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Jan. 1 4, 1 943-fChicago ]"The^officia1 student publication ofthe University of Chicago".Supersedes the Daily maroon andPUTitie varies; July 2-Dec.10, 1943,Th!ositivel microfilmed by MicrofilmingCorporation of America, Glen Rock, N.J.•Holdings under main entry m•serial record.ICU 00T“238,1 >' rr 3-21-72Filmed by:University of Chicago LibraryPhotoduplication Laboratory1100 East 57th StreetChicago, Illinois 60637Film Size: 35mm Microfilm MicroficheReduction Ratio:Image Placement: IA HA IB IIB^ n j aDate Filming Began:VOLUME 87I‘07-1978JULY 1 - NOV. 2219NOS. 1 -25 &SPECIAL ISSUELACKING:NOS. 26, 43IMAGE EVALUATIONTEST TARGET (MT-3)1.0 n | 2.8 | 2.5m Ilia13.6 II 2.2II 4.0 2.0l.l— 1.81.25 1.4 1.6^ 150mm ►(716) 265-1600The Chicago MaroonVol.87 mq. iTaub given tenure inreversal of decisionmade two years agoBy Bruce Lewenstein The University of Chicago Friday, July 1,1977New Dean Smith will evaluatecore, independent College fundsJonathan Z. Smith, Master of the humanities collegiate divisionand history of religions scholar, was named to replace CharlesOxnard as dean of the College. Smith met with The Maroon lastweek to discuss his upcoming term. (Photo by Jon Meyersohn)In an unusual decision, RichardTaub, associate professoriallecturer in sociology, receivedtenure as an associate professor inthe College last week. Taub wasentering the last year of a three-year terminal contract he wasgiven in 1974 after being deniedtenure His position as associateprofessorial lecturer allowed Taubto continue teaching whileremoving him from the tenuretrack he had been on as anassistant professor.Taub is a well-liked andrespected teacher in the depart¬ment of sociology and the College,and won a Quantrell Award in 1975,when he was no longer an assistantprofessor. Normally, assistantprofessors denied tenure lose allhope of ever receiving it at thesame university.“I think the decision is fairlyunusual,” commented Taub “but itcame after two years of teachingand publication.” Taub’spublications may have securedhim the tenure post he missedbefore.According to Keith Baker,master of the social sciencescollegiate division, the decisionwas reached in the last few weeksof the spring quarter. He said thatin any tenure case, both teaching and research are consideredTaub believes that his recentpublications, including a soon to bepublished book, contributed to thedecision. “It’s true that I had amuch stronger case now than twoyears ago. I look better.” Thedecision seems to confirm thebelief that research andpublication contribute more totenure decisions than excellence inteaching.Taub to 3Richard Taub, associateprofessorial lecturer in sociology By Jon MeyersohnJonathan Z. Smith was named byPresident Wilson to succeedCharles Oxnard as dean of theCollege, effective July 1. The June21st announcement, came after acommittee headed by WarnerWick, professor of philosophy,submitted a list of final candidatesto Wilson.Smith, the William Bentonprofessor of religion and thehuman sciences, Master of thehumanities collegiate division, andassociate dean, is a history ofreligions scholar and a professor inthe Divinity School. He came toChicago in 1968 from Santa Bar¬bara, where he had taught since1966. Before that he taught atDartmouth College and YaleDivinity school.The committee to select a newdean had apparently narrowed thechoice down to a few names, butthe final decision was made byWilson. The search committeerecommended a replacement forOxnard after he resigned inJanuary, one year prior to the endof the traditional five-year term ofappointment.The committee was said to belooking for someone who couldfunction as a competent ad¬ministrator, as a good spokesmanfor the College, who had a closetouch with the faculty, and whocould work within the College’sprogramatic and financialboundries.Oxnard was seen as having a problem with faculty “exchange,”that* is, getting senior faculty in¬volved with the College In aninterview with The Maroon lastFriday, the 39-year-old Smithlisted this as one of his priorities.“We have to get people thinkingagain,” he said. “Too much hasbeen taken for granted about thecourses and programs here. Mysense is that this place is a bitsleepy. I think what is critical is tobe able to show that among otherthings the College is a place where interesting discussion and hotargument can occur.”The New York-born coordinatorof the collegiate religion andhumanities program announced nomajor changes, but felt that theCollege was long overdue for ageneral clean-up andreassessment of purpose. Smithfelt he could help accomplish thisbecause, “first, I have energy andenthusiasm.”Smith to 5Fewer grads staySummer enrollment downFuture is unsureas Shorelandrenewal beginsBy Eric Von der PortenRestoration of the Shoreland Hotel willcontinue this summer despite official in¬decision regarding the future of thebuilding.The Shoreland has been closed to studentsfor the summer to facilitate replacement ofapproximately 25-35 percent of the plum¬bing, this which requires that muchwallboard to be bom out to get at the pipes.The work will be in addition to the more than$300,000 the University has spent in the pastyear alone on restoring the Shoreland’sheating, electrical, and plumbing systemsand the building’s brick structure, plus$150,000 which has been committed toreplacing the building’s electrical circuitry.On May 17, William B. Cannon, VicePresident for Business and Finance, statedthat the decision has not been made to investlarge sums of money in the Shoreland or toturn the hotel into a permanent dormitoryOn June 29 Edward Turkington, Director ofStudent Housing, confirmed that thesedecisions had not yet been officially made.However, Turkington also stated that thehotel continues to house approximately 40permanent tenants and will be used as adormitory next year.There will be eight graduate and un¬dergraduate residential houses and ap¬proximately 500 students in the Shorelandnext year - increases of two houses andapproximately 70 students over 1976-77Students will pav between $930 and $1395 peiperson, approximately $110 per person permonth, for a double occupancv room with bath or up to approximately $150 per personper month for a double occupancy onebedroom apartment. The few efficiency-apartments in the building will cost $1485 forthe school year, approximately $175 permonth.These figures indicate that the Shorelandmay be fully occupied next year, butTurkington expects that there will be somevacancies due to uncertainties aboutenrollment.He emphasized that “no permanentresidents have been or will be asked toleave,” but stated that “more may leaveeither for personal reasons or to avoid in¬conveniences caused by the summerrestoration.”The Shoreland renovation is part of theUniversity’s plan to fulfill the rising demandfor student housing. In the past two yearsthe number of students in Universityhousing has increased despite decreases inenrollment, and the Shoreland up to now hasbeen the University’s primary answer tostudent housing needs. The UniversityShoreland to 3The interior of the Shetland hotel,being renovated this summer forstudent housing(Photo by Carol Studenmund) By Jon MeyersohnSummer enrollment is expected to bedown slightly from last year’s total of 2099students. After the first week of registrationthis summer, 390 students had registered inthe College, and 1171 in the graduateschools. This compares with first weekfigures in 1976 of 347 in the College and 1358in the graduate schools.It is expected that thdre will be close to1900 degree students on the quads over thesummer, but the slight drop is attributableto a drop in graduate school attendance.There was a 13 percent drop in graduateregistration from last year, while in theCollege, there was a 12 percent increaseafter the first week. The final figure is ex¬pected to be about 200 to 250 above thepresent figure. There will also be about 500professional school students.Students are attracted to summer pro¬grams by a 30 percent tuition discountThis discount was first instituted in 1975.and has brought about 2000 students eachsummer. There will also be a small numberof transfer students and freshmen on thequads this quarter.Though the University is functioning at areduced summer pace, the administrationwill operate at its regular level Some ad¬ministrators will be vacationing, as willmost faculty members.Universitv services will be cut back forthe summer The C-Shop has reduced hours,as do the Regenstein stacks the ReynoldsClub desk, and the athletic facilities.There are no figures yet on Universityresidency, but graduate students will live inBroadview and undi r^raduates in Snell.Last year Hitchcock Hall was used for summer housing, but this summer it ishousing high school students in a summermath program..Also on the quads this summer are 238extension division students. The extensiondivision mounted a large ad campaign toattract older, returning students to theUniversity, placing ads in The New YorkTimes and other large newspapers. Thecampaign so far does not seem to havesucceeded, because the 238 figure is dow-nfrom last year's first week figure of 328extension students, a drop of 27 percent.These students are not here during theregular academic year.Summer MaroonThis is the first issue of thesummer Maroon The Maroon willpublish for the next six Fridays.We will have full-day businesshours on Wednesday, and 8:30 to12:30 every other day. Theeditorial office will be open everyafternoon, and all day on Thur¬sday.The Maroon will inform thecampus of news and events overthe summer, and we encouragewriters, artists and photographerscome by and start working. TheMaroon is looking forward to aproductive and exciting 87th yearand we hope many interestedmembers of the University com¬munity w ill join us with their ideasand talentsB GREAT GOURMETFbodFestivalJuly 2,3,4 McCormick Place YouthQmmMe it!HERE IS HOW IT WORKS:The cost is only S7.50 for adults and Si ,50 for childrenTickets are available at participating restaurants, Ticketron, or you can write to The Great Gourmet FoodFestival, 625 N. Michigan, 60611For your admission ticket, you will receive 20 couponswhich will entitle you to a choice of tasty tidbits fromeach super restaurant when you walk from booth tobooth. And you can purchase extra coupons if yourtummy can hold more goodies. You will have a sensational time tasting foods, watchingcooking demonstrations, and sampling wines - all in oneplace, right in Chicago. Avoid the Holiday Crunch andjoin the Holiday Munch at McCormick Place.From 11:00am. to 7:00pmJuly 2,3&4 1977Tell your favorite restauranteurs to have theirvery best specialties on exhibit at (THE GREATGOURMET FOOD FESTIVAL.) For exhibitspace call 266 7454 - Ask for Michael.2 — The Chicago Maroon — Friday, July 1, 1977±NewsBriefsCreate Hutchinsmemorial awardA $10,000 award for outstanding con¬tribution to educational theory or practicehas been established by EncyclopaediaBritannica, Inc. to honor the memory of thelate Robert Maynard Hutchins.Britannica’s president, Charles Swanson,said the initial award will be presented laterthis year. Details of the award are still to bedecided. “Nothing has been nailed down asof yet,” a spokesman said.Hutchins, who died May 14, was Presidentof the University from 1929 to 1945 andChancellor from 1945 to 1951. He wasChairman of the Britannica Board ofEditors from its formation in 1947 until hisretirement in 1974, and formed a long andclose association with Britannica’spublisher, the late Senator William Benton.Hutchins and Benton