7*pi* vcrfjl l*'r Archive.1.Special CoI-c‘aiv ncago MaroonThe University of Chicago Friday, February 16, 1973Building plans include a brain centerBRAIN RESEARCH: The planned Surgery-Brain research building will be locatedat 58th and Ellis.By CARYL INGLISNeed and funds are the two major con¬siderations in deciding whether or when theUniversity constructs particular buildings.The two major current building projectsare the Cochrane-Woods Art Center at 56thand Greenwood and the Surgery-BrainResearch Building to be located at 58th andEllis adjoining Billings Hospital. Part of alarger center for the arts proposed by astudent-faculty committee seven years ago,the art center will contain a gallery,classrooms and offices for the art depart¬ment. It will be completed next fall. A musicbuilding including recital hall and practicerooms, an art library and theater have beenproposed for the area north of the ArtsCenter and awaits funding.Construction on the $16 million Surgery-Brain Research Building is expected to beginearly in 1974, and it is scheduled for com¬pletion in 1977. The six-story building, beingfunded by Project AIMS, will house the BrainResearch Institute and the SurgeryDepartment: the first three stories will beused for the study of the structure and func¬tion of the brain and nervous system, in¬cluding the departments of neurology andneurosurgery; the upper stories will containfacilities for surgery and surgical researchas well as offices for the departments ofsurgery and anaesthesiology. “Basically, it’sa research building, except for the operatingrooms and a few patient rooms,” said DrewLeff, University Planner from the physicalplanning and construction department.Second only in cost to the RegensteinLibrary among the University’s buildings,the Surgery-Brain Research Building will befunded entirely through Project AIMS, thelargest campaign the University has everconcucted for an individual academicdivision. It’s goal is to solicit $50 million intwo years for four new science buildings, fivenew laboratories, new specialized facilitiesand modernization of the older hospitals inthe medical center. AIMS’ goal with regardto building plans is to provide equipment andfacilities to keep up with the present pace ofresearch at the University. By mid-December, 20 percent of the goal had beenreached.The three other planned buildings whichare at least partially dependent upon ProjectAIMS for funds are an Ambulatory CareCenter, Ultrastructural Research Buildingand Cancer Virus (Viral-Oncology) Research Laboratories.The Ambulatory Care Center, a projectedone-story building proposed for north of theGoldblatt Pavilion (replacing the emergencydrive loop), is designed to lower thetremendously increased use of theemergency rooms. “Recently we have seenpeople using the emergency rooms as afamily doctor... All people will enter here.This is a place where they will be screened,to determine what services they require, andtested,” explained Drew Leff. The Centerwill care for less serious cases and refersevere emergencies to the emergency room.Facilities for the study of structures at theatomic and molecular level, a field in whichthe University maintains a position of worldimportance, will be housed in the proposed $5million three-story Ultrastructural ResearchBuilding. The $1.5 million goal for privatefunding of the Cancer Virus ResearchBuilding has been achieved and an ap¬plication for additional funds has been sent tothe government.Also conceived as a three-story structure,it will consolidate existing laboratories, staffand teaching facilities involved in the studyof viruses as a cause for cancer. It willrequire special construction, includingfiltering and air locks, to protect the workersfrom the viruses.Extensive remodeling of Chicago Lying-InHospital also falls under Project AIMS.Sometime this year the remodeling of thetwo clinics— east and west—will begin. AsThe west clinic will be remodeled for ob¬stetrics and the east clinic for gynecology.New operating and delivery rooms, researchfacilities and airconditioning will completethe renovation of the building.Under construction right now andscheduled for completion in late summer isthe Cummings Life Science Center on 58thStreet. For the most part, the departments ofmicro-biology, bio-chemistry and bio¬physics will be moved there by the opening ofFall Quarter.Still in the science division, a PhysicalScience Building for 57th and Ellis, on thelocation of Ricketts, has been proposed andawaits funding. It would house the divisionaloffices, laboratories and libraries forphysics, astronomy and astro-physics.Scheduled for opening by March 1 is the1010-space parking structure and adjoininglots west of Billings.Both hourly cash parking and permitparking will be available in the structure. Hospital employees will get first choice ofpermits, but plenty will be available.In planning the University’s expansion,“We don’t have a master plan. We have a setof policies. We try to maintain thequadrangles concept, site-planning based onthe quadrangle idea of linking buildings;continuation of limestone building material;continuity of architectural scale,” saidCalvert Audrian, director of physicalplanning and construction.The impetus for more space or remodelingcomes usually from the particular depart¬ment. The procedure, in simplified terms,might begin with the Office of PhysicalPlanning and Construction determining thefeasibility of the project and its probablecost. Those involved in approving a projectare the Provost; the Development Office,which is responsible for raising thenecessary funds; the Vice-President forBusiness and Finance, who coordinates theprocess of review and approval; and finallythe Trustees Committees on CampusPlanning and Budget.The Harper-Wieboldt-Classics remodeling will be finished by next fall, providing oneadditional classroom in Classics, classroomsand offices for the Humanities Division inWieboldt and a center for the College inHarper.Harper’s first and second floors willcontain classrooms, seminar rooms and a 78-seat lecture hall as well as offices for ad¬visors, Deans and the Admissions and AidOffice for the College. The College Libraryentrance will be moved from the West toEast Tower and the library itself will beexpanded to include the reading room fromBusiness East. The third floor mezzaninecanteen and lounge will also be moved to theEast Tower and expanded in size.No new student housing has been plannedfor construction in the near future; howeverthe sale of Boucher Hall at 915 E 53rd Stwhich currently houses 96 students willnecessitate some provisions for additionalstudent housing. The University may retainuse of the building for up to five years afterthe sale.The final phase of remodeling of HitchcockHall, section one at the west end. will start atthe end of this quarter. The remodeling, anexpensive undertaking, will bring thebuilding up to meet the city building codes.The prohibitive cost of remodeling to meetcodes prevents former dorms like Gates-Blake or Beecher-Green from beingreconverted to housing.About twenty-five students from Hitchcockwill be displaced by the renovation whichconsists of replacing a stairwell, and theyhave the options of cancelling their roomcontracts without penalty or of choosingvacant rooms somewhere in the Universitydormitory system. A number have alreadyopted for the former. Hitchcock will re-opercompletely in the fall.In the spring quarter. Business Hast will bevacated for the year and a half job ofremodeling the basement and the first andsecond floors The building will be air-conditioned ana modernized with an expanded student lounge >n Tt* basement, anew classroom and seminar room on the firstfloor and offices and seminar room on thesecond. The third floor will he open tins fallas part of the College library.Two projects for improving athleticfacilities remain in the early planning stagesawaiting funding. An architect’s sketch hasalready been prepared tor a raised floor inthe Field house with the new second storyproviding added gym space Not quite as faralong, plans for a natatorium. an enclosedswimming pool with locker space, are underconsideration for the field north of BartlettGym, but no sketch has as yet been made ofthis building.ART CENTER: Phase One of the proposed center, the Cochrane-Woods building, will be completed this fall.mi:ii :tiThe Chicago Marooneditor-in-chiefLisa Capellbusiness manager news editor managing editorPaul Bates Fred Eglerassociate editorsJeff Roth Mark Gruenberg Tim Rudy Breck Borcherdingassistant business managerRich BakerstaffSteve Askin, Joan Cecich.j $teve Durbin, Don Gecewicz, Clara Hemphill, (CD Jaco,Leonard Lamberg, Keith Levine, Jay Pollack, Marc Pollick Arno Rothbart, Andrew Segal,David Sobclsohn, Mark Spieglan, Mike Strimling, Alex Vesselinovitch, Alan Wertheimersports editorMike Kraussphotography editorUgis Sprudzsphotography staffSusan Lyon Robert Newcombe Mike Benedik, John Vail Linda Lorincz Pat Le vitt Brian Rowegrts and entertainment editorElizabeth Russoclassical music editor pop music editor art editorDeena Rosenberg Gage Andrews Fred Horn film editor dramo editorDave Kehr Debbie Davisonbook editorMark Ackerman culinary editorHoward M Isaacs dance editorNancy MooreFounded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughoutthe regulor school year, except during exam periods and, intermitently during the summer. Of¬fices in rooms 303 ond 304 in Ida Noyes Hall, 1212 East 59th Street, Chicago, Illinois 60637.Telephone (312) 753-3263. Distributee! on campus and in the Hyde Park neighborhood free ofcharge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicogo,Illinois. New fire code may result ineviction of day care centerBy STEVE DURBINThe School for Treatment of EmotionalProblems (STEP) may lose its location atthe Hyde Park YMCA because of new andmore stringent fire codes for day-carecenters. If the new regulations are not met,STEP faces the accrual of daily fines andeventual eviction. School officials are tryingto get a stay until this June to either makethe renovations or find a new location.The new fire codes require the installationof a sprinkler system throughout thebuilding, a greater number of windows to beknocked out of the exterior walls, and roompartitions to be made out of fire-retardantmaterials and extend from floor to ceiling.According to Alice Jerome, director ofSTEP, the installation of the sprinklers alonewould cost $50,000, far beyond the means ofSTEP’S budget. She is presently trying to getthe fire department to agree just to the ex¬tension of fire-retardant partitions, whichwould entail a major renovation of theheating and ventilation systems of thebuilding. The Hyde Park Bank has expressedwillingness to finance the estimated expenseof $10,000.STEP was founded seven years ago tomeet the needs of parents whose emotionallydisturbed children had to be sent away fromhome to a state institution in order to betreated. STEP provides a place where thechildren can receive skilled treatment andstill be living with their families.“Its function is treatment and training forseverely emotionally disturbed children..Italso serves as a day-care treatment centerwith a therapeutic environment,” says MrsJerome. The therapy includes speech in¬struction, music and art lessons, dancetraining, and swimming. As staffer Mrs.Marcella Marvitelli put it, “It includes bothtreatment and education, helping them tobecome very strong human beings, teachingthem that they have a right to humanfeelings....The goal is getting the child to thepoint where he can cope with normal socializing and education. It is a long, in¬volved process, which takes lots of patience,and lots of love.”At present, 33 children are enrolled in theschool, with a staff of about 22 people, mostof them full-time. Classes are held with a1:12 or a 1:3 teacher-student ratio.The annual budget of STEP is about$250,000; half of that money comes from thestate board of mental health. For every childin the school which could not go to a publicschool, the board of education contributes acertain amount, which accounts for one-fourth of the budget. Of the remainder, asignificant part comes from the communityfund, and about 5 per cent of the total fromthe parental fees.The fee is based on the parent’s ability topay, ranging from $5 to $75 per month, themajority of parents paying around $5-$10.The cost of handling a child for one year (theschool operates year-round) is $5000. At agood state institution that cost is at least$18,000.If the cost of rehabilitation proves to beprohibitive, STEP will have to find a newlocation, a difficult and very expensivesituation. They have inquired at the Museumof Science and Industry and the University’sSocial Services Administration, but neitherhad any available space, and La Rabidadoesn’t want to handle emotionally disturbedchildren. Other possibilities are beingchecked, but nothing has turned up yet.One site presently being investigated is theAkiba School at 69th and South Shore. TheHebrew school for nursery and kindergartenchildren there is being relocated in HydePark. It has a new building that meets thenew fire codes, playgrounds, and a 10-roomresidence. However, the asking price is$250,000, which STEP just does not haveavailable. Undaunted, Mrs. Jerome feelsthat there is a remote possibility that theHyde Park Bank might provide the finan¬cing.“But there may all be a pipe dream,” shesighed.otneiche 0ndiA Association of the U of C presentsSMy&jtt TfcvyiChxruixtd^with Cngltsh subtitlesSaturday Feb. 17 at 7:30 p.m.Judd Hall-5835 S. KimbarkTickets at the doorMember Sl.OO-Others $1.25GAY PEOPLE: Last Friday a black UC student wasrefused admittance to PQ's on blatently racist grounds.Gay Liberation is sponsiring a picket tonight. Meet us atthe Gargoyle at 9:00 p.m. to hear the student describethe incident. We will go up to PQ's (Clark & Erie) fromthere. Straight supporters are also welcome.THE IMPORTANCE OF BEING EARNESTWill be read Sunday, Feb. 18( promptly at 8:00 p.m.in the Ida Noyes Librarywith yet another batch of Blackfriars buttered popcornINTERNATIONAL STUDENT SOCIETY: OPEN TABLEInformation-Conversation-QuestionsFriday: 5:30-8:30 p.m. and Saturday 11:30-2:00 p.m.at International House-main floorThe Coffee HouseIs celebrating Its 2nd anniversaryTONIGHTICome join the festivities, Ida Noyes Library 8-11:30 ★★★★ROGER EBERT, SUN-TIMESV M;NEW YORK FILM CRITICS AWARD“BEST I—PICTURE"“BESTDIRECTOR“BESTACTRESSLIV ULLMANNV\#lRINGMAR BERGMAN SCRESANDWHSPERSA NEW WORLD RELEASE [Sj PIZZA [PLATTER '1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPYOU'LL BEGLADYOU DID . . .EMIL MARESPONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900HEADQUARTERSFORPASSPORTPHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSi 'n} black & whiteand colorCall MU 4-7424 nowfor an appointmentCorona Studios1314 E. 53RD2 - The GhiodfeoiMoieo* - Friday, February U6, *197& < HLearning Exchangegiveseducational alternativesBy KEITH LEVINEEducation now refers to the length of timeone has spent in a professionally sanctionedinstitution. It does not necessarily implyknowledge or competence, but credentials,in the form of a diploma or certificate.Learning experiences outside of theclassroom or without the sanction of aneducational institution, are minimized, andeven suspect, insist a group of educators.Dr Ivan Illich, in his book DeschoolingSociety echoes this sentiment. He maintainsthat man is capable of shaping his own futureand that an alternative to compulsoryeducation is possible. Illich proposes thecreation of “learning exchanges”, whichwould allow the individual to direct his owneducation, without the dependence onprofessional institutions. Such learningexchanges would serve as mechanisms toorganize the educational resources of theircommunities. They would match potentialteachers and learners, as well as personswith similar interests.Two years ago, Dennis Detzel, 26, at thetime a doctoral candidate in education atNorthwestern, returned from three monthsof study at Illich’s Center for InternationalDocumentation in Cuernauaca, Mexico, withthe idea for the Learning Exchange.Detzel, with Robert Lewis, 31, and a $25grant from Northwestern’s Willard Hall,started the Exchange in May, 1971. An all¬volunteer staff manned telephones set up inspace provided by the Volunteer Bureau ofEvanston office at 828 Davis. Operatorsanswered phones five nights a week, sup¬plying callers with the phone numbers ofpotential teachers, learners, or those with asimilar interest, free of charge.Tapping the community’s vast number ofeducational resources, including many“skillful and knowledgable people” who lackthe sanction of institutionalized education,the exchange has now built up a file of 815topic areas.Subject matter ranges from computerprogramming and biochemistry, to astralprojection, carpentry, and hammockmaking, and includes 23 foreign languages.The Learning Exchange now embraces overcompulsory education drastically reduced.