— Inside the Maroon Inside Grey CityEgypt’s future—pages four & five An interview with Phillip Glass— GCJ center-spread-The Chicago MaroonVolume 91, No. 10 The University of Chicago ©Copyright 1981 The Chicago Maroon Friday, October 9, 1981Scene from a past Homecoming celebrationDepletion of fundsfreezes loan awardsBy Sheila Black “We have very limited funds,”Students applying for National Clark said. However she added:Direct Student Loans (NDSLs) or “We know we can handle most ofwho have already applied but have the graduate student applicationsnot yet been given a loan may be that have been in the office forcut off from the NDSL program al- some time.”together. Ausick speculates that not moreMore students applying early for than 100 graduate student applica-loans this year than last, increased tions presently await loans. Be-costs which have made more stu- tween 50 and 60 undergraduatesdents eligible for NDSLs, and a are waiting to hear about their Homecoming funding cutby SG Finance CommitteeBy Darrell WuDunnIn an effort to press the UC ad¬ministration into reconsidering itspolicy on serving alcohol at Uni¬versity parties, the Student Gov¬ernment Finance Committee hascut off all funding for this year’shomecoming activities.As a result of the move, the ho¬mecoming parties scheduled fornext Friday and Saturday nightswill probably be cancelled. Satur¬day’s activities will most likely bewithout decorations and balloons.The original homecoming plansincluded one large, campus wideparty both with a band and withbeer. Karen Eschenbach, chair¬man of the Homecoming Commit¬tee, said a party with both livemusic and alcohol would draw themost people. The difficulty wasthat the only places large enoughto hold the 1000 to 2000 persons ex¬pected at such a party were Uni¬versity buildings.University policy, however, for¬bids the serving of alcoholic bever¬ages to anyone during campus¬wide parties in Universitybuildings. This policy automatical¬ly ruled out the use of Ida Noyes orthe Reynolds Club for such a home¬coming party.International House, which setsits own policies on parties, also re¬fused to house the homecomingparty because it wanted to comemore in line with the Universitypolicy, according to George Kamp-stra, the chair of the SG financecommittee. The Homecoming Committeethen decided to hold two parties:ope on Friday with just live musicto be held in Ida Noyes, and one onSaturday at the Psi Upsilon frater¬nity at which beer would beserved.Last year’s homecoming partywhich had both live music and beerwas held at the Alpha Delta Phifraternity. That event, however,was extremely overcrowded andthe Homecoming Committee de¬cided that it was not practical tohold such a large party in a frater¬nity.Eschenbach brought a requestfor $1800 to the SG Finance Com¬mittee to finance the homecomingactivities. Yesterday morning, theFinance Committee unanimouslydecided not to fund homecoming atall.Kampstra said the decision wasmade, “to press the point that theUniversity administration shouldreconsider its current policy on al¬cohol.” In the past. Student Gov¬ernment has had difficulties tryingto finance University-wide partieswhich serve alcohol. It has had toco-sponsor parties at the Law-School and I-House which set itsown policy on alcohol.According to Kampstra. the Uni¬versity’s policy has far-reachingimplications for the SG FinanceCommittee because it prevents fu¬ture parties set up and funded bythe committee from attractinglarge numbers of students.Kampstra does not see the Fi¬nance Committee’s action as hold¬ ing Homecoming hostage. “As itwas presented to us, the highpointof the whole Homecoming was thedance with the band and with beer.Since that has been nipped in thebud, it did not seem to have apoint.”“If we eliminated just theparty,” he added, “it would nothave the same impact on the ad¬ministration as eliminating every¬thing.?’Eschenbach, however, was dis¬pleased with the committee's deci¬sion insisting that the homecomingcelebration should go on. "What'sthe sense of paying the $5 perquarter activities fee if the stu¬dents can not even get what theywant,” she said.Eschenbach intends to appealthe Finance Committee's decisionto Student Government and theUniversity administration. StudentGovernment can override the Fi¬nance Committee. However sinceSG does not meet until next Tues¬day, just three days before Home¬coming. it would be too late to ar¬range the homecoming activities ifthe decision was overruled. In ad¬dition. SG President Clarke Camp¬bell has supported the FinanceCommittee's decision.Kampstra said he felt that thestudents will support his commit¬tee's decision. “Students may beangry at first, but once they knowour position, I think they will optfor the long range goal rather thanthe short range goal of having Ho¬mecoming go on.”smaller amount of NDSL fundingto distribute are all factors in thepresent freeze on awardingNDSLs.“We’ve hit the limit,” said PaulAusick, assistant dean of students.“From now on, NDSL loans will bethe exception and not the rule,” headded.The “limit” Ausick referred to isthe maximum “level of lending”the University can distribute asNDSL loans. The level of lendingfor 1980-81 was 4.02 million. The1982-82 level is $3.98 million.“We’ve always run out in De¬cember or January,” Ausick said.Last year was an exception,enough NDSL funds were availableto provide loans for Winter andSpring quarters.Ausick said the accelerated ap¬plication process for NDSL’s is themain factor in this year’s early de¬pletion of NDSL funds. Faced withlegislative changes in financial aidprograms, students applied soonerthan usual. If the loans had beenprocessed normally, the limit onNDSL funds would have beenreached later.Cindy Clark, director of studentloan counseling, attributes two fac¬tors, increased costs and lessNDSL funding available as reasonsfor the present freeze on NDSLawards. NDSLs.the Walker Museum, the new home of the GraduateQuestions remain on student drowningBy Robin KirkA UC student died from drown¬ing Aug. 14, more than an hourafter three undergraduates heardhis cries for help and pulled himfrom Lake Michigan off the Point,the Maroon has learned.Pronounced dead on arrival atBillings Hospital was Robert J.Brinning Jr., 23, a first-year gradu¬ate student in the ASHUM pro¬gram and a native of Glen Ridge,N.J. Paramedics who were calledto the scene said that Brinning suf¬fered a cardiac arrest in the ambu¬lance. The official coroners report,listing the time of death at 5:01a.m., stated that the cause of deathwas drowning.Jim Guenther, Guillermo Perez,and Greg Crawford were swim¬ming at the Point at approximately2:30 a.m. when they saw Brinningwalk toward the water for a swim.Crawtord said there was nothingunusual about the way Brinningwalked. “A swim was just a reallyrelaxing thing to do on that night,”he said.After the three subsequently re¬sponded to his calls and pulled himfrom the lake, Brinning threw up and passed out. Crawford went im¬mediately to a pay phone andcalled Campus Security Police. Atemporary dispatcher, who hadmomentarily filled in for the on-duty dispatcher, answered the call.Crawford, believing that the stu¬dent was merely very drunk, toldthe dispatcher that Brinning hadpassed out and needed a ridehome. The dispatcher replied thatthe Point was out of their officialjuridiction. He further explained,according to Crawford, that Secu¬rity would call the Chicago Policeand suggested that Crawford him¬self call the Fire Dept. This calllasted about two minutes.Crawford returned to his com¬panions to wait. Jonathan Klein-bard, spokesman for the SecurityDept., said that a Campus Securitypolice car was immediately dis¬patched and, upon the return of theduty dispatcher, a call was madeto the Chicago Police Dept. Thetime span between the original calland the call to Chicago Police was,he estimated, about 4-5 minutes.After 10 minutes when no assis¬tance arrived. Crawford again te¬lephoned Security and spoke to theduty dispatcher. Guenther estimated the time ofthe arrival of the Police at about 45minutes after the original call. TheSecurity car never arrived at thelocation because, said Kleinbard.its drivers could not find the stu¬dents or Chicago Police. BothCrawford and Guenther said thatSecurity never called the FireDept., a job which the students saywas left up to the Police.Throughout the wait, said Craw¬ford. “I can sav for sure that Brin¬ ning was breathing It was a goodhalf hour after the paramedics ar¬rived before the heartbeat becameirregular and finally quit.”There are still questions remain¬ing about the actual cause of death.Crawford said that the paramedicsfound no water in the lungs andthat there were no head or spinalinjuries How much, or if, Brinninghad been drinking before his swimis unknown.Continued on page fiveliSchool of Business. A ribbon-cutting ceremony marking thecompletion of its $4 million renovation wilt be held at 5:30 p.m.today.GovernorLocal PoliticsCatania considering bid for LieutenantBy Darrell WuDunnState Representative Susan Catania(R-22) says she is considering running forLieutenant Governor in next year’s election.The independent Republican is sending outnominating petitions to examining the feasi¬bility of such a campaign.Catania was virtually denied any chanceof re-election to the state legislature after Il¬linois voters passed the legislative cutbackamendment last November which allowsonly two state representatives from eachsenatorial district instead of three. Catania,a white Republican, has always run third inthe elections in the predominately black,Democratic 22nd district.If Catania does decide to run, she willhave some very strong opposition for theRepublican nomination. Speaker of theHouse George Ryan has already announced his candidacy and has the support of Gov.James Thompson. Donald Totten, PresidentReagan’s Illinois campaign manager lastyear, and Representative Prescott Bloom ofPeoria are also seeking the Republican no¬mination.“If it was only Ryan running, my chanceswould be pretty slim,” Catania said in an in¬terview with the Maroon. However, withRyan, Totten, and Bloom all running, shesays she is more optimistic. “Their politicsare very similar. That’s what makes it poss¬ible to think that there is a chance.”Some observers say Catania’s candidacywill help conservative Totten because shemay draw liberal votes from the moderateRyan. Catania how'ever, said she believesthat her opponents would split the moder-ate-to-conservative constituency whichwould help her. The office of Lieutenant Governor was va¬cated last spring by Dave O’Neill becausehe found it dull and had nothing to do. “PoorDave O’Neill never had been in state gov¬ernment before,” Catania said. “The consti¬tution said his duties were those assigned bythe governor. Thompson was also new, andtoo busy learning the legislature to give himany direction. So he (O’Neill) did not haveany direction, or any of the resources.”Catania will have served 10 years in theIllinois Assembly at the end of her presentterm.“What I think the Lieutenant Governorcould do is be available to all the people inthe state to find out what they expect fromgovernment, and to help the governor pro¬mote programs when they are good pro¬grams. When Thompson proposed a fivepercent gross receipts tax on oil companies for the RTA, no one was there to help sup¬port it. I would be very happy to help sup¬port programs which are good. I would notbe happy to help slash the mental healthbudget. Working against the governor wouldbe something I would have to think about,”'Catania said.Catania said she is considering the officeof Lt. Gov. because she feels she has achance of election and that “the job can bewhat you make of it.”“I never considered any other office,” shesaid. “Some people suggested Congress, butthat would be really impossible in whateverdistrict I would end up in. County offices I donot know as well.”Catania said she has been receiving callsand offers of support from all over the state.Much of her support comes from women’sgroups. She was chairman of the Legisla¬ture’s Commission on the Status of Womenfor seven years, while the commission rec¬ommended bills on child support, wife-beat¬ing, displaced homemakers, credit and in¬surance discrimination, and other women’sissues.Last month, however, Speaker of theHouse Ryan refused to reappoint her to thecommission. Catania said that Ryan was re¬taliating because she voted against the Re¬publicans’ proposed map of legislative dis¬trict. She said that the fact that she wouldnot win re-election may have influenced hisdecision.Rep. Barbara Flynn Currie (D-24) char¬acterized Ryan’s move as “apparently a fitof pique” and charged it denied “Susan theusual courtesy of accepted appointment pro¬cedures and would deny the women of Illi¬nois the value of her exceptional leader¬ship.”In response of Ryan’s move, Currie, an in¬dependent Democrat, called on House Dem¬ocratic Leader Michael Madigan to appointthe Republican Catania to an open Demo¬cratic seat on the Commission on the Statusof Women. Currie said that Madigan’s ap¬pointment of a Republican would be “an ex¬traordinary act of political courage” be¬cause commission seats are also coveted byDemocrats. But she argued Catania “neverused her commission post to further parti¬san ends, and her reappointment would onlybenefit those who are the Commission’s cli¬entele — ultimately all the citizens of Illi¬nois.”“(Currie’s) nomination is a very nicething to do,” Catania said. “I don’t thinkholding a Democratic seat would hurt me.They will be looking at my voting record, oftimes I voted for my constituents.”Although Gov. Thompson is supportingRyan for the Republican nomination, Catan¬ia said she would be able to have a workingrelationship with the governor if she is elect¬ed. Thompson, however, has been less thanenthusiastic about Catania’s candidacy. Ata Republican fund-raiser last week, Cataniaasked Thompson whether he minded if sheran for Lieutenant Governor. According toCatania, he responded “I don’t mind if yourun. I just don’t want you to win.”Catania does not rule out the possibilitythat Gov. Thompson may run for nationaloffice and not serve out the remainder of histerm. “When I was a delegate at the 1980 Re¬publican convention, Thompson did bringalong a big box of signs which said ‘Thomp¬son for Vice-President.’ I don’t think he hasthrown those signs away.”When asked if Thompson’s aspirations fornational office influenced her considerationfor running for the second highest state of¬fice, Catania said, “It certainly makes itmore interesting.”Catania said she expects her campaign tobe very expensive. She will be spendingthousands of dollars on her ‘exploratorycampaign’ to see how viable a candidate shewould be. She anticipates spending about$10,000 by Dec. 7, the date she will file hercandidacy with the State of Illinois if she de¬cides to run.“Costs are $200,000 to $300,000 for a bare-bones primary campaign, with just officesand literature,” Catania said. “$700,000 to$800,000 if we want TV ads and airplanes toget around the state. What we are doingwhen we are circulating petitions is askingfor whatever money they can spare. It isfrightening how much it will cost. Petitionswill be the best measure of support.”WIN$5,000worth of CanadianBy Discovering xrai) A neSat. Oct 10,1981 • Rain or Shine/"►l- ,AUue w1Golden Treasure wS be hiddensomewhere h the Chicago area. Clue *2Fbr further deta&, pick up your MdsonGolden Treasure Map” at your localparticipating bar or retailer.Discover Hidden Treasure &Win$2,000 worth of Canadian Golden Maple Leaf Coins.$1,000 worth of Canadian Golden Maple Leaf Coins.(4) *500worth of Caaadta Gofcfca Maple Leaf Coins,(500) Motson T-shirts or hats.'Mdson Golden. ..That’s' ‘ li'iWliirrr 1 mmrnum^kmimported by Martlet Importing Co. Inc. Great Meek. N.Y. 11021TREASURE HUNT RULES—NO PURCHASE NECESSARY bottom of due sheet or Wank 3*5 card and depositing m random retailers and their families may net participate Participants must be damage incurred during course of promotion Gold prize price basedRam or sbme Only one prize per person All prizes not found by 400 drawing container at Treasure Hunt area on Oct. 10 AW winners an- of legal drinking age Winners consent to name or likeness for pub on gold price on August 14. 