THE CHICAGO MAROONVolume 90, No. ia The University of Chicago ©Copyright 1980 The Chicago Maroon Fridav. November 7, 1980Blunt and EffectiveDetroit Mayor YoungArrives Here MondayColeman Young for funds in order tokeep plants open inareas such as Detroit.Young supported theidea, and worked tohave Carter approvemoney for Chrysler.Although Young isviewed as one of themost popular figuresin urban politics — hesailed through his re-election with barely asnag in public support— his mayoral positionhas not stood free ofcriticism. He is ac¬SG CensuresWendt inVote CaseBy Anna FeldmanAt a four and-a-half hour Assembly meet¬ing Tuesday night, Student Government(SG) censured SG treasurer Greg Wendt forillegal balloting and vote soliciting proce¬dures which constituted malfeasance of of¬fice.The Assembly found Wendt guilty of plac¬ing four unauthorized ballots in a ballot boxat International House in the SG election onOctober 24, and of recruiting individuals tovote in a constituency in which they were el¬igible. The Assembly voted 26 to 6 to one ab¬stention to censure Wendt. Because no re¬cords are kept of members’ votes onresolutions before the Assembly, no roll callfor the vote is available.Censure is “actually a very serious step,”said SG president Jeff Elton. Censure is anofficial statement of the Assembly’s con¬demnation of Wendt’s wrongdoings.The vote on the motion to censure Wendtcame four hours into the meeting. “It was arapid way to get the proceedings over with,”Elton said later, “and, at the same time,show disapproval and displeasure with theactions and conduct of Greg Wendt.”The proceedings began with the formalbringing of charges against Wendt. Two“managers,” elections committee chair¬man and SG vice president Sarah Burke,and finance committee chairman ClarkeCampbell, acted as counsel for the Asse¬mbly, presenting the case against Wendt. Insupport of their case, Burke and Campbellproduced as evidence six witnesses, threeaffidavits, and the four disputed ballots.The articles of impeachment brough twocharges against Wendt. The first chargedhim with placing four unauthorized ballotsinto the ballot box at the InternationalHouse polling place. The second accusedhim of soliciting the votes of persons whowere ineligible to vote in the election.The first witness, Ann Dilibert, testified toseeing Wendt deposit four folded ballots intothe ballot box at the poll she was assigned toContinued on page 4 By Richard KayeColeman Young, the Mayor of Detroit forthe last six years and “one of the most influ¬ential blacks in America” according to theNew York Times, will deliver an addressand participate in a question and answertalk on campus this Monday as a guest of theVisiting Fellows Committee.The 61-year old Young is widely known asthe man who successfully created perma¬nent black and white alliances in a city longscarred by some of the worst racial tensionin the country. Although Detroit has recent¬ly suffered from a heavy recession after wi-descale automobile factory shutdowns, itwas Young who brought the city its wellk-nown “urban renaissance” throughout themiddle and late seventies. In addition to cul¬tivating black-white alliances, Young is fre¬quently credited for bringing new develop¬ment into downtown Detroit as well as fordiffusing some of the long-time hostilitytowards Detroit’s police force, a police forcewhich was long polarized from the city’sblack community. Young is considered to beone of the key figures in President Carter’sdecision to bail out Chrysler Corporation,which had asked the Federal Government cused of having far too comfortable a rela¬tionship with Detroit’s big business interests(Henry Ford II usually has only praise forYoung, and many in Detroit are angry atChrysler for closing plants despite the fundsit received) and he is often called to task forwhat is seen as his gritty, political style andhis habit of openly using profanity. But hehas wide support in a city which, whateverits recent successes, is still plagued by acontinuing population decline, high unem¬ployment, and a mediocre public school sys¬tem.Throughout his political career, Younghas continually emphasized the importanceof building coalitions in Detroit. Not longafter his election six years ago, Young an¬swered charges that he was advocating a“black takeover” of the city by respondingthat he didn’t wan’t anything but “a fifty-fifty” share for blacks and whites.“The problem we must face,” Y'oung saidthen, “is that this city has too long been po¬larized. We can no longer afford the luxuryof hatred and racial division. What is goodfor the black people of this city is good forthe white people of this city. What is good forthe rich people of Detroit is good for the poor people of Detroit. What is good for the peo¬ple who live in the suburbs is good for thepeople who live in the central city. It is clearthat we have a commonality of interests.The suburbs cannot live without the city.The white population cannot live while itsblacks suffer discrimination and poverty.”That plea for a “commonality of inter¬ests” between the poor and rich may seemsurprising coming from someone wrho as ayoung man was once tossed out of a unionfor being too radical and who was broughtbefore the House Un-American ActivitiesCommittee during the 1950's. From the startof his political career Young was deeply in¬volved in progressive politics and union or¬ganizing. Born in Tuscaloosa, Alabama andraised in Detroit’s lower-class Bottomneighborhood, at age twelve Young was de¬nied access to the Bob-Lo Island boat whichwas to take him to his eighth grade gradua¬tion from school. That same year he was de¬nied admission to a Catholic High School forbeing black, and although later he won ascholarship to college, he still did not haveenough money to attend. Young then be¬came involved in the United Auto Workers’sstruggle to unionize Detroit's automobileworkers Labeled as a trouble-maker,though, he was kicked out of the union cam¬paign by a foreman whom Young claimedwas racist. Upon being fired. Youngpromptly and brashly beat the fellow up.During the Second World War, Youngjoined the renowned Tusagee Airmen, anall-black aviator’s unit. In 1945 he returnedhome to take up a job in a Detroit post office,helping in his spare time the campaign ofHenry Wallace. Y’oung eventually joined theNational Negro Labor Council, which itselfwas working to unionize Detroit auto factor¬ies When the Councel was accused of hav¬ing pro-Communist sympathies by theHouse Un-American Activities Committee,Continued on page 20Carter Wins AreaBy Robert DeckerHyde Parkers repeated their 1976 supportfor Jimmy Carter Tuesday, casting 81.4 per¬cent of their votes for the incumbent, com¬pared with 11.4 percent for president-electRonald Reagan and 7.2 percent for Indepen¬dent John Anderson.At press time, with 58 out of 61 fifth wardprecincts reporting, Carter had tallied16,485 votes in the ward, while Reagan took2,310 and Anderson received 1,448. The re¬sults were reminiscent of the 1976 race,when Carter took 80 percent of the fifth wardvote and Gerald Ford took 20 percent.In the race for the U.S. Senate, HydeParkers overwhelmingly favored IllinoisSecretary of State Alan J. Dixon, who pulledin 88.4 percent of the vote in the fifth ward,compared with Lt Gov. Dave O’Neal’s 11.6percent share.In the hotly contested race for state’s at¬torney, State Sen. Richard Daley won in thefifth ward by a narrow margin of 504 votes.He received 51.3 percent of the total vote,compared with incumbent Bernard Carey sshare of 48.7 percent.According to Daley election head¬ quarters, there were no irregularities re¬ported in the fifth ward.Although a measure to reduce the size ofthe Illinois House of Representatives wasapproved by a statewide majority of votes,Hyde Parkers showed a strong sentimentagainst the proposal, with 62.5 percent vot¬ing no and 37.5 voting yes, with a total of12,024 votes cast on the issue.The top winners in the 22nd district racefor the Illinois House of Representativewere democratic incumbent Larry S.Bullock with 33,786.5 votes, democratMargaret Smith with 31,718 votes, andrepublican incumbent Susan Catania with16.652.5 votes.Also running were republican Wynetta A.Frazier with 3,602 votes, incumbent QuentinJ. Goodwin of the Good-Win party with 6,877votes, and independents James Phipps with1.190.5 votes and Skip Burrell with 316 votes,votes.Hyde Park republicans had overwhelm¬ingly favored John Anderson in the March18 primary election with the fifth ward giv¬ing him 82 percent of the vote, comparedwith 10 percent for Reagan, six percent for George Bush, and one percent for Rep Phil¬lip Crane. In the primary, Hyde Park demo¬crats gave Carter 58 percent of the vote,with 32 percent for Sen. Edward Kennedy, four percent writing in John Anderson, andthree percent each for Gov. Edmund Brownof California and Labor Party candidateLyndon LaRouche. DanBreslauDanBreslau The Search for WorkJulie MonsonBy Marty Kounitz“I’d find a job quicker by begging forone from businessmen on North Michi¬gan Avenue than by going to CareerCounseling” — a recent comment by afourth-year College student.Despite the advantages offered by a largelibrary, an expanding contacts file, classeson resume writing and interview tech¬niques, and increasing on-campus recruit¬ing by major firms, the University’s place¬ment office must cope with a series ofhandicaps, including the diversity of studentneeds, the limited number of firms interest¬ed in recruiting actively on campus, the Col¬ lege’s public image as a training ground forprofessors, and a small staff with a low bud¬get.The office serves the College’s 2700 stu¬dents with a staff of only six professionals.Harvard University, on the other hand,which has twice the number of undergradu¬ates as the University, employs 16 profes¬sional staff members in its office.Harvard seems to be good at the place¬ment game. Last year, for example, 110companies stopped in Cambridge to seekHarvard undergraduates, compared withthe 34 firms which visited the University ofChicago last year.But Harvard does not overemphasize re¬cruiting visits of companies as a means ofsecuring jobs for its graduates. “Relying onrecruitment is a limited and passive way tofind a job, according to John Tollock, assis¬tant director of Harvard’s placement ser¬ vice. Harvard placement officers frequentlycall on the school’s extensive network ofalumni and friends to aid graduates in theirsearch for jobs.According to Julie Monson, the director ofthe University’s career counseling andplacement office, the University works tofind jobs for graduates by first assessing theneeds of graduating students and then en¬couraging the appropriate firms to inter¬view here.But it isn’t always easy to persuade com¬panies to recruit here, in part because of theUniversity’s reputation as a breedingground for teachers. “A reputation as ahighly academic institution means the firmsdon’t understand that many students don’twant to go into the business world,’’ accord¬ing to Marlene Richman, a career counselorhere.To overcome the University’s image as anacademics-only institution, Monson wantsto take advantage of graduates who havesucceeded in business. These people canshow their employees that the U. of C. isworth a recruiting drive. The producechanges the image,” she said.Last year, to increase the number of peo¬ple who can advise and aid students seekingjobs, the placement office with the aid of thealumni affairs office started a file of alumniin various fields who are willing to talk withstudents interested in their area of work.Another new means of increasing contactbetween students and the working world hasbeen the Life After Graduation Series, heldat Robie House and sponsored by the Alum¬ni Affairs office. This series, which beganlast year, gives students the chance to talkwith professionals in fields such as law andjournalism.This fall, that format has been widened to include the Student-Alumni Career Conver¬sations, meetings where representatives oforganizations as diverse as the AmericanNational Bank and the Environmental Pro¬tection Agency discuss options for collegegraduates.The first of these meetings will be helddowntown on Thursday, November 13. Res¬ervations are limited to approximately 50students, and may be made to the careercounseling office by today.One of the most pressing problems facingMonson and her staff is communicating in¬formation about their office’s resources andprograms to students.Fourth-year students receive issues ofProspects, a quarterly newsletter whichprovides a schedule of recruiters and up¬coming events sponsored by the careercounseling office. The office also maintainsa bulletin board near their office on the sec¬ond floor of Reynolds Club. In an additionaleffort to reach students with informationabout job opportunities, the placement of¬fice meets weekly with advisors.Monson is having particular difficulty inbroadcasting the depth of the office’s li¬brary facilities. The career counseling of¬fice has on file more than 750 brochures andannual reports on firms and graduate pro¬grams, as well files of part-time, full-time,and summer jobs, some campus jobs andguides to interview technique and resumewriting, and books on specialized fields.Two important job sectors about whichthe office has little or no information arepart-time work for the school year and in¬ternships with large firms downtown.Monson agrees such internship experi¬ence is essential to your resume and is a farbetter way to make tuition payments thanworking in the dining halls.We can't give youSUZANNE SOMERSBUT...We can give youSUSAN B.100 FREEWith $10 CASHPURCHASE(Limit 1 Coupon per customer)Expires 10/15/80FREEHOUSE OR CAR KEYWith Any PurchaseBring in this couponExpires 10/15/80 j1320 E. 63rd {Next to Tai Sam Yon)Porter IS im H A R D W AREESTABLISHED IN W00DLAWN SINCE 19019-6 M-S 493-2788 ASHUM-AMSASeminar Series 1980-81Program in the Arts and Sciences Basic to HumanBiology and MedicineandAmerican Medical Students’ AssociationPresentLEON R. KASS, M.D., Ph.D.Henry R. Luce Professor in The CollegeThe University of Chicagospeaking on the topicThe Hippocratic Oath:Thoughts on Medicineand EthicsWEDNESDAY, NOVEMBER 12, 19807:30 P.M.SOCIAL SCIENCES 1222 — The Chicago Maroon — Friday, November 7, 1980NEWS BRIEFSThe correct suit foryour interview datesAs you plan your first interviews in the businessworld, remember that the accepted outfitter foryoung executives is Brooks Brothers; this is thelook, and the label. Our “Brooksgate” suits arethe ideal introduction to this famous company,for these are suits quite moderate in price, andcut on slimmer lines. Brooksgate suits (coat,vest and trousers) begin at $170. You are assuredof a suit with the unique correctness that isBrooks Brothers. Visit us in the Loop, or atNorthbrook.ESTABLISHED ISISliens^goys JPurmsbingsJJIats^jgbocs74 E. MADISON ST., CHICAGO, ILL.NORTHBROOK COURT, NORT HBROOK, ILL. ITHE BLUE GARGOYLEVegetarian Food Service5655 South University(Inside the University Church)9:00 AM- 1:30 PMFill in the advertisement, cut out, and bring in between 11:30 AM and1:30 PM to receive 15 cents off soup. Good 11*11-80 thru 11-16-80.Check One:- First time customer of B.G. Food Service■ Very infrequent customer- Occasional customer- Frequent customer■ Almost daily customer of B G. FoodIf you are not a first timer, why do you patronize the B G. FoodService? Any suggestions for us? Andrew Lurie DiesAndrew Lurie, 23, a student in the Gradu¬ate Library School, died last Thursday froma rare bacterial infection.Lurie, a native of Brookline, Mass., hadentered the Library School in Septemberafter graduating from the College in 1979.He studied humanities in the College andgraduated with divisional and Collegiatehonors.He was admitted to Billings Hospital onOctober 8 for flu symptoms, but his condi¬tion became more serious, requiring openheart surgery. Lurie died shortly after thesurgery.Watch Deadlines forFellowships, GrantsSenior year undergraduates and pre-dis¬sertation graduate students should note theapproaching deadlines for several graduategrants and fellowships which will be award¬ed for the 1981 academic year. Descriptionsand application instructions for four of themare listed below. Information on additionalgrants and fellowships may be obtainedfrom the Career Counseling and PlacementOffice, on the second floor of ReynoldsClub.National Science Foundation GraduateFellowships are awarded for study leadingto master’s or doctoral degrees in the math¬ematical, physical, biological, engineeringand social sciences, and in the history andphilosophy of science. Applications may beobtained from the Career Counseling andPlacement Office or the Graduate Admis¬sions and Fellowships Office (Administra¬tion 228). The deadline is November 26,1980.National Science Foundation MinorityGraduate Fellowships are awarded tomembers of ethnic minority groups for thesame fields as the above fellowships. Theapplication instructions are also as havebeen stated.Fulbright-Hays Dissertation Abroad Fel¬lowships are granted to doctoral candidates(US Citizen or Permanent Resident) whowish to do research in non-Western coun¬tries. Applications may be obtained at theGraduate Admissions and Fellowship Office(Administration 228). The application dead¬line is November 24, 1980.The Woodrow Wilson Women’s StudiesResearch Grants are awarded to students indoctoral programs who have completed pre¬dissertation requirements and whose disser¬tation topic involves research on women.Applications may be obtained from theWoodrow Wilson National Fellowship Foun¬dation, Women’s Study Program, Box 642,Princeton, New Jersey 08540. The applica¬tion deadline is November 14,1980.Counterpoint CannedA curious case of journalistic sabotage appears to have struck the Quads this week.Editors of Counterpoint, a student publica¬tion with Neo-Conservative leanings, claimthat their newsletter was improperly re¬moved from some of its distribution loca¬tions.According to Counterpoint editor JohnPodhoretz, four hundred copies of Counter¬point were placed at each of four locationslast week: Cobb Hall, Regenstein Library,Ida Noyes, and Harper Library. Severalhours later Podhoretz discovered that themagazines in Cobb Hall had been taken off atable in the entrywav and placed in a nearbytrash can He returned the magazines to thetable only to come back Tuesday and againfind them in the trash. In addition, Poa-horetz reports that the papers placed in Re¬genstein Library disappeared within thefirst day, which is much sooner than they would be picked up through normal distribu¬tion. However, the editors cannot be surethese copies were thrown away, as thepapers were not found in any nearby trashcans.Although Podhoretz declined to make anyaccusations, he did say that several campusgroups had been angered by articles ap¬pearing last year in Counterpoint. For now,all the editors can do is keep a close checkon the copies after they are distributed.Robert StreeterFiction and the WorldRobert Streeter, Edward L. Ryerson Dis¬tinguished Service Professor in the depart¬ment of English and in the College, willspeak on “Fiction and the WorkadayWorld” at Woodward Court at 8:30 pm onSunday. Streeter received both his M.A. andPh D. degrees from Northwestern Universi¬ty. He served as Dean of the College(1954-58) and Dean of the Humanities Divi¬sion (1963-73). Streeter was with the Noraand Edward Ryerson Lecturer award fromthe University in 1977. Streeter’s field of spe¬cial interest includes nineteenth centuryAmerican literature and rhetorical practiceand theory. —Mario OrlovichSpam Beats HorsemenThe University College Bowl Tournamentwas held this weekend with Spam, who wonthe tournament last year under the name84, scoring a close victory over the FourHorsemen of the Apocalypse Spamdefeated the Horsemen, known only as War.Pestilence, Famine, and Death, 445-370 inthe third game of the best two out of threefinal series.Spam team