Grey City Journal Grey City JournalWOMAN AS PATRONGCJ page nine THE DRA WINGS OF EVA HESSEGCJ cover -The Chicago MaroonVolume 92, No. 12 The University of Chicago ©Copyright 1982 The Chicago Maroon Friday, October 15, 1982PHOTO BY JOAN ERDMANPresent at the Monday reading of writer R.K. Narayan, secondfrom left, were Milton Singer, left, professor emritus in Anthro¬pology, E.C. Dimock, Distinguished Service professor in the de¬partment of South Asian Language and Civilization, and NormanCutler, assistant professor in South Asian Civilization.Doctor of PhilosophyBy David BrooksLeon Kass, the Henry R. LuceProfessor in the Liberal Arts ofHuman Biology in the College,began his academic career as a re¬searcher at the National Instituteof Arthritic and Metobolic Dis¬eases. Dissatisfied with questionsstrictly of a biomedical nature,Kass resigned his post as a stafffellow and served as ExecutiveSecretary of the Committee on theLife Sciences and Social Policy ofthe National Academy of Science’sNational Research Council. In1972, he pursued his philosophic in¬terests as a tutor at St. Johns Col¬lege in Annapolis and in 1974 wasappointed the Joseph P. KennedyResearch Professor in Bioethics atGeorgetown. He returned to thisUniversity, where he had earnedhis BS and MD, in 1976.During this interview, Kassspoke of the transition from scien¬tist to student of ethics. One gets aclear picture of the motivationswhich lead to a career in academ¬ics, and of the difficult contrastsbetween scientific and humanisticresearch.Maroon: As a biology major herein the 1950s what sort of trainingwere you given in medical ethics?Kass: There were no courses inmedical ethics or ethical issuesraised by advances in biology. Infact, I don’t think anybody here orelsewhere worried very muchabout these questions. Perhaps afew people did worry about them,but there was very little published.This field didn’t really emergeuntil the latter part of the sixties.What there was here, and whatthere isn’t here now, as far as I cansee, were courses which dealt ex¬plicitly with the philosophical foun¬dations of biology. I took a course in my senior year, taught by a mannamed Joseph Schwab, whichraised questions like “What is anorganism?” The course made avery great impression on me.Maroon: Were you able to pur¬sue these questions in medschool?Kass: No. For a while, we had asmall discussion group on the so¬cial aspects of medicine. But wecouldn’t find ten students in themedical school willing to sign theirnames to a membership list so wecould become a recognized studentactivity. People were either unin¬terested or scared.Maroon: At Harvard you didmanage to organize a student/fac¬ulty discussion group on the socialconsequences of biomedical re¬search. Where did the interest totake that initiative develop?Kass: I can only try to under¬stand what is something of a mys¬tery to me. One doesn’t know howthese things really happen. But, tobegin with, I have always had astrong interest in moral questions,acquired from my parents. Atten¬tion to matters of right and justicewere a big part of my upbringing.Ethics was rather a moribundsubject when I was in college. Ev¬eryone thought either that thequestions were settled or that thereweren’t any questions, becauseethics were utterly subjective andrelative. Moreover, there did notappear to be pressing ethical prob¬lems that anybody worried about.Nevertheless, my interest inmorals persisted, and I had fre¬quent arguments against moral re¬lativism. Friends would tell me,“When you say philosophy youmean morals.” There was some¬thing to that. Indeed, I suspect Iwas rather moralistic. Nicaraguan ambassador callsfor reopening talks with USBy Jeffrey TaylorFrancis Fiallos Navarro, Ni¬caraguan ambassador to the Unit¬ed States, delivered an on-campuslecture yesterday concerning “Ni¬caraguan Relations with the U.S.”Navarro is in Chicago for a sympo¬sium on human rights in LatinAmerica sponsored by the Luther¬an School of Theology.Navarro represents the revolu¬tionary Marxist government of theSandinista Liberation Front (SLF)currently in power in Nicaragua.The SLF led a successful insurrec¬tion against the Somoza militarydictatorship, deposing Somoza inJuly of 1979.US policy toward Nicaragua haschanged significantly since Presi¬dent Reagan took office. Thoughthe Carter administrwation contin¬ued historical US backing of Somo-za’s government, allegations ofwidespread human rights viola¬tions and the execution of an Amer¬ican journalist by a few of Somo-za’s troops resulted in StateDepartment calls for social re¬form.Navarro said that, unlike Rea¬gan, “Carter understood the situa¬tion in Nicaragua,” and alsoclaimed that Carter’s post-revolu¬tionary visit to his country resultedin the improvement of the “eco¬nomic aid relationship.”Navarro charged that the 1980Republican party platform, in apossible attempt to exploit the na¬tional conservative mood, calledthe revolutionary government “thebandit of the western hemi¬sphere,” and promised to cut offaid to Nicaragua. Reagan carriedthrough with the promise shortlyafter his inauguration. The USbroke relations with Nicaruaga inNovember 1981, accusing the gov¬ernment of aiding El Salvadoranguerillas.University of Chicago Historyprofessor John Coatsworth askedNavarro to respond to this andother accusations made recentlyby US assistant secretary of stateThomas Henders.“There is a possibility of the traf¬fic of arms between the countries,”the ambassador replied. “Our peo-Rapist caughtSources at the police departmentreport that a suspect has been ar¬rested and charged with lastyear’s series of “window rapes.”The man, identified by at least onevictim, is being charged with rapeand burglary.This series, occurring in winterof 1981-82, involved a rapist whoentered apartments throughnewly-installed ground floor win¬dows which had not yet set. Theman was also reported to wear aski mask. Sources were unsure ofthe number of incidents involvedas of presstime. • | pie are experts in that.” He alsoclaimed that there is a constantflow of arms into Latin Americafrom non-syndicated US dealerswhich the US government cannotcontrol.Navarro refuted the allegationthat the revolutionary governmentis a pawn of Soviet-backed Cuba.He stated that the Cuban “helpcampaign” provided human re¬sources of doctors and teachersonly, not military advisors, and thetwo Soviet made helicopters inManagua were a openly acceptedgift. “Nicaragua would be glad toaccept helicopters from the UStoo,” he said.“Nicaragua is ready to talk withthe US at any time,” Navarro con¬tinued. “We need to build and heal,not make war.” He expressed aneed for “restoration of economicaid” from the US.By Kahane CornWalter E. Massey, director ofArgonne National Laboratory andprofessor in physics here, wasnamed University vice-presidentfor Research Programs on Oct. 1.As overseer of the University ad¬ministration’s research policy andsome of its scientific committees,Massey is responsible for coordin¬ating policy and administrative re¬lations between the University andArgonne, as well as concentratingon the laboratory’s long-termplans.Massey’s appointment coincidedwith the announcement that theUniversity had been established asthe sole contractor with the De¬partment of Education (DOE) ofArgonne. Although the contractualagreement between the Universityand DOE extends for only oneyear, negotiations concerning afive-year contract will begin soon.Under the new arrangement, theUniversity will establish a board ofgovernors for Argonne that willconsist of U of C officers, trustees,and faculty together with scien¬tists, engineers, and administra¬tors from other universities andfrom industry.Massey’s other responsibilitiesinclude representing Argonne inthe scientific and engineering com¬munities as well as expanding thelaboratory’s relationship withother scientific institutions, uni¬versities, and corporations.Massey, who has been director ofArgonne since July 1979, receiveda doctorate in physics from Wash¬ington University in St. Louis in1966. Until 1970, he taught physicsat the University of Illinois. Healso served a short time as a post¬doctoral fellow at Argonne. In 1970,he transferred his teaching post Navarro said that governmentalcensorship of the press was “atemporary emergency measure,”made necessary by the presence ofseveral counter-revolutionary fac¬tions in Nicaragua.Navarro made no mention of thefact that former revolutionaryleader Pastora has become disen¬chanted with the government andis leading a counter-revolutionarymovement. These movements areallegedly supported by the Hon¬duran air force.Navarro was asked why thereare Jesuit priests in the revolu¬tionary government, and why theCatholic church had participatedin the revolution since, maintaincritics, Marxism is by definitionatheistic. He said that the churchrealized that the conditions underSomoza were terrible and opted forContinued on page 24from Illinois to Brown Universitywhere he was eventually nameddean of the college in 1975.In addition to his various teach¬ing positions. Massey has also pub¬lished and lectured on the physicsof quantum liquids and solids, andon the role of science and techno¬logy in a democratic society.He is a member of the NationalScience Board, and a trustee ofBrown University.Argonne National Laboratory,which was formed in 1946 under theAtomic Energy Act as a direct off¬shoot of th, *'orld W ar II Metallur¬gical Laboratory at the University,was established to pursue thepeaceful uses of nuclear energyThe laboratory uses its resourcesto solve many present day prob¬lems such as energy supply andutilization, and environmental pro¬tection. The Laboratory also re¬searches basic energy sciences,nuclear physics, fossils energy,conservation of energy, and biome¬dical and environmental sciences.It is located 28 miles southwest ofChicago and employs 4600 per¬sons.Walter MasseyArgonne head namedVP for researchFREE and it’s EASY!Take a FREESpeed Reading LessonLEARN TOSPEEDSPEEDSPEEDSPEEDSPEEDSPEEDSPEEDSPEEDSPEEDSPEED READ THIS QUARTER your reading assign¬ments could take over 400 HOURS.You could cut that time to 100 HOURSor even 60 HOURS!JOYCE WAGMAN, who is a well known speedreading expert, and prior to forming her ownspeed reading school was the Director of astudent program for a nationally known speedreading company is coming to the U. of C.this week.WOULD YOU LIKE TO:xj cut your study time in less than 1/2[Xj raise your grade point average easilyx have more free timeX read 3 to 10 times faster with bettercomprehensionTHEN JOIN US for ONE HOURand we’ll show you how - you’lllearn techniques in ONE HOURthat will save you hundreds ofhours this quarter.You’ve got nothing to loseand everything to gain.v.•V > ON THE U OF C CAMPUSAll free sessions will be held at the Chicago TheologicalSeminary, 5757 S. University in room 133.Plan to attend one of the sessions.~ ■Or,''sTvS^iS/ViS^Tvv'.'-A . AyiW,THE WAY YOU READ CAN CHANGE YOUR LIFE!SCHEDULE OF FREE LESSONSChicago Theological Seminary5757 S. University, Room 133LAST DAY!Friday October 15 2:00 PM or 4:00 PM or 7:00 PMBesides being eligible for the scholarship, we’ll show you how we increasereading SPEED and COMPREHENSION Come to a free lesson to registerfor the scholarship to this program. If you cannot attend a free lesson, you cancall 677-8811 or 965-5596 for information.WIN A FREE SCHOLARSHIP—The Chicago Maroon—Friday, October 15, 1982NewsNew dept chairmenGeophysical sciences professor David M.Raup and anthropology professor MichaelSilverstein have been appointed chairmenof their respective departments, the Univer¬sity has announced.Raup replaces Peter J. Wyllie, the HomerJ. Livingston Professor and editor of theJournal of Geology. Silverstein replacesRalph Nicholas, who was named deputy pro¬vost of the University in August.Gov. candidate hereThird candidate for Governor of the Stateof Illinois, Bea Armstrong, will speak oncampus today at a lecture sponsored by theU of C Libertarians. The presentation willbe held at 3 p.m. in Harper Memorial Li¬brary, Room 103. All are welcome to attend.For information call Seth at 753-2249, ext.3302.Tea partyThe Blue Gargoyle is having its Third An¬nual International Tea on Sunday, Oct. 17,from 3 to 6 p.m. Featured will be ethnicfoods from around the world and a youth tal¬ent show. Donations will be accepted at thedoor.Meet on human rightsin Latin AmericaA symposium on “Human Rights inCrisis” will be held tomorrow at the Luther¬an School of Theology, 1100 E. 55 St. Thesymposium will concentrate on the strugglefQr democracy in Latin America and is pre¬sented by the Chicago Committee to SaveLives in Chile.The conference will consist of ten work¬shops held throughout the day starting at9:30 a.m. Among the participating speakersis Francisco Fiallos Navarro, the ambassa¬ dor of Nicaragua to the United States. TheUniversity of Chicago’s Center for LatinAmerican Studies is one of the sponsors ofthe event.Registration fee for the symposium is $10for students and seniors, and $15 for allothers. The fee includes the cover charge fora Pena, a Latin American coffee house withrefreshments, food, entertainment, and con¬versation, which follows the symposiumfrom 7 p.m. to 1 a.m.Museum get grantsThe Institute for Museum Services (IMS),a federal agency which provides financialassistance to museums around the nationhas awarded grants to two museums oncampus. The Oriental Institute received a$35,000 grant, which is the largest any onemuseum can receive, while the Smart Gal¬lery received, for the second consecutiveyear, a grant of $20,860.The grants may be used for operating ex¬penses or for improving a museum’s collec¬tion. Spending of each grant is left up to thediscretion of the museum. About onequarter of the nations museums receive anIMS grant each year, making the grantshighly and competitively sought after.Getting grantsA practical workshop on designing andpreparing grant proposals will be given onTuesday, Oct. 19 from 4 to 5:30 p.m. in SocialSciences 122. The program, sponsored bythe Office of Career Counseling and Place¬ment, is directed to graduate students whoseek funding for continued graduate studyand research. The workshop will includepresentations by Alan Fiske, a graduate stu¬dent who has received several large grants,Frank J. Pettis, assistant director of the Illi¬nois Humanities Council and Mary Anton,vice-president for planning at the Universi¬ty. Pettis has had experience in evaluatingproposals and Anton has had experience in writing proposals. For further information,contact Julie C. Monson, director of CareerCounseling and Placement at 962-7044.U.S. Senator Charles Percy willdine and speak at the InternationalHouse in honor of its 50th anniversaryon Oct. 17. Percy, a University trusteeand the Senate Foreign RelationsCommittee Chairman, will talk aboutforeign affairs to current and formerl-House residents at a receptionwhich will be preceded by the invita-tion-only dinner. For more informa-tion call 753-2272.Palestine symposiumThe Lebanon-Palestinian Committee hasplanned a symposium for Oct. 20 in Breast¬ed Hall at 1155 E. 58th St. The day-long eventwll feature speeches by Professor Iliya F.Harik of Indiana University, Professor Mi¬chael C. Hudson of Georgetown University,and Edward Said, of Columbia. For more in¬formation. stop by Kelly Hall. Room 303. Students complainof high athletic feeBy Tom EldenSome non-registered students have com¬plained that they now have to pay fifty dol¬lars more than tuition-paying students touse the U of C athletic facilities. Last spring,the U of C Athletic Board increased the feethat non-registered students must pay for anAthletic Facilities Pass from fifteen tosixty-five dollars.Non-registered students include thoseworking on dissertations or completing un¬finished work. These students do not pay tu¬ition.When the change was made last spring,the newly appointed athletic board decidedthat students paying tuition which suppl-ments the pass fee should pay the lower fif¬teen dollar fee. The Board also decided thatsince non-registered students do not pay tu¬ition, they should pay a higher pass fee tomake up the difference.Pamela Price, a non-registered student inthe Humanities Division said that forcing allstudents to pay extra for athletic facilities isunnecessary given the price of tuition. “Thisis not a poor university and it charges morethan poorer universities.”Explaining the different prices for athlet¬ic facilities passes, Mary Jean Mulvaney,chair of Physical Education and Athleticssaid, “The logical category (for non-regis¬tered students) is alumni '*$85) but becausethey are on campus we have permitted thema lower rate.”Granted the need to charge for facilities,passes, Price said that the Universityshould maintain a consistent policy andcharge registered and non-registered stu¬dents the same amount for a pass and re¬duce the tuition of registered students by thefifty dollars difference instituted by the Ath¬letic Board.55th and Hyde Park Boulevard643-5500American Express, Visa & Mastercharge taken. Something like reservations taken.Our gang iswaiting for yourgang at Orly’sBrunchEven the Sun-Times is spreading theword for Sunday Brunch.“...begins well with an incredibly good cinnamon raisinwheat muffin. These warm little numbers feature bigpockets of melt in your mouth raisins. They're so full oftaste, they make the honey butter superflous...Even better is the aptly named Eggs Divan. It's hard toimprove on eggs benedict, but this dish, with its nearlyas good hash browns, may have done it...Dessert buffet is the high point...lots of fresh exoticaand even more great baked goods... Orly’s knows ithas a good thing going.”Lunch: Tues.-Sat. 11:30-2:30Dinner: Mon.-Thurs. 5:00-10:30Fri.-Sat. 5:00-12:00Sunday 5:00-9:00Sunday Brunch: 10:30-2:30The Chicago Maroon—Friday, October 15, 1982—34?s \Well give youthe way to highergrades and morefree time.Would you like to:□ Raise your grade average without long hoursover texts.□ End all-night cramming sessions.□ Breeze through all your studying in as little as1/3 the time.□ Have more free time to enjoy yourself.□ Read 3 to 10 times faster, with better con¬centration, understanding, and recall.Evelyn Wood’s new RD2 reading system makes itall possible. Evelyn Wood works — over 1 million people,including students, executives, senators, and evenpresidents have proven it. A free 1 hour demon¬stration will show you how to save hundreds ofhours of drudgery this year (as well as how toincrease your speed immediately with some simplenew reading techniques).It only takes an hour, and it’s free. Don’t miss it.EvelvnWpodwill open your eyes.Schedule of FREE LESSONSTHE CHICAGOTHEOLOGICAL SEMINARY5757 S. UNIVERSITY AVE.