■5♦t Scientists Tell PlansFor Moonrock TestsAlthough the National Aeronautics andSpace Administration (NASA) will not per¬mit the scientists to release their results tothe public until January 5, 1970, they didexplain how they would go about theirchemical and mineralogic investigations.Dr. Smith will conduct minerologic stud¬ies in order to identify the minerals on themoon, and their chemical composition; Dr.Edward Anders, professor of chemistry,will investigate 16 rare elements and somevolatile elements in the samples; and Dr.Stefan Hafner, associate professor ofgeophysical sciences, plans to investigateions present in the minerals.In addition to determining the history ofthe lunar samples Dr. Anders plans to mea¬sure the radioactivity of some of the heavi¬er elements present in order to estimatethe age of some lunar craters in the Sea ofTranquility, where the samples were col¬lected. He also plans to investigate therocks in order to see whether they are sim¬ilar to meteorites or to tektites (glassy bod¬ies strewn over parts of the earth). Al¬though NASA announced last month that itsscientists have produced major new evi¬dence supporting the theory that tektitesoriginate on the moon, Anders said he didnot expect his investigations to confirmthis.Volume 78, Number 11 The University of Chicago Friday, October 10, 1969THE MAROONMOON DISPLAY: Oriental Institute was overcrowded by hundreds who viewedthe moonrocks. By Stan Goumas“I hope we will never be asked to justifythe Apollo mission costs on a scientificbasis” Dr. Robert Clayton, professor ofgeophysical sciences and chemistry, said ofthe lunar investigations at a press confer¬ence Tuesday, but he and five other UCprofessors still had some exciting prospectsin mind.The six University scientists, who con¬stitute one of 140 groups of scientiststhroughout the world studying lunar soilbrought back to earth last July by theApollo 11 astronauts, said that the mainpurpose of their investigations is to deter¬mine facts about the origin of the “innersolar system,” including the earth andmoon. The key factor here is estimating thetemperature at which the moon wasformed, according to Dr. Joseph Smith,professor of geophysical sciences.1*%* Actions Planned for MoratoriumPlans for the October 15 moratoriumagainst the war in Viet Nam are nearlycomplete here and at present include a con¬vocation in Rockefeller Chapel, leaflettingin the Loop, and a teach-in at Mandel Hall.A t the convocation at RockefellerWednesday morning, Harvey Cox, theo¬logian from Harvard, will address the anti¬war convocation. It is hoped that JesseJackson, Chicago minister and head of Op¬eration Breadbasket, will also speak.Charles Evers, mayor of Fayette, Mis¬sissippi, and Paul Schrade, western direc¬tor of the United Auto Workers, also havebeen invited to speak at the convocationhere. No reply has been forthcoming fromeither.Following the convocation, students mayboard buses for massive leafletting in theloop from 11 a.m. to 1 p.m. Student govern¬ment (SG) has ordered 22 buses and 100,000leaflets for distribution. A businessmen’srally will be held in the Civic Center atnoon with which the University moratoriumcommittee is not involved.At 3 p.m. it is hoped that a rally can beorganized with Operation Breadbasket tomarch on the welfare center on 63rd streetto protest a lack of welfare funds and prob¬lems of the city in general.If this demonstration cannot be arranged,more leafletting at major shopping centersis planned.At the teach-in at 8 p.m. in Mandel Hall,a panel discussion will be held, Congress¬ man Abner Mikva, alderman Sammy Ray-ner, assistant history professor Peter Noc-ick; Farinda West, assistant professor ofEnglish, and Theodore Lowi, associate pro¬fessor of political science are tentativelyscheduled to participate.SG president Mike Barnett, an organizerof the moratorium, has asked for moremoney, saying that the moratorium is indesperate need of it. Barnett said that apetition among students in support of themoratorium has gathered over 1800 signa¬tures as of Thursday.Art history graduate students voted unan¬imously to support the moratorium and torequest the division to suspend classes onthat day.Earlier in the week, the math and philos-Demonstrators staged a peaceful pro¬test yesterday at the Federal Building.About 2000 SDS members protested whileabout another 200 observers stood by.Unlike the actions of the RYM I-Weathermen in Lincoln Park Wednesdaynight, there was no confrontation withthe police. Wednesday’s action at theFederal Building was staged by the RYMII faction of SDS.The confrontation Wednesday night wasbetween some 300 armed demonstratorsand a similar number of police. The con¬frontation led to 75 arrests, three shot¬gun wound incidents and fifteen hos¬pitalizations.Mayor Daley declared the demonstra¬tion as “an outrage on the community,”but one RYM I spokesman said “This isjust the beginning.”Thursday’s action at the Federal Build¬ing was peaceful; during a series ofspeeches which one observer describedas “dull”, police expressions were “grimand set.” They kept telling pedestrians to“Keep moving, keep off the streets.”After the rally at the Federal Building,RYM II staged another peaceful demon¬stration at the International Harvestortractor works. One thousand demonstratedprotesting the company’s alleged discrimi¬nation against blacks and ties with SouthVietnam. According to RYM II, the com¬pany owns land there.The demonstrators had received a permitfrom the city to hold the demonstrationbeforehand.Next door to the Harvester company, ophy departments voted to support the mo¬ratorium, all faculty members present atthe meetings agreeing to cancel theirclasses for the 15th.The UC Center for Counseling and Psy¬chotherapy at 5846 S. University voted tosupport the moratorium as an institution,and they are cancelling classes and train¬ing activities for the day; most of themembers will be participating in someanti-war activity.The moratorium, organized across thenation, by former McCarthy workers DavidHawk and Sam Brown, is now scheduled onover 500 campuses across the country. TheUniversity has declined to close downclasses for the day unilaterally, leaving thedecision to individual faculty and students.Sheriff Joseph Woods of the Cook CountyJail was keeping the jail well-guardedagainst any possible confrontation with thedemonstrators.In other action, 14 girls were arretsed inGrant Park Thursday morning after con¬fronting police who had asked them tomove. Police confiscated such weaponsas knives, clubs and belts from the girls.It is believed that these girls are part ofthe women’s liberation movement. Several professors said they were “sur¬prised” at the lunar material they haveanalyzed so far. Clayton said he was sur¬prised at the coarse size of the crystals inone of the rock types (which was on dis¬play). Rocks of this type are found onlydeep within the earth, he said, and it issurprising that they were found on themoon’s surface.Dr. Anthony Turkevich, professor ofchemistry in the Fermi institute said hewas surprised at the high content of tita¬nium and low content of sodium in the sam¬ples he has investigated so far. Accordingto his chemical analyses through the un¬manned “Surveyor” satellites in the past,Turkevich said he had not found as muchtitanium in most other parts of the moon.Dr. Anders said that, since the Sea ofTranquility area will not be visited again inthe near future by U.S. astronauts, as muchof the sample should be preserved as pos¬sible so it can be compared with futuresamples from other parts of the moon be¬fore any general conclusions are reached.Although only 10 grams of lunar materialwere on display to the University in theOriental Institute Tuesday, the scientistssaid they have about 200 grams, and thatabout 10% of it would be destroyed as aresult of their experiments.Dr. Smith said he hoped that moon sam¬ples would not be distributed for “politicalpurposes,” and said that retaining the orig¬inal condition of the samples could be aproblem in public displays.FOTA MEETING: Doug Kissol (seated behind table in tie) and Skip Landt, directorof student activities (at left, in tie) lead the first organizational meeting of thefestival of the arts, held Wednesday.RYM Factions ProtestWage Levels To RiseFor Student WorkersBy Carl SunshineWages of part-time student workers arebeing raised to levels nearer those of regu¬lar University employees, according toFred Bjorling, director of University per¬sonnel.And students who missed out on Univer¬sity jobs because of registration procedureswhich delayed some students’ job appli¬cations should be able to find jobs eventual¬ly, according to Mrs. Rita Goldberg, inter¬viewer in personnel.Ini the past many student positions hadspecial low pay rates even when work wassimilar to that done by regular employees.“Transition is away from special rates forstudents” toward equal pay for equal workdone, no matter who the employee, saidBjorling.Inequities were noted in many areas ofthe University, such as biological sciencesand physical sciences student technicianswho complained of different wages al¬though their work was similar to non-stu¬dent workers, or students receiving gener¬ally lower salaries in dormitory kitchenoperations.Recent student complaints about the per¬sonnel office alleged that students whocould not register until late in registrationweek — because of the initial of their sur¬names — were discriminated against in hir¬ing. The personnel office could not filestudents’ job applications until studentsregistered, and some students who couldnot register till late in registration weekcomplained that all the jobs were gone bythen.Amidst many complaints due to these registration procedures, Mrs. Goldbergsaid that “any student who really needs ajob can get one — on campus or off.” Stu¬dents must know what hours they haveavailable to work and hence must have reg¬istered for classes before they can get ajob.Jobs are awarded on a first come firstserved basis, but new jobs are constantlycoming into the office, so students who hadto register at the end of registration weekstill could find positions open, said Mrs.Goldberg.Financial need is not usually a factor inwhich students get jobs. There is little con¬nection between the office of financial aidand Personnel. Occasionally freshmen whoare still unfamiliar with procedures arespecially recommended to personnel, butall other job-seekers are left on equal foot¬ing whatever their financial need.Excluding research and teaching assis¬tants, interns, and residents, nearly 1000student jobs should be available on campusthis year. Students may not find the jobthey want on their first visit, but Mrs. Gold¬berg stated that persistent students wouldbe successful. Students are also directed tothe library, which hires nearly 300 studentseach year, and the Coop in Reynolds Clubbasement which handles all off campusopenings.Average hourly rate was $2.02 for an av¬erage of 15 hours a week worked last year.Lowest paying jobs start at $1.55 per hourfor a glass washer in biological sciencesand may go as high as $5.00 per hour forstudents with a special skill like computerprogramming.ANNOUNCEMENTPRE-LAW STUDENTSLaw School Aptitude TestDeadline for Application Oct. 17Testing Date Nov. 8Applications are available in Reynolds Club, Room 203and Gates-Blake Rm. 110Pre-Law MeetingWednesday, Oct. 22, Reynolds Club North Lounge. Mr. JoDesha Lucas, Professor, University of Chicago Law Schoolwill discuss national law schools with interested students.CHESS PLAYERS:::Try correspondence chess forfun, relaxation and leisurelystudy for game improvement.Free information - join Char¬tered Chess - 1312 "B" Street -Hayward, California 94541Drivers License10 hrs per weekPay $2.50 perhr. & upPark Shore Cleaners1649 E 50th Street324-7579Mr. Feinberg CheckerTaxiHASIMMEDIATE OPENINGS• EXCELLENT EARNINGS• WORK ANY NUMBER OFDAYS PER WEEK FROM 2to 6 DAYS• DAYS or NIGHTS-Work close to home or school-MALE or FEMALEMINIMUM AGL 21APPLY845 W WASHINGTON8 00 AM to 4 30 PM DAILY8:00 AM to II 00 AM. SAT.CALL 421-1314 As a member of the SkiSpecialists Guild we are in-v iting you to visit our shop.Allow us to custom fit youwith your requirements.We have all qualitybrands of equipment.Complete rentaland serviceOpen all year3422 Fullerton Ave.Chicago, III. 60647A/C 312 278-6606 > Phil LathropFRESHMEN AND A POST-GRADUATE: George Wells Beadle, past president ofthe University spoke to freshmen Tuesday in Reynolds Club. He advised them onlife here, recalling many of his own experiences.Con-Con Deadline Oct 17thFriday, October 17 is registration dead¬line for voters wishing to participate in theNovember 18 election of delegates to theIllinois Constitutional Convention (Con-Con).Con-Con will convene in December, withtwo delegates from each of Illinois’ 58 sena¬torial districts, to rewrite Illinois’ 100 yearold constitution.It has been hailed as possibly “the mostimportant body to convene in our state inour lifetime.”Persons over 21 who will meet the oneyear state, 90 day county, and 30 day pre¬cinct residence requirements by electionday are eligible to register.Persons who have changed names ormoved from one precinct to another mustalso reregister.Four 24th district candidates, winners of the Sept. 23 primary, now qualify for therunoff. Independent A1 Raby, former Uni¬versity graduate student of history and po¬litical action chairman of Operation Bread¬basket (economic arm of the SouthernChristian Leadership Conference), finished94 votes behind the 9,189 for Odas Nichol¬son, the Democratic machine’s leading can¬didate.Independent Atty. Michael Shakman andDemocratic Atty. Belle McGee, wife of Chi¬cago Postmaster and University TrusteeFrank McGee, finished third and fourth, re¬spectively.In the primary the 24th turned out lessthan 30 percent of its registered vote, whichthough small for the district was substan¬tially above the citywide average of 18 per¬cent.LANE BRYANTTtKkojpThe marvelous maxi...for a gal with greatverve! It sweepsalong in slategrey woolShetland warmedwith a specialcotton inter¬lining. Longladies aresnapping itup for *75.Sizes 8 to 18RA 6-9800- Add 35c C.O.D.CHICAGO: Wnbosh ond Washington —OAKBUOOK—RANDHUUST— EVERGREEN - WERStores op*n fato MondayTall Dept.,Third FloorBonded byStyle-Fuse®fUSIBLE INTUtUNING2fTB6 'Chfca&b' Marboh/October 10, TN9Community Service Object of New OfficeBy Audrey Shalinsky"Community involvement is our bag” isthe slogan of the University’s new Office ofService Opportunities (OSO) according todirector Chester J. Rempson.The OSO, designed, to improve contactbetween student volunteers and communityagencies, was brought into being by theUniversity July 1 with the appointment ofRempson as its first director.Rempson, who received his MA in socialservice administration from the Universityin June, was also appointed assistant to thedean of students, to help in recruiting forthe graduate divisions and the PritzkerSchool of Medicine.In an interview with the Maroon, Remp¬son explained that the purpose of the OSO“is to attempt to provide students with in¬formation regarding volunteer service op¬portunities in the Chicago community.” Headded that creation of the office “affordsagencies the opportunity of knowing a cen¬tralized location on campus they can use togain possible volunteers.” “Not only did students have no way offinding out service opportunities other thanby word of mouth before this year, butagencies had to depend on who they knewin the University, which was not an ef¬ficient method forgetting people involved,”Rempson stated.Prior to the creation of the OSO “only avery small percentage (maybe one or twoper cent) were actively involved in commu¬nity problems,” he noted. It has been thehistory of this area that certain programsdepend on interests at a specific period oftime and “as time passes, interest dimin¬ishes and so does the program,” he said.Although the office does not attempt to“take the play away from student pro¬grams already working in the community”it will “hopefully create a sort of continuitywith regard to student participation in com¬munity programs’ in Rempson’s view.Because students are concerned aboutcommunity affairs, Rempson feels they“should lend their expertise, knowledge,commitment and dedication in resolvingcommunity problems.” He has “no ex-IHC To Get New OfficeInter-House Council (IHC) will soon“take over” an ad building office — butwith administrators’ approval — it waslearned Wednesday.According to Jerry Webman, 1968-69 IHCpresident, the council will move into a sec¬ond floor office in the administration build¬ing, two doors down from director ofhousing Edward Turkington, as soon asassistant dean of students James Vice va¬cates to alternate headquarters in Gates-Blake.New officers, elected Wednesday at IHC’sfirst meeting of the year, are Bill Wilson,72, president; John Turner, 71, vice-presi¬dent; and Mary JoAnn Hasche, 71, secre¬tary-treasurer.At the meeting, IHC discussed its role inhouse autonomy, the self-governing systemnow scheduled to begin Oct. 19 for houseswithout freshmen and Nov. 3 for houseswith freshmen.Webman pointed out that the inter-houseappeals board, a group of seven students,three faculty, and one administrator, willbe able to mediate disputes not solved byindividual house councils and suggest pos¬sible solutions to problems that may arisefrom the new autonomy system.Webman also noted that while houserules should not conflict with existing stateand federal laws, individual house councilsare not charged with enforcing drug regu¬lations. IHC also began appointments for its fivecommittees: coed dorms and security, rela¬tions with residence halls and commons,board contract liberalization, student hous¬ing expansion, and house social and cultur¬al programs. Students interested in joiningthe committees should contact IHC reps.The new IHC president indicated that hehopes this year’s IHC will concentrate on afew specific matters of importance to thedormitory system. Among those he men¬tioned were: improved cultural programswith the houses, the co-education of morefacilities and the resolution of conflicts be¬tween dorms. pectation that OSO will in any way subli¬mate student action or stifle student in¬itiative in service areas.”There is a great diversity of types of ser¬vice agencies connected with the office.