* 'j*i< . AOA*.*.’.'. ■The Chicago MaroonVolume 79, Number 36 The University of Chicago Friday, February 12, 1971D«nstrat»again^age ^Abortions declared i aos invasionjfl BL ^ I BLoop demonstration protests Laos invasionof being denied entrance to our building.”Just before his arrest he said, “I thinkwhat we’ve seen here so far today is sym¬bolic of how much power the Senate thinksthat the people of the United States whowant to see the war end have — none atall.”At another door a uniformed buildingguard used his keys and fists to strike thehands of those trying to pull open the door.Police cleared the sidewalk and forcedback people trying to block the paddy-wagon that took Creamer away.Inside 30 persons from the Chicago PeaceCouncil had reached Percy’s office beforemarshalls forbade entry of anyone whosaid he wanted to go to the office.indifferenceMore than 1500 people attended a plan¬ning and information rally earlier in theday. “Things are going on as usual,” shesaid, “although it seems that people feelstrongly about this.”A reporter on the Michigan Daily staff inAnn Arbor was surprised by the large num¬ber of protesters who had gathered thereWednesday.Four thousand demonstrators assembledat city hall to protest U S implication inLaos.After the rally some 250 students formu¬lated a list of demands to present to theUniversity regents today, threatening a“set down” if they are not implemented atonce.Among the demands are to abolishROTC, to end war research on campus, toban on-campus recruiting by corporationspracticing discrimination, and a 24-hourchild care center.“The school is not tremendously mobi¬lized,” she said. “Students are mad, butnot as mad as Cambodia.” Twenty persons entered the office beforeit was locked and asked administrative aidGretchen James to contact Percy in Wash¬ington about the treaty.David Molberg of the Chicago People’sPeace Treaty Coalition said that MrsJames would give no information on Per¬cy’s stand on the Laotian invasion. Afterthey insisted, Molberg said, she called Per¬cy’s Washington office and then told thegroup that Percy was at the White House.Marshalls then announced that the officewas closing, and four of the group left, butthe rest sat down.“We said that some of us intended to stayuntil Senator Percy talked to us and listen¬ed to our demands,” Molberg said.About eight marshals then dragged themfrom the office to the hall and the eleva¬tors, according to Bruce Norton 71, one ofthose locked out in the hall. Others leftwithout force.Demonstrators objected when marshallsarm locked an old man and began to pushhim toward the elevators, Norton said.A reporter asked a woman with a child,“Do you think it’s right to bring a five-year-old child to a demonstration where shemight get hurt?” and she replied, “Do youthink it’s right to bomb Laotian children?”Downstairs police carried a young manand a woman, reported injured in beingevicted from the building, to a paddywagon. The two were not identified or re¬ported as arrested.“Some people were injured and the onlypossible explanation that the police couldprovide was that they fell,” Stewart New¬man 70 told demonstrators.Robert Kissinger, 830 W Addison, wasalso arrested, for selling peace buttons oncity streets.“Obviously what is happening today isnothing like what happened last spring butat least it shows that we’re not willing tolet this thing go by completely unnoticed.”a speaker at the rally said.By JIM HAEFEMEYERPolice arrested a University of Chicagodivinity student Wednesday as he at¬tempted to lead about 100 demonstratorsinto the Dirksen federal building.|The demonstrators were trying to voiceto Senator Charles Percy their oppositionto the US-sponsored invasion of Laos.Two persons were injured as federalmarshalls pushed and dragged from thebuilding some members of a group who hadearlier reached Percy’s eighteenth-floor of¬fice. There they had demanded that he signand enforce the People’s Peace Treaty, anine-point document calling for the Ameri¬can government to set a date for total with¬drawal of US troops from Vietnam. Later, on the plaza outside, 300 personscarried banners, chanted and marched in alarge circle in a demonstration called bythe Student Mobilization Committee.Bob Creamer 73 was arrested for dis¬orderly conduct as he tried to hold open adoor that federal marshalls pulled shut.After a short rally, Creamer had led thegroup from door to door of the federalbuilding, as federal marshalls and hel-meted policemen followed on the inside andoutside.After a commanding federal marshallblocked him at the first revolving door,Creamer told the crowd, “We told him thatyou people were all here to see your sena¬tors and we want to see them. We’re tiredAnti-war protest bows toResponse to the invasion of Laos byAmerica n-supported South Vietnameseforces has been subdued at most Midwestcampuses.While members of all campus news¬papers reported student and-faculty opinionis strongly against the extension of the warin Indochina, demonstrations and meetingshave mobilized few.A reporter on the University of IllinoisCircle Campus newspaper, the Chicago II-lini said he didn’t think any anti-war actionwas going at Circle. “If Kent State hadhappened at this time of year, nothingwould have happened,” he said.Other campus journalists also blamed thecold weather for prohibiting demonstra¬tions. Greg Hinz, contributing editor for theDaily Northwestern said it was too cold formass protest. “It’s the general feeling thatdemonstrating wouldn’t do much good,” headded. “The technicality that Americanshave not actually entered Laos carries a lotof weight with people.”Only 200 people gathered on the North¬ western library plaza Wednesday to pro¬test. They raised the temperature slightlyby burning President Richard Nixon in ef¬figy-The Daily Cardinal at Madison reported1500 protesters marched on the Universityof Wisconsin campus Wednesday noon andoccupied a building, intending to use its fa¬cilities to further the anti-war movement.Demands were also made to campuscommunication centers, including the tele¬vision station, to broadcast objectionsagainst the Indochina war.“It certainly isn’t Cambodia,” a reporterfor the paper said, “but it’s not nothing,either. It’s still a substantial protest.” Headded there would be no attempt to shutthe campus down.A large anti-war march is being plannedfor Saturday at Madison.Barbara Roth, a reporter on the DailyIllini at Champaign-Urbana said Wednes¬day noon 250 protestors marched to thedowntown area where they burned an ef¬figy of Defense Secretary Melvin Laird.2/The Chicago Maroon/February 12, 1971 Produced by Paul A. Rothchild Also available on tape.Peace treaty referendum likely next monthFrank GruberLAOS DEMONSTRATION: Referendum organizers speaking at demonstration Wednesday afternoon outside Federal Building.The People’s Peace Treaty Coalition hascollected nearly all the names necessary tohold a referendum to “end University in¬volvement in the Indochina war.”As of Thursday, the coalition had collect¬ed 400 signatures on petitions to hold thereferendum. Six percent of the studentbody, or 444 students, must sign the peti¬tions in order to call the vote.The proposed referendum consists of fourparts to be considered seperately.The first part “requests that the appro¬priate University administration bodiessign the People’s Peace Treaty,” whichcalls for the immediate and total withdraw¬al of US troops from Vietnam.The second part of the referendum pro¬poses that “The administration shall prohi¬bit the participation of any faculty memberor student in research or consultation” forany war-related agency. A proposed stu¬dent-faculty committee would be estab¬lished to hear complaints and enforce theprohibition of war-related activities oncampus.The third part calls for the University togrant fellowships to students from NorthVietnam and to sponsor research for aidingreconstruction of the Vietnams.The fourth part of the referendum relatesthe war to the economy, particularly to theUniversity hiring and firing of employees.It also calls for the acceptance of Billingshospital workers’ contract demands andthe rescinding of the tuition hike.Saturday, the election and rules com¬mittee of student government (SG) willmeet to validate the signatures on the peti¬tion. If there is a sufficient amount theywill write the ballot.If the necessary signatures are obtained,six recommendations concerning votingBy JOE FREEDMAN“We think that the world should be gov¬erned by the will of the people.” So de¬clared former governor of New York Aver-ill Harriman in a speech last night spon¬sored by the Center for Policy Study. Har¬riman, speaking before an enthusiastic au¬dience of 500 at the Law School Auditorium,declared that that desire of the U.S. gov¬ernment, in conflict with the communistworld’s “desire for world communism,” isresponsible for most of the world conflicttoday.Harriman said that this self determina¬tion policy — that should be guiding theUnited States foreign policy — is being sub¬verted by President Nixon, who seems “de¬termined to impose the will of PresidentThieu on the South Vietnamese.”Harriman, also a former ambassador tothe Soviet Union, then turned his attentiontoward the subject of his topic, “Americaand Russia in A Changing World,” which,as he pointed out, happens to be the nameof his latest book.The Governor was very interested in cor¬recting what he said has “been a great dealof misunderstanding on what PresidentRoosevelt tried to do during the war.”“FDR’S first objective,” he said, was “tobeat Hitler,” and secondly to commit asAVERILL HARRIMANFormer ambassador to Paris Peace talks. procedures will be submitted to the SG as¬sembly meeting Tuesday. A two-thirds voteis necessary for passage.The recommendations are that faculty,students and employees be permitted tovote on referendums if the questions are ofappropriate significance; that ballots foreach of the above be kept separate and bemade different colors.Also, that anyone with a valid ID cardfew American ground troops as possible.He defended the Allied trust of Stalin dur¬ing the talks at Yalta as being “an effortworth making,” and maintained that“Roosevelt didn’t sell Europe to Stalin,”but rather it was stolen by “Stalin breakingthe agreements.”President Truman also came in forpraise for his part in giving money to Eu¬rope in the period following the war, “toinsure its independence.”Harriman went to modern affairs, sayingthat “east-west differences, while still irre¬concilable, have narrowed.” He praisedWest German chancellor Willy Brandt’s‘Ost-politik’ policy, claiming that “contactwith the east can break down these rela¬tionships. They (the Russians) are the oneswho want to restrict things, and why shouldwe play their game?The former ambassador to the SovietUnion attacked “the old Cold War worriesthat want to preserve NATO for its ownsake and not as an instrument of defense.”Turning to the subject of Vietnam, Harri¬man placed major blame for the contin¬uation of the war on Presidents Nixon andThieu. He accused Nixon of “permittingThieu to dictate American policy”, andtermed ‘Vietnamization’ as being an “ex¬tension of the war.” “We’re imposing waron the Vietnamese people,” he said.Harriman asserted that “if Humphreyhad been elected he would have appointedGeorge Ball or Clark Clifford to the peacetalks, and we would have been out of there(Indochina) by ’69.”In the ensuing question and answer peri¬od, Harriman, evidently expecting theworst, asked himself a potentially dam¬aging question: “Why didn’t I speak upwhile I was working for LBJ?” He repliedto his own question by saying that he didspeak up, and had been doing so for threeyears prior to the bombing halt.Asked about the possibility of a militarycoup in this country, Harriman replied that“military men are patriotic, but can onlysee events from a military standpoint.” Hereferred to past incidents of military up¬pitiness, such as the MacArthur incidentand the Bay of Pigs, saying that the Ameri¬can civilian government is too strong to bemilitarily overthrown. will be allowed to vote and a mark be madeon a comer of the ID to indicate the indi¬vidual voted, and that the referendum beheld on March 3-4.The terms of the People’s Peace Treatywere negotiated last summer between dele¬gates from the National Student Associ¬ation (NSA) and Vietnamese studentgroups. They are:• That Americans agree to immediateand total withdrawal from Vietnam-and topublicly set the date by which all Americanforces will be removed.• That the Vietnamese pledge that assoon as the US government publicly sets adate for total withdrawal, they will enterdiscussions to secure the release of allAmerican prisoners including pilots cap¬tured while bombing North Vietnam.• That there be an immediate cease-firebetween US forces and those led by theprovisional revolutionary government ofSouth Vietnam.• That they enter discussions of theprocedures to guarantee the safety of allwithdrawing troops.• That Americans pledge to end the im¬position of Thieu-Ky-Khiem on the SouthVietnamese in order to insure their right toself-determination and so that all politicalprisoners can be released.• That the Vietnamese pledge to form aprovisional coalitional government to orga¬nize democratic elections. All parties agreeto respect the results of elections in whichall South Vietnamese can participate freelywithout the presence of any foreign troops.• That the South Vietnamese pledge toenter discussion of procedures to guaranteethe safety of those South Vietnamese whohave collaborated with the US or with theUS supported regime.The Faculty Association of the Universitylaboratory schools has petitioned the Na¬tional Labor Relations Board (NLRB) tosupervise an election among lab school fac¬ulty members to determine whether theywish to be represented by the association innegotiations with the University.The association, recently affiliated withthe American Federation of Teachers, isseeking to negotiate a new master contractwith the University.Among its demands are greater facultyinvolvement in administrative decisions, anincrease in salary and fringe benefits,andtenure.The association has over 60 members, ora third of the lab schools’ faculty. It isNLRB policy to supervise an election if 30percent of the employees support the orga¬nization requesting it.Before going to the NLRB, the FacultyAssociation has originally asked the labschool? directly for an election Lab schooldirector Philip Jackson, responding to this • That Americans and Vietnamese agreeto respect the independence, peace andneutrality of Laos and Cambodia in accordwith the 1954 and 1962 Geneva conventionsand not to interfere in the internal affairsof these two countries.Bruce RatoeBOB CREAMERArrested member of people’s peace treatycoalition.request, advised the association that theNLRB, rather than the lab school adminis¬tration, would be the appropriate agency tohandle the matter.Accordingly, the Faculty Associationfiled its petition with the NLRB Tuesday,asserting that a substantial number of labschool faculty members wish to be repre¬sented by the association.Director Jackson has assured the FacultyAssociation that the lab schools “will coop¬erate fully with the NLRB in any proceed¬ings that may ensue.” With the adminis¬tration’s cooperation, an election could beheld within 30 to 60 days.Commenting on the election, Faculty As¬sociation President, Richard Muelder, said,“We anticipate no problems in working outthe details of an NLRB-supervised election,and believe that we stand a good chance ofwinning such an election. In the meantime,wp will continue our eampaign to gain sup¬port of the faculty.”Harriman says cold warstill poses global threatLab school fac to decideon NLRB representationFebruary 12, 1971/The Chicago Maroon/3ADVERTISERS!of all students onO/ this campus read/O The Maroonevery week.80% read every issue!Want details? Here are the fullresults from a marketing researchstudy we did:newspaper everyissue once perweek once permonth rarely neverMaroon 80% 12% 4% i% 2% (twice weekly)Voices 13% N/A 23% 22% 40% (monthly)HP Herald 13% 6% 13% 23% 42% (weekly)C Tribune 2% 12% 4% 20% 59% (daily)Daily News 30% 27% 6% 14% 21% (6 per week)Oiicago Today 3% 6% 8% 20% 62% (daily)C Sun Times 41% 31% 7% 10% 11% (daily)NY Times 12% 36% 14% 15% 21% (daily)UniversityRecord 15% N/A 74% 29% 48% (monthly)Wall St. J. 4% 4% 1% 13% 78% (5 per week)Barron's 2% 1% 0.6% 0.6% 90% (weekly)MALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEAPPLY NOWDRIVE A YELLOWJust telephone CA 5-6692 orApply in person at 120 E. 18th St.EARN UP TO $50 OR MORE DAILYWORK DURING SEMESTER BREAKSORDAY, NIGHT or WEEKENDSWork from garage near home or school.CARPET BARN WAREHOUSENew and Used CarpetsRemnants and Roll EndsOriental ReproductionsAntique French WiltonFur Rugs & Fur CoatsINEXPENSIVE ANTIQUE FURNITUREOpen Tues. thru Sat., 9-4Sunday 10-31228 W. 