available from 3:00 to 9:00 pmRip offEurope.STUDENT-RAILPASSThe way toa«c Europe without feeling like a tourist.Student Railpass is valid in Austria, Belgium. Denmark,France. Germany, Holland, Italy, Luxembourg. Norway,Portugal, Spam, Sweden, SwitzerlandEurailpass, Box 90, Bohemia, New York 11716Please send me your free Student Railpass (older orderform □Or your free Eurailpass folder with railroad map. □NameStreetState Zip192bSo you plan to spend theSummer in Europe this year. Great.Two things are mandatory. A ticketto Europe. And a Student-Railpass.The first gets you over there, thesecond gives you unlimited SecondClass rail travel for two months for amodest $ 150 in Austria, Belgium,Denmark, France. Germany,Holland, Italy, Luxembourg,Norway, Portugal, Spain, Sweden,and Switzerland1 All you need toqualify is to be a full-time student upto 25 years of age, registered at aNorth American school, college oruniversity.And the trains of Europe area sensational way to travel. Over100,000 miles of track links cities,towns and ports all over Europe. Thetrains are fast (some over 100 mph),f-pqiipnt modern rlpqn rnnvpmpnt and very comfortable. They have tobe. So you'll meet us on our trains. Itreally is the way to get to knowEuropeans in Europe.But there's one catch. Youmust buy your Student-Railpass inNorth America before you go.They're not on sale in Europebecause they are meant strictly forvisitors to Europe—hence theincredibly low price. Of course ifyou’re loaded you can buy a regularEurailpass meant for visitors of allages. It gives you First Class travel ifthat’s what you want.Either way if you’re goingto zip off to Europe, see a TravelAgent before you go, and in themeantime, rip off the coupon. Itcan't hurt and it’ll get you a bettertime in Europe than you ever thoughtpossible• 4 -'The Chicago Maroon - Friday, April 20, 1973• iOV «)' • CvDv ' > > *! '* ! ABOUT THE MIDWAYSoftballThe Chicago Maroon softball team willopen its 1973 season Tuesday afternoon at3:45 pm at B-J field. All staff members arerequested to participate. Bring friends.Practice will be held Sunday at 11 am. Meetat the basement apartment at 1156 E 56th St.BayDr Emmet pay, 72, prominent Universitycardiologist, died Saturday, April 7, at theMonticello Convalescent Center in OakLawn, Illinois.Dr Bay, professor emeritus in thedepartment of medicine, had been a facultymember in the division of the biologicalsciences and the Pritzker school of medicineat the university for 45 years.He was a specialist in the prevention ofheart disease by diet and drug therapy and inthe dynamics of blood flow. In 1961 he wasthe co-developer of an accurate instrumentfor directly measuring the speed and volumeof blood flow without opening a blood vessel.A native of Illinois, Dr Bay was a 1920alumnus of the University (BS) and a 1923graduate of Rush Medical College, Chicago(MD). He joined the University faculty in1927 as assistant clinical professor in thedepartment of medicine. In 1936 he becamedean of Rush Medical College and in 1939 wasnamed professor in the department ofmedicine at the University.He served for many years as chief of thedepartment’s section of cardiology. In 1966he became professor emeritus in thedepartment.Campus securityThe International Student Society andStudent Government are co-sponsoring aPanel-Symposium for educational purposeson the basis of recent incidents on campus.The discussion will center aroundquestions such as: what is the student’sresponsibility as a victim of crime? As awitness to crime? What does the Universityconsider its responsibility toward combatingcrime? In providing efficient securitymeasures? In offering help to crime victims?What kind of help is the student providedonce thrown (perhaps ignorantly) into thelegal machinery? Can the foreign studentexpect legal protection? What alternativesare there for the treatment of the offender?Names of the panelists will be announcednext week.HappeningHello you guys, out there— the persontyping now is eda warren kaufman, whomyou met Tuesday— if you so remember.Marooners say that I should now tell it to youstraight on the line (level) no offense to onefavorite person (lisa and Breck (hair do¬do)). ANYWAY, here it is (again, and againyes, blah...) THE HAPPENING, FREE, tobe held (and hold TONIGHT, yes, TONIGHTFRIDAY April 20, 1973. Tonight (thisevening,,, so so so PLEASE COME as itwere). Driving the speed limit, it will takeyou 30 minutes on the Skyway-Tollroad (exitonto 1-65 South and then 1-94 west: two exitson 94. exit BROADWAY SOUTH... it soundscomplicated, but it’s very easy and fast: willcost 85c toll road and skyway), OR you cantake 1-94 all the way to gary, exit BROAD¬WAY SOUTH. Noe, the reason you shouldcome is that it should be a lot of fun (to put itmildly). It will involve LIGHTS, VIDEOTAPING (live-David Affelder will be theredoing live video work), THEATRICS, mime,costumes, food, clothes, rock bands, en¬vironmental sculptures, conduit, rope, rollerskates, surprises and surmises, and ofcourse disguises, if not to say arises (orarousals) or whatever-have-you or what-youhave or what will-you. Very much hope to seeand sense (feel???) you there ok?!! Starts7:30 pm ends 2:30 am. It will be your worth(yvhile-to-come) and get your whatever-and-whoever over to the so called cultural desert(or dessert) of Gary. Once on the Universityof Indiana Northwest campus (on your rightafter exiting from 1-94, after 2 blocks) peoplewilt dirpet you to where to park and go tfwhere it will (undoubtedly be at.) LUV EDA: Roller-skate on down to Gary fortonight's Happening.BaseballStarting pitcher Tim George got an assistfrom chucker Dave Weinberg as theMaroons picked up their first win of the ’73season by defeating Lake Forest College 6-4on Tuesday.Chicago jumped off to 4-0 lead in the firstinning. Key hits by Denny McNamara, teamcaptain Tom Cullen, Mike Dotsey, and PaulYovovich paved the way.The Maroons’ number one pitcher TimGeorge tired after five innings of nearperfect baseball and was relieved. Weinberg,Chicago’s number two pitcher, came on inthe fifth and retired the side. Weinbergpitched strongly throughout the balance ofthe game, and was credited with the victory.The Maroons’ next appearance will be onthe road Saturday at George WilliamsCollege for a twin bill. On WednesdayChicago will travel to neighboring IllinoisInstitute of Technology for a single game.One week from tomorrow Lake Forest willswoop down on Stagg Field for a doubleheader against the Maroons.CardiacThe new $250,000 pediatric cardiaccatheterization laboratory at the Silvain andArma Wyler children’s hospital will make itpossible for University cardiologists toevaluate a child’s heart to determine if acongenital or acquired heart defect ispresent, as well as the advisability ofcorrective surgery.In charge of the new laboratory whichopened April 1 is Dr Otto Thilenius, professorin the department of pediatrics.The laboratory has the latest X-rayequipment of its type in this country. Car¬diologists can study the size and pumpingaction of the heart and the presence of anydefects in any of its chambers or heartvalves.The catheterization procedure ismonitored by Dr Thilenius on nearbytelevision screens. Each diagnosticoperation is also recorded on videotape forreplay and study by medical students as wellas physicians involved in the case.A few years ago the hope for a normal lifewas very limited for children with seriousheart defects. With new techniques andmodern equipment, the degree of abnormalblood flow and the heart’s pumping activitycan be accurately measured in thecatheterization laboratory.In addition to new diagnostic procedures,new surgical techniques have beendeveloped at the Wyler Children’s Hospital.CONTRIBUTIONSHELP CONSTRUCTTHE NEW POOLSend Checks lo:Maroon Marathonc/o Bartlett Gym.Chicago Ill. 60637Please make checks payable tor rn~.: ^ ^ ** iumvu^iiy oi c,inuago iVidl U l IJOII*1SDS charges Lorie with racism;Woodlawn Hospital woes continueLORIE: The chairman of Woodlawn Hospital s board of directors has denied SDScharges of racism.Continued from page 1of 1971 to recognize the union asbargaining agent for the 104 employeesonly for an interim period. We said thatwe would try to work out some sort ofcollective bargaining agreement, andthe union agreed not to strike duringthat interim.”The interim period lasted for sixmonths, and no agreement wasreached. In June of 1972, 70 employeeswent on strike. According to Lorie, thehospital, at the time, had 124 patients init, some of them seriously ill. Lorie said,“We could have capitulated, whichwould have been grossly irresponsible,or we could have continued to operatethe hospital, which we did. This hospitaldoes not exist for the benefit of theworkers or the doctors; it exists for thebenefit of the patients.”Lorie said that there were noeconomic issues involved in the strike,but that the issues were rather “...whothe union represents. Does it representeveryone? Some of those 104 cards werepossibly signed in ignorance, and otherswere possibly signed under socialpressure. The Board wanted a secretballot election with all employees, bothstrikers and replacements, voting.”Strikers at the hospital, however,disagreed. One striking Dietary em¬ployee said “If the Board and thehospital wanted to ask for a secretballot, they should have done it at thetime. Besides, why should the scabswho went into the hospital and took overthe jobs we were on strike from beallowed to vote?”“In addition,” said Peter Sporn,campus SDS co-ordinator for the StrikeSupport Committee, “an arbiter thatboth the Board and the employees agreed upon said in his report that theelection should only include employeeswho were on duty at the time of thestrike. Lorie and the Board rejected hisfindings.”Lorie said that the arbiters report wasindeed rejected by the Board, but added“The reason it was rejected wasbecause the arbiter claimed that theBoard had not bargained with the unionin good faith. Since this was one thingwe were all sure of, we felt the reportbased all of its conclusions on a false premise, so we rejected the report. Bothwe and the union had agreed in advancethat his report would be non-binding.”Lorie added “There was someviolence at the start of the strike. I’msure that violence was not union policy,and I’m sure that it was not condoned bythe union; I don’t see this strike as amatter of the heroes against thevillians. As I said before, I am unawareof any strike-breaking, and I myselfwould never condone any such thing.”Shirley Jackson, a striking employee, said that “Lorie really does seem to beignorant of what’s going on down here.However, I think that, as head of theBoard of Directors, there is no excusefor him not being aware. We have beenthreatened by Eblen (Hospital Ad¬ministrator Samuel Eblen) and thegoons he’s hired to ‘protect’ hisproperty. This guy Flisk pulled a gun onme when he was riding shotgun on ascab garbage truck.”One striker said “What does Loriemean when he says he doesn’t knowFlisk? If he’s head of the board, heshould know what’s going on here.”Other employees told of harrassmenton the picket line, including an attemptby Eblen to wrest a gun away from asecurity guard and point it at thestrikers. The employees alleged thatwhen the guard refused to surrender hisgun, he was fired and the services of hissecurity agency terminated. Accordingto the strikers, it was then that Fliskand the Counterpoint Bureau of In¬vestigation (CBI) were hired by EblenOne woman said "Flisk and his scabshave tried running us over severaltimes. Flisk owns a scab garbage truck,and sometimes rides shotgun on it.Eblen drove out of his way once to tryand run over this boy, a grandson of oneof the strikers, when he was on thepicket lines.”A male employee said “I've seenFlisk parked by the curb in his LincolnMark IV lots of times, watching us andtalking over a 2-way radio. He’s thestrongarm man Eblen has hired to takecare of us.”Lorie, referring to the leaflet andletter in which the charges were made,said “These charges against me arecompletely untrue. In fact, I have thebasis here for a very good libel suit.”TNI MARTIAL ARTS MASTERPIECE!Sights til sounds like never before!SEE one incredibleonslaught alter another1 PALE before the forbiddenritual of the steel palm!COME PREPARED forthe thrill of a lifetime1CHEER the young warriorwho alone takes on the evilwar-lords of martial arts!LEARN THE SECRET OF THE,THE NEW MOVIE SENSATIONTHAT’S STUNNING THEENTIRE WORLD! Vf/Nffots0°rrik*f"\A SHAW BHOS (’Ml )| )N-fVl IIXO CCHOH Mnw kro* SMi Amtwaary Mnw Communication. Companya be CRT