THE CHICAGO MAROONVolume 90, No. 22 The University of Chicago Copyright 1980 The Chicago Maroon Friday, November 21, 1980Gray On University:Optimism Despite WoesPresident Hanna GrayStudent Aid in TroubleBy Trace PollMany of the programs authorized by therecently-enacted amendments to the HigherEducation Act are in danger of being elimin¬ated or severely underfunded, partly as aresult of this month’s elections.The amendments, passed this summerand signed by Carter in October, authorizedmore liberal spending ceilings for variousfederal student aid programs.However, the legislation needed to fundthe programs at the levels authorized by theamendments has run into opposition frommembers of Congress concerned with ef¬forts to reduce the federal deficit. The elec¬tion of Ronald Reagan and a more conserva¬tive Congress has made the outlook evenbleaker for supporters of full funding for theaid programs.The effects of the 1980 elections on federalstudent aid programs are “unbelievable,”according to Dan Hall, Dean of Admissionsand Financial Aid in the College. President¬elect Ronald Reagan is unlikely to be a sym¬pathetic to the needs of higher education asPresident Carter has been, Hall believes.“But Reagan is only part of the problem,”Hall said. Equally serious is the fact thatmany of the strongest Congressional sup¬porters of federal aid to higher education“were slaughtered” in the election, he con¬tinued.Even the present Congress has been balk¬ing at approving the newly authorized levelsof funding. For example, although theamendments contain a provision to increasethe amount of the Basic Educational Oppor¬tunity Grants from a maximum of $1900 in1981-82 to $2600 in 1985-86, the House BudgetCommittee has only approved a slight in¬crease in funding for the program above thepresent level, while proposals currently be¬fore the Senate Budget Committee wouldnot even provide the current amount offunding.The impact of cutbacks would be softenedif Congress enacted legislation permittingtuition tax credits. However, spokesmen forthe Reagan administration announced earli¬er this week that they would ignore theirearlier promises to push for quick enactionof such credits.Hall said that the Republicans want tomake student aid a state responsibility.While Illinois has one of the better aid pro¬grams, it lacks sufficient funds, Hall said.As the federal programs are cut back, thestates will not be able to make up the dif¬ ference, so there will be a shortage of stu¬dent aid, assuming that the trimmed downappropriations proposals pass, Hall contin¬ued.Hall doubts that funds for the federal loanprograms will be hurt because the loans aretoo popular to be severely cut. “The realdanger is the cut in grants,” said Hall. Basi¬cally the need for financial aid is deter¬mined by adding the amount the parents cancontribute to the amount the student can af-continued on page 5 By Dave GlocknerIn her third annual State of the Universityaddress, delivered yesterday afternoon,University President Hanna Gray reviewedher major concerns about the University’sfuture and asked faculty members to assistin seeking solutions for the problems facingthe University.Mrs. Gray spoke yesterday at 4 pm inBreasted Hall of the Oriental Institute. TheState of the University address is deliveredannually to members of the University Sen¬ate, which consists of faculty members whohave been at the University for one year ormore. No reporters were allowed to hear theaddress. However, Gray gave her draftcopy of the speech to The Maroon shortlyafter she finished speaking. All quotationsare from that draft.Gray opened her speech by advising thefaculty to avoid excessive pessimism aboutthe University’s future. She quoted at lengththe words of former Brown University presi¬dent Henry Wriston, who in 1940 describedthe pervasive public pessimism about thefuture of higher education which followedshortly after a period of great expansion ineducation. During the forties, Wriston said,budgets were cut, there was an overabun¬dance of degree holders, endowment incomefell, and enrollment growth slowed.“Superabundance of optimism was fol¬lowed by public pessimism of the deepestdye. It went to extremes as foolish as opti¬mism had previously,” W’riston wrote.“(Wriston) was right about the undue pes¬simism of his time. Precisely the samewarning is due today,” Gray said yesterday. “Today’s pessimism derives from currentperceptions of the continuing impact of thelast eleven or so years on a set of expecta¬tions derived from another ‘heroic’ age.”During her approximately 20 minute ad¬dress, Gray spoke of four major subjects;the teaching needs of the College, the possi¬bility of curriculum changes in the graduateDivisions, the future of enrollments at theUniversity, and plans for a fundraising cam¬paign for the College and Divisions.Gray said that “the most critical ques¬tions now before the University” concernsthe nature of graduate education and “thepattern of faculty appointments.”She questioned whether traditional de¬partmental and divisional lines should bestrictly observed, warning that close adher¬ence to these “can create habits of constrict¬ed vision,” “It is time to reflect, for examp¬le, on whether the studies of languages andliteratures should be organized in new ways,time to inquire whether the neighborhood al¬liances between appropriate areas of thephysical and biological sciences are ade¬quate.”As the University evaluates the future ofgraduate curriculum and interdepartmen¬tal relationships, “We must take it as agiven that the faculty cannot grow innumber over this next period of time and in¬deed will have to be slightly reduced insize,” Gray said. She said that the Universi¬ty must continue to provide positions “toyoung scholars and teachers” as well asseeking “distinguished senior scholars.”In order to maintain its quality, “we mustconcentrate and not diffuse our strengths,”continued on page 18Committee Approves Zoning ChangesBy Henry OttoThe Hyde Park Kenwood Community Con¬servation Council (CCC) met Wednesdaynight to consider the future uses of two va¬cant Hyde Park sites currently owned by thecity.The CCC approved a change in zoning forthe northwest corner of 55th and Cornell Av¬enue. Although heated debate surroundedproposals for two lots at the northwest andsouthwest corners of 57th and Stony Island,no action was taken to alter the current in¬stitutional-use designation on the northernsite, or the high-density residential zoningon the southern site.The CCC was created in 1958 to overseethe implementation of the Hyde Park UrbanRenewal Plan approved in the same year.At that time, the city acquired a, number ofland sites for redevelopment and, followingpublic hearings on the land’s use, assignedzoning designations. Changes in the planmust be initiated in the CCC and then ap¬proved by the Chicago Department of UrbanRenewal (DUR) and the city council. TheCCC also has an advisory role in the choiceof specific developers.The CCC voted 10-2 to change the UrbanRenewal Plan zoning designation for theCornell lot to commercial and/or residentialwith no more than 36 rental units. The move,which must now be approved by the citycouncil, increases the number of units whichcan be built on the site.The majority of the Council strongly sup¬ported low-rise development, due to thepresent high density of the area. The twodissenting members claimed that only high¬ly subsidized or high-rent developmentscould afford to build with so few residentialunits. Most CCC members, noting a lack ofdiversity in Hyde Park commercial space, expressed the hope that proposals for thesite would include both commercial and res¬idential use.Three proposals for the lot have alreadybeen given to city planning officials. Two ofthem, a 10-story cooperative residentialbuilding, and a 32-story rental structure, farexceed the new limit on the number of resi¬dential units. The third proposal, made by agroup called Disabled Adults ResidentialEnterprises, calls for a 24-unit federallysubsidized townhouse designed exclusivelyfor the wheelchair-bound and their families.Although the Council expressed strong in¬terest in locating the project in Hyde Park,several members reiterated the need forcommercial space on that site.The board plans to contact these develop¬ers and suggest that they submit new planswhich meet the zoning requirements passedWednesday. Other new proposals will alsobe solicited.Two projects have recently been present¬ed to the city for the two 57th and Stony Is¬land sites. The Alpha Kappa Alpha sororitywants to build a $1.2 million national head¬quarters on the norther lot, which is alreadyzoned for institutional use. Fred Levy, aHyde Park developer, this week offered asecond proposal, for twin 20-story apart¬ment buildings located on both sites. Eachbuilding would house approximately 120rental units, as well as commercial space.While the zoning on the southern parcelcould accommodate such a project, the des¬ignation on the northern corner would haveto be changed.Debate at the CCC meeting centeredaround proper use of the northwest cornerwith opinion on the council evenly split. Onegroup of members felt the site, bordering onJackson Park and overlooking the lake, wasideal for a high-rise residential develop¬ ment. The other group felt the zoning shouldbe left as is, arguing that the sorority hadmade a solid proposal that met the currentzoning regulations, and that residentialunits could still be built on the southerncorner. At the meeting, Levy said that hewould move to develop the southern siteeven if the northern lot was not rezoned.The CCC adjourned without making anychanges in the zoning of the lot, but thegroup’s chairman, Edwin A. Rothschild,stated that discussion of the site’s use wouldcontinue at the CCC’s next meeting, on De¬cember 17, in the Lutheran School of Theolo¬gy, at 55th and University Avenue. As thematter now stands, the Alpha Kappa Alphasorority can go ahead with their bid for theland. However, a spokesman for the grouptold the Council that they would like theCCC’s official support before making anoffer to buy the lot from the city. Bernheim,Kahn,andLoiano/ArchitectsLtd.EDITORIALNow You SaveWOWhen You BuyAvisThis ad is your chance to get a great car andsave $100. It's a special offer for you fromAvis Used Car Sales. And it's good on latemodel cars like Camaros, Firebirds, Datsun280-ZXs, Toyota Celica Lif tbacks, and all theother quality cars that Avis sells.When you buy from Avis, you get immediatedelivery on a car that’s been carefully maintained.And all this:1. A free Limited Power Train Warranty. It’sgood for 12 months or 12,000 miles, whichevercomes first. Ask for details.2. A car that’s competitively priced. Evenbefore your $100 savings, you get a lot of valuewhen you buy Avis.3. A wide selection. Choose from many makesand models. And most cars are fully equipped.Come in for a test drive. And be sure to bring thisad with you. It’s your ticket to $100 savings whenyou buy Avis.Offer valid Nov 1. 1980 - March 31. 1981 No other discountsapply Offer valid at12100 So. Cicero Ave.Alsip(312) 385-9193Don’t take our word.Take our warranty. AVIS 1441 Rand Rd.Des Plaines .(312) 296-66561318 KishwaukeeRockford(815)968-0980Discount Code No 204b1980 Avis Rent A Car System, Inc Avis’2 — The Chicago Maroon — Friday, November 21, 1980 Starting a Student CenterMost present undergraduates were not yetborn when students and administrators firstbegan talking about the possibility of reno¬vating Ida Noyes Hall to create a genuinestudent center on campus. This month, theUniversity took the first step in indicatingits intent to eventually renovate the build¬ing; it appointed a committee of student andfaculty members to make recommenda¬tions for possible future uses for Ida NoyesA number of things could be added to IdaNoyes which would make it more of a socialcenter on campus. Some of these improve¬ments would have to wait for the renovation,but others could be accomplished tomor¬row.There is a need for a coffee-shop wherestudents can relax in the evenings, andwhere food coupons could be used. The C-Shop is good for this purpose, but it is isolat¬ed from other campus activities. The Pub ispoorly lit, food coupons are not valid, evenfor its food, and for most students under theage of 21, it is inaccessable.Chicago Style There is no place for students to unwindafter they leave the library after a hardnight of studying. A student center with acoffee shop open late, or even all night,would likely do a good business with thiscrowd. Even a place where students couldgo to study after 1:00, with the knowledgethat there are dozens of students in the sameboat close at hand, would be an improve¬ment.If and when the renovations are done,there should be an emphasis oh creatingmore room for the various student group’soffices, and on the upgrading of some of thefacilities which now exist in less than idealcondition, such as the darkroom, the swim¬ming pool and the bowling alley. If funds dopermit, the construction of new facilitiessuch as a cinema would also help to makeIda Noyes more the social center ofcampus.But if administrators really want to showthat they are serious about creating a stu¬dent center, there is much they can do with¬out ever placing a shovel into the ground.By Peter ZaleTHE CHICAGO MAROONEditor: David GlocknerManaging Editor: Chris IsidoreNews Editor: Sherrie NegreaFeatures Editor: Laurie KalmansonProduction Manager: Joan SommersSports Editor : Mike OcchioliniPhoto Editor: Dan BreslauCopy Editors: Katie Fultz, Gabrielle Jonas,Jay McKenzieBusiness Manager: Lorin BurteAdvertising Manager: Wanda JonesOffice Manager: Leslie Wick Staff: Andy Black, Sharon Butler, JohnCondas, Bob Decker, Aarne Elias, AnnaFeldman, Jeff Friedman, Victor Goldberg,David Gruenbaum, Margo Hablutzel, Jack¬ie Hardy, Andrea Holliday, David Holmes,Nate Honorof, Lisa Kim, Robin Kirk, BobLaBelle, Linda Lee, Nina Lubell, CharlesMenser, Margo Orlovich, Henry Otto, StevePolansky, Trace Poll, Dave Schaffer, DanTani, Joe Thorn, David Vlcek, Terry Wilson,Kittie Wyne, Darrell WuDunn.2 drawerfull suspensionfile cabinets26" deep file$50 SIiaOrder 3 or more$47.50NEW AND USEDDesks • Chairs • File CabinetsSorters • Much MoreDelivery AvailableBRAND EQUIPMENT8560 S. south ChicagoPhone: RE 4-2111Open Doily 8:30 AM-5:00 PM, Sat. 9:00 AM-3:00 PM VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive 1 Vi and2 Vi Room StudiosFurnished or UnfurnishedS218t. $320Based on AvailabilityAt Campus Bns Stop324-0200 Mrs. GroakHOUSE OF CHIN1607 E. 55thExcellent Chineso CuisineCantonese, Mandarinand SzechwanCarry-out andDining Room ServicePhone: 752-3786Hour*: Toes. Thors 11:30-9:00Fri.l Sat. 11:30-10:00Sunday 2:30-9:00Closed MondayNEWS BRIEFSNew Concert Hall in Good speedWill University Get Chamber Group?Easley Blackwood, a composer in theMusic Department, and a music student inthe College have together organized a Mas¬ter Class in chamber music for this Sunday,which they hope will be the first in a contin¬uing series of workshops and concerts. TheMaster Class is an attempt to form a newmusic organization, to be called the Univer¬sity of Chicago Chamber Ensemble, whichwill present two concerts per quarter.“The idea,” Blackwood said, “is to set upa functioning chamber ensemble. We mayhave to use a few area people, but the groupwill consist mainly of students. In terms ofprograms, I’m thinking of Haydn, Mozart,Schubert, Beethoven, Brahms; I won’t beproselytizing modern music.”This Sunday’s Master Class is being or¬ganized by David Cates, a pianist, andfourth-year student in the College. “We’retrying to promote chamber music at theUniversity of Chicago in a big way” Catessaid.The organizers of Sunday’s Master Classare trying to build a long-term organization. “What we’re doing Sunday, “Blackwoodsaid, “is getting people together to play alittle bit, teach a little bit. We’ll talk aboutthe idea (of the ensemble) and see what thereaction is.” According to Cates, the re¬sponse to his organizational efforts has beenvery heartening.Such an ensemble would be new to theUniversity, its organizers stress. They hopeto form a network of musicians interested inchamber music, who can benefit from boththe concerts and the workshops. Both Catesand Blackwood feel the ensemble could pro¬vide a valuable learning experience for itsmembers. “It would fill a real need,” onestudent said.Sunday’s Master Class will feature worksby Beethoven, Brahms, and Mozart.Black¬wood will be assisted by cellist PhillipHelzmer, clarinetist Mark Vandersall, andothers. The class is sponsored by the Visit¬ing Committee to the Department of Music,and will be held Sunday at 2 pm in the newGoodspeed Recital Hall on the third floor ofGoodspeed Hall. Interested musicians and members of thepublic are invited to attend; admission isfree, and a reception will follow.