The Chicago MaroonVolume 81, Number 28 The University of Chicago Friday, January 19, 1973New student loan source proposedBy STEVE DURBINThe University of Chicago has made acompletely novel proposal to provide a newsource of student loans, designed to replacethe National Direct Student Loan (NDSL)program, which is known to be in seriousdanger of being replaced this year. The newprogram involves an agreement with theFirst National Bank of Chicago to provideFederally Insured Student Loans (FISL) tostudents who cannot get funding elsewhere.The proposed contract is pending approval inWashington.It was reported in the Jan 12 issue of TheNew York Times that sources predictPresident Nixon will not seek any ap¬propriations from Congress for the NDSLprogram. Instead, he plans to supplementthe long-established federally insuredstudent loan program, where private banksprovide the principal for loans at 7 percentinterest, while the government guaranteesthe loan.The purpose of the FISL program is to putthe burden of raising principal on the privatesector. The disadvantages for the student arethat the interest rate is 7 percent, instead of 3percent for NDSL, and that banks don’t haveto make the loans. Many banks would ratherinvest their money at more than 7 percentreturn.About six months ago, long before theuniversity suspected that NDSL would becancelled, an application was filed for theuniversity to become an approved lendinginstitution, so that it could be in a position toprovide federally insured loans to studentswho couldn’t get them from other banks.When asked why the university became alending institution when instill counted on theNDSL, Dean of Students Charles O’Connellreplied: “I saw the handwriting on the wall,but I thought I had another four or fiveyears.” The original intention was to slowlyphase in the university program, while thenational direct loans (formerly the NationalDefense Student Loan program) were beingphased out.Even with the NDSL, there were inherentproblems with the university lendingfederally insured loans. One, they didn’thave the money available, and two, aActivism onBy MARKGRUENBERGIf there is such a thing as campus activismthese days, it is very hard to find, says RonDavis, leader of the Organization of BlackStudents (OBS).Yet Joseph Cobb, treasurer of the YoungRepublicans, disagrees. ‘‘What has droppedis public visibility,” he says. Unfortunatelyfor his analysis, Cobb is the de facto leader offour “liberation” groups on campus—and heis so busy he has had to set up a tape-recorded message to answer the phone forhim, saying where and when he he may bereached.In short, the amount of campus activismand the numbers of people involved dependson whom you talk to and who is running eachof the various groups. Some of the groupslisted in the student directory are moribund,some non-existent and some quite alive.Among the more activist groups is OBS. Arecent gadfly in the Maroon, their work inStudent Government and the fact that “about90 per cent of the blacks on campus par¬ticipate” at one time or another, according toDavis, are some reasons for its activism.“The unionization problem our main ac¬tivity,” Davis notes. “It will get most of ourattention for the whole year, and other ac¬tivities will be related to it.” Mentioning thegroup’s role in student government (SG), hestated, “Our whole purpose was to make SGmore open, and we think we have done that.Also, I’ve received word that some elementsin the administration want to disband someof SG’s power. Recent history here has CHARLES O'CONNELL: The dean of students reports that the University is developinga new source of student loan funds. Photo by Hugh Taylor.bureaucracy would have to be created toadminister the loans.To meet the problems of providing thevolume of loans necessary to replace manyof the national defense loans, the universityapproached the First National Bank ofChicago, through its subsidiary, the FirstChicago University Finance Corporation. Itproposed that the First National become thelending agent, to lend federally insured loansto any approved student, process the loan,arrange for the student to receive it, and beresponsible for the collection of the loan.From the very beginning, the FirstNational was very interested in the proposal.It was not that they could make much moneyoff of UC student loans, but that they mightbe able to interest many other universities,caught in the same financial bind, intojoining the program. This would make amuch more profitable volume, and alsocreate a huge pool of potential First Nationalcustomers.In return for this service, the universitywould pay a fee equal to one-half of one percent of the total amount borrowed eachyear. For instance, if one million dollars wasborrowed the first year, the university wouldpay $5,000. The next year, $5,000 would againbe paid, plus one-half percent on that year’sloans. The one-half percent on the originalone million would be paid until the loansbegan to repay themselves.“I’m kind of excited about the whole thing.I see a new source of income for students,which will supplement the present sources,”said Dean O'Connell. The contract had beendrawn up and sent to Washington two monthsago for approval. It has been referred tolegal counsel, particularly because it is thefirst proposal of its kind to reachWashington.The federally insured loand which wouldhe administered by the plan, if approved, arenot based on need. Any enrolled student canborrow up to his tuition costs, or $1,000 if he isin the college. The maximum cumulativetotal a student can borrow is $10,000. Theoans are at 7 percent interest, but if thestudent can meet certain levels of demon-L/C campus surveyedshown that student power is declining andwe’re trying to reverse that.”If OBS is relatively active, one can also saythat the Radical Libertarian Alliance, (RLA)the Diplomacy Club, the Young Republicansand the Students for Capitalism andFreedom (SCAF) are also relatively active— if you accept the fact that one man and histape recorder represent all four orga¬nizations.Joseph Cobb, a graduate business student,is the man with the tape recorder.“Essentially I’m running the Young Re¬publicans and the others in the libertariangrouping—meaning I’m throwing parties forthe RLA and SCAF while others aregathering names.”None of the groups is really planninganything, according to Cobb. However, “Anumber of the radical libertarians mightlook into the amount of State’s Attorney’sbudget for pot prosecutions. It will be in¬teresting to see if Carey will continue thisimmoral policy when he announces hisbudget in the next few weeks, or whether hecuts the money out.”Science for Vietnam is hoping to broadenits scope, despite what chairman VintonThompson sees as “a general drift of ac¬tivism away from campuses in the lastyear.”“We hope to form a coalition with othergroups like OBS in order to have a programon the African liberation movements in thePortugese colonies of Angola and Mozam-hiqup The program would he around thebeginning of February.” One recently highly visible group is the(graduate) Political Science Association. Arecent article on Indochina, and a runningdispute with the political science faculty overwhether the students should have a say in thehiring of faculty members projected theassociation into the news. According toassociation board member Dianne Far-quhar, the dispute is currently beingnegotiated between association represen¬tatives and faculty members.“We’re interested in finding people whoare good teachers,” she says. Theassociation, which until how has beencomposed of graduate students in politicalscience, has extended an invitation to un¬dergraduates to join.After a period of calm following the con¬troversy over population growth with ProfPhilip Hauser, the University of ChicagoLabor Committee (UCLC) has shifted focus.“Basically we will be planning a series ofclasses and forums on Phase III as an ex¬pression of carrying out zero growth ideologyand Phase III as a plan for massive austerityand union-busting which the capitalist classis planning because of the world wideliquidity crisis,” charged chairman StuartBernsen.Bernsen added that a spinoff programwould be “How zero growth and behaviorismreflects the birth of protofascist ideology.Skinner and his theories of positive rein¬forcement are implied in the presentwelfare-slave 'abor schemes” he com¬mented. Bernsen also pointed out that UCLC» Continued on page 2 strated need, the government will pay theinterest while he is in school. Therequirements are nearly the same as thenational defense student loans, except thatthese are all based on need, and the interestis only 3 percent.Since the early 1960’s, the basic loanprogram for this university has been theNDSL. The program became law in 1958. butthe university would not take part in it until1961, when a clause disclaiming membershipin subversive organizations was replaced bya loyalty oath. On an NDSL loan, eight-ninthsof the principle is provided by the govern¬ment, one-ninth by the university. Theprincipal and the remainder of the interest isrepaid over a 10-year period, after thestudent leaves the school.The possible cancellation of NDSL comesat a time when federal money in general isdrying up. For instance, a short time ago,there was a special forgiveness clause forteachers that was particularly beneficial forthis institution, which purportedly producesproportionately more teachers than anyother in the country. Any NDSL borrowerwho went into teaching could deduct 10percent from his loan for each year ofteaching, up to 50 percent. This clause waseliminated by Congress in 1972.Also, there were the HEW HigherEducation Act Title IV grants for thepreparation of teachers. In 1968-69. well over100 students had Title IV grants Today thereare none. The cancellation of this programcontributed to the decline in the totalenrollment (there are about 1000 fewerstudents now than in 68-69' and to the in¬crease in the number of students borrowingmoney.In 1971-72, 1938 students borrowed$2,669,570 for an average of $1450 in NDSLmoney. In 1969-70. the total NDSL was only$1,768,000. College students borrowsignificantly less, about $500 on the average,because the university does not want them toborrow very much of the $10,000 maximumduring the undergraduate years. It is alsosignificant to note that very few phvsical andbiological (non-medical) science graduatestudents needed loans. This is because thefederal government has been tunnelingmoney into these areas in large amountssince WWII. Even this, however, is dryingup, and the science students are taking outmore loans as a result.As opposed to the sciences, the Humanitiesdivision gets very little money from thegovernment, forcing a large number ofstudents there to seek loans. One majorexception is the HEW Title VI fellowships forgrad students in certain foreign languages.For the 1972-73 academic year. 65 studentsare receiving fellowships paying full tuitionand a stipend between $2,000 and $2,400, for atotal of $333,775. This program too is knownto be in danger of cancellation by Congressthis year.One major source of funds that hopefullywill remain is the re-loaning of the moneyrepaid from old national defense loans. Thisyear it accounts for about $700,000 in loans.For next year, the university has requested$2,900,000 in national direct loans, if theprogram still exists. Regardless, the amountrequested is never the amount granted by thegovernment. For the first time ever, theentire amount of national defense loans for1972-73 were lent in just the fall quarter Tomeet the student needs, the universityarranged for federally insured loans fromthe First National to be lent to the students asa total package, under its own charter If theproposal now under consideration inWashington is approved, these studentswould retroactively become part of the newdeal. So far, almost 200 students have beenlent about $250,000 from the First Nationalfor this quarterIn the over all aid picture, loans accountfor 30 percent of all aid, compared with 20percent in 1969-70. Of the remaining 70percent. 38 percent from the government,and 17 percent from others. Of the total loanpicture, 68.5 percent comes from thegovernment and 31 5 percent from theuniversity.University activistsAMERICA: The rock group will be at the Auditorium theatre January 28.Continued from page 1is affiliated with the National Caucus ofLabor Committees, a direct successor of theSDS Labor Committee. Both the nationalcommittee and UCLC advocate “a strategyof uniting socialists, trade unionists,unorganized, unemployed, welfare victims,oppressed minorities, students, etc, inclasswide strike support committees arounda common interest program...against thecapitalist class.”The plans and program of Gay Lib areamorphous, according to chairman KennethRabb “Our plans depend on what peoplewant to do. There are many city and stateactivities that people from UC might want toparticipate in.”By contrast with the groups above, thereare a number of defunct, unreachable ormoribund groupsOf the ‘liberation’ groups SCAF and RLAmay be doing something. SCAF spokesmanPeter Pitsch notes that the group will host atalk by economist George Stigler onFebruary. 3. The other group, the YoungRepublicans, functions mostly at elections,says Cobb, and the Diplomacy club gatherson Sunday in Reynolds club to play the game.Some organizations, such as the StudentMobilization Committee (SMC) and theYoung Socialists Alliance (YSA), havecompletely dropped from sight. YSA stillexists in the directory, while SMC has beenstricken from the book, but Robert Lewis,listed as director of both, has left Snell—withno forwarding address.Gretchen Donart, listed as last year’sdirector of the now non-listed Young People’sSocialist League, was unbeatable at thephone number given for her.The Club for Responsible Individualism,one of the most active organizations oncampus last year, with a lecture series ofconservative speakers, has sponsored threediscussions early last quarter, and has sincedropped from view. Its former director,Miles Costick Lev-Ary, has not been found even by his associates. Its present director,Robert Chapman, is locatable — inRochester, New York.A planned Young Americans for Freedomchapter collapsed early this year.In sum, the outlook for activism is mud¬dled. Thompson feels ‘‘In terms of politicalactivity, the level has dropped.” Cobbdisagrees, but admits “I’m one entrepeneurand everyone else is an observer. People likeactivities to be on a one-shot basis.”Yet, according to Ron Davis, ‘‘Now’ thepeople who are involved are involved moreseriously than before. People are morerealistic. When people are sitting down andanalyzing the situation, they are makingmore progress.”CALENDARFriday, January 19FILMS: "The Garden" by Robert Hopkins precedes themain attraction, Antonioni's "Blowup", DOC, Cobb, $1,7:15and 9:3G pm.WORKSHOP: Folkdancers Turkish workshop, Cloister clubof Ida Noyes. $1.50, 7:30 pm.LECTURE: "The Jewish past and resistance: the need toaccept or reject", David Abraham, Hillel, 5715 S Woodlawn,8 30 pm.EXPERIMENTAL PLAY: University Theater presents"Light Cell Death", Reynolds Club theater, $1.50, 8:30 and10 pm.SEMINAR 1: "Dipolar shifts and shift reagents", PennState prof W D Herrocks, Kent 103, 1:30 pm.SEMINAR 2: "Convection in the earth's interior", profDavid Tozer of the U of Newcastle upon Tyne, HGS 101, 3:30pm.SEMINAR AD NAUSEAM: However the topic is unknown(It's a statistics seminar), Minn U prof Morris Eaton, Eck202, 4 pm.CLUB MEETING AND LECTURE: Microbiology club withNorthwestern U prof Martin Rachmeler speaking on "Anucleoprotein complex in the replication of SV 40", RickettsNorth 1, 4 pm.LECTURE: "On the Arithemetic of elliptical curves"Harvard U prof John Tate, Eck 133, 4:30 pm.LECTURE : "Some notes on Shakespeare's tragedies", profGeorge Anastaplo, UC Downtown center, 64 E South Water,room 700, 8 pm.CLASS: Viola Farber dance company master class, feerequired. For information, call 753 3706. Also to be held onSaturday. MEET: Gymnastics meet vs U Wisconsin Whitewater andCentral Michigan, Bartlett, 7:30 pm.TRACK: Varsity meet vs McMaster and DePaul, fieldhouse, 7 pm.LECTURE: "The Explorations at the Temple Site atJerusalem". Find out about ancient Jerusalem fromHebrew U prof Benjamin Mazar, then about modern Jewryat Hillel tonight. Anyway, this lecture is at Breasted Hall(The Oriental Institute), 4 pmSEMINAR: "Melting relations of Muscovite granite to 35kilobars in water saturated and water deficient regions",Wuu Liang Huang, HGS 101, 1:30 pm.REVIEW: "Miss Lonely Hearts" is reviewed by one loneEnglish grad student, Marsha Dewell, on WHPK-FM, 8 amand 8 pm.Saturday, January 20INAUGURATION: Who needs it?COU NTE R-I N AUGU R AT ION : Demonstrations inWashington for which busses leave Friday night (call 549-4415 for info) and in the Loop at State and Wacker, 11 am.COUNTER-INAUGURATION SERVICE: Service Of peacein Rockefeller chapel, with theme of "If a cease fire isachieved, let us give thanks; if the bombers still fly, let usprotest", Rockefeller chapel, 3 pm.FILM: "The Dybbuk" (New Israeli version), sponsored byHillel and congregation Rofei Zedek, 5200 Hyde Park Blvd, 8pm.THEATER: "Light Cell Death", Reynolds Club, $1.50, 8:30and 10 p.m.THEATER: "Light Cell Death", Reynolds Club, $1.50, 8 30and 10 pm.PARTY:Folkdancers party, Cloister club of Ida Noyes, $2,7:30 pm. FILM: "La Salamandre", CEF, Cobb, $1, 7 and 9:15 pm.Sunday, January 21WIRSZUP LECTURE: "An economist looks at crime andpunishment", Gary Becker, Woodward Court, 8 pm.FILM: "Closely Watched Trains", CEF, Mandel, $1, 8 pmFILM: "Viva Zapata", NUC, Cobb, $1,7 and 9 pm.FIRESIDE CHAT: "How our sexual attitudes contribute tothe population problem", ms Jessie Potter, Brent House,5540 S Woodlawn, 7 pm.PLAY READING: Blackfriars' play reading of EugeneO'Neill's "Ah, Wilderness", Ida Noyes, 8 pm.DISCUSSION: "Education for Liberation", Afro Americanhistory roundtable has Barbara Sizemore as speaker,Washington YMCA, 5000 S Indiana Ave, 2 pm.MEETING: Diplomacy club meets to play—whatelse?