Friday, April 15,1977No. 46 The University of tMeagoUC biologists using recombinantDNA see no major safety hazardTest tubes in the Cummings building laboratoryShapiro containing extracted DNA ready for the recombinationprocess. The only tools needed for recombination are pipettes, asterile environment, and the right reagents. Photo by DanNewman)Search for successor toOxnard finds dividedfaculty vying for powerBy DAVID BLUMThe Search Committee for aDean of the College, now holdingdiscussions with various studentand faculty groups, faces intensepressure from an enlivened facultyto find a strong successor toCharles E. Oxnard.Late last month, a CollegeCouncil committee chaired byRobert N. Clayton, chairman of thegeophysical sciences department,proposed a new College ad¬ministration that would effectivelyeliminate the Dean’s office as apower base in the undergraduatedivision. The report was met withscorn by Oxnard and drew mixedreaction from the faculty as awhole. Warner A. Wick, professor of iphilosophy and chairman of the 1search committee, said last weekthat the report “hasn’t affected usmuch.” However, he conceded thatthe Clayton committee report hadstimulated discussion among |college faculty concerning the kind ;of candidate the committee shouldconsider for the post, which rotatesevery five years among membersof the faculty.Though Wick claimed there wereno fewer than two dozen namesstill under consideration by the six-member panel, interviews withcollege faculty members close tothe committee indicate a smallerDean to 2 By STEPHEN COHODESSeven members of the facultyhave applied for and receivedapproval from the University’sInstitutional Biohazards Com¬mittee to do research on recom¬binant deoxyribonucleic acid(DNA), according to James W.Moulder, chairman of the com¬mittee.Such research has been thesubject of mounting controversy inrecent weeks as attention has been'focused on the potential dangers ofthe laboratory procedures in¬volved in the research.State and federal governmenthave been moving to controlresearch involving recombinantDNA, a process where geneticmaterial from one source iscombined with that of another.“I cannot believe there is anydanger involved,” said Moulder.“If I thought there were a chanceof danger here, I wouldn’t haveagreed to become chairman.”Recombinant DNA is made bytaking small pieces of DNA calledplasmids and using enzymes toattach DNA from anotherorganism, to the molecule. Theresulting strand has the abilitiescoded on the new piece of insertedgenetic material.Moulder explained that mostresearch being done on recom¬binant DNA uses E. coli K-12, atype of bacteria that has beenthoroughly studied and bred inlabs. The E. coli commonly used has had certain crippling factorsbred into them, so if some do ex¬cape from an experiment theprobability of their survival wouldbe extremely remote.Critics of recombinant DNAresearch suggest that the ex¬periments result in the accidentalcreation of hazardous bacteria.The National Institute of Health(NIH) has drafted a set ofguidelines which apply to all research conducted with NIHfunds. University regulationsstipulate that all such research,whether or not funded by NIH, is tobe conducted under the guidelines.The guidelines require that acommittee be set up to approve allrecombinant research and makeannual inspection tours of labs tosee that they are in compliancewith regulations.DNA to 3Warner A. Wide, chairman of the search committee to choose a newdean of the College. (Photo by Philip Grew)WUMams takes overRegular Democrats poised for Tuesday’s primaryBy ADAM SCHEFFLERAfter more than a year ofleaderless foundering, the regularDemocratic organization of thefifth ward has a new president, anew office, and new hopes ofregaining the respectability it onceenjoyed in the machine.The new leader of the fifth wardregulars is 42 year-old James H.Williams. A long-time member ofthe Democratic party and a fifthward resident for five years,Williams also has been a memberof the eighth ward Democraticorganization since the early 1970’s.He is a law partner of that ward’sDemocratic committeeman, JohnStroger.Williams says his affiliation withthe fifth ward organization datesback to his unsuccessful bid tounseat State Senator RichardNewhouse in the March, 1976primary. That was the sameelection in which Alan Dobry, anindependent, defeated Michaellgoe, Jr., a regular Democrat, inthe fifth ward committeeman’srace.By his own account, Williamswas “instrumental in reviving andreorganizing” local Democratsinto what came to be knowm lastAugust as the Fifth WardDemocratic Club It was anabortive attempt by its president,Robert Landrum, and bis since-deceased assistant, MarvinBridgeforth. to rally the forces of former committeeman MarshallKorshak in support of theDemocratic slate. Landrum’sinability to organize the ward intime to prevent the defeat here lastNovember of Mayor RichardDaley’s hand-picked candidates for governor and state's attorneyforeshadowed the appointment ofWilliams to replace Landrum onMarch 10.With a new president, Williams,comes a new title, simply the“Democratic Organization of theJames Williams, the new president of i$e Democratic Organizationof the Fifth Ward, in front of the orgate&adon’s new office at 55thand Cornell Williams, an attorney, succeeded Robert Landrum onMarch 10. f Photo by Adam Sehefflej:) Fifth Ward.” Calling it a club“doesn’t lend the organization thedignity it should nave,” saysWilliams. He is hopeful that theorganization’s new storefrontoffice at 1633 E. 55th Street willalso contribute to improving itsimage and increasing its ac¬cessibility. Under Landrum, theformer club worked out of acramped office in the Del PradoHotel at 53rd Street and Hyde ParkBoulevard.Williams says the club was “aweak link” in the Democraticparty structure and had to bescrapped. He is realistic, however,about the difficulty of re¬establishing the Machine's formerstrength locally after it had all butconceded the’ ward to the in¬dependents for the last thirteenyears.For the moment, Williams maybe at an even greater disadvantagethan his predecessors Theorganization has been practicallydormant for over a year Williamsstarts essentially from scratch,with “nearly 100 members,” ac¬cording to his current estimate. Heis not, moreover, an elected wardcommitteeman with access to theparty hierarchy on a regular basisFinally, he has had little time toplan election strategies withGeorge Cole, the fifth wardcoordinator for Acting MayorMichael Bilandic’s quest to stay inoffice until at least 1979The fact is that Williams resently lacks clout. But he willave everything to gain — mostimportantly, patronage jobs and aline on city services — if he canredress Landrum’s errors andcarry the fifth ward for Bilandic,the regular Democratic candidate,in Tuesday’s special mayoralprimaryDespite the disabilities and therisks, W’illiams is optimistic aboutthe organization’s prospects afterthe election. “It’s obvious,” hesays, “that we re in the process ofrecovering ” The organization is“almost back to normal" strength,but “it takes time to get the con¬fidence of the community and ofpeople w’ho have been disillusioneddv the things that have happened ”•‘We’re building the organizationback to the strength it was atbefore the last election,” he adds“We will continue to go forwardwith the organization. We intend toWilliams to 3I InsideOpinion, p. 5GCJ, p. 7Sports. p. 17Letters. p. 4SI Dearifrom 1group of candidates still in the running forthe positionISieylirclude* v<• William H McNeill. Robert A Millikendistinguished service professor of history,• James M. Redfield, professor in theCommittee on Social Thought, n• Robert McC. Adams. Harold H. Swiftdistinguished service professor of an¬thropology and near eastern languages,• Suzanne H. Rudolph, chairman of thepolitical science department, and• John R. Coleman, president ofHaverford College.McNeill, 59, reportedly a popular can¬didate among members of the committee, isa well-known historian and the author of“The Rise of the West,” a National BookAward winner. He received his B.A. andmaster’s degree in history from Chicago,and earned his doctorate at Cornell in 1947.A member of the Chicago faculty since then,McNeill served as chairman of the historydepartment from 1961 to 1967.Redfield, 41, a scholar of classicalAthenian politics, philosophy and literature,served as Master of the New CollegiateDivision for two years after its inception in1965. After receiving a B.A. from Chicago in1955, he spent two years at OxfordUniversity in England as a Woodrow WilsonFellow. He joined the faculty here in 1960and received his doctorate from the Com¬mittee on Social Thought in 1961.Adams, 50, is known for his work in thestudy of urban development, with a par¬ticular emphasis on the near east. From1962 to 1968 he was director of the OrientalInstitute and served as dean of the socialsciences division from 1970 to 1974. Adamsreceived his B.A., M.A. and doctoraldegrees from the University of Chicago, andjoined the facultv in 1954.Rudolph. 46, is a well-known scholar ofIndian politics, and has been chairman ofthe political science department for the pastyear. She has taught as Harvard, Purdueand the University of Chicago, and wasmaster of the social sciences collegiatedivision from 1973 to 1975. In 1974, acurriculum committee chaired by Rudolphproposed a common core comprised fo fourtwo-quarter courses, and a modification ofthe Western Civilizations requirement.Coleman, 55, is best known for his briefforays into the blue-collar world. As Elsewhere on campusesTuition: we're not alonepresident of Haverford College. Coleman —a labor economist and chairman of theFederal Reserve Bank of Philadelphia —became famous for taking part-time jobs asa dish-washer and garbageman, and wasthe subject of a made-for-TV movie. Thisvear he was widely criticized by theHaverford College community for hisproposal to make Haverford a co¬educational institution. Bowing to publicSressure, he resigned as President effectivelis June.always gone to members of the Chicagofaculty However, his presence on the list ofthose how being considered reflects a majorgoal of the search committee: to find a deanwho would garner respect for the Collegefrom all parts of the University and tneoutside world.McNeill’s supporters suggest that hewould bring several strengths to theCollege. His national prominence and strongBublie profile, some say, would well servele College’s needs — and his close ties tothe Wilson administration might bring anend to the strained relationship betweenoutgoing dean Charles E. Oxnard and theadministration.None of the candidates under con¬sideration by the committee have yet beenformally intervieweed. but Wick said thatmany of them have participated in the“It’s likely that the success of the Collegewill be more important to the University inthe immediate future than some times in thepast,” said Wick. “We’re looking for strongcandidates — it’s a positive thing we’relooking for.”Most College faculty agree with Wick, butthere is some difference of opinion aboutfuture College curriculum and staffingpolicies.“I think we’ve gotten the College backonto a track,” Charles Oxnard said when heresigned as dean in January to return toteaching and research. But interviews withseveral College faculty members and for¬mer administrators of the College foundwidespread dissatisfaction with Oxnard’stenure as dean.Aware that the philosophical differences Separate surveys by the New YorkTimes and the College Entrancedescribing events of interest on othercampuses across the nation.The highest annual tuition charged by aninstitution of higher learning will be the$12,500 that entering students will have topay at the Medical school of GeorgetownUniversity in Washington, D C. Anothermedical school in Washington, the oneaffiliated with George WashingtonUniversity, will charge incoming students$9,000 a year tuition. Both institutions wereforced to adopt steep tuition increases thisyear because of the expiration of Districtof Columbia legislation which hadprovided assistance of the sort available toother medical schools from the stategovernments. . —Closer to Chicago, students at North¬western University’s medical school inNU’s medical school the third most ex¬pensive medical school in the country.Med students urged the Board ofTrustees to investigate state fundingpossibilities before approving the tuitionhike and lobbied a meeting of the boardlast week_ Tuition hikes have forced changes in"financial aid figures at many colleges. Forexample, at the University of Penn-among various faculty groups has added tothe friction now present in the College. Wickand his committee hope to find a candidatewho will “unite” the College.“I’ve been through a lot of these before,”Wick said. “This is a difficult search, at adifficult time, but I’m positive about ourprospects.” sylvania, where undergraduate tuition willbe rising eight percent from $4125 to $4450,plans have been made to increase finan¬cial aid funding from $19 million to $21million for the 1977-78 academic year Thefigures show $13.5 million in scholarshipmoney, $2.2-2.5 million in work-studyprograms, and $5.3 million in loans.On the whole, student reaction aroundthe country has been light. According tothe New York Times report, “tuition. ..hasbeen going up with such regularity thatstudents, who once protested the annualincreases, have become resigned to acceptthem with nothing more than a littlegrumbling ”SG passes newconstitutionStudent Government (SG) Tuesday ap¬proved a new constitution establishing at-large elections of assemoly officers, a newfinance committee to replace the Com¬mittee on Recognized Student Organ¬izations, and a three dollar per quarterfee, to be paid by all students, to financestudent organizations through the com¬mittee.If the constitution is approved by dean ofstudents Charles O’Connell, a studentreferendum, will be held within the next twoweeks.The SG assembly has been considering anew constitution similar to the one passedthis week since last year, when last year’sSG president Alex Spinrad initiated themove for a revised Constitution.The votes of a majority of the assemblymembers was required for the passage ofthe constitution, and SG’s chronic at¬tendance problem played a major role indelaying the approval of the document.50 of the assembly’s 63 members were inattendance Tuesday. In a roll-call vote, the33 members voted for the measure and eightvoted against it.Despite his prominence in the academicworld, Coleman’s position as an “outsider”diminishes the possibility that he would beappointed dean, a job that has virtually Examination Board have found thatprivate colleges will be increasing theirannual tuition by an average of 6.3 percentto $2476.Hits is the first of a new Maroon featurediscussions between the search panel andthe various divisional committees. Evanston got whaJloped with a 57.6 per¬cent tuition increase, with charges goingfrom $4350 to $6855 a year. According tosources at Northwestern, this will makeAttention: The Teaching Facultyin mind that if the book requirements are turned inwill be available to your students that much earlier. courseyour forms by April 1st53-3305 or 753-3313. or if you need additional formsRonald HarrisManager, Textbook DepartmentTHE UNIVERSITY OF CHICAGO BOOKSTOREMaroon elects Meyersohn.*77- 78 editor -in-chiefJon Meyersohn, a third-year student inthe College, was elected editor of theMaroon Tuesday. Meyersohn will assumethe post in June, until then apprenticingunder prese it editor Peter Cohn. Meyer¬sohn, curren. Grey City Journal editor, waselected by unanimous acclamation.After a nominating speech by Cohn,Meyersohn spoke to the more than 50Marron editors and staff about the need fora “new Spirit” at The Maroon, and outlinedhis program for next year. Meyersohn hopesto involve as many University students asents.“The Maroon needs to cover all areas ofUniversity life, because we are the only full¬time news gathering organization oncampus, and we must direct ourselvestoward the entire community,” Meyersohnsaid.Asked how he intends to expand theMaroon, Meyersohn said: “I am not aprivate man, and I hope that I can drawmany epople into the Maroon organization.This includes photographers, reporters,critics, artists, and even faculty andmembers of the community. I hope to haveguest writers, columnists, and more featurewriters.Meyersohn stressed the importance ofresponsible and professional reporting. “Irecognise that we are students who mustconcentrate on school work as well as otherinterests, but it is important that wemaintain a high level of accuracy andprofessionalism,” said Meyersohn.Meyersohn, bom in Billings Hospital in1956, lived in Chicago until 1958 while hisfather taught in the sociology department atthe U of C. Meyersohn then lived in New York, wherehe attended Columbia Preparatory SchoolMeyersohn thanked Cohn in hisspeech for having revived the Maroon.“When Peter stepped into the job TheMaroon was half the paper it is now. He andthe writers and editors have improved theMaroon immeasurably. As of now TheMaroon is a respected and respectablepaper. There are fewer mistakes, the newsis better covered, and the Maroon hasdirection and purpose. I thank them formaking my job that much easier.” Cohn willwork for The Maroon next year as a senioreditor.Meyersohn will stress layout, features,investigative pieces, and sports as well asnews. “I hope to concentrate on news, but Ithink that The Maroon’s direction is decidedby the people who work for it. The Maroon isnot a cut and dry thing, it is not business asusual. The paper is only as good as itswriters and editors, and while I want thefine news coverage to continue as it has, Ithink that there are other important issues.In a sense we create the issues as much aswe cover them. As a newspaper werepresent what is important and interestingon this campus.”Meyersohn, an English major, thankedthe staff for their participation in TheMaroon. “We are not apathetic students,”he added.Meyersohn concluded the meeting byasking each Maroon writer to help himcontinue to improve The Maroon and workclosely with him to keep the Universitycommunity informed. He will name thenews, feature and Grey City Journal editorsat the next staff meeting.Williams from 1become more effective and to organize aswe go along.”According to Williams, the organization isfinanced locally by contribution frommembers and other fifth ward residents. Hisprecinct captains and workers, he says, are“primarily the same people” who workedunder Korshak and Landrum. “Many havecome back, and more and more are comingback each day” because “they’re findingout we’re doing some fifferent things andtrying to build in a different direction.”Williams is “enthusiastic” about Bilandicbecause he thinks that “whatever he was,we should pick the best man.”