members are Lorin Burte,from the Business School, and three Fourth-Year College students. Tammy Rattis,Banas Zbigniew and James Hyman. Theteam will be joined by four individual stand¬outs from the tournament to represent theUniversity in inter-collegiate competition.Tom Terrel, the tournament's moderator,will coach the team and supervise the selec¬tion of the four additional members. Competition begins in Jaunary with the CBS RadioInvitational at Florida State University inTallahassee. Last year’s Chicago teamplaced fifth in the National College BowlTournament.Questions for this weekend’s matcheswere provided by the national College Bowlorganization. Perhaps the least difficultquestion the teams had to face was the fol¬lowing: “John Harvard established Har¬vard University in 1756. Who in 1891 foundedthe University of Chicago0”Xewsbriefs compiled by Henry OttoThe Chicago Maroon — Friday, November 7, 1980 — 3By Joe Thom“No area of human experience should beleft unexplored by men or women,’’ believesRoy Mackal, the University’s safety and en¬ergy coordinator and a research associatein the department of biology. Mackal de¬votes much of his time to investigations ofsuch legends as the Loch Ness monster.Mackal spent ten years (1966 -1976) as thescientific director at Loch Ness, but he andhis colleagues have not yet been able todraw any firm conclusions about the exis¬tence or nature of the mythical monster. Anumber of other lakes supposedly inhabitedby unusual creatures are also under the su¬pervision of Mackal’s colleagues.Because reports of eye-witnesses jibe withsimilarities among the lakes where sight¬ings are claimed, Mackal believes that heand his colleagues are looking for membersof the same species. Mackal does not dis¬miss the possibility that the Loch Ness mon¬ster and other similar creatures could be an¬cestors of the modern whale. Theprehistoric creatures that may be inhabiti¬ng Loch Ness, Lake Champlain, and otherlakes in the region are possibly specimins ofBasilisaurus cetoides, a snake-like whaleabout 75 feet long and which has been be¬lieved to have been extinct for tw-enty mil¬lion years.When I arrived at his office for the inter¬view, Mackal had just finished a conversa¬tion with a seal trainer. Mackal said that thetrainer had wanted to send trained sealsequipped with cameras into Loch Ness tocapture pictures of any unusual creatures.Mackal did not accept his offer, in part be-' cause he has now turned his attention toAfrica, where he is searching for a landcreature known as the Mokele-mbembe. Mackal and his party pause for a picture on an expedition to Africadence, he has offered a reward for a skullbone from the creature. He still faces thepossibility that the mystery creature couldbe a common animal or even a hoax, butthere is always the chance that it couldprove to be a new species or even a dino¬saur.Mackal explains that “I am not sayingthat we live in a goblin world; I always re¬ject non-empirical and non-scientific re¬ports of phenomena.’’ Mackal said hestrives to “report events accurately and letpeople determine what they will.”Mackal is currently giving a series of lec¬tures about his work through the Universi¬ty’s extension program. Mackal’s studentsare reading his two books, The Monsters ofLoch Ness and Searching for Hidden Ani¬mals.In class, Mackal stresses that the ap¬proach to reports on strange phenomenashould be scientific and realistic. He pres¬ents to students not only cases in which newanimals were discovered, but also mys¬teries that were either never explained orwere explained as sightings of common an¬imals in uncommon places. Even though hemay not successfully finish all of his inves¬tigations, he hopes that the results of hiswork will impel others in the field to contin¬ue where he left off, and eventually solve themystery. One such unsolved mystery involves a re¬port from the U.S. Navy. In 1972, the U.S.S.Stein left San Diego for Ecuador. Somwhereon the journey, a large animal attached it¬self to the sonar dome underneath the ship.The weight of this unknown creature practi¬cally brought the ship to a halt.The Navy asked Mackal to assist otherscientists in this case. Wood, Mackal’s col¬league, who headed the investigation, founda claw in the sonar dome that broke off fromone of the creatures tentacles. The claw wasone-inch long. The normal size of a claw inthe sucker of a 20-foot long squid is only onemillimeter in length. The scientists believethat if this creature is a relative of the squid,the creature could be 400-feet long. “If thisanimal is not a squid, it is most likely sometype of large mollusk,” said Mackal.Perhaps the creature will make anotherappearance and reveal its identity. Maybethe Loch Ness monster, Mokele-mbembeand the rest will all sooner or later showthemselves to the public; however, it is pos¬sible that none of them exist. Mackal real¬izes this and places his hope in the chancethat these mystery creatures do exist andcan be found.Mackal is gambling on the reported sight¬ings and will keep searching until he drawshis conclusions. He is looking for a “bigpayoff, namely, finding a new species.”Roy Mackalstands near his lodgings“l am working almost exclusively in Afri¬ca,” said Mackal. In February, Mackal,along with James Powell, a zoologist andcryptozoological researcher, investigatedreports of Mokele-mbembe. In a recent ar¬ticle about Mackal in the Sun-Times, Mack¬al said that he showed the natives “picturesof buffaloes, elephants, and dinosaurs, likethe brontosaurus, and they pointed to thebrontosaurus which is believed to have diedout 70 million years ago.” Mackal is not surewhat creature he is searching for. “We don’tknow if there are dinosaurs,” he said, “butwe are open-minded.”Mackal plans to return to Africa nextsummer. The search will not be easy, forMackal and his crew will be investigatingareas that are uninhabited by humans. “Ifanything happens, we’re on our own.”Mackal will have to make his own map ofthe area during the expedition because hewill be searching parts of Africa that havenever been carefully mapped. “We will fol¬low the Congo River until we get to its start¬ing point,” explained Mackal, “but nobodyknows how far that is.”Except for the reports of pigmies, Mackaldoes not have any evidence that the crea¬ture exists. In an effort to find hard evi-Mackal’s Monsters:Loch Nessand BeyondGreg WendtContinued from page lwatch. Wendt responded by saying that hehad found four completed ballots in his mail¬box at Alpha Delta Phi and brought them toInternational House to deposit.The Assembly members then viewed thedisputed ballots, which were for the electionof a fraternity representative to SG. Eachballot indicated a vote for David Stammler,a member of Alpha Delta Phi fraternity, forwhom Wendt served as campaign manag¬er.The second witness for the Assembly was4 — The Chicago Maroon “SG VoteBurke, who, as chairman of the electionscommittee, was responsible for supervisingthe election. Burke told of learning from Di-libert on the evening of the election thatWendt had placed the ballots in the box.Burke then opened the box and discoveredfour fraternity ballots folded together.The Assembly’s managers then calledBaft Lazar to the stand to testify that he hadseen Burke open the box and remove theballots. Each witness submitted a notarizedaffidavit containing a written version of histestimony to the Assembly.To support the charges in the second ar¬ticle of impeachment, alleging that Wendthad recruited individuals to vote in an elec¬toral unit in which they were ineligible, theAssembly managers called three additionalwitnesses.First, Lindsay Johnson, a poll watcher atthe election, testified that three students, allmembers of Alpha Delta Phi who did not re¬side in the fraternity house and were there¬fore ineligible to vote in the election, cameto her polling place and asked for fraternityballots. When Johnson told them that theywere ineligible to vote, the three told herthat Wendt had told them to vote in the elec¬tion.Dilibert then returned to the stand to saythat Wendt had solicited her vote in the fra¬ternity election when he deposited the fourballots. Dilibert, too, is an out-of-housemember of Alpha Delta Phi and was ineligi¬ble to vote in the election.Wendt took the stand next, to answerquestions about whether, at a meeting ofSG’s executive committee Sunday morning,he had admitted wrongdoing, as was record¬ ed in the minutes. Wendt denied that he ad¬mitted any guilt and denounced the accura¬cy of the minutes.At this point in the proceedings, the de¬fense produced four signed statements fromthe fraternity members who had allegedlyleft the ballots in Wendt’s mailbox. In theirstatements, the four said that they had per¬sonally filled out the ballots and left them inWendt’s mailbox. Following this, Wendtstated that the defense would be calling nowitnesses.Continuing its case, the Assembly’s man¬agers called Sekhar Bahadur, chairman ofSG’s community relations committee and amember of the executive committee. Baha¬dur attested to the accuracy of the minutes,with respect to the fact that Wendt had ad¬mitted wrongdoing at the Sunday morningexecutive committee meeting.Following Bahadur’s testimony, Burkeand Campbell then made closing statementsin their case. Wendt, acting as his own man¬ager, made a closing statement and, inaccordance with SG rules, was then escort¬ed out of the room as the Assembly begandebate on the case. Wendt’s advisor, DougMarkham, spoke on behalf of Wendt duringthe Assembly’s deliberations on the case.The issues decided during the discussionwere whether Wendt was guilty as charged,and if so, how to sentence him. It took only ashort time for members to convict Wendt,but the decision on whether to remove himfrom office or censure him was hotly debat¬ed..Those arguing for censure held that, whileWendt was guilty, his offenses did not merithis removal. Others maintained that Wendt’s behavior was “incredible,” andhad disgraced SG. How could SG members“accept someone’s stuffing a ballot box?,”one member asked during the discussion.The Assembly voted on three separatemotions to amend the impeachment resolu¬tion to censure Wendt and replace a clausethat called for his removal from office. Theamendment failed twice, but passed on thethird try by a vote of 17-12. The Assemblythen voted to approve the resolution as awhole, 26 to six, with one abstention.Following the meeting, Stammler praisedDoug Markham, an advisor to Wendt whospoke on his behalf during the debate on con¬viction and punishment. Markham,Stammler said, “presented a well-roundedand unbiased view of the situation.”Stammler also lauded president Jeff Elton,saying that “while confusion was inherent inthis type of situation, I believe that JeffElton did a good job in mediating the entireprocess.”Stammler added that “I think the defensewe were presenting was distorted by theconfusion of the whole meeting.” Accordingto Stammler, “Greg did not speak his casevery well. As a result, the essence of our de¬fense, that Greg had no malintention, wasnot brought out until the Assembly’s discus¬sion began.”After the meeting, Wendt released a state¬ment apologizing for inadvertently wastingthe time of the Assembly by not using coun¬sel in his defense, and calling on SG to moveon to other business. “It was a long, tryingnight for all involved ...Let us put this be¬hind us and all work together on the positiveaspects of Student Government.”Friday, November 7, 1980ayer Than drastically changingGALA’S previous poli¬cy of weekly rapgroups withoutplanned agendas.“This year we’re hav¬ing rap groups everyother Thursday — thenext one is on the 20th— and we plan to an¬nounce the topicsahead of time so thatpeople can come to theones important tothem. Our last topici 3iiai^iu-iatcu'— Think again.GJW COFFEEHOUSE ,Friday, Oc'^'vr/YI m ,Friday.°ct!**[N'«s LlBy Margo HablutzelIf the social problems of average Univer¬sity students are sometimes difficult, theproblems of gay students here are muchgreater. Faced with homophobic misunder¬standings and personal fears which hetero¬sexuals rarely have to deal with, gay stu¬dents here have formed the Gay andLesbian Alliance (GALA), as a means ofmutual support and to educate Universitystudents about homosexual issues.“Straight guys have come up to me andsaid that they wished they had an office togo to where they could pick up girls,” saysScott Dennis, one of the co-ordinators ofGALA. “But that’s not why we’re here;we’re trying to help counteract some of theoppression gay people face and educate non¬gay people in the hope that it will some dayend oppression.”“Lynn” is a GALA member who prefersto be known by a pseudonymn because shefears that “if some people that I’ve gottenpretty close to — people whom I don’t wantto lose — find out that I’m gay they mightwonder if our friendship is based upon a non¬existent sexual interest in them. I’m notsure they’d understand that I’m interestedin them only as friends — nothing more.”She adds: “Straights tend to paint homo¬sexuals as sex-crazed maniacs, deviates,and murderers. I’ll admit to John Gacy andDean Corll, but what about Richard Speck,Ted Bundy, and the frighteningly high inci¬dence of rape? Straights tend to wear blind¬ers when dealing with sexual matters.”Yet Peter Burkholder, another member of GALA, feels that gays’ own self-perceptionsalso need changing: “The model — stereo¬type — of a homosexual is a lie. Much of thebedhopping, alcoholism and drug use, andsuicides among gays stem from the fact thatthere are too few positive models for homo¬sexuals to follow. The problem is findingother models.”GALA tries to combat this stereotypingand ignorance not only through letter-writ¬ing campaigns and the sponsoring of suchspeakers as State Rep. Barbara Flynn Cur¬rie, who will speak at a coffeehouse on No¬vember 16 in the Ida Noyes Library on “GayRights in the Illinois Legislature,” but alsoby encouraging people of all sexual orienta¬tions to attend their rap groups, coffee¬houses, dances, and meetings. GALA alsohas regular evening office hours from7:30-10:00 Sunday through Thursday, and in¬vites people to drop by the office in room 301of Ida Noyes Hall or to call (753-3274) duringthese times. The core of the group consistsof roughly a dozen people, primarily the of¬ficers and those who staff the office, andother people are welcomed at any time, toattend business meetings or rap groups, forcounselling or advice, or to become active inthe workings of the group.An example of someone who dropped inand stayed is “Daniel,” who prefers not touse his true name for fear of trouble atwork. An upperclassman who has been“out” for less than a year, he had thoughtabout GALA before but didn’t think he couldbe able to deal with so many people at once.This year he decided to join the group;rather than being a passive member Danielvolunteered to run the bi-weekly rap groups, was ‘Coming Out,’ and people who are inand out and mixed showed up.”This week’s rap group was the first eventof what has been called “Gay Weekend,”which includes a dance in the Ida NoyesTheatre tonight and the movie “Sunday,Bloody Sunday” in Kent 107 at 8:00 pm onSunday. But not everything the group doesis for fun; the upcoming coffeehouse withRep. Currie is primarily a political activity,and the first issue of their newsletter will becoming out next week. GALA is also in¬volved in slightly more personal activities,such as the continuing attempt to have awindow in their office which was brokenabout a year ago repaired, and to appeal abudget allocation of only $534 for the yearwhen they had asked for $2566. “Dorms mayget only $450,” complained Paul, a memberwho staffs the office one night a week, “butwe have a responsibility to an entire com¬munity,” — a community which, accordingto the Kinsey estimate that one in every tenpeople is homosexual, measures some 1600people in the University alone. According toanother GALA member, the group has oneof the five largest memberships oncampus.Continued from page iYoung was among those called to testify be¬fore the Committee’s attorneys. He refusedto cooperate with the Committee’s represen¬tative Frank Tavenner, answering the ques¬tion “Is the National Negro Labor Councelan Un-American organization?” with “Ithink this Committee is an Un-American or¬ganization.” Young was never prosecutedfor his failure to respond directly to Com¬mittee questions.Young later moved on to be a state sena¬tor and union official with a reputation forbeing “street-wise.” His mayoral victory in1973 is often said to have been the result ofhis rigorous attacks against the insensitiveperformance of the city’s police force. At the same time the group is working torepair internal difficulties. After a rift lastyear based upon personal grievances be¬tween some of the women and men in thegroup, a rift widened by the women’s dissat¬isfaction with the strong male bias in thegroup’s personality, efforts are now beingmade to actively confront women’s issuesand specify “Lesbian” on posters and in an¬nouncements in an effort to re-integratewomen into the group. Spearheading thisare Scott, Daniel, and Debbie. Debbie origi¬nally joined GALA to become part of the gaycommunity and found the group’s maledominance “a shock: there should be equalrepresentation, since both the men and thewomen have the same goals of gay aware¬ness and reaching out. First, we’re going tohave to change the image that this is an all¬male group.”Debbie was not the only newcomer to besurprised by the University. When Scottfirst came here he was surprised at howmuch more conservative Hyde Park is thanAnn Arbor; in addition to running and begin¬ning a Gay Youth group at his Michiganhigh school, he staffed the Gay Hotline andwas part of a Speaker’s Bureau which wentto schools, hospitals, religious groups, andother organizations to discuss and answerquestions about homosexuality. While hesays that only a small number of peopledon’t like him because he’s gay, Scott hasrun into many unusual situations because ofhis homosexuality. “Some people assumethat if you’re gay you know every gay per¬son here, and many see you on purely sexualterms — as a homosexual, not as the guy inclass or just down the hall. Many straightshave no sympathy for our problems sincethey say we have this organization behindus, but the fact that GALA has to exist isproof that it’s harder for gays than it is forstraights.“It’s hard for people to be gay and alone, ”adds Scott. “GALA offers support and wecan help each other to deal with the miscon¬ceptions w'hich people commonly haveabout us.”Those attacks won him the support of De¬troit’s black community, then very muchembittered by police brutality in the city’sghettos. On winning the election, he broughthis vigorous attacks against the insensitiveperformance of the city’s police force.Those attacks won him the support of De¬troit’s black community, then very muchembittered by police brutality in the city’sghettos. On winning the election, he broughtblack audiences of 2,000 cheering to its feetwith his “open warning.”It was a remark which was not only toanger Detroit’s police force, but it served asa much-quoted emblem of his mayoralty.Young will speak this Monday, November10 in Social Sciences 122 at 3:30 PM. Thepublic is welcome to attend.The Phoenix(Reynolds Club basement)Pat Metheny Giveaway!1 FREE PAT METHENY AUTOGRAPHED POSTERWITH PURCHASE OF 80/81 AND ANYONEOF HIS PREVIOUS RELEASES.Promotional Materials „Courtesy of WHPK,Warner Brothers (thanks, Greta!),and Pat MethenyPAT METHENYm 80/81 PAT METHENYGROUPAmerican GarageECMThe Chicago Maroon — Friday, November 7, 1980 — 5HtartnUniversity of PennsylvaniaThe Graduate Division of The Wharton School will be sending Mr. DavidKavasnicka, a representative from the Admissions Office, on November 10,1980 to meet with those students who are interested in learning more aboutWharton’s MBA and MS in Accounting programs.All students, regardless of their undergraduate major, are invited to attendinformal group sessions during which admission, financial aid, curriculum,and placement will be discussed. To obtain further information, pleasecontact your placement center. 