Michael Fowler Elected SG PresidentEFFIGY: SDS members bum an effigy of William Polk, director of the Adlai Stevenson institute, Monday. steve AokiEffigy of ASI Director BurnedBy Allen FriedmanAn effigy of William R Polk, director ofthe Adlai Stevenson Institute (AST) for In-ternational Affairs, was doused with gaso¬line and set afire at the Kent State people’spark, across the street from the institute’shome in Robie House, yesterday. The ASIhas been under attack by SDS, PL and oth¬er groups for allegedly doing research help¬ing American-economic imperialism inthird world nations.Mike Dunlap of SDS said the burning ofthe stuffed dummy was to symbolize theiranger with Polk for denying that he agreedto a public debate for this Thursday. Ac-ROCKEFELLER CHAPELSite of graduation cording to several people who attended theinstitute’s open house two weeks ago, Polkagreed to a public debate. Tuesday’s Ma¬roon reported Polk said that personal dis¬cussions with each fellow would be moreappropriate. Polk was out of town andunavailable for comment on Dunlap’s re¬marks.A Chicago police car was parked by Rob¬ie House before the burning began and twomore police cars appeared later. As theflames of the effigy began to subside a firetruck arrived and two firemen put out theburning embers with water from portablespray tanks. Two more police cars, bring¬ing the total to five, arrived.When asked why the police were there, apoliceman replied, “We’re only here be¬cause of the fire, that’s all.” There wereabout ten people at the burning.Dunlap said that the attacks against Polkwere seeking to destroy the institute’s cred¬ ibility through its director. “It’s not a per¬sonal thing,” Dunlap said.An SDS leaflet attacked an ASI study, thePeru Project, which has been holding aconference the past several days. Accord¬ing to Dunlap these meetings have beentaking place in Robie House. He said Rich¬ard Rubenstein, a fellow of the institute,told him “long ago” that the project wouldbe holding meetings at the institute.A secretary at Robie House told a Ma¬roon reporter that the conference had end¬ed Tuesday. She said it took place at theJohnson Foundation’s home (in a buildingdesigned by Frank Lloyd Wright, who alsodesigned Robie House) in Racine, Wiscon¬sin. The Foundation was not involved in theactual conference, however. She said thatno one at ASI had called the fire depart¬ment, and that they weren’t even aware ofthe burning of their director’s effigy untilthey heard the fire engine.Convocation Plan Done Soon;Money Is Asked for CharitiesIn a meeting yesterday, graduating sen¬iors nominated Deborah Kahn 70, to in¬troduce former US attorney general Ram¬sey Clark as convocation speaker.Final plans for convocation will be re¬leased by the administration within a week,according to University marshal RobertAshenhurst.At the Reynolds club meeting, attendedby some 50 seniors, the students also madeplans to set up tables today in front of thebookstore and in the Mandel Hall corridor.They plan to solicit cap and gown fundsfrom seniors for three organizations: theBlack Panther defense fund, OperationBreadbasket, and New Congress. The sen¬iors are planning to wear street clothes toconvocation. The regular cost for rentingthe gowns is $3.60.No plans for a counter-convocation or dis¬ruptive protest were discussed at the meet¬ing.The seniors also voted to send a letter to the alumni association requesting that themoney spent for the traditional seniorbreakfast be donated to Operation Bread¬basket.Many of the seniors were dissatisfiedwith the choice of Clark as speaker.“He was the most innocuous choice Levicould have found,” said one senior. Clarkwas one of 10 outside speakers recommend¬ed by the seniors to dean of the CollegeRoger Hildebrand last week.“Anything that I and the administrationdecide is about this convocation and not forconvocations in general,” said AshenhurstWedneseay. “It is standard procedure thatcaps and gowns be worn, and any ex¬ceptions to that must be decided by the ad¬ministration.”Seniors not planning to attend graduationmust noticy dean of undergraduate stu¬dents George Playe. To receive a degree inabsentia, students need only notify Playe inwriting. By Paul BernsteinMichael Fowler, 71, was elected presi¬dent of Student Government (SG) lastnight, at a SG meeting attended by 57 new¬ly elected representatives.Fowler served as SG vice-president thisyear. He also worked on the SG tenantunion project and the Vietnam MoratoriumCommittee. His term will run through the1970-71 academic-year.Opposing Fowler were Dan Gray, 71, andLouis Strike, business. Fowler received 27votes, Strike 23 and Gray 6.Fowler said that while SG had not re¬ceived much attention from students thisyear, activities such as the tenant unionproject and support for the Moratorium hadbeen important. He expressed support forthe Union of Students’ movement, and said,“We have to do things in what little timewe have in order to draw more attention tous next year.”Gerard Leval, 72, was elected vice-presi¬dent. Also receiving votes were EugeneGoldberg, Michael Buckner and ThomasNooter.Paul Collier was chosen as treasurer andVerne Culberson as secretary. John Wenzelwas elected speaker of the graduate house,Karl Menninger speaker of the under¬graduate house, Miss Culberson secretaryof the undergraduate house, and Susan deRosse, chairman of the under graduateacademic affairs committee.Also elected to office were members ofthe Committee On Recognized Student Or¬ganizations (CORSO). These include Strike,Paul Barron, Don Heller, Richard Hudlin,and Viv Ravdin. Barron will serve as COR¬SO chairman.Members of the election and rules com¬mittee include Goldberg, Menninger, CraigCook, John Siefert, and Ken Lindholm.The body passed a resolution which dele¬gates the powers of the SG assembly to theSG executive council for the duration of thesummer. The executive council is com¬posed of the newly elected officers.The meeting adjourned before electingchairmen of other committees, such ashousing and internal affairs. The executivecouncil will instead appoint volunteers tothese committees.In ties broken from last week’s election,Steve Strawler was chosen representativefrom Chamberlin House, and Carol Zitekfrom Snell. Several ties could not be brokenbecause the candidates involved were notat the meeting.St*v* AokiCONNIE MARA VEILFormer SG PresidentCuts in Financial Aid'Misunderstood'By Mitch Bobkin“Most students don’t understand aid cutsdue to a “lack of communication betweenstuck its and their parents as to their finan¬cial l tuation,” Timothy Scholl, director ofCollege aid said yesterday amid growingcriticism of college aid decisions being an¬nounced this week.School said that his office does not haveany figures on the percentage of scholar¬ships that were cut because “it’s not rele¬vant. We don’t operate on a blanket policy.We decide on the basis of each specificcase.“I would think though, that a majority ofstudents would have increases this year be-The University Movement for a New Con¬gress (MNC) chapter will host a statewideendorsement convention June 26 to “decidepriority of needs” in the sudent movementto elect peace candidates to Congress thisfall.Candidates will be endorsed, and avail¬able student workers allocated. Chapters atover 20 Illinois schools will be represented.Decisions to support candidates will bebased on research done locally by eachchapter and by national headquarters atPrinceton. Princeton has recently delivereda listing of US Representatives’ roll callvotes on 21 key civil rights, military ex¬penditure, and foreign policy issues.■ With a research team in Washington,Princeton will soon furnish more informa¬tion on legislators’ off-the-record positions.; Data on feasibility of electing peace candi¬dates and local voting patterns is being col-| lected locally and will be funneled throughthe huge Princeton computers to the rele-| vant chapters.j Candidates desiring support may submitwritten statements, but no personal appear-t ances will be allowed, to ensure impartial-1 ity and objectivity at the convention ac-I cording to Larry Sherman, grad student insocial science and MNC coordinator.lActing as Illinois coordinating center, theUniversity chapter will “maintain contin¬uous liaison with candidates we’ve en¬dorsed and supported to be sure student ef¬fort is directed where most needed and use¬ful” according to Sherman.At a meeting Tuesday night, 25 students, signed up to staff the MNC office located inj Ida Noyes 306 all summer. One thousand! students have completed forms giving theirsummer addresses and type of political cause of increased costs. But there is also atendancy for parents’ income to go up,” headded.Most parents make more than they esti¬mate they will for scholarships, Scholl said.When the aid office learns that parents aremaking more than they thought they would,they rework scholarships to increase theamount for the parent’s contribution, he ex¬plained.“We’re still operating on a policy ofmeeting everyone’s financial need. Even ifthe budget had been cut, we would still becommitted to that policy,” he said.“This year’s admissions and aid, budgetwas the same as last year’s.” Charleswork they are willing to do to help peacecandidates.Students who have not yet completedforms or do not yet know their summeraddresses may still sign up on a form thatwill appear in the June 5 Maroon, or byphoning the MNC dffice at ext. 3576.Names are keypunched onto IBM cardshere, and then sent to Princeton’s comput¬ers. Local chapters are informed of stu¬dents from other schools that will be intheir area for the summer so student man-Matrons at the sign-in desks at women’shouses are organizing to present their de¬mands for year-around employment, higherpay and review of hiring practices by theUniversity.At a meeting of three of the 10 matrons, aletter was drafted and sent to Edward Tur-kington, director of student housing, re¬questing “a review of the three-monthlapse in our jobs during the summermonths and rehiring practices for fall. Wefeel there must be some University job inwhich we could be placed while studentsare gone.”In a leaflet put out by Concerned Ma¬trons, with the help of members of theWorker Student Alliance of SDS, the ma¬trons urged fellow University workers tounite with them in presenting their de¬mands to the University.The leaflet said that the matrons, “or anyother workers,” do not get coffee breaks,that it is very hard to acquire jobs just forthe summer break (“Even the telephonecompany doesn’t hire summer employeesreadily,”) and claimed that their salary is O’Connell dean of students said. “By notchanging it, we, in effect, increased it” be¬cause of the lower population of the Col¬lege, he explained.Over $1,169,000 was contributed from theUniversity’s general fund to the financialaid budget for scholarships. Over $250,000was used from endowed aid (scholarshipsgiven for specific purposes.) The Educa¬tional Opportunity Grants, a fund of thefederal government used for students whomeet a certain poverty level, contributedover $150,000 in new grants and renewals.Total scholarship funds administeredthrough the University then is over $1,569,-000.power can be best utilized through the sum¬mer months.Confidentiality of names is guaranteedaccording to Princeton because anyunauthorized attempt to use the nameswould cause the tapes to erase themselves.Senator Strom Thurmond recently at¬tacked Princeton for allowing MNC freeuse of its computers, showing the estab¬lishment is really worried according toSherman: “If Strom Thurmond is againstus, we can’t be all bad.”not equal to the difficulties and problemsinherent in their job.The leaflet also said that there has beentalk of discontinuing the job of matron nextyear. It added that the matrons have not asyet been offered placement in other Univer¬sity jobs should this happen.CorrectionTuesday’s Maroon incorrectly re¬ported that students wishing to re¬ceive a degree in absentia shouldcontact the Marshal’s office. Studentsshould actually contact their dean ofstudents.Also, in the Maroon stories regard¬ing the Neugarten committee report,two student members’ names wereommitted. They are Rosemarie Gil¬lespie, graduate student in politicalscience and Mary Jennings Johns,graduate student in educational psy¬chology. “I would guess that the College is thebest supported student body in the countryfor its size, ihat is,” O’Connell said. y’O’Connell cited a number of other non-University scholarships that many Univer¬sity students hold including Illinois StateScholarships and emphasized that this mon¬ey should be taken into account when dis¬cussing College aid.“The problem then, is not a shortage offunds,” he added. O’Connell did mention,though, that as the University’s student re¬cruitment program becomes more success¬ful, more money is given to one individualstudent than had been the case previously.“As you get more students from the veryarea that we are looking for, they needmore money,” he said.Scholl cited a number of reasons whysome scholarships get cut. If a studentmoves out of University housing to offcampus housing, his aid is cut $200.This year, a graduated scale of summerwork earnings was started to be put intoeffect. This year, sophomores will be ex¬pected to make $700 for women and $750 formen over the summer while freshmen willbe expected to make $600 for women ana$650 for men. When this years sophomoreclass becomes seniors, the scale willstretch from the $600-$650 amount for fresh¬men to $900 for women and $950 for men forseniors.Scholl did say that there has been an in¬creasing amount of students coming in tosee him about their aid decisions. Hereemphasized that “most of the time it’sbecause they haven’t realized that theirparents are making as much money as theydo.”Almost all aid decisions had been sent outby yesterday. Scholl said that there wereapproximately 100 still undecided.Grades only play a role in aid decisions ifthey are poor enough to decide not to giveaid. A tentative decision is made con¬cerning students who have had a poor aca¬demic record. The case is then reconsi¬dered when spring quarter grades are final¬ized. Scholl did say that because of the pe¬culiarities of grades for this quarter, nostudent will be penalized for taking ‘P’s or‘R’s. If students grades are still deficientthough, they can be placed on quarterly re¬view Scholl added, in which case their aidpackage is reassessed following everyquarter.“We even took inflation into account inmaking aid decisions,” Scholl said. “Wejust didn’t ignore raising cost.”Scholl said that one student came in tosee him today who asked that some of thisaid be taken away because he doesn’t needas much as the University offered him.School stated that this was an unusual case.MNC To Host State ConventionMatrons Demand Better Jobsjii.1) Jimmy's and theUniversity Room 5 Hour ServiceDR. AARON ZIMBLEROptometristeye examinationscontact lensesin the JAMES SCHULTZ CLEANERSFurs Cleaned and Glazed — Insured StorageShirts — Laundry — Bachelor Bundles1363 EAST 53rd STREET 752-69337:30 AM to 7:00 PM10% Student Discount - CLEANING & LAUNDRY : • i11111111111111111 rL CHARTS/GRAPHS.Lsroy lettering1_ (Near campus)- 363-1288DRINK SCHUTZFIFTY-FIFTH & WOODLAWN New Hyde ParkShopping Center1510 E. 55th St.363-7644MAH YOUR CLASSIFIED TO THE MAROON1212 E. 59Mi St., Chicane, 60637DATES TO RUNNAME, ADDRESS, PHONE.CHARGE: 50( per line, 40* per each line if the ad is repeated in asubsequent, consecutive issue. Non-University people: 75‘ perline, 60* per repeat line. There are 30 letters, spaces, andpunctuation marks in a line. ALL ADS PAID IN ADVANCE!HEADING: There is an extra charge of $1.00 for your own heading. Normalones (For Sales, etc.) are fro*.—! i —i — — —"7 " 11 ? f — 1T\ T-4- IL_ r—* t 1 li4- -j i i ii I •4- i i, i kL , L i4 ——4 ■ i— lL V • »\ |, 1L L 1! lJ • *. i i [ i2/The Chicago Maroon/May 28, 1970 Clarkenjoy ourspecial studentratefix £ atW timesfor college studentspresenting i.d. cardsat our box officeO different double featundaily• open 7:30 a.m.-leteshow midnightO Sunday film guildO every wed. and fri. isladies day-ell gals 85*little gal-lery for gals• onlyO dark parking-1 doorsouth4 hrs. 95c after 5 p.m.*rite for your freemonthly programdark & madison fr 2-2843 DLAyiiCy’S ALL-NIGHTPERFORMANCES FRIDAY & SATURDAY FOILING LAST REGULAR FEATUREMay 15Me Leges* -Berts KarteffMACULA & FRANRBfSTEIN May 16BATTLE Of ALGIERSMay 22Prter Sellers - Haga StanRACIC OMSK AN May 23ArteGafhrieAllCTS RESTAURANTMay 29SLerea Tafa is Be— Nlaarid'sFEARLESS VARPMt IIILOtS May 30m — **RRfl VOTUV • JEMi \MOmwmw*ROSEMARY'S BAITJunaSlee lerta - Mm BreamTHE BIRTY BOZEN <4Mk> June 6Jsbi VFayae - Glee CaapMTINE GRITJune 12 June 13CM Rehertsea-dair BteaaiUK COLLECTOR CNARLYOnly Five Dormitories To CoeducateOnly five University dormitory houseswlll be coeducated next year due to the fail¬ure of students to indicate they are willingto move to coed housing. The fraternitiesalso are considering coeducation.Upper and Lower Flint, Upper Rickert,Greenwood and Blackstone will house maleand female undergraduates next year.The Inter House Council had submitted areport recommending that Pierce and Bur¬ton Judson also be coeducated. Based on alist collected by residence heads it ap¬peared that not enough upperclass womenwould move to those units.When the lists were received in the hous¬ing office last week, only ten women hadsigned to live in B-J according to EdwardTurkington, director of student housing.Turkington said that he gave an extensionto a group of upperclass women whowished to live in B-J. Over the weekendthey gathered only five more names and“it was just not the overwhelming responsethat was expected,” he said.Figures taken in a preliminary coeduca¬tion survey last fall indicated that 130 wom-By Judy Alsofrom and Gordon KatzProfessors from three professionalschools and three academic divisions willbe leaving the University next fall eitherfor new positions at other schools or fortemporary leaves of absence.The division of the social sciences will bewithout 26 of its present faculty membersnext year either through resignation, retire¬ment, or leave of absence. Ten faculty haveoffered their resignation. They are: Rich¬ard Brail, urban studies; Clifford Geertz,anthropology; Robert Rippey, education;Jacqueline Falk, human development;Brewster Smith, psychology; RichardParks* economics; Rodney Kilcup, history;Peter Blau, sociology; James Fennessey,sociology; and Robert Hodge, sociology.The three professors retiring from the so¬cial science division are Theodore W.Schultz, economics; Roald Campbell, edu¬cation; and S. William Halperin, history.Among the sixteen faculty members takingA recommendation has been sent to theboard of trustees that the bookstore bemoved to the University press building overthe summer, to be opened for the beginningof fall quarter.The plan, now before the trustees’ plan¬ning board, calls for a move to the first twofloors of the building, located at 58 Streetand Ellis Ave, over the summer and ex¬panding to fill the four floors within two tothree years.The bookstore is now housed in StaggField Labs, where it moved in Decemberafter the old bookstore burned in October.The first two floors of the press buildingwill have 14,000 square feet floor space, en were willing to live in B-J and that 40wanted it as their first choice, Turkingtonsaid. But when these women did not sign upto go to B-J, B-J could not be coeducated.Coeducation could not be