The Chicago MaroonVolume 79, Number 23 The University of Chicago Friday, December 4, 1970Steve AoKiREGENSTEIN: The new library receives its first crucial test this week as students cram for finals. More pictures appear on page 5.WEAL accuses UC of sex biasBy PAUL BERNSTEINThe Women’s Equity Action League(WEAL) has filed a charge of sex dis¬crimination against the University with thedepartment of health, education, and wel¬fare, (HEW) under an executive order thatforbids discrimination by a federal con¬tractor on the basis of sex.Executive order 11375, effective in Octo¬ber 1968, requires federal contractors to“take affirmative action to ensure that ap¬plicants are employed, and that employeesare treated during employment, without re¬gard to their. . .sex.”Federal contract negotiations with a col¬lege or university can be suspended if HEWfinds that it is not complying with the or¬der.In their letter to HEW, WEAL chargessex discrimination at the University basedon data contained in the Neugarten com¬mittee report on University women, pub¬lished last May, and on a report by JoFreeman, graduate student in political sci¬ence, submitted to the Secretary of laborand HEW last January.The data presented from the Neugartenreport consists of a table giving the dis¬tribution of teaching faculty by academicunit, rank and sex, as of spring 1969. Itappears as “Table 1” in the Neugarten re¬port.WEAL charges that the data shows that“the proportion of women in departmentafter department is substantially less thanwould be expected in terms of the numberof doctorates awarded to women nationally.“Moreover, those women on the faculty(87 out of a total of 1189) are predominantlyat the lower ranks.”According to Bernice Sandler, chairmanof WEAL’S action committee for federalcontract compliance in education, the Free¬man report found that in six social sciencedepartments, no women hired for unten¬ured positions had ever worked their wayup to full professorships. Miss Freeman,who also served as a member of the Neu¬garten committee, was not available forcomment.Only one next weekThe Maroon will publish only on Fridaynext week because of the approachingexam week. The Grey City Journal will ap¬pear in that issue. Regular publication willresume Tuesday, January 6.News editor Paul Bernstein has asked allstaff to be available for assignments nextweek. The WEAL letter also requests “a full-scale investigation of admissions policies,financial support to women students, place¬ment of graduates, hiring and promotionpolicies for both staff and faculty, and sala¬ry inequities.”WEAL asks “that all current contract ne¬gotiations be suspended and not be re¬sumed until such time as all inequities areeliminated and an acceptable plan of af¬firmative action is implemented.”William Cannon, vice president for pro¬grams and projects, who has been answer¬ing HEW inquiries into University hiringpractices during the last 18 months, said hehad been unaware of this or any other for¬mal charge of discrimination against theUniversity.Cannon said that most of the HEW in¬quiries had involved hiring practices withrespect to minority groyps rather thanThe Maroon has learned that the com¬mittee of the council of the University sen¬ate has approved and accepted the nomi¬nations of the six faculty members who willsit on the newly-created student-facultycommittee on women’s affairs.The six faculty members, four of whomare women, will be:•Erica Reiner, professor in the OrientalDR TR 4 WOOIMember of women’s committee women. He explained that such in¬vestigations could occur in the absence ofany formal charges of discrimination, be¬cause “HEW has an ongoing responsibilityto see that government contractors use fairemployment practices.”WEAL has filed similar charges of sexdiscrimination against over 200 collegesand universities. It has also charged allmedical schools with discriminationagainst women in their admissions policies.Among the schools charged by WEALwith sex discrimination was the Universityof Michigan, where federal contracts arecurrently in jeopardy because HEW foundevidence of discrimination against womenin faculty appointments.At Harvard University, administratorsrefused for a month to open their files toHEW, during which time federal contractnegotiations were suspended.Institute and professor in the departmentsof Near Eastern language and civilizationsand linguistics• Ira Wool, professor of physiology andbiochemistry•Janis Spofford, associate professor ofbiology in the College, and a member of thecommittee on evolutionary biology•Ann Scott, instructor in the departmentsof music and humanities in the College•John Jeock, Law professor in the busi¬ness school• Janell Mueller, assistant professor inEnglish and humanities in the College.The six committee members were nomi¬nated by President Edward Levi after con¬sultation with the spokesman of the com¬mittee of the council D Gale Johnson andthe committee itself. The committee thenvoted on the nominations.No student nominations have yet beenmade and the number of students to be ap¬pointed has not been decided, according toJohnson. The procedure of student appoint¬ments is also yet to be determined.The student-faculty committee on wom¬en’s affairs is to be a permanent subcom¬mittee of the committee of the council. Thecommittee’s inception comes as a result ofthp approval of the Neugartan report whichrecommended its creation.Council names 6 facultyto women's affairs unit Expecttuitionrise in1971-2The deans’ budget committee has recom¬mended an across-the-board tuition in¬crease of $150 for the 1971-72 academicyear, it was announced yesterday.The current tuition for undergraduates is$2825 per year, and for graduate students,$2475. The increase will put undergraduatetuition at $2475 and graduate tuition at$2625.The committee, which is chaired thisyear by Robert Adams, dean of the socialsciences division, also recommended thatthe University budget for next year be atleast five percent below the present budget.The tuition increase is a re-affirmation oflast year’s recommendation of tuition in¬crease of $225 for 1970-71 and increases of“$150 per year each year from 1971-72 untilfurther notice.”Commenting on the recommendations,Adams said, “With the effects of inflationand erosion of outside sources of funding, itis undeniable that, on a per capita basis,the costs of education being borne by theUniversity are continuing to rise sharply.Progressive increases in tutition are one ofthe very few means available to the Uni¬versity with which to respond to this situ¬ation.”President Edward Levi said of the com¬mittee’s recommendations: “Last year wewere not prepared to accept the idea ad¬vanced by the committee for annual in¬creases in tuition. Perhaps circumstancesnow require that.“Similarly it does not now appear thatthe committee’s recommendation that bud¬get cuts be no more than five percent willmake for a viable budget.“Provost John Wilson and I take mostseriously the admonition of the dean’s com¬mittee. We agree with the concern ex¬pressed and we will do what we can toavoid any reductions which are more sev¬ere than necessary. At present time I amsorry to say we have no assurance that re¬ductions can be limited to five percent.”Administration sources indicate that nextyear’s budget may be cut as much as 10percent.Commenting on. the effect of the tuitionContinued on page 7ROBERT ADAMSChairman of deans’ budget committeePolice interrupt dinner, look for bombJim HaefemeyerI - HOUSE: Police check for bomb at anti-imperialist committee dinner Tuesday.No bomb was found.By JIM HAEFEMEYERResponding to a bomb threat phoned tocampus security, two Chicago policemeninterrupted an anti-imperialist committeedinner Tuesday evening in Internationalhouse to conduct a brief search. No bombwas found.Campus security received the threat at6:45 pm, according to director FrancisDelaney. Delaney said that a male voicej warned of a bomb in International house,but the caller did not specifically name thedinner.Sponsored by members of the Iranianstudents association, the Arab students or¬ganization. the youth against war and fac-ism (YAWF) and SDS. the dinner had beengoing on in a second-floor meeting roomsince 6:30.Five city and three campus police carswere dispatched to the scene to search thegrounds and public areas. Delaney saidthat International house director David Ut¬ley and his assistant were present duringthe search. He said that it was standardprocedure to call in city police when a spe¬cific building is threatened.The search of the dinner room did notoccur until more than an hour after thecall, after police learned of the dinner byspeaking with the main desk operator.Two city policemen entered the room andasked for a leader. Mike Dunlap of SDSwent out into the corridor with them, andthey advised him to call for an evacuationof the room, so that a thorough searchcould be conducted.Dunlap refused, but allowed the two po¬licemen to enter for a brief search.Warned of the presence of the police,SDS member Barbara Foley had an¬nounced earlier that a search might take place. “I think we should just be cool aboutit,” she said.The 60 people attending the dinnergreeted the police with laughter and jeers.One policement tried to apologize for in¬terrupting the dinner. “A little ounce ofprevention is worth a pound of cure,” hesaid.Dunlap and other SDS members said they suspected that members of a newly-formed Chicago chapter of the Jewish De¬fense League may have made the bombthreat to disrupt the dinner.Members of each of the sponsoring orga¬nizations spoke at the dinner.Marina Sertic of YAWF said that her or¬ganization attempts to support strugglesfor self-determination in all countries, in¬cluding the Middle East. “The Israelis might say they are fightingfor self-determination,” she said, “but infact in the name of self-determinationthey’ve taken away the land from thepeople to whom it belonged for thousandsof years.”She said that full-scale intervention of theUnited States in the Middle East is inevi¬table. “In the event of a war in the MiddleEast we have to do the fighting and dying,”she said.A representative of the Arab students or¬ganization, George Mussa, attacked theAmerican media for distorting the MiddleEast situation.Identifying himself as a Palestinian anda commando supporter, he said that Pales¬tinians should continue to reject peaceplans, which he characterized as “peace ofmy land, peace with the extinction of thePalestinian people, peace when they haveall the rights.”He said that the commando was workingfor “a democratic, non-sectarian state”that would include Jews.A speaker from the Iranian students as¬sociation attacked the United States for itsrole in establishing and maintaining thecurrent Iranian government.“So many years and so much money wasspent on militarily securing the presentgovernment in power, so that US imperial¬ists could come in,” he said.Both he and Dunlap, a speaker for SDS,attacked a paper “Analvsis of SocialChange,” written in 1965 by William Polk,now director of the Adlai Stevenson In¬stitute, the target of an SDS campaign lastspring.They both said that the paper attempts todevise a scheme for establishing leaderswho will allow US imperialism.rii Contemporary European FilmsLIFE. LOVE. DEATH7 & 9:15A CHRISTMAS GIFT.OR FASCINATINGREADING FOR YOU.Cyrus ColterTHE BEACH UMBRELLAThe 1970 $1000 Iowa School ofLetters Award for Short FictionUniversity of Iowa Press, $5.00“Every Chicagoan, and Every American, should readthese excellent stories.” BLACK WORLD“Both sides of the racial curtain, if they read andpondered these stories, would come to know thatbone and blood, marrow and sinew, joy and sorroware all the same wherever you stand...”Hoke Norris, CHICAGO DAILY NEWS“Brilliant fiction out of uptightness ... a remarkablecollection of stories... ” SATURDAY REV IEW“Magical things about life I’d never known before.”Kurt Vonnegut, Jr.The author was also recently the winner of theChicago Cliff Dwellers Award for Distinguished Ser¬vice to Literature.The (Zook (lookHyde Park Shopping Center,1538 East 55th Street Ml 3-7511 ^Jhe place in J4yde f-^arb for founts &otll er fa, -out ituff'in harper court'2/The Chicago Maroon/December 4, 1970LevitobeonTVNew community child care center to openThe Hyde Park-Kenwood CommunityChild Care Center will open in the Churchof St Paul and the Redeemer, 4945 Dorches¬ter, in early January.The women’s rights committee of theHyde Park-Kenwood Community Confer¬ence, which decided that its area of serviceto the community would be to launch a model child care center which would btlow-cost, community-controlled, integratedby race and economic level and easy toduplicate in other communities, has raisedthe money necessary to open the child carecenter.Led by Mary Houghton, assistant to thedirector of the Urban Development Divi¬ sion of the Hyde Park Bank and Women’sRights Committee member, the organiza¬tion raised the money through an auctionand by securing a loan backed by severalindividual guarantees.The child care center, which will have acapacity of 55 children, will be governed bya board that will include two members ofPAC planning anti-war convention the women’s rights committee and nineparents of children enrolled who will beelected by an association of all the parents.The final phases of the work such as thehiring of staff and signing up children whowill be enrolled at the center for full-day orafter-school care is now being worked onby other members of the women’s rightscommittee.The National Peace Action Coalition(PAC) will hold a national anti-war con¬vention at the Packinghouse Labor Center,4859 S Wabash, over the weekend to rallyagainst the war and decide strategy for an¬tiwar activities in the spring.The convention will begin Friday nightwith an antiwar rally. Dick Gregroy,among others, is scheduled to speak.Between 1200 and 1500 people are ex¬pected to attend the convention. All parts ofthe United States and a delegation from aJapanese anti-war group will be represent- including the Amalagamated Meatcuttersand Teamsters.Saturday’s activities will be highlightedby an afternoon plenary session which willdisucss proposals for spring antiwar activi¬ties.The coalition sponsored antiwar activitiesin 41 cities October 31. Although the turnout was small in most of these demonstrations,PAC was pleased that the demonstrationswere larger than they were during the 1968election campaign.The demonstrations took place in thesouth and southwest and were considerablylarger than previous demonstrations in thatpart of the country. The staff will consist of one professionaldirector and five staff members. All posi¬tions are still open.Mrs Houghton, although relieved by theJanuary opening of the center, believesplans must begin for duplicating the proj¬ect in another community.“Chicago needs spaces for 100,000 chil¬dren in child care centers and we have onlyabout 5000 now so the successful completionof one project doesn’t mean it’s time toquit,” she said.SG protests refusing Fonda facilitiesed.The Peace Action Coalition was foundedlast summer with the hope of bringing newpeople into the movement opposing thewar. Among the speakers Friday night willbe representatives of several labor unions Student Government (SG) passed a reso¬lution Wednesday night protesting the stu¬dent activities office refusal to grant facil¬ities for a proposed appearance of actressJane Fonda. wants to sponsor it, fine. But it can’t be abenefit for her or for another organization.This policy protects the tax-exempt statusof the University.” he said.The resolution states that the refusal viol¬ates the student code and the student bill ofrights. SG did not vote on the proposal for astudent activities fee but established a opencommittee to hold hearings on the proposaland submit it to the assembly next quarter.University President Edward Levi willmake a rare television appearance nextweek when he will be interviewed byWBBM-TV, channel 2, the CBS affiliate inChicago.The 30-minute program, “Chicagoans,”will be shown Friday, Dec 11, at 7:30 pm.Levi will be interviewed by Lee Phillips, areporter for WBBM. Taping will take placeon Wednesday.Levi has indicated that he hopes to speakon education reform, a topic he has dis¬cussed extensively in a number of recentspeeches. SG feels that any registered student orga¬nization should have the use of Universityfacilities for speakers, even though thespeaker makes an appeal for funds or theadmission charge is given to the speakerfor a non-University cause.SG intends to take legal action againstthe University unless the speaker ban isremoved. After four years of non-representation,SG elected three members to the charterflight committee. Two more members willbe elected during the year.Skip Landt, director of student activitiessaid, “We have a policy against benefits onUniversity property that do not go to a Uni¬versity group.If Jane Fonda wants to come and SG The student, faculty, and administration(SFA) court will resume holding hearingsnow that SG has elected people to fill thefive vacancies on it. The first case will bethe committee on recognized student orga¬nizations (CORSO) against the NationalStudent Association (NSA).On January 14, SG’s next meeting, theassembly will vote on a proposal that SGfile corporation papers. SG PRESIDENT MIKE FOWLERAssembly protests student activities’ re¬fusal to grant Jane Fonda speaking facili¬ties.— — — |****** SPECIAL PURCHASE-BIG DEAL!3000 Penguin and Pelican Books at up to 90% off!Why? We found out that there are still 18 U.C. Studentsthat have never been in our store. ******************* When? Sunday, December 6th at 1 PM to 9 PMHow? All Sale books at Half Price (Limit 5)orBuy any other of our 7200 non-sale titles and selectany sale book at only 25c. (Unlimited)Where? At the Book Center, NaturallymTHE BOOK CENTER ***#&&**&***11 In Harper Court52nd & Harper rrHours:Mon-Tues-Thurs-Fri Noon to 9 pmSaturday 10:30 am to 9 pmSunday 8:45 am to 9 pmClosed WednesdayDecember 4, 1970/The Chicago Maroon/3 IBEERTALKby Ed McMahonIn which the candid connoisseur answers questionsabout Beer, and the drinking of same.DEAR ED: I m burned up becauseafter a weekend romp in the woods,I forgot to put a leftover 6-pakof Budweiser in the refrigerator.Everybody says you can't chill beertwice, so what should I do?FUMINGDEAR FUMING: First,cool off, pal. Then cooloff that Bud* to yourheart’s content (orabout 40°).There’s no problem,because a really goodbeer like Budweiseris just as good whenyou ice it twice. “I 4But I can’t resistmentioning that there is aneasy way to avoid the situation altogether.Just make sure there’s no Bud left over! 