Vol. 89, No. 14 The University of Chicago Copyright 1979 The Chicago Maroon Friday, October 19, 1979Economist Schultz wins NobelBy Jaan EliasUniversity faculty memberTheodore W. Schultz has won the1979 Nobel prize in economics, TheRoyal Swedish Academy announc¬ed Tuesday.Schultz, the Charles L. Hutchin¬son Distinguished Service Pro¬fessor Emeritus in Economics, hasbeen a University faculty membersince 1943 and served as the chair¬man of the economics departmentfrom 1946 to 1961.Schultz will share the $190,000prize with Sir Arthur Lewis ofPrinceton. Schultz becomes the45th Nobel laurate associated withthe University.Schultz and Lewis, though work¬ing independently, were bothhonored for their work with theeconomic problems ofunderdeveloped countries. In theirannouncement of the award, theSwedish Academy said that bothmen were “deeply concerned aboutneed and poverty in the world andare engaged in finding ways out ofunderdevelopment. ’ ’Schultz’s workIn a press conference Tuesday,Schultz said that most of his recentwork was concentrated in twoareas: the history of economicdevelopment in countries with pooreconomies and the development ofthe economic subdiscipline ofhuman capital.One of Schultz’s most influentialworks is his 1964 book, “Transform¬ing Traditional Economics.” In anarticle about Schultz’s work, D.Gale Johnson, University provostand Eliakim Hastings Moore Distr-inguished Service Professor ofEconomics, discussed Schultz’s fin¬dings that “traditional farmerswere efficient in the use ofresources; that the marginal pro¬ductivity of farm labor was notzero; and that poor farmers wouldquickly adopt new methods of pro¬duction if they were superior to theold.”Arnold C. Harberger, chairmanof the economics department, saidthat one understanding of the bookcould be that “peasants may not bewell educated — but they are notdumb.” Schultz argued that tradi¬tional farmers will respond ra¬ tionally to a system of propereconomic incentives foragriculture, Harberger said.Schultz’s concern with develop¬ing nations complimented his work Theodore Schultzin human capital. According toGary S. Becker, University Pro¬fessor of Economics, Schultz is apioneer in the field of humancapital research. Human capital concerns itself with economic aid toeducation, health and on-the-jobtraining and the effects that this in¬vestment has on a generaleconomy. “Schultz showed what an impor¬tant part the development ofhuman resources played in thedevelopment of economics,”Becker said.Both his work on agriculturaleconomics and human capital havebeen very influential. Johnson saidof Schultz: “His ideas have spreadacross a wide variety of fields andcircles of influence — in a way thatis seldom matched by anyeconomist.”Schultz minimized the role hiswork has played in determiningeconomic policy in the world.“Governments have learnedfrom the mistakes they have made,but I don’t have any illusions as tothe effect of my work,” Schultz saidTuesday.Critic’s roleWhen asked about present U.S.policy towards aiding underdevel¬oped countries. Schultz was criti¬cal of both the Agency for Interna¬tional Development (AID) and theWorld Bank.Schultz said that the U.S. hadcontributed to many of the prob¬lems of underdeveloped countriesby sending massive shipments offood under the Food for Peaceplan. The massive food shipmentsdepressed prices for local farmers.“We contributed in some of thesecountries to their problems,”Schultz said.“I’m very critical of AID... (but)Congress has been very hard onTurn to Page 3Lab school faculty votes on contractBy Curtis BlackUniversity Laboratory Schoolfaculty were scheduled to voteThursday on a “final offer” madeTuesday in contract negotiationsby the University of a 7.75 percentincrease on the base salary for aone year contract. The ExecutiveBoard of the Faculty Associationof the University of ChicagoLaboratory Schools voted torecommend the offer at the facultymeeting, according to FacultyAssociation spokesman LarryNesper. Faculty Association presidentEarl Bell predicted approval of theagreement by the faculty.“We’re not overjoyed,” saidBell. “But the University had tobargain like never before, theyhad to make concessions likenever before, and they gave moremoney than ever before.”Two concessionsBell said the final offerrepresented “two major conces¬sions” by the University: aquarter of a percent increase from their previous offer, and a oneyear contract. A new contract willbe negotiated next spring.The base salary raise, whentaken with step increases forseniority, will mean raises of atleast 9.4 percent for all but 20teachers presently at the top of thescale. Bell said. He said it was thelargest raise the University hadever granted.“It was the most we could getwithout a severe job action,” Bellsaid. The faculty had authorizedthe Executive Board to call aUrban League’s Jordan speaks on blacksBy Chris IsidoreThe capacity audience in Quan-trell auditorium Wednesdayseemed more interested in whatspeaker Vernon Jordan had saidthis past Monday, when he den¬ounced Jesse Jackson for meetingwith the PLO, than they were withwhat he had come to talk withthem about.Jordan, the President of the Na¬tional Urban League, gave a 45minute address entitled “The Cur¬rent State of Black Americans”, inwhich he addressed the issues ofunemployment, affirmative ac¬tion, problems of black youths,health care, housing, black leader¬ship, and black political power.Only five minutes of his addressdealt directly with his statementMonday in which he called for Vernon Jordanblack leaders to stop overtures tothe PLO. But most of the questionsfrom the audience afterwardsdealt with the statements he made last Monday and during Wednes¬day’s speech about the strain inblack-Jewish relations.Wednesday he again called forthe mending of these relations.“The only ones who benefit fromthe black-Jewish conflict are theenemies of both groups,” he said.“I believe it is time to stop provid¬ing joy to the cross-burners and thebomb-throwers. I believe it is timeto strengthen the traditional, fruit¬ful alliance between the black com¬munity and the Jewish communi¬ty.“We cannot ignore old friendswhile we pursue new ones. Wemust recognize that the little wehave was wrestled from an unwill¬ing nation through our tireless non¬violent struggle. And we must re¬cognize that we were joined by allies who shared our vision of amore just society.“That is why I am concernedthat our traditional alliances areunder pressure these days. At thecore of the civil rights alliance ofthe Fifties and Sixties were blacks,the labor movement and the Jew¬ish community.“Now events following Ambas¬sador Andrew Young's resigna¬tion have led to deep strains in thealliance...The confusion of thepast several weeks must not be al¬lowed to polarize the civil rights al¬liance. Nor must it be allowed toheighten or to release feelings ofracism, anti-semitism or religiousbigotry.”He also answered what he called“one of the most vicious distortionsTurn to Page 3 strike vote if the University’s finaloffer was not “reasonable.” Thefaculty had been carrying outminor job actions sinceSeptember “The job actions didhave an impact,” Bell said.Bell said he was "proud of theunity and support which the facul¬ty mustered. The faculty came along way this year, and next yearthey’ll be ready to go even fur¬ther.”Bell also said the teachers “owea tremendous debt of gratitude toparents of students in the LabSchool, whose letters to ad¬ministrators “provided the extrapush toward a settlement.”Three offersAt the session last Thursday,negotiators for the FacultyAssociation listed three set¬tlements which would be accep¬table to them: a ten percent in¬crease on the base salary for oneyear; a ten percent increase,followed by a cost of living in¬crease next year; or a ten percentincrease followed by a twelve per¬cent increase next year.Following the University’s re¬jection of the Faculty Associa¬tion’s three offers, the ExecutiveBoard told faculty members that it“could not recommend a settle¬ment to the Union membershipunless the University makes asignificant move above the 7.5 per¬cent two-year offer voted down bythe faculty on Monday (OctoberTurn to Page 3Try Chances'R' .for your nextclientmeeting.MlJH ^ «o>TAKE ‘EM OUT TO EATFOR A CHANGE.Come as you are,Baby... andyourfriend. Ourfascinating clientelealways invite comment. rgmal f aJOur margn _lighting allowsDan Cupidto enter nightlytoy with human emotions.NO DOORMAN.BUT PLENTY OFPARKING. 7 DAYSA WEEK!Open-11:30amClose-Sun, thro Thurs.it 11:45Fri. & Sat. at 1:30Chances'R'our crew will strive mightily to please you.Food servedgood & hot.Ou joint already lookslike a zoo. A cold brew available toput out that fire.C'mon, you guys, off your teeter-tauter and on to CHANCES ‘R !CHANCES & IN HARPER COURT5225 HARPER2 — The Chicago Maroon — Friday, October 19, 1979Three draft forums slated News BriefsProposals to revive the military draftwill be the topic of three different pro¬grams in the Chicago area during the nextweek.At the University, the Political Forum issponsoring a conference entitled“Alternatives to the Draft” at Ida NoyesHall tonight and tomorrow. The keynotespeaker for the conference will be Con¬gressman Pete McCloskey (R-Cal.) amember of the powerful GovernmentOperations Committee. Tonight at 7:30,McCloskey is scheduled to debate Pro¬fessor Charles Moskos, a NorthwesternUniversity military scholar, on the useful-PSD aide diesSteve Remington, an administrativeassistant in the physical sciences Divi¬sion’s dean of students office, died Oct. 6from injuries suffered in a fall.Remington was hospitalized in intensivecare for more than a week, and underwentseveral brain operations. To help defraythe heavy costs associated with hishospitalization, friends of Remington haveset up a special bank account to receivedonations from members of the Universitycommunity. Donations may be left withany secretary in the Division of PhysicalSciences.Remington graduated from the Collegein 1968 and had worked for the Universitysince 1972. usefulness and necessity of the draft.Saturday’s events include a series ofthree workshops on various forms and pro¬blems of military service. The threeworkshops are: “National Service: Pro¬spects and Problems” and “Military Ser¬vice in China,” both scheduled for 10:00am, and “Women's Role in the Military,”scheduled for 1:00 pm. The workshops willbe conducted by scholars and members ofthe military. All events at the conferenceare open to members of the University ofChicago community.At Northwestern University, the Coali¬tion Against Registration for the Draft(CARD) will sponsor a three-day MidwestConference Against the Draft beginningtonight. Among the speakers scheduled toappear at the conference are Ron Kovic, aVietnam war veteran and author of Bornon the Fourth of July, Sid Lens, author ofDay Before D-Day, and David Cortright,author of Soldiers in Revolt. The con¬ference will be held at the Norris Universi¬ty center on the Northwestern campus.“The Draft: Where Do We Stand?” willbe the topic for the opening session of theFriday Forum for Social Concerns, aseries sponsored by University Church,United Campus Ministries, and the BlueGargoyle. The speaker will be EllenFinkelstein, a representative of CARD.The forum will be held Friday, Oct. 26 atnoon in the library of University Church,on the corner of 57th and University Ave.The public is welcome. Kathleen O’ReillvConsumeristto speakKathleen F. O’Reilly, Executive Direc¬tor of the Consumer Federation ofAmerica, will discuss “Consumerism: AnAgenda For The 80 s” on Thursday, Oct. 25in Kent 107 at 7:30 pm.The Consumer Federation of America isthe nation’s largest consumer group, andis active in lobbying Congress on issuesranging from energy to housing to thecreation of an independent consumer pro¬ tection agency.O'Reilly, who has been Executive Direc¬tor of the Consumer Federation ofAmerica since 1977. has previously workedfor Ralph Nader’s Public InterestResearch Group and for the U.S. DistrictAttorney in the District of Columbia. She isone of the nation’s foremost experts onconsumer affairs.O’Reilly’s talk, which will include aquestion-and-answer session, is sponsoredby the Political Forum.Service for vanBuitenen todayMemorial Services for J.A.B. (Hans)van Buitenen, Distinguished Service Pro¬fessor of South Asian Languages andCivilizations, will be held this Friday. Oc¬tober 19 at 4 pm in Bond Chapel. VanBuitenen died September 21CoffeeshoppingEven the most hard core coffee drinkersmiss a few of the coffee shops on campus.One that has been missed is on the secondfloor of Social Sciences. It is open from 9am to 11 am and 2 pm to 4 pm. Coffee is 15and 20 cents a cup. Salerno cookies androlls from Moore's Bakery are sold there.SchultzContinued from Page 1them. Therehas been a constant change in personnel tothe point of disorganization.“Where we’ve done well is in one smallpart: we have made food available whenthere is a calamity or disaster. We havedone very badly on an emphasis on scien¬tific and agricultural research. It is notsomething you can go in and just start — it isreally a long-run process.” Schultz said.In regards to the World Bank, Schultz saidthe problem was a more “complex” one.“It (the World Bank) has been more in¬clined to move towards dealing with onlyone thing. Robert S. McNamara (Bankpresident) went all out on birth control,population control, and countries reactedrather adversely. The picture has been quitedistorted, there’s a mixed record in thatrespect.”Johnson said that Schultz “has neverhesitated to say what his position is.” Tues¬day Schultz encouraged economists to takea more vocal position.“Where inquiry can go on without in¬terference, we (economists) have a criticalfunction in social and economic thought, inwhat society’s institutions are all about.Economists who are sheltered, who are inUniversities that protect their freedom, arereally critical and are perhaps the only onesin a position to know,” he said.In December on the 50th anniversary ofthe social sciences building in December,Schultz will deliver a speech concerningacademic criticisms and freedom.Iowa to ChicagoIt was on the issue of academic freedomthat Schultz originally came to the Universi-ty in 1943.Contract voteContinued from Page 18).” After rejectingthat offer, the faculty voted to authorize theExecutive Board to call a strike vote.Bell said the Executive Board voted torecommend that the entire faculty vote onapproving the settlement, regardless ofmembership in the Association. FacultyAssociation positions and actionsthroughout the negotiating process havebeen decided on by the entire faculty in openmeetings, he said.But Bell said parliamentary maneuver-ings by teachers opposed to the settlement,attempting to exclude non-members fromvoting, could delay a vote on the Universi¬ty’s offer until Monday. Before 1943, Schultz was the chairman ofthe department of economics and sociologyat Iowa State University. At the beginning ofWorld War II Schultz and his colleaguesorganized a series of studies on the ways toincrease agricultural production during thewartime period. One of the studies, writtenby O.H. Brownlee, a colleague of Schultz’s,urged the lifting of restrictive trade prac¬tices on the production of oleomargarine.This angered area dairy farmers andIowa State withdrew and reputiated thereport. After this breach of academicfreedom, Schultz left Iowa State to come tothe University.During the first period of his work, Schultzwas primarily interested in applying thegeneral principles of economics to the fieldof agriculture. Harberger said.“Agricultural economics before Schultzwas basically farm management,”Harbergersaid. “With the economics lookedat from the point of view of the farmer.Schultz took a general overview of theeconomic system and integratedagriculture into it.”According to Johnson, Schultz had a ma¬jor role in shaping the development of thedepartment of economics during his tenureas chairman.“The remarkable thing about him,”Johnson said about Schultz, “is his ability toget from others in a conversation. He canlearn from other people, find out things thatthe people talking don’t even realize theyare saying.”Schultz’s ability to probe and ask ques¬tions has prompted much research. Hispioneering efforts in human capital have ledto a great expansion in this field ofeconomics.During his press conference Tuesday,Schultz demonstrated his style by turningthe press conference into a seminar. Schultz gave reporters puzzles and questions,demonstrated his positions with vivid ex¬amples and highlighted areas of economicsthat still need to be investigated.Nobel PrizeSchultz downplayed the importance of theNobel prize. “To the world at large, theNobel prize has been considered the apex.Well, I’m not sure that it is,” he said.Schultz cited the Walker Medal as being amore important award to economists. TheWalker award is given every five years bythe American Economics Association to oneof the nation’s top economists. “I considerthe Walker more of a prize then threeNobels,” Schultz said. Schultz won theWalker medal in 1972.The Nobel prize in economics is the onlyNobel prize not provided for by the will ofAlfred Nobel in 1901. It was created in 1968by the Bank of Sweden and the winner ischosen by a committee selected by the bank.Schultz was in Iowa where he was todeliver a lecture when he first heard aboutbeing chosen as this year’s laureate.“I was surprised, I wanted to know whowas on that committee, what part of mywork was being honored?”When asked if the Nobel would change hislife, Schultz replied “I’m beyond the agewhen I can be easily influenced.”Schultz was born in 1902 in South Dakotaand received his bachelor’s degree fromSouth Dakota State College in 1926. Hereceived his doctorate in agriculturaleconomics from the University of Wisconsinin 1930.VernonJordanContinued from Page 1of the media:”the charge “that black leaders’ positionswere being framed with monetary consi¬derations in mind.” He defended both hisand Jackson’s positions as sincere onesbased on conscience and principle.“(But), since the dollar sign has beenraised by the media,” he said, “let’s get thefacts straight. Less than 1 percent of theUrban League’s income comes from theJewish community. So principle, not bud¬get, is the basis of our stand.“We are not for sale, we have never beenfor sale, and we will never be for sale,” hesaid to much applause.But the majority of Jordan’s speech was ahistorical perspective on the blacks' posi¬tion in American society; where they aretoday, how they arrived there, and what they should strive to achieve in the futureHe acknowledged that there had been pro¬gress for some blacks in America. “(But)the myth of black progress is a dangerousillusion, (for it is) used as an excuse to haltfurther progress to all of our people.“The myth of black progress illustratesthe negative attitude towards blacks. It pur¬ports that blacks have made progress, andthose who have not have only themselves toblame. It sanctions the vile myth that thepoor are really an underclass, incapable ofbeing helped, unwilling to rise out of theirproverty. Let us acknowledge the great pro¬gress that some of us have made. But at thesame time let us acknowledge and recognizethe true plight in which the vast majority ofblack people find themselves.Black plightJordan detailed that plight with statistics,showing that black unemployment is highernow than it was 25 years ago when Brownvs. the Board of Education was handeddown, and higher now than 16 years agowhen the march on Washington took place.He pointed out that one out of every fiveblack families live in substandard housing,and that the majority of black children livein proverty. He said that the income gap be¬tween blacks and whites has grown in thepast 25 years, and that more blacks attendsegregated schools now than then. One thirdof the blacks are poor, which is three timesthe white rate. Most are near the provertyline, and last year alone half a millionblacks were added to the ranks of the poorTo solve these problems, Jordan called forthe blacks to become more active in thedemocratic process. Only two out of everyfive eligible black voteres voted in 1976, andthat has to change, said Jordan.“Our agenda for the 1980’s will be justrhetoric unless we back it up with a massivedrive to have every elibible black man andwoman registered and voting.” That agen¬da. according to Jordan, should be for fullemployment, affirmative action, youth de¬velopment. health care, and housing.Most of the questions afterwards, and theones that drew the biggest audience re¬sponse, were the ones that dealt with Jor¬dan's view of the PLO, Israel, the split inblack leadership and strain in black-Jewishrelations. There were many other questionsand comments. In response to these. Jordanstated that he believed in America, with allits racial problems, and in the democraticfree-enterprize system, and that even withall his travels, he didn't know of a betterplace. He also defended affirmative action,and later emphasized the fact that the blackvoters are not committed solely to the Dem¬ocrats.The Chicago Maroon — Friday, October 19, 1979 — 3The man can fight City HallBy Greg MizeraMichael Shakman is doing something thatwas supposed to be impossible in Chicago.He’s fighting City Hall — and he’s winning.For the past ten years Shakman. a univer¬sity alumnus and resident of Hyde Park, hasbeen involved in a lawsuit which challengesthe constitutionality of the Democraticparty’s patronage system. The systemrewards loyal party workers with city andcounty jobs and forms the backbone of Chi¬cago’s Democratic machine.On September 24, Federal Appeals CourtJudge Nicholas Bua ruled in Shakman’sfavor, saying that the hiring of public em¬ployes on the basis of political preference vi¬olates the First and Fourteenth Amend¬ments. If upheld, the decision may strike acrippling blow to the Democratic party’straditional dominance of city politics.Bua’s ruling climaxed a process which,according to Shakman, began when he wasattending the Law School in the mid-Six-ties.