implemented onthe basis of incoming freshman girls, hesaid.Turkington denied that he is trying toprevent coeducation and said that “in factwe are trying to prepare for it.”Turkington does not think that many stu¬dents are being displaced by the coeduca¬tion process. By the end of next week allstudents will probably be able to be notifiedthat they can stay in their house. He alsothinks that some vacancies will be avail¬able in Greenwood, Blackstone and Snellfor those who sign up June 2.Due to more incoming freshmen accept¬ing admission than was expected, the hous¬ing office has had to provide for the possi¬bility of overcrowding in the residencehalls. Each house was required to make alist of ten names of people who would haveto move if freshmen needed more spaces.Turkington commented, “I sincerely hopeleaves are James Redfield, social thought;Robert Fogel, economics; Charles Gray,History; and Lloyd Rudolph, political sci¬ence.Three professors are leaving the gradu¬ate division of the humanities. Jerome Tay¬lor, professor of English and chairman ofthe committee on medieval studies, is goingto the University of Wisconsin.Vere I. Chappell, professor of philosophy,will be going to the University of Mas¬sachusetts. Daniel Cardenas, associate pro¬fessor in the department of Romance lan¬guages, will teach at Long Beach CaliforniaState College.Several professors will leave the gradu¬ate school division of the physical sciences.J J Sakurai, physics, will teach at UCLA;Royal Stark, physics, will be at the Univer¬sity of Arizona. Richard Elder, chemistry,will be taking a one-year leave of absenceas will Norman Booth, physics.In the Law School, four professors are4000 square feet more than the old book¬store. When the whole building is the book¬store, it will have 34,000 square feet.Employees in the press building willmove to the fourth floor of the adminis¬tration building, in the area formerly occu¬pied by the controller’s office, which is nowon Hyde Park Blvd.It is planned to have the extra 4000 feettaken up by more general books, a frequentdemand of students. The typewriter rentalservice, which was moved to 55 Street whenthe bookstore was relocated during the win¬ter will remain in its present location, thusfreeing an additional 1,000 feet of floorspace. that we not have a problem of such magni¬tude that we must move people out of theirrooms. It is a possibility, not a probability.Everything possible is being done to avoidit.”Speaking of those who might have tomove, “We have always found places forsingle students to live,” Turkington said.Since there are 21 houses, 210 are on thelists.Today, women wanting to move to Green¬wood may sign up in the GreenwoodLounge at 7 p m. Current residents ofBlackstone will be given priority but allwomen interested in living there should bepresent. Apartments will be assigned by arandom drawing.Men wanting to move to Blackstoneshould be present in that house’s lounge onMonday June 1 to sign up for apartmentsthere. Grennwood residents have priority.Students wishing to move to other Collegehousing, including men wanting to live inUpper Rickert, will sign up in JudsonLounge at 7 pm June 2.Upperclassmen not now living in Univer-intending to be away from the campus nextyear. Robert Burt, an associate professor,is taking a leave of absence to head thepollution activity control board for the stateof Illinois; Geoffrey Hazard, professor, willbe a visiting professor at Yale Law School;Harry Kalven, professor, and Gerhard Cas¬per, associate professor, will take researchleaves.A number of faculty members are leav¬ing the school of social service adminis¬tration. Edward Schwartz, Herbert JonesProfessor of Social Service Administration,will take a leave of absence to become avisiting professor at the George WarrenBrown school of social service administra¬tion.Donald Brieland, professor and an associ¬ate dean, will take a similar position at theUniversity of Illinois. Robert Nee, associateprofessor, will become acting dean of theBarry School of Social Work in Florida. Da¬vid Street, associate professor, is assuminga position at the State University of NewYork at Stony Brook.Keith Clifford, an assistant dean in theDivinity School, will be teaching next yearin Winnepeg, Canada.Gay Lib FightsBy Nancy ChismanThe love movement faded, some gaypeople contend, because more than half ofthe members of society could not be relatedto with either love or respect in a lovingway. Members of the gay offshoot of themovement feel allied with women’s liber¬ation because both are working to breakdown the sexual barriers and role playingwhich society has imposed on women andhomosexuals.When the Kinsey report exploded on theAmerican public, it gave an indication ofhow large the secret minority of homosex¬uals was. Apparently hundreds of thou¬sands who did not frequent the gay bars orlive in the gay ghetto, as gays call the areawhere they are commercially tolerated,lived in fear of losing their jobs and socialrespect because of the stigmas attached tohomosexuality. Others suffered the silentloneliness and felt their suffering was ille¬gitimate.A number of incidents, the most ex¬plosive being the Stonewall or ChristopherStreet Riot last June 28 m New York City,built the Gay Liberation Movement to com¬bat the stereotypes society had imposed onhomosexuals.The Stonewall, a gay bar in GreenwichVillage, was raided by the police who asusual expected no resistance from the cus¬tomers. Instead, the mostly young custom¬ers fought back, throwing the light of pub¬licity on the dissatisfaction gay people hadfor the police-bar-society set up.Fronts of Gay Liberation, whose mem- David TravisEDWARD TURKINGTONDirector of Student Housingsity housing may sign up if space is avail¬able after June 5 in Administration 201.All three sign up cards must reach thebursar with a $50 deposit by June 12 orspace will not be reserved.Waiting lists for singles and other specialrequests are being made by resident heads.Meanwhile, the fraternities unanimouslyapproved a motion allowing girls to berushed, pledged and accepted as membersnext year at an Inter Fraternity Council(IFC) meeting May 21.The motion reads “the IFC may not rec¬ognize any student organization as a frater¬nity if that organization discriminates onthe basis of race, religion or national originand the IFC may not deny membership toany student organization on the basis of thesex of its members.”Dean of students Charles O’Connell mustapprove the motion.At the meeting, IFC pledge rules and theConstitution were revised. Restrictionsdropped include prohibition of “boxing in”(keeping a rushee in a room until he signsa bid card), restrictions on fall rush offreshmen, restrctions on serving alcoholicbeverages at rush functions and restric¬tions on hours that non-members can be inthe houses.The Council moved to hold formal rushfall quarter from third to eighth week.For the first time a fraternity was repre¬sented at the meeting by a woman, ChelseaBaylor. She represented Phi Sig. At a pre¬vious meeting Phi Sig had been given per¬mission to become coed.Sex Barriersbers emphasize it as a movement ratherthan an organization, quickly sprang up inSan Francisco and New York working toestablish a feeling of solidarity and prideamong homosexuals and publicly protestingtreatment by the police.When FREE (freedom from repression oferotic expression) was formed at the Uni¬versity of Minnesota, it proved that GayLiberation was not restricted to the pro-Continued on Page SixNo Action YetOn Recess PlanUniversity President Edward Levi hasnot yet acted on the Council of the Univer¬sity Senate’s recommendation for a ten dayrecess preceding the November elections.The Council first made the recommenda¬tion May 12. At its most recent bi-weeklymeeting held Tuesday night, the Council ta¬bled a motion to reaffirm the original rec¬ommendation.The proposal suggested that classes beginon September 28 next fall, and that the re¬cess be taken from October 24 to November3 to allow students and faculty to engage inpolitical action, with quarterly exams end¬ing December 22.According to Norman Nachtrieb, spokes¬man for the Council, Levi is still studyingthe feasibility of the plan.May 28, 1970/The Chicago Maroon/3\INIDavid Travi*OLD BOOKSTORE: The board of trustees is studying a recommendation to movethe bookstore from its temporary site in Stagg Field Labs to the university pressbuilding by fall.Several Professors Leaving UniversityTrustees To Decide OnProposed BookstoreSite* . .(•!»*• f J HU *.*!. > **'* * .M»;i " £*£!?*!EDITORIAL LETTERS TO THE EDITORSNeugarten, Part TwoIn Tuesday’s Maroon we discussed the circumstances andattitude surrounding the Neugarten committee’s report on women,and offered them our thanks for their efforts. We did this becausewe feel the spirit of inquiry and thoroughness which we saw in thereport should be encouraged, since it is a welcome deviation fromcommittee reports that too often tend to be rubber stamps. We donot, however, agree with all or even many of the reports findings.The report is, basically, a mild one and, in regard to students,concludes that “men and women students at Chicago report thesame problems, experience the same satisfactions and in generalparticipate equally in both the joys and frustrations of studentlife.” Although this is a very pretty picture, it is not a true one,and it is not even consistent with much of the report’s data. Muchof the data of the report is potentially provocative about .the dif¬ferentials in treatment of men and women, but the committeeusually chooses a more cautious direction in its recommendations,asking for re-examinations rather than specific changes.We are very sorry to see this. Perhaps worried that anythinglike a demand for change would be too much for the faculty, thecommittee wasted the impact of its data by merely suggesting thatdepartments institute self-examinations for possible discrimination.We think that most departments here feel they’re doing a finejob in offering equal opportunities to women.The committee was unwilling to rap faculty knuckles, and sosoft-pedaled some of their astounding information, such as the factthat only seven percent of this University’s faculty are women,compared to an already meager national average of 12 percentwomen faculty for private universities, or the fact that the muchdiscussed nepotism rule, still invoked by department chairmen tothe detriment of women, was revoked three years ago.In addition, we were disturbed by the way the committee usedsome of its data.An excellent example occurs in the examination of facultysalaries for men and women. The report concludes that there isno great variation in salary according to sex, dismissing as negli¬gible missing data about the salaries of the few full professors whoare women. As Rosemarie Gillespie points out in her dissentingcomment to this finding, “since the variation in salary is probablygreatest at these levels, the absence of such a disproportionatenumber of women at these levels will tend to eliminate salary dif¬ferentials which would otherwise have become apparent had thesewomen been included in the study.” It is just such insights thatmake the dissenting comments to the report so very valuable, forthey point out fallacies inherent in many of the report’s premises.We were also disturbed by the number of important issuesthat the committee did not discuss. Child care was treated verycursorily, although the results of the student questionnaire indi¬cate that young children are a major hindrance to the studies ofwomen students, though not to their student husbands. The prob¬lems of what the report calls “tandem teams” — couples in whichboth husband and wife are students — is treated very inadequately.Perhaps the most pervasive failing of the report was one thatwas present in its introduction, in many of its conclusions, andwhich was pointed out in the dissenting comments: a basic unwill¬ingness to question the traditional University situation. We are notsaying that the report should have advocated closing down theschool, but on several occasions the report rejected possible thingsthe University might do as not in keeping with the University’spresent goals. We wish that the report had seen fit to questionsome of those goals or suggest new ones, not for the sake of purecriticism, but in recognition of the fact that the University, as aproduct of our society, carries society’s oppressions of women.The University reacts toward women in the only way it knows howto react — as individual students. This is not wrong, but it is alsonecessary to see these individual students as part of a group knownas women, with problems and tendencies produced by society’sattitude toward that grouping. The ConvocationWe are writing this letter to correct theimpression Tuesday’s Maroon conveyedwhen it presented the selection of RamseyClark as commencement speaker as a ma¬jor victory for students. The omitted factsdemonstrate the high-handed manner inwhich the decision was in fact undertaken.Last Thursday Roger Hiidebrpnd, dean ofthe College, and Provost John T Wilsondiscussed the list of acceptable speakerscame out of the mass meeting of the seniorclass Tuesday with a committee from theclass. Friday Hildebrand telephoned amember of the committee to say that hewas working on a decision. The committeemember informed Hildebrand that, in viewof the sentiments expressed at another sen¬ior class meeting earlier Friday, GeorgeWald and Ramsey Clark would satisfy few¬er members of the class than other speak¬ers on the list, who were more representa¬tive of student opinion. Hildebrand ex¬pressed consternation at this information,but offered only the following statement,which he labelled “cryptic remark:” “Ifyou invited someone, you wouldn’t wanthim to hear about it thrrugh the ‘HydePark Herald.’ ” Evidently student in¬vitation was considered to be an in¬appropriate method, as symbolized by theHyde Park Herald, because Edward Leviinvited Clark. Although getting a differentspeaker than Hildebrand, whom Levi hadoriginally appointed, is clearly a responseto student ideas, this fact was evidentlyconsidered offensive to Clark, thought toprefer the more prestigious invitation ofLevi.Thus, although he has not met with asingle student on this subject, Levi makeshimself appear to be the students’ ally intheir attempt to make convocation political¬ly palatable. That he chose Clark when heknew, through Hildebrand, that he was lessacceptable than other possible speakers;that he invited him without telling the sen¬iors, let alone asking for their ratification;that he consulted only with administratorsand faculty in making his choice — allthese facts point to Levi’s action as patron¬izing and begrudging.Furthermore, Hildebrand expressly sug¬gested that students not talk to Levi, sincethese things must be done through properchannels (rational discourse in the commu¬nity of equal scholars?), or write to Clark,implying that their influence on con¬vocation must be filtered through the veryadministrative structure that has set theconvocation policies many people find to of¬fensive. One wonders why the class is notBusiness Manager: Emmet GonderManaging Editors: Mitch Bobkin, Con HitchcockNews Editor: Sue LothPhoto Editor: Steve AokiFeature Editor: Wendy GlocknerAssociators: Steve Cook (News), Chris Froula(Features).Asstltant Business Manager: Joel PondelikSenior Editor: Roger BlackStaff: Judy Alsoform, Paul Bernstein, EllenCassidy, Nancy Chisman, Allan Friedman,Sarah Glazer, Pete Goodsell, Gordon Katz,Susan Left, Gerald Leval, Joseph Morris, TomMossberg, Janet Pine, Audrey Shalinsky, CarlSunshine.Photography Staff: Mike Brant, Monty Futch,Jesse Krakauer, Bruce Rabe, David Rosen-bush, Leslie Strauss.Founded in 1892. Pub¬lished by University ofChicago students daily dur¬ing revolutions, on Tues¬days and Fridays through¬out the regular schoolyear and intermittentlythroughout the summer,except during examination... . periods. Offices in Rooms303 and 304 in Ida Noyes Hall, 1212 E. 59thSt., Chicago, III. 60437. Phone Midway 3-0000,Ext. 3263. Distributed on campus and in theHyde Park neighborhood free of charge. Sub¬scriptions by mail $8 per year in the U.S. Non¬profit postage paid at Chicago, III. Subscribersto College Press Service.4/Hm Chicago Maroon/May 28, 1970 supposed to tell Clark why there was pres¬sure to have someone besides Hildebrandspeak, and not supposed to tell him that heis the right pole of a political spectrum alsoincluding William Kunstler and David Del¬linger. Is it because a speaker has a rightto write his own speech, as Hildebrandsays, which no one denies, and which is notsufficient reason to avoid introducing our¬selves to Mr Clark, or is it because we arenot supposed to contradict instructions Levihas already given him?Another point: Hildebrand told two mem¬bers of the committee to push Clark to theclass to avoid further problems, suggestingthat they become a fifth column withintheir own class.These are only objections to procedure onone issue (the main speaker). One mightalso describe other aspects of convocationto present the full flavor of the event, al¬though the Maroon never saw fit to do this.For example, the administration, not thestudents, chooses the student speaker, asconvocation now stands. But this is OK, be¬cause if we don’t like convocation we don’thave to come (just ask John Wilson), whichis OK because this is not our graduation butthe University’s (just ask Robert Ash-enhurst), which is OK because the univer¬sity is not a democratic institution, but thenneither is a baseball team (just ask RogerHildebrand).Ellen Bogolub 70Jessica Siegel 70llene Kantrov 70Carolyn Brown 70"Freedom Plan A"One hundred and sixteen years agoThoreau wrote, “that government is bestwhich governs not at all’; and when menare prepared for it, that will be the kind ofgovernment which they will have.” Are wenot yet ready for anarchy?CORSO (Committee on Recognized Stu¬dent Organizations) is the students’ govern¬ment at UC; it’s our ‘agency of legitamizedcoercion’. SG, receiving 23 per cent of COR-SO’s funds, is in its employ. Neither CORSO nor SG enjoy the unanimous support ofthe student body yet they speak and budgetin the name of it. Majoritarian decisionsare enforced on non-consenters; and, yetwe do nothing.Our government can be abolished inmany ways, time and freedom as the vari¬ables. I describe two methods, in decreas¬ing freedom-maximization order. Bothmethods reduce SG to the status of otherstudent organizations; that is, SG ends as agovernment and becomes a voluntary asso¬ciation representing and taxing its ownmembers alone. Here the plans diverge.Freedom Plan A calls for the immediateabolition of CORSO and a tuition reductionof $5 per student. Once at UC, each studentputs his money where his interest is. C’estfini. JPlan B, envisioned as a half-way house tofreedom, presumes that students are in¬capable of smoothly adjusting to immediateliberty. Thus it calls for a ‘voucher system’for student activities. The Universitythrough a secretarial CORSO would giveeach student a $5 voucher which he coulddistribute to the recognized student activityof his choice. Voucher money not allocatedby the students would be placed in the fol¬lowing year’s fund. Since unused moneydoes not revert back to the student, there isa direct incentive to allocate to student or¬ganizations. Freedom side, Plan B pro¬motes consumer sovereignty as each stu¬dent has an increased say in the funding ofstudent groups. Plan B lays the the ground¬work for Plan A.Neither plan contemplates forcing stu¬dents to make decisions. Under either plan,students could allocate their money to anongovernmental type CORSO to distributeit for them. There is nothing immoral inchoosing to be a slave; immorality consistsin enslaving others. And this kind of slave¬ry, — CORSO and SG — must be abolished.Sophia Cooper 73J j j *. ao f ’ c ^u j ir • a.;l* t k UO ■«I 11 < 1 till. r r - jf » Met i vi i -1 • xnMil I i » ' ** fcjtjft'ti ! ■».