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RIOT RACECLOTHING SALE* SPORT COATS ★$25 & 850regularly to $110 *X— A★ SUITS *$50regularly to $125★ SUITS*$75 'itregularly to $175 llflll 'It| Jjt.it! iyGoAnvStftNIN THE HYDE PARK SHOPPING CENTER • 55TH & LAKE PARKSUN INCOMESun Life’s new incomeprotection planCould you afford to stop working for a year?If not, talk with your man from Sun Life ofCanada about their new disability income plan... to keep the money coming in when you'renot able to.SUN LIFE OF CANADARALPH J. WOOD, Jr.CUIOne N. LaSalle St,Chic. 60602FR 2-2390798-0470 MlHik 4/The Chicago Maroon/February 12, 1971Lying-In stops plans, waiting list for abortionThe University has abandoned plans toperform non-therapeutic abortions at Chi-c a g o 'Lying-In hospital, following theWednesday action of US Supreme Courtjustice Thurgood Marshall which tempo¬rarily reinstates Illinois’ 97-year old abor¬tion law.Marshall granted a temporary stay or¬der, which bars enforcement of a US dis¬trict court panel’s ruling until the full Su¬preme Court can act on the matter.The lower court on January 29 ruled II-1 i n o i s ’ abortion law unconstitutionallyvague and an infringement on women’sCurriculum reform is occurring in thebiological sciences collegiate division thisyear, as division master Arnold Ravin hasproposed abolishing concentration pro¬grams in departments and granting BA’s in“biology” instead. In addition a committeehas been set up to study the possibility ofawarding a joint BA-MD degree, and thereis an ongoing review of the common corecourses which were instituted last year.Ravin, a professor of biology and evolu¬tionary biology, explained that the single¬degree proposal would not mean a decreasein quantity or quality of programs.Rather, it would allow students to dis¬tribute their courses among a number offields that cannot be easily organized into adepartment. This proposal, currently be¬fore the College council, could be imple¬mented next year, Ravin said.Ravin is proposing that the individualstudent’s program would be constructedfrom among ten electives available tobiology majors. The student will determinehis program in consultation with facultyarea counsellors and will be able to take abroader spectrum of courses.A biology student must now major inanatomy, biochemistry, biological sciences,biopsychology, microbiology, pharmacolo- rights. The judges concluded that the statecould not “prohibit, restrict, or otherwiselimit” women’s access to abortions duringthe first 12 weeks of pregnancy if per¬formed by physicians in licensed facilities.Soon after, University physicians dis¬closed plans to perform abortions at Lying-In, pending approval from University legalcounselors.University attorneys, however, were hesi¬tant to give the go-ahead before the federalcourt ruling had held up under appeal.The full Supreme Court will not recon¬vene until February 22.gy, or physiology, and he is required totake at least one course from six fields.Said Ravin, “This would give the studentas much variety to choose from as thereare legitimate interests. We don’t want tolock him into a departmentally organizedprogram, as the administrative structuredoesn’t keep up with changes in the fields.“This proposal will allow for more cus¬tom-made programs in areas such as ecolo¬gy, evolutionary biology, behavioral biolo¬gy, where there are no departments now.”In proposing the BA-MD degree, studentsand faculty felt that many medical studentswere “spinning their wheels,” Ravin said,ARNOLD RAVINDepartment of biology and microbiologycommittee on revolutionary biology. Lying-In will continue to perform onlythose abortions permitted under the state’slaw, which prohibits abortion except tosave the life of a woman.Because it seemed that Lying-In wouldnot be performing abortions for some time,Dr Frederick Zuspan, chairman of obstet¬rics-gynecology and one of the plaintiffs inthe abortion law case, told workers at Ly¬ing-In last week to stop taking names forthe abortions waiting list. In one week thehospital had collected 250 names of womendesiring abortions.in that they had already taken many of thefirst-year medical courses in the College.The joint degree is being studied by acommittee headed by William Baker, pro¬fessor and chairman of biology, with an eyetowards possible implementation in fall1972.Ravin explained that the committee hadnot met yet and might recommend that thetime for a degree would be shortened or thestudent be allowed to take electives whichhe did not have time for previously.Last year, the division revised its com¬mon core offerings entirely after com¬plaints that the lecture class with over 500students was unwieldy.In 1969 the courses were re-organized into13 introductory courses, with both a lectureand discussion format, that were taken bybiology and non-biologists alike.One issue was whether non-biologists andbiologists could be taught in the samecourse. Ravin said that a survey taken lastyear showed student opinion split on thesubject.He said that this year the degree of stu-d e n t preparation in 200-level biologycourses would be studied to see if the com¬mon core courses offered adequate prepa¬ration in biology. Abortion activity at other Illinois hospi¬tals has come to a standstill. “People inhospitals that had gone ahead with abor¬tions were very upset and frightened,” onesource at Billings said.In a statement Thursday, the ChicagoClergy Consultation Service for ProblemPregnancies emphasized that Marshall’sorder was only a temporary stay of the fed¬eral court decision.“We feel confident that the entire courtwill support the rights of those who seek tovoluntarily terminate a pregnancy in asafe, legal manner and the rights of con¬scientious physicians to practice medicineaccording to the highest contemporarystandards,” the statement continued.The CCS, which continues to refer womenout of state for legal abortions, called for“renewed legislative efforts to repeal thisstate’s nineteenth century abortion law.”Women’s liberation and anti-abortiongroups will hold a rally Saturday at 11 amto protest Marshall’s stay order and topush for legislative change.Chicago Women’s Liberation Union(CWLU), Total Repeal of Illinois AbortionLaws (TRIAL), and the Illinois Citizens forMedical Control of Abortion (ICMCA) willco-sponsor the demonstration.Speakers include Susan Montagu and Eu¬genia Chapman for CWLU, and MadelineDilly for TRIAL.Bruce RatoeRECYCLING: Garbage collection at theBlue Gargoyle.Ravin suggests bio requirement changeICY WALLEVENTSAnd don’t forget Ibsen’s Peer Gynt. February 19,20, 21 and February 26, 27, 28. Directed byAnnette Fern. Mandel Hall 8:30 p.m.Sunday, February 14Balfa Brothers Cajun Band, presented by theFolklore Society and the Ida Noyes ProgramBoard. 8 p.m., Ida Noyes 75*. An Icy Wallevent.Wednesday, ThursdayFebruary 17, 18, 24, 25, etc.The original Buck Rogers serials, starring FlashCrabbe, Buck Rogers, his friend and companionMiss Wilma Derring, and associate Dr. Huer arefeatured in an exciting 25th century adventurefrom 1936. One episode a week, on Wednesdaysand Thursday at 10 p.m. Ida Noyes ProgramBoard. Free. An Icy Wall Event. YOU REMEMBER YOUR FAMILY ..., GIVE THEM SOMETHING TOREMEMBER YOU BY...SEND HOME A MAROONSUBSCRIPTION NOW.NAMEADDRESSCITY STATEZIPONLY $6.00 Forthe remainder ofthe academic yearKIMBARK, LIQUORSWINE MERCHANTSOF THE FINEST^§»&se5§JMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you! 5424 Kim barkMl 3-3113THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbark Plaza HY3-3355Koga Gift ShopDistinctive Gift Items FromThe Orientand Around The World1462 E. 53rd St.684-6856 ELIZABETH GORDONHAIR DESIGNERS1620 E 53rd St288 2900 ^ ^foreign car hospitalLOW COST, SAFE, LEGALi ABORTION I; IN NEW YORK |; SCHEDULED IMMEDIATELY j(212)490 3600 1I PROFESSIONAL SCHE0ULIN6 SERVICE. iM.j| 545 fifth Rvr, New York City 10017 j| There is a lee lor our service IFebruary 12, 1971/The Chicago Maroon/5The Chicago Maroon letters to the editorsSTEVE COOK DON RATNEREditor Business Manager•CON HITCHCOCK, Managing EditorPAUL BERNSTEIN, News EditorSUE LOTH, Executive EditorSTEVE AOKI, Photography Editor•JUDY ALSOFROM, NANCY CHISMAN, JIM HAEFEMEYER, GORDON KATZ, AUOREY SHALINSKYAssociate Editors«LISA CAPELL, JOE FREEDMAN, ALLEN FRIEDMAN, FRANK GRUBER, ELSA HERSH, BARRY KELL-MAN, LESLIE LINTON, ALBERTO LOPEZ, BILL MARGRAVE, KEITH PYLE, BRUCE RABE, FRED WINSTONStaff•CARL STOVALL CAROLINE HECK DIANA LEIFERContributing Editor Senior Editor Assistant Business ManagerFounded hi 1892. Published by University of Chicago students on Tuesdays and Fridays throughout the regularschool year, except during examination periods, and bi-weekly on Thursdays during the summer. Offices inrooms 301, 303 and 304 in Ida Noyes Hall, 1212 E 59th St, Chicago, III 60637. Phone 753-3263. Distributed oncampus and in the Hyde Park neighborhood free of charge. Subscriptions by mail $8 per year in the U.S.Non-profit postage paid at Chiacgo, III.Women's committeeMonday the choice of three students for the committee on Univer¬sity women was announced, completing the committee’s membership.We hope that the committee begins soon to carry out its duties as as¬signed by the Neugarten committee.We feel that there are a good many issues for the women’s com¬mittee to act on, some of which were not dealt with in the context ofthe Neugarten committee report.It is essential that the University, if it is to attract women intothe higher echelons of the academic system, have its own day carecenter for students, staff and faculty. The argument that is constantlyused to justify the exclusion of women from prestigious jobs is thatchildraising is enough of a burden to prevent women from performingadequately.A day care center, free for University personnel, would go a longway toward removing the basis for such an argument. It would sub¬stantially free women for teaching and research work.The establishment of a day care center should be the first item onthe agenda of the committee. The women’s committee should take upwhere the day care corporation of last year left off. The need for aday care center was adequately documented by the Walker committeereport on day care in 1969.Secondly, the committee should vigorously carry out the dutiesgiven it by the Neugarten report: stimulating research on the statusof women in the society, developing programs to tap currently under¬used sources of talent and providing opportunities for contact and in¬formation between student and faculty women.The committee should also continue the role of the Neugartencommittee of investigating all women faculty appointments. ‘It seemslikely that traditional, more than innovative, views concerning women’sroles are still coloring discretionary judgments” within the University,reported the Neugarten committee. We do not feel that attitude haschanged substantially since the report was issued last spring, parti¬cularly among many male senior faculty members. We feel that thecommittee should adopt a watch dog stance, investigating and reportingto the campus their conclusions concerning all women’s appointments.Finally, the committee should realize that the staff and non-pro-fessorial employees of the University deserve its interest and aid.Although the council of the faculty senate, which recommended theappointment of the women’s committee, does not have direct jurisdic¬tion in employee’s affairs, the University as an institution has a respon¬sibility to its employees as well as its students and faculty. We hopethat the committee will take on the responsibility of ensuring the basicrights of equal opportunity to all women employed by the University,be they faculty, students or full-time employees.It should be a point of shame that of the tenured faculty here,only seven percent are women. The committee should act not only tosee that qualified women are not denied tenure on account of theirsex, but to encourage women to advance within the academic world.Another ribald classicFor awhile last quarter, we thought that the infamous studentsfor non-violent action had hibernated for the year.Tomorrow night, as most people are aware, SVNA has regainedlife and is presenting the second lascivious costume ball. From the looksof things, the second LCB will be even more lascivious than the first,which drew over 2,000 last winter.The lascivious ball comes at the same time as the traditional Washprom which is not being held this year. The committee on recognizedstudent activities wasted $1700 on Wash prom last year which wasattended by about 60 people. We are glad to note that CORSO isspending their money better this year by giving a $1500 grant and a$500 loan to the lascivious ball. Gays on trialUC Gay Lib anticipates that the rulingsfrom a criminal-political case now beingprosecuted in a Washington, D.C., DistrictCourt could set important precedents forthe future treatment of both gay people andwomen by the government. *The question this trial may answer is asimple one: Can gay people receive a fairtrial in our courts? Or will the anti-homo-sexual prejudices that exist be allowed togovern the fate of gay people when theydemand equal rights in court?So far, in this case, we have convincedthe judge to officially acknowledge thatthere is anti-homosexual prejudice in hiscourt, and that a person’s sexual identity isa factor to be considered in a trial of anopenly “different” person.The facts are not disputed — much. Fouropenly gay men were refused service in aWashington straight bar last November 28.The four left and returned with fifty Gay ‘Liberation Front members, many fromChicago. The manager ordered the gaybrothers to leave, and when they refused todo so, set his bouncers upon them. Thepeople could not remain passive in this vio¬lent situation; they had come with peacefulintentions and were unwilling to be dis¬criminated against. A free-for-all followed.Police arrested twelve men as they wereleaving in a VW van; after a night of ha¬rassment and abuse, the twelve, nowcharged with a variety of misdemeanorscarrying possible cumulative sentences of2V2 years per man. were ordered to stay inWashington till the trial began last week.The prosecution then attempted to weakenthe morale of the DC 12 by droppingcharges against eight defendants.The defense has argued that anti-homo¬sexual bias is relevant to both the case andthe trial — and has scored a few points: thejudge has agreed to allow prospective ju¬rors to be questioned about their anti-homo¬sexual feelings. Anti-gay bias is now suf¬ficient cause to disqualify a juror from sit¬ting in judgment on a gay person! This is astartling, and welcome, precedent, similarto the introduction of questions to dis¬qualify anti-black jurors in Huey Newton’strial. The voir dire (jury selection hearing)is being modelled on that precedent-settinghearing.The legitimacy of sexual liberation isalso on trial in Washington. The voir diremay uncover a widespread prejudiceagainst homo-sexuals who fight for theirrights. One may be tolerated, but a groupof women or men who assert that “gay isgood” may still be “dangerous.”It is our hope that the judge will allowthe defense to question witnesses abouttheir anti-gay prejudices; how much didanti-gay hatred motivate the actions of thebouncers? It’s a vital question; the court isallowing us to ask it; we must support thisfight for the sake of all women and menwho repudiate the constricted sexual rolesour “free’ society assigns them. A prece¬dent such as the one being set by the re¬ markably fair judge in this case is morethan a legal detail, you know: it is aspringboard for the assertion of human dig¬nity and pride in ourselves.The case will continue for several weeksit has not even passed the motion-to-sup-press-charges stage. Voir dire — the cru¬cial step — is next. We have expert wit¬nesses — we need money for transportationdesperately. Donations may be sent to UCGay Lib, 5810% S. Harper. For more infor¬mation, call 493-5658.Rick Pollack, Jim Davis, Murray EdelmanUC Gay Lib-DC 12 Defense CommitteeFrat woesThe future of the existence of fraternitieson this campus is now in severe question.This fact alone is not nearly as significantas the causes for the failure of the frater¬nity system.The first cause is that the nature of thefratertity here is not understood. The dis¬tortion of the image of the University fra¬ternity is a semantical distortion. The word“fraternity” represents, in most minds,something quite distinct from the groups ofpeople here that are called by that name.The distortion of the nature of a group,whether for good or bad, is not new to thiscampus. SDS and Maroon, for example, arewords'that also represent groups of peoplehere, and these words usually carry an“understanding” of that group which is adistortion of its real nature.The basis of a fraternity is not a functionof ritual and symbelism, but a series ofpersonal interrelationships among the indi¬viduals living together in the fraternity.The real fraternity provides an alternatelife-style to that of dormitories or apart¬ments. In fact, the fraternity represents acommune by being a group of people livingas a single body, yet realizing individualgoals.The second cause of the decline of thefraternity is that this alternate life-style isin opposition to the best interests of theUniversity housing system. The fraternitiescompete with the college dormitories,which are pricing themselves well out ofthe economic range of the average (poor)undergraduate. For this reason the Univer¬sity ignores the fraternity and in manycases acts to oppose it (e.g., a representa¬tive of fraternities was not allowed on theCollege orientation committee).The closing of the fraternities here willbe the result of these two causes if they areallowed to continue. The misunderstandingof the nature of the fraternity at the Uni¬versity must be combatted by fraternitiesdemonstrating that they are groups of indi¬viduals which live together as single bodies— not the restrictive remains of the BigTen era that so many believe them to be.The university must also face the factthat by not examining the problems of thefraternities they are crushing a friendly al¬ternative life-style for undergraduates.Bruce Kovarik ‘72Psi UpsilonBULLETIN OF EVENTSFriday, February 12CHAMBER MUSIC SERIES: The Juliard String Quar-tet at AAandel, 8 pm.FLICK: Rules of the Game, Cobb, 7:15 and 9 pm.DOCORAL LECTURE: Committee on Social Thought,Werner J Danhauser, Nietzsche and-Socrates, SocialScience 105, 3 pm.TRACK UCTC: Open meet. Field House, 4 pm.MICROBIOLOGY CLUB LECTURE: Dr Harvard Reiter,Department of Microbiology, University of Illinois,Chicago, Nalidixic Acid and Membrane AssociatedDNA in bacillus subtilis, Ricketts 7, 4 pm.GYMNASTICS: Triton College, Western Michigan Uni¬versity Bartlett Gym, 7:30 pm.LECTURE: Hillel Foundation, Professor Gerhard E OMeyer, Professor of Economics in the College,Prophets and Profits: On Max Weber's Views on Re¬ligion and Capitalism." Hillel House, 8:30 pm.RECRUITING VISIT: University of Utah, UniversityLibraries, ext 3-3286 for appointment.RECRUITING VISIT: Sears, Roebuck and Company,Illinois. Data processing training program leadinginitially to programming and systems analysis, ext3-3284 for appointment.INTERNATIONAL DISCUSSION GROUP: "Technologyand the Law," George Anastoplo, professor of po¬litical science, Rosary College, Lecturer in the Li¬beral Arts U of Chicago; Jacob Dumelle, Lawyerfor the Illinois Pollution Control Board; JosephNicol, Professor of Criminal justice, University ofIllinois, Circle Campus; Otto Mailman, student Uni¬versity of Chicago Law School. Crossroads StudentCenter, 5621 Blackstone, 8 pm.WINTER SEMINAR SERIES ON SOLID EARTH DY¬NAMICS: Alfred M Ziegler, Sediment Distributionand Structures in Oceanic Trenches with Implica¬tions for Suduction of the Lithosphere, Henry HindsLaboratory, 1:39 pm.MIDWEST CONFERENCE: "On Imperialism and Li¬beration in the 1970's." Speakers: James O'Connorand Eqbat Ahmad. Saturday and Sunday too. Regis¬tration $1.00. 