The Chicago MaroonVolume 81, Number 30 The University of Chicago Friday, January 26, 1973Public information office seeks "truth”By ALAN WERTHEIMERAlthough the first floor offices of the Registrar andthe Bursar are only too familiar to students, manyoften wonder at the enigma of the remaining fivefloors of the Administration Building. Similarly,administrators sitting in their offices above the mainfloor often lose contact with the students whom theymay see below, rushing across the Quadrangle.The Office of Public Information located on thesecond floor of the Ad Building is a vehicle for thepresentation of the positive achievement of theUniversity to a wide variety of publics, both withinand outside of the University community itself.Through its news releases and publications, the officedisseminates this information to the media, facultyand staff, and students.Director of Public Information Irving Paley seesthe role of the office as the “dissemination of fact. Weare not philosophers here. We are not here to ask youwhat is truth,’’ however, he states that the function ofthe office is “to tell the Truth,” to “make our marketunderstand this marvelous, honest product (theUniversity.)” He continued, “There is only one thing Iinsist on, and that is that the University of Chicagostory get told.”DJR BRUCKNER: vice-president for public affairs. The Office of Public Information reports to the vicepresident for public affairs, Don Bruckner. Accordingto Bruckner, the University’s midwest location makesgood public relations necessary, because the mediaare primarily concentrated on the East and Westcoasts.Student recruiting and the attraction of facultymembers are seen by both Bruckner and Paley as themain functions of Public Information. Contrary toprevailing opinion, however, it is not the function ofthe Office of Public Information, but that “of theOffice of Development to raise money,” according toPaley. He added that “we try to work closely with theOffice of Development, of course.”Bruckner maintains that Public Informationreleases are “good for both the city, and the country,”as a whole, discussing “what scholars are thinkingabout,” and has the further attribute of giving parentsof students” an idea of how well their children arebeing taught.”According to Paley, the Office is simply a “tool” forthe expression of “the actual doings of the faculty andstaff.” He notes carefully that the facilities “can onlybe used for University-sponsored affairs.” Thus, forexample, a news release on Franz Brueggen’s SourCream was conceived with the help of the musicdepartment, resulting in a “major spread in theChicago Tribune,” ensuring that the “right peoplecame to see it.”Other events on campus which are not University-sponsored do not receive coverage unless specificallycalled to the attention of the Office. “If the departmentof the humanities would have sponsored RamseyLewis, we would have done a news release on that.”Both Bruckner and Paley dwelled on the difficulty ofreceiving news space for tne University in the media.According to Bruckner, television is a “naturalvehicle” for the promotion of University endeavors,and it is hoped that in the future, musical and theatreperformances could get wider coverage oneducational television, or possibly non-Universityradio stations. In the printed media, Paley notes thatthere are “millions of things competing for eachcolumn inch;” “we can only make the storiesavailable.”Paley, therefore, sees no need to “play up” un¬pleasant issues which might arise within theUniversity community. “The world will learn of theseamy aspect,” he exclaimed. One cannot suppress“the Truth,” he went on to emphasize; “Truth has away of getting out, misconceptions, too, and in¬nuendos.”Paley pointed cut that certain types of rumors regarding the administration of the University in¬variably arise within an institutional framework. Ofthese he stated, “I can’t worry about rumor. I can onlydeal with facts I can prove in a news release.” Paleyalso noticed that “there is a lot of information thatisn’t disseminated.” He pointed out that perhapsstudent media, such as the Maroon could do a betterjob in allaying student misconceptions which mightarise on campus issues.Bruckner and Paley both placed strong emphasis onthe fact that most of the stories originated among thefaculty themselves. However, Paley made it clearthat, “we are not the mouthpiece of individuals,” noris his office licensed as a “press agent,” “We speakfor the University,” as a whole, he stated.Paley stressed that it is the dean of students whoserves as the main officer to field student complaintsand interpret student attitudes. On subjects of theprevailing student mood on campus, issues dealingwith life in Hyde Park, and the atmosphere of theUniversity as seen by its students, the Office of PublicInformation literature is silent. Feelings are notdisseminated in the public literature, only “facts,” thecontinued on page 3IRVING PALEY: director of the public information of¬fice.ADMINISTRATION BUILDING: The headquarters of public information director Irving Paley ana u J R Bruckner, vice-president for public affairs.TELEPHONES:288-1177288-1178288-1179WE HONORMASTER CHARGEANDBANK AMERICARD ojcuun 'Dauqs)1204 EAST 53rd STREET(LOCATED IN THE 53rd KIMBARK PLAZA SHOPPING CENTER)HOURS: 9 - 9:30 WEEKDAYS 9-8:30 SUNDAYS ImmImgscmn WE FILL ALLWELFAREANDINSURANCEPRESCRIPTIONS25'sREG.$1.45CORICIDIN DDECONGESTANT99* POLAROIDTYPE 108COLOR FILMLIMIT 1 REG. $5.69 LIMIT 12 - The Chicago Maroon - Friday, January 26, 1973Bruckner says L/C better known in Oxfordcontinued from page 1expression of these phenomena not being one of theexpressed functions of the Office of Public In¬formation.“Chuck O’Connell’s concern is that Paley knows thefacts so that I can report on the facts,” said Paley.When asked if he was in close contact with DeanO’Connell, Paley answered “No.” Bruckneracknowledged the fact that there was a need for morecontact between students and the Office of PublicInformation. He found the possibility of a liasonbetween the Administration’s information center andstudents of the University, “a good suggestion.”Bruckner noted, however, that contact with thefaculty was “extensive.”“National press doesn’t give the right image of theneighborhood,” maintained Bruckner. Althoughletting people know how students and faculty live, and“how intense and continuous intellectual life here is,” was a goal to be sought, Bruckner who only took officeOctober first of this year, is still seeking a means togain that end. “The University of Chicago is betterknown in Oxford and Paris than on the North Side ofChicago,” said Oxford-graduate Bruckner. He foundmany non-Hyde Park Chicagoans “intimidated byinstitutions like this. They are afraid to come aroundand snoop.”Bruckner, however, failed to note a possible con¬nection between the hard-core achievement orientedcontent of the information circulated by Public In¬formation and the intimidation noted among personsunconnected with the University. He did indicate that“there were things in the works” to clear up some ofthe “misconceptions” about campus life in the midstof a city.With regard to the issue of whether the Universitywas expanding into the Woodlawn area, thereby putting pressure on the residents of that community,Paley exclaimed, “I don’t know if it is. How do youknow?” Bruckner pointed out that, “the Universityhas always been very open about its plans.” and inaddition, “it’s natural that there be an ambiguousfeeling in terms of the people living nearby,” to alarge institution.Bruckner mentioned that certain changes will bemade in the way the Office of Public Informationoperates. He said that he had just received recom¬mendations, criticisms, and suggestions to be con¬sidered for possible implementation in the future.Among the many publications of the Office of PublicInformation, some of the more familiar are: the UCCalendar; the UC Campus Map: the Trustees Memo, asummary of major news to trustees; the University ofChicago Record; Facts about the University ofChicago; reports on each academic division andmedical center; and Research in Progress.SG will holdnew electionsPhoto by Dave Fosse.Hicks and group to perform Sundayby FRANK PALUCCIWhen you first see them on the stage, youdon’t quite believe it. There they are, fivespaced-out freaks. But the three men arewearing suits with wide lapels, and the girlsare in long dresses. They are surrounded bypotted palms, and the bass drum is paintedwith a scene of palm trees on a south seaisland. Yes, this weird group is Dan Hicksand His Hot Licks.The fact is that they are one of thestrangest outfits on the entertainment scenefor some time. They are now coming out withtheir fourth album, have played concerts intwenty-eight states during the past twoyears, and have appeared on the JohnnyCarson Show, The Flip Wilson Comedy Hour,and the Dick Cavett Show. The attraction issimple. Behind the drug freaky style and the1940’s clothing they are dazzling musicians,both instrumentally and vocally. They play avariety of instruments, from guitars andmandolin to, yes, violins.The vocals, with their intricate harmonies,are provided by Dan Hicks and his“lickettes,” Maryann Price and Naomi RuthEisenberg, both of whom double on per¬cussion. This is delightfully held together byHicks himself, and his arid wit. Onenewspaper in California referred to him as“the High Priest of Mariachi-Acid-Bop-Swing,” which describes him as well asanything else. John Mendelsohn in RollingStone said, “Dan Hicks is a person of nomean strangeness, a genuine original, andone of the greatest superheroes of all oftwentieth century popular music. Only animbecile could be excused from not gettinghep to Dan and his torrid accompanists, hisHot Licks, at his sic, or her earliest con¬venience.”Dan Hicks and His Hot Licks will be per¬forming at Mandel Hall on Sunday night aspart of the “Winter Carnival” programsponsored by the Student Activities Office.The concert will be at 8 pm, and tickets arebeing offered to University of Chicagostudents for $1; others, $2.50. (The higherprice represents the pro-rata cost tickets,making the student price a real bargain.)Tickets wiii be on salt- at 7 pm Sunday in theMandel Hall box office.'• Jill I I J 11 H rt • t:. i ■ i-‘I > i 11 . i a , t ■■ Student Government (SG), at its Tuesdaynight assembly meeting, voted to hold a newelection for freshman representatives. Theelection will be Thursday, February 1,between 8:30 a m and5 p m in the StudentActivities Office and between 6 and 8 p m atHitchcock-Snell, Woodward Court, PierceTower, and Burton-Judson.The same candidates will be running inthis election who ran in the fall quarter. Thatelection was ruled null and void by theStudent-Faculty Administration (SFA)Court December 12 Only freshmen areeligible to vote and they may vote at any ofthe polling places. A valid UC ID is requiredto vote.Special election judges will be appointedby the Maroon, Rap. and WHPK. Theelections results will be announced Thursdayevening.At the same assembly meeting SG ap¬proved for referendum by the entire studentbody twoproposed amendments to the SG con¬stitution. The amendments would provide forthe campus-wide election of Student Govern¬ment officers and three of the five CORSOmembers. (Committee on RecognizedStudent Organizations allocates funds to allrecognized student groups.)The referendum will be held during theweek of February 12 through 16, and 15percent of the student body must vote in theelection for the amendments to be approved.“Despite possibly conflicting stories, boththe freshman election and the amendmentreferendum will be held. The assembly willnot meet until February 13, so no legal actionmay be taken to prevent the elections," S GPresident Thomas Campbell assured.Two other amendments previo usly ap¬proved for referendum by SG will also bevoted on in February. The first of these of¬ficially severs SG from the National StudentAssociation. As presently constituted theStudent government is required to enact andimplement all NSA recommendations.