*.» liiU # t’fNumber 27 Thursday, May 28, 1970The Young Lords in ChicagoBy Fairinda WestOn May 3, 1969, a birthday party was held for OrlandoDavila, a member of the Young Lords Organization, at hishome in a first floor apartment at 467 W 27th Street inChicago. A number of Young Lords were at the party.Sometime between midnight and 1 am, people at theparty heard loud voices outside on the street. Severalpeople went to the door to see what was going on. A fewmoments earlier one of the young men had gone outside tothe street, and when the rest arrived at the door they sawtheir friend near a man dressed in civilian clothes andwaving a gun around. According to witnesses, the gun wasa luger, a type which police have been prohibited fromcarrying while on duty.One of the people from the party told the strangerwith the gun to take it easy. At that point, without warn¬ing, the man fired two shots at the group standing in thedoorway. The first shot hit Manuel Ramos, a member ofthe YLO, in the head near his right eye. The second shotstruck another member of the YLO, Raphael Rivera, inthe neck.Having shot the two men, the stranger — later identi¬fied as off-duty policeman James Lamb assigned to theseventh district — neither examined the two wounded mennor attempted any arrests. He entered a building acrossthe street from Davila’s home.Almost immediately, uniformed police from the NinthDistrict (35th and Lowe) arrived at the scene. It is notknown who called them. Lamb appeared and identifiedhimself to the police as one of their own. He then pointedout four YLO members, and they were arrested by thenewly-arrived police, who made no attempt to aid Manuel.With one Lord holding his head, the police pickedManuel up by one arm and one leg and threw him into theback of their paddy wagon. They took Manuel and thesecond wounded Lord to the hospital.Manuel died in the emergency room, minutes after hisarrival, leaving a wife and two children aged one andthree. Raphael Rivera survived.The four men arrested were Orlando Davila, PetroMartinez, Jose Lind, and Saoul Del Rivero. They werecharged with aggravated battery. No charges werebrought against Lamb, who was found by a coroner’s juryto have committed “justifiable homicide.” The trial ofthese four men began March 31,1970.On Tuesday, April 28, YLO chairman Cha Cha Jiminezand a group of Young Lords were working in People’sPark, Halstead and Armitage. A cop began provoking andhassling Cha Cha.When a group of the Lords gathered around the two,the cop, hand on gun, went to his car and in a few min¬utes a large number of cops arrived and began arrestingLords. Six Lords, including Cha Cha, were arrested onmisdemeanor and felony charges of “mob action.”A friend olf the Lords had been told a few days earlierthat the police intended to pick off all the Lords before theSunday demonstration. They do not want people to hearthe story of Manuel Ramos’ murder. They want to bustthe YLO.The Young Lords were formed in 1959 by sevenyouths. At that time many Puerto Ricans were gettingbeaten up by white gangs in the area, so the seven formedtheir own gang for protection.The main purpose and activity was fighting with Ital¬ians, ‘Billigans’ (hillbillies), as well as other Latin gangsfor control of hangouts, streets, turf. Between 1959 andI960 the group underwent several reorganizations andmany members spent time in jail, the army and otherparts of the country.In January 1968 Cha Cha returned to Chicago andreorganized the Young Lords. Reflecting the tensions with¬in society, the growth of movement in minority commu¬nities, the lessons learned from cops and prisons, andespecially advances and struggle in the black community,YLO sought to unite the people in the community to fightfor improvements. Unity means that YLO now included Puerto Ricans,Blacks, Anglos, and other Latins in the area. A series ofcommunity confrontations, meetings with groups from oth¬er communities and increasing police harassment led theYLO toward the revolutionary perspective they now em¬brace. Meetings-with Black Angry and Determined BAD,(a group of young black men and women organizing theCabrini housing projects), the Black Panther Party, andthe Young Patriots have resulted in a coalition of support.An early editorial in the YLO newspaper summarizedthe organization’s vision: “A Latin American Movement isdeveloping in Chicago for the purpose of putting an end tothe injustices, suffering and exploitation which is forcedupon our people.YLO considers itself as part of that movement — amovement that wants a new society in which all peopleare treated as equals; a society whose wealth is controlledand shared by all its members, and not by a few; asociety in which men and women view each other asbrothers and sisters and not as people to be exploited andhated.” Since 1968 the Lords have undertaken programs toserve the community such as a day care center whichoperates at the People’s Church, Dayton and Armitage, afree health clinic, also at the church. In May, 1969, theYoung Lords, with other groups in the Poor People’s Coa¬lition occupied the Administration Building at McCormickTheological Seminary.They won demands for $601,000 for low income housingfrom an institution which, with others, has instigated andsupported an urban renewal program in the community-whidi was and is designed to remove poor people andreplace them with middle and upper income residents.They also won demands for priority renting of apartmentsowned by McCormick to poor and working class peopleand a Puerto Rican cultural center to be set up by theYLO, among others.Through leadership in programs and struggles likethese, the Young Lords are building a mass base in theircommunity, whom they serve and protect. They see them¬selves as propagandists committed to educating peopleand providing the organization necessary if the people areto take power over their own lives.Thus their programs are designed to meet people’sreal needs while educating them about why they are beingexploited and oppressed, who is responsible, and how theycan eventually eradicate the many injustices committedagainst them.In addition the YLO is an armed group prepared to protect their communities from the brutal assaults by thepower structure that are committed every day.YLO has members in most of the Latin Americangangs in Chicago, in numerous factories and in all LatinAmerican communities. They also serve and protect thecommunity by bringing them their knowledge and organi¬zation, to make public and protest the daily oppression ofthe Latin community.At 1 p.m. on Friday, September 15, 1969, a Chicagocop attempted to murder a 17 year old Puerto Rican highSchool student in broad daylight. 35 people, mainly PuertoRicans, who witnessed the incident and know the family,said Pedro Medina was running back to school from lunchbecause he was late.They saw a patrol car stop suddenly, two cops get outand run after Pedro. When they were about twenty feetaway they fired what they called a “warning shot” to stophim. When Pedro heard the shot he turned his head tolook back, and tripped and fell on his face.The cops came up to him and rolled him on his backat which time Pedro raised his hands up in surrender andsaid, “Please don’t kill me.” One erf the cops held himdown with his knee and shot him in the stomach. As thewitnesses started Shouting, the other cop went through thevictim’s pockets and found a pen and 20 cents.This is a dramatic example of the daily oppressionLatin people suffer from police harrassment. When peoplebecome conscious of their condition and organize to end it,the harassment grows, taking on the new face of politicalrepression.Through their daily exposure to the armed guard ofprivate property, oppressed groups learn who their enemyis. When they arm themselves in self defense, it becomesan act of defiance against the state.There are 350,000 Latins in Chicago, and 12 millionLatins in the continental US. Unemployment in PuertoRico forced most of them to emigrate to the United States,where institutionalized racism locks them into the lowestsections of the working class and subjects them to themost exploitative landlords, the worst education andhealth facilities.They move from a colony kept in subjection by itsdomestic army, the police. They perceive ther identitywith insurgent people all over the third world, and likethem, when they organize to take control of their owncommunities and lives, they experience the armed force ofan imperialism desperate to maintain its control of labor,captive consumer markets, and the resources of theworld.Domestic repression, like foreign aggression, is no“mistake.” It is the logical response of those who profitfrom people. The United States government can no moreafford to let the Cambodians rule their own country thanit can afford the liberation of Latin, black and workingpeople at home.All Power to the People!Cha-Cha JimenezTHE1TREBrecht for the PeopleTWO YEARS AGO, Leonard Bernstein and Jerome Rob¬bins planned a Broadway musical rendition of Brecht’sThe Exception and the Rule. In an interview with TheNew York Times Robbins tells of the production:1 saw it as possessing the potential for a greatcomedy without missing any of the fine points, a kindof antic vaudeville, that has great pertinence for ourtime and our country.One can well imagine that had it come off, Clark Weberwould wake us to the “Now” sounds of “Strong men fightand weak men die.” Such are the corruptive powers of asociety which twists and vitiates those few antagonisticforces of the spirit which would condemn it for what it is.Only this society, in which racist class justice is the rulerather than the exception, is capable of making a severestatement on that fact a profitable commodity, and by sodoing legitimizing and reinforcing its own hegemony. Mar¬cuse says it better:Now this essential gap between the arts and theorder of the day, kept open in the artistic alienation,is progressively closed by the advancing technoloticalsociety. And with its closing, the Great Refusal is inturn refused; the other dimension is absorbed into theprevailing state of affairs.Such is the fate of Bertolt Brecht in the advancedcapitalist world. What was once alienating is now “alien¬ated;” what was once a bitter rejection of a system isnow “provocative” — “pertinent for our time and thiscountry.” Robbins would have achieved this through up¬dating. More often, directors take the opposite path —back to the way “Brecht would have done it.” The resultis the same: it is absorbed, not perhaps as a piece ofsaleable garbage, but as “art” — moving and nostalgicIT IS DIFFICULT, in light of recent developments in theSoutheast Asian war, to examine two recent war films,one a comedy and the other a biography Of a blatantly mi¬litaristic general. But the struggle for objectivity mustgo on, and Twentieth-Century Fox’s M^S^H (directed byRobert Altman) and Patton (directed by Franklin Schaff-ner) are particularly interesting reflections of our newlyreinforced attitudes towards Vietnam and war in general.I was greatly disappointed in M*A*S*H, after the ter¬rific press buildup it received. The film is terribly con¬fused in important ways, and seems blithely unaware ofit. The story concerns a hip group of combat surgeonstrying to maintain their sanity, in the midst of agrotesquely ridiculous Korean War, by raucously subvert¬ing the uptight system of the American military. RingLardner Jr.’s script is fresh and inventive, and all theactors are very skillful and self-effacing. Altman’s direc¬tion is severely limited in its visual aspects by the highlyimprovised style of the acting, but it is functionally ade¬quate without much personal comment. M*A*S*H hasnone of the hard-focused star-style domination that BlakeEdwards’ marvelous war comedy, What Did You Do inthe War Daddy had. Edwards’ film was far superior toM*A*S*H, not because of its type of style, but because itsstyle was assured; feelings and viewpoints were demon¬strated by camera placement and movement. Still,M*A*S*H’s premise (courage and professionalism trium¬phant in the guise of the anti-hero) is sufficiently in¬triguing to investigate more closely.Essentially, three elements in M*A*S*H remain par¬ticularly disturbing. First, I think that the makers of thefilm fundamentally misunderstand the meaning of profes¬sionalism. In the movies of Howard Hawks (one of thegreatest of all American directors), professionalism deter¬mines a particular private metaphysic: a barren worldwhere men must live by doing what they are proficient atdoing, as their particular skills constitute their only mean¬ingful context. But Altman uses the alleged profes¬sionalism of Hawkeye and Trapper, et al as an ex¬planation for their scorn, for the incompetent Major andthe whole absurd setup of the Army. Where Hawks’ heroesare given a nobility and purpose by their professionalism,Altman’s cut-ups are merely given a carte-blanche formischief. There is an abyss between the joking camaraderiein Rio Bravo or El Dorado, and the smirking hyper-cool ofthe mock suicide party of M*A*S*H.It is the cavalier cruelty of much of the surgeons’pranks that is upsetting. I didn’t share the evident glee ofother critics at the nervious breakdown of the Major orthe progressive sexual humiliation of the head nurse, “HotLips” Houlihan. Further, the treatment of “Hot Lips,” theone woman in the picture who exhibits any individualityor life apart from her anatomy, is perhaps most dis¬concerting of all. The nurses are consistently shown assimple, passive sex-objects. “Hot Lips” is, by the “cool”surgeons’ own admission, skillful at her work; she simplydoes not conform either to the life style or to the image of In the Elephant Calf (from left to right) Steve Sim¬mons, as the elephant calf, Jeanne Wikler, as the bananatree, John Tsafoyannis, as the Mother and Roberto Gam-bini as the moon.with the breath of the past, but hopelessly apart fromsociety. There were moments in the three Brecht produc¬tions put on by FOTA this weekend where these pitfallswere avoided and the result was political theatre.Two of the plays The Exception and Rule and TheMeasures Taken, were written as Lehrstucke in the latetwenties and an understanding of this category points tointeresting possibilities for their revival. “Lehrstucke” isbest translated “plays to learn by” rather than “didacticplays.” According to their author, they do not purport towomen that everyone in the unit seems to share. Even¬tually, through continual harassment (much of it cleverand funny), she becomes an accepted member of the unit,fading from the front to the back of the frame, finallyending up as — what else? — the head cheerleader at themen’s big football game.Granted the character is officious and obnoxious. Nei¬ther do I share the conviction that any unenlightened viewof women in a picture is criminal and dangerous. It wouldbe ridiculous to make a service comedy with any otherattitude. But what I find offensive in M*A*S*H is its iden¬tification of this attitude with “cool” and even heroism.This is the same hip hipsterism that underlies Playboyand dominates the offices of the country. It is one thing toshow characters who do not have a liberated viewpoint; itis quite another to disgusie this narrow-mindedness asenlightened Establishment-screwing.* * *Patton was a great general; he was also mad, a brut¬al self-seeking militarist that even hawkish World War IIAmerica found hard to put up with. How, then, to explainthat his generally sympathetic film biography is a mag¬nificent film, when he represents the very kind of thinkingthat has us hopelessly mired in Asia?I have never held political orthodoxy as a prerequisitefor artistic achievement. I do not share the conservativeviewpoint of John Ford, but his body of work is withoutpeer for consistently profound and moving expression andevocation of an historic past. The reasons for Patton’sgreatness do not demand such objectivity from the left-wing spectator, because the director has included it in histreatment of the character. Franklin Schaffner has givenus a whole man: contradictory, perplexing and out¬rageously fascinating. The man is painted far too big to bejudged in simple terms.We first see Patton in a highly entertaining speech tohis troops (“No bastard ever won a war by losing his lifefor his country. He won it by making the other poor bas¬tard die for his country.”), backed by a pop Art Americanflag. The man is constantly shown confronting history inboth present and past. He believes in reincarnation and isconvinced that he was with Napoleon and the Romans.But for all his ivory handled pistols, Patton is never sim¬ply a jincoistic patriot. He is instead the embodiment ofthe military mind — a fearful thing, but he does winbattles, and he seems more lucid at critical points thananyone else in the World War.The film is mostly seen from what can be describedas a critical version of Patton’s own viewpoint. The majorbattles in the film, awesome in their scope, seem to beprojections of Patton’s personality. They are cut and de¬veloped with constant reference to Patton’s observationsof the battle.George C. Scott’s performance is astounding in itsrange and size. No other actor today could electrify such alarge screen and hold his own with monuments and geo-Continued on Page Six preach dogma or finished truths, but seek their revelationin the dialectical unfolding of truths. Central to this un¬folding process — both as learner and demonstrator — jsthe actor.The Lehrstuck teaches by being played not by be¬ing watched. In principle no spectator is needed for aLehrstuck although one can be used. At the heart ofthe Lehrstuck is the expectation that the player canbe socially influenced by carrying out certain types ofbehavior, by assuming certain attitudes, by deliveringcertain speeches, etc. The imitation of carefully sel¬ected models also plays an important role just as doesthe criticism that the actor brings to these models byconsciously playing his part in different ways.Another example of Brechtian sophistry? Yes and no.Of course these plays represent finished scripts with une¬quivocating answers that do indeed appear written to beplayed before an audience. Yet Brecht emphasizes that itis the process and not the end result which is of concernto him; that the actor as “pupil” must explore and ques¬tion this process. The power of The Measures Taken doesnot lie in the correctness of the measures themselves, butin one’s confrontation with revolutionary discipline andnecessity. The sparseness of this production — the deliber¬ate simplicity of the four agitators and the controlled un¬derstated responses of the chorus forces us fo considerwhat it means and will mean to make a revolution: thesacrifice of individuality to the needs of a collective; thenecessity of disciplined, long-range struggle that dares towin. Brecht wrote this play in part to expunge his ownbourgeoise weakness and it is