5757 University, 6:30 pm.FLICK: The Fifth Horseman is Fear, Kenwood High,51st and Lake Park, $2.00, 8 pm.GEOPHYSICAL SCIENCES SEMINAR: "ContinentalFits in the Northwest Indian Ocean, Dr James Heirtzler, Chairman of the Department of Geologyanl Geophysics Woods Hole Oceanographic Institute,Hinds Laboratory, 101, 4 pm.Saturday, February 13 .BALL: Lascivious, to have fun with, at and to, IdaNoyes, 9 pm.BASKETBALL: U.C. vs. Lake Forest, Bartlett, 8 pm.ORGY: Maybe, at the Lascivious costume party, IdaNoyes, 9 pm.FLICK: I Am Curious, Yellow, Cobb, 6, 8:15 and10:30 (so you can go to the LCB too).NORTORIOUS SVNA DANCE: Second and last, socome, 4 bands and who knows what else, Ida Noyes,9 pm.Sunday, February 14UNIVERSITY RELIGIOUS SERVICE: The Rev E'Spenser Parsons, Dean of the Chapel, 11 am.ORATORIO FESTIVAL: B Minor Mass of JohannSebastian Bach, Susan Nalbach Lutz, soprano; Char¬lotte Brent, Mezzo-soprano; Donald Doig, Tenor,Rockefeller Chapel Choir and members of the ChicagoSymphony, Rockefeller Memorial Chapel, 3:30 pm.FLICK: M and Throne of Blood, Cobb, 7 & 9:15 pm.VALENTINE CONCERT: Pierce Tower series, JohnKlaus and Ellen Harris, 3 pm.CONCERT: Balfour Brothers and the Cajun BandFrom INPB and the Focklore Society, Ida Noyes,75c, 8 pm. French songs with fiddle, guitar andtriangle.GAY LIB MEETING: To discuss civil rights, IdaNoyes Half Room 305, 3 pm.SPEECH: Peggy Way, professor at the Divinity Schoolwill be speaking Bonhoeffer House, 5554 Woodlawn,on "Radical Therapy," 6:30 pm.Monday, February 15 .DEBATE: Alderman candidates Leon Depres and Cyn¬thia Burke and John Washington, Ida Noyes SeconaFloor, 4:30 pm.REHEARSAL: University Orchestra, full orchestra,Mandel Hall, 6:30 pm. wDISCUSSION: UC Baba 'I Fellowship, "Prospects torWorld Unitv," Ida Noves east I nunoe. 7:30 pm.6,The Chiiagu Maruuu/ February iz, 15171hopes students will seek his helpGraftonBy CON HITCHCOCK“My authority is like that of the EmperorAugustus, who governed by the respect oth¬ers held for him and the power attributedto him by the people.”Student ombudsman Tony Grafton leanedback in his chair in his Reynolds club of¬fice, as he tried to explain how he is able tohelp students who find themselves upagainst the bureaucratic wall.“I have found no reluctance by adminis¬trators to talk to me, except when I pokemy nose in somewhere. But the fact thatmy predecessors were competent has a lotto do with the fact that my recommenda¬tions are heeded.”The post of ombudsman was establishedby President Edward Levi in November1968 to help students who found themselvestied up in red tape and without knowingwhere to seek help.Grafton was the third ombudsman, suc¬ceeding John Moscow ’69 and Steven Cope70. A fourth-year College student, he wasselected from a field of 11 candidates by astudent-faculty committee.“There are two types of cases the om¬budsman handles,” he continued, “parti¬cularistic cases that could never happen toanyone ever again, and investigation ofbroader areas about which there are a lotof complaints.”Grafton is currently investigating the ad¬viser system and the existence of dis¬crimination in the University. Last quarterhe looked into student participation in fac¬ulty hiring decisions, which he discusses inhis quarterly report.Why College advisers? “There have beena number of complaints by students whoweren’t told that their average was lowenough for them to be flunked out, thatthere is not enough information for gradu¬ate school application, and so forth.“I'm doing a random survey of second and fourth year Students to find out theirexperiences, and I have started some in-depth interviews on the problem.“As for discrimination, I didn’t getenough to investigate. The University hasprovided information in the one case of jobdiscrimination that was brought to me.Steve AokiTONY GRAFTONStudent ombudsman PROFILE“I still hope that students will come andsee me if they feel they have been dis¬criminated against on the basis of sex orwhatever.”“I don’t mean to imply that dis¬crimination against women does exist, butI am looking into the possibility. It is aserious problem, and I want to make sureit does not exist here.”Grafton, a Phi Beta Kappa student inEarly modern European history, flippedthrough a copy of “Italian RenaissanceStudies” as he spoke.In his quarterly report, published lastweek, he criticized the University for nothaving enough athletic facilities and for notadequately defining its relation to students,the degree to which it is in loco parentis.He had reproving words for students whodo not listen to others.The most controversial part of the reportis his remark that there are many studentswho do not belong here, because of the aca¬demic pressure and the often disconcertingliberal attitudes which guide life in HydePark.Grafton was quick to clarify what hemeant. “The University is deceiving peoplein its admissions policy, which should makeit clearer to students what they are gettinginto.“I am not referring in my report to themany hundreds who don’t get along andare unhappy, but to the considerably small¬er number who don’t make it at all, that is,those who either flunk out or freak out.“Most students are deluded somewhatwhen they come here and more so whenthey find out that the College doesn’t liveup to its rhetoric regarding general educa¬tion. “They are told that the College preparespeople for general study, not general edu¬cation that would prepare you for life inany broad sense.”“The quality of life here is another ques¬tion I didn’t go into. The University hasrecently made a commitment to improvelife (through such programs as the “UpAgainst the Icy Wall, Winterquarter!”) butin terms of administrators’ time and mon¬ey, it has not been an intelligently directedreform. It’s not so much that people don’twant to improve life, but that they areunable for the most part to do so.”The ombudsman’s office handles five orsix new cases every week. Most of themare “particularistic,” Grafton said, and heis usually able to refer the person to theappropriate administrator or, if all leadshave been exhausted, step into the case andtry to seek justice for the student.“I have found that for the most part I amable to help a student out of a situation, tohelp him get something he otherwise wouldnot have gotten,” he said.“It’s very difficult to tell someone thatyou can’t help them, but this usually willoccur only when they’re in the wrong andthey know it, or when they give me in¬accurate information.“I will admit that I have been dis¬appointed by some students who come tome with deception and lies and tried toget me to help them, just as I am dis¬appointed when the response of the admi¬nistration is not what I feel it should be.”“The job itself is somewhat less terrify¬ing than I expected, and I’ve had feweridentity crises out of it than I thought.“I was frightened by the idea that some¬thing I did might seriously harm someone.“But the cases are of the sort that 10years from now, almost just about every¬one will have forgotten about them. Thismakes life considerably easier than I hadthought.”HEYBUNKIESYa say you’re tired of paying more money for lower quality food. Ya say you can’t stand snooty oldlad ies looking funny at you when you buy your oregano. Ya say you want to find a newsupermarket in Hyde Park that has lower prices, hip clientele and a friendly atmosphere.Well bunkies, tell ya what we’re gonna do.Shop at the newHYDE PARK SUPERMARKET1346 E. 53rd St.(Formerly the National)i*We are a student-run, low priced food store with a difference. We don’t have a meat counter withplastic wrapping smothering your meat. We’ve got an old time butcher who cuts your meat beforeyour very eyes. And you can tell him “Too much fat, Charley. Cut off all that garbage.” We’ve gotfresh vegetables, you bet and even our canned goods are cheaper than those places you’ve beenpatronizing. Some specials this week!Whole Fryers 2971b. Jumbo Northern Towels 29<Ground Beef 5971b. Chiffon Dishwashing Liquid 49*U.S. Choice Rib Steak 9871b. Aunt Jemima Pancake Mix 4372 lbs.Oscar Mayer Bacon 7971b. Aunt Jemima Syrup 35‘Pure Orange Juice 2-for-l 59< Fab Regular Size 33/boxCoca Cola 8-16 oz. 89‘ Hi-C 46 oz. 3 for $1Salerno Cookies 3 for $1 • Hellmann's Sandwich Spread 16 oz. 47‘February 12, 1971/The Chicago Maroon/7Contemporary European FilmsA NEW FILM SERIES forSPRING QUARTERFilms By: Truffaut, Carne, Cocteau,Bergman, Polanski, von Sternbergand moreTitles Like: The War Game, Orpheus, Shootthe Piano Player, Anatahan,Les Mistons, Dr. Caligari,Gunga DinALL FILMS SHOWN FOR 25* ADMISSION(in conjunction with Ida Noyes Program Board)AbortionInformation(212)271-4401We believe that if you think you arepregnant, you should be able to findout what to do.We believe that if you have con¬firmed your pregnancy, you shouldbe able to call someone to help youdecide what to doWe believe that if you want an abor¬tion, only the most qualified boardapproved gynecologists should per¬form it.We believe that you should have theright to decide whether your abor¬tion will be performed in a hospitalor outpatient facility.We believe that in all cases, thefacility used should be perfectlyequipped and staffed.We believe that you should under¬stand exactly what an abortion pro¬cedure is.We believe that transportation ar¬rangements to New York should bemade for you, as well as accommo¬dations if they are needed.We believe that all of these thingsshould be done at the lowest pos¬sible cost to you.We believe you feel the same wayWe know we can help you, even ifit's just to talk to someone.ivpa Medref Inc58-03 Calloway StreetRego Park. New York 11368(212) 271-4401STARTSTONIGHTHEADDirected byBob Rafelson The Universityof the New Worldat Valais,SwitzerlandA daring alternativeto the school you now attend.andEASYRIDERTHE BIOGRAPH THEATRE2433 N Lincoln MS-4123Plan to visit us soon. Admissionat all times is only $1.25. Bringyour fri.nrTr For Information, Write;University of the New Worldat Valais, SwitzerlandAddress in America2 Washington Square Village 11BNew York. New York 100128/The Chicago Maroon/February 12, 1971 It could be your brother!NOW PLAYINGAT A SELECT THEATRE NEAR YOUIS A RIP-SNORTER. A TRIUMPH!” -jud* cnst“★★★*★ BRILLIANTLY CONCEIVED,BRILLIANTLY DONE! DEVASTATINGLY FUNNY!”"Kathleen Carroll, New York Daily NewsDENNIS FRIEDLAND AND CHRISTOPHER C DEWEY PRESENT A CANNON PRODUCTIONSTARRING PETER BOYLE AND DENNIS PATRICK IN JOE WITH AUDREY CAIRESUSAN SARANDON - K CALLAN PAT MCDERMOTT MUSIC COMPOSED ANDCONDUCTED BY BOBBY SCOTT EDITED BY GEORGE T NORRIS ' WRITTEN BYNORMAN WEXLER PRODUCED BY DAVID GIL DIRECTED BY JOHN G AVILDSENCOLOR BY DELUXE" [OnRinal Sound T rAlbum av.viablr on NVfCuf, Rrco'dsA CANNON RELEASE V#Distributed by Teitel Film CorpABOUT THE MIDWAYCHARLIE PETOSKY: See Charlie do other amazing things as he tries to becomethe next Mr U of C.FOTAThe Festival of the Arts (FOTA) 1971 hasreleased a tentative list of events, sched¬uled to run during the first three weeks ofMay.They include a talk by Tom Wolfe, authorof “Radical Chic and Mau-Mauing the FlakCatchers” and “Electric Kool Aid AcidTest.”Among other scheduled events are aslide-show on pop architecture by a NewYork architecture firm, a film colloquiumfeaturing director Roger Corman and Chi¬cago Daily News Critic Richard Christian¬son, and four or five student plays, in¬cluding a production of “Peter Pan.”There will also be a poetry reading byRichard Murphy, an Irish poet teaching atColgate, a lecture by Anthony Burgess, pro¬fessor at Princeton and author of a recentbook on Shakespeare, and a slide-show byVagn Steen, a Danish “concrete” poet.FOTA has also contacted music schoolsand conservatories for a series of concertsby top music students in the country.Traditional events include a chalk-in,Maypole dancing, contest day, folk-danc¬ing, outdoor chamber music concerts, andthe opening speech by dean of the CollegeRoger Hildebrand.No decisions have been made on whatform the gala performance will take thisyear. Plans for a film festival and at least one dance event have also not been final¬ized.There will be several student participa¬tion events, including a 1950’s style sockhop and arts and crafts demonstrations.All events are open to the public, andmost of them will be free.FOTA’s budget for this year is about$28,000, down $2,000 from last year. Most ofthe cuts were made in administrative costs,rather than in the size of the program.Swim coachBill Vendl has been appointed varsityswimming coach.He succeeds William Moyle, who is on leave-of absence.Vendl will continue as varsity soccercoach at the University, a position he hasheld since 1964. He also is an assistant pro¬fessor of physical education at the Univer¬sity and assistant director of the in¬tramural program.Vendle received an AB degree in 1953from Eastern Kentucky State College andan MS in 1961 from George Williams Col¬lege.Harper coffee shopA second meeting concerning manage¬ment and staffing of the new College coffeelounge in Harper will be held today at 12:30 in Cobb Hall, B-23.According to Mary Fisch, assistant deanof the college, the Nonesuch is the mostlikely candidate to manage the new lounge.It proposes to create a new branch to bemanaged and staffed mainly by under¬graduates.Anyone interested in working in the newlounge or who has any suggestions for themanagement of the lounge should come tothe meeting.Child careThe Action Committee for Decent ChildCare will hold its first community meetingfor women February 14 at 3 pm in IdaNoyes Hall, 59th and Woodlawn.The purpose of the meeting will be toplan tactics and action. The group wantsthe power to determine decisions aboutwhat kind of funds and facilities will beavailable.Chapters of the organization are formingin five different areas of Chicago. Child¬care will be provided at the meeting. Formore information call 643-4431 or 752-5296.ColloquiumThe Beardsley Ruml Colloquium, a twoday meeting to discuss “The Tele¬communications Medium and Its Impact onSociety” will be held Friday and Saturday,Continued on page 10Doc Films Friday February 12 7:15 & 9:30 Cobb $1 PREGNANCYPROBLEM? PEOPLE WHO KNOWCALL ONJean Renoir'sRULES OF THE GAME THERE IS NO CHARGEFOR OURABORTIONREFERRAL. WHY SPENDMONEY NEEDLESSLY?OUR PROFESSIONALSERI/ICES ARE FREE.CALL (215) 722-5360 JAMESSCHULTZCLEAVERSCUSTOM QUAUTYCLEANING10% student discount1363 E. 53rd St.752-6933DAYS 2A HRSiLUNG-HING:♦♦♦♦♦♦♦ a new Chinese-American Restaurant inHyde Park1435 E. 51st St.667-1316 ♦♦♦♦♦♦♦As a special for Maroon readers, to give an opportunity tc£J sample our unique dishes, we make the following offer: Y♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ Bring in this ad and receive:Dragon Pheonix Kew Reg. $6.OO/now $4.00Gold Coin Chicken Kew Reg. $4.50/now $3.75Snow Flakes of July Reg. $3.00/now $2.503 Star Steak Special Reg. $4.95/now $4.00Order 1 day ahead the followingPekin Roast Duck (half) Reg. $4.50/now $4.00(whole) Reg. $8.00/now $7.50Pekin Roast Chicken (half) Reg. $3.75/now $3.25(whole) Reg. $7.50/now $7.00Cocktail Hour5-7All drinks 50'Student Discount, Lunch & Dinner 10%Drinks at Lunch 50*offer good 'till 2/23 ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ STUDENT SPECIALORDER 3 & GET A4th FREE!PIZZAS orChicken Dinners orPoor Boy SandwichesFor Delivery & Pick-up OnlyDuring Month of FebruaryMonday thru Thursday,with University I.D.NICKY'S1208 East 53rd StreetFAirfax 4-5340EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372TAI-SAM-YMiCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orrlers fo fake out ALL STATEINCOME TAX 5. ft tot tin to ati otonfXU STAJtTuMmmtkMmmdmdiihU&dr*■aim -NCARIYLECO SERVICES, UNLIMITED6 East Garfield Blvd.