Improved ob-gyn services to mergeBy SUE LOTHFour years after its conception, the planfor consolidated and improved obstetrics andgynecology care at Chicago- Lying-InHospital is preparing to “go into labor.”Construction for the two-phase remodelingwhich will convert the hospital’s east andwest ob-gyn clinics into separate obstetricsand gynecology sections, is scheduled tobegin next February. Work will continue atleast through next autumn.In addition to physical improvements,Lying-In will centralize affiliatedreproductive health care services. Also, aCommunity Reproductive Health Clinic hasbeen relocated north of the Billings complexat 5753 Drexel and is entering a period ofexpanded operations.The cost of the program is still unknown,according to hospital administrators. NelsBerg, administrative assistant for Lying-In,said that $450,000 is a “very loose” totalestimate for equipment, furniture, andconstruction.Berg noted that the program is “a toppriority project in the division (of biologicalsciences and Pritzger school of medicine).“The construction is guaranteed and willbe funded by University and hospital funds ifnecessary,” he said, “but we’re trying toseek as much in outside funds as possible.”The hospital is presently submittingproposals for federal funding.The program became“top priority” last January, in the wake of an autumn campaignby the Student Health Organization to endwhat the group called “the two-class systemof care” for women at Lying-In.Members of SHO, most of whom aremedical students, charged that patients inthe less expensive west clinic, unlike those inthe east clinic, were subjected to a “train station” atmosphere of long wooden bench¬es, endured frequent showings of birthcontrol films, rately saw faculty or even thesame staff member, and were more likely tobe used as “teaching material” for medicalstudents.Dr Frederick Zuspan, DeLee professor andchairman of obstetrics-gynecology, credited SHO with having raised priorities, but said“the idea (for the new program) came fromthe faculty.”During phase one of the remodeling, thewest clinic will be converted to the obstetricssection.Highlights of the consolidated obstetricsprogram include education for present andfuture pregnancies, nutrition, social service,self-teaching aids on such subjects as breastfeeding or anesthetics, and family spacingcounseling.Until now, Dr Zuspan said, some of theseservices have been located elsewhere in thehospital, making it difficult for obstetriciansto be sure their patients secured desiredinformation.The new clinic will provide additionalconveniences, such as a children’s playroomand separate dressing room facilities in eachexamining room.Construction bids for the east gynecologyclinic will be submitted next April.To make room for workmen as con¬struction proceeds, the student gynecologyclinic will be relocated in the DrexelBuilding, with the Community ReproductiveHealth Center, for about two years. Ac¬cording to Dr James Burks, chief of thestudent clinic and co-director of CRHC, theclinic should be moved about December 1.During remodeling of the west clinic,Continued on page 5The Chicago MaroonVolume 80, Number 12 The University of Chicago Friday, October 22,1971COLLEGE CAMP: Once again the freshmen were taken to enjoy the autumnal delights of Lake Geneva in Wisconsin alongwith some volleyball at Williams Bay. Photo by Ugis Sprudzs.700 register during SG voter driveBy LISA CAPELLClose to 700 people registered to vote oncampus Tuesday as part of a general studentvoter registration drive sponsored byStudent Government (SG).Tuesday’s effort drew mostly favorableresponse from students, among both thosewho registered here and those registering athome. Borys Melnyk, ’74, one of the newvoters said, “I wouldn’t have registered ifthey didn’t have it here.”Mark Loucks, ’75, tried to register Tuesdaybut was not permitted. The residencyrequirements for Illinois is at least six monthsprior to March 21, 1972 the primary date.Since incoming students did not arriveuntil September 26, 1971 they will be fivedays short of that requirement and as Loucksfound out, they will not be permitted toregister.Another student remarked thatregistration presents a problem for draftresistors. “A draft resistor will be kicked inthe head if he’s going to register becausethey can trace you down.”Wendy Mink, ’74, a voter registration organizer, noted three other problemsstudents may encounter when registering tovote in Chicago if they are originally fromout of state.Registration here means that one is de¬claring his residence in Chicago. If onewishes to transfer or to do graduate work at astate university in his native state, he maynot receive the lower tuition rates thatresidents of that state get, Mink said.However, she felt that this could be easilycircumvented and is not a major problem.State scholarships may be similiarly af¬fected by declaring an out-of-state residency.Another area affected by out-of-stateregistration is state jobs. According toMink, many states require that stateemployees be residents of that state.Mink emphasized that 18 to 20 yearolds can vote in state and local elections aswell as presidential ones. Student influencewill be very important in local elections,she said.For those students who don’t want toregister in Chicago, but have not yet reg¬istered in their home state SG will dis¬ tribute form letters that can be sent tocounty clerks. Plans are being made todistribute these forms in the dormitoriesand in front of Cobb Hall sometime nextweek.There are 20 states that allow absenteevoter registration. They are: Alaska,Arizona, California, Hawaii, Idaho, Indiana,Iowa, Kansas, Michigan. Minnesota,Nebraska, New Mexico, New York, Oregon,South Dakota, Tennessee, Texas, WestVirginia, Wisconsin, and Wyoming. NorthDakota does not require registration at all,said Mink.Monte Scott Bedford, ’73 said. “The ab¬sentee registration is great fcr me.Registration was a real hassle. Now it will beconvenient.” Most students have registeredin their homes, however.Mark Lloyd, ‘74 said “I wouldn’t registerhere because I couldn’t vote in the placewhere I really live. But I’m very disap¬pointed with the political parties. It’sliterally a waste of time to vote now.”Continued on page 3 Ex-Frenchpremierto speakMaurice Couve de Murville, formerpremier of France, will deliver a publiclecture at the University todayHis lecture on “The position and policy ofthe European Economic Community inworld affairs” will be given at 3 pm in theoriental institute, 1155 E 58th St. There willbe no admission charge.The French statesman’s visit is sponsoredby the University’s center for policy study.Between 1930 and 1937 Couve de Murvilleserved in the French ministry of finance asan inspector of finance. In 1937, he becameassistant director. In 1940 he was nominateddirector of external finance and exchange.During the German occupation of FranceCouve de Murville was appointed com¬missioner for finances of the French com¬mittee of national liberation in Algiers.In March, 1944, he was France’s delegateto tfce consultative council for Italian affairsand a year later became the provisionalgovernment’s representative to the Italiangovernment.Immediately after the war Couve deMurville took charge of the political affairsdivision at the ministry of foreign affairs.He has held the rank of ambassador ofFrance since 1950, and in this capacity hewas accredited to Cairo and subsequently toWashington and Bonn. He also served a one-year term, in 1954, as permanentrepresentative of France to the NATOcouncil.In 1958 Premier Charles de Gaulleappointed Couve de Murville minister ofForeign Affairs.Couve de Murville was elected a deputy forthe 8th arrondissement in Paris on the UDRticket (Union for the Defense of theRepublic). He was then appointed premier, apost he held until President de Gaulle’sretirement a year later. During his term ofoffice he was instrumental in implementingFrance’s economic recovery plan andreform programs after the prises of i*#v«Hospital residents to sue professor BowmanBy MARKGRUENBERGA group of medical residents at Cookcounty general hospital have announced thatthey plan to sue associate professor ofmedicine James Bowman, reportedly forcharges he made against the hospitalSaturday,In his statement made to the pressBowman said, “Doctors at country wereperforming operations on the sick poor thatthey wouldn’t dare perform on anyone else.”Bowman sits on the state’s health andhospital board, which is in charge of countyhospital.The group, calling itself, the ConcernedSurgical Residents, according to spokesmanDr. William Addis, its lawyer, DarrelForeman would be filing charges late thisweek or early next week. Foreman could notbe reached to comment on the case. Though Bowman was unavailable forcomment, his lawyer, Julian Wilkins saidthat no formal lawsuit has been filed. “Idon’t know that there is a case,” he com¬mented. He added that if there is a lawsuit,he would, of course, defend BowmanThe Concerned Surgical Residents,questioned the right of Bowman to make thecharges. They said he was passingjudgement on the ethics of the practicingdoctors at the hospital “without spending anight on call”.The group wanted to know, “How manycases has he (Bowman) scrubbed in on?”and “How many cases of our Tissue com¬mittee he personally reviews?” The Tissuecommittee has the power to review allsurgical procedures at county hospital, andtake disciplinary action, if necessary. “Theynever have done so,” said Addis.Addis also charged that the governing board was trying to stifle criticism. Quotingfrom the October 20, Chicago Sun-Times, hesaid, “The governing committee...approveda resolution setting up a five man medicalaffairs committee empowered to investigatecomplaints and take disclipinary action,including dismissal, against any hospitalpersonnel who make public charges againsthospital officials.”The spokesman pointed out that Bowman,as a member of the governing board, is ahospital official. He added that Bowman is amember of the medical affairs committee.Addis said that the inference of thegoverning board’s action was, “Chargesmay not be made public against officials, butit says nothing about officials makingcharges against hospital personnel.”He noted American Civil Liberties Union(ACLU) Illinois chapter had come outagainst the governing board’s action. ACLU head, Franklin Hayman, com¬mented, according to the CSR spokesman“Public criticism of government officials isprecisely the kind of free speech that the firstamendment to the Constitution was designedto protect. The ACLU will not sit idly by ifanyone is disciplined.”Addis stressed that the lawsuit “was not athreat to Bowman in any way.”A