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We believe thatall men should seek Truth by all just means. As one of ourministers you can:1. Ordain others in our name.2. Set up your own church and apply for ex¬emption from property and other taxes,3. Perform marriages and exercise all other ec¬clesiastic powers.4. Seek draft exemption as one of our workingmissionaries. We can tell you how.6.£ome transportation companies, hotels, the¬aters, etc., give reduced rates to ministers.GET THE WHOLE PACKAGE FOR $10.00Along with your Ordination Certificate, Doctor of Divinityand I.D. card, we'll send you 12 blank forms to use whenyou wish to ordain others. Your ordination is completelylegal and valid anywhere in this country. Your moneyback without question if your package isn't everything youexpect it to be. For an additional $10 we will send yourOrdination and D.D. Certificates beautifully framed andglassed.SEND NOW TO: MISSIONARIES OF THE NEW TRUTHP.O. 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New YorkRegenstein library:tenth week sets inPhotographs by Stovo AohiPREGNANT? NEED HELP?PREGNANT? NEED HELP? Abortions are now legal in NewYork City up to 24 weeks. The Abortion Referral Service willprovide a quick and inexpensive end to your pregnancy. Weare a member of the National Organization to LegalizeAbortion. CALL 1-215-878-5800 for totally confidentialinformation. There are no shots or pills to terminate apregnancy. These medications are intended to induce a lateperiod only. A good medical test is your best 1st action toinsure your chance for choice. Get a test immediately. Ourpregnancy counseling service will providetotally confidentialalternatives to your pregnancy. We have a long list of those wehave already assisted should you wish to verify this service.COPY OUR NUMBER FOR FUTURE REFERENCE1-215-878-5800.ABORTION COUNSEL, REFERRAL AND ASSISTANCEPrompt termination of pregnancy by licensedObstertricians and Gynecologists at accre¬dited hospitals. 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VImondta y4 December 4. 1970i/T1ie Chicago Maroon/5.JVCI .¥ »V> * mVThe Chicago MaroonSTEVE COOK DON RATNEREditor Business Manager•CON HITCHCOCK, Managing EditorPAUL BERNSTEIN, News EditorSUE LOTH, Executive EditorSTEVE AOKI, Photography Editor•JUDY ALSOFROM, NANCY CHISMAN, GORDON KATZ, AUDREY SHALINSKYAssociate Editors•BICK BALSAMO, SARA BEEBE, LISA CAPELL, PAT COX, REVA FREEDMAN, JIM HAEFEMEYER, ELSAHERSH, MITCH KAHN, BARRY KELLMAN, ALBERTO LOPEZ, BILL MARGRAVE, KEITH PYLE, JOESARTORELLI, HOUSTON STEVENS, FRED WINSTONStaff•CARL STOVALL CAROLINE HECK DIANA tEIFERContributing Editor Senior Editor Assistant Business ManagerFounded in 1892. Published by University of Chicago students on Tuesdays and Fridays throughout the regularschool year, except during examination periods, and bi-weekly on Thursdays during the summer. Offices inreams 301, 303 and 304 in Ida Noyes Hall, 1212 E. 59th St., Chicago, III. 60637. Phone Ml 3-0800, Ext. 3263.Distributed on campus and in the Hyde Park neighborhood free of charge. Subscriptions by mail $8 per yearin the U.S. Non-profit postage paid at Chicago, III.New constitutionIt would be most unfortunate if the recent elections, which werestudded with an unprecedented amount of venom and vitriol, were toleave the voters of Illinois so disillusioned with politics that they ignoredthe referendum on the new state constitution December 15.At stake is one of the most important documents in this state’shistory, a document which would take a century-old, outdated charterand replace it with a new, progressive constitution.The provisions of the new constitution and the inclusion of soundprinciples in the current one pleases us greatly, and it is with an un¬qualified endorsement that we urge all Illinois voters to get out andvote Yes on it. An election of this sort is much more momentous thatthe election of transitory public officials, for it will define the rights andprivileges of citizens in this state for a lifetime. To pass up this oppor¬tunity would be to make a tragic mistake.Some of the changes in the basic text of the constitution are in¬disputable, and we approve of them heartily. Included is a tough anti¬pollution section which defines and guarantees rights to clean air andwater. The document would add to one of the country’s most liberaland well-defined bill of rights a protection for individuals againstunreasonable invasion of their privacy, against discrimination, and aguarantee of equal enforcement and administration of the law.In addition it leaves open the door to abortion reform, sets up ajudicial review board that can act effectively against corruption in thejudiciary, establishes a similar board to fight vote fraud, reforms Illi¬nois’ often inequitable tax system, and provides for greater home rule.There are also on the ballot four proposals which aroused so muchcontroversy and discussion during the convention that it was decidedto list them separately and let the voters determine them individually.They are:Should judges be elected or appointed on a merit basis? Sad tosay, politics rears its ugly head all too often in Illinois courts, and selec¬tion on the basis of merit is unquestionably to be preferred. Any statein which justice is based on whether a man is a Democrat or Republicanis not healthy nor can it be long endured. We are happy to see that theconvention realized this fact and agreed to take the judicial branchout of politics as much as possible.Should the voting age by lowered to 18? In this day and age, it ishypocritical to talk to young people of participation and involvement inthe political system if they are to be denied the basic right of citizens,the right to vote. Many states in the recent election lowered the votingage, and for all the years of debate on this topic, no one has yet to comeforward with a convincing argument against having 18 years olds voteor for maintaining the age at 21.Should the death penalty be abolished? A fine punitive measure inthe nineteenth century, this form of punishment is now outdated andunnecessarily cruel in its harkening back to “an eye for an eye.” Noman has been executed in this country in the past few years, the USSupreme Court will soon decide a case that would abolish it, and Illinoisvoters would be foolish to keep such an archaic measure on the books.Should members of the state assembly be elected from multi-mem¬ber or single-member districts? This, the most complicated and leastunderstood provision, would set up 177 House districts each of whichwould elect one representative, a procedure used in almost every otherstate. The current system has 59 districts, each of which elects onesenator and three assemblymen, and it also guarantees that the partyout of power will have no fewer than 1/3 of the houses in the lowerchamber. We think this system, unique as it is, should be maintained.It helps independent candidates and also prevents any one party fromgetting too strong on a state-wide basis. ABOUT THE MIDWAYMeeting postponedThe organization of black students (OBS)has postponed meeting until next week torespond to the University’s refusal to con¬sider buying the Tenth Church of Christand converting it into an Afro-Americancultural center.The University has offered OBS $295,000to buy and convert the Church of OurRedeemer, 5558 Blackstone.OBS favors purchase of the Tenth Churchof Christ, 5640 Blackstone, which they feelcould be bought and rehabilitated for$240,000 or less. They also believe $295,000is insufficient to buy and rebuild the Re¬deemer.Walter Walker, vice-president for plan¬ning and an administration representativein negotiations with OBS, disagrees withOBS’s figures.He feels $240,000 is not at all sufficient tobuy and convert the Church of Christ. Headmitted, however, that “$295,000 is notenough to make the Redeemer an idealcenter,” although it is enough for a satis¬factory facility.Walker also noted that the Redeemer hasbeen abandoned for three years, while theChurch of Christ is still occupied. Rehabili¬tating the Redeemer, he believes, wouldtherefore be a greater benefit to the com¬munity, since it is in greater need of re¬habilitation than the Church of Christ.Memorial serviceTo honor Black Panther party leadersFred Hampton and Mark Clark, killed oneyear ago today, there will be a memorialservice Sunday in Rockefeller Chapel at 4pm.Speakers will include Big Man, a mem¬ber of the Black Panther Party centralcommittee. The Lumpen, a revolutionaryrock band, will perform.Chicago radical groups have called for acity-wide strike today in honor of Hamptonand Clark. Three rallies are scheduled to¬day, the Closest at the Church of the Re¬deemer, 6430 Harvard.Ombudsman surveyOmbudsman Tony Grafton ’71 is con¬ducting a survey on student participation infaculty appointment procedures and hasurged all people with information on thesubject to contact him.To date he has sent some 130 letters toadvisers, department chairmen, deans, andmasters asking what institutional participa¬tion students have taken in the appointment OMBUDSMAN TONY GRAFTONDoing survey on students’ role in tenuredecisionsdecisions, which will be made by December15.Grafton has asked for kinds of work stu¬dents have done and what materials theyhave presented. He wants all those ques¬tioned to give a personal evaluation of stu¬dent involvement and, if there is none intheir department, whether or not they feelstudent opinion would have been valuable.He also urges everyone receiving a letter torespond whether they have information ornot.Graton plans to report his survey results,along with his recommendations for furtherstudent participation, in his quarterly re¬port.People with information can call, write aletter or come to Grafton’s office at Rey¬nolds club 204.Southern womenAnne Firor Scott, associate professor ofhistory at Duke University, will speak on“The Psychological Libertian of SouthernWomen” to the University Women’s Associ¬ation tonight at 8 pm. The talk, which willtake place in Ida Noyes, is open to the pub¬lic.Professor Scott is the author of “TheSouthern Lady,” the first history of south¬ern women written by a woman to explodethe myth of the southern belle by docu¬menting the harsh realities of daily life assouthern women experienced it and hated itfor 150 years.“For generations southern women wereContinued on page 9BULLETIN OF EVENTSFriday, December 4LECTURE: "Detection In Vitro of Molecular Hybrids ofMouse RNA and Satellite DNA," Dr Abigail Conrad,La Ratoida-University Institute, Microbiology Club,Ricketts North, room 1, 4 pm. (tea at 3:30).SEMINAR: "Mesozoic Paleogeography and the Openingof the Atlantic," Dr Anthony Hallam, University ofOxford, Geophysical Sciences Seminar, Hinds Lab Au¬ditorium, 4 pm. (tea at 3:30, room 176).LIBERAL SHABBAT SERVICES: Hillel House, 5:45 pm.LECTURE: "Everything You Always Wanted to Knowabout Sex — But Were Afraid to Ask Your Rabbi,"Avraham Kaufman, Hillel House, 8 pm.MEETING: Zero Population Growth, Hyde Park UnionChurch basement, 5600 Woodlawn, 8 pm.LECTURE: "Strategy for Abortion Law Repeal," Clar¬ice Strauch, executive secretary, Illinois Citizens forthe Medical Control of Abortion, Hyde Park UnionChurch basement, 5600 S Woodlawn, 8 pm.TRAVELOGUE: France and Germany, I House Assn,1414 E 59th St, 8 pm, students 50c, others $1.PERFORMANCE: Dance, South Side Dance Workshopand Chicago Women's Liberation Union, Ida NoyesCloister Club, 8 pm, $1.DRAMA: Ionesco's "Jacques ou La Soumission," Rey¬nolds Club Theatre, 8:30 pm.Saturday, December 5VISA: Bus to Chicago State Hospital, everyone welcome,12:30 pm.CLASS: Self defense for women, Ida Noyes DanceRoom, 3 pm.‘FILM: "Kanchenjungha" by Satyajit Ray, India Associ¬ation, Breasted Hall, Oriental Institute, 6:30 and 8 pm,$1.25, association members 75c.MUSIC: Otis Rush Blues Band, Alice's Revisited, 950Wrightwood, 7 pm to 2 am, $1.MORE MUSIC: Pete Seeger, Auditorium Theatre, 8:30pm, $2.50, $3.50, $4.50.DRAMA: Ionesco's "Jacques ou La Soumission," Rey¬nolds Club Theatre, 8:30 pm.Sunday, December 6UNIVERSITY RELIGIOUS SERVICE: Ivan D lllich,educational innovator and director of Center for Inter-Cultural Documentation, Cuernavaca, Mexico, Rock¬efeller Chapel, 11 am.SCENE: Gay Lib consciousness-raising groups, 5810Harper, 2 pm.REHEARSAL: "Carmina Burana," Blue Gargoyle, 2pm, singers still needed.LECTURF- Dr niano tmlth V;fe M!!!*tt'i iC/wiipolitics, Chicago chapter. Equal Rights Alliance, First Unitarian Church, 5650 Woodlawn, 3:30 pm, 50c dona¬tion, all welcome.DISCUSSION: "Lutherans: What Manner of Church,"Joseph Sittler and Martin Marty, professors, DivinitySchool, Bonhoeffer House, 5554 S Woodlawn, 6:30 pm,all welcome.REHEARSAL: Open rehearsal for all interested in Fri¬day's SA Wassailing Party, Allegro Conspirito, BrentHouse, 5540 Woodlawn, 7:30 pm.DRAMA: Ionesco's "Jacques ou La Soumission," Rey¬nolds Club Theatre, 8:30 pm.Monday, December 7LECTURE: "Rosseau," Allan Bloom, author, UC grad,and professor of political economy. University of To¬ronto, Quantrell, 3:30 pm, public invited.DISCUSSION: University Baha'i Fellowship, east lounge,Ida Noyes, 7:30 pm.STUDY GROUP: Hebrew, elementary and advanced,Students for Israel, Hillel House, 7:30 pm.LECTURE: "Israel Wants You ... or Does It?," Stu¬dents for Israel, Hillel House, 9 pm.Tuesday, December 8RECRUITING VISIT: Center for Health AdministrationStudies, office of career counseling and placement,Reynolds Club room 200, x3282.MEETING: School Review editorial board, Judd 341, 12to 1 pm.ORGAN RECITAL: Edward Mondello, University organ¬ist, Rockefeller Chapel, 12:15 pm.HEARING: A student committee will conduct an openhearing on the case of Ed Collins, lecturer in the his¬tory of science, in G-B 211 from 12:30 to 2:30 pm.LECTURE: "The Effect of Secondary and 'Almost-Nu-clear' Powers on Strategic Arms Limitations," Leon¬ard Beaton, visiting professor of international affairs,Carleton College, Ontario, Center for Policy Studies,SocSci 122, 4 pm.MEETING: Outing Club, to discuss Christmas breakplans, early winter quarter xc-skl trips, etc, first floorlounge, Ida Noyes, 8 pm.Wednesday, December 9CARILLON RECITAL: Robert Lodine, University caril-lonneur, 12:15 pm.Thursday, December 10LECTURE: "Psychological Subject-Predicate in Eng-Mji„" Cm rciCT nurnpy, Deetriei iui, * K«", ■ments.6/The Chicago Maroon/December 4, 1970PRE-CHRISTMASTOY SALE!..AT HYDE PARK’S TOY & GIFT CENTERMATTELITALKING BARBIEBRIOBUILD-A-WINDMILLILEGO| TRACTORPLAYSKOOL •DAPPER DANMILTON BRADLEYSALE OF THE CENTURYFISHER PRICECAMERAPARKER BROTHERSFUNNY BONESThese are but afew examplesof the widevariety we carryby these famous ^toy-makers. . ' \\REG. OUR PRICE. Y '•$10.00 $5.59 i ' **i \s?2.49 Y (I \Vftd V.A//■ mV./1!,) \\JENSENSScandinavian import systemsopen evenings monday through friday till9:OOpmSaturday & Sunday till 6:00pm 5300 s. lake parkChicago, illifiois 6061-5phone: 667-7000 Student criticizes,designs computersFrank GruberSTEVE DUKKER: Transfer student designs computers, criticizes computation centers.By NANCY CHISMAN‘‘The University computation centerwastes incredible amounts of money,”charges Steve Dukker 74, an 18-year-oldtransfer student from Stony brook (NY).‘‘They don’t have the right equipment and40 percent of the computer time is used forsystem overhead.”Dukker has had six years of practical ex¬perience in computer programing and forthe past three has been designing computersystems.“I don’t have too much respect for uni¬versity computer centers,” he said gestur¬ing with frustration. “For purely arbitraryreasons they don’t go along with in¬novations in the field. They’re scared to goaway from the brand names.”Dukker worked for Stonybrook’s centerwhile he was a student there and hoped tofind a better situation at Chicago. (Hesaid he became so frustrated by the Uni¬versity’s center that he declined to applyfor a job there. “With the center’s $2 mil¬lion expenditure budget (a figure compu¬tation center director Fred Harris verified)they should be making money, not losingit.”Dukker then outlined a system using adifferent model computer which could turnone computer into an infinite number ofcomputers and handle all the needs of dif¬ferent users in considerably less time.“I don’t think the University would hireme to do consulting for the center, though,”he smiled wryly.Dukker’s experience has shown that cus¬tomers with whom he must work closely,first react negatively to his age. “Once Ishow my technical ability, they’re im¬pressed,” he said.While in the eighth grade he learnedcomputer programing in a National ScienceFoundation course offered at Columbia.Three years later, while trying to scroungeup free computer time for a club he helpedto found, he was offered a job as a techni-.cal representative. He soon discovered thatworking with salesmen in the field “wasn’tthe right line, so I got involved in systemdesign.”Dukker is presently a semi-independent“assistant specialist” working for a con¬sulting firm in Chicago. He communicateswith a large computer in Stamford, Con¬ necticut via a telephone linked terminal inhis Pierce Tower room.Dukker works from two to eight hours aday with the computer. “It’s like fitting ajig-saw puzzle together making the piecesas you go along.”Dukker has completed nine systems,each requiring several months of work.With each system he designs, Dukker doesintense research in the contractor’s field.His work has helped him “learn aboutpeople, business, government and how tohelp people cheat it,” he said. “As a socialreformer I can see how to change thingsbecause I know where to change them.”Surprisingly Dukker doesn’t plan to makecomputers his line of work. “From a long¬term point of view it’s not very edifying.”He mentioned medicine as a possible ca¬reer.He looked troubled when asked to com¬ment on consumer claims of computer ha¬rassment.“Computer harassment is a valid com-plaiant,” he said. “Wherever there arepeople there will be errors. The mistake isin the person who wrote the program.Bogus computer schools are one of the big¬gest afflictions on humanity. People whotake these courses don’t know how to copewith subtle errors.”Dukker feels one answer to the problemsthe computer industry generates is collegedegree programs in applied programing.He said he knows of only one university,not Chicago, which offers such a program.“The computer industry is still in its in¬fancy,” Dukker said. “What we knowabout using computers hasn’t changed ourway of thinking to correspond to the waythe computers have changed.”Dukker believes that the effect of the in¬dustry, at least on the people working with¬in it, has been individualizing. “The com¬mercial technicians tend to be individualistbecause they are exposed to so manythings,” he added.