THE CHICAGO MAROONVol. 90 NO. 2 The University of Chicago ©1980 The Chicago Maroon Friday, July 11, 1980RTA Plans New Lights andShelters for 59th St. StationBy Sharon ButlerandDavid GlocknerNew waiting shelters and additionallighting will be installed to improve securi¬ty at the 59th St. Illinois Central (I.C.)train station, according to Joseph Mata-lone, director of security for the RegionalTransportation Authority (RTA).The RTA has rejected the University’srequest that security phones be installedon the platforms. The station was the siteof three rapes during a six-month periodending in January.The new waiting shelters will be openand made of clear plastic, and will replacethe present enclosed wood shelters pre¬sently on the platforms. New heaters andbenches will also be installed, and thelighting around the station will be substan¬tially improved. Matalone said.Work on the project is scheduled to beginnext month. While RTA officials hope thatconstruction will be completed in Sep¬tember or October, the contract betweenthe RTA and the construction firm allowsthe company until December to completethe project. In January, shortly after the last of therapes, Jonathan Kleinbard,University vice-president for community affairs, met withRTA officials to discuss means of improv¬ing security at the station. At that meeting,the University asked the RTA to installsafer waiting shelters, additional lighting,and security phones on the two plat¬forms.Matalone said several factors accountedfor the seven-month delay between thatmeeting and the beginning of construction.Among these were difficulties in finding abidder who met the RTA’s specificationsfor the construction work, the time re¬quired to plan the improvements, and theillness of an RTA official involved in theplanning, Matalone said.Kleinbard said Wednesday that he is sa¬tisfied with the RTA’s efforts to upgradesecurity at the station, but that he will con¬tinue to press the RTA to install securityphones.“There are no security phones includedin this project,” according to Larry Bush,an administrative assistant to the generalmanager of the RTA.The RTA is reluctant to install securityphones on the platform because of the po¬ Installation of new shelters and additional lighting at the 59th Street IC Station beginsnext month.tential for vandalism, another RTA officialsaid. Security phones installed at otherRTA commuter train stops have beenheavily vandalized. Although securityphones are not now planned for the station,it is possible that they will be added at alater date, Bush said.The University has also asked the RTAto remove the trees and shrubbery grow¬ ing on the embankment directly west ofthe platforms, because they shield theplatforms from the view of passers-by. Butboth the RTA and the University deny thatthey are responsible for the trees. “It’s nota University problem,” Kleinbard said.“The whole thing is a matter of trying toget people to so what they're supposed todo,” he added.Student JobsAre ScarceBy Jeff DavitzThere might be an overflow crowd forRamsey Clark’s speech tonight. It’s thecheapest thing unemployed students cando this weekend.The promotors for Clark’s appearanceare advertising a lower admission pricefor the unemployed While there may notbe enough unemployed students to fillRockefeller chapel, Clark wouldn’t havedone as well last year.Sara Johnson, assistant director for stu¬dent employment, has been talking tomore students this summer who havefound themselves at the end of June with¬out a job than in her previous two sum¬mers as an employment counselor. Theyare understandably getting a little ner¬vous.Johnson said that in the last two sum¬mers she spoke to only about a half dozenstudents. This year she estimates that shehas seen “two or three dozen.”The employment office here has not fin¬ished compiling the statistics, but Johnsonsaid the job situation in Hyde Park thissumer is tighter than in the past twoyears.Some traditional employment opportuni¬ties for students have dried up this sum¬mer. The plant department, for example,used to hire 5-8 students during the sum¬mer. This summer, though, the plant de¬partment can’t- afford to hire any stu¬dents.There are signs which indicate thatHyde Park is no exception nationally.Johnson said she has received long dis¬tance calls from students who were consi¬dering returning to Hyde Park to look foremployment. Johnson said she dis¬couraged those students from returning.Competitor! for the jobs which do turn upis fierce. According to Johnson, jobs areusually taken within 24 hours of their beingadvertised on the bulletin board in theReynolds Club. Hyde Park Garden Walk This SundayMrs. Bam-Postell with part of her backyard garden.I lived, during that summer, in a large room on the top floor ofan old house on the North Side of Chicago. It was August and thenight was hot. Until after midnight I sat — the sweat tricklingdown my back — under a lamp, laboring to feel my way into thelives of the fanciful people who were trying also to live in the taleon which I was at work.It was a hopeless affair.I became involved in the efforts of the shadowy people and theyin turn became involved in the fact of the hot uncomfortable room,in the fact that, although it was what the farmers of the MiddleWest call “good corn-growing weather” it was plain hell to bealive in Chicago. —Sherwood AndersonBy Mollv McQuade most of the local gardens and lawns are—Not always, at least not during day- cultivated on landfill — that they oncelight hours in the leafy yards and bios- swam under the Lake, where the har-soming curbstone plots of Hyde Park. To diest spiderwort oozed and dwindled,look at them, you wouldn’t guess that Given even a cursory glance, the neigh¬ borhood shows a quite un-urban green¬ness (and orangeness, blueness, pink¬ness,' in a polyglot array of ways andshapes.“It’s a good neighborhood for gar¬dens,” says Martha Skillman. long-timegardening consultant and former ownerof “Garden in the City,” a garden shop on53rd Street. Her own perennial bedsprove the strength — diversity — that shepraises in the run of local gardens. Let¬tuce grows guardedly by flowerbeds;peas climb the fence: rhubarb, tomatoes,broccoli, and asparagus, as well as sev¬eral different kinds of herbs, share spacewith roses, dianthus, forget-me-nots andmany others. Though she complainsabout campanula (an invasive “pseudoflower”), and points to “those spent blos¬soms on the columbine” as a sure sign ofdegeneracy, Skillman is obviously a verydedicated gardener.“I am so in love with my garden,” shesays. “I can feel it in my chest.” And sheis not alone. The other fruitful gardenersof Hyde Park-Kenwood will open theirgardens to the public in a tour on July 13,from 1 to 5 p.m. Sponsored by the HydePark-Kenwood Community Conference,the tour will cover over fifteen gardens,from Kenwood bowers to small plots onapartment terraces, and will concludewith a picnic.Just what supports the range of inter¬est in gardening, here0 Partly the com¬munity’s professional landscapers who,like A1 Stuckey, have turned horticultureinto something more than a weekendhobby. Stuckey has gardened in HydePark for forty years. Despite his modes¬ty, he is something of a gardener’sSmithsonian Institute. “I wasn’t a greatlandscaper,” he insists, “I was a gar¬dener. I’d look up plants and find whichones 1 could use. and naturally someContinued on page 5 CarolKlammerlhour.We’ll give youthe way to hittergrades and morefree time.Would you like to:□ Raise your grade average without long hoursover texts.□ End all-night cramming sessions.□ Breeze through all your studying in as little as1/3 the time.□ Have more free time to enjoy yourself.□ Read 3 to 10 times faster, with better con¬centration, understanding, and recall.Evelyn Wood’s new RD2 reading system makes itall possible. Evelyn Wood works — over 1 million people,including students, executives, senators, and evenpresidents have proven it. A free 1 hour demon¬stration will show you how to save hundreds ofhours of drudgery this year (as well as how toincrease your speed immediately with some simplenew reading techniques).It only takes an hour, and it’s free. Don’t miss it.EvehmWoodwill open your eyes.Chicago Theological Seminary5757 University♦Monday, July 14 - 4:00 p.m. and 6:30 p.m.Tuesday, July 15 - 4:00 p.m. and 6:30 p.m.Wednesday, July 15 - 4:00 p.m. and 6:30 p.m.Thursday, July 17 - 4:00 p.m. and 6:30 p.m.Friday, July 18 - 4:00 p.m. and 6:30 p.m.If you cannot attend an introductory lesson, call Christine Sawyer 236-1996 for information and registration.2-The Chicago Maroon—Friday, July 11, 1980Group Ponders Spy Changes NEWS BRIEFS“The United States requires at this time inits history the best intelligence informationthat we can gather, analyze, and dissemi¬nate.” — Frederick Hitz, Legislative Coun¬sel, Central Intelligence Agency.“I think we ought not to forget the fears thatwere raised by the revelations about the ac¬tivities of the FBI and the CIA.” — PhilipKurland, University of Chicago LawSchool.It was just six years ago that revelationsabout the activities of the Central Intelli¬gence Agency (CIA) and the FederalBureau of Investigation (FBI) raised afuror in Washington and led to stricter Con¬gressional and executive supervision of thenation’s intelligence agencies.But the excitement surrounding those dis¬closures has subsided, and Congress is nowconsidering legislation that could loosensome of the restrictions imposed on intelli¬gence activities during the 1970s.For the 80 intelligence agency officials, le¬gislative aides, scholars, and lawyers at¬tending the American Bar Association’sconference on intelligence legislation heldJune 28-29 at the Law School, this proposedlegislation was the focal point of a series ofdiscussions about the proper forms and ex¬tent of public control over the intelligencecommunity.Legislation to unify the scattered laws re¬gulating intelligence agencies has beenunder discussion for several years, and inFebruary, Congress finally received a billwhich would create a comprehensivecharter for the nation’s intelligence ser¬vices.Supporters of the intelligence charterargue that by assigning definite duties andpowers to intelligence agencies, the Con¬gress will free the intelligence communityfrom constant fear that its actions will laterbe determined to be illegal."It is not good for the intelligence commu¬nity to be operating in an area which isunder constant domestic attack,” formerAttorney General Edward Levi told the con¬ ference. By creating a climate in which in¬telligence workers are ordered to do some¬thing and later told that it was illegal, thegovernment undermines the effectivenessof the intelligence agencies, Levi said.Although President Carter and the direc¬tors of the various