worked together tobring the fifteenth edition of EncyclopaediaBritannica, Britannica 3, to realization.Hutchins also collaborated with MortimerAdler in editing the Great Books of theWestern World and its supplement, TheGreat Ideas TodayA memorial service honoring Hutchinswas held June 8th in Rockefeller MemorialChapel. Talks were given by Adler,Chairman of the Board of Editors of En¬cyclopaedia Britannica; James H. Douglas,Life Trustee of the University; and EdwardLevi, President Emeritus and HonoraryTrustee and the Glen A. Lloyd DistinguishedService Professor in the University. In¬vocation and benediction were given byJerald Brauer, Naomi Shenstone DonnellyProfessor in the Divinity School.The service also included a performanceof Bach’s Third Orchestral Suite in D Majorby the Rockefeller Chapel Orchestra,Richard Vikstrom conducting. Benjamin Lee, 42Dr. Benjamin W. Lee of the FermiNational Accelerator Laboratory was killedand three members of his family were in¬jured in an auto accident June 14 on In¬terstate 80.Lee, head of the theoretical group atFermilab, was driving to Aspen, Colo, for ascience meeting when an eastboundsemitrailer blew a tire and crossed themedian strip. Lee was pronounced dead atKewanee Public Hospital.Born in Seoul, Korea, Lee came to theUnited States in 1956 and studied at MiamiUniversity in Ohio, the University of Pitt¬sburgh, and the University of Pennsylvania.He came to Fermilab in 1971. At the time ofhis death, he was a professor of physics atthe University’s Fermi Institute.Lee published many scientific papers andwas a leading contributor to the theory thatlinks two of nature’s basic forces: the“weak” force seen in radioactivity, and theforce responsible for magnetic and elec¬trical phenomena.Hayek lectureFredrich Hayek, the 1974 Nobel laureatein economics, is coming to the Universitythis week to deliver two lectures: “Com¬petition and the Free Society” on July 6th,and ‘ The Denationalization of Money” onJuly 7th. The lectures will be given in theLaw School auditorium at 4:30 p.m. bothdays.Hayek is professor emeritus of theUniversity’s Committee on Social Thought,and has authored 17 books. He is known forhis work on capital and interest theory andthe trade cycel, subjects which he discussesin his most studied work. The Pure Theoryof Capital <1941).Hayek also has written about what hecalls a spontaneous social order and the ruleof law in The Road to Serfdom 11944) and,more recently, in Rules and Order (1973)and The Mirage of Social Justice (1976).Hayek has been professor of economics atthe University of Freiburg since 1962.summeron,theids!ITT I Wednesdayjuly 6If rain, theconcerts willbe postponed toThursday, July 7,at the same times.noon hutch ccurt7 pm hitchccck ccurt6 pm BARBECUEWe supply charcoal, grills, ice and condiments. You supply the rest. Sailing club meetsThe University of Chicago Sailing Club(UCSC) met last week to outline its summerprogram of lessons and recreational sailing.The lessons, which began on Tuesday, willteach sailing techniques and theory tostudents, faculty, staff and alumni. Signupsfor a second session of lessons beginning onAugust 6th will be taken at 7:30 p m on July21st in Ida Noyes on a first-come/first-servebasis. The lessons cost $25 for club mem¬bers.For more information, interested peopleshould see the bulletin board outside the I-Moffice in Ida Noyes, or call Lisa Won at 288-5775 or Bruce Lewenstein at 752-2159.Norman H. Nachtrieb, professor ofchemistry: “an enormous stimulus toRalph W. Nicholas, professor of an-throplogy: “absolutely delighted” (Photoby Philip Grew)department Convocation1606 academic degrees were awarded atthe University’s 363rd Convocationceremonies, held June 10th and 11th.Parents and students from around thecountry gathered to collect the final token oftheir years of hard work and diminisheddollars.Honorary degrees were awarded to LouisDumont and Joseph Needham. Bothreceived doctorates in Humane Letters.Needham is a biochemist and historian ofChinese science and Dumont is an an¬thropologist and social theorist.Quantrell winnersThis year’s Quantrell Awards for ex¬cellence in undergraduate teaching wereawarded to:Norman H. Nachtrieb. professor in thedepartment of chemistry, the JamesFranck Institute, and the College.Ralph W. Nicholas, professor in thedepartment of anthropology and theCollege, Executive Secretary of the Com¬mittee on South Asian Studies and editor ofthe Journal of Asian Studies.Hewson H. Swift, chairman of thedepartment of biology and the George WellsBeadle distinguished sendee professor inthe departments of biology’ and pathology,the College, and the Committee on Genetics.The awards, presented at Spring Con¬vocation. carry a prize of $1,000 each. TheQuantrells were established in 1938 by anendowment from Ernest Quantrell, aTrustee of the University, and are believedto be the oldest awards of their type in thecountryThis is the second time Nachtrieb hasbeen awarded a Quantrell. This year hetaught the first two quarters of the in¬troductory’ chemistry sequence for fresh¬man. He said that the Quantrell Award is“an enormous stimulus to better teaching,to encourage faculty to meet the needs ofstudents, and to see things from students'point of view. Research and teaching arecomplimentary functions, and the Quantrellprizes help to keep the tasks in properplace.”Nicholas teaches the introductory socialscience sequence for freshman. “Self.Culture, and Society.” and has also taughtundergraduate course on social an¬thropology and on India He said he was“absolutely delighted” when informed ofwinning the award. “I can t think of anyhonor I'd rather have.” he said.Swift teaches a yearly course on cellbiology for juniors and seniors in theCollege. He is a member of the NationalAcademy of Sciences and the AmericanAcademy of Arts and Sciences, and is aspecialist in the role and arrangement ofDNA in cells.- Mirriam KanterTaub from 1When asked whether the decision on Taubreflected any change in attitude toward thebalance between teaching and research.Baker said that it would be “chancy” todraw any kind of policy decision from theone case. “It seems to me that every case isdecided on its merit,” he said.The three-year fixed contract held byTaub was itself unusual. Lecturers areusually new or visiting professors who havenever held any position on the tenure ladder.From there tney progress to assistantprofessors, and after one or two three-yearappointments, to associate professor. Ac¬cording to University statutes, “normalappointment to the rank of associateprofessor.' shall be with indefinite tenure.”The oddity for Taub was that, although hehad once been an assistant professor, hereceived tenure directly from the lecturerpost, a specifically non-tenure trackposition.Several other respected teachers havebeen denied tenure recently, lacking whatsome call “a major work” of research. Atleast one. William Swenson, is rumored tohave been offered an administrative postallowing him to continue teaching part-time. This would put him in a positionsimilar to Taub’s.But for now, Taub is “delighted. Thisenables me to know what I'll be doing for thenext few years.”Taub, who some feel lost the originaltenure decision in part because his area ofstudy was outside the classical westernfocus of sociology, has concentrated on theeastern world Taub evaluated his positionby saying “l think the College needs peoplelike me ” Shoreland from 1made a commitment to the Shorelandbecause it was seen as the most practicaland least expensive solution to studenthousing. The high cost of housing con¬struction — approximately 20-25.000 perstudent according to Vice President andDean of Students Charles O'Connel versusperhaps $5 - 10,000 per student for buildingrenovation — makes construction much lessfeasible than a project such as theShoreland restoration.The University also hopes to be able to uselow interest federal loans available throughthe Department of Housing and UrbvanDevelopment's College Loan Program tofinance the Shoreland renovation. Thesefunds are not available to the University fornew student-housing construction.The 500 students who will be housed in theShoreland next year cannot be ac¬commodated elsewhere and the Universityhas no plans to create other ac¬commodations The tuck-pointing andmasonry work on the Shoreland is essen¬tially complete, a great deal of plumbingwork will be done this summer (thougheventually almost all of the plumbing willhave to be replaced), and there remainswork to do on the electrical and heatingsystems.The future of the Shoreland appears todepend on future enrollment figures andfuture student housing trends, which willdetermine the extent to which the Shorelandwill be needed for student housing.The Chicago Maroon — Friday, July 1,1977 -EditorialA new deanWe welcome Dean Smith to his new positionand hope that his enthusiasm, thoughtfulnessand ience will allow him to succeed in a jobwhere le will constantly face differing opinion^and the necessity to make quick decisions. IProrahis comments to The Maroon, we think he will;beprepared to meet his task with the utmost for¬thrightness, while encouraging healthyargumentSmith said that the greatest problem theCollege faces is “programatic,” but we think heintends this as a label of a greater malaise. Themalaise is that the College is too amorphousto want to put their energy into•By demhig its purpose, the College will at¬tract e faculty, and by attratcmfaculty, the College will itself become better andmore "exciting. The process is cyclical, but itdepends first upon making the College less“sleepy.*’This problem Is the most difficult to correctbecause it is itself an enigma. If Smith wants toenliven the College he must start first by curingthe organizational confusion and by involvingstudents and faculty in policy decisions. Smith'senthusiasm is his best beginning, but in order tokeep it he must involve himself as much aspossible. He is a dynamic man entering aposition that badly needs nis dynamism, and thisCollege can not afford to have a figure-headdean.The present state of the College demands adean who is able to extract a general anddefinable purpose from its often unconnectedsegments. The dean must be able to take thatgeneral definition of purpose and then go outsideto attract people to the College.Though the College has no “copyrights” on theliberal education it helped invent, Dean Smithmust help take that enormous, complex traditionand mold it into some message that can be easilyconveyed to the world outside Hyde Park. TheCollege must attract minority students andwomen in order to make this school truly aliving, working microcosm. As Smith said, “theCollege is not isolated”; not from the Universitynor the world.Smith must take his sense of interrelation,both within the University and outside it, todevelop a financially independent college that isable to serve as an intellectual center of theUniversity and a meeting-ground for differentdisciplines. By reevaluating common core, thecivilizations sequences, the language programs,the majors, and electives Smith can get theCollege to begin to decide for itself what it is.Dean Smith should look to the students forsupport, because it does not seem likely he willget a lot from the administration or fromsquabbling faculty who feel no guilt about notteaching in the College. But, the only way thedean can win that support is if he is open andhonest with students. If he is sincere aboutmaking changes, about cleaning house, the onlyway he can do it is if he asks the opinions ofstudents instead ignoring