Voi. 78, No. 9 The University of Chicago Friday, October 3, 1969Levi Rejects PlansFor Class Closuresor of psychology, and Richard Lewontin,professor of biology, presented the facultyview of the moratorium.The meeting broke up into four com¬mittees to study the convocation, faculty,campus and city-wide activities. A steeringcommittee consisting of David Bensman,70, (chairman), David Chase, 71, John Pe¬terson, 71, Sheldon Sacks, 70, and DavidSaltman, 72 was chosen.Paul Sally, assistant professor of math¬ematics, is in charge of faculty petitions,and plans to call for two faculty membersfrom each academic area to seek signa¬tures from their own department.At their meeting to be held Sunday eve¬ning Student Government (SG) will consid¬er whether to present formally a petition tothe Council of the University Senate askingfor University recognition of the morato¬rium. It is expected that over 400 studentsand faculty will have signed the petition.Scientists Examine Moon RocksPresident Edward Levi announced todaythat the University will not officially closedown October 15 in conjunction with a mo¬ratorium on classes which protests againstthe Vietnam warSaid Levi in a statement distributed oncampus Thursday “my own view is that theexpression of commitment and concerngains meaning because it is personal andvoluntary.” He added that he has asked theCenter for Policy Study to see if it can or¬ganize a discussion for interested facultyand students. Details will be announced assoon as possible.David Travis At a meeting of 200 students Tuesdaynight the moratorium committee presenteda brief history and purpose of the anti-warmovement, and Milton Rosenberg, profes-By Christine FroulaAmong the six University of Chicago sci¬entists who are receiving pieces of themoon from NASA this week is Dr. AnthonyTurkevich, James Franck Professor ofChemistry and research scientist in the En¬rico Fermi Institute.The tall, kindly Dr. Turkevic^ whose Al¬pha-Scattering Instrument made possibleman’s first chemical analysis of lunar ma¬terial, was eagerly anticipating Friday’sarrival of his own lunar samples when in¬terviewed in his office Wednesday.“Through the Surveyor project, beforewhich we knew nothing about lunar surfacematerial, we ascertained approximate per¬centages of the more common elementscomposing the material at the three lunarlanding sites,” he explained.“With the Apollo 11 material right in ourlabs, however, we can now begin answeringmore detailed queries, such as determiningamounts of elements present only in ‘partsper million’.”Dr. Turkevich’s specific task will be toexamine the sample for the presence of theheaviest chemical elements; his findingscould indicate whether or not the moon’sPanels ViewFemale RolesAll University members are invited to aworkshop Saturday on “what it is to be awoman in the University,” to be held at IdaNoyes hall from 10 to 5:30 pm.Some workshops, however, will be limit¬ed to women “to facilitate discussion,” ac¬cording to the sponsoring Women’s Univer¬sity Association.The morning schedule calls for a studentpanel, a faculty panel, and departmentalworkshops to revitalize departmental cauc¬uses. Faculty panel members will includeSoi Mentschikoff, professor of law, andJudith Long, assistant professor of busi¬ness.After lunch, Naomi Weisstein, professorof psychology at Loyola University, will in¬vestigate the topic “I am Furious — Fe¬male.”The late afternoon will be devoted toworkshops, including “being a woman in amale world,” “hospital action and women’shealth concerns,” campus day care, abor¬tion, and a women’s liberation center.A movie on women’s liberation will con¬clude the afternoon. core is molten (this being related to theradioactive energy of the heavier ele¬ments), and could help determine the geo¬logic history of the moon.Other projects now being carried on byDr. Turkevich and his colleagues are thecontinuing analysis of Surveyor data, andrequests to NASA to place an Alpha-Scat¬tering Instrument aboard the missionscheduled to land on Mars in 1973-75“The problem with this project,’ ex¬plained Dr. Turkevich ruefully, “is that theship’s capacity is limited and we are com¬peting with experiments which are moredirectly related to discovering whether ornot there is life on Mars.”Asked if there were any surprises to himin reports of the work done thus far on themoon rocks, he replied “The material re¬turned to us indicated that the moon’s sur¬face is a pretty quiet place — that a par¬ticle can rest in one place for millions ofyears — and this, of course, the Surveyordata could not tell us.“To scientists, this is extremely impor¬tant, because it makes the moon equal to asort of ‘museum’ — a preserved body ofmaterial perhaps similar to that of theearth millions of years ago.”This eminent scientist’s interest in mate¬rial from other parts of the solar systemoriginated in 1958 when, he relates, “agraduate student from Hamlet, Indianaphoned me at home one Saturday night tosay that his neighbor’s house had just beenstruck by a meteorite the size of a softball,and to ask if I were interested in studyingit.”The student dropped his current thesis infavor of research on “the Hamlet mete¬orite,” and Dr Turkevich proceeded withactivation analysis for heavy elements inmeteorites. “It was a case,” he quipped,“where the student’s PhD literally fell out'of the sky.”Dr. Turkevich’s delight at finally beingable closely to analyze lunar material isnot, he emphasized, to be considered an un¬qualified endorsement of the Apollo mis¬sions for purposes of scientific research.“Samples for scientific study could bebrought back without landing men on themoon,” he asserted — but added that, inhis personal opinion, the thrill of man land¬ing on the moon and the glory it brought tothe country justified the mission.Dr. Turkevich, after earning degrees atDartmouth and Princeton, was a researchassociate at the Manhattan Project Labs ofColumbia and UC, a researcher at Los Al¬amos Scientific Laboratory and at the Met¬ allurgical Laboratory here, and a professorhere since 1946. He was a member of theU.S. Delegations to the Conferences on Nu¬clear Test Suspension in Geneva, which re¬sulted in the 1959 treaty with the SovietUnion; received the E.O. Lawrence Awardof the AEC; and is a member of the Nation¬al Academy of Arts and Sciences. Dr. Tur¬kevich also received the Atoms for PeaceAward this year.The other five UC scientists who will bestudying lunar material are Joseph V.Smith, studying the chemistry of moon soil;George W. Reed, Jr., the concentration, iso¬topic composition and distribution of traceelements by neutron activation analysis;Dr. Stefan Hafner, the amount of iron andthe distribution of this iron over the latticesides of the minerals present in the lunarminerals; Dr. Edward Anders, the abun-Continued on Page Five The moratorium, organized nationally byformer McCarthy workers David Hawk andSam Brown, was designed to offer univer¬sities a chance to unite against the Vietnamwar. A second moratorium of two days isplanned for November which will call fornational labor Stoppage. A third morato¬rium in December would aim at stirring upanti-war feeling among voters in districtswhose congressmen have consistently sup¬ported military appropriations bills.At the University of Illinois atChamgaign, students will observe a one-half hour moratorium of all classes, Presi¬dent J. Peltason announced Wednesday.This was a recommendation of the facultysenate. Peltason denied that this was a dis¬ruption or suspension of classes and willprovide time for participation in programssponsored by the University.David TravisShapiro ArtPaintings from the Joseph Shapiro artcollection will be loaned to University stu¬dents, faculty, and staff again this quarter.The collection consists of nearly 500paintings including lithographs, etchings,and water colors by modern artists in¬cluding Picasso, Chagall, Goya, andRoualt. The paintings can be checked out begin¬ning on October 10. Numbered reservationcards may be picked up on that date on afirst come first served basis beginning at8:30 am.Shapiro introduced this “Art to LiveWith” program in 1958 in the belief thatstudents should be able to enjoy originalworks of art in their University living quar¬ters.Jury Member QuitsAfter Letter ThreatBy Steve CookTwenty-three year-old Kristi King, one often women on the jury of the Conspiracytrial, was excused from court Wednesdayafter admitting that she would be prej¬udiced in the case after receiving a threat¬ening letter.The message sent to Miss King and toanother juror, Mrs. Ruth Peterson, said,“You are being watched — the Black Pan¬thers”.The letters were brought to the attentionof the court Tuesday by State’s AttorneyThomas Foran. After conferring with JudgeJulius Hoffman, Foran and defense attor¬ney William Kuntsler, ordered the mem¬bers of the jury sequestered for the dura¬tion of the trial.Replacing Miss King on the jury is KayRichards, 22, a computer operator.After the defendants heard of the threat¬ening notes, they called a press conferenceTuesday afternoon. Said Black Pantherleader Bobby Seale, “We do not threaten orattempt to threaten jurors,... there is aplot by the FBI and-or other lackey, foolishpig agents to tamper with the jury”. Sealeis one of the conspiracy defendants,charged with inciting riots during the 1968Democratic convention in Chicago.Rennie Davis, co-founder of SDS and an- Actionsother of the defendants, said at the pressconference, “It’s not that the Black Pan¬thers are watching two members of thejury, it’s that the government wants to dis¬miss two jurors.”The loss of Miss King is considered un¬fortunate for the defense, for she was theyoungest of the jurors and considered themost politically liberal.In other developments in the conspiracytrial this week, a top aide of Mayor Daleyrevealed how Yippie Abbie Hoffman askedfor a bribe from the Mayor. David Stahl, aprosecution witness testified that:“Mr. Hoffman said that if we, the city,were smart, we would spend $100,000 tosponsor the ‘Festival of Life’, or, better yet,give them $100,000 to sponsor the ‘Festivalof Life’, or even better, give him $100,000and he would leave the city.”The courtroom broke into laughter.John Froines, one of the defendants, isscheduled to appear at the Augustana Lu¬theran Church (that’s in the new Lutheranschool at 55th and University) Monday eve¬ning at 8:30. For further information con¬tact 493-0685. LAST YEAR'S MARCH: 15,000 demonstrate in the Loop.Peace March Begins AntiwarVisit ScenicHoboken Fora change!! The Worker-Student Alliance will sponsora rally and peace march downtown Satur¬day afternoon. This is the first in a series ofantiwar actions planned for the period ofOctober 4-11 by the various factions of SDS.The rally will take place at BuckinghamFountain in Grant Park at noon and is to befollowed by a march to the Federal Build¬ing. The theme of the demonstration is“U.S. Get Out Of Vietnam Now! NoCONTEMPORARY EUROPEAN FILMSAUTUMN QUARTER SCHEDULEOct. 1 Wed.Oct. 4, Sat.Oct. 11, Sat.Oct. 12, Sun.Oct. 19, Sun.Oct. 26, Sun.Nov. 2, Sun.Nov. 8, Sat.Nov. 9, Sun.Nov. 15, Sat.Nov. 16, Sun,Dec. 6, Sat. MARAT/SADE Dir: P. Brook 7 & 9:30 p.m.DON'T LOOK BACKDir: D. Pennebaker 7 & 9:30 p.m.CLOSELY WATCHED TRAINSDir: J. Menzel 7 & 9:30 p.m.NIGHTS OF CABIRIADir: F. Fellini 7 & 9:30 p.m.SEVEN SAMURAI Dir: A. Kurosawa 7 & 9:30 p.m.THE MAGICIAN Dir: I. Bergman 7 & 9:30 p.m.*$1 DOUBLE FEATUREp.m. Twelve Angry Men 9:30 p.m.: Animal FarmPETUIIATHE KNACKTHE 400 BLOWSTHE FOXALFIE Dir: R. LesterDir: R. LesterDir: F. TruffautDir: M. Rydell 7 & 9:30 p.m.7 & 9:30 p.m.7 & 9:30 p.m.7 & 9:30 p.m.7 & 9:30 p.m.ALL SHOWS: COBB HALL AUDITORIUMEACH SHOWS! INDIVIDUAL TICKETS;ALL SHOWS $5 SEASON TICKETSDON'T DENY YOURSELF THIS ONE SMALL LUXURY I Actions are planned to “liberate the pris¬oners” in the high schools October 9. Theweathermen plan to move into the courtsthe next day to free the conspiracy 8, andthe women’s militia plans to strike a yetunidentified “imperialist stronghold.” Amass march from Haymarket Square toGrant Park will end the demonstrations.For all these actions, violence has beenemphasized in Weathermen publications,some of which have given detailed direc¬tions on clothing, legal aid, and what to doin case tear gas is used.SEMINARY CO-OPBOOKSTORE, Inc.Patronage refunds dividends on shares."5757 S. University Ave. (Basement)Course Books in Divinity, Philosophy,Political ScienceAlso books in Social Sciences andrelated fieldsStore Hours: 11 AM - 4 PM Mon - FriPhone Hours: 8 AM - 4 PM Mon - FriPhones: 7524381 & PL2-5757 x32The Fine Arts Program of University Extension, inconjunction with the College of The University ofChicago, is offering several evening non-credit coursesto be held in the Bergman Gallery in Cobb Hall, oncampus.Two of these courses may not have come to your attention:Actors' Workshop: Scene Study. Wednesday 7 - 9.30, 10meetings beginning October 8. This course will involve the prep¬aration of dramatic scenes for class presentation to help develop atechnique for building a character. Assignments will be based onthe student's individual acting problems. Outside rehearsals with ascene partner will be required.SUSAN SPECTOR, Lecturer in Fine Arts, University Extension.Tuition for University of Chicago degree students $10.Graphic Design. Thursdays 7 - 9:30, 10 meetings beginningOctober 10. A survey of visual communication up to the presentday, with emphasis on the nineteenth and twentieth centuries.CAMERON POULTER, Design and Production Manager, TheUniversity of Chicago Press. Tuition for University of Chicagodegree students $25.Phone campus extension 4137 for mare information.Deals!!” The plan calls for a non-violentdemonstration, and probable participantssaid that any trouble will have to be startedby the police.More demonstrations are planned for Oc¬tober 8-11 by the Weathermen faction ofSDS. Their theme is “Bring the WarHome” and their purpose is to bring theVietnam war to the United States by creat¬ing a “little Vietnam” in Chicago.The activities are to begin next Wednes¬day with a rally in Lincoln Park in supportof world guerrilla movements.Page 2/The Chicago Maroon/October A• 1969Poses As RuddHOWIE MACHTINGER“Weathermen" Ever since the widelv-acclaimed TropicalHut restaurant was urban renewed out ofits 57th St. location several years ago,manv residents of Hvde Park, includingUniversity planners, have felt the need fora replacement. Hie university originallyacquired the Stineway lot with an eye tointroducing a restaurant when Stineway’sexisting lease ran out. SMEDLEYSWhen in doubt,Leave it out.Or better still,Take the pill. ScHlitz on tapExtra large pitcher of beeriFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.MENTIONTHEMAROON BLACKHEY YOU AMONGTHE TREES ANDGRASS BICYCLISTSKNOW WHERETHEREIS PIECE OF MINDCheapest prices for Carlton,Raleigh, Robin Hood, Falcon,Peugeot, Citane, Mercier,Radius and Dews. Factorytrained mechanics. Used bi¬cycles spasmodically.Fly-by-night rentals.Tim Bicycle C«tp2113 N. Clark U94M63Free DeliveryM-F 12:00 - 8:30i SAS 10-8Alicr B. Towlipt told hrrtIt will take several months to equip therestaurant from scratch plus whatevertime is necessary to find a suitable tenantbefore service can begin. Progress wasslow while the zoning change was pending,but Cady now hopes for more rapid suc¬cess. “We are going to work intensely onthis problem,” he stated.By Sarah GlazerAbout 100 students who gathered in Quan-trell auditorium Wednesday afternoon ex¬pecting to hear Mark Rudd, a prominentLure in the Columbia revolution of April,1968 and a leader of SDS’s “Weatherman”faction, were disappointed when Rudd didnot show up.Howie Machtinger, former Universitystudent expelled in last year’s sit-in, in¬troduced the speaker as Mark Rudd, butthe blond, bearded young man who ad¬dressed the audience was not Rudd.The Rudd impersonator spoke rapidly forten minutes on SDS’s “Bring the WarHome” activities planned for October 8-11in Chicago.He said “Sitting on your ass mouthingslogans is serving US imperialism” andtold students it was time to take a side insupport of the blacks and the Vietnamese.“It’s clear what we have to do: we shouldpick up a gun and fight the pigs ”He also said that Weathermen had beenworking over the summer in “disciplinedcadres” and that they are now “busting uphigh schools” and “trying to build a whiteyouth army.”The imitation Mark Rudd closed by urg¬ing people to be in Chicago for the Octoberdemonstrations and then walked out ac¬companied by a group of Weathermen.Most of the audience was confused aboutthe speaker’s identity. When asked by abystander later “You’re not Mark Rudd areyou?” he answered “My name is GingerBaker. I play the drums.” Other, more re¬liable sources identified him as Willett,from Washington SDS.Afterwards Howie Machtinger stated thatthe mystery speaker was one of “sevenshadow Mark Rudds” appearing through¬out the country. He expressed contempt forthe “wimps who sat there for 15 minutesand didn’t do anything ”Machtinger spoke about the Weathermenand their plans with students outside on thegrass (Their name comes from the line inDIG THEATRE?Come by and rap ...WEDNESDAY,OCTOBER8thfrom 4:30 pmcoffee, cake, conversationPlans for the SeasonReynolds Club TheatreUNIVERSITYTHEATREOPEN HOUSEEveryone Welcome!!New Off-Campus Restaurant Made Possiblea Bob Dylan song, “You don’t need aweatherman to know which way the windblows.”)By June Machtinger expects there to be1000 Weathermen across the country, halfunderground, half aboveground, in cadresof 200 to 300 in major cities. Weathermenare armed and advocate immediat: con¬frontation with the military state, Mach¬tinger added. They are concentrating onhigh schools and colleges in a drive to re¬cruit young people. Machtinger also crit¬icized the Black Panthers for becomingliberal in their politics.In a telephone interview Thursday, headof the Student Health Organization (SHO)Paul Brown, said Weathermen had askedSHO to sponsor Mark Rudd. Brown saidRudd had been expected until “an hour ortwo” before he was scheduled to speak, butthat he had been prevented by “out-of-townengagements.” SDS PAPER: The Notes in Cobb Hall for "Rudd" speech.made on the street until a detailed plan hascompleted.It has been rumored that Cady has notfollowed University orders in finding a ten¬ant for the building. Supposedly, the Uni¬versity would have been willing to subsidizerents for an occupant if they would havebeen a restaurant serving to students, butCady did not relate this to Tai Sam Yansof 63rd St. fame who expressed interest inmoving into the 57th St. site. However, noUniversity official would verify this story.