“One afternoon a group of us (students)were in the Law School lounge talking aboutcity politics which we were all very much in¬terested in. One of us said that he thoughtthere must be something legally wrong withthe patronage system ... I thought aboutthat but it was just one of those things youtalk about but never act on.”Shakman pushed the thought of challeng¬ing the city’s employment practices to theback of his mind until 1969. In that year heran as an independent candidate for the 24thdistrict delegate to the 1970 Illinois constitu¬tional convention. As he tells it, he washanding out campaign literature on 71ststreet when a passerby told him “Shakman,I like your campaign but I can’t go alongwith you on this.” The man explained thathe held a city job and was afraid of losing itif his district didn’t produce a big vote forthe regular Democratic candidate. Shak¬man said the incident “confirmed my feel¬ings” that legal action was necessary tobreak up the Democrats’ monopoly of publicjobs.Shakman discussed his feelings withfriends, including C. Richard Johnson andRoger Fross, both attorneys he had knownsince his Law School days. He asked them tohandle his legal affairs and filed suit againstthe Regular Democratic Organization ofCook County, claiming that the system ofpatronage employment which it practicedwas unconstitutional in that 1) it discrimi¬nates against city workers and applicantsfor city jobs on the basis of political prefer-The man explained that heheld a city job and wasafraid of losing it if hisdistrict didn't produce abig vote for theDemocrats.ence, and 2) it gives an unfair advantage toregular Democratic candidates who cancommand thousands of campaign workers ifthe party threatens to punish disloyal areaswith layoffs.However, the District Court refused tohear the case, partly, the court said, be¬cause Shakman did not have “standing.”Judge Abraham Lincoln Marovitz ruled thatShakman was not directly affected by thecity’s employment practices and thus hadno right to challenge them. The election washeld shortly afterwards and Shakman lostby 623 votes in a district which he estimateshas “about one thousand” patronageworkers.But Shakman, Johnson, Fross, and sever¬al other attorneys who had volunteered theirservices pressed on. A year later an appealscourt reversed Marovitz’s decision and al¬lowed the case to be tried. The plaintiffswere Shakman and a sympathizer namedPaul Lurie. The defendants included theDemocratic Central Committee of CookCounty, the Regular Democratic Organiza¬tion of Cook County, the City of Chicago, themayor of Chicago (then the late Richard J.Daley), and several lesser city and countyofficials. For the next nine years Shakman’slawyers worked free of charge. “None of ushas taken a dime for handling this case,”said Johnson, who called the patronagesystem “an abuse that had to beeliminated.” Even copying costs came outof the attorneys’ own pockets.In 1972 Shakman scored his first majorvictory. The defendants signed a consent de¬cree, effectively conceding the right to firepublic employees for not actively support¬ing regular Democratic candidates. A courtinjunction prohibiting such firings was is¬sued and sustained in several cases over thenext seven years.Attention then turned to the Democraticparty’s practice of hiring employeesthrough political sponsorship. The defen¬dants argued that “limited patronage em¬ployment” improved the operation of localgovernment by insuring harmony within theranks. John H. Stroger Jr., the regularThe Democrats arguedthat patronage improvedthe operation of govern¬ment by insuring harmonywithin the ranks.Democratic committeeman of the EighthWard, expressed this view in an affidavitfiled with the court which stated that “It(patronage employment) enables an office¬holder in filling vacancies to recruit personssympathetic with his philosophy of the man¬agement of government and public ser¬vice.” Stroger’s affidavit also stated thatthe system “recruits persons who increasethe productivity of the work force because oftheir ambition to advance.”The two sides entered into a lengthy seriesof negotiations in an attempt to reach an¬other consent decree covering hiring prac¬tices. No agreement was reached, however,and on September 24, 1979, ten years afterthe original suit was filed, Judge Bua decid¬ed the case in a carefully worded sixtv-Daeeopinion. Bua said that the defendants had“totally failed” to demonstrate that patron¬age practices benefit the public significant¬ly. Bua’s opinion also said “that the plain¬tiffs have a right to an electoral process freefrom deliberate governmental discrimina¬tion against their views.” On this basis, thejudge concluded that the patronage systeminfringed on Shakman and Lurie’s right toexercise freedom of expression.Bua’s ruling was immediately hailed as alandmark and received extensive media at¬tention, including front-page coverage inThe New York Times. Political observersbegan to anticipate the effects of the deci¬sion on City Hall. Alan Dobry, independentDemocratic committeeman of the FifthWard, said “It’s going to completely changethe nature of the Democratic party . . . they(the Democrats) will have to go to the peo¬ple and win them over with their ideology in¬stead of by holding out jobs to them.”Dobry said he does not think the end ofone-party rule is in sight for Chicago. But hedoes believe that the Shakman decision willdemocratize city government because “a lotof people who don’t want to get involved in Michael Shakman Danila Oderthe party now will be more willing to par¬ticipate” once it is reformed. City agenciessuch as the Department of Streets and Sani¬tation will become more responsible to thepublic if their ties to political bosses are bro¬ken, Dobry said.Clifford Kelley, Democratic alderman ofthe Twentieth Ward, disagrees. He said theadministration will be “seriously hindered”by factionalism if it is not allowed to hire itsown people. In any case, Kelley said, “two orthree” years will pass before the Shakmandecision has a visible effect on the member¬ship of the city payrolls.But Shakman isn’t disappointed. “I neverexpected the patronage system to die over¬night ... I think within a five-year periodwe’ll see an improvement in the way the cityhires people.”Judge Bua has scheduled a hearing forNovember 8 to determine how his decisionshould be enforced. Shakman has said he would like the judge to require that publicnotice be given whenever a position in thecity or county service corps becomes avail¬able, so that political cronies aren’t the onlyones who know about it. He also wants thedistribution of patronage letters, by whichDemocratic committeemen recommendparty loyalists to city employers, out¬lawed.How has this case and the ensuing publici¬ty affected the man who started it all? Shak¬man, now an attorney for a downtown lawfirm, and a lecturer in the Law School, saidhis greatest satisfaction has come from cityemployees who have thanked him for pursu¬ing the case. “I’ve received hundreds, if notthousands, of calls and they’ve been pleased"I never expected thepatronage system to dieovernight. I think withinfive years we'll see an im¬provement."to a man . . . these people have been treatedas second-class citizens. They weren’t al¬lowed to work for or vote for the candidates ... they wanted.” Shakman said he hasn’t re¬ceived one negative call or letter since hissuit was filed, though “people like that (whohave a vested interest in the patronage sys¬tem) probably wouldn’t call me anyways.”“It’s gratifying to be part of somethinglike this ... to be able to work within thesystem to improve the system,” Shakmansaid.George Dunne, chairman of the Demo¬cratic Central Committee of Cook County,has said that he will try to appeal JudgeBua’s decision. Last month Mayor Byrneannounced that she will support Dunne’s ef¬fort. Both Shakman and Johnson declined tospeculate on the chances of a reversal by ahigher court.4 — The Chicago Maroon — Friday, October 19, 1979AnalysisNo more South Africa actionBy Jeff CaneThe Action Committee on South Africa, acampus anti-apartheid, pro-divestituregroup, has dissolved as an organization inthe past four months.Since its inception in October 1977, the Ac¬tion Committee had been in the forefront ofstudent activism on campus. The Commit¬tee's presence on campus culminated in thecapacity-filled forum on the divestitureissue at Mandel Hall held last winter. How¬ever, the subsequent loss of severalmembers of the group, the diversion ofothers into new campus activist move¬ments, and a general decline of interest inthe divestiture issue, has led to the abandon¬ment of the Action Committee.The Action Committee’s dissolution isconsistent with a national campus trend.The absence of widely publicized eventscoming from the struggle within South Afri¬ca in the past six months has resulted in alull in activity on most campuses. The pre¬vious upsurge in the student divestituremovement was directly inspired by theSoweto uprisings of June 1976. Over the nextyear, anti-apartheid groups were formed atover 150 campuses, and many of thesejoined regional conferences and coalitions.One such coalition was the Midwest Coali¬tion Against Apartheid, which consisted ofthe Chicago Action Committee and othergroups. However, for the past three months,the Coalition has been inactive. Of the overthirty groups within the Coalition, onlygroups at Macalaster College in St. Paul,Minnesota and Carleton College in North-field, Minnesota, are still reportedly ac¬tive.The absence of visible immediate eventswithin South Africa was detrimental to theAction Committee, several former ActionCommittee activists said.“The Action Committee took the wrongapproach by thinking it alone could ‘make’divestiture an issue,” said Kathy Rosen a1978 graduate and former member of theAction Committee.Several other activists disagreed with thiscontention, arguing that South Africa re¬mains an immediate issue, since the strug¬gle in that country has not been resolved.However, several former Action Commit¬tee members acknowledged that “the Com¬mittee did everything we could do at thetime.” The dissolution of the Action Com¬mittee “represents not a defeat, but a recog¬nition that we have to wait for the moment,”said Roger Horowitz, fourth-year studentand another former Action Committeemember. Former activists note the accom¬plishments of the Committee, in particularthe forum, and the visible increase of stu¬dent awareness and support. Most impor¬ tantly, they assert, the Action Committeelaid the groundwork for subsequent studentactivism.“The Action Committee made possible theMay 22 protest”, said Horowitz.Many of the more active members of theMay 22 Committee and the subsequent Mo¬bilization Committee have been members ofthe Action Committee. However, this newdirection for many Action Committee acti¬vists, has subsequently diverted leadershipand support away from the divestituremovement into other areas of activism. Theissue of divestiture was not discussed by theMobilization Committee in their meetingsover the summer.Clay Martin, a former Action Committeemember now involved with the MobilizationCommittee says that a “special effort”would have to be made to have the divesti¬ ture issue part of the Mobilization Commit¬tee’s eventual program.The Committee also lost a number ofmore active members who graduated lastspring. For those activists who remained,“South Africa was neither their main fieldof competence nor interest”, said one acti¬vist. After this spring, the Action Committeewas left with a small group of sympathizerswho did not meet at all over the summer.The Committee was essentially a coalitionof people from various campus leftistgroups and independents. Roughly half ofthe Committee consisted of independents.United on the issue of divestiture, ideologi¬cal bickering within the Committee wasgenerally avoided. “It was extraordinaryhow leftists worked tgether”. said Horowitz.However, there was disenchantment amongthe women members of the Committee, who believed that they were being delegated the“busy work.” A women’s caucus wasformed, and many of its members ultimate¬ly left the Committee, further deleting itsranks.The Action Committee, which took itsname from the Soweto Action Committee,was formed following disclosures in TheMaroon in 1977 about the extent of Universi¬ty involvement in South Africa. The Univer¬sity’s holdings in corporations and banksdoing business in South Africa are valud atmore than $84.5 million, including $14.7 mil¬lion deposited in banks that lend to SouthAfrica. This represents one-third of the Uni¬versity’s endowment.Although the issues of divestiture andSouth Africa remains, it is apparently not afashionable issue for campus activists thisyear.Professors debate black-Jewish relationsBy David BlaszkowskyThe racial, religious, and political contro¬versy surrounding Andrew Young’s resigna¬tion from the ambassadorship to the UNboiled over violently onto the Universitycampus last Friday night at Hillel House ina program entitled “The Andrew Young Af¬fair: Implications for the Jewish and BlackCommunities.” The discussion was led by J.David Greenstone, professor of politicalscience, and Edgar G. Epps, Marshall FieldProfessor of Education.With Epps’s opening speech it was clearthat the Young affair would be by-passed infavor of the greater issue of black-Jewishrelations. He gave a brief history of the rela¬tionships between the two ethnic groups em¬phasizing, in particular, the troubled timesshare by both.“Blacks and Jews,” said Epps, “foughttogether in the battle against racism.” Bothwere victims of discrimination, and were,therefore, natural allies. This pattern lasteduntil the mid-Sixties, he claimed, and therise of the Black Power movement . . . TheJews withdrew all support after being re¬jected along with the other whites, accord¬ing to Epps. Conflicts intensified whenblacks began to demand control over predo¬minately black schools in New York City, and with increasing competition over jodsand school admissions, as exemplified bythe Bakke case.“No matter what Young or Jacksondoes,” Greenstone began, “it will not effectIsraeli foreign policy one whit.” Israel muston its own, however, remove the internalconflicts of her policies in order to allow jus¬tification of her actions of the past thirtyyears, Greenstone said. He believedYoung’s actions to be significant primarilyin that they have complicated the situation,and, more importantly, brought the smol¬dering black-Jewish tensions into the open.He then turned to affirmative action, statingthat it only aids individual blacks without al¬tering the true status of Black America.Greenstone then contrasted it to Zionism,which he said has a rationale of society overthe individual, whereas affirmative actionhelps only randomly selected minority indi¬viduals.A volatile, no-holds-barred question ses¬sion ensued, with sudden outbursts the rule.Greenstone discredited an attempted cam-parison between affirmative action and thepurpose of the existence of Israel sayingthat that although both were the results oferas of persecution and discrimination,“being in slavery was not the same as beingin the concentration camps.”If he (Young) had been a white minister. he would have been accepted,” stated Epps.He continued further that meanwhile, theIsraelis and the PLO are still not talking,and it must have been expected and rationalwith Young's extensive background of non¬violent action, particularly with MartinLuther King, to attempt to break the ice be¬tween the two as a final hope for peace. Themodern political realities of the Middle Eastmust be confronted, Epps said.An additional cause for conflict was sug¬gest by Epps, in that many black Americansidentify with the Third World, and Jews witha European Israel.By this point, there were frequent out¬bursts from the audience, some protracted.The crowd was quite conspicuous in its nearabsence of blacks. Both professors agreed,however, that the tremendous danger andtension of the issue exists largely because ofthe reductionist tendencies of both sides, asin the ease of calling PLO supporters “anti-Semitic” and Young's opponents “racist”.Epps commented on the anti-Jewish back¬lash, saying that only in escalation of therhetorical invectives of recent months isAmerican Judaism threatened.“Many latent anti-isms exist between thetwo groups,” said Greenstone, “and theymust be handled intelligently. gets headlines, and then after it dies down,picks up another, and will continue to do sountil we ignore him.”One of the black members of the audiencecommended Prof Epps for appearing here,“like Daniel in the lions’ den.’ apparentlyreferring to the homogeneity of the audi¬ence. He then launched an attack against Zi¬onism, Israel's existence, and American-Jewish policies, evoking many outburstsfrom the others. An ominous silence oc¬curred after Greenstone offered a joint con¬demnation of violence, at least, which thequestioner refused to accept.It was necessary for Rabbi Daniel Leifer.Director of Hillel House and moderator forthe discussion, to step in and bring the for¬mal discussion to a close. An hour later, theseveral factions were still arguing ferventlyover points derived from the discussionThere was a favorable consensus as to theimportance of this discussion.“It was of great value.” said RabbiLeifer, “to have articulate and intelligentpeople speak openly on this extremely sensi¬tive issue.” As evidenced by the many chal¬lenges for new debates on individual andgreater issues, and the widely varied opin¬ions of the audience, a solution to the break¬down of relations between blacks and Jewsstill seems distant.Friday, October 19, 1979 — 5Jesse Jackson was referred to by both,with Epps saying, “he picks up an issue.The Chicago Maroon —OpinionBy Ken WissokerMen are brought up to see sexual opportu¬nity as some kind of gift from heaven — al¬beit a gift of an ambivalent moral worth(see Genesis, chapter 2). Women are notbrought up this way, but men have a ten¬dency to transfer their wish onto women, be¬lieving that women must desire sex in thesame way. This attitude is both encouragedand exploited by the “come see about me,I’ll really shake my tail for you” portrayalof women in both advertising and in porno¬graphy — things made by men for men.Rape results from men refusing to letwomen deny such a desire, imagining thatthe woman is just being coy, or worse, thatthey can prove to the woman that she“wants it.’’ This is overpowering someoneelse’s body and their right to control them¬selves, and it is an indefensible attitude.What is worse is that the effects are serious,and hard to overcome. When one’s privateand personal integrity is violated it takes along time to open up to people again. Thestrongest, most self-assured person can fallapart, and not just because society stupidlypersists in making the victim feel guilty.During war, rape is extensive and widelycondoned. To a soldier, those “gooks” don’tcount as people, they count as objects. Thisis a political classification of people, madeby those with the power to enforce their will.It is no less political when the victims arewomen in Hyde Park. They are still beingobjectified — not counted as people.Last week, Chamberlin House, an all maledorm, presented the films. The Devin in Herand Innocent Couples. I doubt if many of themen who live in Chamberlin, or who went to see these films, have or will ever actuallyrape anyone. They may even be sympathet¬ic to the difficulty of being a woman in HydePark. But, whether they realize it or not,what they are doing is both an outgrowthand a perpetuation of the same attitudeswhich lead to rape.Pornography presents women as willingobjects whose purpose it is to give pleasureto men. The viewer relates to a pornogra¬phic film as a potentate among a harem; ev¬erything is presented for his excitement,and nothing is given in return. Again it is apower relation which is at stake: power todehumanize, use, and discard.Because the women in the films are nottreated as persons, pornography tends toteach men to use the same objectification,the same unreal standards of judgement, inviewing women they meet on the street. Ofcourse, there is a large difference betweenseeing a film and raping someone. There isalso a large difference between lynchingblack people and saying degrading thingsabout them. But we recognize both thesethings as forms of racism. The same kind ofpolitical connections must be made in un¬derstanding male attitudes toward women.I am not arguing that these or similarfilms should be banned, or anyone’s FirstAmendment rights abridged, but I thinkthat those who show such things should real¬ize that what they are doing has a politicalcontent which is offensive to the humanity ofa significant proportion of people. I doubtthat they would have decided to show a bla¬tantly anti-semitic film, even if they thoughtit would make a lot of money. One of themost important things I have learned fromfriends in the women’s movement is this: Inthe end, politics comes down to the personal,or it comes down to nothing.Letters to Maroon graphic by Chris Persansthe Editor“ LETS tAUA. sYAAnTAtCOS Stop SpartingTo the Editor:I note with considerable interest that thearticle by Stu Romm of the Bourgeois Capi¬talist Running Dog Lackey Society in theOctober 12, 1979 issue of The Maroon is la¬beled “Opinion” while the article Mr.Romm is responding to, by the SpartacusYouth League in the October 5, 1979 issue ofThe Maroon is not. Is “the Spartacus YouthLeague” a member of The Maroon staff? Ifso, I wonder what made Mr. and Mrs.League give their son/daughter such an un¬usual name?Even if the difference in labeling of thetwo pieces is unintentional, the aforemen¬tioned incident emphasizes a question whichhas been much on the minds of the membersof the Hyde Park Rod and Gun Club. Name¬ly, is The Maroon the student newspaper ofthe University of Chicago, as it bills itself onthe editorial page, or is it a forum for theopinions of Andrew Patner and the people hesympathizes with intellectually? If TheMaroon is a newspaper, the news articlesappearing in the news section of the papershould contain the facts and not the opinionsof the writers (see the October 5,1979 Letterto the Editor on “Fucking With the Fresh¬men” (figuratively speaking) by MarianneColeman and Valencia Powell), while theeditorial pages should contain the “insight¬ful” analyses of the editors and the opinions,clearly labeled, of other parties unaffiliatedwith The Maroon staff.John J. “D.F.” BinderChief Financial EconomistHyde Park Rod and Gun Club Start spoutingTo the Editor:The views expressed by Stu Romm in hisMaroon opinion piece of October 12 are notnecessarily indicative of the party line of theBourgeois Capitalist Running Dog LackeySociety. Rather than deploring all forms ofrepression, an attitude Mr. Romm implicit¬ly assumes in his article, we in the BCRDLShonor, revere, and glorify economic repres¬sion as practiced in the U.S. and capitaliststates everywhere.The Bourgeois CapitalistRunning Dog LackeySocietyA slow rideTo the Editor:I am writing to express my dissatisfactionwith the Mini-Bus service from the Regen-stein Library. The buses often leave latewhile the drivers stand around or sit in thebuses talking. The drivers appear to havelittle regard for stop signs; on one occasion(October 4th) the driver of the D busstopped the bus for five minutes at the Kinbark Shopping Plaza while he and a frienowent into the liquor store to make a pur¬chase.I hope the University administration iswilling to evaluate the Mini-Bus service andtake appropriate action to improve it.A Professor(name withheld by request)6 — The Chicago Maroon — Friday, October 19, 1979OpinionBy Peter BurkholderI arrived in Washington on Friday nightand found a party beginning. In the trainstation, in the subway, in the airport and inthe streets, there were gay people every¬where, from everywhere, carrying back¬packs and suitcases, wearing their nativecostumes — blue-jeans, short hair, earrings,leather — and buttons saying: “I’m OneToo”, “Keep Your Laws Off My Body”, “WeAre Everywhere”, “National March onWashington for Lesbian and Gay Rights, Oc¬tober 14, 1979”. We pointed ourselves out toeach other, ran into friends from far away,helped each other around the city, andsmiled and laughed until our cheeks weresore.By Saturday night, there were uncount¬able thousands of us, sitting in the wet grassby the Washington Monument, listening tothe First National Lesbian and Gay Concert.The Los Angeles Gay Men’s Chorus sang“Stout-hearted Men” and Gotham wise¬cracked about how big the Monument was;feminist comedian Robin Tyler made AnitaBryant jokes (“she is to religion what paint-by-numbers is to art!”) and the wonderfulMeg Christian sang songs of women’s liber¬ation, including what became for me thetheme song of the weekend, expressing thestrength we were finding in our coming to¬gether:I was walking around in little pieces,And I never even knewThat the way back home to meWas the road I took to you.The Road I Took To You,copyright Meg ChristianThe contrast between gay male style —brash and outrageous, but part of mainlinemale culture — and the emerging feministculture, a culture nurtured in separationfrom men, was very evident; and yet some¬how this diversity held together. We felt athome among each other, far from alike, butpart of the same family.