—Jay McKenzieStart Job Hunt NowStudents will have a chance to hear aboutsummer job opportunities Tuesday from12:30 to 1:30 in the North Lounge of the3 Reynolds Club.5 Speakers from a variety of professions* and staff members of the career counselingc and placement office will discuss strategieso for seeing summer jobs, opportunities avail¬able in particular fields, and resourcesavailable to job-hunters.Among the participants in the programwill be Bill Barnhart, a reporter for the Chi-,cago Tribune, Sam Phelps, recruiting direc¬tor for Automated Concepts, Inc., and Dr.Stephen Lerner, assistant professor in thedepartments of medicine and microbiology.Julie Monson, director of the career coun¬seling and placement office, Sara Johnson,assistant director for student employment.Kathleen Martin, student employment coun¬selor, will also participate in the program.For further information about this sum¬mer job program or about other services of¬fered by the career counseling and place¬ment office, call 753-3291.SG Takes to the AirThe Student Government (SG) Communi¬ty Relations committee is considering char¬tering an airplane to provide students with alow-cost means of getting home duringbreaks between quarters.Committee chairman Sekhar Bahadurhopes eventually to set up a schedule offlights to more than one city on a semi-regu¬ lar basis. According to Bahadur, SG is plan¬ning to use New York as the first destina¬tion. “New York has the largestconcentration of students from the Universi¬ty, so if it doesn’t work there then it proba¬bly won’t work anywhere.”SG hopes to have the first flight ready forthis winter’s break but the chances lookslim. Bahadur said that the committee isrunning into the many technicalities of char¬tering airplanes. “There are many rulesabout cancellations, giving refunds andmaking downpayments. They (The CivilAeronautics Board) want to make sure thatyour not ripping anyone off.”Six major airlines were looked into ofwhich two, United and US Air, looked prom¬ising. Under the plan of US Air, studentscould save approximately 30% over the nor¬mal fares. This discount could translate intoa $50 to $60 savings over the cost of regularlyscheduled flights.The committee is presently in a testingstage for the program. They hope to findhow many students would be interested intaking the chartered flights and what citieswould serve the greatest number of stu¬dents. —Aame EliasHunting PresidentsWhat does a former President do when heleaves office? Some of them spend a part oftheir time visiting collge campuses In thehopes that soon-to-be ex-President JimmyCarter will engage in this pasttime, theYoung Democrats will meet Monday to dis¬cuss ways to bring Carter to campus duringthe coming year. They will also talk aboutthe possibility of attracting other prominentpolitical figures to campus.The group will meet Monday at 7 pm onthe third floor of Ida Noyes.IS THEAMERICAN DREAM AJEWISH NIGHTMARE?A 4 DAY EXPLORATIONWINTER HILLELINSTITUTEOF THE MIDWESTWHIM, DECEMBER 21-25, 1980WHIM is an intensive, informal Jewish educational andcultural experience for college students in the Midwest.WHIM will be held in St. Louis, utilizing the facilities ofWashington University and the Hillel Foundation.COST: $95 per person. Includes: tuition, kosher meals,and accommodation.For more information contact: Hilary Wolpert:753-2249 or The Hillel House, 752-1 1 27. KIMBARK LIQUORSandWINE SHOPPERS SHOP1214 E. 53rd (Kimbark Plaza) Phone: 493- 3355Some American Wines for theUpcoming Holiday SeasonREG. SALE750 ml. SM JOHANNISBERG RIESLING 3.99 2.99750 ml. SM SOFT JOHANNISBERG RIESLING 5.69 4.39750 ml. OAKVILLE CHENIN BLANC 4.49 3.49750 ml. SM SOFT CHENIN BLANC 4.89 3.79750 ml. GOLD SEAL CHABLIS NATIIR 3.49 2.89750 ml. GEYER PEAK FEME BLANC 5.39 3.99750 ml. WILLOW CREEK NORTH COAST CHARDONNAY 6.49 4.99LIQUOR SALE ITEMS750 ml. DIMITRI VODKA 2.99750 ml. R0NRIC0 RCM (LIGHT OR DARK) 4.09750 ml. OLD TAYLOR 80° 4.59750 ml. Cl TTY SARK SCOTCH 6.991.751. GLENM0RE GIN 7.996-12 oz. CANS OLD MILWAUKEE 1.59 (warm onlyl6-12 oz. CANS SEVEN-UP BEY. 1.69 (warm onlylSALE DATES-11/20 thru 11/25The Chicago Maroon — Friday, November 21, 1980 — 3lLETTERS TO THE EDITORDecency Sold for $22.49To the Editor:Once again, despite the protests ofcampus clubs and societies, its own residentheads and a sizable minority within thehouse, Chamberlin House has shown an¬other pornographic film, this time screening“Debbie Does Dallas”. And once again,hordes of women and (mostly) men flockedto a spectacle which gave them the right topay $2.50 to see their views on sex momen¬tarily distorted and the acrobatics of geni¬talia tastelessly splashed on the screen.While Debbie may have done Dallas, Cham¬berlin has been done in by a false sense ofpurpose.The film’s organizers assert that they aremerely emulating the capitalistic idealsthat have made this nation great. Speakingfrom an economic point of view, Chamberlinshows a high rate of return for the time in¬vested in showing these films. Yet Cham¬berlin has not learned its lessons wellenough, for the social costs incurred far ou¬tweigh the $1100 netted from this film.Pornography is a powerful medium. Butits allure is illusory. I doubt if any of themen of Chamberlin or the 375 students whopacked Kent Hall for a vicarious thrill wanttheir own sexual experiences to echo the tra¬vesties shown in porn films. Chamberlin,however, is unfazed by the distorted por¬trayal of sex it peddles; instead, this houseregularly associates itself with a style offilm with no socially redeeming value thatexploits the bodies of men and women forsupposed sexual gratification that actuallydisgusts rather than pleases the senses.Chamberlin states that it is exploiting amarket, and if it didn’t some other housewould. No other house, however, has showna porn film, even though nothing is stoppingcompetition. Perhaps what other houses re¬ cognize, and what Chamberlin does not, isthat these films are not erotic, but pornogra¬phic: degrading, tasteless, grotesque, andharmful. Chamberlin is in a community thatvalues social responsibility as much as, andprobably more than, the ideals of capital¬ism. Chamberlin dissents from this commu¬nity ideal. Subtracting out the three menwho disassociated themselves from thisfilm, Chamberlin’s residents have pro¬claimed to this community that the price oftheir morals, their decency, and their senseof respect for the human body and for menand women is, dividing profits by number ofresidents, $22.49.1 do not know many peoplewho can put a price on their belief in humandignity, let alone at such a bargain.Donald J. LaackmanStudent in the CollegePromoting PortrayalsTo the Editor:Dear Ms. Scher,If you dislike pornography, and have thecourage to state your dislike without alsoseeking artificial, external justifications foryour natural, personal inclination, I won’tbegrudge you your opinion. But if you pre¬tend in your article “Down with Porn” tohave established the rational basis for theabolition, voluntary or otherwise, of porno¬graphy, then I must say, “you have a longway to go, baby.”“Pornography promotes sexual relationsbetween individuals that are devoid of emo¬tion and personal attachment.” This sen¬tence would not have been preposterous ifyou had said portrays instead of promotes.However, you have confused these terms —a confusion that arises, I suppose, from yourconveniently unarticulated thesis that toportray must necessarily be to promote.Few readers need be reminded of the prob¬WE'VE BLOCKED SUPER SAVER SPACE FOR:WASHINGTON D.C.NEW YORKSAN FRANCISCOBOSTONGO WHENEVER YOU LIKE AND COME BACK ON ABLOCKED SPACE SUNDAY, JANUARY 4.LEAVE BEFORE DECEMBER 15th AND MAKE RESERVATIONSAT LEAST 14 DAYS PRIOR TO DEPARTURE.We have space January 4 from Washington, D.C. and NewYork to Midway Airport. We must have reservations byDecember I — SO DON'T WAIT!!!MIDWAY TRAVEL, Administration BuildingL 753-2300 lematic nature of this thesis. Moreover, ifthe portrayal of loveless sex is alone suffi¬cient grounds for the boycott of a movie,then we must recognize that in the futureour viewing pleasure will derive solely fromsuch cinematic standouts as Babes in Toy-land.Not wishing to do your argument any in¬justice, we may suppose now that porno¬graphy does in fact promote loveless sexualrelationships. So what? Many of us enjoymasturbation without developing any par¬ticular affection for our fingers. Why shouldit be otherwise when the sex act involves asecond party? In fact, I would go so far as tosay that we could enjoy sex much more if wecould learn to separate it from our emo¬tions. As impracticable as such a separationmay seem, you will have to admit that froma theoretical point of view^your “relation¬ship without sex” is about as unlikely tooccur. Every human relationshp has its sex¬ual component.“. . . the films treat as normal the sexualand physical subjugation of women . . .”Here you forget that any notion of dramaticillusion in pornography is destroyed by theexplicit portrayal of sex. In our society it isnot normal to witness the sex acts of others.For this reason, the explicit portrayal of sexin a movie must necessarily destroy the re¬alism of that movie. Pornography is fantasypar excellence, and the spectator cannotcomprehend any aspect of pornography asbeing realistic. Any norms that may man¬ifest themselves in a pornographic film arethe norms of a fantasy world, and the spec¬tator is well aware of this fantasy. He willnot extrapolate these norms onto his person¬al reality any more than he will attempt tofly after viewing Peter Pan. The sex actgives an aura of fantasy to the pornographicfilm. Therefore, it is an erroneous notionthat these films will corrupt our socialnorms. I could say much more, but I will restrictmyself to one final comment. I think thatreason is an unfaithful servant, especiallywhen it is pressed into the service of socialcauses. For every argument there is acounter-argument, and it is generally an ir¬rational cultural predisposition that ultima¬tely decides the preferences of a society. Ifyou don’t like something, go ahead and sayso; but don’t expect anyone to listen to yourreasons — even if they be good.Vince KenyonStudent in the CollegeAppealsCommitteePrecedent FoundTo the Editor:I have recently found out that there is anundergraduate disciplinary committee. Myunderstanding is that this committee de¬cides most, if not all, academic disciplinaryactions that will be taken against under¬graduates. This committee reportedly hasstudent members. Undergraduates may ap¬peal the committee’s decision, but only to asecond committee. This appeals committeesupposedly makes the final decisions on ac¬ademic disciplinary actions. It, also, report¬edly has student members.I personally had never heard of these twocommittees, and I doubt if many other un¬dergraduates have. Therefore, I invite Deanof Students in The University, Charles D.O’Connell to comment on the structures andfunctions of these two committees as well asthe feasibility of such committees (at leastthe Appeals committee) being formed to de¬cide housing disciplinary actions.Charles A. (Tony) KnightStudent in the CollegeLAST CALLfor fiction, poetry and essay contributionsto the Fall Chicago Literary ReviewSubmit two copies of your work to the Maroon officeby Monday, 10 P.M., Nov. 24th.3rd Floor, Ida Noyes1212 E. 59thEye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differencebetween advertised cheap glasses orcontact lenses and competent pro¬fessional service.Our reputation is your guarantee ofsatisfaction. ATHLETES DECEIVEDABOUTPHYSICAL FITNESSEPOCHAL DISCOVERY OF MINIMALMOVEMENTS FOR OPTIMUM HEALTHfResearch report discloses that most sports and athleticsare mainly macho-ballyhoo that deprive the body of thebasic activities for optimum fitness described in detail inSPORTS VS FITNESS at all campus bookstores, $1.95. New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave.753-3303 REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU. of C. I D.Mastercharge and Visa Accepted4 — The Chicago Maroon — Friday, November 21, 1980Charles Gray; Life as the First HusbandBy Robin KirkHis record reads like an attainment of theAmerican Intellectual Dream. Born in Ur-bana, Illinois, he received his B.A. andPh.D. from Harvard. In 1956 he beganteaching at MIT, and moved on to an Asso¬ciate Professorship in History here fouryears later. He served as the co-editor of“The Journal of Modern History,” and asdirector of the American Society for LegalHistory before moving with his wife to Yalein 1974. After four years there as a Lecturerand Senior Research Associate, he returnedto Chicago when his wife, Hanna, wasnamed as the University’s tenth President.Since then he has been a Professor of Histo¬ry in the College.Charles Gray has an imposing statureboth academically and physically, yet is aneasy man to talk to. He talked to TheMaroon early one afternoon in his smallHarper office: about himself and about histhoughts on the University.The inevitable question was about Presi¬dent Gray’s position and how it affected hisown role here. He answered quickly and re¬marked that yes, indeed, he had heard thatquestion many times.“I really find that a hard question to an¬swer,” he said. “I think that it doesn’t makea kind of revolutionary difference in my life.We still do the same things together as wedid when we were both teaching. For exam¬ple, we’ve always worked in the evenings —she has the stacks of paperwork that havefound their way to the President’s office,and I work on my classes. A professor reallyhas to work in the evenings to keep up.“The daily rhythmn of our life isn’t dra¬matically affected,” said Gray. “There arethings that we have to do together, like en¬tertain and attend state occasions, butusually I get the opportunity to meet somepeople who I wouldn’t ordinarily meet. It’skind of interesting, and less of a dramatic change than people think.“I don’t think it affects (the students inmy classes). I suppose there is a prelimi¬nary curiosity, but eally, how could it affectthe tone of the class?”He isn’t upset about printed mistakes con¬cerning who is President and who is spouse.“Well, of course, I take it with a sense ofhumor,” he said “There’s really no otherway to take it.”Looking at Charles Gray, one notices sev¬eral symbols of the academic life abouthim: his horn-rimmed glasses, the pipe, andthe lived-in rumpledness of his tweed jacketto name a few. As he reflects upon his aca¬demic past, it is apparent that the subjectsto which he has devoted a part of his life stillhold the same illusory magic as they didwhen he began his formal career in 1949.“I really started out being interested inthe earlier parts of English History; thatperiod up to the 17th century,” Gray said.“I’m very interested in the history of En¬glish Law and Theory - I’ve changed myemphasis some over time, but I’ve reallycome back to doing medieval English Histo¬ry now. As far as academic projects go, I’mdoing several things now - they’re really tocomplicated to give you a short descriptionof, but they have to do with the History ofEnglish Law and Theory. I divide my inter¬ests between two primary things: the prac¬tical history of that subject and the historiesof the theorists of English Law.”As interested as Charles Gray is by his re¬search, teaching has long played an impor¬tant part in his work. “Well to me,” he said,“teaching is certainly as important as re¬search. But I spend so much more of mytime on my teaching - I’m really no good atsimplifying and giving up teachings. I think,though, that you can tell from where I’vespent my time where my main commitmentlies. In practice, my teachings is centeredvery heavily in the College. I’m in a...pretty rare field so there aren't too many graduatestudents. I’m teaching Western Civilizationregularly now and don’t plan to stop - the cli¬entele is...undergraduate, and that is theway I’d really rather have it be. It’s not thatrare, I think, that other professors havesimilar feelings.”His immediate goals are admittedlyvague. “Honestly, I shouldn’t be defined assomeone with terribly certain goals. But Ican say that I do have some goals in myteaching. I’m trying to develop some newcourses, specifically for the P.E.R.L. pro¬gram, which would have to do with Law andAntiquity. I hope to extend this concept overa three-quarter term. But, really, most ofmy goals are long-term ones.”His career has given him a chance to re¬flect on the University today, as comparedwith the University of the 60’s-as well as tocompare Chicago to Yale.“The University now is quite differentfrom the University in the 1960’s, of course— that was quite an exceptional decade.The pressure of political activity, both inter¬nal and external, affected what everyonewas thinking about...and from my individu¬al experience, the students now are a littlemore reliable than they were in the 60’s.Then, there were more people going off ontheir own tangents...getting screwed up. Ithink that in general, more orderly lives arebeing led now. If anythings, I can see a netimrovement in the academic quality of thestudent.“(The comparison with Yale) is a verycomplicated one. I think that there is an im¬portant sense that they are more compara¬ble than not. I’m sure that there would bedifferences between both student bodies, be¬cause one chooses Yale and the Universityof Chicago for different reasons. I think thatChicago tends to be a highly self-selectivestudent body. You kind of have to decidethat you want to be at Chicago for yourself. Charles GrayOne chooses Yale for different reasons, likethe prestige. There is a slightly differentprinciple of self-selection which doesn’t re¬ally amount to much any more. There’s re¬ally no old Yale left...but Yale has ameni¬ties which we don’t have in some ways,. Butthe organizations of houses is similar. Theyare more lush...more heavily endowed. Thefaculties are basically the same levelthough.”Although Gray is usually busy — eitherwith research, or with Mrs. Gray at officialfunctions, — he finds time for a variety ofphysical activities. “In what spare time Ihave,” he said. “I play a lot of squash, and Irun. I have one activity that I do mostly inthe summer, and that is painting. I’m cer¬tainly not a water-colorist, so I paint mostlyin oils, and sometimes acrylics.”Gray also admits to literary habits. “I’msomething of a general reader,” he said.“I’m one of those people who feel they’d losetheir soul if they didn’t keep up I also do alittle amateur poetry writing — I’m a Greeknut, too. That’s a pleasure that is a littleclose to business, but on the order of littlethings that help to get you through the week,that helps.”Financial Aidcontinued from first pageford and make up the rest with grants andloans. Hall explained that the University’sfinancial aid office attempts to keep theamount of the loans within the student’s re¬alistic ability to repay.Without sufficient grant funds, “the issuewithin the University becomes what we willdo: change the type of student we admit orfind new funds?” said Hall.