Inside the MaroonUrban Outdoorsman— Getaway on page 21 Inside Grey CityAimless EducationGCJ coverThe Chicago MaroonVolume 91, No. 12 The University of Chicago ©Copyright 1981 The Chicago Maroon Friday, October 16, 1981Finance Committee againstops homecoming fundingBy Jeff WolfThe Student Government Asse¬mbly was unable to overturn theSG Finance Committee’s decisionto cut off funding for this week¬end’s homecoming, despite a 10-9vote by the assembly to partiallyfund a party at Psi Upsilon frater¬nity this Saturday. A 2/3 vote is re¬quired to amend or reject fundingdecisions of the SGFC.Six of the seven SGFC membersvoted as a block for the entire eve¬ning meeting, which often eruptedinto name-calling and shouting.This block of votes, along with twoor three other supporters, wereable to block any funding proposalfrom ever receiving a 2/3 vote ofapproval. The debate on the sub¬ject was finally tabled until nextweek’s meeting, which effectivelykilled all funding of this weekend’shomecoming by SG.The only member of the SGFCwho voted for the amendment toadd funding to a homecomingparty was SG Treasurer RobMcKay, who resigned immediatelyafter the meeting, calling themeeting a “fiasco”, and the actionof tabling debate as “ludicrous”.McKay, who is on the footballteam, and a resident at the PhiGamma Delta fraternity, said thatthe SG’s actions on homecominghad caused his priorities to “dras¬tically change.”SG had financed homecoming inthe past, but this year the SGFC re¬fused to do so, due to its new policynot to fund parties with alcoholheld off campus. Administrationpolicy prevents alcohol to beserved at any all-University par¬ties held in University buildingswhich are sponsored by studentgroups. The University allows it¬self to hold such parties with alco¬hol, though. The SGFC committee’s actionswere taken to try, to press the ad-,ministration to change its policy.Opponents of the SGFC decisionclaim that the committee has noright to set SG policies by denyingfunds to groups, as part of a self-determined SGFC policy.George Kampstra, the financecommittee chair, in an address be¬fore the assembly claimed that theprimary reason that funding wasdenied is because the SGFC feltthat no students would attend theproposed dry parties and that Stu¬dent Government should not“throw six or seven hundred dol¬lars down the drain” on a partythat no one would attend.Kampstra also said that theSGFC will not fund any off campusparties because of the “lack of su¬pervision” of such a party.Opponents of the SGFC, such asformer Student Government Presi¬dent Jeff Elton, view the denial offunds by the SGFC as an infringe¬ment on the rights of Student Gov¬ernment to set policy. “The powerto make policy should be vested inStudent Assembly” said Elton.Elton is now considering runningfor the position of Treasurer,which would place him on theSGFC.Policy decisions did play somepart in the SGFC denials of funds.The committee, in a letter to TheMaroon, states that they felt that“by shutting down the homecom¬ing party, instead of eliminatingsome sort of administrataive reac¬tion, the administration would onlyhave offered soothing words.Therefore, we felt that the totalshutdown would provide more ofan impact, both to the Universityadministration and the studentbody.” McKay signed this letter.Numerous measures which would have permitted funding forhomecoming were introduced, allwere defeated. The major proposalcalled for partial SG funding of aparty at Psi Upsilon fraternity onSaturday night. The amendment tothe SGFC report requested $150 forthe purchase of five kegs of beer. wThe Graduate Order of the C had |agreed to purchase an additional "5five kegs. The motion failed, when ^the 10-9 vote failed to achieve the -j2/3 majority needed to amend a re- %port. The six finance committee =members who voted against theuproposal were Joe Griffin of theLaw School, Phil Meguire of theBusiness School, Ann McCabe ofPublic Policy, Erike Smith of theSchool fo Social Service Adminis¬tration, Rick Szesny of Burton Jud-son, and Finance chair GeorgeKampstra. Pam Pinot, the Com¬muter representative, CynthiaCrooks-Garcia, of hitchcock-Snell,and Carol Swanson of the LawSchool also voted against the firstmotion, though Swanson changedher mind later in the meeting andvoted for proposals to fund theparty.Tempers ran high throughout thedebate on the funding issue, withassembly members calling the Fi¬nance committee chair Kampstranames, and Kampstra giving thefinger to one assembly member.Shortly after the amendment tofund homecoming was defeated,the representative from the home¬coming committee stormed out ofthe meeting shouting “all of youcan go to hell.” Few people on ei¬ther side of the issue were satisfiedwith the final lack of action by theassembly. “I’m really disappoint¬ed that the Assembly was unable toreach a decision on the issue,” saidSG President Clarke Campbell. “Ithink it reflects badly on them.” Campbell is not allowed to vote onassembly motions, and refused tocomment on his position after themeeting.The question if the SGFC has theright to withhold funds from the ho¬mecoming committee will comebefore the Student-Faculty Admin¬istration Court. Justice Jeff Osan-ka, appointed Chief Justice onTuesday will preside. The hearingwill take place on Thursday, Oc¬ tober 22 in Harper 130.The complaint brought againstthe SGFC said that the decision isunconstitutional because it cuts offfunding to a group which had re¬ceived funding previously. The suitasks that the court order SGFC torestore funding at a later date.Paul Ausick, assistant dean ofstudents, said yesterday that theSG actions had not led to anychange in the administration’s pol¬icy.Orly’s apologizes for adBlood test detects depressionBy Darrell WuDunnA new blood test being developedat the Illinois State Psychiatric In¬stitute, under the direction of UC’sDr. Herbert Y. Meltzer, may en¬able physicians to diagnose ac¬curately clinically severe depres¬sion and predict which persons aremost likely to develop it.About 10 percent of all Ameri¬cans will eventually suffer aserious about of clinical depressionwhich differs from the everydayvariety in that it has a biologicalbasis, scientists predict. Whereasthe everyday depression is psycho¬logical in nature, the clinical de¬pression is caused by a malfunc¬tion in the chemistry of the brainand is marked by dramaticchanges in mood and behavior withsuicidal tendencies.“It is important to be able to pre¬dict depression because we might be able to develop treatment pro¬grams to prevent it,” Meltzer toldthe Chicago Tribune. He is directorof the University’s Laboratory ofBiological Psychiatry.Meltzer’s group, as well as scien¬tists at other institutions, have re¬cently discovered what they say isa chemical marker for depression.Meltzer said that strong evidenceindicates that the marker is reli¬able in diagnosing certain seriousdepressive illnesses that have bio¬logical cause.The marker is on blood platelets,small cells that control blood clot¬ting On the surface of the plateletsare receptor sites through whichserotonin, which is produced by thebrain, enters the cells. Serotonin isbelieved to carry some messagefrom the brain to control clotting inthe platelets.Continued on page 21 Dr. Herbert Meltzer By Chris IsidoreAfter a week of intense, andsometimes adverse, publicityabout an ad run in the Maroon twoweeks ago, Orly’s owner DavidShopiro has apologized for the con¬tents of the ad.“It was not our intent to offendanybody by our ad,” he said yes¬terday. “We are sorry for the mis¬understanding.”The ad, which ran in the Oct. 2Maroon, contained a photograph ofShopiro pointing a §un at a femaleemployee kneeling on the ground,with the words ‘If you don’t try ournew Sunday Brunch, I will shootthis waitress.”The Maroon received a largenumber of calls about the ad dur¬ing the next week, but Shopiro saidthat he did not receive many com¬plaints until a week later, when theGrey City Journal ran an articlecritical of the implications of thead. The article, entitled Reproduc¬tion of Violence. Reproduction ofFear, was an analysis of the mes¬sages of the ad.The article was quoted extensi¬vely in Mike Royko’s column inSunday’s Chicago Sun Times, in astory generally critical of the Greycity Journal’s article. Copy forRoyko’s story was filed on the Fri¬day that the Grey City was pub¬lished. Shopiro refused to saywhether he had been the one tocontact Royko about the story.After the Royko story, two localtelevision stations did stories onthe controversy. Shopiro said thatsince the weekend, he has been in¬undated with letters and phone calls in protest of the ad.“1 am aware now how peoplemisinterpreted the ad,” he said.“The people who objected, I cansee why they are upset. I can seewhere they are coming from Mostof the principles that people areobjecting on are ones that 1share.”Shopiro denied implicationsmade in the Grey City article thathe was sexist or that the photo¬graph symbolized a rape.“I’m not a sadist. I’m not a ra¬pist, I’m not a sexist,” he said.“I’ve been a member of the HydePark community all my life, andI’m deeply sensitive to issues in¬volved. I'm sorry that people mis¬construed my sense of humor.”Shopiro said that while he has re¬ceived much angry criticism of thead, the publicity surrounding thead has not hurt his business. “ThisSunday’s brunch was much busierthan the previous Sunday,” hesaid. “I’m not making the apologyto save my business. But I don’tlike to have people hate me for anyreason.”Shopiro did not apologize whenhe talked to Royko last Friday, be¬fore the protests started. At thattime he joked about the ad, andsaid he might take out anothershowing the waitress lying withher eyes shut, and himself with asmoking gun saying that the busi¬ness wasn’t good enough But yes¬terday he said that he had no intention of ever running that ad. “Ithink I’ll get out of the advertisingbusiness,” he said.of Hyde ParkWhat Matters IsWhat Your Friends Say..."CHICAGO'S BEST PIZZA!" "THE ULTIMATE IN PIZZA!"Chicago Magazine New York TimesMarch, 1977 January, 1980Dining Room&Pick-Up Service5311 South Blackstone947-0200wmbOO&m&DsmeThe Phoenix in the basement ofReynold’s Club has women’s musicon sale! This is music written, per¬formed, and produced by women.All women’s LP’s in stock are nowonly $5.99Come in and listen to the music. We’d like to in¬crease our stock, but we need your help.SPECIAL10% off all books in the women’sstudies section with the purchase ofone of these sale records.Check us first...we’re the Phoenix(basement of Reynold’s Club) THE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGM. SNYDER 752-3800USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50Open Daily 8:30-5Sat. by appointmentBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat. 9:00-3To celebrate our NEW homeat 5535 Ellis Avenue...COURTSTHEATREPresentsTHE COURT THEATRE COUPON BOOKOffered Exclusively to UC StudentsSee 4 Professional Plays for Just $20The Seagull by Anton ChekhovThe Entertainer by John OsborneThe Guardsman by Franz MolnarThe First Night of Pygmalion by Richard Huggett81/82 Season: Nov. 5 - May 23Coupons are redeemable for any show including weekendssubject to ticket availability.This offer ends October 31, 1981. Quantities are limited!Coupon books are sold at the Reynolds Club Box Office.Limit one coupon book per UC student ID.2—The Chicago Maroon—Friday, October 16, 1V»NewsbriefsNo,I’m UAW presidentFormer United Auto Workers presidentLeonard Woodcock, and current UAW presi¬dent Douglas Fraser, are both scheduled tospeak on campus on Oct. 29, though theirspeeches will be held at different locationsat the same time.The apparent scheduling foul-up has oc¬curred because two different groups arebringing the two labor leaders to campus.Woodcock is the first Visiting Fellow of thequarter, and will be on campus for a threeday stay. During that time he will be attend¬ing some classes, meeting with groups ofstudents, and answering questions at a pub¬lic lecture on Oct. 29, from 3:30 to 5 p.m. inSocial Sciences room 122.Fraser, who is being brought here by UCDemocrats, is scheduled to speak at 4 p.m.on the same day, in Harper 130. Those plansmay now be cancelled in order not to havethe two speakers compete for the same audi¬ence. “If one of them does net come, I as¬sume it will be Fraser,” said David McClus-key, the vice-president of UC Democrats.McCluskey said that there was a chancethat the two might appear together at aforum, and that he had been in contact withUniversity officials to work out an agree¬ment with the administration. “I think it’s apossibility,” McCluskey said, “They aregood friends.”Woodcock became UAW president in 1970,with Fraser’s support. Fraser served as avice-president for the union until Woodcockwas named as the top U.S. envoy to China.Fraser was elected as his successor in Mayof 1979.Woodcock will be staying at Shorelandduring his visit here, which lasts from Oct.27-31. This is the third year of the VisitingFellow Program, which has brought politi¬cians, scientists and other influential speak¬ers to campus for extended days. Hans Kung appears today at Rocke¬fellerSG electiondeadline nearPetitions for this quarter’s Student Gov¬ernment elections are due on Thursday, Oc¬tober 22nd. Elections will be held on Mon¬day, October 26th.The only position open to all students inthe University is Treasurer. There are ninepositions as representatives to the StudentGovernment Assembly for which under¬graduates are eligible, five of which areopen to freshmen, and one seat each for resi¬dents of Woodward Court, Shoreland,Breckinridge/Greenwood/Blackstone(these houses are considered one consti¬tuency) and one seat for “other college” stu¬dents (students not living in Universityhousing). There are also vacancies for grad¬ uate students; two each from the Humani¬ties and Social Science Divisions and oneeach from the Divinity and LibrarySchools.Polling places will be set up in all the un¬dergraduate dorms (except the Shoreland),Reynolds Club, and Cobb Hall. In addition,so that polling places will be more access¬ible to grad students, polls may also be setup in the Business School and the Regen-stein lobby. Approval for the use of the Reglobby is still pending; Student Governmentwas denied permission to conduct voting inthe Reg for last spring’s election.Kung to speakFather Hans Kung, the Hiram W. Thomaslecturer in the Divinity School, will deliverthe first in a series of three lectures this af¬ternoon at 3 p.m. in Rockefeller Chapel.The titles of the lectures, in order, are,“Where I Stand,” “What is the Importanceof Religion in Today’s Society,” and “Whatis the Christian Faith?” The last two lec¬tures will be given on Friday, Oct. 30th andFriday, Nov. 13th.All the lectures will be held in RockefellerChapel, are open to the public, and are freeof charge.Co-op anniversaryThe Seminary Cooperative Bookstore willcelebrate its 20th anniversary Monday af¬ternoon with wine and cheese. The book¬store has had more than 13,000 shareholdersover the past twenty years, and now has al¬most 9000 shareholders. Drink it whereyou wishThe Order of the C will award a keg ofbeer to the house or fraternity with the high¬est percentage of its members attendingthis Saturday’s soccer and football games.The soccer game begins at 10 a m. and thefootball game at 1:30 p.m.In addition, the house or fraternity field¬ing the best co-ed teams in the football tosswill win a keg. IM points also will be givenout for the football toss. The contest will beheld at half-time of the football game.Self-defense classChimera Inc. will begin classes on self-defense for women on Monday, Oct. 19th atThe Blue Gargoyle, 5655 S. University.The classes are designed to teach methodsof rape prevention and personal protectionfor all women without regard to their age orathletic ability.Classes meet Monday evenings from 7 to 9p.m. The course lasts six weeks, and thecost is $25. To register, and for more infor¬mation, call 332-5540.Think you’regraduating?!?There is an important meeting for all un¬dergraduate English majors who plan tograduate during the current academic year.The meeting will be held this Monday, Oct.19th, at 3:30 p.m. in Classics 21. Degree re¬quirements and a new faculty supervisionsystem will be discussed. Those graduatingat the end of fall quarter need to meet theirsupervisors between Tuesday and Friday ofnext week.mmssiJJiDU Ml a&dXD JvJRegister to vote in theCity and State Elections In the Reynolds Club CorridorSponsored by Student GovernmentThe Chicago Maroon—Friday, October 16, 1981—3Contacts for Sale!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses92 How Much Are Your Lenses93. How Much Are Your Lenses94. How Much Are Your Lenses9What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. Is the doctor really a contact lense specialist?(or is he an eyeglass salesman?)2. Can I expect professional service and care9(or will / be handled by inept, non-professional salespeople?)3. Are the quality of lenses the best available?(or are they off-brands and seconds?)4. The question is, not how much are your lenses, butwill I receive the best care, the best quality and thebest price. ViewpointsDress code foolishThe refusal of the food service manager of the residence halls and commonsto rehire a student known for her flamboyant manner of dress s* & -cause more concern on this campus than the most "outrageous coiffure. A -though it has not been made clear that the ex-employe in quest^n had aflawless work record, it seems inappropriate for the color and style of clothingto play such an important part in the choice of student personnel at the Univer¬sity.Why is a dress code so important? This question, among others, has not beenclearly answered by any member of the administration. The employees inquestion, in the first place, are not representing the University in a publicplace. The dining room of Pierce Hall is essentially a private facility, almostnever frequented by outside individuals and rarely visited by University offi¬cials. For whom is it that this new dress code has been written, then.Although it is impossible to ascribe any single characteristic to the UG stu¬dent body, the characteristic which comes closest to being universal on thiscampus is perhaps tolerance. Tolerance of different ways of thinking, differentways of behaving, and different manners of dress. It is ridiculous in this con¬text to suggest that flamboyant dress per se is going to offend the students ofPierce Hall, or even raise their eyebrows. Indeed, no one in the housing officehas mentioned any complaints from students about anyone s flamboyantdress.It is clear, therefore, that rather than a sincere effort to improve conditionsin the dining halls, this outspoken prohibition against "outrageous dress isnothing but a self-serving attempt by the housing office to improve its owninstitutional image by a shallow device which has nothing whatsoever to dowith the quality of the meal which the student eats.Such measures can only be the result of a twisted notion of what is the pur¬pose of a dormitory food service. Perhaps someone needs to be reminded thatthe University of Chicago is not a restaurant, as those who eat in Pierce arereminded with every meal, and beyond the cleanliness of its facilities and thecaliber of the food served in its commons and dormitories, the administrationshould not be so dreadfully concerned with professional restaurant stan¬dards.The administration would do well to give more thought to the quality of thefood being passed over the counter rather than worrying about the person whois handing it over. To do otherwise would be tantamount to punishing the mes¬senger who brines bad news.LettersWe at CONTACT LENSES UNLIMITED meet all the above crite¬ria of CARE, SERVICE, QUALITY AND PRICE.TRY TO BEAT THESE VALUES!SUPER-WETFLEXIBLEONLY $29.00Super-thin highly wet-table lens specificallydesigned to correctthose patients whowere previous hardcontact lens failures. 