The University of Chicago Friday, May 13,1977Vol. 86. Nc 5 APritzker, law school differin restrictions placed on College dean search committeedown to six finalists for postoutside faculty consultingBy CAROL SWANSONIf consulting is a profitable andsometimes “secretive” venture inthe business school, it is just theopposite for faculty members inthe law and medical schools.“Opportunities are considerablyThis is the second in a three-partseries on consulting by facultymembers in the various divisionsof the University.reduced from the business schoollevel,” said Cedric Chernick,director of the office of sponsoredprograms. “You’ll find it, but itwill be a different kind of con¬sulting.”The “official” policies of themedical school ana the law schoolvary with different types of con¬sulting According to FrankEllsworth, assistant dean of the law-school, “The law faculty arediscouraged from having formalrelationships with law firms.”In the medical school, said CarolDe Mack, administrative assistantto the deputy dean for the clinicalsciences, professors are“strongly urged and advised not toenter into an aggreement with adrug company of their own.”Private consulting involves anindividual faculty member'scontracting to provide services and to receive compensation forthem from an outside agency. Thistype of consulting rarely occurs inthe medical school.Medical faculty restrictedMedical school faculty are fullysalaried University employees,and because the University ispaying for their time, explainedRobert Uretz, acting dean andacting vice-president of themedical center, all income fromoutside consulting or clinical ad¬vice comes to the university.A physician at another hospital,for example, cannot ask a medicalschool doctor to see a patient or tooffer advice unless the departmentof that doctor is legitimatelyreimbursed for that time.“Other than that,” continuedUretz, “Normal compensation foran academic expert, they areallowed to keep.”In the medical school, more sothan in the law school, thisarrangement is particularly-binding. “All of the faculty are oncalendar-year appointments,rather than academic-year ap¬pointment,” said Uretz. “Theydon’t have the time available formajor outside consulting — theydon’t have the time a nine monthfaculty member would.”Consulting to 3 By DAVID BLUMSix candidates, including onewoman and one person fromoutside the University community,remain under consideration by theCollege Dean Search Committee tosucceed Charles E. Oxnard thisJune. \Sources have confirmed theidentities of three of those on the“short list” arrived at by thesearch committee over the pasttwo weeks. They are:•Suzanne H Rudolph, chairmanof the political science depart¬ment;•Norman M. Bradburn, chair¬man of the behavioral sciencesdepartment, and•James M. Redfield, professor inthe Committee on Social Thought.Other names have beensuggested by sources close to thesearch committee as possiblefront-runners for the position,including Karl J. Weintraub. deanof the humanities division. LeonBotstein, president of BardCollege, and John R. Coleman,president of Haverford College.Committee chairman Warner AWick confirmed Wednesday thatthe committee had began in¬terviews w-ith the six finalists, butsaid that candidates had not beeninformed of their status.“It’s an ambiguous affair.” W’icksaid. “We invite them in to talk ingeneral terms about what theythink of the job.”Rudolph met with the committeeDespite forecastBonnie Raitt nearly sells outBy JAN RHODESWith the help of heavy off-campus advertising, the MajorActivities Board nearly sold-outthe two Bonnie Raitt sets Wed¬nesday night in Mandel Hall,averting the financial disasterpredicted Monday when just overhalf the tickets had been sold.MAB member Aaron Fillersaid yesterday that about 200tickets were not sold. About 120tickets were left for the 7pm showand about 80 were left at the 10pmshow.On Monday only 1,000 of the1,900 seats, the total for bothshows, had been purchased.About half were bought by un¬dergraduates who pay the MABfee and get a reduced ticketprice.Most of the 700 tickets soldsince Monday were not pur¬chased by students here, MABmember Scott King estimated.About 300 tickets were sold at thedoor Wednesday.At The end of last week, becauseof lagging ticket sales, membersof MAB decided to increase off-campus advertising. Because ofthe University's status as a tax-free non-profit organization.MAB cannot pay for advertisingin the city of ChicagoMAB took out a half-page ad inthe Northwestern University paper Monday, which is per¬missible.In order to reach more ofChicago’s potential audience, lastThursday MAB askedrepresentatives of Bonnie Raitt’srecord company, Warnerbrothers, if they would buy morethan the 18 radio spots originallyagreed on. The number wastripled to 54. Filler said ticket sales drewmore heavily from the off-campus audience than usual forMAB events. He estimates thatusually about half the tickets aresold to the MAB fee-payers,undergraduates, and anotherfifth are sold to other members ofthe “University community.”MAB to 3Rock musician Bonnie Raitt, along w th Chicago’s J B Hutto,played to a near-full Mandel hall Wectoes lay night Only heavy off-campus ticket sales helped the Major i ctivities Board avert thefinancial disaster that appeared likely asjate as Monday, when halfthe tickets had not been sold Suzanne Rudolph, chairman of the political science department “I’dheard that they were down from 25 or 30 to a smaller list. But theynever even discussed it with me. ”Wednesday, but was not told thatshe was one of the six top can¬didates.“I'd heard they were down from25 or 30 to a smaller list,” Rudolphsaid. “But they never evendiscussed it with me.”Rudolph, 46, said she was askedseveral questions about hergeneral feelings about the job.based upon her experience as aformer college administratorFrom 1973 to 1975 Rudolph wasmaster of the social sciencescollegiate division.Rudolph said she had “mixed feelings”- about whether she wouldaccept the position if it were of"fered“It would certainly affect thearrangement of my own life,”Rudolph said. “I’m really notsure.”Bradburn also confirmed that hehad met with the search com¬mittee, but said it was “not aboutme. but about the deanship as anex-administrator.” He hedgedsomewhat on the question ofwhether he would accept an offerbv the PresidentDean to 2Outside gifts to Universityrise by 8.5% in 1975-76By PETER COHNOutside donations to theUniversity rose by 8.5 percent in1975-76 to $27 million, makingChicago the school to receive thetenth largest amount of outsidevoluntarv support nationwide•Voluntary support of univer¬sities increased nationally bymore than 11 percent, with theUniversity’s increase indonations lagging behind thenational average most markedlyin gifts from non-alumni in¬dividuals. Giving in thiscategory, which totalled$5,849,074* fell by 16.7 percent atthe University, as compared to a10.3 percent increase nationallyBusiness corporations in¬creased their support the most,donating $3,379,868, a 38.3 percentincrease from 1974-75. Givingfrom alumni rose by 26.8 percentto $6,916,382. Funding fromreligious denominations went upbv 12 8 percent to $717,644Chauncy Harris, vice presidentfor academic resources and theUniversity’s chief fund raiser,said that 1975-76 “was marked bysome successes and somedisappointments.”According to Harris, theweakest giving category lastyear was support from “largeprivate donors ” Harris attributed the “Poorshowing” in the large donorcategory to the 1974 drop in thestock market “The big donorsdidn’t have the loose changearound or the incentive. ” Harrissaid.He cited the 38.3 percent in¬crease in business giving as ' thecategory that came in best" in1975-76, attributing the gain inlarge part to a special effortlaunched by the developmentoffice during the period to seekgifts from corporations. Harrissaid that giving from Chicagofirms “was particularlv good.”The Council for Financial Aidto Education, which released thenational fund raising figures May1, said in the report that the 1975-76 gain in voluntary support“marks the first time in over 10years that the increase ineducational giving has kept pacewith the increase in educationaloutlays.”InsideOpinion. p.4GCJ, p.5Sports, p. 17MAB from 1Members of this year’s MAB, as well asthe most of next year’s newly-elected board,were surprised that the Bonnie Raitt con¬cert did not draw more of the studentpopulation. They had expected the concertto appeal to students here.“We wanted to end with a flair,” saidMAB member Peter Mensch. “After thisshow we’re really completely at a loss aboutwhat this campus wants.”The seven members of next year’s MAB,Libby Morse, who was also a MAB memberthis year, Howard Niden, Jane Tuma, LisaStraus, Tony Martin, Tony Mayo, andBarbara Savage, are anxious to know whatstudents would like to see on campus.Four of the new members who spoke toThe Maroon said they intended to continueMAB’s current emphasis on popular musicevents in Mandel Hall.“Classical is pretty much saturated oncampus,” said Morse, “and so are speaker events.”Tuma said people have suggested to herthat MAB sponsor more parties.This year, MAB worked with a budget ofabout $25,000, gathered from the $4.00 perquarter fee. The money is spent to subsidizethe cost of the MAB events, so that ticketsales do not entirely finance the event,allowing ticket prices to be relatively lower.The Bonnie Raitt concert cost a total of$10,000. MAB members said if Mandel Hallhad been sold out, it would hove covered thecost. As it turned out. they estimated theylost about $600 per set.MAB members say it is difficult to find amusic event that appeals to everyone oncampus because musical tastes vary sowidely. Mensch estimated that the MABevent which got the best response from thecampus community was the Steve Good¬man concert.“I don’t know what you can do on thiscampus,” he added. “I don’t really thinkpeople are into music here.”CHURCH MUSICThree Lectures byTHOMAS WIKMANLiturgical Forms and Music to 1400Tuesday. May 17, Eight pmRenaissance and Reform 1300 to 1650Wednesday, May 25, Eight pmThe Modern Age I600 to the PresentWednesday, June 1, Eight pmThe Church pf St Paul and the Redeemer, 4945 S. OerchesterFree AdmissionAttention all studentsGraduating this JuneThe E. R. Moore Company willbe on campus May 19 and 20to accept orders for caps andgowns for the June graduation.Please contact them on the2nd floor of the bookstorebetween 8 a.m. and 4 p.m. onthose dates and place your order.2 — The Chicago Maroon — Friday, May 13,1977 Dean from 1“It’s a difficult job to do. I don’t think thatanyone would want to undertake it lightly,”Bradburnsaid.Redfield met with the search committeeseveral weeks ago at his own request.“I have a lot of ideas about the dean’sjob,” Redfield said, adding that he felt thesearch committee had to formulate itsviews on the reorganization of the College —currently under discussion in the CollegeCouncil — before making its selection.“The question is, do you want it to be anindependent division, with the power to hiresome faculty and so forth, as it is now, orshould it change?” Redfield said. He saidthe various positions on reorganization arecrucial to the dean selection process.Though he expressed some reluctance atthe possibility of giving up his otherresponsibilities, Redfield would not saywhether he would accept the job if it wereoffered.“It’s a terrible job, but very necessary,”Redfield said. “But I have quite a number ofthings going that I would like to continue.”John Coleman, president of HaverfordCollege, would not comment directly con¬cerning reports that he was under con¬sideration for the position. However, hisson, John Coleman Jr., a student in the lawschool, called The Maroon Wednesday nightto speak in his father’s behalf.“It’s just absurd,” Coleman said. “He’sgot commitments for the future, anyway.”He said his father had not been contacted inany way by the search committee. Colemanis leaving the presidency of HaverfordCollege this June. He is an alumnus of theUniversity.Leon Botstein, president of Bard Collegein Annandale-on-Hudson, New York, wasalso unavailable for comment on reportsthat he was under consideration to head theCollege. Botstein, an alumnus of theCollege, is considered an adherent to formerPresident Robert M. Hutchins’ theories ongeneral education.Claude ChabroliWIDDINC IN BIOCD7:15 9:30 Sun. May 15 Cobb Hall2CC MCTELScoming May 22 7:30 and 10:00admission 1.00Mandel Hallbug tfiiiti ggg ewuiivGGGtttGC’ UllUi. GEL tfllll GGGlie GGtGGGGt, LCBCGff EGG GGHLGCEGGiL ULELt ini'll BUG LGGGGGgBotstein recently instituted an “instantadmissions” procedure at Bard, wherebyapplicants to the College could receive adecision on their application within weeks oftheir submission.Dean Weintraub said yesterday that hehad met with the search committee“several weeks ago,” but not as a candidatefor the position.“I’ve always been interested in theCollege,” said* Weintraub. “I teach coursesin the College. But I already have a job.”Weintraub said he had “no idea” whether hewas a candidate for the position.Weintraub, 53, received his education atthe University of Chicago and joined thefaculty upon receiving his Ph D. in 1957. In1969 he was named the Thomas E. Don¬nelley Professor of History and becameDean of the Humanities division in 1973. Heis also chairman of the Committee on theHistory of Culture.Bradburn, 43, attended the College, butreceived his Master’s and Ph D. at HarvardUniversity in social psychology. Hereturned to the University as an assistantprofessor in 1960. From 1967 to 1971 Brad-burn headed the National Opinion ResearchCenter, and in 1971 was named Master of thesocial sciences collegiate division. Hebecame chairman of the behavioralsciences department in 1973.Interviews with College faculty this weekdisclosed a wide range of opinion con¬cerning the candidates currently underconsideration by the search committee.Much of the attention was centered onSuzanne Rudolph, a former college masterand the author of a 1974 report calling formajor changes in the College corecurriculum. One former Master referred toRudolph as an “excellent administrator andoutstanding choice.”One College Council member charged,however, that her candidacy was an at¬tempt to appease the Department of Health,Education and Welfare by choosing awoman. “There’s tremendous pressurefrom the administration to pick a woman forthe job,” he said.Consulting from 1Much done for NIHThis lack of time results in consultingdescribed by Uretz as casual, irregular,and on a modest scale.”“Rarely and occasionally” he continued,“an individual may be a consultant to adrug company.” In this case, the facultymember would be compensated directlyand there would be no corresponding cut insalary.“On th ^ average,” said Uretz, “con¬sulting do ;s not loom large in terms of theincome of individuals.”Werner Kirsten, chairman of thedepartment of pathology repeated this idea.“There is very little consulting that I knowof in private industry. I used to be one (aconsultant), but the contract was ter¬minated on my own initiative. The vastmajority of consulting is for the NationalInstitutes of Health (NIH). Individuals arefederally appointed for a full year. Five orsix faculty members serve on the advisorycommittees for the NIH.”Uretz explained that this work pays verylittle. “The NIH pays only $100 per day plusper diem expenses. The per diem expenserate is low enough so that most people endup paying part of the $100 on hotels andmeals. The amount of work that often has tobe done is overwhelming...many, manyevenings are spent at home reading ap¬plications...”However inconvenient and monetarilyunproductive this consulting may be, manyfaculty members suggest that it is per¬sonally beneficial and often in the publicinterest. “NIH supports academicprograms and research.” said Kirsten. “Wefeel compeled to reciprocate.”“It’s important for the individual toparticipate and be helpful whenever theycan,” said Uretz. ‘We do not in any waydiscourage participation in the activities offoundations, federal agencies andsocieties.”“The general understanding,” said Uretz,“Is that any major consulting outside wouldhave to be cleared with the administrationand dean’s office.”Law faculty activePrivate consulting by faculty members ofthe law school is not so restricted and mayIncludes Good Enough Sugar MamaRunLikeaThief/rmBJowin'Away ,BONNIE RA1TTSTREETLIGHTSliKlixk-v Ralmj IIjij Maa I <»o« PkniyWhai 1*»S«k.c«:h* Yom i* M»| Mind even be applauded. Public service con¬sulting, similar to that done by medicalschool faculty members for NIH, is par¬ticularly encouraged.According to Ellsworth,“It is imperativeand crucial for our faculty to involve itselfin that kind of professional activity. There,the demand for our faculty far exceeds ourability to participate — far exceeds. Ourfaculty without exception participates.”Philip Kurland, law school professor,does much of this consulting. “Most of mywork has been with the Senate, andpreparing statements for congressionalhearings,” he said.From 1967 to 1976, Kurland was keycouncil for the Senate Select Sub¬committee on the Seperation of Powers.During that time, he spent from 10 to 12days a year in Washington, but much morethan that here in preparation.Pay for this type of consulting varies.