—Diplomacy in Reynolds club north lounge, noon.Monday, January 22CONCERT: Ramsey Lewis at Mandel Hall. Advance ticketsat box office, $1.50 students, $2.50 others. Tickets at the door50c more. Concert is at 8 pm.SEMINAR: "Spectral analysis of N02 using tunable lasertechniques", Columbia U prof Charles Stevens, K 103, 4 pm.SEMINAR: Biology club seminar. Title to be announced,Zoology 14, 1101 E 57, 4:30 pm.REVIEW: Singer Johnnie Ray is X-rayed by English profHarvey Gilman, WHPK-FM, 8 am and 8 pm.LECTURE: "Getting technical information to largelyilliterate audiences, Wise U prof K Forman, SS 122, 4 pm.The New Owners ofTHE BOOK NOOK1538 E. 55th. St."Across from the CO-OP"Cordially invite you to their grand re-openingSaturday, January 20prizes refreshments special salesRECORD SALESMany items reduced 40% or more- such - as -Rolling Stones Mozart: Marriage of FigaroExile on Main St.-$3.50 Philips-$14.00Carol King'sMusic-$3.50 Schumann: 4 Symphies Symphonies5th Dimensions Solti-$10.00Greatest Hits-$3.50 •Roberta Flack Wagner: ParsifalQuiet Fire-$3.50 American Philips-$12.002 - The Chicago Maroon - Friday, January 19, 1973Cap'n Video meets Life of the MindBy C D JACOThe door was slightly ajar, and from insidethe room came the sounds of Schubert’sWanderer Fantasy for piano. Theprofessorial type paused, briefcase in hand,in the hall. He glanced inside and wanderedoff down the corridor, muttering“Televisions. A room full of televisions.”Electronic media has invaded the strongholdof the life of the mind in Gates-Blake Hall.Had the professor come by another time,he might have seen a video tape on workingwomen, a tape of A J Weberman trying toseat himself in Bob Dylan’s garbage can, ora tape of Anais Nin at Mandel Hall, forGates-Blake 425 is headquarters for Hum-Video, a video tape facility working throughthe Humanities Collegiate Division. As such,HumVideo represents the first significantinvolvement in electronic media by theUniversity since the heyday of educationalradio in the 1930’s and 40’s.David Affelder, HumVideo’s only full-timestaff member, beams with enthusiasm as hetalks about the video tape project and itspossibilities. “The idea behind Hum is toopen and develop video access to theUniversity community. The project isn’t avast studio complex, but is rather an editingworkbench and portable recording centerwhere people interested in working with lowNader aideBy MARK SPIEGLANPublic Interest Research Groups (PIRGs),are based on the idea that while voluntaryactivism for public interest causes is oftenpowerful and effective in the short run, manypeople are not only unwilling but unable tocontribute the skill-demanding and lengthyefforts that many projects require accordingto Ralph Nader aide Donald Ross.Ross, who spoke Tuesday at the law school,characterized the PICGs as combinations ofvolunteers an cores of full-timeprofessionals, most notably lawyers.Such groups also include scientists andother experts, whose salaries are paid bycontributions to the PIRG. Thus, theprofessional staff is free to pursue lawsuits,research, and investigations to whateverlengths necessary, while the volunteersremain available for smaller projects,reporting problems, mass organizing, andraising funds.Although the event was billed as anorganizational meeting rather than a speech, DAVID AFFELDER: A former SG and SVNA president, Affelder is the one-man staff olHum Video, a Humanities program to explore the possibilities of the medium videctape. Photo by Leonard Lamberg.cost, basic television can do so.”HumVideo started when Professor JohnCawleti submitted a proposal to the BentonEducational Research Fund to set up a videofacility in the Humanities Division. TheBenton Fund granted $23,000 for theestablishment of a video center; however, asAffelder pointed out “That isn’t a whole lot ofmoney. Our set up now consists of Sony half¬inch portable tape machines and editingequipment, which represents television at itsmost rudimentary.”The reaction of professors and otherdisciples of the printed word to video tapehas varied: one professor, quoted in theCommittee on Broadcasting’s report to thePresident of the University, saw television asa means for the “supression of literacy.”Affelder said, “The reaction of manyprofessors has been either disinterest orfright; however, many people high in theadministration are interested in mediadevelopment. The main problem right now isco-ordinating this operation with the othervideo tape rigs in Billings, the law' school,anatomy, SSA, and so forth.”Affelder doesn’t see video tape as a threatto the printed word or the life of the mind. “Isee tape as a way to augment other UC ac¬tivities. There are many things, such asplays and television criticism, that are betteradapted to tape than to the printed word. Andit turned out to be more of a meeting anddialogue than anything else. Ross, arriving ahalf hour late before an audience mostlycomposed law students, decided not to usethe podium, but stood and sat in front of it ashe talked and listened to the group of 17people for more than ninety minutes.There are currently PIRGs in fourteenstates, Ross said, and they are being formedin eleven or twelve others. The total fundingis expected to rise from $1 million this year to$3 million next year. Some of the PIRGprojects have received funds fromorganizations such as the Sierra Club, but themain thrust of Ross’ remarks concerned theoperation of student PIRGs.The student PIRGs which are already inoperation raise money for the professionalstaff by taking two to four dollars from eachstudent’s activities fee. This is refundable onrequest to students who object, but so far,according to Ross, no more than a handfulhave demanded such refunds. In addition,studetns can do partime volunteer work andhave occasionally received academic creditfor scientific or social research done in tape offers an alternative to the printed wordin areas such as the preparation of videoclass ‘papers’ and documents.”“However,” he continued, “the main ideabehind HumVideo is participation; the videoPIRGsconnection with the PIRG. Most PIRGswould be regional rather than based on asingle campus; one in New York State, forinstance, is funded by 200,000 students fromvarious campuses.A great deal of skepticism was aired by thestudents as to w-hether such a project couldbe initiated at this so called “ivory tower”University. Ross pointed out in reply that nouniversity had even come close to having itstax-exempt status threatened, and addedthat the law school, being small might beeasily organized for starting such a project.It was finally decided that a meeting be heldnext Tuesday at the Blue Gargoyle at 7:30 foranyone who wishes to get involved inorganizing a PIRG.Some recent successful activities of PIRGsnoted by Ross included fighting un¬challenged utilities rate increases in NewEngland, suing Minneapolis police whoharassed peace marchers while not wearingbadges, and obtaining a court injunctionwithin hours after it was reported that tollbooths in New Jersey wrere distributingpamphlets promoting a highway bond issue. equipment is open to anyone who wants tocome in and learn how to use it. Can I insert aplug?” I allowed as how that kind of thingwas in keeping with the journalistic traditionin Chicago, so he said “The number here atthe office is 753-3380 in case anyone is interested.”HumVideo is presently planning severalprojects using the tape rigs. The primaryproject is raising video crews and teachingothers to use the equipment. “That way,”Affelder said, “projects can be created andon-going, and ideas for low-cost productionscan be explored.” After taking a phone callfrom a prospective volunteer, the ex-guidinglight of SVNA continued: “At present, wehave two commdmen's for working withprofessors on their classes, one is on architecture, and the other concerns literature, film, and television In additionwe’re supposed to tape ‘Oh. Wt at a LovelyWar!’ for University Theatre so the actorscan look at the tapes ar-i elit e- out what’sright or wrong ”Asked to summarize wnut :i" video tapeproject hoped to do, Affel-G. J ought for awhile. “You could sa\ trying toprepare a Whitman’s Sample: A video mpepossibilities; it's a slow, o ..<>st painfulapproach, but a good one. W item five year*,the entire teachnology of •.■■Vo tape will beeasier to handle and more ".ccssable. Wemight even be able to commerciallybroadcast low-cost, half-inch rape.” As I left,he was humming, his feet propped up orhe desk.Ross describesThis weekend C.E.F. brings youTWO pretty picture-shows.#1 Sat. Jan. 20 7:00 & 9:15LA SALAMANDRECobb $1#2 Sun. Jan. 21 8:00CLOSELY WATCHEDTRAINSMandel Hall $1Friday, January 19 1973 - The Chicago Maroon - fFRESH FISH & SEAFOOD792*2970, 792*9190, 343-9)94- 13401. 93r4| GOLD CITY INN* given ****| * by the Maroont* New Hours: Op^n Daily *J From 11:30 a.m.*■ to 9:30 p.m.* rItI**#t***** "A Gold Mine Of Good Food"Student Discount:i 0% for table service5% for take homeHyde Park's Best Cantonese Food52?8 Harper 493-2559(near Harper Court)Eat more for less.$ (Try our convenient take-cut orders.) |* •*jkafgakakakakalcafc^kak^akak:^.3fc^6ic3k3kakak3kjikjkj|caijThank goodness some thingsnever change.Good things, like expressingyour love with a diamond.And good things, like the 62 year oldHollands Jewelers policy of returning yourmoney if you're not satisfied.Lots of things have changed, too. Forthe better. Like the newest cuts in diamonds,especially 0"r exciting new heart shapes.And the large selection of beautifulnew settings that you'll find atHollands Jewelers today.I ioliaiids .JewelersSine. 1910Downtown Evergreen Plaza Lek.hursl WoodlieldIT S HEREDiscount Records andStereo Tapes2S54 W. DEVON AVE. CHICAGOHere...It's Hew...It's Record TimeATT'C. HEf?E RECORDSNew Releases All $5.98 L.P.S $3.29ALL OTHER $5.98 L.P. ALBUMSEVERY DAY LOW P£iCE ... $3.39ALL $6.95 - 8 TRACK STEREO TAPE CARTRIDGESEVERY DAY LOW PRICE... $4.39Including Hew Releases3 SoONI COUPON 2ScGOOD FOR 25cON ANY LP. ALBUM OR 8 TRACK STEREO TAPEPAY ONLY $3.04 WITH THIS COUPON FOR ANEW RELEASE PLUS STATE TAX2S< 2 ScOptn 11 a.m. to 9:00 p.m.4 - The Chicago Maroon - Friday, January 19, 1973 Authebung:By MARK ACKERMANAdlai Stevenson once said: “There is work enoughto do - and tools enough to do it. Let us resolve to setabout it an an orderly fashion; let us use and combineour tools and techniques for a period of action andinnovation. Let us aspire to usher in a time of peacefulpassage through the vast transformations whichcontemporary history demands.’’The Adlai Stevenson Institute for InternationalAffairs, located in the Robie House at the corner of58th and Woodlawn, is dedicated to those very words.As William Polk, president of the Institute wrote inhis annual report “The Adlai Stevenson Institute wasfounded on several assumptions. The first is thateverywhere in the world people are engaged in thepursuit of a better way of life. ...it is not a matter ofwhether but of how. The question of how is covered bythe imprecise word ‘development.’“The Germans have a single word which sum¬marizes the main intent and thrust of the AdlaiStevenson Institute. It is authebung, and may betranslated as ‘creative transcendence of barriers toprogress.’”The Institute was founded in 1968 to commemoratethe life and thoughts of Adlai Stevenson. The conceptthat technology and science are the foundations of oursociety and that development was the keystone un¬derlaid the decision to begin the Institute. As MurrayKemption, noted in the annual report of the Institute,“...Stevenson’s was the only voice that reminded usthat we need only look around us to see how many ofour promises to ourselves were still unkept, and onlybeyond ourselves to see the disorders of a world thatno mere command of ours could set right.”Thusly, the founders of the institute thought it afitting tribute to Adlai Stevenson to create anorganization to help reevaluate the concept ofdevelopment.By 1967, it had indeed become apparent that ourconceptions about development needed to bereevaluated. Despite nearly one trillion dollars spentin development programs, Polk noted that “theworldwide development picture was dismal.” As anexample, he cited Afghanistan where prior todevelopment attempts, the yearly income per capitawas one-fifth that of US slum areas, or about fiftyto sixty dollars per person per year. After theUS and Russia spent ten years and over one billiondollars trying to develop the country, the per capitaincome rose a mere one dollar. Clearly, the presentmethods were failing.Members of the Institute very quickly came to twoconclusions. First, decisions can no longer be labeledeither international or national. Policies vitally af¬fecting one government and people can no longer bedecided by merely national decisions. In all aspects offoreign policy and economics, it is possible for anymodern nation to be totally affected by the policies ofother governments and institutions. Even the USeconomy is not immune to such pressures.The second conclusion is similar sociological the goal ofDAVID HALBERSTAM: Halberstam, an ASI fellow, isthe author of the current best-seller, The Best and theBrightest. Photo by Leonard Lamberg.facets can occur in different national societies indifferent stages of development, culture, and in¬dependence. In many ways, US slums are similiar tounderdeveloped countries. Yet, as Polk noted, thegovernment has always “treated foreign affairs assomething totally distinct” from domestic situations.Seeing this similarity between developing countriesand the urban slums has led the institute into con¬structing plans to eliminate the slums. As The DailyNews noted, “His (Polk’s) concepts are as pertinent toChicago ghettos as they are to the Mideast and Asiaand Africa, so the word ‘international’ in the in¬stitute's title may be misleading. Many of its projectsare domestic.”The institute is actually its fellows. There is littleinternal structure and a large amount of freedom. Theinstitute is an independent organization, receiving nogovernment funds (which makes it unique in the US).Being independent, the fellows are free to criticizeentire government programs, not just individualsections. Polk could note, “Personally I feel that theentire Urban Renewal Program is wrong,” and neverfeel any repercussions.These fellows are not graduate students hut scholarsand, in some cases, top government officials fromvarious countries who are paid by the institute. Forexample, the institute has had the minister ofeducation of Afghanistan, and currently boasts UThant as fellows.FEL LOWS SEMINAR: William Mores, center, spoke January 14 on what residents of strip mining towns think ofthemselves. Photo by Leonard Lamberg.the Stevenson InstituteWiLLIAM MORES: The AS! fellow, author of an up¬coming book on strip mining, spoke at a fellowsseminar Sunday. Photo by Leonard Lamberg.Most fellows are engaged on research projects. Theprojects are basically interested in three facets ofdevelopment: (1) how people organize themselves toinitiate change, (2) how they acquire the necessarytraining to organize themselves, and (3) how theyminimize the costs of and dangers that attend socialtransformation.A fellow must first define the problem he is at¬tempting to solve. As simple as this may seem it isusually not done. Polk stated, “Many countries havemany large programs, including the US, but nonehave programs designed to define the problem.”Often attempts are made to solve a problem that ishazy and undefined with the result that the problem isexacerbated.After a fellow has defined his particular problem, heresearches and develops his concept. He is often aidedby other fellows of the institute, especially withinspecial fellow seminars which are held about everytwo weeks. For example, on January 12th, WilliamMeyers, a fellow, spoke on “Just a Bunch of CoalMiners,” an unique paper on stripmining in Ap-plachia, determining what the people in the area feltabout their own lives Through these seminars and thegive-and-take which results, the institute tries to formwhat Polk calls “a comparitive sense.”A fellow will often develop his idea into a book or apaper. A noted example of this might be David Hab-erstram’s The Best and the Brightest about the Kennedy years.More often, a fellow’s idea might develop into aseminar or a conference. The institute has held im¬portant conferences on violence, resulting in HenryBienen’s Violence and Social Change, and RichardRubinstein’s Rebels in Eden, and Vietnam, resultingin Richard Pfeffer’s No More Vietnams?However, the institute has a tendency to downgradethe academic approach. As the institute’s annualreport stated, “...the parties to these seminars (onviolence) ended troubled by the limitations of theacademic approach.”Basically, the institute tries to develop prototypeprograms. Although the institute does not establishmajor programs in the sense of size, basically becauseof cost, it does develop programs which can be ex¬panded to other areas and needs.For example, Clyde Ross, a fellow of the institute,developed a plan for renovating Lawndale, a slumarea. Polk writes in the foreward to the AdlaiStevenson Institute working paper 5, “Shortly after itsfoundation in 1967, the Adlai Stevenson Institute wasasked to sponsor a study of housing in the Lawndalearea of Chicago. We were interesting on on twocounts: not only is Lawndale typical of many “innercity” problem areas, but it has many of the charac¬teristics of developing nations.”Ross and his neighbors on the 3300 block of WestFlournoy sandblasted, painted, and cleaned theirhouses and block. Polk continues, “And, they mayhave taught us one of the most significant lessons wecan learn about development.... Whatever itseconomic dimensions, it is also an attempt to satisfyone of man’s basic instincts, his need for community.”While the Institute admits that one block is not theentire world, Polk feels that the concepts can spreadto other slum areas and, ultimately, to un¬derdeveloped countries. John Tweedle, a documen¬tary film-maker, has recorded Ross’ success as aguide to other neighborhood organizations.Polk stresses that the institute is not a