(ON 58th ST. 2 BLOCKS EASTOF ADMINISTRATION BUILDING) MONDAY, OCT. 18 2 PM 4:30 PM 7 PMTUESDAY, OCT. 19 1 PM 2:30 PM 7 PMWEDNESDAY, OCT. 20 2 PM 4:30 PM 7 PM SEATING IS LIMITEDSO PLEASE PLANON ATTENDINGTHE EARLIESTPOSSIBLE LESSON!© 1978 EVELYN WOOD READING DYNAMICS/A URS COMPANY4—The Chicago Maroon—Friday, October 15, 1982In college I had also acquired a dim awareness of thelimits of science. Notwithstanding the marvelous advance¬ments and achievements of science, I sensed there werecertain large questions about the nature of nature, abouthuman nature, and human community that never gotasked. And this too I learned through courses in the college:that there were alternative ways of putting questions, evenscientific questions, that led to utterly different answers. Inever really found much satisfaction in talking about suchphilosophical matters with my scientific colleagues. Theydidn’t really take these questions seriously.These things in my background perhaps prepared me torespond, in the mid-1960s, to the implication of the so-calledbiological revolution. It became clear to me that the techno¬logical developments in biology and medicine were bring¬ing in their train myriad ethical, legal, and social questions— questions of autonomy and responsibility, of abuse ofpower, and things of that sort. But the most remarkablething to me was the insight that this large, humanitarian,enlightenment project for the relief of human suffering wascarrying us in the direction of Brave New World. This over¬states the case, perhaps, but that’s certainly how I thoughtabout it, namely, that humanitarianism, fully realized,could usher in the gravest sort of dehumanization.At about the same time, for reasons having to do with ex¬periences at Harvard, I began to wonder why I so frequent¬ly encountered very smart and highly educated people whohad rather poor character. I began to wonder whether itwas really true, as I had been taught from childhood, thatthe progress of knowledge leads to the improvement ofmorals. In the course of conversing about this matter, afriend of mine — from College days — told me to read andgave me a copy of Rousseau’s Discourse On The Arts AndSciences. It’s an attack on the arts and sciences in the nameof virtue, arguing that progress in the arts and sciences isfundamentally and necessarily corrupting. This was thefirst time that I ever really considered such a prospect.There was a shaking of my fundamental enlightenmentviews about the relation of the arts and sciences to moralsand politics. And this occurred as I was recognizing thatconcrete developments in biology and medicine potentiallythreatened basic notions of human life and basic human in¬stitutions.Maroon: Did it all build up at one point?Kass: No. In fact, I never have had a revulsion againstscience. I did not leave experimental science because Ididn’t like it. In fact, when I worked at NIH after finishinggraduate school I did work in molecular biology and I lovedit. Nevertheless, I think it’s probably true that no questionthat fully engaged my passions could be answered in a labo¬ratory. In this sense, I was probably never fully a scien¬tist.Maroon: Was there a difficult transition between scientif¬ic research, which is factual and humanistic researchwhich, I guess, is more agrumentative?Kass: Yes, the transition was hard. I was working in thelaboratory, doing experiments on bacterial physiology andgenetics. I could do about two experiments a day. Growbacteria in the morning. Perform the experiment, whilegrowing another batch in the afternoon for an evening ex¬periment. And by late evening I had a couple of graphs. Iknew whether the experiments worked or didn’t work. Isort of knew why, and knew what the next stage was. I alsohad superb colleagues with whome to discuss my work.And from there I went to sitting behind a desk, with ques¬tions for which there are no experiments, and without mycolleagues — my job was reading, thinking, and writing. Ithink the major difficulty is figuring out whether you’regoing forwards or backwards. The time scale of advancingyour knowledge and understanding is not a matter of daysbut of years. If I allow myself to take a large view and say,“Do I understand this question better than I did five yearsago?,” in some cases I guess I can honestly say that I prob¬ably do, but I’m not absolutely sure. This uncertainty isvery difficult when you’re used to the more definite psycho¬logical reward structure that the progress of experimentalscience makes possible.Maroon: When you decided to make the shift from a per¬son interested in biomedical research to a student of ethics,did you consider in which field your contribution would bemore important?Kass: It occurred to me. It’s in some ways a presump¬tuous concern. It occurred to me in this way: the contem¬porary legal and moral questions raised by biomedical ad¬vance point to many more fundamental questions abouthuman nature and human good: they call attention to thefundamental tension between the scientific way of lookingat the world, and the way of looking at the world embodiedin the various traditions — philosophic and religious — thatinform our notions of morals and law. These more basicmatters seemed to me even more urgent than what to doabout say, test-tube fertilization. To really understandthese things I believe one must go beyond the contemporaryquestions of bioethics to study the historical and philosophi¬cal roots of contemporary thought, both scientific andmoral-political. There are scientists who late in their ca¬reers turn their attention to more philosophical or socialissues, but they seldom have prepared themselves in therequisite study. It soon became clear to me that if I wasever going to understand these things the way I wanted to Iwould have to put in my time.I don't know if I will be able to make the kind of contribu- Leon Kass:a doctorof philosophytion which I think can be made or should be made, but Ithink that it will certainly require many years of ratherthorough study in the beginnings of modern naturalscience, in ethics, and in related philosophical matters. So,one of the reasons for making a break rather than trying todo two things simultaneously is that I realized that I proba¬bly couldn’t do either well if I tried to do them both to¬gether. And second, it also seemed to me at the beginningthat there were very few people who were concerned aboutthe kinds of things that concerned me. Most of the other sci¬entists who wrote about biomedical technologies werelargely enthusiastic about the whole project.Maroon: Do you think that now, or a few decades downthe road, you or somebody else in your field will write some¬thing that will prompt a scientist to pull back and possiblyrefrain from an experiment that would certanly be immor¬al? Is that your aim?Kass: No. You know, you spend time in any subject andyour views alter. When I began I was very much exercisedby this fear about Brave New World. That has receded. Idon’t know whether it’s because things have become so fa¬miliar to me now, with familiarity producing a kind of toler¬ation. My attention in recent years has been less on the spe¬cific biomedical technologies and their applications andmore to the way in which science tries to understand natureand man. My suspicion is that despite all its great power ofprediction and control, and despite its growing knowledgeof how things work, science’s understanding of nature andman is and will necessarily be partial and incomplete.It seems to me that a reformed and enriched understand¬ing of living nature is possible, one that will do justice to thepurposive character of living things, that will attend, with¬out explaining away, to the meaning of the esthetic charac¬ter of living forms, that will again address what was oncethought to require, in biology, the notion of soul. I suspectthat a re-examination of the foundations of biology mightproduce a richer science, moreover, a science not so muchat odds with the pre-scientific or the non-scientific under¬standing of the world. Our deepest intellectual problem isreconciling the teachings of science with life as ordinarilylived. That is, the real problem is that modern science —the paradigm of which is mathematical physics — under¬stands the world in terms radically abstracted from, andbascially at odds with, ordinary experience.Many have called attention to this gulf between the kindsof questions, the form of the answers, and the mode of inqui¬ry that characterizes science and the kinds of questions andthe mode of understanding that begin from our human ex¬perience of ourselves and the world. Many people havetried to do battle with science by shoring up the side of ordi¬nary experience, with the humanities and religion But mysuspicion is that the reform and correction will come on theside of science. To begin with, we must somehow enlargethe notion of what counts as a scientific question. Maroon: How would you package this kind of project?How would you get a doctor to think about bridging thisgap? What types of questions sould you have him ask?Kass: I would try, for example, to arouse interest in themarvels of living form. In some of my classes I use the writ¬ings of a Swiss biologist by the name of Adolf Portmannwho concerns himself with the meaning of animal form. Hetries to argue, or at least suggest, that the meaning of an¬imal form is not exhausted by its contribution to survival,be it as protective coloration or sexual selection or whathave you. He treats the animal surface as an organ of com¬munication and self-presentation. He has some very inter¬esting evolutionary correlations between the profusion anddevelopment of that which is visible and the powers in thesame species to perceive the visible. And he raises variouskinds of questions for which the orthodox reductive expla¬nations which dominate biology seem somehow incomplete.Do we understand why it is that human beings admire natu¬ral beauty? What is the selective advantage of the estheticsense? What’s the selective advantage to human beings ofadmiring the peacock?This is but one small area, but there are many things inour ordinary experience that, if we were a little less sophis¬ticated or a little more naive, could arouse our wonder andperplexity. We might re-discover many questions that havesimple been forgotten or ignored.Maroon: Once a person has addressed these questionshow does he or she progress from there? How does he prac¬tice science?Kass: I don’t exactly know. My present aim is that peoplewho go on in science should be conscious and thoughtfulabout their own presuppositions. People talk as if notions ofchance, necessity, space, motion, cause, time, are some¬how self-evident and they never pause to think about whatthey mean when they talk about those things.A greater awareness might not improve the experimentsthey do, but at the very least scientists would be more con¬scious of the possible limits of what they can and cannot ex¬plain.Maroon: It seems that you're moving into areas of me¬taphysics and less into areas of ethics.Kass: My ethical interests have led me to see that theethical questions can’t be settled simply within ethics. Idon’t think you can do ethics properly without some under¬standing of human nature, if there is such a thing, and youcan’t understand human nature without examining man inrelation to the rest of nature.If you begin a discussion, say, of the implications ofhuman cloning and you say it’s dehumanizing and some¬body else says “what do you mean by dehumanizing ?”you must either have or be seeing an answer. One is neces¬sarily pushed back to ontological questions.Maroon: It seems you take science as a jumping off pointand work more in the discipline of philosophy than inscience.Kass: Yes, I think that’s true and I know that it is a diffi¬culty. I regret that I have not kept up as much as I hadplanned with the actual workings of science. Nevertheless,I think there are certain biological phenomena about whichscientists write and w rite rather unreflectively to which onecan come and try to show how the very same phenomenacan be treated differently.Maroon: Isn’t there the danger that in requiring such aphilosophical background it might be difficult to come fullcircle back to science and explain to the woman facing anabortion or explain to the scientist working on cloning ex¬actly what is at stake?Kass: I still do some writing in those areas and I think myow n understanding of those questions has been altered and,I think, enriched, by my other studies. But it is true, there isno obvious deduction from questons of human nature to theconcrete questions of what shall we do today. The search isnot for a set of fixed rules which are going to solve thesepractical problems, which remain in a realm in which pru¬dence and judgement are always going to play a largepart.Your question is, have I not let this philosophical projectturn my back on concrete practical matters.Maroon: It’s not an accusation.Kass: Well, I think there’s something to what you say.I’m not a crusader in these matters. I might have beenmore of one when I started. But the more I thought aboutthe questions, the harder it seemed to me to discover, a) theright thing to do, and b) the social and political means topromote it. There are a number of things which I wish wehad never practiced, but there don’t seem to be means toprevent them which don’t carry serious problems of theirown.In the long run, it seems to me that the problems raisedby the biomedical technologies are not unique. They arepart of a larger problem of technology and culture, whichgrows out of the project for the mastery of nature. They arerelated to questions of w hat it is our culture looks up to andwhat kinds of restraints it is willing to impose upon itself forthe sake of civility, decency, and so on. Whether we havecloning or don’t have cloning is part of a much larger pic¬ture; who are we, and what do we stand for? And if onethinks that the much larger picture is decisively influencedby the scientific world view, and if one thinks there is some¬thing questionable about that world view, then, in the longrun, one might be doing the most practical and urgent thingby addressing the most theoretical questions.The Chicago Maroon—Friday, October 15, 1982—5EditorialsBill, bills, and more billsThe arrival this week of bills for Blue Cross/Blue Shield insurance, and/or theUniversity health program comes as an unpleasant surprise at best to their re¬cipients. Over the summer, all students were required to pay tuition, and we donot understand why the University unnecessarily postpones billing for healthinsurance and health service. Surely the University’s accounting system is so¬phisticated enough to be able to collect these payments along with the others. Inaddition, neither the Time Schedules nor the bills sent this summer contain in¬formation or warning about the separate billing for health insurance. The BlueCross bills were unaccompanied by an explanation of why they are being sent,doubtless this year’s 17% tuition increase will not cover the cost of printing upexplanations and including them in the bills. We do not fault the University forrequiring students to take out health insurance, but this billing practice isthoughtless and inconsiderate. That the University requires each tuition pay¬ment before each quarter has started is bad enough, and this new billing pro¬cedure only adds insult to injury.Celebrate HomecomingWith the controversies surrounding last year’s Homecoming activities inmind, we are all the more pleased that this fall’s Homecoming promises to be asuccess. Last year’s Homecoming was marred by the Student Government Fi¬nance Committee’s decision to not fund activities in an effort to press the Admin¬istration into reconsidering its policy of forbidding alcohol to be served at par¬ties in University-owned buildings. We commend the “HomecomingThink-Tank”, the Intrafraternity Council, Delta Sigma, the Women’s AthleticAssociation, and the Order of the C for their efforts and foresight in planningthese activities in June instead of waiting until the last minute, as has been donetoo often in the past. Blame for the failure of this Homecoming would lie withthose who did not attend and not its organizers.