1981 Treasure Hunt Maps available atp.m will be awarded m a random drawing at 4 30 pm on Sat Oct 10 nounccd at 4 30 p.m on Oct 10 Employees of Martlet Importers. Iicity purposes without additional compensation Martlet Importing participating bars and retailersEnter random drawing by putting your name & address either on their advertising and sales promotion agencies, printers, wholesalers Co Inc is not responsible for personal liability injury or property2—The Chicago Maroon—Friday, October 9, 1981NewsbriefsWoodward lecturesOne of the University’s most popular lec¬ture series will begin its 11th year next Tues¬day when Akira Iriye gives the 166th Wood¬ward Court lecture at 8:30 p.m. in theWoodward dining room.Iriye, the chairman of the Department ofHistory, and professor of history and of FarEastern Languages and Civilizations, willbe speaking on “The US-Japanese Allianceon trial.”The lecture series has drawn over-flowcrowds of over 1000 in the past, with the typi¬cal lecture leaving standing room only in thedining hall. This quarter schedule is also li-GetawayThe Bon Ton: a Akira Iriye wifi speak on Oct. 13 at Wood¬ward Court kely to bring large crowds. Besides Iriye.Philip Kurland, professor in the Law School,will speak on “The Chief Justice declareswar against violence — again,” on Tuesday,Oct. 20, Hewson Swift, professor of biologywill speak on the “Hidden Riches in DNAmolecules” on Sunday, Nov. 1, and Mor¬timer Adler, the chairman of the board ofeditors of Encyclopaedia Britannica and thedirector of the institute for philosophical re¬search will speak on “Truth, Goodness, andBeauty” on Nov. 15. Adler, along with Chan¬cellor Robert Maynard Hutchins, help to in¬stitute the Common Core here fiftv yearsago.New support groupfor student spousesA support group for student spouses willhold its first meeting this Monday at 7 p.m.in Ida Noyes Library. The group was startedthis year to help combat,” the peculiar situ¬ation of student spouses.”The group sent out letters in orientation packet describing some of the problemsfaced by student spouses, including feelingsof loneliness and abandonment, lack ofmoney, having the spouse studying all thetime and a lack of social life. The grouphopes that discussing these questions willhelp cut down on the isolation felt by manystudent spouses.The group is planning to meet monthly.People interested in the group who cannotattend the first meeting should contact theStudent Activities office at 753-3591 for thetime and place of the next meeting.CorrectionThe the aims of education address printedin last week’s Maroon contained, the sen¬tence, “A word of caution: this quest forwhat is good is compatible with intolerance,self-righteousness, smugness.” Obviously,the correct sentence would have read thatthese things were incompatible with a questfor what is good. The Maroon regrets theerror.change of tasteBy Sho-ann HungWhile Hyde Park has a wide variety ofrestaurants, including American or ethnic,classy or tacky, an even more diverse vari¬ety of fine cuisines, including one-of-a-kindethnic restaurants, are situated within thecity of Chicago. One needs only the willing¬ness to step away from the books, and thepatience to deal with the public transporta¬tion (for those without a car).Students can primarily rely upon the Elsystem, such as the Howard and Dan Ryantrains, and the #55 Garfield bus for travelingbetween Hyde Park and Chicago’sdowntown. All the mentioned lines run 24hours all seven days of the week, thoughvariations on waiting times exist dependingupon time of day. Other modes of transpor¬tation are Student Government’s 7-11 ex¬press bus, ?6 Jeffrey Express running until11:35 PM M-F and 7:00 PM Sat., ft 1 HydePark/Drexel running until 11:50 PM M-Sun., IC railroad running until 2:30 AM M-Sat. and 12:30 AM Sun. All times are leavingfrom the Loop.One cozy, pastoral type restaurant is theBon Ton Restaurant and Pastry Shop, at1153 North State Street near Division, whichspecializes in Hungarian dishes. It can bereached from the Loop by either the t>36Broadway bus or the Howard El. If you takethe El, get off at Clark/Division stop and besure to head east when leaving theClark/Division stop, Cabrini Green lies tothe west. In addition, the Clark/DivisionHoward station is a convenient take off pointto the Northside where many after dinnerbars, nightclubs, and other entertainmentspots are situated. However, it ft highlyunadvisable to take the late nieht Howardsouthbound to Hyde Park. Stick to the 7-11.It is more convenient and a whole lot safer.It leaves from Clark and Fullerton at 11p.m. and 2 a.m., but you must buy ticketsbefore hand. Tickets cost $1. If you must usean El, take the Dan Ryan.The Bon Ton lies just west of the GoldCoast in a neighborhood of Chicago knownas Uptown. It is within close proximity tothe Watertower and the Loop. Theneighborhood consists of local bars andrestaurants, with a bakery, record store,and some fashionable boutiques. Duringgood weather many people stroll throughthe neighborhood, keeping the area busyand safe.Upon arrival the dinner (or lunch) guestsrelax in a cafe style setting. Though patronsfrom different parties are within an arm’slength of each other, this aspect enhancesthe bucolic and festive atmosphere. Thesmallness of the restaurant and the lack ofwaiting room dictate advanced reservationsfor ease and greater enjoyment. However,pastry purchases and a ‘take out' service onall dinner items are possible throughoutshop hours.Salad and freshly baked bread comes withthe entrees. The customer has a choice ofwhole wheat or white bread. The bread hasa good flavor and texture though needed tobe warmed. The typical and only Hungarianappetizer on the menu is Pirosk — a hotmeat pastry with sour cream — at $2.00. On¬ly one soup was tried, the bean soup, whichContinued on page 21 If you’re going to takeexcruciating science courses, you’llneed all the help you can get.You'll need the most advancedfunctions and programming features.Continuous Memory, and the mostextensive selection of software solutionsfrom the people who invented thehandheld scien¬tific calculator.You'll need an HP.The HP-41.All the helpyou can get.The HP-41is the mostpowerful hand¬held Hewlett-Packard has ever made.And HP offers four other scientificcalculators to choose from. So visityour nearest HP dealer for a hands-ondemonstration.Then buy an HP. It maybe the last easy thing you do for along time.For details and the address of thedealer in your area, call toll free:800-547-3400. Dept. 658N, exceptHawaii and Alaska. In Oregon, call758-1010. Or write Hewlett-Packard.Corvallis. OR 97330. Dept. 658N.611 15HEWLETTPACKARDThe Chicago Maroon—Friday, October 9, 1981 3TheParkshore ViewpointEveryone talks about creatingaffordable housing in Hyde Park, butwe’ve done it!One, two, three and four-bedroomapartments with location, location,location...down¬ monthlysq. ft. payment charges1 Bdrs start at 521 3 *3,178 3 3 442 Bdr’s start at 1,543 9,412 1,0183 Bdrs start at 2,053 12,523 1,3554 Bdrs start at 2,291 13,975 1,512Financing provided by die NationalConsumer Cooperative Bank ... Over81.3 million in rehabilitation ...The Parkshore is a tenant-sponsoredhousing cooperative offering the besthousing value in Hyde Park. We’vedone the work putting the packagetogether over the last twelvemonths ... Now you can enjoy thebenefits...Come live with us at the Parkshore!Plan to attend our Open HouseOctober 25, 1981 from 1-4:30pm.Office hours on Saturdays,noon-1:30; Sundays 2-3:30pm, or byappointmentFor sales information, call 684-0111.Sponsor: The Parkshore, an Illinoisnot-for-profit corporation, 1755-56 East55th Street, Chicago, Illinois 60615.Development and Marketing .\gent:Metropolitan Resources Group, Inc.4—The Chicago Maroon—Friday, October 9, 1981 Egypt’s tough futureBy Daniel BrumbergIt is a sad irony that one of the backgroundevents to Anwar Sadat’s trip to Jerusalemwas Israel’s discovery of a Libyan backedplot to assassinate him in July 1977. This in¬formation, which Begin passed on to Egyptvia King Hassan of Morocco, must havegiven Sadat some pause. With his countrysinking into economic chaos and Islamicfundamentalists opposing his regime, he de¬cided it was time to make a move. Fouryears later the nightmare has become real,and many Israelis must now wonderwhether their intelligence service had onlyhelped to delay the inevitable — whether theprice paid for peace has been justified.The answer defies a simple yes or no.Sadat’s courage and charisma certainlyplayed a large role in bringing about anEgyptian-Israeli peace and in opening upthe chances for progress on other fronts. Yetwhat propelled him to visit Jerusalem wasnot simple expediency, not merely the de¬sire to survive. He could not have flownthere without sensing that the Egyptian peo¬ple, broadly speaking, would find in hisvoyage a meaning not alien to Egypt.This was the same meaning that Sadathad given to the October 1973 war, “Al-Wa-taniyya al-Misriya” — “Egyptian patrio¬tism.” Egypt’s “victory” he claimed, wasnot for the more mystical and nebulous“Arab Nation,” but rather for Egypt itselfas the more concrete, true and ancient nation of the Nile. In a sense, the Egyptianleader asserted the triumph of “raisond’etat —” that Egyptian interests camefirst.His claim found a strong echo in the politi¬cal tradition of Egypt’s Liberal Nationalistmovement, Men like Mustafa Kamil AhmadLufti al-Sayyid and others, schooled in theWest, (mostly in France) and imbued withWestern notions of state, nationalism, anddemocratic government, argued that Egyptwas not part of an Arab nation. Instead, theycontended that it was part of the Mediterra¬nean world, and that which was authentic toEgypt was to be found more in the writingsof Montesquieu than in the Sayings of theProphet. Thus Tawfig al-Hakim, one ofEgypt’s greatest literary figures, wrote of“neutralizing” Egypt against pan-Arabism.while his contemporary, Hussein Fawzi crit¬icized King Farouk, Egypt’s “juvenile mon¬arch,” for allowing the passions of Arab na¬tionalism to engulf his country in a conflictthat might have been solved peacefully.Sadat did not come from, but adopted, theliberal tradition. And as he slowly pursued apolicy of peace with Israel after the 1973war, he surrounded himself with a group ofWestern-oriented intellectuals who viewedthe conflict with Israel in more rationalterms. Their view reflected the admonitionof the Arab scholar Malcolm Kerr, who ar¬gued that the Arabs should not permit their“conviction” that Palestine was Arabianterritory to prevail over the hard “calcula¬tion” that Israel existed and that the Arabattempt to oppose it was self-defeating. Andcalculation meant, as one Liberal Nationa¬list wrote in the fifties, that it was time to“make peace with Israel and rescue thebudget,” and to “lead the nation instead ofbeing the victims of its slogans.”This view has been advanced by Egypt’sacting foreign minister, Boutros Ghali.Ghali’s great-grandfather had conductednegotiations with Theodore Harzl, thefounder of modern Zionism, in order to findsome “non-Zionist” solution to the Jewishproblem. Ghali, who is married to a Jewishwoman, now advocates peace with the Zion¬ist state, and furthermore argues that the“Egyptian mission,” is to get both the Arabsand the Jews to accept one another. It is aview that was not advanced simply to sup¬port idiosyncrasies of Sadat, but rather is aconcept that drew its sustenance fromEgypt's liberal tradition.Yet Sadat must have known that the pastliberal experiment failed, that what reacheda high point in the twenties was, by the for¬ties, threatened by a burst of political cor¬ruption, overpopulation, unemployment andwidespread alienation with Western politi¬cal thought and value. These conditions ledto an Islamic fundamentalist movementwhich was, ironically prevented from taking power by the timely coup of Nasser’s FreeOfficers in 1952.Despite the similarity of political prob¬lems in Egypt and Iran, it is less appro¬priate to compare these nations than it is tocompare the Egypt of the forties with theEgypt of the eighties. And today, unfortun¬ately, some of the same patterns may be re¬peating themselves. Sadat’s “opening” tothe West has produced great economic ben¬efits for a few, together with a familiargrowth in income disparities — a develop¬ment which breeds tremendous resentmentand frustration. Furthermore his “alliance”with the U.S. and his adoption of Westernvalues, appears to many Egyptians, espe¬cially in the army, as a sign of dependenceon the West. The result is an increasingsense of cultural alienation, which, whenmixed with the country’s severe economicproblems, may slowly combine to under¬mine Egypt’s liberal experiment.Furthermore, Sadat did not know how todeal with the growing opposition which hisliberalism had encouraged. He had never in¬stitutionalized Egypt’s liberal movement —he only chose to borrow its intellecturalgarb. He had financed his own opposition,which had become something of a joke inEgypt. And his recent crackdown on his en¬emies only served to underscore his growingisolation.Egypt’s willingness to carry on the peacetalks with Israel does not depend so much onone man, as on those economic and socialconditions which will sustain the liberal tra¬dition. Mubarek, if he is strong enough toseize the moment, may back those Egyp¬tians in the middle and upper classes, aswell as in the intelligentsia, who support thistradition. But if the present economic condi¬tions grow worse, if, as Egypt’s respectedjournalist Lufti Abdul Azim put it, Egypt'snew “consumer society” continues to makeso many Egyptians feel like “undesir¬ables,” and if Mubarek does not permitsome honest form of political expression,then he will be confronted by widespreaddisenchantment and an ever growing Isla¬mic fundamentalist opposition.The lesson for American foreign policymakers is that they must not let themselvesshare Sadat’s well-known obsession withQaddafi. For this obsession only helped toobscure Egypt’s more pressing problems.Though a large increase in economic aid toEgypt is in order, the Reagan administra¬tion must be sensitive to the fact that anyovert American presence will only help toundermine Mubarek’s government. Egypt’sisolation in the Arab world, due in part to itsslow progress on the Palestinian question,must also be addressed, for it has generatedwidespread unrest among the military, stu¬dents and the intelligentsia.Ultimately, the future of Egypt will not bedetermined by a resolution of the Arab-Israeli conflict. This conflict has aggravat¬ed Egypt’s plight, but its problems will con¬tinue regardless of the situation of thePalestinians, an issue which merits atten¬tion on its own terms. On the other hand, iflittle progress is made in solving Egypt’spressing problems, then the peace treatywith Israel will become a likely target, a ral¬lying point for the opposition, which maygenerate the kind of anti-Jewish feelingsthat were present in Egypt’s Islamic revivalof the thirties and forties.All this may sound a little bleak, butEgypt has not as of yet begun the path of de¬cline. The trends may be reversed andSadat’s search for a “victory” of “Al-Wa-taniyya al-Misriya” may still prove imper¬vious to the assassin’s bullets. Indeed ifEgypt survives the loss of a great leader, itwill prove to the world, and most signifi¬cantly to the Israelis, that peace in the Mid¬dle East does not necessarily depend on oneman. Diplomatic successes achieved with¬out Sadat would certainly encourageIsrael’s advocates of peace and prove avaluable point. But if Sadat’s search forEgyptian patriotism fails, if Egypt is notcapable of addressing its formidable prob¬lems, then her people may turn away fromthe legacy of Sadat in search of anotherpath.Daniel Brumberg is a graduate student inpolitical science.Faculty ExchangeSadat slaying is a multi¬level disaster says expertBy John EganThe assassination Tuesday of PresidentAnwar Sadat of Egypt raises issues of fun¬damental importance concerning the Mid¬dle East, the United States and the SovietUnion, according to Leonard Binder, profes¬sor of political science and an expert on Mid¬dle Eastern politics.The constitutional process of selecting asuccessor to Sadat probably will not be diffi¬cult, Binder said. The Egyptian constitutionprovides for the Speaker of the Assembly toassume the Presidency during an interim ofno more than 60 days. However, the Egyp¬tian authorities have decided to hold a refer¬endum on Oct. 12 to elect Mubarak as Presi¬dent. There was little opposition toleratedduring the Sadat years, said Binder, and theelection will be more like a plebiscite.“Even before the crackdown of roughlyone month ago, democracy was little morethan a facade,” Binder said. “The autho¬rized political opposition has been severelyrestricted and no alternative candidates areto be found.”Recently, in an attempt to stabilize thecountry, Sadat had curtailed the religiousgroups which had opposed his government.Also, the last remaining Soviet technologi¬cal advisors were expelled recently, al¬though this was not an unexpected event.The issue of political stability in the Mid¬dle East is once again raised by the assassi¬nation. Binder said that the way that Ameri¬cans understand the term “stability” andapply it to other areas of the world mayhave to be re-examined.Stability in the US is generally seen as theorderly changing of governments, civiliancontrol over the military at its highestlevels, separation of church and state, andthe belief that once a government is elected,those elected will complete the terms thatthey were elected to serve. Binder said thatthe perceived stability of the succeedinggovernment will effect the implementationof the Camp David peace accord. Binderadded that the assassination could well beseen as a warning to other moderate statesin the region, notably Jordan and Saudi Ara¬bia, that continued terrorism will be theprice of working with Israel toward peace.Although he said that the Palestine Liber¬ation Organization (PLO) was not directlyinvolved with the assassination, Binder ex¬pressed little doubt that the PLO’s avowedhostility to the Camp David framework forpeace figures into the issue.Binder said that one of the clearest resultsof the assassination is that Soviet influencein the Middle East will be strengthened, atleast temporarily, by the absence of theSadat government. USSR involvement inthe Horn of Africa, the Sudan and theYemen will now be unfettered by the deter¬rent influence of Sadat’s army. The Saudisand the Israelis may well assume a moreprominent role in the region, Binderadded.Jordan will probably maintain a “low pro¬file” Binder went on to say, who sees theJordanian king’s need to balance his friend¬ly relations with the United States and theneed to respond to indigenous passions anddemands. There is little chance of outsideaggression against Egypt at this time, hesaid.Although the situation was a multi-leveldisaster,” Binder said, “aggression fromLibya would be mad.” Egypt’s army cur¬rently numbers about 350,000 men and is themost advanced of the Arab states. Bindersaid that an attempted invasion would solid¬ify the Egyptian population of 40 million, ofwhich some say 7 million are Christian. Amore important danger, according to Bind¬er, is that Libya’s control over Chad will bestrengthened. The continued threat to theSudan posed by Libya’s foreign policy mustalso be addressed by the new Egyptian gov¬ernment.Vice-President Mubarak is not seen byBinder as an independent political force;however, Binder