•Robin Tyler at one point during the eve¬ning said she had heard from a gay personthat the point of the march was to “show thestraight people that we’re just as good asthey are.” Robin disagreed: “I know that, tosurvive what we have survived, through op¬pression and death in the Nazi camps, we’renot just as good, we’re better!”This is a very powerful statement forthose of us — most of us, perhaps — whohave felt imperfect, deformed, and outcastfor being homosexual. There is a certainamount of “ethnic chauvinism” here, natu¬ral among a people slowly gathering to¬gether from all other groups in our country.But, most important, we feel it to be true,because we have had to treasure and under¬stand our own inner strength, rejecting thelies we have been told about ourselves. I willnot claim greater access to truth for gaypeople. But I have known few others whohave had to examine their lives and sexuali¬ty, the basis of their emotions and their Marching for gay rightssense of being human, to the extent that gaypeople have.On the morning of the March, the GayQuakers assembled at the Gay CommunityCenter. We arrived early to find the placestill locked, but this does not dampen aQuaker’s spirit. We got into a group hug,holding each other in a circle, and addedother Friends as they arrived, telling eachother our names and homes and greetingfriends we hadn’t seen in months or years.Once inside, as we gathered into silentworship, I felt great joy and centeredness,full of a sense that these indeed are my peo¬ple. Many contributed to the vocal ministry,sharing a feeling of the importance of beinggay and being a part of the Religious Societyof Friends, where our gayness is largely re¬spected and appreciated. It was among themost joyful, spiritual, and powerful meet¬ings for worship I have been part of.We were reluctant to leave our space andspent a long time hugging and greeting eachother after meeting; but we were also eagerto get to the march. We formed by twos andwalked down to the mall, unfurling our ban¬ner (which said, simply, “Quakers”) andwaving to the police and passersby, huggingand kissing each other and laughing andsinging as we walked. We waved to Presi¬dent Carter when he cruised by in a motor¬cade on his way to the White House.One of the strengths of the march was itsgrouping according to our diversity. Les¬bians led, followed by the physically chal¬lenged (who used to be called “handi¬capped”), children and elderly. Third WorldGays from the Third World Gay Conferenceheld that weekend in Washington, andparents and friends. Regional groups camenext, led by Texas, probably the largeststate contingent, and national organizationsand supporters brought up the rear. Theseparation was not rigidly enforced — therewere men among the lesbians, and of course thousands of lesbians marched with othergroups, as men and women were represent¬ed in roughly equal numbers — but gaveeach person a sense of belonging to someimportant constituent group, each differentbut united in the struggle for our rights. Theparade was so long, we heard, later, that the-last group still hadn t begun more than twohours after the first group stepped off.The Quakers, having hugged each otherfor so long after meeting that we were quitelate, caught up with the front of the paradeat 9th and Pennsylvania and watched it goby. I have rarely felt so loved for being aQuaker! We were cheered by every contin¬gent that went by, and we joined in eachone’s singing and chanting: “Gay Rights!Right now!” We fell in behind the deaf, whowere making a sign with their thumb, index,and little finger which we learned meant“Peace and love”. I signed back “GayPride” - index finger to chin, circled down,then thumbs up in front of the chest — andjoined the parade, holding hands with Willisand Bill on either side of me. We were out oforder, of course — the other religious groupswere at the end — but we were graciously letin by the Third World, and joined them inchanting “Third World — Liberation!”As we approached the White House, thesun came out (we had noticed that, while thePope had prayed for good weather, we hadgotten it), and we saw the white marblebuildings and grassy malls in their fullsplendor. In front of the White House was alone counterdemonstrator with a huge sign:“Repent or perish.” We sang AmazingGrace: “I once was lost, but now I’mfound,/Was blind but now I see. ” The crowdunderstood, and cheered.When we reached the rally site, after fartoo short a march, we found the groundsoaking wet, and said silent thanks to theblack lesbian Friend who had passed outplastic bags for us to sit on.People were friendly, festive, and jubilant— gay in all the best senses of the word.There were also lots of them — a quarter ofa million according to the best guesses, orabout one percent of the estimated gay pop¬ulation of the country. There were gays andsupporters from every state, waving theirbanners in the air: the Gay American Yan¬kee Freedom Band from Los Angeles. Les¬bian Feminists of Atlanta, Gay Mormons,and Alaska contingent, the Illinois GayRights Task Force. There were buttons andT-shirts everywhere: “Happy Gays areHere Again", “Dyke”, “Gays come in allcolors”, “Support Lesbian Mothers", “Mi¬chelangelo, Wilde, and Me”, along with em¬blems of other struggles: "Gays AgainstNuclear Power”, “People. Not Profits”,“Practice Nonviolence.”The rally was a splendid example of diver¬sity. Bull dykes with short hair, a few dragqueens (though the only one I saw was BetsyRoss with a sign saying. “Don’t Tread onMe”), leather people, a motorcycle gangwith studded leather collars — and all theothers who looked like no particular tvpe atall. The rhetoric at the rally was good, and thesinging better. There is nothing that movesmy heart more than Meg Christian singing“Leaping Lesbians” (“Here come the Les¬bians!”) or Holly Near singing almost any¬thing — she closed with “Somewhere Overthe Rainbow”! But the voices were strong —Troy Perry (founder of the MetropolitanCommunity Church, founded for gays) call¬ing for an end to the distortion of Christian¬ity as a weapon against gay people (spokenas Jerry Falwell a Virginia fundamental-list minister led a group of 75 praying for ourrepentence); Gay Youtn ana Asian-Amen-can representatives calling for understand¬ing of those oppressed by membership intwo minorities at once, getting little person¬al support from either group; a member ofParents of Gays saying. “We love our gaychildren.”; Robin Tyler calling for recogni¬tion of the million gay victims of the Nazideath camps in the planned Holocaust mon¬ument in Washington (in memory of whomthousands of us were wearing the pink trian¬gles they were forced to wear in the camps).And everyone spoke of the gay rights legis¬lation we had ostensibly come to lobby for,H R. 2074 (sponsored by Rep. Ted Weiss (D)of New York, who also spoke), extendingcivil rights protection to gay people.But I had a sense that we had not come forrhetoric or even entertainment.We did not come because we felt our pre¬sence would pass the gay rights bill or stopthe McDonald Resolution — a “sense of Con¬gress” resolution declaring that Congresswill never pass the gay rights bill.We did not come because our leaders areof one mind or our politics of one persuasion,for we may be among the most contentiousmarches this city has ever seen.And, despite appearances, we did not justcome to party.I had a sense that those of us who werethere, especially from Chicago and Houstonand Minneapolis and Hawaii and other far¬away places, came with the sense of gather¬ing a great and far-flung people. Our unity isthat of a state of differentness, an almostethnic sense of culture created in reaction torejection and harassment from the main¬stream culture. We had each and every onedone something we were told not to do, andhave made ourselves into people who. wewere told, did not or should not exist.From this inner struggle comes ourhumor, our purpose, our strength, and oursense of liberation. Once through this strug¬gle, there is no going back — we are trans¬formed utterly. That liberation shows inpartying, dressing strangely, doing unac¬ceptable things in public and private — andin our rising political sense.Having each struggled individually, wehave now come together from all across thecountry. We return home with a new senseof our lesbian and gay nation stretchingfrom sea to sea and beyond. It is fitting thatthe March was held in October, for it was arite of harvest, of gathering in. With new en¬ergy, we will continue to gather in and moveforward.Why fission?By David RubinPerhaps the most distinctive contributionof Western culture to this generation is thetradition of the individual. In the West, themost fundamental social unit is not a nation,tribe, class, caste, family, nor any other or¬ganization. It is the person, the self, thehuman being. Our ideals are not framed interms of “liberation” of a class or “glorifi¬cation” of a nation - we seek individual free¬dom. This setting free of people to seek theirown ends has led to the greatest elevation ofthe human condition in all of history. Inturn, this aggrandizement of wealth and itsability, with the proper resources, to createmore wealth led to the firm establishment ofthe West as a model for the entire world.Distinctly un-Western nations sought toadopt the economic model of the West. Themost successful of these were the ones thatadopted the political model as well. Eventhose who have no attachment to Westernideals and institutions pay them tribute byperverting and twisting the rhetoric of theWest to justify their own existence; e g. the“Democratic” German Republic.The West is now in a crisis, however. Thecheap, abundant, clean fuel petroleum is nolonger either plentiful or cheap. We are faced with two options: either we check ourown growth or we find a new clean, cheap,abundant source of energy. There are tworeasons why the West must choose the lattercourse of action.The first reason is that the option of self-denial is a course of premeditated inaction.If we passively accept this turn of events, itmay truly be stated that the West is in de¬cline. We will no longer be leaders, butrather followers. The world will slip backinto history-as-usual and the relatively freeperiod we now enjoy will again be obscuredby class strife and racial and nationalhatreds. Of course, the individual getsstepped on today, but at least Westernideals are-sufficiently strong to make theviolators of human rights the defendants,rather than the other way around.The second reason is that this self-denialwould also be other-denial. If energy is to beseverely limited, so must the production ofwealth. Whether we consider individuals orentire nations, the rich lose only the chanceto become richer. However, the poor lose much more. They lose hope. For the rich na¬tions, or for affluent individuals, to advocateand “age of limits” is both ignoble and hypo¬critical.We are then left to decide how to go aboutexpanding our (and the world’s) energy sup¬ply. Two nearly ideal sources spring tomind: solar power and nuclear fusion.There’s a bit of a catch with both of them,though. They are not ready to provide signif¬icant relief on a commercial scale. Puttingsolar panels on every structure in the UnitedStates is not going to solve this nation’s en¬ergy problems. Given the present state ofsolar power technology, it is simply exorbi¬tantly expensive to base our economy on it.To propose it as an immediate solutionamounts to present-day sun worship. Simi¬larly with nuclear fusion - maybe next cen¬tury.That leaves a gap of about fifty years, andthere are only two other alternatives. Thefirst is coal. Is is cheap, clean, and abun¬dant? In this case, two out of three is atro¬cious. If we burn coal without adequate safe¬ guards. people will DIE. Cancer rates,especially in areas such as the lower GreatLakes and in the Ohio valley, will rise sig¬nificantly. If we do safeguard its burning,coal will become clean, but expensive anddifficult to obtain in its proper form. W’emight as well burn oil.The second option is nuclear fission. It,too. has its problems. But unlike coal, or fu¬sion. or solar power, its difficulties lie not intechnology nor in the intrinsic nature of theprocess, but rather in the way it is handled.In the case of Three Mile Island, it appearsthe cause of the accident was insufficienttraining by Metropolitan Edison. The an¬swer is not to stop building fission plants; itwould be better to fine the pants off MetEdand thus provide a tremendous incentive toall operators of all fission plants not to be sosloppy.Reform, not abandonment, is our mostsensible choice. If an area has earthquakes,don't build a fission plant there. If a safetycode is deficient, revise it. If employees arenot sufficiently trained, retrain them. If acompany violates the law, imprison thoseresponsible. To give up, rather than to cor¬rect, is insane. For the next half century, nu¬clear fission is the only ball game in town.The Chicago Maroon — Friday, October 19, 1979 — 7: -*» -'. 5? • ■■ ■ ' p? .CrV /- ' ; " :Draw pottery and other objeett,'.... ■■%;!w%& ;: :-::?.’r’'■}'&.■ • ‘'H'iil'. *P"Z ■Tte.yv.tv: v - . ■-•■ ■■ ':' f .. , .. ■ ‘:''' W.:' "V-v,.;-;.;. v:v:v:,rim.tl. in a neighborhood elementary sell.* * Vv ’ ~Ss v , ~ • -r » “"'orCatalog specimens of preserved garter snakes?orWist u it h resriirrh on \r>iilo- V mrrirnn Cot hie f iction?'#:?■'rfe7' ' )Mandel Hall■:-£P5and at midnight . .also in Mandel, $1.50er Most units have recently been redecorated Updated appliances.CORPORATION TRANSFER Releases 20th floor condo. 5 rooms all large;-V Sor, 4800 Chicago Beach . ' 'IRM. HOUSE - BRICK $62,000 "randon Side DriveandiGarageCondo for rent in luxury Newport: Generoussize 25* *«, - -> '‘Q.'i y~ ; v « <\o ' v ■-- ^ ;now-Javs. ;-.r., ,. • *..., , - a ,. • f 1-•* ( ?■'l 2 " - _2 \y !. v v ^ _ _. __ ; * * v *ALL WORKSHOPS WILL BE^-. 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Work/Study coordinator, inthe < )ff i‘*r of Career (.otinseling and Plaeement,Reynolds Club; Room 200.&ea/ Sxta/ey (~foO'.493-066656th & Kimbark Condo. . . garden court building, four lovely sunshiny,e oak floors $39 000 Rent $268 until closing.2 Bdrm. Across From Regenstein Library . 56th & University Large L.R ,woodburning fireplace, beamed ceiling Good basics, good association(co-opi low monthly cost eyen a garden spot adjacent S45 000.,5000 East End $32,500. (co-op) includes parking Sacrifice price so ownercan move South Imagine a stunning high floor living space over 1.000 sqft Views of lake and city Dream kitchen - move in mint condition throughout.ft. long. This will gojfast, Call Today.,■ ' : ': '• ' ■ n Murray School- '■ ■ ; : ■'■ ted to seller. Home EquityCorp ; ’ "INVESTORS ATTENTION Just listed. 25 unit brick courtyard building in “ALTERNATIVES TO THE DRAFT’1A ConferenceFRIDAY, October 19Forum: “Alternative to the Draft”7:30p.m., Ida Noyes HallSpeakers: Rep. Paul N. McClosky (R-Cal)Prof. Charles Moskos, Northwestern UniveristyModerator: Richard Taub, Chairman ofPublic AffairsSATURDAY, October 20Workshops on:The All-Volunteer Military: Prospects and Problemst: 10:00 a.m.Military Service in China, 10:00 a.m.W°men in the Military, 1:00p.m.8— The Chicago Maroon— Friday, October 19, 1979the grey city journalCoppola'shallucinatorynightmareApocalypse Now. Directed by Francis FordCoppola; written by Coppola and JohnMilius; photographed by Vittorio Storaro.With Marlon Brando, Robert Duvall andMartin Sheen.by Ted ShenCoppola's Apocalypse Now is a hallucina¬tory nightmare; and like all nightmares, itsimages are potent and haunting, but there islittle sense of coherence behind them.The hallucinatory tone of the film is estab¬lished at the outset by the Doors' drug dazedmusic. The masterfully edited opening se¬quence introduces Captain Willard (MartinSheen) as a disillusioned G. I. slowly wast¬ing away in sultry, war torn Saigon. His dis¬integration is both physical and spiritual. Asthe cynical, gin soaked, first person narra¬tion implies, Willard is burdened with asense of purposelessness. He needs a mis¬sion, and he is given one: to terminate thecommand of a renegade officer, ColonelKurtz (Marlon Brando), who, to the annoy¬ance of the Army brass, is waging his ownwar deep in the jungle.Willard's journey up the Nam River to hisassignation takes up most of the film. Alongthe way, he and his motley patrol boat creware treated to a kaleidoscope of spectaclesand horrors of the war. And, as Willard digsdeeper into Kurtz's dossier, the progress ofthe journey parallels the unfolding ofKurtz's personal history and Willard's in¬creasing fascination with him.Much of the film's strength and appeallies in this part. There is a spectacularly-staged helicopter raid (to the strains ofWagner, played from airborne speakers),led by an eccentric Colonel Kilgore (RobertDuvall), upon a Vietcong village. (Kilgorecrows: "I love the smell of napalm. It re¬minds me of victory.) The sole purpose ofthe attack is to free up, if only momentarily,a beachhead for Kilgore and his men to surf.This sequence is at once devastating in itsfiery intensity and surreal in its juxtaposition of the tragic and the absurd.The surreal quality surfaces again, lateron, in the USO girlie show. In this Fellinies-que scene, Playmates are flown in to danceon a makeshift stage in the middle of battlezone. Their display of sexuality predictablycauses a riot. The chaos triggered by menunder stress is just as dangerous and futilein a different context. At a bridge outpost liteerily like an abandoned amusement park,Willard and his men find themselves fight¬ing alongside a band of leaderless G.I.swhose courage must be propped up by hallu-cigens. These soldiers have been reduced towaging a disorientated battle as if it were asource of sensory stimulants.These episodes and other genuinely touch¬ing moments, however, are not sustained bya rigorous narrative rhythm. Coppolamakes the mistake of packing too much in¬tensity into the first third of the film, and theremainder never tops that. Moreover, muchof the initial energy and drive is dissapatedby the indifferent pacing. The exhileratingand maddening moments come in spurtsrather than in steady stream. When Willard Marlon Brando as Colonel Kurtz in Apoca¬lypse Nowfinally reaches his destination, the film hasdragged on long enough. Yet, the crucialfailing of the film is here: when it shiftsfrom the spectacle of the larger war to thedrama of the private confrontation betweenWillard and Kurtz. Throughout the journey,Willard comes across as a passive cipher:he watches hellish scenes from a distanceand unravels the mystery of Kurtz fromafar. Despite the fact that we see everythingfrom his perspective, we understand ^ismates' character more readily than we dohis. Here, at the doorstep of Kurtz's com¬pound, he is to confront the equally nebulousforce of evil.In Conrad's Heart of Darkness whichserves as a source of inspiration for thisfilm, the evil of Kurtz is suggested and hint¬ed at. Of course, Conrad had at his disposalthe hyperbolic power of language. Coppoladoesn't, for film, with its concrete images,does not allow the imagination as muchfreedom. Besides, he has shown enough horror already that nothing physically terri¬fying can possibly shock anymore. Thus, thehanging corpses and severed heads inKurtz's compound are mere testaments toKurtz's depravities. They are decorative de¬tails, like the painted tribesmen.Willard's confrontation with the ultimateevil then must be entirely on the spirituallevel. But there is really no contest. For theforce of evil is weakened considerably bythe madness that has passed before. It isalso sabotaged by Brando's characteriza¬tion of Kurtz and by the inane, pretentiousdialogue. Brando's bulk makes Kurtz'spower seem rooted in his physical presencerather than in his spiritual intensity.(Conrad's Kurtz is emaciated.) The famil¬iar mumbling accentuates the opacity of thecharacter inherent in the script. The dia¬logue, with constant references to metaphy¬sics, is muddled. Instead of giving depth toboth Kurtz and Willard and making the con¬frontation a dramatic one, it further ob¬scures their motives and dilutes the tensionin their confrontations.The climax, Willard's accomplishment ofhis mission, is hardly cathartic. By thispoint, The film, with its rhythm askewed andintensity dampened, has come to a grindingA very short interview with Tom WaitsBart Lazar: Popular music is awide area; how do you classify yourself?Tom Waits: I'm an unemployedservice station attendant ... I'm asinger and storyteller . . . and . . .and I'm a problem when I'mdrunk.The complete Lazar Waits inter¬view will be aired tonight at 6 onWHPK.Waits will play in Mandel Hall tomorrow night at 9 pm; tickets, available at the Reynolds Club box office,are $3.50 and $4.50 for MAB feepayers and $6 and $7 for everybodyelse. Klaus Kinski as Count Dracula in NosferatuHerzog remakes Draculaby Susan WagnerThe legend of Count Dracula is a familiarone to even the most casual of moviewatchers. A staple of late night t.v., thefilm versions of Bram Stoker's novel (written in 1867) have ranged in interpretationsfrom scary Draculas, to campy Dracu'as, tosexy Draculas, to Black Draculas. WernerHerzog, the noted German filmmaker hasrevived the vampire again and his reasonsfor doing so are not immediately apparent.He has not added a devilishly clever twistto an old story but presents the old story almost sacredly preserved. His Nosferatu is avery careful remake of F. W. Murnau's si¬lent classic, Nosferatu, the very first Dracula movie made in 1921 in Germany. Theobvious parallel to the classic, combinedwith Herzog's reputation, causes one towonder the reason for making it.Herzog's film is a very static movie, withindividual shots remaining in the memorylike photographs. There is action when the characters are traveling between Germanyand Transylvania, and even that is done at aslow pace, on foot or on a silent sailing ship.The film seems to be concerned with thissplit between the two worlds and how passions and values, such as good and evil, aremanifested.Unlike other horror films, this one is forthe weak of heart because its concerns aremoral and intellectual, and the effect is oneof unsettlement, not fear. There are noquick, unexpected cuts or gruesome deathsto unnerve the audience. It is a slow,thoughtful, sad movie.Herzog, an important member of thegroup of new young German filmmakers,has looked to a film which defined Germancinema in order to evaluate modern German society. Nosferatu's careful reflectionof form and expression is also a self conscious statement of Herzog's art and morality.Inside: >halt, and the slaying of Kurtz is a convenientway to end it. Coppola, probably sensingthis, tries to revive the tension by doublingthe sensory effects. The Doors is back on thesoundtrack. The entire scene is drenched inthe orange glow of dusk. And Kurtz'smurder is crosscut with the tribesmen'sgruesome slaying of their sacred cows. Butthe meaning is not clear at all. When thefilm ends with Willard's repeating ofKurtz's "The horror, the horror," there is ahollow ring to it.The obscurity of the last third is also dueto the film's uncertain moral tone. Eventhough Coppola sets out to explore the moraldilemma of the Vietnam War and to exam¬ine moral issues behind all wars, he does notendorse any moral position. Willard certain¬ly doesn't have a moral stance. He is a mer¬cenary bent on accomplishing his mission.The atrocities he witnesses along the wayhardly faze him. And he is even capable ofkilling innocent bystanders to expedite histask. Kurtz's objective is just as clear. Tohim, winning justifies all his actions. In this,he is like Kilgore and the Vietcong. But theVietcong, unlike the others, has only one al¬ternative — death.Perhaps Coppola wants his audience tomake its own judgement. Yet the lack ofmoral tension between Willard and Kurtzweakens the drama immeasurably. Theirconfrontation is not one between Good andEvil, nor one between man and the darkerside of himself. It's one mercenary meetinganother. Kurtz sees himself in Willard andrealizes that the latter's determination, nothis moral superiority, will lead to his owndefeat. The identify of the two is reinforcedwhen Willard assumes Kurtz's posture afterthe slaying. The force of the climatic end isnot the stronger one of good triumphing overevil; instead it's the less compelling one of amission accomplished. The inevitability ofKurtz's death, in this case, follows only fromthe logic of the genre. It lacks the purgative The New Wave at Northwestern (MelanieDeal): p.2Chicago Literary Review book page(Molly McQuade and Karen Hornick):P- 5Three Northside plays (Bruce Shapiro,Marie Breaux and Julie Less): p. 6Roman Drawings; Abstract Expressionism (Daniel Schulman and Sharon Pollack): p. 7Classical Records; classical concert(Robin Mitchell and Sandy Harris), p.9New Rolling Stone magazine; two upcoming campus films (Laura Cottingham,Gary Beberman and Jared Gellert): p.11Architectural exhibit at Museum of S & I;College writing lectures; pretentious¬ness lambasted twice (Charles Shilke,Margaret Stein, Keefner & Saska, Fisher & Miller): o. 12power that resolution of moral tension has.The physical beauty of Apocalypse Now isawesome. Much of it is due to VittorioStoraro's lush and lyrical cinematographyand to Walter Murch's realistic sound engi¬neering. The force of the film is strength¬ened considerably by an assemblage of fineperformances: Robert Duvall as the deter¬mined and cocksure Kilgore; Frederic For¬rest as Chef (whose macho exterior belies ahigh strung nature); and Martin Sheen asWillard (despite the narration which makesWillard sound more like Chandler's Mar¬lowe than Conrad's). Yet, in the end, all thedisplay of technical brilliance cannot cam¬ouflage Coppola's failure to provide the filmwith a solid dramatic grounding, a firmmoral stand and a feeling for the charac¬ters. It's a stunning visceral experience, butlike a nightmare, it's also fleeting and unsa¬tisfying.Ramones leave Northwestern standingby Melanie DealLast Saturday evening's Ramones con¬cert at Northwestern got off to an inauspi¬cious start: after a long cold wait in line out¬side Cahn Auditorium, avid Ramones fansmet with an unfortunate opening act calledClone. These six men, in white bodysuitsand whiteface, seem to have cloned them¬selves from hard-rock make-up artists Kiss.The lead singer pranced around the stage,performing ludicrous bumps and grinds, de¬spite the jeers and boos that followed eachsong. One enterprising young man in thefront row even bared his posterior in the di¬rection of the band, but Clone should havehad the sense to play an abbreviated set andleave the stage with a shred of self-respect.Fortunately, soon after the welcome de¬parture of the clownish Clone, a backdropwith the familiar logo of a red, white andblue American eagle (with "Hey ho, let'sgo" on the banner unfurling below its claws)was lowered in front of Cahn's red curtains,setting the stage for the all-American Ra¬mones. The crowd greeted their heroesenthusiastically as they plunged into thebouncy "Blitzkrieg Bop." This was followedimmediately by other high-energy Ramonesclassics: "Teenage Lobotomy," "Rock-away Beach," "Pinhead," and so on, sepa¬rated only by Dee Dee Ramones' "One-twothreeFOUR!" They also played the titlesong from last summer's great little movie,Rock 'n' Roll High School, plus a peppierversion of "I Want You Around."The Ramones' line-up is pared down tobasics: no keyboards, no rhythm guitar, nohorn section-and this results in the no-frillsrock and roll their fans love. Lead singerJoey Ramone, wearing a Who t-shirt withhis trademark black leather jacket andworn blue jeans, never moved from his bent-kneed stance behind the monitors. Bassi¬st Dee Dee Ramone, however, repeatedlyleapt in the air while guitarist Johnny Ra¬mone twirled around and lurched to thefront of the stage. These guitarists may play k.Q)i■O>IDa minimum of fancy chord changes, buttheir fingers move so fast one sees only ablur. Marky Ramone on drums proved hehas left the spectre of former drummerTommy Ramone behind.Persons unfamiliar with the Ramonesmay find that on first listening they soundlike one more group of graduates from thebuzzsaw conservatory of music, and com¬parisons to easier-on-the-senses bands like the Beach Boys may seem absurd. Yet theRamones are truly the all-American bandtheir logo proclaims them to be. Even theircovers of other artists' material attest totheir affinity with teenage beach-partymusic: "Let's Dance," "California Sun,""Do You Wanna Dance?," etc. Labelingthem a punk group is extremely mislead¬ing: no American band can belong to thepunk movement that had its origins in Eng¬ land. The sociopolitical implications ofwhite punks on dole just can't be realized inthe affluent USA. The Ramones are"punks" in the nonpolitical sense of theword: scruffy outcasts (sartorially as wellas musically), callow youths, young toughs.The absolute sincerity of a band like theClash is absent; the Ramones' personae ofdopey teenagers who've sniffed a bit toomuch glue is a comic affectation of cleverpost teen New York suburb types. Theirsongs are exercises in minimalism, musi¬cally and lyrically. The inclusion of a lyricsheet with each album is part of the fun, asthe songs are hilarious in their brevity:"Now I Wanna Sniff SomeGlue"Now l wanna sniff some glueNow I wanna have somethin' todoAll the kids wanna sniff someglueAll the kids want somethin' todo.