think-tank. Itis concerned with finding prototype programs of theLawndale type. Often the fellows go back to theirgovernmental jobs, taking with them the plans forimportant projects. Polk also stressed that there is noother institute like this in the US.The institute also as an associates program. Thisinvolves about two hundred people that meet aboutfour times a year. Last year New York Times,associate editor Harrison Salisbury addressed a groupof associates on Russia and China.The institute also has study groups which are seriesof meetings for business and professional people todiscuss international issues of current interest. Theymeet six to eight times an academic year.Has the institute been successful? Its large numberof successful programs would indicate so. But, MurrayKempton in his annual report declines to answerstating only, “We hope, of course, that we havehonored his (Stevenson's) memory. More than that,we hope that it has guided us in the ways he wanted usto go.”ROBIE HOUSE: This is the view from inside the home of the Adlai Stevenson Institute for International Affairs.Photo by Leonard Lamberg. MMKATSAROS P U A & M A ( y,int• Complete Prescription Needs• Prompt Delivery Service1521 E. 53rd ST. Phone 288>8700KIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, IRC.1214 E, 53rd St.53-Kimbarlc Plaza NY 3-3355BRIGHTON3967 ARCHER AVENUE(2 BLOCKS EAST OF CALIFORNIA AVE.l927-8000JANUARYSPECIALGOODYEAR 4-PLY TIRES* 560 x 15 B/W 2 for $28.00600 x I 5 B/W 2 for $39.00685 x 1 5 BAV 2 for $39.00600 x 13 B/W 2 for $26.00600 x 12 B/W 2 for $32.00H78 x 15 B/W 2 for $46 00G78 x 15 B/W 2 for $43.00J78 x 15 B/W 2 for $47.00L78 x 15 B AV 2 for $56.00SNOW TIRES560 x 15 B/W 2 for $28 00600 x 13 B/W 2 for $27.50600 x 12 B/W 2 for $27.50735 x 14 B/W 2 or $32.50700 x 1 3 B/W 2 for $27 50520 x 13 B/W 2 for $27.50775 x 14 B/W 2 for $39.00825 x 14 B/W 2 for $29.00855x14 B/W 2 for $42.00685 x 1 5 B/W 2 for $2° 50775 x 15 B/W 2 for $37 00025 x 15 8 W 2 ‘or 2 12 00855 x 1 5 B/W 2 for $43.000 Federal Excise Tax rv$1.74°^$1 89V$1.89°^$ 1.61°$! .30° m$3.01°S2.7 8‘- rV$3.12-53.16 V$1.73$1.61:$1.40’$2.00Si 9 5$i -u: vVFriday, January 1 9, 1973 - The Chicago Maroon - 5ABOUT THE MIDWAYWheland deathGeorge Willard Wheland, professor ofchemistry, died on December 27 in Chicago.He was 65. Professor Wheland, a member ofthe department of chemistry at theUniversity since 1937, had retired on Sep¬tember 30, 1972.Professor Wheland reveived his BS fromDartmouth College in 1928, and his Plh Dfrom Harvard University in 1929.He was a post-doctoral fellow in chemistryat the California Institute of Technologyfrom 1932 through 1936, and spent a year as aGuggenheim Fellow at University College,London and Oxford, 1936- 1937.He came to the University as an instructorin cftgjnistry; he was made assistantprofe?sgrin 1943, associate professor in 1946,and professor in 1949. He was awarded anhonorflflybP Sc from Dartmouth in 1954.Prof^sor Wheland’s research interestscentei#d on theoretical organic chemistryand rqsqnance in organic chemistry. He wasconcerned with the application of quantum mechanical methods to organic chemicalproblems and the study of orientation insubstitution reactions. .Professor Wheland is survived by his wife, | of | OtMrs. Elizabeth Wheland; a daughter, Mrs.Ledh Worthington Couch; and a son, RobertClayton. A memorial service was heldDecember 31, at St. Paul Union Church,Chicago. received a BA degree in 1942 and a PhD in1950, both from the University.WegenerCharles Wegener has been re-appointedmaster of the New Collegiate Division andassociate dean of the college at theuniversity.Wegener, who has been a Universityfaculty member since 1950, was first ap¬pointed master and associate dean in July,1970. He is a professor in the New andHumanities collegiate divisions in the collegeand serves as co-editor of Ethics, an in- ,ternational journal of social, political, and RlCnt©rlegal philosophy, published by the Universityof Chicago Press.Wegener, a native of Oak Park, Illinois, The Hyde Park Neighborhood Club’s TotLot, an indoor playground for pre-schoolchildren under a parent’s supervision, beginsits second semester this week.The Tot Lot is open from 9:30 to 11:30 amTuesdays, Thursdays, and Fridays at theNeighborhood Club, 5480 S Kenwood. Fee perfamily for the second semester, which runsthrough April 30, is $8.In addition to playing with a variety of toysand equipment in the club’s large gym,youngsters attending the Tot Lot may checkout books one day a week from the cir¬culating library.Parents wishing to enroll their children inTot Lot should call Ms Stanek at 667-0996.PHOEBE WHITEHEAD: As reported in Tuesday s Maroon, Phoebe has contributed31 plants to the Student Acitivities Plantry. Dr Ward Richter has been appointeddirector of the A J Carlson Animal ResearchFacility at the University.Dr Richter, 42, a specialist in electronmicroscopy and laboratory animalpathology, joined the University in 1968. Heis an associate professor in the departmentof pathology and has been the facility’sassociate director since 1969.A native of Union Grove, Wisconsin, DrRichter received his DVM and MS degreesfrom Iowa State University; Ames, in 1955and 1962 respectively. He joined the IowaState University faculty in 1957 as an in¬structor.In 1960 Dr Richter became chief of thecellular pathology branch of the pathologydepartment at the Army medical researchlaboratory, Fort Knox, Kentucky, and aresearch associate in pathology at theUniversity of Louisville school of medicine.He joined the Abbott Laboratories staff inNorth Chicago, Illinois, after being awardedhis MS degree. He rejoined the Iowa State University faculty as a visiting associateprofessor in the department of pathology andparasitology in 1964.Dr Richter succeeds Dr John Rust,professor in the departments of radiologyand pharmacology, as the facility’s director.Dr Rust had been director of the facilitysince its opening in 1969. He now returns fulltime to research and teaching.Klein appointmentPeter Klein has been appointed professorin the Department of Medicine at theuniversity.Klein, a specialist in mass spectroscopytests employing stable isotopes of carbon,nitrogen, and hydrogen, is senior biochemistat the Argonne national laboratory’s divisionof biological and medical research. He willcontinue to hold his position at Argonneconjointly with his appointment to theUniversity faculty.Klein will participate in a new researchprogram in the department of medicine inmedical applications of non-radioactivechemical isotopes. Working with him in theprogram will be Drs Robert Palmer, IrwinRosenberg, and John Schneider, of theDepartment of Medicine. Dr Alvin Tarlow,chairman of the Department of Medicine,will also be associated with the program.Klein, 45, was born in Elmhurst, Illinois. Agraduate of Antioch College, he received theMS degree in physiology in 1950 from WayneUniversity and the PhD in physiologicalchemistry in 1954 from Wayne. While atWayne he held a research fellowship fromthe Detroit Institute of Cancer Research.FriedmanMilton Friedman, the Paul SnowdenRussell distinguished service professor inEconomics has been named Chicagoan ofthe Year by the Chicago Press Club. The clubcited “his work and stature as a giant in thefield of economics (which) has broughtadded fame to Chicago’s reputation as one ofthe world’s great academic centers.’’U.C. HILLEL AND RODFEI ZEDEK CONGREGATION AREJOINTLY SPONSORING A SERIES OF THREE FILMSAll showings at Rodfei Zedek, 5200 S. Hyde Park Blvd. 8:00 p.mJan. 20 The Dybbuk - free to all Hillel affiliates$1.00 to non-affiliatesNew 1970 Israeli Version In ColorFeb. 3 The Last Chapter 50c to all Hillel affiliatesFeb. 17 The Dreamer $1.00 to non-affiliatesCourtesy of the Rodfei Zedek Men s Club6 - The Chicago Maroon - Friday, January 19, 1973 The Lookof the30/Get it together in thegreatest collectionof sweaters, shirts,baggies & other 30’sthreads! Lots ofpatterns & groovycolors to pick. Pius aton of jeans alwayson hand. You'll dig it.PART OF COHN & STERNHYDE PARK SHOPPING CENTER55TH & LAKE PARKPaucity of UC athletic facilities hitBARTLETT: Constructed in 1902, the gym is marked by a small pool, a short track,and poor lighting.By MIKE KRU ASS“We could have happier athleticfacilities,” said John T Wilson, theUniversity Provost. “I’m quite serious aboutimproving the present athletic facilities aswell as constructing new facilities wherethere is need. The problem is money.”At the University of Chicago over 4000students are members of about GOO in¬tramural teams in 21 sports. Ten percent ofundergraduate males are holders of major“C” awards for participation in a varsitysport. Women’s Varsity teams compete ineight intercollegiate sports. All freshmenfulfill a minimum athletic requirement.Yet, since 1932 the largest improvement inathletic facilities was the conversion of thewrestling room in Bartlett Gymnasium tothree handball courts. Today the wrestlersgrapple upstairs on the main floor. Thusstudents and faculty alike are denied the useof the main floor each afternoon.Bartlett Gym was constructed in 1902. Thetrack there is too small (13 laps to a mile)and the lighting is very poor. Those who tryto use Bartlett pool are aware of its meagersize as well as its unavailability due to swimteam practices.The same holds true for the main floor ofthe Gym. Students, faculty, and staff alikeknow the feeling of being turned away fromthe basketball court. Most of the winter themain floor is closed so that intramuralevents may be held.The University provides only five handballcourts which are located in Bartlett. Withover 2000 reservations a month and over 8000students, among others, it is not difficult tosee why an avid handball player must beturned away.The fieldhouse is also heavily used. Over600 reservations are made to use the indoortennis courts each month. Of those 1200 to2400 monthly players, which one could attestthat he has ever seen a tennis ball bouncetrue on the fieldhouse clay. What tennisplayer has not lost his view of the ball due to the insufficient lighting? Have you ever seenwomen’s dressing facilities in thefieldhouse? They exist in a 5’ by 9’ washroomin the northeast corner.Perhaps you have tried unsuccessfully toreserve Ida Noyes Gym for your athleticpleasure. One hundred and fifty groupsreserve Ida Noyes each month. Perhaps youhave bowled on the two 56 year old lanes inthe basement of Ida Noyes.Permanent toilet facilities do not exist onStagg Field. Many people have been forcedto run all the way to Pierce Tower merelybecause the University has failed to providefor their basic needs. It would seem onlycommon courtesy for the University toprovide a covered facility for our visitingfootball team to shelter themselves duringhalftime. The Varsity football team does notsit by the goal posts during halftime merelybecause it is their only opportunity to bebehind the goal line. They simply have nowhere else to go.Why should women’s sporting facilities besegregated across campus from the men’s?Women should not have to walk a milemerely to run at Stagg field or indoors at thefieldhouse. Couldn’t women be given thenecessary dressing and playing facilities in an expanded Bartlett Gymnasium? With theimproved conditions for women’s sport, IdaNoyes could be open for widened studentgroup participation.Our problematic athletic facilities are theconcern of many University administratorsand faculty. The provost, John T Wilson, ishimself an avid swimmer. He would like tosee the new swimming pool that has beentalked about become reality. The problem issimply money.Joseph Ceithalm, dean of admissions of themedical school and dean of the biologicalsciences lamented that before thedestruction of the west stands of Stagg fieldthere were 35 handball-squash courts as wellas weight training and wrestling rooms. TheUniversity community also lost a covered iceskating rink under the old stands. The old19,000-seat stadium could have been used foroutdoor concerts as well as football games.Dean Ceithalm added he, “is grateful forthe facilities now present,” but he is pleased“because there is nothing better available.”“Physical Education facilities are a fineplace for faculty, students, and employees tomeet together on common ground, withoutthe usual social barriers.”He feels that in swimming facilities there is room for a tremendous amount of im¬provement and the University also has needfor volleyball courts.Michael Claffey, who is vice president ofthe University for development runs inBartlett Gym every day.-’Claffey playsbasketball and occasionally Hfts weights. Hesaid “there is very strong feeling in theAdministration to make an effort to improvethe quality of our facilities. Between 1965-Gtthere was talk of an eight-million-dollargymnasium for the 55th and Cottage Grovearea of Stagg field. However, funds were notforthcoming. We have several plans in mindnow for new and better facilities. Theproblem is money.“There is no dbubt,” said Claffey, “thatpeople are interested in sports. For example,the Bartlett swimming pool is incapable ofmeeting the demands of swimmers. Wheredo we get the estimated two million'dollars tobuild the new pool we have in mfrtd? Tocreate the new gymnasium facilitieslWe nowenvision we would require two-arid^a-halfmillion dollars. *'9rnDwight Ingle, professor of physiology, runsevery day on the track in Bartlett Gym¬nasium. Dr. Ingle, in his mid-sixties, hasa quarter-mile in a mere 60 seconds.Dr Ingle commented, “Our athleticdepartment here at UC is the best I have everknown. Facilities that exist are available toeveryone. Everyone who wishes to compete,can. Facilities here are not exclusively forVarsity competitors unlike many of our othermajor universities.”Several plans and ideas are currentlybeing discussed for the improvement offacilities. The University would like toconstruct a 50 meter by 25 yard swimmingpool with an area deep enough for divingcompetition. The proposed pool would belarge enough to accommodate l*oth com¬petitive and leisure swimming.A possible site for the pool i: the area justnorth of the Bartlett gym. With the con¬struction of the pool, gymnasium, lockerroom, and dressing facilities could be ex¬panded.vvNASSAUINMARCHNow is the time to reserve your seat on a UNIVER¬SITY OF CHICAGO CHARTER FLIGHT TO NASSAUonly $135.00 round trip via Air Canada jet..Findsummer when you iand...miles of beautiful beach,sparkling ocean, scuba diving, fishing, sailing andexcellent facilities for land sports. We're offeringgroup rates at fine hotels. March 16 to March26th.EARLY SPRING IN PARISTake our group flight aboard an Air France luxury jet, stayat a well located four star hotel, enjoy two Vi day bus toursand have plenty of time to browse on your own. Completecost of air fare and hotel accommodations $315. March 17 toMarch 26.SKI THE FRENCH ALPSTake our Air France group tour to Paris, pre-arranged con¬necting flight to Geneva, then a spectacular deluxe bus rice83 miles through the Alps to la Ficigne. Tou'H be able toskate, toboggan and swim as well as ski. Lift tickets, cl!transportation and hotel accommodations on*y $315.00.March 17 to March 26.Eligibility for flights is limited to U of C students, faculty andstaff, spouses and children. A $50 deposit per seat is required tohold reservations. For application and information contact Char¬ter Flights Office, Ida Noyes Hall, 1212 E. 59th Street, room 306or call 753-3598.Friday, January 19, 1973 - The Chicago Maroon - 7LETTERS TO THE EDITORApartments SG resolutionWe would like to offer a word of warning tofellow students who are attracted by thecopious advertising for Lake Village East inthe Maroon of the past two weeks. It appearsthat the management of Lake Village Eastwishes to attract student residents, and thereasonable rentals are a selling point in itsfavor. But we feel the advertising wasmisleading in its ommission of significantrental limitations.The management had a particularresponsibility to mention the following rules:for a one-bedroom apartment, there must betwo renters and they must be related, and fora two-bedroom only families of three or morewill be considered. This means that singlestudents will not be allowed to rent one or twobedroom apartments with roommates, andthat unmarried couples will be excludedaltogether. According to the management,this is by federal regulation. We think theMaroon should have asked more probingquestions for its laudatory feature article onLake Village East, and that the managementshould now be asked to clarify this issue.Kristi AndersenPeggy CucitiJudie FeinsThe Lake Village East managementregrets that this incident occurred.While there is indeed an FHA regulationregarding the number and relationshipof persons occupying this type ofhousing, the management of LVErealizes that it does not meet the needsof the University community. As aresult, it is expected that this regulationwill be waived in the case of LakeVillage East. The above incident oc¬curred because one of the personsshowing the models was not informed ofthe expected waiver.