“These NSA provisions seriouslyjeopardize the independence of studentgovernment as a valid representativeassembly. The repeal of the constitutionalties to NSA will not prevent the assemblyfrom approving those NSA projects itdesires, and this is correct, but no longer willit be mandatory to elect NSA delegates andfund them from CORSO appropriations."commented Campbell.The final amendment to be voted on isdesigned to obviate the quorum problems SGtraditionally encounters. An assembly mem¬ber would not lose his seat simply by mov¬ing out of his constituency (dorm for under¬graduates) but provisions for a recall elec¬tion will remain the same. Currently six per¬cent of a constituency may recall itsrepresentative and force him/ her to standelection again.Staff meetingHICKS: Dan Hicks and his Hot Licks musical group to play at Mandel hall Sundaynight. A very important meeting of the entireMaroon staff, including the arts sectionstaffers, will be held on Saturday January 27(tomorrow), at 10:30 am in the Maroon of¬fice, 3rd floor, Ida Noyes hall. Issuesrelevant to the entire staff wiii be discussedextensively, and the presence of everyoi ( isboth strongly encouraged and absolutelynecessary.Friday, January 26, 1973 - The Chicago Maroon - 3LETTERS TO THE EDITORRevolutionary Communist Youth emerged,and during 1971-72 as the SpartacistLeague/ Revolutionary Communist Youth.Presently there are Spartacist Clubs at theUC, the Univ. of Illinois Circle Campus, andNorthwestern University. We are continuingthis over two year activist presence on theUC campus with a literature table in MandelHall every Wednesday and Friday from11:30 am to 1:30 pm, with a bi-weekly classseries “The Rise and Fall of the CommunistInternational and the Historic Continuity ofRevolutionary Socialism,” and with a publicforum series. Our next forum, “The War andthe Class Struggle — The Trotskyist Strategyfor the Defense of the Vietnamese Revolutionand the Struggle Against Imperialist War,”will be held Tuesday, January 30th, at 7:30pm in Reynolds Club. Interested studentsand staff may stop by our literature table formore information on our on-going activities.Steve CassFM threat“Chicagoland is threatened with a musicdisaster,” said Charles Staples, 5719 SKimbark, a spokesman for the CitizensCommittee to Save WEFM, Inc. He addedthat very few people are aware that WEFM(99.5 F.M.), a historic and pioneer station inclassical FM broadcasting, has been sold byZenith Corp to General Cinema Corp ofBoston, a subsidiary of Pepsi-Cola, whichplans to change the station’s format to popand rock. Staples noted that there are 8 otherFM stations with a format similar to thatproposed for WEFM, and about 60 stations,AM and FM in the Chicago area with somekind of rock format. There are only 3classical outlets left, and WEFM is one ofonly 2 stereo classical stations existing here.In December, 1972, the FCC voted, despiteover 1000 letters of protest and a legalcampaign waged by the citizens committee,to permit the sale of WEFM. The Com¬mittee’s petition was rejected, with the FCCrefusing even as much as a public hearing.Takr? u University of Chicago Charter Flight to Nassau, Bahamas,$135.00 round trip air fare via Air Canada jet. We offer group rates at finehotels. Call now for information and applications.Spring in Paris, March 16 to March 17. Take our Air France group flight,stay at a well located four-star hotel, enjoy two Vi day bus tours for$3 i5.00Ski the French Alps at La Plagne March 17 to March 26. Travel via AirFrance to Paris, connecting flight to Geneva, deluxe bus through the alps toLa Plagne. Cost of all transDortation, accommodations and lift tickets$315.00Students, faculty and staff of the U of C and their spouses and children areeligible for these flights. For information call 753-3598 or come to the Char¬ter Flights Office, Ida Noyes Hall, 1212 East 59th Street, room 306, 1:30 to5:30 weekdays.MalbrancheI could not help overlooking an article inyour January 19 edition, as I have been inKabul. However, the essense of the articlewas conveyed to me, and I must make thefollowing comment:While Dave Affelder, a close and dearfriend, and head of the so-called Hum Video,was, in fact, certainly a “guiding light”within both the organization and community,there was actually only one person in thegroup with a title, namely myself, NationalChairman F Malbranche. While I am sureDave would have been President hand suchan office existed, I am afraid it was not inkeeping with a basically totalitarian anar¬chist organization such as SVNA.I am sure you will be more careful in thefuture, should UC have a future, and not sinkinto oblivion, as now seems evident.Frankly Roosevelt MalbrancheSpartacistWe were astonished to note in the Maroonarticle “Activism on UC Campus Surveyed”(19 January) by Mark Gruenberg thecomplete omission of any reference to the UCCampus Spartacist Club. It is indeed difficultto imagine how Mark Gruenberg could haveuncovered some of the most fossilized ortrivial sects, and yet ignore the only Com¬munist organization on campus. For theinformation of the Maroon readership,permit us the following brief supplement toyour survey:The UC Spartacist Club is a campusorganization of students who are members orsympathizers of the Spartacist League andits youth section, Revolutionary CommunistYouth, nationwide Trotskyist organizations.Our campus group has been active at the UCfor over two years — during the 1970-71academic year as the Revolutionary MarxistCaucus of SDS, a national Trotskyist leftopposition in SDS out of which the The FCC ruled also, in effect, that the publicis not entitled to know that a change of for¬mat is planned. The FCC also declared thatthe planned change is in the “public in¬terest,” even though the public was notconsulted. The change is due to take place onApril 1, and thousands of uninformedlisteners will be in for a “rude shock,”Staples asserted.The citizens committee, with the legal helpof attorney Harry Booth, now plans to try toget the FCC ruling overturned in the courts.The Committee believes that serious con¬stitutional and civil rights issues are at stakehere. People are urged to write letters to thepresident, senators and representatives. The Committee is in critical need of funds tocarry on the legal fight. Contributions can besent to Citizens Committee to save WEFM,Inc., Box 203, South Holland, Ill. 60473; orCitizens Committee, Room 411, 110 SDearborn, Chicago 60603. Further info isavailable by calling 627-2541 or 331-6165.Citizens Committee to Save WEFMCEPTIAI strongly object to Mark Gruenberg’scavalier omission of CEPTIA in his articleon campus activism in Friday’s issue of thePhoto by Leonard Lamberg.»'SCMklSn it January Clearance!all sale merchandise now reduced40%to50%To celebrate our Great January Clearancewe will have a January Give-away drawing.Register now and you mayWIN!a 25” diameter, clear acrylicliving terrariumcomplete with luscious plants' Re¬tail value: $99.95NAME mII 10 second prize winners will receiveeach, one jar of OLD HARBORBEAUTY SOAP PRESERVES.20 third prize winners will receiveeach, one box of CAMPFIREMEMORIES incense. Natural aromaof an evergreen campfire.ADDRESS.PHONE . Fill out registration form below andI bring it in person to COOLEY'S-I CORNER, 5211 Harper Court, be-Ifore 3:00 pm Sunday, January 28.The drawing will be held on Sun| day, January 28th at 4:00 p.m.| Winners need not be present.j^ooley's Corner 5211 Harper Court 363 4477 JB4 - The Chicago Maroon - Friday, January 26, 1973«? ocotc-ta o,: oairO 3 rl 1 (.»♦*! }$. yi.'imm -tc !m*LETTERS TO THE EDITORMaroon. We are one of the largest and bestpublicized political groups on this campus,with over 100 card-carrying members. Thepress coverage we got over the last few daysprobably exceedes the total publicityreceived by all the old New Left groups puttogether over the last year. The informationwhich we disseminated to the media at ourJanuary 11 press conference was picked upby two TV stations, all Chicago newspapers,all the wire services, and innumerable radiostations from coast to coast. To ignore ustoday is like ignoring SDS four years ago.Our struggle for free toilets enjoys theenthusiastic support of citizens from allwalks of life who cannot forget the agonizingmoment of dire necessity frustrated by theelusiveness of small change. CEPTIA’sradical solution to the problem which thenuisance of pay toilets poses—abolishthem!—ushers in a new era of political ac¬tivism. However, it is an era not of rhetoric,but of action! CEPTIA’s slogan, “Our end isour own elimination,” will become realityonly with the demise of the last pay toilet inthis land of the free.Jeff Penn,Vice-President. ChicagoChapter of CEPTIAStephen Karganovic,President, ChicagoChapter of CEPTIASteve Froikin,National Vice-President of CEPTIAResponsibleIndividualismThe Club for Responsible Individualismwishes to take this opportunity to drop backinto view. Having recently found our formerdirector, Miles Costick Lev-Ary to be aliveand well, planning to begin work for the USgovernment, we have begun plans for ourwinter quarter lecture series, “NewDirections of American Economic Policy.” As of this writing, we have definite com¬mittments from the noted British economist,Arthur Shenfield and distinguishedUniversity of Chicago professor ArthurLaffer. Dr Shenfield is a fellow at the in¬stitute for economic research and will speakon Friday, February 9 on an as yet un¬determined topic. Professor Laffer is amember of the faculty at the graduateschool of business, a member of the ad¬visory team for the office of managementand budget, and will speak on Thursday,February 15, on some topic pertaining to theUnited States budget. We hope to have athird speaker on Thursday, February 22, butas yet we have no firm commitment. Thesuccess of our program last quarter on American foreign policy bodes well for thisquarter’s plans, and we hope that manystudents will avail themselves of these op¬portunities. Inquiries should be directed toClub for Responsible Individualism c/ oEdwin Wiley, 1156 E 56th St, Chicago,Illinois, 60637.The telephone number at this address is955-0380. Edwin WileyPresident, Club forResponsible IndividualismBasketballIt was pleasing to read your article on “Women Basketballers” in the Januaryninth issue of the Maroon and to see thatsome recognition is being given to women’ssports on campus.However, there are some misstatements,on which I must comment, in your article.For instance, you say that the basketballteam was formed seven years ago and thatwomen’s inter-collegiate athletics is a newconcept at the University of Chicago. For thepast68 years, beginning in 1904, the Women’sPhysical Education Department in con¬junction with the Women’s AthleticAssociation has, at various times, fieldedeleven varsity teams of which basketball isonly one. The other teams were field hockey,volleyball, tennis, bowling, badminton,softball, fencing, riding, archery, andswimming.In regard to basketball, the Women’sPhysical Education Department sponsoredand ran a basketball sportsday for womenfor 28 years (until 1964). This involved asmany as thirteen schools and twenty-oneteams or 150 players.Thirteen years ago women’s varsitybasketball was so popular it fielded twoteams and that year the senior varsity woneight of the ten games it played (with schoolsas far away as the University of Wisconsin).The Women's Athletic Association hassponsored Award Dinners for the past 68years. In the 1920's the event was so popularthat the dinners were held in the Ida NoyesHall Gym and the president of the Universitywas always the honored guest together withthe many award winning athletesI cannot help feel ing that t h emisstatements in your article do constitute adisservice to to the many, many studentswho is the recent and remote past havecontributed their time and talents towomen’s intercollegiate athletics.Martha Kloo Benson,associate professorSPONSORED BY THEU. OF C.BLACK CHOIR SUNDAY SUNDAY SUNDAYJANUARY 28,19733:00 p.m.LUTHERAN SCHOOL OF THEOLOGY1100 EAST 55th ST.ADM.: UCID $100WITHOUT $1.50TICKETS ON SALE IN THEMANDELHALL BOX OFFICE FRESHMAN ELECTIONPositions:10 representatives to Student GovernmentDate:Thursday, February 1Times & Places:8:30-5:00 Student Activities Office,Ida Noyes Hall6:00-8:00 p.m.Woodward Court,Pierce Tower Cafeteria,Burton-Judson Cafeteria,Hitchcock-Snell.:*FRESHMEN MAY VOTE AT ANY OF THESE LOCATIONSCANDIDATES ARE THE SAME AS LAST FRESHMAN ELECTIONFriday, January 26. 1973 - The Chicago Maroon - 5ABOUT THE MIDWAYi TONITI IhiuSUN. IAN 78GENE AMMONSWCO. Kira SUN. JAN. M-KI. 4ELVIN JONESNITELY: 10 P.M./12 A.M./2 A.M. SUN. MAT 6 P M. ALL AGESEVERY THUDS: COLLEGE STUDENTS SI . 50JAZZ SHOWCASE901 NO RUSH-INFO OF 71000STUDY IN SWEDENThe Stockholm Junior Yearand theInternational Graduate School. . . at the University of Stockholm offer one-yearprograms in liberal arts and social science respec¬tively. For information write: The Institute for Eng¬lish-Speaking Students, University of Stockholm,Fiskartorpsvagen 160 E, S-104 05 STOCKHOLM 50,SWEDEN.TAKEAM-YKNI am tryingto bribe youwithuncertainty,withdanger,withdefeat.%% Jorge77 luisborgesThat’s mostly what you’llfind if you commit yourlife to the millions in theThird World who cry outin the hunger of theirhearts. That...and fulfill¬ment too...with theCOLUMBANFATHERSOver 1,000 Catholic mission¬ary priests at work mainly inthe developing nations.We've been called by manynames - "foreign dogs" . . ."hope-makers" . . . "capital¬ist criminals”..."hard-nosedrealists”... CHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO*:30P.MSUNDAYS AND HOUDAYS12 TO *:30 P.M.Orders to take out1318 East 63rd MU4-1Q62EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900mRead the whole story in ournewmi> riri 16-PAGEr rtii.ii. bookletCMColumban Fathers —■ jSt. Columbans, Neb. 68056]Please send me a copy of you^booklet. No strings.Name I llcatlKhmICliff 's Notes help you thinklor yourself in literatureThey're written byexperts to guideyou iri under¬standing and ap¬preciating con¬temporary andclassic novels,plays and poemsMore than 200titles always avail¬able at your book¬sellers Send forFREE title list add 15Y and we IIinclude a handy, reusable, water¬proof drawstring book bag Cliff'sNotes, Inc , Lincoln. Nebr 68501AddressCity| State ZipfCollege Class | Ecology... •forking on itlOurmg tho poit 14 y»n Cliff «Moto* na« uMd ovor 2 400 000 toneo* pope? uung rocyoed pulp6 - The ChicagoMarooii - Friday, January 26, 1973 Loan fundThe University, with the aid of a $5,000grant from the Morris Morgenstern Foun¬dation of New York, has established a smallemergency loan fund for students at theUniversity.The fund is available effective with the1972-73 school year.Loans from the Morris Morgenstern LoanFund will be available, by the terms of thegrant, to any upperclass undergraduate orany graduate student at the University.The loans, which may not ordinarily ex¬ceed $200, will be interest-free, providedrepayment is made by a specific date agreedto by the borrower. Four loans have beenmade from the fund thus far, totaling $800.According to Charles O’Connel, dean ofstudents, students wishing to apply for theMorgenstern loans should consult Mr JosephRatuszny in the office of student accounts(administration 101).“We are very grateful indeed to the MorrisMorgenstern Foundation,” O’Connell said.