AT STATESSEE IT NOW AT... STATE LAKE MidwestPremiere With TWA itpays to be young.Armed with just your TWA Bed andBreakfast* Plan, and a pack on your backyou can get a lot more of Europe lor a ^lot less with TWA.Here are some ways we help.Bed and BreakfastTWA's "Bed and Breakfast:gets you guest houseaccommodations (at theleast) in 47 European cities,breakfast and extras likesightseeing or theatre ticketsall at really low prices.Europe Bonus Coupon Books.Take your boarding pass to any TWATicket Office in London, Paris, Rome,Frankfurt, Madrid, Athens or Amsterdam,and you’ll get a book of bonus coupons goodfor absolutely free things, as well asdiscounted extras like bicycles, theatretickets, sightseeing, meals and lots, lotsmore. Like we said, with TWA it pays to beyoung. For all the details write: TWA -IT PAYS TO BE YOUNG, Box 25, GrandCentral Station, New York, N.Y. 10017.WS!BONUSCOUPONBOOKS CouponJames BoganTWA campus rep.955-4705Bed arul Breakfast ii a svrvuv mark owned exclusively IAN AtttFriday, April 20, 1973 - The Chicago Maroon - 5Grape boycott resumes; rally to be held FridayBy CD JACOThe University of Chicago FarmworkersSupport Committee announced Thursdaythat the United Farm Workers (UFW) have-called for a resumption of the nationwideboycott of table grapes. The original grapeboycott, which began in 1968, was terminatedin 1970 when the UFW signed contracts withgrape growers in California. Grape growersin California’s Coachella Valley broke offnegotiations with UFW on Monday afterseveral growers announced that they hadsigned contracts with representatives of theTeamsters.According to Richard Grossman, campusco-ordinator for the UFW, a city-wide rallyhas been called for Saturday, April 21 at 1p.m. The march, which will begin at 26th andCalifornia, will end at an A&P store at 2620 S.Lawndale Avenue. Grossman said “Thismarch is to show the lettuce and grapegrowers and A&P that our movement to win decent working conditions for farm workerswill not be defeated.”Grossman admitted, however, that theunion “...is in a life and death struggle.”Grossman, referring to the Teamster con¬tracts, said “If the Teamsters are incollusion with the grape growers as well asthe lettuce growers, we might have very fewcontracts left.”Nationally, the UFW presently has con¬tracts with two lettuce growers, includingInterharvest, the largest lettuce producer inthe US, and with the Minute Maid Orangejuice division of Coca-Cola. According toGrossman, the Teamster contracts aresimilar to those signed by several Californialettuce growers last year; the CalforniaSupreme Court, in a 6-1 decision inDecember, 1972, ruled that the Teamsterlettuce contracts were fradulent.Cesar Chavez has also asked the JusticeDepartment to investigate UFW chargesthat California growers have bribedTeamster officials in order to keep them inthe fields. The UFW national office said,through its chief counsel Jerry Cohen, that ithas evidence that, on several occassions,sums as high as $5,000 have been paid to theTeamsters by the growers. According toChavez, bribery is the only way the growerscan keep Teamster organizers in the fields,since “....a majority of the field workershave indicated that they want the UFW astheir bargaining agent.”Besides the Teamsters and growers, theUFW has been under attack by the FarmBureau. In addition, several UFW field of¬fices in California have been attacked withinthe last month. Two weeks ago, the union’soffice in Calexico was vandalized an burnt;last month, the field office in Delano wasfire-bombed and completely destroyed.Locally, Grossman said that the UFW isintensifying its campaign against non-unionlettuce and grapes, and A&P. Grossman said“We aren’t going to let them put us on thedefensive. We presently are picketing over 30A&P stores in Chicago. We’ve received assist¬ance from volunteers, clergy, and labor UFW: Students march in a past show ofSteve Kaplan.groups.Among the labor groups that have beenpicketing on the South Side are an all blacklocal of the Amalgamated Meat Cutters, andseveral members of Teamsters locals. Ac¬cording to Randy Roberts, South Side Co¬ordinator for the UFW, “Our quarrel withthe Teamsters nationally hasn’t preventedmembers of a lot of Teamsters locals fromhelping us out. In a lot of cases, the Team- support for the Farm Workers. Photo bysters rank-and-file has been fantastic.”The UC-UFW Support Committee isplanning to leave from the Hyde Park A&Pat 51st and Lake Park at 12 noon Saturdaywith a car pool. The local office is alsoholding a vigil in front of A&P’s ChicagoOffices on N Pulaksi Avenue today, andplans to leaflet the suburban neighborhood ofA&P Regional Director Earl Poyner onSunday.HEADQUARTERSFORPASSPORTPHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSinblack & whiteand colorCall MU 4-7424 nowfor an appointmentCorona Studios1314 E. 53RD A professionalABORTIONthat is safelegal &inexpensivecan be set up on anoutpatient basis by callirxThe Problem PregnancyEducational Service, Inc.215-722-536024 hours—7 daysfor professio.*al, confidentialand caring help.A MOTIONPICTURETHATCELEBRATESTHE TIMELESSJOYOFORIGINALINNOCENCE» SI IK ll KIS A III M h,FTcWICO ZCFFirCLLI MIS FIRST f II M f>IN( { KOMIO A |l IIIT“BroTHer sun siSTer MoovrPQ1 TfCHNIfOlOfr PANAVIMON* APAKAMOOM Pl( H'RFi:x(;n isi v' k i:N( ;ac;i:m k n nCARNEGIERush el Oak YORKTOWN CINEMA DLombardFOR SPECIAL STUDENT/GROUP RATES CONTACT:Carnegie • Andy: 341-1200Yorktown • Mr Zirkelbech: 495-0010—1 mu iMimi in ■■ ■■ ■■■, ,■-.The Chicago Mqrpon- Friday, April 20, 1973 .\ ; c*!7 • vy‘ (A i.v.;/* ,vob» ' JAMESSCHULTZCLEANERSCUSTOM QU AUTYCLEANING10% student discount1363 E. 53rd S».752-6933 Factory AuthorizedDealerSAABVolkswagenSouth-Shore Inc.7234 S. Stony IslandBU 8-4900'"HERE’S YOUR CHANCE-TO LAUGH HYSTERICALLY!"1*★★★*★! FUNNY!CAESAR IS TRULY )A GREAT COMICARTIST!”-ftathlMA Carroll,M. Y. Oaity N.w.“DON'TMISS IT.TAKE YOURCHILDREN!”wm-Tv ■tM Shaw,WNBC-TV"CAESARAT HISFUNNIEST!”—Archor WImIm,N*w York Po.tTHEFUNNIESTMAN INAMERICA!'-Caqulrt Mf «lwLCBMANSTOT AtomYOUA/HOUIOF/HOW/"- - SJO CAESAR / IMOGENE COCA / CARL REINER / HOWARD MORRIS"-«—-•"***•*• MAX UEBMAN c«—.Ii.wm mmiotNOW A g' 1MOTION MCTUNK! FRONV ONTINKYIALfrIJ04 N OMTMrx • Mow tU MM,. '"• "' -J V.' V,' :.U , .’/;/* SUMMER II iB E R E E iEYSpend your summer vacationwhere it all started, picking up somecredits or just grooving on the cli¬mate, the people, the Bay, and theCity (San Francisco).Cal offers two six-week sessionsfor credit, beginning June 19.We offer super-low-cost, co-ed,co-op housing, owned and operatedby students, for students.Room and board $ 140/session,if you share the work; $200/session,if you don't.write for more information:UNIVERSITY STUDENTS'CO OPERATIVE ASSOCIATION2424 RI0GE ROADBERKELEY. CALIFORNIA 94709C/j u ♦♦♦send me more information***NAMEADDRESSSCHOOL - :sf iwENTERTAINMENT AND THE ARTSBoogie Is For YourBy GAGE ANDREWSSeals and Crofts: their new albumproves that placidity breeds boredom.William Saint James: the Carpentersminus Karen.win an ABC promo pic. Spring is here, and all that jazz. It’stime for spring cleaning, putting yourlife back into shape and preparing to bepart of the world’s most sophisticatedlysocial species. Even editors wax poetic,or else go on too long; the point of thisintroduction is twofold: to introduce thearticle, which finally gives us a cleanslate and wipes out our reviewingbacklog, and to somehow insert theincongruous fact that these pages andtheir manager have made a few errorswhich require public retrac¬tion/correction.Apology number one goes to Lowe’s.record store, whose discount price on$5.98 albums was inadvertently printedas $4.95. It should, of course, read $4.69.The Maroon stands by the rest of thearticle as printed.A second apology goes to the peoplewho are reading this article. We hadoriginally intended to run the first in¬stallment of an article intended to saveyou vast amounts of money (consumerreporting). The authors of the articleunfortunately got so enthusiastic aboutspending the money they were going tosave that the story never got written(watch for it in coming weeks); rec¬tifying the recent imbalance betweenlive and recorded reviews. A massiveset of album reviews follows.Black Oak Arkansas, Raunch & Roll,(Atco). After several disappointingstudio albums, BOA has finally beencaptured live. We can finally stopwaiting for dynamic, non GFR soundsfrom them—we can give up.Chris Rush, First Rush, (Atlantic). Ifmy first rush from smoking dope waslike this “comedy” record, I would stillbe too sick to have been subjected to thisalbum. D-Fanny, Mother’s Pride, (Warners).Takes them from “all girl group” to“first class rockers”. Less shouting,less sheer-overpowering-to-prove-we-are-as-good-as-men-ness to this album;not as danceable as their others, butwho dances those dances anymore? BplusTaro Meyer, (RCA). Another prettyface, but she sings better than mostmodern chanteuses. If “You’re SoVain” barely lasted once through foryou, try Taro. BDoobie Bros., The Captain and Me,(Warners). One of the few bands thatgetting away from the Allman Bros,sound has been good for. If ToulouseStreet equals a dead fish, this is thePequod, and the Captain has a woodenleg I think they’ll get him this time. BTodd Rungren, Wizard/True Star,(Warners). Todd Rungren is a verygood producer (see Fanny, above), andhe can out-bizarre almost anyonearound, but he can’t sell records. Oneside of this isn’t too bad, but a look at thecover will make you leave it in the store.C-Seatrain, Watch, (Warners).Someone else was supposed to reviewthis, but they didn’t, so here I am, andhere it is: ok, but not great. If it is truethat good music inspires good criticism,then this review actually does speak foritself. C plusJohn Stewart, Canons in the Rain,(RCA). Stewart is known as a cowboy-picker. Western, not c&w, this is firstrate pleasantness but has no lyrical ormusical moxie. B-Marvin, Welch, And Farrar, SecondOpinion, (Sire)..It’s a good thing thatthis is second opinion, because my first Bill Withers: back to the rear axle grind.opinion was unprintable. Now I can saythat we should print second opinions,because as an attempt at rock thealbum (by the same name) is a piece ofgarbage. However, it did give a goodchance to be clever and get confused,for which redeeming values I raise itrating to a D.Tom Watts, (Asylum). Watts isesoteric: he writes some fine, sen¬sitively observant songs, about leavingone night stands, and succumbing (40years later) to an urge to call up achildhood passion. But, damn it, hefarts around with rinky-dink pianotunes that wreck his lyrics impact, andcouldn’t possibly be intended to un¬derscore it- through the use of irony.More frustrating than Lake Kenosha. CTerry Reid, River, (Atlantic). TerryReid should play guitar with the BuddyMiles Band. C-Sand, (Barnaby). It has this jacketphoto of a very good, tempting herosandwich that has been utterlydesecrated by large amounts of dirtysand. Take it from there; a two albumset. DGenya Ravan, They Love Me, TheyLove Me Not, (ABC). She used to singfor Ten Wheel Drive, she is now moreexploited as a POA (Piece of ASS, forthose of you unfamiliar with recordpromo literature and photos see Len-near, Claudia). However, the recordwas produced, orchestrated, played on,and ruined by Jim Price. She’s betterlive, so CWilliam St. James, A Song For EveryMood, (ABC). These two guys, and thisone girl, get together, see, and wantedto sing together, but the name “Peter,Paul, and Mary” was already taken, sothey went to the local taxidermist to askthe carcass of the big, bad wolf ifhe.... Any way, I didn’t think they weretoo bad, rather like the Carpenterswithout Karen’s voice; you know, basic,cute, a little saccharine. My roommatesubtlely asked for something withoutwords. C-Bill Withers, Live At Carnegie Hall.