“I’m not totally against schools,” he said. “Iwould like to see them survive only if theyare supported by the clientele they serve.”As an alternative, Lewis envisions a sort ofeducational credit card, which would giveindividuals control over the kind of educationthey want. Instead of the present educationbudget which distributes funds for com¬pulsory education through a maze of ad¬ministrative hierarchy, such funds would bedirectly available to individuals. This creditcard, based on the 40 billion dollars spent oneducation in 1971, would provide $17,000 foreach new-born child, $12,000 for each 20 yearold, $7,000 for each 40 year old, and $2,000 foreach 60 year old.It could be applied when and where theindividual desired. Counselors, not ad- 40,000 participants, ranging in age from 5 to93, and including a broad spectrum of in¬dividuals, from grade school dropouts to Ph¬D’s and lawyers. Co-founder Lewis envisions20,000 participants by the end of 1973.The exchange has recently moved toborrowed space in St Frances Hospital,where three full-time staff members may bereached by phoning 864-4133, seven days aweek from 10 am to 10 pm. The exchangepresently operates on a monthly budget of$1,880, most of it supplied by a few privatefoundation grants. These funds allow theprinting of a quarterly catalogue listing thetopic areas offered by participants of theexchange, while also enabling the exchangeto publicize its free services, and pay thesalaries of its regular staff members.Quaker Oats, The First National Bank ofChicago, W Clement Stone, and Reader’sDigest are among those that support theLearning Exchange.Arrangements for meetings betweenteachers and learners or interested peopleare handled by the participants themselves.Lewis explains that their task was to design aprogram and then “get the fuck out of theway.” Participants generally meet in eachothers homes, but often in restaurants,libraries, or community centers.Lewis also notes that individuals offer toteach for various reasons. Some are olderpeople, whose knowledge and skills are tiedup with their ego, and who derive immensesatisfaction and gratification from sharingwhat they have learned. Also involved is amonetary element. Forty percent of theteachers require a fee, although many offer asliding scale, and others a mutual serviceexchange. Some use the exchange to supportan organization or movement with whichthey are affiliated, while still others arelonely people with something to share. TheLearning Exchange estimates that it mat¬ches close to 50 percent of its participants,100 of whom live in the Hyde Park area. Onelearner wrote to the exchange: “I’m lear¬ning French for free — what a break!” Still,Lewis concedes that “we’re still in an earlydevelopmental stage. We have a lot of workto do.”Looking ahead, Lewis would like to seeministrators, would offer the individualguidance, apprising him of the varieties andlocations of educational resources available.Among these resources would be schools, on-the-job apprenticeships, learning exchanges,and travel.“Institutions are not inherently evil,” saysLewis, “but is an increasing dependence ofthem a dangerous trend? I think it is. Whileit doesn’t seem likely that compulsoryeducation in America will be scrapped, theLearning Exchange offers a step towards afreer education and a greater sense of self-reliance.”To receive The Learning Exchange WinterCatalogue, write: Evanston learning ex¬change, post office box 920, Evanston,Illinois, 60204.Photo by Steve Aoki Photo by Ugis SprudzsClergy and laity mountHoneywell campaignBy SAMUEL FEINBERGClergy and Laity Concerned, a nationalorganization of over 40,000 members, iscurrently mounting an intensive drive aimedat forcing Honeywell Corporation to ceasethe manufacture of anti-personnel weapons.The firm, which is well known as a com¬puter manufacturer, is the largest producerof such anti-personnel weapons as clusterbombs and fragmentation mines. The mostadvanced weapon of this type, the RockeyeII, which explodes into fragments after itpenetrates a building, was reportedly beingutilized by US forces in Indochina.Ron Freund, an active member in theChicago chapter of the group, reports thatthe organization employs three tactics in thedrive against Honeywell. First, incooperation with various campus groups,they attempt to hinder or discourage visitsby Honeywell recruiters. Toward this end,they distribute leaflets and, if possible, stagedebates between the recruiters and mem¬bers of the organization.Secondly, the group is trying to gainsupport for a widespread boycott ofHoneywell photographic supplies andequipment. Thirdly, the organization en¬ courages concerned persons to buy a singleshare of stock in the cooperation. By sodoing, these people are enables to attendstockholders meetings at which they canvoice their protests.Clergy and Laity Concerned was formedlate in 1965 by several prominent religiousleaders who felt that religious bodies couldnot remain silent about such issues as thewar in Indochina. Among these leaders wereWilliam Sloane Coffin of Yale, the Berriganbrothers, the late Reverend Martin LutherKing, and the late Abraham Heschel. Theprimary goal of the organization is todemilitarize American society, and specificissues are selected in the light of this goal.According to Freund, several internationallaw experts have said that the weaponswhich Honeywell produces are in violation ofthe Hague and Geneva Conventions, and alsothe principles for moral responsibility ofcorporations as set forth in the Nurembergtrials. Thus, the drive contains the largerissue of legal and moral obligations of allcorporate entities.Present plans include a protest against aHoneywell recruit-visit at IIT on February14. Persons desiring further information areurged to contact Mr. Freund at 922-8234.Final decision pending inFrederika Blankner affairBy USA CAPELLLate this summer Frederika Blanknerfiled suit in Federal Court against theUniversity, the city of Chicago, the Depart¬ment of Urban Renewal, (DUR) theDepartment of Housing and UrbanDevelopment, the Governor and AttorneyGeneral of Illinois. A petition to dismiss thecase has been filed by all parties except theCity Council and Governor Walker and At¬torney General Scott.The City Council, according to MsBlankner has never replied to her suit andGovernor Walker and Attorney GeneralScott have asked to be dismissed from thecase. The issue, according to Ms Blankner,concerns the question of what she feels is“new” evidence. This evidence waspublished in 1971 after the ruling on herinitial case. The defendants have moved todismiss the case without hearing this “new”evidence.Ms Blankner has been battling in court forfour years to save her building at 6043 SWoodlawn. In 1971 the Illinois Supreme Courtupheld the 1969 condemnation judgment thatawarded the Woodlawn building to the city’sDepartment of Urban Renewal. Sub¬sequently she appealed that decision,however, the United States Supreme Courtlast May refused to hear the appeal.There have been several other motionsbrought before the court. Judge Richard McLaren, former anti-trust bureau head forthe Justice Department, has been presiding.On September 13, the Judge ruled to deny MsBlankner’s motion to set a date to hear oralarguments before a three judge panel. OnOctober 12 the judge ruled again on thismotion denying Ms Blankner a hearingbefore a three judge panel. This motion hasbeen brought before the docket quitefrequently.On January 4, Judge McLaren “denied atthis time” a motion by Ms Blankner to hearoral arguments. The most recent rulingconcerns the case in its entirety. On January15, the Judge ruled that he would enter anorder on all motions and pending letters atthe same time. In other words the Judge’sfinal order will be on everything. This in¬cludes a motion for friends of the courtrequesting they be permitted to filememoranda with the court. StudentGovernment is narped as a “friend of thecourt.”No date has been set for a final decision.Ms Blankner feels the delay indicates “He(Judge McLaren) is not taking this matterlightly.”Some of the defendants named in the suitare: Southeast Chicago Commission headJulian Levi, Mayor Daley, Chicago areaDUR commissioner Lewis Hill, UniversityPrpcirWt T *vi the chairman and officers of the University’s Board of Trustees.Frid«y,lF*brvory'll6,-il?33 - TheCbio©g©iMor$on* 3Maroons win and lose • track team sets recordBy MIKE KRAUSS and BLAIR BERTACCINICenter Sherwin Waldman traded punchesSaturday night with Niles College’s RudyHarper. When the dust cleared Rudy was onthe bench for the remainder of the game,while the Maroons went on to defeat Niles 71-47. Tuesday, the Maroons traveled to theIllinois Institute of Technology (IIT) for areturn bout with their near south neighbors.Chicago lost a closely fought ball game bytwo points 51-49.This Saturday the Maroons will try tomake it 14-4 when they face Lake Forest at 2pm in the UC fieldhouse.Maroons” (Niles students) dressed in silkwhite ties, and pin striped suitsThe Niles game was delayed for tenminutes while the Niles fans put on theirhomecoming skits. As the Maroon squadlooked on, five scrawny Niles freshmenenacted a Niles college gym class for their homecoming fans. Then to the music of WestSide Story thirty ‘‘evil Maroons” from theUniversity entered the stage. The ‘‘evilMaroons” (Niles students dressed in silkwhite ties, and pin striped suits) moved upthe floor and beat the five Niles freshmen toa pulp.To the music of ‘‘Superfly” a black knightstepped from the stands. Acting ‘‘supercool,” in the face of the Maroon toughs'“Superfly” called in the mighty men of Nilescollege. Dressed in Niles Phys. Ed. “T'’shirts the Niles men vanquished the Maroontoughs and saved their scrawny freshmen.However when the Homecoming festivitiesended the Niles basketball squad could’t stopthe “evil Maroons”. Chicago led from thestart, winning 71-47.At IIT the Maroons were well contained.Working a box and one defense and playingFrank Edwards man to man IIT edgedChicago out by two points. The Maroons justcould not work the ball to their two big men Edwards and Jerry Clark. The team shot ameager 29% from the floor, in the first half,hitting 9 of 30 shots. The only factor whichkept IIT from running away with the gamewas the legendary Maroon defense.The Chicago squad came alive in thesecond half out scoring IIT 28-22, with a 48percent shooting percentage from the floor.Thru most of the second half Chicago trailedby two or was tied with Tech. With 46 secondsleft Chicago had the ball, with the game tied49-49. As a Maroon player moved to thebucket for the winning two, Wayne Boss ofTech stole the ball and passed down court fora Tech score. The Maroons came back withnearly 15 seconds left. Two Chicago shotswere ho good while the Maroons had theball out of bounds with only 4 seconds left.Tony Barrett inbounded the ball to Salbergwho was then pushed and grabbed by a Techplayer. The officials refused to call the foulintentional, which meant under the newNCAA rules that no foul shot could be awarded. Thus with two seconds left theMaroons again had the ball out of bounds.The ball was thrown in but no shot was taken,making the final score 51-49.Last Saturday (at the Mason-DixonGames) in Louisville, Kentucky, aUniversity of Chicago Track Club two milerelay (4 x 880) team set a new indoor worldrecord.In varsity action last week freshmen andsophomore runners from the Universityvarsity track team participated in a frosh-soph junior college relay meet at theFieldhouse on February 8th. The Universityfrosh-soph team placed third in a field ofthirteen teams being bested by College ofDupage and Kennedy-King College.The team’s next meet is Saturday Feb 17thagainst Wabash College, University ofIllinois Circle Campus and North ParkCollege in a triple dual meet at theFieldhouse, 4:30 pm.donTUSGEDby CAR REPAIRS/Sur//cA tfe.- -BRIGHTONFOREIGN AUTO SERVICE3967 S. ARCHER AVE.“JoA, SodiAgeudioiL in, S&hoi&t927-8000GOODYEARWHOLESALE TIRE CENTERCONTINENTAL TIRES -VW ORIGINAL EQUIPMENT560x15 Blackwall 518“ plus 1.74 F.E.T.2 for ’35°“ plus F.E.T.4 for ’68” plus F.E.T.560x15 Whitewall .... 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Vincent Canby of the New York Times says:"THE BEST AND THE MOST ORIGINALAMERICAN COMEDY OF 1972.As startling in its wayas was 'The Graduate! ”"One of theyear's bestfilms!'—Newsweek—New Yorker— N Y. Times"Bestsupportingactress,JeannieBerlin!'—National Societyof Film Critics "The funniestfilm of theyear!if—Paul Ringe.Circus Magazine"Bestsupportingactor,EddieAlbert!'National Societyof Film CriticsPalomar Pictures Internationalr»* •Neil Simon's mThe Heartbreak KidAn Elaine May Filmstarring Charles Grodin Cybill Shepherd as "Kelly" Jeannie Berlin Audra Lindleyand Eddie Albert From a story by Bruce Jay Friedman Screenplay by Neil SimonProduced by Edgar I Scherick Directed by Elaine May PRINTS BY DtLUXE[QRlGlNAt MOTION PICTURt SOUND1RACA AVAItABlt ON COl UMBhTwYcOWOFI ^ ■*MIDWEST PREMIERE FRIDAY FEBRUARY 16d&AAcqic hush.11OAK AT BOTHTHEATRES WliSiDt ( H| i PiRIING449 8230 StudentDiscountModelCamera1342 E. 55th493-6700Most complete photoshop on South Side.A professionalABORTIONthat is safe,legal &inexpensivecan be set up on anbutpatient basis by callin'The Problem PregnancyEducational Service, Inc.215-722-536024 houri-7 daytfor professional, confidentialand caring help.ABOUT THE MIDWAYNew trusteesThe election of two new members to theboard of trustees at the University wasannounced by Gaylord Donnelley, Chairmanof the BoardThey are: A Robert Abboud, executivevice-president of The First National Bank ofChicago, and Henry Meers, vice-chairmanand director of White, Weld & Co, Inc, in¬ternational investment banking firm.A Robert Abboud is chairman of The FirstNational’s asset and liability managementcommittee and heads the executivedepartment of the bank. He has been withThe First National since 1958.A native of Boston, Abboud was graduatedcum laude from Harvard College in 1951,served as an officer in the US Marine Corpsduring the Korean War, and received an LLBdegree from the Harvard Law School in 1956and an MBA from the Harvard BusinessSchool in 1958.An author on international finance and theworld monetary system, he has publishedarticles in various financial publications.Abboud serves as chairman of the WorldTrade Policy Committee of the ChicagoAssociation of Commerce and Industry, andis a member of the International InvestmentCommittee of the Association.Henry Meers is vice chairman and directorof the international investment banking firmof White, Weld & Co Inc. Based in the firm’sChicago office, Meers also serves as adirector of White, Weld’s InternationalBoard and of the firm’s London affiliateWhite, Weld & Co Limited.Meers, who first entered the securitiesindustry in 1930 following his graduationfrom the University of Illinois where he waselected to Phi Beta Kappa, has been active inthe industry and Chicago civic affairsthroughout his career.A member of the Midwest Stock Exchange,Meers has served as chairman of the Boardof Governors of the New York Stock Ex¬ change. He is presently a director of theSecurities Investor Protection Corporation(SIPC) and the Securities IndustryAutomation Corporation. (SIAC)Copernicus partyThe University will celebrate the 500thbirthday of Nicolaus Copernicus on Monday,February 19.It was Copernicus, born in Poland in 1473,who revolutionized astronomy by theorizingthat the planets orbit the sun. His birthdayparty at the University will be complete withancient music, punch and big birthday cake.It will have its appropriate academic side,as well. Two public lectures will bepresented, beginning at 4:15 in Quantress Auditorium of Cobb Hall.Speaking will be S Chandrasekhar, theMorton Hull Distinguished Service Professorin the departments of astrophysics, physics,and the Enrico Fermi Institute, who willdiscuss the significance of the Copernicandiscovery and the place of scientific in¬vestigation in the life of man.Noel Swerdlow, assistant professor in thedepartment of history, the college, and theMorris Fishbein Center for the study ofhistory of science and medicine, will speakon Copernicus, his theory and itsbackground.Afterwards, the birthday party will be heldin the Swift common room, with music by theChicago Early Music Ensemble, the cuttingof the birthday cake and the passing out ofpunch.Everyone in the University is invited tothis curious affair, according to DJRBruckner, vice president for public affairs,who is throwing the party.Mass mediaOn Sunday, February 18, at 1:30 pm, atHillel House, 5715 S Woodlawn, there will bea presentation of the various programsavailable in Israel both for this summer andthe whole year, either to work as a volunteeror study.Representatives of the various Israeliagencies which sponsor the programs will bepresent, as will former participants, who