Consulting workloads varyamong divisions; limit ofone day per week is norm University gets $900,000 forSouth Asian, Far Eastern studyChauncy Harris, vice president for academic reeoorcaa, was in¬strumental in securing the grants for the University He had beenworking on the matter for a number of years because “toe Asianstudies programs here are a real national resource ” He said the largegrants were “unusual, though not unprecedented ” ( Photo by PhilipGrew;By CAROL SWANSONThe lawyers, doctors, andbusiness experts in the Univer¬sity’s professional schools haveknowledge that is clearly salable tothe outside world and they arefrequently involved in lucrativeThis is the last article in athree-part series on consulting byUniversity faculty members.private consulting. For professorsin the four academic divisions,where the outside marketability ofthe disciplines is less apparent,consulting opportunities vary, withphysical scientists and biologistsmost heavily involved whilehumanists find little demand fortheir knowledge.Consulting contracts in thehumanities division are rare, butprogram grants, particularly fromthe National Endowment for theHumanities, play a major role insupporting the division’s budgetand thus faculty salaries.“We have at most a problem ofwhat to do when another institutionwants to make use of one of ourexperts. Then it becomes aquestion of how courteous do youwant to be,” said Karl J. Wein-traub, dean of the humanitiesdivision. He added that evenconsulting problems of this nature do not occur often.There are more consulting op¬portunities in the division of theSocial Sciences. Still, as WilliamKruskal, dean of the division of thesocial sciences explained,“Consulting is not a majorproblem in this division or in theUniversity.”Policies are set by departmentchairmen and discussed at theirexecutive committee meetings. “Itwas especially an issue when wewere trying to recruit someonewho did a lot of consulting,” saidKruskal. “Would it fall within ournorms, and what were thosenorms?”Those norms have beenestablished in a general un¬derstanding found also in thebusiness school; up to one day perweek is allowed for consulting. Inthe social science division, Kruskalsaid, “I doubt that anybody doesthat much. There is nothing covertabout it — the departmentchairman is usually informed notof the dollar amount, but of thefact. Usually, it’s something thefaculty member wanted to doanyway.“Some of it is good,” Kruskalcontinued. “If it presents new dataor hypothesis, its quite defen¬sible"’ He acknowledged thatConsulting to 2 By JON MEYERSOHNThe Andrew Mellon Foundationhas awarded $600,000 to theUniversity’s South Asian studiesprogram and $300,000 to the FarEastern studies program. Thefunds will be used by the twocommittees to award fellowships,maintain their libraries, aidfaculty research, and possibly hirejunior faculty.The grant comes at a crucialtime because resources fromgrants that supported theprograms in the past have run out,giving rise to the fear that the highquality of Asian studies at theUniversity could not be main¬tained.“The Mellon grant, coupled witha 1975 Ford Foundation matchinggrant for $600,000, was a real shotin the arm,” said Chauncy Harris,vice-president for academicresources.“The Asian studies programsare a real national resource. Wehave the largest South Asianresource collection in the countryand a highly developed program.That we received the grantsreflects a real respect for ourAsian studies areas, and wouldhave been a real shame if we couldnot have continued as we have for16 years.”The Ford and Mellon grants willtotal $1.2 million, but $600,000 hadto be raised to match the Fordgrant. The Joyce Foundation of Chicago, in cooperation with ananonymous trustee and facultymember, has donated $450,000, and$150,000 more must be raised bySeptember, 1978 or the Ford moneywill be lost.These grants include norestrictions on how the money isspent, which makes them“unusual, though not un¬precedented,” said Harris. Theyestablish a long-range financial security for the South Asian andFar Eastern Centers.The South Asian Studies Center,whose previous grants from Fordand others had run out, workedhard to get a grant and were ableto come up with one that allowedthem the most freedom to operate.The Center now works with peoplefrom all over the campus; astudent in any division with anGrant to 3Profs reject plus-minus gradesBy JON MEYERSOHNThe College Council Tuesdaydefeated a proposal for plus-minus grading in the College by avote of 13 to seven. The Councilhas discussed the proposedchange for almost a year, andwhile most members previouslyfavored it, vocal student op¬position ultimately defeated themeasure.Student opposition, originallyin the form of a petition,culminated in a recent student-faculty committee report to DeanOxnard that argued that theproposal would increase com¬petition among students. Thosewho opposed the proposal heldthat a plus-minus grade modifierwould make students even moregrade conscious than theyalready are, and would increasetheir chances of getting C’s. As aresult, faculty members whooriginally supported the proposalchanged their minds to appeasethese students.The plus-minus modifier wassuggested last year as a way torefine the four-point gradingsystem and make it easier forstudents to get into graduateschool. In the wake of last year’saccusations of grade inflation.Council members felt that a plus-minus system would ease theproblem. Other suggestions were to give students numericalgrades, such as 3.0,3.5, or 4.0, butthis measure never came to avote.Council members who opposedthe proposal and those whofavored it agreed that themeasure was geared primarily tothe student. “The students werevery much the customers,” saidPeter Vandervoort, associateprofessor of astronomy andmember of the council.“I had opposed the plus-minusmodifier from the start because I felt it would add confusion to thealready sensitive problem ofgrading students, but I think thatif I had been for it, the strongstudent opposition would haveswayed me against the proposalThe apprehensions of thestudents carried a lot of weight,and we were thinking of thestudents’ interests here muchmore than at most Councilmeetings. We were acting for thestudents.”Grades to 2Ralph Nicholas, professor of anthropology, supported the proposal totoe end, feeling that it would aid students and professors without in¬creasing competition. “To say that it would make students morecompetitive is errant nonsense Students here are already so comgytitive nothing we could do would change that,” he said. (Photo byan Newman) Speak Out members allegetrustee, business controlat Hutchinson Court rallyBy JEROME MARCUSOver 100 students gathered inHutch Court late Wednesday af¬ternoon at a rally called by theSpeakout Coalition to keep alivetheir protest against tuition in¬creases and their call for thedisclosure of the University’sbudget.The demonstration was com¬plete with hand clapping, singing,and empassioned speechesasserting that “things are going tohave to change.”Members of the Coalition arenow awaiting answers to fivequestions, submitted Tuesday,which President Wilson, ProvostD. Gale Johnson, and Dean ofStudents Charles O’Connell agreedto answer when the students metwith them two weeks agoyesterday.At Wednesday’s rally, sixspeakers told the crowd that “thespeakout coalition has tried veryhard to find out what the hell isgoing on.”Coalition member Philip Grewsaid, “Time after time after time,all we get is excuses Well, dam¬mit, I’m fed up' ” Grew vowed that“the right to know is sacred.” andpromised "to keep fighting untilthe Administration can't hide anymore ” Some of the speeches were tintedwith leftist political attitudes Onespeaker asserted that the Board ofTrustees is dominated by“businessmen, . . .men like CyrusEaton. David Kennedy, and DavidRockefeller ”Bruce Saxon, Coalition memberand member of the Young SocialistAlliance, charged that such men“expect the University to be run astheir corporations are run —hierarchically, with policy-makingpower reserved to a tiny few.”Saxon claimed that the men whocontrol the Board “seek to shapethe character of the University inaccordance with their own cor¬porate needs, and to developstudents and faculty who fulfillthose needs ”The audience was made up ofobservers as well as Coalitionsupporters “I was curious,” saidone student. “I really don’t knowenough yet, but I’m listening ”Peg Imber, first year student inthe College, typefied the pervadingsentiment “I think they shouldhave more disclosure.” she said.Imber, like other students at thedemonstration, donated moneytoward the Coalition's $200 ad¬vertising and printing debt, whichhad been born by Coalitionmembers alone She said. “I’vegiven my money and I thinkthey’re rightTHE UNIVERSITY OF CHICAGODepartment of Germanic Languages and LiteraturespresentsTHE NEW WAVE IN SWEDENA festival of Swedish film in the SixtiesFeature Film Showings 9:00 PM 'Feature to be announced.5/19/77-Thursday - 7:00 PM - 5/22/77 - SaturdayHugs and Kisses-Jonas 7:00 PM -Cornell. Dr. (93 min.)9:15 PM - My Sister. My Love - Vilgot Sjuman.Dir. (97 min.Dear John-Lars-Magnus 9:15 PMLindgren. Dir. (111 min.)5/20/77-Friday first session The Girls - Jai Zetterling,1.00 PM - Dir. (100 min.)I’m Curious Yellow -Vilgot Sjoman. Dir. (120 min.) Short Film Program (Gratis)5/22/77-Sundaysecond session 3:00 PM -7:00 PM - Modern Swedish Cinema (35 min.)Raven's End - Bo Widerberg.Dir. (100 min.) Vilgot Sjuman (40 min.)Stay in the Marshland (30 min.)•Lecture/Discussions9:15 PM-Adalen 31 - Bo Widerberg,Dir. (117 min.) 5/20/77-Friday3:00 PM - with Mr. Vilgot SjumanInternational House Auditorium5/21/77 - Saturday7:00 PM - 5/23/77-MondayThe Assault - Lasse Forsberg, 2:00 PM - with Prof. Gerald MastDir. (103 min.) Location to be announced.Note: All films will be shown at the International House Auditorium 1414 E. 59th St.The films will be in 16mm with English subtitles.Tickets available at the door.Students with I.D., 1.50 per sessionAll others 2.00All titles subject to change. For information call 753-2270 or 753-3883.•With support from:The Swedish Information ServiceThe American-Scandinavian Foundation. Chicago ChapterCEFDOC Films Consulting from 1consulting could conflict with regularacademic responsibilities but said thatthere is no procedure for controlling the wayfaculty use their time.Marvin Zonis, associate professor in thedepartment of behavioral sciences anddirector of the center for the Middle Easternstudies suggested that consulting in thesocial science division is unevenlydistributed, with a few people doing a lotand most doing none at all. Zonis said thathe spends a few days a year consulting. Imostly in his area of expertise — the MiddleEast. His incentive, and the incentive of!most others is the pay, which for Zonis \ranges from $100 to $250 per day.Consulting at the University Zonis ex-1plained is not as widespread as he found it tobe at Harv ard. MIT and Yale. There. |faculty were praised and respected forconsulting, whereas here, he said, a stigmais often attached to doing consulting.There is also less opportunity for con¬sulting in Chicago than there is on the eastcoast. It may be different in the future.However. Zonis anticipates that as Chicagotakes a more prominent role in internationaltrade. University faculty may be called onmore often as consultants.The biological science division's policytoward consulting is the same as that of themedical school. According to Robert Uretz, facting dean and acting vice president of themedical center, full year appointments limitthe time available for consulting. It seems jthat very little additional pay results fromconsulting of any sort in the biologicalsciences.Leon Stock, dean of the physical sciencesdivision, explained that in the division, thereare “all manners of work," and that someof it “could be quite extensive." Some wasfor private industry, some for governmentagencies, and some for advisory7 boards.Most of the consulting is separate from theUniversity and did not involve the use of Iuniversity labs or equipment.“It is not a thing that is discouraged."Stock said. “In many respects, it’sfavorable — especially if it involves ac¬tivities with scholarly opportunities."“The kind ot person who tends to get onour faculty is not likely to go off around theworld with mercenary goals." Kruskal said. Grades from 1Many Council members seemed surprisedat the strong student fear about theproposal. They felt that the student was onlyreacting negatively to something thatultimately would have helped them.“I think it was a good idea both for theprofessor and the student to refine thegrading system by adding pluses andminuses. But the students felt it would be toocompetitive, and would only add to thetensions of student grading," said RalphNicholas, professor of anthropology andsupporter of the proposal“To say it would add to the com¬petitiveness here is errant nonsesnse. Theplus-minus grades, or any other gradingmodification would have no affect ofcompetition. The students here are alreadyso competitive that nothing we could dowould change that," said Nicholas.Easly Blackwood, spokesman for theCouncil, seemed to agree with Nicholas. “Iam surprised at the students’ insecurityabout such a proposal. Originally the ideawas to help them, and I expected that theywould have enough faith in themselves tothink that their grades would go up, from aB to a B plus, for example, rather than downto a B minus. But I guess our students had agreat fear of the proposal that was notgrounded in rationality."The vote changed so many times that “notwo votes came out the same," said Black¬wood. Originally there was much supportfor the proposal, but gradually, with in¬creased student apprehension, Councilmembers changed their votes. Apparently,there were a number of votes on the issue.No faculty member felt strongly enoughabout the proposal to push it through overthe firm student dissent. The split in thefaculty seemed to come between the scienceand humanities - social sciences professors,with the former opposing the change and thelatter favoring it. However, Izaak Wirszup,professor of mathematics, supported theproposal because he felt it allowed for in¬creased sensitivity in grading.But science professors, who generallyteach larger classes, were unsure of theproposal’s benefits. “Grading is alreadysensitive enough issue." said Vandervoort.“In the larger classes we generally grade ona modified curve system each year anyway.A “B" this year might not mean the samething in two or three years.SEVEN THINGSNOT TO DOTHIS SUMMER.Summer can tv fun if you know, a ft*u common thingsdoing1. Do nor swim at any beach where theyplaying the soundtrack from Jaw-2.3. Do not answei any want ad foi a >ummet mb ttoo grx>d to be true — unless eou enioc selling steak4.decided on an exciting career ,n motel manayemen5. D') not accept a date from any* >ntsuit and roller skates6. Do not. under any circumstance' attempt to tee : ygerbii a boa constrictor7. Do not forget the one .-.i can think of nothing more important foi vou to ieiSo have fun. have bchiif/ and I!; x/e tou next failTHERE'S JUST ONE WORDFOR BEER. AND YOU KNOW ITSt^finda SteinfullcrDean of Beer ALL TOGETHERAt One LocationTO SAVE YOU MORE!SPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago youare entitled to special money sav¬ing Discounts on Volkswagen &Chevrolet Parts, Accessories andany new or used Volkswagen orChevrolet you buy from Volks¬wagen South Shore or MeritChevrolet Inc.SALES & SERVICEALL AT ONEGREAT LOCATIONCHEVROLETm VOLKSWAGENSOUTH SHORE7234 Stony IslandPhone: 684-0400Open OeMy 9-9 P.M./ Set. 9-5 P.M.PfU Open Saturday tM 12 NoonPlant decoys to prevent rapesField House rehabilitation has begun, but the University is still II million short offunds needed to being phase two of the renovations. (Photo by Carol Studenmund)Still $1 million shortField House renewal in phase one By DAN WISEA special plainclothes stakeout unit withfemale police officers acting as decoys hasbeen assigned to the Hyde Park area toapprehend possible rapists following arash of sexual assaults two weekends ago.According to police investigator WalterBosko, three rapes and one deviate sexualassault were reported during the weekendof May 6-8 in the community surroundingthe campus. One rape, which occurredshortly after midnight Saturday, May 7near 56th & Harper, involved a Universitystudent. University officials say that wasthe only “serious” sexual assault against astudent this spring. Although police saythey have received no reports of rapes inthe Hyde Park area since May 8, the oc¬currence of four incidents in one weekendmay have ignited a “fire” of fact andrumor that continues to smoke.By ABBE FLETMANRehabilitation of the Field House hasmoved into full swing with the completionthree weeks ago of a new concrete playingfloor. The new floor, elevated 18 feet aboveoriginal ground level of the Field House, willbe covered with a ProTurf polyuretheneplaying surface for basketball and indoortennis.The floor is the first phase of construction,which includes plans for four regulationhandball/raquetball courts, threeregulation squash courts, a new lockerroom, spectator stands for 15,000, and a 200-meter track with a 90-meter straightaway.Director of athletics Harold Metcalf expectsthis stage of construction to be completedOctober 1 with a dedication ceremony withthe Board of Trustees to take place onNovember 10.Metcalf indicated that it will be “quitesome time” until the concrete floor “cures”sufficiently to allow for the installation ofthe playing surface.Phase two of construction includescompleting the ground floor and buildingmore squash courts and special rooms forweights and conditioning. The University isstill $1 million short on the financing of thisphase. “1 can’t even guess as to when we’ll getthe funding,” said Metcalf. “My hope wouldbe that we’ll get the funding before we finishPhase One. I’d like the money to kindlyappear on our doorstep,” he continued.Once Phase Two beings, Metcalf anticipatesthat building will continue for another year.Metcalf said that “there is an enormousamount of interest in physical fitness at theUniversity” and cited the overcrowdedfacilities this year as evidence. The FieldHouse, he continued, “will be light yearsbetter than Bartlett”. Unlike Bartlett,women will be given equal space and “alarge scale shower.”The renovation of the Field House is partof a large-scale development project toimprove athletic facilities on campus. Theproject includes the building of additionaloutdoor tennis courts, which will be readyby late spring or summer, and the con¬struction of a small building on Stagg Fieldto house rest rooms, team rooms, andstorage space.A 50-meter swimming pool is planned forthe area between Bartlett and the FieldHouse. The three buildings will then beconnected with corridors to form a three-building complex. Although this plan is anofficial development program funds havenot yet been collected for its im¬plementation. Several persons have contacted TheMaroon in the past week passing onrumors of a drastic increase in the numberof rapes in the area. Police and Universityofficials say they are unfounded Concernover the safety of city streets usuallyheightens as the weather warms up andstreet crime increases, but rumors havebeen particularly insistent and persistentthis spring.An arrest has been made in the sexualassault case. Bosko said, and threesuspects are being sought in the othercases. Composite descriptions anddrawings have been circulated to patrolofficers, the stakeout team, and toUniversity security.According to detective Bob Mason,several persons fitting the descriptionshave been picked up, but so far there havebeen no positive identifications.Grant from 1interest in South Asia can apply to thecommittee for a fellowship.The Far Eastern Studies Center has alsoreceived money from the Mellon Foun¬dation, $300,000 with which they can“continue our research, support our libraryand give fellowships,” said Tetseo Najita,director of the Center.