them. This also meansthat students must come forward to try to decidefor themselves what it is they want from thisCollege.Only a strong dean can raise the College fromits slumber, can encourage professors to investthemselves in the College, can foster a largerfaculty voice in College affairs, and can makethe well-intended tradition of liberal education atthe University of Chicago once again a real andexciting experience.We think Dean Smith will be able to approachthose matters with a fair, professional, in¬telligent mind and an enthusiastic spirit.4 — The Chicago Maroon — Friday, July 1,1977 ;; Letters to the EditorShoreland renewalTo the Editor:From statements made lastTuesday by University officials, ftappears that the renovation of theShoreland will be completed and theShoreland will become a permanentpart of the University housing system.In developing this policy, the considered. Second, is economy theonly appropriate criterion fordetermining the type of studenthousing to be provided? Again andagain, the officials we spoke toTuesday indicated that studenthousing is not a priority expenditureand that the prime reason for adop¬ting the Shoreland alternative was thecomparatively low cost. While wesympathize with budget-pressedadministrators, we seriously questionUniversity has failed to include other the wisdom of considering cost overInterested groups in the decision- quality and desireability since themaking process even though the decisions made now will have long-University’s actions in this area will term implications for students, thegave important consequences for the community at large, and even forentire community. In particular, this University recruitment efforts,policy of committing large sums ofmoney to dormitory-stvle housing as As members of Student Govern*directly opposed to the interests of the ment and the Students For Alter-large number of students who would natives Housing Task Force, we willprefer to live in apartments outside of continue to look for alternativethe dormitory system and seems to solutions to the student housing crisisrepresent an abandonment of the and we hope that other concernedstudents will join us in dealing withthis important issue.University’s oft-stated policy ofproviding diverse student housingalternatives.As our “Report on Student Housingand the Community’’ emphasizes, thenumber of rental units in Hyde Park isdeclining and the rents on theremaining units are rising muchfaster than student income. Such tpressures have already caused the Qpyiof onepercentage of undergraduates in auoUniversity residence halls to rise to arecord 65%, higher even than whenthe University had a four-yearresidence requirement for women andtwo-year requirement for men. Bob Van Meter,Eric Von derPortenTo the Editor:During the past year alone, therewere 200 more students in Universityresidence halls despite the drop inenrollment.However, the University seems tohave the problems of student housingsolved. The Shoreland can ac¬commodate many more students thanare currently residing there thoughwith an increase of perhaps 100 Sexism means the discriminationagainst, the degradation and theexploitation of, and finally the im-personalization/dehumanization “ ofanother person on the basis of sex. InUnited States society, it meanswomen are subjected to this treat¬ment from all angles. One particularelement that serves to exploit andreinforce sexist attitudes andresidents next year, it is conceivable behavior is advertisingthat the Shoreland could be full in justa few years. If this should occur,University officials indicate that theWindermere Hotel is a likely can¬didate for conversion to student-housing.We wish to raise several questionsregarding this housing policy. First ofall, is the Shoreland the onlyeconomical alternative for providingstudent housing? The officials wespoke to seemed reluctant to considermany possible means of providingstudent housing such agjponsoring afederally-subsidized ^apartmentcomplex similar to Lake Village East.] furthermore, the closed nature of theUniversity’s decision-making processleads us to wonder whether allpossible alternatives were fully Your paper runs sexist ads thatinsult and anger me and otherstudents. One series in particular isfrom a major beer manufacturer,apparently tailored for circulation onAmerican college campuses, con¬sisting of a woman called “the dean ofbeer” who wears short pants, tightshirts and sits around lookingseductive, smiling, or just plainlooking dumb.I think this represents a con¬tradiction to an institution supposedlydesigned to inform- not to sell out forMoney from sexist exploitation. Howcan The Maroon print a notice of themarch for the Equal Rights Amend¬ment, and a full-page insult in thesame issue?! Don’t tel me-1 know theanswer. $$. But...can’t you say NO to sexismfrom the firms that support you?(Certainly they have other lessdisgusting pitches than the currentexamples.) Perhaps if you explain toX-.that their tactic of selling beerwith degradation inspires anger andresentment fif not boycott) here, notinstant profit, they will buy space foranother approach.I really hope that you do somethingabout this- only you can. Don’t acceptsexist advertisements. Make a standfor the dignity of males and femalesalike.R, VintLonelinessTo the Editor.My name is Tyier-Chin and I amlonelv. I am a sixth year Graduatestudent working for my PhD inCrystallography and I haven’t had adate (with a girl) since l was fifteenyears old. That was thirteen yearsago. (I stayed back once and also oncetook a year from studying In order toinvestigate Crystal Crises in Helsinkifjiords.) Anyway please, MisterEditor, find me a girlfriend. Orwoman-friend if you please. It seemsthe amount of males here comparedto the amount of females here in theUniversity of Chicago is not so good.Everybody is too busy with work tohave fun. There Is no place here tomeet nice people It makes me sad.Tyler ChinIgnoble deathKathleen Quincy Korvair’s ignobledeathWas altruistic from the professionalview:Her reputation’s gone and Quincy’sbreathIs consequently “known’’ by preciousfewHer recklessness and brilliant innercompulsionTo fortify and consolidate hermovementsCan signify the woman’s ownrevulsion;Her personal contribution was im¬menseIn light of ritualistic mores and vir¬tuesThat help the individual to ignite;Korvair’s in no position to confuseThe recognitions of this mortal plight.Her death in Botany Pond wasterribly tragic! -It’s not conducive to this sort of“Magic?”RaphaelleF. KahnThe QiicagD MaroonEditor: don MeyersohnNews Editor: AdamSchefHerFeatures Editor: Karen HellerArts Editor: Mark NeustadlPhotography Editor: Philip GrewBusiness Manager: Sara WrightAssistant Business Manager:BresnahanAdvertising Manager: Chris GlennGraphics: Chri s Persans Micki Staff:Ellen Clements, Karen Homick, Mirriam Kanter. LukacsLeBag, Bruce Lewenstein, George Spink, Carol Studenmend,Carol Swanson, -The Chicago Maroon is the student newspaper of theUniversity of Chicago, published Tuesdays and Fridaysduring the regular academic year The Maroon serves theUniversity and Hyde Park, and will publish Fridays duringthe summer. The Maroon is located at 1212 E. 59th St.Chicago, Illinois, 60657. The telephone number for theeditorial office is 753-3263 753-3265 »br the business officeThe editor invites letters.h. • * «. *. * -» «■«* I Tini tiry t»dVSmith from 1‘1 think the committee was looking forsomeone who had that energy, and whocould also have a genuine willingness toaccept the given situation of the College. Itis not a separate institution ; it is part of theUniversity. I think they were also lookingfor someone with the capacity to be excitedby educational issues that are very broadand very narrow,” he said.No grandiose schemesSmith rnay not see himself making majorchanges, but hopes for ‘‘reevaluaton. Thebiggest problem in the College isprogramatic, not financial. Things exist inthe College because they have alwaysexisted that way, and there are manyprograms which don’t necessarily havedirection or shape. Things are not wellconnected to other things,” he said.Smith, who gave this spring’s Convocationaddress on ‘Birds, Beats and StubbornLittle Stones.” has long been committed tocombining effective administrating withthoughtful teaching. He is dedicated to theideal of a self-defined and self-supportedcollege.‘‘One of the most important things theCollege must do is to be able to generate itsown kind of monies,” said Smith. “The onlyway it can do that is to decide what it wants.I see finance and programatic decisions asinterrelated. We can never attract cor¬porations or foundations if we can’t tellthem what we want the money for.‘‘I don’t have any great vision ofsomething one wants to do, largely becausethat’s not the way an academic institutionworks. I think what an administrator shoulddo is enable, enhance, prod and explorethings that other people themselves want tohave done. What we must do now is find outwhat those things are ”Start with coreSmith is ready to ask. if not demand,reasons and purposes from all who come incontact with him He said he would spendthe first few months in his new post “askinga lot of dumb, obvious questions,” but thathe hoped ultimately to discover what theCollege is, and how it should present itself tothe outside world.“The College is very amorphous in thesense that there are so many varied sorts ofinterests. I see mv job as dean as beingthere to help define what the College maybe, and the best place to start is with thecommon core. One has the core and I don’treally see what that has to do with the rest ofone’s career here It had, and it still has, apurpose, but I don’t think it’s thought aboutenough, utilized, or built upon by any one setof experiences. We may have had "the firstprogram in the country lor liberal generaleducation, but there are no copyrights onthat, and w'e must continually ask ourselveswhat it is we are trying to teach. What’shappened is that there’s no critical mass inthe common core, no group of people whoare really excited about the idea.”Smith attributed the rapidly changingacademic world to a great increase inmobility over the last 15 years. What used to be a “Mr. Chips world where everyonestayed in one place,” has become a moremobile society.“This is good,” he said, but as we keepmoving we must keep redefining andreasserting what we want from collegeeducation. You ca« no longer takesomething for granted that was taken forgranted five years ago.”Smith is faced with problems that haveaccumulated in the College over a numberof years, problems that have beensomewhat neglected and have no easysolutions. He will see student problems ofdecreased enrollment, increased tuition,and reduced aid. He will be faced with thetask of attracting students, particularlyminority students and women, and withproblems in the College of major programs,requirements, electives, class-size and thecommon core.On the perhaps more complicated facultylevel, Smith must address the questions ofstaffing common core courses, of attractingreluctant senior faculty to teach moreCollege and core courses, and ofreorganizing the core if the Harper Fellow-program does not continue. 