§£ S3ALL ARE nwELCOME AT AKUMSITZ(com* * 5+; ie. i+'s a P/^RTYOSINGING WITHZtPPtTZ jlALSO FEATURING **JOKES, STORY TELLING, Pi22A,MARSHMRLLOV/s, ROARING FIRESat. Oct. ik~800 P.H,Hillel House5715 5. WooDLAVN A^DtUi^ i/O t£u>m stdci^LH £?u>eDc^... BeCAX* ot lOeyPac-AfetC ■fclluOtr "bV'bTTM Tl\e DaJm/6T£Si7Y Of C4 ItAbO THfAJnkFL foU ECoiOoMxt ...LettersReject paper adTo the editor:I wrote a letter much like this, I believethree deans ago, during the tenure of RogerHildebrand. The subject is the advertise¬ment on page 20 of Oct. 8 Maroon. If thishappened to be a Catholic university, itwould take no special pleading to justify re¬jecting an advertisement for an abortionservice. I assume you would have no specialproblem with an advertisement from theAmerican Nazi party, soliciting member¬ship to help turn Jews and Blacks into lamp¬shades. No principle of freedom of the pressrequires a publication to accept commercialadvertising that utterly contradicts the prin¬ciples of an institution represented by thatpublication.Since I assume that this institution in¬cludes among its fundamental intellectualand moral principles a demand for intellec¬tual integrity, for respect of one’s peers, foracademic and scholarly honesty, how canwe assume that you have not ignored thoseprinciples by accepting an advertisementthat encourages every undergraduate,graduate, and professional student to lie andcheat? There are colleges and universitieswhere buying term papers and passingthem off as one's own work is not only com¬monplace, but tacitly accepted. Are we toassume that you believe that this place be¬longs among that group? As I said in thatletter many years ago, if you are hard up forcash, get a cup and beg in the quadrangles.Begging openly at least bespeaks honest po¬verty. Your accepting advertisements of thekind on page 20 bespeaks a moral and intel¬lectual poverty that every person on thiscampus should find entirely contemptible.Joseph M. WilliamsProfessor in the departmentof EnglishSour NY applesTo the editor:The trouble with New Yorkers at the U ofC is that they react to the University, thecity, and the entire area west of the Appala¬chians the way a typical American tourist reacts to his first experience of anothercountry. You know, the obnoxious one fromZenith who can’t understand why all thoseforeigners don’t speak English. Except theydo, so they’re one up on him. You NewYorkers come here with your mental bag¬gage, your posters of the world starting atthe Hudson, and your stupid Dodgers’ pen¬nants (there, I can sound like an old-timertoo), and you proceed to make your anthro¬pological adventure among the natives asNew Yorky as possible — in a primitive,quaint sort of way, as you write back East.Missionarism Do you really think that ifyou say “to the city” instead of “downtown”that it will turn into Manhattan? You maythink you’re going “uptown” to RodgersPark — but the only place you can go up¬town to in Chicago is Uptowm. Capital U.You don’t even know how- to tell jokes aboutSkokie. I bet you don’t know what GVSstands for either. And then you can’t evermake it seem New Yorky enough to escapehomesickness.. .so we are blessed here withour very own imitation of Commentary. Lis¬ten, I spent the summer reading Commen¬tary (the old ones) and my family has beenin Chicago for one hundred years. Beforethat they were in Eastern Europe. Gosh,they skipped New York entirely. Maybethat’s what’s wrong with me.Shmuella bat AvramStudent in the CollegeModel UNTo the editor:Nearly six months ago, 1 learned of agroup of students who were organizing aModel United Nations (MUN) project to beheld on campus sometime during the 1982-83academic year. I was curious and began toattend some of the organizational meetings.Apparently, about 100 other students werealso curious; they had attended the firstmeeting and each filled out a brief question¬naire outlining their background, includingprevious participation in MUNs, federal andstate internships, relevant work experience,academic research and so on.Several people has participated in MUNsbefore; literally dozens more had internedwith various state and federal agencies.Continued on page 24RUSTIC CONTINENTALSTUDIO TEA ROOM*1* he social season is almost upon us. Maybeyou are looking for a place which is uniqueand intimate. Now you can rent the RusticContinental Studio Tea Room for your specialgathering Seating 24 in a beautiful surrounding.for info, call 288-708013 75 V2 East 53rd Street6—The Chicago Maroon—Friday, October 15, 1982ViewpointsThe Democratic Party and the Quagmire of LiberalismBy Scott PowellPerusing the contents of a new campus publication, “TheChicago Democrat,” reminded me of the serious problemsconfronting the Democratic Party at large, even in a prom¬ising election year. Although the Democrats will probablyincrease their collective number of seats in both Federaland State government this November, they lack a clear andconsistent philosophy to meet the challenge of troubled con¬temporary times. Moreover, hasn’t a large part of the Dem¬ocratic Party made a significant departure from its ownheritage which was perhaps best articulated by J.F.K. inhis famous declaration: “ask not what your country can dofor you, but rather ask what you can do for your country.”For many contemporary Democrats, apparently includingthos writing for “The Chicago Democrat,” people’s de¬mands for their rights have become the keystone of citizen¬ship, rather than their sense of duty.Illustrating this point is an article in “The Chicago Demo¬crat,” entitled, “The Trial of Enten Eller: an AmericanTragedy.” Without foundation, if not unrepresentative ofthe Democratic Party, the argument has a two-fold conclu¬sion: 1) the judicial system which found Eller guilty of thecharges of evading registration is somehow unjust becauseit selected Eller, “an honorable person,” to prosecute itscase and 2) anyone with sincere religious convictions andcredentials should have the right of non-compliance withdraft registration.By objective standards, Eller got off easy with 250 hoursof community service and 90 days to register, since by thestatute, he could have received a fine of up to $10,000 and upto five years in prison. This is neither the “absurdity,”“tragedy,” nor hardly the “grotesque consequence” of thecourts that “The Chicago Democrat” claims it is. The casedid not question Eller’s sincerity or his right to file for aconscientious objector (CO). COs always complied withregistration laws in the past, and if their cases were foundwith merit, as Eller’s may very well be, they were exempt¬ed from military service or combat duty.Have Democrats forgotten so soon what Jimmy Carterpainfully learned through the harsh lessons of Afghanistanand the hostage crisis? After all, it was he who initiated therequirement of draft registration. It was simply a neces¬sary adjustment to the world situation as it really was,rather than the way Mr. Carter would have preferred. Is“The Chicago Democrat” privy to some new developmentsin Afghanistan or Poland that render a more optimistic view of world politics?Historical empirical data show that the interests of na¬tions have most often been best served when they wereready to protect those interests by decisive action. In con¬trast to “bleeding heart” idealism and pacifism which actu¬ally invite aggression and adventurism by other nations,draft registration, which is the essence of the Eller case,contributes to the deterence of conflict and war because itsignals greater US military readiness.Quoting from MERIP Reports #91, another article in“The Chicago Democrat” implores its audience to considerthat “loading unstable governments down with sophisticat¬ed and explosive weapons undermines US interest and is asure recipe for disaster in the region.” First, let us hopethat the weapons we deploy in the Middle East will explodeproperly. Second, the United States should not be less thansophisticated about how it protects the West’s oil and stra¬tegic interest (the Saudi’s deserve more than the blunder¬buss). Third, a responsible Democrat should hardly be re¬ferring his audience to MERIP Reports as an authoritativesource. The MERIP collective has supported Quaddafi’sLibya, Khomeini’s Islamic revolution, the PLO, the Marx¬ist POLISARIOS, and the Soviet-backed regimes in SouthYemen and Ethiopia. The star of MERIP, Fred Halliday,even justifies the Soviet invasion of Afghanistan by claim¬ing that “the Soviets reluctantly intervened in Afghanistanbecause they felt their security slipping away.” MERIPReports is not exactly the kind of fodder that Democratswant to use to build any platform.To restate the thesis: though mainline, classical liberalsclaim that they remain the bastion of the liberal tradition,radicals have often had a preponderant influence on theDemocratic Party since the Vietnam War. A growingnumber of constituencies and coalitions of a post-60s radi¬cal ethos, manifest in the emerging “protest culture,” haveinundated the infrastructure and affected the mobilizationof the Democratic Party.The feminist movement offers a good case in point, forthe failure of ERA was less a result of opposition by theMoral Majority than it was a consequence of common senseliberals who became neutralized, if not alienated from theextreme radicals who seized control of the feminist move¬ment. ERA would probably have passed if the Democratscould have extricated the identity of ERA from the radicalfringe.Another case is illustrated by trends in education. In the name of progressive education, liberal Democrats createdthe nation’s largest teacher union, the National EducationAssociation (NEA). Within a few years the NEA Washing¬ton bureaucracy became increasingly dominated by radi¬cal social activists. Today, a bipartisan consensus revealsthat the NEA has played no small part in the shocking de¬mise of public education — some high schools graduatingnear illiterates.And what about progressive judicial reform which hasbeen trumpeted by other radical activists who ride on thecoattails of the Democratic Party. Are the streets as safetoday as they were 20 years ago, even 10 years ago? JamesBagley, chief counsel to the Judiciary Committee of the Illi¬nois House of Representatives, claims that there is “abroad-based consensus that the criminal justice systemwas simply not performing its mission. W’itness after wit¬ness testified to its failure to reduce crime, prevent recidi¬vism or rehabilitate offenders.” The relatively low crimerate in Hyde Park (as compared with other similar urbanareas) demonstrates the superiority of the old “heavy-handed” approach to law enforcement, as compared withthe new progressive judicial ethos and procedures whichhave given undue advantage to the criminal, while tying thehands of the courts.Still other Democrats have considered the creation of anew' superbureaucracy, the Consumer Protection Agency,even while moaning of the problem of unemployment. Hasit not occurred to them that the nation’s economic woes aremore attributable to the choking of productive processes bytoo many government regulations and regulators than theyare a result of the monetary and fiscal policies of so-called“Reaganomics?” Radical anti-business activists, oftenworking within or allied with the Democratic Party, have inno small way contributed to unemployment and a stagnanteconomy.As a result of these and other failures of progressive polit¬ical reform and due to the trends toward radicalism, a sig¬nificant number of intellectuals of the Democratic Partyhave bolted “liberalism” altogether and joined forces asthe “neoconservatives.” Today, the challenge of the Demo¬cratic Party is three-fold: 1) to relocate and revive its tradi¬tional heritage, 2) to redefine its relationship with progres-sivism, and 3) to wrest control of liberalism’s political andideological turf back from the radicals. Good luck. U of CDemocrats.Scott Powell is graduate student in the University.RAPID READINGTIRED OF STUDYING?A Class Will Be Offered onWednesdays, 6:30-9 pm,October 20 - December 1in the Hyde Park Co-opLearning Exchange Room,in the Hyde ParkShopping Center. RAPID READING withTEST ANXIETY CONTROLcould be the key to unlockingyou from your desk.Dr. Florence Schale, North¬western University Reading/Learning Consultant, is offeringclasses that could increase yourreading and studying efficiency.Based on over 20 years ofwork on the downtowncampus, the averagestudent:• increases rates of reading multi¬level material 2-6 times• increases critical anlysis ofwriting patterns for deepercomprehension of texts.• relaxes tension from the neuro¬muscular system in order toincrease energy flow for thinkingand recall under pressure.Fee: s20000 (If 30 or morestudents enroll, texts will beincluded.)Come to class on Oct. 20 and registerBring a friend - Group Rate Has 25% DiscountFor more info, call 288-0336 CHICAGO SYMPHONYORCHESTRASir George Solti, Music DirectorClaudio Abbado, Principal Guest ConductorHenry Mazer, Associate ConductorUNIVERSITYNIGHTCONCERTS1982-1983 SeasonSpecial On-Campus Ticket SaleonMONDAY, OCTOBER 18,4:00-8:00 PMat theREYNOLDS CLUBFirst FloorSelect from 2 exciting seriesSeries A Series BWednesday. October 27Wednesday. January 12Wednesday. May 11Series Prices:$ 12 00 Gallery$16 00 Mam FloorRows A to D$24 00 Upper Balcony$28 00 Main FloorRows E to W$36 00 Lower Balcony$50 00 Boxes Tuesday. February 1Wednesday. March 23Saturday. April 23SeriesJunior Governing BoardOrchestra Hall220 South Michigan AvenueChicago Illinois 60604ChairmanKenneth L Block1982-83 STUDENT I.D. REQUIREDLimit 2 tickets to 2 series per student I.D.The Chicago Maroon—Friday, October 15, 1982—7Maroon -Friday October 15, l982GREY CITY JOURNAL15 October 1982 • 15th YearBy Lorraine KennyEva Hesse: A Retrospective ofDrawings, the exhibit currently at theRenaissance Society, presents a studyof the development of the artist'sgraphic works. Though Hesse is betterknown for her sculpture, her drawingsand paintings are not to be viewed assecondary to her three dimensionalwork. Rather, they are to be valued fortheir art historical significance and ex¬perienced as further expressions ofEva Hesse's concerns as a woman andas an artist.After intensive art school training,Eva Hesse worked as a professional ar¬tist in the 1960's before she died ofcancer at the age of 34 in 1970. In thisshort time Hesse explores a wide rangeof styles and materials. Her boldeststeps appear to have been taken in hersculpture where she unconventionallyfills or defines space, coiling and hang¬ing wire, pipes, fiberglass, plaster, andplastic materials in thickly texturedand often erotic forms. In her graphicsHesse is perhaps more varied in moodand style. The exhibit arranges herwork chronologically which in effectgroups her art in a progression fromthe linear, naturalistic drawings of thelate 1950's, through the burst of col¬lages of the early and mid 60's, on to theclean lined drawings of machinery, andinto graph paper, target and windowdrawings and paintings at the end ofher career. The variety of work pro¬duced by these progressions revealsboth Hesse's connections to and exten¬sions of the works of her contem¬poraries such as Ashile Gorky, WillemdeKooning, and Jasper Johns. Fromthe deKooning-like black and brownwashes of 1960, through the Gorky-likecollages and Johns-like targets, cir¬cles, and buttons, Hesse's awarenessand interaction with her contem¬poraries appears to be searching andshifting, her attention changing itsfocus as she matures and defines herown art.The show at the Bergman Gallerybegins with a wall of early drawings inbrown ink, which in content and styleappear to be those typically found inthe portfolios of most students of finearts. They are linear studies, a youngartist's venture into the language ofline — finding pure joy, movement andpower in the vocabulary while lookingback to the tradition of the art. Thesefirst drawings, however, bear little wit¬ness to Hesse's intense self-awarenesswhich surfaces in her later works.In 1960-61 Hesse broadens her linesinto washes of black and brown ink. Indrawings catalogued 9-11 Hesse ex¬plores positive and negative spacethrough her control of shade and form.Within these drawings one begins to seeher concern for containing her formsand compartmentalizing her drawings,an interest which later turns into heralmost sole fascination.Hesse moves from these browns andblacks to include broad strokes of colorin her combined paint and pencil draw¬ings and collages dating from 1962. In Untitled, 1967these images Hesse uses Iirfe both tocreate chaos* and to confine shapes.These drawings burst with nervousmovement, sometimes expressing ag¬gression and other times excitement.Arrows are seen closing in on smallershapes. Boxes line up on top of one an¬other. In one work a heavy black diago¬nal cuts across the page only to be pierced by slivers of color and morearrows. Two of these pictures bustle asif cities of traffic, hard-edged risingconcrete, and vanishing alleys. By 1964these images appear almost surrealis¬tic. Hesse creates an atmosphere indrawing number 34 of suspension anddepth, a flat horizontal ocean abovewhich objects appear to float in hap¬ hazard, irrational relation to one an¬other.As Hesse's art progresses so does herfascination with and expression of theabsurd. The catalogue for the showquotes Hesse as saying of one of hersculptures, “It was the first time wheremy idea of absurdity or extreme feel¬ing came through. . .It has a kind ofdepth I don't always achieve — a depthand soul and absurdity and life andmeaning or feeling or intellect that Iwant to get. . ." (p. 14).In 1964 Eva Hesse and her husband,fellow artist Tom Doyle, were invitedto spend a year in Kettwig-am-Ruhr,Germany, where they were given stu¬dio space in an old factory. During thistime Hesse, influenced by her sur¬roundings and her hiatus from the com¬petitive New York art scene, found away to express the depth and soul andabsurdity she continually sought. With¬in this old factory's discarded machine¬ry Hesse found a new content for herdrawings as well as the materials tobegin to experiment with three dimen¬sional images.In her drawings of this period Hesseviews from a very short distance thepipes, wires, nuts and bolts of the ma¬chines. Initially they appear as mazesof compartments. Later, she reducesthese cluttered images into very cleancontour line drawings. These appear asperhaps the most graceful and self as¬sured of any of the drawings in the ex¬hibit. They are erotic in their fluid useof line and their smoothly connectingshapes.It is at this point that Hesse discoversher affinity for sculpture. In her threedimensional work Hesse translates theconcerns of her graphic art into space.In both mediums Hesse plays with line,space, and texture as a means to dis¬cover and express her inner world. Herart is a very personal art. In the yearsthat follow Hesse expands her work insculpture while maintaining the mo¬mentum of her progressions in graphicart. Neither form becomes solely subservient to the other: instead she buildsan ongoing dialogue between the two,and as she shifts gears in one form sheresponds in the other.A major change occurs for Hesse in1966 68 as she moves away from thefreedom and grace of her machinedrawings into the more confined andrepetitive drawings of targets, circlesand graph paper. This move recalls herprevious concern with compartmentalization and further expresses her loveof the absurd. In these drawings herrhythms become extremely modulatedwith only chance forms of variation oc¬curring in her graph paper drawings.There is both humor and seriousness tobe found in her repetitions; it is as ifshe has found a sense of humor abouther profoundly personal work. Hesseherself says, “If something is absurdits much more greatly exaggerated ifit's repeated. Repetition does enlargeor increase or exaggerate an idea orpurpose. I guess repetition feels obsescontinued on page 4EVA HESSE: A RETROSPECTIVEA II M 1 1 1 1 I 1 1 II1 ITTTonight at 7:15 and 9 :45A move in which many things come off and out of the wardrobe; BlakeEdwards’ farce starring Julie Andrews, James Garner, RobertPreston and Lesley Ann Warren: VICTOR VICTORIA. (Rated R-noone under 17 admitted)Tomorrow at 7:15 and 9:30A legendary cast in a movie that received 3 Oscars; Katharine Hep¬burn, Henry Fonda dn Jane Fonda: ON GOLDEN POND. Sunday at2:30. A well warranted repeat showing of ON GOLDEN POND. That 7:15 of Sunday: Luis Bund's classic psychological portrait: E(THIS STRANGE PASSION).Next at 9:15:Another incredible drama, wit an incredible performance by LouiseBrooks, G.W. Pabst’s: PANDORA’S BOX.Thursday at 8:00Noted scholar on experimental cinema, connected with both Princetonand the ARt Institute, P. Adam Sitney, will speak after RobertBresson’s: PICKPOCKET. enELAll Films in Cobb Hall111111 DOC FILMSYE 17for festive eating and drinkingEnjoy....fresh crepes, quiches, sandwichesunusually good salads andtempting dessert crepes...Join us early for hearty breakfast specials.. ..and Hyde Park s best ice cream sundaes,full drink menu affordably pricedOur Chili is the best,we wonChicago‘s Great Chili Cook-Off1 overallNovember 1, 198053^ St. &667-2000• j;• j;• !.»).