national intelligenceagencies all support it, the charter legisla¬tion has run into stiff opposition.Some opponents, like former Defense Sec¬retary and CIA Director James Schlesinger,entirely oppose the idea of a charter. Schle¬singer worries that the 200-page documentincludes so many specific controls on intelli¬gence agencies that it will greatly reducetheir flexibility.More frequent, though, were objections tospecific provisions of the charter bill, par¬ticularly those which would make it moredifficult for the public to obtain informationabout the activities of the agencies, andthose which would protect the identities ofintelligence agents. Also drawing fire werethe bill’s failure to include a clause prohib¬iting the CIA from contracting for intelli¬gence work with clergymen, journalists,and scholars, and the absence of any pen¬alty if intelligence agencies fail to informCongress of their covert activities abroad.These issues proved so numerous and con¬troversial that the bill’s sponsors gave uphope of obtaining passage of the entirecharter in this election year and asked theCongress to vote on the least controversialpart of the charter — the part which wouldreduce from eight to two the number of Con¬gressional committees which must be in¬formed about covert foreign intelligenceoperations. Last month the Senate approvedthis abbreviated version of the bill in an 89-1vote. The House is currently considering themeasure.But the controversy is likely to arise againnext year, when Congress will try once moreto pass a comprehensive intelligencecharter. When that happens, Congress willagain be faced with the question which Phi¬lip Kurland put to the conference partici¬pants; how can the Congress "appropriatelybalance the need for national security...withthe necessity for maintaining the individualliberties of the members of our society?” Clark Speaks TonightFormer U.S. Attorney General RamseyClark, whose recent trip to Teheran to de¬nounce U.S. intervention was widely cri-tized back here, will speak at RockefellerMemorial Chapel tonight at 7:30 p.m.Clark’s lecture is entitled "The Real StoryBehind the American Hostage Crisis,” andwill give his side of the controversy aboutthe visit and President Carter’s threat toprosecute him.A group called The Coalition Against Mili¬tary Escalation is sponsoring Clark’s talk.The Coalition is led by Sidney Lens, the Citi¬zen’s Party candidate for U.S. Senator fromIllinois, and Rabbi Robert Marx.There will be other speakers as well asmusic featured. Admission is $2, $1 to unem¬ployed and students.New Library Boss.Martin D. Runkle has been named the newdirector of University libraries.Runkle will replace Stanley McElderry,who is retiring on October 1. Since No¬vember, Runkle has served as AssistantDirector for Technical Services at the li¬brary. He has also been head cataloguing li¬brarian sine 1975.Pumps at Harper CourtFrances Wiley, owner of the Sewing Circlein Harper Court, no longer gets concernedwhen she hears the rain begin to fall. Wileyand other store owners in the Harper Courtshopping area seem to have finally seen anend to a flooding problem.The new management of Harper Courthas recently installed pumps which are suc¬cessfully keeping water out of the lower-level stores^Wiley said that before the pumps were in¬stalled she was constantly concerned aboutthe flooding. "Everytime it started raining Iran over here,” she said.Since June 2, when the pumps beganworking, two heavy rains have failed toflood her store.The owners also say that security is im¬proving. Since the last week in June off dutyChicago policemen have been hired to patrolthe area.Wiley said that some customers havereacted favorably to the improvements insecurity. She also said her employees feltmore comfortable working at the store.Earlier this year many a number of theHarper Court stores had problems withgroups of youngsters harrassing employees.Many of these stores now do not allow morethan one child at a time to enter the store.The problem, with the groups of youths, aswell as other security problems seem tohave dropped off since the area has beenspecially patroled, according to Wiley. The Missing ListConfused by the flurry of last minute newsitems and caught in the crush of finalexams, the Maroon failed to report on thenew leaders of major campus student orga¬nizations. Below is a list of the incoming of¬ficers of those groups.Doc Films’ 1980-81 schedule of roughlyninety films per quarter will be finalizedand announced in two weeks. Paul Alivisa-tos is Chairman, Rory McGahan AssistantChairman, and Jeff Mechanick ForeignFilm Advisor.WHPK, operating around the clock at 88.3FM, will be directed by Gabriela Gamboa(Station Manager), Tom Donatelli (Pro¬gramming Director), Jim Fowler (Engi¬neer), and Aaron Levin (Music Director).Directing this summer’s programming isMiguel Ares.From the largest pool of candidates everyto apply for the $6000 position of Student Om¬budsman, Stephanie Browne was selectedby a committee of nine and recommended toPresident Gray for appointment. Browner isa fourth year student in the College who hasdone volunteer work (vaccination) in Cen¬tral America. She has not yet appointed herassistant or secretary.The seven seats on the Major ActivitiesBoard (MAB) will be filled in an election inthe fall. Charles Regan was voted the 80-81MAB speaker.The Student Schools Committee workswith the Admissions Office to "spread theword” about the University and College.Next year the Committee will be organizedunder Rachel Schacter (coordinator), LizBernstein (on-campus), Cathy Dehoughry(off-campus), PunitaKhanna (housing), An¬gela Jones (special recruiting), LawrenceP. Fumstahl (publications), and Sufia Khan(secretary).FASCCL representatives for 1980-81 areRichard Ehrlich, Jenny Gurahian, TonyKnight (the College), Sally Satel (Bio Sci,Phy Sci, and Med), Charles Wordell (Hum),Anita Mahesh (Soc Sci), Paul Greenwald(GSB), and Bonnie Blenis (Law and otherprofessional schools >.Festival of the Arts (FOTA; will be led byDavid Appel and Cathy MelzerA Criminal MistakeAn article on page 3 of last Thursday’sMaroon incorrectly attributed to LutherSnow the statement that there had been fourrapes and one homicide in Hyde Park sinceMay 1.That statement was made by a represen¬tative of the 21st District police, and the fig¬ures included a larger area than Hyde Park.The Maroon regrets the error.\KIM8ARK HALLCondominiums90% Mortage Loans AvailableA lesson in economics. Buy a condo todoy, spend fouryears at the University, sell your condo and Help defraythe cost of your education.The developers are offering model units forinspection every Sat. and Sun. between 1and 5 p.m.36 apts.:24-1 bedroom, 1 bath from 30,350-37,0006-2 bedrooms, 1 bath from 37,000-38,8506-2 bedrooms, 2 bath from 46,000-46,900All apartme...a include new kitchens and appliances,new bathrooms, carpeting arid decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker space.Your inspection is invited.51 26 S. Kimbark Ave.-Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200 marianrealty,inc.mRtAllOGStudio and 1 BedroomApartments Available- Students Welcome -On Campus Bus LineConcerned Service5480 S. Cornell684-5400 Eye ExaminationsFashion Eye WearContact LensesDr. Kurt RosenbaumOptometrist(53 Kimbark Plaza)1200 E. 53rd St,493-8372Intelligent people know me differ¬ence between advertised cheapglasses or contoct lenses and com¬petent professional service.Our reputation is your guaranteeof satisfactionThe Chicago Maroon—Friday, July 11, 1980—3EDITORIALFeeHas EarnedGray’sApprovalDespite overwhelming supportfor a five dollar activities fee in therecent College referendum andsupport of 58 percent of studentscampus-wide, students are still indanger of losing their best shot atimproving the social life here.Because of inconclusive resultsamong graduate students, the finaldecision on the fee now lies withPresident Gray. But we feel thatany fair reading of the vote willshow widespread support amongboth undergraduate and graduatestudents for improving the sociallife here.The fee did well in every profes¬sional school or graduate divisionwhich had a good voter turnout.The only areas where the fee clear¬ly lost were those with low turn¬ outs. There was never any organ¬ized opposition to a fee, nor evenany outraged letters to the Maroon.These facts would seem to indicatethat where the fee did badly, it didso because of apathy, not strong op¬position. But in areas where stu¬dent opinion was accurately sam¬pled, support ran strong.The apathy which exists amongsome students may be due to a dis¬enchantment with student activi¬ties, brought about because of pastfunding failures. Many graduatestudents may be reluctant to votefor a fee because past funds havenot been sufficent to sponsor activi¬ties which they enjoy. This does notmean they would not benefit fromnew funding which the fee couldprovide. Student Government is al¬ready actively planning for newgraduate student services if the feeis approved.Until now, students have beencaught in a vicious cycle, wherelack of activities led to apathy ledto less activity led to greatera-pathy. President Gray now has theopportunity to break this cycle, byapproving the fee for all students.It is an opportunity which would bea shame to waste. Lateand Too LittleWhen a construction crew finallyarrives at the 59th St. Illinois Cen¬tral (I.C.) station to install newlights and waiting shelters, it willhave been seven months since thelast in a series of three rapes oc¬curred at the station. While we wel¬come the planned security im¬provements at the station, webelieve they are several monthsoverdue.In January, officials of the Re¬gional Transportation Authority(RTA) and the University shared asense of urgency about improvingsecurity at the station. “We aregoing to try and do something veryquickley,” RTA security directorJoseph Matalone told the Maroonthen. President Gray promisedthat the University would “try andget every possible security mea¬sure” for the station.But since January, this sense ofurgency about the security prob¬lems at the station seems to havefaded, and what once seemed simp¬le — but important — constructionproject became snarled in red tapeat the RTA. Officials at the RTAnow say that although they hope in¬stallation of the new shelters willbe finished in the early fall, it ispossible the project will not becompeted until December.The wait might have been worth it had the planned improvementsprovided a real solution to the secu¬rity problems at the station. Buteven with the improved lightingand the see-through shelters, theplatforms will remain isolated,with no way for attack victims tosummon aid. We agree with Jon¬athan Kleinbard, University vice-president for community affairs,that security phones on the plat¬forms are essential. The RTA’s re¬luctance to order the phones be¬cause of the possibility that theywould be vandalized strikes usas a callous response to a problemwhich affects the safety ofhundreds of train riders each day.It took three rapes to prompt theimprovements now planned for thestation; we hope that no more inci¬dents must occur before the RTAsees fit to install security phones.THECHICAGO MAROONEditor: David GlocknerManaging Editor: Chris IsidoreGrey City Editor: Laura CottinghamLiterary Review Editors: Richard Kaye andCandlin DobbsProduction Manager- David MillerPhoto editor: Carol KlammerBusiness Manager: Lorin BurteAd Manager: Jake LevineOffice Manager: Leslie WickS»aff: Sharon Butler. Jaan Elias, AlanGranger. Richard Kaye, John Kim, PhilipMaher, David Miller. Chris Persans, JonShamis , Joan Sommers .