“We have been very lucky recently, and Ithink we can continue to be one of the bestFar Eastern programs in the country.” saidNajita. The Far Eastern Studies Center hasalso received $300,000 from the NationalEndowment for the Humanities, $150,000 ofwhich they were awarded outright and$75,000 of which they must match. Thisgrant is for the study of modern Chinesedevelopment. The Luce Foundation hasgiven $124,000 for study in Asian-Americancultural relations.The new grant monies, which total apotential $2.1 million, will allow theprograms to continue as they had and willadd up to $90,000 a year income. The SouthAsian Studies center had $142,000 a year in1974-75. This means that while the centerscan continue to grant money, there is littlechance junior faculty will be hired in thenear future.“We would like to hire new faculty members,” said Ralph Nicholas, professorof anthropology and executive secretary ofthe Committee on South Asian Studies, “butat this time it is hard to say that we will. ”“The money has not all been budgeted,but if we have a $90,000 a year income as weexpect to. the money will go to maintain theprogram. We can hire new faculty only if wego over the $1.8 million, but we don’t want tolook a gift horse in the mouth. We havesupported junior faculty in the past, but ithasn't been possible in the past couple ofyears. We’ll have to see what happens now,but the way Mr. Harris has been working,who knows how much we’ll get ?”The grants are seen as a major victory forthe University because they come at a timewhen all foundation grants have been cutback and University’s budget could nothandle the load of the two centers. After acareful search, the Ford Foundation choseChicago over other schools, and many ob¬servers see this as a sign that Chicago nasthe best Asian studies programs in thecountry.“I think both the Mellon and original Fordchallenge grant are very important inhelping the University* maintain anddevelop its program in South Asian studiesat a time when budgets are very tight andinflation is still high,” said Milton Singer,professor of anthropology’THE SEMINARY CO-OP’s16th ANNUAL SPRING BOOK SALEOUR ENTIRE INVENTORY ON SALE AT20% OFF LIST, MAY 20 THROUGH JUNE 10COME EARLY, COME OFTEN. FOR BOOKS IN A WIDEVARIETY OF FIELDS, TO HELP US CELEBRATE THEBEST YEAR IN OUR HISTORY!SEMINARY COOPERATIVE BOOKSTORE5757 S. University752-4381 9:30-4:00 M-FThe Chicago Maroon — Friday, May 20,1977 — 3Limitless directionsTraditions grow from unlikely roots atChicago. They are fiercely defended and per¬petually recounted; but their constant re¬examination is essential to their preservation.As former President Edward H. Levi saidMonday, the late Robert Maynard Hutchins is animportant part of the tradition. Yet theexamination of the revolution he brought forth onthis campus provides a confused perspective onthe current administration and the University’sfuture.John Wilson has said on many occasions thathis goal, as president, is to maintain theUniverity’s academic distinction. He makesconstant and wide-ranging references to the pasttraditions of the University, and the assumptionis that the budget-oriented administration heheads fits into the University’s tradition.‘T say that the primary responsibility of thehead of a University is to lead the attack on itsintellectual problems,” Hutchins told the facultyin his farewell address in 1951. “If he does not dothis, it will not be done. And if it is not done, theUniversity may get money, but it will be none thebetter for it.”Wilson said last summer that his most im¬portant goal was to balance the University’sbudget. That would never have been Hutchins’goal. Indeed, he left the University with aphenomenal deficit from which it took years torecover — and perhaps Wilson’s pragmatic goalsare both economically and intellectually sound.But the question is whether or not theUniversity will ever again open its doors to apresident with the courage to drastically alterthe University’s direction. Hutchins, at age 30,completely changed the structure and programof the divisions and the College — enhancing bothat the expense of the endowment and budget,Yet Wilson said Sunday: “In that essentialfight he was strong, he was untiring, he upheldthe great tradition of the University, and he wasright.”As the University’s president, even if only for afew years, Wilson must know that there is noright or wrong in education. Much of what Wilsonhas done since he took office has been forced onhim by economic necessity; Hutchins, on theother hand, pushed his ideals on the Universitywith no consideration to economic conditions.In the end, both men may have upheld theUniversity’s tradition. Both may be right. As thepresidential search committee begins itsdeliberations, those who choose must believethat there are limitless directions for theUniversity. Letters to the EditorEditor Peter CohnFeatures Editor: Jm RhodesSports Editor David RieserPhoto Editor: Dan Newman'Senior Editors; David Blum, Dan WiseAssociate Editor Aw* F let martProduction Manager Michael DelaneyGraphics Chris Per sansBusiness Manager Nik© MaksimyadisAd Manager: Doug MilterStaff:Tony Adier, Earl Andrews, N.S Baer, Steve Stock, Steve Brown,Ellen Clements, Nancy Cleveland, Stephen Cohodes, Lisa Cordell,Skye Fackre, Abbe F let man, Morf Fox, Philip Drew, MaggieHfvrtor, Joel J after, Jerome Marcus, Tom Petty, Barbara Pinsky,RW Rohde, Rusty Rosen, Claudia Rossett, Adam Sc heftier. ChuckShi Ike, Carol Studenmund, Bob Wanerman, Sarah ZesnerThe Chicago Maroon is the student 'newspaper of the University ofChicago, published Tuesdays and Fridays during the regularacademic year. The Maroon office is located at 1212 E 59th St,Chicago,, Illinois hfthV The telephone number is 753 3263 Wilson defendedTo the Editor,Your editorial “Privacy andLeadership" on April 29 seems to beconcerned exclusively with the styleof leadership of the current presidentof this University. At least equalspace should be devoted to the sub¬stance and quality of that leadership.I know John Wilson as a man totallydedicated to the preservation andadvancement of the University ofChicago. Positive advances havebegun under his leadership, advancesthat will have a significant impact oneducational and research activities ofthe University for years to come. Onesuch advance, with which I am closelyfamiliar and which is especiallysignificant for all students on thiscampus, is the recent decision toacquire two DEC-20 computers.About one year ago, President. Wilson called together a committee toprepare a proposal for the develop¬ment of an easy-access campus-wideinteractive computing system. Heexplicitly stated to the committee, ofwhich T was a member, that theprimary purpose of such a systemwould be to provide interactivecomputing facilities to all students,especially undergraduates, on a low-cost or, if possible, a no-cost basis.During the past year a great deal oftime has been devoted to thedevelopment of an interactivesystem, especially by a largercommittee chaired by Professor Nie.As a result, by next fall two advancedDEC-20 computers will be inoperation on this campus, with a largenumber of terminals located about thecampus. It is intended that terminalsand computer time be readilyavailable to students on a prioritybasis. At the present time nouniversity other than Dartmouth canoffer such facilities to its students,This represents a major enhancementof the educational opportunities at theUniversity. At a time of austerebudgets, it takes keen sensitivity toperceive the educational benefts ofsuch an investment, and it takescourage to approve it. In this instanceand in others. I greatly appreciatePresident Wilson’s devotion to thequality of the University, and I thinkthat he and the central administrationdeserve applause for concentration oneducational sugstance rathe* than onstyle or image.Sincerely,Michael D. PerlmanProfessor of Statistics by teachers seeking to improve their r\ Qm| vyV11q-p1qcourses. Division Masters and faculty UI'I vmo caogoverning boards go over evaluationsin considering tenure and reap¬pointment decisions. Summaries ofthese accompany tenure/reap¬pointment files as they circulate up tothe ultimate decision-makers. Forthese reasons, we ask that you takethe evaluations seriously. It is in thestudents’ interest that complete andaccurate information is obtainedEvaluationsTo the EditorThe season for evaluating thecourses and instructors of the pastquarter has arrived Students invarious advisory capacities areworking to improve both theevaluations and their availability.There are plans to print summaries ofall collegiate courses in a singlepublication next autumn. This projectrequires much time and energy, butthe final result, in terms of easilyavailable information, should be ofvalue to the studentsCourse evaluations have otherfunctions besides being the source ofdata for published summaries.Evaluations are on file in thecollegiate divisions’ offices for thoseinterested in eliciting more in¬formation about courses and in¬structors. They are frequently read If evaluations are not passed out fora course, students are welcome to gointo the divisional offices and fill outthe course evaluation there.Bobbve MiddendorfMore on thiefTo the Editor,I address my comments to the thiefof that oaf Michael J, Roth's walletand watch. As a member of the ad¬missions committee, I know firsthandthat it is a general policy of thisUniversity to attempt to achieve aswide as possible a mix of backgroundand experience in the student body.On this basis, the thief seems to me anexceptional candidate for admissionto the University.In this thief's letter, he displayed awriting ability superior to the vastnumber of undergraduates in thecollege. With this much talent andachievement in such impoverishedand deprived conditons. it is obviousthat this remarkable young thief hasno need for a college education.Rather, he ought to directly enter intoa Ph. D. or post doctorate program.Presumably, he reached this level ofachievement by reading classifiedads in stray Maroons which mighthappen to blow down the ghettostreets, which makes him all the moreremarkable.I am sure an amicable financial aidarrangement can be worked out,perhaps even a fellowship. This thiefhas already demonstrated hiscapacity for economizing. He wouldnot need housing, since he alreadylives in the neighborhood with hisseveral dozen little brothers andsisters, probably sleeping in the samebed. Nor would food be a problem,just a couple cans of Ken-L-Ration perday. As all our students know, our aidprogram is very liberal, especially inthe case of such a budding younggenius.An athletic scholarship might evenbe possible. The thief could not onlyplay basketball on real wooden floors,but even play tennis on dirt! But thenperhaps this thief’s interest lies inplastics research, or biology . Morelikely, the thief seems a natural for alegal* or political program, eventuallyentering government service.This offer for admission should notbe taken lightly. On the contrary’, thiswill obviously be the only chance thethief will get to escape a lifelong“envy of destiny”, the fear expressedin his letter. Perhaps as a Ph. D. hewill be able to afford to buy bis owncheapo Timex.Sincerely yours,Siglinda Steinf ullerDean of Beer To the Editor,For your information and that ofyour correspondant Skye Fackre, whowrote at such great length in the May3 Maroon of the “carrolls” inRegenstein Library’: The word iscarrel. Perhaps she was thinking ofcorrals more properly corrales, sinceit is a Spanish word, which are en¬closures for animals rather thanstudents: or perhaps chorales, whichare hymn tunes whether sung bystudents or not ; or carols, which areusually sung at Christmas, thoughseldom in the Library; or may beeven corals, which are “hornyskeletal deposits produced by an-thozoan polyps,” since so many of thestudents who use the carrels may besupposed to be homy and are knownto leave deposits — though I wouldhate to go so far as to call them an-thozoan polyps. But whatever she wasthinking of, it couid certainly not havebeen carrolls.Arthur N. CarrollSexist slanderTo the Editor,It is hard to conceive of a morevicious and cowardly sexist slanderthan that advanced by the anonymousCollege Council member quoted inThe Maroon’s Friday article on thesearch for a new College Dean.Commenting on the fact that SuzanneRudolph is allegedly a leading can¬didate, he “charged. ..that her can¬didacy was an attempt to appease theDepartment of Health, Education andWelfare by choosing a woman.‘There’s tremendous pressure fromthe administration to pick a womanfor the job, ’ he said. ”This is unhappily not an isolatedincident. Increasingly in recent yearsI have encountered male facultymembers who have the highest (in¬deed, impossibly high) standards ofevidence in cases of alleged prejudiceagainst women, but who have nostandards of evidence at all, butsimply assume whenever a woman isconsidered for a position that “ofcourse” it’s “because she’s awoman.”To make such a charge at theUniversity of Chicago which has(wrongly, I think) consistentlyresisted efforts at “affirmative ac¬tion” is ludicrous. To make the chargein the case of Mrs. Rudolph, a womanwith an outstanding record ofscholarly achievement and ad¬ministrative performance is par¬ticularly obscene And to make thecharge from behind a cloak ofanonymity is the act of a despicablecoward without even the courage ofhis sexist convictions.I might add that for The Maroon tocollaborate in retailing this kind ofanonymous slander raises the mostserious questions about its notions ofjournalistic ethics.Peter Novick, Assoc. Prof.,I>ept of History’ & The College4— The Chicago Maroon - Friday, /way 20,1977The Seductive Sound of Meredith MonkBy Eden ClorfeneMeredith Monk, a native New Yorker,was in Chicago for the last three weeks togive a solo concert and performance inconjunction with her company.Monk is a member of the '60's “avant-garde" dance generation, the latest group inthe line of all those choreographersdissatisfied with the trappings of conventialtheater. Their list of grievances, as long astheir 70 year history, includes thetraditional proscenium stage, theaters thatare often more spectacular and carefullydesigned than the performance onstage, andthe kind of performance commonly ex¬perienced in these ornate amphitheaters.These shows are often an exhibition ofsuperstars whose indisputably brillianttechnical virtuosity blinds rather thanilluminates, producing reputations andliving legends rather than accessible,communicating artists.Now, there is nothing wrong with thedisplay of virtuosity. But when bravurareplaces beauty and significance andbecomes the sole object of a quickly waninginterest, there is something wrong; in fact,so wrong that its repeated occurrencewithin our balletic tradition caused many toturn their backs from ballet altogether tostart from scratch.The rejection of the balletic traditionassumed forms too varied and various toadequately discuss here, but suffice it to sayjust about everything characteristic of theballet stage was sooner or later discarded.The very symbol of oallet — pointed shoes —was immediately abandoned. Per¬formances occurred in ordinary, non¬theatrical sites, such as YMCA gymnasiumsand church basements. Dancers woreanything required for a particular work, asopposed to the ballerina's prescribed taf-fetta gown or tutu. Dancers danced aboutanything they damn well pleased, usingthemes found in Greek myths, religiousrituals, or the social issues of the day. Andmost important, they discarded a formalschool of movement, moving in any waythey likedThe quality of the choreographic noveltyis as variable as the novelty itself. There arethe self conscious iconoclasts preoccupiedwith how they are going to differ from balletinstead of their own substance. Theyproduce choreography so dull that yousquirm in your seat swearing you'd sell yoursoul to the devil in exchange for even thetemporary thrill of seeing someone flythrough the air, knowing you'd actually begetting the better end of the bargain. Or youmight witness a choreographer who reallydoes have something to say, and just says itwithout worrying about the fact that theballetic idiom is not one that suits his needs.The whole issue seems to be whether thedepartures from tradition enhance thechoreography's effect, or whether theysupersede any effect whatsoever. MeredithMonk's work unquestionably belongs in thefirst category. Her solo concert, “Anthology," was one of the most compellingand exhilirating performances I've seen in along-time. Dancing, however, is just one ofher talents; she offers a kind of compositetheater which comprises her own uniqueand evolved vocal technique, choreography,and theatrical images — the third