Harper west towerHARPER WEST TOWER: Hie west tower on Harper Library appears stable after its reconstruction ever 50 yearsago. collapsesBy CON HITCHCOCKWednesday, March 27, 1911, is a day that will live ininfamy in University of Chicago history.On that day the nearly-completed west tower of Har¬per library collapsed to the ground.The Daily Maroon of April 4 provided this lively ac¬count: “Wednesday afternoon at 1:30 o’clock, a crane wasbeing put in shape to hoist the four high Gothic spireswhich could raise the height of the tower from 113 to 138feet.“Suddenly a cracking noise warned tlK 30 carpentersof the danger and all swiftly jumped to the main structurejust before the seven floors plunged to the ground bringingdown a 40 by 50 foot notch in the south wall of the towerand wrecking one of the two floor Gothic windows of thewest wall.”On May 25, the Daily Maroon reported that it had beendecided to tear down the entire south wall and to raze theupper part of the west wall.The Maroon went on, “A large part of the three upperstories of this wall was caved in by the falling of the upperfloors, and the wall was so wrecked that it was found itwould be necessary to raze it to the ground.”The north and east sides of the building were unaf¬fected by the crash and no renovation had to be done onthem.No cause for the crash was immediately apparent,though a mad bomber theory was not ruled out. ForemanPurvis of Wells Brothers, the contractors building thestructure, said. “Although there can be no definite causeassigned to the accident, the dynamite story is plausible.”The mystery as to the cause continued for anothereight months until on January 6, 1912, a superintendent ofconstruction working for the federal government gave thedefinitive opinion: the concrete was placed during coldweather and therefore froze so it was not solid.The superintendent, unidentified by the Maroon, elabo¬rated by saying, “just before the wall collapsed, there hadContinued on page 5The Chicago MaroonVolume 79, Number 18 The University of Chicago Friday, November 13, 1970Senate approves Neugarten reportBy AUDREY SHALINSKYThe Neugarten Report on Universitywomen was approved Tuesday when theCouncil of the University Senate voted“nearly unanimously” to adopt the report’srecommendations, according to D GaleJohnson, spokesman for the Committee ofthe Council.The major recommendation is that astanding committee on women’s affairs beappointed by the president of the Univer¬sity.Johnson said the committee has not beenchosen but this will be done fairly soonsince there is “quite a bit of pressure to getit established.”A five member delegation representingthe New University Conference (NUC),Chicago Women’s Liberation Union(CWLU), and University Childcare, Incpresented several additional recommenda¬tions, and answered questions. The substance of these proposals wasthat staff women should be represented onthe committee and that it be elected ratherthan appointed. “The position of workingwomen is closely tied to the entire functionof this University,” a spokesman from thedelegation said.The delegation “chiefly wanted the com¬mittee to have some means of making eachdepartment publicly accountable for takingaffirmative steps to increase the hiring ofwomen, insure fair promotions and insureequity in financial aid to women,” a mem¬ber said.The delegation’s requests for “specificmandates or charges” to the committeewere voted down by the Council.The delegation left after a “dull questionperiod,” in which according to a member,“Only a few asked any questions on child¬care, and no one asked any on our criticismof the report or on who should be represent¬ ed on the standing committee.” Discussionsin Council meetings are always closed tonon-members.Johnson said, “Everyone had read ‘In theBelly of the Monster,’ NUC’s criticism ofthe Neugarten report, and they really we¬ren’t surprised by anything that was said.”A delegation spokesman said that theCouncil members probably supposed thatthe standing committee itself would estab¬lish its function.The NUC reaction to that idea is that“Failure to grant specific areas of jurisdic¬tion and specific powers of legislation tothe committee allows them to choose pre-do as little to rock the boat of the Univer¬sity status quo as it wishes.”A delegation member added, “Retentionin the hands of the president and the Coun¬cil of power to appoint women and men tothe comittee allows them to choose pre¬cisely those individuals who will not rockLaRabida hires new accountantsBy PAUL BERNSTEINThe board of trustees at LaRabida Chil¬dren’s Hospital and Research Center hashired a new accounting firm to investigatecharges that the University does not ac¬count for the expenditure of funds it re¬ceives from the hospital.According to Ray Myers, chairman of theLaRabida board, the accounting firm, Ar¬thur Young and Co, has no connection withLaRabida or the University.Myers had previously hired Arthur An¬dersen and Co to examine the hospital’s fi¬nancial status, but a senior partner in thefirm was also a member of the LaRabidaboard.The investigation follows charges madeby members of the LaRabida clinical staffthat the hospital’s affiliation with the Uni¬versity has crippled many of its researchand services programs.The group has asked for a renegotiation of LaRabida’s contract with the University,a reorganization of the board, and thereinstatement of a former director firedlast month, Ray Peterson.Myers said these demands were beingstudied by the board’s executive com¬mittee, but that no response would be madeuntil the accounting firm had submitted itsreport.Albert Dorfman, director of LaRabidaand chairman of the department of pediat¬rics, denied that the University had failedto account for the expenditure of the re¬stricted fund under his control.“Those charges are completely un¬founded; we submit monthly statements tothe LaRabida board itemizing our budget,he said. “We have never refused to do so.”When asked if he had seen these monthlystatements, Myers replied “If (Dorfman)says he sent them, I’m sure he did. I my¬self have not seen them.” Maurice Glazer, comptroller of LaRa¬bida, said that his office had never re¬ceived such statements. He added that hehad never been able to discuss the matterwith the board.Dorfman also denied that members of thedepartment of pediatrics on LaRabida’spayroll had not performed services there.He said that the department had providedconsultants, developed research programs,and obtained outside grants for the hos¬pital.Dorfman said that the demand to abolishLaRabida’s affiliation with the Universitywould be dealt with by the board, but thathe believed such a move would be a mis¬take.“The affiliation with the University hasbeen of inestimable value to LaRabida. Idoubt that it could have continued withouthe said. the boat. By this means the hallowed prin¬ciple of departmental faculty autonomywill be preserved in all of its dis¬criminatory glory.”“The failure to incorporate any recom¬mendations from the delegation shows thatthey are open to talk not to action,” a dele¬gation spokesman said.Delegation members were: Ken Dunn,graduate student; Candy Falk, generalstudies in humanities; Sara Heslep, staff;Connie Stevens, human development, andMarge Witty, graduate student wife.Mrs. Stevens, president of UniversityChild care, Inc said “anything that is to bedone, should be done in the context of whathas been done in the past, especially fur¬ther study on child care.”The University had agreed to help raisemoney for a child care center, she said.The center should be “economically andracially integrated — not just for privilegedgroups,” she said.Steve AokiD GALE JOHNSONSpokesman for the Committee of +heCouncilNOV. 13, FRI.3:30 pmThe Girl of Tin (La Ragazza di Latta)Italy First Feature Film U S PremiereA love story beginning m amausoleum and concluding ma "robot factory this filmtakes place in some obscureplace or other in the worldat no time in particular Ahero on roller skates is smit¬ten by THE GIRL OF TINand dons a suit of armor tocommit a rebellious actagainst the establishment Enter the "weird wizard." DoctorSmack, photograph well and the ingredients are complete fora most, unusual and interesting motion pictureDirector Marcello Aliprandi6:30 pmShort Subject Program D"Film Essays"Short films that cover shock¬ing moments of the sick 60 s'The End of One," "FireMountain," "No Ark," "GilaMonster " Suffer the sadswoop of a doomed humanityas you are learning how ablack militant ticks An im¬portant film program9:15 pmMortal Sin (Pecado Mortal)Brazil Feature Film. U S PremiereA hit at the 70 Venice Festi¬val. this example of BrazilianCinema Nova vividly andshockingly displays the sor¬did interaction of a moniedbut inverted family Repletewith seduction, incest. Les¬bians and gore, it is not at allgrotesque or grand gmgnolThe Mm maintains a slow buteffective ambiance of decay and decline and denotes promise ma director who can give a personalized viewpoint about humandegenerationDirector Miguel Faria. Jr12 midnightShort Subject Program EMind-Bendmg Films"Trip out on this repeat per¬formance of our own Woodstocky scene selection isfrom Canada. France. Irelandand the USA Lots of mul¬ti-image computer animationcolor, sound, love and evensilence NOV. 14, SAT.1:00 pmStudent Films, Part TwoMore unique Student produc¬tions' Their scope is tremen¬dous It is a revelationand a most exciting develop¬ment in today s culture6:30 pmA Baltic Tragedy (Baltutlamningen)Sweden Feature Film U S Premiere Director presentBriefly During the first weeksof May 1945. large numbersof German soldiers came toSweden for internment ratherthan be prisoners-of-war tothe Russians Included were asmaller number of Balts whofought in the German armyTheir extradition to Russia isone of the biggest Swedishpolitical scandals of modern times A unique military newsreel,never shown before, is an important part of the film which givesa new and sensational view of the extradition The incident maybe old hat. but THE BALTIC TRAGEDY poses a contemporaryissue When can political decisions be made at the expense ofthe individual9Director Johan BergenstrahleBerlin Festival 1970 winner9:15 pmVrane (A Fairy Tale)Yugoslavia Feature Film U S PremiereA picturesque account of a mcomical, risque genreAbout several be ngs whohave been shunted outsidesociety, the story line doesnot precisely belong to theworld of the chronologicaland psychological narrativewith its well-calculated devel¬opment but rather to a fan¬tasy world in which anything can happen Hence A FairyAn example o' iron-curtain country humor A black comedyD rector Gordon Mihtc and Liubisa KozomaraTaorm na Film Festwal 197012 midnightThe Wolf's Forest (El Bosque De Ancines)Spain Feature Film U S PremiereA true story in an atmosphere of magic, witchcraft andsuperstitionSpam is fortunate in discov¬ering Pedro Olea. a promisingnew director who may addlight to the Spanish cinema-toqraphical penumbra in THEWOLFS FOREST. Olea hastaken a 19th century taleabout a werewolf, dug intoarchives and came up with aconvincing vignette of Gali¬cian li'e Although the story is concerned with a "wolfman andthe murders he commits during tits ol epilepsy Olea managesto stay clear of sensationalism and one cliches Do wolf-menexist7 Come see for yourself NOV. 15, SUN.1:00 pmFilms for ChildrenThe international Films forChildren Competition is com¬prised of entries—featurefilms, featurettes—live actionor animated—produced espe¬cially to entertain a youngviewing audience The jury iscompletely made up of-chil¬dren who attend the Univer¬sity of Chicago's Lab SchoolWant to know what your youngster thinks is fun7 This presenta¬tion will be an eye-opener and give you double pleasure'3 pmThe Condition of ManHow would you have definedman s existing stale7 Come -■see how 100 Mm make's feel /V, 7 ^about man m these 60 second HMm statements Great Brita n ^ T" x ' >2*7Span B'azJ Canada Be' ' *' *"'■gium Inda Austra' a and theUSA are an represented Fi¬nalists and winners will tieshown JIP6:30 pmGeorge StevensIn person/Fiim clips/Aud ence participationGeorge Stevens began his di¬recting career in 1933 Pro¬viding us w th some of themost enterta mng films com¬ing out of Hollywood, he hascoached some o' the bestperformers of the 30 s and40's—Katherine Hepburn >nAl ee Adams G'nger Rog¬ers and F'ed Astaire nSwing Time Ca'y Grant and V (tor MrLaq1 r n Gunga D nA Place n *he Sun with Montgomery Cut and E' zabefhTaylor Shane' with Alan Ladd and Gant (James Dean andEl zabeth Tayion are among his more recent accomphsnmen'sFiim-cLps from these movies will be used to illustrate M'S'evens many characteristic techniques9:00 pmShort Subject Program FShort Thinking Filmsli'e plots range bom doomedhumanity ( mermaidsfo hash sh and other earthlyhang ups All in all about ?hours and 30 minutes of filmfrom the USA Belgium theNetherlands I'eiand plus theaward presentation of thiscompetition tv>1 ,Q/*n S>OoWCTx-*!t—’ Oi—. o4 /DooNOV. 16, MON.1:00 pm ... 3:30 pm... 6:30 pmBusiness & Industrial Film Competition -F.lms that make yOu w^nt to y.. , * OIf you th nk nduJIrial Urns — c_;..are dull—th.nh agam1 Out otmore than 150 ent'es ourjury for thi s compeM'On nasput together a ser es ot pro¬grams that W'll knock you outEd't nq C nematography Creativty tntegrty as wen aspurpose s what the urns arerated on They an work' It youattend one ot me three programs we have a feeling you wiltrema n tor all three9:15 pmRe: Lone (Angaaende Lone)Denmark Feature Film U S PremiereHeredity or environment7Genes or the welfare state7Poor Lone Sixteen-year-oldLone runs away from a Hometor Wayward Girls Not know¬ing who her lather is and witha mother who sleeps arounda lot. she was placed therewhen she did not til into theroutine of a welfare stateDetermined to strike out on her own. Lone succeeds only in compounding her problems Her tragedy >s an individual one Ordoes tragedy he in the welfare state s inability to handle indviduals7 The acting m the film i$ spontaneous the editing, sharpand to me pomt Perniile Norgard a« Lone is me most interest¬ing lace m Dan.sh films since Anna Kar na abdicated fo FranceDirected by Charlotte Strandgard and Franz ErnstCannes F.im Festival Cubes Section 1970NOV. 17, TUES.3:30 pmBats in the BelfryYugoslavia Featu’e Film Director presentPu'a Film Festwal w nner—this Mm represented Yugosla¬via n 1970 Venice F.tm FesI va' Very nieirestmg kind Ofunderground very modernfilm Deta is may be obtainedat theaterDirector V sa Rad voiev.cNOV. 17, TUES.6:30 pmYou’re Lying (Ni Ljuger)Sweden Feature Film U S PremiereThough Vilgot Sioman isknown lor Ms sexual trankness ("I Am Curious Yellow ).his social political and psy¬chological concern has beenapoarent in alt his films InYOU RE LYING he deals withthe Swedish penal system Hisforthright depction ol prisonMe with its inhumanity andsord'dness are amply realigned on Mm to give it its mampotency An early love scene and a masturbation scene in prisonmay d sturb some but they are done with a tact that removesany erot'eo shock Quality The title of the Mm is a retort to thosewho try to pass it off as a modern rehabilitating systemD rector Vilgot SiomanSpoleto Film Festival, critics section 1970 *9:15 pmDirectors' Forum: Part FourCiao, Federico!Italy7U S First Feature Film Director presentOriginally started as a per¬sonal cinematic record of agreat Mmmaker m action, thisnew director (author and NewYork film critic) was caughtup m the mmd-biending auraof the make-believe world Hisassociation with Fellini, thecharisma ol the man and histalent, evolved into an expe- _r ence he decided to share with the world Has he caught themag c moment7 Is talent contagious70-rector Gideon BachmanVen ce Film Festival. 