willbe able to give a first-hand account. Anyoneinterested in either a temporary stay orpermanent settlement is urged to come, asthere are enough possibilities to appeal toeveryone.HillelNeil Sheehan, the Washington-based NewYork Times reporter who obtained thePentagon Papers, will give a public lecturetonight at 8 p.m., in the University’s LawSchool Auditorium.The talk is the first of the Mass Media/ 73lecture series sponsored by the UrbanJournalism Fellowship Program of theUniversity’s Center for Policy Study. Thepurpose of the series is to offer speakers whowill help increase public awareness ofcurrent issues of importance in masscommunications. DJR Bruckner, vice-president for Public Affairs at the University, is director of the Center.Sheehan, who also played a major role inthe investigative reporting of the PentagonPapers and the preparation of the articlesabout them, became a New- York Timescorrespondent in Saigon in 1964. Before that,he was United Press International bureauchief in Vietnam from 1962. He won twomajor awards for his Vietnam reporting.Currently he specializes in political,diplomatic and military affairs coverage.Scheduled for future Mass Media/ 73lectures are:Wednesday, March 14: Hunter Thompson,Rolling Stone Magazine;Monday, April 16: Robert Northshield andJack Fern, NBC News, anu,Tuesday, May 8: Joseph Kraft, columnist. QuantrellsUndergraduate students at the Universityare being asked again to submit nominationsfor one of the University’s most prestigiousawards to faculty members, the QuantrellAward for excellence in undergraduateteaching.Nominations should be submitted to RogerHildebrand, Dean of the CollegeThe Llewellyn John and Harriet Man¬chester Quantrell Award for excellence inundergraduate teaching is made annually. Itis believed to be the nation’s oldest prize foroutstanding college teaching, having beenestablished in 1938.A committee made up of the Dean of theCollege, the Dean of Students, and the Deanof Undergraduate Students submits itsnominations for the awards to the Univer¬sity’s Provost. In recent years, the com¬mittee has leaned heavily upon recom¬mendations made by students in the un¬dergraduate College.The Quantreli Awards this year will bemade at the June Convocation (Saturday,June 9). In recent years, four or fiveQuantrell Awards have been given annually.The awards carry with them a stipend of$1,000AppointmentPeter Dembowski, an authority onmedieval thought and literature, has beenappointed resident master of the Univer¬sity’s Snell-Hitchcock residence hall.The appointment is effective Autumnquarter. 1973. Dembowski has been aUniversity ofChicago faculty member since1966.The University’s program of having seniorfaculty members and their families live withstudents was started in the fall of 1970. Theother resident masters on campus areKenneth Northcott. professor and chairmanof the department of germanic languagesand literatures and in the college, who hasbeen a Resident Master for three years atPierce Hall; Izaak Wirszup, professor in thedepartment of mathematics and in thecollege, who has been a resident master fortwo years at Woodward Court; and WalterWalker, vice-president for planning andassociate professor in the school of socialservice administration, who also is in histhird year as a resident master at Burton-Judson Courts.Dembowski has been a faculty member atthe University since 1966. He was named aprofessor of French in July, 1970. He alsoserved as dean of students in the division ofthe humanities from 1968 to 1970.GE grantThe board of directors ot the GeneralElectric Company has approved a grant ofequipment to the University Graduate Schoolof Business.Sidney Davidson. Dean of the School andthe Arthur Young Professor of Accounting,said the grant will consist of 19 GeneralElectric Terminet 300 computer terminalswhich have a total sales value of $75,000.They will be used by the School’s studentsand faculty in research and instruction.L W Ballard, G E regional vice-presidentin Chicago, said his Company's board ap¬proved this grant “in recognition of the highquality of the research and instructionalprograms at the Graduate School ofBusiness, as well as in appreciation of theextensive relationships between theUniversity and the Company.’’Green thumbA free series of three lecture-demonstrations on important aspects ofhouse-plant growing for beginners will oeheld on Tuesdays in Reynolds Club.The lecturer will be Phebe Whitehead, acampus plant enthusiast, and the sessions willbe held under the auspices of The Plantryand the Student Activities Office.Mrs Whitehead, a frequent donor ofmarvelously healthy plants to The Plantry,commented that while The Plantry is sup¬posed to be an exchange, many people do notknow how to propagate houseplants, anessential element in keeping The Plantryself-sustaining Phebe, the wife of WilliamWhitehead, a PhD candidate in Psychology.Continued on page 8Don't just sit there andthink about enteringMAROON'SFirst AnnualHYDE PARK PHOTO CONTESTSTART CLICKING!Grand prize $100.0012 other prizesTRUSTEES: Two new trustees have been elected—A Robert Abboud, left, of the FirstNational Bank and Henry W Meers, of White, Weld & Co.Friday, February 16, 1973 - The Chicago Maroon - 5Pictures talk.Some little boys don't.Some inner-city ghettos have special schools. For littleboys who don’t talk.Not mute little boys. But children so withdrawn, so afraidof failure, they cannot make the slightest attempt to do any¬thing at which they might fail.Some don’t talk. Some don’t listen. Most don’t behave. Andall of them don’t learn.One day someone asked us to help.Through Kodak, cameras and film were distributed toteachers. The teachers gave the cameras to the kids and toldthem to take pictures.And then the miracle. Little boys who had never said any¬thing.. looked at the pictures and began to talk. They said“This is my house.’’ “This is my dog.” “This is where I like to hide.” They began to explain, to describe, to communicate.And once the channels of communication had been opened,they began to learn.VVe’re helping the children of the inner-city. And we’realso helping the adults. We’re involved in inner-city job pro¬grams. To train unskilled people in useful jobs.What does Kodak stand to gain from this? Well, we’reshowing how our products can help a teacher—and maybecreating a whole new market. And we’re also cultivatingyoung customers who will someday buy their own camerasand film. But more than that, we’re cultivating alert, edu¬cated citizens. Who will someday be responsible for our society.After all, our business depends on our society. So we carewhat happens to it.KodakMore than a business,The Chicago Maroon - Friday, February 16, 1973nooiof/. ogt> i O ‘jtiT • 17? ' «3i > ouide-1LETTERS TO THE EDITORBarbariansSeveral instances of mindless misconductwhich I witnessed on campus this pastweekend merit comment in a studentnewspaper.One evening I came upon a studentshamelessly trying to remove an electricclock from a wall in Cobb Hall. The followingevening I was seated in Bond Chapel where Icould hear, in addition to a fine performanceby the Collegium Musicum, the insistentthumping of the beat by one member of theaudience and the repeated coughing byseveral others. Indeed, a chap in front of memanaged to cough at least a dozen timesduring the concert.The casualness with which all this wasdone makes me suspect that these offenders— the would- be thief, the walruses and thethumper — may not know better. Perhaps noone has ever told them how to behave. Orperhaps they may even believe they areentitled to express themselves as theyhappen to please. They may not realize thatsuch self-expression is no more than childishself-indulgence. Nor may they realize thatself-discipline is vital to civilization and tothe development of a self worth takingseriously and “expressing.”Of course, barbarians are not likely to readletters to the editor. But perhaps theiracquaintances do — and can explain to themwhat we have both a right and a duty toexpect of one another as members of anacademic community. Consider as analternative, the fate of Mycalessus describedby Thucydides (VII,29).George AnastaploLettuceIt was with interest that I originally read ofthe farm workers’ attempt to create aboycott of lettuce. That was the first timethat I read of the boycott. However it now appears that the Maroonhas decided that it is going to try to changeopinion rather than attempt to report news. Icome to this conclusion after seeing yetanother article about the farm workers’boycott agsinst A&P.This article comes right on the heels of toomany others on the same subject, almost allof which, do little to create an awareness ofwhat this issue is all about, instead the ar¬ticles are merely empty propaganda for agroup of people who have no real directcontact with the UC community or with theUniversity itself.I only wonder what the rationale is behindall of this. Is there no other news that isworthy of inclusion on the front page of theMaroon than this bit of empty verbiage,CALENDARFriday, February 16SEMINAR: “Structure function relationships in pepsinanalysis and pepsinogen activation/' Oklahoma U profJordan Tang, Abbott 101,947 E 58, 11:30am.SEMINAR 2: “Raman spectra of silicate minerals," PennState prof William White, HGS 101, 3:30 pm.SEMINAR 3: "Intercellular parasitism; growth in an extreme environment," James Moulder, Ricketts North 1, 4pm.SEMINAR 4: "From Isaac Newton to Max Noether,"Purdue prof Shreeram Abbyankar, Eck 133, 4:30 pm.LECTURE: "Mass Media/73," lecutre by New York Timesreporter Neil Sheehan, the man who wrote the articles onthe Pentagon Papers, <vid covers the White House for theTimes, talking about the media and the government. LawSchool Auditorium, 8 pm.FILM: "Beyond the Valley of the Dolls," Hitchcock Films,Cobb, 7:15 and 9:30 pmPLAY: "Oh, What a Lovely War," University theater, $2,Mandel, 8:30 pm. Until February 20.MEETING: Gay Lib, Blue Gargoyle, 9 pm.COFFEE HOUSE: Second anniversary of the coffee house- they didn't say what's in store, so go and have a goodtime, Ida Noyes Library, 8 11:30 pm.LECTURE: "Ibn Khaldun's Interpretation of History:Lessons for the Modern Arabs," Princeton U prof Mohamedal Nowaihi, SS 122, 4 pm.COLLOQUIUM: "On behalf of honesty in computationalcomplexity," (an honest computer?) Purdue prof MichaelMachtey, RFC 113, 4 pm. which you insist on foisting down our throats,regardless of whether it is of any real in¬terest or not!Michael WeissNixon advisorsMay I use your columns to address mycolleagues on the faculty concerning whatseems to me one appropriate means foracademics to respond to the President’sextraordinary behavior during the past fewweeks?Many colleagues have friends oracquaintances serving in the Nixon ad-minstration. On at least two grounds — theintensive bombing of heavily-populatedSaturday, February 17FILM: "Charulata," I House films, Judd 126, $1.25, 7 pm.FILM 2: "Summer of '42," DOC, Cobb, 7 15and 9:30 pm.FILM 3: "The Dreamer," Hillel Rodfei Zedek, 5200 S HydePark, 8 pm.GAME: The varsity basketball team sporting a 13 4 record,takes on Lake Forest at the field house, 2 pm.Sunday, February 18LECTURE: "Students and private higher education: Canthey afford each other?" All those with gripes can takepotshots at Dean of Students Charles O'Connell, if they wish— afterwards. Woodward Court, 8 pm.FILM: "The Boyfriend/' CEF, Cobb, 7 and 9:15 pm.CONCERT: Georg Frederick Handel's Judas Maccabeuswill be presented at Rockefeller Chapel at 3:30 pm. Forticket information, call 33387.BRUNCH: Lox and bagels at Hillel. Est gezinteredt ("Eatin good health," in Yiddish), $1, 11:00 am.PROGRAM: After the lox and bagels there will be adiscussion and information available on work, study oraliyah in Israel, again at Hillel House, from 13 pmMEAL: Bonhoeffer house decides to serve Chinese food —Mandarin Chinese to be exact, 5554 S Woodlawn, $1.25, 12:30pmDIPLOMACY: The Diplomacy games club meets again,usually to stab allies in the back, as is done in the game butthis time to plan an expanded version, 5625 S University,12:30 4 pm. For further info, contact Joe Cobb, 288 2270. areas in North Vietnam -- and the threatsagainst the media - our only alternativesource of information and interpretation —many such persons must feel acutely un¬comfortable serving the President. I suggestthat colleagues write, as I have done, to thosemembers of the administration they knowurging them to resign as an act of politicalconscience, with maximum publicity.Even Mr. Nixon could not easily ignoreconscientious resignations among his senioradvisors.DISCUSSION: "Problems of implementing the EqualRights Amendment," Law school prof Philip Kurlandelaborates on a subject he mentioned briefly last week atWoodward Court Sponsored by the women's law caucus,Burton Judson law lounge, 4 pmSEMINAR: Chapel undercroft, in Rockefeller chapel,discussion led by Rev Philip M Dripps, 9:45 amMonday, February 19LECTURE: "Recent advances in cancer Kinetics andchemotherapy, present and future promise," Cincinnati Uprof Alvin Mauer, Billings P 117, 12:30 pm.SEMINAR: "Two way order statistics," Minn U profSanford Weisberg, Eck 202, 4 pmSEMINAR 2: "Microtubules morphogenesis and cellshape," U of III (Circle) prof G Benjamin Bouck, Zoology 14,4:30 pm.SEMINAR 3; "Tumor virus RNA directed DNA synthesis,"UCSF prof John Taylor, Ricketts North 1,3:30 pmSEMINAR 4: "The polarization of ions and electrons byPenning collisions with optically oriented HeliumMetastable atoms," U of Missouri prof Laird Schearer,K103, 4 pm.LECTURE: "Resistance to Soviet pressures in post warBaltic literatures," Ohio State prof Rimvydas SiIbajoris, P118, 4 pmIPtRG: Discussion with Minn PIRG/chairperson FaithKeating, Reynolds Club south lounge, 2:30 pmLECTURE: "History and future of communicationresearch in the United States," Columbia U prof PaulLazarsfeld, SS122, 7 pm Lloyd A. Fallersprofessor of anthropologyand chairman, new nationscommitteeRockefeller Memorial Chapel • 59th Street and Woodlawn AvenueJUtlAS MACCAfeAeUSby George Frideric HandelSunday afternoon at 3:30 • February 18, 1973RICHARD VIKSTROM, DirectorThe Rockefeller Chapel Choirand Orchestra (30 players)ELLIOTT GOLUB, Concertmaster LARRY MENDES, HarpsichordSheila Harms, Soprano Gerald Scott, TenorPhyllis Unosawa, Contralto Monroe Olson, BassGuest Artists: Members of The Chicago Children’s Choir TICKETSReserved $5.00Chancel Seating $4.50U. of C. Students $2.50General Admission $4.00AVAILABLE AT:Reynolds Club Desk, 57th Street and University AvenueCooley’s Corner, 5211 Harper AvenueWoodworth’s Bookstore, 1311 East 57th StreetGroup rates available upon request to the Chapel Music Office,753-3387MAIL ORDERS TO:Chapel Music, 59th Street and Woodlawn AvenueChicago 60637Please make checks payable to The University of Chicago andenclose stamped, self-addressed envelopeFriday, February 16, 1973 - The Chicago Maroon - 7ABOUT THE MIDWAYContinued from page 53 herself highly specialized in the culture ofgesneriads which she describes as “fuzzyleafed African violet relatives.”The lecture demonstrations will cover allthe most common plant types and will begiven on three successive Tuesdays, inReynolds Club South Lounge at noon. Thefirst (Feb 20) on propagation will cover themany easy methods (some of which may beunfamiliar even to “intermediate” indoorgardeners) of reproducing plants. Thelecture on Feb 27 will deal with soil mixturesand fertilizers and the final workship (March6) will be on light and water.All students, staff and faculty are cordiallyinvited to green up their thumbs.Rockefeller concertThe University’s Rockefeller Chapel Choirand Orchestra will present Handel’s oratorioJudas Maccabaeus at 3:30 p.m. Sunday,February 18, in Rockefeller MemorialFifteen members of the Chicago Children’sChoir will appear as guest artists.Ricchard Vikstorm, Director of ChapelMusic at the University, will conduct. LarryMendes, Choir Accompanist, will playcontinuo on the harpsichord.Soloists will be soprano Shelia Harms,contralto Phyllis Unosawa, tenor GeraldScott, and bass Monroe Olson.This will mark the first performance ofJudas Maccabaeus in the University’sOratorio Festival Series.Tickets are now on sale at the ReynoldsClub desk, 5706 South University Avenue;Woodworth’s Bookstore, 1311 E. 57th St.; and2.50 for University students. Group rates areavailable upon request to the Chapel MusicOffice (312 ) 753-3387.Thomas appointmentJ Daniel Thomas has been appointedassistant director of the University hospitalsand clinics for the department of medicineeffective November 14, 1972.As Assistant Director, Thomas is responsible for the administration of thecoronary care, close observation andmedical outpatient clinics in the hospitalsand clinics.Thomas has a B A degree in history and aM S degree in hospital administration fromthe University of Minnesota. He served hisadministrative residency at Saint PaulRamsey Hospital and Medical