“The fund provides exactly the kind of helpstudents need to meet the small but very realfiscal emergencies of academic life: asudden trip when illness strikes at home, thedelayed federal stipend check, anemergency dental bill. Life will be just a bitless harsh on these occasions for a number ofstudents, thanks to the Morris MorgensternFund.”BlackfriarsBlack friars, the campus musical comedysociety, has chosen an original script for itsannual spring production. The musical, asyet untitled, is based on the Horatio Algerclassic, Struggling Upward, said to be thefinest example of the Alger novels. Book,music, and lyrics for the show were writtenby MikeDorf, Marc Primack, and Paul Kruty,all undergraduates, and Enid Rieser, as¬sistant to the dean of undergraduate stu¬dents and an advisor in the college. Dorfand Primack were also responsible forBlackfriars’ 1971 musical, TheDemocratic Way. The script waschosen after a campus-wide call fororiginal musicals. The production will bedirected by Rieser, who also directed Black¬friars’ highly successful fall production ofYou’re a Good Man, Charlie Brown.Tryouts for the show will be held onWednesday, January 31 and Thursday,February 1 in Ida Noyes Hall at 7:30 p m, andon Saturday, February 3 in QuantrellAuditorium at 2:00 pm. People interested inany phase of the production—acting, singing,tech, or set and costume design—are urgedto come. A pianist will be present and tryoutmaterial will be on hand. Anyone is welcome,however, to bring their own audition music.Those who cannot make the tryouts at thosetimes or who have any questions should callMike Dorf at 955-8247 or Marc Primack at753-3754. The show is scheduled to bepresented in Mandel Hall in mid-SpringQuarter.Remember Blackfriars’ playreadingseries, Sundays at 8:00 p m in Ida Noyes Hall. If the chance to be a star won’t enticeyou, perhaps the popcorn will. How about hotchocolate? This Sunday’s play will be theKaufman and Hart comedy, You Can’t TakeIt With You.BasketballJerry Clark rolled up 28 points as theMaroons buried National College 116-69.Frank Edwards was right behind Clark inscoring with 20 points. Norval Brown pickedoff 8 rebounds to lead the team in thatdepartment.The Maroons with an 8-3 won-lost recordwill face Trinity College, Saturday at 2 PM inthe UC Fieldhouse.The Trinity team has three big guns whichthe Maroons will have to control. Playing atguard 5’8” Claude Kirk shoots well from theoutside. Up the middle the Trinity team has6’5”, 205 pound, Bob Slater. The thirdmember of the Trinity team to watch is 6’0”,Mike Larson. Larson’s quick moves will beemployed at both guard and forward.The nationally rated Maroon defense willhave their hands full with the Trinitytriumvirate. Along with their national ratingof 18th in the nation on defense, the Maroonshave the nations (NCAA small college) 29thleading scorer in the form of Jerry Clark.Clark leads the team in scoring with 23.5points a game.Frank Edwards is the Maroons numbertwo scorer, hot behind Clark, with anaverage of 20 points a game. In reboundingstatistics things are reversed. Edwardsleads the team with an average of 10 a game.Clark is right behind him with 9 rebounds agame.Saturdays game will pit the Maroon duo ofClark and Edwards against the Trinitytriumvirate of Kirk, Slater and Larson. TheMaroons should make it 9-3.Picket linesPicket lines will be formed in front of theHyde Park A and P 10 a m Saturday morningas part of a nationwide boycott of A and Pstores by the United Farm Workers (UFW).Early last week the Chicago regional officeconsented to sell only UFW lettuce, however,a check of their coolers two days laterrevealed them to be comprised mostly ofnon-union lettuce. Thereafter a notificationfrom the national office of A and P instructedits regional managers to avoid taking anyposition on the lettuce issue in as much as itis, to them, a jurisdictional dispute betweenthe UFW and the Teamsters.MustacheAfter more than 30 years, and after varsityfootball had been brought back to thecampus, another former tradition at theUniversity is being resurrected.On Wednesday, February 28, judging forthe University’s mustache cup contest willbe held in Reynolds Club. The last time thecontest was held was in 1942.Thus far, 20 contestants have signed up.Charles “Bob” Westcott, manager of theReynolds Club barbershop, (which isfcDWAKDS: Maroon center Frank tdwards controls opening tip ott against IllinoisBenedictine. Photo by sports editor Mike Krauss.1ABOUT THE MIDWAYsponsoring the contest) hopes to have manymore entries from University students,faculty, and staff.“We’d like to make certain we see all thebest mustaches,” he says.Registrations are being taken in thebarbershop, in the basement of the ReynoldsClub. Two prizes will be awarded: one for thelongest or hairiest mustache and one for theneatest and best kept. Winners will receive amustache cup and have their namesengraved on the plaque which lists formerwinners and which will hang once more inthe barbershop.Three judges will decide the winners. Theyare: James Vice, assistant dean of students;Anita Sandke, assistant dean of students anddirector of career counseling andplacement; and George Playe, professor inthe department of romance languages andliteratures and in the college.The Mustache Cup Contest was started in1934 and dropped after 1942. Westcott said hestarted it up again because he felt it mightprove to be popular with students now thatmustaches are back in style.Stained glassTen new brightly-colored, stained-glasschapel windows made by members of theUniversity community will be dedicated at 11a m Sunday, January 28, during services atRockefeller Memorial Chapel.According to E Spencer Parsons, dean ofthe chapel and associate professor in theUniversity’s divinity school, the windows arethe result of a project that began in January,1972. In response to Parsons’ feeling that theinterior of the Chapel lacked visual warmth,Harold Haydon, associate professor in thedepartment of art and in the college anddirector of the University’s midway studios,agreed to design substitutes for the eye-levelslit windows which had been in cool shades ofyellow and blue.Haydon set up a non-credit course in theart of making stained-glass windows andsigned up 21 other members of the Universitycommunity—faculty, students, staff, andneighbors.Today, a year later, the ten windows, eacha symbolic representation, illuminate theChapel. The subjects are earth, air, fire, andwater; flora, fauna, and humanity; and thecosmos, the galaxies, and creativity.IndochinaRepresentatives from varied elements ofthe Hyde Park-Kenwood community will joinin a community observance of the truce inIndo-China Sunday at 3:30 at Universitychurch of Disciples of Christ (The Blue Gargoyle). The service, planned by a widelyrepresentative group of community andcampus religious leaders, includes in itssponsors Rockefeller Chapel and studentgovernment.Symbolically participating in the occasionare Dean Sidney Davidson of the graduateschool of business, and Thomas Campbell,president of student government. Politicalleaders who will join in the service includeCongressman Ralph Metcalfe, State Rep¬resentatives Robert Mann and BernardEpton, and Alderman Leon Despres.The occasion is designed to give campusand community an opportunity to unite ingratitude for the cessation of open combat inIndo-China, and to ponder the meaning of thetruce for our nation and our community.Philosophy“Wittgenstein’s philosophy ofmathematics” will be the topic of a talkgiven by Ed Halper to the seminar on Historyand Philosophy of Mathematics. Theseminar will be this Monday, January 29 at 3pm in Eckhart 308.The seminar is a series of NCD-sponsoredinformal meetings intended as a source ofnew ideas and points of view for those in¬terested in mathematics and philosophy.All students and faculty members arecordially invited to attend the bi-weeklymeetings in Eckhart 308. Any questionsconcerning the seminar may be directed toTim McLarnan in 340A Burton Judson courtsor through the New Collegiate Division of¬fice.HALL: Tom T. Hall an upcoming at¬traction. KATSA&OS » M A ft M A < y.mc• Complete Prescription Needs• Prompt Delivery Service1521 E. 53rd ST. Phone 288-8700KIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct import*,bringing better value to you!THE ONLY TRUE WINE $H0P IN HYDE PARK53RD KIMBARK LIQUORS, INC.12141. 53rd St.53-Kimbark Plaza NY 3-3355BRIGHTON3967 ARCHER AVENUE(2 BLOCKS EAST OF CALIFORNIA AVE.)927-8000JANUARYSPECIALGOODYEAR 4-PLY TIRES* 560 x 1 5 B/W 2 for $28.00 +600 x 1 5 B/W 2 for $39.00 +685 x15 B/W 2 for $39.00 +600 x 13 B/W 2 for $26.00 +600 x 1 2 B/W 2 for $32.00 +H78 x 1 5 B/W 2 for $46.00 +G78 x 1 5 B./W 2 for $43.00 +J78 x 15 B/W 2 for $47.00 +L78 x 15 B/W 2 for $56.00 +SNOW TIRES560 x 15 B/W 2 for $28.00 +600 x 13 B/W 2 for $27.50 +600 x 1 2 B/W 2 for $27.50 +735 x 14 B/W 2 for $32.50 +700 x 13 B/W 2 for $27.50 +520 x 13 B/W 2 for $27.50 +775 x 14 B/W 2 for $39.00 +825 x 1 4 B/W 2 for $39.00 +855 x 14 B/W 2 for $42.00 +685 x 1 5 B/W 2 for $29.50 +775 x 1 5 B/W 2 for $37.00 4825 x 15 B/W 2 for $42.00 +855 x 1 5 B/W 2 for $43.00 +0 Federal Excise Tax $1.74°$1.89°$1.89"$1.61°$1.30 #$3.01$2$3.1 2°$3.1 6°^3U '4*$1.73°^$1.61°$1.40°$2.00J*>$1.95°$1.40°lJ$2.1 2°$2.29°^$2.46°$1.F9°$2.1 3° ^$2.38°$2.48°Iv>Friday^ J<Sb^acy.26vCALENDAR The Chicago Marooneditor-in-chiefLisa CapellFriday, January 26COLLOQUIUM: Geophysical Sciences Colloquium,"Formation of Fronts in the Atmosphere and Oceans,"Brian Hoskins, Princeton University, Hinds 101, 3.30 pmSEMINAR: Biophysics seminar; "Proteins of the T4DNAReplication Apparatus," Bruce Alberts, PrincetonUniversity, Research Institutes 480, 4 pmDISCUSSION: The Kaufenbach Society discusses T LBrink's new world view, third floor Ida Noyes, open to all, 8pmLECTURE: "Hasdai, Ibn Shaprut and the JewishRenaissance of the 10th Century," professor Norman Golb(Near Eastern Languages and Civilizations) Hillel Hobse,8 30 pmMUSIC: Contemporary Chamber Players Henze's "BeingBeauteous," Milhaud's "Concertino d'Automne," Lutyen's"and suddenly it's evening " Ralph Shapley, director,Mandel Hall free, 8 30 pmFILM: Doc films presents "Milky Way," Cobb, 7.15 and9 30 pmSaturday, January 27DANCE Workshop for Black Students every Saturday fromli 1, Ida Noyes Hall dance roomGYMNASTICS: UC vs Ball State University, Bartlett Gym,1 30 pmGET TOGETHER : Get together and film show, celebrationof Indian Republic Day, Film, "At Five Past Five,” on Gandhi's assassination, 50 cents for the film, Ida Noyestheater, 7 pm.CHESS: Ed Friedman, (member of the UC team which wonthe US Intercollegiate Championship) will take on allcomers in a simultaneous chess exhibition Prizes to thosebeating Friedman Refreshments, free admission, 5625University, 7:30 pm (bring your own set).CONCERT: Gay liberation concert, The Family of Woman,Cloister Club of Ida Noyes, free, 8 pmFILMS: Science Fiction Films presents "2001: A SpaceOdyssey," 6 and 9 pm and midnight, CobbSunday, January 28FOOD: Bonhoeffer lunch, Mandarin Chinese meal, $1 25,5554 S Woodlawn, 12:30 pmFORUM: "Phase III Nixon's Plan to Recycle HumanBeings," R Freeman, National Committee, National Caucusof Labor Committees, I House, 1 pmCHINA STUDY GROUP: Two China made documentariesabout daily life in China, especially in Tibet and InnerMongolia, Ida Noyes third floor, 50 cents, 7:30 and 9 pmFILM: CEF, "Such Good F riends," 7 and 9 15 pm, CobbCONCERT "Dan Hicks and his Hot Licks," Mandel,students SI, others S2 50, 8 pmMonday, January 29SEMINAR "Density matrices and statistical mechanics,"physics prof U Fano K 103, 4 pmLECTURE: "Education's involvement in radio broadcasting," SIU prof John A Regnalt, SS 122, 4 pm. business managerPaul Bates news editorFred Egler executive editor managing editorFred Winston Breck Borcherdingassociate editorsJeff Roth Mark Gruenberg Tim Rudyassistant business managerRich BakerstaffGage Andrews Steve Askin, Joan Cecich, Steve Durbin, Don Gecewicz, Clara Hemphill, CD Jaco,Leonard Lamberg, Keith Levine, Jay Pollack, Arno Rothbart, Andrew Segal, David Sobelshohm,Mark Spieglan, Curt Spiller, Mike Strimling, Gene Szuflita, Alex Vesselinovitch, Alan Wertheimersports editorMike Kraussphotography editorFESTIVAL: Fiddlin Steve Ledford, Wayne Ledford and James Gardner to be featuredat folklore festival. Ugis Sprudzsphotography staffSusan Lyons Robert Newcombe Mike Benedik, John Vail Linda Lorincz Pat Levitt Brian Rowearts and entertainmentElizabeth Russo editorlassical music editor pop music editorDeena Rosenberg Gage Andrews art editorFred Horn film editorDave Kehr drama editorDebbie Davisonbook editorMark Ackerman culinary editorHoward M Isaacs dance editorNancy MooreFounded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughoutthe regular school year, except during exam periods and, intermitently during the summer. Offices in rooms 303 and 304 in Ida Noyes Hail, 1212 East 59th Street, Chicago, Illinois 60637.Telephone (312) 753-3263. Distributee/ on campus and in the Hyde Park neighborhood free ofcharge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicago,Illinois.IMPORTANT STAFF MEETING MAROON1/27 10:30 A.M.ALL MUST ATTEND!9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP,1552 E. 53rd - under 1C tracksAll students get 10% off,ask for "Big Jim''PipesPipe Tobaccos Imported CigarettesCigars HAVILL’SRADIO. TELEVISION& HIGH FIDELITYSALES, SERVICE & ACCESSORIESZenitv — PanasonicMastc-ivork — KLH1368 E. 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde Park JAMESSCHULTZCLEANERSCUSTOM QU AUTYCLEANING10% student discount1363 E. 53rd St.752-6933 DR. A. ZIMBLERDR. M. MASLOV•ye examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.353-6363“BEST PICTUREOF THE YEAR”— Rex Reed, New York News“One of the Year’s Best”- Charles Champlin, Los Angeles Times“ONE OF THE BEST FIVEMOVIES OF THE YEAR!”- Joyce Haber L A TimesDOMINICK DUNNE and F P FILMS, INC PRESENTA FRANK PERRY FILMTUESDAY WELO ANTHONY PERKINSTUSSDRr mi0BEST PERFORMANCE1172 VENICE EIIM EESTlVAlPLAY IT AS IT LAYS'AOAMROMKI sou « «nm »corv ounw I0MIDI0I0N imm» ncmcsr [R] **10PLAYBOYTHEATER1204 N. Dearborn • Phone 944-34348 - The Chicago Maroon - Friday, January 26, 1973 Corso CornerINTERNATIONAL STUDENT SOCIETYcelebration of the CHINESE NEW YEARSat.