—Ed. Whereas, the student bill of rights protectsthe right of students as citizens to join orengage in the organization of a trade unionand to bargain collectively with theUniversity, andWhereas, the library clerical staff union,Local 103B of the distributive workers ofAmerica represents the interests of studentlibrary employees, andWhereas, the interests of student em¬ployees wishing to form such unions atuniversities and colleges throughout thecountry are in jeopardy from the legalposition adopted by the University in itslitigation against unionization of libraryworkers,Be it therefore resolved that the studentgovernment of the University warmly en¬dorses the efforts of the library clerical staffunion, Local 103B, DWA, urges the freedomof student employees of the library who sodesire to join this union organization, andrecommends the support of the entireUniversity community to this union effort.The preceding resolution was ratified bythe executive council of student governmentin response to the University’s present policyof hiring more student employees to lower itsoperating costs at the expense of studentsand all University employees in general. Inthis practice the University is continuing itspolicy of employing people without properjob security, wages and benefits. Studentsare not only hired at lower wages with fewerbenefits but are used to replace workers atthe University. We feel that the University isnot fulfilling its obligation to the communityin this regard. We urge your support in thismatter.Executive Council of Student GovernmentA PUBLIC LECTURE WEDNESDAY, JANUARY 24ARNOLD R. WEBERThe Isidore and Gladys J. Brown Professor of Urbanand Labor Economics, Graduate School of Business;Public Member, United States Pay Board; FormerExecutive Director, Cost of Living Council and SpecialAssistant to the President; Former AssistantSecretary, United States Department of Labor; authorof numerous books and articlesWill speak on0 THE CHALLENGE OF PHASE IIIAs one of the architects of the Nixon EconomicProgram, Professor Weber, newly returned to hisacademic perspective, reflects on Phase III.EVERYONE WELCOME NO CHARGE12 o clock NOONThe University of ChicagoDowntown Center65 East South Water Street The Chicago Marooneditor-in-chiefLisa Capellbusiness managerPaul Bates news editorFred Egler executive editorFred Winston managing editorBreck Borcherdingassociate editorsJeff Roth Mark Gruenberg Tim Rudyassistant business managerRich BakerstaffGage Andrews Steve Askin, Joan Cecich, Steve Durbin, Don Gecewicz, Clara Hemphill, CD Jaco,Leonard Lamberg Ron Leach Joe Lee, Keith Levine, Marc Pollick Arno Rothbart, Andrew Segal,David Sobelsohn Mark Spieglan. Curt Spiller Mike Strimling Gene Szuflita Alice UnimanAlex Vesselinovitch Alan Wertheimersports editorMike Kraussphotography editorUgis Sprudzsphotography staffSusan Lyons Robert Newcombe Mike Benedik, John Vail Linda Lorincz Pat Levitt Brian Kowearts and entertainment editorElizabeth Russoclassical music editoDeena Rosenberg pop music editorJay Pollack art editorFred Horn film editorDave Kehr drama editorDebbie Davisorbook editorMark Ackerman dance editorNancy MooreFounded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughoutthe regular school year, except during exam periods and, intermitently during the summer. Of¬fices in rooms 303 and 304 in Ida Noyes Hail, 1212 East 59th Street, Chicago, Illinois 60637.Telephone (312) 753-3263. Distributed on campus and in the Hyde Park neighborhood free ofcharge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicago,CORSO CORKEREarn front row free tickets to Folk Festival. Helpcook for performers. Sunday Jan. 21, 11 am, cometo Rita McCleary's, 5742 S. Kenwood, Apt. 3. For in¬fo. callGay Coffee House Fridays 8-12 at the BlueGargoyle 5655 S. University.Gay people meet for anti-war march Sat. Jan. 20,10:30 a.m. in front of Ida Noyes.U.C. Folkdancers •Turkish Workshop taught by Bora Ozkok.Friday, Jan. 19 8:00-11:30 pmSunduy, Jan. 21 2:00-4:00 pmFolkdance PartySaturday, Jan. 20, 8:00-11:30 pmIda Noyes Hall1212 E. 59th St.$1.50 students$2.00 othersper sessionSunday, January 21 8:00 pmin the Ida Noyes LibraryBlackfriars will hosta reading ofEugene O'Neill's Ah, WildernesslBring your own copies, if you can(and maybe we'll get firewood thistime).INTERNATIONAL STUDENT SOCIETYcelebration of the CHINESE NEW YEARSat., Jan. 27th - at 7:30 PM, Ida Noyes - LibraryLounge in collaboration with the Chinesestudents.Lecture: The Chinese New Year TraditionChinese refreshments, songs and musicDonation: 50* (for refreshments)NOTICEThis space is available without charge for advertisements of events sponsoredby recognized student organizations. Political and religious organizations areexcluded, however.Representatives should communicate with Maroon or Rap, which has a similararrangement with CORSO.8 - The Chicago Maroon - Friday, January 19, 1973ENTERTAINMENT AND THE ARTSThe Best Wax from 1972By Jay Pollack and Gage AndrewsPicking a list of the best of anything for any year isalways a very subjective process. The records listedhere are not necessarily our mutual favorites and,most likely, not all your favorites, either. Some ofthese have been mentioned here to give them a littlemore exposure which we feel they deserve.Without any further bother, here’s the list (in noparticular order except rough category groupings):On the rock and roll front, things were as confusingas ever. Several long-time important groups failed tomatch their best, while some people followed up lastyear’s letdowns with renewed vigor:Europe 72 - The Grateful Dead (Warner Brothers)This is the album that everyone knew they could do.To hear the Dead best, they have to be in concert. Thisis six full sides of them and the bad moments are fewand far between. They improve on all their oldies, thenew songs are fine and everybody is in A-l form. Theband has been filled out by the addition of KeithGodchaux on piano and he fits perfectly into the in¬strumental ad-libs in the new versions of Truckin’,China Cat Sunflower, and the others. The vocals arestill strained, and one or two of the songs drag a littlebut these are trivial points. This set highlights all theGrateful Dead have ever been known to be popularfor, and is an absolute necessity for any fan of theirs.If you have nothing else by the Dead, this is a greatplace to start.Catch Bull at Four - Cat Stevens (A&M)After a moderate setback with Teaser and theFirecat, Cat Stevens has come back veryenergetically, experimenting with musical imagesand wider arrangements. From the reflective to theconfident to the scary to the joyous, he touches all thebases and succeeds all around. He moves with greatconfidence now and he continues to grow in breadth aswell as in musical stature. This is just a fine, finerecord, on a level with Tea For The Tillerman, hisother excellent release.Thick As A Brick - Jethro Tull (Reprise)A courageous venture, which is largely successful,composed, arranged and played inspiringly by JethroTull, this 43-minute piece represents a pinnacle ofshowmanship for the band, and the performance ishighly memorable. The minor faults of uneventransitions between themes and the sometimesoverbearing lyrics are usually overlookable and eachof the several melodies has something to recommendit in its composition and arrangement. The albumjacket is also full of strange British humour. JethroTull also brought forth a collection of old hits andpreviously unreleased songs on the two-record setLiving In The Past, which was also generally verygood. It must certainly be said that 1972 was a banneryear for this band, not undeservedly.Joplin in Concert Janis Joplin (Columbia)Columbia ruined a lot of the previously releasedJoplin material because of the quality of her studiobackup people: they were just plain sterile in the faceof her awesome emotionality. Most of the studionumbers have been re-released in concert versions onthis record. Granted, the playing is sloppy as hell, butthe excitement, the energy is there. There are evenThe Grateful Dead: Europe ’72. Ian Anderson of Jethro Tull.some of the famous Joplin raps to help recreate theconcert atmosphere.The only thing missing from the concerts is thepresence of Janis herself. I felt as though she wassinging directly to me, and that quality is not here.Yet, despite the serious efforts of some record com¬panies to make money out of artists’ deaths, this timewe have gotten a raunchy, just right tribute.Eat A Peach The Allman Brothers Band (Capricorn)Duane Allman: An Anthology (Capricorn)Duane Allman died before Eat A Peach could befinished, so the album is comprised of the three sideshe worked on, and a fourth that was done without him.When taken with his memorial anthology - examplesof backup and studio work he had done, as well as hisplaying with his own band - it is a fine eulogy for abrilliant blues guitarist.Bassist Berry Oakley died just last fall, yet despitethe loss of a second impeccable musician, the AllmanBrothers should continue to be one of the top rock androll bands in the country. Keyboard man Greg Allmanand guitarist Dicky Betts both can sustain the flyingsolos that were the trademark of the band; they have anew bassist and have begun to tour again. There won’tbe anymore of the incredible guitar duets - MountainJam is a good example - but the solo work and thetightness of the band should pull it through anotheryear.Honky Chateau - Elton John (Uni)This is another comeback of sorts. After the dismal11-17-70 and the overdone Madman Across the Water,Elton John’s star seemed to be fading. But,highlighted by the singles, “Honky Cat” and “RocketMan”, Honky Chateau comes through as a laid-back,relaxed effort with a high overall quality throughout.Noticeably absent are Paul Buckmaster’s strings,which tended often to goo up previous works. Gone arethe self-conscious lyrics. What’s left is mainly goodmusic, probably the most uniformly good since hisalbum. And based on his new single, Crocodile Rock,there is more enjoyment to come from Elton John.The Spotlight Kid and Clear Spot - Captain Beefheartand the Magic Band (both Reprise)It is a tribute to the talents of the Captain that histwo most commercial albums are two of his best. Theformer contains some insanely intense music, with theCaptain growling his uniquely-styled, free-flowinglyrics over steamroller band arrangements. On ClearSpot, the sound has been polished to a high gloss andthe musical track becomes a perfect vehicle for C.B.,each song rhythmically potent in a way most bandshaven’t discovered yet. The Magic Band’s name is nooverstatement, as they sound like one multi-rhythmic,multi-timbred instrument. Also, for the first time,Beefheart attempts two ballads, which come off verywell, soft, even pretty, yet uniquely Beefheart.These two albums carve out a comfortable place forthis group in rock and roll history Now that theCaptain has his lull confidence, an unequalled band and a compatible technical staff, there’ll be nostopping him. Don’t be the last one on your block toenjoy the premier American progressive rockerBandstand - Family (United Artists)How many first-class albums must Family put outbefore they become popular in this country? They areone of England’s top groups, and with just reason.They are capable of powerful, violent sounds or theone hand and soft, melodic music in the next breath.Bandstand tends to hold back a little on the energy,but there is still plenty of tension you can feel inseveral of the songs. Roger Chapman's sandpapervocals, Rob Townsend’s drumming. Poli Pain er’sinventive piano and Moog, Charlie Whitney’s gi itarwork and everybody’s writing are constantly unu ual,clever and stimulating. If you are looking forsomething which will challenge you, Bandstanc (oreven better, Fearless, their 1971 release) will sut ice,without qualification.Babbacombe Lee - Fairport Convention (A&M)The most neglected of all the rock operas, this onetells an interesting yarn and never lets the music besacrificed at the hands of the plot. Each soi % isskillfully crafted to fit the mood of the story - a jo oussailor’s song, a dream song done in eerie slow iru t ion.and a rousing finish, among others. The virtuosi:;/ ofDave Swarbrick as fiddler, singer, and v riterdominates the album, although the excellence of allfour members is obvious. Few groups could pi i offsomething like this - it takes a certain level oftechnical ability which Fairport demonstrated hevhad long ago (see also Jethro Tull, above). A h-ghlycommendable effort if you at all care for their brandof music - an interesting blend of English folk and r ockand roll.Striking It Rich - Dan Hicks and his Hot Licks (BlueThumb)You may think this record is a joke, but don' kidyourself; D.H. and his H.L. are playing for real Themusic may sound like the 1940’s, but it is still current.Their musicianship is astounding, particularly“Symphony” Sid Page on violin and John Girton onacoustic guitar, not to mention the crooning oi theLickettes. Add them up, throw in some strange h norin the songwriting and a superb engineering jol andyou have a record of sparkling clarity, a sou- d sosmooth, it will melt in your ears. Friends, do yoi selfa favor and get hep to these really cool cats. (Note:They will be on campus January 28th. See ya’ there.Jack!)Blue Oyster Cult (Columbia)The best of the super-heavy, metal, acid-boogie,noise bands, Blue Oyster Cult was one of the fev ioudbands of 1972 to depend on playing and ski] thetheatrics (a la Alice Cooper). As a result, there ismore playing to hear on the record. Though it wasover-hyped when it was released, it has worn betterthan most of its competitiors.Soul had a good year in 1972. Banners that had beerdropped were raised again; arts that had lost heirartists found new and talented performers, ancregained their earlier glory. Perhaps the major eventof 1972 was the discovery of an heir to Otis Reddin A1Green. Green had a chance to prove himself againstRedding’s finest.Janis Joplin, posthumously.(continued on peg ! 3)Friday, January 19, 1973 - The Chicago Maroon -University Theater Presents LightBy Dennis MooreUniversity Theatre presents Light CellDeath by Charles Kespert, in ReynoldsClub Theatre, January 19 and 20 at 8:30and 10:30. Admission $1.50.At first, one questions CharlesKespert's assertion that the case ofRudolph Hess embodies a mine oftheatrical material. Hitler’s right-handman for two decades, the DeputyFuhrer may or may not have had hismaster’s consent to fly a Messerschmittto Scotland during the Battle of Britianand seek an alliance with Englandagainst the Soviet Union. Captured uponimpact, Hess has not been free since;the judgment at Nuremberg sentencedan apathetic Hess to life imprisonment.Psychiatrists, and Hess himself, depicthis confinement with stories ofhysterical amnesia and delusions ofpersecution. Kespert’s script reliesheavily upon a statement - clearly theproduct of a diseased mind, or a cleverpolitical prisoner hoping to deceive thetribunal, in regard to hissanity—drafted by Hess shortly beforethe Nuremberg trials.Kespert’s new one-man show con¬firms that the Hess case containsmaterial for at least one good play. Themain dynamic of the play consistssimply of a movement toward theidentification of the figure on stage asHess, revealed gradually by means of a series of clues. The solution of themvstery—as much a revelation to thedeluded prisoner as to the audi¬ence—completes the play.But a naturalistic soliloquy basedupon Hess’ statement, even with theploy of a mystery to be solved, wouldpass the hour much more slowly thanKespert’s violations of space and time.In his substitution of the DeputyFuhrer’s subjective time formechanically-measured objective time,events from various parts of Hess’ lifebecome spliced together into the shorttime-span onstage; but the play itselfcontradicts Kespert’s insistence thatHess undergoes no development in timeduring the piece. The spaces throughwhich the actor moves do not define theaction of the debilitated 77-year-oldNazi, but of an agile young man wholearned yoga postures by observingnatives while growing up in Alexandria;motions which themselves are buttransposed from an earlier moment inHess’ life. And Hess reflects afterreciting exaggerated statistics con¬cerning the Nuremberg trials. “I neverknew what I just told you.”Kespert spent last summer at theEugene O’Neill Memorial TheatreCenter, permanent residence of theNational Theatre of the Deaf, whomKespert greatly admires. LikeGilgamesh, which the NTD brought toChicago last November, the opening scenes of Light Cell Death display anunuasual degree of acrobatic abilityand physical power. On the stage is anameless figure dressed in long un¬derwear, occupying an unspecified partof the world. The embryonic, ever-changing postures reflect the relativelyunspecific nature of the character’sidentity. Part of the energy of Kespert’spresentation stems from the organicmanner in which the extraordinarychoreography seems to be caused by thewords themselves, creating such apotent tension between the twoelements that they are not merelyreconcilable but related by a peculiarnecessity.Superfluity prefigures the weak¬nesses of the second half of LightCell Death. Although light outlines theshape of Hess’ cell, in the fifth sceneKespert resorts needlessly to theoverworked pantomime routine ofdefining the four walls of his cell. Hetries to escape the mediocrity of thisdevice by means of self-parody, but byvarying the apparent location of thewalls he only underlines the artificialityand ineffectiveness of the technique.The playwright contends that thecharacter on stage remains unchangedall the way through the play, yet thegradually increasing specificity of hisidentity constantly changes theaudience’s perception of Hess. Anotheragent of altering the inmate involves moving toward a visually-fixed identity,covering the orginal generalized ap¬parel with a uniform bearing theprisoner’s number--“Sieben!”--and hisfinal donning of an aviator’s jacket andflight cap. In the latter segments of theplay, Kespert’s performance loses itsgymnastic quality, and stylizationdegenerates at times into little morethan rigidity.The characterization, expressed indelivery style and facial expression,also changes significantly during theplay’s progress. Indeed, charac¬terization provides one of Kespert’schief problems, for he cosistently failsto clearly distinguish characters—orrather, the different modes or levels ofhis one character. For instance, in thenext-to-last segment, Kespert in¬troduces the mode of Hess “as oldman,” which always requires him tospeak slowly while slouching listlesslyin a chair; this mode is easilyrecognizable. Kespert claims that acommon mode is Kespert-as-himselfreflecting upon Hess. Although one isoften faced with the uncomfortablefeeling that Kespert was half in¬character, half out—unfocused ratherthan intentionally defining himself as“demonstrator”—one can hardly (if atall) distinguish between Kespert’s actormode and his frequent falling short ofthe satisfying portrayal of which heshowed himself capable in the firstBlackfriars Members Initiate Play ReadirMembers of Blackfriars work on Pygmalion at the first assembly of their play-readinA frightening wAdocumentary on y?the nuclear agef W d INTHEB MATTER OFby ll i\\ J. ROBERTHeinar Kipphardt U Jj] 0PPENHEIMERdirected by VGene Lesser " Thru Feb. 11***• (Oft Monte* £ |gg$Mg Cofdof Of ‘C UNIVERSITY OF CHICAGOLAW SCHOOLApplicants and other interestedstudents are invited to attend ameeting with a representative ofthe Law School's Admissions Com¬mittee next Wednesday, January 24,at 4:00 P.M. in Reynolds Club NorthLounge. TUi *133“«.Salt* Tax extraMatty$ 133.50 Oown $68.88 Monthly. 