-Jirivcl* zi ty Archive acn -.rf a,l Col 1 cc.fi cnRegenstuin libraryme, E”c ucago MaroonThe University of Chicago Friday, February 23, 1973:dpPNrI1 i it w.I 1 Ml ’ HHH1111 ^■ ■ m|T~W| I' m pH - * i §:■ «5By ALAN WERTHEIMERThe issue of unionization on campus is onein which few students take an informed in¬terest. The struggles of nascent unions forrecognition are increased in magnitude asvast university resources are allocated tocombat them legally; yet an effectivecounterweight, student support, remainsunconcerned and inert.In a Maroon of Gadfly, February 6th,Stanley Gwynn, deputy director of theUniversity libraries stated the officialUniversity position in this manner: “TheUniversity, far from being anti-union, hasANALYSISfrequently cooperated in union represen¬tation proceedings which have led to ongoingand amicable collective bargainingrelationships with eight union bargainingunits on this campus.”If this statement can be applied to eightblue-collar unions recognized on the campus,it certainly can not refer to “cooperation”with respect to the ongoing struggle of theLab School teachers union. Similarly, theRegistered Nurses association at BillingsHospital, fought a protracted battle until,ultimately, the embarrassment of adversetelevision publicity forced the University toaccept the new organization. Also theLibrary Unions, 103-A and 103-B have for twoyears requested recognition, only to be metwith a constant, broadening ensnarement oflegal complexities.The library unions have been confrontedwith the irony of a University policy, sub¬merged beneath a layer of liberal rhetoric,which claims on the one hand, according toGwynn, that “in many ways it’s simpler tonegotiate with a union”; yet on the otherhand will invite an unfair labor practicessuit, rather than allow white-collarunionization to sprparl on campusWhen the Library Union organizing drive began on February 1st, 1971, the resolution ofsepcific problems was cited as the im¬mediate aim: first, wages were consideredlow and arbitrary, the longer one worked, theless well-off he was; second, the pensionplan was considered poor; third, there wasno grievance machinery within the Libraryhierarchy; fourth, professional staff hadlittle say in policy making; and finally,student salaries were lower than clericalsalaries for the same work. According todocuments assistant and spokesman for 103-B, Carel Kohn, the administration was“distant.”Thus, on March 6th, 1971, Local 103 askedthe library administration to recognize it asthe bargaining agent for library employees,to which the Library administrationresponded by petitioning the National LaborRelations Board on the issue of represen¬tation.The National Labor Relations Act providesthat “individuals properly designated as‘supervisors’ must be excluded from anybargaining units certified by the Board asappropriate.” The Act further states, that “aunit consisting of both progessional andclerical employees is inappropriate.” Thelatter issue was solved by an amendment tothe Union’s petition which indicated itswillingness to allow professionals to voteseparately on whether they wanted a union.To facilitate litigation of the supervisoryissue, Local 103 “reconstituted” into twoseparate units in November of 1971: 103-Aconsisting solely of professional employees,and 103-B consisting solely of clerical staff,and including students. With regard to bothunits, however, the issue remained as towhat were the proper definitions of“supervisor” and “professional.”In accordance with normal procedure,informal meetings began between the unionand the University in the presence of NLRBhearing officer. The University took theposition that clericals belong in a campus¬wide union, rather than a specific libraryunion. They held that, in the words of theLabor Relations Act, “bargaining unitdeterminations must avoid the ad¬ministrative chpo« that would follow uponthe unwarranted fragmentation of employee groups for collective bargaining purposes.”The administration used the above NLRAstatement to create the impression of beingthe victim of well-established legalities,while in fact buying time which would createinsupportable organizational difficulties forunion; a campus-wide organizationalcampaign would involve a vastly increasedendeavor, which non-professional organizerscould not possibly undertake. There are noprofessional organizers in the library unioncampaign.The University, at that time, further heldthat students could not belong to any union,on the grounds, as Gwynn still argues, thattheir “average length of stay would be fivemonths.” The only advantage he saw in theorganization of student workers was that“the Union could use the votes.”The NLRB first began to assert itsjurisdiction over private universities withbudgets over $1 million in mid-1970. TheLabor Relations Act amendment whichbrought this extension of NLRB powerproduced a new area of labor law, accordingto Union representatives, Kohn (clerical)and Patricia Coatsworth, documentslibrarian (professional).This recent law has not had enoughprecedents to establish a proper designationfor “supervisor” and “professional” in anon-industrial, academic context. Accordingto a later judgement on the matter, “TheUniversity...ignores the distinction betweentechnical direction and supervision, whichserves only to effectuate professionalcompetence, and ordinary industrial typesupervision which is intended to...governpure terms and conditions of employment.”The Union argues that employees who do nothave control over the economic conditions ofemployment are not, in fact, “supervisors.”After a number of hearings, the local boarddismissed the library union petition on May3, 1971, on the grounds that, using the ap¬plication of the industrial definition of“supervisor,” the Union was suffering from“supervisory Uml," i e that the Union was“company dominated.” Hence, ironically,the library administration was being “ac¬cused” bv the local board of dominating aUnion the administration did not, in fact, want, thus seeming the passive victim of avillanious. independent control groupMeanwhile, the administration continued topromote this means as a effective manner toprevent the recognition of a union which, ofcourse, contained no pro-managementemployees. According to Gwynn, “Thelibrary was precluded by law fromrecognizing that union.”At this point, the union decided to dropthose “supervisors” which the board sodesignated the end being recognition by themost expedient means possible. Local 103-Athen filed a petition, in spring, 1972, as therepresentative of the professional staff andhearings resumed.The problem of supervisory t' .finiticnagain became primary. The Universityclaimed that one out of every three full-timeequivalent employees was a supervisor, thusseriously reducing the Union’s represen¬tational backing, since supervisors cannotvote in consent elections, according to thelaw. Coatsworth stated that although theprofessionals have a great deal of respon¬sibility, they have no authority, and.therefore, should not be designated as“supervisors.” “Close to seventy-five per¬cent of the professional staff is consideredsupervisory,” she noted.In addition, Coatsworth maintained, “forfifty years ihere was no memoranda ad¬dressed to supervisors, ana then all of asudden, ‘supervisors' began to receive formsto sign, helping t’ne administration to mouldits legal case.” In two years your can iri-torduce many forms,” she continued, “toestablish supervisory responsibility.”Hearings opened again in order to decideon issues relating to the 103 A petitionHowever, suddenly, an anti-union employee,Robert McGee, “pointed out” to the NLRBthat nine ‘supervisors,’ some of whom had“caused the earlier dismissal of the Union'spetition,” according to Gwynn, had engagedin the following activities: picketing; editingthe Union newsletter, the Jackdaw; beingpart of a so called “negotiating team”;helping the counsel at the NLRB;.attendingthe National Union’s convention , and hostinga “soul food party” and a “beer bash.”continued on page 4'Changes' phone provides counselingBy ROB FOXThough mainly unknown to the denizens ofHyde Park—there exists in their midst anorganization which dispenses both com¬munity warmth and caring, called Changes.Changes is a group of people involved in a‘community,’ i.e. they are people committedto one another in various ways. Besidespromoting individual personal growth andhelping people within the group it¬self—Changes operates a ‘crisis’ phone,which tries to be a community-help service,extending the spirit and support of the groupto the outside community.The Changes phone is staffed from 6 tomidnight every night in its location on thethird floor of the Blue Bargoyle. Over thephone, people may obtain help for personalproblems of any type. These problems mayrange from very severe emotional hassles tosimply needing to talk with a friendly person.The Changes phone is also an in¬formation/ referral service and helps peopleobtain information about various communityservices, resources and opportunities in theChicago area.The phone teams get some formal trainingbut training is mostly an informal procedure.Changes as a whole meets every Sundaynight at 7 pm in the Blue Gargoyle, in theUniversity Church, 5655 S UniversityAvenue. These meetings always begin withsome kind of training session or group ex¬perience. The training sessions haverecently been led by Eugene Gendlin,University professor of psychology, and byLinda Olsen and James Bond of the ChicagoCounselling and Psychotherapy Center.The training focuses on what people inChanges call “listening skills.” Listening is aprocess whereby one person hears what another is saying, reflects back the thoughtand stays with that person’s feelings until theperson moves on a problem he or she mighthave. Also taught is ‘focusing’ a means ofzeroing in on a problem or a group of per¬plexing feelings in a non-intellectual, ex¬periential way.In the latter part of the evening, peoplebreak up into small groups to practice theseskills. There is always a group for newpeople. A number of people in Changes ex¬change ‘listening’ hours, in effect doing peercounselling, with one another.As well as the open Sunday night com¬munity, many Changes people meet insmaller, more intimate groups during theweek. There are a number of women’sgroups, a men’s group, counselling-traininggroups and a variety of other interest groups.Changes was started by a group of studentsFriday, February 23SEMINAR: "Asymptotic analysis," William Reid, Eck 133,4:30 pm.CONCERT: Music from the Marlboro music festival.Program includes pieces by Mendelssohn, Ravel andSchubert. Tickets, costing $1 for CMS subscribers and UCalumni, $2 for students with ID'S and $4 for all others areavailable at the Mandel hall box office, 5835 S University.The program begins at 8:30 pm.GAME: The Chicago Maroons' final basketball game of theseason, barring tournaments or other unusual occurrences— at any rate their last home game — takes place at thefield house, battling Principia at 8 pm.MEET: Three way gymnastics meet, UC vs WesternMichigan and Wheaton, Bartlett gym, 7:30 pm.SEMINAR: "The roll pilli in the pathenogenesis ofgonococcal infection," Utah prof John Swanson, RickettsNorth 1, 3 pm. in Human Development and ClinicalPsychology in early summer, 1970. Theysought to develop a community whichpromoted mutual caring and group support.They wanted the group to be ‘human’oriented and defined.At first, Changes was relatively small; itsmeetings were held in members’ homes. Atthis time, Changes people also worked thecrisis line at their home phones.Eventually Changes became based in theBlue Gargoyle. Through the cooperation ofthe church they were able to establish anoffice and a permanent location for the‘crisis’ phone. They also became concernedwith expansion and the recruiting of newmembers. At the beginning there were ap¬proximately twenty members; today thatnumber is more near sixty.Saturday, February 24FILM: "The Green Wall," CEF, Cobb, 7 and 9:15 pm.CONCERT: 16th century music performed by the CollegiumMusicum, Bond Chapel, 8:30 pm. Also February 25.MEET: The fencers cross swords with Parkside andOberlin, Boucher hall, 10 am.TRACK: While that goes on, the UC track team tries to runthe University of Wisconsin at Milwaukee and Valparaiso Uout of the field house in a track meet, 1 pm.FESTIVAL: Jazz festival including Ken Chaney and theAwakening, The NIA ensemble and The Light, $2, MandelHall, 7 pm.TRYOUT: UT's ' Phantom Tollbooth," Reynolds Club SouthLounge, 3 5 pm.TRYOUT: Dance tryout, Ida Noyes, 11 am.Sunday, February 25TRYOUT: UT’s "Phantom Tollbooth," Reynolds Club SouthLounge, 3 5 pm. One still might wonder just whatChanges is—but as one member said “thereare as many definitions of Changes as thereare members.” A more definitive commentwas made by another member: “Changes isessentially an evolving, growing yetstructured HUMAN organization. It seeks tobe a closely-knit group of individuals helpingand involved with one another—but at thesame time always open to new people andsensitive to the community at large....Iwould emphasize most the importance whichChanges attaches to sincerity, helpfulness,mutual support, personal growth andcaring.”Changes hopes to remain an expanding,yet personal organization. If you have aproblem or if you are simply interested inbecoming involved, the phone number ofChanges is 955-0700.Monday, February 26LECTURE: "Recent advances in cancer; quaternarystructure and homeostasis: A new look at asparaginasetheory," Yale prof Robert E Handschumacher, Billings P117, 12:30 pm.SEMINAR: "Organometallic derivatives of lathanides andactinides," Berkeley prof Claude Harmon, K 103, 1:30 pm.SEMINAR 2: "Testimation: improved estimates ofparameters in linear statistical models," U of I prof StanleySclove, Eck 202, 4 pm. 