Vol. 87, No. 60 The University of Chicago © The Chicago Maroon 1978 The University of ChicagoLabor Department rejectsUC conciliation agreement;study labelled ‘inadequate* Divisional Master’s: 24 percentof new students in social scienceBy Abbe FletmanSalvatore MaddiBy Eric Von der PortenThe U.S. Department of Laborlast week rejected the affirmativeaction conciliation agreementsigned March 6 by the Universityand the Office of Civil Rights(OCR) of the U.S. Department ofHealth, Education, and Welfare.Labor Department spokesmanLeonard Biermann said yesterdaythat the University’s affirmativeaction Program (AAP), “has beenproperly corrected and is accep¬table” but “the scope of the in¬vestigation and the findings”regarding the separate concilia¬tion agreement are “inadequate.”He said the case has been return¬ed to OCR and further investiga¬tions and negotiations must be con¬ducted before the University isonce again eligible to receivefederal contracts.The University receives approx¬imately $50 million in federal con¬tracts annually. The Labor Depart¬ment decision will not, at this time,affect contracts alreadynegotiated by the University butwill prevent the University fromreceiving new contracts before anew agreement is signed.All federal contracts could bewithdrawn from the University if a new agreement cannot be conclud¬ed. There is currently no deadlinefor completing a new agreement.Two months of investigationsearly this year resulted in OCR ap¬proval of the AAP and the agree¬ment. The AAP analyzes the cur¬rent University workforce and pastemployment practices and setsforth projections for future hiringof women and minorities.The agreement establishes pro¬cedures to be followed by theUniversity to ensure that it followspolicies of nondiscrimination andaffirmative action in employment.Those documents were intendedto put the University in compliancewith regulations pertaining to theemployment practices of federalcontract recipients. The LaborDepartment has final power of ap¬proval over all such compliancedecisions.According to Biermann, theMarch 6 agreement is deficientbecause “OCR should have morefully investigated the University”and because the agreement“transfers responsibility for in¬vestigating and determining poten¬tial affirmative action violationsfrom the government to theUniversity.”HEWtop.6 | Until about four years ago, theDivisional Master’s Program inthe social sciences was “a sleepylittle program with a half a dozenstudents,” said its director,Salvatore Maddi.But this year, about 145 studentsare enrolled in the program, andnew Divisional Master’s studentsmake up 24 percent of the Universi¬ty’s entering social sciencegraduate class.News analysisAt a time when graduate enroll¬ment in the University and acrossthe nation is declining, the Divi¬sional Master’s degree may be theonly graduate program at theUniversity to boast a continual in¬crease in students. Like the Corecurriculum, it may be one of theUniversity’s lasting innovations inhigher education. But unlike theCore, it is an academic policy toboost University finances.The University is not revampingprograms for the future ofgraduate education. Its goals aremuch more practical. TheHildebrand Committee, a facultycommittee established four yearsago to present a position paper onthe future of the University as anacademic institution, reported that the University has to emphasizeoccupation training at the M.A.level, said Maddi The only alter¬native to this would be to fire somefaculty members to hold downcosts if the decline in graduatestudents continues.“The program is a sensitivereflection of what’s happening inour society,” Maddi said. “Thefact that our enrollment is increas¬ing when graduate enrollment isdown is not accidental.” Maddisaid students are finding it “more sensible” to commit themselves toM A rather than Ph D. programsbecause of the tight job market“More students are going into oc¬cupations other than the academicworld where a Ph D might nothelp them,” said Maddi. He addedthat students who are uncertainabout academic careers go into theprogram to find out if they want togo on.Div Master’8 to p.6College minority enrollment numbers up, percent sameBy Andrew PatnerNext year’s College enteringclass will show a large increaseover this year’s class in thenumber of minority students. Butthe actual percentage will remainlower than the Universitv wouldlike it to be, according to FredBrooks, director of admissions inthe College.The Admissions Office predictsthat the class of 1982 will includefrom 22 to 25 blacks, 30 Asians, 14Hispanics and four NativeAmericans. This year’s class in¬clude 16 blacks, 21 Asians, 7 Hispanics and no NativeAmericans. But these new figuresapply to a class of 700 as opposed to625 this year. Brooks also caution¬ed that these figures were only pro¬jections.Brooks attributed the gains in alarge part to the efforts of the Stu¬dent Schools Committee and theOrganization of Black Students.“We’ve come through a timewhere students have actuallydiscouraged prospectives to comehere.”Lorna Straus, dean of studentsand admissions in the College,agreed “The real doing involve¬ment by students is much nicer this year than in years past.”Brooks claimed it is, “increas¬ingly difficult to recruit blackstudents to the College,” in partbecause of “massive federal andstate literature directed towardminorities that tell them not tothink about college, or that steerthem toward (applied) science andtechnological careers.”Brooks also said that the Univer¬sity must compete with other“prestigious private schools” andthe Midwestern state schools forlargely the same group of students,and thus must grapple with its im¬age problem.Brooks said that many minoritvwmm!£&(Photo by Jeanne Dufort) students had not heard of the Col¬lege, and that those that had oftencome away with similar negativeimpressions as other prospectivestudents who do not come toChicago: that the Hyde parkneighborhood has racial tensions,that the students are overly in¬tellectual and the atmosphere toocompetitive.“We have to help interpret thiscommunity as a very successfullyintegrated community,” Brookssaid. Regarding the students, hesaid. “We have one of the morewell-rounded student bodies.”Brooks also said that a newpublication is being prepared touse in the recruitment process thatwill focus on minorities, but will beused in the recruitment of allstudents The brochure. Brookssaid, “attempts to show the diver¬sity of the student body The morediversity you have the bettereducation you can offer ” DisagreementMinority students in the Collegeexpressed concern about the ef¬forts to recruit minorities withsuch a small minority base. “Whenyou don’t have any minorities, it'spretty hard to get some to come.”one student saidStraus warned that the com¬parison of minority recruitmentfigures with those of other schoolswas a difficult one to make “Theissue is not how many minoritiesyou admit, but how many yougraduate,” she said “We have oneof the highest percentages ofminority graduates, and those whodo leave, leave for the samereasons as anybody else and in thesame ratios That’s not the case atmany other schools where there isa higher minority percentage inthe freshman class .”College minorities to p.6Publication scheduleInsideEditorial p. 4GCJ p. 7Calendar p.19Sports p.2Q This is the last regular newsissue of this academic year NextFriday. June 2. The Maroon willpublish this quarter’s ChicagoLiterary Review, devoted towomen and literature. TheMaroon will resume publicationJuly 7 and will appear weeklythroughout the summer We wishto thank our staff and our readersfor a splendid year Have a plea¬sant holidayPublic relationsThe University’s and recognition:biggest problemsD.J.R. Bruckner (Photos by JeaiBy Karen HellerThere are endless numbers of stories;stories of confusion, that it is Circle Cam¬pus, Loyola or Chicago University. Thereare reports of misalliance, that it is amember of small midwestern college con¬ference or part of the city’s higher educationsystem. And there are tales of woe, that it isan unknown entity to friends and familyback home, that students are tired of defen¬ding the school’s prestige or unholdingstrong convictions that it is equal to or bet¬ter than the most respected Ivy League in¬stitutions. To many, it is a very big problemand something, no matter how lengthy andexpensive a process, must be done to solvethe University of Chicago’s limited recogni¬tion.The University does not suffer from apoor reputation. Members of academicand research institutions around theworld highly respect and admire it.Vice-president for public affairs D. J. R.Bruckner admitted that the University isoften better known the further away from itone gets. “It is enormously respected at Ox¬ford, Cambridge and the Sorbonne, admiredby faculty members of schools on bothcoasts but sometimes unheard of a fewThe lack of recognition out¬side of the University af¬fects almost everything in¬side it: attracting facultymembers, students, andmoney; and keeping thepeople here after they've ar¬rived.miles away, ” he said.The lack of recognition outside of theUniversity affects almost everything insideit; attracting faculty, students, and money,and keeping the people here after they’vearrived.The University of Chicago has three enor¬mous handicaps, two of which could be par¬tially corrected or at least diffused. The firstproblem, the University’s mal-chosenname, is irrevocable. It is the only reasonfor the constant confusion that the school isa public institution supported by the city.Dean of the College Jonathan Smith saidthat when the medical school’s ratingsubstantially dropped, the report based onsurveys filled out by specialists and ad¬ministrators in medicine was examined, on¬ly to discover that the school had been, inmany cases, confused with Chicago MedicalCenter.“When Margaret Williams wins a NobelPrize she is mentioned in the papers as‘Williams of Harvard.’ When Saul Bellowwon the prize, he was mentioned as Bellowof Chicago.’ I’m sure everyone thought ofthe city not the University. -He is a memberof both communities,” said Lorna Straus,dean of students in the College.While the professional schools, excludingthe medical school, are commonly referredto as Chicago and the sienifirance may beunderstood, me College of the University ofChicago is a forboding name for anundergraduate institution of any size. IfRockfeller had only blessed the school withhis name as well as his money the Universi¬ty might well have become one of the mostknown schools in the world, inside and out¬side academic circles, where the nameRockefeller is synonymous with money andstatus.The University shares its name with theurban center it is located in, a city that itselfsuffers from an inaccurate image. Fromtime immemorial, Chicago had been viewedas the crime city, the grey, industrial, cul¬tureless “hog-butcher of the world.” Thelate Mayor Daley was so displeased with theways films and television portrayed his citythat he made it very difficult for people inthe industries to film here. That often led to further dramatization on Hollywoodbacklots and a lack of positive exposurewhich allowed people from outside the areato hold to these false illusions.Fred Brooks, director of admissions forthe College, believes that the cold weather isperhaps one of the greatest deterrents fromcoming here. The geographic area that isthe most poorly represented in theundergraduate student body is the “SunBelt,” the southern part of the country(although southern California and Floridaare better represented).South Side imageIn a city with a poor national image, theSouth Side probably suffers from the worstreputation. Women interested in the Univer¬sity often decide not to come here because ofthe crime, and sometimes a prospective stu¬dent will want to come but her parents for¬bid it. It is impossible to determine howmany don’t ever consider the school in thecity because of the South Side’s reputation.But the 21st police district, which includesHyde Park, has one of the lowest incidencesof reported crimes in the city, much lowerthan that of the posh 18th district which in¬cludes much of the North Side, the areafrom the River up to Fullerton. As most peo¬ple know simply by being comewhat awareand careful, the area is relatively safe. Inthe Federal Crime Report for 1976, the 21stdistrict and Cambridge, home of HarvardUniversity, which both have populations ofabout 100,000, had about the same number ofincidences of crime. In that same report.New Haven, Madison, Berkeley, ancPasadena reported higher incidences.While there is an understanding that thtnames and incidences of crime might bekept confidential, the administration shouldnot be shy about the relative security of thecommunity and its excellent security force.Although it is difficult to assert the latterwithout raising issue to how crime-awarethe University community is, it is at leastpossible to project the true image that whilecrime exists and should not be forgotten bymembers of the University, the incidencesare really no worse than those in otherUniversity communities, and in some casesis much lower.Affiliation and isolationThe third problem is that of affiliationwith other schools. When the Universitywithdrew from the Big Ten, it lost itsmembership in academic and socialorganizations as well. Today the College is amember of several athletic conferences.These small college associations based ondemographics are comprised mostly ofschools that we do not identify with on anyother level. Because of our geographic loca¬tion we do not compete in sports with theschools that we believe we compete withacademically (although the women’sbasketball team does participate in an IvyLeague tournament).Our isolation, somewhat imposed upon,partially by choice, creates an enormousnumber of identity problems, mostly for thestudents. While administrators and facultymembers travel to visit their counterpartsand colleagues at other comparable institu¬tions, students are often “land locked” andcan not make frequent visits to friends atother schools that they might believe to besimilar. Without visiting, exchanging ideasand impressions, many students believethat Chicago is indeed very much alone, uni¬que, and, in many cases, needs to be defend¬ed.Bruckner admitted that there was an in¬herent snobism at Chicago that furtherisolates it. Director of admissions Brookssaid: “There is an arrogance here. This isdifferent from justifiable pride which can beseen at other schools. I think much of our ar¬rogance is based on insecurity. I want to seean end to this insecurity.” Straus, an activealumna of Radcliffe, has asked students inCambridge, without revealing her positionhere, of their true feelings about Harvard.“Although critical, these students are verydefensive of the institution. I believe our Charles Daly, former vice-president for public affairsunder Levi and later vice-president of community af¬fairs said, "the poor imageof the University is not aproblem; it's a fact."students are also defensive of Chicago butthey always have to explain about the in¬stitution first.”Many students give up explaining.Graduate students who attended other col¬leges can have strong misconceptions aboutthe College and its students even after com¬ing here. “I’ve just given up,” one third-year student said, “I used to care but I don’tanymore. I know it’s a good place but I’msick of explaining.”The constant comparisons with and theeven more frequent contrasts to the oldestIvy League institution led one fourth-yearstudent to deem it “the Harvard complex.”Sometimes it seems like Harvard is talkedabout more in Chicago than it is in Cam¬bridge.This general problem seems easier toremedy that the former two. Members ofthe University might begin to have moreevents with Northwestern. Conferences heldhere or more school representatives sent toother schools would also help. Brooksbelieves that it is particularly important tobring students here to see the campus andthe community, to see “that there is anundergraduate program here and highlightthe fact that the College is extremely strongand has a very positive role in this place.”In an attempt to do just this, Brooks drafteda proposal for a “National Conference on the Role of Liberal Education in a FreeSociety,” that was submitted last August.The conference was to be held in the springof 1979 and would have examined many ofthe problems facing colleges that are beingwritten about now. It would have broughtfaculty members and administrators fromall over the country to this school, one of thebastions of general education. The plan wasnot approved.These general problems of name, loca¬tion, and isolation are large but not insur¬mountable. They are not unique. Lastmonth, The Daily Pennsylvanian, the stu¬dent newspaper of the University of Penn¬sylvania complained of similar problemswhich plagues that school because of itsname and location. All the administratorsasked about the image of the Universityagreed, to varying extents, that it did pre¬sent a problem and had ramifications inother areas of the University such as enroll¬ment, fundraising, and the University’sgeneral atmosphere. Bruckner, rightly pro¬ud of the University’s reputation, admittedthat the misconception or luck or recogni¬tion about this school in certain pockets ofthe country, held by many outside academiccircles, did make things “frustrating attimes.” Charles Daly, former vice presidentof public affairs under Levi and later vice-president for community affairs at Harvardsaid, “The poor image of the University ofChicago is not a problem; it is a fact.”Whose responsibility''Whose responsibility is it to enlarge theUniversity’s image and area of recognition*:“I think too often we say ‘this is its pro¬blem,” said Straus. “By ‘its’ we mean theUniversity and the responsibility rests withthem.’ I’d like to turn this into a ‘we’ pro¬blem.” Because professors who teach in theCollege also hold appointments in agraduate department or in a professionalschool, and many graduate students take2 — The Chicaao Maroon — Friday. Mav 76. 1978I courses in different departments, it is dif¬ficult, and in many cases wrong, to divorcethe areas in projecting a national image.“The benefit of putting the law and !business schools forward would put the Col¬lege forward and vice versa,” Brooks said.Some professors in the University havespoken at alumni meetings in other cities.Administrators have been interviewed bycorrespondants with national publicationsand radio. Last week Jonathan Reich washired to fill the newly-created position of co¬ordinator of public information for the Col¬lege. This past Tuesday, he met with Collegestudents to hear their different views and toenlist their services in writing pressreleases. The University has alreadyanswered the question as to who’s responsi¬ble for enlarging the school’s recognition;it is everyone connected with the Universi¬ty, the administrators, faculty members,alumni and students.What kind of image?There are two general views of the imageof the University projects: one, that the im¬age is poor in nature: the other that it isweak in scope and sometimes nonexistant.“It is impossible to know which imageyou’re dealing with,” said Reich.” “Thesolution is to deal with both.” “In manyways our lack of any specific image, par¬ticularly of our students, is fine,” saidSmith. “Let’s say a story begins: ‘She wasfrom Radcliffe, he was from Dartmouth.”Two precise images appear in your mindeven though they might be incorrect. Nowlet’s say another story begins: “She wasfrom the College of the University ofChicago.” Aside from the fact that it’s toolong, nothing distinct registers. I thinkthis works in our favor. If the image of a col¬lege becomes too specific, it can ruin the in¬stitution just as it did with Black Mountain.”“We don’t have any major ‘feeder’ highschools that other colleges do,” said Straus.“The members of an entering class of 700come from 500 high schools. From year toyear there is only 75 percent overlap.”Students who are accepted and go elsewheregive various reasons and go to very dif¬ferent institutions. Some go to Easternprivate colleges and universities, many goto Midwestern state schools. Thus differentimages need to be projected in differentareas and sometimes these images mustvary for each applicant.Who to reach?What group or groups need to be reachedBruckner mentioned promotional plans thathe has directly aimed at parents and alum¬ni. Brooks said that while students, parents,and guidance counselors have been theprimary targets in the past, he is now tryingto reach teachers and nrinciDals as well. In Fred Brookshis meeting this week with students, Reichmentioned all of these people, which are, ina very real sense, every group possibly in¬volved in a student applying to the Universi¬ty and coming here. Anyone who holds adegree from the University, and even thosewho don’t, can help in donating resources,either money, labor, or information, mainlyabout others who might be able to offer theformer two.Bruckner credits William Rainey Harperwith “a tremendous sense of public rela¬tions. He was like P.T. Barnum. He knewthat the school was associated with the mostconspicuous name in the world and madesure there was no problem of identifica¬tion.” In 1922, President Ernest DeW’itt Bur¬ton brought in Henry’ Juston Smith, cityeditor of The Daily News, as the first direc¬tor of public relations. “He did his job very-well and set a tradition,” said Bruckner.During the Hutchins era, which manybelieve to be the most celebrated period inthe University’s history, many “advertisingtypes” were brought in on the staff. In hismemoirs. Burton notes that he told Hutchinsrepeatedly that he was oft-quoted by the na¬tional press. “I told the president that alongwith Dorothy Parker and Will Rogers hewas perhaps the most quoted contemporaryAmerican.” Bruckner commented . “Peopleheard a lot about Hutchins, not about theUniversity. He was more conspicuous thatthe institution and that annoyed many peo¬ple a vund here.”The national pressNational press coverage is an importantWomen interested in the school often decline to comebecause of the crime and sometimes even though theprospective student wants to come, her parents forbidit. It is impossible to know how many don't consider theschool in the first place because of the South Side'sreputation.Loraa Straus part of establishing wide recognition.Bruckner estimated that the incidence ofthe school or people associated with theschool has risen during the last few years toabout six or seven times a week in the na¬tional media. Faculty members are oftenquoted in The New York Times. The WallStreet Journal, and national newsmagazines. But the University and the Col¬lege, professional schools, and variousdepartments are less frequently mentioned.Last fall, MBA magazine printed its annualbusiness school ratings based on reports fil¬ed by business deans ana professors. Forthe first time, Stanford was rated first andHarvard and Chicago were rated second,with the former rated on onlv .002 Dercenthigher, making them virtually tied. Yetsince the report, in several publications, in¬cluding Esquire and The New York Times,only Harvard has been compared to Stan¬ford. Asked what schools The New YorkTimes believes it covers and should cover awriter for the education staff said. “Ourhighest priority is right here in the im¬mediate circulation area, notablv Princetonand Yale.” The paper does an even betterjob of reporting activities at Harvard, whichis out of its 100-mile circulation For exam¬ple, The Times recently covered thoroughlyand endorsed Harvard’s adoption of a planof general education even though, as Smithreadily pointed out, Yale, a school which,according to The Times writer was one oftheir foremost priorities, had considered aneven more extensive general education planprior to Harvard's decision. “The New YorkTimes wants to locate the nation's futureleadership.” said one Chicago editor, ‘‘andthey think they’ve found it in Harvard Theyjust don’t look any further.”Bruckner is more concerned withcoverage by The Wall Street Journal andeven more so with increased televisioncoverage. The vice-president himself hasgone on the air for Channel 9’s “MyChicago” spots. President Wilson, Smithand Brooks were recently interviewed byCBS radio. Smith