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IL 60201 2566 V Clark St., Chicago. IL 60614(above County Seat)864-4441 880-5400 Treasurer resignsTo the Editor:I, Robert L. McKay, hereby resign myelected post of Student Government Trea¬surer on this the fourteenth of October, 1981.This statement is a result of the fiasco whichtook place at the Assembly meeting Tues¬day night.The function and organization of the Stu¬dent Representative Government whichpresently exists on this campus is supposedto be a vital, cohesive, responsible and ef¬fective system. As demonstrated on Tues¬day, it exhibited none of these qualities.When I voluntarily ran for this office lastspring and was narrowly elected, I decidedto further explore SG having never been in¬volved in government before. As I learnedmore about it, I felt that there were manythings that could be accomplished through itand that it would be a worthy goal to commitmyself to. Now, after a week of having myconscience raped, I see no use in pretendingany longer. In my eyes, SG is a flounderingwhale and very little if any positive direc¬tions can be established with the kind of pro¬ cesses and procedures that an idea, a pro¬gram/event, or group must go through toestablish itself.The action which was taken, first by theFinance Committee, and then by the Asse¬mbly, in tabling the vote on whether or notto approve or overrule the SGFC’s decisionon the Homecoming budget (when the eventis only four days away) was ludicrous. Abody such as SG has to be able to make de¬finitive decisions on matters of many kinds,but with the current pattern of bureaucracy,this is nearly impossible.The issue which was brought up concern¬ing the limitation of use of campus buildingsbeing used for purely dry parties and forc¬ing the students to go off campus for large,unsupervised parties is an important matterand I fully agree that it should be reconsi¬dered if the social atmosphere of this uni¬versity is to improve. I most definitely dis¬agree with the methodology of action takento bring this issue to light and this is the seatContinued on next pageThe Chicago MaroonThe Chicago Maroon is the official student newspaper of the University of Chicago It ispublished twice a week, on Tuesdays and Fridays Editorial and business offices areon the third f,oor of Ida N°yes- 1212 E 59th St. Chicago. 60637 Telephone753-3263Chris IsidoreEditorRobert DeckerManaging EditorDarrell WuDunnSenior News EditorAnna FeldmanNews EditorWilliam MudgePhotography Editor Sherrie NegreaFeatures EditorAudrey LightSports EditorRichard KayeGrey City Journal EditorBecky WoloshinChicago Literary Review Editor Henry OttoBusiness ManagerJay McKenzieAdvertising ManagerLeslie WickOffice ManagerAarne EliasProduction ManagerErin CassidyLibrarianStaff: Susan Aaron, I^e Badgett, Mary Bartholomew. Sheila Black, David BlaszkowskyPhillip Burdick, Kahane Corn, David Candela, Jeff Davitz, Sue Fortunato Kate FultzMargo Hablutzel, Sally Holland, Sho-ann Hung, Robin Kirk, Stephen Kritchevsky Katherine Larson, Linda Lee, Charlie Mencer, A. Murphy, Carol Quillen William RauchMelody Salkuci, Donna Shrout, Kate Sparks, Jeff Wolf.4—The Chicago Maroon—Friday, October 16, 1981LettersContinued from page fourof my problem.The other side of the coin from which I seethis matter of Homecoming is much closerto home. Being an active member in the ath¬letic community and a member of the foot¬ball team, I realize how much meaning eachand every game, let alone Homecoming, hasto the players involved. For someone whohas spent 12 or 13 years of passionate dedi¬cation, blood, sweat, and toil in the pursuitof excellence in a chosen sport, their finalseason is the very essence of the entire yearand they were dealt a very cruel and unfairblow this week.Therefore, as my priorities have drasti¬cally changed, I feel the only fair thing to dofor everyone involved is to resign and allowsomeone who is highly motivated towardsthe goals set by SG to fulfill the duties of theoffice.Robert McKayNassrememberedTo the Editor :Early Monday morning, Oct. 12, this uni¬versity lost a gifted alumnus, Mike Nass, toa traffic accident. Mike was a unique personwho touched many people’s lives in thiscommunity. He was a great friend and I feelcompelled not to allow his life to culminateas an impersonal traffic statistic.Mike’s death was a travesty. He had justreceived his Ph.D. in physics this spring andwas heading out to California to begin hispost-doctoral work at the Institute for Theo¬retical Studies at U.C. Santa Barbara. Hewas beginning what probably would havebeen a very fruitful career in physics whenfour young people in a ’69 Dodge headingeastbound at a high rate of speed skiddedout of control on a rain-slicked highway nearOklahoma City, crossed the grass medianand smashed into Mike’s car head on. Mer¬cifully, it seems that Mike never knew whathit him.Mike was a very fine person and muchmore than a gifted physicist. I’ve had thepleasure of knowing Mike well all four yearswe've studied together at the U. of C. He wasa very generous and charitable person whoactively sought to help people in need. Whilepursuing his Ph D. he had campaigned tire¬ lessly and raised hundreds of dollars for therelief of the Cambodian refugees, was asteady reader for three years in the Re¬cording for the Blind organization oncampus, had sponsored and supported withletters and money a foster child for the lasttwo years, and performed many benefitmagic shows for children’s groups and char¬ities.Mike was an extremely affable and uplift¬ing person and I’m sure his many friendsfeel the same deep sorrow I feel for his lossof life. It is very seldom that one meets sucha gifted and multi-faceted person with sucha sense of decency and respect for others.Mike led a full life and rather than have itfade out as another senseless traffic report Iwould prefer that we take the example heset and try to change for the better thethings we can.A memorial service is being planned forMike next week. The final arrangementsare being worked out and the details will beannounced early next week. Please checkthe bulletin boards in the Physics depart¬ment for further information._ , _ » Jim KellyTuitionhomecomingTo the Editor:I for one would like to express my com¬plete support of the Student Government Fi¬nance Committee’s decision to condemn thisUniversity’s Administration for their policyof adhering to the Illinois State Law gov¬erning alcoholic consumption. The Adminis¬tration has often “looked the other way” asmembers of the under-aged collegiate com¬munity indulged their way into oblivion. Ihave in fact discussed tne problem withmembers of the Administration and, as weall casually sipped sherry and wine almostas old as I was, I became annoyingly awareof their wish to make their own policy coin¬cide with that of our local and state govern¬ments. But I see no need for the financecommittee to stick their necks out on theline alone! 1 propose that no student pay foreither tuition or room and board until suchtime as the Administration of this school iswilling to stand up to higher authorities.I for one am Celebrating Homecoming at“Jimmy’s.”Scott GanisStudent in the CollegeAUGUSTANALUTHERANCHURCHLutheran Campus Ministry at theUniversity of ChicagoSundays: 8:30 am Sermon & Eucharist9:30 am Sunday School &Adult Education10:45 am Sermon & EucharistBeginning Oct. 11 — Supper at 6:00Tuesdays: 5:30 pm Eucharist6:00 pm Supper & DiscussionThursdays: “The Possibilities &Limits of Education &Belief,” DonBrowning, Professorof Religion &Psychological studies,The Divinity School.All Gatherings at Augustana Lutheran Church5500 South WoodlawnConrad Swanson, Vicar 493-6451493-6452 The Office ofStudent ActivitiespresentsThe Philip Glass EnsembleIn ConcertFebruary 19Mandel Hall"His music is both intellectually rigorous and accessible, ap¬pealing to audiences that normally have little use for eachother's music. And he does all this by evolution of a style thatpartakes unselfconsciously of classical, popular and ethnictraditions."-The New York TimesTickets on sale beginning Oct. 19Reynolds Club Box Office$4 UC student$7 othersFor more information, call 753-3591Mail and phone orders will also be filled,so buy now to ensure good seats.The Chicago Maroon—Friday, October 16, 1981—5SGACOCT. 16th9:30 pm-l:30 amIda Noyes LibraryFood*, FREE COFFEEFree EntertainmentTo Be Announced* CHEESECAKE&TEABAGELS &CREAM CHEESESODAHOT CIDER / DOC FILMS \TONIGHT AT 7:00, 8:45, 10:30:SUNDAY AT 2:30:Have you given your funnybone a good workout lately? If not, we suggest you joinus for AIRPLANE!TOMORROW AT 7:15,9:30:“I am not an animal! 1 am a human being!!” David Lynch s heart-wrenching THEELEPHANT MAN (nominated for 8 Academy Awards)AND AT MIDNIGHT (separate admission):Our semi-annual tribute to the fun. fun world of Russ Meyer: BENEATH THEVALLEY OF THE ULTRA VIXENS j co-written by Chicago’s own RogerEbert)SUNDAY AT 8:00:Alain Tanner’s JONAH WHO WILL BE 25 IN THE YEAR 2000.All Films in Cobb Hall.rCourt Studio Ckatrcpresents ~\OCT P| tohwxwmif*'*MICHAEL 8DUAM/N, Admission f*Ai I753-3581The South Shore Cultural Council andChicago City Theatre CompanyJOEL HALL DANCERS“The Most Exciting Dance Company in Chicago.”—ReaderKenwood Academy • 5015 S. BlackstoneSAT., OCT. 17 AT 8:00 P.M., SUN., OCT. 18 AT 3:00 P.M.General Admission: $7.00Seniors & Students: $6.00 Call 663-3618Group Rates AvailableTWO PERFORMANCES ONLYWith this ad get a $1.00 discount off admission.6—The Chicago Maroon—Friday, October 16, 1981llllllllllllllllllllllllllllllllllllllllllllllllllllllll>llllllllllllllllllllllllllllllllllllll>llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllHflllllllllllllllNllllllllllllllltlllllllllllllllllllllliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiihiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii OCTOBER 16, 1981 niimMttNHHmiiHwiwiimiimiiiminmiHiimiieg ouFOURTEFNTH YFAP 1,1,11liiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Hiimiiiminunirillllllllllllllllllllllllllllllllllllllllllllll||||||||||||||||||||||||||||||||||||||||||||||||||||||||lllllllllllllll!lllllllllllllllllllllllllllllllllllllllllllllllllllllllllll|||||||||||||||||||||||||||||||||!lllllll|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||liLost in the Ivory TowerWhen Academic RomanticismMakes Lousy Educationby Kira FosterMost of us, at one time or another, havesat around in a dorm room or a coffee shoplate into the night trying to figure out whatmakes the U of C such a puzzling and diffi¬cult place to be. There are lots of theories —it's the neighborhood or the students, theworkload or the weather, the administrationor the bourgeoisie. This year's Aims of Edu¬cation Address sheds some light on the ideological sources of the vexation of spirit thathaunts us.In his speech, Leon Kass describes theaim of liberal education as—. . .the cultivation in each of us of thedisposition actively to seek the truthand to make the truth our own. Moresimply, liberal education is educationin and for thoughtfulness. It awakens,encourages, and renders habitualthoughtful reflection about weightyhuman concerns, in quest of what issimply true and good.Kass' description of liberal education is revealingly incomplete. The elements leaststressed or ignored in his discussion reflectfaithfully what is most lacking in the prac¬tice of liberal education. And so, I am aboutto criticize Leon Kass' speech not because itinaccurately describes liberal education atthe University of Chicago, but because it ap¬plauds what should be criticized.First, consider that Kass' speech is pep¬pered with words like awaken, cultivate,disposition, embryonic desire, innatepower, etc. The overall tone of his description implies that liberal education servesmerely to call into action an innate andfully-formed ability for thoughtfulness. Justslap the baby on the bottom; plant the seedand fertilize it with a few hundred pages ofPlato and-PRESTOI-instant intellectual.This sink-or-swim attitude toward master¬ing the skills of fruitful reflection and criti¬cal thinking predominates in the CommonCore.But the "just-add-Freud" approach to lib¬eral education is not enough. Thinking is askill. There are tricks of the trade, things towatch out for, and tools to be used. All this isnot innate. And it is a long and painfulprocess to uncover these techniques on yourown. Some glorify this process as a neces¬sary rite of initiation into the world of theenlightened. There is a strong Martyr-to-Academia complex at the U of C, but suchattitudes serve only to mystify the skills ofthinking. There is no reason not to point out, straightforwardly, the rhetorical devices,historical contexts, and hidden polemics inclassic readings. This is not spoon-feeding.It renders potent and productive the desirefor understanding.Kass sees the skills of thinking as secon¬dary to the "true work of the free mind." Heasks, "What is the point of knowing 'how tothink' if one never seriously engages inthinking?" His concept of serious thinkingor "thoughtfulness" is airy and idealistic. Itentails a continuous quest for truth, an earnest and insatiable desire to know. To knowwhat? you ask. Thyself, virtue, goodness,and,/of course, everything in its relation tohuman potential. But the fact is that humanbeings can know very little, even of whatthey themselves have created. It takes min¬imal experience in "questing for truth" before most of us run into a problem. Thingsare extremely complex.Kass acknowledges this overwhelming"vastness of the world," but assumes that"once we have tasted the delights of evenpartial insight we are encouraged to contin¬ue." Some of us are now, however, en¬couraged. After a quarter and a half in theCommon Core milieu many students beginto have difficulty with the project of under¬standing and criticizing. They are paralyzedby the awareness of how incomplete theirconclusions and opinions must be. I knowmore than one student who came out of theCommon Core with the half-serious convic¬tion that "everything is rhetoric." Otherssuspend all serious interaction with or com¬ment on the world until they fill in the gapsin their wisdom. This amounts to the eternalpostponement of action and responsibility.Others simply lapse into a scornful cynicismabout learning altogether.Human reactions to complexity and chaoscannot be taken so lightly as Kass implies.While the consideration of abstract questions which he glorifies is useful, it is not re¬ally an end in itself. Abstraction is just theextraction of elements of reality from an in¬discriminate chaos. It is not a transcenden¬tal form of thought. What we really needfrom liberal education is the ability to re¬turn abstractions safely to reality, with aslittle distortion as possible. We need to learnhow to contribute a well solved problem, aninsightful appreciation of beauty, a clearcritique, or an incisive analysis to our per¬ception of practical, everyday reality. In theend, the skills of thinking are not just tools,but an adjustment to the circumstances ofthinking.There is certainly no lack of idealism hereat the U of C. Many of us came here withgreat expectations of past U of C ideals —openness to radical approaches and experi¬mentation, an interdisciplinary vision, and"the life of the mind." We came for diver¬ Thirteenth century scholarssity and to fit in. We came because here edu¬cation is treated with respect, in small dis¬cussions of primary sources. On arriving,we found that these things still existed,more or less, but as potentialities that eachof us must track down, demand, or createfor her or himself. At the same time, we dis¬covered the dark underside of U of C tradi¬tion academic exhaustion, intellectual dis¬satisfaction, and social frustration. Wewatched people drop out; we met peoplewith ten incompletes and a fascination withthe mythos that drove them to despair. Webegan to have late-night discussions about avague, erosive discomfort that weighedupon us.This discomfort is not unconnected to theideology of liberal education we have dis¬cussed. The mythos that encourages mysti¬cism, false martyrs, and the glorification ofthe abstract contains the seeds of its own de¬struction. After all, it is hard to believe inthe transcendence of reality when you livein Hyde Park. An ivory tower surrounded bybarbed wire closely resembles a fortress ora prison. No wonder we feel ill at ease, whenthe beliefs and assumptions we are en¬couraged to accept contradict the experi¬ences we are led to have. This contradictionforces many of us to evolve our own pro¬gram of self-education in order to under¬stand it. The results of such self-educationprove to be strong evidence that the realaims of liberal education lie in learning tomake connections between abstract thoughtand practical experience.Duane Mlchals Stephen LaubFROMMOL SONRENT-A-FRIGAs low as $45328-5999 Free Deliveryon Fridaysattractive Brown Walnut FinishV.PREVENT PREGNANCYBy learning Fertility Awareness (Natural Family Planning) Student Gyneoffers a 3 session course (4-6 pm on 10/20, 11/3, & 12/1 .Learn signsand symptoms of ovulation to aid contraceptive decision-making. Partnersstrongly encouraged to attend. To register, call 947-5962.DRIVE CARS TOFLORIDA& MOST CITIES U S A.NO CHARGEAAACON AUTO TRANSPORTPHONE NOW FOR FUTURE DATESREPRESENTATIVE WANTEDON CAMPUS.C^L now: 427-QQ86 CHICAGO’SART DECOLANDMARKIS REBORNIN SPACIOUSLUXURYAPARTMENTSThese alumni dinners would be better if they sewed Molson. The time was the twenties. The place wasChicago. And in Chicago, in Hyde Park, the inplace was the Blackwood. Now the excite¬ment, the glamour, the luxury of a bygoneera have returned with the completion ofthe refurbishing of the landmark BlackwoodHotel into gracious apartments.The features which made the Blackwoodsuch a superb example of the Art Deco stylehave been carefully preserved, the charac¬teristic geometric ornamentation, theleaded glass, openwork grilles, the sweep¬ing open formal lobby Yet, inside eachapartment you'll find all the conveniencesof the 80s. fully equipped kitchens includ¬ing range, refrigerator, dishwasher, wall towall carpeting, ceramic tile baths, individu¬ally controlled heating and air-condi¬tioning, new energy efficient insulated glasswindows, and many other amenities.Located just steps from Lake Michigan,minutes from the Illinois Central trains(which means a rapid commute todowntown Chicago), Harper’s Court Shop¬ping Center, and the University of Chicagoresidents of the Blackwood Apartments willenjoy the availability of the finest culturaland recreational facilities the city has tooffer.5200 S. bUKMDflfMon. thru Fri. 9-6, Sat. & Sun. 11-5or by appointmentPhone 