“Students are allowed to choose what theywould like to do ranging from establishedinstitutional work to work for institutionsthat are not so established,” according toRempson.The organizations with direct ties to theoffice include: Hyde Park-Kenwood publicschools, Hyde Park Neighborhood Club,Drexel Homes for the aged, Chicago StateHospital, several Hull House centers, OlivetCommunity Center, Illinois Department ofChildren and Family Service, LorettoAcademy, Woodlawn public schools, Crit-tenton Comprehensive Care Center, IllinoisState Psychiatric Institute, La RabidaJackson Park Sanitarium, Better BoysFoundation and Englewood Health Center.Students interested in campus organiza¬tions may be referred there. Arrangementswith other organizations and non-estab-lished groups can be facilitated through theOSO.Students wishing to obtain informationmay visit the OSO from 8:30-noon and 1-5p.m. in Room 200 of the Reynolds Club. Sofar this year about 30 students have beeninterviewed. Upon visiting the office stu¬dents are g:ven a small card asking theiracademic interests and extra-curricularskills. They then are interviewed by one ofthree counselors and given a list of agencypossibilities.“The connection operation is set in mo¬tion,” Rempson said, and each student vis¬its the agency to become “familiarized withit” before he begins to work; “no one goesto work ‘cold’.” He added that he has found“agencies quite willing to listen to the ideasof students.”The OSO is “in no way biased political¬ly.” According to Rempson, “any agencycan be helped to find student volunteers.” CHESTER REMPSONOSO DirectorMost of the available service opportunitieshave no remuneration but he hopes in thefuture the office will also handle part-timejob opportunities.In his capacity as assistant to the dean ofstudents Rempson explained his duties asmostly talking to students, especially aboutfinancial assistance at the University. He isconcerned with increasing the number ofminority graduate students — “whites fromlow-income families as well as blacks, Mex-ican-Americans and Puerto Ricans.”During this quarter Rempson will travelto 60 different colleges and universitieswith the specific purpose to “recruit fromschools that have never sent anyone to theUniversity of Chicago before.” After all, hesaid, “it shouldn’t happen that graduatestudents here all come from Harvard,Yale . . .”Rempson received his BA in 1964 fromMorehouse College in Atlanta, Georgia.%Social Science Representatives ChosenRepresentatives to the 1969-70 social sci¬ence collegiate division student councilwere elected at a meeting Monday night inQuantrell Auditorium.They are Frederic Burchstedt 71 andKenneth Thomas 70, anthropology; Jona¬than Klein 71, economics; Deborah Bin-stock 72, general studies; Steven Heller72, geography; Allan Sharlin 70 and An¬thony Grafton 71, history; Laurie Was-serman and Charles Fasano 71, politicalscience; Leonard Zax 71, public affairs;VISA Volunteers Begin WorkIn Chicago's Mental HospitalVISA (Volunteers Institutional ServiceActivity), a University student run organi¬zation, called its first meeting of the yearto order Wednesday evening.President John Peplinski led a discussionconcerning members’ participation in pro¬grams at Chicago State Mental Hospital,the Clayton Hotel, and Thresholds, for fu¬ture Saturday afternoons.Chicago State Hospital, funded entirelyby the government, classifies patients intowards according to community, on the the¬ory that when cured and living outside, theinmates will be able to help each otherfrom personal experience and knowledge.In any given ward, there is a spectrum ofillnesses from schizophrenia to catatonia.VISA volunteers work with these people,and talk to them because, as one membersaid, “After a patient has been there a longtime, 20 or 30 years, it’s hard to weed outthe original sickness from what the hospitaldoes to him. A patient learns he is a lesserhuman being. His stature as a mature^eing is diminished simply because he issick and knows no better.“Their sense of propriety has been de¬stroyed. They steal from one another, so their possessions are soon depleted, andthey allow their appearance to get rundown. The clothing of the hospital is ill-fitting and shabby. These are the in¬stitutional effects which mask the illness.You don’t need much training to do goodthere — you just have to care,” he said.The Clayton Hotel and Thresholds pro¬grams were also discussed. The Hotel is ahalfway house where the inmates have con¬siderably improved but not sufficiently tobe released directly into the community.Thresholds, also held on Saturday after¬noons, is a program run in conjunction withVISTA (Volunteers In Service To Amer¬ica). Former patients who are back withtheir families come voluntarily to meetingsto regain respect, assurance, skills, and toattend classes.VISTA volunteers conduct classes onsuch topics as contemporary world affairs,public speaking, and arts and crafts. Pep¬linski said, “They appreciate your comingand the mutual respect which develops.”The meeting closed with plans to meetthis Saturday at 12:30 p.m. in the centralunit of Woodward Commons. From there abus will leave for the hospital. Harry Greenwald 70 and Holly Hartstone71, sociology; and Lewis Margolis 70, civ-ilizational studies.The psychology division elected only tem¬porary representatives to the council. Psy¬chology students at the meeting expresseddissatisfaction with the department and af¬ter the divisional meeting held their ownmeeting.The students decided to form a group tomeet with psych department officials to tryto make changes in the undergraduate cur¬riculum. They are meeting Monday, Octo¬ber 13 in the South Lounge of ReynoldsClub and all psych majors are urged to at¬tend.The social sciences council met for thefirst time Thursday night in Cobb 101. Atthe meeting elections for council officerswere postponed because the psychology de¬partment had no permanent representation. Harry Wasserman, 70, was elected tem¬porary chairman.Two resolutions were made by the coun¬cil. They decide not to make a recommen¬dation for student ombudsman before the15th Dean of Students Charles O’Connellhad asked for all recommendations by thatdate. They decided instead to wait until theofficial list of applicants has been compiledand then make recommendations from thislist. They will write a letter to O’Connellcontaining this motion.A motion was also passed to write a let¬ter to the council of the faculty senate,which is meeting Tuesday afternoon, ask¬ing them to close classes on the 15th. Theletter will state that the motion was passedby a consensus not by unanimous vote.They will also send a letter to all socialscience faculty members informing them oftheir decision, and asking them not to holdclasses on the 15th.Ten Freshman Positions Open In SGFreshmen can pick up election forms un¬til 5 p.m. October 17 to run for Student Gov¬ernment (SG) as representatives-at-largefor the freshman class.Ten freshmen will be elected. To be acandidate, a freshman must get a petition(available at the SG office, 2nd floor, IdaNoyes Hall) and have it signed by 40 otherfreshmen and returned by Friday.Special elections will be held to fill va¬cancies caused in several houses becausethe current SG representatives changed hisaddress. Candidates may pick up petitionforms at the same time as freshmen andhave them in by the 17th.These elections will be held October 27 inGreenwood, Eleanor Club, 1400 E. 57th forone representative each.Elections for one seat each in Pierce,Woodward, and Burton-Judson, for seats inThompson, Upper Flint, Upper Wallace, and Rickets Will be held on October 28thand 29th. Freshmen elections will be heldat that time in those locations also. Fresh¬men are not permitted to run as represen¬tatives from these houses,*but may vote inthe election.OmbudsmanThe University is looking for candi¬dates for this year’s ombudsman posi¬tion. Charles O’Connell, dean of stu¬dents, has said that many studentsseem to think that only student organi¬zations can nominate possible candi¬dates. He made it clear, however, thatthe University is seeking applicationsfrom individual students who may beinterested in the job. The deadline forapplications is Wednesday, Oc¬tober 15.October Jfi,, - J-Wft'Tfo. &****& '* * t < i ■ t■i*mj t tMawe -awim mr.—tJianma»sa .-*&->*;■***m MRNwauaRYM I and SDSYou don’t need a psychiatrist to tell when someone’s goneoff the deep end. The controlled, official dementia that regulatesso much that happens in America today has touched off uncon¬trolled and suicidal violence in one faction of the New Left. Wednes¬day night’s battle between police and participants in a demonstra¬tion sponsored by the Revolutionary Youth Movement I (RYM)is the result of an irresponsible strategy by one faction of SDSthat casts discredit in the public eye on everyone left of HubertHumphrey.The concern we feel is not so much for the actual physicaldamage — the high rises with broken windows, the Rolls-Royceswith smashed fenders. We can now expect to hear a wave of out¬rage from the powerful and moneyed residents of the Gold Coast,angry over their broken windows with a passion they seldom feelover the war, over racial injustices, and the other issues that haveled the demonstrators to break their windows. The plight of theRolls owners and the high-risers moves us, frankly, very little.The real injuries have been sustained by the former colleaguesof the Weathermen. All the newspaper headlines read that it is“SDS” that tore up the north side, and few people are going topay much heed to the intricate explanations that Wednesday’sdemonstrators represented only one faction of SDS. And, as everygood newspaper reader and TV viewer knows, “SDS” is synonymouswith everyone under the age of thirty who has misgivings aboutRichard Nixon or who thinks that the war in Vietnam may notbe such a good idea. For these people, who include among theirnumbers congressmen, senators, and maybe even presidents,Wednesday night is final proof that dissent is treason, and thatrepression is necessaryOf course, RYM I knows this. They aren’t trying to persuadeanyone of anything; the name of their game is polarization. Theyhave explicity stated their stand in the ultimatum that if youdon’t fight the enemy—their way—then you are part of the enemy.We can’t buy this. First of all, we don’t believe that if thepolarization RYM I is looking for were to take place, the resultswould be too encouraging. We have a dismal suspicion that thearray of power on the conservative side would wipe out the revolu¬tionaries faster than you could say “all power to the people.”Secondly, we never found very attractive that mode of action inwhich two sides square off and fight each other until one fallsdown dead.Condemnations of RYM I are a dime a dozen, so at this pointwe’d like simply to state our disapproval of Wednesday night’sactions, and go on to light into some other people, people whowouldn’t be caught dead at a RYM I meeting. These people arethe ones who laughed at the protesters when they were in highschool, liberally marching for peace, beat them over the headslast August, when they hooted Hubert, expelled them last spring,when they hurt the universityAll the indications this fall say that this is going to be abad year — meaning a quiet year — for radical politics. Studentsare bewildered by the array of SDS factions, and confused bytheir idealogical differences, which are largely incomprehensibleto those unacquainted with New Left jargon. If the actions ofRYM I are seized upon by the public — as they are sure to be —as proof that youthful protest is dangerous and irresponsible,there will be a reaction of repression and limited toleration ofdissent that may frighten off many would-be activists.Our society is at a stage where it desperately needs responsiblecritics. An era that frightens many people as a period of instabilitycould turn out to be the basis for a reworking of America into ahumane place. For this we need dissent, we need the New Left,we need people relentlessly committed to change. We find itominous and frightening that at this point the reactionaries whosay, “the only good revolutionary is a dead revolutionary” seemto have found strange bedfellows in the shape of those membersof RYM I who insist that to be a good revolutionary, you have togo out and get yourself killed.n > > 1 rrmuTr4/The Chicago Maroon/October 10, 1969 , 4 IigctH **<,?*■ m*** **"*•*•■* nWeathermen in Chicago:An Eyewitness AccountBy Steve CookThe Weatherman ripped up the nearnorth side Wednesday night in the first ofthe actions planned for the “Days of An¬ger” demonstrations scheduled throughSaturday.The demonstration began with a rally inLincoln Park, at 8pm. Some 600 people,many of them wearing motorcycle helmetsand heavy clothing, stood around bonfiresof burning park fences waiting for the ac¬tion to start. A group of Weathermen withViet Cong flags and calling themselves the“Red Revolutionary Army” dominated thescene.The atmosphere at the rally was tense.Those who had come to demonstrate wereprepared for a fight, and those who came toobserve were looked on with suspicion.When one girl in a motorcycle helmet sawme taking notes, she turned away and said,“There’s a lot of pigs here tonight.” Mostof the demonstrators thought the first con¬flict with police would come at 11pm, whenthe curfew closed the park. But as it turnedout, the police did not have to wait.At about 10pm, Tom Hayden, one of theConspiracy Eight, took the bull horn andaddressed the crowd around the bonfire. Athis name the crowd quieted.“There has been a lot of talk in the pressthat the Conspiracy Eight have opposedthis demonstration. It’s just one more lie.All of us are united in the belief of in¬tensifying and expanding the struggle.”After Hayden’s speech, the chants, re¬minders of SDS’s actions on campuses allover the nation last spring, began again.