is very interested in morelocal coverage, principally in thehometowns of students. Straus concurred“I would like to see the time, in the not-so-distant future, that there isn't a student whowins an award or makes an achievement inresearch or coursework that isn’t reportedin their home newspaper or at least a pressrelease is sent.” Reich was primarily hiredto fill this need “I see my job as a kind of‘undergraduate life storyteller ’ I will bewriting press releases about currentstudents in the College to their hometownnewspapers, be they large or small I alsohope to arrange appearances on radio andtelevision ”The University isn’t covered in the na¬tional media because the media is responsi¬ble for covering news and the University ismore concerned with tenaciously upholdingtraditions. “We have to develop a sense ofwhat is timely, know what is news andnewsworthy. Like our intramural programas a reaction to the national interest ir.amateur athletics,” said Smith “The na¬tional media faithfully reports the imagethat we transmit.” Therefore rather thanbeing concerned with the University’s cur¬rent image or the image that people mightlike to project, such as being on equal stan¬ding with already media-reported schools such as Harvard and Stanford, the schoolshould concentrate on transmitting all perti¬nent and current information about theUniversity and its members that will in turncreate a national and accurate image of themulti-facted and interesting institution thatit is. Attention, money, mass efforts andtime must be allocated to this end.Reflects us allWriting press releases is not enough. Ifthe various people responsible for public in¬formation and relations are alreadydedicating themselves to this end, they arenot doing a good enough job. Our limitedrecognition, and it reflects all of us. is a factthat must be proved wrong. One man orseveral offices are not to blame for this. It isinherent in the nature of the University andaffected by everyone. Graduating studentsshould not have to explain in prospective jobinterview, be it in Chicago, New York, orDubuque, what kind of institution Chicagois. The Campaign for Chicago shouldn’thave closed two-fifths short of its goal. Andpeople should really want to be Chicagostudents. “This should be everyone’s firstchoice. I want to see that happen,” saidBrooks. “A three- to five-year intensive pro¬motional campaign could do this.” AUniversity filled with students who trulywant to be here and don’t have complexesabout schools that might not have been forthem in the first place would help toalleviate some of the general malaise andinsecurity that so heavily pervades the at¬mosphere at Chicago.Our literature should be improved Smithsaid that while there is an enormousresponse to the small pamphlet the Collegefirst sends out, there is a great drop afterthe bulletin is mailed. To understand this, asurvey should be made of current studentsand why they chose to come here and thosethat never responded to the second piece ofliterature or did. were accepted, but declin¬ed to come. These attractions or deterrentsshould be known before hiring a profes¬sional firm to redo and expand the currentliterature.There are certain problems with the cur¬rent literature Fifty Nobel Prize winnersare something to be proud of but it ismisleading to emphasize this. Several ofthese leading scholars had limited affilia¬tions with this University, many are longdead, very few are currently at the Univer¬sity and hardly any are teaching. The beau¬ty of the campus is striking and can beadvertised, even exploited, without beingdamaged. Six thousand copies of “Dreamsof Stone” lying on coffee tables around thecountry may be an attempt, as Brucknerpointed out, but it is not satisfactory. As arecent visitor said, “I didn't know how love¬ly the University of Chicago was. I hadnever seen any photographs that revealedthis.”Pictures of students on the Quads or on thestreets at night would help show the relativesecurity of the community, that people dowander out of their homes at night and findseveral ways to enjoy themselves Weshould have special literature on our in¬tramural athletics program, our newly ex¬panded student activities and campusevents and student housing, both that ownedby the University and the unusual situationof having a considerable number of studentsliving in affordable and attractive apart¬ments near campusBringing more people to the campus formeetings, events or other reasons wouldalso help broaden our area of recognitionand strengthen the University’s imageStudents can play an important role inachieving this by inviting more speakers,groups and other students to the campuswith subsidies from student organizationsand admission fees. This in turn would helpto increase national and local newscoverage because it would be news. As theNew York Times reporter stated: “lack ofcoverage reflects on the prestige.”Therefore, bringing more people to campushelps not only to strengthen the school s im¬age but also help put the University more inthe news thereby doubly bolster ourprestigeHanna Gray’s installation as presidentshould be the beginning of this new ag¬gressive. extensive, and expensive publicrelations program. The marginal return ofthis program could easily equal themarginal cost if it is professionally handledand honestly and accurately report on theUniversity, its members, and their ac¬tivities, of w hich we are rightfully proudThe Chicaao Maroon — Fridav. Mav 197« —EditorialGoodbye, goodbyeAs this is the last editorial by the present Maroonstaff, it seems appropriate to review some of thehighlights of the past year and to clarify a few pointsabout the University and its student newspaper.For a newspaper, or any group of students, to pro¬test the inconsistency and lack of ethical and moralconcern of this University is, unfortunately, futile.Futile because for the last 25 years the University hasbeen a solidly elite, intellectual institution fighting tofend off the “encroachments” of concerned,sometimes incensed, students; of the federal govern¬ment; and of a neighborhood that the Universityperceives as the enemy at our doorstep. Elitism andethical and moral neglect has become as much a partof this University as the gargoyles.The University was in part built on an intellectualideal, void of moral positions, (the other part wasRockefeller money), but that ideal has degenerated tothe point that the Levi-Wilson administration is im¬prisoned by a hushed paranoia about change, accoun¬tability, and disclosure.It is ridiculous to assert that the University does nottake political and moral stands through its policies,programs, and through its mere existence. Thetrustees, administrators, and faculty members of theUniversity command a national audience of politicalactors and control several hundred million dollars ofinvestments.The University, in fact, does behave as an agent forsocial and political change, but only when it works inits favor. Restructuring Hyde Park served Universityneeds, just as maintaining the present structure ofcorporate non-responsibility also does. Even if theUniversity as an institution does not affect the socialand political make-up of the nation and world, itsfaculty members and administrators serve on and ad¬vise countless political commissions, boards and com¬mittees that reinforce or restructure political andsocial organizations. It is therefore impossible for theUniversity to hide behind the old, fraying cloak of“reason,” protecting itself with educationaldoubletalk like “academic freedom,” and “commit¬ment to excellence” any longer.But at the same time the University is beginning toaccount for its political being, it must not lose sight ofthe institution’s primary goal—education. During thelast 25 years, the University administration has con¬centrated on balancing the budget and maintainingfaculty. This is necessary and the administration’s ef¬forts have been admirable. John Wilson has been arespectable, if uninspiring, president. He has donemuch in his short term to put the University back onits feet financially, to increase student activities andinterests, and to maintain academic superiority. WhatWilson lacked in flare and dynamism he certainlymade up for in dedication and responsible manage¬ment.For Hanna Gray Wilson leaves the need and the op¬portunity for a new era in University leadership. Graymust respond by being a strong and decisive presidentwho will instill new life and vigor in the University.She must inspire potential donors to give, students andfaculty to come to Chicago, and the media to recognizethe University and establish its truly warranted pro-minance in American education. Chicago has a goodreputation, but now needs the wide recognition thatGray perhaps can help provide. Otherwise, theUniversity will be strapped by economic hardship andacademic mediocrity, and its continued aim of ex¬cellence will become forgotten in the struggle merelyto exist.As the student newspaper, The Maroon has thisyear attempted to serve its readership by reportingwhat we saw as deficiencies and inconsistencies in tneUniversity’s operations, including policies concerninginvestments, affirmative action, budget disclosure,crime, and student activities. We have made mistakesalong the line, but feel we have provided the Universi¬ty community with intelligent, responsible and oftenprofessional coverage of these issues.We hope we have provided a forum for student opi¬nions and reporting (we admit the two have overlap¬ped occasionally) on many matters. We believe it isour responsibility to oppose the administration whentheir policies work to the disadvantage of students,faculty and staff; if The Maroon does not raise anddiscuss these issues, perhaps no one will. The Maroonthanks its readers for encouragement throughout theyear, and also for the chance, in moderation, to beself-critical.4 - The Chicago Maroon — Friday, May 26,1978 Letters to theU of C cheatingTo the Editor:I was taken aback somewhat toread on the front page of yourperiodical that cheating at the U. of C.is “infrequent.” This unfortunatephrasing is preposterous on the face,but yet it is possible that non-perceptive readers may not grasp thesubtle humor of this claim.The U. of C. cheats right and left, upand down, backwards and forewards.Students are cheated out of their tui¬tion so that bankers/trustees can usethese funds to sweat blood out of SouthAfricans. “Members of the communi¬ty” (I believe that is the currenteuphemisim) are cheated out of theright to walk community sidewalks bya gun-toting private police force.Something known as a G.P.A.somehow cheats a few of their sanity,and reduces the greater mass into acauldron of inflating egos.“Crimes against the communitysuch as shoplifting from the book¬store” indeed! U.S. Press booksare available 50% off at Barnes & No¬ble in New York, but here in Chicago,here where the press reaps profits forthe University out of the students’pockets, the students who havealready paid so dearly for theirbookstore receive no considerationwhatsoever! Who indeed is commit¬ting crimes against the community?With the “Hot-1 Chicago” housingsystem squeezing money out ofstudents’ or otherwise forcing theminto a housing market kept tight byUniversity policy; with students beingripped off so that the University canbuy apartment buildings to be keptempty with professors using theirpositions to satisfy their own egos(and sometimes their sexual desires),with all of this official non-cheatingoccurring day after day, it is all themore incredible that the Universityhas provided a kangaroo court to trystudents for “cheating.” Do the cam¬pus police administer “justice” towrongdoers, or are convictedstudents sent off to the Cook CountyJail to ponder their indescretions?Surely this article can be nothing lessthan an incredibly irrelevant joke.An anarchistWHPK replyTo the Editor:I would like to reply to some of thecharges levelled against me by FrankMazza, WHPK’s station manager-elect, in your article of May 19discussing the WHPK elections.Although Frank has informed me thathe felt that he was summarizing thefeelings of some station members ingeneral, and did not necessarilyrepresent his views, I would still liketo discuss these opinions as expressedin The Maroon.Since early February. I have beenWHPK’s program director, chosenupon the resignation of Tom Bradley.Earlier this month I decided to relin¬quish the position of program directorto run for station manager, a positionwhere I felt I could be more effective.In the article, Frank discussed the“feeling" by some station membersthat I “would change the station intotop 40 disco.” Not only is this chargeridiculous on the face of it, but itshows a clear misunderstanding ofthe operations of the station As pro¬gram director, I have been careful notto reduce the hours of any type ofmusic on the station except whenthere were not enough djs (for exam¬ ple, at the present time, classical). Asa matter of fact, some types have hadadditions in time, including jazzslightly, and folk, which received it’sfirst regular weekday time period.The accusation that I wanted tochange the format of the station isbaseless and ridiculous. But more im¬portant is the fact that those stationmembers who have this opinion do notunderstand the operations of the sta¬tion. Had I actually wanted to changethe station’s format, I would have at¬tempted to keep the program direc¬tor’s job, as WHPK’s station managerhas no responsibility for programm¬ing.Another good example of theseridiculous charges is the one that myreplacement, James Hyman, would“shrink rock and jazz broadcasts.”This issue was never discussed at thestation meeting, except in terms ofprogramming philosophy generally,and James actually indicated at themeeting that there were certainclassical hours which would be cutback. This obvious irrational “fear”on the part of some station membersthat their type of music would be cutback somehow is, to me, nothing morethan an unusual case of paranoia.Another accusation in the articlewas that I “.gave new stationmembers who work at the stationshows instead of assigning show timesby seniority.” Again, the charge isfalse. New station members weregenerally assigned the least desirabletimes while I was program director(usually our “graveyard” 3:30-7:00a m. shift). As a matter of fact, Irefused any other type of show to onenew member who would not accept agraveyard shift. What that charge isprobably referring to is my policy ofassigning shows with the amount ofwork a member did at the station inmind.Contrary to many people’s belief,WHPK does not run itself. There is alot of drudge work involved in runningour radio station that takes up a lot oftime. A good deal of it is done bymembers of the Operating Board, butnot all. Therefore, all stationmembers with shows are expected tohelp out more than just doing theirmusic shows. 1 have always said thatthat was a factor in my choosing andassigning shows — not the only one.but a major one.As to my relative “abrasiveness ”,that is obviously not something for meto judge. I’m sure that there are peo¬ple who feel that way. However, Imight add that many of us at the sta¬tion, including myself, felt thatWHPK was in a bad slump when Itook office. I felt that a major part ofmy job was to try to correct that trendand improve the station. Therefore, Iwent about that job actively, stressingmany different points in an attempt,within the restrictions of the powers ofthe program director, to rebuild thestation. I received only good feedbackfrom station members about this, andam proud of my work as programdirector. I feel that the station is backon a good course, and I sincerely hopethat it will continue. With this in mind1,I would acknowledge that I mighthave stepped on a few toes along theway. For that I apologize. Yet I feltthat it was important for the con¬tinued and resumed growth of the sta¬tion.It is true that three of my sup¬porters had to leave the meeting ear¬ly, and had they not had to leave Iwould have won the election. But hav¬ing been active in politics before, Irealize that an election is final no mat- Editorter what the extraneous cir¬cumstances, and I wish Frank Mazza,James Hyman, and the rest of the sta¬tion good luck. I hope that the stationcontinues growing and improving.Charles M. SeigelOpen gay letterThe Maroon has received the follow¬ing open letter to the University com¬munity:I write this letter in the hope that itwill express some of the anger I’ve on¬ly begun to feel as a gay person at theUniversity of Chicago. I also hope itwill cause other gay people to reflecton their situation, and cause straightsin this community to examine their at¬titudes.I recently was speaking with somefriends, and the conversation turnedto prejudices at this school. One per¬son referred to a mutual friend, ab¬sent at the time, as wearing hisminority status on his cuff. I realizedlater that certainly applied tome—my buttons that say “Gay andLesbian pride,” my pink triangle, mylambda—and was forced to askmyself why I was doing what I was.Am I just being self-righteous: “Lookat me—I’m oppressed!” I began to beconcerned that my motives werepurely self-centered.But soon after this, I was speakingwith another group, people I did notknow. As it happened, among themwas someone else from UC, and hementioned the situation of a mutualacquaintance. This person hadtransferred from another schoolwhere she had been quite outspokenlygay, and had decided to be less sohere—not lying or hiding, but less in¬tense. She is now discovering that youcan’t do that—not at UC—and is beingpushed back into the closet.I realized then that I had to do whatI was doing. I can’t be just gay, no bigdeal.” I can’t be a UC student, andeighteen, and gay, and from SouthernIllinois, and a behavioral science ma¬jor—I have to be GAY, and a UC stu¬dent, and eighteen, and from SouthernIllinois, and a behavioral science ma¬jor, and GAY. I can’t be gay. I can beGAY! or I can be quiet, but I can’t begay-The mask of intellectual liberalismhere is such that people don’t use theword “faggot" around me (not much,at least,) they don’t trash my room,most don’t even think I'm sick. But Ican’t just be gay. I can’t just let myfriends know — that doesn’t work.They may stop telling queer jokes, butif someone else does and I tell thatperson that s/he’s being offensive,I’m casting suspicion on the friendI’m standing with — to that friend’sfear and annoyance.The problem isn’t obvious, irra¬tional bigotry. It isn’t even thetrivializing of the issue of gay oppres¬sion — it is the refusal to allow so¬meone to be dispassionately gay. Un¬til that is allowed, the majority of gaypeople will remain uncomfortablygay.The University community’s maskof liberalism is just that — a mask Itcovers fear and hatred as intense asanywhere in the country. It is un¬fortunate that those few gay peoplewho already realize this are those whowill agree; that those few straightswho are truly sympathetic are thosewho will be affected by this letter.Gay people, look at your situationoppression is obvious; liberals, look atyour attitudes — are they what vousay?Read SchuskySpartsillustratedThe following letters were writtenin response to Richard Biernacki’sMay 12 article, which painted anegative picture of the SparticistYouth League through quotes at¬tributed to one SYL member. TheMaroon apologizes for themisrepresentation and for printingthe article on the front page instead ofas an opinion column.New York: slanderTo the Editor:I am the woman from the ColumbiaUniversity Spartacus Youth Leagueto whom your writer Richard Bier-nacki has attributed a series of quota¬tions. I am writing to make it ab¬solutely clear that I never said whatBiernacki reports nor anything like it.In other words, Biernacki lied andslandered me as well as the SYL as awhole. Furthermore, I protest themale-chauvinist slurs in the article.The anti-communist slanderer Bier¬nacki has no right to claim hisfabrications are truth. Retract theslanders!Stephanie BensonColumbia University SpartacusYouth LeagueNew York CityChicago: retractTo the Editor:You owe your readers in generaland the members of the SpartacusYouth League in particular a retrac¬tion. Richard Biernacki’s “report” ofa speech by an SYL representative atthe Yale conference on South Africa isa slanderous caricature of the positionof the Spartacist League and the SYLwith respect to the South Africanstruggle. As one who sympathizeswith the politics of the SL/SYL on thisand other issues, I know that norepresentative of either organizationcould possibly have made thestatements attributed to the delegatein question, and I conclude that the“quotations” from her speech madeby Biernacki reflect this reporter’sobvious prejudice against theSL/SYL.The SYL does not oppose thedivestiture movement out of anydesire “to speed capitalism’s matura¬tion in that country into a deadlier,more oppressive force.” Thisphilosophy of ‘the worse, the better’ isutterly foreign to Trotskyism and tothe SYL’s Trotskyist program. Trot¬skyists oppose divestiture becausethis strategy is ineffectual,moralistic, and designed essentiallyto distinguish “bad” monopolycapitalists from “good” ones. Incounterposition to the divestiturestrategy, the SYL works for militantinternational labor action to aid theSouth African Black proletariat. Itsprogram reflects an understanding ofthe class nature of oppression both inSouth Africa and in the United States,and of the need in both lands for pro¬letarian revolution as the only realsolution to the problems of racism,poverty, powerlessness, and aliena¬tion.Mr. Biernacki does not have to sym¬pathize with this position. He could atleast report it accurately.Richard Libman-RubensteinAssoc. Prof, of PoliticalScienceRoosevelt University Boston: liesTo the Editor:On May 12 The Maroon carried anarticle written by Richard Biernackientitled “Divestiture ConventionParodies Sixties Protests” which in¬cluded a slanderous account of theSpartacus Youth League’s interven¬tion at the Yale divestment con¬ference. As a supporter of the SYL inBoston (who sat through one and ahalf days of workshops and plenums,including the campus divestment wor¬ship which Biernacki refers to), I amwriting this letter to demand that heretract his pack of anti-communistlies.Biernacki’s tactic is not an un¬familiar one — one simply slings a lotof mud and hopes that some of it willstick. Thus he quotes the SYL as say¬ing that we are for acceleratedcapitalist investment and for the fur¬ther brutalization of the black massesin South Africa. This is no com¬monplace anti-communist distortion— it is an outright fabrication. Bier¬nacki’s quotations are simply in¬vented out of the whole cloth.The SYL’s program is clear: laboraction, not imperialist boycotts; pro¬letarian revolution, not accommoda¬tion to “democratic” imperialsim.Biernacki’s brand of slander and liesis poisonous and despicable. We de¬mand an immediate public retraction.Kim KellermanBoston Spartacus Youth LeagueConnecticut:outragedTo the Editor:To put it mildly, I am outraged atthe pernicious slander put forth byRichard Biernacki in his account ofthe Sparticist League’s stand on theuniversity movement for divestiture.I am not a member of the SYL or theSL but, through my attendance at theYale Conference on South Africa inApril and a number of other YSLforums, I have become familiar withtheir position on this volatile issue.According to Biernacki’s recollec¬tion of the Yale Conference, a YSLmember claimed that the League op¬poses divestiture because they wish tosee capitalists’ laws “run their awful,inevitable, life-destroying course,”and that “U S. investment in SouthAfrica should actually be acceleratedto speed capitalism’s maturation inthat country into a deadlier, more op¬pressive force”. In the process of suchmaturation, Biernacki claims that theSYL would like to see “blacks feelwrenching agony and excruciatingpain...”