684-8666 S55s fl 61 n n DfniiT cop POt?ftiion2—THE GREY CITY JOURNAL—FRIDAY OCTOBER 16, 198116 friday 18 Sunday ff Wmonday^ # 21wednesday 22thursdayC 17 sc nturdav Mm Li 2Qtuesday martKandinsky Watercolors The Smart Gallerybegins this exhibit of the work of Russian-born non-objective artist (who pioneeredEuropean modernist painting) in a showcomposed of pieces from the Solomon Gug¬genheim Museum in New York. The exhibittraces Kandinsky's work through his water-colors, as the artist moved from the literalsubject matter to the abstract style whichhe is famous for. An excellent look at thelesser-known paintings of this major paint¬er, the show runs until November 29fh. Inconjunction with the exhibit is a lecture onKandinsky Associate Curator of the Gug¬genheim Musuem, Vivian Barnett, sche¬duled for Tuesday, Oct. 27th at 8 p.m. inroom 157 of the Cochrane Woods Center.Films related to the show ("Disorder andEarly Sorrow", "Kandinsky", "AlexanderNevsky", "Potemkin") will run through No¬vember. The Gallery is located at 5550 S.Greenwood Avenue, and is open Tues.through Sat. from 10 a.m. to 4 p.m. and Sun¬days from noon until 4 p.m. For more info,call 753-2123.Don Graham The Renaissance Society continues its show of the American artist'ssculptural pieces and photographs in a showwhich, while not always satisfying, is never¬theless alluring for its sparce, playful quali¬ties. In Cobb Hall, Monday through Satur¬day.filmA Streetcar Named Desire (Elia Kazan,1951) Although Marlon Brando gives a quin¬tessential performance as Stanley whileshowing off his then newly discovered Meth¬od techniques, the rest of the cast and themovie itself lags behind. Vivien Leigh'swashed up Southern Bell is a bit too tradi¬tional compared with Brando's destructivesimplicity; and the film itself a bit too stagebound. Yet Brando's acting is so captivatingthat he alone helps to pull this flick out of itsself-induced confusion: "is this a film or thefilming of a play?" Adapted from TennesseeWilliams' play. Saturday, Oct. 17 at 7 and9:45 p.m. in LSF Auditorium. $2. LSF Films.R.M.Beneath the Valley of the Ultravixens (RussMeyer, 1979) is not your typical movie, noryour typical X-rated movie. It's a raunchyand funny fake documentary about sex,-work, sex, play and sex in Smalltown, USA,and en route to the resolution of its plot (itdoes have a plot) it takes a poke at justabout everything: American politics, showbusiness, religion, racism, sexism, and sex.Pulitzer Prize winning film critic RogerEbert co-wrote the screenplay (boy, the Pu¬litzer people are taking a beating this year)and he used a pen-name, Roger Hyde. (He'dbetter hide from this one if he wants to keepa job in any conservative corporation). Thisis not the kind of movie to take a naive girlon your first date, unless you want it to beyour last. Saturday, October 17, midnight.In Quantrell, $2. DOC Films. J.P. scene from JonahJonah Will Be 25 in the Year 2000 (AlainTanner, 1976) The fact that this film is a bighit in the second-run movie theaters — thenight spots of the post-institutionally educated — may or may not concern Tanner.Jonah concerns the life and ennui, the compromises and despairs of a small group ofaging radicals who grew up during the '60s.The pleasantly didactic script, cowritten byTanner and John Burger (Ways of Seeing),provides a provocative and intelligent basefor the director's subtle humor and insidejokes. Jonah not only reflects on its charac¬ters' past experiences, but also articulatesthe dangers and complications involved in ageneration's irresponsibility in a world thathas long since given up the battle againstcynicism and mediocrity. Since Jonah Tan¬ner has now moved into the world of struc-tualist films, a sign, perhaps, that this direc¬tor is also suffering as a result of thatdespair. With Jean-Luc Bideau, JacquesDenis, and Myriam Meziere. Sunday, Oct.18 at 8 p.m. in Quantrell. S2. DOC Films.R.M.Ceiling Zero (Howard Hawks, 1935) Whilesome Hollywood directors were making fan¬tasy films to pacify the hungry and despairing masses, Hawks came out with this nihil¬istic film in the heart of The Depression.With Ceiling Zero Hawks once again choosesas his subject the fatal profession of airlinepilots, men determined to get the mailthrough even if the weather report is ceilingzero (flight jargon for zero visibility). Butthe motto of "Neither rain, nor snow, etc.,etc.," hardly applies here. This Hawks"minor work" brilliantly articulates thedesperation and selfdestruction of its time.James Cagney as a bon vivant who wouldsleep with almost any woman (and does),plays, perhaps, his most pessimistic role.With Pat O'Brien and June Travis. Monday,Oct. 19 at 8 p.m. in Quantrell. $2. DOCFilms. R.M.The Elephant Man (David Lynch, 1980) Thisre telling of the legend of John Merrick (theabortion that lived) is full of luscious dreamsequences and intricate camera movementthe grey city journalEditor: Richard KayeMusic Editor: Jim GuentherBook Editor: John EganFiction aned Poetry Editor: Paul O'DonnellArt and Production: Susan Franusiak, Nadine McGann, Pat O'ConnellStaff: Mike Alper, Denice Boneau, David Brooks, Charles Coleman, Sabrina Farmer, KiraFoster, Jack Helbig, Sarah Herndon, Alice James, Arturo Perez Reyes, Glen Sheffer, DanStitzel, Jennifer Tompkins, Ken Wissoker, Sandy Young. — which is what you might expect from thedirector of Eraserhead. What's surprising isthat Lynch so accurately captures the spiritof the milieu: Romantic England's fascination with man's inner self. This vision al¬lowed the intelligentia to ignore the outwardgrotesqueness of Merrick's appearance andcelebrate him for his innate virtues and in¬telligence. Yet, the director holds no preten¬tions about the intelligence moral superiori¬ty. In fact, Lynch presents the bourgeoisie— who both cultivate Merrick and exploithim for science — and the proletariat — whoboth save The Elephant Man from physicalabuse and exploit him commercially — astwo classes capable of either extreme cruel¬ty or genuine humanity. And the film towsthis line perfectly, never slipping into didactic moralizing or excessive sentiment. JohnHurt gives a subtle and sensitive perfor¬mance in the title role. With Anthonv Hookins, Anne Bancroft, and John Gielgud. Sat¬urday, Oct. 17 at 7:15 and 9:30 in Quantrell.$2. DOC Films. R.M.Airplane (Jim Abrahams and DavidZucker, 1980) This is one of last year's fun¬niest movies. It doesn't drag, as most contemporary comedies tend to do, and thejokes, whether effective or not, rarely hangaround too long. In addition to parodying theplethora of Airport films, Airplane also pokes fun at such "Classics" as From HereTo Eternity and Saturday Night Fever. Youmight want to see this one twice in order tocatch all the running jokes. With RobertHarp, Julie Hagarty, and Robert Stack. Fri¬day, Oct. 16 at 7, 8:45, and 10:30 p.m. andSunday, Oct. 18 at 2:30 p.m. in Quantrell. $2.DOC Films. C.L.C.The Passion of Joan of Arc (Carl TheodorDreyer, 1928) When Godard made Vivre SaVie in 1962 he included a scene where AnnaKarina goes to the cinema and is moved totears by the sight of Falconetti in Dreyer'sThe Passion of Joan of Arc. Not only wasGodard drawing similarities between hisand Reyer's heroine, and paying tribute toone of the true masters of cinema — he wasalso recognizing the powerful and passion¬ate potential of the technique of the close-up.Indeed, Dreyer's Passion, without doubt oneof the greatest films of all time, testifies tothis potential and the director's life long ob¬session with and ability to penetrate hisactor's profound thoughts by means of theirmost subtle expressions. With Renee Fal¬conetti and Antonin Artaud. A must see. Fri¬day, Oct. 16 at 5 and 8 p.m. at The FilmCenter of the Art Institute of Chicago, Co¬lumbus Dr. at Jackson Blvd. (443-3737)S2.50. R.M.Don Graham's "Pavilion/Sculpture for ArgonnemusicUniversity Orchestra Members of theUniversity Symphony Orchestra will per¬form Antonin Dvorak's Serenade in DMinor, Op. 44, on this Thursday's Noontime Concert presented by the Departmentof Music. The pleasant Czech work, scoredfor woodwinds and horns with the additionof one cello and one contrabass, will beconducted by Michael Jinbo, concertmaster of the University Symphony Orchestra.The concert will be given at 12:15 p.m. inthe Recital Hall on the fourth floor of Good-speed Hall. Barbara Schubert, Conductorof the University Symphony Orchestra, assures us that the woodwind and brass ense¬mbles drawn from the symphony will pres¬ent several noontime concerts during thecourse of the coming season. Thursday,October 22 — 12:15 p.m., Goodspeed Reci¬tal Hall.Philip Glass Ensemble: This UC alumus isone of the most famous modern composersand performers. In an interview publishedin last week's Grey City, glass remarkedthat he didn't think the University wouldever invite him to play here. But the Officeof Student Activities has decided to correctthat assumption, and Glass will be at Man-del Hall Feb. 19. Tickets are going on saleMonday at Reynolds Club Box Office. Formore information, call SAO 753-3591.Red Rodney: One of Charlie Parker's favorite trumpet players, Rodney will appear thisweekend in a quintet featuring pianist IraTHE GREY CITY Sullivan at the Jazz Showcase in the Blackstone Hotel, 636 N. Michigan.Kristen Lems: This feminist singer songwriter will play a benefit for Chicgo Catholicthis Saturday night at 7:30 p.m. at the Lu¬theran School of Theology, 1100 E. 55th St.Fred Anderson Trio: A stalwart tenormanof the AACM, Anderson will be performingthis Sunday at 7 pm at Chicago Filmmakers,6 W. Hubbard.Buddy Guy: This master bluesman andowner of the Checkerboard Lounge willjourney up to On Broadway, 5246 N. Broadway, this Saturday night for a rare north-side appearance.Valhalla Jazz Pub: Friday, Mike Finnerty &the Heat Merchants. Saturday, Raja. Val¬halla is at 1515 E. 53rd St.theatreVanities Court Studio presents JackHeifner's story of three girls from their daysas high school cheer leaders and sororityqueens to their later years as women approaching their thirties. Directed by Mi¬chael Benjamin, the cast includes TerriMason, Janet Rosen, and Rosemary Ryan,with a set design by Philip Luing. The comedy premieres Oct. 16th on Friday, with performances continuing that week end and thenext with shows on the 17th, 18th, 23rd 24th,and 25th. Friday and Saturday shows are at8 p.m. and Sunday matinees are at 2:30 p.m.Tickets are $3. Court Studio, 57th and University Avenue. For more information call753 3581.JOURNAL-FRIDAY, OCTOBER 16, 1981—3Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E.53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Bewcre of bait advertising.Eye ExaminationsFashion Eye WearContact Lenses Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900RENT-A-CAR «1608 E. 53rd Street$13.50 per day 200 Free MilesBetween IC Tracks _ - _ _**-*-.and Cornell 667-2800Special T^uncAacefFLANNEL SHEET SETSSave 45% and be warmas toast this winter!65% polyester, 35% cottonno ironmostly solids withconventional blendpillowcasesslight irregularities will not effect wear2 SHEETS, 1 PILLOWCASE TWIN SET $16.992 SHEETS, 2 PILLOWCASES FULL SET $19.99QUEEN SET $24.99KING SET $29.99JZimtftfferld52nd & HARPER • 955-0100 • IN HARPER CT.4—THE GREY CITY JOUR N AL—FR I DA Y, OCTOBER 16, 1981MEIASSOCIA TION PRESENTS“An Adventure InChinese Songs and Dance’’byThe Youth Goodwill Mission FromThe Republic of China, TaiwanPERFORMANCE:Oct. 18, Sunday 7:00 P.M.RECEPTION:Reynolds Club North Lounge 9:00 P.MMandel HallTickets on sale at Mandel Hall Main EntranceOne Hour Before PerformanceProgram Funded by the StudentGovernment Finance Committee INSTANTPASSPORT PHOTOS1519 EAST 53rd STREETPHONE: 752-3030New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches We Buy and SellUsed Records1701 E. 55th684-3375262-1593REPAIRSPECIALISTSon IBM, SCM,Oiympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303[ Sco*c" ’ * ... •»>* • • ’'• • •',3101^° .... • ••••■ *.991.••*** *.T9\A.991*.T9\..•••**■ 5.091..•••••’ 2.9^1..•••■ A.S®l\”,• ....••••• .t.ah•' -.••••• 3.991.••••" 3.991. . . • • " 3.99 \3.99]iPhone: 493-33551214 E. 53rd (Kimbark Plaza)IStore Hours: Mon. thru Wed. 8:00 am to 12:00 amhurs. & Fri. 8:00 am to 2:00; Sun. Noon to 10:00 pmiA ^4?> f can stand. I for one found myself amazed,not at how much, but at how little I minded.One interesting note — where in Shakespeare's "Macbeth,*" Macbeth and Banquoactually see and talk to the three witches; in"Kabuki Macbeth" the witches are unseen,though powerful, forces throughout theplay. Because of this particular alteration inthe original, the initial 'will to be king' isborn in the Japanese Macbeth Lady Macbeth entirely independent of outside encouragement or even suggestion. Although it appears in this play that the witches arepulling all the strings, it is a legitimate interpretation here (and not in the original) meanings. Shozo Sato has stuck close tothese and other Kabuki traditions. He hasadded effects from the Japanese puppettheatre, Barraku, in the costumes and ac¬tions of the witches. He has incorporatedtwo short formal dances into the play, alsoall fight scenes, including the murder ofDuncan and the decapitation of Macbeth,take place on stage. (In this kind of flamboy¬ant entertainment, it is not desirable that violence would take place off stage; the wordis: let the negotiations be in secret, the camera is on the battlefield.)In all of these efforts to maintain the standards of true Kabuki style, I would say withyby Sarah Herndon"Kabuki Macbeth," now playing at theWisdom Bridge Theatre on Howard Street,is a surprisingly successful attempt at avery difficult, even controversial project.No doubt director/designer Shozo Satohoped to forewarn possible Shakespeareanpurists in his audience when he inserted inthe playbill two pages of explanatory notesthat include such ominous hints as this: "Ihave adapted Shakespeare's "Macbeth" toKabuki style, using not only visual but alsoconceptual characteristics of Kabuki. I havetaken the liberty of readjusting the Shakespearean script to bring out another Mac¬beth with Kabuki style."It is true, "Kabuki Macbeth" gives us agreat deal more Kabuki than Macbeth. Theextent to which you enjoy the show will haveeverything to do with how well you bear theabsence of the Bard's subtle hand. Althoughseveral lonely lines and a short soliloquy ortwo are recognizable from the original,most of the dialogue has been cut or altered,and some speeches inserted, all with the intent to clarify and emphasize a few favoritethemes. These themes are not however thefamiliar ones of human ambition and conscience. "Kabuki Macbeth" takes us abovethat plane and blames the whole bloodymess on the three witches. Macbeth, LadyMacbeth, and even Donalbain (who is shownhere as a possible future usuper to thethrone, fated to continue a cyclical patternof existence) are portrayed as puppets, ignorant and confused, yet vain and eager tocongratulate themselves on their only illusory victories. Their lives are entirely run bythe witches, who are present in nearly everyscene, existing their influence from behindbushes and screens. In this play,-thewitchesdo not predict Macbeth's future (and there¬by set it in motion) they make it. Macbeth isnot haunted by one ghost but by ten; andspirits, not guilt, surround and strangle thequeen. In one memorable scene, as Macbethasks himself, in reference to his deadly in¬dentions, "Is this a dagger which I see before me?" a prop blade is actually held inthe spotlight before his face.It is a matter of personal taste how muchof this "tampering with the classics" a body / \ *>*\ri**that witches, strings and ghosts are all nothing but base and weak impulses that takeroot and overcome the human mind.With this in mind it is hard to object to anythematic changes Mr. Sato may have made.One might even choose to admire them.And, if you are shocked at the idea of a Mac¬beth with only part of a text, you need notbe; in actual performance it is not nearly soshocking as it may sound. In "Kabuki Mac¬beth" the emphasis is not so much on thewords as it is on the visual aspects of theplay, and one tends almost to ignore whatlittle dialogue there is (although for themost part it is nicely performed.) Insteadone attends to the action itself, which is ela¬borately and boldly staged under the carefuldirection of Mr. Sato.Kabuki is a manifold entertainment, moreso than anything in traditional Westerntheatre; watching it, one tends to forget thatit is a dramatic form several centuries oldand not the latent breakthrough of the avant-garde. Kabuki is composed of three ele¬ments: 'Ka', meaning music; 'bu', meaningdance; and 'ki', meaning acting. TraditionalKabuki is not something to mess aroundwith; it is always performed within definite,very rigid guidelines. The sets and costumesare ornate, beautiful, costly. There are several stage devices; the horizontally drawnact curtain; wooden clappers, which markexits and entrances and accentuate moments of excitement, and a runway extending from stage right to the back of the house,upon which actors occasionally perform.Traditionally, the cast is all male. (One ofthe few breaks with tradition of the WisdomBridge production, is that only one of the fe¬male characters is played by a man, andwomen play two of the male parts.) Themakeup is heavy but not masklike; the dif- 1ferent colors each having formal, symbolic "MMout hesitation that "Kabuki Macbeth" is su¬perbly successful. The costumes and thesets are fantastic, sometimes breathtaking.The fight scenes, along with other scenes in¬volving complex dance-mime group coor¬dination, are brilliantly choreographed.They are exciting and engrossing with justenough humor and just enough gore thrownin to make them fun. The makeup, especial¬ly old King Duncan's folds and wrinkles, iswonderful. In fact, I have nothing but glowing reports to give all the detailed work thatobviously went into the production of thisplay, which is visually nothing less than aliving, acting work of art.Unfortunately, the performers seem tosuffer from schizophrenia. The smallerparts are adequately played; with the helpof makeup and costuiYie everyone cuts animposing figure, and their lines are limitedto a few words each. This is just as well, asthe attempts made at musical speech falluncomfortably flat. Tom Mula, GretchenLord and Cameron H. Pfiffner, whose partsrequire some agility, do a good job both a:the witches and as the Ko ken, the traditional Japanese stage hand. Nancy Schieber i;especially good as Young Siward (she alscplays a Lady in Waiting) and Dale Caldndrais fine as Donalbain. Richard Tinaglia(Macduff) seems still to be looking for hislost Scottish accent; the slaughter of hisfamily is cut from the play, and anyone unfamiliar with the story might assume fromhis performance that Macduff is only a wondering soldier whose only outstandingcharacteristic is that he was "untimelyripp'd."it is, however, Macbeth (Stewart Figa)and Lady Macbeth (James Sudik) who arein leads in the play, and their interpreta¬tions of director Sato’s intent differ greatly,hence the confusion referred to above. Figa plays his role in the classic oratorystyle, parading about on stage, challengingall 'men born of woman' with the pompousbravery of one about to be beaten. In the moments when Shakespeare would have