omnipresent element being the magic result ofthe first two, plus her very physicalpresence.Everything about Monk's performancewas innovative. You first bought your ticketat the Museum of Contemporary Art,walked a half a block down Ontario, turnedthe corner at Dingbat's Restaurant, andthen found the door with the sign, “Performance." Once past the door you took anelevator to the third floor, proceeded downwhat was literally a labyrinth of hallways,and only then approached the entry to theperforming area. Area is the appropriate word indeed, because you walked into thishuge, bare, poorly lit dungeon like room, inthe middle of which was a modest assemblyof chairs and sitting rugs. The .performingarea (again area being the choice word)was determined by four pillars farming asquare. In front were a pair of kerosenelamps and oriental rugs. Inside the squarewas only a grand piano. Very understatedand simple, the kind of ambience that, whiledifferent from the norm, I had pretty muchexpecteo.After keeping her audience waiting for 20minutes, Monk, an extraordinarily tinywoman, entered the performing areadressed in pants and sweater. Wearing nostage make up, she sat down at the pianobench, closed her eyes, paused, and thenproceeded to vocalize, uttering a wholevariety of sounds, but rarely words.Her performance consisted of vocalsequences, each one lasting about fiveminutes, each one a variation on a particular set of sounds, vocal register, vocaltexture, or rhythms. She began in a transparent, airy soprano, voicing vowels ratherthan words. Then in mid air, so to speak, thebreathy texture became a full, resonantsoprano, filling the huge room.She chanted, she moaned, she wailed; sheascended and descended tonal and atonalscales, hitting semitones and quartertones,resonating and shining like the brilliance ofthe fire at the end of a rocket.If the orchestra (as well as its individualinstruments) evolved in order to imitate orextend the expressive capabilities of thehuman voice, then Monk voices practicallya whole orchestra. During the course of herperformances she recalls the sound and tone quality of several instruments — theshrillness of the trumpet, the full-bodiedmelancholy of the oboe, the warmth of thestrings.I soon realized that the possibilities ofvocal expression have a boundless range,and that Monk seemed determined to cover,as well as uncover, the whole gamut ofhuman sound. The beauty and value of herventure is that her exploration is neveraimless ambling, but always surediscovery. Her work is superbly disciplined;her sounds are noticeably supported withexquisite diaphragm control.Admittedly I was puzzled at first — I hadnever seen, or rather, heard anything like itbefore. However, as I became more andmore hypnotized by her voice I realized thatthis little woman had something to “say."Her lack of words is initially unsettling, butyou soon understand that she bypasses themfor a more immediate, intense communication, aiming to evoke the “deepstructure" of a sentence, the kernel of athought or word.It is even more unsettling that Monkmakes public something intensely personal,unveiling in the form of controlled screamsthoughts that should only be thought andexpressed in the privacy of her ownbedroom. Others have called her voice“primal," it taps our primitive, precivilized regions. Well, as I've never consorted with Dionysus, I can't affirm thatdescription. I'll just say that without the aidof any theatrical trappings or the seductive,illusory distance between audience andperformer, Monk touched something in methat, like the content of her songs, defiedwords. Saturday, at MoMing Dance Center. Monkperforms with MoMing dancers and guestChicago performers.Monk's choreography is more likeblocking, dancing only in the sense that it'smovement performed in silence. The per¬formers assume particular characters andexpress themselves through gestures andstylized actions rather than kinetics. So,Monk's dances are actually dramas, or asone sometimes gets the feeling, rituals ofsome sort.Monk's dramas reveal an altogetherdifferent side of her than her solo concert.While her vocalizations involve theemotions, her theater involves the mind.And, while her voice affects one im¬mediately, her theater is confusing, andmay not affect one at all. The two dance-dramas performed Saturday were cloakedin obscurity, offshoots of Monk's veryprivate fantasies that rarely surface orreveal themselves in a more generallyaccessible form. Rather than discuss both,I'll discuss in detail the first.I admire Monk for having the courage tolay out her imagination for us, because her'sis certainly out of this world. For her firstwork, “Tablet, Part I" (as the programexplained, “Tablet" is a work in progress),a crowd larger than was expected crammedinto a small triangluar space, all the way upto the rope that established the triangularperforming area. In one corner Monk isseated at the piano with two othermusicians.Now, can you imagine this:?In the performing area are six shortcinderblock walls, placed in the corners anacenter. Different characters hide behindthem, and when Monk starts singing andplaying, they emerge, one by one Each oneis involved in his or her particular activity,never differing for even a moment. And, byheavens, it's a weird assortment of in¬dividualsA blind folded sequin dressea womangropes around in her self imposed darkness,her arms grabbing the air. A woman in aglamorous red evening gown holds a knifeand parades around in a aazed stare stabbing the air. A St. Francis-type in a long lav¬ender robe holds a book and peers into theclouds, as if searching for birds to talk to. Apathetic hunch backed scrubwoman, themost interesting of the lot, holds a bucketand totters about. Arrd finally, a mountainclimber-type, clad in lederhosen, alsoparades around, though with more of asense of purpose.Suddenly four women in white (likebrides) emerge from a door, become hypnotized, and they too walk around. Monkand friends are all the time singing. Thebrides exit and enter again. And again.Then, from the center wall, this portentouscreature who looks like the Loch Nessmonster emerges, extends her long armsand long wooden fingers, as if to sermonize.Then she descends. The piece ends. Huh?Monk might be making a study of enfragment, but I won't even pretend to knowwhat's really going on. These charactersnever cross paths, never acknowledge oneanother. The blind folded lady could easilyremove her scarf, but prefers to wanderaimlessly about. As the performers “miss"one another, the audience literally missesthe performers. The walls obstruct ourvision, preventing anyone from having atotal view of the performance.Yes, the sense of the macabre, like theeffect of Ivan Albright's paintings, is there.But beyond that, these tableaux never forma unified canvass, as they remain separatevisual images, untied strands of ideas.Maybe unity is something Monk hopes toavoid. But when these characters occupyand work with the same space, you can'thelp but look for, as well as want to find,connections.The Grey City Journal-Friday fTlay 20, 1977-1On the Case with Lukacs Le&agDexter’s Back: The Tower of Power Beams OnAt the ball games in the Seattle Kingdomesome guy dresses up as Frugal the Squirrelto remind the fans of the importance ofconserving energy. This is at a baseballgame, played indoors with air conditioningand lights on. A fitting epitaph. In this dayand age, if you really want to practice andpreach small is beautiful, less is more, orwhatever, you've got to cut through a lot ofstuff. I asked the lady at the health foodstore for some shampoo the other day andshe spent ten minutes looking throughcomputer print outs before she told me theydidn't have any. In a health food store, mindyou.Those of us who enjoy jazz like to think ofourselves as purveyors of a more naturalexistence. At its best, there is purecreativity going on — but this progress ethickeeps creeping in. As most historical in¬terpretations of jazz go, one of the majortrends has been toward smaller note values;another has been increased sophistication(and in some cases, obliteration) oftraditional harmonic patterns. Sam Rivers,the bebop tenor saxophonist turned avantgardist, told me once: "We played throughthe changes so many times and studiedthem so much (during the early 50's) thatwe came to the point where we could playany note in any position and justify it, so wemoved on."Removing the constraints has led to somegreat musical moments (Cecil Taylor andAnthony Braxton's concerts of this year, toname two), but there is a tendency towardexcessiveness and a lack of coherent express ion in what we would awkwardly call"post post-bop". I saw a group calledNatural Life from Minneapolis a couple ofmonths ago. They definitely had a good feelfor the Coltrane idiom, and showed someexcellent chops. But, except for theguitarist, they just played too many notes.All the running up, down, and around thescale, superimposing one key center onanother — what were they saying? Somegood things came out, but ultimately notenough to justify all the effort.Unfortunately, transcendent moments injazz have been rare in recent years. While afew can move on the cutting edge of advanced, creative music, others merely dealin bluster. Another group including many ofthe real and potential giants, seem to havegiven up on musical coherence,sophistication and subtlety in favor of a'' g i ve-the kids wha t ■ the y wan t to - he a r 'laziness. Those who have remained in thebop idiom, while players of great com¬petence, are often content to be competentand to let inspiration go. I had placed DexterGordon in the last category — the first greatbebop tenor saxophonist of the mid-40's,Dexter has nonetheless never enjoyed reallywidespread recognition in this country(partly by choice, having settled in Denmark some years ago). In my listening over the last several years, I'll admit to nothaving heard much of Dexter, and certainlydidn't notice him to a great extent. I've gotto get on the bandwagon late — he finally hitme in the right spot with a new album,Homecoming (Columbia), a double recordlive set from last December at the VillageVanguard in New York.Maybe twenty years ago, one could hearmusic like Dexter and Woody Shaw's groupmake on this set everywhere; maybe we'rejust hearing a last gas. But we shouldn'tworry: this is alive, exciting and fresh, andshould transcend all thought ofperiodization. It's pure music, and it's atotal pleasure. The main attraction has to bethe playing of the tenor saxophonist. Dexterfaily burst on to the jazz scene in the middleand late 40's, Many of the takes on Long TallDexter (Savoy) are still astounding — not somuch in technique as in authority andexecution. While he has developed hisplaying over the years, he has never strayedfrom a totally straightforward style on thetenor. In 1977, though, his apparent con¬servatism stands him in very good stead: hemaintains an authority and clarity in hisplaying that sets him far apart from mostothers. He states his phrases with totalcommand, develops them over the course ofa strain, and then moves on to another of hisseemingly inexhaustible supply of ideas —eighth-note grooves, riffs, long tones,counter-melodies, quotations from othersongs. One could never accuse him of overplaying as far as the density of notes isconcerned. He does like to play long solos,but he rarely becomes repetitive. His soundis perhaps not quite as quirky as some of theother great tenors, but he manages to becutting and warm at the same time. Onething that has changed about his playingrecently, though, is that he has gotten awayfrom a certain Coltranish harshness thathad crept into his sound in the sixties andseventies.Dexter's playing on Homecomingradiates confidence and joy; it's one of themost musical performances to be put onrecord in the seventies. Every note is in itsplace and played with conviction, so thatthere is never any question as to what isbeing expressed The themes here aremostly medium to up-tempo, in bright,major keys, some straight blues("Backstairs") and some in song form("It's You Or No One"). These' are thetraditional forms, which allow him to covera huge amount of musical territory withawesome style and substance. It is solid andtotally worthy of the man known as the''Tower of Power".Some of the inspiration of Homecominghas to be due to the strength of the WoodyShaw Louis Hayes group that backs him up.Being lazy and poor, I missed the Shaw-Hayes performance at the Jazz Showcaselast November — a show that totally blewLehnhoff studios.of Music and DanceSii w«ek< of summer clones Mill begin JUNE 21 and continue through AUGUST 1. Private and semiprivate lessons in all subjects may start earlier and continue longer by special arrangement with theteachers.I. MUSIC FUNDAMENTALST'he Summer Enrichment Program: for 4- tg 7 yearo Id children has been such a success during- the lastseveral summers that we ore again offering this course The various oge level groups will meet afternoonfor one hour twice weekly. This course will jnclude Creative Dance, with Orff Music fundamentals, os wellas the Pace Grouo Piano for the smaller children.Our Music fundamentals course is not p music appreciation class. The course is designed to teach notereading by use of the Orff instruments and to provide ear training and rhythm study, as welt as ensemblework. The basic foundation for skill-drills and accomplishment thus introduced is a voluable preparation forlater private instrumental Study. Monday & Wednesday.II. FOLK GUITAR AND SINGINGTheresa Orantes. the Internationally renowned soprano, will be joining our faculty to teach and coachvoica students. She will also be offering a special course in the use of the folk guitar, and Lotin-Amerlcanfolk songs. (Some American folk songs will also be included.) She will also have classes for more odvoncedstudents. Please call for further information. Monday A Thursday.III. TMKODY AND HARMONYTheory and Harmony study which we have always recogniied as an essential part of the understandingof music wos introduced to our curriculum this post spring. The careful grading of each student s bockground has been the clue to the success of the course. We plon to continue these classes and odd more odultand children's beginning and intermediate classes for the summer. Monday & Wednesday.IY. DANCK CLASSESBALLET MODEDN JAZZ CHARACTIRThis year we are planning a concentrated ballet schedule for those students who ore ready for pointework. Thera will be 2 or 3 lassons per week2 The requlor children's classes (beginning and intermediate) will be held on Tuesday ond>or Thursday of-ternnons.3 Creative Dance for young children will be included in the Music fundamentals classes, thus not being• aught as a separate course this summer4 Adult 'losses will take plo'e eveningsSPECIAL NOTE:Bruce Steivel. premier dancar with the Chicago ftailet Comany will conduct classes for advanced studentsand classes for men.1438 EAST 57th STREETCHICAGO. ILLINOIS 60637288-3500 away some of my usually implacablefriends. This is one of the few groups thatplays together consistently and loves to playstraight ahead. Trumpeter Woody Shawmaintains the spirit a n d a dventuresomeness of the young (circa 1965)Freddie Hubbard. Louis Hayes is one of thefew remaining drummers of impeccabletaste. Pianist Ronnie Matthews plays with agutsy, rhythmic drive, along with StaffordJames on bass. Throughout, there is nononsense whatsoever, no fat to cut throughto get to the basic musical statement.My favorite performance on the album isone of the finest performances of "RoundMidnight" I have ever heard (amongmany). Musicians have loved to play thetune for thirty years because it offersunlimited possibilities for development —the problem comes in trying to chart acourse for the tune. Here, the group usesdynamics and tempo changes to build acompletely satisfying experience. Dexter'sstatement of the theme and his im¬provisation are beautifully orchestrated inballad tempo. His solo does justice, not onlyto the chord changes, but to the melody itself. Unlike most players, he doesn'tdramatically increase the density of notes from the melodic statement to the solo. Theadded space he gives himself permits him toplay his ideas in the exact spirit of themelody. There is magnificent control here.Woody Shaw follows with a busier solo thanDexter — but it works in effective contrast,and builds into a very nice peak in hissecond chorus with some simple, hard¬hitting (and unusual for this tune) riff linesBy this time, the rhythmic pulse has grownto a medium groove for Ronnie Matthews'driving, heavily chorded solo. Dexter takesthe head back into ballad tempo and closeswith a totally controlled, beautiful cadenzaDexter is in town this week at the JazzShowcase on Rush Street — unfortunatelynot with his group on this record, but stillwith a top-flight, national rhythm section(George Cables, Billy Hart and localfavorite Rufus Reid on bass). At thiswriting, I have not yet seen him gp there;there is no way to guarantee that he will beplaying with the fire he shows onHomecoming along with the competencethat can be expected. But as time goes by, Irealize that Dexter Gordon becomes moreunique as a positive, elemental, and verynecessary musician. We should take advantage of the opportunity to learn fromhim while we can.PIZZAPLATTER14401. S3r4Ml 3-2400FAST DELIVERYAND PICKUP 7 Days A WeekPIPE AND TOBACCO SHOP1552 E. 53rd * under 1C tracksAll students get 10% offask for "Big Jim"PipesPipe Tobaccos Imported Cigarettes CigarsRIP-OFFHair Designers1620 E. 53rd St.288-2900• {jt Eiamwatiofls• Cwtact leises (Soft & Hard)• Prescriptions filledDR. MORTON R. MASLOVOPTOMETRISTSHyde Park SReppnt Center1510 E 55thS3 6383 1 ^4*2*Tht Grey City Journal-Friday, ITlay 20, 1977 AUTO REPAIRFOREIGN CAR SPECIALISSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune Uds * Electrical * Brake SystemExhaust Systen * Other RepairsConveniently Located at5508 S Lake Park(Gateway Gar age Bldg -Downstairs)Monday Saturday. 9am 9pmCAU684 51664F* ».* »*■.