(55th 4 State Street)Chicago, Illinois 60615285-1725$2 DISCOUNTFOR OTHER OFFICES(312) rts-omStudentDiscountModelCamera1342 E. 55th493-6700Most complete photo shop»• r* C <•* i . ♦ L e , ri f> SEE YOU SAT. ATTHE LASCIVIOUS BALL/ C^,‘JfFebruary 12, 1971/The Chicago Maroon/9ABOUT THE MIDWAYContinued from page 9February 26-27.Marshall Field, publisher of the ChicagoSun-Times and the Chicago Daily Newsand a trustee of the University, will speakat various sessions of the colloquium alongwith other media leaders from across thenation.The colloquium schedule includes panelson “Media and the Public Interest,”“Cable and the Communications Revolu¬tion,” and “Programming: The Problem ofDiversity and Minority Inclusion.”A buffet dinner at Hutchinson Commons,57th and University, at which Field will bethe main speaker, is also planned. Ticketsfor the dinner are $1.50 for students and$2.50 for adults. Students may transfermeal tickets.The colloquium is an annual affair spon¬sored by the social sciences division whichbrings together experts from business, gov¬ernment, academic, and private life to dis¬cuss various topics oi public importance. Reynold's barberElmer Bradford, for 25 years manager ofthe Reynolds club barbershop, died at hishome on January 28. He was 62.Bradford, a resident of the far SouthSide, had worked in the barbershop for 41years.He is survived by two daughters, Mrs JoyZimmerman, and Mrs Kay Panico.Aldermanic debateStudent Government (SG) is sponsoring adebete between the three candidates forfifth ward alderman Monday at 4:30 pm inIda Noyes hall, second floor.The candidates are incumbent Democrat¬ic independent Leon Despres, SocialistWorkers Party candidate Cynthia Burke,and independent John Washington.The moderator will be SG President Mi¬chael Fowler.1■■ gn %■ > t aMR U OF C CANDIDATES: Top: Big Moe, bottom left to right: Zvgote and FrankMaibranehe.10/The Chicago Maroon/ February 12, 1971 anhECLOSINGOUT ENTIREstock orLAMPS • PICTURESFURNITURECASH-N-CARRY50% OFFR. L. BROOKS GIFTS1G04 EAST 53- AT CORNELLPhone 687-8296Mon. Thru Sat 9:30 - 5:30 Fri Till 9.00Gourmets, whohave long appre¬ciated the impor¬tance of pepper millson the dining table,will welcome thisnew invention fromSwitzerland. Thischeese mill is a mod¬ern appliance, whichwas developed froman antique graterstill used in some re¬mote areas of Swit¬zerland.R. L. BROOKS GIFTS1604 EAST 53^ AT CORNELLPhone 687-8296Mon. Thru Sat 9:30 - 5:30 Fri Till 9:00FOR SALE44 vw *350. Best Ofr. 643-5619D U A'L Turntables new VERYCHEAP Blank Tape Bob CieschlnBJ 836Big,' Beautiful Laffoley-5-posters.Each >$1.25. Bergman Gallery, Cobb418.Save S$ on Dual KLH, Scott, AR,Dyna, at MUSICRAFT. On CampusBob Tabor. 363-4555.Water Beds from *70, old furs, andother discoveries at PRESENCE,2926 N. Broadway. 248-1761.1969 VW, AM-FM, air cond., low ml,$1800 or best offer. 288-44792 Chevy-ll Snow Tires. 4000 ml,$25. 324-2476.'64 VW Conv. Needs body work $500or best offer. 684-5956 aft. 7NEW Mitsubishi TRQ222 Stereo Cas-sette Tape Recorder. Call eves, af-ter 6; 667-1230, 363-0302Two double pick-up electric guitarswith case for sale. New, never beenused. Contact: Marshall Packowltz,478-8073.ABORTIONCOUNSELING,INFORMATIONAND REFERRALSERVICESAbortions up to 24 weeks ofpregnancy are now legal in NewYork State. There are no resi¬dency restrictions at cooperatinghospitals Only the consent ofthe patient and the performingphysician is required.If you think you are pregnant,consult your doctor Don’t de¬lay If you choose to have anabortion, early abortions aresimpler and safer.Abort ions should be per¬formed by Board certified obste¬tricians and gynecologists, withBoard certified anesthesiologistsattending, in fully licensed andaccredited general hospitals. Youshould not have to pay exorbi¬tant charges for any of theseservices.If you need information orprofessional assistance, includingimmediate registration into avail¬able hospitals, telephone TheAbortion Information Agency,(212-873-6650), which hashelped counsel and place morethan 22,000 women for safe,legal hospital abortions.The total costs at good facil¬ities range as follows (in-patienthospital service, except asnoted) :For D & C: Pregnancy up to9 weeks, $285-5310 (out-patienthospital service); up to 12weeks, $385-$410; up to 14weeks, $560. For Saline Induc¬tions: 16-24 weeks, $560-$585.the abortion informationAGENCY, INC.160 West 86th St., N.Y., N.Y. 10024212-873-66508 AM to 10 PM Seven Days a Week 64 K-GHIA, radio, 50,000 ml, needslife bodywork. $300 or best offer.324-8891 after 5.COOP APT FOR SALECoop Apt. Ray Dlst. 55-56 Wdlawn 7rms. Garage, Yard, 2 Fireplaces,Assess $84 mo. Pr. $23,000. 684-3105.PEOPLE WANTEDMen, Women, Families — ANYONEwho wants to live and work (hard)In PEACE. We are now coming to¬gether to plan for a small organicfarm-homestead. 150 acres of landhave been bought in southern-NovaScotia; a $500-$1000 contributionfrom each adult will be needed tohelp re-bulld the house, to eat, andto buy equipment, cows, chickens,seeds, bees, etc. Eventually wewant to work in all crafts, especial¬ly pottery and woodwork and planto make everything we use. If youare more than curious, call Jerry 4-5 pm at 324-9358. Peace.Wanted Reliable Babysitter for 2boys ages 5 and 6) yrs. Mon. thruFrl 11:30-6 pm. Call 643-5483.Frm Rmmt wanted apt $60 mo. 5539Klmbark. 363-0462 after 8ECOLOGY NUT WANTEDStrong dedicated pqrson needed totend NEWSPAPER RECYCLINGBOX In CO-OP. TINY SALARY.Call 363-1403Summer Jobs in EuropeFor Information Call 787-94409:00 AM to 5:00 PMNow 'til Sept. Person to en|oy car¬ing for good-natured 2 yr. old anddo light cleaning 2u days-wk. 21 yr.old chum Included 2 of the pms.Both nap play together beautifullyfun job at $35-wk. 493-4657 weekendsFern rmmt wanted 57 & Kenw.Large light. Keep trying. 288-6657Student or couple to share SouthShore apt $70 4- uNI on campus busrte, 10-2, X3581 aft. 6, 375-6073Fern rmt wntd-57-Kenwood-$58-mo.Own rm-firepl.-7 rms. 643-3224 SPACERoom w-pvt. bath,campus. DO 3-2521 $10-wk. Nr.CHICAGO BEACH HOTEL5100 S. CorneH D03-2400Beautiful Furnished ApartmentsNear beach-park-I.C. trains U of Cbuses at door Modest da My, weekly,monthly rates.Call Miss SmithSAVE-Take over my lease In any Uof C dorm-thru June. 955-6587.MOVING?Licensed mover 8> hauler. Call ArtMichener. 955-2480WANTEDKittens want unfrantic space. Moth¬er has blue aura. 324-2016SCENESFOTA needs someone to run a mu¬sic program. Please. 843 BJRoommate wanted for apartmentnear 57th 8, Drexel. Rent Low,Kosher available. 324-3060FOTA needs people and ideas for a1950's Sock Hop. 843 BJBabysitter needed for young baby, 1day-week S, other times. 888-4479PEOPLE FOR SALEPainting 8> Decorating int & ext.Call ARIES 651-7100 Student Dis¬counts.RUSSIAN INSTRUCTION by nativeteacher. Trial lesson, no charge.236-1423 or 363-2174.TYPING SERVICE HY 3-3755Experienced baby sitting in myhome. Full or part-time. Reason¬able. 5410 Ridgewood 363-4858.ABORTIONSDON'T GET RIPPED OFF by out-of-state abortion referral services.Abortions under 12 wks are now le¬gal in Illinois. Or for FREE referralservice right in Hyde Park, call theClergy Consultation Service forProblem Pregnancies, 667-6015.SKI CLUB SPRING TRIPLast Call for the Trip To SteamboatSprings, Colo. For Info call Marty324-8930 NOW Jesse Jackson Debates Richard Da¬ley Frl. 19thMIDWEST CONFERENCE! "Impe¬rialism 8, Liberation In the 70's"with James O'Connor 8, Eqbal Ah¬mad. Feb. 12-14, 5757 UniversityStarts 6:30 pm Friday.Riding Lessons Boarding of Horsesstdnt disc, comm Riding sch. 323-9655 or call Pat 667-3321"TECHNOLOGY 8. the LAW" Paneldiscussion with Geo Anastaplo, OttoMailman, Fri Feb 12, 8 pm Cross¬roads, 5621 Blackstone.See Toshiro Mifune as a power-crazed samurai and Peter Lorre asa psychotic child-killer In two ci¬nema classics. Feb. 14 7 8. 9:15 InCobb. $1.00"Imperialism 8< Liberation"-Feb 12-14, Speakers, orkshops, films.Sponsored by NUC, CRV, CCAS,Venceremos, CAGLA. Info. 477-3340.The Fifth Horseman is Fear! Fri¬day Feb. 12, 8 pm, Kenwood High51st 8, Lake Park. $2.00.TAI CHI Presentation by RobertCheng Tues 2-16 Blue Garg, 8 pmSki the finest powder in the world.Ski Alta in Utah. American Airlineshas the perfect package for springbreak — air travel, a week in theAlta Lodge, lift tickets — $217 anddown. Call AA Campus Rep. JimSack, 684-6667 for details.Peggy Way of the Divinity SchoolWill Be Speaking at BonhoefferHouse, 5554 S. Woodlawn Avenue onRADICAL THERAPY, SUNDAYEVENING, February 14 at 6:30 pm.Prof. Gerhard E.O. Meyer willspeak at Hillel tonight on "PROPH¬ETS AND PROFITS: ON MAXWEBER'S VIEWS OF RELIGIONAND CAPITALISM," 8:30 P.M."l LOVE YOUwith a diamond fr•w m rjj §!•FINE JEWELERS FOR 60 YEARS119 N. Wabash at WashingtonjCLASSIFIEDSClassified ad deadlines are 10:00AM Monday for Tuesday's Paper,and 4:00 PM Wed. for the Fridaypaper.The cost is 50‘/line the first run¬ning and 40' for repeated in¬sertions for University people;75c/lin6 and 60Vrepeat line fornon University people.Strictly Per¬sonals are run for everyone at30‘/line.Ads must be paid in advance sobring them to our office, Rm 304Ida Noves or mail them in with acheck. OVERLAND EXPEDITION TO IN¬DIA Leaves London mid-June. $490ENCOUNTER OVERLAND 753-0411Discussion: "AFRICAN LIBER¬ATION MOVEMENTS 8. INDEPEN-DENT AFRICA" with KrisKleinbaurer, Gates-Blake 321 TuesFeb 16, 12 Noon Bring a Lunch.The best an! least expensive PIZZAin HYDE PARK served Sat. nightsat the NIGHT CLUB 9-1.THE FIFTH HORSEMAN IS FEARPLUS "DE DURA" Tonight. Come.SOVIET JEWESS who spent 10 yrsin prison camp, LYUBA BER-DSHADSKAYA at Hillel Tues (2-16)4:00 p.m.SPECIAL ANNOUNCE. .MENTS FROM CEF1. Yellow Submarine will be shownIn place of Easy Rider on March13. Three showings will be held.2. The Seventh Seal will be shownFree for Season Ticket holders onFebruary 25.3. Fistful of Dollars will be shownfree on March 10 open to thewhole campus.4. Fire on the Plains, one of thegreatest Japanese films of alltime will be shown free later thisquarter for the wpole campus.5. CEF announces the establishmentof a 25c film series next quarterto be composed of great Europeanfilm classics: Truffaut, Bergman,Demy, etc. Many never beforeshown on campus. Keep postedfor further details.6. CEF wishes to apologize to pa¬trons for the debacle surroundingWar 8i Peace Part I, which didnot arrive at the hall until 20 min¬utes before show time, and whichwas entirely wound backwardsand-or upside down. We wish tothank you for your patience andunderstanding, If possible, weshall try to schedule an unra¬vaged version of Part I later thisyear or next Fall. PERSONALSFAIS DO DOIs Caiun for a stone gas. Even ifyou don't speak the patois you'llhave a ball Sunday at the BalfaBros, concert 8 pm IdaBOOKS FOR BAIL20 SDSers Busted in 2 wks. forfighting UICC ban of SDS. GiveBooks St Rummage to raise bail.Phone 924-9375.GAY LIBGAY LIB open meeting to discussthe trial of the "DC12" and GAYcivil rights. 2-14 Ida Noyes Room305, 1212 E 59 St. 3pmFeb. 13, 12:00. Panel discussion onGay Lib Mov. Free Lunch. For res¬ervation call 288-8856.Gay Roommate wanted 493-5658 Aspen has apres-ski, great shops,crowded slopes, and thousands ofthings to do besides skiing. Alta hasthe best powder in the world. Aweek of skiing makes a great springbreak. Call American Airlinescampus rep. Jim Sack 684-5557 forhis $217 and DOWN package.Jesse Jackson Coming Frl. 19thDORM RESIDENTS: The PIZZASYSTEM delivery; this Sun. nightOrder before deadlines! IPACK YOUR KNAPSACK FOR AD¬VENTURE. Bicycle and camp inEngland. 30 day tours $566 fromBoston. Competently equipped.Write: Bicycle-Campers Inter¬national, Box 13927, Gainesville,Fla., 32601.Far-out Feathers 8< Frills. AlhambreBtque. 1453 E. Hyde Pk.Would you like two beautlfull love¬able warm erotic black box-trained6-month old kittens Complete w-trousseau. Call 373-5092. Free.Copulate In the Coitus Club Las¬civious Costume Ball 2-13Dump Daley Dollar Day Best Bar¬gain in Town Fri. 19thGive a DAMN I Help beat the ma¬chine. Take a swipe atDEMAGOGUE DALEYCARPETBAGGER CHRISKNOW-NOTHING KEANECall Linda or Jay or Steve or Maryat 275-7796.Learn how the Imperialist Giant op¬erates around the world at the MID¬WEST CONFERENCE on "Impe¬rialism 8> Liberation" Feb. 12-14.Here. For info, 477-3340The Fifth Horseman is FEAR!Groovy Get-ups. Aihambre Btque1453 E. Hyde Pk. Blvd.Black Tie. Clothes Optional LCB.Idle Noise. 2-13, UC ID neededWriters' Workshop. (Plaza 2-8377)Blow your mind with good music.Lowest prices on all stereos at MU-SICRAFT. On campus, Bob Tabor,363-4555.HYDE PARK ORGANIC FOODSCO-OP Meeting on Monday, Feb. 15,8pm, 5522 S. Everett. Questions?phone 288-2985SALE IS ON — Alhambre BoutiqueStudent Discount. 1453 E.HPBDo a good deed. Escort non-UCpeople into LCB at door. UC IDnecessary for admission. SUPER PERSONALSUC male seeks coed for meaningfulsexual rein. 288-0433.RAY: I ierk off In the shower think¬ing about you. Don't be so shy! I'mmore than willing.I love you, George Volsky.A UC ID is not an intrauterine de¬vice, but you need It to get into theLCB. 2-13 IdleNoise.CHARLIE'S GOT ACAMERA FOR SALE.A RANGEFINDER WITHLOTS OF GOODIES.CHARLIE'S GOT A CAMERA FORSALE. A RANGEFINDER WITHLOTS OF GOODIES CALL 752-4351.Beware of the ApocatastisJs: —ManlPersonal to Rori: Frank is waitingEMERGENCY ... I need anAmerican flag, call x3-3753SOLVIEG WAITSDIGITUS IMPUTICUS or power tothe peopleCEF PRESENTSKurosawa's Throne of Blood andLang's M. This double feature willbe shown in Cobb on Feb 14 7 8,9:15 respectively $1. THE FIFTH HORSEMANIS FEARAward Winning Chech FilmPlus"DE DURA"Tonight, 8 pmKenwood High,51st & Lake ParkSponsored by:South Side Schoolof Jewish Studies. $2 ABORTIONS-Counseling andReferral Service-Abortions are now legal inNew York State. If youthink you are pregnant,don't delay.MEDICAL REFERRAL is adiscreet professional ser¬vice that handles you withunderstanding. We makeall arrangements and ap¬pointments with Board cer¬tified obstetricians, gyneco¬logists and anesthesiolog¬ists in fully licensed andaccredited hospitals.Costs range from $250 to$375 depending on per¬sonal need.MEDICAL REFERRAL142 Mineola Ave.,Roslyn Heights, U 1-1577(516) 621-8000SEVEN DAYS A WEEKMAIL YOUR CLASSIFIED TO THE MAROON1212 E. 59th St., Chicago, 60637DATES TO RUNNAME, ADDRESS. PHONE.CHARGE: 50* per line, 40* per each line if the ad is repeated in asubsequent, consecutive issue. Non-University people: 75* perline, 60* per repeat line. There are 30 letters, spaces, andpunctuation marks in a line. ALL ADS PAID IN ADVANCE!HEADING: There is an extra charge of $1.00 for your own heading. Normalones (For Sales, etc.) are fre^.! ! 1 ! ' ! ' 1 —I-!—r—!—r "T""i1 i J : i — — i rT t I 1 f t | r + •+ -r1 i * . ±. T 'till* 1 1—\—f i 1 j iI '. i i i 1 1 t f—14 ♦*-! I ! —T —i f t t i—r—iL L i . j :ttj . 1 i 1 1 i -1 1 . .ILL T | 1 ; ’ : i r i ; :i ij„ 1 J i - r. T . ! 1 ' 1i 1 J- 1 i I i i - i i --I i i j i j ijminiq qih sqbkdgbmsMmDoc Films Saturday February 13 6:00, 8:15, 10:30 Cobb $1A contribution to the spirit of the Lascivious Costume BallFebruary 12, 1971/The Chicago Maroon/11JANIS JOPLIN • BOB DYLAN • CHICAGO • SANTANASLY & THE FAMILY STONE • THE HAIDERSGARY PUCKETT • JOHN HAMMOND • THE BYRDSSIMON & GARFUNKEL • ELECTRIC FLAG POCOBIG BROTHER AND THE HOLDING CO. • MILES DAVISTHE CHAMBERS BROTHERS « LAURA NYRCLONFROM THE MUSIC COMPANY/COLUMBIA AND EPIC RECORDS AND TAPESWE ACCEPT MASTERCHARGE & BANKAMERICARD •naasssSjj-fiisSETEFROMCH?CAGO$598CHARGEWITH Sank Avf hicabo0U)(!&, RECORDS HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 512/The C.hiragn Maroon/February 12, 13711{ ’’.i vi i0•.' *JH i ’ HV .