* •.•/£>• •offt’i./-to*..Now Featuring:* Homemade Fruit salad‘Homemade Soup* French-dip Beef‘Hot Spiced Cider KAEGIArmv, Society* and Religion inByzantiumMOMIGLIANOEssays in Ancient and Modern«H istoriography (paperback)Seminary Coop5757 S UNIVERSITY M-F930-6 SI 1-4THE • FALCON • INN1603-05 East 53rd St. • Just East of the 1C tracks10:30 AM-2 AM5 Draft Beers(Old Style, Miller Light,Stroh’s, AugsburgerDark& Michelob)3 Draft WinesOn“B” busroute - 53rd &Cornell •A Full Rangeof MixedDrinks•Kitchen open(Fine hamburgers &assorted sandwiches•Juke Box &Video Games(Including Pac-Man, Ms.Pac-Man, Donkey Kong& Centipede)The Falcon Inn is proud to restore toHyde Park the magnificent antique barand fixtures from The Eagle. Come in tovisit these old friends, and sample HydePark’s newest tavern.NEWSSTANDS3000 DIFFERENT U.S. AND FOREIGN PERIODICALSOUT-OF-TOWN SUNDAY NEWSPAPERS3000 DISTINCTIVE GREETING CARDSPOSTERS - POSTCARDS - PAPERBACKS3 LOCATIONS ALL OPEN TIL MIDNIGHTHYDE PARK LINCOLN PARK ROGERS PARK51ST & LAKE PARK CLARK AT DIVERSEY DEVON & BROADWAY684-5100 883-1123 743-1444We Bring The Whole World.... TO YOU2—FRIDAY, OCTOBER 15, 1982-THE GREY CITY JOURNALMUSICJonathan Richman and the ModernLovers When I was twelve, Jon¬athan Richman taught me thatgood music could be made on anacoustic guitar. When I was thir¬teen, he taught me that I couldcry if I wanted to. When I wasfourteen he taught me how to behappy and depressed at the sametime. When I was fifteen, hetaught me the necessity of hon¬esty and purity, and when I wassixteen, he made me an evange¬list.Jonathan Richman. Musicdoesn't always have to be loud.Friday Oct. 15 at 9 pm in MandelHall. Free. —LCDumb Ra New American music fora new America, featuring a gui¬tarist from Buffolo, a drummerfrom Minneapolis, a singer fromNew Jersey, and the smartestman in the world playing bass, onthe Bartlett field, Friday Oct. 15,7:30 pm. —LCJubal's Lyre An evening of musicwill be presented by a group ofmusicians dedicated to the per¬formance of 18th Century musicon original instruments. The pro¬gram will include Trio Sonatas byJ.S. Bach, Jommeli and Quantz,as well as an unusual work beMarais entitled "The GallbladderOperation." Written for viola dagamba, continuo and narrator, itdescribes this surgical procedureas it occurred in the 18th century.The concert will be highlightedby the guest appearance of so¬prano, Ann Feldman, who will befeatured in two solo cantatas byHandel and Buxtehude. Fri. Oct.15 at 8 pm. in Goodspeed RecitalHall, 59th and S. Ellis. Free.The International String Quartetwill present a series of chambermusic workshops at the Universi¬ty of Chicago as part of its 1982-83Mostly Music/Chamber MusicAmerica residency in the city ofChicago. The workshops will beheld on Sunday, October 17, andMonday, October 18 and will com¬bine master classes, coachingsessions, private lessons, open re¬hearsals, and performances in avariety of formats. As part of theworkshop, the InternationalString Quartet will present a con¬cert featuring Stravinsky's ThreePieces for String Quartet, Hinde¬mith's String Quartet No. 1, Opus10, and Schubert's String Quartetin D Minor, D. 810, "Death andthe Maiden." For more informa¬tion and registration forms con¬tact the University of ChicagoDepartment of Music at 962 8484during business hours.FILMVictor/Victoria (Blake Edwards,1982) Julie Andrews stars as awoman impersonating a man im¬personating a woman in this mu¬sical comedy which derives itshumour and general guilt-freeperspective of homosexualitythrough playful presentations ofmale/female role reversals,passing attacks on established morality, and energetic bodymovement. Although with Vic¬tor/Victoria Edwards has onceagain proven himself an enter¬taining director capable of creat¬ing a visually complex film aboutcontemporary issues, the rigidpsychosexual definitions, oncethey are challenged and ridi¬culed, are, in their turn, reaf¬firmed. That is, Victor/Victoria,like other recent liberal Hol¬lywood attempts at re presentinghomosexuality (Making Love,Personal Best), is not a gay film(a film which speaks of the gayexperience) but a film about ho¬mosexuals. Thus, sexuality is notpresented as an outgrowth of psy¬chological and social factors, noras a personal alternative, but assubject matter through which toentertain. Fri. Oct. 15 at 7:15 and9:45 p.m. Doc. $2. —RMOn Golden Pond Hepburn andFonda won Academy Awards fortheir work in this picture but thehonor could not have been basedsolely on their performanceshere. The story is about growingup not growing old. The film ispretty and sweet but lacks anyreal substance. Overrated. Sat.Oct. 16 at 7:15 and 9:30 pm, andSun. Oct. 17 at 2:30 pm. Doc. $2.- DWArsenic and Old Lace (FrankCapra) Sat. Oct. 16 at 7 and 9:30pm. LSF. $2.El (This Strange Passion), (LuisBunuel, 1952) Another attack onthe inhibitions and hypocriticalpropriety of the bourgoisie, thisfilm subjects the middle class totheir .fair share of neuroses andobsessions. A foot-fetishist fallsin love, and exchanges lifelongcelibaccy for psychopathic jea¬lousy/ Sun. Oct. 17 at 7:15 pm.Doc. $2.Pandora's Box (G.W. Pabst, 1928)Austrian-born German Expres¬sionist- joins with Louise Brooksin anieffort of great visual andpsychological proportions.Wreaking havoc wherever shegoes, Lulu brings misery to suchdisparate types as a Germanbusinessman, and lesbian Coun¬tess, and Jack the Ripper. Sun.Oct. 17 at 9:15 pm. Doc. $2.Gone With the Wind (Victor Flem¬ing, 1939) Frankly my dear, theHays Office does give a damn,and the same production codethat banished from the screen de¬tailed acts of murder, violence,sex, and nudity specificallybanned — under Section (V) (I)("Profanity") — the use ofRhett's last line. Fortunately forus, Hays dropped "the moonlightand magnolia," lifted the injunc¬tion, and settled for a paltry$5000. My favorite piece of trivia,though, is what Vivian Leigh reputedly remarked when the bandplayed "Dixie" at the Atlantapremiere: '-'How sweet of them tobe playing the theme song of ourpicture." And to think that Thal-berg almost interred it ("Forgetit Louis. No Civil War pictureever made a nickel")! 20,300 feetof glorious spectacle. Sun. Oct. 17at 8:30 pm. LSF. $2. -PFFord Apache (John Ford, 1948) Thefirst in the unofficial "CavalryGrey City Journal 10/15/82Staff: Nina Berman, Curtis Black, Pat Cannon, Pat Finegan,Keith Fleming, Sarah Herndon, Michael Honigsberg, RichardKaye, Madeleine Levin, Richard Martin, Pat O'Connell, PaulO'Donnell, Sharon Peshkin, Abby Scher, Rachel Shtier, Cassandra Smithies, Cate Wiley, Ken Wissoker.Fiction and Poetry Coordinator: Judith Silverstein.Editorial Board: John Andrew, Lisa Frusztajer.Production: Nadine McGann, David Miller.Editor: Nadine McGann. Naj Wikoff's Prairie Ship, 1982Trilogy," this film brings to¬gether John Wayne, HenryFonda, Shirley Temple and Vic¬tor McLaglan, among others, invisual expression of the direc¬tor's ideas about the relation be¬tween "men" and "war." Mon.Oct. 18 at 8 pm. Doc. $1.50.El Salvador: Another Vietnam(Glenn Silber and Tete Vascon-cellos; Edited by DeborahShaffer, 1981) This movie is ashocking look at the regimewhich the United States Govern¬ment has decided must not fall,and at the people of El Salvador,who must pay for U.S. "securi¬ty." It is also a thoughtful analy¬sis of the historical conditionswhich give rise to the presentconflict. An expanded version ofthe original PBS documentary,El Salvador: Another Vietnamreceived the highest award for adocumentary at the 1981 ChicagoFilm Festival. It was also nomin¬ated for an Academy Award. Sun¬day oct. 17, 7:30 pm, Ida Noyes2nd floor, East Lounge. Sponsored by CAUSE. —JCTaylor Chain II: A Story of Collec¬tive Bargaining and TaylorChain: Story in a Union Local.The first of these two labor filmsis a work in progress, which looksat labor-management negotia¬tions from the inside; it wasfilmed in 1981 during a unionstruggle with new ownership inwhich each side fought to avert afactory shutdown along their ownterms. The second, filmed tenyears ago in the same factory, reveals the internal dynamics of aunion local during a seven weekstrike, as union staff and leader¬ship, and lower union members,both clash with each other andstruggle among themselves. Thefilms will be followed by a paneldiscussion with audience partici¬pation, led by representatives oflabor, management, and the hu¬manities. Fri. Oct. 15 at 7 pm.Roosevelt University, 4305 S. Michigan, 2nd floor, CongressLounge. Free.ARTTulips, Arabesques, and Turbans:Decorative Arts from the Ottoman Empire This exhibition ofover 200 works of Ottoman artconsists of ceramics, metalware,textiles, paintings, and calli¬graphy from the 16th and 17thcenturies. The objects on exhibitreflect the conflict between the austere and the sumptuous, andalso display the transference ofimaginative ideas between thedifferent crafts which resultedfrom the Ottoman system of ar¬tistic producfioh — the employ¬ment by the; Ottoman court ofhighly skilled designers who pro¬duced designs which were thencarried out by various othercraftsmen. -The show runsthrough December 5. At theDavid and Alfred Smart Gallery,5550 S. Greenwood. Open 10 am to4 pm Tuesday, through Saturday.Noon to 4 pm. Sgnday. Free.Will Northerner's new drawingsand paintings are currently onexhibit, as are Naj Wikoff's draw¬ings, documentation, and modelof his "Prairie Ship," launchedSept. 16, 1982 from Mt. Horeb,Wis. Opening reception, Fri. Oct.15, 5-8 pm; the show runs throughNov. 16. Zolla/Lieberman Gal¬lery, 366 W. Huron; 944-1990. Gallery Hours: Tues..-Sat. 11-5:30.Clar Monaco: Paintings A solo exhibition of this artist's new work,in which he uses increased scaleand multi-figured groupings, anddisplays both formal and symbolic complexity, in an attempt toconvey — in the artist's ownwords — "moods of the soul."Opening Fri. Oct. 15, 6-9 pm; theshow runs through Nov. 24.Nancy Lurie Gallery, 1632 N. La¬Salle; 337-2882. Gallery Hours:Tues.-Sat., 11-5.Paintings by Janet Pines Benderand Joanne Carson Opening re¬ception Fri. Oct. 15, 5-7 pm; theshow runs through Nov. 13.N.A.M.E. Gallery, 9 W. HubbardSt.Leon Golub: Paintings, 1979-1982Opening reception, Fri. Oct. 15,5-7 pm; the show runs throughNov. 16. Young Hoffman Gallery,215 W. Superior, 951-8828.Fantasy Landscaping Etchings,lithographs, serigraphs, andmixed media drawings by EvanSullivan. Through Oct. 30 at TheYounger Gallery in The GreatFrame Up, 1428 E. 53rd. OpenMonday - Friday, 12-9 pm, Satur¬day 10-6 pm, Sunday 12-6 pm.752 2020. Free.Jonathan Franklin: PaintingsLarge, richly colorful, and figu¬rative canvases portray interac¬tions between men. Effect resultsfrom 'subject' (rather than 'presentation,' per se) and is emo¬tional, even mystic. Through Oct.30 at Artemesia Gallery, 9 WestHubbard, Tuesday Saturday,11-5. 752 2016. Free. —DM Mark Lazarus: Sculpture andDrawings Psychological themesand physical process are interwo¬ven in works made from paperpulp, paint, wood, and plaster. In¬stalled by the artist with a carefully conscious use of space. Clos¬ing Fri. Oct. 15. Midway Studios.The Synapticon by Eugene X Ratorwith Joseph Pinzarrone... a key¬board-controlled household ner¬vous system. Final performancesFri. and Sat. Oct. 15 and 16 at 8pm. NAB Gallery, 331 SouthPeoria. Gallery hours are Tues.-Sat. 11:30-4:30 pm. 733-0886. $2 donation.THEATERYou Never Can Tell Court Theatreopens this season with one ofGeorge Bernard Shaw's "PlaysPleasant." This comedy is a mod¬ern romance set in England atthe turn of the century, and tellsthe story of a "romantic" dentisttrying to win the attentions of a"rational" young woman.Through October 31. CourtTheatre is located at 5706 S. Uni¬versity. Tickets are available atthe Reynolds Club box office; orcall 962-7300 for single night tick¬ets, 962 7272 for season subscrip¬tions.The Chicago Comedy Showcase is afun off-beat place to go to snap' open some beers or guzzle winewhile listening to comedy rou¬tines. There's really nothing elselike it in Chicago. Housed in aformer church, the Showcase hasretained the pews, which the au¬dience sits in smoking and drink¬ing (the Showcase lets you con¬sume your own booze while youwatch). Only sometimes youdon't simply watch. The actsthere have a penchant for involv¬ing the audience, from calling outfor suggestions to hauling you upthere on stage. Think of it as asmaller, younger, less slick,more informal, more uneven,less predictable Second City.Cheaper too. 1055 W. Diversey (4blocks west of the ParkwayTheatre on Diversey) Shows onSunday at 7:30 pm (the show tomake with the 2 for 1 deal work¬ing out to $2.50 a person with stu¬dent I.D.; Friday shows at 9 and11; Saturday at 8:30and 11; $4.00with student I.D. —KFSchool For Wives The BeaconStreet Playhouse opens the sea¬son with a classic comedy-farceby Moliere. An aging, selfish manattempts to hide the youngwoman he desires from the worldby raising her as an idiot. Theplay runs through Nov. 7, Wed.through Fri. at 8 pm, Sat. at 7:30pm, Sun. at 3:30 & 7:30 pm; tickets are $8 $9. At the Beacon StreetPlayhouse, 4520 North Beacon St.561-7300.The Man Who Had Three Arms TheGoodman Theatre presents Edward Albee's newest work.Directed by Gregory Mosher.The Goodman Theatre, MonroeSt. and Columbus Dr. 443 3800.MISCAlan Dugan will give his first read¬ing in Chicago in many years.Called "tart" and "anti-poetic,"Dugan's poetic style is blunt,often sardonic, and frequentlytunny, as he explores in conversational tones such issues as sex,love, and war. Fri., Oct. 15 at 8pm. The Poetry Center at theSchool of the Art Institute of Chi¬cago, Columbus Drive and Jack-son Boulevard. Tickets at thedoor, $3.50; $2.50 for students.THE GREY CITY JOURNAL—FR IDAY, OCTOBER 15, 1982—3TO JOKE ISNOT ALWAYSTO LAUGHThe Jokeby Milan KunderaTranslated by Michael Henry HeimHarper & Row, Publishers, 1982. 267 pp.$14.95Abigail AsherThe Joke was written in the early Sixtiesin Czechoslovakia, the author's nativecountry, and was published there in 1967. Itwas enormously popular until Russia movedin a year later; then the book was bannedand its author was deprived of work andforced to eimgrate.A Czech book produced in the uneasyperiod between 1948 and 1968 cannot help butreflect the atmosphere of its time; but The-Joke is not a political tract. The events ofhistory that propel and at times ruin thecharacters do not comprise the story itself,but form the framework on which it hangs. In his preface, the author tells us that when"someone called The Joke 'a major indict¬ment of Stalinism/ I was quick to interject,'Spare me your Stalinism, please. The Jokeis a love story!"This is not, however, a hearts-and-flowersromance — the only flowers in this book arestolen from graves. But The Joke is aboutlove: love without sexuality, sex withoutlove, love without understanding.The protagonist, Ludvik Jahn, feels theweight of these paradoxes, as one by one hisown jokes and the jokes of history collapseonto him. As a young student, he sends aplayful postcard to his girlfriend, a sternand eager Stalinist. "Optimism is the opiumof the people!" it says. "A healthy atmo¬sphere stinks of stupidity! Long liveTrotsky!"For this he is voted out of the Universityby his "comrades" and sent to work in themines. During his term of labor, he meetsLucie, a grayly ordinary girl who he lovesprecisely because she lives beneath the poli¬tics that he lived within. As a young activistin the early days of Communism at the Uni¬versity, he was dazzled by "the feeling ofstanding close to the wheel of history;" butlike all heavy machinery, there is danger instanding too close. Ludvik has been caughtup and mangled, and only with Lucie can herelinquish the bitterness he has been nurs¬ing. But though Lucie gives him love andcomfort, she will not give in to his lust, andover this he loses her as well.Years after his release, Ludvik plans an¬other deception: seducing the wife of the Milan Kunderaman who prepared the way for his banish¬ment. But again he is tripped up by his owntrick, as it becomes the joke of Fate in¬stead.The book is divided into seven parts, withLudvik's voice beginning the narrative, andthen alternating with other speakers. Thewhole is not a ponderous extended flash¬ back, but rather a few tales centered aroundLudvik's story, reaching back into the lateForties and then looping up to one weekendin 1964. As we move from one mind to thenext, we learn about the characters throughtheir words, their self-deceptions, and theirinsights into one another. Kundera does notdraw his characters simply; he allows themstupidity as well as nobility, and this is whythey ring true as people. We are not beingshown merely Art: it is humanity that he in¬vites us to explore.The Joke is a superb first novel, fortunate¬ly resurrected from its oblivion of shoddytranslation, and newly published. It is lessabstract than Kundera's most recent work,The Book of Laughter and Forgetting, but itintroduces the themes that the author wenton to develop. In The Joke, forgetting is il¬lustrated by the peoples' apathy toward anancient folk ritual, the Ride of the Kings; asfor laughter, that is the object of a joke. Thestory of The Joke is funny, or perhaps ludi¬crous is a better word, for the humor is inthe irony of situations. Kundera's style isakin to Nabokov's in subtle ways; mostlythere is the sense of being in the presence ofa great mind. The only imperfection mightbe the frequent italicization of key words —this is a device of streetcorner religioustracts. But that prejudice aside, the authoris justified, for he is telling us well-consi¬dered truths about people and the societiesthey create. Kundera has united his themesof soul caught in body, individual caught inpolitics, to produce a novel that is elegant,entertaining and powerful.HESSEcontinued from page 1sive." (Eva Hesse by Lucy Lippard,p.209)In the last pictures in the exhibit,those of 1968-69, Hesse appears to havefound a peace and a strong sense of her¬self. They lack the academic qualityand content of her first drawings, the frenzy of her collages and the insistentrepetitive rhythms of her graph paperand target drawings. Instead, in thesepictures, referred to as* her series ofwindows, Hesse relaxes — though thesepictures still have boxes and compart¬ments the grids are less obtrusive.Painted light softens the hard edges tillit is almost iridescent. The light rises inpicture number 91 as Hesse looks out ofa window into a very gentle yet alive at¬mosphere beyond the frame. The expe¬rience becomes almost religious in the sense that one is left uplifted by theemotional power of this two dimension¬al image.With this sense of peace the galleryshow ends, suggesting a parallel clo¬sure to Eva Hesse's own life. It is as ifHesse found and made evident in herwork the self awareness she had contin¬ually sought to understand and ex¬press. She herself said, "Art is an es¬sence, a center. I am interested insolving an unknown factor of art and anunknown factor of life. My life and art have not been separated." (Eva Hesseby Lucy Lippard p.5)Within her lifetime Hesse received alimited amount of acknowledgementand praise from her contemporary ar¬tists and critics. In 1968, for example,Hesse was not included in an influentialdealer's west side warehouse show inwhich new works by artists taking ananti-formal direction were exhibited.Hesse should have been among theseartists, for in her sculpture she was oneof the major figures working in that di¬rection. Milton Krammer noted thatthe "critical neglect of Hesse'sachievements and refusal to take heras seriously as the other artists canprobably be ascribed to the fact that asa woman, she couldn't be the 'new Pol¬lock.' She was very hurt by this firstconfrontation with art politics and anti¬feminism, which was so obvious."