“Chicago is a very unusual city,” he goeson. This election “is not a matter of blackversus white. It’s a very sad thing whenpeople talk about a need for a personbecause he’s from a certain race.CorrectionsIn the April 12 issue, The Maroon in¬correctly stated that Democratic mayoralcandidate Harold Washington is a wardcommitteeman. He is net now and neverhas been a ward committeeman. In theApril 12 article on Washington, and in anarticle April 5, on Roman Pucinski photocredits were omitted. The photos weretaken by Dave Miller.In the March 11 Chicago LiteraryReview, due to errors by the author andoversights by the editor, it was incorrectlystated that Hoke Norris, former director ofthe public information office, was “fired”by vice president for public affairs D.J.R.Bruckner. As reported in the October 19Maroon, Norris was not fired from hisposition but resigned in order to return tofree-lance writing. The Maroon apologizesfor the error. “We’re interested in our city survivingand being a vital city. We are in need of thebest man to keep the city from going theway of many other cities.“We’ve been able to keep our heads abovewater in this town. That’s all we should beinterested in.”Bilandic recognizes the need to revitalizedecaying urban neighborhoods as well asWashington and Pucinski, Williams says.He cites the planned residential develop¬ment between 61st and 63rd Streets fromStony Island Avenue to the Illinois Centraltracks as an example of the type of projectsBilandic says he wants to undertake.“Whether that’s going to be done, we’llhave to see,” Williams adds. “But I don’tthink Bilandic would say it unless he had aplan to do it.”The outcome of Tuesday’s election iscrucial to the Fifth ward Democraticorganization’s long-term viability. Allpredictions are chancy — as Williams pointsout, “There hasn’t been a mayoral electionof this type for so long that there couldn’t beany valid projections.” The situation is nothelped by the recent leadership vacuum inthe fifth ward organization that Williamshas hastily had to fill.Nonetheless, he says he will field “a fullcomplement of captains and workers” onTuesday, and he predicts that MichaelBilandic will carry the fifth ward with aclear majority.Such a mandate would enable Williams tobring some respectability to the fifth wardas far as the organization is concerned.We’re trying to give it a new face.“Whatever the political complexion of thefifth ward, we ought to have respectablepolitical organizations to give each otherrespectable competition. That’s all we’retrying to do — to be on a par with the otherorganizations, so we can have interchangeand make things interesting.”If Bilandic loses the fifth ward, “it’ll meanwe have a lot of work to do,” Williams says.But no matter who wins here, “There will behandwriting on the wall for a lot of peopleover the next two years.” Jonathan Wellisch Meyersohn, a third-year student in the College, was elected1977-78 Maroon editor-in-chief by the unanimous acclamation of the paper’s staffTuesday night. Meyersohn is currently editor of the Grey City Journal. He willassume his new position in the summer. (Photo by Philip Grew)DNA from 1There are four laboratory containmentdesignations in the guidelines- P-1 to P-4. P-1 is an open lab like most on campus, P-2 isslightly tighter with wastes being decon¬taminated, P-3 requires special ventilationsystems and double doors, and P-4 requiresworkers to change and shower before en¬tering or leaving building and limited ac¬cess.All campus research must be approved bythe Biohazards Committee and Robert B.Uretz, acting dean of Pritzker MedicalScnool has requested that the committeeconsider investigating all potentiallydangerous biological research.No research is planned at the Universityrequiring a security level higher than P-2.The closest thing to a P-3 lab on campus willbe the Kovler Viral Oncology Laboratoriesnow under construction at 58th and Drexel,which will be used only for cancer research.According to Bernard Roizman, professor inthe microbiology and biophysics depart¬ments, the facility is roughly similar to a P-3, although the NIH security classificationsapply only to recombinant DNA research.James Shapiro, assistant professor ofmicrobiology, one of the professors who willbe using recombinant DNA techniques in hisresearch, said his experiments were withoutrisk and that the new techniques wereshortcuts for other more tedious and ex¬pensive methods. The micro-organismsused would “normally exchange geneticinformation,” he commented. “I think it isright and proper for people to be concernedabout the uses of recombinant DNAtechnology,” he said. “Everybody agreesthat there are experiments that shouldn’t bedone.”Shapiro, with other University resear¬chers, believes that the NIH guidelines offersufficient protection from the dangers ofrecombinant DNA research. Legislationregulating the research would bring in¬dustrial research, presently unregulated,under government control. MurrayRabinowitz, professor in the departments ofmedicine and biochemistry, said that thelegislation “will be a rational way toregulate not only university research, butalso industrial research. ” The city council of Cambridge. Mass.,after a confrontation between Mayor AlfredVelucci and researchers from Harvard andMIT, enacted a moratorium on all researchrequiring a P-3 or P-4 laboratory. TheCouncil’s action offered the prospect ofoutside regulation of research going beyondthe NIH guidelines, as DNA research inCambridge has come under the scrutiny of anine-member committee of non-scientistschosen by the city manager.In Illinois, representative Daniel Pierce(D-Highland Park) last week introduced aresolution calling for an investigation of thedesirability of controls on recombinant DNAresearch. Pierce, chairman of the HouseCommittee on Environment, Energy, andNatural Resources said that although he hasa bias “against regulating universityresearch, I wouldn’t hesitate if there was adanger.”On the national level. President Carterlast week asked Congress to enact federalcontrols on recombinant DNA research.Testifying before a Senate subcommittee,HEW secretary Joseph A. Califano statedthat “the legislation in this area constitutesunusual government involvement in theworking of basic science.” Califanosuggested that federal guidelines aredesirable because “the potential riskinherent in present recombinant techniquesjustify such a measure at this time.”The National Institute of Health, whoseguidelines do not cover research not fundedby the agency, has announced plans for aseries of experiments investigating thedangers of recombinant DNA research. Onetype of DNA to be used will be a virus thatcauses cancer in rats. ShaDiro remarkedthat if they get cancer it will definitivelyshow that the research is dangerous, “but ifnot, it won’t show the research is safe.”Biohazards Committee chairmanMoulder is firm in his belief that Universityrecombinant DNA is not dangerous.“Present infectious agents have had a longevolution,” Moulder said. “They haveexquisitely evolved mechanisms forproducing disease. It seems unlikely to methat it is probable by introducing a singlesmall piece of DNA into an innocuous micro¬organism that we are suddenly going toproduce a monster ”Harry and TontoFri. 15 & Sun. 17 I-House 7:00 & 9:30ir $1.50The Chicago Maroon- Friday, April 15,1977 —3In the spirit of openness, the Maroon haschosen not to endorse any of the candidates inTuesday’s special primaries.The pious rush by five of the six Democraticcandidates to grasp and claim as their own thebrass ring once attached to the late MayorRichard Daley’s coattails has been obscene.Four of these men now publicly claim to eschewtheir past allegiances to Daley. The fifth, ActingMayor Michael Bilandic, presumes to be hisheir. In our opinion, all five are merely covetousof Daley’s powerful mantle; they have allrevealed, in the period since his death, theirpropensity to change their spots with theprevailing political season.Only Anthony Martin-Trigona, the self-styled"‘reform” candidate and legal gadfly, has wagedthe type of campaign for which we can expresssome small degree of appreciation. His good-natured, dogged pursuit of that ever-elusiveopportunity to debate Bilandic in public, plus hishumorous,* as well as accurate, dubbing ofBilandic as “the Mouse.” have endeared him tosome. Unfortunately, his experience — whichhas largely consisted of filing public-interest lawsuits and serving as a reportedly unpopular slumlandlord in Champaign — fails to sufficientlyqualify him to lead this city.Bilandic, despite what one might say abouthim personally, is without question a man who isexperienced in the workings of Chicago citygovernment. Perhaps only Roman Pucinski canmatch the intimate, day-to-day knowledge ofurban fiscal administration Bilandic gained aschairman of the city council’s finance com¬mittee.But we cannot in good conscience support aman who, by making self-serving, backroomdeals with Mayor Daley’s Irish mafia after hisdeath, underhandedly thrust himself into thevirtually unbeatable position of incumbentbefore the people of Chicago could wake up to theraw usurpation of political power undertaken intheir midst.In fairness to Bilandic, it must be said thatHarold Washington, Roman Pucinski, EdwardHanrahan, and Ellis Reid are hardly “newfaces” — as the latter has claimed about himself— to those who frequent the back rooms wheredeals like the appointment of Bilandic as actingmayor are hatched. Listening to their ambitiouspromises and plans for Chicago’s future, wecannot help remembering also their deeplyentrenched roots in the Democraticorganization.If you must vote for any of the four Republicancandidates, we would counsel support for eitherA.A. (Sammv) Rayner or pest exterminaterGeorge Manning. Both are articulate, respon¬sible men who given the chance;could serve thecity wen. They’ll probably never get that chancerunning in Chicago as Republicans, but that’s anold story. Alderman Dennis Block is the hand¬picked candidate for Governor James Thompsonwho is being offered up as this year’s Republicansacrificial lamb. Whatever you decide to do,avoid Frank Renallo. He is an avowed racist andcrackpot who is merely using this election as aforum.The Chicago MaroonEditor: Peter Cohn Senior Editors: David Blum, Dan WiseFeatures Editor: Jan Rhodes Associate Editor: Abbe FletmanSports Editor: David Rieser Production Manager: Michael DelaneyPhoto Editor: Dan Newman Graphics: Chris PersansBusiness Manager: Niko MaksimyadisAd Manager: Doug MillerStaff:Tony Adler, Earl Andrews, N.S. Baer, Steve Block, Steve Brown,Ellen Clements, Nancy Cleveland, Stephen Cohodes, Lisa Cordell,Skye Fackre, Abbe Fletman, Mort Fox, Philip Grew, MaggieHlvnor, Joel Jafter, Jerome Marcus, Tom Petty, Barbara Pinsky,RW Rohde, Rusty Rosen, Claudia Rossett, Adam Sc heftier, ChuckShilke, Carol Studenmund, Bob Wanerman, Sarah ZesnerThe Chicago Maroon is the student newspaper of the University ofChicago, published Tuesdays and Fridays during the regularacademic year. The Maroon office is located at 1212 E. 59th St.,Chicago, Illinois 60637. The telephone number is 753 3263. Bellow:false and racist?To the Editor:Most of the university communitydid not get to hear the second in¬stallment of Saul Bellow’s JeffersonLecture last Friday, but Saturday’sSun-Times contained a descriptivereport of the lecture. This report, wefeel, should be brought to the attentionof the university community, becauseit contains statements which, aspresented, are both false and racist.We sincerely hope that the outrageousnature of these statements is due to amisleading report and not to Mr.Bellow’s personal views.According to the report, Mr.Bellow’s lecture focused in part on thecontrast between contemporaryChicago and Chicago 40 or 50 yearsago “when the smell of homemaderoot beer and sauerkraut filled theair.” Today, Mr. Bellow reportedlysaid, “a gun in your waistband is whatgives you freedom of the streets.”Apparently, he proceeded to lamentthat the nice neighborhoods of hisyouth have become “black slums.”The article continues:‘The nature of the city changed,’Bellow said, when the ImmigrationAct of 1924 cut the flow ofEuropean immigrants and an‘internal immigration of blacksand Puerto Ricans’ began to fill thecity. ‘The ethnic neighborhoodsdeclined...the slums went intoruin.’ he said.Returning to the theme of guns, Mr.Bellow reportedly said, “The first factthat strikes you in a courtroom is thatso much of the black population isarmed. In the slums today comes asavage fury directed at the middleclass.”It is not clear why Mr. Bellow wouldbe shocked at hearing in a courtroomabout people with guns. Nevertheless,the racist nature of these statementsshould be clear. The implication isthat Chicago has gone to ruin becauseof an influx of hostile, gun-totingblacks. This is a hopelessly shallowview of urban social dynamics. It hasbeen thoroughly documented that thedecline of black neighborhoods islargely caused by the discriminatorypolicies of real estate companies andbanks. (Ironically, the same issue ofthe Sun-Times reports that a FederalCourt has found the American In¬stitute of Real Estate Appraisersguilty of “overtly discriminatorypractices,” This group represents23,000 appraisers nationally and 6,000in Chicago.) Not only do real estatedealers direct black people intoshabby neighborhoods, the banksmake or deny mortgage loans on thebasis of the ethnic make-up of neigh-borhoods. (This is called“redlining ”) Mr. Bellow’s quote is aclassic example of what WilliamRyan calls “blaming the victim.”Slums develop not because blackpeople like squalor — which is whatBanfield claimed - but because blackpeople (and Latins) are routinelyconsigned to old housing and thendenied home improvement loans. Theplight of blacks is even furthercomplicated by the fact that theoverall economic situation of blacks isapproaching the levels of the GreatDepression and is steadily growingworse.It may or may not be true “so muchof the black population is armed.”Regardless, it is certain that blacksdo not own arsenals comparable to theones accumulated by right-wingfanatics like Fred Cowan: the Naziwho murdered five people in NewYork a few weeks ago. The quoteattributed to Mr. Bellow implies thatblacks are the ones out gunning forinnocent people. If there is indeed “asavage fury directed at the middleclass,” (presumably, the whitemiddle class; it is not being translated into action. Over 80% of black crime iscommitted against other blackpeople. Actually, Mr. Bellow’sstatement is very much like therationalizations used to vindicate thebrutal repression of already op¬pressed minorities. Policeharrassment of black people is surelymore common than blackharrassment of middle class whitepeople.We do not raise these points merelyto vent anger or to be contentious. TheJefferson Lecture is the mostprestigious lectureship this countryhas to offer. Mr. Bellow adds to theprestige of the lecture his own statusas a Nobel Prize winner and a well¬loved figure. Therefore, it is par¬ticularly alarming if — howeverinadvertently — he presents his ideaswhich are racist, because his ownstature lends respectability towhatever public statements hemakes.With these considerations in mind,we strongly urge that Mr. Bellowundertake the following:1. Issue a statement clarifyinghis position.2. Issue an apology for what,regardless of his intentions,can only be regarded as raciststatements.3. Take steps to insure that theracist statements areeliminated before the lecturesappear in published form.Ultimately, the issue is not the in¬dividual character nor even theopinions of Saul Bellow. The issue,rather, is racism. Racism is harmfulto people of all races, not just tominorities, because racism functionsto prevent people from workingharmoniously in their own commoninterest. Not only does racism justifythe special exploitation of minorities,but it can also help pave the way forfascism. At a time when racism in thiscountry is being intensified and whenthe Nazis and the KuKlux Klan areconstantly in the news, we havespecial reason to be alarmed that anesteemed liberal/humanitarian likeMr. Bellow would utter suchstatements.We must not sit idly by while racistideas are made commonplace — evenrespectable. All the more insidious isMr. Bellow’s claim that “the per¬sistence of certain institutions” suchas banks and universities is what nowholds Chicago together. This obscuresthe fact that banks and universitiesare among the principal beneficiariesof racism, and in fact, that they havepromoted the disintegration of thecity. Redlining by the banks createsslums, and the University of Chicagois directly responsible for thedevastation of Woodlawn. Fur¬thermore, how much do Chicagobanks and universities — especiallyU. of C. — make from investments inSouth Africa? To them, racism is veryprofitable.Because of his prestige as JeffersonLecturer, Nobel Prize winner andprofessor at the University ofChicago, we feel that it is especiallyurgent for Mr. Bellow to take a clearstand on this issue. Therefore,regardless of whether the newspaperreport was fair and accurate or not,we call on Mr. Bellow to take the stepswe have recommended.An open letter from the University ofChicago Committee Against Racism,accompanied by 14 signatures bymembers of the University com¬munity.Student inputrequestedTo the Editor:In response to a letter from theSearch Committee for a Dean of theCollege to the students of theCollege, dated March 28, requesting “Help and advice" in the selection ofa new dean, a handful of un¬dergraduates have come togetherfor the purpose of organized in¬volvement in the selection process.Preliminary discussions had beeninitiated by the Academic AffairsCommittee of Student Government.Since that time, Mr. Wick, chairmanof the Search Committee, hasrequested the particular assistanceof Student Government, and StudentGovernment has formed a Sub¬committee on Recommendations,We presently solicit the par¬ticipation of interested un¬dergraduates as well as thepresentation of creative ideas.We express our sincere gratitudeto the Search Committee for itsconcern with student involvement.We hope for a creative relationshipand a fruitful search.Our group will meet at 4 p.m. onMonday the 18th in the StudentGovernment office (Ida Noyes Hallrm 306). We invite all un¬dergraduates. Please attend orcontact Joe Pitcavage at 753-3751 orClaire Toth at 753-2249.Student GovernmentAcademic AffairsCommitteeSub-Committee OnRecommendations(SG-AACSCOR)Disco defenseTo The Editor,Max Cousins ought to makesure his facts are correct beforehe starts using those “facts” to’make personal attacks onmembers of the University ofChicago community.The disco-dances at the Efendi(one “f”, if you please) wereoriginated by UC students,friendly with the Rosenbergs,who thought that Hyde Parkreally needed a little dance andmusic to make rainy weekends alittle more enjoyable. If theirpremise was wrong, those likeMr. Cousins who think dancingonly belongs on the Near NorthSide or on Long Island need notwaste their time by going.Suffice it to say that the packedhouse last Friday night showsthat there are at least someweirdos at the University wholike having a good time.Negativism towards any newendeavor will only perpetuatethings as they are now.But Mr. Cousins biggestmistake was not in perceivingthe good reception these danceshave had in the Hyde ParkCommunity. He seems to be alittle