spokesman for county hospital said thatthey knew about the planned suit, butclaimed Bowman was not fully quoted. Shesaid that he added to his original statementthe words, “If this is done, it will have to beinvestigated,” when referring to the allegedsurgical practices. However, the lawsuit isstill scheduled to be filed.SMC plans strike, demonstrationPy HARRIET HEYMANTi e Student Mobilization CommitteeMC) is planning a November 3 student-nke and November 6 demonstrationagainst the war in Vietnam.SMC is trying to ensure support for the^monstration through the November 3reach-out” program, in which students willleaflet at Hyde Park shopping centers andset up workshops to inform students andcommunity residents about the November 6downtown antiwar march and rally.SMC representatives hope that studentsand faculty will devote all or part of the dayto strike activities. “We are students some 200 days of the yearso we’re taking one day to be full-time anti¬war activists,” said SMC Campusspokesman Robert Lewis ’75. “We want tobring out as many people as possible.”Regarding the November 6 demonstration,Lewis said that people will gather at Stateand Wacker at 11 am; the march will start atnoon; and Grant Park rally will begin at 2pm.Speakers at the rally will include EqbalAhmad of the “Harrisburg Eight” and BartSavage, Chicago head of Vietnam VeteransAgainst the War.A city SMC spokesman said that he expectsupward of 50,000 persons from Illinois and surrounding states to participate in the rally,which he describes as a “legal, nonviolentdemonstration against the war.” Similardemonstrations^will take placesimultaneously in 16 cities across thecountry.Several organizations including NewUniversity Conference, Concerned AsianScholars and Young Socialists Alliance, willbe represented at the rally.In preparation for the November 3 and 6activities, SMC volunteers will leafletSaturday, October 23, between 10 am and 4pm, at Hyde Park Co-op, Kimbark Plaza andIC stations. For information, persons maycall Robert Lewis at 753-2240. DEMONSTRATION;for November 6. SMC plans one(The Bczndersnatch Nite Club presentsJOHNNY YOUNG BLUES BAND| Saturday Oct. 23 9 pm-12:30 Ida Noyes Only 25'nmnanHYOU’VE CHAfNGED—WE’VE CHANGEDSANGRIAWine Punch64 oz. Pitcher 3.7532 oz. Pitcher 2.00SANDWICHESServed with PotatoesBroiled 7 oz. Hamburger on Black Bread or Bun 1Italian Beef with Peppers IBarbecued Beef 1Italian Sausage with Peppers ICold Beef, Hot Bread, Peppers 1Cold Beef with Provolone 1Ham and Swiss Cheese 1Chicken Club (3 decker) IJunior Club IHero Sandwich (Beef, Ham, Provolone, Onion) ISPAGHETTI ENTREESServed with Salad and Parmesan Cheesewith Meat Sauce Iwith Meat Balls 2with Mushrooms and Peppers 2with Italian Sausage 1with Caruso (Mushrooms and Chicken Livers) .with BeD Peppers 1with Clam Sauce 2(Spaghetti cooked to order .50)Side OrdersOnion Rings ^GaHic Bread 75 Tomato Bread.. 1Soup Cup 45; BowlTASTE TEMPTEnSWE IIS CITE YOL TO COME IIS AM)* EX 4 MUSE OI K XEW MEMCafe Enrico1411 E. 53rd StreetHY 3-5300 PINA COLADAPineapple, Coconutand Rum1.35.25.25.25.25.25.25.25.60.25.75 For Lunch11:30 A. M. till 3:00 P. M.•CHUCK WAGON1.75ENTREESServed with Salad, Potatoes, Bread and ButterSoup with Entree .25BEEP KEBAB, Rice < >)PEPPER STEAK 3.75LASAGNE EN CASSEROLE ^ 75STUFFED MANICOTTI (Home-Made NoodlesStuffed with Ricotta andMozzarella Cheese) 2.75.85.10.35.85.00.75.25i.)0075BOTTOM BUTT STEAK 8 oz.Marinated with Herbs 2.75Eggs Benedict with Cheese Topping 2.00Julienne Salad Bowl 2.00Steak and Eggs 3.25Ham or Bacon and Eggs . I.( JThis is a luncheon menu.Prices slightly higher for dinner. HOME-MADE RAVIOLI 2.50CHICKEN CACC1ATORE 2.75CHICKEN VESUVIO 2.75FRIED OR BROILED CHICKEN 2.50VEAL:Holstein (Veal Steak with a Poached Egg). 3.00Piccante (Green Peppers and Lemon Sauce) 8 3 M)Parmesan 3.00Scallopini jBARBEQUED SPARERIBS, Slab .LOOOrder . 2.75CHICKEN LIVERS in Wine Sauce 3.25Blue Ribbon STEAKSBOTTOM SIRLOIN BUTT (8 oz.) . 2.75TOP SIRLOIN BUTT SANDWICH . .3.90SIRLOIN SKIRT 3.00CHOPPED SIRLOIN 2.70TOP SIRLOIN BUTT 4.75STRIP SIRLOIN 5.0050{ OFF WITH COUPONOn A Pitcher of Michelob NEED HELP?FREE CONSULTATIONON PROBLEM PREGNANCIESABORTIONS AS LOW AS $150.007 DAYS 24 HRS.CALL215-879-3100FREE, CONFIDENTIAL INFORMATION. ALL YOU NEEDDO IS CALL US WE WILL ARRANGE FOR IMMEDIATESCHEDULING INTO ACCREDITED HOSPITALS AND THEIROUT PATIENT CLINICS. UTILIZING CERTIFIED OBSTETRI¬CIANS AND GYNECOLOGISTS. THE FINEST MEDICALCARE AVAILABLE AT THE LOWEST PRICES FOR SUCHSERVICES IF YOU ARE PREGNANT. DO NOT DELAY CALLUS IN COMPLETE CONFIDENCE YOU ARE ENTITLED TOTHE BEST CARE THERE IS.ETHICAL ABORTION REFERRAL215-879-3100 _EXOTIC TROPICAL &DESERT PLANTS75c & up& LARGE DECORATOR PLANTSs295 & UPSouthtown Flower & Garden Shop7151 South State Street“In The Old Market-Area"|g[S55rsJf$793-2170, 732-0190, 941-91M-13401. $M2 — I he Chicago Maroon — Friday, October 22, 1971ooiiM ; it • I f A . 1 :i)t* v f»Judge Hoffman delays Fowler's trial againFederal Judge Julius Hoffman has onceagain postponed the trial of former StudentGovernment (SG) president MichaelFowler, this true until November 4. Fowlerwas indicted last April on two counts ofsupplying false information to the internalRevenue Service.At a hearing yesterday morning, Hoffrm: 1postponed the trial for the third time. TheWal was originally set for June 21, b> tFowler’s lawyer asked for a continuarbecause of his work on a murder triHoffman again postponed the trial S«-tember 13.Fowler, currently employed^ at Billirhospital, is charged with havingrlaimed ftexemptions on his federal income tax V-form in June. 1970, and with raising the tcof claimed exemptions to five in DecemtHe has pleaded not euilty on hoth countsme indictment. His argument is that he pa... less in tedera1 taxes to protest American warpolicy. Fowler believes it was “the rightfling to do” and that “I followed my con¬science”. He wrote a letter of explanation to’he IRS in the summer of 1970.The case dates back to a rally during theCambodian invasion when Fowler then SG' ice-president, told the audience that hewould refuse to pay a portion of his taxes in(^position to the Indo china war. Fowler, ins leaking of protest made a distinction in.vpesof action taken, and asked, ‘‘No matterwhat they say with their mouth, where is{heir money going?”The maximum sentence that Fowler facess two years in jail and a $1,000 fine. Two■ ’..her people indicted with Fowler on similarv mots, Carl Meyer and Bill Himmelbauer,.* e now serving prison scntpurps r>nnarges. Both pleaded guilty. Fowler retains some hope about hischance, but said an acquittal was ‘‘not tooprobable”. He compared the non-paymentof taxes to the Angela Davis trial inCalifornia. The government is trying toprove, according to Fowler, that she is guiltyof a felony because she allegedly furnished agun. Fowler says that he, too, is an ac¬complice to murder when his taxes pay forbullets and weapons in Southeast Asia.Fowler served as SG president during 1970-71 academic year, and as SG vice-presidentin 1969-70. He lost his seat in the SG assemblyin last April’s elections. Fowler is not astudent this year.Fowler, Meyer, and Himmelbauer are allmembers of the South Side Fund for Mankindwhich is a group that pools non-payed taxmoney for spending on human needs. Someof that saved money lias been donated tu amedical clinic. INTRAMURAL SPORTS: Pressure hasbegun for a coeducational intramuralprogram. Photo bv Travis.Continued from pae;e 1Several,other students did not wish toregister at all for various reasons. JohnMatushek, ’75, said “1 don’t see any reason tovote if I don’t know for whom or what I’mvoting and I don't want to bother to find oufSG will attempt to change the minds o*students like Matushek with a speakersprogram. Wendy Mink is trying to getspeakers or people “to come talk or justroan, around the campus.”So far SG has received replies from Rev.Robert Drinan (D-Mass) the first Jespries! to serve in Congress and Sen. GeorgeMcGovern (D S.D.i Mink said, that bothhad indicated an interest in coming.‘ Everything is indefinite right now. ” she said.SG is a wading replies form Rep. RonDeilums (D-Catif.), Georgia legislator JulianBond, and ‘ other left wing-orientedpoliticians.” .Mink said that she haswritten to Stephen Stills to come and give either a benefit concert or one focused onstudent voter registration.For those who could not register Tuesdayand still wish to do so. there will beregistration in the ward firehouses October29 and 30. For University students thenearest location will be the 55th and Universityfirehouse.Although most of the response to SG'sefforts were favorable in the light that theyinformed people who otherwise would nothave known the where’s and how to’s ofregistration, there was some negativeresponse.Eric Bruce, ’74 said “If It’s too hard toregister, then its too hard to vote if theydon't take the trouble t<> register then theyshouldn’t vote.”However, as Tuesday's turnout indicated,students are interested in voting, but it willnot be until March 21,1972 that the effect of thenewly-enfranchised voters can oe firstassessed. Discrimination raisesintramurals controversySG to sponsor absenteeregistration, more speakers By FRED EGLERIntramural, not usually a newsworthysubject beyond the level of “who won what”have suddenly become controversial as aresult of charges of sex discriminationleveled at the department.Critics claim that the intramural depart¬ment, which runs only men’s intramurals,has excluded women from participation inall sports, resulting in virtually no com¬petition for women interested in intramuralparticipation.The men’s department has countered witha three-league program of intramurals forall UC students, with one league for men, onefor women, and one for co-ed play. Theseleagues were proposed as early as lastspring, but are inadequate in the view ofsome, who claim that insufficient supportwould doom any women’s or co-ed leaguewhich had to exist alongside one that ex¬cluded women.The men’s intramural department offers24 sports over the autumn, winter, and springquarters, only five of which (football,basketball, wrestling, socim, and possiblysoftball) the department “wouldn’t allow co¬ed participation in, ” according to WilliamVendl, director of men’s intramurals.Vendl, who proposed the three-leagueorganization last spring, was sympathetic tothe criticism of the program. “We’re gettingstatic because we’ve done our job. We haveone of the finest programs in the country,and I don’t blame the women for wanting toget in on it.”He added that he would welcome a“women’s point of view” on intramurals,which would apparently be provided by theposition of assistant director for women’sintramurals under the