this intention with which wesympathize and from which we can learn.The Exception and the Rule was less successful, andfor political reasons. The squawky harranguing of RobertHopkins as the merchant and the forced Brittish accentsof David Rasche as the judge presented caricatures whichfit somewhere between 19th Century colonialism and theNazi Brown shirts, when their portrayals might havestruck home. The final chorus admonishes the audience tofind exceptional what appears to be the rule, yet we arenever permitted to confront seriously the viewpoint of theoppressor (which in a racist class society is a reasonableposition) perhaps because the actors themselves lackedvariety and a critical attitude in their exploration of theirrole.The Elephant Calf was written three years prior to theLehrstucke to be played at the intermission of Brecht sMan Is Man. It systematically deromanticizes art, reality,art and reality, Brecht on art and reality. It is a spoof onspoof that knows no bounds. This production respects thatquality and with ample aid from the excellent music ofNorman Siegel and the intuitive timing of Jeanne Wicklerthe incomprehensible becomes more so and we are givenan appreciation of the boundless imagination of theemerging dialectic.The directors must be especially commended for theiruse of the court both in production and as a locale. Theplays are billed as “Theater fur’s Volk” and playing themfree of charge outside the halls of the south side oppressorwas a first tiny step for mankind in that direction.David BathrickHSRTSY- /raRTSTr»»Here is no continuing city, here is no abiding stay.Ill the wind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late, androtten the year;Evil the wind, and bitter the sea, and grey the sky,grey grey grey. T. S. EliotMurder in the CathedralEditorsJessica SiegelJeanne WiklerStaffCulture VultureT. C. FoxC. F. Z. HitchcockFrank MalbrancheThe Great PumpkinPeter RatnerPaula ShapiroThe Gray City Journal, published weekly In cooperation with Th«Chicago Maroon/ invites staff participation and contributions fromthe University community and all Chicago. All Interested personsshould contact the editor in the Maroon offices in Ida Noyes Hall.THEATREWar in the Movies2/Grey City Journal/May 28, 1970theitabThe Sound of JessicaPERHAPS THE LAST SUBJECT you would think suitablefor a musical would be the production of a magazine. Ifso, you would be right. It isn’t. Or at least that was what Ithought before I experienced Jessica! last night. I hadseen The Front Page and that didn’t quite make it, and Isuppose you could include Superman in the same cate¬gory. But Jessica! was unlike any of these. It was real, itspeople were living, breathing human beings, their prob¬lems gripping, the action exciting — never did this review¬er feel such a part of the play nor enjoy himself somuch.Adopted from Gay Talese’s book by the talented youngwriter Saul Bellow, Jessica! takes you behind the scenesof a great metropolitan newspaper, The Grey City Jour¬nal, and shows you how it works, how it is put together.The dialogue is crisp and sharp, the characters memo¬rable, the action vivid. It is almost as if you were up thereat the desk, playing with your blue pencil and your picturewheel, molding and forming the magazine with your ownhands.The play opens unobtrusively with Jessica, performedby Beatrice Lillie, sitting at her desk, sipping the last ofher large glass of water as she munches on a cold swisscheese sandwich topped with mustard and lettuce. MissLillie’s Jessica can be described as nothing short ofbrilliant, and even if she never appears again in the stage,she will have earned a place for herself in the history oftheatre. She is blessed with a versatile voice, which sheeffectively employs, now delivering a tirade against RogerBlack, a shadowy figure whom Jessica holds accountablefor all the sins of the world and who appears only to sing“I could be oilt making money,” one of the smash songscomposed by Ralph Shapey with lyrics by Richard G.Stern. Miss Lillie’s strength lies in the dramatic scenes inwhich tempers and voices run high, in which the souls ofthe players are bared and their raw emotions and truenatures are brought out.Jessica’s co-editor, Jeanne, performed to perfection bythe sulky temptress Lauren Bacall, now enters and togeth¬er they read the articles, Jeanne throwing out the radicalstories, Jessica the artsy-fartsy ones. As they sit there,hard at work, in ooze Peter Ratner, played by Ed Sulli¬van, and T.C. Fox. In one of the most memorable charac¬terizations of recent theatre, Dustin Hoffman recreates hisgreat role as Ratso Rizzo in Fox, and shuffles along, glow¬ering at the editors, breathing words of contempt at them.Director Jean-Luc Godard, in his first venture into musi¬cal comedy of the absurd, has in Ratnerand Fox the mostinfamous dynamic duo since Mae West.The two are especially angry now, as they demandmore say in how their copy is edited and how it is present¬ed. Dissent ion and tension tnount until Ratner shouts“We’re revolting,” to which Jessica and Jeanne bellowback “YOU SURE ARE.“ Both sides pair off for the song,much like “America” in West Side Story in which argu¬ments are exchanged over every one’s job. The song ofShapey and Stern is excellent and ranks with other greatsongs such as “Oh, shut up,” “Tiptoe through the picturefile,” “Because, my dear, it’s too short,” “Who looks atpictures, it’s copy that counts,” “Jessica, call on linethree,” and “Well, folks.” Losing the argument, Ratner Preparing to descend the grand staircase in Ida Noyes for the finale to “Jessica” are Zero Mostel (Mitch), holdingaloft the completed magazine, a reluctant Beatrice Lillie (Jessica), Lauren Bacall (Jeanne) and Will Rogers (Con).and Fox slouch out, Ratner mumbling obscure Germanphrases and Fox fondling his portfolio of past film re¬views.Throughout the first act, Jessica and Jeanne contin¬ually mention Joel, a Godot-like figure who is never seen,but who someh- gives the pages on which the Journal islaid out. It is Joel who defines their existence, for thoughhe never appears, nonetheless his strong presence is^ S S JGfl/A COMEDY OF PATIENCE LOSTStarring Beatrice Lillie as JessicawithJeanne Lauren BacallRatner Ed SullivanT.C. Fox .. .. Dustin "Ratso Riiio" HoffmanMitch Zero MostelCon Will RogersCulture Vulture .. Walter PidgeonRex, the pick up man PuckFrank Malbranche The Invisible ManWalter Eric von StroheimDirected by Jean-Luc GodardProduced by Ed ChikofskyMusic by Ralph ShapeyLyrics by Richard G. SternAdapted by Saul Bellow from the book by Gay TaleseThe Winter Garden Theatre, SOth and Broadwaysensed throughout. Bellow must have been tempted to re¬title the play “Waiting for Joel” for this is the essence ofthe first act, a brief introduction whereby we are in¬troduced to the principals and prepared for thecataclysms of the next act.The second act opens high above 59th Street, teemingwith its masses, in the spacious offices of the Journal in his-TBE1TR8Gabbard9 Albee, and BradburyTHIS WEEK-END experimental theatre comes to stodgyOld Reynolds Club Theatre when three modern one-actplays grace the stage where John Webster is usuallyplayed.The first of the three is Throne by Krin Gabbard afourth-year student in the college. A play without words, itdeals poetically with conceptions of leadership, mecha¬nization and inhumanity. The action ranges from dance tomime, from naturalism to death-like surrealism. Projec¬tions, music and special sound effects will be part of theaction. The cast includes Steve Chatzky, Maureen Flynn,Richard Kilber, Debbie Binstock, Andrei Laszlo, DavidBrent, and Linda Gossen.The second play is Edward Albee’s The Sandbox, di¬rected by Robert Hopkins. This example of Theatre of theAbsurd looks critically and satirically at traditions, bothin everyday American life and in theatrical sumbpolism.One of his objects of satire is the family, represented byMommy and Daddy and another is death, portrayed bv agood-looking angel of Death. It stars Mark Neiter, MarciaEdison, Mike Young, Paul Kramer, Linda Killian.The third play, also directed by the cast is Death andthe Maiden adapted from a story by Ray Bradbury. OldMan is a 91-year old maiden lady who keeps death out ofher house beyond the woods by having “tape on the key¬holes, dust mops up the chimney, cobwebs in the shutters,and the iectricity cut off so he can’t slide in with thejuice!” She succeeds until He offers her a past she neverhad. It stars Enid Rieser, Bill Lycan and Robert Hopkins. Krin Gabbard’s “Rome’ Dili riTzgcraia toric Ida Noyes hall. The staging is effectively simple — atable with four chan's, the glue pot conspicuously ploppedin the center, surrounded with scissors, picture wheels,rulers in casual disarray, with papers strewn about thetable and floor. The scene is just outside the main officesof the Journal, and as the curtain opens, we hear a voicefrom within shouting, “Jessica, will you stop looking forthat picture so we can lay out this rag?” A fierce alterca¬tion ensues with the words inaudible by the harsh level ofshouting and flying brickbats.Eventually it dies down, and the Big Four emergefrom within and take their places around the table. Inaddition to Jessica and Jeanne, there is Milch (whoseschizophrenia makes him think himself a Great Pumpkin)and Con. Mitch is played by the immortal Zero Mostel,who brings to the role the right amount of comedy andslapstick humor, and Con by the inimitable Will Rogerswhose down-home humor and folksy anecdotes keep themrollicking.The drama begins inauspicously enough with Ratner’sreview buried on page six. But a fight is brewing. Theissue is small, so something has to die, a euphemism for“it will run next week,” but rarely if ever will. Jessicahas a radical piece which “has to get in this week,” andJeanne has an artsy-fartsy review which also “has to getin this week.” After the obvious decision to kill T.C. Fox,both articles make it, with only minor arguments. Butthey are not out of the woods yet. Both want to run theirrespective articles on page one, but neither one will fit.And neither one has a pic to go along with it. Tensionbuilds as Mitch tells them how it has to be laid out, butthey violently disagree.Sitting in the audience, one is awed by the dimensionsof the problem — the cold logic behind why an 11-inchstory cannot be the lead, the ruthless backstabbing behindkilling a column, the aesthetics of why Alan Bates’ backhas to be cropped into the picture. One is imparted with asense of “you are there,” of history in the making. Dramamounts as the viewer is forced to choose for himself, toagonize over the decision — radical or artsy-fartsy? It isno easy decision, and it is not easy for the participants cmstage either, but they eventually, exhausted, break downand agree to listen to Mitch. Some of Bellow’s best dia¬logue is in this act, for example:JESSICA: “ ... so we put the eight inch story on top ofthe page.MITCH: (pause) It simply can’t be done.JESSICA: Well, why not?MITCH: Because, my dear, it’s too short.JEANNE: Well, why don’t you move this story over andput the other on page three.CON: No, that would look bad. And besides there isn’t apicture for that one.MITCH: I personally would suggest you hold it until nex\week and run the records review in here.JEANNE: Come on. We already decided the record col¬umn died.MITCH: But the records died last week, and it’s a shittystory anyway.JESSICA: WILL YOU SHUT UP?VOICE FROM THE OFFICE: Jessica! Call on six-three!And so it goes. Somehow it all gets done — the lastpicture is cropped, the last galley pasted down and thecase explodes into song “There’s no business like rag busi¬ness’ as they parade down the Ida Noyes staircase to theacolades of the teeny boppers watching television andchewing greasy fries in the Bandersnatch as Walter, deanof Ida Noyes, leads the chorus. Godard took perhaps themost absurd situation imaginable and made it into a suc¬cessful, light-hearted musical. For this he and his ex¬cellent cast deserve great credit. It was excellent theatre.Beppo the DwarfMay 28, 1970/Grey City Journal/3FillSatyricon: For Philistines OnlyABOUT HALFWAY through Fellini-Satyricon, I began towonder if this film that is as disgusting as it is bad mightnot justify itself by the very reaction of its own spectators.Fellini portrays humanity as a bunch of slovenly rubes,carnival marks to be had for the asking, distinguishedugly try to subjugate the beautiful, but in the end thebeautiful man wins by screwing a witch (who at the mo¬ment of intercourse turns from beautiful freak to uglywhore). My question maintained me for some time, in factit greatly influenced my wrongheaded decision not toleave the theatre an hour before the film’s end, but it wasnot enough to stop me from being bored by one afteranother of Fellini’s repititious acts.WELL FOLKS, the end is nigh (as they say, as it were).This is the last roundup for yours truly. I’m getting outwhile the going is good. I don’t have to tell you whathappens when you stay around Chicago too long — youturn grey and you get to look like the buildings (you growgothic arches.)Evans and Novak called this place a paradise. I’llleave you to apply your own systems of judgement to that.But one thing anyone will tell you that this place ain’t thereal world (or should I say it ain’t for real). I’ve alwayshad my suspicions about how real those tulips which sud¬denly appeared yellow one morning and then red the nextwere .:. Did you ever see them plant grass seed? Now Iask you friends ...You may ask me where I am going. Well I’ve consid¬ered Miami beach — where else can you see those strangespecies with blue, platinum, green and white hair andrhinestone sunglasses? What about Saigon? — I’m going totry to discover if Generals Thieu and Ky are really at¬tached to Washington by long strings (these days, though,with all the wonders of science, they can just use remotecontrols).Frankly, I’m not sure where I’m splitting to but Iwarn you if you’re at a play, concert, film, demonstrationetc and you see this mangy looking thing slithercng in, it’snot the Red Squad, it’s yours truly, the Vulch.CAMPUSFilmStarting sometime this week and continuing into next*the UC Panther Defense Committee is presenting a Revo¬lutionary Film Festival. Featured first will be the twoNewsreel films on the Panthers — Off the Pig and Huey’sBirthday. On following days will be films on Women’sLiberation, the San Francisco State Strike, People’s Park,Indo-China etc. They’ll all be in the Fred Hampton Com¬munity Center. Check with Strike Central (x2312) or theirdaily bulletin of events for exact programs.Pierce Tower Cinema is presenting True Grit withthat true-blue American John Wayne. It tells about life inthe Old West — when men were men. In Cobb at 7 and9:15 for $1.The South Side Cooperative School No. 2 (which yourgood old friendly Chicago police decided to hassle) ispresenting Frederick Wiseman’s High School (obviouslythey’re warning the kids early about what it is like.) Asearing expose of a secondary school it will be shown JuneContributorsDavid Bathrick is a doctoral candidate in the depart¬ment of Germanic Languages. He spent a year studyingwith Brecht’s theatre, the Berliner Ensemble, in EastGermany.Beppo the Dwarf, the illegitimate haTf-brother of theCulturue Vulture, is currently hiding in Bolivia, fearfulof defenestration by irate Grey City Journal staff mem.bers.Gerald Fisher is a 1969 dropout of the University ofChicago. He is currently living on the North Side andbeing an actor-about-town.Epicurius Glutamate is currently convalescing in Bill¬ings Hospital, after a severe case of heartburn. He is fa¬mous for his famous TV commercial, “I bet you can’teat just one!”John Holt is a member 6f the committee on socialthought and teaches at the University of Illinois, CircleChristopher Lyon is a second-year student in the Col¬lege.Myron Meisel is a second-year student in the College.Joel Snyder is a photographer who is currently teach¬ing a photography course in the College.Farinda West is an assistant professor Of English anda member of the New University Conference. Fellini has a sense of composition that, if meaningless,is striking. These empty but beautiful frames are coupledtogether in a manner that defies continuity. Fellini eitherwill not, or cannot, cut two shots together with the sameman in it. Tl]e result of this is to drive an audience intoperpetual confusion as to what the hell it is watching, andthis confusion, coupled with the striking nature of the pic¬tures, is what the Philistines of our day call cinematic art.In actuality, it is this “artistic” quality of Fellini thatmakes every film from La Dolce Vita on unwatchable.Every sequence has an equal lack of pacing. (Pacing isdeveloped by varying your cutting methods. Fellini’s cutsare forever the same.)5th and 6th at 8 at St. Paul’s Church, 50th and Dorchester.Students are $1.Frday, June 5, CEF presents Goodbye Columbusmade from the book by that old UC alumnus, Philip Roth,If you’ve never been to a Jewish wedding see this one, ifyou’ve seen too many, stay home and watch the boobtube. Tn Cobb at 7 and 9:15 for $1.Saturday, June 6, CEF presents Rosemary’s Babywith none other than that Sarah Bemhart of screen andtelevision Mia Farrow. A gothic horror story, all pregnantwomen are advised to stay away. In Cobb at 7 and 9:15for $1.TheatreAll you theatre fanatics, if you haven’t got your fill inthis very thespian quarter that is still another week-endfull of plays. Called their experimental week-end, it con¬sists of three one-acters. First is Throne, a play withoutwords, by Krin Gabbard, ’70. The second is Edward Al-bee’s The Sandbox, one of his early ones and an adapt¬ation of Ray Bradburys’ short story Death and the Maid¬en. The last two are directed by Robert Hopkins. All threeare being performed Friday, Saturday and Sunday nightat 8:30 in Reynolds Club. Tickets are $1.The Musical Theatre of Hyde park presents How toSucceed in Business Without Really, the musical expose ofbig corporations. It stars, Stephen Goodman, Eileen Wat-zulik, Jerry Troyer and Glen Graber. It’s playing tonight,Friday and Saturday at 8:30 pm at the Harper Theatre.Tickets for students are $1.50.The People Vs. Ranchman is the name of Megan Ter¬ry’s new play (she wrote Viet-Rock). As you can guess it’spolitical and includes a lynching. It’s at the KingstonMines Theatre, 2356 N. Lincoln, weekends at 8:30.Justice Is Done or Oh! Cal Coolidge is the newest ofthe famous Second City revues. Second City, 1616 N.Wells, Tuesdays through Thursday and Sunday, Friday at8:30 and 11. Saturday at 8:30,11 and 1.Adaptation-NEXT is two one-act plays, one by old Chi¬cagoan Elaine May and one by Terance McNally. At theHappy Medium, 901 N. Rush St. Tuesday — Thursday at8:30 Friday and Saturday at 8 and 11. Sunday at 7:30.The Parson in the Cupboard is the newest of PaulSills’ story theatre. Body Politic, 2259 N. Lincoln Tuesdaythrough Thursday at 8:30, Friday and Saturday at 8:30and 10:30 and Sunday at 7:30. Theatre games Sunday at 3.The Fourth Force improvisional farces and work-in-progress, 4715 Broadway, Monday and Saturday at 8:30.To the Induction Center is an original drama per¬formed by the Actor’s workshop at the Unity, 656 W. Bar¬ry. Friday and Saturday at 8:30.Naked Lunch is a drama made from the works ofWilliam Burroughs. At the Columbia College PerformingArts Center, 1725 N. Wells, Fridays and Saturdays at 8:30and FREE.The Odyssey, an original adaptation of