<y % ■■ ■'3 j 'LJanis’s Last RecordPage Five Roller Derby Tonight:Page Seven *£&N*Piy />by PAUL ZINDELIrene Dailey’s SuccessPage Eight Three Screen RomancesPage Nine lIiIiVolume 3, Number 16 The Chicago Maroon Magazine of the Arts Friday, February 12,1971Keil’s Technique Makes UT ShineRobert Keil is the first full-time technicaldirector at University Theater in many years. Froma widely-varied background of experience in drama,he brings a fresh viewpoint to a theater beset withproblems.First involved in theater as a senior in college,Bob went on to work in summer stock and communitytheater, doing acting, directing, and technical work.He has spent seven years with high school theater,and continues his work in educational theater on theuniversity level. In Hyde Park he has taught at theLab School and has served as lighting designer andproduction manager for the Last Stage Company.Bob Keil explains his philosophy of theater, andhis thoughts on University Theater in particular:There has been a long fight to get a full-timetechnical director in this theater. How did yourappointment finally come about ?I think with the hiring of Annette as director ofthe theater. She had enough theatrical experience toknow that the potentialities of the theater were verylow without a partner on the technical side who wasas strong in his field as she on the directing-actingside. And it’s true — one person can do very little in atheater complex by himself.What are your functions as technical director atUniversity Theater?I’m not quite sure that we have a definition of atech director at UT. At this time the job implies acombination of working in the areas of lighting,setting, rigging, props, building things, all as atechnician. And then there’s the other side, teachingpeople, or working with them so that they learn howto handle these areas on their own.How does your work in an educational theaterdiffer from work in a professional theater?In a professional theater there are a number oftech people, each with a specific job. There is in eachof the areas — costumes, setting, lighting, what haveyou — a person in charge of each stage of mounting ashow: design, construction, set-up and production.There are sharp divisions between the areas and thepersonnel who handle them. A tech director in aneducational theater, on the other hand, faces con¬ stant cross-over, making the job exciting, bisometimes causing one area to suffer becauseconcentration in another area. In educational theatera tech director’s aim is to train a pool of personnel inorder to ease his burden of being the ultimateauthority in every area, which of course nobody canbe.You’ve also been a director. How does your workin tech influence you as a director?My approach to a show as a director probablyhas several levels. My first step is to look at what thetext says and how in terms of bodies and voices it canbe set on a stage. The second level is to consider howthis play can be mounted. The mounting involves thekind of pictures the audience will see in what kind oflight, and how the emotional and psychologicalaspects of the show can best be brought to theaudience. On that level my thinking concerns thestage picture which involves the actor, how and inwhat environment we see him, how he has to move,and his place in the totality of the stage environment.How will UT’s next show, Peer Gynt, employ techto enhance the production ?You might call the tech side of Peer Gynt a multi-media technological experience. The set will be ofpipe and plastic which create trapezoidal shapes and areas that are undefined until specifically usedbyanactor. Film and projections will be used, as well as asound system which will allow a multiplicity ofsounds to move around the auditorium, not just comefrom the stage. The difficulty of the show is to makesuch strong effects as the pipe and plastic and themultiple angles of lighting and film work together tofacilitate the actors’job.In the past, there has been a sharp animosity atUT between actors and technicians. How do you feelabout the problem of integrating the two areas ?I think we must realize that if an actor is onstageand he can’t be seen, or if he’s not in an environmentthat makes the job he’s doing as expressive aspossible, then he’s just not able to do his best. Forhim to be able to do his best, not only do the physicalthings have to be there but psychological things aswell.The recognition by actors and directors that thetechnical elements of the theater are not theremerely to provide obstacles for them to find theeasiest way to get over gives the director’s job alarger meaning. What he can do with bodies on thestage is seen in a more total view, and problems suchas how much light and what kind of scenery to useare thus related to where he’s going to move hisactors so he can do a better job.I see the combination of the two sides as beingvery important to the quality of the theater we have.I think the more we work on the individual aspects ofthe two, the more they can help each other and thebetter off our theatre will be.Where do you think UT has to go from here?I think University Theater on the whole doesn’treally know where it is at this point. It doesn’t knowwho it serves, doesn’t know why it functions, anddoesn’t know what its relationship is to the Univer¬sity, to the community, or to the movements that aregoing on in theater or in art. The nature of aneducational theater is ever-changing. I think thepresent personnel, including students and directors,will have to concern themselves more, as they arebeginning to do now, with having UT survive anddevelop, rather than simply serve as a source ofmomentary satisfaction.A DYLAN MASTERPIECE."It came on the radio in the lateafternoon and from the first note it was right.Bob Dylan bringing it all back home again."Then 'New Morning’ [title song] cameon. Like an early mist. So clean, so sweet. 'Thismust be the day that all my dreams come true.’What a love song! What a message to all of usblinded as we are by paranoia, grimly tryingto see through the murk and the smoke andthe blood. 'So happy just to be aliveunderneath the sky of blue . ..’"God it’s beautiful ... it is the mostreassuring thing that has happened this yearof the bombings.”—Ralph J. Gleason, Rolling Stone "Put simply, 'New Morning’ is a superbalbum.... If poetry can be a story that mustbe sent by telegraph, then this is certainly oneof Dylan’s foremost achievements as a poet.Words, music, singing, piano work, all of thehighest order.''It seems almost superfluous to say thatthis is one of the best albums of the year, oneof Dylan’s best albums, perhaps his best. Ingood conscience, all I can really say is get ityourself and prepare to boogie.”—Ed Ward, Rolling StoneBob Dylan“New Morning.”On Columbia Records *and Tapes2/Grey City Journal/Febraury 12 1971Peer Gynt: Production on the WayAny wanderer who stumbles casu¬ally into Mandel Hall for the nextseveral nights is in for a series ofsurprises. On the stage, people arehanging on cockeyed jungle-gymmountains; off in a corner someone isshouting “I’m sorry, baby, but youdon’t look enough like a troll up there.”Scores of people are on seats, aisles,and balconies, devouring cigarettesand speaking in quick whispers, and,suddenly a man delivers the line “Ab¬solute Reason dropped dead here lastnight at 11 pm!” After all this, thewanderer may consider that an appro¬priate observation.There is a good reason for theactivity — a play called Peer Gyntwhich is now in its final rehearsals andwill be presented on February 19, 20,21, and 26, 27, 28 as UniversityTheatre’s major winter quarter pro¬duction directed by Annette Fern. Writ¬ten in 1867 by Henrik Ibsen, the workchronicles the travels and travails of asemi-legendary character from themountains of Norway.It is the story of Peer — incurableliar, hopeless romantic, constant bun¬gler, forever lovable imp. His storystarts long before the play begins. Oncethere was a rich and prestigious familyliving in a mountain village in thevalley of Gudbrandsdal in Norway —John and Ase Gynt and their son Peer.But John drank the money away anddied when Peer was a child. Motherand son become inseparable. Ase re¬members, when Peer has grown up,“We clung together in want and sorrow. . . What could we do but try toforget?” Peer and Ase feed each otherwith fantasy. Their cotton rags aremade with golden thread, their shack’sa palace. But Peer grows up strangely.Ase muses “Who’d have thought thosedevil’s tales would stay with him?”Peer confuses lies with truth, realitywith fantasy. False yet dear memoriesof childhood are impossible for him todiscard. He is not Peer, the villagedrunk, but Emperor Peer, who rides onreindeer over fjords and mountains.But Peer never becomes an emperor.The play begins when he is twenty andends with him near death. We see thespiritual richness and poverty of thisimpossible man. Morocco, the Sahara,a lunatic asylum in Cairo, and hisnative Gudbrandsdal valley all witnessthe world’s endless buffetings of Peer.It takes a long time — a whole play infact — for him to understand thatcomfort could have been found in theone person who was waiting for him —Solveig, a village girl who has lovedPeer all her life, not because Peercould ride flying reindeer but becausehe wanted to. It’s a terrible thing to look fate in the face...some try lies and some try brandy,but, ah, we took to fairy talesof princes, trolls, enchanted beasts, and stolen brides...Asa, Act II, Scene 2Gail Hartmann, Solveig Roger Dodds, PeerThe scope of the play is enormousand its acting, technical, and directing *challenges are immense. Annette hasdone some judicious cutting of theoverlong script. She also has twoassistant directors, Chris Lyon (’72)and Richard Kilberg (’70) helping herhandle the job. Both Lyon and Kilberghave specific directing responsibilities.Making the numerous fantasy scenesbelievable is Lyon’s major task whileKilberg is working on crowd scenes.Doing Peer Gynt in rehearsal clotheson a bare stage would be a shame. Theopportunities for inventive set design,lighting, sound, and costuming are tootempting to pass up. Mike Merritt, aChicago alumnus, has constructed aset utilizing pipe and multi-level plat¬forms. Actors will hang from the pipepeaks. The pointed shapes will some¬times serve as ship’s masts, a sphinx,or the rugged terrain of Peer’s homeland.The set also supports three moviescreens. Ron McAdow (’71) has beenworking on both slides and films forPeer. The play is filled with bizarre scenes that will be conveyed in partthrough cinematic technique. Slideswill be projected throughout the playon the skeleton-like set and, at certainmoments, like the first shipwreckscene in Act IV, we’ll see the ship godown on film.Instead of Grieg’s famous music(more people are familiar with thecomposer’s Peer Gynt Suite than withIbsen’s play), this program will fea¬ture electronic music selected by MarkKazanoff (’72) and other sounds ar¬ranged by Chris Knight (’73). AnnetteFern feels that just as Peer seescomplicated relationships between theimaginary and real, electronic musiccan use natural sounds in a not-quite-natural way, making it ideal for back¬ground.Peer Gynt is not an actors’ play — itis one actor’s play. Roger Dodds, agraduate student in English, is Peer.He has worked with Annette before,has performed long roles (he was lastseen on campus as Hal in Henry IV,Part 2 in Court Theatre’s productionlast summer and also directed Waiting for Godot), and is in his late twenties.All this will help him face a demandingrole. Ibsen asks an actor to age sixtyyears, to be on stage almost withoutbreak, to express an encyclopedia ofemotions, and to handle soliloquies thatwould kill many actors.Ase will be played by Marni Lipke(’74) and Solveig by Gail Hartmann(’73). The other roles of the play —some of them excellent — are cameoappearances.Liz Schussheim (’73), publicity direc¬tor, has been working hard to fill thoseseats in Mandel. In an unprecedentedeffort, tv and radio stations, highschool English teachers, alumni, othercolleges and the campus are beingblitzed with promotional material. UTwill be able to build on this publicitycrew’s work for future productions.About one hundred people are workingon this show, and as many are off stageas are on.The results will be on view soon. Ifwe’re fortunate, we’ll wander withPeer through the fjord* and mountainsof his mind. It could be quite a ride.February 12, 1971/Grey City Jvurnal/3MUSICFAQ’s Mozart, SchullerThe Fine Arts Quartet returned to the GoodmanTheater last week for the third performance in theirseries of chamber music concerts. Once again, theyprogrammed a twentieth-century piece along withmusic in older styles.The central work on the program was GuntherSchuller’s String Quartet No. I,a strictly twelve-tonework. Each movement of the quartet is cast in anarch form, a very popular formal structure amongtwentieth-century composers, which poses the prob¬lem of transforming the opening section of amovement into a convincing closing section. All thetechnique and calculation involved in the compositionaside, Schuller’s Quartet was engrossing for itsexpressiveness and directed musical thought. Thefirst movement contained intriguing shifts in texture—one voice was frequently dropped suddently from achord, creating an uneasy effect, as though a rug hadbeen pulled out from under the listener. Particularlystriking also was a pizzicato section that precededthe recapitulation in the last movement; I wassurprised to find out from an examination of thescore that this section required improvisation, sothat much of the credit for its success must go to theperformers.Certain listeners may have found some aspects ofthe work objectionable, such as an excessively longminor second droned by the violins during large parts of the last movement. In the middle movement,passages in which the instruments played in octavesor in unison might have seemed overused andrelatively uninteresting. These, however, are specif¬ic, debatable problems which come up only when apiece commands the listener’s full attention, asSchuller’s Quartet did.The concert began and ended with two Mozartstring quintets, in E flat and G minor. These twoworks, especially the latter, stand out as some of thefinest chamber music ever written and as part ofMozart’s greatest achievement.The performance of the quintets revealed certainproblems of the Fine Arts Quartet as an ensemble.The cellist is an excellent musician from anystandpoint. He articulated and molded the entirecello part with the care and emotion usuallybestowed only upon prominent melody lines. Thus thebass line often stood out as the most interesting partof the music in very unlikely places. Withoutbombast, he played simple cadences as though theywere profound expressions, and they were thus mademore meaningful.The first violinist, on the other hand, seemed toprefer a smoother, less well-defined sort of phrasing,and his tone was somewhat harsh. Whether or not onepreferred his more straightforward, homogeneousinterpretation of the music (I did not), it seemed Gunther Schullercontinually to clash with the cellist’s playing, asituation particularly undesirable in intimate cham¬ber music. In addition, the awkward shifts of tempoby the first violinist seemed to stem from anuncertainty about interpretation, impairing the coor¬dination of the whole group.It should be noted, though, that in the Andante andintroduction to the last movement in the G-minorquintet, these ensemble problems suddenly fadedThis part of the performance was exquisite, as tenderand longing as music can be.— Mark BlechnerA Yummy Lunch, A Lousy DinnerTwo new eating establishmentshave opened in Hyde Park in the lastmonth, and at least one of them is awelcome addition to Hyde Park.Morry’s Deli on 55th Street just eastof the IC tracks is not a restaurant, buta take-out delicatessen with the bestand cheapest deli food in Hyde Park.For a great lunch get a big hot dogsmothered in onions, relish, tomatoes,hot peppers, pickles and mustard withan order of french fries for only 49cents! What a lunch!«■ *■Other great buys at Morry’s are thehamburgers (59 cents for a big juicyall-beef non-greasy hamburger), thekosher meat sandwiches (just under $1for very big corned beef, pastrami, etc) and chicken aplenty (75 cents fortwo pieces of chicken, fries, cole slaw,pickles and a great soft roll).Morry’s cole slaw and potato salad(filled with carrots and other goodthings) must also be singled out foradmiration, both uniquely creamy andspicy.There are two small counters at thedeli if you want to eat there. Morry’s isHyde Park’s best lunch bargain. On theGCJ’s special ripoff scale, Morry’srates a 2 (1 being perfection, 1 anightmare).If Morry’s is Hyde Park’s best lunchbargain, then Baumy’s, 57th and Ken¬wood, is Hyde Park’s biggest ripoff.For $1.10 you can get a small grilledcheese sandwich, fries and lettuce and tomato. (For $1.10 at Morry’s you canget two hot dog specials and a drink.)Baumy’s food wallows in mediocrity.My grilled cheese was cold, the friesraw, the tomato near-brown and thelettuce wilted. However, their bratpattie is quite good as is their Germanhot potato salad and their cole slaw —but the brat pattie is $1.75.Baumy’s must also be noted for itsabominable service. On one trip, acompanion ordered spaghetti whichcomes with a tossed salad. The wait¬ress asked “French or thousand islandon your spaghetti?” The way thespaghetti tasted, it might have benefi¬ted from French dressing.Baumy’s atmosphere is pleasant, if abit plastic. The clientele is often hu¬morous in appearance but the fun is notworth the prices. On a ripoff scale,Baumy’s gets an 8, and that onlybecause I’m a sucker for good hotpotato salad.' w1 “V \\ |i^ wnDUSTIN HOFFMAN~UTTLE BIG MAN"A Cinema Center Films Presentation /MARTIN BALSAMScreenplay by Calder WillinghamBased on the Novel by Thomas BergerProduced by Stuart Millar Directed by Arthur PennA National General Pictures ReleasePanavision* Technicolor •[GPi« JEFF COREY CHIEF DAN GEORGEEUTE DUNAWAY VAS MRS P€ NfJRAKf J Go fora niceride ina snow storm.Far East KitchenChinese & AmericanFOOD & COCKTAILSOpen Daily 12 - 10Fri. & Sat. 12 -12Closed Monday53rd & Hyde Park Blvd955-2229OPENS WED. FEB. 17thFrit Pwk<ng ?4?4 Lincoln 5?8 91?6 3 PENNY CINEMA The easiest way to spoilthe beauty of a snowy dayis to take your car out in it.Unless you’re driving aRenault 16. You see, it hasfront wheel drive for thekind of traction that pullsyou through the most treach¬erous snow,Qf course, it has featuresyou'll appreciate in any kindof weather: disk brakes upfront, rack and pinion steer-1ing, four wheel independentsuspension, and torsion bars,)Plus extraordinary gas mileage-up to 30 m.p.g.So during the next big Isnow storm, pay us a visitIt’s perfect weather for testdriving a Renault 16.IHIIOIEHnmra$2445*p.o.e.