'SEMINAR 3: "Why study mice?", Elizabeth Russell,Zoology 14, 4:30 pm.DISCUSSION: IPIRG discussion with Faith Keating, former Minnesota PIRG director, Reynolds Club south lounge,2:30 pm.CALENDARFILM: "Diary of a Country Priest," DOC, Cobb, 7:15 and9:30 pm.RECITAL: Chamber music, Ida Noyes library, 3 pm.Some ofmy best friendsdIim HAROLD AND MAUDETHREE PENNY CINEMA2424 N. Lincoln Awe."SOME OF MY BEST FRIENDS ARE...ad-vocates tolerance toward homosexualityand ambivalence. IT is a film of significan¬ce for males who walk a tightrope.''They’re cool, flip,witty and charming,talented, creative,intelligentand...lonely.2 - The Chicago Maroon - Friday, February 2?, 1973, Hear Ye! Hear Ye!Enter Ye Olde7 (1st annual)Maroon Photo Contest!HYDE PARK THEATRE #253rd & Harper 493-3493Starts Fri. 23rdfor one week only!PARAMOUNT PICTURES PRESENTSA ROBERT A GOLDSTON OTTO PLASCHKES PRODUCTION A LARRY PEERCE FILMA SEPARATE PEACEjcreenofcrv tv LMsed nr> ihe no^ tv Produced tvFRED SEGAL JOHN KNOWLES ROBERTA GOLDSTONDirected byLARRY PEERCE 'yxxed dr CHARLES FOX IN COLOR A PARAMOUNT PICTUREpci Miaul UNMIK 1 wuistu"V :v-:i- #t|Barney wanted women in the worst way.And that’s the way he got them.Paiamount Pictues presents"Last of theRed Hot Lovers"PG ColOf by MOVIE l AB A Paramount PictureA Neil Simon play starringAlan flrkin and Sally KellermanSpecial Kiddie ShowSaturday & Sunday afternoon only Corso CornerThe Music SocietyPresents a student r ecital:Variations on "Ich Bin der Schneider Kakadu,"op. 121 -L. van BeethovenMusic Society Trie(Mr. Berger, piano; J. leicht, violin; G. Brownfield, cello)Fulte Sonata in G. G.P. TelemannLe Merel Noir O. MessiaenSonata (1936) P. HindeminthMary Finnegan, fluteNora Almeida, pianoThe omnipresence of Richard Nixon-H. BergerM. Roden, Mezzo-soprano(accompanied by composer)Wednesday, February 28, 1973 8:00 p.m.Ida Noyes Library 1212 E. 59th St.New Wave Jazz at ChicagoThe AwakeningThe LightThe NIA EnsembleSaturday, Feb. 24 at Mandel Hall 5700 S. Univ.8:00 p.m. $1.50 with UCID/$2.00 withoutINTERNATIONAL STUDENT SOCIETYPresents in co-ordination with students from Indiaa: Lecture discussion on: HINDUISM with an IndianCultural Program (music, sPngs, refreshments.Saturday, March 3, 1973 7:30 P.M.Ida Noyes Hall-Library LoungeAdmission 50* Open to the pubiicBlue Gargoyle concert to offset lossesBy CLARA HEMPHILLThe Blue Gargoyle, the coffee shop in theUniversity church, Disciples of Christ at 57thand University, will hold a benefit concerttomorrow night, Saturday February 24th, at8 pm. Admission is $2.00.Local talent will perform, all friends of theGargoyle, staff, volunteers, and assortedhangers-on. Performers will include a jazzpianist, a classical guitarist, and a blues-harpist. Proceeds will go to the coffee shop tooffset the losses incurred in the past year.The Gargoyle has been losing about $300 amonth on food. An HEW grant of $13,000 wasanticipated by the staff this year, but federalcutbacks eliminated the HEW funds forcommunity services. The coffee shop is$13,000 in debt. There have been staff cut¬backs, and the Gargoyle is now closed from2:30 to 5:45 every afternoon.Despite the cutbacks, the Gargoyle con¬tinues to provide many services to the members of the University and Hyde Park.Best known of these services is the lunchwhich is served from 11:30 to 2:30.Homemade soup, rock bottom cheap prices,a fire in the fireplace, and witty, creativeconversations are some of the lunchtimeattractions at the Gargoyle. Dinner is servedat the Gargoyle every night between 6 and6:20 for 95c. Candles and family-style serviceattract a loyal and regular crowd to dinner.Less well known to the University com¬munity is the youth program the Gargoylesponsors in the afternoon and on weekends.This program is recreational in part— pingpong and basketball during the week, andcamping trips on weekends. In addition, thestaff helps drop-outs find jobs and disen¬chanted high school students stay in school.They are trying to develop an alternativehigh school, but the plans are still in theexploratory stage.Most of the kids in the youth program are Black, and many are concerned with policeharassment. Through the Blue Gargoyle,they have organized a group called the YouthAdvocate Task Force which will deal withproblems like police harrassment.In addition to the youth program, theGargoyle provides space for political andcommunity groups to have meetings. Sincethe summer of 1969, when the Chapel Housewas torn down on campus, the Gargoyle hasprovided space for the political organizationswhich had been housed in Chapel House aswell as new organizations which have dif¬ficulty meeting at the University. TheGargoyle has been the site for many anti-waractivities. Not only political groups use theGargoyle. Instruction in Yoga or Balkandancing, for example, is available there. Alarge food co-op operates out of the coffeeshop.The Gargoyle is successful in every wayexcept one: financial. The staff is congenial and the members work togethercooperatively. The clientele is happy withthe services and loyal to the coffee shop TheGargoyle has been able, to an extent, todevelop a rapport between the Church, theUniversity, and the Hyde Park communityThe success is due to the hard work of thestaff and their attitudes towards their work“We see ourselves,’’ said one staff member,“not as organizing things, but as providing aplace for other people to organize things.’’When asked who was boss, another staffmember said, “We re all equal cheese here.”Even with these successes, the Gargoylewill have to shut down if money is net raisedOne of the lunch customers expressed theattitudes of many When asked if he wasgoing to Saturday’s concert, he said yesWhen asked why, he said, “Because I wouldfeel so bad if this place had to close.”Community tenant union fights increasing rentsPrevention of unjustified rent raises andevictions in Hyde Park is the goal of theHyde-Park-Kenwood Community Con¬ference’s Tenant Union Community ActionCenter (TU/ CAC), according to directorBob Wright.The TU/ CAC was launched in July of 1972with the goal of improving the quality ofrental housing in Hyde Park Kenwood. Itgrew out of the HPKCC’s Tenant UnionOrganization which had been in operationsince 1969.Since Wright beacme director in October,1972, the TU/ CAC has increased the number of tenant union members from 170 to 244, andthe number of active buildings from 12 to 14.Each tenant pays one percent of his rent indues to the TU/ CAC. In return, the TU/ CACprovides the tenant with technical assistanceand support in such areas as collectivebargaining, legal counsel, and dispute set¬tlement.Using the individual tenant unions as abase, Wright hopes that a community-widetenant organization will be established todevelop a broad range of programs to servetenants and improve rental housing. “Acommunity-wide tenant organization would provide greater support and services forindividual tenants and for tenant unions intheir attempts to secure better housingconditions,” he noted.Wright cites three major problems facingtenants—building deterioration, increasingrents, and inadequate security. TheTU/ CAC has attempted to respons to each ofthese problems. To combat housingdeterioration, the TU/ CAC provides thetenants of a building with copies of a codeviolation check list. If, upon inspection of thebuilding, the tenants find violations in suchareas as electrical wiring or plumbing, thePhoto by Ugis Sprudzs Center will arrange for a comprehensiveBuilding Department inspection.If, after the landlord has been notified ofthe violations, he fails to correct them,tenants are urged to pursue the case inHousing Court. “Tenants active par¬ticipation in the inspection and in HousingCourt will bring effective code en¬forcement,” according to Bob WrightSix of the fourteen buildings in theTU/ CAC are currently in Housing Courtcode violations—5451 Cornell. 5460-72 Cor¬nell, 5338-44 Greenwood, 5326 Harper. 5535-41Kimbark, and 5319-21 Woodlawn.To guard against rent gouging, theTU/ CAC attempts to negotiate collectivebargaining agreement between the landlordand tenants to stabilize rents and improvemaintenance Such an agreement wassuccessfully negotiated in the building at5309-5343 Harper last month The tenantsagreed to pay the landlord big rent increasesdue him under leases executed in May andOctoDer. and the landlord promised to offerleases with the same rent terms when thepresent leases expire to every tenant unionmember party to the agreement Thebuilding, in Housing Court for over one year,is now free of code violations and tenants feelthat their organized presence will improvemaintenance generallyTo improve building security, theTU/ CAC membership is involved inOperation BurglarFREE the Conference-sponsored community safety programdesigned to deter breaking and entering Thetenant union at 5411-21 S Ellis was the firstbuilding t o participate in OperationBurglarFREE.The community-wide tenant organizationaccording to Wright, is made up of delegatesfrom each existing member tenant unionbuilding. Two long-term goals, he said, arethe development of a community-controlledproperty management agency and a com¬munity development corporation torehabilitate buildings in the area. “Suchprojects will enable tenants working throughthe Conference to improve the quality ofhousing in the community on a large scaleand still support needed improvement on abuilding-by-building basis,” Wright con¬cludedThe TU/ CAC staff and volunteers can bereached at the HPKOC office in the HyiePark YMCA or by phone (288-8343).C.E.F. presents Saturday, Feb* 24Armando Robles Godoy'sTHE GREEN WALLCobb Hall f]0O 7:00 & 9:15Friday, February 23,1973 - The Chicago Maroon - 3ALegal battles block unionization effortcontinued from page 1It has been stated publicly that pro¬administration McGee had conferred withGwynn prior to the filing of this complaint. Inaddition, McGee’s salary at that time washigher than all, except one, of the alleged“supervisors,” and he is not even consideredby the administration to be a supervisor.The fact that the entire question of thelitigation was based upon who was or was notto be designated a supervisor, and thatMcGee took it upon himself, after conferringwith University officials, to make an In¬dividual judgement on the matter, pointsstrongly to the conclusion that the Universitywas again attempting to forestall the elec¬tion.With the issue of what constitutes“domination” of a union primary, the NLRBresponded to the McGee charge by issuing acomplaint and hearing “against” theUniversity which caused representationalhearings once again to be suspended. As isnormal procedure, an Administrative LawJudge, Thomas Ricci, was called fromWashington to hear the case, in fall 1972.Ricci's findings showed that five of thenine persons named by McGee were, in fact,supervisors, as Gwynn correctly noted in theGadfly (see page 6 of the Maroon ofFebruary 6, 1973). However, Ricci alsomentioned, more significantly, that in thelocal board’s dismissal of the firstrepresentational petition of May 3, 1971, theregional director had acted according to“ neither board law nor board practice.”He further contended that, “All that wasreally explored at this hearing is whether ornot the particular nine persons here iden¬tified are supervisors under applicable law;on this basic and sole issue the respondant(the University of Chicage library) wasaligned in agreement with the generalcounsel (of the regional NLRB office), bothof them pitted against the union.”The Administrative Judge continued that,“If the fundamental dispute which separatesthe University and the union were nothingmore than it appears in these particularpleadings (the issue of whether or not thenine persons are supervisors and engaged irunion activities), it would be a simple thin|to find a violation of Section (a) (2) in verysummary fashion.”This statement has the following im¬plications. Section 8(a)(2) specifies that anemployer may not interfere in the actions ofa union through company supervisors.Ricci’s statement holds that if the allegeddomination charge were the only thing atissue, and if those mentioned were allsupervisors, it would be and open-and-shutcase. The question of whether or not thesepeople are, indeed, supervisors, was the onebeing litigated.What Ricci is inferring here, however, hasthe broader implication that the board has allowed its machinery to be used in a waywhich benefits the employer through itsdelaying tactics; rather than its originalpurpose which was to speed the mechanismof unionization. This means that any time anemployer wants he can attempt to forestallunion recognition by simply designatingunion leaders as “supervisors”. The UnfairLabor Practices suit which would result,from the violation of the National LaborPractices suit which would result, from theviolation of the National Labor RelationsAct, would allow the University to post a 60-day cease-and-desist order, restraining those“supervisors” cited from engaging in unionactivity. If, during this period, these personswere to participate in union matters, theywould be faced with the choice of main¬taining silence or being subject to dismissal.Ricci concluded his judgment with thefollowing order: “It is hereby recommendedthat this complaint be, and it hereby is,dissmissed.”Following the finding of Washingtonmagistrate Ricci, the union asked that thematter be allowed to rest, suggesting that allparties agree not to file appeals, in order tospeed the resolution of the remaining legalissues. Both the University and the RegionalBoard rejected this proposal and appealed onthe grounds that all nine of the employeesmeet the board’s definition of supervisor.Question arises as to why the University fileda cross exception to the case if they were notinterested in delaying the matter still fur¬ther.The present status of the case is that theNLRB has blocked action on the case pen¬ding the National Board’s review of theRegional Board’s applea. It must be noted,however, that Local 103-B the clerical unit, isnot involved except as a party in interest tothe complaint. The petition filed by Local103-B for an NLRB election cannot beprocessed because in the Unfair LaborPractices complaint against the University,Local 103-B is named as having jointlysponsored the two social gatherings held inthe homes of two alleged “supervisors.”Significantly, the main argument con¬tinuously presented by the Library ad¬ministration, that the board’s legal ob-stuctionism is to blame for the endless delaysin the implementation of the simpleprocedure of election, is a weak one. There isno reason why the administration could nothave independently met with the Union inorder to elucidate procedural issues. There isnothing in the law which precludes directcommunication between the two interestedparties. However, Gwynn argued inreference to Local 103-B, that “theUniversity did not go into their unlawfulactivities, the General Counsel (of the localNLRB unit) did.”As early as March 12th, 1971, Coatsworth stated the union wanted verification of acontended majority, and emphasized theirdesire to submit the question a mutuallyagreeable third party. Confronted with thissimple solution for the entire debate, Gwynnrecently replied that presentation of a list ofstaff members to a third party in order tofind out how many of the Library’s em¬ployees were in favor of a union would be“unproductive.”In the Maroon, April 14, 1972, at a timewhen the Library administration “wasnervous about their legal argument,” ac¬cording to Coatsworth, this headline ap¬peared: “University recognizes libraryunion following one and half year battle.” Atthis point, the solitary moment in which theadministration agreed to communicate withthe union outside of the NLRB framework,Coatsworth stated, “Now, hopefully, we cango to a consent election without going back tothe board for lengthy hearings. If we have todo so, we are confident of our case. But whynot have an election now that we have anagreement.”No elections followed; the NLRB threw outthe agreement because the University in¬sisted on basing the determination of thesupervisory status of employees on an ar¬bitrary mathematical formula, rather thanthe legan distinction between “technicaldirection” and “supervision.” The unionproposed new negotiations to drop a list ofeligible voters without the illegal formula.The University declined to negotiate. Thelitigation resumed. The library’s in¬terpretation was that their mathematicalformula resulted in the inclusion of super¬visors in the bargaining unit, and wasrejected by the board for this reason. Con¬cerning this, Gwynn maintained “we weremore liberal than the board was willing tobe,” again claiming sympathy for a vic¬timized administration.The library administration was only toowilling to keep the library staff informed onthe pro-administration interpretation of all the foregoing events. However about theRicci decision, which was a “good decision”for the union, a Staff Information Bulletinwas conspicuously lacking. When asked thereason for this, Gwynn responded that “wemake all our information available, but wedid not have time to get it out.” He furtherexcused the problem with the statement,“Communication with the staff sufferedwhen the new building (Regenstein Library)war erected.” He went on to complain of the“generally thin staff at the administrativelevel.”Though the immediate goal of recognitionhas not been reached, the Union can claimsubstantial reforms as a result of itspressure: all clerical employees, studentsincluded, were reclassified this past year,resulting in substantial pay raises; theprofessional staff recently received thelargest pay raise in the history of theLibrary; and major medical insurance wasextended campus-wide, whereas previouslyonly professionals were eligible.An administratiion-instituted “DesignGroup,” composed of twenty-two staffmembers, including very few union mem¬bers, and almost totally professional, wasnot as successful, however. Kohn describesits function as “unclear,” althoughtheoretically it was to bring the “informalleaders of the Library” into contact with theadministration. The administration ap¬parently misunderstood the union’s requestfor a library assembly.The issue of the recognition of the libraryunions, 103-A and 103-B, then can perhaps btanalyzed in its simplest form with thefollowing arguments: the University claimsthat the union, which the administration haswelcomed for two years, is unfortunatelydominated by administrative personnel. Tothis, the union answers, “if it’s been acompany union, why hasn’t the companyever recognized us?” The union is merelyasking to allow itself to be heard through ademocratic election.REGENSTEIN: Library employees are center af union-University controversy.dontUGGEDCAR REPAIRS /Surlf'ch 4o...BRIGHTONFOREIGN AUTO SERVICE3967 S. 