1970 NOV. 18, WED.2 pmPolitical FilmsThe Great Depression AHuman Diary"—the devastat¬ing days/hard times/a millionbroken dreams"By The People"—an on-the-spot pictorial record of theday-by-day bard work of a political campaign designed fo buckthe Chicago machineConventions The Land Around Us"—witness the truth of theDemocratic convention with footage never before seen on TVOld enough to vote? This is a must!6:30 pmDirectors’ Forum: Part FiveMore Than OneCanada Feature Film Director presentTo show something as every- ' •one sees it is to have accom¬plished nothing " (Pudovkin)Filmed in the cinema veritytradition MORE THAN ONEis a love story built around , 'the lives ol three mentally re- V..larded adults The film poi- A fcgnantly portrays the emotionsthey experience, the problemsthey encounter The perspective, the degree of importance, thesolving or handling of the r "feelings," as recorded by camera,allows the "normal" film viewer to share their world, "feel" withthem, with resulting new insight and compassion First featurefilm D.rector Murray Markowitz9:15 pmThe Best of the FestivalPresenting the Festival AwardWinners in the Feature Film.Television Commercial andSludent Film CompetitionsAll Tickets $3.75 NOV. 19, THURS.1:00 pm ... 3:30 pmTelevision ProductionsSee the finest Television Pro¬ductions of 1970 without anycommercial interruption achance you may never getagain! KNBC. WTTW-TV.WRC-TV, WBZ-TV KYW-TV,WGN-TV, Wolper, WETA-TV,Metromedia These arenames of great Television sta¬tions not part of an eye chart,they are also some of the best broducers ot Mm programs in1970 m~JWk k6 pmThe Chicago School—Award PresentationThe Chicago School of Mmmaking. It's what s happening. . . underground Sit down andsalute our subterranean cine¬matographers Come rap withTom Palazzolo. John Heinz.Kurt Heyl, Wayne Boyer, Law¬rence Janiak, Charles Lyman,Ron Nameth and Jon Jost9:15 pmCritics NightThe Four Chicago NewspaperCritics say a few words andpresent their awards fo"Critics' Choice" films in thisyear's Festival,Sam Lesner CHICAGO DAILYNEWSRoger Ebert CHICAGO SUN-TIMESMary Knoblauch CHICAGOTODAYGene Siskel CHICAGO TRIBUNE 6th Annual ChicagoInternational FilmFestivalNov. 6-20,1970Carnegie TheaterRush and Oak StreetsEach Program (unless indicated) $ 2.50Adult Series Pass (5 Feature Films) 10.00Student Ticket (With current I.D., 2.00Senior Citizens 2.00Best of the Festival, Nov. 18 (All seats) 3.75Midnight Shows: Nov. 6,7, 13, 14 2.00Educational & Industrial Programs 1.50THE CARNEGIE THEATERAdvance ticket Box-office open 6 pm daily.944-2966.2/The Chicago Maroon/November 13, 1970Regenstein causes changes in eating habitsFrank GruberPATRONS OF C-SHOP: Students complain of the unpleasant atmosphere and feel aserious effort should be made for improvement. By BARRY KELLMANRegenstein library has caused a shift intraffic patterns that is having profound ef¬fects on campus coffee shops and restau¬rants.Harper library used to bring students to59th St. The presence of so many peoplekept the Nonesuch coffeeshop and theBandersnatch restaurant in business. Re¬genstein, which draws between three andfour thousand people daily, has taken manycustomers up to 57th.According to Larry Haverkamp, one ofthe Nonesuch’s directors, business is halfthat of last year, which then averaged 650people a day. Where the coffee shop used tomake a $10 daily profit, they now lose $20 aday.Haverkamp noted that the Nonesuch, lo¬cated on the fourth floor of Wieboldt, ismore pleasant now that it is less crowded.L/C defines arresting officers rightsBy PAUL BERNSTEINThe University’s legal office has provideda clarification of the rights of an arrestingofficer in a residence hall, following the ar¬rest of an International House resident lastmonth.The information was requested by DavidUtley, director of I-House, to establishwhether an officer from the Cook CountySheriff’s office had overstepped his legalauthority during the October 7 arrest.At that time the officer, who held a war¬rant for the arrest of Jerry Salak, went tohis room and waited there for severalhours for Salak to arrive. He later ordereda night engineer to seal the door to theroom.Utley said that according to the informa¬tion he had received, the officer had noright to wait in Salak’s room or to order thesealing of his door. Utley added that hehoped such violations could be preventedby the arrival of an I-House staff memberbefore the arrest. In the future, Utley said, the employee atthe I-House desk would ask an officer withan arrest warrant to wait for a staff mem¬ber to arrive before serving it.The staff member would then check thewarrant to see that it was in order, andwould accompany the officer to the room.If the officer refused to wait, Utley coivtinued, any attempt to detain him wouldinvolve the charge of obstructing a policeofficer, and he should therefore be let intothe room.Utley said that in either case the officershould be told to wait in the lobby ratherthan the room if the suspect was not in,unless he held a search warrant.This policy could not be applied if thesuspect were charged with a serious crimesuch as murder, giving the officer reasonto be apprehensive for his own safety. Insuch cases he would have the right to holda “stake-out” in the room, Utley said.An officer cannot order the sealing of adoor on his own authority, but must have a written order from a court or a coroner’soffice.In other University residence halls, theprocedure is for the University policemanon duty to accompany the officer servingout a warrant. There is also at least oneresident head or assistant resident head onduty every night.In the case of I-House, which is not oper¬ated by the office of student housing, nostaff member lives in residence, althoughseveral live within walking distance. ABurns guard not connected with Universitysecurity is on duty at night. The Bandersnatch is undergoing a sim¬ilar but less critical development. The IdaNoyes restaurant used to lose about $1000per quarter. They have lost $1100 in thefirst half of this quarter.“I’m sure that the move to Regensteinhas had an adverse effect on business” saidBill Smith, manager of Bandersnatch. Theoutcome could be shorter hours and lessstaff.The C-Shop in Reynolds Club and the Re¬genstein Canteen are the two eating placesthat should profit from the concentration ofstudents on 57th. But the unpleasant atmo¬sphere of the C-Shop and the highly in¬adequate facilities of the Canteen have al¬ready caused students complain aboutthe lack of places to eat.Students have urged that a coffee shopserving sandwiches be put in the library.However, Herman Fussier, manager of Re¬genstein library, feels that this would costtoo much in University space and wouldgenerally be infeasible.Fussier and other University adminis¬trators, would rather make a serious effortto improve the C-Shop. Because the C-Shopis across the street from Regenstein, theyfeel that if made more attractive, it couldserve student needs.A proposed Pierce Tower Snack Bar isanother solution. However, the Snack Barwould only be open on weekends until it isshown to be profitable. Also, Pierce Toweris almost as far from Regenstein as theNonesuch.An eating place must be provided for thepeople wno gatner at Regenstein. The pos¬sibilities at this point center on fixing upthe C-Shop.Drive passes $100 markIn its second day, the Maroon’s Fundrais¬ing Drive to Pull Us Out of the Red, haspassed the magic $100 mark.Commenting on the drive, managing edi¬ tor Con Hitchcock said, “It’s gratifying, butwe still have a long way to go. “We thankour supporters and hope that the moneyraised will increase as the Drive really getsoff the ground.”SG approves smaller CORSO budgetThe Student Government (SG) generalassembly Wednesday night approved the1970-71 student organization budget sub¬mitted by the committee of recognized stu¬dent organizations (CORSO).The new budget, which reflects CORSO’sefforts to economize especially in the lightof last year’s deficit, allots $28,560 to some25 student organizations.The assembly passed the budget after de¬feating several ammendments to raise theSG allocation. The new budget allows Stu¬dent Government $3800 for the year, abouthalf its 1969-70 allocation.CORSO, a committee composed of SGrepresentatives, spent weeks prior toWednesday’s meeting listening to membersof the various organizations plead theircase for funds before producing the budget.Most of this year’s appropriations repre¬sent a reduction from last year. CORSOmembers stressed, however, that in nocase were cutbacks such that an organiza¬tion previously funded would have to bedisbanded because of lack of money.In defending its recommendations, thecommittee noted that in some cases thesum indicated on the budget is not the finalamount to be given an organization.It fully expects that some organizationswill later in the year request, and receive, further funds. This money will be drawnfrom the remaining (unallocated) CORSOfunds, some $13,440.Ten newly elected freshmen membersfrom the three dormitory complexes, wererecognized at the Wednesday night meet¬ing. They are, from Burton — Judson:Frederick Rayfield, and Henry Russel;from Pierce Tower, Boucher, Snell, andHitchcock: Edward Tanzman, Paul Duke,Barry Kellman and Greg Palast, and fromWoodward Court: James Collins, John Bro¬gan, Emma Williams and Eileen Goldberg. The election, held Tuesday, was markedby a relatively heavy voter turnout. Ac¬cording to SG vice-president Gerard Leval,65 percent of eligible voters at Pierce Tow¬er cast their ballot, as did 82 percent of thefreshmen at Woodward and 20 percent ofthe freshmen from Burton — Judson.In the Burton — Judson election two stu¬dents ran for two positions in the generalassembly.The following is the itemized 1970-71CORSO budget, as ratified by SG:Continued on page 5 Executive editor Sue Loth noted that“The base of the Statue of Liberty was fi¬nanced with nickels and dimes collected ina newspaper campaign. No contributionwas too small,” she said, “but a pennywent a lot further in those days.”For those unfamiliar with the drive, any¬one giving $10 or more will become a ben¬efactor, those who give less will become apatron.All gifts are tax-deductible because theMaroon is a non-profit organization (in thebest sense of the word). We shall beginprinting the names of our contributors nextweek.Our offices are in Ida Noyes 303, and weare open daily from 9 am to 5 pm.SHO holds forum on Ob-Gyn clinicsFrank GruberMICHAEL FOWLER:President of SG About 100 students and hospital staff at¬tended a meeting Thursday, called by theStudent Health Organization (SHO) to hearan administration rebuttal of their de¬mands.SHO called for the unification of the Eastand West clinics of the gynecology and ob¬stetrics departments, which they chargegive differential treatment to patients ac¬cording to income.The only administration member presentwas Dean of Medical Students, Joseph Cei-thaml. He reserved his comments to clari¬fication of questions concerning the de¬mands but made no official statementabout them.Dr. Frederick Zuspan, chairman of thedepartment of gynocology and obstetricsrefused to make any comment to the Ma¬roon.However, he told a delegation from SHOTuesday that contrary to newspaper re¬ports, the funds Standard Oil granted aredelegated and cannot be used in relation tothe clinics.During the first part of the meeting twomembers of SHO, medical students StephenRand and Bert King, clarified the demandsand criticisms of the clinics by SHO.Conflicting accounts of treatment fromformer patients or aquaintances of formerpatients were expressed. After several members of the audience defended orpraised the treatment, SHO conceded thatwas not the main issue.The “affront to human dienitv” of sena- rating patients according to income wasthe essential grievance, said King.No future plans were discussed but SHOhODes to continue Dressing demands.STUDENT HEALTH ORGANIZATION MEETING:questions. Peter ChemeryStudents hear administrator clarifyNovember 13, 1970/The Chicago Maroon/3The Chicago Maroon'STEVE COOKEditor DON RATNERBusiness ManagerCON HITCHCOCK, Managing EditorPAUL BERNSTEIN, News EditorSUE LOTH, Executive EditorSTEVE AOKI, Photography EditorJUDY ALSOFROM, NANCY CHISMAN, GORDON KATZ, AUDREY SHALINSKYAssociate EditorsBICK BALSAMO, SARA BEEBE, LISA CAPELL, PAT*COX, REVA FREEDMAN, JIM HAEFEMEYER, ELSAHERSH, MITCH KAHN, BARRY KELLMAN, ALBERTO LOPEZ, BILL MARGRAVE, KEITH PYLE, JOESARTORELLI, HOUSTON STEVENS, CARL STOVALL, FRED WINSTONStaff•CAROLINE HECK DIANA LEIFERSenior Editor Assistant Business ManagerFounded in 1892. Published by University of Chicago students on Tuesdays and Fridays throughout the regularschool year, except during examination periods, and bi-weekly on Thursdays during the summer. Offices inrooms 301, 303 and 304 in Ida Noyes Hall, 1212 E. 59th St., Chicago, III. 60637. Phone Ml 3-0600, Ext. 3263.Distributed on campus and in the Hyde Park neighborhood free of charge. Subscriptions by mail $8 per yearin the U.S. Non-profit postage paid at Chicago, III.Selection ofWomen's committeeOnce again, the University has shown itself to be unwilling to givedemocracy a chance in running its affairs.The failure of the council of the University senate to find a moredemocratic means than presidential appointment for choosing membersof the committee on women’s affairs is indicative of what is wrong withthis place.It should be obvious that the proposed committee would have agreater basis of support if the University community at large had somesay on who gets on it. The Neugarten report documents a real problem,and it is essential that the standing women’s committee have realteeth in it.We hope that President Levi gives representation to the studentswho fought acceptance of the Neugarten report on the grounds that itwas not strong enough. We suggest that the committee be made up ofa majority of women, and at least 50 percent students.If Levi gives significant power to the Neugarten dissenters, thenperhaps the committee can by itself make some steps toward dealingwith the real problems of women in the University. If he doesn’t, thecommittee may just gradually disappear into the greyness of campuslife, ineffectual and irrelevant.CORSO needsActivities feeA common complaint among the students at this school, parti¬cularly students in the college, is the quality of extra-curricular studentlife on campus.It is easy to yell “student apathy,” and blame the people whovolunteer their energies to provide entertainment and services to stu¬dents, often free of charge or at minimal cost.It is also easy to blame the committee on recognized student acti¬vities (CORSO) for not subsidizing more student activities, or for notgiving more money to the ones it subsidizes now.The problem is partly that $42,000 a year is just not enoughmoney to give this campus the kind of student services and studententertainment it deserves. CORSO must distribute that money amonga number of groups, many of whom have no other source of income.CORSO’s money comes from the academic budget of the Univer¬sity, a budget which we understand is particularly tight this year. CORSOis more or less dependent on what they can get from that budget yearby year.Needless to say, it is extremely difficult for a student group toplan ahead for the year, ignorant of how much CORSO can give