Center inMinnesota. Before entering graduate school,he was an administrative trainee at theUniversity of Minnesota hospitals andclinics.Moscona appointmentAron Moscona, professor in the depart¬ment of biology, the committee on genetics,and the college, has been apointed the LouisBlock Professor of biology at the university.He has also been appointed chairman ofthe University’s newly constituted com¬mittee on developmental biology.Since 1969, Moscona also has been directorof the interdepartmental training program indevelopmental biology.Developmental biology, which is con¬cerned with the mechanisms of growth,differentiation, and development of livingsystems, is one of the pivotal and fast¬growing fields in biology and biomedicalsciences. Among the problems studied bydevelopmental biologists are the genetic andbiochemical regulation of normal growthand development, cellular aspects of cancer,and causes of congenital malformations.The Louis Block Fund for basic research inadvanced study honors the late president ofthe Blickson Chemical Company, Joliet,Illinois. The fund was established in 1956 tosupport the Biological and Physical SciencesDivisions at the University. Moscona, 50, isthe tenth scholar to be named to a LouisBlock Professorship.The newly named Block Professorreceived his MSc and PhD degrees fromHebrew University, Jerusalem, in 1947 and1949, respectively. He was a research fellowin embrology at Cambridge University, England, from 1950 to 1952. He then becameassociate professor of physiology in theSchool of Medicine, Jerusalem, beforejoining the Rockefeller Institute, New York,in 1955. He came to the University in 1958and became professor of Zoology in 1960.WomenFor women interested in feminism thereare a number of organizations in Chicagosponsoring a wide variety of activities andservices. In Hyde Park interested womencan call Judy at 363-2958, Geri at 947-8682,Janice at 241-7274, or Kathi at 955-3392. Theyare setting up a rap group and have severalideas for projects. The following are ideas,but committed people are needed to carrythem out: teaching classes for women aboutsuch topics as plumbing, electricity,mechanics, feminism; organizing abookstore/ bookexchange/ library ofliterature and other resources for and aboutwomen; sponsoring feminist speakers;setting up a self-defense program; andstarting a woman’s center.The Ecumenical Women’s Centers havetwo offices — 1653 W School St, 348 4970, onthe north side and 5725 S Woodlawn, 241-6159,on the south side. The south side center isprimarily women from the seminaries inHyde Park - both students and wives ofstudents. Groups meet to discuss theology,worship and liturgy, women in prisons.There is also a rap group and a class forwives of students. Also they are in contactwith Hyde Park women interested in healthcare and a rape project. The north sidecenter serves primarily as a resource centerfor local church women. Both centers areopen to any woman interested in theirprojects.The Chicago Women’s Liberation Union(CWLU) is located at 852 W Belmont; theirphone number is 348-4300. CWLU has aSpeaker’s Bureau which will providespeakers on feminism, abortion, children,and many other topics. Call the office for more informatpon. CWLU also publishes amonthly newspaper — WOMANKIND —which is available in Hyde Park at the bookcenter in Harper Court for 354 a copy or bysubscription for $4 a year. The liberationschool for women offers courses in automechanics, photography, health, readings onwomen’s liberatpon, childbirth and more.The next session starts with orientationFebruary 18 and 19 at the Second UnitarianChurch, 656 W Barry at 7 pm. The CWLU isstarting a new work group called the Con¬necting Link which will help women to findout about women’s liberation and what theycan do. In addition to informal meetings thefirst Tuesday of every month, the group willsponsor forums dealing with the problems inwomen’s lives. The first meeting is Tuesday,March 6, at 7 pm at the CWLU office.Other services in Chicago include:Abortion counseling service of CWLU - 643-3844. Leave your name and phone numberand you will be called back in 2-4 days;DARE - a job discrimination project. CallJenny or Allyne at 728-2089 for information;Women’s Legal Clinic, CWLU, 852 WBelmont, Wednesdays, 7-9 pm and Evan¬ston’s Women’s Center, 2214 Ridge, Evan¬ston, Wednesdays, 7:30-9:30 pm; Pregnancytesting every Saturday at CWLU 10 am-2 pmand Augustana Lutheran Church, 5500 SWoodlawn, 10 am-4 pm; Divorce clinic forwomen - file your own divorce complaintwith the help of women lawyers. This meetsthe first and third Monday evenings of eachmonth at 6 pm in the National Lawyers Guildoffice at 21 E Van Buren (939-2492). The costis $50 compared to $500-$1000 for a lawyer;Self-help (Control of our own bodies) 528-3292; VD Clinic, 842-0222, 27 E 26th St; andthe Rape Hotline (not the one in Hyde Park)728-1920.Useful addresses include the CWLU, 852 WBelmont, 348-4300; and NationalOrganization for Women, 53 W Jackson, 922-0025, is now collecting evidence of Universitysex discrimination. Call 955-3347 for adviceor help.OPENS FRIDAY-JFIRStRUNIIf you can’t beat ’em...drive’em crazy!v>»rVM:W'rhV * BUSS* *JANE FONDA • DONALD SUTHERLANDPETER BOYLE "STEELYARD BLUES"A BUL/PHILLIPS Production Co Starring GARRY GOODROW • HOWARD HESStVANJOHN SAVAGE • Written by DAVID S WARD ■ f necubve Producer DONAID SUTHERLANDProduced by TONY Bill and MICHAEL 4 JULIA PHILLIPS • Directed by ALAN MyERSONTECHNICOLOR' ;pQj' MMCNTAl GlHOAMCf tUGGCSTf O 0*0.* VOUtt '**C« fe*From Warner Bros O A Warner Communications CompanyEXCLUSIVELY AT THESE 10NEIGHBORHOOD THEATRES!Chicago oak lawn [ evanstonNORTOWN CORAL Ievanston 1 glancoe[GLENCOEariington heightsARLINGTON schaumburgWOODFIELD 1 berwynBERWYNoakbrook joakbrook! ! , i awnwraw—IrilVER OAKS 1 9 AM-9 PM 7 Days A WmIiHYDE PARK PIPE AND TOBACCO SHOE*1552 E. 53rd - under 1C tracksAll students get 10% oftyask for "Big Jim''Pip** Imported CigarettesPip* Tobaccos Cigar*DESKS-BOOKCASES-FILESSWIVEL CHAIRS-LAMPS-TABLESNEW & USEDIQUIPMENT«AND Lu^co.Used 3 A 4 Drawer Filet Letter A Legal size -$20 and up.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardThurs. till 9K)0 P.M. DR. A. ZIMBLERDR. M. MASLOVin theiww nyof ramShopping Center1510 E. 55th St.363-6363 CHINESE-AMERICANRESTAURANTSpec i^i ii«| mCANTONESE ANDAMERICAN DISHESOP8N DAILYII AM. TO 1:30 P.M.SUNDAYS AND HOUOAYS12 TO 1:30 PMOrders to toko owt1318 lost 63rd MU4-1062JAMESWAYPETERSONMOVING & STORAGE« „ 646-4411Call O" forUdl1 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance e Packing e CratingImport-ExportContainerized StorageFormerly at General Office55th & Ellis 12655 So. DotyChicago. III. 60633■ > .a ■ t• > .1 .m n p i8 - The Chicago Maroon - Friday, February 16, 1973ENTERTAINMENT AND THE ARTSBlues, Boogie, Bluegrassand BagpipesGlenn Ohrlin. Photo by C.D. Jaco.By C D JACOMike Seeger and a guitarist for TomT. Hall’s Storytellers stood backstagetalking about the unity of country,blues, and folk music. Downstairs, BigJohn Wrencher and a white long-hairwere blowing a harp duet under thestairs, Honeyboy Edwards ran bot¬tleneck riffs in the corner for fivegrinning, clapping onlookers; GlenOrlin explained the difference betweenMontain View, Arkansas and MountainHome, Missouri, and stagehands,musicians and people who liked musicgot thoroughly swacked on reefer andSouthern Comfort.This, then, is what the UC FolkFestival is all about: a coming togetherof different musical styles and tastes forthree nights of grinning and picking.This eclectic quality, coupled with aninformal, friendly relationship betweenmusician and audience, has made theUC Folk Festival one of the most con¬sistent and enjoyable folk festivals inthe country. The members of theFolklore Society, for the 13th year, onceagain demonstrated an uncanny abilityto find and showcase the talents ofremarkable “unknown” folk musiciansfrom all over the country.One of the Storytellers was talkingabout the fusion of the old and the new incountry music. “Four years ago,younger musicians looked at the olderNashville musicians as a bunch ofredneck crackers. And the Nashvillemusicians wouldn’t be caught deadplaying with or listening to some long¬haired weirdo. But that’s changing,fast. All kinds of younger musicians aretaking country and bluegrassseriously.”This new blend was illustrated best byone of the finest bluegrass bands I’veever heard. The New Grass Revival,who were unable to appear at a numberof bluegrass festivals because of theirhair, blended traditional bluegrass,original, and modified rock tunes andmade it work. The audience warmed upto them in a hurry, and they receivedenougtf applause to warrant them doingan encore, the only one at the Fridaynight show.They were a tight, quiet, un¬pretentious band; their only flash intheir fingers. The breakneck pace ofSam Bush’s mandolin was com¬plemented perfectly by the fluid,Scruggs-style picking of CortneyJohnson on banjo on songs like theirunique arrangement of VassarClements’ “Lonesome Fiddle Blues.”The vocal quality of the band, inwhich Bush, Johnson, Curtis Burch,and Ebo Walker all sing, was superb.The addition of an electric bass to ac¬centuate the tumbling, rhythmic qualityof bluegrass was a novel idea, and itworks well. The New Grass Revivalis the best young country/ bluegrass/rockabilly band I’ve ever heard;their appearance was one of theThe Golden Echoes, a gospel groupfrom North Carolina, were another highpoint of the weekend; they are the mostpopular gospel group around NorthCarolina, and I can see why. Duringtheir Saturday night performance, oneof thp Storytellers, obviously enjoying himself, said “I wonder if they knowthey’re playing to an Audience that’s10 per cent Jewish and 90 per centatheist?“ It didn’t make any difference;a hall full of Druid Elders would havebeen forced to clap and enjoy theEchoes’ rich gospel harmonies.The vocal qualities of the groupalternately reminded me of Smokey andthe Miracles, the Four Tops, and, insome beautiful falsetto passages, LittleAnthony and the Imperials. But theGolden Echoes are none of these; astheir lead singer, John Landis said,“We’re in the spiritual field. When wesing spirituals, we sing them from ourhearts. We don’t play with them; wedon’t play with God.”The four vocalists, alternating lead,had the audience clapping along withnumbers like “When Judgement Day isDrawing High” and held them quitelyenthralled with “Jesus Knows Just HowMuch We Can Bear.” Even on numbersthat brought down the house, like “TheWorld Can’t Stand Long.” the smooth,honey-like qualities of the vocals nevervaried. From falsetto ballads to hand¬clapping soul rousers, the Echoesdemonstrated a remarkable range;their feeling for and control over theirmusic was undeniable. This was thefurthest West the Echoes had everappeared and their first appparance before a predominantly white audience.I doubt that their fame will be limited toNorth Carolina for long.The biggest surprise of the Festivalwas Brian Bowers, an autoharp playerfrom Virginia. I had talked with himduring the two previous days of theFestival, and took him for anotherhippie grinning and digging all thetalent. After he played, I realized that Ihad been talking to an honest-to-Godgenius.Just before he went on, he said “Iwant to take the autoharp where it’snever been before.” Had he launched anautoharp into orbit he couldn’t havedone any better. I sat with the rest of theaudience, thunderstruck, as all fivefingers of his right hand played in¬tricate harmonies across the strings;Chicago had seen nothing like it sincethe last time Earl Scruggs was in town.His picking, while intricate, alsorevealed the stark beauty and infinitepossibilities of the unaccompaniedautoharp. Mama Maybelle Carter wasnever like this. I forget if he was calledback for two or three encores after hisinitial three songs; I was too busy goingcrazy with everybody else.Tom T. Hall and the Storytellersprovided another surprise, although ofnot quite the same variety. A memberof the band said “OriP nf thp main things in popular country music is the image.The slick, polished show has becomestandard: like it or not, good or bad.that’s the way it is.”Tom T. Hall has such an image, animage tempered with a format of storytelling, one of the traditional mainstaysof country music. Hall, however, seemsto be caught in a bind between; per¬former and musician. I’ve enjoyedsome of his earlier songs-especially“The Year That Clayton Delaney Died”and “A Week in a Country Jail”—butwas put off by his stage show. The thingwas too damn slick. Hall’s stories werepostured and self-conscious, unlikethose of Glenn Orlin, and he himselfseemed always posing.In all fairness, this was his first ap¬pearance off the regular country-and-western circuit, and his nervousnessmay have been responsible. Thecrowd’s reaction was restless, asevidence by the number of people wholeft during his set. A band member said“This crowd didn’t know what to expectwhen we came on stage, and when weleft, most of them still couldn’t figureout what the hell they’d seen."The Storytellers, on the other hand,were great. Tight, disciplined, andnever missing a lick, they were a modelof what a good popular country musicband should be. These guys were on theroad in a bus for a month, home inNashville for two days, and on the roadagain regularly; they must have beenbeat, but if they were, they were alsoprofessional. I can't help but wonderwhat kind of good, solid music theywould crank out without Tom T. Hall infront of them all time.A more traditional type of music wasoffered by the Ledford String Bankfrom Bakersville. North Carolina.“Discovered” by and recording forRounder Records, a Boston/Chicagogroup of folkies, Fiddlin’ Steve Ledfordand his band performed in a style muchlike that of Bill Monroe They per¬formed standards like “Little Maggie”(which Steve Ledford wrote in 1929) andnew numbers like “He’s Coming fromVietnam” with the same vitality. Stevedemonstrated his incredible virtuosityby playing a fiddle stomp, “Shoot theTurkey Buzzard,” with the fiddlebehind his back, between his legs, heldstraight out at arm’s length, and inalmost every other conceivableposition. ^ tAnother tremendously influentialtraditional musician was HoustonStackhouse from Memphis. Through hisold broadcasts over KFFA in Helena,Arkansas with the likes of Sonny BoyWilliamson, he was in the vanguard ofthe then “new” sound of electric blues.Since he has recorded virtually nothing,the opportunity to see this master wasnot to be missed. At times, he soundedvaguely like Elmore James at others J.B. Hutto, at others, almost anybluesman you would care to mention.His mastery of country blues picking,Chicago-style picking, and bottleneckslide was astounding; this man was oneof the originals.Stackhouse and Honeyboy Edwards,bluesman and full-time construction(Continued on page 14}Friday, February 16, 1973 - The Chicago Maroon - 91 t • r % • < 4 * ,.'l 4 e i * # / t * * f » > I “* ) ( * fTruckin’ in a Garden:The Joffrey Ballet Winds DownBy NANCY MOOREAfter two weeks of the Joffrey Ballet,I can’t close my eyes without beingsucked into a whirlpool of spinningbodies. In 17 ballets of seduction, love,rebirth, insanity, death and retribution— by 11 different choreographers — theJoffrey company proved themselvestechnically and dramatically capable ofnourishing a whole garden of dances.From the oldest work of their Chicagorepertoire — August Bournonville’s 19thcentury Konservatoriet, the worldpremiere of Duece Coupe, by TwylaTharp, the Joffrey dancers plied,leaped, glided, spun, pranced andbugalooed.While there is substance to the criticalclaim that Joffrey is synonymous withfroth and trendiness, they did revive thevery untrendy Le Beau Danube of 1933and Fleming Flindt’s sadistic Lesson.Consider also Jerome Robbins’ silent,panting Moves or the haunting GreenTable or Alvin Ailey’s tragic Feast ofAshes. For me, these works and theexultant Trinity compensated for suchinanities as Sacred Grove on Mt.Tamalpais and Meadowlark.Premiered last fall in New York,Gerald Arpino’s Sacred Grovemythologizes the sexual and spiritualrebellion of the sixties. The real ‘sacredgrove’ is a foggy mountain campingground in Marin County, California,once a symbol of love and enchantmentfor the counterculture.Arpino’s grove is infested withsymbols of birth, youth and divinity,leaving little room for the subtle touchof enchantment. Two sentimentalflower children, wearing garlands ontheir heads, offered bouquets to dancingmen and women who happily waved the flowers in time to the music. Bellstinkled inside the womens’nosegays.Along with Robert Yodice’s gauzy,white web dividing—at first the dancersfrom the audience—was a ghostlyproliferation of wedding veils. Theseserved as pre-nuptial cocoons for thebride and groom, as symbols offemininity and, later, bondage to theirbisexual son, and finally as billowingwaves across which he walked todeliver us from