(Buddah). Bill is said to want out—toomany hassles, he wants to go back tobeing a mechanic. The disenchantmentshows: despite great songs, this doesn’tdo me—too much inconsequential rap¬ping, and the usual problems of liveconcerts. No charisma. B-Leo Kottke, My Feet are Smiling,(Capitol). Kottke does amazing thingswith a guitar. Unfortunately, thisrecording is very muddy, and there areseveral repeat cuts from earlieralbums. Buy his older stuff, or see himat the Quiet Knight in a few weeks. BJohnny Winter, Still Alive and Well,(Columbia). I thought Edgar had takenover, but JW comes back with his bestin a long while. One of the few peoplewho can still pull off a guitar ego-trip. BplusKen Munson, Super Flute,(Paramount). Rapid fire flute runs,close miked, that both sound very littlelike Jethro Tull and are very good. If theflute could be used like a chopperguitar, this might be it, thoug it didn’tconvince me completely. B-Blue Oyster Cult, Tyranny andMutation, (Columbia). Last year’skiller acid-boogie band has a new albumthat won’t get such rave reviews (itdoesn’t shock as much now), but is stillin the same vein. B plusFlo & Eddie, (Warners). You’d neverthink these guys would open the AliceCooper show. You’ll recognize the Leo Kottke: His feet are smiling and hisTodd Rundgren: Can you go wrong withSoupy Sales’ kids in your group"7(Continued on page 11) Su^ar *s muddy.Friday, April 20,1^3 - The Chicago Maroon -1Grape boycott resumes; rally to be held FridayUFW: Students march in a past show of support for the Farm Workers. Photo bySteve Kaplan.By CD JACOThe University of Chicago FarmworkersSupport Committee announced Thursdaythat the United Farm Workers (UFW) havecalled for a resumption of the nationwideboycott of table grapes. The original grapeboycott, which began in 1968, was terminatedin 1970 when the UFW signed contracts withgrape growers in California. Grape growersin California’s Coachella Valley broke offnegotiations with UFW on Monday afterseveral growers announced that they hadsigned contracts with representatives of theTeamsters.According to Richard Grossman, campusco-ordinator for the UFW, a city-wide rallyhas been called for Saturday, April 21 at 1p.m. The march, which will begin at 26th andCalifornia, will end at an A&P store at 2620 S.Lawndale Avenue. Grossman said “Thismarch is to show the lettuce and grape■growers and A&P that our movement to win decent working conditions for farm workerswill not be defeated.”Grossman admitted, however, that theunion “...is in a life and death struggle.”Grossman, referring to the Teamster con¬tracts, said “If the Teamsters are incollusion with the grape growers as well asthe lettuce growers, we might have very fewcontracts left.”Nationally, the UFW presently has con¬tracts with two lettuce growers, includingInterharvest, the largest lettuce producer inthe US, and with the Minute Maid Orangejuice division of Coca-Cola. According toGrossman, the Teamster contracts aresimilar to those signed by several Californialettuce growers last year; the CalforniaSupreme Court, in a 6-1 decision inDecember, 1972, ruled that the Teamsterlettuce contracts were fradulent.Cesar Chavez has also asked the JusticeDepartment to investigate UFW chargesthat California growers have bribedTeamster officials in order to keep them inthe fields. The UFW national office said,through its chief counsel Jerry Cohen, that ithas evidence that, on several occassions,sums as high as $5,000 have been paid to theTeamsters by the growers. According toChavez, bribery is the only way the growerscan keep Teamster organizers in the fields,since “...a majority of the field workershave indicated that they want the UFW astheir bargaining agent.”Besides the Teamsters and growers, theUFW has been under attack by the FarmBureau. In addition, several UFW field of¬fices in California have been attacked withinthe last month. Two weeks ago, the union’soffice in Calexico was vandalized an burnt;last month, the field office in Delano wasfire-bombed and completely destroyed.Locally, Grossman said that the UFW isintensifying its campaign against non-unionlettuce and grapes, and A&P. Grossman said“We aren’t going to let them put us on thedefensive. We presently are picketing over 30A&P stores in Chicago. We’ve received assist¬ance from volunteers, clergy, and labor groups.Among the labor groups that have beenpicketing on the South Side are an all blacklocal of the Amalgamated Meat Cutters, andseveral members of Teamsters locals. Ac¬cording to Randy Roberts, South Side Co¬ordinator for the UFW, “Our quarrel withthe Teamsters nationally hasn’t preventedmembers of a lot of Teamsters locals fromhelping us out. In a lot of cases, the Team¬ sters rank-and-file has been fantastic.”The UC-UFW Support Committee isplanning to leave from the Hyde Park A&Pat 51st and Lake Park at 12 noon Saturdaywith a car pool. The local office is alsoholding a vigil in front of A&P’s ChicagoOffices on N Pulaksi Avenue today, andplans to leaflet the suburban neighborhood ofA&P Regional Director Earl Poyner onSunday.' HEADQUARTERSFORPASSPORTPHOTOGRAPHSAPPLICATIONS* PHOTOGRAPHSinblack & whiteand colorCall MU 4-7424 nowfor an appointmentCorona Studios1314 E. 53RD A professionalABORTIONthat is safelegal &inexpensive!can be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours—7 daysfor profession <aI, confidentialand caring help.A MOTIONPICTURETHATCELEBRATESTHE TIMELESSJOY OFORIGINALINNOCENCE* SI l-K II HISFranco zemreui his first fum since romlo n m h t“BTOTHer sun sisTer Moorr ^'pQl TFCHNICCXOR* PANAVMON* A PARAWHlNI PK RIRFEXCLUSIVE ENGAGEMENT!CARNEGIERuth et Oak YORKTOWN CINEMA DLombardFOR SPECIAL STUDENT/GROUP RATES CONTACT:Carnegie • Andy: 341-1200Yorktown • Mr Zirkelhach 495-0010 JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933 Factory AuthorizedDealerSAABVolkswagenSouth-Shore Inc.7234 S. Stony IslandBU 8-4900~ "HERE'S YOUR CHANCE-TO LAUGH HYSTERICALLY!*'’★★★*★! 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M4MM6 - The Chicago Mqroon - Friday, April 20, 1973 ‘ , ' " ■"< I\ll '/v ■,< I | SUMMER II iB E R K E iE7Spend your summer vacationwhere it all started, picking up somecredits or just grooving on the cli¬mate, the people, the Bay, and theCity (San Francisco).Cal offers two six-week sessionsfor credit, beginning June 19.We offer super-low-cost, co-ed,co-op housing, owned and operatedby students, for students.Room and board $ 140/session,if you share the work; $200/session,if you don't.write for more information;UNIVERSITY STU0ENTS'CO OPERATIVE ASSOCIATION2424 RI0GE R0A0BERKELEY. CALIFORNIA 94709***send me more information***NAMEADDRESSSCHOOL x%nENTERTAINMENT AND THE ARTSBoogie Is For Your Ea rsSeals and Crofts: their new albumproves that placidity breeds boredom.William Saint James: the Carpentersminus Karen.Genya Ravan: Pronounce it right andwin an ABC promo pic. By GAGE ANDREWSSpring is here, and all that jazz. It’stime for spring cleaning, putting yourlife back into shape and preparing to bepart of the world’s most sophisticatedlysocial species. Even editors wax poetic,or else go on too long; the point of thisintroduction is twofold: to introduce thearticle, which finally gives us a cleanslate and wipes out our reviewingbacklog, and to somehow insert theincongruous fact that these pages andtheir manager have made a few errorswhich require public retrac¬tion/correction.Apology number one goes to Lowe’s.record store, whose discount price on$5.98 albums was inadvertently printedas $4.95. It should, of course, read $4.69.The Maroon stands by the rest of thearticle as printed.A second apology goes to the peoplewho are reading this article. We hadoriginally intended to run the first in¬stallment of an article intended to saveyou vast amounts of money (consumerreporting). The authors of the articleunfortunately got so enthusiastic aboutspending the money they were going tosave that the story never got written(watch for it in coming weeks); rec¬tifying the recent imbalance betweenlive and recorded reviews. A massiveset of album reviews follows.Black Oak Arkansas, Raunch & Roll,(Atco). After several disappointingstudio albums, BOA has finally beencaptured live. We can finally stopwaiting for dynamic, non GFR soundsfrom them—we can give up.Chris Rush, First Rush, (Atlantic). Ifmy first rush from smoking dope waslike this “comedy” record, I would stillbe too sick to have been subjected to thisalbum. D-Fanny, Mother’s Pride, (Warners).Takes them from “all girl group” to“first class rockers”. Less shouting,less sheer-overpowering-to-prove-we-are-as-good-as-men-ness to this album;not as danceable as their others, butwho dances those dances anymore? BplusTaro Meyer, (RCA). Another prettyface, but she sings better than mostmodern chanteuses. If “You’re SoVain” barely lasted once through foryou, try Taro. BDoobie Bros., The Captain and Me,(Warners). One of the few bands thatgetting away from the Allman Bros,sound has been good for. If ToulouseStreet equals a dead fish, this is thePequod, and the Captain has a woodenleg. I think they’ll get him this time. BTodd Rungren, Wizard/True Star,(Warners). Todd Rungren is a verygood producer (see Fanny, above), andhe can out-bizarre almost anyonearound, but he can’t sell records. Oneside of this isn’t too bad, but a look at thecover will make you leave it in the store.C-Seatrain, Watch, (Warners).Someone else was supposed to reviewthis, but they didn’t, so here I am, andhere it is: ok, but not great. If it is truethat good music inspires good criticism,then this review actually does speak foritself. C plusJohn Stewart, Canons in the Rain,(RCA). Stewart is known as a cowboy-picker. Western, not c&w, this is firstrate pleasantness but has no lyrical ormusical moxie. B-Marvin, Welch, And Farrar, SecondOpinion, (Sire)..It’s a good thing thatthis is second opinion, because my first opinion was unprintable. Now I can saythat we should print second opinions,because as an attempt at rock thealbum (by the same name) is a piece ofgarbage. However, it did give a goodchance to be clever and get confused,for which redeeming values I raise itrating to a D.Tom Watts, (Asylum). Watts isesoteric: he writes some fine, sen¬sitively observant songs, about leavingone night stands, and succumbing (40years later) to an urge to call up achildhood passion. But, damn it, hefarts around with rinky-dink pianotunes that wreck his lyrics impact, andcouldn’t possibly be intended to un¬derscore it' through the use of irony.More frustrating than Lake Kenosha. CTerry Reid, River, (Atlantic). TerryReid should play guitar with the BuddyMiles Band. C-Sand, (Barnaby). It has this jacketphoto of a very good, tempting herosandwich that has been utterlydesecrated by large amounts of dirtysand. Take it from there; a two albumset. DGenya Ravan, They Love Me, TheyLove Me Not, (ABC). She used to singfor Ten Wheel Drive, she is now moreexploited as a POA (Piece of ASS, forthose of you unfamiliar with recordpromo literature and photos see Len-near, Claudia). However, the recordwas produced, orchestrated, played on,and ruined by Jim Price. She’s betterlive, so CWilliam St. James, A Song For EveryMood, (ABC). These two guys, and thisone girl, get together, see, and wantedto sing together, but the name “Peter,Paul, and Mary” was already taken, sothey went to the local taxidermist to askthe carcass of the big, bad wolf ifhe....Anyway, I didn’t think they weretoo bad, rather like the Carpenterswithout Karen’s voice; you know, basic,cute, a little saccharine. My roommatesubtlely asked for something withoutwords. C-Bill Withers, Live At Carnegie Hall.