ViewpointsDisaster in Educationpage seven Grey City JournalFiber and Fotocover and page 11The Chicago MaroonVolume 92, No. 22 The University of Chicago ^Copyright 1982 The Chicago Maroon Friday, November 19, 1982Vote fraud suspected in electionPHOTO BY ARA JELALIANQuarterback of the victorious Bowery Boys, winners of Wednes¬day s Hanna Bowl finals, goes back to pass. See story on page By Chris Isidoreand Robin KirkAlan Dobry, the 5th Ward Demo¬cratic committeeman, has saidthat he believes reports of demo¬cratic vote fraud in his ward dur¬ing the Nov. 2 election. • ’Certainlythere was election fraud in the 5thWard on election day," he said.Dobry said that he did not ob¬serve any of the vote fraud him¬self, and had therefore not madeany complaints to the US attorney,but that he supported claims madeby one of IVl's poll watchers (Inde¬pendent Voters of Illinois) and aLEAP (Legal Elections in All Pre¬cincts) election judge that a Demo¬cratic judge had walked up behindvoters in the voting booth and said• Just punch 10 and you re alldone." “Punch 10" was the votingprocedure used to vote for thestraight democratic slate.Dobry attributed the problems toareas of the Fifth Ward which wereAndropov hard to predictBy Jeff TaylorRichard Hellie, professor of his¬tory and chairman of the College'sRussian Civilization Program,said yesterday that the choice ofYuri Andropov as Leonid Brezh¬nev s successor to the post of Gen¬eral Secretary of the Soviet Com¬munist Party may make Russia amore • rational" world actor.Hellie s comments on the newRussian leader were joined bythose of University of Chicago Po¬litical Science Professor NathanTarcov, former speechwriter forAlexander Haig, and CommercialInternational Relations specialistMorton Kaplan, also a member ofthe Political Science department.Hellie justified his claim by por¬traying Andrpov, 15-year head ofthe Russian KGB, as a ‘ police¬man," likely to conduct affairs in amanner more ' factually-orientedthan Brezhenv, whose governmentoften acted out of "idealism or ig¬norance.”Tarcov, however, stressing thathe does not claim to have any sortof Soviet expertise," speculatedthat Andropov’s KGB background"is at least as scary as it is reas¬suring." The RGB under Andro¬pov, he pointed out, introduced pu¬nitive psychiatry, deportation ofdissidents to the West, such asAlexander Solzhenitsyn, and ex¬tensive international involvement.Tarcov said that the UnitedStates should be equally preparedfor either increased Soviet flexibil¬ity under Andropov, or for newmoves and tests similar to the in-Publication noticeThis is the last regular Fridayedition of the Chicago Maroon forthe Autumn Quarter. The last reg¬ular issue will appear Tuesday andwill include a special edition of theGrey City Journal. The quarterlyChicago Literary Review will ap¬pear Friday, Dec. 3. vasion of Afghanistan. He refusedto predict possible changes, statingthat he does not know, and is"somewhat skeptical of anyonewho claims to know" such specif¬ics."1 have been observing withsome mixture of amusement andhorror the various descriptions ofAndropov s character in thepress,” he said, which might leadto speculation in this regard.Kaplan also found it "difficult toknow what Andropov stands for,”though claiming Andropov "willcertainly move toward immediatemilitary consolidation."If Andropov is not able to pull hisarmed forces together,” Kaplansaid, "his successor will be at leastten years younger." "Andropov is more intellectuallysophisticated than Brezhnev," Ka¬plan said, "and more aware ofAmerican thought." Therefore,Andropov's international rhetoricwill probably undergo somechange.Kaplan, however, said that in theshort run there will not be manychanges. "Nobody is going toshake anything,” he sa;d.Hellie mentioned that Brezhnevwill be remembered for the estab¬lishment of the Soviet Union as anaval power equal to the UnitedStates, the allowance of the emi¬gration of Soviet Jews, and theflourishing of corruption to makethe black market constitute atleast 10 percent of the USSR'sGNP. newly included in the precinct be¬cause of the legislative redistrict-mg earlier this year. The remapadded considerable area to thesouthern end of the ward, and tookaway most of the area between 51stand 55th street which had formerlybeen included in the 5th Ward."It (the fraud) happened in thenewer areas of the ward, where wehad hang over machine captainsand machine judges," Dobry said."They literally cannot understandthat people in the 5th Ward de¬mand legal elections."Dobry said that he was notaware of any voting irregularitiesreported in the Hyde Park portionof the ward in a Nov. 16 INC. col¬umn of the Chicago Tribune.Ed Baumann, a Tribune report¬er, received a call Monday from a5th Ward election judge who saidthat election judges were openlyinvalidating ballots. Claiming thatthe Republican voter turnout wassuspiciously low, the judge said,"If you were black, they wouldhand you a ballot without checkingyour name, if you were white, theysaid you were in the wrong pre¬cinct. There are quite a few Repub¬licans around the University olChicago, but it doesn't look lutethey voted. ’The INC. source also said thatvarious street gangs were nearpolling places to intimidatevoters.Baumann maintains that hissource is trustworthy but adds thatthe judge fears that he will be iden¬tified and face reprisals. "He isvery frightened," said Baumann,"and 1 don't think he will go to theState s Attorney s office to makethese charges."Ira Raphaelson of the state's at¬torney s office said that he read thecolumn but has received no formalallegations. "We are looking intoevery instance of vote fraud," hesaid. "We have asked the TribuneLarsen fired as coachBy Cliff GrammichIn a shake-up of the men's athlet¬ic department, Bob Larsen hasbeen replaced as men's athleticdirector and head football coach.Mick Ewing has been named thenew football Coach, the fifth sincethe re-institution of football at Chi¬cago as an intercollegiate sport m1969. Jim Hargesheimer is the newdirector of men's athletics. Larsenwill continue to teach physical edu¬cation, assist with the intramuralprogram, and will begin as an as¬sistant baseball coach.According to Athletic DirectorMary Jean Mulvaney, the currentshake-up started last summerwhen two members of the coachingstaff left the University's program.The latest changes are an attemptto match the best personnel withthe departments they are mostsuited for in the hopes of bringingthe athletic department to thehighest standard possible, shesaid. Ewing brings many years ofcoaching experience at the highschool and collegiate levels to hishead coaching career at Chicago.He has assisted with the coachingof football at Chicago since cominghere last year. Ewing stated thathis goal is “to bring the footballprogram into a quality position inline with the University s overallimage." Ewing further stated thathis task is to recruit athletes whowill be outstanding both in theareas of academics and athletics.Ewing is pleased that he will havethe assistants who coached underLarsenf He believes that with goodrecruiting and the retention of theeligible members from this year steam, Chicago could be on the roadto competitiveness in MidwestConference football.Hargesheimer stated goals forthe football program which appearto be similar to Ewing's. He be¬lieves it is possible to draw moreathletes of high academic caliberto the University. His mam goal is to solidify the athletic department.Hargesheimer mentioned Chicagoas an area potentially rich in highschool hopefuls.W hiie Larsen had an outstandingcareer as a high school coach, hewas not able to reproduce his re¬cord at Chicago. In 1980, Larsen in¬herited a team which was 2-6 in1979. In 1980, the Maroons turned ina 1-8 record. In 1981, Chicagoseemed to be making some at¬tempt at respectability as theMaroons ended at 2-6-1, which mayseen poor, but stands as one of thebetter seasons for Chicago since1969. This past season, theMaroons had their first winlessseason since 1974, dropping all nineof their games, and ended up withthe worst record for an Illinois col¬lege. Chicago is now in the throesof a 10-game losing streak, itsworst since a 29 game drought mthe early 1970’s; however, Larsencertainly does not appear solely re¬sponsible for the losing Chicagoteams. Continued on page live for public allegations but they areprotecting their sources. Untilthere is a formal allegation, thereis absolutely nothing we can do.”Despite the fact that Dobry is theofficial Democratic committee¬man for the area, he was support¬ing several Republican candidatesin the November election, alongwith 1YT, and thus was not urgingvoters to "Punch 10.” He said thatwhile he had not visited the areasin South Shore which were in ques¬tion, such as the 16th Precinct, hehad been to most of the Hyde Parkprecincts during the day, and didnot see any serious ’ voting irreg¬ularities.Owen Pulver, the Republicancommitteeman for the 5th Ward,said that he had heard nothingabout vote fraud in his ward beiorereading the allegation in Tuesday spaper. T think it’s very possiblethat it happened, because there area lot of precincts with no Republi¬can judges. But 1 have not evenheard rumors. 1 think it's basicallya shot m the dark," he said.Dobry downplayed reports in theNov. 17 Hyde Park Herald that theregular Democratic organizationis planning a big effort to beat himin the committeemen s election.Dobry, in his second term, is theonly independent committeeman.Committeemen are the electedrepresentatives to the County sDemocratic committee They or¬ganize Democratic precinct cap¬tains in the ward, and vote on theslating of candidates."The 5th Ward is really a sorepoint to the machine,” said Dobry."Ed vVrdolyak, the new CookCounty Democratic party chair¬man) wants to demonstrate that hecan do what the previous groupwas unable to do: to regain controlof the 5th W ard for the machine. Asnear as 1 can tell, he is puttingmore money in, and promising(the precinct workers of the regu¬lar Democratic organization) 40additional jobs."Dobry said that he believes thatthe effort will fail because ol hissupport ol Rep. Harold W ashingtonin his race lor mayor. Vrdolyakand whoever he supports to chal¬lenge Dobry will be supportingMayor Byrne in the election."Harold (Washington) is very pop¬ular, especially in the new areas olthe Ward, ’ said Dobry. "1 thinkthat (the effort by Vrdolyak) isgoing to fall very flat.”Continued on page fiveDemocraticAlan Dobry CommitteemanIN CONCERTCHICK COREATWO SHOWS 7:30 &10:00 PMDEC 2 HUTCH COMMONS96.50 STUDENT8 WITH UCIO59.50 ALL OTHERS WITH UCID2—The Chicago Maroon—Friday, November iy, iy*« Majar Activities BeardNews in briefVictim assistanceThe Cook County State’s Attorney’s officewill give a public presentation of its CrimeVictim/Witness Assistance Program at theUnited Church of Hyde Park Sunday at 3p.m. Eileen Springer, co-director of the Vic¬tim/Witness Program, and an assistantstate’s attorney will conduct a simulation ofcourtroom proceedings prior to discussingthe work of the Victim/Witness Program.The purpose of the presentation is to in¬crease community awareness of the ser¬vices which the state’s attorney’s officeoffers to crime victims, and to encouragevolunteer efforts to provide similar assis¬tance. Refreshments will be served at thepresentation, and all members of the com¬munity are invited to attend.The program familiarizes victims andwitnesses of crime with court proceduresand also refers them to needed social ser¬vices. The staff arranges transportation tocourt, accompanies victims and witnessesinto the courtroom, and answers questionsconcerning the prosecution of criminalcases. The South East Chicago Commission(SECC) also assists the State’s Attorney’soffice.The presentation will be hosted by Agape,a victimes assistance outreach of the UnitedChurch of Hyde Park. Agape volunteers pro¬vide Court escort service to neighborhoodcrime victims and also visit with victims tohelp ease the traumatic aftermath of acrime. This Neighbors-On-Call programgives the victim encouragement and af¬firms that the crime is an injury which isfelt by his neighbors and friends. AgapeNeighbors-On—Call are available through¬out the week to visit and talk with crime vic¬tims. They also can offer victims informa¬tion on other social agencies.The United Church office acts as the coor¬dinator for Neighbors-On-Call and also willrefer victims to the Court escort program.The church office can be reached at 363-1620. Agape invites persons who are in¬terested in participating as Neighbors-On- Call or court escorts to contact Rev. MarkBiddle at the church office. Agapevolunteers will also be present at the Nov. 21meeting.The SECC can be reached at 364-6926. The24-hour hotline for the State’s Attorney’sVictim/Witness Assistance Program is 890-7200.The State’s Attorney’s office also will sendits Lawmobile to the United Church of HydePark Saturday, from 12 to 3 p.m. TheLawmobile, which will be parked in front ofthe church on 53rd St., will provide addi¬tional information on crime prevention andon victim assistance.The Lawmobile also will provide informa¬tion on narcotics, gangs, juvenile crime,consumer fraud, and crime and seniorcitizens. Persons from the state’s attorney’soffice will accompany the Lawmobile todistribute printed materials and to answerquestions.Book censorshipThe issue of textbook censorship will beaddressed in today’s symposium on theJapanese government, sponsored by theCollege, the Far East Center and the depart¬ment of Far Eastern Languages and Civili¬zations (FELC).The Symposium will open at 1 p.m. with alecture on historical perspectives by Ber¬nard Silberman, chairman of the depart¬ment of political science. The Korean andChinese viewpoints will be represented byAndrew Nahm, from Western MichiganUniversity, Leo Lee, assistant professor in(FELC), and Ch’en Ku-ying, a visitingscholar.Tetsuo Najita, professor in FELC andSteven Platzer, a graduate student inFELC, will speak at 2:15 p.m.At 2:45 p.m., the possible implications ofcontinued censorship will be discussed byAkira Iriye, chairman of the history depart¬ment; Tsou Tang, professor in FELC andpolitical science; and Harry Harootunian,chairman of FELC.The symposium will conclude with a panel discussion and question period from 3:45 to4:30 p.m. All lectures will be given in thethird floor theater of Ida Noyes Hall at 1212E. 59th St.From the Ashes“From the Ashes,” a documentary filmon US government’s involvement inNicaragua, will be shown this Sunday at7:30 in Ida Noyes. Richard Grossman willspeak following the film presentation.Newsweek published an exclusive reporton American government involvement in asecret war against the Nicaraguan govern¬ment in its Nov. 8 issue. According toCAUSE, the sponsor of Sunday’s event, thisfilm is a contribution to this debate. The filmwas previously shown on PBS television. Comp center closedThe* Business Office of the CompulationCenter will be closed today and will re-openMonday in its new offices on the first floor olthe Mernam Building at 1313 E. 60th St.Personal Computing Accounts iPCAi lorwhich each registered student receives Slot)a year, will no longer be handled at the bu-sinss office. Instead, students can now openthese accounts at the Central User s SitetCsite), located on th second floor of Wie-boldt adjacent to Harper Library, duringregular business hours. All complaints andbilling problems will be handled at the newoffice. Ail phone numbers will remain thesame. The Staff Office Building, at 5737 S.University Ave., will continue to house theexecutive offices of the department.Chess number oneBoth of the University of Chicago chessteams entered in the South City Section willadvance to the finals of the Illinois ChessLeague.The A team took first place in the sectionby winning four matches and drawing one.The B team, winning two matches, losingone and drawing one, was the top team inthe section with an average rating under1800, and will advance to play other suchteams in the finals.The U of C A team won a place in the finalsby beating the A team from Tuley ParkMonday night by a score of 3M> to lVfe (threewins and a draw for U of C out of five gamesplayed).Ken Larsen, captain of the A team, playedin every match of the season winning fourgames and drawing one. Other members ofthe A team to earn two points or more wereEric Schiller, Ed Friedman, Tom Kang.Pierre Cambresier and David London.The B team will advance to the finals afterbeating the team from P-K4, a downtownchess club, winning four of the five games inMonday night’s match. Winning at least twogames for the B team during the seasonwere Scot Adams, Leonid Sagalovsky,Dmitry Krass and Louis Lambros.CHAIETmine C CHEESE SHOP THANKSGIVING SPECIALSSALE DATES: November 19th thru November 25thAll items listed below are 750 ml. unless stated otherwise - Delivery available - Sale items not includedWE WILL BE OPEN ON THANKSGIVING DAY UNTIL 4:00 P.M.Bordeaux for Current ConsumptionMAITREd’ESTOURNEL1979RedRegularly $5.193.99CH. HAUT PAGAUD 79 St Emilion Reg $6.98 NOW 5.99Dessert Wine SpecialsCH. LATOUR BLANCHE 75 . - „Sauternes Reg. $15.99 NOW 12.99CH. LATOUR BLANCHE 79 ftcSauternes 750 ml. Reg. $10.99 NOW 9.95375 ml. Reg. $5.99 NOW 4.99CH. 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[oivn Avenue, Cost : 06 ASHUMTbc Program m the Liberal Arts and Sciences Basic to HumanBiology and Medicinepromts a lecture onThe Federal GovernmentDr. Jay BerkelhamerAssociate Professor of PediatricsDirector of General Pediatric and Ambulatory ServicesBillings HospitalMONDAY, NOVEMBER 22, 19827:30 P.M.HARPER 130AH interested persons are invited to attend.There will be a reception with the speaker in Harper 284 following the lecture."\THE VISITING FELLOWS COMMITTEEpresentsCHARLTON HESTONat aFILM SCREENING AND DISCUSSIONLaw School Auditorium Tuesday, November 23, 3:30 P.M.4—The Chicago Maroon-Friday, November iwu JNewsTCoach firedContinued from page oneChicago has not had a winning team since1929 under Amos Alonzo Stagg, and theMaroons have not made the “.500” since1976, when they finished at 4-4. Judging fromEwing s comments, the personnel is in placefor a better Chicago team, but they have notplayed that way.If wins and losses of a department's teamsare the best criterion to judge an athleticdirector s record, then Larsen s only disas¬trous area is football. Soccer finished at 5-9this year, while cross-country came in fifthin the conference, coming off a second-placeconference finish in 1981. The men's basket¬ball team has been hovering near the .500mark, and looks for a successful year thisyear. Swimming has become very competi¬tive in the Midwest Conference, and wres¬tling placed fifth in last year's conferencechampionship. Tennis placed filth in theconference last year, men's track tookfourth, while baseball has been strugglingbut did have some success in 1981. Ironical¬ly, the department's weakest area appearsto be football, which its director coached.How Ewing and Hargesheimer fare re-mams to be seen. The current programsrange from mediocre to good in terms olwins and losses, and some improvement canbe made; nevertheless, no football coach at Chicago has had a winning record since thedays of Amos Alonzo Stagg, and Ewing willface a challenge in changing this.PHOTO BY ARA JELALIANJim Hargesheimer, newly ap¬pointed director of men’s athlet¬ics lT°the FrpJSssS:0- »0V.■ciaiew^°kZgo°M^‘ feri 1 re-ithanks i0 jfreat sueces/ CarnPa>kn J°r meihowever fiessiFrLi^htrnelTtn 5 SrnaUSs and ri*!tn Wasob~i/^eeiin^ Jii hrnit 1 01 all ,ait c°n-a lend am/myeeerm8 n°‘/even att^nwpro<>abJy^c, actua? frelyto th»,Uen<l the r:ym°st itnJi. fr^hi UJ/s^chuAga , then..1 don [lnoreaiwh,ch ls !«255, b^o isreshman prankCity Council redesignates land for University purchaseThe Chicago City Council last Friday ap¬proved the sale to the University of threenow-vacant lots on the corners of 57th St.and Dorchester, and 57th St. and Stony Is¬land Ave. where the University plans tobuild apartment buildings tor faculty andstaff.The land had been set aside by the city lorurban renewal projects. Last month, the De¬partment of Urban Renewal voted to changethe site designation of the lots to institution-DobryContinued from page oneA more serious challenge to Dobry couldcome from some black independents, suchas State Senator Richard Newhouse andState Representative Carol Moseley Braun,who broke with Dobry over the state repre¬sentative race between Ray Ewell and Bar¬bara Flynn Currie earlier this year.