points out, at the time ofGeneral Nasser’s death, in September 1970,Sadat was not seen as an independent politi¬cal force. A 53-year old ex-military man,Mubarak’s chief task in the immediate fu¬ ture will be convincing the world that he cangovern a country which has serious politi¬cal, religious and economic difficulties.There is also the specific need to convey tothe Israelis that the government of Egyptwill be stable enough to engage in the imple¬mentation of the final phase of the CampDavid framework for peace, said Binder.The assassination certainly bears uponthe US Senate’s consideration of the pro¬posed large arms sale to Saudi Arabia.Some Senators, such as Orvin Hatch (R-Utah) now believe that the AWACS areneeded more than ever, in an attempt to sta¬bilize the remaining governments in the re¬gion which are still friendly to the US.Others, such as Larry Pressler (R-S.D.)point to the nearly intrinsic instability in theregion, which when coupled with the obviousneed for the presence of US personnel tooperate and maintain the aircraft, argueagainst the proposed arms sale.Binder said that the position that individu¬al senators have already taken will proba¬bly be strengthened as a result of the assas¬sination.A series of intricate problems confront theMubarak government, including how to dealwith Libya’s hostility, how to resume theCamp David peace process, how to stimu¬late the sagging Egyptian economy andespecially how to resolve the religious ten¬sions in the country, the basic problemaround which all other considerations re¬volve.The need for a stable government is quiteapparent, said Binder, w'ho feels that a moredestabilizing event could have scarcelytaken place in a country of such strategicimportance to the US.Leonard BinderDrowningContinued from page oneDr. Constance Green of Billings Hospitalspoke to the Maroon about the emergency Jtreatments of drowning cases and said thatin very cold water, people can survive up to ’a half an hour after being pulled to shore.Though resuscitation is attempted on all vic¬tims, chances of revival decrease as thewater warms. “Damage can be so severe,” jjshe said, “that the brain could be dead.”Kleinbard said that there was no inordi¬nate delay in the dispatch of the Universitypatrol or in the call to Chicago Police. Hesaid that Campus Security has no official ju¬risdiction east of Lake Shore Drive. Al¬though Security has gone on to the Point inthe past, it has no obligation to do so.Kleinbard said that the temporary dis¬patcher was an officer in the department.When the on-duty dispatcher leaves theswitchboard, an officer fills in until he re¬turns.Dean John Hodges, who interviewedGuenther the following day, said that he notnot spoken to any of the students and saidthat he had no new information on thecase.Kleinbard refused to release to theMaroon either the tapes of the two calls or ^their transcripts. Contacts for Safe!What Is A Bargain?The 4 questions most frequently asked about contact lenses are:1. How Much Are Your Lenses92 How Much Are Your Lenses93 How Much Are Your Lenses94 How Much Are Your Lenses9What is really more important, the lowest price, or the best fit¬ting lenses? We think the 4 questions should be:1. 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Training. Wearing Instructions ana Carrying Case)OUR PROMISE TO YOU:If you aren t pleased with your lenses after 60 days cost of the lenses will be re¬funded All contact lens fitting done by our Contact Lens Specialists.Dr S C Fostiak Optometrist & AssocWe can replace your lost or broken lenses in 4 hours or less!IF YOU WANT THE BEST COME TO THE BEST'CONTACT LENSES UNLIMITED1724 Sherman Ave. Evanston. IL 60201 2566 N. Clark St., Chicago. IL 60614(above County Seat)864-4441 975-1616 JTne Chicago Maroon—Friday, October 9, 1981—5k— rj& & =(ftv— ‘fljBh’CHICAGO’SART DECOLANDMARKIS REBORNIN SPACIOUSLUXURYAPARTMENTSMOpas3)LflC»Dn pa emcn t sThe time was the twenties. The place wasChicago And in Chicago, in Hyde Park, the inplace was the Blackwood. Now the excite¬ment. the glamour, the luxury of a bygoneera have returned with the completion ofthe refurbishing of the landmark BlackwoodHotel into gracious apartments.The features which made the Blackwoodsuch a superb example of the Art Deco stylehave been carefully preserved the charac¬teristic geometric ornamentation, theleaded glass, openwork grilles, the sweep¬ing open formal lobby Yet, mside eachapartment you’ll find all the conveniencesof the 80s fully equipped kitchens includ¬ing range, refrigerator, dishwasher, wall towall carpeting, ceramic tile baths, individu¬ally controlled heating and air-condi¬tioning, new energy efficient insulated glasswindows, and many other amenitiesLocated just steps from Lake Michigan,minutes from the Illinois Central trains(which means a rapid commute todowntown Chicago), Harpers Court Shop¬ping Center, and the University of Chicago...residents of the Blackwood Apartments willenjoy the availability of the finest culturaland recreational facilities the city has tooffer.mo s. MasonWon. thru Fri. 9 6, Sat. & Sun, 11 -5or by appointmentPhone 684-8666S 8 fr l R 8 & III I T (OHOHUOBSupport the.March ofra) DimesBIRTH DEFECTSFOUNDATION FAVORITE CHINESE RESTAURANToftai Sam yon1318 East 63rd StreetOpen 11 am - 8:30 pmClosed MondaysBring your friendsEnjoy Real Cantonese CookingTake-out orders: 684-1062SAO’s Eclectic Ed,Openings in many classes!Japanese Flower-Arranging, Mime. Fred and Ginger 101 <Sc 201Dance Spectrum, Aerobic Dame, Juggling, KnittingFinal day of registration is today10 a.m. to 4 p.m. Rin 210 Ida Move* Hall Rockefellera.m. Ecumenical Serviceof Holy Communion11 a.m. University ReligiousServiceHans KungVisiting Professor,Divinity School, Preaching.ELLIS ESTATES, INC.—i4 & 5 BEDROOM UNITS5137-41 South Etlis Avenue•PRICES START AT $81,900• OWNER FINANCINGAVAILABLE• 20% DOWN 12% INTEREST• 5 YEAR BALLOONSHOWN BY APPOINTMENTCall EEC, Inc.Hear AgainChicago's Used &Demo SpecialistWhere You Save 40-70% Off Retail, LikeThis Week's One-Of-A-Kind Specials:retail nowHK 340 220,00 1 59.00Sonsui 200 150.00 89.95Sherwood58900a 450.00 185.00Sansui 5000 450.00 175,00HK 330 229.00 120.00ADC 160000 230.00 120.00Mesa 65V 90.00 29.95w/car fridgeGarrard 0100 230,00 49.95BSR 8" 2 way 90.00 ea. 90.00 pr.Mesa 60 2 way 140.00 eo. 140.00 pr.Cerwin VegaR26 170.00 ea. 110.00 pr.Mini Mesa 15 60.00 ea 49.95 pr.Teac2300$ 600.00 325.00R. to R.Hear Again Stereo7002 Pfortli California338-7737Mon.&Thur.,: I t am-9 prnTuey.-Frt.: 11 am-6 pmShrt.r II ain-SrlO pm6^-The Chicago Maroon—Friday. October 9, 1981iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiKiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiimiiiIIIHMUHIHimimiMMIIMIIlllllllllllllIKIIIIIIIII OCTOBER 9, 1981 iiiiiiimiiiiiiiiiiimiithe grey city journalFOl IPTFFNTH yt A P iiiiiiiiiiiiimimtiiiiiiiiiiiiiiiiiitmiiiiimitiiiiiiiitiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiim rvjUK111IN I n YtAK uiiiimmiiiiiiiinilllllllllllllllllllllllllll!llllllllllll|||||||||||||||||||||||||||||||||||||||||||||||||lll|||||||||||||||!lll|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||!l|||||||||||||||||||||||l!l|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| mfReproduction of Violence, Reproduction of FearKen WissokerI, like many, found the Orly's ad in lastFriday's Maroon extremely offensive. Ithink it is important to understand how andwhy it achieves this offensiveness; how thead works to produce meaning, and preciselywhat those meanings are.The message of this ad cannot be limitedto the single meaning, 'We desperately wantyou to come to Orly's brunch'. A photographor an ad, like any cultural production, iscreated within an already existing world ofmeanings. All the elements in a picture —the man's running shoes or the lines on thebuilding, for example — 'mean', even if theywere only included accidentally. Once com¬pleted, the ad has an existence beyond theintention of 'the author'.To read an ad one looks at the elements intwo ways:How does each item differ from similaritomc; vA/hirh minht havp hp^n iiqpH ir thairplace? Why is this word or image presentrather than another and what does this onesay that another wouldn't?What are the relations between theelements? Why are they arranged in thismanner rather than another, and what doesthis 'grammatical construction' say thatanother wouldn't? .The man stands over the woman in thedominating/dominated position which con¬tinues to be the dominent political relationship of the sexes in real life. The man standsover the woman and she leans back awayfrom him. His stance, his muscular arm, thedetermination on his face, even his thickwatch indicate power beyond the gun heholds. This power is clearly sexual. Hispelvis is cocked. The implied threat in thisad is not just murder, but prominently,rape. The gun, perhaps the symbol ofunanswerable male phallic power par ex cellance, is held erect in straight arms,pointing at the waitress from above. Thephoto reinforces this vector with two lines ofthe building which extend toward thewoman from the ends of the man's hips.While the manager faces the woman, andonly looks out of the corner of his eye at theviewer, the waitress looks directly at theviewer. Her knees and lap also face forwardtoward the viewer. Her legs below the kneesdo not appear — She is like a broken Greeksculpture, an art object. In Western art, thisposition, as in an odalisque, signals theavailability of the female subject/object inthe painting to the male viewer/owner (seeJohn Berger's Ways of Seeing).The waitress invites the reader to playtoo, to take the same attitude towards her asthe manager does. In fact, by facing theviewer rather than the manager, thewaitress shows that she really belongs to theviewer, even more than to the manager.This gives the reader the choice available tothe powerful; of being charitable, going tobrunch instead of allowing her to be killed.There, of course, he will buy her actual service. This promised availability in real lifehas already been delivered in the ad.The woman is on her knees, the most ob¬vious position of submission. At the sametime she is smiling — perhaps a nervouslaughter, but more probably someonepretending to be afraid while actually enjoying themselves. The ad thus represents themost pernicious myth about-rape : that thewoman actually 'wants it', 'asks for it', 'en¬joys it'. This myth is absolutely false. A let¬ter in the Village Voice once described rapeas being stabbed in the most sensitive placewith a blunt object, not sex at all. Yet themyth is used to transfer responsibility fromthe attacker and the patriarchal ideologywhich both produces and supports him, on to the victim herself.A Playboy centerfold, or a 'Fly me I'mColleen' ad also re produce objectification,and cultivate the ideology that women aregenerally available to satisfy any man'swishes. This ad brings out a part of thepatriarchal ideology that is more latent inthese other examples. Not only are womensuch that they will free'y submit to men'sdesires, but also if they do not, men can useforce to obtain such submission. And thewoman will enjoy it.The waitress who appears in this ad turnsout to be the manager's wife. When themanager was called about this ad, he put thewaitress on the phone so she could say thatshe did the ad voluntarily and didn't thinkanything was wrong with it. (I wonder if themanager was still holding the gun, her job,or her marriage over her head. Or maybeshe might have thought they were there.)Apparently she thought people would com¬plain because they were concerned aboutgun control. It had never occurred to herthat the ad had anything to do with sexualpolitics. But she is already the victim of aweapon far more pervasive than guns, theliving male reality of what was mythicallyascribed to the Medusa: the power of turn¬ing people to stone — objectification. Thiswoman has been used.The typical response to accusations ofsexism (like this article, for example) isthat those who raise objections have nosense of humor. I have talked to a largenumber of people and have found no one whothought this ad was funny. Humor resultsfrom uses of cultural structures andmaterial. This material is potentially ofpolitical significance as well. This produceslimitations on what will fall into categorieswe will call funny. Few Americans found'Send back the Shah or we will kill these hostages' a laughing matter. If Khomeinihad announced that it was just meant as ajoke, it still would not have been funny. Thisad is not funny. This is not because we haveno sense of humor, but because it fails to befunny on its own merits, as weighed by ourcultural standards.The National Lampoon cover on whichthis ad 'plays' shows a hand holding a gun toa dog, with the legend, "If you don't buy thismagazine, we'll shoot this dog." The Orly'sad makes two major changes from thismodel. First, a woman is substituted for adog. This produces an unfortunate degree ofstructural equivalence. Orly's is savina,Man:Woman/National Lampoon: Dog. Thesubstitutibility depends on an assumption ofequivalence.Secondly, the Orly's ad shows an actualattacker whereas the National Lampoonpicture portrays only a hand with a gun. Theperson holding the gun is not seen, and istaken to represent The National Lampooncollectively. The threat is immediatelyunderstood as unlikely to materialize. Obviously a man holding a woman at gunpointon the streets of Hyde Park, is neither anunlikely event nor a humorous one.The National Lampoon cover producedwhat was at one time their largest sellingissue. If something mildly offensive madethat much money, perhaps something evenmore offensive will make even more money.This is in two ways the same ideology whichproduced Hustler and its picture of a womanin a meat grinder in an attempt to outsellPlayboy and Penthouse. Women are seen ascommodities and objects for men's use — somuch meat. It is unavoidable that the appearance of this objectification in media hasan effect; that it plays a part in creatingconcepts in the general culture which arelived.From another point of view, an additionalmeaning emerges from this ad. Thewaitress rather than the manager is wearing the Orly's hat in the photograph. In away the woman is his restaurant. He ownsthe restaurant, is loyal to it; he creates it. Ifpeople don't like it — don't come to brunch— he will kill it, and so will be forced to losethe closest thing to him. i have worked in arestaurant and know that owners identitythe restaurant with themselves. On theother hand, they often treat the people whowork there like shit — the employees cannever care about the place enough, cannotbe trusted, are replacable, and mustalways do the owner's bidding, however ir¬rational it is. Most restaurant workers comefrom marginal groups in the labor force: theyoung, Blacks, women, Chicanos, gays. Thesexist and racist structures of dominationand the capitalist hierarchies reinforce oneanother. This may sound like rhetoric but itis lived, practised, if sometimes un¬consciously, everyday.This ad represents a number of thepredominate hierarchies in our society:husband over wife, man over woman,manager over waitress, capitalist overworker. It represents these relations as onesof justified violence. Thus the strongestmessage of the ad is not about brunch at all.It is about the objectification of women, andtheir availability for indiscriminate use bymen. And this is not a 'mere' philosophicalissue.Perhaps the most difficult fact of living inHyde Park, which effects nearly everyone,is that women cannot walk safely at nightfor fear of assault. While the 'joke' in this adwould claim that this doesn't really happen,the picture shows that it does. And in HydePark it often does. The picture does notrepresent a remote possibility but an all toocommon reality. This is why 'we will shootthis dog' may be a joke, but "I will shoot thiswaitress" is not.HyOfrpm_ i UHStudio and 1 BedroomApartments Available— Students Welcome —On Campus Bus LineConcerned Service5480 S. Cornell684-5400 •Eye Examinations•Contact Lenses(Soft & Hard)*Ask about our annualservice agreement, bahtmj- . . BAU5CH•Fashion &LOM8Evo- SOFLFMcms ChurchtVo,fshipSchi ark001 (all UNlOHa9es) CHURCHw.- Kenneth Wiinl"06c°rr>e. \A,nr ’Vlll'amsAfursierV Pro Woo 9:4511:00Worship slj' listerServe a.m.a.m. I INSTANTIPASSPORT PW'LEHQtthe HYdf pARK\s~orLOCATED IN THEHYDE PARKSHOPPING CENTER1510 E. 55th 363-6100w '— 'oralVERSAILLE.forstr~Lq^HitchFurr U°EHrsr?e StudBus en •Unf, IQSUt»itiesWqIk.Of do urn Iriclm G.IV.15]AsDOcPeeiniFilms/Law School FilmsPresentatiotiHi This Evening (Friday)Mandel Hall (57th Stand Univer<=;*- 'r» to7th Stnand University) at 7:15. ai9:45. m'eet$2—r f ICOFFEEHOUSEEnT£RT,Cheesecake freeBaqelsetcetcetc ETCoCs£k*>t Hosed or°n A Co m Pus**5as?^||r, ^ - . / c. 55thTel. 947-9335Eyes examined and Contact Lensesregistered Optometrists.Specialists in Quality Eyewear at ItPrices.Lab on premises for fast service -replaced lenses duplicated aniscriptions filled.Hi*rn^.:tfi.: II[U, j?*nr«%il17 #If,mt*kimbarkand wine shopBEER SPECIALS warm onlyGal. Bottle CANADIAN ACE (BEER & ALE) 1.8912-12 oz. Bottles BUDWEISER 3.996-12 oz. Cans STROHS 2.096-12o?. Cans BUCKHORN 1.696-12 oz. Cans OLD MILWAUKEE 1.7912-12 oz. Cans OLD STYLE 4.096-12 oz. Bottles GROLSCH #*. 3.3925 oz. Can K B TOOTHS .. |§ 996-12 oz. Bottles BULL DOG (Coupon 2.49) 2.99LIQUOR SPECIALSOne Liter J & B SCOTCH. A 13.991750 ml. DIMITRI VODKA /... .A 3.29One Liter KAHLUA (Coffee Liqueur) 10.991.75 liter SEMKOV VODKA80* 7.09750ml. RON RICO RUM (White or Gold) 4.39750 ml. OLD TAYLOR 80 5.291.75 liter BLACK VELVETI; it - 12.99750 ml. SEAQRAMStfryl .1^1 1. 4.89750 ml. BLACK TOWER LtEFRAUMtUft ) .... f^0N 3.19750 ml. CASTELVECIO LAMBRUSSCO COUPON 2.99750 ml. WEDDING *.?... 3.49750 ml. SAN MARTIN MUSCAT Dl CANELLI ... 3.99 2/7.00750 ml. SUTTER HOME ZINFANDEL ! 