“There are about 25 people in the countrywho know how to use computers cor¬rectly,” Dukker said.When asked if he was one of them, hegrinned. “I’m learning how by learninghow others aren’t utilizing their computerseffectively.”College tuition to be $2475Continued from page 1increase on enrollment in the College, thecommittee said:“The University’s immediate need foradditional funds to support the 1971-2 bud¬get can take precedence (over other consid¬erations) without materially altering thecollege’s short term competitive positionand without reducing the present quality ofits student body.”In a related statement issued October 8,the budget committee recommended that“deans study the possibility of new types ofprograms for 1971-72 that would attract ad¬ditional students of quality, with teachingneeds being met by a fuller utilization ofexisting faculty resources for teaching pur¬poses”. Members of the deans’ budget com¬mittee, appointed in August 1969, includeAdams; A Adrian Albert, dean of the physi¬cal sciences division; Sidney Davidson,dean of the business school; Dr Leon Ja¬cobson, dean of the biological sciences divi¬sion and the Pritzker school of medicine;and J Alan Thomas, dean of the graduateschool of education and the department ofeducation.Tuition at competitive schools is as fol-lows:Columbia 1970-71 anticipatedS2S00 1*71-72 increases$200Cornell $2600 $200Princeton $2500 $200-300S ian*»r<* rwon $700Yale $2550 $300Chicago $2325 college $150$2475 graduates $150December 4, 1970/The Chicago Maroon/7TIIIIIIII AtuUCvaftFeaturing Chicago's Largest Display of KLH Music SystemsNOW IN STOCKTHE NEW STEREO TAPE DECK USINGTHE DOLBY NOISE REDUCTIONSYSTEM I by CAR repairs/Surf/cA 4o. •.I BRIGHTONONE OF THE TWO NEWGREAT LOUDSPEAKERSFROM KLH —PRICEDFROM 55.00 TO 190.00 IN *BOOK SHELF UNITSNEW31995THIS KLH IS THE BEST BUY IN THE AUDIO INDUSTRYIIII OLD!!199” M i OLD! BUT STILL* THE BEST PORT-ABLE YOUR MONEY CAN’ 8l'vtMubi/jiaftON CAMPUS CALL BOB TABOR 363-455548 E. Oak St.—OE 7-4150 3035 W. 95th St.—779-6500 IIIIIIIIIIIIIII FOREIGN AUTO <S£fWlC£440I S. ARCHER. ASE.*?br in Servfea. **call254-3840 254-5071 254-5072ATTENTIONVOLKSWAGENOWNERS!!!A reminder to WINTERIZE your car NOW andprevent MAJOR CAR REPAIR COSTS AND INCON¬VENIENCESWe will SAVE you MONEY and give you SATIS¬FACTION for ONLY$28.36(on 1200, 1300, and 1500 sedans and buses)$30(on fastbacks andThe above prices include:1. Tune-up2. Compression test3. Adjust valves4. Inspect fan-belt..adjust if needed5. Oil change6. Clean oil filter and air filter7. Lubrication8. Inspect rear axle oil level9. Inspect and adjust brakes10. Inspect clutch free-play11. Inspect battery and solution level^^jjjaddMistille^jjat^^hje^tec^^ 28squarebacks)12. Check electrical systems:a. starting systemb. charging systemc. lighting systemd. stop-light systeme. directional signal systemf. wiper system13. Inspect heating systemadjust if needed14. Inspect exhaust system15. Inspect front-end16. Inspect tire pressure and wearLET THE FOLKS BACK HOME KNOW WHAT YOU'RE INTO.In touch with a Maroon subscription foronly $8. This sends all issues forthe academic year.CHICAGO MAROON 1212 E. 59th St., Chicago, III. 60637Name.Address.Zip.m Printed^COPIES J* WHILE YOU WAIT!Letters, Forms, Reports, Bulletins.Daily 830 am - 5 p in.Cash with order.■w- *67 2410Jay IITTII * MINTING SIRVICI1950 EAST 75th St (At Jeffery)i PIZZA•PLATTERPizza, Fried Chicken* Italian FoodsI Compare the Price1! 1460 E. 53rd 643-2800l_ WE^DEUVER |8/The Chicago Maroon/December 4, 1970 DESKS-BOOKCASESSWIVEL CHAIR - LAMPS - TABLESNEW & USEDC BRAND ) EQUIPMENT&SUPPLY CO.8440 So. South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00Wed.-9:00 p.m.RE 4-2111■^^^mmedjat^Deljver^^^ ROCKEFELLERMEMORIAL CHAPELSunday December 6,1970 11:00 a.m.IVAN D. ILLICHInternational renowned *educational innovatorandDirector of the Center for !Inter-Cultural Documentation,!Cuernavaca, Mexico IIWeekday Chapel Music ITuesday, December 8, 12:15 p.m. |Organ Recital, Edward Mondello, |University Organist |Wednesday, December 9, 12:15 p.m. |Carillon Recital, Robert Lodine, |University Carillonneur aSAVINGSS A VINGSS A VINGSS A VINGS SAVINGSSJohn's Mens Wear1459 E. 53rd.With This Coupon2 Holiday Special _ _ .Zephyr-Wool $12.98Turtleneck SweatersPeu Coal SuitsHoliday-GreetingsSAVINGSS A VINGSS A VINGSS A VINGSS ASAVINGSS z bro:-JEWELERS • SINCE 1095presentsr,Jyn/A/rfa (ffltoamChaliceParisienneLyricCatch a sparklefrom the morning sun.Hold the magicot a sudden breeze.Keep those moments alive.They're yours lor a liletimewith a diamondengagement ring fromOrange Blossom.JEWELERS o SINCE 1B95KVKRGRKI N PLAZA YORKTOWNWho isBig B?ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St288-2900Koga Gift ShopDistinctive Gift Items FromThe Orientand Around The World1462 E. 53rd St.684-6856■ABOUT THE MIDWAYContinued from page 6held in bondage by the image of the South¬ern Lady — an image developed and per¬petuated for the most part by southernmen,” she says.In energetic and often-humorous lan¬guage, Professor Scott demonstrates thatsouthern women historically maintained alittle-known women’.* movement in whichthey:• Loudly voiced their dissatisfaction withthe patriarchal style of married life onthe plantations• Fought to abolish slavery• Organized to gain the vote. Mappedstrategies to force public education forwomen• Struggled to obtain jobs and income oftheir ownA member of the President’s advisorycouncil on the status of women and a for¬mer editor of the League of Women Voters’“The National Voter,” Professor Scott willdiscuss the psychological development ofsouthern women which produced the activ¬ist movement.Drive nears $500With only a week left in the quarter, theMaroon fundraising-drive-to-pull-us-out-of-the-red is pushing toward the $500 mark.Business Manager Don Ratner thankedall contributors who are helping the Ma¬roon pay off an old debt. The debt has pre¬vented the newspaper from printing largerissues this year. He added, “I hope that more of our read¬ers will respond to this effort. We are acommunity newspaper, and our perilous fi¬nancial situation makes us call on them forsupport. The response so far has been verygratifying.”Everyone giving up to $10 becomes a pa¬tron. All who donate $10 or over becomebenefactors.New donors are:BENEFACTORS: Anonymous - 1, Snellhouse.PATRONS: Margaret MacKenzie, WylerClinic, Don Putterman.Constitution endorsedCongressman Abner Mikva (D-Ill) StateRep Robert Mann (24th-Dist) and Aider-man Leon Despres (5th Ward) have an¬nounced their endorsement of the proposedIllinois State Constitution and made publictheir positions on the four separate proposi¬tions being submitted to voters oh Decem¬ber 15.The southside public officials supportmerit selection of judges, lowering the vot¬ing age to 18, abolition of the death penaltyand the election of state representativesfrom multi-member districts iby cumulativevoting.“After our extensive evaluation of theproposed document and the separate refer¬endum provisions, we believe enactment ofthe new Constitution will move Illinois for¬ward from the 1870 agrarian society intoThe little price tag that isn’t.When is a price tag not a price tag? When it’son a diamond ring. Drop by y^ur local jeweler,and take a look. That little tag is full of lettersand numbers, and maybe a price. Because ofthat inscrutable code the jeweler can sire youup as you chat. And finally tell you the ring isgoing to cost what he’s decided you can pay.We think that’s unfair.We’re Vanity Fair Diamonds. For M years,we’ve been one of the largest sellers of dia¬monds in the country. And in ^ ^ ...■?:.&our catalog, the qualitv and cost for each and every ring isthere for any student to see. And that cost isthe lowest one you’ll find anywhere. Honest.Because Vanity Fair handles each step in themaking of a ring, uoin buying the roughstones, to selling it to you, we pay no middle¬man profits that drive up the price. So you getthe lowest price and the highest quality.Send for our free 36-page color catalog, andget the whole Vanity Fa'r story. Or better yet,visit our Chicago showrooms at55 E. Washington.Vanity FairDiamondsInventorsof thepainlessMarriage.Vanity Fair Diamonds53 East Washington StreetChicago, Illinois 60602 * JjMease send me a 19/1 Vanity Fair catalog "'k****^n A MlADDRESSZIP CODESTATECITYSCHOOLCftamMair the 20th century,” asserted the three elect¬ed officals.“Passage of the new document and thefour separate submissions will help toachieve the governmental reforms nowmore than 50 years overdue in the state ofIllinois,” they said. men classified I-Y cannot voluntarily cropthis classification.Deferment In particular, the new instructions ouldaffect students with high numbers in the1970 draft lottery. Should a man hold anumber higher than that reached by his lo¬cal board, he could reclassify and willmove to a lower draft priority groupJanuary 1.Students wishing to drop 2-S defermentshave until midnight December 31, 1970 tofile for a 1-A reclassification. Requestsmust be postmarked by that date or havebeen received by local boards.This new policy was announced in in¬structions to local board personnel by Cur¬tis Tarr, national director of Selective Ser¬vice. Previous policy stated that theapplication for reclassification had to beat the local board prior to the Decembermeeting of the board.Tarr said the new policy was issued be¬cause boards around the country werescheduling their meeting at different times.The new policy allows all registrants anequal amount of time to take advantage ofthe reclassification offer, Tarr said.The types of deferments affected arehigh school and college deferments, oc¬cupational deferments, agricultural defer¬ments, paternity and hardship deferments.The I-Y classification is not affected since Arms controlLeonard Beaton, visiting professor of in¬ternational affairs at Carleton college, Ot¬tawa, Ontario, will give the first lecture forthe center for policy study’s arms controlseminar.Beaton will speak on the “Effect of Sec¬ondary and ‘Almost-Nuclear’ Powers onStrategic Arms Limitations” Tuesday at 4pm in Social Sciences 122.The arms control seminars are funded bya $294,000 grant from the Ford Foundation.The seminars will cover three major top¬ics: problems arising in connection withthe roles of scientists in arms policy, pol¬icies which result from national and inter¬national concern about arms control, anddisarmament and social behavior.The seminars will consist of a series ofpublic conferences, lectures, and publica¬tions on arms control and foreign policy.MR. IVAN D. ILLICKCuernavaca, MexicoWRITEREDUCATORINNOVATORwill speakSundayDecember 6, 19708:00 p.m.InternationalHouse Auditorium1414 E. 59th Street^7iimimimmimimimmiiiTimimimti± The Renault 10doesn't racelike a Ferraribut it brakesone.Ferraris and most hi-powered racing cars rely on 4-wheel discbrakes because they can withstandbraking without fading.They are used in the Renault10 for the same reason.Disc brake pads are also easierto replace.And with disc brakes youwon’t have to worry about gettingthem wet. As you drive throughpuddles, centrifugal force drives offthe water.One more thing, since 4-wheeldisc brakes are standard equipment,the Renault 10 will still only costycu under $2,000.If you can’t afford to race likea Ferrari, youcan afford tobrake like one. 10MIDIEIBFMiraCAFEENRICO I 31411 East 53rdFIGHT /' /T>Le5tum port 5,3nc.2347 So. MichiganTel. 326-2550[ INFLATION |E Student Discount =10% on Food3 pm to 2 amWith ID Card TheMaroonClassifieds7 say itANDsell itbetter!millllllllililliilillllllillllliliillllillllillllllRDecember 4, 1970/The Chicago Maroon/9d 4 * •*«-»m, *eor rper A*e.l5239h°rP*.r c°Orf 'EY DUCKY! GETYOUR THANG TO-GETHA'ONSTUDENT NITESMON., TUES., WED. FROM 5 PMALL DRINKS WITH I.D. 25*Special Export 40' mixed drinks 50‘HUGE!PITCHERSof Schlitz Light\& Dark-Bass Ale-Guiness Stouton TapFISH & CHIPSChicken, Pizza,Steakburgers,Spaghetti & Chile.All tne peanuts you can eatcompliments of the House.COMPARE PRICESHelp beat the Establishment!Corolla Pinto Volkswagen Vega*1942“ 52292K *2334,s *2628,s(Volkswagen 1970 price; all others 1971 price)The Corolla price includes only stan¬dard equipment; the other prices in¬clude options whiwS must be added tobare cars to make them equal to theCorolla, such as whitewall tires, wheeldiscs, tinted glass, reclining seats,opening rear vent windows, bumperguards, tool kit, etc.ON WESTERN INC6941 SO WESTERN-776-4016 M. BERGCLEANER &FURRIERUNCLAIMED USED FURS$25 Up to $100Settle for charges, valuesup to $1,000. Also fabulousmink jackets and stoles. Tre¬mendous value. We alsoclean suede coats andknitted goods.1619 East 55th StreetHY 3-9413SPECIAL LOWWEEKEND RATE(Noon Friday-Noon Monday)25 Free MilesWith This Ad (Hertz*2 day Minimum**Expires Dec. 11 RE 1 -9292 j7115 S. Exchange Ave. ■EH PAISAN0Cheeses and spices and everythingnices—that's what our pizzas aremade of.Introducing"The Rebel Pizza"pineapple-peperoni&Italian fjiestaizzeria We DeliverMU 4-32621919 E. 71sr Street Far East Kitchen ‘Chinese & AmericanFOOD & COCKTAILSOpen Daily 12 - 10Fn. & Sat 12-12Closed Monday1654 E. 53rd.955,-2229UNIVERSITY ORCHESTRAEugene Narmour, ConductorMendelssohn: Hebrides OvertureStravinsky: Pulcinella SuiteMahler: Symphony No. 4 'Soprano Solo: Barbara PearsonMandel Hall December 5Admission Free 8:30 PM10/The Chicago Maroon/December 4, 1970(The Maroon Classified Ads)MAIS OU SONT LES NEIGES D'ANTAN?for saleBoot Special — Turtlenecks $1.99Johns Mens Store 1459 E. 53rd'62mi.nds.pm. COMET: New air cond., 50,000Body in gd. shape, 4 new tiressome work $250. 643-3987 aft 6Price negotiable.. Female to assist marketing director,daily 12-5. Must have personalityplus and office skills. Call 236-0092.Black female student needs room¬mate. So. Shore, own room. Call375-7419, $70-month.Sales Clerk for record store. Mustknow classical records. Lowe's:MU4-1505: 1444 E. 57th.TYE-DYEING TIPS $1.00. An infor-mative booklet; a fascinating and FEMALE ROOMATE WANTEDimaginative art or craft. Tye and Own room in big apt. 54th-HarperDye Box 63M Roslyn, Pa., 19001. $65 per month. 752-7442.Skis Boots, Poles. All in good con¬dition. $48. Call Don Cremin 288-9530.Fur Coats-Midi, exc. cond., warmElec. Rm. Heaters, Bargains 721-3283.$25. Admrl. Television. 752-4424. PAINTING &DECORATINGReliable, quality painting and deco¬rating. Special student rates. CallArt Michener, 955-2480.PEOPLE FOR SALESnow Tires 6-50x13 little used $30per pair incl. rims, phone 643-5710. Student wife, exp. w. children willkeep child afternoons. Call EVE 234-21583 bdrm. coop rowhouse, 11 baths54th-Dorch. Common yd, play equip.Free Idry and pkg facils. $11,245,monthly assess. $174. 324-6637.1961 MERC 55,000 MILESDependable $175 or best offer. 955-6921.FIAT '69 124 Sport Spyder Blue.Low mileage, extra lamps, gd cond.$1700 or best offer. 324-2895. Female student will do house¬cleaning. Mornings or afternoons $10for 5 hours. Good references. ReplyBox HK Maroon. Can start January2.Fern, grad student with furniture 8,household things, looking for 2-bed¬room apt. in Hyde Park 8< Grad, orworking roommate — beginningwinter quarter. Call Marsha LI 4-2584 evenings.2 For 1 Bargain Book on Sale at theMaroon Office or 2nd Floor of Book¬store. Only $10. Typing Service AvailableMU 4-7394 R.M. DavidsonAFGHANS MOVING?AFGHAN puppies show & pet qualblacks & creams AKC $175-250. Callday or night, Metz. 472-6557.CHARTER FLIGHTSCharter flight-Chi-Paris Dec. 18.Round $290-Call MU4-6060 Daniele.HICKORY CAMPINGEQUIPMENTTents, sleeping bags, stoves, etc.Reduced interim rates 324-1499.PEOPLE WANTEDBABYSITTER WANTED, Energeticenthusiastic person to care for 2pre-school boys, 4 aft., our horn(vie. 57 8. Drexel). D03-5756.College students needed 7 days aweek, 4-0. Experience preferred.Call DELI DALI DELICATESSEN.643-0500, 1522 E. Hyde Park. Licensed mover 8, hauler. Call ArtMichener. 955-2480SPACERm in Irg apt w-3 guys. 52nd 8,Drchstr. $56 mo. 324-0952 . 6-10 pm.Furnished single room $55 per mo.5625 Univ. Ave. 324-9723.Sunny airy well-kept 31 rm apt. 538, Kimbark. Available Jan. 1. Call493-6349. Keep trying.Spacious 3 rm apartment. Con¬venient to univ. 8c 1C (57th 8, Har¬per). Avail, to sublet 12-2 493-5975even., wkend. $145-moApt. to share. 54th 8, Kenwood Ownroom, $65-mo. 363-1822Female roommate wanted for apt.clean, quiet, close to campus 8, 1C.Reasonable. Call 288-23842 Bdrm. apt. Share w-1 fern grad.Part turn. $75-mo. 643-6549.1 Wild and WonderfulCombinationsby GantShirt/tie sets never before seen by man...Gant multiclored stripe shits and color coordinated ties. Shirts $1and Ties 18.50-112.50. Fun.Hyde Park Shopping Center55th and Lake Park .4 I1■d Apartment avail. Dec. 23. 3 rm. 5843Blackstone. 955-3152. Call after 6pm.Effic. Apt. 12th fl. 5100 Cornell.Fully furnished-iust bring clothes.Avail, immed or Jan. 1. 643-4670, 5-10 pm or D03-2400 days.FANTASTIC BARGAINWe are offering you the chance of alifetime. A special book with somegreat 2 for 1 savings. It's on sale atthe Maroon Office and at the Book¬store, 2nd floor. For you, a specialdeal, only $10.00.KITTENSAre you lonely at night? Would youlike something warm, soft and cud¬dly to hold in your arms? Tell youwhat I'm gonna do. For you, causeyour eyes art blue, I've got theworld's most adorable kittens (ifyou were expecting something big¬ger, sorry). They've got the cutestfaces and they purr right into yourear. What could be nicer? No com¬ments from the peanut gallery?(M.ove away son you bother me.)Tell you what I'M gonna do. For$1.98 they're yours. Too much, wellhew about $1 and a lint coveredsour ball. No, I'll take even less;nothing, for free! Such a deal! Callnow before they're all gone. 955-0348is the lucky number. Ask for Wen¬dy, but if a cat purrs you'll knowyou've got the right number.PumpkinWANTEDRide to and-or from Florida. Xmasvacation. Call 324-1537Trunks, motorcycle, and I needtruck or van ride, Milwaukee toCalifornia, Dec. 15. Will help ex¬penses. Wayne 414 562-5675Wanted: Room in Hyde Pak. Apt.Win. 8> Spr. Roberta 643-6837I would like to borrow a Frenchhorn for a few months. David 493-2822.A news editor who knows a goodfront page when he sees one.RIDE NEEDED TO NYCI need a ride to NYC (Brooklyn) onor around Dec. 18. Will share driv¬ing 8. expenses. Call Diana, X3263days. 667-6130 evenings. Female roomate wanted for apt 578> Dorchester. Clen quiet 8< reason¬able. Call 288-2384You would rather walk thru hellwearing gasoline drawers than facea Chicago winter without a sho-nuffold fur coat from Radical Rags55031 Hyde Park.Duke University Prof. Ann FirorScott on the psychological liberationof the Southern Woman, Ida NoyesLibrary, Friday Dec 4, 8:00. Y'allcome, hear?Lest Dog: Ten year old blond Lab¬rador, near UC. Call PL 2-9718Contemporary European Filmsshows "Alice's Restaurant" on Sat.Dec. 12 at CobbAct your thing!!! PsychodramaThursdays at 7:00 pm. Multi-MediaTheater! Hurry!!!!!Revolutionary cure for the commoncold! A warm fur coat from RADI¬CAL RAGS 55031 Hyde Park.Writers' Workshop (PLaza 2-8377)ABORTION is legal in NY. For re¬ferral to accredited hospitals call212-633-9825 6 pm to 6 amU of C Blowing Your Mind7 Blowyour own! Pipes 8. Papers fromRADICAL RAGS. 5503V2 Hyde Park.SHH!!! Something Unspoken WedsMulti-Media Theater 7:30 and 9:00P.M. Right on! Mothers!!!Georgia on Her Mind: Ann FirorScott, author of The Southern Lady,raps Friday at 8, Ida Noyes Li¬brary.SUPERPERSONALSCollege experiment on pecking or¬der. What order is your pecker in?Liberated young woman with fantas¬tic physical attributes desires mean¬ingful relationships with male-fe-male-or both. Respond with a per¬sonal in the Maroon, addressed toBig B. I'll contact you.Paul Bernstein: next position —managing editor of the Wall StreetJournal.More than seven people in the Uni¬versity understand this, Paul. SCENESFilms at 7 8. 