*I CHAD WALSHPoet-Professor-PriestSpeaks of“Christ in Poetry”at the11 a.m. worship atUniversity Church ofDisciples of Christ *May 22nd*Also known as The Blue Gargoyle Ipefeeimer Hot If §ficp») M I> It I ill BKdi Selling Quality Imported BikesRaleighPeugeot Motobecane& other quality importsOpen 7 days 10-7 pm M-F10-5 pm Sat.10-4 pm Sun.684-3737Ann's House of Beauty6736 S. STONY ISUMO*PHONE: 363-9396Permanents, for colored & tinted hairregularly $35.00now only $15.00 Tues & Wed Only-yes we press and curl-WIGSWigs 2 for $5.00Spring Solelong and short dressepants and pantsuitsgaocho suites4 piece vest suitesNEW LISTINGLandmarkCampusTownhouse56th & WoodlawnThis beautiful 3-story bricktown home was built in 1907by physicist RobertAnderews Millikan. Most ofthe creative work of thisNobel Prize winner wasachieved during the 13years Miilikan lived in hischarming sun-filledWoodlawn Avenue home.A beautiful large livingroom has woodburningfireplace. Lovely diningroom leads to large screen¬ed porch.Three excellent sizebedrooms and a librarywith woodburning fireplaceon the 2nd floor. Threeelegant bedrooms, two fullbaths and a porch den onthe 3rd floor. Lovely oakfloors. 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I ravel, Inc.Clifford JohnsonPresidentCliff Johnson I ravel Set viceDavid KoehlerPresidentPeirv International Visa ServiceHenri LardonVii e PresidentAn I raneeS. J McKelveyManage/Canadian Government Otlice ot I ouii>William C Pullmanboard Chaii manLake I orest travel Buieau. IncRobb RobinsonPies,dentRobinsihi 7 iavel Sei viceFRANK C SainPresidentChicago Convention A Imiiist BoardRobert ShireyPresidentShnev House ol hau lDonald StretcherPies,dent< I.itevvav I lolidav S. Inc Why Should You Considera Career in Travel?BecauseS Travel, a career which affords one the opportunity to seethe world, is today one of the fastest growing industriesin the United States and an industry which needs trainedprofessionals to help keep pace with the tremendousgrowth pattern. According to the U.S. Travel DataCenter,Americans spent over $80 billion on travel in 1976 andthe 1977 forecast is well above this figure.Why Train with internationalTravel Training Courses, Inc.?Because: International Travel Training Courses, Inc. placementservice enjoys the incredible record of having placed aminimum of 97 percent of our graduates each year sinceI962. Our placement service is effective throughout theentire United States. These records are open to you, theapplicant.Because: International Travel Training Courses, Inc. teaching staffis comprised of executives and training personnel fromPan American, Trans World Airlines, American Airlines,United Airlines, Holland America Line, LaSalle Travel,Inc., Rex Travel Inc., Vega International Travel, Inc.,AMTR AK, Greyhound Corp., Hilton Corp., British TravelAssociation, and other leading travel organizations whichassures you of thorough training in every aspect of travel.Because: International Tra\el Training Courses, Inc. is not alecture series hut a workshop where students use thetools of the trade and where we simulate as closels aspossible the working conditions \ou would encounterin the travel industry.Because: International Travel Training Courses, Inc. is the oldest(established in 1962), most prestigious travel school inthe United States. Our whole purpose and dedication isto help \uu, the student, find your place in the travel. world.A word of caution . . . before enrolling in an\ trade school we suggest that vou audit a class in session,meet the instructors and current students, check the credentials ot the school with trade associations,companies involved in the field, and the Better Business Bureau. We at International Travel TrainingCourses, Inc. invite vou to take the same precautions with regard to us.Six-week day classes begin June 27 and October 3. Personal interview required.For a comprehensive brochure or appointment contact:INTERNATIONAL TRAVEL TRAINING COURSES, INC.936 North Michigan Avenue, Chicago, III. 60611(312) 368-8860\py roved by the l/hnoin Stutt iiouiu ot Educationippmeed lor Veterans The Grey City Joumal-Ffiday, (Day 20, 1977-3University of ChicagoGay Liberation FrontLESBIAN/GAYAWARENESSWEEKENDFriday, Mar 20Opening Comments 2:15Workshops 2:30-4sexuality, lifestyleFilms 7 to 9Sunday, Mav 22Ecumenical Worship Sen iceBond Chapel 12 noonPicnic 1 to 3Social Sciences Quad Saturday, Mav 21Opening Comments 9:45Lecture 10gay rights/history-Lecture 11 to 12:30gays & the lawWorkshops, 1:30-3 & 3-4:30healthreligionsexuality/gender minoritiesDane e—8 to midnightFriday is Jeans Day.if you re Gay wear jeans.^XLpLocation: ida noyes hall, 1212 e. 59thRegistration $3- general adU.C. ID. & senior citizens. m ission ; $ 2for more information :753-3274ANATHEMA SIT"Well have no more of that kind of talk aboutdivorced and remarried Catholics," the Americanbishops in effect said at their annual meeting lastweek. The bishops voted to repeal the penalty ofexcommunication previously incurred by - suchCatholics. Although many difficulties still remain,we rejoice at this first step towards reconciliationfor some of our brothers and sisters on campus.Often needlessly they have been made to feelrejected by the church.We, the staff of Calvert House, invite to a get-together all who wish to discuss what this repealmight mean for them. The meeting will be atCalvert House, 5735 University, today, May 20that 7.00 pm. You are most welcome!AMATUS SIT!Rev. John HurleyJames Casciotti, S.J.Timothy Kaufman, S.J. New ListingAt 56th andDorchester:Five BedroomsThere is more space in thishandsome apartment thanyou will find in manyhouses. Gracious entranceand lovely large livingroom. 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Because when it comes to savingmoney this Spring, we can aD use a breakTrailwaysGo anywhere we go for $75 or less.FARE EFFECTIVE JUNE 1, 19774-The Grey City JournalFriday, may 20, 1977themselves fully, and where little, ifanything of interest occurs. The rathershapeless play is enlivened by some verygood laughs; however, the comedy is moreof the stand-up than the dramatic variety.Director Michael Dorf has done little toincrease dramatic interaction in eitherplay. As often as not the characters standshoulder-to-shoulder on the stage and ad¬dress themselves to the audience more thanto one another. The only notable per¬formances in Ravenswood are given by Geoffrey Plampin and C.C. Rickett as a pairof homosexual blue bloods.Despite the failings of Ravenswood, itunequivocally stands far above its com¬panion piece, Durtelawn. The latter takesplace in a shabby mental institution andfocuses upon the attempt of Nurse RuthBenson, played by Shari Steinberg, to ridherself and the world of all Bad Habits. Theplot, and its denouement, are obvious fromthe beginning. The audience's boredom is,however, occasionally "relieved” by the play's offensiveness to anyone who isJapanese or Italian, or eats, smokes, drinks,makes love, or bites his fingernails.The set, which with some alterationsserves for all three plays, is as attractiveand appropriate as it is versatile. Thecostuming is very good throughout,especially in Ravenswood.While Denelawn is as dreary a piece asone is likely to see this year, the comicmoments of Ravenswood and the outstanding quality of The Lover make it a trialwell worth enduring. Bad Habits and TheLover will be presented tonight, tomorrow,and Sunday at 8:30 p.m. in the New Theatre.Director Michael Dorf and cast of Bad HabitsA Graceful “Lover”, A Lukewarm “Habits”By Suzanne ListerThe three one act plays currently beingoffered by the Court Theatre provide anamusing, if uneven evening of dramaticentertainment. Harold Pinter's The Lover issomewhat mysteriously coupled withTerrance McNally's Bad Habits — thecollective title of two plays individuallyentitled Ravenswood and Dunelawn. ThatThe Lover has very little in common withthe McNally plays may be puzzling, but it isalI to the credit of the former piece.The Pinter play, gracefully directed byMike Singer, is one of the finest productionsto have appeared on our campus this year.The central characters are a British middle-class married couple, portrayed by PatrickBillingsley and Jodean Culbert Erwin. Theplot reveals the enactment of the charac¬ters' elaborate sexual rituals and fantasiesand questions the desirability ofassimilating erotic illusion into dailyhousehold routine. The play is at oncethoughtful, erotic, and comic. Theproduction is beautifully executed bydirector, cast and crew. Erwin's per¬formance is particularly noteworthy in itsuniformly natural portrayal of a characterwho ranges from suburban matron towhore. Billingsley is a thoroughly ac¬complished actor and is brilliant in the roleof the business-suited accountant/husband.However, he is rather less convincingwearing a black leather jacket and wieldinga bongo drum.Unfortunately, the high quality of the firstplay promises much more than the sub¬sequent offerings are able to provide. BadHabits is comprised of two one-act plays,each of which takes its name from, and isset in, a hospital. The first — Ravenswood —is a combination country club andmarriage-counselling center where wealthyneurotics are encouraged to indulgeiiv 0]u?ic DvpiimucuroftHi ilimvr?itv<>)\rlii«uy> prcrvntt5i>lo and f/wrafTantato.^ftacn amfBtim’lni(fcUnivctyitv Clioru5 and Orchestra, lamesMach.conductor- Patricia Peterson,soprano - Piano McCuIIou^h.alto •Robert Heinrikson.tenor-JameseUloreto.bass- Kennetholcuvik.^umbaJon Sumida.trumpet- Carol Blake-:oroan-oSunday C'2 fllay.Wjf- yjop.niOlamfcf Kilo vtPc-t’flivccw • TAKEAVtAAMCHINESE-AMERICANRESTAURANTSpecializing inCAKTONISE ANDAMERICAN DISHESOPIN DAILY1 1 A.ML TO *30 P.M.SUNOAYS ANO HOLIDAYS12TOA30P.M.Ot4t% to toko out13IS lost 43rd MU 4-10*2 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. 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Secondly, for a I. - . .*._ JL _t 4. tBy Esther Joy SchwartzEric Weimer is not your typical musician.You won't find him over at Lexingtonstuaios furiously practicing the piano, norWill* you ever hear him play the likes ofChopin, Rachmaninoff, Gershwin, or even aScot* Joplin rag if you see him at a partyand he has had enough to drink, maybe hewill grace the piano bench, but don't, expecta piano oar rendition of your favorite hit•1 is record collection containslittle or no piano music, and it is highlyunlikely that you will spot him at Rubensetin's next recital at Orchestra Hall. Talland well-suited for the keyboard, Mr.Weimer's long dexterous fingers may playan entire symphony by ear, but he does soonly on the rarest occasions. If you wish tofind him, he will probably be knee-deep inresearch over at Regenstein, or on thetelephone to printers, advertisers,stagehands, and singers, arranging aperformance of the Collegium Musicum.H is behavior too is very different from theStruggling pianists you read about or see on the screen. He is disinterested in playing thepiano, he lacks the fiery temperament of thenarcisstic streak which characterizes somany performers. Though unconventional,Eric Weimer belongs undisputedly to theranks of gifted and top notch instrumentalists In fact, last quarter hetriumphed over 15 entires in the Universitysponsored Concerto Competition with hisperformance of Mozart's piano concerto no.24 in C Minor K491.Barbara Schubert, the conductor of theUniversity Orchestra, remarked that"every participant in the competitionshowed great enthusiasm and cooperation,and that they did a great deal of work inpreparation. There were many noteworthyperformances."All of the judges, Schulamit Ram, JanHerlinger, Ralph Shapey, Robert Marshall,and Schubert "were impressed with Mr.Weimer's expressiveness, his sensitivityfor Mozart, and the original cadenza hewrote for the first movements The othermusicians were fine, but Mr. Weimer wastechnically more comfortable with his period of time they'llwith only one teacher and thereforeonly get one outlook on whatever they'restudy mq. This is detrimental to thembecause they become hung up on technicalthe charm and exJSicselection." Schubert is pleased with thispiece for the spring concert and has chosenthe rest of the program accordingly:Mozart s Overture to the Magic Flute andShostakovich's Fifth Symphony."It will take very intense practice andhard work on the part of the orchestramembers. Putting together a Mozart pianoconcerto with its accompaniment is noteasy. The style of Mozart is difficult with alarge group so l intend to cut the orchestradown. hobe is that we do iustice to Eric'sstunning interpretation."Weimer, a 25-year old Philadelphian, sonOf a former Chicago Symphony trench hornplayer, discussed the drive, or rather, thelack of drive which helped him attain thiscoveted award. "The only thing that canspur me to really work on a piece is knowingthat I have a limit and that I am practicingfor some purpose. I don't enjoy practicingotherwise. So I took out the concerto in earlyDecember and made a point of having itlearned. Mozart is one of my two favoritecomposers, the other one being Bach. I feelvery sympathetic to Mozart's style. I can'tpossibly imagine myself playing eitherGrieg, Saint Saens, Chopin, or Rachmaninoff concertos simply because I don'trespect or sympathize with their music.There is little piano literature which turnsme on. I merely play what I like."Weimer is quick to point out that hisfeeling about a piece helps him considerablyin mastering it. In his opinion, his craft isdirectly due to the study of music historyand listening to favorite works on recordings. Not having had a formal piano lessonsince the age of nineteen, Weimer discussesthe benefits and hindrances of teachers andceremonious study."I am not going to say that I don't need ateacher in order to play the piano, but I willsay that I don't need a teacher to help meunderstand Mozart's style. My musicianship in the past several years has developednot so much through playing but through thenon applied musical work that 1 have done.Just by listening to Mozart I have a muchbetter idea of his style then if I only listenedto piano music or practiced the piano all daylong. . /;,t; V"There are two problems with manyperforming musicians. First, their primarymusical experience is simply playing their*own instruments. This approach to music islimiting, because it means that they willonly become acquainted with the musicalliterature of their particular instrument,which in many cases is pretty lousy. If youplay the piano or the violin it may be allright But suppose you played the trombone.The solo music is not of the highest quality. en for the piano.problems and loopressiveness of the"My situation isplay a piece of musnot because it is wris one of the major reasons why l do notpractice so mucl. There's not a whole lot ofpiano music I like The reason l chose theMozart concerto was not because it was apiano concerto but because I happen to loveMozart's music passionately. Looking backon the past several years I can safely saythat my musical development and maturinghas been primarily away from thekeyboard. I feel that I have a much betterconcept of Mozart's style then mostmusicians would who work simply withpiano music. Also, since Mozart istechnically so much simpler then almost allother piano literature, I don't think so muchabout technical problems."Even if Weimer didn't think abouttechnical problems during his audition atthe Concerto Competition, the judges cer¬tainly did: they found them absent in hisplaying. The secret to this gifted youngman's precision at the keyboard can beattributed to a rigorous training program asa youngster. Though he began playing thepiano at the age of seven, Weimerremembers that serious work began at theage of 14."Between the ages of 14 and 19 years old Ipracticed on school days for four hours aday and on non-school days maybe five orsix hours. Two of those hours were devotedto technical exercises which I can see asbeing the only reason why I have been ableto retain technical facility in spite of nothaving practiced for the past severalyears."God given talent and hard work arejointly responsible for his artistry at thepiano, but Weimer also recognizes anothermajor factor:"When I began studying with EleanorSokoloff at the age of fifteen, within a yearstime I made a tremendous leap. I think agood teacher is essential for a young studentstarting out on the road to advancement aslong as he or she does not shape the playingonly in one channel. A student should havesome freedom to experiment with differentstyles and impose his own interpretations."At the Curtis Institute of Music inPhiladelphia, not far from his home town ofReading, Weimer studied with EleanorSokoloff. "I went to Curtis because I alwaysassumed I would go there. When you studythe piano very hard as an adolescent youjust seem to assume that you will go to asgood a conservatory as you can. Curtis wasmy answer. Obviously it is not everyone'scup of tea. This I found out when I got there.As a first year student your schedule isalmost entirely practicing your instrumentand study in theory and harmony."6-Th# Cray City Journol-Frlday, fTlay 20,1977■ - '. , ■ 'The Department of Music presents TheCONTEMPORARYCHAMBER PLAYERSof The University of ChicagoRALPH SHAPEY, Music DirectorNEVA PILGRIM • sopranoworks bySERMERSHEIM • WERNICK * WEBERN • DALLAPICCOLA . MOZARTFRIDAY, MAY 20, 1977 • 8:30 P.M.MANDEL HALL, 57th & University Avenue„ I £ Fre? erne/ open to the public With This Ad OnlyNEW FILE CABINET SALE2 drawers4 drawers"cash and carry"BRAND EQUIPMENT&SUPPLY CO.8600 Commercial Aye*Open Mon.