Homer’s epic.Opens tonight. The Organic Theatre, 925 W. Diversey.Thursday, Friday and Saturday at 8:30.Theatre in Media present Murray Schisgal’s The OldJew at 8 and 9:30 Monday and Samual Beckett’s Krapp’sLast Tape at 8 and 9:30 Thursday are featered in a pro¬gram of live theatre, film and radio. The Playhouse, 315W. North.How to Succeed in Business Without Really Trying isFrank Loesser’s musical about the corrupt business world.Music Theatre of Hyde Park, Harper Theatre, 5238 S. Har¬per. Sunday at 7:30 and May 28, 29, 30 at 8:30 pm.The Zoo Story and Suppressed Desires by Edward Al-bee and Susan Glaspel respectively. At Cafe TOPA, 904 W.Belmont. Friday and Saturday at 8:30 and Sunday at 7:30.In a Funny Town An original play by Robert E. Mof-fet Jr. set in Haight-Ashbury district of San Francisco in1954. Hull House Playwright’s Center, 222 W. North.The Elephant Calf and Ginger Anne, works by BertoltBrecht and Dene Washburn, respectively. Columbia Col¬lege Performing Arts.Continued on Page Seven Every character is equally condemned to a single di¬mension. (If you can’t follow a character from one shot tothe next how can you follow the development of his feel¬ings?) The effect of all ttys is to eliminate dramatic ten¬sion, letting the rubes in the audience depend on your newswitcheroo. (Watch the dawn become the sunset. Watchthe image fade before your very eyes.)I suppose if this were all that were wrong with Safyri-con I would merely have dozed off, content in the knowl¬edge that ten minutes of Fellini is all that one needs sinceit will be repeated endlessly 14 times over. But Satyricondoes disgust, not so much in the acts it portrays but rath¬er in the attitude it takes. Against this view of humanityas a bunch of dolts who only want to gape is counterposednothing. Not merely is there no moral norm in this picturethere is no attempt to find one. The closest Fellini comesto an alternative position is with some anticipatory Chris¬tians who free their slaves and then kill themselves. Buteven their nobility is undercut with the perverse angelicchild that has become Fellini’s cheapest and most oftenrepeated motif. (So someone finds sex in the house of god.Who cares?)Then, of course, came the question. Would Fellinihave the guts to turn this picture on his audience, to say“look at the junk I give you, and look at the way you lapit up just like those bastards you are watching?” But no,of course not. Fellini will not bite the hand that feeds him.Those all too well-constructed compositions (won’t someonetell the man that every frame is not supposed to look likea postcard?) were there for a reason. At the end all thecharacters become a painting. Get it? It’s all okay be¬cause it’s art.If Fellini were more of an artist perhaps we couldtake him seriously. But Fellini begins with deprecationand then turns around and says “but it’s all right, I'm anartist so I’m justified and I guess you are too.” Artdoesn’t need justification, Mr. Fellini, it justifies itself.* * • *Since this is the last GCJ of the quarter I would like tomention Cotton Comes to Harlem, the first film of OssieDavis. Cotton kept turning my head around so fast that itwill take a second viewing to get a fix. I’m not at all surethat it’s a good film, but it is a highly enjoyable one.Davis has a fine sense of slapstick humor, a sense thatrespects slapstick rather than poke fun at it, and he hasan equally fine sense of when to turn his story from come¬dy to drama and when back again. The story is one ofChester Hime’s Coffin Ed Johnson — Gravedigger JonesHarlem cases. Raymond St. Jacques does allright as Cof¬fin Ed but it is Godfrey Cambridge as ‘Digger’ who is thereal surprise. Cambridge is Gravedigger, with his halfclosed eyes, his sprawing speech, his ready gun and multi-directed hate. Man, it’s not an acting job, it’s a perform¬ance.Terry Curtis Fox■isic —THE MUSICAL SOCIETY will present a recital by Mezzo-Soprano Norma Hirsch on Saturday, May 30, at MandelHall. Miss Hirsch is a graduate of the Curtis Institute ofMusic, the Temple University College of Music, and theFontainbleau Conservatoire de Musique. She was recentlythe winner of the Lakeview Musical Society contest. Shehas appeared with the Santa Fe Opera company and theChautauqua Opera Association, and most recently, sangthe role of Mercedes in the Saint Paul Opera Association sproduction of Carmen. She is the wife of Stephen Barsky,a graduate student in the UC sociology department.Her accompanist will be Michael Krauss, a student inthe College, and the musical director of the Festival of theArts. The program will include works by Handel, Gluck,Brahms, Berlioz, Debussy and Barber. Admission is freeand without ticket. The concert will be at 8:30 pm inMandel Hall.cmnsE mini —So Dies the Culture V ulture4/Grey City Journal/May 28, 1970Travis Photos: Deceptively SimpleDAVID TRAVIS HAS a direct eye. It is sharp, uncompli¬cated, clean. His photographs have a deceptive simplicity:some of the best photographs in the show have a nearsnapshot quality. They seem, at first glance, to show onlythe obvious (e.g., two women boarding a taxi in a slushfilled street). Travis often concentrates on the totally fa¬miliar, and it is this attention to the ordinary that givesthe photographs an aura of simple documentation. But inthese photographs something more than literal descriptionis going on. Travis has the ability to concentrate on theordinary to illustrate the singularity of a moment.In the winter taxi scene, for example, he has caughtthe strange twist of a hurried body pushing itself intoshelter as it avoids the muck of a Chicago winter. Andthis nearly frozen motion (the foot that is stepping into thecab is slightly blurred«— seemingly pulling the static bodyin from the cold) played against the door swing open andthe textures of the grey-black slush recalls feelings aboutwinter in Chicago that no simple snasphot can do. (In¬cidentally, this photograph forms part of a sub group thatTravis calls “Life In The Ugly City, Chicago”. But the funand simple good humor in many of the photographs seemto indicate that Travis’ pessimism is only verbal.A photograph of “Leslie” in front of a store window,breaking-up with laughter, her eyes closed (seemingly ob¬jecting to the presence of the camera) while trying to eatan ice cream bar at the same time, has all the earmarksof a cliche, but it is actually a small masterpiece. Leslie’sobjecting laughter and closed eyes dominate the photo¬graph, though she does not physically dominate the frame.Her figure is centrally placed, but it is relatively smalland juxtaposed against a grocery storefront with a strongcompeting vertical line and horizontal elements of signsadvertising a store sale. The placement of the subject in avisually hostile environment, isolated against items thatordinarily grab for our attention, is a device that Travisuses with great care. It can only work if the subject iscaught in an expressively crucial moment. And, in thismnmiCuban BrigadeIF YOU THOUGHT the only way you could get to seeCuba was to hijack a plane, you obviously haven’t beenkeeping your ears open. August 1, the 3rd VenceremosBrigade is scheduled to arrive there which brings it towell over 1,000 young North Americans who have traveledto that small island this year.The significance of Cuba is not the number of planesthat have been hijacked there (though that does say some¬thing significant about a number <rf people’s view of lifethere.) Cuba is about the only example of a stable run¬ning socialist government in the Americas. In 11 years ithas grown from a starving colony of US business intereststo a land of almost 8 million people who are workingtogether to build a new society.The people who have gone on the two other brigadeshave found a country where education, health care, daycare, rent and much clothing and food is free to allpeople. They have also had a chance to meet and talk toother people from South-East Asia, Africa and LatinAmerica.The third brigade will be working for four weeks onthe Isle of Pines harvesting citrus fruits and will spendanother 2 weeks touring the country. It will be prettymuch an all-student brigade but non-students can apply.All interested people should write for an application toBrigade, 416 W. 63rd Street, Chicago. case, Travis caught the precise moment of hilarity, play¬fulness, and self consciousness that make it possible forthe subject to dominate the photograph. She is the visualand emotional focal point. The background provides aframe for her, but never gets a chance to compete forattention.Although the photographs in Travis’ exhibit are variedin subject matter, the approach is consistent. Travis hasincluded photographs of activities downtown and oncampus, a Grant Park blues festival, the Nebraska coun¬tryside, and posed graduation photographs that will soonappear in the Year Box. The approach to the subject isusually direct and to the point. Two Nebraska landscapesand one photograph of fire hoses stretched out in front ofa fire truck are the only examples of composition whichrelies primarily on design. In these three photographs,Travis uses nearly two thirds of the frame for the fore¬ground, which leads the eye to the highly placed subjects.The portraits taken for the year Box are full of per¬sonality and joshing. Travis set his subjects near a win¬dow in Ida Noyes. The light has a moderately sharp char¬acter, illuminating the right side of. the face and droppingoff rather sharply on the left. This kind of lighting is quiteoften used for dramatic effect, creating a brooding orpensive atmosphere. Within this lighting arrangement,Travis meets his subjects head on. A photograph of RogerBETWEEN THE MORALITY play (e.g. Everyman) andthe five-act comedy (e.g. Udall’s Ralph Roister Doister)falls the “interlude,” a theatrical sketch of lively wit inthe modes of farce, satire, and sometimes even politicaldispu ation. The Renaissance Players this past weekpresented one of these interludes, John Heywood’s John-John, Tyb His Good Wife, and Sir John the Priest, and itwas a lusty good show.Heywood was court musician and entertainer to thecourt of Henry VIII, a loyal subject, and a good RomanCatholic (he was married to Sir Tliomas More’s niece). Toplease a lustful and gluttonous king, he wrote a farce oflust and gluttony (for though they be sins, they nonethe¬less inspire an antic sidelong glance).John-John represents the stock character of the Cuck-hold of the Woeful Countenance; Tyb the Unfai hful Mock¬ing Wife; and Sir John the Satyr in Priest’s Clothing. SirJohn, the complete priest, sees to the health of Tyb’s bodyas well as her soul, and John-John suspects that his wifeis giving more to her priest than confessions.In the opening scene, the irate husband stomps thestage in impotent fury, relishing the thought of beating hiswife; but when she returns, and explains her absence bysaying that she had been “making a pie” with her friendMargery (the ingredients furnished by Sir John), John-John reveals his submissive and thoroughly cuckholdablecharacter. After doing her bidding such as setting thetable, fetching the ale, etc., he agrees reluctantly to goand ask Sir John to sup with them and partake of Tyb’shandsome pie.At first Sir John declines the invitation. Tyb, he says,is angry with him because he has been admonishing herfor her moral shortcomings’ but when he hears that Tyb’spie will grace the table, he assents. Upon arriving, John-John is sent to get water, and as he leaves the loversheartily embrace. John-John comes back but without anywater, for the bucket has a leak. Whereupon he is told togo to the fireplace and “chafe a candle” so that with thesoftened wax he may plug the crack in the bucket.What follows is an amazingly red-nosed cuckholdingscene. Ir. the days before the Age of Aquarius, proprietydictated that actors not openly do it on the stage. Instead, Kaplan, looking imperious while displaying the full plastercast mending his right arm, is a final answer to the You¬suf Karsh school of portraiture. A portrait of DonaldCampion is really a study of the reflected windows in thelenses of his large, circular eye glasses. And Alex Trillingwinks through his glasses — it’s no ordinary wink. Theseportraits work, not because they are put-ons, but becausethey are relaxed and are more than literal statements inthe Bachrach tradition. They are, like the majority ofTravis’ photographs, to the point, and Travis had the goodsense to allow his subjects to determine what the pointshould be.In addition to using a camera well, Travis cares aboutthe quality of his prints, all of which he develops himself.They are, for the most part, full toned and clean. It’sencouraging to see that Travis is in opposition to the re¬surgence of the old Kodak school of Photography in whichthe photographer says to the photofinisher, “I shoot thepicture, you do the rest.” A negative requires an inter¬pretation regarding tone and texture, and only the photo¬grapher who takes the picture knows how it should beprinted.Travis’ exhibit is a good one. Most of the photographsrequire more than a quick glance, and many require along hard look.Joel SnyderEnglish playwrights imported the bawdy possibilities ofthe double-entendre of French farce. John-John chafing acandle by the fire becomes the frustrated husband mastur¬bating; Tyb and Sir John eating pie and swilling ale be¬come the beast with two backs. While the husband chafesthe wax to fill the cleft in the bucket, the priest chafes thewife’s thighs to fill her cleft. “See how he doth the foodcrammeth in,” mut ers John-John, looking up. “How Iwould like to steep his tackle in scalding water!” When itis over, the whole pie is eaten, with nothing left for poorJohn-John, and he complains. “Thou eat’st my pie andgive me not?” he cries. “What?” is the reply, “were’stthou not served, sitting by the fire, chafing the wax?Had’st nothing?” “I chafed the wax by my hand!” yellsJohn-John, and in fury he smashes the bucket on the floor.There is a scramble and a fight, pokers and candlesticksfly m combat; but John-John, always ready to com¬promise honor with prudence, ends up hiding under thetable. Tyb and Sir John rearrange themselves, pick upTyb’s cloak (previously given to a member of the au¬dience), and go off together on a stroll. John-John comesout of hiding, boasts of his fighting performance, and thendecides to go to the priest’s lodgings: for he suspects thathe may be getting cuckholded.Thomas Busch as John-John, Barbara Bernstein asTyb, and Donald Swanton as Sir John all deserve* praisefor their performances. Sixteen!h-century farce is not theeasiest thing to bring off on the modern stage. It requiresliveliness and wit, good diction, a sense of the speechrhythms of lines metered and rhymed, and an unselfcons¬ciousness that avoids any heavy indications to the au¬dience that they need to be tutored in the art of farce.Personally, I would prefer the eating scene to be moreexplicit, so that when John-John says “See how he cram¬meth it in,” Sir John would take a piece of pie and cramit into Tyb’s expectant mouth. Henry VIII would haverolled at that one. But Annette Fern's direction really leftlittle to be desired. The Renaissance Players have againshown us Old England's favorite indoor sports, and theyhath pleased us well.John R. HoltMay 28. 1970/Grey City Journal/5THE1TBE—The Cuckold M(tigre* LuiTHEATRECommunal Theatre: A ManifestoMANY PEOPLE still believe that the written play is themost important element of the theatrical experience. Play¬wrights still sit at their typewriters and create complexverbal subtitles, intricate plots, and carefully contrivedstage directions.But theatre is not what happens on the pages of abook. Theatre is an event that happens in a particularspace at a particular time between a given set of people— “actors” and “audience.” These are the only essentialelements in theatre and what they create is much richerthan any written play could ever be.When The Collective began rehearsing its productionof They Shall Not Pass, that was all we felt we couldassume. That, and one other thing: that theatre is anaesthetic whole with its own language — gesture andsound — which can communicate meaning to an audiencedirectly.Western theatre has come to lean on words as acrutch which will excuse actors from using their physicalpresence on a stage to express ideas in its own terms.rim-Continued from Page Twological wonders (Patton is always seen virtually alone onthe screen amid wide and barren landscapes). No com¬plexity is sacrificed in Scott’s performance.As much credit is due to Schaffner, who after doingconsistently superior work in the 60’s since his debut withThe Stripper, has finally come up with a masterpiece. Buthis achievement is not limited to recreating a man and away of thinking. His battles are staged with perfection.The sense of anachronism in The War Lord, the exam¬ination of power in The Best Man and the delicate sense ofthe absurd in Planet of the Apes are unified into the com¬plete expression of the personalities of both the artist andthe subject. Balancing both of these and sacrificing nei¬ther is quite an accomplishment. The action in the film,and the thoughts behind it, are both impeccable.Schaffner has also found a new cinematographer, Actors say what they feel and mime some emotional ac¬companiment. The movement is subordinate to the word.From the East we have learned that we can, with aknowledge of a purely “theatrical” vocabulary not merelydefine thoughts that exist in another medium, but causethinking in specifically theatrical terms.Our aim as a group has been to discover the particu¬lar theatrical vocabulary available to us as Americansliving in the present. We want to communicate to an au¬dience in the strongest and most direct way possible. It isour feeling that most contemporary theatre is not realis¬ing its potential power theatrically.The Collective began rehearsals with a complete writ¬ten text: a short play about the Spanish Civil War andAmerican indifference to the spread of Fascism.In a short time the text was completely abandoned,and a tentative scenario was formed detailing the generalcontent of each scene and the information it was intendedto convey in relation to the total production.The group worked on the scenario in a fully co-oper-Fred Koenkamp, who in this one film shows himself to beone of the greatest cameramen in the world. The beautyof his lighting in shot after shot is staggering. Patton isshot in a gigantic new process, Dimension 150. There is alittle distortion, particularly with interiors where thesharply defined architectural lines call attention to theshape of the screen, but Koenkamp has done an admirablejob of coping with the enormous problems the processmust have created. The sound in Patton is, without adoubt, the best ever. I can only describe it as 3-D sound —it’s as if the object on the screen was directly emitting thesound, and not some independently-placed speaker system.Simply as a work of technical genius, Patton is the film ofthe year; but it is so much more. Check your prejudicesat the door, both left and right. Patton challenges all be¬liefs with the most irascible exception to everything: thehumanity of the superhuman sub-human being.Myron Meisel ative manner. We attempted to find an appropriate theat¬rical expression for each scene through improvisation Wethan attempted to create a presentational shorthand basedon sound and movement rather than on words