proposed program.Sports in which the rules would have to bechanged to accommodate women should notbe made co-ed, in Vendl’s opinion. He saidthat “Women don’t know what risk theywould be taking” by getting involved insports such as touch football, basketball andsocim, an original “intramuralized” versionof soccer developed by Vendl. He cited theexample of a powderpuff football league,composed entirely of women, at theUniversity of Illinois’ Champaign/ Urbanacampus, where there had been “propor¬tionately more serious injuries” than thenational average for men’s touch football.Apparently the National IntramuralAssociation compiles such statistics.Women’s intramurals are handled by thewomen’s athletic association, who deter¬mines which sports will be offered. The WAAprograms use the women’s physicaleducation facilities in Ida Noyes Hall. WAAoffers 12 sports, four of which are co-ed. Thislist includes “all the activities the womenhave ever wanted or are interested in,”according to Mary Mulvaney, chairman ofthe women’s PE department. “The WAAdetermines the intramural activities, andthere have been no requests for activitieswhich we have not fulfilled.” She was also infavor of separate leagues for men’swomen’s, and co-ed participation, andclaimed that the WAA was trying to expandits co-ed program to include such events asturkey trot and softball. ANALYSISWAA chairman Rosalie Resch indicatedthat the WAA is interested in co-ed programs“only if they are sponsored jointly with us bythe men’s department.” She cited theexample of a proposal for intramuralvolleyball circulated at the WAA meetinglast Wednesday afternoon. “The firstquestion everyone asked was whether it wasjointly sponsored (by the Men’s Depart¬ment). Even the name on the paper wouldhave been enough.” Miss Resch seemed infavor of a system much like that proposed bythe men’s department, although she ad¬mitted that there was not a large number ofwomen interested in playing intramurals.“We know we didn’t reach the women lastyear. If the women are better served by a co¬ed program with dual responsibility 'bet¬ween the Men’s and Women’s Departments;,then we’re in favor of it.” One of theproblems in forming exclusively women’steams is that co-ed housing has lessened “ ;■number of women in a given housing unit.“Where we used to have 50 women in ahousing unit, we now have 11 or 12. Thewomen can’t organize teams as much inunits that small.One of the critics of the present intramuralpolicy is Ricnard Pokorny, athletic chair¬man of Greenwood Hall. He believes thatsufficient interest does not exist to support athree-league program. “Not that manywomen are interested in intramurals, and aseparate league for women simply couldn’tsurvive in most sports,” he said.As a result, Pokorny claims that thewomen who do want to participate are leftwith “either co-ed or rinky-dink programsrun by the WAA. I’m not trying to criticizethe WAA, but they simply don’t have enoughwomen to keep a separate league running.”The solution, according to Pokorny, is toallow women to participate in all men’ssports. “There’s no reason to bar them fromnon-contact sports, and those who want toplay contact sports are accepting the risk.Besides, so few girls will want to play contactsports that it won’t make that much dif¬ference anyway.”When asked about possible injuries,Pokorny said that most of the contact sportsin the program “aren’t very rough the waythey’re played here.” He used touch footballas an example of a sport which, whileclassified as a contact sport, “just isn’t thatrough”.The intramural controversy, then, comesdown to this: the administrators are in favorof a two. possibly three-league system, withseparate leagues for men's , women's, andco-ed participation. The chief criticism ofthis is that insufficient support will doom thewomen’s and co-ed leagues, and thus nUprovide an equal opportunity for women whowish to participate in intramural sport Thealternative is a one-league system wherewomen play in any sport they desire alongwith the men, thus assuring, a; least intheory, good competition for both men andwomen.VOTER REGISTRATION: Last Tuesday SG held a voter registration drive whichproduced about new voters. Photo by Leslie Travis.Friday, October 22,1971 — The Chicago Maroon — 3GIANT 30x40MFULL COLOR POSTERONLY S2J50 A professionalABORTIONthat is safelegal &inexpensivecan be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours—7 daysfor professional, confidentialand caring help. 5424 KimbarkMl 3-3113foreign car hospitalLeather GarmentsEXPERTLY CLEANED& KEF1MSIIEDBeat the Foil & Winter Rush. Have yourleather garments cleaned now.Alterations & repair also available.CHOPPY PRODUCTIONS, INC., PO Box #32, Lenox Hill Station, N>-w York, Nrw York 10021Enclosed is my check (or money order) for S Please send me _flag poster(s) at only $2.50 each (including postage and handling). Please include soles ix where applicableNAMEADDRESS.CITY STATE ZIP CODEL Sorry, we connot handle Canadian or foreign orders 7 .1Winner of this year's New York Art Directors Club Gold Medal for poster art and design The Town Cobbler1458 E. 53rd752-0402Pick-jp & Delivery ServiceIf you have decided to terminateyour pregnancy we can help you.(Abortions are legal in New York Stateand residency is not required).STRICTLY CONFIDENTIALABSOLUTELY NO REFERRAL FEEFREE LIMOUSINE SERVICE AVAILABLETOTAL COST:$150 UP T014 WEEKS$300 14 TO IB WEEKS$350 16 TO 20 WEEKSFor information call:(212)873-3492or write to-.WOMEN’SORIENTATION CENTER257 Central Park WestNew York, N.Y.* NON-MOW OtKANtUTICN"George McGovern is runningfor President. His problemis that not many people reallycare. McGovern cares. Hejourneyed to the college cam¬puses. Boldly, in front of allthose students, he promisedthat, if elected, he would grantamnesty to alldraft evaders.Guts." fo- .- fr«» copy ofRE¬NATIONALVIEW, writ*: D»pt.S, 150 E. 35 Street,N. Y. 10016.StudentDiscountModelCamera1342 E. 55th493-6700■ Vg t romob'tt photo -hobSou»n sui*- 10th ANNUALTHANKSGIVINGCONCERTClancy jBros.FRI., NOV. 5, 8:30ORCHESTRA HALLMAIL ORDERS NOW!Mail check or M.O. withself-addressed envelope toOrchestra Hall, 220 S. Michigan,Chicago 60604.Tickets. Orch. $6.00; Boxes $7.50;Balcony $5.50; 2nd Bale. $3.50 .Seats on sale at Box Office Oct.26th; open daily 10 A.M. to 6 P.M.Reservations also at all SearsChicagoland Stores. VIVA! RIDES AGAIN!INANDY H A IS I! OI.'SLONESOME COWBOYSCOBB TONIGHT 7:15 & 9 )mmmmmmmmmmmmmmmmmmmmmmtifmmimi imwmmmmtimei ■■ i mmmn mi e. ■ • „, «.*%*** umm INDOC FILMS4 — The Chicago Maroon — Friday, October 22,1971X.Ob-gyn relocatesto Drexel buildingContinued from page 1obstetrics patients will use the currentfacilities of the student clinic, and adjacentrooms occupied by hospital information.Post partum patients will visit the Drexelclinic.Next spring, gynecology patients will usethe student clinic after obstetrics patientsreturn to their newly refurbished quarters.At its new location, the student gyn clinic willexpand reproductive health services. Inaddition to routine examinations and cancerand VD screening, the clinic will offerpregnancy tests, doctor verification ofpregnancy, and pregnancy or abortioncounseling and referrals, all free to students.Last year, University students paid 3500visits to the clinic.The Community Reproductive HealthClinic (CRHC) was instituted two years agowith a grant from the Office of EconomicOpportunity (OEO). At present, grants fromthe Rockefeller and Ford foundations alsosupport CRHC’s work in obstetrics,gynecology, psychiatry, social service,education, and counseling.According to Dr Zuspan, the medicalfacilities of the CRHC will rival those ofLying-In. “The Drexel Building must be afirst-class clinic,” he said. “The only dif¬ference should be the location and who paysfor it.”Among other activities, the communitycenter will sponsor an outreach healthprogram, train mothers receiving ADC (aidto dependent children) as educators, andconduct sessions for unwed mothers.« The clinic also conducts four-week trainingcourses to groups interested in counseling.Last month, 24 members of the ChicagoWomen’s Liberation Union attended suchtraining sessions, according to Dr. Burks.“We’re making an attempt to get out intothe community and make the program relevant to people’s needs,” he said.Too often Dr. Burks continued, thecountry’s health care system and the people“don’t get together. It should be simpler,” hesaid. “There shouldn’t be a lot of red tapegetting in the way.”“This used to be a ‘pill town’,” he said,“Everybody in Chicago used to take pills.”Although Chicago is still primarily a pilltown, “things have fallen into proper per¬spective” he said, so that women are usingthe contraceptive that best fits their needs.Intrauterine divices (IUD’s) are anotherpopular method of contraception. This monththe hospital received boxes of EndouterineCopper T, reportedly the safest and mosteffective IUD to date, even for women whohave never been pregnant. PLAYGROUP: Someday along with the new health services and buildings forwomen, the University may provide day care for employee and student child¬ren. Photos by Leslie Travis.Gyn clinic produces 'Beyond Eros'The institution of a separate studentgynecology clinic 14 months ago was but onephase in the effort to bring reproductivehealth to the UC student (usually female)body.In addition to medical and counseling helpavailable through the clinic and its telephoneanswering service, the clinic also seeks toprovide, in the best of the University’stheory-oriented traditions, “an educationalexperience in matters of health educationand reproductive medicine.”T’he women’s dormitory “sex talks” in-sL ted eight years ago by Dr James Burks,chi of the student gynecology clinic, areone ich educational happening.This quarter, the student gyn servicebowed to the “publish or perish” dictum, andthe resulting academic effort belongs high onevery student’s reading list.