- Sat. 8:30- 5:00| RE 4-2111Double Feature Special PriceSHAMPOO / Fur Coat Club6:40 9:00 /11:90 6:95 / 8:45 11:05Tonight Friday May 90 Cobb HallWeimer remained there for only one year,and calls it rather cynically, the “year ofintense studying. I left because I couldn'tstand practicing six or more hours a day. Iknew something was wrong. Six hours a dayis a reasonable, standard amount for anyserious pianist, but to me it became boringand tedious. To this day I don't know whythis turn-about happened so suddenly. Ofcourse when you practice so many hoursthat leaves little time for anything else. Ialways had academic interests, particularlyin history. This part of me felt frustrated. Ihad no time to continue any reading orresearch in general history. Finally, beingas diligent and as ridiculously hardworkingas I was at the time at the piano, I got verytense when I played and the tension in¬creased. I suppose it did so to the pointwhere I was getting diminishing returns formy practicing. Things that l was trying todo with expression just didn't come out.There were all sorts of expressive nuancesthat I was thinking in my mind that Ithought were coming out but just were notcoming out at all.”Weimer feels that when he left appliedmusic he took a major step toward fulfillingother ambitions. “My piano playing iscomfortable and it makes me happy. Whathappens very often to professionalmusicians is that they play a lot more thenthey would if they played only when theywanted to. I feel much better about playingnow. I has become more relaxed and greatlyimproved. I don't miss the piano. I couldalmost think that it would have made nodifference if I'd never played a note since Ileft Curtis. Maybe it would have, but Icertainly do not feel any driving need to beplaying the piano like most pianists do.Occasionally I'll sit down and play an enliresymphony by ear. I do this simply for thechallenge and the fun of it."But why this about-face in Weimer's wayof thinking?"I attribute it to the discovery ofmusicology/' he remarks. After Curtis,Weimer spent four years at HaverfordCollege where he double majored in historyand music. Then he came to the Universityof Chicago where he received his MA lastsummer and is currently in the Ph.D.program. "The music history departmenthere is excellent and the faculty is second tonone."Why the interest in musicology? “I neverstudied music in a historical, analyticalway. Ever since I was around 13-years-old Iwould spend as much time listening andthinking about music as I did playing. Inever thought at the time that it was anhonorable thing to do. I had no idea it couldlead to something in a professionalcapacity.”Professionally, Weimer does not, andnever did, aspire to perform at CarnegieHall as most young musicians do. “Mydreams and my goals were not so specific.They certainly were not of glory and criticalacclaim as a concert pianist. Currently Ican see no farther then writing mydissertation. My plans for afterwards are no different from anyone else's at thisUniversity. I hope to get as good a teachingjob as possible at a university or perhaps ata conservatory teaching music history.“I can envisage myself doing moreplaying in the future. I hope somehow that Ican arrange chamber music performancesor solo recitals. I need constantly to havesomething to work for and something to do.”Weimer also performed in a duo-pianorecital in February with pianist SandraCarlock. They played Mozart's Sonata forTwo Pianos in D, Debussey's En Blanc etNoir, and Brahm's Sonata for Two Pianos inF Minor opus 34a.“The arranging as well as the practicingwas so time-consuming - getting thebackstage crew, printing programs andposters, getting the pianos tuned, most ofthis I handled myself. The performancewent rather well; surprisingly so for theshort practice time and the inexperience ofMs. Carlock and myself. Putting together aconcert in which you are playing the samething at the same time and in which twoinstruments have the most unsubtle strikingsound, and to top it off, when you have amere five rehearsals, is really difficult. Inthe case of two string players, one can sneakin after another. In the case of two pianos itis just a fraction of an instant in which thesound is made. There is no hiding if you arenot exactly together. It is really obvious tothe audience.Playing before audiences is hardly un¬familiar for Weimer, so performing with the University orchestra in the spring will notbe shock. Haunted by childhoodreminiscences of showing off for relativesat family dinners and youth recitals,Weimer fondly recollects a hystericalchapter in his life:“When I was growing up in Reading I hada piano teacher who sponsored one or tworecitals a month. She was the kind of womanwho baked tremendous goodies afterwards,you know, cakes in the shape of grandpianos and all that. Anyway, one or twotimes a year she had costume recitals inwhich all her students dressed up in periodclothing. When I was 14-years old she had aMozart costume recital for her youngerpupils. All of her programs were dividedinto two sections: trginners and early in¬termediate and late intermediate and ad¬vanced. Not only at this recital were theyoungsters dressed up, but she also wrote ascenerio in between the presentations inorder to provide unity to the program, sortof like a play. She went through all thetypical stories of the young Mozart, like howhe jumped on the Empress MariaTheresia's lap and kissed her and how heptayed before the assembled dignitaries atthe Court of Versailles through a han¬dkerchief draped on the keyboard. I was notin this recital since I was an advancedstudent. The program only dealt withMozart as a young prodigy, so her smallstudents played his early works. How did Ifit into all of this? At the end of the programthe young Mozart disappeared behind acurtain and so I appeared as the mature Mozart with ruffles, lace and everythingelse and played a Mozart piano concerto."Weimer approaches music with con¬fidence and is at ease at the piano. “I am notuncontrollably nervous when I playanymore. I like it when I am out there.” Inresponse to his feelings during the concertocompetition audition he remarks.“I was not keyed up about the competitionuntil the final day. The only thing I wasthinking about was that it was so cold inLexington and somehow I had to keep myfingers from frosting over. I was apprehensive about a few slight incidentals inthe concerto but basically my worst fearscame from the prospect of playing Mozarton such an enormous grand piano in such alarge hall with so many reverberations.How did I do? Well, when someone has beenworking on a piece intensely he is so sen¬sitive to every note that it is impossible toplay it well in his opinion. I have a nastyhabit, of awaiting judgment until I hearpeople's criticism. In other words, I feltmuch better about my playing after I heardfrom Barbara that I won."With the M3y 27th performance only aweek away, Weimer is now faced with theprospect of practicing diligently to preparefor his debut with the University orchestra.His attitude toward practicing is rather likethe little boy in the cartoon who wouldrather go out and play baseball with thefellows. At least he'll be able to play themusic he loves best — Mozart. Somehow Ido not think he'll mind it so much.SO. SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudios A vailableStarting $155.00'Modern hi-rise bldg in pleasant surroundingsLvith central air cond , private beach, commissary.I"beauty shop, indoor and out door parking avail^For an appt, call 768-3922 or visit our office^^M-F 9-4:30.DOWNS, MOHL & CO.Equal Opportunity Housing lijiu/crsitiL of Cfiiuujc-QiamBcr Otzficstm-(jxu&u4c£ 6y Jeanne ScfiaefcrDediuitsd p ffu. TIJernory- cf}(cipfz,3u*c 12,1944 ~ftb. 3. mGTJ2pztuf~. Einc Xkivc JladifijiiLsidVlStravinsky ~fujcijictfti 5idtc5at ttlsy 21 <5.00 pfti. Hutctaso/i (brnmms Tree.• Doc oresenrs .• Harnlrl 1 Inert in 'Ala*n Rpsn.^sTHE FRESHMAN: . Sat May 21 7:00 8:45 10:30 S1 MURIELSun May 22 7:15 9:30 S1.50Both m Cobb }Th* Grey City Journal-Friday fhay 20, 1977-7umping on Sat.,an. and holidaysNorthern Illinois SkydiversBigfoot Airfield - Walworth, Wise.N e a r Lake Geneva)none: Air Field 414-275-9259 WeekendsLocal 312-843-0218 Mon, - Fri.* Your first jump'Equipment (helmets, boots, goggles,main and reserve parachutes)•2-way radio'Exhibitions 'Rigger Service\Qu4r -rt* •i; *It,§AII*********************** SALE(FROM GULLIVERS BOOKSTORE)ARE ON SALE DAILY AT(inside store)5100 S. Lake Park684-5100Bring in this AD for a free candy baroffer good till 5 31Good on book purchase only■FOTA-Piano **i**i***********************byBrahmsBachBartokBoccheriniWeberChopinRachmaninoff;i; ■ j Ida Noyes LibraryTuesday, May 24,19778:00 PM6-The Grey City Journol-Frlday, fTlay 20, 1977Second FloorBy Christopher Gauker/Though art need not carry a "message,"or may be nothing more than aestheticallyinteresting, some art will carry a message,a moral, or will tell a story. Joe E. Rodenski's 12 sculpture-constructions presently ondisplay on the second floor of RegensteinLibrary belong to the second category.Rodenski's works are controversial. Nextto his exhibit he has placed a sheet of paperfor comments, which has inspired a spate ofspeculations upon the nature of art andsymbolism. It is important not to judgethese works too quickly, not to discountthem simply because they are not like thepaintings on the walls of the Art Institute, orbecause they do not meet the criteria for"art" espoused by some dusty Greek. Theartist is deeply and personally involved inhis work, which any fairly close and open-minded inspection will reveal.Not to decide too quickly that Rodenski'screations are "good" either, but his deeppersonal-involvement has produced a greatdeal that is intriguing. For these pieces, ifonly out of a decent degree of respect foranother person's efforts, we can allow thepersonal involvement of the artist to per¬suade us to try to see things his way. Then,perhaps, we can lay aside the conventionalstandards long enough to involve ourselvesin Rodenski's intrigue. And if we can dothat, perhaps we will not need to teaseourselves any longer with the question "Isthis fine art?"Each of the 12 pieces is labelled with ayear, from 1970 to 1976. This is somewhatmisleading, because it suggests that the 12individual works are meant to portray thefirst six years of the decade. A majorquestion for the Regenstein critics iswhether these six years are fairly portrayed. The exhibit, however, is not in¬tended as a portrait, according to Rodenski.The labels are intended mearly to indicatethe years in which Rodenski executed thepieces, and to bespeak the fact Rodenskiconceives of his works as lessons, lessons hefears we are taking too long to learn.Letter“Biography”To the Editor:Mike Singer's criticism of our productionof Biography requires some response, not somuch over his comments about thenroduction — those are primarily matters oftaste, some like it and some don't — but over,his comments about the play — they dealwith knowledge and application of criticaljudgment in the academic sense. In hiscondemnation of S.N. Behrman's play hehas displayed considerable ignorance of theperiod in which it was written and of theplaywright who wrote it. Unfortunately, hehas also manifested a flaw supposedlyunforgiveable in reportage; but, alas, toofrequent among today's critics — the flaw ofinaccuracy."I can't imagine why a company wouldwant to produce it," writes Singer. Weproduced Biography because it is a goodplay representative of a particular periodgenre in American theatre. Note that I saidgood, not great. Few of the American playsof the '30's were great, but they didrepresent a period of craftsmanship intheatre writing that is unique in Americandrama. And Behrman is indicative of thesophisticated, cynical playwriting of theperiod. Singer critiques the play from hiscontext of the '70's without giving dueconsideration to the context of the 30's whenit was written and originally produced.Although the play is not without flaws,Singer has missed most of them. Thedialogue is not, in my judgment, "the mostself indulgent. . .ever written for theAmerican state." No more than MaxwellAnderson's dialogue or Eugene O'Neill'sdialogue is self indulgent. Yet, the dialogueis talky, as much dialogue was in thatperiod. But then people still had interest inthe art of conversation and were comfortable spending a long evening in thetheatre watching three act plays. Yes,Biography is two hours and forty fiveminutes long — longer than we are now usedto, having been conditioned by commercial it Art? Does it Matter?Messages -- IsRodenski's lessons are about such thingsas the consequences of an overly dogmaticfaith in the church, the bicentennial super¬glut, and simple experiences like looking atthe moon through a window. Rodenski'smessages have proven bewildering to theRegenstein critics; some have called formore subtlety and sensitivity, while othershave failed to see any message at all. Theanswer to both of these sorts of critic lies, Ithink, in the scrutiny of detailRodenski's creations are not "found-object" art. Rodenski knows what objectshis ideas call for and seeks them out,sometimes most arduously. The objects areput together with a good deal of attention todesign so that they weave an impression,that is, a message, not a message for-mulable as a assertion, but a messagenonetheless.Consider the 1972 piece "Death in theMosoleum," a commentary on the misuse ofguns in society. A toy gun points into amosoleum-construction of plastic faces setin a springtime background behind the glassof a war-theme pinball machine displaycase. One of the faces bears a bullet hole(which Rodenski actually had a cop friendof his shoot into it). The gun and bullets reston the sheet music for "Sympathy for theDevil" with the lyrics "I shouted out, 'Whokilled the Kennedys' when after all it wasyou and me" underlined. The pin-balldisplay case is equipped with a coin-slide onwhich sit a Kennedy half-dollar and aLincoln penny. All of this is draped with ablack judicial-type robe and sits on an "Aska Marine" recruiting sign. Among the lessobvious connections here is the way theuniform faces of the mosoleum suggest theuniversality of our endangerment throughthe misuse of guns, and the way the pinballmachine display case suggests the way thegames we play tend to become serious anddeadly.For those curious about how the exhibitgot into Regenstein, the project wassolicited by the Festival of the Arts.breaks and fifty-minute melodramas.In Singer's put-down of Behrman'scharacterizations, he has missed thecynicism that was the trade mark ofBehrman's comedy. What Singer objects toin Marian Froude is exactly Behrman'spoint (although I doubt if Behrman con¬ceived Marian in terms of "women'sliberation"). Similarly, Singer's noting ofRichard Kurt's contradiction of beingradical while earning his living from a lessthan radical popular magazine is adimensional comment on life which perhapsSinger has yet to experience. But surelythose radicals of the late '60's who now workin the establishment they opposed wouldgrasp the dimension of this contradiction.Singer states, "The characters morsels ofwisdom are even more alarming in theirlack of verisimilitude. The Viennese com¬poser, for example, exclaims, 'Noble im¬pulses are luxurious ones — you have to berich to have them'." What is alarming hereis that Singer has misquoted the line, takenit out of context, and set it forth as Behr¬man's "morsels of wisdom". The line ac¬tually reads: "Noble impulses are luxuryimpulses. One has to be well off to gratifythem." The line is said by a character who ismiddle-aged, somewhat bitter about livingjn his dead brother's famous shadow, andsomewhat deprecating of his own per¬sonality. He has been nearly destitute andhad to accept work which in his own terms istacky. In that context the line does not lackverisimilitude nor is it to be treated as a"morsel of wisdom". It is rather an urbane,epigrammatic way — part of the charac¬ter's manner — of stating what thecharacter sees as a reality.No, Biography is not a great play. But it isa good one, a very good one, indeed. Wechose it so that Chicago audiences couldexperience, or re experience, a play fromone of the best and most productive periodsin American theatre. If Singer would havesimply experienced the play and thenbrought his critical faculties to bear on it, hemay have been no kinder to the production,but he would have had a different view of S.N Behrman's Biography.Joseph EhrenbergChicago City Theatre Company Mr. Singer replies:Ehrenberg states that Biography is a"very good" play without supplying anytextual arguments. I am not about to con¬sider a play as good just because a directordeclares it to be. Ehrenberg implies,however, that Biography is worthy becauseit is "representative" and "indicative" ofplays written during the thirties. Well, TheDrunkard isn't a good play just because it is"representative" of the melodramatic slopso popular at the turn of the century. Con¬versely, doesn't an Ibsen play achieve somedegree of worth precisely because it is notrepresentative of the plays written at thetime? If Ehrenberg were an archeologist,then I could understand his many "period"references. He's a theater director,however, and as such, he would be welladvised to judge a play according to itsintrinsic merits, and not according to thepersonality of the playwright and the moodof the time.Secondly, I don't see how Biography is"indicative of the sophisticated, cynicalplaywriting of the period." Ehrenberg's glibgeneralization only does injustice to thevariety and individuality of the playsproduced during the period. The Time ofYour Life isn't sophisticated in structure,yet it is very concerned with praisinghumanity, not sneering at it. Although itsprotagonist Alan Squier is a disillusionedand somehwat cynical man, The PetrifiedForest is a lyrical and searchingmelodrama. Our Town is inspirational andhumane in tone, not cynical. Awake andSing, Golden Boy, Paradise Lost and all therest of Odets' plays share a concern for thedignity of man in the midst of constrainingsocial circumstances; his plays don't mockhuman behavior, but recount its worth withgreat pathos.Ehrenberg feels that the inconsistenciesin Behrman's characters are deliberate,and are a "trade mark" of Behrman'scynicism. If Ehrenberg was talking aboutBehrman's Rain from Heaven, then I could’cynical"; Behrman is being somewhatcynical about the desperate attempts ofcapitalists and the threats of fascists.Biography, however, lacks a social contextagainst which cynicism can operate. IfBehrman was intent on making a cynicalcomment on Kurt's hypocritical, "radical"behavior, then I think he would mention the hunger marches, the threats of fascism andwar, and the mass unemployment currentat the time. Behrman doesn't do this,however The only way an audience can becynical about Kurt's behavior is if theyjudge it in the context of their ownfamiliarity with the social conditions of thetime. Now, I judge this lack of a socialframework to be a flaw in the play, and not aflaw in audience knowledge.Also, I doubt if those radicals of the late60's would grasp the dimension of Kurt'scontradictory behavior. Unlike Kurt, mostof these radicals now work inside theestablishment with hopes of changing it.Boredom made it next to impossible topay attention to Ehrenberg's production ofBiography; if I could have kept myself fromdozing off, I'm sure I wouldn't have donesuch a vast injustice to the precision ofBehrman's precious verbiage. Nevertheless, my point still holds — Behrman'scharacters don't speak like human beings.Consider the phraseology and sentimentin these three speeches. Marin says, "Youbewilder me." Nolan replied, "I'm notsurprised I bewilder you. You've spent yourlife among a lot of foreign counts. It's wellknown that foreigners are more immoralthan we are." Marion replies, "I'm verytouched. I am really." Now, perhapsEhrenberg considers this to be the "art ofconversation." I only think it is a cure forinsomnia. If Ehrenberg wanted to produce aplay from the '30's with enjoyable conversation, then why didn't he picksomething by Coward?Instead, Ehrenberg produced Biography,a play that failed when it was first producedin London. Gilbert Miller, as recorded inBehrman's autobiography, said ofBiography, "I feel the cloven hoof ofliterature here." Ina Claire, as alsorecorded in Behrman's memoirs, termedBiography "a lousy play," saying "I washard up and needed the money — so, I accepted it!" Ehrenberg, for all his"knowledge and application of criticaljudgement," declares that Biography is avery good play. I, with all my "considerableignorance of the period in which it waswritten and of the playwright who wrote it,"argue that it isn't worth producing. PerhapsEhrenberg should stop producingbiographies and concentrate on somethingelse.The Grey City Journal-Friday, fTlay 20, 1977-9By Karen HellerAdmission to the International House filmand the Saturday and Sunday Doc showingsis $1.50. Admission to the CEF, Law School,and Tuesday and Wednesday Doc showingsis $1.00. Admission to the Dudley Do Rightpresentation of the short The Fur Coat Clubis 75 and another 75 for those who stay tosee Shampoo. Admission is $2 for those whojust want to see Shampoo. All Doc films andthe Dudley Do-Right presentation will beshown in Cobb hall.CEF's showing of 200 Motels will be inMandel Hall. International House films andthe Swedish Film Festival (see this Week inthe Arts) will be presented in I Houseauditorium. Law School films are shown inthe Law School auditorium, 1111 E. 60thStreet.Shampoo (1976), directed by Hal Ashby.