1978 is the finalyear of the three-year term for HarperFellows, and Smith must decide if theprogram will be reinstituted. If it does not,this will force major changes in the College.Smith must also function as a liasonbetween faculty and administration, wherelines of communication seem to have brokendown. This year’s accusation of“multiversity” exemplifies the alienation ofsome of the faculty from the generalworkings of the University. Smith, with hisclose ties to the faculty, is expected to havean easier time in that area. The faculty andthe dean seem to have accepted the fact thatthe College faculty is not going to grow, thatfew, if any junior faculty will be hired, andSmith is in a unique position as a new deanwith previous faculty and administrativeappointments.Financial considerationsSmith does not see money in the College asa great problem. He feels he will be able towork well within the current constraints.“The College’s problem is not financial,” hesaid.“In the past couple of years the Collegehas been treated better than any segment ofthe University. The problem is if you gaveme a million dollars right now, do I knowintelligently what ought to be done with it,and can there be a general concensus aboutthat.”Norman Nachtrieb, professor ofchemistry- and member of the dean searchcommittee, felt that Smith would well beable to work with the financial limitations ofthe College. “He is familiar with theCollege, and that was important to us.That’s why we didn’t want someone fromthe outside.” said Nachtrieb.The committee also found Smith at¬tractive because he “has the ability to relatefully to the faculty and students as well asthose outside like parents and prospectivestudents. We were looking for someone whowould be very visible on campus, who would be a constant source of ideas on campus,though not necessarily of controversy,” saidNachtrieb.Take nothing for grantedSmith used common core as an exampleof the danger of intellectual stagnation inthe College. He is pleased with the HarperFellow program and hopes to continue it,because “these young faculty have beeninvolved in discussion, and they have in asense been cross-divisional.“We found a group of people who weregood and were genuinely excited aboutteaching. They have had a kind of fermenteffect, because before junior faculty taughtcommon core and civilizationalrequirements penance, and they knew theywould graduate from it. What the core wasleft with was a group of old-timers whowould sooner cut off their arms than stopteaching common core and some youngfaculty who knew- that if they put in theirtime they wouldn’t have to do it after awhile.”Smith stressed that he did not want toeliminate the core, only enliven it. “I don’tdisagree with common core, but if it is takenfor granted its staffing will be taken forgranted,” he said.“I think we can make common core in¬teresting to faculty. There are people outthere who would love to teach common core,but not that particular core the way it stancenow. I really think we have tendki to holdthat core sacrosanct The reading listsreally haven’t changed that much over 20years.”Smith feels that common core is stale nowbecause “it is perfectly clear that careersdo not rest on core teaching. What we haveto do now is say, ‘Well, the world is notclosed,’ and people have to tell us what theythink a core ought to be. Up to now it’s beenalmost a matter of faith and belief ratherthan one of thought. There cores didn’t comefrom Sinai. So, my own idea is that with thecommon core and the major programs, wemust take nothing for granted.”Smith’s take-nothing-for-granted, house¬cleaning attitude applies to the entireCollege curriculum. Common core, theprograms in language, civilizations, andmajors, as well as the electives, “couldstand some simple kinds of questions. Weneed discussion among the various groups.Come on. let’s argue about it! ”Dean faces problemsSmith has served in many academic postsand has always been close to the action asan administrator and faculty member Now.in an odd sense he is in the eye of the storm.“The biggest problem with the office ofthe dean, regardless of who holds the job. isthat in some way he is the last one to knowanything. All College deans, no matter ofwhat they are like, have had that problem.”he said.The problem of isolation becomes par¬ticularly acute when the dean is expectedto know everything and to act quickly onmany matters. He is isolated in an office inHarper, away from regular day-to-dav activity, and his purpose may become ob¬scured.“Once you move from the divisional of¬fices and areas to the dean’s office, yourlines of communication are cut down. Thedean sits up there and plays with himself.So, you’ve got to get him talking, and he hasto learn about things as soon as possible. Iintend to meet with all kinds of groups, andrather than sitting there and waiting for areport, I want to be involved early and knowwhat’s going on. The only way politics oc¬curs around here is through discussion, so Iwant to be in on those meetings andarguments. If you don’t know what the issueis, there’s nothing you can do politically,”he said.Selling the CollegeThe College dean must be able to promotethe college outside, both to potential con¬tributors and to potential students. Smithwants to see a College public relationsdirector to devote himself to “selling theCollege to the world.”To Smith this means first deciding what itis that is being promoted, but after he has abetter sense of that, he feels the college willbe able to function independently of theuniversity’s established publicity wheel,D.J.R. Bruckner’s Office of Public Affairs.Smith feels that what the College has tooffer, and what may attract students, is notthe same as what the University ispromoting.“I think I can count on one finger thenumber of college students who come herebecause of the number of Nobel prize¬winners there are in the vicinity,” he said“This is important to graduate students, butnot to college students, because they willprobably never come into contact with thosepeople anyway. Those things like prizes andbooks we should be proud of. but the Collegemust focus on other kinds of publicrelations.”Smith wants to hire someone to handle thetask of promoting the College, but also feelsthat personal contact is important. “I thinkwe should bring more people to campus, tolet them see what really goes on here.” hesaid.“Our best selling point is what w7e are andwhat we do. This is an attractive campus intouch with the city, and exciting things go onhere And after we tell ourselves what weare, it will be much easier to tell the world.”For the best dealsand the best servicecome seeOPEN: Dally 9-9Frl 9-6Sat 9-SCla«ad Sunday Open durin9 the summerJimmy’s&The University RoomTAKCMft-ttMCHINESE-AMERICANRESTAURANTSpecializing inCANTONtSl ANOAMfttCAM DtSHfSOPtN DAILY11 AJA. TO *90 PMSUNDAYS AMD HOLIDAYS11 TO *30 »M.Order* tefce ovt* 1 • Mr*V , r-rr-HT —,—| rrtte Chicago Maroon — Friday, July 1, 1977 — 5A Saturday bus trip to enjoy the Arboretum's greenery, There areseveral different walking tour maps available when you get there. Packa lunch and have a picnic! Admission to the park is free and the bus feeis $2.50 per person. 'The bus leaves from Ida Noyes at lOam and returnsat 4pm. Sign up and pay fee in the Student Activities Office by July 6.J' 1 S . • -INTERNATIONAL HOUSE1414 E. 59th St.753-2280SUMMER SERVICESCAFETERIA • Full service Monday • Friday7:00-11:00 Breakfast11:30*2:00 Lunch5:00 -7:00 DinnerIf you are a member of the University Community youare eligible to purchase a meal ticket which will enableyou to purchase food at greatly reduced prices, A mealticket is $105 for the Summer Quarter.You are always welcome to use the air-conditionedCafeteria without a meal ticket at the regular full prices.TIFFIN ROOM SNACK SHOP-Monday - Friday 8:00 -11:00 p.m.Fountain service and sandwichesSaturday 8c Sunday-9:00 -11:00 Breakfast11:30 -1:30 Lunch1:30 * 2:30 Fountain ServiceLODGING available - by the night, week, month orquarter.GIFT SHOP-Monday - Friday 8:30 * 1:00Saturday 9:00 * 1:00Sunday 8:00-12:00V- ' ■ *nGifts, newspapers, magazines, toiletries, tobacco, candyand stationery supplies.ArtsOn the case with LukacsWell, it’s about time. As everybody hassaid, it had to happen. The only bit of 60’snostalgia we have to look forward to now is atour of the big arenas by Nixon, Agnew,Humphrey, and Muskie (all together!) torelive the drama and passion of the GeneralElection (remember Beatle John’s In HisOwn Write?) of 1968.The inevitable event I’m talking about isthe Herbie Hancock V.S.O.P. concert at theAuditorium tonight — which is, essentially,a reunion of the Miles Davis Quintet of 1964-69 (with an able-bodied Freddie Hubbardreplacing the aging, ailing Space RangerMiles). This is, among all the supergroupreunions going on now. an especially worthyone — most obviously, because all themembers have gone on to fame andnotoriety as “fusion” superstars: Herbiewith “Headhunters”, saxophonist WayneShorter in Weather Report, and bassist RonCarter in various and sundry gigs; drum¬mer Tony Williams is the only laggard so farwith several erratic incarnations of hisLifetime group, (where expectations havenever materialized*. Seeing these namestogether will doubtless have the same effecton many of the younger set as what hap¬pened to my fifteen-year-old cousin whenI w’hipped some eariy Yardbirds on him(never mind the music, that was Jeff Beck,Eric Clapton, and Jimmy Page in the samegroup, man). Definitely hot stuff for thename-dropping set, but . . . this group wasGOOD, too. Miles Smiles was one of the firstjazz records I bought, and remains amongthe better ones in my collection. The grouphad a dusky aura to it, cold yet sensuous.The music was highly stylized andsophisticated, ' sketched in the barestoutline. It was a unique and important groupw'hose sound has never really beenemulated — as the members drifted off atthe end of the 60’s in search of ever-biggercontracts from Columbia Records, it hasbecome pretty obvious that none of theenormously talented members of the groupwanted to deal with things on the same levelas before. The (supposed) sounds of theghetto, the space-capsule, and various ThirdWorld cultures, rather than what we wouldgrossly call the “1933 tradition”, becamethe various points of departure for the musicthat has individually come out of V.S.O.P.’smembers in the Seventies. But, fifteen or soyears ago. even before the gig with Milescame along, these guys were young andknocking people on their behinds with theirabilities as jazz musicians Perhaps this reunion will permit the players to re-exploresome of their jazz roots, which, to listen totheir early playing, run very deep. Whetherit will be a superficial “greatest hits” jam,or a profound re-awakening... well more onthat next week. But, on the occasion of theconcert, I’d like to take a close look at theplayer who, for me, will be the focal point ofthe evening: Mr. Wayne Shorter.For the past several years, Wayne hasbeen a part of the arresting, quirky, butultimately unchallenging melange ofWeather Report, and the yearly winner ofthe Down Beat poll on the sopranosaxophone. He is a quiet, almost enigmaticfigure who remains a carrier of great ex¬pectations, one of the Best and the Brightestof the jazz worldIt’s my reading of jazz history that.critically at least. Shorter was both made and broken by Leroi Jones/Imaru BarakaA succinct 1959 profile, which was updatedin 1967 for the book Blues People, said this,essentially: here is a tenor player who tooka back seat to no one technically; who wastotally his own man stylistically, owing nodebt to any master; who was ready tobecome an innovator; “however, (he statesin the addendum) he has never really‘stretched out’ as far as his early promiseseemed to demand.” Not to push one’spotential to the limit, especially among theavant-gardists, is a cardinal sin; how canShorter deal with still being a sideman