them.And CORSO must make its decisions as much on how much money ithas as upon the merits of their requests.So another part of the problem is that student activities must waituntil November to know how much they will get, and how much theycan do, for the remainder of the year.The solution lies in finding a supplementary source of income forstudent activities, an amount sufficient to allow groups to plan ahead.Wf feel thp idpa of a student activities fee which has been kicked aroundon this campus for some time, is still worth considering.4/The Chicago Maroon/November 13, 1970 LETTERS TO THE EDITORSCorrectionsAlthough I wish to commend your report¬er, Mr. Katz, for his courtesy and the gen¬eral vivacity of style of his article, one quo¬tation attributed to me is garbled.I did not say that “Nixon made the mis¬take of not playing politics with the warissue.” I said that he made a political mis¬take with his farm policy.As a matter of fact, I happen to approveof his farm policy, but there can be noserious doubt that the Republicans werehurt by it. I am sure that Mr Katz, whomust have had difficulty in transcirbing myrapid speech, is as interested as I am inseeing this correction made.. Morton A KaplanFrederika repliesReply has not yet been received from theUniversity of Chicago to the open letter tothe University published in the Maroon ofNovember 6.Reference is to the letter occasioned bythe statement of a “spokesman of the Uni¬versity” to the effect that “the Universityis in compliance with the law” with rela¬tion to the taking by the City of Chicago ofthe 60th to 61st Streets — Cottage Grove toStony Island Avenues redevelopment proj¬ect and of the parcels therein as “slum andblighted” under eminent domain for thebenefit of the University.In said open letter to the University ofChicago I suggested that the Universityplease support the statement from itsspokesman, quoted above, “by informingus with which law for the taking of” slumand blighted areas “under eminent domainit is in compliance.”I added that “I in turn stand ready tocooperate by showing through the columnsof the Maroon or in public debate with rep¬resentatives of the University of Chicagoand/or of the corporation counsel of the cityof Chicago that the only laws governing thetaking of “slum and blighted areas” undereminent domain have apparently beenoverlooked in the condemning of the 60th —Cottage Grove strip and of its parcels,thereby violating the constitutions of theUnited States and of Illinois.”Though to date no reply has been re¬ceived from the University concerningcharges in my earlier letter, a reply on thesubject has been received from the city ofChicago, through the corporation counsel.In this reply the city, apparently, in only12 lines confirms all my contentions andmy worst fears regarding uncon¬stitutionally and Chicago city government,as expressed in an extended formal ex¬planation prepared by me for study by thecorporation counsel at suggestion of thecorporation counsel.The basic contention is uncon¬stitutionality through omission of court or¬der authorizing eminent domain as re¬quired by the statutes, thereby deprivingthe 6600 evicted tenants and property own¬ers of due process of law.It was this contention of uncon¬stitutionality and this fear of totalitariandictatorship in Chicago City Governmentthat the city of Chicago itself apparentlyconfirmed in 12 lines!The issue, it seems, could hardly be moreserious.With countless fighting men and millionsof our dollars being expended to defend de¬mocracy abroad, one wonders if our bestservice to freedom might not be at thesame time to put our own house in order,and possibly even to route the troups beingrecalled from Vietnam to Chicago city halluntil this is done.The University of Chicago has a lawyer-president who is also professor of law andauthor of rightly and widely acclaimedtextbooks on law.The University of Chicago has a lawschool of first rank, located in the heart of“South Campus” strip.Law is always the hand-maid of ethics:So the policy of the University, as pro¬nounced by its lawyer-president, quiteproperly is morality as the only possiblebasis for intellectual integrity and effec¬tiveness.Query: How can a University, especiallyone with a lawyer-president, claim to fol¬low this policy of morality and at the sametime surround its law school with an ap¬ proximately 100-acre campus acquiredapparently unconstitutionally through coercion, duress, misrepresentation and/orwithout due process of law?How can a University claim to be moraland at the same time profit by theseemingly illegal eviction of 6600 tenantsand property-owners, mainly blacks, bvdepriving these 6600 citizens of their con¬stitutional rights of due process of law.their homes and their property?How can a University claim to be moraland benefit by enacting from the federalgovernment and American tax-payers ev¬erywhere, approximately $41,500,000 to fi¬nance a project seemingly unfit for federalfunding because unconstitutional?How can an American University and anAmercian law school do this and continueto teach law?Solution: The city of Chicago could res¬cue the University from this dilemna bymaking confession of error with suitableadjustment, something that to date the cor¬poration counsel has declined to do.Frederika BlanknerProfessor of America's heritage-ideology-goalsPhB AM, University of Chicago, formerlyGraduate Scholar and FellowReply to editorial“It is time to realize that those who callfor the arrest of Kent students call for fu¬ture killings. The guilt lies not only onthose who pull the trigger, but also withthose who encourage them.”So runs a concluding passage from a Ma¬roon editorial of November 6. This editorialrather badly distorts the whole Kent Stateaffair, and is thus all the more undesirableat a time when relations between studentsand the public at large are already some¬what strained.If we are to draw any viable conclusionsfrom that day of violence and its after-math, a recapitulation and reassessment isin order.First, the violence op the Kent Statecampus did not begin with shots fired bythe National Guard. “Protests” had al¬ready led to the burning of one universitybuilding, and there was no particular rea¬son to believe that the protestors wereabout to become more temperate.Neither the university nor the state ofOhio had the power to recall troops fromCambodia and thus to remove the provoca¬tion which had sparked the disorders.With persuasion unsuccessful, the Nation¬al Guard was brought in but, unfortunately,the Guard was neither trained nor equippedto handle such situations. The men neededfar more patience and reserve than theircollegiate contemporaries; they did nothave enough.For equipment they should at least havehad flak jackets for protection from thrownobjects and fixed bayonets so they couldkeep themselves from being overrun by therioters. For their unready condition, thatfamiliar scapegoat “society” can acceptpart of the blame, particularly those ele¬ments which shriek “Repression” when¬ever any effort is made to prepare againstsuch eventualities.And so, under a hail of stones, iron frag¬ments, and other debris from a larger andapparently hostile mob, a unit of Guards¬men fired.It is absurd, in the absence of supportingevidence, to suppose that anyone wants arepeat of that day, except for the radicalfew who daily call for the far worse blood¬letting of revolution.What the Ohio grand jury did, after itsinvestigation, was to place the blame forthat day on those who initiated the violencerather than on those who reacted to it. Themessage which should be understood is thatthe citizenry at large do not yet regard ar¬son and rock-throwing as acceptable meansof protest. ...Whether there are more Kent States vvidepend to a great degree on the deportmentof students generally and student radica sin particular. .If students will limit themselves to theirconstitutionally-guaranteed rights of Peac 'ful assembly and petition, the chances ofuture violence on campus can be great yreduced; if students cannot so restrainthpmsplves thpn we can expect the who eugly mess to be repeated. . , .Ray TindelUniversity allocates funds to OBS centerWalter Walker, vicc-oresident for plan¬ning has notified the Organization of BlackStudents (OBS) that the University has“approved in principle the allocation of upto $295,000 for the acquisition, rehabilitationand operation of the Church of the Redeem¬er, 5640 Blackstone, as an Afro-AmericanCultural Center.” In the letter, dated October 21, Walkerdetailed seven points which would requirefurther negotiation between the OBS andthe University.The first point requires OBS to set itselfup as a tax exempt corporation and to ob¬tain legal counsel separate from the Uni¬versity. Further proposals determined title tcvthe property, terms of the lease to OBS,details concerning rehabilitation of thebuilding, and the make-up of a governingboard for the cultural center.The governing board proposed by Walkerwould consist of four faculty members ap¬pointed by President Levi, four membersappointed by OBS, and four members mu-Changes gives community servicesThis summer 10 university students andHyde Park residents formed a group calledChanges to offer help to individuals in acrisis or with problems they couldn’t copewith alone. Now numbering 30, the grouphas begun a concentrated effort to recruitmore members and publicize its existence.Graduate psychology student Andy Szasz,a spokesmen for the group said, “Therehas been nothing like this before in HydePark and there should be. People shouldknow who to turn to, if they are freakingout or need help.”Szasz emphasized the group’s indepen¬dence from the University and its impor¬tance as a community function, thoughmany of the members are graduate stu¬dents in clinical psychology and SSA.The idea for Changes first came up in aclass discussion as a community projectand from an evaluation of what activist ac¬tion during the strike last May had accom¬plished. The group originated as any effec¬tive action with social change potential.The members of the group don’t want tosee themselves tied to an office, althoughthey have made requests for office space.“We want to move toward opening a cen¬ter, a sort of community gatheringplace.’’Szasz pointed out.Changes’ members plan to work in teamsin areas of the mental health and helpfields. Members will act primarily as lis¬teners to help the individual in trouble towork out his problems on his own terms.A large list of organizations and individ¬uals has been compiled to refer people towho may need information or help Changescannot supply. Subjects on the list includelegal aid, abortion counseling, family plan¬ning, welfare, places to stay and psy¬chological help.BULLETINFriday, November 13CONVENTION: SouttTSide People's Constitutional Con¬vention, registration. Black Panther speaker andfilms, Blue Gargoyle, 7:30 pm. ralta_.COLLOQUIUM: English department and the Collegepresent Kenneth Burke and Richard ^cKeon dis-cussing "The Relations Between Poetic and Rhetoric.Ida Noyes Library, 8 pm.SEMINAR: Prof Jaques Berque, Miller visiting Pres¬sor of Asian Studies, University of Illinois, A Histor¬ical Portrait of Gamal Abdul Nassar: Some Reflec¬tions", Foster Hall Lounge, 1130 E 59th 4:30 pmDISCUSSION: "Trade Or Aid: Help or Hindrance to De¬velopment?", International student panel, Crossroads,5821 Blackstone, 8 pm. 0SVNA HALLOWE'EN COSTUME DANCE: Ida Noyes, 9LECTURE: Geomagnetic Dynamo Theory, Paul H Rob¬erts, department of mathematics, University of New¬castle-upon-Tyne, Rm 101 Hinds, 4 pm.FREE COFFEE AND COOKIES: Bio-Commons Room,Cobb 23, undergrads and grads welcome, 9-12 am.BOOK SALE: Harper reserve reading room books ofall centuries, in reasonable condition for reasonableprices, 9-4 pm. Changes at present has no funds, excepta $25 donation from a member’s grand¬mother. Government funding programs arebeing investigated by some of the mem¬bers. At present the group is asking forhelp from individuals and organizations inthe community. “It’s important that anybody freaking outknows that we are here,” Szasz said.“Changes is prepared to help people, ac¬cept referrals about people in need of help,and train new members.”Numbers to call for help or informationare 363-5049 ; 752-2707, or 324-1469. tually acceptable to both groups. The gov¬erning board will have control of the on¬going activities of the center, including hir¬ing and supervision of staff.The committee on budget of the board oftrustees broke down the proposed alloca¬tion into an acquistion cost of $110,000. Re¬habilitation, remodeling and organizingcosts make up the balance of the grant.The idea of a black students’ culturalcenter was endorsed by the Harris com¬mittee in 1968 and restated by black stu¬dents felling the need for a permanent cen¬ter during last spring’s strike activities.In the report of the Harris committee,the center was viewed as “an instrumentbeyond the University’s formal academicofferings, for an intellectual approach tothe black man’s situation in Americansociety and the world.”List of revised CORSO allocationsContinued from naze 3 Organization Request 1949-70 1970-71 Organization Request 1969-70 1970-71Organization Request 1949-70 1970-71 JudoMarried Student 915 — 450 grant250ABCD $ 1,680 — $ 500 Housing Tenants 423 — — loanAllegro Conspirito 460 130 Maroon 2,000 2,000 WHPK 5,200 5,100 5,000Amateur Wireless 450 Modern Dance 875 350 200 Chess Club 250 240 250Bandersnatch Nightclub 2,700 $ 1,000 1,600 NSA 50 100Black Colony 500 grant 300 grant 325 Pepper PeoplpReview Speakers 2.50 — 1.25 TOTAL $27,651 $28,560300 loan 300 grant 325 600 150 The remainder of the budget, $13,440, is retained inBlackfriars 910 560 910 Revitalization 5,000 grant anticipation of forthcoming requests from organizationsChamber Music 350 350 50 3,000 loan 5,800 5,000 now in existance requests from organizations whichCollective 395 — — . grant may begin during the year, and additional allocationsConcert Band 1,850 700 560 3,000 to organizations whose budgets have been cut atCountry Dancers 100 100 100 loan this time, or who develop special projects during theCricket Club 134 135 134 Sailing 150 — request year. FOTA has requested $6,600, only $1,000 of whichDames Club 200 withdrawn has been allocated at this time. When the remainder.Educational SVNA 11,000 700 250 or a portion thereof, is allocated to them, the non-Psychology Ass'n 740 Student Government 4,405 7,504 3,800 allocated CORSO budget will be less than $8,000 Al¬Focus 1,675 SWAP 1,368 1,032 800 lowance must also be made for unanticipated ex¬Folklore 1,400 700 UWA 2,309 600 1,000 penditures and overdrafts, which sometimes occurFOTA 6,600 6,500 1,000 VISA 720 250 400 CORSO overdrafted its total budget; it was a seriousFree 480 _ — WW/Outing Club 300 grant — inspite of precautions. Last year for the first timeGay Liberation 1,747 330 300 250 loan — 300 overdraft and we should not let this happen again.Weather named as culprit in collapseSaturday, November 14VISA MEETING: Woodward court commons, bus leavesfor mental hospital at 12:30 pm. Everyone welcome.CONVENTION: SSPCC with workshops, food, workshopreports and dance First workshops begin at 9 am atthe Blue Gargoyle.MUSICAL SOCIETY CONCERT: Ein Kitsch-Abend,songs of love and flapdoodle, Lexington studio, free,8:30 pm.FLICK: Sterile Cuckoo, Cobb, 7 and 9:15 pm.DANCE: Gay Lib dance, 750 South Halsted, 9 pm - 1am.Sunday, November 15FLICK: CEF presents the Sleeping Car Murders, Cobb,7 and 9:15 pm. _ .SERVICES: Annual University Memorial service Rock¬efeller Chapel, 11 am.REQUIEM: Brahm's Requiem will be performed by theRockefeller Chapel Choir and members of the ChicagoSymphony, Rockefeller Chapel, 3:30 pm.MEETING: Science Organizing Committee, to plancounter-actions at December AAAS meeting, 1640 E.54th St., 8 pm.Monday, November 16DISCUSSION: African Studies Group, "The ChangingRole of African Studies in the United States", Gates-Blake 321, 12 noon.MEETING: Gay Lib study group, call 493-5658 for moreinfo.. Blue Gargoyle, 7:30 pm.DISCUSSION: UC Bahai Fellowship, Ida Noyes, EastLounge, 7:30 pm.DISCUSSION: Bo and Marianne Karre, he is the headof information of the Sedish Internal Development Au¬thority and she is on the largest Swedish morning pa¬per, on "The Swedish Sex Role Debate", ReynoldsSouth, 7:30 pm.MEETING: Hebrew classes sponsored by Students forIsrael, Hillel House, 7:30 pm.MEETING: College Teaching and Course EvaluationGroup, creation of questionnaires and important deci¬sions about format and distribution of evaluations willoe made, new members welcome, lood iuz, a pm.LECTURE: Lecture and discussion on Kibbutz spon¬sored by Students for Israel, Hillel House, 9 pm. Continued from page 1been a cold spell, following a period of rain. The weatherwas below the freezing point for several days. Con¬sequently, the floor was unable to bear the weight of thewalls above and the frozen concrete could not hold togeth¬er.”He rejected notions of faulty architectural design andsloppy workmanship, but suggested that the Universitymight be partly to blame for trying to rush construction sothat it be finished before June convocation.He added, “If any excuse could be made for the plac¬ing of the concrete in freezing weather, it would be this.