- : ::::::::Boo* I:• t/MMMp. m umsmf: \\\\• 2&A::::::::::;:;:;: wm# Am&mwwcMcy.:Sm\:::::::.fWe Buy and SellUsed Records1701 E. 55th684-3375 CHINESE-AMERICANRESTAURANT. Specializing inCANTONESE ANDAMERICAN DISHESOpen Daily11 AM to 8:30 PMClosed Monday1318 EAST 63rdMU 4-10624—The Chicago Maroon—Friday/ July 11, 1980Garden WalkContinued from page 1 would comeout good and some would come out bad.”The shelves full of gardening books, thefloral teacups, and the large, handsome pho¬tographs of plants on his walls surroundStuckey in his retirement.Though he began by working for anotherman, during the Depression Stuckey wasable to open his own business — which fre¬quently involved more than just gardening.“If somebody wanted their floor scrubbed,I’d do it ... as long as it was good, honestwork,” he says. He would work an averageof thirty jobs at a time, mostly for well-to-dodoctors, stockyard men and other local pro¬fessionals. In his heyday Stuckey couldplant 300 tulips (all imported from Holland)within an hour. And one of his favoritechores was tree-trimming. Laced into thetree with a safety belt, he’d catch the breezeand even take an occasional nap.Stuckey has nothing but good to say for hisemployers (some of whom recently chippedin to send him on a botanical tour to Gua¬temala). One, a doctor on Woodlawn, wouldsneak him whiskey when he shovelled thesnow off his walk (an off-season pastime).D. B Silverman, at Ellis and 50th, servedhis “help” legendary meals: “If you wantedsteak an inch deep and foot across, why, youcould have it,” Stuckey recalls. Anotherclient, however, couldn’t even be persuadedto dish out coffee. “But she’d call me up lateat night, to complain about different things,” Stuckey says, clearly enjoying thememory. “This went on for ten or fifteenyears.” Still another watched him from herback window as he weeded her plot — deter¬mined to keep him from so much as tip-toe¬ing into it.Although he admits that Hyde Park land¬fill doesn’t make the best soil, with propertreatment Stuckey has raised a variety ofplants not native to the area — azaleas, rho¬dodendrons, magnolias and evergreens. Hiswork for the American Bar Association in¬volved the upkeep of a pool and fountain, aproject which earned him the personalthanks of Chief Justice Warren.But Stuckey’s rewards came mainly fromthe gardening itself, which he now missessorely. Because of unpredictable weather,he made the most of every fine day, begin¬ning work at 5 a.m. (weeding noiselessly, soas not to wake his employers) and often con¬tinuing until 9 or 10 at night. For thirty yearshe stored his tools, seeds and supplies in aclient’s vacant lot, using a leaky pipe as afree source of water, and welcoming thedogs, birds and human visitors who ambledby.A slightly different arrangement is RuthBillingsley’s. She began “Landscape forLiving” seven years ago, with Vi FogelUretz as her occasional helpmate. While Bil¬lingsley assumes responsibility for the actu¬al legwork, she and Uretz collaborate ontheir clients' gardens — using imagination, know-how and Mrs. Uretz’s skills in the finearts.Billingsley’s background was not espe¬cially horticultural, but during stays inJapan and England she became interestedin the intricacies of garden design. She stud¬ied at the Cambridge School of Architec¬ture, and after returning to Hyde Park ap¬prenticed herself to a landscaper.Mrs. Billingsley meets with her clients be¬fore drawing up a definite plan. After shehas discussed ideas with them, the plantsare chosen and the general lay-out of thegarden is composed. Mrs. Billingsley thendescribes what she wants to Mrs. Uretz, whouses mixed media to construct a two-dimen¬sional plan of the garden. Based on the plan,revisions are made and submitted to theclients; and the real gardening begins.Needless to say, both Billingsley andUretz keep their own gardens — Billings¬ley’s cluttered with exotic flowers andplants en route to other destinations, Uretz slush with bushes, trees, herbs, a rocky pool,and rooftop tomatoes. Students are recruit¬ed as helpers, and the landscapers try —always — to encourage their clients to sharein the work.Participatory gardening does flourish —in the Hyde Park community gardening pro¬gram. Begun eight years ago as a city-wideproject (the first of its kind in the nation),the Chicago program now supports some2,000 gardens organized into fourteen dif¬ ferent districts. The University of Illinoiscooperative extension service initiallyplowed all the garden sites, and distributedinformation; International Harvesterloaned machinery out; and the city waterdepartment provided hydrant keys. Every¬thing else was done by the gardeners them¬selves.Laura Kracki is chairperson of the gardenon 57th Street and Stony Island. Its thirtyplots are worked by a stable but variedgroup. “We have a wide range of people.”she says. “Students, retirees, families, sin¬gle people, blacks, whites. And it’s verygood that way.” Individual plot size is usual¬ly under 400 square feet, with most vegeta¬bles (excluding com) and many sorts of ber¬ries the most popular crops. Although ants,aphids, plant diseases and pillage are occa¬sional problems, each has a remedy — forinstance, the ladybugs which Kracki ordersfrom a Burpee storehouse, refrigerates toinduce dormancy, and then sprinkles overher plot when enemy insects threaten. Itmay seem like an outlandish rite in this uni¬versity zone, but then, it is done for the sakeof a plant much like Shelley's, which... in a garden grew .And the young winds fed it with silverdew,And it opened its fan-like leaves to thelightAnd closed them beneath the kisses ofnight.Friday, July 11, 19*>-5J • M • T • V • T* F* Stl IZ13 M* (f ftCubismat SmartConstruction 2 2Amamlie by the Ger¬man artist Georg Groszis one of thirty-five Cu¬bist works in Europeanand American Cubism,.the current exhibition atthe David and AlfredSmart Gallery.The show includesworks by Italian GinoSeverini, Americans Ar¬thur Dove and StantonMacDonald Wright; aswell as numerous Parisgroupies, including Pi¬casso and Braque.The Smart Gallery,5550 Greenwood. Tues-day-Saturday, 10-4; Sun¬day, noon-4. The showruns through October15, although the gallerywill close for September.ArtAlexandria Elva: Ms. Eiva was chosenby the Committee on Art and Designas the best MFA student of the year.According to Vera Klement, assistantprofessor on the committee, Eiva'sdistinction draws from her "ability tograpple with certain contemporaryissues and come up with a personal vi¬sion that is truly unique." The fiveworks on display attest to this descrip¬tion. Enormous in size (7'xl4', ap¬prox.), the frameless canvases are anexciting exploration of color, shape,and perspective. See review, thesepages. The Renaissance Society, Berg¬man Gallery, fourth floor, Cobb Hall.Daily, 11-4. Free. — LJCInner Landscape: 23 Illinois artistshave used the camera not to explorethe outside world but to look into them¬selves. The result is at least 23 dif¬ferent ways of seeing — from the me¬ticulous detail of Gary Kolb's"Creation Series" to the blurry ab¬straction of Joseph Jachna's "Ice¬land," as well as more literal ap¬proaches. Yet as the singularity ofLandscape implies, these 56 prints arethought to exhibit at some level onecommon inner self; indeed, the show'scurrator, Margaret Peterson, has stat¬ed that in selecting these 52 photo¬graphs from the 566 submitted shesought those that were universallysymbolic. Peterson then added a sec¬ond unity by arranging the 52 prints inan order intended to represent stagesin the photographer's search for theself. For a complete review, see p.8.Through August 2 at ARC Gallery, 6W. Hubbard. Tuesday-Saturday, 11-5.266 7607. Free. — DMFilmOne Flew Over the Cuckoo'sNest (Milos Forman, 1975): The cultof the crazy gets another unintendedwallop here. Cuckoo's Nest shows howan idealized insanity is incompatiblewith true human freedom and must inthe end yield to authority and authori¬tarianism. Kesey/Nicholson/Formancelebrate "being nuts" but hardlygrapple with the real problems of con¬formity and rebellion, let alone ofmental illness. Jack Nickolson portrays R.P. McMurphy, a felon whocommits himself to an Oregon mentalhospital to avoid prison and then leadsthe inmates in fighting the hospital's"Big Nurse." This is Forman's leastinspired film, though it has nice photo¬graphy and an eerie soundtrack. Al¬though laden with Oscars, the moviehas only one award worthy performance. Will Sampson as the Indian,Chief Broom. He didn't even get a no¬mination. Tonight at 7:15 and 9:30 inQuantrell. SOQ; $1.50 - APWifemistress (Marco Vicario, 1979): Arather bland film whose ending con¬tradicts a universal feminist consen¬sus perhaps most consistently ex-poused by Colette: once a womantastes freedom, only poverty and/orold age can force her back to marriagebondage. Not so for wealthy, young,19th century Italian wifemistress Anotonia Luigi (Laura Antonelli). Afterspending 2/3 of the film discoveringthe shameless unfaithfulness and pain¬ful hypocrisies of her supposedly-deadhusband, she nonetheless opens herdoor to him when his death-masquarade becomes unnecessary. Whileuncovering her husband's escapades,Anotonia discovered her own emotion¬al and sexual freedom. The film hintsthat the pair will find themselves com¬patible, now that they are "equals".But the story more blantantly indi¬cates the husband's conscious desireto keep his wife physically and emo¬tionally paralyzed in a room, and thewife's willingness to welcome himback after we think she should knowbetter.Technically the film fails to fulfill anycinematic potential: no memorable vi¬sual images, no perspective variablity— almost a total series of faded clo-seups. Saturday at 7:15 and 9:30 inQuantrell. SOQ; $1.50. — LJCthe grey city journalMike Alper, Gary Beberman, RichardKaye, Carol Klammer, Jeff Makos, DavidMiller, Molly McQuade, Adam O'Connor,Andrew Patner, Margaret Savage, TedShen.Edited by Laura Cottingham. The