The Chicago MaroonVol.87, No. 58 The University of Chicago © The Chicago Maroon 1978 Friday, May 19,1978Action Committee rep, testifiesat UN, assails UC S.Africa tiesAnita Sandke dead at 58;was director of CareerCounseling and Placementj; mKinsey Wilson (Photo by Sharon Pollack)By Jon MeyersohnThe University director ofCareer Counseling and Placement,Anita Sandke, died Wednesday atBillings Hospital after a long il¬lness. She was 58.Sandke, who joined the Universi¬ty staff in 1952 as an employee ofthe personnel office, served asbudgetary officer for the dean ofstudent’s office for the last 20years.In 1962, she was named directorAnita Sandke (Photo by JeanneDufort) of Career Counselling and Place¬ment — known then as VocationalGuidance — and three years laterwas named assistant dean ofstudents.She received her B.A. from Cen¬tral YMCA College in Chicago(now Roosevelt) in 1941, and cameto the University to do graduatework in educational psychology.She worked under Bruno Bet-telheim, but never received anM.A.The Chicago-born employmentexpert was known as a pioneer inthe field of career guidance.“Her work was considered amodel, here and around the coun¬try,” said dean of students CharlesO’Connell.As assistant to the dean ofstudents, Sandke was responsiblefor budgetary matters, but herprimary interest was counseling.She was among the firstcounselors in the country to con¬centrate on the possibilities ofalternative careers for advanceddegree students.Even before the job marketshrunk drastically for Ph.D.’s,Sandke saw that there were othercareer possibilities besidesacademics, said O’Connell.“She was interested in how-academic skills could be presentedso that other sectors of societycould appreciate them,” O’Connelladded.Sandke to p. 3 A representative of the Universi¬ty of Chicago Action Committee onSouth Africa, testifying before theUnited Nations Special Committeeon Apartheid, attacked the Univer¬sity for its South African in¬vestments and the refusal oftrustees to meet with studentrepresentatives.Kinsey Wilson, a third-year stu¬dent in the College, joinedrepresentatives of anti-apartheidgroups from more than 15 univer¬sities at the May 9 meeting. Amongthe other schools attending wereColumbia, City College of NewYork, Princeton, Vassar and Yale.Addressing U.N. ambassadors,staff members and 300 spectators,the students described the extentof university involvement in com¬panies supporting South Africathrough investment, loans andtrade.According to the speakers, theprimary goal set by the anti¬apartheid groups is to force univer¬sity divestment, but views of thesignificance of this goal varied.In his speech, Wilson said thatthe Action Committee “does notview divestment as a purely moralgesture aimed at ending our owncomplicity with apartheid Rather,we regard it as part of an interna¬tional campaign which will con¬cretely undermine the economyand present government of SouthAfrica - thus weakening their gripon the oppressed population.”W’ilson, like most of the other stu-I dent representatives, criticized at¬ tempts to reform U S. corporatepractices from within. Stressingthat progressive stockholderresolutions are usually voteddown. Wilson said that even if theysucceed, corporate compliancecould be monitored. As theNigerian ambassador said in hisspeech, most ameliorativemeasures such as the SullivanStatement on fair employment areat best cosmetic, because they ig¬nore such issues as the right ofblacks to organize trade unions.W’ilson also noted in his speechthat “if there is any single factor which distinguishes Chicago fromother campuses, it is the total in¬transigence of the administrationQuite apart from their position ondivestment, the trustees havesystematically refused to discussthe issue publicly.”He found that every other schoolat the meeting had initiated someform of discussion betweenstudents and administration onSouth African investments. Someschools such as Harvard and Yalehad formed faculty-student ad-visorv committees on the issue.UC at UN to p. 3WHPK, MAB, Student Schools pick leadersBy Abbe FletmanAs the school year comes to a close,several student activities have selectedleaders for next year.The WHPK staff elected Frank Mazza sta¬tion manager Tuesday night by one vote.Mazza, a second year student, defeatedCharles Seigel, current station manager,after three counts were taken and the staffreverted to a roll call vote instead of a handcount.After the vote was tied, it was necessaryto interrupt a broadcast so that the diskjockey could vote to break an 18 to 18 tie.Mazza’s election has triggered criticismby some WHPK members who think Mazzawon because of an unfair vote counting pro¬cess and believe he is not committed enoughto the station. Some Seigel supporterscharge that the final count was taken aftertwo or three staff members who cast votesfor Seigel during a preliminary count leftthe meeting.“Station members were afraid that Seigelwas trying to create a coup,” said Mazza,adding that his personality clashed withother station members. Seigel also gavenew station members who work at the sta¬tion shows instead of assigning show timesby seniority.“People were afraid Seigel would changethe station into top 40 disco,” said Mazza.Mazza called Seigel “abrasive,” but ad¬mitted he is “a hell of a worker.” He alsosaid he was approached by several stationmembers who did not want Seigel to run.Describing himself as “a loner,” Mazzasaid he gets along well with everyone. He averages two shows a week at W’HPK andplays jazz and rock. His long term goal is toincrease effective wattage of the station byraising the antenna.Station members speculated that Seigelwill continue to work for WHPK. One staffmember said, “He killed himself for the sta¬tion,” spending more than 40 hours a weekon the job.Seigel could not be reached for comment,but some station members said he may take a newly created position as director fordevelopment to try to solicit funds fromalumni. Mazza said this was a “pet project”of Seigel’s, adding that he contacted alumniEd Asner who contributed to funds for thepurchase of a United Press Internationalteletype machine.James Hyman, a first-year history stu¬dent who currently heads the WHPK newsbureau, was approved as program directorby the staff.Frank Mazza (Photo by Jeanne Dufort) Written applications for the job of pro¬gram director are sent to the WHPK govern¬ing board which consists of four students, afaculty sponsor and administrators. Thegoverning board then chooses one candidatewho must be ratified by the staff.Some station members questioned the ap¬pointment of Hyman as program director,saying that because Hyman does a classicalradio show, he may shrink rock and jazzbroadcasts.But Hyman said, “There will be an in¬crease in rock and jazz, but there will be nomore random radio.” Hyman also plans tomove the classical music slots.Other WHPK officers will be choosenwithin the next three weeks and the new ad¬ministration will take office June 9.MABThe seven-member Major ActivitiesBoard was choosen earlier this month aftera long application and interview process.Next year’s Board consists of allundergraduates, although it is not limited toCollege students. Four current MABActivities to p. 3InsideLetters p. 4GCJ p. 7Calender p. 15Sports p. 16FESTIVAL OF THE ARTS|H"Oscarlife and Oscar Wilde: In PersonGreg FloodMay 24,8 pmNew Theatre$1UC students, faculty and staff; $2 othersnot only reads from his writings, but treats the audience to a delightful patter about hiswork."The Sun-Times i yy.iBAROQUE DUETFOR SOPRANO AND COUNTER-TENORWITH CHAMBER ENSEMBLEKathleen Terbeek, sopranoDale Terbeek, counter-tenortay Clements, Vicki Graef, Craig Grodecki,John Gustafason, Norbert Nielubowski,Larry Sisk, Ken Slowik, and Joseph Urbinado,ensemble.Works by Blow, Monteverdi,Purcell and SchutzMay 26,8 pmBond ChapelFree JEANNE LEEJazz Vocalist“The Poem as Song”from The Collection of Jazz Ritualsto be appearing with the ChicagoSymphony Orchestra June 1,2. 3.May 28,8 pmReynolds Club Theatre$2“A SCRIABIN HAPPENING”A multi-media color, dance, poem and piano recital by Edith Rieber of the worksof Alexander Scriabin, a turn of the century artist who designed his music “tobe seen as well as heard.”May 28,8:30 pm Mandel Hall FreeMORTON-MURPHY AWARDSThe deadline for application for Morton-Murphy awards isFriday, May 26th. The awards for a maximum of $150 aregiven “to show recognition to students who have madesome significant contribution above and beyond the call ofduty or personal fulfillment to campus life.”An undergraduate or graduate student may apply directlyfor an award or be nominated by any member of the Univer¬sity community student, faculty or staff.WINTER QUARTER 78 RECIPIENTSWERE:Ronald BrownJeff LeavellJanice Lyons Paula MarkovitzSamuel ScheinerDaniel WilsonCharles SeigelMorton-Murphy applications are available inHarper 252.Deadline Friday, May 26th, 1978an EVENiNq of chicAqo jAZZMAY 19 8 P.M.KENWOOD ACADEMY AUDITORIUM5015 S. BlacksUnejazz institute #/ Chicagoandhyde park neighborhood cluba benefittickets: $5Iseniors, students: $4)moil orders5480 S. KENWOOD CHICAGO 60615TICKETS MAY BE PURCHASED FROM FOLLOWING MERCHANTS:Dora-Lee Fret ShopThe Cove Mae's Place TowelceleraFreehling'e Pot* and Pan* Spin-lt UC at UN from d. 1The U N. Special Committee also heardspeeches from representatives of the twomajor liberation movements in SouthAfrica, the African National Congress andthe Pan-African Congress. Both encouragedstudents to strengthen their anti-apartheidefforts.Student representatives passed a resolu¬tion to coordinate student groups, bothwithin the U.S. and internationally, topublish a report on student anti-apartheidactivities, and start a summer research pro¬gram against apartheid.Campus protestsThe U N. meeting of student groups waspart of a wave of recent campus anti¬apartheid activities. During the past mon¬ths, 3,500 protestors have demonstrated atHarvard, 800 at Princeton and 500 at Colum¬bia. In addition, sit-ins have been held atHarvard, Cornell, Princeton, Amherst, andBrandeis as well as other schools.African National Congress representativeJohnny Makatini said he hoped the recentmeeting would make future student actionsmore effective by providing unity to the stu¬dent groups. In addition, by publicizing theiractivities through the U.N., Makatini ex¬pected to protect students against possibleadministrative reprisals.Commenting on the significance of theU.N. meeting, Wilson said “While we realizethat the U.N. has little effective politicalpower, hearings of this sort generatepublicity which can add to the pressure onthe University. In addition, the contactsestablished with other campuses will makeour activities more effective next year.”Activities from p. 1members are returning to next year’sboard: Libby Morse, Howard Niden, Bar¬bara Savage and Victoria Dorgan. Morsewas selected speaker by the other members.MAB has “no definite plans yet” for nextyear, said Morse, but after the last MABconcert of the year, featuring the PaulWinter Consort. Morse said the new Boardwill begin to formulate ideas for next year.Student Schools CommitteeThe Student Schools Committee (SSC)elected Erica Peresman, a second year stu¬dent in General Studies in the Humanities. NewsBriefAnn BarbermemorialA memorial service for retired lawschool registrar Ann Watson Barber willbe held next Monday at 4 pm at BondChapel.Barber died May 5 in a car accident inSouthern France. She was 66.Barber, who was born in New York andreceived her B.A. from Smith College,joined the law school staff in 1962 and serv¬ed as assistant to the dean of students until1976. She is survived by her husband and^foursons jas co-ordinator. The group also selected asecretary and five chairmen for on-camDusand off-campus activities, special recruit¬ment, publication and housing during elec¬tions Tuesday night. Peresman served aspublication chairman this year.SSC’s latest project was planning theApril Weekends, during which they hosted300 prospective students from 34 states.The Festival of the Arts (FOTA) Commit¬tee will choose its new director at a dinnerbefore the end of the quarter.Sandke from p. 1Sandke was praised by her collegues as a“true professional” with a “first ratereputation.” and students interviewed byThe Maroon said they were impressed byher warmth and concern.“1 doubt we’ll ever be able to replaceher.” said assistant to the dean of studentsPaul Ausick. “She ran a very good servicethat is close to many students.”Sandke is survived by two sons, Randyand Jordan, and a brother, Martin Solomon.Jordon Sandke attended the College,graduating in 1966 with a degree in history.There will be a memorial service for San¬dke next Monday, 2 pm in Bond Chapel.There will be no funeral, and the family hasrequested that in lieu of flowers, donationsbe made to a memorial fund. The fund is ex¬pected to be used as a scholarship.THE UNIVERSITY OF CHICAGO DEPARTMENTOFMUSIC 6- FOTAFRESENTM USIC BYTHE COLLEGIUM MU5ICUM5ATLIRPAY, MAY 20. 1973POND CHAPEL3:30 PMFREE 6- OPEN TO THE PUBLIC_EditorialI know what I hateSome time last weekend, the giant pine cone atthe center of the Quads was overturned. This wasnot an act inspired by the momentary whim ofsome boisterous students. The pine cone, actual¬ly entitled “Cactus Flower” by James Surls,weighs approximately 3000 pounds and it wouldtake the concerted efforts of 10 or 15 people todisrupt it.There is no reasonable way to deal with suchhostility. It betrays an attitude of close¬mindedness that lashes out when confronted withsomething that challenges its own sense of orderand propriety. This attitude is harmful; at thispoint the University is fast approaching the timewhen creative artists will refuse to deal with itfor fear that their works will be damaged.But this is not the first time that such an acthas occurred. Last spring, Sol LeWitt’s “6 UnitCube, 1976” was installed in front of the Classicsbuilding. It didn’t matter that DeWitt’s work wasalmost unanimously praised by the art world,the work offended the sensibilities of someone oncampus, and on two separate occasions, it waspartially dismantled. Finally it was taken downbecause the curator of the Renaissance Societyfeared that it would suffer irreparable damage.Students, in the finest spirit of senseless out¬bursts, have made the erroneous assumptionthat both installations were foisted on them bythe administration. In neither case is that true.Both were loaned to the Renaissance Society,who had to go through great pains to get theUniversity to agree to the installation of thesculptures. The Renaissance Society is a smallon-campus gallery, devoted to contemporarytrends in art, and it will set their budget backconsiderably to have “Cactus Flower” put backin place. >.Aesthetic judgements about either work of artare irrelevent. Even if the whole art world band¬ed around a work, the reactionary I-know-what-I-like- and-this-sucks! attitude of students at theUniversity would prevail. But there is a greatchasm between philistine condemnation ofanything new, and violent attacks on a valuablework of art; one is unfortunate, the other is inex¬cusable.A sense of lossThis week two often opposed groups at thisUniversity, the administration and the students,have something in common: a deep sense of loss.For 15 years Anita Sandke meant an enormousamount to students seeking personal and profes¬sional guidance, and to administrators, forwhom she was a model of dedicated profes¬sionalism. She was a woman known for her effi¬ciency as a budgetary manager, and for her deepconcern for every student who came into contactwith her.Anita Sandke, friends and colleagues say, wasa pioneer in a field that has only begun to beunderstood by our overeducated generation. Shehonestly and intelligently considered academicskills valuable in a greater context and helpedcountless students find satisfying work outsidethe academic