( Jan 27th-at 7:30 P.M. Ida Noyes-LibraryLounge in collaboration with the Chinese students.Lecture: The Chinese New Year Tradition.Chinese refreshments, songs and music.Donation: 50' (for refreshments)Gay Liberation presentsTHE FAMILY OF WOMANIn concert Jan. 27f 8:00 p.m. Ida Noyes. $ 1.1'5They are a lesbian feminist folksinging group.U.C. FOLK FESTIVALEarn free front-row tickets to Folk Festival!House and provide breakfast for performers.For info-call Cathy 288-7453 as soon as possible.BLACKFRIARS READS AGAINin the Ida Noyes Library, Sunday, January 28starting at 7:30 p.m."You Can't Take It With You"by Hart and KaufmanENTERTAINMENT AND THE ARTSBernstein Leads Political HaydnBy Deena RosenbergOver 100 years ago, Robert Schumannwrote, “The laws of morality are alsothose of art.”Politics, religion, music—and con¬cerned Americans came together for afew hours as Leonard Bernstein led a“Concert for Peace” in the WashingtonCathedral last Friday night, on the eveof the Presidential inauguration.People began lining up in mid¬afternoon for the 9 PM performance,free on a first-come-first-serve basis,with doors opening at 7:45. By 7, theystretched out over the Gothic-styleCathedral’s extensive grounds andseveral blocks beyond.Efficient Cathedral staff andvolunteers distributed colored, num¬bered admittance passes. A divinityteacher commented, smiling, “In theMiddle Ages they never would havedreamed of church crowd control bywalkie talkie, the way we do now.”A voice called through a speciallyhooked up loudspeaker, “Blue tickets, 1-100, come through the center doors.”The first group drifted in, gazing atflags and flying buttresses, and eachother, and listening to Bach, Mozart andMessiaen organ music. I worked myway up concrete spiral stairs to thenorth transept, as the announcerquipped, “Phase III enter next.”The idea for the concert and choice ofthe single work, Haydn’s “Missa inTempore Belli” (“Mass in Time ofWar”) was hatched during informaldiscussions between Bernstein, CharlesEliot Norton professor of poetry atHarvard this year, Harvard socialscientist Martin Peretz, and DeanFrancis Sayre of the Cathedral, agrandson of Woodrow Wilson. The Deanhimself has been an anti-war activistfor some time, but the EpiscopalCathedral is considered a church of thewealthy and powerful by manyWashingtonians.For one night, at any rate, all kinds ofpeople turned up. The building ac¬comodated about 4500, 2500 sitting and2000 standing and in the crypt down¬stairs. Better than 10,000 listenedoutside in the breezy damp Washingtonevening. There they were again,protesting the Vietnam War, in yetanother way.“We wanted to do something that hadnever been done, different from anyother counter-inaugural event,” Peretztold me later. “It had to be an uplifting,inspiring action, not purely a negativeprotest but a spiritual experience.” AsEugene McCarthy told the gathering,“We have exhausted all the means opento us. The consideration of the war inVietnam has gone beyond facts, beyondlogic, beyond reasoned argument.”Maybe music...? which, as composerRoger Sessions has said, “reproducesfor us the most intimate essence, thetempo and the energy of our spiritualbeing... It reproduces the fine shades ofdynamic variation of our inner life farmore directly and more specificallythan is possible through any othermedium of human communication.”Haydn’s mass, a plea for peace, waswritten in 1796 when a victoriousNapoleon, fresh from bulldozing Italy,was marching rapidly on Austria.Though the Cathedral people minimizedthe protest implications in theirpublicity, the work was clearly intwisted counterpoint to Nixon’s choicefor his Friday classical music fling at the Kennedy Center (tickets cost $30-$500): Tchaikowsky’s “1812 Overture.”Meant to celebrate the Russian defeatof Napoleon, it is scored for cannon,though to the disappointment of many,the Philadelphia Orchestra underEugene Ormandy, substituted drums.Other pieces on the official programwere Beethoven’s Fifth Symphony, theGrieg piano Concerto with Van Cliburn,Aaron Copland’s “Fanfare for theCommon Man” (to represent anAmerican composer on the program,but an ironic choice since at the firstEisenhower-Nixon inaugural concert in’53, Copland’s “A Lincoln Portrait” wasdropped from the program because ofthe composer’s alleged left-wing ten¬dencies), Americana songs sung by theRobert Wagner Chorale and a potpourrientitled “Heritage of Freedom”narrated by Charleton Heston.Many Philadelphia musiciansprotested publicly at being required toperform, and at least one, bass playerWilfred Batchelder, refused to play:“We’re being asked to play the ‘1812,’with booming sounds like simulatedbombs, while B-52’s are droppingbombs with our taxpayers’ money. Wefeel we’re being asked to be ‘goodGermans.’ We remember those picturesof Wilhelm Furtwaengler conductingthe Berlin Philharmonic while AdolfHitler sat in the front row.”Back in the Cathedral, the massesbowed their heads in silence at Sayre’sBenediction. Many were moved byMcCarthy’s unbathetic reading ofRobert Lowell verses: “No weekendsfor the gods now. Wars/flicker, earthlick its open sores,/ fresh break¬age, fresh promotions, chance/ as¬sassinations, no advance./ Onlyman thinning out his kind/soundsthrough the Sabbath noon, the blind/-swipe of the pruner and his knife/busv about the tree of life...”The only breaks in the crowd’s stoicdignity were cheers for favorite people:the Ted Kennedy’s, McCarthy, Bern¬stein.The choirs, in black with red musicbooks, filed solemnly into the ‘greatcrossing’ area of the church, where thetwo sides of the cross pattern meet. Theopening “Kyrie Eleison,” “Lord havemercy upon us,” was slower and moreplaintive than I’d ever heard it. as if tosay, ‘look God, we poor, weak, sinfulmortals really do need some mercy.’The sound filled every cloister and bay.In his highly expressive piece, alsoknown as “Paukenmess” or “KettleDrum Mass” because of outbreaks oftimpanic agony, Haydn manipulatedthe music to highlight and enhance thetext. The chorus pleads, ‘Please, Godthe Father, listen,” cries out withsudden insistence, “Receive, ourprayer,” mourns as Christ is crucified,rejoices when He rises, is awestruck atthe thought of the Resurrection of thedead, breaks into a glorious fugue at theidea of Life in the World to come, askshumbly for mercy from the gentleLamb of God, begs and then almostdemands that God grant us his peace.A powerful work, and a timely one.Bernstein, always an active andemotional conductor, seemed unusuallyaffected. He mouthed the words, hiswhole body vibrating. Enunciatingevery nuance and half beat, his handsshook insistently, often rising frombelow the waist as if pulling the notes upto the very heavens. It was impossiblefor the musicians or the audience alikenot to respond with similar fervor.The concert had been put together inless than two weeks. Lloyd Geislerorganized a 48 member orchestra. consisting mainly of National Sym¬phony members, paid at union scale,while Norman Scribner rehearsed 125choristers, many from the WashingtonChoral Arts Society. Soloists, whodonated their services, were sopranoPatricia Wells, mezzo GwendolynKillebrew, tenor Alan Titus (who sangthe Celebrant in Bernstein’s “Mass”)and bass-baritone Michael Devlin.Bernstein had one full rehearsal withthe group.Understandably, it was not atechnically flawless performance, andcathedral acoustics added manystrange echoes and reverberations.Coordination wasn’t airtight, thesoprano was nervous, and the tenor wassinging out of his range.But it didn’t matter. For a little while,15,000 people were on the same sonicwavelength, praying for peace.Bernstein appeared to shed a fewtears when it was over, and huggedeveryone around a little more tightlythan usual.Soon afterwards, at a reception in theDeanerie, with a different drink in eachhand, he spoke to a semicircle of friendsand admirers. Not quite as tall as heseems on the podium, with masses ofwhite hair streaked with gray andyellow shadows, he is intense, yetfriendly and unaffected. (I’m at Har¬vard,” he told me, “to give lectures,seminars, bullshit, and generally beavailable when students want me.”)“I was amazed at the ease with whichit all took place. I arrived Wednesday,rehearsed Thursday, and tonight weplayed. I think it was marvelous.”On Saturday, the group recorded themass for Columbia Records. It willcome out in a couple of weeks under thetitle “Concert for Peace” with aseparate little disc of Sayre’s prayersand McCarthy’s remarks. Bernsteinwill donate his royalties to Dean Sayre sDiscretionary Fund for Peace.Though he has no specific plans forother such concerts, “I know' I will bedoing things like this all my life.”Many critics find Bernstein a politicalexhibitionist, a member of thathypocritical caste, the ‘radical chic ’Yet others point out that it takes son jguts for a famous artist to use his art fta moral cause. Listening to politicalmusic in a church that night. I thoughtof another Schumann admonition: “Amusician must have an open eye for liyas well as the other arts and sciences“Bernstein could have taken the way ofsome artists,” said McCarthy, “ofserving any master, or of serving a~titself, but he chose rather to commit histalents and his person to the cause ofjustice and peace.”People dispersed quickly and quietlyslipped home dowm the Washington sidestreets. The sky wras an eerie red.thanks to Washington night lights andchemical pollution, and a full moonshone through the broken clouds. Thecharm had worn off. yet the final “DonaNobis Pacem.” “GIVE US PEACE.”lingered and would not go away.Philosopher Baruch Spinoza oncemarveled, “Those things that actthrough the ears are said to make anoise, discord, or harmony, and this lasthas caused men to lose their heads tosuch a degree that they have believedGod himself is delighted with it.”God may have been delighted by theevening’s music making. One wonderedwhether He would decide it was time tostop watching and start acting.Friday, January zo, 1973 - i he Chicago Maroon - 9The Viola Farber Dance Company:StudentDiscountModelCamera1342 E. 55th493-6700Most complete photoshop on South Side.10 - The Chicago Maroon - Friday, January 26, 1973 Viola Farber and husband Jeff Slaysounds.” |One might make similar speculations <about dance, substituting “movement”for “sound.” Do certain spaces lend ]themselves to certain types of <movement? Do dances leave “tunes” in jthe air? And aren’t these tunes affected ]by spaces? ,Dune turned out to be a long, .exhausting work. Towards its con- jelusion, there were great expanses of ‘silence filled with frantic pacings and ,lunges and revolutions until finally onlyone dancer was left standing. A gapingspace seething with tension grew be¬tween his raised arm and opposite hip,the hip pulling against the arm. Quietly,A professionalABORTIONthat is safelegal &inexpensivecan be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours-7 daysfor professional. confidentialand caring help. MOVING?- PETERSONMoving & Storage6464411 free estimatesComplete Pre-Planned Moving ServiceLocal • Long Distance ePacking • CratingImport - Exportr«,J+m/JL Containerized Storageformerly at General OfficeSSffcAMe 12655 Se. DotyChkego, Nl. 60633swimmer loses momentum if he takestoo long to turn around at the end of alap, Viola’s dancers never let theirenergy level drop by hesitating too longin a leap or plie.And just to make sure that neitheraudience nor dancers get too com¬fortable, Viola may deliberately jet¬tison a movement in mid - course. Leapssuddenly veer into right angles, anelegant back-bend will snag on anotherdancer’s extended leg. Like a child,Viola pulls out the screws from herdances, leaving you with human springsthat ricochet off the floor and eachother. In contrast, she’ll balance in¬terminably on three toes — with one legprotruding sideways, perhaps in demi-plie or with shoulders hung askew, andnot a muscle will tremble. From thisabsolute stillness supported by ahumble toe, she’ll explode into the air ordisappear altogether.Finding the germ of an action andthen showing it to an audience is part ofViola Farber’s choreographic art. Whatshe demonstrates is totally devoid ofemotional or dramatic aura. Thedancers’ faces seldom show anythingbut a concentrated, receptive ex¬pression. “I may have associations withthe movement that I show people,” saidViola, “but J don’t try to nudge anaudience into feeling a particular thing.I want the dance to be as bare aspossible, so that you’re simply con¬fronted with the dance.”Of the four works performed by theViola Farber Dance Company during their Thursday night concert, mostwere danced in practice clothes througha stage environment colored only bylight. Even the titles of each workseemed irrevelant. With thre exceptionof Mildred, in which Viola danced abrilliant, red - dressed solo to Czernypiano exercises, all of the works wereaccompanied by sound. Music, ap¬parently, is a rarity in her dances. “Wejust realized that our performance hereis the first one we’ve given in whichevery piece has sound,” she said. Theseincluded Walter Carlos’ Switched - onBach, and two Alvin Lucier concoctions,World Music System 1 for BowedStringed Instruments (1972), and I amSitting in a Room.The latter recording serves to modifyyour perception of the choreography ofDune, created by Viola in 1971. Thisdance is not a case of movementreflecting sound, but of the one ac¬cidentally clarifying the other throughharmony or dissonance. “I am sitting ina room” are the first words of a phrasewhich is repeated over and over at asuccessively slower frequency. As thevoice becomes less coherent and morelike electronic music, the dancers shedimages like skins. One predicts thatboth will return to an archetypal form,and waits anxiously.Alvin Lucier writes of his work, “I amaware of three ideas in ‘I am sitting in aroom’: the use of speech to carry non -verbal information; the juxtaposition ofordinary processes to get extraordinaryresults; and the evocation of the hiddenqualities of sound in space. We discoverthat each room has its own sounds,unheard until amplified by time, andthat the most powerful part of speech isits rhythm. If we try, we may learn torecognize rooms by their tunes in thesame