36 poymont,,Annual Ptrontog, Roto to M.54.Total Oofarrod prca $2613.18VOLKSWAGEN SOUTH SHORE7234 S. STONY ISLAND4900 Open Daily & Saturday Closed Sunday10- The Chccago Maroon - Friday, January 19, 1973 ■NTt Cell Death: “It all fits, strangely”r, scene. Except, that is, for such clumsy>- intrusions as, “I am not who I am,” ore ‘‘These are not my teeth. I, he has falses teeth. These are not mine.” The mostd common mode, Hess-as-lunatic,e remains unclear as a result of thes unevenness of Kespert’s interpretation:n he neither accurately depicts nore seriously accounts for Hess’ mentaldeficiencies, but reduces them to then lowest possible level of boggle-eyedj tongue-lolling alternating withe demonstrations of reserve. Themodulations between calm ands distraction seem to reside in the con-s sciousness of Kespert rather than Hess’.>r One of the particular qualities, and>f problems, of the last segments is thee increased frequency of transitions fromi- one mode to another. The alternationsd are often pointless and gratuitous, ando their acceleration makes the trans-y formation seem not only necessaryy but awkward. They interfere with thea rapport carefully built up at theIf beginning, and sympathy becomesis meaningless faced with the Proteane schizophrenia of Hess compounded withi- Kespert’s attempted schism between>r actor and role. The incomplete dif-is ferentiation of modes becomes mostit disconcerting at this point.>r All of this is by no means intended to)f berate Charles Kespert’s talent asie playwright and actor in Light Cellst Death. Beginning with a text rich in its power to excite the immagination-theworking of Adolph Hess’ fevered mind,and his unprecedented treatment atAllied hands-Kespert worked thehistorical material into a dramaticshape with a double dynamic--thediscovery of Hess’ identity, and hispurposefully disjointed account of theorganism’s search for death. Bothcostume and set delight the eye. Hisexperimentation with the physicalpotential of the soliloquy is marvelousas long as his seif-confidence remainsstrong enough to guide him away fromcliches. Granted that his conception ofdepicting Hess’ character proves, infact, highly uneven in execution,Kespert’s performance entertainsthroughout.Although Kespert claims to haveceased to concern himself with thepolitical implications of this play longsince its inception, Light Cell Death infact constitutes a strong politicalstatement. Its theme of identity in crisisdominated Autumn Quarter’s in¬stallments in the Epic Theatre Festival.Hess’ captivity, the nucleus of Kepsert’splay, reflects back upon Brecht’sprinciple that “The pleasure every artform should give ... is above allpleasure from the awareness thatsociety effectively determines the fateof man.”Yet Hess provides a specialcase, for he is neither a Tommy nor aprostitute, but Deputy Fuhrer, and his mania freely partakes of the excesses ofNazi Germany: “A conflict. A choice.Either accept Hitler and share in hisguilt or reject him. Was unable tochoose. Was driven towards amnesia.Towards paranoia. Towards...” LightCell Death serves in part as arepresentation of how an individual canbe infected by the diseased spirit of hisnation. Out of hand, Hess condemns thedeceitfulness of Churchill, who justifiedhis rejection of Hess’ “offer” bydeclaring the Nazi insane, and Stalin,perpetrator of a secret pre-war pactwith Hitler. The war criminal alsoamuses himself with the thought of theprodigality of his keepers, who main¬tain Spandau Prison solely for the in¬carceration of a very old man.By Deborah DavisonBertolt Brecht wrote his plays for thebenefit of his own idealized invention,the cigar-smoking audience. He himselfhabitually smoked cigars, and heclaimed that the audience best able toview a spectacle with a sufficientlycritical eye was one which could leanback in a comfortable armchair,prop up its collective legs, and takein the proceedings while puffing medita¬tively on a favorite stogie.Of course audiences are never all thatthey should be; they are prone tochronic forgetfulness and in¬discriminate acceptance of whatever is laid before their eyes. In the face of thisreality Brecht adopted the ingeniousdevice of scattering explicitly labeledsigns, “This is a (story/slum/whorehouse, etc.)’’ throughout thestage. He believed that in this way hewas fulfilling his playwright’s duty ofreminding his audience that what theyare watching is a play, and that theyhave an obligation to view it as suchwith an alert and skeptical eye.There is a moral to this tale.Tomorrow this nation is being calledupon to witness one of the greatestpolitical spectacles of all time, theInauguration of the 37th President of theUnited States. But the stage managersof this show', while skilled in their art,have not the sense of duty of the greatB.B.; they will remind us that “This isan inauguration,” but they’ll hide allsigns that say, “That is a War.” Theyknow that we’re chronically forgetfuland indiscriminately accepting, and infact that makes them rather glad.But perhaps all this hanky-panky, thisdeliberate oversight, this blatantmanipulation is too morbid a reality tobe left unchallenged. Perhaps you willchoose to aim for the ideal rather thansettle for the real. In that case youwill have these options: to participateand not just spectate, for one; and later,when you’re getting ready to catch theevening news, to mark well the words ofBertolt Brecht, and light up a cigar.ings Every Sunday Night in Ida Noyesacting group, 8PM Sundays in Ida Noyes Library. All welcome. Photos by Ugis Sprudzs.FRIDAY, JAN. 19 7:15 & 9:30DOC FILMS PRESENTSANTONIONI'S BLOW-UPCOBB $ 1 -00Friday, Janauary 19, 1973 - The Chicago Moroon - 11Dutch Recorder Trio Plays to Enthusiastic CrowdBy Deena RosenbergA near-capacity Mandel Hall crowdwatched with both dismay and delightlast Monday night as three informallyattired musicians known as Sour Creamambled on stage, looked around, tunedassorted instruments, and walked offagain.The Dutch recorder trio, on themidwest leg of their first Americantour, seemed to take the concertbusiness very casually. Masterrecorder player Frans Brueggen, andhis two former students, Walter VanHauwe, and Kees Boeke, seemed to betelling their audience, “Relax, enjoyyourselves.’’ But were they seriousmusicians?You better believe it. Without fuss orfanfare, they came back on stage andstarted to play, all sharing one musicstand, reading notes off a taped-together piece of cardboard. By thethird repetition of the unannouncedHindemith work for three recorders,with its vague tonality and modalleitmotifs, this listener had been luredinto an unfamiliar and peculiarlygripping sound world.The Hindemith gave way after aslight pause to a group of 16th centuryEnglish pieces. In the third, called SitFast, Brueggen played a huge con¬trabass recorder, the hoarse wheezinggranddaddy pipe, two heads taller thanhe.After a brief bow, the musiciansshuffled around some more. Van Hauwetook off his jacket. Brueggen and Boekerearranged the music stands. When oneof the group played a solo, the otherssat back, crossed their arms and legs,and listened.According to Brueggen, Telemann’sSonata in D Minor, played by himselfand Van Hauwe, represented the usualclassic recorder music, the type most people associate with the instrument.With airtight unity and the lingeringtreatment that is a Brueggentrademark, the two players drew theaudience the languishing affettuoso,through brisk allegro, delicate gratiosoand sprightly final allegro, letting itsavor every nuance.Very different in style, coming fromthe 18th century French court, was theSuite in D minor by Hotteterre. The twoyounger musicians (both in their earlytwenties) suffered the work withFrench romanticism, as their mentorsat back and watched, resting from hisdemanding solo Fragments written byMakoto Shinohara in 1969.In this virtuoso piece par excellence,fourths and fifths preceded littlesnatches of machine-like noises, whichalternately snapped, enticed, caressedand pushed you away. Brueggen made his instrument sound like a pennywhistle, a kazoo and grating metal,mixed in with terrifying ultra high birdcalls, which finally melted into timidlisps.Not much modern music is composedfor the recorder, so Boeke decided towrite some. On this program we heardhis Tombeau a Hotteterre. Tombeauliterally means tomb. “In Hotteterre’stime, when one composer died, anotherwould write a tombeau for him — a sortof memorial. Since we’ve uncoveredand played so much Hotteterre I thoughtit was appropriate to write one for him. ’ ’Tuning procedures turned into thepiece’s opening bars, which are basedprimarily on stepwise motion. Thevoices bump into each other, goseparate ways, and come together,mingling modern techniques withfractured French devices. With breathy crescendoes, the musicians built to thefinal note, which they held as if forever,in true Brueggen style.Sour Cream is not only the name ofthe group, but also of their concludingwork, their ‘signature’, a piece theyimprovise at the end of each concert.This time, the array of sounds whichburst forth from those Renaissancefipple flutes was almost beyonddescription. The melange began with anunexpected slew of grating doublestops,followed by a long pause (during whicha baby in the audience grunted in closeimitation.)We next heard itsy bitsy noisesfollowed by a plethora of flutteringsounds which I can only compare to akaffee klatsch of chattering ladies in themidst of a barnyard of cackling hens ontop of a squealing menagerie. As fingersflew through some of the fanciest andmost difficult recorder playingimaginable, one voice attacked anotherwhile a third retained an ominous dronelike a bubbling cauldron. As highsqueaks between Brueggen and Boekethreatened to become hystericalwarfare, Van Hauwe pulled out awhistle and authoritatively hustled hiscomrades off the stage.It’s a bit difficult sometimes,” saidBrueggen, “because we do not want tomake an act of it — we aren’t actorsand it’s not a super happening. We canonly be different in our modest way, asthree recorder players can, not strayingtoo far from our profession, reachingpeople with sounds not gestures. Ac¬tually, we find Sour Cream a verystimulating experience.”So did the audience. Somehow theirpiercing whistles of appreciationsounded uncannily like high pitchedrecorders...Franz Brueggen of Sour Cream ponders his music.The famousRAMSEY LEWIS TRIOin concertMonday, January 22Mandel Hall 8 P.M.Advance tickets: General $050UC student 1 50At the door: General 3°°UC student oooMandel Hall Box Office January 19, and 2211:30-1:00COMING W.C. EVENTSThursday, Jan. 25th-Schlitz Brings you SON OF MOVIE ORGYSunday, Jan. 28th- Dan Hicks and His Hot Licks12 - The Chicago Maroon - Friday, January 19, 1973The Best Wax from 1972 Plays On(Continued from page 9)Greatest Hits^Otis Redding (Atlantic)It has been five years since Redding died; perhaps ittook that long to prepare this record. Despite someproblems with an effort to make mono recordingsstereo, this record was done with intelligence,balanced nicely between his ballads and his hitsingles. It displays as much of his considerable talentsas is possible on only two lps.Amazing Grace Aretha Franklin (Atlantic)Perhaps in response to the death of the greatMahalia Jackson, Ms. Franklin returned to her gospelroots. Amazing Grace is Aretha’s best album since shelaid unassailable claim to the title “Queen of Soul” inthe late sixties. She sings both standard gospel tunesand more contemporary material; there is straightsinging, and some great call-and-response with anenthusiastic chorus and audience. This one recordcould be the key to converting a whole generation togospel music.Blues suffered a considerable loss last year with thedeath of three almost legendary bluesmen: the blindRev. Gary Davis, Mississippi John Hurt, andMississippi Fred McDowell - who played here lastyear. Though we can hope for commemorativerecords to be released in the future, these recordingswill probably be among the last releases of accousticcountry bluesmen: as can be unfortunately seen, theold masters are dying, and the new blues is electric,urban - “Chicago” blues.Buddy Guy and Junior Wells Play the Blues (Atco)Despite the fact that this was recorded in Floridaand Boston, and features some distinctly non-Chicagopersonnel like Eric Clapton, J. Geils, Carl Radle, JimKeltner and Dr. John, it is still an accurate samplingof the driving, foot-stomping music that can be foundjust outside Hyde Park. This is probably the best ofthis year’s “famous-name backup” records - thenumbers that have the heavies sitting in are just asgood as the ones that don’t, which is refreshinglyhonest of the heavies.With Carey Bell Big Walter Horton (Alligator)This record paired the two best blues harpistsaround, all due credit to Junior Wells. Big Walter isthe ancestor of almost every harpist playing today,the inventor of the techniques; Carey Bell is hisfavorite disciple. They display a few flashing duets,and are obviously in control of a lot of raw power.Harp playing like this just doesn’t exist anywhere elsein the country.Jazz continued its usual uphill struggle with thetiLLlUliCiUatUU:lliiildi».*?'v, gc-*cm rc:*•>*? A W* > AV* ? mtt•/**,*0 *...<:**cwtum >•<*»**aft. mcm •**«W» AUMLady Soul’s Amazing Grace. mass audience in 1972. Miles Davis continued torelease almost-too-progressive records, as musiciansfrom his earlier albums contributed excellent work ontheir own. Wayne Shorter’s Odyssey of Iska (BlueNote) is more pacific and dispersed than his work withWeather Report; Mahavishnu John McLaughlin madeup for him with some of the fleetest, most freneticguitar playing that has appeared in recent music.However, the instrument of the year was thesaxophone.Next Album Sonny Rollins (Milestone)Sonny Rollins return to music after a six year layoffwas perhaps the biggest news of the year. Probablythe only man who could challenge the late JohnColtrane on his own territory, Rollins has herereturned to an earlier, more paced and lyrical style.Taking on the role of angry musician was ArchieShepp, whose Attica Blues (Impulse) showed goodcause for anger, as well as fierce expression of it.A Meeting of the Times Rahsaan Roland Kirk and A1Hibbler (Atlantic)This album is a tribute to Duke Ellington, withHibbler singing some of the Duke’s own compositionson side one, and Kirk dedicating his compositions tothe Duke on side two. Hibbler is nothing less ex¬traordinary, displaying the performance and talentwhich have made him a legend among jazz vocalists.Kirk is instrumental in capturing and resurrecting theheyday of the Ellington era.Folk artists are usually the most consistent and thisMUSICwas borne out this year. The following artists havealready been known as top-notch performers.Sail Away Randy Newman (Reprise)The cutting accuracy of Newman’s sensitivereading of contemporary America is almost disguisedby the cohesiveness and evocativeness of both hiswriting and his piano playing. He casts a wide-ranging, honestly sardonic eye at the human land¬scape, and gives an intelligent and undisparaging (atleast openly) report on what he finds. In addition torecording lust, greed, religion, loneliness, politics,self-centeredness, and the tender relationship bet¬ween a boy and his dancing bear, Newman wins theaward for best album cover art work.Album III Loudon Wainwright III (Columbia)Wainwright has been hampered by a voice whichmany people feel is just plain rotten: sort of like RodStewart (at first), Bob Dylan (at first), Phil Ochs (atfirst, and still?), etc. Wainwright has clearly passedthe “at first” stage; this album has enough goodwriting, tenderness, and humor - yes, humor - on itthat people will have to recognize his talent when theyhear it.This is his first record trying any electric backupsinstead of his usual solo guitar. The new sound isn’tbad, but Wainwright is more than a good enoughguitarist not to need it. The acoustic stuff comes off asless hokey. His two earlier albums are now due forretroactive discovery.For The Roses Joni Mitchell (Asylum)Ms. Mithcell is so far above other com¬poser/performers that you almost pity her loneliness.For The Roses is another masterpiece to add to herchain. It is perhaps her most open album since herfirst. Remarkably autobiographical even by currentstandards, it is so well focused and executed that thepersonal nature of the music is secondary to its ar¬tistry and more general applicability.CHAMPAGNE BRUNCH i4°° tax ind.All you can eat 11-2:00 Sundays. THIRDDOWN;HOTO GO“What’s a poor rookie clown gonna do?’’Third Down and 110 Yards To Go Jesse Winchester(Bearsville)Winchester is in exile in Canada, dodging the draft.This album, comprised entirely of short cuts andtotalling barely a half-hour in length, gives glimpsesof the gentle feeling for humor that sustains a personthrough that kind of ordeal. His songs are tinged withtraces of wistful longing and loss.Winchester has an emotional perspective that isuncommon among American musicians and theiraudiences; he is the voice of some very important,other Americans.Of Rivers and Religions John Fahey (Reprise)Fahey’s first recording for a major label finds theGreat White Father of American Guitar in good form.Though Fahey is more often associated in the minds ofthe public with Robbie Basho and Leo Kottke, he hassome very close ties with the older bluesmen,Mississippi John Hurt in particular (Fahey dedicatesa memorial song to Hurt on this album). Yet despitethese ties, Fahey is very hard to describe as amusician.If there are kinds of music which are uniquelyAmerican - jazz, blues, musical