^*M,.,t..,.dLoral ig»*» »n(r /--S*imports, Snc.2347S.MICHIGAN AVE.,CHICAGO, ILL.TEL. 326-2550THE SWEET LIFE“It lingers in the mind like a vivid, anxiousdream! An extraordinary film!’’—Peter Sch|eldahl.N. Y. TimesONE OF THE YEAR’S 10 BEST—Judith Crist. New York Magazine —Stewart Klein. Metromedia TVDonald Sbebib sCOIN’DOWN THE ROADstarring Doug McGrath ■ Released by o-ie^FiOM A Division ofCinecom Corpoiaimn4/Grey City Journal/ February 12, 1971Janis, Elton and Humble PiePearl by Janis Joplin (Columbia KC 30322):We all know that Janis dead, that Janis wasgreat, that this is the album she was recording whenshe died and that the rock critics have hailed thisrecord as Janis’s best. While I agree that this albumis great Joplin, I am afraid that iq discussing Pearl,most everyone has slandered Janis’s earlier mate¬rial.Janis was a unique singer. Technically, her voicewas lousy. On Pearl she sings one cut a cappella andher voice sounds grainy, harsh and totally untrained.But when this messy voice was backed up by hardrock, the harshness seemed soulful, the unprofessio¬nalism bred spontaneity. This album tones downmuch of the background music, making it moreprecise. Overall, this improves the sound of therecord, but often one hears traces of indecision inJanis’s voice.With Big Brother on Cheap Thrills and on theMainstream album, Janis knew that she had to push,sing hard and loud. Here she is more relaxed, morecontrolled. Both sides of Janis’s talent are valid andsuccessful; and we must not lose sight of the fact thatwith Big Brother Janis recorded “Piece of myHeart”, “Turtle Blues”, and “Down on Me”, songs tomatch anything on PearlThe individual cuts on this new album are alltour-de-forces for Janis and she takes every oppor¬tunity to display her vocal dynamics. “Me and BobbyMcGee”, the single is as good a song as Janis everdid. The simple acoustic guitar opening by Janis isperfect for the song and here her restrained styleworks perfectly. Later, as the song builds, she opensup and sings better, clearer and more emotionallythan ever.“Mercedez Benz”, the following cut, is the acappella number. It is a joke cut and it is evenintroduced as one: “I’d like to sing a song of greatpolitical and social import,” Janis snickers. She thenasks the Lord to send her a Mercedez Benz, a colorTV, a night on the town. At the end of the song, shesays “Well, that’s it” and laughs, reminding us thatJanis was a warm, human, human being.Pearl contains Janis’s last message to us. In thealbum’s last cut, “Get It While You Can”, Janis saysto live it up while you’re young, while you’re stillalive. What more can you ask for?Tumbleweed Connection by Elton John (Universal73096):What a beautiful album! Elton John and BernieTaupin are songwriters who write songs to hum, tosing, and to turn over in your mind as you go to sleep at night. Tumbleweed Connection is a perfect displayof all of Elton John’s talents. Not only does he writegreat melodies, but he performs with equal skill.Elton plays the piano hard and clean. On thisalbum, the piano, wisely, is the main instrument,backed by a simple guitar, bass and drums.Instead of being loud and raunchy, the femaleback-up vocals are subdued and pretty, thoughgospely. When combined with Elton John’s uniqueraspy voice, the instrumentation and the backingvocals together make all the songs well-constructedminor masterpieces.The best of them — “Country Comforts”, “BurnDown the Mission”, “Love Song”, “Son of YourFather”, “My Father’s Gun” and “Ballad of a Well-Known Gun” — are among the best pop songsreleased in the past few years. Taupin on this albumattempts to capture the feel of the Old West, andalthough his lyrics might not recreate that era, theyare all successes individually.U by the Incredible String Band (Elektra 7E-2002):This is the eighth Incredible String Band album released in this country apd 1 am becoming resignedto the fact that the String Band will never becomepopular. Pity though, for all you people don’t knowwhat you’re missing.Mi& Heron and Robin Williamson wrote most ofthe material skillfully combining poetry and music:“A strong power calls from the left hand / Across thewaters deep/A strong power calls from the lefthand / let all things sleep or weep...”The group plays string instruments as well asanyone. My favorite on this album is the first song,“El Wool Suite” which is a beautiful interplay ofsitar, guitar, tabla, gimbri, flute and clay drums.Rose and Licorice, the two female members of thegroup, play and joyfully sing along with Mike andRobin, and the love that floats between the fourperformers is one of rock’s most happy moments.Humble Pie (A/MSP4270):There are so many English rock groups today,that a new one doesn’t stand much chance ofattaining success, especially if they play hard rock.With Free, Led Zeppelin, the Faces and all the othersclogging up the channels, bands like Humble Pie arehaving a hard time of it. After all, how many Britishbands can the American audience embrace?Well America, make room for Humble Pie. Theyaren’t exactly humble, but they sure can play rockmusic, with a self-confidence that is arresting, oftenirritating but, overall, refreshing. Too many newgroups are so unsure of themselves that they don’tknow what to play. Humble Pie knows that they playgood hard rock and they play it loud and strong.Steve Marriot left the Small Faces a few years ago toform this band and his vocals are as good now as theywere in the days of the Faces’s hit, “Itchycoo Park.”Together with Peter Frampton’s guitar, Jerry Shir¬ley’s drums and Greg Ridley’s bass, Marriot andfriends deserve a listen.What About Me by Quicksilver Messenger Service(Capitol SMAS 630) and £ Years On by the Bee Gees(AtcoSD 33-353):Quicksilver started out as a group built on theguitar interplay of John Cippolina and Gary Duncan.Duncan left after the first two, Quicksilver’s best,albums. After one album more, Duncan returned butbrought Dino Valenti, famous for writing “GetTogether”, back into the group with him. This is thesecond Quicksilver album with this line-up and whileQuicksilver is not as good now as they were in thebeginning, they are still damn good.Cippolina plays great guitar and may very wellContinued on Page SixSome New Englishmen & High SpiritContinued from Page Fivebe rock’s most underrated guitarist. On this album’sbest cut, “Local Color”, an instrumental, Cippolinaplays the best guitar on any Quicksilver album sinceHappy Trails. Valenti combines well with the groupand on the title cut sings the kind of political lyricsthat are his forte.The Bee Gees, like Quicksilver, started out with aset format, the three Gibb brothers and two others,played for four albums or so with this lineup, droppeddown to two Gibb brothers for Cucumber Castle,disbanded all together and now the three brothersare back together again. This is the best Bee Geesalbum since the group’s early days.There are no great songs here like the Gibbbrothers once produced — “New York MiningDisaster”, “I Started a Joke”, etc — but “LonelyDays” and “Man for all Seasons” come close.Although repetitive, famous Gibb harmonies are stillletter perfect; and Robin Gibb as lead vocal is mostprofessional.These albums may be the last by Quicksilver andthe Bee Gees with their present line-up. JohnCippolina is leaving Quicksilver, and the Gibbbrothers are volatile and unpredictable. Be fore¬warned.— The Great PumpkinMcGuinness Flint (Capitol SMAS-625) and WishboneAsh (Decca DL75249):These are two first albums from a couple ofBritish groups which may be worth some listening.Both are fairly good, containing some very nicemusic in between long spans of adequacy.McGuinness Flint is patterned almost directlyafter the Band. It has the same beat and melodies,the same number of people playing the same in¬struments, and even the same WCTU-parade brassarrangements. The vocals and harmonies are smoo¬ther than the Band’s, and although this produces amore commercial sound, it also leads to some prettysongs. The two best cuts on the album, “Heritage”and “International”, are soft folk pieces where thegentle voices fit in perfectly. There is not much in thewav of originality in this album, but if you’re not very particular, it is quite pleasant.Wishbone Ash, on the other hand, is original andexciting, the major problem being that the in¬corporation of too many different styles sometimesmakes the music incoherent. Attempting to combinejazz, rock, blues and swing, the group sounds at itsworst like any mediocre white blues band, and at itsbest much like early Quicksilver. Andy Powell andTed Turner play counterpoint to each other onguitars in the fashion of Gary Duncan and JohnCippolina on Quicksilver’s first two albums. Theother two members of Wishbone Ash are MartinTurner on bass and Steve Upton on drums. Theyconfidently challenge the audience with a dramaticstyle that forms the framework for the interweavingguitars.Twelve Dreams of Dr. Sardonicus by Spirit (EpicE30267):This album is the soundtrack to a journeythrough Spirit’s world of hard rock, psychedelia, andelectronic gimmickry. Unaffected by the presenttrends in rock music (whatever they may be), Spirit has stayed within its own style and developed aunique sound. Its characteristics are unusualrhythms, jazzy keyboards, assorted electrical noisesand intricate vocal harmonies.The music ranges from the emptiness of whis¬pering vocals accompanied by a single guitar to abarrage of screaming voices, screeching guitars,wild horns, and flying electronics. The sound is never-cluttered though, because of the scrupulous attentionto the impact of the individual components on theoverall effect. Spirit is professional enough to controlthe gimmicks, which in lesser hands could be slick orjust plain obnoxious, and the result is a unified,flowing album.In an album as well constructed as TwelveDreams of Dr. Sardonicus, it is best to listen to thework as a whole, rather than to individual songs.Sardonicus is fairly dramatic, and this drama wouldbe lost if the songs were heard individually. Thecomposition is mainly the work of Randy Californiaand Jay Ferguson, who between them account foreleven of the twelve cuts. John Locke, who onkeyboards sometimes exchanges leads with Califor¬nia, wrote the twelfth song on the album.California plays guitar, and he is very effectiveon the quiet, empty numbers such as “Nature’sWay”, “Why Can’t I Be Free” and “Soldier”. He ismost imposting, however, playing a driving electricguitar in “When I Touch You”. Ferguson’s vocals arevery good, but the most amazing vocal quality is thewhole group’s ability to stay in harmony at even thegreatest volumes.—Pumpkin SeedsWrite for UsBecause the Journal would like its pages toreflect a variety of viewpoints and opinions, wewelcome contributions from members of the Univer¬sity community. Prospective contributors shouldcontact the editors at the Maroon office, Tues-Wed-Thurs afternoons.*LA ST ANNUAL ” it JFrom 8:30, Saturday Feh. 13, thrugh Valentines Dayat Idle Noise, 1212 E. 59th St.with5 Bands including Johnny LittlejohnEuphoria BlimpworksExotic Dancers Midnight Starplus Belly Dancersand more strippersV2 Ton Union GrapesEducational Films, much improved sincethe last LCBGreco-Roman Wrestlers dripping in Olive OilNude SwimBody Paintingand IntroducingMr. U.C. (There is no Miss U.C. this year)Tickets still on sale at Reynolds Club $1.50 - At Door$2.00, $1.50 with Lascivious Costume. Free admis¬sion without clothes.U.C. Student or Staff I.D. required. 4*4■¥**44■¥+4<■¥Lookout!Bombs on Wheels!ti The San Francisco Bombers beat theNortheast Braves awhile back 57 to 50.San Francisco Bombers — that mustmean roller derby was in town. Yes,roller derby, that peculiarly Americansport which was spawned in Chicagoby the Great Depression only to befattened up and killed off by over¬exposure in the early days of tele¬vision, is back.Since the days of Toughie Brasuhnand the Brooklyn Red Devils, thispariah of the athletic world has beenplaying arenas around the county andtaping a weekly television show forUHF stations. Now roller derby is bigtime again, packing the Amphitheatertwice last weekend, and due back intown tonight at the Coliseum.Roller derby is an incredibly com¬plex game played by two six-memberteams. “Jammers” skate around thebanked track, attempting to pass“blockers” from the other team. Theblockers seek to help their own jam¬mers score points while blocking op¬posing jammers from getting by.There are eight 12-minute quarters —or eighths, I guess — and, get this, themale squads alternate with femalesquads on a separate but equal basis.All of this is irrelevant, of course, forroller derby is really the greatest formof mass violence since the gladiatorsclosed up shop. The skaters block,pummel, kick, punch, and generallymaim one another as they circle thetrack, and the crowd enjoys this mobilebarroom brawl immensely. Roller der¬by as you might suspect, is not the sortof thing that attracts the intelligentsia.Before last weekend’s game, I linedup outside the Amphitheater next to afriendly fellow with greasy hair, aquilted parka, and white sox, whochain-smoked Camels and chattedamiably. “Some line, huh,” he said,and I replied, “Yeah, some line, huh.”(Good roller derby small talk consistsof repeating what has previously beensaid with only minimal variations.)Once inside, my new friend and Iclimbed to the outer reaches of theAmphitheater balcony and peereddown on the track. The two teams saton folding chairs at opposing ends ofthe infield, while the middle was re¬served for the “medical table.” Thiswas manned by a fellow in a Ben Caseycoat who dispensed cups of water andoccasionally hovered solicitously overfallen combatants.As the game unfolded, the familiarschticks from TV were all there. BigCharlie O’Connell and Big Pete Boydwere gradually building a rivalry,blocking and glaring at one another.Little Mike Gammon, the leitmotif, wasskating under the big guys legs. Boyd,of course, attempted to beat up onLittle Mike, and Big Charlie came toMike’s defense. It was the old Ameri¬can morality play, perfected in coun¬tless Westerns and given an ethnictwist by professional wrestling.My neighbor in the balcony definedthe roller derby players ethnidy. “Boythem colored guys sure can skate,”he’d say, or “Them eye-talians sureare tough.” When the ladies’ teamscame on, though, there was a subtlechange in his method of differentiatingthe players. “Boy look at the tits onthat one,” he said, admiringly. Acertain gleam replaced the athleticfervor in many fans as these amazonsskated around, jostling and pummelingone another with a remarkably calmand detached air.Throughout the game the 14,000 fansscreamed and yelled. They were main¬ly beer-bellied men and ladies done upin either elaborate peroxide bouffantnavy blue rinses, or careful processjobs. The young fans were stylish,dressed by Old Town shops or SmokeyJoes, but those who were older andfatter, had lost interest in fashion. Itwas a Wallace crowd — people whowent for George, or Henry, or Irving Wallace — out for a night of vicariousthrillsThe action was hyped by some super¬thyroid WLS-reject who kept up arunning commentary via the PA sys¬tem. This Tom Wolfe of the airwaysoffered empathetic “ooos” and “ahs”as players teetered and then fell ontothe track or over the railing.Near the announcer’s table; a chubbyfellow was alternately playing a drumand a horn and leading cheers for theSan Francisco Bombers, who for somereason were the home team and there¬fore the recipient of the crowd’s goodwishes. I assumed this one-man-drum -and-bugle corps was a shill for theshow, but a half time, as I approachedhim, I noticed his drum said, “George, official drummer for LoyolaHockey Team,” and someone said tohim, “Still hanging around the old firehall, George?” “Yeah,” George said,“Still hanging around the old fire hall.”I waited with George as the teamsreturned to the track after halftime.The players moved impassively, look¬ing unscarred, untired, and uninte¬rested as they skated out of the dress¬ing room. The ladies tended to be acnedand mean looking, the men strangelysoft.For the second half, I eschewed the balcony and watched from the end ofthe aisle, a few feet from the track.There the spectacle became more in¬timate,, more brutal, and more fright¬ening. The banked track is made ofplywood boards screwed to a collap¬sible metal framework. The cavernbetween the track and the floor am¬plifies and deepens sounds so thatwhen the skaters move around in apack they are accompanied by a dea¬fening roar. When a player goes down,he hits with an resounding thud. Thetrack’s railings and supports are pad¬ded, but it all looks menacing sincethey’re traveling at high speeds. Everyfew minutes someone goes into therailing and ends up sprawled out in thethroes of real or ad-libbed agony.The crowd was yelling more now asthe climax approached. I was joined inthe aisle by a graying man in a collegesweatshirt and work boots. He wasdrunk, yelling at Jan Vallow to breakBetty Dunn’s leg. The fights on thetrack were growing more frequent, thecrowd was on its feet almost contin¬uously, and the Andy Frain usherswere losing their cool as a series of fistfights broke out in the stands.It was, in short, great fun if you likethat sort of thing. It was much like wrestling matches or demolition der¬bies. The great beast within us wasbeing let out a little, and while somemight regard it as a valuable catharticexperience, it was frightening nonethe¬less. The crowd was getting its mon¬ey’s worth, screaming and yelling andloving it. But it wasn’t what you’d call acharacter building experience.As for the men and women on thebanked track, I hoped they were fakingit, going through some predeterminedmotions to bring the crowd to a fever¬ish pitch and send them home satisfiedand loaded with souvenir yearbooks.This was one case where duplicity wasbetter than honesty.It looked real enough, but the climaxwas awfully convenient. With one min¬ute to go, the Bombers (the home team,remember) trailed 49 to 50. Theyscored two points only to be called offfor illegal use of hands. Then with onlyseconds to go, Little Mike Gammonbreaks loose, with another “jammer”,laps the pack and with Big CharlieO’Connell blocking viciously, the twojammers pass four Braves, score atotal of eight points, and the buzzersounds. The home team wins Justicetriumphs over adversity. I guess.