“I don t think it is any secret that Braunand Newhouse have been very friendly toiState's Attorney Richard; Daley,” saidDobry. "If he is elected, he might push it larun tor committeeman by one of them ). "IfByrne stays as mayor, 1 don t think the ma¬chine would be anxious for them to run.”Both Braun and Newhouse could be expect¬ed to have stronger support than Dobryfrom the new precincts in the ward, whichare overwhelmingly black.Bloom to run in ’83By Cliff GramroichIn a letter sent to his supporters this week,5th Ward Alderman Larry Bloom disclosedhis intentions to run for re-election as aider-man in the non-partisan aldermanic electionFebruary 22. This election will be held thesame day as the mayoral primary elections.Bloom said that he believes that he hasserved the 5th W ard community well. Bloomwill open a campaign office at 2321 E. 71stSt. in the South Shore neighborhood, threeblocks east of his aldermanic office.in the February 22 election, a candidatemust receive a majority ol the votes cast towin election. If no candidate receives a ma¬jority in that election, the top two candi¬dates compete in a runoff election in April.Those parts of Hyde Park in the new 5lhW ard include that area south ol 55th St. westof the 1C tracks and the area south ol 53rdSt. east of the 1C tracks.Bloom is asking his supporters to circu¬late petitions to place his name on the alder¬manic election ballot. The petitions must befiled by December 13. Those interested incirculating petitions for Bloom may pickthem up at a party to open his campaign of¬fice Sunday from 2 to 4 p.m. 11 one is inter¬ested in circulating petitions lor Bloom butcannot go to his campaign office Sunday,call 667-0900. al/residential. Changing the designationlowered the cost of the lots for the Universi¬ty to $2.10 per square foot.Hyde Park residents living near the Dor¬chester site complained about the proposeddesign and height of the buildings slated lorthat lot, according to Jonathan Kleinbard,vice-president for news and community af¬fairs. Kleinbard said that the University andthe architect of the planned buildings, JohnMacsai, met with the residents and that the modifications the residents sought im¬proved the design” of the proposed building.In the new architectural plan, the buildingsare lower than they were in the originalplan. The number of townhouses at the Dor¬chester site was reduced from 23 to 21.Kleinbard said that without the site desig¬nation change the University would not havebeen able to afford the land. “This was veryhelpful to us,” he said. Michael Fuller, elected freshman repre¬sentative in the Nov. 3-4 Student Govern¬ment election, has declined to accept hispost on the grounds that he attends the Uni¬versity of Lowell in Lowell, Massachusetts.Joe Walsh, chairman ol the SG Electionand Rules Committee, said that two Collegestudents ran Fuller as a prank.Walsh said that he did not check to seewhether Fuller was a freshman here be¬cause "1 didn t think that freshmen woulddo things like that.”Walsh said that seven candidates ran lorthe five representative seats. Fuller came infifth with 60 votes. Nathan Hart, the sixth-place candidate, will take Fuller s seal.WRITERSWRITECHICAGO LITERARY REVIEWPUBLISHES WORK BYCAMPUS ARTISTS.SUBMIT ESSAYS, POEMS,FICTION, BOOK REVIEWSMAROON OFFICE • 3RD FLOOR IDA NOYES Enjoy this Thanksgivingdinner next April.Save it on Kodak film.Savor the turkey and share the funagain and again. Save all the fun onKodak film for beautiful color printsor slides$5.20Take-Twofor theHolidaysTHE PHOTO DEPTUNIV. OF CHICAGO BOOKSTORE970 E 58th ST 962 7558 KodakThe Chicago Maroon—Friday, November 19, 1982—5EditorialsSome sound adviceWe would like to congratulate WHPK on its upcoming “rise to power ' — from10 to 100 watts, creating a clearer signal and a larger listening radius. The sta¬tion is fortunate to be receiving support from a visiting committee to fund theconversion. This is an important step for a largely ignored campus voice.Stations like WNUR at Northwestern and Circle’s WU1C have important roleson campus. Students listen in for information on campus events news, and, ofcourse, interesting and innovative programming. Unfortunately, down south, itis different.Why don’t students listen to WHPK? Granted, part of the reason is that it hasbeen difficult to tune in, drifting off as it does into FM limbo. But often WHPKcannot even be located, due to a particularly sleepy DJ or an ill-timed trip downthe hall.Most seriously of all, though, the programming is frequently just plain dumb.WHPK has problems which will only be embarrassingly magmlied with a quan¬tum jump in power. The music of snores will be heard even louder, both in andoutside the wails of Reynolds Club.People are investing their listening time and sponsorship dollars in the sta¬tion. it would be wise for station managers to invest more care and accountabili¬ty into what they choose to let loose on the airwaves.The potential for college radio is tremendous. Commercial radio, even FM, isfrighteningly monotonous. WHPK has a sterling opportunity to investigate thelimits of radio, to see how they can make it vital and a thing to listen to. TheChicago public radio station, WBEZ, has long been in the forefront of radio ex¬perimentation and it is time for WHPK to learn a lesson from a mentor.Come on, man. Wake up.LettersPlaying with numbersTo the editor:Last Friday’s Maroon juxtaposed Dr.Christopher Giannou and Col. (res.) Tzvi El-Peleg, in the process presenting a rathersurreal sketch of the Israeli invasion ofLebanon. At times, in fact, it becamenecessary to remind myself that both com¬mentators were speaking about the samewar. El-Peleg’s assertion that ‘ Between300-400 Lebanese (civilians) were killed”during the summer is simplyobscene—there can be no other word for it. Isuppose his statement is meant to reassureAmericans that the loss of innocent life hasbeen kept to a minimum. However, I con¬sider this to be both an affront and a poten¬tially dangerous distortion of the humanconsequences of the invasion of Lebanon.One of the most divisive issues—indeed itis a macabre game—played over the lastfive months has been the numbers game. Ibelieve that the total number of non-Israelidead and wounded will probably never beknown with any certainty. Accurateestimates of this number will only come insix to twelve months, after the families thathave been separated have been reunited.Until all foreign forces leave Lebanon, and aLebanese government is allowed to fullygovern itself, accurate estimates of dead,wounded and missing will be impossible.However, another issue in which thenumbers game plays a large role, must beconsidered. For an interview to only men¬tion the number of Lebanese who died thissummer is curious. What seems to be an im¬possibly low figure of Lebanese deaths putforth by Col. El-Peleg simply begs the ques¬tion of how many Palestinians died. To categorize the dead as Lebanese or Palesti¬nian, civilian or guerrilla/terrorist,however, not only raises seriousepistemological questions but more im¬portantly it subtly manipulates the compas¬sion that one would have for the families ofthe dead. Should one feel more sympathy fora Lebanese family than for a Palestinianone when it loses a son or daughter in thewar? And how does this sympathy, if I mayattempt a rough quantification, stack up tothe sympathy one should feel for an Israelifamily who has lost a son or daughter in thewar? Are there any differences?We must stop for a moment and try toreconcile two vastly divergent realities.Early in the invasion many people fled thefighting in the south, went to Beirut, andtook refuge wherever they could—in mos¬ques, abandoned apartments, bank lobbies,public parks and so on. But then, majorcommercial and residential centers in andaround Beirut were subject to both pinpointand indiscriminate carpet bombings andshellings by the Israeli forces. Water, foodand medicine were denied to Beirut forweeks on end. Vermin and infectiousdiseases fed on the garbage and humanwaste that accumulated in the streets. Thecarnage of the summer was incomprehensi¬ble, and while one in the US is initiallyrepulsed by the sheer physical destruc¬tion-twisted iron, shattered glass, in¬cinerated automobiles and furniture—thisrepulsion has seldom been logically extend¬ed to wandering about the people who wereliving in those heretofore abandonedbuildings, i. e., those who fled from thesouth.The Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago. Itis published twice a week, on Tuesdays and Fridays. Editorial and business officesare located on the third floor of Ida Noyes, 1212 E. 59th St., Chicago, 60637. Telephone753-3263.Darrell WuDunnEditorAnna FeldmanManaging editorRobin KirkNews editorWilliam RauchCopy editor Margo HablutzelFeatures editorCliff GrammichSports editorDavid BrooksViewpoints editorWally DabrowskiProduction Manager Nadine McGannGrey City Journal editorKeith FlemingChicago Literary RevieweditorPaul O’DonnellChicago Literary RevieweditorAra JelalianPhotography editor Operations ManagerSteve BrittBusiness ManagerJay McKenzieAdvertising ManagerBrian CloseOffice ManagerAssociate Editor: Jeffrey TaylorStaff: Mark Bauer, Dan Breslau, John Collins, Kahane Corn, Maeve Dwyer, TomElden, Pat Finegan, Caren Gauvreau, Eric Goodheart, Elisse Gottlieb, Jesse Halvor-sen, Joe Holtz, Keith Horvath, Marc Kramer, Linda Lee, Jane Look, Frank Luby,Amy Richmond, Yousuf Sayeed, Steve Shandor, Andy Wrobel, Kittie Wyne. 1WfX>02Ar7 if. Ill 7 A/l nU T~L.b/ rt. I c IS i L-Its- , ,,rrl • I——IBY KEITH HORVATHAnd now Col. El-Peleg comes to Americato assure us that no more than 400 Lebanesedied this summer? I cannot call his figuresoutright lies because I have not been there;however, it is an outrageouslyprecisefigure, on the face of it, consideringthat perhaps 1 million Lebanese were livingin the areas of the invasion and the subse¬quent fighting. And this is not even to com¬ment on the factual accuracy of such afigure, which I hold to be very low.However, to simply dispute the numberswhich El-Peleg gives is to subscribe to hislogic; rather, one must go considerably fur¬ther than that. Of course the numbersthemselves will be politicized by allsides—there is nothing new in falsifying warstatistics to suit one’s own purpose. But Col.El-Peleg’s preference for categorizing thedead by nationality seems to suggest thatthere is something qualitatively differentbetween a dead Palestinian and a deadLebanese. Is life itself somehow more dearto the Lebanese than to the Palestinians?Are the deaths of the Lebanese any moreregrettable than those of the Palestinians?Might not one say that these views carrywithin them the seeds of racism?If El-Peleg was concerned with the deathsof people who were presumably civilian andhence “innocent,” then why do we not hearanything of the Palestinian non-guerrillaswho died this summer?Why hasn’t El-Peleg’s—or America’s— concern for the in¬nocent victims of the war extended to allcivilians?Is it possible that “Lebanese,”“civilian,” and “innocent” are somehow in¬tegrally related? If so, does this mean that“Palestinian,” “terrorist,” and “guilty”are similarly connected in peoples’ minds,or even in objective reality?Besides the ambiguous—and thereforetroubling—content of El-Peleg’s remarks,the practical difficulties which render hisfigures nonsensical must be explored. Howis it possible to know, when combingthrough the rubble of Hamra Street orFakhani or Corniche Plaza—which has yetto be done on a large scale byanyone—whether the occasional arm or legor carbonized body found was either Palesti¬nian or Lebanese in its origin? And whyshould it matter—is it not enough to realizethat more people have died as a result of thefeat and distrust which has existed for toolong? Categorizing the dead and woundedby nationality is a way of lessening theoutrage that one should feel, and should ex¬press, at the outrageous level of death anddestruction of this summer. But if that ef¬fect is achieved, if we grieve less for thePalestinians than for the Lebanese, then allthe numbers game has done is to capitalizeon the latent racism which has characteriz¬ed the way that the Palestinian-Israeli con¬flict is presented in this country.Once the racist framework within whichthe numbers game is played is understood,it becomes apparent that quarreling overnumbers is perhaps precisely what theIsraeli government wants to happen. Thatway, in arguing about the minutiae which isthe numbers themselves, the largerissue—the racist framework within whichthe argument takes place—does not comeunder scrutiny.Almost certainly dishonest in its factualcontent, and clearly pernicious in its result. if not its intent, Col. Tzvi El-Peleg’s state¬ment about the number of Lebanese whohave died as a result of the Israeli invasionis an obscene insult to the intelligence ofanyone who has at all thought about hemagnitude of the invasion and the newlevels of violence and arbitrariness it ex¬hibited. Let us hope that, through a sincereinquiry into the rights, needs and aims ofboth the Israeli and Pak nian people, andtheir respective governi..0 bodies, that fur¬ther violence can be curtailed, if notaverted. And one side shall never know whatthe other side is thinking until it asks.John EganFourth year studentin the CollegeTo the bell towerTo the editor:It has surprised me that a journal of yourinvestigative reputation has failed to reporta new mode of transportation developed injoint effort by our Physics and Music De¬partments. Last Wednesday, during mid¬terms, I was one of the first to experiencethe transit of the future. It was during a cal¬culus midterm, while in the midst of a stub¬born proof, that I was transported fromEckhart Hall to the inside of a church belltower (due to the novelty of this research,neither I nor the scientists know which bell).Although I tried to remain at my desk, astrange force, fueled by the sound-waves ofthe carillon, took hold of me and carried mybody out of a third story window. The nextthing I knew, I was struggling to maintainmy grasp of the clapper. Unfortunately, thescientific details of the transportationprocess are too complicated to be printedhere (even at the University of Chicago).However, the process occurred despite aconcerted effort on my part to finish thetest.Although excited by the remarkablestride of science that had taken place, I washappy to learn that the process is revers¬ible; for when the clamor ended, I found my¬self back in my desk. I was even in time tohand in a paper as he was threatening toleave the room.Such a device should not go unnoticed. 1expect several articles on it in your upcom¬ing issues and even go so far as to predict aNobel for the researchers behind it.S. LichtenthalMajor in CommonCore RequirementsRooked on booksTo the editor:I d be delighted to answer Helaine R.Staver (Bookseller), whose whine in theNov. 16 Letters column attacks those whocomplain about high book prices and rheto¬rically demands to know who books are sup¬posed to be for, anyway, and why are theypublished, after all?Books are published to make money lorpublishers and booksellers. If she wants todo something about our benighted attitude, 1suggest she start by reducing the 40 percentcut she takes off the top of every book sheu>|kBob Holden,bookbuyer6—The Chicago Maroon—Friday, November 19, 1982ViewpointsDisaster for general educationBy Martin B. MathewsAn impressive array of speakers and exciting discussionswere promised by the program of the recent uNov. 12-14)University of Chicago Symposium entitled "General Edu¬cation in the Social Sciences: Reflections on 40 years ol So¬cial Sciences 2." There seemed cause, therelore, to hopethat the individual and collective wisdom so assembled,might provide insights into several current educationalquestions and issues raised by the Carnegie Report ol 1081entitled, "A Quest for Common Learning-The Aims ol Gen¬eral Education."Little attention has been paid to this report, which, con¬firming a 1977 report that "general education is a disasterarea, claimed nevertheless that present conditions areripe for a national revival. However, 1 teel strongly that the document gave early warning of a deterioration in the qual¬ity of general education.Last month, 1 attended a U. ol C. "Round Table discus¬sion on the topic "General Education and Its Uses iseeMaroon, Oct. 22). 1 was disturbed to hear the panelists re¬spond in a sweepingly derogatory manner to the proposalsof the Carnegie Report. In addition, the panelists were gen¬erally indifferent toward the need to olfer alternative, posi¬tive proposals for change.An opportunity for comment and questions was ollered atthe conclusion of the Symposium panel presentations on theevening of Fri., Nov. 12. i remarked then that the very in¬teresting presentations by the distinguished panelists lallformer or present chairpersons and teachers ol Soc. 2; haddisappointed me in that they contributed so little towardSocial censorship in JapanBy Fred Ch’u, Chin-sung Chung, James Hevia,Steven Platzer, Naokie Sakai, Ken Tomio, andGay-yong ChoEver since the governments ol various East and south¬east Asian countries denounced the distortion ol history intextbook by the Japanese government, the issue ol the re¬surgence of Japanese militarism seems to have dominatedthe political arena in Japan as well as in other countries inthe Far East. Although the censorship ol textbooks hasbeen carried out by the Japanese government lor morethan two decades, this criticism promoted discussion olmany related controversies both in Japan and elsewhere inEast Asia.We, the committee, recognize that the problems raised inthis criticism are of great importance not only lor those inFar Eastern Studies but also lor those concerned with Slatecontrolled censorship, particularly in the lield oi education.Accordingly, it was agreed that we would organize a sym¬posium to clarify and further discuss these problems withthe widest possible spectrum ol view points.In this forum, it is imperative to include information as towhy peoples and governments in East and Southeast Asiancountries responded to the Japanese government in certainways. It will be equally essential to explore a perspectivelrom which the Japanese government s motives tor dealingwith its past in this way can be understood. Since what wastermed the distortion of history did not take place in an in¬ternational political vacuum, we ought to consider whatkind ol relationships have been established between theJapanese government and other countries in East Asianand the United States since the end ol the Second WorldWar.In this connection, it must be taken into account that we,the committee, will never contuse the Gi *rnment and thepeople. Despite that we agree that the J*. lese in generalare not totally innocent from their past ds. A relation¬ship between two countries is not exclusively that betweentwo governments. It encompasses a variety of dimensionsand sectors within any given society. This is ol the utmostimportance when we inquire into the atrocities inilictedupon the peoples of East and Southeast Asia, includingthose in Japan tnotably against the people ol Okinawa;, bythe Japanese Imperial Government and its military forces.Even ll governments of East Asian countries accept theJapanese government s apology and explanation lor the so- called distortion of history, we ought to continue to examineand analyze the ideological and institutional context inwhich these atrocities were allowed to occur belore andduring the Second World War, since the problem involved isnot one which can be solved bilaterally at a governmentlevel.We find the need to further inquire into the term Japa¬nese militarism and its resurgence as they have been usedby mass media in many East Asian countries, but we recog¬nize that these reflect the underlying sentiment amongthose peoples. W hat has to be acknowledged is that the deii-nition of militarism in post-war Japan is problematic, so wemust clarify what constitutes present day militarism, itsuch a thing exists, and what are the aspects w hich are con¬tinuous or discontinuous in relation to pre-war Japanesemilitarism. In this respect, the question ol history and its"distortion seems to bear crucial importance because theissue is not only the Japanese government s attempt toerase the past brutalities committed by Imperial Japanlrom text books, but also is one which addresses the generalquestion of social control. Therefore, it is necessary that wediscuss the function of censorship in today s Japanese soci¬ety and what kind of relationship there is between this cen¬sorship being conducted by the Ministry ol Education andthe political situation in Japan at present.Indeed, this leads to a general problem ol censorship inother societies. Since this symposium is being organized inthe United States, with many participants being Americancitizens or foreign students based in this country, it is im¬possible to overlook the censorship exercised in Americansociety. Certainly, it