us seebehind the bravaggado, we are hot very convinced. Figa moves about on stage verywell, he is every bit the Kabuki 'royal person', but he comes off a rather stupid Macbeth. A more sensitive interpretation mightI add the element of sympathy that is lacking,without destroying the grandiose effect thati is desired and that is here achieved in abundance. In his determination to affect the Kabuki style, which insists on a minimizationj of language and maximal use of gesture andfacial expression, he has lost some of thesubtlety which is essential to good actinganywhere.James Sudik, on the other hand, gives atremendous performance as Lady Macbeth.Although it is obvious that some of themovements and gestures required of himfor the part, such as Lady M.'s crippledwalk, do not come naturally, the audience's'.understanding of the old Japanese ideal of'feminity is increased by his exaggeration.He not only succeeds at the exacting Kabukiposes, his face expresses the subtle play ofemotion and will that characterizes LadyMacbeth with marvelous imagination andskill.Sudik's performance alone is enough tomake a trip to Howard Street worthwhile,but the play would stand up even withouthim. Although imperfect, it is a beautifuland rare evening's entertainment — howoften does a group of American actors andactresses perform Macbeth in traditionalKabuki style? It's expensive ($8.50 Si 1.00 aticket, plus transportation) but anyone really interested in the theatre and the still vastpotential for new modes of theatrical expression should definitely try to see WisdomBridge's production.S'■jI kft f,v kCaryGrantinHowardHawks'/WasaMaleWarBride Hollywood andSexual Politics: An Interview withFilm CriticRobin Woodby Richard MartinAlthough film critic Robin Wood is best known forhis provocative and ground breaking works onHitchcock, Hawks, and Arthur Penn, recently Woodhas shifted his perspective, emphasizing less an au-teurist approach and concentrating on the politicaland cultural aspects of film. Greatly concerned withGay, Feminist, and sexual politics in general, Woodis presently a film critic for a Toronto Marxistnewspaper The Clarion while on sabbatical fromYork University. Robin Wood appeared on campuslast week to discuss B pictures and participate inDOC Films' Howard Hawks forum. His stay was co¬sponsored by The Chicago Review.Martin: What interests you most in The films ofHoward Hawks?Wood: I think that they stand in a very interestingrelationship to the dominant ideology of Westerncapitalism, a kind of eccentric and ambiguous rela¬tionship. Hawks belongs, I suppose, to a kind of al¬ternative American tradition in which one mightalso mention, for example, the Mark Twain of Huck¬leberry Finn, and even Hemingway as a much lessdistinguished lower representative. And this is atradition that basically says no to developed Ameri¬can civilization, and spends much of its time tryingto construct, or at least move towards the construc¬tion of possible alterable alternatives. (Hawks'films broadly divide into comedies and action films.The comedies usually take place within main¬stream society and the comedy is based on hilariousdisruption of social conventions. The adventurefilms, on the other hand, are about the constructionof much simpler and more primitive social groups,usually the all-male group involved in some danger¬ous profession, but existing outside mainstream cul¬ture. It seems very interesting that the main pillarsof the establishment, social order, marriage, and family hardly exist in Hawks' work at all, and whenthey do they tend to be put down in some way. Theonly one of his films that's actually based on a mar¬riage, where the characters are married at the be¬ginning and are still married at the end is MonkeyBusiness which is all about the terrible repressionson which the marriage is based which are releasedin the course of the film through the couple's regres¬sion to infantilism.) I think Hawks' films are alsovery interesting from the point of view of feminismand from the point of view of gay liberation. Whichis not at all to try claim them as feminist or gaymovies. Quite obviously they're neither. The pre¬sentation of women in Hawks can certainly be ac¬cused of being a matter of male fantasies, about thetough, resilient, sexy woman who can be incorporat¬ed in the all-male group eventually, perhaps after aprocess of initiation. The tendency is for the womanalmost to become one of the boys, but they neverquite do of course. Lots of critics before me havenoted a kind of subterranean gay subtext runningthrough Hawks' work, which he himself has alwaysdenied and was very angry when it was mentioned.Which has not stopped him describing two of hisfilms as love stories between two men, which is anextraordinary phrase to use I think. But this malebonding, which is, of course, a part of the Americancultural tradition, isn't by any means exclusive toHawks. In fact, there has been an enormous up¬surge of male bonding movies in the '70s. But inHawks, I think, simply the way men look at eachother often has a particular sort of intimacy, some¬thing that looks like love. Plus there in Hawks theambiguous male/female relationships, and the ob¬session with role reversals. So many of his films arebased on reversals, or play with reversals: adultsand children changing places, civilized people andsavages changing places, human beings and ani¬mals, even in one film human beings and vegeta¬bles: In The Thing From Another World the Thing isa carrot, an intellectual carrot is the way in which itis eventually described. But the privileged instanceof that, because it turns up so many times, is the sexrole reversal where men dress in women's clothes,women dress in men's clothes, which is somethingHawks plays with over and over and over again inhis films. Putting that all together it seems to methat you have a cinema which, without ever ack¬nowledging this consciously or in any sort of overtway, hovers on the verge of recognizing the possibil¬ity of universal bisexuality, which is perhaps themost important of all Freud's discoveries, thoughFreud himself ran away from it in terror. But it'sthere in Freud very much, it comes up again andagain and again. Every one of his case histories atsome point reveals repressed homosexual feelingsin the person, whether male or female. And ofcourse our societal sex roles, the established ver¬sions of what it is to be a "man," what it is to be a"woman," are based absolutely on the rigorous re¬pression of bisexuality. It's amazing that all thiscomes out in Hawks, basically because of his moveaway from the established norms of civilization.Martin: How conscious do you think Hawks was ofthese themes that you have noted in his films?Wood: Well, I would £e very surprised to hear thatHawks had ever read Freud or Marcuse, or that heever read anything very much. It's true that Hawkswas a friend of Hemingway's and Faulkner's, but Inever get the sense that he had any conscious intel¬lectual habits of reading an so on. He never talks ofhis films in any intellectual way at all; his way ofdiscussing his own films is never thematic, it's all interms of characters and actions. His favoritephrase, Hawks' favorite word seems to be the word"fun"; "We thought it would be fun to try this in thescene," or "We were just having fun in that scene."So I don't want people to think that I'm attributingto Hawks' intuitive, spontaneous action and comedyfilms, some kind of devious, conscious intellectuali¬ty, which is simply not the case. All I'm trying to dois to establish certain possible parallels betweenwhat are obviously very different kinds of dis¬courses.Martin: Do you think that it is your role as a critic toelucidate the progressive social aspects of movies,of art?Wood: Yes, this is what I would like to do is to try tomake available to people the possible implicationsof films for change, for social revolution. And Ithink it's amazing the extent to which the Hollywood film critic Robin Woodcinema, for example, lends itself to that kind of athing.Martin: Is it frustrating for you as a critic who isprimarily concerned with the political aspects of thefilm medium when you compare your limited popu¬lar influence to say a Gene Siskel who has no politi¬cal conscience, yet who greatly influences whatmovies people see?Wood: Well, I don't actually know Gene Siskel'swork at all, though I know a little of Roger Ebert'sand in fact I've insulted him quite excessively, per¬haps, in print over Last House On the Left. Yes, it'svery frustrating, but I don't blame individual criticsfor this, it's not their fault, it's part of the enormousmachine of bourgeois capitalism that they're partof. I think it's practically impossible to get work in,for example, a daily paper or a weekly paper inwhich one could do the kind of things that I want todo, without simplifying it and popularizing it to theextent that it would no longer be the same thing.And I would love to write for a Toronto daily paper,and I've tried. I've proposed myself to them, notnecessarily as a regular weekly reviewer becausethey have those already, but to offer a sort of occa¬sional article in the weekend section. But theyaren't interested at all, in fact, quite the opposite, itwas very much "don't call us, we'll call you," andthey never have.Martin: How much social change do you think youcan actually bring about as a film critic with such alimited audience?Wood: I've often thought that I should abandon aca¬demia and film criticism and try to enter into poss¬ibly gay and feminist politics, sexual politics in amore direct way. But I think that would be silly. Ithink I would be simply throwing away what talentsI have. I know that my work is not likely to have anyvery striking effect on the world, but I do also thinkthat it's very important that the kind of position thatI try to establish and project should be present, forexample, in University film departments. (And itcertainly wouldn't be present at York University if Iwasn't there, it's an extremely conservative filmdepartment, a kind of obsolete film studies depart¬ment.) I love teaching, I love contact with students,and, l hope that this doesn't sound conceited, but Ithink students like my courses very much. They seem to get very excitethat the kind of things I <It's reciprocal too, becaithings like sexual poiitinewspapers and the woget so depressed, and thall these beautiful younresolving all these probland the problems of seand so on, don't seemmean that they're not thI have a beautiful sensethem and working themMartin: Your approachauteurist approach, asHoward Hawks' work isWood: I prefer to appro;pie, as films in which fbut not necessarily as asence in the film acts aduces an extremely intiwith various particulaiwriters, which is why II'm not sure how manysomething like forty, atdozen or eight whichwhere the kind of accidof different forces comially interesting text. Scting at who Howard Hahe was trying to say inthe question of what cerciated with say as kindscomplex texts, which ;Hawks, not only Hawksproduct of the entire csions and contradictionMartin: Are there any cthat you feel reflect 1Hawks and his films onWood: There are varioiterested in now. I'm athese continual cries abbecause I remember thchildhood. I think evening about the death ofthen in the '60s. And the■ MRBMHiVI6 THE GREY CITY JOU R N AL—F R I DA Y, OCTOBER 16, 1981ited by my courses and I feel> I want to say do come across,cause I feel after talking aboutlitics, and then looking at theworld around me I sometimesthen I go back to class and see>ung students who seem to beoblems in their personal lives,sexism and male dominance;m as overwhelming. I don't\ there. Of course they are, butise of students being aware ofem out.ich to film is not basically anas with your interpretation of<. is it?roach Hawks' films, for exam-h Hawks is a common factor,, a kind of creator. Hawks' pre-s as a catalyst often, and pro-interesting text in conjunctionilar stars, various particulari | think his work is so uneven,in/ films he made, it must beand there are perhaps half ah l am really excited about,:ident happens, the confluenceming together to produce a re-So I'm less interested in get-lawks is, or was, or just whatin his films. I'm interested incertain films that he was assods of composite and often veryh are the product of not onlyks and his collaborators, but a‘ culture and the various ten¬ons within the culture,y contemporary film directorst today's culture as well asonce did?ious filmmakers I am very in-i always quite opposed to allabout the death of Hollywood,them going right back to my;n in the '40s people were talk-)f Hollywood, then in the '50s,hen the previous decade has toi be rediscovered, and you discover that there wasn'ta lot of things going on then. I think, although Hol¬lywood has changed enormously its character thatthere's still a lot of interesting work emerging. Ofrecent directors, I suppose, those that interest methe most are those directors of the modern horrorfilm in the '70s as a genre. I think it's a profoundlysubversive genre. Directors like Larry Cohen,George Romero and Brian DePalma interest me themost.Martin: What attracts you to DePalma's films?Wood: I think the relationship of DePalma's films toHitchcock's is much more complex and much moreinteresting than it's usually credited with being. Idon't at all think that his films are simply imitationHitchcock, I think they're using all kinds of tech-niquesand motifs that DePalma fully acknowledgeshe's learned from Hitchcock to do extremely dif¬ferent things. I think it's a very complex issue, andvery hard to talk about briefly. But, I suppose oneway of putting it very simply is that Hitchcock'sfilms habitually are concerned with the trans¬gression of the female within the patriarchal cul¬ture and the punishment of the female for thattransgression, and they all move towards the resto¬ration of the patriarchal order. Whey they remainso fascinating is that they also amount to a very sys¬tematic critique of the patriarchal order, which isprogressively undermined and treated with ex¬treme skepticism and, indeed, cynicism. So you getfilms that end by having an extremely complex,very disturbing effect. I think DePalma, then, per¬haps partly because he comes from such a differentbackground (Hitchcock developed as an artist inmiddleclass England in the '20s and '30s, while De¬Palma developed against the background of TheVietnam War and Watergate, and a sense of immi¬nent collapse of the social organization), DePal¬ma's films habitually move towards the ultimateand irremediable collapse of the patriarchal order.To put it very simply I can't imagine a Hitchcockfilm ever ending in the way in which The Fury ends,with the woman literally exploding the surviving fa¬ther figure. It is, I think, inconceivable that a Hitch¬cock film could end like that, the nearest you get toit is, in fact, his last film Family Plot with BarbaraHarris' wink at the audience. And Blow Out, which Ithink is one of the finest DePalma films, doesamount to a very systematic and a very rigorouscritique of the male hero and his manipulation of thefemale lead, without any cop-out at the end wherehe is forced into facing his responsibility for the kill¬ing; he just as much as the killer is responsible. AndI take it that the Travolta character and the killerare parallel throughout the film. This raises the un¬easy question of which is really the more culpable:nice, upstanding, honest John Travolta whose try¬ing to expose the corruption of the system, or thispsychopath who obviously enjoys stranglingwomen. And, in fact, Travolta is just as responsibleas the killer in his actions. Blow Out is a very inter¬esting film.)Martin: Do you think that Dressed To Kill, DePal¬ma's previous film is as complex? And even if it is,wasn't there excess violence against women? A lotof feminist groups protested it because of its vio¬lence.Wood: I think that often attitudes to films should beallowed to be much more complex than they'reusually permitted to be. I think on the one hand, fe¬minist groups, for example, are trying to say thatDressed To Kill is disgusting because it relishes vio¬lence against women and they picket it becausethey feel that is what the film is doing. On the otherhand, there are people who say that this is a great,wonderful, fascinating, and highly sophisticatedmovie, and it doesn't matter so much what it'sabout. Now I absolutely sympathize with the femin¬ist groups who picketed Dressed To Kill, just as I absolutely sympathized with all the gay groups whopicketed Cruising. But I also want to say that boththese films are extremely interesting and I thinkthere immediate social effect, in so far as it is poss¬ible to intuit what that might be, is very hard toprove. The immediate social effect might be veryharmful, but I also think that they're extremelycomplex works in which a lot of possible contradic¬tory things are going on. I don't think that filmsshould be banned, but I'm all in favor of protests,picketing, and so on that allow people to see thefilm, but at the same time draw attention to whatother groups feel is objectionable in the film. Be¬cause that conflict promotes conversations and setspeople thinking. I can't see that anything is gainedby banning a film. I'm opposed to the gay activists'attempts to prevent Cruising being made, but I'mentirely in favor of picketing and handing out leaf¬lets, explaining the objections to the film to peopleso people can see the film and read the objectionsand think.Martin: Getting back to the violence against womenin Dressed To Kill....Wood: I think the violence against women inDressed To Kill is very complicated, and the vio¬lence seems to be mostly centered on the AngieDickinson character in the first third of the film. Onthe one hand, yes, the film does show a womantransgressing sexually, transgressing from thepoint of view of dominant norms and traditional mo¬rality, and getting hideously punished for it. On theother hand, all through the first third of the film itseems to me that Angie Dickinson is our centralidentification figure, that we experience everythingfrom her point of view and that we tend to do thatwhether we are male or female, so when she's mur¬dered in the elevator I don't feel any sort of enjoy¬ment or satisfaction at all, I feel terrible. Because Ifeel that it is me that it is being done to. And it'spossible that this kind of identification is easier forme as a gay male, as I've been in the kind of situa¬tion that Angie Dickinson is in that film, perhapsmore often than well brought-up housewives. I don'tknow. Therefore it's very easy to feel for her andwith her, than to sort of think "Wow, yes, go on killher, slash her, stab her..." or whatever. But I don'thonestly see how anybody but an already very fargone criminal psychopath could have that feelingabout the film.Martin: Don't you think that DePalma as an artisthas a responsibility, then, to make clear his intentions with such a film, or for that matter any artistwhose subversive subtext is possibly misconstruedas an attack on an already repressed group?Wood: Yes, I find that a very different question in¬deed. I'm not absolutely sure that an artist has anyresponsibility to do anything other than do what heor she wants