“Yet a desire for haste on the part of the Universityshould not have influenced that company to set aside theripened judgment that years of experience had given it.”The tower was eventually rebuilt and formally dedicatedon June 10,1912, about one year behind expectations, and ahandsome building it was. Lorado Taft, to whom the Ma¬roon refers as “an authority on Midway beautification”and the sculptor of the “Fountain of Time” which standsat its west end, was pleased. He called the building “veryfine” and pointed out that the different forms of turrets onthe building were not essentially inartistic. His one reser¬vation was that “they skyline was too broken.”But how does this news item relate to the world of1970, where 110-story buildings are put up with as muchease as two-story tenements are torn down?It appears that when plans were being made to moveto Regenstein, some unsoundness In the East tower wasdiscovered, though not enough to cause worry about itscollapse.Naphtali Knox, director of physical planning and con-strcution, pointed out that all that is necessary is fire¬proofed stairways from the third-floor mezzanine up andstrengthened beams in the lower half of the structure.“Basically these are the only changes that have to bemade,” he said, and cautioned against worry about itssafety.University architect Harold Heilman estimated thatfireproofing, required by law when major remodeling isundertaken, and plaster patching will cost about $50,000.Ironically, this is the same amount that the building com¬pany lost when the tower collapsed in 1911.Heilman is now preparing an estimate for work on thestairways.Knox explained if a fire should occur with the currentopen stairway, it would serve as a chimney and trap thepeople who were on top floors.Beams must be strengthened lest a shear occur in thebeam. A shear is a thin crack which could widen unnoticedand cause the structure to collapse. When the beams arestrengthened, possibility for collapse will disappear. •*'The tower remodeling will be handled as part of thewhole Harper renovation, which provides for the estab¬lishment of a College library.The College library, consisting of some 50,000 volumes,will be centered in the old modern languages, social scien¬ces, and business-economics reading rooms. It is estimatedthat this work will be completed within two years.At the moment, the east tower is empty, its books al¬ready moved to Regenstein, and the faculty members ir.its offices moving elsewhere on campus.....- * '.’JJ* .. S. .. t fffi I iHARPER TOWER WEST: 'luis tower is still stasdiiig with it's gar¬goyles, in contrast to the modern Regenstein.f . November 13, 1970/The Chicago Maroon/5ABOUT THE MIDWAYSVNA's warlockSVNA spokesman Fred Derf revealedthat a master warlock is a member of theU of C community of scholars, and that thiswarlock will be at the Research Celebra¬tion at Ida Noyes tonight.Derf said that SVNA will honor him witha special ceremony designed to ease theshock when his identity is revealed at11:30.The power of this warlock is so greatthat, through his intercession, tasty littlesuckers will be distributed, and the poolwill be open for nude swimming.Judge to speakThe Hon Henry J Friendly, judge of theUnited States Court of Appeals for the Sec¬ond Circuit, will deliver the 11th ErnstFreund lecture tonight at 8:15 pm.The lecture, to be held in the Law Schoolauditorium, is entitled, “Is Innocence Ir¬relevant? Collateral Attack on CriminalJudgements”.The Ernst Freund Lectureship was estab¬lished in honor of Ernst Freund, dis¬tinguished member of the University lawfaculty from 1902 to 1932. Previous holdersof the lectureship include the Hons FelixFrankfurter, John Marshal Harlan, associ¬ate justices of the Supreme Court of theUnited States.Judge Friendly was presented an honor¬ary degree at the University’s spring 1969convocation, where law professor GrantGilmore said, “ ... he has come to be rec¬ognized as one of the outstanding judges ofthis generation. In the time left over fromhis judicial duties ... he has made signifi¬cant contributions to legal scholarship.”Bettleheim citedBruno Bettelheim, the Rowley dis¬tinguished service professor of psychologyand pyschiatry, received an award as the Most Distinguished Psychologist in Illinoisfor 1970 from the Clinical Section of theIllinois Pyschological Association.The award was presented November 6during the annual dinner meeting of the As¬sociation at the LaSalle Hotel.Bettelheim served for many years as di¬rector of the Sonia Shank-man OrthogenicSchool. Born in Vienna. Austria on August28. 1903, he came to the United States in1939.He is a founding member of the NationalAcademy of Education, a fellow and diplo¬mat of the American Psychological Associ¬ation, a fellow of the Orthopyschiatric As¬sociation, and a member of the ChicagoPyschoanalytic Society of the ChicagoCouncil for Child Psychiatry.Maroons close seasonIn the quest to extend the one game win¬ning streak, the Maroons this week havepractices have been covered by the cloak ofthem in the dark. In fact, since the demiseof daylight savings time, half of their dailypractices have been covered by the cload ofChicago’s nocturnal sky.The Maroons will face Lake Forest Col¬lege tomorrow at 1 pm, hoping to close outtheir season on a B sharp (a winning note).Last Friday, the Maroons began their win¬ning streak shutting out Wheaton JV, 18-0,while gaining minus-23 yards rushing in thefirst quarter.One of the biggest factors in the Ma¬roons’ extended winning streak has beenthe punting of Larry Wooddell, one of theNCAA’s leading punters, who in the Whea¬ton game punted seven times for an aver¬age of 44.5 yards per punt.The last meeting between these great ri¬vals was played last year in a muddy quag¬mire at Lake Forest. However, since themud was only on the Maroon’s side of thefield, the Foresters had advantage whichwas reflected in 54-0 score. The Maroons will be going for all themarbles this game, no holding back, nostrings attached. For seven fourth-yearjocks, this will be the last football game oftheir collegiate careers.The half-time activities will feature BigEd, the world’s largest marching kazoo,and the undefeated Chicago Kazoo March¬ing Band, led by Skip “Dan B” Landt, Freefezzes will be given to anyone with a musi¬cal instrument in the Student Activities of¬fice today. Spectator fezzes will be sold for50 cents each.Dove's GuideAmericans generally oppose the war inVietnam for selfish rather than moral rea¬sons, two University professors contend.Vietnam and the Silent Majority: TheDove’s Guide was written by Milton Rosen¬berg, professor of social psychology; Sid¬ney Verba, professor of political science;and Philip Converse, professor of politicalscience and sociology at the University ofMichigan. _______ The authors feel that people disapproveof the war more when it directly intrudes intheir lives as it does with, for example, therising cost of living and the possibility ofhigher income taxes.The public, according to the authors, willreact more strenuously when faced with adeteriorating ‘quality of life” due to dis¬sent over the war than to reports of de¬struction in Indo-China as in the case of theMy Lai massacre.Rosenberg believes that “effective mobi¬lization of public opinion, buttressed with athorough understanding of the reasons be¬hind the desires of ‘middle America’ willaid in gaining the support of ‘middle Amer¬ica’ voters for peace minded candidates.”All Maroon staff members, or people in¬terested in joining the staff, are expected toattend a staff meeting tomorrow at noon inthe Maroon office, Ida Noyes 303. Generalpolicy and plans for the rest of the yearwill be discussed.Reopens November 16George Val'sMULTI-MEDIATHEATERin Harper Galleries5210 S. Harper AvenueMU 4-1173Mondays-films at 7 & 9$1.00 Call for scheduleTuesdays-Songs by tenorJohn Gahagan at 8 p.m.SI.50Wednesdays-William's"Something Unspoken" at7:30 & 9 $1.00Thursdays-Pshchodrama at7 P.M. $2.50Fridays-Albee's “AmericanDream" at 8:30 P.M. $2.00SAVE THIS AD FORFUTURE REFERENCE"Ifyou see nothingelse this year,you must seev/flfiIt will not, I think,$ ever fade frommemory!”—RICHARD SCHICKEL. LiteCOLUMBIA PICTURES Presents a BBS ProductionJACK NICHOLSON - FIVE EASY PIECES Karen Blackand Susan Anspach Screenplay by Adrien Joyce • Sto'y by Bcb Ra'eison a*d Adr^n JoyceProduced by Bob Ra'e'son and R'Cha'd Wrchsier • fc**ru?.ve Producer Be” Sc*ne oe'Directed by Bob Ra'eison • COLORA WALTER REAOC THEATREw [squire58 E. OAK STREET • 337-1117 Today at 2:15,4:15, 6:15, 8:15,10:15THEATER GUERRILLA THEATER STREET THEATER'...theater is also a way to life, and the only wayleft is revolution."A comprehensive guide to today's radical theater, includingan analysis of the movement, tips for writing and production,and over a dozen original plays.Stage LEFT by Dwight StewardCloth $4.95 Paper $2.95At your book store, or mail check to:The Tanager Press 153 Bradford St.Dover, Delaware 19901SHORELAND HOTELSpecial Rates for Students and RelativesSingle rooms from $10.00 dailyTwin & doubles from $14.00 dailyWeekly and monthly rates on requestOffice Space nowavailable for immediateoccupancy Please call Mr. SchwartzPL 2-10005454 South Shore Drive *6/The Chicago Maroon/November 13, 1970 DR. AARON ZIMBLEROptometristeye examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-6363 Wf) HERTZj tarn 1 F AND 10* A MILESPECIAL LOWWEEKEND RATE( Noon Friday-Noon Monday)25 Free MilesWith This AdIIj *2 day MinimumI **Expires Nov. 20 RE 1-92927115 S. Exchange Ave.UKMALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEAPPLY NOWDRIVE A YELLOWJust telephone CA 5-6692 orApply in person at 120 E. 18th St.EARN UP TO $50 OR MORE DAILYDRIVE A YELLOWShort or full shift adjusted toyour school schedule.DAY, NIGHT or WEEKENDSWork from garage near home or school.e Maroon Classified Ads)Wow! What a pisserAUTOSTROBONARTakes the Place of10,000 Flashbulbs"In ImportersDemo SaturdayMODEL CAMERA>iii<i^5|th&JKeniwo2i|^ii 64 VW bus, rebuilt eng., & trans.,body rusty ask $500. 538-0930FOR SALE STEREO COMPONENTS at lowestprices. Save up to 40% on Sony,Kenwood, KLH, AR, DYNA, & Dualat Musicraft. Campus rep. Bob Ta¬bor, 363-4555.Ampex Micro 90 Stereo CassettePlayer $78 (negotiable). Pre¬recorded cassettes $2.50. Call LenMl 3-6000 No. 36).'61 VOLVO heap blk w-gold doorneeds lugs 8. carb leaks when rains.Call Coleman 667-6551.Primitive art by Australian Abori-ines 684-7768 for appt.''64 FORD Galaxie 500, V8, auto r 8.h, convertible $350 . 752-7256'65 Chev Sta Wgn delux, exc. ccind.Call aft 5 pm 721-5302MOSCOW 8, LENINGRAD $398.00L'.’west Price U.S.-Russian, Ever!Deluxe Hotels, Food, RT by JetNINE GLORIOUS DAYS. 752-9869Indian Pure Silk Sarees 8. Tie Setat low prices. Call 667-8697.Biggest Jean Selection, Wranglers$4.98. Turtlenecks $1.99. John's MensStore, 1459 E. 53rd5 rm. coop $10,000 full price Asses.61.25, 55-Wdln. 667-70093 speed gl's bike. Call 324-1471 FREE PETSBeautiful, black, loving female kit¬ten. 9 wks old. 374-1389. If no an¬swer: 221-1068Rags' PUPPIES FREE. 955-8952Free Baby Gerbils. 493-9265Free Housebroken Kittens! Fun,playful, clean. 324-0092CARPET BARN WAREHOUSENew and Used CarpetsRemnants and Roll EndsOriental ReproductionsAntique French WiltonFur Rugs & Fur CoatsINEXPENSIVE ANTIQUE FURNITUREOpen Tues. thru Sat., 9-4Sunday 10-3228 W. Kinzie 243-2271UNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAY684-3661FRANK PARIS IproprietoriI Two affectionate, intelligent cats(they read Plato and write for theMaroon!) need new homes. CallWendy at 955-0348. Leave message.PEOPLE WANTEDDoc filmers, CEF, et.al. welcome tofilms on Mondays at MULTI-MEDIATHEATER!SALESWOMAN WANTED—GIFTSHOP Part or full timeScandinavian Import Systems5300 S. Lake Park 667-7000Mother of Lab School kindergartnerdesires same to pick up 8< care forhim afternoons. B. Noble. x6522Eve. 955-3882Looking for a devout atheist inter¬ested in pursuing a written debateo n Christianity. Contact ArnoldLund BU 6-9876 IVCFStaff, Students, Participate in ex¬periment on the perception ofspeech. $1.75 for an hour's work.On campus. Call x4710 for an ap¬pointment.BABYSITTERS — The Hospitalsand Clinics Personnel Off. is com¬piling a list of students available af-ternoons-eves to sit for children ofhosp. staff. Register Ext. 5218Student to live in — lovely room w-bath in exchange for 15 hrs-wk. ba-bysitting. Call 624-8363Test your emotional sensitivity in aunique experiment. Call Stuart 288-5589.WANTEDMUSICIANS DEDICATEDTO PLAYING ANY FORMOF MUSIC WHO WOULDBE INTERESTED INCONTRIBUTING THEIRTALENTS, GIGGING ATTHE SNATCH — NOMONETARY EXCHANGE INEITHER DIRECTION.GET IN TOUCH WITHALAN 643-0176Male to share 3 room bedrm. apt w-same. Ideal loc. in Hyde Pk. Onlake. $85-mo. refs. 493-4841Rusty Woodwinds? Play with othereroded musicians in woodwind quin¬tet. For fun only. Call Karen. 667-6130 WANTEDFern 4th yr student needs room inapt or contact with apt. seekers. Su¬san. 752-3999Place to sleep needed for Fri. andSat. nights. Will pay. Call LundBU6-9876 IVCFFaculty member needs a 1 or 2 bed¬room, well-furnished apartment byDec. 15. Please call X4712 (days) or326-4328 eves. SVNA CELEBRATIONTonight, 9:00 Ida NoyesLive music, nude swim¬ming, tasty little suckers,food, fun, games. Cos¬tumes, $.75. Others, $1.KAZOO FEZZESSPACEFurnished rm., good location cook¬ing. 493-7443 or HY 3-6227Effic. Apt. 55th-Cornell $95. SomeFurn. Avail. Immed. Call 643-5178Eves.41 room apt, 76 8. Kingston, 1block to camp, bus-stop. Marriedgrad stud, preferred. RE 4-0450Furnished single rm. 55-mo. Alsoavailable: Home cooked meals:lunch 20-mo dinner $40. 