shows - then Fahey isprimarily an American artist. He is more closelyassociated with the fabric and nature of this countrythan with any perceptible musical tradition. Herecalls past days,, when things were slower, morepaced. This is a gem.Overall, the year wasn't too bad. If one of yourfavorite artists didn't produce a winner this year,probably one came from an unexpected source tomake up for it. There were lots of disappointments,the Rolling Stones, the ex-Beatles, Crosby & Nash.Stills, Young, the Airplane, and several no-shows (theWho, Bob Dylan, George Harrison), a trend or two(drag-rock), a death or two, but the whole processgrinds slowly on. While there is not another Beatles onthe horizon (Raspberries notwithstanding), theoutlook is perhaps a bit better than this time last yearAt least you don't hear so much talk about the death ofrock any more. There will be more rock and morejazz, r&b, folk, country and all the rest. The music willstand.Tonight and tomorrow at the Kinetic Playgroundthere will be concerts featuring Flash. Blue OysterCult and Jo Jo Gunne. Also tonight, the Raspberriesand Badfinger will be at the Aragon. And on televisionat 10:30 tonight on ABC’s “In Concert,” hum along tothe music of Grand Funk Railroad and Freddy King.TODAY IAN ILLUSTRATED LECTUREbyBENJAMIN MAZARProfessor of History and Archaeology and former PresidentThe Hebrew University, Jerusalemon the topic:THE EXPLORATIONS AT THETEMPLE SITE IN JERUSALEMFRIDAY . JANUARY 19, 1973 • 4:00 p.m.Breasted Hall 1155 E. 58th StreetThe lecture is tree uuci ot>eti to the huh/icFriday, January 19, 1973 - The Chicago Maroron - 13Now rent levels that respectcollege incomesand great apartments too:),)Consider Number 1PriceStudios...as low as $115 per monthOne bedrooms ...as low as $125 per monthTwo bedrooms ...as low as $158 per monthAt last, rent levels that respect collegeincomes! All apartments will rent, accordingto special formulas, for not more than 25 percent of adjusted income of residents. Thefigure is subject to adjustment for income andfamily size. Reserve apartments now forspring, summer, fall occupancy. For a no¬obligation preview appointment, or moreinformation, call the Draper & Kramer CampusHot Line, 624-4701, 24 hours a day.Win $500Receive $50 Certificate FreeIf you rent at Lake Village East, you’llreceive a $50 merchandise certificategood for free furniture or accessoriesat the famous Form Co-op furniturestore in Harper Court—PLUS a chanceto win $500 in free furniture of yourchoice. The $500 prize will be awardedwhen the first 50 apartments arerented. Open only to students, staff,and faculty of Chicago area collegesand universities. It's an extra addedi incentive to check out Lake VillageEast now. PlusDozens more reasons this unique38-sided new high-rise offersideal accommodations foryoung singles and marrieds2. Brand naw building; people planned. Nosterile box, this. A nearly circular tower with38 sides to make home base a little moreinteresting.3. Quiet and privacy, thanks to short corridorsand only eight apartments per floor.4. Varied, unusual apartment layouts (no twoapartments on a floor are alike).5. Spectacular views of the city (and at these lowprices), plus plenty of light from full-lengthwindows.6. Campus bus service.7. Express buses downtown at the door.8. Good auto access to Lake Shore Drive, aminute away.9. Shopping, with three centers nearby.10. 200 trees, one for each apartment, in alandscaped plaza.11. Outdoor benches for summer studying.12. Playlots (mostly for the kiddies).13. Spacious laundry room.14. Dry cleaning shop (fast service).15. Package receiving service.16. Studios—large living and dining areas, goodfor singles.17. One-Bedrooms—especially spacious, with twodifferent views of the city, great for youngmarrieds.18. Two-Bedrooms—big living, dining area aslarge as 24 x 15 feet.19. Master Bedrooms as large as 15 by 11 feet.20. L-Shaped deluxe kitchens, with stainless steeldouble sinks.21. Top appliances, including gas range and ovenand large refrigerator.22. Air conditioning (optional).23. Fine wood cabinets, with plenty of counterspace.24. Ceramic tile baths, with deluxe fixtures.25. Easy to maintain floor tile.26. Master TV antenna (no charge).27. Free drapery tracks.28. High-Speed elevators.29 Solid core apartment doors with peepholes.30 Dead bolt security locks.31. Colorful corridors, fully carpeted.32. Refuse chute on every floor.33. Free on-site parking, brightly lighted.34. Luxury lobby with quarry tile floor.35 Bicycle and carriage storage room.36. Security system.37. East Kenwood location: $25-million in newconstruction in immediate area; secondhighest per capita income in the city.38 Management by Draper 4 Kramer, specialistsin integrated housing Office on the premises. Special college previewFreeContinentalBreakfastSaturday, 10 A.M. -1 P.M.Com,e have a free continental break¬fast on us at a preview apartmentshowing for university students, staffand faculty. See our beautiful modelapartments. Or simply make a mentalnote to stop by at 47th and Dorchesterbefore your Saturday errands, if you’rehungry.See Lake Village East now. Reserve forspring and summer occupancy whileapartments last.Lake Village East38 sides and features to match4700 Lake ParkDraper & KramerManagement AgentsFor more information and a previewshowing, call the Campus Hot Line,624-4701.1 4 - The Chicago Maroon • Friday, January 19, 1973Young Concert: Personal DisillusionmenBy Michael StrimlingThough I hoped for better, it was notmuch of a shock that the Neil Youngconcert at the Arie Crown last weekturned into one of those small tragediesthat Neil used to sing about:disillusionment at the desensitizing anddepersonalizing of my life—a personaltrivial despair that seems so all-consuming to me.In fairness to the performer, thecrowd was about as warm, intimate andresponsive as Lake Michigan and ofanalagous size. While at the LosAngeles Music Center the audiencehardly needed prompting to join in thetraditional refrain to “Sugar Mountain”...you can be twenty, on sugar moun¬tain, even though it seems you'releaving there too soon...) at the ArieCrown, Neil had to ask four times beforethe crowd murmured through it. Andwhen Neil would sarcastically remarkthat it sure was nice to play such a smallhall, well, I think they took himseriously. Perhaps it was the deadnessof the crowd and the fact that it onlyseemed to raise itself for songs from theHarvest album that led Neil Young togive a performance uninspired anduninspiring in mood. Perhaps, one ofthe pre-Harvest songs he sang,“Everybody Knows This is Nowhere”was more than a tongue-in-cheek hint ofhis feelings.The concert itself was divided intotwo part." the first consisting of Youngplaying acoustic guitar, primarily by himself but with help on the last fewsongs from his band, “The StrayGators,” The second set was entirely byuse of electronic amplification, if not“electric” in itself, the sort of loudnesswithout motion or purpose thatdistinguishes the Gators, thoughsomehow by conventional standardsthey are both tight and musical (butboring and stale).Stoking my hopes that all was not lostand Young would retain some of his oldsensitivity even in the new compositionsto be heard, he started as hetraditionally has with the sensitiveBuffalo Springfield lyrics of “On theWay Home.” Yet even as the chords tothe wistful though we rush ahead tosave our time, we are only what we feel,and I love you: can you feel it now, hewas proceeding to rush ahead, his honlyfeelings seeming to merge in a pool ofself-indulgence. Saying he felt like amachine in playing the old songs, heentirely omitted the first album (NeilYoung) and third (After the GoldRush), playing the already stale andmeaningless tunes from Harvest whichonly benefited from his stage presence,with only the guitar, unsurrounded bythe maudlin and smothering violins,and presenting some selections that arenew or only available on singles orbootlegged concert albums (JourneyThrough the Past, “Sugar Mountain”).One brand new song in particular, to betitled probably “The City” or “L.A.,” issymptomatic of the recent Neil Young.Unlike his early composition “Here WeAre in the Years” which lamented the urban resident’s inability to reallyenjoy the slowness of the country, thenew selection lashes out bitterly, with apointless chip-on-shoulder indictment ofcities, Los Angeles, smog and thefreeway rush hour.The electric section of the per¬formance was dimmed by the StrayGators’ lack of inspiration, providingperhaps twice the virtuosity and halfthe feeling of Crazy House, with somepersonnel that have at various timesbeen in both groups. Jack Nitzche (ofout-of-place violins fame) waslackluster on keyboards, and even theaddition of a pedal steel guitar, that allAsylum Records artists seem to havenow, could not compensate for the lostintimacy of Young beating out his owntune on guitar or piano. Yet the decidingfactor of Neil Young’s impact, for allthe seemingly endless, pointless, loudand out of place short riffs and solos theband went into, has always been thelyrics of his song—and a tired remakeof “Southern Man” about Alabama willnever capture the spirit, however wellthe band played that particular num¬ber.In this set also came a new song whichwas perhaps the largest, and also mostinanely phrased, monument to self-indulgence since John Lennon’salbums. With the refrain “Don’t denyyourself” repeated ad nauseum, Youngproceeded to tell his life story fromgetting roughed up in a Winnepeg schoolyard to learning the guitar from a friendand finding success in Los Angeles,ending by saying that businessman think his patched jeans are ahypocritical disguise since they “callhim a millionaire,” by which we arepossibly to infer that he is still the in- !secure, outcast Neil Young lying in thedirt of the schoolyard, still the “I am aChild” of Buffalo Springfield, still the“Loner” and still “Helpless, Helpless.”Well, he is not any of those.You may say that I am complainingabout the norrnal welcome process ofcha$g£, that I* Want an artist to stay thesame forever. No, but for me thisconcert marked the passing of a skillthat could make me empatheticallyself-indulgent to my own emotions—intoa skill at which I can only look and listenwithout participating in the grossegotism, and chauvinism. Of course,Neil Young is happy now and has noreason to write the old songs, living inthe country, Carrie Snodgass (the “MadHousewife”) bearing his children inperfect non-conjugal bliss, as they say. tEven the songs such as “Cinnamon jGirl” which he did sing from the days ofold were the happy ones.If I did not have to seek out old blues inow, because few of the folk singers cansing the sad song, I would not be sobothered by living vicariously throughCEF films and books instead of beingwith people. Nixon is president, jAmerica is no longer being greened inany terms and in a fit of anti- jintellectualism I put on the song thatNeil Young seems to have forsakenhimself, ...the showman shifts thegears/ lives become careers/ childrencry in fear/ let us out of here!Lily Tomlin in Lights at Mister Kelley’sBy Simon SchuchatReviewing Lily Tomlin’s per¬formance for the Maroon is a littlefutile. Ms. Tomlin, now playing at Mr.Kelly’s (1028 N. Rush) is a very finecomedienne, and her show is well worthseeing. But Mr. Kelly’s may not be theplace where a typical University ofChicago student is going to feel verycomfortable. The scene itself will be asfunny as the performance.Mr. Kelly’s isn’t even a bar, let alonea concert hall Nor is it a coffee house. Itis a genuine, dyed in the wool, All-American nightclub. For two hippies,like my photographer and myself, itwas strictly weirdsville.Despite this cultural barrier, Ms.Tomlin’s act is worth seeing. Actually,the entire scene is one no real personshould die without seeing.The first act, a woman guitarist andsinger, Ellen MacEUaine, is extreme¬ly good. Most of the audience paysno attention, which is unfortunate. as the lady plays a wicked slide guitarthat reminds one of Ry Cooder and thelate Duane Allman, the true giants ofthe slide. Her voice is a little harsh:almost vulgar in tone, but quitepleasant. But the act connects poorlywith an audience of this sort.Then, after one of those drink¬ordering intermissions I have alwayspictured nightclubs as having, Ms.Tomlin arrives. She begins by doing oneof her many high school cheers, shakingher ass in that casual manner all goodcheerleaders possess. She must havebeen spectacular in high school.Her fame rests on a few routineswhich Laugh-in used and over used foras long as I can remember. The mostfamous of these is Ernestine from thephone company, and the night I sawher, Ernestine spoke to GeneralMotors over the question of a badtelephone, the hot-line to the WhiteHouse. It wasn't great, but it wasn'tterrible. Mild, drinking humor.Ms. Tomlin stands between the traditional comic and such past-acidhumor as The Firesign Theater, inabout the same sport as Cheech andChong, but from the opposite direction.A great deal of her material ispolitically oriented, but in a mild way,so that one can almost ignore thepolitical implications. A prize exampleis a totally serious rap, where Ms.Tomlin imitates a black welfare mothercomplaining about having to put her“baby” in a day-care center, and getoff welfare. The woman violently at¬tacks “those white bitches in thesuburbs” and it is all very serious, andindeed, quite touching; except that it isan attractive young white womanreciting this, to an audience containingmany of those “white suburban bit¬ches.” (There was less laughter for thisroutine than for the following joke.“And did you know FDS killscockroaches?” Understandably, Iguess.)Ms. Tomlin did Edith Ann, theprecious smarty who is another pillar of her reputation, but the bit hardly lastedfive minutes, consisting, as it did, of theaudience asking a few questions of thestar.Ms. Tomlin is very funny, and is a fineactress, using her voice and posture tocreate other people with ease andgrace. Her singing voice is one of thebest jokes I’ve heard since Dan Hicks;which, I believe, was intented by Ms.Tomlin.Her show is worth seeing. I can’tsuggest it unreservedly, because theatmosphere is a little strange, butMr. Kelly's is the kind of place youshould at least try. Reservations wouldbe in order.Tonight, Doc Films presentsMichaelangelo Antonioni’s immortalBlow-up. You have two chances not tomiss it (7:15 and 9:30) in lovely CobbHall. $1.00ROCKEFELLER MEMORIAL CHAPELSaturday Jan. 20 3: 00 P.M.INAUGURATION DAY SERVICE OF PEACEIF A CEASE FIRE IS ACHIEVEDLET US GIVE THANKSIF THE BOMBERS STILL FLYLET US PROTESTThe Service is part of a national INTER-FAITHVIGIL FOR THE PEACE series of events taking placein Washington and New YorkLET YOUR PRESENCE BE YOUR WITNESSFOR PEACE, FREEDOM, AND JUSTICEFriday, January 19, 1973 - The Chicago Maroon - 1 5*' • ’. i , i, i. < iii i o'- ytr torn ,.1 r ■ iifiArrivederci Roma: New Fellini FlickBy Dave KehrFederico Fellini has just droppedRoma in our laps, and we might as wellface up to it. With each film, his vicesloom larger, and the virtues he once hadhave been completely obscured.Haven’t we had enough of this sloppyold sentimentalist? Yet he continues toFILMenjoy tremendous success with both thecritics and art house audiences(although some encouraging boos brokeout at the preview). It seems like a goodtime to discuss some of Fellini’sshortcomings, since Roma convenientlyprovides a perfect specimen fordiagnosis.Fellini’s films are not personal, theyare narcissistic. We are seeing more ofFellini now and enjoying it less. Theunmistakable autobiographical natureof Fellini’s work first emerged with 81/2. A movie about the problems of amovie maker was something new;possibly this was the first work in whicha filmmaker was considered as anartist. But what was not recognized wasthe whimpering self-pity that laybeneath the thin layer of metaphysics.We saw the film objectively whileFellini, as soon became apparent, saw itsubjectively. It was not a film aboutfilmmaking; it was a film about Fellini.In the light of his later films theseeming profundity of 8 1/2 (for example, when Guido imagines aconciliation between his wife and hismistress, or the summary execution ofthe screenwriter) have been interpretedby many critics, most notably DwightMacDonald, as being representative ofthe artist’s supposedly primemotivation, that is, to impose order onthe disordered world. But certainly thistype of fantasizing is common to all ofus, artists or no, and Guido is no moresuccessful at ordering his life thananyone else.Indeed, the whole film is an evasion ofthis very issue. It is the work of abankrupt artist who, having nothingelse left, makes a film about artisticbankruptcy. At the end of the film Guidoimagines his own death and the ob¬jective world of the film dies with him.Guido is left to amuse himself with hisfantasies, and to hell with “reality”.This, surely, is egotism carried to the highest degree.When Fellini finally dropped allpretense (and the excellent blockingprovided by Mastroianni as well) byappearing as himself in The Clowns, itbecame intolerable. Fellini movies areabout nothing more or less than Fellinimaking a movie. Half of Roma is apsuedo-documentary about Fellinimaking a movie about Rome. The otherhalf is a tedious recreation of altogetheruninteresting incidents from his youth.Fellini’s trademark during his laterperiod, beginning with La Dolce Vita in1959, has been the general abundance ofdecadence. Not fun decadence like DeMille’s, but the real hard-core squishyslimy stuff. Through seven films andtwelve years, Fellini has beenpresenting his decadence in exactly thesame way, with exactly the same at¬titude. The observation that Fellini hasshown absolutely no development in hisA Spanish dancer appears in a vaudeville show in a sequence of “Fellini’sRoma.” ideas over the past thirteen years (all ofhis films seem to have been made in1959) leads one to postulate aparadoxical sort of double-decadence asthe Fellini syndrome.Fellini has become so adept at trot¬ting out his gang of grotesques that ithas become second nature