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Phone 288-8700Bring iton home,Visit theColonelYou can pick up Col. Sanders’ Kentucky Fried Chicken at:1513 E. HYDE PARK BLVD.4 - The Chicago Maroon - Friday, February 23, T973ABOUT THE MIDWAYMae JeschkeGreat sadness has struck one of the bestknown personalities of the campus, WalterJeschke of Ida Noyes Hall, in the death of hiswife Mae. Mrs. Jeschke died Wednesdayevening in Christ Community Hospital aftera prolonged illness. Visitation will be Fridayafternoon beginning at 2 pm at BourneChapel, 65th and Kedzie; services will beheld Saturday at 1 pm.Deepest sympathy is extended to Walter inthese dark hours from the entire Universitycommunity.WeinbergBernard Weinberg, 63, the Robert MaynardHutchins Distinguished Service Professor atthe University and a prominent scholar ofromance-language literary criticism, died at1:50 am on February 13 in the University’shospitals and clinics complex. He suc¬cumbed to an apparent pulmonary em¬bolism.Weinberg, a past chairman of the depart¬ment of romance languages and literaturesat the University, had most recently spenthis time teaching and conducting researchon the literary criticism of 16th to 19thcentury France and Italy. Also, he was arenowned critic and lecturer on romance-language literature.He received his Ph D degree from theUniversity in 1930, his Diplome d’en-ceignement from the University of Paris in1931, and his Ph D degree from thisUniversity in 1936.From 1932 to 1937 he was a researchassistant at the University of Chicago.From 1937 to 1949 he taught at WashingtonUniversity and from 1949 to 1955 at Nor¬thwestern University. He joined theUniversity faculty in 1955 as professor ofromance languages and literatures. In 1958he was appointed chairman of the depart¬ment, a position he held until 1967. In 1969 hebecame the Robert Maynard HutchinsDistinguished Service Professor in thedepartment and the college.Weinberg won the initial Gordon JenningsLaing Prize in 1963 from The University ofChicago Press for his two-volume History ofLiterary Criticism in the ItalianRenaissance, which was published in 1962.The Virginia Quartely Review said of thebook: “Anyone who tried to write on thehistory of ideas is going to find Weinberg’slearned analysis a lion in the path . . .’’HutchA petition calling for the removal of anewly-appointed Hutchinson Commonssupervisor Mrs. Elizabeth Finney has beencirculated within recent days. A meetingcalled the other day seemed to iron out thedifferences, according to food servicemanager Ellis Norman.Reasons given in the petition for Mrs.Finney’s dismissal were that she supposedlydid not talk to the employees at Hutch theright way, and that she treated theminhumanely.“In the meeting, I explained that I wouldnot tolerate any type of poor treatment on thepart of the suprevisors and that everyoneshould learn and practice good humanrelations,” said Norman.“I told employees of the promotion processand the transition and flak every newsupervisor went through I urged them tohave patience wither, in that she has beenon the job only a few months, and to co¬operate with her.”Also, Norman emphasized “No supervisorworking for me treats people inhumanely,and when she did threaten one employee oncewith sending him home, and I talked to herabout it. I asked for patience during the tran¬ sition.”“Mrs Finney has worked as an employeefor years and was promoted for hercapability. Other employees became jealousbecause they weren’t promoted. There areone or two people trying to get rid of her,” hecontinued.“I think it is awful when you try to helpsomeone out and people beat him down. Thisis the type of thing I gave them--I didn’tthreaten anybody.”As for employee reaction, Normancharacterized it as “mostly non-responsive.”He noted, “No one asked any questions andyou could hear a pin drop in the room andwhoever knew how this thing started wantedto keep it to themselves.” Norman con¬cluded by saying he felt the problem hadbeen solved.MarathonThe basketball marathon planned for thefirst weekend of spring quarter got atremendous shot in the arm this week whenMr Robert Greenbaum, President of theGraduate Order of the “C”, the oldest let-terman club in the nation, pledge the clubfor $100 worth of sponsorship.The fund raised by the Marathon game willbe used to help finance the initial costs ofconstructing a new (as yet unnamed)recreational swimming facility, on thevacant field north of Bartlett Gym. It ishoped that when this new facility is con¬structed the Bartlett locker room facilitiescan also be updated.If you would like to sponsor a player oractually compete in the marathon contactthe Athletic Department or the Maroon officein Room 304 of Ida Noyes. (Phone 753-3266)Ob/gyn studentsWe are second-year medical students atthe University of Chicago who are learning todo physical examinations. Part of thisprocess involves training in the method ofpelvic examination. The way the Depart¬ment of Obstetrics and Gynecology haschosen to teach us is to have us examinewomen who are admitted for gynecologicsurgery while they are under generalanesthesia, awaiting operation. Thesewomen have not been informed that amedical student would be examining themnor have they given their permission for thisto be done.Performing a pelvic exam on womenunder anesthesia may be an importantelement in learning how to do a gynecologicexam. We accept the view of the Ob/ Gyndepartment that such an exam does notjeopardize the woman’s health. We think,however, that the procedure as it now standsinfringes patient rights, because the womenare not allowed the opportunity of giving orrefusing their consent.We have asked the Ob/ Gyn department toinform the women and obtain their consentbefore we examine them The Departmenthas agreed only to the following procedure:1) that medical students scheduled to givepelvic exams may meet the women atevening rounds the night before; 2) that atevening rounds the students will be in¬troduced only as “members of the medicalteam. ” Since the students are not required toattend evening rounds and since the in¬troduction gives no clue as to their role in theprocedure the next day, we think that the We urge all of you who would like to see theuniversities shoddy recreational facilitiesimproved to support the marathon.Gay lib picketsAn allegedly racist incident at a north sidebar on February 9th led to a picket lineorganized by University Gay Lib lastFebruary 16th, according to the UniversityGay Lib organization.According to a source within the organiza¬tion, on February 9th a University graduatestudent was turned away from the PQ bar,661 N. Clark St. The student claimed that thebouncer said he wouldn’t let him in “becausehis black brothers had spoiled it for him”(The student was black). Evidently, thebouncer had earlier had a fight with someblack people. The student left, but later sawfour blacks enter the bar and leave almostimmediately.As a result of the incident, University GayLit* organized a “Boycott PQ’s” picket lineon February 16th. Despite the show and near¬zero temperatures, about 30 people showedup. Gay Lib spokesman claimed that abouthalf of them were from the University, bothmen and women, gay and straight.A group of demonstrators negotiated withthe proprietor of PQ’s, demanding obedienceto the civil rights law governing the bar, areduction of the requirement for 5 IDs to 2IDs (the student who had been thrown outclaimed that only blacks were required topresent 5 IDs, while whites were served aftershowing only 2), and the hiring of more blackpeople. The source said that the bar agreedto two of the demands, but refused to lowerthe number of required IDs from 5 to 2.concession of the Ob/ Gyn Department doesnot adequately protect patient rights.We have written this letter to inform thecommunity served by this hospital about theissues. People who would like to expresstheir opinion should write Dr. Joseph Kir-sner, Chief of Staff and Billings Hospital, orDr. Frederick Zuspan, Chairman of theDepartment of Obstetrics and Gynecology.For further information, please get in touchwith one of us at 643-8451 or 924-0848.Marion Danis,Gregg Husk,Jennifer Link,Paul MonroeDuerksenWhile reading the February 13 issue of theMaroon I came across a letter allegedlyauthored by me. Needless to say, I was a bitsurprised since I could not rememberwriting it. It has always been my conceptionthat a competent newspaper investigatesthese letters to ensure they are not written bya “fictitious” person or sent under another’sname. Common sense (and libel laws) wouldseem to dictate such a procedure, but ap¬parently we must endure incompetence notonly by intramural officials but also by yourstaff. I would appreciate a recognition ofyour error in the next issue.I would also like to get my two cents in withrespect to the Backrow controversy since thewhole affair has severely tarnished the lawschool’s image and since I am undoubtedlythe most obnoxious player on that team.First, I want to make it entirely clear that Isympathize with intramural officials sincethey are underpaid and serve as convenient BasketballTuesday night’s encounter between theNational College of Education and theChicago Maroons ranks in the same classwith Little Big Horn, the Saint Valentine'sday Massacre, and My Lai. The Maroonsbeat the future teachers 110-28.Those of us who could bear to watch wererewarded with more than an imitation of lifethat aroused pity and fear. The half-timeshow was the best I’ve seen since FrankMalbranche’s step-father staged a wombThe gymnastics team put on a show, and. asSteinbeck would say, it was goodUnder the direction and amplified com¬mentary of Coach Simms, gymnasts DennisSadowski, Marty Ziontz, Chuck Weibel andeven Calvin Hayes did whomps, twits, gainesburgers and alpha-epsilons through spaceand over time only to light upon red, white,and blue mats. Also entertaining the crowdand players at half time, the Teacher’scheerleaders were good looking, hadrhythm, and inspired the UC band to silenceOn the court again Frank Edwards andJerry Clark led UC scoring with lots of pointsrespectively. The substitutes fulfilled theirtheoretical role Tuesday night It was likeold times seeing old Jeff Salberg coming offthe bench to hit for 18 points from the outside,and it was also something else to see fresh¬man Steve “Smoky” Burgess dribble shoot,play defense and remain in control Hescored 10 points.The final game of the season is this Fridaynight at 8:00 against Principia. It will be inthe fieldhouse and should be well worth thefree admittancewhipping boys for the players. But this is noexcuse for their blatant ignorance of thegame. As one coy little U of C coed put it at arecent intramural battle. “These refs justdon’t know their ass from a hole in theground.” And Mike Klingensmith’ssuggestion that the good teams have lesstrouble with the referees is so much bullshitWe had no trouble with the officials in mostof our games since the scores were lopsidedand it just wasn't worth the effort to be ob¬noxious (except for U D Kidman andmyself). This doesn't mean the officiatingwas any better—it just doesn't matter whenyou are winning by twenty points Theproblem arises in close games whenknowledgeable, decisive officiating is amust Then with a combination of lousy refsand an obnoxious team, what can you expect?Secondly, I’m glad to see a lit l!emotionalism at this school Most of tstudents here at U of C are so constipa' 1with intellectual smugness that a littlecitement could be good for them. Instead mwatching the imcomparable Zephyrpractice in Ida Noyes, I suggest they come tothe Law School Auditorium where our b amcan be seen working out on raw meal,destroying furniture, and shouting generalobscenities.I am rather disappointed that Mr Krausssaw fit to defame our team by naming us“Most Obnoxious,” but as a consequent wppromise to live up to that billing duringbaseball season And I must also say that thethreat made in my name to “beat your ass”is ludicrous—although I would like to do a tapdance on Mike Krauss' head.Chris Duerk: - mLETTERS TO THE EDITORMad dogsand EnglishmenFriday 7:15 and 9:30Cobb*1 WHPK & NIA present:A JAZZ FESTIVAL FEATURING:Ken Chaney & AwakeningThe Light featuring Kalapurusha DiftaThe NIA EnsembleSaturday, 8 P.M. Feb. 24 Mandel Hall1.50 with I.D. others $2.00frJflyy, February 23,1973 - The Chicago Maroon - 5Copernicus honored by celebrationBy MARK SPEIGLANNicolaus Copernicus has apparentlypicked up a few disciples since theInquisition. A substantial crowd turned up atQuantrell auditorium Monday to helpcelebrate the 500th anniversary of the Polishastronomer’s birth.The featured speakers were Noel Swer-dlow, assistant professor in the departmentof history, the College, and the Morris Fish-bein Center for the study of history of scienceand medicine, and S Chandrasekhar, MortonHull distinguished service professor in thedepartments of astrophysics, physics, andthe Enrico Fermi Institute.Swerdlow, after briefly outlinging thetheories and accomplishments of Coper¬nicus’s predecessors and comtemporaries,proceeded to