Levi's first class tinged with humorEDWARD LEVI: President of the Univer¬sity now teaches a freshman class. By JANEBATTEdward Levi came into the Cobb hallclassroom on the first day with a big brownpipe in his mouth, and said half to himself,“Does it say ‘no smoking’ in here? Yes, itdoes.”A dozen students were already seated.They fell silent. “We haven’t begun yet,” hetold them. “We have to wait for Mr. Olsen.”Leonard Olsen is co-teaching this fresh¬men humanities class with President Levi,the first course Levi has taught since hisinauguration in 1968.He sat quietly with his fingers interlaced,watching the conversations going on aroundthe tables. After a minute or two he askedcne of the boys on his right “Why do yousuppose they say ‘no smoking’?”“So they won’t have to supply the roomwith ashtrays, I guess,” the freshman an¬swered quickly, “but if anyone has the rightto, you do.”“You mean, if anyone hasn’t the right,”Levi replied smiling. Olsen and a dozen more students arrived,and Olsen took care of the “house-keeping.”“If you want to see anybody about thecourse, come and see me. Mr. Levi is quite abit busier.” Levi said in a low voice to Olsen,“He’s never seen, anyway.”Then Olsen turned the class over to Levi.“Mr. Olsen and I will conduct this classtogether. We will not speak at the sametime...” he began. Everyone laughed.“Probably the writing will be more im¬portant than anything we say about it,” Levivent on. “I didn’t select the readings. Theywere given to me from on high.” He added,however, that all of the of the chosen workswere worth reading.“I have to confess to you at the outset thatsome of the writing I can’t, to this day, un¬derstand — the Galileo for example... Wewill try out to pretend with each other. Iwould hope that Mr. Olsen understands theGalileo.... If it is a good discussion class wewill all see things we hadn’t seen before.”First, the class was to look “at the Get¬tysburg Address and see what’s in it —what’s in it for us, at any rate.” The room was very quiet for a minute ortwo. When the discussion began, there wasoften laughter. One young man spoke softlybut earnestly against Lincoln’s assertionthat the soldiers at Gettysburg did not die invain.“What speech would you have given?”Levi asked, leaning toward him across the <.table. “I would never be in that position,”answered the boy.A girl said, “In three years my brother willbe draft age, and if he were sent to Viet¬nam...he doesn’t want to go, so if he died, itwould be in vain, but if he really wanted to goand fight, and he died, he would not have diedin vain.”Another young woman eagerly suggestedthat the greatness of the speech lay in theideals it talked about.“You mean you think that there are ideasthat are worth fighting and dying for?” Leviasked quickly.“Yes” she replied.“How come the girls are always hawks?”Conti n jed on page 7The Chicago MaroonVolume 80, Number 8 The University of Chicago Friday, October 8,1971UC budget cutbut in balance;crisis remainsBy CON HITCHCOCKThe University’s estimated $156 millionbudget for 1971-2 is balanced, although deansare being forced to dip into hitherto un¬touched “restricted funds” to make up for aseven percent drop in academic budgetexpenditures from “unrestricted funds.”In addition the nature and amount of futuregovernment funding, now some 25 percent ofthe total budget, is unclear, with the 1971-2budget reflecting a number of new directionsin support of higher education.“We are not out of the woods yet,” saidprovost John Wilson Wednesday, “but wehope this year won’t be as difficult as the onewe just went through.” The Universityshowed an $8 million deficit for the fiscalyear ending June 30, 1971.In determining this year’s budget, Wilsonand academic deans sought to find unspentmoney which had been given for a specificpurpose and to substitute that money, wherepermitted, for expenditures that wouldnormally come out of unrestricted funds.Such unrestricted funds include tuition,income from temporary investments orunencumbered gifts from alumni or cor¬porations. Expenditures and revenues fromrestricted funds for the academic budget areup $900,000 from 1970-1.Robert Adams, dean of social sciencesdivision, said Thursday that such a transferof restricted funds is “easy, but only for oneyear” and noted that in his division “supportof the faculty has not yet been constrained atany of the critical points.”Adams added that cutbacks in his divisionwere primarily in equipment and expensessuch as stationery, postage, and telephones.Wilson termed “illusory” the “differencein degree of freedom” in using unrestrictedor restricted funds.“While restricted funds which areavailahlp for snooifir nurnnsps arp indppd limited to those purposes, the functionscarried out are generally those which thefaculty is doing by choice and which would beeligible for general University support ifsufficient unrestricted funds were available.“In turn, unrestricted funds are notcompletely unrestricted in that they areencumbered, for example, by tenure andterm contracts.”Hardest hit by the budget crisis are thescience departments, which are goingthrough a “period of readjustment” with thefederal government, as Wilson feels thegovernment is diverting its support awayfrom basic scientific research and towardsapplied goals.Wilson pointed to one program that mightfinance graduate students in the sciences“largely through problem-oriented researchgrants than by traditional fellowships ortraineeships.”He added that although total federalsupport for education is up $1.2 billion fromlast year, the federal budget is stressingresearch towards solving society’s problemsand “determination to maintain and in¬crease our eminence in basic research, withthe National Science Foundation playing acentral role.”In support of these government policythemes, Wilson believes that much of theUniversity related research programs of theNational Aeronautics and Space Ad¬ministration and the defense department willmove to NSF.However, he feels that NSF may not pickup all of this activity and will make transferson a selective basis. In addition he notesbudget tightness of the Atomic EnergyCommission’s university program andvarious “ups and downs” in National In¬stitutes of Health funding.“Although it is within the rights and duty ofthe federal government to offer incentives touniversities to undertake specific JOHN T. WILSON: The provost explained how the '71-'72 University budget isbalanced. Photo by Steve Aoki.‘categorical’ problems, the government hasa simultaneous obligation not to erode thecountry’s work in basic science, or to subvertits academic institutions into taking direc¬tions inconsistent with their essential func¬tions,” Wilson said in a memorandum to thefaculty on the budget.Other changes in government policy in¬clude a greater emphasis on loans in thestudent aid program, continued support forlanguage area and training activities, and aproposed National Foundation for HigherEducation, which will give money touniversities “to experiment with neweducational forms and techniques and assistin the development of national policy inhigher education,” according to a govern¬ment statement.Wilson explained that the budget estimatesfor 1971-2 assumed an enrollment of 7300-7400students, no increase in faculty size abovethe current level of 1100, a tuition rise of $50per quarter, and a ten percent hike ir. ur. dergraduate room and board and in marriedstudent housing.Although figures for registration have notyet been compiled, Wilson guessed that thetotal would be close to the goal of 7300, whichfigure is slightly less than last year’senrollment. The other three figures are nowin effect.The academic portion of the budget iscontained within two categories or sub¬budgets: “general funds (unrestreted),”which totals $50.8 million expenditures, and“restricted funds,” which comprises another$50.7 million of the budget. In these areas thelargest item is “instruction and research,”which accounts for $26 million and $46.4million respectively.In addition to general funds (unrestricted)and restricted funds, there are two othersub-budgets in the consolidated budget:“academic auxiliary enterprises” and‘‘auxiliary enterprises. ’’Continued on page 6! !I in0p«K ill#*- '■’** '•■Jtf-.r **.*,,).! SE!ZERAOHOLD THEPEOPLES''1™POINTFf.n «• 5falf , „ , 0,..* <CUi.O Ff. K.'tJr.(.M r r*mo(0pkl RAPWE'VE WON OUR POINT: The Nike missies have been removed. See story on page 9. Photo by David TravisWHPK back on air after blow-outWHPK-FM, the student-run radio stationon campus, is back on the air after a tem¬porary disruption of services due to technicaldifficulties.Transmission was interrupted lastSaturday when a rectifier in the transmitterblew out, and was resumed Wednesday withthe replacement of the faulty component.The station will be on the air for the rest ofthe quarter, Monday through Saturday from7:30 am to 10:00 am and 6:30 pm to 1:30 am,and on Sundays from 9:00 am to 1:30 am.Steve Metalitz was elected stationmanager for the current school year bymembers of the station at a meetingTuesday. Other new officers include AnneBurson, program director; Blake Davis, business manager; and Peter Gillis, musicdirector.This year, WHPK is starting a program ofapprenticeships for new station members.When new members have received their FCClicenses, they can be assigned to any of anumber of half-hour slots in the late af¬ternoon.This provides new members with theopportunity of gaining experience under theguidance of seasoned station membersbefore they begin regular programming.Later in the year, when time-slots open up,the apprentices may be assigned a show,upon recommendation of the programmingcommittee. WHPK has expanded its news departmentextensively this year, with a regular newsprogram to be broadcast every weeknightfrom 9:30 to 10:00. Coverage will includenational, state, and community news, withthe emphasis on an in-depth look at theleading stories of the day.Live coverage of sports is also being ex¬panded, soon to include soccer in addition toall home football and basketball games.Some coverage of away games will also beattempted.WHPK may be found at the extreme left ofyour FM dial, operating at a federallyauthorized frequency of 88.3 megahertz. TheWHPK-FM program guide will be out soon. Ida Noyesremodelinguncertain“I have no notion of what will be done” inIda Noyes hall, Dean of Students CharlesO’Connell said yesterday.A proposal first discussed in May, wouldturn the second and third floors of Ida Noyesinto further office space for student ac¬tivities.Campus architects, at O’Connell’s, requestare currently drawing up several alter¬natives for the use of the space, now taken bya second-floor Student Government roomand a third-floor sun deck.While admitting that further office spacewas needed, O’Connell cautioned, ‘‘We mustsee whether they (the plans) areeconomically feasible.”The cost estimates will be submitted toO’Connell in the next few weeks, according toDan (Skip) Landt, student activitiesdirector. “I’m afraid it’ll be a terrific ex¬pense,” he commented.After reviewing the estimates and planssubmitted, O’Connell will make a decision onwhether to try to raise funds for the project.No funds are currently provided for it in thebudget.Landt added that, “O’Connell would have tofind funding. He would have to get a specialappropriation.”For that reason, O’Connell noted, “We arecertainly not going to have the offices builtregardless of what they cost.”He also mentioned other factors. “It (theplans) has to afford a modicum of privacy,and some security. Also how many can therebe? -- That’s something we have to con¬sider.”1 i•i f- u aKNOCK YOURSELF OUT- ON THE LABEL OF THE MUSICIAN S MUSICIANSm m •*(*•**POUND'. >■JUCUM CHfUNCS, hM9re«rteHye<*rtvft AfTt»THtSA(NPSALM HCM AiCWf v (Hi* Ml tftoJUNO Si MAMA KJU. Si MAMA AfttCA□ AS-77 □ AS-9186 □ AS-9I93 □ AS-9200-2• ALICE COLTRANEJOURNEY IN SATCHIDANANDAFeaturingPHAROAH SANDERSturn- * WMMMGt* SHU* OM'S'OKMF M***r«M mot • ss m sawn* A -jN tbcmtotASTRAi TRAVELINGRED BLACK 4 GREE NBAU 0**40** C*NC *MORNING PRAYFPTHfMKt tOVtr k ibJAii!)iimiiij1 'j □ AS-5 BLUES AND THE ABSTRACT TRUTH: Bill Evans/Roy Haynes/Eric Dolphy/Oliver Nelson□ AS-11 THE QUINTESSENCE: Quincy Jones□ AS-40 JOHN COLTRANE & JOHNNY HARTMAN:Coltrane/Hartman□ AS-9123 SPELLBINDER: Gabor Szabo□ AS-9125 THE GOLDEN FLUTE: Yusef Lateef□ AS-9138 TAUHID: Pharoah Sanders□ AS-9140 OM: John Coltrane□ AS-9156 A MONASTIC TRIO: Alice Coltrane□ AS-9160 HEAVY SOUNDS: Elvin Jones/Richard Davis□ AS-9161 SELFLESSNESS: John Coltrane□ AS-9174 THE BEST OF CHICO HAMILTON: Chico Hamilton□ AS-9181 KARMA: Pharoah Sanders□ AS-9185 HUNTINGTON ASHRAM MONASTERY: Alice Coltrane□ AS-9188 FOR LOSERS: Archie Shepp□ AS-9189 THAT’S THE WAY IT IS: Milt Jackson/Ray Brown□ AS-9190 JEWELS OF THOUGHT: Pharoah Sanders□ AS-9194 THE AWAKENING: Ahmad Jamal□ AS-9195 TRANSITION: John Coltrane□ AS-9196 PTAH the EL DA0UD: Alice Coltrane/Pharoah Sanders□ AS-9199 SUMMUN-BUKMUN UMYUN: Pharoah Sanders□ AS-9202-2 JOHN COLTRANE LIVE IN SEATTLE FEATURINGPHAROAH SANDERS: John Coltrane/Pharoah Sanders□ AS-9204-2 GABOR SZABO: HIS GREATEST HITS: Gabor Szaboimpulse! $5.98LIST PRICEMM N□ AS-9203 □ KS-9206 □ AS-9207 □ AS-9208 UMVERSITYSERESOFRNERB^^^^^^^^^HHflMIUUIBIHnfBWBTHE BOOK NOOK1538 E. 55th St.Hyde Park Shopping Plaza BUY ONE AT $4.79GET THE SECOND FOR $3.98Multiple Record Sets Slightly Higher2 - The Chicago Maroon - Friday, October 8,1971Nader wantsnew style commitmentBy MARKGRUENBERGSaying pollution was 1000 times moreunpatriotic than tearing down the flag,consumer crusader Ralph Nader called for“a new life style of commitment” in battlingpollution, despoilation and vested interests inthe United States.Nader, speaking at the Arie Crown theaterMonday night, offered this commitment as anew definition of citizenship, going beyondthe usual duties.‘‘What citizenship must become is asubstitute for recreation that rebounds to theprofit of special interests,” he commented.He elaborated on the role of citizens on onein which, “There must be a lifestyle ofcommitment. If you should do something,you desire to do it. Thousands of people mustbe full-time citizens, supported as such,applying their talent to the problems athand.”Nader also said that citizens shouldquestion accountability in a society, asking,“Which group is generically responsible forundesirable conditions? Which group isblocking it? Then you have to ask: Who willcontribute the remedy if the system is tied inwith special interests0 That’s where it comesback to the people.”RALPH NADER: The consumers' protector spoke about environment at the ArieCrown last Monday night. Photo by Dave Fosse.2 frosh cycle to Chicago from WestBy LESLIE TRAVISThis year the freshman class is athletic.Nine of them actually showed up two weeksearly for football practice, but that should benormal in any school with a varsity footballteam. Neil Seeley and Steve Baum weremore ambitious. Both of them bicycled to theUniversity. Neil from Denver, and Stevefrom California.Steve’s trip took thirty-five days of activeriding, but the trip actually lasted twomonths because he die1, not ride every day ortake the shortest route possible. He and hisfamily left California together and rode outto Oregon for a camping trip. He left them inthe middle of a rain-storm when they decidedto go further south, out of his way.After working for three weeks on a farm inIdaho, hitchhiking across North Dakota andcycling to lots of places he had never seenbefore, Steve arrived in Chicago only $1.25poorer.Most of his trip was paid for by the in¬surance from the car which hit him just twoweeks before he left for Chicago. During thetrip he either bought food from sotres or letpeople know that he was cycling cross¬country and was hungry, and he was fed. Hisonly expense was replacing a bolt which waslost. He carried three spare tires with him.Steve is upset now because, “Now that Iam here, I can’t ride my bike. There is toomuch glass in the streets for my tires.”Neil was not quite so lucky because, due tocircumstances far beyond his control, hecould not complete the trip.Five days after leaving Denver. Coloradohe arrived in Ames, Iowa, where he stayedover-night at an unnamed fraternity house.The fraternity brothers decided to initiatehim that night, and in the process, Ned’sankle was either broken or severelysprained. Neil had to sell his bike in Ames topay for his plane fare to Chicago. TWO ENERGETIC FRESHMEN: Neil Seely (right) and Steve Baum (left) bothattempted to come to school by bicycle; Steve made it and Neil finished byplane. Photos by Leslie Travis.Neither Steve or Neil especially wants torepeat the bike trip as it was done. Neil says,“The worst part was getting lonely.Nebraska is a long state, and two solid daysof it alone is too much. I might like to do aeoast-to-coast cross-country run (on foot)next summer if I can find someone to go along." Steve says he is too busy trying toearn the $750 that he did not earn during thesummer to worry about next summer.Reynolds Club Barber ShopWelcomes YouStart the term looking rightEvery type of Barber ServiceWith Professional Skill.Beards welcome since 1904Open MONDAY& Tues. & Wed. & Thurs. & Friday 8 to 5with of without appointmentNO TIPPINGAlso Shoe >hine Service Available5506 university 753-3573"Dir^rt'v a :fc»( err Quadrangle Club" ’X, He also chided the crowd for not “stickingit out”.