“We felt a restaurant would be a goodaddition to the life of the community,” ex¬plained Kendall Cady, director of housingand real estate. Cady said he hopes the res¬taurant will feature one simple, in¬expensive (perhaps self-service) sectionand a more elaborate first-class section.The University has been negotiating withthe Dragon Inn, a Chinese restaurant nowlocated at 18431 S. Halsted, but withoutdefinite results. Cady’s office will considerany interested restaurant serving otherthan standard American food, he said.The CSiicago City Council has approved azoning change to permit restaurant oper¬ation in the former Stineway’s drugstorebuilding on 57th St., but it will apparentlybe several months before a restaurant canbegin service there.The city council ruling came at its regu¬lar meeting Sept. 17, following severalmonths of controversy over the rezoning.The University, which owns the formerStineway’s Drugstore site at 1335 E. 57thSt., sought the zoning change while a groupof area residents attempted to block it. There-idents had o^ecled because they feltchanges in the 57th Street scene should bepart of an overall plan, and should not bemade piecemeal. Problems that would face the prospectiverestaurateur are lack of parking and im¬possibility of getting a liquor license. Thelot is within 100 feet of a school, and also isdry by local option.The Hyde-Park Kenwood Community Con¬ference, the community group which hadopposed the zoning change, is presentlyworking on an over-all plan for Fifty-sev¬enth Street. They explained that they arenot against the restaurant as such, butrather feel that no specific move should beOctober $ I969/The Chicago Maroon/Pag« 3InternationalDiscussion Group“CUBA: Eyewitness Report”by American studentrecently returned fromsummer in CubaFriday Oct. 3 8:00 PMCrossroads Student Center5621 Blackstone SAVER’SFood, Drink, People311 E. 23rd St.2 blocks west of McCormick PlaceTelephone 225-6171Open 11 AM to 9 PMClosed SundaysParty Facilities to 400The University of Chicago Concert BandJohn M. Klaus, DirectorhasOpenings for all qualified players of Band InstrumentsMembership in the Band is open to all University students,faculty, staff, and interested persons from the Hyde Park-Kenwood -Woodlawn area.Rehearsals are held between 4:30 and 6:00 p.m.on Tuesdays and Thursdaysin the Studio in Lexington Hall5835 S. UniversityIf interested, apply to the directorat a rehearsal at your earliest convenience. JOB HUNTERSIT'S YOU* CHOICE100 INTERVIEWSor100 JOB OFFERS& on* interviewFor yew your fnondt, ymur lomily.I ell |*b hunter*Call or com* in NOW?DUNN PERSONNELCONSULTANTS17 N. State St. - Suite 1300ST2,5422-A State Licenced Agenty -ARLO GUTHRIEn cominf inALICE'S RESTAURANT mba BTUDnmmiiDo you realize you could have made $50 plus$5 mileage yesterday? And with only 4 hourswork? Do you realize that the ad salesmenlast year cleared $12,000 in commissionsduring the school year? And they only calledon advertisers who called repeatedly until thead salesmen had a chance to get time to callon them. In other words, we have a sellers'market that is very UN-saturated.Getting back to the $50 & $5, this is whatJim Woods made yesterday, his first dayselling ads. He is an MBA student with noselling experience, no advertising experience.First year students, second year students,beards, blacks, females, drunkards, stockmarket speculators - their are clients to suityou all, and it has been proven that you allcan sell Maroon advertising.Why am I not keeping this gold mine all tomyself? Because I must carry a full load ofstudies, or I'll be on social security before Igraduate.Please call the Maroon office, ex. 3263 orleave a note in my mail folder. E. GonderJeUoff ScLof ofannounces ?tL&2)<„,A new series in Folk Guitarby Ted Johnsonmember of the Old Town School of Folk MusicFor pre-teens & young teensFor teens & adultsBeginning Tuesday, October 21 6:307:30For information, Call 288-3500 1438 E. 57th St. FOREIGN SERVICE CAREERSJames Baker, a U.S. Foreign Service Officer of theDepartment of State, will be on campus October 14-15to discuss career opportunities. Contact your Place¬ment Office for meetings.WRITTEN EXAMINATIONfor Foreign Service Officers is scheduled December6th. Candidates must be age 21-31 and U.S. citizens716 years.APPLICATION DEADLINE OCTOBER 24Write: College Relations Program, BEX/CR, De¬partment of State, Washington, D. C., 20520 forapplications SMEDLEYSSchlitz on tap'Extra large pitcher of beerFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.STARTS WEDNESDAY-FILMS BYALL SEATS $1» AT ALL TIMESOur admission charge of J1.25 for the Chicago Premiere of this seriesaims to bring you popular theatre. We would like to bridge the gapbetween film-makers and audiences. Serious film-makers cannotexist without serious audiences. The fact is, most of the films that arerecognized as truly important movies influential, suggestive worksthat set people thinking along new lines- are often not greeted withraves in their first showing. We think that the films in this seriesrepresent some of the novel directions taking place in movies today.They come from Africa, France, and the U.S.A. They are films that aremade with thought and, (or the most part, reveal fresh, youthful ten¬dencies in film-making today. Two older films in this seriesPICKPOCKET and THE FIRE WITHIN are classic instances of moviesthat opened some years ago, were badly received, disappeared, and then have gone on to become among the key works of the pastdecade. BLACK GIRL is the first important film to come out of Africaand signals an emerging cinema from that continent. LES CREATURESis another interesting leaf in the Varda folder. (It is not generallyknown that Agnes Varda was the prime mover of the French NewWave). SIX IN PARIS is a consortium film produced by BarbetSchroeder (whose first film as a director, MORE, has just opened inNew York to rave reviews); it is a good example of young, coopera¬tive film making. And, finally, Robert Frank's film, ME AND MYBROTHER, took three years to make because of endless financialdifficulties. Starring Allen Ginsberg, it marks a high point in Frank'sstormy career as one of our best experimental film makers.Oct. 8-14 PROGRAMSOct. 15-21 Oct. 22-28BLACK GIRL IL.i Noire Oc / Ousmane Sem-bene who won the Jean Vigo prize for this filmis an autodidact He became a novelist and thenentered film-making as an assistant to thefamous Russian director Mark Donskoi. Htsambition is to establish an independent Africancinema in his native Senegal. Black Girl is hisfirst feature film, iHis second Le Mandat, is ahuge success .n Paris now ) A young girl fromDakar is hired by a vacationing European coupleto work as a governess in Antibes. She growshostile as her work becomes confined to mereconking and cleaning; from this simple conf'ictthefcanei r n't racism spreads.BOROM SARRET The title refers to a SenagA»g ' of fht * rtv THE FIRE WITHIN Based on Pierre Dricu LaRochelle's well-known novel Le Feu Folletthis mov.e was Louis Malle's fourth feature filmand possibly his boct work. It opened in NewYork in I9f>4. got rave reviews, ran for a briefwhile and for some mysterious reason disap¬peared altogether. Since then it has becomeone of those legendary "fugitive" films thateverybody wishes would come back. In this de-certivelv simple story that deals with one dayin the life of an alcoholic ex-playboy. Malleoffers a devastating portrait of the upper bour¬geoisie m Pans its ennui and depravity. Thehero leaves h«s Versailles sanitarium contem¬plating suicide. He visits his old r-rcie nffriends t r» • » am n.- h.s notion nf the (utility ofI fe. le inn. Moreau pl iys a cameo role ir> thisb.iunt.ng Mm. PICKPOCKET Made m 1958 released here in1963 Pickpocket is Robert Bn.ssnn's sixth Mm.(Among his others Mouchettc. An Hasard. Bal¬thazar. The Diary 01 A Country Priest.) The re¬views wore all very negative That Bresson isregarded here by audiences and most critics asalmost a cult director while he is regardedabroad as one of the world s great directors isone of the common ironies of movies Bresson'sstatement on the film: ' The style of this film isnot that of a thriller. The author attempts to• *t lam ,n | ic.ture'- and sounds, the nightmareof a young man. forced by his weakness into anadventure in theft for which he was not made.Ye? this adventure by strange paths brings to¬gether two souls whch otherwise might neverhave been united." And. finally, we cannot resistquoting Loins Malic on the film: "Pickpocketrepresents one of the four or five great dates inthe history of the cmema "Oct. 29-Nov. 4 V Nov. 5-11 Nov. 12-18SIX IN PARiS i Pari* Vu Par.. ,. S,x freewheel-ing sketches made in 16mm . cojor. and direc*sound by si* prominent French directors captureParisian life m its many different faces Jean-LucGodard an .ron.c |r,ve tale of a girl who thinksshe has unwittingly switched letters to her twob~v fnends. Jean Rouch a chance encounterbetween a disgruntled wife and a romanticpedestrian who is prepared to offer her theworld nsfead f c mmiitmo smeide Jean-Daniel Pallet: a pros? twte and her client a bash¬ful dishwasher, eat spaghetti and say droll thingsto rne another Claude Chabrol: a savage por¬trait of a bourgeois couple living *n the fash on-ab'e ’6th arr 'ndis'emf-nt Eric Rohmer: ahaberdashery salesman thinks he has killed aderanged mm Jean Douchet disillusionmentComes to a naive American girl when she dis¬covers what her "worldly" one-night-stand loverdoes for a living ME AND MY BROTHER Robert Frank tPull MyDaisy. The Sin of Jesus. O K. End Here photog¬rapher of Chappaquai makes films like fabuliststories m which the incredible appears realisticOf his first feature Mm. Me and My Brother, hewrites "The world of which I am a part includesJulius Orlovsky Julius is a catatonic a silentman: he is released from a state institution inthe care of his brother Peter. Sounds and imagespass him and no reaction comes from him Inthe course of the film he becomes like all theother people m front of my camera an actor Attimes most of us arc silently acting because itwould be too painful not to act and too cruel totalk of the truth wh.ch exists. . .To complete thiscircle Joseph Chaikin, the Actor, plays Juliusand beo mes me at me same time " The scriptis by Sam Sheppard (the screenwriter of Antom-tn s new film Zabriskie Point, m i ft ber!Frank Among the featured players are AllenGinsberg Joseph Chaikin. Julius and Peter Or¬lovsky. Produced by Hrden Silverstrin LES CREATURES Agnes Varda, whose worksinclude C/eo From 5 To 7 and le Bonhcur. hasmade her most rnmphcated film in Les Crea¬tures The sub.ect is no less than (• .*» nature ofcreation in art and in life A writer (Michel Pic-colit and his mute pregnant wife (CatherineDeneuve) live fn seclusion on an island off Brit¬tany. The charactcrs'that Piccoli meets in townbee me transformed .nto the "creatures" of h snovel they become the rawns of his work whoare played off*pn a gigant c chess board As thenovH and the <moss game unfold i which includeseveral sub-plots' he strives to believe in thelove of his wife and of thcr unborn child ineffect the reason for h s being and his writino.nnynemo24?4 N Lincolnplione( I HI ! H * ? *fMarQpn,(October ^>1^69 SIMCHAT TORAH CELEBRATION — OCTOBER 4th.Hakafot 7:15 p.m. (Cons, and Orth.) followed at 9:00p.m. by AN EVENING OF IDENTIFICATION WITH SO¬VIET JEWISH YOUTH including remarks by faeulty andstudents, singing and dancing.llillel 5715 Woodlawn AvenueOur thing is your ring —tib/lhnib»!Nf rfwftfts rot jo rfAts119 N. Wabash at WashinftonINGLEWOOD EVEROREIN PLAZA2nd EXPLOSIVE YEAR!610*61 C. MARIENTHAL • 1W PRODUCTIONS INC. ******NEW YORK’S SMASH NIT MUSICALJ&cqmesfyt lis aHire and dll and Hying in ParisTOES . WED.. THORS, ml «; Ml. * SAT., 16 11 P.M.. SON. * 6 *Medium theatre, mi n. rush st•*■ Oflko Ohm e* S P.M.M MN» 6ROOP THEATRE PARTIIS-AH 1-6*1*TICKETS ALSO AT WARDS FIELDS «*6 CRAWFORD STORESM. BERG CLEANERSFree Pickup & DeliveryCovered by Insurancei* Unclaimed used furs, $25 to $100. Settle for| charges, values up to $1000. Also fabulous minkcoats and stoles. Tremendous values. We alsoclean suede coats and knitted goods.I|, J jljGjlB East 55th Street ^ 493-9413By Mitch KahnToday at 3:30 pm, Central Daylight Sav¬ings Time, a shot will be Fired that will beheard ’round the world; for at about thattime a gun will go off ending the first quar¬ter of varsity football played by the Univer¬sity of Chicago in over 30 years.The game will be broadcast to the rest ofhumanity by the University FM station,WHPK, 88.3 Me.The Monsters of the Midway take on aBaptist bastion at Wheaton College in a vig¬orous attempt to regain the football staturewhich at times past have made them themost feared team in the sport.The dull thud of bodies beating bodieswill resound throughout Hyde Park, andWHPK begins a new epoch in the annals ofits never ending fight, for truth, justice andthe American way.Lusting after victory as only a Universityof Chicago team can, the varsity grid jocksseek to snap a losing streak which beganNov. 26, 1939 with a 46-0 obliteration at thehands of the fighting Illini. Rather than ex¬tend the losing streak, Robert MaynardHuchins discontinued football.Six years ago, an attempt to televise aUniversity football club game resulted in asit-in protesting professionalism in collegesports. To those of you who still might fearthe corruption induced by the purveyors of“shamateurism,” the Maroon assures thepurity of heart of its football heroes.Elsewhere in the world of sports:The University varsity soccer team lostits first opening match in seven years toKendall College, 3-2. Coach Bill Vendl wasrather dismayed at the results of the game,particularly as Kendall was programmedas a pushover. Goals were sewed by teamcaptain Pete Richardson, the left wing, andEd Wiley, center halfback. Coach Vendlwas hoping that certain members of lastyear’s team who had decided not to playwould change their minds. Today and to¬morrow, the team will be playing in thePurdue invitational tournament.Intramurals are getting off to a rousingstart. Entries for touch football, tennis, golfand squash are due Oct. 7, with play begin¬ning the following week. There will be aclinic for officials October 7 at 4:00 in thetrophy room.Cross Country gets under way tomorrowwith a dual meet at Albion College.The fencing team, the only varsity sportwhich participates in big time competition,is suffering from personnel atrophy, ac¬cording to Head Coach Marvin Nelson.Anyone interested in picking up some duel¬ing scars should come over to BoucherTuesday or Thursday evenings at 7:30 or 10Saturday mornings. Kirk Brings Charges Against RowtonThe trial of expelled University of Chi¬cago graduate Timothy Rowton on a chargeof assault will begin Thursday, Oct. 16.Former student Gerald Kirk is pressing thecharge, which stems from a scuffle be¬tween them in front of Ida Noyes Hall lastAug. 