sin. If the chosen son, danced by red¬headed Russell Sultzbach, hadn’tredeemed the piece with a beautifulcombination of ingenuous leaps andturns, I might have wished for a sacredtidal wave.Two less pretentious works wereGerald Arpino’s Valentine and Jackoot.Choreographed respectively to JacobDruckman’s whimsical solo for con¬trabass and to “Synapse,” an electronicscore, both dances were among theDancers of the Joffrey Ballet in Eliot Feld’s “Meadowlark.” Photo by HerbertMigdoll. funniest in the Joffrey repertoire. AndMr. Druckman had a lot to do with theirsuccess.A New York composer who won lastyear’s Pulitzer Prize for “Windows,”Druckman stole the show in Jackpotfrom Arpino. The combination of hisscore, (reminiscent of God gargling),and Jennifer Tipton’s psychedeliclighting transported me into an enor¬mous pinball machine. Dancers ErikaGoodman and Glenn White zipped andwiggled frenetically, in what was moreof a musical than choreographic jack¬pot.In Valentine, four personalities tookthe stage, including Alvin Brehm andhis contrabass. As referee to a boxingmatch between Rebecca Wright andChristian Holder, Brehm plucked hisshapely partner toward uncanny ec-stacies.The fun began when the boxing matchdegenrated into an orgasmic tussle onthe floor. Not to be outdone, the con¬trabass toppled onto Mr. Brehm, whowillingly surrendered to the string’scaress. The audience loved it.Concluding a Dance Workshop andPerformance Project which beganJanuary 29, twelve Columbia CollegeDance Center students will offer thdpublic a glimpse of their work, Look¬out, on Saturday afternoon at 3. HenryThreadgill will provide musical ac¬companiment.Next weekend the great Spanishdancer Jose Greco will perform onSunday afternoon at 2:30 in the OperaHouse with the Nana Lorcas FlamencoDance Theatre. Call Allied Arts at 372-0566 for ticket prices.voxIP's $1.50 each, 4 for $5.00Vox Box (2) $3.25!Vox Box (3) $4.50!Special Prices on otherVox Products!TURNABOUT$1.98 each, 3 for $5.00CANDIDE$2.98 each, 2 for $5.00 FuH Line Sales Some Fabulous Prices!If we don’t have the one you wantwe ll order it AT SALE PRICES!LONDONStereo Treasury Series$1.98 .och3 for s500Opera Treasury Series$2.25 each3 for *600 RICHMONDopera Treasury seriesA PROOUCT Ofj&WOy ffrrjVANGUARDCardinal Series$2’8 each2 for S5°°Everyman Seriessi,8...k3!.. s5“VWin tunmfo St*. >Violin Concerto in One Movement WagnerLOHENGRIN* ^THE BOOK NOOKPhone in an Order!643-7511 1538 East 55th StreetHyde Park Shopping PlazaAcross from the Co-Op10 -The Chicago Maroon - Friday, February 16, 1973Post-Graduate Political Farce WorkBy DEBORAH DAVISONWith the openings Friday of Cuba Siand Muzeeka, Kingston Mines Theatrehas proved once again that its companyis possessed of both the talent and theflexibility necessary to render con¬sistently good and artistically inspiredproductions of modern dramatic works.These two one-acts, written in 1968 byTerrence McNally and John Guarerespectively, are relevant and thought-provoking pieces, and the casts arewell-directed and capable enough toplay their roles with almost all thedepth that the scripts could conceivablyoffer.To accomplish the latter a companymust be rich in human resources; inthis production as well as in practicallyall of their recent shows, KingstonMines has demonstrated that it hasthese resources and is deserving ofrecognition as one of the very fewsuccessful anti-establishment-but-established theatres in Chicago.Cuba Si is a political farce about awoman revolutionary, ‘Cuba’, who hasestablished a beachhead in CentralPark and is awaiting re-enforcementsfrom Cuba so that she can start aguerilla war. ‘Cuba’, played by amagnificently striking and expressiveblack actress, Kathy Slade, is accostedby the proverbial lily-livered liberalNew York Times reporter out on anassignment (“I usually interviewtheatrical personalities”), from whenceproceeds the plot and the heroine’sDenouement.Ms. Slade is truly charismatic as thefervent and passionate revolutionaryidealist; the play opens with a jarringincident which startles the audienceinto strained attention, and she as‘Cuba’ seizes the opportunity of ourbeing thus captive to deliver as per¬fectly entrancing, impassioned, heatedand humorous a political harangue asone could ever hope to hear from a real-life radical politico. ‘Cuba’ is muysimpatico at this point in the play, andin a curious way it is precisely her skillat eliciting this positive response fromthe audience which causes herideological harassment by the NewYork Times reporter and subsequentlapse into lonely and uncertain silenceto seem ultimately unsatisfying as aconclusion to the play.In part this is a function of the script’sstructural style, in which both comedyand tragedy are combined to producethe lingering, garlic-flavored pathoswhich is characteristic of a lot of current drama (the point holds equallywell in the case of Muzeeka). But inaddition, the action of Cuba Si gives riseto another relevant ideological questionwhich is de facto so thoroughlyirresolvable that in a sense no satisfyingresolution to the play could even beimagined, let alone dramaticized byany living playwright on human beingto date.I prelude by saying that anyone whoheard Germaine Greer debate WilliamBuckley on the tube Monday night willunderstand exactly what I mean.‘Cuba’, a beautiful, intelligent, andpassionate woman, decides to liberatethe United States. When a man triessuch a single-handed coup his rhetoricalploy is, “All of you, be my followers”;for a woman, as ‘Cuba’, this becomes,“All of you, be my lovers”. If the mansucceeds he becomes a world leader,and if he fails he joins the ranks of thelunatic fringe. If a woman succeeds shebecomes a prostitute (high or low class,no matter), while if she fails she suffersthe same fate. When this gets translatedinto a power paradigm, a man caneither win or lose, and a woman caneither lose or lose. In Cuba Si’ quiteadequately if you interpret the threatwhich wraps up the pfay, namely that‘Cuba’ will be reduced to ‘the madwom¬an of Central Park’, as simply thenecessary but pathetic imposition ofreality on a single idealist’s dreams.But if you are sensitized at all to theissue delineated above, I think you willfind yourself doubly depressed, foryou’ll see two realities at work, only oneof which encourages one to hope for adifferent or better fate for the likes ofour heroine. Inasmuch as she is awoman, she is not yet possessed of anysignificant historical tradition whichaffirms that she could ever possiblysucceed. If you see the play, try toimagine what it would be like if ‘Cuba’were cast as a man; then perhaps, ifyou feel the difference, you will also feelthe grimness implicit in this secondview.Two points of information are alsoworthy of note. First, the subject of theplay clearly is in part a permutation of aperhaps not so well known historicalfact, namely that in 1957 a New YorkTimes reporter, H. L. Matthews, soughtout Fidel Castro in the Cuban jungleswhile the revolution was still in itsplanning, and hence seemingly starry-eyed, stages. The result was a famousseries of interviews run on the Timesfront pages and called The Life of Fidel Kathy Slade, as Cuba, holds a New York Times reporter, played by Bill Cervetti,at bay in “Cuba Sil.” Photo by Tony Leonardi.Castro. The series, written in areshuffled liberal vein, attracted theattention and support of a significantbunch of Eastern liberals in the Statesfor a time, before the outcome ofFidel’s coup and the United States’reaction was realized. ‘Cuba’s’ claimthat ‘Fidel sent me’ and the reporter’sreactions to her in general are fairlyinteresting as takeoffs from thedynamics of the actual historic in¬terview.Finally, this production sufferssomewhat from the actors’ grosslyunauthentic renditions of a Spanishaccent. There is a considerable amountof Spanish in the play, used mostly ascatch phrases and jokes; it gets a bitconfusing when the purportedly native‘Cuba’ instructs the audience as to thepronunciation of her name as /ku’ga/not /kyu’ba/ and then proceeds todistincly not roll ‘r’s and the like. It’ssimply a mistake, seemingly a direc¬torial oversight on the part of GaryHouston, and is certainly a minor flawin an otherwise meticulously-directedproduction.Muzeeka, directed by MackDaniel Pope as Jack Argue ‘sings the Penny’ in Kingston Mines’ production of “Muzeeka. McGinnes, is the longer and moreovertly farcical of the two plays. Thehero, Jack Argue, is a Princeton-Yale-Harvard man whose post-graduationlife is mapped out briefly in a series ofscenes ranging from lightheartedsnatches “In which he says ‘I loveyou’ ”, “Jack has a vision”, and isemployed by the Muzeeka Piped-InMusic Company of America, to a pair ofequally heavy scenes in the bedroom ofan East Village prostitute and an armybarracks in Vietnam. While Jack’sambitions grow progressively moretame and conventional the scenes growprogressively more bizarre, until thedivergence of dreams and real optionsreaches a breaking point, the herocracks, and the play screeches to anend.The cast is well-manned by DanielPope as Jack Argue, Hedda Lubin as hisbubble-brained wife, Evelyn Landis aswhopping Winifred the freaked-outprostitute, and Gary Koppel as thearmy pal. The three stagehands, playedby Patrick J. Murray, James Rinnert,and Marty Schimerlick, areperiodically on hand to provide props,written explanations, backgroundcommentary and deprecating glancesfor the proceedings; their regularpresence strengthens the farcicalelements of the play and providesplenty of laughs.The play is especially successful in itsexploitation of two related con¬temporary phenomena as topics forsatire. Argue is an Ivy League man, sothat many of his traumas have to dowith the messed-up success models ofupper-crust intellectuals in the NewEngland-New York culture complex.More generally, the nature of therelationship between the suburban,bedroom-town dweller and his chosenBig City is raised (and razed),especially in the riotous sequence inwhich Argue seeks to fill the emptyhours while his wife in in labor with aback-to-(Etruscan-animal) natureroutine in the grungy part of the EastVillage.Both shows together provide a richand rewarding evening of theatricalentertainment. Tickets are $3, $2 forstudents, call for reservations and in¬formation at 525-9893. The productionruns late, beginning at 10:30 p.m. onFriday and Saturday nights; you couldtake in a leisurely dinner first and thenstop in at 2356 N. Lincoln for a reallysharp set of shows.n iuuy, Februory 16, 1973 - The Chicago Maroon -11From CEME: Brisk, Viable CultureBy JOE MANCINIIt’s not often that one comes acrossmusicians as dedicated as the ChicagoEarly Music Ensemble, and by thatreasoning their concert on Saturdaynight, February 11, was reallydelightful. A program of French andGerman Baroque music isn’t exactlymy style, but the CEME won me over bytheir undeniable esprit-de-corps.The CEME exists for two reasons thatI can think of: first, the members enjoyplaying music together; second, theyenjoy playing if for people. Both of thesereasons are pretty good, and thecapacity crowd (it was literally S.R.O.)at Bond chapel would agree with me, Ithink. There was a great deal ofaudience-performer rapport, and arefreshing informality (helped along bya balky music-stand on the harp¬sichord—when your music sheets falloff twice, you’ve got to be informal).Hearing instruments of the periodwas quite interesting. One could see therelationship between the viola- da-gamba and its cousin, the cello—the violhas six strings and frets, and looks likea cross between a cello and a guitar. Itstone is lilting rather than the cello’swarm, mellow sound. The treble viol isa violin-ukelele hybrid, so to speak, andhas a bizarre, very distinctive soundthat I really can’t describe. Whoeverlabored on the replication of these in¬struments deserves much praise.The Quantz Triosonata had somerough edges in the opening Affetuoso,especially for Mses. Sonia Csaszar and Barbara Henry, the recordist andflautist, respectively. Spephen Kempand Jose Vazquez accomplished well onthe harpsichord and the viola-da-gamba. The Larghetto had some verylyrical, almost haunting passages.Mr. Kemp had an opportunity to soloin Louis Couperin’s D Minor Suite, andwhile I felt the Chaconne to be a bitMUSICheavy-handed, he played it well.Mr. Vazquez seems to be the star ofthe ensemble, and he played MarinMarais’ D Major Suite excellently, Mr.Kemp again accompanying. TheMarais is not a terribly meaty piece, butit gave an indication of what the Bach DMajor Sonata would be like. Massrs.Kemp and Vazquez handled the Bach,especially the Allegro, with a great dealof flair and vivacity; musically it wasthe high point of the evening. G. P.Telemann’s Trio with Ms. Csaszarjoining the basso continuo and viola-da-gamba was a representative offeringfrom one of the Baroque’s greatestcomposers.John Sytsma joined for Marais’ Suiteen Trio, and the ensemble brought theconcert to a close with the lively Ron¬deau; it was in this piece that Mr.Vazquez switched to the treble viol, andI found myself following the viol due toDirected 81 Designed by Charles A. JenkinsFebruary15-20 8:30PM.MandelHall 57th 81 UniversityUniversity of OucagoTheatreAdmission: $2.50, Students $2.00 its distinctive sound, sometimes to thedetriment of the other instruments.The CEME has a fine idea and theydeserve encouragement. It is preciselygroups like the, who, by taking interestin music and sharing it with anaudience, keep music and the musicalheritage of the West from stagnatinginto an area of only scholarly interest.The CEME is a cultural asset for theentire city, showing that culture to bebrisk and viable. I hope they’re oncampus again soon; you really shouldgo see them.On campus: This Sunday, February18, at 3:30, the Rockefeller Chapel Choirand Orchestra will perform Handel’s“Judas Maccabaeus.” Soloists includeSheila Harms, soprano, contraltoPhyllis Unosawa, Gerald Scott, tenor,bass Monroe Olson, Elliott Golub, or¬chestra concertmaster, and LarryMendes, harpsichord. Tickets are:Reserved, $5, Chancel seating, $4.50,General Admission, $4, DC students,$2.50, with group discounts available bycalling 753-3387. Tickets available at theReynold’s Club Desk, Woodworth’s andat the door.For those of you who like to sing,there is a new citywide Jewish choralgroup, the Zamir Chorale of Chicago, abranch of the famous New York en¬semble. Directed by Neil Levin, thechorale is a permanent ongoing societyopen to anyone interested in singing. Itwill perform concerts throughout thecity, be available to hospitals, old agehomes, and other communityorganizations, will give benefits forJewish causes, and aims to getacquainted with a wide range of Jewish music. An initial concert is projectedfor April 4 but the group needs singers.It meets at B’nai Zion, at Pratt andGreenwood, on Mondays at 8. For infocall Mr. Levin at 432-4284 or 432-6360.Rides from Hyde Park will be coor¬dinated by Hillel—call Toby at PL2-1127or 752-2166.Off campus: This afternoon at 2 theChicago Symphony performsDiamond’s Elegies for English Horn,Flute and Strongs; Rachmaninoff’s TheIsle of the Dead; Prokofieff’s PianoConcerto H3 with Israela Margalit;Janacek’s Taras Bulba; conducted byHenry Mazer. Tickets are $4 in thegallery and there are probably someavailable. Orchestra Hall. Saturdaynight, James dePriest leads a Sym¬phony Saturday evening special withreduced ticket prices ranging from$2.50-$6. The program includes Wagner,Prelude to Act III of Die Meistersinger;Mozart Symphony #34 and Shostakovich,Symphony #10. 