. What the claimant is saying,in essence, is that the SYL strives tofan the flames of revolution in SouthAfrica by allowing white oppression ofblack South Africans to continue andhopefully to magnify. This is rubbishThe SYL does not rally round theslogan of “Divest Now” because theyfeel it is a reflection of the kind ofliberal moralism expressed byCarter’s Human Rights campaign,one which is aimed at refurbishingworldwide support for U S. im¬perialism and for anti-Communistsentiment. Divestment represents acall for the bourgeoisie and itsmaidservants — from university ad¬ministrators to corporate executivesto conduct their affairs in a morereasonable or “moral” fashion TheSYL challenges the efficacy of thoseattempts to undermine, or at least to‘Clean up’, the capitalist system byappealing to the progressive or moralinstincts of the American bourgeoisieThe divestiture movement can only beseen as an attempt at clearing ourown consciences of U S. complicity with South African racism. Let’s faceit: the destruction reaped by U S.capitalism all over the world — the1973 coup in Chile, the Vietnamesedisaster, and the Bay of Pigs invasionto name only a few — including thosewhich occur right under our noses(which are too busy sniffing out suchastrocities overseas) are no lessmonumental than the blatant oppres¬sion of blacks under the Vorsterregime. The SYL appeals to the work¬ing class, the only class whose in¬terests conflict with the kind of sub-jugation that characterizescapitalism (and without whichcapitalism could not exist). By direc¬ting their efforts towards creating arevolutionary leadership for the work¬ing class here and abroad, the SYLand SL hope to abolish capitalist op¬pression. This is my understanding oftheir position. Biernacki’s claim thatthe SYL advocates a heightening ofblack suffering in South Africa isreminiscent of the kind of yellow jour¬nalism featured during the McCarthyerror (sic). Such slander cannot gouncorrected.Karen TenneyWesleyan UniversityTrustee huntTo the Editor:I was shocked at the shabby treat¬ment that an unnamed trustee re¬ceived in Richard Biernacki’s frontpage article in Friday’s Maroon.After informing the reader that thetrustee’s identity will not be revealed.Biernacki treats the matter like atreasure hunt, dropping clues left andright. We are told that the trusteespoke freely to The Maroon in Oc¬tober. that he is a “powerful official,”silver haired, and one of the youngestmembers on the board. He is alsodescribed as a “finance expert.” It isone thing for The Maroon or its staff todecide whether or not to honor thetrustee’s request for anonymity, butquite another thing to make sport of it.It is both uncalled for the stupid toreturn his openness with meanness.Ben FinkelsteinWin both waysTo the Editor:With regard to Mr. Douglass’s May12 letter in The Maroon: the “dialogueoffered to and rejected by the ActionCommittee” consisted of a hastily ar¬ranged meeting between Messrs.Douglass and Reneker and threemembers of the Action Committee. Itwas offered in response to and in lieuof a request to be present with campusmedia at the Feb. 9 Board meeting, atwhich the Trustees voted unanimous¬ly not to divest of South Africanstocks. At the private meeting the Ac¬tion Committee representativesrestated their demand to be present atthe full Board meeting, and refused todiscuss divestment with Messrs.Reneker and Douglass for the follow¬ing reasons:1) Mr. Reneker asserted that the pur¬pose of the private meeting was tohear our position so that he couldpersonally represent it before theBoard. Given his position as chairmanof the Trustees and as a Boardmember of Continental Bank, this istotally unacceptable2) The Committee was not permittedthe presence of a Maroon or WHPKreporter at the private meeting. It hasbeen our position all along that anydiscussion must be made public. TheCommittee does not represent allthose who call for divestment, andconsequently, and discussion of theissue must be open to all members ofthe campus community.The socalled dialogue rejected bythe Action Committee was no morethan a meager attempt on the part ofthe Board to appear conciliatorywhile in substance preventing discus¬sion of the issues.The U of C Action Committee sublet, buy, or sell?Get It Done...Use Maroon ClassifiedsDATES TO RUNNAME, ADDRESS, PHONECHARGEUC PEOPLE50c per line40c per line t< line to repeatThere are 30 spasspaces and puncto be capitalized.ALL ADS PAID! all letters,all letters■ CutW out this* form andbring it toThe ChicagoMaroonIda NoyesHall 304cn —"G ~0 Zl(C D i/)U_ ?0 .£2 C-~GgCc 2 c£(/) §te cSt£ 5§»!> 1—i!11 .i1i 111f-.L -1The Chicago Maroon — Friday, May 26, 1978 5VHEW from p.l“If one wants to allege that there isdiscrimination there should be an investiga¬tion by the government and the governmentshould make any determinations,” he said.The March 6 agreement requires theUniversity to review its employment prac¬tices and take steps to comply with federalregulations. OCR is given little direct powerexcept in reviewing annual reports filed bythe University.Biermann stressed that the Labor Depart¬ment “is not making any allegations” aboutUniversity employment practices.It would be “desirable” for OCR to beginfurther investigations and for the Universityand OCR to begin negotiations to revise theagreement “as soon as possible,” said Bier¬mann, so that the University can be cer¬tified to receive new federal contracts. Butaction may be delayed because of dif¬ferences between OCR and Labor Depart¬ment policies.OCR spokeman Waite Madison said Thursday OCR is unsure of what changes inthe agreement the Labor Departmentbelieves are necessary. Representatives ofthe two organizations will meet soon toreach an understanding about the criteria tobe used in negotiating affirmative actionagreements in the future.Agreements between OCR and four otherMidwestern universities have also beenvetoed by the Labor Department. The roleof OCR in the enforcement of theagreements was the major issue in thosedecisions, according to Madison.Depending upon the agreement workedout between OCR and the Labor Depart¬ment, the University could once againbecome embroiled in a dispute with OCRover the government intervention in Univer¬sity affairs. The degree of control thegovernment should have on Universitydecision-making was a major issue in theearlier negotiations and the University issure to put up a strong fight if any further in¬tervention is proposed when negotiationsresume. New lab forBy Michael GormanThe airlock doors snap shut with a softwhoosh, before a narrow, well-lighted cor¬ridor. Behind a grid window, racks of bottlesfilled with human cell culture flow in weakred incubator light. Beyond thick glass,masked technicans bend over microscopesamidst a network of tubes and glassware.Two-way sterilizing bins at the far end of thecorridor permit glassware to move out fromthe laboratory without contaminating its an¬tiseptic air.This scene is not taken from MichaelChrichton’s “Andromeda Strain.” It is adescription of the recently completedMarjorie B. Kovler Viral OncologyLaboratories, located at the corner of 58thStreet and Ingleside Ave.The three-story building opened its doorsto researchers just six months ago. Com¬plete with two electron microscopes, a com¬puter, and extensive laboratories and of¬fices, the $4 million structure was built witha grant from the National Cancer Institute,which provided 70 percent of the funds, andby many other private donors. IndustrialResearch Development magazine recentlynamed the Laboratories the best designedresearch facility of the year.Fittingly, viral oncology itself is arelatively new field. Oncology, the study ofcancer, has gone on since physiciansrecognized the existence of cancer. But,viruses were first discovered some 60 yearsago, and only in the wake of technologicaladvances occurring in the last 30 years hasextensive research in viral oncologybecome possible.Cancer “a derangement”Professor Bernard Roizman, chairman ofthe Committee on Virology and head of oneof the Laboratories’ research teams, cau¬tioned that “it would be a mistake to say weknow of one specific agent that causescancer.”He pointed out, for example, that although“smoking promotes lung cancer,” there aremany cases of lung cancer unrelated tosmoking. He also discounted a simple-minded genetic approach to cancer. “Thereis no cancer gene that acts like a timebomb,” he said.Roizman instead described cancer as “aderangement of the system” that occurseither when foreign genetic material entersthe cell or when something perturbs the celland so alters the order of gene expression.Cigarettes and other carcinogens fall intothe second catetory. “Just about everythingin the environment in excess can causecancer,” Roizman said.Viruses are an example of the first sort ofcancer agent, in which foreign geneticmaterial enters the cell and transforms it.As microbiology professor Patricia Spear,head of a second research team, pointed out,“Even if viruses aren’t the only cause ofcancer, they are one of the best models wehave for cell regulating functions.” Allcancer is essentially genetic disruption ofnormal cell regulation.An understanding of genes and gene ex¬pression is also important for an understan¬ding of cancer, and viruses are a richsource for this tVDe of research. In fact,Roizman said, “most of the things we dohere have to do with taking viral genesapart.”Heroes simplex studyFor the past 20 years Roizman has re¬searched the herpes simplex virus. He saidthat while most people would find such aprotracted study “inconceivable, manyyears ago people would spend a lifetime stu¬dying the Bible.”“The herpes virus is prevalent,” saidRoizman. “I would bet that 90 percent ofthose in the College have been infected bet¬ween the ages of six months and six years.”The virus sits in the nerves until stress —emotional pressure, sunlight, menstruation,fever, hormones — activate it. It thencauses a cold sore, or fever blister, near thesight of original infection. This is usually thelips, but there are other, more disagreeablepossibilities.Cold sores on the cornea of the eye are oneof the major causes of blindness in the U S.A second type of herpes, different from thecold sore variety but transferred in thesame way, causes a venereal infection thatRoizman describes as “the most miserableinfection I can think of.” There is no treat¬ment and no cure. Victims must simply suf-Div Master’s from p.lThe program has also enrolled manyforeigners who return to their native coun¬tries after receiving their degree and somemiddle-aged students who enter the pro¬gram because their present job is unsatisfy¬ing and they want to train for a different oc¬cupation, Maddi said.Of the 80 percent of Divisional Mastergraduates who completed questionnaireslast year, 50 percent went on to Ph.D. pro¬grams while the other 50 percent went intothe job market, according to SharonMeltzer, assistant dean of the social sciencedivision.Less structuredThe Divisional Master’s Program is lessstructured than traditional M.A. programs,said Maddi. Of the nine courses needed forthe degree, only two are required. Studentsusually use one course to write their M.A.papers, and the remaining six are chosen inconsultation with an advisor.Maddi said that because the program hasso few requirements and is only a year long,“a student can spend a year just floatingaround and needs good curriculum advise¬ment”Attracting grad studentsThere is no masters degree program atmost prestigious U.S. universities. Studentsonly receive master’s degrees if they decideto leave Ph.D. programs or if they are askednot to continue. “Departments are set up togrant Ph.D.’s,” said a graduate student inthe social sciences. “The programs arestructured for those students.”According to Maddi, the Universityrecognized it might be able to attract moregraduate students by offering master’sdegrees. “The departments had their choiceof setting up individual programsthemsleves, or of using a program that wasalready in existnace,” said Nancy Bradny,Maddi’s assistant.“It was a question of administrativeorganization,” said Maddi. “It’s an enor¬mous task to organize a new program and toget faculty participation.” Startingmaster’s degree programs in each depart¬ment would be “a waste of energy,” saidMaddi. “Ph D. programs should be pureand scholarly in intent.”By expanding and changing the divisionalmasters program, the University preservesprograms leading to a doctorate and canstill attract students interested in graduateeducation, but not in academics.The program is “evolving so rapidly,”said Maddi, “it’s almost impossible to writea brochure about it.”Program administrators have been tryingto encourage more College students to applyto the program by offering advanced stan¬ding to social science students. Instead oftaking nine courses, students who are ac¬cepted in the joint B. A.-M. A. plan only musttake six courses for a master’s degree.Few complaints from studentsMaddi said he hears “remarkably fewcomplaints” from students, but he, Meltzer,and Bradny said students sometimes getfrustrated if they cannot find a faculty spon¬sor to work with them on their paper. “Somefaculty members have closed their coursesto divisional master’s students and don’twant to work with M.A. rather than Ph D.students,” said Maddi.“But times are changing,” he added, say¬ing that faculty members are beginning torealize that bright people must find occupa¬tions in areas other than academics. Conse-6 — The Chicago Maroon — Friday, May 26,1 quently, professors may be giving up the at¬titude that only students who are interestedin academic disciplines are worth teaching.New communications concentrationAs more students and faculty membershave been attracted to the program, it hasbeen able to expand its concentration offer¬ings. Next year, the program will offer amaster’s degree in communications. Theconcentration grew out of a program headedby sociology professor Donald Bogue totrain foreign students in communicationtechniques so they could return to theirnative countries to educate their peopleabout population control. At least 75 percentof the foreign students in the DivisionalMaster’s Program are enrolled for the com¬munications concentration now entitled“Communications for Social Develop¬ment.”But this year, Bogue assembled a pam¬phlet listing courses already offered at theUniversity and as diverse as “Seminar onStylistics” and “Human Sexuality,” inhopes of attracting North Americanstudents.“It sounds like a left-handed way to start ajournalism degree, but I don’t think it is,”said one University official.Maddi called the concentration “an at¬tempt to generalize Bogue’s program.” Butone social science graduate student said sheis afraid the pamphlet will give prospectivestudents the impression the University has aschool of communications and journalism.The University can only hope enrollmentin the program continues to rise. But even ifit doesn’t, the program’s existance revealsthat the University now responds to theacademic market. Students are demandingeducation that will lead to jobs and the in¬tellectual purists here have begun to seethat the only way to preserve free pursuit ofknowledge and in depth research is totolerate more vocationally-oriented pro¬grams.In the long run, programs like theDivisonal Master’s may keep the Universitysolvent. And the concept may be copied byother universities that hope to raise theirgraduate enrollment.College minorities from p.lSome students differed with the ad¬ministrators on the success of the recruit¬ment efforts. “I am from Detroit,” said An¬drea (Sam) Pennington, “and it seemedthat the recruiting people visitedpredominantly suburban schools. If they’rereally looking for blacks, they’re not goingto find them in the suburbs.”The University usually visits schools “onthe basis of past record and contact,” ac¬cording to Brooks. Several of the studentsinterviewed agreed with Pennington thatthis could limit the applicant pool“Its a matter of Dublic relations,” saidanother student. “More minority studentshave to be made aware of the College andconvinced of its commitment to them inorder to get them to come.”Several students raised the issue of finan¬cial aid, saying that many schools, includingNorthwestern, had offered them more aid.But Brooks said that when looked atrelatively, these offers were usually notcompetitive with those of the University.“While a school might offer what appears ahigher award than we do, they usually havea high tuition as well,” he said. cancer studiesfer until it goes away, knowing that it canreturn at any time.This second form of herpes used to be rarein the U.S., but lately the disease hasbecome dramatically wide-spread. Roix-man attributed the rise to increased oral-genital contact which, he said, was not“fashionable” until recently.Because 14 million people world widehave been infected with genital herpes,Roizman’s work is of great importance. Thequestions he is attempting to answer — howthe virus infects people, what activates it,and what causes it to suDside — could havecrucial consequences. And Roizman’s studyof herpes simplex is also related on a largerlevel to the problem of what causes cancer.Map of genomeSpecifically, Roizman is attempting tomap the entire herpes simplex genome. Thework has been slow, but encouraging. In1972, for instance, Roizman and assistantprofessor of biology Niza Frenkeldiscovered a link between herpes and cer¬vical cancer.But Roizman prefers to emphasize con¬tinuous progress rather than point tospecific successes. “Twenty years ago weknew nothing,” he said. “Now these virusesare thought to be very important. We havebeen continuously successful — otherwise,this building wouldn’t exist.”Spear also studies the herpes virus, andher work and that of Roizman complementone another in several ways. She began ashis graduate student and now heads up oneof the four research teams at theLaboratories.Spear is trying to identify the viral genesand gene products necessary to transformnormal cells into cancer cells, and todiscover what activates these genes. Sheuses special enzymes to cut up the isolatedgene. Currently, Roizman’s studies comple¬ment Spear’s: his work identified the struc¬ture of the herpes genes and hers tests theirfunction in the infected cell.But Spear is reluctant to name herpes as acause of cancer. “There’s a strong suspi¬cion, but that’s all it is,” she said.Other Lab workIn other work at the lab, microbiologistElliot Kieff is studying the Epstein-Barrvirus and its relationship to human lym¬phoma, a form of cancer. Like Roizman andSpear, Kieff and his researchers identifyviral genes that transform normal cells intocancer cells. The virus has already beenlinked by other researchers tomononucleosis and to Burkitt’s lymphoma,a cancer common to central Africa.Also, Sandra Panom, assistant professorof pathology, researches type C RNAviruses. It has long been known that theseviruses can cause cancer in animals, andresearchers suspect the virus can be linkedto human cancer as well. Working withpathology department chairman Werner H.Kirsten, Panem has already documentedthe release of type C RNA viruses from nor¬mal human cells.The four research teams altogetheremploy about 60 people, including graduatestudents, post-doctoral fellows, and visitingresearchers from around the world.Funding for research comes largely fromthe National Cancer Institute (NCI) and theAmerican Cancer Society (ACS). Roizmanobjected to the claim that scientists musttailor their work to fit the concerns of theseagencies to the detriment of the research.“NCI, with few exceptions, follows the ad¬vice of scientific counsel,” he said.But Spear acknowledged that the agenciesstifle important research when it seems tohave little to do with cancer. As an example,she said that ACS once rejected for thisreason a grant proposal to study restrictionenzymes. The enzymes turned out to be ofcrucial importance, revolutionizing not onlycancer research but the study of cell regula¬tion in general. They allow Lab researchersto cut up the genome and isolate particularviral genes.Although researchers at the Viral On¬cology Laboratories investigate manyaspects of human viruses, they haveadopted tne conquest of cancer as one oftheir most important goals. Said Roizman,“Most treatments today are empirical, us¬ing drugs. They do not prevent cancer, theytreat it. But this side of the street askswhether a virus does or does not causecancer, and then tries to understand how.Our long run hope is to prevent cancer.”Hemphill p.9Dance p.11Grey Gap p.18How to buildThe historyofSt. Nick’s a theaterBy John LanahanIt was a summer night on Halsted Street,and a friend of mine and I were walkingfrom my former apartment in trendy NewTown to see David Mamet's The WaterEngine at the St. Nicholas Theater. Outsidethe building, in white shirt sleeves and thebottom half of a black suit, sat David Mameton a car hood. Next to him, in similar attire,was Steven Schachter, wunderkind artisticdirector of St. Nick. Mamet was acting in an"I'm famous, but so what” way, and offering to let people on the street into his showfor free. Sensing this as an opportunity forverbal encounter with greatness, I approached and said,"You're a famous person, aren't you?”Mamet and Schacter laughed. We talked, Isaid I was reviewing the show, and askedMamet if he gave interviews. He didn't,aware that he was wandering into overexposure in print, and worse from his frequentand embarrassing television appearanceswith such compatible types as Lucille Ball,Elizabeth Ashley, and Otto Preminger.But he did say that someone should do aStory on the St. Nicholas Theater company.And he was right — everyone was doingstories on Mamet, and who cares? St.Nicholas, however, was a story that wasthen unsung. I remember seeing their firstproduction in the Fall of 1974, at the OrganicTheater space in Uptown. The show wasMamet's forgettable and overly longonanistic one act, Squirrels. The show convinced me that one could probably put onanything in Chicago and get away with it.The company continued, despite badreviews and publicity as the interestpastime of Mamet. When I next saw one oftheir shows, a production of Arthur Miller'sA View from the Bridge in the Spring of 1976,David Mamet St. Nicholas Theater under construction, fall 1975St Nicholas has chosen to become theperfectly organized, permanentlybased regional theater of Chicago. Photos courtesy of St. Nicholas Theaterthings had changed. The group now had apermanent performance space, produced alarge show, and presented a very respectable artistic product. Since then, I havewatched them become the leading "newtheater” in Chicago and, to my pleasant surprise, the quality of their artistic work hasincreased in direct proportion to their financial success.So, I took Mamet's advice. LastSeptember, I was between jobs (although atthe time I did not know that "between”was the word to use), and was tired ofvisiting a freind who was bartenaing at theMirage. I had the time to interview, got mymother's tape recorder, and headed over to2851 N. Halsted to interview the reigningelves at St. Nick. Bill Macy, ,one of thefounders and currently a playwright inresidence and one of the principle actors inthe theater, was out of town; Mamet was inNew York being famous. Patricia Cox andSteve Schachter, both founders, would bethere, however; as would the businessmanager, Peter Schneider, a fairly recentacquisition.I went up to the second floor of thebuilding. Ms. Cox was in her small crowdedoffice, and told me we were waiting forSchachter and Schneider. Schachter wouldappear for a few moments, wander aroundin typically artistic and physical digression,and then disappear. Schneider arrived brusquely, we went into his office, and sat down.Schachter was located and invited to enter.Schneider’s office seemed larger than itwas, with a high ceiling. The room waspanelled in unstained but varnished pine,and reminded me of the forced rusticity ofthe cabins in certain forest preserves.Patricia Cox sat next to me, dressed simply in well fitting flared blue jeans, and wearinga faded navy tee shirt with a picture fromMamet's The Poet and the Rent. Her hairwas dark, medium lenght, in small, ratherimpetuous curls. Her slightly upturned noseadded to her aura of an efficient pixie. Asthe interview progressed, I realized that hertitle of "Director of Audience Develop¬ment" was vastly underinclusive. She is, infact, den mother to the whole St. Nicholascrew, from Artistic Director down to the lastprops person.Steven Schachter, Artistic Director, satdiagonally across the room from me. Hewas dressed in sage green corduroy pants,and the upper half of his small, precise bodywas hidden in the folds of a large, coarselywoven