(1976 Taco Tunes/Bleu Disque Music)As a concise statement of American teen¬age angst/ennui, this is both astute andamusing. Many fans, however, seem to missthe humor and latch onto these songs as teenanthems. These are the very persons beingparodied! "D U M B, everyone's accusingme,” Joey sings, and is taken literally. TheRamones want us to laugh with them, not atthem — but PLEASE LAUGH.Two three-song encores closed the show,though the fans could have bopped all night.Truly, there is no other group like the Ra¬mones, and it is strange that their musicgets so little radio airplay (none on AM).One hopes they don't soften their attack inthe future to achieve that commercialism.Their long-awaited new album, produced byAmerican legend Phil Spector, should showwhat the Ramones have planned for theEighties.GUY BOVETSWISS ORGANISTRECITALROCKEFELLERMEMORIAL CHAPEL5850 South Woodlawn AvenueChicago, IllinoisSunday,October21,1979,at 4:00p.m.Admission is without ticket andwithout charge.Music by Johann SebastianBach, Cesar Franck, AntonioVivaldi, Vincenzo Petrali andGuy Bo vet. IDA NOYES LIBRARYTUESDAY OCTOBER 23rd,8:00 pmSTUDENT GOVERNMENTMEETINGOpen to all University StudentsReps please attendFor Abortion Rights Action WeekThe Women’s Union PresentsA FORUM ONREPRODUCTIVE RIGHTSSpeaks on:History of Reproductive RightsAbortion and the HydeAmendmentDESTuesday, October 23 at 7:30 p.m.East Lounge Ida Noyes FREE2 — the grey city journal, Friday, October 19, 1979Abnormal life "What is abnormal in Life standsnormal in relations to Art. It is theonly thing in Life that stands innormal relations to Art." —OscarWilderhe CSO Winds begins its mostly Mozart concert series this Sunday, October 21 in Mandel. Amongthe works scheduled for this opening concert are Mozart's Quintet for Piano and Winds in Eb, K.452 and music from Don Giovanni. Oboist Ray Still, pictured above, and his colleagues in the windsection of the CSO are among the best, so, they should more than compensate for the absence of the CSO oncampus this season. Pianist John Perry is guest artist. Single ticket prices range from $4.50 to $6.50; ticketsfor the five concert series are from $15 to $25. Concert begins at 8. — T.S.MoviesSuperman: The Movie: RichardDonner (1978). Or at any rate, thecelluloid. Featuring the Bob Mac-Namara approach to film-mak¬ing, every sequence is shot in adifferent style, punched up forproper effect in each direction.The nominal direction is by thatmost nominal of directors, Rich¬ard (The Omen) Donner, but it'smoney that runs this one — rightdown to tne comic book dialogueand Marlon Brando's ten-minute,$3 million performance. Andthere's a good reason that thenames of Christopher Reeve (Superman) and Margot Kidder(Lois Lane) appear somethinglike fourth and eighth in the cred¬its. Doc Films, tonight at 6:15 and9 pm.The Grateful Dead Movie: JerryGarcia and Leon Gast (1977).Alright, you Deadheads — hereyou go. Not your basic concertrockumentary Dead Movie features the legendary acid rockers,and is directed by the group'sleader, Jerry Garcia. Those whoknow the Dead know what they'regetting; those who don't willenjoy finding out. Great music!doc Films, tonight at midnight.All About Eve: Joseph Mankiewicz (1950). A classic of sorts,this movie about an aging actress(Bette Davis) who has her placeusurped by her protege, spawneda whole cycle of "psychological''melodramas. Substituting tons ofpseudo theater jargon and highlypolished cattiness, the film islonger on insinuation than oncharacter. Its basic trick of unmasking people for being sleazierthan they seem gets tedious longbefore the end. Law SchoolFilms, Saturday, October 20, at 7and 9:45 pm.The Shop On Main Street: JanKadar and Elmar Klos (1965).This Czech film (from the so-called "golden age" of Czech cin¬ema) has gained itself quite areputation. It has to do with someguy who goes to turn in an oldJewish woman to the Nazis, butdiscovers that she's human. Unfortunately, I haven't seen it, sono help here. 1-House Films, Saturday, October 20, at 7 and 9:30pm.The Trial: Orson Welles (1962).Generally brilliant and spatiallyinventive, Welles has run himselfup against a brick wall in this adaptation of Kafka's novel. Funnywhere it should be, but also whereit shouldn't, Welles' crazy spatialstrategies work against the grainof the material: before long theyget as formulaic as the one onone confrontations of the existential ticker-tapes Welles proffersas action. The idea of castingAnthony Perkins as Joseph K. isone that should have been re¬pressed long before it was put onfilm. Who knows what possessedWelles to throw Jeanne Moreauin there. Doc Films, Sunday, October 21, at 7 and 9:30 pm.The Man Who Broke The Bank atMonte Carlo: Stephen Roberts(1935). Stephen Roberts is a manwhose reputation exists only inthe history books. And that's nothe grey city journal surprise, considering that this ishis only film in distribution. A ro¬mantic adventure featuring Ron¬ald Coleman and Joan Bennett, itis from all evidence not his stron¬gest film, but for those interestedin esoterica it might very well beworth checking out. Doc Films,Monday, October 22, at 7:30 pm.I Met Him In Paris: Wester Ruggles (1939). Claudette Colbertgoes on vacation to Paris, butfinds herself first in Switzerlandwith Melvyn Douglas and RobertYoung (in the lark of their lives),and then back in Paris confront¬ing a trio of lovers. Droll and engaging rather than sappy, Ruggles sets up the comedy very wellphysically, throwing the amoroustrio up against such obstacles asyodelling skiers, wacky waiterson skates, and a hotel clerk whoseevery motion and utterance is te¬legraphed in balletic gesture.Doc Films, Monday, October 22,at 8:45 pm.Doc's Friday night films will beshown in Mandel Hall. All otherDoc Film's will be shown inQuantrell Auditorium. Admissionto Doc's Friday through Sundayfilms is $1.50; on Mondays, $1.25.All Law School Films are shown in the Law School Auditorium,1111 E. 60th St. and admission tothem is $1.50. This week's I-House film will be shown at International House, 1414 E. 59th. Admission there is $1.50.— Rory McGahan1900 (Novecento). An epic inevery sense of the word. The filmtreats the dialectics of 20th Cen¬tury Italian history from the perspective of the life long entanglement between a landowner(Robert DeNiro) and his tenantfarmer (Gerard Depardieu). Thehistory lesson may be facile, butthe film's emotional impact is un¬deniably powerful and memorable. The superb cinematographyis by Vittorio Storaro and the intricate mise en scene by Ber- *-do Bertolucci. The film also features mesmeric performances byDominique Sanda and StephaniaSandrelli. The 3’/2 hour version tobe shown at the Film Center ofthe School of the Art Institute isan authorized abridgement of theoriginal 6 hour version. Showtimes are 6:30, Oct. 20 and 3:30,Oct. 1. $1.50. -T.S.MusicOrgan Recital: Swiss organistGuy Bovet will perform themusic of Bach, Franck, Vivaldiand Petrali, in addition to his owncompositions. Sun., Oct. 21, inRockefeller Chapel, at 4 pm.Free.Music to drink by: The Pub presents guitarist and vocalist Shelton Salley Sat., Oct. 20, from 9 pm to 12:30 am. No cover, but youmust be a Pub member.Music to eat by: This week'slunchtime concert features musicof the late Renaissance in Eng¬land and Italy. Sponsored by theDepartment of Music, this seriestakes place on Thursdays inReynolds North Lounge, at 12:15pm. Bring your lunch and enjoy!Tom Waits: Interviewed tonightat 6 on WHPK; performing to¬morrow at 9 pm in Mandel.753 3568.Si Kahn: Afolksinger, songwriterand textile workers' organizer from South Carolina, Si Kahncombines traditional songs withhis interpretations of Southerntextile workers' lives and struggles. He appeared last year at theUC Folk Festival. Sun. Oct. 21,he'll be at St. Clements Church,Orchard and Wrightwood. $4.50.—B.D.Tom Rush, Tom Dundee: Bothcontemporary folksingers aremasters of bittersweet songs withsoulful lyrics; Rush more of singing them, Dundee of writing. Thedelicate balance (title of a Dundee song often sung by Jim Post)should make a lovely show. It'stonight at Stages, 3730 N. Clark.Shows at 8 and 10:30, all ages wel¬come at the first. 549-0203. $5, nominimum.Cleveland Music Ensemble atWBEE's Sunday Jazz Party, theNew Apartment Lounge, 504 E.75th, Sunday, late afternoonearly evening.Clifford Jordan and Ira Sullivan,two superstars back home in Chi¬cago — Jordan a strong soulfultenor player, Sullivan a virtuosoon reeds and trumpet. Jazz Showcase, 901 N. Rush, Friday andSaturday. About $7.TheaterA Wilde Night: Vincent Dowlingwill perform his engrossing oneman show based on the works ofOscar Wilde. Sun., Oct. 21 at 7:30pm in the Reynolds Club Theatre.753 3583. Tickets are $3 for students, S5 for others, and areavailable at the Reynolds Clubbox office.VideoEverson Video Revue: The 39 vi¬deotapes in this exhibit stress thepotential of video as a fine artmedium. Many of the tapes areby artists who work primarilyfrom a fine arts background. Thetapes will be on view at the Museum of Contemporary Art throughNov. 4. 237 E. Ontario. WH3 2660.$.75 for students.Spots: The Popular Art of Ameri¬can Television Commercials:This exhibit presents video as apopular art form, examining theTV commercial from the per¬spectives of art history, graphicsarts and video technology. In¬cluded are interviews with, andcommercials by, four major producers in the field. The MCAthrough Nov. 4. (See above.)Gary Beberman, Curtis Black, Marie Breaux, Laura Cottingham, Melanie Deal,Karen Hornick, Bennett Jacks, Karen Kapner, Kurt Keefner, John Kim, Rebecca Lillian, Philip Maher, Mary Mankowski, Rory McGahan, Robin Mitchell,Robert Saska, Danny Schulman, Ted Shen, Margaret Stein, Wayne Tack, Lisavon Drehle, Ken Wissoker and Phoebe Zerwick.Edited by David Miller.Contributions from Sandy Harris, Abbe Fletman, Jared Gellert, Lori Keehn,Katherine Larson, Bart Lazar, Julie Less, Molly McQuade, Sharon Pollack,Renee Saracki, Bruce Shapiro, Chuck Schilke, Richard Vanderweit and SusanWaaner Friday, October 19, 1979 Poetry readingClayton Eshleman will read from his translations of the Peruvianpoet Cesar Ballejo next Wednesday, October 24 at 4 pm in Harper 130.Born in Indianapolis in 1935, Eshleman received a BA in Philosophyand an MAT in Creative Writing and English Literature from IndianaUniversity. Besides Vallejo's work, Eshleman has translated thepoetry of Pablo Neruda, Aime Cesaire and Antonin Artraud. He is alsothe author of thirty volumes of poetry, the most recent of which isWhat She Means (Black Sparrow Press).Eshleman has been working with Vallejo's poetry for fifteen years.In the Introduction to Vallejo's Complete Posthumous Poetry(University of California Press, 1978), Eshleman speaks of the reiationship that grew between himself and Vallejo's work: "As I struggled to get Vallejo's involuted Spanish into English, l increasingly hadthe feeling that I was struggling with a man more than with a text, andthat this struggle was often a matter of my becoming or failing tobecome a poet."Vallejo was born in the mountains of Peru in 1892 but spent most ofhis adult life in Paris, having left Peru because of trouble with theauthorities. In Peru he saw much suffering, and for most of his time inParis he lived in poverty. Many of Vallejo's poems speak of the miseryof the human condition. He was an active member of the communistParty, but he never argues a particular doctrine or solution.The reading is sponsored by the Zabel Committee, whose membersare James Chandlier and Robert von Hallberg. The Committee will bebringing more poets to campus this year because Chandler and vonHallberg feel that it is important to hear poetry read aloud. — PhoebeZerwickthe grey city journal. Friday. October 19, 1979 — 3LAFFER REAL ESTATE& DEVELOPMENT COMPANYREAL ESTATE BROKERSales • Conversions • DevelopmentsSelling Real Estate is for ProfessionalsWalter B. Laffer IIReal Estate Broker667-5745Your South Side specialist working for you.LAFFER REAL ESTATE& DEVELOPMENT COMPANYMATH STUDENTSPART-TIME CAREERACTUARYCombined Insurance Company has a fewopenings for math oriented students to work15 - 20 hours per week in the Actuarial De¬partment. Possibilities include future sum¬mer jobs or even full time actuarial posi¬tions after graduation. If you are interestedor have questions, call Kenneth Klinger on275-8000. extension 326 or write to 5050 N.Broadway, Chicago, IL 60640. r— \Today yam Owe,lommw the uuvM■ ■ — i Take your choice i1 - 2 Drawer Used Files from $45Desks from $303 trailer loads just arrivedBRAND WU.PMENTSUPPLY CO.8600 COMMERCIAL AVE.Open Mon.-Fri. 8:30-5:00Open Sat. 8:30-4:00 (Sept. & Oct.)RE 4-2111Bring this ad with you for free deliveryHILLEL LECTURE“JUADISM ANDVEGETARIANISM”FRIDAY - OCTOBER 198:30 P.M.SPEAKER: PROFESSORLOUIS BERMANDept, of Psychology, Univ. of Illinois -Chicago Circle Campus, Author of“Jews and Intermarriage.”5715 WOODLAWN AVENUE-HILLEL FOUNDATIONSaturday, Oct. 20th 7:00&9:30p.m.The Shop on Main StreetJL CliAurn of In t ornotimio 1 11011ciAdmission $1.50 Shown at International HouseAuditorium 1414 E. 59th St.PUBLIC LECTURE SERIESSponsored by the ENRICO FERMI INSTITUTEof theUNIVERSITY OF CHICAGOTHE ARTHUR H. COMPTONLECTURESTenth Series byLindsay SchachingerThe Enrico Fermi InstituteSaturdays October 6 through December 15,1979“QUARKSANDSYMMETRIES”Third Lecture: Deep Inelastic Scattering: Lookingfor Quarks Inside NucleousSaturday, October 20,1979 at 11 A.M.Eckhart Hall —Room 133 — 1118 E. 58th St. XEROX.Wouldn’t yourather work for anoriginal?Check with your college placement office for detailsand schedules. Then talk to our campus representative.XEROX,Xerox is an affirmative action employer (male/female)4 — the grey city journal, Friday, October 19, 1979Part Three of a Naturalist’s ChildhoodFauna and Familyby Gerald DurrellSimon and Schusterby Molly McQuadeIn one of my happiest memories, I sitduring July reading a Gerald Durrellbook. Branches grow like thatch over myhead; the sun drifts, tailing in with thebreeze. His words lure me lower in myseat. Catbirds taunt. I am reading aboutCorfu, the Greek island where Durrellspent part of his childhood satisfying histaste for plant and animal life, andkeeping company with kin and visitors.The book then was Birds, Beasts andRelatives. My Family and Other Animalsfollowed it, along with others describingDurrell's sallies as an adult naturalist.But somehow the accredited expeditionslacked the spontaneity and pureplayfulness of the informal. The pleasureof the family memoirs is their social aswell as scientific intent: wild comedy,and beauty, are found among two-leggedmen as well as slithering centipedes.To those books, Fauna and Familyadds a third. It's a delight, offeringreliable relief from any academiccomplication or stony urge. Corecharacters remain the same in theirEden, enlivened by new episodes. Asbefore, Durrell is the narrator, leading usgaily from olive grove to collecting jar.Anyone familiar with their islandset-up will know what to expect from theDurrells. They live in one or anothersplendid villa, preserving Britishdecorum in a climate of sunny excess.Each follows personal inclination with anardor guaranteed to cause upset.The commotion is memorable. OftenDurrell is the party at fault. Forinstance, on one expedition he obtainsthree "baby eagle-owls, so rare as to be aprize almost beyond the dreams ofavarice ..." But how can he sneak thesecreatures into the family compound,already beset with cages, samples,specimens and jars? And how can heearn the favor of his literary brother,Larry, the ballistics-minded Les, Margothe beauty queen, and his kind-heartedcommando of a mother?"Bitterns were things of the future,which might or might not materialize,but the owls, like large, greyish-whitesnowballs, beak-clicking and rumbaing inthe dust, were solid fact," Durrelldecided. He smuggles them home,solicits his mother's sympathy, andweathers the opposition of Larry." 'Are we having a plague of owls?'Larry inquired. 'Are they attacking thelarder and zooming out with bunches ofchops in the talons?' "Not quite. Luck visits Durrell: hisbrother Les offers to supply the birdswith fresh-killed meat. In this way hepractices his marksmanship, stokes hispride, and indebts his little brother.Set on pursuit, the two proceed to thebackyard. Les takes aim, and soonsparrow upon sparrow has fallen. Butbefore he can confirm his good fortune,Durrell learns with a shock that a visitorhas observed the slaughter."She and Mother were sittingsomewhat stiffly on the veranda claspingcups of tea, surrounded by thebloodstained corpses of numeroussparrows." 'Yes,' Mother was saying, obviouslyhoping that Mrs. Vadrukakis had notnoticed the rain of dead birds, 'yes, we'reall great animal lovers.' "On Corfu almost anything can happen,of public or private scope. In "The RoyalOccasion," Durrell relates the series ofcatastrophes accompanying the Greekking's visit (he is nearly assassinated bywelcoming islanders; festivities areconcluded by an explosion). Or, singlingout Margo, his unwary sister, Durrellraises howlers from her unpredictableromances.Many characters enrich the scene:Spiro, the Durrells' native protector, whonever minces (or conventionallypronounces) words; Theodore, Corfu'sresident scholar, equally at homediscussing literary criticism with Larry, skin care with Margo, cuisine with theMater, and zoological esoterica withDurrell; Captain Creech, afellow-Englishman, inveteratelylecherous and irrepressibly obscene; thecaravan of houseguests; and, of course,the immediate family.Among the last categories belongLumis Bean and Harry Bunny, thehilariously American lovers subjected topractical jokes. These were Larry'sfriends, for whom he rarely tookresponsibility. (He was usually busy withartistic or sensuous endeavor, preparingthe way for monuments like TheAlexandria Quartet.) Or Adrian, theswain out of step, in constant, hopelesspursuit of Margo who heartlesslyEndless Loveby Scott SpencerAlfred A. Knopfby Karen HornickNovels set in Hyde Park are, for us, ofobvious interest. Scott Spencer's EndlessLove is the most recent; to read it all theway through is a test of the lengths towhich we are willing to go to be thrilledby the mention in print of the street onwhich we live, the schools andrestaurants to which we go.More than half the novel takes placehere. It is the story of a Hyde Park boy,David Axelrod, in love with a Hyde Parkgirl, Jade Butterfield. How Hyde Parkare they? Graduating from Hyde ParkHigh, going to the Medici for espresso,and taking as a symbol of their love thewalk-through heart at the Museum ofScience and Industry is pretty HydePark.Apart from its local appeal, thisadmittedly ambitious book isdisappointing. Endless Love might havebeen one of those novels that straddle theborder between popular fiction and"quality" literature, a novel critics andpublic admire equally. That seems tohave been Spencer's intent. But it fails toarouse the spirit to make us feel, and itfails, in the end, to deliver enoughsubstance to make us think.Many of Endless Love's characters aredrawn perceptively and well. It is writtenin a clean yet often clever style. Butbecause David is himself the narrator,neither of these assets do much good. Thenovel is about his obsessive love for Jade— how he loses her, regains her, andloses her again — but he tells us so too declared: " 'He's Les's friend. Let himdribble over Les.' " Or Jeejee, anIndian-born poet and would-be nationaltreasure, who composed monographs on"Tees Ellyot, Pot Supreme," andattempted levitation.Bounding all this social event, and notto be forgotten, were Durrell's ownscientific forays. Like few other naturewriters, he evokes wonder along withprecise oetail. The plants and animals ofthe territory are marvelous, and aboundin ark-like array.Durrell manages to capture theirintelligence and glamor. No species ismundane. His powers of description raisean insect confrontation to the level ofhigh drama.level headedly. We can't detach ourselvesfrom him; we are left to accept his loveas an inexplicable given, as he accepts it.We are offered only undeveloped clues asto its cause.David may love Jade for her family,the Butterfields. The novel begins with itsmost flamboyant event as David sets fireto newspapers piled on the porch of their"gothically eccentric" house onBlackstone. The Butterfields hadbanished him for the over-seriousness ofhis affair with Jade. David hopes to"rescue" them from the flames and winback their affections.The family inside the house has takenacid. Slow to react, the house burns downand they barely escape. They aretripping because, from the start, Spencerwants to show how attractively whackythe Butterfields are for his seventeenyear old hero. They are people David"adored more than anyone else in theworld and whose home I valued morethan the home of my parents." Yet wenever understand why David rejects hiscompassionate (if more conventional)parents for the feckless Butterfields.They are WASPs, devoted toself-expression, apolitical, and have "thetastes and appetites of the rich"(although they are penniless). David'sparents are Jewish Socialists. But thisbackground is something he can exploitto get close to the Butterfields. ("Wewere so entertained by