whileColtrane and Dolphy are heroes and mar¬tyrs?However, to overrate his potential isperhaps to underestimate nis actual con¬tribution, both as an instrumentalist and asa comDoser. In backing away from theWayne Shorter: The return ofthe best and the brightest challenges that other players picked up onin the sixties, he nonetheless left a con¬siderable legacy. As Baraka very ac¬curately pointed out, Shorter could playw'ith Sonny Rollins’ sense of space and time,but also with Coltrane’s involvement andemotion. In itself, this is no mean feat. Mostplayers of the last twenty years haveemulated Coltrane to the point of developingan obsession with long, fast runs, a harshtone, and the concept of overpoweringmusical forms through volume, andrepetition. They ignore subtlety and oftenmake overbearing, boring music ButShorter knows the value of effective, oftensimple, melodies that are developed,resolved, and played with authority.Especially on the Blue Note sessionsreleased under his name during the Sixties,there is a resolute logic to his playing, evenin adventuresome conditions. Of the Shortermaterial that I have access to for thisreview, Juju is perhaps the outstanding set.In effect a Coltrane session, with McCoyTyner on piano, Elvin Jones on drums, andReginald Workman on bass *who, legendhas it, was Trane’s original choice over thelate Jimmy Garrison), the feel is definitelyfar beyond the habitual post-bop of studiosessions Wayne takes distinct advantage ofthe state of the art on tenor (as Coltraneonce remarked to him, “You’re playing thatfunny shit like me, all over the horn ”), butnever takes the music as “outside” as somemight want Nonetheless, each musicalstatement, while limited, is complete and, tomy ears, satisfying. It is an evocative,sharply focused* set, in the manner ofTrane’s best studio recordings for Atlanticand his early years with Impulse (pre-“Love Supreme”). Wayne is able to ap¬proach his solos in a relaxed yet intensemanner- stating themes simply anddirectly; building, varying dynamics, notevalues, and registers; shifting directions ofattack; and finally, coming back to arestatement of the original ideas of the solo.The resulting musical syntax is hardlyrevolutionary, but it is highly effective.Also, he plays exceptionally well with Jonesand Tyner, shading and highlightingmelodically the whirlwind of energy theygenerate rather than flailing over the top ofit. He never allows urgency to burgeon awayfrom him and become mere freneticism.More than a few, otherwise competentsaxophonists have tried to play a straightTrane schtick with McCoy and/or Elvin andhave ended up sounding anywhere fromboring to ludicrous; Wayne Shorter soundssuperb While there are compromises in hisplaying vis a vis an avant-garde approach,he -still upholds an important element ofmusical integrity : he retains a sense of anintegrated, melodic-based statement. Hedoes not go off on expeditions toward some“sound barrier” of traditionLukacs to 8By George SpinkThere have been many favorable reviewsof Studs Terkel’s new book, Talking toMyself: A Memoir of My Times (PantheonBooks), since it was published this spring.Once again, Studs has won over critics andreaders alike (including this one) with hiswonderful humor and warmth and un¬derstanding. And again Studs has comeacross as an artist, one of the few we arefortunate enough to have in our midst today.For that reason alone, his latest bookdeserves a place on your summer readinglist. Each page of Talking to Myself offersanother reason, so I’ll highlight a few foryou now.Studs, as you know, is one of theUniversity’s more illustrious alumni. Someof his statements over the years have rat¬tled more faculty members and Universityadministrators than did the student protestsof the late 1960s. Remember, though, thatStuds attended the University during anearlier era, when freedom of thought andexpression were less taken for granted thanthey are today. You probably will findyourself disagreeing with Studs here andthere, but you’ll often be siding w'ith him.too. Like his other books, this one sets yourmind working from Page One. Despite thetitle, he s talking to you - and you’re boundto find yourself talking back.Consider Studs’ chapter. The WholeWorld is VVaichink nis vivid recollection of Studs Terkel: One more timethe tension and chaos during theDemocratic National Convention in Chicagoin August 1968. Mayor Daley hadproclaimed he would preserve disorder; theChicago Police Department appeared totake his confused grammer literally. Studsand the distinguished British journalistJames Cameron got caught up in the head¬bashing, tear-gassing melee in LincolnPark, then staggered across Clark Street tothe safetv of Hotel LincolnStuds comments on those last hot nights ofAugust:Knock on any door. Any cab door. Theresponse is Johnny-One-Note: "Daley’sokay. He shoulda busted more heads!”Student cabbies don’t give a hoot oneway or another. They’ve had it. Blackcabbies smile knowingly. They’ve beenthere before.Then Studs asks of his alma mate!”..-viid what oi the University, boastingmore Nobel prize winners than anyother campus on earth? The silence isthe silence of the dead. No. that’s notquite nght, either. Three of its mostrespected faculty have been quoted inthe Daley Report 1 a brief, in the spiritand language of W C. Fields, explainingthe need for busted heads in Chicago’68). Out of cortex? no doubt. Where,then !he disavowals' Or at leant someshow oi dissociation Dissociation'1 Hell, no. they go withgod, these honored members ofAcademe. At the Quadrangle Club, towhich the University’s establishedprofessors belong, a student-waitressheard conversations that would haveput Vito Marzullo to shame. AldermanMarzullo considers Richard J Daleynot only “the greatest man any city everhad in the history- of the world,” but oneof the greatest men who ever lived.Undoubtedly, there are members of thefaculty who may be horrified, butmum’s the wordWhat about our faculty” if you want tofind out how they felt about August 1968,you’ll have to ask them yourself. Studsdoesn’t, though he could have interviewedseveral of them with differing views aboutthe Viet Nam war on his morning programover WFMT. Maybe he tried, but if so Studsdoesn t mention it. I hope he attempted toseek out their views, for it's not fair merelyto criticize their so-called “silence” whenyou're holding the microphone belonging tothe most influential FM radio station inChicago (As one of our alumni, surely Studshasn’t forgotten William Rainey Harper’sadmonition in 1892 that at the University ofChicago the question before us is how tobecome one in spirit not necessarily inopinion ”) Some members of the University com¬munity might dismiss Studs books becauseof his views. That would be regrettable, andthey would be the porrer for doing so. Whatthey w ould miss out on forever would be thecompassion and sensitivity that emerges ineverything Studs has written.* * * * *Billie Holiday didn't have much time leftin 1956 when Nelson Algren and Studsvisited her in a small jazz club on the SouthSide Everyone knew what Billie had beendoing to herself, but her beauty continued toglow until the end Studs recalls:Billie’s voice was shot, though thegardenia in her hair was as fresh asusual Ben Webster, for so long big manon tenor, was backing her. He washaving it rough, too Yet they tran¬scended There were perhaps fifteen,twenty patrons in the house At most.Awful sad. Still, when Lady sang “Fineand Mellow,” you felt that way. Andwhen she went into “Willow Weep forMe,” you wept. You looked about and<aw that the few other customers werealso erving in their beer and sho*glasses Not that they were that drunkOne more time tosie Chicago Maroon - Friday, July b 19/7 — 7tBringintfiebody...and pick your lens!special. 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Ellis Ave.7533303 Tf | MASTER CHARGE. <x>8 j BANKAMERICARD Vt - • ■■ i- 1* I Lukacsfrom 7At his best, he is more original, interesting, andassertive player than similar saxophonists of hisgeneration, such as Joe Henderson and George Coleman:he has better control than George Adams, a meatier soundthan Sam Rivers, more involvement than Sonny Rollins;he is olten more successful in meeting his objectives thanthe “new musicians” (who, certainly, play more am¬bitious music that, even if it isn’t fully realized, deservesat least the old “A for effort”). But not to get into a ratingbrouhaha — suffice it to say that Wayne Shorter has beenone of the outstanding musicians of the past fifteen or soyears.What we’re talking about, in the quality of WayneShorter as a musician, is not just his technique, but hisentire musical concept. His strong melodic sense (unlikeStan Getz, who rarely writes anything) carries over intothe realm of composition. His lesser-known pieces, for hissolo and Art Blakev sessions, are almost uniformly ex¬cellent ; my favorites vary from listening to listening (cur¬rently: “Hammer Head” from Blakey’s fire-breath¬ing Free For All, "Deluge” and the title tune from Juju,“Go” from Schizophrenia, and “Adam’s Apple” fromthe same-named LP). Musicians know: the hippest fake-books have literally dozens of Shorter compositions.However, he is best known for his tunes for Miles andWeather Report — but, concurrently, he has been boxinghimself in more and more as a player, noodling andruminating more while assertively blowing out less. As Isaid above, he works very well with powerful rhythmsections like Coltrane’s and Art Blakey’s; in Miles’ group,however, he dealt with a trio that crept into every musicalspace. Herbie Hancock, Tony Williams and Ron Carterwere (and maybe still are) uniquely creative, capable ofshifting in a wide range of tempi and harmonic coloring atany time during a piece. Their feats were oftenbreathtaking, (for example, “Footprints”, a Shorterminor blues that crackles with surprises, unexpectedkicks, and intimate communication). Nevertheless, thevery success of the best Miles/Shorter work points up thevery delicate balance that existed between the soloist’sfreedom to develop lines and the rhythm’s freedom toshift the focus of that development. In keeping the bandhighly experimental, Miles and Wayne (who did most ofthe composing) may have let the rhythm section get awayfrom them. Much of the soloing on the circa 1968 albumsNefertiti and Sorcerer seems reactive to the rhythmsection’s whims, rather than developmental. This role-reversal reached its limit in the tune “Nefertiti” (perhapsShorter’s best-known), where the horns played thebaseline structure throughout 'the haunting melody line)like a cantus, while piano, bass, and drums soloed con¬tinuously. Other magnificent Shorter compositions, like“Masqualerro” and “Sweet Pea”, find his own solo lockedinto a particular niche of the landscape created by Han¬cock. Carter and Willims — unfortunately, he giveshimself very little opportunity to develop the tune throughimprovisation. This trend has continued until, in W'eatherReport, he is usually a background instrument or a soloistin an episodic framework, where his improvisation isquite cut-and-dried. Somewhat along the same lines, heplayed the solo spots on soprano on the In a Silent Way andBitches Brew” transition sessions” over churning, rock-oriented rhythms and unresolving harmonies Miles setup. To be sure, he plays more effectively and intelligentlythan any of the parade of saxophonists who have suc¬ceeded him in the Davis groups. He also led the scin¬tillating Super Nova session with John McLaughlin thatstands out (certainly in retrospect) as a high point offusion