9. Kirk, a former FBI undercoveragent, had recently testified before theHouse Internal Securities Committee(HISC).Kirk was charged with unlawful use of aweapon. He allegedly used a gun after hewas assaulted, to force Rowton and severalmembers of SDS accompanying Rowtoninto Ida Noyes (where a PL-sponsored fo¬rum was then taking place). Once inside, asecurity policeman took Rowton under cus¬tody on Kirk’s assault charge. Rowton isnot a member of PL as was erroneouslyreported in the Summer Maroon. Both defendants first appeared in courtAugust 27. At that time Rowton requested adelay to get an attorney. According to Kirk,Rowton requested the delay in order to con¬tact witnesses in his behalf who, he said,were out of town.The official charge against Rowton issimple battery, a misdemeanor with amaximum penalty of six months imprison¬ment and a $500 fine. There are no co-de¬fendants.Rowton could also be charged with as¬ saulting a witness of a Congressional com¬mittee, a Federal offense. He was informedof this possibility when several FBI agentsquestioned him. So far no Federal chargehas been pressed. It is not up to Kirk topress such a charge.Rowton and Kirk had met casually sev¬eral times before. However, Kirk said thatnothing about those previous encounterscould be responsible for the scuffle.The trial will take place at branch 42 ofBoys Court, 1121 S. State street.University Decides To KeepJournalist's Urban ProgramThe University has decided to continue aprogram to help working journalists broad¬en their knowledge of urban problems andtheir underlying causes and significance.The University, through its center for pol¬icy study, will award grants to bring jour¬nalists from urban and community news¬papers, magazines, and radio and tele¬vision stations to the campus as “associ¬ates” of the center from January throughJune, 1970.The associates will work directly withfaculty members doing research and teach¬ing in the urban field.This past year, two journalists, DanielSheridan of the Bergen Record, Hacken¬sack, New Jersey, and Constance Harper ofthe Call and Post, Cleveland, Ohio, studiedhere through the program.Associates activities include auditingcourses dealing with urban problems, ob¬serving community action programs suchas the Woodlawn Health Clinic, meetingwith leaders of community organizations,attending seminars on urban affairs andparticipating in conferences sponsored bydie center.A faculty committee from the center willselect the associates and assign each to afaculty member who will serve as pre¬ceptor. The members of the selection com¬mittee are Philip B. Kurland, law profes¬sor; Morris Janowitz, professor and chair¬man of the sociology department; Julian H. Levi, urban studies professor and executivedirector of the South East Chicago Commis¬sion, and D. Gale Johnson, dean of the so¬cial sciences division and economcs profes¬sor.The associates program was developed in1968 followng a center for policy study con-underscored the growing need for journal¬ists who not only report and interpret sur¬face events but who are capable of prob¬ing beneath the surface to find under¬lying causes and trends.More specific information on the pro¬gram may be obtained from Eddie Wil¬liams, vice president for public affairs at5801 Ellis Ave.Chicago ReceivesMoon Specimen*;Continued from Page Onedance of trace elements; and Dr. Robert N.Clayton, whose lunar rocks arrived Tuts-day night, who will determine v (her ornot the isotope ratios are like those of theearth, to see if the chemical elements origi¬nated in the same place. A reverent view¬ing of Dr. Clayton’s fiercely guarded rocksconvinced the Maroon that the moon andthe pretty pebbles of childhood collectionsmight well have originated together — atleast from all appearances.October 3, 1969/The Chicago Maroon/Page 5rEDITORIALUniversity WomenThis editorial is of interest only to those persons who eitherare themselves or are acquainted with persons who are women.All others are advised to ignore it.Those who fit into the above categories, however, will bepleased to learn that a special day long program has been plannedfor their benefit tomorrow. From 10 am to 5:30 pm Ida Noyes Hallwill be the site of discussions and workshops dealing with thetopic, “What it is to be a woman in the University.” It is a topicthat truly is of vital importance to everyone.Speaking practically, however, it is clear that not everyoneis going to come. It is equally clear that it is more important tosome people than to others. We address ourselves to the groupmost urgently concerned, therefore, and urge that every woman inthe University make the effort to attend at least part of the day’sprogram.Many women, even in universities, are reluctant to show theirinevitably great interest in the problems of women because theyare reluctant to be identified with a feminism which they still mayimagine as the realm of sex starved spinsters who act out of resent¬ment that they couldn’t catch a man.Just showing up at the program is not going to commit your¬self to a movement however. Anyone who is simply curious aboutwhat other people think about the status of women, or who justwould like to talk about some of the problems women face, owesit to herself (or himself) to be at Ida Noyes for part of the day.For many women who go to the program Saturday, however,this will not be the result. Many of you may find yourselves com¬pletely off balance, questioning the standards of a society that wouldprefer to keep women secure—and inert. For some it will be a dis¬concerting experience; it’s not easy to undeceive oneself, to ex¬change a cozy prison of dependence for a terrifying independentresponsibility. But then, liberation never is easy.If you’ve been reluctant to go to tomorrow’s program, youshould ask yourself why. Disinterest? There could hardly be atopic more relevant, since society’s attitude toward gender regulatesthe actions and thoughts of every individual. Fear? Better comeand find out what there is to be afraid of. Can’t take the wholebusiness seriously? Drop in and put the feminists down — if vou’regood enough.Levi StatementPresident Edward Levi, to nobody’s surprise, has issued astatement that the University will not officially close its doors forthe Vietnam war moratorium October 15. Various groups — includ¬ing this newspaper — had requested an official one day suspen¬sion of operations, and though we did not expect that the Univer¬sity would deviate from its usual political “neutrality,” we cannothelp but be disappointed that the University will be operatingOctober 15.It is now up to individual students, faculty, and workers tomake the moratorium work here. Clearly the cause involved —ending the war — is approved by the vast majority of persons atthe University, including, incidentally, Levi himself, whose state¬ment reflected the University community’s overwhelming sym¬pathy with the moratorium, though it did not go so far as toclose the University officially. Even though the University will beopen, sympathy with the moratorium should be high enough thatindividuals will halt business as usual on their own.Therefore all courses in the University should set aside partof one class session to discuss whether they wish to meet October15. We hope that such discussions will achieve the same result thatan official act of closing would have — complete cessation of theUniversity’s activities for one day, to indicate to the country thata large segment of the population finds the war intolerable. LETTERS TO THE EDITORSMoratorium and PolicyThe dearth of moral leadership whichcharacterized “University policy” last win¬ter reaps its own barren harvest. For sucha complex and diversified corporation as aUniversity, unanimity or even consensusamong its members is practically impos¬sible. Yet somehow “policy” is defined bythose same persons (we are to assume)who define and continue to define the “mis¬sion,” academic and moral of the Univer¬sity.According to President Levi’s statementof October 2, University policy on the issueof the October 15th moratorium is to haveno policy. This amounts, in effect, to a lackof official recognition by the University ofan issue which has cut to the heart of high¬er education. The war in Vietnam might bethe one issue on which there is some possi¬bility of a consensus among the membersof the University non-community. After theevents of last year, the symbolic effect of aunified student body, faculty and adminis¬tration on an issue in which they believewould be tremendous.Policy was decided last winter which ig¬nored toe wishes of a large number of fac¬ulty and a larger number of students. Pol¬icy this year, it seems, will reflect the wish¬es of nobody — not even toe President.Marilyn WaltzFox and the FilmThe movie is a relatively new art form inthe humanities. Perhaps it is because ofthis that we find very little responsible crit¬icism of the film. A glaring example ofsuch irresponsible criticism was an articlewritten by Mr. T.C. Fox concerning DocFilms’ presentation of Mike Nichols’ TheGraduate. The article did not really pre¬tend to be a work of criticism so much as itserved as an urgent (although unwanted)warning that the students of this universityare going to be subjected to an outflow ofmediocre offerings this quarter. Mr. Foxunfortunately went on to name names andsuggest personality conflicts behind thescenes of Doc management.Mr. Fox’ approach was very unreward¬ing, for it failed to discuss the one issuethat the reader is really interested in —that being Mr. Fox’ views on toe film itself.Instead of criticizing The Graduate as afilm, he actually began to sound more likethose elegant film critics of Hollywood.—Louella Parsons or Hedda Hopper — whoseonly concern is for toe interpersonal poli¬tics of toe stars, producers, and directors.Behind toe scenes intrigues instead of criti¬cism is not what I really want to read evenTHE CHICAGO MAROONEditor: Caroline HeckBusiness Manager: Emmet Gonder/Managing Editor: Mitch BobkinNews Editor: Sua LothPhoto Editor: David TravisFeature Editor: Woody GlocknorAssociate Editors: Con Hitchcock (Managing),Stove Cook (News), Chris Frouta (Features),Mitch Kahn (Sports)Assistant Business /Manager: Joel PondelikSenior Editor: Roger BlackStaff: Paul Bernstein, Frieda Murray, AudreyShaiinsky, David Steele, Leslie StraussPhotography Staff: Ban Gilbert, Mark IsraelEssentially UnclassiNable: Rob CooleyDark Lady: Joanna WiklerFounded In 1892. Pub¬lished by University ofChicago students daily dur¬ing revolutions, on Tues¬days and Fridays through¬out the regular schoolyear and intermittentlythroughout the summer,except during examinationperiods. Offices in Rooms303, 304, and 305 in Ida Noyes Hall, 1212 E.59th St., Chicago, III. 60637. Phone Midway3-0800, Ext. 3269. Distributed on campus and inthe Hyde Park neighborhood free of charge.Subscriptions by mail $7 per year. Non-profitpostage paid at Chicago, III. Subscribers toCollege Press Service. though Mr. Fox tells me about them for myown good.The tenor of toe article in question wasdisconcerting. It suggested an attitudewhich seems to run rampant in undevel¬oped clitidism of all kinds. Mr. Foxpresents himself, as do many other criticsin many other fields, as an expert. Too of¬ten though expertise is determined by the“expert’s” proficiency with toe jargon ofhis field and not at all by his concern forthe art which he criticizes. In the matter ofthe film we see a lot of “experts” come andgo who jauntily cast about their views withlittle regard for establishing a viewpoint.They don’t offer ideas or philosophy; theydon’t e-er offer interesting oDinions.They throw around pieces of trivia en¬sconced in glib diatribes. In his article Mr.Fox began with toe assumption that allright thinking individuals in this universedespise The Graduate. We read that themovie is not worth seeing and that it isbeing offered only as a box office attractionto fill toe coffers of Doc. There must be amore meaningful way for Mr. Fox to com¬municate with his readers than by hurlingsuch unnervingly unsupported statementsand acting as a self-styled protector of“good taste.” Do we accept Mr. Fox’sweeping generalizations and his unreason¬ed and flippant judgments? Do we acceptthis self appointed policeman of our taste? Ido not, but after all Mr. Fox is an “ex¬pert.”I feel there is hope yet for the film criticsof this campus to shun the errant and arro¬gant prose of adolescent criticism and tolatch on to methods which allow for statedpremises, provocative ideas, and moremeaningful judgments. Do not pontificate,Mr. Fox, write something that provokesthought.John L. BryantRegistration WoesWell, registration is finally over andeveryone seemed to get a good laugh ortwo out of the whole mess, unless ofcourse your name began with A, B, or C.Unfortunately, these few will have to suf¬fer for an entire year because their parentsweren’t foresighted enough to know thattheir children would have led happy, norm¬al college lives if only their names wereSchmidt, Thomas or Weiss. Being one ofthe unfortunate, I realize now that thetrue blame for my terrible schedule fallson my parents shoulders. I am a victimof the generation gap!Aronowitz, Adams, Anderson, Blake,Bums, Brown, Cohen,ClaHc and CampbellChess SupremacyThe appearance of your first few issuesmake it evident that the Maroon is main¬taining its policy of silence concerning theChess Team. Presumably you consider us afront for toe CIA or toe Nixon or Levi ad¬ministrations?New and old students might like to knowthat U.C. has a NATIONAL CHAMPION¬SHIP TEAM — toe Chess Team. Chicagowon the title last December ahead of 49other teams from colleges in North Amer¬ica. The very top academic universitiescompeted: Berkeley, for example, was 2nd;McGill 3rd, Toronto 5th, Columbia 6th,Michigan 9th. The Chess Team representsthe University student body as a whole.Graduate students are eligible and com¬pete; women students are also eligible andin December, 1965 a woman student wastoe high scorer for the UC team at toe USIntercollegiate.Why does the Maroon suppress the factthat Chicago holds toe chess championship?Why have you never printed the names oftoe members of the championship team?What foul anti-intellectual conspiracy is atwork behind toe closed doors of the Maroonoffices?I challenge you to break toe code of si¬lence and print this letter.Continued on Pago TenPage 6/The Chicago Maroon/October 3, 1969'• r v *• -Paranoia:Chicago StyleBy Robin HawkesFOR THOSE OF YOU who don’t remember and those of youwho weren’t here last year around spring quarter one ofthe “in” words seemed to be paranoia. First picked up byone of the “big guns” of the university as a blisteringcondemnation of the sitters-in, it soon became the punch¬line to at least fifty jokes. I’m not sure if the word itselfhas contageous properties (never breathe “paranoia” inanyone’s face) or psychologically speaking something musthave gone wrong in your childhood or in sociological jar¬gon you’re acculturated to it. In any case, whether someparanoid breathed on me or my mother rejected me atage two or that after being here for a number of years theatmosphere (could it be sulphur dioxide? is finally whit¬tling me down to the Chicago mold is difficult to say. Idon’t know how to tell you this but I think I am paranoid.Well Doctor, let me describe the symptoms. YesterdayI was walking nonchalantly to class when I saw two menwith a movie camera filming the Ad building of all things.One was sort of older and the other was sort of hip looking(too hip looking, I thought at the time — you see it’sstarting already.) So curiousity seeker that I am I walkedup to the hip one and asked, “Are you making a movie?”He just silently nods his head. “What is it about?” I con¬tinue nonchalantly. He makes no answer, turns away andthe two go off in another direction. Dum-da-dum-dum. (toquote Joe Friday) Uh oh, the Red Squad. Later on thesame day, I’m talking to a friend and who do I see overher shoulder but my two film making friends. Clenchingmy teeth I explain to her in a stage whisper the previousevents without telling her my exact suspicions in order notto appear paranoid, and courageous girl that she is sheapproaches them to do some investigating on her own. Iretreat behind a tree in order not to arouse their suspi¬cions that we’re together. I wait, one minute, two minutesand finally she returns. “They’re Italian television menfilming a show on American life. They don’t speak Eng¬lish, only French. I feel like digging myself a hole toclimb in and hide.OK that’s only one incident of course, that doesn’tprove that I’m infected with the dread disease. Next in¬cident: I just finished being involved in that famous HydePark indoor and outdoor sport — moving. Well it seemssomehow my roommates and I accumulated enough stuffto open a store. We’re huffing and puffing up the stairsand two guys offer to help us. Well after completing thisHerculean task we all collapse in the living room andsomeone picks up the Daily News with that article aboutthat narc who blew his cover after the first day by walk¬ing up to the students in the campus coffee shop andasking, “Hey, yawant te buy some pot?” Well it seemed tome that my roommates and I were the only ones whowere laughing and there also seemed to be complete si¬lence on our new friends’ side, or so I thought. Was that abulge I saw under both of their left arm pits. I made verysure after they left that they didn’t leave any gifts aroundfor us (otherwise known as a “plant”) but so far I haven’tbeen able to find it if they did.I mean didn’t those people appear suspicious to you?Wouldn’t you have thought the same thing? You must ad¬mit something similar happened to you. What about regis¬tration. Didn’t it seem to you all the people involved,especially in the bursar’s office, got a perverse thrill outof telling you that you didn’t have the right forms, thatyou had to go somewhere first to pick up another card,you had a library fine which you never heard of; all justin order to send you away and make you walk the longContinued on Page Seven /warn rtraeiBRETCITTjo innVO^i' „t tnwtW 9||*3i'iO1 iTBIITBSVan Itallie Play Slithers InI WOULD LIKE to offer an introduction to myself and thisarticle before I get into any kind of heavy rapping. Nowbefore you say to yourself, “Wow, this cat’s really groov¬ing with the ego-gratification routine! Using “I” in hisfirst sentence, he’s super hung up!”, let me interject thatThe Kingston Mines Theatre Company, The Serpent, andmyself are tryingto make it here for the first time. This isour big initiation into the Chicago theatre scene so werequest the proverbial “benefit of the doubt” and throwourselves not so much on your mercy, but on your “goodtaste,” whatever that is.My original intention was to write a review reekingwith intellectual snobbery following in the traditions ofthose much respected and revered culture critics of oursociety. However after reading my first draft I becamequite nauseous. Frankly it was a lot of shit. So now you’llhear about The Serpent and The Kingston Co. in a ratherunpretentious manner. Don’t expect a syllogism of subtleand glatant meanings, that’s your job.The Serpent basically follows the narrative of Genesiswith the sequences involving Adam and Eve, Eve and theserpent, Cain and Abel, and the begatting. There is aninterspersing of scenes depicting an assassination (guesswho’s?) in stop-action sequence and confessions oftwentieth century women. The play attempts social com¬mentary through relation of the past and present se¬quences.6RETCITYj OlftlflLHere is no continuing city, here is no abiding stay.1U the ioind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late, androtten the year;Evil the wind, and bitter the sea, and grey the sky,grey grey grey. T. S. EliotMurder in the CathedralEditorJessica SiegelManaging EditorJeanne WiklerStaff ExtraordinairePeter RabinowitzT. C. FoxStaff ~Gregory FergusonChristopher LyonMyron MeiselThe Great PumpkinPeter RatnerPaula ShapiroThe Grey City Journal, published weekly in cooperation with TheChicago Maroon, invites staff participation and contributions fromthe University community and all Chicago. All interested personsshould contact the editor in the Maroon offices in Ida Noyes Hall.Jimmy's and theUniversity RoomFIFTY-FIFTH & WOODLAWNELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St. BlI-8-2900USED CARS50 FULLY GUARANTEEDCOMPACTS & GAS SAVERS64 FALCON AUTOMATIC 449564 CORVAIR MONZASTANOARO .49564 TEMPEST CUSTOM AUTO. 2 OR. 49563 DART DODGE AUTO. 4 DR 49663CORVAIR 4 OR. AUTO. 39563CHEV. BISCAYNE CPE. . 