to do. I don't mean what he wants to doon any sort of idealist, individualistic level. Butwhat he as an individual constructed by culturewants to produce, because the results of that are li¬kely to be very interesting for someone to analyzebecause they will be a product of the culture, notsimply of one person because nobody exists outsideculture. I admire artists who accept higher responsibilities, people like, for example, Godard who tryto be conscious of what their films are doing, whattheir films are about. Though I think there aremany levels on which Godard is not conscious ofwhat his films are doing. And they're extremelyproblematic films, and they're very problematicfrom a feminist viewpoint. But I'm not entirely surethat an artist's responsibility shouldn't be to dowhat he feels he wants to do, produce what he feelshe wants to produce. I think, then, it's up to every¬body else to look at that and talk about it. I think thecrucial error has been to see the artist as some kindof superior being who is giving us wisdom fromsome sort of superior position, telling us how to live,how to think, what is true. Rather, it seems to methat an artist is someone who produces a complex ofmessages which we can then examine, try to under¬stand, and evaluate; and not feel intimidated by,and not feel that they can't be argued against. Inother words, I think that art can manifest itself in somany different ways, and I absolutely admire ar¬tists like Hawks who are obviously very intuitive,very intellectual, not conscious of what they'redoing on a sort of thematic level. I also admire anartist like Godard who tries, at least, very hard totheorize, to understand society, to ask himself whatshould ideally be produced within the culture. I resist critical positions that try to say that one is validand the other isn't.Martin: Well, isn't it very difficult for the vast majority of people to attain, through a culture like theAmerican culture, the ability to interpret a film ascomplex as Godards?Wood: Sure, it is very difficult. And what this pointsto, I think, is, if you believe in social revolution, thenecessity for changing everything, not just makingdifferent films, but changing the entire social struc¬ture. The whole notion of entertainment, the role of Film director Brian DePalmaentertainment within Western capitalism patriar¬chal culture is very problematic. And the word "en¬tertainment" means something you don't thinkabout, it's its essential definition, which, on the onehand, is why so many entertainment films havebeen able to be so radical and so subversive. Be¬cause they can do this whilst saying, "Of course youaren't really paying any attention to what this issaying, it's just entertainment." It's why on thewhole the Hollywood entertainment films have beenmuch more impressive, and much more interesting,and much more complex than the Hollywood socialproblem film which has a consciously conceivedmessage which is always extremely narrowly cir¬cumscribed. I guess I think of the end of Tout vabien, which I think is perhaps my favorite Godard,(perhaps because it was largely made by Jean-Pierre Gorin, I don't know) and Jane Fonda's solilo¬quy in the supermarket when the voice says:"Change everything! But how?: Now, every¬where."Martin: And you yourself are a professor at YorkUniversity, an established university....Wood: Yes, I'm always very concerned with my po¬sition within the educational system, because that'sobviously another problem because as soon as oneenters into the professor/student relationship, oneis part of the patriarchal authoritarian culture — Ican't see any way around that. If you go on workingwithin a university, you are part of the system evenif you're all the time working against it. I try to getaround that by foregrounding my position in theearly weeks of classes. I've told my students everyyear that my idea of the really successful coursewould be one in which about two thirds of the waythrough the students told me that they didn't needme anymore, and wanted to simply discuss thingsamongst themselves and I could stay if I wanted to— that they were going to take over. I'm afraid itstill hasn't happened. They seem to want to sit andtake notes. It'll be a lovely day when it does hap¬pen.THE GREY CITY JOU R N AL-F R I DAY, OCTOBER 16, 1981—7Dear GCJ,Although Ken Wissoker's article was per¬haps a bit overbearing and contained one ir¬responsible reference (the Village Voice?1.),he did succeed in expressing the disgust andanger that many people felt upon viewingthe Orly's ad in a previous issue of theMaroon. The primary weakness of his arti¬cle, however, was that he placed all of theresponsibility for the ad on the shoulders ofOrly's manager. True, the manager was atfault. The editorial and managing staff ofthe Maroon, however, were equally atfault.The responsibilities of the editorial staffshould include the censoring (that's right, Isaid censoring) of tasteless and offensivematerial. I cannot believe that the Maroonis so desparately in need of funds that itwould print anything for which a personpays. The editors decide what goes in eachedition of the paper, and their judgement isbased upon, or should be based upon thatwhich is appropriate for an allegedly re¬spectable newspaper. They must be able totake into consideration possible public reac¬tion to a certain article or ad, and then de¬cide whether that article or ad should be in¬cluded in the edition. I still cannotunderstand why the Maroon would accept atake off on the National Lampoon. I alwaysthought that any resemblence between theMaroon and the Lampoon was totally unin¬tentional. If the editors were unable or un¬willing to stop the ad, then it should havebeen the responsibility of everyone who sawthat ad to demand that it not be printed.Before everyone starts complaining aboutmy advocating censorship, I think that theyshould review the role that the Maroon hasin the university community. I am hardlyadvocating the censorship of controversialor unconventional material. I am advocat¬ing responsible, sensible editing and moreprecisely, an editor and staff who are will¬ing to stand up for respectable standardsand refuse degrading and offensive materi¬al. Without this type of editorial responsibil¬ity, what is to prevent Orly's from runninganother ad with a picture of the bullet rid¬dled body of a waitress, and the caption,"We killed this waitress because you didn'ttry our Sunday brunch." Sounds ridiculous,right. Well, after the first ad, I don't thinkthat it would be below the Maroon's stan¬dards.— Aristotelis KambourisIn reference to the response to Orly's ad(Grey City, Oct. 2), I agree in part, and onlyin part, with what Mr. Wissoker argued. Thepart I agree with is that Orly's could haveused another ad besides the one with a gun.That is, however, the only offensiveness thatcasual as readers like myself should sense.The rest of the connotations Wissoker sug¬gested were hard for me to swallow.Referring to Mr. Wissoker's central argu¬ment, he claims everything "means". I be¬ lieve a more accurate statement would be:Everything can "means". The key to my ar¬gument is based on the same question thatMr. Wissoker asks; what meanings comeout of an ad intended or not? Meanings aredifferent from person to person because ofobvious differences in experience. Wis¬soker's experience seems quite broad, rang¬ing in literary terms from Playboy to JohnBerger's Ways of Seeing. This broad experi¬ence, however, is the cause of fault in his ar¬guments.The first meaning, "I didn't agree withwhat was the meaning of the manager'sstature. Claim: "His stance, his muscu-lararm, the determination of his face, evenhis thick watch indicate power (that is)always sexual." First of all, of all of these Inoticed only the face and the rigidity of hisarms. This communicated to me the man'smock seriousness. As far as the watch isconcerned, I (and others I asked) had thesame response: what watch. The day aTimex Quartz watch makes the centerfoldof Playboy is the day I'll reconsider sexualpower in watches. (Ken, you'll have to tellme, I won't be Checking). Wissoker alsomentions the man's cocked pelvis reinforc¬ing sexual meaning. Except for his face, Inever noticed that much in particular aboutthe man, but viewed him as a whole. Oh, Ialmost forget — what about the buildinglines? That reference blew out of proportionan already contrived "meaning".The second "meaning" that meant noth¬ing to me was the position of the woman.This is where Wissoker knows a little toomuch and sees a little too deep. He has stud¬ied Western Art enough to know that thewaitress's knee-hidden position signalsavailability to the viewer. I, like manyothers, wouldn't know what that positionmeans in Western Art (which hardly characterizes Orly's ads) and thus wouldn't havecounted anything with her position, particu¬larly sexual...To make my main point clear, sensing thetotal meaning Wissoker implies relies onconnecting a string of unlikely possibilitiesof meaning. Of the people I mentioned thead to, no one was offended although theyagreed that Orly's could have used some¬thing else. I do not know the large number ofpeople Wissoker asked, but I do not thinkthey at all held the same opinions of themeanings in the advertisement. I am not one to study ads too much. I takeit for face value, maybe appreciate clev¬erness, maybe ignore nonsense in it, butthat is as far as I will go. Mr. Wissoker, how¬ever, must have pored over that Orly's adfor some time to find all those details. Hewas right to begin with, but went overboard.For myself, I really lost respect for Wis¬soker's article when he kept referring toPenthouse, Playboy, and Hustler. Unless hegoes by second-hand information, I wonderwhy he wrote the response.Finally, I'd like to ask the question thatshould be the only one raised — How was thebrunch?— Nick PalmerObviously each person does have theirown set of experiences which provide struc¬ture and limits to their understanding.Meanings, however, are not independentlyconstructed out of nothing but experience; Duane Michalsthey are held in common by a culture andare thus prior to any individual experience.To take the most basic example, we know tostop at a red light because that meaning isassigned and taught to us by the culture.Note that if someone is drunk, doesn't see ared light and then drives through it, the lightwas no less red for the driver's lack of notic¬ing it. Similarly, I think it is important topoint out the 'signs' in an ad such as this,precisely because the casual observermight not have seen them. If one is discuss¬ing The Republic in class one does not pro¬test that the casual reader would miss allthese implications in the text. And yes, Ithink a piece of ordinary culture, like an ador a style of dress, can be analyzed to thesame extent. Anthropologists do this all thetime with other cultures and it seems worth¬while to do the same for our own.I agree with Mr. Kambouris that TheMaroon shares the responsibility for accepting the ad and that I was remiss in not dis¬cussing it. I think that if the ad had said'Come to brunch or I'll shoot this Jew,' or'this Black' The Maroon never would haveconsidered printing it. But apparently it isstill socially respectable to treat womenthat way — enough so that some people in¬sist that they can't see why the ad is so offensive.— Ken WissokerThe Grey City Journal welcomes all let¬ters written in response to articles run in ourpages. Letters should be neatly typed, withtheir authors' name and phone number. Theeditor reserves the right to shorten lettersfor reasons of space.CRITICISMSTANLEY H. KAPLANFor Over 42 Years The Standard otExcellence m Test PreparationCPA • GMAT • LSAT • GRESAT • MCAT • ACTFLEX . NATIONAL MEDICAL BOARDS . ECFMGNURSING BOAROS . TOEFL . VOE0RE FSVCK • QAt 0,0 . OAT . PCAT • OCAT . MIMAT . SAT ACMVS • NATIONAL OCNTAL BOARDSXOOIATRY BOARDSFiexittt Programs and HoursAny C«ra» And Sm ForroutMf *• T rwTEST PREPARATIONspecialists Since meCMn * Mao' j S CamPviRAO TNCCToronto Canada t 2ioc*<C*CAOO CCNTEH| 6 H SPRING SUMMERi Owa*o »noa»oa«c PAUL INTENSIVES»11> 744-41 »1 COURSES STARTINGS * TmS monthl»SLl Gr»*g# Hoad/Surf* 201La Grog* GRE...SAT...ACT...LSAT...(311) M344*0 y*T NEXT MONTH•NORTH Inn SoBlRBA,.474 Cantr* A*#,up**' Man Lav*S ****** Rani '440031 SAT. . GHAT. . ,4nIc/LSAT013)493-7410j WmCOU4liAVARA«f , Couroaa Coataroy up dan 3Ltcanang Ejara „ Cana, Sad StudyN, Amo, *u caw aan • An VIC a*, jS Cm < renteOUTSCENT STATE CALL TOLL FREE SOC zn , ’S3 r—ELLIS ESTATES INC.—n4&5BEDROOM UNITS KUMSITZ5137-41 South Ellis Avenue• PRICES START AT $81,900 Singing And Refreshments Around• OWNER FINANCING The Hillel FireplaceAVAILABLE Folksingers & Guitarists• 20% DOWN 12% INTEREST Food, Cider, Popcorn, Etc.FILM SHORTS• 5 YEAR BALLOONSHOWN BY APPOINTMENT SATURDAY, OCTOBER 17, 8:30 P.M.Call EEC, Inc.324-7400 HILLEL FOUNDATION - 5715 WOODLAWN8—THE GREY CITY JOU R N AL—F R I DAY, OCTOBER 16, 1981WWWWWWWWWWWVWWWVVWWVWWWVW'WtWtfWWVWWMWWWWWWWWVWVWWWWWVWWVWWiWHanna Gray on the HumanitiesA Failure of Growth is not Necessarily DeathHanna GrayThis is the second part of a two-part inter¬view with University President HannaGray. The interview's first part consisted ofPresident Gray's remarks on her position asco-chairperson of the Task Force on the Artsand Humanities, a position appointed byPresident Reagan. In this second part of theinterview, Mrs. Gray speaks about the poss¬ible effects of the Humanities cuts on the fu¬ture of scholarly work, as well as the gener¬al problems of work in the Humanities todayand how universities might confront them.The interview was" conducted by RichardKaye.Grey City: Are you worried about the futureof humanistic studies given the trends in theeconomy in the last few years? Certain ob¬servers have actually spoken of "a loss of anentire generation," or perhaps several generations, of scholars in the Humanities, aswell as in other areas. Do you think the situ¬ation is as bleak as has been usually pre¬ sented?Gray: No. I think the long-term future is notso bleak. I think there is a tendency, because of real, painful problems and con¬straints, to see the worst aspects of the pres¬ent as projected permanently into thefuture. I think that clearly there isn't goingto be, for a long time, if ever, the kind ofgrowth one saw in the Sixties, but that's notjust true for the Humanities. That's true forall these other areas we've been talkingabout, especially the areas of pure scienceand the social sciences. The Humanities hasbeen hit hard, but I think if we're talkingabout a pause or a failure of growth we'renot necessarily talking about death. The ter¬rible difficulties that confront a given gener¬ation of young scholars and teachers, forwhom a life of humanistic study and teach¬ing is their aspiration, is terrible. I alsothink it has been somewhat overdrawn as ageneralization about what is going to hap¬pen to all people in the future. Now I don'tbelieve we can just passively sit around andwait for things to change. The future of hu¬manistic teaching and scholarship also de¬pends on the constant renewal of their ownpurposes and their own way of going aboutthings.Grey City: Are you particularly worriedabout one aspect of scholarship in terms ofthe Administration's cuts? Is there going tobe one field which will probably be in worsetrouble than others?Gray: As I look at the whole range of pro¬posals that have been made in the budgetprocess in the last six months, it seemed tome that although the cuts proposed for theArts and Humanities were disproportionate,but, you know, the cuts for the proposed cutsfor the social sciences were even more so. Ihave some anxieties about this, although Ihappen to be involved in this task force assomeone whose field is in the humanities.The Arts are not going to be heavily cut, tomy mind, but I'm very much concernedabout the social science proposals. Therewas a very sharp reduction, which wasmore like seventy per-cent, which was ini¬tially proposed in the National ScienceFoundation. Major research projects in thesocial sciences in a variety of areas areprobably more dependent on that kind of ex¬ternal funding than are many research proj¬ects in the humanisites, where the presenceof a research library makes possible thedoing. But there are certain projects in thesocial sciences which just aren't possiblewithout that external funding. And in thephysical and biological sciences, I think thejury is still out. I think the funding for thesocial science funding has to be watchedvery closely. HeadlinersGrey City: For the moment, let's look at thisuniversity in terms of how a major institution in higher education might come toby Richard Kayeterms with declining enrollment and a decrease in funding. Is the move to increasethe College's size and perhaps to have moregraduate students teaching your way ofdealing problems?Gray: Well, I would dispute the notion thatthere's a move to have more graduate stu¬dents teaching classes. I don't think there isa deliberate move of that kind. There issome discussion as to whether, and in whatways, a graduate student might get teach¬ing experience. And there is also discussionas to what are the appropriate ways ofteaching for a college that has its own integrity. But I don't think we're talking aboutexpanding the use of graduate students inteaching. The faculty is talking about howone reconciles two things. On the one hand,the need for graduate students to be not onlytaking seminars and writing dissertations,but also having some experience teaching,which is after all vocational, and the criteriathat we for classes and teaching in the col¬lege. We're not seeing an increase in gradu¬ate student teaching, but what we may see arationalization of a system where graduatestudents are, in so many ways, assistants inclasses under the supervision of facultymembers. We're not talking either aboutcutting down graduate students in the hu¬manities. We like to have as many first-rategraduate students in the humanities as wantto come here. We're concerned about thefact that there are areas where there arefewer graduate students, because that's aconcern about the future of scholarship.The notion about moving the College toperhaps three-thousand students comesfrom my conviction that we have an abso¬lutely first-rate college that ought to bare itsfull and equal share in the balance of theUniversity as a whole. We have the re¬sources, and I think we would have agreater diversity and a better educationalcommunity for students, among them¬selves, which includes also some additionalextra-curricular activity when there aremore students.Grey City: There's a lot of talk about the in¬tegrity and importance of a liberal arts edu¬cation now, but how do you justify studyingsay history, when there are some sad economic facts about what a history major cando with his or her degree? What would yousay to a college student with this concern?Gray: I find people all over who are concerned about precisely this question,whether it's about our college in particularor about liberal arts graduates in general. Itranges from parents who say, well, my childseems to be enjoying the College, and he'smajoring in history, but what is he or shegoing to be able to do with that degree?Well, I assume that parents have alwaysworred about that question, and so havechildren. Most people are divided betweenthe interest in pursuing academic things, llmpiex |piece |y AchievedIgor Stravinsky was a complex man who wrote complex’ but his S3 5 million estate was his all-time masterpieceeight years of litigation in France, the United States andSwitzerland Vera Stravinsky, the composer s K-year-ok!widow, has composed her differences with Stravinsky's chil¬dren by his first anfe He had left everything to her during herlifetime, but since the estate consists largely of royalties col¬lectible all over the world there was plenty of opportunity forapplying the law of other lands and making a great mess Inthe end. the settlement gives the Stravinsky children a voice inthe administration of the estate, and Mrs Stravinsky a 3* 93percent community property interest In the royaltiesHumanity ExhibitedTen out of 11 Is a whopping majorir-lectuals That is how many of th'signed an >r~•''»« wees •developing those interests, and a concernabout how one is going to support oneself,and how one is going to balance these twothings. I think self-consciousness aboutthose issues is a good thing. Self-conscious¬ness about them is of course painful too, justas thought itself tends to be painful, just asputting off immediate satisfactions for thesake of uncertain ones is. That, it seems tome, is the general state of affairs with manystudents. They're subjected to many pres¬sures, in a larger society that asks "What isthis degree for?" There are many pres¬sures. And I think one just has to keep push¬ing against those pressures if — if — one'seducational experience is of quality. Thereare very few times in one's life where onecan, in effect, be attending to what is as reala part of the real world as anything, and thatis the life of the mind. That is the attentionto, and illumination by, great works of civili¬zation, major approaches to understanding,and all the rest. Those are real too. The no¬tion that the real world is somewhere "outthere", and has to do with making a living,and that the life of the mind is somehowunreal, is a bunch of baloney, as far as I'mconcerned. The test, then, is what happensto our graduates. Well, I think they do verywell in the professional schools and in theirprofessional careers. I think having learnedto be independent, and to think criticallyand not to think that the narrow, technicalsubject is all that there is, but to be aware ofand worried about its relationship to anumber of other matters, actually makesbetter professionals.THE UNIVERSITY OF CHICAGODEPARTMENT OF ENGLISHEnglish Majors:Graduating in CurrentAcademic Year?Important meeting for thosegraduating prior to orduring Summei 1982.Monday, Oct 19th3:30 p.m.Classics 21 1552 E. 53rd St.