“Finding new funds for student aid wouldbe tough when the University is alreadypressed for money,” said Hall. The alterna¬tive, however, is to take ability to pay intoaccount when admitting students.Hall is completely against changing thetype of student admitted. “I’ve been com¬mitted to the idea of giving all students thechance for higher education,” Hall stated.With full enactment of the 1980 Amend¬ments to the Higher Education act, Hall said, all students would have a chance to goto college, even with a choice of schools. TheNational Association of Financial Aid Ad¬ministrators, a lobbying group, had beenworking for three years for this goal. “TheAmendments mean nothing without the ap¬propriations,” said Hall. He added, “It’s agood bill, but it’s expensive.”Among the highlights of the 1980 Amend¬ments is a provision to increase the BasicEducation Opportunity Grants from a max¬imum $1,900 in 1981-82 to $2,600 in ’85-’86.Funding for these grants will almost cer¬tainly be cut back by Congressional appro¬priations.The Amendments have a provision fornew loans to parents of up to $3,000 for eachstudent annually and a total maximum of$15,000.Guaranteed Student Loans have new cu¬mulative limits under the Amendments. Thelimits are up to $12,500 for undergrads,$25,000 for grads, and $15,000 for the new category of independent undergrads. Inter¬est charges are increased to 9 per cent fornew borrowers, but present loan interest re¬mains at 7 per cent. The grace period beforerepayment, which begins after terminationof studies, has been reduced to 6 months,rather than nine to 12 months.National Direct Student Loan interest hasalso been increased for new borrowers fromthree to four per cent, and the grace periodhas been reduced to six months. NDSL cu¬mulative limits have been extended to $6,000for undegrads, $12,000 for grads, up from$5,000 and $10,000 respectively.A problem with the Amendments is a newmethod for determining a student’s need foraid. Using this new method, students withfamily incomes of over $33,000 a year re¬ceive more aid than they would under pre¬vious methods, those students with familyincomes of less than $33,000 a year receiveproportionally less aid than before.According to Eleanor Borus of the office of College Aid, this difference arises be¬cause in the past home equity was taken intoaccount. The new method ignores home eq¬uity. She said that the method must be usedfor the Basic Education OpportunityGrants, but College may use the previousmethod for determining the need for othertypes of financial aid.“Congress didn’t realize that the new needwas adjusted for the aid of the rich,” saidHall. He added that Congress tried to sim¬plify methods of determining need but in¬stead complicated the problem.In the last few years there has been quitea bit of money put into financial aid, with lit¬tle change in the number of low income stu¬dents, according to Hall. The problem hasbeen a lack of information for potential stu¬dents. There is a new federal program to getinformation to high school sophomoresabout financial aid and college, but Hall saidthat it is questionable whether it will befunded.rPOST LIBRIS• Coffee House •Nov. 21,28, Dec. 59:30 P.M.-1:30 A.M. FREE ENTERTAINMENTGeno CampJordan WankoffDavid SulcerOpen MikeFROG & PEACHIda Noyes 'Funded by the Student Government Finance Committee"The Chicago Maroon — Friday, November 21, 1980 — 5Maroon AdvertisersThe following are the remaining publication dates:Tuesday November 25(No Friday paper after Thanksgiving)Literary ReviewFriday, December 5(deadline for L.R. display and classifieds is 5:00 P.M. Monday, Dec. 1)* KC-2 TH€^DMPANIONThis is a non-lethal weapon that could save yourlife.The attractive COMPANION key case contains acanister of the strongest chemical self-defensespray ever offered to civilians. It is legal to carrybecause it causes no permanent damage orlingering side effects after usage,t KC-2Specification*. The net weight of the chemical is 'h oz Grossweight is 2 oz The propellant is C02 The canister fires about 15-20seconds of defensive chemical for a distance of about 6-10 feetComplete with Leather Keycase Perfect for ladies $9 95» KC-1-CSame as above but includes stainless steel Belt Clip Gross weightis 2 . oz Perfect for men & loggers $11 95/It instantly disables one or a gang ofassailants for 15-30 minutesA built-m safety cap prevents accidental firingIt fires through the case opening (unsnappmgthe cover is not necessary for operation)The canister which can be fired in any position,m which you hold it. is made of impact-extrudedaluminum, is externally lacquered forappearance and is internally lined for long shelflifeANTIDOTES: Fresh air and water Affected persons willobtain faster than normal relief by exposure to wind andmoving air Rinse eyes with copious amounts of waterWash skm with soap and water Use no creams, salves oroilsMAIL COUPON TODAY TO I.S. ENTERPRISESP.O. BOX 395FRANKLIN PK., IL. 60131_»KC-2 {Vt oz.) at $9 95 Red Black Blue BrownjtKC-1 -C ('/* oz w/clip)at$11 95 Black Blue Brown RedAdd S1J30 For shipping handling, and tax^_LaLil enclosedA~NAMEADDRESSCITY .STATE, .ZIP. INTERESTED IN A CAREER IN THE JEWISHPROFESSIONS OR JUST WANT TO STUDY?The Jewish Theological Seminary oi America offers:UNDERGRADUATE AND GRADUATEPROGRAMSin all areas olJUDAICARABBINICAL AND CANTORIAL TRAININGCOMMUNAL WORKJEWISH EDUCATIONSUMMER AND ISRAEL PROGRAMSRabbi Barry Starr, Director of Recruitment, ITSA will be at tbe D of C on TUESDAY,DECEMBER 2 from Noon-3 pm. at tbe Hillel Foundation, 5715 S. WoodlawnAre. Any student interested in meeting with Rabbi Starr to discuss Seminaryproqrams^plgdSi^cain52.1127 lor an appointment or jlist dropjr^^INTERESTED IN PUBLIC POLICY?-^The COMMITTEE ON PUBLIC POLICY STUDIES will hosta meeting to acquaint students withprogram offerings leading to the M.A. degreein Public Policy Studies.The meeting will be held:Tuesday November 253 - 5 p.m.Wieboldt 303Students currently registered in thegraduate divisions and professional schoolsas well as seniors in the Collegeare invited to attend.For further information CALL: 753-1896Wednesday, November 26Will be the last day all Autumn Quartertexts will be available for sale.Books must be returned in order to make way for Winter Quarter texts.The Textbook Department will be open for business after this date.The Textbook DepartmentUniversity of Chicago Bookstore950 E. 58th St.TIME is Running Out!—theg r e13th Year 15th Issue u r n a I21 November 1980EVERYMAN INTHE CHURCHEverymandirected by Ellen MartinRockefeller Chapel, 59th and WoodlawnNovember 21-23, 28-30by RICHARD PETTENGILLFor the uninitiated, the idea of going to aproduction of Everyman tends to includepulling in one's belt a notch and enteringthe church walls, resigned to an evening ofstark, moral edification. Although the playis generally considered to be the finest ex¬tant example of the medieval moralityplay, Everyman is atypical of the genre inthat it lacks completely the elements ofvice comedy found in roughly contem¬poraneous moralities like Wisdom andMankind. Yet as the current production bythe Chancel Players at Rockefeller Chapeldemonstrates, the play is not wholly with¬out comic elements, and rs still enormous¬ly appealing to those who live in a centurywhich, on the whole, could not be furtherspiritually from its method and message.It is an odd paradox, really, that the playcontinues to entertain and delight, for itwas written (circa 1495) for no other rea¬son than to intensify and dramatize Chris¬tian preachings. In fact, there is no evi-oence that the play was performed at all atthat time, and it stands for many as the ar¬chetypal example of a fully didactic closetdrama. Yet it performs beautifully, andone need not subscribe for example, to thefour stages of penance prescribed by theCatholic Church to be deeply moved by thesight of Everyman undergoing thosestages. The play has a universal appealwhich speaks directly to all of us, regard¬less of the particular world-views each ofus have adopted to make the journey of lifeseem less puzzling.This question of universality was thefocus of a lunchtime talk which David Be-vington gave last Tuesday at Bishop BrentHouse, entitled "Everyman and theChurch." There he attempted to accountfor the play's continuing appeal in terms ofits portrayal of an experience which iscommon or at least inevitable to us all:that of aging and the coming of death."What is Everyman's age?" Bevingtonasked. Presumably he is every-age, butwhy then has Death come? On the onehand, Everyman may be a young man, forhe "had (Death) least in mind," but on theother, he may be dying a natural death ofold age, for we hear nothing of the symp¬toms of accidents or illness. Our sense atBrent House was that Everyman is aging,has lived a full if excessively worldly life,and that what we relate to most strongly inhim is the process he undergoes afterbeing informed of immanent death, that is,his coming to terms with the reality ofdeath.Along these lines, Mr. Bevington made avery apt comparison to a play which wasperformed here on campus last year, Ione¬sco's Exit the King. Apparently Ionescowrote the play during a period in which hehimself thought he was dying. As in Every¬man, we know from the beginning that Ion¬esco's protagonist is to die at the end, leav¬ ing us in both cases to reflect on theexperience of dying, on the ars moriendi.Bevington noted that in both plays themain character goes through four stages:initial disbelief; growing resentment and akind of "Why me?" struggling against thefact; a stage of confessional acquiescence,or coming to terms and a state of peace;and finally to a state of euphoria at theprospect of eternal rest. These phases, hepointed out, are roughly analogous to theaforementioned stages of Catholic pen¬ance (confession, contrition, absolutionand satisfaction, i.e. making amends forone's sins), and this kind of progressionmust be seen as an enormously satisfyingway to end one's life, regardless of one'sreligious preferences or lack thereof. Theallegorical personifications in Everymanare especially relevant to this idea. Con¬fession in particular is what any gonfesseein any context should be: a concerned,trustworthy, decent person. The sacra¬ments, too, have a "psychological, not justa theological basis," Bevington says, forthey ease and counteract the essential soli¬tude of the dying experience.Bevington spoke at some length about anissue in the play which disturbs many peo¬ple: the two groups of personifications andtheir successive desertions of Everyman.The first group, Fellowship, Kindred,Cousin, and Goods are presumably thevery first things, the worldly, iniquitousthings, that one gives up. The secondgroup, Beauty, Strength, Discretion andFive Wits, he says, seem to represent thechurch and confession, and are the verylast things one lets go of. This raises problems when one thinks of the actual experi¬ ence of dying, since conceivably one'sfriends and family (assuming they are notjust waiting for an inheritance, and per¬haps the play assumes so) might stay withone well after things like beauty, strengthand wit have gone. Knowledge, which Bevington suggests is knowledge of Catholicritual, accompanies Everyman to thegrave, and his Good Deeds escort him allthe way in. One's good deeds, then, willease one's journey the most and will be, inthe end, "a good friend at need."Eric Bentley has written that Everymansucceeds precisely because it is complete¬ly serious and sincere, and that these arequalities rarely to be found in the theatre.The production at Rockefeller Chapel cer¬tainly succeeds on these grounds, for it issolidly and straightforwardly done, but itsucceeds too in its sensitivity to some verysubtle and usually-ignored comic elementsin the play. A lightness of mood was estab¬lished, first of all, by the Mummers playwhich inaugurated the evening, The Oxfordshire St. George Play. This brief andcomically rambunctious rendition of St.George's killing of the dragon had all of thespark and spontaneity that the earlier,word-of-mouth performances must havehad before the play was transcribed in1847. The Rockefeller version may havebeen too spontaneous, however, for the di¬alogue — if one can call it that — was anincomprehensible mishmash, and the at¬tempts at swordplay were clumsy and lu¬dicrous. But the Chancel Players were notaiming for a tightly-controlled performance, and the Yuletide ditty was there tooffer the audience a better sense of the di¬versity and scope of medieval drama. It also served to say that mirth is not out ofplace inside the chapel walls, and while theplay which follows may be about the Com¬ing of Death, its essential subject — thefreeing of the soul through penance — iscause for joy and celebration. Further, ourintroduction to these actors in their comiccapacities served to heighten the subtlycomic elements in Everyman. DouglasPost as St. George displays a kind of ro¬bust nobility which translates well into theBergmanesque single-mindedness of hisportrayal of Death. As Goods, however,Post revels in his role as the walking epito¬me of medieval conspicuous consumption.Fortunately, he doesn't overdo the robust,back-slapping gaudiness, subordinating itquickly in favor of Goods' emphatic refus¬al to accompany Everyman to his doom.Charles Karil as Fellowship (formerly Lit¬tle Jack in the St. George Play) is not un¬aware of the potentially humorous irony ofjuxtaposing Fellowship's supposed wil¬lingness to kill and be killed on behalf onEveryman with his immediate refusal onrealizing what he is being asked to do. Si¬milarly, Gina Konrath as Cousin is sensi¬tive to but does not overdo the quite blatanthumor of her sudden development of acramp in her toe when she realizes that sheand Kindred are being asked to accompany Everyman to his death. But these comicbits are the exception and not the rule ofthe production; more representative arethe quiet elegance of Lynn Clark's Pro¬logue and Epilogue (substituted here forthe text's Messenger and Doctor) and theimpassioned pleading and eventual peni¬tence of Razz Jenkins' Everyman.Jenkins, wearing a simple brown smockand a cross around his neck, is effective.His eyes glisten and mist as he despairs atthe inevitable, then sparkle with pathos inhis temporary bursts of hope. It is a moredifficult role than it seems, for Everymanmust approach many different "people"with his supplications and must have hishopes dashed again and again without ap¬pearing too repetitious. Jenkins managesto vary and increase the intensity of his re¬quests and response? little by little, savinghis most jubilant outburst for his realiza¬tion that Good Deeds, who he'd found lying"cold in the ground," will accompany himall the way into the grave. Jenkins clearlyunderstands Everyman's final anagnori¬sis, that specific human qualities are lessimportant and lasting than the good deedsthat those qualities enable one to per¬form.Everyman's salvation is a stirring theat¬rical experience, whether you subscribe toChristian dogma or to Playboy Magazine,although what with the example of Goodsand the passage on the lechery of theclergy, the play might well convince you torenounce the latter. And speaking of Play¬boy, this production is, in its own way,quite liberated and contemporary: itteaches us without the slightest jolt thatEveryman can be black and God a woman(played, significantly, by the directorEllen Martin). The Chancel Players haveproduced as fine an Everyman as you'reever going to find, and, accordingly, onenot to be missed.Start Winter Quarter WeirdTickets Still Left ForOn Sale Now at SAORm. 210 Ida Noyes753-3592 for info.Court Studio Theatre PresentsFrom the Archives of the Theatre of the Absurd8:30 Friday & Saturday, 7:30 Sunday57th and University753-3581$3 ($2 students and senior citizens)V The University of ChicagoDEPARTMENT OF MUSICFriday, November 21 8:30 p.m.COLLEGIUM MUSICUMHoward M. Brown, directorMusic to Please a PrinceBond ChapelSaturday, November 22 8:30 p.m.UNIVERSITY CHAMBER ORCHESTRAJeanne Schaefer, conductorDeborah Drattell, guest conductor • Steven Liechti, violinBach • Handel • BlochInternational HouseLUNCH TIME CONCERTS^Thursdays. 12; 15 : 12j45 pjn, Reynolds Ciub North Lounge,Bring yoyir lujifh, Enjoy the musicAil concerts free unless otherwise specified. Information at .253 2612, Rpckepeuec cb\pei pjeeseivrs The <DO)tAi lAte cfevcpymNa*6 The Qxfondshilte si qeoeqe plAy6j££CTeD By 6116JM (T)A£TJNDates: November 21,22,23,28,29,30Times: 8:30 p.m.; Saturday matinee at 2:00 p.m.Place: 59th and WoodlawnPrices: $5 general, $4 student/senior citizen;Matinee children under 12, $2.50; $3.50file 34ffi Lofe-f4pta$hSy mpo^tuh^'thi hn\\r\Yoyo\oaicb\, BiolpaicsljHi<?Poric&l, pY\\io^o^[\\c^\j 9o\ihc&\,ckoloji'cdl , AndTnloloyc^l Xn\^l'icAplon9 of The/btt5oo~ t^e&r-cld -Peud Mween-Ht(/ft ^AGprononiio deWcACAlb.Iwesdaii Nov. 25„ „ JA„ ^ , r*o?MBernard $. CohwDepts. of Anthropology and The CollegePyoP, 2avw&tDept, of Child PsvchiatryPyof. WJendu 07 P l akep-fcuDiviflity School, &4>t. of South Asian Langua^ltPyof William Wimsart'Depts. of Philosophy and the CollegeModev'adoir — “Pyop, ^?ol TaxDepts. of Anthropology and The College (Eaeritus)CL0\5T£K CLUS.UaUo^MI12. 1 2. 5 9-H» t Frill-elCWawi, AppI%, Cvdj^rserved 4-P1^r HrWt ——' CoNTg-i&UTiOH ti.oo'6 and CivilizationsMajor Activities BoardMAB Position OpenThere will be one position open on the Major Activities Board for Winter and Spring Quarter. Applications are nowavailable in the Student Activities Office (INH 21 Of and must be submitted to the Student Activities Office by Monday,December 1.