“Much of this is done pro bonum,” saidE: Is worth. For the public good, meaning nomoney. Some of it is paid for by thegovernment at government rates...Sometimes, it barely covers hotel costs.”On the more delicate and tougher assign¬ments, however, the pay can be “quite abit,” — the limit is unknown.Private professional consulting, where anindividual law school faculty member en¬ters into an agreement with a client toprovide legal council, is also accepted bythe law school, whereas in the medicalschool, private clinical consulting is notallowed. In some of the less stable areas oflaw, such as tax, “it is necessary andhelpful to be doing as well as thinking aboutthe changes,” said Ellsworth.While the pay may be greater than thatinvolved in public service consulting, fewerfaculty members are involved in privateclient consulting. ‘I would imagine that it isprobably no more than a quarter of ourfaculty,’’said Eilsworth. Usually, the ‘otherdemands of the teaching, the research andoutside interests” are of higher prioritythan professional consulting."Institutional consulting”Institutional consulting, when theUniversity as an institution is paid to con¬duct research and give advice, is moreprevalent in the medical and law schoolsthat it is in the business school. This con¬ sulting is not arranged or controlled by theindividual, and the individual is not paid forhis services. All money from the agenciesseeking consultation of this type is paiddirectly to the University itself. Accordingto De Mack, “University faculty are paidfull time for their University work.According to Ellsworth, ‘at least a dozenstudies are going on all the time.” Whilemost of these studies take one or oc¬casionally two years to complete, they cantake longer.”Faculty sometimes direct these studies,and at times, also serve as consultants.Sometimes they are paid, and sometimes,they are not. The studies are often topics ofconversation in hallways, at lunches and inlounges, and in a sense, when two or moreexperts are exchanging views on an issue,this is consultingResearch opportunities of this nature arewelcomed by the University “If there isanything that makes this law school distinctfrom other law schools,” said Ellsworth “Itis that this is a research oriented institution.We expect, hope and pray that all ourfaculty will research.”Grants give “flexibility”The funding for these projects and most ofthe research on campus comes from federalagencies, corporations and various foun¬dation, in the form of a contract or a grant.At the office of sponsored programs,Chemick records them both.A grant is not the same as a contract.“The difference, primarily, is that in agrant, you have more flexibility in what youare doing. In a contract, the work scope isspecified in some detail and you are heldaccountable for the work in the workscope.”The total number of grants is between 600and 700 at any given time, “that’s a dollarvalue of about $50 million,” said Chemick.including both contracts and grants. TheUniversity has more of the latter, and arough estimate of the ratio is 10 to 1. In boththe law school and the medical school,grants greatly out number contracts.“Most of the grants come from govern¬ment agencies,” continued Chemick “Theyrun the whole gamut of the University .”Much of the research done at the medicalschool is supported by the auditable federal grants. “Tens of millions of dollars inresearch grants and contracts are suppliedby the federal government,” said Uretz,and although research is not exactly thesame as consulting, there is an “interestingconnection” in that the expertise of facultymembers is used for other’s projects. “Weare extraordinarily engaged in that kind ofrelationship (researching) with* outsideagencies,” said Uretz.These outside agencies include very fewdrug companies. “There is very littleconsulting that I know of for private in¬dustry,” said Kirsten. “It’s a lot of work forvery little reward.”Drug companies are looking for profits aswell as for cures, and are more likely to usetheir own employees, rather than facultymembers, to produce both. “It takes a longtime before a company can make a lot ofmoney,” said Chemick. “The amount oftesting required by the Federal Drug Ad¬ministration can cost millions of dollars.”Drug companies may also be discouragedfrom using the resources of medical schoolfaculty members because of the Universitystatues and by-laws. “When researchprojects receive substantial aid throughgrants from industrial organizations,” theyread, “the University will furnish relevantresearch reports to the grantors and mayassign patents to them, by prior or sub¬sequent arrangement, but will retain therights to publication of results.”Because of competitive pressures, drugcompanies often want to keep theirresearch results quiet, but faculty membersare less patient. “Faculty don’t want tohave the work that they do hidden incompany secrets,” said Chemick. “Theywant to be able to publish. There is notalways a community of interest between acompany and a faculty member.”In this community of scholars, it appearsthat even the teachers are sometimes thetaught, and in the law school and themedical school, as in the business school,opportunities for learning and helping agood cause are found in research andconsulting. As Chemick said, “Consulting isfine as long as it is consistent with theobligations of the University. It might evenenhance the individual’s capabilities tofunction. This place is infinitely flexible —you just have to find the right button topush.”SPIN - IT RECORDSAll albums by Bonnie Raitt onWarner Bros, are on sale.s6.98 List price... s3.99 Sale price per L.P.This includes her new release “SweetForgiveness” as well as“Home Plate”“Streetlights”“Takin My Time”“Give It Up”“Bonnie Raitt”Sale runs May 6thru May 19Spin - It1444 E. 57th St.684-1505 BONNSweet FIncludes GarrLou IE RAIT1•orgivene;idlin'Man Runawcise Homeo 1 €ivA': : .-... awwwvwS rssayislllllliip 1 3Pk:; ■ Jsi 1Hear the magic of Bonnie Raittall year round.Store Hours:Monday-Saturday 10:30-8:00Sunday 12:00-6:00The Chicago Maroon — Friday, May 13,1977 — 3EditorialPolicy guidelines neededDiscussions in the graduate departmentsbetween students and faculty this year havebrought to the fore the issue of student par¬ticipation in departmental policy committees. Inthe anthropology, philosophy, and Americanhistory departments, students have pointed towhat they perceive as a lack of influence indecision making as a major obstacle to theresolution of the fundamental problems facinggraduate students.No one questions the fact that graduatestudents face many troubling problems. Thelimited resources of the University makefinancial aid hard to get, and the vagaries of theaward formula inevitably lead to bitterness onthe part of those whose aid is cut. The bleak jobmarket makes it particularly important for thedepartments to evaluate the content andstructure of their curricula, and yet, the in¬novative spirit that must lie behind a reworkingof the academic programs has not been evidenton campus. The list of critical issues is a longone.At the core of the criticisms lies the feelingthat no forums exist where students and facultycan meet to discuss the questions of commonconcern. Problems are not articulated, in¬formation is not dissemminated. and the long-range solutions to the problems are not for¬mulated with the direct inclusion of thestudents’s point of view.Several valid objections to full participation ofstudents in departments have been raised. Themost convincing argument maintains thatbecause the faculty committees consider sen¬sitive matters such as tenure and hiring, studentpresence on the boards would make theirdeliberations “unworkable.”Such arguments only serve to side track theissue — it would be very easy to work out anorganized system for student participation thatwould not include the student representatives at“sensitive” meetings.In each of the departments a different set ofproblems stand in the way of working out areasonable mechanism for a formal student roleon the committees. The specific problems willcontinue to stand in the way until a more generaset of guidelines are worked out.At present, there is no University-wide policyfor the departmental committees. While it isclearly the prerogative of the individualdepartments to work out the specifics for theirown groups, the absence of a broader policy hasstymied the process of developing a revisedcommittee mechanism and isolated thedepartments for each.It is of the utmost importance that a broadpolicy be worked out immediately. Withoutgeneral guidelines, the efforts to achieve moreresponsive departments programs will continueto move in the aimless and ineffectual directionthey have gone in all year.The Chicago MaroonFounded in 1902Editor: Peter CohnFeatures Editor: Jan RhodesSports Editor: David RieserPhoto Editor: Dan NewmanSenior Editors; David Blum,Dan WiseAssociate Editor Abbe FletmanProduction Manager Michael DelaneyGraphics Chris PersansBusiness Manager NikoMaksimyadisAd Manager: Doug MillerStaff:Tony Adler, Earl Andrews, N S Baer, Peter Blanton, Steve Brown, EllenClements, Stephen Cohodes, Skye Fackre, Mort Fox, Philip GrewJerome Marcus, Mary Lisa Meier, RW Rohde, Rusty Rosen, AdamScheffler, Carol Studenmund, Carol Swanson, Bob Wanerman4 — The Chicago Maroon — Friday, May 13 1977 OpinionGraduate problems,committee dilemmasBy CAROL HENDRICKSONIn recent months students fromseveral graduate departments havecalled to public attention a number ofwide-ranging problems. Among theseare concerns relating to financial aid.class size, evaluative procedures,course structure, and the less“tangible” problems involvingstudent-faculty relations. Theseproblems are not new. What is new-isthe scarcity of funds for students andthe lack of jobs for graduates. Theseare very definite causes of the presentstudent concern.In my own department of an¬thropology the private frustrationscommon among students were firstmade public at a large student-facultymeeting held on February 21. As aresult of that meeting a specialstudent-faculty committee was for¬med. This committee joins togetherseven student members elected fromthe various subdisciplines and classes(first, second, and third year) withfive faculty members chosen torepresent a wide range of depart¬mental interests. At this time thestudent-faculty group is striving todeal with a number of the problemareas.The issues which we are con¬sidering in the anthropology com¬mittee, though specific to ourdepartment, are similar to thosearising in other departments and in abroad sense are of concern to allgraduate departments on campus.The problems in general break downinto two groups: those a committeecan discuss and those which it cannot.In the former category are foundproblems which can be examinedquantitatively (eg., class size,number of people receiving grantmoney, number of people findingjobs) and handled legislatively (e.g.,changing course structure, switchingfrom oral to written exams,restructuring the advisory system).Even here many of the problems,though accessible to discussion, arebeyond the range of action of astudent-faculty committee or thedepartment. These seem to (a) formsome unalterable (or at least noteasily altered) foundation of thedepartment, (b) call for handling by adifferent facet of the Universitystructure (eg., the division or theombudsman), or (c) lie completelyoutside the range of Universityconcerns or control. For the an¬thropology department questions ofclass size, funding, and employmentare found within this category.These concerns are extremelyimportant nonetheless. If it is the casethat a department cannot or will nothandle these problems, then actionshould be taken to see that they aredealt with elsewhere on campus. Acase in point is funding information.The issues which weare considering in theanthropology com-m itte e, thoughspecific to ourdepartm ent, aresimilar to thosearising in otherdepartments and in abroad sense are ofconcern to allgraduate depart-m ents on cam pus. As it now stands there is the largeunorganized landslide of booklets andnotices amassed in the office of careercounseling and placement inReynolds Club. .Jammed within thattiny space is a lot of information.Chances are that none of it is helpful.A graduate student in a particulardepartment needs specific and easilyaccessible information on fundingagencies, new sources of money,changes in requirements, or changesof deadlines. This could be handledreasonably by someone at thedivisional level who is charged withthe responsibility of coordinatingincoming and outgoing informationfor a number of related departments.There have been cases where studentsreceive incorrect information in thewrong office and as a result miss outon funding opportunities With fun¬ding at a premium this is a regettablesituation but one which could beremedied. This problem howevercannot be solved by a departmentalcommittee.The small but complex corpus ofproblems which are open to bothdiscussion and subsequent committeeThere are severalreasons why it isnearly impossible tobroach the topic ofstudent facultyrelations. Such thingsas “ attitude s, ' ’“responsibilities, ”and “interactions”are difficult to probe.action are those which are receivingthe most serious attention in theanthropology student-facultymeetings. Over the past two monthswe have initiated proposals thatrework the basic first-year coursesequence, preliminary examinations,and the advisory committee system.Discussion has also begun regardingthe relationship between the largersocial-cultural segment of thedepartment and its smaller ar¬cheology and biological anthropologysubdivisions. One final area, that ofthe evaluative process, will bediscussed before the end of the term.I cannot say that the results of thiswork have been great so far.Proposals are passed along to generalfaculty meetings and then return tothe student-faculty group withsuggestions and changes. The facultyhave turned to the students as a wholeand asked for anonymous (andtherefore, hopefully, candid) com¬ments and complaints on certainphases of the problems under con¬sideration. While these show neitherconsensus among students nor a cleardirection of change, they do give thefaculty some idea of what their own“natives” are thinking.For these particular sorts ofproblems the student-faculty com¬mittee is a valuable organizationwithin the department. It not only hasthe power to see that necessarychanges are instituted, but it bringstogether as a cooperative work unitthe two most important factors in adepartment: its faculty and students.A certain amount of caution howevermust be observed by a committee ofthis sort. It is all too easy to simplyjuggle one requirement for anotherand easier yet to over-legislate, pilingrequirement upon already existingrequirement. All of this can be doneunder the guise of ‘doing somethingto make the problem better.” in somesuch cases no change would be the If it is the case that adepartment cannot orwill not handle theseproblems, then actionshould be taken to seethat they are dealtwith elsewhere oncampus.best solution.This brings us to the final set ofproblems outlined at the beginning ofthis article Here we find those con¬cerns which not only defy solution bydepartmental action but are par¬ticularly inaccessible to discussion bva student-faculty committee. Theseproblems are not quantifiable nor arethev susceptible to legislation. Yet incertain ways they are the motivatingfactor in calling to attention all of theother topics. In the broadest terms Iwould say that these center onstudent-faculty relations.There are several reasons why it isnearly impossible to broach the topicof student-faculty relations. Suchthings as “attitudes,” “respon¬sibilities,” and “interactions” aredifficult to probe Often you have totalk about individuals or particularsituations. Furthermore, the firstreaction to the relaying of a problemis often that it couldn't happen or, atleast. “It never happens with me.” Itis easier to revamp a course structurethan it is to suggest an attitudechange. Likewise, tripling officehours will not necessarily improve thequality of an educational interchangeIn the end this all-importantquestion of student-faculty relationswill defy positive solution By naturethe problem demands personalconsideration, yet awareness is aboutas much as a committee can hope tofoster.Hence for problems of the sortarising in the anthropology depart¬ment the student-faculty committee isequipped to effectively handle only aportion. Others will have to be setaside or passed on for action at higherlevels. Still others, those that defvIn the end this-a 11important question ofstudent-fa cultyrelations will defypositive solution. Bynature the problemdemands personalconsideration, yetawareness is about asmuch as a committeecan hope to foster.legislation of any sort, need to bemade known to students and facultyalike. In the end, however, the groupwill have to let these pass and hopethat they do in fact enter into theawareness and consideration of theperson or persons involved. Thisfostering of an awareness will beaided by the constant emphasis on theinteraction of faculty and studentswithin a department Likewise, it willbe encouraged by committee actionwhich shows an earnest concern forproblems related to the academiccareer of the graduate student.Carol Hendrickson is a second-yearstudent in the anthropology departmerit and a memtx'r of the depart-merit's st udent-Jaculty committeeJ12 Anniversary ConcertAACM: Still AliveBy the RumprollerThe Association for the Ad¬vancement of Creative Musicians(AACM) held its twelfth anniversaryconcert last Sunday in the Unitarianchurch at 57th and Woodlawn. Likemost yearly music school events themusic was varied and focused on thetalents of the younger, newer mem¬bers. But the AACM is not like mostmusic schools. It is the end product of adesire on the part of jazz musicians totake the well-being of their music out ofthe hands of the establishment. Overthe last 12 years the AACM has provedthat black musicians can be respon¬sible for their own promotion, and notonly keep the music intact but bring itto a new level of virtuosity and ex¬pression.The concert started with a largegroup composition written by EdWilkerson. The band for this piece andmost of the afternoon comprised WesCochran, Ed Wilkerson, JamesJohnson, Fred