“When it comes to sticking it out,” hecharged, “even a lot of the young drop out.”He particularly deplored that developmentby pointing out that college studentspotentially had the energy, insight, values,resources and most importantly the time touse for social change.Nader also noted that pollution was beinglargely ignored after institutions had beenestablished to deal with it. He did not likethat situation, calling pollution “the mostdestructive form of domestic violence.”He suggested a method for moving in¬stitutions off dead center. “Any institutionthat is bureaucratically organized and isinsulated from the public is ripe fortakeover” by those whom it is supposed toregulate.Later he commented that “There isnothing that can stand against a largenumber of citizens making small con¬tributions” of time and money for a cause“That is why public-interest law and com¬munity action is important,” he said.Nader suggested two strategies for makingcitizen influence felt rather than that ofvested interests. Outside pressure, such aspicketing was a useful tool, he said, but itdidn’t go far enough. More effective would bea combination of internal and externalpressure.“Rather than outside pressure,” hesuggested, “How about going inside anddeveloping whistle-blowers and insidepressure? You see, the assumption of in¬dustry is that all employees will give blindallegiance to the harmful policies of themanagers, but this changing. Thequestion becomes: Must an individual(scientist or technician) always adhere tothe company line and say the company isgood, while saying no to his professionalstandards of ethics?“Because companies have the awesomepower to wreak havoc when doing nothing orthrough negligence,” he continued, “wemust rethink laws about whistle-blowing. Wemust recognize that a person must have amechanism, that if an individual has criticalinformation, he must be encouraged todisseminate it.“Once whistling goes up, deterrentsagainst the public interest go down. Once thecorporations cannot rely on people inside,they have to take anticipatory measures.”These measures would either open upclosed corporations and bureaucracies tofurther scrutiny or withdraw them com¬pletely from public vision, producing publicreaction against the agency, Nader felt.“The more reassertion of just principlesinside them, the less they get away with.”The other strategy Nader proposed was tointroduce responsibility into government.He noted that “the only way that you canfined or fired in Washington these days is toenforce the law against the special interestgroups.” and gave the example of thePentagon firing cost analyst A. ErnestFitzgerald when he exposed the enormity ofthe C-5A cost overruns to Congress. To solvethe dilemma. Nader exclaimed that weshould “make individual bureaucrats ac¬countable for their actions.’’Along the way, Nader gave some examplesContinued on page 5♦♦♦♦♦♦♦♦♦Alaska ♦♦♦♦ESKIMO SOAPSTONESCULPTURESALE20% To 50% OFFON ALL CARVINGS1/3 OFF ON ALL PRINTSOF LAKE FOREST777 Bank Lane, NorthLake Forest—295-1910Open Daily and SundayDiners — American Express — Master Charge— BankAmericard accepted 10-5* y•*<T4h? »JUa caan « 3lftootoO ysbrri - ^ooisM ogtrv.dL) sdT- S^9^955 2270 USIC COOPth1701 E 55 STHYDE PARK S ONLY MUSIC STOREannounces ....in addition to ... .OUR GROWING STOCK OFDRUMS, GUITARS, FLUTES,HORNS. OVATIONguitarsAMPLIFIERSandP A SYSTEMSand . ..MUSICAL ACCESSORIESincluding ....ZILDJIAN CYMBALSplus....WIDE SELECTION OF UNIQUEIMPORTED INSTRUMENTSand....BRASS AND SILVERHANDCRAFTED JEWELRY as well as. . . .THE LARGEST COLLECTION OFWIND CHIMES AND BELLSIN HYDE PARKLOCATED 2 BLOCKS WEST OF LAKE SHORE DRIVE ON 55 STREET4 - The Chicago. Maroon - Friday, Qctoher 8,1971<5 * nooi£*M c>8£D;fT) sHT • PvPr ,8 it>doJ:>0 . in im v1£ RALPH NADER AND FRIENDS: Mike Royko (left) and Rev. Dubi (center) listen as Nader explains how to attack a corporationfrom inside. Photo by Dave Fosse.New master's in communicationsThe division of social sciences hasinaugurated an experimental master’sdegree program in communication this fall,oriented to the solution of a wide range ofsocial p. oblems from race relations topopulation control.Sponsored by the Community and FamilyCenter under a grant from the Agency forInternational Development, students fromAsia, Africa, and South America, as well asfrom the United States, will study means ofeffecting positive social change throughcommunication techniques.Donald J. Bogue, director of the Center, co¬director of the new program, and Universitysociology professor, was quick to point outthat, despite its initially international scope,the program will, ultimately focus onAmerican society, and, specifically on im- munication programming, practical ex¬perience in communication research andevaluation, and development of new ap¬proaches.”Working closely with local radio andtelevision stations, as well as with Chicago-based advertising and marketing firms,students will investigate the response of low-provement of US race relations.according to Bogue, “This program isdesigned to train specialists for managerialand planning positions which have as one oftheir goals the acceleration of social changevia persuasion, behavior change, or attitudechange on the part of the receivingaudience.”Bogue went on to describe the main thrustsof the program: “academic training in basictheory, practical experience in corn-income groups to media appeals. They will then develop improvedtechniques of persuasion in a special com¬munications laboratory to be built in the rearof the Museum of Science and Industry, 57thSt. and Lake Shore Drive.The laboratory, scheduled for completionby November 1st and headed by Bjcn Bernd-tson, program co-director on loan from theSwedish International DevelopmentAuthority, will include the latest insophisticated media equipment, with specialsections for typography, photography,cinematography, radio, and television.Bogue whose specialty is demography,stressed the importance of the program’sresearch into persuasion as applied to birthcontrol and family planning, an area, henoted, receiving far less attention than itshould despite the urgency of populationpressures. Royko fanspickNader^ontii^ued from page 3of tow those whom the government wassupposed tp regulate were actually doing the“regulating.”*He pointed out that state anti-pollutionboards were often staffed by representatives jof some of the prime polluters, that “Thecorporations still prevail--if they don’tcorrupt the government and the unions theyco-opt them.”He mentioned a recent conference oftruckers in Washington, -where individualdrivers had gotten up and told of abuses andof how the union did not defend them.Representatives from the union leader¬ship, according to Nader, did not even botherto show up. Only representative from thedepartment of transportation.He also noted that the new Nixon wage-price measures favored business. “Out of thespectrum of possibilities,” Nader exclaimed,He picked those which will do the least forthe economy, but picked those which will bethe biggest corporate tax cut in history-20percent.“Every single proposal did not have asingle iota of substantiation.” Nader laterclaimed that the Nixon proposals, asreported by the House Ways and MeansCommittee, “equals $47 billion in loopholes-many special interest grabs.”Nader was introduced by the ChicagoDaily News columnist Mike Royko, who ledoff by looking around the theater and saying,“This joint is paid for by racetrack revenues.I don’t know what all you do-gooders aredoing in this structure...Maybe it’ll burndown.”Royko also pointed out that he had run apoll in his column asking his readers to ex¬press a choice for the presidency. “I listedfour Democratic candidates and oneother...Ralph Nader. I got back 3000responses, which is phenomenal.“I didn’t know I had that many literatereaders. Anyway, 80 percent voted forNader...the other 20 percent owned GMstock.”Francois Truffaut'sTHE WILD CHILDTonight: 7:15 & 9:30—CobbRichard Lester'sTHE KNACK...and how to get itSunday: 7:15 & 9:30—Cobbdoc films U of C Charter FlightsannouncesCHRISTMAS CHARTERCHICAGO - LONDON - CHICAGODecember 19 - January 4BOAC VC-10 JET$196 Round tripIda Noyes Rm. 3061-5:30 P.M.753-3598U. of C. Students, Staff, Faculty only.FriHav. October 8,1971 - The Chicago Maroon - 5The Chicago MaroonPaul Bernstein, Mitch Bobrin, Con HitchcockEditorsMikh CohenBusiness Manager Susan LothSenior EditorJi ov Alsofrom, Managing EditorE r i r Winston, News EditorNani y Chisman, Executive Editor Audrey Shai insky. Executive EditorGordon Katz, Contributing EditorLeslie Travis, Photography EditorLisa Capell, Joe Freedman, Keith PyleAssociate EditorsJ\m !Lmt. John Carroll. I kid Egi er, Larry Faliks. Tirri Feinstkin, Caroi Freed. MarktiKi i .\herg, Jim Hii i . Bin Lazarus. Joe Lee. Sidney Leiiky. Jeee Lockridge. Jeee Roth. TimHi ov. Ei i en Sa/zman. Ut.is Sprudzs. Ste ve S i r ami er. Pal i Wendei gass. Josh ZionStaffFounded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughout the regular schoolyear, except during exam periods and, intermittently during the summer. Offices in rooms 303 and 304 in Ida Noyes Hall,1212 East 59th Street, Chicago, Illinois 60637. Telephone (312) 753-3263. Distributed on campus and in the Elyde Park neighborhood free of charge. Subscriptions by mail *9 per year in the United States. Non profit postage paid at Chicago, Illinois.The budgetIt would be foolish to assume, upon hearing that the University’s budgetwas balanced, that the financial crisis was over. Last year the Universityshowed an $8 million deficit, funding was cut back in many areas, morefaculty were terminated than the year before, and there was a close andoften ruthless examination of many programs and their worth.An optimist would no doubt say ^hat this is good, for it allows the Uni¬versity to re-examine and strengthen itself and see what is really essential 'to its operation. Though this is a happy ideal, it in no way relieves thev- i ' . asant fact of budget austerity.While the University of Chicago is not in as dire a situation as many otherin >. rsities, who will close their doors this year, 1971-72 will probably bemarginally easier than last, and it is impossible to say what will happenT r that.i iere are a number of situations that lead to this uncertainty and uneasiness.!.e top of the list is the state of the national economy, upon which,:es mati\ vital factors, factors such as the value of the University’s stockjifolio, the willingness of individuals and corporations to give money, thety of [tarents to pay for an increasingly costlier education, and a will-::i;ess bv Congress to appropriate money when it seems that a large national■ licit is imminent. Obviously no one can say if and when the economy willi-u k up again, but unless improvement is seen soon, the University may beloived to take more drastic action than it has until now.The measures taken by the university to date-emphasizing current income ininvestments, and using restricted funds to replace unrestricted ones - arewise and commendable, but they cannot be used, in all probability, any moreafter this year.Dipping into restricted funds is often robbing the future to pay for thepresent and cannot be done for too long. If, for example, the library' hada 20 year grant to purchase books, and it was decided that most of themoney from the grant would have to go to pay for books this year insteadof using unrestricted funds (such as income from tuition or unencumberedalumni giving, say), then you have a problem in the future. This is thedanger of such a policy, and the principal reason why it cannot be practicedlor a long-term solution to budget problems.The current uncertainty over government policy towards funding researchprojects, particularly in the sciences, raises many problems about the natureand future of such research here and elsewhere. The government currentlyprovides about 25 percent of the university’s revenues, a figure which, inthe words of the provost John Wilson, is not excessive, but nonetheless onecould hope for better balance. The mood of the government seems to beshifting away from funding pure research into more goal-oriented researchNiiuh as curing cancer, reducing crime, controlling pollution, etc.This is not to demean research in these fields, for they are all criticallyimportant. But the tendency towards such goal-oriented research can threatenand could, in time, “erode the country ’s work in basic science or subvertits academic institutions into taking directions inconsistent with their essen-l i a J function,” as Provost Wilson has remarked. It would be hard for a uni¬versity to turn down a very lucrative grant for research in curing cancer, forexample, but if federal support gives the government a life-and-death powerover universities, and if universities must rely on government to tell themwhat to research, clearly we will have reached a dangerous situation.It is for this reason, among many others, that the outlook is not bright.Obviously if your income declines you can still balance your budget, but onlyby such short-term measures as raiding your savings account, not buyinga new car, selling your house, etc. The University has not reached thecomparable stage yet, but unless clarification of government policy and anupswing in the economy come about soon, the future of the University aswe know it could be in doubt. It is not a pleasant prospect, and one thatwe hope will not come to pass.6 - The Chicago Maroon - Friday, October 8,1971 LETTERS TO THE EDITORSAFor love of ivyWhile still undergraduates at an EasternEstablishment University (see “Wesleyan”in G. William Domhoff’s Who RulesAmerica?), we believed that no Centers ofHigher Learning existed in the void betweenthe Alleghenies and the Rockies. However,being fair and reasonable men we hadsuspended our disbelief until we arrived oncampus.Despite the ersatz Yale architecture thatwe had noted in the stunning black and whiteand characteristically spirited U of Ccatalogue, we had our hopes for Chicago’sspiritual and intellectual excellence. It was,after all, John Gunther ’28 who said, “Themain thing about Chicago is that it’s got a lotof quality.”Our hopes were crushed, however, whenupon arrival we were stunned by the ap¬palling nudity of Chicago’s ivy-less walls. We were forced to the ineluctable conclusionthat the University is some fly-by-nightoperation, totally lacking in stability andtradition, the sort of school that offers mailorder courses. We trust that all members ofthe community hope as we do that in timeChicago can be made into a prestigiousuniversity..As a first step, we suggest that the Divisionof Physical Sciences devote all theirresources toward synthesizing a plastic ivyuntil the real thing can be imported fromNew England. Ad astra per asperam.Chicago did, however, exceed all our ex¬pectations in one particular. Little did wesuspect that the university’s alumnimagazine is ranked among the top ten in thecountry. How droll.Is that a myna bird or a phoenix depictedon the Great Seal of the University?Steve Loeshelle, LawPaul Roth, SociologyMark Shapiro, LawGovernment aims fundat goal-oriented workContinued from page 1Academic auxiliary enterprises, whichinclude the lab school, the hospitals and theIndustrial Relations Center, comprise $37.2million of total budget and are self¬balancing. as are restricted funds.Auxiliary enterprises, such as thebookstore, International house, the centerfor continuing education. University Press,and the housing and food services, require$976,000 from the general fund to balance the$17.8 million expenditures.Although the academic portion from thegeneral funds is lower, the total budget rose$5.1 million to $156.6 million. Wilson ex¬plained that this increase “is more thanaccounted for by increments in the twoauxiliary enterprises sub-budgets — ex¬penditures for which total slightly over $55million, an increase in excess of $6.5 millionover last year.”He noted that one category, hospitals andclinics accounted for $5.6 million of this rise,“reflecting the sharp rise in the cost of healthcare.”In addition to seeking “restricted” funds toreplace unrestricted ones, the Universitylast year changed its investment policy toemphasize current income and to pay out ahigher percentage of capital gains. It ishoped that this policy will bring in an in¬creased $3.2 million in unrestricted en¬dowment income for 1971-2.Many of the measures that were used tobalance last year’s and this year’s budgetscan only be done once, however, Wilson said.Such measures include accounting changesto list investment income for 1971-2 instead of1970-1 or relying on restricted funds to coverdecreases in general funds.In his memorandum Wilson stated thatendowment and gifts are the “two sources ofincome upon which we are going to have todepend most heavily” in the future.He added that he did not think tuition in¬come, even if raised $150 annually untilfurther notice, as the deans’ budget com¬mittee recommended last year, or a pay-as- you earn plan, such as has been adapted atYale, “can recover the levels of support fromunrestricted funds that will be needed in theacademic budget for 1972-3 and the yearsbeyond.”Wilson’s statement touched off speculationthat tuition would not rise next year ormight even decrease. The deans’ budgetcommittee, headed by Robert Adams, hasnot met this year, and neither Wilson norAdams would comment on any specificproposals that might be made regardingtuition or the academic budget.Wilson said that the 1970-1 deficit had beenmet by a special distribution of capital gainsfrom funds functioning as endowment,selling a major portion of holding originallyobtained in a challenge grant from the FordFoundation, and by accounting change thatmoved into the 1970-1 budget year in¬vestment income that would otherwise nothave become available until 1971-2.Wilson pointed out that the 1971-2 budget“assumed a reasonable degree of reliabilityin the revenue and expenditure estimateswithin the sub-budgets,” particularly ‘giftsrequired’ (which Wilson termed a“euphemism” for the amount needed tobalance the budget over and above thosefunds estimated as being available fromother revenue sources).Last year the University required $10.4million in gifts (which Wilson then admittedwould take a “minor miracle” to achieve).The deficit in gifts required was originallyestimated at $4.1 million, but unexpectedlosses such as resulted from lowerenrollment and costs of moving thebookstore and Press raised the deficit to $8million.This year’s figure for gifts required is $6million.The 1970-1 budget of $151 million was basedon the three percent increment in theacademic areas, applied as equitably aspossible; a tuition hike of $225, an assump¬tion that enrollment would be 8200 (it turnedout to be 7600) and that faculty size in 1970-1would not exceed the 1969-70 level of 1100.BULLETIN OF EVENTSFriday, October 8WORKSHOP: Society for Clinical and Experimental Hypnosis, 23rd Annual Scientific meeting and workshops. Centerfor Continuing Education; through October 10.SERVICE: Liberal Shabbat Service: Hillel House, 7:30 p.m.MEETING: NCD student advisory committee, Cobb 324, 7:30p.m.MUSIC: Vermeer Quartet with Peter Serkin, piano.Tickets and info 5835 University Av, 753-2612. Seats reserved.8:30 p.m.FLICK : The Wild Child, DOC Films. Quantrell. 