-THE GREY CITY JOURNAL- FRIDAY, 21 NOVEMBER 1980Friday 21Monday 24 Saturday 22 Sunday 23Tuesday 25 Wednesday 26 Thursday 27MUSICWHPK Benefit: Campus radio stationWHPK is hosting its annual benefitevent tomorrow night beginning at9:00 p.m. at Alpha Delta Phi, 5747 Uni¬versity Ave. Two campus bands — TheMisfits and The Drag — will be per¬forming. — BBCollegium Musicum II: David L. Brownconducts its chamber choir in musicby Victoria and Scarlatti. 8:00 p.m.,Saturday, December 6, Augustana Lu¬theran Church, 5500 Woodlawn Ave.Free.Chamber Orchestra: Jear.ne Schaeferand guest Deborah Drattel will con¬duct Handel's Water Music, Bach's EMajor Violin Concerto (Steve Liechti,soloist), and Bloch's Concerto GrossoNo. 1. 8:30 p.m., Saturday, November22, 1-House. Free.Gilbert and Sullivan: Open auditions forchorus, principals, orchestra, and techin the G & S Opera Company's production of lolanthe next February. Mon¬day and Wednesdays, December 1, 3,10, 7:30-10:00p.m.; Sunday, December7, 2:00-5:00 p.m. in the Reynolds ClubNorth Lounge. For information call667-1079, 684 3609, or 324-0420.Operatic Recital: The Shoreland pres¬ents the Lyric Opera School Ensemblein a performance of Mozart andBrahms. 8:00 p.m., Sunday, No¬vember 23, at the Shoreland, 5454South Shore Drive. Free.Music to Please a Prince and modern au¬diences, stemming from the Renais¬sance, will be performed by that crewof Howard M. Brown groupies, the Col¬legium Musicum. 8:30 p.m., Friday,November 21, in Bond Chapel. Free.FILMTo Have And To Have Not (HowardHawks, 1941): Bacall teaches Bogart how to whistle, and he learns to fightthe Nazis. In their first on-screenmeeting, the chemistry clicks and ev¬erything else takes a back seat. Bacallbrings new dimensions to the question,"Anybody got a match?." Screenplayby William Faulkner and Jules Furth-man, from the longest Hemingwaynovel. Tonight, Friday, in the LawSchool Auditorium. Law School; $1.50.-JSDiamonds Are Forever (Guy Hamiton,1971): The last of the Sean ConneryBond films finds Her Majesty's SecretServant chasing the evil Blofeld andhis diamond smuggling ring from Am¬sterdam to Las Vegas. Connery showshis age somewhat but the gadgetry,chase scenes and bon mots are amongthe best of the entire series. Bondsaves the world, survives attempts tocremate him and bury him alive in asewer, gets the girl and still neverwrinkles his suit. Also starring Jill St.John. Tonight at 7:15 and 9:30 in Quan-trell. Doc; $1.50 - LBSleeping Beauty (Walt Disney, 1959):This late Disney animated feature isalso one of his most elegantly straightforward. It's not a favorite amongkids, but it holds up better than most ofthe others as you get older. Saturday,Nov. 22, at 1 pm and 3 pm in Quantrell.FOTA; $1.50. - AAAAbbot and Costello Meet Frankenstein(Charles Bartony, 1948): This mixtureof comedy and pseudo-horror has all ofthe standard monsters: Dracula, theWolf man, the Frankenstein monsterand the Invisible Man. Dracula (BelaLugosi) is after Costello's brain, inhopes of inserting it into the Frankenstein monster's skull. The Wolfman,ever unhappy with his life, intervenesin time to save Costello. Plenty ofAbbot and Costello absurdities and Lu¬gosi and Chaney play straight roles.Tomorrow at 7, 9, and 11 pm in Kent. —JEMasculine-Feminine (Jean-Luc Godard,1966): Paul (Jean Pierre Leaud) isFALLACI ON CAMPUSOrianna Fallaci is a star. Interviewswith Kissinger, the Shah of Iran, Khomeini, Deng Xioping, Nguyen VanThieu and others have made her one ofthe most powerful and respected jour¬nalists in the world. Also one of themost hated. After her interview withKissinger in 1972, the one in which hedescribed his work as Secretary ofState as a "Wild West tale," saying"to me women are no more than a pastime, a hobby," Henry was quoted assaying "Why I agreed to it I'll neverknow."Fallaci, five feet tall, Italian, andaround fifty years old, will be appear¬ing in the Ida Noyes Cloister Club at 2pm this Saturday, November 22nd, tospeak and to answer questions. Spon¬sored by the Chicago Literary Reviewand the Chicago Review, members ofthese groups will pose questions;later, Fallaci will field questions fromthe floor. Admission is free.While Fallaci has worked forL'Europeo for the last twenty-fiveyears, her most recent work is anovel, A AAan, which was recently pub¬lished in the States by Simon andSchuster. A AAan is the story of Alex¬ ander Panagoulis, who was con¬demned to death for attempting to as-sassinate dictator GeorgePapadopoulos. Released from prison,freed by a general amnesty, Panagou¬lis became involved with Fallaci before his death and her book is hisstory. She says all the incidents in itare true, but calls it a novel; you willhave to be there on Saturday to findout why, since members of the Reviewstaffs intend to focus on this newbook.A AAan has been awarded the Premio Viareggio and the Premio Nazionale in Italy already, and has been ahuge best seller in Europe. In Ameri¬ca, her most popular book has been In¬terview with History, a collection ofher political interviews. Other worksinclude Nothing and So Be It, and Letters to a Child Never Born. Fallaci isalso remembered in this country for aseries of interviews she did in the Six¬ties for Life magazine on various celebrities and movie stars. As she oncesaid in an interview, "I am a star."Orianna Fallaci on campus is an eventthat should not be missed.—Jeff Makosthegreycityjournal13th Year 15th Issue 21 November 1980Brad Bittan, Curtis Black, Leland Chait, Peter T. Daniels, John Egan,Susan Franuziak, Jim Guenther, Jack Helbig, Danny Kahn, Jeff Makos,Judy McCarthy, David Miller, Adam O'Connor, Mark Pohl, Renee Saracki,Margaret Savage, Bruce Shapiro, John Svatek, Michele White, BrentWiden, Ken Wissoker.Special Contributions this week from Tom Panelas and David Waldman.Molly McQuade, Unclassifiable Page editor.Mike Alper, film editor.Richard Pettengill, music editor.Lucy Conniff, book editor.Lisa Bloch, managing editor.Edited by Laura Cottingham.Production this week by Lisa Bloch, Laura Cottingham and David Mill¬er.The grey city journal is published weekly by the Chicago Maroon, IdaNoyes Hall, 1212 East 59th Street, Chicago, Illinois. For advertising information, call Wanda at 753 3262. caught between the demands of themasculine world of party politics epi¬tomized by his communist friends andthe feminine world of his pop singergirlfriend (Chantol Goya, France'sleading pop singer of the sixties). Therepressive nature of the one and thevacuity of the other leave him in despair. He tries desperately to findsome cultural form that will reconcilethe disparate nature of his experience.Shot by top cameraman Willy Kurant,Masculine — Feminine is Godard'smeditation/response to the theory andpractice of cinema verite as it devel¬oped in the 60s. Saturday, November22 at 7 and 9 p.m. The Renaissance So¬ciety at the Bergman Gallery, 4th floorCobb Hall. Free to RS Members. $1 forothers. —LJCYojimbo(Akira Kurosawa, 1961): A deli¬ciously inverted black comic vision ofthe American western. Toshiro Mifuneplays an out of-work samurai who actsas a wry avenging angel to a factious,corrupt village, purging it of its evil el¬ements and annihilating almost the en¬tire population in the process. The bril¬liantly stylized cinematogrphy is byKazuo Miyagawa. Imagine High Noon,Grand Guignol, Marvel Comics, and aJapanese puppet show all rolled to¬gether — that's Yojimbo. Saturday.Nov. 22, at 7:15 in Quantrell. Doc,$1.50. - AAAThe Seven Samurai (Akira Kurosawa,1954): Probably the closest thing onfilm to The Iliad. A defenseless villageBLUESTOMORROWNIGHTAT IDACampus blues fans are in for a treatthis Saturday night when Eddie Tay¬lor and The Legendary Blues Band ap¬pear at Ida Noyes Hall in a concertsponsored by the Chicago Front forJazz.Taylor is an outstanding singer andguitarist who has played an importantrole in the development of Chicagoblues. Born in Benoit, Mississippi in1923, he was exposed to many of thegreats of pre-war country blues — asCharlie Patton, Son House, and Rob¬ert Johnson — while still a child; andby the time he had entered his teens hewas performing on street cornersthroughout the Delta. In 1949 hemoved to Chicago where he playedwith many different blues artists before eventually hooking up withJimmy Reed, another aspiring youngmusician whom he had known in theSouth. Together, the two men createdone of the most distinctive and widelyknown sounds of post-war blues. Builtaround Taylor's simple, loping bass-patterns, it featured a relaxed, propul¬sive beat that blues audiences foundirresistable. Between 1955 and 1961,Reed had a series of huge hits for VeeJay Records, and on the strength ofthese, he and Taylor toured thecountry together. During this periodTaylor also began recording under hisown name and with John Lee Hookerfor Vee Jay. In 1961, however, disgust¬ed by Reed's growing alcoholism andby the small share that he had reapedfrom his partner's success, Taylor leftto pursue his own career.Although it was difficult in the yearsimmediately following his break withReed for Taylor to support himselfthrough music alone, he persevered,and in the past decade he has had amodicum of success. His playing inthe U.S. is confined mainly to smallclubs on Chicago's West and Northsides, but he has acquired significantfollowings in Europe and Japan, andhe makes overseas tours annually. Hehas recorded albums on the Testament, P Vine, Big Bear and Adventlabels.A guitarist's guitarist, Taylor playssuperbly in a number of differentstyles. Best known as an exponent ofthe sort of forceful, uncomplicatedrhythm guitar playing that flourishedin Chicago during the mid 50's, he isalso one of the few artists currentlyactive on the Chicago club scene who is being victimized by roaming ban¬dits, so they scrape up enough to hireseven out-of work samurai (led by Ta-kashi Shimura and including ToshiroMifune) to protect them. In preparingthe villagers to defend themselves as acommunity, the samurai guaranteetheir own obsolescence. The Seven Sa¬murai is a film of such tremendousdynamism that its three and a halfhours never drag — this is what theymean when they say a movie hassweep. Saturday, Nov. 22, at 9:15 inQuantrell. Doc; $1.50. — AAAMr. Arkadin (Orson Welles, 1955): Oneof Welles' lesser known but highly esteemed films. He plays a rich amne¬siac recluse having his shady past revealed. Also starring Akim Tamiroff,Paula Mori, and Michael Redgrave.Sunday, Nov. 23, at 7:15 and 9:15 inQuantrell. Doc; $1.50.ETC.Everyman: Rockefeller Chapel anddirector Ellen Martin present the me¬dieval morality play, Everyman, thisweekend and next. November 21-23and 28 30 at 8:30 p.m.; Saturday mati¬nee at 2:00 p.m.Rockefeller Chapel,59th and Woodlawn. See review in thisissue of the grey city journal.Art for young collectors: The Renais¬sance Society's yearly art sale beginstonight for members, Sunday for ev¬eryone else. (If you want to be one of the first viewers, you can still get amembership tonight, $5 for students).This year's offerings include affordable ($10 $25) photography, prints,and posters, as well as some hignly desirable artwork, not so affordable forstudents: Pasche shoes, Dine robe,Weston nude, Sol Le Wit lines. Thisyear a Chicago corporation donated150 framed prints, worth up to $400;most of which will be marked at $25.The artistic quality isn't as high as theRenaissance Society selected offer¬ings but the price is right. The Renais¬sance Society at the University of Chi¬cago, Bergman Gallery, Cobb Hall.Free and open to the public Sunday,November 23 through Sunday, December 21. For more info call 753 2886-LJCDancing to Brel: Carolyn Alan's danceinterpretation of songs from the Jac-que Brel musical are theatrical andcomical in parts and an energetic dis¬play of this dancer's skill and promisethroughout. Singer Judy Stein and jazzpianist Bob Dogan lend their talents tomake this performance a veritablefantasia of the arts. Last week's per¬formance received much enthusiasticacclaim so this Sunday's show will un¬doubtedly deliver more of the same.Alan manages the Unicorn Dance Stu¬dio in Rogers Park where she teachesmodern dance and tai chi. Sunday, No¬vember 23 at 8:00 at the UnicornDance Studio, 7015 N. Glenwood338-5517 for reservations. — AAWEddie Taylorcontinues to perform the Delta bluesof the pre war period. And in recentyears he has fashioned an exciting,staccato lead-guitar approach thatoften leaves listeners wondering howso small a man (Taylor is S' 6") couldbe the source of such power.Appearing with Taylor at Satur¬day's concert will be three formermembers of Muddy Waters' back-upgroup who have recently decided tostrike out on their own under the title"The Legendary Blues Band." Pine-top Perkins, the group's pianist, iswidely regarded as one of the finestperformers on his instrument in theblues world. Perkins is a highlycharged instrumentalist who utilizesdramatic, grumbling bass chords andtelegraph key like passages in theupper registers to inject tension into his music.On bass, the group features CalvinJones, a solid, unflashy player whohas worked with Little Walter andHowling Wolf. Rounding out the bandis one of Chicago's great blues drummers, Willie smith, whose powerfulaccents provided the Muddy Watersgroup with an unrivaled "punch" during his twenty years with that organi¬zation.The performance will begin at 8:30and will be held in the Ida Noyes Cloister Club at 1212 E. 59th St. It isopen tothe public and admission is three dollars at the door. Students are urged toattend as it is a rare opportunity forthem to hear classic, amplified Chicago blues, played by a group of provenveterans at the peak of their powers.—David WaldmanFRIDAY, 21 NOVEMBER 1980 ■THE GREY CITY JOURNAL- ■3HEY-HEY-H A Y M ARK ETby TOM PANELASEarly last summer, a group of HydePark residents began meeting to plan thepublication of a new periodical. Dissatis¬faction with the coverage of local politicaldevelopments led many of them to see theneed for a new community voice, whileothers felt that Hyde Park needed an openforum in which essays, fiction, art and po¬etry could be published. The interests ofthe participants varied as much as theirbackgrounds: some had been involved inlocal tenant organizing, some were artists,or musicians, others had worked on theMaroon, and the grey city journal andothers still had been involved in politicalorganizations on campus and elsewhere.Right from the start, the publication wasto reflect the diversity of its founders.Meetings dragged on throughout thesummer and into the early fall in an effortto overcome all the fiscal and organiza¬tional problems that go with any new ven¬ture of this sort. All the major obstacleswere eventually surmounted, however,and on November 1, Haymarket magazinemade its first appearance in Hyde Park.That day, several thousand free copies ofthe first issue were distributed on campusand throughout the neighborhood.As one might guess, the magazine'sname clues us in to one of its chief sourcesof inspiration. A short blurb on the mast¬head summarizes the history of the Hay-market riots in Chicago in 1886 and the po¬litical repression that followed. From thisand from the contents of the first issue, it'seasy to see that Haymarket stands firmlyand self-consciously in the broad traditionof political progressivism. The magazine'spolitical articles combine reportage andanalysis and those on local issues providea refreshing alternative to the silenceoften practiced by the Hyde Park Heraldunder the guise of objectivity. Articles onurban renewal and "gentrification"inHyde Park emphasize that tenant dis¬ placements are neither isolated occur¬rences nor products of impersonal forces,but part of deliberate efforts by powerfulindividuals and groups who gain at the ex¬pense of other less powerful people. Quiteappropriately, the University is spared nocriticism for its autocratic role in many ofthe community's most destructive trans¬formations.The most unique feature of the first issueis a symposium of nine articles entitled"Politics Now," a product of "the authors'collective discussions on politics." Intend¬ed as a collection of short treatises on thenature of American politics today, this sec¬tion does a commendable job of articulat¬ing the disaffection from conventional poli¬tics which many felt on the eve of thisyear's electoral tragedy. Most of these ar¬ticles attempt to go "beyond the ballot" tosuggest strategies of collective self-reli¬ance and grassroots organization.One of Haymarket's objectives is tomaintain the linkages between the person¬al, cultural and political realms which areoften severed in publications whose audi¬ences are manufactured bureaucraticallyby the need to satisfy advertisers. Accord¬ingly, this issue contains poetry, artwork,an interview wth folk guitarist Shelton Sal¬ley and a review of the recent women's flmfestival at Chicago Filmmakers. One arti¬cle, which should strike a chord of recogni¬tion in all of us, bemoans the absence ofsidewalk cafes in Hyde Park.One of the most attractive things aboutHaymarket though, is its organizationalstructure. Eschewing the conventionalform of editorial hierarchy, the magazineis put out by a collective in which the coor¬dinators of the various subcommittees rotate with each issue. The collective wel¬comes new members and may be reachedby writing to Haymarket Publications,5465 S. Ridgewood Court, Chicago, Illinois60615. Haymarket will continue to be dis¬tributed free of charge, eight times a year,and the next issue will be out around December 9.#**!* (A*>-Louis A)tttMT. ftaase’s iMAnf Mi1»- philosopher, Has Apftt <_:„#tties He kfU#f W« *thorftie* m f Ml ftyuiiiH wflt. Ito» aiumm*w*s stvwigjat in ihs caupts*■part—111 Is the F/oit NorSfekttepiiteure, where Althmm, 42, taught literature.AMmim had beta reported suffering trees westspnWum Jor sows months.