“Ho, Ho, Ho Chi Minh, the Viet Cong arebound to win,” “Off the Pig,” and “Righton” resounded through the park.Then somebody said through the bullhornthat J.udge Hoffman (the judge in the Con¬spiracy trial) lived in the Drake Hotel, onlya mile away. And he said that the peopleshould march there and confront the “pig.”The demonstrators, ready for a fight,agreed.They charged through the park at a run,VC flags flying, shouting an eerie rebelyell. Illuminated by street lights and pop¬ping flashbulbs, the young demonstratorshit Clark Street at a run. They sprintedthrough the middle of the street, armslinked, looking for an enemy.The first stones were thrown at a bank onClark and North. From then on every bigwindow was a target for the demonstrators.The sound of exploding windows and tinkl¬ing glass almost covered the sound of theirchants. Parked car windows were smashedin, one after another.The police were conspicuously absentfrom Clark Street. Then the first alarmsTHE CHICAGO MAROONEditor: Caroline HeckBusiness Manager: Emmet GonderManaging Editor: Mitch BohkinNews Editor: Sue LothPhoto Editor: David TravisFeature Editor: Wendy GlocknerAssociate Editors: Con Hitchcock (Managing),Steve Cook (News), Chris Froula (Features),Mitch Kahn (Sports)Assistant Business Manager: Joel PondelikSenior Editor: Roger BlackStaff: Judy Alsofrom, Paul Bernstein, PeteGoodsell, Sarah Glazer, Stan Goumas, SusanLeff, Gerard Leval, Joseph Morris, FriedaMurray, Audrey Shalinsky, David Steele, EllenSazzman, Leslie Strauss, Carl SunshinePhotography Staff: Ben Gilbert, Mark IsraelEssentially Unclassifiable: Rob CooleyDark Lady: Jeanne WiklerFounded in 1892. Pub¬lished by University ofChicago students dally dur¬ing revolutions, on Tues¬days and Fridays through¬out the regular schoolyear and intermittentlythroughout the summer,except during examinationperiods. Offices in Rooms304 and 305 in Ida Noyes Hall, 1212 E. 59thSt., Chicago, IH. 40637. Phone Midway 3-0800,Ext. 3243. Distributed on campus and in theHyde Park neighborhood free of charge. Sub¬scriptions by mail $8 per year in the U.S. Non¬profit postage paid at Chicago, III. Subscribersto College Press Service. came in and paddy wagons and unmarkedcars stuffed with cops roared down Shiller,Clark and Division. Now the demonstratorswere in the posh near north side neighbor¬hood. The high rise apartment buildingstake up whole blocks, and there are fewalleys for escape.At Clark and Division the first fightingtook place. The foremost of the demonstra¬tors ran into a police line, and began swing¬ing sticks and throwing rocks. The policeswung back, and arrested at least twenty.The demonstrators broke up into smallgroups and headed east down Goethe andDivision, bound for the Drake.At 1240 Lake Shore Drive, just north ofDivision, the most serious fighting tookplace. There a policeman shot a youth,wounding him in the neck, after the cophad been beaten.When I arrived on the scene, just afterthe shooting, some ten young demonstra¬tors were sprawled on the sidewalk, severalof them bleeding from the head. Soon, pad¬dy wagons arrived to take them away. Po¬licemen carried the demonstrators to thewagons; they were too hurt to walk.Two hundred made it to the Drake, butthe fight had gone out of them, and no vio¬lence took place.By 11 pm, there were eight to ten riotsquad police on every comer of the fiveblock area of the near north side and in OldTown, where small bands of the SDS-ershad retreated.After the Weathermen had passedthrough Clark street, storeowners andapartment dwellers warily stepped out tosurvey the damage. Broken glass litteredthe sidewalks; there were) hundreds ofsmashed-in windows on Clark, Astor, Divi¬sion, and Goethe. A burglar alarm in acleaning shop on east Division rang loudlyinto the night and could be heard blocksaway.Back at Lincoln Park, the press andcurious gathered. A handful of demonstra¬tors slipped back to get their cars or find aplace to stay for the night. •“Man, if I only had me about ten handgrenades ...” one helmeted youth mut¬tered.“Yeah, you would probably blow yourselfup,” his girlfriend replied.BULLETINFriday, October 10FOOTBALL: Valparaiso Junior Varsity, Stagg Field,3:15 pm.DOC FILMS: 8V2, Cobb Hall, 7:15 and 9:30 pm.COLLEGIUM MUSICUM: Laurence Libin, harpsichord.German music-works by Scheidt, Froberger, Kuhnau,Haydn, and others. Bond Chapel, 8:30 pm.SEMINAR BY DEPT. OF GEOPHYSICAL SCIENCES.Program for analysis of lunar samples. Hinds 101, 4:00pm.SABBATH EVE SERVICES: Hillel Conservative, 5:15pm; Orlhodox, sundown.TALK: Len Radinsky, "Evolution of Man — Whence andWhither." 270 Hinds,-4:00 pm.AFRICAN STUDIES ASSOCIATION TEA: Gathering ifall faculty and students interested in African continen. East Lounge, Ida Noyes Hall, 4:30 pm.FILM: African Studies Association, ACHIMOTA andCOME BACK AFRICA, Judd Hall Auditorium, 7:45pm.AD HOC COMMITTEE ON MEDICAID IN COOK COUN¬TY: Speakers: Robert Mann, State Representative;Regis Kenna, Acting Director, U. of C. Hospital; Law¬rence Bloom, lawyer, P-117 Billings Hospital, 5 pm.Saturday, October 11SPEECH: Penn Kemkel, National Secretary of the So¬cialist Party, "Building a Democratic Student Left,"Reynolds Club South Lounge, 8:30 pm.SOCCER: Principia College, Stagg Field, 1:30 pm.CONTEMPORARY FILMS: CLOSELY WATCHEDTRAINS, Cobb Hall, 7 and 9:30 pm.VISA: Volunteers Institutional Service Activity going toChicago State Mental Hospital, 12:30 pm. from NewDorms.Sunday, October 12SUPPER AND DISCUSSION: An Evening with Josephraised by modern medicine in the area of trans¬plantation of organs. Dietrich Bonhoeffer House, 5554S. Woodlawn, 5:30 pm.GRAD STUDENT OPEN HOUSE: Hillel, 4-5:30 pm.FILM: "The Song and the Silence" Drama of a hasidicshtetl. Hillel House, 7:30 and 9:30 pm.ST. THOMAS APOSTLE PARISH: Celebration of one-hundred years in Hyde Park, Centennial Mass ofThanksgiving, 12:30 pm; Cocktails and Reception onlawn, 2 pm. Centennial dinner, 3 pm.UNIVERSITY RELIGIOUS SERVICES: The ReverendE. Spencer Parsons, Dean of Chapel, RockefellerMemorial Chapel, 11 am.CONTEMPORARY FILMS: NIGHTS OF CARIRIA, CobbHall, 7 and 9:30 pm.INTERNATIONAL FOLK DANCERS: Ida Noyes Hall(Cloister Club), 7:30 pm.Monday, October 13AMERICAN OIL COMPANY: Advanced Product engj-neering School, in service management training semi¬nar, through Friday.y tin MU1 sdEETCITYjd UENSLTHEATRE OIV CAIUPESDavid TravisJOHN CAWELTITHERE IS AN INSIDIOUS VIRUS ON CAMPUS which,right in the face of the University’s extensive and ex¬pensive program of scientific and medical research,seems to attack and even thrive on the unsuspecting in¬tellectual. Ever since the origin of its species, this virushas attacked the scholar — even Aristotle had it. It pene¬trates the thickest ivy and the thickest of lenses, and haseven gotten through the stained glass windows of Roc-efeller Chapel. This virus is — and pardon the pun — thetheatre bug. Despite all academic tradition to the con¬trary, this university has produced, or at least harbored,such theatrical names as Mike Nichols, Elaine May, Sev¬ern Darden, David Steinberg, Shelly Berman, and manyothers. Because the U.C. has never had any sort of dramadepartment, the successes of the aforementioned havebeen due to purely extracurricular activity, and have beenattained more or less in spite of their academic careers.This quarter formally launches a new, experimental pro¬gram of theatre and film within the committee on GeneralStudies in the Humanities, (otherwise known as the com¬mittee) this year, at least five student theatre groups willbe mounting a number of productions on campus; theUniversity now boasts its first graduate student in drama.With all this theatrical hustle and bustle, a brief expose ofthe U.C. theatre scene — its history, its current situation,and its future possibilities — seems timely.According to James O’Reilly, director-in-chief of Uni¬versity Theatre since 1964, organized dramatic activity oncampus started as an undergraduate activity back in 1958.The director, Marvin Phillips, and his assistant, a gradu¬ate student named Richard d’Anjou, both left the Univer¬sity for more professional work in the theatre, and weresucceeded by a Second City actor named Bill Alton. Alton,rather dictatorial in his management of UniversityTheatre, elicited a violent reaction from the students, whoformed the Actors’ Theatre, an experimental group whoseproductions were directed, acted, and produced primarilyby students. Alton remained here for one year. He wassucceeded by Robert Benedetti, his assistant, who hadbeen technical director for the University’s summerstock” company, the Court Theatre.“Benedetti was just the right kind of director for thestudents here in the early ’sixties,” O’Reilly commented.‘‘He was very experimental in his approach, and veryinterested in the theatre of the absurd. His students in¬cluded many young directors, whose activity he encour¬aged (these same students, incidentally, now seem to begoing into filmmaking). He helped to turn UniversityTheatre back into a student activity. The Actors’ Theatrebecame unnecessary, and was disbanded.”Along with student' involvement came an increasedinterest on the part of the faculty in campus theatre.When O’Reilly took the directorial position in 1964, suchiaculty members as Virgil Burnett, Kenneth Northcott,Nick Rudall, John Cawelti, and Edward Rosenheim —names now immediately associated with the U.C. theatrescene — were already deeply involved in designing andproducing shows along with the students. Their contribu¬tion was still purely extracurricular, however, until the From a tinyacorn themighty oak isgrowing.By Jeanne Wiklerautumn of 1966, when a course entitled “Ten Plays” wasoffered in the Humanities Division. The course was taughtby three men with three viewpoints of the plays involved:Edward Rosenheim discussed the texts as scripts, from aliterary standpoint; Virgil Burnett treated the artistic as¬pects, such as design, costume, and lighting; and O’Reillyled discussions of the plays with regard to directing andacting.John Cawelti, now head of the committee on GeneralStudies in the Humanities, agrees that the “Ten Plays”course was the forerunner and even a catalyst of the newtheatre-film department. “The course got an excellent re¬sponse frem the students. A few interested students in theCommittee expressed a desire to incorporate an actualproduction or project into their bachelor’s essays, ratherthan writing a purely academic paper. There was a lot ofthis sort of talk going on. So one night a bunch of us gottogether in Jimmy’s and decided to put the plan into ac¬tion.”The theatre-film program, unlike a regular drama de¬partment, offers several courses in the practical aspectsof the theatre to supplement the existing drama courses inthe English department and other language departmentswhich deal solely with the literary aspect of plays. DuringSpring Quarter the Committee will offer a course called“Introduction to the Theatre,” which will be an offshoot ofthe early “Ten Plays” course and will be taught by Burn¬ett, Rosenheim, and other interested faculty members. Inthe winter and spring, Burnett will teach a course intheatre design, which will probably involve the mountingof a production by Cain’s Company (described below).And this quarter, Cawelti is teaching a film “apprecia¬tion” course while three Chicago filmmakers are giving aDocumentary Film Workshop. There are plans for a Sen¬ior Seminar in acting and production to be given nextyear.What about future plans for the program? Cawelti andBurnett concur that faculty appointments in the Com¬mittee, solely for the purposes of teaching drama andfilm, are of the utmost importance. Burnett also expresseda need for more staff to help mount University TheatreDavid TravisUT’s Lilian Last Year David TravisJAMES O’REILLYproductions. “I would like to see a merging of the theatre-film program and the University Theatre program,” hestated. “We ought to have theatre-film faculty workingclosely with an all-around theatre person like Jim(O’Reilly), and perhaps also a technical director. Thisway the students can benefit more greatly from theirclasses and from their &actual dramatic work. I would alsolike to see some more professional theatre troupes broughtto campus, and also some guest actors who might giveacting workshops to the students.”O’Reilly agrees with the need for more UT staff andguest artists, but like most non-comercial American art,UT is severely hampered by lack of funds. “All of ourmoney comes from the Dean of Students’ Budget. We getno money from CORSO (Comittee on Recognized Stu¬dent Organizations), and the money we do get is for mysalary, the salaries for the business manager and the sec¬retary (both part-time positions), and for running the UToffice. We get no funds for the actual productions. Theyare expected to pay for themselves through ticket sales.”In past years, ticket sales have not been sufficient to letUniversity Theatre break even, and this has necessarilyaffected the choice of plays by O’Reilly and the StudentBoard (a volunteer group of involved and experienced stu¬dents who direct the student-activity aspect of UT). Ideasfor new, original, or obscure plays have been quelled bythe fear of an insufficient gate.This year, O’Reilly has implemented some changes inthe University Theatre program which will hopefully ab¬ate some of its problems. Firstly, all of the UT produc¬tions wil be given in the Reynolds Club Theatre ratherthan in the larger Mandel Hall where the quarterly majorproductions have been given in the past. The sets will besmaller and less expensive, and there will be a need forfewer security guards during the performances. Secondly,each quarter will include one major production directedby O’Reilly or a guest director; one production directedby an experienced student, and one weekend of ex¬perimental presentations, directed by anyone who hasshown an interest in theatre and who has a good ideawhich he or she would like to see realized. Such produc¬tions would necessarily be low-budget, but would providenew playwrights, actors, and directors to experiment with¬out worry of ticket sales. (The actual ticket prices will bescaled down for these productions, perhaps by half). Thisquarter, two students (William Ravich and Allen Woll)will direct American Hurrah, to be presented on the fifthand sixth weekends of the quarter, and O’Reilly will directJoseph Heller’s play, We Bombed in New Haven, on theseventh and eighth weekends. There will also be somerefurbishing going on in the Reynolds Club Theatre, inorder to replace the excruciatingly uncomfortable foldingchairs which have repelled audiences in the past.Despite its colorful history and intensive program,however, University Theatre is not the only dramaticgroup on campus. There are in fact numerous other per¬forming groups, answering the needs and interests of adiversity of thespians. If O’Reilly’s program is not, asContinued on Page Threetitt /A. ****** rtf'*ANNUAL/•NHPSNUMLTEXT BOOKS GENERAL BOOKS.REFERENCE BOOKSDISCOUNTS UP TO 50 %BOOKS IN ALL DISCIPLINESWITH SPECIAL EMPHASIS UPON TITLES INART, LITERARY CRITICISM, HISTORYTHE BOOKSTORE 58th & ELLISIF YOU ARE 21 OR OVERMALE OR FEMALEHAVE A DRIVER S LICENSEDRIVE A YELLOWJust telephone CA 5-6692 orApply in person at 120 E. 18th St.EARN MORE THAN $25 DAILYDRIVE A YEUOWShort or full shift adjusted toyour school schedule.DAY, NIGHT or WEEKENDSWork from garage near home or school.Every night at 11....(Sunday at 10) “A savage,soberinglament forthe Americabetween theshining seas.You will leavethe theatrespeechless,appalled, andfrightened!"—Donald J.Mayer son,The Villager iV'%’. a» ANDO 1 O^tany'** ASSOC it l- *•!»«HAV|<| MT WODUCT'ONSPETER/DENNISFONDA/HOPPERJACK NICHOLSONWrn»r> i>»PE TER FONDA DENNIS HOPPERTERRVSOUTHERNDirected by Produced byDENNIS HOPPER PETER FONDAA*soc4te Produce. f .ecui ve ProducerWILLIAM HAYWARD BERT SChnEiDERCOLOR Released By mColumbia picturesContinuous Performancesat 2:00, 4:00, 6:00, 8:00,10:00TL ESQUIRESt I. 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OAK 2035 W. 95thDE 7-4150 779-65002/Grey City Journal/October 10, *1969i t v» i viiu /nOTVil (ft iu/v .O4„....