39562 BUICK SPEC 4 OR AUTO 39562 BUICK SPEC 2 OR AUTO 29662 RENAULT 4 OR STICK 19561 OPEL 2 OR AUTO . .95ARTHUR - CARS3845 N. WESTERNCHICAGO, ILL. KE9-6090 rk The Serpent has been called a ceremony in whichactors and audiences confront the question: “Where arewe in relation to where we’ve been?” It also raises themore important question, at least to “prophetic moral¬ists,” of “Where are we going, as individuals and as asociety?” Getting into these questions you start to dig who you are vis-a-vis your projected, self-perceived and realselves.The play is not a masterpiece. There are no roles in itwhich would be considered demanding. However the castshows talent and what’s more they’re a very engaginggroup. You’ll notice this in the audience participation seg¬ments where, for example, you might be offered a symbol¬ic bite of an apple. It’s great when you get involved withthe actors. A personal rapport is created which enablesyou to get deeper into the play than would be possible ifyou existed as the detached observer.The director of The Serpent and the Kingston Com¬pany’s guiding light is June Pyskacek, who last yeardirected the successful Chicago premiere of AmericanHurrah.The play is scheduled to run for eight more weekendson Friday, Saturday and Sunday at 9:00 p.m. The cost oftickets is $2.00.I just realized I forgot to mention the author of TheSerpent. Jean Claude van Itallie is the creator. My apo¬logies Jean.Marshall AlexanderOur Friend ReturnsWell fans, Culture Vulture is back with his feathers preen¬ing and is greedily looking forward to the artsy-fartsyevents of the quarter. This week is starting up with a slowgrind but includes some interesting things.FILMFriday brings the both hated and loved The Graduate(depending upon on which side of the controversy youhappen to be. It’s worthwhile seeing just for the transfor¬mation Dustin Hoffman makes to Ratso Rizo.Contemporary European Films presents on SaturdayDon’t Look Back. Those of you who couldn’t fly over inyour private planes to see Dylan’s concert on the Isle ofWight might try to make it to Cobb Hall.Tuesday Doc Films presents Alfred Hitchcock’s Shadowof A Doubt. It is Hitchcock but don't expect to see himlumber out and say “Goot efening, this is Olfred ’Itch-coke.”THEATREFor all actors new, old, prospective, would-be,could-be, has-been, good, bad, or indifferent: this will be a busy year for theatre on campus. A detailed description ofthe U.C. theater scene will appear soon in the Grey CityJournal, but in the meartime, be sure to attend the Uni¬versity Theatre Open House, this coming Wednesday (Oct.8) from 4-6 p.m. in the Reynolds Club Theatre (upstairsfrom Mandel Hall, the C-shop, the pool tables. Ask any¬one.) This will be a get-acquainted session for anyoneinterested. Jim O’Reilly, UT director, will discuss plansfor the coming year and members of the Student Boardwill also give comments. There will be refreshments —take it from me that they’re good, I always have a feaston the crumbs left over from these things.Also speaking at the open house will be Susan Spector,actress, dancer, and U.C.’s first acting teacher. Herscene-study workshop will be held Wednesday evenings,7-9:30 p.m. in the Bergmann Gallery (4th floor of Cobb).The class is free of charge and everyone is invited, re¬gardless of experience. She will explain it in more depthat the open house, but has asked Yours Truly to specifythat the class will begin promptly at 7.ienjoy ourspecial studentrate) at alltimesfor college studentspresenting i.d. cardsat our box officedifferent double featuredaily!• open 7.30 a m.-lateshow midnightI • Sunday film guild| • every wed. and fri. isladies day-all gals 75‘little gal lery for galsonlyi clark parking—1 doorsouth4 hrs. 95c after 5 p.m.» write for your freemonthly programClark & madison fr 2-2843] A THOUSAND TINY RUFFLESINSTANTLY GO TO WORKON HER BLOODSTREAM.Removable ruffled skirt in drapeycrepe. All colorsPLUSFASHIONSFor Men and Women5225 S. Harper324-6800Page 2/The Grey City Journal/October 3, 1969. \ tji.t 1 >. *• *'•' » v- ? • .’•’•tVi l “iml.M BOWERS DODGE7300 S. WESTERNPHONE 476-4400THE ALL NEW FOR 1970 CHALLENGERChallenger 2-Door Hardtop'69 CHARGER RT440 W/V8 EngineRed w/black vinyl topAuto Rower Steer& Brakes AM/FM Radio$3295 68 MALIBU2 Dr Hardtop V84 Speed, PowerDark Blue w/m interior$2295'68 CHARGER '66 TORONADO CUSTOM383 cu in, Dark Green4 Barrel Carb w/ Matching4 Speed, Red Interior, Full Powerw/blk vinyl top Factory Air$2395 $1995LET US KNOW THAT YOU ARE A STUDENTAND YOU WILL RECEIVE THE BEST DEAL IN TOWNON A NEW DODGE OR USED CAR May I have aFrench winewith TurkishTalash Kebab?Why not?Your host, Murat Somay,with succulent foodsand memorable wines.Discover Efendi. Tonight.EfendiRESTAURANT & LOUNGE53rd and Lake ParkU of C Tuesday Night Special20% reduction. The Efendiinvites students, faculty andstaff for memorable entrees($3.50-5.75) This ad entitlesbearer to 20% reduction ofdinner cost, includingcocktails and wines./THEITEEThe Great-Great KabukiFOR THE AMERICAN THEATREGOER weary of thecontroversy between the new American theatre (much ofwhich is badly done garbage) and the old Americantheatre (much of which is trite, stagnant, and irrelevant),it is a thrilling experience to encounter a theatre which istraditional and herefore highly polished, yet vital andexciting in its style and orientation. The Grand KabukiTheatre of Japan, teasing the Chicago audience with abrief four-day run (September 25-28) is all of this, andwhat is more, provides the audience-with a spectacularpageant of Japanese culture and artistry.The Kabuki is the Japanese people’s theatre, as op¬posed to the earlier Noh theatre (perhaps better known toWesterners), which was aristocratic in nature, audience,and subject matter. During the seventeenth and eighteenthcenturies, as the merchant class was rising in Japan, twoforms of theatre began to gain popularity: the Joruri, orpuppet theatre, and its live counterpart, the Kabuki. Theplays presented were somewhat more cohesive than theNoh plays, and less lofty; they dealt mostly with membersof the merchant class or the samurai (knight) class. Oneof the most famous of these plays, Chushingura (TheTreasury of Loyal Retainers), was presented in part to theChicago audience. The entire play supposedly lasts a dayand a night. We were treated to only four short scenes.Very briefly, the story of Chushingura deals with agovernor, Moranao, who becomes enamoured of the beau¬tiful wife of Hangan, one of his deputies. Caught in the actof making lecherous advances towards her, Moranao isforced to humiliate himself by apologizing to the furiousWakasanosuke, another deputy who is ready to kill Mo¬ranao for his disgraceful behavior. Grudgingly pardonedby Wakasanosuke, Moranao’s frustrations build untilHangan enters with a note of refusal from his wife toMoranao. Moranao vents his anger on Hangan by tauntingand insulting him until the gentle man can bear it nolonger: he draws his sword and strikes Moranao. Moranaoescapes only wounded, but Hangan is ordered by the Sho¬gun to commit suicide for the crime of drawing a sword inthe palace. Before dying quietly and nobly, Hangan impor¬tunes his chief retainer, Yuranosuke, to avenge his unfairdeath. Saddened by his master’s death, by the fate ofHangan’s wife (she must enter a nunnery), and by thedistress of the “orphaned” retainers, Yuranosuke vowsrevenge.Such a story would provide poor fare for a Westernstyle production. Rich in feeling, yet simple in story, itcould easily be “emoted” to death by our introspective,internalized style of acting and production. But the Kabukirepresents an entirely different conception of acting,whereby the feelings and attitudes of the characters areexternalized, translated into movement, gesture, andmime, indicating an emotion far more grandly anddirectly than the grunt or groan of a Brando-esque actor.In the Kabuki, where masks are used on almost all of theactors; where men play women’s roles; and where a mob scene is choreographed into a stylized, ritualistic dance,there is no pretense that the actor on the stage is actuallyexperiencing the emotional crisis which occurs to thecharacter in the play. He is presenting this emotion, show¬ing it by gesture and facial expression, but by no means ishe attempting to experience it as a person. This stylecomes closest to what Brecht terms “gestic acting.” Theactor demonstrates; he suggests. He is not Moranao; he isan actor whose function is to show what a character likeMoranao would be like. Brecht considered the gestic styleto be essential to the proper staging of his rather detachedand intellectual revolutionary dramas. Acknowledging thefact that the gestic style was unheard of in traditionalWestern theatre, Brecht often referred to the Kabuki forinspiration and ideas.The actual staging of Chushingura was based aroundthe tableau effect. Rather than naturalistic, fast-movingaction, the play was staged so that any given instant couldhave been a carefully composed picture. Many techniqueshelped to achieve this. Firstly, the characters were sig¬nificantly grouped at all times, either symmetrically,when a crowd was involved, or symbolically to indicate arelationship between two or three characters. Secondly,the sets were decorative rather than functional. There wasa minimum of properties, and at no given moment wasthere anything unnecessary on the stage (when two en¬voys, who witness the hara-kiri, rise at one point, twolittle men in black who, we discover, had been crouchingbehind the actors throughout the scene, scurry offstagewith the chairs. Seconds later, the little men scurry backonstage and deposit the chairs underneath the envoys asthey are resuming their seats. In this way, there are nev¬er empty chairs onstage to draw focus or to destroy thetableau.) The highly stylized gestures and body positionsof the actors also contribute to the pictorial effect.The fact that the performance was entirely in Japanesemight be intimidating to the American viewer; I rathertend to think that the non-Japanese audience has an addedadvanage in not understanding the language. First of all,we could hear distinctly the beauty of the language, andthe way in which its tonal qualities are used to achieveeffect, apart from the meaning of the words. It was verystrange at first — the voices often rose into nasal falsettoswhich seemed to be barked out very harshly — but thevoices soon became part of the background music whichconsisted in the first play only of percussion, and in thesecond play of percussion and some strings, perhaps thekoto. From where I was sitting it was difficult to discernthe characters’ speeches from those of the narrator: theywere wearing masks, and all seemed to have their voicestrained to the same pitch. But since I couldn’t understandthem anyway, it was just as well that the voices seemedblended into a general background accompaniment.The second and more important advantage of not un¬derstanding the language was that the extraordinary pan¬tomime and acting techniques were all the more notice¬able. Of course, the English notes in the program wereextremely helpful (and due sympathy should be given the Sunday night audience for whom, I am told, no moreprograms were available), but only insofar as valuableconcentration would have been wasted in merely trying tofigure out the plot line. The characters and their feelingswere clearly expressed by movement and mime and bythe actors’ bearing. Hangan’s wife is timid and gentle,using discreet, inward gestures and turning away from theadvances of Moranao. Moranao’s large and bullying ges¬tures show him as bold, aggressive, and uncouth. Perhapsthe most subtle and delicate of the characterizations isthat of Hangan, a gentle young man of refinement andbreeding. His movements are precise but subdued, andeven in the heat of anger, when he is being restrained by jMoranao’s henchmen, Hangan’s gestures are graceful andcontrolled. The nobility of Hangan’s character is epito¬mized in his death. He dies slowly, quietly, and unbloodily.When he finally falls forward in death his costume, thewhite suit of hara-kiri, falls into a beautifully draped fanshape around him. Yet his death, so simple and restrain¬ed, is poignant. Yuranosuke is prostrate with grief.The second play presented by the Kabuki, Kagami-Jishi(Mirror Lion Dance), was not really a play at all. It was adance with a story; yet as the dance it merits praise in itsown right. *Kagami-Jishi is the story of a young courtesan who isasked to perform a traditional lion dance before the newShogun. Shy and hesitant, the girl, Yayoi, begins slowly,describing in her dance the lion’s adventures with twobutterflies. But soon, the spirit of the lion in the danceovertakes her, and she becomes a lion (complete with longwhite mane); the two butterflies also become real and,possessed, they continue the dance.The music for the dance was mostly made of singsongvoices and percussion, with some strings. The musicianswere seated in tiers at the back of the stage, dressedidentically and unmoving except for their playing. Theyoften moved in chorus: the musicians were choreographedas well as the dancers. This was very effective as anechoing of the rhythm and the music. As characters, theyrepresented the court before whom Yayoi performs.The transition from Yayoi-the-girl to Yayoi-the-lion isduly impressive. She seems to gain height and weight aswell as strength; her attitude changes completely fromthe feminine to the masculine, and from the refined to theprimitive. But the two butterflies were asounding. Aslight and feathery as two nymphets, they simultaneouslyjumped up on a yard-high platform without making asound. It was hard enough at that time to believe theywere human: the fact that they were men, of the samesize as the ferocious lion, seemed impossible. Costumingof the dancers was effective: Japanese kimonos with hugebutterfly-wing sleeves. Yayoi used his mane as if it wereanother arm, swinging and manipulating it with precision.Although the audience response to the Kagami-Jishi wasnot as enthusiastic as it was to Chushingura, elements ofthe Kabuki style made the dance meaningful to them, aswell as providing an artisically arranged Japanese spec¬tacle.Jeanne WiklerOctober 3, 1969/The Grey City Journal/Page 3<8*MUSICGuilini’s Chicago SymphonyTHE CHICAGO SYMPHONY ORCHESTRA began its sev¬enty-ninth season Thursday night on a most auspiciousnote. Principal guest conductor Carlo Maria Giulini was atthe baton, and presented a program which amply demon¬strated his multi-faceted proficiency. It is interesting tonote that, although Giulini is most famous for his inter¬pretations of Mozart, very few of his programs this yearwill featire Mozart. Rather, Giulini’s appearances herethis year seem designed to display the conductor’s ver¬satility in a number of other areas ranging from Beethov¬en and Woussorgsky to Debussy and Stravinsky.The program of this opening night’s performance fea¬tured three works, two of which — the orchestral selec¬tions from Berlioz’ Dramatic Symphony Romeo et Julietteand Stravinsky’s music for Petrouchka — are rather diffi¬cult pieces to conduct, making extreme demands uponboth the orchestra and, particularly, its director. In away, one could say that Signor Giulini selected for hisfirst program a fare that would serve as an acid test ofany conductor’s ability. Suffice it to say that Giulinipassed this with flying colors, converting acid test intotour de force. Both the Romeo et Juliette and Pet¬rouchka require utmost attention on the part of the or¬chestra and its director. The rhythmic structures of bothworks are highly complex; in addition, both Berlioz andStravinsky sought to exploit the multiplicity of possibilitiesfor tone color, utilizing large orchestras, and developingunusual combinations of sonorities often having themoperating .simultaneously in the works. The results, ifhandled by lesser men, could either have been chaoticand disastrous, or trammeled into desiccation. Such washardly the case with Giulini. In both works, he demon¬strated a deep sensitivity for their inherent musicalpossibilities, emphasizing certain details and timbres,making for brilliant panoplis of color, without sacrificingprecision and faithfulness to the score.For the initial moments of the concert, a certain feel¬ing of opening-night tension and suspense pervaded both Premieraudience and orchestra, starting with when the limousinesarrived to deposit their contents on the plush red carpetwhich was rolled across the sidewalks. Perhaps it was thisnervousness that accounted for the somewhat confusedand uneven entrances of the strings at the beginning ofthe introduction to the Berlioz. One critical observation onthe part of the writer is that in several of the seeminglysudden entrances and rests characterizing this work, vari¬ous orchestral sections were not quite together. However,this did not detract that much from the Berlioz, as therewas sufficient crispness of sound and brilliance of color tocompensate for what may well have been a manifestationof the nervous feeling permeating the hall.Another major quality of Giulini’s interpretation,which, I believe, deserves praise, was his ability to infusea great store of energy and life into the music — to pro¬duce a vigorous and exciting performance that well com¬plemented the unusual timbres called for in the scores.Two excellent examples of this were, first, in the devel¬opment leading to the music dealing with the Capulets’festivities in the Berlioz, and secondly, in the second partof Petrouchka, where the composer plays off the piano,representing Petrouchka, against the snare drum andtrumpet, depicting the harshness of the Puppeteer. Plau¬dits go to principal trumpet Adolph Herseth, for a mostmasterful job throughout the Stravinsky.Both Stravinsky and Berlioz wrote their works withsomething other than purely music in mind. Romeo etJuliette was composed between 1831 and 1839, as a “dra¬matic” symphony with large choral components. (Berlioz,too, was not immune to the impact