9 Mondays at only$1.00 Multi-Media TheaterA DANCE FRI-DEC 4, 1970 9:00-un-til? SSA 969 E 60th St. Donation: !1-1.50. Sponsored by the Black Al¬lianceStop in at PLUS for a roll in ournew water bed.Liberal Shabbat Service at Hillel to¬day, 5:45.Travel in your armchair toFRANCE and GERMANY — newlively color films — InternationalHouse Ass'n. 1414 E 59th, Dec. 4, 8pm. Gifts 8< refreshments. Students50 cents, others $1.Joseph Sittler and Martin Marty Lu¬therans: What Manner of Church.Sunday, December 6, 6:30 pm. Bon-heoffer House, 5554 S. Wood lawn.Abraham Kaufman will speak atHillel tonight on "Everything YouAlways Wanted to Know about Sex— But Were Afraid to Ask YourRabbi." 8:00 pm.Next GAY LIB dance 12-12. Canover 2300 people spring qtr. bewrong?Social change is one result of per¬sonal growth. Baha'i's need neithercreed nor violence to accomplishboth. Ida Noyes, Monday, 7:30 pm.STRATEGY FOR ABORTION LAWRepeal ZPG 8 pm, Wed. Dec. 9,5600 Woodlawn, Church basementY'all Come! Tenor Tuesdays at 8P.M. Multi-Media TheaterISRAEL WANTS YOU ... or doesit? An Israel speaks his mind. Mon.12-7,9 pm, Hillel.Two free films shown by CEF: JeanCocteau's "Beauty 8, the Beast" onDec. 9 and Leone's "Fistful of Dol¬lars" on Dec 14 both at Cobb at 7 8,9:15.GESTALT ENCOUNTER GROUPWeekend Dec. 11, 12, 13 Fri. 7-11pm Sat. Sun 10am-6pm. Limited to10. $25. Lorrie Peterson, ex¬perienced leader, has studied atEsalen. 288-3541.YOGA single/group Exerc. Mdfn.Contrn. Sri Nerode. DO 3-0155. HYDE PARKFIREWOODOak - Ash - BirchS45/TON DELIVEREDFOR IMMEDIATEDELIVERYCALL 955-2480ANY TIMESpecial Student RatesFrom Melanie Wilkes to Janis Jopl¬in: Ann Firor Scott speaks on thepsychological liberation of theSouthern Woman. Ida Noyes, Fridayat 8.CRAFT COOP now open at the BlueGargoyle Mon-Wed-Thurs Fri 11:30-2:30 Thur ev 7-10 pm.Ionesco's, "Jacques," Dec 4, 5, 8> 6,8:30 pm. Reynolds Club.MULTI-MEDIA THEATERis located in Harper Galleries 5210S. Harper. MU 4-1173RUNAWAY?Family Problems? Call the Depot.955-9347.CEF PRESENTSA film by Claude Lelouch (A Man 8>A Woman) Friday at Cobb at 7 &9:15 "Life, Love, Death".UNIVERSITY SYMPHONYORCHESTRAConcert Dec. 5 Mendelssohn-Hebr-ides Overture, Stravinsky-PulcinellaSuite, Mahler Symphony No. 4. Bar¬bara Pearson, soprano solo. MandelHall, 8:30 pm. Admission free.SDS NATLCONVENTIONDec 27-30 100s will be in Chgo forSDS convntn 8< Demo against racistunemployment. They need sofas orfloors to sleep on. Help! 924-9374 oiI House x517.PERSONALSWant out of yr. single at Snell orBkrdg? Write Linda 424 S. FairfieldLombard, III. 60148.Have you seen the new WHOLEEARTH CATALOGUE at the HarperCourt Book Center?We are Jews who believe Jesus isthe Messiah. Come and rap. Sat.Dec 5 7 pm at Bonhoeffer Hs 5554Woodlawn (not sponsored by Bon¬hoeffer House). •Just want to talk to someone aboutGAY LIB? Give us a call. 493-5658.Cat Fern blk with white paws &:hest. 54th 'A Cornell. 493-7149.Put a Slug in the Machine, Throwaway the Apple Pie, and Tell themto Kiss Your Radical Rags!Albee's American Dream Tonite atMulti-Media Theater 8:30 pmThe I.F.Stone Biweekly now at BookCenter in Harper Court MAIL YOUR CLASSIFIED TO THE MAROON1212 E. 59th St., Chicago, 6063?DATES TO RUNNAME. ADDRESS, PHONE.CHARGE: 50* per line, 40* per each line if the ad is repeated in asubsequent, consecutive issue. Non-University people.- 75c perline, 60* per repeat line. There are 30 letters, spaces, andpunctuation marks in a line. ALL ADS PAID IN ADVANCE!HEADING: There is an extra charge of $1.00 for your own heading. Normalones (For Sales, etc.) are fre«r.! !} 1 —r— t ■—r— — : 1 ! T » 1 — ■ ■ rr~ —11 ;1 l 1 i —i j | 1 * i f , i J —i 1 i1 1 i i 1 1 1 l 1 I i i lj ii .ii. L J^ ! !r i 1 ! | j | T 1 i 1 : ; i ; ; | i1 1 i i Lj-J 1 ■, t * *' t t—LJI i L 1 1 1 1 u ! ! L JYEOMENOF THEGUARDpresented byThe Gilbert & Sullivan Opera Company, Inc.FrMoy EvmInqDECEMBER 118:30 r.M.Saturday MatiaMDEOMIER 121:30 PJR.Sotirday EvtalafDEOMIER 128:30 ML TICKETS:MAIL: 4952 Kimkark Apt., Chitagt, WinPHONE: MV 4-5045 or 624-1582Restrvtd Statu Friday and Saturday tunings f J.JOGtntral Admission all ptrformantts 12.00MAKI CHECKS PAYABLE TO AdvtHtMm IH tht ArtsMANDEL HALL THEATREFIFTY-SIVINTH STRUT AND UNIVIRSITY AVINUI Free form "Wet Look" vinyl bagchairs are the most revolutionary thing,in furniture design in 2000 years!This far out chair adapts to the shapeof your body—whatever shape it's in.Really hip student size chair makes acozy recliner for 2 people too! Can alsohe used as a king-size pillow or a soft-ball for jolly green giants. It's stuffedwith pounds of virgin poly styrene. Andit's portable too.You can have this plump bag ofsquishiness in Beautiful Black, FlameRed or Sunny Yellow.Best of all, it won't take all yourbread, just a paltry thirty-six bucks(freight prepaid). It'll probably adapt to'your pocketbook. If not, just lay thisad on your old man before nationalS. Claus Day. Allow a couple of weeksfor delivery. ADD 5% SALES TAX! Mail lo: BAGLAND11 1970 Valley View Rd.Northbrook, III. 600621 NamoJ City State .... ZipDecember 4, 1970/lbe Chicago Maroon/lltfWf .1 isdirmXZ\bogic.. ... ■/TONY BENNETT'S“SOMETHING”includingThe LongAndWinding RoodMoke It EasyOnYoursel!On A Clear DayEverybody s TalkinCome SaturdayMorning ANDY WILLIAMS'GREATEST HITSHappy HeartMoon RiverThe HawaiianWedding SongBorn Freeyn* f - Days Of WineN And Rosesand moretTHEANDY WILLIAMS SHOWINCLUDINGTHEY LONG TO BECLOSE TO YOUMAKE IT WITH YOUNEVER MY LOVEWHAT ARE YOU DOINGTHE REST OF YOUR LIFELEAVING ON AJET PLANE BarbraStreisandsGreatestHitsincludingPeopleSecond HandRoseMy ManHappy DaysAre HereAgainFree AgainParamount Pictures PresentsA Howard W Koch Alan Jay LernerSSSSST" Production StarringJUNOTBACK - wBarbra Wes\ Streisand MontandnA Clear DayW&nSeef!ore*rALBERT FINNE*"SCROOGE”EDITH EVANS and Kand ALEC GUMusit and l yr«s by l BOOK & RECORD SETOttywolCo/tec0rJIM NABORSEVERYTHING IS BEAUTIFULINCLUDINGRRIDGE OVERTROUBLED WATERA TIME FOR USTHE SWEETHEARTTREEI CANT STOPLOVING YOU age Illustrated BookFoster Included AT THESELOWPRICES4.98—only 2.995.98—only 3.596.98—only 4.19SALE RECORDSONLYSAVE$2.00 OFF MFRS. LIST PRICEON ALL8 TRACK & CASSETTE TAPESColumbiaRECORDS and TAPES 1I DIRECTIONS IN MUSIC BY MILES DAVIS\wj± MILES DAVISFBI BITCHES BREWHS\ MCLDOMO:PHARAOTS DANCESPAMSHKEY, JOHNMcLAUGFUNMAES RUNS THEHURK LHtDSAY/SILYER BIROINCLUDINGMEDLEY THE LONG AND WINDING ROAO/YESTERDAY/FEEL THE WARM/WINDY WAKEFIElIBOOKENDS/WEVE ONLY JUST BEGUNBOB DYLANNEW MORNING"INCLUDINGSIGN ON THE WINDOWIF NOT FOR YOU I THREE ANGELSWENT TO SEE THE GYPSY IF DOGS RUN FREESLY & THE FAMILY STONECREATESTHITSI WANT TO TAKE YOU HIGHERTHANK YOU Falett nmt Be Mice Elt AgmDANCE TO THE MUSIC STAND1 EVERYDAY PEOPLEand moreY>v< including ■verevYou’ve Made Me So Very HappySpinning Wheel More and MoreGod Bless the ChildBOB DYLANSELF PORTRAITincludingWigwam/Days Of 49/Liltle SadieCopper Kettle/Eorly Mornm Rain/*V’ %SimonandGarfunkelBridgeOverTroubledWatermckidmgThe BoxerBaby DriverBye ByeLoveKeep T heCustomerSatistiedBridge OverTroubledWater fmO.C SMITH'SGREATESTHITSLittle GreenApplesThe Son OfHickorv Holler'sTrampFriend, lover,Woman,Wife Todays Greatest HitsGone Mellow.John DavidsonEverything Is Beautifulincluding:Let It Be'Raindrops Keep Failin’On My HeadFive O'clock Shadow/Easy Come. Easy GoBridge Over Troubled WaterJohn WilliamsplmyySpanish MusicAlb^niz, f alia, Granados, Rodrigo, San/,Torrotia.and othersincluding first recorded transcriptions ot CordobalAlbAni/) and Vaises Poeticos (Granados 1 peter INJ^ERo|lovfVo£S*o°rr08$**luring:] FQ/,ndrops AT*to;I Tdud'"g|Come/S°?1e'/,'091 .Corning Ufd°y ON COLUMBIARECORDSAND TAPES the^he£eatl£»lbTuhI 1 ,nclod*ny r.wYesterdayUet«Be Micne---0nTheHi« Si The Byrds(Untitled)includingMr Tambbunne ManEight Miles Hiqh Just A Seasonlover Of The Bayou Chestnut More fjTheRoad:rom Here7mm llwAndre[Koslelunetz 1I Everything}s \ft Beautiful | jj; - %.' K wSANTANA/ABRAXASincluding;ltl.u k M.lgie Woman Gypsy UuccilHope You're Feeling Ityterlueident At Neshubur- Mother's Daughter\V :*/ Kl N.eovua ijncludinK-let It #*’Evcrvthinnj', |Hcuutilul 1iVKljiW indMK H,,aa \ c 30037On \ Clear l)a>\Airport ILove Theme -MillBLOOD.SWEAT& TEARS3includingSymphony For The Devil Sympathy For The DevilSomethin Comin On The Battle •40 OOO Headmen Hi De Ho2-RECORD SETJSk.SAVE ON TAPES AT LOWE'SCHARGEWITH BankAmiNTcardtfUjeA, RECORDSOPEN SUNDAY 12 TO 5HYDE PARK1444 E. 57thMU 4-150512/The Chicago (Maroon/December 4, 1970THE GREY CITYVolume 3, Number 9 The Chicago Maroon Magazine of the Arts Friday, December 4,1970Crown Hall: Staal frames holding roof allow for column-free interiorChicago Mies Lakepoint Tower: Mies's students revive the Master's Scheme860-880 Lake Shore Dr. (left and detail) with exterior columns and 900 Esplanade Apts, (right and detail) with wall extended beyond columnsHill***!'as @as<»!»**«hr*By Drew LeffPhotos by Scott CarlsonChicago — a city of honest buildings: glass, steeland concrete; a love of each material for its ownspecial quality. Purity and a strong concern for theunadulterated use of materials are fundamental to themore than thirty buildings built in the Chicago area byLudwig Mies van der Rohe, from the time of hisarrival here as a refugee from Hitler's Germany in1938 until his death in August 1969. Mies, a leader ofthe International Style of architecture, was alsodistinguished as a great teacher, first at the Bauhausin Dessau, then in Berlin, and finally at the IllinoisInstitute of Technology.Mies influenced many of the great architects andmuch of the architecture of our time. This influencecan be seen in projects as diverse as Lake Point Tower(based on a design of his from the 20's), McCormickPlace, the Continental Insurance Building, the CivicCenter, and Lake Meadows. His influence is so greatthat when architects talk of designing a glass and steelbuilding, they talk of “designing a Mies.”Mies believed in truth — that his buildings shouldexpress the truth of their function, structure and era.Design would come from expressing the truth. “Ibelieve that architecture has little or nothing to dowith the invention of interesting forms or withpersonal whims,” Mies said. “I believe architecturebelongs to the epoch, not to the individual; that at itsbest, it touches and expresses the very innermoststructure of the civilization from which it springs.”A GUIDE TO THE CHICAGO BUILDINGS OFLUDWIG MIES VAN DER ROHE Apartment and Office StructuresThe 8 groups of apartment and office structuresdone by Ludwig Mies van der Rohe in Chicago,starting with his Promontory Apartments, finished in1949, consist of some of his most important andinfluential works. They reveal his wonderful sense ofproportion, his love of materials and technology, andhis strong sense of order. In chronological order:Promontory Apartments, 5530 South Shore Drive,1949. The exposed columns give an interesting verticalmovement that is further accented by stepbacks at the6th, Uth and 16th stories. The column stepbacks arean engineering as well as a design feature; there is alighter load on the upper parts. The “self-finished”concrete is a beautiful example of Mies’s honesty inusing materials. An interesting refinement of thisbuilding is Mies’s Highfield House in Baltimore,finished in 1965, where replacement of brick withtinted glass accentuates the strength and soaring ofthe columns and creates a feeling of great openness.860 & 880 Lake Shore Drive Apartments, 1951.These are the most famous of all Mies’s apartmentstructures. The beauty of these two apartmenttowers is a result of their very open quality, and theirsiting. Mies’s use of proportion throughout is impec¬cable — the 3 bay by 5 bay buildings ; the windows inseries of four, two larger inner panes bordered by twoslightly smaller panes; the placement of one buildingin relation to the other and both in relation to the lake.One can really see how this building works. Thewindows form the only walls. The aluminum framingaround the windows contrasts well with the darkstructural elements bringing out the skeleton-likequalities. The buildings would seem even more openand skeleton-like if it weren’t for the dark I-beammullions which are the vertical supports for thewindows. But perhaps their darkness creates a sense of cage-like security that otherwise might be sorelymissed by the occupants. Mies’s discontinuous treat¬ment of the mullions makes it clear that they do notsupport the building.900 Esplanade Apartments, 1956. The two towersnext to the Lake Shore Drive Apartments that at firstwindows were no longer placed between the columnsbut were hung a few inches beyond it, attached to thecantilevered flat slab concrete floor. It was as if theconcrete frame had been popped into a skin of glassand aluminum, the curtain wall. The lack of columnspermits a very even exterior treatment. The windowsare all the same size, as are the black anodizedaluminum mullions and horizontal framings. Thereare no thick columns interspersed with thin mullionsto break the evenness. The black aluminum sheathedcolumns that are visible at the base soon disappear,except at the corners. The siting here, once again, isperfect. The dark gray tinted glass and tWe even blackaluminum of the curtain wall creates an air of privacyand peace absent in the Lake Shore Drive Apart-.ments. To the casual observer, the dark tranquility ismore attractive than the contrasts of window frameagainst skeleton of 860-880 Lake Shore Drive. Viewedfrom a distance the contrasts of 860-880 Lake ShoreDrive become more striking. The weak point of thisproject is the one-story swimming area set in the L ofthe two towers. The sand blasted glass and deckclutter detract from the order and the placement ofthe buildings.Commonwealth Promenade Apartments, 330 W.Diversey, 1956. The two towers are almost exactly likethe towers of 900 Esplanade Apartments except thealuminum curtain wall and column sheathing hasbeen left its natural silver-grey color. The siting isdifferent that 900 Esplanade Apartments: instead of along building and a medium length building formingContinued on Page FiveArthur Schnitzler'sLa Ronde: A DisasterArthur Schnitzler’s La Ronde was the first majorUniversity Theatre production of the year, the firstproduction by the new director of University Theatre,Annette Fern, and the first production in the reno¬vated Reynolds Club Theatre — such luxury carpetsand tip-up seats. It would have been gratifying,especially to this reviewer, to have been able to reportthat the production lived up to all the promise whichthis concatenation of circumstances might havewarranted. Unfortunately, it didn’t. UniversityTheatre productions must be judged by rigid stan¬dards and when they do not live up to these standardsno one is served by glossing over the fact.La Ronde is a technically complicated play andone which makes great demands upon the players fora high degree of sophistication and a real insight intothe decadence and ennui of fin-de siecle Vienna. Thedanger is that, unless the play is approached withfinesse and the appreciation of the underlying socialsatire, it will become either vulgar (which could befun) or merely boring.Although the revolving stage revolved well, whichwas a real technical achievement, the players werehampered by the small playing area. I wonderwhether more use could not have been made of theapron with the players getting back on to a moving merry-go-round at the end of each vignette.The acting was largely inexperienced with a fewbright spots. Bertram Schwarzschild turned in aremarkably good performance as the cuckoldedhusband in his first scene, but did not maintain thestandard in the second. Elizabeht Schussheim, MariluHenner and Helen Wilbur (the latter against tre¬mendous odds in the final scene) all showed promise.The others seemed lost and embarassed by thenecessity of copulating on the stage in full light: a taskdifficult for experienced actors — impossible fortyros. (Surely Schnitzler asks for a black-out — thereis a passage of time involved, after all.) *Yet it would be unfair to see the whole thing as adisaster. The costumes by Sally Banes, for example,were outstandingly good by any standard. AnnetteFern made an attempt which failed and failed prettyconvincingly, which is better than a near miss — itshowed courage, something we need in UT. Futureproductions will be better. We have a first ratetechnical skill at work which can only help, and soonthe memory of La Ronde will fade. Please, though, letus be very careful before we cast William Gehman inanother production around here.— Kenneth NorthcottENJOYA FREECOCKTAILalong with your meal uponpresentation of this advertisementBAMBOO ROOMCO WTR Y CL UBBELCRESTRES TA URANTAttended Free ParkingOffer limited to one drink per meal purchased STUDEBAKERTHEATRE410 S. MICHIGAN AVE.CHICAGO, ILL. (922 -2973)TUES.,DEC1 - SAT., JAN. 2PRESENTSMYRNA JEROMELOY KILTYIN"dear l^veA PLAY ABOUT ELIZABETH BARRETTAND ROBERT BROWNINGTHAT BR«DgES.. AT LAST a PL^o aTION GAP ”THEGENERATlo^ancsuN50% DISCOUNT WITH STUDENT I D.<>\t \ M ii<>\ (Jl III I IA( IP I •> \ 11 KU I MAIM.S \\l) NIUM \Ks I MSTARTS TONIGHT!ANNA CHRISTIE (1930)withGreta Garbo&THE GOOD EARTH (1937)withPaul Muni & Louise RainerStarting Dec. 11SINGING IN THE RAMwithGene KellyMEET ME IN ST. LOUISwithJudy GarlandTHE BIOGRAPH THEATRE2433 N. Lincoln Dl 8-4123Plan to visit us soon. Admissionat all times is only $1.25. Bringyour Friends. jl C|ffor YOUNG COLLECTORSNOVEMBER 2J - DECEMBER 22 ,1970GRAPHICS • PAINTINQ 'SCULPTURE $2 to #300Jienaissance Society a\ the university 4 cnmoC00DSPEED HALL ,1010 EAST 59th ST.MN.-fRt. If 5 SAT.-SUN. IS Merry Xmas. from *Favor-Ruhl.Where are the 3 largestwedding ring selectionsin Chicagoland?FINE JEWELERS FOR 60 YEARS119 N. Wabash at WashingtonENGLEWOOD EVERGREEN PLAZA2/Grey City Journal/December. 