mistaken as to who issponsoring them. Severalstudents (different students fordifferent dances, by the way)asked the Rosenbergs if theycould use the Efendi because itwas an easily adaptable facility.At first, the Rosenbergs werenot too responsive because of thetremendous wear and tear onthe Efendi decor which wouldresult. They agreed largelybecause they felt a sense ofcommunity between them, asowners of the Frog and Peachand the Pub, and the studentsrun these dances. The Rosen¬bergs make little, if any, profiton the deal. Their profit is goodwill (to those who are willing toreceive it). Students are incharge of all the arrangements,including advertising.Recombinant DNA: the public interestsBy STEPHEN TOULMINThe current debate about RecombinantDNA research has had the effect ofcrystallizing out a whole range of questionsabout Science and the Public Interest whichhave been (so to say) in supersaturation forsome 15 or 20 years — some of them, eversince Hiroshima. These questions have to dowith the public accountability of scientistsfor their work; with how the legitimateinterests of the public are to be representedin decisions about science, at a time whenall those promissory notes about futuresocial welfare that scientists have beenissuing ever since Francis Bacon are (aftersome 300 years) at last within sight ofredemption; with the structure, recruit¬ment and reward systems of the scientificcommunity and its institutions; withwhether the community of scientists must atlast take on the formal responsibilities, aswell as the privileges, of a. statutoryprofession; and so on, and so on. In a word,the problem of regulating RecombinantDNA research has become not merely apractical issue, but also a symbolic oneThat being the case, it is both harder andmore important to sift out, and focus in on,those questions that arise specifically andnecessarily out of the Recombinant DNAissue itself; as contrasted with those other,more peripheral questions which — whilethey may be important and urgent inthemselves — have nothing special to dowith the immediate matters in hand.With this in mind. I am going to set asidehere a great many questions that have comeup in the course of the DNA debate and needto be dealt with carefully and seriously inthe course of the wider public debate aboutScience and the Public Interest. I do so withsome regret, because in my opinion many ofthese questions are not getting the kind ofinformed discussion they need; but giventhe time at my disposal I must concentrateon the two central issues directly raised byRecombinant DNA — namely,(1) In what respects are scientists ac¬countable to the public authorities (e g. theCambridge City Council) for any risks at¬tendant on Recombinant DNA research0;and(2) Does Recombinant DNA research, asat present proposed, represent anirreversible, even a hubristic, incursion byhuman investigators into a region ofknowledge that would better be left un¬touched; and specifically, does it involvetampering with the natural process oforganic evolution in an impermissiblemanner?To begin with the question of respon¬sibility for risks: let me say flatly that, ifthere is any serious possibility of Recom¬binant DNA research leading to harmamong the general public, then the right ofthe public authorities to intervene is beyonddispute. Of course. I realize that there is alot of disagreement among well qualifiedscientists about the scale and nature of anysuch possible risks: as to that, it is up tothem to arrive at some sort of a consensusfirst, and they must not be surprised ifeveryone else adopts a very cautious andconservative attitude towards the matter inthe meanwhile But one extreme view of theissue must be dismissed out of hand. Somescientists are so shocked by the spectacle ofthe Cambridge City Council placing hurldes(hurdles, not barriers) in the way of Har¬vard’s Recombinant DNA program thatthey have reacted by making quite in¬defensible constitutional claims. To put the point in terms of U.S. constitutional law:they have suggested that scientific researchis not merely a “constitutionally protectedactivity” under the Bill of Rights — i.e. thatthe right to do whatever scientific researchone thinks fit without State interference isguaranteed by the First Amendment — butthat the unimpeded exercise of that right isprotected absolutely. As to that, two thingsneed to be said:(1) It is not a certainty that the FirstAmendment does in fact cover the right todo whatever scientific research one thinksfit (or, indeed, whether it covers the right todo scientific research at all): the matter hasnever come up for adjudication. I personallywould predict that a case that raises thisquestion will probably reach the SupremeCourt some time during the next 15 years orso, and that the Court will probably decidethat freedom of speech does (at least, ingeneral terms) embrace freedom ofscientific inquiry. But that is pureguesswork at the moment; and in any eventthe Court might well write in a lot of smallprint limiting the application of the phrase“whatever research one thinks fit”.(2) First Amendment or no FirstAmendment, the possession of a right is (asevery first year law student learns) not thesame as the exercise of it. If we seek toexercise our constitutionally protectedrights in a manner, and in a situation, inwhich there is a “clear and present danger”of public harm, the public authorities areperfectly entitled to intervene and placerestraints on that exercise. (The FirstAmendment does not authorize you to panica crowded theater by shouting “Fire!”where there is no fire.) Given the degree ofdisagreement between scientists over thescale and nature of the risks in this case, theCambridge City Council may quitereasonably apprehend the possibility ofpublic harm, and it would have beennegligent of them not to have intervened.Why has there been any doubt about this?The reason is (I believe) because in onecrucial respect the Recombinant DNA caseis in fact an historic first. There have beenprevious cases in which the actual conductof scientific experiments posed risks to thehuman beings directly involved, either theparticipants in the research team or thehuman research subjects — hence, all theconcern in recent years about the ethicalreview of research involving human sub¬jects. Again, there have been previous casesin which the effects of applying the results ofscientific research on a large scale sub¬sequently posed a serious threat to publichealth or welfare — the whole controversyabout the use and abuse of nucleartechnology is an obvious example. But 1 canthink of no prior case in which the actualconduct of experiments in a basic naturalscience itself directly posed a threat ofgeneral public harm. Even in the case ofnuclear physics and the “artificial trans¬mutation of the elements” (as it was calledwhen I was a boy) the direct effects of theinitial experiments by Rutherford and hiscolleagues at the Cavendish were entirelylocalized and involved no risk at all to thegeneral public.Why is the Recombinant DNA case uniquein this respect? In all previous situationsinvolving the production by scientists oftoxic substances or agents, as part of aprogram of strictly basic research, therewas no difficulty in limiting the spread ofthose agents or substances. But the veryheart of the DNA problem is the fact thatany “rogue” agents produced artifically inthe course of the research will have thepower to multiply themselves and spread throughout the population at large — even,by colonizing the human gut — sodistinguishing themselves from (say) theminute quantities of artificailly radioactivematerial produced by Rutherford’s ex¬periments, and the like. This“multiplication effect” is rightly perceivedby outsiders as requiring specialsafeguards, and as justifying a deliberate,conservative approach until it is clear thatsuch safeguards are available.To move, now, to the “forbiddenknowledge” issue: I do not think it is wisefor scientists to underestimate the power ofthe public imagination in this respect. Themanner in which the Recombinant DNAissue has been presented for public debate,both by journalists and by scientiststhemselves, has been one that quitenaturally woke echoes of (e g.) the Faustlegend, and so provoked the kinds of publicanxiety and suspicion that confronted thealchemists in earlier centuries — for in¬stance. the suspicion that they were at¬tempting to produce the Homunculus, i.e. anartificial human embryo generated withintheir own alembic or retort out of lifelessraw materials. So, it is important to correctsome of the misunderstandings on whichthis current suspicion feeds. Certainly, Iknow of nothing in the way of DNA researchthat is actually in prospect — as contrastedwith speculative propaganda, whether proor con — which could even remotely answerto the Homunculus specificationDuring the 1920s and 1930s (I recall) theactivities of the “atom splitters” at theCavendish and elsewhere arousedsomething of the same frisson among thewider public: “splitting the atom” wassuspected of tampering impermissibly withNature’s mysteries. (Rutherford, inresponse, called his own little book ofpopular science The Newer Alchemy.) Butit is clear, by now, that the whole field ofatomic and nuclear physics covers amultitude both of good and of bad things: so.the question is not whether to permit oroutlaw all such work, but rather what sortsof research we shall do in this area, withwhat safeguards, and how we shall controlthe possible misapplication of theknowledge gained as a result of thatresearch.Let me take the two parts of this issue inturn. First: any claim that RecombinantDNA research in itself involves im¬permissible tampering with the naturalprocess of organic evolution seems to me tobe far too general and undiscriminating. Initself, the research does nothing of the sort:it could do so. only if its by-products escapedinto the biosphere, or * if the knowledgegained from the initial research weremisapplied. In any event, we have been“intervening in the natural process oforganic evolution” for millennia, allculture, especially the domestication ofplants and animals, involves “tamperingwith evolution”, so — once again — thequestion is not whether we are to do it at all,but how we are to be sure of doing it for goodrather than for ill.Secondly, how- are we to be sure of that?Again. I believe we have perfectly goodmodels available that answer that questionin principle, if not in detail. The issue wassettled in principle (as I see it) inprehistory, and the outcome is enshrined inthe legend of Prometheus In its own timeand in its own terms, discovering ways ofproducing Fire artificially was as dauntingas discovering techniques for producingartificial radioactivity, nuclear power orsynthetic forms of DNA is today The properresponse i as people soon came to recognize)was not to outlaw the very' use of Fire:rather, it was to invent the legal concept of arson, and to develop effective legalsnactions, institutional mechanisms, publicsentiments and other practical safeguardsagainst the misuse of Fire. So, for all that Ican see, there is nothing “forbidden” or“impermissible” about the knowledge wecan get from Recombinant DNA research,provided that we are also taking seriouslythe practical question of safeguards againstimmediate harm, and eventual possiblemisuse of that knowledge.But this, of course, brings us back to allthose wider questions about the institutionsof science, and their role in the largernational life, that I set aside at the outset.Once we move beyond questions about thesubstance of the* Public Interest in theRecombinant DNA issue, questions aboutprocess still remain to be dealt with. Forhow should the interests of the largersociety have been represented in thediscussions that led up to the preparation ofthe NIH safeguards, for instance? Howshould the interests of the larger society berepresented in the discussion of majorpolicy issues involving the impact of newdevelopments in scientific technology of anykind, for that matter? All in all. I think adisinterested outsider is justified in sayingthat Dr. Berg and the High Command atNTH did a conscientious and respectable jobof working on those safeguards, in the ab¬sence of any proper institutional setup fordealing with the societal aspects of sciencepolicy. In the absence of any properlyrepresentative forum for taking suchdecisions (that is) they improvised asresponsibly as they knew how. But the factremains: What they did was a piece of in¬stitutional improvisation and. in con¬sequence, whether or not the safeguardsthey arrived at really did proper justice tothe legitimate interests of the wider public— and they very possibly did — that justicewas not, and could not have been, seen to bedone.So I end with a plea In our concern oversubstance of the risks (and the other largerissues) posed by Recombinant DNA, do notlet us lose sight of the longer term problemsabout process. Since 1945, the naturalsciences have moved into a new epoch, inwhich their conduct and priorities havebecome a matter of importance not merelyto themselves, but also to the larger Com¬monwealth: and. as a result, the scientificcommunity is having to learn — painfully,but inescapably — to accept a new kind ofaccountability, and to see its programsscrutinized by social as well as intellectual,Baconian as well as Newtonian standards. Agreat deal of hard feelings and conflict ofinterests will be circumvented and avoided,if the public representatives of the scientificcommunity will only acknowledge that, inthis new. Baconian epoch, the larger societydoes have a legitimate interest in the sup¬port and the conduct <as well as the out¬come) of research in the natural sciencesFor that will mean acknowledging also theneed to collaborate in devising andestablishing the new institutionalmachinery we need, if we are to have someassurance that the legitimate interests ofboth Science and the larger Commonwealthare given their proper weight when all thosefurther issues begin to arise in the future, ofwhich the problem of Recombinant DNAresearch is only one early, though difficultand contentious example.Stephen Toulmin is a professor in theCommittee on Social Thought and thephilosophy department. “The Public In¬terests" was delivered before the NationalAcademy of Sciences Forum on Recom¬binant DNA Research last month.The Chicago Maroon—Friday, April 15,1977— 5LinguisticsBOOKSALE40-60% off listin Hyde Park 500 Titlesat our Wabash Warehouse3,000 titlesOver 100,000 volumes inmodem European, & classicallanguages; French, German,Spanish, Italian, Slavic,ScandanavianGreek, LatinPOWELL'S BOOKSTORE1501 East 57th Street 1020 S. Wabash Ave., 8th Floor9 A.M.-l 1 P.M. Everyday 9 A.M.-5 P.M. Mon.-Sat.955-7780 341-0748 a f t i - i' { J6 SALES with rservice is our <_BUSINESS nREPAIR specialists<P on IBM, SCM,Olympia & others §c Free EstimateAsk about our >X RENTAL withoption to buy An New & Rebuilt£ Typewriters <Calculators00 Dictators 4-AddersU U. of C. Bookstore5750 S. Ellis Ave. <i>9V 753-3303Y MASTER CHARGE, ooe BANKAMERICARD Va U C ” - i ! t ***r,*"^L“ ■««*■• <**»*•«*“TRIUMPHANT...”GEORGE GERSHWIN S MUSICALi\H2V•1) “A MASTERPIECE!!”* ' • «3 WEEKS!!APRIL 19 through MAY 80RK1NAI BROADWAY CAS!Preview Tues . April 19 at 8 00 P MS11 50 9 00 7 50. 5 50 3 50lues Wed Thurs ai 8 00 P M Wed & Sat Matineesat 2 30 P M S12 50 10 00 8 50 6 50 4 50En & Sat at 8 00 P M Sun Matinee 3 00 P MS15 00.12.50. 11 00 9 00 7 00No high price seats available lor Tues & Wed eveningsariecrowntheatre IICKFTS ON SAI I NOW hi BOX OFFICI,tnd hi IICKI IRON OUTLETSSMI K IMhiISs SIOIR.Foe Croup Sales Call (312) 791 6190McCORMICK place on the lakeCHICAGO ILL 60616 A IHtAIAt GUILD AtH RICAN IHIAIAI SOCItH SUOSCa^TKlWATTAACIKW%Center for Middle Eastern StudiesUniversity of Chicago"HOW GOOD ARE THE PROSPECTS FQR PEACE INTHE MIDDLE EAST?"Leonard Binder, Prof, of Political ScienceUniversity of ChicagoMonday, April 187, 1977 4:00 P.M.Social Science 1221126 E. 59th St.Faculty and StudentsMay 2nd will be the last day Spring quarter books will be on sale. The text¬book department will officially close after this date. All students who wishto purchase textbooks must do so before this date.I ask that instructors who wish to add books to their reading lists make all ad¬ditions two weeks prior to May 2nd. Every effort will be made to expediteyour orders so that your late adoptions will be available before our closingdate.All books that are presently back order with the publishers because they wereout of stock when the original order was placed will be cancelled on this date.THE UNIVERSITY OF CHICAGO BOOKSTORE6—The Chicago Maroon—Friday, April 15,1977The Chicago Maroon's Weekly Magazine of Criticism and the ArtsBy Carl LavlnThree local galleries are mouniing unique and distinctive exhibitionsthis month - each show representing a facet of the art world seldom seenin Hyde Park. Each show also reflects the special characteristics of thegallery in which it is displayed.The University's Smart Gallery, adjacent to the art history building, isacademically oriented and prone to posting wordy descriptions next toeach item in an exhibition. Typifying this attitude is their current showThe Trained Eye: The Art Historian as Photographer. It is not an artexhibit nor a photography exhibit - it does not display paintings andsculpture as works of art nor does it display photographs as works of art.It displays photographs of works of art. In this exhibit the prime teachingtool of the art historian is given featured space, substantially raising thestatus of this academicians aid.On the other side of campus the Bergman Gallery has mounted Elec¬tronic Media, an exhibition in which the focus is on the art objectsthemselves rather than written or photographic descriptions. This show,put together by Larry Smolucha, a graduate student at Midway Studios,is an example of the freedom given to at least one group of U. of C.graduate students. Bergman gallery has consistently cooperated withindividual art students to exhibit shows like The Compass Bar andElectronic Media, which contain holograms, television screens, andblinking neon lights. There is also a collection of six or seven video tapeswhich can be viewed during gallery hours.The Hyde Park Art Center has on display an art show different fromeither the Bergman's or Smart Gallery's, and also different from anyshow it has previously displayed. The juried landscape drawingexhibition is the first such show in the Center's 38 years. Working within avery loose interpretation of the words "landscape" and "drawing" thejury of three chose 26 works from the 93 that were submitted. Three $100prizes were awarded, as were 6 honorable mentions. The exhibit wasfunded by the Illinois Arts Council and the drawings represent works byIllinois artists. Almost all are for sale with prices ranging from $40-300.The prices are reasonable - especially the lower ones, as there seems tobe little correlation between price and quality (even the judges gavehonorable mentions to two of the lowest priced works).Smart Gallery5550 S. GreenwoodTu-Sat 10-4 til May 1Sun 12-4 Bergman Gallery4th