(Buddah). Bill is said to want out—toomany hassles, he wants to go back tobeing a mechanic. The disenchantmentshows: despite great songs, this doesn’tdo me—too much inconsequential rap¬ping, and the usual problems of liveconcerts. No charisma. B- Todd Rundgren: Can you go wrong withSoupy Sales’ kids in your group?Leo Kottke, My Feet are Smiling,(Capitol). Kottke does amazing thingswith a guitar. Unfortunately, thisrecording is very muddy, and there areseveral repeat cuts from earlieralbums. Buy his older stuff, or see himat the Quiet Knight in a few weeks. BJohnny Winter, Still Alive and Well,(Columbia). I thought Edgar had takenover, but JW comes back with his bestin a long while. One of the few peoplewho can still pull off a guitar ego-trip. BplusKen Munson, Super Flute,(Paramount). Rapid fire flute runs,close miked, that both sound very littlelike Jethro Tull and are very good. If theflute could be used like a chopperguitar, this might be it, thoug it didn’tconvince me completely. B-Blue Oyster Cult, Tyranny andMutation, (Columbia). Last year’skiller acid-boogie band has a new albumthat won’t get such rave reviews (itdoesn’t shock as much now), but is stillin the same vein. B plusFlo & Eddie, (Warners). You’d neverthink these guys would open the AliceCooper show. You’ll recognize the Leo Kottke: His feet are smiling and his(Continued on page 11) 8uitar is muddV-Friday, April 20,1973 - The Chicago Maroon -1Blackfriars’ Struggling Upward: Focus on AlgerBy DICK RAGGYAlthough the historians among usmight bewail the method for recap¬turing the past, most of us think of adistant period in terms of associationsaround which we group our thoughts.The period of America’s rapid indus¬trialization might mean The Junglefor some, but, then again, it might callto mind an image a little less dismal.In fact, just a few years before UptonSinclair was outlining the obituary forindustrial America, another imagemaker was cranking out novels the wasa proud new father passes out cigars.And perhaps he had a right to; HoratioAlger populated his booming, scrappyAmerica with the kind of boy a father islikely to be proud of. And who’s to saythat Alger’s America was limited to twodimensions? The 200 million copies soldof Alger's 135 novels suggest that we toomight be living in his America.Alger wrote the stuff out of which American dreams are made, and, as ofthis spring, the stuff out of whichmusical comedies are made. Banish thethought of miserable lyrics like “I lostmy cat in the meat processor’s vat.”With Alger, you’re thinking in terms ofStruggling Upward, this year’s Black¬friars original musical comedy, basedon the Alger classic, Luke Larkin’sLuck. The novel was originallypublished as a series in Golden Argosyin 1886, and was issued in book form in1890.Alger’s reputation as a novelistdoesn’t rest on any kind of literarycraftsmanship; rather, he was a storyteller who could entrance a youth with acontrived plot and, even more im¬portantly, with pervasive optimism. Inits 73 production Blackfriars presents ashow that admirably captures the Algerspirit and oozes with the charm of asimple faith in the future.Luke Larkin’s Luck contains theusual array of Alger cliches. Luke, atypical young hero, rises from humble(l. to r.): Enid Rieser, Mike Dorf, Marc Primack, Paul Kruty (at the piano)perpetrators of “Struggling Upward.” Peggy Finerty as Mrs. Larkin and Bonnie Eggers as Melinda Sprague in“Struggling Upward.”beginnings to a manhood of prosperityand honor, all the while exhibitingboundless innocence, optimism, andself-confidence. He is devoted to hiswidowed mother and cheerfully servesas a school janitor, earning an honestdollar a week, to help out at home.Unfortunately, and this aspect of theAlger formula is often forgotten, suchdiligence could never lead to thespectacular futures Alger offered hisheroes.Luck was always the crucial element,and Alger consistently managed tointroduce it in the most improbableways. In Luke’s case, luck comes in theform of important contacts withwealthy businessmen after the boy wasfalsely accused of a serious crime,breaks—seemingly the just rewards forhis virtues—carry Luke upward.The quality of the plot was besides thepoint of Alger’s success; one biographerdescribes Alger’s first book, Bertha’sChristmas Vision, as ‘‘collection of ascore of the most miserable shortstories ever written.” Alger himselfseems to have lacked the luck that hefashioned for so many of his characters.He was never satisfied with the workthat brought him fame and fortune, andhis serious literary ambitions remainedunfulfilled. He was a Unitarian ministerby education, but seems to have cravedsomething of an unconventional life.After graduating from HarvardDivinity School, he spent a year tryingto find the Bohemian life in Paris. Upon returning to the US, and, after a shortcareer in the ministry, he succumbed tohis true vocation.He lived for thirty years at theNewsboys’ Lodging House in New York,which provided an endless succession ofsituations for his stories. Alger, whoneither smoke nor drank, and wasdescribed as a ‘‘Quiet, dumpy, baldishlittle man,” did have one last flingbefore his death. He seems to havefallen madly in love with another man’swife, and even followed the woman toEurope after her husband thought hehad sent her out of reach. UltimatelyAlger’s love, who, at least to Horatio,was to inspire him to new heights,wouldn’t even speak to him.It’s unlikely that Alger would approveof the Blackfriars’ Struggling Upward;he considered theater a waste of timeand money. In fact, this is thought to bethe first musical comedy based on anAlger novel. The original book, music,and lyrics were written by Mike Dorf,Marc Primack, and Paul Kruty, threeundergraduates, and by Enid Rieser,the Assistant to the Dean of Students inthe College.The production, with a cast of 50, isunder the direction of Mrs. Rieser. Theshow will be presented April 27, 28, and29, and May 4 and 5 in Mandel Hall, at8:30 p.m. In addition to watching thisworld premiere, watch for the Black¬friars campus festivities: Balloon andKite Days are coming up.Saturday, April 21THE VIRGIN CEF presentsAND THE GYPSY(D.H. Lawrence wrote it)8 • The Chicago Maroon - Friday, April 20, 1973Shakespeare Troupe Here for FOTAThis year’s Festival of the Arts getsunderway tomorrow with the presen¬tation of two classic tragedies. FOTAhas employed the National ShakespeareCompany, now in its tenth year oftouring, to stage a performance ofSophocles’ Antigone and one ofShakespeare’s King Lear.The first performance, at 2:00 pm inthe Lutheran School Auditorium at 55thand University Avenue, is thepresentation of Antigone. This is thethird play in the trilogy Sophocles wroteconcerning the Theban legend of thestory of Oedipus and his children. Inactuality, it preceded the first andsecond plays in the trilogy, Oedipus theKing and Oedipus at Colonus, and wasfirst produced about 441 B.CIn Antigone, the conflict betweenCreon, the King, and Antigone, hisniece, is usually interpreted as theclassical statement of the strugglebetween the law of the individualconscience and the central power of thestate. A more comprehensive theme ofSophocles which fits the entire trilogymay be seen as the story of a ruler whomakes a mistaken decision, though ingood faith, and who then finds himselfopposed in a fashion which he misun¬derstands and which induces him to,persist in his mistake. This themeapplies to both Oedipus and Creon, forthere is a remarkable similarity bet¬ween the dilemma of Creon in Antigoneand Oedipus himself.The director of NSC’s production ofSophocles’ Antigone also sees it as a • very contemporary play, particularlyrelevant to today’s world and the themeof young people in revolt against theinjustices of the political establishment.While retaining the language of theoriginal translation, NSC’s productionof the play visualizes this viewpoint by using modern sets and costumes for theproduction, as well as by altering theactor’s approaches to their roles.The second performance, at 8:00 pmin the Lutheran School Auditorium, isthat of King Lear. One of Shakespeare’sgreatest plays, Lear is based on the story about a mythical British King,and has the timeless theme of relationsbetween parents and children. Lear’sdaughters are the instruments of Fatein the re-education of a man who hasreached old age without achieving thewisdom and humility that maturity andexperience should bring. The playshows Lear’s transformation from aproud and unreasoning man in the firstact to a contrite and wiser man at theplay’s close.Piqued in his vanity by his daughterCordelia, he disinherits her and delivershimself into the power of the graspingRegan and Goneril. The consequencesof his folly soon overtake him, and Learrealizes his mistakes. Still, the purgingof his soul of vanity and impulsivenessrequires the humiliations meted out byhis cruel daughters, the terrors of thestorm on the barren heath, and the finalrevelation of the loyalty of Kent andCordelia.The National Shakespeare Companyhas delighted audiences coast-to-coastwith its productions of Shakespearefavorites and other classic theatricalworks. The San Francisco Examinerhas referred to them as “the ablestprofessional Shakespeare companytouring around the country,” and thisyear’s tour has included a four-weekresidency at the McCarter Theatre ofPrinceton University. Tickets for bothshows are on sale at the Reynolds Clubdesk and at the door. Admission to eachshow is $1.50 for students and $2.50 fornon-students.UT Experiment Asks: Are Beckettand Eastwood Strange Bedfellows ?By BILL REDDYIn the first few minutes of Cowboys H2I thought I was watching a Westernremake of Waiting for Godot. The way itstarts off, this first of two one-act playsput on four University Theatre’s Ex¬perimental Weekend offers a fewmarked similarities to Becket’s classic.Two cowboys, apparently bored ornearly asleep, lean against a yellowwooden horse as its warning light blinkscryptically at the audience. An other¬wise empty stage sets a non-scene,much as Godot’s tree-plus-nothingnessis the setting for Becket’s two Frenchhobos. But instead of being plunged intolengthy existential tedium, Saturdaynight’s sell-out audience was treated toa neat vignette about fantasy.Instead of being tragic masters ofslapstick and vaudeville these twocowboys indulge in drawing out littleepisodes and elaborating imaginaryvisions. They play at being other,simpler people who speculate joyouslyabout a coming rain, who roll in themud ecstatically when the r'ain comes,or fight off Indians in a Hollywood-styleshowdown. Grabbing at new materialfor their imaginary interchanges, self¬consciously taking turns at playing thelead role, they are locked into an en¬dless game. Outside of this game, theircontact is limited to anxious criticism ofeach other when they are unable to keepthe ball rolling. Even their anxietybecomes the subject of fantasy; and theanxiety finally brings the game to itsdenouement. One cowboy faints away inthe midst of describing the diseases and♦ * V- K.i.i ft Vv •*' .,'V. / ugly deaths of farm animals surroundedby their own excrement. The other,unable to revive his partner with alovely reverie about breakfast foods,attempts frantically to protect himfrom vultures as the play ends. It is ashort, exploratory play that tickles theedges of the profound.While a play like this couldn’t comeoff without two actors quite equallymatched in ability, David Bintingerseemed more at ease, his New Englandaccent crystal clear, his movementsnicer. If there was a weakness in theproduction, it seems to this reviewerthat it lay in the portrayal of therelationship between the two charac¬ters. The script is, of course, none toospecific about this relationship; but itsinstability is what moves the play. Inthis regard Douglas Gens comes outahead; for his character’s dependenceupon, and fear of, his partner was wellarticulated, a constantly visible featureof the situation. Bintinger’s characterseemed to relate more mechanically tohis companion; his final abandonmentof Gens seemed a bit arbitrary.These points are less relevant thanthe fact that both actors revealed anaffection for their parts that theaudience couldn’t resist. As theblackout came at the end, one heard aninadvertent “oh” come from someonein the crowd as if. he had been watchingtFourth of July fireworks. Footnote:Bravo for the technical people,especially for those sound effects; theywere perfect.If Cowboys H2 looked at first likesomething borrowed from Becket, An American Dream, the second play ofthe evening, started off like an Inoescowork. A wealthy couple sit properly intheir overly ornate living room awaitingsomeone who doesn’t show up; the wifetells an endless story about buying a hatwhich the husband assiduously ignores.In this initial scene, they display thatsame disturbing, scatter-brained in¬ability to think straight that Ionesco’speople always have. When Grandmaappears on the scene carrying herboxes, however, the situation changessubtley.Grandma, the only character to riseabove caricature in the play, is self-aware. She wields the bitter sarcasmsthat is Albee’s trademark; she, and shealone, knows what’s going on. Withoutknowing it, everyone is within herpower; she orchestrates every move.And beneath the absurdist texture of theplay lurks a kind of Freudian allegory.What the couple awaits is someone toreplace their long-dead adopted child.In this early work, as in Virginia Woolf,Albee is concerned with sterility andparental longing for an imaginary child.The adopted baby, Grandma hints, wasmutilated and castrated for its innocentsexuality. Grandma finds areplacement for the child in a YoungMan whose parts have each in turnbecome deadened, unable to feel love.He is a male prostitute, a natural for therole of son in a household that is in¬capable of natural sentiment. Grandmatriumphantly moves out at the play’sclimax as the scatterbrained couplejoyously greet their new son. No longerpointless, their inability to think straight now appears as a sinisterprotection from self knowledge andguilt.The production was cast and actedbrilliantly; a wife incongruously largeyet giggly, a husband slight and im¬patient, easily cowed. Mrs. Barker hadthe most flat and ridiculous smile as sheaired her sexual vacuity. The YoungMan was mild and