4, 1970 StudentDiscountModelCamera1342 E. 55th493-6700Most complete photo shopon South sideA bicycle puts youclose to nature - Thusspake ZarathustraTurin in, Turin on,drop joggingV for velocipedeCheapest prices for Car¬lton, Raleigh, Robin Hood,Falcon, Peugeot, Gitane,Merrier, Radius and Daws.Factory trained mechanics.Used bicycles spasmod¬ically. Fly-by-night rentals.Turin Bicycle Coop2112 N Clark LI 9-8863Free DeliveryM-F 12:00-8(30; S&S 10-8The carpet baggers from Old Townauthentic• Dinners• Late Snacks• Private PartiesMake your ThanksgivingEve ReservationsDistinctive, handsomeroom atop the Hyde ParkBank Building.Exceptional Gnddelightful selection ofMid-East food, delicacies,cocktails, and wines.Ample parking. Tues. -Sat. 5 to Midnight; Sun.1 - 11.1525 E. 53rd St.Juft OH Outer OrmAtop Th.Hyd. Park Bank Bldg.tf ST AUK ANT * IOUNGC955-5151EfeiKHTuesday NiahtTuesday Nigl15% DiscountFor the U. of C. Students;Faculty Members and Per¬sonnel. Bring this ad fordiscount.1 k IV 1 t l k k> .iricnL^as VJZ'.ii'sj. >IXHEATEKChicago’s Off-Off BroadwayCandide: AnOrganic HitThe Organic Theater is a six-mantheater group on Chicago’s northside,currently presenting Candide at theBody Politic, 2257 N Lincoln Ave. TheBody Politic is a small, intimate the¬ater. Last year Paul Sills presented hisStory Theater there before he brought itto Broadway’s Ambassador Theater,getting rave reviews from almost all ofNew York’s staid, jaded critics. Sills’spirit still fills the Body Politic, not somuch in theatrical styles, but in thesmell of success. Candide is a rousingwinner — hysterical, touching, relevantand thoroughly enjoyable at all times.Stewart Gordon, Candide’s director,is the founding and enduring influenceof the Organic Theater. He writes theirscripts, directs their shows, and worriesabout everything from publicity to thestage’s paint-job. He deserves a greatdeal of credit for his adaptation ofVoltaire’s classic satire. Voltaire pokedfun at many of his society’s idiosin-cracies in Candide, but much of whatwas ironic in Voltaire’s time is no longerpertinent; Stewart updated Voltaire’spolitics. Particularly striking is a scenewhere Candide is being tried in aSpanish court: Carolyn Gordon’s por¬trayal of the Spanish judge bears astriking resemblance to Julius Hoff¬man. Thus, Stewart’s adaptation pointsout to today’s audience the ludicrousnature of courts just as Voltaire’s playdid to his audience. Similarly, Gordonupdated references to religion, politicsand war, using today’s audience’spoints of reference (Vietnam, Nixon,etc) to make the show’s political mes¬sage effective.The play is not, however, primarily apolitical one. Mixed in with Voltarianpolitics is comedy, straight out and outcomedy that is so refreshing, so funnythat the audience was — would youbelieve? — rolling on the floor. Thestory of Candide relates the woeful taleof a young, naive man (Candide) andhis love for the Lady Cunagonda, andGordon has set some of the zaniestcharacters imaginable in the path ofCandide and his love.The best of these is Lady Cunagonda’smaid, played by Amy Benesch. Thispoor woman, afflicted with the handi¬cap of only half a buttocks and delight¬ing in seeing in seeing a little “nookie,nookie” on stage, rolls and waggles hertongue in unbelievable ways. In her low,growly voice she tells the tale of her halfbuttocks while the rest of the castgroans her story behind a lit-up screen.The section of the tale where she losesher virginity is a classsic.Throughout the play, slapstick (Can¬dide falls down four times in trying toretreive the Lady Cunagonda’s hankie),corny jokes, and old Ed Sullivan rou¬tines (the juggler without his brotherwho goes on with the show anywaytossing balls and plates against thetheater walls) keep the audience incontinuous laughter. The laughs onlysubside when a political point is beingmade.Few theater groups make use of theiraudience effectively, though many tryto. The Organic Theater though, is amaster at this technique. In one ofCandide’s adventures, he needs sevensheep to escape. Volunteers, taken fromthe audience are taught to be sheep andare then killed off. In another scene, theaudience lashes Candide with papertubes, though other members of the castand some audience participants getbopped too.In a more serious moment, the storyoi Candide is interrupted foi a commercial announcement. Members of thecast, we are told, will pass among theContinued on Page Four Bottom: The Kingston Mines’ Gargoyle CartoonsNorth-Side WinnersThe Prodigal, by Jack Richardson; OldTown Players (1718 N. North Park);weekends; tel 645-0145.This very impressive play is based onthe Greek legend of Orestes. The actionconcerns the events leading up to themurder of King Agamemnon; the op¬posing ideas of rule (Agamemnon: menmust be governed by ideals, nobleaction; Aegisthus: men must be gov¬erned by mystery, miracle, and author¬ity — they want security, not glory);and Orestes’ indifference to both views.Richardson sees Orestes as “the prodig¬al,” a drop-out prince who has much incommon with Hamlet, and even morewith Prince Hal. He doesn’t want to be a“hero,” yet circumstances dictate oth¬erwise, and he is forced to avenge hisfather’s murder. The play ends withhim resolved to return to Argos andfulfill his fate, but under protest, andonly because he was “not great enoughto create something better.”This is a very brief outline, and theplay deserves a great deal more com¬mentary. It is skillfully wrought, thecharacters have depth, and, unlikeSartre’s version of the story (TheFlies), it is pure drama unalloyed withideology. Even the cant phrase “gener¬ation gap” does it injustice. Orestesdoesn’t “come around to his father’sway of thinking”; he comes around.tohis fate. He despises his role, unlike Halturned Henry V. But like Hamlet is, it isa cursed spite that he was born to fulfill.The production is excellent. KevernCameron, as Agamemnon, could be thebest actoi in Chicago, and the rest of thecast, particularly Allan Carlson asOrestes, Lillian Kane as Clytemnestra,and Marge Kotlisky as Cassandra, give admirable performances. I recommendit without reservation.The Prime of Miss Jean Brodie, by JayPressen Allen; Theater First (corner ofLincoln, Wellington, and Southport);tonight, Sat. and Sun.; tel 463-3099.This well-made play is about a teach¬er at a private girls’ school who has agift for inspiring devotion in hercharges, but who also attempts to moldthem into the shapes of her own dreams.Her character is sympathetic through¬out; we too are captivated by hervitality and spirit. But as the actionprogresses, we become increasinglyaware of a deep moral flaw. Herbrightest student sees this too, and endsby accusing her of sedition.Because Miss Brodie is a hopelessromantic who loves fascism andpreaches it to her “girls,” and becausethe action takes place just prior to WWII in Scotland, the charge is enough toget her fired. This is tantamount to exileand damnation for Miss Brodie, and theplaywright succeeds in eliciting almosttragic emotions.An interesting twist to the play is thatthe story of it is told through the studentwho “assassinates” Miss Brodie. Thegirl, who has been, in Miss Brodie’splan, “the clever one,” first rebels as anadolescent by having an affair with theart instructor; later she becomes a nun.The play ends with Sandy — now SisterHelena — suddenly realizing that, des¬pite her efforts to the contrary, shecontinues to be ruled by the demon ofher old teacher. Sheila Keenan, as MissBrodie, anu uie four girls, especiallyRebecca Balding as Sandy, give ex¬cellent performances.— John R. Holt LudicrousGargoylesAnybody truly interested in theaternaturally wishes any young playwrightor new acting troupe well in theirefforts, and for many reasons — avant-garde theater at its best is exciting,offering new solutions, and asking newquestions of the theater experience, theaudience, and the actors themselves.But the art produced in these situationsis often disappointing.A case in point is the latest productionof the Kingston Mines Theater, a collec¬tion of four short plays called GargoyleCartoons written by Michael McClure(remembered — or better forgotten —for his play Beard which featured aboring and largely unprintable encoun¬ter between Billy the Kid and JeanHarlow). Original music was writtenfor the production (using an electricharpsichord complete with Liberace-inspired candles, and electric guitar),but the wary theatergoer can’t help butnotice the utterly bored expression ofthe musicians.The physical plant of the theater isinteresting; the company has obviouslyworked hard. The theater is situated ina huge loft, and the space is well used.The stage is extended through the use oframps — occasionally used by theactors to reach the stage — whichextend to an upper wall. The costumesare imaginative; but the set is not.But all of these are fringe benefits.The play is the essence of the theater,and in Gargoyle Cartoons the essenceseems to lie in a vacuum disguised byplayers which are for the most partuninteresting. -The first play, Pansy, features threepandas — papa, mama, and son, twonearly nude fairies (who ecstaticallykiss each other’s ass ad nauseam), anda huge frog. The core of the play seemsto be that the young panda (beingyoung, he’s sincere, and of courserevolutionary) sees the frog and callsthe frog a frog. Is a frog by any othername not a frog? Apparently this mustbe so, because his parents becomeenraged and insist he call the frog amosquito. The young panda, because heknows the frog is a frog, decides that hemust be a prince. His parents will havenone of it and beat him up. The onlymessage — and it is so obvious that weare being hit over the head like theyoung panda — is that the truth will notout and conformity is inevitable. Soundfamiliar?The second play, Meatball, featurestwo crazy characters, Geek and Sgeek,who have just taken crunch hammers(crunch hammers?) and under theirinfluence (Gee Geek, aren’t thosecrunch hammers incredible) decidethat a meatball (conveniently hidden ina flower pot) is the universe. Of courseit could also be tomorrow’s breakfast,and more than that, it features aninterplanetary race (Wheaties neverdid that!). It hits our heroes that theyare the last magicians, and that all thathas passed will make the greatest filmever made. A film? Of life? Reality onfilm? Gee, what is appearance and whatis reality — (a big meatball, one couldeasily conclude). One of the better linesof the play is “Mucking credible.”By this time, the patient theatergoeralmost dreads the third play, SpiderRabbit; but the sight of our heroclimbing down his web, cleverly extend¬ed from the ceiling to the stage, andsaying: “HI! I’m Spider Rabbit!”(shades of Bozo the Clown) is encour¬aging. The actor does initially create acertain humorous pathos but unfortu¬nately this quickly degenerates throughthe incessant use of repetition (when wehear “HELLO! I’m Spider Rabbit” forContinued on Page ElevenDecember 4. 1910/Grey City JoumaX/3Three Westerns Slow on the DrawI like westerns, because so manygreat films happen to be westerns.Movies are better at showing thantelling, and the western represents anideal vehicle for both visual beautiesand expressive actions. Nearly everymajor American director has done atleast a few westerns, including FritzLang, Nicholas Ray, King Vidor, andmost recently Arthur Penn, whoseLittle Big Man opens next month.Indeed, George Steves, 1956 epic, Giant,starring a young Elizabeth Taylor andthe great James Dean, is being reissuedthis week in Chicago, and it is probablythe film most worth catching this week¬end. (Stevens’ classic Shane, a badlymisconceived and overpraised effort,was nonetheless well-directed.) I shallwelcome Giant, for in the past week,I’ve seen three new Westerns, all ofthem quite terrible.Dirty Dingus Magee (directed byBurt Kennedy, at the Chicago) starsFrank Sinatra and dozens of goodcharacter actors. It’s a spoof, the lowestform of comedy, and most of the humoris pretty low, too. If it’s better than CatBallou, it’s only because it’s not asoffensively patronizing. Dirty Dingus istoo unassuming and relentlessly trivial,and it is as easy to take as it isimpossible to remember. Joseph Hellercollaborated on the script, but in thiscontext the Catch-22 non-sequiturs aresimply silly. Mostly Sinatra smirks inhis underwear, but Lois Nettleton isbriefly funny as a schoolmarm-nympho¬maniac, and Jack Elam’s eye-rollingroutine as John Wesley Hardin is im¬mortal, in its way. But the truest measure of the film’s inadequacy is itssquandering of Anne Jackson and Mich¬ele Carey. The latter, so ferocisoulystunning in El Dorado, is here reducedto a miniskirted Indian who continuallynags Sinatra, “Hey, Dingoose, we makebim bam now?”Carol Reed’s Flap (at the Roosevelt)is okay, but I certainly cannot recom¬mend it to anyone except those whocontinue to overrate Reed for his earlypostwar work like The Third Man andOdd Man Out. Reed has never shownanything more than a certain narrativeintegrity, a hand with talented actors,and an overly elaborated technique.Flap, which deals with the plight of theAmerican Indian, reveals the super¬ficiality of Reed’s personal involvementin his projects. Flap is Anthony Quinn,rather less a parody of himself thanusual, but still a drunken, carousing,free-living, Anthony Quinn-type. Flapleads a makeshift revolution to drama¬tize the ignorant exploitation of hispeople. Reed’s handling of the story,however, is so distant, so remote, soacademic and lacking in insight, and hismovie is so suspenseless and arbitraryin its plotting that all passion whichcould have been evoked for the cause isdissipated in boredom. Reed nowheregrips the implications of his stories orthemes. There is really not a surprisingmoment in the picture. Flap is almostas silly as Dirty Dingus Magee, but herefollishness is inexcusable, because themovie is dealing with something impor¬tant. Abraham Polonsky’s Tell ThemWillie Boy is Here radically analyzed inboth verbal and visual terms the racism Anthony Quinn in Flapof the exploitation of Indians, and for allthe pain of its apocalyptic viewpoint, itwas a deeply passionate, angry picture.Even an older movie, The Devil’sDoorway by Anthony Mann (on TV thisafternoon at 3:30), is more radicallyrelevant, more incisive and modern,than Reed’s 1970 with-it effort. Flap,with its bad sound recording and itslistless indifference, proves yet againthat formula is always lesser propa¬ganda than art.Neither of the two aforementionedpictures attempts to be a regular West¬ern, with cowboys and gunfights andsuch. Monte Walsh, directed by WilliamFraker, the cinematographer of Bullittand Rosemary’s Baby, attempts torender the West in “realistic” terms.Voltaire Satire Successfully UpdatedContinued from page threeaudience collecting money for the star¬ving children of the world. However, asthe actors solicit money and are re¬fused, they get more and more violentuntil they scream “Give me somemoney for these fucking kids!” Theyget louder and louder until they meltinto a chorus of “Money, money, mon¬ey!” Here the cast plays on the reactionthey know they will get from theiraudience (rejections) and play it upperfectly, using the audience as theirstraightman.The rest of the play follows this line,humor followed by politics. I found thehumor to be much more memorable,though the politics are well-done in theirsubtlety.The success of Candide rests equallybetween Gordon’s script and the won¬ derful actors of the Organic company.Miss Benesch, mentioned earlier, is byfar the company’s best actor, makingall of her small roles memorable andcreative. She always gives her charac¬ters the little quirks that real humanbeings have (wiggling their tongues,scratching their bellies, etc) therebymaking her portrayals all the morerealistic. Robert Engel as Candide cap¬tures. the innocence and wonder ofVoltaire’s trusting hero. He keeps look¬ing for “the best of all possible worlds”as he moves from disaster to disaster.Simone Deely as Lady Cunagonda isboth beautiful and talented; during halfof the play I was sure that she had beentype-cast, the pretty girl playing thepretty girl. But at the end of the play shemakes her Lady Cunagonda a buck¬toothed old hag and is as convincingly ugly as she was beautiful.Euclid H Life (for real) as Pan-tagloss, the philospher, and in a varietyof smaller roles has the greatest comicflair in the cast. He moves extremelywell on stage and evokes gales oflaqghter as the Spanish Jew trying tosell his dagger to his dueling partnerwho is unarmed “($1.98 and you wear ithome.”)Cecil O’Neal and Carolyn Gordonhave smaller parts and are adequate inthem. They are not as memorable as theothers, probably because their parts arenot as meaty.This show is a great one and every¬one, should see it. Ticket information isthe Culture Vulture. Candide will beshown through January 23, but makeplans to see it today!—Mitch Bobkin For most of our lives, little that we doqualifies for any kind of general inter¬est, and the West, according to Fraker,was that way, too. For two-thirds of thepicture, nothing happens. I left at thatpoint. There are a few nice shots of thefutility of aging in a youngsters’ labormarket, and some implicit criticism ofcorporate combines, but Fraker notonly has an uninteresting story — hestill has not learned how to photograph.Most of the shots are grainy, over¬filtered, badly focussed, and generally astrain on the eyes. But not only do theactors — Lee Marvin, Jeanne Moreau,and Jack Palance — not do anything —they barely say anything. There hasn’tbeen such a presumption of silence asrealism since intellectuals of the early30’s inveighed against the impurities oftalkies. Sam Peckinpah (The WildBunch, The Ballad of Cable Hogue) alsotries to depict a less idealized West, buthis horny prospectors and moral eu¬nuchs are romanticized mutations ofthe “real” West. Any representation isnecessarily filtered through the con¬sciousness of the artist, and Peckin¬pah’s grotesques function as Fraker smannikins do not. Fraker’s con-sciousnes must have been dazed by allthe filters and lack of focus — MonteWalsh is more stunned than stunning.—Myron MeiselRobert Wise’s The Sand Pebbles, a1966 release, returns to the UnitedArtists Theater today. The film wasoriginally a three-hour-plus roadshow,although it will probably be cut for itsgrind run this time; cut or not, ex¬cessive length is its major defect. Wise(The Set-Up, Odds Against Tomorrow,West Side Story) is usually a capabletechnician — usually, but not always,cf. The Haunting — but his lack of adefinite style and strong personal pointof view makes his superspectacles diffi¬cult to sit through, unless you’re very- interested in the stars and or story.Steve McQueen, in one of his dullerperformances, and Candice Bergen arethe stars, with good support by RichardAttenborough and Richard Crenna. Thestory is a vaguely liberal, vaguelysentimental account of American impe¬rialism in China in the 1920s, via anAmerican gunboat patrolling theYangtze.Joe MacDonald’s color cinematogra¬phy and Jerry Goldsmith’s music makethe film much more effective than itshould be. There’s an excellent finalscene, in which Crenna and McQueenare trapped in a darkened mission, shotat by unseen assailants. It’s effectivelystaged and edited, but whether the restof the film, with numerous static, talkvsequences, is worth watching to get tothe end, is questionable.