our differences,"he says.) We are not encouraged to thinkhis family is motivation, for wanting tobe within Jade's. His adoration ispure — a sense of racial inferiority has "It was a fascinating scene; the mantiswas bent almost double, slashingdownwards with her needle sharp clawsat the gecko, who, with eyes protrudingwith excitement, was hanging on grimlythough he was being whipped to and froby his large antagonist. The scutinger,deciding it could not move the moth, laydraped over it like a pelmet, sucking itsvital juices out."Durrell's evocation of the island is alsowonderful. To hear him tell it, Corfuoffered unbounded generosity, a fruitfulwelcome at all times. So does Durrell.Though he may not make naturalists ofall of us, he's bound to make Durrellfans. In any season, that's enough.nothing to do with it.His love, further, is so pure it involvesno lust. Jade and he, David admits, aremarvelous in bed, but for him sex issolely an expression of love. Thoughseparated from her for tour years, he willnot masturbate, even at his analyst'sencouragement. "Don't laugh at me forsaying this, please," David tells a womanwho offers intercourse, "But I can'tmake love with anyone until l see Jadeagain, until I can be with her ... Itwould put me further away from Jadethan ever.' "When they are reunited at last, theirlovemaking extends over 25 well-detailedpages. But these are untitillating pages,non-pornographic almost to a fault. Drily,coolly reported, they tell us nothing aboutJade and David we don't already know.He doesn't want to be like her, hedoesn't lust after her, and from the’ astonishingly little we actually hear andi see of her, he has little reason to like her.He just does, Spencer apparently wantsus to think. David is just in love with anendless love, a love that will never die,no matter how calloused andI world wizened he becomes by the end ofthe novel. And that's that.The novel's presentation of a single,strong emotion — and obsessive love —for which we are given neitherpsychological basis nor moral nor socialpurpose — is its greatest weakness.David Axelrod stands only for Love. Hisis a far too simple character aroundwhich to construct a 400 page, realisticmodern novel. His love, however infinite,seems merely infantile.Unassigned Readings and Other Guilty Pleasures- Compiled by Richard Kaye and MollyMcQuade, with the staff of the Chicago Literary Review.A Hyde Park HeartbreakTHREE i N IG H TS II \l Th IETheatre of Invention performs a playBy Julie LessFamily Holemek is a situation comedywhich, true to form, creates hilarity out of acommon domestic predicament: Sonny isbringing home Mona, his girl friend, to meetthe folks. Everyone attempts in various waysto introduce themselves to a stranger who issupposed to fit in but obviously does not. In thecourse of the evening a whole series of innocentfamily games are reduced to hysterical absur¬dities by the embarassing single mindedness ofMona, who is a New Wave-style vamp. WhenSonny is deserted in the end, the audience ismore relieved than sad and the Family Hole¬mek is finally left to play out their private ec¬centricities in peace.Although Family Holemek will not win anyawards for uniqueness of plot or depth of psychological insight — it falls prey to all the inani¬ties of the television sitcoms which serve as itsobvious model — it is unusual and noteworthyin its method of theatrical presentation. Notone word is spoken in the whole piece. It isacted in silence with the actors' faces obscuredby masks, so that the weight of communicationrests completely on body movement and ges¬ture. What is even more amazing is that thissilent comedy remains subtle throughout andnever once degenerates into cheap slapsticktricks.Those familiar with mime would appreciateless reliance on props — the mother's iron, thefather's dominoes, the various books and magazines are almost as much characters as theplayers that use them. But overall, Steven Ivcich and The Theater of Invention have hit on atheater form that warrants further exploration.Family Hoiemek is not Ivcich's first venturein Silent Theater: Victory Gardens Theatrewas the home of two previous productions inthis mode: Sensoria in 1977 and Clowncave inthe spring of 1979. Hopefully it will not be hislast.« John-Lawrence Forliano (Mama), Ken Jack Hagen as Papa and Zaid Farid as theKaden i.Sonny), Jack Hagen (Papa), JamHarpham (Grampa), Collene Crimmor(Mona), and Zaid Farid (the EncyclopediSalesman) all put in excellent performanceThe characterizations by Janet Harpham anCollene Crimmons, however, stand out as ftmost noteworthy if only because their rokoffer more opportunity for absurd antics anzany exaggerations.I mpossible to overlook are the masks createby Steven Ivcich and Jean Cattell. Masteipieces of facial realism yet nevertheless ncreal, they succeed in contributing to the com<dy, particularily in the home movie sequenciWisdom Bridge's optimistic appraisalNorman Matlock plays Elesin in Death and the King's HorsemanThe Goodman stagesa compelling tragedyby Bruce ShapiroA large part of the Goodman opening-nightaudience was puzzled by Death and the King'sHorseman. They dutifully applauded thedances and those scenes clearly demanding alarge emotional and physical commitment bythe actors, and finally fled the theater shakenand mystified. It is not their fault. The culinaryshadows who people our stage are no preparation for the demands of tragedy.Tragedy springs from a sensibility not muchpossessed by Americans. We prefer to cast offhistory and live as if there were no tomorrow;the concern and power of tragedy lie in the immediacy and crushing weight of the past andfuture bearing down on human action. Theghosts and prophecies which abound in Greekand Elizabethan drama are symbolic of a conciousness obsessed by the mysterious relationof the present to what has been and what is tobe.The Yoruba people of Nigeria occupy thesame tragic universe as Shakespeare and theGreeks — the universe, as Wole Soyinka writes,of "the living, the dead, and the unborn, and thenuminous passage which links all. . ." Out ofshards of recent history and ancient cultureSoyinka has fashioned a drama of "the abyss oftransition."A king has died, and his horseman, a chief¬tain named Elesin Oba, must, according tocustom, commit suicide and follow his masterto heaven. When a British colonial officer triesto interfere the whole fragile fabric of Yorubasociety threatens to come crashing down.The songs, chants, dances and language ofDeath and the King's Horseman are expres¬sions of Yoruba tradition, but the play is con¬structed along classical lines. Elesin Oba is aman of enormous vitality and pride — soprideful he mocks the fear of death — and it is this great enjoyment of life which finally bringshim down. Elesin is his people's link with thedead — the King and his ancestors — and withthe unborn — a child he fathers on his last dayof his life.The drama develops with awful inevitability.Elesin and the district officer have come intoconflict in the past over the chieftain's son, whohas gone to study medicine in England. For theYoruba, the presence of the British has thrownthe time out of joint — as in fact has World WarTwo for the colonials. The action finallyresolves in a harrowing reversal of father andson. It is an exhausting play: we are wrenchedback and forth between heightened feelings ofjoy, horror, shame and compassion.The dances and choral odes do more thanunderscore and heighten the drama — thesocial experience of the Yoruba is at the core ofthis play. (The expressive and spontaneousYoruba dances contrast sharply with a Britishfancy dress ball.)The vibrancy of this production is palpableat times the stage leaps with energy, at othersthe rich lyricism of Soyinka's language com¬bines with great delicacy of speech and move¬ment for shattering effect. The entire companyis admirable (though some of the peripheralcharacters are played dangerously close tocaricature. In particular, Norma Matlock asElesin is overwhelming in vitality and indevastation; and Ben Halley Jr. as the Praise-singer is wrenchingly expressive of love, painand shame. The sets, costumes, and lightingare simple, impeccable and evocative.Death and the King's Horseman playsWednesday and Thursday at 7:30 pm ($10);Friday and Saturday at 8 pm ($11.50); and Sun¬day at 8 pm ($10). 200 South Columbus Drive;443 3800. by Marie BreauxWisdom Bridge Theatre opens its 1979 seasonwith the Midwest premiere of Arthur Kopit'sWings, a contemporary drama focusing uponEmily Stillson, an elderly woman whose life isshattered by a massive cerebral stroke. Kopituses the stroke as a catalyst for the total disin¬tegration of Emily's life. In the opening mo¬ments of the play, the audience sees Mrs. Stillson complacently reading a book; after thestroke, this complacency evaporates as she discovers that she can no longer talk, hear or thinkas she had before. These basic functions of lifeare abruptly taken away from Emily, andthrough her attempt to regain them, both sheand the audience come to realize the tenuouscontrol we have over our lives. Unlike many modern authors, Kopit's visiodoes not dwell upon the disintegration of ouhumanity; his play is a celebration of man'ability to fight back and win what has been losIn a decade of pessimism, this optimistic visiosucceeds only through a carefully and craftilwritten play, and an almost perfect perfoimance by Roslyn Alexander, in the lead rolecMrs. Stillson.For an audience, the most easily overlookeelement of a play is the quality of the scripand yet, the script more than any other elemerdetermines the success or failure of drama,stroke patient's recovery story might make thReader's Digest, but it would hardly be enougto compel me to recommend leaving a dorrroom, much less making the trek to the Wic6 — the grey city journal, Friday, October 19, 1979Ithe Encyclopedia Salesman in Family Holemek.a netnons>ediaices,and5 therolesandiatedster-> notome-?nce. The commonality of facial types distinguishedonly by age between the son, father, and grandfather adds another dimension of humoroussurprise when these three characters are introduced one by one in the opening sequences ofthe play. If Family Holemek develops into anongoing series as projected, it will be as inter¬esting to watch ihe introduction of new faces asit will be to see what new predicaments presentthemselves for comic resolution.Family Holemek plays Friday, Saturday andSunday at 7 and 9 pm at Hull House-JaneAddams Theatre, 3212 North Broadway.Through November 18; 549-1631.al of human potentialisionf ourtan'slost,isionjftilyrfor->le ofoked:npt,mentla. Ae theoughJormWid- som Bridge Theatre. Kopit's manipulation ofthe language in his play, however, transformswhat could be an overbearingly maudlin storyinto a fascinating play.The author is most aware of language in thestream of consciousness/dream sequences.Here he uses bright imagery to contrast thebleakness of Emily Stillson's present disjointedexistence with the fullness that she had experi¬enced before. Yet these almost poetic sequences succeed because Kopit uses them withdiscretion. The imagery is used to form a con¬trast, and does not overlap into the realm of"reality." Such an intrusion would make thestroke dreamlike and ethereal, having no appli¬cation to the human struggle for existence thatKopit wishes to extol.Kopit uses other devices tastefully also:double dialogue and nonsensical language canbe effective devices for illustrating the inability to communicate. However, used to an extreme (as in some of Ionesco's plays), they canobscure the message by depriving the audienceof a realistic tie to everyday experience. Inmoderately using what he calls "gobbledygook," Kopit aurally creates Emily'sestrangement from the world withoutalienating the people in the theater.Roslyn Alexander makes the most of Kopit'sscript by maintaining an intelligent balance between under and overplaying her part. Underplayed, the stroke would hardly justify an entire play. On the other hand, if the part wereoverplayed, Wings would seem to be nothingmore than geriatric soap opera. Her performance mesmerizes everyone in the theater andkeeps them intimately involved in the action onthe stage. In fact, Alexander may do her job toowell, thereby diminishing the effectivenss ofthe other characters.Yet, even with this flaw, Kopit's message isdelivered intact, and a night at Wisdom BridgeTheatre remains an experience well worth theadventure of riding the Howard El. Wings runsuntil November 11, Thursday through Saturdaynights at 8:30, and Sundays at 3 and 7:30. Tickets cost between $6 and $7 and can be purchased at the Wisdom Bridge Theatre, 1559 W.Howard Avenue, or by calling 743-6442.THEATER' without words Sublime drawings botched and bungledby Daniel SchulmanCan the Art Institute consistently install mediocre shows? I'm becoming a believer. I can't document a string of bad shows, but not being able to recall a great one is enough for indictment. "Roman Drawings of the 16th Century from the Louvre" is a show that I won'trecall for lack of. luster, but as a fine exhibition that the Art Institute neglected to shape.With a line up of 70 odd masterpieces (which rarely travel) from the Louvre, supplemented by several drawinqs from the Art Institute'sown fine collection, what better alternative could one have to a blockbuster of questionable quality such as the Lautrec show? I arriveddoubled over with anticipation and left soberly straightened by an exhibition without direction or purpose.The show is contained by three rooms of the Print and Drawing Gallery. In the first of these rooms are three pages from the sketchbooksof both Michelangelo and Raphael. Two pages of each are of characteristic beauty. However, the third page from each stands but as an oddity. Two of Michelangelo's drawings are highly worked out, rich chalks of vigorous masses of physical exertion, and the other is a frail,stick figure Christ dozing on the cross. Likewise, two Raphael works are rich red chalks depicting divinities of sublime grace while theother is a chiaroscuro drawing that looks like a revision of a Mantegna in freezing blue. These uncharacteristic examples are fascinating,but useless in the context of the show. What bearing do these extraordinary drawings have on certain aspects of 16th century Rome? Whatbearing do they have on the work of their followers? The exhibit continues with many fine examples of 16th century contemporaries andfollowers of Michelangelo and Raphael, but there is no organizing theme that binds the works together other than the hazy, magnificent titie of the show.A stunning example of slick virtuosity can be found in the work by Daniels de Voltera and the much more deeply satisfying drawings byFederico Barocci, Taddee Zuccarro, and especially by Annibale Carracci. These drawings will stand up to any curatorial neglect, but theyand we deserve better.A glaring example of the curators' laziness is the installation of the central, "educational" room. This tiny room, obviously meant forworks on an intimate scale, is cluttered with general information about the historical background and stylistic bases of the works andrelated color and black and white reproductions. The result is an ostentatious jumble of unnecessary text and illustration that signals aweakness in the exhibition. The corresponding instllation of the 'real' drawings is something of a jumble too. The viewer is given no senseof stylistic or chronological progession.The mishandling of this show reveals some unpleasant aspects of the running of an art museum. It is generally understood thatweaknesses in the administrative wing of a museum can lead to malaises not immediately decectable by the average visitor. However,the sloppiness with which the curators approached the beneficence of the Louvre is frightening. Finding such second rate work in aspecialized museum department is indeed troubling.Smart Gallery mounts a fitting tributeby Sharon PollackSince the University's connection to the New York art worldseems distant and tenuous, I always thought it an anomaly that theart critic for The New Yorker taught here. But Harold Rosenbergstrengthened that connection; reading him for my classes mademe realize how cerebral a pursuit the appreciation of modern artcan be. His writings also made me wonder why post figurative artis met with so much disdain from so many students.The current exibition at the Smart Gallery, Abstract Expressionism: A Tribute to Harold Rosenberg, provides an excellent and unintimidating introduction to the Abstract Expressionist School. Thetwelve artists represented were all important figures in the movement, and their works were the basis of Rosenberg's theories.The art is filled with energy. Many of these artists spent theirearly years doing murals for the W.P.A.'s Federal Art Project. It iscertainly American; bold and ambitious, the art of the Americancity, the art of the bomb. Its significance and meaning is still asubject of charged debate.The show allows the viewer to understand what these artists havein common, so that their work can be thought to constitute a"school". Simultaneously, its variety demonstrates how each ofthem arrived at a highly personal style. This is particularly true ofartists such as Rothko and Newman, whose works consist of onepredominant visual pattern. In the selection of works by deKooning, Pollock and Kline we see the maturation of their styles, so thatone is not deluded into thinking that Action Painting grew out of theartists' inability to do anything else.Arshile Gorky, often thought to be the father of Abstract Expressionism, is represented by four very different works. "The Scent ofApricots in the Field" is especially outstanding. We see how figurative painting presented obstacles to him in his search tor a more expressionist style.The selection of works by deKooning gives the best example ofthe evolution of an individual style. Each has the "unfinished" lookascribed to them by Rosenberg, but as a group they progresstoward greater abstraction. Two studies for the monumental"Woman" series are included in the show.All three paintings by Franz Kline are excellent, particularly"Untitled, 1954". We can see the artist at work on the refinement ofthe idea while the inclusion of an earlier collage makes an interesting contrast.The Pollocks are small, but representative of his mature style.The predominance of black and yellow is clear, as is the influenceof Gorky, and Pollock's early studies of "Guernica."Joan Mitchell's works on white backround illustrate an interesting variation of the technique use by Pollock. The spilling, dripping, and splashing of paint onto the canvas became a trademark ofthe movement.Tomlin's geometric brushstrokes, and Guston's diffuse, pastelimages indicate the diverse nature of the movement. The mannerin which each artist uses the paint is as varied as people's gesturesusually are.Though the Smart Gallery space is well used, this exhibit lacksthe monumentality by which the movement is known. More openspace is provided than is usual in their exhibits, but the paintingsseem crowded, particularly the Pollocks.Exhibits about critics tend to be awkward affairs, particularly ina time when the art can be thought to illustrate and elucidate thecriticism, rather than the contrary. But this show is very good, andis a fitting tribute to the man who recognized the importance of theworks he called "the triumph of American painting."the grev city joornal, Friday, October 19, 1979 — 7iThe Friends of the Symphony 8c Music Department presentthe first in a series of five concerts featuringTHE CHICAGO SYMPHONY WINDSin music ofMOZARTSUNDAY, OCTOBER 21,8:00 p.m.MANDELHALLProgram Highlights:Quintet for Piano and Winds in E-Flat, K.452(John Perry, piano)Music from DON GIOVANNIRECEPTION FOLLOWINGTICKETS AT REYNOLDS CLUB BOX OFFICE:Series Prices: General Public $25, Faculty/Staff $20, U.C. Students $1500Single Concert Prices: General Public $6.50, Faculty/Staff $5.50,U.C. students $4.50For further information call 753-3580 or 753-2612 i;he Untocrsitu of ChicagoTHE SCHOOL OF SOCIAL SERVICE ADMINISTRATIONPRESENTSSecond *7- “Scctnc dtectuneONServing the Collective or theIndividual: Lessons from theWars of IsraelBYProfessor Jona Michael RosenfeldDirector of the Paul Baerwald School of Social WorkThe Hebrew University of Jerusalemand Visiting ProfessorThe Columbia University School of Social WorkTUESDAY, OCTOBER 23, 19794:00 p.m.SCHOOL OF SOCIAL SERVICE ADMINISTRATION969 East Sixtieth Street • Room East 1Why so many faculty membersare joining an exclusive dub*The Maroon Club.If you are a member .of the University of Chicagofaculty or staff, it makes a lot of sense. And here’s why.First, we’ll cash your university paychecks.In fact, you can even have the university mail usyour payroll checks directly to the Hyde Park Bank.Not only will we deposit them automatically toyour checking account, but we’ll also transfer a setamount to your savings each month. You just tell ushow much.As a member of the Maroon Club, there’ll be noservice charge for checking. No minimum balance.No strings. And there’s no charge for the automatic deposit and transfer service, either.8 — the grey city journal, Friday, October 19, 1979New classicalreleasesBeethoven, Symphony No. 7Angel SZ 37531Schumann, Symphony No. 3Angel SZ-37603Haydn Horn ConcertosAngel SZ 37569by Robin MitchellThese three new releases maynot vary much in genre or timeperiod, but they differ consider¬ably in quality.Least noteworthy of the three isyet another version of the Sym¬phony No. 7 of Beethoven. Consi¬dered by many to be his finestwork, each new recording of thisfavorite is bound to attract morethan the usual amount of scrutiny.Unfortunately, this release, withEugene Jochum conducting theLondon Symphony Orchestra, failsany examination.The overriding element in theSeventh is rhythm, and this iswhere Jochum's interpretationfalters. The jubilant first move¬ment is torpid, and tempo is un¬even throughout the work. TheLSO performs professionallyenough, but Jochum's reading of Haydn, Schumann and Beethoven interpreted by Richard Vanderweit.the score lacks the grandeur need¬ed to make the Seventh successful.This is especially noticeable in thefirst two movements, where thedynamic interplay of the strings ismissing.The sound is also poor. The richtexture of the strings is muddiedconsiderably, and the sound islacking in depth.Another recent lackluster per formance of Beethoven's Seventhwas produced by Riccardo Muti,who fares much better in his newrecording of Schumann's Sym¬phony No. 3 in E-flat, the "Rhen¬ish,” with the Philharmonia Or¬chestra. From the lively firstmovement to the rousing finale,this work promises enjoyable lis¬tening if performed well.The Symphony begins with a lively, heroic theme, which influenced Brahms in his Third Sym¬phony. Muti handles the protoBrahmsian aspects of the firstmovement very well, which keepsSchumann from sounding likeSchubert.Muti's success here lies in his su¬perb sense of classical restraintand proportion. This becomesespecially important in the excit¬Chamber music in Mandelby Sandy HarrisFriday night's chamber music concert, featuring Arnold Steinhardt onthe violin and Lee Luvisi at the piano, was predictably excellent, considering the talent of both musicians. All the music was performed withwarmth and style.The Mozart Sonata in G, K. 3 01, was performed gracefully and modest¬ly. Both musicians played the introduction to the first movement in aproperly serious manner; in the second movement, piano and violinseemed to be engaged in a spirited conversation. On the whole, the piecewas done in a truly classical style.Both soloists displayed more imagination and intense feeling in theSchumann work, Sonata in D-minor, op. 21. Piano and violin complement¬ed each other perfectly, making the second movement serious yet lively. The third movement was played softly and simply, allowing it a songlikequality. Both instruments seemed to soar with the music, making thepiece the highlight of the evening.The Strauss Sonata in E-flat, op. 18, continued the intense feeling thathad been building all evening. The first and third movements were playedwith verve and daring, while the second movement contained the perfectromantic touch. The musicians performed with flair the abrupt changeswithin each movement.The last movement of the Straus Sonata was so stirring that Steinhardtwas prompted to perform an encore, Larghetto from the Sonatin byDvorak. This came across superbly and was played with as much fervoras were the previous pieces. On the whole, the audience was treated to anenjoyable evening of excellently performed chamber music. ing finale, to which Muti allotsproper but not excessive inten¬sity.Barry Tuckwell's new recordingof the Haydn horn concertos is thebest of these three sampled. Tuckwell is the Rampal of the Frenchhorn. (Or is Rampal the Tuckwellof the flute?) Tuckwell is the onlymajor horn soloist today, and it isnot hard to see why. He is the complete master of his instrument, andhis rendition of Haydn keeps hisreputation intact.Tuckwell continues the impressive performances begun in hisMozart horn concertos, also onAngel. The outstanding aspect ofhis Haydn concertos is his emphasis on the clarity of line and subtle¬ties in the solos while still keepingthe horn integrated with the or¬chestra. Tuckwell is accompaniedby the English Chamber Orchestra, which performs admirably,especially in the clarity of thestrings.Overall, avoid the Beethoven,try the Schumann, and by allmeans, get the Haydn.On top of that, we’ll give you a complimentary package of 50 checks to get youstarted.We also will give you a free photo identification card so you can cash checks up to$500 without delay.Another free service to Maroon Club members is a free family-size safety deposit boxfor important documents and specially valuable items.So you see, we’ve put together quite an exclusive package of free services which weoffer to the University of Chicago faculty and staff—and we offer them in a spirit offriendship and cooperation.So join our exclusive club.