way we hear overtones in musicalBy Nancy G. MooreAsk her what she makes dances aboutand she'll say, “Movement, doingmovement.” Try to write about her andyour verbs go on strike. I have listenedto her breathe, to the soft soprano of hervoice, have seen her legs snap spaceinto throbbing obedience, and still Icannot tell you what she is about. Bothdancer and woman are the dance — asimple equation of intriguing im¬plications.In an exhausting, often merry chasewithin the confines of Ida Noyes andMandel Halls, Viola Farber and hercompany of six led participants in theSeventh Annual Chicago Dance Fectivalthrough a lively series of classes andperformances, January 18-20. At littleexpense, one could see the companydance in both formal and informalenvironments, and attend beginning,intermediate or advanced techniqueclasses.In class and on stage, Viola Farberdemands a lot of sweat. The damp path¬ways which streak the floor after herdances inevitably lead to a thoroughlysoaked towel or two. At irregular in¬tervals, the dancers make discreetswipes at them, swiveling their sweatyfeet around until dry.With a final rub against his towel,each dancer launches into space asthough he were taking a dive into aswimming competition. Viola’s dancetechnique requires that one makeconstant changes in direction,dynamics and rhythm. Just as aGLADYOU DID . . .EMIL MAKSPONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900headquartersfor.PASSPORTPHOTOGRAPHS.APPLICATIONSPHOTOGRAPHS• black & whiteand colorCall MU 4-7424 nowfor an appointment►Corona Studios1314 e c-ipn*Where the Artists Become the DanceSlayton. Photo by Terry Stevenson.tension snapped, the hip won and dancedissolved in a heap on the stage.A lengthy threshing of sound andmovement, Dune proved also to be astudy in the power of momentum. Withrepetition, actions begin to grow out ofmore than muscular sources. Forexample, if you jump rhythmically upand down and don’t allow yourself tosink into the floor on the down, the thirdor fourth jump will be easier than thefirst. Preceding jumps build upmomentum until, like a ball, yourebound. When you’ve seen a stage - fullof dancers spinning and jumping, evenfor five minutes, they begin to appearless and less tied to the floor, or to one spot. Dancers go out of focus as youbecome more and more involved withtheir collective activity.In Viola Farber’s choreography, youbegin to see dancers transform intowhizzings and whirrings and symphonicblurrings, all of which result frombodies that “sing.” With Dune and anew work, Poor Eddie, the dancersdrew me into their kinetic song and Ifelt, as they must have, that theirmuscles had given out long ago and thatwe were careening joyously about oninvisible wheels.Viola, the conveyer of these wondrousdances, began ballet and piano lessonswhen her family lived in Germany.Later, she continued both in WashingtonD.C. at American University, trans¬ferring in 1950 to Black MountainCollege in North Carolina. A year latershe met Merce Cunningham.“Actually it was when I met Mercethat I had absolutely no question aboutwhether or not I would dance,” Violarecalls. Although she still had the op¬tions of continuing with piano or ofteaching dance, she began to spendmore and more time with Merce,caught up in the complexity and vitalityof his dancing. She remembersthinking, “I never really wanted todance that way but I certainly wanted toknow how. It was very, very deman¬ding, and to see him do it was one of themost extraordinary things ever.Merce’s technique was, in a way, totallyimpossible, but possible enough so thatone always could try.”In addition to performing withKatherine Litz and Paul Taylor, Violadanced with the Merce CunninghamDance Company for twelve years. In1965 she left. “I didn’t like how I wasdancing in that situation anymore, thekinds of things I was given to do and how I did them,” she explained. “Iwasn’t at all sure I wanted to continuedancing and I’d also had an injury sothat it hurt to dance.”She recovered. Dancing at first withPeter Saul, studying ballet withMargaret Craske, taking a job now andthen to support herself, she managed toput together a dance company by 1968Viola, who has also been a bartender,nightclub dancer, advertising agencyreceptionist, teacher, model for dressdesign classes and piano player,became a choreographer. Three years -later her company reaped gold at theNinth International Dance Festival ofParis.Getting to Paris proved to be a some¬what bloody affair. Viola made a dancecalled Co-op, in which she inserted twofree minutes when everybody could dowhat he liked. On the basis of theirperformance of this and other dances,the Farber company was invited tocompete in the French festival.Viola remembers, “We were told wewere being considered for this festivaland would it be alllight if sometimesomebody from the French embassycame to look at us. It was a year whenthe flu was around and there were onlyfour of us who weren’t sick. We were alleating lunch after class one day whenthis absolutely beautiful white - hairedgentleman appeared in the doorway andturned out to be the cultural attache ofthe French Embassy who’d come to look at us. We danced for him, eventhough everyone was sniffing andcoughing. Jeff (Jeff Slayton) ac¬cidentally hit one of the girls, whoalready had a cold, in the nose with hishand.”Adds Jeff, “It was her free minuteand my free minute and we justcollided.”“Her nose started to bleed,” Violacontinued, “and she really was sovaliant, she tried to pretend thatnothing had happened. Finally, her nosestarted to drip, so she sat down. Threepeople were left dancing. I tried toexplain what the situation was . . .Later, we heard that this man hadwritten that we were marvelous and wedecided, in that case, he wouldn’t like uswhen we were well.”He did. One of the reasons for theFarber company’s success lies not intheir choreographer but in the dancers.Of those who performed here, includingViola’s husband - Jeff Slayton, LarryClark, June Finch, Anne Koren, SusanMatheke and Ande Peck, all seemedthoroughly adept at revealing Viola’schoreographic ideas. Not only does sherequire strength, but the will to let one’sactions supercede one’s personality.When you watch them dance, the ViolaFarber dancers become truly a com¬pany of movement rather than a roughcollection of individual identities per¬forming personal dramas. The dancersbecome the dance.CHAMPAGNE BRUNCH *4“ tax incl.All you can eat 11-2:00 Sundays. ROCKEFELLER MEMORIAL CHAPELSunday January 28f 197311:00 A.M.DEDICATION OF THENEW STAINED-GLASS WINDOWSE. SPENCER PARSONSDean of the Chape!“THE SHAPE OF GLORY”SUNDAY SEMINARRockefeller Memorial Chapel Undercroft 9:45 to10:45 a.m. Discussion led by the Reverend Philip M.Dripps, United Methodist Chaplain.Friday, January 26, 1973 - The Chicago Maroon - 11Play It As It Lays: It Lays Down and Dies{ JESSELSON’SFILM1465 East Hyde Park Bhd(Corner 51st & Harper)363 0151l/illQreenA smile . A kind word. A thought of youA Plant is a splendid wayTo say Peace and LoveMon Fri 11 00-7 00Sat & Sundays 10:00—5:00Come in and browse ~RESH FISH & SEAFOOD732-2(70, 732-S190, 343-*1(4 13401. 53rdREGAL NOTESunderstand plays, novels and poemsFASTER WITH OUR NOTESWo'ro new and wa'ra the bigast1 Thousonds oftopics raviawad lor quicker understanding. Oursubjects include not only English, but Anthro¬pology, Art, Bloch Studiot, Ecology, Eco¬nomics, Education, History, Low, Music,|Philosophy, Political Scionco, Psychology,Religion, Scionco, Sociology and Urban Prob¬lems Sand $2 for your catalog of topics ovotl-REGAL NOTES3)40 ‘O'* Stroot. H.W.Washington, D. C 20007Telephone: 202-333-0201 nen ec uocu■""'■mu ^r<jranTJDESKS-BOOKCASES-FILESSWIVEL CHAIRS-LAMPS-TABLESNEW & USEDiOUIPMENlI&UPPLY CO.Used 3 & 4 Drawer Files Letter & Legal size$20 and up.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D.cardThurs. till 9:00 P.M.By Dave KehrFrank Perry is a completely un-talented man who has never madeanything that even came close to beingwatchable. That Play It As It Lays is astinker is, then, no surprise. The sur¬prise is rather that two talented personslike Anthony Perkins and Tuesday Weldallow themselves to be dragged down toPerry’s level, and turn in performanceswooden enough to give you splinters inyour eyeballs.Perry’s film deals in a junior hightype of existentialism, where everyonewalks around looking glassy-eyed andmuttering “nothing, nothing’’ tothemselves. The general som¬nambulism continues unbroken fornearly two hours, so most of theaudience is soon put in the same frameof mind. The plot has something to do with an alienated movie star (TuesdayWeld) and her separation from herdirector husband (Adam Roarke), withAnthony Perkins’ homosexual producerhovering around the edges. They allspend tremendous amounts of timedriving up and down the L.A. freeways,coming from nowhere and goingnowhere (get it?). This, naturally, getssomewhat boring. For the big finish,they all go crazy and/ or commitsuicide, and they even manage to dothat boringly. In fact, the only reason Ican think of for seeing this monstrositywould be to compare your boredomcapacity with your friends (“I got boredas soon as the titles were over’’ or “I gotbored when the house lights wentdown,” etc.) Actually, you can stayhome and do the same thing for freewith Jack Paar.Worthy Performance 1 Scant NoticeBy Pau! GudelAn ambitious and striking campusmusical event took place Tuesday nightin Mandel Hall as mezzo - sopranoPhyllis Unosawa and tenor JosephBrewer, accompanied by pianist LarryMUSICMendes, performed Benjamin Britten’sCanticle II - Abraham and Isaac andGustav Mahler’s Das Lied von derErde. Probably due to poor promotion,only a few attended a concert which no one interested in classical music on thiscampus should have missed.Miss Unosawa especially has a finevoice, with a rich, ringing tone. Mr.Brewer also exhibited a strong voice,not as disciplined and refined, butleaving no doubt that he has a great dealof natural ability at his disposal.Completing the trio, Mr. Mendes hadmany opportunities to transcend therole of “mere” accompanist, since DasLied is liberally interspersed withexpansive instrumental passages. Attimes his playing wasn’t as free andflowing as one might have liked, but Iwas surprised at how little I missed thefull orchestral score once the piece gotunderway.In fact, it was a revelation to hear Das Lied in a piano version. Mahler’s in¬tricate rhythms, striking harmonicturns and lyrical melodic motifs allstood out in relief.It is unfortunate that the noble effortsof the performers were not matched bya corresponding publicity effort by thesponsoring Music Society. ForUniversity Symphony concerts, Mandelis usually packed. This performancedeserved no less.ITEM: Tonight Doc Films comesacross with The Milky Way, LuisBunuel’s guided tour of the CatholicChurch. Also known as BlasphemyThrough The Ages. With Tab Hunter asChrist, and Shelly Winters as the Virgin.7:15 and 9:30 in Cobb, $1.ITEM: Saturday, Sci-Fi films presentsits annual showing of Stanley Kubrick’s2001, a film so overpoweringly dull thatyou know it has to mean something. Fora change of pace, see it drunk this time.At 6, 9 and midnight in futuristic CobbHall, for one far-out buck. See if you canspot Shelly Winters in a bit as anasteroid.ITEM: Sunday, CEF is running Otto,*> Preminger’s excellent Such GoodFriends, at 7 and 9:15 in Cobb, for oneclam. If you think I’m going to makethat stupid joke about the two biggestreasons for Dyan Cannon’s success,you’re right. One of them is played byJk Shelly Winters.: *»_Vtfc’ i ' ' k .■ - 'ITEM: Tuesday night, Doc Films hasVincente Minnelli’s Some Came Run-'/ ning at 7:30. Minnelli once describedk this film as taking place inside a juke|| , box. Also on the bill is one of Shellyk Winter’s favorite films. Von Sternberg’sThe Town. Cobb, $1.,, .,v.Uk: ITEM: Wednesday. W C Fields fans cansmother themselves in Six of a Kind,''V; Leo McCarey’s seldom seen 1934comedy. Mr Fields will be supported(literally) by Burns and Allen. DocFilms, 7:30, Cobb Hall, $1. Fields alsodoes an amusing impression of ShellyWinters.ITEM: Thursday, Sci-Fi Films hassomething called Transatlantic Tunnel,and your guess is as good as mine.Rumor has it, though, that ShellyWinters appears as an amiable whale(predictable, ain’t I?). 7 and 9, in theusual place for the usual buck. See W.C. Fields as Shelley Winters.MAROON STAFF MEETING10:30 A.M. SAT.-FOR EVERYONE!LOOP CM304 S. DEARBORNKitty Comer to theDirkten Fed. Bldg.939 2524PASSPORT PHOTOSWHILE YOU WAITIto f/ternaryJUST COME ANYTIMEHOURS 8:30-5:30 To Receive ASAT. 9-3 FREE Passport WalletAMERICAN PASSPORT STUDIOS • Bring This Ad.12 - The Chicago Maroon - Friday, January 26, 1973'I Feminist Group Has New Focus in RockBy Clara HemphillFamily of Woman, a Lesbian feministrock group, will play at a con¬cert/ dance in Ida Noyes tomorrownight at 8 PM. An admission fee will becharged and the event is sponsored byGay Liberation.Many musicians use their music as avehicle for their political ideas. Thesixties witnessed dozens of anti-warsingers, for example. Now, for the firsttime, a group of lesbian musicians hascome forward to make a politicalstatement through their music. Thisgroup of four women, called Family ofWoman, plays material written bywomen about women. They say, “WeMUSICneed to reach the part in all women thatloves women; sometimes throughangry songs and sometimes throughlove songs.”Their goal is to create a lesbianculture which will give validity to theirlifestyle. “Gay women have beenrobbed of a history — a culture,” saysLinda Shear, the lead singer of thegroup. “We have to listen toheterosexual love songs on the radio,most of which are male - chauvinist,too.”Playing as a group since September,the women have performed in concertsand for benefits for women’s groups allover the state. When asked if theresponse to their playing was good, theylaughed and said, “Oh, we have our owngroupies.” They play to audienceswhich are predominantly female, butthey are able to handle the occasionalsnickers which they receive from men.