•_____ %«r* hot bathe orMate is the word,•akl. “Water>he xxfy. is tbs1Warn THECHICAGO LITERARY REVIEWandCHICAGO REVIEWpresentORIANA FALLACIItalian Journalist, AuthorSaturday, November 22Ida Noyes Cloister Club 2 PM-Admission Free -OPERASCHOOL ENSEMBLEin a performance ofMOZART & BRAHMSNov. 83rd 8 00pmFREE «r 5H0RELAND HALL"4- ■THE GREY CITY JOURNAL FRIDAY, 21 NOVEMBER 1980SHOOTING WRITERSThe Writer's ImageThe Literary Portraits of Jill KrementzDavid R. Godine, Inc.by JEFF MAKOSThe Writer's Image by Jill Krementz is acollection of over one hundred photo¬graphs of famous authors. Ms. Krementz,a photojournalist by way of Show maga¬zine and the New York Herald Tribune, aswell as the author of the "Very Young"series on children (A Very Young Dancer,A Very Young Gymnast, A Very YoungSkater, etc.) has in the last ten years be¬come the photographer of American writ¬ers. Her portraits can be found on thecovers of recent works by Kurt Vonnegut,John Updike, Norman Mailer, Saul Bel¬low, Doris Lessing, and others. In manyways, Ms. Krementz has carried on a sin¬gle-handed attempt to do justice to thesewriters through her photography, pres¬enting artists as they wish to be seen andnot in the careless manner found on mostdust jackets. But in many ways this is alsothe problem with her book.Krementz's stated purpose is clear, andemphasized on her own dust jacket: "I'mnot just capturing the looks on my sub¬ject's faces, the portrait, but also some¬thing of their lifestyles, the place wherethey v/ork, their favorite objects, hobbies.I often let my subjects choose the locationsand circumstances they feel best projecttheir character. In this sense, though I'mthe one posing them, I let my subjects taketheir own picture." This, however, finallyleads to a lack of stylistic unity in the book.While it is enjoyable enough to see photo¬graphs of these writers, and while Ms. Krementz obviously cares deeply abouther subjects, her photography lacks anydistinguishing vision beyond the fact thatshe wants to take good portraits of writ¬ers.The most successful photographs dem¬onstrate Ms. Krementz's strong technicalabilities as a traditional portrait photogra¬pher. Her photo of Isaac Bashevis Singer,1972, shows her basic style: she shoots himstraight ahead, from the neck up, in blackand white, with Singer staring directly intothe vertical frame. There are no adorn¬ments, no affectations; there is really no"style" at all except Ms. Krementz's abili¬ty to have her subjects seem incredibly re¬laxed. These are highly professional pub¬licity stills, and not much more — but theymake up the bulk of her work and are im¬pressive. Another kind of publicity shotpresents the writer in his or her workroom.In these, too, the style is simple and for¬mulaic: the writer is shot from the side, athis/her typewriter, placed in the middle ofthe horizontal frame at a distance of any¬where from five to twelve feet away. Theemphasis is not on the face but on the writ¬er at work: Eudora Welty, 1972, and E.B.White, 1978, are good examples of this.Welty's darkened profile is shot in reliefagainst a window as she types, her status-que form contrasted with a crumpled bedin the foreground. White is shot in his studyin Maine; again, a window behind a typingtable lets bright light enter a darkenedroom.These are her most successful photo¬graphs not just because Krementz has "let(her) subjects take their own picture" butbecause she has presented these writers asthey are — as writers. The facials simplysay, "This is who has written the book you are about to read," and the work scenessay, "This is how I write." When herphotos attempt say more than this, hersuccess is much more limited.It is when Ms. Krementz moves beyondher traditional portrait style that the prob¬lems in her work are most evident. Whenshe takes straightforward portraits, shedoes beautiful work; when she attempts toreveal something about her subject's innernature, what she usually ends up with isanother mask. Her photos of Truman Ca-'pote, James Jones, and Susan Sontag canonly be said to define the word "cute." Ca¬pote lounges in a robe like a Greek go¬ddess; Jones plays the hard-boiled warreporter; Sontag, cigarette in hand and acopy of The New York Review of Books(which just happens to contain a Sontagarticle on photography) on her desk, setsherself for another day of hard intellectualwork. All are so artificial in their "sponta¬neity" as to be unbearable to look at. WhenMs. Krementz lets her subjects investthemselves with weight and purpose, sheonly succeeds fn letting them look pomp¬ous. In these photos, one can see the influ¬ence of Richard Avedon, Robert Frank,even Annie Leibovitz, but we are left onlywith those influences instead of Krementz'own style.These are the weakest photos in the col¬lection, yet reveal the nature of Ms. Kre¬mentz's art. She seems most comfortablewith those who prefer to let their faces orworkrooms speak for them, rather thanthose who have some artificial "image" topresent. But she will also do her best topresent the "image" if that is what thesubject wants. Both of these sides to herwork underscore her own image as more afan than an artist, or even someone with a E.B. White, 1978, by Jill Krementzspecific and personal artistic viewpoint.Her subject's viewpoint is her viewpoint,and they create the work together. Thatshe lets the artists speak for themselves isadmirable; that she lets her work becomeflawed as a result of the artists' state¬ments is not.This is going to be a hugely successfulChristmas present for those interested inwriters; it is interesting and entertaning tosee these artists in their favorite settings.Ms. Krementz truly cares for ner subjects,and wants to present them in as best a lightas she can. In The Writer's Image, howev¬er, the artists have been asked by Ms. Kre¬mentz to be just as responsible for theirimages as she is, a fact which seems com¬pletely understood by the subjects of herbest photos, and completely missed bythose of her worst.Renaissance socieTYat The University of Chicago/Bergman Gallery/Cobb Hall/5811 S. Ellis Avenue/Chicago. Illinois 60637OLDEST AND LARGEST SALE OF PRINTSIN THE MID-WESTFor 34 years The Renaissance Society at TheUniversity of Chicago has sponsored an annual artsale. This year we offer you an eclectic selection ofnearly 5,000 carefully selected works of art rangingin price from ten dollars to several thousand.Old masters • ancient manuscript leaves • orig¬inal etchings and engravings from the 16th throughthe 20th Century • old and modern Japanesewoodblock prints, paintings and scrolls • modernmaster and contemporary paintings, drawings, andprints • contemporary photography • and muchmore. Special Members' PreviewFriday, November 21, 8-10 p.m. and Saturday,November 22, 11-5 p.mOpen to the public, free of admission, Sunday,November 23 through Sunday, December 21, 1980HoursMonday through Friday 11-5 p.m.Saturday and Sunday 11-8 p.m(including Thanksgiving)JOIN THE RENAISSANCE SOCIETY ANDSHARE IN MAKING THE ART HISTORY OFYOUR TIMEFOR INFORMATION CALL 753-2886.FRIDAY, 21 NOVEMBER 1980 THE GREY CITY JOURNAL 5SOME STUDENTS PLAY MUSICwho was a friend of Terry's. Weheld a series of semi-public bluesjams late at night on the third-floor balcony of Terry's apart¬ment. Musicians from all overHyde Park heard the music andcame up to jam. Unfortunately,neighbors-and police from allover Hyde Park also heard us, sothese jams always ended whenthe cops came up to join us.("Would you like to hear themusic my handcuffs make,son?") Out of these beginnings,the rock band was put together onSteve's initiative: he knew Sadieand he also knew a lot cf songs,gcj: Who were your biggest mu¬sical influences?Steve: I work in the ChuckBerry tradition: the RollingStones, a bit of Clapton.Sadie: Annette Funicello.Terry: Mostly blues guitarists,especially Albert King, JoeYoung, Son Seals, and BuddyGuy. Also, local jazz man WayneBraxton. And Steve Katz.Ray: I grew up on The Kinks,The Beatles, etc. More recently,I've been influenced by tradition¬al folk and blues.Michael: Elvin Jones, CarlPalmer, Keith Moon, HaskellHarr. (Special thanks to SteveBritt. He knows why.)gcj: How did the name for thegroup come about?Misfits: As you can see fromour musical backrounds, we'rean odd mix. Also, in the earlydays of the band, we kept gettingkicked out of practice spaces byresidents, neighbors, landlordsand police. One night we werestanding out in the rain with ourequipment in our arms and noplace to put it, and Ray said(quoting from the title of a Kinksalbum), "Let's face it, we're just-Mis-fits!" We've been using itever since. We also keep gettingkickea out of practice space.gcj: Describe a typical concert.Misfits: Although every concerthas been different, there is a pre¬dictable pattern: 1st set: Basicflu symptoms (sweats, chills,nausea, lowgrade fevers) melt¬ing into qualified optimism. Weusually start up with a blues jam,and then play standard and punkrockers. 2nd set: The chemistryis right. The night is young. Thecrowd is at its peak, and so arewe. This is when we play ourmost ambitious material. 3rd set:It's late. We get loose, sometimesa bit silly. Strings break. The au¬dience is drunk. The last set islike sliding to the floor after ingesting too much everything.Meanwhile, someone is outsidethrowing up on our car.gcj: How have your personallives changed since the bandstarted?Michael: I almost lost my job,got kicked out of my house, votedRepublican and loved it.Terry: My Maseratti burnsmore gas than my Chevy usedto.Steve: I can't get women anymore.Ray: I tend to forget what townI'm in. Life on the road is tough!Sadie: I'm still the sweetest,most innocent child ever to weara dog collar and leatherette,gcj: Describe your group imagein one word.Misfits: MISFITS!Campus radio station WHPK ishosting its annual benefit tomor¬row night at Alpha Delta Phi,starting at 9 p.m. Two campusbands — The Drag and The Mis¬fits — will be performing.by BRAD BITTANPeople these days seem to beasking, "What happened to thedays when rock music was fun?"One need only turn on the radio tobe overwhelmed by music whichcommits the only unforgivablesin in rock and roll: the sin of tak¬ing itself too seriously. While thepunk movement gave us a wel¬come burst of invigorating, light¬hearted energy, all too soon rockand rollers decided that theywere to be the educators andpoets of the general public. Con¬sequently, it is refreshing to havetwo bands on campus — TheDrag and The Misfits — that offervariety, energy and an unassum¬ing tongue-in-cheek attitude.Formed at the end of last year,The Drag consists of three and ahalf members: three musiciansand Marc Moses, combinationmanager, promotional agent,roadie, and part-time song writ¬er. Keith Meldahl, a "tall, sar-doni type," plays guitar and doesmost of the singing; Nozomu"Nozo" Kawamoto, a Japanesedeadpan, plays bass and singsbackground vocals while NedMarkey's magnetic and forcefulpersonality are reflected in hisdrumming style. Although Mar-key is the only one who has everhad lessons on his instruments,all three musicians are extreme¬ly proficient. Their songs cover awide range of rock and roll, fromThe Kinks and The Beatles to themore modern sounds of The Jamand The Clash.I interviewed The Drag follow¬ing one of their practice sessionsin the basement of Pierce Hall,gcj: How did The Drag getstarted?Keith: Well, the whole thingstarted off as a joke. Ned, Nozo,and I decided to enter a talentshow last spring. We wrote a cou¬ple of off-the-cuff songs and la¬belled ourselves the SillyBoys.We were fairly well received, anddecided, since we played well to¬gether, we should become aworthwhile band. The rest is his¬tory.gcj: Where did the name TheDrag come from?Ned: After we started to getsome songs together and realizedthat we might actually makesomething of ourselves, we decided to change our name. Forweeks and weeks we sat aroundtossing hundreds of names backand fourth. Finally one nightsomeone said, "This is getting tobe a real drag." So we called our¬selves The Drag,gcj: Tell us about a typical per¬formance.Keith: An average night for meconsists of continually replacingstrings, which I break with mo¬notonous regularity. As the nightgoes on I try to shake the sweatout of my eyes without breakingmy concentration. I also try to ig¬nore the ever-present group ofpeople gathered to my right, whogawk at me as I try to stave offexhaustion.Ned: A typical gig for me ischaracterized by total exhaus¬tion. I also break alot of sticks, Reflections on The Dragand manage to even shatter aheavy-duty drumhead or two,usually at the most inconvienientpossible time. My drumset disin¬tegrates as the evening pro¬gresses, and often my cymbolstands crash to the floor whichcan be very annoying.Nozomu: My typical night con¬sists of watching Keith . . . look¬ing at all the dancing people . . .and jumping around to divertsome of the attention fromKeith.gcj: If you could define yourgroup's image in one word, whatwould it be?All: Energetic. Fun. Loud.Eclectic. Tight. Girls like us. Per¬cussive. Overbearing. Girls likeus.gcj: How have your liveschanged as a result of being in theband?Keith: I don't have time to sleepany more, but otherwise thingsare the same.Ned: I'd like to believe it hasmade a difference, but I think mygrades are going down in spite of The Misfits fit in a framethe band.Nozomu: It's bolstered my ego.I am now an egomania':,gcj: Please tell us what themajor influences have been uponyou, musically and otherwise.Keith: My major influencesmusically have been Paul Weller,Joe Strummer, Johnny Ramone,chainsaws, explosions, other loudnoises, and Julian Bream. Otherinfluences are Conan the Barbar¬ian, Batman, fast cars, violentmovies, Mom, the Nervous Dis¬orders, and my girlfriend.Ned: My parents hit me repeatedly in polyrhythms. In turn Iliked to annoy my family at thedinner table by drumming on myplate. I listened to rock music,but all music has influenced me. Iespecially admire jazz drum¬ming. My favorite drummer isMax Roach. George Foreman isanother idol of mine, because heis quite good at drumming on peo¬ple's heads.Nozomu: Joe Strell of the Im¬ports has been a major influenceon me, as well as "hot licks" Mel¬ dahl. Other musical influenceshave been the diatonic EaslyBlackwood, and Claude Debussy.Also, trying to learn the Occiden¬tal way of life has helped to shapemy incoherent personality.The Misfits are a campus bandcomposed of 5 members. Behindlead singer Sadie Mercedes arebassist Ray Gude, guitar playersTerry Joyce and Steve Katz, anddrummer Michael Lyon. Eachmember takes his art veryseriously, and they appear quitecontented simply to have oppor¬tunities to express their talentsand appreciation of music to theiraudiences.The following is an interviewtaken with The Misfits earlierthis week:gcj: How did you get the idea toform the band?Ray: Terry and I had been play¬ing blues together for about ayear. We met Steve in MacDonaid's eating some Ronald Mac¬Donald animal crackers, and weall started jamming over thesummer, along with Michael,6 THE GREY CITY JOURNAL -FRIDAY, 21 NOVEMBER 1980Subscribe Nowand Save!City. State. ZipResidence Phone SchoolMake checks payable to The Orchestral AssociationSeries Prices >» $20. Mam Floor, Rows E-W$15. Mam Front, Rows A-D $28 Lower Balcony$19. Upper Balcony (86 OanGeateCopy of 1980-81 student 10 or other proof of registration mustaccompany this order blank.Phone orders will not be acceptedNumber ofSubscriptions(Limit 2 perStudent ID) Price Total 2nd ChoiceMail to:Student SubscriptionSeriesOrchestra Halt220 S Michigan Ave.Chicago, III. 60604 'Note The number of subscriptionseries tickets is limited in each sec¬tion lor each senes YOUR FIRSTCHOICE MAY NOT BE AVAILABLEAT THE TIME YOUR ORDER ISPROCESSEDYour check or money order must ac¬company this order blank, alongwith a self-addressed business sizeenvelope and 15C stamp tor eachsubscription ordered You may leave the amount of thecheck blank with a maximumamount indicated (Sample "Notvalid for over ")This will expedite the filling of yourorder if your first choice is notavailableSoltiLeinsdorfMazerChicago Symphony concerts featuring orchestralfavorites such as:Dvorak’s New World SymphonyMozart's Linz SymphonyProkovieffs Fifth Symphonyas well as Brendel’s Mozart.A series of3 excitingconcertsPlus:Civic Orchestra ConcertsChamber Music ConcertsAllied Arts Attractions COURT’S PROFESSIONMrs. Warren's Professiondirected by Nicholas RudallCourt TheatreThrough December 14by LELAND CHAITSeventy five years ago Court Theatre'sdecision to open its winter season withGeorge Bernard Shaw's Airs. Warren'sProfession would have brought Court aninauspicious and very brief season. Theplay was banned from performance inEngland for over thirty years, and itsopening night in New York was also Itsclosing night there as decent men (no de¬cent woman would have caught even aglimpse) fought hard to protect other de¬cent and unsuspecting citizens from seeingthis, and I quote the New York Times,"veritable abyss of the vile and infa¬mous."The subject of the play, prostitution, didnot cause such vitriolic reactions in and ofitself: the theater was full of plays con¬cerning this venerable institution. Butthese plays always portrayed the womenas either feeble, and ridden with guilt, orevil incarnate. Shaw's sympathetic ren¬dering of the prostitute's plight enragedthe authorities, for he condemns not theprostitute, but the social institutions thatdrive women to such work; he indicts thecustoms, moral habits, and members ofsociety who support this exploitation withtheir money, yet hypocritically punishwith vice laws those who work for profit ofthe rich.The profession referred to in the title —prostitution — is the profession of KittyWarren. She is the mother of Vivie War¬ren, a bright, pleasant-looking, energetic,and extremely competent young woman.Having just graduated with special honorsfrom Oxford, Vivie must decide what to dowith herself. She plans to go to London andwork with another woman in an actuarialfirm, but her mother wants her to staywith her and live the sumptuous, elegantlife of the English uppercrust. The ensuingconflict between mother and daughterdoes not remain a familial matter. Neverhaving lived with her, Vivie knows very lit¬tle about her mother; when she discoversthat Kitty was a prostitute, she rejects heras immoral. But Vivie's conventionalmoral beliefs crack beneath the onslaughtof her mother's description of the poverty-stricken conditions in which she grew up.Convinced that prostitution was the onlyreasonable alternative for her mother tohave pursued, Vivie finally accepts her.Later she meets George Crofts, a playboyfriend of her mother who reveals that hefinances Kitty's ventures, which are locat¬ed throughout Europe. Upset that hermother is still in the business, Vivie ban¬ishes Kitty from her life forever.When Vivie rejects her mother for thesecond and final time, the play has comefull circle. In the first act, Vivie is confi¬dent and authoritative, but naively so.Kitty teaches her about the world fromwhich she has sheltered her. In the lastact, changing from pupil to teacher, Vivieputs her mother on the defensive. Here,Vivie sees no basis for any relationship be¬tween the two of them. In the first act Viviedoes not know what a mother-daughter re¬lationship is, and demands that her motherdefine and fulfill it if they are going to getalong. Kitty does so in material terms. Shehas paid for Vivie's upbringing and educa¬tion. Now she will introduce her daughterto the upper classes in Europe so that shemarries well; in return, Vivie will treather mother with respect and care for herwhen she gets old. When Vivie rejects her-mother's money, she breaks this arrange¬ment, exposing the familial tie as a fraud.They cannot be friends because they haveno reason to be friendly. They have onlyone thing in common: both love their work,a trait that drives them away from one an¬ other, rather than pulling the two to¬gether.Vivie objects to being used by Kitty as aprop to make high society more accessibleto her. Vivie finds this idea most despica¬ble because it is deceitful and duplicitousin the same way that the upper class forcetheir impoverished workers to performacts of vice, and then condemn them as im¬moral and unlawful for doing them. Vivieis disgusted that her mother desires to jointhe ranks of those who forced her to abuseherself.Why Vivie rejects Frank, her lover, isnot as clear. He promises to be a poorer, ifmore honest version of Crofts, certainly,but he is the same person in the first act asin the last. Perhaps their break-up is hardto understand because the reasons fortheir union are just as obscure. Vivie's in¬fatuation with him is completely out ofcharacter. With Frank she is frivolous,playful, whimsical; these scenes do not fitin with the rest of the play. Why, then,Frank? Because he is necessary to clarifythe choice that she makes in the last act.Frank and Vivie are supposed to be inlove; yet, according to Shaw, love is one ofthe conventions rulers use to manipulatethe ruled. While the lower classes are per¬suaded to marry for love, and so marryeach other, one poor fool to another, peoplelike Crofts and Frank have no such sillysentimental illusions. They marry formoney and social position, hiding theirtrue intentions behind a romantic smoke¬screen. Vivie drops Frank because she re¬jects this hypocritical approach to life.This play is the epitome of what Shawthought to be the highest form of drama —the drama of ideas, in which the theaterbecomes a moral force through the cpnflictand resolution of competing claims. Shawdraws the ideological reasons for Vivie'sactions beautifully and profoundly. Attimes, however, these considerations overshadow the drama's needs for integrity ofcharacter, the absence of which, at worstmakes characters lifeless, and purely met¬aphorical, and at best, problematic anddifficult to believe.This tendency in Shaw's work makes hisplays difficult to produce because theplayers must provide the justifications fortheir actions.Court Theatre more than rises to the oc¬casion, putting on a moving performance.They successfully translate Shaw's bittercritique of society into the realm of humaninteraction. Nicholas Rudall directs a richproduction that gives life to the manylayers and contradictions in this play. It isin serious passages, that Shaw inserts hismost humerous lines. Court works withboth the tragic and the comic aspects ofthese scenes, preventing the one from poi¬soning the effect of the other and so relax¬ing the audience. The actors accentuatethis technique by varying the rhythm ofthe scene, keeping the audience off bal¬ance, the more effectively to drive homeShaw's important truths.Pauline Brailsford as Kitty Warren is su¬perb. Her performance is elegant in itssimplicity. She never strains, though Kittyis the focus and guide of most of the action.Maureen Gallagher does an excellent jobas Vivie Warren. Overcoming a slightlywooden and mechanical first act, she deftly balances in Vivie's aloof and confidentmanner a quality of naivite and provencompetence.Linda Buchanon has designed an ingenious set for this production. Faced with atiny theater space and a play that demands four different scenes, Ms. Buchan¬on built on both sides of the set, one sidedesigned for indoor scenes, the other foroutdoor ones. The middle of the set ishinged so that a number of variations canbe made on the original two sides, and theentire structure rests on a rotating plat¬form so that the set can be moved easily.The first scene change at the end of Act I isalmost as entertaining as the play itself.FRIDAY, 21 NOVEMBER 1980 THE GREY CITY JOURNAL- 7by MOLLY MCQUADELast week, two boys came into thestore where I work. I should have knownthem right away, and should haveexpected them: they were exact copies ofthe boys in my high school, and bound tofollow after me. Big, talkative, andwild-haired, they fumbled in the shelvestor paperbacks like grandmothers "intothe blackberries." With their beetlingsmartiness, they could easily*have(passed as Martin Shapiro and DavidKornhauser, Esq., whom I had eyed intheir advanced calculus classes whileloafing delinquency in the halls. When Iwas sixteen, their kind oppressed me.Martin and David knew all about thewrong kinds of things: arcane laws ofphysics involving bicycle wheels.Centrifuges reducing substance tonothing. Board games whose laughablesquares, lines and proprietiesnevertheless mocked me for being "sodumb." They were truly at home withthese things. And they surprised even themath teacher with their witty andbrilliant insights, coaxing rarecompliments from her — unquantifiableadjectives. Their high regard for a few things, and carelessness with many,always bothered me.Scorning their hobbyhorses, though,blinded me to their humanness. (Iremember how I degraded that, as wellas their expertise.) They would wanderaround a cramped corner and bounceinto life like elk colts balancing newantlers, blind to their linoleum andcinderblock prison. Charmed by thefatalities of the zodiac. (Not really. Bycadences from quantum mechanics.)Shirt-tails dangling, shoes undone, mindsclotted with formulae and data, theywere unalive to the fact of living, andunable to appreciate anything thatmattered. Theories lulled them into falseknowledge, making them certain ofeverything.They were not skeptics; they wereincorrigible optimists, raised to beappreciators and materialists, good boysswilling every drop. They didn't hesitate,they didn't make complaints. They knewthat all things "worked out" and alwayswould.But these boys came in while I wassitting feeling duped, cranky, andsubliterate, skimming someone'spublished diary (the excitement of it gone) and finding her unbosomingsstupid and obvious. At twelve, sheshouldn't have known so well what shethought, and she did herself injury topretend it. How rash, girlish. In theywalked. "And headed right to the math andscience section, a small but distinguishedone. They pawed through it, whisperedcomments, made quick comparisons, and— gallantly — came up to the counterwith several books each. These weren'tcheap volumes, and they weren't light.Not only science; also politics. A mathtext. A book about an exotic Japanesegame. Also a balefully green brick of athing whose title I hadn't been able tomake out in all the three weeks it had satin front of me.I knew them then. Weren't theyShapiro and Kornhauser, well-read inmilitary history, politically far to theright, almost woefully articulate? Yet notsocial masters. They hadn't waded outinto the social cataract or bothered to putanything over on anyone yet. Theytreated everyone alike, with a bemusedand otherworldly friendliness.I resented it in high school, but notnow. With their confidence, their ambitions, their resources close at hand,their companionship to comfort them,they were buying expensive books onFriday night because that was whatinterested them. They weren't driven towonder what this meant or to calculatewhat else they were missing by doing it.(As I was — and always did.) And thoughI knew they were right to do it, theycouldn't have known it without a leap offaith, the kind I couldn't make at theirage.One was a Labbie; the other,full-fledged U of C. As I watched andlistened and made out their receipts, Iknew that they had what the jerks in highschool had had, and that these boys wereghosts of those, even as Shapiro held outhis out-of-state cheque and seemed towait for me to perform a blessing on it.They were enjoying themselves. I wantedto lead them home on ropes and let themtake care of the evil humors in my room.If they come back another night, I'llfinally get the names straight: You'reKornhauser. You're Shapiro. And I'm theone who skulked the halls during highschool, hoping to sabotage yourexperiments, to end your happiness ingadgets and equilibriums.Walt Disney'sSLEEPINGBEAUTYCobb HallSat. Nov. 221 P.M., 3 P.MSpecial Friday Midnight ShowAll Seats $1.50 mC00> Pbook store[ 5757 S llonria y-thn iniversityLSday q:30-f >:30fricte y 9:30-5 saturda y 11-4-THE GREY CITY JOURNAL- -FRIDAY, 21 NOVEMBER 1980Do your holiday shopping early!Student Activities’ AnnualARTS and CRAFTS FAIRDec. 2 and 3Reynolds Club Lounge SEASONEDFIREWOODWE DELIVER221-0918 “Revitalizeyour bathroom'SECRETARIES/TYPISTSTOP RATES+ LOTS OF HOURS- Highest EarningsIf you have top skills, we need you now! Call955-47771701 E. 53rd St.ChicagoKLLMSERVICES The‘Kelly Girl"PeopleEquol Opportunity Employer M F Fashions forBED & BATH... from AMES!See all the lateststyles of ShowerCurtains & Towelsfrom famousmanufacturer,embroideredDesigner Towelsand fashionShower Curtains.INEN WORLD:Your HolidayGift Headquarters5225 S. HarperHarper Court 955-0100Monday-Sat. 10-6Open Sunday 12-5YTUDGNTGOMGRNMGNTMGGTING TUESDAY, NOVEfTIBER 257:30 P.M.ID A nOYGS SUN P/4RLOR dTTeMDdMce requirgda r^/wu</o/&s(dalafe493-0666YOU CANNOT BUY A HOUSE NEAR CAMPUSFOR LESS MONEY THAN THISThree blocks east of Woodlawn near 57th. BIG-AS-A-HOUSE-CONDO. 8 spacious rooms, first floor, huge apartment with backyard and parking. $127,500. Call Ken.WE’VE MOVED THE NORTH SHORE SUBURBSTO OUR AREA ,Truly superb Greenwood Avenue residence in lovely Kenvtfood.Spacious grounds, side drive, brick garage, handsome library, par¬quet floors - three mahogany fireplaces - splendid country kitchen.New energy-saver storm windows throughout. Complete securitysystem. Call Charlotte.WHERE YOU WANT IT - WHEN YOU WANT ITFamily-size Victorian (but up to date) three-story house near 56thand Kenwood. Nine rooms, splendid yard, three car garage.$205,000. Call for appointment. Our telephone works from 9AM to9PM. Call 493-0666, Charlotte. AStudents in the College are Invited ToThe School of Social Service AdministrationProfessional Option ReceptionTUESDAY, DEC. 2, 3-5 P.M. HARPER 284The professional option program provides oppor¬tunity for qualified students to begin professionalstudy at SSA during their final year in the College.The work completed during this common yearcounts toward the master's degree and thebachelor's degree as well. During the Social Houron December 2, SSA faculty will discuss programsof study at the School.Ken Wester, Sales Associate, 947-0557 (eves)Cleveland McCowan, Sales Associate, 799-1419 (eves)Charlotte Vikstrom, Broker, Sales 493-0666 (eves)Hitchcock StuffsTurkey TrotBy Dave GruenbaumHitchcock had eighteen of their 107members enter the Turkey Trot and over¬whelmed their opponents in mass and en¬durance. The largest men’s house won themen’s competition placing runners 2, 4, and7, winning a fifteen pound turkey, whileLower Wallace won the women’s competi¬tion by default. In grad, competition, B-School won the men’s team championship,while Med II captured the women’s title.It was a fine day for Breckinridge asJeremy Fein won the men’s undergraduateindividuals with a time of 5:14, edging outAlan Granger of Hitchcock and Vince Mi¬chaels of Lower Rickert. In women’s under¬graduate, Toni Edgar blew away her com¬petition, winning with a time of 6:39. Thewinner of the entire Turkey Trot was Char¬lie Lutz of Club Med who won with a time of4:34. Lutz had to fight off G. Germino of MedII (4:37) and Tom Carley of B-School (4:38)to capture the graduate title. In graduatewomen’s, Carol Weiss came away the win¬ner holding off Mary Corrier and DeborahGlotur with a time of 6:13.Turning to other sports, pre-tournamentfavorites Eli (Wildboy) Seaman and Elliot(Ex) Lax advanced to the finals of the men’shandball tournament. Lax defeated men’stennis champion, Tom Jilly of Hitchcock,21-6, 21-0, while Seaman defeated housemember Dave Freedel 21-6, 21-9. As for thefinals, Wildboy Seaman would seem to holdthe edge as in an obvious move to psyche outhis opponent he has vowed to eat Rocke¬feller Chapel before the match.In Ultimate Frisbee, Hitchcock defeatedUpper Rickert 10-5 and now faces Hender¬son in the undergraduate residence finals.In women’s pingpong, Mikado Yoda nowfaces Betsy Nichols in the undergraduatefinals. Yoda defeated Vertina Martich ofSnell 21-13, 21-16, while Betsy Nicholes de¬feated Lee Gruber of Lower Wallace by for¬feit. In fact Gruber may not even haveknown she was still in the tournament hav¬ing gotten to the semifinals by a bizarrecombination of double forfeits.Sailing TeamWinds *By D. ConnorSailing in its first national-level regatta,the University’s sailing team last weekendmissed a good chance to qualify for a spot inthe “Rose Bowl of college sailing” becauseof an accident involving one of its teammembers.The sailing team here received nationallevel status last spring, and last weekend’smeet, held at Northwestern University, wasthe team’s first exposure to national com¬petition. Had the team finished in the topthree spots last weekend, it would havequalified for the Timme Angsten MemorialRegatta, probably the single most impor¬tant competition in college sailing. Team members believed that they had realistichopes of qualifying. Should they havequalified, they would have become the firstChicago-area team to sail in the regattawhich, ironically, is sponsored by theChicago Yacht Club.Chicago sailors were impressive duringall twenty races of the regatta. The crew ofAdam Warren and Jim Keeney, both newadditions to the team, upset several otherteams with a series of second place finishes,and the team of John Podmajersky and EdRaha finished in third place several times.Unfortunately, a Saturday morning acci¬dent negated the outstanding performancesof Warren and Podmajersky. A teammember sailing with Warren, Alice Lyon, smashed her finger between two boats in afreak accident and required medical atten¬tion. Since none was available at the site ofthe meet, Warren withdrew from his re¬maining races to drive her to the hospital.In most such instances, missed races wouldnot be counted into the scoring, but in thiscase, the University of Chicago team receiv¬ed two forfeits, eliminating their chance toqualify.The top teams at the regatta were theUniversity of Wisconsin-Madison, Universi¬ty of Wisconsin-Green Bay, and Southern Il¬linois University.The results of Chicago’s regular fallseason were generally good. The team open¬ed the season on September 7 at the Univer¬sity of Wisconsin, placing fifth in the GinoPonzini Regatta. Skippering for Chicago inthat race were Roger Lyon and Captain EdRaha, with crew members Alice Lyon andMike Jurkash. The team faced its toughestregular season competition at the Universi¬ty of Iowa’s Davis Cup Regatta. The skip¬pers for the University’s team in that meetwere Podmajersky and Raha, with crewmembers Marisa Narykonas and David Lin.A great performance by Podmajerskyenabled the team to finish fourth in a field of16, behind Green Bay, Michigan State, andthe University of Miami.Supporting the team in other regattas dur¬ing the fall were Hank DeGroot, Sven Lar¬son, and Penny Lindgren.SPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on ChevroletParts, Accessories and any new or used Chevrolet youbuy from Ruby Chevrolet.GM QUALITYSBMCf WARTSKeep Thai Great CM Feeling If ith GLVt/.Vt CM Farts72 nd & Stony Island 684-0400Open Evenings and Sunday Parts Open Sat. 