community. But more than that,she is remembered for her kindness, and her af¬fection for students. One friend said she foundher job so rewarding and easy because thestudents here were “gold-plated.”The campus mourns this brave woman’s deathand we encourage all those who remember AnitaSandke to donate to a memorial fund in hername.A Thn rhir r%r%r\ A A -> rAAn C rlW -»»» **-»•- t Letters to the EditorBlacks in lawTo the Editor:An article in The Chicago Maroon ofMay 9 about black students in tf r LawSchool quotes Michael Donne!.a asstating that in a recent article i saidthat the only people who stand to gainfrom minori v enrollment are theminorities th< nselves.” (p.3) T he on¬ly article to v uich he could be referr¬ing is my arti le on the De Funis easewhich appeal in the 1974 volume ofthe Supreme Court Review Thereaders of The Maroon may be in¬terested in vhat I really said. Thefollowing two paragraphs contain therelevant disco-sion (1974 S. Ct Levat 8-9) (foot notes omitted):For a diversity argument to be eonvincing, it must identify a differen¬tiating factor that is relevant to theeducational experience. It wouldmake no sense to argue that in selec¬ting the entering first-year class a lawschool should strive for diversity inthe height of the students, or in then-weight. pulchritude, posture, depth olvoice, or blood pressure, or that itshould give a preference to (ordisfavor) albinos, or people withfreckles or double chins. Diversity inthese superficial physical respectscontributes nothing of value to thelegal education ot the students Raceper se — that is. race completelydivorced from certain • haracteristicsthat may be strongly correlated with,but do not inevitably a< company, it —is also, and in a similar sense, irrele¬vant to diversity. There are black peo¬ple (and Chicanes, Filipinos, etc.)who differ only in the most superficialphysical characteristics from whites— who have the sami‘ tastes, man¬ners. experiences, aptitudes, andaspirations as the whites with whomone might compare them (here, whiteJaw school applicants). To give suchpeople preferential treatment to theend of increasing the diversity of thestudent body would be equivalent togiving preferential treatment toalbinos — were it not that race is fre¬quently correlated with other at¬tributes that are arguably relevant tomeaningful diversity, and albinsim isnot. The average black applicant foradmission is more likely than theaverage white to have known povertyand prejudice first hand, and his ex¬perience, communicated to his fellowstudents (and teachers) both insideand outside of the classroom, mightenrich the educational process.Race in this analysis is simply aproxy for a set of other attributesrelevant to the educational processwith which race, itsell irrelevant tothe process, happens to be correlatedThe use of a racial proxy in makiruadmissions decisions will produ>"some inaccuracy blacks will be ad¬mitted who lack the attributes th.itcontribute to genuine diversity — butthis cost of using a racial proxy wavbe less than the cost which is s; ■<!of having to investigate the a lalcharacteristics of each applicantKichardA Po <nProle >rLaw Sc mlDonnella respondsThe Maroon has received the follow¬ing letter from Michael A. Donnella tolaw professor Richard PosnerDear Professor Posner:I sincerely apologize and take fullblame for the quote which appeared inlast Tuesday’s (May 9) Maroon inwhich I used your name 1 am sure that 1 didn’t recite the exact wordsthat appeared in The Maroon and Icertainly did not intend to create theinference that you are in any wayresponsible for an attitude that Iperceive as that of many people in theUniversity community.Since I was at fault for making sucha casual reference to your writings,I’d like to make a correction and aclarification. As a correction, thereferred writing is Posner, EconomicAnalysis of Law, 2nd edition,preliminary draft, Dec. 1, 1976, un¬published. Before using quotes fromthe reference, I will acknowledge thatthey are isolated portions of an entirebook, but I think valid for the verylimited purpose for which I will usethem. At page 839: “Because blacksare only a small part of the economy,the number of advantageous ex¬changes that blacks can make withwhites is greater than the number ofadvantageous transactions thatwhites can make with blacks.’’And at page 844 :Segregation reduces the opportunitiesfor valuable associations betweenraces and these associations would beespecially valuable to the blacksbecause of the dominant position ofthe whites in the society. The Courthad explicitly recognized this point inan earlier case, Sweatt v. Painter,which held that blacks must be admit¬ted to state law schools. The Courtobserved that black students in asegregated law school would have noopportunity to develop valuable pro¬fessional contacts with the studentsmost likely to occupy important posi¬tions in the bench and bar aftergraduation. It rejected the argumentthat this disadvantage was offset bythe disadvantage to white students ofbeing barred from association withblack law students, noting that theweak position of the blacks in the pro¬fession made such associations lessvaluable to white students.My understanding of these comments is that economically, blacksstand to gain more from associationswith whites than whites stand to gainfrom blacks. I may be wrong.However, all that I attribute to you isthe underscored portion above.I would now like to ciarny me poimI intended to convey to The Maroon.Whether or not my understanding ofMr. Posner’s writing is correct, it ismy belief that a significant part of theUniversity community believes thefollowing: Blacks gain more cultural¬ly, socially, intellectually and in allother “meaningful” ways fromassociations with whites than dowhites from blacks just as blacks gainmore economically from suchassociations.Michael Andre DonnellaNew lowTo the Editor:Having been a fairly constantreader of The Maroon and the GreyCity Journal for the past three years, Ihave read a great many absurd andpretentious articles. The editorial inthe May 12 issue, however, reached anew high (or should I say low?) in thisarea. While I don’t argue the writer’spoint as to the ultimate worth of theLascivious Costume Ball, I find hisarguments incredible. Not only doeshe imply that University students areboth decadent and repressed, but thatStudent Activities is somehow toblame for this. Since Student Ac¬tivities oversees neither our moralsnor our upbringing, I fail to see howthey can be taken to task for our deca¬dent repression If the writer has attended suchevents as Walpurgisnacht, the primalscreams, or the LCB, he would findthat most of the students are thereeither because: 1) they are merelycurious to see what is going on; or 2)they want to congregate with theirfriends. While none of these are“valuable, stimulating experiences”they are pleasant diversions andshould be regarded as such. Toassume such a paternally deploringtone over these harmless activities isboth ridiculous and arrogant.The writer says that Student Ac¬tivities “is concerned with providingmomentary release from thepressures of academia.” Doesn’t herealize, that is, they provided us withcontinuous release we would neverstudy? The writer also suggests thatstudent activities should “widen andenliven the students’ world.” If thewriter would simply read his ownpaper, he would see the lectures,plays, films, workshops, etc. thatfulfill the need he seems to think is solacking in campus social life. Whatmore does he want? Does he think SAshould set up a Dial-a-Philosopher ex¬tension so he can call up and hearKant’s thoughts on man?Perhaps the most outrageousaspect of the article was the writer’scasual association of the LCB with theGlenn Miller Dance. He says “no onecan argue that they offer students avaluable, stimulating experience”. Ido argue that point, at least withregards to the Glenn Miller Dance. Agreat deal of time was spent in thepreparation for the dance, not only byStudent Activities, but by those whoattended. The large numbers of peo¬ple taking lessons to learn the swing-style of dancing, the care over dress,etc. shows a great deal more sustain¬ed interest than that shown for thesinging nobodies MAB inflicts on us tothe raptures of The Maroon and GreyCity Journal. The dance was far andaway the best event sponsored by Stu¬dent Activities in the past three years.The decorations were lovely, themusic excellent, the refreshmentssuperb, and Student Activities are tobe congratulated for their fine effortstowards making the dance the successit was.It seems that the writer has takenthe “fashionable” view that jour¬nalists should be against anythingthat isn’t esoteric, and combined thatview with a few of the puritanicalcliches from the editorials of U.S.News and World Report. One can onlyhope tnat with a changing of the guardat The Maroon, we can look forwardto a higher caliber of editorial writing.Michael CoxIrresponsibleTo the Editor:I was appalled and outraged at theMay 12 Maroon article about theSouth Africa conference at YaleUniversity. Not only did it stink ofanti-Communism. but it seemed to bean exposition only of Richard Bier-nacki’s own petty prejudices. Fur¬thermore, as an independent radicalin contact with the various leftistgroups at the UC campus, I know thatthe positions of these groups, and par¬ticularly those of the SpartacusLeague, in no way approach thoseascribed to them by Biernacki.The Maroon had no business puttingsuch horribly opinionated, much lessmisleading, garbage on the front pageor anywhere. I cannot believe thatsuch irresponsible journalism wasallowed to be printed.David Arenberg —(Smear JobRichard Biernacki’s article on the Yaledivestment conference in the May 12Maroon is a slanderous piece of yellowjournalism that surpasses anything thathas ever been printed in The Maroon aboutthe Spartacus Youth League or other lef¬tists for despicable lies, smears, McCar-thyesque red-baiting and male chauvin-sim. It is disgusting that The Maroonprinted this crude mud-slinging article,which is filled with bizarre andpreposterous fabricated quotations andboorish political slander. Biernackibrazenly continues to maintain that his“quotations” are real. If he had tried thisstunt of passing falsifications off as repor¬ting on the average high-schoolnewspaper, he would immediately havebeen thrown off the staff. We demand aprinted retraction from The Maroon.The “quotations” from our comradesare inventions; they never said or did whatBiernacki “reports.” Biernacki made themistake of letting his passions cause himto bungle his falsification job throughsheer preposterousness, as he ran wildwith vicious phrases like “we have tomake blacks feel wrenching agony and ex¬cruciating pain” and mumbo-jumbo about“paradise on earth, on the tip of Africa.”Moreover, he wildly twisted beyondrecognition what other leftists, with whomwe disagree entirely on the divestmentissue, did and said. It is clear that for Bier¬nacki, the pro-divestment liberal whoequates disagreement with “disruption,”the article was a means of irrationally ven¬ting his hatred for those shorn he smearsas “far out communists” and “disruptivefanatics” — in the first place the SYL, butincluding anybody even vaguely leftist.We protest, moreover, his vile male-chauvinist baiting; every woman, real orimagined, mentioned in his article is por¬trayed as either a “gushy co-ed,” avacuous idiot, or a mad harpy spouting in¬vented “pubescent fantasies.”So, surprise! UC’s No. 1 journalistic ad¬vocate of “divestment,” much-praised bythe fake lefts and especially by the YoungSocialist Alliance, turns out to be a (literal¬ly) raving anti-communist and malechauvinsit. This must come as a shockingblow to leftist divestment advocates whohave seen in Biernacki and The Maroonvaluable allies. While we are outraged, weare not very surprised that this piece ofgrotesque puerility found its way onto thefront page of the newspaper that has refer¬red to gays as “fruits,” inveighed against“the problems that have enshroudedschools...who engaged in wholesalerecruitment” of minority students whiledenouncing “nebulous programs likeblack studies” (Maroon, 7 October 1977),and praised junta collaborator MiltonFriedman. What members of the divest¬ment “movement” should think about iswhy this unabashedly reactionarynewspaper has been able to support their“cause” so wholeheartedly.Doubtless, sincere opponents of apar¬theid who mistakenly advocate the divest¬ment strategy are embarassed by thedisgusting spectacle put on by theirerstwhile hero Biernacki. They should puttheir embarrassment to constructive useby reexamining the political basis of a“movement” whose program panders tothe prejudices of anti-communist liberalslike Biernacki, as well as preachers andrightist business students concerned thatUC get the maximum return on its in¬vestments.A good place for this reexamination tobegin would be a look at what the SYLreally said at the Yale conference. Thisconference was polarized by our program,as the reformist Young Socialist Allianceand revolutionary Student Brigade block¬ed against the SYL’s perspective of inter¬national labor action to aid the struggleagainst apartheid.The SYL does not support the ineffec¬tual, liberal-moralist strategy of divest¬ment, a strategy which is fundamentallyinspired by Jimmy Carter’s anti-Soviet“human rights” campaign aimed atpresenting U.S. imperialsim as the moralsavior of the world. If UC sells its stocks,someone else will buy them, as has hap¬pened when other schools have divestedThis makes for a nice commission for some stockholder, but materially con¬tributes not one iota to the real struggleagainst apartheid. Instead of begging thetrustees to “discuss” and to form a “jointfaculty, student and trustee committee toinvestigate and advise on stockholdings,”we call for abolition of the administrationand the board of trustees, their replace¬ment by student-teacher-worker control ofthe university, and the nationalization ofUC.