music. Overall, though, the contexts he offershimself are so limited -1 melodically, harmonically, anddynamically — that the art involved in such playing isinsignificant compared to the Blue Note sessions of anearlier time.Playing in V.S.O.P. brings Wayne Shorter back to thetimes of his best-rememnered fame, but not necessarily tohis best playing. Freddie Hubbard, though, is decidedly a“straighter” player than Miles was (unfortunately, wemust speak of him in the past tense as a trumpeter), so wecan hope that the group can kick out and people can hearWayne Shorter the way he is capable of playing. Eventhough he has never seemed to want to stand the world onits head, he is a musician of exceptional quality whosenatural gifts should still be unimpaired. To my mind, he isstill due for greater appreciation and recognition tor whathe has done (rather than for what he hasn’t done) with histalent. We cannot begrudge Wayne his success over thepast few' years; I doubt that his own memories of his earlyprofessional days are as fond as our waxings*.Nonetheless, V.S.O.P., playing without electronics orfusion overtones, may provide him and the other playerswith an opportunity to get back to their jazz roots. Maybethe time is ripe; recent trips to the Jazz Showcase sawDexter Gordon, Stan Getz, and Art Blakey playingbeautiful energetic cohesive music to young, highly ap¬preciative full houses nightly. All three leaders and ailtheir sidepeople seem to be loving every minute of it So-called “straight ahead jazz” has emphatically not run outof opportunities for artistic achievement and creativity;on the other hand I have my doubts about the arid contextsof Weather Report and the Headhunters. But we shall see.. stay tuned for part two next week if you don’t make theconcert (a near-sellout at this writing).One more time from 7Something was still there, thatsomething that distinguishes an artistfrom a performer: the revelation of self.Here I be. Not for long, but here I be. Insensing her mortality, we sensed ourown.It doesn’t seem likely that any of themajor Chicago newspapers in 1956 wouldhave reviewed Billie Holiday’s South Sideengagement in their entertainment pages,but Studs knew Billie was worth hearing andvisiting “any old time.” Studs is like that;he always has been.* * * * *Studs sees things differently than the restof us, and often more clearly. Look at hisreaction to that famous restaurant scene inFive Easy Pieces:Though it is several years since I'veseen the film Five Easy Pieces, myindignation is lasting. Remember thatscene, oh God, in which the waitress isthe virago? She refuses to serve JackNicholson and his companions toast orsomething. “It’s not on the menu,” thecold bitch says. Talk about a cheap shot.Nicholson, righteous, humiliates thewaitress. The audience, our eighteen-to-thirty market, applauds and cheers.The young shits.What were we told of this nastywoman? Was it afternoon? Was it nearthe end of a long day for her? And howwere her varicose veins? And whathappened behind those swinging doors?Did she and the chef have words? Andwhy was she waiting on tables? Was herold man sick? Did he run off? Was herdaughter in trouble? And how manyBufferins did she just take? Perhaps shewas indeed a Nogood Girlo. We’ll neverknow. We knew more than we needed toknow about Nicholson; nothing abouther. Yet there she was, Medusa. Whydidn’t I have the guts to stand up in that darkened house and holler, “Youfucking young solipsists! ”?If Studs saw Five Easy Pieces on the NearNorth Side, chances are “the young shits” inthe audience were among those who gottheir heads bashed in a few years before inLincoln Park or outside the Conrad Hilton.And they weren’t interested in what kind erfdays and nights the cops had been having.Nor did the cops ask what kind of days andnights the kids had been having. Five EasyPieces was a blast against the establish-ment and authority; so was the protestduring the Convention. But neither the filmnor the protestors looked carefully at theother side.*****Is Studs consistent? Decide for yourself.Whose side is he on?Studs feels for the victim. He sympathizedwith the anti-war demonstrators becausethey were protesting against Americaninvolvement in Vietnam, dissenting fromthe majority of Americans who believed ouryouth should fight for our country no matterwhat. He sympathized with Lady Day, avictim of herself, just as so many of us areour own best enemy. And he sympathizedwith the waitress in Five Easy Pieces,seemingly a bitch, but was she really?If you want to get a pertinent answer,Studs suggests you ask “an impertinentquestion.” He’s asked many over the years,and they reappear throughout Talking toMyself, taking the reader through fivedecades with Studs. The book traces hisadventures from his early years at hismother’s Wells-Grand Hotel on the NearNorth Side (virtually skipping — un¬fortunately — his years as an un¬dergraduate and law student at theUniversity of Chicago), to his years as aradio actor and later a deejay, through hisbrief but brilliant career in the early daysof Chicago television, and finally to hislong, well-deserved, and creative years atWFMTIt is a wonderful journey, and I am gladStuds continues to talk with us about it in hiswritings and every weekday morning onWFMT. Studs’placeLouis “Studs” Terkel (Ph.B. 1932: J.D.1934) has made remarkable achievementsin several fields of endeavor - as author,actoT, critic, lecturer, and broadcaster. Hehas never hesitated to express and fightfor his beliefs, even when his view'swere not widely shared. Studs representsto many people, whether alumni or non¬alumni, the tradition of individualism thathas been fostered by the University ofChicago since 1892.Studs achieved distinction early in hisradio career in Chicago for his efforts on“Weekend Reporter” and “Breaking theNews” during the late 1930s and 1940s.“The Wax Museum,” w'hich began in 1945,was a hint of what Studs would do laterover WFMT. In the meantime, “Stud’sPlace” introduced his dramatic talents totelevision audiences during the late 1940sand early 1950s - and set a standard ofperformance for television that seldomhas been rivaled. In the theatre, Studs woncritical acclaim in the national company of“Detective Story,” as well as for his ap¬pearances in “View from the Bridge,”r‘Light Up the Sky,” and “The CaveDwellers.”Studs began his program over WFMT in1953, which has turned out to be one of thelongest-running shows in the history ofradio. Stud’s program has remained amodel of broadcasting excellence. Most ofhis programs originate in the WFMTstudios, but some of his more outstandinginterviews have stemmed from trips toEurope and Africa, as well as to manyareas of the United States.Some of his many guests and the sub¬jects they discuss also have been featuredon Stud’s periodic, award-winningdocumentaries. His “Bom to Live” wonthe East-West Prize in world competitionat the 1962 Prix Italia Competition. In 1963,Studs received the Clarence DarrowCommemorative Award, the onlybroadcaster to be so honored, plus acitation from the Friends of Literature forhis “unique contribution to the cultural lifeof Chicago.” He was given the 1970 OhioState University Award for hisdocumentary, “Fiesta: A Chicago Hap¬pening.” which was cited as “an excellentexample of radio’s quality of presence.”In 1971, one of Studs’s programs againwas selected as the United States entry inthe Prix Italia Competition and named thebest documentary of the previous twoyears. The program, entitled “AGathering of Survivors,” examined the Great Depression through the recol¬lections of those who lived through it. Thesame program also received the 1971Major Armstrong Award for the besteducational program in commercial FMradio. The following comment by theArmstrong judges underscores the im¬portance of Stud s ’ work:A moving document is sound thattells the story of the AmericanDepression through the voices ofsome of those who prevailed, “AGathering of Survivors” is anoutstanding example of the radiodocumentary form used to capturea slice of history in vivid humanterms.His talent as an interviewer also en¬abled Studs to write several critically-acclaimed, best-selling books: DivisionStreet: America (1967), Hard Times(1970), and Working (1974). Studs’ “in-depth” approach is especially refreshingin an age when survey research methodstend to dominate social inquiry. Thereader might not go away with any broadgeneralizations about our society, but hewill leave Studs’ books with the warmfeeling that he has shared in Studs’sconversations — and understands andempathizes with each individual withwhom Studs has talked.Studs also has written extensively aboutjazz music and musicians. His recentGiants of Jazz (1975) was praised in TheNew York Times. Saturday Review, andother major periodicals. A prolific writer,Studs has authored countless articles onmany topics. Over the years, he has wit¬nessed and reacted to the events andissues‘of our time. Studs reminisces abouthis unusual career in his most recent book,Talking to Myself <1977).Because of his broad background andmany interests, Studs often is asked to be alecturer, a panelist, or a master ofceremonies at folk music and jazz func¬tions. In fact, he has emceed scores ofevents, including the Newport FolkFestival, the Ravinia Music Festival, andthe University of Chicago Folk Festival.Studs Terkel’s career has been unique.He always has been his own man, shapinghis life in accordance with his own beliefsand feelings. Studs at times has beenhighly controversial, as anyone must bewho is not afraid to express himself. Hehas been making us laugh and cry andthink for a long, long time.SOQ FILMS■ Friday-July 1stThe Long Goodbyedirected by robert altman Saturday-July 2ndKind Hearts and CoronetsCOBB HALL 7=15 & 9,30 pmThe Chicago Maroon — Friday, July 1,1977 — 9«»« •V.vCalendarFriday Chicago Opera Studio: ‘‘Abduction from theSeraglio," 8pm, Hutch Court.Rockefeller Chapel: Bernard Winsemius,Carillonneur, St. Bavo and Bakenstower inHaarlem, Netherlands, in recital, 4pm,Rockefeller Chapel. Holding ‘Court’ againCrossroads: ‘‘The North American Indian," afilm describing the plight of the AmericanIndians, 8pm, Crossroads Student Center,5621 S. Blackstone.Calvert House: Volleyball and barbeque,5:30pm, Calvert House.ArtsCourt Theatre: "Tempest," 8:30pm, Hut¬chinson Courtyard.Student Activities Films: "Long Goodbye,"7:15 & 9:30pm, Cobb.SaturdayCalvert House: Mass, 5pm, Calvert House.ArtsCourt Theatre: "Tempest,” 8:30pm, Hut¬chinson Courtyard.SAF: “Kind Hearts and Coronets," 7:15 &9:30pm, Cobb.SundayRockefeller Chapel: Ecumenical Service ofHoly Communion followed by breakfast inthe Chapel undercroft, 9am; UniversityReligious Service, "Law, Faith andFreedom,” Lawrence M. Bouldin, 11am,Rockefeller Chapel.Calvert House: Mass, 8:30am. Calvert House;Mass, 11am, outside Bond Chapel.Crossroads Student Center: Bridge, 3pm:chess, 3pm, Crossroads.ArtsCourt Theatre: “Tempest," 3pm, HutchinsonCourtyard. TuesdayChristian Fellowship: 7:30pm, Ida NoyesHall.UC Table Tennis Club: 8pm-llpm, Ida NoyesTheatre.ArtsSAF: "Ride the High Country,” 8pm, CobbHall.WednesdayHillel: Israeli Folkdancing, 8pm, Ida Noyes.Department of Economics: "Competition andthe Free Society," Friedrich Hayek, 4:30pm,Law School Auditorium.Crossroads: English class for foreign women,2pm, Crossroads Student Center, 5621 S.Blackstone.ArtsSOO: City Lights, a folk flavored quartet,noon, Hutch Court, 7pm, Hitchcock Court.ThursdayDepartment of Economics: “TheDenationalization of Money," Friedrich A.Hayek, 4:30pm, Law School Auditorium.ArtsRockefeller