dark wool sweater. He was preoccupied with what was then his latest production, Ashes, which was opening for previewsthat night, and was lost in a vague concerntration that was either artistic or autistic.Behind the desk to my left sat PeterSchneider, St. Nick's efficient, energetic,and cocky Business Manger, dressed in faded blue jeans, dark turtleneck sweater, anda faded, nicely cut denim jacket.Of the three people, only Schachter wasone of the original members of the St.Nicholas Theater from its days as a studentcompany at Goddard College in Vermont.This was back in 1972 when Schachter, a student from New Jersey and all of nineteenyears old, joined David Mamet, thenplaywright in residence at Goddard, andabout twenty other students to form thecompany. In that group was also W. H.Macy, a/k/a "Bill", who is now aplaywright in residence at St Nick as theauthor of the Capt. Marbles childrens'shows, and one of their principle actors in Peter Schneiderthe mainstage productions. The company,which acquired its name either by collectivevote, rehearsing in a church, or oija board,produced the earliest versions of Mamet'splays, Duck Variations, Sexual Perversityin Chicago, and a work with a wonderfullycryptic title, Lone Canoe. Such mundaneconcerns as funding, rehearsal space, etc.were not a problem then, since the collegesupported the company as a student activity. The group ended the academic year witha "truck tour" to Boston for bout threeweeks in late spring of 1972, and thendisbanded.About a year and a half to two years laterin July of 1974, a few of the veterans, DavidMamet, Bill Macy, and Schachter, who hadrecently come to Chicago from California,met at a barbecue at Schachter's. Threeother people, Mamet's younger sister, atriend of his named Alan Wilcox, andcontinued on page 12jemne lee-jazzmay 288pmfeynold/ club theatre J2**The Grey City Joarnal-Friday, May 26,1978} s-m t , . >.. . Watch for the upcomingChicago Literary Review“Women & Literature”June 21978Ui POWELL’S BOOKSTORES - POWELI gin nFil 8HELP! HELP!We are desperatelyin need of your books.Shelves emptying fast.We will pay cashmoney for whateveryou can live without.1020 S. WabashS POWELL’S B00K5T0RES - POWEL MPTISTUDENT COOPSALEFrom Friday May 26 thru Friday June 9all books, records and games in stockwill be on sale. Junk book close-out -- .from May 26 thru June 2 25* per kilo.Coming soon: Odyssey record sale. ReynoldsClub basement, 9:30-6:00 M-F 10-4 Sat.753-3561By the Doctor JRumprollerIn the notes to his album, "Blue Boye,"Julius Hemphill writes, "Since it is myunderstanding of the matter that instrumental music is not readily capable of deliveringspecific imagery and messages under ourcloak of anonimity, it appears that one mustoe content to resort to titles and style to convey what might be termed 'probable intent.'"There is a widely held belief that jazzmusicians are incapable of expressing, oreven rationally formulating, the intellectualconcepts behind their music. In many instances there are good reasons to believethis. Jazz jargon is as idiosyncratic as legaldouble talk or psycho behavioral pitter patter, and what's worse, even the most convoluted and non verbal expression of intentis usually capped with a cosmic "you dig?"But Hemphill has said something abouthis own music that not many critics orlisteners have yet formulated. It helps ex.plain why, as one of the most sublime improvisers working today, he is also one ofthe most accessible.At a musicians workshop held last Sundayin Ida Noyes Hall, Hemphill tried, but eventually failed, to live up to the demands ofhim by a small group of Universitystudents/musicians. One person asked,"What is the best size ensemble for nontonal music?" And Hemphill responded, genuinely confused, "What's non tonalmusic?" Another asked if there was anyplan or musicial intent when A.A.C.M. musi¬ cians just "play free," and Hemphill wasforced to defend his craft like a massmurderer trying to justify his randomdamage.The best he could come up with as atheoretical basis for his music was the"tension release" motif now making whatmust be its fourth or fifth trip 'round homeplate. The theory was originally introducedinto jazz by Andre Hodeir in his ground¬breaking work, "Jazz: Its Evolution andEssence." In the '60s the theory was used asa bludgeon against new types of jazz, criticswrongly attacking "free jazz" as being alltension and no release. And Hodeir's theoryhad led him to an incredibly racist conclusion. These two facts should have beenenough to impel jazz musicians to put"tension release" aside.But on second reflection maybe "tension'release" can be of some use today.Take Anthony Braxton for instance. Braxton has one idea of what one of his composi¬tions is about, and the listener, totally in¬capable of understanding Braxton's idea,has another. The tension comes when Braxton is quite serenely producing music andthe audience has no idea what's going on;the release is that brief moment when theaudience catches a glimmer of light, andthinks it knows what Braxton is doing. Ofcourse, nobody really ever knows whatBraxton is doing except Braxton, so tensionis endemic to his music.Another example is Keith Jarrett. Thetension is produced by a feeling of anxietyon the part of the listener that Jarrett maycontinue to play the same riff for the rest ofthe concert. This feeling can even reach thelevel of fear, "is he really going to play thething all night? The release comes whenJarrett actually does change his riff. Butagain, as with Braxton, the feeling ofrelease is only momentary, Jarrett playsthe new riff for the next ten minutes.Hemphill's music is based on a more sub¬tle, better integrated, concept of tension andrelease. The most important single elementis what he terms "probable intent." Hemphill is a musician steeped in past idioms ofjazz world. The most obvious reference isthe blues, but he also discerns a number ofdiscreet idioms in the flux bordered by jazz,blues, and rhythm and blues. His probableintent is reference to these many idioms.In a less subtle way, this is what musi¬cians since the 1940s have done wheneverfthey played a popular tin pan alley composi¬tion. Monk's version of "Smoke Gets InYour Eyes" is the best single example. Inthat recording Monk plays the theme threetimes, each time the same, in a rigidly Julius Hemphillstructured arrangement. The tension iscreated between what we know as the cheapand common emotion of the original song,and the hard tempered artistry of the Monkversion. Other similar examples are the"quotes" of Dexter Gordon, or CharlieParker.But, whereas the resolution of the recentmasters was towards nullifying certain"cheap and tawdry" elements in popularmusic, Hemphill's music is much more aim¬ed toward a pleasant reconciliation ofcreative jazz with cultural traditions.It is, in a way, most sensible, that after theviolent revolutions of the '60s, revisionisthistory would set in.Hemphill's solo performance Sundaynight at ARC, was a new chapter in his exposition of traditional American forms. Onany of his albums, Hemphill will make obvious reference, and from that comes his accessibility. Sunday night, he chose to be lessobvious.Among his other talents, Hemphill ispossessed with blistering speed, and evenhis slowest piece Sunday night, alwaysseemed to be doing two things at once.There was tension-release, and there wasreference to traditional idioms, but nothingwas clearly delineated. Hemphill has reach ed a point in his music where he can playnaturally and spontaneously, and theidioms, the lines, the improvised leaps offaith, and the history lesson, all blend intosingle unified improvisation. He had nomusic stand, rarely stated a simple theme;he improvised until he was exhausted.Hemphill's music has to be heard to be enjoyed. The best albums to buy are "BlueBoye," Mbari MPC 1000X, and "DogonA.D.," Arista 1028. "Blue Boye" is hard tofind (I know the Jazz Record Mart has onecopy) because it's released on Hemphill'sown label, but it is well worth the search.As I mentioned before, Hemohill's con¬tribution to music has implications far outside the rather insulated world of contem¬porary jazz. One of these is a possible tie into present trends in literature. FlannO'Brian writes in "At Swim Two Birds:"The entire corpus of existing literatureshould be regarded as a limbo fromwhich discerning authors could drawtheir characters as required, creatingonly when they failed to find a suitablepuppet. The modern novel should belargely a work of reference. . .At least one jazz man has a soul-mate inanother genre.LAST YEAR AT MARIENBADAlain RenaisSaturday May 27 7:15 & 9:30France 1961"A SCRIABIN HAPPENING"A multi-media color, dance, poem and piano recital by EdithRieber of the works of Alexander Scriabin, a turn of thecentury artist who designed his music "to be seen as well asheard."May 28, 8:30 pm Mandel Hall FreeThe Gr«v C|tv Jnar«at>Fvtfl«i*> tfa«>9A 107S.0ORIENTATION AIDESAny student wishing to work as a general orientation aide duringFreshman Orientation, September 24 to October 1, 1978 shouldapply at the office of the Dean of Students in the College, Room 251,Harper Memorial Library.Your application must include:1) Name2) Current Address3) Summer Address4) An essay of no more than one type written page describingwhat you as an orientation aide can do to help the entering fresh¬man and what information is worth knowing about the Collegeand Chicago.Applications are due by June 2.(House O’Aides will be selected through the housing system.)BAROQUE DUETfor soprano and counter-tenor with chamber orchestraKathleen and Dale TerbeekOde on the Death of Purcell.. John BlowLamento della Ninfa..,.MonteverdiHow Pleasant Is This Flowery Plane....H. PurcellEn Lectula per Noctes....SchutzMAY 268 pm Bond ChapelFreeBy Eden ClorfeneChicago Moving Company director Nana Solbrig hascaptured her hometown in motion in her latest work,"Chicago," an engaging and funny tribute to the city thatworks, premiered at Columbia's Dance Center early thismonth. A slide show of various scenes of the city beganmidway into the preceding intermission, climaxing in thememorable image of the entire Michigan Avenue bridge;then it melts into the action onstage.Dancers who have been gradually and informallygathering onstage become performers, and dancerDanelle Helander begins to shiver, pacing in anticipationof an unreliable CTA bus. It's winter — awful, unrelentingChicago winter; the sound of a healthy wind, and thebeginning of Rebecca Ruben's accompanying sound col¬lage, help Helander turn the calendar back five months.Another dancer jogs around the stage, and suddenly Lin¬coln Park and what could be any one of the desolatestreets of a wintery Chicago are in tandem.Part II - Art Culture, Beauty, and Dance: Adler andSullivan notwithstanding, Solbrig seems to feel that if thistown is anything, it's kitsch (like when those at City Halldye our namesake river green on St. Patrick's Day).Helander dons an absurd getup of a velvet beret, a loudflapper girl skirt and vest, and does a lot of endearingflapping around. (But much of her movement is surpris¬ingly virtuosic — Chicago shines through in spite of itself).The supporting company enacts formal dance sequencesaround the work of Helander to the tune of several dif¬ferent voices and noises, all involving or suggesting thecity'scultural assets and characteristics.The long finale About Town is a colfage of events and ef¬fects set to the rhythm of voices hissing out Chi Ca Go.There's a wonderful el sequence, an overly literal enact¬ment of a baseball game. But mostly Solbrig has contriv¬ed, and contrived well, an ordered haphazardry for thefive dancers, which, while fortunately not representativeof all that the ambitious title portends, does State Streetproud.Also included on the premiere program was CharlesWeidman's Brahms' Waltzes (1958), a set of 16 shortYou got to movedances Weidman choreographed for his partner of the 30'sand 40's, Doris Humphrey. Brahms Waltzes might be call¬ed a chamber dance, as it uses a very limited and definedarea of the stage, and seems most effectively performedin an intimate context. Only in the Soft Leaps andLullabye sections is the waltz tempo the spingboard forthe choreography; rather than a varied treatment ofmovement in time, Weidman is interested in the con¬trast of extremes. His impulse is lyrical — the movementis shaped by the melody's phrases, dynamics, and accents— yet the dancer also has an earthbound pull, a solidstrength which influences the choreography. Like the contrasts of a swaying lyricism and a pronounced center ofgravity, Weidman plays with the polarities of tension andrelase, fall and recovery, and fluctuations in dynamics.These studies are never pedantic — on the contrary; onefeels Weidman's dazzling control of construction, hismanipulation of the contrasts' order and stage space tomaximize a most effective beauty. And the company gaveit a brillianl performance.The Chicago Moving Company performs “Chicago” Company member John Magill choreographed a seriesof four dances, Compendium, which are unified, as theprogram informs, by their representation of associationsfrom the choreographer's adolescence. The information isunnecessary and distracting because Compendium standswell on its own in dance terms without the outsidereference.The first section is a solo to a dream like electronicscore. Beth Pierce, dressed in a mid length silky tunic,stands alone on a dimly lit stage, assuming a statuesque,angular pose, sideways to the audience. She suggests apioneer of some sort, or maybe Diana the archer. Hermovements — knee dips, hip rotations, developpes — areslow, deliberate, and connected. Alone and enjoying it,this pioneer or huntress is exploring the space around her,or held in the spell of a dream.The music changes to lively rock and two others join herto perform a lovely, bouyant dance in unison, which isquickly succeeded by another trio set to a slower jazz. Oneis struck by the trios' careful construction; in the secondtrio, the three women remain throughout in a single fileline, alternating in leading the line itself or in initiatingthe movement then repeated by the others.The fourth section, using all five dancers, seems a com¬posite of the previous three, combining the fluidity of thefirst, homophony of the second and antiphony of the third.Composed of continuous sequences, this danc£ unravelslike a coiled string. All movements are connected andevidently thoughtfully determined, and their flow is punctuated by the syncopation of the Mahavishnu Orchestrascore.Less successful works were Re Play, by Gale Ormiston,about the development of the friendship among threedancers, and Duet for Terrible Jim Pitch and LonesomeSally Wilkins, by Nolan Dennet, about a destructive rela¬tionship between those two, which really amounted tonothing more than R D. Laing's Knots dumped in Ap¬palachia.The Moving Company has come a very long way withthis program, exhibiting more discipline, good dancingand taste than ever before. They do the city proud.Campus musicBy Peter T. DanielsThe end of the quarter has arrived, and the musicalorganizations are doing their best to seduce you awayfrom your cramming. We had four concerts in a row lastweekend, and a veritable plethora to come.A flautist friend took me to task for my remarks twoweeks ago on Mozart's less than magic flute — after all,he pointed out, the violin and piano concertos were alsowritten to commission — and did his best Thursday nightto demonstrate that the flute is indeed an instrument to besavored. And succeeded. Donald Irving played the Baroque flute, which is made of wood and has but one key(silver and all those buttons were a 19th-century develop¬ment); its mellifluous sound is just right for the fairly in¬timate atmosphere of Bond Chapel. Mr. Irving was heardin two solo sonatas, one by the same Hotteterre to whomFranz Brueggen introduced us as the transverse flute'searly champion against the recorder, and one by KasparFritz, a contemporary of Haydn whose music, which in¬cluded a chromatic cadenza in the first movement and aset of variations the last of which was in a minor key,sounded shockingly modern — i.e., Mozartean. It takesthree people to play a solo sonata, including a harpsichordist and a reinforcer of the bass line; Marjorie Benson andAlinda Michael, respectively, provided the accompaniment. They were always supportive, the viola de gambaalways in tune, and never assertive. A trio sonata, on theother hand, involves tour players: add Sonia Csaszar onrecorder, and you have a lovely version of J. J. Quantz'strio sonata for flute and recorder. Quantz was the leadingflute virtuoso of the eighteenth century, and provided difficult but appealing parts for both instruments. Mr. Irvingexchanged flute for recorder for a Marias suite ''forflutes"; it sounded a lot like the viol pieces I had knownhim for. For me the highlight of the evening was Ms.Csaszar's solo rendition of Jacob Van Eyck's Echo Fan¬tasy, which laid to rest once and for all the myth that therecorder is not an expressive instrument: it only needs tobe understood. The echo effect is achieved not byrepeating a passage softer (that the instrument can't real¬ly do) but by repeating it in the lower octaveautomatically softer — and somewhat faster. (Thesomewhat faster is not in the score, and reflects Ms.Csaszar's understanding of her craft in playing this in¬strument as well as all the others she has performed onduring her career here.) The effect was also enhanced bythe fact that the concert was played at "Baroque pitch,"tuned somewhat lower than the current standard; thisresults in a less shrill, more pleasing tone It is to be at a glancelamented that both these artists have announced theirretirements from the Chicago concert scene.An interesting contrast to the Thursday trio sonatas washeard at the Collegium Musicum's Saturday night con¬cert. That also included pieces for two recorders, harpsichord, and bass; but there the bass line was played on aracket, a stubby wooden cylinder that contains severalshort tubes connected at their sides that makes a reedysort of sound. You might think that a wind bass is betterfor wind solo lines, but I liked the viol better. Otherwise,the playing of the recorder consort was most attractive.Also impressive, and surprisingly musical, were the fewnumbers given by shawms (wooden trumpets) andsackbut (ancestral trombone). They sent a potent and ar¬resting sound down from the balcony. The program contained mostly works of two Heinrichs: Isaac, a peripateticFleming of the late 15th century who incorporates Italianfeatures into his Netherlandish style (I crib shamelesslyfrom conductor Eric Weimer's illuminating notes), andSchuetz, who spanned nearly the whole century before J.S. Bach. He too spent time in Italy and wrote like it. Thehighlights here were by Mr. Weimer's chorus, who can befaulted only for a seeming lack of attention to the pronun¬ciation and sense of some of their German texts. Theirblend, articulation, phrasing, and attention to detail wereexemplary. Particularly impressive was Isaac's lamenton the death of his patron, Lorenzo de' Medici; in placesthis basically homophonic work anticipates by some fourcenturies the "color chords" of Victorian hymns; in otherplaces it eloquently reflects the future of polyphony. Theother highlight was Schuetz's setting of Psalm 84, in whichsections of "Angelican chant" (of many syllables on asingle chord) alternate with brief passages invoking thebirds or springs or shields of the text.More choruses were heard Sunday, at the UniversityChorus's program that included Palestrina, Sweelinck,and Brahms; but all that really demands mention wasJanice Hutson's soprano solos in Handel's Ode on St.Cecilia's Day. In particular, her duet with Gilda Barston'scello literally brought tears to my eyes with its sensualbeauty. Not far behind were the arias accompanied byKaye Clement's flute and David Hughes' harpsichord(happily, an electronic travesty was not used for the stanza about the organ; Mr. Hughes was allowed todemonstrate his prowess on a real musical instrument).All in all, James Mack's orchestra expressed his insightful understanding of the music most successfully, farmore than in recent memory.The Contemporary Chamber Players, of course, gave aconcert quite different from any of the above, and for once Elsa Charlston's contribution wasn't the high point. Herfour songs of Frank Bridge (one of Britten's teachers'were well sung, but one might ask why: they are simplesettings of simple love poems (by Tagore and HubertWolfe), that do not move. Also heard were Ten Pieces forWind Quintet, by Gyorgy Ligeti, which were not much likethe music you hear during the psychedelic journey at theend of 2001. They weren't very interesting, whereas hischoral pieces, like the ones used in that movie, are. MaxLifchitz's "Solo," for chamber orchestra, was writtenwhen the composer was nineteen, and sounds it: bits ofmelody are jumbled about, and noisemakers (some leftover from Purim) are heard; the members of the orchestra are also asked to speak "random" words. Nowthat device is not new — who can ever forget GlennMiller's immortal "Pennsylvania 6 5000" — but for Mr.Lifchitz to claim that the Italian words were "employedexclusively for their sound value" is not accurate. At onepoint various voices counted to five, and then the percussionist said, all alone, "fortissimo"; furthermore, even amere decade ago he could not have expected the orchestrato be half women, producing in overall vocal timbre quitedifferent from what he must have had in mind. Therewere two compositions that called attention tothemselves: Francis Thorne's Cello Concerto (for elevensoloists including cello) and (our own) Shulamit Ran's"For an Actor: Monologue for Clarinet." This last piece,in fact, exceeded all expectations. I was hoping forsomething that could appear on the same program asStravinsky's Three Pieces, but this couldn't: theStravisnky is hopelessly outclassed. This work is built on asmall motive, which expands to explore all thepossibilities of the instrument, including non squawkingpolytones, in a large number of musical directions, andreturns to the beginning in a truly satisfying way. The eloquent performer was Laura Flax, who commissioned thepiece.All that in four days. By now, you've missed a vocalrecital by Lauren Spector (which was scheduled oppositethe Baroque chamber concert); and a CCP song recital oran H. M. S. Pinafore singalong Thursday night. Tonight,Dale and Kathy Terbeek are presenting a recital of Baroque vocal duets, with instrumental ensemble, at 8:00 inBond Chapel; there's also the UC Concert Band, at 7:30 inHarper Library. Tomorrow night Pat Gallagher, winnerof the Music Department's Concerto Competition,presents Brahms' First with the University Symphony,conducted by Barbara Schubert. Other late Romanticworks will fill out the program, which, incidentally, waspublicized with a most striking poster. Sunday night is aScriabin spectacular at 8:30 in Mandel. Finally, on Tuesday, Rockefeller Chapel is the site of a recital by brassand the organ whose rebuilding has always seemed to me,from when the plans were first being discussed to after theresults could be heard, a mistake.The Grey City Journal-Friday, May 26,1978-11continued from page 7Patricia Cox, who was living with Wilcox,were also at the meeting. A that time thecompleted Articles of Incorporation for theSt. Nicholas Theater Company as a not for-profit corporation had been returned toSchachter, and the group planned suchthings as obtaining federal tax exemptstatus and ideas for its first show.Wilcox left the group within ten days,leaving Mamet, Ms. Cox, Mac y andSchacter. I asked them why they decided tostart in Chicago. Peter Schneider, who ofthe three interviewees was the one not in¬volved with the company at the time,answered first:The book says you always start theatersin towns where you know people, andDavid (Mamet) knew people. I thinkthat's, I mean, it's one of the reasons onecan start theaters.Schachter added:Plus he thought there was a need fortheaters like ours.Ms. Cox elaborated:There was not much going on that wasvisible at that time, in the summer of '74,besides the Organic (Theater Company),Victory Gardens, and Body Politic, andeverthing