Floor Cobb Hall5811 S. EllisMo-Fr 10-5 til April 22Sat 12-5 Hyde Park Art Center5236 S. BlackstoneTu-Fr 11-4 til April 23Sat 10-5 Art InPhoto by Rolf Achilles Hyde ParkPhoto by H. VanderstappenFor White Girls Who Have Considered Second BooksBy Karen HellerHow To Save Your Own Life, byErica Jong. 310 pp. Holt, Rinehart &Winston. $8.95,Self-styled confessions seem to be thecurrent rage. Authors thinly disguisethemselves as the protagonists of theirlatest works. In Couples, John Updikecomes so close to fully documenting thedisintegration of his own marriage thatin the end it backs off, leaving thereader in limbo as to whether the herostays with or leaves his wife (althoughwe know the author has). On the radio,Jackson Browne and Joni Mitchell,among many others, regularly croonabout past sins and tragedies. But noneof this candor can compare to How ToSave Your Own Life, the record ofErica Jong's latest visit to the con¬fessional box. And we, as her readingpublic, are asked to be confessor,outwardly admonishing the kink whilesecretly lusting in our hearts to ex¬perience the same.In Fear of Flying, Isadora Wingfantasizes her own Last Tango In Paris,of meeting a man on a train, sleepingwith him and then leaving withoutdispensing of words or emotions. Butinstead of living-out her dreams, shebecomes involved in a cumbersomelove affair that swells into a menagea'trois consisting of herself, herhusband and lover (both psychiatrists)which ultimately drives Isadora andher neuroses back to her husband. Inthis sequel-of sorts, Isadora has"wisened-up," abandoning her fantasyof the 7ioless tuck only to replace itwith countless others. Unlike theearful Isdorf the ng ‘saaorp doesn't bother to articulate and dreamabout her fantasies, but simply enactsthem.Isadora has become famous for herone novel, a rather risque psuedo-autobiographical work thatunabashedly announced her sexualdesires. But success has not reallychanged Isadora. She remains boredand frustrated in her marriage andplans to leave her husband, but notwithout seeking counsel from hernumerous close friends and lovers. Allof these characters are so pain¬stakingly detailed and witlessly named(by now a Jong trademark) that I canonly imagine that her real friends andlovers were so hurt by their exclusionin her last novel that Jong promisedthat they would receivt doeTiommaae^ this one After all this trouble onIsadora's/Erica's part and pain onour's, the heroine still can't manage toleave her husband. He is brieflydescribed as a calm, ever-understanding and private man. Inlight of Isadora's personality, it is farmore difficult to understand thereasons why she married him in thefirst place than why she can't part withhim. We never know why she can'tleave — we are only told that she cannot. This is one of several assumptionsthat Jong makes on the part of thereader. But with the realization thatWinq has had an affair (as if she hasnot), it is enough for her to fly — if onlyfor a short distance.Our new Isadora is coo! and smart.She has an affair with a rich marriedwoman. She partakes in an intimateand tasteful orgy after snortingcocaine. And she leaves New York forHollywood, speckled with jacuzis,jaguars and tanned millionaires. Ac¬tually, Isadora has neither flown norfled to California, she has come forbusiness reasons. The screenplay andpreparations for her successful bookare not going well (much like Jong'sown mishaps with Julia Phillips intrying to make a movie of Fear ofFlying). Most of the movie peopleIsaaora meets are aggressive andhorny. But she protects herself byreciting her mantra, keeping alphastate and writing erotic poetry (a dozensamples of which are appended in theback of the book).Finally Isadora meets the man she'salways wanted. Josh Ace is a hand¬some, sneaker wearing, dope smoking artist-type, a graduate from aprestigious East Coast school and theproduct of a good upper middle classJewish family. Wow. He's tender,understanding, and at once devoted toIsadora and — could you have doubtedit — several years her junior. The bookcloses with Isadora a reborn, in¬dependent woman having taken flight,the red-eye to be exact, into the arms ofanother man, thereby saving, or atleast salvaging, her own life.Where Fear of Flying was often wittyand sassy, How to Save Your Own Lifeis merely smart-alecky. There isconstant literary name dropping.Hollywood agents are named Danteand Spinoza. Isadora makes countlessreferences to the plethora of aestheticwriters she has studied. Obviouscharacterizations of Anne Sexton andHenry Miller are disguised underdiaphonous-like names. The irony ofthis is would Jong have met Miller andother notables, had all these dealingswith people in the film industry andexperienced many of the fictionalizedevents in How To Save Your Own Life ifshe hadn't written Fear of Flying?Jong's pulled the ultimate in personalconfessions: she's written a secondnovel about the consequences ofwriting the first.Certainly no one need to be famous inorder to write an interesting fic¬tionalized biography. Fear of Flyingproved this. But personal confessionsdescribing all that we ordinarily don'twish to know, are hard to empathizewith unless we've come to respect theartistry of the writer. It's impossible todo this with Jong as all of her artistryconsists of confessing.The Grey City Joumal-Friday. April 15. 1977-1If truth be told the real reason that Ichose the University of Chicago overany other institution of higher learningwas because of a band called The ArtEnsemble of Chicago. When I wasyounger a math teacher who had mybetter interests at heart had loaned metwo albums: Miles Davis' Kind Of Blueand As If It Were The Seasons byJoseph Jarman. I liked the Davis and Iwent nuts over the Jarman.When I found out that the Universitycampus was only ten blocks from thehomes of the musicians I idolized, Ienrolled, no questions asked, only todiscover when I got here that almost noone had even heard of the Art En¬semble of Chicago, and the musiciansin turn had left the area for more ap¬preciative audiences in other parts ofthe country and Europe.Well, the Art Ensemble is back,playing a three night engagement atthe Jazz Showcase this weekend. It isthe first time it has performed inChicago in over two years.The Art Ensemble of Chicago is nowrecognized as one of the mostsignificant organizations in jazz. It hasinfluenced out music in major waysand has taken first place in the smallband category away from the ModernJazz Quartet, a group which held it foralmost twenty years.When jazz fans think of the Art En¬semble, what immediately comes tomind is little instruments. These bells,whistles, gongs, drums, andmiscellaneous klackers were originallyintroduced by Joseph Jarman tocompensate for the absence of a per¬cussionist. Philip Wilson, the originaldrummer for the Art Ensemble, ran offin 1967 with the Butterfield Blues Band(he is now back in New York playingsteadily with Chicago musicians) andrather than sacrifice the highly refinedqualities of the ensemble by enlisting anew drummer, the members turned tothe little instruments, which gave theArt Ensemble's music a rhythmicclarity and complexity totally new tojazz. Now the use of little instumentshas filtered down to all levels of music,and performers as varied as Earth Wind and Fire and Keith Jarret rely onthem.Like other great ensembles, the ArtEnsemble of Chicago is comprised ofmusicians with perfected, highlyrecognizable musical personalities.First there is Roscoe Mitchell, thefounder of the group.. He is concernedmainly with complex thematic im¬provisation, his music is highly in-tellectualized, frequently composed.By itself Mitchell's music would befascinating but dry, many listenersturned off by its exam room tone.Fortunately it has found its perfect foilin the music of Joseph Jarman.Jarman is much less concerned withthe possibilities of improvisationalvariations, much more with a multi¬linear progression of feeling. If youenter in the middle of a Jarman pieceyou feel you have missed nothing,because the flow of simple andbeautiful sound is so catching.Together these two reedmen create the tensionwhich is at the core ofthe Art Ensemble.Both are brilliantim provisors,accomDlishedon everyinstrumentin the reedfamily, andbetween the twois a dense musicalworld.The third wind in theArt Ensemble is LesterBowie, a proficienttrumpet player withroots in rhythm andblues. His style is force¬ful and direct, complementing wellmusical compjexities ofJarman the and Mitchell. He is the brat of the ArtEnsemble, shouting and screaming inrhythm.Malachi Favors is the bass playerand his original style is perfect for thedemands of the group. Besides hismusical contributions, Favors' pan¬tom ines on stage give life to thetheatrical side of an Art Ensembleperformance. His games and jokesnever detract from the music but giveadded clarity to its meaning.Don Moye, the newest member of theensemble, adds the finishing touch asthe percussionist which everyone haddreamed of. I have written about Moyebefore, so here I will just re-emphasizeMoye's unique ability to embodyalmost pure rhythm. He uses his bodyto create complex, polyrhythmicpatterns and adds a theatrical touch,not through pantomime, but throughhis ryhthms.A performance by the Art Ensembleof Chicago is an incomparably rich event. Besidesthe individual talents ofits members there isalways a groupinspired visualconcept. They areat the Jazz Showcasetonight through Sunday. Call 337-1000 forfurther information.On Sundayat 8 o'clock AnthonyBraxton will play a duetconcert withMuhal RichardAbrams at the Museum ofContemporary Art. Anyonewho heard their recent\ duet album alreadys knows the wonderfulcommunication between Tnese two anisic. «mriuriyBraxton, the enfant terrible of theAACM, has matured into one of themost highly creative composers andimprovisers in jazz. Not least amonghis talents is his ability to lead a groupand build a performance around thespecific demands of the men he isworking with. In Muhal RichardAbrams he has the perfect partner.Abrams is an empathic genius whoholds group expression above per¬sonal expression! Together, the twomen are capable of wonderfully in¬timate and beautiful music. A friend ofmine once observed that one of thenicest things about Anthony Braxton isthat he never plays anything which isnot enjoyable. The same is true forMuhal Richard Abrams and togetherthey can probably inspire the biggestsmile Chicago has seen all year.The next night, Abrams and Braxtonreturn to the Museum of ContemporaryArt but this time the program is en-ii -led Abrams, Braxton and friends. Asof this time Henry Threadgill, reedman with Air, and George Lewis,Chicago's gift to the trombone, arescheduled to appear. There is no way ofbeing sure exactly what will happenMonday night, but it is guaranteed tobe a straight ahead blowing sessionwith more than its share of great solos.With all of the musicians in town thisweek, there is going to be a hell of a lotof spirit around and I suspect it will allspill out Monday night.For those loyal music lovers whohave not had enough, Tuesday, Muhaland Braxton play a one night stand atThe Wise Fools pub. By Tuesday theword should have spread that this is aweek like we won't see again for a longtime, and I expect there will be a sell¬out crowd.I know on first glance this seems likean awful lot of music for one week, butin truth it is just the right amount.Good music, something heard lessoften than many people would have usthink, always leaves me with a desireto hear more good music. And chancesare if I finish my homework Tuesdaynight and I want a beer, I will get it atj DOC FILMS PRESENTS: Jean Renoir’sy La Petite Marchande D'Allumettes\ . The Rules of the Game & . -ifi La Chienne1 Fit 15 7:15 & 9:30 Cobb Hall $1.50 Jues. 19 7:30 & 830 Cobb Hall $1.502-Th* Gr#y City Journal-*'iday; 9pfM !5, 1977ABC ClassicsBy Richard BrownABC has decided to get serious about itsclassical record label, ABC Classics, whichwill now include a full-priced album series,both foreign and domestic, with music fromall periods and all genres. Its first notableoffering is the prestigious German SEON[abel, which will be genuine competition toTelefunken's Das Alte Werke series andDeutsche Grammophon's Archiv Series.Created in 1971 by the previous director ofDas Alte Werke, Wolf Erichson, the SEONline is a superbly produced and engineeredlabel concentrating on music from theMiddle Ages to the early Romantic period,played on instruments of the period.Featured are such fine musician-musicologists as Jaap Schroder, GustavLeonhardt and Frans Bruggen, whosenames you will surely remember afterlistening to their performances.ABC's SEON is more than just a vehiclefor “all the old music that you're missingand should be listening to." Each recordprovides a lengthy, scholarly-but-interesting history of the music and in¬struments on the album (generally on aseparate sheet, in three languages). Themusic selected is not esoteric, rather mostof it is immediately enjoyable. There isn'tthat dry quality usually associated withearly music series. Furthermore, theengineering is perfect — as if the in¬struments are being played right there inthe room. There is great clarity combinedwith a certain warmth.At the risk of running out of superlatives,I've selected the five best of the newreleases:Antoine Forqueray: Pieces for Harp¬sichord: Gustav Leonhardt (harpsichord),ABCL 67009Strangely enough, some of the things thatatttract me to jazz and rock also attract meto Forqueray's music. It is very virile,possessing a certain sexual power.Forqueray is an unfortunate victim of timebut he really deserves remembering. Heprobably fits into the Rococo period ratherthan the Baroque as the notes say, seeinghow heavily ornamented and thick-texturedhis compositions are. Especially interestingare his adventurous harmonies andintense rhythms. The music is distinclyFrench (but in the Baroque-Rococo period,that was not undesirable), and it has a lot ofcharacter. Oriqinally it was scored for theviola da gamba, but it sounds right at homeon the harpsichord (Forqueray's son did therescoring after his father's death).Gustav Leonhardt is something of anearly keyboard music genius, playing theearly organ and harpsichord pieces withequal finesse and musicality. This is one ofthose great harpsichord performances, andthe reproduction of the harpsichord soundon the record comes frighteningly close tothe real thing.F.J. Haydn. String Quartets Op. 20, Nos. 2and 4 (Sun Quartets); Quartetto Esterhazy,ABVL 67011 Those original instruments sure soundgreat on this album. At first they seem alittle odd, but they have a pleasant darknessto their tone color that really suits them tothe Sun Quartets, and their sound becomesmore addictive with each hearing. Thepieces, written in 1772, were composed atthe end of a very stressful and creativeperiod in Haydn's life. They represent alarge musical step forward in that they giveequal importance to all the voices indeveloping the thematic material at a timein history when the lower voices are mainlyused for accompaniment. The composerbecame bolder harmonically at this time inhis life, and relied more on the contrapuntaltradition of the late Baroque period (thefourth movement of the Op. 20 No. 2 is afugue). There's more than just historicinterest in the music, and the Dutch quartetdoes a beautiful job in making the musicwork.The Baroque Lute, Vol. 1 (Works by Bach,Kellner and WEISS): Eugen M. Dombois(lute), ABCL-67006Like classical guitar music, I could listento lute music for days on end. Especiallywhen the luteist is Eugen Dombois, whoforgets that his instrument is supposed to beweak-voiced. In his hands the lute is capableof both power and sensitivity, and the tonehe gets is uniquely appealing. The com¬positions on the album were written in theearly 1700's, during the German HighBaroque lute revival period. They are ascontrapuntal as lute music can ever get, andare really interesting. Bach's Prelude,Fugue and Allegro in E flat strikes me asbeing more suited to the keyboard than thelute, however, and Weiss and Kellner seemto be more at home in this idiom (Weiss wasa virtuoso lutenist, and was also the highestpaid instrumentalist in the Dresden Court).J.S. Bach: Musical Offering BMV 1079;Gustav Leonhardt (solo harpsichord andconductor), ABCL-67007 As the story goes, at a performance atPotsdam in 1747, Frederick the Great askedBach to improvise on a theme with adescending chromatic passage, believingthat this would be of the utmost difficultyeven for a musician like Bach. Well he wasWRONG, and after improvising on thetheme to the amazement of the audience,Bach went home and wrote numerous piecesbased on the it, lumped them under the :name of Musical Offering, and dedicatedthem to the King. A whole album of thesepieces tends to get dull, but taken in¬dividually, each is a musical gem. TheMusical Offering is one of Bach's mosttalked about later works, and it is veryrepresentative of his later style. Forexample, he returns to a more dense, strictcontrapuntal type of composition, and no jlonger specifies which instruments shouldplay the music (the first piece on the recordis in the form of a ricercare, which is a form jthat had been abandoned). There's nothingwrong with the performances on the album,but there's also nothing in particular that's 1exciting about them.W.A Mozart: Concertante Movements andViolin Concertos on Original Instruments (2discs); Jaap Schroder (violin), FransBruggen (conductor) Mozart Ensemble ofAmsterdam, ABCL-67010-2The violin concertos are certainly morereserved and moaest in proportion toMozart's piano concertos and his laterworks, but they offer an interesting insight ‘into the development of his style, as hebecame more sure of himself. None of the jpieces will jolt you — they're unassumingbut at the same time they're genuinely !attractive. I take exception to one critic's jobjection to Mr. Schroder's use of theBaroque violin, not only because I think its ireedy sound is nice and adds to the flavor of jthe music, but also because it was probably iused originally in the performance of these jpieces (that's supposed to be Mr. Schroder's 1specialty). A commendable performance bythe first violinist of the Quartetto Esterhazy. RecordReviewBy Mike McGrealSfarz “Violation" SW 11617Starz's latest offering, “Violation" is aninteresting album despite its inconsistency.Particularly interesting is the fact that sideone contains some remarkable rock androll, while side two meanders around in theall-too-familiar drive of pretentions tick-tock hard-rock-sheep-dip, which is preciselywhy their debut album for Capitol Recordswas utterly forgettable. However, “Vi¬olation" does have its moments. “CherryBaby" is a tight, relentless rocker whicnbenefits from the crisp production by JackDouglas. Lead Singer Michael Lee Smithtemporarily abandons his usual tirade tiredcliches's, and turns in a fine Hollies-DaveClark Five vocal performance. “CherryBaby" would be an excellent selection for asingle, although the tin-eared AM stationsmay ignore it on account of the currenttrend of disco and schlock-rock. "Rock SixTimes" and “Sing It, Shout It" also are well-pronounced, featuring fine, rippling guitarwork and tight harmonies, remarkablysimilar to the impeccable production of theBoston album. "Shout It" is particularlyfine, in the mold of Bachman-TurnerOverdrive's alternating acoustic-poundinghard rock approach which earmarked theirbest work. The title cut fails miserably associal commentary, but is musicallymemorable nonetheless.It is apparent that Starz have progressedfrom their lackluster first album, and theinitial segment of "Violation" suggest this.Unhappily, they disintigrate musically onthe second side of this album. Although “IsThat a Street Light or the Moon?" cannot becategorized as hard rock. It unfortunately isas inane as its title suggests. “SubwayTerror" is comic; Smith's lyrics renderHawkwind deserving of textbookpublication. “Terror" is a ridiculous sexualinnuendo; Lyrics such as “Do You KnowHow To Play A Harp?" Certainly do notmerit the highly irritating screams Starzdeem necessary at the opening and closingseconds of the cut. The idea should be tointerpret the song, not merely demonstrateflash for flash's sake. “All Night Long" and“Cool One" are hopelessly lost in heavymetal distortion and chaos. "S.T.E.A D.Y."is too much for its frail bones to handle; itreminds one of Uriah Heep backgrounddrone and “complex" Black Sabbath chordprogressions. Inject all this into the Faces'framework of Rythmic disorganization,(something only the Faces were able to doeffectively!) and you hear the ultimateheavy metal belch.Starz definitely have the potential tocreate totally acceptable music, and thefirst side of this album proves that. I for one,intend to play it quite often — at maximumvolume, of course. But until they avoidperformances such as the second half of"Violation," Starz seem destined to join thegrowing ranks of theatrical stonesimitators.JoMpft Green Picture* prmanta THEMARTYRStarring Leo Genn In ColorHILLEL FOUNDATION5715 Woodlawn[ SATURDAY. APRIL 16. 