“Divestment” strategies are generallypremised on the liberal notion that it is“moral” to invest in some places (Detroit,Harlem, India) or companies (how aboutDow Chemical, J.P. Stevens or Blue Dia¬mond Coal?), but “immoral” to invest inothers. (The social-patriotism of this view¬point is expressed clearly in the sign fre¬quently carried at UC divestment rallies:“Get US $ Out of the Hands of Racists ”)Marxists, however, approach capitalismas an irrational and destructive socialsystem, and seek its overthrow all over theworld. It is not our task to tell thebourgeoisie where to invest or whom to ex¬ploit: we seek to expropriate capital, in¬cluding the capital invested by UC’sparasitic trustees. We remember that theman who founded this university was theauthor of the Ludlow Massacre of strikingminers and that his descendant NelsonRockefeller, a trustee, was the author ofthe Attica Massacre. We understand thatU.S. imperialsim is the most powerfulenemy of the oppressed the world over,and that UC, the birthplace of the A-bomband the “shock treatment,” is integral toU.S. imperialism. To fight John Vorster’sregime effectively, one must fightVorster’s imperialist big brother Carter.The SYL organized the October 1976united-front rally against apartheid to pro¬test Vorster’s bloody repression of theSoweto rebellion and the Johannesburggeneral strike. On the east and west coastswe organized protests against the murderof Stephen Biko, and here at UC weorganized a demonstration against GertGrobler, a representative of the regimethat killed Biko and hundreds of Sowetoyouth.We advocate a labor boycott of allmilitary goods to South Africa and a strug¬gle by the unions to force companies torecognize full trade-union rights for blackworkers. As opposed to the ludicrousstrategy of “fighting” apartheid throughpricking the multinationals’ conscience or“forcing them to withdraw,” these con¬crete acts of solidarity will help strengthenthe force with the power to smash apar¬theid: the black proletariat.We raise the perspective of a proletarianstruggle for the freeing of anti-apartheidprisoners, an end to the pass-law system,the bantustans and all apartheid laws, anda constituent assembly based on universalsuffrage. The smashing of apartheid bythe might South African working class, ledby a Trotskyist party, would open the roadto a workers and peasants governmentcentered on the black proletariat. Such agovernment would expropriate the mines,factories and banks and establish a plann¬ed economy.It is natural that the revolutionary pro¬gram repels anti-communist liberals of thelowly likes of the slanderer Biernacki.However, smears and calumnies such asthose printed in last Friday’s Maroon mustnot be tolerated. We call on anti-apartheidactivists and on all those who stand foropen political debate and oppose themethod of slander, whether or not theyagree with the SYL’s program, to join us inthe demand for a public retraction.Spartacus Youth LeagueMr. Biernacki replies:The article’s quotations are accurate,but I apologize for its derogatory implica¬tions. The statements quoted from oneSYL member in the heat of a shoutingmatch may not reflect the party’s actualphilosophy.Quiet PantomimeTo the Editor:Reflections on the latest disclosuresfrom the University Trustees: in the wordsof Tom Paine, “the Comedy of Errors con¬cludes in the Pantomime of HUSH”.Joel Barlow Silly fictionTo the Editor:Thank you for Richard Biernacki’s sillyfiction on the New Haven divestiture con¬ference. It warms my heart to know thatthe struggle against apartheid has beenexpanded into the realm of journalistic im¬pressionism.I was particularly pleased to read thatthe meeting divided so neatly between“old New Left” grad students and thoseuniversally moderate undergraduates. Asa veteran of the divestiture movement ofthe late 1960s, I have vivid memories of thedifficulties we had in passing anythingmore than the most vapidly moralisticresolutions on the subject; so I amdelighted to find out that all the disruptivefanatics of my age group now seem to bevoting together.The colorful portrayal of the SpartacusYouth League was also fun. One mighthave despaired that the SYL had madetheir literature so widely available oncampus as to preclude imaginativemisportrayals of their stand. Not only hasMr. Biernacki overcome such obstacleswith impressive creativity; but his depic¬tion of the Columbia SYLer as a pipe-chewing lesbian maintains the Maroon’sfine smirking tradition in dealing withhomosexuality.But please don’t consider me too sar¬castic or rude. I really did appreciate Mr.Biernacki’s article. It provides a much-needed balance against last autumn’swell-documented analysis of the connec¬tion between the university's board oftrustees and the apartheid system. Afterall, no college newspaper could foreversustain such responsible journalism. Itmight kill someone’s chances for gradschool.T. M. JamesSexist, implausibleTo the Editor:A representative of the Spartacus YouthLeague has discussed with me his group'sresentment at what it regards assystematic distortion and slander of itsmembers’ motives, behavior and words atthe Yale Divestiture Convention, inRichard Biernack’s article in the May 12Maroon. Since I was not present at Yale Iam not in a position to pronounceauthoritatively on the matter. I can,however, observe that (1) Mr. Biernacki’sdescription of women participants are con¬sistently and vicisouly sexist, and (2) thatsome remarks attributed to Spartacistdelegates — notably urging acceleration ofoppression to further the development ofrevolutionary consciousness in SouthAfrica — seem to me wildly implausible,based on my knowledge of that group'spolitical stance. I am therefore inclined toagree with the Spartacists’ contention thatMr. Biernack s report is neither fair noraccurate and that The Maroon should takesome steps to amend or correct its reportPeter NovickAssociate Professor of HistoryVisibilityTo the Editor:It has been brought to my attention thatduring the evening of the Glen MillerDance, all signs of the existence of UC GayLib extent on the third floor of Ida NoyesHall were concealed by person or personsunknown. This included the covering of ourbulletin board — which serves to provideinformation for our membership — withinnumerable copies of newsprint. Whilethis may, at first sight, appear to be atrivial matter, it is not. A person in aleadership position of any organizationwould certainly be given pause by such ac¬tion. At the very least it indicatessomething about the situation of ourorganization on campus Is it possible thatcertain person(s) wish we were invisible?Or even better — did not exist? The im¬plications are rather serious — in terms ofthe denial of rights to a significant minori¬ ty within the student body. This seeminglyminor infraction upon the gay organiza¬tion’s position simply reflects in miniaturemore broadly based oppression recentlyaffirmed in, e g., St. Paul and Wichita’srepeal of anti-discriminatory legislation.As both an individual and a a co¬ordinator of UC GLF, I renew my appeal tomembers of the UC community; any ra¬tional position must affirm the rights of allpersons, regardless of sexual orientationor preference. I thank those persons withinthe readership who do support our posi¬tion, yet I remind the other communitythat we will not be forced into invisibility.We will continue to voice our protest withsimple consideration of our rights ashuman beings is no longer an issue to befought for: until, that is, we have wonequality under the law.Susan E. HenkingCo-Coordinator UC GLFCampbell repliesTo the Editor:Your article concerning my appoint¬ment as Special Assistant to the Presidentcontains some speculation about the divi¬sion of responsibilities in the new ad¬ministration.When Mrs. Gray asked me to return withher to Chicago, she made clear that Mr.Kleinbard s duties will in no way bediminished. He will continue as Vice Presi¬dent for Community Affairs, and he will beasked to assume broadened respon¬sibilities as well.As you realize, it is not at all unusual fora new president to appoint a special assis¬tant. Here at Yale my successor and I havebeen cooperating closely to help insure anorderly transition.Mr. Kleinbard has already begun toeducate me for my new tasks at Chicago. Ishall be relying heavily on his knowledgeand counsel in the months to come, and Ilook forward to working with him and theother Officers of the University.F Gregory CampbellSpecial Assistant tothe Acting PresidentFalse securityTo the Editor:The article in the Friday May 5 issue ofthe Maroon by Carl Lavin is an excellentexample of poor research, poor jour¬nalism, and. of course, a limited view ofthe problem of rape in Hyde Park It didnot meet the pressing need for an in¬formative. well written article on crime inthis community.Carl Lavin did not begin to research thetopic of rape He never spoke to the onewoman's group that is conducting a crimestudy.The headline of the article. “No patternto local rapes...”, referred to the claim inthe article that this is “contrary tostatements made by representatives ofcampus women’s groups...” Having neverspoken to the'Women’s Union from whomdid he hear these statements0Furthermore, if he had talked to theWomen's Union he would have learnedthat we never once contended that there isa pattern, nor if there was that it would beimportant (According to The Maroon'smap. however, 54th street is not par¬ticularly safe.) We are interested in theavailability of information regarding thetrue situation in Hyde Park Students donot know facts, only rumors. This createsthe present false sense of security.Twenty-six rapes and potential rapes inone year is a shocking number.Perhaps Lavin’s lack of awareness ofthe significance of this number and of theseriousness of the problem is because he ismale: he does not live with the fear that atany moment he can be raped: womenmust.Women's UnionSTUDENTS/TEACHERSWORK FOR KELLY GIRL THIS SUMMERVariety Makes a Great Vacation!And variety is only one of the great things temporaryemployment can offer. When you work for Kelly, youchoose which hours and which days (or nights) youwant to work. You can choose the area of the city orsuburbs you prefer. You can meet new people, improveyour skills, earn some extra money...and still havetime to enjoy your summer activities.Whatever your office skills, whatever your scheduleand location needs, Kelly can provide a super summerjob for you—with the kind of variety that makes agood vacation greatThere are 14 Kelly Girl offices in Chicagoland. Checkthe phone book for the location most convenient foryou. Or call: *Hyde Park: 955-4777Chicago Loop: 786-1250Playboy Building: 787-1919KLI3 “Kelly Girl”PeopleSERVICESAn Equal Opportunity Employer M/FSCIENCE MAJORSAre you looking for a position that allows you totake advantage of your abilities? As a Navy Of¬ficer you receive an excellent salary with plan¬ned raises and advancement.ROCKEFELLER MEMORIAL CHAPEL5850 South Woodlawn AvenueSUNDAY# MAY 219 A.M.A SERVICE OF HOLY COMMUNIONCo-sponsored by the Episcopal Church CouncilCelebrant: Donald Judson11 A.M.UNIVERSITY RELIGIOUS SERVICEBERNARDO. BROWNAssociate Dean of the Chapel Hyde Pork Unitarian Cooperative Schoolest. 1958OPEN HOUSEandPUPPET SHOWSunday May21st 2-4'Where the WildThings Are"by Maurice Sendakat 2 pmMorning Program for 3 and 4 year oldsExtended Day Kindergarten ProgramSummer School Program5650 South Woodlawn 324-3278HYDE PHRK PIPE HND TOBACCO SHOP1552 E. 53rd - Under IC tracksStudents under 30 get 10% offask for “Big Jim’’Mon. - Sat. 9 - 8; Sun. 12-5PipesPipe Tobaccos Imported Cigarettes Cigars★ ★ ★★IHIIti: ISV I A I AI SIJVOTi:. (Ol Oli. SHOTOK N KI OKlMAMi:i iv the him: -GENE SISKEL,Chicago TribuneThe Image ol an adult world through u child's eyes.* BABYI’AKAMOTNT P1CTTRES PRESENTS "PRIiTTY BABYsu/nn* KEITH CARRADLXE. SUSAN SARANDON^ BROOKE SHIELDS TOLLY PIATTScreenplay by TOLLY PIATT St/»r> bv POLLY PLATTLOUIS MALLE 5JSSJSJS JERRY WEXLERProduced and 1 Mreneri trs LOl IS MALLERfAOTMt BAMIAWI PAPfftBAC*vowsuoniv.CIMI>IA I.IJVCOI.1V MAM.Chicago Near North MattesonVOKKTOH.VLombard MEMORIAL SERVICEforANITA SANDKEMondayMay 22, 2 pmBond ChapelThe Department of Music presents TheCONTEMPORARYCHAMBER PLAYERSof The University of Chicagoworks by RALPH SHAPEY, Music DirectorTHORNE • LIFCHITZ • LIGETI • BRIDGE • RANsoloists: ELSA CHARLSTON, soprano • LAURA FLAX, clarinetBARBARA HAFFNER, celloFRIDAY, MAY 19, 1978 • 8.30 P.M.MANDEL HALL, 57th & University AvenueFree and open to the publictoSPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago you areentitled to special money—savingDiscounts on Volkswagen &Chevrolet Parts, Accessories and anynew or used Volkswagen orChevrolet you buy from VolkswagenSouth Shore or Merit Chevrolet Inc.SALES & SERVICEALL AT ONE GREAT LOCATIONi — mm2v 1ER 3CHEVROLI ETm VOLKSWAGEN^ SOUTH SHORE72nd & Stony IslandPhone: 684-0400Open Daily 9-9, Sat. 9-5Part* open Sat. 'til Noon fMM*fThe Grey CityJournalThe future ofBy Jeff MakosBruce Springsteen nas a new albumcoming out.Rumor has it that it's going to be a threerecord set: two from the studio and onelive. It's been said that he's recorded about55 tracks since he was allowed to legallyenter a recording studio after settling affairs with his ex manager.Thus it's not surprising to hear of a threerecord package coming out, although itmay be too much for listeners to handle atonce. Then again, it may be just what isneeded to get his new ideas across, if he'sgot any.Either way, it has to be a classic.It doesn't necessarily have to be, I guess.Rock 'n roll will still exist if the record isbad. There will be new artists to take upwhere he left off.But if it's good ... if it's really good ...If it does all the things implied in hisearlier albums and stage performances:If it connects music and words into asound that is an extention of the rough rockpoetry of "Born To Run," and is at theBruce Springsteensame time something that is a portrayal oflife rather than the adolescent backstreetimages that have been his base:If it does all this ...It will be more important than anythingput out in the last 10 years.And I'm serious about that.It's the future of rock 'n roll.The two and one half years since therelease of "Born To Run" have been conspicuous only for the absence of Springsteen from action. The rise and fall of thepunk movement, certainly the most important phenomenon of the late seventiesmusic world, still has not made a dent inthe continued success of those artists thepunks were raging against: the plastic industry "readymades" such as FleetwoodMac, Peter Frampton, Boston, Foreigner,et al.By "Readymades" I mean artists whoprovide banal grist for the commercial in rock ’n rolldustry that rock has become in the lastthree or four years. They provide readymade rock excitement for audiences tooyoung to have known the real thing: Fleetwood Mac is a strange hybrid of BingCrosby croonerism and pseudo Beatle-likeversatility; Boston and Foreigner arestudio-built groups providing a bloodlesshard rock sound once produced with fiercelife and anger by groups like the Who andthe Stones. Any number of late Seventiesartists fill the readymade bill: Paul Mc¬Cartney, Steve Miller, Linda Ronstadt,Steely Dan, Boz Scaggs, the Eagles.I am not denying that these artists speakto something in their listeners emotions,but so did "Love Story." The point beingthat art and rock 'n roll mean so muchmore than just the vapid exploration of thebanalities of love (Fleetwood Mac, Me The Punk movement (and here I speakof the English punk movement, not thetruncated American version) had its rootsnot only in a reaction to British social andeconomic problems, but also in a reactionto this "Star" ethic which increasinglyisolates performers from their audiences.English punks saw the truth in a situationwhere all their indigenous rockers wereleaving the country to get tax breaks therockers were only in it for the money. Theemergence of the "Rock Industry’' pushedartists like the Stones, the Who, and RodStewart away from their lower class rootsand in effect stifled their careers. TheStones seemed to accept their fate in "Exile On Main Street;" the Who tried toreconnect with their audience in"Quadrophenia," Rod Stewart simplywent to America and tried to becomeFrank Sinatra. That all failed in their ef¬To hear Springsteen stretch out a song like “New York CitySerenade” with a middle section of poetic dialogue was to hearsomeone stretching the limits and conventions of the rock song.Cartney, Ronstadt, Eagles) or the production of mechanized music based on studioperfection (Steely Dan, Eagles, SteveMiller) and disco influences (Scaggs).Just because all of these artists each soldover a million copies of their albums dur¬ing the past two and one half years doesn'tmake them any more acceptable as rock,much less art.None of these people will ultimately mat¬ter in five or six years. None of thesepurveyors of a Pat Boone style post-Elvis,white buck schlock matter at all in anyway whatsoever. Except as a socioeconomic phenomenon, of course - illustrating the truth of H.L. Mencken thatno one ever went broke underestimatingthe intelligence of the American public.One of the big problems is that rock hasbecome big business, and business meansthat creativity is going to be sacrificed forcommercial success. And commercial suecess, once achieved, usually brings with itall the trappings of fame and glitter andeverything that is currently making rockthe new successor to the old Hollywoodfilmstar system. Of course, times arebad, and just like in the Depression, peopleare responding to "Stars" in a search forheroes. But we were the generation thatwas supposed to be different, remember?Some of us haven't forgotten. forts to deal with rock problems was a signto