324-9723 "Chicago students are — how doyou say — yellow bellied Reds"—Unknown PasserbyNow, one time only, sumptuous offi¬cial red freezes with yellow tasselsfor students with kazoos or other fit¬ting instruments, planning to par¬ticipate in the display of kazooistryat the Nov. 14 game. Free to thosebringing instruments — 50 cents toothers. Available Nov. 13 Rm 209,Ida Noyes, 9-5. HYDE PARKFIREWOODOak - Ash - BirchS45/TON DELIVEREDFOR IMMEDIATEDELIVERYCALL 955-2480ANY TIMESpecial Student RatesFor info on Gay Lib meetings or totalk to someone: 493-5658PERSONALS CEF PRESENTSSCENESMUSICAL SOCIETY presents EINKITSCH-ABEND: Songs of Love 8.Flapdoodle. Sat. Nov 14 8:30 pm.Lex Studio (Music Dept) FREE! ! ! Puppy lost near CO-OP. White withbrown spots. If you see him pleasecall 493-3721. Rwd. The Sterile Cuckoo on Saturday at 78, 9: at Cobb; and Costa Garvas'The Sleeping Car Murders at CobbSunday at 78i9:15Writers' Workshop (PLaza 2-8377) FOOTBALL OPRESSIONEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbork Plaza)1200 East 53rd StreetHYde Park 3-8372 * IdeasFOR YOUR CHILDREN'S EDUCATIONLet’s talk about assuring cashfor a University Education foryour Children—whateverhappens to you! A Sun LifePolicy will guarantee theneeded money for your child’seducation. Why not call metodav?Ralph J Wood, Jr., CLUOne North laSolie St., Chic. 60602FR 2-3390— 798 0470 Office Hours 9 to 5 Mondays,Others by ApptSTTN LIFE OF CANADA Men Against Cool 7:30 Sun Garg"The University as Political??" Pe¬ter Novick, History Dept, will bespeaking Sunday Nov 15 at Bonhoef-fer House 5554 S. Woodlawn, 6:30pm.Gay Libbers welcome to "SomethingUnspoken" Wednesdays at MULTI-MEDIA THEATERVISA Meeting at noon in WoodwardCt. Commons. Bus leaves at 12:30pm for hospital. 667-5012J. GILBOA from the editorial boardof Israel's most popular newspaper"Maariv", will give a lecture:''Jewish Minorities in Russia",Tues. Nov. 17, 7:30 pm, Hillel, 5715WoodlawnEverything you wanted to know butwere afraid to ask about the Catho¬lic Church. Calvert House, Tuesdayevenings, 7:00 Come with your ques¬tions.CIVILISATION ON TV has featureda lot of Gregorian Chant. Want totry it yourself? Calvert House Tues¬days, 4:00 p.m.OPEN PARTY FRIDAY NOV 13 atPsi U, 5639 Univ. 9:00Turn your ears on to Women. Listent o Waking Mountain-WHPK 88.3Mondays at 9:30 Nov. 16 Violence toWomenShrinks welcome to PsychodramaThursdays at MULTI-MEDIA THE¬ATERVISA does volunteer work in mentalinstitutions, but needs your help.CRAFT COOP now open at the BlueGargoyle Mon-Wed-Thurs Fri 11:30-2:30 Thur ev 7-10 pm.Bag lunch Discussion: "ChangingRole of African Studies in U.S."with Dr. Philip Foster Mon. Nov.16, 12 noon Gates-Blake 321.YOGA single/group Exerc. Mdtn.Contrn. Sri Nerode. DO 3-0155. We from the sunny southwest sayhigh to Dick Davis, Steve Cook, KasSowa, Roger Black, Fred Khedouri,Ethan Haimo, Claudia Crask andJohn Ryan.Home cooked meals: lunch $20-mo.dinner: $40-mo. 324-9723 5625 Univer¬sity. Lick your lipsRock 8. Rollers welcome to tenor'ssongs Tuesdays at MULTI-MEDIATHEATER!Tuesday night on the six o'clocknews, CBS reporter Walter Jacobsonannounced that Rev. Jessee Jacksonis planning to run for mayor of Chi¬cago. Carl Stovall had the inside in¬formation first and scooped theregular media by four days with hisstory in last Friday's Maroon.Support the Maroon — we had itfirst.Cute young things welcome to "TheAmerican Dream" Fridays at MUL-Tl-Media Theater!Freaky Cheryle (or anyone whoknows where she is) call Fat Al¬bert's old lady at 405-327-3193. Usecredit card S-787-1365-156.Students — Europe for Christmas,Easter or summer? Employment op¬portunities, charter flights, dis¬counts. Write for information (airmail) Anglo America Association.60a Pyle Street, Newport, I.W.,England.JOIN THE COMPATIBLES' GEN¬ERATION. Date and-or correspondwith 3-5 compatible mates selectedfrom your own and several otherarea colleges by our own computer.Mail $4 your total cost, to receiveapplication for processing. Campus-Mates Box 544, Vienna, Virginia,22180.It's easier with Good MusicKLH 23 $109DUAL 1212 $ 59.25AR 4X $ 42.95ADC 303AX $ 77.77Save on all components.All at Musicraft. Campus rep BobTabor. 363-4555. In 1969, UC was smotched by aheartless Lake Forest team. No al¬lowance was made for our defense—or offense, either — and the team,alas, was afforded no protection bythe dreaded Kazoo Marching Band.The resulting score has been lost tohistory, expunged from the officialrecords. Don't let this happen again.The Kazoo Band marches again atthe last game of the season, Sat.Nov. 14, 1:30 pm, against the unrea¬soned oppression of the Lake ForestNeanderthals.VOLLEYBALLInformal volleyball for all universityaffiliated women (students, fac, cmpalum, wives) every Thursday, 7-9pm, INH gymPOETRY READINGPOETRY DAY: Elizabeth Bishop 8.Richard Howard read from theirpoems. Tonight, November 13 at8:30 pm in the Latin School Audito¬rium, North 8. Clark. $2.MULTI-MEDIA THEATERis located in Harper Galleries inHarper Court, 5210 S. Harper MU 4-1173THE STERILE CUCKOOwill be shown Sat. at Cobb as LizaMinelli gets messed up in a colle¬giate sort of way; with Costa Gar¬vas' (Z) Sleeping Car Murders withYves Montand Sun.RUNAWAY?Family Problems? Call the Depot.955-9347.TFOOTThursday November 198:30 P.M.CLOSELYWATCHED TRAINSInternational House1414 E. 59 St.ONE DOLLAR free coffeeI NOW HIRINGdiningroom supervisors,cooks, waitresses, waiters,busboys, dishwashers.Full or part-timeVacation, uniforms providedinsurance, no experience needed.Apply in Person3-8 Wed. & Fri.11 -5 SaturdayBAUMY'S5700 S. Kenwood BUDWEISEREpresentsPlus an outstandingcast of stars in...“SWING OUT SWEET LAND”Duke does his firstTV special for theKing of Beers ...and that is special!Sunday, Nov. 298:30-10 P.M. ESTNBC-TV(Check for local time and station)ANNCUSIR-BUSCN. INC • ST LOUIS ORCHESTRA HALLFRI., NOV. 13—8:30 PM$5.50, $4.50, $3.50Tickets At Box Office6 cm x 7 cmINTERCHANGEABLELENS SLRIn ImportersDemo SaturdayMODEL CAMERA55th & KenwoodNovember 13, 1170/The Chicago Maroon/7ALL 5.98 UST 3.59 ALL 4.98 LIST 2.99CAPITOL AND APPLE RECORDS ONLYCYNARAThe newest, most inventive of music fromCynara. This first album contains LifeStories; Hello You; Stoned Is; ReligiousSong; Mermaid Song; Lullaby for CIA. JAMES TAYLORJAMES TAYLOR: The very firstJames Taylor album —a genuineclassic! Includes Knocking Roundthe Zoo; Sunshine Sunshine; Some¬thing In the Way She Moves; Caro¬lina On My Mind; much more.406GRAND FUNKRAILROAD?i\JIMMY McGRIFF — SOUL SUGARAn album so right that Jimmy ORGANizes awhole |azz/rock scene . . . and it's pano¬ramic! Sugar Sugar; Ain't It Funky Now;Signed Sealed, Delivered, I'm Yours;Dig On It; Bug Out; The Now Thing; You'reThe One; Fat Cakes; New Volume; SpiritIn The Dark. Heavy sounds like Evil Ed¬na; Highway Child; Mongrel;Lucifer; Leanin’ On MyDream; River Deep-Moun¬tain High and lots more.GRACIOUS!Not-to be quickly forgotten group from Eng¬land! All originals: Introduction; Heaven;Hell; Fugue in 'D' minor; The Dream.GRAND FUNK R.R. — LIVE ALBUMIn a set of down-home tracks, Grand Funkmakes it through their own funky paces,parading the magnetic fertility-like ritualthat sets their always SRO concert au¬diences on end. The power trio is usheringin a "New Culture" with genius . . . com¬bining good melodic feeling with an honestharder-than-rock sound. 2 Records . . .Specially Priced.5.98 LIST LOWE'S 3.59* Stage FrightTHE BAND STAGE FRIGHTThe BandA joyous event. Contains Strawberry Wine;Time To Kill; Just Another Whistle Stop;The Shape I’m In; The W. S. Walcott Medi¬cine Show; Daniel And The Sacred Harp;Stage Fright; The Rumor; even more.CAPITOL 6.98 TAPES only 4.95SAVE 40%ON ALLCOLUMBIA RECORDS5.98 s only 3.59SLY & THE FAMILY STONE 1GREATEST HITSI WANT TO TAKE YOU HIGHERTHANK,:DANCE TOT; OFF MERESUG. LISTPRICES4^98's only 2.99BLOOD. SWEAT & TEARS3including:SymphonyFoc The Devil-SympathyFot The DevilSome The Buysof theCenturySANTANA/ABRAX^i^eSli-'T! lncl1Black Magic Woman Gypsy (Hope You're Feeling:Incident At Nes p.SWKAT*^including AfyV You've Made Me So Very Happy *<ySpinning Wheel MoreandMore ZinoFrancescattiBruno Walter. Beethoven> Violint ConcertoColumbiaSymphony"A miraculous gift to all01 us." -High Fidelity GREAT COLUMBIA STEREO RECORDINGSBruno WalterGeorge SzellEugene Ormandy>TEREO RECORDINGSON ODYSSEY \5vBOB DYLANNEW MORNINGINCLUDINGSIGN ON THE WINDOWIF NOT FOR YOU / THREE ANGEI'ENT TO SEE THE GYPSY; IF DOGS BRUNO WALTERMAHLER: DAS UED VON DER ERDE--tf Complete On On* Record ,1 The Song Of The forth)'.war. Mildred Millet Mezzo SopronoEm»l MoHiger TenorNEW O* fMU-iARMOMCv *A Bruno WalterDvoraJt'New Wond"Sym phonyColumbia Symphony Orchestra BRUNOWALTER 'CONDUCTSMAHLERSYMPHONYNO. 1 IN D"THE TITAN"COLUMBIA 'SYMPHONY u*ORCHESTRA , , BRl.XO H ALTER |EI.XE KLEI\ENACHTMUSIK'?£■ Columhiu(© Symphonycvwv OrchestraMOZART:Tii* kleine \aehtmusik i( nsi Fan Tulle Overture IThe Mur naze of Figaro(hertureThe Manii Flute Overture jThe Masonic Funeral Mush \The Impresario Overture, . , IOUUOJ Y 30045 Y 30047 Y 30043No one /jgjjh3 the score "A totally new and utterly “A classic performance “Each of these little mas-so expreWWely." refreshing experience the conductor's de- terpieces is shaped lov-—New York Times a revelation." finitive statement ." inalv." „ —Hiah Fidelity-American Record Guide6.98 LIST TAPES only $4.95SALE ENDS NOV. 22PRICES ARE LOWEST....NEWSTORE1444 E. 57»h8/The C hicago Maroon/November 13, 1970 GEORGE K7.KI.I.BORODINPOXWETSAN DANCESTCHAIKOVSKYCAPRICdD nXUENRIMSKY KORSAKOVCAPRra) ESRAGNOLMUSSORGSKYDAWN DNTHE MDSXVARIVER SMETANATHE MOLDAUInAFE FROM Tut SAHTEKf D BAlM'Sr DvorakCUf) **'• • ». .MHT..AEFOUMlAVONk DAN' ElGEORGE SZELL .THE CLEVELAND ORCHESTRA tinitive statement."—Stereo ReviewR -esS- THE BLUE DANUBE!A JOHANN STRAUSS |FESTIVAL IPizzicato Polka. Voices of Spring, IPerpetual Motion, and more IGEORGE SZELL ITHE CLEVELAND ORCHESTRA [ inalv." —High FidelityEUGENE ORMANDYTHE PHILADELPHIA ORCHESTRASIBELIUS/SYMPHONY NO. 20U)&L AT LOWES!!!OPEN SUNDAY 12-5RECORDSPhone MU 4-1505THE GREY CITYVolume 3, Number 7 The Chicago Maroon Magazine of the Arts Friday, November 13, 1970Jennie’s Beautiful SongsScott Carlson The University of Chicago is graced this weekwith the presence of a great artist. Jennie Tourel, oneof the most distinguished sopramos of this century, isin the midst of a four-concert series entitled “The Artof the Song,” in which she sings lieder and talksinformally with the audience.Miss Tourel’s long, successful career began in theopera. Her debut in the thirties took place in Paris,where her interpretation of Bizet’s Carmen broughtoverwhelming acclaim. Since then, she has sung thisrole over 300 times, while absorbing into her reper¬toire an amazing number of other roles.Her blossoming career took on a new dimensionwhen she began to give song recitals, which invariablyseparate subtle vocal artists from mere singer.“Many feel that an opera singer cannot do songs,”Miss Tourel notes, “but if you know that songs areintimate, then it is possible. Of course, songs are moreaccessible to people who have achieved a certainmaturity.”In 1951, Jennie Tourel began to combine per¬forming and teaching careers when she joined thefaculty of the Aspen Music Festival. Presently, she isteaching at the Juilliard School of Music in New York,where she tries to instill in her students some of herbroad knowledge, high standards, and patience.“Students say that it seems so simple for me to singfreely and easily today. But how long has it taken sothat it can be so easy? — twenty-five or thirty years oflearning! So I try to make it interesting. I don’t borethem with exact technique, which is something thatcannot be taught quickly but comes with years ofstudy* When I find a student with that special gift ortalent or feu sacre inside, then it becomes tremen¬dously interesting for me to mold this person. I havesome beginners; actually, it’s easier if they come not knowing anything than if they come with the wrongthings learned.”Miss Tourel supplements her beautiful voice witha remarkable linguistic ability. She can sing in tendifferent languages, seven of which she can speakfluently. One of her favorite anecdotes involves herperformance in Mahler’s Second Symphony in Israel,with Leonard Bernstein at the podium. The originaltext of the solo part is in German, yet the Israelisrequested that she sing it in Hebrew. Though she wasunfamiliar with the language at the time, shemanaged somehow to learn the translated version byheart in a short three days.Jennie Tourel’s first recital at Mandel Hall lastSunday included works by Beethoven and Liszt. Thesinging was not merely a vocal display: Miss Tourelobviously understands the texts and takes great painsto portray the meaning of the words. In some of theBeethoven songs which were elegies to God, thesoprano’s posture became erect and her voice trium¬phant. In the highly emotional Liszt songs, her voicebecame appropriately pleading and passionate, herhands clasped imploringly.There still remain two concerts in the series atMandel Hall. This Sunday, Jennie Tourel will inter¬pret songs from Russia and Spain. The final concert onTuesday will include more modern works, by Ives,Mahler and Bernstein. All the concerts end with alecture discussion, in which any questions from theaudience receive sincere, informal replies.Jennie Tourel is a singer in the autumn of hercareer. If her vocal technique falters occasionally,only a pedant or an inexperienced, young singer wouldcomplain. Her mature artistry reaches right to theemotions of the audience. It is an experience thatshould not be missed.— Mark BlechnerPolitics + Theater = BoredomSaturday night the San Francisco Mime Troupepresented two shows in Mandel Hall. The first, titledThe Independent Female was extremely well-donevaudeville used as propaganda for Women’s Liber¬ation.There were several relatively insignificatn techni¬cal problems with the construction of the play. Themovement of the play dragged, for example, duringthe long freezes when Sarah Bullitt (“a feminist!”)delivered long historical quotes from famous Ameri¬can women. The other problem was one of content aswell as technique. Sarah Bullitt was ineffective to theextent that no palpable opposition was provided withinthe play to her feminist scheme to unite all the womenworkers of San Francisco. The ineffective villainsmade her over-zealous portrayal seem unjustified andmade her look positively ludicrous when she beganhexing people. In that sense the Mime Troupe cameclose to ridiculing their subject matter.These two problems could probably have beensolved by sticking more closely to the vaudeville form.With effective male villains, the women in the playcould rely on the vulnerability of the men (resultingfrom their false sense of superiority) to cause themen’s own downfall in the classic vaudeville manner.This concept — the use of a traditional American formof theater in order to make the content more availableto an audience by working within a familiar idiom ispotentially a valuable one.The second presentation of the SFMT was titledSeize the Time and advertised itself as the story ofChairman Bobby and the Black Panther Party.It is not really possible to criticize this piece sinceit wasn’t a play, as one of the members of the groupstood up at the end and told us. We felt somewhatbetrayed by this news, and by the production thatpreceded it. Not betrayed by the Mime Troupe (whohave to eat like everyone else) but by Revitalization.If we are going to attend a political rally, we arealways pleased if we know ahead of time, and wouldrather our admission price went directly to the BPP orwhatever and not into the pockets of flounderingbtudenl organizations. Such a policy would akn pro. elude the kind of unpleasant intimidation that went onafter the performace during a collection for thePanther Defense Fund.Nevertheless, some people seemed to be excitedby the second show and we wondered why. Theatri¬cally, the SFMT managed to illustrate two thingsSaturday night. First, that polemics makes mightydull ‘theater.’ The play itself had no direct action. Theactors were on a stage in a very bourgeois atmospheremaking money. The play did not move peopleVtellectually (a well-written history of the BPP andthe Chicago Seven trial could have done more), andcould only move those people emotionally who agreedwith it fervently to begin with. Even then they did notrespond to it on a theatrical level.Furthermore, the play was not even entertaining.The methods of presentation were equally as polemic¬al and dull. The slow motion and unnaturally slowspeech of the conservative, fascistic courtroom (en-hanced by Ihe us>e of marks aim uvcisUeu hands), Scott Carlsoncontrasted with the normal speed and “realism” ofthe street scenes. The actors’ movements were stiltedand uninteresting and the dialogue insipid. Punc¬tuating all this were the predictable addresses to theaudience beginning with “Chairman Bobby says . . . 'Secondly, the Mime Troupe illustrated that it maynot be possible for whites to portray blacks. When awhite plays a black on stage, the audience may not getany further than trying to imagine the white actorbeing in a situation he could not possibly haveexperienced. We especially found this to be a problemin the portrayal of Bobby Seale. Had a black actorplayed the part, we might have been able to go beyondthe purely racial aspect of the situation and consider itas the Panthers stress it, as part of the class struggle.The use of white actors in this play struck us as at bestpatronizing, providing a poor mirror of the struggle inthe black community, and at worst appealing to apresupposed guilt feeling in the audience.—David Chase and Chris Lyon/ j J'.i'I'i 17) *7. . ’ *jr„ ‘ 1 ; > < *• tv: • *W^SSPaMBB^^II^iPa!^^^MSyPl!!l«t!lQ^^ffl^gralM&iMs^^iMap™"T6ai;0r«11■'^jS^^JSyJESSJJE *wfkMp^^^riRimlSSsKMMBi S5)^^-djjl^ElmflReiaWihWfip^nM|^lT^fi^nm^mgS^BngggagBBfn.es^^f^aii!MMw|i||i|i»i||taKS Iseemglmem^le&ath^8mu^^r|emSbegmaS®JjvnMftM^g^KiuGjpPl^j^^p%^mt^PBWSBwW«8K88aS»!Ml pet^£i@^^eldlsfgroiM@cool^|ipKormaerv^^oil®)^w.ha^Kei®ffllt^;iJ^^t^f^rny^whoIe|lbod^a|^^^m^|pnps|^^tjjon^ndBPHO>sture!il^terola^wSKa^^gjprKimef^ems^^^l^KlgKMrayanx^u^fE^SMif fj^Mto^^mlKmatifinglppEMmffiwOfeaIm^MgMggfflajnidWKgjTMagil^^R^^^j|roaiT?§gS5p^|o^^Fn^ga^G|l3^Sali!^p l^je^' lHH«WiBB V-4tM^j^0faiie"||| . -■”-■-»■ ■■■ - ^ — ■,-.,^^Mt-Mjng^a^wgpieRalli^rogludPa^m^^j?nn\eMTiQur,el»onlabotrla . a. __//,I'-ifJrtShVMnc!IDWNBH^Ti^u”i^^siVvaWad^lD"fvceH.^Ab'upjK ,T^VMf?K^ntnY.iWglSm«der.n«darrc-eiiTih^^ijqffrangG”ll^wWitc?,t,tfe'^Kmf*ArlJrSr{ hV/»o.VS Dv5?*?Kinr3«A A nnTtv^rST^i^SiIfffrtrv ; y wm+*£mrBh'dtbarta'Dh'.VJroflB'o'sa'iiiffairooaiiteri]l?nr Ji»f irtVTctrttICl5?Rv!?ffi3f?m\55lr^2Pr ^foV!r^aWro'o,d,eri'nlWclan,c-e^iii.oes(3a"3in]fWffyWXUn5he'M>iK>S wnra.tran'pr.t.or.rnaocUUSASk^f” ■ •TflSailfiRSR^rSrt'fj’SbUmA <Bftr?*w*w*i:<»A'.eil5'B«lci>MW,llg^^TO9TOiafeefci1gawpTfnVrt(1 iim ■ i Tit ^i ninMfcTfflffwalTWtW^:';:T”g^SirT*^IB?fl||Trlflrw*i ^fHr ?^<HW|wB^yaBWMjMMMMlMBMi|gSBSM^BtB^S!SM^selwsbs!8i«3i8ffii: T?i?ea^!!fg?ai5;isi»ssgaffllff'ioo^gGogsiirig r'ilMiMHHBgiMMiaiMMi ‘lateSSTiiw^BrolttpSqiajj^i^|i|Vei|taoejsa^TiiTSaMnT^.iK*?e3teg^^MrAT0g,ifo~ii|MMWtKe;axeMyM^S^^^M^HelEteSn^CMl'.lCTqeMG:r.apBi5'ainigaj!wh^rAi;slCfl30iaoalBl'p!m^^^E!r.^.V|i^g^.wJ”i^!SW^d~alfcaii|fl3s*gra&^^ogJi&fl&emDgpa@i^t.^tffl6¥»^hWTOil^ri!o!ae7wffiii5m^|a!iiffijsWBgOgBiaSSsig5w)«S^^awsd^EBaMK51^^il^^^^^^l5^a1 MMIBKRi^tra?,dlBinneM^f;i:r»TIggigaqo.snVwiiafp,ertn*,m^1mb"qmgSaaatqMS^i5'.i!gc)’SS'e:al83^&&i!lia^l’C^j^^)pi«paCTji^»qapW^3K|^B^EcfAgol^ategg^t|ggKyiSj^|a^a?iat?nLq'sliaro^M^TOiis«^TanyffTO|pfflro^a%,^mMB£!fcgaHifMBt^iBushi^wt'aTOlSKiw qayi6iS5MEawg5»lBy^Ki^eB^36l^c¥yaipM^a»^|iffigr.»^i^wii|B^taHg^g^f.-aaSim£>i^|i;u'esda;Mwogsa~'a,aijfoo*4ftjcjra^^^r^ySl^pi^^^^K^^IMBMgSaBM^^’mge^SlBrrdqsitffeirap'peaiiaogelolMyA r.ti i ns t it u8 rriiaoffirTC^qaea'jjaiS^t'o^||^5rS’^^r.e^e^^0ifli ji’T^iSL J^i SvH?t|^fTCil?iiB^r>i!i^£3^'fflt>?ie^i!litif1KTKMi^[i^ea^ii”eraaVdggoweiai^MWi&'pgilsTian^aroagKS.o|pro{ifeMK'J;i^^i;liiI^■Ar.rJtireaqueToilt? r?^qg^OoWi:'*how n^Gh e exitffeVaa CnE’ ?1 ffis s ffijpffiKaa[Chi caobtfiStj sfsfljtjtegfad rrvi ssiwWflpBMBjee■R'gBgOTRmsweweiaiSaBfoaapwi'gs^riBastMii.acScKosiBBligaiSSesgo^™'^ki>o.wptffrgaM»o?euroTo!tMGontlemdoaSamt:qa^lNOjremt?er«MDa<gBg^Ho5avKar^ffrgMtff^TOiMB'e.ce'ffiD^rMwMitw.^NPAertjD.eai'slIcsEjatwii.lfsW^im'elSIe^[fl i msliiilSySfiStIRo SeStiS au^ffeopeMj^tffn^^iyuinder.'yB^lt 3jKs -.^^.‘a!?^'F5jfauoa»i»3t)Bcl <3! 1 f7^<‘VinW^V^Ffgo|^Se^t h“ef» a rnoT!^shpwe^Dgffii^*u rge^i ineWK o.cxei.ei i.ewav-.SeMciTWWAitR'mTa |^RB|rT^^r|f^^^thQu^^i®r^intjTuuWmT111V.tjfcvvannthyjtTaimfl ;PNwiijftHL *>1*111 nm i" VjTn . 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JBBKeiTnMMO.Ry!rone;man^siTO/jjfa'titfeldva*-^ljra'w|gf<;|esT)'auM^jE|CK:j^tj|msi|^eayesqa^aSies^es?r?|?^tf^ntlfe?i1 er.vUi-j vjNMwa'bas nW n r.o i q nlggsWG ib i s« i iie'c-T.eb«D^Mg5j hb ea<» mommmmmm>Mms&BRMBsMmBlammigsf,',MMMEIr" Wis&t Knitted, wmmmwm:M^eifapiKRWESTOlyp 232 mpigfe)e!n^iwbmo?tg”^im&WmSi^Em*rn?Pi\£m i?ijfx^CTflTiSIBK^^Eysjjfeswsw^tlRyuSSapMMMpEiiimmmmSmEmmWmm/mmmMmmimflm asm^B SIHMgptSHi MBmSigwSmmmmmBSQEb.gi1^^^!L^@3c!o^f^^g^elmiiBogAMottemlos osmm, caw.' s^ara. ^ ana msaxe ms(&nmfi% Mmmx®Chinese $k AmericanFOOD & COCKTAILSOpen Daily 12 - 10Fri. & Sat. 12-12Closed Monday1654 E. 53rd.955-22294Viewing inP* Vu>-San FranciscoSAN FRANCISCO — The billboards you see on theway in from the airport say “Senator George Murphy.He Believes in America.” I arrived October 21, thefirst day of thy festival. Most film festivals are amixture of pomp and pretension, good and bad films.The major defense for them is that they offer a chanceto see a lot of films, and San Francisco’s was noexception. As in Chicago, San Francisco’s regulartheaters present little competition to a film festival.Fully half of the city’s theaters seem to specialize in“erotic” films, and one of them offers a “40 per centdiscount to senior citizens.”The opening night film with Martin Ritt’s TheGreat White Hope, adapted from the prize-winningBroadway play. Tickets were $50. No exceptions forthe press, so I didn’t see the movie. I was laterinformed that the Black Raven Bagpipe Band was inthe lobby to entertain the black-tie audience.Outside the theater, a young lady, upon dis¬covering thut I write for a newspaper, told me that hershort film Thenow (“That’s one word, not two”) hadbeen rejected by the festival. I asked why. “Because itmade sex beautiful,” she said solemnly.The next day, the festival mounted a tribute todirector Ritt. Excerpts from some of his films,including Hud, Hombre, and The Spy Who Came infrom the Cold, were screened. Then Ritt appeared onstage to talk with the audience. A veteran of thePlayhouse 90-Philco Hour era of live TV, Ritt is likehis films: blunt, heavy, humorless. “Nobody hasoffered me any drawing-room comedies,” Martin Rittsaid summarizing his career. It was pretty clear why.That evening, the festival presented FrancoisTruffaut’s The Wild Child. As I entered the theater, aman handed me a pamphlet asking, “Why is Con-ressman Mailliard ignoring you?” Probably because Idon’t live in his district. In the lobby, there were noashtrays, so a woman put out her cigarette in one ofthe huge potted palms, saying “I hope it lives.” MyronMeisel has already reviewed The Wild Child, so I havenothing extensive to add to his comments.. The festival also showed Jean-Louis Bertuccelli’sRamparts of Clay, about a village in Algeria. There’sa strike in M. Bertuccelli’s film, and it’s rather'unclear what the outcome is. So after the film,someone asked the young (28) director what happenedat the end of his movie. “Nothing,” Bertuccelli smiledwith Gallic inscrutability.The next day, the festival showed Elio Petri’sInvestigation of a Citizen Above All Suspicion, apolitical murder mystery that is much too close to Zfor comfort. But it has been quite a hit in Europe.Petri, who directed The Tenth Victim, has gotten agreat comic performance out of Gianmaria Volonte, astaple of Italian Westerns and a great actor. But thefilm’s socio-political comment is all too heavy handed. Faye Dunaway as the fashion model in Srhatzberg'sThere’s no subtlety or irony in the film, aside fromVolonte’s performance. For the French and Italians,perhaps, a film suggesting that the police are corruptand evil is a great innovation, but for those cf us whohave seen many ’30’s and ’40’s Warner Brothers flicks,it’s nothing new. Except for the subtitles.Paul Newman was the big event of the festival’snext frame. Another tribute took place, with choicescenes from Cat on a Hot Tin Roof, Exodus, TheHustler, Harper, and Butch Cassidy. Before Newmanfaced the packed festival audience, he talked to thepress at the Mark Hopkins Hotel. The final questioncame from a thin, mustachioed young man: “If youhad everyone in America listening to you at once,what message would you want to convey? “I’d have tothink about that,” Paul Newman replied.That evening, the world premiere of a filmproduced by Newman: Jerry Schatzberg’s Puzzle of aDownfall Child, starring Faye Dunaway. Puzzlerecounts, in an intricately involuted flashback style,the life and hard times of a glamourous but neurotichigh-fashion model. Schatzberg himself is a fashionphotographer, and he freely admits that much of thefilm is based on his observations of real models.Puzzle itself, Schatzberg’s first film, is a dazzlingachievement. It’s also Faye Dunaway’s best perform¬ance; she’s utterly perfect as the emotionally imma¬ture protagonist.After the film, a press conference with Schatzbergwas held at midnight, which seems appropriate:Schatzberg looks like a night person. His voice is soft,almost inaudible, and he wore brown-tinted glasses, ablack turtleneck, black jacket, bell-bottoms. Some ofthe questions referred, with varying degrees ofdiscretion, to Schatzberg’s own relationship with MissDunaway. Finally, someone asked if he’s still afashion photographer. “I hope not,” Schatzberg said.The next two films were Carlos Saura’s Garden ofDelights from Spain, and Claude Sautet’s Things ofLife from France. The first concerns an upper-classSpanish family, one of whose members has been “Puzzle o f a Down fall Child "paralyzed by an auto accident. He can’t speak, and noone else knows the number of his Swiss bank account.So his relatives try like mad to get the number out ofhim. This is potential material for a great blackcomedy, but Saura ruins it by incessantly allegorizingabout his central hangup (as in The Hunt): TheSpanish Civil War.If Saura tries to do too much, Sautet doesn’t doenough. The central event in Things of Life is also anauto accident, which is staged and photographedimpressively enough to make the whole film worthseeing. The accident forces a middle-aged man(Michel Piccoli) to reflect back on his unhappymarriage and equally unhappy affair. In France, I’msure Things of Life is regarded as just a slickentertainment film, but we in America can get anadded dimension of European worldweariness from it— though it’s still pretty thin stuff.The next tribute was to actor-director JohnCassevetes, who is best known for his work as MiaFarrow’s nefarious husband in Rosemary’s Baby andfor Faces which he wrote and directed. The festivalscreened part of his new film, Husbands, which isabout three sloppy, obnoxious middle-aged husbandswho run away to London one day. A heavy political rapensued: at one point, Cassavetes invited a young blackmilitant up on stage with him. Definitely the mostexciting, if not the most illuminating of these sessions.Liliana Cavani’s The Cannibals from Italy wasthe one film at the festival directed by a woman. Amodernization of Sophocles’ classic tragedy Antigoneupdated to encompass the student revolution inEurope may be a farfetched idea, but Miss Cavanimakes the most of the visual possibilities in it. Thefilm required several dozen people lying about thestreets of Milan, playing dead bodies. According toMiss Cavani, most of the people of Milan just wentabout their business while she \yas shooting, ignoringthe “bodies” around them. Which is, come to think ofit, the point.— Charles FlynnMUSICOn Board at the Lyric: “Billy Budd 55Evaluating the recent productions ofthe Lyric Opera, one notes that thetriumphs have not been the “Italianwarhorses” but rather the “sleepers”— Wozzecfe, Khovanshchina, and nowBilly Budd. The current production ofBenjamin Britten’s Billy Budd, theAmerican premiere, is nothing short ofa triumph.This work gives the Lyric an oppor¬tunity to show what it can do with abasically ensemble-type of opera. BillyBudd is based on the story by HermanMelville with libretto adapted by E.M.Forster. The story concerns Billy Budd,a seemingly perfect young Englishmanwith a stammer, who is pressed intoservice in the British navy. Claggart,the depraved ship’s master-at-arms,plots against Billy and accuses himpublicly. Billy, who cannot reply,strikes out at Claggart and kills him.Vere, the ship’s captain, realizes Billy’sinnocence, but according to navy regu¬lations, Billy must be hung.This opera, from the outset, is pla¬gued by problems. Because there wereno women on British ships, the entireoppra is rnmposeri of male voices Also,the setting aboard ship is very confiningto the play’s action. Britten, however,tackled both problems head on. To The “Hilly It add" east with Theodoravoid the monotony of male voices, hegrouped them into effective ensembleswith astonishing results. Britten capi¬talized on the setting’s tightness, mak¬ing the ship a microcosm of human life.For the current Billy Budd produc¬tion, the Lyric has selected a superbcast. Theodor Uppman, who created thetitle role in 1951, is the epitome ol therole. Both in vocal casting and physicalstage presence, Uppman portrays a Uppman, with open shirt, at centerhandsome and well-intentioned BillyBudd. Uppman was particularly good inthe sailors’ sea chanteys scene where heexuberantly grabbed a mop and did awild dance around the stage, endingwith a cartwheel. He was also excellentin the scene wherein he awaits hisexecution and effectively sings a sleepylullaby ballad.Geraint Evans’ characterization of• Claggart seethed with evil, especially in the second act aria, reminiscent ofIago’s credo in Otello. Richard Lewis,particularly in his solo appearancescaught Vere’s introspection and senseof duty. Dennis Wicks, Bruce Yarnelland John Walker in smaller roles wereall also excellent.John Piper’s sets and costumesaccorded with the style of the opera.Though limited by cast and setting, theoperatic scope of Billy Budd is extraor¬dinary. The Lyric’s production includesfeatures, such as the staging by Evansand Ande Anderson, characteristic ofnot the operatic stage but rather thelegitimate theater.Bruno Bartoletti’s superb conductingwas a prime asset to the production.Realizing that the voices of tenors andbasses do not penetrate as well as thoseof sopranos, Bartoletti utilized thetransparency of Britten’s score to en¬hance the vocal line. The extremelygood diction of all the singers alsocontributed to the opera’s clarity.This American premiere is so suc¬cessful, that it should serve as a modelfor all future productions of this opera.Hopefully, the T.yrio will bring anotherBritten opera to Chicago in the nearfuture with similar results.