Ladykillers (Alexander Macken-drick, 1955): The spirited scenery-chewing of Alec Guinness and his bumbling gang of crooks is one of the mostdelightful things in this movie. Buteven more delightful is the perfor¬mance of Katie Johnson, a 70-year-oldlady with an invisible acting style. Sheplays Mrs. Wilberforce, who at firstunwittingly and then indignantly ou¬twits the crooks holed up in her board¬ing house. The fun is a bit labored, thephotography is disconcertingly garish,and Mrs. Wilberforce's self-righteous¬ness may seem a bit disturbing tosomeone not steeped in British middleclass values. But the members of thecast all have their tongues stuck sofirmly in cheek that they probablycouldn't counter such objections.There's no use harping at a movie withscenes like those of Mrs. Wilberforcedescribing a Martian landing in herbackyard to the police. Just sit backand enjoy. Wednesday at 8:00 pm inQuantrell. SOQ, $1.50 — AAAMusicDejeuner sur L'Herbe (ballads forbrownbaggers): The Student Activi¬ties Office is offering free noontimeconcerts again this summer. The Sum¬mer on the Quads Tuesday ConcertSeries will be presented at noon everyTuesday beginning July 1 thru August19. July 8 marks the second noontimeconcert featuring Samhraba: Tradi¬tional & Baroque Irish Music. All con¬certs are at Hutch Court and arefree.Lydia Lunch/8-Eyed Spy: Time tobop, sports fans. The Museum of Con¬temporary Art presents the first Chi¬cago appearance of 8-Eyed Spy, a newwave/ no wave band from New Yorkwhich features Lydia Lunch, formerlyof Teenage Jesus *.r d the Jerks. Theirmusic ranges from slightly skewedbackground music from a 50's Bmovie, to intense atonal jazz, to verydanceable rhythm and blues. Friday,July 11 at 8:00 p.m. Thorne Hall, 740 N.Lake Shore Drive. Tickets are $6.00 atthe door, no advance or student ticketssold. For further Information call280-2660. - JM Robert Fripp: Ex-King Crimson gui¬tarist and Eno-buddy returns to Chica¬go with his new band, The League ofGentlemen. This is Fripp's first bandadventure since Crimson, and it willbe interesting seeing what this does tohis previously solo tape looped droneguitar excursions. His last album fea¬tured disco rhythms, which may meantrouble. Friday, July 11, at the ParkWest, 322 W. Armitage. Showtimes at7:30 and 11:00 p.m. Tickets are $7.50,and are available at TICKETRON andat the Park West Box Office. For fur¬ther information, call 929-5959. — JAATheatreThe Servant of Two Masters: CourtTheatre opens it's second weekendwith tonight's opening performance ofthis eighteenth century Italian comedie. Playwright Carlo Goldoni claimswhat director Robert Skloot describesas the "dubious distiction to be thegreatest Italian playwright betweenMachialvelli and Pirandello." Weknow as little about the plot as you do.But since it's court, it's certainlyworth a try. All performances out ofdoors in Hutch Court. Tonight, Friday,Saturday, and Sunday. $4.50-$6, $1 offfor students, depending on night ofperformance. 753-3581 for more info.Cowboy Mouth and Killer's Head: Twoone acts by Sam Shepard, with a bit ofhelp on AAouth by Patti Smith. AAouth isthe tale of Slim, a struggling writerwho is kidnapped from him wife andchild by Cavale, starving poet androck aff icionado who wants to remakeSlim into "a rock and roll Jesus with aCowboy Mouth." A thinly veiled account of Shepard and Smith's brief andstormy affair (it was supposedly writ¬ten by their pushing a typewriter backand forth between each other). Shepard used this as his base for an explo¬ration of his writing psyche andSmith's self-destructive rock influ¬ence, as well as pulling off a nice retelling of the story of Ulysses's en¬counter with Calypso; Head is a shortmonologue by a convict about to die onthe electric chair. Both are a good in¬troduction to the art of Shepard, wholater expands his explorations of American myths in longer plays likeBuried Child (at the Body Politic) andSeduced (which will also soon be inChicago). Victory Gardens Theater,3730 North Clark Street. Thurs-Sun at8:30 p.m., until July 20 Performed byVictory Garden's students, so beforewarned. For further informationcall 549 5788. — JAAEtc.Hyde Park Garden Walk: More thanfifteen of Hyde Park-Kenwood's illustrious gardens will be shown by theirkeepers, on July 13 from 1 to 5 p.m.Sponsored by the Hyde Park-KenwoodCommunity Conference, the walk willbegin at the Hyde Park YMCA. Mapswill be distributed and amblers en¬couraged to follow their own paths.The tour will finish with a picnic inKenwood. See article, p. 1 and 9. Formore information, call 288 8343.Dance for a Dollar: A series of threeevenings of dance featuring Chicagochoreographers and dancers, offeringa different program for each evening.MoMing Dance and Arts Center, 1034West Barry. July 11, 12, 13, at 8:30 pm.$1 admission. 472 9894 for more info.Bal Musette Venez chanter, danser,festoyer afin celebrere la fete nation-ale de la prise de la Bastille. Venezvoir Ontario Street transformee en BalMusette! For the English speakersamong you, the Alliance Francaise-Maison Francaise de Chicago will holdtheir third annual Paris Street Danceto celebrate Bastille Day. Musicians,mimes, accordianists, clowns, the Chi¬cago Fire Department, and a few thou¬sand francophiles will drink, danceand toast la France this Saturday,July 12 (alternate raindate, Sunday,July 13) beginning at 6:30 on OntarioStreet between St. Clair and Fair¬banks (in front of the Museum of Contemporary Art). French wines, champagne, and beers will be available aswill food from several Chicago Frenchrestaurants. The highlight of the evening has always been the extraordinary Haitian dance band, the Internationl Combo de Chicago. Admission is$3. Viva la France! — AP MFA PShakespcAll's Well That Ends WellDirected by Nicholas RudallSummer Court TheatreJuly 23 - August 31.by Richard KayeThe aims of Court Theatre's summer sea¬son these last few years have always seemedmanifestly right-minded. Where else in Chi¬cago does classical theatre get produced soregularly, with the advantages of a summertime company where actors work together inmore than a single play, in a setting as expan¬sive and idyllic as that in Hutch Court? Whereelse can directors and actors not only experiment with old forms, but garner a decent sal¬ary for their work too? There's very littlequestion that this professional, Universitybased theatre consistently satisfies a veryreal and nagging theatrical need in this city.Yet there's always the danger that Court, industing off the seldom tried classics, maycome to look a little dusty itself, as it servesup large, healthy doses of tested Culture forthe hungry crowds who gather outside Man-del Hall (And no ordinary hordes are these!What with their playbooks open during performances and the slightly self-congratula¬tory air of the gathering). Last summer sea¬son, Court offered three plays whichdemonstrated, at the very least, a fine senseof proportion and even a certain adventurous¬ness — a major tragedy (Hamlet), a wittytom Stoppard play with classical underpin¬nings (Rosencrantz and Guildenstern AreDead), and a difficult restoration comedywhich most directors would be leery of tack¬ling (The Way of the World). True enough,while Rosencrantz was an altogether crackerjack production, Hamlet had a lacklusterlead, and The Way of the World turned out tobe suffocating, embalmed (rather like a paro¬dy of University-based drama, with most ofthe audience looking as if it wanted collegecredit for staying awake). But whatever thefailings of that season, at least it had the integrity of having been both diverse and ambi¬tious. It's clearly too early to call any cards,but this summer's Court selections look onlymildly ambitious, and the season's first offer¬ing, All's Well That Ends Well, has been approached with too much too little ambitious-Prize Art Alexandra Vilija EivaThe Renaissance Society atThe University of ChicagoBergman Gallery, Cobb Hall, fourth floor.Through July 16. Open Daily 11 4.speare comedie not all wellness. And there's a sameness to thissummer's choices (why two minor Shake¬spearean comedies?), as well as a faintly in¬gratiating eagerness to be all sweetness andlightness. Court's publicity calls All's WellThat Ends Well "delightful", The Servant ofTwo Masters "frivolous", and Love's Labor'sLost — this year transplanted to Ewardiantimes — "charming". All well and good, but?r sea couldn't something a little stronger have been»emed added? Perhaps Lear would have been to un-|n Chi- wieldy a venture for Court this year (although:ed so exactly how daring even that type of move isimer may be open to question; a lot of people would|her in like to see the South Side's only professional}xpan- theatre produce a piece of black drama). In(here any case, All's Well opened last week, and al-|xperi though it has some fine performances and ait sal- few wonderfully orchestrated scenes, it alsolittle has a number of problems which keep thejrsity production from being a solid, top-calibervery show. Moreover, the difficulties are not sim-city. ply those which can be found in the Shake-;rt, in speare.may You know you've found a way to upgrade;rves your cultural credentials when a Sun-Times’re for reviewer tells you, in a mostly thumbs-down|Man- review, that Court's All's Well "is good to addlese! to your theatrical vocabulary". Certainly thisper "problem comedy" is not performed tooktula- often, and it has long been unpopular with lit-sea- erary scholars, who find the play full of con-/hich trived resolutions, underdeveloped charactense ters, and disharmonious themes. The plot'"ous- mainly centers on Bertram, the young Counthtty of Rosillion, haughty and wellborn, who flees'pin- to the Italian wars in order to escape the at-Are tentions of Helena, the daughter of a famousledy physician. Through a series of convoluted de[ack- signs she manages to win him as her husband,lugh, but only after she chases him in battle and|ker- then fools him with a night-time "bed trick",jster The play, as written, is sketchy. The upward-jt to ly mobile Helena, who wrongly supposes thatlaro love can be earned, is a fully executed figurest of with many affinities to other Shakesperean|lege heroines. Bertram, howevr, is given no solilothe quys or meditations, and so he is distinctlyin- murkier.ibi- Most actors have viewed Bertram as an ar-rds, rogant character, immature and disagree¬ably able, as he cavalierly dismisses Helena forIfer- her "lower" upbringing. But Bertram is not1 ap- so much contrary, as inchoate, or as one criticjus- has said, Bertram is "insufficiently interest¬ ing, too defective in nerve-tissue, too blunt insensibility and wooden in his reactions." Butonly an actor with a limited imagination, orone with too much respect for Shakespeare toimprove