8:30 P.M.Hiiiel Affiliates a. c Contributors $1 00Others- $1 50 PROF. JACOB NEUSNEROF BROWN UNIVERSITY, LEADING JEWISH SCHOLARAUTHOR OF HISTORY OF THE JEWS OF BABYLONIARABBINIC TRADITIONS ABOUT THE PHARISIES &MANY OTHER VOLUMES, WILL SPEAK ON:JEWISH STUDIES INUNIVERSITIES: WHAT’SGOING ON? n There ISThere IS « difference!!!PREPARE FORGMAT • ORE ' OCATVAT • SAT Yi* *ECFMG • FLEXNAT! MEDICAL BOARDSNAT1 DENTAL BOARDSOur b'Oia ■ir'qe o’ programs P'Ovaes an umfena or restng *np»-no* ’hat enab as ul ’o o''er "re Bast e'eraa’ onavailable no m*rre, <*’,'cn course <s taaen Over 38 year?ot etoer ence ana success Sm*n c »sse« Voluminousnome stuSv "ate'ia's Cou-se* ’hat a>e rcns'ar'iy upsatea Permanent renters open days eve- "gs 8 *eekenos an year Comp'ete tape fact'r es tor ot class•ssor-s a"fl 'O' use or supc'nm-niary materia1* Mate uos•o< m,sseo .essons a< ou< ce'tersSPRING,SUMMER7WINTEH COMPACTSMOST CLASSES-fi WEEKS 3EP.EXAMCOURSES SOON TO COMMENCE;GRE-LSAT-GMAT-SATTho Greg City Jcurnai-Friday, fiofii IS, 1977-3“Sirens of Titan”: MutedBy John LanahanWhen I heard that the Organic Theaterwas planning an adaptation of Kurt Von-negut's sci-fi epic The Sirens of Titan, Iprepared myself for a theatrical coup. WhatI saw last Thursday was a technically im¬pressive, but far too clinical rendition ofVonnegut's Interplanetary romance. Thedirector, Stuart Gordon, failed to gel thework into an organic entity. He tried so hardto keep the narrative line of the story that helost touch with the theatrical impact of theshow, it had a mechanistic quality and Inever thought I would use that term todescribe Gordon's work. The piece hasenergy, but it is static not dynamic. Thereare a number of special effects, many ofwhich come across as a flashy gloss to coverup the underlying lack of action. To makethis show work would be a far from easytask, especially since most of the charactersof Sirens, like most characters in romances,are pawns in a larger epic framework. Ithink Gordon got swamped by a work hecould not adapt without losing the cross¬cutting and narrative commentary thatprovide a unifying life in the novel, but donot work well on stage.The cast had difficulty with the show,especially those members who playedlarger parts. Ian Williams as the hero,Malachi Constant, had very little to grasp,since his role is that of the ultimate victim offate who finally, through phenomenal goodluck, attains happiness and enlightenmenton Saturn's vernal moon, Titan. CarolynPurdy-Gordoo suffered from the same lackof available character as Beatrice Rum-foord, the frigid society lady who becomesMa I achi's eventual mate on Titan. OennisFranz, as Winston Niles Rumfoord, the NewEngland Brahmin caught in the chronosynclastic-infundibulum and fated to be aPromethian pawn of the distant planetTralfamador, had the only major role thatpermitted an inkling of character. Franzmanaged, by giving the role the patriciangrandeur and lurking power of FDR, toportray the struggle of a wise and basicallygood man with forces he cannot control orunderstand.The smaller roles were generally ex¬cellent thumb nail sketches. Joe Mantegnawas fun as Boaz; and Keith Szarabajka, asBobby Denton the evangelist, had a redneckvigor that was like a shot of lysol. RobertaCuster was good, but underused as Malachiand Beatrice's son Chrono; and Michael A.Saad was wonderful as the hardass officerof the Martian Army. Richard Fire wasbrilliant as Salo, robot messenger fromTralfamador, who has been shipwrecked onTitan. The scene in which Salo disembowelshimself while crying "greetings" on the in-breath, and then screws off his head, wasthe only moment of wonder that I had come to expect from Organic productions.The set, by James Maronek, was simplebut flexible. It was basically a cycloramamade of what appeared to be plasticclothesline strung to form an involutedcurve across the back of the stage. Onto thiswas projected slides and lights, and throughwhich materialized various members of thecast. The lighting, also by Maronek, wasgarish and flashy, and added to the clinicalquality of the show. The costumes, byMaggie Bod well, were fine — Salo'scostume was a stroke of genius. The music,composed and performed by Richard Fire,was recorded, and distracted from theproduction about as much as it enhanced it.These last few years I've had to admit tomyself that I am hopelessly addicted to the theatrical art form, and that my principalconnection has been the Organic TheaterCompany. I look to them with a mingledtrust and dependence that they will alwaysgive me my monthly theater fix. This time Igot burned. The Sirens of Titan continues adisturbing trend I have seen in recentOrganic productions, of extreme technicalcompetence masking an ebbing theatricalvitality. Sirens is an ambitious and em-pressively successful translation of amodern prose epic, but I remember it moreas an exercise in dramaturgical andtechnical gymnasics than an enjoyableshow. It is worthy of study, but I didn't getoff on it.The Sirens of Titan plays Fridays throughSundays at the Leo Lerner Theater, 4520 N.Beacon Street, in Chicago. Call 271 2436 forticket information and reservations. Thereis a one dollar discount for students. “Grease yyCarolyn Purdy Gordon in Slrensof Titan By Esther Joy SchwartzNo country loves lost innocence likeAmerica, and recently it's been making goo-goo eyes at the '50's, those seemingly deepfreeze years when the kids of theE isenhower age were growing up in thenation's high schools, getting ready tobecome the counterculture, and all that.The old music, with Its Buddy Hollyhiccups, its Little Richard yodels, itsyackety-yacks, and sha-na nas, has beenreissued repackaged and re-enlisted in theettort of a titanically self-consciousgeneration to get a firm grip on its identity.All this has the great American mixture ofmelancholy and fun, a mixture caughtengagingly by Grease.The show's title places us in the pre¬history of Hair, those wet-look years ofducktaiis and pointed bras. The story, set inRydell High School, focuses on the activitiesof a highschool class — lunchroom gossipand plotting, a pajama party, an abortivegang rumble, a school dance, a pregnancyscare, and holdout virginity. Rydell Highbecomes a vivid and humorous microcosmof an age already popularized by suchtelevision shows as "Happy Days" and"Laverne and Shirley." Notches abovethese inanities, Grease is exquisite andexcruiating in its details, from the boys'ducktail haircuts, leather jackets and cool,hang-loose slouches to the girls' cinch belts,nylon blouses, ballet slippers with whitesocks, pedal pushers and black gang-jacketsA smart and lively cast offers a comedy otmanners, capturing the ticks and twitchesof an uncertain generation. Underneath itsB-movie surface Grease is acerbic onquestions of pride, profession, sex, andeverything that shook the earth for 50's kids.But, mostly it is hugely entertaining; JimJacobs and Warren Casey have handled thebook, music and lyrics well. Their songs(what titles!: "Shakin' at the High SchoolHop," "it's Raining on Prom Night," "Bornto Hand Jive") pivot nicely on a swit¬chblade edge of parody; "Look at me I'mSandra Dee/Lousy with Virginity."Laughter cascades over the tootngmswith every reference to "Making out,"exchanging school rings, going to proms instrapless dresses, staffing Kleenex intobras, and using fake ID cards to get intobars. But behind the laughter isbemusement. Certainly the audiencemembers can identify with it all, but theyare greatly astonished that this is the pastalready.Grease will be playing at the OperaHouse, Wacker at Madison, through Sun¬day, April 24. Call the Student ActivityOffice, 753-3591 for information on studentreduced ticket pices.It’s a Matter of GravityBy M. AnatemnoThis is not so much a theater review as itis a warning. If you admire KatharineHepburn, avoid seeing her in "A Matter ofGravity," which is now playing at theBtackstone. If you don't particularly likeHepburn, there is no reason why you wouldwant to see "A Matter of Gravity" — if ispossibly the worst play to come to Chicagoin years.It is so bad that it is a challenge to rational:riticism. The play is supposed to be a:omedy, but it lacks humor; it also lacks a>lot, character development and action. The>!ay flits about, pretending from moment tottomenf to be poetic, socially relevant,whimsical, insightful and even surreal. It Istone of these things for more than a fewseconds at a time and its lack of a consistent'heme or style seems to have been too muchFor the actors and director. Members of the:ast stand around the stage looking like theyJon't know what they are supposed to do andsnd up doing nothing.The question then arises: What isKatherine Hepburn doing in a play like this?If you've seen a couple of Hepburn moviesihe answer is obvious. In "A Matter ofSravlty" Hepburn plays a slightly ec:enfric, very energetic, free spirited, independent woman. This is the type of rolehat she pioneered and that she is mostamous for. By her own description this ishe type of person she is in real life. She isjius type-cast in "A Matter of Gravity/' theThere are no understudies tor Hepburnplay is a vehicle for her atone.Hepburn is at all times the mainstay of theplay and the fact that she performs the partof a grandmother from a wheel chair (sherecently broke an ankle) accentuates herpresence on stage. It might have beenpossible for Hepburn's effervescence tohave buoyed up the production, in fact sheseems to overact in a vain effort to keep thisworthless wreck afloat. The play however,doesn't have enough structure to bear upunder these manoeuvers. Hepburn is too bigfor this play; the contrast between hergrandeur and the rest of the show is toolarge. "A Matter of Gravity" might haveworked, if Hepburn had a strong proponentor opponent (Spencer Tracy?) to counter¬balance her force. The play however hasnothing and in the final analysis Hepburnonly helps sing the show.Katharine Hepburn, who has been aprofessional actress since she left BrynMawr College in the 1920's, developed adevoted following over the last 50 years. Thefact that alt weekend performances of "AMatter of Gravity" are sold out throughApril attests to the numbers and allegianceof her fans. The promoters of this play knewfull well that the show would sell and haveput out little in the way of advertising.For all those fans who haven't yet boughttickets, stay home and watch the old movieson TV. Katharine Hepburn reached greaterdramatic heights when she played Jane inearly Tarzan movies. Peter Syvertaen4-Th* Gey City Journal-Friday, April 15,1977 99An epileptic idiot, a giant glass cube, anda barking femme fatale inhabit the weirduniverse of Robert Montgomery s Subject toFits, opening April 15 at the New Theatre ofthe University of Chicago Court Theatre.This play, described by its author as an"unfaithful response" to Dostoevski's TheIdiot, was the hit of the 1970 7} New YorkShakespeare Festival season, and has beenperformed by the Royal ShakespeareCompany and theatres throughout NorthAmerica.The production, directed by LeslieAuerbach, runs Friday, Saturdays andSundays, April 15-17 and 22 24, at 8:30 p m.The growth of a vital theatrical com¬munity at the University of Chicago isshown by the prominence of several Subject■ to Fits company members in other of thism spring's productions in a variety ofcapacities: actor, director, stage manager,designer and author. These productionsinclude the recent hit Heartbreak House, ALittle Night Music, and upcomingproductions of Shelagh Delaney's A TasteOf Honey (April 29 May 8), Terence MeNatly's Bad Habits and Harold Pinter's TheLover (May 13-22), an original drama,James, (May 27-June 5) and Stephen Sendheim's Follies (June 3 5only).The New Theatre Is located at the cornerof Fifty seventh Street and UniversityAvenue, on the University of Chicagocampus Tickets for Subject to Fits are *2.00for general admission, and *1.50 for studentsand senior citizens, and may be reservedweekdays at 753 3581.FilmBy Karen HellerAdmission to the International House,weekend Doc, CEF and Law School films is$1.50. On the weekdays, Doc, CEF and LawSchool films are $1.00. Admission to theNAM film is $1.00 for Doc Pass holders and$1.50 for ail others. NAM, CEF films will beshown in Cobb hall. CEF's presentation ofMichaelangelo Anronioni's Blow Up onThursday will be in Kent 107. InternationalHouse films will be shown in the I Houseauditorium. Law School films will bepresented in the Law School auditorium,1111 E. 60th Street.Rules of the Game (1939), directed byJean Renoir. (Doc) One of the greatest filmsof all time. Simply, the story tells aboutAndre', a young aviator, who loves anoblewoman but doesn't comprehend themost important rule of the aristocracy: takenothing seriously. This is broken when thegirl's parents take their friends to thecountry chateau for hunting and dalliance,and only pain and destruction can result.Underlying the director's divertissementand the characters' game there is a bit¬terness that is not a condemnation ofsociety, but a premonition of the comingworld conflict. As in ail of his films, Renoirrestores our faith by giving hope to thesociety, principally through two characters,Jurieu the lover and Octave the dreamer(played by Renoir). Highly Recommended.Friday at 7:15 and 9:30.Harry and Tonto (1974), directed by PaulMazursky. Harry, a retired teacher isevicted from his New York apartment. Thisbegins his Candide like travels during whichhe visits his three not-so grown-up children,a Las Vegas jail and a hungry prostitute. Atvarious times he is accompanied by a younggirl, his nephew (Joshua Mostel, Zero'sson), and almost always, Tonto, his cat (which is probably the most cutesy and leastattractive part of the film). Art Carney isexcellent as Harry. Ellen Burstyn appearsfor five minutes as his daughter andproprietess of a Walton Street bookstore.Like most of Mazursky's films, it is not agreat film but is very pleasant. Friday andSaturday at 7:00 and 9:30.Lies My Father Toid Me (1975), directedby Jan Kadar. (CEF) A young Jewish boygrowing up in a Montreal slum distrusts hisfather and his constant schemes ofbecoming rich. Instead, he looks to hisgrandfather, an Old World junk salesman,to answer his endless questions about lifeand religion. Over-production, principallyfully-orchestrated Fiddler on the Roof typemusic and schmaltzy cinematorgraphymarred the simple and moving story. Still,the film is quite nice in SDite of its slickne«cThe acting on the part of all the leads isquite good. Saturday at 7:15 and 9:30.Ualre's Knee (1971), directed by EricRohmer. (CEF) One of Rohmer's six moraltales. An honest, good man takes a trip tothe beach. He claims that he wishes to knowwomen only Platonically. But then he meetsClaire and her irrisistable knee (the left oneif I remember correctly). . . An extremelywitty yet personal film. Recommended.Sunday at 7:15 and 9:30.Bay of Pigs (Giron) (1973), directed byManuel Herrera. (NAM) "For a long time,"director Herrera writes, "capitalist cinemataught us to look at films, but only that: tolook. It never taught us to think." AlthoughBay Of Pigs is called a documentary, it is aprovocative attempt to mesh documentaryfootage with historical re-enacements shotand edited in the style of the Hollywood warfilm. Unlike Costa Gavras and Pontecorvo,Herrera and his collaborators do not ob¬scure the difference between truth andfiction, but heighten it with the aid ofalienation devices patterned after Brechtand Godard The film is one of the mostinteresting Cuban experiments in thenarrative form. Recommended. Monday at7:15 and 9:30.La PetiteMarchanded'Allumettes (1924), directed by Jean Renoir. (DOC) A roughversion of the Hans Christian Andersen talein pictures. A young girl (CatherineHessling) falls asleep in the snow onChristmas night and dreams of a handsomesoldier who tries vainly to save her. In thisfairyland between dream and life, peoplebecome confused with objects. The girlgazes through a snow covered windowtoward the inaccessible living world. Buther place is not there; she belongs withdeath and the soldier leaves her to die in thesnow. The film's delicate freshness is acredit to the director and his spiritual,rather than mechanical skill, with which hetreats the dream-reality transfer.Recommended. Tuesday at 7:30.La Chienne (193V,, directed by JeanRenoir. (Doc) Until last year this film wasalmost totally unavailable to Americanaudiences. A lonely worker, whose life isredeemed from its mediocrity by his lovefor painting, falls desperately in love with awoman of easy virtue. Duped, robbed anddeceived, he ends by killing her so that hewill no longer hear in her laughter the echoof his own self-disgust. The film is not apsychological study but rather the portraitof delineate characters set in a veryprecisely determined social milieu.Recommended. Tuesday at 8:30.Hangmen Also Die (1943), directed byFritz Lang. (Doc) A speculative reconstruction of the assasination of ReinhardHeydrich, Nazi "protector" ofCzechoslovakia. John Wexley's scriptestablishes the patriot assassin as thecentral protagonist and quarry in a savagemanhunt that ultimately involves the wholeCzech people. Although a few know thekiller's identity, no one informs against him,not even the girl whose father is put to deathon the suspicion of having sheltered thepursued man. With Brian Donlevy andWalter Brennan. Wednesday at 7:15.They Were Expendable (1945), directedby John Ford. A handful of gallant anddaring Navy men run their PT squadronagainst the Japanese in the first days of thewar, pick off the enemy ships as they come down upon the Phillipines and finally breakup in scattered remnants in the islands, stillslugging to the end. Robert Montgomery isthe laconic officer, John Wayne is hisexecutive and Donna Reed (rememberher?) provides a romantic interlude as anArmy nurse.Blow Up (1966), directed by MichelangeloAntonioni. (CEF) A Photographer (DavidHemmings) uses his camera to see andunderstand. In printing pictures ot twolovers in the park, he notices a gun comingout of the bushes, directly aimed at them.The photographer attempts to solve themystery but to no avail — proving onceagain that things are not always what theyseem to be and that two birds in the hand (orin purple paper) are worth more than onegun in the bush. An interesting film, butvastly overrated. In Kent 107. Thursday at7:15 and 9:30.Nothing Sacred (1937), directed byWilliam Wellman. (Law School) HazelFlagg (Carole Lombard) is given over toThe Morning Star and its ace reporter(Frederic March) after the veterinarian ofWarsaw, Vermont has given her six weeksto live, a presumptive victim of radiumpoisoning. The paper brings Miss Flagg toNew York to receive the key to the city,inspire ten seconds of bowed head silencefrom a crowd at a Madison Sauare wrestiinobout and to cast a lacrymal pall over theroisterers in a nightclub. Plus 1930's car¬toons. Thursday at 7:00.Libeled Lady (1936). (Law School) TheEvening Star faces a $5,000,000 libel suit forpublishing a story from London that con¬fused the wealthy Connie Allenbury (MyrnaLoy) with someone else, and had let it beknown that she stood accused of stealinganother woman's husband. The editor(Spencer Tracy) asks his star reporter(William Powell) to catch her in the act inorder 1o clear the suit. Powell poses as ahusband and Tracy's sweetheart, JeanHarlow pretends to be his wife. Recom¬mended. Thursday at 8:30.The Heart and Mind of Jean RenoirBy Henry Sheehanl began to look around me and, astounded,I discovered all sorts of purely Frenchmaterial completely adaptable to thescreen. I found that the gesture of awasherwoman, of a woman combing herhair in front of a mirror, of a peddler withhis wagon, often have incomparable plasticvalue.