Anderson, WallaceMcMillan, and Doug Ewart on reeds;Vandy Harris on trumpet and reeds;John Jackson on trumpet; MartinAlexander on trombone; Steve Colsonon piano; Kahil El-Zabar on congoes;Don Moye on drums; and MalachiFavors on bass. Wilkerson's piecebegan with a slow incantation of atheme reminiscent of the later work ofJohn Coltrane. It then moved to asyncopated, up tempo section with solospace for almost all the reed men, andfinally returned to the original tempofor the conclusion. Wilkerson, whorelies almost solely on the tenorsaxophone, is one of the brightestyoung members of the association. Heleads an ensemble (playing soon at theN.A.M.E. gallery) that concentrates onthe works of the be-bop and hard boperas. He is a first-class student who isgenuinely interested in the musicians who came before him, and this concernis reflected in his music. He has apowerful, deep tone and his im¬provisations are original not so much inform as in content. At his best hepersonifies one of the main concerns ofthe AACM, which is to delve deeply intothe tradition of jazz, so that the musiccan be free to move in the stream ofhistory.The second piece was a duet for KahilEl-Zabar and Don Moye, first withKahil on wood flute and Moye onwooden horn and then with Moye onxylophone and Kahil on beaded gourd.Most listeners are aware of the greatskills of Moye, but the talents of KahilEl-Zabar have been less widelydiscussed. He is an original congodrum player with propulsive rhythmnearly equal to Moye's.The third piece was a tenorsaxophone quintet with Wes Cochran,Ed Wilkerson, Fred Anderson, DougEwart and Vandy Harris. It isremarkable that an organization whosefirst line is outstanding for its lack oftenor players could come up with somany in its second line. The piece had aloose, improvisational structure withthe musicians building off of eachother. Taking the position of leader,either by chance or by agreement, wasFred Anderson. Anderson, one of theseniors of the AACM, is said to havebeen playing the way he is now in thelate fifties. This would make him one ofthe earliest promoters of free jazz, andthere is no reason to doubt that he was.His solos, which on a good night can runup to half an hour, are effortlessstreams of ideas which build on eachother in a cohesive and highlylistenable form. The only man inChicago to match Anderson's for¬midable tone is Von Freeman.The last piece before intermissionwas a big band composition by SteveColson. It began with a small-instrument section so typical of AACM and Wellmusic. From there the piece moved toa big band arrangement built around asimple “do do wa da" theme. After apiano solo by Colson and a baritone saxsolo by Wallace McMillan the first halfot the concert drew to a close.The second half opened with abassoon duet for James Johnson andDoug Ewart. One of the traditions ofthe AACM is that they explore in¬struments not normally used in jazz,and the bassoon is one of those in¬struments. Johnson plays it as his maininstrument and Ewart uses it to sup¬plement his work on the saxes andflutes. Both are skilled players, andthis piece was a rare example of a wellutilized bassoon. The bassoon has a fewthings to speak in its favor. It has anunusually large range (three and one-half octaves) and a consistent tone overmost of that range. The notes areplaced close together on the windcolumn, musette or other third worldreed. The bassoon not only demandsgreat dexterity but also allows it, aswas evident in the performance ofEwart and Johnson.After the duet came what was formany the high point of the afternoon.Muhal Richard Abrams, father of theorganization and leader of the bigband, sat down at the piano for a solonumber. It is unfortunate that theseapperances are so infrequent. Muhal isusually heard with a group andalthough his playing is good, it is oftencloaked by the louder voices of thehorns and reeds. The solo was a goodopportunity to witness the full skills ofthis excellent piano player. He beganwith a lyrical statement of theme in thestyle of a romantic etude. He thenmoved into a frenzied developmentsection, beating congo drum rhythmson the keys. Like another master of themodern piano, Cecil Taylor, Muhal'stechniques are aimed at overcomingthe segmented white key-black keyconstruction of the piano, but heachieves this end in a very differentway. He establishes a steady drum rollon the piano and through the use of hispeddle forms the sound into swells andphrases. Under the impact of suchrapid fire the strings bend and twang ina way not normally associated with thepiano.After the solo Abrams was joined byMalachi Favors for an up-tempo duet.In the middle of the piece JosephJarmon walked out of the wings,dressed in his wildest finery, andproceeded to play a searing 10,000 voltsoprano sax solo. After his solo hewalked off the stage and hesitated toreturn for a bow after the piece.Perhaps he did not want to steal at¬tention from the younger musicians butthe audience was overjoyed and applauded until he finally took a bow.The third piece, written by WallaceMcMillan, began as a trio for him, DonMoye, and Malachi Favors. WallaceMcMillan is another young and as yetlittle known member of the AACM, butafter his work on Sunday, at least thepeople at the concert will be talkingabout him. Like the other members of Doug Ewartthe AACM, he is proficient on hischosen instruments (on Sunday fluteand baritone sax) and he is full ofideas. His improvisation is sparse, freeof extra notes and phrases. His solosare strings of ideas without the extramush many contemporary soloists findnecessary.In the middle of his piece, whichslowly mutated to a blues, the full bandwalked onto the stage to join him forthe finale. For those who had heard thebig band while it was still intact, it wasa deja vu. The horn players huddledtogether at one side of the stage,worked out a riff, and then added it tothe loose, free-blowing blues. On theother side Fred Anderson, EdWilkerson, and Doug Ewart builtsaxophone counterpoints on top of thehorns. The stage exploded in a hugepolyphonic blues, made up of riff on topof riff on top of riff. Fred Anderson wascalled on to solo, and for probably thefirst time in many years he playedwithin the changes. He built a shiningblues chorus in the Chicago tradition,complete with the growls and screamsthat have made this city's sax stylefamous.Bernard Mixon grabbed the mike fora space-blues vocal while the bandcontinued to build. At the end it was asif even the tempo of the blues could notsupport the energy; on a cue fromKahil El-Zabar they let loose in a sheetof noise, with horn men walking aroundthe church blowing for all they wereworth. The joy of the day poured out inan uncontrolled frenzy. Finally itsubsided, and after a moment ofsilence for departed AACM members,the concert ended.On an album I bought at the concert,Muhal Richard Abrams plays a pieceentitled “The New People" and on theback he dedicates it to George Lewis,Michael Danzy, Edward Wilkerson,James Johnson, Wes Cochran, andChico Freeman. The piece itself is fullof electric phrases and vibrance andlife. It would appear from the musicperformed Sunday that Abrams is notmistaken. The AACM has a newgeneration of musicians who are full oflife and music, and with musicians likethese the AACM should be in goodshape for a long time to come.The AACM has proved over the last 12 years that blackmusicians can be responsible for their own promotionand not only keep the music intact but bring it to a newlevel of virtuosity.Fred Anoerson, Kahi! El Zabar, Wallace McMillan, and Ed Wilkerson The Grey City Joumal-Friday, fTlay 13, 1977-1- - - 1TEE UNIVERSITY OF CHICAGODEPARTMENT OF MUSICand 'ROCKEFELLER MEMORIAL CHAPELpresentBAROQUE MUSIC FOR TRUMPET AND ORGANDON SMITHERStrumpet WILLIAM NEILorganTUESDAY • MAY 17. 1977 • 8:00 P.M.ROCKEFELLER MEMORIAL CHAPEL • 59th & WoodlawnAdmission is without ticket and without charge.Don Smithrr* will give a lecture-demonstration on Wind Instruments of the Baroque and Renaissance onMonday. May 16 at 1:30 P.M. in Lexington Studio. 5835 S. University Avenue.Flie public is invited to attend without charge.FOTA. -\anbyMay 1 7 Ida Noyes7:30 East LoungeFree AdmissionRefreshmentsSponsored by FOTA2-The Grey City Journal-Friday, (Hay 13, T BE LEFT OUT!OF THE LARGE U of C CONTINGENTWHICH WILL ASSEMBLE THIS SATURDAYTHE 14th, at 12:30 ON THE CORNEROF RANDOLPH & DEARBORN STREETSFOR THEMARCH AND RALLYIN SUPPORT OF THEEQUAL RIGHTS AMENDMENT(1 p.m. Civic Center - Saturday May 14)the E.R.A. needs Your supportif it is to be ratified by IllinoisTHE STATE SENATE WILL VOTE ON E.R.A. SOON.YOU CAN HELP BY: BRINGING SIGNS AND FRIENDS TO THE RALLYPROVIDING A CAR TO TAKE PEOPLE TO THE RALLYPASSING OUT LEAFLETS ON CAMPUSBUYING AND WEARING AN E.R.A. BUTTONANNOUNCING THE RALLY ON ALL POSSIBLE OCCASIONSfor more information or to help call 288-0327200 years is too long to wait, E.R.A. must winWomen’s UnionSKYDIVINGto jumpthe 'safety first' way■p <• "Csfff t mAt\S^helmets, boots, goggles,main and reserve parachutes)Jumping on Sat, *Sun, and holidaysNorthern Illinois Skydivers, Bigfoot Airfield - Walworth, Wise.(Near Lake Geneva)lone: Air Field 4M-275-9259 WeekendsLocal 312-843-0218 Mon. - Fri.***■ —*#*■■ 1r* ■*% V * * s* *.» -* r,.f s- - a * + * * * 'jt *Photo by Gwendolen CatesBonnie Raitt Comes AlivePhoto by Philip GrewBonnie Raitt played last Wednesday toa near sellout crowd at Mandel Hall.She sang her own special brand oftraditional blues and California lovesongs mixed with a bit of hervulnerable independence.Bonnie played a few songs from herfirst two albums, which are probablyher best. This change seemed good forher own show because she felt moreconfident about herself and her newmusic. She seemed happy (happierthan usual) to be on tour.Photo by Dan Newman0 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^GOLD CITY INN ******************#*****#*** given * * * *by the MaroonNew Hours: Open DailyFrom 11:30 a.m.to 9KK) p.m.A Gold Mine Of Good FoodStudent Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559 *******#***#**##*#*#* AWAliVWJERtfSALEA li L7J(n*«r Morp«r Court)Eat more for less.^(Tryour convenient take-out orders.)#************************** SATURDAY WAY 149-30 PM a*,udUrected b^ FrecA^enc. NILl SPEAK IN YIDDISHSHAM ON lIH IN DERYIDDIStHER IIURKIMrva^roct^^- D« K\cr\ard tSorXorvi5Ti5 /JOODl^^NAT !ViLLFI mondwm I Id8 00 PM.prof. IsraelHmtein ujiIIprovide arunningsynopfictranslation Tl^-FOTADmitry PapernoFirst American RecitalMandel HallSaturday, May 14,8:30 PMFreeWorks by Haydn, Schumann, Schubert, Chopin,and Rachmaninoff.“Like Horowitz, he gives only one concert in a cityand already numerous critics and friends of musicrate him among the best pianists in the world”NSN Yugoslavia“His is flawless technique with a clear distinct line.The happy combination of virtuousity and finemusical feeling makes a wonderful impression onthe listener.” Otetschestwen Front Bulgaria“Paperno showed himself to be a pianist with greatartistic feeling, whose playing is powerful, but at thesame time sensous and refined. He fulfills his naturaltalent through sparkling facility ”Drum Nov Rumania“Dmitry Paperno won the audience with all com¬ponents of his artistic mastery. His technique isphenomenal; he has an uncanny understanding of-style and performance” Borba Yugoslavia“Dmitry Paperno gave an impeccable performancewith the expression and feeling of a true virtuoso.”Glos Wielkopolski Polandin his many public performances of a very widerange of repertoire (from Bach to Shostakovich) hehas always impressed me with his refined musician-ship, excellent pianism, and artistry of a very highorder.” Vladimir Ashkenazymmm wmm - , - - - -4-The Crey City Journal-Friday, fllay 13 1977 fTlusicThe Classical GuitarBy Richard BrownCan great music be written for theclassical guitar?The question first occured to me lastquarter while writing a trio for horn, guitarand piano, and once again when I listened totwo new records: the Itzhak Perlman(violin)-John Williams (guitar) recording ofsome Paganini and Giuliani violin guitarduos (Columbia M34508), and NarcisoYepes' recording of the Tedesco and Villa-Lobos concertos for guitar. (DeutscheGrammophone 2530 718).Why are there no existing pieces writtenfor guitar, an instrument that has beenaround for centuries, that constitute greatmusic?Certainly there must be a reason for this,other than that it is just one of thoseirrational quirks of fate. Why, for instance,haven't such master composers asBeethoven, Schubert, or anyone of thebetter modern composers attempted towrite serious compositions for the in¬strument as a solo, when these composersseem to be so interested in incorporatingnew instruments into their music? Perhapsthe last question seems misdirected, but Iwonder why composers avoid the guitar as aserious instrument.When I refer to "great” music, I don'tmean music that is grateful for the guitar,or that is pleasant or good, and I am notincluding shorter works. There is room forconfusion on this issue, as the term "great"is used to apply to many aspects of music:the handling of harmony, of melody, ofrhythm, of color, of form, of orchestration,of instrumentation, and so on. For example,one might consider some of Chopin's worksto be great because of genius for harmony,but in most other aspects they leavesomething to be desired, and they certainlydon't come close to using all of the musicalelements at their best. "Great" pieces, as Iuse the term, form a special class of musicalworks that are near-perfect in every aspectin which they may be considered.Philosophical relativism is meaninglesswhen applied to music because, contrary tosome opinion, there are standards by whichyou may judge it. 'A friend suggested that the guitar'sproblem stems from the fact that no one hasdiscovered how to write for it, and that thecomposers who have attempted to tackle theproblem unfortunately have not been firstrate. The guitar is a difficult instrument towrite for even if you know how to play it, andit is a difficult instrument to play well.The guitar also suffers from itsassociations with popular music. After all,until Segovia established the integrity of theguitar for classical music in this century,the instrument had been used for centuriesmainly as a folk instrument. In one sense weare dealing with an audience's expectations,the psychological factors involved when anaudience is confronted with a seriouscomposition that employs a folk instrument.But also, since so many of the musicalgestures on the guitar nave become cliche,it makes it doubly hard for a serious composer to write for the instrument He alwayshas to keep in mind those things he mustavoid, and must be extremely original.In a way, the classical guitar is hopelesslymonotone and mellow. When compared toother instruments, it is obvious how shallowits dynamic range is. Also associated withthis problem is the fact that at its loudest theguitar tends to sound more tinny and Thinvoiced. There is no punch to the guitar'snote attacks, and attacked chords blur themusical outline. Given all of this, it is quiteclear that a piece of any length cannot besustained on this instrument.There are other complications. A goodway to fill out the guitar sound, and analmost necessary device, is to use any or allof the bottom three strings as pedal points.Unfortunately, this device has been overworked and usually sounds very trite. Amore serious problem is that the classicalguitar has very little sustain power Notesdecay very fast, and this makes it necessaryto continually pluck the strings to keep thesound going. This, in turn, limits the guitarto a special kind of music Thai can verv quickly become monotonous. The guitarcannot use legato effects or lyricism; thus,clarity of musical outline suffers.How do these factors manifest themselvesin past literature for the guitar?With the Paganini Giuliani violin guitarduo album, we start off with two of thelesser gifted Romantic composers, so it isno surprise that they both use the guitar asmainly an accompaniment to the violin. Noris it a surprise that they rely heavily on theinstrument's Spanish heritage, and use a lotof standard material. Both composers werebelow the task of writing great music, andthe homophonic texture throughout is.symptomatic of this. Itzhak Perlman fansmight not mind this too much, but admirersof John Williams will find little satisfactionin listening to the great guitarist pluck awayat chords in the background.The guitar does have a small melodic rolein Paganini's Sonata No. 6 in E Minor, Op. 3and his Sonata Concertata in A Major,where you will hear a rare passage in whichthe guitar manages to stick its neck out (nopun intended). However, at these points itbecomes painfully obvious that the instrument is no match ofr the violin — itsthin-voiced nature only becomes moreexaggerated. Even in Paganini's Centone diSonate, Op. 64, No. 1, which starts off withan energetic solo violin line, the guitar can'tsustain the energy even as an accompanist.We now must consider the concerto formfor guitar, which becomes ridiculous afterjust pitting it against a single violin. OnNarciso Yepes' recording of the popularTedesco Concerto for Guitar and Orchestrain D, Op. 99 (1939) and Villa Lobos Concertofor Guitar and Small Orchestra (1951), weagain find a terrifically gifted guitaristpretending to play on an instrument of tentimes the volume and capabilities of thefretted music box. The guitar concerto is amyth, not for those who are content withguitar salon music backed by an enfeebledorchestra, but for those who expect a pieceof any merit. The classical guitar is nomatch for an orchestra, albeit a chamberdimensions, and an orchestra solo guitarorchestra-solo guitar etc. alternationdoesn't i ■ lake for great music.Admittedly, Tedesco and Villa Lobos arenot first rate composers, and the