«, Khovanshchina at the Lyric. i>* i * MODEST MUSSORGSKY’S KHOVANSHCHINA, subtitledA National Music Drama in Five Acts, deals with theattempt on the part of the Russian feudal princes andboyars to block Peter the Great’s plans for modernizingRussia and patterning new political and social institutionsafter Western European models. The opera is chiefly con¬cerned with the fall from power of the leader of the anti¬reform movement, Prince Ivan Khovansky. It also tracesthe fate of an orthodox religious sect called the Old Believ¬ers, likewise opposed to Peter’s reforms.Khovanshchina, like its predecessor Boris Godounov,is total theater. It seeks at once to relate a great andproud man’s betrayal and murder as well as its effect onthe lives of the vast Russian masses that constitute hisfollowing. Containing political intrigue, religious ritual,and rowdy soldier life, Khovanshchina presents a veritablepanorama of Russia at the time of Peter the Great. Un¬fortunately, unlike Boris, Khovanshchina loses in qualitywhat it possesses in the way of spectacle. The story suf¬fers from a considerable lack of cohesion. As a result, thecharacters become diminished in stature. This is particu¬larly true of Khovansky, who, despite the power and ego¬ism he radiates in his relatively short time on stage, is byno stretch of the imagination as impressive as a Boris.Musically, the opera is uneven. There are times in whichit drags incredibly (in no way alleviated by the Lyric’scombining of the second, third, and fourth acts into onelong act). However, much of the music is quite enjoyable,and certain parts are even rather striking, notably manyof the choruses and the scene in which Khovansky is toldof Peter’s sudden arrival in Moscow.The Chicago Lyric Opera’s production of Khovansh¬china, with which it has chosen to inaugurate its fifteenthanniversary season, does justice to both the spectacularand the musical aspects of the work. Nicolai Ghiaurov,undoubtedly one of the finest bassos of our day, sangTHE1TEEContinued from Page Onethey say, your bag, you might take an interest in thefollowing:The Renaissance Players. The purpose of this group,started in 1966, is to perform the lesser known pre-Shakes-pearean plays in the Renaissance style, rather than mod¬ernizing them. Alan Nelson and Paul D’Andrea serve asfaculty advisers to the group, but the plays are directedby faculty, non-faculty, and students (one General Studiesstudent directed Dekker’s The Shoemaker’s Holiday lastyear as his bachelors’ project). The Society plans to doRobin and Marian, “a little French musical comedy,” inJanuary, and another production in the spring.Blackfriars. This is an almost-all-student group whosetradition has been to produce original (by students) musi¬cal comedies during the spring quarter. Last spring theypresented The Charge of the Numidian Cavalry, an origi¬nal play based on the life of Leo Tolstoy. This year how¬ever, their first play is neither original nor planned forspring quarter. They are presenting The Fantasticks dur¬ing the sixth week of this quarter.Cain’s Company. Virgil Burnett, Nick Rudall, and Je- Khovansky with intense expression. What is more, his act¬ing was superb. At one point, shortly before his betrayal,Khovansky, fearing the worst, trys to cheer himself up byhaving his servant girls sing to him while he eats. Ghiau¬rov succeeded in heightening the irony of Khovansky’simminent death by prancing wildly and gleefully about thestage. Ghiaurov was supported by an able cast. Of par¬ticular note were Boris Shtokolov as Dositheus, head ofthe Old Believers, and Norman Mittelman as the BoyarShaklovity. Both of these roles are written for deep malevoices, and the result, together with Khovansky, is a richand somber trio which sets the tone for the entire opera.In addition to the three male leads, Ruza Prospinov-Bal-dani as Martha, a member of the Old Believers and inlove with Khovansky’s son, gave an admirable perform¬ance. The Lyric Opera Orchestra, under the direction ofBruno Bartoletti, was in top form and succeeded in con¬veying the prevailing mood of the work.It was with the more technical aspects of the Lyric’sproduction that this reviewer had some qualms. For one,CinemaA SERIES OF SIX FII "'S opened last Wednesday at the 3Penny Cinema (2424 N. Lincoln). The series is a truncatedversion of one which ran last spring at the New Yorkerand is one of the best ways I know to discover what hasbeen happening to the narrative film in the past fifteenyears.What we have been witnessing in the past fifteen yearsrome McGann have formed this small company devoted tothe presentation of elaborate, scholarly, and spectacularplays to a very small audience in the nave of RockefellerChapel. Their first production was of Byron’s Cain; lastyear they presented a trilogy of Yeats’ Cuchulain plays.This year, there is talk of adapting a Blake prophecy forRockefeller Chapel...A New, Unnamed, Improvisational Group. This quar¬ter, Christopher Lyon and several other students in thecollege, along with interested graduate students and com¬munity actors, will form an improvisational theatre groupwith a dual purpose: to train actors through variousgames and exercises, and to eventually work up to goodperformances of adapted and semi-improvisational plays.There is also a scene-study acting workshop givenweekly by Susan Spector (who co-directed last year’sBlackfriars show with her husband, Steve Urkowitz), forthose students interested in working with scripts and withlearning some of the more technical aspects of acting.The University of Chicago theatre has a place for ev¬ery kind of actor and for every kind of audience. Thispromises to be a very exciting year for everyone involved.Get involved. the staging of the crowd scenes was most unprofessionalin that it consisted almost solely of packing the stage withas many peasants and spear-carriers as could be found. Inthis instance, less would have been more. As for the set¬tings, they tended to deteriorate throughout the course ofthe production, becoming both more ponderous and unima¬ginative as time wore on. Finally, the staging of the tre¬mendous self-immolation scene of the Old Believers at theend of the opera was a disgrace for an opera company ofthe Lyric’s stature. The smoke, which was supposed to becoming from the funeral pyre erected in the center of thestage, was blown in from the wings in spurts reminiscentof a huge dragon in a Chinese New Year day’s parade.Such amateurism is totally uncalled for.All of this notwithstanding, the. Lyric’s production ofKhovanshchina is definitely worth seeing. Despite minorflaws, it is generally of very high quality. And if you can’trationalize it any other way, go see it for historical rea¬sons. It is so rarely performed, you may never get anoth¬er chance. Fred Wellischis a successful attempt by many divergent directors toredefine our sense of what constitutes a narrative film.What these men do hold in common is their commitmentto the idea of a narrative film (as opposed, to abandoningthe form for documentaries or abstracts) and the desire tomake the narrative form itself as personal a part of thefilm as visual style.Essentially this is a European answer to what becamethe standard attitude of American movies. In the Ameri¬can film the plot itself was often set by studio writers, attimes in conjuncion with a director, at times not. Person¬al expression became at times possible only through vis¬ual seminology and a complex and fragile relationshipwas often effected whereby a man had freedom onlywhere the studio bosses were either ignorant or dis¬interested. At times this has led to a rather questionableethic on the part of some of our most important directors.Alfred Hitchcock, for example has never sacrificed any ofhis ultimately subversive moral ideas yet has alwaysmaintained a thriller format. (The one exception to thiswas Under Capricorn which, despite the film’s artisticsuccess was such a box office disaster that it was lockedin a New York bank vault for twenty years. Apparently assoon as audiences saw Mr. Hitchcock’s name on the cred¬its they began looking for shocks — when they encoun¬tered a romantic melodrama they refused the form.) Theresult in the case of Hitchcock has been such a complexset of visual symbolism that for many years Hitchcockwas essentially esoteric.In almost direct response to this, directors began tak¬ing apart the narrative form itself, demanding of movieaudiences what before had been only asked of readers. Itis not coincidental that this movement reached its peakwith the neuveau-vague in the early 1950’s. These direc¬tors were intimately associated with Cashiers du Cinema,the idea that the director was ultimately responsible for aa magazine which first began massive propogandizing forContirued on Page SevenFILM—The Crisis in NarrativeUC Theatre SceneHO BEYCITY JODRWaiHere is no continuing city, here is no abiding stay.Ill the wind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late, androtten the year;Evil the wind, and bitter the sea, and grey the sky,grey grey grey. T s EUotMurder in the CathedralEditorJessica SiegelManaging EditorJeanne WiklerStaff ExtraordinairePeter RabinowitzT. C. FoxStaffGregory FergusonChristopher LyonMyron MeiselThe Great PumpkinPeter RatnerPaula ShapiroThe Grey City Journal, published weekly in cooperation with TheChicago Maroon, invites staff participation and contributions fromthe University community and all Chicago. All interested personsshould contact the editor in the Maroon offices in Ida Noyes Hall.Blackfriars Charge of the Numidian Cavelry and Renaissance Players Shoemaker’s Holiday &} Joirnal/J’rsr4/Grey €^5ou^/O(<0b^’lft^i9«»r*^>r>r ;just minutes from the Loop30 stories of modernhigh-rise livingat down-to-earth rents1-BEDROOM $118.502-BEDROOM $139.003-BEDROOM $160.00The perfect residence for singlepersons, young couples, familieswith children, senior citizens. Nowyou can enjoy living in a brand-newapartment building designedespecially for those with moderate-incomes. So close to the heart ofeverything ... and with magnificentviews of Lake Michigan and theLoop. Just look at these wonderfulfeatures:• Huge raised recreation plaza• Day nursery• Indoor game rooms• Supermarket on premises• Beautiful laundry-lounge• Spacious apartments• Plenty of closet space• Ceramic tile baths• Free cooking gas• Deluxe kitchens, with refrigerator-freezer, gas range and oven,counters and cabinets• Clean radiant heat• Master color TV antenna• Telephone jacks in every room• Free parking• Bus stops right at the doorDramatic furnished models now ondisplay. Come out to see for yourselfsoon—choice apartments stillavailable!Hours: Noon to 5 p.m., includingweek-endsTelephone 225-6300BAIRD & WARNERV BEDROOM8-10A typical Long Grove House floor plan—this one of a two-bedroom layout—shows the well-designed traffic pattern,the especially large bedrooms, spacious living-dining room,and abundant closet and storage space. One- and three-bedroom apartments are also available, all at extremelymodest rentals. Want to see something really special? Then visit thethree tastefully furnished model apartments at LongGrove House. You’ll see rooms like this one, drama¬tically showing just how wonderful these residencesare. Modern and traditional furnishings are mixed har¬moniously to create “now” living settings.Grand Opening!LONG GROVE ROUGE2001 South Michigan AvenueEECOBDS==^= "■From the Pumpkin PatchWHILE WE WERE ALL sitting around waiting for theBeatles album Get Back to come out, as had been report¬ed in almost every major journal, the Beatles decided tosurprise us. Instead of releasing Get Back, they released anewer album called Abbey Road (Apple SO-383) with atotal of not twelve, not thirteen, not fourteen, not fifteen,bi’* sixteen, yes sixteen different songs. Now isn’t thatwhy you love the Beatles? First, instead of doing whateveryone thought they would do, they decided to treat usto something new, and if that wasn’t nice enough, theyeven gave us sixteen new tunes to “oooh and ahhh” over.It is just this element of mystery and suspense that theBeatles have that has kept them on top of the music worldfor all these years.The reviewers have told us not to like this album.They say it isn’t very good. They say that the tunes areordinary and that the words are trite and “instant poet¬ry.” Well, as some of you may recall, they are the samepeople who told us that the Beatles weren’t any good whenthey first came out. They also are the same people wholater realized their errors and hailed the Beatles as theleaders of pop music. Now, they have changed their mindsagain and have condemned the Beatles. The obvious ques¬tion is, “Can’t they make up their minds?” Well, they(those reviewers again) have been wrong in the past, willbe wrong in the future and there is nothing saying thatthey aren’t wrong now. Reviewers, hang your heads inshame. Abbey Road is good. In fact, it is better than good.Don’t listen to The New York Times. Listen to me. Afterall, have I ever lied to you?Whenever a new Beatles album comes out, everyonetries to analyze the music “The Beatles are trying to tellus something about life and the death”, or “That is defi¬nitely about LSD” or “The references here are obviouslyabout the futility of war.” I’m sure that at this exactmoment there are a group of people sitting around a cof¬fee table drinking coffee, or something stronger, and de¬ciding that Abbey Road contains references to pot, sex,war, death and each individual Beatle. Hogwash !Whycan’t people accept the Beatles music as music, and noth¬ing more?The other tendency with Beatles music is to try toshow some kind of trend from album to album (“MagicalMystery Tour is a natural outgrowth of Sgt. Peppers”) andto then decide where the Beatles are heading. My reactionto this is similar to my reaction to the deep analyzation ofthe Beatles music. Likewise, hogwash! The Beatles dotheir thing and when they do, let’s accept it as the Beatlesmusic. That is good enough for me.As for the album, it has some truly fine stuff in it. TheBeatles seem much more together than they have been inquite some time. On The Beatles, their double album, itwas obvious that a specific song was Paul’s, John’s, orGeorge’s; Ringo’s were infrequent enough to be evenmore obvious. Yet on Abbey Road, though you suspectthat the songs were written individually, because they areperformed by the entire group, it is much harder to pickout what belongs to who. On The Beatles, when John sanga song, it was obvious that John had written it, (Julia, forexample) and the same is true of Paul (Blackbird),George (While My Guitar Gently Weeps) and Ringo (Don’tPass Me By). Abbey Road though is tight.BEFORE STARTING OUT on his weekly (or should I sayweakly) flight of fancy, the Culture Vulture would like tosay one thing to performers and culture-makers them¬selves. C.V. can’t get to your happening if he doesn’t knowabout it. (This sounds like an exercise in logic). Therefore ifyou want him to wing his way over to enable him to passdown his judgement from up high please inform him ofthe fact at his resident nest in the Maroon Office in IdaNoyes Hall.FILMTonight Doc Films presents Fellini’s 8%. If you saw iton television or only 7V2 times it is worthwhile seeingagain.On Saturday, Contemporary European Films is show¬ing Closely Watched Trains — a grimly-grey Czech film ofoccupied Czechoslovakia.Sunday is Nights of Cabiria which makes this week¬end a real Fellini Festival.Doc Films bragged that the screenplay of Shadow of aDoubt, Hitchcock’s thriller is by UC alumnas Thornton Wil¬der. It also stars Joseph Cotton of Anacin fame.The D. W. Griffith Fest on Wednesday night has WayDown East “a story of innocence betrayed and lost” star¬ring the expert of betrayal and loss of innocence —LillianGish.The World Playhouse, 410 S. Michigan has an oddly- Side one, which is six songs long (I have decided toavoid minutes and hours when discussing records. Thenew time measurements is songs. This is two and halfsongs long, etc.), is nice. One song in particular, Max¬well’s Silver Hammer, is my favorite. In it, the Beatlesextole Maxwell and his hammer which kills three peoplein the song, in a truly fine, catchy, sing-song style. Itcracks me up every time I listen to it. It will brightenyour whole day if you play it