explain by means of (orperhaps despite) some rather complexdiagrams the development of Copernicus’sheliocentric theory. The Ptolemeic model ofthe solar system demanded that the planetsrevolved on smaller circles (epicycles)which in turn revolved around the earth, thisbeing necessary to explain the reversing, orretrograde motion of the planets as theytravelled against the background of stars.Copernicus realized, by way of variousclues, that these epicycles could beeliminated and other features greatlysimplified if the sun rather than the earthwere placed at the center and the earthrevolved around it. As Chandrasekhar laternoted, the solar system model prior toCopernicus required some 10,000 circles andhe “could not believe nature could be soarbitrary and so ugly.”Despite his accomplishments, Swerdlowsaid, Copernicus spent “forty years offrustration and failure” trying to make histheory conform more precisely to ob¬servations. Part of his problem was sheerlack of observations: another was his ob¬session with making his data “fit Ptolemyeven if this meant altering observations to fittheory.” Nevertheless, his work was good enough toanger philosophers who were ignorant ofmathematics and theologians who were“ignorant of almost everything,” and wasplaced on the Index for two hundred years. Itmight as well still be there, Swerdlow con¬cluded, “for all the impact it has had on thegeocentric universe of the theologians.”One of the main themes of Chan¬drasekhar’s talk, which followed, was themood of Copernicus’s age. Men’s minds hadbeen somewhat opened by such things as thefact that “the serpent had not swallowedColumbus's ships,” but intellectual freedomwas nevertheless soon to be ended by theInquisition. He termed the publication of DeRevolutionibus in 1543 the “last fruit of thehumanist age” and illustrated Copernicus’sattitude toward his discovery with aBy CURT SPILLERApproximately 40 potential StaggScholars, including a hockey player, at¬tended the University of Chicago’s “StaggScholarship Day,”an annual programpresented for outstanding high school seniorscholar-athletes. Along with acquaintingthese outstanding seniors with the Univer¬sity’s facilities, both athletic and academic,The major purposes of the day were to havethe young men meet the coaching staff andpresent Varsity players as well as just tohave encounters with campus life.The day started with Undergraduate “C”Men, Coaches, and scholarship candidatesmeeting in the Bartlett Gymnasium TrophyRoom to answer the candidates’ questionsabout the University. There was an amplesupply sweet rolls to build everyone’s energybefore the day’s activities. Since several of quotation: “In the middle of all sits the sunenthroned... ruling his children, theplanets.”Chandrasekhar concluded with a ratherabrupt contemporary note, comparingCopernicus’s age with the USSR’sharassment of Solzhenitsyn and “Nixon’scounter-revolution” here and wonderingwhether we are not turning from an age ofhumanism to an age of inquisition.With that, the crowd was directed to theIda Noyes Cloister Club for the party. Wewere greeted there by a cake of monumentalproportions consisting of numerous roundlayers, each one smaller than the one belowit. The topmost layer represented the sun,and was appropriately illustrated, whileeach of the remaining layers represented aplanet, and was so labelled with an extractthe days events conflicted with each other,such as the wrestling and fencing meets,the group separated.At noon, the group reunited to have lunchwith College Dean Hildebrand, AnthonyPallet of the Admissions and Aid Office, andWalter Walker, a vice-president of theUniversity. Dean Hildebrand, an ex-athletewhose son was as All-American DistanceRunner from the University, was the mainspeaker. He spoke about the positive valueof athletes on campus. The group left theQuadrangle Club to view a film on theUniversity of Chicago. After the film, theStagg Candidates left the Trophy Room toattend the basketball game against Lake from Nic’s notes.Unhappily, it occurred to no one to sing“Happy Birthday”, but music was providedby the Chicago Early Music Ensemble,which adroitly performed various works ofCopernicus’s day, some of which he had nodoubt hummed while working on DeRevolutionibus. They performed on cellos,recorders, and various other reed and windinstruments, mostly made of wood and allquite elegant, which I was unfortunately at aloss to identify. (Someone ought to look intohiring them for our football games next year.It would add a nice touch.)After perhaps half an hour of eating cake,listening to music and Copernicus’s con¬tribution to science, peoople began to driftout.Mr. Copernicus was unable to attend.Forrest. The trip to the Fieldhouse waslonger then usual as several of these youngmen were overwhelmed as they realized thatthey were passing the future site of the Newswimming pool and Recreation Building.The day ended with a reception at thehome of Chicago Alumnus, Bernie DelGiorno. There was a final question-and-answer period, centered on inquiries aboutadmission and financial aid. StaggScholarship Day was viewed a worthwhileexperience for all involved. Especially in¬teresting football Stagg candidates were a235-lb offensive guard, an All-ChicagoCatholic League lineman and a back who canrun the 40 in 4.4 (as fast as USC star tailbackAnthony Davis).Founded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughoutthe regular school year, except during exam periods and, intermitently during the summer. Of¬fices in rooms 303 and 304 in Ida Noyes Hall, 1212 East 59th Street, Chicago, Illinois 60637.Telephone (312) 753-3263. Distributed on campus and in the Hyde Park neighborhood free ofcharge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicago,Illinois.40 scholarship candidates visit UCF—Chicago is aWinter CarnivalComing up from the W.C.Thursday, March 1theMONROE DOCTRINEbluegrass bandin 2 free concerts12 noon Reynolds Club-8 p.m. Mu NoyesSNOW SCULPTUREXeegf those entries rolling in!Coll 753-3591Wednesday, February 28Horticultural Workshop“Soil mixtures and fertilizers"Noon-Reynolds Club WINNERNEW YORK FILM CRITICS AWARD:PICTURE ’DIRECTORSCREENPLAYINGMAR BERGMAN'SCRESANDWHISPERSANfwwomottifASf [RjPLAYBOYTHEATEP!?04 * Of !«!« PIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPFind us...(CERMAK) |AYOU'LL BEGLADYOU DID...EMIL MARESPONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900HEADQUARTERSFORPASSPORT .PHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSinblack & whiteand colorCall MU 4-7424 nowfor an appointmentCorona Studios1314E. 53RD6 • The Chicago Maroon - Friday, February 23, 1973ENTERTAINMENT AND THE ARTSSolti’s Offering— TranscendantMajesty or Well-Promoted Flop?The Chicago Symphony Orchestra under the direction of Sir Georg Solti has recordedBeethoven’s Ninth Symphony (London CSP-8).Superb Rendition of aGreat SymphonyBy MARK GRUENBERGThe Chicago Symphony Orchestrarecording of the great Ninth or“Choral” symphony of Ludwig VonBeethoven is totally unlike any otherrepresentation of this work I haveheard. The special effect that one getswhen listening to it is one of tran-scendance of everything in this world,including its own music and the wordsof Schiller’s “Ode to Joy” to which thefourth movement is set.Immediately noticeable is that this isan extremely well-balanced recordingof the Ninth. The lower strings, thebrass, and the cellos in particular playthe counterweight role which Beethovendesigned them for — and which manyother interpretations leave out orsublimate.More generally, the first movement ofthe symphony, marked allegro ma nontroppo, un poco maestoso is taken at alittle faster pace by Solti than in otherinterpretations, with the result that it isgiven more majesty than it usually has,and thus enhances the performance as awhole. Solti made sure his firstviolinists were very careful, and theruns come through crisply and strongly.Indeed, this was an effect I noticed ascharacteristic of the orchestra in thewhole work — an unusually strongcrispness mixed with an instinctive“feel” for how the music should sound.They were crisp and rich when they hadto be, and certainly never muddledWhen the initial theme is restated, thebrass, especially the timpani, becomevery important. They must give a senseof importance — an almost martial air,it seems — to this restatement. To dothis, they must both dominate the im¬mediate passage, yet not drown out thetheme emanating from the violins. The Chicago Symphony is the first I haveheard that has not botched the passage.The brass must be loud, but not too loudand Solti pulls it off.Skipping over the second movement,most of whose salient characteristics interms of treatment had already shownup in the first, a word should be saidabout Solti’s work with the thirdmovement of the symphony.Trying to find an adjective for theCSO’s rendition of the third movementis extremely difficult. They play it insuch a way that it is lyrical, relaxativeand magnificent all at the same time —and those words do not do justice to afeeling. The sweetness of each note isenunciated, even in the lo stessotempo passages of rampant 16th notes— stuff that is more easily muddledthan about anything else in the wholework.In all fairness, Solti’s treatment of thefourth movement deserves a review initself, but before embarking on a fac¬simile of that task, the work of thesoloists and chorus should be con¬sidered.The chorus leaves nothing at all to bedesired. Their enunciation is excellent,their range complements that of theorchestra, which consistently brings outthe features of the piece, and they arevery well co-ordinated by Solti. Of thefour soloists, however, tenor StuartBurrows is a little weak just before theend, and mezzo-soprano Yvonne Mintonseems to disappear on occasion.However, soprano Pilar Lorengar isquite competent and bass MarttiTalvela sets some sort of a record forgoing to the lowest notes of the score sowell — he gets better the lower he goes,which is something of a paradox.But to the orchestral rendition itself.The first thing one notices about thisversion of the fourth movement is thatSolti takes it at a speed a little bit,though not much, slower than one is ac¬customed to. The result is interestingand electric. The majesty which themovement had because of the massedchorus and orchestra is now added to as the words of “Ode to Joy” become evenclearer, while the general regality ofthe ensemble and of the wholemovement is now transmitted to everynote, especially in the passages in¬volving the whole chorus. This isespecially noticeable where the chorussings in a crescendo “Ihr sturzdt nieder,millionen” accompanied by the sweet¬est solo cello one has heard in a longt ime, and the same effect is also noticedin the passages following the Adagio manon troppo just mentioned. The in¬terplay between chorus and orchestra isexcellent with neither dominating theother at all, a constant interchange ofideas within theme.Even the bassoon in its solo soundsfine. (One critic has called it “ob¬scene.”) And when the score startsalternating poco adagios and pacoallegros at the end, the chorus is bothquite understandable and impressivelymajestic in the allegros and even moreso during the adagios where Solti stopsand caresses every note and everychord. The most astounding example is,of course, the famous finishing passagefrom the chorus, with violin runs in thebackground. Marked maestoso, Soltitakes them double maestoso, so thateach note is an absolute entity and eachchord resounds itself in one’s ear threetimes over, it seems. When Solti sees a“ritard” marking, he takes it and letsyou know it, heightening the overalleffect. As a result, the final measuresare a fittingly majestic touch to asuperb rendition of Beethoven’s greatsymphony and reason enough to go andbuy it.Solti's Failure—Annoy¬ing But Unimportant?By ANDY HUDDIFSTONGeorg Solti has made four previousBeethoven symphony recordings forLondon Records, No. 4 in mono and Nos.3, 5 and 7 in stereo with the ViennaPhilharmonic. The last three wereminor events when they were released, merely action by a record company toensure its competition in the highdemand for the “bread and butter”classics which account for so much ofany record producer’s business. Theperformances, incidentally, were prettygood, inconsistent, but showing somereal understanding of both the powerand style of this composer’s music.They were issued in the late fifties,when the arrival of stereo recordingscaught London without a majorBeethoven interpreter in its stable andSolti’s assignment to the task was morea matter of availability and con¬venience than reputation.Since then, much has changed. Soltihas become one of the best known andmost eagerly sought conductors of the1970’s and his recordings are major,highly publicized events. LondonRecords has undergone a change aswell. In the 1950’s this companyproduced some of the finest orchestralsound that I have ever heard on records.Their stereo records of the last decadewere notably less successful, however.Their engineers used the opportunitiesof multiple microphones to exaggeratedetails and distort the overall sound ofan orchestra; in his European recor¬dings, Solti was often the victim of (aswell as the collaborator with) thispractice.in view of previous experience, then,this new recording of the BeethovenNinth Symphony came as a surprise,both for sound and performance.London has foresworn its “spotlight”miking technique and offers here afairly realistic orchestral sound withstunning impact and dynamic range.The instrumental and choral balance isgenerally excellent and for once the solosingers in the finale are not recorded atten times the volume of the rest of theperformers. My one serious complaintis that the lower strings the violas,cellos and double basses, are poorlyrecorded and difficult to hear. Evenwhen they are audible, the tone is so(Continued on page 10)Friday, February 23, 1973 - The Chicago Maroon - 7Steelyard Blues and Avanti: Poetry and SchlockBy DAVE KEHRSteelyard Blues is a film to be heardand not seen. The script, by David S.Ward, is as funny as Alan Myerson’sdirection is inept. Altough occasionallyinsulting in its pandering to the youthmarket, this Fonda-Sutherland- Boylevehicle can t help saving itself with itsunpretentiousness.The story is out of Ken Kesey viaRichard Farina, although with none ofthe former’s poetry, and a minimum ofthe latter’s schlock. Sutherland is ademolition derby driver who turns tocrime to finance his dream of wreckingevery car made form 1940 to 1960.Fonda, who seems determined tobecome the new Glenda Farrell, is hiswise-cracking hooker girl friend, andBoyle floats around the edges as andamiable schizophrenic, which serveshim mainly as an excuse to do hisMarlon Brando impression. Plot isprovided by their attempts to rebuild aWorld War II bomber to fly themsomeplace “where there ain’t no jails,”under opposition from Sutherland’sbrother who’s running for D.A.Alan Myerson has never made a filmbefore, (he’s the director of SanFrancisco’s Second City surrogates,The Committee ) and, by the looks ofSteelyard Blues, breaking every basicrule of film grammar, makes yourealize just how well-made the vastmajority of Hollywood films are. Thefilm's humor and appeal