'til noon7 MilVy - S Mmutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicogo IdentificationCord As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on VolkswagenParts, Accessories and any new or used Volkswagenyou buy from Ruby Volkswagen Turkey Trot StatisticsMen's Graduate1. Charlie Lutz, Club Med 4:342. G. Germino, Med II 4:373. Tom Carley, B. School 4:384. Paul Kenyon, B. School 4:435. A. Brecher, Club Med 4:45Graduate Women1. Carol Weiss, Club Med 6:132. Mary Corrier, Med II 6:183. Deborah Glotur, Club Med 6:19 Men's Undergraduate1. Jeremy Fein, Breckinridge 5:142. Alan Granger, Hitchcock 5:173. Vince Michaels, L. Rickert 5:194. George Tzantepoulos, Hitch 5:205. Michael Fanigine, Tufts 5:21Undergraduate Women1. Toni Edgar, Breckinridge 6:392. Laura Buraloreis, Shorey 7:163. Jennifer Maude, Shorey 7:17DR. M.R. MASLOVOPTOMETRISTEye ExaminationsContact Lenses (Soft & Hard)*Ask about our annual service agreementFashion Eye WearBAUSCH8.10MBSOFLENS(polymacon)Contact LensesHYDE PARK SHOPPING CENTER7570 E. 55th363-670072nd A Stony Island 684-0400Open Evenings and Sundoys Ports Open Sat. 'til noon USED STEREOSPECIALS!!!B& 04000 $325PHASE LINEAR 2000MARANTZ18PIONEER CTF 9191 .SHERWOOD 8900 . .H/K 730PIONEER PRO 120A.GARRARD 0200 B. .E.P.I. 700PT0NICA 3535. . . . . 135. . 225. . 250. . 125. . 219. EA. 40. . . 95. EA. 40. . 199HEAR AGAIN STEREO7002 N. California, 338-7737Open Mon.-Sat. at 11:00 a.m.16 — The Chicago Maroon — Friday, November 21, 1980 DanBreslauSPORTSAxinn Headsfor NationalsBy Andy RothmanMike Axinn, a junior at the University ofChicago, has qualified for the NCAA Divi¬sion III Cross-Country Championship thisSaturday, November 22 at the University ofRochester, Rochester, New York.Axinn finished second in last Saturday’sNCAA Division III Midwest Regional com¬petition in Rock Island, Illinois, running to apersonal best time of 23:59, three secondsslower than winner Mark Whalley of Princi-pia College. Axinn never stood lower thansecond at any point of the run. The race washis seventh of the autumn. He has won fourraces, finished second twice and third once.The University of Chicago team wound up14th out of 51.Axinn qualified for the Division III nation¬al cross-country championship last year,but finished a “very disappointing” 70th.This year he believes he has a solid chanceof finishing in the top 25, which would earnhim All-American status. “If I had a realgood day I could win,” he said earlier thisweek.Chicago Coach Ted Haydon said, “OurMidwest Regional is the toughest in the na¬tion. I think his showing there is indicativeof the fact that he should do very well thisweek.”Axinn is treating the race in his own per¬spective. In addition to his cross-countryfeats, the Phoneix Arizona, resident is cur¬rently in training for the indoor track seasonwhere he will be running one, two and threemile races for Haydon’s Maroons. “I mayeven try the quarter-mile this year,” hesaid. Last year Axinn ran a Midwest Colle¬giate Athletic Conference record mile(4:12.8) to help Chicago win the conferenceindoor track championship. Axinn also qual¬ified for last May’s United States Olympictrials in his favorite race, the marathon. Hewas not surprised, however, when hedropped out after 15 miles of the race be¬cause, “I hadn’t prepared that well.”Axinn says he did a lot of thinking afterthe Olympic trials and came to the conclu¬sion over the summer to “take a more re¬laxed attitude and not count on one race inparticular. One bad race is not the end of theworld. I’ll be running for a long time.”Axinn has discontinued his marathon train¬ing to concentrate on cross-country andtrack, “the marathon takes a big commit¬ment. That type of training is better suitedfor the time after I graduate.”Last week Axinn, a political sciencemajor, was so relaxed that, “I was wonder-Nestel LeadsAgainst StiffBy Audrey LightThe women’s basketball team begins itsseason this week under new head coachDiane Nestel. With several Division IIschools on the schedule, the Maroons willface stiff competition throughout the sea¬son.Nestel comes to Chicago from IndianaUniversity, where she was assistant coachfor one year. “The only disadvantage of asmaller school”, said Nestel, “is that kidscan’t be at practice every day. Manyplayers were involved in other sports, so wehave been battling a time problem.”Although preseason preparation wasrushed, Nestel is fortunate to be workingwith an experienced group. Five seniors —all former starters — return to the team:forwards Mary Klemundt and Nadya Shma-vonian and guards Kim Hammond, ChristieNordhielm, and Janet Torrey. The only Mitch Price and Eric Kuby (10)ing what I was doing out there. During thefirst 100 yards of the race it occurred to mewhat a silly sport it was. The gun went offand I felt like I was out for a hunt. I wasbeing loose about the whole thing.” Thisweek, however, he admits “it is an impor¬tant race. In my mind I’m kind of nervous. Ifeel some self-imposed pressure but I knoweven if I fall apart mentally that I’ll still bethere physically.”Haydon, who has watched many of hisUniversity of Chicago Track Club competi¬tors develop into national and internationalstars, agrees with Axinn’s attitude towardthis week’s national cross-country champi¬onship. “It’s just another step in his pro¬gress. He’s a young man on the move andevery time he improves, it just adds to hisconfidence. He’s to the point now where hereally doesn't have to be afraid of runningwith almost anyone.” Haydon added thatfinishing in the top 20 this week would be a“significant move” for him and would makehim “a real contender for an individualchampionship next year.” The possibility ofrunning on snow at Rochester “shouldn'tbother him too much,” according to Hay-- don.As for Axinn’s future in running, Haydonsaid, “Who can tell? He’s proven that he hasthe physiological capabilities to be success¬ful in running any distance he wants to andhe’s mentally tough.”NettersCompetitionother returning player is second-year guardSue Fortunato. These six are joined by apromising group of freshmen: forward Ce¬leste Travis, guards Bev Davis, Karen VanSteenlandt, and Carol Weesner, and centerHelen Straus.Lack of height is a major problem for theMaroons. An eye injury will prevent veterancenter Ellen Markovitz from playing, leav¬ing six-footer Straus and the 5’ 10” Shmavo-nian as the team’s tallest players. Nestelacknowledges that “we ll be playing teamsmuch bigger and stronger than us,” butadds that “we have some strong outsideshooters and we can outsmart our opponentsinside.”Nettel refuses to single out any stars onthe team. She predicts that “the key playerswill change from game to game. Our suc¬cess will depend on everyone playing unsel¬fishly.” Nestel puts little emphasis on thestarting line-up. since she expects to use all Men’s B ball OpensBy Michael OcchioliniThe Maroon basketball team opens itsseason this Saturday against Marantha col¬lege, with a team consisting of five return¬ing lettermen and seven promising newprospects.Coach John Angelus, in his sixth year atChicago with a 48-49 record expects the ex¬perience of the returning lettermen to stabi¬lize a team filled with new players.One of the most promising players for theMaroons is freshman Mike Shackleton fromBarrington, Illinois. Shackleton, 6'5”, and isexpected to start at center for Chicago. An¬gelus believes that Shackleton will displaythe “inconsistancies of a rookie,” and that“he will take a lot of shots he shouldn’t andwill foul a lot, but he will also look very goodsometimes.” Shackleton has all the qualifi¬cations necessary to become an excellentplayer, having an accurate shot and goodsize. “He’s probably one of the best forwardcenter we’ve had in the last few years.”The Maroons have lost the services of se¬nior Vladimir Gastevich, who led theMaroons in scoring last year with a 15.3point per game average. Gastevich was ad¬vised by doctors to sit out his senior year,and his loss has hurt the squad. Angelussaid, “I tought we’d have at least a .500 sea¬son this year with Vlad.” Gastevich has astrong outside shot that will be missed in theMaroons’ offense. Chicago will also missGastevich’s leadership, and his consistencyon both ends of the court. Angelus remainsKim Hammond (4)eleven players.Nestel plans to exploit the team's quick¬ness by using a player-to-player defense andmaintaining pressure on the other teams’ballhandlers. On offense, the Maroons willrun option plays. Nestel likes this style be¬cause “it forces players to think on theirfeet. That’s much better than any set playwhere they are just robots on the court.”Last night’s opener against the NationalCollege of Education and Saturday’s gameat Green Bay will help Nestel further assessthe Maroons’ capabilities. The team willplay one more home game, against Elm¬hurst on November 25, before breaking forChristmas. Nestel plans to use the time untilthe schedule resumes in January to work onbasic skills, hoping to build a team of fun¬damentally sound, smart players. “I hate toset a won-loss goal,” said Nestel. “It’s bet¬ter to set goals along the lines of individualimprovement.” optimistic, however, believing that if“things work out” we can still have at leasta .500 season.Angelus feels that the club’s lone remain¬ing senior, Pete Leinroth, a 6'3” forward,along with guards Eric Kuby, 5'10” junior,and Wade Lewis, a 6' sophomore, will haveto lead the club in place of Gastevich as theyounger players develop.Angelus has changed his offensive and de¬fensive strategy with the loss of Gastevich,looking for a more balanced attack. Angeluscharacterizes the Maroons as a “run andgun club,” because of their strong supply ofguards. “I think our guards are tops. Thereis competition here and they can all get theball down court. They play good defense,and if you blink an eye they will take the ballaway from you.”Kuby and Lewis are expected to see themajority of playing time at the guard posi¬tion. Kuby, who played point guard lastyear, looks considerably stronger this sea¬son after an off-season Nautilus weighttraining program. Lewis also returned inexcellent shape, and promises to providesome excitement in the Maroon attack.Rounding out the guard position are sopho¬more Mike Vail and freshmen Ken DeLuca,John Jordan, and Sean Mahoney.Leinroth is expected to win one of thestarting forward positions, with the otherspot open for competition. There are fourother forwards on the Maroons squad: third-year student Will Hogan, second-year stu¬dent Craig Peters and Tom Horkan, andfirst-year student Steve Lines.The center position will be filled by Shack¬leton and 6'4" third-year student MitchPrice. Both Price and Shackleton are proneto foul trouble, and Angelus expects only oneof them to be in the game at a time. MichaelMurden, a 6'4” freshman, will help back upat center. According to Angelus, Murdenhas “a nice touch and a soft shot,” and withwork and experience, he should develop intoa fine player.The height problem will continue toplague the Maroons, for Shackleton andPrice will have to defend against playersfive or six inches taller than them. TheMaroons will feature a variety of zone de¬fenses to compensate for this height defi¬ciency. The offense will be geared to alloweveryone in the game to exploit their indi¬vidual offensive talents.Assistant Coach Jim Hargescheimer be¬lieve the main weakness of the Maroons tobe their outside shooting, especially sincethe loss of Gastevich. The Maroons mustalso overcome their tendency to commitfouls.Angelus concedes that the Maroons “maybe a year away from being a really strongteam.” Angelus is expecting the inconsis¬tency displayed by new players, but be¬lieves that “we’ll do best by accepting thatwe’re going to make a few mistakes and letthem go by and keep on playing. Theyounger guys are going to do so many goodthings that they will more than compensatefor their mistakes.”The Maroons play their first nine gamesof the season at home, and according to Har¬gescheimer, the schedule should help thenew players in that “they do not have to goon the road and face a strange crowd.” Thefinal games of the season are away, howev¬er, a fact which could hurt the Maroons ifthey remain in contention.This season’s strong recruiting year haspleased Angelus and Hargescheimer, andthey believe that this year's team will im¬prove on last season’s mark of 5-13. TheMaroons opener is this Saturday at the field-house, against Maranatha College. Gametime is 7:30.The Chicago Maroon — Friday, November 21, 1980 — 17Gray shortly before speech.Addresscontinued from first pageGray said. She called for more careful plan¬ning for the future, and for establishing theUniversities priorities. One element of thisplanning would be “the working out ofpriorities for faculty appointments, afterconsultation between deans and their facul¬ties.” According to Gray, plans for the Uni¬versity’s future should “take into accountthe symbiotic relationship of the College andthe Divisions, and of these to the profession¬al schools.”Gray noted the difficulties in finding fac¬ulty members willing to teach undergradu¬ate courses. “The interest in undergraduateteaching, and in its different aspects, is un¬even; so, too, is the concern with viewingundergraduate education as a whole. Thecommon core and general educationcourses find it difficult to attract all the fac¬ulty they need.”However, she specifically rejected thepossibility of creating a separate Collegefaculty, and noted the University’s “tradi¬tion of autonomous choice and extraordin¬ary flexibility in a community of scholarsdedicated to research and teaching.”University faculty and administrators need to understand the causes of the difficul¬ties in staffing undergraduate courses, Graysaid, but should not “accept the status quo.We need to engage more faculty in thinkingabout the whole of the College curriculum,about ways of attracting more faculty toteaching in the common core, about themeans by which to avoid the dangers thatcan accompany our system — namely, thatcertain courses can become too rigid, orthat a given syllabus may be wrongly iden¬tified with general education per se. Theissue is not whether we have an excellentcurriculum now. We do. The question iswhether we can find ways to ensure the con¬tinuing balance we seek in the four-year cur¬riculum and whether we can direct criticalattention on the part of a significant group offaculty to the continuing revitalization of theCollege.”Gray expressed support for the concept of liberal education, an education which, shesaid, “aims above all to develop the gift ofintellectual integrity, the capacity for criti¬cal thinking and informed independent jud¬gement, to introduce students to fundamen¬tal aspects of the cultural inheritance, of thestudy of civilization, and of methods of anal¬ysis and discovery that cross a range of thearts and sciences. I take it that we want stu¬dents to cultivate their ability to see rela¬tionships among disciplines and especiallyamong the different dimensions of inherent¬ly complex issues that might otherwise ap¬pear or be treated as simply technical prob¬lems. And we hope that they will gain andapply an intelligent respect for the powers,even the limitations, of the mind and its po¬tential to see things whole.”Following her comments on the needs ofthe College and the Divisions, Gray brieflydiscussed the issue of expansion of the Col¬ lege, which arose last year when a facultycommittee on enrollments recommendedthat the size of the College be increasedfrom 2700 to 3000 students, and that the Uni¬versity halt the decline in graduate enroll¬ments and maintain the present levels of en¬rollment in the professional schools. Grayreassured faculty members that the enroll¬ment of the College can be increased “whileguaranteeing the kind of curriculum, the in¬sistence on small classes wherever appro¬priate, the sharing of intellectual experi¬ence which are its hallmark. Obviously wedo not intend to expand the size of the stu¬dent body at the expense of those values orby lowering standards of admission.”Finally, Gray announced plans for “afund-raising campaign for the College andDivisions,” which would raise money for theappointment of faculty members, studentaid, for the library, and for other uses.CALENDARFridayCrossroads: English classes for foreign women,10:00 am.Grad. Comm, on the Study of Women: “Novelist,Narrator, Character and Reader: Values in JaneEyre” speaker Sharon Walsh, 12 noon, Ida Noyes2nd floor.Billings: “Retinoids in the Chemoprevention ofProliferative Diseases” speaker Dr. MichaelSportn, 12 noon, Billings room M-137.Undergraduate Journal Club: “A Direct Determi¬nation of the Proton Electron Mass Ratio” speakerJoseph Bryngelson, 12:30 pm, Eckhart 209.Geophysical Sciences Colloquium: “the HaloGives an Ice Light” speaker-Alistair Fraser, 1:30pm, HUGS.Center for Middle Eastern Studies: Arabic Circle"The Trade Union Movement in Egypt after theSecond World War” speaker Jean Pierre Thieck,3:00 pm, Pick 205.Senior Week: Fundraising Com¬mittee meeting, 4:00 pm, Ida Noyes Hall.Philosophy Colloquium: “The Importance of Mo¬tion in Film” speaker Mary Devereaux 4:00 pm.Harper 103.Undergrad Poli Sci Dept: "The Meaning of Rea¬gan’s Victory” roundtable discussion, 4:00 pm,Pick 1st floor.Hillel: Adat Shalom Shabbat dinner, 6:15 pm, Hil-lel.Law School Films: “To Have and Have Not” 7:15 and 9:30 pm. Law School Auditorium.Crossroads: Forum on “Religion and Revolution”8:00 pm.Collegium Musicum: Music to please a prince, 8:30pm, Free, Bond Chapel.Astronomy Open House: Ryerson rm 502 9 pm. Ev¬eryone welcome.FOTA: Film - “Sleeping Beauty” 10 midnight,Cobb.SaturdayAikido: Meets 10:30 am, Bartlett gym.Kinetic Energy: Creative dance and movementgroup meets 11:00 am, Ida Noyes dance roomCompton Lectures: “Photochemistry-Light in theTest-Tube” 11:00 am, Eckhart 133.FOTA: Film - “Sleeping Beauty” 1:00 pm, 3:00 pm,Cobb.Crossroads: Buffet dinner - 6:00 pm, no reserva¬tions necessary.University Chamber Orchestra: 8:30 pm. Interna¬tional House. Free.Hillel: Coffee house, 8:30 pm.WHPK: Party at Alpha Delta Phi, 5747 Universi¬ty, 9:00 pm — admission $1. 