could be vastly different in many waysfrom that practised in Japan. However, we suggest that thetreatment of the Vietnam War in American textbooks in¬evitably reminds us of the Japanese case.The symposium will be organized on the basis of ethnicand national plurality, with the wish to consolidate an alli¬ance ol cooperation among those in Japan and elsewherewho share the same concern. In view ol the fundamentaldifferentiation we make between the State and the people,we are strongly opposed to any activities that may unneces¬sarily enhance ethnocentric ideology. We maintain thisprinciple not only in the case ol Japan, but in any othercase.The authors are the members ot the Executive Commit¬tee on Censorship of Japanese Textbooks at the L ot C.Containment,detente, and theBy Scott PowellIt was only a year after Winston Churchill announced that"an Iron Curtain had descended across the continent olEurope that the United States formally adopted a policy ol"containment" as the main tenet ol its foreign policy vis-a-vis the Soviet Union. Containment seemed to oiler the hopeot steering a middle course between appeasement and roll¬back ot Communist and Soviet expansionism. However,containment, by its intrinsic nature, was a policy doomed totail in the long run.From a strategic point ol view, containment was assyme-tncal because it was purely defensive, deliberately exclud¬ing the offensive. While the United States was precludedlrom the initiation of any action within the Soviet sphere,the Soviet Union was free to intertere anywhere in theworld. Witness Hungary 1956, Czechoslovakia 1968, Afghan¬ istan 1979, and Poland 1981.An absolute defense," according to Ulausewitz "com¬pletely contradicts the conception of war, and consequent¬ly ot political struggle, of w hich war is — as alway s stressed— a "continuation ot politics by other means. While thepolicy ol containment left the United States on the defen¬sive, the policy ol the Soviets has never renounced the oi-lensive political war against the West. Furthermore, theSoviet Union has had considerable success in wooing the na¬tions ol the Third World by playing on their memories ofcolonialism and their rising expectations. But when propa¬ganda has not worked the Kremlin has had no qualms inusing proxy forces such as Cubans, much like the Alaliabosses use hit men.Even ll containment oi the Soviet Union within its 25,ooumile border were possible, it would be a cartographer s de¬ception, because in another sense, there is no Soviet border.Trans national Soviet power — that is, the pwoer to influ¬ence tactions and political development in other nations —extends by means of world Communist apparatus and anideology that reaches beyond national borders.The crucial defect of the policy ol containment w as that itwas incapable ol meeting the moral and spiritual demandsol restoring integration and lasting peace to a dividedworld. Compared with totalitarian regimes, democraciesmay be less able to endure the prolonged and heavy expen¬ditures of resources that would be required in a protractedstruggle. Besides, how many could be expected to willinglysuffer, sacrifice, and die lor containment? Clearly citizensol the Western world could not be expected to chase alterlires started by arsonists w ho had been assured oi their ow nimmunity.US policy in Vietnam was containment "par excellence. nearingresolution of many questions and issues. However, therehad been a net gam for me since 1 now saw more clearlyinto the reasons for my puzzlement and wished to ask someimmediate questions of the panel. How did one account lorthe apparent fitting of the larger entity, that is, GeneralEducation," into the smaller entity ol two or three quartercourses? Was it no longer true that the whole is larger thanthe part? On the other hand, was it possible that what thepanelists were speaking about was a special sort ol Gener¬al Education" in the Social Sciences? However, it this weretrue, then what were the other three major collegiate Divi¬sions, ithe Humanities, the Biological Sciences, the Physi¬cal Sciences) about when they were teaching their respec¬tive core and other courses? And indeed, what was themeaning of "General Education" from the perspective olthe College as a whole?I received responses from two panelists. One asked me n1 expected them to deal with the "universe." My immediateresponse was that restriction to the concerns ol the Collegewould suffice. The other panelist bemoaned the loss incourse time available for teaching "general education inSoc. 2 that had occurred over recent years.The session came to a close but my puzzlements persist¬ed. 1 wondered how to characterize my teaching over re¬cent years uncluding 1982) in a core course in the Bio. sci.Collegiate Division. The subject matter ol this course, en¬titled "The Meaning of Evolution, included molecular gen¬etics, general orgamsmic evolution, and in particularhuman biological evolution, but also dealt at length withcultural and social evolution, and with ethics in principleand practice — all this with considerations as well ot sys¬tems theory, cybernetics, learning theory, and epistemo¬logy. Furthermore, I recall that, during one year, thecourse that followed mine in the core sequence was taughtby Arnold Ravin who dealt primarily with the subjects oihuman genetics and ethics. 1 suppose now that we also wereinvolved in "general education, but I cannot recall that inany of our discussions, which included Dr. Gurney twhoalso taught one course in the triad;, the term "general edu¬cation" was ever mentioned.The principal question might now be restated. Should wetake General Education as a single, indivisible entity,wherever it is declared to exist, or, accept General Educa¬tion as a generic term covering the existence ol several dif¬ferent species in different academic habitats. Although wemay by this time detect a faint odor ol ancient theologicaldebate arising, the issue is not a trivial one.On Sunday morning, F. Champion Ward noted that theCollege in the "Golden Era ol Hutchins had a particularunitary character that rose above any specialized interestsot students, but which had dimmed progressively in thethree decades of the College ol the post-Hutchins period.Still, some sense of the presence of general education invarious Divisions lived on in the reminiscences oi lormerstudents of Soc 2 tSat. eve. panel).Gregory Bateson wrote in a letter to his fellow regents oithe University of California U979), "Break the patternwhich connects the items ol learning and you necessarilydestroy all quality." It is my hope that we might see soon areturn to that unitary character of the College reierred toby Champion W ard. Time is out ot joint but also potent lorchange.Martin B. Mathews is Professor Emeritus in the depart¬ments of Pediatrics, Biochemistry, and the College.nuclear freezeFrom the very beginning ot the American engagement, in¬vasion ol North Vietnam was politically excluded lrom thestrategy available. In lact, the bombing ol enemy sanc¬tuaries in Cambodia and the bombing ol North Vietnamwere^interpreted by some Americans as an internationalcrime. In the end, the United States involvement in Viet¬nam turned out to be a disaster because we were incapaoieol doing what was necessary in order to win.The contusion that grew out ol the V letnam era was thelogical conclusion ot the policy ot containment. 1 hrough the5os and 60s Americans outlook had essentially rested on afaith that containment was a policy whose goal’s were in thebest interests ol the nation. But as the Vietnam Wardragged on, many realized the paradox ol containment —that it was a policy with an unachievable goal, and thus apolicy without a purpose.Even though containment turned out to be hollow, it hadnevertheless provided a principle and a perspective thathad basically sustained Americans beliefs in themselvesand their government. But when the laith broke down dur¬ing the Vietnam War, people became inclined to acceptcomlorting generalities in the lace ol tremendous moraland ideological confusion, ll Americans were no longersure ol what they were tor, at least they thought that theyknew what they were against. Bom in this era ol the V let¬nam malaise was a "protest culture," which has continuedto grow and mlluence public opinion ever since.During this confusing period ot disengagement lrom theVietnam War the policy ol detente was also born. Althoughdetente was based on an emphasis ol cooperation over con-irontation, it would prove to be more empty, more illusory,and even more dangerous than containment. Why?Continued on page 25The Chicago Maroon—Friday, November 19, 1982-7MAKELATE NIGHTSGREAT NIGHTSATMORRY’SDELIFROM 7:00 PM - 10 PMHot, jumbo -|Pastrami sandwiches L• Hot, jumboRoast beef h 59sandwiches XCOME TO MORRY’S• Great Food• Incredible low prices• Fantastic savings• Friendly serviceMORRY’S LATENIGHT SPECIAL“BEST BUY IN TOWN”MORRY’S DELI5500 S. Cornell %m MemberAmerican Optometric AssociationDR. M.R. MASLOVOf I0METMST• EYE EXAMINATIONS• FASHION EYEWEAR• ALL TYPES OFCONTACT LENSESASK ABOUT OUR ANNUALSBtYlCE AGREEMENTLOCATED INTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100 Used desks,chairs, files,and sofasBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8.30-5Sat 9-2IBM SELECTRIC, FREE 4 POINT CHECKFROM NOV. 19 TO DEC. 10,1982(CARRY IN SERVICE ONL Y)WE WILL: 1. Oil Motor2. Check Tilt and Rotate Adjustments3. 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IF REPAIR IS NEEDED,20% OFF OF OUR REGULAR PRICEUNIVERSITY OF CHICAGO BOOKSTOREOFFICE MACHINE DEPARTMENT970 EAST 58TH - 962-7558 753-260'(180)-5-4364 master charge'SPECIALSHARP EL-220LCD,HANDHELDCALCULATOR$7952 BATTERIESINCLUDEDO^0 WEEKLY RENTALSNOW AVAILABLE ONIBM CORRECTINGSELECTRICS.$20 for the frist week, $15 each addi¬tional week, or our monthly charge of$54 up to two consecutive months ofrental may apply to the purchase of anew IBM at time of rental return only.Current U of C I.D. must be shown torent.Some Used correcting selectrics stillavailable at $739.00 Non Corr. at $499.00.★★★★★★★★★★★★★★★★★★★ We Have:•Battery Packs andadaptors for mostT.l’s,H.P.’s and Casiocalculators•Typewriter Pads•Typewriter Covers•TypewriterCleaners•IBM Elements•Mini & MicroCassettes•Ribbons for mostTypewriters andCalculatorsit,Cy%8—The Chicago Maroon—Friday, November iy, iy&>GREY CITY JOURNAL19 November 1982 • 15th YearSeated Figures, 1974-75, at Zacheta, Warsaw, 1975ABAKANOWICZ: LOCATING ARTby Beth MillerThe room is a long low rectangle. En¬trance to it is from one of its shorter sides,its floor is a glossy, light brown linoleum,speckled with bits of white. The walls andceiling are a flat white. On the ceiling, whitetrack lighting runs parallel to the long side.Strewn throughout the room are eighthundred objects, varying in size from that ofa large pebble to that of a small boulder,each with a shape, color, and texture some¬what reminiscent of a potato. Many of thelarger pieces lie piled in a heap in the farcorner of the room. Smaller ones are scat¬tered in drifts towards the entrance. A few,two of them large and about the same size,one much smaller and rounder, seem tohave migrated away from the others, open¬ing a pathway in the field of objects. Eachpiece has an outer casing of burlap, nylon,or gauze, pieced together in sections withdeliberate hand stitching, which serves ei¬ther to conceal or to reveal a tangled interi-or of wrapped and twisted hemp. No twolook precisely alike. Each conveys a sense of softness.The above is a description of Embryology,one piece in a major retrospective of thework of Polish artist Magdalena Abakan-owicz. The show was organized by the Muse¬um of Contemporary Art, and in collabora¬tion with the Chicago Council on Fine Artsand The Chicago Public Library. Abakan-owicz herself executed the installations: herearlier pieces, a senes of large scale, threedimensional weavings entitled Abakan s(1967-72), can be found at the CulturalCenter, and more recent works (includingEmbryology (1978 80) at the MCA. The showmarks the 15th anniversary of the MCA, andis their largest to date. iFor this exhibition,the Museum is instituting a discretionaryadmission policy.) The catalogue accompanymg "Magdalena Abakanowicz" is nicelydone and comprehensive (and accordinglyexpensive).What can we say when we walk into aroom furnished with eight hundred stuffed,egg shaped objects, all different sizes andshades of clay brown? Abakanowicz's fiber sculptures are widely acclaimed in Europe,and the MCA has made the claim that she isPoland's most important artist. Embryo¬logy is also said to be one of her most impor¬tant pieces. Whether or not we understandor agree with these assertions, whatever ourimmediate reaction and subsequent feelingsabout the pieces may be, viewing Abakan¬owicz's work and listening to what is re¬marked of it brings to mind questions whichcan be asked of any and all art objects, yetwhich at least to my knowledge and satis¬faction have never been fully answered.What kinds of things do we as viewersbring to our viewing of an artwork? Evenbefore we have seen or heard anything of aparticular artist's work, our conceptions ofthe terms "art", "art object", and "artist"equip us with tools we will use in measuringthe particular candidate's viability; it is notthe relative rigidity/flexibility of our con¬ceptions which influences our evaluation inone direction or another. Our pre existingconceptions derive partially from our experience, or lack of experience, with other things we have accepted or reiected as "artobjects", and partially from whatever weknow and understand of evaluations otherpeople have likewise made. It is in this sensethat our conceptions can be said to be sublective. Comparisons of what we are presently viewing to memories of our past en¬counters with "art" may be both consciousand subconscious.The vocabulary which has evolved bothout of these previous experiences and out ofthe knowledge gamed from another's evalulation (as, tor instance, from the study of thehistory of art, or of the problems of any particular medium) is perhaps the most mnportant set of ideas we bring to a viewing of art.It is this tool of language with which we willnecessarily discuss any potentially new artwork, if we are to discuss it at all.How is Abakanowicz's fiber sculpture tobe discussed? The kinds of preconceptionswhich come to bear on our impressions ofher work primarily evolve out of unfamil¬iarity, rather than familiarity. We may becontinued on page 4Kingston SSMines j BLUES 477-4646\CVw Open until 4am.sat til 5am.Fri. & Sat.Nov. 19 & 20 Welcome home party fromsuccessful European TourEddie Shaw & The WolfgangSun., Nov. 21 Robert Covington Blues Showwith special guest Zora YoungMon., Nov. 22 JamTues., Nov. 23 Big Time Sarah Blues BandWed.. Nov. 24 Mark Hannon Blues ShowThurs., Nov. 25 Valerie Wellington ShowSunday - Thursday:$1 off admission with current college I.D. The; Sem inary ;•;•;•Obbp! 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Broadway743-1444We bring the whole world...to YouA I 11 I i I I I I 11 i i i11n\Tonight at 7:15 and 9:30: Grace Kelly and Kay Milland star inAlfred Hitchcock’s DIAL M FOR MURDER iDue to producer dii-ficuities the film cannot be shown in 3-D. We regret this last minutechange;.Tomorrow at 2:3Q: One of Disney s best live action comedies - star¬ring Fred Mac Murray and Annette Fufllcello: THE SHAGGY DOGThen at 7:15 and 9:30: a poignant film of coming ol age during thesixties. Arthur Penn’s powerful FOUR FRIENDS, (sep adm.)Sunday at8:00: Another Doc Anniversary Event:Mas Ophulus LOLA MONTES followed by a talk with ANDREWSARRIS noted Village Voice critic and author ol the AmericanCinemaAll Films Cobb Hallmm DOC FILMS*6 t?2—-FRIDAY, NOVEMBER 19, 1982-THE GREY CITY JOURNALDANCETogether Again Modern dance is tun?Yes, it at least one ot the dancers isCharlie Vernon. If you've never seenany modern dance in Chicago, try this.Choreography is by Vernon, BobEisen, and Carol Bobrow; Poonie Dodson and Richard Woodbury join themin the dancing. At the Dance Center ofColumbia College, 4730 N. Sheridan,tonight and tomorrow night at 8 pm,and next weekend as well. Tickets areS5 for students. For reservations, call271 7804. — BMCinderella What is NYCB prima bal-lerina Suzanne Farrell doing dancingthe principal role in a production puton by our humble city's young andstruggling resident ballet company?Cinderella was a box office successlast year, and will probably fall quietlyin step behind Ruth Page's annual hoiiday Nutcracker production. Choreography is by CCB Artistic DirectorPaul Mejia (who happens to be Farrell's spouse); music is by Prokofiev.At the Auditorium Theatre this weekend and next. Ticket prices (a bit steepfor a new company?) range from S3 toS18, for info, call the box office at922-6634. — BMMUSICRita Warford was not herself Mondaymght. Instead, she sang her interpretations ot Bessie Smith, Billie Holiday,Sarah Vaughan and Betty Carter in atribute to these jazz greats. Womansong.Warford changed her voice fromclear and strong (for Bessie and Ella)to soft (for Billie), capturing their subtie styles with her voice and bodymovements.On the side of the stage stood herbackup, a combination of excellentmusicians. The show began with theirjazz intro, followed by an actress recit¬ing prose Angela Jackson wrote inpraise of the singers. When Rita Warford came on, she sang a West Africansong, then a black spiritual — I forgotabout the actress, and the musiciansbecame a blur of background to hermagnificent voice.These two songs highlighted the diverse traditions which influenced thejazz singers. When Warford sang Bessie Smith right after the spiritual, itseemed appropriate — it was excitingto hear the spiritual in Bessie's style.Although Warford's performance otthese influential jazz artists was enioyable, it was a departure from theusual iazz experience; I didn't feelthat there was a connection betweenmyself and Warford. The usual performer/audience intimacy of a jazzgig was replaced by the atmosphere ota show because Warford was acting inthe styles of the singers.There was a real difference betweenWarford singing her own work, as shedid at the end of the show, and Warfordsinging and being Ella Fitzgerald. Shescatted more freely when she was herself than when she was Ella, and hermusic revealed the beautiful richnessof her voice. The sculpted precision ofher hand motions was gone and herbody moved naturally and openly.The direct singer/audience rapportclicked when Warford sang BettyCarter, though. Warford struck aleather cap on her head and elaborately imitated Carter's vocal mannerisms and gestures. Anyone who hasever seen Betty Carter knows how herwhole body gets into the act, pausingwhen the song pauses, gestures hanging with the hanging of a note. Warford's performance was funny but nota parody. It was as if she was sharinga warm secret with us about a woman who is still one of the most originalsingers around.The one sorry feature of Womansongwas the actress who spouted poeticparagraphs introducing Warford eachtime she sang as a different singer.The actress used carefully enunciatedspeech and carefully moderatedtwitches of her hand in her stylizedrole as "the audience." I caught a playon women's "history" and "herstory,"and that gave me the clue that maybethe prose section of the show had im¬portant controversial things to say.Unfortunately, the actress was so annoying that l was too impatient to listen to her.You should go and see Womansongbefore it closes. Crosscurrents housesit every Monday in November at 8:00pm. S3 admission with a one drink minimum. —ASLandscapes and Conversation ComposerGregory Brosofske says about hismusic, "I use classical Persian andNorth African elements within a Euro¬pean disco context. All the music onthe program is intended as dancemusic, or uses a specifically Detroitdisco sound as a point of departure."Brosofske will perform three newworks, at the Clybourn Salon, 1647 NClybourn. Fri & Sat, Nov 19 & 20 at 8:30pm. Admission is S3.Ewan MacColl and Peggy Seeger appearing Fri, Nov 19 and Sat, Nov 20 at8 pm. At The Old Town School of FolkMusic, 909 W Armitage. Tickets are $7,S6 for members For info call 325-7793.University Chamber Orchestra per¬forms Corelli's "Christmas" Concer¬to, Haydn's Symphony No l, Rossini'sString Sonata No 1 and Vaughan Wil¬liams' Concerto Grosso. Sat, Nov 20 at8 pm in Goodspeed Recital Hall.U of C Symphonic Wind Ensemble Au¬tumn Concert. "An Evening of Ro¬mantic Masterworks" featuringMovement II of Beethoven's Sym¬phony No 7. Sat, Nov 20 at 8 pm. Man-del Hall, 37th and University.Chicago String Ensemble Conducted byAlan Heatherington, performingmusic of CPE Bach, Haydn, Riegger,Stout and Diamond. Sun, Nov 21, St.Paul's Church, 655 W Fullerton al 3pm. Discounts for students and seniorcitizens. Call 880 5255 for details.Noontime Concert at Bond ChapelKarenn Andrie, cello; Lyon Leifer andNobuko McNeill, flute. Works by Loeil-let, Telemann and Beethoven. Mon,Nov 29 at 12:15 pm. Free.Centennial Singalong celebrating the100th anniversary of Gilbert & Sulli¬van's loiantne. Sponsored by SAO andThe Gilbert & Sullivan Opera Com¬pany. Complimentary refreshments.Mon, Nov 29 at 8 pm in the CloisterClub, Ida Noyes Hall, 1212 E 59th St.Admission SI, free with U ci'C ID. Formore info call 753 3591 (days) or241 6680 (eves).FILMDial M for Murder (Alfred Hitchcock,1954) Fri, Nov 19 at 7:15 and 9:30 pm.Doc $2.The Shaggy Dog (Walt Disney Studios,1959) Sat, Nov 20 at 2:30 pm. Doc. S2.Four Friends (Arthur Penn, 1982) Sat,Nov 20 at 7:15 and 9:30 pm. Doc. S2.Rebecca (Alfred Hitchcock, 1940) Theclassic suspense novel by Daphne duMaurter becomes a classic Hitchcockfilm, in her first film Joan Fontaineplays an awkward young girl whomarries the older and dashing Maximde Winter (Laurence Olivier). Hebrings her home to his magnificentCornwall estate — Manderley. AtManderley the second Mrs. de Winterlives in the shadow of her predecessor— the beautiful Rebecca who died in atragic sailing accident just a year before. But was Rebecca's death an ac cidenf? Why is her cousin, her bestfriend, so suspicious? Why does Mrs.Danvers, the housekeeper and Rebecca's maid, still keep her room readyfor her return? What did The estateidiot see on the beach? And why doesMaxim himself refuse to talk aboutRebecca? Rebecca is a fine film worthseeing for the first or the fifth time forHitchcock's direction, tor the cinematography, and to remember that longago Olivier chose his films accordingto merit, not money. Sat, Nov 20 at 7and 9:45 pm. LSF. $2. — KKLola Montes (Max Orphuls, 1955) in hislast film, director Max Orphuls transforms the trite tale of an avariciouswoman who finally finds but eventually loses true love, into an absorbingcinematic experience. While the plotof Lola Montes is nothing more thanlate night tear jerker, the fluid direction of Orphuls is, some would argue,the sluff that art is made of. Thecheckered romantic career of LolaMontes is retold in both traditionalflashback form and in a series of stunning circus scenes, it is in these circusscenes that Orphuls pulls out all hisdirectorial tricks. From the flashycamera angles to the artfully composed scenes to the imagistic irony,Orphuls leaves no doubt that he is atechnical master. Still, it's a shamethat Lola Montes is such a silly story.Lola Montes is a film tor the auteuristand a film for those who vicariouslyenjoy the story of a woman who does"all the things the woman in the streetlongs to do, but never has the courageto."After Lola Montes, Andrew Sarris,film critic of The Village Voice and anexponent of the auteurist theory, willspeak. Sun, Nov 21 at 8 pm. Doc. S2.