4.99750 ml. RUTHERFORD HILL CHARDONNAY 8.9912 mondaylO Saturday • 14 Wednesday \ 15 thursday13 Tuesday #artThe Smart Gallery, 5550 S. Greenwood Ave.,will have on exhibit fifty rare watercolorsby Vasily Kandinsky from Oct. 15 throughNov. 29. This exhibit, featuring works from1911 to 1940, traces the Russian born Kan¬dinsky's shift from literal subject matter toabstraction. Many of these watercolorshave never been on public display. The gal¬lery is open Tuesday through Saturday from10 a.m. to 4 p.m. Admission is free.Art to Live With This Tuesday, Wednesday,and Thursday from noon until 10 p.m., youcan view the Joseph Shapiro collection ofpaintings and drawings which were donatedto the University for the purpose of allowingstudents to borrow, for a quarter or so, aminor masterpiece by say, Picasso or PaulKlee. Next Friday will be the mad dash forone of these lovely artifacts, and be sure tocome early or else you may get stuck withsome ugly scrawls by someone with thename of Lazio Nottenberg. Now's the timeto take a look at all of the works, and Fridayyou can pick a number and wait your turn.The insurance fee is quite small, and be sureto say thanks to Mr. Irving Shapiro, who justloves to shower the Philistines with healthydoses of Culture, even if he did choose quitea number of masterly duds. Brought to youvia the Student Activities Office.Don Graham: Selected Works The Renais¬sance Society continues this fascinating ifnot entirely satisfying show of photographsand constructions by the noted American artist Graham, whose stark photographs ofhouses and architectural sites are coldly,rather strangely beautiful. Some of Gra¬ham's constructions — particularly a huge,walk-in mirrored piece which plays illusionist tricks — come across as a bit gimicky,but the over all show is well-worth visiting.Newcomers should by now become ac¬quainted with the breath taking location ofthe Renaissance Society, a pivotal museumplace in its early days, with its wide win¬dows with 3 broad view of the entirecampus. The show continues until No¬vember 8 in Cobb Hall.Fred Holstein: Owner of one of the betterfolk clubs in the city, a political activist, anda pretty fair picker, Holstein will appearthis Saturday, October 10 at 8:00pm at IdaNoyes Hall in a benefit performance for UCStudents for the Citizen's Party.Art Blakey: With, as always, a band of hot,young Messengers, the dean of jazz drum¬ming will be at the Jazz Showcase, locatedinside the Blackstone Hotel, at 636 S. Michi¬gan, through Sunday, October 11.Commander Cody and his Lost Planet Air¬men: A hybrid of the Dead and Bob Wills'Texas Playboys, Commander Cody is at Unshaken (1929), Vasily Kandinskyonce down-home and cosmic. Catch them atTuts, 959 Belmont, this Saturday, October10, at 10 and 1.Checkerboard: This weekend, Buddy Guyand Junior Wells with the 43rd St. band 423E. 43rd St.Valhalla: Saxophonist King Salavine on Fri¬day night and Singer Lavail with BrownSugar on Saturday night. 1515 E. 53rd St.Clifton Chenier: The accordion-playing kingof Zydeco music has come up from thebayou for an engagement through Saturdayat Fitzgerald's, 6615 Roosevelt in Berwyn.See next week's gcj for further coverage.Theresa's: This weekend, Phil Guy,Buddy's brother, and Junior Wells. Juniorgets around. 48th and Indiana.Love One Another (Carl Theodor Dreyer,1921) Presumed lost for many years, a copyof this early Dreyer film was discovered inRussia in 1961. Set in Russia in 1905, Loveconcerns the plight of a young Jewishwoman caught amidst the pre-revolutionaryand anti-semetic riots. This is a rare opportunity to catch an early and interesting workof one of the cinema's greatest artists. Friday, Oct. 9 at 5:30 p.m. at The School of theArt Institute of Chicago's Film Center, Co¬lumbus Dr. at Jackson Blvd. S2.50.Raging Bull (Martin Scorsese, 1980) LikeGodard's collaborations with Jean-Paul Bel¬mondo, Scorsese's pact with DeNiro hasbeen vital to the director's most impressivefilms: DeNiro is the screen incarnation ofScorsese's hypersensitive imagination andparanoia. But with Raging Bull DeNirocompletely steals the show from the direc¬Part II of the interview with President Hanna Gray will appear in next week's issueVEditor: Richard KayeArt and Production: Susan Franusiak, Nadine McGannFilm Editor: Richard MartinMusic Editor: Jim GuentherBook Editor: John EganFiction-Poetry Editor: Paul O'Donnell 4 tor, with less than impressive results. DeNiro performed some of the most amazingphysical contortions in the history of filmacting: first muscle Dound, then 60 lbs. overweight and with a broken nose. And sur¬rounding DeNiro's Jake La Motta are thedirector's visions of maniacal machismo:an array of extra marital affairs, wife beat¬ings, and wanton violence. Although this formula of machismo death wish was effectivein Taxi Driver, Raging Bull, despite techni¬cal dexterity and stunning photography,lacks Scorsese's usual feel for environmentand mise-en-scene. The only things here areDeNiro's contortions and blood 'n guts. WithCathy Moriaty as the gorgeous punchingbag, and Joe Pesci as the brutalizedbrother. Friday, Oct. 9 at 7:15 and 9:45 inMandel Hall. S2. A DOC/LSF presentation.R.M.Dumbo (Walt Disney Studios, 1941) The ad¬ventures and fantasies (not sexual) of an el¬ephant with big ears. With Timothy Mouse,and Jim Crow. Saturday, Oct. 10 at 2:30 p.m.and Sunday, Oct. 11 at 7 p.m. in Quantrell.SI.50. DOC Films.Divine Madness (Michael Ritchie, 1980)How divine is Bette Midler? That's for theviewer to decide, but in this film she's hilari¬ous if nothing else. Not only is this campyconcert film a fine mixture of music, jokes,and hysterics, but it's also an ideal showcase for Midler's multi-faceted personality.But unfortunately the director doesn't possess the actress's versatility: Ritchie isconstantly botching Ms. Midler's "subtle”Fred Holstein in concert this weekendTHE GREY CITY body language with his insistent penchantfor close-ups. Nonetheless, Midler surviveswith flying colors. See this film for its star.All profits from this showing will go to U ofC's radio station, WHPK. Saturday, Oct. 10at 11:15 p.m. in Quantrell. $2. DOC Films.C.L.C.The Damned (Luchino Visconti, 1969) This"serious" adult picture combines transves¬tites, Hegelian Determinism, and incest inorder to depict the sense of passivity andpersecution in the early days of Hitler's Germany. And Visconti operates under the illu¬sion that by graphically showing massacres, child molesters, flagrant faggots,black leather boots, and swastikas he hascreated a profound and challenging film.But actually Visconti's melodrama, self-conscious artiness, and distorted realismmakes The Damned one of the most pretentious and vulgar films of the '60s. Such indul¬gences not only create bad films, but resultin historical distortions and irresponsiblepolitics. This film should not be seen, itshould be boycotted With Dirk Bogarde, In¬grid Thulin, Helmut Berger, and CharlotteRampling. Sunday, Oct. 11 at 8:30 p.m. inQuantrell. S2. DOC Films. R.M.The Dawn Patrol (Howard Hawks, 1930)This is Hawks' first talkie, and a film thatforeshadows his later flying-men-film, OnlyAngels Have Wings. With The Dawn Patrol,the director begins his career long fascina¬tion with daredevil adventure seeking men,a world, of course, that prohibits any sin¬cere interaction with women. Ana in Patrolwomen are almost completely absent, un¬like the interfering presence of Jean Arthurin Angel.Court Studio Stage Blood, Charles Ludlam'sriotous satire of Hamlet as well as all classi¬cal theater is playing for just one moreweek-end, and it may be the best entertain¬ment bet this week-end — anywhere TheArcane Theatncks theater group, whichperforms the show, has maae an exciting, ifsometimes uneven aebut. Performances are8 p.m. Friday ana Saturday and 3 p.m. onSundays. See accompanying review.Kabuki Macbeth The Wisdom Bridge The¬ater presents a version of Shakespeare'splay with Kabuki style action, dress, andperformances. Wisdom Bridge, 1559 WestHoward. Call 743-6442 for more information.Discovery #81: Building Gay and LesbianCommunity starting Saturday, this is amajor Chicago conference presented byGay Horizons Inc. and the Gay AcademicUnion, Chicago chapter, dealing with a widevariety of gay concerns, from the images ofgays in film to the meaning of gay theater toquestions of psychiatry and homosexuality.The Conference, in addition to offering morethan thirty-five workshops, will host presentations and open meeting with Vito Russo, afilm historian and author of the recentlypublished The Celluloid Closet.- Homosexuality in the Movies; Jean O'Leary, ExecutiveDirector of Gay Rights Advocates, a publicinterest law group and President of the Na¬tional Association of Business Councils, andformer co-director of the National Gay TaskForce; and Ronald Bayer, the author of thenewly-published Homosexuality and Ameri¬can Psychiatry: The Politics of Diagnosis,an analysis of the struggle within the Ameri¬can Psychiatric Association to declassifyhomosexuality as an illness. Final registration is 10 a.m., and the conference is atNorthwestern University, EvanstonCampus, Norris Center. For more info, call929 4357.JOURNAL-FRIDAY, OCTOBER 9, 1981 — 3To the Editor:The October 2nd issue of the Grey CityJournal contained a review of SidneyLumet's new movie, “Prince of the City/'the story of a police officer for the SpecialInvestigative Unit of the New York PoliceDepartment who turns informant. This officer eventually testifies for a special com¬mission investigating police corruption. Thereview in question was titled “Not So Prin¬cely." I vehemently disagree with the opin¬ions of the author of this review on severalpoints.Charles Coleman, the author of “Not SoPrincely," is concerned with the question¬able heroism of the main character, DannyCiello (played by Treat Williams). Says Co¬leman, “Lumet and Allen elected to makeDanny a moral figure in the midst of a greatpersonal crisis, but their screenplay betrays- him since he is just as corrupt as the peoplehe is exposing." This statement, in my opin¬ion, is unfair to both the director, and themovie as a whole. To state that Lumet in¬tended to make Ciello a moral figure, or in¬deed, any sort of a righteous hero, is to com¬pletely misunderstand the central issue ofthe film. Of course Ciello is as corrupt as thepeople he is exposing. Were he true blue andunswervingly honest, the film would amountto an inferior re hash of Lumet's earlier“Serpico," which starred Al Pacino as thecop who didn't take money. In "Prince ofthe City," Lumet has transcended a defined"good-guy-bad-guy" format. Ciello is rid¬dled with indecision: motivations half-un¬derstood not only by us, the viewers, butalso by Danny himself. He wonders (and wewonder with him), *'ShddW he give informstion? Will he be able to protect himself andhis loved ones, #amn/|/parthers,|etc.)?!Why, in fact, did he become a law-enforce-.ment officer in the first place? Is he right tosqueal on others when he himself is guilty ofwrongdoing?" It is precisely these unans¬wered questions, these seeming ambigui¬ties, this "lack of definition" (as the authorColeman puts it), that makes this film spe¬cial.In addition, Coleman repeatedly calls forspecification of the crimes which Ciello hasperpetrated while a detective for the SIU.For example, Coleman queries, "How arewe to understand this guilt that he (Ciello)suffers, unless we know what it consti¬tutes?" and states, "This (Ciello's self- orotherwise-imposed 'aloneness' is supposedto be the price one pays for telling the truth,but the screenplay nor Lumet's directioncan tell us what the truth happens to be."The question here is not whether Lumet cantell us what that truth is, (obviously, hecould have had he intended to, which, I feel,he did not), but what the consequences ofthat truth are on the lives of Ciello, his partners, his friends, and those againstwhom he testifies. The precise details of the"truth" of Ciello's guilt, here, are irrelevantto Lumet's purpose in the movie; it isenough that we understand that Ciello isguilty of crimes, much more so, in fact, thanhe is telling. The critic Coleman furtherstates, "It isn't too much to expect the mo¬tives of our heroes to be understandable."This is a relatively safe claim, apparently,from a critical standpoint, but is thoroughlyover-simplified. Well, Mr. Coleman, in thiscase it is too much to expect, for the reasonsI have just outlined.Certainly, Ciello is, as Coleman says, a"tainted hero." Of course he is concernedwith "saving his own skin and freeing him¬self from his guilty conscience." He is noself-sacrificing martyr, and does not pre¬tend to be. His non Serpico-ish personality isthe vehicle through which Sidney Lumettakes a major step forward, and achieves aneffect profound and stunning in its realism.Ciello is weak; human beings are weak.This film is far-reaching and compassion¬ate, arid Coleman, in his review, does it agrave ihlttst&elfai,The film isi perhaps, twenty or thirty min¬utes longer than if should be, but I wouldrecommend it to all who have not seen it.Additionally, I would recommend thatCharles Coleman view the picture a secondtime and consider carefully its full impact.Indeed, the character Dan Ciello is "Not SoPrincely," but, then again, who is?O A Jeffrey K. TaylorThis letter is in response to the article"People in Chicago Arts Meet the Slasher,"25, September. I am a local artist and a stu¬dent at the University. I was surprised bythe comments of the people you interviewedand the insistent closemindedness withwhich they view art in our society. The gen¬eral feeling seems to be that the cuts in artsubsidies reflect callous, Philistine valueson the part of the president. The view that the cuts represent a necessary reversal ofwasteful policies is not mentioned.During the campaign for office, Mr. Reagan reportedly informed the public of his in¬tentions. The mandate from the people forreductions in subsidies is a clear fact, andnot "alleged," as Mr. Doosek says. Mr.Harper states that "with gov't grants artistswere usually free to do what they wantedwith the money." The money Mr. Harperrefers to was earned by you and I, and wehad no such freedom, needless to say. It fol¬lows that the money is going towards artthat "offends and shocks its audience." Thistype of art tends to frighten off patrons andwe are forced to promote something that of¬fends us in the name of aesthetic progress.Mr. Harper claims that the cuts will forceartists to cator to their clients, "distort theirpersonalities and ideals" in order to fall infavor with corporations. We all have to con¬form to the demands of the market in orderto live comfortably and realize our ideals.Should artists be an exception? The ideathat eccentricities should be catered toagainst public consensus seems undemocratic. Gene Fama, Jr.Passport Graphics£ All Verve Jazz Classics (Reg. $9.98 manufacturer’ssuggested list price NOW ONLY$6.49 per disc / 3 for $18.00Here are some of the LP’s included in the sale,OSCAR PETERSON TRIOAt the Concert£ebouwmin i;IIOIJDWi £Of... ELLAFITZGERALDWHISPER iNOT GETZ MEETSMULIJGAN6.496.49 PIANO INTERPRETATIONSBUD POWELL 6.49 6.49 UMV 265 7wesmonTGomerYcauFormaoreaminG IntermodulationBill Evans649 MV 2573 6.49 UMV 26 726.49 6.49 UMV 2106THE OR I GIN ALJAZZ JCUSSI CS Verve Jazz Classics are press¬ed in Japan on the HighestQuality Virgin Vinyl and areenclosed in Anti-Static sleeves. Spin-lt1444 East 57 th Street684-1505Spin-lt now, Spin-lt later, but Spin-lt4—THE GREY CITY JOU R N AL—FRI DAY, OCTOBER 9, l$8t M.C.Escher's-ThreeSpheresII5635 S. Maryland 311:00 - 12:30Mail orders are being accepted. Hurry!First concert October 21 st.Series Prices$15.00 — Main Floor, RowsA to D$21.00 — Upper Balcony$24.00 — Main Floor, RowsEtoW For more informationcontact LibbyMorse at theStudent ActivitiesOffice753-3591$32.00 — Lower Balcony$45.00 — BoxesSix Chicago Symphony Orchestra Concerts on Wednesday nights at 8:00Conductors will include Sir George Solti (on both series!), Henry Mazer, JanosFerenqsik, Leonard Slatkin, and Christoph von Dohnanyi.Compositions will include symphonies by Beethoven (1 and 5), Brahms (4),Mozart (39), Schumann (2), and Shostakovich (8); concertos of Beethoven,Bruch, and Mozart; as well as shorter orchestral pieces by Beethoven,Debussy, Carter and Kodaly.1New Hours!Monday thru Friday11:00 am til 4:00 pmThe Blue Gargoyle Food5655inServing Healthful Foodfor mind, body and soul COURTSTHEATREPresentsTHE COURT THEATRE COUPON BOOKOttered Exclusively to UC StudentsSee 4 Professional Plays for Just $20The Seagull by Anton ChekhovThe Entertainer by John OsborneThe Guardsman by Franz MolnarThe First Night of Pygmalion by Richard Huggett81/82 Season: Nov. 5 - May 23Coupons are redeemable for any show including weekendssubject to ticket availability.This offer ends October 31, 1981. Quantities are limited'Coupon books are sold at the Reynolds Club Box OfficeLimit one coupon book per UC student ID.Faculty/Staff/Student Discount Subscriptions also available.Call 753-3581Nijole AmbrazaityteMezzo SopranoPrima Donna of the Lithuanian State OperaA Recital of Works by J. S. Bach4 p.m., Sunday, October 11Rockefeller Memorial ChapelTHE FLAMINGO APARTMENTS5500 South Shore DriveSTUDIOS & ONE-BEDROOMS• Unfurnished and furnished• U. of C. Bus Stop• Free Pool Membership• Carpeting and Drapes Included• Secure Building• University Subsidy for Students & Staff• Delicatessen • Beauty Shop• Barber Shop • T.J.’s Restaurant• Dentist • Valet ShopFREE PARKINGM. SNYDER 752-3800USED OFFICEFURNITUREUsed wood desks from $135Used metal desks from $25Used 6 ft. drafting tables4 drawer files from $50Open Dally 8:30-5Sat. by appointmentBRANDEQUIPMENT 8560 S. ChicagoRE 4-2111Open Daily 8:30-5Sat 9:00-3THE GREY CITY JOURNAL-FRIDAY, OCTOBER 9, 1981—5mmAN INTERVIEW:Phillip Glass is probably the premier min¬imalist composer in the United States today.His music, like that of fellow-travelers SteveReich and Terry Riley, emphasizes blocksof