are due en¬tirely to screenwriter W’ard, who despite occasional lapses into highschool revolutionary rhetoric, keepsthings moving quickly enough toprovide a pleasant, if not stimulatpng,experience.Avanti will warm the hearts of BillyWilder’s admirers, but everyone else isbound to find it pretty rough going. Inhis recent films, Wilder seems to bemaking a point of not being funnyanymore, and as far as that goes,Avanti is a success. It is ruthlesslyunfunny to the point of being painful.Wilder is becoming the poet of themiddle class, making middle class filmsprojecting middle class cynicism whichhe always compromises with middleclass sentimentality. Avanti has JackLemmon going to an Italian resort townto recover the body of his millionaireindustrailist father and meeting JulietMills, who is there claiming the body ofher mother, who turns out to be Lem¬mon’s father’s mistress, killed in thesame accident. In between trying tountangle the red tape necessary forgetting the body back to the States intime for a monster funeral, Lemmonreluctantly seduces Mills. If you thinkthat’s funny, wait until you catch thetactless subplot boiling over with black¬mail, snatching, and murder. Wilderhandles this revolting situation with allthe taste and charm of a dead fish.If Wilder indeed has Something toSay, which is probably what he intendsto point out by making such anagonizingly unpleasant film, it could besummed up as “everything stinks.”There is no doubt that Wilder’s attitude is consistent, he hates one thing just asmuch as the next, and every one of hisfilms is unmistakably his, which is a lotmore than you can say about mostdirectors in his class. But cynicism as aworld view doesn’t leave too manypossibilities open. Once everything hasbeen reduced to the same level ofcorruption and worthlessness, whichWilder has acquired the skill to do inabout five minutes of running time, itshard to see what can be done for thenext trick. Moreover, Wilder’s cynicismis of a decidedly petty nature; it reallydoesn’t take much thought to shootdown a junior executive or a shysterlawyer, and State Department officialsare about the easiest pickings there are.We can take some satisfaction in seeingwhat we always hoped Fred Mac-Murray was really like in The Apart¬ment, but Wilder makes him such aneasy target that laughter seemsredundant. Wilder owes more to Madmagazine than he would care to admit.No actor is better suited for Wilder’sneeds than Jack Lemmon (Avanti istheir fifth film together). Lemmon lookslike every account executive orsuburban school board president whoever lived. He seems naked without abriefcase. Lemmon, when he wants to,can give a sensitive performance for adirector who knows how to use him(Days of Wine and Roses, for example),but unless watched carefully, likes toamuse himself by making funny faces.Surrounded by Wilder’s collection ofsupporting monstrosities, Lemmon’smugging seems almost natural. Wilder’s bit players look like therejects from Roma, and he won’t let hisleading lady look much better. Drivenby his pathological hatred for actresses,Wilder has made Juliet Mills gain sometwenty pounds for the part, for no otherreason that to make her the butt of someof Bob Hope’s old fat jokes. Lemmon ismade obnoxious, and Mills is madepathetic. This is the stuff a Billy Wilderromantic comedy is made of.Wilder’s distorted actors combinewith his painstakingly two-dimensionalvisual style to produce the perfectcomic strip misen-scene, but it’s acomic strip begun by Rodriguez andfinished by Schulz. Wilder’s filmsalways degenerate into a tacky sen¬timentality at the last moment (the“Shut up and deal” line from theApartment, Holden’s good-bye wave inStalag 17, the football throwing in TheFortune Cookie) which completelynegates everything that has gonebefore.In Avanti after a two hour long stringof tired black humor (“Surely you candig up a coffin somwhere?” “What?You want a second-hand coffin?”)Wilder inserts an ending banalenough to make Rod McKuen reel inamazament. Wilder is too corrupt tofollow his bleak comedies through totheir logical dismal conclusions, andfinishes on a note that it too deter-mindedly cute to be constructed as anattempt at Euripidean irony and comestoo late to be a gesture to box officeappeal. Self-contradiction is one thing,but self-negation is another.If you're a growth-minded individual interested in raQid advance¬ment and financial success, Itek would like to challenge yourability.As a recognized leader in graphic communications, we re offeringsales-oriented college graduates almost unlimited career potentialin a field as broad as your imagination.Why not investigate some of the professionally rewa.ding oppor¬tunities at Itek.this school onTHURSDAY, MARCH 1, 1973See your placement officeto arrange an interviewItek Business ProductsA Division of Itek Corporation1001 Jefferson RoadRochester, New York 14603o be an equal opportunity employer M,T StudentDiscountModelCamera1342 E. 55th493-6700Most complete photoshop on South Side.8 - The Chicago Maroon - Friday, February 23, 1973Stagey Music Hall Antics at MandelBy BILL REDDYArmentieres’ name has been immortalized in theWorld War I song, Mademoiselle d’Armentieres(“inky dinky parlez-vous”). Not surprisingly, thetown paid a horrible price for this dubious honor;finding itself in no-man’s land on several occasions, itwas bombarded off the face of the earth during theGreat War. Now, if you go to town hall, you will find amock-up of a proposed statue dedicated to thememory of Armentieres’ mademoiselles. Not enoughmoney has been collected yet to put it up, though. So itgoes.Looking at the mock up will give you the samefeeling about war as you might get if you went to aNormandy beach at the beginning of the Frenchhunting season in late September. Swarms of rifle¬bearing Frenchmen appear, shooting at anything thatmoves, climbing through ruins of German for¬tifications, vintage World War II, massacringseagulls.You could have gotten the same feeling last weekright here in America by going to UT’s production ofOh What a Lovely War in Mandel Hall. Brilliant,splashy dancing and singing, sentimental and broad —all from original English music hall material — lookedfearfully incongruous as bland bulletins about themillions of dead at the front flashed across the stage.You could have seen the English Generals, in¬competent place men, fumble with the lives of hun¬dreds of thousands; or brave English girls sing lovesongs to their men as they sent them off to certainslaughter. Whatever incredible horrors have in¬tervened between now and World War I, its earlier,naive efforts to industrialize death remain as difficult to comprehend as ever. Nowadays it takes one act ofstupidity to destroy the world; then it took concertedstupidity on the part of well-organized governments towipe out each successive million. How could so manypeople go so berserk all at the same time? Whateverthe answer, it’s clear there are plenty around stilldoing it with a vengeance.The production of Oh What a Lovely War brought tothe stage at Mandel last week did what it was sup¬posed to. People out for a good time found what theywere looking for, but left feeling a bit funny in the pitof their stomach. Anybody who didn’t go becausethey’d seen the movie made a mistake. The thing hasto be stagey ; and if you try to be stagey in front of acamera on location in some Flemish cemetery, itcomes off looking surreal. The place to be stagey is ona stage; it’s totally different and a lot better. How theUT people ever mounted this three-hour extravaganzawith such style still has me wondering. People in theaudience who knew members of the cast had somesurprises in store for them (where did he ever learn totap dance?). It’s not just the technical proficiencywith which the thing was done. In fact there weresome rough spots any reviewer could latch onto if hewished.The point is, without rough spots the play wouldhave been a flop. Music Hall stuff has to be done with akind of casual polish, the kind that a poorly-paidprofessional would have when he’s been doing thesame numbers for years. The acting had to be done ontwo levels, then; underneath all the parts beingplayed, each actor was playing the role of a music hallactor who laughs off mistakes, covers with a broadsmile, and breaks out with the next song. Everythingin this show was delivered with aplomb and sparkle from death in the trenches to intrigues in the highcommand. Even the musicians seemed to be having afine time bouncing through those old tunes. Anaudience just has to warm up to all that.Some things have to be picked out for special at¬tention. The choreography was amazing. With only amonth and a half to prepare, the troop moved throughtheir numbers together, looking like it was old hat.The simulated English accents were good enough sothat an American forgot he was hearing otherAmericans. The costumes were just right; and thehundreds of changes backstage in Mandel’s crampedand cluttered wings went without a hitch. MichaelHildebrand was omnivisible with floating grace,delightfully portraying an upper-crust capitalist or thecomically towering figure among the boys in thetrenches. Darryl Boehmer, a kind of ironic master ofceremonies, added a little extra bite to the play withhis sad smiles, shrugging his shoulders as he an¬nounced the next “war game.” The women, “ourpretty Pierettes,” did English girlies in straplessgowns, French can-can dancers and German washerwomen that seemed to have walked right out of 1914.This list could go on, but maybe it shouldn’t; the effortwas so obviously a cooperative one. Who did thatminister, the voice was perfect; or that ballerina whocame out somewhere in the middle?When you’ve got a good show, a five day run ca:n bedepressingly short; and it’s not much fun to raveabout a show that’s already closed. That’s one of thelimitations of doing theatre as an extracurricularactivity. Its about the only limitation this productiondidn’t manage to rise above.Join Milo as he passes through the magic tollboothinto the Doldrums, Dictionopolis, Digitopolis, and theother Lands Beyond. Help him restore Rhyme andReason, the beautiful Princesses, to their rightfulplace in the world. Try out for University Theater'sproduction of the Phantom Tollbooth, a children’s playbased on the book of that name by Norman Juster.Auditions will be held on Saturday, February 24 andSunday, February 25 from 3 to 5 pm and on Tuesday,February 27 from 7 to 9 pm at Reynolds Club SouthLounge. It is not necessary to have any experience totry out.Part of the fun will be that the five men and fivewomen in the cast will all play several parts.Prospective actors are warned that they may be askedto take a day or two off from school, since a few of theperformances may be on weekdays in public schools.Also contemplated are performances outside atWooded Island and the Quads.The dates again: Feb. 24 and 25, 3-5 pm and Feb. 27.7-9 pm, or call director Steve Mciicher at 288-7985 formore information.Rockefeller Memorial ChapelSunday, February 25,197311:OOa.m.Frank E. ReynoldsAssoc. Prof., Dept, of South Asian Languagesand Civilizations, and the Divinity School"Remembering and Forgetting’’Cabaret-like scene from “Oh What a Lovely War.”TEC CHICAGO DANCE FOUNCATDN AND THE UNVERSITY a CHICAGOin Cooperation with The Illinois Arts Council and The National Endowment For The ArtsM/mCUNNMGH/4/HAcme Dance CompanyCONCERT: THURSDAY MARCH 8 8:30 p.m.Mandel HallTickets: $5.00 $4.00 $3.00($2.00 for UC students)SEMINAR ON DANCE CRITICISM: TUESDAY MARCH 65:00 - 6:30 p.m. Ida Noyes East Lounge$3.00 ($1.50 for UC students)MOVEMENT FOR DANCERS: TUESDAY MARCH 67:00 - 8:30 p.m. Ida Noyes Dance Room$3.00 ($1.50 for UC students)SOUND AND MOVEMENT WORKSHOP: FRIDAY MARCH 95:00 - 6:30 p.m. Jda Noyes Gym $2.00Tickets and Information: Ida Noyes 207 753-3706 or 753-3574 M-F 9-5Friday, February 23, 1973 - The Chicago Maroon - 9Hum Along With James DePriestBy TOBI LQU HOFSLUNDAt last week’s Saturday Special,University Night at the Symphony, ayoung, attentive and enthusiasticaudience of students were guided on apleasant, brief tour of Romantic andpost-Romantic music and introduced tosome of the possibilities of orchestralsounds, colors and imagery. Under thestrong and energetic direction of guestconductor James De Priest, currentlyassociate conductor of the NationalSymphony in Washington, D.C., thatmaking his CSO debut, Orchestra Hallresounded with the full, rich tones of afine ensemble performing a program“directed primarily toward studentinterests.”James De Priest, a winner of theDimitri Mitropoulos InternationalConductor’s competition, is an ac¬complished black conductor who hasremarkably overcome a crippling boutwith polio. Although he had troublewalking out on stage and conductedwhile seated at the podium, once in hisplace his arms and hands took over andhe was in complete command.De Priest’s clean, precise directionworked to the greatest advantage in theBerlioz Le Corsair, a breezy romanticoverture; and in Hindemith’s busySymphonic Metamorphoses. TheBerlioz was rich and full. De Priest ledHindemith’s scoring of numerous en¬trances for melody, counter-melody,qnd solo instruments with a well-defined, marked, and angular rhythm.The performance of Hindemith’simaginative instrumentation of variations on Carl Maria von Weber’spiano music for four hands was verymusical and cheerful. It created moodswhich were at times playful, lyricallyserene, or rousing. The soloists per¬formed the humorous contrapuntal highand low entrances with aplomb, and theensemble can be faulted only for aboisterous overstatement by the brasswhich affected balance.De Priest’s rigid conductingtechnique, however, did not allow forthe freedom of expression so necessaryin Ravel’s Daphnis and Chloe, Or¬chestral Fragments (Second Series).The orchestral tone was lush, but thetempo was a bit too fast andmetronomic.Arnold Schoenberg’s pensive FivePieces for Orchestra was the one ex¬ception to an evening of easily ac¬cessible and familiar music.Chicagoans have not had the op¬portunity to hear this work for manyyears. The individual pieces are shortand characterized by dissonant non-traditional tonality, continual changeand variation, and an exploration oftone color as a structural basis fordevelopment and extension in com¬position.The symphony excelled in this dif¬ficult work and we can assume that DePriest’s limited rehearsal time wasdevoted to it. The precision with whichhe directed and the ensemble per¬formed held the rapt attention of theaudience and their enthusiasm attestedto the careful workmanship with whichit was prepared. The end result wasprobably what Schoenberg had in mindJames DePriest, of the National Symphony, conducted last Saturday’sUniversity Night at the Chicago Symphony. — a steady church-bell effect.De Priest concluded his rather shortprogram with a long encore.Tchaikovsky’s Overture-FantasyRomeo and Juliet. De Priest obviouslydidn’t want to dwell over the adventuresof the young couple, and there was notime for romanticizing in his in¬terpretation. He wanted his action tomove fast. Although it soundedunrehearsed and the performance levelwas not up to the standards of the rest of the evening, the Tchaikovsky selectionrounded out a program which not onlysampled romantic moods, lush or¬chestration, and innumerable tonalshadings, but also demonstrated theChicago Symphony’s versatility.And at the end of an evening oflistening to music many probably hadnever heard before, what did the specialaudience of 2650 students like the best?Tchaikovsky, naturally. And why? Ithad melodies to whistle.Chorus is Point of Agreementin Beethoven's NinthKIMBARKLIQUORS-WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141. 