-BKFrom The Ashes (Helena SolbergLadd, 1981) This movie is about the Nicaraguan Revolution and U.S. attackson it. Made for PBS, From the Ashestraces the history of Nicaragua frombefore the 1930's, through the revolution, then focuses on a working classfamily in Managua, and the effects ofthe revolution on them. Another central theme is the counterrevolution,and some chilling interviews with Somocista ex-National Guardsmen,training in Florida, are included. Thisis one of the best films on Nicaragua,and is made especially timely by themounting evidence of U.S. war efforts against that country in Newsweek andelsewhere. Sun, Nov 21, 7:30 pm. IdaNoyes, 2nd floor. East Lounge. — JCDr. Bull (John Ford, 1933) Mon, Nov 22at 8 pm. Doc. SI.50.The Bank Dick (W.C. Fields, 1940), DuckSoup (The Marx Bros., 1933) and MyLittle Chickadee (W.C. Fields, 1940)Mon, Nov 22 at 7, 8:30, and 10 pm, respectively. I House. $2.ARTArt for Young Collectors Since The Renatssance Society proves its commit¬ment to the presentation and appreciation of serious art with notablefrequency and no small degree of suecess, a self proclaimed plug for its an¬nual sale of art is not out of order. Theheart of this year's offering is a codection of over 1000 Japanese prints;works by younger artists without gallery affiliation are also more nu¬merous than in the past. One may alsoexpect the customary older prints,donated works in various mediums atbargain prices, painting, etching, pottery, photography, jewelry, and so on.Remember: if ypu arrive early andshop carefully, your selection mayplease you or someone you love longafter its cost has been forgotten, andyour enthusiastic consumption willsupport what must be counted amongthe better bargains around, the Society itself. Even rich people of questionable taste are welcome, though notuntil Sunday, Nov 21; those with realsense are already members and arewelcome tonight, 8 10, and tomorrow,11-5. Through Nov 28 includingThanksgiving day, 11 5, in the Bergman Gallery, fourth floor Cobb.962 8670. Free. —DMIndustrial icons, sculpture by NancyMetz White, ends this Sunday, Nov 21,but not before it inspires dance andsound improvization by Kathleen Maitese and Michael Zerang at 2. MidwayStudios, 6016 ingieside. Performance,S2; $1 students.Chicago Furniture 1982 New woodworkmg by seven designer craftspeople.Opening Sunday, Nov. 21, 5 8, at theHyde Park Art Center, 1701 E. 53rd.Through Dec 18: Tue Sat, 11-5,324 5520. Free.Art of New Guinea involves two sorts ofart. One, about 100 "ancestral and ceremoniai objects," is authentically na tive. The other, 12 black and white photographs of costumed natives byIrving Penn, is unabashedly foreign.Art m a commercial setting is supposed to sell, but usually only itself.Penn's firm, not inconsiderate stylegains more: the photographs makebeautiful a system of meanings thatwould otherwise appear opaque,weird. It is to Penn's credit that he hasrecognized (in print) the transformingpower of his work (though not theseproductions in particular). But wouldwe enjoy the sight of these nativesnearly as much as we may enioyPenn's rendition of them, would theartifacts sell as well if Penn's effortswere not there to help them along fromone world to another, is not the exoticmade beautiful a more pernicious cutturat appropriation than Pepsi mChina or American radar in Turkey,especially when (as here) it is welldone, subtle? One feels a contradictionhere between a solidly performed artistic effort and the use to which it hasbeen put. Through Jan 8 at DouglasKenyon Gallery, 155 E. Ohio, Tue Sat,9:30 5. 642 5300. Free. -DMSol Lewitt Wall drawings and works onpaper. Opening tonight, 5-7 at theYoung Hoffman Gallery, 215 W. Supenor. Through Dec 31: Tue Sat, 10 5:30.951 8828. Free.Two Art Performances: Thunderhead, AVisual Treatise on the Common Migrame Headache, by E W Ross, andTwo Hands Travelling by Woody Haid.At Morning, 1034 W Barry, Nov 20 and21 at 7 pm. S4.Fibert Painting and Sculpture: Re-defi¬nitions A lecture by Patterson Sims,Associate Curator, Whitney Museumof American Art, NY. Tues, Nov 23 at 7pm m the Auditorium of the School ofthe Art institute of Chicago, ColumbusDr. at Jackson Blvd. Free. For moreinfo call 443 3710 or 443 3791.THEATERUnder Milk Wood Dylan Thomas' "playfor voices" is about a day in the life ofa small Welsh village. Thomas tookten years to write this play, originallycommissioned as a "radio play" forthe BBC, attempting to create a warmand comic impression, an "entertainment out of the darkness" of his adopted hometown Laugharne. Directed byNicholas Rudail (a native of Wales).Court Theatre, 5535 S. Ellis Ave. Tickets for Court productions are nowavailable at the new box office in thetheatre building, 753 4472. Prices. SllFris and Sats, S9 other performances,S3 student rush tickets are generallyavailable for Wed, Thurs, and Sunshows on the day of the performance.'our Move, an original musical by JeffBerkson and John Karraker opens Nov24 at Victory Gardens Theatre, 2257 NLincoln Ave. Previews Nov 19 throughNov 23 at 8 pm, tickets: S7.50. Regularperformances Tues through Fri at 8pm. Sat at 6 pm and 9:30 pm. Sun at 3pm. Regular performance tickets atS9 $12 with a S2 discount for seniorsand students. Call 871 3000 for reservetions.MISCAmiri Baraka, the Afro American poetand playwright formerly Known asLeRoi Jones, will read from his workFri, Nov 19 at 8 pm at The PoetryCenter, The School of the Art instituteof Chicago, Columbus Dr. and JacksonBlvd. Admission: S3.50, $2.50 for students and senior citizens. Tickets soldat the door the mght of the event. Formore info call 446 4063.Isabel Escobar, member of the Saivadoran women's organization, AMES,will speak on "Women in El Salvador:working for social and politicalchange." Tuesday, November 23, at4:00 m Ida Noyes.Poetry at the Pub? The Pub js lookingfor a few good spirits to read their ownpoetry. If interested please submit asample ot your writing (3 5 piecestyped double spaced) to Eleanor mRm 210 Ida Noyes, include your nameand telephone number. Poets may beinvitee to reading dates in the Winterquarter.Grey City Journal 11/19/82Staff: Abigail Asher, Nina Berman, Curtis Black, Pat Cannon, John ConIon, Pat Finegan, Keith Fleming, Steve Haydon, Sarah Herndon, MichaelHonigsberg, Richard Kaye, Kathy Kelly, Bruce King, Madeleine Levin,Marla Martin, Richard Martin, Beth Miller, Mr. and Mrs. Movie, PatO'Connell, Paul O'Donnell, Maddy Paxman, Sharon Peshkin, John Probes,Abby Scher, Rachel Shtier, Cassandra Smithies, Beth Sutter, Cate Wiley,Ken Wissoker.Fiction and Poetry Coordinator: Judith Silverstem.Editorial Board: John Andrew, Lisa Frusztaier.Production: Steve Diamond, Nadine McGann, David Miller.Editor: Nadine McGann.THE GREY CITY JOURNAL-FRIDAY, NOVEMBER 19, 1982-3KARL REPORT: BUREAUCRACY, OR POLISHING THE IVORYby John AndrewSince the day when the Karl Report wasofficially presented in the Chronicle, Oc¬tober 28, few substantive changes havetaken place. President Gray has met withgroups of professors to ensure that the re¬port is seriously considered and the Govern¬ing Committees of the divisions have se¬parately hashed over the report. From DeanSiniako and other professors, I have learnedthat two issues have been prominent inthese discussions.First, who is going to be on the CollegeCouncil? If the aim of the Karl Report is tomake the College Council the primary gov¬erning body in the College, it is obviouslyimportant to ensure that the people on theCouncil accurately represent the diverse in¬terests in the College. The Karl Report sug¬gests that the Council should consist of theGoverning Committees of the divisions andthe Governing Committees should each bemade up of nine faculty members. The Mas¬ter will select three (3) individuals whoteach in general education courses, theDean will appoint three (3) individuals torepresent the concentrations and the divi¬sional faculty will elect three (3) additionalmembers. The aim of this model of the Gov¬erning Committees is to force its membersto represent the different levels of educationprovided in the divisions — general educa¬tion, and the concentrations — and to repre¬sent fairly the various areas within each di¬vision. The problem is that the divisionshave an unequal number of faculty and anunequal number of areas of concentration.While there are at least twenty differentconcentrations in the Humanities (from Artand Design to South Asian Languages),there are only nine in the Physical Sciences.Consequently, each division is consideringseparate models for their governing com¬mittees which will more accurately repre¬sent the numbers of faculty and number ofconcentrations within their division.The second issue concerns the scope of theDean of the College's power. Will he or shebe able to override curriculum decisions ap¬proved by the divisional deans, oh merely coordinate the business of the College Coun¬cil? Will the Dean have a priveleged relationto the Provost which will allow him or her tosignificantly affect tenure decisions so thatthey serve the purposes of the College? Willthe Dean have more direct control over howfunds are distributed amongst the divisions,and will the Dean be able to reward profes¬sors who spend an extraordinary amount oftime leading general education courses?The fear of Dean Levine and Dean Siniakois that the goals of the Karl Report will befrustrated by endless faculty squabbles overthese issues and by simple inertia. Dean Sin¬iako said, “one of the problems with institu¬tions of higher learning is that they are go¬verned by faculty who turn over very, veryslowly. They are extremely conservativeand resistant to change (even good changes,although sometimes resistance to change isgood...), and a lot of things are simply donethrough inertia.” Unless the supporters ofthe Karl Report act quickly and energetical¬ly, the report could die in stillbirth like DeanLevi's proposal did in 1966.In order to help rescue the Karl Reportfrom bureaucratic strangulation, Dean Le¬vine has roughly outlined a time table for itscompletion. By the end of this quarter, hehopes that the College Council will havewritten specific laws which are needed toabolish its current organization and createthe new College Council. During winterquarter, he hopes the University Senate willapprove the new laws and that the new gov¬erning committees will be elected and ap¬pointed. In the spring Levine hopes that allof the new administrative machinery will bein place and the new college council wiHmake “substantial changes in the Core andthe rest of the College curriculum." We willhave to wait until the spring to see “substan¬ tial changes," and content ourselves now bytrying to untangle the organizationalthreads in the bureaucratic web.IVORY STRUCTURE AND INERTIAI would also like to clear up a few miscon¬ceptions. It seems that Robert DiSalle pur¬posely misread the opening paragraph ofmy article so that he could expound hisviews on the value of a liberal education. Hesays that I make a distinction between twotypes of education, loosely labelled the"ivory tower" brand and the "real world"brand; and, that I deride the latter in favorof "a utilitarian conception of education,(that) demands palpable results, discounts,thought in favor of a program of action inthe social world, which is presumed to bemore 'real' than the intellectual world"(GSJ 11/5). In effect, DiSalle wants me tosay that I think the College should be somesort of higher technical high school in whichwe learn enough math to balance our check¬books, or enough English to read a Chevyservice manual. Of course I do not acceptthis vulgar view of education (although mycheckbook does not balance and my Chevydoes not run — for reasons independent ofmy knowledge of Calculus and Shake¬speare), and furthermore, I do agree withDiSalle "that each discipline has a neces¬sary connection to ourselves as thinkingbeings, that physics and literature have dis¬tinct but equal claims on the attention of aninquiring mind..."If DiSalle had bothered to read what Iwrote in the first paragraph of "Life of theBlind" maybe he would not have blasted myarticle with his pompous diatribe. My thirdsentence reads: "After all, as all of the Col¬ lege Brochures tell us, the University of Chi¬cago is not an ivory tower but an intellectualfort which merges into the real ghetto worldsurrounding the quadrangles." I do not seythat the College is not an ivory tower. Thatis stated in the College Brochure for Enter¬ing Students published in 1980. Further, theCollege Brochure does not state that the Col¬lege is a pre-professional school or a sort oftechnical high school. It simply claims thatacademics at the College do not study theproblems of ancient Greek society in a vacuum: they use their inquiry to shed light onthe problems in Chicago's ghettos.This is why I contrast the metaphor of an"intellectual fort" to the worn metaphor ofan "ivory tower." An ivory tower seems tobe a luxurious and exclusive structure. Aplace in which noblemen live, hide and for¬get about the groveling, muddy world sur¬rounding the ivory stones of the tower. Onthe other hand, the metaphor of an intellec¬tual fort certainly does not connote imagesof luxury or even exclusiveness. A fort is aplace where supplies are kept and plans andstrategies are debated and outlined. A placein which you are temporarily secure butalso a place from which you are preparingto leave: whether to fight a battle or to ex¬plore new territory. The reason why I par¬tially paraphrased these metaphors is toshow that I agree with the aims of liberal ed¬ucation as stated in the College brochures.But, as I state in my final sentence of thefirst paragraph, I disagree with whatcourses the College offers for a liberal edu¬cation and I also disagree with the way inwhich these courses are structured into theCollege Curriculum.This objection of DiSalle's is not veryserious because it rests on his inability toread, a skill which I presume is taught in thegraduate division of the Humanities. My ob¬jection brings us back to the Karl Reportwhich is essentially an outline for an admin¬istrative reorganization of the College — areorganization which might eventually re¬sult in what courses are offered and the wayin which courses are integrated into the cur¬riculum.f-.XJRSE IDEAS, 0ABAKANOWICZcontinued from page 1somewhat familiar with the medium of fiber(burlap, sisal, hemp, etc.) but probablymore as a medium of "craft," rather than"art." The distinction between the two is ofcourse unclear and quite problematic, andthus tends either to polarize our discussionor to make it untenable. The traditionalcraft of weaving has a history in the prod¬uction of rugs and tapestries throughout thecenturies, but the type of weaving or the ma¬nipulation of fibers Abakanowicz uses tocreate her forms has a much shorter andless well-known history. Accordingly, nospecific vocabulary has evolved to describeor analyze the medium.Again, when Abakanowicz employs foundmaterials, as opposed to weaving and dyingher own (as in her use of burlap; in her useof twigs and logs in Pregnant (1981) andTrunks (1981); and in her use of thick industrial rope in Wheel with Rope (1973), indeedin any of the series of rope installations shehas put on), our immediate inclination is toreview precedents in the artworld, and thisleaves us feeling uncomfortable: "Whycouldn't l have done that?" What is specialabout a particular objecf, if its productionrequired no special skill? We have a notionthat art has to do with overcoming difficul¬ties in creation; historically art has to somedegree showcased talent.And again, if it is the case that particularpiece depends at. all upon its spatial or tem¬poral location, on the room it is in, or on thepoint in time at which it is exhibited, we areat a loss for what to think. We tend to believethat these elements cannot be part of the ob¬ject as art, for they do not belong to that setthe artist has created. The artist is ngt heldresponsible for these properties in the sameway he/she is responsible for an object's invmediate make-up.Abakanowicz herself executed these in¬stallations, and we are told that she con¬ceives of her pieces not in isolation but in anexhibition environment — she conceives of each total space as the summation of sepa¬rate pieces within it: she doesn't like to arbitrarily section off one work from another,even in photographs. With Embryology, theviewer can literally walk through the com¬position, between the oviods; there is no oneplace to stand and view. Given this kind oforganic relationship with the gallery space,where is it that the room ends and the artobject begins?Furthermore, how can the interrelation¬ship of two or more works, each with at leastseveral pieces, each conceived and createdat different points in time, contribute to theproperty of "art"-ness which belongs toeach individually? (See the room at theMCA containing Backs (1976 82) and Trunks(1981), or the one with Heads (1973-75) andSeated Figures 11974-79). Placement withinone particular exhibition space is never replicated in the next; each installation isunique. Given this, if placement is a proper¬ty of an object's being art, then each "ob ject" constitutes a different "art object" inevery new location.The kinds of things we bring to our view¬ing of an art object, the kinds of preconceptions we hold, will come forward in the lan¬guage we use to discuss the work. And thediscussion of an art object is at least a par¬tial clue to what goes on in the process ofviewing art. But if Abakanowicz's workraises questions about the "location" of art,about the actual boundaries between viewerand object, to concomitantly raises questions about the boundaries between the ar¬tist and the art object. We find ourselves ac¬cepting or refusing to consider certainelements according to the degree to whichthe