“Beyond Ero6,” the lofty yet accurate titleof this UC student birth control handbook,aptly prepares the reader for the remaining 58 pages of the little red book. The text isstraightforward, scholarly where necessary,and geared to the questions students wantanswered, (co-authors Dr Burks and cliniccounselors Judith Gorbach and Ruth Fadenlast year actively solicited student opinion onthe matter.)Topics covered include male and femaleanatomy, contraceptives (including the“morning after” pill, stilbestrol, whichBillings has administered for several years),pregnancy symptoms and diagnosis,abortion, sterilization, VD, vaginaldischarge and vaginitis, and rape.The booklet also spells out clinicprocedures and suggests minimal yearlygynecologic care (pelvic and breast exams,cancer and VD screening — all free).The drawings and diagrams by illustratorGeorge Spencer complement the clarity ofthe text (yes, Virginia, there is a clitoris —see for yourself on page 11). Classical quotations from such dignitariesas Ovid, Casanova, and Lao-tzu adorn eachchapter heading. Esthetic and edifying inthemselves, they are particularly amusingwhen taken out of context; what could betterdescribe coitus interruptus, for instance,than Shakespeare’s “Though this be mad¬ness, yet, there is a method in’t”?One of the nicer things about “BeyondEros” is its price — free for the asking. Toask, however, one must presently battle amaze of hospital corridors to reach room i63of Chicago Lying-In during clinic hours:Monday and Wednesday afternoons orFriday mornings.Although health care for men is providedby University Health service, males arewelcome to use the counseling and in¬formation services of the gynecology clinic.To acquire “Beyond Eros”, if nothing else,should be worth the trip.FOOTBALL!!1.MAROONS vs. ST. BENEDICTS COLLEGEGRIDIRON THRILLS!2. BIG ED, THE OFFICIAL UNIVERSITY KAZOO,WILL BE PRESENTED AT HALFTIME3. KAZOO AND A LIMITED NUMBER OF FEZZESAVAILABLE TO LOYAL KAZOOISTS IN STUDENTACTIVITIES, IDA NOYES 209, FRIDAY OCTOBER22nd. 9 - 5.4. RALPH GEER AND HIS CALLIOPE-MORE MEM¬ORIES FROM THE OLD MASTER OF MEMORIES.5. BRASS BAND CONCERT & HOT CHOCOLATE(OR COLD DRINKS) IN HUTCH COMMONS AF¬TER THE GAME. FREE!KICKOFF AT 1:30 PMSATURDAY, OCTOBER 23rd56TH & COTTAGE GROVEREFRESHMENTS & BAND CONCERTAT HUTCH AFTERWARDS PUBLIC LECTURE"THE POSITION AND POLICY OFTHE EUROPEAN ECONOMICCOMMUNITY IN WORLD AFFAIRS"MAURICE COUVE DE MURVILLEFormer Premier of France and Former Ambassador tothe United States and to West GermanyFRIDAY, OCTOBER 22,19713:00 P.M.BREASTED HALL OAIWAI INSTITUTE1155 East Fifty Eighth StreetSPONSORED BY THE CENTER FOR POLICY STUDYOF THE UNIVERSITY OF CHICAGONO ADMISSION CHARGE TICKETS NOT REQUIREDFriday, October 22, 1971 — The Chicago Maroon — 5The Chicago MaroonPaul Bernstein, Mitch Bobkin, Con HitchcockEditorsMike Cohen Susan LothBusiness Manager Senior EditorJudy Alsofrom, Managing Editor Audrey Shalinsky, Executive EditorFred Winston, News Editor Gordon Katz, Contributing EditorLisa Capell, Joe Freedman, Keith PyleAssociate EditorsSteve Aoki (senior editor) , Terry Brykczynski, David Fosse, Ira Friedlander, FrankGruber, Curtis Johnson, Leonard Lomberg, Pat Patterson, Ugis Sprudzs, Leslie Travis,(Ediior), Jon Yuen (Associate Editor) PhotographersJohn Carroll. Fred Ecler. Larry Faui ks. Mark Gruenberg. HarrietHeyman . Bill Lazarus. Joe Lee. Sidney Lehky. Jeee Lockridge. Karen MatlawJeh Roth. Tim Rudy, Ellen Sazzman. Steve Strahi er. Pali Wendelcass, Josh ZionStaffFounded in 1892 Published by University of Chicago Students on Tuesdays and Fridays throughout the regular schoolyear, except during exam periods and, intermittently during the summer. Officers in rooms 303 and 304 in Ida Noyes Hail,1212 Easl 59th Street, Chicago, Illinois 60637. Telephone (312) 753 3263. Distributed on campus .*nd in the Hyde Park neighiwrnuod free of charge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicago, Illinois.SG meetingj lie first Student Government meeting of this year had at least one promisingfeature: the SG assembly voted not to support actively a November 3 strikeot . 'asses scheduled by the Student Mobilization Committee, but to endorseinn-war actions of a small scale nature.We hope this vote is indicative of a new unwillingness on the part of SGto participate in outdated political actions of limited interest to the campus,We do not mean by this to discourage anyone from working on the strike ac¬tivities. But we do feel that an organization such as Student Governmenthas a responsibility to channel its energies into causes that have some broadappeal, the the November 3 moratorium is not one of them.There are other signs that this year’s SG intends to establish a more attrac¬tive image among students than it has had in the past. SG President DavidAffelder has already announced plans for a discount record store in Reynoldsclub basement, student ticket services, a speakers program, and rock musicconcerts. In the political sphere, SG helped organize Tuesday’s voter registra¬tion activities, during which some 700 members of the community registered tovote. The ideas of the new SG leadership will not work, of course, unlessthere is sufficient response from both students and University administrators.We encourage students to work closely with members of the SG executiveboard on many of the worthwhile activities they are planning. And we hopethat the University will seriously consider some of SG’s off-beat ideas thatmight at first appear unfeasible. Affelder’s suggestion that pinball machinesbe installed in Reynolds club, for example, is nothing short of brilliant; itwould be a shame if it were dismissed as “outlandish” by the powers that be.We look forward, then, to the future activities of this revitalized SG, but werealize that it needs very badly the cooperation of other forces on campus.Supreme courtSome thoughts on the President’s appointments to the Supreme Court:Lewis Powell and William Rehnquist are, as Spiro Agnew once said on anothersubject, “not exactly household names,” and it would be premature for us tocomment on the qualifications of these two men until all the information hascome to light.The process by which these two men were nominated strikes us as charac¬terized by narrow, partisan thinking that is not concerned with excellence onthe Court but rather with picking people who would rule in a fashion thePresident favored. Which is why we were not terribly convinced by reportsthat University President Edward Levi would be appointed. Levi, a noted legalscholar, would have added much to the quality of the court, and we have tosettle for people less qualified than he. Too bad he wasn’t a Southern judge.The list which Nixon put before the American Bar Association for approvalsu't-.ms based on the theory that after nominees like this anyone he puts upnext will look good by comparison. Indeed it wasn’t a tough act to follow:a woman judge from California was termed “unqualified” by the ABA by alopsided 11 to 1 vote. The other front-runner, a lawyer from Arkansas, wasturned down by a 7 to 5 decision.It is surprising, especially in consideration of his desire to balance thecourt with a Southerner, that the President has not nominated a woman aswell. And any President who tries to provide “balance” on the court mustexplain why he refuses to represent 53 percent of the nation.While everyone would hope that court nominees are in tune with his ownpolitical philosophy, obviously this will not always be possible, and we musthope that the Senate will subject Powell and Rehnquist to the same scrutinythey gave to prior Nixon appointees. In concluding his speech last night,Nixon said that Powell and Rehnquist would be “two names you will longremember.” Let’s hope he didn’t mean like Haynsworth and Carswell.6 — The Chicago Maroon — Friday, October 22,1971 "My Dad can take yours any day"LETTERS TO THE EDITORSKruzes and ChinaOver the last two years I have often hadoccasion to read various bulletins and ar¬ticles of the Committee of Concerned AsianScholars (Boston-Cambridge Chapter).Their work impressed me as sound—bothideologically and scholarly. Above all, theirapproach was appealingly rational, a rarecharacteristic in American writings onChina and Southeast Asia.What a contrast to pick up the Maroon(Tuesday Oct 19) and read Uldis and AnnKruze’s impressions of their trip to thePeople’s Republic this past summer with(although presumably not as) members ofthe CCAS. I would like to believe that theKruzes were misrepresented by Maroonreporter Mark Gruenberg, but unfortunatelythe quotes could all too easily be sub¬stantially accurate.Are we really to believe that the Chinesehave surpassed the West in the technology ofbridge construction? And that China’seconomic self-sufficiency will be assisted by"decentralizing heavy industry”? And that acommune destroyed by flood in 1964 is bynow completely rebuilt "without state aid”?If it has been completely rebuilt with stateaid, we might consider it a triumph ofeconomic planning. As the story stands,though, it sounds more like a triumph oftraditional Eastern mysticism over theunsuspecting Western mind.The Kruzes are of course absolutely rightabout the vicious anti-Communist bias of theAmerican press. We are little enough in¬formed about the Socialist countries but thatinformation is twisted to boot. There is needfor people—on all levels—to speak, write,broadcast, and publish the truth about theSocialist world. But that truth will only befound in honest confrontation with theproblems of our historical situation. And—West or East—these problems will only beunderstood through reason.Ralph Locke, MusicAnd male chauvinismYour article about the Kruzes’ talk onChina has a strong male bias. The headline is"Kruze Relates Impressions of China,” andthe article introduces the speakers as Uldis Kruze "and his wife Ann.”It extensively explains his observations onChou En Lai, on education, on the CulturalRevolution, and on the American media’shandling of China. It gives the impressionthat Ann did not meet Chou En Lai, and onlymentions a few comments she made on amodel commune and on how the averagefamily spends its money. In reality theydivided the talk equally, each discussingevery other slide, and each talking an equalamount of the time.It is unfortunate that the reporter, MarkGruenberg, tried to give the impression thatUldis Kruze was the main speaker and thatAnn was only an appendage. I hope that theMaroon will not let this happen again.Molly HauckGraduate Student in Human DevelopmentFrat forgottenWe were distressed indeed to find that youhad overlooked the possible existence of ourorganization in doing the article on fraternitylife on the U of C campus. This is very sad, aswe know how hard you try to print allrelevent available information. If you hadvisited our house, you would have found, Ibelieve, still another kind of fraternity inactive existence, beyond the ones that youmentioned.We have always been different from theother houses. The International organizationto which we loosely belong was founded as areaction to the basic type of fraternity ofwhich all of your visits included. That is, wewere founded as an anti-secret organization,as opposed to secret and ritualized foundingand purpose of all the other represented fratsmoulded our development until we havereached the point of our present uniqueposition.Today, we have no ritual, no secrets, noreal “rush”, or the other intricacies specialto each