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MOTOBS PASTS DIVISIONK( rp I hai Grrul (t V tt'flinfi U ith (jk.\ I /Af. C Vf HarhOpen Evenings and Sunday Parts Open Sat. 'til noon2 Miles - S Minutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard. As Students or Faculty Members you ore entitledto special money-saving DISCOUNTS on VolkswogenParts, Accessories and any new or used Volkswagenyou buy from Ruby Volkswogen72nd & Stony Island 684-0400Open Evenings and Sundays Forts Open Sot. 'til noon6 — The Chicago Maroon — Friday, November 7, 1980nthegreycityjournal13th Year 13th Issue 7 November 1980by RENEE SARACKILast spring, The Imports werethrashing out obscenely fastpaced, frenetic punk music to thedelight of Hyde Park and U of Caudiences. But while the group isstill together with basically thesame line-up (except for newdrummer Tom Wall), they are aradically different group. Goneare the 1-2 minute rave ups, replaced by slower, more thoughtf¬ul and certainly more interestingsongs.Whereas earlier in the band'shistory, ex-drummer Alec Dalecould boast, "We do not soundlike Joy Division", this is nolonger true today. And while theImports are certainly not a third-rate copy of Joy Division, it isclear to anyone familiar with con¬temporary music what theirsound is based on.England is presently gluttedwith great new experimentalbands, like New Order (formerlyJoy Division sans the late IanCurtis), Echo and the Bunnymen,The Psychedelic Furs, KillingJoke, etc. These bands are notpunk. Quite the opposite: theirmusic is usually slow, led by a repeating bass riff and infused withan eerie, often morbid feel. Theguitar in these bands is often dis¬sonant* the screaming melodiesthat echo forth pay little or no at¬tention to typical chord progressions. What these groups do havein common with their punk predecessors is a hatred for the rock 'n'roll establishment and its stagnant, incestuous ways. Many ofthe above mentioned groups appear on independent labels suchas Rough Trade and Factory Records. These labels are muchmore sympathetic to the artist'sneeds and are not run primarilyfor profit. Yet another goodmovement started in our mothercountry, England.Unfortunately, the same cannot be said for American bands.Most new bands in this countryare cheap, commercial sell outsto New Wave, as epitomized byall the spandex pop groups or arehopelessly lost in the past: Stilltrying to churn out the threechord punk of The Pistols, mostof their original enthusiasm turnsinto bitter cynicism.Fortunately for Chicago, TheImports are different. It didn'ttake them long to bore themselves sick with the fun, but dullmaterial they had been playing;and after deciding to change,they have managed to win thehearts not only of such devoutAnglophiles as I, but of musiclovers in general. The torturouslyslow, mesmerizing music pre¬ sently being played oy The 'Portsis now available on a single. Anda great single it is!Released on an independentlabel with a minimum of fuss andbother, the single's absolute clar¬ity comes crashing forth. Thesongs are as yet untitled, andshall be referred to as Side Oneand Side Two (which is what thelabel says). Side Two begins witha slow, fascinatingly beautifulbass riff, followed by the entrance of a haunting guitar lineand drums. This solemn and cap¬tivating music continues until thesinger enters with the enigmaticwords, " 'I am knowledge', saidthe cloaked stranger." The songis sung in almost a straight monotone with slight tone modulationswhich add to the song's perfectsubtlety. Ending with an ominousbass line and a cymbal crash, it isa jewel. The enigmatic and sobering words are perfectly comple¬mented by the music with its slowand eerie beauty.Side One, another excellentsong (though less to my tastethan Side Two) is a bit faster,containing lyrics as vague and aspoetic as Side Two's. Openingwith a repeating bass and drums,the guitar enters with some long,mournful chords which almostimperceptibly become choppy,continuing to shift throughout thesong. Weaving in and out of thesong are the vocals with the songending in a long instrumentalbreak. Midway through thisbreak, which is comprised of a re¬peating riff established earlier,the song shifts into a funky inter¬lude. It then returns to its instru¬mental refrain and ends abruptlywhen all three musicians stop at once. Although Side One is moreimmediately enjoyable than SideTwo, Side Two, weaves an insidi¬ous spell into the mind of the Mstener which is left long after thesong has ended.To find out more about this finesihgle and its production, I talkedto three members of the bandwhile the fourth; drummer TomWall was absent, since he lives upnorth. Singer Ben Krug, hisbrother, guitarist Tom Krug andbassist Joe Strell came by oneday and our talk began.GC J: When you decided to recorda single, how did you go aboutit?Joe: Do you want to talk aboutit?Tom: Yeah. We might as well.Joe: Get it over with, I guess.Tom: It's not that bad. (littlechuckle).Ben: Well it started out withwhat's his name...Joe: Who?Ben: That guy from the magazine who wanted to record us andtwo other groups. He was withthis Washington magazine calledSubterranean Pop.Tom: He got in touch with us andgave us Epicycle's numbers (oneof the other groups) and we endedup not doing the multi group 10inch disc.GCJ: So you're going to do thatwith Epicycle?Tom and Joe: NO!GCJ: But that was the plan.Joe: That was the original plan.Ben: When they came over to record they said it could be for the10 inch three group record or justfor a single. And we just said,"This is good! We're making asingle." Joe: Really. Too good to share.GCJ: Who came to help you record it?Tom: Two members of Epicy¬cle.GCJ: Where was it recorded?Tom: In our basement.Ben: It was recorded in our basement.GCJ: What did they bring over?Tom: They brought four microphonesBen. And a four track recorder.It was real cheap this way but wealso have fewer tracks to workwith. So you have to mix thedrums as a unit and you can't mixseparate drums separately oranything like that. We can't over¬dub over anything.Tom: And it came out so well,geez.GCJ: In one take?Ben: Yeah.Joe: Well....Tom: Alright. Maybe two orthree but that's still pretty good.We didn't even know what songswe were going to do until they gotthere. This is when we had justwritten our six new songs afterdiscarding all our old material.So we were sitting around for anhour before they were supposedto get there and wondering whatsongs we could possibly do. Wedecided on these two and then wejust had to plan them out.Joe: We didn't really decide onthese two. We only decided on oneand left the other up to... up to....Idon't know something, something....GCJ: What are the song titles?Tom: Side One and Side Two.GCJ: That's it, huh?Tom: Yeah. Well, Ben madetitles but I don't know, they'repretty stupid.Ben: I don't want to say anything.GCJ: What's the next step, afterrecording?Tom : They took the tape and wehad to go mix it in a recordingstudio somewhere in Evanston.GCJ: So was this a Cirkle Productions affair from the beginning?Tom: Yeah. Ssssh! Don't mention their name. I don't thinkwe'll be on Cirkle anymore. Anyway after we had it mixed wesent it to be pressed. We had todecide where to send it awaywhich took awhile.Joe: Queen City albums in Cin¬cinnati.GCJ: Why did it take awhile todecide?Tom: Oh, because (rather sheepishly) we had to find the chea¬pest place and we didn't. Weended up spending a lot.GCJ: Concerning the cover, howdid you decide what you wantedfor that?Ben: We knew we didn't want a photograph.Tom: No. No photograph.Ben: That's pretentious. I mean aphotograph of yourself at least,is.Tom: Yeah.Ben: So we got an artist to draw apicture which we thought wouldbe more fun. More interestingand more. . .Tom: Do you really want to knowthe whole story or do you justwant to have that version?GCJ: Well how about the wholestory.Tom: We were going to have justsome kind of a pattern. Maybeblack and white and ummm thepeople we'd talk to you know,we'd say, 'Oh, well we're going tohave this kind of pattern' andthey'd go, 'Hmm. Oh, yes, yesthat's nice.' So they weren't veryenthusiastic about it so we decid¬ed okay we'll have someone actu¬ally design a cover for us.GCJ: So who didn't like the pat¬tern?Ben: Just about everybody.Joe. Hope.Tom: Hope from Wax Trax,Brian from Praxis, no one likedthe pattern and so we decided,okay, we'll try something elseand we can always use the pat¬tern if we don't like what turnsup. We discussed what we wantedwith an artist named Rebeccaand we'll refer to her as Rebecca.GCJ: Fine. So now comes distri¬bution. How is this being done?Ben: We're distributing it ourselves.GCJ: How many did you havemade?Ben. Well about forty right nowand we're going to have 500.GCJ: Well that's about it. I guessI'll ask you the question we allwant to know the answer to andthat is, "Where will these littlegems be available?"Ben: Wax Trax. . . Spin It. . .Tom: Spin-lt right here in HydePark.Ben: And Gramophone and hopefully places in San Francisco andNew York.Joe: And London.Tom: Yes, yes London. Mostlythrough Wax Trax's help.Joe: And Budokan, of course.Finally, Friday evening, Chicago's premiere dj, Bobby Skafishof WXRT played the second sideof The Import's new single on hisweekly show. The Big Beat, andon Saturday, The Imports playedto an ecstatic audience of youngfans at a Colony Club party at theInternational House. All of whichjust goes to show, that you don'thave to play pop music to be popolar; you just have to be prettygood and pretty determined —and fortunately, The Importsare.Gay A»P LESFIAN ALLIANCE:'PANCEFftlPAY Nov 7T“iPANoYrilKPC.■ 9 r/v \•AP’AUqON $1.09.•Fzmr^ACNTv GLENDA JACKSONMURRAY HEADeveryone welcome;one dollar-f if ty admissionSUNDAY,NOV. 9,8P.M.KENT 107ChicagoChamberBraSS Concert Season’80-81Roger MelkaThomas Parriott, trumpetsDiana Nielsen, hornSteven Gamble, tromboneRichard Frazier, tuba“The CHICAGO CHAMBER BRASS was establishedin 1977 to bring exciting performances of the finestbrass music to people of all ages. This dynamicbrass quintet has distinguished itself in the Chicagoarea through formal recitals, ‘pops’ concerts andinnovative educational programs.”FALL SERIES - Music by Adler, Bach, Beethoven, Byrd, Gershwin,Persichetti and ScheidtMonday, November ^o.tX) pmGrace Luther27a\3^T}n .4 00Friday, November 7,1980 8:00 pmRockefeller Chapel5850 S. WoodlawnChicago, IllinoisSaturday, November 8,1980 8:00 pmSt. Luke’s Church939 HinmanEvanston, IllinoisSunday, November 9,1980 7:30 pmSt. James Cathedral65 E. HuronChicago, IllinoisAdmission$5.00 General$2.50 Senior citizens & studentsFor ticket information call 327-2969 This program is supported in part bya gram from the Illinois Arts Council m a Major Court Studio Product ionJOIN THE U. OF C. FOLKLORE SOCIETYFOR AN EVENING OF BLUES WITHEDDIE CLEARWATERNext Friday, November 148:00 p.m.Cloister Club, Ida NoyesTickets at Door: $2, U.C.I.D.$3, Others2 THE GREY CITY JOURNAL FRIDAY 7 NOVEMBER 1980Friday 71 Saturday 8 !Sunday 9IMonday 10 ] j 1 1 rTuesday 11 Wednesday 12I i —. 1 L. i Thursday 13ARTDrawings by Johann Michael Rottmayr(1654-1730): A historically completeexhibition of the artist considered to bethe first great painter of the AustrianBaroque. Nearly all of the drawingsportray religious scenes: saints, vir¬gins, heaven, etc. Perhaps the most in¬teresting aspect of the display is thefreshness of color the drawings exhib-• Because the drawings were protected from exposure to light, the colorsare more explicit than one would ex-sect from works of this period. Accom¬panying the exnibit is a series of lec-'ures by Austrian Baroaue specialistand Smart Gallery Director EdwardA. Maser This week, he speaks on"Johann Michael Rottmayr and HisWork in Austria" on Sunday, Novemoer 9 at 2 00 pm in me CochraneWoods Art Center, 5540 S. Greenwood,Room 157. Admission is free. The ex¬hibit runs through December 14tn. TheDavie and Alfred Smarr Gallery, 5550S. Greenwood Tuesday Saturday,10 4; Sunday, noon-4. F-'ee —LJCMiyoko I to: A Review: Miyoxo Ito is thepossessor of a very privaTe imagination, queen ot ner own personal uni¬verse A universe carvea out of thepower of pure insight, it is tor The mostpart a friendly place. Her colors flowinto one another like a iife flowing intothe desoiate places, breathing, giving,and most of all, living. Miyoko ito in¬corporates geometric planes with organic planes in a lot of her work; sheorganizes space to create ambiance.Her most conventional work is "Easeland TaDie," 1948. Just your obligatorystill life but a new kind ot clarity hastaken hold ot her later works like,"Sea Changes,"' and "Mandarin," orthe "Red Express," both 1977. This is agreat show. Until November 9th, at meRenaissance Society at the BergmanGailery, Cobb Hall, fourth floor, 11a.m. to 4 pm daily. Admission is free.-LAMUSICChicago Chamber Brass: The ensemblewhich is variously described as a quar¬tet and a quintet will perform compositions and arrangements for brass instruments by composers ranging fromByro to Gershwin. This music shouldsound heavenly under RockefellerChapel's lofty stone ceiling. 8:00 p.m.,Friday, November 7, RockefellerChapel. Students $2.50, others $5.00;The Slits: Tonight England's first andoriginal female punk group, The Slitswill be appearing at Waves, Chicago'slatest club showcase. Although TheSlits with charismatic lead singer AriUp (who by the way, wears her hair indreadlocks) were one of the first punkgroups way back in 1977, it took themseveral years to get their act togetherand release an album. Cut, theiralbum was released in 1979 to the delight of critics and fans alike and its bizarre reggae atonalities deserve to beheard. Except for a one stop New Yorkappearance last New Year's (whichwas great), this is The Slits' firstAmerican tour. And it is a show definitely worth seeing. Tickets are goingfast so l suggest you buy your tickets this afternoon at either the Waves box-office or Wax Trax records on Lincoln.Waves, 3730 North Clark. Cover is$7.00 and the show should begin around10:00. —RMSThe Osbourne Brothers: Voted thenumber-one group by the CountryMusic Association, the OsbourneBrothers will appear Saturday, Nov. 8at the Old Town Scnool Of Folk Music,909 W Armitage. Sonny, an accomplished picker and inventor in the six-string banjo, and Bobby a hot mandolin player, nave been performingtogether since 1953. They have beerregular members of the Grand OleOpry and have performed at the WhiteHouse Performances are at 8 and 10P.M. with $5 admission tor each show— JGOboe Recital: Competing with the Symphony Chamber Players is a concertby another of the CSO's rop-fUght soloists, principal oboist Ra/ Still. Accompanied by Thomas Still, ne willprform sonatas, etc., by Schumann,Poulenc, Nielsen, and Saint Saens.This is part of the Chamber Music inthe Home series, which offers programs in some ot the Stately Homes otKenwood. This one is at the Ez-a Sensibars'; it is followed by a reception.For tickets call 924 2550. 4:00 P.M.,Sunaay, November ’6. $4 students/seniors. $6 others — pTDFILMStarting Over (Alan J. Pakula, 1979);Not as bad as you might think — iteven has a few really tunny one-liners,it is best when it's funny, worst whenit's serious. Overall, a worthwhilemovie, provided you don't think toomuch about it. Burt Reynolds plays aschlmiel; Jill Clayburgn is confusedand iiberated; Candice Bergen is♦here. Tonight at 7:15 ana 9:30 atQuantrell; Doc, $1.50. — JS.Nashville Rooert Altman, 1975): AsPauline Kaei said, this is the "ultimateAltman movie " The film capturesfive days in the lives of 24 charactersin Nashville. The entire cast is superb,many writing their own scenes andsongs. Everything seems wonderfullynatural — you don't even notice thefilms almost-three hour length One ofthe best movies of the 70's. Tomorrowat 7 and 10 in Quantrell; Doc Films,$1.50 - JS.Alphaville (Jean-Luc Gouard, 1965):Originally entitled "Tarzan versusIBM," Alphaville is probably Godardand cameraman Roul Coutard's visualtour de force. The film's harsh blackand white contrast succeeds in transforming the 60's version of high technology into sets reminiscent of Ger¬man Expressionism. Secret AgentLemmy Caution (beautifully playedby Eddie Constantine, an ex patriateAmerican actor well known in Europe¬an cinema) travels to the outer edge ofthe solar system to check out the fateof another agent; there he discovers acity ruled by a mad scientist and agiant computer Like other Godardfilms of this period, the "8 movie"plot is merely a structure for investi-gations of a higher sort Alphavillecould be considered a Wittgensteinianthriller about a detective searching forthe limits of positivist philosophy and consequently, language. Many filmspresume to be about language; need¬less to say, Alphaville is. The Renaissance Society at the Bergman Gallery.Saturday, November 9, 7 and 9 pm. 4thfloor Cobb Hall. Free to RS Members,$1 for others. —LJCA Silent Film Comedy Festival will beheld at Rockefeller Chapel this Saturday night, with Gaylord Carter providing organ accompaniment and interluoes. Clips from the films of W. C.Fields, Harold Lloyd, Laurel andHardy, and Charlie Chaplin will beshown. Saturcay, Nov. 8, at 8, in Rockefeller ChaDel. Admission is $3.00,$2 00 for students and senior citizensLeda (Web of Passion) (Claude Chabrol,i960)- Chabrol's L.eda deals with hisnopuiar theme of suffocated passions.vhich clash violently in the end to thechagrin ot all concerned. In Leda,Henn (Jean-Paui Belmondo) a well todo<> businessman, Leoa (AntonebaLualdi) his beautiful lover anoTherese (Madeleine Robinson) hisjealous and unwanted wife clash in anemotional wasteland until murder in¬evitably wins out. Sunday November9th at 7:15 in Quantrell AuditoriumDOC, $1.50. - RMSLes Bonnes Femmes (Claude Chabroi,960): While Cnabrol has probablymade films as good as Les BonnesFemmes, ne probably hasn't madeany that are oetter. A commercial fail¬ure when released, the film charts theives ot four Parisian shopcierks. Likeso many of the later films of the frenchnew wave directors, ces BonnesFemmes ireds a tnin iine between"cinematic realism" (location sets,natural lighting, attention to the de¬tails of everyday life) and intense per¬sonal stylization. Steohen Audran andBernadette la Font give wha* will be¬come to be seen as seminal perfor¬mances of the development ot a newkind of film acting in Europe Sunday,November 9, 9:00 pm. Doc. In Quan¬trell; $1.50 -LJCSunday, Bloody Sunday (John Schlesinger, 1972): Hailed as "one of thecentral films" of the Seventies when itappeared only two years into that decade, this is English director Schle-singer's astonishing and astonishinglyfaithful adaptation of Penelope Gil-liatt's screenplay about three modernday Londoners quietly nearing the endof their romantic affairs. Glenda jackson plays a sharp tongued and frazzleddivorcee and Peter Finch created akind of landmark gay character as ahomosexual Jewish doctor. Both ofthem have never met, but they're bothin love with a hip, handsome sculpfor(Murray Head) who breezily movesback and forth between the two ofthem. This is one of the most stirringand elegantly put together of movies,and what's especially interesting is theway Schlesinger directs the gay affairas a given, and incidental part of themovie's broader fabric Sun Nov. 9thin Kent 107 at 8 pm. Sl.oO admission.