overallsound of both concertos is of Spanishpopular music, so the inherent deficienciesof the form are even more apparent. First,the movements of both concertos arenecessarily short, and Villa-Lobos' directsegue between the second and thirdmovements of his Concerto fails because thelast half of the piece can't sustain its length.In addition, both concertos consist mainly ofsolo guitar music, occasionally with anaccompaniment by a few instrumentsplaying softly. "Concerto" is the wrongword for this type of music. Everything isout of balance, which on the larger scaleaffects the quality of the overall form ofthese pieces.I suggest also that, when in conjunctionwith lyrical instruments such as the stringsin the orchestra, the guitar's lack of lyricalqualities is stressed to its detriment .Perhaps a more percussive backgroundgroup is more desirable. The guitar patternsused in the Tedesco and Villa Lobos concertos are worth noting here, too — they areall either standard arpeggios, chordalpatterns or scale derivations (when singlenotes are played). Since complex melodiclines are hard to play on the guitar, theinstrument may have a strong pull towardthe standard side.A volume pedal might be the factor thatliberates the guitar with respect todynamics, even if the electric sound isdiffeent from the classical guitar Aquestion usually asked at this point is canthe electric guitar blend with acoustic in¬struments? This is as yet unresolved, but Ido feel, for instance, that the electric guitar,french horn and piano combination is quitenice.Even with all that has been said, theguitar iforms will be around forever,if not^ulf as a vehicle for the love sonq l^^^never conceive of a world without it,fcmfien again, I wouldn't warn toDipping into the PastBy Gregory MumfordThe Collegium Musicum of the Universityof Chicago, under the direction of ProfessorHoward Brown, maintained its usual highstandards of performance last Friday nightat a concert at the Oriental Institute'sBreasted Hall.By now a tradition at the University, theCollegium, comprised partly of students, isitself part of a larger tradition dating backto 17th century Germany when Collegiumsof amateur musicians were formed toperform serious music. But, where theCollegium Musicum of the University ofLeipzig (under the direction of J.S. Bach)Typficaiiy pertormed contemporary music,today's institutions concentrate on what istermed “early music," meaning musicwritten before the mid 18th century.Friday's concert was happily no exception.The first half of the program was devotedto the music of the great 14th centuryFrench composer Guillaume de Machaut,the second to the Elizabethan composerJohn Dowland and his contemporaries.One of the more enjoyable problems aboutplaying early music is that, because composers before c. 1600 usually didn't specifyinstrumentation, dynamics, or tempo, themodern performer has considerable leewaywhen he plays the music. Professor Brown,a specialist in early music performancepractice, is aware, however, that it is aleeway with limitations. The temptation tospice up early music with inappropriatelyflashy arrangements is not the approachBrown takes in his Collegium concerts.Obviously working under the belief thatmusic sounds best when performed withinan historically correct style, Machaut's halfof the program was devoted to 10 fairlyshort secular pieces mostly performed withsolo voices with instrumental ac¬companiment, sometimes with instrumentsalone. The two vocal soloists, tenor CharlesExploringthe HumanConditionBy Esther Joy SchwartzA rousing double bill opens tonight at theNew Theatre for the first of six per¬formances. With the hope of attractingenthusiastic crowds, University Theatresponsors an entertaining night of two oneact plays.Terence McNally's (The Ritz) farce onthe human condition, Bad Habits, kicks offthe evening in rip roaring and rollickingfashion. Under the deft hand of directorMichael Dorf, the production promises fastpaced and comic fun. A two time abbot ofthe University's own Blackfriars, actor anddirector of community theater in New York,and copywrited playwright, Dorf is nostranger to the theater. With flair formovement, timing, and eloquence, directorDorf encourages his eight member cast toact beyond the stereotypes which so oftenhinders high comedy. Set in two types of Rhodes and soprano Debra Lenssen werenot the strongest asset to the eveningsperformance, but it is the peculiar lookingand sounding instruments that are alwaysthe real stars of a concert like this.Employing such delightful oddities as adroning, buzzing tromba marina and adelicate medieval harp, the eight in¬strumentalists, including Professor Brown,performed the works carefully. They usedvarious instrumental combinationsthroughout, demonstrating the ability ofmost of the performers to play more thanone instrument well.The Dowland half of the concert consistedof works using an a-capella vocalquartet, led by assistant director Ericweimer, an ensemble of five viols with lute,and one work for two violins a harpsichordand double bass viol. The quartet, singingElizabethan madrigals suffered only froma lack of blend caused mainly by their in¬consistent pronunciation of vowels. The violconsort was exceptionally good, havingsolved the intonation problems that seem sooften to plague this type of ensemble. TheCooperario suite for two violins and con-tinuo provided a refreshing contrast to therest of the works in this half of the programbeing written in a lighter style which was,for its time, more modern.Despite the overall careful, preciseplaying of the evenings performance, theone thing that seemed consistently lackingwas that final polish that makes for a reallymemorable concert. It is, of course, not easymusic to animate, but that it is not im¬possible to do so, even within the bounds ofhistorical propriety, was demonstrated bythis same group in an exciting concert, alsoof Machaut's music, two or three years ago.On balance, however, the concert was verysatisfying, leaving the Collegium'sreputation for imaginative programmingand professional quality performancesintact.sanitariums, the play highlights the ver¬satility and comedic talents of the repertorycompany.Treatment of the human condition willalso be explored, yet in a more frighteningand absurd manner, in Harold Pinter's oneact television drama, The Lovers. MikeSinger, more familiar to the University asresident theater critic of The Grey CityJournal and assistant director of The CourtTheatre's 1976 Summer season, makes hissolo directorial debut with this play. Hisintent is to expose the ritualistic aspects ofPinter's play as well as the multitude oftheater games involved in a marriedcouple's life together. A vehicle for theelectrifying performances of PatrickBillingsley and Jodean Culbert Erwin,Pinter's character study is set in an urban,sophisticated household.This battling husband and wife team, intheir ever so British diction, provide theframework for a captivating, erotic andenjoyably intriguing production. DirectorSinger's approach to this household de-emphasizes the ominous tones, blank staresand pauses which characterize Pinter's(full-length) works, yet it guarantees apicture of the human condition shrouded in atwilight of mystery.Tickets for both productions can bepurchased at the Reynolds Club Box Office.Mr. Josef W. Wiejacz,Minister Counselor of the Polish Embassyin Washington, D.C.will present a lecture entitled:“EAST - WEST RELATIONS -A POLISH PERSPECTIVE”May 14, 4:00 P.M.Harper Hall, room 1311116 E. 59th St. YOWZA YOWZA YOWZAFOTA Noontime SeriesMay 16 - 20noon to 1 p.m.May 16 Animal Imitation ContestIf you can imitate any animal, real or imaginary, cometo Hutch Court on Monday (Reynolds Club if it’scold) and enter this first annual contest. Nifty prizes.See special poster for details. **********************+******+****************tMay 17 Chalk-in and Fingerpainting:J *I If the weather’s nice, you’ll have a chance to drawJchalk designs all over Hutch Court. In addition, well*have finger paints and paper available, so come and*vent your neuroses.: May 18 Chicago Children’s Choir** One of the nation's finest choral groups will present* a free concert in Hutch Court on Wednesday.*******{May 19 Do-It-Yourself Circus*J The folks at Student Activities have planned a circus* with all the trimmings. In Hutch Court.****; May 20 To Be Announced************ If it rains on Thursday, the circus will be scheduledfor Friday. Otherwise, well think of something. Andget ready for quiz week, starting May 23.Fun And Strange Things To See And DoComing Soon - Quiz Week! ***********+***************************♦♦*****♦The Grey City Journal-Ffiday, may 13, 1977-5rLeon Edel spoke to the Library Society Tuesdayabout the "Two Libraries of Henry James." Themorning before his lecture I met with Edel in his roomat the Quad Club. Edel is a friendly man, tanned fromliving in Honolulu where he teaches at the University ofHawaii.Edel is known primarily as a literary biographer, butwas a journalist before writing his heralded fivevolume work on Henry James. The books have beendeclared the definitive works on James, and also one ofthe great biographies of the century. Edel has writtenThe Psychological Novel, 1900-1950 (Lippincott, 1955)and Literary Biography (Doubleday, 1959). He is alifelong student of psychology in literature, and this ishis method of biography and criticism. Edel ispresently working on a book about the Bloomsburygroup.Grey City Journal: You were originally a journalist,and then turned to scholarship in your forties?Edel: Yes, but I began as an academician. I put myselfthrough college working on newspapers, and so Iacquired those skills early. I then took a doctorate atthe Sorbonne, but I came back to the depression. Therewere no jobs at Universities, but there were atnewspapers, so I did newspaper work instead of goingon and writing. Once you get caught up in one field it'shard to switch. Once your on one horse it's hard toswap horses. So I was a journalist for 18 years.GCJ: How did you decide to go back to scholarship?Edel: I was in World War II, that gave me a chance tosort of pull myself together. When I came out of thearmy I got one of my books published, and then Imoved into academic life. I didn't have to move in atthe foot of the ladder though, because I had alreadypublished, so I was able to move in near the top.When I did move back in I was already a kind ofmaverick among professors because I had been out inthe world. I've always been a maverick amongprofessors. They don't quite approve of me. I don'tquite approve of them too.GCJ: As from James's Aspern Papers, did you feel likea "publishing scoundrel" as a journalist?Edel: As a journalist, sometimes I did. I didn't feel likepublishing scoundrel with connection to HenryJames, but as a journalist, occasionally l did. I felt thatwas invading privacy a great deal of the time. I wasgoing into houses where there was personal grief anddisaster, and I just went about asking questions. Inever liked it either.GCJ: But you never felt that way with James?Edel: Well, no, because when you're dealing with thepast it's history. My attitude in biography, and Iconsider myself a biographer is — I am more abiographer than a critic, though I have to be a critic tobe a biographer — you don't have to have every lastdetail in order to know your subject. That's one of thegreat mistakes that critics make when they writebiographies.One of the interesting things about critics is that theydon't understand biography. Nobody understandsbiography. They don't teach it. It's taken for granted.People read a biography as if that was the way the lifehappened - well it didn't. It's what the biographermade of the life. GCJ: What led you to literary biography as a form?Edel: That was my original interest; that's where Iwas headed when the depression came. I guess myinterest came as part of the twenties. In the twentiesthere was a whole revival of biographical writing, andreally a rennovation by people like Lytton Strachey.We were reading biographies, and I found myself fromthe first interested in personality and character ingreat lives and how they come to be. So I started quiteearly.GCJ: I see how you came to scholarship and literarybioaraohv, but how did you settle on Henry James?Edel: Well, Henry James is just part of my interest inthe modern psychological novel. I came to James viaJames Joyce, as a student when I read "Ulysses." Atthat time we were all curious about "Ulysses" becauseit was a banned book and it had to be smuggled out ofParis. I got a copy and it fired my imagination aboutgetting inside a person stream of consciousness andall that. And later I began to work on my book about themodern psychological novel, which was that wholemovement. It included Joyce, and Proust in France.Joyce was the culmination of a kind of inward turningthat had begun with the romantics. I was interested inthat, and talking to one of my professors, he said oneday that the person to turn back to see the root of allthis was Henry James. And I said, "Who's he?"But I went to the library and started to read James,and I realized that my professor was of course right.James was then only 16 years dead and quite oftenright after a great writer dies there is a great sag in hisreputation, and then a revival starts up. So, at thattime, when I asked who James was, I was not alone inmy ignorance.You see, it wasn't until the forties, during the war, atthe hundredth anniversary of his birth, that interestgrew again. I got involved in that biography, and Ithought I'd get it done in two or three years, but thenthe letters started coming - thousands of them came inafter the first volumn was published. I collected anenormous amount of material.GCJ: James must have been an extremely difficultsubject.Edel: He's one of the most complicated subjects youcould have. I didn't intend to write five volumns,though. I wrote "The Young Henry James" and gave itto my publisher to put in a vault until I had finished thenext volumn. I had a contract by that time. Thepublisher read it and said, "Well, this is a book, we'llpublish it." And I said, "Where will I go after that,"and he said, "You'll write another volumn." Well, ofcourse, it grew to five volumns.It came out serialized, because really, if I had itwritten together, it would have been in two volumns.But, five volumns is great, becuse it meant that everytime a new one came out there were new discussionsand criticism. My one great fear was that my lastvolumn would be a let down. But it turned out to be thebest, I think.GCJ: Have your feelings about the uses of psychologyfor biography changed?Edel: I believe in it - I feel that psychology can be usednot only in biography, but in criticism. James Miller(University of Chicago English professor who justfinished a work on T. S. Eliot) just discovered that,■ "Colleges just don't want to considerbiography an art form, or questionhow it should be approached. Whatstandards does one go by? What arethe differences between one kind ofbiography and another. There are,of course, biographies like the 'Lifeof the Boston Strangler,' but that's aform of journalism. But thebiographies that really try to get atthe forms of greatness, the forms ofachievement, the character andpersonality of creative people in anyfield — that kind of biography isfascinating to read and can becomea part of psychological study.""Think about the people who have towrite a biography of Nixon. I dont'envy them. Yet, there againsomeone will come along who willcut through all the words, tapes, thebooks, to carve out the main. character of Nixon. And that will bethe best biography of all." while he's been a critic all the time, he couldn't writethe book without tackling a biographical problem. Hefound that Eliot's poetry contained a great deal ofbiography that had not been looked at before.GCJ: In your book on literary biography (1956) youdescribe three kinds of literary biography, one thatcronicles, one that paints a portrait, and a third that isa constructive biography, a work of art, that you do. Doyou still maintain those categories, or has the fieldexpanded?Edel: I still maintain those three categories, thoughyou could refine and subdivide them. The portrait isthe kind of biography you write that is not necessar¬ily based on new documents - you can take otherbiographies and use them. If I wanted to, I could takeBlottner's two indigestable volumns on Faulkner, and Icould digest them and do a portrait of Faulkner withoutdoing any further research That's a question of thestyle and the method. You're just trying to do a portraitthe way a painter would do it.But, I could take those materials, and others as well,#and ask other questions to construct it as a work of art.I would say to myself: this person's life, whatproportions did it have, where does my documentationlead me? Then you shape it, because you can tell a lifein a hundred different ways.,People don't realize theartistic side of finding the right form for a life, becausea life is cluttered. It's just a date book; it's day afterday after day, and nobody wants just a date book. Thereader wants something that's a whole.GCJ: So in the process of weeding through all thematerial, how do you know what's important?Edel: Ah, it took me years to get the answer to that. Atfirst I floundered, but as more and more I got intopsychology I realized that once you've established inyour own mind, after you've read the material, whatthat person's way of seeing the world is, your task iseasier. It's most important to read the works - evenwith a poet, after you've read one or two of his books,you have a sense of who he is, of his personality, of hisway of seeing the world, his way of translatingmaterial experience into images and symbolicstatements. That's one guide; the other