of the other houses. We have noforced meal service, instead having an openkitchen and co-operative food and cookingplan. One third of the house is comprised ofwomen who seem well satisfied in livinghere. We do not participate in the fraternityContimed on page 9J Volume 4, Number 3 GREYCITYThe Chicago Maroon’s Magazine of the Arts Friday, October 22,1971 \;Israeli A rtBy Susan LeffOnly rarely does a neighborhood church orsynagogue art exhibition transcend the boundaries ofparochialism enough to be interesting to a wide cross-section of people. “ Artexpo ”, the annual exhibition atTemple KAM, Isaiah Israel (1100 Hyde ParkBoulevard), demands, and receives, the kind ofresponse usually reserved for show's at well-know'ngalleries and museums.Last fall Chicagoans were delighted by the fresh andwitty Biblical interpretations of Shalom of Safed. Thisyear the Temple’s halls will be transformed into agallery with a comprehensive exhibition of the work ofIsrael’s modern contemporary artists. HerbertGoldman, owner of a prominent Haifa gallery, willorganize and personally supervise the exhibition.Goldman’s art gallery was the only Israeli galleryrepresented among the 100 leading galleries from allover the world at the Basel ’71 exhibit.There will be works by such well-established artistsas Agam, Castel, Rubin, Givati, and Tumarkin. Thelast significant show of Israeli art in Chicago was tenyears ago at the Art Institute. Although the artistsrepresented are Israeli by nationality, they are not agroup of religious artists. Their body of work is in¬ ternational, flavored anu tempered by Israel's richpast and tumultuous present.Rather than being marked by any great unifyingspirit, the works are notable for their diversity.Yaacov Agam, for example, is considered one of thepioneers of the kinetic movement in art, as well as itsmost outstanding contemporary representative.Large scale works based on Agam’s new conception inmonumental architectural construction were con¬structed by the artist ail over the world. “Jacob’sLadder” forms the ceiling at the National ConventionHouse in Jerusalem His “Double Metamorphosis II”is in the Museum of Modern Art, and othermonumental works are a fire fountain in St. Louis anda large kinetic sculpture at New York’s LincolnCenter.In contrast, Moshe Castel settled in Safed, themedieval city of Jewish mysticism. It was here wherethe Cabalists used to meet and study the relief basaltstones of ancient ruins and synagogues of the upperGalilee. These have influenced Castel’s works im¬mensely, but so has the great amount of time he haslived in France. His paintings are rather intellectual,containing allusions to archeology, mythology, andmany different languages and cultures.Art work is now being set up at Temple KAM I’saiahIsrael. Top: Paintings by Israeli artists including Tamir.Lower right: “Gossip” by Aaron Beralel, a bronze sculp¬ture on a wood stand. Lower left: Examining large cer¬amic works. The exhibit opens Saturday night at thetemple, 1100 Hyde Park Boulevard. All photos by LeslieTravis.Continued on Page TwoART ""Modern Treasuresof the Near EastContinued from Page OneIgael Tumarkin, born in Germany in 1933, is aremarkable sculptor. Fascinated by violence, butdedicated to creating images of peace, Tumarkintakes captured Russian tanks and molds them intoerupting, soaring, gleaming sculptures. He picks upand pieces of debris, fashions a tribute to a herofr. .it, and places that in the desert as a monument toman's hopes.Uibin Rubin is an artist who harks back to theC -idie tradition. His canvases do tend to bei ;ious in theme. However, they are never sombre,h, l hasidism is the sect of singing, dancing, and joy.His colors are pure and rich, reflecting the spirit of hisfancifully painted characters.Aside from paintings and sculpture, graphics andtapestries will be displayed. Lithographs by Shalom ofSated, Marc Chagall, and Dali (his Aliyah series) willbe for sale, as will be all work at the Expo.The great scope of Artexpo is intriguing, as is theidea of tying together Israeli art with Chicago crafts.One good reason to see the show is simply the op¬portunity to be inside the architecturally fascinatingTemple sanctuary. The Museum of Judaica connectedto the sanctuary is quite unusual and well worth avisit.Artexpo begins Saturday night at eight pm. Thecrafts will be shown through Sunday and the GoldmanGallery exhibit of Israeli art will continue through theweek. Tickets are $1.50 at the door. Holding a woodcut by Joseph Weiss in the Israeli art show. Photo by Leslie Travis.SUNDAY OCTOBER 24-3:30& 6:00 P.M.Sergei Eisenstein’sALEXANDER NEVSKYPlus THE ROPE TRICKINTERNATIONAL HOUSE-1414 E.59thStreetTODAYThe Harper Concert SeriespresentsNORMAND LAZEROWandJEAN ROSENTHALFlute DuoFriday, October 22-4 pmHarper Reading RoomFREE!! Sale.Dining furniturefrom Scandinaviaat warehouseprices.Teak chairs from $19.Tables from $53.Sideboards from $70.Mon.-Sat. 9-4, Sun. 12-4.CHICAGOLAND’S LARGEST SELECTIONAT THE LOWEST PRICES WITH DIRECTIMPORTS FROM{rTt{\ SCANDINAVIA.M1801 S. Michigan Ave, Chicago, III. 60616842-1650 candinavianf in bort A bicycle puts youclose to nature - Thusspake ZarathustraTurin in, Turin on,drop joggingV for velocipedeCheapest prices for Car¬lton, Raleigh. Robin Hood,Falcon, Peugeot, Citane,Mercier, Radius and Daws.Factory trained mechanics.Used bicvcles spasmod¬ically. Fly-bv-night rentals.Turin Bicycle Coop2112 N Clark LI 9-8863Free DeliveryM-F 12:00-8:30; SAS 10-8TV arp^baurn from Old TownEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372Koga Gift ShopDistinctive Cift Items FromThe Orient»nd Around The World1462 E. 53rd St.684-68562 The Crcy C ity Journal Friday, October 22, 197!THEATER:“The Whores of Babylon”: A Freaky,Anti-Play Trip without RelevanceIn my own unenlightened way, I havealways felt that good theater shouldhave a purpose—that a play should bestriving for something in particular. So,when a play, or a piece of theater, if youwill, does not seem to be goinganywhere at all, when its pieces do notadd up to the sum of anything, I wonderabout the play’s basic purposes. I mean,why present it at all? One suggestedanswer to this question was presentedby The Whores of Babylon, currentlyplaying at the Kingston Mines Theateron Thursdays at 8:30 p.m. and onFridays and Saturdays at midnight.Some things are a real trip. Eating atNicky’s is a weird kitsch trip; going tothe opera is a sedate culture trip; goingto The Whores is a freaky anti-play trip.There is no other word to describe TheWhores combination of sequinedcostumes, tie-dyed sheets, light-showtechniques and drag queens than trippy.It is a completely heady experience thatwill leave you reeling. While sitting inthe theater you will be amazed at someof the effects, titillated by the costumesand sometimes, the lack of them en¬tirely, grossed out at some of the sexualreferences and activities and evenpleased by some of the more tellingdramatic moments. You will not bebored for more than a moment or twobefore the scene changes to one of wildabandon.But even though The Whores will keepyou fascinated, this in itself is not anadequate reason for its presentation.Although The Whores of Babylon is fun,it is a play with no purpose and on yourway out of the theater you may begin towonder what it is all about.If you are willing to accept TheWhores as a modern circus, with eachact being separate and completely itsown, then this production can be en¬joyed on its own terms. But if you arelooking for some deeper meaning, somepurpose, you will be disappointed. But,for specifics. . .The play vacillates between thestories of Samson and his wives, De, Liand Lah; Superbody and the spacevillains, the Emerald Empress andMano, the man with the gigantic hand;and Adam and Eve and their sons. Theconnection between these three storylines is never explained. At one point, asimilarity is drawn between the deathsof Abel and Superboy—Cain didn’t wanthis beautiful brother to age and theEmerald Empress wanted Superboy toremain eternally young. Yet if this isthe play’s message, then much of thetwo hours of theater is irrelevant. Inez “Bunny” Eisenhower, a drag queen, as De.Connecting all of the story lines andoffering some of the play’s mosthumorous moments are the Ringmasterand the Reverend. The Ringmasterreaffirms that this is a circus of sortswhile the Reverend turns the eveninginto a miniature revival meeting.Dressed in a sequined cape with avariety of enormous hats, theRingmaster is by far the play’s mosteffective character. Played by StuartIversen who also designed the sets andcostumes, the Ringmaster is a playwithin himself. His voice changes frombaritone to falsetto, he captivates theaudience by making the lights reflectoff his sequins and he moves with theskill and grace of an experienced actor.The Reverend, played by JaneRobertson, is a scantily-dressed, buxomgirl with a deep Southern accent. Attimes, she caps up her Southerness tooEleven as Mano and Diane Lease as the Emerald Empress. much making her character a bit toosyrupy. Yet when she tries to sell themagic wallet in one of the eveningscommercial announcements, she iscompletely effective. Massaging andexposing her breasts to get across whatshe means by the special “haaandlin’charge,” she flirts with the members ofthe audience, telling one man that his“tie is snazzy, judge” and carressinganother’s neck. She completely caughtthe audience’s attention, if only to seewhat she would do next.The Adam and Eve story line is by farthe least interesting. Cain, played byEleven, the director of this show,delivers an effective speech on his in¬cestuous love for his brother whichresults in death. Eleven enumerates thevarious parts of his brother’s body thatexcites him and when he gets to thechest, he only moans. In his nasal,faggy voice, Cain is by far the section’smost humorous character, but DavidWirth as Adam was by far more in¬teresting. Parading around in a veryabbreviated fig leaf jock-strap, Wirthsets many hearts to pounding heavily,among both sexes in the audience. Muchof the humor in this play is gay in natureand the strong-chested, long-limbednude Adam is a concession to the sexualappetite of all kinds of people.Eleven also plays Mano in theSuperboy sequence and here he isovershadowed by the Superboy of DanHickey who only appears a few times,but completely holds the stage with hisimpression of the dumb super-hero.With an enormous bulge in his crotch,Super boy jumps around the stage, notflying, hardly leaving the ground. DianeLease as the Emerald Empress ispretty enough, but not very effective inher heavier dramatic moments. Mano,the space monster, has the evening’smost imaginative costume With a largemask covering most of his face and with a blown-up hand perhaps two-feet long.Eleven is completely unrecognizable inhis Mano guise. But at times, it appeared that his hand gets in the way ofhis movement. In this sequence, wecould have used more Superboy and les-Mano.In be'^een two of the Samson and th-Superboy sequences, which re-occurthroughout the evening, a Frankensteinmonster dances a Fred Astaire wall 'with a lovely Ginger Rogers partnerSoon after, one of the Delilahs, Deactually, delivers a monologue on thpurpose of Frankenstein. Inex “BunnyEisenhower, dressed in white withglittering lips and highly painted c ; eis really a man, playing a woman. 