repeating patterns which change gradual¬ly over time to produce a non-narrativemusic: music which must be seen struc¬turally as shifting features in identicalforms, rather than read linearly. Glassachieved greatest acclaim for his music inRobert Wilson's play/dance Einstein on theBeach. His music has had great influence onsome Avante Garde "new wave" groups,and he himself produced an album for one ofthese, Polyrock. The Phillip Glass Ensem¬ble will appear on campus in February. Theinterview was conducted by David BlairToub, who will be conducting a festival ofPhillip Glass's work on station WHPK be¬ginning in January.TOUB: I'd like you to say a few things aboutyour background, more than just what's onthe record jackets. Maybe something aboutyour having gone to the University of Chi¬cago.GLASS: Well, I did spend five years in Chi¬cago. That was from, I think, '52 to '57. I wasborn in Baltimore, and I studied music thereat the Peabody Conservatory. I came to thatearly entrance program that they had at theUniversity of Chicago. I actually beganwriting music here. I didn't have any musicteachers though. I was mostly studyingmusic in the library, and just writing music.But when I finished my degree programhere, I went to Juilliard and I had a verystraight academic training there. I ended upwith a Master's in 4 or 5 years after that.Then I was in Paris to study with Nadia Bou¬langer. I came back from Paris in 1967 and Istarted the ensemble, which is really whatyou're hearing tonight. Shall I say thatwe're at the dressing room at Tuts. This isjust before I'm playing tonight. The group Istarted has basically been the same. It's twoelectric organs, three woodwinds doublingon flutes and saxophones, and one singer.Some of the original members of the groupare still playing. Jon Gibson started with me szin 1967, and then Richard Peck came. Kurt JoMunkacsi started in 1970 and Michael Ries- £man, the other keyboard player, started in 4,'73. Iris is our newest one; she started in £1975, so we've been together for a long time, gAnd it's really ensemble music; it's ampli- c music. It's high energy, fast, rhythmic,based on repetitive structures, and veryharmonically simple music.TOUB: I know that you were very much in¬fluenced by Ravi Shankar, who taught youthe Indian additive process. Were you at allinfluenced by the works of Olivier Messiaenor Colin McPhee, which also gravitatedtowards an Eastern musical system?GLASS: No. It's interesting that you shouldmention them, because they're men of a dif¬ferent generation and their approach to non-Western music was very different from mygeneration, with people like myself andother people that we know who are workingthis way — Steve Reich, and La MonteYoung to an extent. I think for us the mainpoint was to find the structural elements inIndian music. Messiaen and McPhee aremen of a different generation and our ap¬proach to the Indian music wasn't to makethe music sound exotic in any way. I knowthat in my own case it was to take the struc¬tural ideas in non-Western music and usethem in Western music, so generally we aretalking about ideas in rhythmic structuretied chamber music, I guess you could call ‘<vit. We don't use a conductor, and the music's £completely composed; it's not improvised jjj that become the overall structural principlein music, at least up to now. With ColinMcPhee, you're talking about some kind ofconscious cross-culturalization kind ofthing. To tell you the truth, it doesn't eveninterest me. I think that you might as wellgo back to Debussy and the people whoheard the gamelan band at the 1895 World'sFair in Paris which was maybe the firsttime that non-Western music was in theWest, and I think the first wave of interestwas almost in the level of what we call chin-oiserie. I don't think it really went to theheart of the music. The kind of work I'vebeen doing takes ideas from, well as I'vesaid, they're structural ideas, and they'recarried through. I don't think that when youhear the ensemble, you think of Indianmusic, or Japanese music, or Africanmusic. I think you think of American musicbecause that's really what it is.TOUB: Do you think of your own music asmore a natural progression along these linesfollowed, for example, by Ernest Bloch orDebussy, as opposed to being a reactionagainst serialism, aleatoric music, or othercontemporary schools?GLASS: No, I think of it as a reac.,on toserialism and aleatoric music.TOUB: Even though you composed serialmusic as a student? c.GLASS: Yeah, sure. I was just a kid then. I Jomean that's what you do when you're a stu-^dent, you do what your teachers do. At a cer- ^tain point, I think for me it was around 1964£or 1965, I realized that that wasn't my cmusic, and that I really didn't want to have cany part of it. I set a vow — I was living in 4Paris and I was unaware of what other cur- grents were going on in America, and thatthere were other currents — to find a newkind of music that would be almost in oppo¬sition to the serial school. I felt very muchthat the statement I was making was kind ofa repudiation of the Second Viennese School,if you will. I think it was taken that way, andthe initial reactions to it were very hostileand very violent, and even today in academ¬ic circles that's very true still.TOUB: I know, for example, I went to Juil-liard for two years, and the very mention ofyour name or Steve Reich's name was an¬athema.GLASS: How long ago was that?TOUB: Just two years ago.GLASS: Well, things haven't changedmuch, have they?TOUB: The only recording they have ofyours is Two Pages, and they got that be¬cause . . .GLASS: ... it was on the record with some¬one else, right. Well, I guess I must be on the right track. My music isn't academic music.I think that's part of the strength of it.TOUB: Well, do you find it ironic that, con¬sidering years ago you were forced to createyour own ensemble because people weren'tplaying your music, today other groups areinterested in playing your music? AlvinAiley comes to mind, I know they want tochoreograph a piece to Einstein on theBeach, the Da Capo Chamber Players commissioned a piece from you.GLASS: Alvin Ailey is a dance company,and actually this has been picked up by a lotof dance companies, not only him, but one ofthe first dance companies was, well, Lar Lubovitch did some pieces. Lucinda Childs haschoreographed with Andy deGroat. It's beenmostly what they call the post-modernistUJschool, but Alvin Ailey of course is a verymiddle-of-the-road dance company. The DaCapo players, they really did an arrangement of something of mine. I didn't actuallywrite a piece for them. I hadn't been veryinterested in placing pieces with othergroups because I am still very much a performing group myself. Let's say I am stillperforming with a group myself, and I feelthat I have to keep the music for the ense¬mble — it makes it easier for us to get work.Many of the people in the group depend to anextent on the ensemble and by kind of monopolizing the music and not letting it beplayed by any other group, it makes it reallynecessary for any sponsor who wants to6—THE GREY CITY JOURNAL—FRIDAY, OCTOBER 9, 1981hear the music to hire the ensemble. It's aneconomic position, really. One of the rea¬sons why we are the only ones who play themusic is that I don't want anyone else get¬ting the performance fees that we wouldlose if anyone else played the music. It'svery simple.TOUB: Vet, as a composer, isn't there somesort of instinct intrinsic to being a composerwhere you want other people to play yourmusic, you want other people to hear yourmusic?GLASS: We get around a lot. But apart fromthat, I have begun in recent years to writeoutside of the ensemble. I just did an operathat was premiered in Rotterdam called Sa-tyagraha, based on Gandhi's life in SouthAfrica, and that's for a chorus of 40, 6 so¬loists, and a pit orchestra of 50, and I have anew commission from the Stuttgart Operafor 1983 which will also be for a more or lesstraditional opera force, so I have opened upthat area, and in the case of the operas,that's clearly things that the ensemble can'tdo. As a matter of fact, I am now just recent¬ly developing another outlet for my music,and I find that is very satisfying. I havealways been close to theatre music. I don'tknow if you know, but I was a resident com¬poser with an off Broadway company inNew York. I've always worked in thetheatre. I now really consider that my workfalls into three areas: the operas that I'mwriting for other people, the ensemblewhich is still .the main showcase for themusic, and I also do solo pieces for my ownconcerts and I have been doing solo concertsas of late.TOUB: Now, are you at all interested in get-I ting your music published and diseminat-ed?GLASS: No, first of all the reason I alreadysaid. In terms of publishing, I formed a pub¬lishing company because I thought that wasthe best way to collect the income from themusic so that the monies from, for example,the opera are paid directly to my companyinstead of going through a publisher whowould take maybe thirty to fifty percent. Itdoesn't interest me to be part of a publishinghouse and have my name along the names ofother composers. I'd much rather have theincome from the work itself. As a matter offact I don't respond well to the idea ... Idon't think of myself as a historical personin that way, and it doesn't matter to mewhether I am in the same publishing houseas Aaron Copland or Boulez or BenjaminBritten. I couldn't care less. So basicallypublishing is collecting. It's collecting themechanical rights to a work*the performingrights, and those things I think are best leftto the composer. There are societies that dothis for a composer. There are agencies thatdo that for a smaller percent — three or fivepercent. In Europe you can have your royal¬ties collected by what's called sub-publish¬ing for 15%. Basically, I'm not interested inthat. As far as the operas are concerned, it'seasy enough for me to make copies of theoperas and send them out. I have one agentwho works as a publishing agent and sheplaces the opera houses, and she works on acommission basis. Well, that's all the deep secrets of my economic life, but basically in¬sofar as publishing is a vanity project itdoesn't interest me at all, and I see it as away that potentially I could make a greatpart of my income.TOUB: Well now, how hard was it to getyour pieces recorded? I know you had toform Chatam Square Records. . .GLASS: Well, I started my own company in1971, and I think my first recording apartfrom that. .. Virgin Records promised to doMusic in Twelve Parts and they gave up in1973. . .TOUB: After two parts.GLASS: Then Tomato Records did Einsteinon the Beach, which is a beautifully pack¬aged record. Then, for reasons that didn'thave very much to do with me but had to dowith the record industry at large, they wentout of business. So, at the moment, l reallyhave my own company. I would like to reis¬sue the music through another company. Asfar as disseminating the music through re¬cord companies, I'm not at all opposed tothat.TOUB: Could you perhaps tell us whenwe're going to hear Satyagraha in theStates?.GLASS: Well, there will be a performancein Artpark in July of '81. Artpark is the fes¬tival that's just outside of Niagara Falls inNew York State. We're hoping that thatproduction will come to the Brooklyn Aca¬demy of Music in NY. Those things seempretty firm. As for getting outside of NewYork State, at the moment, I have interestbut no real commitments. What's happeningright now is that the opera houses in Europeare playing the operas, but I don't reallyhave an opera house in America that's inter¬ested in doing it. Artpark is really a summerfestival, it's not an opera house.TOUB: I know that coming up in Februaryyou're having a retrospective in NY.GLASS: Well I'm doing four concerts. Idon't really think of it as a retrospective.There are pieces that l have been wanting toplay in concert, pieces like the concert ver¬sion of Einstein, Music in Twelve Partscomplete, and a number of other pieces Ihaven't played in a while like Music in Simi¬lar Motion, and Music with Changing Parts,so we managed to get four nights at TownHall. Town Hall's a very nice hall in NewYork. It seats about 1400 people and thereare some nice acoustics there. The idea is tothrow on a season like a dance companywould put on a season. If it works out well, itmight be something we might do in comingyears. I think of it less of a retrospectivethan a New York season. I don't know an¬other new music group that does that and Ithink it's a very appealing idea.TOUB: Now could you tell us a little aboutyour role in producing a new rock album,and will that have any effect on your ownclassical music?GLASS: Well, I've been in touch for a longtime with pop groups, that's been kind of anamateur interest of mine. Mostly as a lis¬tener, really. I go to clubs and hear peopleand as a performing musician, I find thatmusicians in New York generally don't categorize themselves. People are just mus!- cians. In fact, some of the people who playwith me, when they're not playing with meare playing in the pit for Barnum, or an¬other person plays...Iris Hiskey sings in aRennaisance group. So there's much moreof an intermingling of musicians in a certainway. So I've been aware of the pop musicscene for a long time, especially the punkwave, or the new wave, or the no wavescene, whatever you want to call it. WhenRCA was looking for producers, I think theycame to Kurt. Kurt's the co-producer of myrecords and also the sound engineer. I knowBrian Eno and David Bowie, and RobertFripp and these guys who produce pop re¬cords, and the fact that I knew them madethem think it was something i would like todo. And I told them that if there was a suit¬able group, that I would be interested. Wespent about six or eight months listening tobands. Kurt and I felt that Polyrock wouldbe right. It's a very young band, they'reabout, oh, twenty to twenty four years old.But they're very committed to their music,and I find them very talented, and I couldrespect their musical instincts. So we metthem, and they met us, and we felt it wouldbe something fun to do, it would be econom¬ically interesting to do. How it affects me apart from that, I don't know. In August ofthis year, I had a premiere of an opera inRotterdam at the same time that I had thePolyrock record come out, and that kind ofrange is something I find very interesting. Idon't think people should wait for a rock ver¬sion of my music, I don't think that will hap¬pen. I know what I do well, and I'm interest¬ed in doing that. But there's a lot that I knowabout working the studio, and a lot Kurtknows too, and it was something we could dowith these fellows that I really think I gotsomething out of.TOUB: What is in the future for yourmusic?GLASS: Well, as I’ve said, I have a newopera commission in Stuttgart in '83, and asa matter of fact I'm talking with Hollandabout another opera for '85, so for one thing,I've got operas to write. Also, I'm still get¬ting commissions for solo pieces, and I stillhave the ensemble, so as I've said, I havethese three areas I'm working in. I'm starting to think about a long range ensemblepiece, something that would...like Mus/c inTwelve Parts took me actually three or fouryears to write, and I like the idea of having apiece that I add to over a long period of time.I'm looking for a similar type of project forthe ensemble that would go along at thesame time that I'm working on newoperas.TOUB: I understand you studied math atthe University of Chicago.GLASS: Yeah...I actually studied a lot ofmusic there, up in the library, t didn't studyin the music department. At the time that Iwas there, Mr. Cooper was there, and it wasbasically a musicology department.TOUB: It still is.GLASS: It still is. Well, there are a couple ofcomposers there.TOUB: Let's put it this way, they don't re¬spond to your music.GLASS.Oh, I don't think they do at all. Theyears I spent in Chicago were important tome, and it will please me to play there. Iheard a lot of music for the first time there,through the concert series and so forth. Andin Chicago in general, I went to hear the Chi¬cago Symphony on Friday afternoons whenthey had student tickets and things like that.I heard my operas for the first time there —I went to the Lyric Opera. So I have a cer¬tain nostalgic attachment to the city in away, but I don't think it's very likely that I'llbe invited to play there.SixPianos-Velez,Chambers,Becker,preiss,Reich,andHartenbergerOur bartender knows howto pleaseHe’s a nice guy. And the crowd that comes here, they’re nicetoo. Plus, the food is nothing short of terrific. With all this,going for it, you could become attached to this place.Happy Hour SpecialsMONDAY—Monday Night Football Special 50c DraftBeer I p.m. to end of game. $1.95 Steak burnerTUESDAY—$1.00 Well drinks • wine • draft HeinekenWEDNESDAY—South Of The Border Night Free tacos;margaritas and Carte Blanca $1.25THURSDAY—Ladies’ Night—Ladies 2 for 1 all nightFRIDAY—Free shrimp boiled in beer.Hot and Cold appetizers 4 to 7 pmTHEGOVERNOR'S TABLE3100 SOUTH HALSTED STREET842-2252The American Express Card. Don’t leave home without if* Court Studio's rather scruffy third-floortheater in the Reynold's Club would appearto be an unlikely place for the debut of a the¬atrical troupe with high ambitions. But lastweek-end a team of actors and variousdirectors calling themselves the ArcaneTheatricks troupe plopped down in theReynolds Club, themselves a bit scruffy andtheir equipment a bit threadbare, with aself-described intention of putting on playswith "an anarchic undermining of political,sexual, psychological and cultural cate¬gories, frequently in dramatic structuresthat parody classical literary forms..." andso on. Although the Arcane Theatricksgroup did not fulfill all of those aspirations in their first show, Charles Ludlam's StageBlood, the combination of energy and witand sheer off-beat, kinky humor make StageBlood not just a terrifically funny satire ontheatrical conventions, but the ArcaneTheatricks Company one of the most excit¬ing off-off-Loop dramatic debuts in a long,long time.Stage Blood is the irreverent, quick-wittedsatire by Charles Ludlam, who is somethingof a cult figure in New York, where the Ri¬diculous Theater Company with which he isassociated has earned a reputation as afirst-rate theater group which produces sur¬realistic, mock-classical dramatic works.Stage Blood concerns a troupe of actors,some of whom are from the same theatricalfamily, who arrive in Peoria to launch aproduction of Shakespeare's Hamlet. Whatstarts off as a play-within-a-play comedy offamiliar discord and murder eventuallyturns into a wild series of couplings and un¬couplings, plots and sub-plots beneath othersub-plots, and an array of theatrical refer¬ences so dizzying it stretches from Hamletto Checkhov's The Sea Gull within a matterof minutes. Director John De Witte keepsthe material rolling along at a high pace fora long time, orchestrating a gifted castthrough a satire of classical theater whichsomehow manages to give more meaning toHamlet than the most eager of "serious"Shakespearean productions.Stephen Pawley plays Carlton Stone, Jr.,the skinny and mousey son of the well-regarded actor Carlton Stone, Sr. (BobAllen), forced to go on the stage to carry onhis father's legacy despite his meager stagetalents. Meanwhile, his mother Helga Vain(wonderfully played by Candace Ferger)cohorts with actor Edmund Dundreary (r.Randylle Fraser) in what appears to be aplot to murder off the young Hamlet's fa1ther. In the midst of these romantic shenani¬gans walks young Elfie Fey (Jaime Rosen¬berg), a budding actress. Also good areRandy Wintery, Bob Allen, and a fine cos¬tume designer Virgil Sanner. In all, this is asurprising Court production not to bem,ssed- By Richard Kayethe (Ol R I XUDIOpresentsAWtTHf.'JK'CfSproduction of by CHARLES LIDLAMw * ■ v-Directed ByJOHN De WITTE(Xtober 2,3,4,9,10,11Court Studio, University Of Chicago5 7*h and University8:00p.m. Fri.