-Just open an account, show us your university identification and you're in.•If we couldn’t do something like this—what are neighbors for, anyway?The bank that works—in the neighborhood that works.Hyde Park Bank and Trust (nnpativ. 1525 Hast 53rd Street. 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JKXKK/ "PPPi7',"'7 'f - 7' - .■f!|c7. -'FFoF.oK'O'. .bo X-/ K7FF7, BAGEI \MM n\ Htn \< isAlso( ►range Juice, Cof fee, Tea,:H.;/^C,:,;.^;7V.777-:-;: 7 .., 77,. . 77 i : V v 7 .. ll '. ;iST BRl|htt :O', , ,, ; , ,77 7 21UK. . ny \l\ ;vjpr^;- S|i 11 j% I ei i 11 flen.HII :.v5>K: CK.vHvFKKsiK-.’ o,.'K.iKHKKiv- ’ "bO'b;: kV;;:'.; o o, ;;o ppsi Ptp. :^pp p, '^'Pp^:toT : F K '' K; ' F ■F ■ F' 7'7 ■ C :,;J -O'-;:'' 7‘K••• .7 _ K V'KK' ■* HILLEL LECTUREWHAT’S IN A JEWISH•i v, ISH PAS1 'MONDAY, OCT. 22,7 • •{() j> \|SP1 ION€;K ran7 7\ "77; : O7K'' 7 V 77 7-7 77; 7 .7' ,77,.,07.,7V :lO,;; 0,77..' i1'' 7 '::7 : " 7'O 7:7 ^ .7. 7 nfi: ■: FK 7 F;. ,7; K0.7 i ; ,.K 4F ;iF,F::F:-;;:■.. ' :F ' F: 7:0F7:iK KSTlH./:’7 ^ . ...-s; .,:f €'71 IlfF'o:7f:.1Fff,?tSBpBg»7ip;:ky- ' 7: . • ,v;77 .7,^|;.,.,;-::,;:::V7;0'7? .K : ■ .S-77 77• 07 ,'k■Mm ,giF,.'0,,'7” 'IP* ' K—'• F*K KK'77.0 ,;77, K-1 S •" 7 .O,..* ^Jill LEi I MM■ :-v - :o--' ..,..,77 . ....:» DON'T MISS STARTING OVER !”7 > .,_ EAR! 1 A HSAN IEAR1.. ~ o • , , ,. ,ftwtSH'F?.JL — ,/KA( K 70 Y M ’A! Nand about adults and the senior young mayi m fii : eresting; hanticest ayon making cho :e of life styles and partners7 ..c/ ’■ -F; , Y ;..." ,0^ | 7.FF. '...■, Wl7,0 .4 ^ Ho. O, /:*.. ' 7 .... - V ......... .7,,7 707:0.77;;,4O Kv iP~■. , ' r’tiiS lie:= MU» • ■ ■C ,77. ' ,7, ■ 77, :-7O,, ,7k.7 . ; ' . 7inHM ms Mcj'ju. mWIITWICTIO -Sr « ram #*NOW SHOWINGWATER TOWER LINCOLN VILLAGE OLD ORCHARDChicago Chicago SkokiaNORRIDGE RANDHGRST CINEMA WOODFIELDNorrldga Ml. Prospect SchaumburgHARLEM-CERMAK YORKTOWN BREMENN. Riverside Lombard Tinley ParkEVERGREEN GRIFFITH PARK RIVER OAKSEvergreen Park Griffith, Ind Calumet CitySOUTH LAKE MALL. Merrillville, Ind. : 77,0077 ifgfo\|l1 : *■ 'O ' '* ' V'- .*ws*-' ’,7 ;07 70 . r ,777,7:.,Just two tiny-silver-oxide batteries willpower thtromc calculator foripprox a|ely -hours .- >r(ratieoi aniveragj r • earThe Sharp EL-5806 is an eight- .4«| , o -o 7,digit Mantissa/two digitF-F;. K;: ',7featuring a Jow-power-'7'; - vcrystal display.7 77. 1 ' .7:7 V • 070,7, 77, ; "culating power in a small package.■ • 7** • : '•.Trigonometric, inverse trigonometric, mode [STAT], number of samples/pp']phPp'pp"pppp kF'Jkk 77 7'7,.,7,.: ... y-,.'Fo..F,k,.. ,,.,,07, kk.4 77• l leg e<' m nute/seco d andjpolar ; deviation [S<r] enter data/co rectdata | DATA CD] keys.if'-. -f;-Rectangular Conversion.■ |:}"t J*4$:F . F.fe'.vv.Ji ,,-O pPp.pT-7.7: 0F0f 7-- 77;' F; .7O ■■.' p1. 07 . 7,77:777,,7777, 7: mppppms [/ /?3Y55 7gj3■KKt!0’IBBQB' ,t/i;y}.-0MS 'JK-K-cae • 1** ->PQQBQOllCD CD CD CD CD) :d giCD CD CD CD OCD CD CD CD ElGj CD F&FitSi:77777:77.0,,7 .-iK,/.: 7..,,77.:•,, . ; - .j 7..-FkK'Ff/yKipP;Ppt^%P ‘F;:FFkF:'■ PPP:'77 7.7; . .’7. ' .7, / 77 ■' OOK •University of Chicago Bookstore5750 S. Ellis AvenueCalculator Dept., 2nd Floor753-3303 7 .■ -,7 ■MASTER CHARGE & VISA ACCEPTED10 — th« grey city journal, Friday, October 19, 1979 .FF::''*:p :::'«7^oo''i.;f. k;Jlfliilf% j ■7777,77 .v 7,«Stt*iS>*^^^More consumer culture from Rolling StoneKate Wenner toured the country promoting College Papers: she poses here with her baby outside Ida Noyes.by Laura CottinghamWhen you pick of a copy of The New Yorker, you'renot surprised to find Brendan Gill chattering aboutBroadway's current aesthetic sensibility. Addams'drawings of plumed hatted women and BrooksBrothers suited men don't surprise you and shouldn'toffend you either — after all, that's what you paid yourdollar for.In general, magazines offer few — if any — surpriseswhen content coincides with expectations. But if youexpect Rolling Stone publisher Jann Wenner's newglossy-covered tabloid, College Papers to coincide withyour idea of what a magazine "for college students, notabout them" should be, expect a surprise.According to Kate Wenner, Jann's sister and CollegePapers' managing editor, College Papers intends to be"a full service, feature, news, information and literarymagazine for the 10 million college students who, upuntil now, have had no national magazine of theirown." But the first issue of this supposed 'message forthe collegiate populace' evidences the real motive behind College Papers: to hit a previously untapped sector of the American buying machine (i.e., "the 10 million college students who, up until now, have had nonational magazine of their own.").Of College Papers' 116 pages, 65 are devoted to ad¬vertising. Of these 65, all display products appealingalmost exclusively to the college-age consumer sector:stereo equipment, beer and fashionable but affordablealcoholic beverages, up beat entertainment and evenan offer for vocabulary improvement.Not only are the products high appeal items for theyoung and economically rising, even the specific ad¬vertising graphics are college student distinctive. Whobesides a college student would respond to an ad thatlooks like a page torn from a course description cataglogue?As if 65 pages devoted to the consumer marketweren't enough, this new mag supplements its adver¬tising space with editorial space that not only looks likeadvertising but reads like it as well.A new parlor game might be to drop an issue fromthe table and then of the two open pages that fall face down, guess which one is an ad and which one is anarticle. Don't expect this game to be as straight for¬ward as Twenty Questions because, unlike TwentyQuestions, there are no clues. Since everything's printed on the same newsprint paper in the same semi Peopie magazine, semi- Tiger Beat style, there's no indica¬tion of when an ad starts and when an article begins —or vice versa. Especially when the content remains the same. The majority of ads are devoted to stereos, al¬cohol and entertainment; and the major stories dis¬cuss music, beer and pleasure: how are we expected todecipher ads from articles?We're not. We're only expected to buy. Buy the paperfor $1.50 and buy the messages without question. And ifwe buy it, that'll say more about us than any article inany magazine ever could.Thursday at 8? 8:30?Are you busy nextFord's The Seachers at 8:30by Gary BebermanWesterns are stereotypically racist, sexistand formulaic. They never seem to developtheir characters beyond two dimensionsand the good guys always win. By the end,some trite morality is reaffirmed, lettingthe audience go home secure in its fantasies.As a class, they stick so closely to conven¬tions that there is no room for seriousdevelopment.On Thursday, October 25, at 8:30 pm LawSchool Films will show The Searchers, afilm by John Ford starring John Wayne; it'spretty western. It also sticks close towestern movie conventions. . . and it'sgreat.Now I don't mean great in the blast their-guts, grab the woman, macho tradition. Imean it as a bona fide work of art. The problem is to see how the conventions are usedand if they make some cohesive, reasonablyperceptive statement. The Searcher doesmore.The story begins after the Civil War amida farming community in a barren part ofTexas. There is no saloon or barber dentist;only some scattered households. This designmakes the community vulnerable in twoways: individual homes are easily assaultedand families leave, discouraged by the hardlife; it is threatened externally and internaliy-One night Indians steal some cattle. Themen pursue but the theft turns out to be aset up: the Indians double back to raid onehousehold. Returning, the men find itdestroyed, and everyone dead except for thetwo daughters, Debbie and Lucy, who havebeen kidnapped. Three of the men dedicatethemselves to rescuring the girls: EthanEdwards, the girls' uncle, played by JohnWayne; Martin Pauley, their informallyadopted brother, played by Jeftery Hunter;and Brad Jorgensen, Lucy's boyfriend whodies early. Lucy dies soon, too, so most ofthe film concerns Ethan and Marty's searchfor Debbie and white society's reaction to it.The movie examines what makes up andmaintains society. Ford strips white societyto its essential institutions by placing it in an early developmental stage. The most fun¬damental institution is the family. Eachhousehold is physically isolated and all ofthe community events — weddings,funerals, etc. — center around families.Even the defense force consists of represen¬tatives from each home. Individuals arecommitted to society only by a breakablecontract, like a pledge. The ties to familyare emotional, and so provide society'sstrength. Individuals risk their lives fortheir families; families unite to protect eachother, forming society.Indians rate their families pretty high,too; although their notion of it is hard tounderstand and appears to be tied to theculture's decline. For example, the chiefwho kidnapped Debbie kills whites toavenge his dead sons. Why he has fourwives, but no more sons, evades me. Also,fighting kills his people, and they appearmore concerned with fighting whites thanpreserving themselves.For wants his audience to feel like part ofwhite society, so he distances it from the Indians. I am sure most members could easilywatch some Indians being killed if it meantDebbie would return. We develop an integral understanding of the whites' waysand a white's understanding of the Indians;but this latter insight isn't much. Aside fromthe few points where the cultures come close(families, religion, horses) the Indians appear anarchic. They act like movie Indiansusually do, making much noise and littlesense. Those few points, however, hint at theorder in their society; whites just operatewith different cultural assumptions. So thefilm is racist only in that we do not understand their actions. Ford shows us acting justas barbarously, but since it preserves oursociety, we can tolerate it.If the characters appear two dimensional,it is because they take on social roles strongly. The community needs ritual and defenseto stay together, so one man is bothpreacher and captain. Ethan may be amacho loner, but he is also a socialrenegade. He has few emotional ties to hisfamily, except, of course, his love for his sister-in-law. Mrs. Jorgensen may be a kibbutzer, but she is also the wisest member ofthe community. Social roles exist for society's maintenance and through them per¬sonalities express themselves. If the plotseems predictable, which it isn't, this isbecause the characters are well developed.The film is sexist. Women are assignedrigid social roles, but that is important forby Jared GellertAt the edge of my seat, staring intenselyat the screen, watching Bertolucci's Beforethe Revolution, and watching too much ofmy life slowly, painfully unfold before me.At one point, Gina, the Older Woman, saysto her nephew and lover Fabrizio, theEarnest Young Man, that he talks like abook, and Don Cesare, Fabrizio's mentorand veteran member of the Communist Party, nods his assent. Fabrizio hangs his headand pleads guilty; he doesn't know anyother way to talk, and besides, the books areright. Didn't Don Cesare himself giveFabrizio the books he's quoting? Don Cesaresays yes, but you must remember the peoplefor whom the revolution is intended.Fabrizio nods yes — what else can he do?Don Cesare is right.How many times have I myself beenFabrizio! With variations, of course. Wepoor deprived American youth have no Party, and not much of a tradition of bourgeoisintellectuals running away from themselveswhile trying to save their bourgeois souls byworking for the Revolution. The magical,enchanted revolution that will somehow,mystically, transform everything and solveall our problems for us. But the times I'vecome to the older woman I was involvedwith, theory in hand, only to be told that Isound like a book, that l am over intellectualizing, rationalizing! And I bow my headand say "yes, you're right." But the theorystill holds. Grand theories about humanityare still theories about flesh and blood peo¬ple, not about things. People contradict this society's survival. There are so few peopie that there can be little crossover in roles.Still, there is room for personal expression,as we saw with Mrs. Jorgensen.I have dealt with comparatively little ofwhat goes on in The Searchers. Ford furtherexamines the roles of religion and in¬dividuals. It is also one of his most visuallyexpressive and beautiful films. Go see it.books; listen to the people too. But theFabrizios of the world, self-cursed intellectuals, will always remember the books. Theproblem is to cure the curse.Fabrizio turns to Don Cesare, who is greywith hard, patient, close and basicallyfruitless work educating peasants about thehistorical nature of the sins of capitalism,and their ability to over come them.Fabrizio sadly, honestly tells him that he'sworked in the Party for one whole long summer, with no progress. "I tried," he pleads,wanting to justify his bourgeois desire forthe fundamentally indulgent life webourgeois lead, "I tried for one whole summer." One part of this armchair radicaldeclares that at least he tried for a summer,while another part counters that the DonCesares make the revolution and theFabrizios get in the way. The Party is rightto distrust the bourgeois, unstable selfindultent intellectuals.Fabrizio reacts as I do. He hangs his head,then raises it, with the pride from hiscourage of at least being honest about hismanifest inadequacies (he's read his Nietzsche). With acumen about the failures of hislife and about the symbol of the Revolution,Fabrizio tells us that for people like him, forpeople like me, it will always be before theRevolution.Fabrizio eventually marries a respectableand burgeois woman and settles down to avery respectable and very boring existence.The prospect is frightening.Before the Revolution, Doc Films, Thursday, October 25; 8 pm.the grey city iournal, Friday, October 19, 1979 — 11Bertolucci'sBefore the Revolution at 8MargoSlauson /ON THE PHONY script by Kurt Keefner; drawn by Robert Saskaamid modern architectural confusionPersonal styleby Charles SchilkeAlvar Aalto: Finnish Master of ArchitectureThe Museum of Science and Industry,through January 1.Finland is a small country, but it has fur¬nished more than its share of greatdesigners. Alvar Aalto is the greatest ofthese, with the possible exception of theSaarinens. Grand yet never grandiose,Aalto's work shows a boldness whichreminds us that, in the architect’s words, “asmall country can be a laboratory."Aalto's primary significance in thedevelopment of twentieth century architec¬ture lies in his ability to utilize the essentialforms of the International Style in a highlypersonal idiom. His Turun Saromat Newspaper Office of 1930, for example, isexternally a fairly standard modernistbuilding of concrete and glass. Inside,however, is a series of mushroom-shapedcolumns which anticipate Eero Saarinen'shighly sculptural architecture of the late1950's which and is highly uncharacteristicof the International Style.During Aalto's active career from themid 20s until his death in 1976, Finland wasa growing welfare state. His work thus consists overwhelmingly of major publicbuildings, with a few important exceptionslike the sumptuous Villa Mairea of 1939.Most famous of Aalto's public commis¬sions is his Viipuri Municipal Library. Here,the more rectangular forms of modernismare tempered by such curved features as theundulating wood ceiling of the auditoriumand the circular skylights of the mainreading room. A characteristic Aalto designfeature, the prominent articulation of stair¬cases, is also notable.The ability to personalize modernism pro¬ved a particular asset for Aalto in the fieldof housing. It is in his building type thatmodernism's tendency toward impersonali¬ty often spells failure. Aalto's freestyle plan¬ning, his use of wedge shaped forms to in¬crease exposure to light and his steppedmotifs which provide visual relief from ex¬cessive mass all contribute to what may besome of the finest large scale housing yetproduced. wWhen Aalto had more freedom than can;be allowed in housing design, the resultswere even more spectacular. His Vooksen- -qniska Church of 1959 with its cruciform bell >tower is built on an irregular trapezoidal qplan which few other architects would dareuse. His massive Central Lahti Church, aproject which occupied Aalto for manyyears, carries the trapezoidal plan still fur¬ther on a grand scale. His Essen OperaHouse and Finlandia Hall demonstrate thatAalto's penchant for the wavy line is notonly aesthetically but acoustically motivat¬ed; their undulating ceilings are both visual¬ly attractive and highly effective sound baf¬fles.Although the exhibit has done very well inportraying Aalto's buildings, making use ofphotographs, models, and even furniture, itdoes not convey his ideas on city andregional planning as extensively as onemight like. There are large pictures of hisambitious Helsinki Center project, aredevelopment plan for the business districtof Finland's capital city, and a map from his1949 Master Plan for Otanieni. But there islittle exposition about these plans — a largedisappointment, since Finland has beenremarkably successful in its postwar regional planning: witness the Tapiola newcity and the Helsingfors regional development.Still, Alvar Aalto's genius for large scalepublic design retains a respect for humanpersonality, which the exhibit aptly conveys.In contrast to the stifling of architecturalcreativity which has been the unfortunateby product of so many socialist regimes,by Margaret SteinAt 4:00 Wednesday, October 17, the first ofthe "Little Red Schoolhouse" lectures washeld. This lecture was the first in a year longseries aimed at improving the quality of stu¬dent writing in the College.Professor Joe Williams, one of the threelecturers, hopes that the series will meet theneed in the College for a "general study ofexpository writing." Professor Williamsfeels that the Humanities Common Corecourses do not fill this need, since the objec¬tives of these courses are "various" andsince student writing is often insufticientlycriticized.A steady decline in the Verbal SATscores of College freshmen, along with ageneral feeling that the quality of student Finland's breed of socialism has stimulateddesign imagination. This is clear in Aalto'scase; here is an architectural imaginationcomparable to Frank Lloyd Wright's inscope and taste, designing not so much forthe individual personality but for the grouppersonality. Aalto's work illustrates thatthere can be a sensitive architecture in amass society.writing in the College has decreased, has ledto a growing concern among College facul¬ty, which in turn has led to the "Little RedSchoolhouse" lecture series.The lectures intend, by revision of actualstudent writings, to define explicit techni¬ques for developing clarity in prose. Pro¬fessor Williams, who has just completed abook on the subject, 20 Lessons in Clarityand Grace, will discuss syntactical style andpunctuation. Professor Gregory Colombwillconsider larger matters of organization, andProfessor Frank Kinahan will discussprose, style, and toward the end of theseries, bibliography.Lectures will be held each Wednesday at4:00 p.m. in Harper #130.Gregory Colomb and Joseph Williams will deliver this quarter's lecturesLecture series setReader and editor trade complimentsEditor:Marvelous job! I must commend the people at the Maroon and the Grey City Journal fortheir work.Until recently I thought that the Maroon/Grey City Journal cartel was dominated byknee jerk socialists whose silly posturing was a by product of youthful self importance.But after reading "Clash explained" (Oct. 12), I realized I had simply been taken in bysophisticated tongue in-cheek journalism. You can imagine how surprised I was by thisrealization and what a laugh I had.I used to react to the Maroon in the same way I once reacted to spaghetti westerns before Irealized they were spoofs and that I had fallen for their seemingly serious surface tone.All this time I've been reading Hyde Park's equivalent of the National Lampoon, and Ididn't even know it.I must say, though, your coup de grace is in placing real advertisements next to yourphony articles. The juxtaposition results in just that delicious ambiguity you seem toachieve with each issue.12 — the grey city journal, Friday, October 19, 1979 Keep up the good work.Mark E. FisherRight WingerI'm glad you enjoyed "Clash Explained"; we thought it was pretty good too.Your former notions about our age and politics are no doubt due to the image we so cleverly project: all the typos, the haughty language, the overblown style, the subjects we chooseto write about everything, really — is all for effect. Pretty tricky on our part, but you seethrough it all; you're really good too.Since I m on the subject, I'll mention a few articles in this week's grey city you won't wantto miss: Melanie Deal explains more New Wave on page 2; Jared Gellert considers ourbourgeois plight on page 11; and Laura Cottingham blasts consumerism, also on page 11.Have fun, and look for more pretentious revolutionary fervor from us in the weeks tocome- David Millerleft winger.. : ■ ■■-v---.,.. u... - - ■You’re wastingyou r timereading thisnewspaper.Not because it’s not worth reading.You’re wasting your time because youcould be reading it three to ten times fasterthan you are right nowThat’s right — three to ten times faster.With better concentration, understanding, andrecall.The problem is, most of us haven’t learnedanything new about reading since we were 10years old. So we’re still stumbling along at afraction of our real capacity. In fact, most peopleread so slowly that their brain actually getsbored and distracted between words (no wonderyou have trouble concentrating when youread!)The new Evelyn Wood RD2 reading program.Over 20 years ago, Evelyn Wood’s re¬search with natural speed readers discoveredreading techniques that could be learned andused by virtually any¬one. Since that pioneer¬ing work, over a millionpeople —from studentsto presidents — haveput the Evelyn Woodmethod to work forthem.RD2 is EvelynWood’s latest, updated Attend a free 1-hour RD2demonstration this week:Friday, October 19th4:00 and6:30p.m.reading improvement system —designed to bemore effective and flexible than ever. With it,you should easily be able to cut your readingand study time by at least two thirds. Thatmeans if you’re now studying 20 hours a week,you’ll save roughly 400 hours — or almost 17full 24 hour days — in this school year alone!Spend an hour and check us out.We know you may have trouble believingwhat you’ve just read. That’s why our peopleare on campus now giving free 1 hour demon¬strations of RD2. If you can spare an hour,we’ll answer any questions you may haveabout RD2, and prove that you can unlearnyour bad reading habits and start saving twothirds of your study time. We’ll even