7:15 and 9 :30.SI.Saturday, October 9RUGBY: UC vs. Lincoln Park, Stagg 2 00 p.mCl irtrs Gimm® Shelter CFF Manrlel 7 Ofl anrt O IS Tt>oKnack, DOC, Cobb, 7:15 and 9:30. Sunday, October 10SER ICES: Rockefeller: Rev. E. Spencer Parsons. “TheQuestioned and The Questioner," 11:00 a.m. seminar byReverend Bernard Brown, Rockefeller Chapel Undercroft,9:45 to 10.45 a.m.RUGBY . UC vs. Amoco Rugby Club, Stagg 2:00p.m.OPEN HOUSE: Hillel, Grad Students, 4:30 5:30 p.mMonday, October 11CHESS: play chess with chess club, 2nd floor, Ida Noyes, 7:30p.m. Monday nights.CELEBRATE: Simihat Torah Celebration, Hakafot(Conservative and Ortho) Hillel 7:30, "An Evening withSoviet Jewry," Hillel, 7:30Cl ICV Tho Uuntorc sponsorard hy rnmmittpe on afriranstudies, SocSci 122, 7:30 p.m.Volume 4, Number 1 GREYCITYThe Chicago Maroon’s Friday, October 8, 1971Joan Sutherland (left) and Marilyn Horne in “Semiramide" by Rossini, Photo by David Fishman.High society has given opera a bad name. There isno other art form that is as constantly maligned as theopera. Too many people picture opera performancesas for the wealthy only with fat men and womensinging dull, dreary sad music in enormous goldenopera palaces for bored, jaded society matrons.Middle-America delights in yawning at the meremention of the word “opera” — it shows how boredthey are by the trappings of aristocratic society.Opera is not a very democratic art form, so it suffersgreatly in societies with long histories of democracy.Perhaps opera’s largest problem in these moderntimes has been its lack of success at entering thetwentieth century. All of the other art forms —theater, music, art, even ballet — have changed theirstyles during the last twenty years or so.Hevolutionary and avante-garde painting and modernj dance are all modern forms of the art that appeal to a- modern audience. While it is true that Beethoven andShakespeare are srill performed, Rembrandt is stilladmired and Swan Lake is still a very popular ballet,these art forms have many new, modern offsprings.Opera has very few and the ones that it has are veryinfrequently performed.The opera repertoire still revolves around pieces ofmusic written over 70 years ago. Most of the operaperformed in the opera houses all over the world in1971 were probably written in the 19th century.Wagner, Verdi, Rossini, Mozart and even earlyPuccini predate the beginning of the 20th century.With so little “modern relevance”, opera may havesome trouble in attracting a young audience. Yet theart form is not even close to dying. In Europe, opera isas popular as ever, with every major city having atleast one opera house. Only in America there a largescarcity of opera performances. In New York there is the world renowned Metropolitan Opera, there arecompanies in San Francisco, Philadelphia, a very fewperformances each year in Washington, smallercompanies in Dallas and Sante Fe and Chicago’s ownLyric Opera, undoubtedly the country’s secondleading opera company.The Lyric Opera currently presents eight produc¬tions each season from the end of September throughthe middle of December. Each production usuallyplays six times though the more popular ones areshown seven. This year, two productions have alreadyopened, Rossini’s Semiramide and Verdi’s Rigohtto.Still to open with opening night dates are Puccini’sTosca (Oct 13); Massenet’s Werther (Oct 23); Verdi’s ,Don Carlo (Nov 3); Wagner’s Das Rheingold (Nov13); Rossini’s The Barber of Seville (Nov 26); andStrauss' Salome (Dec 3).C ontinued or. Page SixFW ,yabi I • nocnsM oys^iHD irlf - hPOTPOURRISerkin, Shapiro, McKenna and Barth To AppearSiobhan MacKenna will perform on campus this month.Appearances by four famous peopleshould help to brighten this month oncampus.Tonight the Vermeer Quartet ofNorthern Illinois University will appearin concert with pianist Peter Serkin asassisting artist.The concert is the first in the1971-72 Chamber Music Serieshere at the University.The concert will be held at 8:30 pm inMandel Hall, with single concert ticketsat $4. Tickets for all five concerts in theseries are $13. Tickets and ticket in¬formation may be obtained by writingto The University of Chicago ChamberMusic Series, 5835 South UniversityAvenue, Chicago, 60637 (Tel. 753-2612).Mem bers of the Vermeer Quartet areShmuei Ashkenasi, Pierre Menard,Scott Nickrenz. and Richard Sher.A reviewer of a Vermeer Quartetconcert in the NEW YORK TIMES(August 31, 1969) called the per¬formance “one of the most enthrallingconcerts I have had the good fortune toattend.”Assisting artist Peter Serkin has beendescribed by a Chicago critic as “one ofthe finest pianists of our time.” ACleveland critic said: “He no longer hasto worry about a brilliant future. He’salready there.”The program for the October 8 con¬cert is: Beethoven - Quartet in F maj,op. 18 no. 1; Bartok - Quartet in F maj,no. 6; and Schumann - Quintet in E-flatmaj, for piano and strings...Joseph R. Shapiro, president of theMuseum of Contemporary Art andorganizer of the current exhibit at theRennaissance Gallery on the first floorof Goodspeed, will speak on art and thecurrent exhibition this comingTuesday, October 12 at 8 pm in Classics.10. The current Rennaissance Galleryexhibit, “The New Curiosity Shop”,consists of contemporary works of art ofall media shown in a setting evocativeof a curiosity shop with a new twist.Shapiro is one of the major leaders tothe exhibit and is known as one of Chi¬cago’s greatest art collectors.Shapiro is perhaps best known tostudents as the lender of almost 500works of art that are on loan toUniversity students during the schoolyear. The first loan-out will begin nextFriday, October 15. The paintings willbe on display in Ida Noyes Hall all nextweek and numbers will be distributedFriday morning. To see the man who has been kind enough to brighten upyour dorn walls, go to the lectureTuesday night...One of the great ladies of the IrishTheatre, Siobhan McKenna, will appearon campus on the evening of October22nd.Her one-woman show, “Here AreLadies,” will be presented at 8:30 atMandel Hall. It will include portrayalsof women from the works of Irishplaywrights, novelists, and poets.The Women’s Board of the Universityengaged Miss McKenna to help raisefunds to furnish the Woodlawn SocialServices Center. Tickets for “Here Are Ladies” are onsale at all Chicago-area Sears, Roebuckand Company stores, and studenttickets are available for $2.50 atthe Development Office on thesixth floor of the Administrationbuilding. Or call 753-3036.Miss McKenna was seen in New Yorkas Miss Madrigal in The Chalk Gardenand in The Rope Dancers, among otherperformances.“Here Are Ladies” opened in Lon¬don’s Criterion Theatre and waspresented earlier this year in NewYork’s Public Theatre. Her New Yorkperformance was favorably reviewedby The New York Times, The NewYorker, and Time .magazine amongother publicationsMiss McKenna will portraycharacters ranging from the talkativeMrs. Gogan from Sean O’Casey’s ThePlough and the Stars to the lustful MollyBloom in a soliloquy from JamesJoyce’s Ulysses.Other Irish poets, novelists, andplaywrights represented in the showinclude GB Shaw, Samuel Beckett,James Stephens, MM Synge, WBYeats, and Lennox Robinson...John Barth, famous author of suchwell-known books as Giles Goat-Boy,Sot-Weed Factor, The Floating Operaand The End of the Road, will open thisyear’s Moody lecture series on Thur¬sday, October 28, at 8 pm in MandellHall.Barth will be reading from a newwork, The Perseid. It has been over fiveyears since Barth last appeared oncampus, at that time addressingProfessor Richard Stern’s writingcourse.John Barth currently teaches Englishat the state University of New York atBuffalo.CEF Presents Mandel Hall7 & 9:15 GIMME SHELTER Tickets $1.00A free store in a company town. The Churchin this Century Homeof groups like: Chan¬ges (crisis intervention)Craft Co-op, Gay Li¬beration, Hyde ParkPeople's OrganizationNew University Confer¬ence, Organic Food Co¬op, Panther DefenseLeague, People's Peace Treaty, RAP StudentNewspaper, Women's Liberation Union. For streetpeople For university People, For any peo¬ple, no matter what color, age, shape, ormentality. For making noise or being quiet-do what you like For eating decent foodcheap, if you want to Where you can givehelp if you want to • Where you can gethelp if you need it • Where classes gettaught Where dances happen Where bluesand rock concerts are heard • Where speak¬ers speak. ROCKEFELLER MEMORIALCHAPELUniversity Religious ServiceSunday October 10, 1971 11 o’clockE. SPENCER PARSONSDean of the Chapel“THE QUESTIONEDAND THE QUESTIONER”SUNDAY SEMIN ARRockefeller Memorial Chapel Undercroft 9:45 to10:45 a.m. Discussion led by The ReverendBernard O. Brown. Assistant Dean of the Chapel. JESSEISON’SFRESH FISH A SEAFOOD7sa-a«70,7sa-#i*o, ata-ttt*- imoi. smFIGHT INFLATION:Pay Only 50% For BooksFIGHT POLLUTION:Recycle BooksFIGHT POVERTY:Keep Us Employed24,000 TITLESOTHING ELSE - JUST BOOKSPOWELLS503 East 57th St'til 11 PM EverydayFINETURKISHFOODChampagnerunchSunday $3.50 adults$2.00 children 10% STUDENT DISCOUNTTUESDAY, WEDNESDAY,THURSDAY Week Nights5 to 12closed Mon. DR. AARON ZIMBLEROptometrist•ye examinationscontact lensesIN THE HYDE PARK BANK BUILDING1525 E. 53rd • 10th Floor • 955-5151 in theNew Hyde ParkShopping Center1510E. 55th St.363-6363 J I2- ttie Grey City Journal Friday, - October 8, 1971FILMLuchino Visconti’s “Death in Venice”:What Ever Happened to the Mann?Luchino Visconti’s film of ThomasMann’s novella Death in Venice is achaotic work. But so much discussionhas gone on regarding Visconti’stampering with Mann’s text that thereally confusing elements of the filmhave not fully been brought out. Itshould not make any appreciable dif¬ference whether Visconti chose to makeGustav von Aschenbach a composerrather than a writer, or that he selectedGustav Mahler as his model forAschenbach. The chaos arises from theuses to which he puts his Aschen¬bach/ Mahler character.As in the case of Visconti’s earlierfilm The Damned, we are never certainexactly what Visconti’s intentions are.Is Death in Venice to be a study in thedecay of pre-World War I society asevidenced in the downfall of one of tisartists? Or is the film an analysis ofpersonal corruption? “The Damned”purported to be an examination of theconnivance of the pseudo-aristocraticbourgeoise order in Germany in the riseof fascism. Yet, it quickly leaped intothe messy story of a sordid anddegenerate family. Similarly Death inVenice recreates with Visconti’scelebrated mania for detail a culturalmilieu, then abandons it to concentrateon Aschenbach’s personal decay.At the outset of the film, Aschenbachrecalls a conversation with his friendand radical disciple Alfried. “My heartneeds to question the world,” he argues,“to find a place where I can lose myselfand contemplate my life and my destinywithout disturbance.” Not muchquestioning goes on, however. Rather,Aschenbach’s place in the world istaken by him and by Visconti as given;and his struggles throughout the filmbecome merely a series ofrationalizations for his failure to cometo terms with his own inhibitions.In the crowded salon in the Hotel desBairifc on the Lido, Aschenbach exploreshis surroundings. In a magnificentpanning shot the camera sweepscompletely around the room; thetelephoto lens of Pasquale de Santis’camera eliminates depth, producing atapestry of plumed hats, fat bourgeoisefaces and bodies, stuffed furniture, andluxuriant hotel foliage. And Aschenbachis lost in this world. It is a beautifullycomposed sequence, but it sets up apuzzling opposition between Aschen¬bach as the solitary figure of theopening scenes and Aschenbach as justanother bourgeoise European.It is not long before we are certainthat Aschenbach is not the heroic figureof the opening scenes, whose ap¬pearance was heralded by the lovelyaaagietto from Mahler’s fifth sym¬phony. This Aschenbach is prissy and Bjorn Andresen sits with hand at cheek in the sumptuous hotel with Dirk Bogardebehind him. (left). Dirk Bogarde as Aschenbach reads paper (right).weak, a failed artist who cannot face hisown weakness, a man who we are givento believe writes sterile and unfeelingmusic. He is a neurotic and he is sooncaptivated by a beautiful Polish youthhe encounters in the hotel. Aschen¬bach’s awakened passion for the boyTadzio, a passion which makes himoblivious to the plague envelopingVenice, destroys the rigid structure ofhis life and draws him downward to hisfinal debasement and death.This lack of heroism in Aschenbach ismore than merely a departure fromMann’s text. It is evidence of a profoundmisunderstanding on Visconti’s part asto what Aschenbach is and what herepresents. Presumably, thisAschenbach has written the music ofMahler, as if such a man couldunknowingly have produced works ofsuch emotional turbulence and hope. Inanother flashback sequence, Alfriedplays one of Mahler’s other works on thepiano and attributes it to Aschenbach.But in this scene and others, Alfriedtaunts Aschenbach for being cold andaesthetically dead. “You are old,Gustav,” he tells Aschenbach in a flash¬back near the end of the film, “andthere’s nothing in the world more im¬pure than the impurity of old age.” But,to have written such music! Who isAschenbach? Visconti’s confusion aboutwhat Aschenbach is and what he hasdone spoils much of the point of thestory.The confusion of the film arises notonly from Visconti’s direction, but also from his screenplay (written incollaboration with Niccola Badalucca).Alfried’s harangues are peppered withthe kind of juvenile nonsense (“There isa definite place for evil in the creation ofbeauty,” things like that) that wouldmake even the most romanticadolescent upchuck. But Aschenbachtakes it all very seriously. Thescreenplay contains the same sort ofwretched writing that marred TheDamned (which included one of myfavorite lines: “I have accepted aruthless logic,” spoken in a moment ofdespair by the unfortunate DirkBogarde). I would have been happier, Ithink, with an Olympian Aschenbach ora less talented one.The flashback scenes are Visconti’sinvention, and they do not always havea point. Is there really a need to includea reference to Mann’s Doktor Faustusby recalling a time when Aschenbachfled from a prostitute namedEsmerelda? In fact, there are tworeferences to Doktor Faustus; the boatthat brings Aschenbach to Venice is alsonamed Esmerelda. The scene with theprostitute is shot with a tilted camera togive it more punch, but this kind ofgimmickry only makes the scene moreintrusive.Apart from the flashback sequences,we have endless views of Dirk Bogardeas Aschenbach (done up to look just likeThomas Mann!) exchangingmeaningful glances with Bjorn An¬dresen who plays Tadzio. Andresen, afifteen-year-old Swedish actor whom Visconti found playing in a rock banlooks exactly like what I had alwaimagined Tadzio to be, but the way fcontinually simpers for Aschenbachbenefit puts something nasty into tlcharacter that I doubt Mann hadmind.Ultimately, it seems that Viscor.cannot get over his contempt for tocharacters. In “The Damned,” VisconUincluded a character named Ascher.bach, an SS officer whose evil plottingeventually destroys most of the corruptvon Essenbeck family. Aschenbachtorments in “Death in Venice,” to >heroic attempts to come to terms wif ithe unknown in his own personality, at ;lost. In the end, he is a dirty old maicoming out. Visconti is quoted as sayii? *that “the spiritual ills of the upper clai >come from lack of interior force.” As*4count and direct descendant of the Duk<eof Milan, Visconti probably has muchfirst-hand knowledge of this. But, areAschenbach’s ills the result of lackinterior force? Or are they rather tlHresult of an excess of interior foreowelling to the surface after so maiwdecades lying dormant?Visconti loses the meaning (ifAschenbach’s death. If Aschenbach Mthe kind of artist Visconti would have U ibelieve, then his death is wasteful aaisad. But if he is the kind of man Visconv;has described throughout the film, the*I think I would like to have been sparedtwo hours of watching him rot.