to him. Hisreputation was made with La DolceVita, and since then he has applied thesame formula to all of his films. He hasstream lined the operation in his lasttwo films by doing away with stumblingblocks like plot and character, but thefat whores and toothless old men are asomnipresent as ever. We are given thesame old ideas packaged in in¬creasingly less attractive containers.Stylistically, Fellini is hardly worthyof serious consideration. His images areinvariably flat, since to an uninteresteddirector everything exists in the sameplane. His use of color is restricted tofacile allegory (black for evil, red forlust. etc.). His protracted tracking shotsreflect not a point of view, but theinability to find one. Fellini must bepopular with his technicians, being soeasy to please. The photography isgrainy and often blurred, and the postdubbing of sound (traditional in Italianfilms) is only accidentally in step withwhat is happening.It no longer seems possible thatFellini will be able to recapture themodest virtues of his early work astypified in his small masterpiece LaStrada. Seven miserable failures in arow do not engender much optimism.Fellini is old and tired at the not so ripeage of fifty two, with nothing to cling tobut his nostalgia.Dining at Le Bastille: No Time to Pinch PenniesBy Howard M. IsaacsPeople are strange around money.Some save and some spend. Amongthose who spend, each spends dif¬ferently. Some buy cars, some travel,others lust after stereo systems, whilestill others buy clothes. Privately, eachthinks his neighbor is somewhatmisguided in such matters. Two itemsthat seem to attract particularly strongfeeling pro or con are food and sex. Andreally, of all the delights of the body,there are only these two that call all oursenses into activity at once. Taste,touch, sight, smell, and sound meet inglorious union and subtle interplav-aconsumation devoutly to be wished.All of which is to explain why thereare those of us who would gladly, onoccasion, part with $40 or so for a greatmeal (that being for two as dinersgenerally travel in pairs.) For thoseseeking yet more rarefied heights ofconspicuous culinary consumption, letme hasten to assure you that it is indeedpossible to break the $100 mark insearch of the gourmet’s grail. Andworth it.Le Bastille (I know it should be La, it just isn’t) is a charming place, elegantwithout being in the least bit stuffy. Themain room is modelled after a Frenchcountry inn-rough wood, pots and panson the walls, and pleasing objects d’artscattered about. The place also revealsFOODa somew'hat odd sense of humor. Amural in their second room shows anencounter of the French revolution, oneof the figures in a most unfortunatemeeting with a cannonball. Then as youmake your way to the bathroom, youreye is arrested by a life-size tableau of aman in 18th century costume holdingout his hand to an oversize, and on thewhole cute, spider. The placard abovebilingually informs you that this is oneM. Pellisson. wrho, during his five yearterm in the Bastille, trained a spider toeat out of his hand every day. Definitelydifferent.Le Bastille offers a prix fixe dinner atLSAT WORKSHOPClasses Now forming inpreparation for Feb. 10thLSAT. To be conducted inChicago Jan. 27 28, Feb. 3 &4. (full day sessions, Saturday4 Sunday)Course created by notedprofessor and conducted inChicago by Harris Luscomb,(Yale College & Columbia LawSchool.)Proven techniques &methodology.Verified record of outstandingachievment.For information andregistration, contact.LAW BOARDS INSTITUTE450 Seventh Ave.New York, NY lOOOl212 594 1970 $10.25 including appetizer, soup, salad,entree, desert, and coffee. Of coursethere are ample opportunities to add tothat price.Among the appetizers I recommendthe cold ratatouille, a mixture of cookedzucchini, onion, and peppers. Otherpossibilities are the Coquille de I’ocean(hot sea-food au gratin) and the pate .On the soup course, onion and coldvichysoisse are always offered, with mypreference going to the vichysoisse.The house salad is a mixture of let¬tuce, chopped egg, parsley, and tomatoin oil and vinegar. Complaint: thetomato was overripe and a bit mealy. Somuch for cold storage.And now' to the entrees. The vealOrloff, in a cheese and mushroomsauce, was pretty good, as was the coqan vin. One of the best things Bastilledoes, thoLigh, is roast duck in orangesauce. The duck was cooked crisp, andmoist without being greasy-generally agood bet.Though they offer a fair amount ofseafood. I would tend to shy away.Chicago is definitely an inland city andfew restaurants have the resources toassure a supply of really fresh fish. This was sadly evident in the filet of sole-thecheese and cream sauce more thanovermatched the fish, which gave noimpression of having been recentlycaught.Deserts include the usual assortmentof chocolate mousse, caramel custard,fresh strawberries in cream or kirsch,and profiterolles.All in all, Le Bastille cannot be calledbetter than highly competent, though itcertainly is that. They are attentive tothe wat^r and wine glasses, bread andbutter, and keeping the ashtrays emp¬tied. Most everything arrives at propertemperature and neatly served. Still,these are only necessary, not sufficient,conditions for a good meal. Sad to say,there w'ere few signs of greatness at LaBastille. At their prices it is sadder still.Le Bastille does give you a goodamount of well-prepared food, but theprice is high. Drinks, dinner, and winefor two will be in the $40 range. Ofcourse, you can forget the drinks (theydull the palate anyway) and the wine,but why bother? Those of us out theresearching for the perfect meal willmerely press on in search of satisfac¬tion elsewhere.A professionalABORTIONthat is safelegal &inexpensive| can be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours—7 daysfor prof«tsio><al, confidentialand caring halo. HEADQUARTERSFOR• PASSPORTPHOTOGRAPHS.APPLICATIONSPHOTOGRAPHS..'•jblack & whileand colorf |Call MU 4-7424 nowfor an appointmentCorona Studiosi 4 e ‘.'Jtm16 - The Chicago Maroon - Friday, January 19,1973oo'ijF/ eocouO*»r!f • {’•?! vicunoL 'obii- Student j Need some warmth in your life? jj A healthy and live plant from |1 The Village Green is just that. 1J Come in and browse. Bring this ad {1 and receive a Special Discount on iI purchases over $5.00. 1Discount* *■;ModelCamera.1342 E. 55th ! 4; jl/illagej ''ji^Gireen j493-6700 '■ j 1465 East Hyde Park Blvd. jMost complete photo* i (corner 51st & Harper) jj Hyde Park's newest Foliage Boutique (shop on South Side.Two Surrealist Painters AnalyzedBy Frederic HornRene MagritteBy Rene PasseronJ. Philip O’Hara, Inc.Unlike many art books published in(he las! decade, this volume and theother I am reviewing, Max Ernst,concentrate more on quality colorreproductions and less on windyBOOKS2?commentary, which in most cases blursthe reader’s understanding rather thanenhancing it. Mystery is the key criteriathat Rene Magritte uses when creatingthe visual world in his paintings. Theauthor of the text, French painter-critic philosopher Rene Passeron,suc< essfully exposes this basis bydividing Magritte’s work into themes.Biographical data is kept at aminimum. Thick and ambiguousprivate lingo that critics tend to use isavoided by the author. Instead thereader is gently guided in the generalthematic direction of a group of pain¬tings. not pushed into accepting par¬ticular interpretations. The resultingfeeling for the reader is one of freeassociation, and unhampered ability toresolve the ambiguities that Magrittesuggests in his pictorial mysteries.Beyond the simple mystery ofmeaning that each particular paintingmay present to the viewer, however, isthe mystery of human visual per¬ception. The limitations of visualpossibility reside behind our eyes and inour minds, so that the problems ofcausal logic arise in that perceptualcommunication. The mind alone canresolve mysterious visual logic. Ourperception of Magritte’s paintings is amystery of the real world, of concreteobjects. Both these worlds have validlogical systems, symbolic or of signs,but the viewer must make himselfaccept the world of Magritte, which isthe1 world of dreams is an unquestionedeventObjects are the source of visualdissent that Magritte pivots around.The ambiguity of the visible, if con¬sidered in the correct intellectualcontext, is inevitable. Hence thearrangement of objects-commonplaceobjects - has an infinite number ofpossible combinations and jux¬tapositions in space. Magritte was asimple man: his choice of objects foruse in bis paintings is not the result ofhistorical reference or symbolism. Hisimages are a revolt against the clichedefinition and identity attached to theobjects we see often: the face, curtains, Zto? os. the moon, an apple. The author ~comments, “The principle of identity isridiculed, its pretension unmasked.” Asviewer of these visual con-tiadk'ions, we tend to seek ther iatiouship between the objects thatdesks-bookcases-fiieT"SWIVEL CHAIRS-LAMPS-Tf 3LESNEW & USED Magritte has put side by side. Theimplications of an object in its normalcontext in the world we see daily isstrained. The freedom that the viewerfeels, however, is in Magritte’s easymanner of presentation. His paintingsmay be shocking, but it seems that hetruly accepts what he paints. So to forma conclusion as to why he juxtaposestwo objects is a result the viewernaturally feels. Some meaning that oneobject has must relate to some meaningthe other object has. One’s conclusionbecomes inevitable, yet infinite ispossibility.Author Passeron is concernedprincipally with thematic ideas, andless with visual means. Passeron saysof it that “a magic operation is inprogress.” This manipulation of objectsby a man is not in what they look likepictorially, but where they exist pic-torially. “It is not ugliness that attractsMagritte: it is the emptiness of matteritself. Not only the stonyness of thestone, but the stonyness of all things.”And so Magritte describes this im¬movable meaning in this way, his art“is the description of an absolute thought, that is, a thought the meaningof which remains just as unknowable asthe meaning of the world.” Meaning,then, is removed from absolute reality,or at least our visual perception ofreality.Derealization by Magritte is achievedonly by his ordering principles. He doesnot invent any new ways of seeing ob¬jects alone, but in their relation to otherthings. His surreality is in this en¬vironment.Max ErnstBy Sarane AlexandrianJ. Philip O’Hara, Inc.Originally a Dadaist in his youth. MaxErnst set out to fight against themorality and what the author of thistext (surrealist Sarane Alexandrian)calls the “futile prettiness” of theestablished art in his time. The authorsuggests that Ernst was on a campaignto “demoralize” the public of its “so-called spiritual, so-called artistic, so-called social values.” To do this Ernstset out to expose unconscious anxiety,Rene Magritte by Rene Passeron. and then by this artistic recognition, toovercome the anxiety. At least this isthe premise on which the author buildshis text. I am not convinced. It is asimple psychological fact that merelyrecognizing neurosis, as a viewer woulddo. is by no means the cure. Action isneeded.The author of this text stays withinthe same guidelines that Passeron didin Rene Magritte. The commentary isbrief and the direction more descriptivethan interpretive. Alexandriancategorizes Ernst's work into mediums,considering his early collage-novels, hispaintings, his attempt at creating a newway of writing, and his sculptures.Ernst's collage-novel entitled The 100-Headed Women, is a series of collagesput together under one theme, with theheroine “Perturbation, my sister, the100-headed woman,” the authordescribes as beautiful and nude as astatue, or clothed like a fashionplatestriking scandalous poses. Theimagination of Ernst triumphs here, theauthor suggests, “over servitudes andfrustration through inventions thatexalt freedom.” Freedom seems to bethe key need Ernst seeks. He abhorsartistic dogmas and moral dogmas.This need goes beyond his originalDadaist goal of shocking the pettybourgeouis public. After the SecondWorld War when he returned to Francefrom the U.S., Ernst began to paint in amood the author describes as “lavishtenderness.”The point is that he never followed therestrictions of a current vogue, artisticor in social morals. After the war mostartists had a tendency towards anti¬painting, and the beginning of a trendtoward the minimal. Ernst, however,found his own way as a colorist andcreator of new forms. His maturityshowed less concern against the societyand more interest towards revolution ofways to see.The last medium that this text dealswith in Max Ernst's creative work is hissculptur*-:. Sculpture can materializethe space of imagination for Ernst in thesense of idealized creatures that live inthe mind or in another world. Theauthor suggests: “all of Max Ernst'ssculptures look like chess pieces,enlarged and reinvented to suit his ownpurposes. For him, a statue is not awork of art but a work of play, asupreme entertainment in which fatehas fun.” Unlike Magritte whosesurreality lied in the nature of the en¬vironment he builds from commonobjects. Ernst creates new objectswhose individuality is itself either“surreal” or mutated to a form beyondthe form of the objects we normally see;or, at least captures ihe quality of anobject alone without its relation to anenvironment. The author’s briefcommentary lets the reader infer hisown meaning to these works, which, asthe publisher suggests, gives to thevisual presentation more the feeling of amuseum or exhibition whowing ratherthan an academic dissection.c BRAND 3QUIPMENT1&UPPLY CO.Used 3 & 4 Drawer Files Letter & Legal sixe -$20 and up.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardThurs. till 94)0 P.M. MOVING?PETERSONMoving & Storage646-4411 forfree estimatesComplete Pre-Planned Moving ServiceLocal • Long Distance ePacking • CratingImport - Export^ ^ g. Containerized Storage■/fOV Formerly at OwwolOWk.>8^ 55* A». 12*55 5. 0.*Gktaege, 41 60633 ROCKEFELLER MEMORIALCHAPELSPECIAL ECUMENICAL SERVICESunday, January 21.197311:00 A.M.JOHN L. McKKNZIKProfessor of TheologyDe Paul University"THE WORD OF THE LORD: UNITY OF DIVISION?”SUNDAY SEMINARRockefeller Memorial Chapel Undercroft 9:45 to 10:45a.m. Discussion led by The Reverend Philip M. DrippsUnited Methodist Chaplain.Fridoy, January 19, 1973 - The Chicogo Maroon-17War Represented Through Dance in ChicagoBy Nancy G. MooreAs we respond to President Nixon’sinauguration tomorrow, and topropaganda about Viet Nam, we will beforced once again to confront not warbut its misrepresentation in drabslogans and tired euphemisms. “Peaceis at hand” will surely be back again. Inthis period of semantic confusion youmay find that dance reveals more thanlangauge can.Two dance events this month responddirectly to war. The Ensemble, arepertory dance-theatre companybased in the Hull House Uptown Center,has in repertory a work which couldeasily come out on the street and makea statement as strong as that of a CivicCenter anti-war assemblage. Weapons,part of a larger work entitledEvolutions, demonstrates in mime bothcreative and destructive aspects ofweaponry.The work is intriguing in the way itsperformers alter one’s perception ofaggressive, often violent, acts. It beginsquietly, with two prehistoric humansloping around a small, all-purposegeodesic dome in center stage. Theyscratch at hidden fleas and searchthrough invisible foliage for food. Theirrelationship is defined by momentswhen they accidentally bump, other¬wise they seem unaware of each other.The bump is elemental. It is the firstweapon.Ensuing developments result not somuch from aggressive motives as froma childish curiosity about how variousactions will affect other things. Theprimeval bump evolves to a swat, thento a kick. This is not only an account of the evolution of weapons, but of man ashe is influenced by them. By the timekicks have metamorphosed from rockand spear-throwing into bow and arrow,pistols and mines, the participants areaware of themselves as sources ofpossibly uncontrollable power. They tryto drop their weapons, to refuse theburgeoning desire to create new andbetter ones. But, until the end, they fail.As weapons form in their hands, theypause uncertainly, then give in tocuriosity and try them out. In theiractions you see civilizations fight anddie, only to be reborn a few minuteslater. Like watching TV newsdocumentary of Viet Nam casualties asthough it was a cartoon, the show goes onno matter how many people have died.Weapons takes you to that point in thefuture when all that is left of the show isa blinding flash of light.Another dance about war, The GreenTable, will be performed twice by theCity Center Joffrey Ballet Com¬pany at the Auditorium Theater.Choreographed in 1932 by a Germandancer, Kurt Joos, this work chroniclesthe failure throughout history toprevent war. One year after itscreation, Hitler assumed power.The Green Table is a prop aroundwhich the dance begins and ends,around the table in frozen gestures ofbelligerance, deep thought, accusationgroup of masked diplomats posedaround table in frozen gestures ofbelligerence, deep thought, accusationand confusion. Suddenly they comealive, a page from a history text,shaking their heads, crossing arms andlegs, standing up and sitting down,nearly losing their balance. The negotiations come to a climax when thebargainers reach for their breastpockets. Gunshots announce thedecision.A tall, masked figure of Death and hissidekick-the rat-like War Profiteer-open the next scene. Death begins asimple precise dance, military elbowsand marching feet thrashing out arhythm which continues through the storyDANCElike a ghastly refrain. Warriors,mothers, wives and lovers pass into hisgloomy shadow, their lives absorbed byhis. With Death’s message clear, thecurtain drops to rise again on the greentable and diplomats begin theirnegotiations anew.In addition to dances about war,movement-oriented people may want tosee or get involved in the followingdances this month:*Viola Farber, a participant in theChicago Dance Festival, will give alecture-demonstration tonight at 8 in theIda Noyes gymnasium. Saturdaymorning members of the Farber DanceCompany will conduct beginning andintermediate level classes from 10:30-12noon in Ida Noyes.