untouchable, for allthe touching people did to him. But it’sno secret to anyone that Grandma stolethe show. Grey hair askew, one socksagging, slip showing beneath a rattyhouse dress, she waved her arms indisgust without ever quite fully ex¬tending them. Punching her glassesback up on her nose, slightly stooped,she would shake her head at the floorand complain bitterly and glibly that oldpeople are never listened to, are notallowed to go out, and get carted off bythe “van man.” Sitting on the floor,handling her boxes like a six-year-old,she was always in control of thesituation. I could have watched her allnight. Melody Page was simply fun tolook at. Oh, UT, when do we get to seeher again? Finally, cudos to MichealHildebrand who has moved behind thescenes to put on a stunning show withpeople who fit together like puzzlepieces.Editor’s Note: The performing com¬pany of the Chicago Dance Center, TheMoving Company, will give two danceconcerts April 20-21 at 8 p.m. in theColumbia College Dance Center, 4730 N.Sheridan Road.Friday, April 20, 1973 - The Chicago Maroon - 9By HENRY POST“We do not dance for money. We donot dance for dance. We dance our wayof life,” concluded Hamidou Sam, thegeneral manager of Les BalletsAfricains. A polite handshake, a fewphotos and the interview w’as over, aninterview that had centered on thecultural “mission” of the EnsembleArtistique et Cultural de la Republiquede Guinee. After touring 19 states, and43 cities, giving 68 performances, it wasno surprise that America had had itseffects on the company. The halls of thehotel were filled with the sounds of “TheCisco Kid” from War’s new album TheWorld Is a Ghetto.At the Opera House on April 14th, itwas clear that many different groupsdrank in and digested differing aspectsof the performance depending on theirparticular hunger.To the modern dancer, the eveningoffered a rich source of inspiration forhis own work. In African “dance”, eachmember of the troupe is both dancerand singer acting out the traditionalfolktales of the Guinean society. Thereis no separation between dance, song,story, music and life. Different piecesemphasized differing aspects. Somepieces were built around the music suchas Night of the Cora in which this an¬cient court melody was played on a longstringed instrument as elegantly-dressed female dancers softly danced anymph-like circle around the musician,leaving a hushed exhilaration in the air.When compared to the traditionalexpressions of modern dance, theGuinean dancer is dynamic anduninhibited. Male dancers executeastounding leaps and acrobatics while female dancers furiously twirl theirheads and gyrate their shoulders. Theperpetual motion and constantrepetition of traditional steps andmoves produces a dynamism so intenseas to make modern dance seem over¬controlled and withdrawn by com¬parison.For sheer theatrical splendor, thecostumes were breathtaking. In TheSacred Forest, guardian gods on ten-foot stilts wore masks of nearly horrificquality as they spiritually punished twolovers who had, against all tribal laws,“known” each other out of wedlock.With piercing eyes and shrieking criesthe Naadians morally tormented theyoung couple as the Domdo, in scarlettunic, spouted forth his admonitions.The beauty of the African prints, headdresses and masks, once again, con¬trasted strongly with the traditionalstrakness of the Danskined moderndancer. Just as the imagined Greekaesthetic served to inspire IsadoraDuncan, and Oriental theology droveRuth St. Denis toward transformationsof traditional dance, the influence ofAfrican dance forms will no doubt affectmodern dance in America— in fact ithas already, with most modern danceprograms offering courses in Africanand other non-Western forms of dance.This phenomena is familiar to the 20thcentury. African and South Sea ritualand religious masks “hit” Paris about1905, were renamed “sculpture” andserved as a major input in the creationof modern art and music Picasso’s LesDemoiselles d’Avigon and Stravinsky’sThe Rite of Spring being examples ofthe “primitive” influence. As progressbecame an aesthetic value almost initself, transformations of “atrophied” forms of art became the rule. Just asSontag has criticised literature forfalling behind, modern dance hasbecome in many ways rather static. Onthe forefront we find James Cun¬ningham and others, with their earspricked, hunting for inspiration just asMessiaen used bird calls, Ives used popAmerican tunes, and Acconci uses hisown body. To the modern dancer,African dance offers a wealth ofpossibilities.Yet to another segment of theaudience, Les Ballets Africainsrepresents an almost political culturalstatement. In the words of HamidouSam, “It has become very important toshow the world our cluture. Because,you see, before now, during colonialtimes, there were those that said theAfrican or the Black had no culture. Ourmission is to show that the Black mannot only has culture, but that his cultureis strong, dynamic and powerful.” IfMr Sam is right in saying that “theAmerican Black is coming back to hisroots, he wants to capture his Africanbeing,” then clearly Les BalletsAfricains offers the possibility of divingmuch more deeply into the AmericanBlack’s African roots than fashion andhair styles. Half of the program wasdevoted to the theme of African history,in particular, African unity.The story of Sundiata Keita, the“Lion King” is a symbol of the drivefor African unity. This ancient prince ofthe 13th century rules the immensekingdom of Kangaba after defeating hisbrother. With extreme theatricality, thecrippled prince regains the throne andgoes on to unify the numerous lands ofAfrica, founding the greatest empire ofthe time. Another piece told of Sadio, a “girl ofpure soul and body” who loved Mali, thehippopotamus. Their love cured thedrought of the kingdom and broughtwith it bounty and plenty for all. Onlythrough the misguided jealousies of ahunter is Mali shot, driving Sadio tosuicide and then the kingdom into ruin.As a story of man’s need to understandevery form of life, “Mali-Sadio” is alesson that Nature and Man must bothrespect and love each other if all is toremain in balance.To the Black audience, Les BalletsAfricains offers this rare chance to re¬capture some of their African beingwithout an expensive and often sur¬prising trip to Africa where the BlackAmerican is seen first as American andthen as Black. In Ghana, for example,the word for foreigner and white man,“brunee”, used to name all Americansregardless of skin color. The BlackAmerican is often surprised to learn ofthe societal role assigned to women.The Ghana woman is a form ofproperty. The cultural value of thevaluelessness (from a modernAmerican view point) of women is ahard one to swallow, running as it doesdirectly against the American con¬ception of the female role.Given these anthropological realitiesof cultural transfer, the stated goals—“to capture their African being” —mustbe taken as a noble symbolic gesture,indicative of a reaction against white-middle class values in favor of an in¬dependent, though not strictly African,alternative. For this purpose, LesBallets Africains was perfect, beingneither too close, nor too far.Of course, another group that hauntsall cultural events enjoyed the per¬formance the Keeper Uppers. Forthem, keeping up with the latest, be itfashion, movies, dance, art or what¬ever has become a national past timewhich fends off that most ugly offeelings—boredom. In this group, youneed only keep your finger on the pulseand need never glance into the eyes ofthe cultural experience. At least parlorroom command of the history of the artshas become their form of urban sport. Itwas once said, “You can judge a man bythe company he keeps.” For this group,“You can judge a man by thereproductions on his walls, the recordsand books in the shelves, and the ticketstubs in the garbage.” But even thisgroup was more than satisfied with theintense spectacle of the costume, theathletic power of the dancers and thedriving vibrancy of the music.The “Finale” topped it all, with theentire cast-backed by the dramaticpower of the stories, the visual splendorof the costume, the dynamism of thedancing and the theatrical pagentrybringing the audience to its feet aseveryone joined in the hand clappingrhythms that pulsated throughout thetheater and broke into well-deservedapplause.Les Ballets Africains.1st ANNUAL BUCK ARTS FESTIVAL•Friday, April 20th at 8:00 p.m. Saturday, April 21st at 8 p.m. Sunday, April 22nd, FilmNIA Ensemble in concert Charles Earland and his "Play Misty For Me" starringwith OBS Dance Troupe. Quintet in concert at Mandel Clint Eastwood, Cobb Hall.Lutheran School of Theology Hall. Tickets $3.00 in advance Show times 7:15 & 9:30Tickets at door. $1.00t r at Mandel's box office.$3.50 at the door. Admission $1.001C - Th« Chicago Maroon - Friday, April 20, 1973RecordsConsumer ReportsThe Doobie Brothers: Wooden Legs and dead fish.(Continued from page 7)drumming of Aynsley Dunbar fromZappa’s bands, the sense of humor leftover from the Turtles, and a myriad ofeccentric and sometimes disturbingstyles from somewhere in between thetwo. BCanned Heat, The New Age, (UA). Iget the feeling they never escaped from,or caught up with the boogie. A prettycopper kettle that doesn’t cook. CStealer’s Wheel, (A&M). A new bandthat is getting a lot of airplay inChicago, perhaps because of thevocalist’s resemblance to Dylan’s in¬tonations of yore. Rock in the SteelyDan class, no chutzpah. BGarland Jeffreys, (Atlantic). This hasa lot going for it: the Persuasions singback-up, all the session people whosenames still have meaning (Dr. John,Bromberg, Fathead Newman, JohnSimon, Don Brooks) play here, and theproduction is restrained. Perhaps mostimportant, in musical/sociologicalterms, is that Jeffreys is the first blackfolk singer/writer that I can remember,and he hits the target with writing thatshifts, flows, jerks and leaps - butalways takes you somewhere. A-Chiliwack, All Over You, (A&M).They derived a lot of good things fromother rockin’ blues bands, but are eithernot original or not flashy enough to pullit off. C plusDeep Purple, Made in Japan,(Warners). A two record live set,recorded is Osaka and Tokyo, by whathas always been the absolute best of theno-talent bands. Easily pushes the newLed Zeppelin into the mud, but has itsown feet soiled in the process. B-Robert Thomas Velline, Nothin’ LikeA Sunny Day, (UA). I have beenlistening to this record for about sixmonths, trying to decide if it is a work ofgenius. He used to be known as BobbyVee, a name all you bobby-soxers willremember; these days he is toneddown, cleaned up by a country in¬fluence, infectious without beingbubblegum. It will probably be anothersix months before I finish a full-lengthreview, but the interim report is A.Hookfoot, Communications, (A&M).Caleb Quaye (from Elton John’s earliermaterial) is their guitarist, so the ap¬peal of this record depends on how wellyou like his work. Absolutely no worsethan slightly above average. C plus orup.Gram Parson, GP, (Reprise). Abrilliant example of the possibilities of asymbiotic relationship between rockand country. A-Sandy Denny, Sandy, (A&M). Sandyhas stuck with the English traditionalfolk material that she did with FairportConvention. The back-up band here isinsipid and fails to support theremaining magic of her voice. Catchher live in two weeks. C plusSeals and Crofts, Diamond Girl,(Warners). They settled down, gotmarried, lived happily ever after ontheir record royalties. Unfortunately, most really good music comes fromtorment of the soul, heartbreak, etc.Happiness, in this case is a warmblanket over their creative fire. C-Jim Weatherly, A Gentler Time,(•RCA). For all you Don McLean fans,though not as cute. D plusCold Blood, Thriller, (Warners).Coagulated. D.Paul Williams, Life Goes On, (A&M).Williams has friends-the whole LeeSklar-Russ Kunkel session machine,Linda Ronstadt and Jackson Brownefrom Asylum records, Rick Roberts,etc.; quite a crew for a type-cast walk-on in Planet of the Apes. The fault lieswith the tunes and the lyrics—Williamsdepartment—which are more com¬monplace than Carole King’s withouther common touch. Superbly innocuous.BWet Willie, Drippin’ Wet,(Capricorn). WW is another one of thoseSouthern blues bands, sadly cursed witha prominently displayed, not verytalented lead vocalist. Sounds a littlelike that “other” Southern band, but theguitar work is noticably absent, and theharp is almost intrusively present. Kepta lot of the stage sense and in¬ventiveness, though. BJudee Sill, Heart Food, (Asylum).Definitely an AT (i.e., Acquired Taste).Streaming, limited range voice headsan instantly identifiable sound. Herlyrics are intensely personal, reachingstrongly out of one of the most fucked upbackgrounds ever. This is an albumwhich requires work, and which seemsto offer no enticement or motivation forthe work required. The rewards are ofthe class that make you feel that youhave discovered something, but youhave no idea how to tell people about it.B plusArlo Guthrie, Last of the BrooklynCowboys, (Reprise). Arlo has reallygotten into Americano—fiddle solos(though from Ireland), ragtime, a 30’sstyle shuffle, country yodelling, andsome of Woodv’s material. It requires aspecial sense of humor/patience/per¬spective to like these. Some really finematerial tempered with a lot of headscratchers; requires more work, but atemporary B-.Faces, OOH-La-La, (Warners). I wasbeginning to think that Rod Stewart’sback up band was too much just that -slick background. The new Faces’album solves that'problem beautifully:both Wood and Lane are given largemeasures of instrumental freedom, andthe band as a whole finally meetsStewart’s power with some raw oomph!of their own. An awaited revival forStewart, the best ever from the Faces.ABonnie Koloc, (Ovation). This sur¬prised me—when I saw her live shewasn’t nearly this good. She has finallylearned how to sing to a recordingmike; she is writing her own songs,tailored to her strengths ( and in¬cidentally, the songs are good on theirown). This puts her solidly in the firstrank of folk singers. B plus-i—m—ifr m-iTvr^TurnviviToivywrr-v-'*-*^" ,,,,(n-nn n»««.