demon¬strate some new reading techniques designedto increase your speed immediately, withgood comprehension.This short demon¬stration could start youon your way to bettergrades, more free time,and a whole new outlookon studying.It only takes anhour, and it’s free. Don’tmiss it.McGiffert House • 5751 WoodlawnAve.Near corner of Woodlawn and 58th□ EVELYN WOOD READING DYNAMICS A URS COMPANY1978 Ev#yn Wood «e»d"ng Oynarvcs IncEvelvnWoodwill open your eyes. the grey city journal, Friday, October 19, 1979 — 13Adam Spiegel • • •Last week's Homecoming festivities resulted ingreat experiences for everyone who chose to takepart. Some of the highlights included the BotanyBellyflop, Harper 500 Tricycle Race, the torchlightparade and the party (pictured here).CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am.Dept, of Economics: Workshop in Economicsand Econometrics-“Regulation and the Behaviorof Prices and Profits Over the Business Cycle”speaker Seth Norton, Room 301, 11:00-12:30.Geophysical Sciences Colloquium: ‘ The Influ¬ence of Fluorine, Boron and Phosphorous on Be¬ryllium and other Lithophile Element Stabilities”speaker Donald Burt, 1:30 pm, Hinds Lab Audito¬rium. .Center for Middle Eastern Studies: Lecture-“North Africal Sociology Today” speaker Tajed-dine Baddou, 2:00 pm, Beecher 101Computation Center Seminar: Introduction toSystem 1022, 3:30-5:00 pm. RI 180Dept, of Economics: Economic History Work-shop-“The Market Evaluation of Human Capital:The Case of Indentured Servitude” speaker DavidGalenson SS 106, 3:30 pm.Women’s Union: Meeting 5:00 pm, in theWomen’s Union office in Ida Noyes above the Frogand Peach.Hillel: Reform-Liberal Shabbat Services, 5:30pm, Hillel.UC Gymnastics Club: Introduction available be¬tween 5:30-8:00 pm Bartlett gym, free.Hillel: Orthodox (Yavnehl Shabbat Services,Sundown, Hillel.Calvert House: Rice Bowl Supper, 6:00 pm. Cal¬vert HouseDOC Films: “Superman: The Movie” 6:15 and9:00 pm, “The Grateful Dead Film” midnight,both films at Mandel Hall.Hillel: Adat Shalom Shabbat Dinner, 6:45 pm.Hillel 3.00.SYL Forum: “Hate Carter, Hate Capitalism. Noto the Imperialist Draft; SDS, A Marxist Analy¬sis” 7:30 pm, Reynolds Club LoungeOrganization of Latin American Students: Partyat Crossroads, 8:00 pm. Food and drinks will besold, and music and original entertainment will beoffered as well. 5621 S. Blackstone.Hillel: Lecture- ’Judaism and Vegetarianism”speaker Prof. Louise Berman, 8:30 pm. Hillel.SATURDAYHillel: Orthodox (Yavneh) Sabbath Services.9:15 am. Hillel.Hillel: Conservative-Egalitarian (The UpstairsMinyan) Sabbath Services, 9:30 am.Women’s Volleyball: UC vs Eureka College10:00 am, Quincy College 12 noon, and MacalesterCollege 2:30 pm, At Crown Field HouseE.F. Clown and Company: Introductory Mimeworkshop 10:00 am, Ida Noyes Cloister Club.Gymnastics Club: Introduction available be¬tween 2:00-5:00 pm, Bartlett gym, free.Creative Dance and Movement: Class, firstmeeting, 2:00 pm, Ida Noyes Dance room.Crossroads: Saturday dinner, 6:00 pm. 7:30 pm,Multi-media slide presentation entitled “Sit DownYoung Stranger.”Law School Films: “All About Eve” 7:00 and9:45 pm, Law School Auditorium.Pub: Live Entertainment, 9:00-12:30 pm, Shel¬ton Salley (Guitar and vocals).SUNDAYRockefeller Chapel: Ecumenical Service of HolyCommunion, 9:00 am.Rockefeller Chapel: Discussion Class, 10:00am.Hillel: Lox and Bagel Brunch, 1.50, HillelRockefeller Chapel: University Religious Ser¬ vice, 11:00 am, Sermon-“The Comic Ways of Godto Man.”Rockefeller Chapel: Organ Recital-Guy Bovet,Swiss Organist, free.Tai Chi Ch’uan Club: Meets 7:30 pm, 4945 S. Dor¬chester (enter on 50th).Greek Student Association: Meeting 8:00 pm. In¬ternational House room B.Folkdancers: Meet 8:00-11:30 pm, Ida Noyes. In¬termediate and advanced.MONDAYProspectives: Topic: “Specialized Care forCancer Patients: The Oncology Service” guestsDr Donald Sweet, Mary Anderson, and KathleenWoods, 6:30 am, Channel 7.Anthropology at Chicago: Lecture-“Interdisci¬plinary Archeology and the Genetic Model: TwoChicago Legacies” speaker Kent Flannery, 4:00pm. Breasted Hall, Oriental Institute.Divinity School: Lecture-'The God BeyondGod: Tehology and Mysticism in the Later MiddleAges” speaker Bernard McGinn. 4:00 pm. SwiftLecture Hall.Dept, of Chemistry: Lecture-“The ChemicalConsequences of Magnetic Effects on Photochemi¬cal and Chemiluminescent Reactions” 4:00 pm.Kent 103.UC Gymnastics Club: Instruction available5:30-8:00 pm. Bartlett gym, freeHillel: Class in Beginning Yiddish. 6:00 pm, Hil¬lel.Chess Club: U.C. Fall chess championship, fourround rated Swiss tournament, begins 7:30 pm.Ida Noyes Memorial RoomHillel: Lecture- 'What’s in a Jewish Name0Your Key to your Jewish Past” speaker rabbi Ben-zion C Kaganoff. 7:30 pm. HillelDOC Films: “The Man W’ho Broke the Bank atMonte Carlo” 7:30 pm, “I met Him in Paris” 8:45pm, Cobb.Hillel: Class in Advanced Yiddish and YiddishLiterature. 7:30 pm. Hillel.Hillel: Class in Jewish Life Cycle. 7.30 pm, Hil¬lel.Folkdancers: Meets 8:00-11.00 pm. Ida NoyesBeginnersKIMBARK HALLCondominiumsThe developers are offering model units forinspection every Sat. and Sun. between 1and 5 p.m.36 opts:24 - 1 bedroom, 1 both from 30,350-37,0006 - 2 bedrooms, 1 bath from 37 000-30.8506 - 2 bedrooms, 2 both from 46.000-46.900All apartments include new kitchens and appliancesnew bathrooms, carpeting and decorating (colors ofyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individuallocker space.Your inspection is invited,5126 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.786-9200 ♦iiii♦ii•ii•Adam Spiegel**************1- a — ’ll H—TT H TT -T yt 3E X X# # # #'# #“*"•** * ***repair New andSPECIALISTS RebuiltoniBM.scM, Typewriters,Olympia, etc. Calculators^ FREE repair Calculators,A* estimates; repairs Dictators,* by factory-trained Adders* technician, u 0f Chicago* RENTALS Bookstoreavailable with 5750 S. Ellis AvaU. of C I O 753-3303Mastercharge and Visa Accepted***.** * * * * * £ ft* *********** ROCKEFELLER MEMORI AL CH APEL5850 South Woodlawn AvenueSunday, October 219 A.M.Ecumenical Service of Holy Communion10 A.M.Discussion Class: “Biblical Covenant and Life in the Eighties”Leader: Philip Blackwell, United Methodist Chaplain -Guest: Rabbie Dan Leifer11 A.M.University Religious ServiceRALPH C. WOOD, Department of Religion, Wake Forest UniversityWinston-Salem, N.C.“SATIRE AND HUMOR:THE COMIC W AYS OF GOD TO MAN”4 P.M.GUY BOVET, Swiss Organist, in recitalAdmission is without ticket and without charge «/The Chicago Maroon — Friday, October 19, 1979 — 23r• • •Last week's Homecoming festivities resulted ingreat experiences for everyone who chose to takepart. Some of the highlights included the BotanyBellyflop, Harper 500 Tricycle Race, the torchlightparade and the party (pictured here).• • •22 — The Chicago Maroon — Friday, October 19, 1979JAdam Spiegel CalendarFRIDAYCrossroads: English classes for foreign women,10:00 am.Dept, of Economics: Workshop in Economicsand Econometrics-“Regulation and the Behaviorof Prices and Profits Over the Business Cycle”speaker Seth Norton, Room 301, 11:00-12:30.Geophysical Sciences Colloquium: “The Influ¬ence of Fluorine, Boron and Phosphorous on Be¬ryllium and other Lithophile Element Stabilities”speaker Donald Burt, 1:30 pm, Hinds Lab Audito¬rium. .Center for Middle Eastern Studies: Lecture-“North Africal Sociology Today” speaker Tajed-dine Baddou, 2:00 pm, Beecher 101.Computation Center Seminar: Introduction toSystem 1022, 3:30-5:00 pm. RI 180Dept, of Economics: Economic History Work-shop-“The Market Evaluation of Human CapitalThe Case of Indentured Servitude” speaker DavidGalenson SS 106, 3:30 pm.Women’s Union: Meeting 5.00 pm. in theWomen's Union office in Ida Noyes above the Frogand Peach.Hillel: Reform-Liberal Shabbat Services, 5:30pm, Hillel.UC Gymnastics Club: Introduction available be¬tween 5:30-8.00 pm Bartlett gym, free.Hillel: Orthodox (Yavnehi Shabbat Services,Sundown, Hillel.Calvert House: Rice Bowl Supper. 6.00 pm. Cal¬vert HouseDOC Films: “Superman. The Movie” 6:15 and9:00 pm, “The Grateful Dead Film” midnight,both films at Mandel Hall.Hillel: Adat Shalom Shabbat Dinner. 6:45 pm.Hillel 3.00.SYL Forum: “Hate Carter, Hate Capitalism Noto the Imperialist Draft; SDS, A Marxist Analy¬sis” 7:30 pm, Reynolds Club LoungeOrganization of Latin American Students: Partyat Crossroads, 8:00 pm. Food and drinks will besold, and music and original entertainment will beoffered as well. 5621 S. BlackstoneHillel: Lecture ”Judaism and Vegetarianism”speaker Prof. Louise Berman, 8:30 pm. Hillel.SATURDAYHillel: Orthodox (Yavneh) Sabbath Services.9:15 am. Hillel.Hillel: Conservative-Egalitarian (The UpstairsMinyan) Sabbath Services, 9:30 am.Women’s Volleyball: UC vs Eureka College10:00 am, Quincy College 12 noon, and MacalesterCollege 2:30 pm, At Crown Field HouseE.F. Clown and Company: Introductory Mimeworkshop 10:00 am, Ida Noyes Cloister ClubGymnastics Club: Introduction available be¬tween 2:00-5:00 pm, Bartlett gym, free.Creative Dance and Movement: Class, firstmeeting, 2:00 pm, Ida Noyes Dance room.Crossroads: Saturday dinner, 6:00 pm. 7:30 pm,Multi-media slide presentation entitled “Sit DownYoung Stranger ”Law School Films: “All About Eve” 7:00 and9:45 pm, Law School Auditorium.Pub: Live Entertainment, 9:00-12:30 pm. Shel¬ton Salley (Guitar and vocals).SUNDAYRockefeller Chapel: Ecumenical Service of HolyCommunion, 9:00 am.Rockefeller Chapel: Discussion Class, 10:00am.Hillel: Lox and Bagel Brunch, 1.50, Hillel.Rockefeller Chapel: University Religious Ser¬ vice, 11:00 am, Sermon-“The Comic Ways of Godto Man.”Rockefeller Chapel: Organ Recital-Guy Bovet,Swiss Organist, free.Tai Chi Ch'uan Club: Meets 7:30 pm, 4945 S. Dor¬chester (enter on 50th).Greek Student Association: Meeting 8:00 pm. In¬ternational House room B.Folkdancers: Meet 8:00-11:30 pm, Ida Noyes In¬termediate and advancedMONDAYProspectives: Topic: “Specialized Care forCancer Patients: The Oncology Service” guestsDr Donald Sweet. Mary Anderson, and KathleenWoods, 6:30 am. Channel 7Anthropology at Chicago: Lecture-“Interdisci¬plinary Archeology and the Genetic Model: TwoChicago Legacies” speaker Kent Flannery, 4:00pm, Breasted Hall, Oriental Institute.Divinity School: Lecture-“The God BeyondGod: Tehologv and Mysticism in the Later MiddleAges” speaker Bernard McGinn. 4.00 pm. SwiftLecture HallDept of Chemistry: Lecture-”The ChemicalConsequences of Magnetic Effects on Photochemi¬cal and Chemiluminescent Reactions” 4:00 pm,Kent 103.UC Gymnastics Club: Instruction available5:30-8:00 pm. Bartlett gym. freeHillel: Class in Beginning Yiddish, 6.00 pm, Hil¬lel.Chess Club: U.C. Fall chess championship, fourround rated Swiss tournament, begins 7:30 pm,Ida Noyes Memorial RoomHillel: Lecture-'What’s in a Jewish Name0Your Key to your Jewish Past" speaker rabbi Ben-zion C. Kaganoff. 7.30 pm. HillelDOC Films: “The Man Who Broke the Bank atMonte Carlo" 7:30 pm. “I met Him in Paris” 8:45pm. Cobb.Hillel: Class in Advanced Yiddish and YiddishLiterature, 7:30 pm. HillelHillel: Class in Jewish Life Cycle. 7:30 pm. Hil¬lel.Folkdancers: Meets 8:00-11.00 pm. Ida NoyesBeginners. *KIMBARK HALLCondominiumsThe developers are offering model units for .inspection every Sat. and Sun. between 1 fand 5 p.m. |36 opts:24 - 1 bedroom, 1 bath from 30,350-37.000 f6 - 2 bedrooms, 1 bath from 37 000-38.8506 - 2 bedrooms, 2 both from 46 000-46.900 IAll apartments include new kitchens and appliances,new bathrooms, carpeting and decorating (colors of Iyour choice), triple-track storm windows and kitchenstorm doors, modern laundry facilities and individual Ilocker space.Your inspection is invited, I51 26 S. Kimbark Ave. - Phone 643-4489Harry A. Zisook & Sons, Agts.f 786-9200 |Adam Spiegel***%j*%«.ti *4******ji a 4 4 # If*******S-n-y u a nr W V ■*£ -t X X£ REPAIRSPECIALISTSon IBM, SCM,Olympia, etc.FREE repairestimates; repairsby factory-trainedtechnician.RENTALSavailable withU of C. 1.0 New andRebuiltTypewriters,Calculators,Dictators,AddersU of ChicagoBookstore5750 S. Ellis Ava753-3303A JL JfcMastercharge and Visa Accepted******************* * * ROCKEFELLER MEMORIAL CHAPEL5850 South Woodlawn AvenueSunday, October 219 A.M.Ecumenical Service of Holy Communion10 A.M.Discussion Class: “Biblical Covenant and Life in the Eighties”Leader : Philip Blackwell, United Methodist Chaplain -Guest : Rabbie Dan Leifer11 A.M.University Religious ServiceRALPH C. WOOD, Department of Religion, Wake Forest UniversityWinston-Salem, N.C.“SATIRE AND HUMOR:THE COMIC WAYS OF GOD TO MAN”4 P.M.GUY BOVET, Swiss Organist, in recitalAdmission is without ticket and without chargeThe Chicago Maroon — Friday, October 19, 1979 — 23Soccer team surprised by Loyola, 5-0by Allen Sowizral“It was bad news.” That comment fromthe Maroon soccer team’s leading scorerjust about summed up the game againstLoyola University on Wednesday afternoon.The Maroons suffered their worst defeat ofthe season in the 5-0 loss. It was the thirdtime in five games that the Maroons havebeen shut out. They opened the season witha tough 2-0 defeat at the hands of area rivalNorthwestern. In the third game of the sea¬son they were shut out by a very toughWashington University team. The team'srecord now stands at 3-3 overall althoughthey remain undefeated in two MidwestConference games.Four of Loyola’s goals came in the firsthalf. Dave Ewbanks made his second startof the season in goal and gave up four goalsuntil he was replaced late in the second halfafter the game was virtually out of reach.Coach Barry DeSilva took this opportunityto play many of his substitutes and tochange positions in the lineup hoping for ananswer to the team’s problems.The general feeling was that this was theteam’s worst performance of the season.Loyola consistently beat the Maroons to theball and held them to at most two or threeshots on goal in the entire game. Throughoutthe game the Maroon players were beingcaught out of position. It was the opinion ofone Maroon player that they simply werenot playing a thinking game. Team captainLou Segal evaluated the game in this way,“I don’t think that we played like we canplay. Today was an indication of our ten¬dency to get up for some games and not forothers’’. His was a point well taken becausethe Maroons have played very inconsistent¬ly throughout the season. Their perfor¬mance against Northwestern was ratherdisappointing as was their play against Pur¬due University/Calumet campus wherethey emerged with a 2-1 victory over a teamthat should not have gotten that close. Theydisplayed the kind of soccer that they arecapable of to the few hearty fans thatshowed up for a 6-0 rout of Lawrence. Theycontinued their fine play for a little morethan 60 minutes against a powerful Wash¬ington Univesity squad. Rob Boland attri¬buted the loss to a misappraisal of the op¬position, “We underestimated the team to begin with. We thought we would beat themeasily but it turned out to be otherwise.Overall, we played our worst game of theseason." Coach Barry DeSilva is upset be¬cause the team does not do the things thatthey have worked on in practice when theyget into a game situation. Others have attri¬buted the team’s poor play to a lack of teamspirit.Whatever be the cause of their recentby Mark WallachIf a big-time college football school werein the throes of a four game tailspin, as theMaroons now are, it would be a fair wagerthat any or all of the following would hap¬pen: the alumni would break down theswitchboard demanding the coach’s scalp;team unity would disappear behind a flurryof flailing fists; and the poor coach? Hewould be working twenty hour shifts tryingto correct the problem, having nightmaresabout Xs and Os, and wouldn’t noticewhether he were eating a roast beef sand¬wich or swallowing a tube of ethyl nitrate.Fortunately enough, the Maroons do notplay big-time college football. In their pro¬gram. winning has an important but muchmore modest place. Coach Tom Kurucz,speaking of the upcoming game this Satur¬day commented, “It’s not do or die. If wedon’t win at Beloit College our season willnot be a disaster.’’Still, coming off their best season ever,the Maroons, with a 1-4 record, have notdone as well as they had hoped. In their lastthree games, in fact, they have been out-scored by a total of 94-27. Last year, al¬though they won only one of the threegames, they held a combined 66-60 edgeagainst the same three opponents, LakeForest, Milton, and St. Ambrose. Here is abrief account of some of the Maroons’ pres¬ent difficulties. slump, the team must try to rectify theirproblems in time for a very important con¬ference game against Carleton College.Last season Carleton defeated the Maroonsto win the conference’s Northern Divisionchampionship. The Maroons will seek toavenge last season’s loss and get a leg up onthe title for this season when they square offagainst Carleton at Northfield, Minnesotaon Saturday.Concentration. In at least two of theirlosses, the Maroons made critical mistakeswhich contributed to the loss. Against Mil-ton, they allowed a punt to be returned for atouchdown, then early in the second half,fumbled deep in their own territory, a mis¬take which led to another Milton score.Against Lake Forest, six interceptions weretoo much to overcome.Injuries. So far this year, Joe Olshefsky(knee ligaments), Joe Mullins (knee), JimMarant (knee), and John Kahle (shoulderseparation) have gone down to injuries.That leaves the Maroons with only 31healthy players, a dangerously lownumber.Running attack. Dale Friar, who rushedfor over 1,000 yards last year, passed up hissenior year in order to pursue a career inchiropractics in South Carolina. Althoughthe Maroons still have team leader Nick Fil-lipo at running back, a breakaway threatlike Friar is irreplaceable and his value tothe team, all but incalcuable. For example,last week the Maroons put the ball in the air38 times and suffered six interceptions.Thirty-eight tosses in 73 plays is pretty goodevidence that the Maroons were not able toestablish their running game. Furthermore,if the offense can’t control the ball, thatmeans the defense is on the field too much.Even a fine defense like the Maroons’ willeventually yield if it has too much pressureplaced on it. One final example: Last yearDale Friar averaged 125.5 yards rushing pergame. This year against Milton, the Dean Carpenter (white jersey) could notget any offense going for Chicago.Maroons total offense was 95 yards.So far though. Coach Kurucz says that thelosses have not affected the team’s unitywhich he encourages by allowing players tomake suggestions, help plot strategy, andcontribute to decisions on which positionbest suits each player.Against Beloit in this weekend’s game, thekey word in the Maroons’ game plan is “out¬side." That’s the area that the Maroonshope to attack by running option plays forMark Meier and it’s the area they will beparticularly concerned about defending ondefense.Kurucz admits that “Yeah. I lose a littlesleep" worrying about the team, but he hasfew regrets about having become a part ofChicago’s low-key program. “I wouldn’trather be at Kentucky (where he was once acoach at the Division I school). I'm here andI enjoy it. The thing I enjoy most is watchingthe guys grow. This morning a player camein who was having a problem with one of hiscourses — a writing course. We talked andhe had a chance to air his feelings freely.When he left 45 minutes later, he felt a lotbetter.”It’s concern like that which has helpedmake life a little less painful and losing a lit¬tle less difficult for some of the players thisseason. To paraphrase Vince Lombardi:Winning isn’t everything — if it were, wewould all transfer to Notre Dame.Maroons seek answers against BeloitFrom the pjressboxOn cooling IMs: it’s only a t-shirt guysby Howard SulsIntramurals are now in full swing withthe advent of the football season. For thoseof you unfamiliar with intramurals, let meoffer a short explanation. There are fourmajor sports: football, basketball, socim,and softball, and a number of minorsports. There are two divisions, graduateand undergraduate, and sometimes openrecreation. The undergraduate division isdivided into residence leagues and the in¬dependent league, with the resident leaguechampions facing each other for a resi¬dence league winner, who then must facethe independent champion for the under¬graduate title, and the right to face thegraduate champion for the All-Universitytitle. Points are compiled on the under¬graduate level for an undergraduate year¬long winner.What I wish to address this column to isthe trend in recent years of increasing vio¬lence. The one IM sport missing is boxing.I have seen referees threatened, opposingplayers hit, teammates fighting, abusivelanguage and the like. I am not talkingabout isolated incidents. I am talkingabout grown men, from 17-25 or so, gettingupset over something as simple as a game.There is something wrong when people getupset enough to start throwing punches inan activity where they are supposed to berelaxing and having fun.I am not sure what the cause of all thefrustration is. Part of it is the intense com¬petitive desire to win, in quest of the“Holy” T-shirt. This drive creates an atti¬ tude of unsportsmanlike conduct, and adisguised contempt for all the rules andregulations. At one point last year seven ofthe top ten basketball teams were illegal,and all seven probably did it knowingly.Enforcement is virtually unknown, sincevery few people know everyone participat¬ing and can tell who is legal and who is not.Teams recruit, practice, scout, and onceeven searched the scorecard files checkingfor discrepancies.There is no way that the rules can be en¬forced by the IM office. I think that every¬one should take a step back, and reeva¬luate what they are doing. Playing for funand playing to win can be two differentthings, and I think the first is more in spiritof intramurals. 1 also think that the IM of¬fice should take a tougher stand on thosewho find it necessary to threaten andabuse. No more slaps on the wrists. Underthe threat of individual and team expulsionthere may finally occur a decrease in theoutbreaks of violence. Last, but not least,remember that the officials are only ama¬teurs, and only human. If you think theyare bad, do not complain, just volunteerand see if you can do a better job. You mayfind yourself becoming a lot more tolerantand your evaluation of other officials willmean more as a fellow official than a dis¬gruntled participant.Finally this word. Go out and play. Havea good time and use that time to relax andhave fun instead of getting more workedup. Rory RohdeThe players’ attention in this IM basketball game in 1978 switched away from thegame to each other ...Rory Rohde... and the referees had to be called upon to break up the ensuing melee.24 — The Chicago Maroon — Friday, October 19, 1979IM reportFootball in full throttle- officials ratedby Mark ErwinIntramural football season is upon us onceagain, but before talking about scores andschedules, an important ingredient in IMsports deserves mentioning. Anyone whohas played in or observed an intramuralcontest, be it football, basketball, or volley¬ball, probably knows that the most difficultjob, or the center of controversy, is that ofthe official. Of course mistakes are going tobe made, professional referees make themalso. The IM office is trying to keep thesemistakes down to those of the judgementtype as opposed to rule interpretationerrors. This year there are three supervi¬sors of officials instead of last year’s two.They are John Thomas, Chris Lombardi,and Jim Long. For football season, two ofthe three, and sometimes all three will be atthe Midway to help officials with any diffi¬culties they may incur. In addition, to helpmotivate the officials to concentrate on theirresponsibilities, a rating system was de¬vised. Supervisors Thomas, Lombardi, andLong, along with Coach Chuck Schact willrate officials on a scale of one to five, withfive being the highest score, or superior.Three officials received superior ratingslast week for football, but many officialshave not yet been rated. The three were BobLabelle, Brian Holmgren, and Rich Meade.So as not to embarrass those officials whosework has not quite been up to par, the IMoffice is posting only the names of those offi¬cials with ratings of three or higher. The of¬ficial’s job is not an easy one, yet it’s an im¬portant one, so it’s nice to see that an effortis being made to both make it a little easierfor the refs, and increase the quality of theofficiating.Now, looking at how last week’s Top TenTeams fared this week, we find that the #1-ranked Wabuno Bay Buccaneers defeatedThe Law (#7) 20-10. In a mild upset. #3 Psi Utopped #2 Med II, 12-2 in a defensive strug¬gle. The Dead Popes (#4) are not dead yet,as they easily handled The Pod by a score of31-6. The Wack’s Last Stand, previouslyranked #5 were beaten by Hanna’sHellraisers 19-8 in an Undergrad Indepen¬dent confrontation. The Wacks had wontheir opener, so are now at 1-1. The #6-ranked team, Tufts, opened its season with a35-0 victory over Filbey. Tufts came back-two days later :o destroy Vincent by an im¬pressive 68-6 total. Seven different piayersscored touchdowns for Tufts, who scored onall ten of their possessions. Bill VanderClutehad three interceptions for the winners.Shoreland shuffle (#8) was shut out by Hooli¬gans 7-0. #9 Ed’s Bar and Grill defeatedJohn Paul III 16-6, and Upper Rickert, then ranked #10, was stopped by Chamberlain15-2.In a division by division run-down, afterone week. Alpha Delta Phi is on top in theUndergrad Maroon Division. DaveStamler’s three interceptions paced AlphaDel’s hard fought 6-4 victory over Bradburyearlier in the week. Trailing 2-0 Alpha Del isBradbury at 1-1. Chamberlain and HaleHouse share the lead in the Red Division,with 2-0 record. There is a three-way tie be¬tween Salisbury, Michelson, and Commut¬ers Special in the Blue Division, with allthree teams at 1-0. Tufts leads the Green Di¬vision with a 2-0 record. They are being fol¬lowed by Lower Flint and Fishbein, each at1-0.Dudley is in control of the White Division,with a 2-0 record. Their victories came overDodd-Mead and Hitchcock. Hendersontrails Dudley with a 1-0 record. In the under¬graduate Independent League, Ed’s Bar &Grill and Hanna’s Hellraisers have 1-0 re¬cords, while The Wack’s Last Stand is at1-1.Running over the Graduate League, thereis a three-way deadlock in the Blue Division,with Wabuno Bay, Manifest Destiny, andThe Department of Chemistry all at 1-0.Over in the Red Division, Hung Jury andMansters are at 1-0. Psi Upsilon and TheEmboli are tied for first place in the GradWhite Division, also at 1-0. The Capitalistsand Hooligans are 1-0 in the Maroon Divi¬sion, while We’re All Whores and the DeadPopes are Battling it out in the Green Divi¬sion. Both are 1-0.Intramural Football Top Ten(First place votes in parentheses)Team1. Wabuno Bay Buccaneers (7) 952. Psi Upsilon (1) 863. Dead Popes (L) 814. Tufts (1) 775. Med II . 