—Don DrukcrEVERY WOMAN HAS A CHOICE312-774-6911312-775-2685* Free Pregnancy Testing* Free, Confidential Counselingand Referral* Safe, Legal AbortionCHOICE. INCORPORATEDa nonprofit Servicefor WomenKoga Gift ShopDistinctive Cift Items FromThe Orient■nd Around The World1462 E. 53rd St.684-6856 DESKS-BOOKCASESSWIVELCHAIRS-LAMPS-TABLESNEW& USEDequipmentBRAND 1*SUPPLY CO.8440 So. South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. card 1SPRING SEMESTER—ISRAELBrandeis University/The Jacob Hiatt InstituteStudy centered in Jerusalem/February-June. 1672Limited to 30 studentsJuniors. Seniors and Grad students eligible.Four eourses/History, Literature. Archaeology. BibleEarn 16 CreditsKnowledge of Hebrew or Arabic preferredCost: S2000/1 uition, room, board round-trip travelApplication deadline November 1stTHE HIA TT INSTITUTEBrandeis UniversityWaltham, Massachusetts 02154Friday, October 8,1971 - The Grey City Journal -.»THEATER;A Schiller Play Bows in Mandel Hall in GermanSzene 71, a new German theaterensemble currently touring thiscountry, will perform in Mandel Hall. coming Thursday, October 14 atpm. Tickets for students are $2,0 ral admission $2.50 with tickets.. :able at the German department on.pus, 753-3883. Tickets will also besold at the door.The troupe will present one ofFriedrich Schiller’s best known plays,Kahale t’nd Liebe. Directing the en-\m\y German company will beProfessor Oscar Fritz Schuh, one ofGermany’s most renowned men of thesUme. Professor Schuh, who alsot oe- (led the group, has served as stage'»;»■> -.tor of the Hamburg Opera House,producer at the Vienna State Opera,director at the Salzburg festival andmany varied theatrical appointments.This will be the first time any ofSdViih’s productions has gone on theroad. Upon embarking on the tour,Schuh said, “I have worked with thebiggest and most expensive theaterequipment imaginable at Salzburg aswell as in many of the great play houses Two characters in Szene 71’s “Kabale und Liebe.’ of the world. Now; for a change, I amitching to try creating the most strikingartistic effects by using the simplestscenic means.”Included in the cast are many well-known personalities of the Germanscreen, stage and television. UrsulaSchuh, the director’s wife, created thesets and costumes for the show.The curent tour started September 29at the Loeb Drama Center at HarvardUniversity. The ensemble will alsoperform in Ottawa, Montreal, Quebec,Toronto, Buffalo, Urbana, Milwaukee,Dallas, Houston, New Orleans andPhiladelphia. This will be followed.by atwo-week stand in New York City. Thecompany will then complete the tourwith several performances in Ireland,Scotland and England.The performance here in Mandel Hallis being jointly co-sponsored by theGerman departments at the IllinoisInstitute of Technology, NorthwesternUniversity, Roosevelt University, andthe University of Illinois, Chicago CircleCampus, as well as by our own Germandepartment.*****AtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAtAt CHICAGO'S FAVORITE HIT!"Preserves an aes¬thetic balance be¬tween the comic gro¬tesque and thecomic indecent.Quite a Feast”- Chicago Sun-Timesig I'vetheatreBest evenintspent at ain Chicago for along time. Well writ¬ten, well staged,ana well acted,with attention to de¬tails of costumingand set pieces al¬most unheard ofhere.”-Daily Planet **********************************if***if**KINGSTON MINES THEATERS2356 North Lincoln Avenue *Res: RO1-4400 $*★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★*Staged by Eleven Best experimentalplan this year. Thelarge cast does anexcellent job withthis tremendouslydifficult work. Stag¬ed brilliantly andwell acted.”-Near North News"Fantastic, extrava¬gant, and beautiful.A transparent mem¬brane betweenworld.”-R. CameronThe ReportertwoFRIDAY AND SATURDAY AT MIDNIGHTTHURSDAY AT 8:30PLAYBOY.Special Student Rates! Save!Please enler my subscription to PLAYBOY for:□ 7 months at $6 (save $2.00 off $8 single-copy price)G 1 year at $8.50 (save $4.50 off $13 single-copy price)G 2 years at $16 (save $10.00 off $26 single-copy price)G 3 years at $22 (save $17.00 off $39 single-copy-price)G New subscription□ RenewalPlease include your check or money order.Send information about:G Playboy Club KeysG Playboy Posters© 1971 Playboy Name.Address.City (please print)State. Z'P-(If Box Number used — indicate whether P.O.Box or University Box)Name of College/UniversityNOTE: This offer is made only to students cur¬rently enrolled in a college or university.Send to:PLAYBOY COLLEGE CENTER919 NORTH MICHIGAN AVENUECHICAGO, ILLINOIS 60611 4100Rates apply to U.S., U.S. Poss. and Canada only.FA 4-0633-34:W’PLATTER* Puzo. Fried Ouckeii' Itolio n FoodsJ Compare the Price!! 1460 E. 53rd 643-28001 j4 - The Grey City Journal - Friday. 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The Swingline“Tot 50” Stapler. 98c in 1950.98C in 1971.And it still comes with 1000 freestaples and a handy carryingpouch. It staples, tacks andmends. It’s unconditionallyguaranteed. It's one of theworld s smallest staplers.And it's the world’s biggestseller. Could be that's why ithasn’t gone up in price in21 years.If you’re interested in somethinga little bigger, our Cub DeskStapler and Cub Hand Staplerare only $1.98. Both Tot andCub Staplers are available atStationery, Variety and CollegeBookstores.The Swingline “Tot 50”98* in 1950. 98* in 1971.If you can name something elsethat hasn’t gone up in pricesince 1950, let us know. We'llsend you a free Tot Stapler with1000 staples and a vinyl pouch.Enclose 25C to cover postageand handling.Dept G32 00 Skillmon Ave . long Island City, N Y. 1 HOI jFILMBergman's “The Touch” Captures TendernessIngmar Bergman’s first film in English, The Touch,is now playing at the United Artists Theater down¬town, and I urge everyone to go see it, and see it soon.It is one of the best films Bergman has ever made.I really can’t begin to understand the tremendouslyerratic nature of Bergman’s career, from themasterpieces such as Smiles of a Summer Night orPersona to complete dogs such as The Magician orHour of the Wolf and nearly every level of quality inbetween. But The Touch is utterly wonderful in manyways new to Bergman, as well riveting in somefamiliar old ways.Bergman’s last film, The Passion of Anna, was on¬ly partially successful, but his conversion to color anda slightly wider screen (a 1 by 1.85 dimension) didwonders for his visual style. He could now work withplanes of focus and frame less uncomfortably with¬out abandoning his natural preference for close-ups. I suspected that a new major film might beforthcoming, but nothing in Anna prepared me forthe shattering experience I found The Touch tobe. And it is a bit ironic that nearly all ofBertman’s alleged devotees seem to be desert¬ing him on his film, dismissing it as a soap operaaberration. I myself have said many a nasty wordabout Bergman’s talent, and I take none of them back-- but I will never again deny that he is a genius.Into the theatrically sealed-off world in whichBergman always isolates his characters (regardlessof the fact that they live in a closely-knit small town),intrudes archeologist Elliott Gould, bearded, inex¬pressive, looking almost rabbinical. We know littleabout him, but he is a disturbing presence, the shock-cut close-ups of his face continually suggestive ofTHEATER“Terminal” DetailsTerminal, the latest offering of the Kingston MinesTheatre Company at 2356 N. Lincoln, surprises,delights, and disappoints. Conceived originally by theOpen Theatre in New York as a play concerned withdeath and dying, the Kingston Mines version of Ter¬minal shows both the strength and limitations of acertain kind of ensemble theatre.The thirteen actors confront the audience with amixture of screams, grunts, and whines. Each in¬dividual actor shifts in and out of various characters.Much movement and dance is utilized. This groupwork is at first surprisingly effective but eventuallydeadening (no pun intended).When the troupe first appeared to announce itspurpose “to come among the dying to speak for thedead” in a haunting chorus of thirteen voices I waschilled by the eeriness of the sounds. As the groupaction progressed, however, I was less entranced. Bythe play’s end, the spectacle of screams andanonymous writhings left me cold. I didn’t have anysense of who the writhers were and was left unin- Bibi Andersson and Eliot Gourdin Bergman's “The Touch’’the Death Journeyvolved and untouched. So much for the surprise anddisappointment of Terminal.The delight came when the actors were occasionallycalled upon to assume an individual identity andpresent people already dead in sections of the actioncalled “The Dead Come Through.”Gordana Rashovich became the FrenchwomanMarie Leveau and was stunning as she sang a song ofdespair. When she wailed ” and the people eat eachother” I was convinced they did. Jack Wallace theExecuted Man was arresting as he told his accusers“my prison is made of bars and steel, yours is in yourhead.”The cast’s expertise is evident throughout Terminal.They move through their group paces easily and withassurance. Only when the play allowed the players tobe people, however, was I shocked by the isolation ofpain of death.John Del Peschio disorder, even chaos. The Touch tells the story of hisaffair with Karin (Bibi Andersson), an affair of farmore pain than pleasure, a mutual ongoing process ofhurt ripping deeper and deeper, until whether it iscontined or cut off makes little difference—the suf¬fering must always increase.For Bergman, it is this suffering which lets us knowthat we are alive; it is the obstacle we strive to placebetween ourselves and our awareness of inevitabledeath. This is made clear in the only pedestrianpassage of the film—where Karin confronts her deadmother in the hospital and begins to sense her mor¬tality.As is usual with Bergman, most of the primaryexpressiveness takes place within the frame itself, inthe gestures of the actors and the staging within in¬dividual shots. But in this film he also expressesmental states through montage, by cutting non-naturalistically on motions and actions. Bergmanunderstands his characters, completely imaginesthem, and his actors respond by completely creatingthem. When Bergman adds to this profound sense ofthe meaning of camera placement and cutting—of thesense of two people together in the picture, separatedinto separate shots—the result is a psychologicalsharpness that I found almost unbearably moving.Considering that one of Bergman’s major themeshas* always been the difficulty of communication, I canonly admire skill and intensity in which he imparts tothe viewer parallel emotions to those of his protagonist,Karin. The film induces a state of near-paralysis, andit is only the rare and fleeting liberating moments ofthe heroine that prod one into the sense of still beingalive. And each moment of that feeling is seen, andcommunicated, as uniquely precious.The dialogue in English is a little lame at times, andGould especially sounds as if he is reading Bergmansub-titles, but I have long suspected that Bergmannever had much feeling for idiom, even in Swedish.Such a concern couldn’t seem more trivial to me. Thecharacters’ feelings rise far above the sordid soap ofthe plot or the leaden sound of the dialogue.Bergman’s meanings and passions are alwaysnarrowingly clearn.Bibi Andersson’s performance (and von Sydow’s asher husband) is absolutely perfect in every gestureand feeling. When she looks at herself in the mirrorbefore her first liasion with Gould, she rushes back tochange her outfit, again, again and again, finallyieaving in the least flattering of all. In bed, she feelsshe must honestly catalog her physical faults to Gould.When he leaves her suddenly, a yawn slips through hertears. Her character becomes so real, that herachievement goes far beyond what we are accustomedto call acting.Jean-Luc Godard once said about The SeventhSeal (a Bergman I think little of) that what impressedhim about the film was the cosmic feeling that it wasall taking place within the duration of a single hand¬clap. In The Touch there are many such cosmicmoments, many such handclaps.--Myron MeiselFootballTHE MAROONS AND CALLIOPE MEET VALPARAISOTODAY AT 3:00 - STAGG FIELD, 56th & Cottage GroveHYDE PARK THEATRE #l[ HYDE PARK THEATRE #253rd & Lake Park NO 7-9071 5238 So. Harper 493-3493Two people really together, laughing,loving, looking tor tomorrow.See lot yourself our selection olquality rings.To assuie yout satisfaction we willexchange or refund full value.You won’t be hassled at Hollands.ShllhmibFINE JEWELERS FOR 61 YEARS1 19 N WABASH WOODF IE L OEVERGREENLAKEHURST HELD OVER2ND BIG WEEKStewSrdesses \Kohlberg Theatres STARTS FRIDAYOCT. 8THMATINEE SPECIALH Sat. & Sun. $1.50 to 5 p.m.tASTMANCOiO*WITHCHRISTINA HART • MICHAEL GARRETTEXECUTIVE PRODUCER WRITTEN AND DIRECTED B*LOUIS K SHER • ALF SILLIMAN JRA SHf Rptx PE i CASEFriday, October 8, 1971 - The Grey ( itv Journal - 5Viewing the Past and CurrenContinued from Page OneThe Lyric Opera is a distinguished company. Theres no denying that fact. Unfortunately, they must relyon importing first calibre stars to make theirproductions work. Their own company performers arenot really first-rate like Robert Merrill and RichardTucker at the Metropolitan Opera. So, every show,every year features a name performer, a drawingcard. This is not at all disappointing as it gives theopera goer the chance to see some of opera’s mostfamous names, but it does result in a lack of continuitythat a real opera company might have. Sometimes, astar will stick around Chicago and do two operas inone Lyric season. This year, Marilyn Horne is ap¬pearing in Semiramide and she will also star in TheBarber of Seville.The lack of a repertory company is oniy a smallproblem at the Lyric Opera. A much more importantand disappointing condition is the choice of operasthat the administrative staff chooses to do. In opera,there are the warhorses, the operas seen almost everyyear in almost every opera company (Tosca, Aida,The Barber of Seville, La Traviata, Madame But¬terfly, Carmen and many others) and the operas thatnever get seen. There is a rationale behind both cir¬cumstances. The warhorses are very popular, theydraw a large crowd for every performance and theyare cheap to do as most companies have costumes andsets for them. The infrequently or seldome-doneoperas fall out of the popular repertoire for goodreasons. They usually are just not very good operas.They might have fine parts for individual players orthey might feature brilliant sets or costumes, but theyusually do not hang together. In between the twoextremes are the good operas that are rarely seen,either because they are expensive to produce, ormerely because no one wants to sing those partsanymore.The Lyric each year gives us too many warhorsesand too many seldom-performed operas. We never orseldom get anything from the middle ground. TheBarber of Seville is being produced this year afterhaving been seen as recently as the 1969 season.Madame Butterfly was presented in the 1969 and 1970seasons. On the other hand, this year the seasonopened with Semiramide, a Rossini opera that has notbeen produced at the Metropolitan Opera since the19th century. Its disappearance is completely un¬derstandable. It is just not a fine opera. Similarly, the1969 season opened with Khovanshchina, aMussorgsky opera which hasn’t been presented in thiscountry in an equally long period of time. The sets andcostumes for this opera were sumptuous, but theopera itself was pretty much of a drag.In the middle ground are any number of interesting,even fascinating operas which we will never see.Gounod’s Faust, Boito’s Mephistopheles, Giordano’sAndrea Chenier, and many others are very rarelyshown and deserve more exposure. This year’sschedule at the Lyric offered two such operas,Massenet’s Werther and Berg’s Lulu. Unfortunately,somewhere along the line, Lulu was replaced bySalome, the familiar opera with the famous dance ofthe seven veils. Even still, a production of Werther isan exciting event, and the Lyric should becongratulated for their courage.Even though the Lyric Opera’s repertoire is notalways exciting, as a company they always come upwith first-class productions. They breathe life intowarhorses (last season’s Turandot and La Traviata,for example) and their attempts at more obscureoperas never fail for lack of spirit.Technically, the Lyric has weak and strong points.The orchestra, conducted by different leaders almostfor every production, always is clear enough thoughthey do often drown out a weak singer. However, inlight moments their touch seems perfect. By far thebest conductor is Bruno Bartoletti who usually con¬ducts two or three operas each season.The Lyric stage, like most opera stages, is im¬mense. Filling it with sets is an extraordinarily hardjob. Sometimes, the sets and costumes for aproduction are borrowed from another opera com¬pany. The Madama Butterfly production of the lasttwo years was lent by the Metropolitan Opera withsets by Ming Cho Lee. Other productions are in theLyric warehouses and still others are presented brandnew each year. This year’s new productions are thecurrent Rigoletto, Tosca and Das Rheingold.By far the weakest link in the Lyric’s technicalarmor is the lighting. Too often have the charactersbeen in semi-darkness, too often has a character made A shot from “Semiramide” (center) is flanked by two from “Rigoletto.” In “Rigoletto” Cappan entrance on stage left with the spot-lights shiningon stage right for me to overlook the lightingdifficiencies as mere coincidence. But luckily, a showdoes not usually rest on good lighting. Hand-in-handwith lighting are technical effects, unusual effects.Here the Lyric is also weak. In Khovanshchina,religious martyrs burn themselves in a cabin at thecenter of the stage. The smoke, however, gentlywafted out from the wings as if a lazy fan was pushingit along.Even with its faults, the Lyric Opera is a company tobe watched. It provides entertainment to thousands ofopera buffs in the Chicago area, and people who stillbelieve the old cliches about opera should sample oneshow at the Lyric Opera before they pass off all operaas a bore. The