“When we played at Northwestern,” they said, “some fraternity jocks cameto heckle. But they left. They couldn’tmake fun of us because we were toogood.” When asked if they felt closer togay men or straight women they saidwithout hesitation, “Women. Becauseall women are potential lesbians.”Musically, the group is hard tocategorize. To call their music folk orrock would be misleading. Their musichas elements of Janis Joplin, whomthey admire. One of the musicians, JoanCapra, has a classical training in theviolin, and this training is apparent inthe music. The group is versatilemusically, but one theme runs throughthe lyrics of their songs. This themeappears in the chorus of their title song,“Family of Woman.”A family of woman we’ve becomeA family of woman we’ve begun.A family of woman, we are tearingdown the walls,A family of woman, we are more thanslaves and dolls.Women sing of mountain-movingdays.The day is now.An army made of lovers cannot failThe pecking order is changing andthese chicks ain’t laying eggs.Sisters, I can feel you, I can touchyou, l can need you,I can kiss you, I can love you.The songs played by the Family ofWoman express many different moodsin several different styles, but they allhave the theme expressed by the lyricsabove. The members of the group arecandid about their views and feelingstheir songs portray. In addition to beingcandid, these women can laugh atthemselves and the people who opposeand oppress them. At the end of therehearsal which I heard, they said,“Pretty good for just girls, hunh?” Linda Shear, lead singer of Family of Woman. Photo by Robert E. Hopkins.Winter Carnival Jives OnWith Ramsey LewisBy Alex VesselinovitchThe stagnant tranquility of Life of theMind was gently disturbed last Mondaynight when the Ramsey Lewis Trioplayed to a near - capacity audience inMandel Hall. The jazz concert was thesecond event of “Winter Carnival,”sponsored by Student Activities, and ifthe audience’s response meansanything, then Lewis’ band pulled it off.Maybe they didn’t take the Universityby storm, but they sure made somewaves.The trio opened the set with theirlatest hit called Making Love. (It reallyhas a Swahili title that’s impossible to spell.) This number was a primer forboth the band and the crowd — Lewisjammed a bit on the keyboards whilebassist Cleveland Eaton did a steadybackground job. Then they broke into amedley with the subdued ballad Moodfor Mendez followed by the spiritedClose Your Eyes and Remember.Bassist Eaton displayed his talents on asolo and he got a good round of applausefor his fine string work.The trio then went into one of thefunkiest renditions of Buddy Miles’Changes ever heard, and by that timethe feet were tapping and the hands were clapping. Drummer MorrisJennings had some fun on a short andtight solo; he avoided the temptation ofplaying a monotonous and prolongeddrumming bash. However the concertwasn’t quite in orbit yet.After playing a distinct version of an“adagio theme from a concerto byRodrigo” Lewis had the audiencebouncing in his lap. It was a field day forCleve Eaton; his bass playing wasinimitable and he stole a good part ofthe show. The bass and drums werekeeping time while Lewis providedmost of the jive. When they played InCrowd the audience was right beside them, sw'aying to the band’s drivingrhythms and mellow vibes. The Lewistrio concluded with Betcha Bye GollyWow, a melancholy ballad which Lewisdedicated to a “special person” in thecrowd.The audience got what they came for—■ nothing less and maybe more. TheRamsey Lewis Trio had the verve andsoul that they're known for: alwayscontrolled but never restrained. Theygot a well - deserved standing ovationfrom an appreciative audience. Noone’s wig was flipped, but a lot of mindswere blown.CEF presents Sunday, February 28SUCH Otto Preminger'sGOOD FRIENDSCobb Hall *1 7:00 & 9:15Friday, January 26, i 973 - The Chicago Mui oon - 13Plus| Now rent levels that respect| college incomesj and great apartments too:Consider Number 1PriceStudios ...as low as $115 per monthOne bedrooms ...as low as $125 per monthTwo bedrooms ...as low as $158 per month,■■rV At last, rent levels that respect collegeincomes! All apartments will rent, accordingto special formulas, for not more than 25 percent of adjusted income of residents. Thefigure is subject to adjustment for income andfamily size. Reserve apartments now forspring, summer, fall occupancy. For a no-obligation preview appointment, or moreinformation, call the Draper & Kramer CampusHot Line, 624-4701,24 hours a day.fM.,■|f§gf: Win s500Receive $50 Certificate FreeIf you rent at Lake Village East, you’llreceive a $50 merchandise certificategood for free furniture or accessoriesat the famous Form Co-op furniturestore in Harper Court—PLUS a chanceto win $500 in free furniture of yourchoice. The $500 prize will be awardedwhen the first 50 apartments arerented. Open only to students, staff,and faculty of Chicago area collegesand universities. It’s an extra addedincentive to check out Lake VillageEast now. Dozens more reasons this unique38-sided new high-rise offersideal accommodations foryoung singles and marrieds2. Brand new building; people planned. Nosterile box, this. A nearly circular tower with38 sides to make home base a little moreinteresting.3. Quiet and privacy, thanks to short corridorsand only eight apartments per floor.4. Varied, unusual apartment layouts (no twoapartments on a floor are alike).5. Spectacular views of the city (and at these lowprices), plus plenty of light from full-lengthwindows.6. Campus bus service.7. Express buses downtown at the door.8. Good auto access to Lake Shore Drive, aminute away.9. Shopping, with three centers nearby.10. 200 trees, one for each apartment, in alandscaped plaza.11. Outdoor benches for summer studying.12. Playlots (mostly for the kiddies).13. Spacious laundry room.14. Dry cleaning shop (fast service).15. Package receiving service.16. Studios—large living and dining areas, goodfor singles.17. One-Bedrooms—especially spacious, with twodifferent views of the city, great for youngmarrieds.18. Two-Bedrooms—big living, dining area asi large as 24 x 15 feet.\ 19. Master Bedrooms as large as 15 by 11 feet.20. L-Shaped deluxe kitchens, with stainless steel; double sinks.21. Top appliances, including gas range and ovenand large refrigerator.22. Air conditioning (optional). :23. Fine wood cabinets, with plenty of counterspace.24. Ceramic tile baths, with deluxe fixtures.25. Easy to maintain floor tile.26. Master TV antenna (no charge).27. Free drapery tracks.28. High-Speed elevators.29. Solid core apartment doors with peepholes.30. Dead bolt security locks.31. Colorful corridors, fully carpeted.32. Refuse chute on every floor.33. Free on-site parking, brightly lighted.34. Luxury lobby with quarry tile floor.35. Bicycle and carriage storage room.36. Security system.37. East Kenwood location: $25-million in newconstruction in immediate area; secondhighest per capita income in the city.38. Management by Draper & Kramer, specialistsin integrated housing. Office on the premises. Special college previewFreeContinentalBreakfastSaturday, 10 A.M. -1 P.M.Come have a free continental break¬fast on us at a preview apartmentshowing for university students, staffand faculty. See our beautiful modelapartments. Or simply make a mentalnote to stop by at 47th and Dorchesterbefore your Saturday errands, if you’rehungry.See Lake Village East now. Reserve forspring and summer occupancy whileapartments last.Lake Village East38 sides and features to match4700 Lake ParkDraper & KramerManagement AgentsFor more information and a previewshowing, call the Campus Hot Line,624-4701.W wrf.' r . J A tt IS MM % >* *•+**■; -'IBM *> IMMI MMM *. flMHMMMMBMlft *.% 1-^ V * -V*.- * ¥ V.\ n\ •*t « t B! ft •Iftt.atlMAf ft ftl ftrw • £ ttliiiftftl i/ftfti ft if Jfi£ f • nooioM ogcoifD oriT - £T? I Y’lt5unD‘' .yobi H <•14 - The Chicago Maroon - Friday, January 26, 1973Thinking is Passion in Goodman PlayBy Janet KravetzAn interview with Heinar Kipphardtis posted in the lobby of the GoodmanTheater where his play, In the Matter ofJ. Robert Oppenheimer, is being per¬formed through February 11. In theinterview Kipphardt refers to an idea ofBrecht’s to the effect that thinking isone of our particularly pleasurableactivities. In this play and thisproduction the entire action is theworking through of an argument.Thinking becomes passion for theultimate existential question is beingasked, that of global suicide; have weinvented final weapons and might weuse them?The scene is the room in which theAtomic Energy Commission PersonnelDRAMASecurity Board considered, in 1954,whether to reinstate Oppenheimer’ssecurity clearance. He was suspected oftreasonous behavior in part forassociating with Communists — hisbrother had been a party member andclose friends were sympathisers — and,in larger part, for offering not eventoken support of the effort to develop ahydrogen bomb; all of which matteredbecause he was, as it was put, “thefather of the A bomb,’’ a physicist withenormous prestige and persuasivecharm.The hearing is the play. There areintroductory speeches, witnesses come,are questioned, and go, counsel makesclosing remarks, and a decision isannounced. The excitement and thetension are in the ideas, in the concerns of the participants and the conflictsbetween them. The audience ex¬periences less a performance than areconstruction of the hearing: we do notpeer through an invisible fourth wall,we are enclosed by it. This is atheatrical style in which the sense ofartiface is dissolved The play disap¬pears, becomes a translucency throughwhich the argument itself takes life.To create the illusion of realityrequires a special bag of tricks. Someare technical. The set is comfortable;there is room to move easily and thedesigner, Robert U. Taylor, has alteredperspective gently to minimize thepossible sense of inquisition. Audio¬visual effects recall the era and itsconcerns: Movietone News reportsfrom the desert bomb sites and fromHiroshima; blow-ups of the seedy,memorable eyes of Joseph McCarthy;the voice of Edward R. Murrow, byitself an imprint of the period.But this is the actors’ show: the actormust focus for us the character of theman for whom he speaks, flushingout as many as possible of theparameters by which we know a person,for to believe the argument we need allthe subtle signs by which we intuit thehonesty, intent and energy of the manwho makes the argument. Ideas, afterall, are rooted in the persons who havethem. This intensely realistic acting isessential to the substance of the case aswell. We believed back then thatuniqueness was valuable; individualitymattered; and we believed that Com¬munism meant merging the one into themany — that was its evil.“Godless Communism’’ was thephrase, less, I think, because of theatheism in Marx then because Godmeant One, and the possibility ofsingularity or specialness seemedthreatened by “them”. This was amixed bag in the USA of the fifties and the Joe McCarthy mania is the mostpotent example of the struggle betweenperson and state which informs much ofthe matter of J. Robert Oppenheimer.(Kipphardt trained as a psychiatrist inthe German schools of the late 40’s whenboth Freud and Einstein had con¬tributed concepts which encouraged usto think of man as we thought of atoms:the prime units, indivisible andsomehow ultimate.)And Oppenheimer — William Prince.In the closing speech he says whatwe’ve sensed: that he is guilty; he neverdenied the charges, and he isideologically at odds with the principleswhich guide the hearing. He thought of aline from the Gita when he watched theatomic explosion at Alamogordo: “And I am Death who taketh all, who shattersworlds.” During the hearing he stays ata bemused remove. He is a mystery. Afool to some and a hero to others, he isthe dark center. He faced the existentialquestion and he said, “I don’t reallyknow what’s right and I don’t know »what to do: we need time.”The real tension; Do we have,somehow, two kinds of history? Onelinear, chronological time in whichknowledge, technology and poweraccrete — progressive time; the other,human time, recapitulating, cyclical —eternal time? Perhaps this is a sense¬less question, but some question lurksin this play, seeps around the corner ofits speeches and glimmers in theproblem of Oppenheimer himself.From the Nation’s Armpit:A Recipe to Delight A GourmetBy Howard M. IsaacsIt was not until I strayed out to themid-west that I heard my home state(New Jersey) described as the “armpitof the nation,” and suchlike. I am notunaware of the horrors of Secaucus andthe N.J. Turnpike, but I have also seenFOODthe Kittatinny Mountains, the GreatSwamp, and — the Claremont Diner.The latter, located in downtown Verona,is the spot from which I have lifted thefollowing recipe, calling it, along withtheir menu, Epicurean Delight. For each mouth fed two pieces ofFrench Toast are needed (if you can’thack that then you don’t want thisrecipe, just a can-opener with a lifetimeguarantee). Before you start on theFrench Toast, however, broil enoughCanadian bacon (known to theCanadians as back bacon) to cover thetwo pieces of toast. When done, overlapsaid pieces by half an inch or so andspread the bacon on top. Next, put twoslices of swiss cheese on top of that andslip the whole megillah under thebroiler until the cheese melts. Servesame.Note: we purists eat it as is. To thoseof you who believe that French Toast inany form requires syrup, I recommendclear Karo, as maple syrup is just tooheavy. And there you have a simpletrouble-free creation; truly aphilosophic food.SUNDAYMANDEl HALL JANUARY 88:00 P.M.IN CONCERTU.C. STUDENTS M00.. ahead of 75% of the competition before anote is played.""Dan Hicks is a person of no mean strangeness, agenuine original, and one of the greatest superheroesin all of 20th-century popular music. Only an im¬becile could be excused for not getting hep to Danand his torrid accompanists, His Hot Licks, at hisearliest convenience."John Mendelsohn, Rolling Stone"Dan Hicks and his Hot Licks are the only peoplewho of late have grabbed me and pulled me intotheir music and made me like-nay, love-it."John P. Morgan, Rock Magazine ALL OTHERS *2”"Any act that brings its own stage decor must havesomething on the ball. When the decor consists ofseveral potted palms and a moon-over-Wiamea-Baybackdrop, you know that the act must be prettyspecial And when they're brought on stage followingan introduction by (are you ready for this, folks?)George Gobel, you can figure that they're damn wellunique.Which all puts Hicks ahead of 75% of the competitionbefore a note is played. When the music does come,though, it's in perfect keeping with the staging ....In an age of Supergroups, without a bit of hoopla anda minimum of fanfare this is truly a super group."Cash BoxTickets available at the door or in Mandei Hall Box OfficeJan. 