3 rhis drag impersonation is so realistic «otrue, that few people in the audienceguessed that they were seeing a dragqueen. In the Frankenstein monologue,the show hit its dramatic height as Inexsays “There is something to be said fcrFrankenstein. . .Give me a moment ..it will come.” She/ he goes on to' deliver a speech about monsters anddancing and beauty that is chilling andelectrifying.In the Samson sequences, Inez issaddled with much less interestinglines. Artesia Welles, as Lah, the thirdDelilah is also a drag queen, I think, andat the end of the play she delivers aspeech about thread as Samson is tiedup that is also effective, though hervoice is harder to hear than Inez’s. Thenshe masterbates with the foot of Li, thesecond Delilah, and then with a high-heel shoe. A bit gross, to be sure.Highlighting the entire show are thecostumes by Stuart Iverson. In sequins,and feathers and jockstraps and fake-breast-cups, the characters paradearound the stage, displaying theirsexual wares. Some i:ide their sex betterthan others, particularly the dragqueens, but all were incredibly madeup. Fetishes of all kinds can be satisfiedhere.The Whores of Babylon sure is a trip.It left me spaced out but when mysenses returned, I truly did wonderwhat I had seen. For bread and circusesand delighting the crowds, it is aroaring success, but as a relevant pieceof theater, forget it.-Mitch BobkbStuart Iverson, the Ringmaster.Friday, October 22, 1971 — The Grey City Journal —Overalls by Levi's®Are you ready for overalls?We’ve got them by Levi’s®$13Hang-ouf i% a part of Cohn $ sternM>rde Shopping center/SS^^lafctfVwkBARGAIN MORNING PRICE SfOO TIL 12 NOONDear Mom & Dad,Have gone to Chicagoto seek fame and fortuneDon’t wait up.-Love.T.R.Potomoun! Picfufes PresentsIK. BASKINA Herbert Ross-Peter Hyams ProductionCANDICE BERGEN - PETER BOYLEMARCIA RODD - JAMES CAANColor by TECHNICOLOR A Paramount Picture GP *U MMI twmilnJ if V h nn OPENS WEDNESDAY, OCT. 27FILMED IN CHICAGOwhere it happens. obc great STATES MUSIC ■■ 1Solti Conducts the CSOwith Care and PrecisionOrchestra Hall, 2 pm, Friday, October 15. Next tome, in Row E of the packed gallery, sat a middle agedwoman, busily sketching. As the “Friday afternoontypes” continued to stream in -- the old ladies withshopping bags, the rumpled businessmen, in¬numerable young people of all descriptions, from the‘straight’ ones with ties or frilly dresses, to the blue-jeaned students -- I curiously glanced at my neigh¬bor’s sketch. It was a skillful abstract of themusicians, instruments in hand, ready to play.“Better perspective from up here,” she 1. As Iglanced down at the coveted orchestra seats shecontinued, “I used to sit in the orchestra all the time,but I discovered that you can hear much better uphere. Oh, it’s good to be at the symphony again.”She was interrupted by tumultuous applause, as theaudience rose to their feet to salute Georg Solti and theChicago Symphony, just back from their universallyacclaimed tour of Europe, and about to give their firstFriday afternoon concert of the season. The feelingwas one of pride and excitement, with no trace of theaudience of old, so often chastised by critics for theirunresponsiveness and ungratefulness in the face ofgenius.The program consisted of two works, Variations forOrchestra by Elliott Carter, and the Symphony #5 byGustav Mahler.In his Variations (written in 1955), Carter, in hiswords, “tried to give musical expression to ex¬periences anyone living today must have, whenconfronted with so many remarkable examples ofunexpected types of changes and relationships ofcharacter in every domain of science and art.” Thework certainly does not let you relax or fade away intoanother world. It is essentially dissonant, and much ofits effectiveness is due to the alternation of con¬trasting rhythms and textures. Moods change withdizzying rapidity and each instrument assumes avariety of characters. Marshal tapestries give way tolight jokes or rapid scales, which in turn becomeplaintive yearnings or large-scale deathlike rum¬blings.Whether or not Carter is your favorite composer,you could appreciate the orchestra’s skillful renditionof his work, and the virtuosity of many of the soloists.For example, in the first variation, a heavy full-orchestra passage was followed by a remarkable lightflute-harp dialogue.Especially fine performances (though they were allfirst rate) were given by the first oboist and the firstflutist. The oboe had to constantly switch ensembleroles, interacting with the violin, viola and harp as thelow instrument, and then becoming the top voice incombination with the clarinet and cello. But the moreplacid chamber music effect never lasted long. Theending typifies the work’s unpredictability. A tensecrescendo builds in the drums and trombones. By wayof temporary relief there is a calmer strings and flutepassage. Finally, a marvelous downward motionbegins in the winds, leading to a huge descendingcrescendo which rapidly dwindles to nothing.While Solti’s conducting remained consistentlysteady throughout, he became looser and less rigidwhere the music dictated. Not a flamboyant con¬ductor, his precise yet graceful hand movements,occasional head-bobbing and movement on thepodium, remind one of a wooden soldier - seeming tomake his ability to elicit such diverse sounds andeffects even more remarkable.Audience response to the Carter seemed positive butnot effusive. Praise went more to the performancethan to the work itself. “I’m not sure I liked it but Ithink I understand what he was trying to do”; “It wastoo loud, bangy and atonal, though there were nicesections, especially on the oboe and violin. A piecewith no classic coherence isn’t my type of music.”This type of response to new and unfamiliar music isinevitable. However, it is a tribute to both Solti and theorchestra that they do not stick exclusively to the“safe” classic orchestral repertoire, but often un¬dertake diverse modern works.The role of an orchestra, as conceived by Solti, is notmerely to give an audience what it knows and likes,but to expose them to new musical experiences. Thisyear’s concerts more than ever before will mingle oldand new compositions.What more can one say about the Chicago Sym¬phony’s performance of Mahler’s fifth, the brilliantrendition which electrified audiences all over Europethis summer? That it lived up to its eager audience’sexpectations? Indeed it did!This again is a work of enormous contrasts, in whichevery instrument demonstrates a wide range ofcapacities. Each of the five movements, though in- Georg Solti, Symphony conductor.ternally diversified, evokes a predominant mood.The Funeral March is a movement of stately, yetinexorably final, grandeur and dignity. The brassdominate much of this section and the first trumpetplayer gave an especially energetic, intense andsensitive performance. The movement is laced withmore subdued lyrical elements -- singable romantic orfolk-like melodies, which seem like reminiscences ofthe life that is no more.The second movement, marked “stormy motion,with greatest vehemence” has been characterized asa movement of protest. The anger is of two kinds. Themore obvious is the loud crashing sort with which itbegins, accompanied by the agitated, staccato eighthnotes which never cease to haunt the listener. Theother kind of protest is perhaps even more potent: themellow stirring tones of the plaintive cello seem to askover and over again, the unanswerable, “Why?” Anearsplitting brass passage is followed immediately bythe soft mysterious harmonies of the harp, flute andcello, again seeming to pour out, “We are resigned toour fate, but why?”Next comes a scherzo, markedly lighter and full offun, reminding one of a whirling carousel. The fourthmovement is one of pastoral sweetness, scored onlyfor harp and strings. It provides a much needed restfrom the overwhelming complexity and magnitude ofthe preceding sections.In the triumphant rondo finale, the orchestra outdiditself -- the musicians were obviously excited by themusic. Little lone fragments, stated by the horn andoboe, became a marchlike melody imitated among thestrings. The festive excitement increased as if to tellthe listeners that life is something wonderful andfulfilling for those who take advantage of the manyopportunities it offers.Solti’s involvement in the grand melodic statementsand rapid rhythms was more than evident as he wavedhis hands, drawing out a veritable plethora of musicalenchantments -- ending with a marvelous crescendo-decresceado and an increasingly exciting final sectionwhich had the audience sitting in suspense on theedges of their seats through the final bar, and theninstantaneously rising to their feet, wilding endlesslycheering. Bravo, Georg Solti and the Chicago Sym¬phony!It is said, ‘all passes; art alone endures.’ As bothMahler and Carter knew, and said in their music, lifemeans constant change, motion and upheaval. Theeternal mysteries of death and life persist unresolved.Music gives expression to many of man’s problemsand fears, and for brief moments can enable him totranscent them. Chicagoans should cherish theirsymphony. It will provide much comfort during thelong hard winter.--Deena Rosenberg4 The Grey City Journal Friday, October 22,1971-1\1iif>1ii)ri5) Maxwell StreetAs the sun began to rise prior to 7 am one Sunday, we drove around HydePark, shaking people out of bed, surprising some who could not believe that7 am came so early, piled into a 1960 Valiant and headed north. With bodieson top of bodies, we slowly approached Maxwell St, making sure that no copwould see the car, overloaded as we were.After finding a place to park we hurried towards the booths, confident thatwe would find all the bargains we were looking for-Dutch ovens, fur coats,rugs, and lamps. We were beseeched to buy everything but what we wanted.One man got incensed when we mentioned that his electric mixer might notwork: “Look, I’ve been on this street 23 years and no one’s returnedanything yet...Look, girlie, in my 15 years selling here no one’s beendissastisfied...In 28 years I’ve only sold quality merchandise.” Obviously hehad a problem in making up his own mind.Screaming barkers and the smell of frying sausages mixed in the air.Coffee woke us up a bit, but it was not until the sun streamed down, raisingthe temperature to over 70 degrees that we began to realize that it wasgetting late. Gathering up our possessions and, our co-conspirators wewalked back to the car. We had not gotten anything that we had set out tofind-no dutch oven, no lamp. But we did have a genuine decanter from thebeginning of the century with inscription reading “Federal law prohibits thesale or re-use of this bottle”, cowboy handkerchiefs, large leather belts and16 ounce water glasses. Not exactly a productive morning, but a fun one.