of Beethoven’s NinthSymphony). Much of the orchestral music of Romeo etJuliette is in the way of recitative on the part of several instruments (just as in the beginning of the fourth move¬ment of the Ninth), and, as such, is more difficult toconduct. Petrouchka, composed between 1910 and 1911,was, like its immediate predecessor Firebird, written withballet, viz., Diaghilev, in the composer’s mind. In fact,when Stravinsky first played for Diaghilev the part ofPetrouchka he had initially sketched out, the ballet-masterand impresario was so impressed with it, that he eagerlyurged the composer to go on and develop his musicalideas. Thus, both works offered Thursday evening wereinvolved with specifically non-musical concerns, with eachfollowing a definite program. As such, they made theirown particular demands on the musicians.The third work performed Thursday evening was writ¬ten by Italian composer Giovanni Salviucci, who was astudent of Ottorino Resphighi, among others, and a con¬temporary of Paul Hindemith. His Introduzione, passa-caglia e finale, which was performed at the opening nightconcert, was composed in 1934, and bears witness to theinfluence of the Germanic romantic tradition, particularlyin its orchestration. On the whole, the Introduzione pos¬sessed some electrifying moments, provided by keen dis¬sonances and sizzling percussion; however, there werealso some tender elements to be heard in the work aswell. At some points, Salviucci’s organ-like use of thestrings, particularly in low register, brought back memo¬ries of Baughan-Williams, of all people. In any event, thiswork, which was being presented for the first time at C. S.0. concerts, provided many opportunities for splendid ton¬al combinations, and Giulini consistently utilized these op¬portunities to the fullest degree.Thus, the Chicago Symphony Orchestra has begun itsseason on a brilliant note, and, it appears that, if this highquality can be maintained throughout the year, the writerwill be hard put to avoid the whereabouts of OrchestraHall.Peter L. RatnerNOW THRU OCT. 12Chicago's favoriteBOBGBSON3 shows nightlyTuos. thru Sunday9:00 p.m., 11:00 p.m.,12:30a.m.QUIET KNIGHT1311 N. Wells 944-8755Parking next doorSMEDLEYSSchlitz on tap'Extra large pitcher of beer iFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.STOP NAIL BITINGWITHNow you can stop your nail biting, cuticlechewing habit, TODAY!, with STOP BITE. Let sface it, this ugly habit is bad news Why lookdumb, when you can be IN with long beautifulfinger nails This amazing new product is aglossy cover that paints on the nail surfacewith a bitter taste you'll hate, and WHAMSTOP BITE" ends the nail biting habit. LIKENOW1We guarantee you results or return your moneyBuy "STOP BITE" only $1.50AT ALL DRUG STORES• DARK-EYES" CO., INC.CHICAGO ILL. 60624 CHGO'S OWNSWINGERS CLUBSEND $1.00 FOR 64 PAGEULUST MAGAZINE, 100s OfPERSONALS. MKS, BOX3806. CHGO 60654. Want buttons made?Call Insanity Southfor the best price in town on100 or more. 955-361451st near harper.Cohn & Stemutourn Sc (EarnpuBShopWE HAVE GANT SHIRTSHoo ha ... have we pot Gants. INew, deep eolored solidsand an array of striping* in imported broadcloths anddurable press fabries. Available in the Town collar andthe new Keats collar, just introduced. Choose a clutch ofCants for yourself @$IO per.IN THE HYDE PARK SHOPPING CENTER55th & LAKE PARKopen Thursday & Friday evenings MUSICRAFT SPECIALThis is our portable phonograph:THE MODEL ELEVEN.ICIRCUITRY: All solid-state,designed and built entirely byKLH. 15 watts IHF (Institute ofHigh Fidelity) music power. 30watts peak power. Unheard-of in aportable. Low frequency powercontoured to speaker requirements.TURNTABLE: Garrard recordchanger made to KLH specifica¬tions. Very low-mass tone armresists jarring, tracks even badlywarped records. Pickering V-15magnetic pick-up with diamondstylus.CONTROLS: Bass and Treble,allowing ± 15 db correction (i.e.,plenty) at 50 cps and 10,000 cps.Balance between speakers. Volume.(Turntable shuts off system auto¬matically, whether on automatic ormanual.) SPEAKERS: Two of the astonish¬ing speakers used in the ModelTwenty-One radio. Forty feet ofcable.FLEXIBILITY: Inputs for stereotuner or tape player. Tape record¬ings may be made from the speakeroutputs. Headphones may be substituted for speakers.LIMITATIONS: No radio.ETC.: Weight: 28 pounds. Caseclosed: 24Vi" W x 13'/6” H x 7V»"D. Control Center: 16Vi" W x 13Vi ”Dx7%" H (with automatic spindlein place). Speaker Enclosures,each: 13'/i” W x 7'/h“ H x 4" D.Choice of gray or pearl white vinyl“Contour-lite” case.SUGGESTED PRICE: $199.95.THE Model Eleven is stereophonic. It can fill aliving room with the kind of sound once avail¬able only from massive, expensive and decid¬edly unportable sound systems. As a matter of fact ifwe hadn’t been able to make it do that we wouldn’thave built it. You can take any portable with you; buthow many can you take seriously?ON CAMPUS CALL BOB TABOR 363-4555Page 4/The Grey City Journal/October 3, 1969mMUSICThe Good Ole ByrdsRevitalization andCONTRARY TO POPULAR BELIEF, there are many or¬ganizations that are working towards the betterment ofstudent life on this campus, and as we all know, there isnothing this campus needs more than betterment. One ofthe finest organizations working towards this goal is Revi¬talization. In the past, unheralded by anyone, Revitaliza¬tion has presented concerts by some truly great per¬formers to the Chicago student body. Considering howhard it is for an urban campus to compete with downtownattractions, it is amazing enough that Revitalization is inexistence, much less that it functions. But functions itdoes with concerts in the past by such names as JoniMitchell (whom, I must admit, I am in love with), PhilOchs, the Cream, Butterfield Blues Band, and many oth¬ers. They also helped to bring Living Theater to compuslast winter, which must be regarded as their crowningachievement to date with the arrival of Donovan in Oc¬tober as hopefully, their newest and largest success.Perceptive readers will notice one important omissionfrom this list of Revitalization successes — the Byrds con¬cert last Saturday night. Why this concert was not a rav¬ing success (and for all you who doubt that it wasn’t, starttaking your own personal Gallup Poll) is an interestingquestion, for the Byrds are one of the best known Ameri¬can groups and have reached a higher pinnacle of successin the modern music scene than most groups can evendream of. The reputation of Roger McGuinn, the only orig¬inal member of the Byrds still in the group, is so presti¬gious that he penned the music for Peter Fonda’s newmovie, Easy Rider, and collaborated and received musicspecifically for the Byrds from Bob Dylan (rememberhim?).Yet considering all this, the Byrds did not capture theiraudience Saturday night. After talking to many studentsabout the concert, I learned that many considered it adisaster and others who did not go as far as that, did saythat they had been disappointed. Naturally, there weresome who said they enjoyed the music tremendously, butthe reaction of the audience Saturday night was listless.(Those who attended the Phil Ochs concert last springshould compare the reaction to the music that night to thedead amosphere Saturday.) I must admit that I was amember of the few who completely enjoyed the concert. Irealize that this a hard position to defend (the 45 minutewait, the sound system and the country-wesem music notwithstanding) but I feel that in many ways the Byrdswere handed a large injustice Saturday night and thatthey should be defended in light of some of the unneces¬sary comments I have heard. I think that there were two reasons why many membersof the audience reacted to the concert as they did. When itbecame known that the Byrds were going to appear forthe orientation concert, I’m sure a common reaction was“Oh boy! The Byrds. You remember them. Mr. Tambo-rine Man, Turn, Turn, Turn, All I Really Want to Do,Chimes Of Freedom, Mr. Spaceman, So You Want to Be aRock-and-Roll Star, Eight Miles High, My Back Pages andall those other great songs especially lots by Dylan.” Well,when people who reacted like this got to the concert anddidn’t hear much of the “good ole Byrds” they were dis¬appointed and upset. The other group, I am afraid, have amore valid objection. Simply, they did not like the musicperformed, specifically, the country-western music the Byrds are now in to. Yet both groups went to the concertmisinformed. The Byrds are long past their TamborineMan stage and to expect any group to return to somethingthey left behind a long time ago is not fair. Besides, withall the personnel changes the Byrds have gone throughsince their early days, it is quite hard to recreate theirearly sound and when they attempt it, those who fondlyremember the sound of the old Byrds are upset when theconcert versions are so different. If you want to hear theOld Byrds, put the Greatest Hits album mi the recordplayer, but don’t go to a live Byrds concert for it. Theyaren’t going to make you happy. Someone should havetold half of the audience that before they got to MandelHall.The country-western music haters (one shout asking theByrds to “stop with the country shit” was audible duringthe concert) also were not informed about the Byrds mu¬sic and should not have come if they dislike country-west¬ern music. After all, when you go to see a Judy Collinsconcert, she doesn’t do her early songs, nor does Dylan,(if you can see a Dylan concert) Donovan (can you seeDonovan doing Universal Soldier today?), or most estab¬lished groups. Unfortunately, I am afraid that many ofthose country-western haters listened to the music in Man-del with a closed mind. So many people are so convincedthat they dislike country music that they will not like iteven if it is good. I personally dislike most country music,but I must admit that the Byrds do that kind of musicbetter than anyone.As for the concert itself, I must admit that it was notthe best concert that I have ever seen (that prize goes toCrosby, Stills, Nash and Young) but it was quite good.Asking the Byrds to perform in Mandel Hall that nightwas imposition enough. It is quite hard for a group to turnit on for an audience that doesn’t seem like it will take itwhen they do. Besides that, the sound system was worsethan it has ever been. Obviously the Byrds are not agroup who rely solely upon their lyrics. But even still, itwould have been nice to hear the words. Under theseconditions, I think the Byrds performed exceptionally well.After all, they don’t need the money from appearing inMandel Hall, but play for the fun of it. Playing Saturdaynight was no fun.They overcame these obstacles and reached some amaz¬ing highs. The instrumental section of Eight Miles Highpointed out what a great lead guitarist McGuinn is. Themusicianship of the Byrds is perhaps unique among manyAmerican groups. Virtuoso guitarists have now become aContinued on Page SevenRECORDSFrom the Pumpkin PatchMUSIC PLAYS such an important part in the lives of somany people, especially young people, that the catagoriesof cultural entertainment are constantly under revisionand consideration. While once the only way to enjoy musicwas either to go see it done or do it yourself, today musicis available for the masses and often, though not asfrequently in this day and age, records are skipped overwhen the areas of culture are examined. While it is truethat ballet, concerts, movies, the theatre and art are moreindigenous to reviews than are records, for a magazinecentering on the arts to avoid records is inexcusable. Es¬pecially today when many artists major contribution tothe arts is through recording, reviewing records is essen¬tial. The Grey City Journal will now attempt to remedythat situation by printing more record reviews.A reviewer, to be fair to his reading audience, shouldmake it clear from the outset exactly what his prejudicesare. I make no secret of it that I like folk music morethan country-western and that blues is not exactly mybag. I also am not partial to jazz though I realize thatmany jazz musicians are extremely talented. I do likehard rock, the newest country-western-rock music, vocalgroups (like the Mamas and the Papas) and the mixtureof folk and rock, often called folk-rock, though this is notentirely accurate today as the rock has become softer inthis “trend.” Therefore, when reading the reviews, realizethat I am examining these records from my particularviewpoint with my own personal preferences. So, on withthe records.The Band, by the Band (Capitol STAO-132):Music from Big Pink, the Band’s first record, was oneof the most important releases of all last year. With BigPink, Sweetheart of the Rodeo by the Byrds and Dylan’sJohn Wesley Harding, the invasion of country music intothe rock world was apparent. Y€t through this invasion,the country angle was played down considerably andmuch of the old rock style was still obvious. This fusion ofthe two resulted in some fine music. The Band is contin¬uing down the country road in The Band and they are asgood, or better than they were on Big Pink. If you didn’tlike Big Pink (and if not, why not?) you probably won’tlike The Band. But to the majority who seemed to like Big 4 t V -'; ‘i Pink enough to make it a success, the band’s new recordwill be heralded as the best record of the year, in a yearwhich has been distinguished by only a few good albumsand even fewer great ones. The music is very similar towhat the Band has done before, but it does sound a bit“funkier” if that is possible. The music on the album is allRobbie Robertson and it is even more obvious that he hasgreat talent than it was on Big Pink. Especially good areAcross the Great Divide, Jemima Surrender, Look OutCleveland, and Rag Mama Rag. However, it is unfair tosingle out these four when all twelve are good. This recordis worth whatever you have pay to get it.Truly Fine Citizen, by Moby Grape (Columbia CS 9912):The move from San Francisco to Nashville is morethan mere miles. The Grape have attempted to drop theirhard rock sound and to add a new country-softness. Isometimes wonder if “jumping on the bandwagon” musi¬cally isn’t a risky thing for established groups, but theGrape gave up a successful following in San Franciscoand tried something new. They gambled and in manyways their gamble has paid off. However, Truly Fine Citi¬zen is an uneven album. Some of it (Changes — CirclesSpinning, Right Before My Eyes, Truly Fine Citi¬zen, and Open Up Your Heart) is good but much is onlymediocre. None is terrible, but from a group like MobyGrape, more is expected, especially vocally. The groupsvocal work is nowhere as good as anything on MobyGrape ’69, a great album. Yet instrumentally, the Grapeis as good as they ever were and the new country flavoradds a new dimension to their sound. Obviously, the coun¬try addition is not for everyone’s taste, but it is interestingand nice for a change. However, I would rather that theGrape traveled back to San Fran and produced moreMoby Grape ’69s.Summer Releases:This summer brought with it some truly fine music.Don’t misses are Crosby, Stills, Nash (Atlantic SD 8229),The Who’s Tommy (Decca DXSW 7205), Joni Mitchell’sClouds(Reprise RS 6341) and Frocol Harum’s Salty DogfA& M SP 4179). All of these will probably be discussed inlater issues. If not, buy them anyway.The Great PumpkinOctober 3, 1969/The Grey City Journal/Page 5rFILMThe Graduate ControversyIn last Tuesday's Maroon, T. C. Fox, film reviewer parexcellence of the Grey City Journal, published a blisteringattack on Doc Films policy in general, and on the filmThe Graduate in particular. Below, Myron Meisel, ofDoc Film fame, offers a rebuttal.I SHOULD SAY AT THE OUTSET that this is a personalletter, and not in any way an official communique fromDoc Films. My purpose is not to disagree with Terry Foxso much as to correct his factual errors. Indignation is nosubstitute for knowing what’s going on, and that is whatGrey City Journal readers might want to know.First, The Graduate itself. It is fine that Terry feelsthat his friend, Tim Hunter, major domo of all film criti¬cism in the US from his seat of superiority at Harvard,has closed all consideration of the film. I certainly do notconsider the film to be a masterwork (note how the DocFilms brochure does not advertise The Graduate with theother Friday films on the “Masterpieces of the Cinema”series, and better yet, read the blurb on the green sched¬ule), but neither is a nix from the Fox-Hunter clan theworst infamy a film could endure. Many people do likeThe Graduate, and contrary to Terry’s contention, myopinion of it is not as low as his; I feel that most of thepossibilities of the material are compromised, but thatthere is still much that is of merit despite the treatment’sessential phoniness and superficiality.Terry also contends that the reason our schedule isthe way it is is because meetings often run three hours orlonger. Ask anyone who has attended Doc meetings whythey run so long, and the answer will invariably be “T.C.”The schedule as it evolved was changed considerably fromthe original proposals made by Charles Flynn, for themost part improvements, and every single movie was in¬dividually approved by a vote of the entire group. TheGriffith series was not “shoved down Meisel’s throat”, asTerry claims; indeed, I was one of the originators of theseries and did the requisite research for the final pro¬gramming. Griffith is one of my two or three favoritedirectors, and it was a screening of intolerance, caught bychance, that spurred me onto an interest in movies. I wish the series were longer, expensive or not (are you listen¬ing, Charles?). More importantly, the choice of NicholasRay as the other director to be shown this quarter wasalmost exclusively steamrollered by Terry, and althoughthe group approved the selection, few people other thanTerry or Charles are terrifically enthused over it.As for our financial needs to show The Graduate: Ter¬ry claims that Doc Films does not finance any mov¬iemaking. Yet