— thomas Sokolowsk' 'November 13, 1070/Grey City Journal/3Graphic Whimsy, Banal EnigmaThe exhibit at the Art Institute of theirnewly acquired collection of graphicworks by Paul Klee offers a rare andwonderful opportunity to study the evo¬lution of an artistic personality withinthe walls of a single gallery. As Klee’stotal graphic output was only 109 items,in contrast to his enormous number ofdrawings and watercolors, this group of59 etchings, lithographs, and dry pointsrepresent over half of his graphic workand constitutes the fourth largest collec¬tion of Klee prints in the world.Some of the most interesting prints ondisplay are the earliest, quite differentin concept and technique from his laterand more familiar work. (At first Idisregarded them, thinking them worksof another artist.) This work, donebetween 1903-1905, consists of sixteenetchings of fantastic allegorical sub¬jects. The forms created here aremassive with solid musculature. Eeriestares and diabolical grimaces emanatefrom carefully modelled faces. No¬where in these scenes, shrouded in anaura of suffering and the sinister, do wecatch a glimpse of Klee’s later visions ofthoughtful whimsy.After 1905, Klee’s work becomes verydifferent from the allegorical etchings.He abandons that “classical style” forsomething much more linear and indi¬vidualistic. However, his work stillevolves, as can be seen in comparingthe small, tightly-drawn etchings of1913-1915 which reflect the influence ofCubism and his later prints from hisyears at the Bauhaus in Weimar. Thiswork of Klee’s mature period reflectsan incredible synthesis of outer sightand inner vision. As critic Will Groh-mann points out, “This method canresult in pictures which differ com¬pletely from the optical image of an Klee graphics: 4n early allegorical etching at left and a later work at right.object and yet, from the standpoint oftotality, do not contradict it.”This strange detachment from realityis augmented by Klee’s use of space. Hebelieved that spatial content of a flatplane is always imaginary and thatspace in a picture should not be pre¬meditated, but should grow with thepicture and have no function indepen¬dent of it. The space of the picture, then,becomes relative in the same way astime and movement, two other veryimportant components of Klee’s laterwork.All of these points are delightfullyillustrated in examples such as “Tight-Rope Walker” and “Upward.” Thefirst, a color lithograph from 1923,depicts a figure suspended on an appar¬ently unsupported tight-rope. Never¬theless, he virtually jaunts across thepicture plane before our very eyes!“Upward,” a 1928 etching, once againdepicts Klee’s strong emphasis on time,motion, and unconventional spatial ar¬rangements. A stick figure with a jolly sun for a face floats through the airagainst a background of trees juxta¬posed with abstract geometric shapes.An interesting contrast to the Kleeexhibit is the show at the Museum ofContemporary Art, 237 E. Ontario. En¬titled “Robert Rauschenberg: Graphicsand Sculpture,” the exhibit is the firstsurvey of Rauschenberg’s lithographs.Rauschenberg began to experimentwith graphics in the early 60’s, whilecontinuing his painting and assemblagework. During this period he and AndyWarhol had examined the use of thesilk-screen process for painting. By thistechnique the photographic image be¬came an integral part of the canvassurface instead of being fixed onto it.The technique was equally applicable tolithography.By mixing all sorts of visual mate¬rials, including certificates, signatures,photographs, and copies of paintings,Rauschenberg rediscovered the poten¬tiality of the flat surface. His choice ofbanal objects and familiar photograph¬ ic images made him a pioneer hero forthe pop artists of the 60’s.Sporting events, technological im¬ages, architectural images, and publicfigures such as LBJ and JFK arerepeatedly used in Rauschenberg’swork. These images appear to be haph¬azardly chosen and positioned, givingthe lithographs the qualities of am¬biguity and indeterminancy. Although ithas been argued that these qualities inthe work cause the observer to discovergreater complexity within it as heunravels the enigmatic confrontation, Ifound the ambiguity created to be moresuperficial than truly enigmatic. Afterstudying several lithographs, thatwhich at first glance appeared in¬triguing soon becomes stale and gim¬micky. Perhaps this is due to our nowtoo-easy familiarity with the work of thepop artists who picked up on many ofRauschenberg’s ideas, so that we nolonger see them as particularly vital ornovel.—Susan LeffAlfred Hitchcock’sDOC FILMS FRIDAY NOVEMBER 13 7:15& 9:30 COBB HALL $1.00exclusive Chicagoland showing<Se«/ tke. wMt UixaUcA. up trrplrA ih. iUc. uuo'tflAj.Revolutionary and controversial adult educationalfilm ... never before shown in the U.S.A. . ..MENv >vs >xmen/n WOMENvsWOMENMENAGE A TROISANOMALIESr!us "DIVORCE LAS VEGAS STYLE'-|«pnrfSafo IE IMAGE 750 N.CLARK337-21134/Grey City Journal/November 13, 1970 ENJOY GRACIOUS LIVINGAT 56th & THE LAKEThe SHORE DRIVE MOTEL has recently set aside several choicerooms for semi-permanent living on a month to month basis at lowattractive rentals, which include parking in our indoor garage, 24hour a day switchboard and desk service and all customary motelfacilities.Rooms are beautifully furnished and carpeted with attractivebathrooms, televisions, and individually controlled heating and air-conditioning for every room, and are the ultimate in comfort andconvenience.Conveniently located near several of Hyde Park's large shoppingcenters (as close as one block), the low monthly rental also includesfree parking, a beautiful pool, free TV, free ice and complete motelservice.One of Chicago's finest Restaurants is located on the premises.LIVE HERE in a friendly relaxed atmosphere with all of the luxuriesof motpl sprvirp for Ips<; thon you would pay for an unfurnishedapartment.STUPENT& GUEST RATES The Renault 10doesn’t racelike a Ferraribut it brakeslike one.Ferraris and most hi-powered racing cars rely on 4-wheel discbrakes because they can withstandbraking without fading.They are used in the Renault10 for the same reason.Disc brake pads are also easierto replace.And with disc brakes youwon’t have to worry about gettingthem wet. As you drive throughpuddles, centrifugal force drives offthe water.One more thing, since 4-wheeldisc brakes are standard equipment,the Renault 10 will still only costyou under $2,000.If you can’t afford to race likea Ferrari, youcan afford tobrake like one MOVEREMOTH-jCesh3 ympocts.Jnc.2347 So. MichiganTel. 326-2550Reassurance from Dylan and ClaptonNew Morning by Bob Dylan (ColumbiaKC 30290):Many have speculated that Bob Dylanworried about his stature in the musicworld after the bad reviews Self-Por¬trait received, so he quickly released anew record to assure his fame. If this istrue (and who can be sure of BobDylan’s motives?) then New Morningis exactly what the doctor ordered: agreat record.“Three Angels” is the only bad cut onthe new album. Dylan talks this song,backed by sugary, lilting violins. Oftenhis voice picks up the sentimentality ofthe strings, reminiscent of Motownsongs where the lead singer chokinglybegs a lover to return. The song endsamid a crescendo of instrumentationwith Dylan’s final question: “Does any¬one try to listen to the three angels whosing on the fence?” By this time, onewonders if even Dylan really cares.In the album’s eleven other songs,Dylan has again reworked his singingstyle to the point where he is somewherein between the melodic bass of Nash¬ville Skyline and the familiar warble ofHighway 61 Revisited. People who iden¬tified with the pessimistic Dylan(“Tamborine Man”, “Like a RollingStone”, “Desolation Row”) could neveraccept the new country Dylan. Theseold-time fans will enjoy New Morningbecause the “old Dylan” is heardthroughout. Yet the “new Dylan” fanscan also hear traces of “Lay Lady Lay”and the more recent albums.While some of this album may soundvocally like the earlier Dylan, themessages of the songs are much closerto his recent material. The inner con¬flict that formerly shaped Dylan’s workhas been resolved. He is a much happierman and his songs here, like those onNashville Skyline, are basically peace¬ful and happy. Yet unlike his Skylinematerial, most of this album’s songsabound in poetic images and tech¬niques.Dylan first became known for writinggood poetic songs, but recently aban-doned that style and began writing Tin-"mxjsTc-™™™-™Local TalentStudents at Loyola University weretreated to a quick trip to yesterdaywhen Phil and The Fastbacks madetheir debut in the grand old tradition ofthe golden, greasy age of Rock. It wasall in the spirit of fun as the satin-shirted singing group rocked and rolledtheir way though three hours of “oldiesbut goodies”. The good-time feelingcame as much from the exuberantperformance as from the nostalgicappeal of the unpretentious songs.Somehow, the six UC students thatmake up this remarkable group man¬age to evoke the real sound of the 50’s.From the songs of teenage pathos to the“classic” 12-bar rock idiom, they carrythem all off with just the right mixtureof parody and conviction. In particular,Jeff Penn as the lead singer does animpressive imitation of Paul Anka whenhe sings “Diana”, yet sounds like Dionwhen he sings “Teenager in Love”.When it comes to the “raunchy”sounds, Jeff Howe takes the lead withjumping, gyrating versions of ChuckBerry and Elvis favorites. The carefulharmonies of Bernie Burson and WayneLiao, which provide the backgroundvocals on most of the songs, are fea¬tured in the Everly Brothers’ “All IHave to Do Is Dream”. Wayne alsoplays lead guitar, and rhythm is sup¬plied by Tomio Anderson on bass andRick Levich on drums.The songs aren’t new, but there aresome touches that are unique to Philand The Fastbacks—like Tomio’s unex¬pected violin solo on the break in“Runaway”, or a kazoo replacing thesax in “Diana”. Imitation is left behind, f «.1 { . i ( ' i i ,'t •. v> Pan-Alleyish, hummable, but shallowsongs. “His clothes are dirty but hishands are clean, and you’re the bestthing that he’s ever seen, Lay lady lay,lay for your man awhile,” is a far cryfrom the bite of “How does it feel, to bewithout a home, like a complete un¬known, like a rolling stone?”. If there’sa spot between the peace and the bite,New Morning is it.Instrumentally, this album is verysimilar to Highway 61 Revisited. A1Kooper (organ, piano, guitar, Frenchhorn), Harvey Brooks (bass) and DavidBlomberg (guitar) are most heavilyfeatured in the very electrified band.Missing are the huge production num¬bers from Self-Portrait that seemed soout of place with the familiar Dylanvoice. Instead, New Morning finds theold master back in the swing of things.Layla by Derek and the Dominos (At¬lantic SD 2-704)Derek and the Dominos is the newEric Clapton group, (although no one inthe group is named Derek). This albumis the best rock album of the year, andthe best album from Eric Clapton sincethe beginning Cream sets.Eric Clapton is recognized as the bestEnglish electric guitarist around, yetrecently, many rock fans have won¬dered just what his reputation is basedon. Late Cream, Blind Faith, Delaneyand Bonnie, and his first solo album allApes ’50’swhen Bernie does her own great versionof “Heartbreak Hotel”.The group is at least as much fun towatch as to listen to. They come on ingrease, satin, tight pants, and even areal pair of blue suede shoes! Althoughthey try to maintain a show of alooftoughness, basically they seem to behaving as much fun as their audience.Technically, they may not be as good asyour prized collection of 45’s, but thetotal experience of listening to Phil andThe Fastbacks is much more enjoyable.—Elaine Wilco had their problems. Layla should reaff¬irm that Eric Clapton is indeed awizard.With Delaney-and-Bonnie back-upplayers, Bobby Whitlock on organ andpiano, Carl Radle on bass, Jim Gordonon drums and Duane Allman on guitar,Derek and the Dominos produce rock¬ing, exciting music. Clapton sings all ofthe lead vocals somewhat inadequatelybut his guitar playing on this entirerecord is stupendous. For about half ofthe album’s cuts, he plays fast hardrock with blues overtones that arepowerful, clean and at times, very fast.Then he slows down and plays NeilYoung-like long, extended notes thatshow a new depth of feeling. For a fewsongs Clapton even plays an acousticguitar. The variety in his playing makesit clear that this man knows what he isdoing.Whitlock plays a superb organ andRadle and Gordon supply a tightrhythm. It is often hard to distinguishDuane Allman’s guitar playing fromClapton’s. As a group, these five menplay together like they have been doingit for years, instead of a few shortmonths.The two-record album is composedmainly of original material except forfive songs. The best of these is “LittleWing” by the late Jimi Hendrix, demon¬strating that Clapton has enough origi¬nality to take an already existent pieceand mold it into his own style. His ownsongs and those by Whitlock are perfectvehicles for the Clapton style and luck¬ily, none of the vocal lines get out ofhand for him.This entire album is a tribute to EricClapton, a great musician. Hopefully,Clapton will feel comfortable enoughwith Derek and the Dominos to producea great deal of good material.— The Great PumpkinLed Zeppelin III by Led Zeppelin (At¬lantic SD 7201):I don’t like Led Zeppelin. Never have.Yet their third album intrigued me. Iactually liked some of it. Their first twoalbums were straight English blueswith Jimmy Page exhibiting his sloppy,but very fast guitar and Robert Plantgoing ape-shit all over the place,screaming out song lyrics hard enoughto bust a gut. Much of this album is donein this same style and it appears thatpractice does not make perfect all thetime. Yet there are hopeful signs.