*The Dancers of Bali, from aJavanese island about 1200 miles southof Saigon, will perform tonight andtomorrow night at 8 in the AuditoriumTheater. The company of fifty includesdancers, clowns and a Gamelan Or¬ chestra. All have been participatingsince infancy in a dance which is, forthem, a communal, religious activity.Tickets start at $2.*The Chicago Project, a theatercollective developed by ColumbiaCollege, has in repertory January 18-28six works including a ballet cantata,“The Seven Deadly Sins,” by BertoltBrecht and Kurt Weill. Performed by anall Black cast, this dance will bepremiered Saturday night at 10:30 in theTheatre Center, 1032 W. Barry. Forreservations call 549-9047.*Frula, a group of 36 dancers fromYugoslavia, will perform native folkdances Sunday afternoon at 2 in theOpera House. Students will receive adiscount if they go to the box officebefore 2 p.m.*A new dance company, TheMythological Dance Theatre, is lookingfor men and women interested indancing ancient mythology drawn fromboth eastern and western traditions.The company holds three workshops aweek at the Hyde Park Union Church,5600 Woodlawn. Call 288-3706 or 947-8621.*Evolutions, a mime-dance per¬formed by the Ensemble, is appearingin repertory at the Hull House UptownCenter, 4520 N. Beacon St. (Take the Elto Wilson, walk 4 blocks west, turn southon Beacon.) You can see the show in¬cluding Weapons, Sunday night at 8.Cost is $2 for students, $3 for the public.*The Dance Center of ColumbiaCollege, 4730 North Sheridan Road, isoffering a Dance Workshop and Per¬formance Project January 29-February17. Assisted by the Dance Troupe,students will develop a work to beperformed February 18 at the DanceCenter. The workshop will meetMonday through Friday from 6-9 p.m.,and costs $65. Call 271-2665. On January27, the Dance Gallery, a six-membermodern dance company from Salt LakeCity will dance at 8 o’clock p.m. in theDance Center.*The City Center Joffrey BalletCompany opens January 30 at theAuditorium Theatre and will dancethrough February 11. The Green Tablewill be performed February 7 at 8 p.m.and February 11 at 2 p.m. Tickets startat $3.50.ITEM: “The Philadelphia Orchestrawill play Tchaikowsky’s “1812 Over¬ture” at the Inaugural Concert atKennedy Center in Washington nextFriday evening. And the same eveningLeonard Bernstein will conductHaydin’s “Mass in Time of War” inWashington Cathedral. The program’sorganizers think of the mass as being inopposition to Tchaikovsky’s overture, a‘festival’ work celebrating Russia’svictory over Napoleon’s invading ar¬my...” (N.Y.Times, 1/12/73)The Dancers of Bali appear at the Auditorium Theater tonight and tomorrow night in their Chicago debut.THE PEACE PIPEThis unique dynamite new and super pipe has many advantages never ex¬perienced before in any o*her pipe. •1 Your Peace Pipe is completely portable and can be dropped into a shirtpocket without concern of spill or burn.2 It is self contained and no burning smoke can escape thereby intensifying thetobacco effects of obtaining a higher high. Get all advantage of Delta-9-THC.3. Your Peace Pipe is easy to light, but it does go out by itself allowing you tosave on tobacco .4 Your Peace Pipe comes to you already filtered with a screen that is easy toclean and replace.The Peace Pipe was one of the many pipes used at UCLA on their recent studies of marijuana andfound to be one of the most effective pipes. The reason given for this is because of the heatgenerated in the self contained bowl causing a release of the highest quality of T.H.C.The Peace Pipe is made of the finest materials. All Peace Pipes comes with black stems, and thetips come in black silver, red blue, and gold. A sheet of instructions goes with every pipe sold.The retail price for the Peace Pipe is $5.00. With 50' handling charge, when ordering by mail.% Order Form (Please Print)— — — — —yRED □ BLACK □ GOLDD SILVER □ BLUE □ C.M.NameAddressCity & State ZipPhoneMail to C/O P.O. Box 1572, Evanston, III. 60204Retailers alsn welcomed write for ir*fo. LOSE 20 POUNDSIN TWO WEEKS!Famous U S. Women Ski Team DietDuring the non-snow off seasonthe U S Women's Alpine Ski Teammembers go on the “Ski Team" dietto lose 20 pounds in two weeksThat's right — 20 pounds in 14 days!The basis of the diet is chemical foodaction and was devised by a famousColorado physician especially for theIJ.S. Ski Team Normal energy ismaintained (very important!) whilereducing You keep “full" nostarvation — because the diet is de¬signed that way! It’s a diet that iseasy to follow whether you work,travel or stay at homeI his is. honestly, a fantasticallysuccessful diet If it weren't, the U SWomen's Ski Team wouldn't be per¬mitted to use it' Right'’ So, giveyourself the same break the U S SkiTeam gets. Lose weight the scientific,proven way. Fven it you’ve tried allthe other diets, you owe it to your¬self to try the U S Women’s SkiTeam Diet That is. if you really dowant to lose 20 pounds in two weeks.Order today Tear this out as areminderSend only $2 00 ($2 25 for RushService) cash is O K to Infor¬mation Sources Co . PO Box 982,Dept ST. Carpintcria. Calif 9T0ITDon't order unless you expect to lose70 rsonnWs in two \*»***lr.' Brcauvthat's what the Ski Icam Diet will do! 10%-20% OFF ON ALL FURSANNUAL AFTERCHRISTMASSALE!ON ALL ITEMS IN THE SHOP50% OFF ON ALL LEATHER10-50% OFF ON ALL ESKIMO ART♦ Alaska &lyapt♦♦ OF L \Ki: FOKFST777 Hank I,am*. NorthFake Forest— 295>lfH0Open Daily 10-5 and Sunday 10-5Diners, Bank Americard, Master Charge,American Express Cards Accepted *♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦18 - The Chicago Maroon - Friday, January 19, 1973MAROON CLASSIFIED ADSFind Out AboutIPIRGILLINOISPUBLIC INTERESTRESEARCH GROUP7:30f Tuesday,Jan. 23Blue Gargoyle,57th & Univ. SCENES#** CHICAGO, ILL 60615£ Rhone: FA 4-1651REGAL NOTESunderstand PLAYS, novels and poemsFASTER WITH OUR NOTESWe' re new and we're the bigast1 Thousands oftopics reviewed for quicker understanding. Oursubjects include not only English, but Anthro¬pology, Art, Black Studies, Ecology, Eco¬nomics, Education, History, Law, Music,Philosophy, Political Science, Psychology,Religion, Science, Sociology and Urban Prob¬lems. Send $2 for your catalog of topics avail¬able.REGAL NOTES3160 ,a0" Street, N.W.Woshington, D. C. 20007Telephone. 202-333-0201TAKEAM-YKNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOfCN DAILY11 A.M. TO 6:30 P.M.SUNOAYS AND HOUDAYS12 TO 6:30 P.M.Orders to take out1318 East 63rd MU4-1062DR. A. ZIMBLERDR. M. MASLOV•ya examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-636340% OFFatTHE BOOK NOOK' Across from the Co-Op'THIS WEEK!New Wilderness RoadWar-World is a GhettoDon McLeans New AlbumHYDE PARKFIREWOODOAK$50 Ton DumpedALSOCHERRY BIRCHMAPLE 8 HICKORYSmaller AmountsAlso deliveredCall Art Michener953-248C Film: "The Dybbuk," new 1970 Israeliversion in color. Sponsored by UCHillel and Cong. Rodfei Zedek,showing at 5200 Hyde Park Blvd. 8:00p.m., special rates free to UC Hillelaffiliates.The Jewish Past 8, Present Mr DavidAbraham (rescheduled from FallQuarter). Hillel, tonight at 8:30While getting your head together, whynot get your hair together also? Thevery best in continental hair shaping &style cutting by mae'tro Roger BobRustic Continental Studio appointments only evenings 288 7080.The Coffee House is open every Fri.night. Good folk and jazz music.Coffees, teas and goodies. 8 12. IdaNoyes Library.£C9|t**%3|c*a|ca|c3|C3M|** Outeff RBtiftl *1645 E. 55TH STREET £ ANTI WAR DEMONSTRATIONAssemble at State and Wacker SatJan. 20th at 11:00 a m.SPACEi Rm. $55/ mo. meals avail. 5625 S.University. Call 753 3990,I need an apt near campus soon Call753 3962 leave message for JohnCondominium for Sale: You seldomsave money like this! 2 bdrms 1 bath1st fir loc. 69th & Paxton, immaculateNear shopping 8. lake. Asking $8000only Americus 798 5700. Experienced sitter wanted. 4 days perwk Morn, or aft. 56th near Lake. Call667 8128.Exp. babysitter Thursdays 2:00 10 00for 8 month and 3 yr old little boys at 57& Harper. Call 493 5542. Sitter alsoneeded for eregular week end eveningsit.Male Singers for OFFENBACH comicopera "Helen goes to Troy"Rehearsals in Hyde Pk call 629 2646.YOU MUST BE SMART, TOUGH,AMBITOUS part time managementpositions that will fit your ownschedule. Earn $400 $800/ mo. on apart time basis. Call 769 5560 or 3482612 after 3 pm.Want wed rings made. 525 8011 eves.EARN UP TO $2000 a school year ormore hanging posters on CapitalCampus in spare time. Send NamePhone, Address Ref to Coordinatorof Campus Representatives 207 mich.Theatre Bldg. Ann Arbor Mich 48108 8call 313) 662 5575.Bank tellers full and part time. Exponly, no trainees Excell, salary andhours. Call Miss Scott, Univ. NationalBank 684 1200. readings. Those interested are askedto submit a 1 act play or a selectionfrom a longer play which they wouldlike to reas. UT will provide scripts,facilities & will schedule the readingsfor late aft. or eve performances openfree to the gen public. No previousacting or directing experience isnecessary. Call 753 3581.BRIDGE MAGNow in UC bookstore Read about theChinatown gangs, a Fillipino doctor'swork, a laundryman's daughter, AsianAmerican news, others back issuesavailable 241 5529TRIP TO CHINAOpportunity To Visit Mainland ChinaOnly to Asian Americans with one ormore years of community work Call241 5529 for details.TRAVELFOR SALELarge & sunny room for rent in lovelyKenwood home. Call 548 4748.Room in family home on campus payrent or exchange for work. Call 9479054.ROOMMATE WANTED near campussecure furnished apt free parking call752 3470 after 11 p m.Rm. avail, now in 2 bdrm apt. 52nd andBlackstone rent $72.50 call 947 0970 or528 50362/ 1/ 73 my loss is your gain forced toleave beautiful spacious sunny 5 rmapt for new job. Terrace w/ s exposureon friendly ctyd. $192 near 1C campusbus 493 9670 eve.TENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSturn, and unfurn.LAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES2343 E 71st St.See MONICA A BLOCK667 2002 or 667 2004CHICAGO BEACH HOTEL. 5100Cornell D03 2400 Beautiful FurnishedApartments near beach, park, 1Ctrains, U of C buses at door. Modestdaily, weekly, monthly rates. CallMiss Smith.PEOPLE FOR SALE Air Conditioner..5,000 b.t.u Exc. for 1rm Chi. sum. Think hot. 947 9442'69 Catalina 4dr auto a/ c new tires 8.brakes ex. cond $1,300 call Ken 2415639Bright red barber chair, reclinestwirls goes up & down. Eves 684 2191.For sale: Portable Dishwasher, attaches to faucet, fits top of sink. Callevenings 947 9569.1964 VOLVO 544, rebuilt engine andfront end. 561 3712 asking $400SKIERS? Look like an OlympicChamp! - learn poise and balance athome? with a SkiSkil before youhead for the hills. Write ForsterDesign, Ind. 1311 Congress, Saginaw,Michigan, 486025200 S. BLACKSTONEHave Privacy -live your own life haveconvenience & 24hr security & switchbd service -live off campus atBLACKWOOD APT HOTEL all aptshave walk in kitchen, are comp turn.,cost not much more, if any at all thanthe regulated dorm. Call KE6 4300Miss Kreps manager W matter where you're flying,chances are American Airlines can getyou there in speed and comfort. CaUyour campus representative LarryMarden, at 947 8867 after 6PM forinformation/ reservations.PIZZA NOWContrary to what you hear ParadiseLost is now serving pizza everyThursday Friday Saturday andSunday evenings. Its not badSUPPER SPECIALThis Sunday's Special is Chile. Don'tforget to be at Paradise Lost for thisExciting Dinner Treat.RIDESHosp empl needs auto ride daily ParkForest to Univ. 8. return bus. Deal ext.7 5002. P M Thursday, Friday, Sat and Sun.all quarter, turning out great pizzas atreasonable prices. Love, ParadiseLost Pizza Oven.MODERN DANCEWORKSHOPMythological Dance TheatreCoDance workshop Winter Quarter,taught by Violetta Karosas acclaimedDance Showcase '72 Workshop 1/ 2blk Regenstein. 56th and WoodlawnHyde Pk. Union Church gym. 3time/ wk 15 sessions $45, 288 3706INFORMATIONWANTEDI am looking for evidence of governmental repression If you have aninteresting or important incident toreport, send it to Mark Gruenberg c/ oThe Maroon, 1212 E 59th St., ChicagoThanks very much.UT: EXPERIMENTALWEEKENDUniversity Theatre is now receivingproposals for the experimentalweekend, scheduled for the 9th wk ofwinter qt. Those people with previousdirecting experience who would like todirect a one act play are invited tocontact UT before Fri. Jan 19th 7533581.STEP TUTORSStudent Tutoring Elementary ProjectSTEP needs volunteers to tutor biweekly. There are a lot of littlechildren who could use your help Ifyou are interested, please call DaveKandel at 324 7436 or John Zyskind at643 2762.PERSONALSFOUNDFemale declawed seal point Siamesecat. Call 947 8039 after 10.LOSTBrown suede shoulder bag containsblue billfold, gold checkbook., PLEASE return with or withoutmoney to Soc. Sci. bldg Rm 101.IDEAS WANTEDDo you have suggestions for dances,concerts or other activities to be heldon campus? If so, take a minute andjot them down for us. The StudentActivities Office, INH 209.LOX & BAGELSSunday, 11 am, at Hillel. $1. GRADUATESTUDENT LIFEKNOW YOUR ENEMYAre you afraid that machines will takeover the world? Know Your Enemy!Take theComputation Center'sAssembler Course to learn yourenemy's language, his structure, theway he insidiously operates. StartsJan. 29. $25. Call 753 8409 for details.Typing: manuscripts, theses, etc. 2218476 Will pick up and deliverTutoring for speech problems, 9479354.Tax consultant will help prepare yourtax return. Call 731 9636.Portraits 4 for $4.00 up. MaynardStudio, 1459 E. 53. 2nd floor 643 4083TYPIST exp 752 8119, after 6:00 pm. PLAY TENNISPlay tennis rain or shine. South SideRacquet Club, 1401 Sibley Blvd.Dolton. 147 8, Calumet Exp V19-1235.UT: STAGED PLAYREADINGSUT invites members of the universityto participate in a program of staged Many graduate students have littletime for anything but their academic-work. Others, however, have expressed the need for a program ofsocial activities geared to graduatestudents interests and needs. If youhave comments or suggestions on this,we would like to hear them TheStudent Activities Office, INH 209GAY LIBERATIONGAY LIB CONTINGENT IN ANTIWAR DEMONSTRATION willassemble at 10:30 am in front of IdaNoyes on Sat.GAY COFFEE HOUSE every Fri atBlue Gargoyle 5655 S. University, 3 12pm.TURNING ONI will be turned on from five to eleven Put a taco in your tummy Lucita'sMexican Food, 11 am to II pm. Fri Sat1 am 1440 E, 57th St 955 0888,Experienced manuscript typing onIBM Selectric 378 5774PEOPLE WANTEDExperienced typists work at home.Must be fast and accurate. Call 7532078 or 753 2067.January 20The DybbukNew 1 970 Israeliversion in color5200 Hyde ParkSponsored by UC Hilleland Rodfei Zedek MAROON CLASSIFIEDS CANMAKE YOU A BUNDLE!II/WILI7SRADIO, TELEVISION& I IK, 11 FIDELITYSALES. SERVICE & ACCESSORIESZenitv — PanasonicMastc-uork — K Lll1368 E. 53rd, Chicago 60615 • PL 2 780045 Years Serving Hyde Park 9 AM 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOIJ21552 E. 53rd - under 1C tracksAll students get 10o/c off,ask for "Big Jim ' BOOKSALE75% OFF ONENTIRE STOCKREIDMICHENER5309 KIMBARK6 PM to 12 PMELIZABETH G0RD0IHAIR DESIGNERS1620 E. 53rd St.288-2900Look out for the Madwoman.Sex and Population Hear Ms JessiePotter speak on this important issue at. Brent House 5540 Woodlawn. thisSOnday evening Supper at 6pm for, only $1 8 25« for wine and programfree at 7pm.Last Lecture in the "In the Kingdom ofNight" series tonight at 8 30 at HillelDavid Abraham.Indian Cooking class with health andnatural foods. 5/ class includesrecipes, food and nutritional information 667 1314.Hear Ms Jessie Potter speak on "Sexand Population" at Brent House thisSunday Supper at 6pm for only $1 &25c for wine and program free at 7p.m.If you're between 12 & 21 and don'town an airline youth fare card, you aremissing a great money saving opportunity. Cost: only $3 00 Benefits:33% off on most flights (all airlines)Call your American Airlines campusrep, Larry Marden, at 947 8867 after 6pm for details.Feel discriminated against becauseyou're a woman? Then complain anddo domething about it. Call 922 0025Brent House presents Ms Jessie Potterspeaking on "Sex and Population" thisSunday. Supper for $1 and 25c for wineat 6pm, program at 7:00 pm.WRITERS' WORKSHOP (PL2 8377).We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU). Find us . . .(CERMAK) ^22ND STREETYOU'LL BEGLADYOU DID . .PONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900PIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPUNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAYS684-3661HairstylingRazor cutsEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plazo)1 200 East 53rd StreetHYde Park 3-8372PipesPipe Tobaccos Imported cigarettesClqars JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E 53rd St752-6933Friday, January 19.1 973 - The Chicago Maroon - 19UNBEKNOWN!UNCOMMON!UNUSUAL!UNBELIEVABLE!Chicago's only Beverage White SaleAll the uns in the book won't make the values any greater. No superlativecan possibly describe the ridiculous reductions we have made on prices ofanything that is white. White names are reduced (White Heather Scotch is$4.25)f White contents of bottles are included (Beefeater Gin $4.85/fifth asare 3 other imported Gins) and white wines represent a major class ofprice reductions. We reduce some of our regularly priced items as much as50%, scores more are reduced 20%. This is your un and only opportunity tostock up on white things at the PARTY MART store-wide WHITE SALE. Thismightiest of sales has frightened major retailing giants so badly that theyhave decided not to have a January White Sale. Times a-wasting....HURRY! HURRY! HURRY!WH>r$nunComplete PartyService From2427 East 72nd StreetBA 1-9210i»ail>: 1# 11 pm Saaday: Nmb-I pm Appetizers to Zinfandel*351 East 103rd Street508-1811Daily:9 aa-lOpn Saaday: Neaa-9 pm20 - The Chicago Maroon - Friday, January 19, 1973