guide is to findout by what myth that person lived. We all live by amyth, though we don't know it, or don't admit it. We allhave some concept of ourselves in this world, and whenyou can uncover that you've got something.That's most obvious in the example of Hemingway,where the biographer can ask himself, why did thisman have to go on again and again proving himself.Why did he go on always killing more animals, ciimbing the biggest mountain, or catching the biggest fish.When you ask yourself that question, then you've reallygot the core of your biography.That's really what a biography of Hemingway is,because you can write about one hunt, and that's reallyall the hunts. You don't have to tell each hunt overagain the way many biographers do. You can writeabout one subjects drunken binge. You don't have towrite about all the binops. when all vou need is anarchetypal binge. But the question is, why is he 4alcoholic. Why, having success, winning prizes, havingthe accolades of the world, why did he Decome analcoholic. I'm thinking, for example, of Sinclair Lewis,but he's not the only one. We've got plenty of them.GCJ: What would you say Henry James's myth was?Edel: Henry James's myth, I believe, was a desire forpower, a myth of the idea of glory, the idea that hehimself was a kind of Napoleon of letters. He may nothave consciously admitted this, but that's where it led.He was always reading about Napoleon; he wasfascinated by Napoleon.It was not just Napoleon, it was the idea of the individual who acts knowing that he could always find asolution. And that was James. GCJ: That seems ironic, givenof the novels.Edel: He did describe some cact. His men are rather passivehandle women. That was Jamdisabilities with women. In oiwould be more openly homose>of that was sublimated. He didworld, which was a man's wcbelong to clubs and so on, whhome. But James never marriehis life. He stayed aloof frordowager, the older woman.The interesting rhing is that hwomen. It is no accident thatfeminists - not even a woman h<cahed "Portrait of a Lady," buiwoman has ever quarelled withGCJ: What if James were tobiography, what would his apprEdel: James discussed biogrtoward it was very clear. He felto near the approaches, in othefoolish enough to leave lettersexpect a biographer to look foris to burn those letters, whichsome of them. His first belief vgame. If he's clever and burrqives the biographer a real j<biographer to find the writer, iinvulnerable granite o* his wor)James own essay on Shakesp*of delight, because you caShakespeare, but what fun i'Shakespeare who wrote the pl<been for the art form type of bian art form is the only way itnothing wrong with a compendit's just that it's dull, and onpeople.GCJ: How do you as a biograptmind of the writer, yet manageEdel: The problem is what theparticipant observer. It's reallthat I'm me, that I'm not Henrpens now I'm writing a book ornot Leonard Woolf or VirgiStrachey, or any of those peofwith a cold eye at all the mthey're saying, what their letpeople said about the, what 1collect all those materials as if tthen you follow the historical iSome of it is hearsay, some of itto be careful. You've got to Idiaries and realize that it's thewhen you've looked at all of it, s<an old hand like me it emerge:look and I can say to myself wiand proper humility — beepositively say something aboi.something is important, that sonBut, you've got a lot of writtyou, that's got a message. Ancwhich are the most eloquent olact, and each novel has been thewhole concept of life that come:writer. That's already the ncevidence. In that way literary ton much more solid ground thanor political biography, wherereally wrote a speech. The poepoet, and the novelist was wrThat's his picture of the world6-Th* Grey City Journal-Frlday, ID ay 13, 1977iven his characters in someie characters who couldn'tssive and don't know how toJames's other problem, hisin our time I think Jameslosexual, but of course a lotdid belong to the Victorians world. All the Victorianswhile the women were atirried, he was a bachelor allfrom women, except thelat he always had his eye onhat he was one of our firstin had dared to write a book' but James wrote it, and nowith that book.e to have written literaryapproach have been?iography, and his attitudee felt it was up to the writerother words, if the writer istiers lying around, he canfor them so the writers job\ich was what James did toief was that a writer is fairburns these papers,then hea! job. It is then up to theer, in his own word, in "thework.'' •cespeare is in itself an essaycan't get the facts onjn it is to try to see thee plays. James would haveof biography. Biography asly it justified itself. There'spendium kind of biography,j only of interest to a fewirapher put yourself into thelage to remain objective?the psychoanalysts call thereally very simple: I knowHenry James, or, as it hapok on Bloomsbury, that I'm/irginia Woolf, or Lyttonpeople. So, I can still lookie materials and see whatr letters are saying, whathat their diaries are. Youis if they were evidence, andical rules. Lawyers do too.of it is gossip, so you've gotto look at other people'ss their observations. Then,F it, something emerges. Forerges very fast; I take oneIf with reasonable surenessbecause you can neverabout someone else- thatt something is cohesive,written data that speaks,toAnd, you've got the acts,nt of all. Each novel is ann thought up and contains aDmes out of the mind of thee nost powerful piece ofsry biography often standsthan, for example, militarylere you don't know whopoem was written by thewritten by the novelist,lid So, the literary biographer is on the outside. He's alawyer examining the evidence coldly. But you're not ajudge; ultimately you are a critic, but you must not sitin judgement of the writer, only of the material. In theend, it is when you write it that you become the literarybiographer. That's the moment, if you really have thefeeling of the subject, if you've gotten inside the sub¬ject, and gotten away from the intellectual process. Atthe moment of writing I become the person I amwriting about. That is, then I am participant and ob¬server at the same time.When I write about James in London walking incertain streets, I know the streets, I've been there, Ifeel that I'm there with him. I live through these ex¬periences, but at the same time I'm doing the cold actof writing about them, and I'm on the outside of it.Then, when I'm finished writing I reread it and checkmyself very closely.GCJ: Then is your writing very influenced bywhomever you're writing about?Edel: Nabokov has accused biographers of that. Hesays that biographies are psychological plagarism.GCJ: Your James books have a very Jamesian toneand sense, like the chapter headings.Edel: Well, I take the chapter headings from himbecause it creates the atmosphere of his mind. In theBloomsbury book I'm not doing that. In the James, Ifeel it captures the Jamesian flavor to take theheadinqs from his own mind, and to use the quotationsfrom his letters. One great problem that I think Iavoided was that many biographers take these wellwritten quotations and surround them with very badwriting. I think I avoided this because I was forced byJames's beautiful words to give them a decent setting.I worked very hard at that.As for borrowing his style, I see it as a kind ofworking in mosaic. Often when you approach a subjectyou want to stylistically stay very close to the at¬mosphere your subject has provided. So, to that extentyou are using the given mateial, and that is the difference between the biographer and the novelist. As Isay in my book on biography, the real challenge tobiography is for the biographer to be as imaginative ashe pleases in telling his story, to use all the resources ofthe art of story telling, but not to imagine his facts.That's the essence of the matter.GCJ: Is there always the danger of imagining yourfacts?Edel : Oh yes. Lytton Strachey in fact boasted about it.He was once asked how he knew that Queen Elizabethwore a certain ring or pendant all the time, and he said,"Why, I put it there." He let his fancy run, which iswhat's wrong with Strachey. He quite often suppliedthoughts to his works, but he wasn't writing fiction. Heis a wonderful teacher, though l wouldn't recommendhim as a model. What he teaches modern biography-and this may sound strange coming from a man whohas written five volumns—is how to be brief, how tosummarize, how to get out the heart of the matter.With Queen Victoria, he just cut through the massesof material and the long, crowded life to get the centralstory of her life. He carved out her story.Think about the people who have to write abiography of Nixon. Oh, I don't envy them. Yet, thereagain someone will come along who will cut through allthe words, the tapes, the books, to carve out the maincharacter of Nixon. And that will be the best biographyof all, I think.GCJ: When you write a literary biography, does yourpoint of view change throughout?Edel: Yes; that was one of the great problems I had toface. When they asked me if they could publish the firstvolume alone, I wondered what if I should change mymind about certain things or find new materials. So thepublisher suaoested I take it home to look at it and if I felt that I had gotten at the young Henry James, that itwas up to me to decide whether to publish.Well, I wanted to get it published then, so I took ithome and took a very hard look at it and said, "Are yousure that's the young Henry James, are you sure that'sthe way he really is," and l wasn't sure I wanted tostand or fall by that. I then proceeded to write two orthree new chapters in order to give it a completeness.And I think that those two or three chapters are amongthe best in the first volume. That's because I suddenlyhad to decide what the young Henry James reallyadded up to, and I had to tighten it and heighten thepicture.I'm pleased to say that I had to change very littlelater. The things I included fit-in well. They were hisego development, if you want to be technical, hisdevelopment as a person and an identity, because,after all, the young Henry James is quite differentfrom the old. Yet, the young Henry James foreshadowsthe old, and this should be true of every person,because as psychology tells us, the essential lines ofcharacter are formed early.GCJ: When you write, do you see yourself, then, as theomniscient narrator, or do you define your work as youwrite it and change points of view.Edel: You're omniscient to the extent that you thinkyou know everything that is available when you write.You've read everything, all the letters andmanuscripts. At the same time, it's a kind of wobblyomniscience because you know other letters maycome better details may come. In time, the fabricbecomes richer the more you collect. It's hard to feelomniscient because you must always remember thatyou're dealing with documents fortuitously preserved.It isn't as if everything has been preserved, and what'sdestroyed is destroyed. With James, of course, heburned so much, I had to work with hin through otherpeople's diaries and the family papers from his brotherWilliam. But no matter how much you burn there's alot you can't destroy.GCJ: What do you think James has to tell us now?Edel: Oh, he may seem old fashioned to us now, but Ithink he's our greatest artist. He took the novel, whichwas a loose story telling form and still is for mostnovelists, and made it into a work of art and a work ofpsychology. And his psychology is accurate. He's oneof these people, the.Germans have a word for it,AAenschenkenner, a knower of people. James un¬derstood very early in his life the things Freuddiagrammed for us. He could describe and understandpeople. He could see right through people's euphoriaand read the depression. James understood themasks, and he was a Dre Freudian. Of course, thegreat artists have always seen through human masks,as Freud did, only Freud found a method of it andfound a way of helping people see themselves throughtheir masks.James is a formidable figure, and he'll always bevery special. But he's too complex in his way of sayingthings to be of help to an America today that is simplifying language, that isn't reading, and so on But hisgift of utterance belongs to the very greatest. His wayof saying things is in the great, great tradition of AngloAmerican writers. There are phrases and sentenceswhich are unmatched. There are many delicacies of"One guide to biography is to findout by what myth that person lived.We all live by a myth, though wedon't know it, or don't admit it. Weall have some concept of ourselvesin the world, and when you uncoverthat you've got something. The mostobvious example of that isHemingway, where the biographercan ask himself, why did this manhave to go on again and againproving himself, always killingmore animals, climbing the biggestmountain, catching the biggestfish."The myth that Henry James livedby, I believe, was a desire for power,a myth of the idea of glory, that hehimself as a kind of Napoleon ofletters. He was fascinated by theidea of the individual who actsknowing that he could always find asolution. Ironically, he did describesome characters who couldn't act.His men are rather passive anddon't know how to handle women.That was James's other problem,his disabilities with women. In ourtime I think James would be moreopenly homosexual." expression in James, marvelous pictures of oucivilization.He's one of America's profundest authors. We'v*tended to have either raptured and prophetic artistslike Whitman, who is wonderful, but tends to represena certain kind of simplicity. Or we have, oppositely, thfhighly civilized man, like James, who I see as a continuation of the whole Enlightenment spirit that cam.to America with Jefferson and the early foundin.fathers. James was the artist of that side, and that'how I've always seen it. In that way James remains aperminent to America as Jefferson and that traditionIn the way that they were busy explaining thfRevolution and America to the world, so James waibusy explaining and placing the American in the worldThat's what his stories are about; Americans going ouinto the world.GCJ: As a former journalist and now a writer obiographies, do you feel there can be an objectivfstory?Edel: That's our goal. You work toward that. You carnever tell how obiective you've oeen, you may naveoverlooked something. That's true of writing a newsstory too. All of us look more attentively at certairthings and less attentively at others for reasons withirour own psychological make up. But, it's what yotstrike for, to try to see your subject in the round, and irdoing so to see your subject not as superhuman, but asa fallable human being. That's one of the greamistakes of so many biographies that are full of admiration and worship. We try to see our subject as chuman being who happens to have attained a certairpersonality or vision, that makes him the subject o*biography.GCJ: What do you think you've added to literarybiography. Has it been a psychological approach?Edel: Well, I don't think I've added the psychologicaapproach excepT to extena it. My contribution tcbiography, I think, is that I've demonstrated that youcan take a vast life, like James's, which was not arexciting life, and find a form, thereby pointing the wayto other biographrs to try to find an exact form. Myform has been eposidic, not chronological. You can'ttell everything, so what you want to do is stringtogether a series of episodes, of scenes, to end up with astring of beads that have a unity. That's what I think Idid with the James biography — found a string ofthemes out of his life By being very careful how Istrung the themes together and by paying special attention to rhythm and pace and the right sequences,the reader can feel that he's gotten into his life, whenall they've really seen are a series of glimpses,episodes, and certain moments. I let the rest fall by theway, or else l would have been absolutely smotheredby the stuff.Once you find the theme, it's like an architecturalstructure you have to stay with it — that is the modeand the style. Later, of course, I learned to refinethings so I could handle a crowded life with a lot ofthings going on. The way I learned to handle that wasto have the main theme going and then to have chap¬ters that are flashbacks I did this in the openingchapters inthe fourth and fifth volumes of the Jamesbiography. It puts everything in its place, ana createsan overall structure, like a story.The Grey City Journal-Friday, (hay 13, 1977-7This Week in the ArtsPalermo to PlayThe University of Chicago Festival of theArts will sponsor the first American recitalby pianist Dmitry Paperno. The programwill include works by Haydn, Schumann,Schubert, Chopin, and Rachmanionoff. Therecital, which is free, will begiven onSaturday, May 14, at 8:30 pm in MandelHall.Following his graduation from theTschaikovsky Moscow State Conservatoryof Music in 1955, Paperno won the FifthInternational Chopin Competition in War¬saw (1955) and the First InternationalEnescu Competition in Bucharest (1958).After numerous concert appearancesthroughout Europe, Paperno was appointedto the faculty of the Gnesin Moscow StateInstitute. The Artist now resides in Chicago.For further information on this, or anyother FOTA event, call 753-3591. Bond Chapel ConcertAn evening of 17th and 18th centuryEnglish music for trumpet, cornetto andorgan will be given tonight at 8:30 p.m. inBond Chapel by Jon Sumida and ThomasWeisflog.Jon Sumida is a Ph.D. Candidate in thedepartment of history and principaltrumpet in the University Symphony Or¬chestra. He is a student of Arnold Jacobs. Thomas Weisflog is a Ph.D. candidate in thedepartment of chemistry and a student ofEdward Mondello.Their program includes works by Purcell,Stanley, Greene, Bennet, Byrd, Hingeston,Camidge, Handel and Mouret, and is thesecond in a series of four Bond Chapelconcerts sponsored by FOTA. All are free. Ideas in SculptureFor those of you whose cunousity hasbeen aroused by the white box-like sculpturein the southwest quad, there's more to beseen inside the Renaissance Society, on thefirst floor of Goodspeed Hall. Their show,entitled "Ideas in Sculpture," (1965-1977)will run through June 11th, and is supportedby a grant from the Illinois Arts Council.There are works by 15 artists, all differentand all interesting. There is even a work byCleaes Oldenberg. Anne Rorimer of the ArtInstitute has written about the show:"Our concept of what sculpture looks like,expresses or represents has been broadenedto encompass new materials and new formsnot thought of 15 years ago. This changedaspect of sculpture has been brought aboutby artists who are well known in the historyof recent American art, and the extent towhich ideas about sculpture have involvedcan be considered in reference to thespecific works on view here."The Renaissance Gallery is open MondaySaturday 11am to 4pm.RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanrcal ServiceTune-Ups * Electrical * Srake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg —Downstairs)Monday-Saturday, 9am-9pmCALL684-5166 With This Ad OnlyNEW FILE CABINET SALE2 drawers $354 drawers $45"cash and carry"EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4-2111—1SALE Morton - Murphy AwardRecipientsWinter Quarter ’77OF HAND-MADEj: ' IMPORTS | NeilAlers;! FROM ;AG HAN ISTAN. CENTRAL IAND SOUTH AMERICA Vadiis CothranJEWELRY. LEATHER GOODS. Franklin Lee; WOOLEN AND COTTON! CLOTHING Aaron FillerAT WHOLESALE PRICES Gail Hankiins; TUES., WED.. ANDTHURS. ! Michael Hoff; 16-18 ;! FROM 9-5 ; Laura Silvieus; IN IDA NOYES HALL Application Deadline for Spring ;Quarter Awards !Sponsored by: Science Fiction Club May 20th !; ,,r Wt. aBRENT HOUSEEcumenical Ministry Center5540 S. WoodlawnSunday May 15pC 5:15 Vespers5:45 Social Hour6:15 Picnic Supper ($1.25)7:15 Discussion on ContemporarySex Attitudes/ what Happens when the'N\most beautiful girl in the worldmarries the handsomest prince—and he turns out to be an sob?WILLIAM GOLDMAN SA HOT FAIRY TALE"His swashbuckling fable isnutball funny.. a classic'medieval melodrama that soundslike all the Saturday serials youever saw feverishly reworked bythe Marx Brothers.' —Newsweek5 1.95 wherever paperbacks are soldBALLANTINE BOOKSRebel Without A CauseEast of Eden«1 7:00. 