artist can be held responsible. Of courseit is impossible to perfectly discern the relationship betwen the artist and his/her work.Whenever we talk of the artist's intention wewalk on thin ice. But we can talk about theprocess of creating an art object.Abakanowicz's work points us in this direction perhaps more emphatically thanmost in light of its unconventionality. Because the medium is new to us, we cannot besure about what is.signified by the mediumitself, let alone what is represented in a particular instance. We focus on the decision toreject conventional mediums, to embrace anew one. We'use what we already know totry to understand, by difference, what wedon't.Abakanowicz has said that in-using fiberto create she is not fabricating Nature, butthe objects which result themselves tielongto Nature. She speaks of wanting to subor¬dinate herself to Nature, so that she mightcome to understand the- mysteries whichseparate her from it (see "Portrait X 20", aprose poem by the artist in the exhibitioncatalogue Abakanowicz). She seems to retain an element of superstition or mysticismfrom her childhood- encounters with ghostsand legends: she finds strange powers, inexplicable forces in Nature. All the timespent as a child alone in the forests ormarshes surrounding her home, hoardingtwigs and stones and shards, and the inter¬ruptions into her inner world by the violenceand hardship of constant war, seem to have accumulated within her, feeding an insati¬able imagination, driving the urge to create.Abakanowicz speaks of her concern for thekinds of effect modern society has on ourphysical and emotional make-up. Accordingto biology texts she has read, the stress andtension we commonly experience has the potential to alter us chemically. When we viewthe twisted, gnarled interiors of Heads, orthe almost pathetic resignation in the col¬lapsed posture of the figures in Backs orSeated Figures, we can make conceptualconnections between the artist and herwork.But we are not expected to know the details of an artist's life when we view his/herwork; often they are unavailable. We canstill, however, get at the creative process byinterring from the finished product. Aba. kans obviously involved incredible amountsof time, time spent in preparing the fiber, indying and twisting, as well as in the actualweaving; looking at the number of pieces inEmbr/ology we can imagine the time spentin stuffing and stitching; Pregnant musthave required the artist's careful attentionin wrapping and layering the wire. We maynot be totally accurate in our conjectures,but the importance is that rf we can getsome idea of the type of decisions the artistmade in the creative process, we can moreclosely approximate his/her relationship tothe art object.What we bring to our viewjng of Embryology, and what the artist has given.to thework during tt^e creative process are bothquestions which direct us to- the most obvi¬ous and yet most elusive question — what isit that we take home with us after viewing'?What ha$ been communicated between ar¬tist and viewer, or perhaps more clearly, between art object and viewer?.Whatever it is,whether or hot it is the same for all viewers,any medium of art speaks for itself* andcannot be translated but only roughlyparaphrased in an analytical and referen¬tial vocabulary. But an understanding of ourown point of reference in the process ofviewing, and an idea of the creative processitself will strengthen what we have gained inthe act of viewing an art object.4—FRIDAY* NOVEMBER 1*, 1W2-TME GREY CITY JOURNAL|T^W-ini whwwmmwu*. C, |,SGIVING VAANDRE CHAMPAGNESBUY2GET1FREE750 ml 329 ea.FRENCH WINESLOUIS JADOT BLANC-VILLAGES 1981 ; 7"ROPITEAU POLILLY-FUISSE 1980 9"OLIVER DE FRANCE(BORDEAUXRED or WHITE) 4" /4800 Case GERMAN WINESERIKA LIEBFRAUMILCH ... ;50m, 239029KELLERGEISTER 75cPIESPORTERMICHELSBERG SPAT 649WEHLENER SONNENUHRAUS /som,10"AVIA RIESLING, CABERNETSAUVIGNON 750m, 249(Yugloslavia)PREMIAT CASTLERIESLING, PINOT NOIR,CAB.SAUV 750 mi 2/ 5°° M9-82 thru 11- 28-82DOMESTIC WINEi.slGALLO WINES 3"3.0 CARLO ROSSI WINES 3"BRANDY750 mi J. BAVET 4"BOURBON750ml JIM BEAM 4"VODKA750ml SMIRNOFF80 4"COGNAC750 mi MARTELL 3 STARCOGNAC 1199LIQUEURS750mi KAHLUA 859750 mi GRAND MARNIER 15" DOMAINE de SAUVEBONNECAB. 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IL 60201(above County Seat)864-44416—F R IDAY, NOVEMBER 19, 1982-THE GREY CITY JOURNALn*POEMSANDPHOTOSBYLESBROWNINTHERAINFourteeninbluejeansStaringatthesunbehindAcloudTheirhairblownFourteenWatchingthesunsetBehindaredcloud.ThestarscomeoutbetweenThecloudsasthesunpullsThelightwithit.ThelightfadesandThewindpicksupandSpattersfourteenwithrain.EliotwalkedintothestreetIntherainTellingmeabouthiscat;Knockingsoftlyonstorewindows.EliotbrokethestreetlightWitharockHishairplasteredtohisfaceIntherainLeaningonwallsSmokingcigarettesTalkingabouthiscatThenleavingmealoneWhilehewalkedinthestreetIntherainInthepuddles.ButthebranchesknockagainstmyWindowinthewind.TherearequietnightsNow.ThewindseepsthroughThecornersofthewindowAnddark,tooThelightoutsidemywindowIsbrokenBythebranchesAgainstmywindow.INLOVEInablueroomHestackedpilesofpapersApparentlyforgottenandThenleftbehind.InawhiteroomAgainstthewallStandsasewingmachineBroken—itsfootpedalPulledout.HestandsintheyellowroomSmokingacigaretteListeningtotherandomsoundsOfthehouseandthetrees.ATHOMEForsomeaglancewouldbeenough.AtthestopsheturnedtowardmeAndsmiled,thenrushedawaytothesouth.WhenIwasgoingnorthIsawagirlacrossthetracksOnthetraingoingsouth.Forsomeaglancewouldbetoomuch.YouaskedmeonthestreetcornerUnderthelightIfIlovedyou.FifteenminutesIloveyou,perhapsAsnapshotIloveyou.Forsomeaglanceacrossthetracksistoomuch.ThesmellandthetasteAndthesoundofthetrainsmovingnorthandsouthIstoomuch,perhaps.Twominutesistoomuch.Asnapshot,Itoldher—Agrainysnapshot.THE GREY CITY JOU R N AL—F R I DAY, NOVEMBER 19, 1982by Cate WileyHow would you describe a play whichcalls itself a "visionary drama" — the storyof a Michigan Avenue executive who spendsone Monday night as the appointed messiahof an ancient African tribe which is at warwith the God of Death? Does it sound a littlelike the movie that weird kid in high schoolwas always making in his backyard? Wouldyou call a play like that pretentious, banal,offensive, or just plain silly?Drums, written by Donald Post and pro¬duced by the Pary Production Company, isall of the above and then some. It is the tale(set to music, no less) of Arthur Goldstein,an average Chicago Joe who is accosted oneMonday evening on the El by a black manwearing — gasp — a grass skirt andfeathers. He greets Arthur by name and in¬troduced himself as Baja, sent from the un¬derground by his tribal chief N'GomboQuey. N'Gombo's daughter has had a visionthat Fee, the Death Spirit, is planning to descend on an unsuspecting Chicago that verynight. Arthur, who in a former life was actu¬ally an African warrior and also wore agrass skirt, has been appointed the tribe'smessenger and he must warn Chicago ofFee's coming. (Exactly what Chicago issupposed to do once it hears the news is un¬clear; "be alert" is all that is ever speci¬fied.) Arthur is a little disconcerted to findthat no one else riding the El can see this"nut-case," but thinking to placate Baja heagrees to follow him to the underworld tomeet N'Gombo Quey and his daughter.Baja descends at the next El stop, but Ar¬thur, the sneak, doesn't follow him. He getsoff later and goes to a bar for a couple ofdrinks. He phones his girlfriend and has anoverly long "You won't believe this, but..."conversation with her and hangs up swear¬ing because she won't believe him. inciden¬tally, Arthur swears a lot, for no apparentreason other than that the playwright wantsus to know that he is a Real Guy Just LikeUs. We, however, are not fooled. He is noby Karen HuntThe Biackfriars' production of FrankLoesser's Guys and Dolls (showing this Fri¬day, Saturday, and Sunday at eight o'clockin the Reynolds Club Theatre) is energeticand entertaining. Of the shows recentlydone by Biackfriars, this musical, directedby Eric Nelson with musical direction byDan Stetzel, is one of the better ones. Anyrough spots or awkward moments it has areovershadowed by the energy which the castacts and sings, and by the script itself.The musical, set in New York during theearly fifties, centers around the crap shoot¬ing guys and the strip teasing dolls of thatera. There are two romances in the story:one between just such a guy and a doll, andthe other an accidental affair between agambler and a missionary. The fact thatboth romances end in a predictable way more like us than Captain Kirk is.Still in the bar, Arthur strikes up a "Youwon't believe this, but..." conversation withthe guy standing next to him. All of a sud¬den, out of the blue, like a flash of lightning,the other guy is struck with a green light anda few bars of weird synthesizer music, hasconvulsions complete with rolling eyes andgagging, and tries to kill Arthur with a cork¬screw! Sound incredible? Believe me, itwas. The possessed man reveals himself asthe "Chameleon" (more weird synthesizermusic), sent by the Death Spirit to killN'Gombo Quey's messenger. Just as he isabout to do Arthur in he falls writhing to thefloor, victim of a poisoned dart thrown in thenick of time by Baja. Arthur and Baiaescape into the night, and, well, the storygoes on from there. Arthur accepts his mis¬takes nothing away from the show. GregGreiff (as Nathan Detroit) and MarianneCurre (as Miss Adelaide), both strongactors and singers, work very well together.Ms. Curie's performance is especially good,and although her New Yawk accent is notconsistent, it is as obnoxious/charming as itshould be. Maybe some of the funny lines inthe show are not as well delivered as theycould be, but those that Ms. Curie speaks re¬ceive laughs from the audience. The otherromance, between Sky Masterson (playedby Owen Hagino) and Sargeant SarahBrown (played by Jean Majeski) is at timesnoticeably awkward. Their duets are wellsung but unnatural. Jean Majeski's voice issignicantiy better when she is acting drunk.Her drunk acting, however, is not convinc¬ing.Possibly the best pair on stage is Vince sion from N'Gombo Quey, whose daughterwas his lover in his former life, the Chicagopolice get dragged into the whole mess, andwe have the makings of one crummy play.The author has evidently not made up hismind whether he is rewriting Dr. Who orThe Last of the Mohicans. Drums is too sin¬cere to be good science fiction, too inane tobe anthropological, and too bad to be any¬thing else. Symbolism and mixed meta¬phors run rampant (at one point Arthursays: "I wanted to be a shepherd when I wasa kid, but there aren't too many sheep on theNorth Shore. Later on I wanted to be a fish¬erman..."); were the play a satire it mighthave been very funny indeed. But since Mr.Post couldn't make up his mind, he tries todrown the whole affair in forgettable musi¬cal numbers and embarrassing choreo-Freeman (as Nicely-Nicely Johnson) andAdam Katz (as Benny Southstreet). Theiracting and singing talents are exceptional,and the number "Guys and Dolls," whichthey do together, is one of the highlights ofthe show. Mr. Freeman also shows his talentfor facial expressions and movement onstage in the number "Sit Down, You'reRocking the Boat."In the same number Dan Stetzel's consi¬derable skill at musical direction, manifest¬ed throughout the production, is especiallyapparent. The song, involving almost the en¬tire cast, comes off smoothly and naturally.It shows in no small way Mr. Stetzel's expe¬rience and talent. Mr. Stetzel was also theMusical Director of Publish or Perish andAssistant Musical Director of Pippin.The supporting cast of guys and dolls de¬serve praise as well. Eric Siegel (as Harrythe Horse) is particularly impressive. But tosay the show is just a good group of actorsand directors does not do it justice. It is ob¬viously the product of hard work, and isvery entertaining as a whole. graphy. Some of the actors can sing, some otthe louder ones can't, but they all flail theirarms with enthusiasm. N'Gombo Queydoing the two-step with his scepter was, forme anyway, a wee bit overpowering. Hisdaughter and the warriors spend an inordi¬nate amount of time leaping about in a vaguely primitive manner, while the old chiefstands to the side doing a soft-shoe with hiscane.Trapped in this script and score, the en¬tire production seems to have entangled itself in a cloak of mediocrity. The set may berepresentative of Chicago streets in its jun-kiness, but its total lack of compositionmakes it a detracting annoyance. Not unlikethe set, Susan DaFoe's direction is unevenat best, unbearable at worst. Yet, the dialogue is poor, but enormous pauses betweenevery line do not make them sound any better. It is impossible to judge acting skill inthis kind of play; none of the characterswere credible and it is a shame that theytook themselves so seriously. Had they at¬tempted more camp and less Truth, theymight have gotten laughs instead ofyawns.The only palatable aspect of this show isits costumes, by the Pary Company’s resi¬dent designer Patricia Hart. She has creat¬ed some imaginative and authentic lookingAfrican tribal dress, from ceremonialmasks to skirts to bone anklets. It is to behoped that Ms. Hart will soon put her imagi¬nation to use elsewhere, as it is clearly wast¬ed in Drums.Tedious as it was, Drums did not particu¬larly offend me until halfway through thesecond act in what was, ironically, the best-performed scene in the play. Arthur has iusttold N'Gombo Quey and his tribe to findthemselves another lackey, that he is tiredof risking his life for their mythological sur¬vival, and the Africans disappear into theunderworld. Tired, scared, alone, feeling atad guilty (but by this time nobody in the au¬dience knows or cares what Arthur is feel¬ing) he meets an old down and out blackman who offers him a "concrete pillow be¬neath the stars" and a slug of whiskey. Thisold man describes himself, in song ofcourse, as the happiest creature in Chicago,having left his job and family seventeenyears ago to practice the tine art of destitu¬tion. in his creaking and charming way hecarries on about how wonderful life is withno home and no money and an endless sup¬ply of whiskey; don't we all wish we were inhis shoes? Next time you see a bum on Ma¬dison Street (or Garfield Boulevard for thatmatter), envy his carefree existence and re¬alize that he's there because he wants to be.Thus we are shown the only developed blackcharacter in Drums who is not speaking likeTonto and wearing a grass skirt. Why theold man did not break into "Shortenin'Bpead" is,a mystery to me. The biggestmystery is that after one week the show hasnot yet closed, but judging from the size ofthe audience Saturday night that happy dayis fast approaching.Drums is playing at the Theatre Buildingat 1225 West Belmont, Wednesday throughSunday. Tickets are S10 and SU on week¬ends.BLACKFRIARS, GUYS AND DOLLSThe University of Chicago Department of MusicAN EVENING OF ROMANTIC MASTER WORKSFeaturing Beethoven’s Symphony Mo. 7 Movement II: AllegrettoSYMPHONIC WIND ENSEMBLE SAT., NOV. 20, 8 PMMAM DEL HALL 57th & Lniv.FAROBAGCOOPER,DIRECTOR Free AdmissionFunded by SGFCX LUTHERAN CAMPUS MINISTRY EXPERT MECHANICAL SERVICEAugustono Lutheran Church FOREIGN & DOMESTIC CARSt 5500 S. Woodlown Avi. 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OPTICIANS1519 E. 55thTel. 947-9335mi Caetect Immi fitted bylye* •»njntifW OftMMti iili■Lab on premises tor fast service • framesreplaced, lenses duplicated and pre¬scriptions filled.RockefellerIPrerequisite forCanadian Majors.amEcumenical Serviceof Holy Communion11 amUniversity ReligiousServiceThe finest beer brewed end bottled in Canada. Imported by Martlet Importing Co., Inc., Great Neck, N.Y. © I982.THE GREY CITY JOURNAL—FRIOAY, NOVEMBER 19, 1982-9Bernard O. BrownDean of the ChapelBfolson Gokten.ThatfsITS YOUR MQVE...THE CHESS/GAMMON CLUB5101S. UNIVERSITYCHECK YOUR MATE AT THE CLUBWHERE THE ATMOSPHERE IS PLEASANTAND DISCOVER ANY KNlQHTWHERE YOUR MOVE SHOULD BE.CHESS/BACKGAMMON WITH COFFEEOR TEA. .NOW OPEN FOR MEMBERSHIP - 955-3070OPEN MON - THUR 6 pm to 12FRI A SAT 6 pm to 2 amiJoin us November 25thA SumptuousThanksgiving Day Buffet12 noon to 8:00 pmSucculent Turkey. Lamb, and Fillet of SoleOur oun sauces, dressings, and dessertsLuncheon 11-4 • Dinner 4-11Sunday brunch 10:30-2:30free parkingmajor credit cards honored1525 E. 53rd St.. 10th FloorHyde Park • 241-5600 THOMAS$ ,Dylan Thomas’UNDERMILK WOODNow - December 12Wednesday - Saturday, 8:00Sunday, 2:30 & 7:30753-4472VISA/MCDining Discounts at Mallory's Restaurant. 241-5600UC Students just $3on Wed/Thurs/Sun with “Student Rush’’(OIHI^IIIIATRHUniversity of Chicago 5535 S. Ellis Avenue MORRY’SFRIED FISHPALACE1603 E. 55thThe best friedfish dinners in townBEST BUYINTOWNMORRY’S1FRIED PERCHSPECIAL$ ^ 99INCLUDES: FRESH BATTERDIPPED PERCH, COOKED TOORDER, FRENCH FRIES, COLESLAW AND ROLL.MON-SAT11 AM - 7 PM CLOSEDSUNDAYSpecial family timesdeserve qualityKODAK ColorProcessing.For bright,clear color...just theway youlike it.Ask for KODAK ColorProcessing by name for allof your very important colorprints and slides.hi• • •10% ^Any Kodak processingFROM NOV. 12,1992 till DEC. 31, 1982OFFER AVAILABLE ONLY AT:THE PHOTO DEPT.UNIV. OF CHICAGO BOOKSTORE970 E. 58th ST 962-7558 'Offer may not bo combined with otherdiscounts or coupons ASK FOPCOLORPROCESSINGby Kodak Put the pastin yourfuture!Thoroughly renovated apartments offer the convenienceof contemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural setting foraffordable elegance with dramatic views.—All new kitchens and appliances — Community room—Wall - to - wall carpeting — Resident manager—Air conditioning — Round - the - clock security7— Optional indoor or outdoor — Laundry7 facilities onparking each floorStudios, One, Two and Three Bedroom apartments.One bedroom from £480 — Two Bedroom from £660Rent includes heat, cooking gas, and master TV antenna.Call for information and appointment — 643-1406(me1642 East 56th Street1In Hyde Park, across the park fromThe Museum of Science and IndustryEqual Housing Opportunity Managed by Metroplex, Inc.10—-FRIDAY, NOVEMBER 19, 1982-THE GREY CITY JOURNALPHOTO SHOWS NEWTON HIT BY BRIGHT RED APPLEby David MillerFashion, art, pornography: three distinctcultural categories, but interrelations exist.Photography and the depiction of womenare central to each, and both of these arecentral to Helmut Newton's Photographs:1980-1982, an exhibit of 34 prints now show¬ing at The Columbia College Gallery. Theshow fits neatly into none of the categoriesmentioned, but an explanation of how it doesnot may make clear its true character.Newton is a fashion photographer; that isto say, his work consists of the production ofphotographic images for the illustration ofarticles and advertisements in fashion mag¬azines. Like other human activities, thisfield has its own developed and developingterms, techniques, and rules which, takentogether, determine what is possible andwhat is not. Janet Malcolm writes:Fashion photography can be likenedto some of the more inflexibly formalpoetic modes, such as the vilianelleand the sestina. The fashion photogra¬pher's givens of dress, model, andmagazine format are comparable tothe villanelle's Procrustean rhymes,the sestina's ineluctable endings. Thetask is to do it correctly but not showthe strain; rare masterpieces do noteven reveal the form at first readingor viewing.(Diana & Nikon, 1980, p.98)Fashion photography uses its own languageand dictates that the language itself remaininvisible. Kathy Myers suggests why thestrain may not be shown:Crucially, for the image to fulfill itsadvertising function, it must not offersatisfaction in its own right. The advertisement works to displace satisfaction, promising fulfilment uponpurchase of the commodity...