only last night at a meeting of the organiza¬tion, it was announced that beginning this quarter, moneywill be made available for members to make films. Terryfurther contended that Doc Films is out of debt. If Terryinvolved himself at all with the daily work of running thegroup, he would know that cur debt runs in the neighbor¬hood of four figures. He also neglected to mention thatDoc Films is resurrecting Focus! magazine on a regularquarterly basis, complete with national newsstand, dis¬tribution, underwriting the full cost of a most rewarding,but financially hopeless, operation.Terry contends that there is no shortage of high-draw,high-quality films, although he knows that the two quali¬ties are often mutually exclusive (look at the CEF sched¬ule, and then at their receipts). He made many sugges¬tions at programming time last year, and all of his sug¬gestions showed a marked penchant for fantasizing box-office potential. (How many people are going to come toMax Ophuls’ THE EXILE?) Last year Terry predicted afabulous turnout for Chabrol’s LED A (a very good film),because he was sure everyone (like him) wanted to see it,and besides, it had Belmondo in cast. Sure enough, theattendance was the lowest of any Friday night showing ofthe entire year. Terry is always citing Harvard whichallegedly can show Daisy Kenyon to a full house; anotherDoc Films member at the Daisy Kenyon showing saw lessthan thirty people. Terry most decidedly lacks any prag¬matism whatever. Further, it should be pointed out thatalmost 2/3 of all Doc programs lose money, and somelose a great deal of money. Next quarter we have planneda series of masterpieces that cost a lot to show, and yet have little general reputation or appeal. Several of themare personal Fox selections. But the financial strain isgoing to be considerable.And perhaps most illuminating of all is Doc Filmsdevotion to educating the campus in film. This year everyshowing will have some form of program notes, and atThe Graduate, free to any and all customers, will be a fullanalysis of the film, shortcomings and all, for all poorpeople who may have liked it before they heard aboutTerry’s opinion. I heartily recommend that they read thenotes, which may even do a better hatchet job than Hunt¬er’s.A final note. Terry lacked the courtesy to spell thename of my associate, Jim Jubak, correctly. How wouldTerry feel if he appeared in print as T. C. Fux?To all those who come anyway, see you on Friday.Very truly yours,Myron MeiselMr. Fox replies:Mr. Meisel claims “Factual errors*’ in my article. Iwould reply to his charges and note a few errors of hisown. First of all, the article I claimed as the best on theGraduate was Jacob Brackman’s in the New Yorker. Mr.Brackman included in that review four graphs from areview of Mr. Hunter’s without giving credit. I merelytook the opportunity to give credit where credit is due.Mr. Meisel also knows that the last treasurer’s reportclaimed that Doc was in the black (this for the first timesince either he or I has been here). Either there has beengross mismanagement over the summer or else the mem¬bership of the organization was wildly misinformed. Mr.Meisel’s alledged quote from me on the draw of DaiseyKenyon leaves me rather amazed since Doc Films is theonly place that I have seen the picture. As for shovingGriffith down Mr. Meisel’s throat, I suggest that he lookat the article again and see what I said. In fact, I thinkthat would be generally a good thing for him to do in anyevent. A personal attack remains a personal attack nomatter what is used to try to cover it up.TC FoxPLANET [ ROCKEFKfflFnMCUADIAI PUADEIOF THE mtmUKIAL tnArtLI Sunday jAPES I October 5, 1969 11 AM jSUN. OCT 5 ] First[ Service j1 # fof I7:30, 9:30 | the ICOBB $1 j Autumn Quarter jE. Spencer Parsons jL Subject, The Rhetoric of Integrity 1=JL- " »fr«frn%cfSHORELAND HOTELOffice space also Availablefrom 200 sq. ft. to 1800 sq. ft. Special RatesforStudents and RelativesFacultyDouble bed rooms from $12.00 dailySingle rooms from $9.00 dailyTwin rooms from $14.00dailyLake View Please*call N.T. Norbert PL 2-10005454 South Shore DrivePage 8/The Grey City Journal/October 3, 1%9 RICK SOLIE WILL BE CONDUCTING THECHAMBER ORCHESTRA FALL QUARTER.IF YOU WANT TO PLAY, DROP IN AT THEMUSIC DEPARTMENT OR CALL HIM AT643-5931i CARPET CITY6740 STONY ISLAND324-7998a Has what you need from a $10,Yused 9 * 12 Rug, to a custom▼carpet. Specializing in Remnants'Mill returns at a fraction of the<^original cost.^Decoration Colors ond Qualities.▼Additional 10% Discount with this| FREE DELIVERY EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist53 Kimbark Plaza1200 East 53rd StreetHYde Park 3-8372New York Festival(The following is the Second of two reports on the SeventhjVeU; York Film Festival. The first installment appearedin list week’s Journal.)AMONG THE MOST important functions that the NewYork Film Festival serves is, helping to arouse popularenthusiasm for directors whom distributors and often crit¬ics otherwise feel wary about. It took many years of festi¬val screenings before Tean-Luc Godard gained any mea¬sure of popular appeal. Max Ophuls’ posthumous popu¬larity has risen fantastically on the basis of a single pic¬ture Lola Montes which, thanks to the heroic prostelitizingof Andrew Sarris, was the only film that the festival hasshown twice.Like Lola Montes. La Ronde has been shown pre¬viously in this country but only in a rather* mutilatedform. Unlike Lola Montes, La Ronde is an almost uncriti¬cally romantic film, a series of fleeting love affairs whicharrange themselves into a circle. Those who are familiarwith Arthur Schnitzler’s play will be surprised to learnthat: a) a narrator (portrayed by Anton Walbrook) hasnot only been added but a) made a central figure, andbi the whore (Simone Signoret) does not have syphilis,thus removing the germ from all the other members ofthe cast (among them Simone Simon, Danielle Darrieux,Jean-Louis Barrand, and Ge’rard Philips.)Ophuls is here celebrating romantic love and Wal¬brook makes it all universal. Ophuls has a fantastic rap¬port with sets and he is able to move from the turn of thecentury in Vienna to a modern sound stage and make it socontinuous and graceful that there appears to be nothingseparating the two worlds. And for the Ophuls of LaRonde this is precisely true. All is one, for La Ronde (TheMerry-Go-Round) is indeed out of time and place. It is acatalogue of love and the infinite combinations of rove.Ophuls is the greatest romantic of the cinema and LaRonde is a masterpiece; if we are as lucky as we werelast year it shall be all over the country now that thefestival has given its approval, which might even meanChicago. Meanwhile let us all hope and love together.Ma Nuit Chez Maud is the third of Eric Rohmer’s SixMoral Stories. It has gained a great amount of favorablepress, strange indeed for a picture so extremely Catholicand so austere, and while I recognize that Rohmer hasindeed made a clean film with a recognizable visual styleI must admit that I find myself in opposition to what hehas done. The hero (Jean-Louis Trintignjfnt) finds himselfinvited to sleep with a woman named Maud (played bythe exquisite Franeoise Fabian) and despite the fact thathe is much attracted to her and not quite attached they donot make love. The reason for this is made clear throughendless discussions. One is bothered, however, about howmuch of the film is contained on the soundtrack and whatthis implies about Rohmer's work as a whole. Charactersin Ma Nuit Chez Maud are constantly moving in and outof moral positions, are finding themselves in situationswhich quickly change between being morally secure andinsecure, and most important are finding their intellectualmorals in conflict with their emotions. This sort of thing isnot unusual for film; in fact it is the basis for most of thework of Fritz Lang and Otto Preminger in the 1940’s. Butwhere Preminger and Lang indicated these changes bymeans of a character’s position in the frame (in relationto objects, rooms, lights, etc.) Rohmer can only do so bymeans of dialogue and actor’s physical gestures. Not onlyis this extremely limited, but it, is far less precise.Rohmer’s conception of a scene is very similar to alarge number of recent film directors and it is a conceptMandel ByrdsContinued from Page Fivedime a dozen (Winter, Hendrix, Page, Clapton,Bloomfield, etc, etc, etc), but McGuinn has slowly andsteadily improved and stayed within the background of theByrds music and has not allowed any hype to build. Hedeserves the hype though, more than lots of these“greats.”Other fine songs included Jesus Is Just Alright (a trulymoving country song with great music), Drug Store TruckDrivin’ Man (the lyrics, which were hard to hear, aremeaningful and creative), Lay Lady Lay (another “bor¬rowed” song from Dylan, which they do adequately, if notsupurbly), Old Blue (yes, that old folk tune) and Oh Mary(a rousing encore that left me, if no one else, in a greatmood which is a nice way to leave a concert). Personally,1 felt the worst parts of the concert were the attempts torecreate the old Byrd sound in Mr. Spaceman, Turn, Turn,Turn and Mr. Tamborine Man. No that they were bad,but they weren’t as good as they had been in the past.One final word about Revitalization: If you want toirhprove life on this campus, I know of no better way to doR than to offer your services to this fine group. Or justgive them suggestions on what you would like to see donehere. It can’t hurt.4 Mitch Bobkin. J *i « • RevisitedMa Nuit Chez Maud (top and lower left) and La Ronde(lower right) at the New York Film Festivalthat I find myself in absolute opposition to. For Rohmer, ascene is conceived of to have a purpose. Given this, hetries to realize what the character given such a situationwould do. Each shot has no end in itself; it is only thetotality which has meaning. One need only look in thisfestival at Bresson and Ophuls to see where the basic flawin this lies. For these directors, each shot is a specificmeaningful moment. While sequences also have meaningsthe shot is not merely a part of this greater view but aspecific fragment which points to the final construct. Theresult is a far greater precision and much greater possi¬bilities for profoundness than is capable by the kind ofcinema Rohmer has attached himself to. In effect, Roh¬mer seems to be wasting about one-half to three-quartersof his time. With such laxity, Rohmer remains a directorwho is never of more than tangential interest. I left thefestival early (thus goes registration ’69) and was thusunable to see Jean-Luc Godard’s Le Gai Savoir. Moreimportant (since the Godard will have a US release) is thechance that I missed to see the entire package (like theRenoir, a sideshow event) culled from recent acquisitionsof the American Film Institute.The AFI is the recently formed organization to pro¬mote both young filmmakers and critics and to preserveAmerican films which have been getting lost for the pastfifty years. From those I saw I am happy to report thatthe efforts of the AFI were not only laudable but fruitfullas well. The Pride of the Clan is ample proof that MauriceTourneur is one of Hollywood’s forgotten directors in greatneed of discovery and study. Tourneur is seen to have astyle distinctly his own and a real sense of content. Howconsistent and important his work was will not be knownuntil more of it becomes viewable. The Criminal Codeemerges as one of the finest Howard Hawks’ films of the1930’s. Far greater than Scarface it is the emergence ofHawks’ consistent use of deep focus to indicate moralchoice. The Merry Widow seems to be an odd choice forEric von Stroheim but viewing the work one realizes that the man had an incredible ability to transform kitsch intotragedy and nothing at all was foreign material to him.On the whole one must admit that this past festivalwas far more disappointing than most. Granted that dis¬tributors’ refusals were partly responsible for this (thefestival wanted both Abe Polonski’s Wille Boy and LuisBunuel’s The Milky Way) one must still despair of thegeneral overall quality of the work shown. But festivals dohave their ups and downs and we look forward anxiouslyto next year and to the year after that.T. C. FoxParanoiaContinued from Page Onetrek from your advisor’s office to Bartlet back to youradvisor to the Ad building to Bartlet for (me, two, three,four days.And it seems the epidemic has spread also to the facul¬ty who (I may be imagining it) seem to be cringing upagainst walls as they walk along and spending as littletime as possible in their offices as possible to avoid anoth¬er “Flacks incident”.And of course there is dorm food — has the diseaseaffected me too much or does it seem t' ,rou that thepoisonous food they serve in dorms would De a fantasticand insidious way to phase out the college?Don’t you think that the bookstore must purposefullybuy half the amount of books a teacher orders so that halfthe class can find an empty shelf and a “will be in onNovember 1st” sign there? I'm sure the sadists are stand¬ing around watching me come in to find only a dustyshelf.Am I the only one who thinks this way? Or are otherslike me? Watch out, paranoia has struck and it may becatching.October 3, 19^/Thfc Grey City Journal/Page 7.DONOVANCONCERT PRESENTED BYREVITALIZATION INROCKEFELLER CHAPEL•' : * :• : - I - • — . ,/ - • " '■ r; *Oct. 27 at 4:00 PMtickets will beavailable soon at$3.50, $4.25, $5.00' Wge ‘By Roger BlackThe Hon. Julius J. Hoffman is a verycontroversial judge in a controversial trial.The Conspiracy’s lawyers have calledrepeatedly for him to remove himself asblatantly biased. And the judge has re¬peatedly declined.The first complaint the defense hasagainst Judge Hoffman is his age. He is 74and takes a dim view of mini-skirts in hiscourtroom, and perhaps a somewhat dim¬mer view of the radicals and their man¬ners. He admonished Tom Hayden when heraised a revolutionary clinched fist to thejury. And he instructed the jurors to dis¬regard a kiss blown to them by Abbie Hoff¬man.The judge got his law degree fromNorthwestern in 1915. He was a corpo¬ration lawyer for Brunswick, a companyhis wife’s family owned, which she still hasstock in, and which is a war contractor forthe government. He was appointed to thefederal bench in 1953 after the Eisenhoweradministration came to power, and hisfirst major ruling was to desegregate anIllinois school, one of the first desegrega¬tion cases in the north.About that decision Hoffman said, “Myfriends at the (Tribune) Tower didn’t treatme so kindly in their editorials. Bankersand other influential people have stoppedme in the street and asked, ‘How in helldid you ever decide the case that way?’And I tell them that I didn’t rule that aNegro walking down the street had theright to propose marriage to a white wom¬ an. Nor was the question of housingreached. All I did was apply the supremecourt decision in the 1954 Brown vs. Boardof Education case.”The Conspiracy says the judge is out oftouch. He declined to ask prospective ju¬rors questions submitted to him by the de¬fense, questions such as, “Do you believethat dissent is harmful to the country?”and instead simply asked them if theythought they would be prejudiced.While the jury was being chosen, a blackman said his wife had once worked forprosecutor Thomas Foran. The judgeleaned down and asked if she were adomestic. The man said no, she was alegal assistantThe Conspiracy says the judge, not onlyold and out of touch, is downright hostile.He has decided virtually every motionagainst the defense. He refused to continuethe trial until Charles Garry, the chief de¬fense attorney, recovers next month froma gall bladder operation. He has refused tohold hearings on constitutional issues in¬volved in the case, such as the conspiracylaw itself and government wiretapping.The sessions in court become more tur¬bulent every day. The lawyers get angry.Judge Hoffman from time to time threat¬ens to order the bailiffs to quiet them.Washington Post reporter Nicholas vonHoffman (why is everybody around thistrial named Hoffman anyway?) says heoverheard the judge in an elevator speakof a defense attorney as “that wild man ANALYSISWeinglass.” Last Friday the judge threwtwo lawyers in jail because they hadn’tshown up the first day of the trial. Theyhadn’t intended to; they were pre-trial law¬yers, not courtroom lawyers. In fact theyhad sent telegrams the previous week ask¬ing to be excused, something that is ordi¬narily done automatically. But HoffmanOver 350 students in 70 colleges acrossthe country who participated in demonstra¬tions last year have had federal aid cut-off,an Office of Education Survey revealed thisweek.This action was taken by individual uni¬versities and was not a result of the recentlaw cutting off grants or loans to studentsparticipating in “substantial disruption.”Most universities who made cut-offs sug¬gested that the cutting would have occurredregardless of the law. College adminis¬trators are arguing against more stringentanti-demonstration laws on the groundsthey can keep their own houses in order.Governor Richard Ogilvie signed a billMonday stating that police should be calledin a campus demonstration only wherethere is a clear cut violation of the law.Among other provisions of the bill are:• revocation of state scholarships held bydemonstrators,• make it a crime to “knowingly interferewith a public institution of higher learn¬ing,”• require state schools to form a policy on cited them for contempt, and relentedMonday only at the urging of the prose¬cutor.More than anything else, the judge is hisown man. The conspiracy trial is in hiscourt. And short of the unlikely success ofan impeachment effort by some liberal andradical lawyers, it will remain that wayuntil the jury hands him their verdict,some two months from now.This article is adapted from a programon the Conspiracy trial broadcast October1 on WBAI-FM, the Pacifica station inNew York.demonstrations and enforce it.Speaking on the responsibilities of the po¬lice and college administrators, Ogilviesaid, “Hie state’s responsibility for thepreservation of domestic order should becarefully limited to those situations wherethe civil or criminal laws of the state orits subdivisions have been, are being orare about to be violated.”President Nixon announced Wednesdaythat graduate students who have been «rwill be drafted this academic year will begranted an exemption to fulfill the schoolyear and will not be inducted before June.Nearly 10,000 students who could expectto be drafted, and who would have beenpermitted to finish only the quarter duringwhich they received their draft notice, willnow be able to study through June.Nixon acted on the recommendation ofthe National Security Council which saidthat an interruption of the school year “iscostly to the student in terms of expensesand academic progress and therefore con¬trary to the national interest.”Get Your Shapiros andMake Walter Happy Law Revisions Effect ChangesIn Finances And DefermentsCLERICAL POSITIONSSecretaries, General Office, Library clerks, etc.We'd like to welcome all the newcomers as well as familiarfaces here on campus & suggest that if you are seekingemployment, why not come in & see us. We have a variety ofinteresting positions available. Our interviewers will be glad tomeet & discuss them with you & describe the outstandingbenefits you'll enjoy.Come to: U. of Chicago Personnel Office, 956 E. 58th St.Or call: Ml 3-0800, x4441 EOE.October 3, lW/The Chkego Muoon/Pege 7M ##*«.