was still sort of generative atthat point; they were not off the groundyet.Mamet arranged to use the OrganicTheater Space at 4520 N. Beacon, since hehad written their most recent production,Sexual Perversity in Chicago, and theOrganics were on tour that following Fall in1974. So, for a cost of $1200, the groupmounted its first Chicago production, theworld premiere of David Mamet'sSquirrels. Mamet directed, Alaric "Rokko"Jans, current Musical Director of St. Nick,wrote the music; Macy and Schachteracted, and Patricia Cox did the box office.The reviewers reacted to the show in away that set a pattern for the group's earlyefforts. Mamet's play was “an exuberentand intimate piece of poetry in the theatreby a writer with a tremendous zest for language and love of irony," according toRichard Christiansen, then of the ChicagoDaily News. The group, however, was not sowell received; Christiansen wrote that theacting was “not always up to the subtletiesthis extremely difficult and special work re¬quires." The Reader liked the play, and ex¬cused Mamet's not so brilliant efforts as adirector with the disclaimer that “it wouldbe quibbling to insist Mamet be as good adirector as he is a playwright." The Readerwas less charitable with the performances,which it described as “sheer mugging andbad over acting."Profits were not astounding. According toPatricia Cox,The average paycheck was $27.50.PS: No, the average paycheck was 37c.PC: Well, we actually went up to $60.00sometimes.PS: There were times when itwas$1.38.PC: We did — we split everything — youremember that?SS: Right — we split all the money after¬ward.PC: We would take everything and wewould pay all the bills, count the box of¬fice, and on Sunday night everyybodywould get this incredible check for $4.37,based on a split eight ways at the box of¬fice that week — O God! We took money outfor taxes, too, I want you to know.The group was in structure a “collective"with eight members, “four of us doing thework." Mamet was writing and directing; Schachter was acting and functioning asBusiness Manager; Macy was doing thetechnical production work, i.e. lights, sets,etc., and acting; Patricia Cox was “doingjust about everything from house managingto stage managing," assistant businessmanager and mutual apprentice withSchachter as they both learned theatermanagement from the ground up.The next production by St. Nick wasO'Neill's Beyond the Horizon at the GraceLutheran Church, 555 W. Belden inFebruary, 1975. It ran for about threeweeks. Patricia Cox admitted, “the greatestposter we ever had, but. . .".Schachter was less elliptical: “It was real¬ly a disaster." The group, according toSchachter, “sort of" recovered from thatshow; at least they survived, mostlybecause the theater paid nobody, not the ac¬tors, tech crew, director, or the lateplaywright.According to Patricia Cox, the thud ofBeyond the Horizon forced the group to gothrough an "interesting six months ofreevaluation and regrouping and working aswaiters, waitresses." Schachtercharacterized the period as "just a grouphaving to deal with failure." During thattime the current structure of the St.Nicholas Theater Company took shape. Theclasses program, which now has become amajor source of revenue for the theater andalso provided the basis for its permanenttax-exempt status, developed from itsbeginnings in January, 1975. The currentheirarchy also began to emerge. Mametconcentrated exclusively on playwrighting,Schachter decided to develop as a director,Macy concentrated on acting, and PatriciaCox ran the box office and opened up thebusiness end of the theater to persons outside the original group.The Company's next show. The Poet andthe Rent, by Mamet, opened in late May,1975, and played at the Jane AddamsTheater on Broadway throughout the summer. Bill Macy, not Mamet, directed theshow, and it was cast from students in theclasses. Although some of the reviews, suchas Christiansen's in the Daily News,loved the show, calling it "so breezy,so amiable, so expertly done:"the group was still fighting its imageas the millstone around Mamet'sneck. Michael Ver Muelen, enfantterrible of The'Reader, expressed this viewperfectly. The work, according to him,"contains, some prominent flaws, Mamet'swork alone makes the show a success." VerMeulen also observed that the show had"several muddled moments and somewonderful dialog flushed away."The show at the Jane Addams center,however, was only a small part of the ac¬tivities carried on by the group that sum¬mer. Schachter made his debut as a directorat the Oak Park Shakespeare Festival's production of Midsummer Night's Dream, inwhich Mamet appeared as Oberon, Macy asPuck, and Patricia Cox as a fairy. The company also presented an adaptation of TheCanterbury Tales at the Renaissance Fairin Gurney. Alan Gross, later to gain famewith Lunching, worked with Bill Macy onthe script, and Mamet and Ms. Cox acted inthat show.Throughout that summer, according toMs. Cox and Schachter, the group graduallylearned to accept and delegate respon¬sibilities. From a myriad of mostly unproductive meetings, the direction of thetheater began to emerge. Mamet began tophase out as the artistic director, and theplan to make St. Nicholas Theater a majorregional theater with a permanent performance space, classes, and a subscriptionThe business aim of the theater is to createa certain type of reliable audience thatwill support an entire season, both hits andflops. To ensure this, the group refuses toshorten or extend the run of any show. It isthe season that matters, not' the individual shows series became the dominant concern underMacy, Schachter and Ms. Cox. It was theclasses, in fact, that kept the companytogether not the numerous and varied productions that summer. Ms. Cox explainedthat "we had this huge enrollment forclasses and no place to put them."By the end of that summer the companyhad found a converted warehouse at the corner of Fullerton and Racine that was beingdeveloped as some kind of "Chicago Centrefor the Arts." The performance space hadbeen designed, the classes planned when,five days before enrollment was to begin inSeptember, the principle mortgageedefaulted on a payment, and the mortgageon the whole building was foreclosed.Without a sponsor to rent the entirebuilding, the group was left high and dry onthe eve of a very ambitious season. PatriciaCox told me, "we started driving up anddown Clark Street and Halsted and Lincolnlooking for 'for rent' signs," until they foundthe group's present home at 2851 N. HalstedStreet. Once designed as a catering operation, then serving as a print shop, thebuilding had been empty for about one year.SS: So we had to come in — I'll neverforget the day we washed everythingdown ... we leased water machines andwe had raincoats.PC: It was hysterical.SS: And the machines would go likethis, you knowJL: Water cannonsSS: And this dirty water —PC: We had brigades of people —somebody would spray and then this antlike mound of people would take over andstart mopping up with rags ... it was likebeing inside of a submarine, 'cause all ofthe skylights were still open and therewas this greenish glow all over the placebecause the walls were green — and itreally looked like a space machine — itwas incredible.The company needed to raise $6,000 in sixweeks in order to produce David Mamet'sAmerican Buffalo. In addition, there wasthe $250 weekly rent. Money was raised byselling seats to patrons at $25 $250 a piece,and a grant was also given to them by the IIlinois Arts Council. The money was spent asit came in, making the renovation a day today operation.Patricia Cox described it:When we had enough money to buylumber, we would go out and buylumber; but we would have to go out andsell-; .more seats before we could doanymore. And we got all the paint fornothing - we called up every fuckin' hardware store in the city and got 16 zilliongallons of paint, mixed it all up with onegallon of black tint, and that's the colorthat's down there in the theater. And theseats came for $2 a piece from ClevelandWrecking Company, courtesy of BillMacy, who just happened to be lucky thatday."American Buffalo opened at St. NicholasTheater on December 21, 1975. The show hadbeen rewritten and partially recast after agenerally favorable reception of the earlierproduction at Goodman Stage 2 (I say"generally favorable" because this writer,then a reviewer of the show, was not sofavorable in his reaction.) Richard Christiansen in the Chicago Daily News wrotethat the opening "took place Sunday nighton a note of hope and in a blaze of glory".His tone was still qualified but encouragingfor this band of seeming theatrical fledglings:"Rushed to readiness for the openingin less than two months, the place stillneeds work. Pipes clash, heating fanswhir and seats creak at inopportunemoments during performance: but thesephysical flaws, given the hard work andcare so characteristic of this troupe,should be corrected in the days to come."The show was not outrageously suc¬cessful, but drew heavily near the end of itsrun. It closed, however, to make room forthe Apollo Production of Moonchildren (thefirst appearance of Wisdom Bridge's RobertFalls as a director in Chicago, which prov¬ed enormously successful and guaranteedthat St. Nicholas would be able to meet theoperating expenses of the building. Even ifJ.J. Johnston, Mike Nussbaum, and BHI Macy in Mamet’s “American Buffalo’’ (1975- 76)American Buffalo had flopped, the companywould have survived financially, since atthat time the only people who were gettingpaid were the actors and Moonchildrengave St. Nicholas a definite promise of in¬come once American Buffalo closed.At this point in the interview, I asked whatI thought would be the ticklish question ofhow the theater skirted or complied withthe city's building code. When asked, "howdid you get around the building code?",Peter Schneider replied,We didn't get round them — we complied to them.JL: Do you — you really did?PS: Sure — we're still working — butwe planned that we will meet all buildingcodes when we are finished.PC: That was one of the attractions ofthis building.JL: Oh, you haven't finished the spaceup; so while you're going now — as theycome in — you are in the process of com¬plying.PS: Well we have complied; what wehave left to do is "B label" doors — whatwe need are ten "B label" doors in pairs,which are metal doors — and that's about$3,000 $4,000 worth of doors.JL: But what my question is, if thebuilding inspector came in on January,1976, could he have closed you down?PS: No, because the plans conform tocode, and there was a building permit onthe building — which means you havereasonable time to finish the work; andbuilding a sprinkler — which is the onlymajor reason for closing down thebuilding as a fire hazard.JL: So that was essentially it — and un¬til the period runs out, you are in the process of complying.PC, PS: That's correct.My own experience, however, with atheater that incurred the wrath of the CityCommissioner indicated that the situation isnot so simple as Schneider described it (notea shift of tone from dispassionate crossexaminer to Thespian veteran). Althoughostensibly the procedure outlined bySchneider is true, the Commissioner's officeis, in fact, far more arbitrary in shuttingdown theaters than his answer would leadone to believe. Especially in the wake of theMirage expose, the city has become verysensitive to any seeming laxness, par¬ticularly with a theater, a potential safetyand fire hazard. The city's methods may involve immediate closing down of thetheater, with the only possible means ofpreventing enforcement a drastic programof renovation to guarantee immediate compliance. Many months after my initial interview with Schneider, I recounted my woes tothe City Commissioner. He nodded in sympathetic agreement in a conversation I amsure I will learn was meant to be confidential once this article is published.The company managed to navigate theobstacle course of compliance, however,and produced Arthur Miller's A View Fromthe Bridge in the spring of 1976. This wasSteven Schachter's directoral debut at St.Nick, for which he received a Joseph Jeffer¬son award for Best Director that year. Itwas the first show I had seen at St. Nicksince Squirrels, and after that I attendedtheir shows regularly. Even The Reader'sicy Michael Ver Meulen liked it. He wrote ofSchachter's direction:"His painstaking direction of View at.St. Nicholas stands as a textbook case inwhat improvements — hell, miracles —competent, consistent and concise direc¬tion can work upon the most egregious ofscripts."The show was, according to Schachter,the group's first effort entirely independentof Mamet, even though Mamet was still the"Artistic Director" of the company. Thenext show, Sitcom, resulted in Mamet'sresignation.As Schachter tells it,Well, he didn't like the script, so heresigned as Artistic Director — he was"Artistic Director" on the stationery andthat was important for us — so at thatpoint it was good for him to resign, 'causehe wasn't the acting Artistic Director,anyway.Mamet's resignation coincided with thearrival of Peter Schneider from New York as St. Nicholas's business manager.Schneider, who had been working in variouscapacities as assistant Artistic Director,Stage Manger, and Tour manager for suchgroups as the Circle Repertory Companyand the American Place Theater in NewYork, found out about the job when a friendsent him the ad the company had run in TheReader. He was impressed with the group'swork, but refused to take the job unless hehad some guaranteed source of renumera¬tion. CETA (Comprehensive EmploymentTraining Act),) a Federal program ad¬ministered on a community basis, gavesome money for his salary and some otherpositions, and he was hired.Although Schneider was hired to directthe subscription campaign for the 1976 77season, he also expanded the administrationof the theater by immediately adding sixnew positions. Until his arrival, the com¬pany was modestly in the black; he soon putit $10,000 in debt by hiring new staff people.That debt has now expanded to $40,000,which Schneider placates by channellingfunds and taking out new loans to pay theripening debts.There is method, however, to this seemingfiscal madness. Schneider's program ofdeficit financing has succeeded these lasttwo years, since the financial base of thecompany has expanded, while the growth ofthe theater's administration has tapered.The management structure of the theater isnow fairly stable, and the group no longeris hindered by the expense and delay ofretraining new personnel. The developmentof the company's subscription series hasalso provided them with a continuous andgrowing source of annual revenue. Ac¬cording to Schneider, Not for profit Cor-poi ations cannot have "backers" (or finan¬ciers to us laymen;) they canot plan on ashow to show basis, but must build theirfinancial structure on a whole season. Thisrequires that the company develop a perma¬nent audience of subscribers, ideallywithout compromising its artistic vision —in this case presenting original works bynew playwrights. The subscription serieshas the advantage of providing the companywith a large block of money at the beginningof the season, and also creates an audiencethat habitually comes to every show. Thebusiness aim of the theater is to create acertain type of reliable audience that willsupport an entire season, both hits and flops.To ensure this, the group refuses to shortenor extend the run of any show. It is theseason that matters, not the individualshows.The plan seems to be working. St.Nicholas's base of subscribers has expanded over the last two years, and the cost ofkeeping that audience has diminshed asthey become accustomed to attending all ofthe shows. It also has provided the groupwith a guaranteed audience no matter how bleak the critical reception. The hits, suchas last year's Lily Tomlin show or thisyear's nod to the classics, You Can't Take ItWith You, never have any trouble makingmoney. But even such shows as Joplin,which received such accolades as "a sad lit¬tle flop filled with mistaken choices andwasted efforts" from The Readerand"...leaves one with the queasy feelingthat it is a large mistake, a silly, pretentiouswork fashioned with the best of intentions"from the usually encouraging RichardChristiansen; even Joplin had an audienceevery night and made money.Schneider's goal, viewed in the best possi¬ble light, is an admirable one: to create sucha firm financial base for the theater that itcan afford continued artistic experimenta¬tion and development unhindered. St.Nicholas has chosen to become the perfectlyorganized, permanently based regionaltheater of Chicago. Schneider takes almostassertive pride in announcing to his TheaterManagement class that St. Nicholas's im¬age is very "clean and corporate". It is,ironically, the exact opposite of the otherprominent off Loop theater group, theOrganic Theater Company. While theOrganic has survived on sheer artistic muscle and indefatigable energy, St Nick hasgrown and propered by an occasionaldazzler, usually by Mamet, and a good senseof quality control. The Organic is a circus;St. Nick an old time movie studio.I asked them how satisfied they were withthe 1976 77 season. Schachter respondedwith laconic honesty: "Satisfied? Um —let's see. I think for a — yeah — yeah. Ithought it was rather diverse, uhm — and,uh, yeah."Schneider gave a somewhat more articulate answer:I think working with new playwrightsis very difficult. I think we had a verysatisfying season in terms of puttingourself on the map, putting ourselves inplanning for our future, uh—doing fivevery — reasonably good plays — maybenot the greatest plays — some of themwere weaker and some a little stronger— but um, we no longer want to plan dayby day. And I think last season was thefirst time we started looking a year ortwo years in advance.Their most successful single show, however,the Lili Tomlin review, was purely fortuitous. They booked her through a contact,and just happened to have the theater opentwo weeks when she had two weeks.The artistic oroanization of the group hasmoved toward internal self sufficiency.Although it still solicits scripts, the company continues to draw a great deal of its acting talent from its own classes program.The final goal is to develop the classesprogram until it becomes a full time tradeschool, and to merge the school even morp with the theater, untij the productions serveto provide an advanced training ground andapprenticeship for students. It has alsoformed a resident company of twelve persons to perform its Showcase Series, inwhich original scripts of lesser knownwriters and works generated by the groupare performed.The company has come a long way fromthe days when they seemed just anothertheater company that happened to have aninside track with a successful playwright. Iasked them how they came to be the mostpowerful new theater in Chicago. PeterSchneider spoke first, "because we thoughtahead more than one day at a time."Patricia Cox: Because we had a verystrong artistic vision and a lot of determinetion as individuals.Steven Schachter: Yeah — I meanthere's a lot of reasons, but I think it's doing more things right than doing themwrong. And that's all the way throughfrom , you know, this business to the art.and, uh, I think to a large extent, evenwhen we didn't have any money, we hada self-image; and I think this issomething that David (Mamet) instilledin us, which is even if you're poor,PS: Look richSS: Look right, you know, dress right.Spend your last money on the rightplace; how you perceive yourself is howothers will perceive you. So we spend alot of time and effort on graphics, design,and uh—you know what I'm saying?JL: Yeah.PC: What it comes down to is that theart of theater is made up of its manydetails; and if every detail isn't right,then you really haven't done it. And wepay an incredible amount of attention tomaking sure that every part of thisoperation functions, 'cause if it doesn't,the whole doesn't come out the way you— you can't do a play separate from therest of the operation. And the play isenhanced and it enhances.In the last ten years, theater hasundergone an intense, but only sporadicallysuccessful, revival in Chicago. Out of thisactivity have emerged a number of com¬panies and groups, three of which mostmerit attention. Stage 2, the "alternativetheatre" of the Goodman, has producedsome wonderful moments of creativetheatrical activity in the shadow of itsfossilized but well funded progenitor. TheOrganic Theater Company, the only rem¬nant of the late 1960's revival on LincolnAvenue, has survived due to the brilliance ofits Artistic Director, Stuart Gordon, and hisability to create a tightly knit ensemble ofvery gifted performers. Until recently, theOrganics were, in the opinion of this writer,by far the brightest star in the Chicagotheatrical sky. St. Nicholas is the first off-Loop theater to give the Organic any effec¬tive competition. It started off with awonderful asset, in that it had the franchisefor who proved to be one of the nation's hot¬test playwrights, David Mamet. It haspremiered every major Mamet play beforeit reached New York, and thus guaranteeditself national recognition.But more was needed for the group toprosper on its own. It weathered years oflocal critical indifference and inadequatefunding by laying the groundwork for whathas become a very successful theater schoolwith the potential for becoming a majortheatrical training center for this part of thecountry. Unlike the Organic, St. Nicholashas not remained under the firm control ofone person, and has diversified itself into awell-organized, many faceted theater company, able to produce five mainstage showsper season, a showcase series for newplaywrights, and a childrens' theater It hasused its financial security not to insulateitself against criticism, but to provide asanctuary, one hopes, for its artistic vision.Whether they succeed or not they have atleast shown me in the 1970s, a decade Ithought had dedicated itself to entropy, thatdetermination, idealism, and hard work canresult in artistic qualilty and financial suecess. I wouldn't have believed it if I hadn'tseen it.©1978, John LanahanFCelebrate 50 yearsof diesel experiencewith us.8639 South Chicago Ave. Phone: 374TRICK VANS. 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University of Chicago student aid funds cannot be used for non¬credit courses.Courses must have a minimum enrollment of 15 students. Preregistra¬tion is, therefore, essential. Absolutely no auditors. If you wish to regis¬ter, please fill out the coupon and complete your registration as soonas possible at:CCE, 1 307 E. 60th St., Room 121 between 9 am and 5 pm, M-F, 753-3137Deadline for registration May 31,1 978.* Reading examinations will be given by the Test Administration on Monday August 7.Courses have been scheduled to end immediately prior to the reading exam for optimalresults. 