526. Manifest Destiny 477. The Law 438. Hanna’s Hellraisers 229. Ed’s Bar and Grill 1810. The Wack’s Last StandTie: Alpha Delta Phi 10Votes: Hooligans, Dudley,Chamberlain, Hale House, Hung JuryScoreboardWabuno BayBuccaneers 20Psi Upsilon 12Dead Popes 31Tufts 35Tufts 68Manifest Destiny 30Hanna’s Hellraisers 19—Sports BriefsPats on airThe featured guest on this week’s editionof Sports Saturday will be former NewEngland Patriots wide receiver DarylStingley. Current Patriots on the show willinclude Steve Grogan, Russ Francis andHarold Jackson. Sports Saturday will alsoprovide updates on the University ofChicago Maroon football game at Beloitand results of the Maroon soccer game atCarleton in addition to an IM, national col¬legiate and professional sports roundup.The show airs at 3:30 PM on 88.3 FM.NationalmeetTed Haydon’s 19-4 varsity Maroon cross¬country team will be joined by the Univer¬sity of Chicago Track Club at the UnitedStates Track and Field Association na¬tional championships tomorrow at Kenosha, Wisconsin. Earlier this week,Havdon expressed optimism on the TrackClub’s chances of making a strong showingat the national event.Netters’ splitThe University of Chicago women’s vol¬leyball squad won the consolation champi¬onship of the Millikin University Invitation¬al Tournament last Saturday. Afterdropping their opening match to host Milli¬kin. the Maroons came back to win instraight games over MacMurrey and beatBarat in a three game match. On Tuesdaythe Maroons lost a tight best of five gamematch at Lake Forest, 16 14, 15-12, 12-15 and15-13. The loss dropped Rosie Resch’s net¬ters to 3-6 on the year and 2-2 for the week.Resch says her club. “could be playing bet¬ter,’’ but is lacking depth. Last night theMaroons met Elmhurst in the fieldhouse(too late for presstime). Tomorrow theMaroons have a tripleheader in the field-house beginning at 10:00 AM against EurekaCollege. At noon Chicago meets 10-1 QuincyCollege and at 2:30 PM they play Macales-ter. Ed’s Bar & Grill 16 Thompson 0-1Alpha Delta Phi 6 White DivisionHooligans 7 Dudley 2-0Fishbein 7 Henderson 1-0Chamberlain 15 Bishop 0-1Chamberlain 27 Dodd-Mead 0-1Lower Flint 18 Hitchcock 0-1Bradbury 24 Green DivisionHenderson 35 Tufts 2-0Dudley 7 Lower Flint 1-0Dudley 10 Fishbein 1-0Vincent 0-2The Law 10 Filbey 0-2Med II 2 UndergraduateThe Pod 6 Independent League:Filbey 0 Ed’s Bar and Grill 1-0Vincent 6 Hanna’s Hellraisers 1-0Patchwork 2 Wack’s Last Stand 1-0The Wack’s Last John Paul III 0-1Stand 8 Joint Effort 0-1John Paul III 6Bradbury 4 Graduate LevelShoreland Shuffle 0 Red DivisionVincent 0 Hung Jury 2-0Upper Rickert 2 Mansters 1-0Shorey 0 Laughlin 0-1Filbey 0 Broadview Bombers 0-1Breckinridge 20 The Barristers 0-1Bishop 0 Blue DivisionDodd-Mead 0 Wabuno Bay Buccaneers 1-0Hitchcock 6 Department of Chemistry' 1-0Manifest Destiny 1-0Intramural Football Standings The Law 0-1Undergraduate Chicago 7 • 0-1Residence League: Maroon DivisionRed Division Hooligans 1-0Chamberlain 2-0 The Capitalists 1-0Hale House 2-0 Midway Maniacs 0-0Phi Delta Theta 0-1 Shoreland Shuffle 0-1Upper Rickert 0-1 Hideous She Demons 0-1Shorey 0-2 White DivisionBlue Division Psi Upsilon 1-0Commuter’s Special 1-0 The Emboli 1-0Salisbury 1-0 Smegma Breath 0J)Michelson 1-0 Med II 0-1Greenwood 0-1 Invisible Hands 0-1Compton 0-2 Green DivisionMaroon Division Dead Popes 1-0Alpha Delta Phi 2-0 We’re All Whores 1-0Bradbury 1-1 The Pod 1-1Lower Rickert 0-0 Junkyard Dogs 0-1Breckinridge 0-1 Harper Roaches 0-1IM football: there’s a ball in there somewhereThe Chicago Maroon — Friday, October 19, 1979 — 25O'Vm U«i{(WMW m ike £imp•Come in to see our fine selec¬tion of Quality Brand-NameUniforms for Professional Menand Women•Coordinating Tops, Skirts, andPants as well as Dresses, Suits,Lab Coats, etc.•White Shoes - Clinic and Nurse-mates/Daylites!7 W. State -Strnu'b Bldg.- lift llmTODAYThe Visiting Fellows Program presentsJUSTICE JOHNPAUL STEVENSof the United States Supreme Courtin aQUESTION AND ANSWER SESSIONFRIDAY, OCTOBER 19,4:00 p.m.THE LAW SCHOOL AUDITORIUMJustice Stevens will take questions from the floor. Allstudents and faculty in the College, and in the Schools andDivisions, are invited to attend and to participate.26 — The Chicago Maroon — Friday, October 19, 1979/ - • r i . .i * .Women's Health. 647 5505.CLASSIFIED ADSAD RATES care? Volunteers needed for pregnan¬cy testing In Hyde Park. Call Kay667-5505. A professional embarked upon aperpetual, economy-class pilgrimagethrough the steps and far provinces ofhis beloved American night.Penthouse on Tom WaitsWOULD THE WOULD-BE B levelarsonist please set fire to my locker? manner and enunciation should con¬tact Mark Habrel 753-1181 NationalOpinion Research Center University ofChicago 6030 S. Ellis part-time job$4.00 per hour.RUN FORMaroon classifieds are effective andcheap. Place them in person at theMaroon business office In Ida NoyesHall by mail to the Maroon, Ida NoyesHall room 304, 1212 E. 59th St.,Chicago, 60637. All ads must be paid inadvance. Rates: 60’ per line (30spaces) for U of C people, 75' per lineotherwise. $1 for special headline.Deadlines: For Tuesday paper, 12noon Friday; for Friday, 12 noonWednesday.Display advertising rates areavailable upon request. 753-3263.SPACE2 BR CONDO 2 BLKS FROM UC.Hdwd. firs., new kit. and bath. Avail,immed. $45,000. 565-1361, 321-0432.LASTUNITLEFTl br condo in Kenwood - 4726 S. Green¬wood. Tastefully renovated $32,000. Byappointment only. Matrix Realty Co.248-6400.1808 N. WELLS TRIANGLE 2 br ACpark. 450 and up mgr. 943-3108.Need an apartment or tenant? Call theStudent Gov't Housing Search Service753-3273.4-6 weekdays.COACHHOUSE for rent-2 bedroomscampus bus Kenwood $450.285-0018.Large 1 bd. apt. $350. 493-3822, 493-2179~Condo for sale. E. Hyde Pk., large 2bd. 493-3822 or 493-2179. Two single mother students would liketo contact other s.m.s. interested inpotential support network. Call eves363-7265 or 363-5528.Wanted: Darkroom Technician 15-20hrs/wk. Student with some experiencepreferable. Pay negotiable. On cam-pus. 753-8669.Todays heroes are tomorrow's servicestation operators. I'm lucky. I'm apretty good mechanic. - Tom WaitsThe Chicago Counseling andPsychotherapy Center has severalopenings for women 18 and over in along term group starting October 25.Meets Thursday evenings 8-10 pm.Fee: $40/month, first two monthspayable in advance. Preliminary in¬terview required. Call 684-1800. Leavemessage for Bill.FULL TIME KEYPUNCHER Ex-perience necessary. For smallpublications office in Hyde Park.Familiarity with at least one foreignlanguage. 947-9418.FOR SALE1968 'Mustang fine mechanically somebody quirks $500 call 288-5676 after 6pm or before 9 am.Hasselblad 500C, A12, 80mm, 50mm,250mm Black, Ring flash, Polar 63,filters, excel, cond. 684-6298.Leica system: two R3 bods 28mm60macro, 90mm, 180mm APO.684-6298. It's no. 2585. Beat the high price of gas-use my books. Reg.Am seriously interested in readingTarot. Call eves. 268-9262.Paying $10 men's, $15 women's forclass rings. Any condition. Will ar¬range pick-up. Phone toll free1-800-835-2246anytime.He has gathered an Impressive follow¬ing, including Elton John, BetteMidler and Joni Mitchell.Newsweek talking aboutTom WaitsWOMEN'SMAGAZINEPrimavera V is out! On sale in mostlocal bookstores. We need new staffmembers. Call 752-5655 for Info.ARTISTS ANDCRAFTERSIf you are interested In sharinggaliery-shop space at 57th andWoodIChris 493-3290. Total dues will be$15. No commission, bur a lew hours owork per week will be required.EMMANUELLEA Movie for Couples...Come together!. CREWFun run Oct. 27, Midway 9 am 3 mi,WOMEN INSCIENCEAssoc, for Women In Science meetingMonday. Oct. 29, 7:30 - 9 p.m. EFI rm.480 featuring C. Sachs on "FINAN¬CIAL ESTATE PLANNING". Formore info. M. Listvan 3-8670.ESCAPE!Get out of Hyde Park - or at least out¬doors. Join the Outing Club for trips,equipment, information, and goodcompany. Call Peg Dordal 753-4912 orJohn Hardis 363-5269.Indiana Dunes hike: Saturday 10/20.Meet at 10 a.m. on 57th St. South ShoreRR (1C) platform. Bring lunch. CallPeg Dordal. 753-4912.INDIANAUNIVERSITYSCHOOL OF LAWNDean rank Motley will visit the Univ.of Chicago October 25 to speak to pro¬spective law students. Interestedstudents should contact Joan O'Don¬nell Career Counseling and Place¬ment. The University of Chicago.Elegant 7 rm. remod. apt for rent.Fpl., 2 baths, 3 bdrms, nr. campus bus.947-0787,324-5116.Female roommate to share luxury aptin East Hyde Park, carpet, a/c,dishwasher. Your share $270.643-8975.Co-op apt. for sale-3 rooms, sm.bdrm., separate Ivg. and dng rms., kit¬chenette, bath. Good location. Safe,well-maintained bldg. Only $73/mo. in-cl. all taxes and heat and gas. ONLY$24,500. Call PAULA 753-2719, 752-4506.E Hyde Park- 2 br. 2 bat., all elec, kit.,indiv., cont. heat & a.c.-lO minutesfrom Reese fantastic view of lake andChicago skyline. $535.00 per mo., in¬door pkng. $45.00 per mo. Phone643-1400 or 752-6321.Studio for renf 12/1. University Park270/mo. 1 year lease security deposit.Cali 752-6536.l large bedroom in two bedroom apt onlake 129/month + utilities with gradincludes pvt parking workshop laun¬dry 667-5620 morns and 5-6 nights.Sunny one bedroom apt to sublet Nov.1st. Within a blk of Co-op. Close to 1Cbuses, UC campus. On minibus route.Sep living rm, dining rm. Secure bldgw/intercom, laundry and bike rms.$285. Util, heat incl. 324-2563 bet 3-7pnrI've got a great face tor radio- TomWaits toWHPK.1st, 2nd yr Grads interested in Cheapco-op living. Come see our house Sun.Oct. 21 4:30 pm. rents average 651 mo.5621 University 955-2653. GammaAlpha.PEOPLE WANTED Passport Photos while you wait. ModelCamera, 1342 E. 55th St. Chicago, III.60615. Call 493-6700.JOIN THE KENNEDY BANDWAGON. Order your "I'm ready forTeddy" T-shirt, 50/50 heatherblue,sizes (S-M-L-XL), $5, includes mail¬ing, cashiers check or cash only. WildWest Company, 1400 North Rouse, MT59715.Va fare Coupon-United Airlines. Call753-3264 or 955-4413 and ask for Steve.Overstuffed Apartment sale: birdcage, aquarium, earth shoe size IOVjman, royal doulton teapot (cracked),Hurricane lamp metal bookcases,rugs, chairs, Trunk, kitchenware andmore Sat. Oct. 20,10 am to 1 pm 1365 E.56th St. Roberts.Parent Support Network is sponsoringa sale of children's beloved butoutgrown furniture toys and clothes onSat, Oct. 20. New baked goodsavailable -garage behind 5733Maryland 10-4.I'm an unemployed gas station atten¬dant. -Tom WaitsPEOPLE FOR SALEProfessional photography for modelcomposites. Call 684-2286.ARTWORK - posters! illustration,calligraphy, invitations, etc. NoelYuovovich, 5441 S. Kenwood 493-2399.CARPENTER: Shelf-systems built toyour specs. Platform beds. Repairs.Remodeling. I can help you. DavidBooth. 324-5447. FOLK DANCEFESTIVALOVERSEAS JOBS - Summer/yearround. Europe, S. America, Australia,Asia, etc. All Fields, $500-51,200 mon-thly. Expenses paid. Sightseeing. Free _info- Write: IJC, Box 52-11, Corona Del SCE N fcbMar, Ca. 92625.Secretaries with typing skills 50 wpmminimum. Dictaphone transcribersMedical and Legal. Zerox 800-ETSoperators Elaine Revell Inc 684-7000.EO.E. AMBITIOUS PEOPLE - Start yourprofitable business. We help. 225-2583.Ambitious Professional Couples Workat Home. Help People. Car Full timeincome for 10 hr. wk. Appt 667-4339eves, by 10 PM.Babysitter wanted: mature studentwanted for occasional evenings Caringfor school aged child Transportationprovided if necessary Hyde Parkarea. 667-4220.Student needed to walk 25 school kidsto YMCA and help Y staff with gymand swim program Tues and Thurs12:30-3:15. Also need someone forafterschool program Tues and Thurs.3-6 pm. Call 624-2059Performers for L. Flint Coffee House.Call 753-2249 rm. 3104 to set up auditions.The Department of BehavioralSciences needs people who want toparticipate as paid subjects inpsycholinguistic and Cognitivepsychology experiments. For furtherinformation call 753-4718Mallory's Restaurant is Interviewingpeople interested In learning formallunch and dinner service. Experiencewelcome. Apply In person at 1525 E.53rd St.Need students to assist at MBA Admis¬sions Forum downtown Nov. 9 and 10.$4/hr. Contact 753-4281 for appoint¬ment before October 24.French tutor wanted for conversationpractice. Native speaker preferred butnot required. Call: 643-5214INTERESTED In women's health The U of C Folkdancers will hold theirannual festival on November 2, 3 and4. There will be a dance party Fridaynight, an ethnic music and dance partySaturday night and workshops Sat.and Sun. beginning at 9 a.m. We willhave 3 superb guest instructorsteaching Mexican, Bulgarian andMacedonian dance shops for begin¬ners. For info call Blythe 324-6287.FOLK DANCINGThe U of C Folkdancers have twoweekly meeting at Ida Noyes. Sundaysat 8:00 Inn-Adv. and Mondays at 8:00beginners. All are welcome. WOMEN'SRAP GROUPSPACEINVADERSThe exciting video game is now in thePub in Ida Noyes, Along with pinballmachines. E ight tap beers, 30 differentbottled beers, food and much muchmore. Membership required. Women's Rap Group meets everyTuesday at 7:30 pm on the 3rd floor ofthe Blue Gargoyle. For Info call752-5655.COURT STUDIOPLAY PROPOSALSWill be accepted for the winter quarteruntil Oct. 29. See Judy Fink on the 3rdfloor of the Reynolds Club or call753-3583.MEDICAL CODERSNORC needs responsible persons forjob demanding high accuracy, concen¬tration, and attention to complexdetails. Duties include coding ofmedical symptoms and diagnosis fornational survey. Prior experience withmedical terminology required. Beginsimmediately. Job continues throughJanuary 1980. $3.75 per hour. Call947-2558, an Equal Opportunity Af¬firmative Action Employer.LITERARY-MINDEDThe Chicago Litery Review invited w 1 li VJLt Owriters, artists, and production people HYDE PARK SINGLES-Chutzpahto join. You are needed! Meetings Sun- Unlimited, a singles group for Jewishday 7:30 at the Maroon, or call Molly adults, 25-45, is holding a Super Sun-684-6721 or Richard 955-8321. “ • - ■ ■ — -WOMEN PROTECT YOURSELVES!Blue Gargoyle, 57 and University, of¬fers two 6 wk SELF-DEFENSEclasses: Basic and advanced. BeginsOct. 22 $25. info, call 332-5540,COOKING CLASSES, Chineese or Infernational. Full participation, smallclasses 538-1324 Wendy GerickBeseler Color Darkroom Seminar! OnMonday, Oct. 22nd, 1979, 7-10.30 pm,our Beseler Representative will con¬duct a color printing seminar Advance registration is required Pleasestop by soon! Model Camera, 1342 E55th St. Chicago, III, 60615. Call493-6700.A rice bowl supper will be served Sun¬day, Oct. 21 at 6 p m. to increase anawareness of world hunger. A presen¬tation will follow Donation $1.50 Address 5735 S. University Ave (CalvertHouse). ___________You have a image of him off-stagewired and wasted -of Tom WaitsFun Run Oct 27, Midway 9am-3mi.WATCH THE GOLDENQUADRANGLE TENNIS MATCHESQuad Club vs grad students VarsityCourts, 58th and University, 1pm Sat.Oct. 20. ___Everyone I like is either dead or notMin, very well. .TomWa„, BOTTLED BEERSNow at the Pub Along with our eightgreat tap beers and food.POETRY READINGDo you like reading poetry aloud? Joina group of the like-minded for an in¬spired evening Students, acuity,newcomers welcome. Call Molly 684-6721.TALL TALESIf you write them, the ChicagoLiterary Review wants to seem themfor possible publication in our autumnissue. Please contribute! Call Molly684 6721 or Richard 955-8321. _ holding a Super Sun¬day Brunch, October 28. For more in¬formation, call Ed 324-3686 or Eleanor248-2661.ADMINISTRATIVEASSISTANTSNORC has full and part time positioravailable for AdministratisAssistants. Duties include typingletters, forms, reports, flnancischedules and budgets and transcriing machine dictation Excellent tying skills required. 2 years office eperience with minimum of 1 ye<secretarial experience 2 years of cclege or equivalent $9,490-512.800 pitliberal fringe benefits Call 947-255An Equal Opportunity/AffirmathAction Employer.STUDENT CO-OPLOST AND FOUND BOOKSTORE; —, . . New stock imHistoriography, LiteraryDoberman mix found 10-15, free to Crjticlsm and Far Easterngood home if not claimed Call 753 2475 Civilization — lowest-priced newdays, 363-6290, records in the city. Basement ofReynolds Club, Mon-Fri. 9 30-6 00,PERSONALS PLATONIC FORUMGay discussion group of the U of C.Gay and Lesbian Alliance Ida NoyesEast Lounge at 9:00 p.m, on Monday,Oct. 22nd.NOTIMEFOR LOVE?Filled with gripes or wonderfully happy stores of what It means to workwhile attending school? Maroorreporter writing series on student:who work and needs to hear what yoihave to say. call Richard at 753-3265. Sat. 12:00-4:30FIELD ASSISTANTNORC needs Field Assistants to per¬form a variety of tasks associated withthe data collection portion of a survey,duties include editing questionnaires,light typing, and data entry(keypunch) skills. Some college andprevious office experience preferred27'/j hours, project continues throughMay 1980 $4.00 per hour plus benefits.Call 947-2558. An Equal Opportuni¬ty/Affirmative Action Employer.MICHIGANWriters' Workshop Plaza 2-8377.PREGNANCY TEST SATURDAY10-1 Augustana Church 5500 W.Woodlawn Bring 1st morning urinesample. $' 50 donation. Southslde TELEPHONEINTERVIEWERSMen and Women with a good telephone jj”9,300THREE OACKS TWP 485' on Pic¬turesque Gallen River Beautiful twolevel cedar home on wooded two acresgently sloping to the River—3-4 br withmany amenities. Call for details! WORK/STUDYA great variety of jobs is still availablefor graduate and college students whoare eligible for the Work/Study Pro¬gram. See Sara Johnson, Office ofCareer Counseling and Placement,Reynolds Club 200, for more informa¬tion.DRAFTALTERNATIVE TO THE DRAFTConference will be held tonighf andSaturday in Ida Noyes. An unbiasedlook at the draft by leading public of¬ficials and scholars.UC HOTLINEGot a problem? Want to talk? Got aquestion? Need some Info? Try callingthe UC Hotline 753-1777, 7 p.m. - 7 a.m.YEARBOOK1979-80 YEARBOOK on sale now atStudent Activities Office INH 2ndfloor. Only $10. Order your yearbooknow Books will be delivered in June.More pages! More pictures! Seniorportraits!BIZ & ADMANAGERSThe YEARBOOK is looking for abusiness and advertising manager. In¬terested persons can leave their nameand telephone number at the Yerbookoffice INH room 218. Ad manager willreceive commission for all ads sold.SENIOR PORTRAITSSeniors! Sign up in INH 218 for yoursenior portrait for the Yearbook. Or, ifyou have a favorite photo, bring it ininstead. Black & white only.PHOTOGRAPHERSDig into your files. The Yearbookneeds pictures of last winter, colorshots of the southside anytime, andshots from last spring. Anyone withLas. Cost. Ball pix...bring them to INH218 today.PEOPLE WANTEDMALE desk attendant-light choresstudy time available. Call LehnhoffSchool of Music and Dance. 288-3500.LOST AND FOUNDLOST: Sunday 10-14, almost grownneutered male kitten. Friendly, graystriped tiger. Extra thumb on frontpaws, white and gold collar. RewardMrs. Thomas 752-3490.LOST: Yellow spiral notebook, "An-thro 428" in upper rt. corner Call Benat 3-3077 am, 493-6244 pm.LIFEENHANCEMENTWORKSHOPSHealth and well-being of body, mind and spirit: an integral part of the lifeof the mind. Workshops in yoga,Massage. Self-Hypnosis and Visualiza¬tion and Holistic Health begin on cam¬pus Tues., Oct. 23rd and Thurs. Oct. 25at the Gargoyle, 5655 University.Classes will be led by Dobbi KermanM.A. whdhas been teaching for the Uof C community since 1971. Ms. Ker¬man is a graduate of the U of C, Co-Director of the Well-Being Center, anda founding and board member of theAssociation for Holistic health. Courseinformation is under individualheadings A $15 reduction in tuitionwill be given for each additionalcourse. Individual consultation andtraining are also available. For Info,and to reserve your place, call Dobbi288-3706 or ans. serv. 337-8100.SELF-HYPONSISSEMINARBeginning Thurs. Oct. 25th, 7:00-9:00Self-Hyponsis Seminar. The purpose ofthe seminar is to teach the fundamen¬tals of self-hyponsis and to assist par¬ticipants In developing the skills andtechniques necessary for use. "It hasthe power to transform every area ofyour life "from...enhancing studyskills and improving health to deepen¬ing relationships and clarifying andhelping you attain future goals. Testby Dr. Freda Morris, Hyponsis withFriends and Lovers. Ms. Kerman, theleader, is a graduate of the clinicalhypnotherapy program directed byDr. Morris. 7 sessions, $70. Call Dobbi288 3706 or 337-8100.YOGAReenergize and harmonize body, mindand spicit. Yoga begins on campusTues. Oct. 23rd and Thrus. Oct 25th atthe Gargoyle, 5:30-7:00 pm. Hathayoga postures, breathing, energizationmediation and deep relaxation. 7 ses¬sions $40. Call Dobbi 288-3706 or337-8100.VISUALIZATIONAND HOLISTICHEALTHEnjoy high levels of health and well¬being. Participate in the Visualizationand Holistic Health workshop beginn¬ing Tue. Oct. 23rd on campus at theGargoyle. Learn about Holistic Healthand design and implement your ownprogram through use of the life stylediary and visualization in a supportivegroup Key texts. Bry's Visualization,Directing the Movies of your Mind toImprove Your Health, Expand YourMind, and Achieve Your Life Goals,Holistic Life Styling: Keeping Wholein the Twentieth Century. 7 sessions$70 Call Dobbi 288-3706 or 337-8100ART OF MASSAGEEnjoy Receiving seven massages thisquarter, through learning how to giveone Beginning Tue., Oct 23rd on cam¬pus at the Gargoyle, 9:00 to 10:30Learn through demonstration and ex¬change to give a complete deeplyrelaxing pleasurable Esalen Massagebased on Downing's The MassageBook with some accupressure andenergy work. 7 sessions $70. Dobbi 2883706 or 337-8100.We atJimmyshave aparticularbashfulness ineverythingregardingdrinking.DON'T WAITionCINCO DE MAYOto meet the Tecate Trio BravoAn icy red can of Tecate Beer imported from Mexico,topped with lemon and salt. Bravo!: Your big thirst has met its matchC'bco Import,ng Co lix I B fl I 9*"D»«is Texts 75229 | BiBrnl ■ IVThe Chicago Maroon — Friday, October 19, 1979 — 27Tom WaitsCome see himMajor Activities BoardShowtime 9 p.m. Saturday, Oct. 20 in Mandel HallTickets now at Mandel Hall Box OfficeMAB fee payers 3.50 and 4.50(undergraduates are automatic fee payers)Others $6 and $7