53rd St.53-Kimbarktpiasa MY 3-3355 (Continued from page 7)poor that they sound much worse thanthe rest of the orchestra. This isn’ttrivial; these string sections performnot only a great deal of the melody andcounterpoint of this work but they oftendefine the harmonic motion of the musicas well. In a sense, one can say that thisrecording is missing the lower half ofthe music.It is regrettable then that this sonicsplendor preserves one of the leastdistinguished, most boring per¬formances of this score that I have everheard. What we have here is playing ofPrussian perfection, not a note in¬correct and barely an iota of themusical content delivered. Otherfamous conductors have been accusedof giving readings such as this but so farI have not heard similar things saidabout Solti. Nonetheless, there it is,awaiting anyone who will listen with anopen ear. From the beginning, theChicago Symphony plays with afaceless accuracy which is itself onlyskin deep. Beyond the questions ofcorrect intonation and precise en¬semble, this is a crude performancewith slovenly rhythm and only casualadherence to the important markings ofthe score.The first movement begins at a slowtempo and the entire exposition islethargic, jerked between clumsy fortepassages and often soporific quietepisodes. The development sectionbuilds no tension toward its centralfugal episode. The recapitulation isbegun impressively but the remainderof the movement follows the pattern ofthe earlier sections, heavy playing withflat, tired rhythms and little sense ofdirection through the various formaland emotional events of therecapitulation and coda. Incidentally,Solti has not bothered to correct thecorrupt, high violin parts at twoprominent points in the recapitulation,presumably left over from Reiner’sregime (they can be heard in his RCArecording of the score). Otherwise Soltiadheres faithfully to Beethoven’s ownscoring.The scherzo is a little more vigorous but is just as tediously played as thefirst movement. The opening of the slowmovement features the most business¬like, impersonal playing in the entireset. There is no phrasing, no dynamiccontrast, no expression, just some of thepurest, most boring string playing Ihave ever heard. The tempo for theadagio half of the variation theme isvery slow and there is no hint of achange in pace or expression when thesecond part, marked andante, arrives.The introduction and theme of thelong finale contain the best playing inthe entire performance. Therecollection and ‘rejection’ of theprevious movements is theatrical but atleast there is some animation in theplaying; the strings sing beautifully asthe great melody unfolds itself. The soloquartet and chorus are generally force¬ful and involved.Martti Talvela’s recitative is stolidlysung but there is no strain and hisphrasing is musical. Pilar Lorengartends to dominate the solo ensemblesand Stuart Burrow’s solo lacks martialardor, but the overall sound of thequartet is good and the restrainedmiking is a real relief. The remainder ofthe movement, after the vocal entries,is conducted routinely, with two ex¬ceptions. The orchestral fugue is playedwith real gusto and the final chorus isfairly exciting, albeit with anexaggerated slow tempo just before theend.Of the competition now listed in theSchwan catalog, there are scarcely anythat are not the musical equal of Solti’sBy such standards, Solti’s failure isannoying but unimportant except in¬sofar as his highly promoted failure willdisplace worthier versons. I hope thatSolti and the Chicago Symphony willslip away from the recording circuitlong enough to develop somemusicianship worth preserving ondiscs. The world could use a conductorwho corresponds to Solti’s reputedprowess, but what his records offer nowis no match for the great artistrydisplayed by his illustriouspredecessors.MEN-WOMENWORK ON A SHIP NEXT SUMMER! No experiencerequired. Excellent pay. Workwide travel. Perfectsummer job or career. Send $2.00 for information.SEAFAX Box 2049 - QA, Part Angeles WA 98362 JESSELSON’SFRESH FISH & SEAFOOI752-2870.752-8190. 363-9186 -13401. 53rd10 - The Chicago Maroon - Friday, February 23, 1973 P'BOOKSBy CAROL HULBERTWomen and Madness is not a bookprimarily about “mad” women, butaccording to Phyllis Chesle, it is aboutthe “increasing numbers of Americanwomen...who are seen, or who seethemselves, as ‘neurotic’ or ‘psychotic,’and who seek psychotherapeutic helpand/or are psychiatricallyhospitalized.”In her book, Chesler evaluatesmadness or schizophrenia in terms ofsex roles. It is defined as “the acting outof the devalued female role or the totalor partial rejection of one’s sex-rolestereotype.” Schizophrenic charac¬teristics involve “opposite as well assame-sex behavior” and encompass“feminine’ traits such asmistrusting...(one’s) own perceptions,feeling inferior, helpless, and depen¬dent” and masculine traits such assexual aggression, hostility, violence,drunkenness, and swearing.Chesler’s big complaint is with thepsychiatric treatment and science thatis now being practiced. She documentshow “90 per cent of the psychiatristsduring the last decade were men.” Butgetting women into the profession,solely, will not transform it, for as shenotes in a study done recently by Dr.Inge Broverman et al, clinicians, bothmale and female, still have a doublestandard of mental health and viewhealthy women as “being more sub¬missive, less independent, less ad¬venturous, more easily influenced, lessaggressive, less competitive, moreexcitable in minor crises, more easilyhurt, more emotional, more conceitedabout their appearances, less objective,and less interested in math and) science.”Chesler complains that little haschanged since Sigmund Frued’s day,and lets Frued, Erikson, Bettelheim,Rheingold, Jung, and Harding condemnthemselves of sexism through carefullychosen quotations. She goes on to sharesome ideas about four of Freud’scritics, Wilhelm Reich, Ronald Laing,David Cooper, and Thomas Szasz.Chesler has been criticized for nottaking women seriously, and for notrealizing that when women say they aresick, they should be treated ac-I cordingly. But what at least one critichas failed to note is that in some of the54 case histories that Chesler so pain¬stakingly records, it is obvious that these women have been convinced bysomeone that they were sick, based ontypical “feminine” complaints ofdepression, paranoia, frigidity, anxiety,or that they were committed forciblyand never did feel that they were sick.Not for one moment does Chesler laughoff these symptoms as non-existent orsomething to ignored, but rather callsthem “feminine diseases.” Her point is,that there is a difference from thesecommon “feminine” complaints and“madness or schizophrenia” and thatboth of them need different treatmentthan they are presently receiving.What is Chesler’s answer or hope? Itis that a single standard of mentalhealth will be adopted, women will floodthe psychiatric profession, and“feminine” complaints of depression,anxiety, etc, and “madness” will beunderstood in terms of both sex-roleconditioning and stereotyping. Onlywhen economic and social values havechanged can women hope to have idealmental health.Chesler’s understanding of womentoday is that “women....are motherlesschildren”, “....quite literally starvedfor matrimony: not for marriage, butfor physical nurturance and a legacy ofpower and humanity from adults oftheir own sex (mothers).” Basically sheexplains this need for female love as aresult of mothers being “conditionednot to like women and/or the femalebody”, being “phobic aboutlesbianism” and “jealous of theirdaughters’ youth.” Women also “feed”male egos and compete against eachother for men’s love, strength,protection, and financial security.Consequently, women do not likewomen, and men don’t either, on theirown level, as they basically see womenas inferior beings.Therefore Chesler says, for women to“stop sacrificing themselves,” to quitbeing losers and start winning, to ac¬cept and enjoy their bodies, and to“convert their love for and reliance onstrength and skill in others to a love forall manner of strength and skill inthemselves.” This does not mean thatwomen need to “stop being tender,compassionate, or concerned with thefeelings of others. They must startbeing tender and compassionate withthemselves and with other women.”Her theory is that perhaps womencannot be truly equal until womencontrol the means of production and reproduction—at present, women stillchose between reproduction or sexualpleasure, physical prowess and worldlypower, and that they should be able tochose both. She believes that incapitalistic society we are competitiveand in the present state of imbalance, ifyou “feed” men’s egos, you cannot also“feed” women’s egos (at least not to thesame extent).“Woman’s ego-identity mustsomehow shift and be moored uponwhat is necessary for her own survivalas a strong individual. Women mustsomehow free themselves to be con¬cerned with many ideas and things, andwith many people.” Whether you chooseyou won life-and refuse to be defined byothers-as a mother, lesbian,heterosexual, and so on, makes nodifference, according to Chesler. Thedifference is that your own self-determination will give women power,.“At this moment in history, only womencan (if they will) support the entry orre-entry of women into the human race.In order for most women to overthrowtheir ‘feminine’ conditioning, womenmust receive the kind of emotional,sexual, economic and intellectualsupport from others—both older andyounger than themselves—that mendo.” She further believes that womenwill have more control over wars and violence when they are able to defendthemselves.Chesler is not even above chastisingthe double standard becoming evidentin feminist groups andwriting—“Paradoxically, while womenmust not ‘succeed,’ when they dosucceed at anything, they have stillfailed if they’re not successful ateverything...If a woman accomplishesvaluable task she, unlike men (whoafter all, are mortal), still has failed ifshe has, for example, abandoned thedaily care of her children or her looks inorder to do so.”We are in a war between the sexes,and as Chesler states, we always havebeen. “What is new, however, is thedesire to either end the war or turn the“losers" into “winners." There is morethan one interpretation of Women andMadness, but I think that Chesler and Iagree in that we w'ould like to seeeveryone to be “winners.”Chesler has been severly chastisedfor her style of organization, or lack ofit, but one point is very clear—“Thepoint is to have our entire social dramaplayed out as fully by women as bymen.” It may be an old theme, but it iscertainly a new’ artistic way of treatingit.Famous Fannys I Have Known and LovedBy HOWARD ISAACS...Fanny’s Famous Restaurantin Evanston will always be one of mywarmest memories of the Midwest.Appropriately, I took along on thisexpedition my friend, the ChicagoMaven. This poor child of the plains hasbeen doing her best to convince me, adiehard Manhattanite, that Chicago is acity fit for human habitation. Reluc¬tantly, I must admit that the idea isgaining ground.So, there we were at Fanny’s on asnowy Wednesday evening around 8:00. The house specialties are chicken andspaghetti. Love ’em! All sorts ofcombinations are offered, but the twobest are “Fanny’s Own Creation” or thestraight fried chicken and spaghetti.The former is 1/4 or 1/2 of a chickenbroiled with herbs—delicious. Thelatter describes itself, but forgetanything Col. Saunders ever did toyou—this chicken is good, fried crisp ina delicate, greaseless crust.On the pasta side, I really dig Fanny’sspaghetti; it’s like nothing I’ve evertasted. Basically it’s your standardCOLLEGIUM MUSICUMLeonard Waisman, director16th Century English MusicBond Chapel,Feb. 24 & 258:30 p.m. Free Study inGuadalajara, MexicoFully accredited, 20-year UNIVER¬SITY OF ARIZONA GuadalajaraSummer School offers July 2-Auguat11, anthropology, art, education,folklore, geography, history, gov¬ernment, language and literature.Tuition $165; board and room S2U.Write: International Programs, Uni¬versity ef Arizona, Tucson SS721. meat and tomato sauce, but Fanny hasa way with spices that raises this sauceheavens above Chef Boyardee. Withthe spaghetti comes fresh-gratedparmesan cheese. If the first shotdoesn’t fill you up, or if you just wrantmore of the taste, rest assured that youwill be offered seconds.The dinner includes good hot garlicbread, salad, and coffee. The saladdressing, too, is something memorable.Prices range from $2.50 for thespaghetti to $4.25 for fettucini with halfa fried chicken. On the desert list, at reasonable prices, are a good selectionof guaranteed fresh fruits.Fanny may do a lot of boasting abother bistro, but she backs it up with agood meal at a great price in a warmand friendly place.Fanny’s is located at 1601 Simpson inEvanston, 2 blocks off of Green Bay Rd.They can get pretty crowded onweekends, and reservations are a goodidea anytime (call GR 5-8686). Dress issort of casua’l-formal—a jacket but notnecessarily a tie. You really ought tocheck it out. Fanny’s is, and is worth, atrip.JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbork Plaza)1200 East 53rd StreetHYde-Park 3-8372 TAl-SAM-YfcNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062Friday, February 23, 1973 - The Chicago Maroon -11t « ♦Buddy is Rich in TalentThe incredible Buddy Rich comes highly recommended at Mister Kelley’s.By GEORGE NICHOLSIt is difficult for the layman to fullyappreciate the numinous effect BuddyRich has on his fellow drummers, butafter a few minutes of watching the manin concert, even a Bartlett pear couldnot fail to realize that it was in thepresence of a virtuoso. This isespecially evident at Mr. Kelley’s,where Rich will be appearing throughSunday. Mr. Kelley’s is one of the mostconservative clubs on Rush Street. It isnot, as I understand the term, a very“hip” place, and most of the clienteleare middle aged, middle class, middleof the road people. That is not to saythat you won’t see your occasionalscurvy hippie or on-the-go junior exec,but these are relatively rare. When,given this audience, one sees that atalmost every table people are stampingtheir feet, snapping their fingers, or, atthe very least, sitting transfixed inslackjawed. exopthalmia, one knowsthat somebody’s putting on one hell of ashow.As Rich is introduced a gaggle ofyoung men descend upon the stage; theyare all dressed alike with brown rib-knitsweaters and beige pants. All are underthirty; most are of the long-hairedpersuasion. In their midst, lookingsomewhat incongruous is the 53-yearold Rich, 10-time winner of the Down-beat poll as the best drummer andwinner of the Playboy Readers poll forthe last six years.Rich was the driving force behindArtie Shaw and Tommy Dorsey