(Eva Hesse by Lucy Lippard pp136 137) Perhaps in defense of this lessthan accepting atmosphere Hesse didnot want to be labled a "woman" artist.She said "the way to beat discrimina¬tion in art is by art. Excellence has nosex." (Eva Hesse by Lucy Lippard p.205) Though her images may unavoi-dedly be influenced by her perspectiveas a woman, especially her more eroticmachine drawings, she is not simply awoman or woman's artist.In the years since her death the crit¬ics' and public's understanding of EvaHesse's work has gone through manychanges especially in their response toher as a woman artist. It is thesechanges which will form the basis ofLucy Lippard's lecture entitled"Twelve Years," which will be givenon Monday, October 18 at 6:30 P.M. inthe Bergman Gallery. Lucy Lippard isa biographer, critic and was a longtime friend of Eva Hesse's. She is awell respected art critic and authorwho is best known for her feminist arthistorical perspective. The lecturecosts $2.00 for members and students,and $3.00 for the general public.The Eva Hesse exhibit wiil be at theBergman Gallery through November7th. The Gallery is open Tuesday-Sat-urday 10-4 and Sunday 12-4, and isclosed Mondays.Untitled, 19624—FRIDAY, OCTOBER 15, 1982—THE GREY CITY JOURNALMEAT hydeparkcoopHyde Park Co-op Your member-owned supermarket55th at Lake Park • 667-1444Mon.-Wed. 9-7:30, Thurs.-Fri. 9-8, Sat. 9-7, Sun. 9-3prices effective wed. 10/13 thru 10/19/82buddig 2.5 oz. slicedvarietymeats50 $ reg. 59c99.lb. reg. 2.49Q©Ofe<Wce 50!O lb.fresh snapper fillets269lb.fresh jumbo lake superiorwhitefish fillets319lb. PSNN<Qusda choice beefsirloin steak189 reg. 2.79lb.usda choice beefporterhouse ort-bone steak279 reg. 3.89lb.usda choice beefround or swiss steakJ89 reg. 2.39usda choice beefsirloin tip roast2^ reg. 2.98usda choice beefbonelessrump roast join us for ourjubilee celebrationOctober 16prizes,pizzaand icecreamdemos...anda fantastic50t sale!Philadelphia 4 oz.~whippedcream cheese50 * 4 kindsreg. 7lckraft 12 oz. pkg.natural sharpCheddar cheese209 reg. 2.49kraft 12 oz. pkg.american singlesJ59 reg. 1.89dorman’s 8 oz. pkg.natural slicedswiss cheese^39 reg. 1.79promise 2 - 8 oz. cupssoft margarine^09 reg. 1.43FISH DEPARTMENT HOURS:mon. thru thurs. 8-5:45fri. 9-8, sat. 9-5fresh fish subjectto availabilitycalmar squid.in quantities of(r3 lbs. 1.50 a box_ lb.fancv capewhiting^ . in quantities of 5 lbs.tlOlb 2 50 a k°xlarge peeled and deveinedshrimps899 reg. 10.98lb.fresh swordfish steaks399lb.fresh farm catfish259lb.maine V/\ to l1^ lb.live lobsters£95 by advance order only U<&wed tyson’s 12 oz. pkg.chicken wieners50 reg. 1.09*3HaQ©©zaN©at birdseye 10 oz. pkg.leaf or chopped spinach2/85* reg. 55carmour star 12 oz. pkg.sliced baconJ79 reg. 2.09old Virginiapork sausage roll129 reg. 1.49lb.orval kentcole slaw or potato salad50ib rc9-95tlongacre chicken roll21* reg 2 85longacre chicken salad2*9 reg. 2.98vita gold 12 oz.orange juice50* reg. 79cdemo frlday and Saturdayschopp’s half gallonice cream all flavorsJ99 If)HwmC6MUoPSoreg. 2.69 new crop Washingtonextra fancyred or goldendelicious apples501 reg. 79c to 89c10 lb. bag Wisconsinrusset potatoesC reg. 1.4989' <V)Vl©WaaCQaCalifornia celery29 lb.California largebartlett pears reg. 49creg. 69cprince16 oz. pkg.thin or regularspaghetti£Q(p reg. 87clipton 2 ct. instantlots-a-noodlesy CJC reg. 89cholly wood 32 oz.safflower oilJ89 reg. 2.25indian summer 25 oz.applesauce79* reg. 99ccertified red label 29 oz.fruit cocktailggt reg. 1.05no-salt 11 oz.salt alternative229 reg. 2.99swiss miss 12 envelopehot cocoa mixJ19 reg. 1.59coffee-mate 16 oz.■J^99 reg. 2.49raggedy ann 48 oz.natural apple juiceQQC reg. 1.87ivory 32 oz.dishwashing liquidJ79 reg. 2.07 jumbo rollscottowels(|j reg. 89C50racconto 16 oz. pkg.spaghetti ormostaccioli50 C reg. 79creg. 38cprogresso 8 oz.tomato sauce2/50ccertified red labeltomatoes 16 oz.lC reg. 59c2/50'new! tom’s 2 oz.all natural babyshampoo & rinseEJQt reg. 82cdowny flake 14 oz.bonus pack frozenwaffles50 reg. 89cparkay 16 oz.stick margarineCJQC reg. 79chygrade’sliver sausagereg. 98c&©HifilH©Sin 50Tbthursdav, fridav, Saturday onlycountry s delight 1 lb. loafhoney wheat bread50*wyler’s 15 ct.beef or chickenboullion cubes50*short stop co-opconvenience store1514 e. 53rd streetopenmonday thru Saturday7 a.m. to 11 p.m.Sunday and holidays8 a.m. to 9 p.m.THE GREY CITY JOU R N AL—F R I DAY, OCTOBER 15, 1982-5Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1 How Much Are Your Lenses92 How Much Are Your Lenses93 How Much Are Your Lenses94 How Much Are Your Lenses9What is really more important, the lowest price, or the best fit¬ting lenses? 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HARPER288-2233 Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICE6—FR I DAY, OCTOBER 15, 1982—THE GREY CITY JOURNALTHE GREY CITY JOURNAL—FRIDAY, OCTOBER 15, 1982-7Hyde Park Hair Designers, Ltd.As the weather turns colder, you want a little more, a bitfuller hair. We have the perm to give you what you need -soft natural curls, feminine looks.•ALL HAIR CUTS $15.00 (Reg. 2000 and up)•$500 OFF AN ALL PERMSOffer good for first time clients withthis ad. Saturday excluded.1620 East 53rd St. • 288-2900We Have Redken 5234 S. Dorchester Ave.Walk to museums, parks, the lakeSTUDIO APARTMENTSFurnished and unfurnishedutilities includedLaundry roomSundeck • Secure buildingCampus bus at our doorCall 9-5 for appointment324-0200 -o.! MUSIC'°j WORKSHOPbid b&hdconce rtOctober 218:00 pmBlue Gargoyle5655 S. UniversitySponsored in port by a City Arts grantfrom the Chicago Council on Fine Arts/1 */< —. .-Al'Rockefellerel9 amEcumenical Serviceof Holy Communion11 amUniversity ReligiousServiceJohn AthertonDirector of the William Temple Foundationat tpe School of Business,Manchester University8—FRIDAY, OCTOBER 15, 1982-THE GREY CITY JOURNAL(she called her mother a drudge) and theadoration she felt for her father. To discoverwhy she gave up her music, Comini did notlook at the social climate in which Almalived. Alma was acting within the ideologi¬cal framework of an era in which womenwere expected to derive satisfaction onlyfrom their husband's satisfaction. She wasraised with this expectation and could haveinternalized it as her own: it is very difficultto set aside the expectations of a whole cul¬ture and strike out in a new direction.Toward the end of his ten year marriagewith Alma, Gustav discovered that he suf¬fered from an acute heart ailment. Henceforth he conserved all his physical strengthfor composition and his affections for Almafell by the wayside. Comini cites evidencefrom Alma's writing showing that she wasunhappy during this period. Alma writes"he ignores me daily." She was painfullyunhappy but she "must not let him see,"smoothing his path as was her duty. Worstof all, she yearned for her music, but couldnot compose in order to keep her promise toGustav. Alma obviously sacrificed a greatdeal for her husband, but we can onlywonder whether Gustav appreciated it, letalone whether he was influenced by it.Although the subject of Comini's lecturewas "patron as muse" her discussion ofAlma's sacrifices raised other questionsabout women in art not covered in the lec¬ture. Alma may or may not have been agreat composer had she received moretraining, but in accordance with the expec¬tations of her time, she stopped composingaltogether. Although Gustav began encour¬aging her to compose a year before he died,how many women, we must ask, stifled theircreative impulses to help further their hus¬bands' desires, or were prevented from ex¬pressing them because of "cultural predis¬positions." This is patronage on a broadsocial scale, that of favoring the creativityof men over that of women. Women werenever encouraged by the public to create inthe way Mahler was encouraged by thewhole city of Vienna. And even today, theway women traditionally expressed theircreativity, — designing needlepoint, tapes¬tries, and rugs — is not considered "art" but"craft," perhaps because the work was notlegitimized by the public eye, but most cer¬tainly because it is not legitimized by arthistory departments, which are dominatedby an androcentric perspective.Alessandra Comini is a scholar rebellingby Abby ScherAlessandra Comini, professor of art histo¬ry at Southern Methodist University, spokeWednesday on Alma Mahler, GustavMahler's wife. This lecture was the first in aseries sponsored by the Art History Depart¬ment on patronage and the arts. In her ad¬dress, Comini expanded the notion of pa¬tronage from just "monetary support" to"cultural predisposition" and "personal en¬couragement." Comini departed from usualscholarship by suggesting that a wife, bysupporting her husband as is her "duty,"could be a patron, too, and have an influenceon an artist's work.Comini suggested that Gustav Mahler wasmore prolific during his marriage than dur¬ing any other time in his life because of thesacrifices Alma made for him. Although it ispractically impossible to prove the actualinfluence of a friend on an artist, Cominicould have made her argument more con¬vincing by mentioning the other, more tradi¬tional influences which sustained Gustavduring that period.Alma clearly made life nicer for Gustav.She once wrote that she "dreamed of wealthmerely to smooth the path for creative per¬sonalities." Alma didn't give financial sup¬port to her husband, but she placed his emo¬tional well-being before her own andsmoothed his path by submitting to hismany demands.Early in their friendship, Gustav set theterms of their relationship so that he was incontrol. During their courtship, Alma bris¬tled at the composer "dictating his rules(without consulting me)." She wondered"will he support my art?" She was a pian¬ist and studied composition.No. Not only did Gustav not support herart, he demanded that she give it up com¬pletely. She must "renounce all vanity anddelusion," he said. "Your (role) is that of aloving companion." It was "peculiar andcompetitive" for both husband and wife tocompose. Alma almost called off the wed¬ding, but her love for Gustav was too strongfor her to leave him. "I buried my dream...but somewhere in me my wound kept smart¬ing." She wrote later, "I knew it was mymission in life to remove every stone in hispath and to live only for him."Comini suggested that Alma relinquishedher art because she wanted a husband tohero worship the way she did her famous ar¬tist father. Alma's journals reveal the small Alma Schindler-Mahleragainst the male dominated art history de¬partments, and her article, "Art History,Revisionism and Some Holy Cows" pointsout specific examples of male bias in thestudy of art. In fact, she broke new groundin her lecture by suggesting that a wife, sim¬ ply by doing what a wife is "supposed" todo, was a patron of the arts. It is hard to un¬derstand the extent of Alma's influence onGustav, but Comini makes Gustav's influ¬ence on Alma painfully clear.CONVERSION, THUNDER BAY Though we gathered in the name of love,our innocence went out beyond the blankets,and left us, stained with brandy and the gelid light.The blue of airport lights is always Canada,and night driving is always with you.I can’t imagine things any other way;failure here will be always, too.How can two falseweBfeartfirone marred coin,strainjjako^i-puresheet 0f blue ice?>ry just isn’t like that, you keep saying,but how would you explain the poetry of winter?It can’t be so easily dismissed, any more than gods,and starlight — and you dismiss them, too,forgetting blood and body in a breath of air,and five wounds in the rock of ages,where you, too, washed feet.Mercy was mine, but this winter’s poetryblew harshly on my cheeks; they cannot turn.Give it up, Noah — she won’t go,and gopher-wood won’t work this time, so give it up.This is time, and the long past can’t bring her back.—Jeremy Downes10—FRIDAY, OCTOBER 15, 1982—THE GREY CITY JOURNALANOTHER FACE AS PRINCESS GRACEby Pat O'ConnellProducers in the "entertainment in¬dustry" have long known that negative(which is not to say 'adverse') publicityhelps to sell their products (which is afterallwhat "show business" is all about). Take forexample the public's reaction when ElvisPresley died. While his death is perhaps hismost finite and certainly his most recentachievement, it is also his most profitbale interms of record sales (not everybody wascrying at his funeral) for after he died, salesof his old records improved markedly.The death of a big star brings to the enter¬tainment industry more than just a littlefree publicity, owing to a curious public'sappetite for hype. It is this phenomenonwhich brought a minor play, Princess Graceand the Fazzaris, into national view, if onlyfor a moment, when Princess Grace diedlate last month. On network news and in thepapers along with the "Who was really driv¬ing the doomed vehicle?" and the "Philadel¬phia grieves for native beauty" stories, wasthe news that actress Dorothy Loudon, whowas performing a new play entitled Prin¬cess Grace and the Fazzaris, was consider¬ing closing the show permanently or at leastre-writing some of the lines and changingthe title. The play opened the day beforePrincess Grace died and closed the dayafter. There were small changes made inthe script and the play re-opened five dayslater. Ultimately, the show was given quitea bit of free publicity (nation-wide at that)arousing the interests of people like myselfover 2,000 miles away and not in NewYork.The play itself is worthy of publicity. Writ¬ten under a grant from the National Endow¬ment for the Arts by Marc Alan Zagoren,Princess Grace and the Fazzaris looks intothe lives of three members of the Fazzarifamily "of Perth Amboy, New Jersey" on Dorothy Loudon as Lucille, in PrincessGrace and the Fazzaristhe day of the wedding of Grade Kelly andPrince Ranier of Monaco. It alsb happens tobe, and not without considerable deliber¬ateness on the part of Lucille fazzari, thewedding day of her daughter Rpsemary.Lucille Fazzari has mortgaged her homein order to give her daughter a Savish, high¬brow, wedding "every bit as gdod as Prin¬cess Grace's" so that she won't have to gothrough the humiliating and degrading ex¬perience of an ethnic Italian wedding. Thewedding is also Lucille's escape from the te¬ dium of her miserable existence. Her stub¬born and aged mother Cabrina, who lives inthe pantry, is an unending source of heart¬ache and heartburn for her. Her sisterJoanne, who always seems to put less intolife and get more out of it, is coming to townfor the big day, adding to Lucille's long listof grievences.Dorothy Loudon lustfully and masterfullyplays each of the three roles in each of thethree acts. She is the only actor on stage, yetthe stage comes alive with unseen, unheardcharacters; her children, her neighbors andpeople on the street.The first act is probably the most difficultfor Loudon. She plays Lucille Fazzari andmust introduce all the characters (includingthe two who will be seen in subsequent acts),inform the audience as to what has alreadytaken place, and simultaneously carry onthe action, pushing the story forward. Lou¬don plays Lucille as a woman hardened tothe exigencies of life. She has a laugh thatcomes from somewhere deep in her throatwhich sounds spontaneous and is infec¬tious.By the beginning of act two, the audiencealready knows the character of Cabrinafrom what her daughter Lucille has said anddone in the first act. Cabrine is difficult, tosay the very least. When she is shown in herconverted pantry of a bedroom, all sympathy lies with Lucille. Her room looks like thegift shop of Saint John the Divine, clutteredwith religious statues (in which she hidesher money), small red candles (by whichshe mourns her nineteen-years-dead hus¬band) and other artifacts. She is a paradigmof idiosyncracy, and is comic in her sinceri¬ty.Loudon's best characterization is that ofJoanne in the third act. Joanne is a big-bandsinger from Chicago and like Lucille she is ahardened woman. She is not melancholy, though; she deals with her own inadequa¬cies and insecurities by turning on the offen¬sive. She is robust and tough; a hard-drink¬ing, cursing, joke-teller. She has thosequalities which we consider brutish in fra¬ternity men, but which make an olderwoman a great party guest. Loudon playsLucille and Joanne with just