“Since Pve Been Loving You,” thealbum’s longest and best cut, showsPlant and Page singing and playingwith finesse and style. Page’s guitarwork is perfect here, smooth and calcu¬lated. Plant has not exactly toned downhis vocal style on this song, but his voicesounds more pleasant, more ex¬pressive. John Jones and John Bonhamhave taken a back seat on this cut asthey do on most of the album exceptwhen Bonham takes his customary, dulldrum solo.The biggest surprise on the record isthe presence of acoustic material. Jim¬my Page is recognized as an electricmusician, yet his acoustic guitar workis tasteful, if not memorable. On “Gal¬lows Pole.” Page’s guitar is too offpndrowned out by Plant’s amazing lungs.Perhaps Page plays the electric guitarjust to be able to compete with Super¬ lungs, but if Plant can tone himselfdown on the acoustic cuts and if thegroup works harder on writing electricmaterial, Led Zeppelin may be worthwatching. Now they are no RollingStones, but they might be a Ten YearsAfter.1+1+1 Equals 4 by Sir Douglas Quintet(Philips 600-344) :Everyone has his favorite group thatjust doesn’t catch on with the public.The Quintet is mine. After a few hitsingles, they dropped out of sight exceptfor an occasional brilliant album.1+1+1 Equals 4is one of them.Few groups today play"real rock androll, but the quintet has to be consideredin the rock and roll area. They play tightrhythmic music that is catchy anddanceable. They play and sing shortcuts which are arranged to perfection.I especially like Augie Meyer’s organ,which backs up, underlines, and fur¬thers the Quintet’s music with a greatdeal of talent. One of the few truly goodorgan players, Augie Meyer knowswhat he’s doing — as do all the mem¬bers of the group.Atom Heart Mother by Pink Floyd(Harvest SKAO 382):There is no group like Pink Floyd. Ontheir last album, Ummagumma, theyused birds, crickets and other outdoorsounds in combination with extensiveelectronic equipment to make nature-rock; now they are making breakfast-rock: “Alan’s Psychedelic Breakfast”in three segments, “Rise and Shine,”“Sunny Side Up” and “Morning Glory.”No one knows what Pink Floyd doeswith their thousands and thousands ofdollars worth of electric machinery, butit produces music like no one has evenheard before.Continued on Page SevenTHEATER“La RondeTen SeductionsUniversity Theater’s first majorproduction for the 1970-71 season will beArthur Schnitzler’s ironic sex comedy,La Ronde, which will be performedNovember 19-22 in the Reynolds ClubTheater.In ten scenes of seduction, the playexplores with wit and perception thesometimes uneasy relationships be¬tween men and women. Directed byAnnette Fern, it will be her first produc¬tion as head of University Theater.The five man-five woman cast isalmost a cross-section of the Universitypopulation, since it includes studentsfrom every year of the college, gradu¬ate students, alumni, and even a mem¬ber of the staff.A feature of the production will beits set — a three-section turntable,constructed under the supervision ofUT’s new Technical Director RobertKeil, which enables the tiny ReynoldsClub stage to contain the eleven sets forthe show, designed in elegant turn-of-the-century Viennese style by GregoryFerguson.Tickets for La Ronde are $2, and areavailable at the Reynolds Club Desk.November 13, 1910/Grey City Joumal/5Alka-Seltzer’ahvays helped bring you fastrelief from too much to eat or drink. NowAlka-Seltzer helps bring you fast relief fortired feet. Just send us $3.00.That’s all. Andwe’ll send you an inflatable hassock made ofheavy-duty wipe-clean blue and whitevinyl. In the shape of an Alka-Seltzer tablet.Let your tired, aching feet sink intoits soft folds. Use it for a back rest,wobbly volley ball. A pop sculpture.Or one-third of a couch.We weren’t happy just to helprelieve your upset stomach; heart¬burn; acid indigestion; headache;sore, stiff, aclung muscles anddiscomforts due to too muchto eat or drink.Now we can help your feet getback on their feet again.— -iPlease send me. Alka-Seltzer*Hassocksat S3.00 each.(Add state tax where applicable.)Enclose this coupon and send check ormoney order to: ■; jSpotts International, 1300 Highway 8,St. Paul, Minnesota 55122.Name__State.This offer expires May 1,1971.Allow 2 to 4 weeks for delivery._Zip CodeJoan Baez SingsSTARTLING INTIMACY ABOUT THISEXCELLENT PORTRAIT OF JOAN -AND HER HUSBAND. THEY AREBEAUTIFUL PEOPLE '"-Judith Crist .A TREAT FOR JkTHE BAEZ BRIGADE!” M— Bob Salmaggi, Group W Network ^ “The white man’sSOUL ON ICE”77ie Washington MonthlyART AUCTION6740 South Shore DriveSunday, November 15Viewing starts at noon.Sales start at 2 p.m.Door prize. PENTAXSPOTMATICA Pro Quality Camerain the Amateur PricerangeIn ImportersDEMO Saturday!MODEL CAMERA55th & KenwoodAkiba Day SchoolALSO:BOB DYLAN'S"DON'T LOOK BACK"2424 N. LincolnFree ParkingTel.; 528-9126 Student RateSI. 50at all times6/Grey City Journal/November 13, 1970 “A deeply moving memoirof self-discovery”—Studs Terkel“This hook is the collective hioicrapliyof the generation that was horn on theNew Frontier, baptized on the MississippiDella, and educated by Vietnam. Thisoverpowering book explains why so manyof the best-educated young Americanschoose to think of themselves as un-Americans.”—Jack New field“His honesty, like his uncommonly grace¬ful prose, disarms us.”—The Netv York Times“The most disturbing hook for the estab¬lishment to contemplate.”—St. I.ouis Post-Dispatch“Here is a hook with a soul.”—Philadelphia Bulletin“Ought to he read by everyone under tfl.”—Rook If eekHenry G. SapefsteinpresentsThe New Film Company.Production Ifcnrid Harris “Carry it <|>n”David Harris Raps:“IT MUST BE A MILESTONE...AMOVIE FULL OF YOUNG PEOPLEWHO DISCUSS REVOLUTIONWITHOUT PROSELYTIZINGFOR DRUGS AND SEX!"— Bruce Williamson, Playboy“THIS SHOULD BE REQUIRED VIEWING ON COLLEGE CAMPUSES THIS FALL,REQUIRED BY REVOLUTIONARY LEADERS, BECAUSE IT IS ONE OF THE MOSTPRACTICAL, EFFICIENT, UNHOKED-UP FILMS EVER MADE! ” —John Schubock, WABC-TV“EXTRAORDINARYINTIMACY!"—Jay Cocks, Time NOW WORLD WIDE !THE MAIL BOXSUPER DISCOUNT SOUNDSLowest overall prices anywhere on 8-tracktapes, cassettes, & provocative & groovyposters at super—low discount prices. Speed¬iest delivery & completely guaranteed. Sendfor our current catalog of selections & theirlow prices. We have a complete line of rock,pop, blues, soul, country-western, folk, jazz,classical, gospel & soundtrack. For free cata¬log mail your request to:The Mail Box, P.O. Box 2417San Francisco, Calif. 94126FEATURING NITELYHARRY AT THE PIANOCHEF EDDIEFORMERLY OF THE SUMMERSET A bicycle puts youclose to nature - Thusspake ZarathustraTurin in, Turin on,drop joggingV for velocipedeCheapest prices for Car¬lton, Raleigh, Robin Hood,Falcon, Peugeot, Gitane,Merrier, Radius and Daws.Factory trained mechanics.Used bicycles spasmod¬ically. Fly-by-night rentals.Turin Bicycle Coop2112 N Clark LI 9-8863Free DeliveryM-F 12:00-8:30; S&S 10-8The carpet baggers from Old TownSouth Shore Dri**<i! 79th St. RE 1-3703 BIOGRAPHTHEATERStarting FridayNov. 13-19"Mati Hari"with Greta Garbo (1931)"Wife vs.Secretary"with Jean Harlowand Clark Gable (1936)Starting Next Week"Min and Bill"with Wallace Berryv and Marie Dressierand"Strange Interlude”with Norma Shearer2433 N. Lincoln■ ' ' PI 8 4123“T he people I trust arc those who view lifeas a constant dialogue with experience, notan attempt to shape ideas so that they fitintellectual abstractions, or to manipulateevents so that they suit professional ambi¬tions.” So writes I'aul Cowan in this brutallyhonest and deeply personal political auto¬biography. In it, lie tells about his experi¬ences at Harvard, in Israel, in Mississippiduring the summer of 1964. with the PeaceCorps, and how these experiences causedhim, as lie says, “to persist in redefining myloyalties through actions: to call myself anun-American (citizen of the world I, to hew illing to fight against my own governmentwhenever that is necessary.”A responsible ..■dical statement that tells itlike it was—and is.THEMHtlllGOrUUIHUiaiCHA by Paul Cowan4 DELTA BOOK $2.65at your bookstoreThe people who takea load off your stomachnow takea load off your feetContinued from Page FiveThe long title tune is divided into sixsubsections with such striking names as“Breast Milky,” “Funky Dung” and“Mind Your Throats Please.” The cowmotif, which begins with the albumcover (promotional udders were sent toreviewers) pops up throughout this cut.This side of the album also has a greatdeal of electronic wizardry, though hereinstruments can be recognized andfollowed.Washington County by Arlo Guthrie(Reprise 6411):Arlo Guthrie is as normal as mom,apple pie, the flag and hootenannies.Oh, Arlo might not want to go to war, hemight have a satiric humor, but hismusic is unassuming and very tradi¬tional.Arlo is not a great instrumentalist orsinger. The success of his albums then,rests in their production and Washing¬ton County, like Running Down theRoad, has great back up in¬strumentalists and fine mixing anddirection. Lenny Waronker and JohnPilla have gathered musicians likePink Floyd, Arlo, Kinks...Doug Dillard, Hoyt Axton and ClarenceWhite and mixed them in unobtrusively,but effectively behind the album’s star.The songs themselves are mostlyArlo s original, well written, countryishtunes. The album’s best cut though, iswritten not by Arlo, but by Bob Dylan:“Percy’s Song,” which is a close secondto the Fairport version. He slowly andquietly builds the tension and gospelfeel of this song, reaching his audiencehere more than he has on any albumsince “Alice’s Restaurant,” his comedyalbum. Arlo might have made hisreputation on his comic flair, but hiscontinued success is based on music,and he has delivered.The Best of Eric Anderson (Vanguard 7-8), Ian and Sylvia’s Greatest Hits(Vanguard 5-6; and The Best of Buffy -Lola" by The Kinks:Saint-Marie (Vanguard 3-4):These three collection albums areonly part of Vanguard’s “best-of”series, but these three are among thebest of the Vanguard label. Most of thebest songs are here, and if you don’t■have the songs individually, there is nobetter way to get them.DESKS -BOOKCASESSWIVEL CHAIR - LAMPS - TABLESNEW & USEDEQUIPMENT&SUPPLY CO.8440 So. South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00Wed. -9:00 p.m.RE 4-2111Immediate DeliveryROCKEFELLERMEMORIAL CHAPELANNUAL UNIVERSITYMEMORIAL SERVICESunday, November 15, 1970 11a.m.ROBERT E. STREETERDean of Division of Humanities\ \ A Field Full Of Folk"Service of remembrance of members of theUniversity community who died during thepast twelve monthsCHAPEL MUSICSunday, November 15, 3:30 p.m. The Rock¬efeller Chapel Choir and members of theChicago Symphony OrchestraEIN DEUTSCHES REQUIEM-NANIE... Johannes BrahmsTuesday, November 17, 12:15 p.m. OrganRecital Edward Modello, University OrganistWednesday, November 18, 12:15 p.m. Me-morinl Poritnl for Dnniol Robins UniversityCarillonneur, 1960-69. Robert Lodine, Univer¬sity Carillonneur. THE HEAD RESTTHE HEAD FEST features• jumbo Dacron-filled floorPILLOWS• authentic rustic barrel furniture• fur-covered BEANBAGCHAIRS (a luxuriousfy-comfortable item, ''sex-to-study")2574 N. Lincoln Avenue(Look for the big sign with bluelights at Lincoln and Wrightwood,across from ''Alice's Revisited")549-8448The Freer Brothers cordially inviteyou to our Grand Opening. 10%discount for students v/ith this aduntil Nov. 31st. ‘Girls will be boys and boys will begirls, it’s a mixed up, mumbled up,shook up world, except my Lola . . . I’mnot the world’s most masculine man,but I know what I am and I’m glad I’m aman and so’s Lola.”I usually don’t talk about singles, but“Lola” is so great that it cannot beignored. The Kinks have the catchiest,foot-stompiest sound around, and manypeople like “Lola” merely for its music.But the words are something else. Thestory is about a man having a love affairwith a transvestite. Enjoy Ray Davies’tongue-in-cheek humor and the Kinksfantastic instrumentation. I hope“Lola” makes the Kinks popular again,for they have been making great musicfor years and years.Janey and Dennis (Reprise 6414):Remember Paul and Paula, Dick andDee Dee and John and Robin? Well nowthere’s Janey and Dennis, and unlike allof the preceding, this duo is really good.My initial prejudice against girl and boyteams was so strong that I put thisrecord on reluctantly, but Janey’sclear, strong soprano and Dennis’ ex¬ tremely high tenor won me over hap¬pily!I concede that I miss the Mamas andthe Papas; if you do too, Janey andDennis should alleviate your sorrow.When Janey’s strong voice wails, youcould swe^r that it was 1967 with MamaCass telling you all about those “Wordsof Love.” But luckily, Dennis soundslike neither Papa.Their music is catchy, quick andlight. And listen closely to the songs(almost all written by them). Again likethe Mamas and the Papas, they havesomething to say.Jerry Corbitt, late of the Young¬bloods, produced this album, and thegentle backing music, consisting main¬ly of Janey’s guitar, Dennis’ piano andguitar and Peter Childs’ bass, suitJaney and Dennis’ vocals perfectly.This is an album that you might havetrouble finding, but it is more thanworth it. Hunt a little, and you’ll behappy you did.The Great PumpkinMUSICRAFT FOR SOl\D ADVICEOn Audio EquipmentHundreds of UC Students & Faeultv Are SatisfiedOwners of\.K.dwacoMilFISHERSCOTTHARM AN-kARDONSANSlISHERW OOI)M VR AM/. MCINTOSHSONyTEACREVOXEMPIRE1)1 ALGARRARI)THORENSA.DC. JRLALTEC LANSINGELECTROVOICESHIREAKGBOSEBO/AkRECTILINEARPick ER INC SPECIAL PURPOSETELEPHOTO & WIDEANGLE LENSIn ImportersDemo, SaturdayMODEL CAMERA55th & KenwoodMl SICRAET Gl ARANTEESTHE L(P* EST PRICES/PLI S 15 day cash refundsPELS 30 day full exchange privilegesPEL’S Free delivery for l of CPLl S Complete service facilities on the premisesAtubiCutftON CAMPUS CALL BOB TABOR 363-4555 5424 KimbarkMl 3-3113foreign car hospital48 E. Oak St.—DE 7-4150 2035 W. 95th St.—779-6500 i pizza i•PLATTER!Pizza, Fried Chicken■ Italian Foods IJ Compare the Price! j[ 1460 E. 53rd 643-2800 \i WE DELIVER\mUmiiumiicui . , , . , , | . . < .....i. Koga Gift ShopDistinctive Gift Items FromThe Orientand Around The World1462 E. 53rd St.684-685620% OFFon Famous P.S. 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LAKE PARKHYDE PARK BANK BLDG.CHICAGO - 667-4040Visit our unique IMPORT GIFT SHOPPlArBOrS ALL-NIGHT SHOttPERFORMANCES FRIDAY 1 SATURDAY FOLLOWING LASY REGULAR FEAYURENOV. 13"ALFIE"(12:00 & 2:00) NOV. 14"THEY SHOOT HORSES,DON'T THEY?"(12:00 6 2:30)NOV. 20"DESADE"(12:00 & 1:45) NOV. 21"Cotton Comes To Harlem"(12:00 6 1:45 6 3:30)NOV. 27’CHE"(12:00 & 1:45) NOV. 28"PUTNEY SWOPE"(12:00 6 1:30 6 3:00)DEC. 4"THE PRIME OFMISS JEAN BR0DIE'(12:00 6 2:00) DEC . 5"DOWNHILL RACER'(12:00 6 1:45 6 3:30)DEC.11"THE STERILECUCKOO" DEC.12"ME NATALIE"| TICKETS SI SO |TAI-SAM-YMtCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY1 1 A.M. iO 9 P.M.SUNDAYS AND HOLIDAYS12 TO i P.M.Orripr'. it 1sV«. AU< PREGNANT?NEED HELP?Pregnancy Council Ser¬vice will provide totallyconfidential alternativesfor your pregnancy.Minimal cost and delayTaking calls24 hours a day13 18 East 63rd MU4-Kj)/p (215) 878-5800 BIG BROTHERIS BEINGWATCHEDHere are the results of the National Security SummerResearch Project—a student investigation into the military-industrial complex which cuts MIRV-ABM-ICBM-CIA-NSC-AEC-RAND-ROTC-JCS-MACV-CRAF down to size.Including: “Buck Rogers Is Alive and Well,” "The ComingArms Race Under the Sea,” “The Manned Bomber,” “ThePentagon Propaganda Machine,” “The Missile Race,” andmuch more. Plus a section on “How to Research theMilitary,” for finding out the facts in your own area.THEPENTAGONWATCHERSStudents Report on theNational Security StateEdited by Leonard S. Rodberg andDerek Shearer; hardcover $7.95;Anchor paperback $1.95•Idoubleday pay for 3the 4th onea ' toe!PRINTS FROM SLIDESIt's easy to get colorprints from your slides.Come in and prove itto yourself during ourspecial and we'll giveyou free prints, too.One for every threeyou buy. No bettertime to get those printsyou've always wantedof your favorite slides.Hurry in today! 2R -3R - 3S sizes only.Offer expires Novem¬ber 9, 1970.ANCHORCAMERA1523 E. 53rd Street752-2228PEOPLE WHO KNOWCALL ONJAMESSCHILTZCEEAUERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933HAROLD'SCHICKEN SHACK No. 141364 EAST 53rd STREET 667-9835OPEN SUNDAY THRU FRIDAY12:00 P.M. TO 2:00 A.M.SAT.—12 P.M. TO 3 A.M.MENU(Tax Included)V? Chicken $1.25 Small Order of Gizzards 80Chicken Sandwich 80 Order of livers 1.45Order of Gizzards 1.25 Small Order of livers 908/Grey City Jourrutl/November 13, 1970 COMPARE PRICESHelp beat the Establishment!Corolla Pinto Volkswagen Vega*1942S0 J229225 J233445 *2628,s(Volkswagen 1970 price; all others 1971 price)The Corolla price includes only stan¬dard equipment; the other prices in¬clude options whiJi must be added tobare cars to make them equal to theCorolla, such as whitewall tires, wheeldiscs, tinted glass, reclining seats,opening rear vent windows, bumperguards, tool kit, etc.ON WESTERN INC6941 SO WESTERN -776-4016 as taught by Maharishi Mahesh YogiIntroductory meetingMon., Nov. 16, 8 p.m.SOC. SCI. AUDITORIUMStudents' International Meditation SocietyKIMBARKLIQUORSWINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbark Plaza HY3-3355