<>•»***»»»*«< > **m CORSO cornerTHE INTERNATIONAL STUDENT SOCIETYandSTUDENT GOVERNMENTare co-sponsoring a PANEL-SYMPOSIUM:CAMPUS SECURITY:INDIVIDUAL AND INSTITUTIONAL RESPONSIBILITYWednesday, May 2nd-8 PM-lda NoyesCloisters(Names of panelists and outline of discussion topics will be announced in nextweeks Maroon.1st black arts FestivalApril I9th-April 22ndFri.-Concert At Lutheran School of TheologyNIA EnsembleOBS Dance TroupChicago's AnswersSat.workshops in Art, Poetry, Photography, and Music at 6042 S. Kimbark Noonto 5 p.m. 8 p.m. at Mandel-Charles Earland Concert. Tickets 3.Q0 in adv. and3.50 at door.Tickets on sale from Noon to 6 p.m. at Mandel's box office.Sun Film-"Play Misty For Me''-starring Clint Eastwood. Cobb Hall 7:15 and9:30 p.m. Admission $1.00The Festival of the Artsbrings youThe National Shakespeare Company's production ofANTIGONEApril 21, 1973 at 2:00 p.m.Lutheran School AuditoriumStudents $1.50; non-students $2.50alsoKING LEARTickets available at the Reynolds club desk Since seating is limited to 500 per¬sons we urge patrons to buy tickets early.With TWAitpays tobeyoung.TWA’s got a lot of things to help youin a lot of ways around the U.S. and Europe.But nothing comes close to the adventure¬some brave blockbuster Worldtrek expe¬ditions (arranged exclusively through TWA).Worldtrek.This isn’t a vacation, it’s an experience.From two weeks trekking the fjords ofScandinavia to 12 weeks on a pilgrimage,to Kashmir. You’ll find yourselfcamping with nomadic reindeerherdsmen, or boating across theBlack Sea to Yalta.For the exciting details, go toyour TWA 'Travel Agent, TicketOffice, or Campus Rep. - or sendthe coupon below.5582TWA - "IT PAYS TO BE YOUNG,”Box 25, Grand Central Station, N.Y., N.Y. 10017Please send me information on the following:Worldtrek Bonus Coupon BooksStutelpass* Ovemite Pass*Destination Europe Pack Bed and Breakfast*Name —AddressCity State Zip.if MMtm 1 PfidCfy/’Apri 120/The Chicago Moroon r. 1*1 <Cvv«' '/» Ji'icjA .• rovv>M vriT• 0!12 - The Chicago Maroon - Friday, April 20, 1973 EnoughVariations for Four is amusing. Thisexhibition of virtuoso male dancing wasdesigned by Anton Dolin as a revue,purely for display of the technical skillsof the dancers—Daniel Levins, TerryOrr, Fernando Bujones and PaoloBortoluzzi. The pas-de-quatre beginswith coordinate moves together, mostlyleaps and tour-jettes. The dancers thenexit and each walks alone onstageslowly and deliberately, ready to do histhing.Fernando Bujones, tall and veryslender, did flawless pas-de-chats,reaching extraordinary heights. TerryOrr, smiling broadly, leapt straightup—as though suspended by invisiblewires—and extended his legs parallel tothe stage. Paolo Bortoluzzi, theunquestioned favorite of the audience,executed a series of thrusting grand-jettes. His slow difficult solo, mostly onhalf-toe with partial arabesques, wasgracefully if not perfectly executed.Daniel Levin’s grand echappe sautee dwith crispness and clarity.Variations is an exotic extravaganzacomparable to a sword-swallowing act.Like a circus, its atmosphere isheightened by strategic increases ofvolume and tempo in the music Thescore, by Marquerite Keogh, was trulyin the tradition of Bob Trendler and hisBig Top Band—you remember, fromBozo’s Circus?Fancy Free was a most refreshingway to end the program. A Bernstein-Robbins collaboration from the 1944musical On The Town, it is a piece ofold-time theatre brilliance—pureAmericana. Imagine all the scenes ofGene Kelly on shore leave, dancing hisway through the streets of New York;the jazzedup Bernstein (precursor ofWest Side Story), and the vibrantchoreography of Jerome Robbins.Compared to other productions we’veseen, the ‘blithe spirit’ of Les Sylphidesset heavily upon our sense of beauty andballet perfection. Monuments, thoughhonest and generally well-done, insultedour intelligence with its unneccesaryrepetition and explicitness. Variationsfor Four impressed us with its daring.Fancy Free was a breath of theunliberated forties. And so it was thatnight with ABT—a little of everything, alittle too much of some things, and notquite enough of certain others.ABT: Too Much and NotBy MELINDA KANNERAND KAREN ROOTHANThe Wednesday night concert ofAmerican Ballet Theatre made up indancing expertise what it lacked incohesion. Four ballets were presented:Les Sylphides—for lovers of balletclassicism, Monument for a DeadBoy—a recent and controversial work,Variations for Four—a spectacularmale pas-de-quatre, and FancyFree—choreographed originally for aforties musical. Such wide variation incontent made it difficult to appreciateany one dance to its fullest.Les Sylphides is the epitome ofromantic, ethereal ballet. It must en¬trance the audience, immerse it in afantastic reverie. For this reason, eachperformance of the ballet must be of anequally exquisite perfection—anythingless breaks the magic spell. There wereseveral spell-breakers in ABT’s ren¬dition.The first and most readily obviouswas David Gilbert’s sluggish con¬ducting of otherwise perfectly mar¬velous Chopin. The corps de balletseemed uneasy with the slow tempi, asevidenced in their strange and un¬coordinated arm movements. GayleYoung, the male lead, sported a hugewhite bow on his chest—exactly likesomething from Mitzi's. His brief liftsand low leaps indicated a lack of thekind of strength found in great dancers.He is just not your average picker-upper of forest sylphs. Sallie Wilson, astrong jumper, danced excellently withYoung but was a little unsteady, asshown by her heavy and jerky armmovements.The Young-Wilson pas de deux ofSylphides was one of the most suc¬cessful cooperative dance efforts we’veever seen. Always responsive to eachother, the two danced as one. The finaleof the Ensemble, however, «=eemedsomewhat contrived. Mr. Gilbertspurred the dancers and audience into aforced conclusion by rushing resultingin a grande finale that simply hadn’tbeen given the right build-up. The verveexhibited in the last part of the balletdid not compensate for the lax tempoand inexact movements of the first part.ABT’s Les Sylphides was only a fair dance for anyone who cherishes the realthing.Monument for a Dead Boy is Rudi vanDantzig’s case history of ahomosexual—a man dancing his ownobituary. He re-examines the pain of hislife with all the anguish and terror offirst experience. The intensity of thesefeelings prevails throughout the dance.At times it proves too overpowering toallow for full appreciation of the in¬dividual facets of the ballet. Monumentmakes its point and continues to hit youover the head with it.In his tragic search for love, The Boyis tossed from males to females to males—first towards his somewhatsadistic School Friend danced byMarcos Paredes. The Boy drownsslowly in the whirlpool of his past, theFuries, his Parents and amoursoverwhelming him with gestures ofcriticism and rejection. He is finally leftalone, standing in blinding light withonly his re-opened wounds exposed.Though Monuments has tremendousemotional impact, the choreographywas heavy-handed in its unceasingemphasis and reiteration, overly cir¬cumstantial in its presentation of detailand too Freudian in its interpretation.In its choreography and performance,Eleanor D’Antuono dances “Giselle,” which our reviewers didn’t see.CUSTOM WEDDING BANDSIn Sterling or 14K Gold Over 35 designs to choose from4 ARTS GALLERYtf'Lk 1629 Oak Am., Evanston, III. 328-883412 to 5:30 pm daily 10-5:30 pm Sat.7 to 9 pm Mon. & Thurs.ROCKEFELLER MEMORIAL CHAPELt>olu ffleek ScrtncesGastcr Ore VigilAPRIL 21, 11:00 P.M.-12:30 A.M.Easter breakfast following the service in Chapel undercroft.fasterAPRIL 22, 11:00 A M.PREACHERE. SPENCER PARSONSDton of the Chapel Open upMake the most of it!ANHEUSER-BUSCH. INC . ST LOUISSolti Screens Rookie ConductorsBy PAULGUDELThe First Sir Georg Solti Competitionfor Conductors held last Friday wasvirtually a music critic’s parlor game.You get to sit there, listen to the threefinalists conduct the Chicago CivicOrchestra, pick out your personalfavorite, and then wait for Maestro Soltito come out and announce the winner.Just like watching the AcademyAwards, missing only the little whiteenvelopes, the inane jokes, and theIndian speeches.The Solti Competition is, of course, SirGeorg’s way of paying back the musesthat be for what he himself describes ashis “good fortune and success” in hischosen profession. Sir Georg has per¬sonally contributed the money for one$2,500 first prize and two $1,000 con¬solation prizes for young, aspiringconductors to compete for. More im¬portantly, the winner conducts a con¬cert in the Major Leagues, with theChicago Symphony, and is presumablythereby given the first step on the roadto a great career.An extra twist is given to the contestby the fact that a set program of threeworks is drawn up and the threefinalists are matched with the workthey are to conduct by the drawing oflots The three works on the programspan just about the widest possiblerange of musical styles - Mozart’sSymphony No. 39, Debussy’s La Mer,and Schumann’s Symphony No. 3(Rhenish). Each piece demands verydifferent technical and interpretiveskills. So the contest is a test of more than the most basic conductorialtechnique, since the contestant must beready to adapt his style of conducting tomeet very diverse requirements.It’s funny how each of the youngconductors reminds one of a'corresponding older master. Forexample, Gerhardt Zimmerman, 28years old, who drew the Mozart 39th,reminded me of Otto Klemperer rightdown to the crippled leg. His renditionof the Mozart was in the Klempererstyle, with a heavy beat and a rathersprawling structure, neither of which is necessarily an asset in conductingMozart. However he did generate agood deal of propulsive force in theouter movements, which earned him alarge audience response, and his strongprojection of the lower strings kept thesymphony balanced in a way that yousometimes don’t hear from morefamous conductors.Guido Ajmone-Marsan, 26, on theother hand, reminded me of CarloMaria Giulini, only greasier and not assupple or graceful in movement. Hisperformance of La Mer was supple enough, however, and was marred onlyby a certain raucousness in the heavilyscored climaxes. So, at intermission,Ajmone-Marsan was holding the insidetrack.David Ramadanoff, 30, who finishedup the concert with Schumann’s 3rdSymphony, fell into the category of“late twentieth-century facelesseclectic,” a category perhaps bestrepresented by a conductor like LorinMaazel. As far as it went, it was a goodperformance. Unfortunately, theplaying of the Civic Orchestra, whichhad been more than acceptable, if notvirtuosic for the first two pieces, beganto come unstuck. The horns were af¬flicted with intonation problems, andthe general precision of attack declinedslightly but noticably. The last twomovements were better than the firstthree, so the evening ended on a highnote. But Ramadanoff didn’t succeed inmaking more out of his opportunity thana standard reading of Schumann’s 3rd,with no