—Jean RenoirIf the much-abused term "humanism"could be applied to Renoir's art, and no oneelse's, it might still provide an accuratedefinition for his work as a whole.—Andrew SarrisAlmost everyone has heard of JeanRenoir. And many have seen Rules of theGame and Grand Illusion. Both of thesepictures fall under the heading of officialclassics, which means that when people goto see them they take the same attitude aswhen they go to church: they are willing totake a lot on faith. The basic issues of GrandIllusion are easier to grasp and the stylisticforce more readily perceivable than inRules of the Game, which has probably ledto greater audience appreciation. However,while it would be ridiculous to arguewhether one picture is "better" than theother, Rules of the Game is more interestinga film because of Renoir's preoccupationsand themes. The fact that this is a fairlyobscure point stems from the fact thatRenoir's other films are rarely, if ever,shown. Starting this Friday and continuingon Tuesdays Doc Films will be showingseveral great and otherwise interestingfilms by the director who may be thegreatest of them all.Jean Renoir is the son of Auguste Renoir,the painter. He grew up surrounded by hisfathers models and canvases, then, when itcame time, embarked on a career as apotter. Renoir's friends included the sonsand daughters of his father's friends, sowhen these friends became interested incinema they also sparked the interest ofyoung Jean.The first films of Jean Renoir are linkedclosely with the avant garde film movementin France. This movement was fascinatedby the fantastic, and at the time leadinglights of the movement, Jean Vigo and Rene Clair, directors whose approach can bedescribed as, among other things, whimsical. Some of Renoir's films fit into thiscategory, especially Charleston, whichconcludes with its French heroine flying offinto space doing the Charleston with a blackastronaut. But, Renoir brought something ofa somber quality with his realization ofHans Christian Anderson's "The LittleMatch Girl", entitled La Petite MarchandeD'Allumettes.Renoir saw this early stage of his career,a stage commonly thought to have endedbefore the making of La Chienne, as achance to hone his skill. He took delight inbuilding miniature sets, creating snowstorms, and performing all kinds oftechnical magic.This preoccupation may seem strange topeople somewhat familiar with Renoir'sfilms, because they seem to boast ofanything but technical virtuosity. In fact,next to Murnau or Eisenstein, Renoir's styleseem positively crude. This feeling is atleast partially due to the way we have beensubjected to the virtuosics of the secondrate craftsmen who must distract people'sattention from fundamentally lousyprojects. But Renoir's technique is onlyostensibly crude. Rejecting Eisenstein'sdialectic and having no interest in copyingMurnau's acrobatic tracking shots, Renoiruses a complex and sophisticated combination of setting, camera placement, focus, and acting to create worlds in whichwe look on with the steady gaze.In the 1930's, Renoir more or less coneluded his experiments in technique andmade a brilliant series of films, startingwith La Chienne and concluding with LaRegie Du Jeu. These films are dominated byan objective look at class stratification inFrance. Commonly referred to as Renoir'sMarxist period, this may be too precise aterm. The films are Marxist in their tendency to see the main conflicts in society ascaused by class tension. However, alsomanifest in these films is a more overtgrowing love of France and the French. InLa Marseillaise, a film dealing with therevolution of 1790, these two themes aredeveloped side by side as Renoir presentsthe machinations and conflicts among thearistocracy, bougeoisie and peasantclasses.Renoir's themes subside and grow in theirturn, and at different stages, different attitudes dominate. Even at this "populist"stage, however, what to some seemed mostobvious about Renoir was his great affectionand love for people. There is rarely acharacter is these films who is merely arepresentative of his class and not a fullbreathing creation. In the same way, one isnever confronted with an evil ogre, a manwho behaves evilly because of some kind ofsadistic passion.When Renoir came to the United States after the invasion of France by the Nazis, hewent to work at Twentieth Century-Fox,where he worked under the reign of DarrylZanuck. Raymond Durgnat has suggestedthat Renoir chose this studio because itoften used rustic settings, as Renoir did withmany of his films. Whatever the reason, it isinteresting to note that for five years at thisstudio, John Ford, Fritz Lang, and JeanRenoir, perhaps the world's greatestdirectors, were all employed.At this time, Renoir's constant objectivityon film seems to have become lost. Perhapsthis had something to do with the sub¬jugation of Renoir's beloved homeland.More likely it had to do with Darryl Zanuck,who, along with the rest of Hollywood,believed that the audience needed a clearlydelineated hero to root for. At any rate,when Renoir left the United States, he didnot regain this objectivity.Renoir made five films in America, and itis hard to generalize about them. This Landis Mine is the honorable first effort whichdeals with collaboration. His last film,Diary of a Chambermaid, is also concernedwith resistance, nationalism, andcooperation between classes In these films,Renoir returned to the mystic and magical,elements that had been missing from hismore recent works. This marked a turn tothe contemplative that he would maintain inthe remainder of his films.Renoir left the United States as soon as hecould. He had always been on the outside ofthe film industry, preferring the hardshipsof independent production to the interference of studios. Zanuck probablythought that he had given Renoir all thefreedom he needed, but to Renoir his in¬terference was unbearable. Boarding theplane that would take him home he bid afond adieu to America: "Good byeAmerica; goodbye Darryl Zanuck; andgood bye 17th Century Fox."Renoir made films in India (The River)and Italy (Le Carrosse D'Or) beforereturning to France, where he made thebrilliant French Can Can.To understand his last films, you mustunderstand Renoirs conceotions of reality.He received one tenet of his life from hisfather: We are being carried along likecorks in a river and should try to stay afloatlong enough to see where the river takes us.Now, you may not consider that particularlyprofound, but that is what father and sonbelieved.Tht Grty City Journal-Friday, April 15, 1977-5Grey GapThere is no spring in Chicago, there areonly uncomfortable leaps from season toseason. One friend says that during May andApril the days that it's 40 and the days thatit's 80 fight it out, and finally the 80's win.For a while. Then the 90's take over. Butbecause it was so beautiful last Sunday, andbecause spring days make us think of cooldrinks with gin in them, or of baseball, wedecided to not waste the day and headedimmediately to Wrigley Field on the northside, where the hapless Cubs were playingtheir third game of the season against theequally hapless Mets.Baseball is a beautiful game that is beingdestroyed by greed. But if we can forgetabout the contract stikes, the multi-year,multi-million dollar contracts, the holdoutsand the sell-outs, and concentrate as theysay, upon the area between the wnite lines,baseball is still a beautiful game. It issimple, leisurely, friendly. People havevery stable roles, and as long as they per¬form them properly the game proceeds inan orderly way.That day at Wrigley Field (an intimatepark where baseball tries to remain at itssimplest) the roles were not performednearly well enough, but it really did notmatter, because it was spring, and early inthe season, and the beer was cold, the sunhot, and the hot dogs somewhere in between.Actually, only one of our friends ate hotdogs, because the other is a vegetarian, andit's hard to be a vegetarian at a oaseballgame. He brought a cheese sandwich on rye.Though many mistakes were made in thisgame, we remembered baseball as it oncewas. To revive our sense of the past, theentire cast of Grease sang the NationalAnthem. There were the Mets, the darlingteam of the sixties, the symbol of equity,fairness, and fine, friendly cooperation, whowent *rom the sadest collection of hardballoutcasts to a miracle team, and then backagain. In 1969 they depended on all thosethings that made the Dodgers such a greatteam a few years before: fielding, runningand pitching, the walk, stolen base- bloopsingle or passed ball to score the one runthey needed to beat the floundering monsterteam by one run.There were the Mets, who seemed toexecute so well together, on the field and offled by the ex-Dodger Gil Hodges. They wereblack, white and Latino. In left and centerthey had two of the best friends baseoall hasknown. They picked up cast offs and madethem play their brand of fast, energetic ball.By playing together, and by blending, theysqueeked out a world championship, firstmaking Cub manager Durocher swaMow hisprophesy that nice guys finish last, thenastonishing the powerful Baltimore Oiroles,led by the two Robinsons, by beating themfour games to one in the World Series onincredible fielding and some Timely shoepolish. New York went mad.fastSPEEDVRAPIDSWIFTPRONTO...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE..OUR SERVICES INCLUDE•Copying .Business Cerds Copies•Folding •Msillefs -Copying*•Collating .Flyers Duplicating-Fast•Binding »Ad goosj• Wedding Invitations •Church Bulletins•Padding Etc •Thesis - Term Papers•Envelopes •Funeral Programsiletterheads —^Jiiir fast Hyde Park Bank Bldg.Slice &F 1525 East 53rd StreetROSS Chicago, III. 60615INSTANT PRINTING WHILE U WAIT Suite 626 But those Mets are no more. Instead theyhave kept their pitching (and fine it is), butat the expense of fielding and hitting. Theyare kept with a collection of utility fieldersand the strike out king of baseball, DaveKingman. The Mets did not trade away theirtalent as much as they did embarrass itaway. Cleon Jones, the only truly superiorhitter of the old Mets, was caught sleepingwith a woman (not his wife) in a van inFlorida, and was asked to apologize publiclyto his team, his wife, and his city. As if Joneswere the first adulterer, this act of strangeimpropriety, public self punishment, andperhaps racism, may itself have been thedownfall of the pride of the Mets. They arenow a lily-white team, the only in New York(even the conspicously white Yankee teamof old has conceeded to the new sports ethicof buying players and creating instantdynasties, and now have a number of blackstars).The Cubs have also lost whatever dubiousspunk they once had.They used to be the most belligerant teamin baseball, and the most arrogant. Thirdbasemen Ron Santo would jump in the airand click his heels after each Cub win vic¬tory, which noticeably infuriated opponents.Not wanting to see him jump in the air as ifhe were advertising gum or quittingsmoking, the other teams increasingly, andwith added energy and pleasure, made itimpossible for Santo to leap by beating theCubs. Santo stopped jumping, and by mid¬summer of 1969, with the Mets as darlings,everybody wanted to beat the Cubs. Neverhas so inanimate an object, a baseball club,been so universally despised. Santo was thesymbol of Leo Durocher's vigorous disdainfor the nice guy. But thaT year the nice guyswon.No matter how arrogant the Cubs wereand no matter how bad they are now, theystill have the nicest park in the NationalLeague. The American League has Fenwaypark in Boston, but even Fenway, with itsintimacy and short right field fence, hasnight games. Wrigley Field remains sacred.And dark.That is, until Phil Wrigley died. Nowthey'll probably put lights in before you cansay "sundown." and unlike Comisky Parkpeople don't mind going to North AddisonStreet at night. But Phil Wrigleythought that night games were impure. Notthat he minded sugar in his chewing gum,but lights in his stadium were worse thanartificial turf and ball-girls, short pants andsuper-domes. In fact, Wrigley was such anaturalist that he lined his outfield wallswith ivy. When we were at the park the ivyhad not even bloomed, and we watched outof shape outfielders run full speed into Darebrown branches that looked like brillo, andprobably felt like crawling naked through afield of newly cut hay.When we saw the Cubs Wrigley was stillalive, though he might have had cardiacarrest right there if he'd seen how the teamsplayed. Appropriately, before Phil Wrigleybowed out, it was Kingman who made theworst play of the game. He was on first withone out when Kranepoo! hit a long fly ball to center. The ball was easily caugm, anuKingman had a full two minutes to get backto first. But somehow he got caught off base,so the Cubs were out of the inning on aridiculous double play. Unheard of.We had to ask, what was Kingman doingthat he couldn't have gotten back to base.He could have hopped backward on one kneeand still made it. But maybe he was thinkingabout his big salary, or his new house inLong Island. Maybe he was thinking aboutwhich club the Mets were going to trade himto after they got sick of hearing him beg fora quarter of a million dollars a year to send. a cool breeze out toward the pitcher.After that play the crowd booed loudly,and then we remembered that Chicago fansare known for their rowdy behavior (the leftfield bleacher bums used to throw garbageat visiting left fielders). Yet despite theinsult, there was still a certain spirit ofinnocence and mirth out there on a sunnyday unmatched at any indoor stadium. Theintimacy of a small park simply adds to thegroup partying, and we saw that peopleattended to themselves and their friends asmuch as to the game. Not that we weren'tinterested in the players, but the outcome ofthe game didn't seem to matter so much.When a team loses consistently, asChicago baseball teams now do (thoughboth the Cubs and the White Sox havestarted the season well), people do notdevote themselves to seriousness andcompetition, but to the atmosphere of abaseball game. The worse the team is, thebetter a time a fan is free to have. Thismay be why the Sox, perhaps the worstteam in baseball, play in the biggest beergarden in the world.The Cubs, who may be a little better thanthe Sox, entertain us while we entertainourselves. We don't necessarily expect themto win, but when they do (like last Satur¬day), it is an added pleasure. In this waybaseball seems civilized, because we ap¬preciate the mecnanics of the game, but donot forget about our own enjoyment or starttaking it all personally. The competitivegoal-oriented pretenses often associatedwith sports do noT exist at Chicago baseballgames, though of course they would if theteams started winning more often. Then wewould root.But for now we can enjoy the simplicityand deliberateness of a baseball game. It ishonest because it moves so slowly. We cansit there and drink beer and contemplate thewarm weather and the state of the greatAmerican game.That day in Wrigley Field we witnessedthe last testament to nature in sports. Wewere outdoors, not in a domed super¬structure with multicolored seats and acomputerized score board. The field wasmade of grass, not the rug-like patchedremnants of someone's backyard inLevittown. And though Phil Wrigley hadn'tbeen to his park more than 20 years, wehave to pay him tribute for letting us sit inthe sun and smell the grass while we wat¬ched high-payed players with briefcasesand agents drop pop-flies.