("Fashion 'N' Passion" inScreen, vol. 23 n. 3-4, p. 90)An advertisement works when it elicits de¬sire, conceals its own role in the elicitation,and refuses to satisfy the desire. We may ex¬pect that Newton, as successful a fashionphotographer as any, is thoroughly conver¬sant with this three part concern.Yet Photographs advertises nothing in theliteral sense. One sees furs, pools, and jew¬elry, but the names of designers, manufac¬turers, and retailers do not appear. Instead,the photographs are themselves for salefrom Newton's New York representative,Marlborough Gallery, though not throughThe Columbia College Gallery. The latter isto Columbia as The Smart Galiery is to The University: both show art for academic pur¬poses, and not tor commerical ones. Thus,since they seem to sell nothing and sincethey appear in a setting customarily re¬served for the disinterested appreciation offine art, Newton's photographs appear to benot fashion but art.Such is also one's immediate reaction tothe show. The photographs are black andwhite; the smallest are large and the largestare huge. All seem at first to portray nakedwomen and do so in a very cold manner:eyes (when visible) are averted; there areno smiles. The only immediate evident pho¬tographic fact: These photographs presentthemselves with vigor. Desire elicited. Butthis is not Vogue; one can neither flip pagesnor pace the gallery forever. I planted my¬self in front of one of the prints that mademe most uncomfortable and (literally) feltdiscomfort turn to anger. Desire frustrat¬ed.I take my first reactions as typical of he¬terosexual males; l do not presume to speakfor women or gays. These photographs'work' when one does not really look at themas photographs; the distinction between anaked woman and a photograph of a naked woman is absolutely crucial. One mayspeak in photography of composition, point-of-view, framing, and tone, but althoughthese correspond to aspects of our perceptions of the everyday, non-photographicworld, the correspondences are neither oneto-one nor essentially similar. We mayagree that what we call the world is largerand more important than its photographicrepresentation, but the ways in which we tryto understand and evaluate the former arenot necessarily easily or even profitably applied to the latter.Almost all photographs distinguish clearly between what is and is not shown. Every¬day vision is also bounded, but its edges arehardly distinct. Almost all photographs arerectangular in shape, a quality not sharedby vision. Photographic representationlends equal weight to everything it imageswhile vision involves no such leveling: wesee many things and attend now to one, nowto another. These examples do not exhaustthe differences, but suffice to indicate thatwhile it makes no literal sense to ask whatframe or point-of-view one uses to see theworld, it makes a great deal of sense to lookand see where a photograph starts and stops representing, and how it organizes what itshows.One print — "Nude descending stairs" —shows a naked model from in front andbelow as she steps down a garden stairway.The top of the frame intersects the face justbelow the lower lip. This is a photographicchoice (whether during exposure or printinghardly matters) and it conveys meaning:we may look at the body — ankles, calves,thighs, pubis, stomach, breasts, arms,shoulders, neck — but not at the face, themost individually expressive part of thebody. Simultaneously, although photographs do not see, people represented inthem may appear to do so, but the possibili¬ty is in this instance foreclosed: we maystare and 'she' will never appear to lookback.Framing is crucial here but does not workalone. The figure is female and naked — twochoices as significant as the decision to lopoff half the head. Of less but appreciable im¬portance: she appears in a garden, withgloves and high-heeled shoes, hands on hips.The low camera position subtly enhancesthese meanings, but to articulate its effectwould be redundant. The picture's artificethus is and is not hidden: it is situated di¬rectly in the image, but to recognize it wemust remember that this image is made,created, constructed, and could alwayshave been different.The 34 prints are by no means identical,but "Nude descending stairs" is typical ofmost: almost all incorporate one or severalof its attributes. Nevertheless, severalmake stronger and more problematic statements. The difference is not one of kind butof degree: even though a few models appearclothed and even though a few images areidentifiably 'stronger', the show as a wholeis appropriately described as the photogra¬phic protrayal of naked, distanced, upper-class women. The 'stronger' prints merelydepart from this center; "Miss LivingstonI" and "II" tor example share particulars ofsubject, setting, tone, and pomt-of-view withthe bulk of the show. But they appear by vir¬tue of the model's facial expression relatively stronger than most and are thus in somesense more appropriately grouped with themost compelling images.These are six in number. Five form the"Big nude" series, a name also given to abook reproducing these and a few other ofNewton's photographs. The sixth is "Siekommen", one of two prints in Photographsto represent more than one model — in thiscase, four. All six are studio productions:props include nine pairs of high heeledshoes and blank white background paper.All nine pairs of eyes appear clearly and notcontinued on page 12LAPIS LAZULI AND THE LONG DISTANCE RUNNERby Cassandra SmithiesHis visit was important to our material look in the eye needs Out not satis¬fying in those respects. This 20th century aemotionalityshit is da pitz! I'm rapidly losing patience.It's very frustrating knowing that under tnat shock love proof styro¬foam functional zow bow armour a beautiful heart beats. The only sol¬vents I know are not permanent and 6 weeks is certainly more than aenough time for the resynthesis of said protection in a greater than everthickness.(‘‘Gee, she melted through it once. Hell I'm soft under all this. (Well real¬ly I ve known it all along...but it s so much easier to be kind to the rest ofthe world & play games with her instead of pouring out all that heavydangerous heartfelt crap. OOO that really leaves you standingnaked in front of possible cruelty) )Honesty is just so much trustor plain cockiness.With me it’s the latter with Joff. Honesty stems from timid trust and itsappearances are rare. But it's specifically this trust that melts like snowwithout constant fertilization.Well I'm tired of taming birds coaxing and convincing. I m yelling**TRUST!TRUTH!NO CRAPITEAR OFF YOUR ‘BURBAN BULLSHIT! ; I'm notholding out bread crumbs anymore.THE GREY CITY JOURNAL—FRIDAY, NOVEMBER 19, 1982-11THERE IS SOMETHING WRONG WITH THIS BOOKUncivil Libertiesby Calvin TrillinTicknor & Fields, 1982.206 pages. S 10.95by Abigail AsherAs a muckracking reporter, CalvinTrillin reveals that Nancy Reagan's highschool nickname was Bubbles; as a sen¬sitive man, he expresses his disappoint¬ment at repeatedly not being invited todine chez tie la Renta — though his wifeprotests that “Oscar de la Renta designsthose ruffly dresses that look like whatthe fat girl made a mistake wearing tothe prom."If you read The Nation, you are probably already a fan of Trillin's; if not, youcan now bypass all those depressing edi¬torials, tor fifty-two of Trillin's funniestcolumns have been collected under theircommon title, Uncivil Liberties. Admit¬ting that he makes no fetish of “the oldtraditions of journalism," such as fair¬ness, civility or objectivity, he observesupon various topics with acute percep¬tion and deflating wit. He pokes fun atmodern affectations, with his legislativesuggestions that hottubs be taxed at ahigher rate than other property, or that asystem be adopted in the gas crisis which“allowed people with even-numbered li¬cense plates to buy gas on even-num¬bered days, people with odd-numbered li¬cense plates to buy gas on odd-numbereddays, and people with their names or initiais spelled out on their license plates tobuy no gas at all."Trillin does very funny things with poli¬tics, which provide ready-made humor,such as the time when the President didnot recognize his own cabinet member.Earlier, though it was months before theselection of delegates, Trillin covered thePresidential debates thoroughly:Any hope that the Presidentialcampaign debates would not bedominated by talk of Senator Ken¬nedy's alleged philandering andGovernor Reagan's alleged agewas dashed in Tuesday night's ini¬tial encounter when Senator Ken¬nedy said, in response to a probingquestion about skirt-chasing, 'I don't do that sort of thing anymore,' and Governor Reaganbroke in to say, 'I do! I do!’Trillin is a close observer, and he has afilter in his brain, or pen, that makes ev¬erything come out funny.Summer Crossingby Steve TesichRandom House, 1982. 373 pages. $14.95There's something wrong with thisbook, but I don't quite know what. SteveTesich, celebrated for his depiction of ad¬olescence in his screenplay for BreakingAway, has written his first novel usingthe same theme. Just leaving highschool, Daniel Price falls in love,watches his father go mad with cancer,and, expectably, undergoes some rites ofpassage. Maybe that's the problem: thetitle almost sums up the story. We're prepared for the Loss of innocence, the Approach of Adulthood, and so on; and theauthor doesn't take it much farther thanthat.Tesich grew up in East Chicago, and sohis portrait of the gritty boredom and dis¬satisfaction of the place in the summer of1961 is strong and persuasive. Unfortunately, when he begins to draw and manipulate his characters, the realism crumbies. Although Daniel's mind is lively,the dialogue is superficial, and thereforethe people are only sketches. Rachel, thebewitching but ultimately flaky girl whoDaniel loves, doesn't appear to have asubstantial history prior to her appearance in East Chicago. How did shechoose her strange nomadic life? Howlong has she been away from home — isshe just eighteen? Answers to these questions would go a long way toward makingher, as a central character, three dimensional.But there is something fine in the wayTesich writes. Daniel, just falling in love,walks near the tracks and hears a train“racheling" by. Throwaway images likethis, pure emotion, are bright spots in thethickness of the book. So many of thescenes seem to have already beenplayed; if it were half the length, thiswould prcbably be a good book.BRIGHT RED APPLEcontinued from page 11one looks into the lens. But two pairs comevery close, and they 'happen' to appear inthe same face that exhibits the only partedlips in the show. These are the third and fifth“Big nudes" — the same model appearingin both. Arms are lowered and legs spreadin “111“; arms raised and legs together in“V", but a smaller' difference is more tell¬ing. The face in “V" seems caught not inmid- but in pre- or post-sneer while the facein “III" appears thoroughly convincing.The print of “Big nude III" is three andone-half feet wide and almost seven feettall; since it is mounted several feet abovethe floor its effect follows directly thoughnot solely from its size and presentation.its subject’s appearance involves severaldetails crucial to its meaning. The hair isdisheveled and falls over the forehead une¬venly. inspected individually, the eyes seemtrained on different points: the left a bitabove the viewer; the right, a bit to the left.Seen together, the eyes betray ambiguousdirection and distraction. Lips appear part¬ed but not fully open; this is not the look of areceiving mouth, but of a raised upper lip.Only the left eyebrow is visible; it appears,like the lips, only slightly raised.The head as a whole seems turned a bit tothe model's left in relation to the body and isever so slightly raised and, simultaneously,is extended forward and to the model's right(this last evident from the craning of theneck). Shoulders, hips, and legs are straightand square, knees lock. Legs spread a bitmore than shoulder width. Finally, the armsdescend straight to the elbows, cross hipbone and lower stomach, and meet: theright grabbing the left wrist, the left handtightly clenched directly in front of the pubicarea.This remarkable pose combines two competing sets of ideas. The stance conveys ten¬sion and power: clenched fists and spreadlegs typify male rather than female postures. Head and face signify wildness, agitation, arousal. These two, one read from theface, the other from the posture, combinewith the model's obvious nakedness to produce the picture's most evident meaning:incredibly desirable and incredibly unavail¬able sex.There is more: the model appears to leanbackwards. The appearance might resultfrom an actual lean; from the camera hav¬ing been pointed upward from its low (aboutmid thigh) position; or from both: there isno telling. Neither does it really matter: theviewer finds that this desirable, alienatedwoman seems forever to begin to tall awaybackwards, top first. The lean itself is slightand easily overlooked but its effect, identi¬cal with its meaning, is not: the photographemploys a particular point-of-view to undercut the model's apparent strength and pushher over. The reading is metaphorical, butpictorial description of space is never other¬wise. Doubters may stare blankly for a mo¬ment at the model's stomach: she is easilyimagined floating on her back.“Big nude ill" does not 'celebrate' its subject's power. It equates female power withone particular objectifying idea of femalesexuality and (subtly) belittles both. Bigprint, sure. Big woman, maybe. Big nude,hardly.Since the articulation of this picture'smore important meanings has involvednothing other than close attention to theprint itself, we may be tempted to concludethat Newton's artifice is not hidden but is'there' for all to see. Such is not exactly thecase. As the uses of framing in “Nude descending stairs" and point-of-view in “Bignude ill" indicate, photographic artifice isalways 'evident', but it is often not seen forwhat it is. One generally must tease it out,perhaps photography conspires in generalto hide itself.All of us have seen enough photographicrepresentations of things we know well tocome to the implicit or explicit opinion thatthe medium is a strongly 'realistic' one.This 'realism' is generally thought to involve mainly formal concerns, whether ornot we thoroughly believe it, we generallyact as though photography replicates it subjects' shapes with great fidelity. Yet thephotographic description of form is accom¬plished not through form, but through tone:our entry into photographic 'realism' in¬volves our developed and developing abilityto recognize and believe this or that tonal or¬ ganization. Keep the subjects and point of-view of the photographs of Diane Arbus, butchange the texture of the surface to that of,say, a Seurat. Meaning changes radically;what had seemed disturbingly real becomeswildly expressionistic. Tone is potentiallythe most subversive purely photographic at¬tribute because it is always there and because we have become totally and unconsciously accustomed to its representational uses. It has become all but invisible.Newton employs a stark, contrasty tone inhis studio productions. The lighting in "Bignude III" comes from one side, a device thatthrows the model's breasts into relief andaccentuates their size. It also emphasizesverticle lines, particularly on the model'sright, between the shape of the body and thelighter background. These cold, hard tonesspeak variously: vertically and strength. estrangement, isolation; vulnerability. Butin addition the print is more than thirtytimes the size of its negative, and a rough,granular quality is consequently apparent.This, more than any other single photogra¬phic fact, encourages our belief in thisimage. It is a purely stylistic contrivanceand could easily have been different but itnevertheless signifies 'hard' and 'real'. Thishardness is not inappropriately likened tothe reassuringly solid 'thud' car manufac¬turers construct into the closing of cardoors: both exist to convince the custom¬er/viewer of the product's worthiness, andboth work' when their presence is not somuch consciously perceived as simply felt.Yet while the tonal composition of formalverisimilitude is a purely photographic at¬tribute, its equation with 'realism' is an ac¬quired social expectation. The fact that itseems common sensical, intuitive, and 'nat¬ural' only indicates on the one hand the ex¬tent to which contemporary photograhicpractice hides its created origin, and on theother the extent to which our vision of theworld corresponds to its contemporary pho¬tograhic re presentation. Newton hardlycreates this situation but he does use it forhis own ends.This makes clear the sense in which Pho¬tographs is and is not fashion photography.These pictures 'work' like fashion photo¬graphs, but the desire they elicit has as itsfirst and foremost objective the sale of noparticular merchandise. Instead, theseprints advertize a style, a 'way of being' inthe world. Its specific character is sexists itworks to maintain already existing and un¬equal sexual power relations. These imagesdraw a heterosexual male viewer into animaginary social relationship in which he ispriviledged because he is clothed and 'she'is naked; he may see and 'she' is blind; he isflattered and 'she' is belittled. Further, eventhough they were created by a man andeven though they defend what they implicit¬ly present as male interests, their messageis obliquely attributed to women.All this in turn makes clear the sense inwhich Photographs is and is not art. Thesepictures are crafted, subtle, and, given whatthey attempt to achieve, well-done. But theydo not present a particularly new or usefulway of looking at or thinking about the worldso much as they try to prevent clear think¬ing about the world. They do not enhance,but weaken a man's ability to reexamineideas and values he already holds. Their ar¬tistic attributes are many and great; theirartistic worth is about zero.But the sense in which Photographs is andis not pornography is more complex. Porno¬graphy works to fulfill male fantasies but,as stated, the strongest of Newton's imagesfrustrate heterosexual male desire. Buvwhat the model in "Big nude III" appears towithhold — her availability — is simultan¬eously and almost invisibly undercut. Sincethis is not a woman but a photograph of awoman, it is not a powerful woman but a dis¬paraging view of an apparently powerfulwoman that is for sale, in buying a print onereaffirms not the model's unavailability butthe photographic depiction of the model'spowerlessness; and the owner of a printmay control 'her' powerlessness just assubtly as the photograph controls her'power.This costs $2300, so clearly not every manmay possess this 'woman' like most everyman may possess' those in a magazine.Class distinction is thus added to gender dis¬tinction: the print states not only that menare better than women, but also thatwealthy men are better than poor men.Since the basis of the model's apparentpower is sexual and since it may be domi¬nated only through the use of money, theprint equates ideal male sexuality withwealth. Those males who may possess thisprint are thus powerful, relatively betterthan not only women but also other men,and ownership of the print serves to proveit.We may add that fashion, art, and porno¬graphy are always political because theyare always ideological; Newton's picturesare no exception. But their specific positionin relation to fashion, art, and pornographyexists not because Newton sought to createa new space for photography, but becausehe chooses (consciously or not; it does notmatter) to use existing visual languages forpolitical ends. Photographs is, ultimately,no more and no less than the photographicdefense and reproduction of patriarchy andcapitalism.Good MoviesFrom the Very Start!T I 3 %.he Revere Camera ^Company wants you to obtainthe highest degree of pleasure and satisfaction from yourRevere "50” Camera. You will find these instructionseasy to follow, because they are written in simple lan-M *r H ■■ rguage to help you master your camera quickly.By referring both to the illustrations and to the cameraitself as you read these instructions, you will readily be¬come familiar with its operation. Once you know yourcamera wrell, you can start right in taking good movieswith your first roll of film!Writers; When Tuesday equals Friday/ Sunday equals.Wednesday..12—FRIDAY, NOVEMBER 19, 1982-THE GREY CITY JOURNALThe Center for Latin American Studies announces a public lecture by:ADOLFO GILLYThe Edward Larocque Tinker Visiting Professor of Latin American Studies in the Department of History"CONTEMPORARY MEXICO: REVOLUTION AND HISTORY"4:00 pm Monday November 22 Social Sciences 122 1126 E. 59thDon’t miss it!Coming SoonLook forMOVIEM A t; A /. I N fcin thenextissueof yourcollegenews¬paper.XSHG SPECIALq“fS®3FK- 1VilltOO®**- MetropolitanCommunity Churchof the Resurrection5638 So. Woodlawn 528-2858Outreach to the Gay CommunityWorship - Sunday 3 pmJoin Us Now!Catering HolidayCelebrationsCall us forfine cuisine andgracious service.Cocktail receptions,dinners, and parties.Mr. Joseph Spellman. Catering Managerfree parkingmajor credit cards honored1525 E. 53rd St. • Hyde Park241-5600<1 AmericanHeartAssociation•WE'RE FIGHTING FOR YOUR LIFE-of Illinois6 West Randolph, Chicago. Illinois 60601 Discount Subscriptions to the Spring ClassicSeries — 3 Concerts For $48, $36, or $24. (Reg. $72, $56, $40)Friday, March 25 Friday, April 29David Zinman, Cal Stewart Kellogg,conductor conductorAll Brahms Program Bruckner, Chopin, Dvorak Friday, June 