8:30.Russ Meyer’s Beyond the Valley ofthe Dolls (or BVD as it’s affectionatelyknown), is hardly his best film, butcertainly has its moments. Meyer isconstantly undermined by the script ofnone other than Roger Ebert, Chicago’sleading cineaste. Roger keeps messingaround with Citizen Kane parodieswhile Russ cowers in the wings. Hit¬chcock Films, Cobb Hall, 7:15 & 9:30, $1.Robert Mulligan’s Summer of ’42 is anice enough little movie, but reallydoesn’t show off much of Mulligan’stalent. Jennifer O’Neill was discoveredby Howard Hawks, but you’d neverbelieve it. Doc Films, Saturday, CobbHall 7:15 and 9:30, $1.COLUMBIA RECORDSsalutesMUSIC FROM MARLBOROfirst Chicago appearanceFebruary 23, Friday at 8:30 P.M.University of Chicago, Mandell HallProgram includes Schubert's"Trout” QuintetHEAR MARLBORO FESTIVAL PERFORMANCESON COLUMBIA RECORDSTrout Quintet MU;SCHUBERT >k H!OM MARlbOROTROUT QUINTETRUDOLF SERKINJAIME t AREDO/lESUf PARNASPHILIPP NAFGELE/JULIUS LE VINEfc* j;K>U ofR1 KINAM- jh-' •):&*< TORV.ffc '.TiVAtJfc> ^ 'ROSE RECORDSPablo CasalsSix BrandenburgConcertosInformation: 753-358112 - The Chicago Maroon - Friday, February 16, 1973Harriet, Ingrid, Liv: Lilies of the PondBy DAVE KEHRCries and Whispers is the kind of filmthat people describe as “a series ofemotionally charged images that ex¬press psychic impulses” (Pauline Kael,in the New Yorker). In other words,nobody’s really sure what it’s about,and Ingmar Bergman isn’t telling. Theincredible amount of praise that hasbeen lavished on this film by critics whoostensibly like Bergman’s work com¬pletely mystifies me. I found Cries andWhispers to be easily Bergman’sweakest film in the past ten years, allnonsense about ‘‘psychic impulses”aside. One thing you never could accuseBergman of was pettiness, and yet, thatis exactly what Cries and Whispersprojects. It just hangs there on thescreen, refusing to move. In the past,Bergman’s detractors have pointed tohis obscurity, ponderousness, andgenerally deficient mise-en-scene, butno one could object to his handling ofactors. Surprisingly, Harriet Andersson,Ingrid Thulin, and Liv Ullman floatthrough Cries and Whispers like somany lillies on a pond. I had thought thestill birth of The Touch was due prettymuch to Eliot Gould’s catatonic per¬formance, but it now seems thatBergman had more to do with it than Isuspected. Cries and Whispers seemslike the confirmation of a disturbingtrend.Robin Wood has divided Bergman’sfilms into periods dominated by dif¬ferent actresses. Bergman’s HarrietAndersson period covers roughly thefirst half of the fifties (Monika, Sawdustand Tinsel), when his concerns werewith adolescence and responsibility.Ingrid Thulin belongs to the deleriuspre-nervous breakdown period (TheFace, Winter Light, The Silence) whenBergman was walking uncomfortablyclose to the edge. Liv Ullmancorresponds to the con temporaryperiod of self-defeating humanism thatbegins with Persona. So, with all threeactresses brought together, the stagewould seem to be set for a re¬examination or synthesis of past work.Nothing remotely like that happens. Infact, nothing remotely like anythinghappens.Thulin and Ullman are attending ontheir sister, Andersson, who is dying ofcancer in their old family mansion.Both are haunted by old sexual traumas(the cries and whispers of the title), andare unable to do much but wait for theirsister to die. Also present is KariSylwan, an earthy peasant maid who has lost her son, and showers hermaternal affections on Andersson in¬stead (unusually facile psychology forBergman).The first half of the film is con¬structed in Bergman’s usual manner asa series of flashbacks to various tellingexperiences in the women’s lives. TheFILMsecond half, after the death, takes placein the films ‘‘present” time, and isconcerned mainly with Ullman’s at¬tempts to draw Thulin out of herneurotic reserve.The maid has a dream in which thebody of the dead woman asks her sistersto embrace her. After both reject her,the maid is left to snuggle up to herherself. Back in loosely defined reality,the two sisters acknowledge that theyhave done nothing for each other, andthe film concludes with a flashback to apastoral scene via the dead woman’sdiary. “And so the whispers and criesdie away” reads the end title, and sothey do.Each of the three leading roles isbased almost entirely on our knowledgeof the actresses’ “’ypes” as projected inpast films. Although this is a validtechnique for a point of departure (Ithink of Ford’s use of John Wayne inThe Man Who Shot Liberty Valence),Bergman does nothing with it. A lot ismm1 authorized sales & service312-mi 3-3113foreign car hospital & clinic, inc.^^"*5424 south Kimbark avenue • Chicago 60615 ICE. -&ERG-*m0w said these days about directors filmingin shorthand (The French Connection isusually held up as an example), andwhile this may be appropriate to a filmwhose subject is primarily physical, ithardly suits a filmmaker like Bergman.When Bergman throws away charac¬terization, he is throwing away what iseasily his strongest point. One looksthen toward the collisions between thethree to bring out some substance, butagain, there are nothing but abrasions.The people we see at the end of the filmhave not changed at all; this is quite acontrast to the “old” Bergman, whosefilms centered around points of tran¬sition in the protagonists lives. Perhapsthis is something Bergman no longerbelieves to be possible in the moraluniverse he currently inhabits, but onceagain, the film doesn’t try to deal withthis. Cries and Whispers gives us threewomen who find love, be it conjugal,filial, or maternal, to be a source of guiltand pain. We aren’t told anything more;our only reactions can be acceptance orrejection of the premise.By draining the film of dramatic orthematic progression, Bergman isrelying on his images to bring the filmalive, something he has never done inthe past. Apart from his affected anant-garde mannerisms, Bergman hasalways been very literary-minded. Heusually depends on hiscinematographer, Sven Nykvist, tobring the image up to a level where itcan compete with the sound track, andNykvist is certainly one of those rareartistic photographers, concerned withmore than the proper exposure. Nonethe less, Bergman’s frame could hardlybe called dynamic. His favorite set-up is a very conventional two shot which hedoesn’t vary throughout the scene orexchange of dialogue. This kind offrame is completely static, leaving noroom for movements other than those ofthe actors mouths, ultimately no morethan the archetypal “photographs ofpeople talking”.The little effects that Bergman is fondof tacking on (aside from screaming out“Look, direction!”) do nothing todispell the feeling that the film is takingplace under water. The most im¬pressive image, and probably the onethat motivated the film, is of the womenin white dresses sitting in a bright redroom. The all too obvious analogy ofpassion and purity is reiteratedthroughout, most obtrusively in thefades to red that preface the flash¬backs. Accompanying the fades are,you guessed, cries and whispers on thesound tract. Bergman, who alwaysrestricts his music to a dash of carefullychosen Bach, backs up many sceneswith the sound of a clock ticking, oneway to bring out a point, but hardly themost subtle or effective (see the wayOphuls introduces this element).Bergman seems unwilling or unableto fully exploit the potentialities thatworking with film gives him. Our in¬volvement with his films is purely in¬tellectual; he makes us spend most ofour time worrying about what exactly isgoing on instead of freeing us to dealwith larger issues. If Bergman’s am¬bitions often lead him to obscurity as aresult of not fully digesting his material,they are also responsible for giving hisfilms their redeeming awesome quality.Cries and Whispers, though, is notambitious, and far from awesome.KATSAftOS HI A ft M A ( y.wc• Complete Prescription Needs• Prompt Delivery Service1521 E. 53rd ST. Phone 288-8700 J HAVILL’SRADIO, TELEVISION& HIGH FIDELITYSALES, SERVICE & ACCESSORIESZenity — PanasonicMaslo'work — KLH1368 L 53rd, Chicago 60615 • PL 2 780045 Years Serving Hyde ParkSunday February 18 C.E.F. presentsKen Russell'sTHE BOYFRIENDCobb 7:00 & 9:15 $1.00Friday, February 16, 1973 - The Chicago Maroon - H11Three nights of grinning and picking(Continued from page 9)worker, had played together about 14years ago. They met downstairs in thedressing rooms, talked it over for awhile, and began jamming as if theirlast session was last woek. Edwards,who recorded for Chess andwho”....went up and down theMississippi playing on street corners,”shouted more than he sang and missed afew notes, but still played a fine bot¬tleneck slide.Reverend Pearlie Brown, fromAmericus, Georgia, also played acountry slide, along with a MississippiNational steel guitar and accordian. Hewas versatile, and had a deep voicewell-suited to his gospel material. Hisduet with his wife on “Amazing Grace”(done on the accordian) was the secondbest I’d ever heard. The best was doneby Almeda Riddle at the Folk Festivallast year.The most dramatic blending of thecontemporary with the traditional camein the piano team of Jimmy Walker andErwin Heifer. Walker, old and black,and Heifer, not so old and white, areboth from Chicago, and combined forsome spectular boogie piano. Walker, inhis solos, played a raunchy, skilledbrand of old-time boogie and ragtime,while Heifer played original com¬positions that were, in turn, jazz-like,semi-classical, and ragtime. It was ajoy to watch the interplay of the two onthe three and four-handed piano duets;as a fusion of the old and new, and of twogreatly different piano styles, they werea metaphor for the entire Festival.Big John Wrencher, a blues harpistfrom Chicago who appeared at the 1970Festival, did some numbers with Walker and Heifer. His gruff vocals andmethod of attack on the harp got alongwell with the rag rhythms and solosl ofthe piano team.Glenn Orlin, singer, storyteller, andperenial Folk Festival favorite fromArkansas, played a traditional brand offolk and cowboy music rooted in thestory-telling traditions of the South andWest. His cowboy songs and stories are interesting, legitimate, and funny ashell, unlike the stuff Gene Autrey usedto do. His story-telling style was per¬fect; dry, low-key, and quietly, slylyhumorous.Kevin Henry and John McGreevy areChicago Irishmen, like a lot of people inthe City Hall. Unlike the people in CityHall, however, Kevin Henry and JohnMcGreevy are talented. Their duets on fiddle and Aeolean bagpipes ( the kingplayed with a bellows rather than withlung power) were a strange, pleasaneIrish/bluegrass mixture. The lilts onboth pipe and fiddle were at times Irishfolk tunes, at times reminiscent ofbluegrass, and at times almostclassical; they were always haunting.Finally, there were the New Lost CityRamblers, who have appeared at everyFolk Festival and have done more thanany other group to steer publicrecognition toward legitimate folkmusic and away from the stuff done bythe Kingston Trio. They were, as usual,talented on guitar, mandolin, fiddle,and banjo; they’re probably the onlygroup I know who could present aStroh’s Beer commerical they had justrecorded to loud applause. They closedthe Festival with traditional “Bat¬tleship Maine” to “celebrate the endof the war.”After the Festival, I heard a fairlywide-spread commentary going onabout, of all things, Tom T. Hall’ssexism. O.K., in a lot of ways it was. Butthen, when Jimmy Walker sang “C’monin here, sweet thing/and get yourmorning exercise,” I didn’t hearanything.Some members of the United FarmWorkers, who vounteered to work asushers, suggested the addition ofMexican traditional music. That seemslike a good idea. If anybody else has anyideas, bring them to the FolkloreSociety; the Folk Festival is an ongoingprocess that needs new ideas and newpeople. After all, where else can youvolunteer to work on a tradition?The Folk Festival itself? As JimmyWalker said, “That makes me feel sogood.” Amen.Standing: Big John Wrencher. Seated: Jimmy Walker and Erwin Heifer. At theUC Folk Festival. Photo by Clara Hemphill.MASS MEDIA/73presents a public lecture byNeil Sheehanof the New York TimesFriday, February 16, 1973, 8 ^m.The Law School Auditorium, 1111 East 60th Street NO ADMISSION CHARGEDNO TICKETS REQUIRED“All the Nejat’s Fit to Efi±9L. CXX1I.... No.J.S. Copters Will Flyto Capital to Take PaCease-Fire Commit CAMBODIA EXPECiA 72-HOUR CEASi®PARING FOt CEASE-FIRE: ], left, and Spang Doe Nha,lbrief offlcfli la Saigon.IO-McMP.O.' By SYLVAN FOXawanMWTnnaSAIGON. 1day, Jan.:muni«f mJIiUbe flownAmerican IMonday14 -The Chicago Maroon - Friday, February 16, 1973 ff , , .. .... . .$ nco»r,M o; o.'iri* yt^v’de-l yobh-i reporter, is tie n..ii,Papers rind pi \t 'i ireporting ,ec ; ’r\».•then' for d'e \t vMr Sh, t * i , 1 ) 1,: i n i ■ (I the I.Vednesde. • < ' : :\> .'3HlJNTt f- ! h:iac -^T t1ft IftCAMBODIA m\\A 72-HMIR CEALA^^SHBOOKSStone SoupWilliam Rubel, Lo Christy, editorsThere’s a new magazine for all youpeople with precocious little brats orwith just a love for children. NamedStone Soup for some reason, it will bepublished three times a year and will bedistributed nationally.The magazine will, in the words of theeditors, William Rubel and Lo Christy,“provide a singular opportunity for thepublication of stories, poems, plays, andillustrations by children and forchildren.” Stone Soup will publishworks by both adults and children.Literary works by children need notbe in English. (If your kid can write inSwahili or even French, throw in atranslation; both will be printed.) Inany case, submit the kiddie’s work inthe original form. (Yes, without thepeanut butter.) Illustrations, either byadults or by children, need to be about 9x 12 or smaller. Illustrations wherecolor is an important factor in the motif(eg - a rainbow) will not be accepted forpublication.Children’s stories by adults arelimited to 1500 words, and theoreticalarticles about children’s literature arelimited to 3000 words. Books can bereviewed by children or adults, butdon’t bother to send them in to StoneSoup - give them to the Maroon bookeditor who is much nicer anyway.The journal will be published in May,costing $1. Inquiries, submissions, orsubscriptions to this very worthy newmagazine should be sent to : StoneSoup, a journal of children’s literature,Box 83, Santa Cruz, California, 95060.The deadline for the first issue isMarch 9. In order that your manuscriptwill be returned, enclose the usualstamped, self-addressed envelope.If you’ve often thought that you couldwrite better than most of the children’sauthors, why don’t you try submittingsome of your own work? Also, get yourkids working at it. (Think of the hitthey’ll make in the college admissionsoffice when the admissions officers findout they started publishing at the age offour.)If you’ve tried to publish a book or ageneral circulation magazine article,with either success or failure, andwould like to write an article about yourexperiences, why don’t you call yourfriendly book editor, Mark, at 753-3269during business hours? Someone withsome journalism background is alsoneeded; call the same person at thesame number at the same time.stud«ht» far Iwratl BabaArnold SchulmanViking Press, Pocket BooksJesus freaks sit up and take notice!Sai Baba is daily performing miraclesin India such as Jesus is said to havedone. He heals the sick, materializesthings of all kinds, reads all thoughtsand knows the akashic record byheart. He has founded laboratories,hospitals, schools, libraries and anashram (Prasanthi Nilayam, orHome of Highest Peace) in his hometown of Puttaparthi (Many Anthills),Province of Andhra Pradesh, SbuthIndia.Born in 1936, Sia Baba at the age ofeight could pull candy out of an emptybag until all his friends had their fill.At fourteen he underwent a period ofwierd behavior which ended in hisdeclaring himself Sai Baba, thereincarnation of a holy man (SirdiBaba) late of a neighboring province,and claiming that he would be bornyet again in another neighboringprovince, as Prema Sai Baba. He lefthis family and rapidly gathered afollowing, performing all sorts ofmiracles wherever he went. “Mymiracles are my calling cards,” hesays. He pushes back the sleeve onhis right arm, makes a fist, and onopening it palm upwards revealswhatever it is he wants: fruit, candy,jewelry, pictures, statues, surgicalinstruments, vibhuta (ashes smellinglike incense and tasting sweet thatQure disease); and these are given tothose who need them. Vibhutq alsostreams from photographs of him allover India.He is said not to sleep, and day andnight ceaselessly fingers the air withhis right hand. In this way, he says,he deals with problems everywhere.His message is exclusively one en¬couraging spiritual development, loveand service. And, as Schulman ob¬serves, “In a land where holy men,yogis, and magicians can be found inoverabundance a short spit fromalmost anywhere, only Sai Baba isconsidered by all factions, even hisdetractors, to be a major force in thecountry.”When Schulman first saw him, hesays, “When their eyes met, thewriter felt as if the breath had beenknocked out of him. His ears startedringing. He felt completelydisoriented. When Baba looked awaythe ringing stopped.” Schulmancollected accounts by many disciplesof miracles Baba performed forthem: and of course he features thestory of his own miraculous en- a journal ofchildren's literatureSTONESOUPcounters with Baba, who gave himcopious good advice, cured him offever, and materialized him a goldring set with sixteen white sapphiressurrounding a painted porcelain ofBaba seated in a chair.Schulman is painfully honest abouthimself throughout the book, faith¬fully recording his many alternationsof doubt and love of Baba, and thislends the book another dimension ofauthenticity. On the whole it is wellygpuns-^ion ‘[buotsuTM °* We®o+-» u*-t>CD• NHi brad ao<D.£rO,03V wP, (L).cm< information ark. university Jhllltl home - 571* s. 'Wo.dlwxi **It* GOLD CITY INN written, with the intention of being“popular,” but why Schulman choseto sustain the traffic of a third personnarration throughout is not clear. Heis a successful stage and screenwriter and his book largely reads likea scenario: one seems quite often tobe looking through the lens of a moviecamera. This is annoying perhapsbecause it tends to “structure” thewhole presentation excessively. Moredirectness might have left room formore information. In sum: a greatsubject and a fairly good book about-Bob Smith* ** given **by the MaroonNew Hours: Open DailyFrom 11:30 a.m.to 9:30 p.m.