9:30 May 13 & 15 «I-House $1.50 \8-The Grey City Journal-Fridau, fTlau 13, 1977FilmBy Karen HellerLa Salamandre (1972), directed by AlanTanner. (NAM) Bulle Olgier stars as youngSwiss factory worker. Two young men (ajournalist and a novelist) attempt to studyher for a subject for their works. But thedeeper they go, the more entangled they get.Things get so bad that by the end of the filmthey can neither write nor continue to ac¬cept the narrowness of their own lives ascompared to Rosemonse's impulsiveexuberance. Friday at 7:15 and 9:30.East of Eden (1955), directed by EliaKazan. (I House) Loosely based on JohnSteinbeck's novel. Basically tells of theconflict DeTween a farmer and his son, Calwho is obsessed with a sense of 'badness'and jealousy towards his brother whom hisfather loves. It also contains the details ofthe career of the monstrous mother of theboys and the story of sweetheart of the lovedbrother who forsakes him for the moreexciting Cal. With James Dean, Julie Harrisand Raymond Massey. Friday and Sundayat 7:00.Rebel Without A Cause (1955), directedby Nicholas Ray (I House) HeartthrobJames Dean stars as the original unhappyteenager. His mother's a nerd. His father'sa jerk. And now the kids at high school wantto put him in his place. Natalie Wood cares.So does Sal Mineo, punk of punks. Fridayand Sunday at 9:30.The Big Bus (1976), directed by JamesFrawley. (Doc) There have been movies about big earthquakes, big ocean-linerssinking, big buildings burning and bigGerman balloons exploding, but what abouta nucleur powered bus that is 360 feet long,three stories high, and whose doomedjourney parodies every stock characterfrom every disaster movie ever made? WithJoseph Bologna as the cannabalistic busdriver, Stockard Channing, Ruth Gordon,Sally Kellerman and Rene Auberjonois.Saturday at 7:00 and 10:30.Illusion Travels By Streetcar (1953),directed by Luis Bunuel. (Doc) Aprecarious, joyful, anarchic comedy. Whenthey learn that their favorite streetcar isabout to be junked, two employees of thelocal bus company get drunk and take herout for one last unscheduled ride.Passengers along the route see no reasonnot to get on board, and, conditioned bycustom, some insist on paying. Saturday at8:45.Wedding In Blood (1973), directed byClaude Chabrol. (CEF) Stephane Audranand Michel Piccoli are in love. Unfortunately they are married to otherpeople, both of whom are rather boring.Instead of running away with one anotherthey decide to do their spouses in. One ofChabrol's best accounts of the danger andabsurdity of being bourgeois. Recom¬mended. Sunday at 7:15 and 9:30.Houses of the Furances, Part II (1968),directed by Fernando Solanas and OctavioGentino. (NAM) The undergroundmasterpiece of the new Latin Americancinema movement. Divided into three parts— ''Neocolonialism and Violence,'' "An ActAnn’s House of Beauty .| 6738 S. STONY ISLAMD*PHONE 363-9398Permanents, for colored & tinted hair,regularly S35.00now only $15.00 Tues & Wed Only-yes we press and curl-WIGSWigs 2 for $5.00Spring Salelong and short dressepants and pantsuitsgauche suites4 piece vest suitesBank American! and personal checks welcome RUMMAGE SALESaturday, May 219 a.m.-2 p.m.Clothes,Household Goods etc.Church of St. Paul andRedeemer50th & Dorchester Y own g 1) e s i gns h yELIZABETH CORDONHair Designers1620 E. 53rd St.288-2900 for Liberation," and "Violence andLiberation" (a total of 260 minutes) — thefilm presents a sweeping and visuallydazzling survey of the history of class andstruggle in Argentina. Monday at 7:15 and9:30.French Can Can (1955), directed by JeanRenoir. (Doc) A beautiful color filmdepicting Montmartre in the 1880's.Danglard (Jean Gabin), a French im-pressario, founds the Moulin Rouge, andchooses a little laundress (Francoise Ar-noul) to lead the cancan. He makes her astar and his mistress, then breaks her heart.But head held high, she leads the finaldance. Highly Recommended. Tuesday at8:00.Gaslight (1944), directed by GeorgeCukor. (Doc) Charles Boyer tries to drivewife Ingrid Bergman crazy in his best deadpan hypnotic style. She goes to pieces in amost distressing way. The play, by its rigidconfinement in the limitations of one room,prevades the spectator with the horror andfrustration of a claustrophobic mood. WithJoseph Cotton, Dame May Witty, andAngela Lansbury. Wednesday at 7:30.Leave Her to Heaven (1945), directed byJohn Synahl. (Doc) A thoroughly ornerycreature is so possessive of her husband-author's love that she permits her adoredyounger brother to drown, kills her ownunborn child and finally destroys herself bytrickery when she finds that her husbandand sister are in love. With Gene Tierney,Cornel Wilde (Not worth all that if you askme), and Vincent Price. Wednesday at 9:30.Swing Time (1936), directed by GeorgeStevens. (Law School) Ginger (Rogers) andFred (You Know Who) dance their wavs into our hearts once more. He's a dancer byprofession, a gambler by avocation. He hasto accumulate $25,000 in order to marry hissmall town sweetheart back home. Ginger'sa dance teacher. They pair up, get rich andfamous, and fall in love. With HelenBroderick spouting fluent DorothyParkerism, Eric Blore being as aristocraticas ever, Betty "Our Consumer Friend"Furness, and several nice renditions of"The Way You Look Tonight," and "TheyCan't Take That Away From Me." Plus1930 s Popeye cartoons. Recommended.Thursday at 8:30.^Th¥ City JournalEditor: Jonathan MeyersohnManaging Editor: 'Karen HellerAssociate Editor: Mark Neustadt, Mike SingerMusic: Lukacs LeBag, Toby Hofslund, DeborahHughes, PjuI Gudel, Richard Brown, JeffMakos, Mike McGreal.Film: John Aiken, Henry Sheehan, Andrew Ross.Theater: John Lanahan, Stephen Cohodes, EstherSchwartz, M. Anatemno.Art: Carl Lavin, Chris Gauker, Jane Salk, GwenCates, L.R. UpshawDance: Eden ClorfeneGraphics: Karen MolineHumor: Jeff Baddeley, Steve BlockTelevision: David BlumThe Grey City Journal is published weekly during theacademic year as part of the Chicago Maroon The editorinvites comments.V /• Eye Eiwmations• Contact Lenses (Soft l Hard)• Prescriptions FilledDR. MORTON R. MASLOVOPTOHETRISTSHyde Park Shopping Center1510 E. 55th363-063 Dorothy Smith jBeauty Salon5841 S. Blackstone493-1069I will take appointmentsfrom 7 a.m. until 7 p.m.Closed Saturdayfacials - make up servicecomplete hair careMember ChicagoHairdressers Association CHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHES01*04 DAILY11 A.M. TO 1:30 R.M.SUMOATS AMO HOtfDAtt12TOkNFM.QrPars to toko ovt13T«tost*ar4 MU 4-TO* 3GOING ABROAD?'IGET ANINTERNATIONAT■jjjjrv,.vSTUDENT I D.ATi j||753-35?irrS^I f For all you urban homesteaders, we have avariety of garden books, wether you want herbsin pots, or a small plantation.To Inspire you to new heights and to help youuse all, the goodies from your garden, we havecookbooks, for soups to nuts, canning toprocessing, French to Middle Eartern. And for af¬ter - dinner entertainment, theAfter Dinner Gardening BookWith directions for sprouting and growingavocadoes, bananas ans mangoes.Come down and see us at:SEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-F ★★★★★★★★★★★★★★★★★★★★★★★★★★Animal Imitation ContestMonday May 16noon -12:45Hutch CourtFOTA★★★★★★★★A★★★★★★★★★★★★★★★★★ 4c*4c4c4c4c4c4c4c4c4c*★4c4c4c4C4t4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4c4cThe Big BusW0 1030 BunuelsIllusion Travels by Streetcar'MSat. 1' Cobb Hall $1.50The Grey Citu lournal-Friday, (Tlay 13, 1977-9AROCKEFELLER MEMORIAL CHAPELSUNDAY, May 159 A.M.Ecumenical Service of Holy Communion11 A.M.University Religious ServiceE. SPENCER PARSONSDean of the Chapeli “THE UNIFICATION CHURCH: THEIRIDEOLOGY AND OUR FREEDOM”HAROLD PINTER'STHELOVERDIRECTED BY MICHAEL SINCERTERRANCE MC NALLYSBADHABITSDIRECTED BY MICHAEL DORFFRIDAY THROUGH SL \DAY8 )0 PMMAY It U .IS AND 20 21 2’NEW THEATRES700 S L MYERSITYDon’t PERISH!now you canPUBLISHA couple-of-hundred booksfor a couple-of-hundred bucksFor more information and free estimatesChicago 312-263-4989Burlington 414-"763-8762MICRO- NCORPOPATFD507 ORIGEN STREETBURLINGTON. WISCONSIN 53105JSJTThere IS m difference!!!PREPARE FOPGMAT • GRE • OCATVAT • SAT ri*ECFMG • FLEXNATL MEDICAL BOARDSNAT1 DENTAL BOARDSOut b'oecf o* program^ provides *• of n\t• nq know *0* that enables us »o otter the best preps ** c*jvSiiibt** no risttpi w'»ch cr.urs* •* taken 0jet Mrtf eiOEf»W(r and svCCfSS S'** t .«**#«hew* Vuflv *^Ai#fia's Cou'V'. that s'* r updated Per**'****' centers ope- day* even '•ys A weekends *'» year Cr»mp'*t* lape far*’ * ns V?r r*v«#* of cUMSessons *~d 9or use Of Supp'e*r>en\ vy r- 4!*r»af$ Make ups♦or lessons a' ou' centersSPRING,SUMMER VINTER COMPACTSMOST CLASSES-8 WEEKS BEP.EXAMCOURSES SOON TO COMMENCE;GRE-LSAT-GMAT-SAT SPECIAL LIMITED TIME OFFER(A Great Graduation - Gift Idea)PRONTO B CAMERA Reg. Price $48.95NOWONLY $3895The Pronto! B Land camera•The least expensive way to get beauti¬ful, long-lasting SX-70 pictures.•Lightweight, compact, non-folding.•Pictures from 3' to infinity (flash picturesfrom 3’ to 12’).•Viewfinder (you set the distance).PRONTO RF CAMERA Reg. Price $69.95$CQ95NOWONLY U<7Pronto! RF. For fast, easy SX-70picture-taking with rangefinderfocusing.•A solid value in a solid body•Comes with self-timer and tripodmount so you can get in your ownpictures•Takes beautiful, long-lasting SX-70pictures•No battery necessary•Lightweight, compact•Pictures from 3' to infinity (flashpictures from 3' to 12 )•Automatic picture ejection every1 5 seconds•3-element. 116mm plastic lens•Variable aperture f / 9 4 to f/22•Automatic time exposures to1 second•Adjustable neckstrapDON’T DELAYOFFER EXPIRES June 10,1977BANKAMERICARD AND MASTERCHARGE ACCEPTEDV JBankAmericard SO. SHORE BEACH APTSLUXURY ON THE LAKE7447 SOUTH SHOREStudios A vailableStarting $155.00fModern hi-rise bldg in pleasant surroundingsLwith central air cond., private beach, commissary,!'beauty shop, indoor and out door parking availiFor an appt., call 768-3922 or visit our office'[M-F 9-4:30DOWNS, M0HL&C0Equal Opportunity Housing7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd- under 1C tracksAll students get 10% offask for ‘Big Jim"PipesPipe Tobaccos Imported Cigarettes CigarsPIZZAPLATTER1460 K. 53rdMl 3-2000FAST DELIVERYAND PICKUPEYE EXAMINATIONSFAHSHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(53 Kimbark Street)1200 East 53rd StreetHYde Park 3-8372 u / t 1 - 3 { j3 SALES withservice is ourlit BUSINESS QREPAIR specialists<P on IBM, SCM,Olympia & others 5E Free Estimate >A Ask about ourRENTAL withoption to buy «TAn New & Rebuilt£ TypewritersCalculatorsijj Dictators 4-AddersVV U. of C. Bookstore5750 S. Ellis Ave. <5y753-3303Y MASTER CHARGE ooe BANKAMERICARD V0 i 6 c ~ ** t ± t: cruise ship or luxuriousy • . jWs it v-ith stylegeorgp cWK>to other cruise line offersmore ancient sites, moremodern excitement and*tv' unsurpassed luxury —and Karageorgis does itwith style-aboard thesuperb 23,000 ton Navarino,formerly the Gripsholm.Experience the ancient splendorof Greece -Olympia, Mycenae.Eptdaurus Delos, Delphi Mt.Athos-plus Four of the world's most exotic cities Athens, Dubrovnik, Istanbul and Venice. Aboard the beautifully refurbishedNavarino. F rom Venice alternate Saturdays or Piraeus alternateTuesdays. 14 ports in 14 days, and Karageorgis does it with style.Relax aboard the 16,000ton Mediterranean Sea orMediterranean Sky. Theconvenient, luxurious wayto take a car to Greece.Sailing, from Ancona, thenearest port to the center ofEurope year round Sailingto Patras—the ideal gatewayto Greece in 34 hours direct,or 35 hours via Corfu.Four convenient sailings per*^ek throunh the Summer.Two a week in Winter Fromeither end Luxury cruise linerstandards of accomodations.cuisine and service, with the convenience of your car on boardAnd there s a bonus 30% reduction *0r students.(<► KARAGEORGIS LINESSee an expert your travel agent - 0r for mora informationcontact Karageorgis Line*. 1350 Avenue of the AmericasNew York. N Y. 10019 Telephone 1212) 582 3007All vessels are of Gret.Hpgr.try•'rirr>- -;'t-M^ii^4^$'f4^ii0^im^^•.»•„•• -av.•!.;.:,->^j:,itiMMMNO^iSsiMttili^iMlHHlWMMei ■■Calendar Viewpoint: “Binomial Probabilities &Central Limit Theorems for EmpiricalMeasures,” Richard M. Dudley, 4:30pm,Eckhart 133. DOC: “The Big Bus,” 7:00 & 10:30pm;“Illusion Travels by Streetcar,” 8:45pm,Cobb. Judo Club: 6pm, Bartlett Gym.Chess Club: 7:30pm, Ida Noyes.Friday Arts Sunday Folkdancers: 8pm, Ida Noyes.FOTA: Chicago Opera Repertory Theatre,“The Telephone,” 12noon, Mandel.Hillel: Adat Shalom Shabbat Dinner, 7pm;Creative Sabbath Services, 7:30pm, Hillel. FOTA: English Chamber Music for Trumpetand Organ, 8:30pm, Bond Chapel. Changes: “A Management Consultant Ix>oksat Group Decision-making Problems,” JoeEngel, 7pm, Blue Gargoyle. Center for Middle Eastern Studies: Ha-Sadnah, “The Kibbutz and the Individual,”Ofra Reis, 2:30pm, Pick 205.Spartacus Youth League Forum: “Spain:Powderkeg of World Revolution,” SamuelLewis, 7:30pm, Sun Parlor, Ida Noyes. NAM Films: “La Salmandre,” 7:15 &9:30pm, Cobb.FOTA: Change Ringing, noon-1 pm, HutchCourt. Court Theatre: “Bad Habits,” & “TheLover,” 8:30pm, New Theatre. Rockefeller Chapel: Ecumenical Service ofHoly Communion followed by breakfast inthe Chapel Undercroft, 9am; UniversityReligious Service, “The Unification Church:Their Ideology and Our Freedom,” E.Spencer Parsons, 11am, Rockefeller Chapel. Change Ringing: Tower bells, 6:30-8:30pm,Mitchell Tower.Committee on DevelopmentalBiology: “Mesenchyme Dependent Mor¬phogenesis and Epithelium SpecificCytodifferentiation,” Ken Anderson,12:15pm. 1-105.Folkdancers: 8pm, Ida Noyes.Karate Club: 7pm, Ida Noyes. Saturday Hillel: Lox & Bagel Brunch, 11am, HillelHouse.Baha’i Fireside: Filmstrip, “Out of God’sEternal Ocean,” 8pm, East Lounge, IdaNoyes.Center for Middle Eastern Studies: Faculty-Student Lunch, 12:15pm, Ida Noyes; ArabicCircle, “Egyptian Culture Since 1967,” LouisAwad, 3:30pm, Pick 218; Sherry Hour,4:30pm, Kelly 413. Change Ringing: Handbells, 10-1 lam; towerbells, llam-lpm, Mitchell Tower ringing Bah’i: “Today’s Alternative,” Dr. Moayyad,8pm, Ida Noyes Library. Committee on African and Black AmericanHumanities: “Protest Elements in BlackAmerican Folklore,” Daryl Dance, 4pm,Social Sciences 122.Crossroads: Bridge, 3pm, 5621 S. Blackstone.Crossroads Student Center: Bike trip toEvanston, 10am; Saturday Night Dinners,6pm, 5621 S. Blackstone. Folkdancers: 8pm, Ida Noyes.Crossroads: Russian evening, “Russia: TenDays that Shook the World,” film, parts III &IV, 8pm, Crossroads Student Center, 5621 S.Blackstone. Hyde Park Unitarian CooperativeSchool: Scholarship fund benefit, Carnivaland Square Dance, Carnival 12-3, SquareDance, 8pm-llpm, DelPrado Hotel. Tai Chi Club: Kung-Fu, 6:30pm; Tai Chi,7:30pm, 4945 S. Dorchester. Department of Music: “Wind Instruments ofthe Baroque and Renaissance,” lec¬ture/demonstration, Don Smithers, 4:30pm,Lexington Hall Studio. Public invited toattend.Computer Club: 1pm, North Reynolds ClubLounge.Geophysical Sciences Colloquium: “AComparison of the Flow of the Gulf Streamand of the Kuroshio,” Bruce Taft, 1:30pm,Auditorium, Henry Hinds Laboratory. Compton Lecture Series: “Our GalaxyToday: The Milky Way and Company,” PaulJ. Wiita, 11am, Eckhart Hall, 133.Arts Student Government Forum: “Housing, theUniversity, and the Community,” speakersinclude, Ross Lathrop, Leon Finney, BobLucas, & Hal Baron, 2pm, Hyde Park Neigh¬borhood Club, 5480 S. Kenwood. Department of Chemistry: “The Non-Metalto Metal Transition in Metal-Molten SaltSolutions,” Norman Nachtrieb, 4pm, Kent103.Department of Behavioral Scien¬ces: “Incidence of Reported Rape over theMenstrual Cycle,” Mary Rogel, 4pm, PsyB102.Department of Microbiology: “Studies onOncornaviruses,” Timothy O’Connor, 4pm,CLSC 101. India Association: Bharat Natyam andOdissi Dances of India performed by HemaRajagopalan, 7pm, Assembly Hall, In¬ternational House. ArtsCEF: “Wedding in Blood,” 7:15 & 9:30pm,Cobb. Center for Middle Eastern Studies. “AnAppraisal of Nassirism: Its Theory andPractice," Louis Awad, 4pm, Pick 022.Department of Economics: AppliedEconometrics Workshop, “Estimation -ofChoice Probabilities from Choice BasesSamples,” and Alternative Estimators andSample Designs for Discrete ChoiceAnalysis,” Charles Manski, 10:30am, SS 402;Public Finance and Economic DevelopmentWorkshop, "Corporate Taxation, Inflation,and the Neoclassical Theory of Investment,”Robin Boadway, 3:30pm, SS 402; EconomicHistory Workshop, 3:30pm, SS 106. Hillel Film: “A Wall in Jerusalem,” 9:30pm,Hillel. Court Theatre: “Bad Habits” & “TheLover,” 8:30pm, New Theatre. Hillel: Chaim Grade will speak in Yiddish,Israel Herstein will translate, 8pm, Hillel.Court Theatre Festival of Fantasy: TheYoung People’s Company of the PivanTheatre Workshop present folk tales, myths,and fairy tales, 11am, Mandel Hall. Monday Howard Taylor Ricketts Lecture: “TheArrangements of Genes in Drosophila asStudied by Recombinant DNA,” DavidHogness, 5pm. Billings P-117.Court Theatre: “Bad Habits” & “TheLover,” 8:30pm, New Theatre.FOTA: Dimitri Paperno, pianist, 8:30pm,Mandel Hall. Bayit: In honor of "Yom Yerushalaim,’ ‘ the10th Anniversary of the Unification ofJerusalem, Ze’ev Zivan will offer slides and adescription of the ’67 battle for the Old City,8pm, 5458 S. Everett. ArtsNAM Films: “Hour of the Furnaces, parts II& III,” 8:00 pm only, Cobb Hall.Contemporary Mathematics from a Historical“WONDERFULLYENTERTAINING...ENORMOUSORIGINALITY,CHARM,AND HUMOR.” FASTSPEEDYRAPID•SWIFTPRONTO...