in the morning. Try it. ComeTogether, Something, and Oh! Darling are good songs, buthaven’t really stuck in my mind yet. Give me a few moredays. However, Octopus’s Gardens and I Want You are un-forgetable, but for completely different reasons. Octopus’sGarden is Ringo’s song and reminds me of Yellow Subma¬rine. It swings, in a country manner. I Want You has agreat, rhythemic instrumental ending that stops in theweirdest manner I have ever heard. I like it though.Side Two must be listened to at least ten times beforeyou can decipher which song is which. You see, there arerimEASY RIDER IS A 1969 American odyssey. Two mo-torcyclists-cum free spirits, Wyatt (Peter Fonda), and Bil¬ly (Dennis Hopper) push some dope, and with the moneythey get decide to take a bike trip from Los Angeles toNew Orleans. The film follows the pair’s journey ' crossthis distance. It is through this method of letting t! plottwist along with the road, of showing the various ex¬periences and people that the easy riders encounter thatTerry Southern, Fonda, and Hopper (who wrote thescreenplay) make their comment upon the land in whichmatched but undoubtedly powerful double-bill: Ulyssesand The Dutchman. Joyce and Jones sounds like a vaude¬ville team but they’re two very different authors whoseworks have made remarkable films.MUSICCollegium ^lusicum, a great campus traditionpresents its first concert of the season in the guise ofharpsichordist Laurence Libin. The concert, which will in¬clude works of Bach, Haydyn, Kuhnau and other Austrianand German composers will be held in Bond Chapeltonight at 8:30 pm. And what a bargain — it’s free.THEATREUnbeknowest to many people (especially since fromthe outside, Harper Theatre doesn’t even look like it’sopen) are the New Old Fashioned Baroque Compass Play¬ers who have started their season there playing Fridayand Saturday night at 9 and 11. Not only are there veryfew coffee houses in Chicago but there are certainly noother resident improvisational satiric groups in HydePark. They’re so convenient so why miss them.Also in Chicago is the famous Second City whichspawned the talents of ... They are premiering their newsatirical revue, The Next Generation on Wednesday night.If you’re in the Second City for four years, what a shameto miss The Second City. nine songs on the side and they blend together so well in amedley of sorts (some say that only some of the songs arein the medley. I disagree. For me, the whole side has tobe thought of as a unit). Tunes come in and go out andpop up again later. Listen closely, for the medley is in¬credibly well done. You will be amazed at the imaginationof the Beatles in compiling so many different tunes thatblend together so well. I guess that’s why the Beatles arethe Beatles, if you know what I mean.Well, that Abbey Road. It is good, quite good in fact.My only specific complaint so far, is that I have seen itbeing sold for incredibly high prices. I can see no reasonwhy you should have to pay two extra dollars per albumjust to get the Beatles. I have seen the album (a singlealbum at that, with no pictures on the inside, that doesn’teven open, and that has a jacket which folds, bends andmutilates) selling for as much as $5.88. For what? youask. Obviously, for the Beatles. Should you pay it? That,my friends is your decision.The Great Pumpkinwe live.Easy Rider is essentially concerned with the way twononpolarized people interact with a polarized society. Oneof the most distinguishing characteristics of Billy andWyatt is that they are not totally committeed to anything;they are willing to try everything. During the long ride thecamera observes the pair engaged in the activities of boththe old and new America. Billy and Wyatt stay at a work¬ing ranch and at a hippie commune; they smoke grassand drink whiskey; they act like freaks but they alsomarch in a small town parade. The problem is that theiracceptance of others doesn’t conversely lead to acceptancefor them. Marching in a parade leads to jail; havinglong hair and different clothes leads to worse.This is a committeed film, and one that demands com¬mitment. Easy Rider looks at two distinct cultures, andthe way these cultures look at Billy and Wyatt. The resultof this observation is a bitter indictment of traditionalAmerica. Hatred and violence is the only way this culturecan cope with newness. The people are too afraid ofchange to act any other way. Only with those who havedropped out do Wyatt and Billy find something of whatthey’re looking for. This is a tragic film because the ri¬ders don’t realize that it isn’t possible anymore to live intwo societies at once; the split is too deep for that. Onlyafter much horror has passed does Wyatt cryptically say“We blew it.” He finally knows that you can’t ride easydown the dividing line.This isn’t a perfect film. The writing and the symbolismare at times heavy-handed. Having someone say in acampfire conversation “They don’t fear you, it’s what yourepresent” is not an example of fresh dialogue. Similarlyan action less obvious than throwing a watch away couldhave been used to show the heros’ freedom from the bondsof time. The acting ranges from excellent — Dennis Hop¬per and Jack Nicholson (as the southern lawyer who joinsBilly and Wyatt) to mediocre (Peter Fonda).Easy Rider is an extreme film about a society ofextremes. Savage in its attack, non-negotiable in outlook,the film makes clear that a compromise between sellingout, and dropping out can’t be achieved. It’s a harsh viewof America, but as Huck Finn said in an earlier Americanodyssey “there’s some stretchers here, but it’s the truthmainly.”Robert GombinerOctober lOjUmtQrty CityiJbunud/SA Wordfrom the B irdAn American Odyssey4/Grey City jrow:hal/Ool0b^’ift,‘.19«|f< ^ )rkc ;just minutes from the Loop30 stories of modernhigh-rise livingat down-to-earth rents1-BEDROOM $118.502-BEDROOM $139.003-BEDROOM $160.00The perfect residence for singlepersons, young couples, familieswith children, senior citizens. Nowyou can enjoy living in a brand-newapartment building designedespecially for those with moderate-incomes. So close to the heart ofeverything ... and with magnificentviews of Lake Michigan and theLoop. Just look at these wonderfulfeatures:• Huge raised recreation plaza• Day nursery• Indoor game rooms• Supermarket on premises• Beautiful laundry-lounge• Spacious apartments• Plenty of closet space• Ceramic tile baths• Free cooking gas• Deluxe kitchens, with refrigerator-freezer, gas range and oven,counters and cabinets• Clean radiant heat• Master color TV antenna• Telephone jacks in every room• Free parking• Bus stops right at the doorDramatic furnished models now ondisplay. Come out to see for yourselfsoon—choice apartments stillavailable!Hours: Noon to 5 p.m., includingweek-endsTelephone 225-6300BAIRD & WARNERV Long Grove House children canattend the nationally-acclaimedSouth Commons-Drake publicschool— offering an integrated,innovative educational program inthe new South Commons CommunityB Building and the modernDrake School.A typical Long Grove House floor plan—this one of a two-bedroom layout—shows the well-designed traffic pattern,the especially large bedrooms, spacious living-dining room,and abundant closet and storage space. One- and three-bedroom apartments are also available, all at extremelymodest rentals. Want to see something really special? Then visit thethree tastefully furnished model apartments at LongGrove House. You’ll see rooms like this one, drama¬tically showing just how wonderful these residencesare. Modern and traditional furnishings are mixed har¬moniously to create “now” living settings.vmmBEDROOM 1 BEDROOM 28 -10 x 17 -2 10 -6 x 13-10Grand Opening!LONG GROVE ROUGE2001 South Michigan AvenueII.}>) ]•5) r;» 1 •» • RECORD 5================ — ■■■■ mu .From the Pumpkin PatchAbbey Road from the front and the backWHILE WE WERE ALL sitting around waiting for theBeatles album Get Back to come out, as had been report¬ed in almost every major journal, the Beatles decided tosurprise us. Instead of releasing Get Back, they released anewer album called Abbey Road (Apple SO-383) with atotal of not twelve, not thirteen, not fourteen, not fifteen,biz* sixteen, yes sixteen different songs. Now isn’t thatwhy you love the Beatles? First, instead of doing whateveryone thought they would do, they decided to treat usto something new, and if that wasn’t nice enough, theyeven gave us sixteen new tunes to “oooh and ahhh” over.It is just this element of mystery and suspense that theBeatles have that has kept them on top of the music worldfor all these years.The reviewers have told us not to like this album.They say it isn’t very good. They say that the tunes areordinary and that the words are trite and “instant poet¬ry.” Well, as some of you may recall, they are the samepeople who told us that the Beatles weren’t any good whenthey first came out. They also are the same people wholater realized their errors and hailed the Beatles as theleaders of pop music. Now, they have changed their mindsagain and have condemned the Beatles. The obvious ques¬tion is, “Can’t they make up their minds?” Well, they(those reviewers again) have been wrong in the past, willbe wrong in the future and there is nothing saying thatthey aren’t wrong now. Reviewers, hang your heads inshame. Abbey Road is good. In fact, it is better than good.Don’t listen to The New York Times. Listen to me. Afterall, have I ever lied to you?Whenever a new Beatles album comes out, everyonetries to analyze the music “The Beatles are trying to tellus something about life and the death”, or “That is defi¬nitely about LSD” or “The references here are obviouslyabout the futility of war.” I’m sure that at this exactmoment there are a group of people sitting around a cof¬fee table drinking coffee, or something stronger, and de¬ciding that Abbey Road contains references to pot, sex,war, death and each individual Beatle. Hogwash !Whycan’t people accept the Beatles music as music, and noth¬ing more?The other tendency with Beatles music is to try toshow some kind of trend from album to album (“MagicalMystery Tour is a natural outgrowth of Sgt. Peppers”) andto then decide where the Beatles are heading. My reactionto this is similar to my reaction to the deep analyzation ofthe Beatles music. Likewise, hogwash! The Beatles dotheir thing and when they do, let’s accept it as the Beatlesmusic. That is good enough for me.As for the album, it has some truly fine stuff in it. TheBeatles seem much more together than they have been inquite some time. On The Beatles, their double album, itwas obvious that a specific song was Paul’s, John’s, orGeorge’s; Ringo’s were infrequent enough to be evenmore obvious. Yet on Abbey Road, though you suspectthat the songs were written individually, because they areperformed by the entire group, it is much harder to pickout what belongs to who. On The Beatles, when John sanga song, it was obvious that John had written it, (Julia, forexample) and the same is true of Paul (Blackbird),George (While My Guitar Gently Weeps) and Ringo (Don’tPass Me By). Abbey Road though is tight.BEFORE STARTING OUT on his weekly (or should I sayweakly) flight of fancy, the Culture Vulture would like tosay one thing to performers and culture-makers them¬selves. C.V. can’t get to your happening if he doesn’t knowabout it. (This sounds like an exercise in logic). Therefore ifyou want him to wing his way over to enable him to passdown his judgement from up high please inform him ofthe fact at his resident nest in the Maroon Office in IdaNoyes Hall.FILMTonight Doc Films presents Fellini’s 8%. If you saw iton television or only 7% times it is worthwhile seeingagain.On Saturday, Contemporary European Films is show¬ing Closely Watched Trains — a grimly-grey Czech film ofoccupied Czechoslovakia.Sunday is Nights of Cabiria which makes this week¬end a real Fellini Festival.Doc Films bragged that the screenplay of Shadow of aDoubt, Hitchcock’s thriller is by UC alumnas Thornton Wil¬der. It also stars Joseph Cotton of Anacin fame.The D. W. Griffith Fest on Wednesday night has WayDown East “a story of innocence betrayed and lost” star¬ring the expert of betrayal and loss of innocence —LillianGish.The World Playhouse, 410 S. Michigan has an oddly- Side one, which is six songs long (I have decided toavoid minutes and hours when discussing records. Thenew time measurements is songs. This is two and halfsongs long, etc.), is nice. One song in particular, Max¬well’s Silver Hammer, is my favorite. In it, the Beatlesextole Maxwell and his hammer which kills three peoplein the song, in a truly fine, catchy, sing-song style. Itcracks me up every time I listen to it. It will brightenyour whole day if you play it in the morning. Try it. ComeTogether, Something, and Oh! Darling are good songs, buthaven’t really stuck in my mind yet. Give me a few moredays. However, Octopus’s Gardens and I Want You are un-forgetable, but for completely different reasons. Octopus'sGarden is Ringo’s song and reminds me of Yellow Subma¬rine. It swings, in a country manner. I Want You has agreat, rhythemic instrumental ending that stops in theweirdest manner I have ever heard. I like it though.Side Two must be listened to at least ten times beforeyou can decipher which song is which. You see, there arerimEASY RIDER IS A 1969 American odyssey. Two mo-torcyclists-cum free spirits, Wyatt (Peter Fonda), and Bil¬ly (Dennis Hopper) push some dope, and with the moneythey get decide to take a bike trip from Los Angeles toNew Orleans. The film follows the pair’s journey ' crossthis distance. It is through this method of letting t? plottwist along with the road, of showing the various ex¬periences and people that the easy riders encounter thatTerry Southern, Fonda, and Hopper (who wrote thescreenplay) make their comment upon the land in whichmatched but undoubtedly powerful double-bill: Ulyssesand The Dutchman. Joyce and Jones sounds like a vaude¬ville team but they’re two very different authors whoseworks have made remarkable films.MUSICCollegium "Musicum, a great campus traditionpresents its first concert of the season in the guise ofharpsichordist Laurence Libin. The concert, which will in¬clude works of Bach, Haydyn, Kuhnau and other Austrianand German composers will be held in Bond Chapeltonight at 8:30 pm. And what a bargain — it’s free.THEATREUnbeknowest to many people (especially since fromthe outside, Harper Theatre doesn’t even look like it’sopen) are the New Old Fashioned Baroque Compass Play¬ers who have started their season there playing Fridayand Saturday night at 9 and 11. Not only are there veryfew coffee houses in Chicago but there are certainly noother resident improvisational satiric groups in HydePark. They’re so convenient so why miss them.Also in Chicago is the famous Second City whichspawned the talents of ... They are premiering their newsatirical revue, The Next Generation on Wednesday night.If you’re in the Second City for four years, what a shameto miss The Second City. nine songs on the side and they blend together so well in amedley of sorts (some say that only some of the songs arein the medley. I disagree. For me, the whole side has tobe thought of as a unit). Tunes come in and go out andpop up again later. Listen closely, for the medley is in¬credibly well done. You will be amazed at the imaginationof the Beatles in compiling so many different tunes thatblend together so well. I guess that’s why the Beatles arethe Beatles, if you know what I mean.Well, that Abbey Road. It is good, quite good in fact.My only specific complaint so far, is that I have seen itbeing sold for incredibly high prices. I can see no reasonwhy you should have to pay two extra dollars per albumjust to get the Beatles. I have seen the album (a singlealbum at that, with no pictures on the inside, that doesn’teven open, and that has a jacket which folds, bends andmutilates) selling for as much as $5.88. For what? youask. Obviously, for the Beatles. Should you pay it? That,my friends is your decision.The Great Pumpkinwe live.Easy Rider is essentially concerned with the way twononpolarized people interact with a polarized society. Oneof the most