9:30 am, sermon and Eucharist, 10:45 am, 5500 S.Woodlawn.Rockefeller Chapel: Ecumenical Service of HolyCommunion, 9:00 am Discussion class, 10:00 am.University Religious service, 11:00 am.Quaker Forum: Namangese Mbobosi, Crossroadssettlement worker, speaks at 11:45 am, 5615 Wood-lawn.Oriental Institute: Film - “Iraq: Stairway to theGods” 2:00 pm. Breasted Hall.El Salvador Solidarity Comm: Film - El Salvador:the Fight for Democracy 7:30 pm, 5550 S. Wood-lawn.MondaySundayLutheran Campus Ministry: Eucharist and ser¬mon, 8:30 am, Sunday school and adult education, Perspectives: Topic • “The New Abused and Neg¬lected Child Reporting Act” guests Jeanine Smith,John Stokes and Dr. Janis Mendelsoh, 6:09 am,Crossroads: English classes for foreign women,10:00 am.German Table: Meets 12 noon in the Blue Gargoyleto speak German.Christian Science Organization: Weekly meeting2:30-3:30 pm, Gates Blake 428.WHPK; Opera night - Rossini’s “Barber of Se¬ville” 6-9 pm, 88.3.UC Chess Club: meets 7:00 pm, Ida Noyes 2ndfloor.M.A.R.R.S.: Official Meeting 7:30 pm, IdaNoyes.002AT AtfhtrA : JfUUl~S7fS > i’-;: ® Rockefeller iflemorial ChapelSunday, November 239:00a.m. Ecumenical Service ofHoly Communion10:00 a.m. Discussion Class- "Wholly Art"led by Scott Stapleton11:00 a.m. University Religious Service,Adela Collins preaching,Professor of New Testament atMcCormick TheologicalSeminary4:00 p.m. Sing-Along- Gregorian Chant,led by Rodney Wynkoop,Director of Music5:30 p.m. Evening PrayerJoin us in Eucharist and MusicST. GREGORY of NYSSALutheran ParishWorshipping Sundays at 10:30C.T.S. 5757 S. UniversityNov. 23 Christ the King18 — The Chicago Maroon — Friday, November 21, 1980 CENTER FOR LATIN AMERICAN STUDIES- presents -YANGUERTZFriday Argentine Guitaristand FolksingerReynolds Club Lounge21 November i12:00 P.M.mSmm BluegrassMusicEvery Sunday5 - 7 P.M.JIMMY'STA) SHE vonCHINESE-AMERICAtfRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM to 8 30 PMClosed Monday1318 EAST 63rdMU 4-1062Cost:751 per line.Mail them inwith a checkor drop them offIda Noyes room 304.CLASSIFIED ADSSPACERoom on 3rd floor of family home.Grad student preferred $105/mo. Call324-9379 ShapereFemale roommate wanted share 2 bed2nd fl apt 54th & Ellis$155/mo heat inclgrad student non-smoker pref call363-8610 eves.Kenwood house for rent Jan.-June orJuly call 373-6618 or 753-8564Room for rent in home of professor.Kitchen privileges, utility room. 55thand Harper Avenue. Lady preferred.Call evening 324-3484.FOR RENT Feminist wanted to shareIg sunny apt w/1 other $145 + util.241-6182.Spacious 4 rm apt for rent avail. Dec.or Jan 947-8834 keep trying.2 bdrm co-op '/j blk from UC formaldining oak floor. Extras. $32,000 ownerwill finance 363-2529.Furnished 3rd fir studio apt in privhome nr 57th and Harper. Pref foreigngrad or visiting staff. Avail immed.$240/mo. 493-6420.Sunny room near law school, SSA, fornon-smoking, quiet person.$150/month includes gas, elec. On mid¬way and campus bus route A. CallWoody 667-8562 before 10 pm.1 bdrm apt avail Dec: 4 large, prettyrms, fine wood firs, only $270 call548-7131.2 or 3 persons sought for spacious 3bdrm apt w/lakeview, 49th/Dor-chester. Co-op bldg, no landlord, park¬ing, 24 hr. security. $430/mo. +deposit. Possible subsidy. Call Dick643-1329.PEOPLE WANTEDPaid subjects needed for experimentson memory, perception and languageprocessing. Research conducted bystudents and faculty in The Commit¬tee on Cognition and Communication,Department of Behavioral Sciences.Phone 753-4718.Wanted for part time work beginningJanuary 1981; student (preferablygraduate) with computer/program¬ming skills, some knowledge ofFrench language. Some familiaritywith basic notions of linguistics aplus. Applications being acceptednow. Phone 753-3884.OVERSEAS JOBS-summer/yearround. Europe, S. Amer., Australia,Asia. All fields. $500-$120C monthly.Sightseeing. Free info. Write: LJCBox 52-1LS Corona Del Mar, CA 92625.We want student to enter medicaldata in computer. 10-15 hours perweek. Call Myrna on 7-6391.BABYSITTER WANTED-Maturestudent living vie. Irving and Marineneeds occasional evening babysittingfor 2 girls (9 & 6). Any interestednorth-side student can apply. 477-0336eves.Earn $50-$4000 monthly part timefrom home thru Ieveridging 15 hrs.per week into 100 1000 hrs weekly.Checking and savings accounts nec.plus car, liking for people and stablemarriage. 667-4038 after 5.Part time make $5-20 per hr yourhours. Some easy sales. 667-4339.FOR SALE71 VW Good Engine $250 955-6333.Like new 74 Toyota Corolla I600cc 16kmi. on eng. no rust. 28 mpg idealtransp. $1500. Call 324-9459.Solid Rosewood table with ivory inlay42x22x16. From India. Perfect com¬panion piece for oriental rug. $425.363-2529Sale women's clothing 100 pieces likenew fine imported wool silk cottonshirts suits pants sweaters dressysuits, shoes and purses. Appointmentcall 324-0252 Kris1969 Chevy. Runs OK Must sell$250/best. 363-2599. Keep trying.1974 Mercury Cougar good cond, allpower $ 1200/best off. 643-0984New Ibanez guitar and wooden drop-leaf table best offer Laura 363-5175.68 BMW 1600 good for local driving orparts. $500.00 or parts. Call 363-16531977 Dodge Aspen wagon 4 spd-translow mileage $2750/best 493-2594.COMPACT TAPE RECORDERRealistic brand/case. Built-in mic.Uses any stand size tape. $40 call753-8342 rm 817FREE or even cheaper if you haul 2sofas, armchairs. Usable condition.Dick 643 1329 Dining rm. set, tble. 4 chrs. all wood.2 yrs. old. ex. cond. 753-1596SERVICESBABYSITTING, CARWASH,PAINTING-We can help. We have aready supply of neighborhood teens,pre-screened and trained to handleyour temporary job. CALL: The BlueGargoyle's Youth Employment Ser¬vice, 955-4108, Mon-Thurs 10-5.TYPIST-Dissertation quality. Helpwith grammar, language as needed.Fee depending on manuscript. IBMSelectric. Judith 955-4417.Excellent, Accurate TYPIST withcollege degree will type essays,thesis, term papers, whatever yourtyping needs. Pick-up and delivery oncampus. REASONABLE, rates varyaccording to need. CALL WANDA,684-7414, evenings and weekends.TYPIST exp. Turabian PhD MastersTheses Term Papers Rough Drafts.924-1152.FIREWOOD, We Deliver. 221-0918.Typing done on IBM by college grad;pica type. Term papers, theses, lawbriefs, resumes, letters,manuscripts. Fast, accurate,reliable, resonable. New town area.Call 248-1478.Will do typing 821 0940.'ARTWORK-Posters, illustration, let¬tering, etc. Noel Yovovich 493-2399.English Classes for Japanesespeakers who would like to improvetheir skills in speaking and writing.Teacher is a UC PhD candidate inFar Eastern Studies with 2 yrs.teaching experience in Japan. Groupor individual instruction. Call 947-0323or 241-6349 before 8:30 am or even¬ings.Expert typing service available forresumes, thesis, manuscripts, termpapers, special student rates-fastdependable service. MID-WESTSECRETARIAL SERVICE 236-5417.Typing term papers etc. pick up anddelivery in the campus area. Pleasecall 684-6882.Pregnancy Tests Saturdays 10-1Augustana Church 5500 S. Woodlawn.Bring 1st morning urine sample. $1.50donation. Southside Women's HealthService. Call 667-5505.PROGRAMMER Available for part-time and freelance work. Familiarwith Comp. Center. Variously fluentin Fortran, SPSS, Superwylbur,Macro, DISSPLA, BASIC; willing tolearn others. Rates negotiable. Con¬tact Steven Cahlem 324-3402.PERSONALSI would love a legitimate count of thenumber of people addicted to BennyHill.SLEEPING BEAUTY, The movie, 12midnight tonight in Cobb Hall, tomor¬row at 1 pm and 3 pm. All seats $1.50.BE THERELOST AND FOUNDFOUND: Woman's glasses, brownrims. S. Side 55th St. nr. Harper Nov17. Call 955-1880 or 753-3379.LOST ''Wells Fargo" design brownleather checkbook cover w/contentscampus. 11/13 sentimental value toowner. If found, please call 667 2273.Reward.SURVIVAL IN SOUTHAFRICA'S NO MAN'SLANDQuaker Forum: Namangese MbobosiCrossroads Community worker, fromCape Town, S. Africa, speaking abouther work experience. Soon afterMeeting for Worship (10:30-11:30) Sun¬day, Nov 23. Refreshments, everyonewelcome. Quaker House 5615Woodlawn.GRAFF & CHECKReal Estate1617 E. 55th St.V/2-2Vi-4 RoomApartmentsBased onAvailabilityBU8-5566 RIDESRide needed to Grand Rapids Mich orvicinity for Thanksgiving, also retur¬ning. Will share driving and expenses. Carol 752-5835 Iv msg.Ride to St. Paul wanted around or onDec. 17. Will share expenses etc. CallDan at 493-7395 or 3-8784.UC HOTLINE753-1777CAN'T COPE? Got a problem? Giveus a call at 753-1777. We will listen.Also information and referrals 7 pmfoam everyday.GAY PEOPLEThe U of C Gay and Lesbian Allianceis open Sunday thru Thursday 7:30pm to 10 pm for talk, counseling andinfo about our many upcomingevents. Thurs nights there arebusiness meetings. Third floor IdaNoyes, or 753-3274.PIZZADELIVEREDThe Medici delivers pizza as well ashamburgers, salads and desserts at 5pm and 5at. Beginning at 4 p.m.BOOKKEEPER/SECRETARYAcademic library consortium re¬quires office management skills (noshorthand). Excellent fringebenefits. Salary $12,000 plus, depen¬ding on experience. Call Dr. JamesSkipper 753-2009 or 493-1193.SEE THE STARSAstronomy Open House 21 Nov 80Ryerson rm 502 9 pm. Everyonewelcome.PROJECTASSISTANTClerical assistance is needed for thedata collection portion of a survey.Duties include assisting with mailingactivities, keeping the store room inorder, maintaining the inventory, andsome manual labor. Must follow in¬structions carefully, ability tooperate a calculator, previous officeexperience preferred. $8,775 peryear, Dec. 1, 1980-May 29, 1981. CallNancy 753-1122. An Affirmative Ac¬tion/Equal Opportunity Employer.ART INSTITUTEMembership discount still available.S!gn up rm 210 Ida Noyes.WOMEN'SRA? GROUPA Worn n's Rap Group meets everyTuesday it 8.00pm at 5655 S. Universi¬ty Ave. Fc Info 752-5655.WHPK°ARTYWHPK is alivt and wellf and having sPARTY. Sat. Nuv. 22 9:00 pm-1:00 am.at the Party Place, Alpha Delta Phi5747 S. University with rock music bythe MISFITS and the DRAG.SENIORS-YEARBOOKSenior quotes are still being acceptedbut get them to us A.S.A.P. INH 218. BORINGSATURDAYSCome down to the basement ofReynolds club and browse around thePhoenix Book and Record Store We'reopen from 12:00-5 30 every Saturday...lots of used books, new records-gaming supplies and paper goods.LITERARYMAGAZINEPrimavera, a women's literarymagazine, needs more women to jointhe staff. Call 752-5655. On sale in mostbookstores.WANTEDWANTED: used bicycle. Simple,modest three speed preferable. Willnegotiate price. Call 955-1177Graduation Tickets wanted to buy.Jocelyn, 753-8666/363-4483CONDO SALEUniversity Park Studio apt for sale55th and Dorchester. 9th Floor withNorth view. Private park, health clubwith sauna, whirlpool and exerciseequipment. Apt has wall to wall win¬dows, kitchen and walk in closet, airconditioning. $32,000 Call 947-9039PARTY REMINDER5341 Kimbark you know who you areand don't forget the butler did it.NEWRELEASESPHOENIXcarries all the new releases at thelowest prices around. Start your X-MAS shopping with the latest fromSpringsteen, Stevie Wonder, Super¬tramp, Metheny, Lennon, E. W & FSteely Dan and MANY MORE!! OpenSaturdays-in Reynolds Club.CUTE 'NFRIENDLYOrange and white striped m/kittenfree to good home, shots. 536-6036ROCKY HORRORFANSTickets still left at SAO. Good mainfloor seats—ticket price includestransportation! What a deal! Rm 210Ida Noyes hall.CONCERT BANDDon't miss the University of ChicagoConc'.-rt Band's performance this Sun¬day jt 4:00 in the Cloister Club in IdaNo' as Hall. The concert will includepir;es by Reed, Rimsky-Korsakov,arJ Glovannini. No admission will becl arged.KOGEMUSEDViing ei taha, sel'eks pole raha. Naineoleks parem, ei teadnud sed varemFRANKN. FURTERWhere are you? Tickets at Rm. 210 IdaNoyes Hall. Throw toast.BELA LUGOSILIVES!See Lugosi Chase Abbot and Costelioin "Abbot and Costello MeetFrankenstein" Sat Kent 7:00, 9:00 and11:00. LYRICOPERALyric Opera School Ensemble, at theShoreland Nov 238:00pm.FILM"Abbot and Costello Meet Frankenstein," tomorrow night at 7:00, 9:00 and11 00 pm in Kent Hall.PHOENIXPaper Supplies Are Now AvailableWhere You Buy your Used Books—ThePhoenix Carries Typing Paper, LegalPds, Filler Paper, index Cards -andmuch more! come In andBrowse—5706 S. Univ. We're OpenSaturdays 12-5:30.PHOENIXA Cheap and Convenient AlternativeDRIVERWANTEDNeed person to drive 79 Volvo toPhoenix last 10 days Dec. all expensespaid Call 753-2430 daysSATURDAYAFTERNOONDon't miss Italian interviewer OrianaFallaci speaking Nov 22 at 2 pm in theIda Noyes Cloister Club, Admissionfree sponsored by the ChicagoLiterary Review and Chicago Review.MOZARTAnd others, at the Shoreland.Presented by the Lyric Opera SchoolEnsemble. Nov. 23at8pm.WOODEN ANGELWOODEN ANGEL, a publication bysome U of C staff members, is on saleat the Bookstore $4.00.HANUKKAHCandles and tin Menorot, Dreidelsavailable for sale at Hillel House, 5715S. Woodlawn.ACCOUNTINGSERVICESAccounting and BookkeepingServices-by trained accountant forbusinesses and individuals. Calland/or leave message at 642-7020 x806or 752-8858FANTASYANDLOVE...Tonight-SPECIAL midnight showingof Disney's SLEEPING BEAUTY! Ifyou miss tonight come join us to seeSLEEPING BEAUTY Sat at l pm or 3pm. All shows at Cobb Hall. All seats$1.50. DON'T MISS IT!MELLOW OUTPOST LIBRIS S G. Coffeehouse. FriNov 21, Frog and Peach, INH,9:30-1:30 Free coffee, free entertain¬ment, good eats. Wanna Perform?Call 3-3273.CHEERLEADINGAll those interested in cheering for theMaroon varsity teams, meeting Mon¬day, Nov. 24 INH at 4.TEDMACKTRIOHear your favorite Bluegrass andIrish folk entertainers Sunday afternoons, between 5 and 7pm, at Jimmys,55th and Woodlawn no cover PROGRAMMER/ANALYSTAre you interested in the Hardware-oriented details of programming: effi¬cient interrupt handling, optimizationof code for memory-limited systems,design of device drivers for customI/O interfaces, etc.? We need a pro¬grammer/analyst with two or moreyears of FORTRAN and assembler ex¬perience to participate in the develop¬ment of hard ware and software to support space physics experiments. Thisis a full-time professional appointmentwhich carries excellent benefits and acompetitive salary. Apply to: Mr.Louis Rose, Personnel Office 956 E.58th St. Chicago IL 6063? 753-4446 AnEqual Opportunity Employer.CHURCH ANDPOLITICSCrossroads Forum on Religion andRevolution features a discussion ofLiberation Theology in Latin AmericaTonight, Fri Nov 21 8 pm. 5621 S.Blackstone Admission freeHANUKKAHPARTYSpend Hanukkah with us. SholomSingles for Jewish Singles 21-39 hosts aHanukkah party and shabbat Dinner,Friday, December 5 at 6:15 PMReservations mandatory Call 525-4707or 324-3686 (Ed) for details.SUMMER JOBS!Information on internships & jobsGuest speakers to answer your ques¬tions on summer jobs. Tuesday, Nov.25 at 12:30 pm, North Lounge ofReynolds Club. Sponsored by CareerCounseling and Placement (753-3289)AUDITIONSBlue Gargoyle Coffee House will holdauditions Sunday, Nov 23 from 5-8 pmat Univ Church, 5655 S. Univ Ave.Looking for all kinds of music, poetry,magic, mime; open to new ideas. Con¬tact Carol Jones, 955-4108ORIANIFALLACIWill speax Saturday, Nov 22nd at 2 pmin the Ida Noyes Cloister Club. Freeadmission sponsored by the ChicagoLiterary Review and Chicago ReviewAPARTHEIDDEFIED:CAPETOWN'SCROSSROADSQuaker Forum: Nomangese MbobosiCrossroads Community worker, fromCape Town, S Africa, speaking abouther work experience Soon afterMeeting for Worship (10:30-11 30) Sun¬day, Nov 23. Refreshments Everyonewelcome Quaker House 5615Woodlawn.SENIORS-YEARBOOKAny seniors who have not had por¬traits taken should come to ReynoldsClub Sat. 11/22 12-4 or Mon 11/24 12-4 ortoCobbTues 11/25 12-4SHOPPERSShop SAO's Craft Fair, Dec 2 and 3.Reynolds Club LoungeTHERENTALANSWERLovely 2 bedroom, 2 bathapartment in the New¬port, 4800 Lake Shore Dr.offers striking lake views,carpets, modern kitchen,loads of room and com¬plete in-building servicesincluding commissaryand indoor pool!Available at once, min¬utes to campus on U. ofC. bus.Call Peggy BriceBeautiful 3 bedroomresidence in a prestigiousvintage building, 5000Cornell, boasts spectac¬ular views, formal diningroom, new kitchen, andcarpeting for only $800/mo. Call Rose Mayer.URBAN SEARCH337-2400STANLEY X. KAPLANfor Over 42 Years The Standard otExcellence m Test PreparationMCAT • GMAT • LSATGRE • GRE PSYCH • GRE BIO • DATPCAT • OCAT • VAT . MAT . SAT . SAT ACHVS. NATIONAL MEDICAL BOARDS • VQE • ECFMGFLEX . NAT L DENTAL BOARDS • TOEFLPODIATRY BOARDS • NURSING BOARDSFlexible Programs and HoursVtftif Ary C«ot» Ao<j Sm *<yYou'*## W*y W* Mjm Tn«DAoynctTEST PPEPARA^tONSPECIALISTS SINCE 1936HKS r M#»0’ U S C<t«#SPu#<10TckoNC C»n»<34 A Zu*<*ML igpitjlMEducate* Ca*«w■i i|i« WSNEW VO«K 100’9CHICAGO CENTER6216 N CLARKCHICAGO ILLINOIS 60660(312) 764-5151S W SUBURBAN19 S LA GRANGE ROADSUITE 201LA GRANGE ILLINOIS 60525(312) 352-5640North t Northwest Suburban474 Central 4*e./Upper Moll levelH^hland Park. II 60035|31J) 433 7410Lcenwng Enme ■*For «wnwao* wu OX* j*1 r VOUTSIOE N v STATE CALL SPRING. SUMMERFALL INTENSIVESCOURSES STARTINGTHIS MONTHGNAT SATNEXT MONTHLSAT GhECourso* Constantly OpdatadCama- Sex Stud>at -r» 1C uuo, JS Caws t AtvoacTOLL TREE POO JM ’TO marion realty,inc.mStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400The Chicago Maroon — Friday, November 21, 1980 — 19S am bv Smd...Nothing comes between me and myscrubs by "Sting"...I DREAMED OF RICHES AND SLEEPLESSNIGHTS IN MY SCRUBS BY "STING"CM,,.I DREAMED I RODE MY HORSE BAREBACKEXCEPT FOR MY SCRUBS BY "STING"...I NEITHER KNOW MY FUR—NOR MY FURRIER-JUST MY SCRUBS BY "STING".,,I DREAMED I WENT TO WORK AT THE HOSPITALIN MY SCRUBS BY "STING"...My scrubs by "Sting" made me feel astho I'm wearing nothing at all.Quotations from noted,SATISFIED FOLKS WHOMAILED $16 TO: J.D.Sting Associates, Inc.1820 N. Lincoln Avenue • Chicago, Illinois 60614Telephone 312-944-5018