majesty, excitement and splendor ofopera is an amazing event. When the music, thecostumes, the sets and the singing are all going right,there is no finer artistic experience to be had. Perhapsthe Lyric isn’t La Scala or Covent Garden, but it toohas moments of grandeur every season. When theycome, all Chicago should applaud, as they have beenapplauding the Lyric Opera since 1954.Opera has had a turbulent history in Chicago withcompanies rising and falling and the fortunes of theart changing with the decades. In early 1954, Chicagowas surprised by two introductory performances ofMozart’s Don Giovanni. Three people decided thatyear to resurrect opera in Chicago: Carol Fox, still theopera’s general manager; Lawrence Kelly, a youngreal estate broker who loved opera; and NicolaRescigno, a talented young conductor. Due to the success of Don Giovanni and through the efforts of {,Miss Fox, the Lyric Opera opened its first season in jthe fall of 1954 with a three-week run presenting eight |different operas. A feather in the cap of the new Lyric ,Opera was the American debut of Maria Callas in , jBellini’s Norma. Also presented in that first seasonwere Giannini’s The Taming of the Shrew; The Barberof Seville starring Tito Gobbi and Giulietta Simionato; (Puccini’s La Boheme; Verdi’s La Traviata starringGobbi and Callas; Donizetti’s Lucia Di Lammermoor (starring Callas; Bizet’s Carmen; and Puccini’s,Tosca. ,iIn that first year, 84 percent of the seats were sold 11and the operating budget was $287,676. The next jseason saw 88 percent of the seats sold, an operating .budget of $619,906 and twelve different productions, i jAmong the most spectacular were Renata Tebaldi’s i jperformance in Verdi’s Aida, Maria Callas’ per¬formance in Madama Butterfly and Jussi Bjoerling’sperformances in Rigoletto and The Masked Ball.During the first decade of the Lyric Opera, the !operating expenses jumped from the $287,676 in 1954 to l$991,250 in 1962. The budget today jumps into the *millions of dollars. Some of the better productions *during the rest of that first decade were the 1956 Tosca [with Tebaldi, Bjoerling and Gobbi; the 1956 Die IWalkure with Birgit Nilsson; the 1957 Otello with ?Mario Del Monaco, Tebaldi and Gobbi; the 1958 fFalstaff with Gobbi, Cornell MacNeil, Tebaldi, Anna ‘Moffo and Simionato; the 1959 Thais with Leontyne *Price and Fernando Cornea; the 1960 Fedora with fTebaldi and Gobbi; the 1961 Lucia Di Lammermoor j6 - The Grey City Inumol - Friday, October 8, 1971Seasons at the Lyric OperaSemiramide will be presented tonight at 8 pm andMonday night, Oct 11 at 8. For some spectacularsinging by Miss Horne and some moderately fine workby Miss Sutherland, catch this opera. If however, youwish to see a more unified work with equally finesinging, catch the second production, Rigoletto, whichwill be presented again tomorrow night at 8 pm,Tuesday, October 12 at l pm for a student matinee,Friday, October 15 and Wednesday, October 20 at 8p.m.Rigoletto is one of Verdi’s most popular operas,detailing the story of a hunchback jester, Rigoletto,who is cursed tor being so caustic. His daughter,Gilda, whom he has warned not to go out of the house,has fallen in love with the Duke, Rigoletto’s master. Inretaliation, Rigoletto plans to kill the Duke, but Gildalearning that the Duke is unfaithful to her, substitutesherself for the Duke and is stabbed by Rigoletto’s paidassassin. While dragging the body away in a sack,Rigoletto hears the Duke singing, discovers Gilda inthe bag, and finally realizes that the curse upon himhas come true.Alfredo Kraus as the Duke gave the most consistentperformance in this cast. His high tenor voice workedperfectly, especially in his duet with Gilda, played byGail Robinson, a new young star who reached fame inDetroit when she replaced Roberta Peters in Lucia DiLammermoor on the Metropolitan Opera’s nationaltour. Miss Robinson is a fine dramatic actress, quiteconceivably the best operatic actress since Callas, butunlike Callas she has a fine singing voice as well. Hersinging started out a little unsteady on the openingnight of the opera, and she even missed a note duringher big aria at the end of the first act. However, as theopera progressed she became more and more con¬fident of herself and her singing in the third act waspure beauty.Piero Cappuccilli as Rigoletto provided the bestvocal moments of the show, but his acting leftsomething to be desired. In the second act especially,Cappuccilli is very strong as he pleads with thecourtiers to let him see his daughter, who they believeto be his mistress. While Cappuccilli moves well on thestage, dragging himself around as a deformed hunch¬back very well might, his singing and his mannerindicated that he was in the very best of health. In thefinal act especially, his acting was weak. WhenRigoletto discovered that it was Gilda in the bag, herecoiled in horror almost halfway acorss the stage. Itlooked phony.This was a new production with money donated byMrs. Nathaniel Leverone, but I find it hard figuringout where her money went to. The sets looked ex¬tremely flimsy. As Gilda climbed the outdoor steps toher house, it looked like they might fall over as shebrushed one wall. The castle scenes were particularlyshoddy. Where was the gaudy opulence the Rigolettohas always supplied? The costumes were a bit better,particularly Gilda’s boyish attire in the last act. MissRobinson may well be the best built female operasinger today. She looks young and pretty, making herperfectly suited to a large number of romantic parts.However, in spite of all its faults, Rigoletto succeedsbecause the music is of a superior quality. Verdi was amaster at dramatic opera and his quartet betweenRigoletto, Gilda, the Duke and Maddalena, theassassin’s sister, is a high point of operatic writing. Inthe long run, almost every opera succeeds or fails onthe basis of the music composed for it orginally. Noamount of fine singing or spectacle can redeem aopera with mediocre music and it is hard to destroy anopera with a superior score.During the rest of this year’s Lyric Opera season,there are a number of great stars to watch and see.Tosca will feature Tito Gobbi and Carol Bergonzi, twoof the most famous opera singers of the last twodecades. Alfredo Kruas will be singing the lead role inWerther assisted by Tatiana Troyanos. The superiorDon Carlo cast has already been documented. TheBarber of Seville has Miss Horne and Hermann Prey.Finally, Salome stars Anja Silja, who scored a hugesuccess at the Lyric two years ago in Wagner’s TheFlying Dutchman.The outlook for next year is mixed. This year’s DasRheingold will be the first part of the Ring Cycle whichwill be shown over the next three years. Next year’sopening night opera will be Verdi’s I Due Foscari, anearly rather obscure Verdi work. The rest of theseason will probably be announced later this fall. Thebest way to see the opera is to buy a season ticket, butsingle seats are usually available. The operatic ex¬perience is something that every person should ex¬perience at least once and the Lyric Opera is a per¬fectly fine place to get that exposure.Friday, October 8, 1971 - The Grey City Journal - 7Ili (left and right) and Miss Robinson (right) perform admirably. Photos by David Fishman.ith Joan Sutherland and Franco Zeffirelli asIrector; the 1961 Fidelio with Nilsson, Walter Berry.Ians Hotter and Jon Vickers; and the 1962 Prince Igorith Boris Christoff and Rudolf Nureyev dancing,here were many other fine productions during thosefcginning years, to be sure, but these fire iheImagination of the moden opera goer because of thellibre of stars that they presented.Today, the Lyric doesn’t always have more than onelime in every show. The 1958 Falstaff with five in-irnational stars could never be reproduced today,bsts are just too high. However, one show this yearIfeis four name stars, a' record of sorts for the last;W years. Don Carlo will star Sherrill Milnes, Nicolaijhiaurov, Pilar Lorengar and Fiorenza Cossotto. Iti huld prove to be one of the finest productions of thisiJason.The two productions that opened the current seasonfere somehow less than perfect. As mentioneddeviously, Semiramide is just not that great anpera. It doesn’t hang together well enough to deserveSequent productions. Basically, Semiramide con-trns a Babylonian Queen who falls in love with aDldier who is really her long-lost son. The late KingPpears and says that before the Queen can marry,suitor must meet and kill the person who will meet|m at the King’s tomb. The real murderer of the dead[jng wants the kingdom and wanders into the tombhseen by the soldier. Then the Queen wanders in andPcause the late King beiieved that his wife had hadJrt in his death, the soldier kills his own mother and then goes on to rule Babylonia.Not exactly a realistic story, but opera does not needrealism; it is magic. As the Queen, Joan Sutherlandhas attempted a part that supposedly is so difficultthat no other singers has attempted it in years. Per¬sonally, the role sounds mediocre to me. MissSutherland’s music is not that stirring and her vocaltheatrics left me a bit cold. I much prefeired MarilynHorne’s portrayal of the soldier. Miss Horne has anamazing range—her low notes were perfect for thisimpersonation of a man but at dramatic moments shepushed her mezzo voice high into the soprano range.Also, Miss Horne looks much more at home on thestage than Miss Sutherland. She moves with anaturalness and ease that makes her a good operaticactress wheras Joan Sutherland seems stiff andformal on stage. Her overbearing manner and herextreme height work against her in dramatic scenes,especially when she is singing a duet with Miss Horne.The rest of the members of the cast had small rolesand none of them had particularly good music to sing.However, the ensemble work by the Lyric chorus wasextremely well-done. Sometimes, the chorus soundslike there are only four or five people singing as op¬posed to over 40, but not in this production.The sets and costumes for Semiramide were onlymediocre. Especially poor were the palace scenes.The best set was the flat for the scene on top of theKing’s tomb. The costumes were a bit too ornate;often it seemed as if the characters had troublemoving about the stage. Once again, the lighting wasinadequate.CULTURE VULTURE ■Don’t Forget Maxwell Street Sunday MorningHEATERA Place Without Doors, the midwest premiere of a senational New York thriller starring Mildred Dunnock andliram Sherman completes its run at the Goodman Theateris Sunday. Ticket information: 236-2337.The Kingston Mines Theater is now showing two plays,erminal (reviewed in this issue) which is presentedridays, Saturdays and Sundays at 8:30 pm and The Whoresf Babylon which is shown Thursdays at 8 30 and Fridaysnd Saturdays at midnight. 2556 N Lincoln. Call 525-9893 foraservations .'Moliere's School for Wives will be at the Studebakerheater on Michigan at Congress through Oct 23. Brianedtord recreates the role that won him *ne Tony Award inew York earlier this year Student rusn tickets for $3 arevailable one half hour before the per ormance except on-jturday nights.Status Quo Vadis, a new play by Donald Driver, will play,t the Ivanhoe Theater, 3000 N Clark, through Oct 31.THEATERUT AuditionsUniversity Theatre announceseneral auditions to be held October 9nd 10 from 2 until 5 p.m. in Reynoldslub Theatre. Anyone interested in>eing involved with any aspects of UT isavited to come.Nick Rudall, UT’s new director,harles Jenkins, the new technicalirector, and student directors will ben hand. Actors will be asked to presentcenes of their own choice under five,linutes or to use material which will bevailable at the auditions.Potential directors, and those in¬vested in the various technical aspectsf theatre are alo invited to come up andhat. Demand necessitated extending the run an extra threeweeks. Tickets are from 53.50 to $5. Performances Tues Fri— 8:30, Sat, 6 and 9, Sun, 7, Wed matinee at 2.Free Theater of Columbia College a* 3257 N Sheffieldopens its new season with a music-theater production.Multiple Work, this Sunday night. Performances at 7 and 9Sundays and at 8on Mondays. Through Dec 6. FREE!Poe, the Organic Theater's latest production, is still at theBody Politic, right across the street from the KingstonMines Theater. Worth seeing, to be sure. Presented onweekends and some nights during the week.Szene 71 presents Kabale und Liebe, a German play bySchiller in Mandel Hall this Thursday, Oct 14 at 8:30 pm.Tickets available at the German department offices.ARTThe Art Institute's special showings at the present timeare: Photographs of David Lockhart in Gallery 106 throughOct 18, Photographers Look at American Landscape inGallery 106 through Oct 18, and Views of Florence andTuscany in Gallery 107 beginning Oct 15 through Nov 15.Enrico Baj Retrospective is now at the Museum of Contemporary Art through Oct ?4. 237 E. Ontario.Photographs by Ken Love are on display at Talisman,under the 1C tracksat 53rd St. Mon-Fri 11-9, Sat9-6.Selected works from two one man shows by Americanartist Benjamin Clark will be exhibited at CCE, 1307 E 60thSt, beginning Oct 10 through Oct 31. Daily from 9 am til 8pm. Clark's work has teen displayed in London galleriesand in many private collections.Astrology is the Clock of Destiny, an exhibit at the HydePark Art Center, 5236 S Blackstone, will continue throughNov 6. Tues, Wed, and Thurs — 1:30to 4:30 pm, Sat — 10 amto 4 pm. Tonight at the exhibit, Chicago astrologer LaurieBrady will look at the show and tell which sign each artistwas born under at 8 pm.Two Generations Apart, a dual exhibition of posters ofWorld War I and contemporary art posters are now ondisplay in the Bergman Gallery, fourth floor Cobb. Stop inbefore class.The Rennaissance Gallery, first floor Goodspeed, iscurrently showing a new exhibit, The New Curiosity Shop.Including works by over 50 artists, the show will continuethrough Nov 13.The works in the Shapiro Art to Live With collection willgo on display in Ida Noyes Hall next week. Numbers will beawarded Friday morning and selection of painting willoccur later in the day Included in the available paintingsare original prints by Picasso, Chagall, Miro and manyothers.FILMDoc Films is presenting four films this week. Tonight at7:15 and 9:30, Francois Truffaut's The Wild Child (primitiveboy is civilized by patient teacher).On Sunday night Richard Lester's The Knack (how tomake it with chicks and why the generation is going to thedogs), the film he made between his Beatles pictures. Also7:15 and 9:30. Fraijcois Truffaut’sTHE WILD CHILDOoc F«r» Fntttv OctoOe, 8 71st»30 Cotoe rOn Tuesday, Vincente Minnelli's Meet Me in St Louis, oneof the most beautiful musicals ever made, with JudyGarland and Margaret O'Brien, featuring "The Boy NextDoor" and "The Trolley Song," at 7:30 only.And on Wednesday, Carl Drever's horror classic, Vam-pyr, the ultimate surrealistic nightmare film, from thedirector of Day of Wrath and The Passion of Joan of Arc, at7:30 and 9:00.CEF's Saturday night feature this weekend is Albert andDavid Maysl's and Charlotte Zwerin's Gimme Shelter, theon the spot story of the Rolling Stones' fateful tour and themurder of Woodstock Nation at Altamount. It's all there,from the same team who made Salesman. This one is inMandel, not in Cobb, at 7 and 9:15.Around town and recommended: The Touch at .theUnited Artists Doctor Zhivago at special cheap ratesattheMichael Todd, Gerd Oswald's The Bunny O'Hare Mob at theState Lake, and One Day in the Life of Ivan Denisovich, based on the Solzhenitsyn novel, at the Cinema. Also, if it isstill around, Abraham Polonsky's Socialist comedy ofJewish life in the Pale at the turn of the century, Romance ofa Horsethief.Rumor has it that Morocco is being shown by IS Sundaynight at 6 pm in the Ida Noyes theater, 3rd floor. Unconfirmed.If you can't make Doc's Vampyr Wednesday night, thefilm is being shown at Alices Revisited, 950 Wrightwood onTuesday night, Oct 12. Donation. Showings at 8 and 10.Monday night, The Wild One, Marlon Brando's bikepicture will be shown at the new Little Stabs of HappinessCinematheque, 656 W Barry. Admission $1.50, showing at 8pm.Swan Lake, the film of the Kirov Ballet's production, willbe shown in the Auditorium Theater Sunday afternoon at 3pm. Call 922 2110.MUSICTonight, the Vermeer Quartet with Peter Serkin asspecial guest artist in Mandel Hall at 8:30pm. 753 2612.There may be some entertainment at the Nightclub in IdaNoyes hall tomorrow night. See for yourself, or better yet,make it yourself.The Chicago Symphony Orchestra season begins thisweek at Orchestra Hall. Thursday night at 8:15 and Fridayat 2 pm Georg Solti will conduct Mahler's Symphony Nc 5 inC sharp minor.The Fine Arts Quartet season opens Monday night at 8 15in the Goodman Theater with pieces by Beethoven, Mozartand WuorinenThe Lyric Opera will present three operas this week.Semiramide tonight and Monday, Rigoletto tomorrow nightand next Friday, and Tosca Wednesday night, all at theOpera House, all at 8 pm.Alice's has music this week at 950 Wrightwood. SiegelSchwall are there tonight and tomorrow night with musicstarting at 9, $2. Sunday, Magic Bus will be there at 9 for $1.Monday is a benefit for the Chicago Peace Action committeewith Wilderness Road. Wednesday is jazz night with KenChaney and the Awakening for $1 at 9.The Byrds are at the Auditorium Theater tonight at 8 30.Tickets are $3.50 to $6.50Curtis Mayfield is at Mister Kellys, 1028 N Rush andtrumpeter Sy Oliver is at the London House, 360 N MichiganDANCE,ETCBallet Theatre USA, Jacques D'Amboise troupe willperform in the Auditorium Theater Thursday, Oct 14 at 8:30pm. Call 922 2110.The Ringling Bros Barnum and Bailey Circus is now at theAmphitheatre