—Harvev D. ShapiroLv, AV,V.» >,V,v February 12, 1971/Grey City Joumal/7 !!II{DaileyGreat in66Marigolds99Chicago’s theater scene is lookingbrighter in this new year. While Kath¬erine Hepburn limelighted her way intothe Opera House to shine in Coco, IreneDailey, almost unnoticed, opened at theIvanhoe Theater, 3000 N Clark in PaulZindel’s Obie award winning play, TheEffect of Gamma Rays on Man-in-the-Moon Marigolds. Miss Hepburn mayhave gotten the headlines, but no onewill steal the thunder from IreneDailey, for her performance as Beat¬rice, the mother, in this touching playis a tour-de-force, a spectable of greatacting and brilliant insight.Zindel’s play opened in New Yorklast year to very favorable reviews —but this is not a perfect, or even a near¬perfect play. The story concerns ahard, beaten woman with two daugh¬ters, one with mental troubles whowears sweaters tight enough to “stopthe circulation in her chest”, as hermother says, and the other with amarvelous mind, but limited socialcapabilities. In this household livesNanny, a crippled, old woman whoBeatrice takes care of for $50 a week; arabbit; and marigolds exposed to Co¬balt 60, a radioactive substance thatcauses mutations in the plants. As therelationships between the daughters,the mother and her daughters and themother and her past are made clear,the marigolds become an effectivesymbol of the effects both positive andnegative, that living in a volatile situ¬ation can have.The character of Nanny is an unusu¬al one. Onstage for only a few minutes,Nanny evokes laughter as she shufflesaround, drinks her “hotsie and honey” Irene Dailey soothes her troubled daughter in Ivanhoe’s “Marigoldsand shuffles off. Beatrice talks to deafNanny as though to an infant, much toTillie’s (the bright daughter) dismay.Nanny’s raison d’etre is not clear. Herpresence annoyingly breaks up aserious play at inopportune moments.The conflict i between Beatrice, (amentally deficient mother who lashesout at her children and who has,obviously, caused most of their prob¬lems) and her daughters is complex.Tillie is managing fairly well underdifficult stress while Ruth has cracked.She says things without knowing why,plays her mother and sister againsteach other, and is generally inhappy.Tillie is a brilliant science student andher school hounds Beatrice to let Tilliedevelop her talents, to let her come toschool regularly, to be proud of her.But Beatrice is too caught up in herown deficiences to help her her daugh¬ters much and when she finally doestry, she is defeated.On this somber note, the play ends.We see a defeated Beatrice, a success¬ful Tillie who has just won first place inthe science fair, a mentally incapable Ruth and a physically incapable Nan¬ny. Tillie, in this situation, is the onlyray of hope that Zindel presents and asTillie delivers her final soliloquy, werealize that Ruth and Tillie are them¬selves mutated marigolds, exposed to astrangely affective source, their moth¬er. Zindel seems to say that somepeople are made stronger throughcoping with bad situations while othersare doomed to lives of torture andincapacity.It is not a very encouraging orrefreshing story, but it does hit hard.Even with the play’s inadequacies —the presence of Nanny, the too oftenstereotyped talk of Beatrice and thevery limited character analysis ofTillie and Ruth — this is a verysuccessful drama. It is gripping — sogripping, in fact, that a girl behind usin the theater called out advice to thecharacters.Irene Dailey is a superb actress andsuccessfully mitigates some of theplay’s faults through her performance.Beatrice too often falls into a half-satiric, half-depressed manner where she slashes out tirelessly and un¬knowingly at all the people around her.Her accent in these scenes is straightstereotype from all the wicked mothersyou’ve ever seen. However, Miss Dai¬ley makes Beatrice a successful char¬acter in these scenes by using imagina¬tive, real human movements likescratching herself or fixing her hair.By combining the speech with theactions we get a picture of a wholewoman even if the lines only show usone side.Marla Friedman as Tillie and Adr¬ienne Kent as Ruth are both more thancompetent. Miss Friedman especiallyshows real talent in her soliloquies atthe beginning of the two acts where shecomtemplates her relationship to sci¬ence.This production is a truly profession¬al one. The lighting, sets, props, and allthe other technical aspects are asprofessionally done as the acting anddirection. Together, they make this arewarding evening with a real drama.—Mitch BobkinCinerama Releasing presents a Robert H Yamm-Henri Bollinger ProductionJason KatharineRobards Rosstouched each otherand let go of the worldsc'eenpiay by RotjGrt Rud6l$0n executive producef P3t ROOhGyproduced by Henri Bollinger and Robert H.Yamm directed pyTom Gries * ColorGP FROM Iff CINERAMA RELEASINGj Original Soundirecu fewaung KENNY ROGERS A THE FIRST EDITION on Reprise RecordsExclusive EngagementNow Playing6:30,8:15,10:00 |PLAYBOY VI TUfATtH , fIHX N DIADBODN • PMONC M4 14}8/Grey City Journal/February 12, 1971 WFD LIKE YOU TO JOIN OUR RAPIDLY GROWING FAITH■ as an ORDAINED MINISTERWITH A RANK OFDOCTOR OF DIVINITY'And pa thaS know the truth and Hto truth thoMmoko you hot' John 8:32Wa wont man ond women of oH 09M, who boHota 00 war do, to joinus in the holy March for Truth. Wo boiiouo that oN man should tookTruth by oM just iwoono. A» ono of our ministers you con:1. Ordain others in our nomo.2. Sot up your own church ond apply for exemption fromproperty ond odior taxor.3. Perform marriages ond oxorciM oM other ocdotiosticpowers.4. Got sizeable cash grants for doing our miuionorywork.5. Seek draft exemption 0% ono of our working mis-sionorios. Wo con toN you how.6. Some transportation companies, hotels, thootors, etc.,give reduced rates to ministersGET THE WHOLE PACKAGE FOR SI0.00Along with your Ordination Certificate, Doctor of Divinity and I.D.card, we'll send you 12 blank forms to um when you wish to ordoinothers. Your ordination is completely legal ond valid anywhere in thiscountry. Your money back without question if your pockoge isn'teverything you expect it to be. For on odditionorSIO we will sendyour Ordination and D.D. Certificates beautifully fronted ondglossed.SCNO TO: MISSIONARIES OF THE NEW TRUTHlex 1393, Dept. G9, Evanston, M. 60204NomeAddress,. City StateZipSlOend. □ (no frames) $20end. □ (frames)VALUABLE COUPONSPECIAL STUDENT PRICESUPON PRESENTATION OF THIS ADLIBERAL TRADE IN ALLOWANCESAT THE WORLD'S LARGEST GUITAR STOREOIBSON $, PENDERS - REWIRED FOR REPAIRS AND"FUNKY” OLD SOUND. REFRETTING DESKS -BOOKCASESSWIVEL CHAIR - LAMPS - TABLESNEWS USEDEQUIPMENT&SUPPLY CO.8440 So. South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsond faculty with I.D. cardHYDE PARK THEATRE53rd & Lake ParkNO 7-9071Student Discount - Sunday Matinee $1.50JOE&MONTEREY POPHYDE PARKE THEATRE NO. 25238 S. Harper493-3493MASH&RIDER ON THE RAINOwl & Pussycat, Fools & Fair LadyBasically, whether or not you’ll enjoyColumbia’s The Owl and the Pussycat(at neighborhood theaters) boils downto question of stars. If you like BarbraStreisand and George Segal, and I do,the picture is a largely enjoyable show.Streisand plays a hooker with (whatelse?) a heart of gold who strikes up avolatile comic relationship with prissybook clerk Segal, who is working on a“big” novel (“the sun spit morning intothe sky,” he reads proudly from themanuscript).Segal is as loose and personable asany other actor around at the moment,and he imbues his somewhat irritatingcharacter with considerable charm. Noone can avoid being bowled over byBarbra’s aggressiveness — whetheryou like picking yourself off the floor ofthe theater is another matter. Betweenthe two of them, they wring about asmany laughs as possible from a some¬what weak adaptation by Buck Henry(Candy, Catch-22) of Bill Manhoff’splay.Henry has parlayed the smirk into amillion dollar career, and although he’sfrequently funny, he still lacks theassurance or integrity to avoid a badgag. Some of his brittle wit tinkles likethe Rockefeller Carillon. Herbert Ross(Goodbye Mr Chips) directs capably,without intrusion, pacing rather well.But he never conveys any real assur¬ance or involvement with the film.The New York locations are general¬ly pleasantly and freshly used, but onescene, where a group of punks tries topick up Streisand while she walks withSegal in front of Lincoln Center, strainsall bounds of verisimilitude. Even inNew York.—Myron MeiselThere is really no reason for myliking Tom Gries’ Fools (at the Play¬boy, 1204 North Dearborn), and Ihesitate to recommend it to even themost hardened moviegoer. Despite thepresence of Katharine Ross as boxof-fice bait, a more doomed project wouldbe difficult to imagine. The direction,by Tom Gries (Will Penny, 100 Rifles),is dull and meandering, the script isone-dimensional, the San Franciscolocations are unimaginatively used,and the music, by “Kenny Rogers andthe First Edition,” whoever they are, issimply hideous. Even Jason Robards,Ross’ leading man in the movie, admit¬ted on a recent TV talk show that hewas rather embarrassed by the film.But I liked it. Why I just can’t say.Something in the depths of my soulresponded to the movie’s endearingly Barbra Streisand, Katharine Ross and Audrey Hepburn —actresses in love.offbeat treatment of the star-crossedlovers: Robards, a down-and-out actor,and Ross, in the process of breaking upwith her wealthy, beautiful husband.It’s a movie situtation to end allmovie situations, and I think I’d ratherwatch Ross and Robards attempt tobreak the barriers that the directorand material impose, however inter¬mittently they succeed, than sitthrough Eisenstein’s perfect but point¬less montages in October.I don’t pretend to find any traces ofovert personal involvement in Fools.But, still, the movie grabbed me. Whatmore can Isay?— Charles FlynnThere is no more entertaining showin town right now than George Cukor’sMy Fair Lady. Practically everyoneknows the story line and the songs, butit is still the premier example of thebest of Broadway’s tuners, with ofcourse the invisible assistance of Ber¬nard Shaw.Rex Harrison’s Higgins is a mar¬velous combination of ego and dedica¬tion, far better than anything he’s donesince. Audrey Hepburn is not very convincing as the Eliza of the flower-strewn gutters, but when she becomesa Lady, there is no one to compare forelegance, poise and charm. And all thebits are beautifully filled from StanleyHolloway’s music hall Doolittle, Gla¬dys Cooper’s independent mother,Mona Washbourne’s housekeeper, andso on.But for all the pleasures of libretto,lyric and performance, My Fair Ladyappears now in retrospect as the lastmonument to good taste from Holly¬wood. George Cukor is one of thecinema’s great artists (his creditsinclude Dinner at Eight, Holiday, thePhiladelphia Story, Adam’s Rib, A Staris Born, and most recently, Justine),and he is the perfect craftsman totranscribe Lady to the screen.Although the only prints on display inChicago are reduced to 35mm from theoriginal SuperPanavision 70, whichmakes the color a little less brilliant,the color selection and editing areunsurpassed. The manipulation ofshades of blue in “On the Street whereyou Live”, the delicacies of depth offield and soft focus, the careful choice of color in a barroom musicale evendown to the shade of hair color, all ofthese are tastefully designed and dis¬creetly expressive.My Fair Lady lacks the final spark ofpersonal creation that marks thegreatest art, but it is probably one ofthe peaks of collaborative art in thatmost collaborative of all arts, themovies, and even still, the decisiveintelligences belong to Cukor and sce¬narist Alan Jay Lerner.Cecil Beaton’srather cold, cruel costuming (with thatsuperior “Gawd, I hate fashion” tonehe’s been pushing for forty years),particularly in the Ascot sequence, isultimately warmed by the concern andintimacy of Cukor’s camera place¬ment. The late Harry Stradling Srphotographed magnificently. One funsuggestion: try to catch the occasionalgrammar and diction errors made byHenry Higgins.In the end, My Fair Lady is simplyand magnificently a terrific piece ofentertainment and I commend her toyou. Movies just aren’t quite as muchfun as that any more.— Myron MeiselMTJSXCMcK inley, Friends Play Jazz DelightsThomas McKinley prefaced last Tuesday night’sMandel Hall concert by his Contemporary Jazz andImprovisation Ensemble by setting the group twochallenges: to play “not music, but musics —abstract, modal and tonal”; and to integrate the fivemusicians into a “non-competitive” organic unity.The performace itself nearly fulfilled both theseaims. For almost two and a half hours, the ensembleprovided an entrancing mosaic of sounds andmusical personalities. Their improvisation generallyfell within the broad limits which today define“jazz;” but it would be more faithful to McKinley’sconception to resist the temptation to categorize hismusic.McKinley’s approach is an eclectic one, andtherefore risky. His piano style owes much to theimpressionistic and atonal traditions of Europeanmusic, but it is most firmly rooted in the lush,romantic improvisations of Art Tatum, and in thework of more recent, funkier jazz pianists. Themarriage of European and Afro-American styles hasoften proved to be an awkward and unsatisfyingaffair; but in McKinley’s hands, it worked effective¬ly. Little of what he played was self-consciouslyavant-garde. Modal improvisation, since Coltrane,has hponmp quitp orthodox; and McKinley’s abstractexcursions tended to be brief episodes within more conventional structures.What was most striking in his work was thefluency and naturalness with which he moved fromone idiom to another. McKinley can both “playpretty” on a Steinway grand, and exploit theresources of the electric piano to obtain a stunningvariety of echoes, tremoloes, sax-like sounds, andjust plain sound effects. His versatility is combinedwith taste, so that his shifts in mood and style, whilesometimes abrupt, never seem arbitrary. Even noiseeffects fit naturally into the fabric of the music.Perhaps the key to McKinley’s music is that he isnot afraid of his instincts. His mastery of diversemusical idioms reveals a strong emotional (ratherthan simply academic) commitment to the music.Nor is he afraid to express his emotion directly: heobviously enjoyed the concert, and was able tocommunicate this joy to his audience.That joy was evidently shared by the othermembers of the ensemble, each of whom made anindispensable contribution to the musical whole.Bassists Rufus Reid and Roger Cooke exemplifiedthe flexibility of the improvisational structure. Bothare wonderful musicians, but with rather differentstyles. Cooke’s music was relatively linear, melodic,propulsive; Reid’s line® were denser, with a lessregular pulse, and frequent use ef double stops and a lyrical bowing style. This divergence of approachwas in no way a contradiction. Reid, seemingly moreassertive, may have dominated Cooke somewhat;but both styles contributed to the organic unity of theensemble.Between the percussionists, Rodger Ryan some¬times seemed to relegate Richard Olderman to asupporting role. This was the group’s only deviationfrom its non-competitive ideal; yet the two collabo¬rated on equal terms in a remarkable and tastefuldouble solo about halfway through the first set, whichwas one of the most memorable passages of theentire performance.The free form of the performance itself, like theeclectic conception of the music, was a risk that paidoff. The ensemble used a minimum of pre-composedmaterial, relying for nearly all the structure on theunspoken empathy of the five diverse musicalpersonalities, and on their constant effort to interact,rather than compete, with each other. Such freedomcan easily be abused; but these five were able tocreate from it a music that was beautiful, joyful andamazingly alive. Two long sets seemed to passquickly. I think I dug hearing McKinley’s music asmuch as he enjoyed making it —and that’s saying alot.