-RKAll I Desire (Doublas Sirk, 1953): Thisunjustly overlooked film by Sirk is lessshrill than his more characteristicwork, but it's every bit as affecting.Barbara Stanwyck plays an erringwife and mother who returns to the sti¬fling atmosphere of Riverside, Wis¬consin, and finds that she could still dowithout it. Even her good intentionsare powerless against the pettiness ofthe townspeople and the prudishnessof her grown daughter. One of Sirk'smore restrained examinations of aspirit too big tor its surroundings.Monday, Nov. 10, at 8, in Quantrell.Doc; $1.00. — MAThe 16th Chicago International FilmFestival opens tonight at the CarnegieTheatre on Rush and Oak, at the Biograph Theatre at 2433 N. Lincoln Ave.,and next Friday at the VarsityTheatre, 1710 Sherman, Evanston. As is usual with these things, it looks to bea mixed bag of overwhelming sur¬prises ano underwhelming disappoint¬ments. The big disappointment so far(and the thing hasn't even opened yet)is the no snow of Festival Honoree Ingmar Bergman, who decided to chuckhis American speaking tour at the lastminute so it wouid not look as if hewere promoting his new film. Thesource of Bergman's stage fright,Faro Document 1979. will be shownnevertheless, it's a documentaryabout the craggy isiana on whichmany of his films have been set, anawill oe shown Sunday, November 16. 6p.m., ar the B<ographOnce again, me Festival is empnasizing European fiim, with a leaningtoward Eastern European, with a decided preference for Eastern European movies about coming ot age Thereis also a Scandinavian Section, com¬prised of nine nordic films, includingtne Bergman. West Germany is alsowen represented, with several directors whose work is net too well knownhere neing highlighted Tickets forfilms, nformation, and memorabiliamay be ootamed at the Film FestivalStore. 435 N. State Street, which isopen noon to 6 weekdays, noon to 4 onweekends For further information,call 644 3400 — MA.THEATREMrs. Warren's Profession: Mrs. Warren's Profession is Shaw's controversiai attack on the hypocrisy of 19thcentury society. Young Vivie Warren"The voice is the most beautiful instrument” is a cliche which Rita Warfora makes meaningful. She standsabove other jazz vocalists (as noted inthe most recent Downbeat poll) in herintegration ot the voice's melodic,lyrical warmth — the kind of thinghorn players try to get by imitating asinger — with the control and experi¬mental creativity more frequently developea in instrumental musicians.The Rita Warford Mwata BowdenEnsemble appears tomorrow night atIda Noyes at 8 pm in the ChicagoFront for Jazz's first concert of theyear. The Front intends to presentother representives of "Women inJazz" in the coming year.Warford was one of the first womenmembers of the Association for theAdvancement of Creative Musicians,the Chicago musician's collectivewhich formed the cutting edge of innovation in jazz during the sixties. Shespeaks highly of the AACM as a placewhere she was dealt with as a person,irrespective of gender — an approachshe says is uncommon in the musicworld.Mwata Herman Bowden is Warford's partner and provides many ofthe compositions, along with his ownhigh level of musicianship. Bowden isa first rate composer, skillful and ereative, with the experience ot playingwith the wonderful wind ensembleQuadrisect (in ways a less commercial precursor to the World SaxophoneQuartet) as well as a master's degreein music.His earlier educational experience,under Captain Walter Dyett of DuSable High School, the lengendary men — emancipated, intelligent, self suffi¬cient — is astounded to learn that hermother rose from poverty to richesthrough prostitution. And she is horri¬fied to discover that Mama currentlyowns and operates a chain of brothels.Mrs. Warren ably defends her pastwith an attack on the social systemthat oppresses virtue while rewardingvice. She contends that poverty, andthe society that fosters it are the realvillains, and that life in a brothel ispreferable to life in a factory. Directedby Nicholas Ruaall, Mrs Warren sProfession plays through DecemberUth in the Reynolds Club at 57th andUniversity. Thursday threugn Satur¬day at 8 30, Sundays at 7:30. Call753 3581 'for info ana reservations.Watch tor review in the grey city iour-nal.Women's Theater: n a benefit for theFeminist Writers Guild- *wo women,one black and one white, explore theirexperiences as Southern women.Kathy Kendall's suburban disoairevolved into radicai feminism Sneaped the oral histories of manywomen nousewives ana grand¬mothers, hookers ana dykes in thisperformance she acts out meir aespair, their anger, and their numor. inthe second half of the show, AndreaCanaan uses poetry to document nergrowth as a woman. Her poems trace♦he stages in her life. Andrea a younggirl in a housing project, a radical inthe South in the sixties a smgiemother and a lesbian activist Saturday, Nov 8 at 10 pm at Victory Gardens Theatre, 3730 N. Clark Street andSunday, Nov. 9 at 3 pm at ResurrectionChurch, 3309 N. Seminary. Donationtor of Chicago s finest jazz musicians,is a key to his reed playing Like allDyett's students, from Von Freemanto Joseph uarman, Bowden >s highlyindividualistic. But he shares thesame discipline and mastery which,when internalized, allow direct emotional involvement and personal ex¬pression. ,_ike Charlie Parker said,first you learn the horn, then you learnthe music, then you forget all that shitand just play.Of Ensemble drummer Reggie Ni¬cholson and pianist Jukube Felton,Bowden says, "It's good to know thatthere are youngr musicians coming onthe set that are strong and are interested in carrying on the music." Nicholson is notable tor his taste, hisability to sustain high energy levelsand contain them within the totalgroup sound. Felton is in the traditionof Chicago's finest pianists, havingstudied with Willie Pickens ana MuhalRichard Abrams, masters of bop andavant garde piano respectively(though not exclusively). A suprisebassist is plannedThe Ensemble has a versatile repertoire. In a nightclub, they play Standards and well known tunes, while in aconcert they concentrate on their owncompositions and cut loose a littlemore. Warford says tomorrow night'sconcert will present somewhat of amix: "We ll be playing inside and outside "Don't miss the Rita Warford MwataBowden Ensemble, Saturday at 8 pmin the Cloister Club of Ida Noyes (1212E. 59th Street). Well worth the threedollar admission — CBthegreycityjournal13th Year 13th Issue 7 November 1980Lester Afflick, Brad Bittan, Curtis Black, Leland Chait, Peter T. Daniels,John Egan, Susan Franuziak, Ingrid Gartner, Jim Guenther, Nancy Harward. Jack Helbig, Danny Kahn, Jeff Makos, Judy McCarthy, David Mill¬er, Adam O'Connor, Mark Pohl, Renee Saracki, Margaret Savage, BruceShapiro, John Svatek, Michele White, Brent Widen, Ken Wissoker.Special contributions this week from Tom Penelas and Richard PettengillMolly McQuade, Unclassifiable Page editor.Mike Alper, film editor.Lucy Coniff, book editor.Lisa Bloch, managing editor.Edited by Laura CottinghamProduction this week by Mike Alper, Laura Cottingham, Dar.ny Kahn,David Miller and Renee Saracki.The’grey city journal is published weekly by the Chicago Maroon, IdaNoyes Hall, 1212 East 59th Street, Chicago, Illinois. For editorial and/oradvertising information, call 753-3265. $3. —MWThe Rita Warford Mwata Bowden QuintetRITA AT IDA TOMORROWFRIDAY, 7 NOVEMBER 1980 THE GREY CITY JOURNAL 3The annual membership meeting of the Seminary Coop Bookstore willbe held in the classroom above the store on Tuesday, November 11, at12:30 p.m. The disbursement of earnings for the year ending June 30.1980 will be voted on, and open positions on the Board of Directors willbe filled at this time All members are invited to attend.Seminary Coop BookstoreChevy goes Whole Whog™!“This coffee table masterpiece...which, should you find it necessaryto read after my preface, will stimu¬late you for weeks.’-CHEVY ChaseWhole WhogCatalogby Uictor Langer, Leslie Anderson,Bob Rossillustrated by Leslie Andersonwith a Preface by Chevy ChaseChevy Chase’s hilarious preface to this wonder¬fully illustrated catalog of unprecedented prod¬ucts is only the beginning. What follows is aham-on-wry look at American aspirations in theeighties, a scintillating parody of the currentmadness in the marketplace, a complete guideto both high tech and dreck. the ultimate Satur¬day Night Live of mail order catalogs. As FrancisBacon put it, "You only wallow once in the sty oflife. So go whole hog and pig out while you can."$6.95 trade paperback / At all bookstoresShnes booksThree Park Avenue. New York 10016 Janis Carr, Darryl Boehmer, and Patty Rust in Charley's Aunt.CHARLEY’S AUNTAT COURT STUDIOCharley's AuntA Major Court Studio ProductionWritten by Brandon ThomasDirected by Michael HildebrandThrough November 16Fridays and Saturdays at 8:30 p.m.Sundays at 2:30 and 7:30 p.m.by BRAD BITTANCharley's Aunt is a three scene play thatinvolves two Oxford University students:Jack Chesney played by Michael Hanrahan, and Charley Wykeham performed byMichael Mitchell. These two are thoroughly obsessed with the promise of two youngladies who come to visit them. Jack, "whois madly taken up for Kitty, more thancricket," is the brainchild of an operationto secure that he and Charley will have amarvellous time with the damsels. It isJack, for example, who suggests that ayoung man named Fancourt Babberly(commonly refered to as "Babs") dress upas Charley's aunt and serve as chaperone,since the young ladies would be forbiddento visit the boys without some older accom¬paniment.The remainder of the characters gra¬dually appear on stage in this first scene,and make their purpose known. Jack's fa¬ther, Sir Francis Chesney, (played byThomas Wolklin), becomes attracted toBabs, who is disguised as "Charley'saunt." Mr. Spettigue, Amy's uncle (playedby Wantland Sandel), also becomes attracted to "Charley's aunt," and the ele¬ments of this romantic jig saw puzzle arenot resolved until the final scene. This firstscene seemed too preoccupied with settingup the identity of the characters. Conse¬quently, the pace was often slow and mo¬notonous, while the light hearted humorwhich has been the play's trademark foralmost 100 years, was delivered awkward ly, letting a lot of potential laughs fly rightpast the audience.The second scene further developed thecharacter's roles and moved along at amore satisfying pace, although it was cha¬otic in structure. In this scene, the audience had ample opportunity to maintain akeen awareness of the furious sequence ofevents occurring on stage. Moreover, thisscene adequately prepared the audiencefor the resolution of these precarious relationships in the third and final scene.This ending scene was enthralling, butnot simply because playwright BrandonThomas wrote the appropriate lines to disentangle the identities of the characters.Rather, the scene succeeded largely be¬cause of the agility and ability of the actorsthemselves. All were quick on their toes,and seemed to have just the right body expression to suit the particular situation.The final curtain call was a particularlypleasant surprise.Two actors in this play who deserve aspecial note of recognition are MichaelHanarahan as Jack, and John Biggins asJack's handyman, Brassett. Biggins playshis role with a sharp understanding of thestage movements required to play such anoffbeat role. Hanarahan, who received aJeff nomination for his performances withOld Town Players, was unusually viva¬cious on stage, and effortlessly communi¬cated this virtue to his audience, whichconsequently intensified the excitement ofthe plot itself. Darryl Boehmer, whoplayed "Charley's aunt" received a Jeffnomination last year for his performancein Mandragola at the Halcyon RepertoryCompany, played his role with vigor. Charley's Aunt will amuse the theatre-goerwith jocular dialogue and exerted acting,and if audiences do not allow the staging ofthe first scene to dictate how they will fol¬low the subsequent two, then Charley'sAunt will provide them with rich, heartwarming, entertainment.4 — THE GREY CITY JOURNAL FRIDAY, 7 NOVEMBER 1980FORNUCOPIANFASCINATIONFornucopiaOrganic Theater CompanyWritten by William J. Norris, David andStuart GordonMusic and Lyrics by William J. NorrisDirected by Stuart GordonThrough November 30Wednesday-Friday at 8:30; Saturday at 7and 10; Sunday at 3 and 8For tickets and info, call 728-1001by LELAND CHAITMeet Baroness Gerte von Clittenheimerwho cannot quell the perverse inclinationsunleashed by her vigorous Aryan blood. Orgreet Richard Hertz, the proper young de¬tective on the rise from Scotland Yard whounwillingly gets it in the end (and all toowillingly receives it on the head a bit earli¬er). Then, meet Sir Clive Limpeter, "agentleman scholar from asshole to collar"(but perhaps all of us here know a few toomany of these already). Maybe you wouldlike Gassim Ben Ghey, the Moor, who im plores us, with the help of surgical correc¬tion, to never mind the motion, it is themeat (and the proper holster to pack it in)that makes iove last.These characters and more all searchfor that eighth, and, the play will convinceyou, only wonder in world history, the For¬nucopia. The perfect symbol of unity, witha long protuberance encrusted with dia¬monds at the tip of one end, and a wideraperture with a ruby clitoris at the other,the fornucopia endows its possessor withunlimited sexual powers. The ancient ar¬tifact was rediscovered by the imminentEnglish archeologist Poppenbottom dur¬ing the Victorian period. He and his entireentourage disappear lustily, but mys¬teriously — but not before sending the pow¬erful horn to England. The struggle to po¬ssess the fornucopia takes the charactersfrom England to the deserts of Arabia, tothe dank and musty catacombs beneaththe Vatican city where, led by an obese,lisping man, a perverse cult of "nuns of theholy horn" wear red habits and whip them¬selves with their rosaries, as they worship A moment from Fornucopiathe fornucopia as the instrument of salva¬tion.Though a few have been offended by theplay's sexually explicit nature, the bawdiness is, with rare exception, extremely hu¬morous and witty because it satirizesmyths and conventions of sexuality. TheTENNESEE WILLIAMSPERFORMS POETRY & PROSEby BRAD BITTANOn Monday, October 27th, playwrightTennessee Williams gave a reading ofprose and poetry at the Goodman Theatre.Mr. Williams' presentation was the first of"The Writers in Performance" series, anew project at the Goodman Theatrewhich features visiting authors readingtheir favorite works, some of which aretheir own.Tennesee Williams is arguably Ameri¬ca's most important and intriguing drama¬tist. Born and raised in Columbus, Missis¬sippi, his early plays were produced at theState University of Iowa. Soon after, he re-’ceived a Rockefeller fellowship, and wroteThe Battle of Angels, which was producedby the Theatre Guild. Williams' first NewYork opening was The Glass Menagerie,which won him the Drama Circle Award.Williams has twice been a Pulitzer Prizewinner for A Streetcar Named Desire andCat on a Hot Tin Roof. He has been award¬ed by the John F. Kennedy Center for hisLifetime Achievement in the Arts. LastJune, President Carter presented Wil¬liams with the Medal of Freedom, thehighest award a President can confer upona private citizen. And last month, in Chi¬cago, Williams received the EncyclopediaBritannica Achievement in Life Award.In view of Williams' massive achieve¬ments, the anticipation for his arrival onstage was tremendous. After an extremelywarm ovation, he proceeded to read a col¬lection of his poetry. Williams recited thepoem, "Southern Cross," in a histrionicmanner, with his eyes closed in momentsrequiring extreme dramatization. The sec¬ond piece of poetry, "Old Men go Mad atNight," could conceivably be interpretedas autobiographical, and included such in¬trospective lines as "Old men have nofools; except themselves." Williams' nextreading, called "Life Story," concernedtwo lovers lying on a bed, lying to eachother. The two tell each other their "lifestories" until both fall asleep, lighted ciga¬rettes in their mouths "and that's how theyburn to death." After one more selection of Tennessee Williamspoetry, Mr. Williams asked an offstage as¬sistant to bring him a glass of wine, be¬cause it was now time to read someprose.Most of Williams' prose selections werefilled with "surrealistic" subject matter.With few exceptions, these choices did notappear to captivate the audience's atten¬tion as had the poetry. This was due in partto the extended length of the prose selec¬tions as compared to the poetry, as well asthe complexity of the words, which wouldrequire one to hear them several times before becoming intellectually satisfied.Three works that demonstrated this clear¬ly were Tentworms, The Man in the DiningCar, and The Dangerous Painters.Mr. Williams was only on stage for about55 minutes, but his presence itself madethis time well spent. Williams has kept aconsistently low profile, and to have theopportunity to spend any amount of timewith him, however small, was a rare treatindeed.The Goodman Theatre studio is hosting atwo week engagement of three one actcomedies by Tennessee Williams. The per¬formances will begin Tuesday, November11th and continue through Sunday, November 23rd. The three plays that will bepresented are The Frosted Glass Coffin, A Perfect Analysis Given by a Parrot, andSome Problems for the Moose Lodge. TheGoodman evening of new Tennessee Wil¬liams one act plays is the first to be presented in quite awhile; for several years,Williams has been concentrating his energies on much longer works. Set in a retirement hotel in Miami, The Frosted GlassCoffin deals with inflation and the prob¬lems of senior citizens. A Perfect AnalysisGiven by a Parrot is a work involving twowomen, one who is overweight, and an¬other with a skin problem, both looking formen and fun at a convention. Lastly, SomeProblems for the Moose Lodge concerns afamily that returns to a tiny town in Mis¬sissippi after leaving a funeral in Memphis, only to find their house in confusion.Tickets and ticket information are avail¬able at the Goodman Thetre box office, 200S. Columbus Drive, by mail order, or byphoning 443 3800.grey city self crit: songs borrow from the world of 1940'sAmerican musicals and increase the fan¬tasy-like atmosphere of the play. They alsoprovide some of the most biting and poi¬gnant scenes in the evening. Question:What joins males in their fraternity ofman? Answer: Unlike women, they cancount the hairs on the back of their hand.The show borrows from and parodiesmany forms of entertainment. The garrishstage curtain with it fanciful designs re¬minds us of stereotypes of medicine showdisplays and circus and carnival events.The singers are accompanied by a singlepiano in the wings, reminding us of silentmovies and cabarets too chintzy to hire afull band. The entire play itself is pat¬terned after Shakespearian romantic-comedies in which two or three sets of love in¬terests are worked through and resolvedduring the course of the play. One of theseentanglements involves a strange twist tothe boy-meets-girl story where the girlwins the boy by becoming a boy. Most deftof all is the treatment given the CatholicChurch as the nuns of the holy horn revealthe fornucopia to be akin to Gabriel'strumpet, sounding the ena of the worldwhile amplified through the ends of sevenanal virgins.I could go on describing this celebrationof sybarites, this parade of passion, thisfrolic of fucking, but it would serve no end.The play has something for all people in allplaces. If nothing else, the thought of theapocolypse will never frighten again. Withthe wonderous fornucopia, the world mayend, but then the "orgasmus eternitus"just begins.HOW EVERY PUBLICATIONHAS RESTRICTIVE EDITORIAL POLICIESEVEN WHEN THEY SAY THEY ARE OPENTO ALL FORMS OF EXPRESSIONI must write great political commentaryor my ed tor will not be pleased. *I must forsake writing about women ormy editor will definitely not be pleased.I must say how sorry I am that RonaldReagan is going to be the 40th presidentof these great United States of Ameri¬ca.I must have nothing good to say about aconservative.I must hate what I cannot understand.I must be unconventional.I must hate.I must be "into" punk rock. I must learn how to become a great sy¬cophant.I must have sixteen lovers who all haveother