enough superfi¬cial similarity (the laugh, the stance, etc.)to define the two as sisters, but holds on totheir separate and distinct personalities.The comedy in Princess Grace lies not inits situations and rarely in its script. Thereal humor lies in Loudon's ability and pre¬sence. For example, Rosemary's weddinggown is never seen (indeed, Rosemary isnever seen) yet as the play progresses wewatch through the eyes of Loudon's charac¬ters, and laugh as it wrinkles, soils, andtears.The play suffers somewhat at the hands ofmelodrama at the end of act three. Zagorenfor some reason feels that he has to clean upthe story and the characters with confes¬sions of love affairs gone by and apologiesfor mistakes made in years passed. Aftertwo and a half acts of candor and sincerity,Zagoren's writing takes on a soap operaquality which ends the play on an upbeat butdoesn't leave one with the feeling that thecharacters could go on living and leave thetheatre with you after the show.The sets by David Emmons and lightingby Robert Shook transform one room frameinto three distinct room? which parallel Lou¬don's characters and vyork well with themas extensions of their personalities.Princess Grace and ttje Fazzaris closes onSunday but Dorothy Loudon has made plansto meet with Marc Allan Zagoren and workon the script (change the ending perhaps?),and if all goes well the-production may re¬turn to Chicago at sometime in the near fu¬ture.MOBY DICK: A THEATRICAL INTERPRETATIONBy Cate WileyThe evening of October 12th, if you recallit, was one of windiness and poised umbrel¬las. Rain had already dampened the cityand at seven o'clock clouds which were col¬ored withh streaks of lightning looked readyto spill more. That lightning must have beenconcentrating over the Goodman Theatre,because at eight o'clock, on the GoodmanStudio stage, it poured. Not rain, but 'en¬ergy; the kind of energy sparked at thewelding of two powers of equal strength.Herman Melville has met his match withChicago's Remains Theatre Ensemble andunited they conceive a Moby Dick of puretheatrical electricity.The production is the result of severalmonths of collaborative effort between theRemains actors and English director StevenRumbelow. Mr. Rumbelow is the artisticdirector of the Triple Action Theatre of Eng¬land, which is renowned for experimentalstage and film work in England and ac¬claimed here for adaptations of Joyce'sUlysses and Marlowe's Faustus. Mr. Rum¬below and some of his actors conducted aseries of weeklong acting workshops overthe summer; these were the core of theMoby Dick interpretation. The workshops,modestly described as "intensive," musthave been a combination of physical exer¬cise, actor-to actor communication, andimaginative brainstorming. With the pliabi¬lity and stamina of acrobats, the Remainstroupe unerringly demonstrates the idea of"ensemble." Their togetherness on stage,tinged with an intensity bordering on luna¬cy, gives one a sense that Melville could notbe portrayed any other way.All of the actors, three women and eightmen, are equally suited to their respectivetasks. The only star in this show is the storyitself, a colossal tale of desire, ambition,and despair. In the director's note Mr. Rum¬ below writes,"To attempt a stage adapta¬tion of a book like Moby Dick is, in itself, assuicidal as Ahab's chase. The project isdoomed to failure. The act of producing it isa perfect example of what Melville telis usof man's ambitions in relation to his sur¬roundings." But it is precisely in portrayingthis relationship that the Remains prod¬uction clearly does not fail. The limited the¬ ater space has been rigged like a ship, andin depicting Melville's different charactersthe actors fit themselves not only into thePequod, but into the spirit of the story aswell. They use narrative, dialogue, song,movement, technical effects, and outra¬geous anachronisms to invoke the author'smeaning. Ghosts, both real and imagined,are the central image, and with spookiness and jocularity they all are brought to life.The tale is told by three narrators: Ish-mael, the sole survivor who earns his man¬hood in the chase for the great whale; theauthor Melville, who slowly loses confidencein his art as the story races to its inevitableend; and a mysterous Guide, omnipresentand ruthless in pushing the story forward. Ina two hour peformance it would be imposs¬ible to tell even a portion of this monstrousnovel; Remains has attempted a thematicinterpretation colored with description orenactment of a few dramatic passages.There is a fair amount of Americanization,especially in the humorous bits. For those ofus who never thought of Melville as a partic¬ularly light-hearted guy the humor is surprising, but then, why shouldn't Ishmael'stheme song be "T-Bird" by the Beach Boys?The audience is not asked to endorse this in¬terpretation of Ishmael, but whether weagree or not, he has been fashioned as avery funny character. The utter devastationin the main theme (it's Death with a capitalD in this production) is dismal enough; ourlaughter eventually reinforces it.Everything about the Remains Mooy Dickis laudable. Not only have they brought a lit¬erary classic to vigorous life, they have in¬fused the theatrical medium with a vi¬brancy witnessed all too rarely. Theperformance exemplifies all that can bemeant by performance; one leaves theGoodman with the thrilling realization thatthis, after all, is what theater is reallyabout.Moby Dick (a world premiere) is playingat the Goodman Studio, next to the Art Insti¬tute, Tuesday through Sunday nights ateight pm until November 7th. Tickets forstudents are $7 and $9 on the weekend. Toinquire about ushering, call Jim or Ken at443-3808.Bill Williams, Earl Pastko, and Vito D'Ambrosio in Moby DickTHE GREY CITY JOURNAL—FR IDAY, OCTOBER 15, 1982—9TICKETSAVAILABLEMcCormick SeminaryScholarship BenefitUniversity of ChicagoCourt TheatreGeorge Bernard Shaw'sYOU NEVER CAN TELLSaturday, October 23,2:30 pmPhone Gloria — 241-7800for tickets■ — Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 £.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertising.Eye ExaminationsFashion Eye WearContact LensesTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGMRS. HARRIS 752-38005309 S. Btackstone • 947-0200OUR FAMOUS STUFFED PIZZA IN THE PANIS NOW AVAILABLE IN HYDE PARKOPEN 7 DAYS A WEEK • 11 AM T012 MIDNIGHTCocktails • Pleasant DiningPick-Up“Chicago’s best pizza!" — Chicago Magazine, March 1977“The ultimate in pizza!” — New York Times, January 1980 The Major Activities BoardpresentsA FREECONCERTJONATHANRICHMANandCHICAGO REGGAEBANDDALLOLTonight, October 15Mandel Hall9 pmTHE GREY CITY JOURNAL—FRIDAY, OCTOBER 15, 1982—11A SCHOOLOF NAKEDby Cassandra SmithiesThere are no hard-core hip¬pies here. No hard-corepreps. No hard-corepunks...just a pasty bril¬liance.But I'm not complaining. Iwrite under my paint chipmobile and look out at thelake and wonder when I'mever gonna get the dough formy mythical conga drums. Iremember in April when I vi¬sited. The snow had melted aspart of the shallow scam ofappeal. My friend Mop tookme up to the top of the Shore-land. Looking at the straighthigh horizon I thought I'd sur¬vive at least one year if Icould see the lake and poundout the knots in my heart on apair of second-hand congas.Moments, not music wipedout my monetary reservesand I became the proudowner of a Walgreen's alarmclock. It ticks incessantly, hy-perly measuring the two longweeks I've been here. Twoweeks. I still haven't put upmy paintings. Leaving themost personal of my posses¬sions unpacked lets me floatin a vernal flighty limbo, chil¬dishly avoiding any acknowl¬edgement of the non-tran-science of my residency here.What's happened while myportfolio has been gatheringIllinois dust?I vaguely remember Sep¬tember 22nd when I hurriedlydumped my worldly posses¬sions into a Victorian piratechest I found in the streets ofLittle Italy. My mother joy¬fully hailed my departure asa rite of passage. My fathersnarfed and said, "Yeah, withall this shit out of this roomwe'll be able to exercise ourright of passage."My first few days in the cityof Chi were a blurr of vile boxlunches, placement tests, andthe same conversation aboutwhere I come from, the nameof my high school, what mybrother's hobbies are, and allthat other crap. I began to getso bored of this meaninglesssocial flapping that I startedtelling people my name wasFlorence and that I camefrom Kalamazoo. This wasfine until I meet Doug and Joewho really were from the bigK, at which point I figured itwas time to can the whole charade.I cried a lot the first weekbecause I was exhausted bythe same inane verbal ex¬change. I'd forgotten thatdeep colorful rapports don'tblossom over night, and ifthey do they're usually withpeople you meet in Omahabus stations at 5:30 in themorning, and not with somepale Cheerios momma youmeet in the gym placementshuttle run line.I kept looking for the scenethat would plug me into thepeople I would want to read apoem to or share an umbrellawith. But I soon realized thatthere is no real scene, onlycryptic scattered networksthat don't advertise. So, I laylow waiting to be discovered,or attached, or mugged, andspent my time and moneywriting letters and buying stamps.Finally a week passed andit was Student ActivitiesNight. In my enthusiasm, Imade the mistake of signingup with the tough dyke crewteam instead of the coed club.When I went back and tried toexplain my mistake to theWomen's coach, I felt like anAmazon who'd sold out to theGreek's heterosexual appeal.The earnest gubernatorialcampaigners and bouncycheerleaders were amusingin their mock sincerity anddedication. But the dupingpious types were schlocky and too worthy. On the wayhome, I clutched my whistleand recited,The Baptists offered asweet cookie,The Lutherans juicethat was murky,But, I said "not now,"when they started toyak,GREY CITY BRUNCH 5537 S KIMBARK NO. 2E SUNDAY 12:30 'Cause organized reli¬gion is jerkie!Well, I hope you aren't of¬fended. I went to a meeting ofthe beat cool set and theylaughed. I was glad to humorthem, but they exacerbatedmy Missing New York Blues'cause they were all pretend¬ing they were there.Yesterday I met a man whodenies pretending and simul¬taneously questions me tomake sure he's pretending bythe rules. He had a parakeetonce but it died when hestepped on its head. We werecomparing childhoods, and hetold me that the most excitingoccurrence of his unfinishedyouth was when the ghettowas invited to be the TV audi¬ence for Bozo the Clown. Apparently, Bozo (not to be confused with Bonzo) asked oneof the nice black children toplay a game. When Bozo in¬formed the child that he hadlost, he was told "Stuff it,Clown!" and true LibertyCity chaos broke loose.For the world of scholarlymysticism, it's gonna be along winter with few entropicsplurges. There are Bozos,and there are lost games, butwhose gonna yell, "Stuffit!"?12—FRIDAY, OCTOBER 15, 1982-THE GREY CITY JOURNALHAVE WE GOT A BOOKFORYOU.THEOmCIALJAP.i HANDBOOK/ ®\BY ANNA SEQUOIAPICE SCHNEIDER******THE COMPLETE GUIDE TOJEWISH AMERICAN PRINCESSESAND PRINCESWhere to be bom (notStaten Island) andwhat to be namedEducation: or canyou wear yourmink to college? VThe single years:Daddy buys theco-op; Mommy hthe cleaning lady iresThe first marriage;God forbid, a secondThe Mercedes years Charge plates: youbuy and Daddy pays_Breaking theengagement andkeeping the ringSchools: Radcliffe-SchmadcliffeEmployment: forothers, of courseSex and headachesTennis—doesn'teveryone?Dieting—caviar andcarrot sticksThe J AP-in-TrainingThe J A P-on-the-Run A Plumehardcover-sizepaperback$5.95©Put the pastin yourfuture!Thoroughly renovated apartments offer the convenienceof contemporary living space combined with all the best elementsof vintage design. Park and lakefront provide a natural setting foraffordable elegance with dramatic view's.— All new kitchens and appliances — Community room— Wall - to - w all carpeti ng—Air conditioning— Optional indoor or outdoorparking — Resident manager— Round-the-clock security— Laundry facilities oneach fl(X)rStudios, One, Two and Three Bedrtxan apartments.One bedr(X)in from 8480 — Two Bedroom from 8660Rent includes heat, cooking gas, and master TV antenna.Call for information and appointment — 643 1406QCMemim/time1642 East 56th StreetIn Hyde Park, across the park fromThe Museum of Science and Industry'Equal Housing Opportunity Managed by Metroplex, Inc Will befilmed byWLS-TVWITH CHICAGO BLUES ARTISTLITTLE MILTONSUNDAYOCTOBER 17 • 8 pmHUTCHINSON COMMONSFirst Come First Serve SeatingUCID RequiredThe Major ActivitiesBoard presentsANOTHER FREECONCERT!The Chicago Maroon—Friday, October 15, 1982—21Rockefeller Chapel HYDE PARK UNION CHURCH5600 S. Wood lawn Ave.Church School (all ages) 9:45 a mWorship Nursery Provided 11:00 a.m.W. Kenneth Williams, MinisterSusan Johnson, Baptist Campus Minister' Come, Worship, Study, ServeTAI SAVI VONCHINESE-AMERICAN RESTAURANTSpecializing in Cantoneseand American dishes.Open Doily 11 A.-8:30 P.M.Closed Monday13181.63rd MU 4-1062A guided bus tour ofvsocialiy & archifecturalksignificant churches inChicago9:45 a.m.Meet at the ChapelPlease bring lunchand $3.00 to covercost of the tour.Reservations mustbe made byWednesday, Oct. 20733-3381 %w. MemberAmerican Optometric AssociationDR. M.R. MASLOV• EYE EXAMINATIONS• FASHION EYEWEAR• ALL TYPES OFCONTACT LENSESASK ABOUT OUR ANNUALSERVICE AGREEMENTLOCATED INTHE HYDE PARKSHOPPING CENTER1510 E. 55th363-6100CARLO ROSSI WINESRHINECHABLISROSEBURG. - PAISANO3" 3 liter STENGERWISCONSIN BEERCaseOf 24 579 1 49 6 pack -12 oz. cansSPECIAL IMPORTED BEERSAT HALF PRICEFROM YUKON OOI n ^G. 4^®CANADA YUKON GOLD pnoECASE OF 24 7"FROM KROMBACHER reg 538GERMANY p|LS 069* SALE PRICE C,CASE OF 24 998REG. 458SALE PRICE 229CASE OF 24 898FROM BIG benENGLAND BEER SPECIALOF THE WEEKSTROH’S LIGHT796 pack1Reg.2.29 12 oz. cansCOKETABSPRITE 1 696 pack12 oz.cansAustraliaCanada IMPORTED BEERS FROMGermany Sweden Yugoslavia NorwayHolland Denmark China > Poland IrelandItalyMexico JapanJamaica EnglandGERMANLIEFRAUMILCH99750 MLReg 2.891 FROM FRANCECANTEVALRED OR WHITESale price 2.98Mail-in rebate 1.00Your Cost 1 CUTTY SARKSCOTCHReg. 12.98Sale price 10.98Mail-in rebate 2.1 9Your Cost 8.98Full LiterSale ItemsthroughOctober 21Store HoursMon-Fri 7 am - MidSat 7 am - MidSun 12 noon - MidLINCOLN LIQUORS1516 E. 53rd St.I - Mid Phone 752-4238 We reservethe rightto correctprinting errors.Sale itemsnot iced. G.W. OPTICIANS1519 E. 55th. Tel. 947-9335Eyes >«—■—< emd Contact Leases fitted byregistered Optometrists.Specialists in Qenfity tyswenr at ReasonablePrices.Lab on premises for fast service - framesreplaced, lenses duplicated and prescriptions filled. HEADING FORLAW SCHOOL?CONSIDERHARVARD.Come ask us questionsonThurs., 10/21 at 9 amin Rm. 201 Reynolds Club.Everyone welcome. Womenand minorities especially.Special Back-to-School OfferFREE DELIVERY*(Ground floor only)Used Desks, Chairs, File Cabinets•Many chairs priced at s500•Wood Desks at s50°° & up* Minimum purchase for free delivery $100°°BRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Capitol's low fares"What a break!"Whe r ever we fly, we have the lowestunrestricted fares. That means no advancepurchase, no minimum stay We’re alwaysglad to see you, even at the last minute.Make up your mind today—and by tomor¬row, you’re on your way!For reservations and information, callyour Travel Agent or Capitol Air at 212-883-0750 in New York City, 312-347-0230 inChicago, 213-986-8445 in Los Angeles, 415-956-8111 in San Francisco or 305-372-8000in Miami. Outside these areas, please call800-227-4865 (8-O-O-C-A-P-l-T-O-L).SERVING THE PUBLIC FOR 36 YEARSSan Francisco*-Los Angeles* ChicagoPhiladelphia* •A Boston * Brussels★ Frankfurt★ ZurichMiami *,,Puerto Plata* ^\SanJuanSCHEDULED AIRLINE SERVICE»|T0fTHE LOWEST FAR£******** ************22—The Chicago Maroon—Friday, October 15, 1982SportsMONSTERS ON THE MIDWAY. Intramural football kicked off this week with over 40teams competing for the coveted IM teeshirts. Watch the Maroon for current rank¬ings and games to watch.Volleyballers spikedBy Cliff GrammichThe Wheaton College volleyball teamoverpowered the Chicago Maroons lastTuesday, sweeping the match in threegames (15-0, 15-12, 15-4). The loss left Chi¬cago’s record at 4-4 with eight matches leftin the season.U of C Coach Rosalie Resch expressed dis¬appointment in the team’s performanceagainst Wheaton. She noted that whileWheaton was a taller team than theMaroons, and a good team, Chicago's per¬formance seemed to be lackluster. Reschstated that she felt that the match’s outcomecould have been closer than it was.Next Thursday, Chicago will meet NorthPark College at home. North Park usually produces good volleyball teams, and shouldprovide strong competition for the Maroons.Last year, North Park defeated Chicago infive games. Each teams return most of itsplayers from last year’s squads, so thematch this year should be close.In its last eight matches of the season,Chicago should be able to do well enough torecord a winning season. Resch, comment¬ing on the second half of the season, pointedout that while the Maroons’ future competi¬tion is tough, it is not as overwhelming asthe competition was in the first half of theseason. Next Thursday’s match againstNorth Park is in the Field House and startsat 7:30 p.m.TennisU of C 5 Northeastern 4Singles1. Millman d. Look (UC) 6-1, 6-12. Smith d. Fama (UC) 6-1, 6-13. Gauvreau (UC) d. Higgin 6-2, 6-24. Wrebe d. Falk (UC) 7-5, 4-6, 6-15. Veach (UC) d. Waltz 4-6, 6-4, 6-06. Park (UC) d. Weet 6-4, 6-0Doubles1. Millman, Cooper d. Look, Fama (UC) 7-6, 7-52. Gauvreau, Falk (UC) d. Higgin, Welbe 7-6, 6-43. Veach, Park (UC) d. Waltz, Weet 6-0, 6-0 U of C 3 Lake Forest 4Singles1. Steele d. Look (UC) 6-3, 6-32. Rosario d. Fama (UC) 5-7, 7-6, 6-43. Leeder d. Gauvreau (UC) 6-2, 6-24. Falk (UC) d. Keebe 6-2, 6-7, 6-05. Love d. Veach (UC) 6-3, 6-36. Park (UC) d. Heitler 6-2, 6-1Doubles1. Steele, Rosario v. Look Fama (UC) halted bydarkness2. Leeder Keebe v. Falk Gauvreau (UC) halted bydarkness3. Veach, Park (UC) d. Love, Heitler Notre Dame double dumpSoccer sockedBy Frank LubyRich Herdigrand scored a goal in eachhalf to lift the University of Notre Dame to a2-0 victory over the Maroons men’s varsitysoccer team Tuesday afternoon at StaggField.Expecting considerable offensive pres¬sure from the Fighting Irish, the Maroonsset up in a 4-4-2 defensive alignment. NotreDame controlled the game early, but did notthreaten goalkeeper Joe Mario until tenminutes into the half. Herdigrand received along cross from the right side and beatMario for the first goal of the game.The Maroons made many good runs in theopening half, but never worked the ball intoposition for a clear shot. The Irish had twoprime chances to score following first goal,as Herdigrand headed a corner kick overthe crossbar, and Mario made a fine stop ona shot from 20 yards out.The Irish upped the lead to 2-0 early in thesecond half, when Herdigrand headed in across from the left side. In the final 25 min¬utes of the game, Chicago bolstered its of¬fensive attack, and John Assadi and DanMedina managed to create some chances.The Maroons, however, could not finishthem off.Meanwhile Notre Dame took advantage ofthe Maroons' switch from a defensive to anoffensive game, taking several shots onBrian Sullivan, who replaced Mario at thehalf. The Irish, however, were also unable toscore. The Maroons, now 3-4 on the year, take onconference opponent Carleton College thisafternoon at 4 p.m. at Stagg Field. They facethe Illinois Institute of Technology Saturdaymorning at 10 a.m. in this year’s Homecom¬ing game.Hockey humbledBy Jane LookThe U of C Field Hockey team played atough game Tuesday against the Universityof Notre Dame but lost 2-0 to the Division Iteam.The first half featured balanced offenseand defense by both teams and action cover¬ed the entire field. Neither team was able todominate and the first half endedscoreless.The second half also displayed good team¬work by both teams though at times Chicagolapsed into playing a defensive game andfailed to attack offensively as much as be¬fore. As a result, Notre Dame scored twogoals, capitalizing on good opportunities.Chicago also had scoring opportunities withseveral good offensive thrusts but failed tocapitalize.The hockey team now has a record of fourwins and three losses for the season. Theteam will use the weekend to prepare for itsupcoming games at Concordia College Tues¬day and with Wheaton at 3:30 p.m. Thurs¬day at Stagg Field. The Maroons beat Con¬cordia 4-0 and Wheaton 4-3 earlier in theseasonScoreboard Sports CalendarFootballOct. 