-Mitch BobkinPhotographs by Kathy Frankel IFILMTrouble with Directionin Two Fleischer Films“10 Rillington Place” (Top) and “See No Evil” (bottom), two unsuccessful RichardFleischer movies.It is unfortunate that RichardFleischer does not make better pic¬tures.Some things he does extremely well.His flair for exploiting the physicalenvironments of his films, for setting upa tension between rapid motion andnarrow physical confines, is oftenexciting. In the otherwise un¬distinguished “The Last Run,”Fleischer produced moments of realexhilaration by having Sven Nykvistphotograph close to the road in a seriesof wild sports car rides along thePortuguese coast.10 Rillington Place is based upon anactual murder case. In 1949, TimothyJohn Evans was tried and convicted forthe murder of his wife and child. Thetestimony of Evans’ landlord, JohnReginald Christie, was instrumental inbringing in the conviction, and Evanswas hanged. Some years later, it wasdiscovered that Christie was a criminalpsychopath who had not only murderedEvans’ family, but had murdered aseries of women and hidden their bodiesin and around his apartment building.The grisly disclosures of Christie’scriminal career resulted in theposthumous exoneration of Evans,Christie’s execution, and the eventualabolition of the death penalty inEngland. The story was published byLudovic Kennedy who served astechnical advisor on the film.Fleischer’s film concentrates on therelationship of Christie to the Evanscouple. As Christie, Richard At¬tenborough creates a wheezing cipherwho only comes to life during the actualcommission of his murders. At¬tenborough is so effective as acharacter actor in getting completelyinside his character that his portrayalof the uninteresting Christie borders onthe somnambulistic. Attenborough is solow keyed that it is impossible for him tocarry the film. John Hurt as theengaging, dim-witted Evans adds somelife to the film; his portrayal of theunfortunate Welshman, hoodwinked bythe maniac Christie into a wierd con¬nivance in the murders, is sensitive andmoving. Judy Geeson as Evans’ wifehasn’t much to do but die. Fleischer’s direction shows what canhappen when an action director allowshis sense of movement to become ob-scurred. In order to build suspense andinject a note of foreboding, Fleischerhas his actors pause interminablybefore and after delivering their lines.The only time the action comes to life isduring Christie’s murder of BerylEvans—then Fleischer goes wild withquick tracking shots up and down stairs,hand-held cameras, near discoveries,the lot. This is well done, but it is notenough to relieve the overall boredom.Ultimately, 10 Rillington Place is aboring film in which neither thedirection nor the acting holds our at¬tention. Added to this is the annoyingcolor photography which makes theactors look as if they are wearingpancake makeup.See No Evil is also a suspense film,and here the suspense is a little morepalpable. I say a little more because SeeNo Evil is no better than 10 RillingtonPlace. In sum, it is probably muchworse.Mia Farrow, with credible Britishaccent, returns to her uncle’s Berkshireestate after having been blinded in ariding accident. Her uncle, aunt, andyoung cousin are likeable British uppermiddle class, a bit ill at ease at havingto cope with the blind Sarah, but willingto let her come to terms with her newhandicap. Sarah spends the day withher fiance, a dynamic proprietor of ariding stable, and returns to the houseunaware that, in her absence, thefamily have been murdered.She blithely goes to bed, thinking thatthe family will return later that night,and next morning nearly climbs into thebath tub with the corpse of her mur¬dered uncle. She is distracted, however,and does not discover the bodies untillate that afternoon. The balance of thefilm deals with her hysterical attemptsto elude the murderer who has returnedto the house to retrieve his silveridentification bracelet.The premise of a blind protagonisttrying to escape a murderer is afamiliar gambit which even thepedestrian Henry Hathaway madeexciting in Twenty-three Paces to Baker Street. In that film, blind VanJohnson outwits the sinister Mr. Evans(who turns out to be a woman); but inSee No Evil, poor Mia Farrow gets a lotworse than she gives. Added to theindignities she received in Rosemary'sBaby, Mia gets knocked off a horse byan overhanging branch, broken glassembedded in her foot, locked in an oldshack by decidedly non-exotic gypsies,and dragged through a clay pit. There isa bit too much of this, especially sincemuch of it happens after she hasalready eluded the psychopath.Fleischer is much more at home inthe uncle’s house than he was inChristie’s flat. He handles thesequences where Sarah roams thehouse populated by three corpses withgreat verve; the scene where Sarahfinally discovers her uncle’s body isdone in a long, slow zoom down the corridor to the closed bathroom door iian evocation of almost unbearablsuspense. Her hysteria is renderebeautifully.Fleischer attempts to gimmick up throle of the murderer by using one of thstalest cliches in the directorial lexicoiHe photographs him from the waidown throughout the film and focuses chis boots for the first two or thnminutes prior to the ominous muisplashing incident. Every once andwhile thereafter, we get a quick cut Ithe t)oots to remind us that this nogoois still lurking about the premises.In sum, Fleischer destroys the totieffect of his films with bad pacing, sillor boring plots, and some indefensibl;bad craftsmanship. As an actio;director, he is often superb; but as.film maker, he allows his productions tdisintegrate.BRENT HOUSE5540 WoodlawnTHREE ILLUSTRATED LECTURESon“Early Christianity in the Western World”byRobert M. GrantO'1' /? ' y m i12Professor of New Testament and Early ChristianityOctober 24 October 31 November7 pm ChampagneBrunchSunday $3.50 adults$2.00 childrenIN THE HYDE PARK BANK BUILDING1525 E. 53rd • 10th Floor • 955-515110% STUDENT DISCOUNTTUESDAY, WEDNESDAY,THURSDAY FINETURKISHFOODWeek Nights5 to 12closed Mon.RC2 Reynolds Club Barber Shop jWelcomes YouStart the term looking rightEvery type of Barber ServiceWith Professional Skill.Beards welcome since 1904Women's Haircuts Done with ExpertiseLadies-Try the new Shag Cut!Tues. & Wed. & Thors. & Friday 8 to 5with or without appointmentNO TIPPINGAlso Shoe Shine Service Available5706 University 753-3573"Directly tvrott from OuodrongU CluK"*QC :-.Jt6 — The Grey City Journal — Frida), October 22. 1971“Cynthia”: Dudley Moore InspirationThis Sunday night Doc Films will present theChicago premiere of 30 is a Dangerous Age, Cynthia,starring Dudley Moore, the erstwhile star of Beyondthe Fringe and Bedazzled. Moore stars, co-authoredthe screenplay, and composed and conducted themusic, making Cynthia what Hollywood calls ashowcase.Moore plays one Rupert Street, composer andmusician, desperately trying to adjust to the approachof his thirtieth birthday, by which time he hopes tohave completed his first musical and to have secureda bride. Unfortunately, with his birthday only sixweeks away, he finds himself unable to write music-he is constantly worried about getting his laundrydone. And there is that nagging need to prove hisgenius—after all, he notes, “If I were Shelley, I’d bedead two years.”Meanwhile, he fantasizes and plans. He imagineshimself as Mozart, Bach, Beethoven, and mosthilariously, as Handel. His title reverie, surroundedby brides, rivals the marital fantasy of BusterKeaton’s Seven Chances. Moore and the director,Joseph McGrath, combine talents to produce whatcould be called a mod 81/ 2, color coordinated in pinkand purple.The film has no structure at all, but instead propelsitself forward via a series of brilliant parodies, bothmusical and cinematic: the Gaellic ballad, theMessiah, the Saxon madrigal, pulp fiction, filmictransitions, Zorba the Greek, The Lady Vanishes,classical codas, rock vocals, to name a few. Most ofthe parodies are brilliant, a few don’t work, but thefilm’s inventiveness literally hurls Rupert Streettoward his date of doom (Friday the 13th, of course.)Cynthia was made in England in late 1967, and assuch, it is firmly rooted in the mushy Mod man¬nerisms of the period. What most impressed about thefilm, comedy aside, was the way that the decorsfunctioned as the basic stylistic components of all thefilm’s dramatic actions. The peculiar conformism of Dudley Moore, the star of “Cynthia”Mod unconventionality; the anasthetic quality of itsthoughtless brand of sexuality; the coldness implicitin its ruthless reduction of all emotion to optical ef¬fects (see also Blow Up): these facets of the fashionare chillingly expressed in the icy surfaces capturedby McGrath and his cameraman, Billy Williams.All the characters dream within the limits set bytheir decorative environment. It is only when Rupertis playing with his jazz trio that the camera loosens upand relaxes, and even then his breezy professionalpiano touch is sharply contrasted to the night club and some heavy satire of the empty fun-seeking that itrepresents.Drama in Cynthia is wholly a matter of the in¬teraction of design and color. All its emotions reduceto abstract patterns and eccentric wipes. Everycharacter has accomplished a mental divorce bet¬ween his self and his actions, and this forms the basisof the film’s bleak humor. Cynthia is aspsychologically cold as it is culturally chic. It is alsovery very funny.One illustrative shot I found almost unbearablyclever. A private detective, dressed in a dirty beigetrenchcoat is standing in an industrial setting which isentirely blue. He lights a cigarette, and drops theempty, beige-colored package on the blue ground. Itreally sticks out, although it is only a speck on thescreen. He bends over, picks up the offending bit ofcolor, and places it where it belongs -- in his matchingdirty beige trenchcoat pocket. A silent scene that lastsno more than a few seconds, but a very telling sightgag indeed.Moore is missing his usual companion, Peter Cook,but Suzy Kendall (who is just as tall as Cook) is anequally adept comic performer. One unique aspect ofthe film is that Moore and Kendall’s love affair was forreal -- they married shortly after finishing the film.Sort of like Bogart and Bacall.Cynthia is one of the handful of truly inventivecomedies of the last few years, although it is slightlyinferior to the masterwork, Bedazzled (it could use alittle more Urmenschgafurnaturlischkeit). And it hasmany lines to treasure. Instructions to a chorus line:“Now remember your image. No leaning againstlampposts in a slovenly manner after hours. And do agood turn every day;” or a newscaster’s comment:“The Irish are flocking to the theater to see this show.It’s a great day for the flocking Irish.”This show will be at 7, 8:30 and 10 in Social Science122.