lovers who comfort them when I'mfeeling low.I must tell the truth especially if I haveto lie.I must stop my fascist, dandy ways.I must stop lying to women, that's what Imean.I must lean to the left, and never fall.I must.I must leave town quietly.Right now. - LESTER AFFLICKIDAY, 7 NOVEMBER 1980- THE GREY CITY JOURNALriThe Stunt Man director Richard Rush at a recent grey city journal interview.The Stunt Man is the eleventh film by director Richard Rush. Through his work inlow-budget exploitation films during the Sixties, Rush built a reputation as a maver¬ick and an innovator. Many of the original techniques he introduced in such films asHells Angels On Wheels were appropriated by other filmmakers, and have sincebecome a standard part of the film vocabulary. He gained nationwide prominence in1971 with the release of Getting Straight, starring Elliott Gould. His last movie wasFreebie and the Bean in 1975.Rush was in Chicago two weeks ago to promote The Stunt Man, at which time greycity staff writer Mike Alper had a chance to interview him and discuss the film. by MIKE ALPERThe Stunt Man, which opens tonight at the¬aters throughout the Chicago area, is aserious contemplation on the nature of illu¬sion, a shrewd study of the way we interpretour experiences, and a mordant satire on con- „temporary paranoia. But before you write itoff as just another example of highbrow cin¬ematic tedium, take note that The Stunt Manis also the year's wittiest, most ingratiatingmovie, and about as pedantic as a Mack Sen-nett two-reeler.Cameron (Steve Railsback), the shiftlessVietnam vet and titular hero of The StuntMan, wanders onto the location shooting of aWorld War I epic, and in short order finds hisalready tenuous grasp on reality becomingstill weaker. Like the audience, he's an out¬sider to movies, and at first it all seems exot¬ic, exciting, and, since he happens to be a fugitive, conveniently protective. But before toolong, he's questioning the sanity of his deci¬sion to remain with the movie company,which has offered him a temporary job asstunt double for the film's star. It seems thatthe deceptions and delusions being perpetrat¬ed on him by the film's director, Eli Cross(Peter O'Toole), have become too much forhim. Unlike most film audiences, Cameronwants to strip away the illusions and find outfor good or ill what are the facts of the matter,while Eli Cross's sleight-of-hand directingstyle depends on his ability to manipulate hiscrew's perceptions. Cross is something of avisionary: to commit his vision to celluloid,he finds it necessary to subsume everyoneelse's vision into his own. Every attempt Ca¬meron makes to escape Cross's god like om¬nipresense is checked — Cross is evenequipped with-a literal deus ex machina, adirector's seat suspended from a crane, enabling him to descend into the most intimatescenes. Within minutes of their first meeting,Cross has Cameron hooked, and Cameroncan't release himself for the simple reasonthat Cross holds his life in his hands. (Actual¬ly, depending on how you count, it isn't untiltheir second or possibly the third meeting thatCameron is hooked. The first two times, Cross was characteristically hovering over events,watching from a helicopter as Cameronescaped from the police.) Cross's impenetr¬able exterior, and the dubiousness of his mo¬tives, finally convince Cameron that Cross isout to kill him.In a recent interview he gave in Chicago,director Richard Rush described Cameron'sposition in the film as being analogous to theaudience's outside it. "We see only what hesees," says Rush, so whatever sense of dislocation the audience may feel while watchingthis intentionally disjointed movie can be at¬tributed to Cameron's own confusion. But thatonly explains half of the film's effect onviewers. The analogy of Cameron to audienceis not so comfortably schematic as that, and itis well that it isn't. Many of The Stunt Man'smost intriguing effects come from unexpect/ ed shifts is perspective, from the subjectivityof Cameron's view to a more expansive viewof things that may be Cross's or may be Rich- are npresecion <it's orally Sfilm'sWeStuntnoth i ryour Ifey, ccomemerorbehoiche prcmomeFortion, vThere'slightess, thout. IfPIRANDELLO MTHE KEYSTard Rush's. These dislocations are given an serious)added twist by being just as likely to revert to joyabl^Cameron's limited perceptions without warn- as Caring. And as a further twist, Rush sometimes jaunty,collapses our view into something even ic Fronsmaller, showing us only a portion of what Ca- really cmeron sees. Cameron is manipulated as But imuch by his own inadequate perceptions as meantby Cross's willful deceptions of him; in the so port*same way, we feel the jolt of the film's shift- tract oring levels by mistakenly assuming that what fact, thwe're given is all there is. onalinrIn and of itself, such a ploy for disrupting an by holdaudience's expectations is nothing new — willingsome of the most conventionally narrative becaus*films plant trip-wires like that. What makes Rush, IThe Stunt Man so different is that such disrup- Rush'stions don't just help to advance the plot, they cal to CTHE VISITING FELLOWS COMMITTEEPresentsMAYOR COLEMAN YOUNGof Detroitin anADDRESS AND QUESTION-AND-ANSWER SESSIONMONDAY, NOVEMBER 10, 3:30 P.M.SOCIAL SCIENCES 1226 FRIDAY, 7 NOVEMBER 1980, Tre the plot, and the theme and the style ofresentation to boot. In a movie about suspi-ion and jumping to mistaken conclusions,f'sonly logical (though rather unconvention-lly so) that we should behave just like theilm's characters.We don't behave just like them, though. Thetunt Man is, after all, a comedy, and there'sothing inherently comic about fearing forour life. Peter O'Toole's Eli Cross is such aey, disarming spirit of deception that weome to trust in his motives long before Ca-neron does. His performance alone is a joy to'ehold; alternately mincing and threatening,ie provides the film with much of its comicnomentum.For all that is at stake in Cameron's posi-ion, we never quite identify with him fully,here's a satiric edge to The Stunt Man, alight exaggeration of everyone's ridiculousn-ss, that holds us at an ironic remove through-ut. If the film may be said to have anyMEETSTONE KOPSerious failing, it's that it's too thoroughly en-jyable to sustain any forebodings as ominouss Cameron's. It all moves with such aaunty, up tempo rhythm, typified by Domin-: Frontiere's carnival music score, that anyeally dark suspicions seem unjustified.But if the dark shadows The Stunt Man isleant to reveal don't come off looking quiteo portentous as they might, that doesn't de-■act one bit from the film's inventiveness. In3Ct, the only way Rush can get us so far outn a limb that every shift of position jars us, isy holding the limb steady at one end. We'retilling to risk the jolts he's sure to give us,ecause we can feel safe in the assurance thatush, like Eli Cross, has his motives. Andush's motives, not surprisingly, are identi-al to Cross's. On paper, those motives look a bit trite: to shake up our unwarranted reli¬ance on inadequate perceptions, to make usquestion the truth of what we think we know,to urge us to reason before we jump to conclu¬sions. But the film is so graceful in execution,and Rush's strategies for expounding his mo¬tives are so consistently inventive, that themessage ends up mattering less than the ex¬pression of it.To make his point, Rush uses a whole arrayof cinematic devices, all of which we think weknow and understand, but he uses them in away that points up how readily we overlookthem. Rush employs a standard trick like thetime-cut — where only the beginning and endof a continuous action is shown, the viewerfilling in the interval himself — but he turns itto such odd use that it becomes downright ob¬trusive. For example, there is a short ex¬change, part of a long stunt sequence, inwhich stunt instructor Chuck Barton (ChuckBail) jumps Cameron, smashes him in theface with the butt of his rifle, and then makessome comment to the effect that Cameronought not to let himself be surprised that way.Meanwhile, the gash on Cameron's cheekdrips blood; by the end of the stunt (a solid tenminutes of screen time) he sports a colorfulbruise, which he promptly peels off as soon asthe cameras stop whirring. With his face allgrimy, the spot of clean cheek under the putt/bruise serves as graphic testimony to our gul¬libility. When a director uses a time-cut, weusually assume that nothing important hasoccurred in the omitted interval. And in fact,the slapping on of a putty wound doesn't mat¬ter much in itself, until we see it peeled off.Then we are forced to backtrack, make thenecessary adjustments in our perception ofthe event, and keep on the lookout for moresuch misjudgements — though Rush keepsthings hopping so we hardly ever catch themas they occur.Not that every puzzle in the movie comesprovided with a complete, but delayed, solu¬tion. Part of The Stunt Man's quirkiness liesin its playful lack of resolution on somepoints, its capricious disregard for conven¬tional explanations. When Cameron revealsto Nina the nature of the crime for which he is being pursued, he gives two versions of whathappened. The first, a conventionally menacing tale of attempted murder, strikes terror inher — she's locked in the basement with a po¬tential killer. The second is a giddy, absurdaccount of inept revenge that almost makesNina literally wet her pants laughing. We arenever told which is the more accuate version.We'd like to believe the second, if only forNina's sake, since that's the one she goes for.But that doesn't explain the FBI's interest inthe case. The truth of the matter may liesomewhere in between. Or what is more like¬ly, the truth as far as Nina is concerned iswhichever version suits her.The correspondence of The Stunt Man'stheme to its method of presentation apparently isn't the only parallel between the movieand the way it was made. According to Rush,much of the film's plot is derived from hisown experience filming it. Rush obtained therights to Paul Brodeur's novel on which thefilm is based way back in 1971; he startedfilming after he finished Freebie and theBean, in 1976; and it wasn't until this yearthat he could get it released. By the time hegot around to making it, some of the originalideas were already outdated. "So," saysRush, "we wrote that into the script. As Sam(Cross's screenwriter, played by Allen Goor-witz) says, 'For years you wanted to make agreat anti-war epic. Now you're making itand you haven't got a war.' So Eli says 'Mymovie's not about fighting wars. It's aboutfighting windmills.' "The absence of a war doesn't hurt the filmany, though as Rush admits, now the film issaddled with the cliche of the Vietnam veteran. Unfortunately, Steve Railsback's Ca¬meron doesn't do much either to dispel or toadd weight to the cliche; his performance isthe only prominent weakness in this other¬wise superbly acted film. Railsback plavedManson in Helter Skelter on television, and hebrings to The Stunt Man the same enervatedrepertoire of glazed eyes, nervous grin, andflat, flaccid delivery. But as a physical per¬former he is fine, and his lanky, diffidentstance suits the role admirably.Barbara Hershey does a better job with the character of Nina, though she's unconvincingat playing a great actress acting. Part of thatis no doubt due to a certain amount of styliza¬tion — she has to let us know, after all, thatshe's acting. The complications of the rolemay be a little too much for an actress whostill has the goofy, charming manner of aflower child.The only performance that comes close toO'Toole's in comic dexterity is Allen Goorwitzas Cross's scruffy, amiable screenwriter,Sam. Goorwitz, who used to go by the nameAllen Garfield, perfectly captures the essenceof a man who can't shake the feeling that hehasn't fulfilled his potential, despite the no¬minal successes of his career; it's his bestperformance since his role as Gene Hack¬man's shady colleague in The Conversation.For a movie that sounds like it was made ofshreds and patches, having been producedover a span of nine years, The Stunt Man is aremarkably polished production. Here too,circumstances had a hand in determining theresults. When Rush finally got a location toshoot at, the picturesque Hotel Coronado,where Some Like It Hot was filmed, he man¬aged to get there at the time of the worstfloods in California history. The dense, mois¬ture laden atmosphere is fully exploited byMario Tosi's glowing, cinematography; thewhole picture has a silvery-gray sheen,against which the drippy green of foliage andrich hues of the velour costumes everyoneseems to wear appear uncommonly bright.With such a jaunty, loose-limbed script,such an elusive subject, and such an unwork¬able filming schedule as Rush had to workwith, The Stunt Man could easily have endedup a shambles. It's not surprising that theidea of the director who plays God shouldhave such an appeal to Rush. His accomplish¬ment in holding the whole thing togetherseems nothing short of an exercise of divinewill. Asked if he identifies with Eli Cross,Rush simply mentions that Eli Cross (whosename was Gottschalk in the novel) is a pseud¬onym Rush kept in reserve for his own usewhen he was making exploitation films in theSixties. It's probably Eli Cross who identifieswith Richard Rush.Long before these names were history...jA/A0Heiv nA 1 C Ch A% Afe* MMlNjkyThe Renaissance Society brought their work to Chicago.Why becomea member?Members of the Renaissance Society receiveinvitations to the preview opening of eachexhibition, which gives them an opportunityto meet and talk with the artists. Membersare entitled to substantial discounts onexhibit catalogs and other Societypublications. Members also have exclusiveaccess to the preview of the Society's annualArt for Young Collectors exhibit and sale,and are invited to all of the lectures, films,and performances held in the gallery.Further, Renaissance Society members havethe satisfaction of supporting thecontemporary arts in Chicago. Finally, and perhaps most important, members of theSociety are part of an esthetic andintellectual tradition—a share in making theart history of our time.The exhibits and programs of theRenaissance Society are sustained primarilyby membership fees and contributions.Become a member in one of the categorieslisted below.Membership Categories:□ Patron $250 and above NameAddressCity State Z.p The RenaissanceSociety: l^so.si E.h,b.«□ Sustaining[_] Supporting[J RegularLI Student $ 100 and above$50 and above$20$5 TelephonePlease return this form with your check,made payable to:The Renaissance Society atThe University of ChicagoBergman Gallery581 1 Ellis AvenueChicago, Illinois 60637312|753-2886Open daily 10-4 Mryoko ItoA ReviewArt for YoungCollectors SaleJohn He|duk:Ideas inArchitectureWhite WallsWords As ImagesRee Morton:RetrospectiveLouise Bourgeois:Recent WorkBest M F A.Student Exhibit 1980-81 ExhibitsOct. 5—No 8,1980No. 23—Dec 21,'1980January 4-31,1981February 4-281981Mar. 15—Apr 191981 ~ \May 3—June 6, - .1981Two weeks in June,1981980, THE GREY CITY JOURNAL 7Opening Soon At A Theatre Near YouEric Binfordlives for themoviesSometimeshe killsfor them,too!IRWIN YABLANS » SYLVIO TABETA LEISURE INVESTMENT COMPANY & MOVIE VENTURERS LTD. PRODUCTIONDENNIS CHRISTOPHER . "FADE TO BLACK"TIM THOMERSON. NORMANN BURTON, MORGAN PAULL, GWYNNE GILFORD, EVE BRENT ASHE... JAMES LUISIANO INTRODUCING LINDA KERRIDGE DIRECTOR Of PHOTOGRAPHY ALEX PHILLIPS, JR. asc music by CRAIG SAFANEXECUTIVE PRODUCERS IRWIN YABLANS and SYLVIO TABET PRODUCED BY GEORGE G. BRAUNSTEIN and RON HAMADYVERNON ZIMMERMANSTARRINGASSOCIATE PRODUCERBtSTHICTEOCINEMA RELEASE 1MO Amirlcin Commufllcitloni Induitrlts. Inc All rights rnitr.ed THECHICAGO SYMPHONYCHAMBER PI.A YEHS• SAMUEL MAGAD, violin• JOSEPH GOLAN, violin• MILTON PREVES, viola• FRANK MILLER, cello• DALE CLEVENGER, hornwithJEFFREY SIEGEL, pianoPROGRAMMozart Horn Quintet in E-flat. K.407Mozart Piano Quartet in G. Minor, K.478Brahms Horn Trio in E-flat, Opus 40SUNDAY, NOVEMBER 16th, 3:00 p.m.CONGREGATION RODFEI ZEDEK5200 S. HYDE PARK BLVD.TICKETS: $8 50 TICKET INFORMATION:$4 00 (students) Call or write THE AKIBA SCHECHTERJEWISH DAY SCHOOL5200 S Hyde Park Blvd . 493-8880BENEFIT FOR THE AKIBA-SCHECHTER JEWISH DAY SCHOOL.THE UNIVERSITY OF CHICAGOTHE DIVISION OF THE HUMANITIES! andTHE DEPARTMENT OF ROMANCELANGUAGES AND LITERATURESpresenta lecture byHis ExcellencyTHE DUKE OF ALBALos intelectuales espanolesen el exilioFriday, November 7,1980,4 P.M.Swift Lecture HallSwift Hall, Third FloorThe lecture is open to the public JrPOST UBR 19• COFFEE HOUSE •NOV. 7, 15, 21, 28 DEC. 59:30 PM- 1:30 AMFROG & PEACH Ida NoyesFood, Free CoffeeFREE ENTERTAINMENTV.■THE GREY CITY JOURNAL FRIDAY, 7 NOVEMBER 1980THE TROUBLESAND TOILS OFYOUNG KAREN HORNEYThe Adolescent Diaries of Karen HomeyBasic BooksS12.95by LIZ MILNERThe Adolescent Diaries of Karen Horneyis well worth reading because it destroysthe popular myth that Horney, pioneerpsychoanalyst and feminist critic ofFreud's male-centered psychology, was amiddle aged matriarch with a profession¬ally healthy personality. Horney appearsto be living proof of her own theory thatcultural influences can cause neurosis.Horney did not, as one had expected, writediaries that document steady growth andself affirmation. Instead, she appears tohave lived the neurosis she discussed inher psychoanalytic writings.The book consists of five diaries whichspan the period from 1899 (when Horneywas 13) to 1911 (when Horney, married anda mother, began her medical career andher analysis). Appended to the diaries area series of letters written by Horney be¬tween 1906 and 1907 to her future husband.The diaries begin when she is 13, a prim,studious, conventional middle-class girl ona religious kick. Conflicts with her fatherregarding her decision to study medicineled her to reject religion and convention¬ality By age 17, Horney was a would bebohemian, a mocker of patriarchal valuesand authority. However, Horney paid ahigh price for her rebelliousness: duringthis period she began to suffer the bouts ofdepression and extreme fatigue that become the focus of the rest of the diaries.Rather than an account of growth, thediaries document frustration, creepingparalysis, and repression. Especiallynoteworthy is the paucity of self-anaiysis.Horney mentions major events in passing(her first sexual experience, her estrangement from her mother), but does not de¬scribe them. Events such as her discoveryof psychotherapy and her decision to enterATThe Scapegoatby Mary Lee SettleRandom House$11.95by JACK HELBIGHow much recognition does a novelistdeserve? Isn't the pleasure of creationenough? Does the novelist also need to seehis/her name in the newspaper? Howmuch fame should she/he receive for, say,writing a novel? (As opposed to all thoseother things novelists do for fame: gossip,argue, create factions, fight with GoreVidal). Say a novelist has been writing forthirty years, shouldn't she be five times asfamous as a young novelist who has beenwriting for six years?Unfortunately, the Republic of Letters isnot so democratic. Mary Lee Settle hasbeen writing since 1948, but was only dimlyrecognized in 1978 when she won the National Book Award for Blood Tie. And suchflickering praise didn't flame into national(talk show) fame. Instead, her eleventhnovel drops into the marketplace with lit- analysis are not even mentioned. (Whatwould an analyst make of that?) Horneydescribes several periods when she suf¬fered such severe depression that she sleptat least thirteen hours a day; however shedoes not attempt to analyze this depres¬sion, but rather glosses it over with a showof devil-may-care. Frightening descrip¬tions of neurotic symptoms are followed bychatty little descriptions of theatre-going,dancing, and dressmaking. At only onepoint in the diaries does Horney obliquelyrecognize the hostility that lay at the rootof her fatigue. She writes: "My laxity andindifference are a mockery," and leaves itat that.The young Karen Horney was a living il¬lustration of the crippling symptoms offrustration that became second nature tothe so-called "second sex." In her relation¬ships with men, Horney was by turns wor¬shipful, masochistic, mocking, hostile, apathetic, frigid, and always outwardlysubmissive. That she was able to channelher immense frustrations into a critique ofFreud's conception of feminine psychologyis proof of her tremendous strength and re-siliency; perhaps it is proof also of her con¬tention that the true ego is not merely li¬mited to a defensive role, but can also playa creative role in adapting itself to its envi¬ronment.Since Horney wrote these diaries solelyfor herself, the reader must overcomemany obstacles. One is put in the positionof a voyeur with all its attendant problems.Would Horney have been quite so preciousor have written of "Ideals" in the purplestof prose had she known that her diarieswould be published? How should her "Ger¬manic" effusions of early adolescence beassessed? Because this is an intensely personal document, there is a paucity of back¬ground information. Horney did not haveto remind herself of who the importantpeople in her life were, so the diaries givescant information about them. People tendto pop up out of nowhere and return therepost-haste. Horney had more than hertie more notice than her previous ten. Thisis unfortunate because The Scapegoat is agood novel, and could stand on its own ifthe public and booksellers didn't pickbooks with the name-brand associations ofadvertising. Random House, Settle's newpublisher, would like very much for us tonotice this novel, and is willing to stressher sad life to sell her book: "Look. She'sbeen trying for thirty years to achieve thatgreat fame which marred...uh...market¬ed... um... marked the careers of America'sgreat novelists."But no novelist should be praised simplybecause she has been unpraised for thirtyyears. Instead we should qive her notice(fame, recognition, Phil Donahue) be¬cause The Scapegoat deserves praise.Given her characters (wealthy Landowners, angry uniomzers, striking workers),and given her scene (West Virginia miningcountry in 1912), Settle could have writtenquite a melodrama. A young Vassar edu¬cated daughter of mine owner falls in lovewith a mildly-Marxist Jesuit educated Ita¬lian immigrant during a United MineWorkers strike. Meanwhile, Daddy Laceyis slowly dying of consumption, Mama suf¬ share of teenage crushes and love affairs;the passages of the diaries thal deal withher' romantic life are extraordinarily con¬fusing. She referred to all her men as"Him," and since the "Him" of one page isoften a completely different person fromthe "Him" of the next, some informationfrom the editor would have been extreme¬ly helpful. This is especially true in the sections where Horney meditates on the attractions of two competing "Hims;" here,confusion snowballs.Horney also does not explain why shechose to study medicine and later psycho¬therapy. She gives little information on herstudies and career. BacKgrounq notes onHorney's work during this period wouldhave made a useful appendix to thediaries. One is especially curious to knowhow she managed to sleep over thirteenhours a day and stay at the top of her classin medical school. More information onher husband, Oskar, and her analyst, KarlAbraham, should have been provided. Alfers from splitting migraines, and the <amily business is being purchased by the inhuman (snarl, snarl) Morgan Trust andthe evil (boo, hiss) Rockefeller family.Into this boiling pot add Mother Jones anda gang of scabs, miners and Baldwin security guards. If Mary Settle had wanted amelodrama she would have ended the bookwith Daddy's Death (cough, cough) and aGotterdamerung of rioting scabs, minersand Baldwin guards watched by Rockefeller (hiss) and Morgan (snarl), while Italian boy and Vassar girl flee for New York.But Mary Settle didn't want a book likethis.The Scapegoat is not a novel of tensionand action, but of relationships and in¬teractions. Mary Settle remains faithful tothe unexpected mundanity of life. Al¬though all characters 3re armed and ev¬eryone expects a confrontation, guardsand miners never exchange shots; theynever face off in a free for all. Everyone istense, everyone senses the end of Lacey'spower, the rise of Big Business and theUnited Mine Workers, but no one knowshow to act or what makes others act. Theguards consider thrstrikers dirty Dagos" though Horney credits her husband asbeing the most decisive influence in herearly career, one learns little about him inthe diaries. Her nicknames for him are in¬triguing though: "little numbskull," "littledung beetle," "moral alarm clock" "sermonizer," and "dear little neuter." KarlAbraham was famous for being Freud'smost rigidly orthodox discipline; it wouldbe interesting to know the role his ortho¬doxy playea in shaping Horney's later cri¬tique of Freud.The most important consideration in assessing the value of the diaries is whetherthey indicate what was special about Horney. By reading them, can one trace a lineof development from the young person whowrote the diaries to the grand old lady ofpsychotherapy’ These diaries bear wit¬ness to the immense obstacles Horney hadto overcome in the course of her career.They reveal the conflicts that made the refutation of Freud's views on women a necessary part of Horney's development.and hillbillies unwilling to work. Thestrikers consider the guards willing agentsof Morgan and Rockefeller Both arewrong Vassar educated Lily decides shemust selflessly educate Eduordo, a poorItalian immigrant who is actually welleducated, but unwilling to show his intelli¬gence for fear of losing Lily's more sensualcharms. These misunderstandings makeThe Scapegoat into a mildly comic novel,quietly funny at times, and never melodramatic.Settle is to be commended also for avoiding either political wing in describing publie figures in the novel. Mother Jones isshown neither as a saint nor a pink demon,and when J p. Morgan makes his brief appearance, he is described as just anothercharacter on the scene. (It is easy to misshis presence).The Scapegoat is a good novel, it is wellwritten, worth reading, and (even) enjoyable to read Buy the book if you have$11.95, borrow the book if you don't (I canloan you my copy), but read this book Weall deserve a good book, and Mary Lee Set¬tle deserves recognition, fame, and PhilDonahue.LONG LAST FAME (ALMOST)FRIDAY, 7 NOVEMBER 1980 THE GREY CITY JOURNAL 9THE NEW HEADSARE NOT DEADA review of Talking Heads Remain inLight (SIRE) and their concert on Oct. 26at the Aragon.by RICHARDPETTENGILLDavid Byrne and his Talking Heads navealways struck me as a truly unusual andoriginal group for one reason: In practical¬ly all of their music, tney combine some¬thing quite mundane, even commonplace,with something quite innovative, even rad¬ical, to create something really extraor¬dinary. The photo on Talking Heads '77strikes me this way: thev look like perfect¬ly normal college-student types (I'veheard, in tact, that Jer ry Harrison is an ar¬chitecture student at harvaro and that therest have studied art at RISD), an imagethaT wouldn't iend a due as to what lies onthe vinyl Unless of course you were toguess that oecause thev look iike (and happen to be) students, they are a very "intel¬lectual'' group. Critics of ’77. in tact, Dre-dicted that their lyrics were too "heady,"too "intellectual" to make it in the newwave.They were wrong Beyond that, descrip¬tions of this sort don't seem to do any jus¬tice to lyrics like those of, say, 'TentativeDecisions:"Now that I can release my fensionLet me make clear my best inten¬tionsGirls ask: can I define decision?Boys ask: can I describe their func¬tion?This strikes me more as mundane thanheady, i don't mean bad or boring (thesong happens to send me), but worldly, en¬gaged in the project of living on the eartnand relating to other earthlings. Stuckhere, but with no attempts to send us offinto bubble-gummy B 52's type orb'ts, andno pretensions toward other-worldlystatus. In other woros, numan. The songtitles on Fear of Music (1979) read like acatalog of basic human phenomena andconcerns: "Mind," "Paper," "Cities,""Air," "Heaven," "Drugs."So if Byrne's concerns are human, hefuses them with noises unlike any thishuman has ever heard. The music is rhyth¬mically complex, often dissonant, jarring,and always enticing. Byrne sings with asignature glottle-stop (just listen to "TheGirls Want to Be With the Girls") which almost but never quite borders on self-paro¬dy. Likely and unfortunately, it's been thehooks like "Psycho-Killer," "Take Me tothe River," and "Life During Wartime"that have kept the fave wavers hot onthem; but for me, it was "No Compas¬sion," "Found a Job," "Animals," andjust about all of their new album, Rising inLight.Here again the lyrics stun with a kind ofengaged straightforwardness. "BornUnder Punches" is Byrne's examination ofhis own physical state which despairs atwhat its consequences are and havebeen:Take a look at these hands; the handspeaksWell, I'm a tumbler; born underpunchesI'm so thin. . . I'm too thin. . .On the one hand, this is Byrne's child¬hood confessional a la Joe Jackson's "OnYour Radio," but with more of an empha¬sis on lament than revenge based on suc¬ cess. Ail Byrne wants "is to breathe," yethere he is "a government man" whodoesn't even "have to mention it." He has"Never seen anything iike that before;falling bodies tumbling across the floor."These lines take the song well beyond theimage of tne young, gaunt Byrne taking tu¬mbles in the scnooivaro (resulting n"these hands") to one of the hands of thegovernment man not having to mentionthe tumbling DOdies But tne song is less anindictment of intentional bureaucraticblindness toward the tumbling that resultsfrom hardship than it is a self-reflecTivestatementByrne's concern with the potentialdanger attached to his physical appear¬ance extends to "Crosseyed and Pain¬less":Lost mv shape, trying to act casualCan't stop, might end up in the hospi¬talChanging my shape. I feel like an ac¬cident.And in "The Great Curve" Byrne waxesuncharacteristically aetached:Sometimes the world has a load ofquestionsSeems like the world knows nothingat allThe world is near, but it's out ofreachSome people touch it but they can'thoid on.Musically, these three cuts, which com¬prise side one, represent the culminationof the Byrne Eno experiments with Atro-*unk rhythms which began on More SongsAbout People and Food 1978), showed upon Fear of Music in "I Zimora," and whichmake up an unreieaseci Byrne-Eno colla¬boration LP. "Former Zappa and sometimes Bowie guitarist Adrian Belew letsloose two riveting guitar solos on "TheGreat Curve," and ex-Funkadelic keyboardist Bernie Worrell, bassist BustaJones, conga drummer Steven Scales, andvocalists Nona Henaryx and DoletteMcDonald build a wail of sound that theHeads have never approached before. -Thecuts on side two, especially "Seen and NotSeen," and "The Overload" are Byrnianhypnosis at its best, particularly in thequestioning of traditional, post me genera-tion ideals in "Once in a Lifetime":And you may find yourself behindthe wheel of a large automobileAnd you may find yourself in a beau¬tiful house with a beautiful wifeAnd you may ask yourself How did Iget here?And you may ask yourself Am Iright, am I wrong?And you may ask yourself My God!What have I done?And in "Houses in Motion," Byrne con¬tinues to reflect upon past doubts in light ofhis present success:For a long time I felt without styleand graceWearing shoes with new socks incold weatherI knew my heart was in the rightplaceI knew I'd be able to do thesethings. The whole album, with its consistent,questioning high-energy, is brilliant. Todismiss the music as "too disco" (as did afriend of mine recently) is to hear withoutlistening.Now is a very important time to be iistening to the Heads, because they'rechanging. Byrne, I think, is coming intosome kind of prime, finding out that whatne does best is to subvert any and al! of theexplanations we might have of him. or (lsuspect) any expectations that he mighthave of himself. Watching him onstage twoSunday nights ago at the Aragon was acase in point. Byrne has always been themost unlikely of rock stars: tall, too thin,gangly, without style and grace, sporting ashort, conventional hairstyle and a facialstructure somewhat like that of actorRichard Benjamin. I find the man extraordinary precisely because he appears so to¬tally non extraordinary. He was bornunder punches, but has never attempted tochange his image, his outward appear¬ance; he knows that his impact is strongest when he places that image in a madcontext of his own making.Onstage the contrast is amazing towatch: Byrne in a plaid shirt and blackslacks flanked on the right by Jones, Hen-dryx, Worrell, and Scales, looking blackand elemental, and Harrison looking de¬pendable but bored; and on the left byBelew, with a demonic grin and a brightblue bald strip on the back of his close-cropped head, Tina Weymouth workinghard with her bass balanced on her knees,and Chris Frantz doing a great job of keeping up the incessant beats of these new Af¬rican meditations. Wisely, the band dis¬posed of "Psycho Killer" first thing, as theobligation would have hampered themlater in the set.At one point, Byrne kept one of the songsgoing longer than Frantz seemed to bewilling or able to handle. Frantz smashedhis drums to end the song, then ran off thestage to the visible consternation of Byrneand Weymouth. But he ran back almostimmediately and gave another crash to in¬augurate "Take Me to the River." Byrne'spersonality dominates more and more,and I sense that the core band is bendingunder the overload; still, the expandedgroup is a driving machine and a feast onstage. In terms of variety, the high point ot theconcert was "Animals," although I foundthe rendition disappointing. Byrne took offhis guitar for the only time in the concertand seemed to revel in a conscious parodyof the stand up, gyrating singer. But therendition lacked the impact of the record¬ed original. The singing on Fear of Musicis loud, urgent, and angry, in line with theostensible mood of the iyrics:I'm mad. . . . ana that's a factI found out. . . . Animals don't helpAnimals think. . . . they're prettysmartShit on the ground. . see in the darkI say ostensible because the song is actu¬ally one of the funniest things I've everheard: a completely paranoid view of na¬ture in which the whole animal kingdom(not counting domestics, because animals"wander around like a crazy aog") is outto degrade and humiliate us at every turn.But for the song to have its effect, the singing has to believe what it's saying, to fullyembrace its pose (as does Byrne on thealbum). At the concert, he seemed to begiggling at the song, affirming its humor inthe process of performing it, spinningaround and clapping his hands betweenlines, smirking, and not singing the lineswith any force. This was a delight to watchsince Byrne is almost always deadlyserious (seldom saying more than a polite'thank you' to the audience, always ob¬serving an odd decorum in the wild contexthe's created for himself). But he blew thesong, especially the fantastic final sectionwhere the paranoid fantasy reaches itspeak, and where the vocals should achievea kind ot muffled urgency:They say they don't need moneyThey're living on nuts and berriesThey think they know what's bestThey're making a fool of usThey ought to be more carefulThey're setting a bad example.• But this is a pet complaint, stemmingfrom my attachment to the studio version.If I were in the mood, I'd complain aboutthe Aragon's rotten sound system, thegoonish bouncers, the impossibly me¬diocre warm up band, and the loud andtasteless canned music between acts. Butthe Heads laid all of that flat, told us defini¬tively where they are and where they'regoing. And come hell, high water, or theAragon, I intend to be there.Byrne is...finding out That wnat he does best is to subvert any and allof the explanations we might have of him.to THE GREY CITY JOURNAL FRIDAY, 7 NOVEMBER 1980Successful CareersDon't Just HappenAt the Institute for Paralegal Training we have preparedover 4,000 college graduates for careers in law, business andfinance. After just three months of intensive training, we willplace you in a stimulating and challenging position that offersprofessional growth and expanding career opportunities. Asa Legal Assistant you will do work traditionally performed byattorneys and other professionals in law firms, corporations,banks, government agencies and insurance companies.Furthermore, you will earn graduate credit towards a Masterof Arts in Legal Studies through Antioch School of Law for allcourse work completed at The Institute.We are regarded as the nation’s finest and most prestig¬ious program for training legal specialists for law firms,business and finance. But, as important as our academicquality is our placement result. The Institute’s placementservice will find you a job in the city of your choice. If not, you willbe eligible for a substantial tuition refund.If you are a senior in high academic standing and lookingfor the most practical way to begin your career, contact yourPlacement Office for an interview with our representative.We will visit your campus on: Monday, November 10\ 235 South 17th Streetg Philadelphia, Pennsylvania 19103» (215) 732-6600TheInstituteforParalegal mTraining 9?"(Operated by Para-Legal Inc IApproved by The American Bar AssociationPrograms Earn Full Credit Toward M.A. in Legal Studiesthrough Antioch School of Law. Approved by the IllinoisOffice of EducationYou are cordially invited to attend aConferenceonJewish/ Christian RelationsFifteen Years After II Vatican:A Reassessment & CelebrationMonday, November 10, 19809:30 a.m. - 4:00 p.m.Founders Room/Theological Union5401 S. Cornell, Hyde ParkSPONSORED BY:Anti-Defamation League of B'nai B'rithCatholic Theological UnionChicago Board of RabbisChurch Federation of Greater ChicagoEpiscopal Cathedral of St. JamesProgram Highlights—All sessions will be followed by arespondent and discussion.9:45-10:30 Keynote: "Jewish Christian Dialogue in an OverarchingTypology of Religion," Dr. Manfred Vogel Chicago11:15-12:00 Keynote: "Theological Issues Between Christians andlews", Dr. Clemens Thoma, Switzerland1:45-2:30 Keynote: "Rabbinic Parables and the Parables ol Jesus''Dr. Clemens Thoma, Switzerland3:00-4:00 Panel Discussion: "Practical Issues in the Christian-JewishDialogue: A Look Toward the Future", Dr. lohn Pawlikowski,Dr. Burton Nelson and Rabbi Yechiel Eckstein4:00-5:00 Sherry celebrationThere will be no formal registration You are welcome to attendall or part of the proceedings BigJim’sPipe &Tobacco Shop1552 E. 53rd St.(Under the I.C. tracks)9 a.m.-7 p.m. weekdays12-4 p.m. Sundays The Hedwig Loeb ScholarshipFOR UNDERGRADUATERESEARCH IN THE COLLEGEResearch Proposals Now Being Accepted for the Winterand Spring Quarters of 1981Submit Proposals to: Dean of the CollegeHarper 209Deadline: November 28,1980Proposals must contain a description of the project andresearch method, an estimated budget indicating the quarterit is to be used, and a letter evaluating the proposal from amember of the Faculty.For research that requires use of a University facility (e.g.,laboratory) a letter agreeing to this use must be submittedby an appropriate member of the Faculty.Awards may range up to $600.00\ )WORD PROCESSINGEDITOR AND SUPERVISORImmediate opening for a Word Processing TextEditor in a rapidly expanding consulting firm locatedin the Loop.The position will require the applicant to edit drafts ofmemoranda and long documents using SCRIPT formattinglanguage and SUPERWYLBUR interactive text editor. Theposition also entails supervision of a small but growing wordprocessing staff. In return, the position offers a rare oppor¬tunity for excellent salary, benefits and growth potential.