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It raining, please wrap.16 The Grey City Joaraal-Friday, May 26,19781 LetterThe rococo,religion, and thetotal work of artDear Editor,Michael Worley's review ("RococoMasters at Smart", Maroon, May 19) provided a good critical estimate to whet appetites for the current exhibit. Both the exhibit and his review also evoked for mereflections on the rococo, based on the yearsI recently spent in Bavaria and theRhineland. I offer them as further incentivefor others to visit the show, perhaps on astudy break before it closes June 11. Ishould emphasize that I offer them only as alayman with a personal interest, not as ascholar or critic. That is Mr. Worley's field.I offer them to expand on his well-documented comments, not to questionthem.In my first year in Munich, I brought afriend to see the massive baroque TheatineChurch. Its interior, completely of whitestucco, eschews all other color. At the time,I said I liked its austerity. As she gazed at the stucco clouds bearing ecstatic stuccosaints past agitated stucco curtains up tostucco heavens, she murmured, "Austere?itisn't exactly a Quaker meeting house." NowI would agree with Mr. Worley that certainreligious themes here are treated austerely.The Maulbertsch works are especially soberin their heavy chiaroscuro and the suppression of pastels (Catalogue #'s 18, 19 20;numbers hereafter refer to catalogue). Butsome other works suggest a different toneand invite further comment.For all the restraining effects Jansenismhad on 18th century devotion, it hardly affected Bavaria and Austria. There, therelief after the 30 Years' War produced aspree of church building spurred on by theabbots' attempts to evade centralized taxlevies by their own artistic public works'projects for local communities. Historically, such projects involved clergy and craftsmen in a mingling of aristocratic grandeurand peasant motifs. Stylistically, thepastels and impulsive brushwork in painting and the criss-cross of spatial disposition in architecture set a tone of religiousexuberance and high emotional pitch. Thefigures of Mary here show great sweetness(21), pathos (29), or peasant naivete (28) -and nowhere the restraint sometimes seenin Depositions and Lamentations. The martyrs writhe in visible anguish (5, 30). TheFathers contemplate in awe (11, 33).Palko's Ransoming (23) deploys this af¬fective range with particular variety. Theeye moves from the languishing captive inchains over to the relieved mother looseningher shackles and up to the businesslike St.John clicking a goldpiece before the hard bargaining Turks — then up again to agrateful freedwoman, kissing the cloak of.St. Felix who is enraptured as an agel confers his standard upon him, dispatched bythe Trinity, benignly satisfied with thiswork of redemption. Palko's enormouslycomplex composition — eight changes ofplane in all — accompanies this emotionalshifting as does the variation of pastel fieldsand deeper hues. Finally, Palko deploysgesture functionally, whereas much rococoart uses it only as a mannered sign of emo¬tional states (e.f., 24, 30). In her gratitude,the freedwoman does not throw out herhands, but touches the Saint's robe. In hisecstasy, St. Felix does not raise his arms,but blesses her with one and grasps his flagwith the other. Aloft on a high altar, thepainting would cleraly grasp viewers bythis differentiated emotional impact.This reference to placement raises a second point. Many paintings in the show are,of course, not finished works but sketchesfor larger emsembles. (The finished qualityof the bozzetti in oil might mislead one atfirst.) Now in the catalogue, Prof. Maserdiscusses the period as one of theGesamtkunstwerk, a total environment executed in stylistic unity. The viewer thusgains enormously if he envisions many ofthese works as they were ultimately intended: ten times as large, framed in gilt, flanked by twisting pillars under ceilings heavywith stucco rocaille in churches or entryhalls laid out as intersection ellipses. In thisway, the viewer becomes more a partici¬pant and the magnificent joy in God'sredeemed creation comes across. This complexity was also functional, expecially inchurch architecture: the multiple altars,pulpits, and confessionals allowed maximal use of space as pilgrims arrived in procession, offered gifts, peformed their devotions, and went out to refresh themselves atthe monastic brewery. The same applies tothe intricate palaces and staircases of theperiod: they mixed arts and crafts in complex patterns designed for multiple needs.Of course, sacred and secular were nothard and fast distinctions, as the showrichly demonstrates. The masked nobles inthe benign courts of Central Europe couldbe as insouciant about the deluge (15) as thethronged putti at the Trinity's feet wereabout predestination (11,18, and generally).This art often transcended differences ofgenre through affective and stylistic unitiesof a higher order. And from the gapingpeasants of Rottmayr's Adoration (28) tothe desperate cavalary of Mildorfer's Battle(22), the style is one of direct emotional appeal. Later painters, Mengs and Kauffmannhere, reacted to all this by classicizingrestraint. But that is another story.In one sense, these reflections on rococoreligion and the Gesamtkunstwerk are notreally historical. This weekend, the greatCorpus Christi processions take placethroughout Southern Germany and Austria.There, even left-wing politicians and post-Christian professors will march from theirrococo palaces as the bishops lead publicliturgies to the strains of Mozart against thebackdrop of such splended paintings. TheGallery and the German Dept., the Austrianand the Goethe Institutes could not bring usto Munich. So Prof. Maser got them to dothe next best thing by this exhibit. I addthese remarks to Mr. Worley's review topraise the exhibit and to encourage othersto enjoy it.JAMES MICHAEL WEISSJuno and the PaycheckOne night during one of my grandmother's visitsthere was a powerful late summer thunderstorm.Lightning flashed and thunder shook the house.We turned off the televisionand went into the hallway to talk.Grandmother is not one to tella story over and over ■some of her stories are familiar,but those are really good onesand I wouldn't have it any other way.She talked back, remembering,talking about my parentsand speaking about my grandfather,Then for some reason she started to recallthe first jobs she had (in the summer)as she began working, when she was a young girl.Working at different places and at a candy factory.She stopped for a momentwith a thoughtful look in her eyesand said in a quiet voice..."I never took anything from them."I thought, Wow, grandmotheris really getting mellowand is about to deliver an unnecessary homilyabout honesty on the job ...employing in a self effacing waythe Superman motto about truth, justiceand you know the rest.I was mistaken, however, and she explainedwith a laugh and genuine Irish vigor in her voiceShe never took anything, alright, and what she meantwas guff or orders... from anybody."If they rubbed me wrong, I quit and pronto.. .who needs them?" Light and soundSound and light are frequently combinedin rock concerts but, unfortunately, seldomin recitals of classical music. Edith Rieberis an exception to this rule. Her piano recitalon Sunday, May 28th uses a color projector,dance and poetry to explore the music ofAlexander Scriabin.While he cannot agree with Scriabin'sexistentialist nihilist philosophy, no less anauthority titan Vladmir Ashkenazy considers Scriabin one of the greatest composers. Boris Pasternak has called Scriabin"a personified festival and triumph of Russian culture." Scriabin was fascinated bythe idea of uniting all the arts and workedclosely with various poets and painters in aneffort to develop such a unity. He urged hisaudience "to listen with your eyes." In theearly 1900's some of his music was played inCarnegie Hall while colors were thrown on ascreen by a device invented by WallaceRemington. Although the invention musthave been crude, the idea of combiningmusic and color in any way caused quite asensation.Scriabin was endowed with a rare form ofperception called synesthesia. As Ms.Rieber explains, "every time he heard atone he saw a corresponding color." He ex¬perienced the note C as red, D as yellow, etc.In her recital Ms. Rieber seeks to coordinateas closely as possible the tones in his piano pieces with the appropriate colors. In addi¬tion, a dancer appears behind the screen tointerpret several works, and two shortpoetry readings, in Russian, from the worksof the symbolist Valery Briusov, are in¬terspersed in an effort to illuminate therythmic and expressive similarities of thevarious art forms.Ms. Rieber became interested inScriabin's music in 1956, when she firstvisited his home in Moscow and heard unpublished recordings of Scriabin playing hisown works. She started doing Scriabin lightshows two years later. She has since returned to the Soviet Union several times, studying Scriabins piano compositions with B M.Berlin at the Institute Gnesnykh in Moscow.She has also worked with Rostropovich onthe interpretation of Russian chambermusic. A resident of Berwyn, Pennsylvaniashe has given recitals at Carnegie Hall, thePhiladelphia Museum of Art, Smith andMoravian Colleges, and the Saratoga Springs Summer Festival. The recital, spon¬sored by the Festival of the Arts, the Russian Civilization Department, and the SocialSciences Collegiate Division, will be giventhis Sunday at Mandel Hall, at 8:30 pm.Tickets to the recital are not required, nor isthere an admission charge. The opportunityto see such a performance comes but rarelyand should not be passed by.George D. DruryGrey GapThe editor of this rather celebrated littlejournal has asked me to bid a sweet farewellto all of you from me, from him, from us.Certainly there are many verities I havelearned over the past few years, some in theclassrooms, others from my gifted peers,and many from my own mistakes and short¬comings in reporting and commenting inthese pages. But above all I must attributeone thing to my kind editors, they haveallowed me the unmitigated gaul to writeabout a variety of things — film, theater,art, music, student life, rituals, festivals,soap operas, vegitarians, snobs, clothes,book, poetry, human relations, and sex —only some areas of which I know a modicumabout and much of this has later been pro¬ven false. Needless to say (one of the two ex¬pressions I abhor the most in this language.The other is "I hate to say this but..." Butsince I'm writing about gall I'll use itanyway.), I have thoroughly enjoyedmyself.The benefits of writing for this nifty littletabloid are manifold. I now attend campusevents not as a casual observer but as asocial critic. (Ah poetic license.) Writingchecks at the Bursar's Office has becomemore pleasant ("Aren't you...?" "Whyyes.") although it hasn't improved mycredit rating or helped pay of my loans. AndI have fully worn out my typewriter, myroommates' patience with incessant banging away into the wee hours of the eve, andany free time that I might have had, due tomy professors' benevolent donations. I hateto say this but the life of a student writer is afull one, always demanding, rarely boring,never ending. My editor asked me to writean article basically praising the Grey CityJournal, stating that it's been fun and meanta lot to all of us. I think I've done a prettyself-indulgent job in the precedingparagraphs so I'll stop now and write in¬stead about a few impressions I have of thisnotable institution, all of which are absolute¬ly trul.The difference between a first year stu¬dent and a fourth year student is sometimesvery minimal. A substantial part of a student's freshman year is spent drinking orlearning to drink. This is a must in order tomake it through the next two years. The lastyear is spent getting enough oil credit cards,using them once even though one might besans m.v. (motorized vehicle) so that theleader might qualify for one of those littleplastic pieces of gold, Visa and AmericanExpress, which would further their drinkina endeavors. In short, the difference betweenthe first year and the fourth year student isgetting plastered and getting plastic.Business school students are a motleycrew. Now I make this claim based on ex¬tended observations made in Cox Loungeand A Level, Regenstein, but to illustrateby point I offer one incident that I swear isaboslutely true. On A level two years ago,three boneheads (I like to call them such)were sitting around. Why did I know theywere boneheads? They looked likecapitalists, carried calculators, and clutched their macro texts as if they were the Gi¬deon B or the family cash box. Onebonehead said to his others: "Gee I don'tknow if I can see Cathy much longer." "Whyis that Bob?" another one queried. "Wellshe's getting to be so expensive. Last night itwas dinner on the North Side, drinks at afancy bar, a movie and then this morning,well she wanted to go out for pancakes."What is odd here is not that the man mightcomplain of being exploited by the younglass (which he could do but did not), northat he had emphasized the cost over the enjoyment (which leads me to think old Cathshould have dumped him if that's all heremembers), but that he told his buddiesabout becoming intimate with this womanstrictly in the language of a certified publicaccountant. Strange fruit.It is very hard to eat well in Hyde Parkunless you cook, your friends do, or youknow a quick way out of this gastronomicwasteland. There is no need to go into thisrestaurant by restaurant. What was good awhile back is utterly unappealing by now. Afriend has always been displeased withhamburgers at the C Shop. The meat is overcooked, the bun is too cold. So late last fallquarter she asked for the bun to be grilled.Being a fool and somewhat of a nonconfor¬mist about food matters (Aren't we alwaysabout the things that mean the most?), Ifollowed suit. We spent the next day holdingour stomachs braving the cruel outside onlyto go to Billings where we told it was foodpoisoning. The lesson here: Never haveyour buns grilled at the C Shop, even if youdo plan to eat.What happened to college humor? Whyaren't there more practical jokers here?Why hasn't anyone climbed the flagpole,made strange noises in Harper, conducted achoir humming "Sounds of Silence" aroundthe third floor balcony in Regenstein, orpainted the Ad Building a lovely off shade ofpink. This is a minority that needs to be represented. Come out of the closet funnypeople — take affirmative action when noone else will.Although Art Linkletter told us that kidssay the darndest things, professors rarelydo. Why is this true? I've been trying to col¬lect witty quotes from my professors to tellto others. Sure my notebooks are filled withstarred, underlined, highlighted and oft-repeated salient statements recorded wordfor word as the professor's originally pro¬nounced them but absent is the rapier wit,the amusing incidents, faux pas, andmalapropisms I so hope to share withothers. Well I'll just have to be satisfied withintelligent remarks and insights.The ratios and Quotients here are a bitscrewy. How is it that there are so manypeople outside running and on the trackswhen everyone in the library andclassrooms looks so unhealthy? Why is thatthere are so few tall people at this school?Some of my best friends are tall. Why weeven had a few tall families living on ourstreet back home. At a school whereeveryone is supposed to come from suchdiverse backgrounds and experiences howis it that everyone pretty much dresses thesame way? There are so many people whoseriously aspire to be professional writersand journalists and so few who are willing topen for The Grey City Journal and TheMaroon. Everyone here wears or owns apair of eyeglasses. Those who don't wishthey did.Freud asked what do women want? I inquire what is it that Chicago studentsdesire? Much space in these pages has beendevoted to various activities on campus andin the city, but it has been hard to know whatpeople want to read about and Doc membersare constantly surprised at what people willor will not come to see. The Touch of Classbombed; the Glenn Miller concert sold out.The Lascivious Ball was packed yet thereare constant complaints of the repressivenature of the students (usually that of theopposite gender of the complainer). Howcan people, particularly young aspiring intellectuals, hope to be excellent critics ifthey don't understand their audience? (Thisis a rhetorical question.)More foolishness could be shared but whybother. If you've been here a year youknow the score. If you haven't been here aslong, you're probably winning. Some of ushave lost, we understand less than we did afew years ago when we were smartasses,top dogs, and thought we knew better.They're asking us to leave now, continue, orjust start, our education elsewhere, perhapsin the pages of another, although not as lovely, little journal. So we leave these questionsto be answered by wiser, more sensitivecritics who might learn from theweaknesses, failings and errors of those whohave come this way before.K.L.H.Stephen LeacockOn Friday, May 26 at 8 pm in the CloisterClub of Ida Noyes Hall, John Stark will pre¬sent his widely acclaimed portrayal ofCanadian humorist Stephen Leacock.Leacock, who was an economist at McGillUniversity, is best known for his numeroushumorous essays and lectures. He wrote 40volumes of humor, of which the best knownare Literary Lapses, Nonsense Novels, andSunshine Sketches of a Little Town.Stark's appearance on campus, sponsoredby SG, is an act of love to the University thatawarded Leacock his PhD in 1906.Stark's performance has been hailed allover Canada for its practiced brilliance. Admission is free, but by ticket only. Ticketsare available at the Reynold's Club box office. Call 753 3568 for information and ticketinformation. Jeanne LeeSunday night at 8 pm, Jeanne Lee, will appear in a solo concert at the Reynolds ClubTheater.Lee is a member of that sparse group ofvocalists who can correctly be labeled "jazzvocalist." She has worked with GunterHampel and Archie Shepp, and produced analbum on her own. Her style is uncomprimising, largely disdaining the popaspect many jazz singers find themselvestrapped into.This is Lee's first appearance in Chicago,or at least the first in many years. Now herwork is largely confined to New York andEurope, and once again jazz fans have achance to expand their jazz experiencebeyond the usual Chicago boundaries.Admission to Sunday night's concert is $2.Tke Gtey City fautwallEditor: Mark NeustadtAssociate Editor: Jeff MakosStaff: Karen Heller, George Drury, AnneGlusker, Stuart Ryder, Glenn Miller,Jeanne Nowaczewski, Peter T. Daniels, theRumproller, Eden Clorfene, John Lanahan,Faz Prestopnik. By Karen HellerAdmission to NAM and Law School filmsis $1.50. Admission to Doc films is $1.00 onTuesday and Wednesday; $1.50 on all othernights. NAM and Doc films will bepresented in Quantrell Auditorium, CobbHall, Law School films will be shown in theLaw School auditorium, 1111 E. 60th.The Kid Brother (1927), directed by TedWilde. (Doc) Haroldy Lloyd, the mastercomic, stars as the bashful son of a countrysheriff. Harold is instructed by his Paw tostop a medicine show that is coming intotown but the dear boy, meak and unsuspec¬ting, fails at his appointed mission. De¬jected, Harold goes off alone believing hehas failed to please his imposing father ormaintain order in the western hamlet.Recommended. Friday at7:30 and 9:30.Last Year at Marienbad (1961), directedby Alain Resnais. (NAM) Written by NewNovelist Alain Robbe Grillet, this is film isone of the most controversial films of thesixties. Many people are disturbed by theuse of "mind time," of time as it isremembered, considered, and not as it ac¬tually might happen. Resnais is the masterof this. The film has been described as aboutthe metaphysics of the rococo, the in¬tricacies of closed, circular time, exitlessplaces, and forgotten or imagined love.Delphine Seyrig stars as the woman whotorments a guest staying at the same hotel. Ilike the film but understandably manydon't. Saturday at 7:15 and 9:30.Saga of the Taira Clan (1954), directed byKenji Mizoguchi. (Doc) Based mn a famoushistorical novel, this is one of Mizoguchi'slast films and one of the most acclaimed. Hepresents an image of the brutal, frenzied,and uncertain monasteries and the familiesof the Samurai. Sunday at 7:30 and 9:30.Tom Jones (1963), directed by TonyRichardson. (Law) It takes a lot of gaul,money and effort to mount Fielding'smasterpiece, one of the greatest novels ofall time, on the screen but Richardson hasdone a very nice job. Albert Finney is excellent as the waif Jones who manages toget himself in trouble wherever, whenever.Richardson has done an admirable job ofcapturing Fielding's great use of wit andstyle, mainly by making quick cuts, usinguncluttered camera work, and utilizingtitlecards to announce the next scene.Recommended. Sunday at 7:30 and 9:30.Walking Tall (1973), directed by PhilKarlson. (Doc) And you thought machismowas a dead art. Buford Pusser, music toyour ears n'est ce pas?is a country sheriffwho takes on the entire state of Tennesseeand some strange types whose origin has yetto be determined. Joe Don Baker is no GaryCooper but what he lacks in suavity andcharm he more than compensates for incrassness and impassioned hostility. Thefirst in Doc's two part cult movie series.Friday, June 2, at 7:00 and 9:30.Bedazzled (1967), directed by Stanley Donen. (Doc) Well folks this is the one you'veall been waiting for. You just aren't a bonafide Chicago student until you've seen thisquintessinal Doc film, at least threetimes. Peter Cook and Dudley Moore (ofGood Evening and Beyond the Fringe fame)star in a modern day Faust story. Moorewants Eleanor Bron and is willing to go toany length to get her. Peter Cook as theDevil (a.k.a. Bezelbub, The Horned One, orGeorge) steps in with the old seven wishesfor your soul bit. The magic words are"Julie Andrews," but Dudley's wishes goawry and he experiences several startlingtransformations in his quest for happiness.Nuns have never jumped as high or wornsneakers so well, ties have never been soerect, nor puns so plentiful. With RaquelWelch as "Lilian Lust, the Babe with theBust. Recommended. (Didn't this film used to be shown for free?) Saturday at 7:15and 9:30.With this installment Karen Heller coneludes her term as author of Filmguide.CalendarFridayDepartment of Economics: “Exchange Ratesin the 1920’s: A Monetary Approach,” JacobFrenkel and Kenneth Clements, 9:20 pm,Rosenwald 301; “Changing Schooling Dif¬ferentials and Relative Black/White Wages:Industrial Workers from South Carolina,"Richard Butler, 10 am, Social Sciences 402;“Did Monetary Forces Cause the GreatDepression? Further Reflections.” PeterTemin, MIT, 3:30 pm, Social Sciences 106.Geophysical Sciences Colloquium: "AleutianMagnetism: Petrology and Dynamics,” BruceMarsh, Johns Hopkins, 1:30 pm, HindsAuditorium.Salisbury Geography Circle: “Models ofSpatial Processes,” Arthur Getis, U of I, Ur-bana, 3 pm, Pick 319.Center for Middle Eastern Studies/HodgsonMemorial Lecture: "The Iranicization ofIslam,” Richard Frye, Harvard, 3:30 pm,Social Sciences 122; Sherry Hour, 4:30 pm,Kelly 413. DOC Films: “Kid Brother,” 7:30 pm, and 9:30pm, Cobb Hall.Crossroads: Film - “The Living Stone,” and“The Arab Identity: Who Are the Arabs?” 8pm, 5621 S Black stone.SaturdayResource Center: Recycle glass, cans, andpaper, 54th PI and Greenwood, 10-4 pm.Change Ringing: Handbells, 10 am; towerbells, 11 am, Mitchell Tower Ringing Room.WHPK: Comedy Show, “Success WithoutCollege,” Doug Barry, Jack Helbig, AlexLeavins, Allan Cohn, 11 am, 88.3 FM.A Toast With Jam: All day Outdoor Concert,3 bands, jazz, rock, improv, noon until disk,Hutch Court (rain date June 3).Middle East Students Association: LambRoast, 2 pm, Ida Noyes (reservations re¬quired).Crossroads: Saturday Night Dinners, 6 pm;Demonstration of Japanese Dancing, 7 pm,5621 Blackstone.UC Symphony Orchestra: Free concert, Bar¬bara Schubert, conductor, 8:30 pm, MandelHall. Brent House: Supper, 6 pm, 5540 SWoodlawn.UC FoUcdancers: International Folkdancing,general level, 8 pm, Ida Noyes.Changes: Demonstration of Rolling, a bodyintegration technique, 7 pm, Blue Gargoyle.ArtsFOTA: Performing Arts Workshop - Dance, 8pm, Ida Noyes (by reservation).Hitchcock Hall: Memorial Day Weekend Par¬ty and Dance and Cookout; barbecue, 6pm,dance, 8 pm, Hitchcock Court.FOTA: Jeanne Lee, jazz vocalist, 8 pm,Reynolds Club theatre.Court Theatre: “Experimental Potpourri,”8:20 pm, Reynolds Club New Theatre.DOC Films: “Sage of the Tiara Clan,” 7:30and 9:30 pm, Cobb.Law School Films: “Tom Jones,” 7 and 9:30pm, Law School Auditorium.MEMORIAL DAY - HOLIDAY!!!Tuesday Science Fiction Club: meeting, 8 pm, IdaNoyes.Rockefeller Chapel: Organ and Brass Recital,Edward Mondello, Thomas Weisflog andBrass Society, 8 pm, Rockefeller Chanel.WednesdayCommittee on Genetics Colloquium: “GeneticStudies of Cell Fusion Induced by HerpesSimplex Virus, Type I,” 12 noon, Zoology 29.Rockefeller Chapel: Recital by RobertLodine, University Carillonneur, 12:10,Rockefeller Chapel.Resource Economics Workshop:“Community Systems Planning,” JohnRoberts, Argonne, 1:30 pm, Wieboldt Hall301.Crossroads: English class for foreign women,2 pm, 5621 Blackstone.Badminton Club: meeting, 7:30 pm, Ida NoyesHall.Tai Chi Club: meeting, 7:30 pm, Ida NoyesHall.Country Dancers: meeting, 8 pm, Ida NoyesHall.Humanities Collegiate Division: Student Ad¬visory Committee meeting, 4 pm, Gates Blake117.Hillel: Reform-Liberal Services, 5:15 pm,Hillel; Lecture - “After Bakke - A JewishPerspective on a Legal Problem, StanleyKatz, 9 pm, Hillel.ArtsMidway Studios: Opening Reception forLarry Smolucha - sculpture, 6-8 pm, 6016 In-gleside.UC Concert Band: Free concert, 7:30 pm,Harper Library.FOTA: Baroque Duet Recital, 8 pm, BondChapel.Court Theatre: Experimental Potpourri, 8:30pm, Reynolds Club New Theatre. Court Theatre: “Experimental Potpourri,”;8:30 pm, Reynolds Club New Theatre.Nam Films: “Last Year at Marien Bad,; 7:15and 9:30 pm, Cobb Hall.The Pub: Christie Nordheilm, guitar andvocals, 9 pm, Ida Noyes.SundayRockefeller Chapel: Service of Holy Comm¬union, 9 am; University Religious Service, 11am, Rockefeller Chapel.Crossroads: Bridge, 3 pm, 5621 S. Blackstone.Hillel: Lox and Bagel Brunch, 11 am, Hillel(last brunch of the quarter).Discount on our Entire StockO °*new Yamaha & Takamine guitarsand new King recordersplus a few good old violinswith bows & cases.Sale ends June 17,so come in soon.11-6 Monday thru Sat. Rockefeller Chapel: Lecture-demonstrationand recital by Edward Mondello, UniversityOrganist, 12:15 pm, Rockefeller Chapel.Department of Biochemistry: “Structure andMetabolism of the RNA primer for theDiscontinuous Replication of ProkaryoticDAN,” Tuneko Okazaki, Nagoya University,4 pm, Cummings 101.Bergman Gallery: “Drawings by Collette A.Diller,” opening reception, 4-6 pm, BergmanGallery, 4th floor Cobb Hall.Archery Club: Practice, 4 pm, Ida NoyesHall. Bring equipment.Ki Aikido Club: meeting, 6 pm, Field House.International House Folkdancing: teachingand refreshments. 