(Under the I.C. tracks)19 a.m.-7 p.m. weekdays12-4 p.m. Sundays DR. M.R. MASLOVOPTOMETRIST•Eye Examinations•Contact Lenses(Soft & Hard)*Ask about our annualservice agreement,•Fashion LOM6SOFLENS(polymocon)Coniocl LensesLOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100Universiin UniversityServing Healthful Foodfor mind, body and soulNew Hours!Monday thru Friday11 ;00 am til 4:00 pmSARTREBY HIMSELFA three-hour documentary onJean-Paul Sartre and his time in anew English voiced-over versionMANDEL HALLOctober 16, 19817:30 pmTickets on sal# at the doorGeneral admission: $3.00Students with valid ID $2 00Ticket stub or program lor esMcwited showing ofSaturday October 3 will be honored The Hotel New Hampshireby John JyylngE.P. Dutton; 401 pages; $15.50John Egan"We're all on a big ship , .. on a big cruiseacross the world/bellows the athleticgrandfather in John Irving's fifth novel, TheHotel New Hampshire. "Just hold onto your*seats," the elder continues, "and nothingwill ever hurt you here." He is, for the mostpart, correct; the three hotels that the Berryfamily live in and own provide relativelygood shelter from unpleasantries for the 20-year span of the story. For Irving, "everything Is a fairy tale"; curiously, in this partfcufar fairy tale, both those who respectand those who transgress against commondecency are blighted with violence. No oneescapes.Irving's strength has always been his cre¬ation of swift, unexpected violence, whichhe sprinkles into his characters' lives when¬ever happiness seems to be within theirgrasp. Few who have read The World Ac-cording to Garp will forget John Garp's accidental emasculation of his wife's lover. Al¬though that scene in Garp slightlynaseauated me, if- nonetheless demanded adetached admiration: Irving's style, deftand clean, provided a beauty amidst theutter repugnance of the act itself. The effectwas similar to admiring the precise butch¬ery of Jack the Ripper white being disgustedby his act% of murder.in The Hotel New Hampshire Irving re¬tains his ability to create violence from in¬nocence.. Franny Berry, age 16, is gang-raped after a practical Joke of her and herbrother's causes the death of a police of¬ficer. The family's long dead dog, newlystuffed and mounted in a snarling "attack"pose, falls out of a closet and causes the ath¬ letic grandfather's fatal ■ heart attack.Standing above a fan with a bag of shit orpumping water into a tank of gasoline, Irv¬ing twists otherwise staid occurences intotrauma in his characters' Hyps. He deservesunqualified admiration for his dark imagination which/ like his real-life athletics,often borders on the compulsive.Irving uses the motif of a hotel to explorethe tangle of sex, and the sensibility heshows in his observations If an encouragingsign for mainstream fiction. Occasionally,he feels, a woman may prefer a lesbian rela¬tionship rather than a heterosexual one;conversely, he shows that there are timeswhen a lesbian may seek a more traditionalsexuality. There is no condescending tonehowever — no suggestion that lesbians orhomosexuals are in need of any "help".■ Rather, Irving's characters use sex quiteproperly as the imperfect expression ofemotions which lie central to life itself. Theincestuous desire between Franny andJohn, her brother who if one year younger,is satisfied during one long afternoon chosenby Franny. They gave into a longing whichhad been with them both for years, and cannow get on with living their separate lives.One of the complaints l had with The HotelNew Hampshire was Irving's use of thesame fictional elements which were alreadyold when Garp was published three yearsago. Bears, prostitutes, athletics, circusses,hotels and Vienna are the main ingredientsof any Irving novel; while they are Initiallyamusing, they soon disappoint. The criticaland popular reception of Garp was dueequally to the outlandishness of the ele¬ments of the story ana to the dexterity withwhich Irving brought the disparate ele¬ments together. However, trying has beenworking with the same ingrediets too long,they were the basis of three novels beforeGarp was published. In The Hotel NewHampshire, Irving makes tittle attempt tomove away from what he has created in thepast. The result of his reticence is that whilethere Is no shortage of action In the story,NICKY’SCOME CELEBRATE U of C HOMECOMINGFRIDAY & SATURDAYOctober 16 & 17Open 7 pm * ?AT THE NEW NICKY’SPizzaria & Restaurant1208 E. 53rd Streetlo Kimbark PlazaGREAT PIZZATake out or delivered hot to your door324-5340NEWMENUS DECORthere is a lack of impact.Moreover, The Hotel New Hampshire, issimply too long — and this is the book'sgreatest detraction — there is enough mate¬rial for two, perhaps three novels. Eachtime the Berry family moves, they purchaseand re-name the hotel they stay in: conse¬quently, there is a Hotel New Hampshire inNew Hampshire, Vienna and Maine. A sepa¬rate book could have been rendered eachtime the family moves into a new hotel. It isnot necessary to go to great lengths to makeimportant comments on present-day living;to go to the lengths that Irving does, in orderto make the points that he does, is an exam¬ple of either the tyranny of a successful writ¬er or sloppy editing. The book's length callsattention to Irving's continued reliance onhis time-work characters. Irving's world expands — almost withoutrestraint — to include such disparaties asViennese revolutionaries, a blind hotel man¬ager named Freud, and a sibling's suicide(caused by her early literary success). Foran ending, Irving steals boldly from TheGreat Gatsby: "So we dream on, . . . andthus we invent our lives. We invent what welove and what we fear. We dream on and on,and our dreams escape us almost as vividlyas we can imagine them." The Hotel NewHampshire is seriously weakened by Irv¬ing's assumption that what was once funnyagain — and that the public will want lots ofsaid hilarity. It's time for something new forIrving who should be reminded that a boldnew effort which fails in still more commen-dale than a weak continuation of the pastwhich fails all the same.;a a a 5~r5~rfl~r(nnrrBTrrgTnrB'T8W5 b 5 8 8 iTBrmva a a~aTnrro~gxtnnnnnr<KaJL0.0 8 gflflflfl. GREY CITY MEETING12:00 SUNDAY BRUNCH ::SLfLJLSLJL OUR COPY CENTERPERFORMS MIRACLESIN HARPER COURTCopies The Way You Want Them!• Same Size or Reduced •• 1 or 2 Sided •• Collated or Sorted •• Plastic Spiral Binding •Fast, sharp, economical copieswritten, typed, or printed ... size for size, or in any reduc¬tion ratio ... on your choice of colored or white bondpaper® COPYINGColored PapersCard StocksFine Stationery8Va x 11 or Legal Size. from anything hand-AT OUR HEAVENLYPRICE OF a Vi w per copy8Vi” x 11”20# White Bond Plus COMPLETECOMMERCIALOFFSETPRINTINGSERVICE5210 S. HARPER AVENUE • 288-2233'I THE DEDICATION OF THE NEWST. THOMAS THE APOSTLE CHURCHORGAN CONSOLESunday, 18 October 19813:00p.m.THOMAS D. WEISFLOG,RecitalistSt. Thomas the Apostle Church55th and KimbarkFree-will OfferingDISTRIBUTIONTODAY4 pm Ida Noyes HallPick up number beforehandfrom SAO, Rm. 210. ' Chicago Symphony OrchestraSir Georg SoltiMusic DirectorHenry MazerAssociate Cornglorious soundof theChicago SymphonyOrchestra! Sponsorea Py theJunior Governing 8oarBring UC I.D. and $3 JOfor753-35*1 Wednesday, October 21, 8:00 pmOrchestra HallLeonard Slatkin, ConductorLucia Popp, SopranoBeethovenOverture to CoriolanusMozartNehmt meinen Dank, K 383Ah, lo previdi. K 272ShostakovichSymphony No. 8Ticket Information:Boxes $15 seat Orchestra Hall Box OfficeMain Floor,'$9, $6 220 South Michigan AvenueBalcony/Front $12, Rear $7 Chicago, IL 60604435-8111Students must present ID orproof of registrationMajor credit cards acceptedPRE-LAWMEETINGS(FOR STUDENTS APPLYING THIS FALL OR NEXT)TRAVELLING CARAVANOver 70 Law Schools Will HaveAdmissions Representatives on the U. of C. CampusTUESDAY, OCTOBER 20thIDA NOYES, GYMNASIUM1:00-5:00Sponsored by the Office of Dean of Students in the Collegeoo TA) SAM YONG.W. OPTICIANS1519 E. 55thTel. 947-9335 CHINESE-AMERICANlyes examined and Contact Lenses fitted byregistered Optometrists. RESTAURANTSpecializing in CantoneseSpecialists in Quality Eyewear at Reasonable and American dishes.Prices.Lab on premises for fast service - frames Open Daily 11 A.-8:30 P.M.replaced, lenses duplicated and pre- Closed Mondayscriptions filled. 1318 E. 63rd MU 4-1062mm£WIC*WMDSTCRe Texas Instrumentsodvonced slide rulecalculator uuith programmabilityTl-55 Versatile slide rule calculator and how to ' book combinationtor statistical and mathematical problem solving - with simpleprogrammability$4000The University of ChicagoBookstoreCaluclator Department(Second Floor)970 East 58th Street753-3303HYDE PARK UNION CHURCHChurch School (all ages) 9:45 a.m.Worship 11:00 a.m.Nursery ProvidedW. Kenneth Williams. MinisterCome, Worship, Study, Serve marian realty,inc.mREALTORStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400RocHefellerMenjortal9 a.m. Ecumenical Serviceof Holy Communion%11 a.m. University ReligiousServiceMargaret Farley,S.M., Assoc. Prof,of Ethics, YaleUniversityDANIEL PARK TETERCANDIDATE FOR THE DEMOCRATICNOMINATION FOR THE U.S. SENATEIN VIRGINIAAt the Phoenix in basementof Reynold’s Clubthe sales are red hot!—All women’s music LP’s in stockare now only $5.99—The Entire RCA catalog isnow on sale!All 8.98 List LP’s are now only 5.99All 5.98 List LP’s are now only 3.99One Dollar Off regular Phoenix price on all otherRCA titlesSale through 10/19Ends Monday!All DG Bargain Boxes in stockare still only $3.00/disc.—Beethoven/Kovajan 9 Symphonies(1962 recordings) is only $24.00—Come in and check out the New Singles Collection WILL SPEAK ONUNILATERAL DISARMAMENT:HOPE FOR SURVIVALThursday, October 22, 8 P.M.Hyde Park Union Church5600 S. Woodlawn AvenueWriter, Editor, and Teacher, Park Teter served as News Editor ofCongressional Quarterly and worked for the Los Angeles Times -Washington Post News Service. He has taught in Lebanon and hasserved as a Peace Corps Advisor in Iran, Morocco, and Afghanistan.The Chicago Maroon—Friday, October 16, 1981 — 19SportsTennis gears for StateBy Sue FortunatoAlthough the women’s tennis team suf¬fered many injuries and had to rely heavilyon inexperienced freshmen this season, itstill managed to post a 5-4 record againsttough competition and qualify for the statetournament being held at Augustana Col¬lege this weekend.The team heads into the tournament asthe fourth seed. But coach Bill Simms be¬lieves that if each player concentrates andplays to the best of her ability, the teamcould upset one of the top three teams. Suchan upset would possibly qualify the team foran at-large berth in the regional tennis tour¬nament to be held this spring.Although this possibility exists, it will be amuch bigger challenge than was originallythought. Many key players will be sidelinedthis weekend with injuries, while other inju¬ries will leave some playing at less than fullstrength. Senior captain Lee BAdgett willmiss her last state tournament due to a tearin her achilles tendon. Her partner at firstdoubles, freshman Jane Look, will also besidelined with a knee injury. As a result, thesecond doubles team of Diana Kaspic andBeth Fama will move to first doubles whilesenior Beth Hahn and freshman MichelleMewissen will take over as the number twodoubles team. Simms is confident that Hahnand Mewissen will be very competitive inthe tournament since they posted a 2-1 re¬cord this season as doubles partners.Kaspic and Fama, originally the numberone doubles team, dropped to the numbertwo position halfway through the season.Kaspic suffered foot and shoulder injuriesand was not able to play at full strength formost of the season. This enabled Look andBAdgett to take over the number one dou¬bles spot. But with the two of them out withinjuries. Kaspic and Fama will return to thenumber one doubles position. This may be ahard transition but Kaspic is determined touse her state tournament experience to re¬gain their original status as a very competi¬tive number one doubles team. Competing as the third doubles team willbe two freshmen, Caren Gauvereau andJennifer Magnobasco. Because they lackexperience in state tournament play, consis¬tency may be a problem. Simms is hopingthey will overcome this potential problemwith their strong, aggressive play and re¬main one of the top third doubles teams inthe state. The two ended the regular seasonwith a win against Chicago Circle, raisingtheir record to an impressive 5-1. If theiri?momentum carries over to the state tourna- ^ment they should have little trouble remain- £ing top competitors. =The singles lineup has also undergone jmany changes throughout the season. WithLook, the team’s number one singlesplayers, and Badgett both sidelined thisweekend, senior Yvonne Grassie will fill inat the number one singles spot. AlthoughGrassie has not seen much action this sea¬son, her overall experience during the pastfour seasons will help her make the majortransition to the number one singles spot.Michelle Mewissen will be the second sin¬gles player this weekend. Mewissen beganthe season as the number five singlesplayer. According to Simms, “She neededabout one month to really get ‘warmed up’.She was a top nationally-ranked player inBelgium when she was younger, but thenshe took a five year layoff. She was realrusty at the beginning of the season but shehas come a real long way since then.”Beth Fama, originally the number onesingles player, has moved to the third spot.Simms maintains that “she is a fantasticsingles player, but she plays a lot better andis much more competitive at the third sin¬gles spot.” Diana Kaspic should do well asthe fourth player if her shoulder does notbother her. When asked about her shoulder,Kaspic stated that “I don’t care if myshoulder is bothering me — I’m not going tohold back this time. This is the last tourna¬ment of the season, so I’m going to have togo for it all.” Caren Gauvereau and Katie Vesna Martich (32) and Karen Kitchen(35) prepare to hit a back set by DanaPryde (21)Sparks, consistent singles players, shouldcontribute greatly as the fifth and sixthplayers.Simms is pleased with his team’s overallperformance this season. He believes thateach player is capable of doing real well thisweekend. He acknowledges that injuriesand first-year players who needed experi¬ence competing at the college level prevent¬ed the team from playing to its full poten¬tial. As a result, Simms believes that theteam needs to upset one of the top threeteams to prove that it deserves an at-large-berth in the regional tournament.If the team gains a regional berth, therewill be ample time for the injuries to heal.Each player will be able to play as she iscapable of playing. Also, the first-year teammembers will have had plenty of time to po¬lish up their strokes and will have the neces¬sary collegiate experience behind them. Infact, with only one fall season behind them,Simms states that Look, Mewissen andFama will lead the team this spring as thefirst, second and third singles players. Thatprospect leaves Simms very optimistic andexcited about the tennis teams’ future.Inside IMsChamberlin, Bugs look strongBy Bob LaBelleThe intramural football season began onMonday. Teams were not placed in divi¬sions by random selection as in previousyears. Instead, the team representativeswere allowed to choose in which divisionthey wished to compete. The results wereinteresting. The resident red division hasevery single Woodward Court team whilethe division with Chamberlain was avoid¬ed like the plague until the bitter end.The new divisional matchups don’t holdtoo many surprises as far as the bestteams go. Only time will tell if there are tobe surprises this season. Barring such sur¬prises, the following are the Maroon picksfor the season.GRADUATE LEAGUEGreen DivisionThis division features some new gradu¬ate teams, like Raw Meat and the SouthSide Tide, and so could have some upsets.Last year’s Sick Dogs team, however, re¬turns largely intact and unless these newteams hide substantial talent, the SickDogs should be the best. But look for ResIpsa Loquitor to possibly challenge. ResIpsa surprised itself last year by winningtwo playoff games after shuffling quarter¬backs.White DivisionThe Wabuno Bay Bucanneers and theBovver Boys will battle for this divisionright down to the wire. Wabuno Bay’s tre¬mendous strength in its rushing and offen¬sive lines and its speedy receivers shouldgive it the edge over the more physicalBovver Boys.Red DivisionThe Stiffs return strong this year but will[ace competition from an improved Man¬ ifest Destiny team. The