• Knowledge of SCRIPT and SUPERWYLBUR,and excellent typing skills required.• Some evening and week-end work will benecessary.• For further information callMary Ann 580-0216.Lexecon, Inc. is an equal opportunity employer\ JFRIDAY, 7 NOVEMBER 1980, THE GREY CITY JOURNAL 11NEW MS&I NEWSPAPERvl $r §B B Bu_ , 1■ Imb■ B * 1 1 , ■■ v * a ■ b“Newspapers in America," the new permanent exhibit at the Museum of Science and Industry, including 'newspaper freak' Hanna Gray.by TOM PENELASAny visit to the Museum of Science andIndustry is likely.to cause a bit of a mentalshock. The huge, stately facade dwarfsyou as you approach, then gives way to anonrush of ephemera the moment you stepinside. There, a surfeit of color, sound andmovement belies the quiet aura of tradi¬tion announced by the building's intimidat¬ing exterior.The world inside the museum is one inwhich many stories are told, but all ofthem in the same way. Whether the subject is food or fashion, airplanes or aerobats, it somehow falls prey to the same leveling narrative. For here we learn thatnearly all products of the human spirit canbe exhaustively portrayed in terms of theindustrial character of their creation. Thehistory of anything is usually the history ofits technology, assisted by one or two in¬ventive souls who somehow abstractedthemselves from the darkness and super¬stition of their day to build a better mouse¬trap.Now this may not seem so bad when weare dealing with ball bearings or oil wells.After all, these sorts of things don't carrymuch personal or symbolic meaning formost of us, so what do we care if the indus¬trialists don't do them justice? But whenthey try and tell us that the meaning andhistory of our culture amounts to littlemore than the machinery of its production,it's hard not to feel cheated.This is essentialy what happens in thenew exhfbit on American newspapers."Newspapers In America," the newestdisplay in the museum's pantheon of per¬manent expositions, once again does whatthe Museum of Science and Industry doesbest: it entertains us lavishly, "involves usthoroughly," but sends us away withoutquite giving us the whole story. Its chronicfailures are due not so much to consciousdeception as to the tunnel vision built into the very narrative form which is the trade¬mark of the science museum. Its style ofpresentation consists of a single, inveter¬ate genre, all of whose ingredients arepresent in this exhibit: visually spectacu¬lar displays, numerous "visitor participa¬tion features" (we get to push a lot of but¬tons), contrived glimpses "behind-the-scenes," history-as-technological-progress and the future as-caricature-of-the-present. In all of this the newspaperexhibitis no more nor less guilty than anyother, but somehow because of the subjectmatter, the perfidy of these devices showsthrough more than usual.At the entrance to the show we are metwith a barrage of statistics intended toconvey the vitality and adaptability of thenewspaper industry. With pride we aretold that "the newspaper industry hastaken full advantage of advances in com¬puter and optical technology." Not a wordabout the bitter struggles over the imple¬mentation of said technology, nor of thepeople whose jobs are being eliminated byit.Moving along, we come to a wall full ofclassic news photos, a feature I found to beone of the most interesting parts of the ex¬hibit. Disembodied from their original tex¬tual placement in time and space, thephotos are transformed from carriers ofnews to records of history. With apparent¬ly little self consciousness about the practi¬cal problem this presents, the designershave done about as much as could be ex¬pected to make them intelligible to us, themodern museum goers, for whom theevents depicted have different meaningsthan for the newspaper readers who firstsaw them.No exhibit at the museum is completewithout an historical time line, and thisone is no exception. The time line herespans an entire wall and takes us from Gu¬tenberg right up to the year 2000. As a visu¬al device, it is effective in lending ttie ap¬pearance of smoothness and, well, linearity? to the flow of historical time.Space on the time line is dominated by in¬ventions said to have been sired by the im¬placable forces of human ingenuity. Byhardly mentioning patterns of social investment or incentives, it gives the im¬pression that technological advance fol¬lows its own imminent trajectory, free ofsocial and political influence. The rise ofthe "penny press" — the first mass circu¬lation newspapers in the United Stateswhich emerged in the 1830s and 1840s — isexplained exclusively by the developmentof the rotary press and the flat bed steampress. The importance of these inventionsnotwithstanding, this formulation totallyignores the more interesting fact it was thepenny press which developed the very con¬cept of "news" as we know it today. Earli¬er papers, besides having cost more, wereprimarily organs of partisan politicalgroups or broadsheets of commercial in¬formation. But the penny press is de¬scribed as if the size of its circulation werethe only thing that was different about it.(Compare this with Chapter 1 of MichaelSchudson's Discovering the News, BasicBooks, 1978). This "history" culminates ina futuristic vision of newspapers in theyear 2000. They will look like caricaturesof the Chicago Tribune the day the Popecame to town, full of tacky colors — maybeeven videocassettes. Heaven help us if itcomes true.Next we come to a small theatre where aseries of short film clips takes us behindthe scenes at a typical metropolitan daily.There we learn how layouts, photo essaysand investigative reporting are done. Weeven get to "vote" on alternative strate¬gies which are posed to us by the editors.Our "visit" to the paper is augmented bytwo features where we "meet the staff"and follow a news story from its inceptionstraight through to the hot type.The most fun part of all though, is alarge kiosk in the middle of the exhibit containing three TV sets; here, we get to watch recorded interviews with 13"famous Americans" who tell us how theyfeel about newspapers. Among them is oneHanna Holborn Gray who describes her¬self as "a newspaper freak" and says thather favorite part of the paper is the obi¬tuaries. Most of the video interviews arepretty insipid though, especially consider¬ing the intelligence of some of the peopledoing the talking. I was surprised to hearGloria Steinem, Cesar Chavez and CorettaScott King — people who certainly canspeak from experience about distortednewspaper coverage — express suchpraise for the American press, most of itwithout qualification. I suppose they knewwhat kind of an exhibit it was that theywere being interviewed for. Obviously, inthe context of a show hell-bent on accen¬tuating the positive and imparting it insuch dulcet and saccharine tones, anyserious criticism would surely have sound¬ed strident and gauche. Better, then, to in¬ject some muted criticisms than to haveyour interview scratched altogether.Again, no willful distortion here on any¬body's part, just an adherence to the con¬ventions of the narrative form in use.The exhibit is lots of fun, a considerationwhich admittedly makes trashing it kind ofhard. I would actually recommend it to ev¬eryone, especially since it's right here inHyde Park: you're likely to learn some¬thing from it and it's free. Beside,it's hardto fault the museum entirely since the viewof culture and history presented here isalso endemic to grade school science text¬books, television documentaries and allother science museums. Even allowing forthe obvious ideological motives of the mu¬seum's corporate sponsors, it's incrediblethe extent to which we have taken the tech¬nocratic view of history and culture as ourown. In fact, so commonplace are theseone dimensional representations of thepast that it may just be that we are barelycapable of producing anything else. Andthat is the saddest part of all.12 THE GREY CITY JOURNAL FRIDAY, 7 NOVEMBER 1980Michael White and Lou Adler presentTHE FIRST NORTH AMERICAN TOURPure entertainment.Delivered to perfectionby the cast of thetouring production.”— Boston Globe1 THE ROCKY HORRORSHOW’ is a brighttheatrical smash.”— Rolling Stone Sensationally outra¬geous camp nostalgia.The music is fabulous.'— Hollywood ReporterA wonderfully zany,briskly paced, marvel¬ous, sarcastic exercisein romp n’ roll.”— Los Angeles TimesDON’T DREAM IT, SEE IT!SEASONEDFIREWOODWE DELIVER221-0918 GOLD CITY INNgiven * * * *by the MAROONOpen DailyFrom 11:30 a.m.to 9:00 p.m.5228 Harper 493-2559Eat more for lessA Gold Mine Of Good FoodStudent Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food 328-5999Direct from DeKalbAS LOW AS $35LEFTOVERSSTILL MAKE GOOD BUYSATHEAR AGAIN STEREO, INC.We still have a few leftovers from our 4thAnniversary Sale, but only a few, so don'tmiss out on one of a kind bargains like:AAL 10 inch 3-way speakers (new . 119.00 pr.Garrard GT25AP w/cart (new 89.95Scott 388-B (u) 75.00H/K 2000 (new) 199.00Technics 5570 (u) 275.00B & 0 4000 (u) 350.00Bose 901 w/eq 325.00 pr.Pioneer SX 636 110.00Matrecs 105 (new) 149.00 pr.TEAC CX271 (new) 139.95And much much more!HEAR AGAIN STEREO7002 California, 338-7737Open Mon.-Sat. at 11:00 a.m.y DR. M.R. MASLOV 'OPTOMETRISTS• Eye Examinations• Contact Lenses (Soft & Hard)* Ask about our annual service agreement• Fashion Eye WearHyde Park Shopping Center1510 E. 55thk 363-6100 /*r SECRETARIES TYPISTSTOP RATES+ LOTS OF HOURS• Highest EarningsIf you have top skills, we need you now! Coll955-47771701 1.53rd St.ChicagoKLUSE R VICES The‘KellyGirl"People06 YI iJ Ya- tj I >f J/U1H The Chicago Maroon — Friday, November 7, 1980 — 19EDITORIALLack of ResponsibilityStudent Government has earned the increasing respect of students inthe past few years. Once merely a den for building politicos, it hasprovided a steadily growing number of services to the University’s stu¬dents. In recent years, it has opened the Regenstein coffeeshop, spon¬sored more social functions than previously, and started a food buyingco-operative for students. Last year it successfully fought for passageof a new student fee which more than doubles the funds available tostudent groups.As SG’s undertakings have grown, so have the responsibilities of itsmembers and officers. The students in SG are now responsible for dis¬tributing more than $60,000 a year, and for supervising the operation ofa wide range of services.Yet many members of Student Government do not seem to see theirpositions as important ones, demanding a high level of diligence andintegrity — at least if the Assembly’s behavior so far this year is anyindication.After most members of the Assembly failed to show up for the firsttwo meetings of the year, they finally convened two weeks ago underthe threat of expulsion from office. The Student Government constitu¬tion requires that any member who misses three meetings in onequarter lose his seat. So, when the members who were one meetingaway from losing their seats finally straggled in to a meeting, theirfirst official action was to forget about the first two meetings and theirconstitution, and start the year with a clean slate.A second incident occurred this past week, when the Assembly ref¬used to remove the SG treasurer from office after finding him guiltyof two serious violations of its election regulations.The integrity of the electoral process is crucial to any political orga¬nization; it is appalling to think that any SG member — let alone anofficer in one of its highest positions of trust — would violate it. Onewho does so, as the Assembly determined that its treasurer did, is unfitto continue in office. That the Assembly did not remove him from officeis an indication that they consider integrity a desirable virtue, but not anecessary one in their officers.We hope that the SG Assembly will now put the impeachment affairbehind it, but that in the future it will set higher standards for their ownperformance and that of their officers. Most SG officers and many As¬sembly members are scrupulous and hardworking. But the Assembly’swillingness to tolerate those who are not may badly tarnish its recordof accomplishment in recent years.Chicago Style By Peter ZaleThe Chicago MaroonEditor: David GlocknerManaging Editor: Chris IsidoreNews Editor: Sherrie NegreaFeatures Editor: Laurie KalmansonProduction Manager: Joan SommersSports Editor: Michael OcchioliniPhoto Editor: Dan BreslauCopy Editors: Katie Fultz, Gabrielle Jonas,Jay McKenzieBusiness Manager: Lorin BurteAdvertising Manager : Wanda JonesOffice Manager: Leslie Wick20 — The Chicago Maroon Staff: Peter Bernstein, Andy Black, SharonButler, Neal Cohen, Ras Crowe, BobDecker, Aarne Elias, Anna Feldman, JeffFriedman, Victor Goldberg, David Gruen-baum, Andrea Holliday, David Holmes,Nate Honorof, Robin Kirk, Jeanne Krinsley,Dan Levy, Nina Lubell, Jay McKenzie,Charles Menser, Danila Oder, Mario Orlo-vich, Steve Polansky, Trace Poll, JonShamis, Joe Thom, David Vlcek, KittieWyne, Darrell WuDunn.— Friday, November 7, 1980 The University of ChicagoAlumni AssociationpresentsLIFE AFTER GRADUATION:OPTIONS IN JOURNALISMan informal discussion of careeropportunities in journalismfor interested studentsGuests:Eugene Forrester IIPublisher, The Chicago JournalFelicia Antonelli HoltonEditor, The University of Chicago MagazineMr. Roger Simonof Chicago Sun Times ■12 noon, November 11, 1980Robie House, 5757 Woodlawn AvenueBring your own lunch. (Beverages provided)$50 $47.50NEW AND USEDDesks • Chairs • File CabinetsSorters • Much MoreDelivery AvailableBRAND EQUIPMENT8560 S. south ChicagoPhone: RE 4-2111Open Daily 8:30 AM-5:00 PM, Sat. 9:00 AM-3:00 PM LSATMCATIREVIEW PROGRAMS"LI ^Call for Amity s fiee brochureon the exam of interest toyou800-243-4767Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288-2900SPORTSKickers Lose, TieBy Michael OcchioliniIn their final two games of the season, theMaroon soccer team tied Loyola University1-1 Monday, while losing 1-0 to Wheaton Col¬lege on Wednesday.Monday’s game was originally scheduledfor Homecoming, but due to a confusion con¬cerning the starting time the game was res¬cheduled for this week. Chicago’s lone goalcame on a breakaway by junior Soo-HyunChin, his second goal of the season. Chicagohad a great opportunity late in the secondhalf, as a Loyola infraction gave Chicago apenalty shot. Senior Zbig Banas missed theshot, breaking his string of successive pen¬alty shots.In Wednesday’s game, Chicago held thepowerful Wheaton squad scoreless throughthe first 75 minutes of the game, but endedup losing by a score of 1-0.Wheaton controlled the action throughoutthe game, but still did not have very manyRes Ipsa Knocksoff ChicagoSeven, BreathBy David GruenbaumIt was a big week for Res Ipsa Loqutar asthey pulled two upsets, beating ChicagoSeven I and then previously undefeatedSmegma Breath II. Res Ipsa will take on theStiffs today, 3:30 on M-l. The Stiffs lookedgreat in their first playoff game, destroyingthe Bovver Boys 40-6. The Reaven-Meierconnection worked well, leading to severaltouchdowns. The Junkyard Dogs, who de¬feated the Flying Cockroaches 18-0, playedthe undefeated Capitalists and Wabuno Bayplayed Manifest Destiny in games playedtoo late to print results in this issue.Breckinridge plays Dudley in one under¬graduate semifinal today at 3:30 on M-2.Breckinridge beat Hale and Fishbein, andDudley beat Upper Rickert and the DewsBrothers to set up this matchup. Hitchcock,who defeated Lower Flint 13-8 played theundefeated Filbey and in a big matchup,Chamberlin played Tufts yesterday ingames played too late to print.Saturday’s games will feature undefeatedEd’s Bar and Grill playing the Vagrants,and the Commuters battling Psi Upsilon inkey independent league matchups.Turning to other sports, volleyball is alsofinished with its regular season and hasbegun playoffs. In the men’s competition,teams to watch for are last year’s champi¬ons in the residence division, Henderson,and the Commuters, an independent team.After a slow' start, the Commuters reacti¬vated star player Ralph Hrubian from theinjured reserve list and he led them to anupset over previously undefeated Hender¬son.The dark horse in these playoffs may beHitchcock, who defeated Tufts and Cham¬berlin to make the undergraduate finals, thewinner of the undergraduate tournamentwill go on to face the tough graduate cham¬pions, Broadview. In women’s play Snell,Dodd Salisbury, and the Law School are thefavorites.In men’s tennis, Tom Jilly defeated JohnKotz of Compton 8-3 and now must faceHitchcock team member and formerlyranked junior Fernando Cavero in thefinals. In the women’s tournament, BethZimmerman of Hale defeated Vesha Mar-tich of Snell in a tough final 6-3, 2-6, 6-4.Men’s and Women’s Basketball starts thisweekend. good shots on goal. The first half wasscoreless, with Wheaton’s only close shotcoming on a headball. Wheaton’s forwardheaded the ball directly downward, and theball bounced over the Maroons net. TheMaroons also missed a good opportunity inthe first half, when a cross from the wingrolled between two Maroon attackers.Wheaton scored late in the second half, ona weak shot by the left wing Phil Walsh.Waish’s shot was deflected by a Maroon de¬fender, and this slight misdirection allowedthe ball to trickle in between the Maroonsgoalkeeper John Condas and the near post.Chicago had a chance to tie the game with afew minutes left, when Wheaton was pena¬lized for obstruction inside the penalty area.The Wheaton defenders lined up on the goalline, and Chicago used a set play in this situ¬ation. The pass was to weak, however, andthe Maroons did not have enough time to getoff a good shot.The Maroons final record is 1-8-2.ScoreboardFootballUpper Rickert 6 Lower Rickart 0 jBreckinridge 16 Fishbein 0Dudley 7 Upper Rickert 2Hitchcock 13 Lower Flint 8Res Ipsa Loqutar 27 Chicago Seven 1 12 |Bovver Boys 12 Big Med Machine 7Junkyard Dogs 18 Flying Cockroaches 0Breckinridge 20 Hale 7Dudley 13 Dews Brothers 7Res ipsa Loqutar 8 Smegma Breath II 6Stiffs 40 Bovver Boys 6VolleyballHitchcock 12-10, 14 12 over ChamberlinTufts forfeit over ComptonHitchcock 112, 118 over TuftsIntramural Top Ten1. The Stiffs2. Wabuno Bay Buccaneers3. The Capitalists4. Ed's Bar and Grill5. Junkyard Dogs Deja Vu6. Chamberlin7. The Commuters8. Res Ipsa Loqutar9. Psi Upsilon10. Smegma Breath IITeams to Watch: Tufts, Manifest Destiny,Breckinridge, Filbey, Chicago Seven 1,Bovver Boys.Inside WordWord has it that the football player pre¬viously identified as Paul Harris, is in facthis twin brother Phil. Paul now residesslightly off campus in Stanford. The under¬graduate — graduate all star game willprobably take place the weekend of Nov. 14.Suggestions for players are now being takenat the Maroon office. Any interested teamsshould leave four names, positions and basicdescription of players in the “All-StarTeams’’ box outside the Maroon office onthe third floor of Ida Noyes.Games to WatchED’S BAR AND GRILL - VA¬GRANTS Sat 10:00 M-2Spread: Ed’s Bar and Grill by 14 Holm¬gren and Ed’s great offense should prove tobe too much for the Vagrants.COMMUTERS - PSI UPSILON Sat1:00 M-2Spread: Commuters by 3 Last timethese two teams met, it was a very tightgame until Psi Upsilon receiver Jerry Doylewas injured and Psi Upsilon gave up theghost. But three weeks later is a differentstory and Psi U could pull the upset.STIFFS - RES IPSA LOQUTAR Fri3:30 M-2Spread: Stiffs by 6 When these two By Kittie WyneDespite a strong team effort, the Maroonvolleyball team lost an away match to Chi¬cago State in four games Monday.The Maroons were unable to get organizedearly in the first game. Chicago State tookadvantage of the Maroons inconsistent play¬ing, and won the game 15-5.The Maroons entered the second game ag¬gressively, playing their best game of theteams met last week, the Stiffs came awaywith the winners by a score of 17-0. But ResIpsa Loqutar pulled a couple of big upsetsthis week, first beating Chicago Seven I andthen Smegma Breath II The Stiffs have im¬proved too. though, and in the first gameblew away the Bovver Boys 40-6. Should be areally good game.BRECKINRIDGE - DUDLEY Fri 3:30M-lSpread: Breckinridge by 8 Breck¬inridge surprised a few people by beatingFishbein and Hale so easily in their first tworounds. They have been an up and downteam all year, looking good in beatingLower Rickert, looking terrible in losing tothe Dews Brothers. Dudley, on the otherhand surprised some people by beating theDews Brothers and are known for theirstrength on the line.The Maroon's record on season picksis 24-1.IM ViewpointsThe Way It IsBy Peter BernsteinThe other day while I was sitting inJimmy’s talking to some friends aboutTeam Ultimate Frisbee Competition some¬one at the table said, “Intramurals aren’tall that important.’’ Now I could havepassed this off as the remarks of a madman,but instead 1 decided to listen to his com¬plaints — idiotic though they were. He cameup with the stardard criticisms: I.M.’s aretaken too seriously, they’re too dangerous;too time consuming; not fair to smallerhouses. They should be done away with or atleast pushed out of the limelight.While my opponent viewed these points ascriticisms, I consider them to be the essenceof Intramural Sports at the University.Sure, they are taken too seriously, but so iseverything else at this College. There arepeople who attend every discussion session,hand in optional problem sets, and have notmissed a single Woodward Court lecture.You’re trying to tell me that that isn’t a bitoverboard as well?Second, of course they are dangerous.That’s the purpose of I.M.’s. It gives the bigkids one last chance to beat on the little kids. NettersClose Seasonon Sour Notematch. Their strong serves and excellentnet play enabled them to win 15-9.The third game was the turning point ofthe match. The Maroons maintained strongplaying, but made a few bad passes, mis¬takes which Chicago State quickly capitaliz¬ed to win the game 15-9.Chicago State’s momentum carried theminto the fourth game and they demolishedthe Maroons 15-3. The Maroons played well,but Chicago State's strong, consistent playcould not be beat.Although Chicago State was a much betterteam, the Maroons remained competitivethroughout the match. Chicago State hadone very good player, who was a key ele¬ment in many of their plays.The Maroons hustled throughout thematch. Karen van Steenlandt’s blockingwas excellent, and the team as a wholeplayed well. According to coach RosieResch, the match was “probably the bestthe team played all year.’’The Maroons will close out their seasonMonday at Wheaton.And what’s w-rong with that I ask°And yes, they are time consuming. Butanyone who would be willing to spend sixhours on a single Chem 105 lab write-up cer¬tainly can’t object to spending a few extrahours learning to hit to the opposite field.Where are our priorities, anyway?Not fair to smaller houses you say. But lifeis filled with things that don’t seem fair.Ohio State 63, Northwestern 0. Was thatfair? Richard Nixon 521, George McGovern17. Was that fair0 The big guy is always run¬ning over the little guy — so just becauseyou live in Flint and someone else lives inHitchcock don’t expect any favors.So you think Intramurals should not bepublicized as much. And publicize what in¬stead? “Reggae against Regulation’’dances at the Business School, book pricesat the Seminary Co-op, Harold’s Chicken,PERL? Be serious.Let me tell you what it all comes down to,what I.M’s are all about. You may have a 3.8G.P.A.; you may have gotten into HarvardLaw; you may have inherited you uncle’sTrans-Am and his Wendy’s Franchise, butI’ve got a damn good chance of winning In¬dependent Co-ed Doubles Ping-Pong.The Chicago Maroon — Friday, November 7, 1980 - 21CALENDARFridayCrossroads: English classes for foreignwomen, 10:00 am.Grad. Comm on the Study of Women: "Freud,Marx and Feminism: Toward a Feminist The¬ology” speaker Mary Knutsen, 12 noon. IdaNoyes Hall 2nd floor.Physics Undergraduate Journal Club: "TheJosephson Effect" speaker Jim Kakalios, 12:30pm, Eckhart 209.Geophysical Sciences Colloquium: "MesoscaleNumerical Weather Prediction” speaker CarlKreitzberg, 1:30 pm, HGS Auditorium.Workshop in Economics and Econometrics:"A Microeconomic Model of Stochastic Capi¬tal” speaker Karl Voltaire, 2:00-3:20 pm. Room301.Middle East Center: Arabic Circle: “Educa¬tion on the West Bank of Jordan Under IsraeliOccupation" speaker Uthman Abu Libdah,3:00 pm, Pick 205.Mineralogy/Petrology Seminar: "Some Rela¬tionships Between Structures of Molecules andSolids" speaker Jeremy Burdett, 3:30 pm,HGS 101.Division of the Humanities: "Los IntelectualesEspanoles en el Exilio" speaker the Duke ofAlba 4:00 pm, Swift Lecture Hall.Hillel: Reform-Progressive Shabbat Services.5:30 pm.Gymnastics Club: Informal practice, 5:30 pm,Bartlett gymUC Christian Fellowship: Evangelism, OurCall to the World. Join us 7:30 pm, IdaNoyes.Org. of Latin American Students: "ControllingInterests: US Multi-Nationals in Latin Ameri¬ca" FILM 7:30 pm, SS 122. Armenian Cultural History: Lecture- "BornThree Times: The Historic Faith of the Armen¬ian People" speaker Dr. Khachig Tololyan,8:00 pm, Regenstein Library.Philosophy Colloquium: “What WittgensteinSays About the Possibility of Private Lan-gauges" speaker Richard Eldridge, 4:00 pm.Harper 103.GALA: Disco Dance, 9:00 pm, Ida Noyes.SaturdayAikido: Meets 10:30 am, Bartlett gym.Compton Lecture: “Electron-Spin-Resonance-The Radar that looks through Crystals” 11:00am, Eckhart 133.Kinetic Energy: Creative dance and movementgroup meets 11:00 am, Ida Noyes dance room.Crossroads: Buffet dinner. 6:00 pm. No reser¬vations necessary.SundayAugustana Lutheran Church: Sermon and Eu¬charist, 8:30 am. Sunday School and Adult Ed¬ucation, 9:30 am, Sermon and Eucharist 10:45am, 5500 S. Woodlawn.Rockefeller Chapel: Ecumenical Service ofHoly Communion, 9:00 am. Discussion Class,10:00 am. University Religious Service. 11:00am.Hillel: Lox and Bagel Brunch, 11:00 am.Law School Films: “An Afternoon with WaltDisney” 2:00 pm, Law School Auditorium.Crossroads: Bridge. 3:00 pm, beginners and ex¬perts welcome. Women’s Union: Meets 8:00 pm, Ida Noyes.GALA: Movie-“Sunday, Bloody Sunday” 8pm, Kent 107.MondayPerspectives: Topic — “The Issue of Abortion:A 1980 Update" guests John Gorby, FranklinSherman and Dr. Nada Stotland, 6:09 am, chan¬nel 7.The Christian Science Organization: Weeklymeeting, 2:30-3:30 pm, Gates-Blake 428.Gymnastics Club: Informal practice, 5:30 pm,Bartlett gym.Dept, of Chemistry: “Juvenile Hormone fromWomb to Tomb” speaker Prof. John Law, 4:00pm, Kent 103.WHPK: Opera Night-Britten’s "Peter Grimes"6:00-9:00 pm, 88.3 FM.UC Chess Club: Meets 7:00 pm, Ida Noyes 2ndfloor.Medieval and Renaissance Recreation Society:meets 7:30 pm, Ida Noyes.TuesdayPerspectives: Topic "How Safe is Abortion?"guests Dr. Nada Stotland, Anne Gaylor, AnnCook, Elizabeth Mooney and Dr. DavidZbaraz, 6:09 am, channel 7. Rockefeller Memorial Chapel , LSunday, November 99:00 Ecumenical Service of Holy Communion10:00 Discussion Class - "Wholly Art - A Survey ofthe Place of Religion in Modem Art, ”led by Scott Stapleton11:00 University Religious Service,Ulrich Simon, Dean of King’s CollegeUniversity of London, preaching5:30 Evening PrayerHOUSE OF CHIN1607 E. 55thexcellent Chinese CuisineCantonese, Mandarinand SzechwanCarry-out andDining Room ServicePhone: 752-3786Hours: Tues.-Thurs. 11:30-9:00Fri.& Sat. 11:30-10:00Sunday 2:30-9:00Closed Monday VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive 1V* and212 Room StudiosFurnished or Unfurnished$218t»$320Based on AvailabilityAt Campus Bus Stop324-0200 Mrs. Croak9TUDGMTGQVIGRMMCMTMGGTIMG TU0JMY, MCN€MB€R 117=30 P.M.IDrt MOVGS SUM PdRLOR dTTCMMMce rcquircdTheatre Organist Extraordinaireaccompanying Selected Silent Movie GreatsThe Organ and The Silent ScreenSaturday, November 88 P.M.Rockefeller Memorial ChapelS3 General Admission / $2 Students &Senior CitizensPrizes to be Awarded AUGUSTANA LUTHERAN CHURCHOF HYDE PARKLUTHERAN CAMPUS MINISTRY5500 South Woodlawn Ave.493-6451Larry Hofer, PastorConrad Swanson, Vicar for Campus MinistrySUNDAYS8:30and 10:45 a.m. Sermon and Eucharist9:30a.m. Church School and Adult Study6:00p.m. SupperTUESDAYS5:30p.m. Eucharist6:00 p.m. Pizza Supper and DiscussionA Holy Cause: The Christian Right WingMartin Marty. Church History, Divinity SchoolSaint Gregory of Nyssa Lutheran ChurchGraham Taylor Chapel at CTS5757 South University Ave.Boyd Faust and Dave Meier, PastorsSUNDAYS10:30a.m. Sermon and Eucharist22 -- The Chicago Maroon — Friday, November 7, 1980CLASSIFIED ADSSPACELarge 3 rm. apt. now available inEast View Park. 643-4640 8:30-4:30 or667-4875 evenings.Sublet spacious 2V* rm unfurn 7th floversize liv rm bdrm dining area kitfull bath ample closets ph PL2-5800 or955-7945 aft 6:00 pm.1 bedroom available in beautiful 3bdrm Hyde Park apt. Washingmachine, dishwasher etc. in apt! Rent$175/month. Female grad/prof studpreferred. Call 955-3745.FOR RENT 2 bdr apt 53rd/Cornell $200heat incl 493-2802/363-4459 at 6.Female student from People'sRepublic of China seeks living ar¬rangement with American family.Part time work for room and board.Call Ms Ho 667-8821 after 6:00 pm.Looking for apt to share 974-6468Greene please leave msg if out.FOR SALESCANDINAVIAN FURNITURE:Settee, 2 end tables, 2 director chairs.All for $90, or separately, also, onebamboo curtain, $20.493-9102. Beautiful souvenir U of C plate bluechina w/9 campus bldgs and scenes$75.00 Goodman 753-8342.Bunkbeds. Metal frame, with twomattresses. $65.493-9102.1975 Vega Good Condition StereoTape Deck. $600 Call 748-2014.Fender Super-reverb amp. Newtubes. Fender speaker box with 2 !2's.Amp: $225. Both $400 or best offer.363-6371.For Sale: Gas stove $30 refridg $30porcelain pedestal sink $40 Call363-8280 after 6 pm.76 VW Rabbit 4 spd good cond 50000mi $3000 call 928 4972.PEOPLE WANTEDPaid subjects needed for experimentson memory, perception and languageprocessing. Research conducted bystudents and faculty in The Commit¬tee on Cognition and Communication,Department of Behavioral Sciences.Phone 753-4718.Responsible Babysitter 2-3days/week, T- Th-Fri afts Call Susanor Fred- eves/weekend 667-2547 Freenegotiable. Dependable Full-time BabysitterMon Fri for 5 month old Call Joanne493-9236.VOUNTEERS WANTED: 200-300 lbfemales $125 gratuity. For further in¬fo call 947-1825WANTED: Someone to clear snowfrom sidewalks around a block of 6townhouses at 54th and Kenwood.Call Joan Hardin, 493-8766.Airline jobs-free info nationwide-write Airline Placement Bureau 4208198th SW #101 Lynood, WA 98036Enclose a self addressed stampedlarge envelope.WANTED: Translators, tutors-allforeign languages, especially FarEastern. Send resume to P.O. Box127, Wilmette, Illinois 60091.Actor needed to play Krapp in"Krapp's Last Tape" To be producedat Midway Studios Call Peter 955-2220tor Audition.Earn $5-20 per hr part-time fromhome. Call eve. 667-4339 (Sales).Male native German speakers torecord textbk examples ca. 4 eves.Good pay to audition call 947-0706.SERVICESBABYSITTING, CARWASH,PAINTING-We can help. We have aready supply of neighborhood teens,pre-screened and trained to handleyour temporary job. CALL: The BlueGargoyle's Youth Employment Ser¬vice, 955-4108, Mon-Thurs 10-5.TYPIST-Dissertation quality. Helpwith grammar, language as needed.Fee depending on manuscript. IBMSelectric. Judith 955-4417.TYPIST exp. Turabian PhD MastersThesis Term Papers Rough Drafts.924-1152.TYPIST: Competitively priced, highquality work by freelance writer.Prompt; minor editing withoutcharge. Call after 6 pm 472-2415 or472-0860.F IRE WOOD, We Deliver. 221 0918.Will do typing 821-0940.Typing term papers etc. pick up anddelivery in the campus area Pleasecall 684-6882ARTWORK Posters, illustration, let¬tering, etc. Noel Yovovich 493-2399,T tj e Chicago Counseling andPsychotherapy Center. Client-centered psychotherapy. 5711 S.Woodlawn, 6354 N Broadway,-til NWabash, Chicago. A RegisteredPsychological Agency. (312) 684-1800f egency Tests Saturdays 10-1Ai lustana Church 5500 S. Woodlawn.Br, g 1st morning urine sample. $1.50done‘ion. Southside Women's HealthServi e Call 667-5505.TYPIS : Professional work by experiencc t secretary. IBM Executivetypewrite \ Lisa 536-4382.Chinese tu'oring and translationnative speaker and experiencedreasonable rate Call after 6:00 pm947-9640THE WRITER'S AID Editing andwriting: flyers, pamphlets, reports,books, ghost-writing; resumes;creative pieces. Prompt, professionalservice. 288 1911.We move almost anything almostanywhere. Call W P. Bear Moving Coat 947-8035, 241-5841 by midnite PERSONALSWriters' Workshop (PLaza 2-8377)Good home wanted for gentle cat:male, yellow, neutered, 4Vj yrs. old,affectionate and quiet. Free Call667-2312.Boy, did I fuck up! I neglected tomention the supreme Olivettlst, theexhalted High-Master, J.W. Hetaught me everything he knows.Spearchucker, you were invited toGizfest '80QwertyAnthropology undergrads want tofind out whats happening in the Dept?Contact the Undergraduate An¬thropology Committee Box in GatesBlake 132.UC HOTLINE753-1777Saying: He who has no problems isnot human. Not too profound, buttrue. If your humanity gets the best ofyou, call us 753-1777 For info too. 7pmto 7am today/wk.PIZZADELIVEREDThe Medici delivers pizza as well ashamburgers, salads and desserts at 5pm and Sat Beginning at 4 p.m.MAROONSUBSCRIPTIONSSubscribe now and send a Maroon tosomeone far away. $4/quarter$12/year. Special rate after Nov. 1 $10for the rest of the year Send checksto CHICAGO MAROON/SUBSCRIPTIONS 1212 E 59th St. Chicago, II60637 Act now and get the most foryour money.ARTSY-CRAFTSY?Sell your wares at the SAO CraftsFair, Dec. 2 and 3. Pick up applica¬tions Monday in RM. 210 Ida Noyes.Open to everyone.DISCOUNTStudent Activities can offer discountson student memberships to the Art In¬stitute if at least 150 sign up. Get dis¬counts at the museum store and theGoodman, and free admission Price$9. (Regular price $15). If you're in¬terested, sign up by Nov. 7 in IdaNoves rm 210.L OST AND FOUNDound women's watch contact.'52-7705 to identifyADMIN. ASSISTANTMidwestern consortium of majoracademic libraries requiressecretarial (no dictation), bookkeeping, and office management skills.Newsletter editorial experience aplus. Office moving to U. of C. affordsopportunity for creative organiza¬tional effort. Excellent fringebenefits Salary $12,000 $13,000 depending on experience Call Dr JamesSkipper 753-2009 or 493-1193 GAY DANCETonight 9 pm in the Ida Noyes third-floor theatre. Don't miss what hascome to be the University's most suc¬cessful social event. $1 admissioncovers refreshments.DON QUIXOTEBlackfriars present "Man of La Man¬cha" Nov. 13-15 at 8 pm, and Nov 16 at2 pm in the 1-House assembly hallTickets on sale at Cobb.BRUCE IS BACKMiss out on Springsteen tkts? ThePhoenix has all of Bruce's best-including his new double album, theRiver lowest prices and browse..inthe basement of Reynotds Club.RIDESNeeded a ride from North Shorearea Highland Park Lake Forest orDeerfield to University of Chicago.Please call 433-4046SENIORS PLEASESENIORS Yearbook needs your quipor quote to go with your portrait byNov. 15. Be sure to a**ach name anddeposit in envelope outside YearbookOffice INH 218.SECONDCHANCESG Coffeehouse Auditions-Nov. 11th8:00, Reynolds Club N. Lounge Call3-3273 for more info.RESEARCHEROne-year position for Researcher todevelop content for exhibit based onscientific-technologicaldevelopments since 1933 and theirsocial impact. Starts 1/1/81.Background in sciences andhumanities and PhD or ABD re¬quired Send qualifications andnames of three references to DrDavid A Ucko, Museum of Scienceand Industry, 57th St. and Lake ShoreDrive, Chicago, II 60637 by November10. EOE.HAM IT UP!SG Coffeehouse Auditions Nov 11th8 00, Reynolds Club N. Lounge Call3-3273 for more infoKUNG-FUAND TAI CHIWORKSHOPMaster George Hu will be giving aspecial one-day workshop on Fri.Nov. 7 1980 at 4945 S. Dorchester(enter on 50th). The workshops are:Basic Kung-Fu Exercises, from6:30-8:00 pm and Fundamental exer¬cises in Tai Chi Ch'uan from 8:15 to9:45 pm Each workshop session is $4or $7 for both All are welcome to dropby and say hello to Master Hu.ASPEN ASPENASPEN$285 7 nites lodging, 5 days lifts, wewill help organize car pools Spacesare filling up fast to make reserva tions and tor info UC Ski Club Robin752-7705.SENIORAPPLICATIONSPROGRAMMER/ANALYSTA senior-level Programmer'Analystwith 5 or more years of FORTRANand assembler experience onsystems ranging from micro andminicomputers to large-scalesystems is needed in the developm e n tof hardward and software to supportexperiments on deep-space and otherspacecraft missions. Responsibilitieswill include software design for applications ranging from systemground support to the processing andanalysis of scientific data This pro¬fessional appointment carries ex¬cellent benefits and a competitivesalary.Apply toPersonnel Office956 E 58th St.Chicago, ILL60637(312) 753-4446An Equal Opportunity EmployerSUNDAY, BLOODYSUNDAYDon't miss a movie classic, withGlenda Jackson, Peter Finch andMurray Head in John Schlesinger'sstory of a love-triangle tn modernLondon Sunday, Nov 9 in Kent 107 at 8pm. $1.50 admission. Sponsored byGALAWOMAN'S RAPGROUPA Women's Rap Group meets everyTuesday at 7:30 pm at 5655 S. Univer¬sity Ave For info-752-5655.LITERARY ,MAGAZINEPrimavera, a women's literarymagazine, needs more women to jointhe Staff Call 752-5655 or 548-6240 Onsale in most bookstoresBORINGSATURDAYSCome down to the basement ofReynolds Club and browse around thePhoenix Book and Record Store.We're open from 12 00-5 30 everySaturday...lots of used books, newrecords-gaming supplies and papergoodsMAN OFLA MANCHABlackfriars present "Man of La Man¬cha" Nov 13-15 at 8 pm and Nov 16 at 2pm. $2.50 for students $3.50 foreneral admission. Tickets on sale atobbTheFLAMINGOand CABAN 4 <1.1 Br».>00 S. Short* DriveI• Studio an<l I Bedroom• f,ortii«4ted and l iifuniMicd• l off. |i||' 'top• I >util«M>r Pool jiii! Carden-• I .iqe-lin* jiiiI l>r,i|(c« In. l• Scmril\• l forStudent* jnd N.iff• I Micaliwn• Ha Hut SHofi• H»ai»l\ ''hop• J.H.O. Ke*tjur,iot• l)eoti*l• VainFKKF PARKINGM. SnyderPL 2-3800New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ave.753-3303 REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU. of C. I D.Mastercharge and Visa AcceptedEye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St.493-8372Intelligent people know the differencebetween advertised cheap glasses orcontact lenses and competent pro¬fessional service.Our reputation is your guarantee ofsatisfaction.marion realty,inc.mStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400 STANLEY H. KAPLANfor Over 42 Years The Standard ofExcellence in Test PreparationMCAT • GMAT • LSATGRE • GRE PSYCH • GRE BIO . DATPCAT . OCAT . VAT . MAT . SAT . SAT ACHVS• NATIONAL MEDICAL BOARDS • VQE • ECFMC.FLEX • NATL DENTAL BOARDS • TOEFLPODIATRY BOARDS • NURSING BOARCSFlexible Programs and HoursV*V< Any Ary* * O'a khpuInEdOC4fKX> C#Ol»13 9 A SiNEW YQPK 1X19 * AHy LVOuTs#*f Why W« MaM TrD<h«*r#r>«TEST ONSPECIALISTS SINCE ’_9JC#<w»'s in Mac' u S OhPu«HC B*COToronto Canada & >CHICAGO CENTER6216 N CLARKCHICAGO ILLINOIS 60660(312) 764-5151s w suburban19 S LA GRANGE ROADSUITE 201LA GRANGE ILLINOIS 60525(312) 352-5640 SPRING. SUMMERFALL INTENSIVESCOURSES STARTINGTHIS MONTHGMAT. . SATNEXT MONTHLSAT GAE .Courses Constantly Updated[>*i» *1 Cert* SW StudyHorweti- Moot ore Cexm - **-• sc “ID US Cset S xfcroxeOuTSlOt H v STATE CAIX TOU FREE too 2ZJ iTi? Cfiazlotte <~Vi(zitzomJ^zai <8 i tatz do.(312) 493-0666i NEW! WOW!%'' Northeast corner two-* bedroom, two bath condo% ' high floor. 5401 HideBldg Two garage,sPafes Vacant now $74,500^ * 'vjIff°r everything including theV parking spares; *»•,*> ■ •IS: •'Hu,Ken Wester. Sates Associate, 947-0557 (eves)Cleveland McCowan. Sales Associate. 799-1419 leveslCharlotte Vikstrom. Broker, Sales 493-0666 leveslThe Chicago Maroon — Friday, November 7, 1980 — 23