beforemost of the members of his currentband were even born. However, anyincongruity disappears the momentRich steps behind the drum set. Hisevery movement is an expression ofvirtually incontestable pre-eminence.Bobby Fischer behind the chess boardcould not view the world with more tacit assurance.Without preface, the group goes intothe first number. Conversations breakoff in mid-sentence, in deference to theinexorable rhythmic tide of BuddyRich. The arrogant ease with which hecracks off an impossible lick, the un¬canny precision which would putVernier to shame, and an indefatigableinventiveness all add to produce apurely viscereal sense of drive, and youknow that if it is possible to call aperformer a genius, then you are surelylooking at one. And if I dwell at length on Richhimself it is not intended to disparagethe band, who are themselves all first-rate musicians. Rich has fourteenpieces consisting of twelve horns, pianoand electric bass, and generally followsthe big-band format, to wit: the entireorchestra introduces the thematicmaterial of each number setting up oneor more solos for one or more membersand coming together again at the endfor the finale. In this manner mostevery band member gets his chance toshine, and the audience is treated to some flashy musicianship.At the conclusion of the hour long set,Rich introduced the various musicians(most notably, first trumpeter RayHopkins no stranger to the realm of hotlicks) and engaged in light banter withthe audience, the gist of which was atirade against RCA for their handling ofhis latest album, Stick It, which title, ashe explained, succinctly expressed hissentiments towards the record com¬pany. At this point he was interruptedby a patron who indignantly exclaimed,“The drinks in this joint cost me 14bucks.” Unhesitatingly, the Masterreplied, “Yeah, but it’s worth 14 bucksto see me,” to which he added,somewhat gratuitously, “I wouldn’t paya' quarter to see you.” Geniuses aretemperamental.BUDDY RICH flares away at MisterKelly’s, through Sunday night.STAN GETZ charms the folks at theLondon House until March third.RAHSAAN ROLAND KIRK displays hisabilities at the Jazz Showcase untilSunday night; he is followed next weekby SONNY ROLLINS, fresh from a tenyear absence from Chicago.COMMANDER CODY and BILLYPRESTON join forces at the KineticPlayground tonight: see organ meetorgonne (country style).This Saturday, at 8:00 in Mandel Hall,NIA and WHPK present an evening ofthe best of Chicago’s unproclaimedprogressive jazz artists. The featuredgroups will be KEN CHANEY ANDTHE AWAKENING, KALAPURISHADIFTA AND THE LIGHT, and a groupof NIA and community people who aregetting public exposure for the firsttime. WHPK has been previewing theseartist’s recorded material on their jazzshows all week, and the samples makeit clear that, at $1.50 ($2.00 without UCID), this is the musical steal of theweekend. Don’t miss it.Bonnie KolocGracesCoffeeHouseDuringWeekendBy GAGE ANDREWSThe Amazing Grace Coffee House is asmall, wood frame building tuckedaway on the Northwestern campus. Itholds about 150 people, on benchesaround the walls and on a thick rug on'he floor; as a music hall, it is notablefor two reasons. First, the fact thatthere was absolutely no trouble with thesound system; and second, the quietfriendliness and aura of “no hassles”that surrounds the people who work'here.Bonnie Koloc sold the Amazing Graceout for every show last weekend.Despite the difficulty of shoe-horning incapacity numbers, everybody stayedcalm, and the crowd itself was the mosttolerant and receptive I’ve seen inChicago (in particular contrast to UCgroups). This amiability was almost afault, allowing the opening act — JimGlover — to run far over the amount oftime he deserved.Glover is unsuccessful as a folk artistthe best receptions he got (and deserved) were for his gag songs (a fineone about blood transfusion, and aredeeming version of “You’re So Vain”and his one liners (“What key should wedo this in?” “The People’s Key.”).I have felt .Cfor a long time) that thereis a reason that Bonnie Koloc has notmade it really big, but I couldn’t figureout what it was. After all, she possesses,and uses very well, one of the mosthaunting and ranging voices in folkmusic. Saturday’s performance wasonly a song or two old before I realizedhow poorly her back-up people play (sheherself doesn’t play an instrument onstage). The electric guitarist got offsome beautiful licks on harp in “YouGot to Get What You Can” which nearlymade up for his guitar work all night.The pianist did a nice roll or two during“W’ind on the Water,” but was usuallyutterly predictable.Ultimately, the success of the eveningrested entirely on Bonnie’s voice, and incase there is any doubt, the evening wasdefinitely a success. Despite a tendencyto show off her range and note-holding powers a little too much, and her badjudgment in choosing other people’ssongs to sing, she still strides un¬disputed among the pure-voicedcompany of Baez and Collins.Her best material is her own. Perhapsbecause she knows the limitations of heraccompanists, perhaps because shecan make better use of her own talents,her songs showcase her ability veryeffectively. They also, almost sur¬prisingly, contain some good lyrics: inher song “The Charmer” she writes “Ihear a song in old tin cans/ I know thedrummer well” — perfectly capturingthe sensitive solitude of the city wan¬derer. “You Got to Get What You Can”was written for Eddie (Holstein), and isa moving rocker. “You Got NobodyBlues” is dedicated to any city whereyou have to sit in the bath tub to writesongs, and is easily the finest bath-tub¬singing song around.Bonnie borrowed a number f^om JohnPrine, one from Glover, did one ofDylan’s (“I Shall be Released”), and afew sing-alongs, more as a result of her ability to react to the audience than as ademonstration of repertoire. She has aneasy stage manner when she is notsinging; when she is singing she standsrather stiffly before the mike — which,of course, puts focus on the song and onthe voice rather than on the stage ac¬tivities.It was a good-time evening, andshowed that Bonnie has the potential toreally take off. Her encore, “Love Mean Inch,” was perhaps the best song ofthe evening, but as usual the clappingstopped when the lights went on. Keepan eye on the Amazing Grace — theyare running consistently good arti'*s inconsistently capable presentations, andthere is no reason why they should notcontinue to do so. Be sure to call thembefore you go — they are often sold out,and unfortunately there is no way to buytickets without going to Evanston inadvance; therefore, call. They are avery friendly and enjoyable addition tothe Chicago folk scene, and havinglasted this long already, they willhopefully be around for quite sometime.©LffUMO authorized sales & service312-mi 3-3113foreign car hospital & clinic, inc***”^*5424 soutn mmoarK avenue • Chicago 60615 Alumni Association and Department of MusicpresentMUSIC FROM MARLBOROFRIDAY MANDEL HALLFEBRUARY 23 8:30 P.M.The program will Include a Mendelssohn Sextet,Ravel Sonata for Violin and Cello, and thaSchubert "Trout" Quintet. General admission$4; student $2 (SI discount to Alumni and CMSsubscribers). Tickets at Concert Office, 5835University Ave4 or at Mendel Hall on evening ofconcert. NEW 73 n s2193s0VOLKSWAGEN161*3.30 Down. 666.66/Monthly. 36 Payment*.. Annual Percentage ,. Rat* to 14.34. Total/Deferred price,62673.16MwTe.lrtwj IMMCrtilr,193&VOLKSWAGEN SOUTH SHOREAuthoricd VW OmWr/ Open Daily—Clo».<4 Sunday RhorW*7234 S. Stony Island BU 8-490012- The Chicago Maroon - Friday, February 23, 1973’J nooi-jfMiijbvrD Cv9f **uindo3 yoon-GEORGE FREDERICK HANDEL DAY1685 - 1759 BRITISH (german born) COMPOSERfabricsaleFriday, Feb. 23 To March 25Save 10% and more on selectedFINNISH DESIGNER YARD GOODSCome to (orMon & Thurs 10 to 9Tues, Wed, Fri & Sat 10 to 6Sunday noon to 55201 South Harper 324-901010% plant discountSATURDAY ONLYto all customers who promiseto serenade their plantsWide variety of exotic plantsLarge selection of terrarium plantsUnique collection of pottery for plantingHours: Monday-Saturday 10 00-6 00Thursday evenings til 9 00Sundays 1 1:00—5 00PlantsAlive!HARPER COURT5 2 10 S. HARPER AVEtel. 6 6 7 2 0 3 6 Friday, Feb. 23Harper Court“Where you expect the unusual"Special Saturday asrSTOREWIDE SALEAll merchandise, fish, and animals10% to 50% offJPv \ ccmine castle* w 5211 South Harper m Harper Court HY 3-1200 20 % Discounton all adultcourses(If you register on Saturday)YOGATAI CHIBELLY DANCINGModern-ballet-mimeDinah Cody Studio288 0929 5225 S. HarperAll Vitamins20% OFFLecithin Granules 7oz. $1.35Fresh-ground Peanut Butter 1 lb. 804Fertile Eggs 1 doz. 794Fresh Yogurt 8oz. 324 16oz. 594Vitamin E, 100 units d'alpha,250 caps $3.25Juicers and Blenders at reduced prices5210 S. Harper in Harper Court363-1600Cooley’s presentsA Garden ofEarthly Delightsfrom Village HathOLD FASHIONED SOAP EXTRAVAGANZA SALEBuy by the pound and saveHAND MADE SOAPBy the pound or inindividual hand-rolledballs. Orange, lemon,strawberry, balsam,and cinnamon BEAUTY BATH SEEDSnatural beauty nourishmentfor your bath.Peach, apple,strawberry, angelica,orange and lemon.SAMPLERS 254 eachBubbling Bath Oillemon and strawberryPure Shampoo Lotion Pomadelemon and strawberry lemon and strawberryI illage uses only the finest, freshest ingredients and com¬bines them in the most carefill, honest way. I illage takes thetime and trouble to do things right, in a lime-honored, oldfashioned manner, with no short cuts and no compromise.cwulevMort Fri IO C, Sat 10 6, Sun 12 6.5211 Harper Court 363-4477 Saturday SaleMariner and Sequoia Stoneware16 piece dinnerware starter setsService for fourReg. $34.95 $27.95 on Sat.Student Gooseneck Desk LampWeighted chrome base with white,red, yellow, or black shade.Reg. $9 95 $7.95 on Sat.Martin Senour's Antiquing Kits20% offFREE! bunch of colorful dried flowerswith any purchase over $10.00In a one slop visit you can fust aboutcompletely furnish a room or an entire home'THE PRACTICAL TIGER5225 South Harper Chicago. Illinois 60615 312 667 6888Mon-Sat Ib-b bun b in Haipei Cuui t{ Vt "—>;■; vryrnn'" .vnr** •»1—nr--rr ■ ■ -n i——»—Friday, February 23, 1973 - The Chicago Maroon -13Wood Wine RackHolds 10 bottles. Assorted colorsReg. $4.95 S3.75 on Sat.Bedspreads from PakistanTwin reg. $15 95 . . . $12.95 on Sat.Double: reg. $19 95. . . S16.95 on Sat.46" Diameter Round Pedestal Base TableBirch top with Ponderosa pine baseReg. $99 95 S79.95 on Sat.Dance in the City:February Goes Out With a BangBy NANCY MOOREWhen the Dance Quintet formed anarrow directed at a thick, white pillar,they clenched their fists and shot theirarms forward in unison, transforming apotential obstacle into an unthreatemngprop. Thus ended the first part ofFrancis Allis’ Concerto for Five, andthere stands my first impression of thisnew, Chicago-based modern dancetroupe.The Quintet’s little studio and per¬forming space at 22 East Van Buren isbarely larger than a lion’s cage. And, inwatching them leap and pace andstretch, you feel you are watching aformidable animal whose power isexaggerated by the bars which containit. Only in this cage, the bars are wallsand two dangerously placed supporting pipes which apparently hold up the roof.The dancers prowl on one side of themwhile the audience peers between andaround on the other side. In May thedancers will be unleashed in the dark,airy spaces of the Columbia CollegeDance Center.The Dance Quintet will give its lastwinter concert March 4, at 3 p.m.Reserve a seat by calling 939-8427. Witha brief program composed of workscreated by dancers Leni Tanenbaum,Ramona Vaccaro and Ms. Allis, thisnew dance company comes bravely tolife, facing all the adversity of a wildflower attempting to grow next to the ICtracks. Chicago dance instructor andchoreographer Francis Allis hasbreathed most of the Quintet into longsmooth curves — each dancer’s body asdelicate and malleable as molten glassIt’s a bird! It’s a plane! It’s Jose-Greco-and-Nana-Lorca! As to technique and choreography,the Quintet revolves, departs from andreturns to a bodily center somewherebetween the small of the back and thestomach. Theirs is the kind of moderndance where rhythm, design anddynamics are woven into theme andvariation; where choreographicphrasing is distinguished by a quickattack, hesitant recoil — where youhave a second to savor the kineticresidue before a new impulse begins.Music serves the dance merely aspunctuation.With the exception of Ms. Allis’disapproving Nod to Now, all of theQuintet’s dances are light in mood withflashes of fear and anger. In relation tothe dancers, space takes on a sup¬portive, billowing character. I suspectthat if Ms. Allis had her way with theelements, she’d have us all floating —dancers and spectators alike.In addition to the Quintet, two othermodern dance companies will performsoon. The Chicago ContemporaryDance Theatre appears at 8 tonight andtomorrow night in the Columbia CollegeDance Center at 4730 N. Sheridan Road.Directed by Maggie Kast, the DanceTheatre will perform Actions — amusic-dance event for three dancers, anactor and a musician; Purification: forSylvia Plath; Bugs, and a solo for Ms.Kast based on the life of GeorgeJackson — Roman Circus.Also at the Dance Center, members ofthe Chicago Jazz Front — theThreadgill-Hopkins-McCall Trio — willperform in concert with dancerChristine Jones and organist ClaudineMyers, Sunday night at 8. Entitled “TheArt of the Dance,” the program willfeature Calypso. Mediterranean andAmerican dance forms and rhythmicstructures. For further informationabout either Dance Center event, call271-2665.The Alvin Ailey American DanceTheater opens tonight at 8 in theAuditorium Theatre with the first ofonly two concerts. For those of you whothink that this modern dance companydeserves just as many Chicago per¬formances as the Joffrey had. it will bea frustrating, if not expensive,weekend. In order to see your favoriteAiley dances, you’ll have to go bothFriday and Saturday nights.While Revelations and DudleyWilliam’s tour-de-force — Love Songsare scheduled for tonight’s per¬formance, Judith Jamison’s un¬forgettable Cry is Saturday night’scrowd-getter. Also on Saturday —Ailey’s new work, The Lark Ascending,Normal Walker’s Clear Songs AfterRain, and Mary Lou’s Mass. The revival of Katherine Dunham’s1943 Choros, tapping the African andEuropean springs of Brazilian dance,will receive its Chicago premieretonight, along with Ailey’s MasekelaLanguage.Sunday afternoon, Jose Greco andcompany will dance with the NanaLorca Flamenco Dance Theater at 2:30in the Opera House. Formerly a leadingdancer with the Jose Greco SpanishBallet, Nana Lorca has been touted forher technique in both the Spanishclassic and Flamenco dance. If thequick table-top scene of “Around theWorld in 80 Days” was the last time yousaw Jose Greco, you really owe it toyourself to see him again.NOTE: Two dance entertainments atthe Opera House are about to sell out.Seats for seven performances ofPoland’s national song and folk dancecompany, Mazowsze, are filling up fast.Opening March 11 at 2 p.m., theMazowsze performing dates are:March 11,16,17,18, 20 at 8 p.m., with anadditional matinee on the 18th at 2 p.m.Tickets range from $3.50 - 10 and areavailable at the Box Office and all Searsstores.Act quickly if you want to see RudolfNureyev guest star with the NationalBallet of Canada, April 5-8. All eveningperformances begin at 8 and the Sundaymatinee opens at 2. Nureyev will danceonly in the evening performances.Sleeping Beauty will be danced April 5-6; Swan Lake April 7-8. Ticket pricesrange from $5-12.50 for evening concertsand from $3.50-7.50 for matinees. The$10 and $7.50 evening seats are sold out.On campus: Friday, February 23:Tonight at 8:30 in Mandel, ‘Music fromMarlboro’ will make its first Chicagoappearance. With the MendelssohnPiano Sextet, Ravel Sonata for Violinand Celo, and Schubert “Trout”Quintet, Marlboro represents the finestthere is in chamber music. Tickets are$4, $2 for students, $1 for Chamber MusicSeries subscribers and alumni, atLexington Hall 5835 University, or at thedoor. For info phone 753-2612.Saturday, February 24, and Sunday,Feb. 25: UC Collegium Musicum.Leonardo Waisman, director, 8:30 bothnights, Bond Chapel, 1025 E. 58th, in aprogram of English music of the 16thcentury. Free.Off Campus: Sunday, February 25,3:30: The Tudor Singers, a recentlyformed Renaissance ensemble directedby Thomas Wikman, will make a guestappearance at the Church of St. Paul andthe Redeemer, performing madrigals ofByrd, Gibbons, Weelkes and Morley.4945 S. Dorchester, admission $2.50. Forinfo, 363-5662.Joe Cocker MLp IDD0SS&EI MGLISHN Leon RusselIENCobb 7:15 & 9:30 Fri. Feb. 23 S|00DESKS-BOOKCASES-FILESSWIVEL CHAIRS-LAMPS-TABLESNEW & USEDEQUIPMENT]&•UPPLY CO.ncn a uoluC————VBUM 1Used 3 & 4 Drawer Files Letter & Legal size$20 and up.8600 Commercial Ave.Open Mon.