distinguishing characteristics of Billy andWyatt is that they are not totally committeed to anything;they are willing to try everything. During the long ride thecamera observes the pair engaged in the activities of boththe old and new America. Billy and Wyatt stay at a work¬ing ranch and at a hippie commune; they smoke grassand drink whiskey; they act like freaks but they alsomarch in a small town parade. The problem is that theiracceptance of others doesn’t conversely lead to acceptancefor them. Marching in a parade leads to jail; havinglong hair and different clothes leads to worse.This is a committeed film, and one that demands com¬mitment. Easy Rider looks at two distinct cultures, andthe way these cultures look at Billy and Wyatt. The resultof this observation is a bitter indictment of traditionalAmerica. Hatred and violence is the only way this culturecan cope with newness. The people are too afraid ofchange to act any other way. Only with those who havedropped out do Wyatt and Billy find something of whatthey’re looking for. This is a tragic film because the ri¬ders don’t realize that it isn’t possible anymore to live intwo societies at once; the split is too deep for that. Onlyafter much horror has passed does Wyatt cryptically say“We blew it.” He finally knows that you can’t ride easydown the dividing line.This isn’t a perfect film. The writing and the symbolismare at times heavy-handed. Having someone say in acampfire conversation “They don’t fear you, it’s what yourepresent” is not an example of fresh dialogue. Similarlyan action less obvious than throwing a watch away couldhave been used to show the heros’ freedom from the bondsof time. The acting ranges from excellent — Dennis Hop¬per and Jack Nicholson (as the southern lawyer who joinsBilly and Wyatt) to mediocre (Peter Fonda).Easy Rider is an extreme film about a society ofextremes. Savage in its attack, non-negotiable in outlook,the film makes clear that a compromise between sellingout, and dropping out can’t be achieved. It’s a harsh viewof America, but as Huck Finn said in an earlier Americanodyssey “there’s some stretchers here, but it’s the truthmainly.”Robert GombinerOctober 10; i City idburtet/5A Wordfrom the B irdAn American Odyssey; iSHORELAND HOTELSpecial Rates forStudents and RelativesSingle rooms from $9.00 dailyDouble bed rooms from $12 00 dailyTwin rooms from $14.00 dailyLake ViewOffice space alsoAvailable from 200sq ft. to 1800 sq. ft. Please call N.T. 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Enclose a self-addressedstamped onvalopo.Tickets now available at Ticket Central,Montgomery Wards, Marshall Fields andother Ticketron Outlets.LISTEN TO WCFL FOR LATEST 22ND CENTURY CONCERT INFORMATION AUDITORIUMFri & Sat-Nov 7 & 8TICKETS-$6.50-$5.50-$4.50-$3.00Box Office OpenMon. Oct. 13thMail Orders-Make ChecksPayable AuditoriumTheatre - 70 E. CongressChicago, III. 60605Please Enclose Self-AddressedStamped Envelope.Where's the 3 largestwedding ring selection?119 N. Wabash at WashingtonINGLEWOODEVERGREEN PLAZAiin* jfwfires io» 59 texts ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd Si. Bl -8-2900CARPET CITY6740 STONY ISLAND324-7998M EXPLOSIVE YEAR!CEOR6E I. MARIENTHAL I 3W PRODUCTIONS INC preMntNEW YORK’S SMASH HIT MUSICALJdCQues%telit ahYc and and fi/ing fit Parisrues . WED., TMURS. at *; FRI. t SAT., S * 11 P.M., SUN. 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Inc.Are youcut out forcontactsports?music £VA Euphoric Visit to the SymphonyIN MY LAST REVIEW which appeared in The GreyCity Journal, dealing with the first concert of the seasonof the Chicago Symphony Orchestra, I stated that, “if thisquality can be maintained throughout the year, this writerwill be hard put to avoid the whereabouts of OrchestraHall.” Well, after having attended the second ChicagoSymphony Orchestra program of the season, I can onlyremark that, if the treatment of music so far manifestedby both orchestra and conductor continues on the highlevel established so far, it will take more than the tenplagues of Egypt — plus a few more ingenuous to Chicagothrown in — to prevent the writer from attending moreconcerts this year than he has cumulatively attended overthe past four years.The erudite and urbane reader will, no doubt, cor¬rectly infer from the above, that the second concert of theChicago Symphony Orchestra this year, was every bit assuccessful and well done as the first — if not even moreso. The concert in question, given Thursday and Friday,October 2 and 3, presented a highly diverse program,which, although possessing curious similarities with theopening night concert, had one major departure in itsfare. For example, corresponding to the music fromStravinsky’s Petrouchka, which was performed on openingnight, there was the suite from its immediate predecessor,The Firebird; to correspond to the contemporary piece ofGiovanni Salviucci, was Paul Hindemith’s Concert Musicfor String Orchestra and Brass Instruments, opus 50 —Hindemith being an exact contemporary of Salviucci.However, it was the addition of the Beethoven D MajorViolin Concerto with Isaac Stern in the first half of theprogram that, I believe, set the distinct tone for the wholeconcert, and left me in a state of more-or-less absent-minded euphoria for several hours afterward.This was the first concerto I have seen performedhere with Carlo Maria Giulini at the podium, and, as such,it revealed another facet of the new principal guest con¬ductor’s talent, i. e., his ability to coordinate betweensoloist and full orchestra and blend the two into a warmFILM and coherent unit of expression, without having either ele¬ment dominate at the expense of the other. Naturally,several concerti, written primarily by virtuosi-turned-com-posers, do not easily lend themselves to this end, as theywere written expressly for showing off the particular in¬struments involved. Such concerti as Paganini’s and Wie-niawski’s for the violin, and Scharwenka’s and Henselt’sfor the piano, stand as prime examples of this.However, in Beethoven’s case, the situation is quitedifferent. Being highly versatile at more than one in¬strument, and being a composer first and foremost,Beethoven imparted to his concerti a decidedly orchestral,i.e., symphonic, quality, having both soloist and orchestralaccompaniment complement each other on equal terms.The D Major Concerto, Beethoven’s only violin concerto,possesses a vibrancy and warmth — an overriding con¬cern for melodic opulence — that goes far beyond theaims of exhibiting pyrotechnical dexterity on the solo in¬strument in and for itself.With this in mind, I was most pleased with this per¬formance of the Beethoven violin concerto by Messrs.Stern and Giulini, given on Friday. Clearly, the emphasiswas on the lyric nature of the work, and, disregarding amodicum of superfluous theatricality on the part of Mr.Stern, this was, perhaps, the most idyllic and beautifujperformance of the Beethoven I have heard. What ensued,from the initial notes of the tympani commencing the firstmovement, to the final cadenza and tutti of the Rondo,was twenty-five minutes of sheer joy in music and music¬making — pure melody for its own sake. Every phrasewas alive, possessing its own particular character, nur¬tured by both Mr. Stern and Signor Giulini. If any criti¬cism, indeed, can be raised here, it would be in the natureof attacking the pampered quality of this performance.However, I can only overlook this point in the wake of thetruly uplifting feeling conveyed by this unusually lyricalperformance of the D Major concerto. This, indeed,brought to mind an old anecdote concerning pianist Josefde Pachman, who, during a performance of the MoonlightNarrative CinemaContinued from Page Threefilm’s content. This is an idea which we now have begunto take for granted, but which not a few years back wasconsidered rather weird at best. As a result directors be¬gan demanding more and more control of the movies onwhich they worked and a true crisis in the theory of thenarrative has been a result.This has currently taken a popular form in fragmenti-lization of plot. We now accept quite easily a plot in whichintervening links are left open and a mystery where thefinal solution may be neither final nor soluable. As long assome sense of character is maintained and as long as theworld of the film is an artistic whole we have come toaccept the artist’s demands.This is not the only way, however, in which directorspersonalized the narrative. Pickpocket (Robert Bresson;1958) summarized becomes a thriller: a man enters aworld of crime for which he is not prepared; he is almostcaught and flees to England; he returns to France andbefore going straight is presented with an opportunity sogood that he must attempt a robbery; it was a set-up byan undercover agent and he is jailed. Yet Bresson cor¬rectly informs us at the beginning of the picture that “thestyle of this film is not that of a thriller. The authorattempts to explain in pictures and sounds, the nightmareof a young man ... yet this adventure, by strange paths,brings together two souls, which otherwise might neverhave been united.” Bresson, as usual, is right and theresult is as much a reversal of traditional narrative val¬ues as is fragmentation.The Fire Within (Le Feu Follet) on the other hand isan admittedly literary film, the finest work of LouisMalle. Elaborate images are laid together to form the world of a mentally ill man. In his complete control of theimagery and story line Malle successfully lets us examinethe world the man inhabits and his relation to it.Paris vu par ... (Six In Paris) is perhaps*the finestcompilation film ever made. The producer, BarbetShroederer, is that rare individual a producer with artis¬tic integrity. The film itself is a brief compendium of thenew wave and the new new wave. No one style is main¬tained in the film but together it is invaluable to under¬standing different narrative approaches. Perhaps most im¬portant is the episode by Jean Rouch, one which demon¬strates for us the narrative concern which underlies theoriginal cinema-verite.All of the films will run for a week each and admis¬sion is a scant $1.25 at any time. It is a series not to bemissed. Each of these films deserves full critical analysesand shall be reviewed as their screening dates approach.T.C. FoxPRAYER FOR PEACEin respect of theOctober 15 MoratoriumjijCANDLELIGHT CEREMONY|Hutchison Courtyard |Tuesday Nite 7:30 P.M. i|:j (Ida Noyes Hall in case of rain)£ Supported by the Christian Science OrganizationBeadle did it at the U of Cthe in thingAlso Fermi, Huggins, Mulliken, and numerous No¬bel prize winners have enjoyed the services of theR. C. Barbershop. We're sure you will, too.Open MONDAY& Tues. & Wed. & Thurs. & Friday 8 to 5with or without appointmentNO TIPPINGAlso Shoe Shine Service Available5706 University x3573"Directly across from Quadrangle Club" CINEMAFINAL WEEKHeld Over 10th MonthAcademy AwardWinner -Best ActorA bittersweet love storythat touches the heartCLIFF ROBERTSONCLAIM IlOO*tocteAKOtor"CHARLY"S1S01AM» » « • • * • Sonata in Carnegie Hall thirty years ago, was reputed tohave paused suddenly in the middle of the first movementto turn to the audience and say in a thick German accent,>vith a^dreamy look in his eyes, “Beautiful, isn’t it” and>.l en continue the work. Indeed, I almost expected IsaacStern, at any moment, to do the same in Friday’s concert.Once again, Carlo Maria Giulini came forth to demon¬strate his high competence in a variety of musical areas.Both the Stravinsky and the Hindemith were sensitivelyand astutely interpreted. The former once again revealedwhat is, I believe, a major aspect of Giulini’s style: anoverriding concern for the coloristic possibilities of themusic, without subordinating its precision. In both works,particularly in the Firebird, Giulini had excellent opportu¬nities to do just that, and he did it with sobriety, yetsensitivity. There was much life in this performance of theFirebird, and I occasionally had the feeling that he washearing it for the first time. I find this ability to infusenew life into music, especially that which is performedfrequently over the years, one of the most important qual¬ities for a conductor to possess; therefore, suffice it to saythat the writer was even more impressed with Giuliniafter this second concert of the season.There was one other scheduled work performed onFriday’s program, this being Beethovan’s Overture toGoethe’s Egmont. Though it was well done, the EgmontOverture did not, in my opinion, live up to the high stan¬dards set by the rest of the program. Nevertheless, Ifound this performance quite solid and substantial, thoughit lacked that special aura of excitement that is a con¬sequence of a top-ho job. My only real criticism con¬cerning this is that most of the violins, particularly thefirst violins, sounded rather flaccid and spiritless andsomehow too mechanical, in their execution of the work.So passed the second concert of the seventy-ninth sea¬son of the Chicago Symphony Orchestra. On the whole, ifthere is any one particular aspect of Carlo Maria Giulini’sstyle at the baton that can be held up to serious criticism,it is the fact that many of the conductor’s motions arevery difficult to follow, taken from the point of view oforchestra members, who depend upon the conductor tocue them in and cut them off on the split second. SignorGuilini is a conductor who employs grand and sweepingmotions to bring out certain parts of works. These, indeed,can be highly difficult to follow, and a certain amount ofadumbration did occur in entrances and exits in theStravinsky. Peter L. RatnerCohn St Stemaloum Sc (EatturoBShopJUST LANDED:Bulky Shetlandsfrom England, $22’°We have just unpacked several cartons ofbeautifully designed and lovingly knit allwool shetlands. They were made to ourorder by Alan Paine of England. Thisshipment includes some lively new colors:Banana, fire, green mist A complete rangeof sizes, $22.50IN THE HYDE PARK SHOPPING CENTER55th & LAKE PARKopen Thursday & Friday eveningsFEUJNTS81/2Cobb Tonight! 7.15& 930 $1PLAreer’S ah -night show3 PERFORMANCE FRIDAY & SATURDAY FOUOWINO LAST REGULAR FEATUREFri., Oct. 10James CoburnIN LIKE FLINTSat., Oct. 18BILLY THE KIDVS DRACULA Sat., Oct. 11Jean-Paul BelmondoKARTUCHEFri., Oct. 24BergmanTHE MAGICIANPLAYBOY VTHEATER 9*1704 N DEARBORN • PHONE 944 34)4 Fri., Oct. 17Jesse James MeetsFrankenstein'sDaughterSat., Oct. 25BergmanVIRGIN SPRINGTICKETS ST.SO GREAT PANTSEXPLOSIONJH»UBELL BOTTOM SLACKSJEANS FROM $6.50BODY SHIRTST-SHIRTS LEATHERSOVER 3,000 PAIRS OF PANTS IN STOCKHOURS: 1 lam-1 Opm llam-6pm Sunday10*/« Discount with Student I. D.1532 N. Wells (upstairs) Chicago, Old Town 787-5908 5FESTIVAL $1.25 at all times^aYs ousmaneonly sembene"BLACK 7:008:30GIRL ’0002424 LincolnPark Free528-9126Oct. 8-14 Ousmane SembeneHeld Over 10th MonthAcademy AwardWinner -Best ActorA bittersweet love storythat touches the heortCLIFF ROBERTSONCLAIRE BLOOM'•chuKOigi"CHARLY"StSflJL On _-h 25° sas am >■ ■<with1.0 CardEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESA. KJ 7 ROSENBAUMOptometrist53 Kimbark Plaza1200 East 53rd StreetHYde Park 3-8372 SOUTHSIDESCHOOL OFJEWISHSTUDIESEnroll - your d»M in n serulnr JEWISH SUNDAY SCHOOLClasses start Sunday Sept. 21 at 10:30Full curriculum 1st thru 9th grades• Jewish History • Language• Culture • Song and DanceCALL MEMBERSHIP CHAIRMENtOIS SOGLIN, IS S-2831 MIRIAM CANTER KE 6-4958SMEDLEYSSchlitz on tapExtra targe pitcher of beerFree peanutsSandwiches v. The in-groupheadquartersin Harper Court5239 Harper Ave.SEND HOME A SUB JOB HUNTERSIT'S YOUR CHOICE100 INTERVIEWS100 JOB OFFERSA one interviewFor you your friends, your fomily.S oil job huntersCall or come in NOW!DUNN PERSONNELCONSULTANTS17 N. State St. - Suite 1300ST2-5422—A State licensed Agency-You don’t have to beto drink Joe Louis milk,Just “hip”. The Carpet BarnA dim won O* Corriond CorpotWe have an enormous (electionof new and u<ed wall-to-wallcarpetings, staircase runners,remnants and area rugs (a largeselection of genuine and Amer¬ican orientals). Antique furnituretoo.We open our warehouse to thepublic for retail sales on Sat¬urdays ONLY from 9 - 4.1228 W. Kin tie (at Racine)MM 4-1848 141-2271May I have aFrench winewith TurkishTalash Kebab? USED CARS50 FULLY GUARANTEEDCOMPACTS & GAS SAVERS64 FALCON AUTOMATIC S49564 CORVAIR MONZA STANDARD .. .49664 TEMPEST CUSTOM AUTO. 2 OR. 49663 DART DODGE AUTO. 4 OR 49663 CORVAIR 4 OR. AUTO 39663 CHEV. BISCAYNE CPE. 39662 BUICK SPEC. 4 OR AUTO 39662 BUICK SPEC. 2 DR AUTO 29662 RENAULT 4 OR STICK 19661 OPEL 2 OR AUTO .96ARTHUR - CARS3845 N. WESTERNCHICAGO, ILL. KE9-6090 SMEDLEYSSchlitz on tapExtra large pitcher of beerFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.DR. AARON ZIMBLEROptometristeye examinationscontact lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-7644J&utcr’srood Drink & PeopleWhy not? ^Your host, Murat Somay,with succulent foodsand memorable wines.Discover Efendi. Tonight.EfendiRESTAURANT & LOUNGE53rd and Lake ParkUofC Tuesday Night Special20% reduction. The Efendiinvites students, faculty andstaff for memorable entrees($3.50-5.75) This ad entitlesbearer to 20% reduction ofdinner cost, includingcocktails and wines. M. BERG CLEANERSFree Pickup & DeliveryCovered by InsuranceUnclaimed used furs, $25 to $100. Settle forcharges, values up to $1000. Also fabulous minkcoats and stoles. Tremendous values. We alsoclean suede coats and knitted goods.1619 East 55tt Street 493-94138/Grey City Journal/October 10. 