the punks that their own movement wasnecessary.And for ail the problems - musically,ethically, emotionally the Sex Pistols andcrew, once you could hear them, were atruly exciting event. Exciting in aagitatory way: arguments about punkwere engaged in by more people than ac¬tually heard the bands. In some cases, thepunks must have forced people back to theFleetwood/Doobie/Dan axis. But all thediscussion pointed out something important - that rock had become somethingother than that for which it had beenoriginally been designed, and that therewas something needed to reenergize theform.That early rock is rooted in an essentialiy "teenage" foundation is a foregone conelusion. By "teenage" I mean the use ofthe music for more sociological andpsychological needs than musical ones:the expression of fifties adolescent angst,the pain of young love, of not getting thecar, of not getting laid.'But, to here use an extreme form of shorthand, people like Lennon and Townshendrecognized in the form the possibilities forexpression that was closer to typical efforts by writers of fiction and poetry, instead of the fifties and sixties style of lower class "entertainment" for upper classAmericans that the "English Invasions"really stood for. I'm not taking ahumorless neo Marxist class positionhere: I'm just stating the facts, whichwere that people like Lennon were not going to be long in singing songs geared to anAmerican audience interested in theBeach Boys and cars when there weremore important things to sing about.Artist's needs were separating fromthose of the audience, and in the earlyseventies, after the revolutionary flood ofthe Airplane and the MC5 had passed, thesplit between artists and audiences greweven greater. On one hand, audiences forrock got bigger and bigger with the addi¬tion of new kids who had grown up in theturmoil of the sixties. New bands sooncame in to meet the needs of this group:Grand Funk, Black Sabbath, Yes, andlater groups like Aerosmith and even Kiss,while older audiences turned towards thesounds of singer songwriters like Joni Mitchell and James Taylor. We can still seethis satisfaction of purely entertainmentneeds in the popularity of "readymades"like Mitchell and Jackson BrowneOn the other hand, certain artists wereattempting to make a stand and saysomething: Sly Stone, who talked aboutthe myths of black success in a white rockstar world in "There's A Riot Goin' On;"Neil Young's stark analysis of performersand audiences in "Time Fades Away,"and later the legacy of the sixties drugculture in "Tonight's The Night;" Len¬non's revelatory "Plastic Ono Band," 'Ex¬ile On Main Street," "Quadrophenia-" -all of which met with mixed critical andcommercial reaction.By 1975, the year the readymades werereally in full swing, rock was no longer aform for some sort of intricate expression.Lennon was retired, the Stones and theWho were repeating old tricks, Sly waswashed up, Young was getting more andmore idiosyncratic. The split between artand commercial satiation was about com¬plete. The punks soon came to try to shakethings up and get back to basics, but thereadymade monolith has kept on rolling.Somewhere in there, Bruce Springsteenrose and sort of fell, but his presence hascontinued to haunt the scene.For a while in 1975, Springsteen -hearalded by the covers of both Time andNewsweek as the salvation of rock wastruly the "next big thing." "Born To Run"was released to unanimous acclaim andhis two earlier albums, especially "TheWild, The Innocent, and the E Street Shutfie" garnered renewed attention.It's hard to assess just what that shorttime meant, but one thing was clear"Born To Run" was clearly the best thingreleased in the seventies. Nothing has beenreleased in the last two and one half yearscontinued on page 9J44 Good news or money?”How would you know if you weren’t thereHYDE PARK ANSWERING SERVICE955-1486MINIMUM ANSWERING SERVICE (reg. $20. Specialfor University students & staff through June 1, $15).Non personalized answering service.MAIL SERVICE ($8/month). Use our business addressas your own residence or office address.SECRETARIAL SERVICES: Letters, Transcribing,Legal and statistical reports. Resumes, Manuscripts.AnswerMe!8:30 am-6:00 pm M-F; 8:30 am-3 pm Sat. Celebrate 50 yearsof diesel experiencewith us.Inc.Sal— /luting / Parte / Swvict2347 So. Michigan Ave. Chicago 326-2550* Manufacturer's suggested retail price. Delivery, optional equip¬ment. license, title, taxes, dealer preparation not included.PEUGEOT ■No one builds cars the way we build cars, f/ggjg1978 REUNION:a celebration oftradition & changeInterfratemity SingHutchinson CourtMay 20,9:30 pmFireworks FinaleRockefeller ChapelMay 20,10:30 pmFor further informationon the events of May 19 & 20call 753-2175R-11u> Gr#i; Citv Journal-Fridat/. Mav 19.1978continued from page 7that has been equal to it. The power of themusic was in its ability to somehow sug¬gest all the great rock melodies at thesame time that it was totally original. Andthis music backed words which, if still a bittoo concerned with adolescent angst, werestill the most beautiful storytelling heardin rock since Dylan. In fact, it was betterthan Dylan because even though Springsteen obviously loved words, his storiesdidn't come across like a speedfreak whohad just discovered the dictionary. Spr¬ingsteen told tales that were focused,refined, and powerful in conception andrealization. Songs like "Backstreets" and"Jungleland" were never heard before inrock, and their kind haven't been heardsince.His stage performances were also likenothing before. It wasn't just a rock show,and he didn't use gimmicks, but he gavethe most stunning concerts since . . . well,they were simply stunning. To hear Spr¬ingsteen stretch out a song like "New YorkCity Serenade" with a middle section ofpoetic dialogue was to hear someone stret¬ching the limits and conventions of therock song. What was implied was not onlya masterful art of storytelling but the firstreal fusion of poetry and rock intosomething which was not a bastardizationof either form but a fusion of the best partsof both worlds within the context of a per¬forming art. Dylan used words, but hismusic, good as it was, was little more thanaccompaniment; rock operas werenothing more than traditional song-structures with some sort of overlayed plotto keep them together - neither really usedliterary elements in any sort of coherentand sophisticated way. Springsteen seem¬ed to be doing something different,something great, and something totallyunexpected given the nature of the ar¬tist/audience split in the early seventies.Springsteen was not further polarizingthe rock audience but seemed to be unify¬ing it. Young rebels could connect to hisJD with a heart of gold looks that spoke ofa heroism tough enough to beat the despairof the seventies. For older audiences, andthis was especially borne out by thecritical acclaim he received from olderwriters, he was representing everythingthat was good about rock in the past. Hismusic was a call to American street punksthat there was a strength and dignity to theolder musical culture of the fifties and sixties, and was a reminder to older listenersnot to lose sight of their youthful ideals.It worked. "Born To Run" hit the charts,went gold, and things were opening up.But Springsteen got caught in legal pro¬blems with his manager, who had beensoaking him dry. It took him over a year tohit the studio for the needed followup to"Born To Run." His name all but fadedfrom the public eye.Until now...and the album is almost out.Maybe the two and one half years werefor the best: maybe if a followup hadcome, it would have been too soon, tooquickly marking Springsteen as a oneidea, romantic rock nostalgia vendor —sort of an intellectual Bob Seger. Therewere rumors of his releasing a threerecord live set — which at that time wouldhave killed his career by tying him tooclosely to his then street punk image, andnot allowing him to grow.As it is, he's had time to lay back,mature, and try to realize that what he hasto offer now can't be a retread of "Born ToRun." He must make a leap into the kind ofart which will prove the words of rockcritic Jon Landau who described him asthe "future of rock 'n roll.” Landau, one ofthe most inte'liqent rock critics alive, has now talking about the mass market, whichSpringsteen will most certainly need if hewants to break through again. Of courseSpringsteen fanatics would buy an eightrecord set. Still, if it's great, the larger au¬dience may find it necessary to buy it. As itstands, it's the most eagerly awaitedalbum since "Sgt. Pepper"...or at least"Born To Run."What the album could do, at best, is toadvance the rock lyric and all thepossibilities of poetic craftsmanship andstory telling to a degree never before seenin rock, as well as provide the evocativemusic to make those words memorable.Rock is more than just electric guitarsblaring — it has to do with texture, andtone, and subtlety, as well as the use ofpowerful crashing sounds to embellish thealready existing power of the world. It's aform that can be carefully crafted and in a sort of neo Hollywood glamour whilespouting poetic influences for the pressreleases. Both views miss the point entirely, although they point up an essential problem.The problem is that rock has no realcommonly accepted aesthetic exceptpossibly that of enjoyment — andtherefore if a hundred million people enjoyFleetwood Mac then it's good, which maynot be true but is hard to argue against.Critics try to speak about what an albumsays or does, but the best critics usuallylean towards some sort of sociologicalanalysis, which can usually clear awayproblems in understanding the rock scene,but doesn't always say very much aboutwhy an album is good or not.Lately, rock criticism has had to lean onits literary roots in dealing with some ofthe rock acts that have arisen in the vacuum created in Springsteen's absence.Foremost among these artists is PattiSmith, who has been pushing her post —Jim Morrison rock poet act around therock world. Now that her new album"Easter" is out, it's clear that Patti hasabandoned the experiments of her earlierwork "Radio Ethiopia" in a drive towardssuccess in the mass market. She's even gota hit single — "Because The Night."Funny thing — it's music is written byBruce Springsteen.This isn't to detract from Smith, but itgoes to show how dominant and accessiblehis musical style is — it overshadowsanything else on her new album. But Smithhas been a key figure in reminding therock world that there are artists who stillhave a brain in this world of disco-fiedpablum, and in a big way she and the suc¬cess of her single are setting the stage forthe reentrance of Springsteen. He evenshows up unannounced on the new LouReed album, and it's the best thing on thatalbum, too.If you think that I'm a Springsteenfanatic, you're right — but it's more thanthat. Rock, whatever any pseudointellectual around here may say, is avalid art form, and an understanding ofthe past can begin to make clear the factthat rock has at least attempted to dealwith bigger issues than "I want to get laid"or "I need to get my head together" or"I've seen fire and I've seen rain." This isa college campus, for christsakes — thefact that very few people can intellectuallydiscuss rock 'n roll has more to do with theinability of some of the best minds of thelatter seventies to see and understand animportant artistic phenomenon than itdoes with the also real inability of mostcurrent artists to attempt to do anything ofworth in the form. Of course there areother, more intricate and developed artforms — I'm just arguing for an acceptance of the possibilities implicit in a newart form, and one which is growing largerevery year.And Springsteen's album is a key eventin the. history of expanding rock'spossibilities. He's not Keats, but he's doingsomething within the technologicalmedium that has come to be called rock 'nroll, and he bears watching.There's not much more to say until thealbum comes out. I've been waiting forSpringsteen to produce since "Born ToRun,” — actually ever since I picked up afew bootlegs of the man which in somerespects were better than anything on thatalbum. The long version of "New York City Serenade" was among those tracks thatwere astounding, and from within themuddled bootleg sound came the intimations that something great had happenedto the man and his music during the twoyear hiatus. The pressures of the industrywere making some demands on the artist,and in response his art was becomingmore and more vital, more pronounced inits verbal control, and more exciting in itsmusical immediacy. The material on thebootlegs showed that he was doing what hewas only hinting at in his commercialalbums — he was expanding the limits ofrock 'n roll.There will be others to follow and expandon the efforts of Bruce Springsteen; timehas changed him into less of an influencethan an inspiration for aspiring rockers.But for his sake and ours, let's hope thatthe album is good, for it could be just whatwe've needed after such a long drought ofreal music. It might take some work tounderstand it — or maybe it will be im¬mediately understandable — but it mightjust be the new wave for which we've beenlooking.DOC FILMSTHRONE OF BLOOD/Akira Kurosawa MONSIEUR HULOT'S HOLIDAY/Jacques Tati•, . .*... ' JLFriday May 19 7:15 & 9:30 COBB HALL *1.50 Sunday May 21 7:15 & 9:30The Grey City Journal-Friday. May 19,1978-9V,V\ v! i*►►N't -A ^*\been Springsteen's producer since "BornTo Run," and must be obviously aware ofthe great role Springsteen can play inmusic and art. He must surely see themonolith of the "readymades" which issucking rock bone dry, and hopefully cansee in Springsteen, as I do, a galvanizingforce for American music. Hopefully thealbum won't be as self conscious as that ofanother Landau-produced album, theMC5's disastrous "Back In The USA."That album tried to relate to and capturea teen audience which the Five at that timethought they needed for superstardom,and it failed miserably. Maybe Springs¬teen's new album will too. Three recordswill be hard for a lot of people to accept,especially after such a Iona time. But I'm sculpted — and along a lot moresophisticated lines than three chord rock."Born To Run" suggests that all of this ispossible. And if Springsteen doesn't do it,somebody will.In the meantime, we must wait, and tryto figure out what can be done to and inrock to save it from going the way of allflesh.Rock is this sort of hybrid betweenmovies and literature, as far as I can see.Rock critics are either talking about someone's "Rimbaudian influences" orabout someone evoking "Sam Peckinpahwith a Stratocaster." Rockers themseivesdon't help the issue by draping themselvesThe punk movement was reacting to the trend in rock towardsa sort of Hollywood isolation that had more to do with judgingTV contests than it had to do with rocking out in small andsweaty clubs.Tchaikovsky IV2: Mozart 0By Peter T. Daniels 'Maybe amateur orchestras just shouldn't try Mozart.The University Symphony spoiled the Haffner symphonylast time, and the University Chamber Orchestra didn'tdo any better with Divertimento No. 15 (K.287) on Satur¬day night. While all the notes were in place, the players,particularly the horns and first violins, couldn't seem toagree on the pitch. Conductor Jeanne Schaefer didn'tseem to ask for much from her players: there were twodynamics, loud and less loud, throughout; and everymovement ended most matter of factly, without ritard orgrace. Particularly disappointing was the last movement,which combines many of Mozart's most delightfuldevices: there is an introduction of maestoso chords (likethe Haffner's), which should be crisp and detached; itwas mushy. This leads to a Figaro-overture-like rushingpassage, which should be presto pianissimo; it was slowand too loud. There follow passages of suspensions and