(Dudley Do-Right) Here's a film about aman with a blowdrier who knows how to useit. Warren Beatty stars as a '60's hairdresser who grooms his way into the homesand hearts of every willing woman inSouthern California. Goldie Hawn is hisroommate. Lee Grant is a wealthy patronand paramour. Jack Warden is herhusband. Julie Christie is Warren's exsweetheart and Warden's present one. It'sall just peachy when the five get together tocelebrate Nixon's second inauguraton. Witha special short, The Fur Coat Club, at 6:25,8:45 and 11:05. Shampoo begins at 6:40. 9:00and 11:20.The Freshman (1925) directed by FredNewmeyer and Sam Taylor. (Doc) Thegreat Harold Lloyd stars in this great,seldom seen comic classic. For yearsoverlooked as one of the three great silentcomics (along with Chaplins and Keaton),only now is Lloyd getting the exposure andpraise that is rightfully due. In this film,Lloyd burlesques a young college studentwith athletic aspirations. He is a gullibleyoung man who heeds the flattery of theCollege Cad. Later Lloyd succumbs to the notion that he is a possible candidate for thefootball team. He is warned by the refereethat he must release the ball at the sound ofthe official whistle. Five yards from makinga touchdown for the opponent's team hehears the sound of a factory whistle andthrows down the ball. The title cards arevery witty, the sequences are original andfunny. An excellent film that demonstratesLloyd's bountiful talent. Highly Recommended. Sunday at 7:15 and 9:30.Muriel (1963), directed by Alain Resnais.(Doc) A widow in her late thirties lives withher stepson in the French port town ofBoulogne-sur-mer. The stepson, Bernard, ishaunted by the part he took during theAlgerian War - the torture and ultimatedeath of a young Algerian named Muriel.Despite the fact that she has a devotedlover, the widow cannot forget Alphonse,her first love from whom she has beenseparated snce World War II. She invitesAlphonse and his mistress, whom he passesoff as his niece to come visit. The mistressbecomes attracted to Bernard but he is toointrospective to notice or care. Helenecomes to realize Alphonse's weaknesses andthe errors in her memory. With DelphineSeyrig. Sunday at 7:15 and 9:30.200 Motels (1971), directed by FrankZappa ("characterizations”) and TonyPalmer ("visuals"). The producers andcreators of this film say it's bizarre and I'mwilling to give credit where credit is due."Radies and Gentlemen, you can go mad onthe road — that is what 200 Motels is allabout." Shot against a couple of backdropsin the supposed town of Centerville, USA(home of Winnie Winkle), Frank, MarkVolman, Howard Kaylan, George Duke, IanUnderwood and Aynsley Dunbar are aboutas silly as you perceive them to be. WithRingo Starr doing a Zappa imitation, KeithMoon as a nun and The Royal Philharmonic,who can be bought and sold these days forthe price of admission. In Mandel Hall at 7:30 and 10:00.The Illusive Corporal (1963), directed byJean Renoir. (Doc) Jean Pierre Cassel is acasual, courageous WW II officer with anoptomistic urge to escape from whateverstalag or workcamp his stolid Germancaptors assign him to. His numerous attempts imply that imprisonment issomething like life — the inevitable wish ofthe brave man is to escape. Cassel, a firstrate actor, does a formidable job as thecorporal. Claude Brasseur, as an oldercompanion who finally joins up with him onhis ultimate escape to Paris and to the dank,depressing odors of the Seine, is very good.Tuesday at 8:00.Force of Evil (1948), directed by StephenPolonsky. (Doc) An examination of pettygambling from the bottom to the top of theorganization and the vast and monstrousscale on which the numbers racket isestablished. Racketeers are still racketeers.What is important in this film is the disin¬tegration of a character, the lawyer for theracket, under the too-heavy pressure of hissense of wrong. John Garfield is excellent asthe lawyer. Wednesday at 7:30.Pitfall (1948), directed by Andre de Toth.(Doc) A highly realistic film depicting theproblems that disturb a marriage. DickPowell and Jane Wyatt mercifully eschewdivorce as the one and only solution. Thereisn't even the final embrace that connotes —"and they lived hapily ever after." Powellmakes a credible character out of an in¬surance investigator, who, bored with thehumdrum life, begins a flirtation with ayoung woman and becomes the victim ofcircumstance that leads him to commit aBy Karen HellerIn Claude Goretta's The Wonderful Crook,a Swiss manufacturer, the proprietor of asmall wooden furniture factory where mostof the work is done by hand, is suddenlyparalyzed. His business is 'eft in the handsof his young, and apparently undependableson, Pierre (Gerard Depardieu). The sonquickly assumes the responsibility only todiscover that everyone is buying plasticfurniture and that his company is rapidlygoing bankrupt. Unable and unwilling to firehis friends, Pierre turns to robbing banks,hospitals and more prosperous businesses inorder to pay his workers.Highly uncoordinated, Pierre alwaysmanages to leave a trail of broken glass onhis various capers which have made himsomething of a local folk hero in thetradition of Bonnie and Clyde. One day hisshot at a lamp causes a young postal clerk,Nellie (Marlene Jobert) to faint, thegreatest injury he inflicts upon anyone (safefor himself) during his escapades. Pierremakes frequent returns to make sure he hascaused Nellie no harm, inadvertently exposing his identity and making her his accomplice. She grows from his accomplice tobeing confidante to paramour. Muchweaker emotionally and more violent intemperament than Pierre's wife, Nelliecompletes the contrast between his dual lUSTiriaoie nurniciae. vveanesaay aT y:uu.Twelve Chairs (1970), directed by MelBrooks. (I House) In Russia in 1927,Vorobyominov (Ron Moody), an elderlylicense clerk who was once a nobleman, isinformed by his dying mother that she hid afortune in jewels in one of twelve matchingchairs during the Revolution of 1917. Hereveals his secret to a beggar (FrankLangella). Together the two search allaround Moscow, while sending the priest,who the mother told about the jewels duringConfession, off to Siberia. Not as wacked outas Brooks' later movies, and for that, a lotbetter. Thursday at 7:00 and 9:30.Trouble in Paradise (1932), directed byErnst Lubitsch. (Law School) He's a cadand she's a crook and they're crazy for eachother. Together they hope to swindle andconquer most of European high society. Hebecomes the private "secretary" to a richwidow who falls for him. He begins to itch abit for her too and his partner doesn't go forany of it. A very classy and witty film.Highly Recommended. With MiriamHopkins. Thursday at 7:00.My Favorite Wife (1940), directed byGarson Kanin. (Law School) Cary Grant isfirmly attached to some one else when hisfirst wife, Irene Dunne, returns from whateveryone believed was a watery grave. Howto break away is his first problem, and thensecondly how to clear his mind of the horridsuspicions which arise when he discoversthat his wife really spent seven years castaway on a desert island with Randolph Scott(which, as I see it, shouldn't have troubledGrant at all). Thursday at8:40.lives. The crook, bountiful in compassionbut limited in his expression of it, ultimatelyhurts both women and his own credulity. Itis this inability to be completely honest andopen with either woman that eventuallyexposes him to all.The Wonderful Crook is a simple story buttoo simply told to be wonderful as the titlemight tempt one to imply. Claude Gorettahas made pleasant and sometimes en¬joyable third film, although not particularlya memorable one. The screenplay, writtenby the director, misses every possible comicpoint; the dialogue lacks continuity, effective repetition of incidents is stoppedmidstream, development of interestingtraits is never completed.The acting is quite good on the parts ofDepardieu, Jobert and DominiqueLabourier, who plays Pierre's wife. Thereis thought and consistency in their performances. The distance between Pierreand the two women and his increasingisolation from the small Swiss town and itssociety is aptly presented. But one feels noparticular sentiment for Pierre aspresumably Goretta had intended. Tooremoved from its subject and story, toosimple in making any development orclaims, The Wonderful Crook ends up beinga nice, but often a dull and mundane movie,nstead of a 'wonderful' one.“Crooks” Not So WonderfulnThere IS « difference!!!PREPARE FOPJSJj'4 J.'jJj'GMAT • GRE • OCATVAT • SATECFMG • FLEXNAT1 MEDICAL BOARDSNAT1 DENTAL BOARDSOur b'omJ o* progress p-o*'(i*< an jrntretH t•nq enow no* ’he! enables us to o"pi best p'*pa'*‘ mno natter course >s lake” C*/*»r 36 y> rrOf pippfpr.fr an* SUCCESS f \|*S**« /nfhome study ^arena's Coo'se*. that r r>rf^'iv t>odated Permanent renters opor' (Jay* pvap r".lS Aen<j3 ,%n Compete tape 1ar <> ' ps 'or rev*#* >f c’ass•#**SOOS a^d *0' uv? of SuDp'emenMry f’TtPn,)'< Mat* upsfpr mt5«*d 'eSSOO* a' Our centersSPRING,SUMMER,WINTER COMPACTSMOST CLASSES-8 WEEKS BEP.EXAMCOURSES SOON TO COMMENCE;GRE-LSAT-GMAT-SAT2050 W DevonCh.caqc, III 606451312) 764 5151 1 MPUNfOUCATlOllAl Cf«*Tf •r|$r m» p«a« r*>*S#f rn. VS sm< | •«(«Cpntpfj W||0' U S1 uf 4*0 S* »/p»‘*M VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1 V, AND2% ROOM STUDIOSFURNISHED or UNFURNISHED$149 to $243Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4-0200 Mrs. Groak Dorothy SmithBeauty Salon5841 S. Blackstone493-1069I will take appointments► from 7 a m. until 7 p.m.| Closed Saturdayfacials - make up servicecomplete hair careMember ChicagoHairdressers AssociationPENNIESBreakfast and lunch8:00 AM-2:30 PMSandwiches made to order, hot andcold drinks, donuts, rolls, cookies,yogurt, fresh fruit.In Cox Lounge - Business East Basement COURT THEATRE PRESENTSHAROLD PINTER STHELOVERDIRECTED BY MICHAEl SINCE kTERRANCE MC NALLY’SBADHABITSDIRECTED BY MIC MAE I DORfI RI[)AY THROUGH SI NDA'i8 10 PM\VAY 11. 14 1r> AND 20 21 22NEW 1HI AIRE5700 S UNIVERSIIYRI5IRVATIONS 751 J581 TICKfTS $200 GINIRAI.. $150 STUHNT10-The Grey City Journal-Fridoy, fTlay 20, 1977CalendarFridayFolkdancers: 8pm, Ida Noyes.Karate Club: 7pm, Ida Noyes.Hillel: Adat Shalom Shabbat Dinner, 7:45 pm;Creative Services, 7:30pm, Hillel House.Center for Middle Eastern Studies: Faculty-Student Lunch, 12:15pm, Ida Noyes; SpringDinner, 7pm, Ida Noyes Hall.FOTA Coffee House: The Faux Pas CoffeeHouse, 8pm, Hutch Commons.UCGLF Lesbian/Gay Awareness Weekend:For information on workshops, lectures, etc.,call 753-3274; “Sandy & Madeleine’s Family,”“We re Not Afraid Anymore,” “Nick & Jon,”films, 7pm, Ida Noyes Theatre.Center for Middle Eastern Studies: “In¬teraction Between Islam and the Latin West,”George Makdisi, 4pm, SS 122; reception,Kelly 413.Geophysical Sciences Colloquium: “TheAnartic Meteorite Phenomenon,” EdwardOlsen, 1:30pm, Auditorium, Henry HindsLaboratory.Department of Economics: Economic HistoryWorkshop, “Capital Markets in the UnitedStates: 1870-1910 Local or National?” RichardKarplus, 3:30pm, SS 106.ArtsDudley House: “The Fur Coat Club,” 6:25,8:45 & 11:05; “Shampoo,” 6:40, 9:00 & 11:20,Cobb.UC Folklore Society: Harmonica Frank and(FOTA Presents Weekof Experimental ArtThis week FOTA's spring celebration goesinto high gear. On Tuesday A Dance En¬semble performs its highly original andcreative works in the New Theater inReynolds Club at 8:30. Wednesday, ArturoCubacub will present his ContemplationPiece also in the New Theater at 8:30.Cubacub explains that his performance “ismeant to act as a cognitive centering devicefor the viewer...to carry him/her to ametaphisical space called the activelycreative space." Thursday at 8:30 in theNew Theater Alice Farley, noted Surrealistdancer, presents some of her pieces ofdance. Then on Friday, to cap off the week,Jeff Twiss will stand next to the Moresculpture in front of the field house dressedin a security guard uniform. Tiwss will be inresidence from 1 til 5.Plans are underway for a musical artisticextravaganza Saturday on the quads.Things are still in the planning stages butrumor has it that Fred Anderson, notedChicago tenor man and one of the leaders ofthe AACM, will perform with his quintet.Rites of MayThe Rites of May, the Lab School's yearlyfestival of spring, will be celebrated thisweekend in the Lab School courtyard, 59thand Kenwood Ave. The Rites this year willinclude a performance of The Man whoCame to Dinner (Moss Hart and George S.Kaufman) by a school cast, tonight at 8:30.There will also be continuous entertainmenton Friday and Saturday nights beginning at5:30, consisting of Mavpole dancers, a mimetroupe and assorted gymnastics.The Rites costs $2.50 and willinclude cotiv-esoio*. ^ooths featuring German, French, and Russian cuisine, plus asalad bar (a Chicago special), ice cream Art Thieme in concert, 8pm, Reynolds ClubTheatre.The Bond Chapel Series: The NorthwestRombone Quartet performing Gabrieli,Beethoven, Dubois, Pfleger and Serocki;8:30pm, Bond Chapel.Contemporary Chamber Players: RalphShapey, music director, 8:30pm, Mandel Hall.“The New Wave in Sweden” Film Festival:“I Am Curious — Yellow,” 1pm; “Raven’sEnd,” 7pm; “Adalen 31,” 9:15pm, In¬ternational House Auditorium.Court Theatre: “Bad Habits,” & “TheLover,” 8:30pm, New Theatre.SaturdaySojourner Truth: First Annual Hyde ParkKenwood Community Kite Fly, llam-5pm,behind the Museum of Science and Industryat the Clarence Darrow Bridge.Bayit: Oneg Shabbat, with guest Dr. DanielBass, victim of Entebbe hijacking, 4:30pm, atthe Bayit, 5458 S. Everett.Crossroads: Saturday Night Dinner, 6pm,5621 S. Blackstone; picnic trip to MortonArboretum, meet at 11am, Crossroads, 5621 S.Blackstone.WAA Playday: 3 legged race, egg toss, leapfrog, etc.; registration 12:45-l:15pm, StaggField. Points from the major events will betotaled by team for presentation of a keg ofbeer.Change Ringing: Handbells, lOam-llam;tower bells, llam-lpm, Mitchell Tower.Hillel: Disco Party Bash, 9:30pm, Hillel.UCGLF Lesbian/Gay Awareness Weekend:Dance, live band, music of “Family of Man,”8pm-12mid, Ida Noyes.Compton Lecture Series: “Radio Galaxies: Beams and Blobs,” Paul J. Wiita, 11am,Eckhart 133.ArtsDOC: “The Freshman,” 7:00, 8:45 & 10:30pm,Cobb.University Chamber Orchestra: JeanneSchaefer, conductor; music by Mozart,Stravinsky, and Wright; 8pm, HutchinsonCommons.“The New Wave in Sweden” Film Festival:“The Assault,” 7pm; “Here’s Your Life,”9pm, International House Auditorium.Court Theatre: “Bad Habits” & “TheLover,” 8:30pm, New Theatre.SundayChanges: “Using the Gestalt Dream Methodin Client-Centered Therapy,” HannahFrisch, 7pm, Blue Gargoyle.Rockefeller Chapel: Ecumenical Service ofHoly Communion, Bishop Mabula,Celebrant, 9am; University Religious Ser¬vice, The Rt. Rev. Joseph M. Mabula, Bishopof Northern Zambia, 11am, RockefellerChapel.UCGLF Lesbian/Gay Awareness Weekend:Picnic, l-3pm, Social Science Quad. ‘Hillel: Lox and Bagel Brunch, 11am; TikkumL’el Shavuot all night Torah study sessions,10pm, Hillel House.Folkdancers: 8pm, Ida Noyes.Computer Club: 1pm, N. Reynolds ClubLounge.Tai Chi Club: Kung-Fu, 6:30pm; Tai Chi,7:30pm, 4945 S. Dorchester.ArtsUniversity Chorus: With Chamber Orchestra; James Mack, director; 3:30pm, Mandel HallAeolian Quintet: Performing woodwindquintet music, 7pm, main lounge, In¬ternational House“The New Wave in Sweden” Film Festival:“My Sister, My Love,” 7pm; “The Girls,”9:15pm, International House Auditorium.Films from China. “The Rolling Wheels,”(with English subtitles), plus “LittleTrumpeter,” 8pm, Ida Noyes.CEF: “200 Motels,” 7:30 & 10.00pm, Mandel.Doc: “Resnais’ Muriel,” 7:15 & 9:30pm, Cobb.Court Theatre: “Bad Habits” & “TheLover,” 8:30pm, New Theatre.MondayUC Folkdancers: 8pm, Ida Noyes.Ki-Aikido: 7:30pm, Bartlett.Chess Club: 7pm, Ida Noyes.Judo Club: 6pm, Bartlett Gym.Department of Economics: Economics andEconometrics Workshop, “An EconomicAnalysis of the Market for Audit Services,”Haji Izan, 10:30am. BE 211; AppliedEconomics Workshop. “Economics ofAlimony,” Elisabeth Landes, 3:30pm, SS 106.Department of Chemistry: “Metallocar-boranes in Catalysis,” M. FrederickHawthorne, 4pm, Kent 103.Department of Geophysical Sciences:“Thermodynamics of Melting of SimpleSubstances,” S. Stishov, Head, HighPressure Group Institute of Crystallography,USSR. 2:30pm. Hinds 101.This Week in the RrtsTrombones 1*Swedish Heat WaveThe Northwest Trombone Quartet will beperforming in Bond Chapel tonight at 8:30p.m. The ensemble is composed of fourstudents of Frank Crisafulli, secondtrombonist of the Chicago Symphony andthe trombone teacher at NorthwesternUniversity.Charles Boston received his bachelor'sdegree in music education from DePaulUniversity where he studied withKleinhammer, bass trtombonist with theCSO. Mitchell Arnold, an undergraduate atNU, has just finished the season with theChicago Civic Orchestra and will be at Tanglewood this summer. Marc Donatelleperforms with the All American MarchingBand at Disneyworld where he has beenappointed as this summer's assistantdirector. Patrick Smith has attended Interlochen Arts Academy. The four havebeen playing together about one year. Theirmost recent appearance was a full recital atAlice Millar Chapel in Evanston.Their program consists of works byGabrieli, Wuorinen, Dubois, Beethoven,Pfleger and Serocki. The concert is sponsored by FOTA and is free of charge.Poetry Sermon SungChad Walsh, poet and professor of Englishat Beloit College, will give a sermon inpoetry at the 11 a m. service at UniversityChurch of Disciples of Christ on Sunday,May 22nd, 5655 University Avenue. Walsh, afavorite on College campuses for manyyears for his writings and his lectures, maybe best known for his volume Campus Godson Trial.Walsh, now in his sixties, has heldthroughout his life a commitment to literaryexpression and to Christian faith. Afterestablishing himself as a professor poet, heprepared for and gained orders in theEpiscopal Church as a priest. There will be a series of Swedish films anddiscussions on campus this weekend as partof a series entitled The New Wave inSwiden. The film festival, presented by thedepartment of germanic languages andliteratures, will include films by Widenberg,Sjoman, Forsberg, Troell, and Zetterling.