—Charles FlynnCEF Presents7 & 9:15 ALICE'S RESTAURANT Cobb HallSat. Dec. 12HAROLDSCHICKEN SHACK No. 141364 EAST 53rd STREET 667-9835OPEN SUNDAY THRU FRIDAY12:00 P.M. TO 2:00 A.M.SAT.—12 P.M. TO 3 A.M.MENU(Tax Included)V? Chicken $1.25 Small Order of Gizzards 80Chicken Sandwich 80 Order of livers 1.45Order of Gizzards 1.25 Small Order of livers.., 90JESSELSON’ST^752-2870, 752-8190, 363-9186 - 1340 E. 53nJ4/Grey City Journal/December 4, WO\ • ' • • 1 • UNWANTED PREGNANCYLET US HELP YOUAbortions are now legal in New York.There are no residency requirements.FOR IMMEDIATE PLACEMENT IN ACCREDITEDHOSPITALS AND CLINICS AT LOW COSTContactWOMEN'S PAVILION515 Madison AvenueNew York, N.Y. 10022or call any time. (212) 371 6670 or (212) 371-6650AVAILABLE 7 DAYS A WEEKSTRICTLY CONFIDENTIAL. We will makeall arrangements for you and help youwith information and counseling. KIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbuik Plaza HY3-3355Continued from Page Onean L, two buildings of similar size have been slid pasteach such that their corners just miss lining up. Thissiting is especially pleasing because of the angularnature of the buildings, the shape of the lot and thebuildings’ neighbors. The open corner fits very wellwith the odd congruence of the Soviet modernButcher’s Union, the monolithic memorial to Alexan¬der Hamilton, and the amazing neo-classical Elk’sMemorial, which face it on opposing corners. Theseparate I-beams used at each floor level for mullionsmake it clear that the skin is not used for support. Thecolumns grow increasingly larger at the base and givethe structures the appearance ot a slight inward carveat the top. These towers certainly should be held in ashigh esteem as the four Lake Shore Drive towers.2400 Lakeview Apartment Building, 1963. Thissingle building is similar to the CommonwealthPromenade Apartments except for its proportions,which I find to be far less pleasing. The building isalmost square and shorter than Mies’s other apart¬ment towers, very box-l;ke in appeal ance.Chicago Federal Center, U.S. Courthouse andOffice Building, 219 South Dearborn Street, 1964. Thisis the first building of a three building complex. Abroad 27-story sheet of glass raised on stilts, reminis¬cent of Mies’s Seagram Building in New York, is to bejoined by a 40-story office building and low profile postoffice building set against an open plaza. The site plan,again, is one of the most outstanding elements ofMies’s work. The courthouse’s wall is even moredetached than 900 Esplanade's. The wall of glass ishung outside the steel framing, not attached tocantilevered com rete floor slabs.Ill East Wacker Drive, 1970 Mies’s newest officebuilding in Chicago is also one of the finest. This dai k.tall, graceful building contrasts favorably with someof its more flamboyant neighbors (Wrigley Building,Tribune Tower, Equitable Building.) This first build¬ing of the Illinois Central AJr Rights Development iswelcome addition to the riverlront. This reinforce, iconcrete building’s facade is basically the same as t! eFederal Building and Seagram Building but i'sproportions fall between the broadness of I he one undthe leanness of the other.IBM Regional Office Building, Unfinished. Theskin is now going up and it looks similar to tiiat of thenearby 111 E. Wacker Drive. The curtain wall will beof bronze aluminum and solar bronze glass. Construc¬tion is similar to that of the Federal building.Institutional BuildingsNot only was Mies van der Rohe a greaf • rcliited —he was also a great teacher. The former director ot theBauhaus (1930-33) became director of Die school ofarchitecture of the Illinois Institute of Technology m1938. From 1938 until his departure in 1958 he v u»responsible for the replanning of the entire can.puand for designing all the buildings. In all, he design* cl20 buildings on the campus \fter lus departure fneother campus buildmgs were designed b* Skidmore,Owings and Merrill, but vciy much under die Miesianinfluence. The campus plan and the light brickdark steel buildings p-esent an extremely spart..;-setting, very fitting for an engineering school Ltdhardly an antidote for the squalor of the ghetto thatsurrounds it. There is order to contrast chaos andsimplicity to contrast complexity, but never is there afeeling of protection or warmth. Crown Hall (1956),Mies’s masterpiece, is a strong, exciting building,with its wide-span rcof and column-free interior. Ashome of the architecture, city planning and designdepartments, its gigantic workshop like nature squite appropriate.Other buildings by Mies or- campus, in chronol* .dealorder, are: Metals Research Building U. Ai.oourResearch Foundation (ARF >, 1943; Engineering Re¬search Building for ARF. 1946; Alumni Mer.< i dHall, 1946; Perlstein Hell Metallurgical and Ct»ical Engineering Building., 1946, Wishn ck l.(Chemistry Building*, 1 *)■»♦>•; Central VaultBoiler Plant, 1950; Instiiule of Gos Technology )Association of American. Railroads (A/lRR) odm,i »-tration Building, i9f.O: (.nanel, 195?; I :chat dEngineering Research Building I, 19.'I- :lecho i -.alEngineering Building for AARR, 1953; Carman Hull1953; Commons Building, 1953; Cunni fham f all,1955; Bailey Hall, 1955; AARR Laboratory Uuih1957; Physics-Electronic: Research Building, 'Metals Research Building, ?9->8 .In addition, ir* i904, Mi*s- compiled he iService Administration Buiiamg cit Dr* 1 ?1Chicago campus at 00th and Edis. Like many * >neHT buildings, but unh'kt hi* laller structu»'c> SS.'success as a building bn' ..i.eomfori«.*! !•' .-rrc-»neighbors. Mies s low squat building does nut w > »*plement the towering Gothic structures surroisit. The very human scale ct the building, combi*:with Ua quality oi openness, succeeds -u creaUuj ». •atmosphere at the same time fresh and free yet g"obvprotective. Glass and SteelThe starkness ofllT in the south side’s grey winter.The even black curtain walls of 900 Esplanade andMies style Hancock.Commonwealth Promenade: subtle relation to the next building.Commonwealth °ro> tenad” l-neam mullions do not support thestructure T'ncyun . •..» .and separate at each level.December 4, 1970/ Grey Ci •■-7<3FOR 364NIGHTS THATWONTBE SILENT.SANTANA/ABRAXASincluding:Black Magic Woman /Gypey QueentHope You're Feeling BetterIncident At Neshaburr Mother’s Daughterjj EH Nicoyaincluding:Lucretia MacEvil/Hi-De-HoSomethin’ Cornin' On/The Battle40,000 HeadmenINCLUDING:DOES ANYBODY REALLY KNOWWHAT TIME IT IS?QUESTIONS 67 AND 68/BEGINNINGSLISTEN/LIBERATION /SOMEDAYincluding:Poem For The People/InThe Countrt Better End Soon/Where Do We Go1 '/The RoadYomHere?The Firesign TheatreDon’t Crush That Dwarf,Hand Me Die Pliers ALKOOPEREasy Does ItincludingLove Theme From "The Landlord’VBuckskin BoyBrand New Day/I Got A Woman/Easy Does Itrnappying maiden{'ti f\Including:The Dolphins/Soapstone Mountain/Good Lovin’Do You Remember The SunT'Essence Of Now J including:Riki Tiki Tavi/Clara ClairvoyantChanges/Season Of FarewellCeltic RockSimonandGarfunkelBridgeOverTroubledWaterincluding:The BoxerBaby DriverBye Bye LoveKeep TheCustomerSatisfiedBridge OverTroubledThe Byrds(Untitled) including:Child’s Song/Wild Child/Old Man’s SongDrop Down Mama/Colors Of The Sun ^including:Cleo/Fairweather Friend/AdelaideBig White Cloud/Amsterdamincluding:Mr. Tambourine ManEight Miles High/Just A SeasonLover Of The Bayou/Chestnut Mare«rn tDtcemiK, WMini f:t‘ ■THE GIFT OF MUSIC ON COLUMBIA AND EPIC RECORDSAlso available on Tape tA Specially Pncetl 2 Record S'SLY & THE FAMILY STONEGREATEST HITSI WANT TO TAKE YOU HIGHERTHANK YOU Falettmme Be Mice Elf AginDANCE TO THE MUSIC: STANDI/EVERYDAY PEOPLEand more —.JOHNNY WINTER ANDINCLUDING:ROCK AND ROLL, HOOCHIE KOONO TIME TO LIVE/AIN'T THAT A KINDNESSPRODIGAL SON /LOOK UPINCLUDING:SIGN ON THE WINDOWIF NOT FOR YOU / THREE ANGELSWENT TO SEE THE GYPSY / IF DOGS RUN FREETAJ MAHAL/GIANT STEPincluding.Take A Giant StepGive Your Woman What She WantsYbu’re Gonna Need Somebody On Your BondKeep Your Hands Off Her/Six Days On The Road I GOT DEM OL’mmc ship?AGAIN MAMA!SAfWJOPtWINCLUDING:TRY/MAYBE/ONE GOOD MANTO LOVE SOMEBODY/WORK ME. LORD The New YorkRock EnsembleRoll Overincluding:Running Down The Highway/ Traditional OrderGravedigger/Fields Of Joy/Don't Wait Too LongCompton & BatteauIn Californiaincluding:Laughter Turns To Blue Silk On SteelHoneysuckle Elevator Homesick KidDIRECTIONS IN MUSIC BY MILES DAVISl MILES DAVISI BITCHES BREW\ INCLUDING:Ml PHARAOH S DANCESPANISH KEYJOHN McLAUGHLINJT MILES RUNS THEf VOODOO DOWNA J SANCTUARYSPECIALBONUSFULLCOLORPOSTERINCLUDEDBOOKENDSSIMON 4 GARFUNKELincluding:Bookends Theme/OversFakin' It /Old FnendsA Hazy Shade of 'WinterMrs Robinson MILES DAVISAT FILLMOREINCLUDING:WEDNESDAY MILES THURSDAY MILESFRIDAY MILES SATURDAY MILESincluding:One Man Women/Captain Bobby StoutEarly Bird Cafe/Thureday Thing/Ramblin'*),SWEAT 4 7\A\>U includingVK You’ve Made Me So Very Happy *<5rSpinning Wheel/More and MoreGod BlessThe Child including:Are You Ready ?/When A Man Loves A WomanLove, Love, Love. Love, Love/StaggoleeMother, Why Do Ybu Cry?INCLUDING:EVIL WAYS/JINGOYOU JUST DON'T CAREPERSUASION/WAITINGTHE CHAMBERS BROTHERSLOVE, PEACE AND HAPPINESSPlusUVE AT BILL GRAHAM’S FILLMORE EASTA 2-Record Set At Special Low Priceincluding:Woke Up / Let's Do If / Bang BangWade InThe Water/1 Can't Turn You Loose " including: *Big Bird/Lighthouse/Green SliceHornschmeyer’s Island/GabfootINCLUDING:YOU BETTER THINK TWICEKEEP ON BELIEVIN’HONKY TONK DOWNSTAIRSANYWAY BYE BYE/PONT LET IT PASS BY INCLUDING:THE TRAIN KEPT A-ROLLIN’LITTLE GAMES/I AIN’T GOT YOUDRINKING MUDDY WATERJEFF’S BOOGIEMashmdkhanINCLUDING:AS THE YEARS GO BY/ LETTER FROM ZAMBIADAYS WHEN WE ARE FREE /GLADWIN/IF I TRIEDDon EllisAt Fillmoreincluding:Hey Jude/Pussy WiggleThe Magic Bos Ate My Dc GREATEST TjlTSINCLUDING:SUNSHINE SUPERMANWEAR YOUR LOVE LIKE HEAVENMELLOW YELLOW/HURDY GURDY MANREDBONE/POTLATCHincluding:Light As A Feather / Elegy For Maggie / AlcatrazBad News Ain’t No News At All /Chant: 13™ Hourmm \fgH y*mf1 ■L TBela Bartok for ThanksgivingThe more serious works of Bela Bartok demand bothsuperhuman virtuosity and an uncanny sense ofartistry. In a Bartok memorial concert Thanksgivingnight, George Solti and the Chicago SymphonyOrchestra provided both.Solti opened the concert with Music for Strings,Percussion, and Celesta. The work is a highlyeconomical one, in which material in the last threemovements is drawn from the chromatic fuguesubject of the first movement. Bartok’s ingenuitymeets the challenges imposed by so restrictive a form.Solti and the orchestra captured the brilliant tensionof this showpiece with great artistic dexterity. In theTHEATERSee JacquesObey, in FrenchThis week-end, the University of Chicago will have theopportunity of being exposed to a contemporarytheatrical work in a foreign language. The play isIonesco’s Jacques ou la Soumission, and it will beperformed on the 4th, 5th, and 6th of December at theReynold’s Club Theatre at 8:30 pm (admission $1).Jacques is directed by Michael Issacharoff, professorin the French Department, and included in its cast aregraduate and undergraduate students in the Univer¬sity, both American and foreign.Being very visual, the play does not require aprofound knowledge of French to be understood. Inthis tragi-comedy, Ionesco deals with the theme ofsubmission to authority and the conventional values ofthe Establishment with extreme sarcasm and wit. Theyoung Jacques, incapable of maintaining his rebellionto the end, is eventually lured and trapped, andultimately gives up under the power of sex (embodiedin his arbitrarily chosen three-nosed fiancee). Theabsurdity of family life and a false morality arerevealed and criticized by the irrational and grotesquebehavior of the characters.Jacques ou la Soumission, a product of Ionesco’s bestcreative efforts, stands as one of the most representa¬tive works of the Theatre of the Absurd.Come and expose yourself to a dramatization of yourown life. most introspective first and third movements, thestrings were precise, controlled and crisp, yet lyrical.No detail was thrust aside or treated lightly. In themore spirited second and fourth movements, themeswere juggled effortlessly among the percussion in¬struments and string sections. Changes of mood ortempo were smoothly executed; Solti, a formerstudent of Bartok, sensed what his teacher wanted anddelivered it wholeheartedly.The Piano Concerto No. 3, Bartok’s last completedcomposition, is a mellow work which demands notonly technical brilliance but also great warmth andunderstanding. Grant Johannesen, soloist in theconcerto, gave a competent but artistically unevenperformance. In the opening movement he handleddifficult passages with great technical skill, but heignored the essential lyricism of the Rumanianthemes. As a result the phasing was uneven, vari¬ations in dynamics were nonexistent, and the overallmood was one of boredom. In the third movement, aspirited rondo, Mr. Johannesen finally captured theessence missing in the previous two movements andimbued the work with both delicate poetry and intensefervor.Solti closed the performance with Bartok’s Concertofor Orchestra, a tour de force which taxes the artisticlimits of even the greatest orchestras and theirconductors. Solti deftly tapped all available resources,shaping a musical idea here tense, there whimsical,and again mellow, — but at all times musical. Solticaptured the inherent brilliance of the first movementeasily, and the puckish second movement and theimpudent Shostakovich-like parody in the fourth didnot lack their requisite humor. In contrast theorchestra conveyed a sensitive yet majestic reading ofthe third movement, a soaring elegy. The finalmovement, demanding virtuosity at its acme, was anartistic masterpiece.Throughout the concert Solti proved himself amaster interpreter of Bartok, conducting extremelydifficult technical passages at a breathtaking pace,without sacrificing accuracy, and handling skillfullythe unbounded lyricism in slower passages.Performances of works such as the Music forStrings and Concerto for Orchestra are often heldtogether by musical scotch tape but each became acoherent whole under Solti’s direction. Never did Soltiresort to exaggeration to express an idea; Bartok, theteacher, spoke through his esteemed pupil. The resultwas stunning.— Jim Leak Bela Bartok in 1927THEATERPlay Peer GyntBecause the title role in University Theatre’swinter quarter major production, Ibsen’s Peer Gynt,is a long and difficult one, casting for the role of Peeronly will be done hi fore the end of Autumn Quarter.Auditions for the role will be held Saturday andSunday, December 12 and 13 from 2 to 5 p.m. in theReynolds Club Theatre, Reynolds Club third floor.If you are interested in reading for the part butcannot attend an audition at this time, please callAnnette Fern at ext. 3581 and arrange a specialappointment.The translation to be used is by Peter Watts,published in a Penguin edition; copies are availablefor loan at the University Theatre office.General auditions for the rest of the show will beheld the first week of winter quarter. 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Brown, GuideFriday, December 11 & Sunday December 13BOND CHAPEL, 8:30 P.M.Free and open to the public.U-HighSponsors:BUNKY GREENJAZZ QUARTETDec. 8 2:30 pm50‘ at the doorMandel Hall TAhSAM-YM*CHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPENS DAILYI I A.M. i 0 9 P.M.SUNDAYS AND HOLIDAYS12 TO i P.NLOrders, n Lake juv To-. Icelandic Airlines630 Fifth Ave., N.Y. 10020(212) PL 7-8585Send folder CN on Lowest JetFares to Europe □ StudentFares □Name_Street-CityStateMy travel agent is -Zip-EUROPERound-trip DC-8 JETfrom New YorkFor only $210* round trip,Icelandic Airlines flies you di¬rect to Luxembourg in the heartof Europe for best connectionsto everywhere. Daily jets. Nogroups to join. Stay one day orup to 45. Fly Icelandic—for low¬est fares to Iceland. Luxem¬bourg, England, Scotland, Nor¬way, Sweden and Denmark.Special fares for students andgroups remaining overseas morethan 45 days. Major credit cards—or Pay Later Plan. Mail coupon;then call your travel agent.•Add $20 one way on Fri. and Sat.ICELANDIC airuncT£ lar/jjjjujiLOWESTAIR FARESTO EUROPEof any scheduled airline8/Grey City Journal/December 4, 1970George, Joan, Judy & Stephen SingAll Things Must Pass by George Harri¬son (Apple STCH 639) and Stephen Stills(Atlantic SD 7202): These two albumsare, by far, the best releases of the year.There is no way of denying this. Bothalbums capture the essence of modernmusic — variety, style and excitement.George Harrison was always the quietBeatle. He stood off to one side playing aclean, hard electric guitar while Paulmade goo-goo eyes at the girls, Johnwaxed intellectual and Ringo played theeternal comedian. George wrote verylittle material until near the end of theBeatle’s reign, and then many won¬dered if his successful songs (“Some¬thing”, “While My Guitar GentlyWeeps”, etc) were not just flukes. WellGeorge is no longer quiet or unprolific.This album, a three record set, is betterthan any music the Beatles did afterSgt. Pepper’s and there is more thanenough of it to convince anyone thatGeorge Harrison is a unique talent.The first three songs on the album’sfirst side epitomize the rest of thealbum The first song, “I’d Have YouAnytime”, co-authored by George andBob Dylan, is a slow, easy, gentle folkballad similar in style in many ways to“Something.” The theme, obviouslyenough, is love: “All I have is yours, Allyou see is mine, And I’m glad to holdyou in my arms, I’d have you anytime.”“My Sweet Lord” follows. After threelistenings, this song sticks in my mindmore than any of the others on thealbum. Against a gospel chorus, Georgetells the Lord that he believes in himand wants to be with him. The tempo issteady, but not too fast and George’svoice is calm enough to get the song’spoint across. “Wah-Wah,” the nextsong, is a straight rocker, hard and fast.The vocal is very well underplayed andGeorge’s guitar here is superb. The restof the album follows this lead — slowlove songs, moderate religious songsand fast rockers. George’s versatilityevidenced by the success of all threestyles.The success of this album is in greatpart due to the talented in¬strumentalists whom George assem¬bled to back him up: Eric Clapton,Bobby Whitlock, Jim Gordon, and CarlRadle (the four men in Derek and theDominos), Ringo Starr (playing as easyand as unobtrusively as ever), GaryBrooker, late of Procol Harum, DaveMason and many, many others. They allhelp to make the two structured, song-filled records great, but more im¬portantly, the third record, “AppleJam,” finds these instrumentalists andGeorge playing tight, hard, excitingjams. “Thanks for the Pepperonni” isespecially good with Eric Clapton,George Harrison and Dave Mason trad¬ing guitar riffs back and forth in avolley of sound.Added together, the instrumentalists,EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSES JUDY CXXUNS/WHAt.ES S NIGUTlN&ALtS<il.OL.Hir. IIAl>l»IM>NALL I'llINGS MI ST Passthe beautiful, well-written songs andGeorge’s easy vocals make this albuman instant classic.As good as All Things Must Pass is,Stephen Stills is better. Stills’ albumproves superior because it is tighter.Although it is nice to have three recordsin George’s album, it is very hard, if notimpossible, to create a mood and keep itgoing over six sides. Stills however,makes his messages clear in the firstsong and in nine more.