25,26,11:30-1 or in Ida Noyes 209 all day weekdaysFriday, January 26, 1973 - The Chicago Maroon - 15C ’sW cA vioacnl yobiv-* • noo-.pM cps:* rD *>r?? * 'RECORDSSold for Prevention of Disease OnlyWilderness Road(Warners MS 2125)How do you review the new record byyour city’s best group? Everybody hasseen them live, has heard about theirlocal history. It starts with Second Cityand expands through local benefits untilit reaches the heights — a record albumwhose failure is solely the fault of abadly befuddled record company(Columbia, in case you care.)How do you describe this group?Thev’ve already been called “urban -satire/ country rock,’’ “the best show inthe country,” “the world’s finest rock -blues - R&B - satirical - theatrical -musical experience.” It’s all true, butwhat can be said that’s new?Every style of review has been done:discussing concerts, live interviews, the“ who plays what” style, long quotesfrom the lyrics, put ons. And here is thisreviewer, trying to say something new.Well, let me start the original part ofthis review by saying that I really likeWilderness Road. The quality of theirmusic — words aside — is fantastic,clean and driving. Despite the fact thatChicago is a city where a rock group hasless chance than a stray cow in the oldstock yards, and despite their otherqualities. Wilderness Road is a talented,rocking band.They almost remind me of Zappa, forchutzpah and outrageousness, as wellas really good playing. Rut they goZappa one better — he assaults;Wilderness Road entices and en¬tertains: they're fun. They exploremore than any other group around, notfrom a sense of obligation to eclectism,but as a result of far - reaching, open -minded satire.The Authentic British Blues is thecure for the severe cases of English Egodisease that have been going around.A.M.A. is the first diagnosis of thatsyndrome. Pot of Gold is their chronicleof leaving Chicago for L.A.. somethingwhich I am sad about. Wilderness Roadis still a live - in - concert group, andthough this album captures a lot of theirflair, there is even more that comes outon stage.So, if clean, driving, dancing rock iswhat you want; if satire and a sense ofhumor seemed to you to be missingfrom Cheech and Chong; if you ever feltsorry for the last lonesome stray killedin the stockyards and wanted a recordto play in memory of that heroic,misfated beast, then this record is onefor you. It’s one for you anyway.—Gage AndrewsHomecomingAmerica(Warner Brothers BS 2655)I believe that I am one of ap¬proximately ten people over the age ofmajority who still buys 45s. Only nowand then, you understand, whensomething that I have heard once ortwice or several times a day on my carradio worms its way into the musicalchamber of my furry little mind. And Iwas ail set to add America’s VenturaHighway to my prodigious stack ofunchic mini - discs when it came into the Maroon office on an album. Well, Ithought, review it and save yourselfseventy-nine cents at Lowe’s. You canalways ignore the rest of the album.Happily, as I listened to it, Idiscovered the error of my ways.Homecoming is like chicken liver andoysters Rockefeller — a pleasureacquired through patience. The moreyou hear it, the better it sounds. All theselections are in the same musical veinas Ventura Highway — lyrical,carefully - modulated, rhythmically -controlled, “soft” rock. Devotees ofCaptain Beefheart, the Grateful Deadand Alice Cooper may not be at homehere. Those who groove, perhaps some¬what archaically, to Crosby, Stills,Nash and Young, Jim Webb and JoseFeliciano are the listeners that thisalbum is really aimed at. each and every selection is particularlyimpressive, with an excellent balancebetween vocals and instrumentationneatly achieved, a skill which is un¬fortunately often lacking in recordingsthese days. The accompaniment itself isa well - integrated mixture of per¬cussion, guitars, piano and banjo inwhich no instrument captures the lime¬light to the detriment of the ex¬positions, and each is used to its bestadvantage.Cosmopolitan, in a recent feature onthe pop music industry, is apparentlyrather piqued that America, whosethree members average eighteen yearsof age, should be so commerciallysuccessful. Nevertheless, the groupbrings a level - headed seriousness to itsmusic, and Homecoming fills a certaingap in pop music, which should keep allQFDtS&aS€Qf\WThere is nothing overwhelminglydistinctive about Homecoming. No onecut jumps up and announces itself withirrepressible musical dramatics,although I found that I particularlyenjoyed Cornwall Blank on the first go-around as much as Ventura Highway,which is unusual for me. Indeed, someof the cuts are almost uncannily likeother soft - rock predecessors; MoonSong with its heavy emphasis on echo -chamber vocals and a muted electronicaccompaniment is very similar toRemember from the Association’s firstalbum, and Only in Your Heart seems tome oddly reminiscent of pre - freakyBeatles.Perhaps what makes the album workis that it is sedate but not dated, andtherefore, a peaceful respite in themidst of the often frenetic rock whichcaptures most of the airwaves everyday. As with America’s first hit single,Horse With No Name, each cut is asolidly - structured unit. It begins andends recognizably. The engineering of three singing all the way to the bank.HGB, eat That - Cosmopolitan - Girlheart out. —Elizabeth RussoDon McLeanDon McLeanUnited Artists UAS-5651I don’t understand everything thatDon McLean sings, but I know that 1 likeit. A lot. And it’s not just me—DonMcLean seems to appeal to a wideaudience. I have an uncle in Green Bay,a dear man but very straight, whounabashedly shows off his copy ofAmerican Pie as soon as you walk intohis living room. There is a certaintranquility and evenness in McLean’sstyle which appeals to the sedate crowd,combined with a bounce and zip thatcaptures a more youthful group, tired ofhard rock but not quite ready forGeritol.What impressed me most about thisalbum, during a time when we are deluged with love and/ or sad songs,was its originality. “Dreidel” willprobably be the most recognizablebecause it’s the album cut which isreceiving the most airplay these days.And while it is not my favorite com¬position (although it has a dynamitebackup which is best heard through ear¬phones), I like the idea. Who else wouldrecord a love - and - life song based on aHannukah toy?“Oh My What a Shame” is a love songto end all love songs. It is worth buyingthe album for this alone. Again, there isa remarkable freshness in the way thesubject — the breakup of a marriage —is treated. The song, with a piano ac¬companiment and muted violins, isdramatic without being sloppily sen¬timental. It’s quiet but possessed of asubtle power that left me, the CynicalRomantic, rooted to the spot the firsttime I heard it.“If We Try” is a syncopated, happysong that you can hum. It can best bedescribed as the kind of song you canplay for your lover when his mother isvisiting.“On The Amazon” is pure delight —an intellectual fantasy trip:Wild duodenum are lurking in the treesand the junglesSwarm with green apostrophesOh the Amazon is calling me.It’s a riotous softshoe tune, and McLeaneven begins to break up himself as hesings. Strangely enough, this humorousbreak, in the midst of a repertoireworthy of Edgar Allan Poe, serves alsoto make the melancholia palatable,even for those who are not given to sucha bent themselves.“Birthday Song” is not what it soundslike. It’s actually another love songwherein a birthday is incidental, andagain, I can’t think of any parallel inpreviously - existing musical material.Anyone can sing it to me on any birth¬day!1 have a hard time placing McLean ina niche, especially with the release ofthis album. His voice is similar to FrankSinatra’s in that it is good but not great.But what it lacks in virtuosity andtraining it makes up for in power; infact, the voice has a personality. Thetexture and tone are instantly distinc¬tive and remain in the mind long afterthe stereo is turned off.McLean also plays the guitar on thisalbum, and with superb engineering, itbalances perfectly with vocals andbackup. Which is a decided blessingbecause McLean’s playing is excellentand worth hearing. I believe he doesmore for the guitar than even JoseFeliciano. All lyrics, with the exceptionof “On The Amazon,” are alsoMcLean’s products, and the mandeserves an enormous amount of creditfor turning out nine fresh, stirring, if notalways comprehensible, songs on onealbum. I can’t think of anyone else inrecent years who has equalled thisoutput.By all means, buy this album orborrow it or steal it. Foreswear buyinganother record for six months if youmust, but get this one. And listen to itwith someone you love.—Elizabeth RussoFrom the people who brought you Flash Gordoncomes2001: A SPACE ODYSSEYCobb $1 at 6:00, 9:00 and for you late night freaks a specialMIDNIGHT SHOWGay Liberation presents Sat. Jan. 27 $1.25THE FAMILY OF WOMANA Lesbian Feminist Folksfaging Group 8 P.M. Ida Noyes16 : The Chicago tAaropn - Fr^Qy,January 36/(l ?73Joffrey Ballet: Seductive & AddictiveBy Elizabeth Russo1 hv* City Center Joffrey Ballet is likeherein — easy to become addicted toand hard to give up. And, like this in¬famous drug, the Joffrey does notdiscriminate in the people who succumbto its magic. Those who have seen onlyclassical ballet, those who have wit¬nessed only modern dance and thosewho have only rarely observed themedium, as well as balletomanes, arecounted among the legions of Joffreyfans.However, as usual, there is a catch.With heroin, it’s that touchy point aboutillegality. With the Joffrey, it’s location.The company calls New York, dancecapital of the world, home. And so thoseof us who may be known as dancegroupies (I consider balletomanes a too-specific term for this occasion), but whoare quartered in the Midwest, just haveto live with this fact. Except for the twoweeks stretching from January 30through February 11, when we can turntoward the East and sneer. The SecondCity will have the First Ballet Companyall to itself, in performances at theAuditorium Theater. And I can’trecommend seeing the Joffrey toohighly. I’ve been looking forward tothese next two weeks since I becamehooked on the Joffrey last year. In fact,I am planning to pitch a pup tent in theAuditorium lobby to be sure and catcheach and every performance.This seasoms Joffrey engagementwill feature a mixture of well-knownworks and some new pieces, in a wide-ranging repertory of sixteen ballets.Gerald Arpino, Assistant Director andResident Choreographer for the Jof¬frey, has created a new ballet, SacredGrove on Mount Tamalpais, which willreceive its Chicago premiere on Thurs¬day, February 1st. New York critics ’iave said that this piece presents‘some of the most sensual movementsin dance” (the Joffrey is great for this),and it’s set to a specially - com¬missioned symphonic - rock score byAlan Raph, one of the collaborators onthe music for Trinity.Three new productions will be offeredduring this engagement. A newproduction of Jerome Robbins’ In-terplay, called a “joyful fun and gamespiece,” is being featured on OpeningNight. On January 31, LeonideMassine’s character ballet Le BeauDanube, with music by Johann Strauss,will be given its first Chicago per¬formance. And on the third night of theJoffrey engagement, February 1st, theaudience will be treated to a newproduction of Benjamin Harkarvy’sGrand Pas Espagnol set to SpanishDances by Moritz Moszkowski, as wellas the premiere of Sacred Grove onMount Tamalpais.In addition, three ballets that have notbeen included in the Chicago repertoryfor some years will be returning.Flemming Flindt’s The Lesson, athriller based on the Eugene Ionescoplay The Private Lesson, and last seenin Chicago in 1969, will be back; as wellas August Bournonville’s Danish classicKonservatoriet, last performed inChicago by the Joffrey in 1970, andJerome Robbins’ ballet-in-silence,Moves, also formerly seen in 1970. JohnButler’s After Eden, performed in anew production this past summerduring the company’s first season at theRavinia Festival, will have its firstperformances at the AuditoriumTheater during this engagement.The company will also bring sixballets that were new productions lastyear and will be familiar to Chicagoaudiences; Alvin Ailey’s Feast ofAshes; Gerald Arpino’s Chabriesque, Kettentanz, and Valentine; GeorgeBalanchine’s Square Dance; and EliotFeld’s Meadowlark. My personalfavorite, Gerald Arpino’s Trinity, willbe back, as well as Kurt Jooss’s com¬mentary on war, The Green Table.Opening Night of the Joffreyengagement will be coinciding with theopening of the Auditorium’s DanceSeries, and the Joffrey will berepresented in the Auditorium’s LivelyArts Series on Tuesday, February 6.Tickets for both series and individualtickets for those evenings are stillavailable.There are no performances onMonday, but there are performancesevery other night, at eight p.m., as well as three matinees (Sunday, February 4;Saturday, February 10; Sunday,February 11) at two p.m. Ticket pricesrange from $3.50 in the Gallery to tendollars for box seats. It is definitelyworth remembering that theAuditorium is very kind to students andwill sell any ticket at twenty-five per¬cent off, upon presentation of a studentID. The affluent may charge same onMaster Charge of Bankamericard.The Auditorium Theater is located at70 East Congress Parkway, Chicago,easily accessible by both car and publictransportation. The Box Officetelephone number for tickets and in¬formation is 922-6634. Tickets for allperformances are also available at allTICKETRON outlets.Members of the Joffrey dance Kettentanz, Gerald Arpino’s salute to Old Vienna, set to music by Johann Strauss. Photo by Herbert Migdoll.