—Steve MetalitzFebruary 12, 1971/Grey City Journal/9Culture VulturePOP MUSIC SCHEDULERock music may not be undergoing a renaissance inChcago, but it is getting a good boost. Over the next twomonths. Twenty Second Century Productions will be spon¬soring some truly fine concerts in Chicago at the Syndrome,1513 S Wabash, and at the Auditorium Theater, 70 ECongress.Next weekend Rod Stewart and the Small Faces, SavoyBrown and the Grease Band at the Syndrome Friday night.Rod and friends are cuasing a sensation from coast to coastand have been called rock's most exciting live band by morethan one prominent critic. Savoy Brown is a well-knownBritish blues rock band and the Grease Band used to backup Joe Cocker. Saturday night at the Syndrome Mountain,a very 'heavy" rock band who have had enormous sellingpower; Fleetwood Mac, and British blues rock band with agirl singer; and Ned, a local country band.Poco and Linda Ronstadt will be at the Auditorium March7 for a country-rock show. Poco was called rock's mostpromising group by the GCJ's resident rock critic, the GreatPumpkin.James Taylor, the folk singer of the year, will appear atthe Syndrome March 12 with Carol King and Jo Mama. Thisis one of Taylor's few concert appearances.March, 19, the Grateful Dead will take over the Syndromefor one of their special three hour shows. The next night.Black Sabbath, a new British rock band and two other bandsto be announced will hold down the fort.Other planned shows at the Syndrome are: JohnnyWinter, the Allman Brothers band and one other band to beannounced on March 26; Jethro Tull, Brethren andMcKendree Spring on April 2; and the James Gang and twoother bands on April 9.Three Dog Night, those top 40 favorites, will fill theAmphitheatre April 18 with suburban teenagers, screamingand throwing their bubble gum. It should be fun for a fewshrieks.David Rea, Jim Glover in Quiet Knight, Feb 10-14.Oscar Peterson in London House Feb 10-28.ARTJesus Raphael Soto's optical constructions at the Museumof Contemporary Art, Feb 13-March 28. Also, "Four ArtistsPaint Their Outdoor Murals inside the Museum": the publicmay see the work in progress and converse with the artists.Medical illustrations at the Center for Continuing Educa¬tion, through February.Black Experience at the Bergman Gallery featuresdiverse black artists' works, Feb 16-Mar 20.The Renaissance Society Gallery in Goodspeed Hallshows "Venice in Peril" and "Views of Venice: Canaletto,Whistler and Masson."Oil paintings by artists from Midway Studios now hang inthe C Shop. The changing displays will feature works by UOartists; they are for sale and the artists can be reachedthrough Midway Studios.Armor from the George F Harding Museum at the ArtInstitute through March 21. Located in the A MontgomeryWard Gallery.The Chicago Gallery of Photograph has opened up at 3742W Irving Park Road, open every Sat-Sun from noon-8.An exhibition of architectural innovations of McCormickPlace continues at Glessner House, 1800 S Prairie Ave.Hours are Tuesday and Thursday 10 to 2 and Saturday andSunday 2 to 5. The show was prepared by the architects ofMcCormick Place. Runs through February 28.DANCEThe Noh Theater of Japan Feb 20 at 8:30 and Feb 21 at 3 atthe Auditorium. The Small Faces are at the Syndrome next Friday, Mountin next Saturday.FILMOn campus: tonight, Renoir's Rules of the Game, 7:15 and9:30. Tomorrow, I Am Curious (Yellow) —6, 8:15 and 10:30.Tuesday, The Shanghai Gesture and Gideon of ScotlandYard, 7:15 and 9:30 respectively. Wednesday, It's AWonderful Life, 8 Sunday, M and Throne of Blood.Downtown: Fri: at the Playboy, Val Guest's WhenDinosaurs Ruled the Earth at the Roosevelt, and a RussMeyer double-bill of Lorna and Cherry, Harry and Raquel atthe Oriental .Also Little Big Man at the United Artists.DRAMAThe Me Nobody Knows opens Thursday at the CivicTheater, Washington and Wacker. This is the Chicagoproduction of the current New York Obie award-winningrock musical based on the creative writings of schoolchildren from the ghetto. Tickets S4 7.50. Call 726-7890.Grease, a 1950s rock musical, has opened at the KingstonMines Theater, 2356 N. Lincoln.The Night Thoreau Spent in Jail continues at the Goodman Theater through February 21. By Jerome Lawrence andRobert E. Lee.The Effect of Gamma Rays on Man-in-the-Moon Mari¬golds at the Ivanhoe, 3000 N Clark, 8 pm. Runs throughSunday March 14.Man of La Mancha continues to run at the CandlelightDinner Playhouse, 5620 S. Harlem, Summitt. Dinner isincluded, and in fact required. Tuesday through Thursday$5, Friday $6; Saturday $6.95 for the first performance and$8 for the second; Sunday $4.50 and $6. Call theater fortimes.The all male black musical Buck White is beingperformed at The Church, 5400 Blackstone. Thursday at8:30. Friday at 4 and 8:30. Saturday at 7:30 and 10:30.Sunday at 4 and 7:30. Tickets $2.50-$4.50 with $1 studentdiscount except on Saturday.At the Organic Theater, 2259 N Lincoln, Candide continuesthrough February 25. Tickets $2.50; students on Wednesdayand Thursday nights got a $1 discount. The Prodigal is presented by the Old Town Players at 1718North Park. Friday and Saturday at 8:30 and Sunday at7:30. Tickets $2.Coco with Katherine Hepburn has opened at the OperaHouse (Wacker and Madison). Tickets $3 8. One more weekonly.No Place to be Somebody continues at the StudebakerTheater through February 28.MUSICTonight, the Juitliard String Quartet at 8:30 in MandeiMusic by Beethoven, Brahms, with Leonid Hambro, pianistSunday, 3:30, Rockefeller Chapel — Richard Vikstromdirects Bach's Mass in B MinorRecital by Isaac Stern, violinist, at 3 pm in OrchestraHall.Monday at 8 15 at the Goodman Theater: The Fine ArtsQuartet is joined by the Modern Jazz Quartet, in music byJohn Lewis, Schuller, Debussy.icol'.vp * #v,p;,s ofr, pewrntNiis*Contemporary European FilmsProduced bv James William Guercio© 1970 James William Guercio Enterprises, Inc.Four moreincredible sidesof Chicago./nn 1 • 111 *—'11 \A specially priced2-record set.newA 2-record setA specially priced2-record setThe complete works. ■On Columbia Records * and TapesTHRONE OF BLOOD/MCobh HnM Throne of Blood /:OU- M9:I510/Grey City Journal/February 12, 1971Six Experiments Precipitate SuccessThe title of UT’s last production, Six Plays inSearch of an Audience, gives theater goer and criticalike an important clue to the intent behind thislargely successful experiment in theater. It is athrust toward the audience, a conscious attempt tostimulate, to entertain, to provoke a reaction. Manyof the people in the productions had never acted ordirected before; anybody who wanted to participatecould, and perhaps in this lies the reason for itssuccess. The inevitable limitations of such anexperiment quickly revealed themselves in the firstplay, Karol (Charlie) by Slawomir Mrozek, a youngPolish playwright. As political and philosophicaltheater, it operates on both the literal and thesymbolic level.The play for the most part failed on both levels. Itis set in the office of an oculist who is visited by twonew patients, an almost blind grandfather and hisgrandson. The grandfather needs a pair of glasses sothat he will be able to see Charlie and shoot him. WhoIs Charlie? He is everyone and anyone, and thedoctor, when threatened with Charlie’s fate, quicklybecomes an eage accomplice in the deadly game andcontributes to the murder of Charlie. The symbolismis rather obvious: Mrozek is talking about corrup¬tion, both on a moral and a political level. In his worldwe are all potential Charlies or grandfathers: wemust kill or be killed.But the production lacked conviction and theacting was definitely inadequate. The part of thedoctor especially demanded a powerful player ca¬pable of conveying the tremendous change the doctorundergoes during the course of the play.The second play, Chat, is a slip of a thing, amonologue lasting maybe five minutes. It is acomplete pleasure, a small jewel cut to precision byAnita Sandke’s seemingly effortless performance.The middle aged Jewish mama she plays, whoTHE GREY CITYHere is no continuing city, here is no abidingstay. fIll the wind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late,and rotten the year;Evil the winter, and bitter the sea and grey thesky, grey grey grey—T. S. Eliot, Murder in the CathedralEditorsWendy Glqckner, Christine Froula and Mitchell BobkinAssociate Editors T , ^ ,John Del PeschioTheater:Film:Art:Dance:Music:Photography Charles FlynnSusan LeffPaula ShapiroMark Blechner^ScottCartgor^StaffJack Markowski. Bob Purricelli, MarkSwedlund, Harvey Shapiro. Myron MeiselMarina Balderoni, Drew Leff, Debbie Leveyuuyfccy'i ALL-NIGHT SUCHPERFORMANCES FRIDAY & SATURDAY FOLLOWING LAST REGULAR FEATUREFEB. 12ANGEL LEVINEZERO MOSTEL FEB. 13LH IT BETHE BEATLESFEB. 19TASTE THE BLOODOF DRACULACHRISTOPHER LEE MADWOMAN OFCHAIUOTKATHARINE HEPBURNFEB. 26END OF THE ROADTRUMAN CAPOTE'S FEB. 27TRILOGYTRUMAN CAPOTE'SMAR. 5MORE. MAR. 6BATTLE OF ALGIERSI ncurt si .so 11^ r (PLAY»OYTHEATERJESSEISOH’S752-2*70, 752-1190. 363-91*4-1340 1 53rd calmly sits through an obscene phone call (which sheobviously enjoys and seems not the least shaken by)is conveyed in every detail — the tone of her voice,her thorough and complacent eating of a chocolate!the arching of her eyebrows (“No, I must admit I’venever done that before ... but of course I’ve heard ofit! ”), her ridiculous leopard-print night gown.In Passion, Poison and Petrification or The FatalGazogene iconoclast Shaw makes fun of everything:theater, love, death, melodrama, Americans, Britonsand even Hamlet. There’s hardly a stone that Shawleaves unthrown — perhaps this is why Gazogene isnot dramatically strong, and drags a bit. Shaw moreoften reveals himself to be an irreverent philosopherdeclaiming on a stage than a skilled playwright.Shaw’s play demands either a completely straightinterpretation, or one outrageously hammed up;unfortunately, this performance was neither.Evelyn Smith’s The Last of the Spode also has aBritish setting, this time with a twist — it is the onlyplace on earth that has been spared atomic devas¬tation. The play is written on an absurd, slightlysurreal level and again it makes fun of its characters— the prospect of running out of tea in the next fiftyyears is more horrid than any other unpleasantpossibility facing the three. The strength of theacting by Kenneth Northcott, Ellen Wetherrell andAnanda Wood, and the directing, saves the threecharacters from being three rather obvious Britishstereotypes.The last two plays, Sonovisus I and Sonovisus IIby Robert Hopkins provide the most dramaticallyrewarding and stimulating moments of an alreadyinteresting evening. Hopkins has a tremendous senseof theater; his plays feature no words but hesuccessfully creates a self-contained universe, ad’ ytic space and tension, solely through a highlyimative and striking use of light, sounds, music,and bodies. His is a world where the isolation andunpredictability of human beings is accentuated bythe lack of dialogue. He explores the violence andtension in us that lies so close beneath the surface.Sonovisus I opens on a stage empty except for apedestal with a statue of a young man on top of it. Theonly sound is that of a women’s choir, singingreligious hymns. A monk slowly descends the aisle,climbs on stage and proceeds to adore the statue.Then, at intervals, he begins to approach the statueand touch it. After each approach he jumps off thepedestal, looks around, scared, and returns to hispositioa of adoration. Finally, he again mounts thepedestal, lovingly touches the statue’s neck, bares itschest, kisses it, caresses its neck, and suddenlywrenches his hand down the statue’s face and leavesit covered with blood. He flees. The statue remains,its face running blood. One is reminded of the netherworld of Satyricon. The play is tremendously effec¬tive; the audience was the quietest in a long time.Roberto Gambini as the Monk, combined the properingredients of ascetic masochism, sexuality, tender¬ness, violence, and fear.Sonovisus II is an abstract and very powerfulcomposition. The stage is again completely bare,illuminated by a single spotlight. In the middle, as ifimprisoned in a defined space, writhes a young man. $ ■ . ...University of Chicago TheatreSIX PLAYSIn Search Of An Audienceslawomir mrozek : Karol (Charlie)rodrisues : Chat-ftUV' '£L- . -awi Passion, Poison and Petrifactionor The Fatal Gazogeneevelvn smith: The Last of the Spoderobert hopkins : Two fDirected by Marv Bassan. Gwen Dietmann & Robert Hopkinsma. fiPSi^Jll each nWkt : Fehruary\ 5. 6. 7 Wt 8:3Reynolds Mb Theatre 57% & Un\j — T 1 *.Takers $ 1 atRX. - Desjt ' ■His well-built body only serves to emphasize hisimpotence and fear. His world, we feel, is permanenttorture. Suddenly the young man cringes in thesplotlight. He edges away as another figure appearsfrom the side, his face hidden behind a tubelikemask. The second figure enters the circle of light ; theother cringes further away, dominated by a freneticfear. Suddenly, his face contorted, he strikes theother body with a knife, over and over, in a frenzy.The figure slowly collapses, skeleton-like. The youngman, seeming to realize what he has done, slowly andtenderly bends and then lies next to the fallen figure.David Chase as the first lonely figure is verygood, strongly conveying the sense of fear, torture,rage and finally tenderness. This is one play whereone’s physical appearance seems important: thethinness of Steven Simmon’s body added to the visualand dramatic effect. The music was well chosen,made up of piercing and discordant sounds; it was atonce unpleasant and frightening.The plays are not intended to say one particularthing so much as to suggest many, and so tostimulate the audience. Certainly they are a visualand intellectual treat either way. This is exactly thekind of theater Chicago needs. Imagination, energy,and enjoyment was evident in all the productions.People on both sides of the footlights should getinvolved in more of this type of theater; clearly, itbenefits everybody.—Marina BaraldiniChicago’s New Musical Smash!HOUSING, RASCALLY MUSICAL THATHAS EVERYTHING/' TONIGHT 8:30-Wm. Leonard. TribunaDAVID MERRICK pretentsPROMISES^PROItiskSby NEIL SIMON—BURT BACHARACH—HAL DAVIDominriiT with TLL NEVER FALL IN LOVE AGAIN" and other hitsSHuOtKI Theater e EVES. 8.30 (e>c. Sun.) • Elevators to 1st & 2nd Bale.22 W. Monroe, CE 6-8240—Mats. Wed. & Sot. 2 P.M. "1jPLATTER"Pizza, Fried Chicken■ Italian Foodsj Compare the Price! tJ 1460 E. 53rd 643-2800 JJ, WEDEUVER_ j YOUR SAFE, LEGAL NEW YORKCAN BE DONE TOMORROW!(212) 222-6023 or 222-6025Mon.-Fri., 9-5(212) PL7-3170 24 hrs., 7 daysA registered nurse schedules you atlowest available cost.Save ad for future referenceVME ■AoeopYKOD■JCP CDjaA NEW ROCK MUSICAL“IT STUNNED CRITICS AND PROMPTLY WON AN AWARDFOR BEST MUSICAL OF 1970" LIFE MAGAZINE“TODAY'THE ME NOBODY KNOWSIS ONE OF THE BESTMUSICALS ON BROADWAY—AND UNEQUIVOCALLY THEMOST MOVING, THE MOST POIGNANT.CLIVE BARNES N.Y. TimesSPECIAL STUDENT PREVIEW PRICES $3.00 per seatFEBRUARY 8, 9, 10, 11, 12, 13, 15, 16, 17 ONLYMonday thru Saturday Nite at 8:30C IVIC THEATR r 20 NO. WACKER DRIVE,t CHICAGO - PHONE 372-4814February 12, 1971/Grey City Journal/11 .BRUISERAPPROVED—TT44BeethovenPASTORAL SYMPHONY*HENRY LEWISRoyal PhilharmonicRiapH.** ? * \k $WS'.I'?. ? m3'"STILLMOISTCOACH../7SthmumnThe four 'v/m/ithme'<**?«*'$*?'i.<*"■»: ■> *«*«. > .'*■' •: r />«<(ietmj Stilfiv.<*A («(>•*SHOCKING DON'T WORRY,YOU'LL KNOW!ANOTHER 40% OFFSALE AT LOWESMozartTHE MAGIC FLUTEGEORG SOLTI SiTYNEHJfNfV!C<EP'IT kGOKcfeerr merr.uiJ'RGlO *OZZGEORGSOLTI,esswTchaikovskyTHE QUEEN OF SPADES****•£*!% RECORDShour Serious S<Wi'scrnkmck I iecler ®MAUREEN FORRESTERJOHN NEW,MARK (PIANO)MFG. LIST VS. LOWE'S PRICE2.98 ... 1.79 6.98 ... 4.193.98 ... 2.394.98 ... 2.995.98 ... 3.59 7.98... 4.899.98... 5.9811.98...7.18ALL THE WAY FROM KANKAKEEXPAS 71038WE ACCEPT MASTERCHARGE & BANKAMERICARDCHARGE BDflBr W with wmiumOtOvk RECORDS HoistThe Planetsv WkpPSP f* ■■SPC 21049REALNOG A!OSA 1395AREALVERBISSNAX-RATEDXPAS 71043HYDE PARK1444 E. 57thMU 4-150512/Grey City Journal/February 12, 1971 OPEN SUNDAY 12 TO 5