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE...OUR SERVICES INCLUDE•Copying •Business Cards •X«ro« Copies•Folding •Maillers .Copying*•Collating .Flyers Duplicating-Fast•Binding .Ad Books I Pflll <504.707(1• Wedding Invitations .Church Bulletins * I VI• Padding Etc .Thesis - Term Papers•Envelopes .Funeral Programs•LetterheadsAmv fast Hyde Park Bank Bldg.QUIK 1525 East 53rd StreetCROSS Chicago, III. 60615INSTANT PRINTING WHILE U WAIT Suite 626 ALL TOGETHERAt One LocationTO SAVE YOU MORE!SPECIAL V" DISCOUNT PRICES-David Dugas/lLP.I. for all STUDENTS andFACULTY MEMBERSCAN-AMS>SPORTS & CYCLEDAILY 9-9 SAT. 9-5y * 14723 So. Crawford Ave.-Midlothian, III. 60445$AVE SPACESAVE TIMESAVE GASSAVE $ $ Just present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago youare entitled to special money sav¬ing Discounts on Volkswagen &Chevrolet Parts, Accessories andany new or used Volkswagen orChevrolet you buy from Volks¬wagen South Shore or MeritChevrolet Inc.Eric Rohmers new filmTHE MARQUISE OF O...MIDWEST PREMIERE TODAYf*f LMut.V'ilt'iJs SALES & SERVICEAIL AT ONEGREAT LOCATIONPENNIESBreakfast and lunch8:00 AM-2:30 PMSandwiches made to order, hot andcold drinks, donuts, rolls, cookies,yogurt, fresh fruit.In Cox Lounge - Business East Basement CHEVROLETm VOLKSWAGENSOUTH SHORE7234 Stony IslandPhone: 684-0400Opsrt Dally 9-9 P.M./ Sat 9-5 P MParts Opsn Saturday tH 12 NoonThe Grey City Journal-Friday, fTlay 13, 1977-11ORIENTATION AIDESAny student wishing to work as general orientationaide during Freshman Orientation, September 18 toSeptember 25, 1977 should apply at the office of theDean of Students in the College, Room 251, HarperMemorial Library.Your application must include:1) Name2) Current Address3) Summer Address4) An essay of no more than one type written page des¬cribing what you as an orientation aide can do to help theentering freshman and what information is worth know¬ing about the College and Chicago.Applications are dueby May 20.(House O'Aides will be selected through thehousing system.)Cutoutyour own deal ona new Peugeot.Now, you can really saveon a new, fully equipped Peugeot beforeyou ever set foot in the showroom.Save $55on a Peugeot 504 Gas Sedan* Save $55$on a Peugeot 504 Gas Wagon*A different kind of luxury car L-Lesfrmotors2M7 Uolti M«cN«|ir A**au*CMuft tftWwM flM|$Atm Cm** 11} / U( )SW in*•Savings indicated arc- Fased on manufacturer’s suu>e>ted retail prices for 1976 Models, includingdcltver> charges and dealer preparation. Title fees, optional equipment, licensing, and taxesextra. ifk'k'k'k★*****************************+*★**★******★ pQyyy ^ ****★*★★★★★*★★★★★****■* ******** ^Faux Pas Coffee HouseAFOTAmini-Festival of Performing ArtsFriday May 20In Hutchinston Commons8:30 p.m.Free Admission, Coffee, Soda, Munchies and Music ***********♦************♦******************♦******♦*******Aji epic fantasyof peace and magic.:<»TH CENTURY FOX PRESENTSA RALPH BAKSHI FILMUVEAROSColor hv I)e l uxe’c 197 7 Twentieth Century Fo«V rODAY at these theatres ^WATER TOWER • EVANSTON • OAKBROOK • OLD ORCHARD835 N Michigan Evanston OakbrooK SkoiopNORRIDGENorodge RANDHURST CINEMAMt Prospect RIVER OAKSCalui et City12-The Grey City Journal-Friday, fTlay i3t 1977From April 1 through June 14. you can fly roundtrip fromNew York to Luxembourg for only $410.That’s $89 less than the youth fare you'd pav on an¬other scheduled airline. (From Chicago you pay $458 thruApril 30 and $<430 from May 1 thru June 14.) All youhave to do is be under the age of 26.There are no booking restrictions. We give you the sameservice you'd get from other airlines, without the same highcosts. So, if you’re not flying Icelandic to PYirope, you’respending itk >re than you have to. We’ll give you the best dealon fares and on our New Horizon Escorted Tours, too.Save *89 on jet faresto Europe and bookanytime you want.r,Icelandic Airlines. Uept. «CNIX). Box 105, West Hempstead. N.Y 11552See your travel agent. < * call toll tree: < 8001555 1212.(lease send information on Icelandic's low cost fares and NewHorizon Escorted Tours of Europe nA drirt*>I Fares sublet» tn than*?** and g«»v ? approval JIcelandicLowest Jet fares to F.urope of any scheduled airlineENERGY CONSERVATION MUSTBEGIN NOW!It is time for Congress to act on a balancedenergy plan which lays aside all specialinterests. The President’s plan does this.WE SUPPORT THE PRESIDENT’S PROPOSALSON ENERGY AND ASK SPEEDY ACTIONFROM CONGRESS.If you support the President, cut this ad outand send it to your Congressman, orRepresentative Thomas L. Ashley, ChairmanSpecial Committee on EnergyRayburn Building — Room 24061st Street and South Capitol StreetWashington, D.C. 20515If you want to support future ads,send your check to:Ads To Support Energy Conservation5440 S. KimbarkChicago, Illinois 60615(c/o Philip E. Montag)Nella WeinerErnest PollR. Bruce McPhersonRose BelloBetty J. SchneiderEdgar BernsteinCamilla L. FanoEdith Montag Ruth MarxEarl BellJoel SurgalCarolyn ButlerRichard MuelderMurray HozinskyAnne Wheeler THE UNIVERSITY OF CHICAGO( nmtnillee (hr ifrican and Itladi itnericnnHumanities ft re sen IsA LectureProtest Elements inRlaek American FolklorehsPROF. DARYL DANCEVirginia Commonwealth l niver*il>MONDAY, MAY lb. 19774:00 p.m.SOC IAL SCIENCES 122I 126 E. 59th Street. Chicago. III. 606.37FREE th\tlSSM\ A FINE CIGARCOMPLETES YOUR DINNERTREAT YOURSELFAND YOUR GUESTS •Is pipe^opTHE ONLY ONE OF IT S KIND IN THE H.P. AREAAt Harper Court Shopping Center5225 S. Harper C- 7 288 5151A long time ago in a galaxy jar, jar away...TWCNTICTH CENTURY-FOX Presents A LUCASFILM LTD. PRODUCTIONSTAR WAPSstorrmg MARK HAMILL HARRISON FORD CARRIG FISHGRPCTGR CUSHING; ALCCGUINNCSSWritten and Directed Gy GCORGC LUCAS Produced by GARY KURTZ Music by JOHN WILLIAMSPANAVtSON PRJNT5 DT DE LUXE' TECHNICOLOR'PG HMITii tWfcUKi MC4I|T(IStar Wars opens May 25th in these cities:NEW YORK — Astor PlazaNEW YORK-OrpheumHICKSVILLE —TwinPARAMUS-RKOMENLO PARK-CinemaBOSTON-CharlesCINCINNATI - Showcase Cm IDAYTON - Dayton Mall IDENVER-CooperROCK ISLAND (Milan) — Cinema 3DETROIT -Americana iLOUISVILLE-Cinema IKANSAS CITY —Glenwood ILOS ANGELES-Avco IGR ORANGE-City Centre I PHOENIX-Cine CapriSAN DIEGO-Valley CircleMINNEAPOLIS-St Louis ParkPHILADELPHIA - Eric's PlacePENNSAUKEN — Eric ILAWRENCEVILLE — Eric IICLAYMONT — Eric I'FAIRLESS HILLS-Eric IIPITTSBURGH - ShowcasePORTLAND-Westgate I: SALT LAKE CITY-Centrei SAN FRANCISCO-Coronetj SACRAMENTO-Century 25SAN JOSE - Century 22ASEATTLE-U A 150 WASHINGTON-UptownTORONTO-Uptown I'CHICAGO-River Oaks I'CHICAGO-Edens 2'CHICAGO- Yorktown 3'CHICAGO-Esquire'DALLAS — NorthPark 2'HOUSTON-Gallena 2*DES MOINES — Riverhill'INDIANAPOLIS - Eastwood'OMAHA-Cm Center• 'MONTREAL-Westmont Sq'VANCOUVER-Stanley*ST LOUIS - Creve Coeur'Opens May 27th11111 IffTfTTTfflWTWmNAM Films: Alain Tanner.La SalamandreFriday May 13 Cobb 7:15 & 9:30The Chicago Maroon criday. May 13,1977 — 17Hardballers split weekendFinal game at home tomorrowBy MARK PENNINGTONBefore last Friday’s rematch between theUniversity of Chicago and Illinois Instituteof Technology on the Stagg basebal field,head coach John Angelus told his assistantChuck Schact to hit the infield practice.“Maybe it will change our luck,” hereasoned.It didn’t, at least not immediately. TheMaroons were pounded 13-1. However, theMaroons did some pounding of their ownWednesday, lambasting Niles College 14-4.Earlier in the season, the Maroons hadplayed within four runs of the Techpowerhouse, so the team hoped to play evenor better this time around. But starter JohnPomidor lasted only 2/3 of an inning, givingup three unearned runs before t'cinfyankedRick Dagen came in and shut the Techhawks out for three innings. The tricklrbegan in the fifth when the visitors managedone run. That dribble developed into asteady stream in the following three framesas IIT brought home nine runs on eight hits.Vinn Bahl and John Phillips followedDagen in a generally unsuccessful attemptto turn off the enemies flow of runs. Phillipsdid manage to set the other side down inorder in the ninth, but it was too late.Meanwhile, the usually effective Maroonhitting game was turned off for 6 innings.Going into the seventh, the usually reliablePaul Harris had the only hit.The team’s only run came in the seventhwhen Scott Jansen walked with one out and Vinn Bahl doubled him in. Mike Giblinmanaged the last home team hit in theeighth.The day and the outlook were bothbrighter as Chicago traveled to Niles. TheMaroons had destroyed the north siders in adouble header here and the rematch provedto be equally onesided.Starter John Phillips was spotted a ninerun lead before Niles ever got on the board.He gave up two in the second and two morein the fifth, pitching in and out of trouble allday. If you can be in trouble when your teamhas scored thirteen runs in the first threeinnings.But the Maroons seemed to either gettired or lose the killer instinct from thefourth inning on. They managed only threehi s and one run in the final four. The gamewas called after seven due to a Niles timereg ’ation.In an offensive blitz of such a largemagnitude, picking key plays or out¬standing players is difficult. The first sevenmen in the Chicago lineup each had at leastone hit.Scott Jansen hit a couple of singles, adouble, and a homerun into the trees inNiles’s left center, stole a base and gotplunked on the arm during a pickoff at¬tempt. He also scored four times. A fairlyexciting day for the freshman shortstop.Paul Harris kicked in three hits and threeThe column tallies. Chuck Woods trippled to set up one ofhis two runs. Mort Fox, Carl Herzog, MikeGiblin, and John Lekich all had at least ahit.All in all, it was nice for the Maroons totaste “the sweet savor of victory,” as CoachAngelus laughed. “Now,” he finished, “let’s get the last two.” His team shoutedagreement and the bus headed for the southside.“The last two” will be a doubleheaderagainst Milwaukee Area Technical CollegeSaturday May 14 starting at noon. Thegames will be played at Stagg Field.Championships for track, tennis teamsBy DAVID RIESERThe championship season is upon usagain.In addition to softball, the men’s andwomen’s track teams and the men’s tennisteam will be fighting for state and con¬ference championships this weekend.As was almost reported in Tuesday’s issuethe men’s track team has perhaps the bestchance of placing near the top of theircompetition At the indoor meet last seasonthe men took a solid third, far ahead of thefourth place team but well behind secondplace. At the outdoor meet it is expectedthat all the places from second to fifth willbe much closer but that Chicago should stillplace in the top five. Barring a miracle,indoor champ Coe will take the title again.The meet is being held at Lawrence Collegein beautiful Appleton, Wisconsin.The women’s track team will have aState tourney this weekendBy R.W. ROHDEIf the rest of the teams in the state tour¬nament are like Concordia, it’ll be a breezefor Chicago’s softball team.The Maroons swept a double-header fromConcordia Friday, shutting out their op¬ponents 14-0 and 10-0. Chicago extendedtheir record to 12 wins and 3 losses with thevictories, and are undefeated against smallcolleges going into this weekends tour¬nament.Concordia was inexperienced, and itshowed. Everybody hit for the Maroonsagainst the slow pitching. Kim Curran hadthe big hits of the day, going two for four,both triples, scoring twice and knocking infive runs. Janet Torrey also had a triple plustwo singles in four times up, scoring threetimes and collecting 3 RBI’s. Ann Harvillawas four for five, scoring five times andknocking in two. Laura Silveus, JeannieTanabe, and Jackie Woods also hit wellFriday.Chicago was strong on defense. Bothgames went only four and a half innings dueto the slaughter rule, but both pitchers hadgood performances in that time. AnnHarvilla had probably her best outing of theyear, striking out six of 21 batters faced, while allowing only three hits and threewalks. Janet Torrey was back in form also,allowing only two hits and one walk from 19batters, while striking out two. Both pit¬chers had solid defense behind them, asChicago made only one error in the twogamesLast Monday the team defeated Olivet-Nazarene 16-3. The game was actually closeuntil the final innings when the Maroonsexploded for eight runs. Kim Curm pitchedanother excellent game.As one player described the game, “Theywere decent but we were better.”Chicago is ready for the tournament. TheMaroons, who are seeded second, meetseventh-seeded Concordia in the first round.Assuming they will win, Chicago willprobably meet George Williams, who gaveChicago troubles earlier in the year. Still theMaroons defeated them in both games of adouble-header. If the Maroons prevail there,they should meet first-seeded Greenville.The winner of that game must play thewinner of the loser’s bracket for thechampionship, having to win only one of twogames. Should Chicago lose once, they stillhave a good chance to come back throughthe loser’s bracket to win the tournament. better chance than they did last yearbecause for the first time the IAIAW Statetrack meet is being slit into small and largeschool divisions. Chicago of course will beput in the small school class which meansthat the team will not have to come upagainst some state school phys edbehemoth.Chicago will not run away with the meetby any means. The Maroons still have toworry about squads from Augustana andPrincipia who did well before the split andshould have the smaller meet well undercontrol. Chicago will have a closer rivalrywith Eureka and Lewis, schools that eachwon one and lost one to the Maroons.Another reason that Chicago might not dowell in the standings is that Coach DelLarkin is only taking a six women squadthat just won’t be able to pick up enoughpoints no matter how well they do.The squad may be small but it’s tough. Itincludes Cathy Vanderloos who might wellwin both the shot and the discus. PamHaynes will compete in the sprints andMary Logan, Maureen Brown and PattyMercer will run in the 440,880 and two-milerespectively. Brown, Haynes, and Logoanwill join Pia Lopez for what should be awinning mile relay team.“The individual kids should do well,” saidCoach Larkin, “but as for the team we willhave to see how many people the otherteams brings down. No matter what ourindividual runner will finish in the top five.”“Although,” she continued, “it will benice to get people who actually win.”The women’s meet will be held at WesternIllinois University in Macomb.The men’s tennis team will be going fortheir first conference championship atRipon College this weekend. But a strongconference should conspire with the team’slack of practice to keep them from winningthe title.The team has won two out of their lastthree matches. Last Friday they destroyedNorth Park in a 9-0 shut-out on the homecourts. The next day they struggled to a 5-4loss to Conference member Lawrence inAppleton Wisconsin. Two days later theteam again crushed their opposition, as theybeat North Central 8-1.Tom Reynolds and Bruce Carman win De leading the Chicago attack playing first andsecond singles and first doubles. Both areplayers of exceptional talent and CoachChris Scott predicts all-American status forthem if they stay together as a doublesteam. Unhappily the lack of winter practicehas not allowed them to develop fully forthis season and it is uncertain how they willdo against the Midwest Competition.Reynolds in particular lost an importantmatch in the team’s defeat at the hands ofLawrence.Tom and Bruce are good players,” saysCoach Chris Scott, “but they have beenlosing matching they shouldn’t lose-notgetting beat, just losing. “Hopefully theywill pull together for this final meet.”Rodger Lewis and Eric Von Der Portenare the next two on the singles list and alsoteam up for second doubles. Tim Lorello andKen Kohl complete the singles. Lorello willteam up with Bear Gigney for the thirddoubles team.