16 — Beloit College — Homecoming.1:30 p.m., Stagg FieldSoccerOct. 15 — Carleton College. 4 p.m., StaggFieldOct. 16 — Illinois Institute cf Technology —Homecoming, 10 a m.. Stagg FieldU of C 2 Wheaton 7Singles1. Nelson d. Look (UC) 7-5, 6-12. Butarian d. Fama (UC) 6-2, 6-23. Lindstorm d. Gauvreau (UC) 6-4, 6-14. Falk (UC) d. Poorman 6-2, 6-15. Werner d. Park (UC) d. Nelson 6-4, 2-6, 7-66. Langan (UC) d. Nelson 6-4, 2-6, 7-6Doubles1. Nelson, Lindstrom d. Look, Fama (UC) 6-1, 6-62. Moorman, Buturian d. Gauvreau, Falk (UC) 6-4,6-33. Nelson, Werner d. Wildhaber, Langfan (UC) 6-4,6-1 U of C 5 Beloit 4Singles1. Look <UC) d. Staten 6-3, 7-6 (7-2)2. Fama (UC) d. Peterson 6-4, 6-23. Horrell d. Gauvreau (UC) 6-2, 6-3,4. Redding d. Langan (UC) 6-2, 6-35. Veach (UC) d. Berenson 7-5, 6-46. Park (UC) d. Ripley 6-1, 6-1Doubles1. Look, Fama (UC) d Staten, Horrell 7-5, 6-7, 6-22. Peterson, Redding d. Gauvreau Langfan (UC)7-5, 6-33. Berenson, Ripley d. Veach Park (UC) 6-4, 7-5 IMFOOTBALLUndergraduate ResidentBreckinridge 19Michelson 12Compton 47Thompson 13Bishop 24Shorey 14Fishbein 33Henderson 13Vincent/Salisbury 12 TennisDudley 0Filbey 6Lower Flint 0Blackstone 8Bradbury 4Dewey 8Dodd/Mead 6. Lower Rickert 0Upper Rickert 12 Oct. 15 — Washington University, 3 p.m.,Ingleside CourtsOct. 16 — Grinnell College, 2 p.m., InglesideCourtsCross CountryOct. 16 — at Judson College InvitationalThe Chicago Maroon—Friday, October 15, 1982—23NewsNicaraguaContinued from page oneimprovement of basic human rights.Much of Navarro’s lecture dealt with thehistory of US-Nicaraguan relations, includ¬ing US military involvement in the 1920s.When Franklin Roosevelt took office in1932, he instituted a corps of Nicaraguan Na¬tional Guard under the first General Somozaand withdrew the US Marines. Somozaoverthrew the Nicaraguan government in1935 and instituted the military dictatorshipwhich endured through two of his descen¬dants until 1979.Ambassador Navarro received a law de¬gree from the National University of Ni¬caragua and a master’s degree in Law fromHarvard University. He did additional grad¬uate work at Boston University.Research by Meg KleinModel UNContinued from page sixHowever, more than actual experience —which was considerable — there was wide¬spread enthusiasm and a general belief thatthe U of C could be the site for a MUN Gen¬eral Assembly or Security Council some¬time during the coming year.Over the summer, the organizers of the MUN project met with various professorsand administrators in an effort to “sell” theidea to them. I’m sure the enthusiasm of theprospective participants was stressed bythe organizers during these meetings. Fromwhat I understand, the organizers made lit¬tle progress over the summer with the ad¬ministrative aspects of their project.Recently, someone I knew asked me aboutthe MUN. She said that she was in HydePark all summer and was wondering whyshe had not been contacted since a project ofthis sort would undoubtedly require a lot ofsustained effort on the part of many people.Since I was unaware of the status of theproject, I said that I would get back to her.Quite probably, some other prospectiveMUN participants are wondering the samething; precisely what is going on with theMUN project? This is a fine opportunity tosimulate the workings of the United Nationsand its various branches. Moreover, itwould be a practical and unique experiencefor students of politics, economics and histo¬ry to learn something about internationalorganization, conflict ajudication and, tosome extent, theatrical politics. More thananything else, a MUN here at Chicago couldbe both an academic and social event; itwould be most unfortunate if this opportuni¬ty was not seized. John P. EganFourth year student in the College.LUTHERAN CAMPUS MINISTRYAugustono Lutheron Church5500 S. Woodlown Ave.su 8:30 a.m. — Sermon G Eucharist9:30 a.m. — Sunday School 6 Adult Forum:Nr> “Living More With Less”VA 10:45 o.m. — Sermon G EucharistY 6:00 p.m. — Campus Ministry Supper (S2/person)You're Invited!At the Hair Performers! we know there is no substitute for a great permand shaping. We make sure every styling is great by making sure everydesigner is great. Our designers are constantly educated in the latesttechniques. You can feel confident of their expertise, and of your hair.You can expect the best from the Hair Performers-’-we do!$5.00 OFF COMPLETE SHAPING and STYLINGMENreg $15 NOW$10 WOMEN reg. *20 NOW$15OR 50% OFF PERMSreg $30-550 NOW$15-$25Offer good for first time clients witbthis ad only.Thehair performers1621 East 55th Street241-7778Only the BEST,is good enough CalendarFRIDAYMidway Studios: Reception for the Artist, Mark La¬zarus: S. Dakota Sculpture & Drawing, 4 p.m.,753-4821 for infoMusic Dept.: Jubals Lyre, 8 p.m., Goodspeed Hall,FreeI-House: International Coffeehouse, 9 p.m.,753-2270Doc Films: Victor/Victoria, 7:15 p.m. & 9:45 p.m.,Cobb Hall, $2Court Theatre: You Never Can Tell 8 p.m., NewCourt Theatre Building 962-7300 for infoHomecoming Weekend: Bonfire and Rally 7:30p.m.MAB Concert: 9 p.m. Mandel HallSociology Dept.: Lecture: Reinhard Bendix “Rela¬tive Backwardness and Intellectual Mobilization’’SS 122, 4 p.m. FreeIntervarsity Christian Fellowship: Meeting IdaNoyes 7:30 p.m.History Dept.: 8th Annual Byzantine Studies Con¬ference, 1307 E. 60th St. Thru SundayFirst Unitarian Church: Talk On Central Americaby Beverely Treumann, 5650 S. Woodlawn, 7:30 p.m.FreeHillel: Sundown Orthodox Sabbath Services: Re¬form-Progressive Sabbath Dinner, 6 p.m. Info752-1127; Adat Shalom Sabbath Dinner 6:30 p.m. $3Geophysics Dept.: Colloquium: Werner Schreyer“Progress in low-temperature, high-pressure phaserelations in the system Mg0-A120-Si03-H20: applica¬tion to subducted metapelites." 1:30 p.m. Hinds Au¬ditorium; and “Synthesis and Stability of the NewBeryllium Mineral Surinamite” 3 p.m. Hinds 101.FreeRomance Lang. Dept.: Lecture: Felix Monge “LaDorotea de Lope de Vega y la Poetica del Barroco” 3p.m. in Cl 21. FreeCrossroads: English Class: Beg. 10 a m.-12 p.m.,Int. 10:45 a.m.-12:45 p.m.Calvert House: Medical Students Program: “Medi¬cal School: How Survive?’’ Dr. Dan Anzia, 5:30p.m.Center for Middle Eastern Studies: Arabic Circle:Suzanne Stetkeveych “The Poet-Hero in the Kitabal-Aghani” 3:30 p.m. Pick 218SATURDAYDoc Films: On the Golden Pond 7:15 & 9:30 p.m.Cobb Hall $2LSF: Arsenic & Old Lace 7 p.m. & 9:30 p.m. LawSchool Auditorium $2Court Theatre: You Never Can Tell 8 p.m. NewCourt Theatre 962-7300 for infoHomecoming Weekend: Soccer: U of C vs. IIT 10a.m. Stagg Field; Homecoming Parade 12:30 p.m.;Football: U of C vs. Beloit 1:30 p.m. Stagg Field; Post Game IFC Picnic; SG Dance w/Airflow Deluxe9 p.m.' — 1 a.m. Bartlett Gym $4 at doorPhysics Dept.: Lecture: George Gollin “MeasuringMomentum” 11 a.m. Eck 1332V4 Mile Home Run Race: After the football game4:30 p.m.Crossroads: Belgian Dinner 6 p.m. reservation nec¬essary 684-6060Calvert House: Mass at noon & 5 p.m.; Sacrament ofReconcilation 4:30 p.m.Hillell: Orthodox Sabbath Services 9:15 a.m.;Women’s Minyan Sabbath Services 9:15 a.m.; Min-yan Sabbath Services 9:30 a.m.; Kumsitt 8:30 p.m.SUNDAYMostly Music Inc.: International String QuartetWorkshop. 962-7628 for infoDoc Films: On The Golden Pond 2:30 p.m. El (ThisStrange Passion) 7:15 p.m. Pandoras Box 9:15 p.m.Cobb Hall $3LSF: Gone With The Wind 8:30 p.m. Law School Au¬ditorium $2Oriental Institue: Meggiddo: City of Destruction 2p.m. Breasted Hall, FreeBrent House: Episcopal Eucharist and Supper 5:30p.m.Shotolean Karate Club: Ida Noyes Hall 4-6 p.m.International House: Dr. Julius Mason on U.N. 2p.m.Hillel: Lox and Bagel Brunch 11 a.m. $1.75/sand¬wichCalvert House: Mass 8:30 a.m., 11 a.m. (Bond Chap¬el) 5 p.m.; Married Couples barbecue and volleyball5 p.m.; Supper 6 p.m.MONDAYMidway Studios: Jim Elkins (midway grad): Paint¬ings. 9 a.m.-5 p.m. M-F FreeRenaissance Society: Lucy Liparde, “12 Years,” alecture on Eva Heffe 6 p.m. cash bar, 6:30 p.m. lec¬ture. Bergman Gallery. $3, $2, 962-8670Mostly Music Inc.: International String QuartetWorkshop 962-7628 for infoDoc Films: Fort Apache 8 p.m. Cobb Hall $1.50History Dept.: Lecture: Jesse Rufus Fears “Gib¬bons, Brooks Adams, and the Fall of Rome in Amer¬ican Historigraphy” 4 p.m. Harper 103Chem. Dept.: Lecture: Robert G. Saloman “Levug-landins: New Prostaglandin Endoperoxide Deriva¬tives” 4 p.m. Hent. 107Crossroads: English Class: Beg. 10 a.m.-12 p.m.;Int. 10:45 a.m.-12:45 p.m.Hillel: Yiddish Class 6 p.m.Committee on the Conceptual Foundations ofScience: Lecture: Michael Friedman “Kant’sTheory of Geometry” 8 p.m. Cobb 107Chess Club: 7 p.m. Ida NoyesCalvert House: Hunger Concern Group 8 p.m.Far BastKitchenWeekly LuncheonSpecial:Beef with ChineseGreens, fried rice,soup, & tea11 am - 2:30 pm OQTues-SatV 1654 E. 53rd955-2200\Come in andsample ournew dinnerentrees:• Mu Shu Pork• Szechuan Scallops• Dry pan fried ricenoodles with bbqpork or beef• Shark’s fin soup24—The Chicago Maroon—Friday, October 15, 1982Classified AdsCLASSIFIEDADVERTISINGClassified advertising in the Chicago Maroon is$1 per 45 character line. Ads are not acceptedover the phone, and they must be paid in ad¬vance. Submit all ads in person or by mail toThe Chicago Maroon, 1212 E. 59th St., Chicago,li 60637. Our office is in Ida Noyes, rm 304.Deadlines: Wednesday noon for the Fridaypaper, Fri. noon for the Tuesday paper. Incaseof errors for which the Chicago Maroon isresponsible, adjustments will be made or cor¬rections run only if the business office isnotified WITHIN ONE CALENDAR WEEK ofthe original publication. The Maroon is notliable for any error.SPACELg 2 bd apt, 2 bl from Reg, S425-t-heat. 3-4 bdapt w/mod kit + oak firs, S650 Keith 643-4562.Spacious sunny unfmshd l-bdrm apt avlb Nov1 5528 Hyde Pk Blvd-Hirise sec bldg w laundry,on campus & city bus; rent S375, call Monica orTim at 752-7552 or 962-7420 (leave message)Spacious sunny 2-bdrm furnished apt avlb Nov1 5242 Hyde Pk Blvd-hirise sec bldg w Indry, oncmps/city bus; S665 or best otter; call Tim orMonica 752-7552or 962-7420 (Ive message)HYDE PARK - Spacious 4 Room Apartment.Subletting now. Good parking, Good access toC.T.A. and I.C. Below Market Level RentS385.00 per month. Near U of C and good shopp¬ing. Quiet Street. 752-064056th and Harper. Avail. NOW. 2 bdrms.Beautif. hdwd. firs., A/C, All mod. appl., walk¬ing dist. to U. of C., I.C. & shopping. Rent in¬cludes hot water and heat. S550. After 7 p.m.,Ray 890 9390Attractive 4 rms co-op apt. tor sale S13.000 At78th st. on the lake see to appreciate call even¬ings 324-6218.WALK TO CAMPUS mod apt 2 br 2 ba profsnldecor parking AC drapes rug pool nr trainshops bus rent 660/mo 94 7-9 59 75100 S. Cornell Chicago Beach Apts. Studio -r 1bedroom apts. S260-S360. Immed. occupancy.Students welcomed. Call 493-2525 or 643-7896Hyd Pk nr UC Ige 6 rm apt also studio reas finebldg 288 0718unfurnished 1 bdr apt S335/mo55th and Everettavailable Oct 23 call 643 2824 8:30 10:30am 5-11pm current occupant selling furniture.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E 55th 493 6700.Lt Blue/White '72 Thunderbird For Sale: S900.Fun, Classic Car! Call 363-4335 (Keep Trying) 1973 Dodge Polara transmission rebuilt newbrake recent tune up S700/best offer call 6432824 best time 7-11:30 pmOne large sofa S100 Call Karen 752-58601972 Toyota Corolla S500. Call 955 2030MULTI-FAMILY yard sale. Collectibles,bargains, clothing, furniture, housewares andmore. Saturday Oct 16 10am-2pm 4857 SouthKimbarkChevrolet Monza 78 Excel condition-3400 milesmetal blue-4 seas. Air Cond-aut trans-S3800 orbest offer - 624 3039APT. SALE-Complete brm set 6 pc. S450-shelves (Book/display) S50-Thomasville endtable S45 2 rugs S80&S50-FM/AM stereoreceiver cassette-*-record player, 2 speakersS210-Hitachi TV 21" (color) S250-women'sclothing (petite)-i-more phone 624-3039 even¬ings preferred.RUMMAGE SALE. Sat., Oct. 16, 9-3, UnitedChurch of Hyde Park, 1448 E. 53rd St.DISHWASHERS S50, small TEN-SPEED S60.955-2220MINOLTA LENSCLOSEOUTS28m/2.8 S99.0050m/3.5 SI 59.0085m/2.Q S149.00135/3.5 S79.00100-200/5.6 SI 39.0075-150/4.0 S159.9575 200/4.5 S189.95Prices limited to stock on hand. MODELCAMERA 1342 E. 55th St. 493-6700CANON LENSCLOSEOUTS28m2.8 S89.0035m/2.8 S84.0050m/3.5 S150.0085m/1.8 S159.00135m/3.5 S89.00135m/2.8 SI 29.00Prices limited to stock on hand. MODELCAMERA 1324 E.55th St. 493-67001973 Pontiac Catalina. Good running condition.Body needs work. Great for Hyde Park S350 orbest offer. Win. and summer tires inc. 667-6311after 7 pm.69 PLY FURY, ps, pb, GOOD VALUES300/best ofr 962-7648 days, 684-4971 eve,wkend.Baldwin walnut spinet piano. Call 324-2227evenings.Mercedes 1967 230 60 s Classic 4500 324-28222 X-long twin foam mattresses for sale. Goodqual. H20pruf covers. Good cond. 752-5033.VINTAGE CLOTHING SALE Oct 16-r!7, 2noon 6 pm completely restocked for Fall witheverything you want or need. Think Halloween. HEAVEN at6981 N. Sheridan.New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharp REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimatesRENTALSavailable withU.ofC. I D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 Pentex ME Super 50mm f/1.4 lens excel, cond.plus many access. S200 or offer 324-4673.SERVICESJAMES BONE, EDITOR-TYPIST, 363-0522.JUDITH TYPES-and has a memory. Phone955 4417.CHINESE COOKING. Experienced teacher.Full participation. Small informal classes. Allyou need is appetite and enthusiasm. For in¬formation call Wendy Gerick 538 1324.Weddings and Portraits photographed. CallLeslie at 536 1626 or 955-2775.PIANO LESSONS with Chicago SymphonyChorus pianist Eric Weimer, S22/hr. 786-1849.CATERING. Custom menus for all occasions.Chinese, Thai, Indian, Middle East, French,many other specialties. Wendy Gerick 538-1324.Chicago Counseling & Psychotherapy Center.Client-centered psychotherapy. 5711 S.Woodlawn, 6345 No. Broadway, and ill No.Wabash, Chicago. A registered PsychologicalAgency. 312/684-1800.Writers' workshop PLaza 2-8377Dependable mature live-in babysitteravailable. For more information call 684 2820.RACQUET STRINGING. 1 DAY SERVICETennis, Racquetball & Squash Racquets pro¬fessionally strung S10-S20 Kevin Shalla 947-0997. TYPING. Term papers, theses, etc. IBM Cor¬recting Selectric. All Projects welcome. 791-1674Discount Moving and Hauling Low Prices AndFree Estimates Seven Days a Week Day andEvening References Available Call Tom 8-10am or After 6pm 375-6247The Chicago Maroon is look¬ing for a new photography editorfor the 1982-83 year. Duties in¬volve coordinating photographystaff and considerable darkroomwork. Interested persons must beable to work Monday and Thurs¬day during late morning or earlierafternoon. For more informationcall Darrell or Dan at theMaroon. 753-3265.The pocket-size 35mmwith big-camera features.marian realty,inc.REALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 1 Precision double-image rangefinder focusing1 35mm F2 8 6-element. 5-groupinner-focusing lens’ Aperture priority automatic exposures■ Electronic shutter, speeds 10 secto 1 /500 secmodel camera1342 East 55th St. 493-6700PART TIMELooking for a Unique Part-time WorkExperience This Fail?The American Bar Association seeks articulate,highly-motivated University students with excellentverbal communication skills for a fund-raising project.Students selected for this effort will become familiarwith a variety of public and professional serviceprograms sponsored by the Association and willdiscuss them with ABA members.The program will begin on October 18th and willhave four sessions each week, Monday throughThursday, 6:00 until 9:00 p.m. The salary will be$5.00 an hour; students hired must be willing to worka minimum of two sessions per week.While third and fourth year college students andgraduate/professional students are most eligible forparticipation, all promising candidates shall be givenserious consideration.Interested? Please call Ben Manuel at 947-4170,afternoons, for a preliminary interview.THE AMERICAN BARASSOCIATION1155 E. 60th StreetChicago, IL 60637An A ffirmatnre 4 ction Equal Opportunity Employer M F HThe Chicago Maroon—Friday, October 15, 1982—25Classified AdsPROFESSIONAL TYPING-REASONABLERATES, 684 6882ATTENTION NBI 3000 OWNERS I am an NBIOperator, looking for part-time work. Cheaperand better than temporaries. Call 753-0878 dur¬ing day, 373-0094 at night.COUSE LING-Psycholanalytic therapy.Reasonable rates. Hyde Park office-Call 643-2057.PEOPLE WANTEDWANTED P/T LEADERS FOR ZIONISTYOUTH MOVEMENT - HRS. FLEXIBLE •JUDAIC BACKGROUND - SALARY - CALL676 9790 Paid subject needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communica¬tion, Department of Behavioral Sciences.Phone 962 8859.Typist-Word Processing: We are a small con¬sulting firm seeking a full time worker forword processing and related office duties; looplocation-convenient to 1C. excellent salary andbenefits for the right person. Call 726-1541.Non-smoking roommate wanted femalepreferred own room in safe comfortable apt 2blocks from campus. No pets S250/mo includesheat & util Susan. 