**It*ItItItIt"A Gold Mine Of Good Food"Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.(Try our convenient take cut orders.) KIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct import*,bringing bottor vahm to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53R0 KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbark Plasa NY 3-3355. , ' . .rcj.v '»vn V 1 ^Friday, February 16, 1973 - The Chicago Maroon - ,*l5Marlboro Brings Summer in FebruaryJulius Levine, double bass. Photo by John M. Snyder.By DEENA ROSENBERGThe summertime Marlboro MusicFestival is the only major musicalhappening around devoted exclusivelyto chamber music. Every summer forthe past 22 years, nationwide audienceshave been lured to the tiny MarlboroCollege campus in the backwoods ofVermont by topnotch musicians of allages who come from every part of thecountry and the world to participate.For about seven weeks the per¬formers form their own community,eating in a common dining hall, takingturns at KP, sleeping in dorms orhouses close by. Marlboro is a place toget to know fellow artists, as well asplay pretty much what you want andpractice endlessly if you choose, freefrom the pressures of tours, concertsand lessons.Festival directors hope that everyparticipant—and each year there is a30-40% turnover so that many canpartake of the Marlboro ex¬perience-will take the spirit of theplace with him wherever he goes.This spirit has never entirelybypassed Chicago, since Rudolf Serkin,one of the Festival’s founders and itsmusical director and guiding light, hasplayed his magic piano here fordecades. Last year we got a group off¬shoot, the Vermeer Quartet, who are inthe midst of their second yearly seriesat Mandel Hall.Eight years ago. in order to share thesummer musicmaking with morelisteners in different places, the ‘Musicfrom Marlboro’ touring program began.Four or five ensembles, with three tonine members each, form at theFestival and rehearse certain works atMarlboro to take on tour during thewinter.‘Music from Marlboro’ is coming toChicago and Mandel Hall for the firsttime next Friday, February 23rd. Sixartists will play the Mendelssohn Sextetin D major, Op. 110; the Ravel Sonatafor Violin and Cello; and Schubert’sQuintet in A major, Op. 114, the“Trout.”As is characteristic with Marlboro groups, this one has both very youngmusicians and more experienced ones.Ronald Leonard is familiar to Chicagoaudiences as the new Vermeer cellist.Violist Jennie Hansen is a nativeChicagoan who first studied violin withher father, James Hansen, a member ofthe Chicago Symphony, and is nowviolist in the Amici String Quartet inupstate New York. Last summer washer first at Marlboro, and one retains avibrant image of the willowy light¬haired girl staying up most of the nightplaying Brahms with her friends in thedining room.The one with farthest to travel ispianist Lee Luvisi, artist in residence atthe University of Louisville, a musicianof subdued demeanor with enchanted hands.Japanese born violinist HirokoYajima, who has long dark hair and aninfectious laugh, is a member of theGalimir string quartet in New York,and is married to Julliard Quartetmember Sam Rhodes.Double bass player Julius Levine alsohas a musician spouse—violist CarolineLevine (they met at Marlboro). Dark,balding eloquent, outspoken, Levine hashad the honor of recording the TroutQuintet (which has a long bass solo)four times. Levine is amazed at howwell the group sounded at rehearsalafter not playing together for sixmonths. “For people with such stronglyformed personalities, we clicked againbeautifully.’’ He adds, “We not only respect each other as musicians, we allhave a nice feeling about each other aspeople.’’Violist John Graham of NY, echoesLevine. “My experience has shown methat you can just play with almostanyone, but you can play better withpeople you enjoy.’’ Ms. Yajima chimesin, “I personally thing this Marlborotour group is the greatest.”The concert is at 8:30 on Friday the23rd, in Mandel Hall. Tickets are $4, $2for students, $1 discount for ChamberMusic Series Subscribers. Tickets areon sale at the Concert Office, LexingtonHall, between 59th, 58th and University,and in Mandel Corridor Thursday the22nd and Friday the 23rd from 11:30-1.For more info phone 753-2612.Study inGuadalajara, MexicoFully accredited, 20-year UNIVER¬SITY OF ARIZONA GuadalajaraSummer School offer* July 2-Au|USt11, anthropology, art, education,folklore, geography, history, gov-ore aunt, language and literature.Tuition $1IS; heard and room 1211.Write: International Programs, Uni¬versity of Arlxona, Tucson IS721. JAMESSCHULTZCLEANERSCUSTOM QUAUTYCLEANING10% student discount1363 E. 53rd St.752-693316 -The Chicago Maroon • Friday, February 16,1973 REGAL NOTES EYE EXAMINATIONSUNDERSTAND PLAYS, NOVELS FASHION EYEWEARAND POEMS FASTER WITHOUR NOTES CONTACT LENSESWere new and were the biggest!Thousands ol topics reviewed forquicker understanding Our subjects in DR. KURT ROSENBAUMelude not only Enqlish but Anthropology Art, Black Studies. Ecology OptometristEconomics Education. History lawMusic, Philosophy Politicol SciencePsychology. Religion Science Sociologyand Urban Problems Send $2 for yourcatalog of topics available (S3 Kimbarfc Plaza)REGAL NOTES 1200 East 53rd Street3150 "O" Street N.W. HYde-Park 3-8372Washington, D C 2000C7Telephone: 202-333-0201Country, Country, Country, Country, CountryFOLK WORKSHOPSBy BEN HUANGThis year’s successful Folk Festival atthe U. of C. included an extra dimensionnot usually found at most concerts orperformances, the Saturday workshops.At these informal get togethers, theaudience can learn a lot about thehistory and tradition of a particularform of folk music. This year theworkshops included blues guitar, fiddle,and gospel music.Blues music, especially the folk orcountry blues,holds a special fascinationfor me. The root of all modern popmusic, folk blues is a simple but oftenpowerful way for the expression ofanguish and sorrow of living. PorkyBrown, Houston Stackhouse, and SamLacy at the blues guitar workshop-- allplayed with sincerity and convictionrarely approached in pop music per¬formances. These people are not outthere to put on strutting, self-indulgent,and gimmicky ego-scences, but werestraightforward and honest. HoustonStachhouse seemed to play with a bitmore technical ingenuity without losingthe depth of feeling, but the other twowere also very fine.Mike Seeger,Tracy Schwarz, SteveLedford, and Sam Bush participated inthe fiddle workshop. It’s a littleamusing and a lot more embarrassingto reflect on what I used to think about“violins” used in folk and bluegrassmusic. I was pretty ignorant in thosedays of pseudosophistication, and nevergave myself a chance to appreciategood fiddle music. Mike Seeger gave anespecially good performance; he hadeveryone clapping and moving. It’s toobad that he couldn’t have played longer.The gospel workshop started out withthe Steve Ledford String Band doingtheir version of “19th century gospel,”characterized by close vocal harmony,rising inflection at the end of phrases,and a leisurely and even rhythm. PerlieBrown then sang some “street cornergospel” which I thought was much more blues oreinted than gospel or spiritual.The Golden Echoes from Farmington,N.C. performed an older type ofspiritual and gospel they named“jubilee style.” They traced theirmusical evolution in terms of ac¬companiment, from acappella to guitar,to bass and guitar. They did a poignant“Troubles of the World,” followed by aninfectiously happy song called “I knowThere’ll be a Jubilee,” which had theaudience involved in helping keep thebouncy rhythm moving. What wasinteresting to me is that one can see alot of this old style of gospel andspiritual singing in the more con¬temporary singing of soul groups suchas the Temptations, Ray Charles, andthe Persuasions.I’d like to thank the performers forsome marvelously entertaining andenjoyable moments, and tocongratulate the folk festival com¬mittee for having these workshops withthe festival every year. I think theperformers are more at ease, theaudience more receptive, and the at¬mosphere more easygoing at theseworkshops. Besides these workshops,there are always people sitting aroundin impromptu groups singing, playing,and having a good time. If you werethere this year you know what I mean,and if you weren’t, try to remember todrop by at Ida Noyes next year and joinin the fun and festivities.RECORDSWill the Circle Be Unbroken?Roy Acuff, Maybelle Carter, EarlScruggs, Nitty Gritty Dirt Band, Others(United Artists UAS 9801; 3 Ips.)This is one of those album sets thathave to be considered as an event, asSantana Lends Subtlety to LatinVein at MadisonBy LARRY FRISKEThe Madison, Wisconsin Coliseumwas the scene for a fantastic evening ofthe new Santana sound last week in apreview of their performance tonight atthe International Amphitheater.Judging from their latest tour and theirlatest album Caravanserai, the band ismoving towards a more subtle, im¬pressionistic kind of sound whileholding firm to the energetic Latinrhythm.There is no doubt who is the movingforce behind this unique mixture ofsound. Carlos Santana’s lead guitar iscreative enough to sustain interestthrough a long setting and throughoutthe evening he never let the Latindrums or constant keyboard din tire thecrowd. With the organ predominating inthe background, Carlos launched into aforceful version of “Waves Within” andhe never let up for the next ninetyminutes. The music is non-stop and,without any vocals and Carlos’ ex¬tensive soloing, it is sometimes difficultto identify the numbers. The group didget into extended versions of “StoneFlower” and “La Fuente Del Ritmo,”some selections from Abraxis, and arelaxed, subdued rendition of “SambaPa Ti.”It is apparent from Caravanserai thatCarlos is moving Santana into newterritory. Taking his cue from music such as from Weather Report andMahavishnu John McLaughlin, Carloshas added another keyboard, anotherlead guitarist on their album, a new,strong bassman named Douglas Rauchand two new conga players. The Latinrhythm is a driving, dynamic factor,never generating into the repetitive,boring din of which it is capable. JamesMungo Lewis and Armando Pereza onpercussion seem to really enjoy mixingit up with Carlos, as did the whole bandin this performance. Mike Shrieve isquite capable on drums. Carlos himselfis one of the best guitarists around andis now beginning to dabble in feedbackas another move towards the completesound.The rest of the evening went offwithout a hitch and promptly on time.Bobby Womack warmed up the packedhouse with some of his latest hits sup¬ported by a large, ten-man band namedPeace. With plenty of brass, fourguitars and enough driving rhythm tosustain all of this, Womack, recalling tomy mind Otis Redding at times, in¬cluded “Sweet Caroline” from his latestalbum Rockin’, “If You Don’t Want MyLove,” and a 15-minute jam of “Got ToUnderstand It,” where Womack himselfwas out in front on lead guitar.All-in-all, Santana combined withBobby Womack and Peace bring off anevening of sound that will keep yourbody in constant motion. Country music bridges the generation gap at recording session of “Will the CircleBe Unbroken?”well as a record. Everybody from theNashville Tennessean to Rolling Stonehas called this the most important setever rcorded in Nashville. Pretty heavystuff, considering the recording com¬panies in Nashville have been inbusiness since the Original CarterFamily and Jimmie Rodgers in the late20’s.As an event, the set is, indeed, themost important session to ever bepressed on the banks of the Cum¬berland. Old, venerated names incountry music, like Earl Scruggs, UCFolk Festival alumnus Doc Watson,Maybelle Carter, Roy Acuff, andMerle Travis came to Music CityU.S.A. to record with the scruffylikes of the Nitty Gritty Dirt Band. Thisis one of the few times in history, andcertainly the first on record, whereestablished names in country musichave recorded with a long-hair country-type band.In any other popular musical idiom,such a recording session wouldn’t meanall that much. But in country music, it’sthe equivilent of an earthquake. Theanimosity of traditional country artiststo hippie-type musicians is legend; BillMonroe refused to participate in theproject, and refuses to let long-hairsperform at the bluegrass festivals hesponsors. The appearance of a young,hirsute band at the Grand Ole Opry is aninconceivable as Ed Levi in a pair ofjockey shorts.As event, the 3-record set is anastounding success. It marks the firsttime that country music has brought itsfinest talent, both old and young,together for the same record. It openspossibilities in both directions; oldercountry musicians might now startconsidering performances before theyoung and generally unwashed, andyounger musicians might finally get thechance to perform country music beforeaudiences on the standard C & W cir¬cuit.Not only is Will the Circle a milestonein the history of country music; it is afantastic set worth hours of listeningand re-listening. Sociology aside, thismay well be the best album, musically speaking, ever to come from Nashville.Along with the previously mentionedtalent, the album contains legendaryfiddler Vassar Clements, dobro playerNorman Blake, and the late bassistJunior Huskey. The albums containeverything from a Randy Scruggsversion of “Both Sides Now” to aspectacular version of Will the Circle BeUnbroken, featuring everybody in thesession. The vocals of Doc Watson,Mama Maybelle, Roy Acuff, JimmyWalker, and Merle Travis, all respectedstars, are pure spring water.Instrumentally, the session featuresthe fine banjo of John McCuen of theNitty Grittys, along with the legendarypicking of Earl Scruggs, the autoharp ofMaybelle Carter, the mile-a-minutefiddle of Vassar Clements, and theguitars of Merle Travis and Doc W’at-son. Standard country numbers likeJimmie Driftwood’s “Tennessee Stud”and Hank Williams’ “Honky Tonkin’”are combined with solid bluegrass in¬strumentals like Earl Scruggs’ classic“Flint Hill Special” and Merle Travis’“Cannonball Rag”.If you like country or country-likemusic, this album collection is as im¬portant as anything you’ll ever buy. Andif you’re not quite sure about country,pick the album up anyway. You mightas well start by being introduced to thebest.„ —. jC.D. JacoSame Train, A Different TimeMerle Haggard(Capitol SWBB-223)This is for all of you Massachusettsand New York longhairs who have evergone into a restaurant or truck stop andfound yourselves confronted withporcelain ashtrays of each of the fiftystates, three-by-five Confederate flags,and country music on the juke box.Likely as not, you were listening toMerle Haggard and likely as not, if thelong-haul truckers and grease monkeysgot a good look at you and your equallyunwashed companions, you werelistening to either “Okie FromMuskogee” or “The Fightin’ Side of(Continued on paae 18)February jl^97?RECORDS(Continued from page 17)Me.” Thus begins and ends yourknowledge of country music. But behindthe flag decals, ceramic novelties, andtop-40 c&w schlock, there is a greatmusician performing songs in an idiomwhose traditional roots go deep, buriedin the heart and guts of a people and aland.Merle Haggard is one of the fewwidely popular country and westernartists who has a deep and abidinginterest in and affection for thetraditions and origins of country music.He himself is linked closely to thetradition of the poor white in the Southand West; his father made the drivefrom the Dust Bowl to Bakersfield whenCalifornia was the Mother Lode of solidtopsoil and re-built dreams. It was atired, hardscrabble America of twogenerations ago, of foreclosures andHoovertowns and men and womenmade gaunt and exhausted young; itwas an era of what Ramblin’ Jack Elliotcalls “bull durham sacks and railroadtracks.” It was also the time whenJimmie Rodgers, called “the father ofcountry music,” reached into atradition and molded an idiom.Jimmie Rodgers combined blackSouthern blues, white hill balladry, anda touch of New Orleans jazz into an artform that reflected the feelings and pastof the rural United States. His music,while born of the folk traditions of theblack and white rural South, was notand is not “folk”—an ugly term that, asPappy Jenkins said at the Folk Festivallast year “...was used after it wasdecided that ‘hillbilly music didn’tsound right.” Jimmie Rodgers music iscountry music, and represents thebeginnings of a musical genre. Using original instrumentation,Haggard re-creates Rodgers’ materialfaithfully; Rodgers’ works call foreverything from an acoustic guitar to aMississippi steel-bodied guitar and afive-piece New Orleans jazz combo. ButHaggard is re capturing more than thetechnical aspects of Rodgers recor¬dings: he is stating the soul of themusic.Rodgers’ songs are of trains andhoboes and of the lost and lonely of aparticular time and place, songs which,like Faulkner’s fiction, transcend localeto become universal. They are of prison(“Why did I stray from the righteouspath?