19692 t»l4)sJ<t d rill J l ify/l S' * i Jvi'C*DS Splinters Into}y Wendy GlocknerThe ideological split which occurred in Students for a Democratic Society (SDS)[last June was not unexpected. Many SDS’ers view the events which took place at theirnational convention in Chicago early this summer as a “logical culmination” of manyI months of political argument and disagreement within the organization itself.In the beginning in 1962, SDS saw itself as a liberal, democratic “protest group” of[students — ressing action and de-emphasizing ideology. During the past few yearshowever, “a series of struggles” — as one SDS member described it — changed theorganization from liberal to radical. The war in Vietnam and the black struggle deter¬mined a leftist movement aimed at overthrowing the American capitalist state.As the political aims of SDS evolved, a political ideology also developed. Notuncommon to many organizations which attempt to outline a political creed on which tobase their actions, SDS developed two major factions: the Progressive Labor Party[ iPL), an offspring of the American Communist Party, and the original SDS’ers, whocalled themselves the National Collective. During the past year, debates in SDS cen¬tered around the goals of each faction: PL envisioned the organization as a Workers-Student Alliance (WSA), viewing the role of students as a supportive one in the struggleof the working class. The National Collective, on the other hand, called for a revolution¬ary youth movement, aimed at liberating all oppressed classes in society, and includingamong those classes youth, workers, and blacks.Thus, the main difference was found in the definition of working class: PL divides allof society into either the “ruling class” or the “working class” (including workers,youth and blacks in the “working class’), and based the rest of its ideology on theexistence and struggle of these two economic classes; the National Collective saw theworking class as one of several oppressed groups in society, and as one base forrevolutionary change. The National Collective, therefore, supported the black liberationmovement and the women’s liberation movement separately, hoping eventually to uniteall liberation struggles to overthrow capitalism. PL advocated the immediate allianceof both blacks and whites to fight the ruling class, and thought the black liberationstruggle was divisive because it diverted blacks from the class struggle which PLconsidered essential.Arguments between PL and the National Collective came to a head at the SDSnational convention last June, when the National Collective, then calling themselves theRevolutionary Youth Movement (RYM), walked out of the convention hall and formedtheir own caucus. After much debate, RYM declared a position which expelled PL andWSA from SDS. From then on, both groups met in separate halls, and both viewedthemselves as the real SDS.Meanwhile, before and during the convention, as the ideologies of both factionsbegan to emerge, several independents found that they could not accept any of theprinciples set forth. Thus, out of both SDS and the Young People’s Socialist League,came the International Socialists (IS); this faction believes that they differ from theother factions in that the others are “elitist.” IS is based on the importance of ademocratic nature with respect to workers, because “only they can determine theforms and means of their struggle for liberation”; unlike RYM the faction sees the roleof students as small but supportive and criticizes the other factions for being “oppor¬tunists.”By the end of the convention, three major factions existed, but one major divisionhad not yet taken place. While different people in the RYM faction had united in May tocounteract PL, their own disagreements became too divisive after the convention forthem to organize effectively. Another split took place. Part of the national SDS officeformed RYM I, also known as the Weatherman (taken from a line from a Bob Dylansong, “You don’t need to be a weatherman to know which way the wind blows”); theremaining part of the faction, supported by the Black Panthers and Young Lords,called themselves RYM II. While RYM II saw white workers essential to the support ofthe revolutionary struggle, RYM I believed that white people will not join the revolutionat all because It is not in their interests.RYM I’s hopeless view of the future — that whites probably won’t revolt and thatblacks will have to carry the revolution on by themselves — has resulted in a strategywhich a RYM II spokesman described as “suicidal.” (The differences between thestrategies, tactics, and programs of each faction can be seen most effectively throughthe national action organized by each group.) Several FactionsBoth RYM factions have called for national action for this past Wednesday, October8, through tomorrow, October 11. RYM II organized demonstrations simultaneously withRYM I, but at different locations, so “as few people as possible would participate inRYM I actions”, said a RYM II spokesman. Demonstrations staged by RYM I Tuesdaynight have already made headlines. Demonstrators broke windows along Chicago’snorth side “Gold Coast” and provoked police response that resulted in several shootingsand dozens of arrests.While one of RYM I’s major goals this week is to “take offensive action against thecity of Chicago and destroy the city,” (according to a RYM I spokesman), RYM II doesnot “see the need to prove that Chicago is a racist state.” Thus, whereas RYM Imilitants consider RYM II’s actions as “dull and ineffetive,” RYM II is trying toorganize a disciplined movement in which, says a RYM II spokesman, “we can keepourselves in control without freaking out when we see a cop.”Another of RYM I’s goals is stated in their slogan “bring the war home.” Accord^ing to one RYM I spokesman, the faction is trying to create another front — in the“mother country” — to bring home the “international struggle of colonized people.”Again, with this goal, RYM I plans to “destroy the allies.” RYM II’s tactics andprograms against the war are less militant and more conventional than RYM I’s. Thefaction plans to link up the plight of the blacks with the plight of the Vietnamese bydemonstrating at the International Harvestor tractor works, a company which RYM IIbelieves both discriminates against blacks and owns land in Vietnam.Because RYM I people are usually described as “the craziest,” and because partici¬pants in RYM I actions have and will come home with busted heads, one can state withsome confidence that the actions planned by RYM II will receive more support frompart-time activists. While this fact is to the advantage of RYM II, WSA regards thesame fact with ambivalence. “RYM II is more dangerous than RYM I,” said one WSAspokesman. “RYM II will be able to talk to people and win people to politics that aren’tpro-working class.”The most recent national action organized by the WSA faction was the “anti-waraction” of October 4. While the WSA tactics are similar to the RYM II tactics con¬cerning the war, the basic strategy behind them is different. WSA calls for US with¬drawal from Vietnam in every aspect; while RYM II also wants peace in Vietnam,WSA believes that RYM II “strategy and tactics will lead to a movement that won’tfight against the US staying there peacefully.”In national anti-war action, IS has come out in support of the RYM II action butonly on a critical basis. IS rejects “RYM IPs claim to lead the student radical move¬ment” on the basis that they are “elitists (they see themselves ruling society ’in theinterests of the working class’),” and as “opportunitists.” Programmatically, IS is con¬centrating both in the factories and on campus. Here, IS plans to bring up a demandfor a day care center and also hopes to effect change in course content and curriculum.According to one IS spokesman, the faction would like to “destroy the sociology depart¬ment by pointing out that what the professors say is full of shit — and if no onebelieves the profs they’ll be driven off campus.”While IS, RYM II, and WSA are all represented on the campus here, RYM I isvirtually non-existent here. Many expelled students, — among them Howie Machtinger,Jeff Blum, Judy Clark, and Danny Cohen, — who were Chicago SDS leaders last yearare now in the Weatherman faction; few of them now live in Hyde Park.RYM II plans to attack urban renewal on campus this year; they also plan todemand a day care center as long as it is client controlled and not university-con¬trolled. RYM II maintains that a university-controlled center would not be in theinterest of the children it serves.WSA’s main program appears to be centered around “smashing racism.” Thefaction’s major goal on campus this year is to organize student workers to fight for theworking class by learning more about the working class. Also, the organization hopes tobuild support on campus to prevent construction of the Pahlavi building, which is to befinanced by the Shah of Iran. According to one member of WSA, the tactics will dependon the situation: “if we have enough people to picket, we’ll picket; if we have enoughpeople to take a building, we’ll take a building; if we have enough people to shut downthe school, we’ll shut down the school.” WSA also plans to fight against Universityexpansion, and for a day care center. Unlike RYM II, WSA wants a University con¬trolled day care center because “there is no such thing as client control under capital¬ism. If you stop fighting after you have one (a client controlled center), the Universitywill cut back the funds.”At the present time each faction is trying to organize student support in its organi¬zations. Most freshmen however, will probably wait to see what type of actions eachfaction will take before joining any particular group. The same will probably be true ofgeneral student support for the actions themselves. Thus, until each faction is able toclarify its strategies and programs in actions rather than words and build more studentsupport, SDS action here will more than likely be more subdued than it has been in thepast few years. II X J v V t» I' • vi I t \ iOctober 10, 1969/The Chicago Maroon/5AROUND AND ABOUT THE MIDWAYEnglish CommitteeTwelve College students are running forthe undergraduate Fnglish policy com¬mittee. Elections for .the committee will beheld Monday, October 13.Five students will get seats on the com¬mittee, so each undergraduate English stu¬dent will get five votes.Running for the committee are: JohnBryant, 71; Debby Cahn, 70; AndrewConner, 70; Marlene Ellin, 70; SteveGoodman, 70; Caroline Heck, 71; BillHogle, 71; Lorena Kozan, ’72; Mike Mar¬shall, 70; Seth Masia, 70; Frank Sabatino,70; and Bob Sams, 71.Conner, Goodman and Masia were on thepolicy committee last year.Ballots may be marked at a table in frontof Cobb Hall (or in Cobb lobby is it rains).Each student must present his ID Card andsign a list of declared English majors be¬fore voting. The table will be manned until5 pm.YearboxCapturing the emotional and intellectualessence of University of Chicago demandsa revolutionary concept in yearbook, accord¬ing to editor-in-chief Dave Travis.Defying the University tradition of “bor¬ing” bound books, Travis and staff hope topresent students this year with a mluti-media experience in the form of a “year¬book.” This three-dimensional slice of lifedone on silk screen would open Travis ex¬plained, to reveal a series of articles, pho¬tographs, posters, games, and cartoonsconcerning all activities and non-activitiesat the University.Sculpture and graphic designs for art en¬thusiasts, records and movie tickets for cul¬ture seekers, and masques and cut-outs ofcampus personalities for the politically-minded might also be included in the box toprovide something for everyone in the mul¬tifarious University community. Honorary MurphyBen GilbertThe 1968 yearbook was not financiallysuccessful. Because only 400 people boughtthe Cap and Gown, the committee on recog¬nized student activities (CORSO) refused tofinance the yearbook in 1968-69.The failure of the old Cap and Gown hasnot gone unnoticed by this year’s editors.Travis says he is desperately trying toavoid this outcome by making this year¬book what people really want. He is “anx¬ious for anybody to suggest anything atall.”Travis, 70, photograph editor of the Ma¬roon for the past three years is using all thepowers of his position to bring pressure onUniversity financial sources to get backingfor this project.If apathy and scarcity of staff preventTravis from executing his plan, he says hewill revert to conjuring up enthusiasm for a128 page paperback yearbook. As a last re¬sort, Travis said, a portfolio’ of photo¬graphs, like the one published by the Ma¬GARGOYLEOPENSTUESDAY,OCTOBER 14LIKE A PHOENIXFROM THE ASHESARISES A NEW,BLUEGARGOYLE.OPEN MON - FRI12 to 2, FOOD, MUSIC, POETRY.WANT MEETING SEMINARS,WORKSHOPS? CHECK WITH US ■324-6143 roon at the close of the 1969 academic year,would be issued but “only to those studentsenergetic enough to turn the pages andglance at the pictures before tossing thecollection into a gray wastebasket.” Murphy scholarships, applications foiwhich must be submitted by Monday, Oct13, have been expanded to provide recogniation for students who are heavily committed to student activities, but do no!have financial need for scholarship aid.Previously the scholarships wereawarded on the basis of a combination oineed, participation in student activities,and academic record. Now in four or fivecases each quarter the requirement of needwill be dropped if the student is outstandingin the other two areas.Skip Landt, director of student activities,said this idea was suggested by last year’sstudent ombudsman, John Moscow. Mos¬cow stated in the latest University Recordthat several students had complained thatno recognition was given to those who arenot in financial need.Landt said that the primary purpose ofthe Murphy scholarship is still to provideaid and therefore the so called honoraryMurphy will only provide $50 a quartercompared to the $100 or $150 a quarter given with the regular Murphy award.6/The £hicaqo Maroon/October 1Q^190? Mann MeetingThere will be a meeting Friday, October10, at 5 pm in P-117 of Billings Hospital forthose concerned about the failure of Medic¬aid in Cook County. Speaking will be Rep¬resentative Robert Mann; Mr. LawrenceBloom, a lawyer; and Mr. Regis Kenna,acting director of University Hospitals.I would like to make two additions andone correction to Tuesday’s article:• The figures displaying the exodus ofdoctors from the ghetto are even more dra¬matic than those showing their exodus fromChicago as a whole. For example: In 1953Oakland was served by 35 doctors; in 1967it had five.