732-3240 Days 752-2749 eves &wkends.OVERSEAS JOBS - Summer/year round.Europe S. Amer., Australia, Asia, All fields,S500-S1200 monthly. Sightseeing. Free into.Write IJC Box 52-1L5 Corona Del Mar, CA92625.CLOWN ALERT!Calling all clownset al. to homecoming!EVERYTHING INPRINTINGThe Southside's largest and mostQomplete print shop letterpressand offset plus art departmentfor design and layout assistancePHOTO COMPOSITIONOVER 100 TYPESTYLESFOR BROCHURES, BOOKSALL YOUR PRINTING NEEDS!“Calling Card to Catalog .We Print Them All"HOT STAMPING • EMBOSSINGSaddle and Perfect BindingThe Bankers Print, Inc.5832 So. Green • HU 7-3142 5, 7 & 10 yr old right handed boys wanted forstudy on Depth Perception and Brain Develop¬ment. Pay is S3 per hour. Call 962-8846.MARKETING REP needed to sell SKI &BEACH TRIPS. Earn CASH & FREE vacations. You must be dynamic & outgoing. Call312 871 1070 or write SUN & SKI ADVEN¬TURES, 2256 N. Clark, Chicago, II 60614.TUTORS NEEDED for after school programWed. 3:00-4:00. METRO HELP the city wide,state wide and nat'l hotline needs volunteers.Call The Volunteer Bureau at 955-4109 for moreinfo.P/TU U of C empl. with child (1) is looking forothers needing child care exchange and/orshared housing. Wkdays 962-8131 JeanPaid subiects wanted for research on attitudestoward everyday social behavior. Call 753-3341or 274 8074.SUPERWYLBUR MACROSWhat is taster than a speeding terminal user,more powerful than a single-purpose |Ob andable to free the Amdahl 470 user from tedioustasks? The SUPERWYLBUR MACRO pro¬gramming language, of course! Learn how touse and program SUPERWYLBUR MACROSin a free Computation Center seminar, Friday,November 5, 3:30 - 5:00 p.m. in Harper 406 408.Previous SUPERWYLBUR experience prere¬quisite.O ^v> ^B0UT57TH AND HARPER. E Townhouse. End unit. Extra space, extralight.. 3 bdrms, 1 Vi baths. Laundry & rec room open out to patio & enclosedback yard. $115,000. Margaret Kennedy.INGLESIDE COURT. Beautiful court building carefully renovated & nowthoughtfully maintained by conscientious owner's ass’n. Hop & skip to UC trackand hospitals. Very reasonable assessments & taxes. Bike and rec rooms.One bdrm, one bath apt. with formal dnrm. Well-priced at $37,500.Martha Benson.Two bdrms, one bath. Beautiful hardwood firs., spacious closets. Favorableowner financing available. Lease-option possible. $50,000. Edy Burton.$27,000 WILL BUY one bdrm apt. with formal dnrm & small den in wellestablished, well run coop building at 55th & Woodlawn.55TH PLACE TRI-LEVEL TOWNHOUSE. Priced to sell at $105,000. RaySchool District. Three bdrms plus optional fourth on first level. I1/* baths.Mod. kit. with microwave oven. Oak firs. Assigned off-street pkg. Charminggarden & patio. Mrs. Ridlon.MORE ... HIGH-RISE LIVING AT ITS BEST5000 EAST END COOP. One of Hyde Park's most desirable vintage coopbuildings. Private entry serves only two units. All apts. have spacious, airyrooms and ample closets and storage space. 24 hr. doorman. Off-street pkg.available.Three bdrm, three baths on the 4th fir. Owner financing available. $60,000.Hilde Zurne.Three bdrms, three baths on the 24th fir. Panoramic views of lake and city.Teak parquet firs., modern kitchen with walnut cabinets. Estate sale. $66,900.Edy Burton.GnMKwieK^mZIKennedy, Ryan, Monigal & Associates667-6666 • 5508 S. Lake Park Ave. FOLKDANCE FESTIVALThe U of C 20th International Folk Festivaltakes place Nov 5, 6, and 7 at Ida Noyes. Danceworkshops feature internationally known in¬structors Pece Atanasovsky (Macedonian),Dick Crum (Balkan), and Jerry Helt(American Squares). Concert and party oncampus or call John Kuo 324-1247 or Tom Bar¬rett 363 5214QUESTION?Can a company who rents to little old ladies ina nursing home be that unreliable? We're ICEBOXER and we rent 8000 refrigeratorsstatewide to campuses just like U of C. So foras low as S29* dollars you can join your fellowcomrades and avoid paying megabucks. Calleither 676-1902 or 815-756-9237. Toll calls toDeKalb will be credited to your rental. Deiv.by appt.' Plus refundable security deposit.21/2 MILE HOMERUN RACEA 2' 2 MILE RACE WILL BE HELD TOMOR¬ROW at 4:30 after the football game. Sign upthere at HOME RUN booth. Barbecue finish byBartlett Gym.A GRANTS WORKSHOPA practical workshop on preparing grant pro¬posals on Tuesday, October 19 from 4:00 to 5:30in SS 122. Sponsored by Career Counseling &Placement.BADMINTON ANDCOED VOLLEYBALLEntries due Oct. 20, INH 203 for entry formsand information about intramural activities.OUTING CLUBDAY-HIKEat Morton Arboretum, tomorrow, 10/16. Meetat 8:30 AM at the CTA bus shelter at 56th &Hyde Park Blvd. Bring a bag lunch and S8.80for bus and train tare. Get out of Hyde Parkand see the fall colors.TEXT FORMATTINGTREATISE and SCRIPT are programsavailable through the Computation Center'scomputers for formatting theses, disserta¬tions, seminar papers, books, etc. Learn how toformat your dissertation with TREATISE byattending the Computation Center seminar,Monday and Wednesday, October^*, and 27,from 3:30 - 5:00 p.m. in Classics If / A seminaron SCRIPT, which provide further formattingcapabilities, will be held Tuesday and Thurs¬day, November 2 and 4, also in Classics 10 from3:30 - 5:00 p.m. These seminars are free andeveryone is welcome. No previous computerexperience is necessary.INTRODUCTION TOSUPERWYLBURCollect, edit, and format text. Submit batchlobs to the Amdahl 470. You can do all this andmore with SUPERWYLBUR. The Computa¬tion Center is offering an introductory seminarfor SUPERWYLBUR which is open to all withno charge on Friday, October 22, 3:30 - 5:00p.m. and 5:30 - 7:00 p.m. in Harper 406 408.Please register for either session at theBusiness Office, 5737 S. University.SPSSA six session course introducing the StatisticalPackage for the Social Sciences (SPSS) will beottered by the Computation Center thisquarter. Classes will be held Mondays andFridays, November, 1-19, in Harper 406-408,from 5:30 - 7:30 p.m. The cost is S30.00. Pleaseregister by Friday, October 29 in the Center'sBusiness Office. Computer time is provided.Call 962-7158 for further information.FORTRANPROGRAMMINGLearn to program on the Computation Center'sDECSYSTEM 20 using FORTRAN. This tensession course includes computer time and willbe held Tuesdays and Thursdays, October 26 -December 2 (with no class the week ofNovember 22), in Harper 406-408, 5:30 • 7:30p.m. Registration is required by Monday, Oc¬tober 25 in the Center's Business Office (9627158). Further information is available in aclass schedule also available at the BusinessOffice. Computer time is provided. The cost isS50.00.HILLELA Hillel Reform service dinner (pot-luck!) willbe held on Friday evening, Oct. 15, at 6:00 pm.All are invited-just sign-up at Hillel. MARSHMALLOW!Roast marshmallows over a roaring fire! Andjoke-telling, games, lots of folksing, pizza, andmore! Where? At the Kumsitz (party), ofcourse! Come to Hillel for a free, fun eveningSaturday, October 16. at 8:30. Be there!SCSSSCSS is a conversational statistical analysisprogram on the Computation Center's DEC-20and Amdahl computers. Learn how to use it ina free seminar open to all on Friday, October29, 3:30 - 5:00p.m. in Harper 406-408.ATTENTION INVESTORS91.5 acre estate in Dunes area. Doubles ashome and investment. Forty-five minutes fromLoop near 194,190. and 1180. Very liberal terms.Shown by appointment only. Harley Snyder Co.After 6pm call 219-926-5529 or 219-759 5131.PROGRAMMER/ANALYSTActive commodity markets trading concern onthe West Coast seeks an outstanding individualwith strong mathematical background todevelop and enhance computer models forcommodity trading.This position reports directly to the Director ofTrading and will be closely involved in thefinancial marketplace. Attractive salary withlarge bonus potential for productive personwith high standards.Send resume or personal history to: 709 14thAvenue, San Francisco, CA 94118FIRE UPGet fired up at the homecoming bonfire featur¬ing the Dumb Ra Band. Friday. 7:30 pm onBartlett F ield.G.A.L.A.-MONDAYWill have a business meeting at 7:00 m. Themeeting will be followed by a roundtable disus-sion in Ida Noyes Lounge at 8:00 p.m. All arewelcome.HOMOSEXUAL?PROBLEM?A discussion group specifically designed forwomen and men who are having problems withtheir sexuality and the problems of self -esteemassociated with that will meet on Monday at8:00 p.m. in the GALA office. ConfidentialKUMSITZ!What do marshmallow-roasting, joke telling,pizza, Lori Lippitz on folk guitar, games, andgreat company add up to? A Kumsitz at Hillel!It's a party! At Hillel 5715 Woodlawn, at 8:30Saturday, Oct. 16 All are invited!PICK YOUROWN APPLESJohn Hancock Fruit Farm 2191/778-2096. TakeRoute I 94 to exit 40A, 7 miles east on US 20 3miles north of Fail Rd. Also: Honey, Pears,Plums, etc., at our FARM MARKET. Buydirect from the grower & save. Open everydayfrom 9-6.CAMPUS MOVERSBig truck and samller van. low cost, compare!Free wardrobe cartons. Call anytime 667-8327.GRAND-SLAM SPECIALDon't Flub. Come to the Pub for World Serieson Big Screen TV, Best beer prices in town,Medici pizzas, and munchies, 4pm-lam.21/2 MILE HOMERUN RACEA 2'7 MILE RACE WILL BE HELD SATUR¬DAY at 4:30 after the football game. Sign upthere at HOME RUN booth. Barbecue finish byBartlett Gym.COMPUTER GRAPHICSYou need to generate a pie chart, bar chart, orline chart, but don't know how or where? Cometo Computation Center's tree computergraphics seminars: Introduction to TELL-A-GRAF, Tuesday, October 26, 3:30 5:30 p.m.,Harper 406-408; Introduction to Charts andGraphs on the CALCOMP Plotter, Thursday,October 28, 3:30 • 5:00 p.m.. Harper 406-408;and Introduction to DISSPLA, Monday,November 1 and Wednesday, November 3, 3:30- 5:00 p.m.. Harper 406-408. For further in¬formation, pick up a class schedule at theCenter's Business Office (962-7158).126—The Chicago Maroon—Friday, October 15, 1982Classified AdsNEEDPAPERS TYPED?For reasonable rates call Asha at 572 5945LACULTURE FRANCAISELes Parleurs de Francais, un groupe de per-sonnes qui aiment parler freancais. gouter auxnourritures francaises, et regarder les films,organise une grande recontre. La date es*samedi, le 23 oct., a 7 heures, a Ida Noyes.Pour plus, telephonez George Woodbury a 753-3990SIMPLY GOODSG (Simply Good) Food Coop seeks newmembers we meet in Hyde Park UnionChurch, 56-i- Woodlawn each Tues eve, 6pm formore info 947-9720 CarolBELGIAN DINNERSSaturday Oct. 16 CROSSROADS 5621 S?Blackstone. 6pm RESERVATIONSNECESSARY Call 684-6060 S4.00TRIPPLE THREATBASEBALL. BEER, AND BENIGN BAN ALI -TY. COME SAVOR THIS UNBEATABLECOMBO AT THE PUB. ALL SERIES GAMESON BIG SCREEN. OPEN SAT. NOON ANDSUN 3:45-7 P.M. M.2) and over only.VOLUNTEERSNEEDEDTo help escort adolescent/adults on plannedactivities at national Down's Syndrome Convention in Chicago, Nov. 6-7; free conventionregistration incl/for info-call Dr. Donna Spiker947 6527 (M-F 9 5)THE GREATEST STORYEVERTOLDPT.ilDoc Films will celebrate its 50th anniversaryon October 28, with a feature by an alumnusand a short film on its history. Watch for fur¬ther announcements.DOC HALLOWEENDoc's answer to Halloween: a futuristic filmnoir from Hollywood by its alumnus AaronLipatadt. Android is coming. ANDROID IS COMING, AN¬DROID IS COMINGKlaifs Kinski will join in Doc Films' 50th an-niversary celebration. On October 28. Won'tyou? Look for Doc ad in Oct 22 Maroon.SCENESFREE SWIMMING INSTRUCTION FORADULTS:Ida Noyes Hall--7:30 p.m.-8:30 p.m. Tuesday.GET TOASTED at the Homecoming bonfireFriday 7:30pm on Bartlett Field.Ranee Crain, published of Advertising Age,Crain's Chicago Business and 15 other publications, will speak on specialty magazines Oct. 19in Rosenwald 15at 12:30.MOONDANCE SAT OCT 16 4-1 S3 in advance S4at door Bartlett Gym Swing Music by AirflowdluxSG Activities Committee meeting Sat Oct 16 10am Bartlett Gym Be There!FREE! INCREASE YOUR READINGSPEED ON THE SPOT WITH A FREEEVELYN WOOD READING DYNAMICS IN¬TRODUCTORY LESSON! WELL ALSOSHOW YOU HOW IT'S POSSIBLE TO READAND STUDY 3-TO-10 TIMES FASTER! GETBETTER GRADES, HAVE MORE FREETIME. FIND OUT HOW...SEE OUR LARGE AD ELSEWHERE IN THIS PAPER!PERSONALSDear goodlooking guy-couldn't make it Sat. butyou thought right-Let's talk.I love you L.T. - W.T.Welcome home L.T.!Hey Clown! You know who you are. Homecom¬ing! Don't forget. E.F. Clown HA. HA.HOMECOMING AS IT SHOULD BEREEDKULUS! E.F. CLOWNIf you are not on his list of approved visitors,Doug may not want to see you.Yes a former Vincentite is appearing thisweekend in Rm. 453, right Rick?HOUSE OF CHIN.1607 E. 55th St. • 752-3786Dining Room - Carry OutCANTONESE, MANDARIN, &SZECHWANClosed Mondays 312/643-5007 CHAMBER ENSEMBLETRIO CON BRIOFLUTE • OBOE • VIOLAmodel camera€ Canon/STT^oTlxztsszszL dLbLjrJrfi cLbThe first computerized,shutter-priority automatic SLR.It changed the course offine photographySpeedlite 1S5A andPower Winder Ashowp optional[with150 mmf. 1.8• Shutter-priority automatic exposureSLR• Incredibly lightweight, compact andeasy to use• Accepts more than 50 Canon FD wide-angle. telephoto and zoom lenses• Optional Data Back A available• Manual exposure for creative controlmodel camera1342 E. 55th St. • 493-6700 Do fowlers hunt birds — or squirrels?Birds.WANTEDA Good Home For 2 Male White Mice. CONTACT: Tricia 684 0604Wanted: 2-4 wooden kitchen chairs. 752-5033.NEEDPAPERSTYPED?For reasonable rates call Rema Banks Mon-Wed 8. Fri. After 6pm at 723 8733PIANO LESSONSBeginners-Advanced. Doctoral degree fromJuilliard school, N.Y. Tel: 536 7167.ATTACHE ASSOCIATESINFORMATIONMANAGEMENT SERVICESWordprocessing/Typing of DissertationsThesis, Research Papers-Notes, ProposalsMailings (Personal/Business), CurriculumVitaes: Pick-up & Delivery Service. MartiBuick: 643-1452.WRITER'S GROUPIf you're at any stage of a writing protect, wecan help with the psychological side ofWriting—procrastination, slowdown, selfcriticism. For information on our workshopcall The Writer's Group at 684 1800.SAILING CLUBThere will be an organizational meeting of theU of C Sailing Club on Monday, October 18 at8:00 pm in the Ida Noyes Library.POLARITY MASSAGERelax tensions and revitalize yourself with aPolarity Energy Massage. Deep and gentlepressure that rekindles your healing energies.Bob. 324-7530 for info or appt. No sex calls,please. MAB FREE CONCERTSJONATHON RICHMAN AND THE MODERNLOVERS Friday October 15 9pm Mandel Hallfirst come first serve seating no tickets will besold UCID required NO RECORDING ORPHOTOGRAPHIC EQUIPMENT.LITTLE MILTON Sunday October 17 9pmHutch Commons First come first serve seatingUCID required.THE MUGGINGDo you have this book? A number of studentsneed copies for “The Legal Process." Will pay.Deliver copies to Mr. Kipnis, Gates Blake 132.FEATURE WRITERSI will be holding a regular office hour todayand every Tuesday from 11:30am to 12:30pm inthe Maroon office. Stop in if you have any problems or just to talk over your story. If youcan't come during office hours but want to talk,leave a message and I'll get back to you. Newwriters welcome! Margo (753-3263.)INTRODUCTION TOTHE DEC-20_____Learn how to use the Computation Center sDEC-20 computer in a two-part seminar, Tuesday, October 19, 3:30 - 5:00 p.m. and 5:30 -7:00p.m. for Part I and Wednesday, October 20,3:30 - 5:00 p.m. and 5:30 - 7:00 p.m. for Part 11,all in Harper 406-408. Please register in theBusiness Office for either session of Parts Iand II. The Business Office is at 5737 S. Univer¬sity Avenue. The sessions are open to everyonewithout charge.INTRODUCTIONTO EDITLearn how to use the DEC-20's native lineeditor, EDIT, to create and modify text andprograms. This Computation Center seminaris open to all with no charge, on Thursday, October 21, 3:30 - 5:00 p.m. and 5:30 - 7:00 p.m. inHarper 406 408. Please register for either session at the Business Office, 5737 S. UniversifvAve.Cfiazfotte ^UihtzomczReal £itate Co. We are co-operating brokersMember National Association of Realtors, ChicagoReal Estate Boards, Illinois Association of Realtors493-0666 • CALL ANYTIMEYOU’RE INVITED...Open house, 5844 S. Harper. Incredible lowassessments - incredible low interest rates set up until Dec. See foryourself. Model-like six room, “new everything” condo.Sunday, October 242-4 pmONE-TWO-THREE One bedroom at 54th & Hyde Park Blvd Looking east & south fromHigh floor Inside garageTwo bedroom on a corner - see the lake Nice things are happening at 55th & Harper$62,000Three bedroom, 54th & Cornell - wonderfully refurbished interior & exterior Assumable1034% mortgage $81,000Four bedroom - to settle estate Near Windermere $64,000Five bedroom - assumable loan, 83«% Near Del PradoHERE’S SOME ADVICE...some mortgages now assumable will not last beyond 1582 Actnow VA, FHA is now 12V*% We have a house at 54th & Drexel which qualifies Call fordetailsThe Chicago Maroon—Friday, October 15, 1982-2 7HOME COMING '82THE CHICAGO MAROONS VS. THE BELOIT BUCCANEERSSCHEDULE OF EVENTS• FRIDAY, OCTOBER 15Bonfire 7:30 pm, Bartlett Field. Featuring the Dum Rah Band.Major Activities Board presents Jonathan Richman & TheModern Lovers. 9:00 pm, Mandel Hall. Free admission.UCID required.•SATURDAY, OCTOBER 16Soccer: Chicago vs. IIT. 10:00 am, Stagg Field.Football: The Chicago Maroons vs. the Beloit Buccaneers.1:30 pm, Stagg Field.Barbecue 4:30 pm, Bartlett Field. $250 in advance. $300 at the door.Sponsored by the Interfraternity Council.Home Run: An Intramural event. 4:15 pm, starts at Stagg Field.Sponsored by the Interfraternity Council.Dance Featuring Airflow Deluxe. 9:00 pm-1:00 am, Bartlett Gym.$300 in advance. $400 at the door. Sponsored by theSG Activities Committee.•SUNDAY, OCTOBER 17MAJOR Activities Board presents The Chicago Blues featuringLittle Milton. 8:00 pm, Hutchinson Commons. Free admission.UCID required.Publicity by The Delta Sigma Society.