« fe* tawraww#? ■ mixAT ALMER COEPrescription Opticians Since 1886CONTACTLENSESTWOTwo Individual Prescriptions . . .One Pair for You and One Pair for a FriendBOTH FOR THE PRICEOF. ONE PAIRGet the Second Pair at No AdditionalCost to You! Use it as a Spare Pair!Or... it You wish ... Bring in a Mem¬ber of Your Family or Team up with aFriend for the Second Pair . . . YOUGET BOTH PAIRS FOR THE PRICEOF ONE.Us* Your Midwest Bank Card Account • • • Ior Let Us Halp You Open a Midwest BankCard Account with Revolving Credit Privi¬leges. Aimer Coe also Honors Carte Blanche,Diners and American Express Cards. IPag* 1509 in tba Yallow Pag** tar all talapbaaa aanbars IF YOU ARE 21 OR OVERMALE OR fEMALEHAVE A DRIVER S LICENSEDRIVE A YELLOWJust telephone CA 5-6692 orApply in person at 120 E. 18th St.EARN MORE THAN $25 DAILYDRIVE A YELLOWShort or full shift adjusted toyour school schedule.DAY, NIGHT or WEEKENDS -Work from garage near home or school.GREAT PANTSEXPLOSIONI)FINEST INGLASSESP OFTICWNS SINCs» I 886Mala Star* 10 N. Michigan Avene#*40 N. Michigan 443B N. California 2374 E. 71 •» St.1923 Sheridan. Highland Park 1442 Orriagtan, EvanstonOld Orchard OaH Mill R^ndhnratOahhrooh Park forest Plata River Oaks3“ONE OF THEMOST POWER¬FUL MOVIES I’VEEVER SEEN ...ONE OF THE VERYFEW THAT DOESN’TCOP OUT!”HOWARD SMITH. VILLAGE VOICE IS..."EASY TO WATCH, EASY TOAPPLAUD! A HIGHSTRUNGFILM; TAUT AND SHINING INTHE SUN LIKE THOSE TELE-PHONE WIRES STRUNGACROSS THE COUNTRY...YEAH !" LITA CUSCU. CAST WU-G£ OTHE."ROUSING, RHYTHMIC ANDSPLENDIFEROUSLY SCENIC!”ANDREW SARRIS. VILLAGE VOICE“AN EXCEPTIONALLY DEEPLYFELT, LYRICAL, FRIGHTENINGFILM ABOUT LIFE IN AMERICA.IT IS THE FIRST ‘COMMER¬CIAL’ FILM THAT HAS GENU¬INELY ATTEMPTED TO DEALWITH HIP LIFE HONESTLY ANDWITHOUT EXPLOITATION!”PAUL CLUSHANOK. RAT “THE ONLYFILM I KNOWTHAT NOT ONLYUSES ROCKMUSIC WELL BUTALSO TREATS THEYOUTH-DROPOUTTHING SUCCESSFULLY! ADOUBLE RARITY”ROBERT CHISTGAU. VILLAGE VOICE“TERRIBLY POWERFUL! TER¬RIBLY MOVING! IT GIVES MECHILLS! ‘EASY RIDER’ EM¬BODIES AN ENTIRE CULTURE... ITS HEROES AND MYTHS.THAT’S WHAT’S MOST REALABOUT THIS FILM,IT DREAMSWELL. LIKE A TRAVEL POSTERFOR THE NEW AMERICA! THEWORLD’S FIRST REAL PETERFONDA MOVIE! THE MOSTVIVID EVOCATION OF CALI-FORNIA HIP-UPTIGHTYOU'LL EVERSEE ON THESCREEN!’’RICHARD GOLDSTEIN.N Y TIMES....■PETER FONDA DENNIS HOPPER • JACK NICHOLSONONOAOf NNi -> MOf ’f-THII hkv Si HjTnf KN DENNiS 1 1 > william mavwaro ourt ek cGlCR.*«" 1 W WWW !»"»"■« 6, I»fi .. M..I O f.e .as.c t>, ULUVb A PICTURESCONTINUOUS PERFORMANCESAT 2:00, 4:00, 6:00, 8:00, 10:00 USED BOOK FAIR.Thousands at 5' - 25*. Sat. 10am -10 pm. Sun. 10-11 am,auction 12:30. Rafrashmants.Musk.Third Unitarian Ch.,301 N. Mayfieldnrlaka^AufUi JH*UBELL BOTTOM SLACKSJEANS FROM $6.50BODY SHIRTST-SHIRTS LEATHERSOVER 3,000 PAIRS OF PANTS IN STOCKHOURS: 11 am-10pm 11 am-6pm Sunday10*/» Discount with Student I. D.1532 N. Walla (upstair*) Chicago, Old Town 7I7-590RLANE BRYANTPONCHO GOES PLAIDFor those cool eveningsahead, you will appreciatthis perfect cover upPoncho with itsown matching plaidelephant pants of100% acrylic fiber.Plaids of blueand red .. . you can'tgo wrong with thistwo piece suit. $30Sixes 10-18Third FloorCHICAGO: Wabash A Washington-Phona R A 6-9*00-Add 35c C.O.D.OAKBROOK - RANDHURST- EVERGREEN- RIVER OAKS - ROCK FORCPag# 8/Th# Chicago Maroon/October 3, 1969AROUND AND ABOUT THE MIDWAY» wrs*\■ifj ’♦**»»* « 2 **f C ,.*l, ***** kt Hi'» il ; ft » & yCancer ResearchA computer which helps clinicians deter¬mine the difference between normal andcancerous cells has been developed at theUniversity.The Taxonomic Intracellular AnalyticSystem (TICAS) was developed by Dr.George L. Wied, professor of obstectrics andgynecology and professor of pathology inThe Pritzker school if Medicine, and direc¬tor of Exfoliative cytology in the Univer¬sity’s Lying-in Hospital. The systemconsists of a standard fast-scanning micro-spectrophotomete rintegrated with a LINC-8 and an IBM 360-50 computer.The TICAS project is being supported bythe Nathan Goldblatt Society for CancerResearch.The TICAS makes fine distinctions be¬tween cells. Such distinction could not oth¬erwise be detected.A University radiologist has developed adevice which helps diagnose lung cancerearly by examining a sample tissue obtain¬ed from a lung without surgery.The device was designed by Dr. John J.Fennessy, associate professor of radiologyin the division of biological sciences andThe Pritzker School of Medicine of the Uni¬versity.In tests on nearly 200 patients, two-thirdsof the cases of primary lung cancer werediagnosed correctly, Dr. Fennessy said.Improvements in techniques made duringthese tests should increase the percentageof correct diagnoses, he added.In the new procedure, the patient is givena local anesthetic, and a thin, flexible tubeis inserted into his lung through his noseand into the windpipe. The tube is guided toa desired area with the aid of x-rays. Ei¬ther a tiny brush or a tiny forceps is passedthrough the tube to brush or snip off asample of tissue.The tissue is then withdrawn through thetube and is examined by a pathologist.This technique is most useful, Dr. Fen¬nessy explained, in cases where x-rays re¬veal an abnormal area in the periphery ofthe lung. A bronchoscope can be used toinspect visually an abnormal area near thecenter of the lung, but it is too large toenter the smaller bronchial passagewaysleading to the lung’s periphery.QuestionnairesAll students who received questionnairesfrom the committee on University womenare urgently requested to return them im¬mediately through faculty exchange.The questionnaires, designed by the stu¬dent sub-committee of the committee, at¬tempts to measure actual experiences,background, and aspirations of both maleand female students.It was passed out to 1,500 students at reg¬istration, half men and half women, in allparts of the University. Less than 50 percent have been returned, and at least 80 percent must be turned in for the question¬naire to be used, according to Ellen Fried,who is in charge of the project.Any students wishing work contactingdelinquent questionnaire recipients at $2per hour may call Ellen Fried at NORC. * *rrrff rr i A*>■**&*. »,&&!*&*&***'Chem AwardPaul R. Fields of Argonne National Labo¬ratory has won the $2,000 American Chem¬ical Society Award for Nuclear Appli¬cations in Chemistry, sponsored by G. D.Searle & Company.Fields has made extensive research con¬tributions to the field of nuclear chemistry,particularly with his studies of the chem¬ical properties of actinide and lanthanideelements. The actinide elements include theman-made heavy elements beyond ura¬nium. He has developed facilities and tech¬niques for working with highly radioactivesubstances, and he is the author or coau¬thor of more than 130 scientific papers andpatents.Fields is one of the principal in¬vestigators in the lunar program and hasobtained moon samples from the Apollo 11mission. He will apply his expertise in acti¬nide chemistry to examine samples forremnant traces of the heavy elements, par¬ticularly chemistry to examine samples forsuits of these studies will contribute to ourknowledge of how the moon was formedand the 'tarty history of the moon.LoansDean of students Charles D. O’Connelloutlined the present status of student loansyesterday in a report to the Deans of theUniversity.While indicating that the situation wasnot fully satisfactory, he said that currentincreased fundings should be adequate tomeet student needs.Sufficient loans will be available for thecoming year undjr the aegis of the National Defense LOAN (NDSL) funding programbecause of an increase in projected incomefrom repayments of past loans and becausethe financial aid office has been applyingmore stringent need criteria. Further,funds should be available if Congress actson appropriation measures now pending.In addition, the University has Increasedits own lending ceiling from $500,000 to$600,000 in order to meet the needs of thosestudents requiring assistance but ineligiblefor NDSL funds.Finally, Dean O’Connell’s office will con¬tinue to recommend student application forUniversity “cash loans,” for which, inmany cases, an interest rate is charged.O'Connell pointed out that legislation isawaiting the signature of President Nixonto make available federal assistance inmeeting interest payments in newly author¬ized 10% guaranteed bank loans.JungThe C.G. Jung study group in Hyde Parkwill start out the year with an informal teameeting at the home of leader Gail Hodg¬kins on Sunday from 3 to 5 pm. Regular monthly discussion meetings willbegin Wednesday, Oct. 8, at 8 pm, also atMiss Hodgkins’ apartment, at 5547 S Dor¬chester.Fall quarter discussions will centeraround two of Jung’s essays, “The Arche¬types of the Collective Unconscious” and“Conscious, Unconscious and Individ¬uation,” which together provide a good in¬troduction to Jung’s psychology, accordingto Miss Hodgkins who is a graduate studentin history of religions.All interested persons are invited to at¬tend both meetings. The Sunday meeting isespecially designed for prospective mem¬bers wishing to ask questions about thegroup, Miss Hodgkins said.Korean BenifitThe Korean Association of Chicago willpresent a benefit concert by distinguishedKorean Artists for Sevnagi Paik at 8:30p.m., October 4, at Orchestra Hall.Mr. Paik was shot four times while driv¬ing a Chicago Transit Authority bus as asummer job. He took the job to earn moneyto attend the University where he hopes toearn a doctorate in political science-Entire proceeds from the concert will gotoward Mr. Paik’s educational fund.All university students will be admittedfree with the presentation of identificationcards.Tickets for non-students are available at$2.50, $5, $7, and $10 at Orchestra Hall andthe Korean Association, 77 West Washing¬ton Street or call Mr. Hae Park, extension491 at The Palmer HouseAppointmentStuart M. Kaminsky, 35, has been ap¬pointed director of the office of public infor¬mation at the University of Chicago.Kaminsky received a BS in journalismand an MA in English from the Universityof Illinois, joined the University public in¬formation staff in 1968 as associate directorof public information for the biological sci¬ences, was later named special assistantto the vice-president for public affairs, Ed¬die N. Williams.DR. AARON ZIMBLEROptometrist•ye examinationscontact lensesin the.New Hyde ParkShopping Center1510 E. 55th St.363-7644 SMEDLEYSSchlitz on tap’Extra large pitcher of beer iFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave. The Carpet BarnA division of Cortland CarpetWe have an enormous selectionof new and used wall-to-wallcarpetings, staircase runners,remnants and area rugs (a largeselection of genuine and Amer¬ican orientals). Antique furnituretoo.We open our warehouse to thepublic for retail sales on Sat¬urdays ONLY from 9 - 4.1228 W. Kinzie (at Racine)H(J 4-1140 243-2271Checker TaxiHASIMMEDIATE OPENINGS• EXCELLENT EARNINGS• WORK ANY NUMBER OFDAYS PER WEEK FROM 2to 6 DAYS• DAYS or NIGHTS-Wortr cIom to home or school-MALE or FEMALEMINIMUM AGE 21APPLY845 W WASHINGTON8:00 AM to 4:30 PM DAILY8:00 AM to 11:00 AM: SAT.CALL 421-1314 CINEMAChicago Ave at Michigan“LAST TWO WEEKS”Held Over 9TH MonthAcademy AwardWinner -Best ActorA bittersweet love storythat touches the heartCLIFF ROBERTSONCLAIRE BLOOM"CHARLY"dmy$1!llvdent »ote everyday ftw* Wtuerfey50 withI.O. Card > Ot S2 s »S S 8o *■ >riX5^8I * >-OC I-* < z< u ££*!isi The Waller Galleryextends an invitation to students and faculty to stop in and seeour extensive collection of original graphics - also fine re-productions.WrS. Waller will he 9U to advise those with a problem.9:30 to 6, Monday through Saturday, Sunday by appointment5300Blackstone 363-7446’LETTERS TO THE EDITORS OF THE MAROON > i:Continued from Page SixThe Chess Team would like to go to Mon¬treal this December to compete in the Na¬tional Championship — what are the Ma¬roon’s views on this?For the record the team that won thenational title consisted of Richard Verber(grad, in Art History), Gary DeFotis(Chemistry), Harry Ploss (Physics), Har¬old Winston (History) and alternate DaveSillars (undergrad).Harold WinstonCaptain1968-69 U.C. Chess TeamLevi DenialPresident Levi has, in effect, refused therequest by the Vietnam Moratorium Com¬mittee that the university officially abstainfrom business as usual on October 15. Hecites as the primary reason for this refusalhis desire that individuals be left free tochoose for themselves w; ether or not theyoppose the war.The president probably intends to upholdwith this decision the university’s long¬standing commitment to a policy of de¬tached neutrality. This is (perhaps) a laud¬able objective, but one which in this par¬ticular instance fails to consider severalfactors. The university as an institution hasboth a legal, corporate identity and, as aprominent “member” of society has accru¬ed a great deal of prestige. With prestigehowever always comes a certain measureof social responsibility. A reply of “no com¬ment” to the question of one’s position onthe war is an evasion of this'responsibility.Neither should a position taken by theuniversity as an institution have any effecton the freedom of individual members toconcur or disagree with that position.Finally there remains the question of thetrue educational and social role of in¬stitutions of higher learning in contempo¬ rary America. This university prides itselfon its intellectual and theoretical outlookand on its generally progressive and recep¬tive attitude in the realm of ideas. Whatuniversities today seem to fail to realize isthat ideas, once generated, must be ap¬plied, tested, and defended. An idea withoutapplication can never be an idea “whosetime has come.” If disengagement from thewar in Vietnam is such a great idea, thenthe university has the responsibility to testand defend this idea. John Dewey, Thorster.Veblen. and Robert Hutchins all knew thisand were therefore in large measure re¬sponsible for building this school’s reputa¬tion. At the present time, the University ofChicago is coasting on the efforts of thesepast greats in trying to maintain its liberalreputation. President Levi has beenpresented with an opportunity to move thatreputation forcefully into the present. Letus hope that he reconsiders his decision andmakes use of this moment.Stephen Goodman, 70 Laredo is LoredoLaredo is a place. Lorado made thesculpture. Who’s Taft now?Harold HaydenAssociate Professor of Art'Realities of Woodlawn'Black on MoratoriumThe lead story in Tuesday’s Maroonsomehow left the impression that the Octo¬ber 15 Moratorium is a “liberal” project asopposed to a “radical” one.Well, it was originally conceived as nei¬ther. It was conceived as anti-war project,on the demand, “immediate withdrawalfrom the war in Vietnam.”We ought to have a united front in oppos¬ing the war. If we allow differences inideology to keep us from expressing ourcommon dissent to the war and what itmeans, and our conviction that we must getout now (a conviction that seems to beshared by most Americans), then theWashington militarists, lobbyists, bureau¬crats, and politicians that started the warand wage it now will go on, obliviously, intheir disastrous course.Roger Black, '70 Although the Maroon seeks very much toappear with it and hip, its Grey City Jour¬nal orientation issue shows that the paperstill has not transcended its New York City,white, upper-middle class outlook.Any black student reading this issue hasto be deeply offended and turned off by itsapproach. The section on expensive restau¬rants in Chicago that “Mommy and Dad¬dy” should take you to when in town, isobviously not written with them in mind.More important, however, are the snidereferences to Woodlawn sprinkled through¬out the issue. Because, behind the ex¬pressed concern over what urban renewalis doing to Woodlawn, is the implied imageof the Woodlawn community that comesacross.Roger Black’s parenthetical instructionsto go to Tai Sam Yon in groups of four andsix and Steve Cook’s admonition to see 63rdSt. during the day and in a group reinforcethe Senator McClellan picture of Woodlawnas a “cesspool of criminality” where everyguy must walk with his hand on his walletand every girl with her hand on her snatch.The result of adding to this boogie manimage is that white students on campus willignore the surface suggestion of visiting63rd St. and act instead on the real mes¬sage which is “avoid Woodlawn.”As a white graduate student who hasworked alone out on 63rd St. and surround¬ing sidestreets for a year and a third, I canstate that my experience has been that theonly persons that may accost you on thestreet are occasional panhandlers seekingmoney (usually for another drink). Onceyou get over your liberal guilt-fear hang¬ ups, you learn to ignore this.All of this is not to imply that Woodlawl(or 63rd St.) has no crime or that oneflchances of being robbed or whatever do nf§go up at night. It is only to suggest that yq§jgive a more balanced view of the realitillof visiting Woodlawn. Talking to sonjlblack and white people who have some daflto-day experience in Woodlawn might heljiattain this goal. Ji&Stephen TallacksorlGraduate StudentJHistory!Friday, October 3FILM: "The Graduate", Mandcl Hall. 7:15 & 9:30 pm?