at 43rd and Halsted with tigers, elephants andall your other favorites They'll only be there through the24th, so hurry. $6, $5, $4 and $3. At Ticketron outlets.This Sunday should be a good day for Maxwell Street.Don't forget about our city's large flea market. The fall isthe best time to go because the street merchants want tounload everything before the winter sets in. Sunday at 6 amor so at Maxwell and HalstedSUNDAYS at BRENT HOUSE5540 Woodlawn Avenue5 p.m. - "The Underground ChurchCommunication and Communion6 p.m. - Informal Supper discussionTHURSDAYS ot BOND CHAPEL72 noon - Holy Communionand MeditationBRENT HOUSE INSTITUTE"Sexuality and Conflict"October 22-24 at Fox LakeCall 753-3392 for informationJAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372 NEKA & MESpecializing in Imports &-The Unusual-Clothing, Jewelry & Giftsfromlndio> So. America,Spain, Israel & PersiaRugs of various sizesImported fromPersia & So. RussiaHYDE PARKS NEWEST BOUTIQUEHOURS: Tues. Thru Fri. 11-9Mon. & Sal. 11-6, Sun. 12-51613 E. 53rd St. Ml 3-111110% Student Discount on Clothing HBBWI IDTUthat hasnothing todo withromance.. and peace that has noconcern with armies ortruces / Am Also a You isa book of illustrated truth,whether spoken by theBuddha, Christ, an anony¬mous graffiti artist or arock-and-roll star. Theillustrations are stunningphotographs by JayThompson, the chief pic¬ture chronicler of today'sfrightening, joyous and ex¬citing change of con¬sciousness. Transcendyourself withI AM ALSO A YOUa book of thoughtswith photographsby JAY THOMPSONwith an Introduction byJOHN LENNON3rd large printing. Hardcover$4.95; paperback S1 95. Nowat your bookstore.Clarkson X. Poller.Inc./PublishersLeather GarmentsEXPERTLY CLEANED& REFINISHEDBeat the Fall & Winter Rush. Have yourleather garments cleaned now.Alterations & repair also available.The Town Cobbler1458 E. 53rd752-0402Pick-up & Delivery Service- The Grey City Journal - Friday, October 8, 1971 SELLYOUANYTHINGBut, if you buy the ideaof a vocation—a life of service& prayer for others— wemay be able to help you.We are the Passionists.Following the inspiration ofPaul of the Cross we pledgeourselves to become in aparticular manner disciplesof Jesus Crucified.By this discipleship we tryto serve others.Contact:Bro Kevin O'Malley, C PPasviomst Community. Dept A5700 N Harlem AveChicago, III 60631RECORDSA Report on Records, Summer 71Joni Mitchell in a rare concert picture. Photo by Marc Pokempner.Contrary to what George Gershwinwould like you to believe, summertimeliving’ ain’t easy, especially if you’re inthe record business. The summermonths offer record companies an idealtime to offer new products to un¬suspecting young people-most haveaccumulated some extra cash whileworking at the grocery store or theStewarts root beer stand. All throughtthe long hot Chicago summer I havebeen collecting my thoughts on some ofthe more important albums that Ireceived (many never did come) and Iam now ready to pass on these pearls ofwisdom to you. Voila!Blue by Joni Mitchell (RepriseMS 2038):With each succeeding record JoniMitchell gets less arty and more hip.Her lyrics are often still in periectpoetic form, but her purpose, hermessage and her manner are muchcloser to the roots of rock music thesedays than they were on her first album,Song to a Seagull. This may make ithard for old die-hard Joni Mitchell fansto appreciate her newer works, but theprogression that she has taken as anlist can only help her in the long run.Unlike many singers, Joni Mitchell isi equally good songwriter, singer andstrumentalist. With all these skills,e needs some kind of challenge toake her music interesting. Stagnationmid ruin her talent. So, every one ofr albums so far has been leading-ther away from the pristine, artyt rvle and closer to more contemporaryjnds. On Blue, this style takes a firmId with only a few songs being evenguely reminiscent of “Both Sides»w” and “Michael from Mountains.”th her new material, Joni is singinga less formal, freer style. For me,:* makes her music a little lessmotonous.\ /ith preliminaries out of the way, itshould be sufficient to say that I amperfectly happy with the turn of eventsand I consider Blue to be the most en¬joyable Joni Mitchell album to date. Itabounds in personal, true emotions.There is none of that lofty academicexa ning of emotions that “Both SidesNo' •” wallowed in. Joni is now speakingas ( ae human being commenting on lifeanc its problems. The word “blue”stai ds for three things: a song on thealb m by that name, the color of thealb m cover and sleeve, and the feelingJia pervades all of the material. Evenin 1 ippy songs there is a note of sad-aes .B ue makes for interesting listeningfro l beginning to end; there is not anycut chat is a bit inferior. My favorite is‘Cj rey” but everyone will pick a dif¬fer* nt song to listen to the most. Ivh leheartedly endorse the latest JoniYlil :hell album. A mere rave would not:or, ie near to pinpointing how strongly Iee.If You Saw Thro’ My Eyes by IanMatthews (Vertigo VEL-1002):Also in the quiet music area is thefirst solo album by this former memberaf Matthews Southern Comfort andFairport Convention. Ian Matthews is avery sedate singer. Rave-ups are justlot his style. But within a set area, hismusic is enjoyable and pretty, if a littlerepetitive. On this album he is backedjp by some very able musicians in¬cluding a number of Fairport Con¬vention ex-members and some oldmembers of the now defunctPother ingay. Matthews has wisely kept= accompaniment at a minimum. Hisr isic relies on his voice and the lyrics: his songs.‘And the light I find reflec-xJ/ Guides the way among the hearts left by the road/ By the way you seemaffected/ I can only taste the bitternessyou show/ Fly away from me/ Try tofind the reason/ And in a day you’ll bewandering again.” Matthews is not astalented at combining words withmelody as Joni Mitchell is, but hispotential is enormous. If Joni Mitchell isblue, then Ian Matthew is lavender.Nicely Out of Tune by Lindisfarne(Elektra EKS 74099):Also English and out with a firstalbum is Lindisfarne, who, for all I cantell, are entirely new. None of thenames ring a bell, so I suspect that thisis not a group composed of refugeesfrom other groups as most new Englishgroups are today. But Lindisfarne isbetter than most because they have thevibrancy and new sound that anyreformed group usually lacks.The first song on the first side,“LadyEleanor”, completely knocks me outbut others find it a bit over-arranged. Ithink that the voices and words succeedin spite of the inconsistent back-upinstrumentals. The lead singer sounds abit like Elton John, to be sure, but hisvoice is much smoother than John’s andit appears, at least on this album, to be abit more flexible. As a group, Lin¬disfarne has four singers, giving them adifferent sound on different cuts andthe ability to have a wide variety ofharmonic styles. I like Lindisfarne. Ihope you will too.Who’s Next by the Who (Decca DL79182):What can you say about the Who? Ilove this album and I am quite sure thatno hard rock album this year will comeclose to matching the power and theenergy of the Who at their best.On this album, their best is “Won’tGet Fooled Again”, a monster of a songfeaturing the two longest, loudest andscariest screams that Roger Daltry hasever come up with. But while Daltrysings up a storm all over this album, thetrue star is Peter Townshend, who has always written the Who’s material,played their violent lead guitar and nowhas produced this album. Seldom is aproduction job as perfectly suited to themusic as this album is. There is nothinggetting in the way of that pure energysound. The individual instruments andDaltry’s voice are loud, clear andringing.The Who have finally gotten over thestigma of sorts that Tommy made forthem. They will never again be merelythe group that did the first rock opera.Stephen Stills 2 (Atlantic SD7206):As energetic as the Who are, StephenStills is that subdued on his newest soloalbum. I very much liked Stills’ firstsolo effort as I felt he captured a moodand spirit from beginning to end. Herenot only does he lack spirit, but hesounds so jaded that I wonder why thehell he did this album in the first place.This is not to say that there is nothingof substance on this record.“Marianne” and “Change Partners”are two fine songs, but they, likeeverything else on this record, soundsort of worn out, overdone, over¬produced. Stills has a tendency to workon something so long and so hard thatall the vibrancy runs out between thegrooves on the record. Some of the firstCrosby, Stills and Nash album had thisfault and all of this new solo album does.Stills still strikes me as an imaginativesongwriter and a fine singer. I just wishhe would leave well enough alone.Song for Beginners by Graham Nash(Atlantic SD7204):Graham Nash, like his partner inCSN&Y also put out a solo album thissummer and his too is not very exciting,but the lack of exciting material on hisrecord is more understandable and lessannoying than the dullness of StephenStills 2. Nas has attempted to produce amore relaxed, quieter type of musicthan he has been in the habit ofproducing within his famoussupergroup. As he put it himself “I am a simple man/ So I sing a simple song.’Within this simplistic boundary, Nashis moderately successful. Like mamother performers these days, he has toemany famous people backing him upand parts of his record turn into identifyyour favorite star. Extremelynoticeable is Rita Coolidge singingback-up. With a little more confidencein his own talent to put out a truly solesolo album and and a bit more verveGraham Nash might put out a firs,calibre album instead of merely fmoderately successful one.What You Hear is What You Get by Iksand Tina Turner (United Artists 9953)There is no more exciting show irock music at the moment than the Ikand Tina Turner Review. Up til thialbum, their exciting stage show wanever captured live, but this two recorset more than adequately makes up fcthe absence. Tina sings stronger anmore sexily on this album than she evehas before. Particulary good are thnew versions of “Proud Mary” an“Honky Tonk Women” both of whichave been hits in the past.My only real objection to the albui(besides the fact that I prefer vintagIke and Tina to their newer versions cold rock hits) is that this should havbeen a one-record set. The four sidecome to 14:30, 16:00, 15:30, and 13:?minutes respectively. Of those son?59:30 minutes, seven happen beforTina comes on stage, six are reprises c“Proud Mary” and over eight are a duversion of “I Smell Trouble”. Witsome editing and cutting, this alburcould have been just one recor<making it a bit cheaper. But they arselling it at a reduced rate and it ivintage live Ike and Tina.Leon Russel and the Shelter Peopl(Shelter SW 8903):Supposedly, Leon Russel’s stage acis almost as exciting as Ike and Tina’.*If so, I wish he too would have recordea live album instead of recording thnew album in the studio. Much of th>album seems muddled and vagueThere are four different troupes of badup musicians and they lend themselveto confusion as to what you are nearingAll one can ask is who is playing theguitar, Leon or Eric Clatpton; aftcasking six or seven times, you stc'caring.There is some good material hereparticularly the version of Dylan’s ‘VHard Rains Gonna Fall” that featurethe Tulsa Tops: Don Preston and Jess 1Davis on guitars, Carl Radle on basand Jim Keltner on drums. Fin1southern musicians all.The Silver Tongued Devil and I byKristofferson (Monument Z 30679):Also from the south and also extremely talented is Kris Kristofferson^whose successful live concert here oicampus last May was only a forewarn¬ing of things to come. Kris is a composer whose songs have been madtfamous by others, “Me and BobbyMcGee” in particular. However, he i?now putting out his own albums anc*while his voice and style might not sui*everyone, like Dylan, his songs arcoriginals.On this album, Kristofferson sings inhis low, gravelly style backed up by zvariety ol Nashville musicians. But theinstrumentation and the vocal style isrelatively unimportant to the success o?this album. Kristerofferson is a lyricistwho writes country songs. His songsall tell stories like most country songs,though they do so in a more poetic stylethan country music has been accus¬tomed to, befitting the holder of a Rhodesscholarship. Kristerofferson is gettingmore and more popular and his futureis very rosy indeed.Continued on Page 11Friday, October 8, IV71 - lhe Grey City Journal - *A bicycle puls youclose to nature - Thusspake ZarathustraTurin in, Turin on,drop joggingV /or velocipedeCheapest prices for Car¬lton, Raleigh, Robin Hood,Falcon. Peugeot, Citane,Merrier, Radius and Daws.Factory trained mechanics.Used bicycles spasmod¬ically. Fly-by-night rentals.Turin Bicycle Coop2112 N Clark LI 9-8863Free DeliveryM-F 12:00-8:30; SAS 10-8TV carpetbaggers from Old TownPregnant?Need Help?We will help any woman regardlessol race, religion." age or financialstatus We do not moralize butmerely help women obtain qualifiedDoctors for abortions, if this iswhat They desire. Please do notdelay, an early abortion is moresimple and less costly, and can beperformed on an out patient basis.Call:312 922-0777Problem PregnancyAssistance of Chicago8 AM-10 PM—7 DAYSA NON PROFIT ORGANIZATION"HEUP wanted: Sinceregentleman seeks running-mate. Caucasian preferred,hut natural sense cf rhythmno obstacle. Contact E.Muskie."I For a free copy ofNATIONAL REVIEW, write: Dept.R, 150 E 35 Street. 5Tudde<kBdl$hbrushed dan I**balls with color-Rill enomclad■STuds down 1haSides HiHar>g-ou+ i$ a port of Cohn $ stern►Wde Park Shopping center/Sf*10 £ Lak« p,,*In brewing Bud®, our choiceis to go all the way.We hope beer mattersenough to you that you toowill go all the way ...with Budweiser.WHEN YOU SAYBudweiser.YOU’VE SAID IT ALL!ANHEUSER-BUSCH, INC • ST LOUISAngel of mercy,here ore yourwings.As an Air Force Nurse, you’ve got a chance to makeyour life as rewardingas your work. An opportunityto serve your Country and the men defending it-perhaps as a flight nurse evacuating the sick andinjured, or as a specialized nurse in one of themany modern Air Force hospitals. And with it, asocial life second to none.Find yoursefin the Air Force Nurse Corps.VISIT THE AIR FORCENURSE OFFICE536 South Clark StreetChicago, Illinois 60605Ph. 312-353-6580K ATSA 20S P M A ft M A < y,.Hc• Complete Prescription Needs• Prompt Delivery Service1521 E. 53rd ST. Phone 288-8700 FREE CONSULTATIONON PROBLEM PREGNANCIESABORTIONS AS LOW AS $150.007 DAYS 24 HRS.CALL215-879-3100FREE, CONFIDENTIAL INFORMATION ALL YOU NEEDDO IS CALL US. WE WILL ARRANGE FOR IMMEDIATESCHEDULING INTO ACCREDITED HOSPITALS AND THEIROUT PATIENT CLINICS. UTILIZING CERTIFIED 0B3TETRICIANS AND GYNECOLOGISTS. THE FINEST MEDICALCARE AVAILABLE AT THE LOWEST PRICES FOR SUCHSERVICES IF YOU ARE PREGNANT. DO NOT DELAY. CALLUS IN COMPLETE CONFIDENCE YOU ARE ENTITLED TOTHE BEST CARE THERE IS.ETHICAL ABORTION REFERRAL215-879-3100 *HYDE PARK’S BEST BARGAINU of C Studentssave 17.3% to 35% at Walgreen sRestaurants on all food items:Breakfast, Lunch and Dinner.Buy coupon books at Walgreen's Restaurant. Pay$5.00 get $6.00 worth of coupons. Good any¬time at Walgreen's in the Coop Shopping Plaza.Have a dinner with us this week.And see Grill Manger for further information.WALGREEN’S RESTAURANT1554 East 55th St.OPEN* ® a.m.-9 p.m. Monday-Saturday10 o.m.-6 p.m. Sunday MALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEAPPLY NOWDRIVE A YELLOWJUST TELEPHONE CA 5-6692 ORAPPLY IN PERSON AT 120 E. 18th ST.WE HAVE WEEK-END WORK FORYOU.LAST SUMMER STUDENTS EARNEDUP TO $50 OR MORE DAILY.WORK DAY OR NIGHT OR DURINGSEMESTER BREAKS.Work from a garage near home or schoolKIMBARKLIQUORS»WINE MERCHANTSOF THE FINESTjg^gs^IMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 L 53rd St.53-Kimbark Plaza HY3435510 - I he Grey City Journal - Friday, October 8, 1971RECORDSISummerRecordRoundupI Continued from Page NineRunt: The Ballad of Todd Rundgren(Bearsville/Ampex A 10116):1 think I may be the only person in theentire world who is following ToddRundgren’s carreer. Todd used to leadithe Nazz, produced a few records and isnow on his second solo album. He is afun performer, more versatile thananyone else I can think of. He writes hisown material, sings his own songs,produces his album like everyone else,but he also plays almost every in¬strument you hear. He doesn’t play bassand drums. His music also embodiesstrains from the ’50s, ’60s, surf music,quiet folks sounds and rocker 70s stuff.1 particularly like “Long FlowingRobe” on this album, reminiscent ofsock-hop rock, and “The Ballad”, asad song of unrequited love.Todd Rundgren deserves a break.Why not give his album a listen? It’s nofun being a solitary fan.Dando Shaft (RCA/ Neon NE5):I may be Dando Shaft’s only fan at themoment but they are new enough thatthey have plenty of time to find others.s English and folky, Dando Shaft wasformed in September 1969 in Coventry,England. Late in 1970 Polly Bolton, apretty English lass joined up, makingDando Shaft not just another maleEnglish folk group. Polly, in time, may develop into a first class folk singerlike Sandy Denny, but at the momenther talent is raw and in need of direc¬tion.The group is competent, but they needa bit better material, which they writethemselves. Yet the essence of successis there below the surface. I eagerlyawait their next release. Here again,this album must be marked downbecause it is too short. The second sideis less than 14 minutes. Another song isneeded.Smiling Men with Bad Reputations byMike Heron (Elektra 74093):Mike Heron is one-half of the maincontingent of the Incredible StringBand, England’s amazing twosome folkteam that can play any stringed in¬strument ever invented, I would guess.Robin Williamson has been the moreprolific writer in the past, so MikeHeron put some of his compositions onhis own solo album. On this album,Heron displays more versatility ofstyles than his work with the StringBand has shown in the past. “Call MeDiamond” is a rocker of sorts and“Warm Heart Pastry” features Tommyand the Bijoux, a not-very disguised theWho.I am a bit distressed that Heron’slyrics on this album are nowhere nearas creative as his previous work, but Iguess you can’t have everything. He hasgiven us a pleasant, new-style albumthat provides a new wrinkle to theString Band story.Take Heart by Mimi Farina and TomJans (A&M SP 4310) :Mimi used to sing with her latehusband Richard Farina and she isJoan Baez’s sister, so her credentialsare in order and Tom Jans is new butany friend of Mimi’s is good enough forme, especially because he writes finesongs and sings beautiful harmony withMimi. One rather depressing note is thefirst line of the album: “Carolina’s onACCENT / SHOP Int.FALL SALESEPT. 