anticipations and resolutions, which should be mystic andbeautiful; they were glossed over. All in all, the work lacked style and the edge of-the-chair sensibility thateverything by Mozart demands.Much better was Antony Stepanovich Arensky's Variations on a Theme by Tchaikovsky. The composer was avery minor Russian a generation after the master; thepiece is a pleasing trifle that does everything you mightexpect of a set of variations but end flashily. (According toGrove's Dictionary, it was "formerly frequently heard atQueen's Hall.") In the rich acoustic of Hutch Commons —the wood and stone walls and high ceiling enhance thetone, while the carpeting keeps it from overly echoing —more music ought to be played there — the rich harmonieswere nicely displayed. By far the best was Tchaikovsky's C Major Serenade.For this work the orchestra was taken over by MichaelJinbo, the concertmaster. He conducts better than heplays, and he's a pretty good violinist. Suddenly the tonewas as rich as the acoustic. Suddenly the players were expressive: there were swells and dyings away on longnotes. The haemiolas in the first movement and the Luffpausen in the waltz were sentivively brought out. And theclosing allegro really did stir up the crowd to deserved applause. (But why, oh why do audiences clap for concertmasters' entrances?)By far the best was Tchaikovsky’s C MajorSerenade. Suddenly the tone was as rich asthe acoustic. Suddenly the players were ex¬pressive.My editor tells me he's tired of seeing the German wordfor song (I don't write my titles!), so I won't use it.Anyway, Sunday night I took a break from my Ph.D. exam to hear Kathy Terbeek and Mark Zolezzi sing songs byBeethoven, Schubert, Berg, and Schumann, accompaniedby Elaine Smith. (I won't tell you who those women'sfamous husbands are.) The Cloister Club's sound is asunflatteringly harsh as Hutch Commons' is kind, and thetravesty of a piano (a stubby baby grand with squeakypedals, thumpy bass, and tinny treble) scarcely deservesthe name: Ms. Smith deserved better. (Why couldn't theyperform in the Ida Noyes Library, which has a decentpiano and doesn't hurt the voice?) Mr. Zolezzi began with Beethoven's "Adelaide" andshort cycle "An die feme Geliebte," six songs performedwithout pause. He sang expressively. His voice is a highbaritone rather than a true tenor, so he doesn't really havesoft high notes, but what is there is true and clear. (Hestrikes me as the ideal Nanki Poo, being awfully cute andpossessed of rudimentary acting ability, which is concerntrated in the eyebrows and hands.) He was joined by Ms.Terbeek for two very strange duets by Schubert. "Nurwer die Sehnsucht kennt," a hymn to solitude and yearning to which Schubert returned several times, is set imitatively, with the two voices seemingly not interacting atall, just as it were accidentally harmonizing ravishingly."Licht und Liebe" has the singers each taking "light" and"love," and then combining them rapturously. Not since aduo recital by the two Terbeeks several years ago have Iheard (locally) voices blend as well as these. It happenedagain at the end of the program with two comic pieces andone serious one by Schumann.The highlight of the short evening was Ms. Terbeek'srendition of the Seven Early Songs of Alban Berg. Theserecall, but pre-date, Schoenberg's hochromantisch,pre twelve tone Gurre-Xxxxxx (oops! it almost slippedout) and Verkiaerte Nacht. They are lush, sensuous settings of erotic poems, and Ms. Terbeek gave them all thepower of her not unsizeable voice and the intelligence ofher considerable musicianship.Vocally, the concert was a great success, but there's noexcuse for not providing more than translations orsynopses of the songs, especially since the program contained three pages printed on one side only. Without thewords there'd be no song.THE MUSIC DEPARTMENT OF THE UNIVERSITY OF CHICAGO PRESENTSG.F. HANDEL'SODE TO ST CfcCIE'S DAY | ' U31 Hyde Part; Blvd. J( z Selling Quality Imported Bikes /) Raleigh, Peugeot, Motobecane )7 iyi' A Announcing a full Inventory rr // // of MOPEDS on display. )1/ - I \ 7 Open 10-7 pm M-F /\\ J 10-5 pm Sat. i(( 684-3737 \\£ Motets of Palestrina,J Suieelinch tBra.Iir’TSthe Uruversiiu ChorusviUi Orcl^UrAJaws *iack, conductorJamIce Hudson, Soprano-testerSunday,'lay 2.L,lU18~3:iC p.n.at . ManJel Hill, UniversityFree 6-Open to the PubUc#? — t ALLCIGARETTES LAKE PARK RENTALSThe best newsstand in the world mm mmalso has 2000 magazines for you!A PACK51st and Lake Park Chicago 11.60615 (312) 684-5100 6633 Cottage Grove 667-8700 667-6633We sell MOVING BOXES!!We rent local trailers and trucksWe rent one-way Ryder trucksCALL US!!m CypdrmM&i- Potpou-rru ^20,21.22\03?g§|rSix One Act Plays by Court Studio Theatre May 1978 Th o^sSide-T^Lelder^"9~~ Tickets are $2 general admission, $1.50 for students. Special discounts for 2 evening theatre ticket. Phone Court Theatre for Reservations & information.lO-The Grey City Joarnal-Friday, May 19,1978Mordine and CompanyGregory BegleyBallet Midwest Pascual Olivera and Angela Del MoralLast Tuesday, Festival of the Arts (FOTA), presented the workof six Chicago dance groups in Mandel Hall. Marie Hanc has captured some of the best moments from a full and varied evening ofdance with her photographic images.Suspendedanimation, Amy Rose and Gregory BegleyBy Mane HancPascual Olivera’ n'V' li C *• V % The Grey City Jouraal'Friday, May 19,197B-11PREPARE FOR:DAT • LSJLT •OCAT • VAT l&DV»«rSATNMB I. II, lll*ECFM6’FLEX‘VQENATL DENTAL BOARDS • NURSING BOARDSFltxiblt Programs A HoursThere IS a difference!!!For Informition Please Call: NJIkJ2050 W Devon WkP\AHChicago. III. 60645 Wj(312)764 5151 0*1SPRING, SUMMER,MOST CLASSES START EIGHT WEEKSPRIOR TO THE EXAM. STARTING SOON:GRE-4 WEEK MCAT-SAT-LSATOTHER CENTERS CALL TOIL FREE: 800-223 1782Center* In Major US Cities Toronto. Puerto Pico and Lugano, Switzerlandeducational cents*TEST PREPARATIONSPECIALISTS SINCE 1938WINTER COMPACTSGarbo Laughs!in Ernst Lubitsch’sNINOTCHKA (1939)Fri., May 19 7:00 & 9:30 Law Aud LSFSwivel Arm DeskChairs $20( BRAND j EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111TAI-SAVt-MMCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M.TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.MOrders to take Out1318 East 63rd MU 4-1062 FLAMINGO APTS5500 S. Shore DriveStudio and One BedrmApts . Furn & I'nfurnShort & Long Term RentalsParking, pool, restaurant,drycleaning, valet, deli.24 hr. switchboard. U of Cshuttle bus Vz blk. away.Full carpeting & drapes inclSpecial University RatesAvail.752-3800Center for Middle Eastern StudiesIslamic History as World History:Marshall Hodgsonand the Venture of IslamA lecture byEdmund T. Burke IIIAssociate Professor of History.Merrill Collegge, University of California, Santa CruzMonday, May 22,19784 p.m. Pick 022NAM FILMSSaturday May 20 7:15 & 9:30VIVA LA MUERTE iFernandoArrabal C0BBHALL$150EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd Street493-8372 DOROTHY SMITHBEAUTY SALON5841 S. BLACKSTONEHY3-1069Call for appts.7 AM. - 7 P.M.Monday thro Friday,closed Saturday .Hair Styling - PermanentsTinting-Facials-Skin Care LOOKING FOR SOMETHING BETTER?We will have several apartments available forLease in the very near future*2 to 3 Vz room 1 bedroom apts.Starting at $225.Security and one year Lease required.We have a lot to offer. Come see us.MAYFAIR APARTMENTS, 5496 So. Hyde Park Blvd.-oL'SS ejwart,0KSToKEMonday May 22 8:00SHOPS & KINO PRAVDA. Alexander Dovzhenko Dziga Vertov•Mtev.' ■; &$£■§»!12-The Grey City Journal-Friday, May 19.1978Rococo masters at SmartBy Michael WorleyGerman and Austrian Painting of the EighteenthCentury, an exhibition organized by the David and AlfredSmart Gallery and co sponsored by the Department ofGermanic Languages and Literatures of the University,the Goethe Institute, German Cultural Center of Chicagoand the Austrian Institute, New York, is currently beingheld at the Smart Gallery, 5550 South Greenwood Avenue,and continues through June 11.Many of the approximately forty paintings on displayhave never been published and are treated for the firsttime in the catalogue written by the Director of the SmartGallery and Professor of Germanic Languages andLiteratures, Edward A. Maser, with the invaluableresearch assistance of Laura Nelke, a graduate student inNorthern European art. Professor Maser, a leadingauthority on the art of the period, is teaching a graduatecourse in German and Austrian Rococo, and in addition,has given two public gallery lectures on topics related tothe exhibition. You still have the opportunity to attend thepromising lecture that remains entitled “White Gold: TheEighteenth Century Discovers Porcelain," Wednesday,May 31 at 8:00 P.M. in the gallery.Most of the works contained within the exhibition belongto the highest category in the hierarchy of types of painting — so-called history painting, which includesallegorical, religious, literary and historical subjects.Such representations were regarded as the most noblepursuits of the artist in the seventeenth and eighteenthcenturies. As opposed to the more inferior genres of por¬traiture and still life, history painting elevated the statusof the painter from a mere portrayer of reality to acultivated and intellectual artist. It demanded a thoroughknowledge of ancient and modern literary and historicalsources. The more imaginative genre also had the goal ofmoral insturction, especially towards the latter half of thecentury. Fortunately the exhibition includes examplesfrom one of the lowest categories of painting in theacademic hierarchy, that of genre scenes, or simpledepictions of everyday life. An even happier balancewould have been achieved with the inclusion of landscapepainting. As it is, the tone of the exhibition is reatheraustere with the predominance of lofty religious themes.But still, what a delight to the “dix-huitiemiste,"wearied by the shock of the new! The gilded frames havebeen wonderfully complemented by a pale milky greencalled reseda green which was often used in the period.The pictures have been hung in a uniform and symmetrical fashfon, rtfuch as they would have been ineighteenth-century palaces, arranged to fit into architectural divisions. Some of the sopraporte (paintings to be inserted over doorways) might have been placed higherthan eye-level as they were intended, though frankly, inthe case of the Rottmayr series in the Art Institute, it is apleasure to finally be able to closely examine the canvases.The paintings by Johann Michael Rottmayr, some of theearliest works in the show (c. 1690 95), are part of a set offive works now in the Art Institute. Jove Casts down theRebellious Giants (cat. no. 26), Venus at the Forge ofVulcan (cat. no. 27), along with the Adoration, (cat. no.28) are early works which show the influence of JohannKarl Loth, Rottmayr's teacher in Venice. The sopraportepanels are both built upon a series of diagonals, typical ofBaroque compositions. The personages are truly superhuman forms of robust proportions which dominate thepicturial format. The exciting palette gives evidence ofthe artist's Venetian experience.Martino Altomonte's Vision of Saint Bernard ofClairvaux (cat. no. 2), a modello in the HeckscherMuseum, Huntington, NY. for the high altar atHeiligenkreuzerhof in Vienna (1730) is a fine example ofthe late Baroque altarpiece whose composition is based ona series of diagonals with the Virgin near the upper lefthand corner and the saint in the lower right. The artist(born Martin Hohenberg) would have known a similar example by his teacher Carlo Maratta, his Santa FrancescaRomana of about 1652 53 in Ascoli Piceno. However, thecompositional type can be traced back to the early Baroque, for example in the altarpieces of Ludovico Carracci.The figure style and treatment of the drapery are also indebted to the art of late seventeenth century Rome.The Battle of Scharding by Josef Ignaz Mildorfer in theKurt Rossacher Collection at Salzburg, dated 1742 (cat.no. 22) is the most astonishing work of the whole exhibition. It belongs to a series depicting events during the Warof the Austrian Succession (1740-48). One is immediatelystruck by the dazzling richness of the palette and thepainterly accents of virtuoso brushwork — the freedomwith which forms are defined. As Professor Maser pointsout, the scene is “depicted with a ferocity unexpected inthe eighteenth century." The only comparable materialthat comes to mind would be Goya's Desastres de laGuerra, designed and engraved much later (1810 20).Mildorfer's moving scene should also be viewed as adepiction of the inhumanity of war with its interminablecruelties and suffering. Johann Georg Lederer's Masked Ball in Bohemia (cat.no. 15) provides a welcome contrast. The painting,formerly attributed to Giovanni Domenico Ferretti, isnow in the Metropolitan. Edward Maser identified it as asketch for the ballroom in the castle of PrinceSchwarzenberg at Krummau in Bohemia. The highly im¬aginative wall is broken up into illusionistic architecturaldivisions around a real door. They are filled with wonderfully costumed figures in a great variety of poses masquerading as commedia deH'arte figures, clowns and"Oriental" gentlemen. The scene recalls the colorfulfestivities of Venetian painters like Pietro Longhi and theever popular bals masque's which allowed a host offrivolous liberties to the numerous disguised guests.Interesting from the technical point of view is Georg Anton Urlaub's copy of Giambattista Tiepolo's sketch inBoston (Gardner Museum) representing the Wedding ofFriedrich Barbarossa and Beatrice of Burgundy (cat. no.35) Tiepolo's famous fresco work at Wurzburg was done in1751-52: the sketch is dated 1749-50. Urlaub was unsuc¬cessful in capturing Tiepolo's characteristic softness inthe drapery, and he managed to give it a broader treatment, smoothing over certain details. In some ionstancesUrlaub polished up the Italian's sketchy brushwork for amore finished look (Beatrice's gown for example). On thewhole there is a tighter, more linear effect which is typicalof copies.Well represented is the work of Franz Anton Maulbertsch (1724-96), probably the most famous Austrian Rococopainter (cat. nos. 16 20). Most charming is his PastoralSerenade (Szene im Park), without a doubt the jewel ofthe exhibition. It is signed by not dated. Kalar Garas, theleading Maulbertsch authority who recently published alavish new monograph on the artist, suggests the date of1752. The painting, now in Baltimore, shows elegantfigures in a kind of concert champetre, so familiar in eighteenth century art from Watteu to the Revolution. It is arelatively early work, but it already shows a certainfreedom of handling, and the treatment of the forms is notunlike that in contemporary works — Die Heilige Sippe inVienna for example — which are characterized by a newintense force of expression and a looser treatment ofbrushwork. Januarius Zick was one of the well known genrepainters in the late 1700s. He was greatly influenced by theDutch who were always highly admired, and recognizedas the masters of genre painting. Morning at the Farmand Mid-day Meal at the Farm, lent by the M.H.de YoungMemorial Museum, San Francisco, (cat. nos. 39 40), weremost likely parts of a "time of day" series. Such series ofpaintings depicting the four seasons, times of day or thefour ages of man were quite popular in the century.Hogarth's Four Times of Day of about 1736 most oftencomes to mind. Although the scale is at times confusing inMorning at the Farm (note the size of the cattle in themiddle ground), there is a delightful precision of deatio inthe characterization of a coutry scene.One of the latest paintings (1785) is Cornelia, Mother ofthe Gracchi by Angelika Kauffmann from the VirginiaMuseum of Fine Arts, Richmond, Virginia. The charmingstory comes from Valerius Maximum (IV, 4), quitepopular with Rococo artists. It