Chapel: Robert Lodine,University Carillonneur, in recital, 7:30pm,Rockefeller Chapel.Court Theatre: "Tempest," 8:30pm, HutchCourt.MAROON ADVERTISING DEPARTMENTis offering positions for:Advertising Salespersonpart time employment 3 days a weekhourly for negotiable and bonus on acommission basis.Advertising Messengerpart time empiovmenr °part time employmentfee negotiable and bonuses10 Tntprpcfpf]come to MAROON office, 3rd floorIda Noves Hall; Saturday July 2between the hours of 9 am to 1 pm.or call 753-3264_nTeChicaqoMar°on -j- Friday, July L 1977 By Karen HomickThere are two types of people at theUniversity of Chicago: people who flee byFriday of spring finals week and people wholinger on through the hot city months ofsummer. If you’ve recently made thetransition from the former group to thelatter, stay calm. There is a lot of truth inthe adage "Chicago is a great place to be insummer," and nothing backs it up as con¬clusively as the prospect of Court Theater’sannual round of outdoor classical theater.More refreshing than a gust of cool air fromLake Michigan, more enlightening thananyone’s summer reading list, the 23rdseason of Summer Court has begun.Opening last night, Shakespeare’s TheTempest will run through August, con¬currently with the other two plays onCourt’s schedule, Garcia Lorca’s The Houseof Bemarda Alba and Aristophanes’s TheThesmophoriazusae. Performances are onThursday nights, weekend nights, and, forthe first time in Court’s history, Sundayafternoons. Evening shows begin at 8:30, thematinee at 3:30. All take place in HutchCourt. Seating is unreserved and in thegrass. For the more stuffy of theatergoers,lawn chairs are available for 25-cents.Court’s management enthusiastically en¬courages picnicking.Single tickets range in price from $3.50 forThursday and the Sunday matinee to $4.50for Saturday night. Students (with ID) andSenior Citizens benefit from a 50-centdiscount at all performances exceptSaturday’s. Last year Court sold over fif¬teen thousand tickets. More than oncepatrons had to be turned away due to lack ofspace. Buying early — at Reynold’s Club orby dialing 753-3581 — is advised. Sub¬scriptions at varying prices are stillavailable.Court's summer series is by far the mostpopular of the University’s events open to"outsiders." Most of Court’s patrons comenot from Hyde Park, but from Chicago’swest and south suburbs. They come for tworeasons. First, Hutch is an excellent place to: ## ■ spend a muggy night. Second, classicaltheater, outdoors or in, is impossibly rare.If Chicago’s suburbanites are sentitive tothe scarcity of theater, no one is more awareof the shortage than Court Theatre itself.Director Nicholas Rudall believes Courtexists in response to the scarcity: he saysCourt’s purpose is "to provide experiencefor professional actors with classicaltraining under professional conditions."The actors learn and the audience enjoys.It is a simple exchange that has continuedsince 1955, when Summer Court began as"The University of Chicago Festival ofDrama." At that time Hutch hadn’t yet beenlined with flagstone and Court hadn’t yetconstructed its first outdoor stage. Thesewere additions of the 1960’s, signs of thegrowth in scale of the productions of Court.More recent additions include the in¬troduction of outdoor opera to Court’sschedules. On July 3, under the auspices ofCourt, the Chicago Opera Studio will presentMozart’s Abduction from the Seraglio at 8p.m. Abduction will repeat on July 10, to befollowed on July 17 and 24 by The Marriageof Figaro. General admission seats are$7.50, $5.00 for students and senior citizens.Last week I sat with Rudall in Hutchduring a rehearsal for Bemarda Alba. As hetalked about the general theories behindCourt and this summer’s particularschedule, I found I could not keep my mindon his words at the same time as the ongoingrehearsal. Actresses ran around the centerof the courtyard projecting their Lorca-lines past director Frank Galati, throughthe tall trees and out to the surroundingacademic walls. Hutch overflowed withtheir voices; despite their street clothes,despite th* frequent interruptions fordirection, C.< spite my understanding thatthis was sunpiy a rehearsal, I was alreadyexperiencing "spectacle,” the artificialarousal of emotion notoriously caused bygood theater in an ideal setting. Hutch Courtis such an ideal setting and Court’s istraditionally good theater. As someonespending her first summer in Chicago, Icannot ask for a greater promise of relief.'c \tr.c i,io (?rew,ISRAELI FOLKDANCINGBeginningJune 22IDA NOYES1212 E. 59th WEDNESDAY8:00 PM£> IAW WAS rAtesp)N' F=ORe>/'PPiM6P06GE6, CATTCS, AwP AWiECATTLE, CARRION OR AW IEUNWHOLESOME OR UWCLEAN TMIW6SSFIWC THROWN WTO a Riv£RCii rrvcKHref, THE FADOF MEPICINJE . APVI^EP T*.WATER U*EP for CONSUMPTM9F FILTERED AhO PoiLPcMaroon 'Personals" are freeCLASSIFIED ADSSPACESublet Ig. studio apt. - Hyde Park $145incl. utilities • for July 15 Sec. DepJackie Bu. 8-1100 Apt, #207.WANTED: 2 or 3 bedroom apartmentbeginning any time from Sept. 1 to Oct.1.Call 288 3381 between 6:00 and 1; 30p.m.SPACE WANTEDLooking for l BR apt. or house in HydePark to sublet or housesit July 5-23.Call collect 612-373-9735, JoeGalaskiewicz.PEOPLE WANTEDFREE KITTENS to good homes. 7 wk.Desperate! 947 9282.6 10 p.m.Need part time assistant in dentaloffice. Exp. pref. but will trainqualified person. Loc. Hyde ParkBank Bldg Lite typing necessary.Hrs. 2 6 Mon. Tues, Th., Fri, Vi daySat. morning. Phone Ml 3-9607.WANTED one terrific person to teachin parent run alternative elementaryschool. Experienced in open educationpreferred. $6250/yr. Send resume byJuly 5. Phoenix School, 5600 S.Woodland, Chicago IL. 60637.PEOPLE FOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara,373-3594 after 5:30 p.m SLEEP LABSubjects wanted for sleep studies.Apply in person. 5741 S. Drexel, 3rdfloor. M-F, 9-4. No phone calls pleaseSTUDENTCOOPNew records; used books boughtand sold. Summer hours: 11:00 -5:30 M-F, 12:00-4:00 Sat.ENCOUNTERGROUPGestalt-Encounter Groups, for selfexploration, assertiveness training,personal problem solving, relationshipskills pract. Getting unstuck thru newways of dealing with difficultemotions, releasing blocked energyand aliveness. Psychodrama &Bioenergetics included Also weekendgroups away from the city. Call theOpen Road, Phil Watt, 964 3082PAN PIZZADELIVERYThe Medici delivers from 5-10:30p.m.weekdays, 5-11:30 p.m. Saturday 6677394. Save 60 cents if you pick it upyourself.BOOKS BOUGHTBooks bought and sold everyday,every night 9-11 Powells, 150. E.57th FOUNDFound at Point 6/25 set of keys. Call753-3622 to identify.Mve anice weekend... Perform adeath-defyingact.Stop smoking.Give Heart Fund fAmerican Heart Association | 'With This Ad OnlyLots of used office furniture just in, includ¬ing: desks, chairs, file cabinets, tables,sofas.Drawing Tables $65EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sot. 8:30- 5:00RE 4-2111Young girl will baby-sit in your homeweekdays and weekends. Call 374-3547.For Experienced piano teacher of alllevels call 947-9746HIRE AN ARTIS' - Illustration of allkinds - even on sho "t notice. Noel Price493-2399.RESEARCHERS — Free lance artistspecializes in the type of graphic workyou need. Samples, references onrequest. Noel Price 493-2399.SCENESModern Dance Classes. Grahambackground, body alignment, ex¬pressive movement. Summer termbegins July 10. For further in¬formation, call Wendy Hoffman, 643-3304.Intermediate ballet class Tues. &Thurs. 4:30 Ida NoyesFOR SALE74 Vega. Original Owner Excellentcondition. Priced to sell. 472 8654.After 6 p.m.NOW IN STOCK1. Ilford HP5 film2. Kodak ASA 400 film3. Eveready Watch Batteries4. Maxell cassette tapes5 Minox 35 EL camerasUniversity of ChicagoBookstore 753-3317Sealy Posturpedic mattress tor twinbed. $140 value yours for $50 684 7136evenings.Peugeot 504 7 4 4 dr., 1 ownr. $1,400 orbest offer. 288 8085.LITERARYMAGAZINEPrimavera is on sale in most HydePark stores & Bob’s Newsstand. WEneed women to join the editorial staff.Call 752-5655 if you can help out.Dorothy SmithBeauty Salon5841 S. Blackstone493-1069i will take appointmentstrom 7am until 7pmClosed Saturdavfacials - make up servicecomplete hair careMember ChicagoHairdressers AssociationEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist153 Kimbork Plaza)700 *a.< i'oi>nrii \-6iT “• PERSONALSPregnant? Troubled? Call 233 0305 foraffirmative help. 10-2 p.m. Free Test.Writers' Workshop (Plaza 2 8377)It sure was nice knowing you all but Ihave to say good bye now. So long.Nikhil Pattnaik.OPERATINGROOMSUPERVISORIf you’re an RN with both ex¬cellent leadership and nursingskills, you can qualify for thisposition ot responsibility intlie Operating; Room Unit otour progressive Hvde Park areaHospital. At least 2 years othead nurse or related supervi¬sory experience is essentialand a BSN is preferred.We otter an excellent salaryand a lull range ot generousIringe benetits. To arrange aconfidential interview, call:Susan PricePersonnel Supervisor643-9200 Ext. 244Illinois CentralCommunity Hospital5800 S Stony IslandChicago, I L 60637An i.qual OpportunityF.m pin v rr If you want to get into nuclear engineering, star! by gettinginto the Nuclear Navy.The \aw operates more than half the reactors inAmerica. Our nuclear training is the most comprehensive. Youstart by earning vour commission as a Navy Officer. Then wegive you a year of advanced nuclear training. During yourcareer, you'll get practical, hands-on experience with ournuclear powered fleet.Whether you stay for 4 years or 20. you'll know you havebeen at the forefront of nuclear engineering. And if you stillhave a year before you graduate, the Navy will (if you'requalified) pa\ you more than S5UU per month until graduationfor this opportunity.If that sounds like the kind of responsibility \ou relooking for. speak to.Steve Boaz. LI. I SNBldg 4 I N.A.S. Glenview. 111. (>002t>(512) 657-21 DO CollectSpcfeesner Bicycle §ticp5331 Paffe EK3.Selling Quality Imported BikesRaleighPeugeot Motobecane& other quality ImportsOpen 7 days 10-7 pm M-F10-5 pm Sat.10-4 pm Sun.We Also Rent684-3737 KENNEDY. RYAN. M0NKAI & ASSOCIATES. INCDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEORIGINAL PLANS INTACT....Harkening back to original owner,(Julius Rosenwald's sister).Gracious spacious living 3fireplaces, library, solarium on bothfirst and second floors, mahogany,woodwork. Full third floor formerlyservants quarters New 2 car brickgarage, side drive. Near 50th andGreenwood Call Charlotte Vikstrom667 6666oEVERLYBrick 4 bedrm house on treelinedstreet. Move-in condition. Has thosespeciais - i.e. den, wbfp in LR, rec.rm. in bsmt. $64,000 Call NadineAlver 667 6666 (res. 752 5384). VETERANS ATTENTIONS:Charming two-story brick colonialtownhouse near Lake and 74th inSouth Shore. 2 king-size bedroomsl’/2 baths. $24,000 CharlotteVikstrom, 667 6666.KIDS'PARADISEDelightful end-unit on secludedprivate street location. 2 play acres3 BRs pius study, 2'/2 baths Possession 8/1/77. To see, call Mrs. Haines667 6666. MAGNIFICENT MANSIONA 16 room house with stained glasswindows. Dramatic staircase, lots offireplaces and a wrought iron fenceall around the house. Lot size 100 x190. Price $95,000. Call Don Tillery,667 6666.FOR GARDEN LOVERSManagebly sized free standing Kenwood home w/side drive, 3-cargarage A real family place w/nat'lwoodwork, wbfpls. Modern kitchen50th and Greenwood location. Toosee. Call Mrs. Haines 667 6666APARTMENTSFOR SALEDECIDE NOW-PAY LATER4new deluxe units (one alreadysold) - centra! air thermopane pic¬ture windows - view of Lake ■ coun¬try kitchen Own controlled heat.Patio $27,500 and $28,000 Near 73rdin South Shore Charlotte Vikstrom667 6666LOW-LOW PRICETo liquidate assets$16.000!! !n beautiful hi rise condo 3bedroom, 3 bath, 40' living room, fullformal dining room, views of Parkand Lake on 67th Terrace for yourplants Modern kitchen. Inside parx-ing Charlotte Vikstrom 667 6666AVAILABLE NOWAll at 50th near Lake all co¬operatives5 rm.