“We expect to finish somewhere aroundthe middle,” predicted Scott, “that is if weplay up to par.”f— - \SportsFinish softball season18 — The Chicago Maroon — Friday, May 13,1977CLASSIFIED ADSSPACESummer Subletters wanted for big 3-bdrm apt. 5334 S. Kimbark, 753 2249rm 2378 or 2306South Shore 6/5-9/15 Furn A/C, 4bdrms, 2Vt baths, large kitch nearlake, ctry club, 1C, CTA & UC busS300/mo. 721 -5461.Faculty family 2 adults 2 kids wantsfurnished apt or house, mid-June tomid-Aug., Wm Rosen, 511 W.Philomena, Flagstaff AZ 86001, Phone602-774 8217.3Vz rm smr sublet $160. Close toCampus Nice 288 7066.New faculty seeks 2 BR apt. Oc¬cupancy around August 1. $50 finderprize for good apt. in good location.955-0159.1'/2 rooms in Hyde Park. Ideal forstudent. Util, turn. 5465 Everett. CallJohn 363-4400, Ade Realty 324-1800.2'/2 rms in Hyde Park. Ideal for singlestudents. 53rd & Blackstone. CallHartman 667 0226, Ade Realty 3241800.Yng fern fac seeks 2 br apt & rm matefor fall Call 955-9319,Clean quiet furn 1 br apt. Avail 6/11-9/11, $205/mo. Call 955-9319 after 10pmor wkend.Summer sublet, male or female, at1213 E. 54th, 363-0661. Very large room.WANTED NORTHSIDE SUBLET 2bdrm or roomy 1 bdrm near El, mustbe clean, reasonable rent. JohnLawler 753-2233 leave msg.One or two females to share 6 rm aptat 5711 S. Kimbark-Summer and/oracademic yr. 667-7611 evenings &wknds. Days 532-7000 x306 ask forMinna.Public beach, tennis courts, and park 3blocks away. Summer sublet inRogers Park. 1 block to L transitanywhere. Rent negotiable. 274-2049evenings.Space Wanted 1 bedrm up to 190/mocan sign or takeover lease now 241-6885.HOUSEMATE WANTED, June 1, toshare collective living in 5 bedroomhouse, 5400 block Dorchester. Larry,eves, 493-5419.Rooms available in home of professor,kitchen priv, washer-dryer. 55th andHarper. Call evenings 324 3484.Women wanted to share Hyde Pk coedapartment for summer &/or fall. 241-7589.4 bdrm. apt avail. June 15th, 2'/2 bth,Iv rm/w fireplace, 1 blk fr lake onCTA, 1C, and campus bus rts. $385 mo.Call 221-1060.Responsible grad student seeksreasonable summer sublet or op¬portunity to housesit. Call 624-7827after 5:00 P.M.Summer SubletSpacious 2 BR apt. 2 bathAvailable in Hyde ParkSemi-turn. Lakeview.Ph. 363-2736Hyde Park nr U of C 14 rm. apts. wellrept. bldg, adults nr 1C, bus, lake.Reason. BU 8-0718.Large S. Shore apt. 2 bdrms., 2 baths,kitchen. Near UC, CTA, bs, 1C. 7370 S.Shore Drive. Call 221 9169. Available7/15. $295 mo. until 10-1. $315thereafter.5 bdrm., 3 bath apt., East View Park.No groups. $575. 955 8974 or 633-7462.PEOPLEWANTEDOUTDOOR WORK SATURDAYSEarn $25. Opportunities for dynamicstudents. Fight pollution and end yourown personal recession at the sametime. Call Ken Arway at Citizens for aBetter Environment. 939 1985, MonFri.Clerk Typist, experienced, for SocialService agency. Must have good figureaptitude. Call Ms. Bell, 643 4062 forappointment.Handyman-Janitor, part-time.Knowledge of carpentry, electricity &plumbing 8:30am to 12:30pm, Mondaythrough Friday. Call Ms. Bell, 643 4062for an appointment.Man in wheelchair needs help withpersonal care. One hr am or l'/j hrs.pm., $3.85 p/hr. Near 51st & Ashland.Call 434 1533.Do you stutter? Paid participantsneeded for research project Approx 3hrs. Contact M. Travis947 6537.Live rent free In spacious rm w bath innice home & get $25/wk for 15 hrsbabysitting with two girls 11 & 7. StartJune or Sept. Call 337 2526.McCormick Seminary, Hyde Park,seeking faculty secretary with ex¬cellent typing skills, 65 WPM, shorthand or exp transcribing from dic¬tating equipment required. Somecollege preferred Salary dependent orexperience and qualifications Bright,resourceful person with experiencewill be considered Call BusinessManager 241 7800Retired real estate lawyer, the son of aRealtor, Native of East Garfield Park,Chicago. Illinois, now residing in OakPark, is interested in havingmeaningful dialogue with students ofurbinology EDWARD, 386 1899 UC Law School Placement Officeseeks dependable student to do approx3 hrs key punching every Thurs amduring fall quarter. 753 2430.Two full time positions available inHyde Park publications office.Secretary-shorthand preferable.Keypunch operator- will train, personwith accurate typing ability. Call 947-9418, 9-5.Computer Programmer—Part or (?)full time. Project involves medicalrecord data using Fortram. Call 947-6391.PEOPLEFOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara 373-3594 after 5:30 p.m.Typing-term papers-statistical IBMcall 994-6060.Handyman seeking apartment inexchange for labor; or similarsituation. Jim at 324-1977.Typist: Any material typed neat andaccurate. 624-3192.HIRE AN ARTIST-illustration of allkinds-even on short notice. Noel Price.493-2399.RESEARCHERS-Free-lance artistspecializes in the type of graphic workyou need. Samples, references onrequest. Noel Price 493 2399.For experienced piano teacher of alllevels call 947-9746.TYPING SERVICE/HY. PK./6674282.SCENESSocial Life lacking? Meet new feet.Join the Folkdancers in Ida Noyesevery Sunday, Monday and Friday,except May 13 and June 10.YEAR-AROUND CHILD CARE: fullor half-day programs; 7:30 am.-6p.m.; ages 2-6; 3 classrooms;professional staff. Parent cooppreschool: 684 6363Drama workshops Body Politic 2261N. Lincoln-begin May 14 Lateregistration ok-Call Eve at 525-1052.HURRY!Harper SQ Child Care Center 4800Lake Park: Full-day program(820/wk). 538-4041.Kate Millet, author of "SexualPolitics," &. "Flying," will be at theJane Addarns Bookstore & Bakery, 37S. Wabash, rm 702, on Thurs., May 26,3:30 pm to autograph copies of her newbook "Sita." Farrar, Straus 8. Girous,$10.00. For more info call 782-0708.Body Politic, 2261 N. Lincoln offers 2alternative theatres Provisional &Broom street May 13-28 Call 871-3000.ART AUCTION Fri. 5/13Champagne preview 7:00 p.m.Auction 8:00 p.m.Lutheran School of Theology1100 E.55th.Well known artists. Inexpensive!Donation $1.00 at doorSponsored by 1st Pres. ChurchFOR SALECANON AE 1Body $194.50AE-l/50m 18 $259.95AE-l/50m 1.4 $299 95MODEL CAMERA1342 E . 55th St 493 6700CIBACHROME KITSpecial.. $17.95Everything you need to print colorslides except a slide and an enlarger.Kit. includes color filters, paper,chemistry, processing drum, & in-struction.MODELCAMERA1342 E. 55th St. 493-6700IL FORD HP5 in stockMODEL CAMERA1342 E. 55th St. 493 6700PASSPORT PHOTOSWhile you wait.MODELCAMERA1342 E. 55th St. 493 6700APARTMENT SALE: Sun May 15 10am 5pm sleeper couch, desk, dinetteset, rugs, tables, lamps, fan,bookshelves, appliances, otherunusual items, etc. 5110 S. Hyde ParkBlvd- 1st floor.Apt sale: 2 3 speed bikes $45 ea , lg.desk w/chair $50, recliner chair,plants Call 643-4931.For Sale: bird cage w/stand, nearlynew, $20 373 4931.Used furniture beds, chairs, desk,couch, bookshelf, dressers. 752-5321,early evenings.APARTMENT SALE Sat., May 14Sun., May 15, 9 a m. • 3 p.m Desk,table, dressers, double bed, monasterychair, rugs, plants, clothes, etc. 1369E. Hyde Park #208 643 5881RUMMAGE SALE & AUCTION colorTV, 30 yrs. analog & science fictionauctioned at 1 p.m. Furniture,housewares, toys, books, plants, bakesale, lunch. Sat., May 14, 9 a m. 5p.m. Auction 12-2. United Church ofHyde Park, 1448 E 53rd St.BOOKS BOUGHTBooks bought and sold everydayevery night 9-11 Powells, 1501 E 57th PAN PIZZADELIVERYThe Medici delivers from 5-10:30p.m.,Sun.-Thurs, 5-11:30 Fri. and Sat. 667-7394. Save 60 cents if you pick it upyourself.STEREO SALESTEREOS WHOLESALE Stereocomponents, CBs, TVs, calculators-allnew, warranteed. 752 8012.WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde ParkBookstores & Bob's Newsstand.Volume 3 is out -CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m. at 5715 S.Woodlawn. For more info call 752 5655.INDIAN DANCEBharat Nafyam & Odissi Dances ofIndia performed by HemaRajagopalan. Saturday, May 14 at 7:00p.m. International House. Members$1. Non-members $1.50, Cosponsoredby India Assoc. & Com. on South AsianStudies.CREWWANTEDExperienced racing crew memberwanted. 22 sq. Meter (Odell) racingout of Belmont Saturday, occasionalSunday, end of May to beginningOctober. Transport to and fromavailable. 536 6086.SEXUAL ASSAULTDID SOMEONE RAPE YOU ORATTEMPT TO RAPE YOU IN THEPAST TWO YEARS? Pauline Bart ofthe University of Illinois would like tointerview you Understanding yourexperience may be helpful to otherwomen. If you are female, 18 yrs. orolder and willing to talk about yourexperience, a confidential interviewwill be arranged. Carfare, childcareand other expenses will be covered.For an appointment, please phone 782-3174.ESTATE SALEBEAUTIFUL KENWOOD HOMESat5/14, 9:30-3, Sun. 5/15,11-34849 S. GreenwoodEntire Contents 15-rm house top-linefurn-lg. variety lamps: Stiffel,Fredrick Cooper, etc. Cust. sec'l;Baldwin Liv. Grand piano c 1890;Andirons; Oak Din. tbl/8 chrs, Serv.Cart, Buffet; Fliptop leath. tbl, leathercouch/chr; Sleigh Sofa; Dinette sets;5-pc Mah. Bdrm set; Bkcases;Chinoiserie dbl bed; Low oak tbl/3leaves; MANY MORE Chairs,Couches, Chests, Tables; Sarouk 9 x12; ANTIQUES-Rocking chrs, violintbl, tester canopy, dbl. bed c 1850,chests, tables, etc; JBL spkrs,Marantz rec; Sick-rm equip.; china,train tbls, sewing mach, Brie a Brae;TOO MUCH MORE TO LIST. CONDUCTED BY AT HOME SALES.654-4320 986 0818SUMMER COTTAGEFOR RENTCottage in Stevensville Mich Dunes 2weeks in July or August PrivateAssoc Easy beach access, hugescreened porch $175.00 a week. CallMs. Sinaiko 538 8325 or 493 2981.JERUSALEM'67On Monday May 16, the 10th An¬niversary of the unification ofJerusalem See slides of the historicbattle. Hear Ze'ev Zivan, a formerParatrooper, describe the event 8pmat the Bayit. 5458 S. Everett.COME TO THECARNIVALSat May 14, Delprado 53 and S HydePark Blvd. 12-3. Stage show, games,prizes, crafts, and FUNTELETYPEMACHINESModels 15, 19 & 28's ROs, KSRs &ASRs $25 up. PWR SPLYS, PanelRack Cabinets, Meters, etc C BGoodman 752-1000SQUARE DANCESQUARE DANCE with the Unity BlueGrass Band, Sat. May 14, 8pm 11.Delprado, 53 and S Hyde Park BlvdBeer and munchies too! Admission$2 50 per person VOL VOS WANTEDDead or Alive, All Models save ad. alsosell parts; 493 0680"YOMYERUSHALAIM"Come to the Bayit, Monday May 16 at8. Hear and see a description of thebattle for Jerusalem ten years ago5458 S. Everett.DOROTHYGOES TO OZMay 13, 14, 8 pm, Ida Noyes TheatreFree to Woodward Ct Residents 25cents all others.LOST & FOUNDUrgent! Biology students John/Jackand David, hitchhiker Jan left potteryvase in your car April 24 Evanston/Skokie please call 869-2171 or 256-0431.Lost May 3 one set VW and house keysin vinyl pouch lettered "Fribo" CallLeon 3-2124 during work hours.Lost: Black vinyl case, zippered, withhandle. $25 Reward for contents. Call241-5708.Found 5/8 near 51st & Kimbark, smalishaggy tan female dog wearing redcollar 324 1377.PERSONALSSC-The worst mistake I ever madewas waiting to be sure I was right.Fried & Lover.Heartbeat get it together and let's goswimming soon.I planned to be behind so I am right onschedule. CSSally. I followed you phromPHOENIX. Ben is no good for you.Come home to your own BumblingBuddy.Stewart, pour qui 13 est 19. Adieu lesannees du poulet, bienvenue les an-nees du renard. Que j'aime I'odeur deta fourrure. — un sourire derriere uneventail.Adults for medical research. Requireadults having brother or sister orparent willing to participate. $15.00 foreach participant for 20 ml of blood andmedical history. Call 341-8378 Mondaythrough Friday 9am-llam.SAVE A LIFE Playful spayed catneeds home. My new job is in Africa363 1879Writers' Workshop PL 2-8377. ~Pregnant? Troubled? Call 233-0305 foraffirmative help, 10-2p.m. Free Test.Pregnancy Testing, Sat 10-2Augustana Church, 5500 Woodlawn.Bring 1st morning urnine sample,$1.50 donation. Southside Women’sHealth 324 2292.- TRAVELS-Going Home, Abroad or ona Vacation? Call Ace Travelsfor the Lowest Fares andTours anywhere in the worldACE TRAVELS' 202 S. StateSuite 1020. Chicago663-3818j/ane J2.ee12e6tauiantDelicious iantone$e FoodFait Special luncheon:$1.95Mon Thurs 11:30 AM 9:00 PMFri. 4 Sat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES643-3407 1316 E. 53rd St.VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1 % AND2 Vi ROOM STUDIOSFUBNISHf O or UNFURNISHED$149 to $2431 Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4 0200 Mrs. Croak KENNEDY, RYAN M0NIGAL S ASSOCIATES, INCDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEA KENWOOD CHATEAUA 16 room house with stained glasswindows. Dramatic staircase lots offireplaces and a wrought iron fenceall around the house Lot size 100 x190. Price $95,000. Call Don Tillery667 6666. KENWOOD AT56TH STREETThis lovely four bedroom, IV2 bathframe home has loads of extra spacemodern kitchen, stormsthroughout, well insulated, fencedyard all with in walking distance ofthe U of C. By appointment only.Call J. Edward LaVelle 667-6666FAVOREDby sunlight, this cheery townhousehas walled - privacy - patio andyard. 6 rooms, 2 baths, central air,modern kitchen w/all appliancesMove-in condition. Asking $90,000.To see, please call Mrs. Ridian667 6666CLASSIC HYDEPARK ROW HOUSE3 floors, 9 rooms, yard, quiet street,near 52nd and Kenwood $65,000. CallAlfred Dale 667 6666.TWO DUPLEXESDeconvert existing four-flatand own two 11-room, 3-bathrowhouses. Huge fenced backyard. For the person whowants to do his own thing.$72,500. Call Margaret Ken¬nedy 667-6666 KENWOODGracious 15 rm. home LR w/wbfplc,mahogany pnld DR, solarium,modern kitchen, finished bsmt.Zoned heating system, intercom,sound system, security service,must be seen. Showing by appointment only. Call Mrs. Haines.667 66667 ROOM GEORGIAN7 rooms, lVi baths, 3 bedrooms, den,formal dining room, large livingroom, finished basement, central airand circuit breakers. All-residentialstreet. $47,500 78th 8, Chappei CallDon Tillery 667 666658TH AND HARPERNOSTALGIA REVISITEDBrick 2 Story charming home. Largeenclosed garden Working fireplace.Insulated Basement has finishedrec. room $98,500. Call CharlotteVikstrom 667 6666APARTMENTS FOR SALELUXURY HI-RISE7 splendid rooms - super kitchenone block from Lake MichiganTriple track storms and screensBeautiful floors - spacious, graciousliving. $36,300 for equity. CallCharlotte Vikstrom 667-6666LARGE TREE TOP APT.Space and grace in 8’2 sunny roomsCompletely modernized Systemsexcellent throughout. Sparklingkitchen. Master BR 21 feet longw/two huge walk-in closets.Panelled study Many, many extras$58,500. Charlotte Vikstrom 667 6666 ELEGANTLIVINGOverlook Lake and Jackson Parkfrom this beautiful 3 bedrm., 3 bathcondo with woodburning fireplaceand indoor parking $23,750. Cali 667-6666.BRETHARTESCHOOL DISTRICT6 room condo - 3 bedrooms, 2 baths,large LR w/mock fireplace andbalcony, gallery hall, formal DR.nice kitchen, large back porch,outdoor intercom. 55th near Lake$42,500. Low assessment. Call DonTillery 667-6666DECIDE NOW-PAY LATER4 new deluxe units (one alreadysold) central air thermopanepicture windows view of Lakecountry kitchen, own controlledheat Patio. $27,500 and $78,000 Near73rd in South Shore CharlotteVikstrom 667 6666FIRST APT. HOMEConv. to transp., low assessmentsClean, light 4 room spacious apt.with balcony. $27,500. To see callNadine Alver or Charlotte Vikstrom667 6666 BRETHARTE7 rooms, 2 baths for you, assignedparking for your car near 54th andHyde Park Blvd. All appliancesincluded $42,500 Call CharlotteVikstrom 667 6666POWHATANOnly luxury Gold Coast living inHyde Park. Year around swimmingpool, top-deck sunbathing, ballroom,Immediate availability, 8 rooms 4baths. Dazzling views, woodburningmarble fireplace, parquet floors,central air cond $84,000 CallCharlotte Vikstrom 667-6666BRIGHT SUNNYCONDOLAKE VIEWSFrom this spacious 6 room condo inEast Hyde Park luxury bldg Modkitchen, 2 baths, parking space Moassmt. $190 Asking $34 900 To seeplease call Mrs, Ridion 667 6666IMMEDIATE POSSESSIONStunning views of Lake and City.Near Cornel! and 50th. 2 bedroom 2bath.. Will decorate Parking.Special price to settle living estate$18,900. Charlotte Vikstrom 667 6666 Large rooms, modern kitchenw/breakfast area, four bedrooms2' 2 baths with laundry hook upParking Low assessment. By appointment only Call J EdwardLaVelle 667-6666EAST HYDEPARK HI-RISEThis 3 bedroom, 2 bath condo withmodern kitchen is especially lovelywith new wall-to-wall carpeting andfresh paint. Spacious rooms Asking$43,000. To see call Nadine Alver667 6666 (res. 752 5384).APARTMENT BUILDINGSAND LAND FOR SALE50 APTSCHOICE LOCATIONFirst offering well-maintainedcentral Hyde Park apt bldg 2bldgs , plus vacant lot suitable forparking. Price is firm at $497 500See us for complete informationpackage HYDE PARKNINE FLAT .This well located six flat has somemodification of apartments. Goodconversion potential. Doubleplumbing 2 garages, heavy dutyelectrical, newer boiler, good income To see call Richard E. Hild667 6666 (res 752 5384).1461 Fast 57th Street, Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667-6666 AnytimeThe Chicago Maroon — Friday, May 13,1977 — 19©1977/OS SCHUTZ BREWING CO. MILWAUKEE. WIS.THE DEAN OF BEER'S QUICKIEQ: The best water for beer comes from:a) Big Duck Mountain.b) Underground from Tijuana.c) A small store in Macon, Ga.d) None of the above.A: (d) The way some beer drinkers talk about water,you’d think Alice found it in Wonderland.Not that water isn't important to a beers taste.It is. Very important.But the fact is, virtually all brewers filter-and further purify their brewing water.And Schlitz doesn’t stop there. They put theirwater through what they believe is the mostsophisticated purifying process of any brewerin the world.So when they’re through, its purer than the purestspringwater.AND YOU KNOW IT.THERE'S JUST ONE WORDFOR BEER.Siglinda SteinfiiHerDean of Beer QUIZ.Friday, May 13,1977