-$at. 8:30-5:00RE 4-2111Immediate Delivery*oedal Discount for Studentsand faculty with I.D. cardThurs. till 9:00 P.M. JAMESWAYPETERSONMOVING & STORAGEr „ 646-4411Call °R *°rUdn 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal e Long Distance e Packing e CratingImport-ExportContainerized StorageFormerly di General Office55th & Ellis 12655 So. DotyUrn tod Mon Linos Chicago, III. 60633 Take it from one with a man-sizedyen. men. When a *Big Man on Campusgets a big thirst, it takes a big drink tosatiate it. And nothing. I repeat nothing,titillates the tonsils and taunts a thirstlike Akadama Red. Fred.Akadama RedThe toast of the campus.imported by Suntory international. Los Angeles. CalifL 14 - The Chicago Maroon - Friday, February 23, 1973MAROON CLASSIFIED ADSSCENES‘DANCE CONCERT: The ChicagoWomen's Liberation Rock Band, 811:30 pm March 3, $1.25 admission. Atthe Blue Gargoyle, 5655 UniversityAve. Sponsor: Ecumenical Women'sCenters.COLLEGIUM MUSICUM: English16th century music; viols, recordersand voices. Bond Chapel Feb 24 & 258:30 pm Admission free.space”Sublet 2~bdrm apt balconey freshlydecorated at 54th & Harper $161.00 amonth Call 955-4077Fm rmmte wntd to share 3 bdrm aptfor March Apr. Whole apt avail May. SShore safe nr lake, 1C $71/ mo. Call978 2190 or 221 9038.LUXURY STUDIO AVAILABLE. Iwill pay you $25 to take over last 3months of my lease. In UniversityGardens at 55th and Dorchester $170,facing inner courtyard from 2nd floor(so you're close enough to enjoy thewillows, tulips, and other delights)Quiet, quiet niehbors. 624-2875For Rent: Apr 1 occ. 5631 Maryland 2For Sale1969 Pontiac Catalina,four door, air con¬ditioning, new tires andbrakes call at 955-3608or 241-5639“We can sell yourco-op apartment!”call BrokerWm. Waddlngton798-5700BOOKSALE75% OFF ONENTIRE STOCKREIDMICHENER5309 KIMBARK6 PM to 12 PM 1Final Game Of TheSeasonMAROONSVSPRINCIPIAFri. Night 8 p.m.U.C. FieldhouseAdmission Freewith I.D. bdrm apt sunparlor, sunporch$183/ mon. UC Hsg. aft 10 pm 493 4963.Roommates wanted for spring quarterto share large South Shore apt oncampus bus route. 643 5344.Attractive room. Free use of libraryand color TV. Located on campus. Call753-2297 after 5 pm. Males only.TENANT REFE'RALREASONABLE RENTTENENT REFERRALDESIRABLE RENTALSDESIRABLE APARTMENTS turnand unfurn.LAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES 2343 E 71st St.See MONICA A BLOCK667 2002 or 667 2004CHICAGO BEACH HOTEL BeautifulFurnished Apartments Efficiency, 1and 2 bedrooms. Near beach, parks, 1Ctrains 11 min to loop buses at door.Modest daily-weekly monthly rates. 24hr desk. Complete hotel services. 5100S Cornell Ave. DO 3 2400.Male roommate needed in LittlePierce as soon as possible. Sunnyroom facing lake. Call 955 0660 after 6pm.Live in Frederika's famous building.Nearby furn and unfurn 2 and 3 aptsfor 1, 2 or 3 people. Refrig, stove, pvtbath, stm heat. Quiet, Sunny, View.Parking, trans, $120.00 up Free Utils.Robinson, 6043 Woodlawn 955 9209 or427 2583. Short term lease or longer.PEOPEL FOR SALEIndustrious, responsible young couplewishes to do yardwork and gardeningin exchange for a place to plant anorganic garden during the summerRespond c/o Box 101, the Maroon.Save Money on your Wardrobe. I sewat home. Call Patricia 684 9896.Babysitting expd. Call 288-9811 after 5.Ask for Kathy.French lessons by native. $5.00/ hr. 2yrs exp. Call Michel 684 9896EXPERT SELECTRIC TYPINGMedical Legal manuscripts, etc. Pickup and delivery. 374 0081.Tax consultant will help prepare yourtax return. Call 731 9636.Portraits 4 for $4.00 up. MaynardStudio, 1459 E 53 2nd floor 643 4083.Experienced manuscript typing onIBM Selectric 378 5774.PEOPLE WANTEDBank teller full or part time. Exp only.No trainees Excellent salary andhours. Call Mrs Scott for appt. 684 1200University National Bank 1354 E 55thSt.Secretary to senior vice president neatappearance short hand 8. typingnecessary. Excellent salary 8. hrs.Call Mrs Scott for appt. 684 1200University National Bank. 1354 E 55thSt.Need sitter 2 afternoons wk for 4 yrgirl prefer student or student wife, myhome. Call 684 0705Male office help, Igt typing pref. Satmorns or an evening a week in HydePark. PL 2 1 900 Mr RothschildDesk clerk Motel located S Shore Dr. 6days M Thur. 4 12 pm Sat Sun 8 am 4pm. Call between 11am 3pm 734 7030Babysitter wanted Mon afts 2:30 to 4 orlater Near campus 363 3315Couples interested in second or thirdincome. Be your own boss. Operatefrom your own home. Part time or fulltime. Earn $100 to $1000 per month.Call 385 4069 for appointment. offer. Eve only 337 5184FOR SALEWooden Skis Boots Bindings & Poles$75 or offer Phone 667 6262VOLVO 144, '70, stick shift—$1700 orZ - - % ■■■■HI> V -xZ.TC M1Sr* J) ^ \ sj I 6 £CHI SCHOOL OF JUDO & KARATE■•ginning to AdvancedMale and FemaleAll Ago* • Judo • Karat*• Yoga • Self-Defense • Kung FuMaster InstructorJEON H. CHIVisitors Welcome Learn Oriental Way ofself-defense from Oriental masterPrivate Classes Group classesOpen Mon.-Sat. 11 a.m. to 9 p.m.• Mak* you an axport In salf-dafansa• Oat you In top physical shapa• Proviso confidant* and courage thatwill last a llfotlma• Halp you loso or gain weight• Reduce tension. Increase mental alertnessHYDE PARK 3118 BLACKSTONE 684-9158FREE DEMONSTRATIONS 823-0478 Three bdrm condo apt on 56th &Blackstonp Completely remodeledNew apples. Gas heat Low assessPrice low 20's Phone 363 042967 Volvo 122S Good cond $800 or bestoffer Call 493 2748 Evenings.1 pair of KLH 32 speakers. $60 or bestoffer. Sylvania portable stereo $45Call Wade at 752 9655.Beautiful, serene Blue cream Persiancat w/orange eyes. ACFA registered1-1/2 years. $50 female 241 5852.68 Bel Air Chevy, V8, air cond, goodcondition, $800 or best offer Call 6245499 evenings.THEATREInformal Critique of LOVELY WARSat 11 am. South Lounge ReynoldsClub Open to all interested in theater.Tap dance workshops will continueFeb 24, Mar 3PEER COUNSELINGClass in reevaluation counseling toopen for new members March 8. Forinformation call Brian Heller 363-5660SERVE THE PEOPLEBASKETBALL!Final basketball game: Friday nightUC field house 8 pm. Maroons vsPrincipia.TRYOUTSThe Phantom Tollbooth will be a playthis Spring. Tryouts Feb 24, 25 3 5 pmFeb 27, 7-9 pm or call Steve Menchner288 7985 We will perform in schoolsand outdoors. Feb 24, 25, 27 ReynoldsClub South.MARATHONWanted: Players for MaroonMarathon Basketball Game. Play BallDon't Fall You Call 753 2240. Ask forDick O'Brian or Curt Spiller. Entryforms in Maroon Office or AthleticDeot.SALEMoving out must sell everything in ourhouse dressers, bed, oak 8< mahoganycabinets, mirrors, desks, set ofBelgian pool balls, easychair, records,old Philco hi-fi cc isole, (electro statictweeters, 15" woofer!) chairs, solidbrass doorplates, (escutcheuns) solidoak doors, refrigerators, gas ovens, 30gal hot water heater, under guarantee,electric motor, super graphis 4x5camera, etc. Everything must be sold.752 7175.ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-290040% OFFatTHE BOOK NOOK‘ Across from the Co-Op"THIS WEEK!Judy Collin's New AlbumNew Steve GoodmanTHE VERSAILLES5254 S. DORCHESTERMARCH 1STOCCUPANCYLovely, unfurnished 2 Viroom studioaportment.$144. utilities included.Located at campus busstop.Mrs. GroakFA-4-0200 THEATREWORKSHOPS TRYOUTS!Advanced Technical Workshops willcontinue Spring Quarter. Anyoneinterested in elementary workshopsshould sign up third floor ReynoldsClub. These basic workshops given inFall MAY be repeated.LOX & BAGELSSunday,J1 am at Hillel. $1.00SPONSORSWanted: Sponsors for MaroonMarathon Help construct newrecreational facilities on campus. Call753 3263.DOG LOST Calling all dancers, actors, andmusicians: Tryouts for an originaldance theatre piece choreographed byEllen Kirschner (of "Mistress of theSilver Moon") will be held Wednesday, February 21 at 8 pm inReynolds Club South Lounge and onSaturday, February 24 at 11 am in theCloister Club of Ida Noyes. The piecewill be performed fifth week of SpringQuarter.GOING HOME SOON?Let your American Airlines campusrep handle all the details for youyouth fare, reservations, info, etc. CallLarry Marden at 947 8867 after 6 pm.Irish setter (long red fur) lost HydePark Jackson Pk. Reward, female tenmonths old. 929 8002.LOSTCobb 3rd fl folder papers Portugueselang. Return Nard Classics 43, x 32677Brown leather shoulder bag 57th 8,Univ. No questions. 955-3988Dog lost; small white shaggy malecockapoo Hyde Park 1/ 19/ 73 HY 39600 x663 "Christopher" $100 Reward!PLAY TENNIS6 indoor courts, 3 outdoor courts.Private & group lessons availableSouth Side Racket Club, 1401 E SibleyBlvd, Dolton, VI 9 1235.REFRIGERATORRENTALMini frige; Pennies a day. Billedmonthly. Call Swan Rental 721 4400HEBREW CLASSESBeginning reading; intermediate andadvanced conversational classes;Every Wed at 8:30 at Hillel House.5500 S. SHORE DR7FLAMINGO ON THE LAKE.Happy with your roommate? See us.We have the apt for you.Studio 1 bedrm furn unfurn. Shortterm leases the price is right. Campusbus 2 blocks.Security shops elevator restaurant.Parking 24 hours switchboardMrs Adelman 752 3800.(frutell 'ploniatJ 1645 E.S5TH STREET „JCHICAGO, ILL. 60615 ££ Phone: FA 4-1651 JMUSTACHECONTESTJUDGINGReynold’s ClubS. LoungeWEDNESDAY 1 P.M.DR. A. ZIMBLERDR. M. MASLOVOptometristeye examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-6363TERRARIUMSTerrarium soil, terrariums, uniqueterrarium bowls and containers, alarge selection of terrarium plantsand all supplies.South Town Flower & Garden Shop7151 S. State St.(In the old market area) MAD DOGSDiscover the true meaning of holytrinity & Leon Russel's chest. Fri, Feb23; 7:15 & 9:30 Cobb Hall $1.JOSEPH COCKER &LEON RUSSELWhy does Joe Cocker wear red, white8. b!ue shoes? To keep his feettogether MAD DOGS Fri 23 at 7:15and 9:30 Cobb $1 00.WANTEDExp audio technician to do maint 8,some switch design work for WHPK 5hrs a week Call 753 3591 and leavename.STORAGE SPACEWANTEDUC grad student going to India onFulbright fellowship needs attic, drybasement, or other space in Chicago tostore books 8, household goods for 1-2years beginning March 20, 1973.Payment in cash and/ or gifts fromIndia. Call 324-3765 after 5:30 pm.THE BLUEGARGOYLE UNITEDFRONT OF LOCALYOKELSBring your bread ($2.00) to feed theGargoyle on Saturday, Feb 24 at 8:00pm. Gargoyle Friends of MusicalTalent, guarantted unknown, will givea concert of traditional 8, contemporary folk music help us close thegap between what we have and whatwe need.PERSONALSAt Augustana Lutheran Church, 5550Woodlawn, Southside Women's HealthServices offers Pregnancy Testing(from 10-4, bring AM urine sample,$1 50) and Gonorrhea Testing (60c,from 10 12) every Sat Services are byand for women.To the person I asked about havingseen My Night At Mauds at the ArtInstitute last Friday: Please call Ericat 734 0652. You were standing at thebulletin board, Sunday night inReynolds Mandel. Call late at night orearly in morn. Leave name and no if Iam out.WRITERS WORKSHOP (PL 2 8377).We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU).NATIONAL ORGANIZATION FORWOMEN is collecting evidence ofUNIVERSITY SEXDISCRIMINATION call 955 3347 foradvice or help. INFLATION CITTIIICYOU DOWN?Fight back wHklUIOflT (IDSIPIRGHear Faith Keating, director ofRalph Naders CongressProject and former chair¬woman, Minnesota PIRG,Mon., Feb. 26, 2:30 p.m.,Reynolds Club S. Sign theIPIRG petition. Call 947-8659to help IPIRG. Illinois Public In¬terest Research Group-ActionFor A Change.(OVERLAND ’IEXPEDIIIONM^VOverlandannounce thar~^their expedition*leave L sndon throsummer, arriving in.KHATMANDU 10weeks later, t 670Experimental expeditionto BE UN OS AIRES,leaving l.os Angeles in=5. July, to arrive ,-fte’r5 months, i 1350.a-’Also autumn overlandto,JOHANNESBURG..* 3 w eek s for <990.0 etails-8 W est H ill Ct.Lie Id Lene.LondoiPrevent Attacks!Be safe - prevent criminalassaults. This new inventionstops any attacker - even agang - Instantly!Only $2.98 each;III. Ret. 5% Tx.By mall fromD & D DISTRIBUTORSP O BOX 47LANSING, ILL. 60438HANDSOMELYPACKAGEDIN A COMBINATIONGIFT-STORAGE BOXNO RISKMONEY-BACK GUARANTEE9 AM - 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHO&1552 E. 53rd - under 1C tracksAll students get 10% off,ask for "Big Jim''PipesPipe Tobaccos Imported CigarettesCigarsHAVILL’SRADIO, TELEVISION& HIGH FIDELITYSALES, SERVICE & ACCESSORIESZenity — PanasonicMastc-work — K PH1368 L 53rd, Chicago 60615 • PL 2-780043 Years Serving Hyde Park•H.ttl I 't§\| t,|i 1 ; Friday, FebryfiKy riTkeChteago Maroon -15IlillifdlHtl1«If H <II111f11H11lit11» H11111111»11111 >‘U‘ ’ ?!:»»•!»*t \T*f 'S ,\i>L I rooi*fu• n:n:ir:->'•! >WHAT DOES THE DOLLARDEVALUATION MEAN TO YOU?Lowering the amount of foreign currency that can be boughtwith a dollar and the accelerating rate of inflation in Europemeans that the cost of any product bought in this country af¬ter the present stocks are exhausted might very well in¬crease from 20% to 40%. Our present stocks will of course,not be increased, but this makes the current prices evenmore attractive. We recommend buying now to avoid payingthe vast increases to come. Some examples of our presentlow prices on imports are:GERMANYLiebfraumilch 1970 vintage Fifth $1.49CANADACanadian Lord Calvert Quarts $3.99JAMAICA151 proof Jamaica Rum White Overproof Fifth $7.98SCOTLANDCampbell House Scotch Fifth $3.79ENGLANDBeefeater Gin fifth $4.85POLANDImported Polish Vodka Fifth $3.69FRANCEBeaujolais 1970 vintage Fifth 82.49Cabernet Sauvignon 1970 vintage Fifth $2.98YUGOSLAVIAKrucovac Pear Liquer Fifth $3.69ITALYChianti Gallon 84.98Sambucco Molinari Fifth $8.99CHILE4 *able wines, your choice Each Fifth $1.99IRELANDJamesons Fifth $6.00 i16 * The Chicago Maroon • Friday, February 23, 1973