“Love the One You’re With,” the firstsong, is the best single song to berecorded this year, matching “GimmeShelter” on the Rolling Stone’s Let ItBleed album (last year’s best single) inboth excitement and pure drive. Backedby a choir made up of Rita Coolidge,John Sebastian, David Crosby and Gra¬ham Nash, among others, Stills tells you“if you can’t be with the one you love,love the one you’re with.” The song ismade doubly exciting through the use ofa steel drum, driving the song fasterand harder til it ends in a chorus of “do¬dos” similar to the sounds made inStills’s masterpiece, “Suite: Judy BluesEyes.”This album deals with human rela¬tionships. A dedication poem aboutStills makes this clear: “Even when itgrew wild, The child was growing evenmore, Knowing that was what growingwas for, It takes a man to be a child.”The growth of Stephen Stills, the humanbeing, fills the rest of the album.Particularly striking in this regard is “Church”, or “Part of Someone” whereStills admits that he has to feel a part ofother people, although “it’s hard, yes itis.” The choir here again adds backingto Stills message, and helps to build thesong’s religious feel.The rest of the album, particularly“Go Back Home” and “Black Queen”add to the album’s meaning. All thesongs are also well done, both in-strumentally and vocally. Like GeorgeHarrison, Stills gathered outstandingmusicians around him including EricClapton (again?) and the late JimiHendrix. Their guitar work is per¬ceptive and memorable, but the bestinstrumentation on the album is Stills’own. He plays guitar, organ, steeldrum, percussion, bass, and piano onthe album with equal proficiency. Allare great, especially his paino workwhich is similar to Dylan’s on NewMorning, hard and gospely.Stephen Stills is an amazing singer.His voice is dusty and limited. He doesnot have the range that many others do,but he bends and forces his voice up tohis high notes, getting a plaintive emo¬tion out his struggle. This emotion andhis strong vocal cords (he can belt ‘emout!) are the trademark of the Stillssound.The only way I can recommendStephen Stills highly enough is to say: Ithought no one would beat out theGeorge Harrison album this year, but Iwas wrong; Stills does George onebetter. Whales and Nightinggales by JudyCollins (Elektra 75010) and The FirstTen Years by Joan Baez (Vanguard6560/1):Joan Baez is not a good singer. Thereis no two ways about it. She may be anexciting political personality, she maybe the first of the great folk ladies, butshe cannot sing. Her voice is empty; sheshows no emotion. Her happy songssound the same as her sad ones. Yet shehas held on as a first calibre star for tenyears, hence this collection of her tenyears of recorded material. This albumitself should point out how little she hasdone in those ten years.I like one song on this album, “SweetSir Galahad,” the only song on thealbum that she wrote. In it, she actuallysays something with her voice, sheshows feeling. Perhaps she can be ahuman being rather than an automatonon this cut because the emotions in thewords are her own, not the feelings ofsomeone else. All the other songsthough fall into the Joan Baez syndrome— dull, dull, dull.Judy Collins is as exciting as JoanBaez is dull. While Miss Baez shows noemotion, Miss Collins shows raw feel¬ing. The comparison between Judy andJoan is made even more striking by thefirst song on Whales and Nightingales,Joan’s “Song for David.” When MissBaez sings this song, one would neverknow that she is lamenting her impris¬oned husband, David. But Judy sings itas though for her lover.“Songs of” by Jacques Brel is so welldone on this album that tears well up inmy throat each time I hear it. AnotherBrel song, “Marieke”, is the album’sbest. In this paean to Flanders, JudyCollins gets the point across movinglyand effectively even though she doesn’tsing the song in English.Other fine cuts are: “Time PassesSlowly” by Bob Dylan, “The PatriotGame” and Pete Seeger’s “GoldenThread”. “Farewell to Tarwathie” isby far the most unusual song on thisalbum, and quite possibly the weirdestJudy Collins has ever done. Backed bythe sound of humpbacked whales andthe surf pounding on the beach, shesings this whaling song a cappella. Thesong sounds like it was recorded in anecho chamber, for her voice soundsdistant and eerie. The screeching of thewhales successfully add to the song’sfoggy, misty quality.There are a few songs on this albumthat are throw-aways. She doesn’t seemto put much effort into them and theyare far from memorable. On these cuts,Judy sings straight head tones, high andclear, but sterile. The worst of these“Prothalamium” is, thankfully, short.Also, two songs on the album areinstrumentals that, obviously enough,do not reflect the talent of Judy Collins.Continued on Page 11DR KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372PEOPLE WHO KNOWCALL ONJAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933 PLArDCy’S ALL-NIGHT SUCHPERFORMANCES FRIDAY & SATURDAY FOLLOWING LAST REGULAR FEATURE\ DEC. 4 DEC.5 ij “THE PRIME OF “DOWNHILL RACER" |i MISS JEAN BR0DIE" 112:00 4 1:45 4 3:30) 1I (12:00 4 2:00) II DEC.11 DEC.12 II “THE STERILE “ME NATALIE" Ij CUCKOO" j18 19“THE0UT0FT0WNERS" “KING OF HEARTS"(12:00 4 1:451 (12:00 4 2:00)25 26“BARBARELIA" “THE WILD BUNCH"(12:00 4 1:45) (12:00 4 2:15)JAN. 1 JAN. 2“DADDY'S GONE A HUNTING" "MONTEREY POP"(12:004 1:45) (12:00 4 1:30 4 3:00)TICKETS $! 50 . Yowzah, Yowzah, YowzahGet your super bargain of the year. Now on sale at theMaroon office, Rm 304 Ida Noyes Hall or on the 2nd floor ofthe UC Bookstore.fttly $10.00 and worth much more!It's the 2 for 1 Discount Book.You can use it an many groovypalces in Chi Town to get two greatbuys for the price of 1. Book! siMonev ()rderIf you can't make it in at eitherplace, send in the coupon, alongwith only 10 bucks and we'll shipthe book right out to you.What u Fur Gui Xfnas present. I want it.The Two tor One Booklust $10 each Send meEnclosed is my checkI or $NAMEADDRESSCITY STATE /IpPHONEInquire about fund raisingpossibilities nowmail toCHICAGO MAROON1212 E 59th StreetClmuyo, Illinois ouo j/December 4, 1970/Qrey City Journal/9Culture VultureMUSICThursday and Friday, Dec. 3 and 4, George Solti will conduct the ChicagoSymphony Orchestra in the world premiere of Levy's Concerto for Piano andBruckner Symphony No. 8. Pianist is Earl Wild.Roger Malitz on cello and John Cobb on piano will give a recital Friday at 8:30in Mandel Hall, featuring works by Beethoven, Hindemith, Chopin and Barber.The University Symphony Orchestra will perform Saturday at 8:30 inMandel: works by Mendelssohn, Stravinsky and Mahler.The Fine Arts String Quartet will perform work by Dvorak, Bach and a worldpremiere by Hopkins, Monday, Dec 7, Goodman Theater, 8:15.The Lyric Opera, Wacker and Madison, presents Bartok's Bluebeard's Castleand Puccini's Gianni Schicchi tonight, Rossini's L'ltaliana in Algeri tomorrowand Puccini's Madame Butterfly Sunday. The performances may be sold out, socall before you go down. ,The Chicago Chamber Choir at the Beverly Art Center 2153 W. Ill St tonight at8. Free.See Pete Seeger at the Auditorium Theater Saturday at 8:30.Alice's, 950 Wrightwood, will feature the Otis Rush Blues Band tonight andtomorrow night, 7 to 2.Cats Stevens, populas British folk singer, at the Quiet Knight, 953 W Belmont,through Sunday.DANCEThe Dance Troupe of Columbia College performs experimental dance theaterevery Wednesday at 8; 3257 Sheffield.ARTI IT's Institute of Design presents "Five Experiments in Relevant ExhibitionDesign," through Dec 9, Crown Hall, 3360 S State, 10-5daily.Ryder Gallery, 500 N Dearborn, displays a New York exhibit (GilbertAdvertising Agency), Dec 1 through Dec 31; weekdays 11:30 5:30.The Paintings and Drawing of Walter Sanford will be shown through Dec 18,Monday through Saturday, at the Faculty Club of I IT, 3241 S Federal.An Art tor Young Collectors Sale at the Rennaissance Society's Gallery willlast through Dec 22; graphics, painting, sculpture $2 $300, Goodspeed Hall, 1010E 59, Monday through Friday, 10-5, Saturday-Sunday, 1 - 5.Fifteen Renoirs (all beautiful) at the Findlay Galleries, 320 S Michigan untiltomorrow, so run down.Max Kahn paintings are at the Fairweather-Hardin Gallery, 101 E Ontario,Ml 2-007.The Bergman Gallery offers the photography of Rosalind Moulton and a"Drawings of France" show by Philippe Levanthal through December 22, 4thfloor, Cobb Hall.Paintings and drawings by Hilson, Bushman, and Nichols of Hyde Park ArtCenter, 5236 Blackstone. Gallery hours: Tuesday— Thursday 1:30-4:30; Saturday10-4.Art Institute, Nov 5 - Jan, 3, 18th and early 19th centurv American andEuropean silver and porcelain.Robert Rauschenberg's "Graphics and Sculpture," Museum of Contempo¬rary Art, through December 13. Two films, "Artist Robert Rauschenberg" at 12and 2:30 daily, and "One Eyed Dicks," a 14-minute film comprised of sequencesof photographs taken by "triggered automatic cameras during bank robberies,"continuously, will be shown for the duration of the exhibition.Write for UsBecause the editors of the Journal wish to see avariety of viewpoints and opinions reflected in itspages, we welcome contributions from members ofthe University community.Prospective contributors should get in touch withthe associate editor in whose realm their contributionsfall, or with the editors of the Journal at the Maroonoffice on Tuesday, Wednesday and Thursday after¬noon.If possible, this should be done before the piece iswritten so that it will not overlap with work already inprogress by staff members. Top: Lyric Opera’s Bluebeard’s Castle Bottom: LyricOpera’s Gianni SchicciSculpfure and Drawings by Virginia Ferrari, are at the School of SocialService Administration, 969 60th, until Dec 22, Mon Sat 9-5; Sunday 12-5'.Shu Takahashi has a one man show in the Deson Zaks Gallery, 226 OntarioTues Sat 10:30 5:30.THEATERJaques ou La Soumission will be presented in Reynolds Club Theatre, Dec 4,5, 6, at 8:30; $1.00; directed by Michael Issachosoff. By the way, Ionesco's play isin French!An experiment in multi-media, Multiples of Man, will open a two week tour onMonday, Dec 7, at 7:30,1428 N Orleans. Location of performances change nightly,so call 793 3520 for info.The Collection and The Dumbwaiter at the Chicago Public Libraryauditorium, Michigan and Randolph. Two plays (Pinter) presented by EquityLibrary Theater, Dec 7 at7:30. Free.Twelfth Night. Goodman Theater. Playing through December 20 and againDecember 29 through January 30. Tuesday through Thursday and Sunday at 7:30;Friday and Saturday at 8:30; Thursday matinee at 2. $3.25 to $4.90.The Poor Theater at 925 W Diversey presents Rites-One Thur Four Fridayand Saturday at 8 through Dec 19. $1.Arthur Miller's A View from the Bridge is at Lincoln Park Theater, 2021 NStockton Friday and Saturday at 8.30 through Dec 19. $1.The Prime of Miss Jean Brodie is being performed by the Theater Firstcompany at the Athenaeum Theater, 2936 N Southport. (See review). Friday andSaturday at 8:30, Sunday at7:30 through Dec 6. Students $1.25, regular $2.The Prodigal (see review) is presented by the Old Town Players at 1718 NorthPark. Friday and Saturday at 8:30 and Sunday at 7:30 through Dec 20. $2.A folk-rock play, Horatio, can be seen at the Jane Addams Center of HullHouse, 3212 Broadway. Friday and Saturday at 8:30 through Dec 19. $1.50. Val's Multi-Media Theater in Harper Galleries, 5210 S Harper continues asecond cycle of presentations. Mondays at 7 and 9 pm, films by Kartenquin FilmsLtd for $1. Tuesdays at 8 pm, songs by tenor John Gahagan, $1.50. WednesdaysTennessee Williams' Something Unspoken, at 7:30 and 9 pm $1. Thursday apsycho-drama from 7 til 10 for $2.50 Fridays, Edward Albee's An AmericanDream at 8:30 for $2. The cycle will run through December 18.Columbia College's theater department presents Operation Sidewinder byChicago playwright Sam Shepard at the Performing Arts Center, 1725 N Wells*FREE Fridays and Saturdaysat 7.30. More info. 467 0300.Gargoyle Cartoons by the Kingston Mines Theater, 2356 N LincolnWednesday through Sunday at 8:30, $2. Sat $2.50. Reservations: 525-9893.The Free Theater, 3257 N Sheffield presents Achilles by Robert Perrey at 7and9on Sundays, 7:30 and 9 Mondays. FREE. More info: 467 0300.Hair is in its last 5 weeks at the Blackstone, 60 E. Balbo.At Organic Theater, 2259 N Lincoln, Candide, admission $3, continues throughJanuary. Student tickets — $1.50 for Wednesday and Thursday nights.Myrna Loy and Jerome Kilty star in Dear Love, the story of Elizabbeth Barreftand Robert Browning at the Studebaker, 418 S Michigan. Through Jan 2. Nightlyat 8.30, matinees Wednesday and Saturday at 2. $3 to $7.Oh, Coward, a musical review drawn from the works of Noel Coward, HappyMedium, 901 N Rush, Fri & Sat, 8 and 11, Sun 4 and 7:30, and Tues 8:30FILMSunday, Dec 6, DOC Films presents Fritz Lang's Fury, Cobb, 7:15 and 9.30Tonight CEF presents Claude Lelouch's Life, Love and Death, Cobb, 7 and9:15 and Wednesday, December 9, Jean Cocteau's beautiful version of Beauty andthe Beast at 7 and 9:15for FREE!The Biograph, 2433 N Lincoln, presents Anna Christie (with Greta Garbo) andThe Good Earth (with Paul Muni and Louise Rainer), through Dec 10. Call Di 84123 for info.The Hyde Park has Bill Friedkin's Boys in the Band and The Grasshopper.Here is no continuing city, here is no abidingstay.Ill the wind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late,and rotten the year;Evil the winter, and bitter the sea and grey thesky, grey grey grey—T. S. Eliot, Murder in the CathedralEditorsTheater. Associate Editors r „John Del PeschioFilm: Charles FlynnArt: Susan LeffDance: Paula ShapiroMusic: Mark BlechnerPhotography: Scott CarlsonStaffJack Markowski. Bob Purricelli, MarkSwedlund, Harvey Shapiro, Myron MeiselThe Grey City Journal is the Chicago Maroon’sweekly magazine of culture and the arts printedevery Friday. Offices, Ida Noyes 303,1212 E 59thSt, Chicago 60637, Midway 3-0800 ext 3269.“ W ine is one of the most civilized things inthe world, and one of the natural things ofthe world that has been brought to thegreatest perfection, and it offers a greaterrange for enjoyment and appreciation thanpossibly any other purely sensory thingwhich may be purchased.”Le Bourguignon invites you to explorethe full range of sensory possibility towhich Hemingway alludes in the preced¬ing statement. A free bottle of Bordeauxto anyone ambitious enough to begin.Restaurant Le Bourguignon, located inthe former Country Club Hotel, 6930 S.Shore Drive. Telephone PLaza 2-2200.Attended Free Parking ROCKEFELLER MEMORIAL CHAPEL59 th Street & Wood lawn AvenueFriday Evening, December 11, 8 00Sunday Afternoon, December 13, 3 30TWO PERFORMANCESm IE & §> 3 A in- b8(Sforgf SMifrir HanfiplRICHARD VIKSTROM, DirectorTHE ROCKEFELLER CHAPEL CHOIRandSYMPHONY ORCHESTRASusan Nalbach Lutz & Barbara Pearson, SopranosPhyllis Unosawa, ContraltoDonald Doig, TenorArthur Berg-, BaritoneTICKETS; Reserved $5.00; General Admission $4.00; U. of C. Connected/Alumni $3.50;U. of C. Student $2. 50.ON SALE AT: All TICKETRON OUTLETS including Marina City; dial T-I-C-K-E-T-S for in¬formation; Cooley's Comer, 5211 Harper Avenue; Woodworth's Bookstore, 1311 E.57th Street; & Reynolds Club Desk, 57th and University Avenue.CARPET BARN WAREHOUSENew and Used CarpetsRemnants and Roll EndsOriental ReproductionsAntique French WiltonFur Rugs & Fur CoatsINEXPENSIVE ANTIQUE FURNITUREOpen Tues. thru Sat., 9-4Sunday 10-31??R W Kinxi* 243 2271 UNIVERSITYBARBERSHOP1453 E. 57»h ST.CLOSED MONDAY684-3661FRANK PARISIproprietor10/Grey City Journal/December 4, 1970Blues, Jazz and WhalesContinued from Page NineBut these inferior cuts are not enough tomake this album anything but atriumph.