and ideasThe result is a highly telescoped sequence of events-various aspects of Spanish life in the 1930’s, the emer¬gence of the Fascists, the indifference of world opinionand the commitment of individual Americans.Although the order of events is roughly chronologicalthere is no plot as such. The events depicted attempt tospeak directly to the audience’s theatrical perception.The creation of They Shall Not Pass represents asmall step toward the realization of a specifically Ameri¬can theatre which will someday reach a vastly wider andmore varied audience than the “legitimate” theatre oftoday can ever hope to reach.The “legitimate” theatre in America is available onlyto the few. It is expensive and elaborate and rarely treatssubjects of any immediacy. Intellectual or literary theatreis also by its nature elitist. In the universities it is a sortof living museum of Theatre History — a mere extensionof the English Department. Performing becomes an ex¬plication of text, and a theatre a room where studentsexamine plays that are partially restored artifacts.Anyone can learn from theatrical tradition. But it isfoolish to preserve traditions that are in some cases hun¬dreds of years old as the dominant forms of contemporarytheatre.We have come to feel that it is in the nature of theatreto be limited in space and time. It must address itself to avery particular and constantly changing situation. Considered as a social event its emphasis is on the local. Thisimplies a specific method for the creation of a theatre.We feel that the “alternative life style” and the commu¬nal movement in America suggest the method. The idealsituation is to live as a small group fully committed to theaesthetic and social goals of theatre. And it is this theatrewhich will in its turn provide us with the means of subsist-ance.We have come nowhere near any of these ideals — butthrough pushing ourselves beyond our limits, and throughrigorous self-training, we may find it possible to create forourselves and for other Americans the beginning of a vi¬able national theatre.Gerald FisherChristopher LyonSuperhuman Sub-HumanTAKCAM-YMCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILYI I A.M. TO 9 P.M.SUNDAYS AND HOLIDAYS12 TO 9 P.M.Orders co take out18 East 63rd MU4-IOA7 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist53 Kimbark Plaza1200 East 53rd StreetHYde Park 3-8372BUGGEDby CAR REPAIRS!Switch to...BRIGHTONFOREIGN AUTO REPAIRS, INC.4401 S. ARCHER AVE. - 254-3840254-5071 254-5072For Satisfaction in Service"3rd Anniversary SaleATTENTION VOLKSWAGAN OWNERS!!!Complete clutch installed 1200-1300 V.W $48.001500-1600 V.W 60.00Shocks installed 1200-1300 V.W $7.50 ea.1500-1600 V.W 8.50 ea.Mufflers installed 1200-1300 V.W $28.00Mufflers installed transporter, 1500-1600 $32.00"Brake service with our modern machinery" all fourwheels 100% guarantee $38.00 on 1200-1300-1500V.W. sedan, transporter brakes $42.00King link pin replaced - Front wheels aligned $38.00TUNE-UP SPECIAL.. $16.00 (includes parts & labor)6/Grey City Journal/May 28, 1970- 1\ .. .V1 •'“I7W'Ti .5 Vt\ ' Ton don't needinsuranceprotectionfor your car(if von liveunder a rockand don'tplan to move).But if you do go out you’llwant auto insurance that’llreally protect you. YourSentry man wants to sitdown with you and helpplan your auto protection.Call him today.JIM CRANE238-0971SENTRY,tTINSURANCEThe Hardware Mutuals Organization• 11• 1• 11 FAR EAST KITCHEN |•jl• 1 s CHINESE & AMERICAN 1• 11 FOOD & COCKTAILS• 11v Open daily 10 -10 l|A■ Fri. & Sat. 12-12 ]i* ij , Closed Monday l'A 1654 E. 53rd SM 955-2229 || ACADEMY AWARDWINNERCMap Avmu M Micliipii. Cinema TheatreIMmm Baity • for student group rates cad: WN 4-5117MORGAN'S CERTIFIED SUPER MARTOpen to Midnight Seven Days a Weekfor your Convenience1516 E. 53rd. ST.IdeasFOR YOUR CHILDREN'S EDUCATIONLet’s talk about assuring cash* for a University Education for» your Children—whateverWUj happens to you! A Sun Life1 \ P°Loy will guarantee theneeded money for your child’s^ ec*uca^on' not call meRalph J. Wood, Jr., CIU Office Hours 9 to 5 Mondays,One North laSalie St., Chic. 60602 Others by Appt.FR 2-2390 — 798-0470SI IN OFF;OF CANADA ************** C'orneft Dtoriil *J 1645 1.55th STREET ** CHICAGO, ILL. 60615 *2 Phono. M 4-1651 ?scienceengineeringMai* ami I «'inalt‘recent graduatesB. S. $9,600-111,500ChemistryChemical EngineersBiological SciencesMechanical EngineersIndustrial EngineersElectrical EngineersPhysicsCivil EngineersMathM S. IN ALLABOVE DISCIPLINES$12,000-$13,500M. B. A. $12,000-$13,500PH. D.’s SCIENCEOR ENGINEERING$14,000-$16,000Our client* pay all faat, otterdraft exemption*. For a marketsurvey of poeitione for whichyou qualify, cell W. L. Organ,427-0705Technical DivisionC.I.P., Inc..332 S. MichiganPOTPOURRIDining in Old Town and Hyde Parkwhere to send you downtown for goodies except the Epicu¬rean for strudel which closes early. Our cities are dying.THE CAVE at 1339 N Wells in Old Town features Japa¬nese food in an intimate environment. The basement res¬taurant is indeed below ground and has its walls done upwith papier mache and enolithic cave drawings, so exceptfor the low tables which seat only about thirty, and thebar, you could never tell you weren’t deep in the bowels ofthe earth.The food at any rate is excellent. Beef and chickenteriyaki, a kind of Japanese stew complete with Japanesedumpling and a miriad of strange vegetables, a raw fishdish, and shrimp tempura are most of the entrees on thelimited menu. Shrimp tempura are huge shrimp deepfried in a very light batter served with the Cave’s specialsauce. Eggplant sections and some other vegetables comefried the same way with it and were all most interesting.Best part of dinner is the appetizer tray of soup, cu¬cumbers vinegraitte, and a positively ambrosia mini Japa¬nese shish-kebob. Tea, nice stickey white rice, and manda¬rin oranges are standard with every meal. Dinners all runabout $4 without drinks. Chop sticks are normal weaponsand by the main course you should have them well inhand, but ask for a lesson or silverware if you like. Withtheir small seating capacity reservations are a good idea. The Casbah Two at 514 W. Diversey offers middle-eastern delights in its mysterious, darkly lit interior. Partof the mystery is that nobody seems to know what hap¬pened to the first casbah. The Port Said sound gratesauthentically from the Damascus Muzak.On the menu are about eight really different middleeastern dishes. The traditional shish kabobs and dolmahare done with imagination. Marinated lamb with cinam-mon rice, pine nuts, and spices is vailed Maglube andavailable only on weekends. brown balls of cracked wheat stuffed with ground meat,nuts, and spices. ‘Egg lemon rice soup, appetizers of spiced groundchickpeas (homos), and youghourt cucumber are servedwith hot flat breads called pita. You scoop up the gookwith the bread and convey it to your eagerly parted lips.A long list of regional favorites are available as extraprice appetizers, too.Try a beorak, pastry stuffed withcheese, egg, and onion.Complete dinners run about $7 but you may want toskip extra appetizers and those incredibly rich desertsbecause entrees are quite large portions. Turkish coffeeserved after dinner. Be sure to read your fortune in thegrinds.I ordered Kibbe and received three ostrich egg-sizediiimi mmi j&picunus uiutamateNext Year: Son of the Culture Vulture944-5361.LaRusso’s at 1645 E 53 has been a local favorite formany years and a recent visit found them still great.Italian specialties include Veal Parmegian, Scallopini, Pi-quante, a la Marsalla, and several other veal dishes,chicken caciatorre, lasagna, and half a dozen spaghettis.The chicken was especially plentiful and nicely donein tomato, mushroom, and herbs. Some of the veal disheswere slightly bitter, perhaps from an overdose of oregano,but otherwise excellent. Side dishes of pasta and a saladcome with dinners and the Blue Cheese dressing is reallythick, but not too strong.The house wine runs $1 for about a pint and $1.75 for aquart. This trip it was rather raw but has been quite nicein the past. You probably won’t be carded. Complete din¬ners run about $3 without wine, a la carte 75 cents less,and you’re welcome to sit all night. 667-9390.One quick note: The Long famous Flo’s on Randolphwest of State downtown has really gone downhill. Servingsare smaller, taste in their home baked pies is inferior, andfountain concoctions show a deplorable lack of creativityor interest. The sometimes obnoxious service is now con¬sistently so. With the demise of Flo’s, we don’t know any-RECORDS Continued from Page FourMusicSaturday night, the Musical Society and FOTA presenta concert by Norma Hirsh (who just finished playing therole of Mercedes in Carmen.) Accompanied by MichaelKrauss the program will include works by Brahms, Hand¬el, Barber and Debussey. It’s at 8:30 in Mandel and it’sFREE.Sunday is Ein Kitschabend — “a program of in¬excusable music” by Purcell (political songs). !ergp;esi(“La Serva Padrona”), and Schubert (“Der Hochzeitsbra-ten”). All of this will be performed by Ellen Harris, sopr¬ano, John Klaus, tenor; William Lycan, bass; Mary Ly-can, harpsichord; and Kathy Klaus, piano. It plans to be ahysterical evening. At 4 in Lexington Studio and FREE.The University Chorus is giving its finale performanceof the year. Here’s your chance to hear the greatestvoices of the University. It’s Sunday in Lexington Studiosat 3:30 and it’s FREE.The final Musical Society concert will be presentedlate tenth week (the exact date and time will be an¬nounced). The program includes Beethoven’s Sonata forFrench Horn and Piano with Eliyahu Schieifer, FrenchPoco: The Wave of the FuturePOCO by Poco (Epic BN26522):Poco is the best of the country-rock groups. Last year,when their first album came out, it was in style to exhibitsome country roots, and everyone from Dylan to DustySpringfield was picking up some pedal steel guitar playeror other to give their music a “Down-home” flavor. ButPoco is for real. Rusty Young, their steel player, is one ofthe best in the business and is currently even writing abook on the instrument.Instrumentally, Poco is composed of Young, Jim Mes¬sina on lead guitar, George Grantham on drums, TimSchmit on bass and Richie Furay on rhythm guitar. Furay,Poco’s leader (an ex-member of Buffalo Springfield) singsenergetic, happy, vibrant country vocals. Often during hissongs, he lets out with a scream of joy. Poco plays happymusic and just listening to them can raise anyone’s spirits.The most immediately recognizable aspect of Poco’ssound is their harmony. Furay’s high tenor voice mixeswell with either Schmit or Grantham in a pop harmonythat has obvious country roots. In this album, however,the instrumental talent of Poco is exhibited, with an entireside consisting of an extended instrumental, “Noboy’sFool — El Tonto De Nadie, Regressa.”,Poco is so goodthat they hold one’s interest and attention during theentire fifteen minutes of this instrumental. They know ex¬actly when to break a repetion that was effective andexactly when to radically change the style to keep listenerinterest. There are no solos in the entire song; each mem¬ber of the group contributes all of his talents to every partof the song and helps to make it the best country in¬strumental on a pop album.'Side one is the vocal side of POCO. The best song,“Anyway Bye Bye” will be remembered by anyone whosaw Poco in concert here. In this bluesy, country songFuray sings a slow, cool lead. When he stops, the groupcomes in strongly and quickly. They play loudly for atime, then stop very abruptly as Furay comes in singing,“Well anyway, bye bye.” The dramatic effect of thesequick changes is an example of musical theatrics at itsbest. Messina’s guitar work also deserves credit for itsforce and drive.The other four songs on the first side are of equalmerit. “Hurry Up” features Richie Furay singing in hismost forceful style. Furay’s tenor is flexible and his rangeallows him to hit high notes with no strain at all. AndRusty Young’s guitar work on this song is amazing. He doesn’t make his steel twang like many others do; insteadhe uses it to make interesting, original sounds that noother instrument possibly could. “You Better ThinkTwice” and “Keep on Believin’ ” are fast country songswith lots of harmony that is sweet, but not in the samedeveloped way that Crosby, Stills, Nash and Young are.Poco’s harmony is like the Everly Brothers of old: tight,but not heavy. George Grantham plays especially well onthese two songs, never trying to put himself into thespotlight but edging the other players on as only the bestdrummers can. “Honky Tonk Downstairs” is a slowersong, and is not as successful as the others. Furay singswell again, but the song itself is a bit too hokey and RustyYoung regresses into a twang that the rest of his workhappily avoids.POCO is a great album. If you can only afford arecord or two this month, pass up the Beatles and getPoco. You will be listening to the wave of the future,rather than the remnants cf the past.The Great Pumpkin horn; and James Kidd, Piano. Also there will be songs byBrahms and Faure with Tamara Lovell, soprano; and AnnGarfield, piano. It’ll be in Fred Hampton Library.The Collegium Musicum will present its last concert ofthe year with solo and instrumental groups. It will concen¬trate on music of the Court of Maximilian I. In BondChapel both Friday and Saturday, June 5 and 6 at 8:30 pmand FREE.MiscellaneousIn case you don’t know, there are a tremendous num¬ber of liberation classes being held all over the campus.Their topics range from self-defense to socialism to gue¬rilla theatre, to investigation into the effect of the Viet¬namese war on the civilian population. How can you over¬look such an opportunity? Strike Central is putting out adaily bulletin of all their activities plus related activities.Be sure to get a copy.This Week at the GargoyleThe glorious Garg closes on June 12. Last chance tosoak up its warm atmosphere.The Crafts Coop is open every day from 1-6 — it’s wellworth the walk up to the third floor.ThursdayGay Lib rap session at 12.Hyde Park Strike Committee has an open meeting at8. All are invited.The Poetry group meets at 9.FridayWomen’s Lib rap session at 1-2.Concert by the Sultans — a local black jazz group at8.SundayCadre Dinner — bring your own food, milk or coffeeprovided. At 6.MondayGay Liberation rap session at noon.Women’s Liberation rap session at noon.NUC meeting at 8.TuesdayCrafts Workshop from 3:30 — 5:30.Women’s Liberation Dance group for all interestedpeople at 7:30.ThursdayGay Liberation rap session at 12.Poetry workshop at 9.ELSEWHEREFilmWoodstock is the film of the event. Help the poor star¬ving rock festival exploiters by going. At State LakeTheatre.A Man Called Horse is not about a centaur but ratherabout an Englishman who is captured by Indians andmust prove his manhood. At Roosevelt, State near Wash¬ington.Felini Satiricus is ancient Rome (before the collapse)as seen through the eyes of Felini. The collapse would bean anti-climax. At the Michael Todd, 170 N. Dearborn.Tell Them Willie Boy is Here is Abraham Polansky’sfirst film since his blackout following the blacklist. WillieBoy is an Indian. At the Threepenny, 2424 N. Lincoln.There is a double bill of Prologue and Last Year atMarienbad. The former played here and deals with ayoung Canadian radical who comes to Chicaog for theconvention. The latter is Resnais’ famous film about mem¬ories. At the Biograph, 2433 N. Lincoln.ThanksThis is the last Grey City Journal of the year. Thepresent editors would like to thank all of the writers,artists, and photographers who have contributed theirtime and talent to the magazine over the past year. Wewould especially like to thank our regular contributorsfor their outstanding dedication, cooperation, and patiencein the faces of a couple of almost insurmountable odds.May 28, 1970/Grey City Jouraal/7Men I'mPresident of this university......there will be no murder,no violence,no drinking of blood1INCOLOR!FIRSTRUN TheBIGGESTFREAKof them all!Exclusive Showing!STARTS WEDNESDAYJUNE 3 iMcVMMijContinuous from 9 A MMODERN DANCEAT LEHNHOFF Schoolof MUSIC & DANCE1438 E. 57th ST.INSTRUCTORJOANNA HAILreturning from concerttour in Norway.MUSICRAFT CARPET BARNWAREHOUSENew ud Used CarpetsRemnants aid Hull EndsOriental ReprtdaetwnsAntique French WidenFur Ruts & Fur CuntsInexpensive Antique FurnitureOpen 5 Days Tues.-thru Sat. 9-41228 W. Kinzie 243-2271FOR SOUiSD ADVICESAVE$170ON H. H. SCOTT'S TOP RECEIVERSCOTT 388B160 WATT AM-FM RECEIVERSOLID STATE2 YEAR WARRANTYREG.$45 O00 NOW$27995FREE DELIVERY FOR U of CSTUDENTS OR FACULTY•MtuiOiaftON CAMPUS CALL BOB TABOR 363-4555 NOW IN PAPERMark Twain’sWAR PRAYERTo Dan Beard, who dropped in to see him,Clemens read the "War Prayer "stating thathe had read it to his daughter Jean,and others, who had told him he must notprint it. for it would be regarded as sacrilege."Still, you are going to publish it. are you not?”Clemens, pacing up and down the roomin his dressing-gown and slippers,shook his head."No.” he said. "I haoe told the whole truthI in that, and only dead men can tell the truthin this world."It can be published after I am dead."-from MARK TWAIN. A BIOGRAPHYby Albert Bigelow Paine (Harper, 1912)with drawings byJOHN GROTHA Harper Colophon Book. CN/197$1.25 at your bookstore£ Harper & Row181748 E. Oak St.—DE 7-4150 2035 W. 95th St.—779-6500 MALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEAPPLY NOW FOR SUMMER WORKDRIVE A YELLOWJust telephone CA 5*6692 orApply in person at 120 E. 18th St.EARN UP TO $50 OR MORE DAILYDRIVE A YELLOWShort or full shift adjusted toyour school schedule.DAY, NIGHT or WEEKENDSWork from garage near home or school.FOTA presentstheUNIVERSITY CHORUSMOZART:MISSA BREVISHAYDN:HYMNS OF VENERATIONSUNDAY: MAY 31,3:30 p.m.IDA NOYES, LIBRARY businessand artsMale and Femalerecent graduatesB. A. OR B. S.S9,000-511,000AccountingFinanceMarketingEnglishHistoryPsychologyChemistryM. A. - M. S. - M. B. A.SI 1,000-514,000MarketingAccountingFinanceStatisticsEconomicsPersonnelOperations researchPsychologyManagementMathPH.D’s ANY OF ABOVE$13,000-516,000All of tha abova »alarvquotation* art withoutconsideration of experience.For further Information call:Manager-College Recruiting341-1190C.I.P., Inc.332 S. MichiganOur clients pay all fees-offerdraft exemptions. We also havesome summer positionsavailable.8/Grey City Journal/May 28, 1970AROUND AND ABOUT THE MIDWAYPhi Beta KappaAt the 14th annual honors assembly heldWednesday afternoon in Ida Noyes hall, 48undergraduates were inducted into the PhiBeta Kappa society, honoring students whohave achieved outstanding academicrecords in the College.There were 33 fourth year students elect¬ed to the society. They are Diane Arnkoff,Deborah Belle, David Bensman, EllenBogolub, Susan Cachel, Deborah Calm, Lar¬ry Coker, Anne Hamblin, Steven Harris,Isaah Hoch, Susan Jewett, Trudy Karlson,Judith Kaufman, Susan Kimmelman, Jud¬ith Kornfeld, Scott Lathrop, Lee Levitt andMarc Lipschutz.Also David Luban, Diana Marder, Stan¬ley Martens, Nina Meade, David Novak,Daniel Osherson, David Plaisted, MichaleRadcliffe, Bertrand Rice, Richard Schmal-beck, Allan Sharlin, Richard Sieburth,Mark Tolpin, Robert Turner, and FrankWilczek.The 15 students elected who are in then-third year are Carolyn Daffron, LawrenceEbert, Anthony Grafton, Rickie Hay, EllenKaisse, Deborah Kaplan, Nancy Jo Kata-giri, Deborah Madansky, Ames Morris,Harry Orbach, Harold Paransky, Kirk Rob¬inson and Larry Sipe.Among the other awards were the HowellMurray-Alumni Association Awards,presented to ten fourth year students in theCollege for their contributions to the extra-curriculum at the University. Winners areDavid Bensman, Pete Douglass, Ann Gar¬field, Thomas Harris, Robert Kiesling,Judy Larson, Timothy McGree, Bill Phil¬lips, James Rebhan and Jeanne Wilder.In MemoriamA memorial service will be held Friday,June 5 in Bond Chapel for Lloyd Warner,former University professor of anthropolo¬gy and human development.Warner left the University in 1959 afterbeing a professor for 18 years. Ke camehere in 1935 after teaching at Radcliffe andthe Harvard school of business. Steve AokiAll faculty who knew Warner and any in¬terested students are asked to attend theservice at 4 pm.Free DanceThe Corky Siegel Happy Year Band isreturning to the university of Chicago Sat-u r d a y night, highlighting a “FREEPeople’s dance” sponsored by Hitchcockand Snell dormitories. The dance, from 9pm to midnight, is being financed by themoney raised by the Marx brothers filmorgy and the all-campus barbeque held ear¬lier this quarter by the dormitories.A local group, Phil and the Fastbacks,will play before and during intermissions ofthe Happy Year Band. The dance will beheld in the Hitchcock-Snell courtyard andrefreshments will be available.CanvassingPeople who want to participate in the pe¬tition and canvassing campaign for theCOLD CITY INN**** MaroonNew Hours:lunch 11:30 AM-2:30 PMdinner 2:30 PM-9:30 PM"A Gold Mine of Good Food"Student Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559Eat more for less.