(With the notable exclusion of the classicDer Duve ) All films will be shown at In¬ternational-House Auditorium.The schedule:Fridaylpm — I'm Curious Yellow (VilgotSjorman)3pm — Lecture/Discussion with Sjor¬man at I House7pm — Ravens End (Bo Widenberg)9:15pm— Adalen 31 (Bo Widenberg)Saturday7pm — The Assault (Lasse Forsberg9pm — Here's Your Life (Jan Troell)Sunday7pm — My Sister, My Love (VilgotSjorman9:15pm — The Girls (Mai Zetterling)Also on Sunday there will be a luncheon atlpm at I House, sponsored by the Chicagochapter of the American ScandinavianFoundation with Vilgot Sjorman, and ashort film program at 3 p m.Chad WalshFunandStrangeThings New Sections at Powell'sWe're expanding!!!American HistoriographyAmericana: Chicago, IllinoisCivil WarMexicoLincolnCarribeanMiddle East/lsrealStatistics/ComputersHistory of MedicineNeuro ScienceBiochemistryGeneticsEntomologyOceanographyGeologyGeographyAnimal BehaviorAncient HistoryMedievalRenaissanceEngland: Tudor, Victorian, HanoverianChild DevelopmentYouth & Family StudiesPOWELL'S BOOKSTORE1501 East 57th Street9 A.M.-l 1 P.M. Everyday955-7780 1020 S. Wabash Ave., 8th Floor9 A.M.-5 P.M. Mon.-Sat.341-0748 CutoutNow, you can really saveon a new, fully equipped Peugeot beforeyou ever set foot in the showroom.Save SS$on a Peugeot 504 Gas Sedan* SaveSSSSon a Peugeot 504 Gas Wagon*JLA different kind of luxury car2347 fcouth Uich^inCMuya lllmoM (MilArea Coda 312 / 326 2530“■'.ivint's indicated are based on manufacturer's subtle'ted retail prices tor 1^/6 model'. mcludini>delivers charges and dealer preparation. Title tees, optional equipment. Iicensini;, and taxes extra.PEUGEOT■FOTA-How Liberal Is Your Education?Know \6ur University!Sporting WorldJgiursdayj^-idayto See and Do — Libbv /pelling BeeEverything Cuiz12-The Grey City Journal-Friday, fTloy 20, 1977Elegant cruise ship or luxuriousM- No other cruise line offersmore ancient sites, moremodern excitement andunsurpassed luxury —and Karageorgis does itwith style-aboard thesuperb 23,000 ton Navarino,formerly the Gripsholm.Experience the ancient splendorof Greece—Olympia, Mycenae.Epidaurus. Delos, Delphi, Mt.Athos—plus four of the world's most exotic cities Athens, Dubrov¬nik, Istanbul and Venice. Aboard the beautifully refurbishedNavarino. From Venice alternate Saturdays or Piraeus alternateTuesdays. 14 ports in 14 days, and Karageorgis does it with style.Relax aboard the 16,000ton Mediterranean Sea orMediterranean Sky. Theconvenient, luxurious wayto take a car to Greece.Sailing from Ancona, thenearest port to the center ofEurope year round. Sailingto Patras-the ideal gatewayto Greece in 34 hours direct,or 35 hours via Corfu.Four convenient sailings perweek through the Summer.Two a week in Winter. Fromeither end. Luxury cruise linerstandards of accomodations,cuisine and service, with the convenience of your car on board.And there's a bonus 30% reduction for students.|0 KARAGEORGIS LINESSet an expert - your travel agent — or for more informationcontact: Karageorgis Lines, 1350 Avenue of the AmericasNew York, N.Y. 10019 Telephone: (212) 582-3007All vessels are of Greek Registry.ayEurope if you can’t go alone: New Horizons escortedgroup youth tours for young people 17 through 25. Eachtour includes round-trip air fare between New York orChicago to Luxembourg, private motorcoach transporta¬tion, hotel (or pension) accommodations, most meals,sightseeing, full-time escort, all local taxes and more.Special group departures also available.FRANCE 15 days- $8243842*Features a 7 day stay with a local family.Perfect for the beginning language student.EUROPEAN LANDSCAPES24 days—$1,234-$1,252*An excellent introduction to 7 European countries.EUROPEAN EXPLORER19 days—$1,069$ 1,087*A study of lifestyles, from the sophistication of London andParis to the tranquility of the Swiss Alps.GERMANY 15days-$829-$847*Features an 8 day stay with a local family.Perfect for the beginning language student.ALL ROADS LEAD TO ROME15 days—$896-$916*An indepth study of Rome and Florence andtheir famous sights.PARIS and the IBERIAN ADVENTURE21 days—$1,173-$1,191*A contrast of cultures: the tradition of Spain andthe romance of Paris.Your mother isn'tthe only one who thinksyou shouldn't seeEurope alone.r Icelandic Airlines Dept, ft CN18 S. Michigan Ave., Chicago, IL 60603See your travel agent. Or call toll free: (800) 223-5390.Please send information on these and other youth tours toEurope.City State Zip‘Prices effective April 1 and subject to change without notice ^ JIcelandicLowest Jet fares to Europe of any scheduled airline ROCKEFELLER MEMORIAL CHAPELSUNDAY, MAY 22,19779 A.M.Ecumenical Service of Holy CommunionBISHOP MABULA, Celebrant11 A.M.University Religious ServiceTHE RT. REV. JOSEPH M. MABULABishop of Northern Zambia“The Christian Presence in Africa”a / 4 + = { J3 SALES withservice is our<p BUSINESSREPAIR specialistson IBM, SCM, Q§c Olympia & othersFree Estimate >X Ask about ourRENTAL with 11n option to buyNew & Rebuilt AKU) TypewritersCalculatorsDictators <•*-u AddersU. of C. Bookstore <t>V 5750 S. Ellis Ave.753-3303 YY MASTER CHARGEv COe BANKAMERICARD Va E < t * “ ♦ ± t •blr^-oUNIVERSIT YSYMPHONYORCHESTRAOxeftfjf'f? to On? ^aober-ttote k 6?0MotariConcerto No 24'o C Minor « 49Tfrie Wfimer Soto'stShostakovichSvmohoov No 5 Oous47friday May i 10 P MMandel Hall. University ol Chicago57th Street i Scxith University XvenueAdmission Free ofix)sClz)n%H-.-r-UQ~Dn AAy 7\-o\-ai\-cxvsi ' Nj IIjO £> \C5' x>FOTA-FOTA CALENDARdate CHANGEThe Faux Pas, HutchCommons COFFEEHOUSE has beenrescheduled to FridayMay 20 (8:00 pm) fromSaturday May 21 at IdaNoyes.We II have free coffee,doughnuts, cookies,soda, munchiesand...MUSIC: Folk,blues, rock, etc. also:comedy! THE ADLAI E. STEVENSON CENTERandTHE DEPARTMENT OF HISTORYPUBLIC LECTURE“EDITING ADLAI”Professor Walter JohnsonUniversity of HawaiiWEDNESDAY, MAY 25,1977 4:30 P.M.ADMISSION FREE AND WITHOUTTICKETCenter for Continuing Education1307 East 60th StreetProfessor Walter Johnson was on the faculty of theUniversity of Chicago, 1940-1966 and served as Chairmanof the Department of History, 1950-1961 and as the Pres¬ton and Sterling Morton Professor of American History,1963-1966. He is author of How We Drafted Adlai Steven¬son, 1955. He edited the Papers of Adlai E. Stevenson,in 8 volumes.The Chicago Maroon — Friday, May 20, 1977 17 “LAST FLING BEFORE FINALS 9 9DISCO - PARTY - BASH!!-PLUS-BEER! MUNCHIES! DANCING! FUN!9:30 p.m. - SATURDAY night - May 21,1977ADMISSION: 50eHILLEL HOUSE, 5715 WOODLAWN■IM reportShorey wins despite controversyBy R.W. ROHDEShorey captured both the co-ed and men’sintramural undergraduate residence soft-ball titles this week, though not withoutsome controversy. Shorey took Upper Flint16-7 for the co-ed title, while barely edgingHenderson and Upper Rickert in men’saction.The controversy came in the un¬dergraduate green league, where Shoreyand Thompson South were battling it out forthe title. As reported earlier, Shorey won thegame in a questionable seventh inning, butUie game was successfully protested byThompson. Thompson won the rematchconvincingly by a 17-8 score. This time itwas Shorey that protested, and they werealso successful, this time it resulted inShorey being credited with the win.It seems that four Thompson Southplayers had played in a game for ThompsonNorth against Henderson. Both teams knew when they played against Shorey, eventhough they were playing for ThompsonSouth at the time, the' team who’s rosterthey were officially on.Technically, Shorey was in the right. Butthe handbook goes on to talk about the spiritand intent of the laws, among other things.In a letter to this office, the Thompson Southteam brings up these things and quotes fromthe college catalogue, “Athletics are en¬joyed for their own sake...and are pursuedfor the pleasure of the participants and theirfellow students.” Shorey claims that theirprotest was as legitimate as Thompson’sfirst protest, and the original game shouldhave stood.This is certainly not the first time this hashappened, and will probably not be the last.The whole issue was intensified, as wit¬nessed in the grafitti in the Pierce towerelevator, but the close proximity of Shoreyand Thompson, and the natural rivalrybetween the two.the players were illegal, and it was agreedthat if Thompson North should get aheadthey would throw the game, though that wasnever necessary. The umpire was also in¬formed of the illegal players, it was just achance for both teams to play a game, thewhole idea of intramurals.Unfortunately, no one told the intramuraloffice. Since the IM office doesn’t recognizegentleman’s agreements (Section E,paragraph four, IM handbook), the playersbecame illegal as soon as they playedagainst Henderson, and thus were illegal The incident will be forgotten, but theissues should not. Mainly, should a team bepunished if their players play illegally foranother team, or just the other team and theplayers? Should a house be split up for in¬tramurals, and if so, what are the criterion9What are the spirit and intent of the rules?Should it be Thompson South and not Shoreywho is the undergraduate residencechampion?At any rate, Shorey was the winner, andentered the playoffs against Henderson.Henderson had defeated Vincent in theMike Giblln hauls down a pop fly against IIT (Photo bv David Rtogr)The columnMaroon writes off PIBy FRANK MERRIWELLIn what would have been a stunning upsethad it not been so totally expected, a team, made up of the staff of the Chicago Maroondestroyed a squad from the Office of PublicInformation 12-10 in a game of softball.The paper and the office have alwayscarried on a solid rivalry. Usually thecontest is involved with deciding the truth ofa certain event pertaining to the lives of theentire University community. However, lastTuesday the contest moved off the esotericwhite fields of copy and newsprint andonto the greensward of North Field.However, the change of tenue did not keepthe Maroon from triumphing once again.Under the masterful pitching of sportseditor Dave Rieser and with the hittingpower of David Axelrod Mort Fox, JonMeyersohn and Abbe Flclman the jour¬nalistic stalwarts controlled the game fromthe beginning. Although down 1-0 in the firstframe the Maroon roared back in the second to take a 7-1 lead. They were never to bebehind again.Despite the early deficit the PI playerswere determined to show that they were notthe puffs they seemed to be. Under thehitting power of Jeanne Dufort, ringerJackie Woods and Paul Aussick, PI foughtback to bring the spread down to but threepoints, 9-6.Yet even this demonstrated the Marooncontrol of the game PI was only able to givechase after a fine exhibition of leaden handjuggling provided by the Maroon infield, ashow due partly to natural talent and partlyto the Miller Brewing Company and theirfine products.But the Maroons were able to keep theirlead even through Pi’s late inning chargethat brought the score from 12-6 to the 12-10final. They protected their lead with extraruns and with improved fielding, showingonce again that the staff of the Maroon is notonly an offensive group of people but aredefensive about it as well.A date for a rematch has not been set. bottom of the seventh with help from game¬winning double by Frank Liberty, givingthem the white league title. This time, it wasShorey that won by one run. A perfect hit¬ting day by Henderson’s Pete Liber wasnegated by excellent defensive play ofShorey’s Dick Rebesch and Steve Abelman.Shorey held off a last minute Hendersonrally in the top of the seventh to win 9-8.Shorey’s next opponent was UpperRickert, who had defeated Lower Flint forthe blue league title, and then smashedChamberlain, who had upset Phi GammaDelta for the red league title, by a score of17-8. The game was similar to the first one,as Shorey again held off a rally in the top ofthe seventh, squeaking by Upper Rickert 8-7.Shorey played the independent champion,Roi-Philosophe, yesterday. Results were notavailable at press time. Roi-Philosophedefeated Queen’s Park Rangers 18-11Wednesday to win the title.The undergraduate champion will thenmeet Maltese Penguin for the all-Universitychampionship today at 5:15 on Midway-6.Penguin beat Your Mother to win theirleague title. Meanwhile, Big Med Machineedged S. M. Men for the divisional red title,before losing to the white division cham¬pion, Legal Eagles. Penguin then beat theLegal Eagles by 11-10 to win the graduatetitle. INTRAMURAL TOP 101. Maltese Penguin (4)2. Legal Eagles (1)3. Your Mother4. Thompson South5. Shorey6. Henderson7. Upper Rickert8. Big Med Machine9. Vincent10. Roi-Philosophe(first place results in parentheses)Also receiving votes: Lower Flint, Cham¬berlain, Phi Gamma Delta, Mathews, S.M.MenUpper Wallace won the forfeit-riddenwomen’s league. In Co-ed action, UpperFlint beat Lower Flint to win their league,but then lost to Shorey in playoff action.Shorey played the Queen’s Park Rangersyesterday, but results were not available.The winner plays the graduate champion,Eat Your Food, tonight at 6:30 on themidway.In the open red league, Too, Too, Too wonthe white league, while the maroon and co¬ed league were still undecided.In Racquetball, Doug Dobson emergedfrom the 120-man undergraduateracquetball tourney, taking Steve Annekenin the finals 21-10, 21-11. Mary Bartholomewwon the undergraduate title by beatingCatherine Hebert, then lost the All-University women’s title to graduatechampion Marilyn Listvan.Hardballers split final pairBy MARK PENNINGTONThe Maroon baseball team finished itsseason Saturday with a doubleheaderagainst Milwaukee Area Technical College,losing the first game 7-5, but coming back towin the second 3-1. The team’s final recordfor the year is 6-10.Johnny Phillips pitched for Chicago in theopener Phillips opened shaky, so shaky thathe seemed headed for an early hook. Fourvisiting runners crossed the plate in thefirst, and more could have scored if a runnerhad not been nipped at the plate on a passedball.Phillips settled down for the next fiveframes, allowing three hits and no runs. Hewas aided by stellar Maroon fielding plays:catcher Jim Chapman threw out two wouldbe stealers, Phillips picked two runners offof first, and left fielder Carl Herzog’s throwto the plate via shortstop Scott Jansennailed an attempted Milwaukee score.Meanwhile, the Maroons were getting intheir licks. In the first, the home teamparlayed two walks, a hit batsman and anerror into two runs. In the second, thebottom of the order was heard from. Thirdbaseman Vinn Bahl and Chapman singled.Second hitter Mort Fox’s single and PaulHarris’s ground ball brought across one runeach. In the third Herzog’s homer to deepcenter was the last Chicago run.In the fifth and sixth, the Milwaukeepitcher, a southpaw, picked off all threeMaroons that reached first base. Headcoach argued vainly that each time thepitcher had balked, and each time the outstood.The Maroon’s 5-4 lead set the scene for theseventh and last inning. Phillips walked aman, struck out two, and then agonizinglywalked in a run and gave up two more on asingle. That made the score 7-5 and Chicagofailed to score in the last half of the seventh.The Maroons shone in the second game.Starter Rick Dagen allowed only three hitsincluding a bunt and a run. The Midwaybunch took an early lead after Mike’Giblinwaa playdayThe WAA Playday will be held thisSaturday at Stagg Field. There are fiveevents including egg toss and the threelegged race Points will be collected andthe winning team can pick up a free keg ofbeer. For further information call 3-3574 tripled and John LeKich squeeze bunted himto the plate in the second. Milwaukee an¬swered in the third with a double and asingle to get their only run. For the rest ofthe game, visiting players stepped meeklyto the plate to be slaughtered. Chicago wentahead for keeps in the fifth when SteveRoczniak singled and Scott Jansen hit a tworun, two out homer.With the last out of the season, Chicagocan look back on the past month and a half,and may peek ahead to next year This wasbilled as a rebuilding year, and it certainlywas that. While the Maroons took theirshare of beatings, they were building andnot just putting in time.Perhaps the Maroons could be forgiven ifthey were to look more to the future than tothe past. This season has been less than ajoy for all of them They won only fourgames in 14 outings, getting a pair of vic¬tories by forfeit from Kennedy-King. Theyled in the early going against several teams,only to lose in the late innings. Althoughthey could hit, they often had difficultyfielding. Their pitchers, led by Dagen andPhillips, suffered some fearful innings whenit didn't seem like anyone was going to getout.The Maroons lose only two seniors, in¬fielder Steve Roczniak and outfielder RussLee. Of the returning Juniors, Mike Giblinwas the regular first baseman, John Lekichsaw duty as infielder and designated hitter,John Pomidor undertook to learn to pitchcollege ball, and Mort Fox went from pit¬cher to linedrive hitting outfielder.The rest of the regulars were first orsecond year students. Up the middle, it wasSophomore catcher Jim Chapman, hard¬hitting freshman Scott Jansen at short,often second second year player ChuckWoods at second, and Paul Harris, a fresh¬man, in center field. The left fielder waspower hitter Carl Herzog, anothersophomore, while freshman Vinn Bahlpitched and played third in the last fewgames.V-ballmeetingThere will be a meeting of all those in¬terested in women’s varsity volleyballTuesday May 24th from 6:00 until 7:00. Itwill be held in Ida Noyes Gym and willdiscuss summer conditioning, pre-seasonpractice and the 1977 schedule Attendanceis required18 — The Chicago Maroon — Friday, May 20,1977CLASSIFIED ADSSPACEFaculty family 2 adults 2 kids wantsfurnished apt or house, mid-June tomid Aug., Wm Rosen, 511 W.Philomena, Flagstaff AZ 86001, Phone602 774 8217.New faculty seeks 2 BR apt. Occupancy around August 1. $50 finderprize for good apt. in good location.955-0159.Hyde Park nr U of C 1 4 rm. apts. wellkept. bldg, adults nr 1C, bus, lake.Reason. BU 8-0718.Roommate wanted: own room, onmini bus, 78.00 mo., close to Reg., call241 6647 (pm best).SUMMER SUB Huge Room withsunporch Lake view, private park. 2grads fern pref. 955-4531.Female wanted to sublet own room inlarge apt. Cheap rent. Call Marge orCarole 241-6193.Summer Sub or yr. lease. Lge. studioHyde Park 8, 56th. $170 mo. Availablein June. 241 5309.Summer Subletter wanted 5744Kenwood. Call Duara 241 5021.Summer sublet - fall (option). 