7:30 Dm. I-House. Department of Art: “White Gold: The 18thCentury Discovers Porcelain,” EdwardMaser, 8 pm, Smart Gallery, 5550 S. Green¬wood.ThursdayHillel: Faculty Lunch, “Oil- USA-Israel,”Mr. Gottheil, 12 noon, Hillel.Judo Club: Work out, 6 pm, Bartlett Gym.I Ki Aikido Club: meeting, 6 pm, Field House.Table Tennis Club: meeting, 7:30 pm, IdaNoyes.Center for Middle Eastern Studies: Ha-Sadnah, “Past and Future Programs of HaSadnah," 12 noon, Pick 218.LEGAL NOTICEMr. & Mrs. Kenneth Wester wish todisclaim all responsibility for the noontime events of Wednesday, May 23 and allfore knowledge thereof.But, by this same notice do indeed hearti¬ly thank the instigators, creators, andback seat drivers, long-sufferers and par¬ticipants (including the local con-stabulatory) and spectators.Our motto remains: “A red rickshaw isbetter than 1000 red towels.” SuccessBreedsSuccessAS ONE OF THE FOREMOSTNATIONAL COSMETICDISTRIBUTORSWe’ve proven that success continuesto grow with well-paid individuals whoare aggressive, experienced, goal-oriented professionals.We are now offering extraordinary wagesand opportunities to extraordinary indi¬viduals who can meet our stringent re¬quirements:• Masters Degree having been in the topVa of your Graduate class.• Have strong leanings toward automation.• Enjoy a non-political, non-bureaucraticenvironment in which to work.Unrestricted growth potential andlearning opportunities. Production &Operations Manager (Up to $60,000)Requires MBA (upper V« of graduating class) with emphasis inproduction and operations Maior responsibility will be over¬seeing total production efforts, making them run with highestlevel of precision Ability to direct and control ail productionschedules You must have unusual tendencies toward contin¬uous conversion to automation Liaison with suppliers of pro¬duction materials-establishing and controlling work standardsmaking recommendations to top management regarding im¬provements in efficiencyQuality Control Manager(Up to $40,000)Must have Masters Degree m upper V4 of your graduating classand related experience in a packaging environment Requireshighly motivated individual to maintain daily and long-rangemodern quality control systems Responsible for developingprocedures and standards of quality for all in-coming productsmaterial in process, and out-going shipments of finished mer¬chandise Will report and consult directly with top managementMaterials/Inventory ControlManager (Up to $40,000)Must have Masters Degree in upper V« of your graduating classand a related experience in a high volume environment Respon¬sibilities will include developing and implementing a codingand tracking system for all ih-house elements components andproducts, recording all product changes, developing a modernefficient reporting system, and maintain close daily contact withthe accounting department and all other related departments toinsure an accurate perpetual inventory valuationMarketing Manager (Up to $40,000)Requires MBA in Marketing (upper Vs* of your graduating class)and exceptional organizational traits, high degree of self-motivation in addition to outstanding promotional ability Mamresponsibility will require planning, promotion, schedulingcoordination and analysis of all segments of our marketingareas Individual will work directly with top management Up to25% travelEQUIPMENT MAINTENANCE(Up to double current going wage rate for this job).We are determined to hire one of the ten top maintenance persons in the Midwest We require a working knowledge of elec¬tronics and mechanics as well as the ability to construct, design and maintain a wide variety of electro-mechanical equipmentand machinery Will also be responsible for shirtsleeve troubleshooting and correcting and eliminating electrical and mechanicalproblems with equal proficiency We will pay double the going rate if you are one of these top ten maintenance personsQualified applicants send resumeIncluding salary history to: C. 0. Parker, 520 N. Michigan, Suite 1432, Chicago, IL 60611The Chicago Maroon — Friday, May 26,1978 — 19Conference meetsTrackers place 5thBy Marc DeFrancesIt’s only spilt milk for Jim Read as he kicked over the last intermediate hurlde onhis way to victory.both the mile and three-mile with nary achallenge to his fluid, front-running efforts.A runner seasoned from top-flight nationalcompetition, Kramer looked as though hewere taking a country stroll as he crossedthe tape to win the mile by almost tenseconds. recuperate, not to race,” Carleton addedthis middle-distance event to their garlandof wins in the longer races.The field events were monopolized byLawrence University in general, and RonWopat in particular. Wopat delivered over athird of his team’s noints. winning the discusSportsEvery time Richard Gordon steppped intohis blocks he was visited by a shooting mus¬cle spasm. Few of the Stagg Field spec¬tators could have guessed, as Gordon push¬ed himself through six races, contributingpoints for the Maroons’ fourth-place finishBy Hack Gibson“We coulda beat ’em.” said one Chicagoplayer as he dejectedly walked off a tenniscourt. He had just lost a first round doublesmatch in the Midwest Conference tennischampionship held here last Friday andSaturday.The player probably didn’t realize it, butwith those words he practically summed upthe season for men’s varsity tennis. Itwasn’t a bad season, the Maroons finishedwith a 5-3 record and placed fifth in the ten-team conference championship but formany of the players it was one of thoseseasons that got away.The team could have easily finished 7-1(only a 8-1 loss to Chicago Circle wasdecisive) and several players said thecoaching by men’s tennis coach Chris Scottwas so good that the team should have beenable to more fully realize their potential.As it is, Chicago will have to wait for nextyear for glory. Only three of this year’straveling team were juniors, one was asophomore, and three were freshmen so bigthings should be expected of the team nextyear.But enough bemoaning. This season hadenough highlights to keep many old C-mentalking for quite a while and the conferencechampionship was no exception.Chicago’s #2 player Roger Lewis was themost outstanding member of the team as hereached the finals in his bracket. Lewishimself admitted that he hasn’t played wellthis season but he came into his own for thistournament. He drew a bye in the first roundbut then won two long three-set matcheswhile piling up three of the team’s eightpoints. The extreme heat and humidity (atleast for this spring) proved to be too muchhowever as Lewis was not the same playerwhen he lost his final match 6-1,6-1.#4 John Hollowed and #6 Gerry Mildneraccountd for four more team points as theyboth reached the semi-finals. The final pointwas picked up when #5 Eric Von der Portenwon his first round match.A fine performance was also turned in by#1 player Bruce Carman. He lost his firstround match but put up a tough fight beforelosing to the first seed. #3 Ken Kohl, who hadan excellent season while playing with acompetitiveness and dedication that was amodel for his teammates, also suffered afirst round defeat. Kohl also needed no ex¬cuses as he kept his opponent fighting forover two hours before losing the decidingthird set 7-5.Unfortunately, last Saturday resembled adisastrous Saturday suffered by the teamthree weeks earlier at the Whitewater In¬vitational. The Maroons didn’t pick up asingle point in Saturday’s doubles matches'CVIJmV at the 56th Annual Midwest ConferenceTrack and Field Championships.Since he was a pre-meet favorite, Gor¬don’s injury was especially unfortunate asthe ten-school meet became more of a con¬test between individuals than between wholeteams. The three schools that finishedahead of Chicago — Coe, Carleto.i andLawrence — leaned heavily on the handfulof outstanding athletes, with Lawrence ac¬tually drawing two-thirds of its score fromtwo individuals.With Gordon out of their way Coe Collegewent on to dominate the sprints, winningevery relay and running event under thehalf-mile. Their depth in that area wasspearheaded by one Silas Hudson, who enroute to his double win in the 100 yard dashand 120 high hurdles set a new conferencehigh hurdles record of 14.2 seconds duringthe trial heats. Though their fire-engine redjerseys were never seen in the distanceevents, Coe’s base in the sprints enabledthem to win the Championship in high style.Chicago was able to score a third in the 440yard relay through strong efforts from itstwo principal dasher’s. Chip Pfaller andGordon, both injured.The long running saw a yellow (and blue)winning streak from Carleton College,whose All-American Cross-County Cham¬pion Dale Kramer eased through wins inand fell into fifth place.The #2 team of Von der Porten-Hollowedblew what seemed to be an easy victory asthey dropped the last two sets 6-1, 6-3 afterwinning the first set 6-2. The #3 team of JimHvizd-Lewis also lost in the first round andthe #1 team of Carman-Mildner forfeitedwhen Mildner failed to respond to his wake-up call.A victory in either of the three matcheswould have put the Maroons in fourth placeahead of Knox College. Knox finished withnine points to the Maroons’ eight.Lake Forest College was the overwhelm¬ing victor in the tournament.The men’s season is over but there will bemore excellent tennis on campus before theend of the quarter. Today and tomorrowChicago hosts the women’s regional tennistournament.Softball playoffs began this week and willcontinue to Monday. This year there will beno Open Rec playoffs due to time. In theGraduate League the Legal Eagles play thewinner of the Penguins - Your Mother RidesAgain. In Undergraduate action UpperWallace faces Lower Wallace for thewomen’s title, with the winner to face theQuandranglers for the UndergraduateChampionship, with the winner of that gamefacing the Pink Penguins. Co ed has UpperWallace/Lower Rickert versus LowerWallace/Upper Rickert. Finally in Men’sUndergrad action Breckinridge faces PhiGamma Delta, while Salisbury plays thewinner of the Henderson-Hitchcock game,and Independent winner Sammy Walkerplays the Undergraduate champIn table Tennis Mixed Doubles, Kirtner,Heath, and Walden beat Guterman andHack 2-0 in an Upper Flint final. In Tennis,Dennis Sadowski beat John Trainor 6-2, 6-4to capture men’s open. Chris Johnsondefeated Annamarie Molinaro 8-4 to win theWomen’s division, Chia Chang and BrunoTrambusti rmtured the Men’s Independentdoubles. Rc.y Rohde and Barb Brink wonthe Mixed Doubles Independent title, butlost to Sadowski and Kern 6-7, 6-2, and 6-3 inthe Open, and Kirtner and Walden beatSachs and Hack l-o, 6-0, 6-0 to win theUndergraduate invitational.Finally in Horseshoes, AnnamarieMolinaro faces Veronica Wisniewski for theWomen’s title, Sachs and Schachter captureCoed Open Rec, Greg Sachs faces Neal Chicago had three important scorers of itsown in the distance events. Freshman DaveGreen ran the best mile of his career,dramatically kicking from his sixth positionon the final turn to finish in third (4:23.3).Sophomore Dave Taylor also achieved acareer best with his fourth place finish(31:57) in the six-mile on Friday. More im¬pressively, Taylor came back the next dayto score fourth again in the rough three-milefield, after twelve laps of leap-frog withteammate Jim Thvedt, who followed infifth.The fast trial heat in the half-mile was amixed blessing for Maroon senior LesterSavitt, who was pushed to one of the moststrategic efforts of his career by a last-minute stampede for qualification. Savittsurprised the field on the final straight,passing from behind into first on the insidelane for a personal best time of 1:57.5.Teammate Tim Bastian won the other trialheat, but both performed poorly in the finalsthe next day. As Savitt commented after¬wards, ‘‘I woke up this morning ready toDraznin for the Men’s Independent cham¬pionship, and Dave Harrison faces MarkBrabic for the Men’s UndergraduateResidence title. One result in had Dave Har¬rison over Tom Sakmav 21-9, 21-13 to cap¬ture Open Rec.Several titles, including the all-year pointwinners, have not been announced and willbe wrapped up next fall.Herewith are the second annual MaroonIM awards:Most Valuable Player (all-sports): TimLorello - Upper RickertBest Team (any sport): Bill Too - soccerSurprise of the year: (tie) — Walloo’s with an incredible fling of 164T0”, missingfirst in the javelin by a bare quarter inch,and again taking second in the shot-put.Lawrence padded their edge over Chicagowith good placing in the jumping events.II the Maroons excelled anywhere lastweekend it was in the hurdles. SophomoresJim Read and Tom Goodrich teamed upwith senior Jim Jacobsen to run personaland season’s bests in both the 440 in¬termediate and 120 high hurdles. Read andJacobsen both sped to a 14.8 in the 120 trials,then slowed down some for a three-fourplacing in the finals. In the intermediatesGoodrich was pinched out of second at thefinish, but with lanky partner Read it was adifferent story. Read easily met expecta¬tions as the top-ranked man in the con¬ference by pulling into an early lead fromhis rear inside lane and never letting up. Heknocked down his last barrier but was farahead of the field he could have stopped toright it and still won comfortably. TheWacks (football) and Bad News Bulls(basketball)Best Officials: Since no official reallystood out this year, we would like to com¬mend Mark Pennington, Dave Glazer, Mar¬ty Howard, and Dave Tepke in hopes thattheir recently created officials club will im¬prove the quality of referees in future years.Best Acting on a basketball floor: StopKilling Lizards and the Bruins in West SideStoryDistinguished Cripple Award: DennishThatcherB. C. Vendl award for best administra¬tion: Dan Tepke, for his fine one-year stint.t >To the forgotten transferHe was more than just our right fielder.Always the first to crack the victory beer,an encouraging word, that New Englandlaugh. The first one to tie one on, go out ona horror, the kind of guy to make any andevery beer company happy and pro¬sperous. Dependable in the field and at theplate, there was nobody like ol' Pete RoseWe were just freshmen, never had seen a16” softball, much less played with one,but we surprised everyone, knocking offthe #3 team, the defending champs. Vic¬tory was sweet, but just as swift it wasgone, making us victims of the rule book.Our vow was made: next year. Our hopeswere high, we wanted those T-shirts.But then he was gone. Couldn’t take it, didn’t need it, this place was a hellhole.Wasn’t worth the bucks, a school based onwimpishness in the gene pool. Enough todrive a sane man crazy — which it has,many a time. Petey became anotherstatistic, one of the ones to go, the ones wemost want to see stay. Life here will neverbe the same. He was one of the dying breedof rowdies, something this school sorelymisses. I remember once Pete said to me“All I want out of this school is one of thosedamn T-shirts.” In honor of his passing tobigger and better things, the Maroonwould like to establish the MichaelLeBlanc T-shirt Award, in honor of thespirit so exemplified on the field bvMichael LeBlanc/Ron Wopat- LawrencePhoto by Marie HancNetters finish season 4thTrack to 21Wrap-up and 2nd annual awardsBy Howard SulsVc- *Fall previewFootball team to begin early season outnumberedBy Mark Wallach“You don’t have to be a genius to figureout you can’t run a program without br¬inging in players,” Football Coach RobertLombardi said, assessing the football pro¬gram. The problem, he said, is that theUniversity, specifically the financial aid of¬fice, does not understand the commitment ithas supposedly made to football by joining aconference.At present, the Maroons expect to have 25-30 football players for their 8-game schedulenext year. The other teams in the con¬ference all will have between 65-90 players.“You can get yourself so outmanned,” Lom¬bardi said, “there’s a question of whetherwe’ll be able to complete the season becauseof the (inevitable) physical problems... It’dbe different if we had 25 top-flight footballplayers, but 10 of the players don’t evenhave any experience.” Lombardi noted thatfootball, much more than baseball' orbasketball, is wearing to the body, especial¬ly to an outmanned club that has manyplayers playing both offense and defense;thus the necessity of having enough footballplayers to allow for the physical strain.Lombardi said he is still interested in anyprospects from campus. “We’re so limitedin football players, we’re still looking forany kids looking to play intercollegiate foot¬ball. . . Tell them to stop by (Bartlett) to seeme for details before they leave.”When he first took the job, Lombardi wasaiming to pick up 50 new athletes in his firstyear, and 30-35 thereafter to keep the pro¬gram competitive. Next year, four incomingfreshmen, one transfer, and two upp-perclassmen will be new to the team.Lombardi, (who has a 91-year old grand¬father named Vince) who was a successfulhigh school coach for nine years before hecame to the University two years ago, addedthat, “it’s hard for the kids because theydon’t have an equal chance to compete withschools in the conference.”The problem, he feels, is that the Univer¬sity’s financial aid office has been unwillingor unable to provide prospective footballplayers with adequate financial aid whereascompeting schools have. “The kind of kids we’re competing for are chosing betweenschools that offer equally good academics,”commented Lombardi, citing most IvyLeague schools. “We lose kids because wedon’t meet financial aid packages.” Lom¬bardi said that a prospective football playerwas considering offers from Chicago andanother university.Having qualified for $5,200 in aid, theother school offered the entire amount as agift while Chicago offered $2,200 as a giftand $3,000 as a loan. “Which would youchoose?” Lombardi challenged. “If theUniversity really wants to have an athleticprogram, financial aid is where the commit¬ment has to be made.”Lombardi also said that the financial aidoffice doesn’t consider that football players,by coming back a month early, are givingup a month of summer work. “They havefigured out that the kid will make x numberof dollars for the summer,” Lombardiobserved, but they don’t realize that theplayer has only “five or six” weeks in whichto earn the money. Obviously, anotherobstacle to going out for football is that students don’t want to give up a month ofvacation. In fact, half of the football seasonwill be over by the end of the first week ofclasses.Unsurprisingly, the coach’s forecast forthe coming year is bleak, though not withouthope. Much depends on whether star halfbacks Dale Friar, Mark Ramirez, andlinebacker Dale O’Connor return. All threehave been accepted at other schools and areconsidering transferring. Unless they in¬form him earlier, Lombardi won’t knowabout their status until late August when hesees who shows up for practice. “If they allcome back, we could be improved.”If 'the transfer applicants don’t return,Lombardi expects that the Maroons, lead byQB Mark Meier, will compensate by passingmore often. The passing attack will behelped by the addition of fleet wide receiverJim Jacobson.If the three “premiere performers” leave,however, the Maroons will have to relymore on their defense, which has beenstrengthened by several newcomers. StaggScholar Steve Campbell, and transfer Doug Sibery will join veteran Carl Herzog atlinebacker. Freshmen Eric Krupa and JoeMullin will beef up the Maroon defensiveline. The addition of Stagg Scholar Do Kimat quarterback will provide enough depth toallow QB Jim Verhulst to join the defensivesecondard along with newcomer DonCiciora. Overall, the young defense of ’77will be more experienced. But the schedule,toughened last year when the Maroons were2-6, will be just as difficult next year.Mostly, though. Lombardi was concernedwith the “numbers” or lack of them, withwhich the Maroons will try to play nextseason. “I admire these kids for taking onthe challenge,” he said.1978 Maroon Football Schedule;9/16 Principia9/23 Illinois College9/30 St. Ambrose10/7 Milton10/14 Lake Forest10/21 Beloit10/2811/4 GrinnellCarleton Away 1:30 P.M.Home 1:30 P.M.Home 1:30 P.M.Away 7:30P.M.Away 1:30 P.M.Home 1:30 P.M.