29TH THRU OCT. 16THCHAIRS GIFTWARE LAMPSBUTTERFLY CHAIR, BLACK WROUGHT IRONFRAME! CANVAS SLING, CHOICE OF FOUR COLORS; OLIVE,YELLOW, ORANGE OR BLACK. REG. 16.95g acci<DOO(0accent14 17 f. Vlrd SI. ONSALE13.75ACCENT SHOP INC.1437 E. 53 RD. IVI13-7400(53rd & BLACKSTONE)Ml {-7400MON. THRU FRI. 10 A.IV!. TO 6 P.M.; SAT. 9 A.IVI. TO 6 P.M. my mind.” I think I’ve heard a line likethat before from a certain Mr. Taylor.Tough luck, Tom.With this one fault out of the way,there is only nice things to say aboutthis album. Mimi strikes me as animproved version of her sister. Theirvoices are similar, but Mimi seemsmore capable of reflecting emotion inher voice and she writes songs,something Joan has not done too suc¬cessfully in the past. Also, Mimi andTom play the gentlest acoustic guitarssince Richard Farina died. The in¬tertwining of guitar lines is a delicateart and Tom and Mimi have it down pat.Intelligently, they avoid too muchbackground instrumental work. Theirguitars are just too pretty to be coveredup.WAR, WAR, WAR by Country JoeMcDonald (Vanguard VSD 79315):Country Joe has not done too muchworth remembering since he left theFish and unfortunately, this newestrelease is not much better. Here, he hasattempted to put poems by RobertService on war to music and I wish hehad left them alone. It is a noble ex¬periment, but it fails. Joe, where is thatverve of yesterday? Ya know, give mean “F”.Ram by Paul and Linda McCartney(Apple SMAS-3375):No matter what anyone says, PaulMcCartney will be a big hit, number oneand all, but here goes anyway. Thisalbum is just so much junk. He messesaround, tries to make Linda into a starand fails rather miserably. “UncleAlbert-Admiral Halsy” has been playedon the radio so often that I think I maypuke if I hear it again. Paul, you’ve gottalent, I think, but the layer of sac¬charine between you and the surface isgetting thicker every day. Maybe alittle nitro-glycerine might help.The Great Pumpkin950 W. Wrightwood 528-4250ALICE’S REVISITEDBLUESOct. 15-16Oct. 22-23-24Oct. 29-30-31 Howlin’ WolfShort StuffBig Mamma ThorntonOpen: Weekends 7-2 Weekdays 4-1HOT DINNERS served all eveningsTUESDAYS-films WEDNESDAYS-progressive jazzMust be 1 8 on Friday & SaturdayFriday, October 8,1971 - The Grey City Journal -11JOAN BAEZ MONTHLOWE'S PRESENTS:BLESSED ARE THOSEWHO GAVE US JOANFOR 40% OFF LIST.1.79 SPECIAL BONUS: VSD-2077 JOAN BAEZ 3.59VSD-2097 JOAN BAEZ Vol. 2 3.59VSD-2122 JOAN BAEZ IN CONCERT 3.59VSD-2123 JOAN BAEZ IN CONCERT, Part 2 3.59VSD-79160 JOAN BAEZ / 5 3.59VSD-79200 FAREWELL ANGELINA 3.59VSD-79230 NOEL 3.59VSD *79240 JOAN 3.59VSD-79275 BAPTISM - A JOURNEY THROUGH OUR TIME 3.59VSD-79306/7 ANY DAY NOW (SONGS OF BOB DYLAN) 5.98VSD-79308 DAVID’S ALBUM 3.59VSD-79310 ONE DAY AT A TIME 3.59VSD-6560/1 JOAN BAEZ - THE FIRST 10 YEARS 5.98VSD *6570/1- BLESSED ARE... 5.98ALL VANGUARD EVERYMAN CLASSIC IP'SIMPORTSi EDITION 1)1L’OISF.AU-LYRH TDAS ALTC W6RK *MfBy TELEFUNKEN ^THE COMPLETE CATALOGUE OF LONDONIMPORTS WILL BE ON SALE FOR $3.59 PER RECORDFOR ONE WEEK ONLY. THE CATALOGUE INCLUDES BACH'SCOMPLETE HARPSICHORD CONCERTOS AND THE COMPLETEMacBETH BY WILLIAM SHAKESPEARE. ALSO FEATURED IS THEPOETRY OF YEATS, D. THOMAS, BELLOC, HARDY, AND KEATS.FROM POETRY TO CLASSICAL MUSIC FROM INTERNATIONAL MUSICTO HISTORIC ANTHOLOGIES, THIS IS AN EXCEPTIONAL OP¬PORTUNITY TO FILL OUT YOUR RECORD COLLECTION WITH THELONDON IMPORT LABELS OF ARGO, TELEFUNKEN, L'OISEAU-LYRE,AND DAG ALTE WERKE.ALL $695 LIST CASSETTES AND 8 TRACKS FOR $495CHARGEWITH Sank AMf ricaroU.\C~RECORDS HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 512.- The Gjey City Journal - Friday, October 8,1971aErica Reiner announcescommittee objectivesA series of “dignified women speakers,” anew day care center, and part-timeenrollment by married and working womenin some divisions of the University numberamong the plans of the University women’scommittee this year, according to chairmanErica Reiner.Miss Reiner, a professor of EasternLanguages and Civilizations at the OrientalInstitute, said that the first committeemeeting of the academic year will be heldTuesday to “define the objectives of thecommittee for the coming year.”FIRST WEEK RELAXATION: Four UC students contemplate life in the comingweeks. Photo by Dave Fosse.Levi's class explores LincolnspeechContinued from page 1said a red-haired boy softly, without raisinghis hand.The import of how Lincoln handled theconcept of time in the Second InauguralAddress escaped everyone. “We’ll comeback to it,” Levi said. “Especially if you areintelligent, we will come back to it.”At one point he offered a boy $500 to statethe opposite of his own case. And once, astudent put forth a dramatic hypothesisabout Lincoln’s purposes. People groaned.Levi smiled, and said to the complainers inmild reproof, “Put it into words.”In answer to a student’s complicatedstatement, he said, “Let’s take apart whatyou’re saying." smiling slightly. Everyonelaughed heartily.A few people in the class always treatedthe Lincoln speech as a coldly consideredpolitical act: “He’s a politician trying not tooffend anybody.” “I think he is ap¬peasing. trying to get the audience on hisside.” “Sounds like a big pep talk.”Levi was puzzled by the recurrence of thisattitude. “I think he would be very surprisedby what he is communicating to you.” He resisted championing Lincolnthroughout the class period. He tried tosuggest another approach by calling thedocuments “talks”, but no one picked up onit.Then someone said, “I was readingAristotle last night, and he said that oneshouldn’t pay any attention to who the manwas before he made the speech or after it.”“The talk itself cannot be separated fromthe mouth of the speaker,” said Levi. “If youlook at it this way, then all the mysteries youhave been raising about how to read itvanish... Lincoln was very conscious of thepart he was playing. He is creating his imagefor you.”After class was dismissed, a girl who hadnot spoken before suggested to Levi thatLincoln had been “thinking of himself not asa political leader, but as a spiritual one.”“Lincoln wouldn’t have made thatdistinction between them,” he said, “Herecognizes in himself a kind of symbol of thenation, and he never forgets that.”—whichleaves us all wondering whether Ed Levirecognizes in himself a kind of symbol andnever forgets it.LEARN TO MAKEYOUR OWN WINERegister now forWINE-MAKING Classes given in Conjunction withHyde Park Health FoodsDates: beginning Oct. 1 2 for ten weeksCost: $20.00For information and to Register call 955-0027Classes given by Suzanne Prescott...make enough wine tolast the rest of theyear...save money-makewine for 50c a bottle ...learn to make winessuperior to those you'renow drinking...take advantage offruits available thisautumnMeet groovy people in a relaxed congenial atmosphere BUYING BOOKS: A student pondersover books required for Levi's course.Photo by Leslie Travis. Among the ideas proposed by Miss Reinerwere the founding of a new committee byPresident Levi “to handle the technicalaspects of the day-care problem” and aseries of speakers. The speakers could in¬clude Indian Prime Minister Indira Gandhi,who plans to visit the United States later thisyear.Miss Reiner also said that statistics hadbeen collected on possible sex discriminationin awarding fellowships, but added that thesecould not be properly collated until the actualawarding of the fellowships this fall.She also expressed hope that theUniversity would consider the possibility ofadmission of married and working womeninto some University divisions on a part-timebasis. She did not specify, however, whatparticular divisions this would include.The women’s committee was approved bythe council of the University senate inNovember, 1970. The institution of thecommittee was one of the major recom¬mendations of the Neugarten report onUniversity women.The Neugarten report, submitted by a 13-member student faculty committee lastMay, studied the question of the Universitydiscrimination against women.The women’s committee is composed of sixfaculty members and three students.The other five faculty members besidesMiss Reiner are Ira Wool, professor ofphysiology and biochemistry; Janis Spof-ford, associate professor of biology in theCollege, and a member of the committee onevolutionary biology; Ann Scott, instructorin the departments of music, and humanitiesin the College; John Jeock, law professor inthe business school: and Janell Mueller,assistant professor in English and human¬ities in the College.The three student committee members areSue Hoch, medicine; Anne Petersen,education; and Gloria Phares, linguistics.Snatch Productions PresentsPro BasketballThe Chicago Bullsvs.The Philadelphia 76 er’sTWO FREE TICKETS will be'1 raffled off Sundaynfght, 10 pm, in the new (clean) BANDEPSNATCHIda N oyes H a II.."B . > ' - * M .One free chance with every, mouth-watering J;butinexpensive) pizza bought Friday, Saturday , orSunday - evenings from 5:30 to 12:30.THE BANDERSNATCH - THE place to meet endeat your friends.• jr —(Best Pizza this side of Hammond, Indiana!Friday, October 8,1971 - The Chicago Maroon - 7NICKY’S GIVES FREE POPIf you order a large pizza from Nicky's, you get 6 freecans of pop.If you order a medium pizza from Nicky's, you get 2free cans of pop.If you order a small pizza from Nicky's, you get onecan of pop.Whether you relax in the friendly atmosphere of our restaurant or in thecomfort of your own home, you'll find the folks at Nicky's eager to serveyou with a pizza that is a gourmet's delight and still...the "Crown Deli¬cacy of Hyde Park." Drop by or give us a call and see for yourself. Weappreciate your patronage.We also serve Ribs, Chicken, Steaks, Chops, & LasagneNICKY’S PIZZA AND RESTAURANT1208 EAST 53RD STREETPHONE FAIRFAX 4-5340OPEN SEVEN DAYS A WEEK-HOURS 11 =00 A.M. TO 2:00 A.M.SUNDAYS - 12 NOON TO 2 A.M.FREE DELIVERY TO STUDENT HOUSING"ROYAL PIZZA BY NICKY THEUNCROWNED PIZZA KING" Fast Delivery Hot from the Oven5 p.m. until closing FALL SALE CONTINUEDACCENT/SHOP Inc.1437 E. 53rd ST.(COR. 53RD ST. & BLACKSTONE)CHAIRS • G1FTWARE • LAMPSSPECIAL IRONSTONE DINNERWARE32 PIECE SERVICE FOR EIGHT8 DINNER PLATES8 CUPS8 SAUCERS8 FRUIT DISHES ■h accento) prpaccent a!1437 E. 53rd St.Ml 3-7400ALLFOR15 6016 PIECE STARTER SET...SERVICE FOR FOUR... S780PLACE SETTING FOR ONE S 1 95OPEN STOCK SERVING PIECESAVAILABLE AT 10% OFF REGULAR PRICESACCENT/SHOP, Inc. mum"No Sole Is Final Unless You Are Satisfied"OPEN.MON. THRU FRI., 10 A.M. To 6 P.M. SAT. 9 A.M. To 6 P.M.VEGETABLES, FRUIT. ORHERB SOAPS AND SCENTSFROM OUR NEW BATH SHOP UNIVERSITYOK CHICAGOPRESSJOI RNAI STTVJvFEMALE3N INFORMATION-toortionformation1716)285-9135NIAGARA FALLSMITCHELLFAMILYL PlJTOiui8 - The Chicago Maroon - Friday, October 8,1971 ■) 1 Year U.S.A.$6.00S7.00S7.00St .00$5.00$8.00$15.00Journal□ American Journal of Sociology□ The American Naturalist□ Current Anthropology□ Ethics□ The Journal of Business□ The Journal of Geology□ The Journal of Infectious Diseases*Medical Microbiology/Clinical Inmumologv/Epidcmiologv□ Journal of Near Eastern Studies $5.Oil□ Journal of Political Economy $9.00□ The Journal of Religion $5.00□ The Library Quarterly $5.00□ Modern Philology $5.00□ Perspectiyes in Biology and Medicine $5.00□ School Review $4.00□ Technology and Culture $6.00□ Zvgon: Journal of Religion and Science $6.00* (Applies to students, interns, residents, and fellows)Please enter a one-year subscription to the journal(s) checked above for:Name:Address: -City -State -ZipInclude author-Encloscd is mv payment in the amount of $ized signature)Clip and mail with your cheek to: 'The Univcrsitv of Chicago Press/Journals11050 Langlev Avc., Chicago, Ill. 6062S A professionalABORTIONthat is safe,legal &inexpensivecan be set up on anoutpatient basis by callingThe Problem PregnancyEducationj| Service, Inc.215-722-535024 hours—7 daysfor professional, confidentialand caring helpSAINT MARGARET’SCHURCHThe Episcopal Church ofSouth Shore2555 East 73rd St., at Coles Ave(1 block west of So. Shore Dr.)the Rev. Albert F. Peters, RectorSERVICE SCHEDULESUNDAY9:00 a.m. Family Mass& Church School11:00 a.m. Low Massand SermonWEDNESDAY 6 p.m. MassFRIDAY 9:30 a.m. Mass,Healing ServiceTAKCAM-YMfCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M.TO§:30P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU4-1062ABOUT THE MIDWAYBike theft surveyThe ombudsman’s office is investigatingthe possibility of setting up facilities to keepbicycles on campus safe from theft and isinterested in getting campus opinion aboutsuch a facility.According to associate ombudsman BonnieJanda, ‘73, proposals now under study in¬clude a fenced-in area near campus for useon a paid daily basis, or an area in whichspaci is rented monthly or quarterly andwhich would have a guard on duty during theday.Sites being considered include an areanear Regenstein library and the lot acrossfrom the administration building at 58th Stand Ellis.Miss Janda said that thefts of bicycles oncampus are a major problem, and she istrying to gauge student interest in such aprotection facility.She has asked all students who would beinterested in using such a lot or who haveideas cn how to protect bicycles from theft tocall the ombudsman’s office at 753-4206.CalendarSince the office of official publications willno longer be publishing the weekly calendar,the office of public information is planning toissue a calendar regularly, though notnecessarily weekly, starting this month.Information about events that are open tothe University community should be sent toAnne Grant, Administration 300, extension 3-44?6. Notices should be turned in at least threeweeks in advance if possible.Also the Maroon has a bulletin of events,which will include any campus activities thatare submitted to the Maroon office. Anygroup or individual wishing to announce anevent should send their item to the Maroonoffice, Ida Noves 303, at least two days beforethe issue in which they would like the item toappear.We've won our PointCelebrating the disappearance of the Nikemissile base with free food and balloons,We’ve Won Our Point festivities will be heldat the point on Sunday, October 10 at 1:30p.m.The community is invited to the 55th Streetpromontory to play games, eat, and listen toentertainment by the Chicago Gilbert &Sullivan Company, the Kenwood High SchoolChoir, and the University of Chicago KazooBand.Studs Terkel, author of Hard Times, andChannel 5 newscaster Walter Jacobson willemcee the event. Also appearing will be theVictor Orlander Boys Drum and BugleCorps, the band from Jimmy’s, and maybeeven 5th Ward Alderman Leon Despres.Kleinbard namedJonathan Kleinbard has been namedassistant to the president of The University.His appointment, effective August 30, was announced by EMward H. Levi, president ofthe University.Kleinbard, 32, has been assistant to thepresident of the Children’s Foundation andassociate editor of the Public InformationCenter, both of Washington, DC, since May,1969.He had served as special assistant to thevice-president for development and publicaffairs at the University from March 1965 toMay 1969. He served then as the director ofbroadcasting, the associate director of theCenter for Policy Study and the associateeditor of CHICAGO TODAY, a Universitypublication.Prior to joining the staff of the Universityin 1965, Kleinbard was a reporter and deskeditor with United Press International inPhiladelphia, Harrisburg, and London. Anative of Philadelphia, he received a BAdegree from Kenyon College, Gambier, Ohio,in 1960. Game todayMcCarthyFormer senator Eugene McCarthy will bemaking two appearances in Chicago thisweekend.McCarthy will be speaking at Oak River-River Forest High School, 201 Scoval, OakPark tonight at 7 pm. Admission is $1 forstudents, $2.50 for others.McCarthy will also be appearing at a rallybeginning at 10 am at DePaul University’sdowntown campus Saturday morning.Several local politicians will also attend therally. The undefeated Maroons will look for theirsecond victory of the 1971 football seasonwhen they meet the Valparaiso Universityjunior varsity today at 3 pm on Stagg Field,E 56th Street and Cottage Grove Avenue.Coach Wally Hass’s Maroons won lastweek’s opener against the Wheaton Collegejvs, 19 to 12.Stars of that game were running backsLarry Wooddell and Joe Milinovich. Wood-dell, who also plays defensive back, gained138 yards in 27 carries (an average of 5.1yards per carry).Moratorium againThe New University Conference and thePeoples Peace Treaty Committee aresponsoring a teach-in on the continuing warin Vietnam, in conjunction with a nationwideanti-war moratorium planned for Wednes¬day, October 13.Action on campus will include workshopsand discussions from 1 pm to 5 pm Wednes¬day afternoon in Ida Noyes, and several freefilms in the evening.Films in the evening will include “The 79Springs of Ho Chi Minh,’’ a Cubandocumentary; testimony from Vietnamveterans at the winter soldier hearings;“Struggle for Life” by the NationalLiberation Front; and several films byNewsreel, a collective of radicaldocumentary film makers.getsto thebottomofthings..._ laugh till youSiaifinQ AlHN GARflf 10 Madeleine te Reux Oemn Goldenbeiq Pioduced ki David Jay OisickOnecied bvJQHN G AVIIDSIN A CAMBIS1 HIM in COLORADULTS ONLT If vc ftejsHtn Hif gtu ci&h your ouhurt as «vc/l ssyur net/4/yousomethin*new.