— The Great PumpkinIdlewild South by the Allman BrothersBand (Atco SD 33-342):The Allman Brothers Band doesn’tget much of a hype from Atco thesedays. Apparently, they’re not newenough to waste a lot of money andexagerations on. Perhaps it’s just aswell though, for without the hype and itspressures the band is left free to do whatbands are supposed to do — make goodmusic. And that’s just what the AllmanBrothers have done in their lates-talbum.The most impressive feature of thisalbum is its consistency. It’s even moreimpressive because the album encom¬passes a number of different styles.Side two is mostly blues, with thestrange exception of “Please CallHome” which sounds like an old soultear-jerker with some excellent bluesyguitar added.The first side of the album is an evenstranger collection of styles. The firstsong, “Revival” begins with about aminute of non-descript instrumental,then does a country and western guitarbreak, and launches into what can onlybe described as country-western gospelrock. It may sound confusing, but it’swell done and extremely pleasant.The album is held together throughvarious styles by the guitar and organwork of the two Allman brothers, Duaneand Greg. Duane’s guitar work, espe¬cially in the numbers where he used the slide guitar, display a truly masterlytouch; his leads are effective and clear,and he avoids the temptation to provehe’s another flash on guitar. His moder¬ation keeps the album strong and tight.Greg Allman’s organ work gives thegroup a full sound that most blues bandslack. In what is perhaps the best song onthe album, “In Memory of ElizabethReed”, the guitar and organ are trulyoutstanding, with the guitar at timessounding like Quicksilver’s better mo¬ments and the organ moving the wholesound close to that of Santana.Songs of the Humpback Whale (CapitolST-620)To discover (and benefit from) thenext great movement in popular musicis the goal of every self-respectingrecord company. Capitol’s latest at¬tempt, Songs of the Humpback Whale,an unlikely venture 1500 feet into thesea, proclaims the formerly unheraldedmusical talent of the whale. The album consists of six cuts (all*recorded live) featuring the humpbackwhales singing a cappella. The songsare eerie and beautiful, the whales’voices moving much more imagina¬tively than most lead guitars.As is true with most live recordings,however, there are several productionproblems. The most notable of theseproblems is the background noise ofboat propellers, freighters, and dyna¬mite blasts. Also apparent is the factthat the whales on the album havecommercialized their sound to pleasethe populace.A final problem is that due to theproducers’ ignorance about whale mu¬sic, the writers of the compositions arelisted as “None”, and the bands on therecord sometimes cut into the begin¬nings and endings of songs. Despitethese problems, the discovery of whalemusic is certain to provide a fertileground for imagination in people’sMXJSXCFAQ to Play at GoodmanNext Monday, December 7, the FineArts Quartet will offer the second in itsseries of concerts at the GoodmanTheater. These performances areapparently designed to display (andcompare) various styles of compositionfrom different periods, and to presentinfrequently heard works in which thestring quartet is combined with othersolo instruments.The program on Monday will featurethe world premiere of the “ConcertMusic for Flute, String Quartet, andHarpsichord,” by James Hopkins, as¬sistant professor at Northwestern’s Mu-Harper DanceTickets HereDance enthusiasts of the Universitywill be glad to know that special studentrates will be offered for the four Tues¬day evening performances of the Har¬per Dance Festival in January at theCivic Theater.Tickets for $2 are available for open¬ing night concerts of Murray Louis,Merce Cunningham, Paul Taylor andAlwin Nikolais dance companies. Thoseinterested should bring their $2 to IdaNoyes 201 from 10 to 5, or call x3574 formore information.Deadline for getting these specialtickets is December 11th. (Regularstudent discounts will be available forall performances except Saturday eve¬nings, but the $2 offer is the cheapest byfar.) (These special rates are beingmade available to UC students througharrangements made by Mrs JudithSagan, producer of the Festival, andMrs Elvi Moore, dance instructor at theuniversity.)In conjunction with the Festival,there will be master classes in moderndance technique taught by the guestartists, at Ida Noyes Hall. Details onthese classes will be announced later. sic School. Mr. Hopkins’ writing for theharpsichord will offer an interestingcomparison to Bach’s Concerto in Dminor for Harpsichord and Strings, aBaroque masterpiece written over twohundred years ago. At the keyboard willbe Robert Conant, who has studied andtaught at Yale, and is presently atRoosevelt University. His credentialspromise an impressive performance.The program will open with Dvorak’sQuartet in A flat, a work from the lateromantic era. Handling so many differ¬ent styles might seem too difficult forsome quartets, but The Fine Arts, is aflexible, thoroughly professional group.The players have all had experience assoloists and as orchestral players; andadded to their individual virtuosity isthe asset of their long experience play¬ing together. (In fact, the first violinistand cellist have been interpreting musicjointly since 1946, when the Fine ArtsQuartet was born.) The members havethus acquired a sensitivity to each otherthat results in true ensemble playing,with a responsive give-and-take of mu¬sical phrases and a unified rhytmicfreedom.The first concert of the series, onNovember 2, revealed these invaluablequalities. The central work on theprogram was Bartok’s Fourth Quartet,an intensely violent work, cast in a verytight symmetric form. Bartok’s writingis filled with complex rhythms andimaginative effects, with guitar-likearpeggios and movements composedentirely in pizzicato (plucking of thestrings instead of bowing). The FineArts Quartet managed to maintainstrict order and clarity in this intricatework, emphasizing the contrast be¬tween the lyrical and percussive sec¬tions. Some listeners might have askedonly for a more violent interpretation,especially in the fourth movement,where the composer asks the players topluck the strings so hard that they snapback off the fingerboard.The first concert also included Mo- The Fine Arts Quartetzart’s C major Quintet, which adds asecond viola to the standard stringquartet. In the bicentennial year, wheneveryone is playing Beethoven, Beetho¬ven, Beethoven, the Fine Arts Quartethas refreshingly chosen to perform theset of Mozart’s mature string quintets,which rank at the top of all chambermusic. In these quintets, the musicallanguage is completely abstract. Frills,special effects, and massive sounds arecast aside, emphasizing the carefulconstruction of the form and the in¬tensely expressive instrumental lines —music in its purest state. Because of thedifficulty of getting a second violist,these quintets are rarely heard live.Don’t miss this rare opportunity.Student tickets for these concerts aresold at only $1.00 each at the box officeon performance night. The GoodmanTheater, on Monroe Street east ofMichigan Avenue, is only a short walkfrom the IC’s Van Buren Station. Greatmusic, great performers, convenientand cheap. Go.Mark Blechnei minds in the future.Miles Davis at the Fillmore (ColumbiaG30038):Miles Davis has long been recognizedas one of the most creative forces inmusic. He has also been noted for thetalented young musicians he surroundshimself with: Cannonball Adderly, JohnColtrane, Hank Mobley to name a few.However this does not make his musicany easier to understand.In his new album, Miles Davis at theFillmore, Miles lives up to his reputa¬tion. The two record set, each siderecorded on one of the four consecutivenights Miles appeared at the FillmoreEast, features Miles playing his trum¬pet in only a slightly different style thanhe has had in the last couple years.What is different about this album isthe musical atmosphere he has builtaround his disjointed solos. His groupnow consists of Chick Corea on electricpiano ; Steve Grossman on soprano sax ;Keith Jarrett, organ; Jack DeJohnette,drums; Dave Holland, bass; and AirtoMoriera, a Brazilian percussionistwhose specialties are such instrumentsas the frigideira, a frying pan, and thequeixada (a donkey’s jaw).Miles numbers are very long, eachlasting the whole side of an album. Attimes his two electrified keyboardsseem to be fighting each other. Themusic, filled with odd sounds, seems tolose all consistency in some points,especially when Miles’ dominatingtrumpet is not there leading the way.The album is very difficult to listen to.Miles has given his musician completefreedom, and their improvisations areoften hard to take. As is generally truewith a Miles Davis album, it is impos¬sible to rate this album as better orworse than any of his others. It is simplya progression. _— The Pumpkin SeedsAlle-goreContinued from Page Threethe fifteenth time we are convincedconvinced and eventually sadism, vio¬lence, and cruelty. Spider Rabbit hateswar and eats carrots which may himVERY HUNGRY; somehow he alsoturns out to be a sadistic killer. Not onlydoes his duffle bag contain an electricknife and twenty-five hand grenades,but he drinks what must be a gallon ofblood, eats a kidney and a testicle, andscalps and eats the head of a youngman. Moral people who spout anti-warrhetoric are sadistic killers, or Don’tFeed Carrots to Spider Rabbits.After this orgy of blood, we arerelieved to see that Apple Glove fea¬tures two caterpillars (what an in¬nocuous animal) and not only that, butone of them is named Bjorn (we sus¬pected his Swedish nationality on de¬tecting a Swedish-Irish accent) and theother is Japanese. To make mattersshort, the whole play rests on thefollowing question: If you were a whalewould you eat mackerel?Enough. One of the better qualities ofGargoyle Cartoons is its length — onehour. One feels that the actors and theaudience deserve better.— Marina BaraldinlDecember 4, 1970/Grey City Journal/11JUST IN TIME FOR XMASVOXVOXSTPL1.19ea.ORDORD VOX SINGLES ~ STPL — $4.9856960-BEETHOVEN: Symphony No. 6 "Pastorale*'—Otto Klemperer*57110 A CHOPIN RECITAL—Guiomar Novaes, Piano*57920 CHOPIN: Mazurkas—Guiomar Novaes. Piano*58170 CHOPIN: Waltzes (Complete)—Guiomar Novaes, Piano*58520 GRIEG: Piano Concerto; FALLA: Gardens of Spain—Novaes*58530 BEETHOVEN: Piano Concerto #4; "Moonlight"—Novaes*59280 PROKOFIEV: Peter & Wolf; BRITTEN. Young Person s Guide*59840 GRIEG: Lyric & Holberg Suites, etc.*510.000 BEETHOVEN: Symphony No. 9 ‘'Choral”—Horenstein*510.200 SCHUBERT: Symphony in C “Great”—Perlea510.220 RIMSKY-KORSAKOV: Scheherazade—Perlea510.280 BALAKIREV: Islamey; LIADOV: Baba Yaga, etc —Perlea510.330 GRIEG: Symphonic Dances, 2 Elegiac Melodies—Remoortel510.380 TCHAIKOVSKY: Symphony No. 5—Hollreiser510.420 LISZT: Piano Concerti Nos. 1 & 2—Brendel, Piano510.600 GLINKA: Overtures; Jota Aragonesa, Fantaisie, etc.—Perlea510.700 BEETHOVEN: Symphony No. 3 "Eroica”—Horenstein510.710 CHOPIN: Piano Concerto No. 1—Novaes, Piano510.770 BACH: Italian Concerto, Toccata & Fugue, etc.—Eisner, Harps *510.790 HAYDN/VlVALDI/BOCCHERINI: Works for Cello—Cassado510.910 DVORAK: "New World” Symphony—Hollreiser510.920 LALO/ST. SAeNS/FAURE: Works for Cello—Cassado510.930 CHOPIN: Etudes, Op. 10 A Op. 25—Guiomar Novaes*510.940 CHOPIN: Preludes, Op. 28; Sonata No. 2—Novaes* fFiTV MM2WWKMtv;TV MM7wWirrmwW34074TV 340TB BEETHOVEN: Septet; 3 Duos, WoO 27TV 34077 BEETHOVEN: Bagatelles — BrendefTV 24078TV 34070TV 34000 MOZART: Piano Concerti Nos. 17 0 19510.970 BEETHOVEN: Symphonies 7 & 8—Remoortel TV 34081 BOULEZ; Le Marteau sans Maltre JTV 34002~ BARTOK: Cone, for Orch.; Piano Cone. No. 3510.990 BRAHMS: Piano Concerto No. 2—Gyorgy Sandor, Piano Tv 34003 BRUCKNER: Symphony No. 7511.010 MOZART: Piano Concerti Nos. 19 & 20— Ingrid Haebler TV 34084511.090 BERLIOZ: Symphome Fantastique—Perlea TV 34085511.110 MOZART: Clarinet Concerto & Quintet—Jost Michaels511.170 BEETHOVEN: Violin Concerto; 2 Violin Romances—Lautenbacher511.180 ROSSINI "William Tell" & Other Overtures—Perlea511.190 TCHAIKOVSKY: Symphony No. 4—Hollreiser511.210 MENDELSSOHN: “Italian” Sym.; TCHAIKOVSKY: Capriccio Italien511.240 BRAHMS Hungarian Dances; DVORAK: Slavonic Dances—Perlea511.310 MENDELSSOHN: "Scotch" Symphony; Midsummer Night's Dream511.380 BEETHOVEN: Piano Concerto No. 4; Salieri Vars.—Brendel511.390 TCHAIKOVSKY: Nutcracker; WEBER: lnv,; STRAUSS: RosenkavalierBACH: Toccata & Fugue, 6 Chorale Preludes, etc.—Kraft, OrganVIVALDI 4 Seasons—Biffoli, Accademici di MilanoRACHMANINOFF/TCHAIKOVSKY Piano Concerti—BlumentalBACH Violin Concerti—Lautenbacher & Vorholz511.550 WAGNER Overtures & Preludes—Hollreiser511.590 LALO^ST. SAeNS: Works for Violin—Rosand511.690 TCHAIKOV./RIMSKY-KORSAKOV/ BORODIN/MUSSORG.—Hollreiser511.720 LEURS AMOURS: Bthv'n/Chopin/Deb’sy/Schumann/Liszt—Klien511.770 TCHAIKOVSKY Swan Lake & Sleeping Beauty—Remoortel511.850 DEBUSSY RAVEL/OUKAS/CHABRIER—Remoortel511.930 BEETHOVEN Piano Concerto No 5 "Emperor"—Guiomar Novaes511.970 CHOPIN: Waltzes—Ingrid Haebler512.270 BRAHMS Symphony No. 4—Schmidt-lsserstedt512.290 FRANCK Symphony in d; Symphonic Variations—Gielen512.330 BACH 2- and 3 Part Inventions—Galling, Harpsichord512 340 LISZT 8 Hungarian Rhapsodies—Vazsonyi, Piano012.390 SCHUBERT Impromptus, Op 90 & 142—Alfred Brendel512.400 VIVA FLAMENCO!—de la Rosa, Lopera & Ramos512.410 BIZET L'Arltsienne; GRIEG Peer Gynt—Perlea512.470 JOHANN & JOSEF STRAUSS Waltzes & Polkas—E. Strauss512.500 CHOPIN Krakowiak, Andante Spianato, LISZT Hung Fantasy512.510 MOZART "Jupiter" Symphony; HAYON "Surprise" Symphony512.530 BEETHOVEN Pathttique. Appassionata. Moonlight—Klien512.650 CHOPIN Preludes. Op 28 & 45, etc Walter Klien512.740 MOZART Requiem—Bader, Conductor512.760 SARASATE: Navarra A other Works for Violin—Rosand512.800 MUSIC FOR A WEDDING Wagner. Mendelssohn, etc —Simons512.950 CHOPIN: Nocturnes. Vol I—Guiomar Novaes' TV 34091TV 34093 TURNABOUT — TV —32.98tv;TV3*#3 CADE: Symphony No. 1, Op 5 — Knudsen |TV MOZART: Bastien A BastiennePE G8ICNY: Organ MusicHAYON: Lyra ConcertiMOZART: "Posthom" Serenade A "Serenata Notturna'ItAllAN BAROQUE TRUMPETMUSIC OF THE EARLY RENAISSANCEBEETHOVEN: Chamber Music Tor Flute LP RECORDSALE1.79 2.39^ • i Recorded With DOLBY S/N STRETCHERDVORAK: Slavonic DancesORFF: CATULLI CARMINA - HollreiserHAYDN: "Ur*”. »*lrd" A “Jota” QuartetsMOZART: "Coronation" Mass A Vesperae SolemnesMOZART.- Sonata A Concerto for 2 PianosBARTOK A STRAVINSKY: Plano ConcertiVIVALDI: Lj Fida NirWa (Abridged?tV 34071TV 34073 VECCHI A BANCHIEQI; MadrigalsBRAHMS: Hungarian OuncesThE IaMOOc ha»GREGORIAN CHANTS FOR LENT A EASTERBACH: Canutes Nos. 203 A 211HUMMEL A HAYON: Piano ConcertiCOUPERIN: 2 Masses; LE BEGUE MagnificatfcVQRAK: Piano Quintet; Pumfcy TripTELEMANN/VIVALDI/ROSETTI: Horn ConcertiM. HAYDN A HUMMEL: Viola Cone. A FantasyBACH: Chorale Preludes for the Christines season—KraftNIELSEN: "Helios" A "Saga Dream"; CADE: “Echoes”;RIISAGER: "Etude” A "Qarrtsiluni" 1GERMAN BAROQUE^toeizel A BiberSIBELIUS QuarteHAYDN Symphonies Nos. 15, 16, 17 —BoettcherK STAMITZ Clarinet, Elute A Bassoon Concerti ORD NUMERICAL LIST Ai CONTENTS—CANDIDE-CS—$3.98CE 31001 STOCKHAUSEN: ProzesslonCE 31002 MESSIAEN: Olseaux ex.; Bouscarle; Rev.des olseauxCE 31003 BUSONI: Kon'stuck; Dlv.; Rndo Ariecch., Ctar. Con.NCE 31004 GER. A. ENG. MUSIC OF LATE REN. FOR BRASS*CE 31005 ENG. SECULAR MUSIC OF LATE RENAISSANCE*CE 31006 JOHN FIELD: Piano Con. No.2; 7 Nocturnes 0CE 31007 MUSIC FOR GLASS HARMONICA •CE 31008 MILHAUD: 6 Little Sym; L'Horn me ut son doslr •CE 31009 LIGETI: Aventures; Nouv. Avon; Volumlna; Et. No. l<CE 31010 MOSCHELES: Pa. Con.; Sul. Etudes; Char, Etudes •CE 31011 VON HENSELT: Pa. Con.; 12 Etudes caracturUtlc NCE 31012 RAMEAU: Lu temple de la qlolreCE 31013 MILHAUO: Car. D'Alxi VI*. Concerto; Pure. Concerto!CE 31014 BRUCKNER: Quintet; WOLF: I tallan Serenade»CE 31015 AVANT GARDE PA.Borlo/Boulez/Stock./Dalla./Kre.«CE 31616 CARTER: 8 Etudes, Woodwind Quint.;HENZg:Qulnt.<CE 31017 FROTTOLE: Mantovano/Trombonclno/Presentl/Cara.CE 31018 SATIE: Embryons; Parade; ClnumajPlege de MuduseMCE 31019 POLISH REN. MUSIC FOR ORGAN 8. HARPSI.MCE 31020 PORTUGESE HARPSICHORD MUSICCE 31021 PHILA. COMPOSERS FORUM: Boulez; Delia; Pouss.OCE 31022 STOCKHAUSEN: KontaMo 8i Refrain•CE 31023 RUBINSTEIN: Pe. Concerto No. 4; Melody In F, etc.CE 31024 SATIE: Socrete; DEBUSSY: Chanson flu Bllltis OCE 31025 MUSIQUE CONCRETE- Schaoffor/Macho/F^lllppot.CE 31026 PFITZNER: Violin ConcertoMce„? 1Q27, eiBAfrGSJim VAft,ESE;, tntejrftlCE 31029 jkRENSKyLPjenog—-^OSZKOVCE 31031 TAUSIG: Concert eiQsisaflrw- •TV 34095 BOCCHERINI: Quintets, flp 13, No S A Op 47, No VMOZART Cone No. 20; BEETHOVEN: Rondo — Brendel ORDTV 34096 CALDARA Christmas Cantata — EwerhartTV 34097 SPANISH ORGAN MUSIC — RillingTV 34098TV 34099 MOZART: Concertante, K. 364 & Concertone, K. 190TV 34100 MONTEVERDI & SCHUETZ: Magnificats — RillingTELEMANN "Ino" Cantata — Rillingtv 34101 music at versailles~aTthe tim£ GriSulS XIVTV 34102 BACH Violin Cone.; Harpsichord Cone. Nos 4 8 5TV 34103 HANOEl Concerti Grossi, Op 3 — KehrTV 34104 HAYDN Symphonies No. 31 8 No 59 — RillingtV 34105 TELEMANN Concerti for Flute, Oboe 8 3 TrumpetsTV 34106 BACH Cone for 3 and 4 HarpsichordsTV 34107 BRUCKNER Symphony No 4 — HollreiserTV 34108 BEETHOVEN-'BRAHMS Clarinet Trios — GlazerTV 34109 NIELSEN Quartet No 3 & Serenata in Vano—CopenhagenTV 34110 MUSIC FOR MANDOLIN: BEETHOVEN/SCHLICK—KunschakTV 4111-13 MOZART Magic Flute — Beecham (3 Records) 1 TV TURNABOUT — TV — $2.98TV 34001 RkiZART: Symphonies Ho. 2S, «. itTVTV >4004 ELECTRONIC MUSIC: Lewin-RIchter, Avni, Mimaroglu, etc.TV 4114-16 MOZART The Marriage o< Figaro — Busch (3 Records) tTV4117-19 MOZART: Don Giovanni — BlscI) (3 Records)!TV 4120-22 MOZART Cosi fan tutte — Busch (3 Records) |tV 34123 M. GIULIANI/CARULLI TORELLI 'PAGANINI: Guitar Cone,▼V 34124 TELEMANN: "Pimpmone" — Ciannella 8 Went; RillingTV 34125 SCHUMANN Frauenliebe und Leben; STRAUSS: Lieder tTV 34128 FRENCH ORGAN MUSIC: Attaignant & TitelouzeTV 34127 BACH Cantgtas Nos 204 8 209 — EwerhartTV 34128 HAYDN: Symphonies Nos 1, 13 8 28 — Haydn SymphonyTV 34129 MOZART Piano Concerti No. 25 8 No. 27 — BrendelTV 34130 JANACEK/HONEGGER/BARTQK/STRAVINSKY: Piano WorksTV 34131 MONTEVERDI: Return of Ulysses (Excerpts)TV 34132 MOZART HAYDN: Organ MassesTV 34133 WILLIAM BOYCE 8 Symphonies - Faerber PAISIELLO 8 STAMITZ: Plano ConcertiHUMMEL 8 HOFFMANN: Mandolin Concert!TV 34005TV 34000TV 34007 HAYDN 4 Flute Quartets, Op 5TV 34008TV 34010TV 34012 HAYON String Quartets Nos. 76 8 79TV 34013 MOZART: "Heffner” SerenadeTV 34014W 88019 BACH: "Goldberg" VariationsTV 34018 HOFFMANN 8 GIULIANI: Mandolin QuartetsTV 34017TV 34018 OITTERSOORF: Concerti for Harp 8 Double BassSCHUBERT: Waltzes; German Dances; Vaises NoblesVIVALDI: Concerti for Piccolo. Viola d'amore 8 LuteCORRETTE: Concerti 8 Sonatas for FluteFAURE 8 ROUSSEL: QuartetsMUSIC OF THE HIGH RENAISSANCE IN ENGLANDMONTEVERDI: “Combattimento di Tancredl e Clorlnda"TV 34019 MEDIEV/tL AND RENAISSANCE MUSIC for Harp, VieletV >4021 ~ BERG: Lyric Suite and String Quartet, Op. 3TV 34023 * VIVALDI: Six Flute Concerti, Op. 10TV 34024TV 34025 HANDEL: 9 German AriasVIVALDI: 4 Wind ConcertiTV 34028 SONS OF BACH: J.C., J.C.F., 8 W.F. BachTV 34027 MOZART: Piano Concerti K. 413, K. 450tV >8020 HUMMEL: Piano Concerto; Double ConcertoTVTV 34031TV 34032 VIVALDI: Glona in D; MOZART; "Exultate” 8 "Benedictus"HAYON: Trumpet, Oboe and Horn ConcertiTV 34033tV 34034 SCHONBERG:1 Verklirte Nacht; String Quartet No iDA CAPUA: La ZingaraL0RTZIN6: "Per Waffenschmied" Excerpts jTV 34038 MOZART: Oboe Quartet; Horn Quintet; Clarinet TrioBARTOK: Piano Concerto No. 2; Sonata for 2 Pianos 8 Pare512.980 CHOPIN Nocturnes, Vol II—Guiomar Novaes' TV 34134512.970 ST. SAINS: Symphony No 3, Op 78—Asma; Benz* MOZART Musical Joke; HAYDN:Musical Sleighride Toy Sym.; L. MOZART; TV512.980 FRITZ WUNDERLICH Sings Songs from Viennese Operettas TV 34135 ALBINONI/CORRETTE MOZART/HANDEL: Music for OrganTV 34138 SOLER: 6 Concerti for 2 Keyboard Instruments TV 34037tv;TV BRAHMS: Piano Quartet, Op. 25'MOZART: Symphonies ho 18. 19, 24MOZART/WEBER: Bassoon ConcertiTV 34137 FRENCH LUTE MUSIC Schaeffer TVTV 34138 HAYDN: Mass in Time of War — Gillesberger TV 34041 VIVALDI: Four Seasons tTV 34139 BEETHOVEN "Diabelli” Variations — BrendelVOX BOXESON SALETOO! TV 34140 MUSIC FOR PIANO FOUR HANDSBACH: Canutes No. 202 "Wedding" 8 No. 212 "PeawnT"SCHUBERT "Trout" Quintet — Kentner 8 HungarianQuartet TVTV 34145TV 34148 RACHMANINOFF: Symphonic Dances 8 Vocalise —Dallas Sym ; Johanos TV NIELSEN: Violin Concerto, Op. 33 |TV BACH: Brandenburg Concerti Nos 13 }BACH: Brandenburg Concerti Nos 4 6 tIVES Holidays Symphony — Dallas Sym.; Johanos TVTV 34147 FAURE: Requiem -- Martini. Conductor TV- ELECTRONIC MUSIC: Mimaroglu. Berio, CageTV 34148 BOIELDIEU Concerti for Harp, for Piano TVTV 34149 NIELSEN Little Suite 8 Quartet No 2 — Copenhagen TV lOCATELLI: Concerti Nos. 11 8 12NIELSEN: Symphony No. 2 “Four Temperaments'TV 34150 HAYDN Symphonies No 6, No. 7 8 No, 8 — Boettcher TV 34091* NIELSEN Symphony No. 4 "Inextinguishable*' iSCHOENBERG: Piano Cone.; Violin Cone.TV 34151 WEBER Concerto No. 1. Concertino. Quintet for ClarinetSAVE ON TAPES AT LOWE'SCHARGEWITH SankAmer.casoJ4.-SHYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 5MO&i, RECORDS12/Grey City Journal/December 4, 1970» »jm vj'tv i