real personal stamp on it. Thereare only a few rare conductors in theworld, such as Karl Bohm, who canelevate the Kapellmeister attitude tothe level of art and turn the sheerdisplay of competence into a sublimeperformance. You probably have to beGerman to get away with it, anyway.So Guido Ajmone-Marsan was dulyappointed the winner. His triumph herefollows right on the.’jeels of his firstplace finish in a conductor’s com¬petition with the London SymphonyOrchestra. Maestro Ajmone-Marsanmay be a name to watch in the future.Guido Ajmone-Marsan conducts the Chicago Symphony. He’s good-looking andItalian and what more do you want from life? Photo by Robert M. Lightfoot III.Italian Dynamite at Orchestra HallBy TOBY LOU HOFSLUNDLast week’s Saturday Night Special atOrchestra Hall marked both a begin¬ning and an end. Here was one of themost anticipated and dramatic concertsof the season. Marking the conclusion ofthe Sir Georg Solti Competition forConductors, it introduced at the sametime a most deserving winner—26-year-old Guido Ajmone-Marsan—to theChicago Symphony Orchestra and to anequally youthful and enthusiasticUniversity Night audience.Already experienced at winningcompetitions—most recently the RupertFoundation and London SymphonyOrchestra assistantship—Ajmone-Marsan displayed both technicalproficiency and musical insight. And the Chicago Symphony readilyresponded to his individualisticdirection and interpretation.His graceful, gentle baton technique,similar to Claudio Abbado’s, gave wayto more dramatic gestures and force¬fulness whenever the moods of themusic called for more intense ex¬pression. Imagine a wispy, floatingseedpod transformed into a sturdy,resilient plant bending in the wind—hisapproach to lyrical passages followedby marked climaxes. Or. picture thehushed and huddled telling of secretsand straightforward, authoritativeoration in debate—that’s another of hischaracteristics.To adequately showcase his abilityrequires a program of contrastingmoods, styles and methods. Solti picked£************* 'plviiAt *IJ 1645 E.5STH STREET „** CHICAGO, ILL. 60615 J£ Phone: FA 4-1651 J *I*I GOLD CETY INN t* given * * * *Find us...(CERMAK)22nd STREET JAYOU'LL BEGLADYOU DID...EMIL MARESPONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900 444-by the Maroon]:New Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m."A Gold Mine Of Good Food”Student Discount:iJ% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559 4*4\ >*4\ >\ •\ \\ •(near Harper Court)Eat more for less. I44444(Try our convenient take-out orders.) 4!»»»**♦*»» just such a program: Barber’s SecondEssay for %Orchestra, Beethoven’sSymphony No. '8, and Bartok’s Concertofor Orchestra—stylistically varied butequally challenging—which providedall the necessary pitfalls and op¬portunities. And Ajmone-Marsan madethe most of Both.He held together the Barber with itstreasure chest of tempos, rhythms, and*melody, and under his guidance it roseand fell in ihtensity only to ultimatelyresurge in a powerful and vitalstatement. In the Beethdven a lightexpressiveness prevailed while he drewforth distinct thematic statements andexact rhythms from the total texture.The Bartok (a compelling in¬troduction to contemporary music), which the Chicago Symphony hasrecorded with three different con¬ductors, came across with a freshnessand verve. Here the treatment of the“game of pairs’’—the consecutiveappearance of pairs of instruments in achain structure—came across with.great appeal. And Ajmone-Marsan paidmuch attention to the details anddiverse materials in the work as heforged them into the homogeneouspattern they can become.Netft January Guido Ajmone-Marsanreturns to Chicago to conduct theChicago Symphony as part of theregular subscription series, anotherreward for him and Chicagoans. Thisfan eagerly awaits the return of thisyoung’and gifted artist.ATTENTION FIRST-YEAR STUDENTS AND UPPER-CLASSMENWHO HAVE NOT PASSED THE EXAMINATION IN WRITINGWRITING COMPETENCY EXAMINATIONSATNRBAT, APRIL 2S240-3*0 PJLStudents whose last name begins withA through L GO TO QuantrellM through P GO TO Kent 103Q through Z GO TO Kent 107PAPER WILL BE FURNISHED; BRING PEN OR PENCILStudents who have a good reason for taking the exam atanother time should petition Dean Rob.ert Stein in Gates-Blnke 1 13 before April' V Friday, April 20, 1973 - The Chicago Maroon -13r ■Thank goodness some thingsnever change.Good things, like expressingyour love with a diamondAnd good things, like the 62 year oldHollands Jewelers policy of returning yourmoney if you’re not satisfied.Lots of things have changed, too. Forthe better. Like the newest cuts in diamonds,especially our exciting new heart shapes.And the large selection of beautifulnew settings that you’ll find atHollands Jewelers today.0,Hollands JewelersSine* 1910Downtown Everfl'een Plaza Lakahurst WoodfieldBRIGHTON(gniinenialSPRING TIRE SALEt Standards Tires ForJill Foreign_Cars_SI IE £ TYPE PRICE FET LOADRANGE6C0 12 STD W/BTU. 20.50 1.35 E600 13 STD W/BTU. 21.50 1.51 B615 13 STD W/BTU. 21.50 1.31 B560 15 STD. W/BTU. 20.50 1.50 B560 15 STD BL.TU. 19.50 1.52 B600 15 STD. W/B.TU. 22.50 1.71 B600 15 STD. BL.TU. 20.50 1.69 BJladials For AIJFoj;eigriJ!arsSIZE L TYPE PRICE FET LOADRANGE16 5 HR 15 TT714 BL.TU. 32.50 2.03 B165 SR 13 TT714 W/BTU. 30.50 1.74 B185/70 SR 13 TT714 BL.TU. 34.50 1.83 B185/70 SR 13 TT714 W/BTU. 37-50 1.88 B16 5 SR 15 TT715 BL.TU. 31.50 2.03 B155 SR 15 TT715 BL.TU. 30.50 1.77 B16 5 SR 14 TT715 BL.TU. 30.50 1.77 B16 5 SR 13 TT715 BL.TU. 29.50 1.71 B155 SR 13 TT715 BL.TU. 29.50 1.49 B(SR) FOR SPEEDS UP TO 113 MPH(HR ) FOR SPEEDS UP TO 130 MPHBill's Beetle Buy2 TIRES560 - 15 GOODYEAR BL.TU. 28.00 3.48aatOHiOMroattON autotiaviciTWO BLOCKS EAST Of CALIFORNIA•, 3967 Archer Ave.4 (2 BLOCKS EAST OF CALIFORNIA AVE.)927-800014 - The Chicago Maroon - Friday, April 20, 1973■ Shankar in BenefitBy NANCY MOORE“When I nod my head,’’ explained Ravi Shankar tohis Auditorium Theatre audience, “it makes thebeginning of a musical phrase. And when I shake itback and forth, like this, it doesn’t mean I’marguing with the other musicians! We shake our headswhen we get into our music.’’It was the second of three benefit concerts given byRavi for the Vivekananda Vedanta Society and he wastrying, as usual, to make Indian music more ac¬cessible to Americans—to make it less exotic. Ac¬companying him in this endeavor were his sister-in-law, singer Lakshmi Shankar—who opened the con¬cert, Alla Rahka, his tabla player, and Nodu Mullickon the tambour a.That Ravi should have to explain why he shakes hishead during a raga is some indication of how In¬dian music is perceived by Westerners. Our musiciansshake their heads for the same reason, but apparentlywhen faced with strange instruments, one expectssimilarly strange behavior from the players.To minimize the number of such misconceptions,each of Ravi’s three ragas was separated by his brieldigressions on Indian rhythm and movement. “Do notexpect to hear harmony, counterpoint, or modulationin the way you are used to hearing it” he said. “Indianmusic does have harmony in a rhythmic sense, butbasically our music is melodic. This concert tonight is90-95 per cent improvised.”Seated on an orange-covered dias at center-stageand surrounded by gifts of flowers and silver, Ravinestled behind his enormous sitar, with tabla andtamboura player at either elbow. The sitar, craftedfrom a seasoned gourd and teakwood with six or sevenmain strings, had been made by Nodu—the tamboura player. When Ravi tuned it before each raga, hedipped his head down close to the strings and thrusthis strong left arm up towards the top of the in¬strument—its bulbous tip being nearly out of reach.While Nodu kept up a constant drone, even duringthe pre-raga tuning session, tabla player Alla Rahkasoothed his little drums with the palm of one hand,teasing them occasionally with a tiny silver tuninghammer. Alla is a musican of such remarkable calm,yet prodigious output that I am intrigued that I heardfirst about Ravi and sitar instead of Alla and tabla.During one raga he ceased drumming with his handsand chanted instead as Ravi nodded intently. With the“Jhala,” or whipped climax of a raga, Alla predictedin split seconds what the sitar would do. At the con¬clusion of the concert I felt that he really didn’t want tostop playing.Ravi has said that in India they play for six or sevenhours, with as little as one intermission. For Indianaudiences, their music is not so much entertainmentas an expression of communal spirituality—withaudience just as involved in the music as themusicians. “A performer,” said Ravi, “is supposed toevoke consciously through his music all the “Rasas”(emotions or moods.) It is true that one can feel“high” and reach a state of euphoria through thismusic alone, with out any any extra stimulus.” If thatis so, then it must be extremely annyoing to him toconfine his 7-hour recitals within American timelimits.With the sudden, frenzied conclusion of the lastraga, Ravi shot out his right arm from the sitar andwhacked Alla’s drum. Looking a bit unhinged, theyshared a long glance and then returned to receive theaudiences’ overpowering response. Evidently it takes agood whack to end a raga prematurely.Pop CalendarThis week at the Amazingrace in Evanston will beBIFF1 ROSE, and one of the up-and-coming area folkgroups MISSISSIPPI FLANAGAN. Call 492-7255 forinformation about tickets; through Sunday.On our very own campus, in Mandel Hall at 8 pmSaturday, NIA presents Charles Earland, as part oftheir countinuing effort to scoop FOTA. Tickets are $3in advance and $3.50 at the door. Recommended.Jazz swallows the rest of the city this weekend, withone day only highlights that shouldn’t be missed. SUNRA and ALICE COLTRANE appear at the AuditoriumSaturday night, with tickets at all prices. Sun Ra is,and has been, in the vanguard of the new Jazz artists,even a little ahead of Ornette Coleman. He is ap¬pearing simultaneously with the release of a newalbum on Impulse called Atlantis, and if the album isany indication, it should be a fine show even if Alice Coltrane wasn’t also on the bill.And then there’s the Jazz Showcase presentations:Sunday at 3,6, and 9 YUSEF LATEEF and McCOYTYNER do shows, joining each other for the first timeto close each set. Tickets are $6 in advance, $7 at thedoor, and count towards seeing GARY BARTZ, who isthe regular nightly performer. A note should be madethat student discount nights are now Wednesday andThursday, at $2, which will get you into see Bill Evansnext week.In rock, watch out for the FACES at Northwesternon the 26th, Shawn Phillips and Sandy Denny (singerextraordinaire) at the Granada on the 25th; Argent atthe Aragon the 27th; Steve Miller at the KineticPlayground on Saturday; and the King Crimson,Spooky Tooth, and Frampton’s Camel extravaganzatonight at the same place.RECORDSIn Concert 1972Ravi Shankar, Ali Akbar Khan, Alla Rakha (AppleJVBB 3396)Ravi Shankar is for many in the West the one andonly Indian musician. This is at least as much becauseof his astute showmanship and skill in self-projectionas because of his music. There is no doubt that he is agreat maestro, yet nearly all of his music is marred bythe very technical virtuosity which at first makes it soshimmering and attractive to those not accustomed toIndian melodic patterns. Indeed his virtuosity is sogreat and his weakness in succumbing to the temp¬tation of sheer fluency so frequent, that famPliaritywith his music leads almost inevitably to the" samesense of emptiness that must accompany a well-rehearsed Masters and Johnson orgasm. Only oc¬casionally does real emotion infuse his performances.His latest release bears full testimony to thischaracteristic of his work. The first raga, played asthe others with Ali Akbar Khan (sarod) and AllaRakha (tabla) is delicate and delightful. Properly itshould be played in the early hours of the morning.