-Sat. 3-00p.m. Sun. for information753-3581 ARCANE IRREVERENCEMEIASSOCIA TION PRESENTS“An Adventure InChinese Songs and Dance”byThe Youth Goodwill Mission FromThe Republic of China, TaiwanPERFORMANCE:Oct. 18, Sunday 7:00 P.M.RECEPTIONReynolds Club North Lounge 9:00 P.M.Mandel HallProgram Funded by the StudentGovernment Finance Committee'mb,. *131)# Ml tT 8—THE GREY CITY JOURNAL—FR IDAY, OCTOBER 9, 1981■WAR: ----------------THE GREATEST GAME OF ALLBy David BrooksGallipoli is the peninsula on the north-west¬ern coast of Turkey that forms the westernwall of the Straights of Dardanelles. In 1915,the allied forces launched a campaign whichthey hoped would capture the Dardanelles,thereby neutralizing Constantinople andforcing Turkey out of the war. But for obscenely unrealistic strategy, the invasionmight have succeeded. As it was, the Alliedcommand, led by Sir Ian Hamilton, hurledits forces at the strongest Turkish fortifica¬tions, believing that through sheer forcethey could send their "little, brown ene¬mies" running. During one week, for exam¬ple, Australian infantry was ordered to at¬tack the same trench every morningbetween 10 and 11. And each morning theywere slaughtered. It was, all in all, a com¬plete failure and evidence that the Alliedhigh command had no conception of how tosave lives in a modern war.The film Gallipoli is not so much an ac¬count of the battle as an explanation of it. Ittraces the experiences of two provincialboys, Archie Hamilton and Jack Dunne asthey make their way across the world fromwestern Australia to Gallipoli. Archie is ayoung and enthusiastic country lad, stub¬bornly committed to serving his homelandin its great adventure. While his foil, Jack,the smooth talking city boy, is a more mod¬ern and hence, a more appealing character.He doubts that war is a really marvelousthing to be involved in nor is he too enthu¬siastic about dying for the British empire.Nevertheless, faced with limited opportuni¬ties at home, he reluctantly volunteers. Thissets the pair up for an adventurous journeyfrom Perth to Cairo and finally to Gallipo¬li.All this sounds like pretty conventionalstuff; young innocents going off to war to be¬come men. And indeed, it is. There are a fewtoo many cliche loss of innocence scenes,like visiting a whorehouse, getting rippedoff by deviant merchants or when they seetheir first corpse. What makes this film dis¬tinctive is that these are Australians during the first World War. That is to say, it is notonly the adolescents who are naive, but theentire culture. Weir's greatest achievementis communicating this Victorian Romanticism without ever being condescending ordepreciative.The key to this end is authenticity. TheAustralians keep producing new actors whomove with a tough simplicity. And therearen't the constant reminders that this isonly an illusion, as there are when a star oranother recognizable face appears in a pic¬ture. The faces we see here are all of therugged, weathered look we expect of fron¬tiersman, without any of that make-believeHollywood glamour.continued on next pageGiordano’s of Hyde Park wishes to thankthe community for its tremendous responseto our recent opening. We look forwardto serving you the finest in pizzaover the years to comeDining Room&Pick-Up Service5311 South Blackstone947-0200STILL PERLMANZUKERMAN HARRELLJC.BACH MOZARTOboe QuartetsPERLMANKORNGOCD: CONCERTO IN DCONUS CONCERTOSZ 37756 The master violinist adds a new jazz session &Beethovens great concerto to his Angel Catalog!Straighten your haloes, flap your wings, and spin ondown to the Spin-lt sale on all Angel Recordings • spot¬lighting the newly released Itzhak Perlman recordings.$12.98 list audiophile recordings,regularly priced at $10,68, arenow $8.99 per disc.• $9.98 list L.P.’s, regularly priced at$8.18, are now $6,99 per disc• $5.98 list Seraphim recordings, regularlypriced at $4.98, are now $4.19 per discThe New Standard of Excellence-on Angel Records Sal© runs through October 22,1981Spin-lt1444 East 57th Street684-1505Spin-lt now, Spin-lt later, but Spin-ltmm£cm*mxoSTOREAt the Phoenix in thebasement of ReynoldsClub, the sales are RedHot!All DG-Phillips - Londonclassical LP’s and boxsets are on sale (through10/12). $1 off theregular Phoenix price onall LP’s and box sets.AH Warner-Elektra- At¬lantic LP’s are on sale(through 10/10). All$8.98 list LP’s are nowonly $5.99. All $5.98 listLP’s are now only $3.99($1 off the regularPhoenix price on allother LP’s in stock).All rock imports and allsingles in stock are 10%off with coupon (through10/10).V«tSQ,tia Gallipoli's cinematography shares thistough, authentic character, Australia is, above all, a primitive landscape. It's greatopen plains and white deserts seem the per¬fect setting for dreams of heroic chivalry.And in each scene, the stuff of dreams ismixed with sobering reality. A track meetcelebration turns into a formal recruitingrally. A joyous rugby game is played at thefoot of the pyramids and a playful swim isinterrupted by shrapnel twisting throughthe water bringing up a cloud of blood. Simi¬larly, the battle scenes are a fine balancebetween the operatic spectacle of Kagemu-sha and the trivial gore of The Deer Hunter.Slowly, episode after episode, the lightnessand the turmoil form a balanced and con¬vincing vision of Edwardian life.But Weir couldn't have conveyed the fran¬tic patriotism had he not found a commonlink between pre-World War I Australiansand his modern audience. That link is sport.The film opens with Archie chanting apsyche up routine he uses to prepare for hisrunning of the 100 yard dash. He repeats thechant again at the track meet and towardthe end of the movie in the trenches.Throughout, men are always competing, be it in track, darts, wrestling or rugby. Eventhe hospitals look more like defeated foot¬ball locker rooms than wartime medicalcenters. And at the recruiting rally, the Aus¬tralians are invited to "join the greatestgame of them all!” An account from the ac¬tual battle shows that there was almost nocommon conception of why the war wasbeing fought. It was almost as if it were, likea football game, played merely for the spec¬tacle:"The enemy's shelling was shifted onto them in one great concentration ofhell. The machine gun bellowed andpoured on them sheets of flame andragged death, buried them alive.They were disemboweled. Their cloth¬ing caught fire, and their flesh hissedand cooked before the burning ragscould be torn off or beaten out. Butwhat of it? Why nothing! They wereas devils from a hell bigger and hot¬ter. Nothing could stop them. Theywere at home in hell-fire, and theycaressed it back when it licked andcaressed them. They laughed at it;they sang through it. Their pluck was titanic. They were not men, but gods,demons infuriated. We saw them fallby Jhe score. But what of that? Not forone breath did the great line waver orbreak. On and up it went, up and on,as steady and proud as if on parade. Aseasoned staff officer watchingchoked with his own admiration. Ourmen tore off helmets and waved them,and poured cheer after cheer afterthose wonderful Anzacs.”Even if we're not athletes, we are familiarwith this team spirit. And we can under¬stand what these men were feeling in thetrenches as they prepared for anotherdoomed charge. Yet one also sees that thepsychology of sport is out of place in war. Itshouldn't matter to Archie that he can runas fast as a leopard, but to him, bravery atGallipoli is identical to bravery at the trackmeet. And that is why Gallipoli is a tragedyof misunderstanding. The story of thou¬sands of men who died while clinging to anobsolete is staggering. The movie that canbring this all to us without a dependence onpity and softness is nothing short of magnifi¬cent.A QttiiHaft fix IfraolTtoaiLA Varifhj of £h< tCUERVO ESPECIAL * TEQUILA 80 PROOFiMPOPTED AND BOTTLED BVC 1981 HEUBlETn INC . HARTFORD CONN BUST LOCUERVO &10—THE GREY CITY JOURNAL—FRIDAY, OCTOBER 9, 1981DOC FILMS,Tonight:Tomorrow:2:30:7:15,9:15:11:15:Sunday:7:00:8:30: RAGING BULL (see separate ad)A busy day!Walt Disney’s DUMBOAcademy Award winner for Best Supporting Actress(Mary Steenburgen) and Best Original Screenplay,and according to many critics, the best American filmof 1980: Jonathan Demme’s warm, funny, and bitter¬sweet MELVIN AND HOWARDA special benefit for WHPK:Bette Midler in Michael Ritchie’s DIVINE MADNESSDUMBO (additional screening)Luchino Visconti’s THE DAMNEDSaturday and Sunday films in Cobb HallTOWELS * BED PILLOWSEXTRA LARGE AND THIRSTY 100% POLYESTERBATH TOWELS BED PILLOWSSuper absorbent terry cloth. Choose STANDARD SIZEfrom 6 rainbow colors if perfect $8.99,now only$499 $*J99eachJSimtmmrld52nd & HARPER • 955-0100 • IN HARPER CT.NIKON EMSuperb exposures automatically-just focus and shoot.Makes flash photography automatic with its own pocket-size, low-cost thyristor flash. Adds even more excitementwith its optional motor dirve. Accepts famous Nikon systemlenses and accessories for all the great pictures you’vebeen wanting to take...as sharp and colorfully alive asonly Nikon can makethem. See it, try ityourself...comein today!NIKON EMwith Nikon 50mm f 1.8Series E lensOUR PRICE\ NIKON SB-E THYRISTOR FLASH OUR PRICE *47°°NIKON MD-E MOTOR DRIVE OUR PRICE *49°°MODEL CAMERA1344 EAST 55th STREET493-6700 rAUGUSTANALUTHERANCHURCHLutheran Campus Ministry of theUniversity of ChicagoSundays: 8:30 am9:30 am10:45 am6:00 pm Sermon & EucharistSunday School &Adult EducationSermon & EucharistSupperTuesdays: 5:30 pm6:00 pm EucharistSupper & Discussion:“The Presuppositions ofEducation,” LangdonGilkey, Professor ofTheology, Divinity SchoolThursdays: 7:30 am Morning Prayer &BreakfastAll Gatherings at Augustana Lutheran Church5500 South WoodlawnConrad Swanson, Vicar 493-6451493-6452Enjoy a FREE* carafe ofwine with dinner in theChartwell House anyTuesday 5 to 10 PMat the 1/2 Price*ON ALLDOMESTIC ANDIMPORTED BEERS"WITH IDXT288-5800O 7^ PARK y 1roN ) — i0lore Dr. ^:p 0•p1 C -... andWe haven’t forgotten faculty & staff...IT’S THE SAME DEAL FOR YOU ON WEDNESDA Y!THE GREY CITY JOU R N AL-F R I DAY, OCTOBER 9, 1981-11Eyes of a Trainin Manassas, VAUnnervingly pinkground, sharppines, sloppymist, and a stinging,bellicose sun, are interspersedwith tiny, plaintive houses mooredin shallow backyardsand in garden rowsspiritually perfect.Coniferous animalscrouch by the banks of wan rivers,which glimmer a little,then are lostas we pass, as arethe stands of lavender tufted flowersgroping through the heavy dew,through the breathing of a haunchyblack maiden-cow.Not. any peopleexcept in our vehicle.Clambering swatches of vinebrush dwarf treesand goldenrdd.Far off are warehouses,telephoneworks,confusing colonial settlements,creatures as luscious and strangeas the thickets facing usin Manassas.—Molly McQuade OpenWhere do you sit?the leaves curdlea backwash of sentimentbright purple, cloveryou accept lucitejoining to marblemoments, surein a faucetmaintainsbreakfast of idiomsI’d like to sinkmy teeth intomountains, youappear, reappearit’s July, loveto wait, butthe bench is still wet:472-2425—Vincent KatzFuture issues will open this space to artistsat the U of C. Fiction, poetry, photos, any¬thing that can be reproduced will be wel¬comed. Two copies of each submissionshould be placed in the Fiction-Poetry Edi¬tor's box in the Maroon office on the 3rdfloor of Ida Noyes. CREATIVITY WANTEDmmmYiVWAV<p<*> First meetingTUESDAY, OCTOBER 13, 7:30 pmIDA NOYES SUN PARLORAll are Welcome Representatives Are Required to AttendV.12—THE GREY CITY JOURNAL—FRIDAY, OCTOBER 9, 1981Services for EPISCOPALIANSand FRIENDSAll Services listed ore The Holy Communion (Eucharist)On CampusBond Chapel (Episcopal Church Council)Thursdays 12 NoonRockefeller Chapel The Rev. Bernardo. BrownSundays Tel. 753-33819 AMWednesdays 8AMThe Parish ChurchSt. Paul and The Redeemer The Rev. Clarence Lambelet4945 S. Dorchester Ave. Tel. 624-3185Sundays 8 AM and 10 AMTuesdays and Thursdays 7 AMWednesdays 10 AMFridays 12 NoonSt. Stephen's House The Rev. Canon Richard YoungOratory of St. Justin Tel. 924-45204745 S. Ellis Ave.Mondays and Tuesdays 6 PMWednesdays, Thurs. & Fri. 8 AMSaturdays 9 AMThe Church Home The Rev. Ernest WilliamsSt. Anna's Chapel Tel. 643-64835445 S. Ingleside ave.Sundays 10 AMTuesdays 11 AMThursdays 10 AMThinking aboutgetting an MBA?Then visit95 schoolsin just 1 day.There's only one way to get the answers toall the questions you may have aboutobtaining an MBA. Ask the people whoknow! At the MBA Admission Forum inChicago you can do just that.You'll find out about admissions,curricula, financial aid, and careeropportunities at 95 schools—all in thecourse of an afternoon.One day—and a 3-dollar admissionfee—at the MBA Forum in Chicago. It maybe the best investment you'll ever make.October 16th, 2 to 8 p.m.,and October 17th, 10 a.m. to 4 p.m.,at the University of Illinois at Chicago Circle,750 South Halsted.Parking and public transportation are readily available.For more information, call (800) 257-5160.Sponsored by Graduate Management Admission Council. 328-5999As low as $49 FREE DELIVERYTO YOUR ROOMON TUESDA YS & FRIDA YSattractive Brown Walnut FinishTHE HEDWIG LOEB FELLOWSHIPFOR UNDERGRADUATERESEARCH IN THE COLLEGEResearch Proposals Now Being Accepted forthe Winter and Spring Quarters of 7 982.Submit Proposals to: Dean of the CollegeHarper 209Deadline: November 9, 1981Proposals must contain a description of the project andresearch method an estimated budget indicating thequarter it is to be used and a letter evaluating the pro¬posal from a member of the Faculty.For research that requires use of a University facility(e.g., laboratory), a letter agreeing to this use must besubmitted by an appropriate member of the Faculty.Awards may range up to $600.00.PROGRAMMER / ANALYSTThe Center for Research in Security Prices in the GraduateSchool of Business needs a full-time programmer/analystto develop and maintain research data bases and assist in theoverall research effort. Applicants should have experiencewith IBM 370/Compatible - (OS/VS or VM); knowledge ofPL/I or Fortran, (DBMS and/or 370 ASSEMBLER desirablealso); and prior training - or willingness to learn - finance andstatistics. Good communications skills essential. Positionavailable immediately. Salary range $19K - $23K, plus Uni¬versity of Chicago benefits, including partial tuition remissionPosition offers considerable flexibility, responsibility, challengeand opportunities for growth. If interested and qualified, con¬tact Richard Jaffe, 753-4793. The University of Chicago isan Equal Opportunity/Affirmative Action Employer.The Chicago Maroon—Friday, October 9, 1981—19iSports$a>3$caIDftSoccer team edged by NUby Stephen KritchevskyThe Maroon soccer team suffered a disap¬pointing 1-0 defeat to Northwestern Univer¬sity Wednesday at Stagg Field. As the scoreindicates, the defense played a strong game.John Condas played a confident game ingoal, turning away eight Northwesternshots. The one goal came in the middle ofthe first half after some confusion during aNorthwestern throw-in deep in Maroon ter¬ritory. A man was left unmarked in the goalcrease. Then a pass from the wing made itthrough the defense and the goal wasscored. Sweeper back Cy Oggins showedwhy he has been a three time all divisionplayer, anchoring the defense and shuttingdown the Northwestern fast break severaltimes.Despite the strong defensive perfor¬mance, the team could not w in without scor¬ing goals. The Maroon offense simply couldnot penetrate the steady Northwestern de¬fense. The Maroons’ game plan was to holdback on defense until the Northwesternteam overcommitted on attack, and thenquickly strike back in the hope of getting atleast a man advantage on the overextendeddefense. However, the Maroons rarelycleared the ball past midfield after the de¬fense got possession