/Nobody knows but me?After Ipay for the liquor I stole?I’ll leave thisplace worth my weight in gold”), lovegone wrong (“Goin’ away, leavin’today, gonna bring my baby back/Ifthat big ’ol rider don’t jump thatrailroad track/Take her from thatman/Gonna bring her home if I can”),and his own life (“I love the women/Ilove them all the same/But I don’t lovenobody/Well enough to change hername/Women make a fool out of me”).I would suggest that you lay down fivebucks for the two record set, introduceyourself to a musical idiom and two ofits greatest performers, and prepare totake (preferably) violent issue with anyof your effete friends who refer to goodcountry music as “folk.”—C.D. Jac.oPickin’ and Fiddlin’The Dillards with Byron Berline(Elektra EKS 7285)Tired of top forty and FM “rock”, butnot really into jazz or blues? Well,you could kill yourself, but I wouldrecommend a less drastic measure. You might try listening to somebluegrass music. Though it’s at least sixor seven years old, Pickin’ and Fiddlin’by The Dillards and Byron Berline is anexcellent album to begin with. It is abeautifully diverse collection oftraditional American fiddle tunes, doneby some of the best bluegrass musiciansaround.The Dillards, born in the Ozarks, havebeen touring and recording together forabout ten years. Berline is an amazingversatile musician, a master of manyfiddle styles. He has been playing sincethe age of five, and has won the nationalfiddle championship twice. This albumis the product of Byron’s initial ex¬perience with a full bluegrass band. Hehas since recorded with many otherpeople, including The Flying BurritoBrothers.“Hamilton County” and “CrazyCreek” stand out in particular on theisalbum, though it has no throwaway cutsor weak spots, “Hamilton County” isplayed in traditional “breakdown”style, featuring some exciting riffs onmandolin and banjo, as well asBerline’s fiddle, “Crazy Creek”modulates between A minor and Cmajor, and is a most unusual andfascinating fiddle tune.Pickin’ and Fiddlin’ displays afreshness and exuberance so oftenmissing in the mainstream of popularmusic. This makes it enjoyableregardless of whether or not one hashad previous exposure to bluegrass.Jim NetterThe amazing BETTE MIDLER hasadded a second show at 10:30 to herappeaiance at the AuditoriumSaturday. Tickets were available atpress time. Also on Saturday night, the PolishMime Ballet Theater will appear at 8:30in the Arie Crown Theater of Mc¬Cormick Place.Six Chicago jazz artists, the GusGiordano Dance Company, will performtoday and tomorrow at 8 p.m. in theColumbia College Dance Center, 4730 N.Sheridan Road. Tonight they willpremiere an untitled modern work byBill Evans of the Utah Repertory DanceTheatre. Tomorrow night Giordano willpremiere Judy, in which his dancerstake the part of the late singer’saudience.BONNIE KOLOC, Chicago’s first ladyof folk, will be at the Amazing GraceCoffee House, 2031 Sheridan, Evanston,today thru Sunday. Two shows nightly, 9and 11-ish, call 492-7255 for info.LEO KOTTKE has joined LOGGINS &MESSINA in their concerts at theAuditorium tonight. Tickets were apossibility at last hearing, maybe atdoor.HOYT AXTON warms up Chicago atthe Quiet Knight this weekend,followed next week by JERRY JEFF“MR. BOJANGLES” WALKER. At theBelmont “L”CHUCK MANGIONE is at 901 N. Rushthrough the weekend; shows at 10, 12and 2, and a cover charge. Next week,take advantage of a student discount onThursday night to see RAHSAANROLAND KIRK at the Jazz Showcase.Tonight, at the Unitarian Church at 57and Woodlawn, IVY BEARD playspiano rags. 8:00, $1 at the door - worthskipping the movie for. OoBernard Weinberg1909-1973was the recipient of the firstGordon J. Laing Prizeawarded in 1963 forA History of Literary Criticismin the Italian RenaissanceOther works by Bernard WeinbergThe Art of Jean RacineThe Limits of Symbolism: Studies of Five Modern French PoetsThe University of Chicago Press18 -The Chicago Morbon - Friday; February 16, 1973oj • iK-onj\T .»til' ir'r • £\» »>l vui'K:r ,vo. lit;» ru xi R .11 ti.i J.'|MAROON CLASSIFIED ADSSCENESBVD will leave you breathing in shortpants...panting in short breaths?The Dreamer 1970. Israeli feature filmin color. Showing at 8:00 p.m., 5200Hyde Park Blvd. Cosponsored byHillel & Rodfei Zedek. Reduced admission to Hillel affiliates.' Wnat lies Beyond the Valley Of Thej Dolls? Only her hair dresser knows for] sure Explore the inner meaning: tonite. Cobb 7:15 & 9:30- Gay Unitarians! Gay caucus meetingtonight 8pm Call Clark at 241 7780 orHenry at 947 9645 for location and/ori information.■ $1.00 gets you beyond the valley of thedolls that's cheaper than 63rd street.There will be a panel discussion onWomen in Ministry at 7:30 pm, Feb.20th in McGiffert Lounge, 5751 S.Woodlawn. Participants will be Rev.Karen Knuston (Lutheran), Rev.Marilee Scroggs (Presbyterian) andShirley Herman (a chaplain atBillings). Sponsor. EcumenicalWomen's Centers. 50eEdy Williams meets other members ofthe cast you get more than briefglimpses in BVD.j Lormy Meyers M.D. speaks on Hypnatology at Brent House 5540Woodlawn at 7:30 p.m. Sunday 18th.Supper at 6:00 p.m. for only $1 00No BVD is not all sex and violence. SPACERoommates wanted for spring quarterto share large South Shore apt oncampus bus route. 643 8845Attractive room. Free use of libraryand color TV. Located on campus. Call753 2297 after 5pm. Males only.Large room available March 1st in bigsafe private but friendly student apt.$52 a month. At 54th and Woodlawnminibus at door. Jimmy's a short walkaway. Call 324 37795 rooms 2nd fl 54th PI. near Harperavail May 1 adults, no pets 764 9849Studio in lake HiRise reasonable safefriendly bldg aft 11, 684 2191TENANT REFERRALREASONABLE RENTTENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTS turn,and unfurn.LAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES 2343 E 71st St.See MONICA A. BLOCK667 2002 or 667 2004What betterWay ThanwithMAROONClassifiedsJESSEisoiTS®FRESH RSH & SEAFOOD **752-1*70, 752-*1*0, MS-tll* • 12401. )MV SwuMned *)witecl ^Oso’ *“BintAdcuf, Oc'h ftto&x arfNICOLAUS COPERNICUSBORN FEB. 19, 1473MUSIC • SPECIAL LECTURES • RECEPTION • BIRTHDAY CAKEFEBRUARY 19, 1973At 4:15 p.m. in Quantrall Auditorium of Cobb Hall1^“ NOCl M. SWIRDIOW, Asst Prof, In tho Dipt, of History,tho Colbp, and tho Mortis Fishboin Cantor for thoStudy of History of Stionto and Modkino,will >f>ook on Copamicvt. kit tkoory and !♦« background.19* 1 CHANMASfKHAR, tho Morton O. Huff Distinguish^hotossor In tho Dopts. of Astronomy and Astrophysics,Fhysks, and tho Inrko Formi Instituto and tho CommfMoo ontho Concoptoal Foundations of Scionco,will ipoak on tho cignMcanco of tho Copomkan discovery andtiw placo of scientific investigation in tho life of manFollowing those presentations there will beA BIRTHDAY PARTYIn tho SWIFT COMMON ROOM, with Refreshments.MUSIC BY THE CHICAGOEARLY MUSIC ENSEMBLE1st Unitarian Church adult discussionof Gay Caucus following 10:30 a m.Sun. service, , eb. 18, 5650 Woodlawn Need male for own room in big apt57th and Maryland call 684 7994 after 8pmCHICAGO BEACH HOTEL BeautifulFurnished Apartments Efficiency, 1and 2 bedrooms Near beach, parks,I.C. trains 11 min. to loop buses atdoor. Modest daily weekly monthlyrates. 24hr desk. Complete hotelservices. 5100 S Cornell Ave. D03 2400Male roommate needed in LittlePierce as soon as possible. Sunnyroom facing lake. Call 955 0660 after 6p.m.Cooperative for sale: You seldom savemoney like this! 2 bdrms, 1 bath, clac.,1st fir. Loc. 69th and Paxton. Immaculate. Near shopping and lake.Asking only $9860. Americus 798 5700.PEOPLE FOR SALEThat's what the flic is all about. BVDTonight.We'll clean out your basement orgarage and haul away your trash. Call924 3560; 9:30 am 1:30 pm forestimateBVD Breast Votaries' Delight. 7:15 8,9:30 tonight.Learn Russian from native teacher.Trial lesson no charge. Call 274 1420 MEN'S CLOTHINGDEPT.Salesmen Full or part time Apply inperson Goldberg's 4756 S. Ashland.POLL VALLEYRuss Meyer and wife do their thinqBVD.Edy Williams and Husband do theirthing Tonight.Roger Ebert is beyond all this 7:15 8,9 30 CobbNext to myself I like BVD bestSECURITYBURGLERS WORRY YOU? Keepthem out! Rest easy with a newFORT/NOX door. Just $245 installed.Call 798 5700 today. Free puppies 6 wks old: 324 6871LUTHERS TABLETALKPiaget and how children think aboutmorality, with Pat Keig in DrLuther’s chair, 6 p m. Monday at theBlue Gargoyle east aisleLOX & BAGELSSunday, 11 a m. at Hillel $1.00INDIAN MOVIESatyajit Ray's "CHARULATA"subtitled on Feb 1, Saturday at JUDDHail 7 30 pm India AssociationMembers $1 00 ot’.ers $12 5. Tickets atdoor THE VERSAILLES5254 South Dorchester Immediateoccupancy. Sublet lovely 1 1/2 roomstudio apt $121 util incl at campus busslop FA4 0200 MrsGroakTWENTY-ONE! 11Is divisible by 3, also D Royer's age asof 14th HAPPY B DAY DANNY!Love, Irwin SchroedingerGAY LIBERATIONLast Fri a black UC student wasrefused admittance to PQ’s PicketTONIGHT Meet at Gargoyle 9 pmStraight supporters welcomeMADWOMANSUBLET1375 E. 54th St. 2nd Floor 4 large sunnyrooms 2 bedrooms with porch lots ofclosets clean quiet very comfortable$157 per month HY3 3314.FOR SALE69 Austin America. Excellent condition Green, lovable. Call 241 6826Must sell, owner in Europe. .STORAGE SPACEWANTEDUC grad student going to India onFulbright fellowship needs attic, drybasement, or other space in Chicagoarea to store books 8, household goodsfor 1 2 years beginning March 20, 1973Payment in cash and/or gifts fromIndia. Call 324 3765 after 5 30 pmTHE BLUEGARGOYLEUNITED FRONT OFLOCAL YOKELSBring your bread ($2 00) to feed theGargoyle on Saturday Feb 24 at 8 00pm Gargoyle Friends of MusicalTalent, guaranteed unknown, will givea concert of traditional & contemporary golk music help us closethe gap between what we have andwhat we needfree, Call 684 3443 after 1 pm Good, dry Wis. oak $15 $17 per 1/4 ton. ZAMIRExperienced University typist will doletter perfect typing. Call 955 8721evenings. Upstairs 8. basement deliveries. 9243560; 4845 Kenwood 9:30 a m. 1:30p.m. Singers wanted to perform goodJewish Israeli & liturgical music andTax consultant will help prepare yourtax return. Call 731 9636 SOFA BED. $100, gold brown, almostlike new, traditional style 624 2875. York City's ZAMIR. Rehearsals Monevenings. Flyers & informationPortraits 4 for $4.00 up Maynard Fiat '69 station wagon great condition2800 miles book value 1700 make us anoffer 363 3257. Levine 432 6360, or Toby at 752 2166Studio, 1459 E 53 2nd floor 643 4083. 5500 S. SHORE DR.TYPIST exp 752 8119, after 6:00 pm. 64 VW Dented, Dependable $250, 324 FLAMINGO ON THE LAKEExperienced manuscript typing on 1537.Happy with your roomate? See us. Wehave the apt for youIBS Selectric 378 5774. Englander twin bed. Box sprg, frame,PEOPLE WANTEDDental assistant full or part time exppref. Will train right person Hy PkBank bldg. Ml 3 9607. almost brand new, must sell 947 8662Studio l bedrm turn unfurn. Shortterm leases the price is right Campusbus 2 blocks.Security shops elevator restaurantParking 24 hours switchboardMrs Adelman 752 3800double bed: nice hd brd 8 frame,$25.00; end tables $4, $5; dining rmtable & chairs good cond, $25.00, oldrug 9x12, $7. Call 225 4921 after 7 pm.Couples interested in second or thirdincome. Be your own boss. Operatefrom your own home. Part time or fulltime. Earn $100 to $1000 per month.Call 385 4069 for appointment. Golden retriever pups, AKC wormed,shots. Call 947 9750 evenings.Children's encyclopedia new ed N YTimes rated *1 call 684 2191 aft 11. PLAY TENNISWanted: A reliable babysitter forthree year old child from 12 00 pm to5:00 pm. in your home M F Call 2256367 aft 5:30 pm. for info Fairlane '66, Stick, Good Condition,New Starter, 1 yr old Battery,Generator, Carbureator. $350 CALL924 9475. Play tennis rain or shine South SideRacquet Club, 1410 Sibley Blvd,Dolton, 147 and Calumet Exp VI 9 1235.REFRIGERATORRENTALWanted Maroon Sports writersGenerous personal rewards Call 753 FQUND3269 days. White envelope w/money on 58th 8.Bfackstone Feb 15 at 12:45; 947 0420. Mini frige Pennies a day Billedmonthly. Call Swan Rental 721 4400Maroon Dance Editor, Nancy Moore,seeks poets, creative writers anddancers interested in joininq dancestaff. Cali 288 1988. LOST HEBREW CLASSESFemale PUPPY 5 mo black w/tan oartHusky near Mus of Sci 8 Ind, 12 Feb.Please call PB 3 2737, 7 6537, 288 3946,PERSONALS Beginning reading; intermediate andadvanced conversational classes:V: "1 AM WICKED, 1 see that .Oh, if or leave message.only I were alone and no one loved meand l ioo had never loved anyone!Nothing of all this would have happened." (Raskolnikov) A. Dog lost; small white shaggy malecockapoo Hyde Park 1/19/73 HY3 9600x663 "Christopher" S100 Reward! ISRAEL NOWGonorrhea testing for 8 bv women Sat FOUND programs in Israel. Bo'b for thesummer and the year. InformationiQ 12 am 1367 E 52nd St. (Holt) will also be available on permanentWRITERS WORKSHOP (PL 2 8377) Golden haired malecorner of 51st 8. HPB dog. Found on667 2543. settlement. Sun Feb 18, 1:30 HillelWe need people to play in the CoffeeHouse Call Debbie 753 3444. (DU). PUPPIES STEREO SYSTEMSPregnancy testing Sat 10 4 Bring AMurine sample 5500 Woodlawn (inback! Half Labrador Retriever half GermanShepherd Will receive shots. Free togood home. 734 0242 Stereo Components. 20°o 40°o off list.100°o guaranteed. All Major BrandNames carried Call Danny at 2415037; after 6 P M.NATIONAL ORGANIZATION FORWOMEN is collecting evidence ofUNIVERSITY SEXDISCRIMINATION call 955 3347 foridvice or helpBVD TONITESeriously this movie has nothing to do/.ith that Jaqueline Susanne shit This•s a Russ Meyer Roger Ebert jointproduction. Cobb Hall tonight 7.15 89:30 Russ Meyer's Beyond the Vaof the Dolls No, Patty Duke is not inthis one BACK RUB NITEAnother Blue Gargoyle Back Rub NiteFriday Feb 16 at 8.00. Come »o giveand receive one.A STEAL!Delux cooperative apt 5 rms onbeautiful Paxton Ave 2 bdrms 8dining rm bale close to 1C shopping 8golf Just reduced to $6,450 CallAmericus 798 5700ROCKEFELLER MEMORIAL CHAPELSunday, February 18,1973 11:00 A.M.CARL E. BRAATENProfessor of Systematic Theology LutheranSchool of Theology at Chicago."UP THE DOWN STAIR CASE"SUNDAY SEMINARRockefeller Memorial Chapel Undercroft9:45 to 10:45 a.m. Discussion led by TheReverend Philip M. Dripps. UnitedMethodist Chaplain. Prevent Attacks!Be safe - prevent criminalassaults. This new inventionstops any attacker - even agang - Instantly!Only *2.98 each;III. Res. 5% Tx.By mail fromDAD DISTRIBUTORSP O BOX 47LANSING, ILL. 60430HANDSOMELYPACKAGEDIN A COMBINATIONGIFT-STORAGE BOXNO RISKMONEY BACK GUARANTEE IN BRIEF Get there early tonite forBVD or you'll have to JOCKEY theMADWOMAN for a seatLove, Long JohnSee the First Amendment in action,starring Edy Williams tonite CobbThe sun symbol used in the W C ad forDick and Anne Albin in the Maroon ofTuesday Feb 13 was used without theknowledge or consent of the UCFolklore Society We apologise ifanyone was misled into believing thatthe Albins were sponsored by the UCFolklore Society which was in no wayconnected with themMaroon Business Office40% OFFat'Across from tho Co-Op'THIS WEEK!Judy Collin’s New AlbumNew Steve GoodmanUNIVERSITYBARBERSHOP1453 E. 57th ST.ICLOSED MONDAYS!684-3661HairstylingRazor cutsELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd SI.288-2900wdi 0?C<yu4t ^^ 1645 E.55TH STREET If^CHICAGO, ILL. 60615?? Phone: FA 4-1651 ?*)c 4c a|e *fc:4c jfofc *|c %sfe jfeioftZAMIRofChicagoA city-wide choralemeeting MondaysCall: Neil Levin432-6360for further information.ok (overland r:,ihitxPED III0#yI Encounter /■ AjK J/TOverland -n?announce that—^their expeditionsleave L sndon thro'summer, arriving in. U*1KHATMANDU 10 1weeks later, < 670,Experimental expeditionto BE UN OS AIRES,leaving Los Angeles in^ July, to arrive efte'rjjjAj 5 months, < 1330.“"Also autumn overlandto.JOHANNESBURG.T 3 w eeks for <990.0*t»Ua £5 Weft H ili Ci.Friday, February 16, 1973 - The Chicago Maroon - 19WOULD YOU PAY 00 cFOR A $3.00 GLASS ?We have acquired the stock of a glasswarehouse at sensational values. 20 differentsizes and shapes of hand made glass arepriced comparable to the cost of machinemade glasses. These beautifully shaped andstyled glasses start at $9.60 per dozen or $1each.This sale merits your immediate attentionbecause you will never again buy this finequality at such terrific prices. Since quantitiesare limited and can not be re-ordered wesuggest early shopping.&Complete PartyService From2427 East 72nd StreetBA 1-9216 Appetizers to Zinfandel351 East 103rd Street508-1811Daily: 10ani-ll pm Sunday: Noon-9 pm Daily: 9 am-10 pm Sunday: Noon-9 pm20 - The Chicago Maroon - Friday, February 16, 1973L.