Chicago Sevenalso could surprise teams as it did lastyear. Take the Stiffs in a close division.UNDERGRADUATE LEAGUEBlue DivisionThis division, too, was largely avoidedafter Tufts signed up. Tufts has solvedsome of its QB problems and may return toits peak of three years ago when it took theundergrad title. In a weak Division, Tuftsshould coast.White DivisionNone of these teams did very well lastyear and early indications (Alpha Del 8Bishop 6) reaffirm this. Alpha Del has theinside track because of size but will beseriously challenged by Phi Del and Fil- •bev. Green DivisionChamberlain signed up first here andwas practically alone til the end. OnlyDewey House can challenge Chamberlainin this division. It is, however, a youngteam with very little muscle and will behard pressed to stay with Chamberlain in adogfight. Besides, word has it that Cham¬berlain has new “eye black” and has hiredthe Dallas Cowboys’ cheerleaders. So lookout, everybody.Maroon DivisionThe teams in this division were lastyear’s near-greats-but-not-greats, exceptDudley which surprised everybody byreaching the residence finals. This year,three teams — Dudley, Compton and Hale— are the inside favorites. Compton andDudley rely on muscle while Hale dependson its speed. If Hale can shore up its weakoffensive line of last year and remain con-sistent. then it should take this division. If not, Dudley will repeat as division win¬ners.Red DivisionAlso known as the Woodward Court divi¬sion, this division has the “tenacious”Upper Rickert and Hitchcock as its stron¬gest teams. It’s a toss-up between thesetwo teams because both employ hugesquads and toss the ball a lot. Hence, inany given game, either team could win.Independent DivisionPsi Upsilon is the strongest team in thisdivision again this year, but might be chal¬lenged by new arrival Phi Gamma. Watchout for N.U.T.S. Though not deep in talent,it has a lot of strength. They are also themost determined ball-palyers I’ve everseen. If they can direct their energies tothe playing field instead of the referees,they stand an outside chance.Overall, the Wabuno Bay Bucs shouldtake tne graduate league if it can get byBovver Boys. The independent league isnot as formidable this year as last, andChamberlain looked awesome againstFishbein — even better than last yearwhen it went to the All-University Champi¬onship. If its quarterback remains sharpand the players don’t waste energy squab¬bling on the field, I’ll pick Chamberlain totake the All-University title.One reminder: if teams want to see a“Top Ten” this year, their managersshould return their ballots with their picksto the box outside the Maroon office. If youdidn’t receive a ballot, write the five bestteams in your league (excluding your ownteam) on a piece of paper. Place a “one”next to the best of these teams and returnthe paper. Your cooperation will result inan impartial listing. Spikers windespite startBy Lee BadgettThe volleyball team overcame a sluggishstart to beat Trinity College in a districtgame Tuesday night, 15-11, 16-14, 15-6. TheMaroons’ mistakes gave Trinity plenty ofopportunities in the first two games, butTrinity was unable to generate much of¬fense once the Chicago players got their tim¬ing back. Chicago bounced back from a tenpoint deficit in the second game with an im¬pressive show of serves, saves, and spikes,crushing Trinity’s hopes of tying up thematch.At the beginning of the match, theMaroons looked as if they were feeling a let¬down after their strong play at the LakeForest Invitational over the weekend. Trin¬ity opened up a 4-0 lead before Sue Fortuna-to’s serving brought Chicago back to tie thescore at 4-4. Chicago only trailed once moreat 4-5. Vesna Martich’s spike at 14-11 gaveChicago the serve, and Dana Pryde’s serveprovided the game-winning point.The second game also began with manyunforced errors by the Maroons, and Trinityquickly jumped to an 11-1 lead. In a come¬back that surprised even Chicago’s coach,Rosie Resch, the Maroons rallied behind theserving of Pryde, Randi Wagner, and Au¬drey Light and the renewed aggressivenessof their front line. Celeste Travis recoveredher timing and helped the Maroons with sev¬eral key blocks and spikes as Chicagoscored eight unanswered points to tie thescore at 13-13. Chicago missed one game-point opportunity, and Trinity scored on anillegal hit by a Maroon player to tie thegame again. A save by Pryde madeWagner’s spike possible to give Chicago an¬other game point. An excellent serve byFortunato provided the final point for a 16-14Chicago victory.The Maroons' momentum carried them toa 15-6 win in the last game. The demoralizedTrinity players gave little effective resis¬tance against the confident Maroons. Sever¬al spectacular saves thwarted Trinity’s bestefforts and allowed Chicago to finish off thematch.Coach Resch was particularly pleasedwith her team’s rally in the second game,noting that Chicago has not come back fromsuch a deficit in a game this season. She at¬tributed the team’s slow start to the slowtempo that Trinity set early in the matchand to the inconsistency that still plaguesthe team.The win puts the Maroons’ record at 7-6with many games left to play.Soccer drops to 1-5The soccer team’s record fell to 1-5 afterWednesday’s 5-0 defeat to the University ofIllinois at Chicago Circle. This was probablythe Maroons’ toughest game of the season.Circle is an NCAA division I team with alarge scholarship program.The soccer team’s troubles were com¬pounded by the fact that its best forwardTodd Silber, was forced to play goal in placeof the injured John Condas. The Maroons al¬lowed two goals in the first half and three inthe second.Sports CalendarSOCCEROct. 17 — I.I.T., 10 a.m., Stagg Field (HO¬MECOMING)footballOct. 17 — Cornell, 1:30 p.m., Stagg Field(HOMECOMING)CROSS COUNTRYOct. 18 — UCTC Open 3-Mile Run, 3 p.m.,Washington ParkVOLLEYBALLOct. 20 — Elmhurst, 7:30 p.m., FieldHouse20—The Chicago Maroon—Friday, October 16, 1981GetawayFishing for salmon:an idyllic inner-city pursuitBy Peter TreistmanBig salmon are in Chicago area harborsright now. The salmon spawn in the fall. Atthis time they move into harbors, lagoonsand other sheltered spots to lay their eggs.The big Chinooks and other salmon spendmost of the year offshore in deep cool water,only coming close to the shore in the springand fall. The fall spawning run is the besttime for lakefront anglers to land a twentypound-plus Chinook. This fall run of fishusually peaks in mid-October, and lastsuntil the lakefront ices up.Jackson Park is one of the best places forfishing in Chicago. During the fall salmonrun, the banks of the harbor are lined witheager fishermen, all casting for the giantChinook. It’s one of the few really integrat¬ed places in Chicago, with everyone boundtogether by their common goal of catching asalmon.Snagging is the best way to catch one ofthe huge Chinooks in the fall. This method,while different from most other kinds ofhook and line fishing, is still closely relatedto the other techniques. The object is to snagthe fish, in the side, head, or tail, whereverthe hook can find a purchase. No attempt ismade to get the fish to bite the hook. Lures,especially spoons, can also be used, but theyare not as effective as snagging. The spawn¬ing fish are interested in sex, not food.Some people think that using lures is moreBlood testContinued from front pageSerotonin has been closely linked to de¬pression because persons who are in severedepression have below-normal levels ofserotonin in their brains. Their serotoninlevels rise when they come out of a depres¬sion.The latest studies show that clinically de¬pressed patients also have below normallevels of serotonin receptor sites on theirplatelets and on their brain cells. Accordingto Meltzer, the serotonin receptor sites onboth the platelets and the brain cells are be¬lieved to be controlled by the identicalgenes.When this new type of blood test is taken,the number of receptor sites on platelets ismeasured. It is then possible to determine ifthe brain cells are also deficient in thesesites, Meltzer said. In depressed patients,the number of receptor sites is 30 to 40 per¬cent below normal, so the serotonin level inthe blood drops.Meltzer said that this indicates a possibili¬ty that something triggers a decrease inserotoniin production, which causes aserious shortage of the chemical for the al¬ready defective cells, thus initiating a de¬pression.According to Ann Kator, a spokesman forthe Institute, the blood test involves a “spe¬cific and difficult technique” which requiresmuch training much training to learn. Onlyphysicians at the Institute and a few othersat other institutes are now familiar with thetechnique, she said.Two new drugs that increase serotoninlevels may be on the market within a year,Kator said. The drugs, fluoxetine and zime-lidine, work faster than other antidepres¬sants. affect only serotonin levels, and havefewer side effects. Th other antidepressantsaffect the norepinephrine levels as wellThe new drugs, along with a diet rich intryptophan, an amino acid that is converted.n the brain into serotoniin, could possiblyprevent severe depression from developingin someone with the receptor site defi¬ciency, Meltzer said.The Psychiatric Institute will now beginstudy to determine if the chemical markerblood test can be employed to predict sus¬ceptibility to depression, he said. sporting than snagging because of thelighter tackle used. The many people whosnag salmon in Jackson harbor, which isjust south of the Museum of Science and In¬dustry, do not agree with this rather elitistputdown of snagging as a sport. They arguethat although heavy tackle is used in snag¬ging, the fish still have a chance to escapeby putting up a strong fight, by leaping andswimming around obstructions in thewater.The best time for snagging, like mosttypes of fishing, is right after day break.Late afternoon is also good. Going fishing atnight in Jackson Park is not a good idea.You are likely to be snagged yourself, if yougo alone after dark.Dawn is a enjoyable time to go fishing inthe park. The air is cool and crisp, and in thestill morning the sound of a salmon leapingclear of the water and the smacking backdown carries across the lagoon. The numberof fishermen slowly grows as the morninggrows brighter, and shouts of ‘‘fish on” ringout.Old men, pulling shopping carts filled withgear, move along the paths next to the la¬goon looking for the right spot to fish. Theycome to fight a siege, bringing enough sup¬plies for an entire day’s fishing in their littlecarts, hoping to wheel a salmon or two homewhen they finally leave.The little shopping carts are a fisher¬man’s treasure trove. The regulars bring asnagging rod, a gaff or net, extra line,plenty of snagging hooks, and food. You cando without a gaff or net. Most of the otherfishermen are usually quite willing to assistin landing fish. Snagging hooks are largelead weighted treble hooks which can bepurchsed at most tackle shops. Henry’s, at31st and Canal, is a convenient tackle shopfor Hyde Parkers. When you go snagging,buy at least six or seven hooks. Many arelost to hangs on the bottom.For casting poons, which are fish-shapedmetal lures, a light spinning outfit is best. Asix or seven foot rod and reel spooled witheight to twelve pound test line is fine. Snag- A good catch for an urban outdoors-manging requires a much heavier setup. Snag-gers generally use very stiff, short rods andheavy spinning reels filled with thirty poundtest line.To snag, tie one of the weighted hooks di¬rectly to the end of your line with a clinchknot and check to see that the points of thehooks are sharp and straight. It is a goodidea to bring a small file or whetstone to fixbent and dull hooks on the spot. Once you’rerigged up, cast out into the harbor, let thehook settle to the bottom, and then retrieverapidly in a series of sharp jerks. The theoryis that the long sweeping jerks used in theretrieve will snag any fish in the hook’spath. It is essential to yank hard while reel¬ing in. The best way to do this is by taking inline until the rod’s tip points out along thenow taught line. Then snatch the rodthrough the longest arc you can, jerking thesnagging hook through the water. Next,quickly reel in the slack and then yankagain. Keep casting out and repeating thesnagging retrieve until you get a fish or getbored. Sooner or later you’ll hit into a bigsalmon.Chinooks fight hard; landing a fish afterit's been hooked is tough. They often jumprepeatedly when hooked There are manymoored boats and bouys in the harbor, andthe Chinooks seem to home in on theseobstructions. Mexican cuisineis authentic atSu CasaBy Sho-ann Hungand David AckermanFrom the 1980 census, over half a millioncitizens of Spanish origins reside within theChicago metropolitan area. One result is thelarge number of restaurants specializing inMexican cuisine. Typically, the range andquality extend from unabashed Tex-Mexfast-food places to the suspicious American-Mexican restaurants to establishments thatserve authentic regional Mexican food. De¬pending upon your taste, you can locate allthree restaurant types within walking dis¬tance of the Watertower and at other lo¬cales.Su Casa Mexican Restaurant tendstowards the third category. It is situated at49 East Ontario, a short five blocks south ofthe Watertower and west of Michigan Ave¬nue. Patrons enter a darkly lit enteriorsplashed with an assortment of Aztec orna¬ments. Furthermore, costumed waitressesand waiters serve to accentuate the foreignnature of the restaurant. One additionaltreat is Su Casa’s strolling minstrel. Accom¬panied by his guitar the minstrel sings a va¬riety of Spanish and Latin American songsat the bar or table. While at the bar one canorder any typical drink types, along withMexican drinks (Margarita), beers (DosEquis XX), and beverages (Cafe Chiapas).Clients can satiate their appetites on tacochips and hot sauce while selecting itemsfrom the menu. These chips are freshlymade and definitely addictive. Our partycrunched through two baskets (almost) oftaco chips. A wide assortment of appetizersis available, ranging from refried beans at75 cents to a large Botana - Mexican HorsD’oeuvres at $6. Su Casa also offers a smallBotana for $3. It consists of two tacos with athick slice of melted cheese, two tacos withfried beef, and two tacos with refried beanstopped with sour cream. Each mouthsizetaco taste milder than the expected zesti-ness associated with Mexican food.The Su Casa menu lists 18 entrees rangingin price from the Polio Con Mole (ChickenMole) or Arroz Con Polio (Chicken withRice) both at $6.25 to the CombinationParaiso (Butterfly Tenderloin Steak withfour large Shrimps) at $11.25. The majorityof the dinner items are under $7. Along withthe main dish, most entrees come with rice,refried beans, and a small guacamole salad.The Pechuga de Polio Su Casa, a bonelessbreast of chicken stuffed with ‘Chihuahua'style cheese and strips of fresh bell peppers,is one of the chef's suggestions and costs$6.75. The chicken was sweet and quitetender. The Pescado - Tampico Style at $6.75is another chef's suggestion. This dish is awhite fish baked in a mild sauce of tomato,wine, capers, and olives. The fish is deli-cously laced with spices and generally lacksbones.All the dinners serve sopapillas or sherbetfor dessert. Sopapillas are thin taco-like frit¬ters and as desserts are served with honey.After a full dinner the sherbet may be a bet¬ter choice for "filling the cracks.” as onemember of the party remarked.The service at Su Casa is hospitable Wefound our waitress extremely helpful andpatient with our many inquiries on the menuitems. The restaurant has hours every dayof the week, except Sundays, from 11:30 AMto 1:00 AM. Reservations are recommend¬ed.HYDE PARKTHE VERSAILLESIDEAL FOR STUDENTS324-0200Large Studios • Walk-inKitchen • Utilities Inch •Fum. - Unfurn. • CampusBus at doorBased on Availability5254 S. Dorchester^ BISHOP BRENT HOUSEThe Episcopal Council at theUniversity of ChicagoAnnouncesWeekly: Thursday noon: EucharistAt Bond ChapelTuesday: Evensong5:15 pmAt Bond ChapelandSunday Evening Eucharist &Supper, At Bishop Brent House• Oct. 18 • Nov. 1st•Nov. 15 • Dec. 6thEucharist 5:30 Supper 6:005540 Woodiawn AvenueOld men, pulling shopping carts filled "with gear, move along thepaths next to the lagoon looking for the right spot to fish. They cometo fight a siege, bringing enough supplies for an entire day’s fishingin their little carts, hoping to wheel a salmon or two home when theyfinally leave.The Chicago Maroon—Friday, October 16, 1981—21Cfiaz(otte cVi(?itzom<zRea( Eitate Co.1638 East 55th StreetBROKER COOPERATION INVITEDNEW LISTING: 56th & Kenwood.VIEW OF CAMPUS AND CITY,bright, sunny, quiet condo. WOOD-BURNING FIREPLACE. Excellentcondition, sudden transfer. Pricedright, $68,000.JUST LISTED: For Sale or Rent withOption. Overlooking gardens in twodirections. Cheery third floor inmodel-like shape. 5 rooms.$59,500 or $575. Option feerequired, non-refundable. Near 54th-& Dorchester.YE OLDE ENGLISH look with cob¬ble brick walkway and front gardennear 57th & Kenwood. Six smallishrooms (one bedroom, two studies).Lots of natural woodwork,bookspace and cabinetry. What alocation! Will consider rent with op¬tion. $67,500 or $550 per mo., op¬tion fee non refundable.PROFESSOR’S ROW 52nd &Greenwood. A nice little Victorianrow house, with a backyard pluys 2-car, brick garage. Professor readyto move. $97,500.OPEN HOUSE - 5841 BlackstoneSat. & Sun. 1:00 to 3:00. Studiosand 1 bedrooms. From $24,000 to$41,000. Come see what everyoneis talking about. Special financinghelp.CALL FOR OURCOMPLETE LIST OR PROPERTIES493-0666PLANT ROOM IN FRONT Luxuryeight room bigger than a house con¬do. Near the Del Prado on HydePark Blvd. Price is right. $105,000.DISTRESS SALE in East View park,priced below market. Six rooms plussunny plant room. Lots of prettywoodwork and lots of space.$79,500. Immediate possession.54th & Lakefront.NEW LISTING at NEWPORT (4800Chicago Beach) On the East sidewith “wraparound” comer windows.Two bedrooms, two baths.$75,000. Classified AdsSPACE2 bedrm. apt for sale ($24,900) or rent ($395)w/extras. Near 61st & Kimbark tel. 239-8224.1 BR CONOO v. near campus, 56th & Kimbark.Light, S facing, $42500. Call Bobbie 363-6200 orJudy 3-8165 days.Female grad student wanted to share nice,large apt on Near Northside. $200 p/mo heated.Call Kathi anytime at 281-3484 keep trying.Lovely sunny condo for sale, 2 BR. Totallyrenovated. Oak fl. and buffet, frpl., bale.,PLUS! Owner will finance at 13%. Call Karen:days 947-5456, eve./wknds. 947-0859.2 grad students seek a quiet non-smokingroommate to share a 3 bedroom apt near coop.$192/mo. incl heat. 324-3186.Graduate student cooperative seeks responsi¬ble woman for Nov. 1 occupancy. Near cam¬pus. Low rent. Call 955-2653.SPACE WANTEDSENIOR VISITING PROFESSOR Seeks sleeping room or small furnished apartment nearcampus for balance of Fall Quarter. 