• Mann has introduced another bill,which would raise the basic maintenance(welfare) level to $4400 for a family of four.If the latter passes, then by the formula ofMann’s Medicaid bill, a yearly income of $5852 or less for a family of four wouldmake it eligible for Medicaid.• According to Mann’s Medicaid bill, ircertified medical emergencies, it would b<personnel of the Illinois Dept, of Public Aidand not doctors or dentists, who would b<required to approve or reject Medicaid applications within 24 hours.Supporters of Mann’s Medicaid bill, HB1479 should write this month to the following state senators: Harris W. Fawell, 50(North Washington, Naperville; John WCarroll, 29 South Fairview Avenue, PariRidge; Walter Duda, 505 N. LaSalle St.Chicago; John J. Lanigan, 505 N. LaSalkSt., Chicago; Richard H. Newhouse, 69 WWashington St., Chicago.Joseph MallotSchool of Medicin<Mallov, a second-year medical studentmote the article on Medicaid which appeared in Tuesday’s Maroon.THE BERGMAN GALLERYSMEDLEYSSchlitz on tapExtra large pitcher of beerFree peanutsSandwichesThe in groupheadquartersin Harper Court5239 Harper AveClark1 h e 4 | r eenjoy ourspecial studentrate85 at alltimesfor college studentspresenting i.d. cardsat our box office TUESDAYTHROUGHFRIDAY12-6SATURDAY12-5ANDWEDNESDAYUNTIL10418 COBB HALL■ • different double feature ■daily• open 7 :30 a.m.-late ■■ show midnight ■■ • Sunday film guild ■m • every wed. and fri. is ■ladies day-all gals 75‘ ■Hm little gal lery for gals ■m only ■m • dark park ing- T door ■sooth■ 4 hrs. 95c after 5 p.m. M• write for your free mmonthly programdark & madison fr 2-2843(THE MAROON CLASSIFIED ADS)my ship of love is ready to attackPHOTOGRAPHYPortrait photography by GretchenGarner, reasonable, adults 8, chil¬dren. 288-7307.HUNGARIANSTRANSLATOR OF HUNGARIANOR HUNGARIAN TRANSLATOR(for that matter). THE GREY CITYJOURNAL has gotten its filthy pawson some modern Hungarian poetrywhich it needs translated for futureissue. If interested, call 363-1352.PEOPLE FOR SALEINTERIOR DESIGN CONSULTANT.For townhouses, apts., houses. Stu¬dent discs. Barbara Hammere, as¬sociate member NSID. 288-4596.CHEERLEADERSUC CHEERLEADERS WANT YOU.PRACTICES: Oct. 9, 13, 16, 20 at6 3 0 IN IDA NOYES DANCEROOM. WHORES"NIGHTS OF CABIRIA" — SUN¬DAY COBB HALL — 7:00 8< 9:30 $1CEFRUGBYU OF C CLUB VS QUAD-CITIESRFC SAT OCT 11 STAGG FIELD11:00 AMPEOPLE WANTEDSUBJECTS WANTED FOR SLEEPLAB. PAY. X2353 ASK FOR JIMKAHN.RESEARCH SUBJECTS FOR COL¬OR VISION TESTING: FEMALESUBJECTS WITH COLOR-BLINDFATHERS. (WE WOULD NEEDTO TEST THE FATHER ONCEFOR ONE HOUR). REGULARJOB 1V«» HRS PER DAY: 2-5 DAYSPER WK $1.75 PER HR. MU 4-6100 X6039.STUDENT WIFE TO CARE FORBABY AND TODDLER. REG. JOB:MON-FRI: 9:30-5:30. GOOD PAY.643-8169. RESEARCH SUBJECTS FOR CIGA-RETTE SMOKING EXERCISESTUDIES NEEDED HAVE TO BESMOKERS CONTACT MR. GOLD-BARG, MU 4-6100, x 5565.Be the Claude Killy of the Univer¬sity. Ski Europe. Charter FlightsChristmas Charter $199 Ml 3-0800Ext. 3598. 1:00-5:30 PM.BRIGHT, ambitious student neededas campus representative for com¬puter dating service. May work forcommission or franchise. Write Cu¬pid Computer, 403 South Coler, Ur-bana, Illinois 61801.FOR SALE2 JBL DI40F'S $100 EA. 363-6384.Double Bed Box-Springs & MattressTwin Bed Boards 955-6980.59 Chevy, Low mileage, Runs goodFree tire! Mark 955-7285. $200MERCEDES-BENZ 12,000 MILES,EXCELLENT CONDITION, MANYEXTRAS WITH AIR CONDI¬TIONING. CALL DR. AUERBACHU. OF C. EXTENSION 5973 HOMEKE 6-0037 $2900 200 Diesel.New and Used Stereo ComponentsAt Discount Prices. AR, KLH,DYNA, SCOTT. At MUSICRAFT ONCampus. Call Bob Tabor 363-4555.1949 Pontiac amb-hearse. Exc. con¬dition. Over $1000 invested. Best off.over $500 684-2948 Eves & Wkends.1962 CHEV IMPALA, $75 or Best Of¬fer, Trunk Needs Repair, No Muf¬fler, Engine in Good Shape, RunsWell 667-567167 VW eng exc few dents. Betterdealers offer 1100 this week FA4-8200 x577 leave message.1966 RAMBLER AMERICAN EXCCOND DOOR STICK SHIFT OVER-DRIVE RADIO HEATER PH.BRIAN NO75063.Xerox Copies 9c 7c, 5c & 7c 5c 3c$10 runs, 10% Discount on 9c 7c 5crate.ROOMMATES WANTEDWm. Grad. 5 Rm. Furn. $66-mo. Nr.bus, 1C. Dec-Jan 684-5388.GRAD WANTED TO SHARE BESTAPT IN HP MUST TAKE GOODCARE OF FLAT CALL BU 8-8907FOR DETAILS.GIRL TO SHARE APT WITH 2OTH. 54th & UNIV. $40-mo. 684-7927.FEM GRAD TO SHARE APT W-2OTHR 54 8. HARPER. BEG. WINQTR OR SOONER. S5S-MO. 363-0715.FOR RENTWANTEDHOME FOR BEAUTIFUL BLACKDOG. GOOD WATCHDOG. LOVESCHILDREN AND CATS. HOUSE-TRAINED. CALL 324-7671.Paid medical examiners for insur¬ance exams. Resident type doctorspreferred. Full professional feespaid by nationally known insurancefirms. Ralph J. Wood FR 2-2390.Small, Cheap Freezer for Hungryroommates. 363-1352. LOOKING for girl for meaningfulsexual rein. 955-2993.ROOM IN EXCHANGE FOR BABYSITTING. HOURS AND TERMSFLEXIBLE. 752-2849.PVT ROOM WITH BATH FREE INEXCHANGE FOR BABYSITTINGCALL 929-3070 OR 752-8109.VOLUNTEER TO HELP MENTAL¬LY ILL VISA LEAVES NEWDORMS 12:30 SAT Phone 493-3284FOR INFORMATIONHELP WANTED: PLEASANTPART-TIME WORK IN YOURSPARE TIME. 363-0838.People Wanted: Gargoyle CleanupDetail — $35 per week. Call 684-1444.TYPE TABLES FOR UNIVERSITYRESEARCH PROJECT. STRAIGHTCOPY NO SET-UP. COULD TYPEAT HOME. PHONE MISS BLOCH,643-8090.Production assist. Office of Radio &TV. Must be able to communicatewith faculty and handle detail work.15hrs-wk $2.50 hr. Ext. 4371.GIVE US A SPRING SHOW.BLACKFRIARS NEEDS YOU.SCRIPTS, MUSIC ETC. CALL AN¬NETTE AT MID-ALPS. 2V? Room Apt. to Sublet, Furn,Switchboard, Near Transp. 55th andS. Shore Dr. PL 2-3800, x508.FOR RENT SPACIOUS 5 RM APTEAST HP JUST PAINTED AVAILIMM. 147.50 WE WANT 150 FORIMPROVEMENTS (WW CRPT. INLIV RM, D. RM., BKSHELVS KITCCNTR & CAB) HY 38127.ROOM IN PRIVATE HOME $10Week Call MU 4-1092.LAKEFRONT HOUSE2564 E. 72nd Place. Large 4 bed¬room home w-own private lakefrontyard 8. beach. 5 min from Univer¬sity. Rent over $300 Unusual oppor¬tunity. Call BU 8-5540.Studios 2>/2 4 Rm Apts. CALL MRSTOLL DO 3-6200 STEVE FA 4-0342Unfurn. Apt., 2Vj Rms, Stove Refrig,$95. 6043 Woodlawn. See Miss Hud¬son, Apt 1C.PRIVATE ROOMS FOR UC STU¬DENTS BOARD CONTRACT IN¬CLUDED 5555 S WOODLAWN CALLPL 2-9704.NEAR UNIVERSITY OF CHICAGO3-5 room apartments, all w-tile baths8< showers. Ideal for students in¬terns, nurses, young couples NOCHILDREN, RENTAL, CALL RE4-4141 $90-$110. .MAIL YOUR CLASSIFIED TO THE MAROON1212 E. 59th St., Chicago, 60637dates to runNAME, ADDRESS, PHONECHARGE: 50c per line, 40* per each line if the ad is repeated in asubsequent, consecutive issue. Non-University people: 75' perline, 60' per repeat line. There are 30 letters, spaces, andpunctuation marks in a line. ALL ADS PAID IN ADVANCE!HEADING: There is an extra charge of $1.00 for your own heading. Normalones (For Sales, etc.) are free. Undiscovered Horowitzs would like apiano (in any shape-size and condi¬tion) to pursue their artistry. Ascheap as possible. 363-1352.WANTED: A JOB (DRAFTING, BA¬BYSITTING, ETC) FOR MY BEAU-T I F U L MATURE NORWEGIANFIANCEE WHO WANTS TO IMMI¬GRATE. CALL BRUCE ROOM 430,Ml 3-6000.STUDY ABROADDON'T just sit there wishing youwere in Europe. We have an in withthe Universitat Wien in Vienna,AUSTRIA, the University of Durhamin ENGLAND, the Universidad deMadrid in SPAIN, Albert-Ludwigs-University in Freilburg, GERMA¬NY, and the Universite de Paris inF R A N C E . Undergraduates writenow for information about admissionin the spring and fall of 1970. BoxM, THE INSTITUTE OF EU¬ROPEAN STUDIES, 35 East WackerDrive, Chicago, Illinois, 60601.PERSONALELECTRIC AUNT JEMIMAGoddess of loveKhaki Maple BuckwheatsFrizzle on the stoveQueen of my heartPlease hear my pleaElectric Aunt JemimaCook a bunch for me Tickets for the Shlomo Carlebachconcert next Sunday night are nowon sale at HillelFor those people who like to get to¬gether to sing for the fun of if —Folksong workshop starting Oct 14at Hillel House.Chickenshit Judaism?Punchinellos — worse than theBandersnatch. Sez poor poisonedMudpuppy.Grad student open house at HillelSun. 4:00-5:30.Motorcycle Irene got her jobthrough the Maroon.Play power volleyball with the UCvolleyball club Mon 7-9 Boucher, Fri7-10 Ida Noyes.JEWISH PARANOIA ON CAMPUS:CHICKENSHIT JUDAISM studentpanel — Hillel House Fri Oct 10 —8:45 PM.Look Out! Gargoyle opens Tuesday.Remember those great Gargoylemeatloaf sandwiches.AN EVENING WITH JOSEPH SIT-TLER Bonhoeffer House, 5554 Wood¬lawn Sunday, Oct. 12, 5:30 p.m.START THIS MORATORIUMRIGHT PRAY FOR PEACE TUES7:30 PMTried to find a reasonNot to quit my jobBeat me till I'm hungryFound a punk to robLove me Aunt JemimaLove me now and ever moreTried to find a raisinBrownies in the basinMonza by the street lightAunt Jemima all nightHolidays and salad daysAnd days of mouldy mayonnaiseCarress meCarress me Aunt Jemima Help make international and socialproblems solvable. Federal Union,1736 Columbia Rd., NW, WashingtonDC 20009.For the fall quarter the Con¬servative Sabbath Eve Service willbegin at 5:15 pm at Hillel.DEAR SGT O'BRIEN:ARE YOU REALLY GOINGTHROUGH MENTAL MEN¬OPAUSE?Grad student open house at HillelSun. 4:00-5:30.Will you please loan me your PetSnake so I can film him for a fewminutes? Call 3632750WRITERS' WORKSHOP (PL 2-8377)CORRUPT ENTERPRISING FAGINFILMS IS SHOWING ANOTHERHUGE COMMERCIAL SUCCESSTHIS SAT, "CLOSELY WATCHEDTRAINS" AGAIN LEAVING ALLCRITICAL STANDARDS BEHIND— 7:00 & 9:30 $1 ($5 Ser).My Country Right or WrongRight to Keep it RightWrong to Make it Right—KafkaPRAY-IN TUES NITE 7:30COURT HUTCHTHE BANDERSNATCH AND THEGARGOYLE ARE SYNA-AP-PROVED. "DEAR Gentlemen: We note yourthreat to take what you call "directaction" unless your demands areimmediately met. We feel that it isonly sporting to let you know that-kour governing body includes threeexperts in chemical warfare, two ex¬commandos skilled with dynamiteand torturing prisoners, four quali¬fied marksmen in both small armsand rifles, two ex-artillerymen, oneholder of the Victoria Cross, fourkarate experts, and a chaplain. Thegoverning body has authorized meto tell you that we look forwardwith confidence to what you call a"confrontation," and I may sayeven with anticipation."SOME SOUND ADVICE: STEREOCOMPONENTS FROM MUSICRAFTAT DISCOUNTS. ON CAMPUS BOBTABOR 363-4555.WRITERS' WORKSHOP (PL 2-8377) Are Jewish students afraid to actJewishly? Student panel on CHICK¬ENSHIT JUDAISM — Hillel — Fri.THE PORNOGRAPHIC FILM FES¬TIVAL IS COMING ARE YOU?JOSEPH SITTLER on the ethics ofheart transplants. Sunday, 5:30 pm(supper) Dietrich Bonhoeffer House,5554 Woodlawn.WILD! WILD! "The Wild One" withBrando; Free Sun Oct 12 8:30 PM atthe Bandersnatch, Ida Noyes.FAC GRADS: COMMUNE FORM¬ING SS EXPLORING CREATIVESOLUTIONS TO PERSONAL IN¬TERACTION, DECISION MKG, UR¬BAN LIFE. WE OPERATE BYCONSENSUS, SHARE. H Y38127.Porsche, Mercedes, Volvo, VW, etc.They all cost much less in Europe.Charter Flights Christmas Charter.Ml 3-8000 Ext 3598OPEN: PIERCE SNACK BAR 9:30-12:30 Wkdys STUDY IN CAFE¬TERIA EAT IN CHURCHJR — THE FOREST FLOWER HASDIEDA MENTAL PATIENT SPENDS 152HRS A WEEK WAITING FORSOMETHING THAT DOESN'T HAP¬PEN AAAKE IT HAPPEN JOINVISAEnjoy the last decadent days of oldEurope before the Revolution.Christmas Charter, Ml 3-0800, Ext3598 1:00-5:30.NOT BEING ABLE TO BRINGOURSELVES TO SHOW AN OTTOPREMINGER SERIES (WEPLANNED TO CALL IT "30 YEARSOF BAD TASTE") WE'RE SHOW-ING "CLOSELY WATCHEDTRAINS" INSTEAD Sat Cobb, 7 8,9:30-CEF.P R A Y-IN TO END PREY-INSTUES NITE 7:30 HUTCH COURT.He Bad ProductionHe got walrus gumbootHe got ona cycleHe want spino crackerHe got feet down below hiskneesHold you in his armsYou can feel his diseaseSENSITIVITY GROUP EX¬PERIENCE. ONE 4-HOUR SESSIONWITH EXPERIENCED TRAINER.CALL EXT 2360."Feet, don't fail me now"—Mr. NaturalNATURALISMLSD DRUG RESCUE338-6750 764-103426 in Bikel (DAWES) Lost Sun 10-67-9 pm in front of Cobb; color—GoldFA -49500 Rm 1426 evens."THE WILD ONE" at the Band¬ersnatch.SUNDAY EVENING AT BONHOEF¬FER HOUSE: Supper (75c), 5:30pm. Discussion following. Specialguest, Prof. Joseph Sittler, DivinitySchool, on the ethics of heart trans¬plants. 5554 S. Woodlawn.WHOSE SIDE IS GOD ON? COMETO THE PRAY-IN TUES 7:30.ZIRPO-GLOW, Happy Belated Birth¬day! Nan 8< Ken.THE SONG AND THE SILENCE.Drama of a hasidic shtetl. At Hillelon Sunday, 7:30 8< 9:30 pm.SUNDAYSt: Margaret's Church — The Epis¬copal Church of South Shore — 2555E. 73rd St. (corner Coles)7:30 am Holy Communion9:00 am Family Eucharist 8.Church School11:00 am Choral EucharistMEETING: RENAISSANCE PLAY¬ERS Wed Oct 13 5615 Univ. 7:30 PMStudents Interested in Producing Re¬naissance and Medieval TheatreWelcome. No experience necessary.SUBSCRIBETHE CHICAGO MAROON, 1212 E. 59»h St. Ida Noyes Hall,Chicago, IllinoisMaroon issues for the full academic year (69-70) can be sent anywherein the country for $8.00. For an additional $1.00 we throw in the June 6Yearbook Issue last year.Complete your collection, keep your family informed of campus life, im¬press your friends.II NAMEIJ ADDRESS ZIPI □ 1 year subscription $8.00I □ Yearbook Issue $1.00 _| Total inclosed III1III1'October 10: 'mV/TMi' thicVgo' M.rebn/7Going, Going, almost Gone!Round TripChicagotoLONDONandPARISDecember 14toJanuary 5*199Early registration for seats on the Christmas Charter is very important. In order to avoid anyuncertainties about flight departure and ticket price, U.C. Charter Flights will make final confirmationand payment for this flight with Air France on October 14. \\ hether or not such confirmation is madewill depand upon the interest expressed bv the University community in a Christmas flight.Generous financing arrangements have made it possible to “fly now and pay later.” Two financing plans areavailable . one requires a $30.00 deposit and seven monthly payments of $25.(X), the other a $51 deposit and 3monthly payments of $50.00. Such financing is limited and must be given on a first come - first serve basis. Regularpayment requires a $99 deposit and final payment by November 7.First class service - complimentary meals and drinks and a 66 lb. baggage allowance is offered on thisflight.Jimmy's and theUniversity RoomFIFTY-FIFTH & WOODLAWN Sunday l\eu- York Timet .8:30 AMBOB’S NEViSSTAND51st and Lake Park(daily too)I Huge storks oj Current Magazines,Paperbacks, Assorted Pornography,| (-andy, & Gum. Come <£ meet myI dog "’Michael.”AT ALMER COEPrescription Opticians Since 1886CONTACTLENSESTWO PAIRSTwo Individual Prescriptions . . .One Pair for You and One Pair for a FriendBOTH FOR THE PRICEOFONE PAIRGet the Second Pair at No AdditionalCost to You! Use it as a Spare Pair!Or ... it You wish ... Bring in a Mem¬ber of Your Family or Team up with aFriend for the Second Pair . . . YOUGET BOTH PAIRS FOR THE PRICEOF ONE.Use Your Midwest Bank Card Account . . .or Let Us Help You Open a Midwest BankCard Account with Revolving Credit Privi¬leges. Aimer Coe also Honors Carte Blanche,Diners and American Express Cards.In Evanston (all UN 4-3436 "LAST 3 NITES”Chicago's favoriteBOBOBSON3 shows nightlyTuos. thru Sunday9:00 p.m., 11:00 p.m.,12:30 a.m.QUIET KNIGHT1311 N. Walls 944-8755Parking naxt door SWINGERS CLUBSEND $1.00 FOR 64 PAGEILLUST MAGAZINE, 100s OFPERSONALS. MKS, BOX3806. CHGO 60654.NEELY’SSTANDARDSERVICETo Our CustomersI have moved to a larger and moremodern station. So that we cancontinue to give you more ef¬ficient and better service.Please join us at our new location.6600 So Stony IslandPhone Bl 8-9645Thank YouSam IV!. NeelyNeelys Standard ServiceA\mer Co e OPTlClMiS FINEST INGLASSESSINCE 1886Main Star* 10 N. Michigan Avenue644 N. Michigan 443B N. California 2374 i. 7lot St.923 Sheridan. Highland Park 1642 Orrington, EvanstonOld Orchard Golf Mill RondhurstOak hr oak Park forest Plata Rivar Oaks HEY YOU AMONGTHE TREES ANDGRASS BICYCLISTSKNOW WHERETHEREIS PIECE OF MINDCheapest prices for Carlton,Raleigh, Robin Hood, Falcon,Peugeot, Gitane, Mercier,Radius and Daws. Factorytrained mechanics. Used bi¬cycles spasmodically.Fly-by-night rentals.Tirin Bicycle C*tp2112 N. Clark LI 9-8863Free DeliveryM-F 12:00-8:30:SAS IO-8Alice B. Toeclipft hold Were SMEDLEYSSchlifz on tapExtra large pitcher of beeFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper AveOrgy of the ArtsandNorthwestern UniversitypresentHowlin' WolfandPhillip UpchurchFriday, Oct. 10 8 PMTickets For Sale At The MaroonIda Noyes Room 304Chicago, IllinoisPermit No. 79318/The Chicago Maroon/October tO, 1969