-$18,900 (estate sale)6 rm. $30,0007 rm.-36,000Call Charlotte Vikstrom at 667 6666SPACIOUS 8’2 ROOMS-ALL NEWLYRESTORED CONDOSunny solarium for your plants.Shiny new kitchen for Mom FIVEcount 'em bedrooms for all. Threecontemporary baths stunning sideby-side living room and formal dining room lovely natural beauty ofoak floors over 3,000 square feet ofa comfortable life 55th near LakeLow assessments. $74,900 CaliCharlotte Vikstrom 667 6666 LARGE LAKEFRONTLIVINGGlorious Powhatan bldg on theLake. Indoow Swimming roo* topsundeck Large 9 rooms, 4 baths,centrally air conditioned beautifully decorated Marble woodnurnmgfireplace Many extras Must beseen $84,000. Call CharlotteVikstrom 667 6666CONVENIENCE PLUSThis well-kept 1st floor 3 BR 2 bathcondo is a stone's throw trom both 1Cand CTA transportation in BretHarte district with parking includedin the low price Call George Bilger667-6666.EAST HYDE PARKSpacious 3 bedrm., 2 bath condc inmove-in condition. Lovely carpetingmodern kitchen $39,000 CallNadine Alver 667 6666 (res752 5384)DORCHESTER7 room condo with 4 BR, formal din¬ing room 2 baths. Priced in low$30's For more ifnormation. callMargaret Kennedy at 667-6666SUPER BACHELOR APT.This two bedroom Co-op apt at 54thand Woodlawn is ideally Icoated tocampus, excellent building,playroom, pool table, work roomOnly $17,900 To see call Richard EHi 'd 667 6666 1 Res. 752 5384).BRETHARTESCHOOL DISTRICT6 room condo 3 bedrooms, 2 bathslarge LR w/mock fireplace andbalcony, gallery hall, formal DR,nice kitchen, large back porch, outdoor intercom 55th near Lake Lowassessment. Call Don Tillery667 6666M61 East 57th Street. Chicago Illinois 60637702-0006Daily V to 5 Sat. 9 to 1, Or call 647 6666 Anytim*-The Chic?c?o Maroon — Friday, Ju»v 1, 1977 - 11SUMMER ON THE QUADSFILMSTUES FILMS (conta) SUMMERCONCERTSJuly 5 - Ride the High Country, directed by Sam Peckinpah."Everything about tNs picture has the ring of truth." Un¬changing Western morality clashes with a changing world.July 12-The Strawberry Blonde, directed by Raoul Walsh. Turn-of-the-century America portaryed by Cagney, Hayworth,and de Havfand. A bittersweet romantic triangle goes away.July 19-The Gay Divorcee, directed by Mark Sandrich, FredAstaire and Ginger Rogers dance to “The Continental." AnAcademy Award Winner!July 26-Easy living, directed by Mitchefl Leisen A series ofcomic misunderstandings between the Olympian rich and apoor working girl set the pace for this very funny movie. WithJean Arthur and Edward Arnold.August 9-Night of the Hunter, directed by Charles Laughton."A unique masterpiece of American chinema." James Agee'sscreenplay telts the story of a ruthless killer's furious pursuit oftwo children innocently carring the secret of hidden bankloot*FR!July 1 - long Goodbye, directed by Robed Altman. EliottGould is casl as a private eye. In contrast to The Big Steep, setin the homogenous 40's, we find Gould the target of misun¬derstandings in the alienated and chaotic 70's.July 8-Lucky lady, directed by Stanley Donen. A menage-a-toris of Liza Minnelli. Gene Hackman, and Burt Reynolds isfrothy and funny. It's the story of an orange-wigged widowand her two amorous buddies, who run booze up fromMexico to California in the 20'$.July 15-Magnum Force, directed by Ted Post, Clint Eastwoodportrays detective Dirty Harry. The plot convolutions twist andturn with some of the most exciting action ever put on screen.July 22 . Savage Messiah, directed by Ken Russell The haun-tingty true story of a young French sculptor and a womentwice his age The relationship between the two destorys longnurtured myths surrounding those forces which motivate thaartist.July 29-little Big Man, directed by Arthur Penn "The 70's firstgreat epic!" The story of the sole survivor of Custer's last stand.The film stars Dustin Hoffman and Faye DunawayAugust 5 - Sherlock Holmes’ Smarter Brother directed byGere Wilder. Wilder does to Sherlock Holmes what Me! Brookshad done to Frankenstein. The host of comic characters in¬clude Marty Feldman and Gene Wilder.August 12 - City lights, directed and written by CharlesChapin Chaplin portrays a tramp who befriends a poor blindgirl He helps her to pay her rent and defends her against avery unconcerned and callous society. "One of Chaplin's verybest," this is a story of love, suspense, and profound socialcomment. City Lights is a masterpiece by one of cinema'sgreatest artists.SATJury 2 - Kind Hearts and Coronets, directed by Pobert Hormer”A blue-ribbon British comedy filled with wit, irony, and im¬pudent fun..." Alec Guiness is seen in eight rotes truly an out¬standing performance by tNs remarkable talented artistJuly 9 - fhe Garden of the Finzi-Continis, directed by VirorioDe Sica Best Foreign Flm of 1971. An autocratic Jewish family,in Mussolini's Italy of 1938. is forced to acknowledge the worldbeyond the boundaries of their weB-guarded estate.July 16 - wind in the loin, directed by John Miiius An ad¬venture ftm on a grand scale. TNs vastly entertaining epic isreplete with clashing swoards. calvary chages. and abeautiful tady in destress Set in the Moroccan desert at thebeginning of the 20th century, this film stars Sean Conneryand Car .dice Bergen,July 23 Maltese Falcon, directed by John Huston “AnAmerican Classic " Humphrey Bogart Peter Lorre, and SydneyGreensfree# star in this flm of desperate men and women ob¬sessed with the jeweitea falcon of Malta13 ~ The Chicago Maroon - Friday, July V, 1977 July 30-The Tall Blond Man with One Black Shoe, directed byYves Robert "It will melt you with merriment." A young violinistunknowingly becomes the decoy in a cut-throat battle bet¬ween political spies. Buggings, break-ins, and Watergate-styleshenanigans are the objects of this timely satire.August 6-Misslssippi Mermaid, directed by Francios Truffaut.A wealthy tobacco farmer. Jean-Paul Belmondo, arranges towed himself by correspondence. A girl Catherine Deneuve,arrives claiming to be his correspondence, but not looking likeher pictures sent earlier. He decides to marry anyway,thereby setting the stage for this tale of suspense.August 13-Eary Viture and lifeboard, both directed,by AlfredHitchcock, Easy Viture, based on a Noel Coward script, is anexcitring drama of a woman's struggle to reach the top, andher sudden demise. Lifeboat truly affords the "master ofscreen melodrama" Hitchcock, the opportunity to expose histalents. The film was written by John Steinbeck. (One showingonly - 800 p.m. Virtue; 9:30, Lifeboat)All films will be shown in QuantreB Auditorium of Cobb Hgli Air-conditioned Cobb Hall is located at 5811 South Ellis.AH films: $1.50Tuesday films start at 8:00 p.m. (one showing): Friday andSaturday films start at 7:15 and 9:30 (two showings) except 8-For additional film information, consult the separate SOQ FilmCalendar and-or cat! 753-2150.SOQ BUS TRIPSBrought to you by the Student Activities Office, room 210,ida Noyes Hail The office is open from 9 am to 5 pm, and youcan coil there for more information about these summerexcursions 753-3591.Morton Arboretum Saturday July 9A Saturday trip to enpy the Arboretum's greenery, The busleaves ida Noyes at lO am. and will leave the Arboretum at 4pm. There are several walking tour maps available when youarrive Bring a picnic tunch! Sign up and pay the bus fee of$2.50 per person in the Student Activities Office by Wed¬nesday. July 6.Svoboda's Nickelodeon Tavern and MuseumFriday July 15it has to be seen to be believed! The tavern has a hugenickelodeon collection, an arcade room and a genuine 1893World's Fair par The bus fee is 250. and there is an admissioncharge of $1.00 per person. On Fridays and Sdturdays, there'sa dixieland band in the nickelodeon room. The bus leaves IdaNoyes at 8:30, and will leave from the tavern at midnight. Signup and pcy the bus fee in the Student Activities Office byWednesday. July 13Ravinia: “Concert Panorama" Sunday July 31The program features music of theatre, films and the concerthalt The $4,00 town seating is “unlimited," and the StudentActivities office has a limited number of $8.00 ticketsavailable to those who sign up for the trip and would like to sitin the pavilion The bus leaves Ida Noyes at 5 30 p m„ and thefee is $3.50 Sign up and pay the fee in the Student ActivitiesOffice by Monday, July 25.T6ur of Pullman Village Sunday August 7An architecturally and historically interesting village inChicago. The bus leaves Ida Noyes at 1215 p.m, and returnsfrom the village at 4:00 p.m Trie bus fee is 2.25, and there is atour fee of $50 for students and SI 50 for others. A slidepresentation, walking toux and chamber music performanceare scheduled for the afternoon, sign up and pay the fee inthe Student Activities Office by Thur, August 4 July 6 City Lights noon Hutch CourtCity Lights 7:00 pm Hitchcock CourtPopular tunes and ballads sung beautifully, andaccompanied by bass and guitar ..July 13 Brass Society noon Hutch CourtThe University of Chicago's renowned Brassensemble...Care of the Cow 7:00 pm Hitchcock CourtElectric string and woodwind folk quartet;outstanding vocais...Last summer's SOQ smashhit...July 20 Ron Crick noon Hutch CourtRon Crick 700 pm Hitchcock CourtAn exciting blend of folk music and topicalhumor.,July 27 Special Consensus Bluegrass Band noon HutchCourt. A favorite of U of C. audiences, this groupis also a popular northside attraction....Bob Gibson 700 pm Hitchcock CourtA living legend, and one of the country's firstand foremost contemporary foiksingers...August 3 Summer Band noon Hutch CourtSummer Band 7:00 pm Hitchcock CourtThe University of Chicago Summer Band gives itspremiere performance under the direction ofMaestro David Young...August 1C Michael Gorman noon Hutch CourtA foiksinger with a special appeal to collegeaudiences.Unity Bluegrass Band 7:00 pm Hitchcock Court* * * BBQ and Square DanceWarm-hearted, foot-stompin', hand-ciappin'music...G OBUILDING HOURSIda Noyes Half: 1212 E. 59th Street9:00 a.m. till lOOO p.m. MWF9:00 a.m. till 12 midnight, T, ThClosed Saturday and SundayStudent Activities Office - 9:00 a.m. till 5:00 p.rn., M-FOffice of Women's Athletics and the Office of Intramuralsand Recreational Sports - 9:00 a.m. til! 5:00 p.m., M-FREYNOLDS CLUB BOX OFFICE (Box office, billords roomequipment rental.)9:30 a.m. to 800 p.m. Monday through Friday.12 noon to 5:00 p.m., Saturday and Sunday.Music practice rooms19 30 to midnight, Monday throughFriday. 12 noon to midnight, Saturday and Sunday.CO-OP BOOKS AND RECORDS 11:00 a.m. to 5:30 p.m. Mon -Fri. 12 noon to 5:00 p.m. SaturdayUNIVERSITY FOOD SERVICE HOURSida Noyes HallFrog & Peach 11:30 a.m. till 200 p.m. - Lunch, M-F5:00 p.m. till 8:00 p.m - Dinner, M-FClosed Saturday and SundayThe Pub (beer, wine munchies. and sandwiches)4:30 p.m. till 12 midnight, M-FThe Bakery (ice cream, pastries, and mflk)10:00 am. till 8:00 p.m. M-FReynolds ClubHutchinson Commons - 7 00 a.m. till 200 p.m,, M -FC-Shop 11:45 a.m. tilt 8:00 p.m. M-F500 p.m. till 800 p.m. Sat & SunInternational HouseCafeteria 700 a.m. till 10:00 am; 11:30 till 200 p.m.5:00 p.m. till 7:00 pm, M-FTiffin Room 8:00 p.m. till 11:00 pm., M-F (fountain service)9:00 a.m. fill ITOCa.m. Sac. Sun (breakfast)11:30 am tifl 1:30 pm. Sat, Sun, (sandwiches)