of the ball. As a result,most of the game was played at midfield.The Maroons displayed considerable tal¬ent at the midfield positions, as John Mes-serschmith, Soo Hyun Chin and John Assadicontrolled the play early in the game. SooHyun was particularly effective, displaying his considerable dribbling skills, but soonthe larger Northwestern team just pushedhim off the ball. The NU forwards were verydisciplined at coming back to midfield tooutman the rest of Chicago's midfield game.UC’s scoring forwards, Todd Silber andTodd Talashek, never got a break away andwere simply overwhelmed by the four lag¬ging Northwestern defensemen.The Maroons’ best chances came fromdead ball situations coming after UCplayers had been fouled outside the NU pen¬alty area. These resulted in several nearmisses, but no scores.As soon as Chicago realized that its origi¬nal game plan wasn’t working, the playersappeared to give up the fight. Throughoutthe second half, the Northwestern team beatUC players to almost every loose ball.Coach Barry DeSilva made frequent substi¬tutions in an attempt to spur on theMaroons. Except for a final push late in thegame, however, the Maroons' performancewas flat.The team's record now stands at 1-3. Noconference games have been played yet.Tennis team sweepsThe tennis team won every match as itoverwhelmed North Park, 9-0, on Tuesday.The team’s record is now 2-3. Four meets re¬main to be played before the team departsfor the IAIAW State Championship Meet onThursday, October 15.New and RebuiltTypewriters,Calculators,Dictators, AddersCasioHewlett PackardTexas InstrumentCanonSharpElectronic Watches REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU.ofC.I.D.The University of Chicago BookstoreTypewriter & Calculator Department970 East 58th Street 2nd Floor753-3303 Hockey teamBy Carol QuillenTough defense and strong shots on goal byHelen Straus and Alice Zino led Chicago to a2-1 victory over Lake Forest Tuesday atStagg Field. In the first half, possession ofthe ball shifted back and forth, partly as aresult of frequent whistles. Both teams mov¬ed the ball effectively down the field butfaltered as they approached the striking cir¬cle. Despite numerous scrambles in front ofeach team’s goal, the first half ended in ascoreless tie. Lake Forest had attemptedeight unsuccessful shots on goal toChicago’s six.At the opening of the second half, theMaroons demonstrated better positioningand a cohesiveness that had been lackingbefore. The forward line used the full widthof the field rather than crowding the center,and the defense marked Lake Forest’s at¬tack more closely. With five minutes gone inthe half, Chicago’s line moved the ball suc¬cessfully into Lake Forest territory. Apenalty called in the striking circle againstthe defense gave the Maroons the opportuni¬ty to capitalize on a short corner. Zino tookthe free hit from the end line, driving the tough in winball to Straus ai the top of the striking circle.Straus hammered a shot into the left cornerof the goal, making the score 1-0, Chicago.Mid-way through the second half, LakeForest took advantage of a corner after aMaroon penalty. Although the Chicagodefense blocked the initial shot from the cir¬cle, the attack kept the pressure on. After abrief free-for-all in front of the goal, LakeForest forward Sandy Nickals got off a se¬cond shot that evened the score at one all.Chicago scored the decisive goal on abreakaway. Zino took the ball outside, downthe right alley, outrunning the Lake Forestdefenders. When Zino penetrated the strik¬ing circle, only the goalie remained anobstacle to an open shot. Zino, unintimiateded by the goalie’s charge, lined a beautifuldrive into the left corner of the cage.During the remainder of the game, fre¬quent Lake Forest assaults put the Chicagodefense to the test. However, the well-executed tackles of Nancy Markovitz andEmily Bloomfield and strong marking oncorners thwarted Lake Forest’s drives. Thefinal score was 2-1, Chicago, giving ttieMaroons an overall record of 3-1.We Buy and SellUsed RecordsOPENS OCT. 1057th & Woodlawn inthe Unitarian ChurchNEW HOURS: Fri. 12-3Sat. 12-4Sun. 11-2Opening show featuringSaggar-fired vesselsBEAUTIFUL GIFTS AT SENSIBLE PRICES Dr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know thedifference between advertisedcheap glasses or contact lensesand competent professionalservice with quality material.Beware of bait advertisingEye ExaminationsFashion Eye WearContact LensesYoung Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd 288-2900HARVARD UNIVERSITY’SJOHN F. KENNEDY SCHOOL OF GOVERNMENTIS LOOKING FOR FUTURE LEADERS IN PUBLIC AFFAIRSLearn about Harvard’s Masters Programs in• Public Policy• City and Regional Planning• Public AdministrationAt an Informal Session withMadeleine ThomasAssistant to MPP Program DirectorMonday, October 12,1981For further information and location of session,contact career planning/placement office.All students - All majors - All yearsAre Welcome20—The Chicago Maroon—Friday, October 9, 1981SportsIMs begin under new rulesBy Bob LaBelleThe beginning of October not onlyheralds the first day of classes but, formany people, it means the start of the in¬tramural season. The enthusiastic partici¬pants will be greeted this year by a moreorganized and authoritative IM office,complete with a few changes which aim toimprove sportsmanship.The IM season does not officially beginuntil October 12th when football gets un¬derway. However, some deadlines and im¬portant meetings are close at hand. At 10a.m. on Saturday, Oct. 10, the touch foot¬ball officials’ and managers’ meeting willbe held. This meeting will explain the newrule changes and any team without an offi¬cial or a manager present risks the possi¬bility of being removed from the league. Involleyball, the officials’ meeting will beheld on Oct. 12 and the managers' meetingon Oct. 13. IM representatives shouldcheck their entry forms if they have anyquestions, or contact the IM office.Most important, house rosters are dueon Friday, October 16. IM representativesshould take great care in supplying this in¬formation. The intramural office will bewatching more carefully for illegalplayers this year. In the past many teamshave been astounded (or at least theyacted like they were) to find out that one oftheir players had also been playing for an¬other team. This year, any team using anillegal player in a game will forfeit thatgame, and the house rosters submitted willbe the basis for all decisions. The rulesstate that no graduate student may play inthe undergraduate league, or vice versa.Beginning this year, a player’s place ofresidence will decide which team he willbe allowed to play for. For example, if aplayer resides in Hitchcock but is a frater¬nity pledge to Psi Upsilon, he may onlyplay for Hitchcock. However, if the sameplayer lived outside housing but was an as¬sociate member of Hitchcock he could playfor either team, but not both. Any studentwho passes up the residence league canjoin any team in the independent league.The IM office will also begin to compile asportsmanship rating for all teams. Eachteam will be responsible for the conduct ofits members and spectators. A rating be¬tween one and five will be awarded by theofficials to each team at the end of everycontest.The criteria to be used are as follows: • 5 Above average sportsmanship• 4 Average sportsmanship• 3 Below average sportsmanship— will be awarded when only one ortwo players exhibit poor conduct.• 2 Unsportsmanlike behavior —will be awarded when an entire teamexhibits poor conduct.• 1 Serious breach of conduct —will be awarded when a team orplayer seriously violates the spirit ofintramural competition. It will auto¬matically be awarded if a player as¬saults a referee or another player.The ratings will be used in a variety ofways. An average will be kept for the sea¬son and any team with lower than a 3.0average will be barred from the playoffs,regardless of its record. Moreover, if ateam receives two ratings of 1, it will beremoved from competition immediately.Finally, wildcard invitations will be affect¬ed negatively by a low sportsmanship rat¬ing.The new rating system promises to re¬duce the abuses that were so prevalent inintramural contests previously because itpenalizes a team where it hurts most: theplayoffs. A version of this system existedlast year, but suffered because the deci¬sion to remove a team was dependent onthe recommendation of a supervisor. Con¬sequently, supervisors hesitated to takesuch a drastic step. The new system ismore objective and therefore more usefulas a deterrent to unruly behavior. The rat¬ings also mean that teams with one or tworowdy players will be more inclined to dis¬cipline those players, since the team willotherwise suffer. The new ratings placethe responsibility for discipline where itbelongs with the teams instead of the ref¬erees.Sports CalendarTENNISOct. 10 — Rosary College, 10 a m, InglesideCourtsCROSS COUNTRYOct. 11 — UCTC Open 5 Mile Run, 3 p.m.,Washington ParkVOLLEYBALLOct. 13 — Trinity, 7:30 p.m., Field House Frisbee team thirdThe University of Chicgo ultimate frisbeeteam captured third place at the second an¬nual University of Wisconsin Ultimate In¬vitational, held last weekend in Madison. OnSaturday, the team defeated UW-Stout, towhom it had lost last year, and had littletrouble eliminating Marquette. The twowins advanced Chicago to the semi-finals,despite a loss to UW-Madison. Madison wenton to capture first place in the tournament.This Saturday, UC Ultimate will play Nor¬thwestern at Stagg field at 12:00. Interestedplayers are invited to attend practices heldTuesdays and Thursdays at 4 PM at theEast end of the Midway.Running resultsSaturday, October 3Spring Arbor Invitational 5-Mile Run(UC’s top seven runners): 1, Mike Axinn, 25:34:2, Art Knight, 25:46; 14, Aaron Rourke, 27 81- 16Jim Biery, 27:42; 17, Phil McGoff. 27:47; 19. BobFisher, 28:15; 24, Phil Sorenson, 29:38.Volleyball victoryThe volleyball team rolled past a haplessMundelein team on Monday by scores of 15-1, 15-1, 15-0. it was the first district game forthe Maroons, making them 1-0 in the district and 4-3 overall. The team travels to LakeForest this weekend to play in a homecom¬ing tournament preceding the Lake Forest-University of Chicago football game.GetawayContinued from page 3was adequate but a bit on the salty side Thesmoked oysters are quite good, though atS4.50 one questions their exact worth. TheBon Ton serves both full and half portions oncertain items, two types of shish kebobsboth at S8.75 for the full and $7.75 for thehalf, and Stuffed Cabbage or Peppers bothat $7.75 for the full and $6.75 for the half.Other Hungarian regulars, such asHungarian Goulash and Blinzy, are alsoavailable, a^ are hot sandwiches. Thepastry shop exhibits a wide assortment ofdelectable dessert items. At this point onepossesses a great desire to sample as manypastries as humanly possible.The service for our table was slow interms of drinks and too fast in terms of thedishes’ arrival. One member of the partyreceived her soft drink after finishing herdinner and our little table barely had enoughroom to fit all our orders. But overall the en¬tire experience was enjoyable and fullysatisfying.1 i1 Tl.\r \ARTLivEWITHON DISPLAY:Oct. 13 15DISTRIBUTION:Oct. 16 4pmIDA NOYES HALLBring UC ID and $3.50FILMS:MEMORIES OF BERLIN: TWILIGHT OF WEIMAR CULTURE OUR TIME IN THE GARDEN (A Film by Ron Blau)THURSDAY, OCTOBER 15th, 7:30 P.M.Admission: Hillel Members and Contributors: $1.50Others: $2.50HILLEL FOUNDATION, 5715 WOODLAWN AVENUE(Substituted for The Thine Line which was withdrawn from circulation)The Chicago Maroon—Friday, October 9, 1981—21Classified AdsSPACE3 BR tri-level on large wooded lot in BeverlyShores, Ind. 2 blocks from Lake. 1' 2 baths. CALarge family room. Basement. 45 min to U of Cby car or train. $70,000. 13’/*% financing. CallRenard at Callahan Realty. 219-926 4298.Sunny 2 bdrm coop w/den, So. Shore near lake6 park. All appl. incl, wdb-frpl, low mo. assmtMid upper 20's. Call 221 0492, eves. & wkends.WANTED female grad student to share turn,apt. references req'd 955-7998 after 7 pm5 room 2 bd 2 bath w Sunporch & Dining roomEastview Pk. Spacious Light. $620/mo.493 6203.For sale: sunny, spacious 4 room condo. Verynear campus Recently sanded oak floors builtin breakfront $49,000. Financing available at1212% call 753-2389 (weekdays) after 5:00 pmand weekends 288-0251.2 bedrm. apt for sale ($24,900) or rent ($395)w/extras. Near 61st & Kimbark tel. 239 8224.1 bdrm in UNIV PARK (55 & Blkstne)Available now Carpet, Top Floor 359-0112 btwn7 9 pm or 493-3111.For rent, 1 bdr. apt, married student housingkitchen with stove and ref. Walk to campus.5500 block S. Ingleside. 1 block to UniversityLibrary. 242/mo, first month's rent FREE.Call 947 0865. Available shortly. community organization including administra¬tion of programs, coordination of volunteers,supervision of office staff, group work, andfundraising. Applicants should contact D. Har-dina at 924-6112.Paid subjects needed for experiments onmemory, perception and language processing.Research conducted by students and faculty inthe Committee on Cognition and Communication. Department of Behavioral Sciences.Phone 753-4718.Professor needs theme-grader (PLaza2-8377).FIND OUT HOW THE TWO SIDES OF YOURBRAIN WORK Left-and right-handers neededfor behavioral studies. $3/hr. 753-4735 or 643-3395.CHILDREN'S NARRATIVES ANDGESTURES. U of C faculty research needschildren, 4 through 12 years of age, to par¬ticipate in a study of children's narratives andgestures. The procedure is enjoyable tochildren and takes about 1 hour on campus.Refreshments and payment provided. If in¬terested, please call 3-4714 for an appointment.OLD SSC members: we need tour guides rightaway. Stop by H186 at ’2:30on Oct 13 Tues.Interviewing for aggressive personablesalespeople. Full and part time positions maybe available-photo experience helpful but notnecessary. Must print neatly. Apply in person.M.C. 1344 E. 55th St.Furnished room kitchen priv. avail. Nov. 1.Call 955-7083 after 7 pm.1 BR CONDO v. near campus, 56th & Kimbark.Light, S facing, $42500. Call Bobbie 363-6200 orJudy 3-8165 days.Furn Rm & Bath E. Hyde Pk 150/mo acces kit& laun. pref f grad cat lover. After 6 667-1565.SPACE WANTEDLooking for temporary housing Jan 11 to Feb 5,1982. Am a student at another school, pleasecall collect Sally 1-313 582 6612.PEOPLE WANTED Reliable person wanted to sit with 4 yr old & 1yr old in my home (weekend evenings &/or <2day a week) call 241-6361.Richard needs a sitter, 4 hours per week, athome 58 & Maryland. Pay and food. Call 955-3747.Need loving reliable sitter for two school agechildren My home. Job sharing possible. 241 -5892 evenings.ATTENTION! All old SSC members: Stop bythe admissions office to fill out membershipcardLocal community organization wishes to hirean Executive Director Candidates for thisposition should have experience in ail facets of STUDENT POSITION Wanted: experiencedoffset printer to work 15 hours/week. Ex¬perience with color work preferred. Ex¬Near 48th & KenwoodELEGANT KENWOOD FAMILY HOME..will consider rent w/option $900.00 permonth. Option fee required. Price flexible $195,000 or offer. Excellent private 124%financing.56th & KenwoodSUDDEN TRANSFER-CAMPUS LOCATION 56th Kenwood. Two bedroom east entirewing of super condo. Woodburning fireplace. Formal dining room, beautiful floors.View of city and campus. Price is right! $68,000.57th & KenwoodRENT WITH OPTION, ENGLISH GARDEN AMBIENCE, 57th Kenwood SIX ROOMS$550, purchase price $67,500. This is a one bedroom in mint condition, with two studies.Lots of natural wood, built-in bookcase and built-in dining hutch.HOUSE (APT) AND GARDEN...In the quiet part of lovely landscaped court-garden,sunny, roomy five room condo. Near 54th Dorcester. Will consider rent w/option. Ex¬cellent condition. $575, price $59,500.8% city mortgage.VICTORIAN GREYSTONE...six bedrooms, woodburning fireplace. Large back yard.Priced to sell. Excellent financing. $139,500. Near 55th Cornell.FREE CATALOG OF PROPERTIES AVAILABLECall anytime.Charlotte Vikstrom Real Estate493-0666 perience making negatives. You must bequalified and reliable. Call Dr. Donald Bogue753 2974. Community and Family StudyCenter.Subjects wanted for pneumograph studies;remuneration. Call Dr. Rattenborg, COR¬RECT PHONE NO—947 5933.MANUSCRIPT TYPISTS (Spanish or French,some English). Part-time (12/15 hours week)School year. Will be trained on IBM Composersfor camera-ready copy in publications unit.Must type app. 55 wpm. $4.50/hour. ContactGeorge Rumsey, Community and FamilyStudy Center, 753-2518.EXPERIENCED OARSWOMEN-Join us forthe Head of the Charles. Women's Crew is alsolooking for a faculty advisor with some rowingexperience. For more info: Susan (875-0265)days; Elisse (955-5253) eves.FOR SALEPASSPORT PHOTOS WHILE YOU WAIT!Model Camera 1342 E .55th St. 493-6700.'73 VW BUG. Reblt eng. great shape. Asking$1200. 363 7153 eves, and before 10 am.FURNITURE AND HOUSE STUFF. Bigresale shop's overstock must be sold out of itsSouth Side pickup point. Come to the rear of5531 Kenwood (enter alley from 56th St.) onSaturday, Oct. 10, 10-4. Rain date Oct. 11.Danish Rya Rug Vivid Colors 9x7 E ve/Wk 667-4607KENWOOD YARD SALE Antique bookcases,oriental rugs, oak rocker, sofa bed, dressers,child's table and 4 chairs, toys, clothes,quitter's paradise: 5 cartons of quiltingfabrics, knitting yarn, Roberts tape deck, andmuch, much more. Oct. 10 (Rain date Oct. 11)10 am to 3 pm. 1323 E. 50th St. Enter from alleyat Dorchester or Woodlawn.Sale Sat. Oct. 10th 9-5 File Cabinet and Furniture. 1709)2 E. 55th Street.SERVICESJUDITH TYPES—and now has a memory.Phone 955 4417. Plan your typing needs for thequarter. Bibliographic and revision services.Dissertations, resumes.Psychotherapy and counseling. Fees on asliding scale; insurance accepted. JoanRothchild Hardin, PhD, registeredpsychologist in Hyde Park. 493 8766.Chicago Counseling and PsychotherapyCenter. Client centered psychotherapy. 