3Guido Ajmune-Marson,conductorFranck, Jan Bach, DebussyFREE with subscription• $3.00 gift certificate from Laury’s Records• Dec. 19 Holiday Pops Concert tickets• Dining Discounts Deadline:November 30,1982Subscription forms available in Room 210} Ida Noyes HallThe Chicago Maroon—Friday, November iy, iy#2—21SportsPHOTO BY ARA JELAUANChamberlin player attempts interception from Bovver Boys' quarterback inWednesday's all-University championship.Sports CalendarSwimmingNov. iy — University ot Wisconsin-Osh- Basketballkosh, men s and women's teams, 5 p.m., Nov. 2U — men s varsity vs. Grand KapidsBartlett Gym Baptist College, 3 p.m., Field HouseforGHoliday*memories.Use Ektachrome 160color slide film foryour fast indoor pictures,and you’ll be cookin... so*^THE PHOTO DEPT.UNIV. OF CHICAGO BOOKSTORE970 E. 58th ST 962-7558 e>*NVxPBinmiKodak* Eastrr,an Kodak Company 1962 IM Bovver boyscapture Hanna BowlBy Andy WrobelThe LY1 football season finished Wednes¬day as the Bovver Boys deieated Chamber¬lin iy-13 in the Hanna Bowl to win theall-University championship. Bovver Boystrailed at the half 7-6, but rallied lor thewin,Inside IMBovver Boys scored first on a touchdownafter a sustained drive, but did not make theconversion. Bovver Boys dominated thefirst half, but costly turnovers, includingthree interceptions by Chamberlin, keptChamberlin in the game. With about a min¬ute left in the first half, Chamberlin took thelead as Neal Cannon connected on a 40-yardtouchdown strike to Don Pasulka, and thenmade the conversion, giving Chamberlin a7-6 halftime lead.Chamberlin seemed to gain momentum inthe beginning of the second hall, moving theball well. Chamberlin got to the BovverBoys one yard line at one point, but failed toscore. On a fourth down play at mid-field,Chamberlin elected to go tor a first down,but failed to make it. Bovver Boys then tookpossession of the ball, and drove lor the go-ahead touchdown. The conversion againtailed, but Bovver Boys were up 12-7. Cham¬berlin seemed to be rallying alter this, butmistakes, mostly dropped passes, kept themat bay. One play saw Chamberlin receiveropen with no defenders between him and thegoal, but the ball eluded him, glancing oilhis fingertips. Bovver Boys scored theirlinal touchdown with about two minutes lettin the game, then, while trying to run out theWe Buy and SellUsed Records1701 E. 55th684-3375262-1593 clock on a fourth down play, Bovver Boyscompleted a touchdown pass. The ensuingconversion point gave them a 12 point lead.Chamberlin completed the game s scoringwhen they scored on a 30 yard touchdownpass to close the gap to 10-13 with less thanone minute to play. Bovver Boys then tookthe ball and let the clock run out, preservingtheir 19-13 victory.The most notable aspect ol the game wasthe play of the defensive secondary. Cham¬berlin intercepted four passes, while BovverBoys shut down Chamberlin s deep threat.The game saw the controlled play ol theBovver Boys oppose the attempts by Cham¬berlin to score on long passes. Bovver Boysthree scores were on sustained drives, whileChamberlin's scores were on long passes.The Hanna Bowl capped a generally goodIM football season, which featured some ex¬cellent games. The extra official which wasassigned to games this year did indeed helpthe control of the games, and the extra ruleschanges also made the game more enjoy¬able lor the participants.Volleyball also completed its season thisweek with its championships. The men sleagues featured some ol the closest playwhich has been seen in those leagues lately.Compton emerged as the undergraduatechampion, and Broadview, the graduatechampion, defeated Compton lor theall-University championship.In the undergraduate residence semi-linals, Thompson became the tirst team toadvance to the finals as they eliminated asurprising Dewey team in three games, byscores ol 15-9, 13-15, and 15-12. Alter beingtied in the second game ol the match,Thompson, led by Chris Shaw, won the thirdCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishesOpen Daily 11 A.-8:30 P.M.Closed Monday1318 E. 63rd MU 41062KEITH JARRETTSOLO CONCERTONLY CHICAGO AREA CONCERTORCHESTRA HALLSATURDAY, DECEMBER 4 8:00 PMRESERVED SEATS: H2.50/10.50/8.50; BOX: *15.00TICKETS AVAILABLE AT ALL TICKETRON OUTLETS INCLUDING ALL SEARS STORESCHARGE BY PHONE. VISA/MASTERCARD 454 6400A STEPHEN CLOUD PRESENTATION ECM ^42 The Chicago Maroon—1 nday, November 19, lyy^SportsUndergraduate Men’s BasketballBishop 35 Thompson 30Tufts 20 Hitchcock B 2bHale 36 Phi Delta Theta 22Dewey 3b Blackstone 30Hitchcock B 30 Phi Delta Theta 22Hale 31 Blackstone 18Greenwood 57 Cutting Edge 24Eishbein 48 Strategic Air Command 8Alpha Delta Phi 2b Shorey 14Upper Kickert 53 Upper Klmt B 32Breckinridge 45 Dudley 30F1G1 4b Henderson 24Dodd/Mead Bradbury 32F1G1 Goon Squad 33 Upper Flint A 12F1G1 44 F1G1 Goon Squad 15Dodd/Mead 37 Upper Flint 32Henderson 31 Bradbury 20H. Nobs (by forfeit) CCCPHitchcock (by forfeit) PulseNo BS (by forfeit) McCormickGraduate Men’s BasketballThe Curia 45 Malice 11 32NELC 68 South Side Jazz 23Res Ipsa Loquitur 50 Feel Lucky Punk? 41Debonairs 84 Confederacy of Dexter 39NELC b8 Malice 11 *27Cliffs Divers 55 Feel Lucky 47Instigators 64Coulter House s • Heinrich's Hackers" 32 Sandy's Slammers 75 International House 29Hi Tops 59 Bowery Boys 33Spike s Gang 41 Barney's Meat Market 29No BS 70 Broadview Hall-Swift Death 17Undergraduate Co-ed VolleyballDodd/Mead 2 Vincent 1Salisbury 2 Lower Flint 0Dodd/Mead 2 Salisbury oV incent 2 Lower Flint oHale B (by forfeit)Upper Ricket/Lower WallaceSalisbury 2 Blackstone Rangers oBlackstone Rangers 2 Hale B 1Salisbury (by forfeit)Upper Rickert/Lower WallaceDudley 2 Fallers 0Compton 2 Fallers 0Hale 2 Dudley 1Dewey 2 Filbey 0Fallers 2 Bradbury oDewey 2 Bradbury oFallers 2 Filbey oTufts (by forfeit) CommutersBreckinridge (by forfeit) CommutersBreckinridge 2 Tufts 1Thompson 2 Tulls oHitchcock/Snell 2 Shorey oThompson 2 Breckinridge uHitchcock/Snell 2 Tufts 0Shorey 2 Breckinridge 1 Chamberlin interception successful ingame lost to IM champs.Undergraduate Women’s BasketballSnell 20 Dudley 12Tufts 35 Breckinridge 28IM Scoreboardgame and advanced to the finals, in theother semi-linal, Compton met Henderson.Henderson advanced to the semi-linais bybeating Hale 15-11, 13-15, and 15-13. in thesemi-lmals, Compton showed some nervous¬ness in losing the first game, but behind theleadership of Tom Jilly, rebounded to winthe second game and take an early lead inthe third game to coast to the iinals, as theyeliminated Henderson 11-15, 15-11, 15-10.In the undergraduate finals, Comptonagain showed nervousness in the first gamein losing 10-15, as Thompson dominated the game. Thompson took a 11-6 lead in the sec¬ond game and seemed to appear on its wayto the championship, but Compton ralliedfor a 15-11 victory. Compton dominated thethird game by winning 15-4 and took the un¬dergraduate championship. However,Broadview destroyed Compton s hopes loran all-Lniversity championship the nextnight, as Broadview again showed the su¬premacy of graduate league play in univer¬sity iMs.Hale took the women's undergraduatetitle in volleyball. Hale had advanced to the finals by eliminating Breckinridge byscores of 15-8, 15-3. Blackstone had troublewith Dudley in the first game ol the othersemi-final, but advanced to the finals on a14-16,15-6,15-6 victory. Hale deleated Black¬stone 15-5, 15-10 for the undergraduatechampionship.The co-ed volleyball season finishes nextweek, and basketball is well underway. Thefrisbee championships have yet to be decid¬ed. Crew rowsto easy winsThe L of C coed crew club ended the fallseason with an impressive showing, outscor-mg Grand Valley State, Michigan State andWayne State Universities to win the Michi¬gan State Invitational Regatta last Satur¬day.In its debut as the “coed crew club, theteam scored first place finishes in bothwomen s and men s events. The cold butcalm day began with the women's noviceeight easily outdistancing the rest of thefield, taking the lead at the start and in¬creasing it throughout the 2000-meter race.This was the first race lor live ol thewomen.The mixed eight (four men and lourwomen) from U of C managed a third placefinish, which was not unexpected since therowers had virtually no experience rowingtogether.The women's novice four turned in a de¬vastating performance, reducing their con¬test to a one-boat race. Technical difficultieswith the Grand Valley crew necessitatedrowing the course again, but the resultswere the same.The only other loss of the day went to themen s novice eight, competing for the firsttime. Lack of practice was a lactor tor thenovice entry, as three of the eight rowershad less than three week s experience priorto the regatta.The men's open four event was won by alightweight crew from the U ol U, an areathe team expects to dominate during thenext season.Head Coach Martin Howard was en¬couraged by the team s performance, andsaid, “The fact is that we are now one ol thelinest crews in the Midwest.Continued on page 24If you have not yet applied for a Guaranteed Student Loan,but hope to receive one this year, you must take immediate action.Winter quarter deadline 12/1/82Spring quarter deadline 1 /10/83 Applications submitted after 11 /6/82are considered to be late, but we willprocess all applications submitted by12/1/82No loans will be received by studentswho apply after this date.Questions should be directed to the Office of Student Loan Counseling753-4595The Chicago Maroon—Friday, November ly, iy82—23Skill, savvy are strengths of B-ball teamBy Cliff GrammichThe men s varsity basketball team,tabbed lor a third place finish in this year sMidwest Conference North Division race inthe conference coaches poll, opens its sea¬son Saturday, hosting Grand Rapids BaptistCollege at 3 p.m. in the Field House.Grand Rapids' height should provide achallenge for the Maroons in the opener.Grand Rapids has two 67' players, whereasChicago's tallest player will be starting 6‘6‘'center Keith Libert.Also starting for the Maroons Saturdaywill be two seniors, 5*10” point guard EricKuby and six-foot off guard Wade Lewis.Kuby and Lewis are the co-captams ol theteam, and as four-year ballplayers shouldprovide strong floor leadership for Chicago.Chicago will have 6'5" junior Mike Murdenat power forward, and 6 2" sophomore NickMeriggioio in the other lorward spot. Thefirst two players off the bench tor Chicagoshould be 6'3" sophomore lorward AdamGreen and 6'3" senior forward Tim Hor-kan.in commenting on the team. Coach JohnAngel us based his hopes for a strong season on the team's improved offense and its en¬thusiasm. The team has traditionally had astrong defense, and Angelus believes thatthey will again this year. Angleus also saidthat the team's enthusiasm should help theteam overcome bigger opponents, especial¬ly in rebounding.In the past, Chicago had to rely exclusive¬ly on its defense to win ball games. If the de¬fense was not up to par, the Maroons wouldlose, because the offense could not keep Chi¬cago in a high-scoring game. However, thisyear's more sophisticated and versatile ol-fense should give the Maroons a balancedattack, Angelus said. The Maroons offense,according to Angelus, should be able to at¬tack both a zone and a press defense.In commenting on individual ball players,Angelus mentioned several strengths of theteam. Kuby and Lewis will complementeach other in the back court, as Kuby is anexceptional balihandler and Lewis is extre¬mely quick. Angelus praised their will towin. Angelus said that his guards on thebench will be an asset to the team. Hetermed six-foot junior Sean Mahoney as asterling shooter, and has been impressed by 5 8' junior Ken DeLoca’s bail handling andpenetrating abilities. Joining these four atguard will be Rob Omiecinski, a six-footfreshman, and all-conference player at OakLawn High School tIllinois).In the forward position, Angelus said thatChicago has a good balihandler in Meriggio-li, and a height advantage in Murden. In ad¬dition to Green and Horkan, Andy Wirtz, asix-foot sophomore, may play at that posi¬tion. Angelus described him as one of themost improved players on the team. WhenLibert sits on the bench, Murden will playcenter.Chicago should have some idea as to howwell it will fare this season in its Dec. 4game against Beloit. Last year, theMaroons handed Beloit its first conferenceloss of the season, 61-59. Chicago had earlierlost a four-overtime decision to Beloit at theField House.Uther North Division foes for Chicago in¬clude Ripon, picked for second in the pre¬season poll, Lake Forest, picked for fourth,and Lawrence, tabbed for fifth.Nevertheless, the Maroons have two homegames before the conference season starts, and good starts there will help them do wellin the ensuing conference season. At thisSaturday s game, there will be a free-throwshooting contest for 8 to 12 year olds, witht-shirts given to the winners.CrewContinued from page 23The teams we defeated today all havelonger histories and bigger budgets than wedo. 1 think the credit must go to all the teammembers who clearly demonstrate thatthere are no secrets to our system otherthan hard work. Our team members musthelp with equipment maintenance, fundrais¬ing, transportation, and other expenses.This level of dedication is impressive andshould be recognized by the University com¬munity."The Club will spend the winter in an inten¬sive conditioning program that was begunlast season with the help of trainer LarryBnand.Classified AdsPERSONALSKittie HAPPY BIRTHDAY Hope Sunday is agood one. Love Froggte.KATIE, Now l can CAST OFF my Dull AutumnBlues and Love You All Anew. GOOG"The man from Nam" is alive and well. Forhis life and times, watch this space. SAF RODSDear Mom: Thanks for the pizza and popcorn.Happy 24th Birthday Boo! The Bobmune, 417,and Jasper.Anew year for you, Juan Bomto. may you prosper, travel to the places you love, and visit theagile tapir! Happy Birthday.DOZEN EDEElBAGELS ■ fCCE#SAVE *1.79WITH THE PURCHASE of1 lb. or MORE of LOXwhile quantities last.SUNDAY, NOVEMBER 21, 1982MORRY'S DELI5W» S. CORNELL 312/643-5007 CHAMBER ENSEMBLETRIO CON BRIOFLUTE • OBOE • VIOLA HYDE PARK UNION CHURCH5600 S. Woodlewn Are.Church School (all ages) 9:45 a mWorship Nursery Provided 1 1 :00 a.tTt.W, Kenneth Williams, MinisterSusan Johnson, Baptist Campus MinisterCome, Worship, Study, ServeSandy Dennis • Cher * Karen Blackin a film byRobert AltmanMARK GOOOSON pfssems m association withVIACOM ENTERPRISES a SANOCASTtE 5 Proouct;starring SANpY DENNIS * CHER * KAREN BLACKywith SUSIE BONO. KATHY BATES MARTA HEFLI*mark Patton Deeutive Ptoducer giRAUO CHE!fatso by jASOH ROSENflElO Director ofPIERRE MKjNC1 Prediction Designer OAViC GlWritten by ED GRAC/YK ProtSuetom ExecutivePETER lyfWMAH Prattuceo by SCOTT &JSHNEUDvectec by ROBW At TMANIcneoam mter'iwbry-tP fameSTARTS FRIDAY NOVEMBER 19Park Aetna Bank lot |»|f|| • liftfl 346 4123• *■ il 2433 N Lincoln Ave24—The Chicago Maroon -Friday, November 19, 1982ViewpointsFuture forCooperation implies anything rangingfrom the promotion of policies that are mu¬tually beneficial to a simple exchange olgoods and services. The Soviet Union has lit¬tle to offer other nations that is positive orbeneficial in an economic, political, moral,or ideological sense (except natural gas,which is not of their creation). Therefore,detente could not provide a sound basis torAmerican foreign policy or a sound basis lorEast-West relations.The concern over the construction of theSiberian gas pipeline is certainly not with¬out foundation as long as Soviet foreign poli¬cy goals are based on the expansionistsprinciples of Marxism-Leninism. After all,it the Soviets have no compunction aboutusing 500,000 Vietnameses as slave labor tobuild the pipeline and no qualms about vio¬lating the Versailles Treaty and the HelsinkiAccords by dropping lethal gas on the Afgh¬anis or the Laotians, why should they notplay extortion with the spigot on the gaspipeline to Europe? The destruction or the•‘Fmlandization” of Western Europe posesno moral dilemma to the Soviets, becausethey see it as the inevitable consequence olhistorical progression. Indeed, after the fail¬ure of containment, detente seems to leadthe West only closer to totalitarian tempta¬tion, to say nothing of causing the UnitedStates to throw good money after bad.Actually, the policy of detente was nothingless than foolish for it helped the Soviets, byway of technology transfers, to build thelargest military empire in the world. Ironi¬cally, much of this military build-up tookplace during the • peaceful" years ot de¬tente.Key components of the Soviet nuclear warmachine utilize American technology: guid¬ed missiles contain US-patented micro¬chips; the American Centalign-B precisiongrinder (the only one of its kind in theworld) produces the ball bearings for theMIRV system on Soviet ICBMs and the lat-U-high open houseTalks by teachers, demonstrations by stu¬dents, examples of student accomplish¬ments and tours of the school will highlightan Open House for the public at UniversityHigh School, Dec. 5.Visitors can hear brief presentations byteachers on programs in English, social stu¬dies, science, math, foreign language, finearts, practical arts, music and physical edu¬cation. Students will present examples oftheir work in areas such as art, music,drama, phys. ed. and journalism.This is the school’s second Open Housethis year. The private, precollegiate schoolis located at 5840 S. Kenwood Ave.The program will begin at 2 p.m. and endat 4:30 p.m. Information is available by tele¬phoning 753-2514. USContinued from page sevenest SS-20s; IBM and other advanced Ameri¬can computers help control and direct theKremlin s nuclear strategies. The paradoxis, of course, that the Soviet nuclear threatwould be far less real and far less costly todeter for American taxpayers, if the Sovietshad never been supplied with US techno¬logy. Such were some of the "benefits'" ofdetente.During the 70s, while the architects of de¬tente were indirectly damaging the inter¬ests and the security of the free world, theemerging protest culture was underminingits moral fiber. After the Vietnam War, itbecame fashionable to entertain pseudo-in¬tellectual notions of developmental processand class struggle which enticed people withcatchwords like ‘ national liberation and“human rights."The period seemed to be rather hospitableto vague ideas because, while throwing oftthe shackles of tradition and adopting anorientation of protest, mass culture turnedto untried nostrums and untested theories.The problem is that as ideas become di¬vorced from reality, there is no basis lormoral judgement. Such are the dangers oiabstraction and utopianism. Thus, the ideal¬ist tends to see the world and human naturethe way he wants them to be, rather than theway that they really are. This is why the typ¬ical Western Marxist will criticize the SovietUnion, but will remain incapable of seeingthe Soviet system as the logical conclusionot the principles underlying his idealism. Inthis regard, Russian nuclear physicist anddissident writer, Andrei Sakharov warnsthat “the strategic doctrines and practicesof a totalitarian state may prove more ruth¬less toward the population of its own countryand toward all mankind, and more adven¬turistic...than is the case in a democraticstate."Allienated individuals and groups com¬prising the Western protest culture mayhave, in fact, accomplished little on theirown, but their influence on society has beengreatly amplified by mass media. The pro¬tests of a few hundred or thousand appearon the television sets of many million.Interestingly enough, it has only been bythe efforts of various leaders of the protestculture, accompanied by extensive mediacoverage, that has enabled the nuclearfreeze movement to gain such apparentwidespread tacit support. However, thefreeze movement is neither spontaneous,nor is the bulk of it well informed about de¬fense and military theory. The freeze pro¬posal is indeed an untried nostrum thatwould likely lead to worse consequencesthan those of containment and detente, itseems that while Western society has be¬come increasingly debilitated by the mediabuild-up the protest culture, ol which thefreeze movement is only a part, Soviet im¬perialism in the Third World has gone al¬Choral Evening PrauerANDSolemn Te DeumFOR.Christ the King SundayNovember 21 - 4 30 p.m.Augustana Lutheran Church5500 South Woodlawm. ChicagoAn ecumenical selection ofservice music will be suruy byMusica Sacha,a choir speciality inMedieval & Renaissance sacred music.A donation will be gathered. most unnoticed and relatively unchecked.In fact, the principles on which Westerncivilization is based — such as rule by limit¬ed democratic government; respect lor in¬dividual freedom; justice and the rule oflaw; religious toleration; and respect torprivate property — have gained littleground on any continent since World W ar 11.This has happened despite the new found in¬dependence of many former colonies andthe establishment of the United Nations.Since the Vietnam war, revolution hasbrought eleven new Marxist regimes into being at the cost of some four to five millionlives.In conclusion, because the policies ot con¬tainment and detente were largely based onillusory principles, the United States mayhave actually contributed to its own vulner¬ability and to that of the Third World. Thefact that the protest culture is so critical olthe current Administration s defense andforeign policies suggests that the US is linai-ly headed in the right direction, a directionof greater responsibility abroad and moresecurity at home.LATKC - HA*[£*1TASH5yMiPb5iumJTUBS Mi f ficUBlHBSK 23, /11X, r 3° ■Cloistck. clugsr>A *oyes hall /212 £ sy^sr.rARTiCtfjArs ^nt> coue^cDe*t ct'Processok RAjPti AUSTELL D?. SvsAA/Dept of f On CoUeye Dipt of fiyehtofryT)a. ReKMAZD LSVffC P&>ress<ue jo6i ADipt- of Ai-rdi tfitt, Co**mi(it< <*n A-t 4 TDntyt iPeocessoc swazth/ilh'oen. Aif. «n M*Dept V £yStt,1p€F<£$4C'i£MCS *c H.IUCL AF7EZ TH£ P£Q6£A*\ cq*t*‘***~1 , 4f}marian realtyinc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 . Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesThe Chicago Maroon—Friday, November ill, lwiz—25Classified AdsCLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon isSi per 45 character line. Ads are not acceptedover the phone, and they must be paid in ad¬vance. Submit all ads in person or by mail toThe Chicago Maroon, 1212 E. 59th St., Chicago,II 60637. Our office is in Ida Noyes, rm 304.Deadlines: Wednesday noon for the Fridaypaper, Fri. noon for the Tuesday paper. In caseof errors for which the Chicago Maroon isresponsible, adjustments will be made or cor¬rections run only if the business office isnotified WITHIN ONE CALENDAR WEEK Ofthe original publication. The Maroon is notliable for any error.SPACEHYDE PARK STUDIOS. 1 & 2 BEDROOMSNOW AVAILABLE S282-S525 CALL 684 2333WEEKDAYS.Student Government publishes a list of OFFCAMPUS HOUSING. Call 753-3273 or come toIda Noyes 306, MWF 11:30 2:30, TTH 11:301:30.5100 S. Cornell Chicago Beach Apts. Studio - 1bedroom apts. $260 $380. Immed. occupancy.Students welcomed. Call 493-2525 or 643-7896.Spacious 2 bdrm apt for sublet Dec 1, S375/moKimbark near 57th. 684-5717, keep trying. 5218-28 S. Woodlawn. One bedroom apart¬ments. Immediate occupancy. $360 $380. Call643-6428 or Parker-Holsman Co. 493-2525IN THE HEARTOF HYDE PARKBeautiful 1 brm + studio apt. for rent. Agent onpremise. 5424 Cornell Ave. 324-1800.IDEAL HARPER& 59th SPOTSpacious six room two bath condo tor rent withoption to buy. Wood floors, sunny rooms, allnew appliances, everything beautifullyrenovated in this lovely six unit building.S745/mo. For appt. call 955 3724.TOWNHOUSE FOR SALEModern 2 level condo on Hyde Park Blvd with 3bdrms 2 ba large closets hardwood floorswood-burning fireplace cent air cond modernkitchen parking space and lots more!Available now 150000 Call 955-5061 after 8pm.UNIV PARK FOR RENTStudio top floor north vu drapes/carpets $355w/heat -rwtr can furnish Tom. 753-1441 963-1398SPACE WANTEDFemale grad student seeks apt/room tosublet/rent Chris 753-4858 days best keep try¬ing. Energentic responsible young woman to carefor 2 yr. old every Wednesday 9-4 pm 624-4372Artists 8, Craftspeople wanted to sell theirwares at the SAO CRAFT FAIR Dec. 9, 10, 11CALL 753 3592 for info.Bakery Supervisor position open at the BlueGargoyle. Experience nece. in baking wholegrain breads, cookies and cakes, 20 hrs./wk,Lte aftrn-early eves. M-F hours and days flexi¬ble Contact Catherine at the Blue Gargoyle.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493-6700.1000 Name 8> Address labels with zip code forS2 plus 45 for postage. Please print name, ad¬dress, city, state and zip code. Send to: Smith,P.O. Box 17345, Chicago, III. 60617.KITTENS! 3 lovely little kittens seek goodhomes. Call Kathy, 752-8315, evenings.PEUGEOT 407 1967 Runs well body solid.RARE opportunity to acquire soon-to beclassic. Best offer, until Nov 26 tel: 848-0785.1979 Dodge van 34,000 miles offer? 753-4858GIVE an original: platter, print, painting,papier mache, from Artisans 21,5225 S. Harperin Harper Court. CARPENTRY AND CABINETRY, Call David684 2289.Exp. Typist Turabian Phd Masters thesesTerm papers Rough Drafts. 924-1152.Psychologist forming therapy group in HydePark to change women's struggles with uncontrolled eating. Rosaling Charney, Ph.D.538 7022Chicago Counseling 8, Psychotherapy Center.Client centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway, and 111 N.Wabash, Chicago. A Registered PsychologicalAgency. (312) 684-1800.SCENESWriters workshop PLaza 2-8377.SAO has 50 student subscriptions to the Orchestra of Illinois Spring Classic Series at 40%savings. Tickets are $48, $36 8, $24 for 4 con¬certs. Come to RM 210 Ida Noyes.Sell your wares at the SAO craft fair Arts i-Craftsmen wanted. Only $5 registration fee torstudents CALL 753-3592 for info.The Samaritans are having crash training sessions at end of Nov. For Suicide Hot Line,Volunteers are esp. needed for holiday seasoncall Volunteer Bureau for info 955-4109, 3rd firBlue Gargoyle.Young single male looking for male-mate inbright spacious fully furnished two bedroomapartment at 55th and Everett. Available Dec.1 Rent 250/month -t- utilities. Couples OK. Calleves or weekends, 324-6302 or 624-7466.Large, sunny two bedroom, two bath apartment for sublease thru 4/1. SECURITY, Hl-RlSE, ELEVATOR building. On campus bus-routes. HEAT INCLUDED. RENT SUBSIDIZ¬ED AT $560, negotiable. CALL DAVE (6430702) or Tim (752-7552, 962 7420)Roommate wanted-4 bdr apt E. Hyde Park,S160/mo -r util, Mor F, avail immed. 752-5227.1 Bdrm aval in 3-bdrm apt starting Jan l, 54th-r Woodlawn, $170/mo, 288-5068 eve or Sandy,753 4084 day -+- eve.ATTN STUDENTS Completely decorated 3bdrm, 2 bath apt. for rent on 53rd -t Kimbark.$650 a mth. Call 493 2525or 731 0303 to inspect.One Month Free Rent 6101 S. Greenwood Ave.One bedroom apts. $260. One year lease Sec. 8welcomed Call 731-0303or 493 2525.Room open in beautiful 3 bed 2 bath apt on 55thand Cornell S192/month call 363-62832 Br FURN sublet Deluxe free util East HydePark Overlook lake faculty or grad 363 3197.PEOPLE WANTEDPaid subject needed for experiments onmemory, perception and language processing.Research conducted by students and faculty mthe Committee on Cognition and Commumcation. Department of Behavioral Sciences.Phone 962 8859.Lrg 1-2 bdrm, 5 min from campus, spaciousclosets bay windows excllt storage space heatincl S390/mo. Avail. I mm. 684-4239.WALK TO CAMPUS mod apt 2 br 2 ba profsnldecor parking AC drapes rug pool nr tramshops bus rent nego 947-9597.SPACIOUS ROOM to sublet on Greenwood.Avail. Dec 21. S160/mn + utilities K Miller 288-05463BDRM, coop apt. 2 baths; sunny spaciouslawn, gardens w/playground. Free prkg., treelaundry, near shopping, UofC -t- city bus stops241 5038 or 752 6176.'Ifou are (Zwidtally 'ItvitedTo'l/i&it TtteI! <J)LIK|W©[) a101 .ffpfiPiMinn lalr2 Iterfrooins from W6.? month5200 BLACKSTONF2 Bedrooms from $463 monthI block west of Harper SquareMon.-Fri. 9 to 6. Sat.-Sun. 12 to 5684-86661 Bedroom with den also availableASK ABOUT RISCNO SECURITY DEPOSIT Reg. 8 -r Super 8 Cartoons ■+■ Fight Filmsspecial 1/2 price.MODELCAMERA 1342 E.55th 493 6700For Sale: grey tattersall Lesportsac bag, twooutside and one inside pockets, 13x10x5' BrandNew S30call Trish 95-9166 evenings.Baby items. Hair Dryer, '69 Ford, Joyce 9856048Condo, 56th -+■ Kimbard, 2 Bdrm, Eat-in kitchen -t- Pantry, Full Dr, Safe, Sunny Courtyard Building Pleasant Views S69.000 Call 8763512VINTAGE CLOTHING SALE Nov. 20-21 12noon 6pm Mass quantities of men's+women'svintage clothing and accessories. HEAVEN inRogers Park at 6981 N. Sheridan.RUBBER STAMPS ARE THE RAGE! do allyour xmas/birthday shopping in 1 great 29pcatalogue. Send $1.50 to rubber Stamps ofAmerica, Saxtons River, Vt. 05154.WANTEDWill trade 2 $13 tickets to 12/7 Luisa Miller(Pavarotti) for any other nite. 752-8374.SERVICESJUDITH TYPES-and has a memory. Phone955-4417.Weddings and Portraits photographed. CallLeslie at 536 1626 or 955-2775.Discount Moving and Hauling Low Prices AndFree Estimates Seven Days a Week Day andEvening References Available Call Tom 8-10am or After 6pm 375-6247JAMES BONE, EDITOR TYPIST, 363 0522. Primavera, a literary magazine reflecting theexperience of women, seeks new members.Call 524 1561 daytimes; 684-2742 evenings.LOST AND FOUNDRoll of 110 color film lost Nov. 1 on or nearcampus. Please call 241-7830.LOST: 4 WHO Tickets by Edwardo's or Woodward. REWARD: Contact Room 1307x at 753-2249.ARE YOU IN YOURRIGHT (OR LEFT) MIND?Men 8, women, right & left handers needed toparticipate in interesting and profitablestudies on how the two sides of the brain thinkdifferently. Call 962-8846M-F, 9-5.NEEDATYPIST?Excellent work done in my home. Reasonablerates. Tel. 536-7167.PIANO LESSONSBeginners Advanced. Teacher with DoctoralDegree from Juilliard School, NY, Tel. 536-7167.SEXUAL HARASSMENT?Have you or do you know anyone who's beensexually harassed at the U of C? The Grey CityJournal would like to talk with you. All callsconfidential. 9:30am - 5pm 753 3265.FREE CAMERACHECK-UPDoes your camera cough and sputter? Have itchecked out free at MODEL CAMERA, SatNov 20 from 10 to 4. Call for details. MODELCAMERA 1342 E 55th 493 6700.HOTLINEFor information, references or someone to talkto dial 753-1777 between 7pm and 7am.Are you wondering aboutwhen to get an MBA?Talk to us.^^Lore and more, recent college graduatesthink they should go straight into a job We thinkthat's not always the case. The 25% of our stu¬dent body who has come without fulltime workexperience agrees. Still, there are 75% of ourstudents who have worked fulltime for almostthree years, who think their experience has madeall the difference in how they approach theirgraduate management training. We'll be glad todiscuss what you think.iuu II Ct IIUIUUU 13 UyClI etIIU WCtalk. Give us a(Continental U.S.)800/847-2082' (New York State)"800/252-6326CORNELL UNIVERSITY GRADUATE SCHOOLOF BUSINESS & PUBLIC ADMINISTRATION315 MALOTT HALL ITHACA, NY I4SS326—The Chicago Maroon—Friday, .November ly, 1982MNMMNNNHNfiNMNI Classified AdsORIENTAL CARPETSMy name is David Bradley, I am a Phd studentat the University. Previous to my studies l wasan educator in Saudi Arabia. Liberal vacationand financial benefits allowed me to visit manycountries where oriental carpets are made, ipersonally chose one-of-a-kind carpets on thetrail and from small villages. Each carpet I offer, whether new or antique, is perfect in condi¬tion, rich in color and unique in design. Sizesrange from 3' x 5' to 12' x 18'. Low overheadassures prices lower than elsewhere in theMidwest, impeccable references from over fitty university faculty members. It is easy toryou to arrange an appointment. Simply call meat 288 0524.DISCOUNTSUBSCRIPTIONSSAO has 50 student subscriptions to the Orchestra of Illinois Spring Classic Series at a40% savings. Tickets are $48, $36 & $24 tor 4concerts. Come to Rm 210 Ida Noyes.RIDESIf you want a ride or want to share the cost ofone you already have call Rideline at 753 1777between 7pm and 10pm.HAND-CRAFTEDWOOLSweaters, scarves and tapestries! All l00°owool (Llama and Alpaca) hand crafted fromSouth America Buy at Craft Fair in Dec. orcall David at 947 8488 for appointment.VIDEOTAPETDK VHS 120 two for $19.90MODEL CAMERA 1342 E. 55th St. 493 6700 POLARITY MASSAGEFree up tense blocked energy with a polaritymassage; a system for balancing and renewmg your well being. Non-sexual. Bob 324-7530INCREASEINTELLIGENCE,CREATIVITY + ENERGYBegin the Transcendental Meditation Program. Free intro Lecture Weds. Nov. 17 4:00or7:30 p.m. Ida Noyes Memorial Rm. Into 9470463STUDENT GOVERNMENTFOOD-COOPAttention old and new members of the S.G.Food Co op—Are you interested in good qualityfood at low prices? If so, we are open forbusiness every Tuesday night at 7pm atQuaker House on Woodlawn Ave. Newmembers are always welcome for info call 9431022.IN CONCERTChick Corea In Concert Dec 2 Hutch CommonsTwo Shows 7:30 and 10:00 pm $6.50 UC students$9.50 all Others UCID a Major Activities Boardproduction.HOTLINEAsk yourself why you aren't calling, then askwhat difference it really makes. This institution is tough to get through; why should youweigh yourself down with things others canhelp with? Give us a call and talk it through.753-1777 between 7am and 7pm. All calls areconfidential. SYMPHONYFOR SURVIVAL MABThis Sunday, Nov. 21, the Chicago SymphonyOrchestra, Sir George Solti conducting, willperform an all Beethoven program to benefitthe Freeze Campaign and Physicians forSocial Responsibility. Tickets are $5 and S10for students, available at the Reynolds Clubbox office.WANTED:SURROGATEGRANDMOTHERFaculty couple w 8yo girl 5yo boy need occ.part time child supervision in our ome 53st.Will consider any applicant with flexibleschedule, esp. housewife, as retainer to assureavailability. Phone 947 6758 days.WANT TO BUYPlymouth Chevy age & looks unimportant.Must have auto, trans, choke, storm tires ingood cond., heater that works, eng. that willrun thru winter. Call 363-5877.NICARAGUAmovie FROM THE ASHES, aboutNicaragua after the revolution, will be showingthis Sun. at 7:30, Ida Noyes HallMAJOR ACTIVITIESBOARD— Want to work for MAB?— Want to find out more about MAB?— Want to give us your ideas about concertsand other major events?Come to the MAB office hours: 3 to 4 o'clockdaily in Ida Noyes 218. Or call 753 3563 or 33591.CalendarFridayRenaissance Society: Art for Young Collectors SaleMembers Preview 8-10 p.m. Bergman GalleryU of C Presa: Warehouse Clearance Sale 11 a.m.-7p.m. 1NH GymBlackfriars Musical: Guys and Dolls 8 p.m. Reyn¬olds Club Theatre S2.50-S3.50 962-7300Doc Films: Dial M for Murder (In 3D) 7:15 & 9:30p.m. Cobb S2Court Theatre: Under Milk Wood 8 p.m. NewTheatre 753-4470 for infoComm, on Human Nutrition and Nutritional Biolo¬gy: Seminar: Dr. Howard G. Schutz "Food Supple¬ment Usage" SBR1 J-137 3 p.m.Philosphy Dept.: Colloquia: Alexander Nehamas"How One Becomes What One Is: Nietzsche on theUnity of Self" 4 p.m. Harper 103Persian Circle: Mohammad Eftekhari "The Eco¬nomic Preconditions of the Shah's Fall" 1 p.m. Pick118Arabic Circle: Lecture and Discussion in Arabic 3:30p.m. Pick 118Center for Middle Eastern Studies: Conference. In¬tegrating the Study of Women into the Mainstreamof Middle Eastern Studies": Amal Rassam "Women& Cultural Authenticity in the Arab World" 9 a.m.;Farouk Mustafa "Women Authors and Arabic Liter¬ature" follows; Reinhold Loeffler "When SymbolsFail: Peasants and Women in Islam" 11 a.m.; FazlurRahman "Religion and Social Control" follows;Three Films on Middle Eastern Women "The VeiledRevolution," "Women Under Seige," and "ThePrice of Change 7-10 p.m. All events at CCE.Intervarsity Christian Fellowship: Meeting 7 p.m.INHCrossroads: English Classes: Beg. 10 a.m.-noon;lnt. 10:45-12:45 p.m.SATURDAYIntegrating the Study of Women into the Main¬stream of Middle Eastern Studies: Evelyn Farley"Coping with Everyday Life Crises" & MarvinZonis ' Male-Female Relations: War Between theSexes?" 9-10:30 a.m.University Chamber Orchestra: Goodspeed Hall 8p.m. Free Oriental Institute: The Arts of the Ottoman Empire:All day symposium $5 students $10 others. Into753-2121Physics Dept.: Lecture: George Gollin "Accelera¬tors and the Conflict Between Harmony and Inven¬tion" 11 a.m. Eck 133U of C Wind Ensemble: "An Evening of RomanticMasterworks" 8 p.m. Mandel HallHillel: Saturday Night at the Movies 8:30 p.m. $1;Orthodox Sabbath Service 9:15 a.m.; Upstairs Min-yan Sabbath Services 9:30 a.m.Calvert House: Mass 8:30 a.m. Sacrament of Recon¬ciliation 4:40 p.m.; Mass at noon and 5 p.m.Renaissance Society: Art for Young Collectors SaleMembers Preview 11 a.m.-5 p.m. Bergman Gal¬lery.I-House: Resident Council Party 9 p.m. 753-4470 forinfoU of C Press: Warehouse Clearance Sale: 11 a.m.-7p.m. INH GymBlackfriars: Guys and Dolls 8 p.m. Reynolds ClubTheatre S2.50-S3.50 962-7300 for ticketsMusic Dept.: University Chamber Orchestra 8 p.m.Goodspeed. FreeDoc Films: The Shaggy Dog 2:30 p.m.; Four Friends7:15 & 9:30 p.m. Cobb S2LSF: Rebecca 7 p.m. & 9:45 p.m. Law School Aud.$2Court Theatre: Under Milk Wood 8 p.m. NewTheatre 753-4470 for infoSUNDAYCalvert House: Mass 8:30 a.m., 11 a.m. (Bond), and 5p.m.Hillel: Bagels and Lox Brunch 11 a.m. SI.75 752-1127for infoMedieval & Renaissance Recreation Society(MARRS): Meeting 4 p.m. INHMetropolitan Community Church of the Resurrec¬tion: Outreach to the gay community 3 p.m. 5638 S.Woodlawn.Folkdancers: General level international. Teaching8 p.m. Request dancing 10 p.m. INH Brett House: Holy Communion and Supper 5:30p.m.Midway Studios: Kathleen Maltese, dance move¬ment with musical accompaniment by MichaelZerany. 2 p.m. Donations 753-4821 for infoOriental Institute: The Egyptologists 2 p.m. Breast¬ed Hall Free; Religious Founders Day Program 3-6p.m. 268-8281 for intoRockefeller: Religious Service 11 p.m. Joseph M. Ki¬tagawa speakerCAUSE & SGFC: Documentary From the Ashes7:30 p.m. INHMedical Center: Sports Medicine Seminar 1 p.m.Billings P-117Renaissance Society: Art for Y oung Collectors Sale11 a.m.-5 p.m. Tuesday-Sunday Sale runs throughNov. 28thU of C Press: Warehouse Clearance Sale 11 a.m.-7p.m. INH GymBlackfriars: Guys and Dtlls 8 p.m. Reynolds ClubTheatre S2.50-S3.50 962-730U for ticketsDoc Films: Los Montes 8 p.m. Cobb S2Court Theatre: Under Milk Wood 8 p.m. NewTheatre 2:30 6t 7:30 p.m. New Theatre 753-4470 forinfoMONDAYU of C Judo Club: Practice 6 p.m. BartlettLatin American Center: Aldofo Gilly "Contem¬porary Mexico" 4 p.m. SS 122Chemistry Dept.: Lecture: Richard N. Dixon "Colli-sional Energy Transfer in Free Radicals 4 p.m.Kent 107Hillel: Israeli Folk Dancing 8 p.m. Blue Gargoyle75cChristian Science Organization: Meeting 5:45 p.m.HME 688Talking Pictures: The Bank Dick 7 p.m.; Duck Soup8:30 p.m.; My Little Chickadee 10 p.m. S2 Free Pop¬cornDoc Films: Dr. Bull 8 p.m. Cobb S1.50I enjoy my contactLenses made byDr. Kurt RosenbaumOptometristKimbark Plaza1200 E. 54rd St.493-8372 THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • TJ.’s Restaurant• Dentist • Valet ShopFREE PARKING.MRS. HARRIS 752-3800 Got any ideas for the Major Activities Board?Come to our office hours 3 to 4 daily in IdaNoyes 218. 753 3563 or 753 3591.REPUBLICANSU of C College Republicans will meet Tuesday,Nov. 23 at 7pm in Ida Noyes. Election of officers will be held.SAS/SPSS PROGRAMMERProgrammer needed 20 hrs/wk to organize andanalyze data from two national surveys. $6.507.50/hr. Call Joan McGrane 753 4850.G.A.L.A.Discussions/social group meets every Mondayat 8:00 pm in Ida Noves. Info; 753 3274.BIBLIOMANIAToday through Sunday —THOUSANDS OFBOOKS are on sale at halt price or more! It'sthe U C Press WAREHOUSE CLEARANCESALE. Ida Noyes Gym, 11 am to 7pm daily.A BOOKLOVER'S DREAMcomes true today, tomorrow, and Sunday atIda Noyes Hall. Over 500 TITLES from the U CPress Warehouse are on sale at one time onlybargain prices. 11 am to 7 pm daily.BEAUTIFUL BOOKSMAKE GREAT GIFTS! Illustrateo works onItalian drawings, Romanesque Art, Turner,Hyde Park Houses, and the mushrooms ofCanada—all on sale at very tow prices.THREE DAYS ONLY—today through Sunday—at Ida Noyes Gym. 11 to 7 daily.SEXEssay on Sexual Equality; Sexual variance mSociety and History; Christianity, SocialTolerance, and Homosexuality; Women—Sexand Sexuality. On sale now at the U C PressWarehouse Clearance Sale. Ida Noyes Gum ItLAW ON THEMIDWAYThe Future of imprisonment, The Criminallyinsane; Patent and Antitrust Law, intelhgence and Crime; Narcotics ana theLaw—iust a sampling of the many law booksthat are on sale now at bargain prices. Todaythrough Sunday in Ida Noyes Gym.HAPPY BIRTHDAY,JUAN VALDEZ!The Prairie Woman, she is your friend.ACHTUNG!GERMAN!TAKE APRIL WILSON'S GERMAN COURSETHIS WINTER •+- HIGH PASS THE SPRINGLANGUAGE EXAM! Classes will meet MWFstarting Jan. 10. For more into -r register, callApril Wilson; 667 3038.FUSSBALL ANDFOOTBALLAvailable for first time in the New Pub. WatchLA Raiders vs. San Diego Chargers Monday,Nov. 22, 8pm. Pub will be close Nov. 25 28. 21and over. S2 membership a door.FREE CAMERA i^-UPmodel cameraf 342 tfl iith 4936700The Chicago Maroon—Friday, November 19, 19B2—21DANRyANEXPRESSWAY\HUNDREDS OF TITLESTHOUSANDS OF BOOKSTheUniversity of ChicagoPressWAREHOUSECLEARANCESALEFriday, Saturday, and SundayNovember 19,20, £r 2111 am to 7 pm dailyIDA NOYES HALL1212 E. 59th Streeton the University of Chicago campusEASY ACCESSfrom:trains,theJeffrey Express (#6),the Dan RyanandLake Shore Drive.PARKING ON THE MIDWAY