753-2779 or955-0159.PEOPLE WANTEDPaid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communica¬tion. Department of Behavioral Sciences.Phone 753 4718.CHILDREN'S NARRATIVES ANDGESTURES. U of C faculty research needschildren, 4 through 12 years of age, to par¬ticipate in a study of children's narratives andgestures. The procedure is enjoyable tochildren and takes about 1 hour on campus.Refreshments and payment provided. If in¬terested, please call 3-4714 for an appointment.STUDENT POSITION: Wanted: experiencedoffset printer to work 15 hours/week. Ex¬perience with color work preferred. Ex¬perience making negatives. You must bequalified and reliable. Call Dr. Donald Bogue753-2974. Community and Family StudyCenter.Subjects wanted for pneumograph studies;remuneration. Call Dr. Rattenborg, COR¬RECT PHONE NO—947 5933.MANUSCRIPT TYPISTS (Spanish or French,some English). Part-time (12/15 hours week)School year. Will be trained on IBM Composersfor camera-ready copy in publications unit.Must type app. 55 wpm. $4.50/hour. ContactGeorge Rumsey, Community and FamilyStudy Center, 753-2518.Wanted: Players of Killer by Steve Jacksoncall Q 10:00 am-5:30 pm 643-4777.CLOSET ENVIRONMENTALIST?Come out with us on Saturday! Earn extramoney while fighting for the Clean Air Act andagainst illegal chemical waste dumping.Citizens for a Better Environment, 59 E. VanBuren. Call 939-1984.Can you JUGGLE your work? EF CLOWNwants you! Juggling workshop, meeting-Mon,7:30 Ida Noyes.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E . 55th St. 493 6700.CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Calvert Houaa: Mass at 12 noon and 5 pm, brownbag lunch 12:30 pm, 5735 University.Center for Latin Amer. Studies: Lecture by Alfon¬so Grosso on recent developments in Spanish liter¬ature, 1:30 pm, Classics 21.English Dept.: Important meeting for all under¬graduate English majors who intend to graduate inthis academic year, 3:30 pm, Classics 21. Attendthis meeting!Comp. Center Seminar: Introduction to the Cal-comp Plotter, 3:30-5:00 pm, HI 180.Mineralogy-Petrology Seminar: ‘‘The First 800Million Years of the Earth's Crust” speaker J.V.Smith, 3:30 pm, Hinds 101.Calvert House: Supper and meeting for medicalstudents 5:30 pm, Topic-‘‘The Two ProfessionalFamily”5735 S. University.Hillel: Orthodox (Yavneh) Shabbat Services, sun¬down, 5:45, Reform-Progressive Services, Hillel.Doc Films: "Airplane!” 7:00, 8:45 and 10:30 pm,Cobb. KENWOOD BACKYARD/BAS’T SALE:Furn., housewares, plants, 1360 E. 49th Sat &Sun. Oct 17 -18, 10 4.'71 VW SQUARE BACK $600 or best offer. Call585 6795 after 7.00 pm.Meals Coupons $215 Worth, Asking $190. 947-9710.Full sz. Water Bedw/htr$125 (Dan974-1707).Rug-Chocolate brown 18 x 12 150/off Jon 752-8486.YARD SALE Sat Oct 17 10-4 Severalhouseholds. Lots of things for student apart¬ments, 5540 Blackstone.APT SALE Stereo set + cabinet $800; Sealyqueen size bed $175; Panasonic 19” color TV +stand $275; 2 director chairs $40; Kitchenetteset with 4 chairs $100; 1 brass lamp $35; Ex-presso coffee maker $30; Waring blender $20;Coolerator air conditioner $25 . 363-7186 after 5Fri or all day Sat 8< Sun.Sansui receiver (22ow) Sansui speaker (85w)BSR turntable $500 separate possible 643 8281.4 Alum VW Wheels Made Italy 5.5 x 15 667-2312.Used Furniture Sat Oct 17 9-5 1709’/2 E. 55th.SERVICESJUDITH TYPES—and now has a memory.Phone 955-4417. Plan your typing needs for thequarter. Bibliographic and revision services.Dissertations, resumes.Chicago Counseling and PsychotherapyCenter. Client-centered psychotherapy. 5711 S.Wood lawn, 6354 N. Broadway, and 111 N.Wabash, Chicago. A Registered PsychologicalAgency.(312) 684 1800.French tutoring and/or conversation Call 667-5947. »Hyde Park Pre-School Center still acceptingenrollees—KINDERGARTEN and AFTERSCHOOL PROGRAMS. Call S. Block for inter¬view 667-7269.Female therapist, MSW, ACSW, Women'sgroups, couples, individual therapy, childrenand adults, sliding scale, 947-0154.Treatise, etc.: Grad-student, ex-medical sec'ywill type your books, etc. onto computer. Savesmoney and time, revisions easy. Call 328-3585.WORD PROCESSING SERVICE/TYPING/HEADLINE S—Dissertations, Tapetranscription, Tables, Form letters, Reports,Statistical Typing, List maintenance.Resumes, Newsletters. NANCY COHEN PROFESSIONAL TYPING-378 5774.Typing student papers on Selectric II pleasecall 684-6882.SCENESCLOWNS-Show your true colors-EF CLOWNmakeup workshop & meeting Monday, 7:30 IdaNoyes.PERSONALSIMPROVE YOUR GRADES! Researchcatalog—306 pages—10,278 topics—Rush $1.00.Box 25197C Los Angeles, 90025. (213) 447 8226.Writer's Workshop (PLaza2-8377).Writers domposers & Lyricists: Blackfriars islooking for original works for spring show.KLARITA No, you're not a jock, but an ace of awoman always-a HUG for you, lady! Love,Cute Guy. Ever want to flip a disc? Join the UltimateClub at 4.00 TuTh on the Midway.Henry, Henry, quite contrary, did you expectme to talk to the back of your head?CHARLOTTE: I can't tell you about INQUIRYnow—I'm in the tub. Allez-en. MARAT.It's about time you read this, JWZ! I justwanted to say I love you.AIRPLANE!! AIRPLANE!! AIRPLANE!!AIRPLANE!! AIRPLANE!! AIRPLANE!!ENALPRIA!! AIRPLANE!!GREG PARKER: In the first place, I careabout you, and in the second, smokersREEK!!!!!!!!Have a kid— Rent a ute.Contact DD at 3 22401823DF—Is med school really worse than sticks inthe eyes? Better stay a D*Tective. F prefect.Our thanks to: the Order of the C, Phi Gam,Phi Delt and Karen Eschenbach; for their con¬tributions to the Homecoming Party.With Love, Psi U.Who loves you baby? (Steve Koehler)There once was a group called SG and fundingthere never would be, but the party is on at PsiUpsilon, this Saturday night and it's free.WANTEDWanted: to acquire type fonts for Selectric IIunsuitable on other-machines 684-6882.ARTISANS WANTEDAre you a closet artisan? HYDE PARK ARTISANS wants you! We are a cooperativegallery located at 57th and Woodlawn in theUnitarian Church. For entry work will bejuried. All forms of visual arts are welcome.Call Nan Roche for details at 955-7869 eves. Till10.ORIENTAL CARPETSHandpicked this summer, of the HIGHESTQUALITY (NOT the commercial export quali¬ty found in most other stores). 4 x 12 SUPERAfghani Kelims, 5x8 exc fine KashanPakistani Persians6 x 9 Russian Sumaks, 6x9exc fine Tabriz Pak-Pers, 7 x 10 gold Afghani, 8x 9 rust Paki Guldani, 8 x 10 rose floral Roma¬nian Kashan, 8 x 10 seminatique geometricfloral Afghani Beshirs, 9x12 gold formal Rom-Kashan, 9x12 ivory Rom Kazak, 9x12 antiquemagenta Persian floral Laver Kerman, 9 x 12antique Persian Sarouk, 10 x 14 EXQUISITErust Rom Hunting Tabriz, 2-8 x 14 Rom run¬ners. Large number of 3 x 5 and 4x6 RARE S.Russian Mauris, and UNUSUAL Pakistanicarpets. Low overhead assures you of lowprices. U of C student, carpet connossieur,former M.E. educator. Call for appt. 288-0524,mornings, evenings, weekends.GERMAN RADIO SHOW' .lOERFUNK” every Monday 5-7:30 pm onWHPK88.3FM.SYSTEM 1022Learn System 1022, designed tor easy storageand retrieval of information (frombibliographies to recipes). A two sessionseminar will be held by the ComputationCenter on Tuesday and Thursday, October 20and 22, 3:30-5:00 pm, Rl 180. All welcome-nocharge.SATURDAYHillel: Yavneh (Orthodox) Services, 9:15 am; Up¬stairs Minyan (Conservative-Egalitarian) Ser¬vices, 9:30 am; KUMSITZ, Hillel Social, 8:30 pm,Hillel.Crossroads: Saturday night buffet dinner, 6:00pm, no reservations necessary, 5621 S. Black¬stone.Law School Films: "A Streetcar Named Desire"7:00 and 9:45 pm, 1121 E. 60th St.Crossroads: “Little Known Landscapes of SouthAsia” slide presentation by Sally Noble and BruceDavis featuring Garhwal region, the Maldives,and Sri Lanka, 7:15 pm, free.Doc Films: “The Elephant Man” 7:15 and 9:30 pm,“Beneath the Valley of the Dolls” midnight,Cobb.SUNDAYCalvert House: Sunday Mass, 8:30 am and 5:00pm, Calvert House; 11 am. Bond Chapel.Doc Films: “Airplane!" 2:30 pm, “Jon^h Who WillBe 25 in the Year 2000” 8:00 pm, Cobb. MARKS: Fighting practice, 3:00 pm, Ida Noyes.Concert: “The Queen's Quire-Early EnglishChoral Music from the Chapel Royal”, 4:00 pm,The Church of St. Paul and the Redeemer.ME I Association: "An Adventure in ChineseSongs and Dance” 7:00 pm, Mandel Hall. Ticketson sale at Reynolds Club Box office.MONDAYHillel: Sukkot Hashanah Rabbi Yavneh (Ortho¬dox) Services, 7:00 am, Hillel.Crossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Dept of Chemistry: “Computational Studies of theStereochemistries of Organic Reactions” speakerProf. Ken Houk, 4:00 pm, Kent 103.Doc Films: “Ceiling Zero” 8:00 pm, Cobb.22—The Chicago Maroon—Friday, October 16, 198.Classified AdsTOUR GUIDES NEEDEDThe Office of Special Events is looking for up¬perclassmen with free time between 10:00 amand noon to give tours of campus. Hours perweek are negotiable. $3.60/hr. Contact MaryBartholomew at 753-4436.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-1824 lOam-lOpm.INQUIRYMAGAZINEInquiry Magazine, a journal of outstandingpapers written in college classes, is now accep¬ting papers for its autumn issue. Deliver yourbest work, by Oct. 30, to the Inquiry box in theIda Noyes checkroom, any questions callKaren Kapner, 752-0797.$ EARN BIG $Sell orders & deliver papers in Pierce, 1-House& Burton-Judson. Call 324-7932.CALENDAR DEADLINEDeadline for the FALL, PART 2 ActivitiesCalendar is Oct 23. Bring all copy to Libby,Rm. 210, Ida Noyes Hall. 753-3592. *•.PHILIP GLASSTickets for Philip Glass Ensemble concert goon sale Oct. 19, Reynolds Club Box Office. Per¬formance is Feb. 19. Get the good seats now! $4students/$7 others.$ EARN BIG $Sell orders & deliver papers in Pierce, I-House& Burton-Judson. Call 324-7932.THE PHOENIXCheck the Phoenix first for books, records, andgames in the basement of the Reynolds Club.ROOM FOR RENTPrivate room immediately available in frater¬nity house. Includes use of kitchen, pool table,full bar, library, and porch. Meal contractavailable. Inquire at 5747 S. University Ave , orcall Peter Hirsch at 753-3257.THE PHOENIXWe have the best prices on books, records,games. Check us first. In basement ofReynolds Club.STEP TUTORINGVolunteer two hours a week to tutor andelementary or high school student. Come toSTEP'S meeting Mon. Oct. 19, 7:00 pm at 1357E. 56th St or contact Peter at 643-1733.STUDY GROUPMarx's theory of money Mondays 2:30 pmHarper 155 co sponsored by Union for RadicalPolitical Economics.FALLCOLOR HIKINGOuting Club trip to Brown Cty./Hoosier Natl.Forest, Oct. 23-25. Call Nina Savar at 955-9373(H) 633-9365(W) for details.LACROSSEThe Chicago Lacrosse Club (Men's) invitesyou to join the team. Spring schedule includes17 games. Practices this weekend (Oct #17, 18),10 am at Lincoln Park South. Call for infoGregg Sando 363 3386 Gary Rogers 245 7630 (office).PROGRESSIVES!A new democratic socialist coalition is current¬ly in the process of formafion on campus com¬posed of south-side and university people whoare either interested in or members of the neworgainizing committee. Come to our firstmeeting Saturday, Oct 18 in the Reynolds ClubC-Shop at 3 pm. All interested progressiveswelcome.S.F.A. COURT NEWS!Student Faculty Administration CourtCase of Plaintiffs (28 students) vs S.G.Finance Comm, Re: Homecoming FundingJurisdictional Hearing 10/198pm Cobb 102Full Court Hearing 10/22 8 pm Cobb 107All invited, 2 Student Justices, Clerk &Baliff needed: Contact C J Osanka, 3 2249. ORIENTAL CARPETSOPEN HOUSE-SALEIf you are serious about investing in a superbquality handmade carpet we invite you to at¬tend our open house-sale this Sunday, 12-6 PMat 5314 S. Kimbark Ave. Our very reasonableprices start at $75 for Afghan carpets. See ourother ad for additional information. D.Bradley, carpet connoisseur, former MiddleEast educator, PhD student.SPECIALSTUDENTOFFERStudents—Encyclopedia Britannica and GreatBooks of the Western world on display now atthe University Bookstore. Stop by and askabout our new special student test-marketingoffer.FRIENDS57th Street Meeting of FRIENDS (Quakers) ishaving a Visitor's Day Sunday 10-18; meetingfor Worship 10:30; refreshments 11:30; 12:15discussion about Friends; 1:00 Potluck lunch.FICTION WRITINGWriting a novel? Unique storytelling andwriting workshop directed by Shouri Daniels(Molly Ramanujan), Sats. noon. Call 667-0673copies of Saif Doll by Shouri Daniels availableat Staver Bookstore.ELECTRONIC MAILElectronic Mail can facilitate day to day com¬munications. Learn about the ComputationCenter's Mail Manager system at a seminar onWednesday, October 28, 3:30-5:00 pm., Cobb103. No previous computer experiencenecessary.FREEDOM FOR POLANDGet 200 signatures for the FREEDOM FORPOLAND petition drive and you will be invitedto DC! Get 500 and you will be invited to theWHITE HOUSE to meet Ronnie himself! Fordetails call Jonathan Arnold or Dave Cohen at324 4386 or 753-2261. POST LIBRISCoffeehouse tonight 9:30-1:00 in Ida NoyesLibrary. Good food. Free coffee. Great Music.TREATISEUse the computer to format dissertations in ac¬cordance with University requirements (alsouseful for books and papers). ComputationCenter seminar will illustrate use of theTREATISE program, Tuesday, October 27,4:00-5:30 pm, Classics 10. Advanced featureswill be discussed Thursday, October 29—sametime and place. No previous computer ex¬perience necessary. All welcome-no chargeUNFURNISHED APTS.FOR RENTStudio Apartments, HILD REALTY GROUP955 1200.6 room condo for rent, HILD REALTY GROUP955-1200HOMECOMING AT PSI-U10 kegs to burn and Kampstra too; Come andparty at Psi U. Sat. nightOct. 17 Free Beer.MEETREAGANGet 200 signatures for the FREEDOM FORPOLAND petition drive and you will be invitedto DC! Get 500 and you will be invited to theWHITE HOUSE to meet RONNIE himself!For details call Jonathan Arnold or DaveCohen at 324 4386 or 753 2261.REPUBLICANSIMPORTANT meeting of the UC Republicans.Tues Oct. 20. You will have the opportunity tomeet president Reagan.TV STARSJoin U of C Republicans—you can get on TV!Call Jonathan Arnold or Dave Cohen (324-4386'H- 753 2261) for details.MINOLTA XG-I.IA LOT OF FEATURESIt's the most economical35mm automatic Minolta SLRwith 45 mm 12.0 lensMIN#LTAOverexposure protectionLED viewfinder readout2-year camera warranty5-year lens warranty Continuous automaticexposure systemFull manual controlMODEL CAMERA1344 EAST 55th STREET. 493-6700 HOUSESTUSCAN MANSION has apartments for income,large yard, offstreet parking, garden and lots of sun¬shine! $145,000RAY SCHOOL DISTRICT, 3 bedroom townhouseCozy fireplace, garage, fenced backyard, 24 baths. 2dens make this a super buy at $139,500WALK TO SHOPPING (only a few steps away; andlive in this efficiently designed 3 bedroom, 24 bathtownhouse Private backyard, central air and more$105,000THIS LOVELY Queen Anne family home boasts 3fireplaces, tiled kitchen and bathrooms Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000CONDOMINIUMSSENSATIONAL PRICE - 3 bedroom condo nearshopping and park, walk to U of C, Ray Schooldistrict, needs work, "do-in-yourselfer” or in¬vestors dream, as is $36,000EXCELLENT FINANCING AVAILABLE 9-4 anda low down payment purchases this 27th floor studioin the Newport. $40,000.NARRAGANSETT' Magnificent five room con¬dominium home. Beautifully decorated Must beseen $100,000LUXURIOUS CARPETING and a wonderful built-inoak hutch make this sunny 2-bedroom condoespecially inviting. Mid $60’sNEW'PORT glonous views from this 1 bedroom,wall to wall carpeted condo Priced right in the 30’sSPACIOUS...beautiful back yard, two porches andspacious rooms make this 3-bedroom home a realvalue East Hyde Park Close to lake and tran¬sportation Low 80 sUNIVERSITY PARK - color co-ordinated, levelorblinds and carpeting highlight this one bedroom,modem condo with indoor garage Good financingavailable. Moderately priced in the $40’sHUGE PRICE REDUCTIONNow priced in the $60 s V.A financing/owner finan¬cing. Ask about special discounts Enjoy a spacioussunny country kitchen: dining room made for afamily, ceramic tile baths and a large masterbedroomAN OUTDOOR VERANDA and a backyard for bar¬becuing when you move into this 3 bedroom. 2 bathcondominium Gracious living modestly priced in theupper 60 s.BRET HARTE DISTRICT Close to lake and tran¬sportation This 3-bedroom East Hyde Park condohas 1600 sq. ft. of living space East and West porchesadd to the charm Priced in the mid 80 sPANORAMA CONDOMINIUM Hyde Park s mostcomplete renovation of a charming old six unitbuilding, over 2000 sq feet, and a wine cellar$114,500. Call today! Or rent with option to buy. $850l per month.TENNIS COURT, garage, balcony and a largebackyard are a few of the amenities surrounding this2-bedroom home priced in the upper $40 s.GREENWOOD COURT convertible 3 bedroomsNew kitchen and baths. Some stripped wood. En¬closed front porch and large open back porch for en¬tertaining Reduced to $69,500.THE RIGHT LOCATION, south of 55th 2 bedroomhome with family room, modern kitchen, garage.Mid$80sSUN OR CANDLELIGHT, this home shines in both44 rooms + sunporch of flexible space with lots ofcharm and natural woodwork A super buy at 57thand Kenwood Upper $60’sCONVENIENT LOCATION This 2 bedroom condowith a sunny living room and alcove overlooks quiettree-lined street Close to campus, shoppmg andpark Mid $60's58TH AND BLACKSTONE 4 bedroom. 2 bath, over2.000 sq ft Super location Large enough for afamily. Walk to Lab School $145,000 and financingUNIQUE...the floor plan m this gracious 3 bedroomassures privacy. A woodburmng fireplace and lovely-built-in pieces add to the charm Large porch withSouthern exposure affords a view of greenery Mid$80 sCOOPERATIVESNEAR CAMPUS, one bedroom co-op, lots ofbeautiful wood, built-ins. modern appliances, love¬ly courtyard building, affordable living, unitmoderately priced low $30’sSPACIOUS...hi-rise co-op with great east-westviews 2 bedrooms. 2 baths, foyer and formal diningroom 24 hour security. near U of C. bus Mid $50 sPOWHATAN • Elegant living in this top floor unitwith woodburning fireplace Exceptional buildingamenities, security and service Call for more in¬formationSUN, SPACE, SCENIC VIEW - all in thistwobedroom Good transportation, walk to campusand garage all for under $40,000 Owner Financingavailable BUILDINGS•East Hyde Park Blvd , 18-units $325,000•61st and Drexel. 24 units $$165,000HILD REALTY GROUPThe Chicago Maroon—Friday, October 16, 1981—23r1 . *1WilliamsTraditionalClothingQuality at a Competitive PriceExpert Fashion AdviceSince 1935Free box of SERO Shirts(Value to $75°°)With this advertisementExpires 10-30-81With purchase ot aSuit or SportJacket and Slacks•Chaps •Donald Brooks•H. Freeman •London Fog•Aquascutum of London•Sero Shirts •Arthur Winer•Izod •Bill Blass□ 19 South LaSalle Street(Entrance on Arcade Place)782-9885 □STUDENT GOVERNMENT FALLELECTIONSMONDAY, OCTOBER 26thPOSITIONS OPENTREASURER2 STUDENT FACULTY ADMINISTRATION COURT JUSTICES5 FRESHMEN REPRESENTATIVES1 SHORELAND REPRESENTATIVE1 OTHER COLLEGE REPRESENTATIVE1 WOODWARD COURT REPRESENTATIVE1 BRECK/BLCKSTN/GRNWD REPRESENTATIVE2 HUMANITIES REPRESENTATIVES2 SOCIAL SCIENCES REPRESENTATIVES1 DIVINITY SCHOOL REPRESENTATIVE1 LIBRARY SCHOOL REPRESENTATIVE CONSTITUENCY requiredUniversity wide registrationUniversity wide registrationCollege registrationShoreland residencyNon-Univ. controlled, on-campus residencyWoodward court residencyBreck./BIckstn./Grnwd. residencyGraduate Humanities Division registrationGraduate Social Division registrationDivinity School registrationLibrary school registrationPETITIONS ARE AVAILABLE IN THE S.G. OFFICAND THE STUDENT ACTIVITIES OFFICEAll petitions are due in the SG Office by 5 p.m. on October 22,1981. All questions should be addressed to Sufia Khan, VicePresident and Chairman of Election & Rules Committee. 753-3273