concerns the visit of a richwoman from Campania to the household of Cornelia. Uponshowing off her jewels and attire, she is politely admonished by her hostess, who points to her children andreplies, "Here are my riches and my lovliest ornaments."The subject was treated by Noel Halle in 1779 and byPeyron before 1782. Though at times quite neoclassical,Angelika is shown here as a representative of the group oftransitional artists like Vien, Pajou and Mengs whose artis still heavily tinged with warmth, grace and sentimen¬tality — elements used to define the Rococo. Quiteremarkable also in this style is the new attempt to createspatial clarity, a sobriety of decor, and a linear emphasisof the forms, as well as a clarity of narrative. This par¬ticular canvas shows a great degree of finish and adelightfully warm palette. But one need only compareMaulbertsch's Education of the Virgin (cat. no. 18) torealize how we have entered into a new stylistic realm.This impressive show, the first of its kind in theMidwest, is definitely not to be missed. Congratulationsmust go to all who helped make it possible. By the way, ifthis happens to be your first visit to the gallery, objectsfrom the permanent collection are also on display, fromancient to modern. Don't miss the outstanding nineteenthcentury bronzes!"The Martyrdom of St. Stephen I" by Johann Georg "Vision of St. Bernard" by Martino Altomonte (1657-1745)Schmidt (1694 1765) The David and Alfred Smart Gallery, The University of ChicagoThe Grey City Journal-Friday. May 19.1978-13Paul WinterConsortJulius HemphillChicago Front offers workshopsThe Chicago Front for Jazz, a studentorganization devoted to bringing experimental, contemporary jazz to campus,is sponsoring two workshops this week,designed to give students a chance to participate directly in the creation of newmusic.The first workshop is Sunday afternoon at4:30 on the second floor of Ida Noyes hall.Musicians are asked to bring their instruments. The workshop will be led byJulius Hemphill.Hemphill, one of the leading forces of theSt. Louis jazz collective B.A.G., is an amazingly expert musician on the whole range ofreed instruments. He has put out fouralbums, of which the most adventurous,"Blue Boye", is a solo effort on which Hem¬phill tracked as many as five reed lines ontop of each other. He will also be appearing that evening,Sunday, at the ARC gallery, 6 W. Hubbardat 9 pm. Admission is $3.50. Hemphill'sChicago appearances are rare, so neitherevent, the workshop or the concert, shouldbe missed.Wednesday, May 24 at 4:30 in the IdaNoyes library, Douglas Ewart will host aworkshop on the construction and playing ofbamboo instruments.Ewart, a Hyde Park resident, is an extremely talented improvisor and composer,with an almost fanatic devotion to bambooflutes. Last Fall he sponsored a concert conceived as a celebration of bamboo. Featuring Joseph Jarman and Henry Threadgill, itstands out as one of the high points of thisseason.Both workshops are free. The Hemphillconcert at ARC and another concert, TheKahil El'Zabar Ethnic Heritage Ensemble,next Friday at 8 pm, also at ARC cost $3.50.For just $2.00, University students cantreat themselves to a fine night of music thisSaturday as the Paul Winter Consort comesto Mandel Hall to play their unique brand ofclassical-jazz rock.The Winter Consort was founded in 1967,and has featured the talents of such musi¬cians as Ralph Towner and Colin Wolcottfrom the group Oregon.Winter himself is a saxophonist who is theproduct of a classical music background inclarinet and piano. Before his work with theConsort he made seven albums for Colum¬bia under the direction of John Hammond.The Consort has been involved in suchbenefit performances as "Whale Day" forJerry Brown in Sacramento, the Interna¬tional Conference Of The World WildlifeFund, and "Japan Celebrates The Whaleand The Dolphin."In other words, not only is the Consort anexcellent group of musicians, but theirsocial consciousness is geared to all theright causes.For only $2.00 you can hear some beautifulmusic in Mandel, at 7 pm, when Winterbrings his new aggregation to campus.From the sounds of his earlier albums.Winter should be involved in some interstingexperiments. His current album, on A & M,Common Ground, features three "creaturepieces" which showcase melodies andphrases inspired by and in some cases usingthe voices and sounds of wolves, whales andeagles.The concert begins at 7 pm, and is certainto be a fine show.Paul WinterFIREWORKS★★★★★★★★★ **********I**********************if♦*Fireworks will be launched into the evening sky, this Saturday at 10:30 pm., atRockefeller Chapel Don't forget! Court potpourri★★★★ ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★ ★★★★*- Court Theater presents its second andfinal offering in The Experimental Potpourri series this weekend and next, May 20,21, 22 and 26, 27, 28.The series, which involves students in theproduction, direction, and even compositionof the works, has proven that Court canserve as an educational medium for itsmembers wfiile still providing high qualityentertainment for the Hyde Park community.This set of plays comprises "The WorldTipped Over And Laying On Its Side" byMary Feldhaus Weber, directed by KeithKlein; "The Leader" by Eugene Ionesco,directed by Fred Wellisch; and "Landscape" by Harold Pinter, directed by JonTroyer.Showtime is 8:30 pm for all shows. Admission is $2 general admission and $1.50 forstudents. The performances will be given inthe New Theatre, in Reynolds Club South.Call 753 3581 for reservations and information.' By Karen HellerAdmission to NAM and Law School filmsis $1.50. Admission to Doc films is $1.00 onTuesday and Wednesday; $1.50 on all othernights. NAM and Doc films will be shown inQuantrell Auditorium, Cobb Hall. LawSchool films will be presented in the LawSchool Auditorium, 1111 E. 60th.Throne of Blood (1957), directed by Akira.(Doc) Kurosawa's adaption of Macbeth isset in the sixteenth century Japan duringthe Sengoku civil wars. The director of TheSeven Samurai betrays neitherShakespeare nor the Japanese milieu inwhich the play is set, and he impels thedrama with near demonic force. He rejectsmany of the usual means of "realistic" film-making and employs a handful of com¬ponents — drifting fog and smoke, rainyforests, the shining surface of armor — todwell on the theme that power inevitablycorrupts. With Toshira Mifune as Macbeth.Friday at 7:15 and 9:30.Ninotchka (1939), directed by ErnstLubitsch. (Law) Truffaut recently wrotethat Lubitsch was "a prince of a director"and this film bears testimony to the Frenchdirector's high praise. Greta Garbo vants tobe alone, constantly businesslike, alwaysserious. Melvyn Douglas has different ideasabout what to do with the Russianemissary's time. He intends to spend theParisian days buying frivolous materialgoods made by European capitalist handsand mashing with the great beauty. Herfellow comrades who are quickly charmedby the beguiling ways of Frenchmaterilaists, are particularly funny. Fridayat7:00and9:30.Viva la Muerte (1970), directed by Fernando Arrabel. (NAM) The noted surrealistplaywright has fashioned a quasi-autobiography about the life of a 10 year oldboy named Fando. In the immediate aftermath of the Spanish Civil War, Fando'smother denounces his father to the Facistpolice so that Fando may take his properplace in society. His father is imprisoned,Tortured,"and executed. As he learnsmore ofthe details of this horror, Fando experiencesincreasingly violent and erotic fantasiesthat contain illusions of the government, theChurch, and his beautiful mother and aunt.Saturday at 7:15 and 9:30.Monsieur Hulot's Holiday (1953), directedby Jacques Tati#'(Doc) Inheritor of theChaplin tradition, Tati is a modern masterof mime and visual comedy. Near sighted,long legged M. Hulot sets out with hordes ofhis countrymen for an August vacation inBrittany (pre oil slick) only to enter meltedsneakers in his closet, resemble maneuvers,and an ubiquitious blob of caramel. Tati hasa wonderful knack for making fun of thosethat are irreverant of the naturallybeautiful. Brittany, one of the mostbeautiful places in the world, is by and largeignored for its charmand pastoral simplici¬ty and appreciated only for the modern, prefabricated items that might be foundanywhere else. Sunday at 7:30 and 9:30.Shors (1939), directed by Alexander Dovzhenko. (NAM) Shors is an epic film aboutone of the heroes of the Russian Civil War byone of the great masters of the early periodof Soviet cinema. Dovzhenko had taken partin many of the military and political eventsshown in the film. There is also a great dealof the director in the character of Shors, afirm, determined intellectual who pledgedhis talents to the new order. With KinoPravda (1922), directed by Dziga Vertov. Ashort from the series of films Vertov madeunder the name Pravda. These films helpedtransform the newsreel into art. Both onMonday at 8:00.mTke Gtey City fyuiwaiEditor: Mark NeustadtAssociate Editor: Jeff MakosStaff: Karen Heller, George Drury, AnneGlusker, Stuart Ryder, Glenn Miller,Jeanne Nowaczewski, Peter T. Daniels, theRumproller, Eden Clorfene, John Lanahan,Faz Prestopnik.Calendar Christian Forum: “Christians, the State, andAuthority: The Meaning of Romans 13," 8pm, Brent House. Alumni Association: Grand FireworksFinale, 10:30 pm, ockefeller Chapel and areasurrounding chapel. MondayArtsFridayDepartment of Economics: “AMacroeconomic Model of the UnitedKingdom,” Clifford Wymer, 9:20 am, Rosen-wald 301; “The Earnings Function: A Glimp¬se Inside the Black Box,” James Medoff,Harvard, 1:30 pm, Rosenwald 15; “TheMacroeconomic Consequences of the NRA,1933-1935,” Michael Weinstein, Haverford,3:30 pm, Social Sciences; Public Finance &Latin American Economic DevelopmentWorkshop, 3:30 pm, Social Sciences 402.Commuter Club: Get together, 12:30 pm,Hutch Commons, 5th table on left.FOTA: Paper Boat Race, 12 noon, BotanyPond.Geophysical Sciences Colloqui¬um: “Short-term Sun-Weather Cor¬relations,” Colin Hines, Univ of Toronto, 1:30pm, Hinds Auditorium.UC Men’s Track Team: Midwest ConferenceTrack & Field Championships, 2:30 pm,Stagg.Salisbury Geography Circle:“Paleogeigraphic Reconstruction and Anima¬tions,” Christopher Scotese, 3 pm. Pick 312.Center for Middle Eastern Studies: ArabicCircle - “Islamic Institutions in Atjeh(Sumatra), Daniel Crecelius, CA State, LosAngeles, 3:30 pm, Pick 218; Bizden-Size, 3:30pm, Harper 155; Persian Society, 3:30 pm,Harper 175; Sherry Hour, 4:30 pm, Kelly 413.Hillel: Reform-Liberal Shabbat Services,5:15 pm, Hillel; Shabbat Dinner, 7 pm, Bayit,5458 Everett.UC Lab School: Rites of May - Outdoor Car¬nival 5:30 pm; Play - “Alice in Wonderland,”8 pm, Lab School Grounds.Division of the Humanities: Lectures inArmenian Cultural History - “Tekyan - ThePoet,” Avedis Sanjian, UCLA, 8 pm, Regens-tein A-ll.Baha’i Club: Informal disc jssion and talk bySteve Jackson, “The Majestic Process,” 8pm. Contemporary Chamber Players: Directedby Ralph Shapey, 8:30 pm. Mandel Hall.Court Theatre: “Experimental Potpourri II,” 8:30 pm, Reynolds Club New Theatre.DOC Films: “Throne of Blood,” 7:15 and 9:30pm, Cobbb.Law School Films: “Ninotchka,” 7 and 9:30pm, Law School Auditorium. SundaySaturdayResource Center: Recycle glass, cans andpaper, 54th PI and Greenwood, 10-4.WHPK: Comedy Show - “Success WithoutCollege,” Doug Barry, Jack Helbig, AlexLeavins, Allan Cohn, 11-12 noon, WHPK/88.3FM.Change Ringing: Handbells, 10-11 am; towerbells, 11-1 pm, Mitchell Tower Ringing Room.Women’s Crew Team: Stroke T-Shirts onsale, llam-2 pm, Reynolds Club.UC Men’s Track Team: Midwest ConferenceTrack & Field Championships, 11am, StaggField.UC Lab School: Rites of May - OutdoorFestival, 12 noon; Play - “Alice in Won¬derland,” 8 pm, Lab School Grounds.Crossroads: Saturday night dinner - Indone¬sian cuisine, 6 pm; film - “Indonesia” 7:15pm, 5621 S. Blackstone.The Pub: Music by Peggy D. Weems, 9-1 am,Ida Noyes Hall. Chess Club: Hyde Park Spring Swiss ChessTournament, 8:45 am, UC lab school, 5840 SKenwood.Rockefeller Chapel.Service of Holy Communion, 9 am; Universi¬ty Religious Service, 11 am, RockefellerChapel.Hillel: Lox and Bagel Brunch, 11 am, Hillel.Crossroads: Bridge, 3 pm, 5621 S Blackstone.South Asian Student Association: Pot-luckdinner and reception, (bring main dish), 5 pm,4830 S. Dorchester (Dimock); Lecture - “TheParadox of the Virtuous Demon in HinduMythology,” Daniel H.H. Ingalls, Harvard, 8pm, Swift Hall Commons Room.Brent House: Supper, 6 pm, 5540 S.Woodlawn.UC Folkdancers: International Folkdancing,general level, 8 pm, Ida Noyes.ArtsUniversity Chorus: Directed by JamesMack, 3:30 pm, Mandel Hall.Court Theatre: Experimental Potpourri IV,8:30 pm, Reynolds Club New Theatre.DOC Films: “Monsieur Hulot’s Holiday,”7:30 and 9:30 pm, Cobb Hall. Student Government: University ServicesCommittee meeting, 3 pm, Ida Noyes. Open tothe public.Center for Middle Eastern Studies: “IslamicHistory as World History: Marshall Hodgsonand The Venture of Islam, Edmund Burk, UCSanta Cruz, 4 pm. Pick 22.The Child Development Colloquia: “ConceptAcquisition in the Infant,” Leslie Cohen, U ofI, 4 pm, Judd 105Department of Anthropology and Committeeon African Studies: “Lineage and State inAfrican Kingdoms: The Bamum (Cameroon)Case,” Claude Tardits, Wellesley College, 4pm, Pick 218.Department of Chemistry: “Synthesis andProperties of Highly Strained Acetylenes,”Franz Sondheimer, University College, Lon¬don, 4 pm, Kent 103.Ki-Aikodo: meeting, 6 pm, Field House.University Feminist Organi¬zation: “Women’s Rap Group,” 7:30 pm, BlueGargoyle.Seminar on Higher Education: “The Futureof Black Colleges in Higher Education,” Ben¬jamin Alexander, President of Chicago StateUniversity, Judd Hall 313, call 3-3874 for timeof seminar.Chess Club: meeting, 7 pm; annual DoubleBughouse tournament, 7:30 pm, Ida Noyes.UC Folkdancers: International Folkdancing,beginners, 8 pm, Ida Noyes.NAM Films: “Shors,” and Kino Pravda,” 8pm, Cbb Hall.ArtsFOTA: Paul Winter Consort Workshop -music and dancing, 2 pm, Ida Noyes.FOTA: Performing Arts Workshop IV -mime, 3:30 pm, Ida noyes.MAB: The Paul Winter Consort, 7 pm,Mandel Hall.Collegium Musicum: Eric Weimer, guest con¬ductor. 8:30 pm, Bond Chapel.Inter Fraternity Sing: Hutch Commons, 9:30pm.NAM Films: “Viva La Muerte,” 7:15 and 9:30pm, Cobb Hall.'S ^ j fixate ^omfuiny. Reception Honoring493-0666 Your personal brokerEXTRA-EXTRA!ON A CLEAR DAY . . . you can see forever. South of 55th Street. - 8 - spaciousrooms. Side-by-side living room, dining room, library overlooking park, floor to PRESIDENTANDceiling french windows. Garage available. Low 80’s. Co-op board approval.I.Q. Approx. 2,000; SQ. Ft. Approx. 1.000; ROOMS; 5; Location: 58th &Blackstone; Height: 36 ft.; Special Features: Real fireplace, beautiful naturalfloors, entire sunny wing of small condo bldg. Price: Under $60,000; Posses-sion: July. MRS. WILSONYOU’RE THE WINNER! This one bedroom co-op was being held for a pur¬chaser, but now back on the market at an affordable $17,000. Opposite themuseum at 57th Street. Radiant heat with own thermostat. Big picture windows.Light in all directions. All spacious rooms. Free parking. Tuesday, May 23ASSUME A LOW RATE MORTGAGE. Can you believe still on a onebedroom, den. modern kitchen and 19’ living room Near 56th Kenwood Im¬mediate possession. $36,000. 4:00 to 6:00 p.m.HANDSOME IS AS HANDSOME DOES. The garden, the building, the vestibule,the halls and YOUR APARTMENT, all in tip top shape Beautiful oak floors andlots of natural woodwork, five spacious rooms. Low monthly $80.82, Price in low$50’s. Near 56th Blackstone. Ida Noves Hall (1st floor)CO-OP with the countrv-in-the-city look. French windows garden level, huge liv¬ing room, two bedrooms. Near 59th & Stony. Low, low monthly. $45.00 - price$28,000. J Refreshments^ ^All University Students WelcomeTHINKING OF SUMMER? Planning to rent a place in the dunes? Here's a dreamyhouse for rent. Approx. 