1bedroom apt. Large, turn., modern.Must be responsible person. $175/mo.Evening 548 3806.Summer Sub Own room in Spacious 3bed Beautiful - Breezy Sunny -furnished - 6/1-10/1: S67/mo. Callmorns & late eves. 241-6997. 54 &Dorch.Harper Square 3 bdrm. 22nd floor, aircondtg. $84/month. Call Steve 924-6340.Roommate wanted for summer. Share3-bedroom apt. with others. 753-2249,room 2410.Cheap Accomodation for the rightroommate July/August, two cats,minibus route. Tel. 324-1445.BEAUTIFUL APARTMENT TOSUBLET. Excellent location, 5709 S.Harper St. Southern windows $90 amonth. Available June 4. Call AbbeFletman, Chris Miller or StephanieBrowner. 753-3751.1 bdr w/patio turn. $165/Call Myron288 7457.HOUSE NEEDS several people twoblocks to campus. Backyard summerand or fall. $88 plus utilities. Call 241-6171.Women wanted to share Hyde Pk. coedapartment for summer 4/or fall. 241-7589.Room with kitchen privileges. Save $$.Fern, grad student. 57th Kenwood. 4932545.Room for rent, near campus. $10/wk.363 2521. For summer.Apartment available - 2 bdrm. apt. inE Hyde Park, $230/mo. Take over ourlease for next yr., starting Aug 1. 955-6163.2 private rooms in 4 rm. apt. on 57Kenwood avail, by 15 June. Call 6433595.1BR apt., huge, sunny, 2 air cond.,modern, 24 hr. security, 55th. $285. 5 7p.m. After 11 -241-7203.A 4 bdrm. apt. for rent next yr. star¬ting June 15. 2 blks from campus. Call955-9351.Need rm. or something for whole ofJune. Grad std. Paul. 752-0258WANTEDWANTED: GradTICKETSAfternoon - Fri. 10thWill pay-241-5945Double (preferably) or 2 singlegarages in Hyde Park near Blackstoneand 56th. Call Dr Nolan 947 5565.FOTACALENDARDATE CHANGEThe Faux Pas, Hutch CommonsCOFFEE HOUSE has beenrescheduled to Friday, May 20 (8 00p.m.) from Saturday, May 21 at IdaNoyes. We'll have free coffee,doughnuts, cookies, soda, munchiesand. MUSIC: folk, blues, rock, etc.Also: comedy!IF YOU'RE GAY-WEAR JEANSTODAY.. .and come to the Lesbian/GayAwareness Weekend at IdaNoyes . Opens today with workshopson sexuality and lifestyle Filmstonight! UCGLF 753 3274 PS: Even ifyou're not gay, join us for a fun andperspective broadening weekendFOLLIESTickets for the Stephen SondheimJames A. Goldman musical,FOLLIES, are on sale at the ReynoldsClub box office. Performances areJune 3 and 5 at 8 30, June 4 at 2 30 inMandel Hall. Admission is $3 00Students $1 50ENTEBEE HOSTAGEMeet Dr. Daniel Bass, hijacked las*summer, at the Bayit's final OnegShabbat Saturday, May 21 4 30 p m5458S Everett PEOPLEWANTEDOUTDOOR WORK SATURDAYSEarn $25. Opportunities for dynamicstudents. Fight pollution and end yourown personal recession at the sametime. Call Ken Arway at Citizens for aBetter Environment. 939 1985, MonFri.Live rent free in spacious rm w bath innice home & get $25/wk for 15 hrsbabysitting with two girls 11 & 7. StartJune or Sept. Call 337 2526.Part time help wanted to work in truckand tool rental store, must drivestandard shift, over 21 hours flexible.Contact Ralh or Milam at Lake ParkRentals. 667 8700.Motel room clerks for summer. Parttime or full time, 3, 4 or 5 day weekshifts open 4 p.m. - 12, 12-8 a m.Breakers Motel, 7900 S. Shore Dr. Call10 a.m. 4 p.m. only, 374 4500.VOLUNTEERS WANTED: PosTMenopausal women NOT on hormone_ replacement needed for researchstudy. Renumeration offered. Ph. Dr.Barry Rich for details at 947 6364.RESPONSIBLE HOUSESITTER forlarge Hyde Park home for somesummer weeks. Ref. Call 363 0539.Babysitter for Toddler - 3 half days perweek beginning June 1. $2.25 per hour.Call 955-9771,WOMEN interested in playing 16"softball for fun on weekends or eves.Call Noel, 493-2399 or Sara, 947-0330.....to see SHAMPOO and Fur CoatClub. Tonite in Cobb Hall. 1st featureat 6:25, 8:45 and 11:05. SHAMPOO at6:40, 9:00 and 11:20. See both for aspecial break on price.GRADUATING MATH MAJORS:Position available in programmingwith small but growing computersoftware firm. Call 281 1654.PEOPLEFOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara 3733594 after 5:30 p.m.Typing-term papers statistical IBMcall 994-6060.HIRE AN ARTIST-illustration of allkinds-even on short notice. Noel Price.493 2399.RESEARCHERS-Free-lance artistspecializes in the type of graphic workyou need. Samples, references onrequest. Noel Price 493 2399.For experienced piano teacher of alllevels call 947-9746.TYPING SERVICE/HY. PK./667-4282Typing of any material by journalismmajor. 624-3192.SCENESSocial Life lacking? Meet new feet.Join the Folkdancers in Ida Noyesevery Sunday, Monday and Friday,except May 13 and June 10.YEAR AROUND CHILD CARE fullor half-day programs; 7:30 a.m.-6p.m.; ages 2-6; 3 classrooms;professional staff. Parent cooppreschool: 684 6363.Fun Fair at Ancona Montessoripreschool and Elementary Sat., May21. (Rain date Sun. May 22) 11:30 44770 S. Dorchester.Harper Sq. Child Care Center 4800Lake Park. Full day program($ 4 0 / w k); half-day program($20/wk ). 538 4041.FREE FREEAre you tired of waiting on charities topick up your unwanted furniture andappliances? We will promptly pick up"Free of Charge," all "unwanted"USABLE furniture and "workingappliances". 285 8221. 285 1128. 9246867. After 6 P M"IMMIGRANT WOMAN," a paperback by Mary Molek, Univ. of Chicagograd is available at Stuart BrentBookstore, 670 N Michigan andRoosevelt Bookstore.IN CONCERT HARMONICA FRANKand ART THIEME—country, blues,and rocking harmonica/old-timebanjo and outrageous puns Fri., May20 in Reynolds Club Theater. 8 p.m.$1/$1.50 stud. Sponsored by UCFolklore SocietySee Shampoo and Fur Coat ClubFriday May 20th at Cobb Hall. FirstFeature starts at 6 25. 8 45 and 11.05.SHAMPOO at 6:40, 9 00 and 11:20 See-both and get a package dealKate Millet, author of "SexualPolitics," and "Flying," will be at theJane Addams Bookstore and Bakery,37 S Wabash, rm 702, on ThursdayMay 26, 3:30 p.m. to autograph copiesof her new book "Sita". Farrar Straus& Giroux, $10 00 For more info call782 0708GARAGE SALESat., May 21 & Sun , May 22, 10 6Garage 2, Alley north of 56 Str. between Kimbark/Kenwood Furniture,Clothing, Bicycle. Kitchen sink, LawnMower, Drapes Plants, Toys, allBargains. Cash/Carry FOR SALEIL FORD HP5 instock.MODEL CAMERA1342 E. 55th St. 493-6700PASSPORT PHOTOSWhile you wait.MODEL CAMERA1342 E 55th St. 493 6700YARD SALE 4846 S. Kimbark AveSat., May 21, 11-3. Furniture, toys,clothes, tv, humidifier, buffets, coffeetable, lots more cheap.CANON AE-1Body $194.50AE-l/50m 1.8 $259.95AE-l/50m 1.4 $299.95MODEL CAMERA1342 E . 55th St. 493 6700CIBACHROME KITSpecial $17.95Everything you need to print colorslides except a slide and an enlargerKit includes color filters, paper,chemistry, processing drum, 8, in¬struction.Queen size bed, desk, chair, light,bookshelves, light iron, ironing board,toaster, chest of drawers, whiteshaggy floor rug and standing lamps,dining table, 80 watt AM/FM amplifiersans Ul spkrs akai cassette deck,elect, typewriter vacuum, ovenware,etc.HOUSE IN BEVERLY SHORESIND1 Block from lake. 4 bedrooms, 2baths, family room with fireplace &patio door. $43,900. Call Renard atCallahan Realty 219-926 4298.Apartment sale. 5338 Greenwood.11:00-4:00 turn., misc. 955-5189.Three rooms of furniture - 3 piecesectional, living room, 2 bedroom sets,2 tv's, refrig & range, rug, lamps,kitchen utensils, etc. Must sell, lowprices. Call after 9 p.m. 288 7721.Bookcases, wharfdale speaker, 4poster bed, Victorian wicker carriage,file cab., & more. 955-0431.COMPACT REFRIGERATOR 5cubicfeet. Good Condition. $25. 752-2493.Apartment Sale Sat., May 21. 5454 S.Everett H2H, 10 to 3. Sofa and Chair,Washer, Bicycle, Linen Cabinet, 30inch Wall mirror, odds & ends. Cashonly.DINETTE SET—veneer table top dropleaf with chrome pedestal, 2 brownpadded chairs. Ex. cond. $50 or bestoffer. Call 667 3542.FOR RENTAll furnished 1 bdrm. apt. duringsummer mo., rent negotiable. Call 3247426.GAY LIB DANCESat., May 21, 8 12 p.m. Cloister Club,INH. Music by "Family of Man."Admission $1.50 and UCID or free withL/GAW registration. All are welcome.INEEDTICKETSI want to buy extra tickets to 2 p.m.convocation session. Call David 3243390 eve. Thanks.SKYJACKED!On Sat., May 21, Dr. Daniel Bass, avictim of the July '76 UgandaHijacking, will describe the event andthe subsequent Israeli raid. At theBayit, 5458 S. Everett. 4:30 p.m.DANFORTH• Danforth Fellows Meeting Monday,May 23, 12 00 Swift 201: "Memories,Dreams and a Few Reflections."CHORUS CONCERTU of C CHORUS CONCERT Sun. 5/223:30 p.m. Mandel Hall. Cantatas ofBACH & BUXTEHUDE FREEHOUSE FOR SALEGracious 1890's house in South Shore.Eight rooms, basement, fireplace,modern utilities and excellent in¬sulation. Near campus, bus, CTA & 1C.Garage and nice lawn. Low $30's CallLowell 236 7459, 667 1072 evenings.GAY AWARENESSUCGLF presents a lesbian/GayAwareness Weekend May 20 22 Activities include workshops, films,lectures, dance, religious service andpicnic. Registration ($3, $2 UCID, sencitizen) opens 1:30 p.m. Friday IdaNoyes West Lounge Info UCGLF 753-3274.BIO MAJORSThe Ice Cream Social will be held onMay 20, between 4 & 6 p m inReynolds Club North LoungePAN PIZZADELIVERYThe Medici delivers from 5-10.30p.rnSun. Thurs; 5 11:30 Fri and Sat 6677394. Save 60 cents if you pick it upyourselfBOOKS BOUGHTBooks bought and sold everydayevery night 9 11 Powells, 1501 E. 57th WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde ParkBooktores & Bob's Newsstand.Volume 3 is out.CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m. at 5715 S.Woodlawn. For more info call 752 5655.LOST & FOUNDFOUND: typewriter, cassette taperecorder, pocket calculator 'adieswatch, necklace—between 12/76 &5/77; submit WRITTEN description &send to JRL 120 DIdentify your ring at the pub.Urgent: Biology students John/Jackand David, hitchhiker Jan left potteryvase in your car April 24, Evan¬ston/Skokie. Please cal! 869 2171 or256-0431.PERSONALSTo "the most disgusting sexist I'veever come in contact with"—I hope theYale coeds ahve a better sense ofhumor than I.’/2 Siamese male kitten to give away—looks Siamese! Tel 324-1445.Save a life. Playful spayed female catneeds a home. My new job :s in Africa.363-1879.She likes Warren Beatty, I like JulieChristie, Goldie Hawn and Lee Grant.SHAMPOO and Fur Coat Club, toniteCobb Hall. 1st feature at 6 25, 8 :45 and11:05. SHAMPOO at 6:40, 9 00 and11:20.Biology evaluations are now out. Youwill find them at the Advisors Deskand the dorms.Writers' Workshop PL2-8377Pregnant? Troubled? Call 233-0305 foraffirmative help, 10-2 p.m. Free Test.Pregnancy Testing, Sat 10 2Augustana Church, 5500 Woodlawn.Bring 1st morning urine sample, $1.50donation. Southside Women's Health324 2292.GRADUATING?Graduating this quarter? I'd like tohear your reflections on the past fouryears for a Maroon article. Ellen, 752-5882California5149 to$169Round trip☆ Los Angeles or San Francisco☆ Reserve 35 days ahead☆ Nonstop/ Full meal serviceAmerican AVAAirlines AA*319 to$369Round trip☆ London or Frankfurt☆ Reserve 50 days ahead☆ Nonstop/ Full meal serviceTrans Inter* 3jEnationalPathfinder Worldwide1*450,000 satisfied customers[•Computerized reservations|*24 hours, 7 days a week(312) 752-2348RESERVE EARLY!EUROPE%ul/Z ‘fiST*C * ’ 'fc *o 4 p * (800) 325-4867or N** yOul© Urr.Travel Charters^ane J2.ee72ettauzantDelicious lantonefe FoodFast Special luncheon:$1.95Mon Thurs 11:30 AM 9:00 PMFri. 4 Sat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St. KENNEDY, RYAN, M0NIGAL & ASSOCIATES, INCDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEA KENWOOD CHATEAUA 16 room house with stained glasswindows. Dramatic staircase, lots offireplaces and a wrought iron fenceall around the house. Lot size 100 x190. Price $95,000 Call Don Tillery667 6666TWO DUPLEXESDeconvert existing four-flatand own two 11-room, 3 bathrowhouses. Huge fenced backyard. For the person whowants to do his own thing.$72,500. Call Margaret Ken¬nedy 667 6666.WALKTOCAMPUS3-story frame w garage, largefenced yard, 4 BRs, study w/beamedclg, woodburning fplc, modern kit.w/laundry. Lots of light and space!Priced to sell immediately at$67,500. To see, call Mrs. Haines 667-6666KENWOOD PRIVACY PLUSIn this modern 6 room townhouse. 2baths, central air w/preciptron, par¬quet floors, patio w/fountain. Ali appliances plus custom extras. Trulyworth seeing - call Mrs Ridion 667-6666(res 734-6011). CHARMINGVICTORIAN DUPLEX3floors, 9 rooms, 2 baths, fubasement stripped woodworkwoodburning fireplace, fenced yarwith apple and cherry trees gardeand parking area. Convenient 1U S bus and shops. Call 667 666BRICK GEORGIAN3BR brick home w/LR, formal DRfull bsmt., new 2-car garage Priceat $39,500. For more informatioplease call Margaret Kennedy 667.6666NICE HOUSE5rms., 2 BRs, large LR w/formaDR, modern kit., 1 bath, full bsmt2-car garage Low taxes Well kepPrice $25,000, 83rd and Anthony. CaDon Tillery 667 6666KENWOOD AT56TH STREETThis lovely four bedroom, IV* battframe home has loads of extra spacmodern kitchen, stormthroughout, well insulated fence*yard all with in walking distance othe U of C. By appointment onlyCall J Edward LaVelle 667 6666APARTMENTS FOR SALELUXURYHI RISE7 splendid rooms super kitchen -one block from Lake MichiganTriple track storms and screens.Beautiful floors - spacious, graciousliving. $36 000 for equity. CallCharlotte Vikstrom 667-6666LARGE TREE TOP APT.Space and grace in 8' 2 sunny rooms.Completely modernized. Systemsexcellent throughout Sparklingkitchen. Master BR 21 feet longw/two huge walk-in closets.Panelled study. Many, many extras.$58,500. Charlotte Vikstrom 667-6666DECIDE NOW-PAY LATER4new deluxe units (one alreadysold) central air thermopanepicture windows - view of Lake -country kitchen, own controlledheat. Patio. $27,500 and $28,000 Near73rd in South Shore CharlotteVikstrom 667-6666FIRST APT. HOMEConv to transp., low assessments.Clean, light 4 room spacious apt.with balcony $27,500 To see, callNadine Alver or Charlotte Vikstrom667 6666LAKE VIEWSFrom this spacious 6 room condo inEast Hyde Park luxury bldg Mod.kitchen, 2 baths parking space Moassmt. $190 Asking $34 900 To seeplease call Mrs Ridion 667-6666IMMEDIATE POSSESSIONStunning views of Lake and City.Near Cornell and 50th. 2 bedroom 2bath., Will decorate. ParkingSpecial price to settle living estate$18 900. Charlotte Vikstrom 667 6666 BRETHARTESCHOOL DISTRICT6 room condo - 3 bedrooms, 2 baths ■large LR w/mock fireplace anbalcony, gallery hall, formal DPnice kitchen, large back porefoutdoor intercom 55th near Lake$42,500. Low assessment. Call DoTillery 667 6666.BRETHARTE7 rooms, 2 baths for you, assigneparking for your car near 54th anHyde Park Blvd. All applianceincluded. $42,500. Call CharlottVikstrom 667-6666POWHATANOnly luxury Gold Coast living iHyde Park. Year around swimminpool, top-deck sunbathing, ballroorrImmediate availability. 8 rooms -baths. Dazzling views, woodburnin-marble fireplace, parquet floorscentral air cond. $84,000 Ca1Charlotte Vikstrom 667-6666BRIGHTSUNNYCONDOLarge rooms, modern kitche*w/breakfast area, four bedrooms2'/2 baths with laundry hook-upParking. Low assessment By appointment only. Call J. Edwar>LaVelle667 6666EAST HYDEPARK HI-RISEThis 3 bedroom, 2 bath condo witfmodern kitchen is especially lovelywith new wall-to-wall carpeting ancfresh paint. Spacious rooms. Asking$43,000 To see, call Nadine Alver667-6666 (res 752 5384).SUPER BACHELOR APT.This lovely one bedroom co-op apt isjust a block walk to the 1C and ashort ride to the Loop Super moderrkitchen, parking Reasonableassessment. Only $17,000 To see cal!Richard E Hild 667 6666 (res 7525384).SUPER CONDOLarge 2 BR with format diningroom. Good South shore locationLow assessment Call George Bilgerat 667 6666ELEGANTLIVINGOverlook Lake and Jackson Parkfrom this beautiful 3 bedrm , 3 bathcondo with woodburning fireplaceand indoor parking $23,750 Call 667-6666 MOVE-IN CONDITIONNew conversion on Hyde Park Blvd.7 rooms 2 baths. Large formal diingroom eat in kitchen with pantry.Lots and lots of storage Beautifullymaintained bldg $46,000 To see callEleanor Coe 667 6666APARTMENT BUILDINGSAND LAND FOR SALE50 APTSCHOICE LOCATIONFirst offering well-maintainedcentral Hyde Park apt. bldg 2bldgs , plus vacant lot suitable torparking Price is firm at $497,500See us for complete informationpackage1461 East 57th Street. Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667 6666 AnytimeI he Chicago Maroon — Friday, May 20,1977 — 19ADANCEmay 248:30 pmthe new£CD^ ?L^ ^bche<’Ch°reographerGWENDOLYN BROOKSandETHERIDGE KNIGHTFRIDAY MAY 27, 8PMThe Poetry Center at The Museumof Contemporary Art • 237 EasfOntario Street* $3.00 admission$2.50 for MCA MembersThis program is partially funded by a grant from the Illinois Arts Council