upon the playwright's obvious inade¬quacies here, would play Bertram as a wood¬en blueprint of a man. Peter Syvertsen doesjust that. Unwilling to take the cue fromdirector Nicholas Rudall, who describes Ber¬tram as "arrogant" in the program notes, Sy¬vertsen chooses not to play Bertram at all.His Count of Rosillion has no presence, noparticular intensity, and we never understandwhy the lovely, wiser Helena is so taken byhim. In a crucial scene, when Bertram'sshoddy companion Perolles is exposed as afraud, Syvertsen's Bertram only seems a tri¬fle piqued; faced with the threat of jail, hereacts too late and too mildly. The silent sol¬diers behind the lead character register moreemotion that this stiff Bertram, who spends alot of stage time appearing either bewilderedor empty-faced. And when Mr. Syvertsendoes not look downright blank, he's overact¬ing, mainly above the neck, where he makescurious, exaggerated facial expressions.All of which is really too bad, not only because a large part of All's Well revolvesaround Bertram, but because Meagan Fay asHelena gives a fine, graceful performance.This deeply intelligent actress, who last appeared in Court's Exit the King, needs a moreintense Bertram as an edge to work against.Bernard Shaw wrote that, for him, Helenawas a dramatic instance of the life force, theenergy of the race showing up in the femininedrive for procreation. Ms. Fay embodiessome of this and understands that Helena isboth gracious and willful, ardently deter¬mined to catch the indifferent Bertram butalso introspective, aware that she herself isresponsible for her romantic plight. It's anunderstated, elegant Helena, and the onlyproblem is that we can't figure out why thiswoman is spending all this passion on such adrip of a man.Also top notch is Frederis Stone as Ber¬tram's aide, the hypocritical poseur Parolles.Parolles has the play's funniest lines, butStone also hs a comic's sense of perfect timing. There were moments when Stone mighthave been even too funny. He has the audi¬ence in titters, alright, but it probably hassomething to do with his accent, which standsout as deliberately unadorned, non-by Laura CottinghamThe conscious acceleration of style changesin the Post War II Western art tradition hasforced a momentary void, a time when artcultureburg asks: "After abstract expres¬sionism, pop art, op art, minimal art, concep¬tual art, super realism, happenings, perfor¬mance art, *nd decorative art; where do wego from here?" What will define post-postmodernisim?One indicator of the genuine lack of a dominant art style is the recent museum emphasison retrospectives: The Vito Acconci at Chica¬go's Museum of Contemporary Art, the PostImpressionism at Washington's National Gal¬lery, and the much celebrated Picasso retro¬spective at New York's Museum of ModernArt.But if the big time galleries offer no indication of the art trend of the 80's, the smallergalleries in New York and Chicago do. It'seclectic. Eclectic in a general sense: Theshows in Soho and on Hubbard street form nodominant stylistic trend. Eclectic in a person¬al sense: The works of individual artists re¬flect a combining and reinterpreting of latemodern trends, rather than a confirmation ofany single stylistic approach. And all of this inthe absence of anything that is "the thing".The five oil paintings of Alexandra Eiva re¬presented in the University of Chicago Mid¬way Studios Prize Master of Fine Arts Exhib¬ition illustrate this eclectic quality. Eiva'scanvases are inspired from multiple stylisticapproaches, often combining the figurativeand the abstract, more often obscuring thedifference between the two.All five of the canvases are large, horizon¬ tal rectangles, with dimensions nearing 7x14feet. The paintings seek, as Eiva states her¬self, "to engage the viewer in potential situa¬tions."Nose to Canvas, Left to Right Others Too,1980, offers the viewer the most harmoniousof the "situations" presented. Like the otherfour paintings, Nose to Canvas, combines vi¬brant colors, varying brushstrokes, abstractand seemingly recognizable images. Unlikethe other works, Nose to Canvas avoids con¬fronting the viewer with opposing shapes. Thedominant colors fan across the canvas in acomplex but visually satisfying way. Thelower center section of the canvas offers twopink and white images that can't help but sug¬gest two shoes on escalating spirals. Theshapes and colors please each other, and theviewer.Plas-Sticks or Never Really Seen ButAlways Watching, 1980, also satisfies a lazyviewer's desire for total harmony, but in a dif¬ferent way. The satisfaction is less surface vi¬sual, more cognitive. In Plas Sticks, the en¬tire image is easily related to the observable.Thick horizontal reddish strokes balance midcenter on both sides of the canvas. Extendedupward from the red lines are a blue comb¬like figure on the left, swirls of color on theright. Why, it's a giant human deriere withpockets full to profusion.It's no mistake that Eiva's paintings permitthe viewer to associate the painted imageswith common images available to daily perception. Eiva states that she bases her workin "real world observation", "intelIigibles weare accustomed to". But not all of her workoffers the readily definable images found inPlas-Sticks.Ends With ing, 1980 seems to have lessin common with the observable than with theimaginable. A horizontal line borders the topof the canvas and meets a vertical line ex¬tended from the lower to the upper rightcorner. Across the upper third of the canvas,four upside-down swimming trunk-likeshapes sit. The lower center portion of thecanvas holds a vibrant lip-like shape of red, all on a greyish background. One might be satisfied with diagnosing the painting as anoversized reconstruction of a lip-smackedpostal envelope. But that would be satisfyingoneself with less than the painting offers.Along with any elaboration of the recogniz¬able, the painting articulates exploration inthe purely spatial. What permits such an easycohabitation of irregular shapes is not readilyunderstandable. Is it because we somehow relate them to what we know we can see, andthen permit this association to conquer anyfeelings of visual disharmony?Just how Eiva's paintings "work" becomesan even more difficult question in Simultaneously, 1979, and in Depending on You, 1980.In Simultaneously, the visual balanceachieved is difficult to articulate. The canvasis casually divided by loose vertical lines on aneutral background. A featherlike pattern ofcolor cuts across the upper left corner — animage Eiva cliams originated in a pair ofsunglasses. In the lower center of the canvas,five oversized comma-like figures float. Ahazy vertical floats in the right-center portion. What relationship exists between theshapes, the colors that define them, and thespace that separates them? I don't know, butI like looking.Depending on You, 1980, is the most complex of Eiva's five. It remains visually unresolved, although it's difficult to decide whereand how the conflict operates. A lime greenfork-like image dominates the painting. Partially surrounding the shape is a black circu¬lar grid bordered by white. The grid appearsto pull the fork into it. On the opposite side ofthe canvas, a purple triangular shape extendsits apex near the top of the canvas. Its leftside is laced with fringes of pinks, purples,and fleshtones. The triangle intersects an¬other spatial pattern, a wide diagonal spacethat contains the fork-grid shape as well as ascattering of single parenthesis-like figures.If the painting shows anything, it shows theartist's ability to create a new order for us.Somehow the components of the order are alot less interesting than the order itself.Bertram (Peter Syversten), Helena (Meagen Fay) and Bertram's mother (PaulineBrailsford), in a scene from All's Well That Ends Well.Elizabethan. It's more like West Side Manhat¬tan, and it's terribly, anachronistically amus¬ing. Did this guy wander in from someprime-time sitcom? In many ways, Stone isthis All's Well's best feature; he's an excel¬lent reader of Shakespeare, and the focus ofthe show's wildest, most entertaining scene.Captured by what he imagines is a group ofenemy soldiers, the blind folded Perolles de¬livers a series of stinging attacks on hisfriends in order to save himself, not knowingthat his captors are in fact his companions,bent on proving what a scoundrel he is.Helped along by the first-rate Timothy Onanas Rinaldo, who interprets the "enemy" lan¬guage fro Perolles, the sequence arrives as aninadverdent climax, particularly after somany muted romantic encounters whichnever quite come off.Once again Linda Buchanan has conjuredup another splendid set, composed of woodenstairways and a towering, revolving tower which reaches high up towards the trees. Unfortunately, the few scenes which took placeon the top middle balcony did not projectenough, and so one could barely hear the dialogue. Jordan Ross's costumes were perfect,a real enhancement, and there were anumber who excelled in smaller roles; Pau¬line Brailsford as Bertram's mother, DavidE. Chadderdon as the jester, Leonard J. Kraftas the dying king whom Helena revives, JayEllen Hand as the maid Maria. If one werequibbling, one might ask that the musicplayed during scene transitions be improvedupon, as the recording seemed a scratchy dis¬traction.All's Well That Ends Well has its finer mo¬ments. But more than a tew disharmonious el¬ements keep this production from coalescinginto a satisfying tribute to this admittedlyproblematic and "light" Shakespeare comedy.ArchitectureNowand Thenby Adam O'ConnorThe only thing which I have found worthyof the journey to Evanston is a strange vol¬ume in Northwestern University's Art Li¬brary which is a record of the architecturalcompetition held in 1922 by the Chicago Tri¬bune. With its $100,000 worth of prizes, thecontest to have one's building declared "theworld's most beautiful" had world wide appeal. The old competition book has beenreissued along with a companion volume (2vols., Rizolli, $30) which describes a sequentcompetition, an effort of the Museum of Con¬temporary Art: "Late Entries to the Chica¬go Tribune Competition" (until July 27, atthe Museum).The competition of 1922 was a roundhouseof architectural wonders, both in the designssubmitted and the reactions to them. Hoodand Howell's stout semi-Gothic landmark atMichigan and the river strikes one as bi¬zarre at first seeing: its grapeshot whif offoreign stones (a feature not detailed in theentry), flopping butresses, and episcopal at¬titude make it quite an outsized curio. Butthings get even stranger when we considerthat Raymond Hood built such outstandingexamples ofmodern architecture as theDaily News Building and the McGraw HillBuilding in New York. The