>'*-« Parkcarry service4^7-9791Open 5 P.M. - 1 A M.Closed Monday LECTURE BY JOSEPH RANDALL SHAPIROTuesday, October 128:00 p.m. in Classics 101050 East 59th StreetPresented by the Renaissance Society in conjunctionwiththe exhibition, "The New Curiosity Shop”.The Exhibition will be open following the lecture,Goodspeed 108.FREE SAMPLESOPEN HOUSE OCTOBER 9th & 10thA Larger Store for Better ServiceTHOMPSON’S HEALTH FOODS2525 E. 75th St.731-5939Chicago’s Finest Most Unique Cinemaflnm9ri-iaTHEATRE PERFORMANCES222 No STATE^.it W.«< krr Dmc Plenty ot PARKING .it OobiFar East KitchenChinese & AmericanFOOD & COCKTAILSOpen Daily 12 IQ,Fn & Sat 12 12Closed Monday53rd & Hyde Park BIvcP955-2229 NEED EXTRA CASH?Here’s How To Make ItHIV IT WHOLESALE PRICESnew, brand name audio equipment, blanktape, musical instruments and all audioaccessories.L. THEN SELL | and make that extra cashyou need. You're the boss. You set yourown profit picture.For catalogs and information, write or phoneMR. MANN, c/o SMG DISTRIBUTORS, INC.46-35 54th ROAD, MASPETH, N.Y. 11378(212) 786-3337 THE LUTHERAN CHURCHAT THE UNIVERSITY OF CHICAGO493-6462A Co-operative Lutheran ProgramALC. LCA. LC-MSWELCOMES YOULUTHERAN CAMPUS PASTORSThe Rev. Arthur BryantThe Rev. Wavne Saffen Office: (LCA) 493-6451Home: 363-0781Office: (LC-MS) 363-3518Home: 947-9886DIETRICH BONHOEFFER HOUSELutheran Student Center5554 South Woodlawn AvenueTelephone: 363-3518Sunday Dinner At 12:30 P.M.Sunday Evenings with People: 6:30-8:00October 10: “Attica & Its Meaning for Illinois’LUTHERAN CAMPUS CHURCHESLCA: Augustana Lutheran Church of Hyde Park5500 South VI nodla>«n Avenue. 493-6451The Rev. Arthur BryantSunday Services at 9:15 and 11:00 AMLt.MS: St. Gregory of Nvssa Lutheran ChurchThe Rev. Wayne SaffenThe Rev. David MeierVi orshipping on Sundays atChicago Theological Seminaryl niversily at 58thHolv Eucharist at 10-00 1M''‘lliomin itmiiiiihiimM Friday, October 8,1971 - The Chicago Maroon - 9.8 i‘Ul ii.civ - neon on. )fThe ABC’s ofUniversity LifeThree nice things uue dofor staff and studentsof our favorite UniversityH H All University Bank checking account holders are issuedcheck identification cards. That makes it easy for you tocash a check anywhere, not just at the bank.nBAt University Bank, all members of U of C payroll staffare eligible for free checking account service. Saves youa couple bucks every month on service charges. Twentyfour dollars a year may not sound like much, but why payit when you don’t have to? We also cash all of U of Cchecks without charge, another "little” service that canmean a lot to you.Ride a bike? Great. Our new bicycle pedal-up windowlets you bank while you take a pleasant, healthy whirlaround the neighborhood.The rest of our services would run easily from D throughZ, but you get the idea. We want you to do business withthe bank that serves your school r<ore than in name only.Good iuck in the new school year!The flew University Bonk fflUniversity National Bank of Chicago / 1354 East 55th Street / Chicago. Illinois 60615 / Telephone 664 1200 / Member FDIC10 - The Chicago Maroon - Friday, October 8,1971rTHE MAROON CLASSIFIED ADSFOR SALEJust Arrived! Shipment of Jeans $4.98;turtlenecks $1.99. John's Mens Wear,1459 E. 53rd.CLASSICAL RECORDINGS. Currentfiles provide latest critics' preferencesamong thousands of classical selec¬tions. Phone: STEVE, 491 2837.Photographs by ken Love at theTALISMAN GALLERY, 1552 E. 53rdSt. Oct 1 thru 15.COOP APT for sale. 6 rooms, 2 baths.Mod Kitchen. Ray School dist. Lowassessments. Early occupancy. Mid20'S. 752-34571968 VOLVO, 4 cylinder, 4 door lowmileage. Call Jim McCampbell Days753 3741, evenings 684 6369.Books bought sold. Powells'Bookship, 1530 E. 57th, 955 7780.New pipes and tobacco by Cellini UsedDunhill Savinelli.Talisman Under the 1C1552 E 53rd 324 0837YASHICA TL ELECTRO X SLR35mm Camera, 3mths old, $115. Costs$200 in bookstore. 667 72691968 Cougar X R7, 390cid. Loaded,very sharp, $1695 or ofer. 752 2190 or753-4483.1964 Chevy Impala, All power, excellent condition, 752 1746 $450 or bestoffer. Black female grad student looking forfemale student to share apt. 268 2191.student to be BIG BROTHER to bovage 11 for room and board Telephone753 3138, eve. 667-7791.READERS FORBLIND STUDENT$1.20 per Hour. Readings in Anthropology, Indian Civ. and legalworks. Call 493 8041.TUTORS NEEDEDStudent Tutoring ElementaryProiect needs volunteers to tutorelementary school children fromWoodlawn cn a biweekly basis. Therearea lot of children who could use yourhelp. If you are interested in tutoringfor STEP, please contact Fran Solmorat 753 3541 or 3542.PEOPLE FOR SALELearn African and Afro Cubandrumming. Call Adam, MU4 2297.TYPING My home near Univ. Mod.rates. Aft 6 call 684-0751.RUSSIAN INSTRUCTION by nativeteacher. Trail lesson, no charge. CE6-1423 office, 472-1420 home.VIOLINCELLIFOR SALE EAST SOUTH SHORE7740 S. Oglesby Ave. 4 bedroom res. (2down & 2 up) dining room, nat.fireplace, automatic heat, largeglazed front porch; 2 car gar.workship, recreation room. Under$20,000 By appointment John L. Lynch8. Co RE4 4800, Mr. Weber.GOYA 12 STRING w/case. Excel,condition. Crig $290 price neg Martha$5^-0348.YARNS/ CORDS &FFFWeaving 8, macrame supplies at Indian Summer 1703 E. 55. 684 2197.Lessons 2hrs $5 FFF.CAMPING EQUIPRENTAL: Tents - sleeping bags,Stoves lanterns HICKORY 324-1499.WANTEDGirl's bike Jackie 324 6680.PEOPLE WANTEDBABYSITTERS for HospitalHousestaff Days evenings Registerwith Hospital Personnel, 947 5218.WANTED responsible loving babychaser for HP toddler, infant Experhelpful, 4 day min., split possible. 4930628 eves. Cello lessons; former EastmanStudent; bgnrs wlcme 536-3521r Model AbortionProgramImmediateHelp With No DelaysWlCKERSHAMWomensMedicalCenter133 Hast aHIh Street, New YorkA COMMUNITY AIIORTIONSERVICE AFFILIATED WITHA MAJORMETROPOLITAN HOSPITALUnsurpassed safety record ofin-patient and out-patient abor¬tions by Board-certified gyne¬cologists and anesthesiologists.Low costs of abortion proced¬ures:College student looking to make goodmoney for working one hour per day.Call (215) 877-7700Roommate Wanted, male, to sharequiet, desireable, 3-1/ 2rm turn apt.6043 Woodlawn, 955 9209 or 427 2583.GRADUATES research and write inyour own field for money.WILLIAMS PUBLISHINGP.O. BOX 4222, Rockford, III, 61110SECTY AND ASST To Director ofnonprofit corporation promotingcorporate responsibility. On campus,25 30 hrs/ wk. $3 per/ hr Call KirkHanson, Dir. 363 8302Young woman to assist teacher inliterary work (PLaza 2-8377)Part time radio tv stereo service manand benchman. Hyde Park Radio, 1463E. 53rd St., PL2 2700.Student wanted to babysit on Thursdays and occasional other times. Call624 7920.One full & one part time employee.Must type 60wpm. On campus. Call753 2067. Pregnancyup to 10 wks . DSC. $150up to 13 wks.. DSC. $35014-24 weeks. Saline orMechanical Induction, $400Free services available to abor¬tion patients include psychia¬tric counseling, family planningand birth control. No referralneeded. No referral fee or con¬tribution solicited ever. Private.Confidential.For free information,counseling andimmediate appointments,DIRECT SERVICE LINETO MEDICAL CENTER(212) PLaza 5-6805Call 8 AM to 8 PMMondays through SaturdaysDEBATE OR FORENSICSNo Experience Necessary.Intra-mural, Novice and Varsity.MEETING: Sat., Oct. 9, 11:00 A.M.IDA NOYES MAIN LOUNGEor leave a note in Ida Noyes MailboxTelephone <3I2) 233-57008540 SOUTH ASHLAND AVE.CHICAGO, ILLINOIS 60620 CREATIVESTITCHERYLeather and Fabric Men! Tired ofstore bought shirts? Try my brightoriginals. Call Karen, M-F, after 6pm., 955 5455.CHILDCAREYour child will receive excellent carein my home, 2 blocks from UofC.Experienced, capable young mother.667-7269.Child care in my home M F 8:30 5:30.Contact 955 1990.Are winsome pretty girls and handsome noisy boys ready necessary? Ifyou don't think so, call us at 734-3195.Couple with Irg SoShore apt. willprovide full-time day care for thesmall person in your life.SPACE2 rooms & private bath; UC bus 1 blockfrm house. Grad students $80/ month.Linens furnished. S08 7065.OWN room, study, fireplace in fullyfurnished house. Piano, yard, etc.Grad student only 54th 8, Blackstone.543 6370.Furnished single 8, double rooms $6rper mo. Meals available 5625 S. Univ.947 9424, 324 9723.DIANE APARTMENTS5424 COR NEWLElevator Bldg. Newly decorated 8,furnished. 1-1/ 2 & 2 1/ 2 rooms. Excelshpg & trans. MI3-1432.HIGHLANDAPARTMENTY7147 SO. JEFFERYElevator building. Near 1C 8, Bus.Newly decor. 8< turn. Studio 8, 1bedroom. Mrs. Roff FA4-7501.CHICAGO BEACH HOTEL5100 S. Cornell DO 3 2400Beautiful Furnished Apartments Nearbeach-park I.C. trains U of C buses atdoor Modest daily, weekly, monthlyrates.Call Miss SmithLive in ^ ■'•-ilerika's famous Building.Nearby for n or unturn 2, 3-1/ 2 rm aptsfor 1, 2, or 3 people. Refrig, stve, pvt.ba, pvt. porch, stm. ht. Quiet, sunny,view Parking, trans $120up. Freeutils. 6043 Woodlawn. 955 9202 or 427-2583 Short term lease. THE JEFFERY TOWERS7020 So JefferyExcellent transp. & conv. shpg.Furnished. Mgr. R. Jones on Premise.REASONABLE RENTALSCALL MI3 2383Spac 3 bdrm in SoShore Car washdryer. AvI imm. Call 225-2815.1 rm avlvl in 8rm So Shore flat 2 blksfrom all trnsprtn 75/ mo Call 288 5799after 5.Reps. ABNER MIKVA&PATSY MINKWill speak on Friday,Oct. 8, at the FootballHalftime - after 3:30.Sponsored by S.G.,NSA, and the VoterRegistration ProjectCOLOR BLINDNESSCOLOR BLIND PEOPLE wanted asresearch subjects. About 10 15 hrs.$1.75 per hour. 947 6039.SCENESModern Dance Club will meet onMonday, October 11 at 5:00 pm IdaNoyes Hall. All interested students,staff, faculty, men and womenwelcome.Reconstituted Friday night service ofa liberal kind planned by students atHillel resumes tonight, 7:30.Self motivation workship. Guaranteedresults in 2-1/ 2 days or money back.Mr. Pecho, ST2 3881.BATIK CLASS given by an inoianartist who has exhibited thruout theUSA Will be held on a weekdayevening $3 per class includes dyes etc.Limited to 10 students. 955 9812; 667-7277 Leave a message at 753 4340....MODEL CAMERA PRESENTSHONEYWELL Factory ServiceFREE...PIUS SPECIALLOW PRICES ONHONEYWELL EQUIPMENTPENTAX SP500 W/TTLMETER OCTOBER 9th-l0-5Adjustments and mi¬nor Repairs on anyHoneywell PentaxCamera By:Camera TechnicianDirect from Pentax FactoryEquipment will be Checkedand LubricatedShutter Speed will beTestedFocus will be CheckedDon't miss it!WITH HONEYWELLHONEYWELL COMPUTERIZEDSTROBONAR1O0 AUT0STR0B0NARSLIST SALEELECTRONIC 350 $84.50 $49.95FLASH 450 $109.50 $59.95$164.50 550 $149.50 $69.95135 M/M SUPER TAKUMAR$69.,sLIST$149.50HONEYWELL PREVIEW AUTO FOCUSSLIDE PROJECTORSMODEl-620AUTO FOCUSLIST $139.50 $99.951342 E. 55th ST. 493-6700“South Side's Largest Honeywell Dealer" Free swimming instruction for adults,Tuesday nights. Ida Noyes Hall, 6:307:30 pm. Oct. 12-Dec. 7.Israeli folk dancing at Hillel startsOct. 14. Will meet alternate Thur¬sdays.SIMCHAT TORAH CELEBRATION -Hakafot and an Evening with SovietJewry, Monday night at Hillel. Or¬thodox and Conservative Services at7:30pm. Remarks by faculty andstudents, singing, dancing as part ofSoviet Jewry program at 9:30pm.GESTALT ENCOUNTER GROUPOct. 15 to 17 Fri. pm to Sun. pm. $25.Lorrie Peterson 288-3541.Grad Student Open House at Hillel,Sunday, 4:00 5:30pm. Informationabout programs & refreshments.SPIRIT COLLAGE: The CatholicCommunity welcomes you toEverything Day, Oct. 10: Masses at10:30 8. Noon, Sunday Supper at 6PM.Open House with films, food & drink,rapping, folk singing 8. dancing. 7:30pm, Calvert House, 5735 S. University.A NEW SERVICEActivities Line: Current informationon what's happening on campus forstudents, including films, concerts, artexhibits, and facilities. Dial 753-2150.GAY LIBGAY LIB OPEN MEETING Sun 10/ 10Ida Noyes Hall 1212 E 59, 4pm EastLounge. Help plan the qt's activities!GAY POWER WORKS!GAY LIB OFFICE open daily 7pmRoom 218 Ida Noyes 1212 E 59th forrapping, etc. If you're too shy, pleasecall - 753-3274.Consciousness group on bisexuality.Thursdays 7:30 Ida NoyesCOMP CENTERComp Center classes will introduceyou to the IBM-360 Computer itsphysical characteristics andcapabilities. Learn to program inFORTRAN and write the controlstatements to run Jobs. Come to CompCenter C B12 for course descriptionsor call 3 8409NO MORE NIKE!Come celebrate the end of the NikeSite at the Point-55th & the Lake.Sunday, 1:30. Music and kazoos will beprovided...SG.KARATE CLUBConditioning, self defense and selfdiscipline. First mec'ing for beginningstudents at 7:30 pm, tonite, Oct. 8, inIda Noyes danceroom.PERSONALSPhotographs by Ken Love TALISMANGALLERY, 1552 E 53rd October 1 thruOctober 15.FOUND CUTE Blk & wht male pup 3mo old? If not claimed FREE toanyone. Call 667 3321 HURRY!Devon, Adelphi, 400, Howard, BrynMawr, Biograph, 3-Penny, Patio,Colony Charge $1.50 or Less. Whycan't the Hyde Park l&ll?? Talisman Craft Gallery imports frorMexico, Spain, Haiti, Israel, India, thNorth Side. 1552 E 53rd. 324 0837.HYDE PARK DRAFT INFO CENTER5615 S Woodlawn 363 1248 Visit or calM-Tu W; 7 9:30PMHORNY? Meet other sufferers at PSU's Open Party 9PM, Fri Oct 8 563SUniversity Music by City Lights. NeecUCIO.KITTENS Ready for Pickup orDelivery. 324-2016 or 363-4540.OPEN HOUSE: See what a UCfraternity is really like. Sunday Oct 10507pm refrshmnts Psi Upsi-lon 563$University.Pipes & Tobacco by Cellini - New 8Used Dunhill Savinelli etcTALISMAN, hrs. 11 9, 1552 E 53. 3240837.Unite with UC Christian Fellowshif8:00 pm Fri, Oct 8 at Ida Noyes EasLounge and get into Christian Commitment.Modern Dance Club will meet c>Monday, October 11 at 5:00 pm la.Noyes Hall. All interested student;staff, faculty, men and womewelcome.Lend a hand in the Coffee House. Wneed people who want to play or helserve. All are welcome Contact Debb493 7592 or Dan, Boucher 402. Or jucome 8< listen, Fri. 8-12 Ida NoyLibr.WOULD YOU LIKE TO EAT TtBEST FOOD IN HYDE PARK? We'got it Dinner $40/ mo. Lunch$20/mo. Right across from RegrStein at 5625 S. Univ. 324-9723; 947-94Former Snell residents!! The spiritAmos is revived, Snell housewarmirSunday, Oct 10, 2p.m.Announcing the New Location of *Winsome Art Studio is at 10544Ewing. 10% discount with this adframing. 221 2421HUNGRY? POOR? COLD? 1Calvert House. Sunday Supper, Octat 6pm. Open House following vfilms, refreshments.WkITERS' WORKSHIP (Plaza8377)Vietnam Veterans Against the VCall Ed 848 7855.For God's Sake! Art films and rsessions part of the humanisticderground Calvert House, Suncevening after 7:30.IS THIS A CHURCH? Worship .discussion in small groups. Classeschildren. A welcome to all who de-to know God. Living Peace BapChurch, 10:44 Sundays in YMCA, f& Dorchester. For info 548-1824.BECOME ORDAINED:Join our religious society as andained Minister with a DoctorDivinity. Completely legal. Getcertificates and ID. WrMISSIONARIES OF THE NTRUTH, PO Box 1393, DeptEvanston, Illinois. 60204.EL 17 A BETH-GORDONHAIR DESIGNERS1620 E 53rd St288 2900GIVE A DAMN.USE A CONDOM.Take the worry out of sex, and you’ll enjoy it even more!Making love is great And if you really give a damn about both yolives.. you’ll want to protect her against accidental pregnancy. Iusing a man’s contraceptive that’s been designed not only with prtection in mind, but with pleasure as well. For today’s new condorare exquisitely sensitive, while still providing the same dependatprotection the condom has always been noted for!And now many of the best brands of condoms are available by m;from Population Planning Associates... and delivered to you inplain package to protect your privacy.Choose from the Fetherlite from England, thinnest and most *citing to use, with “Sensitol” lubrication for extra enjoyment,the NuForm, also from England, pre-shaped for a unique new sen:tion. Or the famous Trojan. Or the well-known and popular Suit*And many more. All electronically tested and made to exactiFDA standards.Fast Oalivary-Monay-Back fiuarantaeDiscover our fast, low-cost service by sending just $5 for a delusampler pack of 18 assorted condoms—3 each of 6 different branincluding the Fetherlite and the NuForm—plus an illustrated bchure describing our complete selection. Or send just $1 and p3 English brands: 2 Fetherlite and 1 NuForm, plus the brochuAll orders are filled the same day received and sent in a plain pa<age. Money back if not delighted. Mail coupon now.PPaaalatiM Nanning AssociatesI 105 North Columbia| Chapei Mil, NX. 27514| Pleaso rush mo in plain package:I □ Ooluxo sampler pack of 18 as-J sorted condoms plus illustratedI brochure describing complete se-j lection, $5.• □ 2 Fetherlites, 1 NuForm, plus■ Brochure, $1.I I enclose payment in full. If notI delighted, I may return unused^poriian of order for full refund. I -name (pleat* paddresscity stab15 E of□ Please send free illustrated broctukilj, nitiioui ubiigeiiuh wiiaicFriday, October 8,1971 - The Chicago Maroon10 th ANNUALWINE SALFRIDAY, SATURDAY, &SUNDAY ONLYHUNDREDS OF WINESWILL BE OFFERED*1 ' NO DISCOUNTS WILLBE LESS THAN 20%& SOME WILL BEAS HIGH AS 50%THE PARTYMART2427 East 72nd StreetBA 1-9210Daily: 10 am-11 pm Sunday: Noon-0 pm 351 East 103rd Street508-18113)ailv:9 am-10 pm Sanday: Noon-9 pm\oi Every Vine W ill De On Sule J12 - The Chicago Maroon - Friday, October 8,1971