2400 sq. ft. fully equipped, fully furnished. Natural fire¬place, large screened patio. Perched high on a hill, one block from Lake in BeverlyShores, still only 50 minutes from campus. Available-June, July, August and Labor Sponsored by The omen's Athletic AssociationDay. We Make House Calls’’ and Order of the “C”Call Charlotte Vikstrom493-0666MCAC meet at Stagg IM ReportmMen host conference Penguins ice Capitals 9-8By Marc DeFrancisIt is commonly remarked that no sport ismore monotonous to watch than track. Infact, if strategic gamesmanship is what youare looking for, you will be easily bored. Butas a display of raw human power and graceit is an unsurpassed spectator event. AtStagg Field this weekend you can judge foryourself when the ten Midwest Conferencecolleges bring their athletes here for theConference Championship Meet. .Chicago has a solid chance of repeating orsurpassing its Indoor Conference Cham¬pionship performance of second placebehind Carleton College. In the weightevents the man to watch will be Lawrence’spowerful Ron Wopat, who virtually sweptthe field at the Beloit Relays. Coe has gooddepth in the sprints, but Chicago can res¬pond with the top-rated dasher in the con¬ference, soph Rich Gordon. Coming off of amild injury, Gordon is still confident he canrepeat his Indoor Championship win.Chicago also owns the top-ranked con¬ference itermediate hurdler, soph JimRead. It should be interesting to see howthese two fare in the demanding series oftrials and finals this weekend.Due to the meet’s size each team islimited to two entries per event. The pro¬bably line-up for Chicago will includefarewell varsity performances by seniorsLester Savit, Tim Bastian and Bill Butiganin the middle distances and Jim Thvedt inthe three-mile. Thvedt will be joined bytough soph Dave Taylor, who will double tokeep Pete Smith company in the six-mile.The Maroons should be formidable in themile as well, with competitive talents Mar¬shall Schmitt and Dave Green matching offeach other as well as the field. As coach Haydon laconically put it, “We’re in goodshape for this meet.”Contrary to the popular myth of long¬distance loneliness, Maroon runners arefrankly exhibitionists and egomaniacs. Beat Stagg Field to cheer them on to victory.Field and running trials begin Friday at 2:30pm with finals Saturday from 11 am. By Howard SulsThe top-ranked Penguins held on to edgethe Human Capitals, ranked second, by ascore of 9-8. The Penguins capitalized onsome shaky fielding to take a 9-6 lead intothe bottom of the seventh, despite 3 RBI’s byPete Linneman on two home runs, and then held on, despite some shaky fielding of theirown, including a controversial overthrowthat would have allowed the tying run toscore.Third-ranked Legal Eagles nipped a weakI - House team 18-12, while Cold Storagedropped to eighth after being crushed by theHuman Capitals 24-11. Both Breckinbridgeand Hitchcock were idle due to the weather,but Sammy Walker beat Walloo’s Wacks 9-3in a well-played game despite less than op¬timum field conditions. Sammy Walker alsowalloped Pumphouse Gang 19-6 while theWacks devoured Eat My Shorts 12-8. YourMother Rides Again ran over Laughlin II18-3, and Phi Gamma Delta smashed UpperRickert 22-9. Other top ten action hadUbermenschen demolishing Coulter 22-3and Dodd-Mead over Salisbury 20-17.Most of last week’s games were hinderedby the weather, posing a serious problem tothe IM office. The office is left with the taskof scheduling playoffs, which may be confin¬ed only to the undergraduate and graduateplayoffs, and will extend into a tenth week,weather permitting. The IM office has donea tremendous job rescheduling thenumerous rainouts on sloppy field condi¬tions.Other scores had Diamond Head splittingwith NADS and I-House, dropping to theNads 18-12 and holding off I-House 13-9.Med Too took two, edging Ubermenschen 9-8and nipping Coulter 12-9. Co-ed games hadLower Flint over Fishbein 8-7, who alsodropped to Breckinridge 7-6. Bishop neededa seventh inning rally to edge Dodd-Mead16-15 and Upper Wallace-Lower Rickertbeat Upper Flint 12-6, and Bradbury 11-5.Open Rec had Cold Storage over Fat CityNine 11-9, and See Your Food nipped theSteve Davis Fan Club 10-8. Open Rec Co-edhad Bar Stools spinning the Court Theter 24-4, Divinity over Eat Your Food 11-10, andCorpus Cavernosum over Commuters 7-2.r \SportsSports photos by Jeanne DufortBIGSELECTIONTO CHOOSEFROM•IMMEDIATE DELIVERY aBANK FINANCING AVAILABLE"SERVICE FIT FOR A KING"8639 South Chicago Ave. Phone: 374-TRICK VANS, TRUCKS & USED CARS TOO! Women’s trackPowers, Chicago take 5thByR.W. RohdeRelying on strong performances Iromsophomore Vicki Powers, the women’strack team finished fifth out of nine teams ina stormy state track meet at Milikan.Powers won two events, finished third inanother, and ran on a relay team that finish¬ed fourth.Powers brought home the Maroons onlyfirst place finishes. She won the 200m dashin 29 seconds (after qualifying in 27 secondsthe day before) and the 400m dash in 63.4seconds. Her jump of lS’V was goodenough for third in the long jump. Powersalso ran with Sheila Martin, Elise Bloom,and Donna Ceoffi in the 800 medley, helpingChicago finish fourth in 2:03.4.Ceoffi took the only other high finish forthe Maroons, as she ran the 400m in 65.7, aseason best, to finish third.Martin, Marilyn Redman, Susan Cor¬nelius, and Karen Luh ran a good 2-milerelay, coming in fourth with a time of11:54.3.The Maroons also placed people in the 800and 1500 meter runs, but not as high as theywould have liked. Martin and Patti HansenSoftball Top 10points1. Penguins (3) 482. Human Capitals (2) 463. Leagal Eagles 414 Breckinridge 335. Hitchcock 296. Sammy Walker 287. Walloo’s Wacks 168. Cold Storage 159. Your Mother Rides Again 1010. PsiU 4Votes: Pumphouse Gang,Ubermenschen, Vincent, PhiDelta, Dodd-Mead, Henderson Gamma finished a disappointing fifth and sixth in the800, while Jan Rossel was sixth with a 5:34.7in the 1500, a slow time for her. Coach DelLarkin blamed recent sickness and heavyschoolwork for the poorer performances.Chicago had visions of a higher finish,since the team improved a lot from lastyear. But Larkin explained that the com¬petition was ‘tough and getting tougher’right along with the Maroons. The team canlook forward to better things next yearanyway, because they will not be losing anyof their members to graduation.UCTC UpdateA handful of hardy souls ignored con¬tinual rain and heavy winds Saturday tosurvive UCTC’s second outdoor open trackmeet at Stagg Field. Times and measureswere poor but enthusiasm among the mix¬ed crowd was high. Limbering up for thisweekend’s Conference Championshipmeet, varsity junior Pete Smith took the5000 meters in 16:24.5, an outstanding timefor the conditions and a good portent forthe team. Teammate Jim Read leapedhurdles and puddles to win the 400 in¬termediates in a fine 57.5. The Track Clubwas represented by Med student Jeff Baer-man’s fast 4:01.3 win in the 1500, MikeMarren’s double win in the 200 and 400,and, earlier in the day, KurtSchallenberger’s 30:47.9 romp in the 10,000(6.2 miles). From outside Chicago, GaryBrown (U. of S. Carolina) won the highjump with 6’6”, Jim O’Hare (S.I.U.) ranaway with the 800 in 1:59.4, and a deter¬mined crew from a Cleveland communitycollege took both relay events. TheCleveland team had only the rain to beat inthe mile relay. Which they did.Meanwhile, Stan Vinson returned fromJamica with a silver for the Track Club inthe 400 meters. Stan surpassed a world-class field in the sultry weather to finishclose behind U.S.C.’s Bill Mullins with aseason’s best of 45.37..4Women’s volleyballThe Women’s volleyball team will behaving a team meeting next Monday, May22, at 3:30 pm to discuss next years’ plans.The meeting will be held in the HenryCrown Field House. Women who cannot at¬tend but are still interested should callcoach Rosie Resch at 753-3574.Women Arm WrestlerCheryl Enright, women’s Midwest armwrestling champion, will be at Hutch courtnext Tuesday at 3pm. Enright wasoriginally scheduled to take on all comers(she was undefeated in a recent engage¬ment) but due to a recent injury will onlytake on women. All are invited to the ex¬hibition, and all competitors, win or lose,will receive a prize. The event is sponsoredby FOTA. Wilson, Schael recognized for servicesHayes, lettermen honored at banquetBy R. W. RohdeThe Order of the “C” held their 73rd an¬nual dinner last Wednesday night at theQuadrangle Club. The dinner, held to honorpast and present athletes, enjoyed one of thelargest turnouts in recent years.John Pont, athletic director of Nor¬thwestern and coach of the 1967 IndianaRose Bowl team, gave a well-receivedspeech centered around the topic of privateuniversities and big time athletics, afterwhich this year’s awards were given.Dan Hayes was the most honored athleteof the night, receiving both the Joseph M.Stampf award and the Amos Alonza StaggMedal, as well as a senior blanket award.The Stampf award is given for excellence onand off the basketball court while the StaggMedal is awarded to a senior athlete on all-around record for character, scholarship,and athletic endeavor. Hayes lettered allfour years for the Maroons basketball squadand twice for the tennis team.Mort Fox, who played second base for thebaseball team and hit over .400 this year,took home the J. Kyle Anderson Award foroutstanding senior baseball player. Finally,Pete Wendel was awarded the William BBond medal given to the varsity athlete whoscores the greatest number of points duringthe year. Wendel excelled in the long jump and triple jump and was able to high jumpwhen needed.John T. Wilson was given the first John T.Wilson award given for outstanding con¬tribution to athletic sports at Chicago. TheOrder of the “C” sponsored the award andhopes to make its presentation an annualevent. Wilson and Director of FacilitiesJohn Schael, both who are leaving theirpositions at the University this summer,were honored at the banquet for their ser¬vices to Maroon athletics. Senior blanket awards will be officiallypresented this Saturday at the Intra-Fraternity Sing at 9:30 in Hutch Court. Inaddition to Hayes the following seniors willbe getting their awards then: Mike Dunnand Greg River (football), Dennis Thatcher(football and wrestling), Tim Bastian. JoelFisher, Lester Savitt, and Jim Thvedt (allcross-country and track), Bob Grady andDave Murdoch (fencing), Steve Shapiro(basketball), and Lester Bern and JohnLekich (baseball).Maroons keep titleBy John PomidorThe Maroons returned from the state tour¬nament at Greenville state champions, butthey did not win the title. A soggy weekendwashed out all but a few games, cancellingthe playoffs for this year. Since the Maroonswere defending champions, they will retainthat title.The women did manage to fit one game inbefore the rains came, beating a highly-touted Aurora team 9-1. Aurora was aserious challenge for the title, with a 13-1record and an undefeated pitcher. TheMaroons did have a tough time getting hits.Kim Curran and Maria Elena Malo led theattack with two apiece, while Mary Klemundt had two RBI’s for the day, andMalo got the other one. The womencapitalized on Aurora’s wildness for the restof their runs. Five batters reached on walks,while four were hit by pitches, off-setting 13strikeouts.Kim Curran went the distance for theMaroons, allowing just one unearned run ina four-hitter. Curran struck out eight andgave up only three walks.Had the tournament been played out, theMaroon were to face the Concordia Kittens,who they beat 16-3 the week before. Next,they would’ve met the winner of the Quincv-Augustana match for the state title.Coach Pat Kirby, while disappointed theteam could not gain what seemed to be anear-certain second straight state title,characterized the season as having gonevery well.“Everyone showed improvement, and weplayed as a team.” she said. Explaining theopening four-game losing streak. Kirbystated “We opened with two losses to Circle,but our errors were mental, and I knew wewould correct those.” The next two gameswere rained out, and the women played anextra-inning contest and lost against Nor¬thwestern. who had fit in 12 games by thattime. After a bit more rain. Lewis becamethe last team to defeat the Maroons thisyear. The softballers took the last ninegames to finish 9-4.Mary Klemundt batted .500 and knockedin 14 runs to lead the hitting attack for theseason. Close behind was Kim Curran, with11 RBI and a .486 average, and Ann Har-villa. at .405 and 12 RBI. Next year, theMaroons will miss the services of seniorsAnne Speckman, Jeanne Dufort. and BarbBrink. However, all have replacements whogained some experience behind them thisyear.So, it may take an extra year, but theMaroons look like a favortie to win the statetitle twice in a row.model cameraPHOTO SHOWOur Largest Photo Show Ever!MORE THANONE DOZEN MAJOR MANUFACTURERSWILL BE REPRESENTED IN THIS PHOTOSPECTACULAR! PRICES WILL NEVER BE LOWER!May 19th-20th 9:30 AM-6 PMModel Camera’s 1978 Spring T-Shirts will be available for the first time.1344 East 55th St.' u u it t « t H I l' f'/’f t'i A ♦’«’» *\V%Vt\\V \ v’ « {(tltMtl * f.f f tff *PfcrkLaneTownhousesThe Affordable Hyde Pork House• 3 BEDROOMS• 2 BATHS• FENCED-IN PATIO• CENTRAL HEAT PUMPHEATING AND COOLING• FAMILY ROOMFrom $75,300 Imagine! A smart, contemporary-styled tri-level in the desirable Hyde Park-Kenwood area for as little as $75,300. Plus heat pump heating and cooling tolower your fuel costs and conserve energy. All concrete and brick construction tosave on wear and maintenance costs.Pork Lone Townhouses give you the clean, simple lines of Y.C. Wong, on oward-winning architect. He's widely known for quality construction and attentionto details.Exterior walls ore red face brick and ore fully insulated and fire-resistant. Firstlevel includes o large dining ond family oreo which looks out on a private patiogarden, accessible through sliding gloss doors. Privacy assured by redwood-facedcyclone fence. Modern cabinet kitchen hos undercounter dishwasher, electricrange, stainless steel sink, ond is adjacent to o utility room.Second level includes master bedroom with private both ond spacious livingroom. Third levei hos two more bedrooms and another both. Distinctive skylightfloods stairwells with natural light.Your Pork Lone home will be located next to o pork at 49th ond DorchesterAvenues in the smart Hyde Pork Kenwood oreo. Just 10 minutes from the loop.Adjacent to schools, churches, synagogues, libraries ond tennis courts. Coll todayfor complete details.Exclusive soles agents:MlflKIGAL & ASSOCIATE. INC1461 E. 57th Street, Chicago, Ill. 60637Phone: 667-6666CLASSIFIED ADSSPACELooking for apt or tenant? Come toStudent Government Housing Serviceafternoons or call 753 3273.SUBLET June through September-large bedroom in sunny, spacious sixroom apt. Share w/2 others. Call Joe241 6997.Dieter's Delight. Spacious but kit¬chenless 2-room apt. on northside -2600 Lakeview. Hardwood floors,walk-in closet, etc. Sublet - June 1around $150 per. Call between 11-12p.m . 871 4502.Woman over 30 seeks roommate toshare lovely 2 bedrm. apt. 493 2040.Wanted: 3 bedroom apt. for summersublet. Fall option preferred. Pleasecall Brenda, 324-5696. Leave message.HYDE PARK SUBLET June 1 w/falloption. Lge studio in quiet well main¬tained safe building on minibus route.Sl85/mo. incl. utilities. Furniture forsale CHEAP. 684 3092. (6-10pm)LONDON. 2 Bedroom furnished flatavailable September for academicyear. $285. Royston, 4074 Grove,Western Springs, IL 60558.246 1762.For 1-2 quiet responsible students inexchange for rent some childcarechores 3 rms-kitchenette & bath inKenwood faculty home avail June orSept. 