- P. L. Spackle Renoir(continued trom page 5)Also central to any understanding ofRenoir's films is his perception of art. Jeangrew up surrounded by his fathers models.They were his nursemaids, even his godmother was a model. Other painters visitedconstantly and the familiar sights of hisboyhood were virtually all captured oncanvas. This leads us to believe that whereother people (to some extent) must con¬sciously set out to create or achieve art,Renoir saw it inexticably linked to everyfacet of his life. Therefore, he did not need tocreate art or achieve it, but instead had todisengage it from life and then reintigratehimself. It was these two processes thatconcerned Renoir after he left America.It would be silly to try and com¬partmentalize all these themes into neatlittle time periods, because in one way oranother all of these themes appear in all ofhis films. Still, the post-war films of Renoirare obsessed with ideas of art and reality.They are the films of an old man, in thatthey look back, not just historically, buttempermentally as well.For a long time this period of Renoir's wasin critical disfavor, there the newgeneration of French film critics, fatheredspiritually by Andre Bazin and includingTruffaut and Godard, took a new look atthese films and found them the mostprofound and resonant of all Renoir's films.I hope I have not made Renoir's filmssound too sober. They are one and all filledwith life, humor, and a simple exuberancein life that only Renoir could transmit.These films are all among the greatest evermade and you should not take the chance ofmissing any of them.GreyCityEditor: Jonathan MeyersohnManaging Editor Karen HellerAssociate Editor: Mark Neustadt, Mike SingerMusic: Lukacs LeBag, Toby Hofslund, DeborahHughes, Paul Gudel, Richard Brown, JeffMakos, Mike McGreal.Film: John Aiken, Henry Sheehan, Andrew Ross.Theater: John Lanahan, Stephen Cohodes, EstherSchwartz, M. Anatemno.Art: Carl Lavin, Chris Gauker, Jane Salk, GwenCates, L.R. UpshawDance: Eden CiorfeneGraphics: Karen MolineHumor: Jeff Baddeley, Steve BlockTelevision: David BlumThe Grey City Journal is published weekly during Theacademic year as part of the Chicago Maroon The editorinvites comments.BRENT HOUSE5540 WoodlawnSunday, April 175:15 Vespers5:45 Social Hour6:15 Supper ($1.25)7:15 Discussion on THE FOURLOVES by C.S. LewisVTK# r<#y City jeurnaUFriday, April 15, 1977Court Theatre presents a play by Robert Montgomeryan "unfaithful response” toDostoyevsky’s The Idiotdirected byLeslie AuerbachThe New TheatreApril 15, 16, 1722, 23, 248:30 PMS2 gen adm$1.50 students3706 S. UniversityTicket info: 733 3581// 1 \ xSUBJgCTtoRts Checker Board Lounge423 E. 43rd St.featuring: -Jimmy Johnson, Lefty Diz& Voice OdumFri., Sun. 9-2, Sat. 9-3(Blues Monday)(all drinks $1.00)373-5948RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electrical * Brake SystemExhaust Sys*e^ * Q»he^ RepairsConveniently Located at5508 S. Lake Park(Gateway Garage eidg -Downstairs)MondavSaturday. 9am-9pm)l 584-S16t* «•—--c j«. e* ?CalendarFridayCenter for Middle Eastern Studies: Faculty-Student Lunch, 12:15, Ida Noyes Hall;Arabic Circle, “The Character of theEgyptian Regime," 3:30pm, Pick 218;Persian Society, “Legal Aspects of ForeignInvestments in Iran," Shirin Entezani, J.D.,Baker & MacKenzie, Attys. at Law, 3:30pm,Pick 506; Sherry Hour, 4:30pm, Kelly 413.Folkdancers. 8pm, Ida Noyes Hall.Hillel: Joint Shabbat Dinner and discussion,7pm, Hillel.Karate Club: 7pm, dance floor, Ida Noyes.IIT International Festival: Hermann UnionBuilding, 3241 S. Federal Street.Crossroads: Decorate the house for 'theSpring Carnival, after 7pm, 5621 S.Blackstone.International House Association:Travelogue on Egypt & Morocco, 8pm,Home Room, I-House.Department of Microbiology:“Microbiology in the Hospital En¬vironment," Dr. William A. Causey, 4pm,CLSC101.Committee on Developmental Biology:“Some Reflections on Differentiation," Dr.Eugene Goldwasser, 12:30-1:30pm, F.M.I.-I-105.Geophysical Sciences Colloquium: “PuttingTogether the Nuts and Bolts of a NewClimate General Circulation Model,"Robert E. Dickinson, 1:30pm, Auditorium,Henry Hinds Laboratory.Lectures in Armenian Cultural History:“The Armenian Question: The ArmenianPolitical Parties, 1880-1914," VartanGregorian, 8pm, Regenstein Library,Conference Room A-ll.Department of Economics: EconomicHistory Workshop, “Freedom, EconomicOpportunity, and Fertility: Black Americans, 1860-1910," Edward Meeker,3:30pm, SS106.ArtsChamber Music Series: Guarneri StringQuartet; guests, Vermeer String Quartet,8:30pm, Mandel Hall. Schubert, Quartet inG. op.161; Mendelssohn, Octet in E-flat.New Theatre: “Subject to Fits," 8:30pm,New Theatre.DOC: “Rules of the Game," 7:15 & 9: 00pm,Cobb.I-House: “Harry & Tonto," 7:00 & 9:30pm,International House.SaturdayCrossroads: Spring Carnival, games,dancing, auction, flea market, etc., 6pm,Crossroads International Student Center,5621 S. Blackstone.Court Theatre: General nonequityauditions for summer productions, 12-6pm,Mandel Hall.Change Ringing: Handbells, 10-llam; towerbells, llam-lpm, Mitchell Tower ringingroom.Compton Lecture Series: “Smaller StellarShake-ups: Variables and Novae," PaulWiita, 11am, Eckhartl33.ArtsCourt Theatre Festival of Fantasy: Moviesfor children- short films to delight & en¬tertain, 11am, Mandel Hall.New Theatre: “Subject to Fits," 8:30pm,New Theatre.Chicago Opera Studio: “Summer &Smoke," 8pm, Mandel Hall.Hillel: “The Martyr," (movie), 8:30pm,Hillel.CEF: “Lies My Father Told Me," 7:15 &9: 00pm, Cobb.From the Midway: “No Need to Travel tothe Indies— Religion and the Ordinary,"Jonathan Z. Smith, 7am, WHPK 88.3 FM.Campfire Girls. Charles Seigal talks withJane Lowell about the Campfire programWe join this deservingtribute to Jimmy Wilsonof the Woodlawn Tapfor his 25 years ofserving theworld’s leaderswithbeerAngelo G. GeocarisGeucaris & Co. Robert S. GeocarisWholesalers James A. GeocarisU of C Alumni and their fundraising efforts, 8am, WHPK88.3 FM.SundayRockefeller Chapel: Ecumenical Service ofHoly Communion followed by breakfast inthe Chapel Undercroft, 9 am; UniversityReligious Service, “Human Rights as aNational Policy," James M. Wall, 11am.Changes: “Teaching Mental Patients to UseTherapeutic Skills with Each Other," EltieHinterkopf, 7pm, Blue Gargoyle.Hillel: Lox and bagel brunch, 11am; Sundaynight supper, 6 pm, Hillel House.Court Theatre: General non-equityauditions for summer productions, 12-6pm,Mandel Hall.Folkdancers: 8pm, Ida NoyesComputer Club: 1 pm, N. Reynolds GubLounge.Tai Chi Gub: Chinese Massage. 4:30; Kung-Fu, 6:30; Tai Chi, 7:30pm, 4945 S. Dor¬chester.Hillel: “Jewish Studies in Universities:What’s Going On," Jacob Neusner, 4pm,Hillel House.Late Gassical Byzantine Colloquium:“Political, Philosophical, & TheologicalIdeas in the 5th Century Historians,Socrates, Scholasticus, & Sozomen," GlenonChestnut, 4pm, Regenstein A-ll.Divinity School: Conference on “The JewishReligious Tradition," Keynote address,Martin E. Marty, 8pm, Breasted Hall,Oriental Institute.Pan Africanist Congress of Azania. DavidSibeko. speaker, 2pm, CCE.ArtsRockefeller Chapel: Organ recital, EdwardMondello, University Organist, 4pm,Rockefeller Chapel.Chicago Opera Studio: "Summer &Smoke,” 3pm, Mandel Hall.New Theatre: “Subject to Fits," 8:30pm,New Theatre.I-House: “Harry & Tonto," 7:00 & 9:30pm,International House. CEF: “Gaire’s Knee,” 7:15 & 9:30pm,Cobb.MondayAnarchism Study Group. Discussion ofBakunin and Proudhon; reading, GeorgeWoodcock, Anarchis, 8pm, Sun Porch, IdaNoyes.AACSCOR: Discussion of search for newDean of the College, 4pm, SG Office.Change Ringing. Tower bells, 6: 30-8: 30pm,4th floor, Mitchell Tower.Wyler Children’s Hospital: Rummage Sale,Wyler Children's Hospital.Department of Chemistry “Aspects ofTerpenoid Lactone Synthesis,” JamesMarshall, 4pm, Kent 103.Developmental Biology: “PulmonaryGrowth & Regeneration,” John Esterly,8pm, Zoology, Lillie Room #29.South Asia Seminar: “The Concept of aModern Indian Literature," Nabaneeta Sen,4pm, Foster Lounge.Center for Middle Eastern Studies: HowGood are the Prospects for Peace in theMiddle East?” Leonard Binder, 4pm, SS122.Yerkes Observatory Colloquium:“Ultraviolet Photometry of Galaxies,"Arthur Code, 4pm, Yerkes Observatory.Divinity School: "The Religious World-Viewof Mishnah,” Jacob Neusmer, 10am, SwiftLecture Hall; “Tradition and Community,”Marshall Sklare, 2:30pm, Swift LectureHall; "Transcendence, Liturgy and Wor¬ship," Eugene Borowitz & Herbert Bron-stein, 2:30pm. Swift Commons; “Kabbalismand the Lurianic Community,” R.J. ZwiWerblowsky, 8pm, Breasted Hall.ArtsNAM Films: “Bay of Pigs," 7:15&9:30pm.Special Mayoral Debate Chicago Mayoralprimary candidate Sammy Rayner. EllisReid. Roman Pucinski, Harold Washington,and Dennis Black recorded last Tuesdaynight at Ida Noyes Hall in a debate spon¬sored by the UC Debate Society, 9pm, WH¬PK 88.3 FM.^★★★★★★★★★★★★★★★★★★★★************ ★★★★★★★★★★*>*******************+*♦****♦******************♦*J Bonnie Raitt will be making her 1977 Chicago Appearance on j* Wednesday May 11 at Mandel Hall 7:00 pm and 10:00 pmJ All seats reserved Prices: $7.50 and $550+ $5.50 and $3.50 w Act Fee* Tickets will go on sale at 9:30 am April ?8 at the Mandel Hall Box OfficeT Major Activities Board7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd- under 1C tracksAll students get 10% offask for "Big Jim"Pipes _Pipe Tobaccos Imported Cigarettes CigarsROCKEFELLER MEMORIAL CHAPEL59th Street and Woodlawn AvenueSUNDAY* APRIL 179 A.M.ECUMENICAL SERVICE OF HOL Y COMMUNION11 A.M.University Religious ServiceJAMES M. VJALL, EditorThe Christian Century“HUMAN RIGHTS AS A NATIONAL POLICY”4P.M.EDWARD MONDELLO, UNIVERSITY ORGANISTRecital includes works of Johann Sebastian Bach,Jehan Alain and Olivier Messiaen Without ticket andwithout chargeSunday,May 1 -7:30 P.M.BREASTEDHALLORIENTALINSTITUTE1155 E. 58AdmissionHille Affiliates& Contributors$1.00 I Reflections of aCHINA DOLLone young woman growingup Jewish in AmericaA unique one-womanperformance by Broadwayand Otf-Broadway actressSUSAN MERSON(currently starring inVanities Off-Broadway)a flawless performanceDelightful - Nrvhouw NewspaperOthers $2 00 E*lra°«t'"aO)-ab'av6raperformanceSusan Merson has presence andpresents—she is definitely one ofthe acfresses to watchTickets on Saat Hillel5715 WoodlawnRECEPTION AFTERWARDS A T HILLEL5715 WOODLAWN AVENUEFrom April 1 through June 14. you can fly roundtrip fromNew York to Luxembourg for only $410.That's $89 less than the youth fare you'd pay on anyother scheduled airline. (From Chicago you pay $458 thruApril 30 and $430 from May 1 thru June 14.) All youhave to do is be under the age of 26.There are no booking restrictions. We give you the sameservice you’d get from other airlines, without the same highcosts. So, if you’re not flying Icelandic to Europe, you’respending more than you have to. We’ll give you the best dealon fares and on our New Horizon Escorted Tours, too.Save $89 on jet faresto Europe and bookanytime you want.^Icelandic Airlines, Dept. #CNPO. Box 105, West Hempstead, N.Y 11552See your travel agent. Or call toll free: (800) 555-1212.Flease send information on Icelandic’s low-cost fares and NewHorizon Escorted Tours of EuropeCity State|^Fares subiert to change and gov t approval : iIcelandicLowest Jet fares to Europe of nv scheduled airline. NEW LISTINGFireplace,And ThreeBedrooms, Too5525 BlackstoneThe woodburning fireplaceis the focal point of a char¬ming 27x12 foot livingroom.Master bedroom is a large28 and a half feet by 12. Twoother bedrooms. Twobaths.! Separate diningroom.Beautiful floors. Spec¬tacular amount of light inthis 2nd floor apartment.Building in excellent condi¬tion.Urban Search337-2400New ListingWalk To TheUniversity57th & BlackstoneThis third floor apartment isa delight. Large sunny livingroom and lovely paneled din¬ing room. Three goodbedrooms and two baths.Screened back porch and bigback yard.Urban Search337-2400Turn-Of TheCentury Charm—Pertected56th & CornellThis charming Victorian,free standing house is a gem.Huge double living roomwith rebuilt woodburningfireplace and handsomestained glass windows. Thelovely dining room still hasan original wood fireplacemantle. Lovely big modernkitchen with lots of room foreating, cooking and storage.Master bedroom has a wood-burning fireplace, and a sit¬ting room. Four bedroomson the second floor and twosun-filled bedrooms on thethird floor...plus somefamily room space.Lovely hardwood floors andnatural wood throughout.Recent remodeling: newplumbing and rewiring.All this and heaven too: aback yard AND A GARAGE.Urban Search337-2400Lovely ModernTownhouse55th & DorchesterThis three bedroomtownhouse is on a desirablecorner lot.A powder room on the mainfloor is an excellent feature.Handsome panelled dendownstairs is a marvelousroom for children andadults.Centrally air-conditioned, ofcourse, and the unit is onground level for easy accessand maintenance.Urban Search337-2400 HONDACAN-AM, TKieUatfoeiK 371-2200SPORTS & CYCLEDAILY 9-9 SAT. 9-514723 So. Crawford Ave.-Midlothian, III. 60445£>AVE SPACESAVE TIMESAVE GASi SAVE $ $DISARMAMENTCan the arms race be limited?Six Thursday eveningsFirst Session: Thursday, April 21,7:30 - 9:00 pm,at the United Church of Hyde Park,1448 E. 53rd St.Sponsored by:United Church of Hyde ParkUnited Methodist Campus MinistryFor more information: Drew Nagle, 241-7259Discussion leader:Drew NagleSO. SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudios AvailableStarting $155.00^Modern hi-rise bldg, in pleasant surroundings,kwith central air cond., private beach, commissary,!beauty shop, indoor and out door parking avail(For an appt., call 768-3922 or visit our office^iM-F 9-4:30DOWNS, MOHL& CO.Equal Opportunity HousingElegant cruise ship or luxuriousNo other cruise line offersmore ancient sites, moremodern excitement andunsurpassed luxury —and Karageorgis does itwith style-aboard thesuperb 23,000 ton Navarino,formerly the Gripsholm.Experience the ancient splendorof Greece—Olympia, Mycenae.Epidaurus, Delos, Delphi, Mt.Athos-plus four of the world’s most exotic cities Athens, Dubrov¬nik, Istanbul and Venice. Aboard the beautifully refurbishedNavarino. F rom Venice alternate Saturdays or Piraeus alternateTuesdays. 14 ports in 14 days, and Karageorgis does it with style.Relax aboard the 16,000ton Mediterranean Sea orMediterranean Sky. Theconvenient, luxurious wayto take a car to Greece.Sailing from Ancona, thenearest port to the center ofEurope year round. Sailingto Patras-the ideal gatewayto Greece in 34 hours direct,or 35 hours via Corfu.Four convenient sailings perweek through the Summer.Two a week in Winter. Fromeither end. Luxury cruise linerstandards of accomodations,cuisine and service, with the convenience of your car on board.And there’s a bonus 30% reduction for students.jO KARAGEORGIS LINESSee an expert - your travel agent - or for more informationcontact: Karageorgis Lines, 1350 Avenue of the AmericasNew York N v 10019 Telephone IJMt) 582-300/vetseis are of :ree' legist) y. DR. KURTROSENBAUMOptometrist(58 Kimbarlc Plaza)1200 East 53rd StreetHYde Park 3-8372Dorothy SmithBeauty Salon5841 S. Blackstone493-1069I will take appointmentsfrom 7 a.m. until 7 p.m.Closed Saturdayfacials - make up servicecomplete hair careMember ChicagoHairdressers AssociationCharmingTwo Bedroom57th & KenwoodA desirable 3rd floor apart¬ment. Brick sun study offliving room. Modrn kit¬chen. Lots of restoredwoodwork and lovely oakfloors.Urban Search337-2400CampusLocationMarvelously spacious fourbedroom apartment at 55thand Kenwood. Large base¬ment family room withfireplace, as well asfinished porch. Newappliances. Good condi¬tion. Large back yard andgarage available. July 1 oc¬cupancy. $625.00.Call Diane SilvermanUrban SearchManagement337-2400DISCOUNT COUPONBIG STUDENT SAVINGS(Includes Faculty and Staff)ONLY $6. $5. $4Good For All PerformancesExcept Friday & Saturday Eves.“If you see only one play thisdecade, sell your TV set andSee Equus ! Lerner PapersLAST WEEKS!Tues.. Wed and Thurs. 8 PMWed. and Sat Mats. 2 PMRegular StudentPrice PriceSi 1 Mam Floor S6SI ’ Me// $6S 9 Balcony $5$ 6 2nd Bale. $4mi) coupon atStudebaker box office witvour I D All Seats ReserveFor Additional CouponsCall 922 2973 or write:S' uLir RAKFR ?HEATRIJ*18 S Wh,v, Chicago 6060| The Summer Court j| Theatre has openings || for Assistant 11 Directors, || Technical Crew || & Volunteers |to work with ourresident acting companyThe Tempest §. House ofBenarda Alba|Thesmophoriazousae |Contact Jim or Charles,| 3rd floor Reynolds Club |“Awonderful‘Crook’.”—Nrw York Fastisdelightful?—V incent Canbv, New V ork TimesGerard MarleneDepardieu Jobcrt1*11 ('Joude ( Utrettu #THEWONDERFULCROOKA New Vrker Films ReleaseMIDWEST PREMIERE TODAY944-296618—The Chicago Maroon — Friday, April 15,1977 With This Ad OnlySelected Sole: ?n desks, choirs, & fileswith this ad onlyTwo drawer full suspension file letter size $46.00Four drawer full suspension file letter size $67.00For legal size add $12.00For locks add $12.0040"x2O" desks $85.0060"x30" desks $129.00Swivel arm chairs $69.00Steno posture chairs $49.00Quantities limited delivery and/or set upCASH & CARRY odditionalMaster Charge AcceptedEQUIPMENTBRAND ]1 SUPPLY CO.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4- 2111 URBAN PLANNING AT HUNTERThe Deportment of Urban Affairs at HunterCollege of the City University of New Yorkoffers a two-year, 60-credit arogram leadingto a MASTER OF URBAN PLANNING degree.Action oriented. Hunter s program grappleswith social and economic problems and ex¬plores the areas of housing, transportation,environmental and health care planning.Fieldwork opportunities abound — in cityand suburban planning agencies, in neighbor¬hood groups, in community developmentorganizations.Requirements are flexible and an able,diverse, and experienced faculty is ready toadd guidance and direction to student goals.Extensive financial aid is available. Currentcosts are $750 a semester for City residentsand $1,000 for non-City residents, plusactivity fees.For more information and admission applications writeDirector, Graduate Program in Urban Planning,Hunter College/C.U.N.Y.790 Madison AvenueNew York, New York 10021(212) 360-5594From Ralph Bakshi,master of animation, comes anepic fantasy in wondrous color.A vision of the world, 10 million yearsin the future, where Wizards rule theearth. And the powers of magic prevailover the forces of technology in thefinal battle for world supremacy.o°ooo0o3. ptlNG° 0 o 0 o 0PG 20TH CENTURY-FOX PRESENTSA RALPH BAKSHI FILMWIZARDSColor by De Luxe*Exclusively at these theatres e 1977 Twenty cemUry-Fo*BREMEN • CORAL • EVANSTONTin lay Park Oak Lawn Evan* I onHYDE PARK • LAKE SHORE • OGDEN SIXS238 S Marpar 317S N B»ay NaparvilleVILLA PARK CINEMA • WILL ROGERS • WOODFIELDVilla Park 5*35 w Balmont SchaumburgnUKRTMMMaaBUTEKCEF PRESENTS:ANDClaire’s KneeSun. April 17 7:15 & 9:30Cobb Hall $1.50 We wantyour business.DrexelPHONE: 538-4600Your Hyde Park Chevy dealer.4615 SOUTH COTTAGE GROVESALES: MONDAY THRU FRIDAY 9 TO 8/ SATURDAY 9 TO 5SERVICE DEPARTMENT OPENS AT 7:30 AM MONDAY THRU FRIDAYALL TOGETHERAt One LocationTO SAVE YOU MORE!SPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago youare entitled to special money sav¬ing Discounts on Volkswagen &Chevrolet Parts, Accessories andany new or used Volkswagen orChevrolet you buy from Volks¬wagen South Shore or MeritChevrolet Inc.SALES & SERVICEALL AT ONEGREAT LOCATIONv/;V/ VOLKSWAGENSOUTH SHORE7234 Stony IslandPhone: 684-0400Open DaMy 9-9 P.M./ Sat. 9-5 P.M.Parta Opan Saturday Ml 12 Noon THE DEAN OF BEER'S QUICKIE QUIZ.Q: Chill-Lagering is:a) A popular German country and western singer.b) A Scandinavian winter sport played without clothes.c) A new ethnic TV comedy about the owner of an icecube factory.d) The right way to age beer.A: (d) Sorry, Chill-Lagering is not Olga and Svendrunning around in a snowstorm in their birthdaysuits. Chill-Lagering is the way Schlitz ages beer.They age it cold. Very cold. Down to 29.5 degrees.The result is a beer with sparkling clarity. Abeer thats crisp, clean and bright.I suggest you look into one right now.THERE'S JUST ONE WORDFOR BEER.AND YOU KNOW ITSigltnda StcinfulkrDean of Beermmmh 1Net women open seasonwith win over StateBy DAVID RIESERIp# i >■ v kfc:* w s >' • yaSsS-S** 1* '^-Vv- V*',v*"»<*.k J A-' .Vi'*' , w.