“Hem Bihag’’ — Hem meaning “gold” and Bihagsignifying the time for playing—was created by UstadAiiauddin Khan, ihe iaie guru of boiri Ravi Shankarand Ali Akbar Khan. Lovers of music will savour this piece and rejoice that classical music is still beingcreated in India.The other two ragas in this two record L.P. set arethe eveing raga Manj Khamaj in Teen Taal, whichoccupies the second and third sides, and a morningraga Sindhi Bhairavi in Dadra and then Teen Taal.Manj Khamaj begins quite well with a beautifulpiece in a slow Gat, but the interruption caused byhaving to change the record, and the quite suddenincrease in tempo on the next side spoil the continuityand indicate the accession of technique over melody tothe place of top priority. Perhaps Ravi Shankar hasalso been overly influenced by Western symphonieswith their climactic passages, which he seems to beimitating here. It is not altogether appropriate on asitar.The final raga on the fourth side, Sindhi Bhairavi, isthe greatest disappointment. Perhaps fatigue hadsome part in this, the players being tired by the timethe performance was recorded.Given that the most beautiful music is to be heardfirst, there may be some role for the set to play musiclor social occasions where people relax and listenmost closely at first, but allow conversation to slowlytake over, relegating the later music to the status ofbackground moou music.By Raj Huilgol•e:higjl»y:ny:oisis>eaisdiedic■n[>fol MAROON CLASSIFIED ADSSPACEWtd. 2 6 bdrm. apt. sum. and/or 73 74.56 58th, Ellis Maryland. 241 6306.Take over, lease immediately.Beautiful 3 bdrm. apt w/2 baths*Closeto everything 5327 S. Dorchester. Call955 1855. 8240/mo.Hyde Park 1, 2 1/2, 4 room apt newlydec adults nr park bus lake BU 8 0718.Need 4th for 4 bdrm. apt\ turn. Niceambience. 57 Kenwood. $68/mo.Summer w/fall option preferred. 2888324.Need M roommates to share 4 bdrm.apt. fqr summer (4 preferably fall) at56th & Drexel. Only $52/mo 8. utilities.Also furn. in apt. for sale. Call David(evenings) at 684 5334.Sublet w/option to renew. 6 rm. apt.n!2 bdrms., 2 baths, studio workroom,wb fireplace. 5/1 $215; 667 8280.SUBLET large sunny apt. Kenwoodnear 57th 3 bedrooms $67 each. Avail 1May mid Sept 241 7230 eves.Rm for rent furnished large,fireplace, private bath, kitchenprivileges $85/mo. Call 288-6130 aft. 6p.m.Two room apt. 53rd Blackstone$l10/mo. Begin June 1. Phone 947 9637aft. 6.Woman wants room in apt. w/1-2 otherwomen in Hyde Park or North Side forMay 1. To $80. Call 241 5917 late p.m.Sublet 2 1/2 rm.Kenwood. 143/mo.324 536S furn. apt. 53rdUtilities incl. Eve.Sublet 1 or 2 mo. 6/15 8/15. $95. 2 1/2rm 3600 No. near lake. Roz, 374 4134.Need fm. rrrynte. $60/mo. 8, utils, nearHosp. Must like cats. 493 4076 aft.'5.Sum-rsublet: 5 rm. part A/C. 955 9586..SUBLET 6/1 10/1 flexible, furn. 2bdrm. 5400 S. Harper, $195/mo. Call241 7913 or 752 7124 eves.Male grad needs rm. 8< rmmtes. now.Bob, eves. 748 4312.FOR RENT: 12 to 14 months. CoopTownhouse: 3 bdrm., all appliances,finished playroom, family room 1/2THE VERSAILLES5254 S. DORCHESTERMAY 1STLEASINGWall maintained, sacurabuilding. Attractive 1%and 2’/i room studios;furnished and un¬furnished; >117 to $169utilities Included. Atcampus bus stop.Mrs. GroakFA-4-0200ELIZABETH GORDONHAIR DESIGNERS1620 E 53rd St288-2900fAKCAW-YfcNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062 CLASSIFIEDSClassified deadlines are 3:30 Friday for Tuesday s paper and3:30 Wednesday for Friday's paper. The cost is 50V line the firstissue and 40V line for repeated insertions for UC people. NonUC people - 60V line, 40'/line repeat. All Ads paid in advance sobring them to our office, Rm 304 INH or mail them with a check.block from coop and IC, commoncourtyard . and play facilities.Magnificent for ’ kids. Familypreferred. Call 643 5703 exceptSaturday, or 947 6789 weekdaysMagnificent opportunity for ternporary home rental.CHICAGO BEACH HOTELbeautifOl FURNISHED APARTMENTS. Near beach, parks, I.C.trains, 11 mins, to loop U of C anddowntown loop buses at door Modestdaily weekly monthly rates. 24 hrdfesk. Complete hotel services. 5100 S.Cornell. DO 3 2400SUBLET large sunny apt. 2 bedroom.54 8, Univ. June thru Sept. $148. 4934071.Co op apt. for sale. So.' Shore on lake, 5rms., wood burning fireplace, modernkitchen. U of C neighbor^, air cqndprivateparking $6 mo. monthly asses.$98. $9500 will finance. 768 7299 evesUnfurn. 2 rm. apt. at 5847 BlackstoneLg. balcony, rent $133. Avail. May 1.Call Parker Holsman, HY 3 2525.Rmmte. or couple needed 6/1 to 9/1.Furnished twnhse. with AC andparking, 55th and Dorchester 947 0358 with 2 car detached garage, Sixbedrooms (one shelved for library),den on first, ultramodern kitchen, pan.rec. rm. with bar, 3 fireplaces. Exc.cond. Owner. 947 5509DO YOU DESIRE A SUPERBHOME? Houses for Sale. JacksonPark Highlands, 67th Street to 71stStreet. Cregier to Euclid. Quite excellent for university or collegeprofessors. A unique community ofprofessional people, business people,and good staunch community mindedoeople.contactJACKSON PARK HIGHLANDSASSOCIATION6907 South Constance Ave.Ml 3 8237PEOPLE WANTEDLg. airy 2 bdrna. apt. New kit., end.porch. 5338 S. Harper. Avail June 1$213/mo. Call 947 9716 aft.'6 p.m.TO SUBLET: Spacious 2 bdrm. 2 bathapt. AIR COND 51 8. Blckstn. FurnSec. Bldg. $ ISO/mo. July Aug. 947 9152evesLge. mod. studio, kit., AC, Ige. closetsAvail. 6/15. E. 55th PI. 955 2699Apt. to sublet for summer: 2 1/2 rms.,furnished air cond., parking, inFaculty Apartments across fromBillings. $153 50 Call M. Murrin at 4935357 aft. 7 p.m. on most weekdays.Live in Federika's famous bldgNearby, furn. or unfurn 2 8. 3 rmapfs. for 1, 2, 3 people. Refrig., stove.,pvt. bath, stm. heat. Quiet. Sunny,view. Parking, trans. $120.00 up. FreeUtils. Robinson, 6043 Woodlawn. 9559209 or^J27 2583. Short term lease orlonger.Sublet or lease spacious 5 room apt.,handsome, $155, wall-to-wall carpeting, nice kitchen, near IC, campusand city bus, garage for $10. Call 7347560 Avail. May 1, South Shore.WHERE WILL YOU LIVE NEXTYEAR? Try ZBT Phi Sigma Deltacoed coop frat. Cheaper than a dorm,friendlier than an apt. Come by Tues.(7 10 p.m.) 8, visit-. 5625 Woodlawn orcall 3 3112.Sublet May to Sept., Fall option, 6 rm.apt. 54 8. Ellis, $185. 667 4685.Palatial 3 bdrm. 8. den, 2 1/din. 8. liv beams, frpl.exclusive S. Shore Dr. lux. bldg., htd.,a/c, shutters/ cptd. gar. in bldg. $325Call 221 6606 or 768 7376. Also nice 1bdrm. furn. or unfurn. $115.Wtd. 2 bdrm. apt. or part of a house.Small, very safe, near campus. Call947 9565 eves.FOR SALE: Jackson Park HighlandsLuxury JO room brick on 50' x 135' lot 1 to live atTHE FLAMINGOON THE LAKE5500South Shore DriveStudios from $154One bedroom from $170Furnished or unfurnishedShort term leasesSwimming pool-no fee752-3800Mrs. Adelman,2 1/2 ba., huge., viev\Aof lake, Wanted: room clerks for S. E. motel.One for: Saturday 8 a m. to 4 p.m.,Sunday 8 a.m. to 4 p.m. One for:.Friday 12 midnight to 8 a.m., Saturday12 midnight to 8 a.m. Call 581 4460.Piano playing instruction, neverplayed, can't read music. Goodman,476 8200 weekdays. PL 2 1000 ext. 508evenings.Need someone who likes to travel inEurope to write some book reviews.Call Mark at x3 3269 during businesshours.THE READEP wants an adsalesperson to work Hyde Park. Fatcommission, great fun, etc. 241 5855;764 8681,Woman interested in doing outreachwith teens in Homewood Flossmoor.Familiarity with area preferred. CallMarti, 338 2292.Desk clerk. Motel loc. South Shore. 3day wk. Will train. 734 7030.HELP NEW MOM FINISH Ph D. Carefor twins in my home. STUDENTWIFE IDEAL. 10-15 hrs. week. 2416269.Tutor needed Lit. Hist, and Criticismof Renaissance, esp. The Untuning ofthe Sky by John Hollander. 842 0923.Spend August on Martha's Vineyard?Transport., room, board, $15/week inexchange babysitting two little girlsand some housework. Lots ofbeaching. Call 624 8363.L. League volunteer coaches thissummer, call 493 7980 eve./wknds.Couple will care for homeor apt. during the nextyear in exchange for aconsideration on rent.Call Mr.Gorman 493-6701 PEOPLE FOR SALEMoving? Need help? Hire my van andI. Best rates. Jerry at 684-1175.Secretarial student will type paper,thesis cheap. Call Ling 924 1705 aft. oreves.Exp. typist, all kinds of papers. 9470033.EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde-Park 3-8372 40% OFFatINEB00K NOOKAcros* from th« Co-Opt*THIS WEEK!New Jackson FiveThe New Led ZeppelinNew Nancy Wilson Cello instruction by experiencedteacher. Will accept adults orchildren. Call Van Bistrow 753 8339 aft.or 752 6151 evesHefty Hauling Lts. Light wt. hauls,rates adjust. Sherwin 493 8451.Experienced manuscript typing onIBM Selectric. 378 5774.Like Julian Bream's music? ForCLASSIC GUITAR STUDY. 262 4689Portraits 4 for $4.00 and up. MaynardStudio, 1459 E. 53, 2nd floor. 663 4083.FOR SALE9000 BTU Air Conditioner. Only modelof that size that runs on 7.5 amps.Excellent condition. $150; Call 6438646.SUNDAY BRUNCH$4.00/person(children's rate also)at theSALE Levi Jeans $4, Corduroy levis$4, Levi Jackets $6 RADICAL RAGS.64 VW New valves $350, 324 1537.PANTS SALE AT RADICAL RAGSbaggies $9, 30“ bells $7, levi jeans 8.cords $4, 1375 E. 53rd St.69 Olds Cutlass exc cond pwr brks 8.strng, air cond. Call 649 1714 eves.Get Sunkist This Summer, wear a tanktop, halter or tube from RADICALRAGS also jeans at new low pricesUpright piano $125; call 241 7976Sail boat: .Star class, 23 ft. woodenhull, new mast 8. jjb sail, trailer incl.$1000 negotiable. 643 6365LEVI SALE jeans, cords, jean jacketsRADICAL RAGS 1375 E. 53rd St.68 Opel Kadet reliable $450. Baroquearmcnair 8. bench $25 ea., unique oldkitchen cabinet $40 2 Hogarth etchings 8. 1 old Japanese print. 268 0064.Stereo Components; 20% 40% OFFLIST. All Major Brands Available.100% Guaranteed. Call Danny...2415037 after 6 p.m. STRINDBERG'S"THE FATHER"Staged Reading of the Father. TuesApril 24, 8:30 p.m. Reynolds ClubTheater Open to all.IN MEMORIAMDEMOCRACYBorn Greece; 5th century B C.Died Greece; 21st April, 1967FREEDOM FORGREECE' Demonstration will take place;Saturday, April 21, 1:00 p.m. Outsidethe offices of Greek consul 2600 NSheridan W. Surf StCOMPUTATIONCENTEROur Job Control Language course willshow you what happens to your jobfrom card reader to printer. Learn towrite JCL statements and to use tapesand disks. A 6 session course beginning April 24. FREE! Come to Rl C B12, 753 8409 to register.ASTRONOMICALSOCIETYAstronomical Society meeting Tues ,April 24 7.30 p.m. Please attend.TENNIS LESSONS ~All ages 8. levels. Hyde P Inexpensive. Jim Smith S08 2572 or 6674038 FOLK DANCING8 p m at Ida Noyes Hall Sunday(general), Monday (beginners),Friday (requests) 50c donation. Forin'o. call Janet 955 8184BALLET CLASSESWednesday 10 30 a m for adults atLehnoff Studios 1438 E 57th St. Taughtby Fredda Hyman, formerly withAmerican Ballet Theater Call 288 3500after 2 p.m.HELP CLEAN UP S.G.Vote for your local Department of CitySanitation representative.PLAY TENNIS6 indoor courts, 3 outdoor courts.Private 8, group lessons availableSouth Side Racket Club, 1401 E SibleyVI 9 1235.LAND FOR SALEWild lands in Maine Parcels*! acre to1000 acres Much under $100/acreSome near skiing 8. near oceanAcadia Agency, Milbridge, Maine,04658 (207) 546 7272TRAVELSPECIAL DISCOUNT FARES TOAND WITHIN EUROPE TravelCenter, 544 State, Madison, Wisconsin53703PERSONALSLOSTLost: Lady's watch Gold LonginesLarge reward Cottage GroveUniversity area. Call 947 9678 after 5p.m. Interior Mural Painting: Variety ofideas to accent your environment,info call 324 6798 after 6WRITER'S WORKSHOP (PL 2 8377).We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU)WANTEDUsed autoharp; Call Rich at 753 3264Large mirrors of various shapes to usein University Theatre production. CallLinda Buchanan 947 8934,ECOLOGY JOBThe Hyde Park Recycling Centerneeds a weekend supervisor coordinating volunteers. Saturdays 10.004:00 p.m. Sundays 1:00 4:00 p.m.Salary: $28 per weekend. Call 324 8984or apply at the Hyde Park KenwoodCommunity Conference, 1400 East53rd St "WofluMg quexckeftft B.W.0.C.S * HfftK-ti$ed Hunt tikeAkadam Bed!"Take it from one with a man-sized yen,men. When a * Big Man on Campus getsa big thirst. It takes a big drink to satiateit. And nothing. I repeat nothing,tiriilates the tonsils and taunts a thirstlike Akadama Red, Fred.Akadama RedThe toast of the campusImported by Suntory international, Los Angeles, Calif.URGENT NOTICEIF YOU WANT TO RUN IN THE SG ELECTION,EVEN IF YOU ALREADY SUBMITTED ACANDIDACY FORM. DON'T TAKE ACHANCE! COME PERSONALLY TO THE SGOFFICE, 2nd Floor, Ida Noyes Hall,on Tuesday, April 24, from 9:00 - 5:00and bring your ID!OVERLAND EXPEDITION AFRICALeaves London Mar. 10 (& Oct.(Arrives Jo'berg .June. $990Also overland INOIA/NEPAL. Leaves May .June & Oct. $67i0(11 weeks) Experimental Expedition from Los Angeles toI AIRES July-Nov. $1350Brochures: ENCOUNTER OVERLAND8, West Hill CdUrt. Midfield Lene.LondonKATSAKOS• Complete Prescription Needs• Prompt Delivery Service1521 6. 53rd ST*********** *****>*MIA ft M A < y.ixcPhone 388 8700 fFriday, April 20, 1973 -.The Chicago Maroon -15 <\CANDY IS DANDYDUTLIQUOR IS QUICKERANDIT COSTS LESS ATDaily: lOam-lipm Sunday: Noon-9 pm Daily: 9am-10pm Sunday: Noon-9 pmTHAN ANY PLACEIN THE MIDWEST( 16 - The Chicago Maroon - Friday, April 20, 1973