5711 S.Woodlawn, 6354 N. Broadway, and 111 N.Wabash, Chicago. A Registered PsychologicalAgency. (312) 684-1800.French tutoring and/or conversation Call 6675947.Any blind students need to hire a reader?Please read this to them .Call Karen, 643-4619.Hyde Park Pre-School Center still acceptingenrollees—KINDERGARTEN and AFTERSCHOOL PROGRAMS. Call S. Block for interview 667-7269.CalendarFRIDAYHillel: Begin building the Hillel Sukkah, 10:00 am,Hillel.Crossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Comp. Center Seminar: Introduction to EDIT onthe DEC-20, 3:30-5:00 pm, Classics 18.Mineralogy-Petrology Seminar: “The Develop¬ment of the Crust Through Subduction" 3:30 pm,Geo Sci 330.Hillel: Yavneh (Orthodox) Services, sundown, Hil¬lel.Calvert House: Barbeque and Volleyball, 5:30 pm,5725 S. University.Hillel: Reform-Progressive services, 5:45 pm, Hil¬lel.Hillel: Adat Shalom Cooperative Shabbat Dinner,6:30 pm, Hillel, $3.Fantasy and Wargames Club: 7:00 pm, Ida Noyesroom 217.Armenian Cultural Association: “Mesrob Mash-dota and the Devising of the Armenian Alphabet”speaker Miss Sirarpi Ohannessian, 8:00 pm, Re-genstein.Court Studio: "Stage Blood" 8:00 pm, ReynoldsClub.Post Libris: 9:30 pm, Ida Noyes.SATURDAYHillel: Yavneh (Orthodox) Services at Hillel, 9:15am.Hillel: The Upstairs-Minyan (Conservative-Egali¬tarian) Services at Hillel, 9:30 am.Blackfriars: Auditions for the fall show "Publishor Perish" 1:00-4:00 pm, Ida Noyes. All students Female fherapisf, MSW, ACSW, Women'sgroups, couples, individual fherapy, childrenand adults, sliding scale, 947 0154.ME HER BABA Information Center 410 S.Michigan rm 820. Open Mon. 7:30 to 9 pm. Info:684 3845.Cream Cheese, bagels, imported cheeses,fruit, granola, pastries, candy, all available atthe Nonesuch Coffeeshop. Fourth floorWieboldt. Take the classics elevator. Honey foryour tea.FOCUSING is a method for getting in touchwith feelings developed by Eugene Gendlin.Group meets Thurs nights in Hyde Park. $75for information call Hannah 684-1800.DRAFT COUNSELING. Info aboutREGISTRATION and the DRAFT. Discuss op¬tions for avoiding conscription. Leave messageNickSauter 753-2240.Treatise, etc.: Grad-student, ex-medical sec'ywill type your books, etc. onto computer. Savesmoney and time, revisions easy. Call 328-3585.Quick typing, reasonable rates, IBM Selectric.Call 324-1684 evenings.SCENESHYDE PARK ARTISANS GALLERY opensfor fall Oct 10 in the Unitarian Church 57th &Woodlawn. Beautiful gifts at sensible prices.Painting, pottery, weaving, stained-glass, andmore. FEATURING Oct 10-31 Saggar firedvessel forms by Laura Kracke and KarenNicols. OPENING reception Oct 10 from 12 to 4pm.Free swimming instruction, Thursdays, 7:308:30 pm, INH Pool.Avoid lines; Vegetarian sandwiches nowavailable at Cobb Hall Basement. Also snacksand drinks. Be unique, have a Pepper withyour Veggie Burger! Open daily 8:30 to 4:00pm.PERSONALSIMPROVE YOUR GRADES! Researchcatalog—306 pages—10,278 topics—Rush $1.00.Box 25I97C Los Angeles, 90025. (213) 447 8226Writer's Workshop (PLaza2 8377).Mark—What do we need to do for ''GreenJulia'' this quarter? LisaNogatosaqui!All those on the Ex Libris Committee pleasecontact Nancy Hill at 3-2249 (1107) Leave no.GREG PARKER! STOP SMOKING!!!!!!!!!!Nogatosen Beloit!What does a snake, apple, and the devil have incommon? See "THE DEVIL IN MISS JONES"Thurs.RUGBY: Game against Gary this Sat. Meet infront ot Bartlett by 11:00. Questions? 684 2561.welcome. Please bring a song to sing.Crossroads: Saturday Buffet dinner, 6:00 pm, noreservation necessary, 5621 S. Blackstone.Court Studio: "Stage Blood" 8:00 pm, ReynoldsClub.SUNDAYCalvert House: Mass 8:30 am, 11:00 am and 5:00pm, Bond Chapel. Supper 6:00 pm.Hillel: Build and Decorate the Hillel Sukkah, 10:00am, Hillel.United Methodist Foundation: "Faith andScience: A Conflict of Cultures" speaker Dr.Ralph Burhoe, 7:00 pm, 5745 S. Blackstone.Hunger Concern Group: First meeting of the year,7:30 pm, Ida Noyes library.MONDAYCrossroads: English classes for foreign women,10:00 am, 5621 S. Blackstone.Comp. Center Seminar: Introduction to DISSPLA3:30-5:00 pm, RI 180.Chemistry Dept.: "Bimetallic Centers in Chemis¬try and Biology: The Cu-Zn Superoxide Dismu-tase speaker Prof. Roald Hoffmann, 4:00 pm,Kent 103.Yoga Class: 5:30-7:30 at the Blue Gargoyle, taughtby Dobbi Kerman.Student Spouses: First of monthly informal meet¬ings, 7:00-9:00 pm, Ida Noyes West Library.Self-Hypnosis Seminar: 7:30-9:30 pm, at the BlueGargoyle, taught by Dobbi Kerman.Hillel: Lox and Bagel Brunch, 11:00 am, Hillel.Court Studio: "Stage Blood" 2:30 pm, ReynoldsClub.22—The Chicago Maroon—Friday, October 9, 1981Classified AdsHi Sweetheart! I love Trevor and Ramone butmost ot all I love you.The guy trom Utah who plays the banjo. Pleaseplay a cotteehouse. Susan.LOST AND FOUNDFOUND: Gray and white young male tabbycat tound 10/3 in E. Hyde Park. Call 363-0323.LOST: Irish Setter, sm. adult female short hairlost 10/4, seen 57th St. area. No collar answersto Brandy. 268-0695RIDESRiders wanted to Columbus Ohio Fri Oct 16return Sun Oct 18 call 398 8315eves & wknds.WAKEFUL DREAMINGBe a conscious participant in your own mythicjourney. “The years when I was pursuing myown inner images were the most important inmy life." C.G. Jung. The Wakeful Dreamingseminar begins Wed. Oct. 14th 7:00 to 8:30 pmat 5735 S. Kenwood. 7 sessions $85. Led by Dob-bi Kerman, M.A. U of C. For info call Dobbi,288 3706, 664 6650.MOVINGStudent with Pickup Truck can move your stuffFAST AND CHEAP. No job too small! CallPeter at: 955-1824 lOam-lOpm. ,HYDE PARK HILTONWANTED: Waiters, waitresses, part-time, fulltime positions avail. Will conform to your classschedule. Call Ms. Maginot, 288-5800, ext. 6135.THE PHOENIXWe have the best prices on books, records,games. Check us first. In basement ofReynolds Club.HOLISTIC HEALTH& VISUALIZATIONEnjoy high levels of health and well-being. TheHolistic Health and Visualization Workshopbegins Wed. Oct. 14th 5735 S. Kenwood, 8:30-10:00 pm. Learn about Holistic Health anddesign and implement your own programthrough use of the life style journal andvisualization. Workshop oriented to creatingnew patterns of exercise, diet, stress manage¬ment, mind. 7 sessions $85. Info & pre-reg. callDobbi 288 3706, 664-6650.YOGARevitalize body, mind and spirit, a perfectbalance to the life of the mind. Yoga begins oncampus Mon. Oct. 12 5:30-7:30 pm at theGargoyle and Wed. Oct 14th 5:30-7:00 pm at5735 S. Kenwood. Hatha yoga postures,breathing, meditation, relaxation. 7 sessions$50. 14 sessions $80. Taught by Dobbi Kermansince 1971. Pre-reg. call Dobbi 288 3706, 664-6650.FAITH ANDSCIENCEThe United Methodist Foundation is sponsor¬ing a lecture and discussion by Dr. Ralph W.Burhoe on “Faith and Science: A Conflict bfCultures," on Sunday, October 11, 1981, 7:00 -8:30 pm, at 5745 S. Blackstone. You are cordial¬ly invited to attend.SELF-HYPNOSISSEMINARThe Self-Hypnosis Seminar begins Mon. Oct.12th on campus at the Gargoyle, 7:30-9:30 pmLearn the fundamentals of self-hypnosis anddevelop fhe skills necessary for its use. Usehypnosis to improve concentration, retention,and exam preparation; improve physical per¬formance, health habits, goal clarification,deepen relationships, enhance self-image.Text, Hypnosis with Friends and Lovers by Dr.Freda Morris. Led by Dobbi Kerman, M.A.graduate of clinical hypnotherapy programdirected by Dr. Morris. 7 sessions $100. For in¬fo and pre-reg. Call Dobbi 288-3706.ACHTUNG!TAKE APRIL WILSON'S GERMAN COURSE& high pass fhe Winter language exam!Classes meet MWF 12-1, beginning Oct 12. 45sessions. For more information to register,call 667 3038THE PHOENIXCheck the Phoenix first for books, records, andgames in the basement of the Reynolds Club ARTISANS WANTEDAre you a closet artisan? HYDE PARK ARTISANS wants you! We are a cooperativegallery located at 57th and Woodlawn in theUnitarian Church. For entry work will bejuried. All forms of visual arts are welcome.Call Nan Roche for details at 955-7869 eves. Till10.ORIENTAL CARPETSHandpicked this summer, of the HIGHESTQUALITY (NOT the commercial export quali¬ty found in most other stores). 4 x 12 SUPERAfghani Kelims, 5x8 exc fine KashanPakistani Persians 6 x 9 Russian Sumaks, 6x9exc fine Tabriz Pak Pers, 7 x 10 gold Afghani, 8x 9 rust Paki Guldani, 8 x'lO rose tloral Romanian Kashan, 8 x 10 seminatique geometricfloral Afghani Beshirs, 9x12 gold formal RomKashan, 9x12 ivory Rom Kazak, 9x12 antiquemagenta Persian floral Laver Kerman, 9 x 12antique Persian Sarouk, 10 x 14 EXQUISITErust Rom Hunting Tabriz, 2-8 x 14 Rom run¬ners. Large number of 3 x 5 and 4x6 RARE S.Russian Mauris, and UNUSUAL Pakistanicarpets. Low overhead assures you ot lowprices. U of C student, carpet connossieur,former M E. educator. Call for appt. 288-0524,mornings, evenings, weekends.GERMAN RADIO SHOW“HOERFUNK" every Monday 5-7:30 pm onWHPK88.3FM.PROJECT SERVICESSECRETARYSecretarial assistance is needed for a majorsurvey research project. Duties includeanswering the phone, typing correspondenceand reports, maintaining the files, computingcost reports. Typing 60 wpm/good spelling andattention to detail essential. 3712 hr. week/4week vacation. Call 753-1122. Aftirmative Ac¬tion/Equal Opportunity E mployer.AUDITIONSFor Blackfriars' tall show, publish or perish:Sat. Oct 10 at 1 pm in Ida Noyes. Comeprepared to sing, read, dance. Large cast!!!BEGINNING GYMNASTICSThe UC Gymnastics Club is ottering an eightweek class for those with little or no prior ex¬perience. The class meets Mon and Thr inBartlett Gym at 5:15. Cost is $25 and a validathletic pass is required. Register at the firstclass on Thu, Oct 15. Even if you are not in aclass, all aspiring gymnasts are welcome topractice with the UCGC at 5:00 weeknights.COFFEEHOUSETonight at 9:30 until 1:00 Mellow-out with freecoffee and live entertainment in the Ida NoyesLibrary.MODEL CAMERAPassport photos-copy your old pictures - colorprocessing - specials - repairs. Model Camera1344 W. 55th St. 493-6700.GET GROUPIESPlay Coffeehouse! Audition Oct 14 from 7:00-9:00 in the North Lounge Reynolds Club CallStudent Govt Office for infor. 3-3273.STUDY BREAKWeiss Coffeeshop now open weeknights 6:30 to10:00 pm Vegetarian sandwiches, pastries,fruit, granola, candy, and coffee. Directlyabove Harper Library, on mezzanine level.Open daily./INQUIRY MAGAZINEInquiry Magazine, a journal of outstandingpapers written in college classes, is now accep¬ting papers for its autumn issue. Deliver yourbest work, by Oct. 30, to the Inquiry box in theIda Noyes checkroom, any questions callKaren Kapner, 752-0797.COURTTHEATREis seeking an experienced person to run soundfor the mainstage production for THESEAGULL. This is a paid position. Leave nameand phone number with Judy Fink, 3-3583.BAHN FAITHThe U of C Baha'i Association will have an in¬formal get together on Friday, Oct. 9, 8 pmALL WELCOME 5801 Dorchester, H6A Call 4939113. AUDITION!Musicians, singers, and creative people audi¬tion Oct. 14 in North Lounge of’Reynolds Clubfrom 7:00 9:00. Call Student Gov't for infor.STEP TUTORINGVolunteer two hours a week to tutor andelementary or high school student. Come toSTEP'S meeting Mon. Oct. 19, 7:00 pm at 1357E. 56th St. or contact Peter at 643-1733.SINGERSI am interested in forming a barbershop-stylefour part-harmony singing group. 10-15 voices(B.B.T.T.). I have the music, but need the peopie. Pis. contact Marc Edelson at theShoreland 753-8342 ext. 2204; mailbox 306.FOLK MUSICLives at the U of C. Come to the first meeting ofthe Folklore Society, Tues. Oct 13, at 8 pm Allare welcome. For further details, call Dan at493 6850 or Lee at 363 3493.RUGBYGame this Sat. at Gary. Meet in front ofBARTLETT at 10:45. Two games! We needEVERYONE.CONDO FOR SALELovely sunny 5 rm. condo, 2 BR Totallyrenovated. Oak fl and buffet, frpl., bale.,PLUS! Owner will finance. Call Karen: days947 5456, eve./wknd. 947-0859.SEXThursday October 15. Yet another evening ofrefined entertainment. Chamberlin presents"THE DEVIL IN MISS JONES" Mandel Hall.ASTQNOMY CLUBFirst meeting Wed Oct 14 Ry251 8 pm. Comeall.YARD SALETerrific yard and porch sale rain or shine SatOct 10, 9-3 furniture, antiques etc 4857 S. Kimbark.SPECIALSOlympus Winder 2, 90.00; Olympus T 32 flash,99.00; Nikon EM w/50 ml. 8E, 159.00; NikonEM Winder, 49.00; Nikon F3, 629.00; Used SlideProjector, 59.00—Model Camera, 1344 E. 55thSt. 493 6700.TRANSCENDENTALMEDITATION PROGRAMLearn about the TM technique for deep rest,release of stress & personal development. In¬tro Lecture Wed., Oct 14, 4 pm or 7:30 pm ELounge Ida Noyes Infor 947-0463 TM ClubGAY COFFEEHOUSEThe first gay coffeehouse of the quarter will beheld this Saturday at 8 pm in the Ida NoyesLibrary. Come for refreshments and to meetnew and older members of the gay campuscommunity. There will be a private party off-campus after the GALA coffeehouse,everyone welcome.ACTIVITIES COMMITTEE HOUSESTUSCAN MANSION has apartments for income,large yard, offstreet parking, garden and lots of sun¬shine! $145,000.RAY SCHOOL DISTRICT, 3 bedroom townhouseCo?y fireplace, garage, fenced backyard, 2'? baths, 2dens make this a super buy at $139,500WALK TO SHOPPING (only a few steps away) andlive in this efficiently designed 3 bedroom, 24 bathtownhouse. Private backyard, central air and more.$105,000THIS LOVELY Queen Anne family home boasts 3fireplaces, tiled kitchen and bathrooms. Lots ofstorage space, fenced back yard, 2 car garageAsking $125,000.CONDOMINIUMSEXCELLENT FINANCING AVAILABLE 9-‘t> anda low down payment purchases this 27th floor studioin the Newport $40,000UNIVERSITY PARK - color co-ordinated, levelorNARRAGANSETT! Magnificent five room con¬dominium home Beautifully decorated. Must beseen. $100,000LUXURIOUS CARPETING and a wonderful built-inoak hutch make tnis sunny. 2-bedroom condoespecially inviting Mid $60s.NEWPORT glorious views from this 1 bedroom,wall to wall carpeted condo Priced right in the 50’s.SPACIOUS , beautiful back yard, two porches andspacious rooms make this 3-bedroom home a realvalue East Hyde Park Close to lake and tran¬sportation Low 80’s.NEWPORT 4800 Chicago Beach studio $40,000SUNNY, LIGHT, one bedroom Close to campus,lovely oak floors and french doors, lots of closets.$50's.UNIVERSITY PARK - color co-ordinated, levelorblinds and carpeting highlight this one bedroom,modem condo with indoor garage Good financingavailable Moderately priced in the $40’s.HUGE PRICE REDUCTIONNow priced in the $60’s. V.A financing/owner finan¬cing Ask about special discounts. Enjoy a spacioussunny country kitchen; dining room made for afamily, ceramic tile baths and a large masterbedroomAN OUTDOOR VERANDA and a backyard for bar¬becuing when you move into this 3 bedroom. 2 bathcondominium Gracious living modestly priced in theupper 60 s.BRET HARTE DISTRICT Close to lake and tran¬sportation This 3-bedroom East Hyde Park condohas 1600 sq ft. of living space East and West porchesadd to the charm Priced in the mid 80’sPANORAMA CONDOMINIUM Hyde Park s mostcomplete renovation of a charming old six unitbuilding, over 2000 sq. feet, and a wine cellar$114,500. Call today! Or rent with option to buy. $850per monthTENNIS COURT, garage, balcony and a largebackyard are a few of the amenities surrounding this2-bedroom home priced in the upper $40 s.GREENWOOD COURT convertible 3 bedroomsNew kitchen and baths. Some stripped wood. En¬closed front porch and large open back porch for en¬tertaining . Reduced to $69,500.THE RIGHT LOCATION, south of 55th 2 bedroomhome with family room, modern kitchen, garageMid $80’s.SUN OR CANDLELIGHT, this home shines in both4tj rooms + sunporch of flexible space with lots ofcharm and natural woodwork. A super buy at 57thand Kenwood. Upper $60 s.CONVENIENT LOCATION. This 2 bedroom condowith a sunny living room and alcove overlooks quiettree-lined street. Close to campus, shopping andpark Mid$60's.If you want to help in planning campus wideparties, come to the Student Government Ac¬tivities Commettee meeting Tuesday, October13, at 6:15, Ida Noyes Hall. Everyone welcome.SYSTEM 1022Learn System 1022, designed for easy storageand retrieval of information (frombibliographies to recipes). A two sessionseminar will be held by the ComputationCenter on Tuesday and Thursday, October 20and 22, 3:30 5:00 pm, Rl 180 All welcome-nocharge.LIVE WITH ARTThe Art to Live With Collection will be ondisplay Oct. 13-15 in Ida Noyes. Distribution isOct. 16; bring UC ID and $3.50. Works byChagall, Miro, Picasso, Roualt and others.GETTING MARRIED?Damin Enterprises has over sixty weddingbands playing a wide variety of music. Alsobands and novelty acts for parties, dances, etc.Budget bands also available. 752 6510 or 6844567. 58TH AND BLACKSTONE 4 bedroom. 2 bath, over2,000 sq ft. Super location. Large enough for afamily. Walk to Lab School $145,000 and financingUNIQUE the floor plan in this gracious 3 bedroomassures privacy A woodbuming fireplace and lovelybuilt-in pieces add to the charm Large porch withSouthern exposure affords a view of greenery Mid$80sCOOPERATIVESSPACIOUS hi-rise co-op with great east-westviews 2 bedrooms, 2 baths, foyer and formal diningroom 24 hour security, near U. of C bus Mid $50’sPOWHATAN - Elegant living in this top floor unitwith woodburning fireplace Exceptional buildingamenities, security and service Call for more in¬formationSUN. SPACE, SCENIC VIEW - all in thistwobedroom Good transportation, walk to campusand garage all for under $40,000 Owner FinancingavailableBUILDINGS•East Hyde Park Blvd . 18-units $325,000•61st and Drexel, 24 units. $$165,000HILD REALTY GROUP1365 E. 53rd St.The Chicago Maroon—Friday, October 9, 1981—23The Major Activities BoardpresentsJimmy CliffWith Special GuestHeavy MannersOctober 24 • &00 pMandel BallTickets On Sale:October 12 at 9:00 amReynolds ClubBox Office $4 UC Students$8 OthersLimit: 2 ticketsper UCID,2UCIDper personMajor Activities Board