New York DailyMews, a Tribune affiliation, still occupies itssleek striped tower whose constructionbegan a mere three years after the completion of its mid-western parent. In retrospect,Hood's design, and its success seem ironicor sarcastic, a trick played by the architecton progress or by progress on the archi¬tect.Most of the submissions to the competitionwere sad attempts to make over the Classi¬cal and Gothic Traditions to the stringent re¬quirements of an office building. Unlike theroaming office buildings in Washington,whose classical forms cover acres andacres, these Chicago attempts sought to pileone Classical, Rennaisance and Boroquetrick atop another, utterly misunderstand¬ing the traditions into which they had beenso carefully indoctrinated. Even Goodhue,who was soon to escape the traditions withhis Nebraska State Capitol, offered a verystuffy building. The old Tribune book is afinal group portrait of two noble and dyingfamilies.The madcap and the visionary also madeit to the judge's table. Adolph Loos, soberarchitect, and a founder of the modern tra-diton, contributed a fenestrated Greek col¬umn, which he claimed was the result of tak¬ing things to their natural conclusions. Onearchitect offered a bellicose Indian Bravewith hatchet raised above the scurrying Chi¬cago businessmen. Two striking buildingscomplement their unabased modernity withperspicacity of locale. Walter Gropius of¬fered a clean building, decked with long,randomly placed balconies, Chicago win¬dows and a real acknowledgement of theriver; which was absent from most of thedesigns, including the winner. Bijovet andDuiker's equally fine building is wrapped inbalconies and displays an odd, quite Wright-ian portal.Everyone's favorite seems to have beenthe second place (rather a euphoneous designation in an architectural competition)design, that of the elder Saarinen. This flattower's diminishing masses and decorativepiers seem commonplace today. Saarinen'swork lacks the energy of the earlier Sulli¬van's and the elegance of the later Hood'sand Harrison's apparently waiting impatiently in the wings. In fact, Sullivan himselfapplauded the building, (and no entry fromhim?), expressing surprise that a Europeanshould be the bearer of American invention,and disappointment that such an error wasmade in the judging. Saarinen's oblivian tothe sites special . requirement of two"fronts" and his bevy of stone beautieswafting up the building's facade make thegreat praise he received incomprehensible.If the 1922 competition is a record of tire¬some sobriety, 1980 is a record of utterwhimsy. The museum admits that the moot¬ness of the competiton led to submissions8—Friday, July 11, 1980 Ponderingwhich were "intended less as designs forbuildings than as commentaries on the orig¬inal competition or on the state of architec¬ture today." Indeed. We have a glowingmystery reminiscent of the urban dream ofHugh Ferris, a mytic succession of the clas¬sic, glassy and blocky fashions, the coales¬cence of moieties of buildings by John Wel-born Root and Mies van der Rohe, grimassessments of the state of journalism andExplorationsinner LandscapeARC Gallery, 6 W. Hubbard.Through August 2.Tuesday-Saturday, 11-5.by David MillerThe unconscious made evident: this, inshort, is the undertaking proposed by InnerLandscape, an exhibit of 52 photographs. 23artists have joined fri this effort, which, ifsuccessful, would uncover an internal, hid¬den, and secret self. As it happens, as manyof the images are forgettable as are memo¬rable. Yet the notion that all of these imagesrefer to a single, collective unconscious per¬sists; and makes Inner Landscape of morethan passing interest.Currator Margaret Peterson is responsi¬ble for much of Inner Landscape's success.She began by aiming tiigh — both by askingfor photographs of something difficult torepresent, and by choosing to juggle worksby a large number of artists. The show doesnot lack diversity. But when one wishes toportray one thing — in this case, an elusivecollective inner self — diversity can presentproblems. It is Peterson's final triumph thatshe found some semblance of unity wherethere threatens to be none. Although I havenot seen the 566 prints from which these 52were selected, I do not think I praise Peter¬son's work too highly. The same number ofrefused works in another arrangementmight do as well; after all, as it stands,Inner Landscape is none too convincing. YetPeterson has found 52 serious works. Whensome of these prints fail to satisfy or evoke,their failure does not result from an igno¬rance of the medium.Outside of several excellent individualprints, Inner Landscape takes its force fromPeterson's linear arrangement of the 52prints into three groups. The first 25 or soand the last 10 or 12 prints share abstractqualities; the middle 10 or 15 are more liter¬al. These central images are also more im¬mediately attractive: works by JefferyNewbury, Linda Cohn, and GretchenGarner stand out for their intelligent wit.Newbury's presents a print within a print —a smaller horizontal photograph shows a fig¬ure with an outstretched arm blocking hisface and seems to shout "STOP". This sen¬timent is undercut by the larger verticalphotograph of a deep, bottomless well. Thecombination is both fortuitious and well-planned: human will seems blind to its lackof control. Cohn's print of four seats stackedon top of one another is similarly posed butlacks the spontaneity and emotional appealof Newbury's. In the absence of these twoqualities, Cohn's print could take suste- Late Entriesthe state of the union One building is a box oflight, and in an anonymous entry fromJapan we are protected from Classical in¬fection by the placing of Loos' column in acondom. Few of the buildings encouragethoughts of actual constructon. The personwho seems most serious about his work isWaller Netsch. Netsch submitted a silveryportrayal of an ethereal, but definitely mon¬umental structure.nance from a more exciting visual organiza¬tion — either of form or tone or both — but itdoes not.Garner's "the roll of the billows" is one ofInner Landscape's half dozen or so colorprints. It takes no interest in emotional ap¬peal whatsoever; the viewer is presentedwith personal artifacts — another colorprint of a crumpled car, an open book, and ahandwritten personal letter —■ arranged in aformal setting. It wears it contrivance on itsface, but is not in its use of form and colorunappealing. Yet I imagine most viewerswill not read the book and letter or figure outwhat relation this collection of papers withinone photograph has to the artist's or theirown unconscious. In "the roll of the billows"the personal overpower's the collective.The "abstractions" that preceed and fol¬low these witty and literal representationsmake up the bulk of The show. The threegroups are by no means distinct; in particu¬lar, one finds that the longer beginning se¬quence blends or develops more easily intothe middle group. It is at the end of the firstsection (or at the start of the second) thatone finds Inner Landscape's landscapes —prints by Christopher English, DeirdreMonk, and Steve Saunders fill this descrip¬tion. Three by English are hand penciled onrag paper; they portray fields of grass. Onegets the same sense from all three — that ofa hevy heat mixed with exquisitely detailedperception (akin to the effects of B & W in¬frared photography) — and wonders whythree were included. Monk's five landscapesare darkly lit beach and sky scenes, eachevoking a sense of the elements. Heavytones and deep textures are the principal el¬ements here, and Monk is the master ofthem. Saunder's four landscapes dispensewith the textured look of English and Monk— each of these prints is slick, dark, and at¬tractive. Unfortunately, I find they add littleother than their surface qualities to the in¬creasingly literal progression, and wishthey had been left out. They are pretty, buttheir subjects — kids, water, darkness —are cliched.English, Monk, and Saunders immediate¬ly preceed the middle works; prints by RonGordon, Ken Metz, and Pamela Moseley im¬mediately follow. These move again fromthe literal to the abstract, but not by use oftone or texture.Gordon's shows a mural with lake, moun¬tain, and sky on the wall of an unfurnishedand abandened room — the juxtapositionmakes the point.Metz's single and Moseley's four printsdevelop the juxtaposition of forms to thepoint where one form — seen askew in Metz. As one views the large show one's excla¬mation is "How wild" in place of "How won¬derful". The flippancy is pleasant, and un¬derstandable. The Chicago Tribune is not aclient to be taken seriously, especially whenplaying. But one must detect a void where asincerely impressive building should be.One want a building which inspires: "Whydoesn't someone build it?" It may be onlythat it is difficult to resist a rare chance forlarking, but it may also be that architectswould rather not contribute to the alreadytoo long list of the beautiful but unbuilt.Architecture seems to be breaking intotwo camps, the predictable, and the smartalecky; with this show featuring the latter.The separate tendencies produce work likePei's East Wing and Johnson's AT&T build¬ing. But wen the tendencies intersect, aswith Pei's New York Convention and Exhib¬ition Center, or Johnson's Pennzoil Plaza weget a building with vim and vigor. A buildingwith wisdom rather than mere dogma, ormere street smarts, is a rare belief form ofmonotony of the street or the excesses of thedrafting table.The show is eminently worth seeing for itshistorical and theoretical interest, but alsobecause it offers one of a rare (though in¬creasingly more common) opportunity toview architectural rendering, a bastion ofskill and dedication They are labors of love,and though they be commentaries, no morecarefully crafted comments are to be foundbetween boards or within frames.Through July 27. Museum of Contem¬porary Art, 237 East Ontario, Tuesday - Sat¬urday, 10-5, Sunday 12-5. $2 admission, $1 forstudents with id.or in a flat and gaudy blandness in Moseley— dominates the frame. These works arethe least appealing in Inner Landscape, notonly because they seem so empty, but alsobecause they seem remote from both artistand viewer. But as with the work ofSaunders, they are purposefully placed.Peterson has carefully changed the na¬ture of the abstractions that begin and endInner Landscape. Those at the show's startare serious photographs, but they treat theirsubjects playfully in comparison to those atthe exhibit's close. Eight excellent photo¬graphs by Gary Kolb and Laura Krasnowbegin the journey almost invisibly; JosephJachna's single blurry print ends the jour¬ney almost in protest. The different is that ofabstraction innocent of its purposes and ab¬straction turned upon itself, gone sour. Ifthis interpretation is correct (and I admit itis anything but immediately evident), thenInner Landscape begins in jest, movesthrough wit, and ends in conscious alien¬ations.