(Try our convenient take-out orders.) MODERN DANCE CLASSES4.30 to 6,00IdM. Rock A Jazz taught.Allison Theater Dance Center McGovern-Hatfield amendment must nowwork on an individual basis, picking upforms in Ida Noyes (INH) 217.A spokesman for Peace ’70, which hadbeen organizing the canvassing for the anti¬war measure to date, said that the organi¬zation is not dead, but is now operating ona “self-service basis.”Students willing to continue canvassingshould go to INH 217, read the instructionson the door, pick a location on a map there,take some petitions and gather signatures,returning them at the end of the day.Wegener OmissionsNorman Nachtrieb, spokesman for thecommittee of the council of the UniversitySenate has announced that there were someomissions from the version of the Wege¬ner committee report on discipline passedby the council two weeks ago contrary tostatements he made at the time.After the Maroon story appeared, Nach¬trieb reported that some sections were in¬deed missing from the enacted report.Among the missing sections were provi¬sions for a quorum on disciplinary com¬mittees and provisions for those whochange their minds about serving on com¬mittees.Nachtrieb said that both of these detailswere in a section that was left out when thereport was transcribed.He said that the Council would vote bymail on accepting the omissions withoutfurther discussion as “they are in the spiritof the report.”Nachtrieb expected the vote to take aweek or two as some members of the facul¬ty are a bit slow in sending back ballots.Panther DefenseThe Black Panther defense committee oncampus is organized to rally support forBobby Seale, who will go on trial in Chi¬cago next month for conspiracy charges,and to inform the public about the BlackPanther party.Their proposed actions during the nexttwo weeks will culminate in a rally June 8at noon at the Federal Building.Besides rallying support and educatingthe public, the committee is collecting mon¬ey for the legal defense for the party.Committee members hope to create the type of atmosphere which the New Haventrial created. “This community is unmobi¬lized over the Panthers, however,” said onespokesman.The committee hopes to inform the publicabout “repression in the party, the purposeof the party, and the purpose of self-de¬fense.” Members are organizing guerillatheater presentations for the community,and will hold a Revolutionary Film Festivalfor every evening next week in “FredHampton Memorial Center,” nee Ida Noyes.Films will include “Salt of the Earth” anda Columbia University documentary.The noon rally on June 8 will featurespeeches by all of the Conspiracy Eightdefendants.Point RallyA rally will be held Sunday at the Pointat 1 pm, with activities directed at the ra-«dar site located nearby. At that time A1Raby and others will speak. Possible plansof action include cleaning up litter aroundthe Point and piling it around the site’stransmitter, thus consolidating all the gar¬bage in the area, and flying aluminum kitesto interfere with the radar system.An organization meeting will be held at11 am Friday at Reynolds Club North.Earth People's ParkThe Chicago Earth People’s Park EnergyCenter is sponsoring an Earth Service Proj¬ect (ESP) today and tomorrow which willplant a food garden on a section of vacantcity land.Organizers of the project say that thecity’s department of urban renewal has lentthem a piece of land of approximately fouracres on North avenue and Larrabee, 1600north and 600 west. They are inviting ev¬eryone to help plant the food garden as aprotest against environmental pollution.Planters should bring hoes, rakes, flutes,picks, shovels, crums, bells, kazoos, etc.... There will also be free food and music.The project plans to harvest and distributethe food free in the fall.The project is also asking residents in thecity and suburbs who would like to partici¬pate to turn over a section of their lawns or <yards for the growing of food.For more information, call 728-7891 or493-3410.JESSELSON’S $752-2870, 752-8190, 363-9186- 1340 E. 53rdWhere's the 3 largestwedding ring selection?119 N. Wabash at WashingtonENGLEWOODEVERGREEN PLAZA\ShlIhmib»«NC 'EWflftS »Q8 59 YfA8SBE PRACTICAL!BUYUTILITY CLOTHESComplete selection ofboots, overshoes, in¬sulated ski wear, hood¬ed coats, long un¬derwear, corduroys,Levis, etc. etc.UNIVERSAL ARMYDEPARTMENT STOREPL 2-47441150 E. 63rd St. WE WANT YOU TO JOIN OUR FAITH AS ANORDAINED MINISTERwith a rank ofDOCTOR OF DIVINITY"And ye shall know the truth and the truthshall make you free" John 8:32We want men and women of all ages, who believe as wedo, to join us in the holy search for Truth. We believe thatall men should seek Truth by all just means. As one of ourministers you can:1. Ordain others in our name.2. Set up your own church and apply for ex¬emption from property and other taxes,3. Perform marriages and exercise all other ec¬clesiastic powers.4. Seek draft exemption as one of our workingmissionaries. We can tell you how.6. Some transportation companies, hotels, the¬aters, etc., give reduced rates to ministers.GET THE WHOLE PACKAGE FOR $10.00Along with your Ordination Certificate, Doctor of Divinityand I.D. card, we'll send you 12 blank forms to use whenyou wish to ordain others. Your ordination is completelylegal and valid anywhere in this country. Your moneyback without question if your package isn't everything youexpect it to be. For an additional $10 we will send yourOrdination and D.D. Certificates beautifully framed andglassed.SEND NOW TO: missionaries of the new truthP.O. Box 1393, Dept. 66Evanston, Illinois 60204May 28, 1970/Tha Chicago Maroon/5Chicago Repression Challenges GaysContinued from Page Threegressive cities of New York and San Fran¬cisco. but could go anywhere.Gay Lib at UCLast January, the front emerged at theUniversity of Chicago. The small groupalso capitalized on dissatisfaction with po¬lice tactics to spark its growth. The focalpoint of its early activity was Sgt JohnManley, a Chicago Police Departmentyouth division officer, who was notdriousamong gay people for his persecution of ho¬mosexuals.Besides its attack through Manley on thepolice department, University of ChicagoGay Lib sought to ally itself with and gainthe support of the radical movement byprotesting in contingents at anti-war andconspiracy trial demonstrations.“What a drastic mistake it would be,”wrote Judy Grahn, a member of Bay AreaGay Women's Liberation, in a paper on gaywomen “to suppose that the cause of les¬bian and homosexual and women's and Ne¬gro rights are all separate, to be fought outin corners somewhere, for unrelated piecesof the living space of the world.”To begin to offer gay people on campusand from other parts of the city alterna¬tives to the gay bars and to build a bailfund for arrested homosexuals, Gay Lib, al¬ready a recognized University activity,sponsored a gay dance at Pierce Tower,February 20, which drew a crowd of 500.Two weeks later a second dance at Wood¬ward Court brought 1200 people and a letterfrom Edward Turkington, director of stu¬dent housing, denying Gay Lib further per¬mission to use campus facilities for dances,since they were heavily attended by non¬students.Moving out from UCIndignation felt by the members of GayLib was also accompanied by the realiza¬tion that it couldn’t accomplish its purposesthrough the University when the main prob¬lems were with society. For more than amonth, the group virtually arrested allcampus activity except for discussion meet¬ings in the Blue Gargoyle and turned to¬ward city wide issues.The Mafia controlled gay bars, becauseof their monopoly on the gay community’sneed for entertainment and places to meetother gays soon emerged as the majorproblem facing Gay Lib.April 18 a boycott of the bars was de¬clared as Gay Lib sponsored a city-widedance in the Coliseum. In conjunction withthe boycott, a list of demands was present¬ed to the bar owners with threats of picketsif the demands were not met. GAY LIBERATION: Members of the University chapter picket downtown.Heading the list were the demands thatbar owners do everything necessary to getdancing licenses and lower the prices fordrinks.Insurance problemsSeveral days before the dance, the com¬pany which was to insure the Coliseumbacked down, saying the old building wastoo great a risk. After unsuccessfully con¬tacting several other agencies, so surewere Gay Lib members that the companieswere refusing because of the nature of thegroup, that they prepared 3000 leaflets call¬ing for a rally and march to protest thediscrimination.The day before the dance, a policy wasfinally obtained from a California firm. Atthis point, a check by one of the organizersof the dance found that the vice squad, longknown to be receiving pay-offs from the barowners, was prepared to raid the Coliseumand arrest everyone present for public in¬decency. Action through the ACLU and threats of alawsuit forced the police to back down.Fourteen hundred people attended thedance while business at the bars was vir¬tually stopped.In later action the manager of the Nor¬mandy Bar agreed to stop hustling drinks,to install air conditioning, and to get adancing license.Because of the difficulty the front hashad in “coming out” in Chicago, somemembers feel Chicago Gay Lib has greaterpotential than east and west coast fronts.“Because Gay Lib in San Francisco andNew York, which are very open cities, isnot encountering much repression, it maybecome lax and flabby,” said one.Guerilla DanceMay 16, in a strike against the Univer¬sity’s “white island” stance, the groupjumped over its earlier order and an¬ nounced a guerrilla dance at Ida NoyesAfter the dance, several NUC members andgays elected to stay all night as part of thedrive to turn Ida Noyes into the FredHampton Memorial Community Centeropen to the public.When the campus group was begun, itsmembership had been evenly split betweenmen and women. As it began to grow, how¬ever, women were soon outnumbered.Michelle Brody, one of the campus orga¬nizers, said in an eight-page Seed supple¬ment on Gay Liberation, one of the reasons“that there are so few women in Gay Lib isthe fact, for better or worse, there isn't thesense of community (ghetto) among gaywomen that there is among gay men. Thereare far less gay women’s bars than gaymen’s bars. Fewer gay women are identi¬fiable on sight than gay men. Many gaywomen have no one at all with whom theycan relate in a homosexual context. In asense we have it better than gay guys be¬cause society merely dismisses us with acasual wave of its wrist. We’re not angryenough to fight back, and since we’re justwomen anyway, we know we’re supposed tojust be passive, be docile, sit still, shut up,and take it. But it’s time to be angry.”Lesbians in gay liberation feel the neces¬sity of conquering a double imposed inferi¬ority, and often the problems brought aboutby their sex overshadow the problems gen¬erated by their orientation toward it.For that reason, the women in Gay Liber¬ation have formed a separate discussiongroup to discuss their problems, and decidewhat to do about them.Gay generation gapGay Lib still has difficulties in relating toolder members of the gay community.Many see the drive “out of the closets andinto the streets” as a threat, yet accordingto one of the organizers of the Ch'cagofront, more people of different back¬grounds, both old and young, are involvedin gay liberation than in any other part ofthe movement.To keep the movement together andthwart disillusionment, gay radicals allover the country have been working tobuild an ideological base that meets theneeds of the community while still tied tothe rest of the cultural revolution. Most ofthe gay manifestos already written makethe same demands on society; freedomfrom police repression, revision of state le¬gal codes condemning homosexuality andan end to exclusion from jobs.Summer Job Outlook Is Bleak 1 CARPET CITY6740 STONY ISLAND324-7998“The outlook for summer jobs is prettybleak,” said Rita Goldberg, director of jobplacement, in a telephone interview Tues¬day.“The problem is financial. There justisn’t enough money to go around,” sheadded.Early Monday morning students will be¬gin lining up outside the job placement of¬fice at 58 Street, as they do every June 1, totry to snatch up the available jobs.Mrs Goldberg suggested that studentsseeking summer jobs try every source theycan think of, not just the placement office.As students come into the office on Mon¬day, they will be given a number. MrsGoldberg says she tries to see as many ap¬plicants as possible the first day, and tellsthose she can’t see immediately when tocome back so they don’t have to waitaround. Applicants are told what jobs for whichthey are qualified are available and go seethe employers themselves.“We don’t hire students ourselves,” MrsGoldberg said. “We only act as a referralagency.”Students are interviewed on a first-come,first-serve basis. Mrs Goldberg said that al¬though this method is “wild and hectic”she considers it faster and fairer than inter¬views by appointment.The placement office usually opens at8:30. However, Mrs Goldberg said she ar¬rives early and will begin to see students assoon as someone else is there to help her.“When I came in on this day last year,students were lined up from the top of thestairs to the front door,” she remembered.She added that students unable to find ajob right away should keep checking back. THoj what you need from a $10Yujed 9 x 12 Rug, to a custom▼carpet. Specializing in Remnantsf & Mill returns at a fraction of the^original cost.^Decoration Colors and Qualities.▼Additional 10% Discount with this*Ad.| FREE DELIVERYTHEBOOKNOOKSpecial OrdersModern LibraryFull Line New DirectionsMost Paperback LinesIOfri .SIndent Discount on DualityPaperbacks & Hardcovers1540 E. 55th St.-Ml 3-7511UGHTER/STOVE/HEATERLights charcoal in 90 Sec. cookingready in 6 Min. using 1 /pc paper.No lighter fluids used. Steaks orburgers in 20 min.Stainless Steel $8.95 Ppd.Aluminized Steel $4.95 Ppd.($1.00 off to studentsand teachers)Gift mailed or to you.One day service.AUTO FIRE, P.O. Box 487Corinth, Miss. 38834 SEE THE NEW HONDA 350 AT AIRPORT HONDAPhone:767- 2070 Phone:767-2070AiRPORT CYCLE SALES4520W. 63rd ST.CHICAGOPrices froid «169.00 - Open Daily to 9 P.M. Sat to 4 P.M.6/The Chicago Maroon/May 28, 1970 Xnide ‘Parfi s new and cmkil)(‘fleslaurant franca i:& Ciare no ui lie14 35 E Hyde f-r-K B.-|ey-rot -tMENU FORMONDAY, JUNE 1VERSAILLESCREME FROIDE DU BARRY(COLD CREAM OF CALIFIOWER)SALADFILET OF SOLE TOUT PARIS(SOLE IN WHITE WINE W. CREAM &LOBSTER TAIL)SABAYON OAUX FRAISESMANIE BRIZARDBEVERAGE\.L(Maroon Classified Ads)ONE MORE ISSUE, YOUR LAST CHANCESCENES HOUSE FOR SALEWe turn kids on to Judaism. NonReliaious Jewish Sunday School inHvde Park. Bright, dynamic andeommited UC students teach. 21stcall Fred Lazin 288-3946 forinfo about 70-71.out what really holds youhark from being optimum. Lectureson OIANETICS and SCIENTOLOGYFriday and Sunday nites at 8PMat 2561 N Clark. Open to the pub-lic-Free.In the Great Tradition of the deca¬dent Roman emperors, new dormsis providing free entertainment forthe people on Sun. May 31st—8 pm—Ida Noyes Parking lot—free dance_Gary Hamilton's music. Comealong._BOOKS Are Money For The NEWCONGRESS COM. Leave What YouCan Spare At Student Coop or IdaNoyes 306.Country Photography WorkshopConcentrated Group Sessions 6-days,6 people per workshop. Write forinformation and tell about yourphotographic interests. Peter N.Gold, 1920 N. Bissel, Chgo 60614Registration Closes June 22. ClassesBegin July 12.Rabbi Jerome Herzog (Cong. Knes-seth Israel, Minn.) will speak atHillel on "Traditional Jewish Lawand Conscientious Objection to war"tonight at 8:45.Ida Noyes darkroom renovation iscomplete. Open for students 7 daysa week. Lockers available. Sign upfor time slots Hi student activitiesoffice.FREE - Corky Siegal Band Dance.NEW CONGRESS Has A ProcessFor Turning Books Into Bread. WeNeed The Raw Material. Any AndAll Can Be Dropped Off At TheStudent ^oop or Ida Noyes 306.Bach is coming, June 7allegro conspirito.MAY 30 - 9PM free Dance at Hitch¬cock - outdoors.Graphics by John Westmas MFACandidate Midway Studios May 25Through 31st. 9 to 5.CRAFT CO-OP now open Mon.-Frl.1-5, 3rd fl. Blue Gargoyle.Marco Polo Travel. 2268 S. KingDrive, Chicago, III. 60616.Writers' Workshop PL 2-8377.MODELS FOR NUDE PHOTOG.(No exp. Needed) Schultz, 363-7171,8-12PM.Jukes Records • Hyde Park's lowestprices - 53 8> Lake Park, Under 1C.Court Theatre Auditions. ThreePenny Opera — Under Milkwoodand Henry IV (part two) tryoutsSaturday & Sunday May 23, 24, 308i 31. Frlm l to 4 at Hutch Court.X3581.Minnette's Custom Salon 493-9713Alterations, millinery, dress mak¬ing; clothes copied & designed.Hear U.C. Students Playin RecitalMandel HallToday 2:30James Rundle, violinRobert Koenig, CelloLarry Stein, celloEllen Kaisse, pianoDarry Mendes, pianoCraig Worthington, pianoFREE DANCE SAT.CORKY SIEGAL HAPPY YEARBAND Hitchcock-Snell Quad 57-EllisFREE - Saturday 5/30 at 9PMListen to WHPK for details.METAMORPHOSIS955-9347, 5638 S. Wood lawn.CEF PRESENTSOliver's OTHELLO (Free) this Fri¬day for FOTA COBB at 8:00 FriJune 5 and Rosemary's Baby onSat June 6—qtr's last showings.THE SANDBOXEdward Albee's short masterplceof the absurd this Fri, Sat, Sunin Reynolds Club Theatre.death and theMAIDENA reading adaptation of a Lightfantasy by Ray Bradbury, May 29,JO- 31 In Reynolds Chib.unTviersity~theatreEXPERIMENTAL WEEKENDThrone written by Krln GabbardTHE SANDBOX by Edward Albeedeath & THE MAIDEN by RayBradbury. Fri, Sat, Sun, May 29-31.8:30 PM. Reynolds Club Theatre.throneA one act play without words byKrln Gabbard. This weekend inReynolds Club Theatre.musiciansRenaissance/Baroque Music forYour wedding. 643-6317 or 363-5926.SPACE WANTEDREWARD for Info leading to acqui¬sition of 2 or 3 bedrm apt. Vicin.to 59th best. 324-6048 eves. 4 bedrooms 2 full baths 2 car ga¬rage large garden. 