--Myron MeiselCULTURE VULTURE fepthtif th ticon•vaisescthremudnd i 1:ut t>goo5.tot*, sill;isibictiinas <)nstI John Barth Speaks in Mandel Hall on ThursdayTHEATERSiobhan McKenna will present her evening of theaterentitled "Here are Ladies" tonight in Mandel hall at 8:30. Itis sold out for regular tickets but student tickets will beavailable at the door for $2.50. It is sure to be an excitingexperience.1774, the Broadway play about the signing of theDeclaration of Independence is now at the Shubert Theaterdowntown. Patriotism lives!The Goodman Theater's first production of this year,Assassination 1845 opens October 26. This play about thedeath of Abraham Lincoln will run through Nov. 28.Moliere's School for Wives closes tomorrow night at theStudebaker Theater. If you want to see this saucy comedy,go now.Status Quo Vadis is at the Ivanhoe Theater through Nov.28. A world premiere.The Free Theater of Colunbia College presents MultipleWork at 3257 Sheffield. Sun. at 7 and 9, Mon. at 8 throughDecember 6. FREE!Pirandello's To Clothe the Naked is being presented by theOld Town Players at 1718 N. Park Fri. and Sat. at 8:30, Sun.at 7:30 through Dec. 19. $2.50.Poe by the Organic Theater was supposed to close lastweekend but its run has been extended through Nov. 7. It is avery worthwhile show. 2256 N. Lincoln. Students can get infor $1.50 on Sundays at 8:30.The Kingston Mines Theater is currently showing twoproductions, Terminal on Fri., Sat. and Sun. at 8:30 throughNov. 24 for $3 and The Whores of Babylon (see review in thisissue) on Thurs. at 8:30 and Fri. and Sat. at midnight. $3.2354 N. Lincoln.I'm Really Here and Zoo Story by the New Chicago CityPlayers will close this weekend. 615 W. Wellington. Fri. at8 30, Sat at 8. The Zoo Story is quite well done.The Church at 54th and Blackstone will present To Reacha Circle, a musical drama conceived by Rai Seregorbeginning Thursday, Oct. 28 at 8 p m. Thursday throughSundays at 8 p.m. Tickets are $2.50 through $5. 943 2274.artArtexpo, an exhibition of Isreali art. will be held atTemple Isaiah Isreal, 1100 Hyde Park Boulevard beginningTomorrow night at 8 p.m. See article in this issue.The Art Institute's special showings at the present timeare Views of Florence and Tuscany through Nov. 15; Theat of the Sepik River through Nov. 28; Photographs byuavid Lockart closing Monday; and American Textilesthrough the end of the month.Enrico Baj Retrospective is at the Museum of ConTemporary Art through Oct. 24. 237 E. Ontario.Selected works from two one man shows by Americanarnst Benjamin Clark are now on display at CCE, 60th andMmbark, through Oct. 31. Daily from 9 a.m. til 8 p.m.Astrology is the Clock of Destiny, now at the Hyde Park-Cfiter, Blackstone and 53rd St., will continue throughTwo Generations Apart, a dual exhibition of posters of,7"n and today are now on d^Play in Bergman Gallery, 4thr»?r Stop in before class. In the Rennaissance£al ery, first floor Goodspeed in The New Curiousity Shopthrough Nov. 13.PILMDoc Films presents Andy Warhol's LonesomeCou!fc T*' which should not be confused with MidnightW» K°y: 'n one' Viva, Taylor Mead and the rest ofarhoi's freaky ensemble move from New York to the WildcmT\.A highlight of Viva's nude sololoquy about her'-“moiic upbringing.aturday night CEF is showing A Midsummer Night'sD **m'bV William Shakespeare. Starring Diana Rigg, thisdir<wCbon was shcwn on television last year, and wasBr™,. by Peter Hal1' who is not to be cor.fused with Peter-°ks production of the same name.ten™aV night there are two films biddirg for your atSevs cThe Karate Club will present Akira Kurosawa's Thetim!PSamurai in Cobb ln soc;al Science 122 (at the crazyDan« and 305 Doc Films is premiering 30 is a9«rous Age, Cynthia, starring the inimitable Dudley Siobhan McKenna will appear on campus Part of the cast of “To Reach A Circle”, a new play opening this week in Hyde Parktonight. at 54th and Blackstone.Moore (see elsewhere for details).Doc's weekly program: Tuesday night, Minnelli's Homefrom the Hill; Wednesday night, 7:30 and 9, Fritz Lang'ssilent classic, Metropolis.Across town and recommended: Clint Eastwood's thriller,Play Misty for Me, at the Chicago; John Ford's TobaccoRoad and Jacques Tati's My Uncle doubling at theBiograph, and although no one will believe me, Adios Sabataat the Woods and Bill G.co's Mona at the Threepenny.Also, the Chicago Film Festival is opening shortly, onNovembers,continuing till the20th,at the Carnegie Theater.It is the best year in the Festival's history, and you shouldbegin to watch for announcements of events.AI-0 on campus, International Socialists will presentPetrified Forest starring Bette Davis and Humphrey BogartSunday night at 6 and 8 in Ida Noyes hall. $1.Tonniqht in the Blue Gargoyle, NUC will present Part I ofThe Hour of the Furnaces as part of their Latin Americanfilm-festival.Alice's Revisited will present Carl Dreyer's GertrudTuesday night at S and 10 Donation at the door.White Zombie, a 1932 Bela Lugosi movie will be shownMonday night at 8 at the Little Stabs of HappinessCinematheque, 656 W. Barry. Also Betty Boop again. How doyou spell Boop Op Bee Doop ? MUSICShir, a recently formed choral group for the performanceof Jewish art music, will present its first recital tomorrow at8:30 p.m. at the B'nai B'rith Hillel House, 5715 Woodlawn.Free. 752 1127.The Chicago Symphony Orchestra is back, and aren't youglad! Today at 2 p.m and tomorrow at 8:30, George Soltiwill conduct Ives' "A Symphony Holidays" (excerpts);Stravinsky's "Symphony in Three Movements" andBeethoven's "Fifth Symphony."Thursday, October 28 at 8:15 Solti will conduct Mozart's"Symphony No. 35", R Strauss's tone poem "Don Juan",and Brahms' "Concerto for Piano No. 2 in B flat, Opus 83."All at Orchestra hall.The Lyric Opera will be presenting two different operasthis week, Puccini's "Tosca" tonight at 8 in the Opera houseand Massenet's "Werther" tomorrow at 8 and Wednesday at8. See the opera for some real cul cha in your life.The Grateful Dead tonight in the Auditorium at 8 p.mPossibly sold out. A real freak trip. Could be good- theyusually are in concert.Deep Purple with the scream ingest lead smger in rockmusic will perform in the Auditorium with Fleetwood MacSunday night at 7 q.m. Usual Prices. Pink Floyd will also appear in the Auditorium this week,Wednesday night to be exact at 8 p.m. For weird sounds, thisis it. They carry around more equipment than probably anyother group in rock music.Freda Payne is now at Mister Kellys while trumpeter SyOliver is at the London House.Alice's always has music. This week: tonight throughSunday night at 9, Short Stuff; Wednesday at 9, Ken Chaneyand the Awakening; Thursday night a benefit for the FreeKitchens with Mclan Forest Stage Group and McLuhan.$1.50. 950 Wrightwood.Dave Van Ronk is scheduled for the Quiet Knight thisweekend, 953 Selmont, but he has a tendercy to cancel out.Call first: 348-9509. Siegel Schwall every Tuesday night.ETCJohn Barth, world famous novelist of such books as GilesGoat Boy and The Floating Opera will speak in Mandel HallThursday night at 8 p.m Don't miss this special event, partof the Vaughn Moody lecture series.The Circus closes Sunday, so hurry to the Amphitheater. Ilove the cotton candy.The Ice Follies are at the Chicago Stadium, 1836 W.Madison. This iSnot the one with Peggy Fleming.Friday, October 22, 1971 — The Grey City Journal — 74 4 <What does"Thou shaft not kill”mean?“The real issue is: How can we serveboth love and war?”“Yes, we violated the law. But thelaw is no absolute to us. I must say ourintention was to destroy the files. Butour motive was to illustrate genocidein Vietnam and corruption at home’’With these words, Father Berrigangives a hint of the explosive nature of“The Trial of the Catonsville Nine!’A Classic of Documentary DramaPowerful, shocking, the very defini¬tion of relevance by the man wholived the event—Daniel Berrigan, S.J.Made into great dramaClive Barnes of the New York Times'said of “The Trial of the CatonsvilleNine.”.‘.'Positively riveting...a newkind of play... wonderfully moving.” A brilliant and honest piece of moderntheater specially staged for live record¬ing in stereo. A forceful performancedirected by Gordon Davidson, superblycaptured in a two-record album.Plus—The HistoryRecording Societyoffers the new albumkkBerrigan Raps!’ freewith the purchase of“The Trial of the Ca¬tonsville Nine” for$13.00.Act now: This is alimited-time offer som ail the co uponpromptly. Offer restricted to membersof the academic community.f be History Recording Society505 E ighth AvenueNew York, New York 100ISPlease send me “Berrigan Raps'’ free with my purchaseof "The Trial of the Catonsville Nine.” I enclose acheck o,r money order for SI3.00.Name - . ■ ___ FREE:“Berrigan Raps,” Containing: asermon from the underground;a talk about America and Catons¬ville; the poetry and the eventswhich shaped it. Daniel Berri¬gan talks about himself, hisbeliefs, and his actions. An ex¬citing album that presents anintimate portrait of Berrigan asa man and as a radical. Retailprice- $6.50. Yours free.College.Addrcss.CitvState_*Add appropriate sales tax to albums shipped toNew York State..Zip.4th SMASH -WEEK! I "THE STEWARD ESSES" WILL BEAT A THEATRE HEAR YOU.. .THE UNPUBLISHABLE NOVEL IS NOWAMERICA’S MOST CONTROVERSIAL FILM!N1 i ' STEREO VISION Telephone (312) 233-57008540 SOUTH ASHLAND AVE.CHICAGO. ILLINOIS 60620DESKS-BOOKCASESSWIVELCHAIRS-LAMPS-TABLESNEW& USEDEQUIPMENT&SUPPLY CO.8440 So. South Chicago Ave.(Parallel to Chicago Sky way)Open Mon.-Sat. 8:30-5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardWith This Ad Only:Oak Desks - $20 Cash & CarrySell YouName BrandJeans forBecause We Want Your Body.A Special Selection of six, seven, eight, andten dollar jeans for four dollars.One week only at Just Jeans.Saturday, October 23, 1971 through