373 2625 eves, wkends.Apartments Available ideal forresponsible UC students. Call 241 5430a m., DO 3 4255 3-7 p.m.OLD ELEGANCE on Lake Shore C-.near beach, bus, 1C, classy Meditteranean bldg, lovely rush cptd, ideal forgrad stud, good secsrity $165 call221 6606Private room prof home near to cam¬pus bath AC kitch. priv. June 12-Aug 23$300 female tel 324-4481.Large faculty apt available for sum¬mer sublet 288 2434Furnished 2 bedroom apt. wanted forVisit Prof. 7/1/78 3/31/79. 753-2492.Sublet June September 3 bedroomapt. fully furnished 55th & Blackstone.Call 753 3764, evenings 8. weekends643 0629.2 bedrm apt. 50th & Lake, lakeview.S286/month heat inc. Call 324 7063.WANTED: STUDIO OR ONEBEDROOM starting June, July or nexttall. Location between 55th and 59thStreets, Harper to Woodlawn. Up to$160/mo„ including utilities. Pleasecall 288 1082, anytime.Female roommate wanted for 3bedrm apt., 56 & Univ. call eves,643 2454.Apt sublet fall option avail. 6/1 $160.00includes utilities. Call Barbara days753 3291, eves. 752 0643.Male student needs roommate to sharehuge 2 bedroom apt. w/24th fl. view oflake, central air a real bargain.538 8480Sublet: I rm. in large, bright apt. Call643 9025 summer only.Summer Sublet 4 bdrm. apt. 54th 8,Greenwood. $300/month. 752-3911.Roommate needed to share 2 bdrm.furnished apt with me and 2 cats onEllis and Hyde Pk. Blvd. Rent$112.50/month for more informationplease call Melinda. 493 0623 night,955 3200 day.Summer Sublet KOSHER. Call David,684 8536, by Mon. May 22.22,yr old male needs place to live nextyear Need a roommate? Call Mark753 2249 rm. 3101. ■Medical student needs bedroom inapartment or house seeking singlemale to start fall qtr; will payS200/month for place walking distancefrom campus Call: Mark 753 0021.HYDE PARK: University couple looking for nice 1 of 2 bedroom apartmentfor August 1st. Up to $250. Calldaytime: Ira 878-7253 or Becky (11-5)977 1713.Young working woman needs compati¬ble female roommate for beautifulsunny E. Hyde Park apt. Mid. June tomid Sept $128.50/month. Call 955-6708Room for rent in professor's home, kit¬chen and laundry priv. 55th 8, HarperWoman preferred Call evenings324 3484.5405 S Woodlawn 2Vs rm. turn. 643 2760or 667-5746 Mrs. Greene.Vacation House for rent from June 17Aug. 20. Magnificent 3 bdrm., huge livmg room, cathedral ceiling, fullyequipped, fireplace, dishwasher,washer dryer, near lake etc. HillsideView One hour 8, 20 min. from UC$2,000 Highest references requiredTel 670-31 14 day, evening 324-3285Young Designs by1ELIZABETH GORDONHAIR DESIGNERS1620 E. 53rd St.288 2900 Female roommate wanted for coedEast Hyde Park apt. Sublet with falloption. 241-7589.2’ 2 large rooms, avail. June 15, 55th 8.Everett, 5175. 752-3447.Share apartment in spacious Victorianhouse with 2 others. Huge kitchen,fireplace, yard, close to transportationand shopping. Summer sublet, fall opfion. $83.30/month grad woman preferred . 642 3395.5 room 2 bdrm. apt. $250 available 6/1adults, no pets, vicinity co-op shoppingcenter. 764-2493.Summer sublet l bdrm. apt. $275 nearuniv. tel. 752 S788.WANTED TO RENT - SUMMER nice2 bedroom apt. furnished 53rd 59thbetween Lakeshore and Drexel,preferable. Needed June 24-Aug. 18.Responsible. NEH postgrad seminarmember. Write Dr. Setphen Bickham,17 West Ave. Wellsboro, PA 16901 orcall 717 724 3893 eves.PEOPLE WANTEDDo you want to teach young childrenbut lack teaching certification? TheDepartment of Education offers a flex¬ible program leading to teacher certif ication at the elementary level and aMasters degree The program can becompleted in 1 year of full-time studyor 2 years of part time work. For moreinformation call 753 2616.Half day summer camp counselors forchildren 3 6. June 19-Aug. 11. Call GaleBier 363 2770. Hyde Pk. JCC.Summer Work Ecology ActivistsCitizens for a Better Environment. Il¬linois' largest and most aggressive en¬vironmental organization will be hir¬ing 20 30 college students for salariedpositions involving canvassing, fundraising, and public education. Alltraining provided. Opportunities tomove rapidly into management positions. Further advancement for thoseseeking long term full-time employment in issue orientated campaigns.For interview, call: Citizens for a Bet¬ter Environment, 59 E Van Buren,Chicago (312) 939-1985.Wanted: Manuscript typists wantedf o r p u b I i c a -tions unit. Must type 55 wpm. Parttime and full time, school year andsummer. $3.62 an hour. Call Pat Morse753 2518Buyer for South Side food co-ops. Tenhours a week. $4.00 an hour. 363 6748 or288 7119.Fritz on 55th (ladies shop in Hyde Parkshopping Center) needs full and part-time sales help. Experience preferred.Call for an appontment. 288 5454.Secretary needed for Harper Squarehigh rise Will help process move-ins,move-outs, answer phone, take workorders, type letters 8. do details. 40hours per week to include two haltSaturdays and two Wednesday even¬ings per month. $9,000. 285 8600.PROGRAMMERThe University hospital computer ser¬vice seeks programmer with 2-3 yearsexperience on mini-computers usingbasic and assembler in hands on environment. This challenging positionrequires an ambitious person to headour soft ware staff. Excellent fringebenefits Send resume to:Louis Rose Employment ManagerTHE UNIVERSITYOF CHICAGO956 East 58th StreetAn affirmative action equalopportunity employer.Life Guards Summer Quarter hoursavailable. Inquire Bartlett Gym¬nasium. 5460 S. University.PEOPLE FOR SALEArtwork Illustration of all kinds, lettering. hand-addressing for invitations, etc. Noel Price, 493 2399Typing, writing, editing done by col¬lege grad MA rn journalism termpapers, theses, law briefs,manuscripts, letters, resumes. IBMpica. fast, accurate, reasonable OldTown. 787-3715.TUTOR Exper teacher, UC MA willtutor in high school English 8, socialstud., now thru summer. Exper.w/Lab Sch. HP resident Low rates.536 2318 ^Thesis, Dissertations, Term Papers,Inc Foreign language gen corres.Latest IBM corrective SEL IItypewriter, Reas, rates Mrs. Ross239 , bet 11 a m -5p.mVERSAILLES525 4 S. DorchesterWELL M4imi\EDBlilDIMiAttractive Il/* and'lx/2 Room Studiosh urni»h«‘H or t nfurnished$171 to $266oil \\ailahilioMl I lilitio inrlmlrfl\l (.ampu* ltu» Stop324-0200 VI rs. (iruak Typing Term Papers, etc. Reasonablerates. Convenient arrangements fordelivery in Hyde Park Area. Call684 6882 mornings 9-10or after 6 p m.For Experienced piano teacher of alllevels call 947 9746.Researchers - Free lance artistspecializes in just the type of graphicwork you need. Noel Price. 493 2399.SCENESParent coop for early learningpreschool is holding a communityrummage sale May 20. The sale will beheld on the school lot; 5300 S. Shore Dr.10 a m. to 5 p.m., Refreshments, facepainting, balloons and tours! Theparent co op is a community, non profit day care center for children ages2 6. Funds from the sale will be used toaid the school's 1978 program.All day summer program for 6, 7, 8 yr.olds and preschoolers. Swim, fieldtrips, sports, art, dancing, lunch incl.Sojourner Truth 4945 Dorchester 7a.m. 6 p.m., 538-8325.Love and Philosophy: Aristotelian vs.Platonic Dr. Allan Gotthelf N.U., Norris Center, rm. 2E 1999 Sheridan Rd.Evanston. May 21st 1 p.m., $3 w/stud.id. Call 383-1239 for more info.Gilbert and Sullivan H.M.S. Pinaforecentennial sing along. May 25 7:30p.m., Ida Noyes.Light show over Rockfeller,Fireworks, Saturday, May 20 after10:30 p.m.FOR SALEPASSPORT PHOTOSModel Camera 1344 E. 55th St.2 BR Condo in E. Hyde Pk. 493-3822MGB, 1967: $400. Call 667-7671.Chest $75, bed stand $25 drapes $25dressers $50. Parlor chair $25 table &lamp $35, etc. 978 1832.23" diagonal Zenith black and whiteconsole In excellent condition. Candeliver $40 call Becky 753-3756African cichlid fry cheap grocery cart947 0416.'69 JAVELIN Must sell before leavingthis quarter. 280 V-8 in excellentshape, like new radials, no rust. Ask¬ing $425 will bargain. Call Dale324 2119.Pontiac Ventura 1972 exc. cond $1400call 752-0374 after 7 p.m.1972 Volkswagen Bug. Manual. Leav¬ing country, must sell. Excellent con¬dition. $900 or best offer. Call 947-0257.Quasar TV B&W portable 12" six mon¬ths old yellow. $70 or best offer.684 5889 Marshall.1971 Datsun Wagon good body and run¬ning best off. 752 0945. ' .1970 Mercury Cougar convertible350 4 barrel V-8. Engine in prime condition body a little rough $450 or bestofferPIZZA PLAT riR1460 E. 53rd St.OUR SPECIALTYPizza Also Italian FoodsPick Up OnlyMl 3-2800a ’ 1 « V 1, }13 SALES with LV service is ourBUSINESS ft* REPAIR specialistson IBM, SCM, §C Olympia & othersFree Estimate >X Ask about ourRENTAL with 11n option to buyNew & Rebuilt AK TypewritersCalculators <UJ DictatorsAddersV ♦V U. of C. Bookstore5750 S. Ellis Ave. YY 753-3303MASTER CHARGE -0 BANKAMERICARD Vo C i C * " H + PERSONALSSee internationally acclaimed actorJohn Stark portray Canada's greatesthumorist STEPHEN LEACOCK (U ofC PhD 06) Friday, May 26 at 8 p.m. inIda Noyes Cloister Club. You NEED aticket to get in. Free tickets at Mandelbox office.Counseling for your problems. Forconfidential repty send stampedenvelope and description to Fren 1968E. 73 St. Box 249 60649.Needed 2 tickets to grad. June 9 sesSion 2, 3 00 will pay, 684 2597.PREGNANCY TESTS SATURDAYS10-1 Augustana Church, 5500 S.Woodlawn. Bring 1st morning urinesample $1.50 donation. SouthsideWomen's Health 324-6794.Preganat? Troubled? Call 233 0305 10a m. - 1 p.m. M-F or Mn. 8, Thurs. 7 9p.m., lifesaving help, test ref.Writers' Workshop (PLaza2-8377).SUMMER SUBLET56th at University. 2Vj bdrms., $315mo. Eva 241-5948BOOKS BOUGHTBooks bought and sold everyday,everynight. 9 a m • 11 p.m., Powell's.1501 E . 57th St.FLAMINGOON THE LAKEStudio, 1 bdrm. apts. turn., unfur.short, long term rentals, parking, poolrest., trans., 5500 S. ShoreDr. 752 3800FOLKDANCINGJoin us at Ida Noyes Hall for international folkdancing each Sunday andMonday at 8 pm Mon beginners, Sungeneral level, with teaching bothnights.•tye E ■■Mentions•Caetact lenses (S#ft t Herd)•Prescriptiees Fitted)R MORTON R. MASLOVOPTOMETRISTSHyde Pork Stopping Center15101. 5Stk363-0363ContactLenses99#0 hard lenses*17900 soft lenses *Package Price Includes:• necessary care kits• 6 months follow-up care• insertion & removalinstructionSpecializing in fittingthe ‘‘difficult".• Professional exam, ifneeded, additionalPETERSONOPTICAL CO .CONTACT LENS DIVISIONFitting contact lenses since 1967Three Locations• Water Tower Place • 9th Floor845 N. Michigan• Medical Bldg.3333 W. Peterson• Skokie Medical OfficePhones 463-5355-SPECIAL PRICE-LIMITED OFFERVo i-3'78Regular _c ror itard lenses$200, for soft lenses $300Oon Q / Discount on our Entire Stock/Q of new Yamaha & Takamine guitarsand new King recordersplus a few good old violinsThe j with bows & cases.FretShop V. Sale ends June 17,\ so come in soon.j 11-6 Monday thru Sat. KENNtPY. RYWMOWKAt t BSMOWIS.HCDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutDESIGN ELEGANCEBooth & Nagle-designedcustom-built townhouse.Built in 1974. Lovely land-scaped corner lotw/driveway & garage. Cen¬tral Hyde Park. 3-4 bedrms.,3 full baths. Exposed brick,spiral stairs, atrium-an ex¬traordinary architecturalstatement. $149,500. Shownby appointment only. For in¬formation call 667-6666.HOME -I- INCOMEIn this sturdy 3-flat brickbldg, in excellent area ofSouth Shore. 3-car garage,gas-steam heat, new roof, 6-rm. apts. w/appliances. Fullbsmt. Asking $65,000. CallMrs. Ridlon at 667 6666.BEAUTIFUL INSIDERehabbed 8 room frameduplex. Nice small backyard.Lots of potential. $61,000. Formore information caffRichard E. Hild at 667-6666MADISON PARKFirst time offered! Elegant10 rm. condo overlookingprivate park. 4 Irg. bedrms.,3 baths, 2 huge sunporches.Woodburning fireplc.,elevator. Many, many extrasin this 3400 sq. ft. condohome. For informationplease call Margaret Ken¬nedy at 667 6666.HOUSINGAT58TH& HARPER6 rm. 11/2 bath condo w/indiv.HAVAC, new kitchens &baths, 100/ new writing, etc.The ‘ "definitive Hyde ParkRehab" for years to come. Tosee, call 667 6666CONVENIENTLYLOCATEDIdeal 5 rm. plus sunporch 3rdfloor condo apt. near 55th St.Bus, easy walk to University& shops. $32,000. Call Al Daleat 667 6666 (res. 955-7522).SOME THINGS IN LIFE...are worth waiting for.Southwold Condominium isone of them. Large, 3 & 4bedrm. apts. near 48th & Kenwood. We re not ready for ourformal opening yet But if youare looking for an outstan¬ding condominium—we'd likeyou to have an opportunity tosee something special thatwill be available in 60 days.Call 667 6666.JACKSON PARKHIGHLANDSFirst time offered. Unusualcustom built artist's homedesigned for completeprivacy in a city location. 2Irg bedrms. plus full rec. rm.— a real studio & attachedgarage This exciting househas dozens of extra features.Priced at $135,000 For moreinfo please call 66 7 6666 GOOD LOCATION!57th St. near the museum. 2bedrm. coop, 1 bath, 1-cargarage, appliances. Priced at$28,500. To see, call FrankGoldschmidt at 667-6666.LOCATION + PRICE-GOOD BUY!You can't equal this oneanywhere! 3 bedrm. condohome w/modern kitchen, 2full baths. Ray SchoolDistrict. Natural oak floors,woodburning fireplc. Posses¬sion at closing. Asking$59,500. To see, call Mrs.Haines at 667-6666.i 8 BRIGHT ROOMSOVERLOOKING CITYEnjoy the view of the loop &lake. Beach facilities, gamerooms, off-street parking.Gracious living in this wellestablished old coop apt. at S.Shore Dr. & 73rd St. Only$25,000. To see, call RichardE. Hild 667-6666 (res.752 5384).56TH& BLACKSTONEDelightfully spacious &bright bedrm. & study, 2 bathcondo w/sun rm. 2nd floorlocation. Side-by-side liv. rm.w/formal din. rm., hardwoodfloors, vaulted ceilings, leaded glass. Priced for immed.sale at $53,500. To see, callMrs. Haines at 667 6666.5000 EAST ENDWith its view of the lake & ci¬ty this beautifully interiordecorated 3 bdrm., 3 modernbath condo w/new kitchen isa must see. Also has offstreetparking. Call Carol Gittler at667 6666OPEN HOUSEThere are only a few condosleft. 1 & 2 bedrms. Complete¬ly new kitchen & bath. Cometo DORCHESTER COURT,5415-25 S. Dorchester from100 to 5 00 Sat. & Sun. Forfurther information, callKRM 66 7 6666 Model fur¬niture by SCAN.2 BEDROOM COOPin a great location at 48th &Drexel Blvd. Courtway bldg,w/fountain in front. Wellmaintained lawn securitygates One of the best bldgs,in Kenwood. $11,000 LowAssmt. Call Don Tilery at66 7 6666HOME + INCOMEIn this sturdy 3-flat brickbldg in excellent area of S.Shore. 3-car garage,gassteam heat, new roof. 6-rm. apts. w/appliances. Fullbsmt. Asking $59,500 CallMrs. Ridlon at 667-6666OWN A HOME INKENWOODConstruction has begun on in¬novative Y.C. Wong designedtownhouses 3 bedrms., 2baths, private garden, park¬ing Ready for fall occupan¬cy Model & floor plans foryour inspection. From$75,000 Call 667 66661461 East 57th Street .‘Chicago Illinois 60637667-6666Daily 9 to 5 Sat 9 to 1, Or can 667 6666 AnytimeColl us for a free no obliqatinn estimate of value ofyour home condominium or co odThe Chicaan M A TAAn — CrSWvi A AO ne night five years ago, composer Paul Wintervisited Wolf Park, a wildlife preserve in Indiana,with his saxophone and a tape machine. When alone wolf howled in the night, Winter answered onhis sax, and after a few rounds the wolf (later namedIda) started imitating Winter’s melodic phrasing.He recorded the duet and has incorporated it, alongwith other wolf melodies, on his new album, Com¬mon Ground. Now scientists are keenly studyingWinter’s effect on Ida: a few nights after he left, theshe-wolf was heard howling some of the phrasesWinter had taught her. Winter, who has been re¬cording music about endangered species for nineyears, plans to do an entire album of wolves in thefuture: “I have tapes of chorus howls that areamazing.” — Rolling Stone, May 18“A haunting, eerie love-duet with two actual animalsas his sidemen.”— The Village VoiceMusic of the planet Earth.The Paul Winter Consortthis Saturday 7 p.m.Mandel Hall$2, $3 2/fee; $4, $5 generalGood seats still available. Tickets are Reynolds Club Box Office"The Consort has harnessed the power of amplification and put itat the service of musical form, imagination and fascinatinginstrumental color. ”-- The Washington Post