* * * * *Several aspects of Innter Landscapeshould not escape blame. Glass over printsdetracts from them, especially when theprints deal in subtle shifts of texture andtone as often as these do. Second, the catalogue, although it is democratic and authen¬tic in its selection and order of images, in¬cludes two essays I found next to worthless.Finally, the prints are placed too near oneanother on the gallery walls, though l amsure there is a good reason for this.♦ * * * *Two very different photo shows currentlyhang at the Chicago Public Library CulturalCenter, 78 E. Washington. More flashy butless strictly photographic is MicroelectronicGraphics, a show of three dozen or so great¬ly enlarged color photographs of the micro¬processor chips used in computers, calcula¬tors, and cameras since the early sixties. Ifyou enjoy the back cover of the TalkingHead's second album or the posters in TheRolling Stones's latest, this colorful exhibitmay be to your liking. I find it entertain¬ing.The Cultural Center's second photo dis¬play includes 14 11" X 14" black and whiteprints of Haitians by Sophie Gehan-Taubert.The better of the 14 have an unpretentious,snap-shot quality about them: subjects arecentered, perspective is mainly from eyelevel while standing, and subjects seempoised. Most are nice; yet Gehan-Taubertoccasionally uses overworked cliches. Still,it's refreshing to see competent photo¬graphs made to present a simple subject.These fit the bill.in the photographic sensecooley'sSTOREWIDE SALE!20%-50% OFFSABATIERS COPCO i BATH ACCESSORIESKNIVES -50% OFF, Waste basketsIPOT RACKS reg. 12.95 NOW *82550%OFF Tumblers- -^3Freg 3 50 N0W $210CRYSTALBEERSTEINS50%OFFCUISINARTSreg. NOWFPC-5 13000 9100DLC 8 17500 12200DLC 7 25000 17500PFALTZGRAFFCOMPATIBLES5-pc. placesettingreg. 11.95NOW$625QUICHE DISHRECTANGULARBAKERLOAF PAN 10.958.95 NOW*5.507.505.95cooley's cornerMon.-Sat.10 am to 6 pmSunday12 noon to 5:30 pm In Harper Court5211 S. Harper Avenue363-4477 fsba/ (os/a/e; ^o>.312 / 493 0666LI XI RY VIEWS at the promentorv but not luxury prices. 55th and the Lake, high floor. 2 bedroom. 2baths. $57,000. Co-op.SILVER COAST OF HYDE PARK - where lake curves. From the North tower, nothing between youand downtown at 4800 Lake Shore Drive. Two bedrooms, two baths, lots of extras. $80,500 includes agarage.CONTROL YOUR OWN MONTHLY COSTS - all electric (bulk rate of course) condo unit near 55thand Cornell. Central air, individual heat. Large country kitchen laundry hook-up. Six rooms, two fullbaths. Super greenery back yard. $75,000. Just listed.EIGHT BIG ROOMS, FOUR BATHS, RIGHT ON THE LAKE - at 73rd and South Shore Drive. En¬tire wing of choice co-operative building. $35,000.ON THE LAKEFRONT near 78th, right on the park . .. gorgeous view. Three lovely rooms in elegantbuilding. Co-op. $11,900.VOILA! Open up a kitchen wall and you have a super spacious “country air” one bedroom apt. Insideparking goes with this. 5401 Hyde Park. $48,000.INCREDIBLE LUXLRY APT. of an Earlier era, 51st and Uoodlawn. Needs lots of updating but ifyou can do it, you'll have over 3.000 square feet of a fine condo home. $75,000.FOUR LOTS ADJACENT - 50’ each, choice Hyde Park comer. Zone R-5. $25,000 each.PARQUET SPLENDOR - throughout (including the many roomy closets) formal condo. Has addedfeature of wood burning fireplace. Look all around you from the high Narragansett floor to the lake, thecity. $69,500 for 5 spacious rooms.WRAP AROUND CORNER APT. at 55th Street and Dorchester. University Park Condo. $69,500.Garage guaranteed. Stunning view.RED BRICK TOWNHOUSE near 55th Street. Guaranteed parking. Excellent condition. Threebedrooms, 2-Vi baths. $120,000.TI DOR STV LE BRICK HOME in heart of Hyde Park has its own coach house rented (offsets mostmaintenance costs of main house). Eleven spacious, gracious -un-filled rooms. Uoodburning fireplace.Prominent University faculty ow ner just listed this in time for this ad. $195,000.GRACE AND TRADITION abound in 5000 Ea.-t End Heritage-tvpe apartment. Gorgeous decorativeceilings. Large formal dining room - high floor cooperative. $55,000. this is for YOUFAMILY RESIDENCE - Stone V ietorian near 54th Greenwood. Oversize living room, dining room andkitchen ... latter rather old-fashioned. Nice big back \ard. $125,000.TEENY TINA HOI SF-. V INT AGE 1900 - Near 55th Dorchester. >even room-. 2 baths, all -mall. Nicegarden. Double storage building. $72,500.KEN WOOD SI B1 RB IN THE < ITV ha-a 12 room, high ceiling. 18*8) residence. $ 1 19.500.NOW OPEN FOR LUNCHDELIVERY SERVICE AVAILABLE AFTER 4:00 P.MFri & Sat 4 PM-P.zzena Two Locations ForChicago's Finest Stuffed Pizza Edwardo s North Open. Toes -Thurs 5 1 1 30 P.M12 30 AN1 Sun 4 11 30 P.MFdwardo s South Open: "lues-Thurs & Sundav 4 ! 1 30 PMFri. & Sat. 4 P.M-12:30 AMPIZZASmall Medium LargeDelicious Mixture of 2 95 4 75 5 60Mozarella CheesesAdditional Ingredients:Sausage. Pepperonior Canadian Bacon 150 1 80 2.25Fresh Mushrooms.Green Peppers. OnionsorGarlic 60 80 1 30DeliciousSTUFFED PIZZARegular Deluxeserves 2-3 serves 4 ^Blend of MozarellaCheeses 545 725Additional Ingredients:Sausage. Pepperonior Canadian Bacon l 50 l 80Fresh Mushrooms.Green Peppers. OnionsorGarlic 60 80EDWARDO S FAMOUSSPINACH SOUFFLEPIZZA (made withfresh spinach) 7 20 9 35 A PIZZA BY ANYOTHER NAME .. .jianirfci Wim tompa^d. M hat'sTvhat5ut Webster never kntth )ahy d^t|r^Jizor^ibaorl^aKIbirikH^ce rthryctre bothrgiqpcontains cbee^ beUpdrvttke we/can have a fewkes of sausage, or be " tcovered frpav^e^6ftV(^k“age likeEdOirWb'^ Our ingredients are of thehighest quality, fresh and abundant.Taste for taste and ounce for ounce,there is more quality and value inEdwardos than you re likely to findany place in town. TOW DELICIOUS SALADS|oT Fresh and crisptasty ingredients to round"out any pizza Dealt ^ H S1 00i dendious cywnpi^tifi. cheeseslU peppover crisp lettyte.&rdl4rCh^9 in fvjnettdt & oil/p deluxe s3 95<3A \ / *3 serves 2-3 serves 4 or more^ Ct0»*Gp.OOT* ’our house dressing Its good enough tobe called Mansion DressingBeverages:Soft DnnkPitcher of Soft DrinkCoffeeMilk 50 752 254040Corkage Fee50C per person1 dwatdo s North 1937 West Howard St.. Chicago^ HI Call 761 7040 Fbr Pick up and .Deliveryf dwardo s South; 1321 hast 57th St Chicago. 111.. Call 241 7960 For PickupPrity Take Home One or More PartiallyBaked Pizzas hor Your FreezerThe Chicago Maroon—Friday, July 11,4980—9CALENDARFriday TuesdayPerspectives: Topic — "The Treatment of Undera-chievement' guests Elsie Pinkston, and HerbertWalberg, 6:09 am, channel 7.Student Activities Office: “One Flew Over theCuckoo’s Nest’’ 7:15 and 9:30 pm, Cobb.Crossroads: Fiesta Latina, 8:30 pm-l:00 am.Court Theatre: “The Servant of Two Masters” 8:30pm. Hutch Court. Perspectives: Topic — “Chicago Neighborhoods”guests Charles Livermore and Thomas Knudtson,6:09 am, channel 7.Noontime Concert: Samhrada-Traditional and Ba¬roque Irish Music, Hutch Court.University Feminist Organization: Women's HapGroup, 7:30 pm, Blue Gargoyle in the Women’sCenter. Info call 752-5656.SaturdayCrossroads: Buffet Style Dinner, 6:00 pm.Student Activities Office: “Wifemistress” 7:15and 9:30 pm, Cobb.Court Theatre: “The Servant of Two Masters' 8:30pm, Hutch Court.SundayRockefeller Chapel: University Religious Service,11:00 am.Rockefeller Chapel: Carillon Recital, 4:00 pm.Court Theatre: “All’s Well That Ends Well” 8:30pm., Hutch Court.MondayPerspectives: Topic — “Historic City: The Settle¬ment of Chicago" guests Charles Livermore, andThomas Knudtson, 6:09 am, chanel 7.Smart Gallery: Selections from the John L.Strauss Loan Collection, 5500 S. Greenwood,Open Tues-Sat 10-4, Sun 12-4. WednesdayPerspectives: Topic — “Chicago Neighborhoods,Past and Present” guests Charles Livermore andThomas Knudtson, 6:09 am, channel 7.Crossroads: English classes for foreign women,2:00-3:30 pm.Student Activities Office: “The Ladykillers” 8:00pm, Cobb.ThursdayPerspectives: Topic —"Effects of Lake Michigan on Regional Weatherand Air Pollution” guests Walter Bohan,Paul Frenzen and Tetsuji Yamada,6:0# am, channel 7.Rockefeller Chapel: Carillon Recital, 7:30 pm.Court Theatre: “Love’s Labor Lost” 8:30 pm,Hutch Court.ROCKEFELLER MEMORIAL CHAPELSunday, July 139:00 A.M. Ecumenical Service ofHoly Communion11:00 A.M. University Service of WorshipPreacher: Bernard 0. Brown,Dean of the ChapelWednesday, July 168:00 A.M. Service of Holy CommunionCarillon recitals are given Sundays at4:00 P.M. and Thursdays at 7:30 P.M.Those who arrive one half-hour early mayaccompany the Carilloneur to the tower.Spokesman Bicycle Shop5301 Hyde Park Blvd.Selling Quality ImportedBikesRaleigh, Peugot, Fuji,Motobecane, WindsorRollerskates for Saleor RentOpen 10-7 M-F, 10-5 Sat.11-4 Sun.684-3737 ROTCExchangeProgram Here?By Philip MaherIt may be possible for future students toattend the University on ROTC (ReserveOfficer Training Corps) scholarships,acording to assistant dean of students PaulAusick.Presently students with ROTC scholar¬ships can not use those funds to financetheir education at the University becausethe University does not provide a way forthem to obtain the technical training re¬quired of ROTC students.ROTC is a military enlistment programthat offers recruits full scholarships at theschool of their choice, with a commis¬sioned officer’s post upon graduation.Since ROTC students must balance lib¬eral arts and technical training to attaintheir degrees, many schools without a full-fledged ROTC program send their ROTCstudents to another institution for techni¬cal training, transferring credits for these courses to their own degree programs, inthe Chicago area, most schools send ROTCstudents to the Illinois Institute of Techno¬logy (IIT) for technical training. However,the University does not have an agreementwith IIT and the various ROTC programsto permit this.The chief barrier to the participation ofUniversity students in ROTC programs isthe transfer of credits, Ausick said. An AirForce ROTC student would concentrate inaerospace studies as an undergraduate,but the University, a liberal arts school,would not accept such credits toward a de¬gree.Still, Ausick is looking into ways of side¬stepping the problem, at the request ofseveral potential students. ‘‘It is a greatway to finance an education,” he said,“but any arrangement we made wouldhave to be a limited one; some kind ofcrosstown agreement” allowing Universi¬ty students to take technical classes at an¬other institution. These crosstown agree¬ments are “a very standard, common sortof thing” at other schools, Ausick said.The University has no intention of estab¬lishing a full-scale ROTC program, whichwould require the building of special facili¬ties, nor would it compromise its academicstandards to allow students to participatein a crosstown program, Ausick said.