(Homecoming)Away 1:30P.M.Home 1:30P.M.Photo by David JaffeIt may be another rough season for the football team. With a squad of around 30, the Maroons will be greatly outnumbered in every game.Parting pitchSports and the UniversityBy John PomidorThe end of the year is at hand. This is myfinal column. As I look back on anotherseason of basketball, football, crew,baseball, soccer, etc. at the University, theresults lend themselves to conclusions aboutthe future of the student body, and what theschool contributes to him or herAthletics do build character. Life buildscharacter, and athletics is a part of life formany people. Sport has no monopoly oncharacter-construction, but to say it isuseless is just as much a lie as to say it iscrucial.What makes sport so effective as acharacter builder is that it is a microcosmof life. In life, there is competition andcooperation. One either gets by by beingsmart or a bit more powerful than the nextperson. This is how it is in athletics. Prac¬tice goes a long way towards assuring suc¬cess, but there is always the element ofchance. The major difference between thetwo is that in life, one plays for keeps.So what has this got to do with the Univer¬sity’ Here, the athlete goes through the dayas a typical student, perhaps doing a decentjob of it. But when (s)he gets on the field orcourt, it is another story Typically, the stu¬dent here never performs up to capabilitiesin competition The reason is not physical, itis mental. Ask any coach here.What would people be like, if they con¬tinue to function in this manner in 10 or 15years’: At worst, they will have little con¬fidence in themselves, and their manytalents will be wasted. At best, they w ill per¬form their jobs very well, but be worthlessoutside of this. In either case, they will notbe whole people. There are two reasons athletics are notsupported here by the student body. Eitherthe person is too busy to take an active in¬terest in them, or they could not really careless about athletics. A third reason could bethat the teams are playing less-than-exciting ball, but this may be a part ofreasons number one and two I'm not sayingpeople have to be athletically-interested.But, when there is such little concern, it isnot normal for a typical college.Sooner or later, we all leave this place.When we do. we are supposed to be preparedfor life. But being prepared is not only know¬ing alot of facts, or even, in the words I onceheard in an Aims of Education address, how¬to think It is also knowing who your fellow-man or woman is. Or how to forget aboutwork when the time comes The nature ofathletics here tells us this is not beingtaught.By R . W. RohdeSenior Paula Markovitz was highlyhonored at the Women’s Athletic Associa¬tion 74th awards dinner held on Thursday.May 25. at the Quadrangle clubMarkovitz, besides receiving a letterblanket and being named MVP for thebasketball squad, was named the winner ofthe Gertrude Dudley medal for skill andleadership in womans athletics. Markovitzwas also co-captain and an essentialmember of the volleyball teamBarb Brink was the only three sportsenior Brink received 11 letters in softball,volleyball, and basketball for which shereceived a blanket. She was also named IM Top 101. Penguins (3) points482. Human Capitals (2) 463. Legal Eagles 414. Cold Storage 335. Hitchcock 276. Sammy Walker 257. Breckinridge 198. Your Mother Rides Again 159. PsiU 1210. Walloo’s Wacks 4Votes: Vincent. Salisbury, Phi GammaDelta. Henderson. UbermenschenRuggers winThe rugby team elevated their record to3-6 with a 21-10 victory over Loyola’s Medschool Saturday.With the score 15-10 after a Loyola“try,” Maroon wing-forward Pat Costelloblocked a backfield kick Brooks Dexterpicked it up. and raced in for the try thaticed the game. A try is rugby’s analog tofootball’s touchdown Davy Murdu kickedhis third extra point of the contest to roundMVP of the volleyball teamOther MVP awards went to Patty Mercer(Field hockey), Cheryl Flynn (tennis), AnnMerryfield (swimming), Mary Klemundti softball), and Vicki Powers (track).The only other surprise of the eveningcame when Mrs. Ann Wilson received anhonorary blanket for her contributions toMaroon athletics and support over theyears.Besides Wilson, Markovitz, and Brink,four other seniors received blankets. Col¬leen Cacic received one for Field Hockey,Jeanne Dufort for softball, Carol Fulton fortennis, and Ann Speckman for tennis andsoftball. out the scouring.Dexter had scored earlier in the game,and Sandy Posa also had a try.The Maroons will finish their spring ses¬sion this weekend with contests againstNorthwestern Saturday and the ChicagoLions, a rugby club. Sunday. Both gamescan be seen at Washington Park. 1:00Saturday and 3:30 Sunday After the gametomorrow, all fans are invited to meet theplayers while singing and drinking beer atthe post-game party.Field HockeymeetingThere will be a meeting for all those in¬terested in the 1978 women's field Hockeyteam at 6:30 next Tuesday, May 30. in IdaNoyes Hall room 203. If you are interestedand cannot attend, see Coach Larkin inroom 206INH by June 2ndTrack from 20Maroon’s only conference champion. Readshows no signs of slowing down and maypossibly represent Chicago at the DivisionalNational Championships.In all, Coach Haydon was well pleasedwith his team's performance. Many of theseason's best efforts were produced when itcounted, and. more importantly, the teamwas able to end its second trial year in theMidwest Conference with a showing ofsubstantial powerSavoring their victory, the Coe athleteslingered at the track after the last com¬petitors had dispersed Saturday afternoon.Next year, the Maroons hope to indulgethemselves in the same privilege.Midwest ConferenceChampionship Winners:Team Scores: Coe 145, Carleton 118.Lawrence 74, Chicago 61, Monmouth 59. Cor¬nell 35. Beloit 22. Knox 17, Ripon 13. Grinell7.The Chicaao Maroon — Friday, May 26,1978 — 21WAA honors athletes' :," JE l' . i' -'^rV'•! >:W- D ADS* - female roommateEast H^de Park aptn 241 7589. '■■;■ ■"■' f ■ ■ ; ■ : ' * ■;. ■ '■vfffShare apartment in spacious Victorianturmshed apt with me and 2 cats onEJlii; and Hyde Pk' Bivd. Rent,J1.12 50 month tor more information fireplace yard, close to transportation■■•Non smoking roomates for friendlynew'y renovated apartment SJrd 8.Maryland S’OO .plus heat & util493 9497Late summer sublet to 9 20 5rooms balcony 53r,d and Ha'rper S'75Sublet June Sept 3'bedrm apt 54th &Harper.$360. incl. heat 753 2249 ext 3125/ -■\between 55th and 59th Streets HarperKu^IK) - ease ia 288 1082.anytime.Woman over 30 seeks working womanor tern student to share lovely 2 bdrmnpt4psit^ae:r *enant7 Come toStudent Government Housing Serviceafternoons or call 753 3273.r c d ~a e needs o ace to 'ive nextyear Need a r»®it!m*te? Call /Mark'53 £249 — 2 . ' ... . ■■Hyde Park: University couple looking•tor nice gr 2 bedroom apartment forAugust 1st Up to S250 Call daytimeIra 878 7253 or Becky (11-5) 977 1713Young working woman needs compati¬ble female roommate for beautifulsunny E Hy'de Park apt Mid June tom o^SepIS: -28.:::50;fbonfn ca 955 6708 Vacation House for rent from June 17Aug ,20 Magnificent 3 bdrm huge i‘ivmq room, cathedral ceiling, fullyequipped fireplace dishwasher,washer dryer etc Hillside v ew, nearlake One hour & 20 min from UC.S2000-Highest references required. Tel6’Q-3114 day. evening 324 3285Furnished 2 bedroom apt wanted forV s • VrgLWfl£V2' ’8 753 2492, .. on* 7 June.30September $93 sunny air con call’Rm ;/; m.S Av 6/1 &fall 955 8848 pm JimFor Sept Studio or 1 borm wtd nearcampus 467 0113 days or 642 2493 eves-O'uSE WANTED to RENTj seniormed'ca1 s*i_den*s desire 3 4 bdrmhouse in Hyde Park Kenwood occupyabout 15 July Impeccable references68,4 6528.Summer sublet June 15 Oct J, 2Dedrooms in 7 room apt. 54th andGreenwood, $80 mo, $90 mo. call Brenda-326-5696.Female to summer sublet 56 & Univer¬sity Own bdrm 4 Lvng rm, $133 mo.Mary 753 3774,T bedroom furnished apt Sublet 15 Juneto 1 Sept. $260.00 negot., Call eves,363 3620TAHSAW-MWCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M,Orders to take Out1318 East 63rd MU 4-1062 FLAMINGO APTS5500 S. Shore DriveStudio and One BedrmApts., Furn & Inf urnShort & Long Term RentalsParking, poo!, restaurant,drycleaning, valet, deli.24 hr. switchboard, U of Cshuttle bus V* blk. away.Full carpeting & drapes incl.Special University RatesAvail.752-3800Swivel Arm DeskChairs $20C BRAND ) EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111EXPORT & DOMESTICPACKING 1 DAY SEP VICECRATING Household GoodsMachinery FlectronicsExhibits & DisplaysSHIPPING Free 30 Day Storage595-2553INTERCONTINENTAL CRATING CORP■■ 801 Golf Lane ft Furnished one bedroom apt 6/15/78 to8/31/78, $285 per month, call 753 3661For Sale!, Lovely 5; r,ms Inc. Ig denstdy: & mod kit Very des. bldg Excmaint, loc, parking avail. Low assmt5 Shr- Dr .Gardn pits Avail. $19,900Call days 947-641 1 eve 734 4168.Room available. 7/1 tali option Lg 3bdrm 5400 block Cornell, $100 $125687 9200 Dennis leave messageRoommate needed in three bedroom■6 1 rent $75 mo. Phone 324 78591 bdrm Coach hse, close to universitybus, no dogs $250 mo util pd AvailJ3«»4,7.&&59. ■3 bdrm *or SUMMER SUBLET inlarge furnished apt. from. June- Aug orSept. Cool & Close 3 blocks from cam¬pus 643 3033PEOPLE WANTEDColor Blind People wanted for visionexperiments Sessions arranged to fityour schedule $2 50 per hour Call947 6039.P11 schOifli^fip’Wa’nfed full or parttime Experience and/or degree required; 684-6363.. Secretary Receptionist needed. 27hours per week. Permanent position.Opportunity to work in Academic Setting: varied Student Contact. CallNancy. 3 2950Secretary needed in a researchlaboratory, 15 hours/week. Time flexi¬ble. Typing, ordering laboratory supplies and budget supervision Pleasecall 753 2702 for interviewConcerned parties interested inanswering survey questions regardingour every day life, send self stamped &addressed envelope to: Presidents IPLock Box 104. Chgo II 60649Summer Work Ecology ActivistsCitizens for a Better Environment. Il¬linois' largest and most aggressive environmental organization will be hir¬ing 20 30 college students for salariedpositions involving canvassing, fundraising, and public education. Alltraining provided. Opportunities tomove rapidly into management posi¬tions. Further advancement for thoseseeking long term full time employ¬ment in issue oriented campaigns. Forinterview, call: Citizens for a Bet- terEnvironment. 59 E. Van Boren,Chicago (312) 939 1985. ManuscriptSypispublications -unit Must 1—Wanted:r ” ,r- 55'wpPart time and full time school yeand summer. $3 62*/hour Call PMorse 753 2518 '/ • ■/.■■■ ■mm_ -■ ■Wanted: Normal males for hormonalCall Dr HarveySchneir. 947-5534.5 00 pm next, yearand if you like babysitting please call643 9890 evenings, wages negotiableLife G, mer q„,rv hoursavailable Inquire Bartlett Gymnasium,5640S University.PEOPLE FOR SALEArtwork Illustration o* all kinds, fet¬tering,. hand-addressing for invitatrons. etc Noel Price. 493-2399.Thesis, dissertations, t.erm papers, in¬cl foreign language gen-corres. LatestIBM corrective SEL II typewriterReas rtes Mrs. Ross 239 4257 bet IIa m. & 5 p.mTutor Exper teacher, UC MA willtutor in high school, English & socialstud, now thru summer. Exper withLab sch. HP resident Low rates536 2318Typing, writing editing done by college grad MA in |ournalism Termpapers, theses, law briefs,manuscripts, letters, resumes, IBMpica, fast accurate, reasonable OldTown 787-3715.For experienced piano teacher of alllevels call 947-9746.Experienced babysitter with excellentreferences available for full or parttime babysitting on or near campuscall evenings. 288 7605.Researchers Free lance artistspecializes in just the type of graphicwork you need. Noel Price, 493-2399,SCENES/ t 1 s V { 115 SALES with Iservice is ourV BUSINESSREPAIR specialists,on IBM, SCM, §Olympia & others "f Free Estimate >Ask about our>. RENTAL with foption to buy1 New & Rebuilt ATypewriters< Calculators <Dictatorsou Adders •»-V ♦U. of C. BookstoreV 5750 S. Ellis Ave. f753-3303Y MASTER CHARGE GOe BANKAMERICARD V0 t 6 C - - * ± + All day summer program for 6,7, 8 yr.olds and prescholers. Swim, fieldtrips, sports, art, dancing, lunch incl.Sojourner Truth, 4945 Dorchester, 7a m. 6 p.m. 538 8325Witness Till Eulenspiegel's MerryPranks at the University SymphonyOrchestra's Spring Concert. Sat, May27, 8:30 p.m. In Mandel Hall. AlsoBrahms: Tragic Overture and PianoConcerto No. 1. Patrick Gallagher,piano, Barbara Schubert, conductorAdmission Free.Few spaces avail, in summer sessionat Unitarian Preschool Center, 5650Woodiawn, 2t/2-6Va yr. olds, skilledstaff,organized program, June 19 July28 324-4100.Wondering what to do with your timeafter the quarter is over? Come toProf. Kenneth J. Northcott's Aims ofVacation address. Today, 4:00 p.m.,Quantrell Auditorium.Young Designs byELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288 2900ROCKERFELLER MEMORIAL CHAPEL5850 South Woodiawn AvenueSUNDAY • MAY 28. 9 A.M.A SERVICE OF HOLY COMMUNIONCo-sponsored by the Episcopal Church CouncilCelebrant: Donald Judson11 A.M.UNIVERSITY RELIGIOUS SERVICEE. SPENCER PARSONSDean ofthe Chapel"The Irony of Nuclear Security” 2 BR Condo in E. Hyde Pk 493-3822.'69 VW BUG bod, ex maint , 77500 m$850 684-1575Mercedes 230 '66 manual, A C 6 cyl$2000 752-1150.9 9.Single bed, dressers, desk , large rugeasy chair. Cheap 241-5890.Moving sale good furniture at lowprices. Sofas, dining sets chairsbedroom sets. 373 0354'70 VW bug excellent mechanical condition, no rust on body asking $750955-1821,.1974 Honda-Civic for sale, good condition call 643-4259PASSPORT PHOTOS MODELCAMERA,1344 E. S5th St.MUST SELL: Twin bed, desk chair,shag rug, broiler oven, dishes, call667-1331 until 11 p.m 'PERSONNALSWriters' Workshop (PLaza2-8377)DOC films would like to borrow ice¬cream maker(s) for May 27. Free docpass for next year call Mike 752-5835.Just what every boy needs-femininemicrocosm in the business office.Thanks for every little dollar, ad andemotional sublimation.Love to the co-worker, the roommateand the ex-lover. See you inHollywood. -Memoirs,Small girls bike wanted to buy 06" or20") 947 8931 eves & wkendsWill pay $5 for June 10 convocationticket. Call Rich in rm 124 at 753-2233To the space case: Now that you'reready to fire your rockets, I want youto know this year was a blast. TheVegit.To Speakers: Thanks for all the"small changes." Sunday nights willnever be the same.To the budding young feminist poetand the druggie: Thanks foreverything.To the jock: Next yearcramp, not tennis elbow it's writer'sTo John T;have horns You're right, you don'tPC You still owe me a trip to theCheckerboard AFCounseling for your problems Forconfidential reply send stampedenvelope and description to Fran 1968E 73 St Box 249 60649.Good luck to next year's Maroon staffRemember be consistent and |ust in¬vite them to write an opinion pieceone who knowsNeeded 2 tickets to grad June 9 sesSion 2, 3 00 will pay 684 2597,PREGNANCY TESTS SATURDAYS10 1 August ana Church, 5500 S.Woodiawn, Bring 1st morning urinesample $1 50 donation. Southside'Women's Health 324-6794.Pregnant? Troubled? Call 233-030510am lpm ml or mon & thors 7-9pmlifesaving help, test refEntire collection of Little Featalbums, plus concert t-shirt for sale.Cheap Call Joe at 684 5626 around 6p.m.DONDoes J R stand for Junior? I certainlyhope not. How uninspired. Goodbye ADIOS ’ f Zy * t. , 4 . ■Honeywell auto strobonar 882. professinal electronic automatic flash,complete with.’ strobq eye remote sensor perm-aca&nd'cad battery pack andcharger, ,510 volt press set, filtersbracket cords and A C adaptor Likenew $110 or best offer 324 7432'• ... - engine in prime condition, body is a little rough $450 or bestoffer call 667-3914.Pontiac Ventura 1972 exc. cond $1400call 752 0374 after 7 p.m.1971 Datsun wagon good body and running cond. Best off. 752-0945. Thank you Mark. Karen Abbe, Rory.Eric, Nancy, Jeanne, Peter, Peter andall the rest for aJantastiL year JonVACATION HOUSELog house in midst of 20 acres of rolling Indiana woods 60 min from UCavailable for rent 8-1 to 9 4 call MrZonis 753-4549. , , 'LOSTLost heavy chain link. Silver platenecklace sentimental value call947-0190 RewardRed windbreaker jacket w/"Jim" em¬broidered on it, northside of 1st floorRegenstein, last weekend, generousreward, 753-2261 rm 435A.UCCONCERT BAND-ncert of all originalband music Music by Copland,Hindemith, Vaughan, Williams,Sousa, Vm Schuman. Fri. May 26th,7:30pm in Harper. FREE.DISORIENTED?Then come to Prof Kenneth J. Nor-thcott s address on the Aims of Vacation. Today, 4 pm, QuantrellAuditorium.Pick up your Disorientation WeekendPlacement Tests today on the QuadsBe there! Aloha!PRO TYPINGSERVICEFast Accurate Typing In My HomeResumes. Manuscripts. Thesis, TapeSandra Jones. 483 0162.SECRETARY(TRAINEE)EDITORIALAssist editorial staff of vocationaleducation publisher. Opportunity totrain as technical textbook editor. Ap¬plicant must demonstrate ability tothink, organize and type. AmericanTechnical Society, 5608 Stony IslandAve (An Equal OpportunityEmployer.)CHANGESR0LFINGCHANGES a training group for in¬terpersonal skills sponsors demonstration of ROLF ING body intergrafiontechnique 5655 S. University Sun May28 7 p mCHILDCARE2 yrs up Reasonable rates. Campuslocation. 288 5355WANTED TO BUYNeed severa1 tickets for June 10 convocation Will gladly buy tickets notneeded. 373-0354LOST & FOUNDFOUND Lady's purse Please identifyCall Khali! at 827 7358______If you have any information concerning the whereabouts of a black Samsonite briefcase taken from Bookstore5 16, contact 599 0975 REWARDRIDE NEEDEDRide to and from university to 106thand Indianapolis Bivd Hrs 8 to 4 30please call 3 3075.LOOKING FOR SOMETHING BETTER?We will have several apartments available forLease in the very near future,,2 to 372 room 1 bedroom apts.Starting at $225.Security and one year Lease required.We have a lot to offer. Come see us.MUHIR APARTMENTS. 5496So. Hyde Park Bivd.mHarold Lloyd in THE KIP BROTHER/led WildeFriday May 26th 7:30 & 9:30 SAGA OF THE TAIRA CLAN /mXISunday May 28th R LLAri / Mizoguchi7:30 & 9:30DOC FILMS - COBB HALL - $ 1.50YOU BUM RIDESGood living in Richmond. Don't eat thecrabsSUMMER SUBLET54th & Woodlawn one bedroom 3 rmapt. Available at your convenienceJ160 mo. negotiable call Mark.753 0021.ESTATE SALERadio $5, TV $15, tables, new sewmachine $45, china, crystal, chairs,etc. etc. moving all must go. 947-9839atter 4 p.m.LSATPREPARATIONFormer Kaplan instructor will providepersonal tutoring for LSAT. 684-2189evenings.PUBANNOUNCEMENTSCome see Chrisite Nordheilm thisSaturday at the Pub from 9-1. Student Government will operate aDial-A Ride Service every quarter 8 10week. Call us for ride or forpassengers, to share costs. Call753 3273 afternoons or leave messageon Answer phone.WANTED TO BUYNeed tickets for June 10 Convocation.Sell your extra tickets to me. Call324 8623.INQUIRYWANTEDWanted: Garage from June 1st to Sept.30th near campus call 955-3559.PROTANOMALOUS?If you are or have any other form ofcolor blindness please call 947-6039.Subjects needed for experiements invision and perception. Variable ses¬sions $2.50 per hour.GAY PEOPLECOFFEEHOUSE! May 26 from 8-12.Ida Noyes Library. DO COME - probably final event of year.RECORDS WANTEDWe pay cash for used Records, alltypes, 33 RPM only. Second HandTunes 1701 E 55th 684-3375 or 262-1593.FLAMINGOON THE LAKEStudio, 1 bdrm apts fur, unfur, short,long term rentals Parking, pool, rest,trans. 5500 S.Shore Dr. 752-3800.FOLK DANCINGJoin us at Ida Noyes Hall for international folkdancing each Sunday andMonday at 8 pm Mon beginners, Sungeneral level, with teaching bothnights.BOOKS BOUGHTBooks bought and sold everydayeverynight, 9 a.m. - 11 p.m. Powells,1501 E . 57th St. INQUIRY, a new journal ofundergraduate essays, is nowavailable at Reynolds club box office,Harper, Ida Noyes, and divisional offices in Gates Blake. Free.BABYSITTINGIn exchange for large room in HydePark house near campus. Call evenings: 288-5143.FURNITURE SALEFurniture sale: art deco bureau,couches, chairs. Everything must go.Good stuff, great deals. Call Peter752 7273.BABYSITTERMature Experienced Mother will carefor 2-4 old in home weekdays, somewkends & evngs. Reasonable rates call538 1068.COPLAND,HINDEMITAVAUGHANWILLIAMSAND SOUSAOriginal band music by the UC Con¬cert Band. Friday May 26, 7:30 pm inHarper Library. MEDICICONTINENTAL The warBREAKFAST of the wordsCome to the Medici Sunday morningfrom 9:30 to 1 and enjoy freshsweetrolls, orange juice, fruit,homemade yogurt and coffee. All youcan eat $2.50. has been won.Hello, I mustbe goingLITERARYMAGAZINEPrimavera is on sale in most HydePark stores and Bob's Newsstand. Weneed women to join the editorial staff.Call 752-5655 if you can help out.VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGAttractive 1 Vz and2V2 Hoorn StudiosFurnished or Unfurnished$171 to $266Based on AvailabilityAll I tililies includedAt ( a in pus Bus Stop324-0200 Mrs. GroakSHERRY HOURSponsored byThe Divisional Master s Program"Contemporary AnthropologyandIts Relationship to the Other Social Sciences'John Comaroff, Visiting Assistant Professor, Dept, of AnthropologyTerence Evens, Visiting Assistant Professor, Dept, of AnthropologyStephen Touimin, Professor, Committee on Social ThoughtFriday, May 26Pick Lounge 4 p.m. AFTER BAKKE-A JEWISHPERSPECTIVE ON A LEGAL PROBLEMPROF. STANLEY N. KATZAssoc. Dean & Prof. Law SchoolMAY 26th —9:00 P.M.HILLEL FOUNDATION - 5715 WoodlawnDOROTHY SMITHBEAUTY SALONSMI S. BLACKSTONEHY3-1069Call for appts.7 A.M.-7 P.M.Monday thru Friday,closed SaturdayHair Styling - PermanentsTinting-Facials-Skin Care EYF. EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd Street493-8372Guitar and banjo classes:•Intensive day-time series, 10am-2pm,June 19-30. Eight 4-hour classes, $75.•Summer night-time series, week of June 27-week of Aug. 15. Eight 2-hour classes, $40.THE OLD TOWH SCHOOL909 W. Armitage, Chicago, 525-7793927 Noyes, Evanston, 864-6664WAREHOUSEMOOR SALE!ji/orth western University Pressa tut JrtQuurterhj^niQPOlINTQt 25°o - 80°o discount on booksouiawuun I 9. and magazines AN N u Pressbooks - over 400 titles - willbe offeredSBARGAINS! I Literature• Philosophy• Ad• Social ScienceBONUS BOOKS! While they lastBOOKS TO WIN1 Sign up for the drawingw ^ v ww 1 * and win free booksU/UCU7 May 31 - June 3930 AM -6 00 PMWHERE: 1735 Benson Ave Evanston(1'2 blocks nodh of DavisStreet stop on CTA eland Nodh western R R ) KENNEDY, RYAN.M0MSM. & RS9KMES.MC^KgWjlijilO)0Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSINGAT58TH& HARPER6 rm. IV2 bath condo w/indiv.HAVAC, new kitchens &baths, 100 percent newwriting, etc.The "definitive Hyde ParkRehab" for years to come. Tosee, call 667-6666.SOME THINGS IN LIFE...are worth waiting for.Southwold Condominium isone of them. Large, 3 & 4bedrm. apts. near 48th & Ken¬wood. We're not ready for ourformal opening yet. But if youare looking for an outstan¬ding condominium—we'd likeyou to have an opportunity tosee something special thatwill be available in 60 days.Call 667 6666LOCATION + PRICEGOOD BUY!You can't equal this oneanywhere! 3 bedrm, condohome w/modern kitchen, 2full baths. Ray SchoolDistrict. Natural oak floors,woodburning fireplc. Possession at closing. Reducedto$54,500. To see, call Mrs.Haines at 667-66668 BRIGHT ROOMSOVERLOOKING CITYEnjoy the view of the loop &lake. Beach facilities, gamerooms, off-street parking.Gracious living in this wellestablished old coop apt. at S.Shore Dr. 8. 73rd St. Only$25,000. For more info pleasecall 667-6666BEAUTIFUL INSIDERehabbed 8 room frameduplex Nice small backyard Lots of potential.$61,000. For more informa¬tion, call KRM at 667-6666.56TH & BLACKSTONEDelightfully spacious &bright bedrm 8. study, 2 bathcondo w/sun rm. 2nd floorlocation. Side by-side liv. rm,w/formal din. rm., hardwoodfloors, vaulted ceilings, lead¬ed glass. Priced for immed.sale at $53,500. To see, callMrs. Haines at 667 6666OWN A HOME INKENWOODConstruction has begun on in¬novative Y.C. Wong designedtownhouses. 3 bedrms., 2baths, private garden, park¬ing. Ready for fail occupan¬cy. Model & floor plans foryour inspection. From$75,000. Call 667-6666.FOR BARGAIN HUNTERSThis spacious 4 room coopapt. w/closets & cabinetsgalore will accomodate asingle or a couple. Located onDrexel Blvd. & 49th St. in abeautifully mantained courtbldg. Only $11,000 To see callAvery Williams at 667-6666(res. 684 7347.) CUSTOM BUILT HOMELocated in residentialJackson Pk Highlands—justa few minutes from U. of C.Marvelous skylit artist'sstudio w/sliding doors to roof¬top garden. Delightfulmaster bedrm suite, largefam. rm. attached garage arebut a few of the outstandingfeatures of his unique home.Priced at $135,000. For moreinfor call KRM at 667 6666COOP LESS THAN200 A MONTH2 bedrms., 1 bath, modernkitchen, one car garage.Overlooking beautifulJackson Pk. bldg, in ex¬cellent condition. Call quick¬ly—this one's going fast!$ 2 8,5 0 0. Call FrankGoldschmidt at 667-6666THE BARCLAYSpacious 1 bedrm. apt.overlooking the lake. Formaldining rm. & extra large liv¬ing rm, bedrm. & bath.Modern kitchen w/Amanaside by-side refrig/freezer.$33,000. To see, call AveryWilliams at 667-6666. (res.684-7347)."F" TOWNHOUSENewly refurbished 55th St.♦ownhouse ready for im¬mediate possession. Welllocated for schools, shopping8. transportation. 3 bedrms.,2 baths, enclosed garden-patio. To see, call EleanorCoe at 667-6666.PRICE REDUCED!Efficiency coop apt. at 49th &Drexel Blvd. Congenialtenants in well-maintaineddesirably located bldg Only$6,000. To see, call AveryWilliams at 667-6666. (res.684 7347).MINT CONDITIONTOWNHOUSEBeautifully maintainedmodern 2 bedrm. townhouse.Liv. rm, formal din. rm.Loads of closets, finishedbasement, good publictransportation. To see, callEleanor Coe at 667 6666DORCHESTER COURTThere are only a few units leftin this newly converted bldg1 & 2 bedrms w/completelynew kitchen & bath. Frontgate w/intercom systemprovides a new concept insecurity and privacy. Formore info please call KRMat 667-6666. Furniture bySCAN.PRIVATE PARKOutstanding 10 room condohome overlooking MadisonPark. 4 extra large bedrms.,3 baths. 2 huge sun porches,woodburning fireplc. Many,many features in this elegant3400 sq ft. con do. For moreinfo call KRM at 667-6666SUN BATHE IN YOUROWN BACKYARDThe huge backyard is just oneof many assests of this 3bedrm, 2 bath, modern kit¬chen, finished oak floorcondo- and priced right in themid 50 s. For more info callCarol Gittler at 667 6666.rs1461 East 57th Street;Chicago Illinois 60631667-6666Daily 9 to 5 Sat 9 to 1, Or call 667 6666 Anytime-Coll us for o free no obligo’ion estimate of value ofyour home condominium or co-opThe Chicaao Maroon — Friday. Mav 26. 1978 — 23k f 'MIDWAY STUDIO PRIZEDRAWINGSBYCOLLETE A. DILLERBergman Gallery May 28-June 10RECEPTION Tuesday MayCobb Hall. 30, 4-6 pm, Bergman Gallery, 4th floorHours: 10-5 Monday-Friday, Noon to 5 Saturday & Sunday.Closed Memorial DayBoogie to the Bestin Reggae MusicBOB MARLEYOn sale for 4.79