$1.DISCUSSION: "Cuba: Eyewitness Report", by recently!returned American student. Crossroads Student Center,!5621 Blackstone. 8 pm.TRAVELOGUE: IHA Armchair Travelogue: INDIA.ernatlonal House home room, 8:15 pm.LECTURE: "Political Activism and Personal Hangups?Must Political Groups Fail?", Eugene Gendlin, protes|sor of psychology, Hlllel House. 8:30 pm.Saturday.- October 4REHEARSAL: First rehearsal of the University ChamJber Orchestra. Lexington Studio, 10:30 am.SDS MARCH: "US GET OUT OF VIET NAM NOWMNO DEAL)" Buses leave Ida Noyes parking lot at 111am; rally, Buckingham Fountain, noon; march to Fedferal Building.DANCE CONCERT: Jeff Carp's Band. Cloister Club,J$jpm. 81 donation.SIMCHAT TORAH HAKAFOT: Hillel House, 7:15. Later^"An Evening of Identification with Soviet JewishYouth", 9 pm.Sunday, October 5MEETING: Chess Club meeting to start club tournalment and organize teams for intercollegiate matchejgIda Noyes Sun Parlor, 3 pm.MEETING: SG, 8 pm, INH 3rd floor.Monday, October 6..r\ ’■-;r: MEETING: International Socialists, Reynolds Club So'Lounge, 3:30 pm. Child care center, women's liberjjation, classroom struggle support for SDS-RYM illanti-war demonstrations, etc.MEETING: Of all social sciences collegiate division corlcentrators to elect representatives to the social scieraces collegiate division student council, Quantrell, 7 pmjSPEECH: John Froines, defendant in Conspiracy triaT*August ana Lutheran Church, 55th & University, 8:Mpm ,,jROCKEFELLER MEMORIAL CHAPELThe University Religious ServiceSI \/N)11:00 A.M.A non-denominational service held each Sunday the l m-versily is in session, and open to the publicBAPTISTSI \/>7>11:00 A.M. First Baptist Church, 935 E. 50th Street11:00 A.M. Hyde Park l nion Church, 5600 W oodlawn Avenue11:00 A.M. \ W oodlawn Baptist Church, 6207 University Avenue LUTHERANSurulav9:15 and Augustana Lutheran Church of Hyde Park11:00 A.M. (L.C.A.), 5500 Woodlawn Avenue10:00 A.M. St. Gregory of Nvssa Campus Parish (Missouri Synod),Communion at Bonhoeffer House, 5554 W oodtawn Avenue( Parish Dinner following)Tin RSI) A >7:00 P.VI.—Communion, Bonhoeffer HouseCHRISTIAN SCIENCESI \I)A)10:45 A.M. Tenth Church of Christ Scientist, 5640 Blackstone Avenue77 ESI)A)7:15 P.M - Hilton Chapel, 1150 E. 58th Street METHODISTSI \ l)A)11:00 A.M. Ilvde Park Methodist Church, 1451 E. 54th Street11:00 A.M. St. James Methodist Church, 4611 Ellis Avenue11:00 A.M. Woodlawn Methodist Church, 1208 E. 64th StreetDISCIPLES OF CHRISTSL \D AY11:00 A.M.— l niversity Church, 5655 University AvenueEASTERN ORTHODOXSS Constantine and Helen Creek Orthodox Church7351 South Stony Island AvenueSI \DA)9:30-10:30 A.M.- Matins10:30 Am -12:00 M.- Divine Liturgy PRESBYTERIANSI \I)A)11:00 A.M. First Presbyterian Church, 6400 Kimbark Avenue11:00 A.M.- l nited Church of Hyde Park, 1448 E. 53rd Street11:00 A.M. Sixth United Presbyterian Church, 1210 E. 62nd StreetROMAN CATHOUCMasses at Calvert House, 5735 University AvenueSI \ DA)8:30 A.M., Calvert House; 10:30 A.M. and 12:00 M., Breasted Hall;5:00 P.M., Bond ChapelEPISCOPALSI \DA) ■ ■^8: A.M. Holy Communion; 10:00 .A.M.— Morning Prayer andHoly Communion, Church of St. Paul and Redeemer,4945 Dorchester Avenue t77 ESI) A ) ;12:00 M Holv Communion at St. Paul and Redeemer *' Till RSDA FT,. ; • -: , . ;/ r;‘:12:00 M Holy Comm union and Meditation, Joseph Bond Chapel D A ID7:30 A.M., 12.00 M., and 5:10 P.M. at Calvert HouseSATURDAYS - 12:00 M. OnlySOCIETY OF FRIENDSSI \DA)11:00 A.M. - 57th Street Meeting House, 5615 W oodtawn Avenue12:45 P.M. “Potluck” LunchJEWISHSABBATH SERV ICES at Hillel-loundation, 5715 Woodlawn AvenueERIDA)5:15 P.M.- Orthodox and ConservativeSATIRDA)9 00A.V1. Orthodox9:15 A.M.- Conservative UNITARIANSI \DA)10:30 A.M. First l nitarian Church, 5650 W oodlawn AvenueUNITED CHURCH OF CHRISTSI \l)A) ■ *11:00 A.M.- Ynited Church of Hyde Park, 1448 E. 53rd St.11:00 A.M. Hyde Union Church, 5600 W oodlawn Avenue11:00 A.M. Kenwood United Church of Christ, 4608 GreenwoodAvenuePage 10/The Chicago Maroon/October 3/ 1969l^iMAROON CLASSIFIED ADS)COME AND WATCH THE DEATH OF A MISERPEOPLE wantedeARN $40 MINIMUM DELIVERING4 MONTHLY PUBLICATION INHYDE PARK, KENWOOD. MUSThIve large AUTO OR VAN.CALL 324-9358 EVES.WANTED: RIDE TO UNIVERSITYOF MICHIGAN (ANN ARBOR)?HIS WEEK END. CALL NANCY493 8182, ANY EVENING. WILLSHARE EXPENSES.TEENAGER OR STUDENT FORV A R I E D SATURDAY OFFICEWORK: 493-3961.Pianist Wanted, Proficient at easysight reading, for eves Oct 8, 15 8.-or22 as accompanist for silent films.Score provided Call UCx2898. DOCFilms.SENSITIVITY GROUP (T-GROUP)AT UC„ SPONSORED BY THEgroup projects council.CALL MICHAEL GOODMAN AT752-2707 NOW TO JOIN,Female Student-Sitter Wanted. OneAfternoon Per Week 12-5 for 2 Chil¬dren. Call 684-3105. 55th 8. Wood-lawn.PVT ROOM WITH BATH FREE INEXCHANGE FOR BABYSITTINGCALL 929-3070 OR 752-8109.BABYSITTERS) WANTED FORIRRESISTABLY CHARMING IN¬FANT FLEXIBLE HOURS. PART-TIME WKDYS. 955-2887 (KEEPTRYING)RESEARCH SUBJECTS FOR CIGA-RETTE SMOKING EXERCISESTUDIES NEEDED HAVE TO BESMOKERS, CONTACT MR. GOLD-BARG, MU 4-6100, x 5565.Needed Someone to Work PART-TIME With The Woodlawn Busi¬ness Community. Office 8. Gen.Work. Call The Woodlawn Business¬men's Assoc at DO 3-5362, LeaveMessage if No One In Office.TYPE TABLERfOR UNIVERSITYRESEARCH PROJECT. STRAIGHT COPY. NO SET-UP. COULD TYPEAT HOME. Phone MISS BLOCH,643-8090.HELP WANTED.PART TIME AT HOSPITAL LO¬CATED IN AREA. TV ATTEND¬ANT, NO TV KNOWLEDGE NEC¬ESSARY. CALL MRS. EASTMAN676-2226.Man or Woman Lead Gym Activities1 pm-3:15 pm at School for Emotio¬nally Disturbed Children Ages 6-15Experience with Groups of ChildrenNecessary. Phone 643-7300 for Appli¬cation.Be the Claude Killy of he Univer¬sity. Ski Europe. Charter FlightsChristmas Charter $199 Ml 3-0800Ext. 3598. 1:00-5:30 PM.BABYSITTER WANTED FOR 2CHILD., 2Vi YRS. & 7 MONTH EV¬ERY WED OR THURS FROM 9-5CALL 493-9473.THE BERGMAN GALLERYTUESDAYTHROUGH~ FRIDAY12-6SATURDAY12-5ANDWEDNESDAYUNTIL10418 COBB HALL ROOMMATES WANTED PHOTOGRAPHY FOTABABYSITTER WANTED EVERYTUESDAY OR FRIDAY AFTER¬NOON HY 3-0019.THE FANTASTICKS TRY-OUTSSATURDAY 11-4 IDA NOYESinterestId IN PRESENTINGPROGRAMS IN ART, MUSIC, DRA¬MA, DANCE, SPEAKERS, OUT¬DOOR FESTIVITIES, FILM? THENCOME TO THE FIRST MEETINGOF FOTA 70 WED OCT 8 REY¬NOLDS CLUB S. LOUNG-E. 8 PM.BABYSITTER~IN EXCHANGE FORROOM 8. BOARD OWN ROOM.HAITIAN FAMILY 8. FOOD. POS-S I B L E TRANSPORTATION TOCAMPUS. FLEXIBLE EVENINGS326-2550.WANTED: PAID MEDICAL EXAM¬INERS FOR INSURANCE EXAMS.RESIDENT TYPE DOCTORS PRE¬FERRED. FULL PROFESSIONALFEES PAID BY NATIONALLYKNOWN INSURANCE FIRMS.RALPH J. WOOO. FR 22390. 2 Gay Students Wanted to Share 5Rm Unfrn. Apt (53rd &Harper) $528, utils. 955-7433. (Keep trying)FURN RM, OWN BATH TaEALSAVAIL IN EXCHANGE FOR AF¬TERNOON CHILDCARE. HRS TOBE ARR. PLS CAUL PROF-MRS R.TAUB. 285-3906.MALE ROOMMATe7 PREF. GRADSTUDENT, TO SHARE APT. PRIV.RM. NEAR LAKE, 1C, CAMPUSBUS. CALL 288-1297 AFTER 5:30PM.OWN ROOM IN 3 Bdrm Apt 33-mo,Furn. 2 Blks. 643-8210 Nice. Portrait photography by GretchenGarner, reasonable, adults & chil-ren. 288-7307.BOOK WANTEDBRAIN AND INTELLIGENCE ByWard C. Halstead U. of Chi. Press(1947) Phone Ml 3-0800 Ext 4774. Be a Participant in the Most Suc¬cessful Festival Ever at UC TheGala Performance and Beaux ArtsBall Are Only 2 Of Many EventsPlanned. Bring Your Creative IdeasTo Our First Meeting Wed Oct 8RCC S. LoungeTRY-OUTSFOR SALERMTE. WNT. $48.75. CALL 493-0499.M. Rmmt. to Share Apt 55th &Cornell No. 14 or Call 324-4843.QUIET YOUNG FE MALE PROFNEEDS QUIET, FEMALE GRADSTUDENT TO SHARE 4-ROOMAPARTMENT IN SO. SHORENEAR 1C. CALL 721-4845.GRAD WANTED TO SHARE BESTAPT IN HP MUST TAKE GOODCARE OF FLAT CALL BU 8-0987FOR DETAILS. 1961 Mercury 4 dr. 352 V8, Automat¬ic $100 or ofr. 643-8210.Simmons Hide-a-Bed, Cocktail &End Table, Dresser 8. Vanity Lino¬leum 9x13' new. Carpets 9x12 8,10x15 with pad. B-J Enlarger, nolens new bellows Darkr. supply.Best Offer Cash 8. Carry. S08-7338after 8:00 PM.LYRIC OPERA SERIES TICKETSFOR TWO, FIRST BALCONY. 288-8734. FOR University Theater's First Pro¬duction AMERICA HURRAH Rey¬nolds Club South Lounge Oct 78.9;7:30-9:00 PM. ANN, WINDY, WE LOVE YOU.ARE YOU OK? MOM 8, LOR¬RAINE.Good food! Good talk!Brent House6p.m. SundayJello. It Moves. Fondle It At theBandersnatch, Open for lunch 12:30-2:00 and dinner 5:30-12:45. It makesthings a little better"Real Life is Meeting!"At Brent House-Sunday 6p.m.PERSONALJAPANESE WORKERS ALLE¬VIATE THEIR PENT-UP AGGRES¬SIONS BY BEATING THE SHITOUT OF AN EFFIGY OF THEIRBOSSES.PRE MED CLUB MEETINGTues, Oct 7, 7PM in Billings M-137.Joseph Ceithaml, Dean of Studentsin Med School, speaking. Everyoneis welcome. Support Your Local Head Shop. IN¬SANITY SOUTH 51st Near Harper.RYMI + PSEUDO-RUDD. . .DIDYOU KNOW THAT COLLEGIATEFOOTBALL TEAMS ARE REALLYTRAINING ACADEMIES FOR THECHICAGO POLICE? GO JOIN THEUC FOOTBALL TEAM AND KILLTHOSE PIGS!OUTING-MORTON ARBORETUMLISLE ILL. Sat Oct 11. Bus LvsInt'l H'se 1414 E 59 St. 930 AM Fare1.75 Bus Tour on Ground: 50 centsJOBS WANTEDYOUNG WOMAN, 25, WITH DE¬GREE IN ART HISTORY 8. EX¬PERIENCE IN TEACHING 8, SO¬CIAL AGENCY WORK, SEEKSCHALLENGING PART-TIME EM-PLOYMENT. PLEASE LEAVEMESSAGE AT 324-9358.FEMALE VOCALIST SEEKSGROUP THAT CAN PLAY BACHTO ROCK PL 2-2200.PEOPLE FOR SALEINTERIOR DESIGN CONSULTANT.For townhouses, apts., houses. Stu¬dent discts. Barbara Hammerle, as¬sociate member NSID. 288-4596BABYSITTER-EVENINGS-RESPON-SIBLE-SOPH-X3755 No. 206.May We Do Your Typing 363-1104.AUTHENTIC CHINESE COOKINGTaught in Lovely Chinese Home.Tuition and Materials $35. Begin Oc¬tober. Limited Enrollment. 7 perclass. 324-8070.LOST AND FOUNDLOST: Through Clerical (?) Errorsin the Registrar's Office, our listingamong student activities for you toselect when you registered. SoWhat? So join the Concert BandAnyway! Tuesdays 8. Thursdaysfrom 4:30 until 6:00 in the Lexing¬ton Hall Studio.FOUND: A place for you to Playyour band instrument: The Univer¬sity of Chicago Concert Band, Lex¬ington Hall, Tuesdays and Thurs¬days from 4:30-6:00.FOR RENTFOR SALE OR RENT NEW RANCH4 BDR ULTRA DELUX HOUSECALL SA 17842 EXCEPT SATUR¬DAY AIR COND. GAS HT.PRIVATE ROOMS FOR UC STU¬DENTS BOARD CONTRACT IN¬CLUDED 5555 S WOODLAWN CALLPL 2-9704.Priv Rm, Bath in Ex. for 10 hrs-wk. babysit boy age 2. 69th 8. Con¬stance 643-3514 de Vise.2 Vi Room Apt to Sublet, Furn,Switchboard. Near Transp. 55th andS. Shore Dr. PL 2-3800 x 508.NEAR UNIVERSITY OF CHICAGO3-5 room apartments, all w-tile baths8, showers. Ideal for students, in¬terns, nurses, young couples NOCHILDREN. RENTAL, CALL RE4-4141 $90-8110,1 8, 2 bedrm. apts. 74th Exchange 1blk. from I.C. $150 8. $170 Call So8-0444.2Vi Rms., Avail. Nov 1 $105-mo.,incl. util., 2 blks from ReynoldsClub, quiet, airy. Also must pur¬chase furnishings for $100. MU4-0870.PIANO INSTRUCTIONLARRY MENDES MI3-6000Rm. 142 B-J 1005 E. 60thCAMPING EQUIPMENT WANTEDFor Rent: Sleeping Bags-Tents-Stoves-Lanterns-Call HICKORY Ex2381 or 324-1499. CORVAIR 67 CONV. MUST SELLNOW TO PAY TUIT. EXC. COND.,BEST OFFER OVER $1050. 955-5175.1959 PLYMOUTH STATION WAGONV8, Automatic, radio, heater. Yoursfor $100. Call 373-5981.READER DIGEST $2 CALL 667-6241.BEST_ OFFER SOFA, FORMICABRKFST SET W-6 CHAIRS, Book¬case, 2 Desk Chairs, Roll Away Bed,2 Typewriters, x3069 day, SA1-3975after 6.CAR for sale Perfect 27,000 mi. mo¬tor. Drive it. Best offer over $125.'59 Ford 4Dr. Body fair DO3-0447(PM).Xerox Copies 9c 7c, 5c 8, 7c 5c 3c$10 runs, 10% Discount on 9c 7c 5crate.TV MOTOROLA 16" AS GOOD ASNEW USED FOR 9 MOS ONLY. 955-3244. TAPE RECORDER WEST-INGHOUSE-2 Spd. 9553244.'66 VW SEDAN. RUNS WELL.GOOD TIRES. MUST SELL $750.493-3119.HOME ITEMS FOR SALE: ELEC-TRI KBROOM, CARPET SWEEPER,SHOWER CURTAIN, MISC. DRAP¬ERIES, CRIB MATTRESS, 5 x 10'PORTABLE DOG RUN. 375-9486.Furniture For Sale. Beds, Lamps,Tables, Chairs Etc. Cheap 5466 SCornell Apt 2 After 5PM.Buy an Old Decrepit Couch Fromthe Wheeling-Dealing Maroon Busi¬ness Manager. I'd Like $25 but I'llTake Any Price For It Since You'llHave To Move The Damn Thing OutOf My 2nd Story Apartment.SONY ST-80W AM-FM STEREOTUNER 6 MONTHS OLD $70 CALL3249463.'65 Plymouth Fury. Scyl.P.B. 2 Dr.Ivory. Perfect. $675.00. DO3-0447.GIRL'S BIKE WANTED. PREFER3 SPEEDS. CALL BU87676 ANY¬TIME. Have you Pent-up aggressions? Alle¬viate them at the U of C KarateClub. Come to our Pre-Class Meet¬ing Oct 13 INH 7:30.The University of Chicago ConcertBand Rehearses from 4:30 until 6:00Tuesdays and Thursdays in the Stu¬dio of Lexington Hall. All players ofband instruments are invited 1o jointhe band.SHAPIRO COLLECTION-ART TOLIVE WITH. Distribuion of Paint¬ings October 10th at 4PM in IdaNoyes Hall. Numbers for sequenceof distribution may be obtained be¬ginning at 8:30AM. Bring a vali¬dated ID and $1.25. First comeFirst serve.FREE KARATE LESSONS for Ger-ald Kirk at the U of C Karate Club.Psychedilicize your grandmother atINSANITY SOUTH 51st near Harperten to ten daily.There is at least 1 narc in 5400Greenwood. No kidding"CUBA: EYEWITNESS REPORT"TODAY 8:00 PM CROSSROADS 5621Blackstone All Students Welcome!CONTEMPTIBLE EUROPEANFILTHCOLOSSALLY ENTERTAININGFILMSCOMMERCIALLY EAGER FAC-ISTS.Do You Have A Saxophone in Stor¬age, a Trumpet in Transit, A Hornin Hock, A Musical Instrument inMothballs? Were All Those YearsYou Spent Learning to Play ThatHorn Wasted? Why Not ResurrectThose Chops and Join the ConcertBand? Lexington Hall, Tuesdays andThursdays from 4:30 until 6:00.BRENT HOUSE Supper-Discussion6p.m. Sunday 75 cents5540 Wood IanSelf-defense, Sport, or Mental Dis¬cipline — As You Like I. U of CKarate Club Meeting-Mon, Oct 13,7:30 Ida Noyes 213.OTIS SPANN + BLUES BAND +BIG JOE WILLIAMS — "DANCEACTION" AT IDA NOYES GYMNA¬SIUM OCT. 11 8:00-? $2. B.C. Box Lunch 75 cents. Reservationdeadline, Oct 9. Inf. 324-8200 Eve¬nings.STRIKE A BLOW AGAINST IN¬TELLECTUAL MASOCHISM, ONLY$5 FOR A SERIES TICKET-CEF-SAT OCT 4 7 PM COBB HALL.Radical grad students staff facultycome to opening meeting of UC NewUniversity Conference. Discuss rac¬ism women's liberation imperialismIda Noyes Cloister Club Wed Oct 8.8PM.Help remove a major cause of war,i n j u s t i c e , and poverty. FederalUnion, 1736 Columbia Rd NW, Wash¬ington DC 20009.Enjoy the last decadent days of oldE u rope before the Revolution.Christmas Charter, Ml 3-0800, Ext3598 1:00-5:30.Porsche, Mercedes, Volvo, VW, etc.They all cost much less in Europe.Charter Flights Christmas Charter.Ml 3-0800 Ext 3598Support Your Local Head Shop. IN¬SANITY SOUTH 51st Near Harper.JR — THE FOREST FLOWER HASDIEDATTENTION MIKE BARNETTBEST WISHES WITH YOUR NEWNEWSPAPERLOVE, MAROON STAFFThe Bandersnatch has Jello. It Wig¬gles. We have almost anything elseyou could want too. Lunch Dinner,and Joy.FOTA '70 Promises to be EvenGreater Than FOTA '69 Its theSpring Thing To Do. We Look ForYour Ideas At Our First MeetingWed. Oct 8 Reynolds Club S. Lounge8 P M or Call Chairman Doug Kis¬sel Ml 3-6000.SO DOC HAS TO FORSAKE TRUEART AND SHOW "THE GRADU¬ATE"— DONT WORRY FILM FANS,GOOD OL' CRASS COMMERCIALCEF WITH ITS USUAL LACK OFANY CRITICAL STANDARDS ISSHOWING "DONT )OK BACK"WITH BOB DYLAN SAT OCT 478.9:30, COB') HALL $1 r r RIES.SUBSCRIBETHE CHICAGO MAROON, 1212 E. 59th St. Ida Noyes Hall,Chicago, IllinoisMaroon issues for the full academic year (69-70) can be sent anywherein the country for $8.00. For an additional $1.00 we throw in the June 6Yearbook Issue last year.Complete your collection, keep your family informed of campus life, im¬press your friends.[ NAMEj ADDRESS ZIP.I □ 1 year subscription $8.00J □ Yearbook Issue $1.00 ......... Total inclosed MAIL YOUR CLASSIFIED TO THE MARC1212 E. 59th St., Chicago, 60637DATES TO RUN.NAME, ADDRESS, PHONE.CHARGE:HEADING: 50* per line, 40* per eachsubsequent, consecutive issiline, 60* per repeat line. Tipunctuation marks in a line. AL*.There is an extra charge of $1.00 for (ones (For Sales, etc.) are free. ;f the ad is repeated in aUniversity people: 75* per**0 letters, spaces, and’ ADVANCE!n NormalOftqber 3, 1 CfvcegpOct. 15We call for the university to close October 15 to observe the Vietnam Moratorium.Students have been drafted and some have been killed. All face six years of uncertaintyin their lives.Our studies have been disrupted and our research budgets cut. Taxes soar.Inflation is out of hand. As an institution the University of Chicago suffers.Surely the University can protest this.Senators McCarthy, McGovern, Hatfield and Goodell have endorsed the moratorium.The New Democratic Coalition, the National Student Association and YPSL lend theirsupport.Will you lend yours? Join Us!Yes! I will observe the Moratorium,faculty □ student □Contributions $20 $10 $5 $1Vietnam Moritorium CommitteeStudent Government OfficeIda Noyes Hall1212 E. 59th. St. Chicago 60637VietnamMoratoriumFOTA '70FOTA '70FOTA '70All interested students and faculty invited to the first meeting of theFestival of the Arts '70.Wed., Oct. 8Reynold's Club S. Lounge8:00 P.M. You don’t have to beto drink Joe Louis milk.Just "hip”.Beadle did it at the U of Cthe in thingAlso Fermi, Huggins, Mulliken, and numerous No¬bel prize winners have enjoyed the services of theR. C. Barbershop. We're sure you will, too.IOpen MONDAY& Tues. & Wed. & Thurs. & Friday 8 to 5with or without appointmentNO TIPPINGAlso Shoe Shine Service Available5706 University x3573"Directly across from Quadrangle Club"Non • Profit Oig.U. S. POSTAGEPAIDChicago, I'iinoi*Permit No. 7931Page 12/The Chicago Maroon/October 3, 1969