^GuwtaStMeGwc.TheFLAMINGOand CABANA CLUB5500 S. Shore Driver• Studio and 1 Bedroom• KtirniJmi yml InfumiJnl•l'. of (.. Ini* *loj»• ( hitrioor P«»ol and Carden*• Caqieiitig and l)ra|>e* hu l.• Soeuritx• I'nivrisitx Silli-idx forStudent* and Staff• J)rlieate*.*en• Bari ter Shop• B«'anl\ Shop• J.B.O. Ke*laurant• Dentist• ValetFREE PARKINGM. SnyderPL 2-3800 "WI'Ll SHOW YOHHOW'OAHO!IS AT IT AGAIN!FOR EQUIPMENT:FOR PROCESSING:AFFORDABLE?ANDHOW!WE’LL SHOW YOUAfeGuiwtaFor All VoufPhotographicMead*1Gilt Certificate*Available Staekwc.TINLiY PARKBramontowna Mall159th t Oak Park429-6464 MYDf PARK1519 E. 53rd St.,Chicogo752-3030MT. GREENWOOD3205 W. tilth St.Chicogo238-6464 HICKORY HILLSHill Croak Cantar95th 4 Mth Ava.599-9200i10—The Chicago Maroon—Friday, July 11, 1980CLASSIFIED ADSSPACEAPT FOR RENT spectacular view 2bdrm 2 ba AC carpeting for saleavailable Aug $536/mo. Call 753-8236 or955-5704 evenings.For sale by owner, Studio condoUniversity Park. U51 E. 55th. *28,900.No existing mortgage. 929-9143.Lovely and Ige apt to share InEvanston. 4 bdrms, 2 baths, Ige liv.and din. rooms. $146.25/mo. Oct. 1lease. Call Meg at 475-1383.Studio apt available August 2. Flam¬ingo residence, 5500 S. Shore Dr., nearUniv. bus route. University discountavailable. S276 unfurnished; $298 fur¬nished (without 10% discount). CallRobert, H-684-0326 or 0-576-4985.STUDENT GOV'T HOUSING LISTavail in Ida Noyes, Student Gov't Of¬fice call or come in 3-5 pm wkdays,753-3273.Studio apartments avllable Sept. 1 andOct. 1. Near UC. Grad students prefer-rable. $225. 238-7941.Do you need a place for August only?Clean studio apt $210. Excellent loca-t ion, 241-7196.Luxurious penthouse 1 bedroom forrent, Newport Condo Sept 1 238-7941.PEOPLE WANTEDRegistered student to help us moveearly Aug. Call 753-8236 or 95*5704evenings.Young lady wanted to care for 10-yr-old girl, serve meals and clean upM-Th 3:30-7:30 or 8:30. $50/wk In¬cludes dinner. Start around Aug. 20, Aug 27 OK. Call 288-5464 eves.Faculty family seeks part time helpwith housework. Very near campus.Flexible hours, good rates. Studentpreferred. Please call 241-6766 or753-4258.HOW DO THE TWO SIDES OF YOURBRAIN WORK? Left and righthanders needed for paid participationin behavioral science studies. Call753-4735.The Department of BehavioralSciences needs people who want toparticipate as paid subjects Inpsychology experiments. For furtherinformation call 753-4718.PROFESSIONALS and semi-prof, in¬terested In extra money in spare time.Married. Degree. 667-4339for appt.Earn extra money next week! Part-time temporary help wanted on cam¬pus. $3.75 per hour. Call 236-1996 today(Friday) or Monday morning fordetails.Knowledge of CLASSICAL MUSIC amust...blues, folk, etc. helpful. Assis¬tant records manager wanted to beginin August and continue thru shcoolyear. 15-20 hrs a week. Good pay. CallTHE STUDENT CO-OPBOOKSTORE, 753-3561.Babysitter for 9 mo. old In my HydePark home or yours. 7:30 am to 5:30pm, 382-3115.FOR SALEYard Sale. Saturday July 12.12:30-4:005542 Blackstone.LOFT BED, single. 241-5751, eve.WANTEDOut of shape violinist wants to formstring quartet. Seeks players likeherself; not talented, but enthusiastic.Call 667-1822, evenings. Faculty, staff or student commutingfrom Evanston or N.S. suburbs: I'mlooking for rides from Evanston to andfrom campus next year. Will entertainand pay gas, oil, time, etc. Please callMeg at 475-1383.SERVICESDo you have writing problems?Published writer teacher can helpreas. rates, call KE6-1662after 10pm.TYPIST Exp. Turabian PhD Mastertheses Term papers Rough Drafts924-1152.Typing term papers etc pickup anddelivery on campus reasonable. Call684-6882.Typing and editing: papers, theses,etc. in English and Spanish;translating and tutoring also. Call955-2013.BABYSITTING, CARWASH,PAINTING-We can help. We have aready supply of neighborhood teens,pre-screened and trained to handleyour temporary job. CALL: The BlueGargoyle's Youth Employment Ser¬vice, 955-4108, Mon-Thurs 10-5.FRENCH TUTORING. FormerFrench teacher will help you to makefast progress. Reasonable rate288-2313eves. Sang.PERSONALSWriters' Workshop (PLaza 2-8377),IZAK: You should've asked if anyonewas in there. Sorry I never made itduring the year, but I lost my ID andleft school. Shine on! A Fan ViaFriends.QWERTY: You there? Sorry I missedyou at the picnlc-did you see my com¬plaint? I'm busy working etc. Barefoot(especially in this weather) Dreamer.Come on people! All the color photosordered from the Yearbook are herec.5 eft fcT4-» c “OCO "o coCD 0£ c° ^ '5 >T— T" & >-E © 8- C— Q. i_ O35 O O O(D lO ^ 2!r N CD ..c 0)0) 7 £CO CD ^CO ^— <0-0w 0* and waiting to be picked up. Callbefore you come to our office in IdaNoyes 218 (753-3562) If no answer try rr trnrnr684-5478 And yes, Yearbooks are still | fc Av*H t Kbfor sale. Sales position availble part time or fullDOKTOR FREIDMAN: Do all your time to represent one of the leaders inpatients receive such therapy? You the pension field. Training provided,will definitely become a rich man, as Car necessary. Commissions $40,000predicted. plus. Call 577-8779.SUNNYHi. My name's Charlie, and I'm lonely, r* n > m I ATrr II live mostly by myself in a high-rise V7 K A D U A I fcb!apartment with two goldfish and an oc- r— —; —casional stray pigeon for company. I"*,!.. "I'm small and slwk and good looking beautiful JAMAICA for $250 which imand if I don't find a pal or a gal soon ='ud« a'r'*r* »<*%**' week atI'll go bonkers Any fast cats or slick tjl* tropica! paradise Call TODAYkits-RSVPIease!LAW: Okay, how's this? Gettingenough volume? I'm giad someoneelse is here-1 thought maybe everyoneleft for the summer! BarefootDreamerHAPPY BIRTHDAY, SUSAN S. Yourfriedn at the Maroon likes you enoughto want to move in with you. R.K.Purple Gang: Are you really here?Barefoot Dreamer.ELF: I insist you meet me by the can¬nibal pond on Monday Morning, ealry.I'm hungry Cat WomanWARNING TO You-know-who-you-are. Leave my husband alone until hegets tenure, then he's yours. I knewabout him when we married, so you'renot kidding anyone. You may thinkhe's good now, kiddo, but wait untilyou get yours. Meantime, let thebastard teach and study.FIESTA LATINATonight 8:30pm-1:00am at Crossroads5621 S. Blackstone featuring LatinAmerican food, music and dancing.Free admission.WOMEN'S RAPGROUPA Women's Rap Group meets everyTuesday at 7:30 pm at 5655 S. Universl-ty Ave. For info-752 5655.TRAVELLING?Youth Hostel Cards (Inexpensivehous- ing throughout the U.S. and 50other countries) and Int'l Student 10Cards are available at the Student Ac¬tivities Office, Ida Noyes Hall. Rm 210. TECHNICALWRITER/ANALYSTThe computation Center is seeking so¬meone for the University's Office In¬formation Systems Support (OISS)project. OISS will promote the use ofoffice-oriented computer-based ser¬vices throughout the campus. Theposition entails writing and editingdocumentation which teaches, inex¬ perienced people how to use such ser¬vices, and assisting with analyses ofuser needs that lead to the development of new and/or augmented services Good writing and editing skillsessential. Any familiarity with an of¬fice environment and/or data process¬ing will be helpful. Contact NormanCaplan, 753-8424$$$$MONEY$$$$Leader in the pension field offering achallenging position in sales with opportunity for professional growth andrecognition. Must be aggressive andhave car. Training provided $350 to$450 week. Call: Mrs Jenko577-8779CLOSING FOR THESUMMER SALEA SINGULAR GROUP, crafts co-opwill be closing for the summer Aug 1-Sept 15. Special Sale with many reduc¬tions on Sat. July 26, 11-4. We arelocated at 57th and Woodlawn In theUnitarian Church. Stop in before it'stoo late.JAMAICA!You can spend your summer vacationbasking in the sun on this exotic islandat special student rates. CALL.782-7199.SCRIPTYOURPAPERProduce formatted letters, papers,reports and dissertations without ex¬tensive revisions and retyping. Twosession Computation Center seminarJuly 21 and 23, 3:30-5:00, Cobb 214, willintroduce you to SCRIPT, Allwelcome, no charge.CAR TO RENTTwo German Doctors taking part in asummer workshop at CFSC want torent an inexpensive car for a holidayfrom August 22 or earlier to October 3,car with sleeping facilities preferred.Call Dr. Erler Windermere Hotel324-6000.VERSAILLES5ZS4 S. DerrfcestefWELL MAINTAINEDBUILDINGAttractive 1 Vi mad2Vi Room Studio*fwrwktkti er lahnisM5218(« $320laaed ee AvsAiMMtAt Cmimn lu Sl«f324-4290 Mrs. Creak MUST BE SOLD1 br. at 56th and Kenwood with formal dining room inheart of Univ. area. Low taxes, low assessment. Bestvalue around $44,500.2 br., 2 bath on Hyde Park Blvd. Finest building inneighborhood. Over 1,000 sq. feet. Many added features.$61,900.Call Brian Zehner 641-0159ADE REALTY INC.iiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiitiiniiiiiSPECIAL DISCOUNT PRICESlor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCard As Students or Faculty Members you are entitledto special money-saving DISCOUNTS on ChevroletParts, Accessories and any new or used Chevrolet youbuy from Ruby Chevrolet ^&&gm quality rriSBMCf PARTS ||±J|csornua motoss imts ormofKeep That Great 6 1/ feeling U ilh Gt.\ L l.\t. GM farts72nd 8t Stony Island 684-0400l—j Open Evenings and Sunday Parts Open Sot 'til noon2 Miles - 5 Minutes AwayFrom The UNIVERSITYSPECIAL DISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University of Chicago IdentificationCord As Students or Foculty Members you ore entidedto special money-saving DISCOUNTS on VolkswagenPorts, Accessories and ony new or used Volkswogenyou buy from Ruby VolkswagenYour,q Designs byELIZABETH GORDONHAIR Dl SfCNF RS1620 E 53fd St288 2900 72nd & Stony Island 684-0400Open Evenings and Sundays Ports Open Sot 'til noonillHlllilllllHIIIHIIIIIimillimillHIIIIIIIIIIIIIIIilllllll'The Chicago Maroon—Friday, July 11, 1980—11iijiiiiriiiiiniimiiiiiiifilmsN friday july li 7:15 & 9:30 one flew over the cuckoo's nestSaturday july 12 7:15 & 9:30 wif© mistrCSSWednesday july 16 8:00 the lady killersall films in air-conditioned quantrell auditorium,cobb hall, 5811 ellis avenuethe CHICAGOBRASSENSEMBLEhutchcourt8:30 p.m.tix at reynolds clubbox office$4.50 gen. adm.3.00 u.c. students/senior citizens i tuesdaynoontime1 concertSAMHRADA1 traditional and BaroqueIrish music rhutch courti —- -A 7ida noyes cloisters(3rd floor theatre if rain)THE OPERA FACTORYan evening of popularoperatic arias and selectionsfrom gilbert and sullivanFREEthefrog & peachida noyes hallair-conditioned 11:30 a.m.8:00 p.m.buffetandgrillfood the ida noyeshas ICE CREAMHaagen-Dazs forconnoisseurs12—The Chicago Maroon—Friday/ July 11/ 1980