955-5916.House near campus for summer forfamily. DO 3-3710.APARTMENT FOR LEASESafe new air-cond. hi-rise; oneblock fo lake avail. June 15. 6700S. Ogle9by apt. 507 evening call288-19'K); days—324-4343. Sublet 8,/orlease $161/mo.LUXURY FOR $86/MO.Sum sublet for l fern, share newaircondt. apt at 57 & Dorchester.Own room completely furnished,TV, balcony for sunbath. Washerdryer, space! 363-5267 nights.SPACELUXURY SUMMER in GreenwichVillage. June 15 to September 1 or15. 4 Spacious rooms, 3 baths, roofpatio, compact garage, gourmetkitchen. Handsome furnishings,dishes, linens. Air-conditioned. Quiet.$450 per month includes utilities.Phone 212-929-0554 collect, Prof.Norman Springer.Roommate Needed Lg Apt. StopBy 1509 E 53rd St. Eves 8. Sat.Room available with Vi bathroomin nice apartment. 3 roommate MidJune. $55 month. 684-3915.3 grad students (mAf) NEED ONE(m or f) to share luxurious houseon 54th & Blackstone for summer.Own room $50/month. Call Barbara752-0505 eves.Share SS House. 1st FI Front. Nr.Beach, Bus. 978-0954. $50/mo.Sunny spacious 1 bedrm. apt. Idealfor Couple $135 avail 7/1. 288-8660.Roommates Wtd for 2 East HPApts. (1 Each) Larry, 493-2622.Fern rmmt wanted $60/mo nr coopLovely safe apt. aircond June-Septand next year. Call 493-6336 Evens.Fern Rm-mate wanted, 23 or olderown room, $57.50, 54th & Dor. 493-0196.My Landlady Needs People 3 RmApt Take Now or Sept. So Shore1 Block Fr Campus Bus. 221-4255.Very Nice Large So Shore Apt 1-2persons. $95. 374-8832.Need One for 3 man apt In HyPkFurn $50/mo. Eves: 664-3644.So. Shore very nice 1 & 2 BedrmsPrefer grad married students, $130-145. RE 4-0450.Roommates wanted for summer,option on next year, in beautifullarge light apt. near lake. Femalegraduates preferred. HY 3-2789.Fern Rmt For Lge Hyde P'< AptOwn Rm $50. Avail 6/1, 324-0093.Lease or summer sublet 5 rm apt5708 S. Kimbark $155 mo, availJune 13, ph 955-9606.4 Rm Unf. apt near pking, 1C,Coop, available June 15, 955-9498.Large 1-room efficiency at 53rd andthe Lake. Excellent surroundings.From June 15 to Sept 15 or later.$90 per mo. (Regularly $150) 643-7107 eves.Rmmt wntd-5',li rm duplex w tv &dark room, nr 1C & Harper Ct. $45mo. avail 6/1 with opt for fall. Call324-1768.1 Vi rm apt late June opt faH. 955-6991.Reward for info leading to apt un¬furnished 53rd-59th. From July orAugust 1st, 493-3961.Lrg 3rm apt in MSH, mostly furn¬ished, rugs, secrty ord, storageJune 10, CHEAP: 955-8573 (eve).3Vi rms 5845 S Blackstone 955-7809.For rent — 1 bedroom apt-unfurn¬ished. 5445 S. Cornell availableJune 15. $140/mo. 955.9596.For Rent 4Vi Rooms Clean, BrightRoomy, Avail June 15 with OptionFor Nxt Yr Some Furn. For Sale5454 S. Cornell, 752-1437.Cheap, 3V4 Large Rms. Furn Too?July 1. $85. Call 752-0452.Female Roommate wanted startingAutumn quarter. Own Room $55per month. 324-1999. Call Roxy orNora.Roommate wanted, good loc. Hp,$60/mo grad prfd. 493-2822.3Vi Rms 54th A Ellis. Mid-June,option on lease. Nice. 955-7014.Furnished Rm. 493-3328.Fern. Roommate to share largesunny luxurious apt. own rm +bath $55. Summer w. opt. fall. 752-0316.Live In Friederika's Famous Build¬ing. Now, June, and October. Near¬by unfurn 2, 3 Rm Apts. $95 up.Free Utils. Stm. Ht. Quiet. Light.Pvt. Ba. 4-6PM. 6043 Woodlawn. 955-9209, or WA 2-8411, ext. 311.Apt for Immediate Occupancy ForSummer, Option on Lease In Sept.$19S/month for 3 or 4. 493-0499.Roommate wonted for room Inlarge apt with piano, near campus.Call 955-7352. Good deal. SUMMER SUBLET4 rms. to sublet June 25-Aug 25(approx) 5 min from campus. $110/mo. 493-2829 eves.Fully air-conditioned apt., lakeview,dishwasher, Study, four rooms,twelve minute walk to campus;Rent: $285 — will take less for res-pons. Tenant. 288-6704.Fern Grad Wanted for Two PersonApt. $65. Sunny Bedroom. 643-1820.Sunny, spacious 4 rms plus porch.June through Sept, possible option.$96 mo. 955-6232.4 Rm rrn Apt Nr Lake AirCond,pking for 1 or 2, 6/18 to 9/11. $135/mo. 955-6094. Afer 5PM.Summer sublet 3 bdrm FurnishedPoss opt to lease Near North. RentNegotiable. Call 472-0329.Sumr Sblt 3 Rooms Furn and TVHalf Block From Campus, 955-1022.Sublet — 3 bedrm. apt June 14-Sept. 15. TV — Call 684-1759. Price$140/mo.Sublet large 3 rm apt $105, or justone room. Hyde Pk. option for fall.Call Estelle: 538-5599, 288-3946, or548-1535.2 Fern Rmtes. Sum/Nxt Yr. OwnRm Nr U.C. Sheila X3458 or 324-0441.Sublet 59 A Harper 6 rms $40/ea.4 people 955-0707 great place.RmMt — Summer w option nextfall $40/mo. 2bl. from campus, 643-9894.2 Rmmates Wntd for Summer OwnBdrm., Larg Apt Near UC A ShopCntr $49 ea. 955-0076 Frnshed.Female roommate wanted for sum¬mer. $52.50/Mo. Air Conditioned.Call Margaret 363-0715.4 rm frn apt nr lake aired, pking,for 1 or 2 people. 6/18-9/11, $135/mo. 955-6094.Apt for summer sublet two bed¬rooms two sunporches dining roomliving room. 55h A University. $160per month. Call 493-8143.End of June-Sept 1 Air Cond, FurnRoom in 1400 E 57. Rent Negotiable.493-8845 or 324-3060.Rmmtes wanted for large apt. MidJune to mid Sept. Call 368-3997.Spend the Summer in VictorianSplendor 3rd Floor Apt Near 56thon Blackstone 200 yr old Brass BedOriental Rugs 7 Large Rooms. Com¬pletely furnished Lovely BackPorch with View of The Lake Wash¬er plus Dryer, TV, Library. Idealfor married couple or 2 or 3 girls.6/10-9/10. $200/mo. 955-5682.Grad Fern for large 4-room apt54th A Kimbark $65. Summer A/orfall. Jan 493-8685.Summer Sublet — Renewal Avail¬able — Large 2-bedroom apt. AlsoFurniture for sale. 6929 S. PaxtonApt 3-W — 684-6660.Summer Sublet For 2 Option For 1.$50/mo. 643-8548. ^Summer Sublet Available Now AnyCombination up to 3 Rms. 54th AKimbark, 493-0156. $46/mo.Coll basement Furn 2Vi rm. $95.June 15-Sept 15 near Uni. Tel 624-3679.5708 Drexel 6/15-9/15. 3rd Fern$57.50/mo. Negot. Ex 260. #5.Immed. Occup. for fern, wish tosublet 5 rm furn apt at 52nd ADorch. A-C, own room, near lake,campus bus on corner. $70 month.Call Suzanne. 684-5388.Sublet 3 rms — Monthly rent $35,40, 50. Share clean air apt w/ J.LIPSCH. 5511 S. Univ. 363-3292.Sublet 4 rms unfurn rear lake optto lease. Call 288-6304.Must Sblt 2% Rm Unfurn Apt, UtlInc. — $100. Ph: X3955, 493-3643.4 rm 1 bed near lake Hyde Pk.Unfurn Subl. Ju Call 288-6304.2 Rmt. for Sum. Opt For 1, $47 A50. Furn. 52 A Woodl, Own Room.955-0076.Room Aval For Smr In So Shore.Woman. 221-4255. $50 month.Summer Sublet Large 4 Room Apt1 Blk To Campus, Near LawSchool, Clean, Can Hava Vi or All,Rent Negotable, 667-4309.1 Bedrm Apt, Alr-Cond. Conven. to1C. U of C. 55th A Blackst. SubletJuly-Sept or new lease 955-4977 eve¬nings.Summer, Opt Beyond: 3 want 4thto share a house, own rm. 5422Dorch $40/mo. A util. 288-4192.2 Roommates Wanted for Summer—With Option to Stay Next YaarHyde Park (Tel 373-7153).Summer Sublet: 5 Rooms (3 Bdrms)$120/Month 54 St. A University.CaH 288-8665 Evenings.Summer Sublet: spacious, pleasant,1 bedrm apt at 58th and Blackstone6/15 to 9/15. Ren reasonable. *43-3088, eves.Summer sublet one room $150 mo.clean airy 5511 Unlv. 363-3292. Boss ass apt to Sept 15-Cheap 2/3bed. dynamite balcony Prime loca¬tion. Like new. 955-3971.EXCEPTIONAL APARTMENTSpacious absolutely modern airconditioned 4 bedroom sunny apt.next to International House to sub¬let between beginning of July andend of Sept or part thereof phone667-3521.Female summer sublet. Own roomcool. 56th A University $55/m.Apt. Avail. June 15 to Oct. 1.Furnished, Near Campus $85. Util¬ities Included. 955-9209.To Sublet June 20-Sep 15, V/i RmApt Furn 51st A Dorchester, $100Per Month. Call 955-3022.Summer Sublet Avail. June 1 orlater. One rm A 2 bdrm apt. M,F or both O.K. Rent flexible. 5463Ingleside. Call 493-9846.Sublet-Own Room In Lrg. Apt. AirCondit. Thru Late Sept. S50/mo.Call Ml 3-6000, Rm 314.Summer Sublet: 3Vi Fine Rooms,54th A Woodlawn. Cheap. 955-2176.Summer sublet-3 rooms-So ShoreFurnit, garage, lease avail. 1C,Campus bus, $110/mo. 734-8442.Summer Sublet — 4 rms. clean onmidway near Law School. $100/mo.324-6871.Air Cond Near Campus A Shopping493-2205 or 324-0794.Furnished, 3Vi Rooms, June-Sept.Near Coop, Near Campus, 667-3105.Fern Rmt Wanted June 15 to Sept.15. Own Room A Bath, 56th AUniv. 684-1249 or 288-8910.PIANO TUNINGProfessional Tuning, 363-6585.SERVICESResponsible, mature, grad coupleavailable for house-sitting in fall,ref available, 955-1207.WHO NEEDS HELP? June Grad-uate Seeks Part-Time Summer Job.June-Juty Project? Research? In¬terviewing? Children? Translation?Manuscripts? X4121 Day Kathy-Mes-sages. Eves 493-2663.3rd year undergrad In generalstudies In humanities needs summeremployment. Would like to do re-serch Call x3777 Room 501 Pleaseleave Message.PEOPLE WANTEDPrimary and kindergarten teachersfor small cooperative school. Un¬graded classes. Involved parents,low salary, high expectations. Col¬lege background and experiencewith children important. Primary-call 734-8432 or 768-5983. Kinder¬garten-Call 731-3077.Permanent Full Time WorkSECRETAR //GIRL FRIDAYIBM-Exec typewriter. Diverse, In¬teresting work for Director of Be¬havioral Survey Projects. Non-UCjob; campus location. Salary com¬mensurate with skills. Contact: Mrs.Deutsch, 643-3022.SUMMER SUBLET: Wouldn't youlove a beautiful, sunny, airy apart¬ment on rural Greenwood Avenue?Own room. Room for 1, 2, or 3.CHEAP. Call 363-1352 and leave amessage.Third person to share driving andexpenses through Europe June 30to Sept. 11. Call 955-5966.MODELS FOR NUDE PHOTOG.(No exp. Needed) Schulz, 363-7171,8-12PM.Asst to Hickory camping outfitters,free room A comm. Ideal for sum¬mer student or resident. x2381.Wanted: Kinetic Sitter. HumaneInventive Young Woman to CareFor My Two Boys, 3 and 4, 2 or3 Weekday Afternoons. $2/Hr. 52And Kimbark. S. Couzin, 684-8141.Good Typist. 3 Days/Wk. HydePark Area $3.25/Hr. Call Mrs. Mon-son, 955-9625.Writer's Workshop, PL 2-8377.STAFF, STUDENTS participate Inan experiment on the perception ofspeech $1.50 for an hours work. Oncampus Call ext 4710 for an appt.PART-TIME SUMMEREarn Big $$. If you are staying inHyde Park this summer and needto earn some extra cash, work forthe Maroon. We need salesmen orwomen to work In our large andexpanding Ad Dept. Generous com¬missions and mileage allowance.Call Joel at X3263.LOST AND FOUNDLost: gold, wire rim, bifocal glasses.643-6210.White Nine Month Old Male Cat,Blue Crossed Eves, Near 57th AMaryland. Phone 363-5092.FOR SALEStereoSystem For Sale. Dyna Amp,Allied 919 Changer, 2 ADC 404Speakers, Knight Solid State tuner,$250, Will haggle. Call John 493-6527. HONDA 305 Extras $325. 643-8210.AKAI Tape Deck Same as ROBERTS778X R to $ A Cartridge X-fieldheads 4-tr Stereo 1 yr old, $430new sell for $250 w/acces A tapes.493-4867.Sale — 7 foot sofa, table A chairs,small tables 955-5821 Eves.Desk, good cond. 7 draw. $5. PL 2-0505, Barbara.KLH 20 W. AM. AM-FM-StereoPhono. Complete W. Spkrs. Cost$440. Pert. $325. 684-8412 Eves.'64 Ford Gal — leaving countrymust sell — good cond. 643-9870.FURNITURE: 2 bookcases, 2 rugs(one red and one black), 2 dress¬ers, 1 couch, 2 living room chairs,TV, dresser mirror, guitar, cabinet,night table, a id record player.Phew!For Sale: Bike, Bookcases, Fan AOthers. Call 324-5355, 6-7PM.Please, someone buy my car!!!!!Leaving for Europe and need $$to get back. '65 Chevelle Wag, AirConditioned, Great Shape, V8, manyextras. Please call Bill at 493-4426see it and make reasonable offerPLEASE.Must Sell by June 10: Toyota Coro¬na 4 dr, Stck. GREAT Carl! Ask$950, take? 955-8578.FOR SALE:Girls' Robin Hood bike. Very goodcondition. $30 — Will bargain. Call955-7014.Nikon Photomic FTN 50 mm F:1.4new with case $350. 363-4300 ext 501.SALEH Shure M91E Cartridge Reg$50 Now Only $25 With Trade ATMUSICRAFT. For Lowest Priceson all Components. Call CampusRep Bob Tabor 363-4555 Save $$$.Convert. XL Ford '62 good condi¬tion, must sell best offer. Call294-8079 Evenings.61 VW. Gd. Cond $350 or best offer.643-4279 evenings.16 mm Bolex movie cam w/lense$100 or best off. 955-6991.Allied 4-track stereo tape recorder,1 Vi years old, $130; with 9 com¬mercially recorded tapes and order25 other tapes, $165. Will bargain.X3563 Jeff.AM-FM GOOD RADIO, METALWALNUT SHELVES, BEST OFFER.955-5497.Rambler 62 Wagon new brakes,clutch, carb. w pump. etc. excellentrunning order. $375 emerson, extn.4548/9; eves 288-5478.66 Valiant, stick, owned by gradstudent who only drove it on Sun¬days. Bronze 4-door. 955-1207.Wanted: Stenotype rep model, 548-4251.TV, 9x12 green nylon rug, FMstereo tuner, record cabinet, scatterrugs, aquarium, nest 4 rosewoodtables, desklamp, fan, vacuum clean¬er, Sunbeam 12-sp mixer, elec, fry-pan, blender, humidifier. Make agood offer. 667-4054 thru Sunday.Also dishes, utensils, Indian hand¬crafts.Dresser, good shape, 955-1486.Sitar Brand New. Call 288-0728.Evenings.For Sale: Used Stereo RecordPlayer, Portable $30. Contact LMagaziner, 684-4119.Misc. furniture, incl. TV, bed sofa,bookcase, tables, chairs, dressers,etc. Cheap. 955-7014.Cheap TV, % bed, dishes, pots,fan, coffee table, lamp, bookcases.Good condition. 288-8369.Air Conditioner. 955-2607.Volkswagen '64 1500S. Rebuilt En¬gine, Clean body, Blaupunkt Radio,good tires. Neill 493-8726 Evg, 829-6104 D.Furniture. Cheap. Aft. 5. 752-2331.BARGAIN1967 Cougar — P.S.Automatic, good condition. MustSell. Asking $1300 but will talk.Call Don X3263 or 288-2859.YOUTH PASSPORTTWA's New Concept In YouthTravel Regular Discounts OnDomestic Carriers ButMuch Mora!Discounts On Auto Rental AndPurchase In Europe ReducedRates At Hotels HospitalityParties In London andAmsterdam. Come In To StudentCharter In Ida Noyes and PickOne Up It Only Costs $4Mother Would Want You To HaveOneWANTED $50 Reward for Info Leading toLease on 2 bdrm apt bet 59th &55th St. Drxl & 1C beg June orSept. Call 288-1141, 643-3471.Small good car, phone 667-3521.Male Chem PhD Cand Needs RmNr Campus June 15-Aug 15. Call Al643-0749.Upright piano/will pay up to $300.G. Herzog X8621.Small refrigerator wanted - in goodshape, call BU 8-6610 X3426.Apt or Room Wntd Hyd Pk orClose Jun Only. Call 955-7061.Wanted — Small Air-ConditionedSummer Sublet, Nearby. PhoneCindy 493-8333 Eves., Weekends.Wanted: 1 or 2 male grd stds oryg prof men 2 share 2 bdrm aptSept 1 Abt $85/mo. Eves: 32/ 6459.RIDESRide needed to Frisco after June12. Have extra luggage. WILL PAYEXTRA. Call D. Cohen 285-8239.Student Driver to Drive U of CProf (In His Station Wagon) ToCalifornia Through Yellowstone Na¬tional Park. Departure Date Flexi¬ble Any Time at End of QuarterTo July 1. Call X4318. Home: 667-2875.Driver Wanted to Accompany fam¬ily to Boston after June 23. Callevenings: 374-6725.Washington DC, leave June 3 or 4,back 8, ride wanted, 493-3961.To Share'Driving and Expenses ToPROVIDENCE, R.l. or any Stopon the way. Leaving June 17, or18. 955-1486 eves.Riders to Phila. 6/4. 684-7839.Riders Drivers Wanted VW to Phila.6/6 or 6/7. 752-1469.Driving to LA Share Expenses anddriving — 262-0398.Ride to New York wanted. AroundJune 19th or 20th. Will share driv¬ing and expenses. 363-1352.NEED NEW HOMESGorgeous, elegant, BLACK cat withan oriental heritage. She just hadkittens, in fact we still have one ofthem left — also black. Get thenwhile they last. 363-1352.PERSONALSDavid Riesman (in letter) to ADW:"I wish your book were In paper¬back.' (Answer: 'D8accord! InSpades.') Hardcover available allleading Chicago bookstores.Trunk, Rucksack, SleepingbagNeeded. Offers FA 4-8200 x466. Boast Not That You have Won aRich Wife. Length of tool, not ofpurse. Makes the Comfort of Life.Granted that most students feel theneed to steal for spiritual or eco¬nomic, it still doesn't seem rightthat you should rip off the Bander-snatch. Were not gouging you endwe can't afford it. If you couldreturn some of the 400-odd spoons,6 dozen plates, and all the otherthings that have been taken. Itwould help us and we'd appreciateIt.The Reason that the University ofChicago remained so "cool" afferthe murders of Kent and Jackson,is, of course, Edward Levi. HisAdmission Policies have so success¬fully screened out potential 'trouble¬makers' and radicals that what wahave left are mostly students con¬cerned with 'making It.'Jerry Troyer is at it again, (re¬member El Gallo last Fall?) Thisweekend is your last chance to seehim as the boss in "How to Suc¬ceed" at the Harper.Jerry WHO?Oh yeah, the fat El Gallo.Come and hear Gary Hamilton andfriends at the ICC tree dance —Sunday May 31st — 8 pm — IdaNoyes Parking lot.Charles S Porter loves Darrell DMcCormick and doesn't care whoknows It.Woodward Ct. is giving a free danceon Sunday May 31st at 8 pm inIda Noyes Parking lot — Featur¬ing Gary Hamilton's band.That free DANCE with Corky SiegalHappy Year Band Is Saturday at 9.Some Sound AdviceSave $ On Stereo Components atMUSICRAFT. Save $20.00 On Gar¬rard; Save $170 on Scott Receiver;Save $50 on AR 3A Spkr. On Cam¬pus Bob Tabor 363-4555.Ida Noyes darkroom renovation Iscomplete. Open for students 7 daysa week. Lockers available. Sign upfor time slots in student activitiesoffice.Sat nite — FREE DANCE withCorky Siegal Band HitchcockQuad, 57th & Ellis, 9PM-12.A Sale every weekend at Jukes.May 28, 1970/The Chicago Maroon/7Special Ratos forStudents and RalativasSingle rooms from $10.00 dailyTwin A doubles from $14.00 dailyWeekly and monthly rates on request The Renault 16.It gets a measly 30 milesto the gallon compared to35 miles to a gallon theRenault 10 gets.But the sacrifice is worth it.The Renault 16 has thefeel of a big car.With a four-wheel inde¬pendent suspension systemthat glides over bumps.Front wheel drive for bettertraction. Seats that have beencompared to the Rolls Royce.Besides, the Renault 16is a sedan that converts to astation wagon.We call it the Sedan-Wagon. And it costs only$2395 poe.Please call H. FingerhutPI 2-10005454 South Shore DriveRooms available lorparties, banquets, anddances for 10 - 500.NATIONAL COUNCIL TO REPEAL THE DRAFTDept. TH, 101 D Street, S.E., Washington, D.C. 20003Partial sponsor list: Major Gen. LeRoy H. Anderson (Ret.).Dick Gregory, Senator Ernest Gruening. Mrs. Martin LutherKing, Jr .Rabbi Arthur Lelyveld, Bishop John Wesley Lord,Emil Mazey, Tony Randall, Robert Ryan, Benjamin Spock, M.D.,and George Wald, Ph.D.Here’s my contribution of:□ $500 □ $250 □ $100 □ $50 □ $25 □(1 year monthly newsletter sent if contribution is $5 or more.)□ Please send me more information and put me on your mailingADULTS ONLY Two things you can do to getrid of the draft1. Send the NCRD the coupon atthe bottom of this ad. Withmoney, so that we can run moreads like this one.2. Write your Senators andCongressman.(a) Tell them you support therecommendations of the Catescommission.(b) Tell them you want them tovote for draft repeal.(c) Tell them that a man has aright to his own life.(d) Remind them it’s an electionyear. □ Tell me how to organize draft repeal in my area.□ I've made copies of this ad and circulated them.□ I’ve urged the following organizations to testify for draftrepeal:Advertisement prepared by the New School for Social Research Workshop"Social Change Through Issue Advertising."I PIZZA iPLATTER;Pizzo, Fried Chicken |Itolion Foods |Compare the Price! II1460 E. 53rd 643-28001WE DELIVER IThe only beer that 2235 SO.MICHIGAN AVECHICAGO, ILLTEL. 326-2550METCOGOLDWyN-MAYEIlPresentsA MARTIN POLL PRODUCTIONThe magic garden of Stanley sweetheartScreenplay by ROBERT T. WESTBROOK fiocn his NovelProduced by MARTIN POLL D.iected by LEONARD HORN[Rl ml tbocolor MGMNOW PLAYINGFnlsttift Brewinj; Corporation, St Louis, MoTELEPHONE944-2908FIEE COFFEELOUNQEMeet ourgas eaten750 N.CLARK337-2113mm/sSt rentChv Zin8/Th« Chicago Maroon/May 28, 1970