©an*!*! authorized sales & servire312-mi 3-3113Toreign car hospital & clinic, inc.**^^^5424 south kimbark avenue • Chicago 60615 A frighteningdocumentary onthe nuclear agelbyHeinar Kipphardfdirected byGene Lesser IN THEMATTER OFJ. ROBERTOPPENHEIMERThru Feb. 11 s133“«Solti To* t*troS133.50 Opwn $68.88 MontMy. 36 poymantiAnnual ferctntogr Rat» »o 14.34.Total Doferrod pr«« $2613.18VOLKSWAGEN SOUTH SHORE7234 S. STONY ISLANDPliune 288 4300 Jpfr. Da;!y l Saturday Cto^d SundayPrkTdy,^eUdrv 26/1973 - The Chftotjo Mbf6on - ftwrm. wwfisif ii® pii?ig® p» k§dMarM art !te® ImM@» tit It Ippff« i® mmi «|?»..-fag®to MnNMfe if«w:totopsftos. totosi a pmoa's «ts® Hr UsesHali^r«8Pii^ifiRiiatoif ....... ^ ^stoertkmtfeR art to tomn&m api rtpsitti. wm fc» *J* to/rtptotts mmmdwrt, vtotoaee Is ia® dEiet rostoi it §®$0®* %h$mm wm frt mmm if skwfiptol &af ,rt?f.tint wmm it pssmtaiMtess art to' rtMHsf «pn> f«r a tipi* !#*■*■**■* lw iP:‘toM#t:potoee, m tsy «f M sto tow* ®» it a «m top? Hi® isrtrtstot 'otter sites. Ufesrtste sptort® Is rtr ssrttofe tortototo®^ tot ®®i -iOwtfttenMtNriwiiflMliiiP ffcs stop »®ii® if irt®i pmor sail ismttigptliig vmlnmm to Aaasvfea to Iks 4KKpVM88& ^ tops rtto-ass sppwrtsi 'As Us • Itost-. fasg® irt if&csir *i"l»8wa» a*«rt tor mhot art pifertfatoIffttotortMM'la Mftsrt' . P»®®i as lift Ute f§MIn Hi,i csmlry. fil* teirtsdenying w par art ttob-otssstvisJBcrsify insspsuriMs* tortis srtk __ , _ .......mmfc it kmmmm. Mmy mm* tote s rtMrt,sftstoi to MMrttot;b® UfiUrt Hntes it rtMrtp Ak art art Unite totrti «s its m§mp tryisg mmm’• ttoto to ate toft** mmmrnwk immrnmm kta irtswttlir «s«wf wmmmmmrn® warn*Bmm tmmm tete m «nrtrtsito m m towtotortte^ to®Nartti VtoCasat rtusitomi#rtM.||»ksik •Trt must tote test ef tote i§ sateiftoi to Hit w» tort toprrtte* to till srt .Miss torts mrttoi# 1» a .ASMtert- |t to~j- toil to s pitert Jifite tote it ;lte. ®l®i Ite sfafi #» imSSk■t teissi art $& pstopk sf itoH*m-oml vtoto*MAROON CLASSIFIED ADSSCENESPlay CHESS with Ed Friedman Bringyourself,, your chess set and yourunrecognized chess genius to 5625University, 7:30 Saturday nite as Mr.Friedman takes on ALL comers.Prizes awarded to those beating thisformer New England championrefreshments free admission.A midnight show for people who neverlearned proper sleeping habits 2001 ASpace Odyssey, Cobb, Sat 27, 6, 9, 12."Hadsai Ibn Shaprut and the JewishRenaissance of the 10th Century." Atalk by Prof. Norman Gold (NearEastern Lang 8 Lit) tonight at 8:30,Hillel House, 5715 WoodlawnThe Coffee House is open every Fri.night Good folk and jazz music.Coffees, teas and goodies. 8 12. IdaNoyes LibraryGay Liberation presents The Familyof Woman lesbian feminist folksinginggroup Jan 27, 8 pm Ida Noyes.Superball VII the Spaghetti Champs SPACEKitchenette apt working fireplace$ M/mo. call 643 0741 eves.52nd 8. Dorchester 5 rm apt. $190Redecorated, refinished firs. Avail.Mar 1, call 752 2376 for appt.One bedroom apt avail March 1. OnUC bus route, turn or unfurn, 1 blkfrom 1C 5336 S Hyde Pk. 288 2773.21/2 rm furn apt avail 3/1/73 near54th 'Harper $143 incl utilities. Call 9552472 or 288 4641 evesMale wanted to share spacious 2 BRSo. Shore apt. with male grad. Must beneat 8 mature. Call 955 3056.2001 A Space Odyssey, Cobb, Sat 6, 9,12.Looking for apt to share near 54th andKimbark Call Jane 955 7841.Quiet neighbors 3 1/2 rms 8. storagerm refg free gas lighted rear entranceS150/mo 8. sec dep Prefer faculty orstaff good refs req 374 1741 aft 6.The Lookof the30/Get it together in thegreatest collectionof sweaters, shirts,baggies & other 30’sthreads! Lots ofpatterns & groovycolors to pick. Plus aton of jeans alwayson hand. You’ll dig it.uJAll >( rPART OF COHN & STERNHYDE PARK SHOPPING CENTER55TH & LAKE PARK 2/1/73 my loss is your gain forced toleave beautiful spacious sunny 5 rmapt for new job. Terrace w/s exposureon friendly ctyd $192 near 1C campusbus 493 9670 eveFemale rmmate E. Hyde Pk own rmshare w/one other woman Call 955 1992eve.3 rms for rent in home in Jackson PkHighlands 68 8 Bennett 1/2 bk fromcampus bus $75/mo Call Ms Cohn after4 00 pm 955 3681South Shore 5 rm twnhse w/full bsmt1/2 blk from campus bus & 1C $215month Call 731 3829TENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSfurn. and unfurnLAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES2343 E 71st StSee MONICA A BLOCK667 2002 or 667 2004CHICAGO BEACH HOTEL 5100Cornell DO 3 2400 Beautiful FurnishedApartments near beach, park, 1Ctrains, U of C buses at door Modestdaily, weekly, monthly rates CallMiss SmithCooperative for sale: You seldom savemoney like this1 ? bdrms, 1 bath, bale.,1st fir Loc. 69th & Paxton Immaculate Near shopping 8 lakeAsking only $9860 Americus 798 5700PEOPLE FOR SALEStudent wife will care for children inher home Call Kathy 955 3827Tax consultant will help prepare yourtax.return Call 731 9636.Portraits 4 for $4 00 up MaynardStudio, 1459 E. 53 2nd floor 643 4083TYPIST exp 752 8119, after 6 00 pmExperienced manuscript typing onIBM Selectric 378 5774.PEOPLE WANTEDWant wed rings made. 525 8011 eves.Need someone to do part time clericalwork on campus; 10 15 hours weekly.Call 947 6451 between 9 am and 4 pmExperienced babysitter wanted for 1520 hrs per wk Flexibility in daytimehrs. Call 667 8128Research ass't needed 1/2 time forstudy of how creative teachers useField Museum. BA, research inwriting aptitude, access to caressential, background in ele.education desirable End product willbe book co authored by research ass't8 myself Thru Oct 1. Call AliceCarnes 922 9410 ext 360, SOON !Superball VII the Spaghetti Champs.FOR SALEEncyclopedia Britannica 8 GreatBooks of Western World Like new$175 ea or $325 both John 947 8536Limited copies of "Asian Women" byI the Berkley Women's Group nowavailable call after 10 667 4358.ROOM FORRENT753-2297located on campus 1966 Ford Galaxie, automatic, newbattery, radio, power steering, needsmin of repairs, $225 call 288 8856 aft 61965 Corvair 54,000 miles $150 Call 7532847 or 947 8656 nightsTwo Jensen speakers $18 each, SearsTV set 12" screen $20, Miracord turntable w/ShureM91E cartridge $45,Kenwood Receiver $45, call Salomonat 753 8227 or 753 8154 leave messageand phone'65 Plym 318, needs exh pipe, wiper,burns oil $100 Ph 525 8011 eves.Plymouth Fury III, 1969, excellentcondition, air conditioned, reardefroster, etc. $1300 Call 753 8275between 3 30 5 30 pm.1964 VOLVO 544, rebuilt engine andfront end 56) 3712 asking $400 5200 S. BLACKSTONEHave Privacy live your ownlife have convenience 8 24 hrsecurity 8 switchbd service—live offcampus at BLACKWOOD APTHOTEL all apts have walk in kitchen,are comp furn , cost not much more, ifany at all, than the regulated dormCall KE 6 4300 Miss Kreps managerPLAY TENNISPlay tennis rain or shine South SideRacquet Club, 1401 Sibley Blvd ,Dolton, 147 8 Calumet Exp. VI 9 1235.TRAVELNo matter where you're flyingchances are American Airlines can getyou there in speed and comfort Callyour campus representative LarryMarden, at 947 8867 after 6 PM forinformation reservationsExperienced bookkeeper, knowledgeof University methods required Parttime, hours flexible. Call 947 6451between 9 am and 4 pm LOST 5500 S. SHORE DR.Calico cat lost in Hyde Park black eyepatches no front claws if found call WlGrice 267 1527 FLAMINGO ON THE LAKEHappy with your roommate?Mens watch lost 1 24 vie. 57th St See us. We have the apt for youPlease return reward 241 7360 Studio 1 bdrm furn unfurn ShortFOUND term leases the price is rightCampus bus 2 blocks.Small brown dog, very friendlyfemale, white paws Call Arli 684 4634eves Security shops elevator restaurantParking 24 hour switchboardSTEP TUTORS Mrs Adelman 752 3800Student Tutoring Elementary ProjectSTEP needs volunteers to tutorbiweekly There are a lot of littlechildren who could use your help Ifyou are interested, please call DaveKandel at 324 7436 or John Zyskind at REFRIGERATORRENTALMini frige Pennies a day Billedmonthly Call Swan Rental 721 4400643 2762. TURNING ONl will be turned on from five to elevenPM, Thursday, Friday, Sat and Sunall quarter, turning out great pizzas atreasonable prices Love, ParadiseLost Pizza Oven.PAN PIZZADE LIVERYThe Medici delivers 5pm to 11 pm Sunthru Thurs. 5 pm to midnight Fri. 8Sat 667 7394. Save 60 cents delivery, ifyou pick if up yourself at 1450 E 57thSt.MODERN DANCEWORKSHOPWANTEDCall HY 3 2717 after 5 pm. Mythological Dance Theatre CoD2tnce workshop Winter Quarter,taught by Violetta Karosas acclaimedDance Showcase 72 Workshop 1/2 blkRegenstein 56th and Woodlawn HydePk Union Church gym 3 time/wk 15sessions $45 288 3706Tape ot Anais Nin talk of Sun Nov 5.Call Marie 955 2571 late pmCOLOR VISIONAre you colorblind? We need you forour research in color vision $2 00 perhour, three or more hours per weak.Call 947 6039 INFORMATIONWANTEDGOOD FOOD . a..i looking for evidence of governmental repression If you have anHome style food at a location near theUC campus. Lunch or dinner contractsavailable. Call 753 3112. interesting or important incident toreport, send it to Mark Gruenberg c oThe Maroon, 1212 E 59th St., Chicago.Thanks very muchRIDES IDEAS WANTEDDo you have suggestions for dances,concerts or other activities to be heldon campus? It so, fake a minute andjot them down for us. The StudentActivities Office, INH 209Need daily ride to campus from 2000N (Arm if age) and 500 W, (Cleveland)Arr campus about 9 am, depart about5 pm. Will share expenses Call EdHansen 947 5272• VW bus '61 old type window van,I sunroof, dependable, $300 or 684 8014.> MAROONVery ImportantSTAFF MEETING10:30 A.M. SATURDAYMAROON OFFICEFOR EVERYONE(this includes ARTS people)S t » * vi \v , v \ GRADUATESTUDENT LIFEMany graduate students have littletime for anything but their academicwork Others, however, have expressed the need for a program ofsocial activities geared to graduatestudents interests and needs If youhave comments or suggestions on this,we would like to hear them. TheStudent Activities Office, INH 209ASIAN WOMENOpportunities to engage in dialogueswith other Asian graduate women. Fordetails call 667 4358U.T.: SPRINGQUARTERPRODUCTIONSUT is now accepting proposals forSpring Quarter Productions either asft * * ♦ * * * * * * a|i **** Caueft Rttiat ** 1645 E. 55TH STREET £f CHICAGO, ILL 60615 #J Phone:FA 4-1651 #VVx. J-VV. Kv -* v V-.- T ' <K <r75% OFF ONENTIRE STOCKREIDMICHENER5309 KIMBARK6 PM to 12 PM part of an experimental weekend or asa full production Deadline for submission of proposals is on MondayFebruary 5 For more information call753 3581 between 9 and 5.FOOD PEOPLEWANTEDRestaurant and/or recipe reviewersneeded for Maroon Arts Section Wepay for your heartburn. Call Liz at 7533269 days2001: A SPACEODYSSEYLooking for a cheap thrill? Sat 272001 A Space Odyssey, Cobb 6, 9, 12LOX & BAGELSSunday, 11 am at Hillel. $1GAY LIBERATIONGAY COFFEE HOUSE every Fri atBlue Gargoyle 5655 S University, 3 12pmPERSONALSToniqht at 8:30 First lecture inseries, "In the Lands of Dispersion"Hillel HouseKenneth Ladien, call Mark 753 2261about your books$100 REWARD for return of lost dog,small white shaggy cockapoo Answers to Christopher Kringle HY 39600 X662We supply the movie You supply thepopcorn (or whatever) 2001 A SpaceOdyssey, Cobb Sat 27, 6, 9, midnightTuesday the MADWOMAN takes onWoody Allen and the New York TimesWRITERS WORKSHOP (PL 2 8377)We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU).Put a taco in your tummy Lucita sMexican Food, 11 am to 11 pm Fri Sat1 am 144C E 57th St 955 0888Superball VII the Spaghetti ChampsIf you're between 12 8 21 and don't ownan airline youth fare card, you aremissing a great money saving opportunity. Cost only S3 00 Benefits.33°o off on most flights (all airlines)Call your American Airlines campusrep Larry Marden, at 947 8867 after 6pm for detailsFeel discriminated against becauseyou're a woman? Then complain anddo something about it Call 922 0025.Women's singles and doubles TableTennis Tournament. Open to allwomen students. Starts Jan. 30.Deadline for entries is Jan 26 Submitname at Women's Physical EducationOffice, room 201, Ida Noyes Hall inperson or by telephoneWomen interested in FEMINISMGroups forming on many concernsLooking for women with FeministVoices Call Eliza 241 6433 or Gerry947 8682.Plantry in dire need of flower pots.Have any to contribute7 Call x3591 orbring to Ida 217.Recycle flower pots to Plantry,Noyes 217. Idaj~ “pizzaPLAJTER1460 E. 53rdI: Ml 3-2800! FAST DELIVERYj AND PICKUP40% OFFat! THE BOOK NOOK' Across from the Co-Op"THIS WEEK!New Mahavishnu OrchestraWar-World is a GhettoWatts Stax Live ConcertTryouts for Actors, Singers, Tech people forBLACKFRIARS ANNUAL ORIGINAL MUSIC COMEDYWed. Jan. 31 and Thurs., Feb. 1 at 7:30 in Ida NoyesSat. Feb. 3 at 2sOO in QuantrellFriday, January 26, 1973 - The ChicagoMarcon - 19WE ARE SORRYREPORTThe sensational stupendous and otheralliterations of our January White Sale hascreated a supply problem of fantastic proportions.Distillers of gin( vodka, white rum, and whiskieswhose labels are white are restricting sales to alloutlets in order to supply the demand at ourstores. We are very sorry that you must pay moreelsewhere but that's The January White Sales pur¬pose. Our fearless leader has cut all (well almostall) white stuff to sensational, stupendous, etc.levels.THIS IS YOUR LAST WARNING!PRICES WILL ADVANCE AFTERJANUARY 31.