^. V> f The University women’s tennis teamopened their season with a win last Wed¬nesday as they beat a squad from ChicagoState 6-2.Unhappily, the only joy of the afternoonmay have been the score. “We wereterrible,” said Coach Chris Scott. “It’s justlucky we weren’t playing a better team.”He conceded, however, that it was nottheir fault. The team’s long winter layovercombined with the indoor practice of theiropponents does not make for a winningsituation. This is further complicated by thefact that except for the last couple of daysthe spring has not been a warm one.The only losses came from the oppositeends of the seeding. Top singles playerCheryl Flynn fell 6-1, 3-6, 1-6. “Cheryl is ahitter,” said Scott, “and she has to plav tobe effective. “Despite her hard work shehad not been playing quite enough. Sixthseed Cathy Brewer also lost in three sets, 6-3, 5-7, 3-6. The wins from the middle ranks,is what Scott expects for most of the squad’s victories. Number two seed RosemarySafranek won her match 6-1, 6-6. CarolynLaGrange took her opponent to three setsbefore winning 5-7, 6-4, 6-3. Fourth seedLaura Rhodes got off to a slow start butcame back to blow her foe off the court, 3-6,6-1, 6-1. Fifth seeded Sydney Ross wonhandily, 6-2,6-1.Previously spring would have been thetime for Chicago’s only season. But with theadvent of fall tennis the Maroons decided tomove to a two season format with fall andspring tennis lasting exactly ten weekseach.Ccach Scott is pleased with the new for¬mat. “I think the double season is a goodthing,” he said. “Tennis is a year roundsport and anything that facilitates greaterplaying time is great!The team’s next scheduled game isagainst the same Chicago State squad April21, and will be played on State’s homecourts.Laura Silvieus has a ready glove at short. (Photo by David Rieser)Maroons keep streak aliveEnd week with 5-1 recordBy R.W. ROHDEThe Maroon softballers made it five in arow-last Tuesday and are looking strongerevery game.The win Tuesday was the easiest of thefive, as Chicago demolished St. Xavier 26-0,in a game called after five innings by aslaughter rule.The game was a joke from the start. Aftershutting out the visitors in the top of thefirst, the Maroons tallied 19 runs in theirhalf of the inning, 11 of them coming beforethe first out. “Those kind of games aren’tany fun,” said one player, “though it isfunnier to be the 26 than the 0.”Their other four wins have been a littletougher; in fact, three of them have been byone point. The team’s first win came in thesecond half of a double header againstChicago Circle. After the Maroons droppedthe first game 17-4 for their only loss so far,they came back to win the nightcap 3-2,squeezing in the last few innings before darkwith a few intentional strikeouts. Chicagowent on to sweep a double header fromGeorge Williams last Saturday, with thehelp of an eight-run rally in the last inning ofthe second game.Monday’s game against Northwesternwas almost as exciting, although the gamewas marred by some poor officiating. At one*point the umpire had to stop the game tolook up a rather elementary rule. TheMaroons were having other problems thatday, including hitting and base runningdifficulties. Only some standout playingsaved the Maroons from losing to the muchimproved Wildcats. The Maroons took an 8-4lead with the help of Laura Silveus, who hada single, triple, and homerun on the day. ButNorthwestern rallied in the bottom of theseventh, and it was only a great catch byoutfielder Ann Harvilla that saved thegame.With a solid line-up and strong depth,everything looks right for the Maroons tokeep on winning. Statistician Tom Schultzcalls the team “the best ever.” Chicago hasthree solid starting pitchers for the first time ever, including two Freshmen. JanetTorrey and Kim Curran are joiningsophomore Ann Harvilla on the mound thisyear. Cindy Boydston will be sharing thecatching duties with Barb Brink. The ex:perienced infield features upperclassmenAnne Specman and Brink at third, Silveus atshortstop, Jeannie Tinabe at second, andClaire Orner at first. Pitchers Torrey,Curran, and Harvilla are all available tohelp out on the right side of the infield whenthey aren’t on the mound. Harvilla alsoplays in the outfield, along with JeanneDufort, Emily Townes, Rae Hartshorn,Teresa Friend, and Paulita Salies. KathyWeber is the other team member, but she’sout with an injury. The team should have anexcellent shot at the state title, if they cankeep everything together.The team will get its biggest test thisMonday when it takes on Illinois StateUniversity in a double-header on NorthField at 3 p.m. ISU is always a tough team,and should put up a good fight. - '* * Jt.*V'4 ' 4*%Anne Harvilla lets fly. (Photo by David Rieser)Crew clubs outstroked in early meetsBy MARK PENNINGTONThe University of Chicago Crew Club hasbegun its second year of competition. Whatbegan as an idea among a devoted group ofwould be rowers has become a flourishingand successful campus activity.Men’s president Ernie Troth, one of thefirst to join last spring, predicts that it willtake about five years to build a really solidprogram. But Troth has watched the clubgrow to about two dozen members of eachsex, with “16 or 18 regular practicers.”The men now own their own eight oaredshell and hope to be able eventually to buytheir own oars. They now use oars from theLincoln Park Boat Club. The women havehad more aggressive and fruitful fundraising efforts, and own an eight, a four, andtwo sets of oars.Although this is the second season of competing for the Club, it is the first yearthey have been able to work for any lengthof time before entering the lists againstother clubs. Crew has no off seasons duringthe school year. The club members beganworking out last fall, until finally beingdriven into weight training programs duringthe winter months. Both the men and women have par¬ticipated in two regattas. A standard entryfor each is a varsity and junior varsityeight. The men won their first competitionof the season, beating the MilwaukeeRowing Club. They lost the next week toGrand Valley State College.The men have four or possibly fiveSportsUmps meeting With the beginning of spring break, thegroup really got down to the business ofpreparing for their openers. Every day ofthe “vacation” featured two or three hours ’ go on to competition for the national titleof rowing, lots of running, and, for the men. remaining events, the highlight of whichwill be competition in the Midwest Sprints atMadison Wisconsin, the winner of which willThere will be meetings for intra mural softball umpires Monday, April18, at 12:30 in the Ida Noyes East Lounge and Tuesday, April 19. at 7:30 inthe Bartlett Gym Trophy Room. Anyone interested in reffing must attendone of the two meetings. work on refinishing their boat.With the end of the interim, the strokersbegan their seemingly impossible trainingroutine. They are up at 5:15 in the morning,in order to be at Lincoln Park and in thewater by 5:50 for the men and 6:00 for thewomen. Rowing practice takes an hour,followed by two or three miles a day in roadwork.This practice schedule is supposed to goon six days a week But Troth notes that “wehaven’t had a break vet.” The women have been vested in bothoutings, losing to the University ofWisconsin and to the Marietta club. Theyhave four to six remaining races scheduled,including the Midwest championships and awomen's rowing association regionalcontest, both of which could lead to nationalfinals.The women travel to Notre Dame to takeon the Notre Dame and Purdue oarswomenApril 23 The men meet Purdue and MorrisHenry College at Purdue April 16.The Chicago Maroon—Friday, April 15,1977—17JyiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii(|( The Summer Court |I Theatre has openings I( for Assistant f| Directors, ]Technical CrewS E| & Volunteers |to work with ourresident acting companyThe Tempest |I House ofBenarda AlbafThesmophoriazousae |Contact Jim or Charles,3rd floor Reynolds Clubiiiiiiiiiiiiiiiiiiiiiimiifiiiimmiiiiiiiiiiiiiiiiiiiimiiimimiiiiiiimiiiiimiiiimi“Awonderful•Crook'."—Nrw York Pontdelightfuir—Vincent Canbv, New York TimesGerardDepardieu MarleneJobertin( 'Jaude ( iorettuHTHEWONDERFULCK(X)KA New Ybrker Films ReleaseMIDWEST PREMIERE TODAY With This Ad OnlySelected Sale: on desks, chairs, & fileswith this ad onlyTwo drawer full suspension file letter size $46.00Four drawer full suspension file letter size $67.00For legal size add $12.00For locks add $12.0040"x20" desks $85.0060"x30" desks $129.00Swivel arm chairs $69.00Steno posture chairs $49.00Quantities limited delivery and/or set upCASH A CARRY additionalMaster Charge AcceptedEQUIPMENTBRAND Jsuppfyco.8600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4- 2111 URBAN PLANNING AT HUNTERThe Department of Urban Affairs at HunterCollege of the City University of New Yorkoffers a two-year, 60-credit program leadingto a MASTER OF URBAN PLANNING degree.Action oriented, Hunter s program grappleswith social and economic problems and ex¬plores the areas of housing, transportation,environmental and health care planning.Fieldwork opportunities abound — in cityand suburban planning agencies, in neighbor¬hood groups, in community developmentorganizations.Requirements are flexible and an able,diverse, and experienced faculty is ready toadd guidance and direction to student goals.Extensive financial aid is available. Currentcosts are $750 a semester for City residentsand $1,000 for non-City residents, plusactivity fees.For more information and admission applications write:Director, Graduate Program in Urban Planning,Hunter College/C.U.N.Y.790 Madison AvenueNew York, New York 10021(212)360-5594From Ralph Bakshi,master of animation, comes anepic fantasy in wondrous color.A vision of the world, 10 million yearsin the future, where Wizards rule theearth. And the powers of magic prevailover the forces of technology in thefinal battle for world supremacy.ooooo0/sta$SGo FR,DA oc> no0 o 0 O o 0PG MKITIl MMB aWJTU <“W. Of i ■ —MU »■ m944-2966 20TH CENTURY-FOX PRESENTSA RALPH BAKSHI FILMUKARDSColor by De Luxe®Exclusively at these theatres * 1977 Twentieth century f0*BREMEN • CORAL • EVANSTONTmley Park ~Oak Lawn Evanston18—The Chicago Maroon — Friday, April 15,1977 HYDE PARK • LAKE SHORE • OGDEN SIX5230 S. Harper 3175 N Bway NapervilleVILLA PARK CINEMA • WILL ROGERS • WOODFIELDVilla Park 5635 W Balmont SchaumburgCLASSIFIED ADS SUNDAY NIGHTSUPPERHillel House, $2.50SPACEBright and Sunny apt. Available May1, Largr rooms at 63rd & Cornell, $150.288 3635, 753 1523.Summer sublet in Cambridge-1 BRapt, modern bldg, A/C, D/W, parkingavail. Quiet street, near stores, transp.15 min. walk to Harvard Sq. $250/mo.R. Bernstein, 269 Harvard St. Cam.02139.1 bedroom apt, large, sunny, 55th B48am, 5-7, after 11 - 241 7203.Sunny T/i rm apt, exc loc, avail May1st. $132/mo. Call 363 8318 eves. Mustrent by May 1.Enjoy Hyde Park this summer. Livenear point in friendly private park.Lake view. Single or couple wanted torent large room (19 x 14) w/adjacentsunporch- sunny (8 windows) w/2grads (+2 cats). Poss. Fall opt. 955-4531.Room avail, in modern 3-bedrm. apt.on minibus route at $65/m for May 8<June w longer option. Call Artevenings at 548-2425.Share sunny, spacious 2 bdrm aptw/professional woman. On campusbus rt, overlooks small park. Rent$125, May 1.324-5669 evenings til 10pm.London- 2- bedroom furnished flatavailable now through mid Decemberor shorter period.$260 month. Royston, 4074 Grove,Western Springs, Illinois 60588 . 2461762.Roommate wanted for giant room in 3bdrm apt Hyde Park hi-rise 24 hr. secminibus rm. overlks lake and city 215dep but $83 a month call 493-3577 leaveno.Lake Front Cottage Priv. Sand BeachFireplace Red Brick Patio 1 bedrm 10min U of C rent May 1 Swim Canoe SailFish 731-8378.PEOPLE FOR SALEInterested in typing evenings in myhome Will discuss price. Barbara,373-3594 after 5.30 p.m.HIRE AN ARTIST - Illustration of allkinds — even on short notice. NoelPrice. 493 2399.RESEARCHERS — Free lance artistspecializes in the type of graphic workyou need. Samples, references on re¬quest. Noel Price 493 2399.For experienced piano teacher of alllevels call 947 9746.Problems with statistics? Tutoring ismy specialty. Call Dan: 866 7284.TYPING SERVICE/HY. PK./667-4282.Russian Tutor/Translator. Instructionby native. 493 8360SCENESSPSSCLASSLearn to use SPSS statistical packagefor transforming data, computingstatistics. 6 sessions, $25 Computertime provided. Register betore April28 Call 753 8409 or come to Computation Center.LOSTLost on evening of 4/10, a weddingring. REWARD 753 3043 & ask foroperator 40 PEOPLE WANTED STUDY IN ISRAELResearch subjects wanted forphysiological study of newpsychotherapeutic compound. Subjects must be healthy males over 21.Two 72 hr sessions required. Subjectmay go to work or classes in thehospital after first 24 hrs.' of eachsession. Pay: general medicalcheckup and $225. Call Roy at 947 6983.TYPIST needed by sociologicalresearch project, 10 hrs/week,$3.25/hr. Call Sara, 753-4140,PHOTO SALES 8. STOCK.If you like people and enjoyphotography MODEL CAMERA islooking for two pert time employees.Must be available through summer.Applications are available at MODELCAMERA. 1342 E. 55th St,Volunteers needed for study on facialexpression and emotion. Requiresparticipation in one session (1-2 hoursmax) For more info call Susan 324 0872eves. After 7pm.Seeking serious minded writers toform hard core Creative writingcommunity Graylan 288 9840 ask forroom 315 Let tele ring longtime.TAKING THE LSAT in July? LSATReview weekend at the Palmer House,17 E. Monroe St., Chicago, July 9 and10. Call Law Board Review Center,collect (914 ) 623 4029 or (914) 234-3702.$85. Special group rates tor 5 or more.Babysitter(s) in my home mornings.20 hrs or more/wk. 2 students couldsplit time. 6 mo. old boy. $1.75/hr. Call684 2216.Student wanted for full-timebookkeeping job. Prefer businessstudent, but will train others. Call 7526000 for an appointment.Wanted a few hours each week as acompanion, a young Unviersity lady.Please contact me at 955 9014.Writer needs part time secretary,efficient typing, indexing, collating.643-8295.Wanted part time delivery peopleMust have own car w/insurance.Apply in person 10am-3pm. MediciCoffeehouse 1450 E. 57th St.Secretary, nearby church. Importantduties, $4 hour, month vacation, 363-8142.Creative people needed for the MABfor 1977-78. All 7 positions are open toundergrads. And grads with skills orinterests related to activityprogramming. Applications and moreinfo in Ida Noyes 208 Applications dueApril 15.FORSaLEOngoing group for gay and bisexualmen over thirty will begin Mondayevening, April 18. The group issponsored by the Gay ServicesProgram of The Chicage Counselingand Psychotherapy Center, 5711 S.Woodlawn, and will be led by two gaypsychotherapists on the Center staff.$75/person/10 two-hour sessions. Call684-1800 for more info. Ask for Bill.Harper Sq. Child Care Center 4800Lake Park: full-day program(S40/wk). Summer only: V* dayprogram ($25/wk.) . 538-4041.Get outside this spring in an ecologicalmanner. Rent a tandem bike at theResource Center 6102 S. Blackstone.Adult two speed tandem. $2.00 perhour, childs tandem $1.50. Three speedsingle $1. for reservation 493 1466NEED CHILD CARE? Child CareTask Force Referral Line lists cen¬ters, homes and sitters. 288 839’ weekdays 9-1.Free Kitten, Beautiful Tabby. 955 5157evenings.ANARCHISM STUDY GROUP meetsto read and discuss works on anarchism. Anyone interested in anarchism welcome. Monday 8pm IdaNoyes Hall. 752-8959. or 935 0412 forinformation.CONDOMINIUMSHYDE PARK'S FINESTTHE BARCLAYLuxury 1 BR w/view + enormouscloset space Priced to sell. $21,000.REMARC 288 7838STUDENTCOOPBooks bought and sold. Now'; one half-room of bargain books Open 9:30-6:00M F, 10 4 Sat. PAN PIZZADELIVERYYOGAFREECALCULATORFOUNDCALCULATOR FOUND—Call 7532249 room 1407 and identity Wed. April 20, 11 A.M.-l P.M., NadineHabousha will be at Hillel to answerquestions about University study inIsrael, especially about graduate workand study at The Hebrew University.TABLE TENNISTOURNAMENTPlay in the UC Tournament and Winone of six large trophies!Dates: May 5, 7& 12.Sign up deadline: Sat. April 30.Entry Fee: $1.00Contact: John Hodges955-0168.TYPINGExperienced. Prompt. Neat. CallFrank 489-7327, 10-12 Nflon 7-9 pm, or489 5187 3-9pm.CARNIVALCrossroads Student Center Carnival!An evening of games for kids andadults, casino, flea market, in¬ternational food, door-prizes. Auctionat 9:30 p.m. Dance at 10. $2 adults, 75cents kid admission. 5621 S.Blackstone starts 6pm everyonecome!1974 VW BEETLEAutomatic, AM, orange with blackinterior, 28,000, meticulously kept.$1650 or offer. Dr. Geraghty, 947-6510weekdays.1975 HONDACB500, 4 cyl., dis br„ directionals,horn, orange metallic, 5000 miles,flawless. $1200, must sell —Hemorrhoids in family. Dr. Geraghty,947-6510.FREE TUITIONFree tuition for 1 or 2 years at any oneof 140 Universities, Technical Schoolsand Yeshivas in Israel. Fully ac¬credited programs for Junior Yearand Graduate study. Enrollmentminimum 2 years in advance, benefitsfrom 1979 1989. Please contact:THE GIFT OF EDUCATIONDepartment CH Suite 71010 Rockefeller PlazaNew York, New York 10020212 541-7568Queen Size Bed Frame Mattress BoxSpring, 1 year old paid $290 at Searsasking $190 Drawer $40 Couch & ArmChair $45 Book Shelves $50 DiningTable $45 Call 548 7529 after 5 pm.HOUSE SALE 4/15-16 F 6 9 S 9-4 2 yrold 20 cu ft frig $300; wt set $150mirrors, cpts, dng rm set & BOOKScall 752-6440 AFTER 5 UNTIL 967 VW new paint $300 493-1466Woman's HIKING BOOTS, 8V*. $25,worn once; B & W TV, $15; manualtypewriter, $15. Call pm 752-4644.STEREOS. Components, TV's, SmithCorona and Olympia Typewriters,refrigerators, I won't be undersold bycompetition! 752-3818.LOX AND BAGELBRUNCHSunday, April 17, 11:00 A M., HillelHouse. $1.75.HELPPRIMAVERAPrimavera, the women's literarymagazine needs students to contributemanuscripts and artwork. We alsoneed editorial assistants & businessmanagers Contact us c/o Ida NoyesHall or call Janet at 752-5655. CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m. at 5715 S.Woodlawn. For more info call 752-5655.PERSONALS yane J2eeIZeitauzantDelicious iontone$e FoodFast Special Luncheon:SI .95Mon-Thurs 11:30 AM-9:00 PMFri.&Sat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St.• Eye Emm mat ions• Contact Lenses (Soft l Hart)• Prescriptions FilledDR. MORTON R. MASLOVOPTOMCTRISTSHyde Park Skoppio; Center1518 E. 55th363-6363\ oiii! (j Dvsigns b yELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900PIZZAPLATTER14601. 53rdMl 9-2000FAST DELIVERYAND PICKUPNancy: Are you my type? Let's findout Friday at the Blood Bank. TellEnid Saturday. S.S.Writers' Workshop PL2-8377.Pregnant? Troubled? Call 233-0305 foraffirmative help, 10-2 p.m. Free Test.Swinging gals near you! New adultdating service. Send stamp for free application. Together, Box 405-C M,Wilmette, IL 60091,Pregnancy Testing Sat. 10-2Augustana Church, 5500 WoodlawnBring 1st morning urine sample,$1.50 donation. Southside Women'sHealth 324-2292.Chicago Hot-Line—the city's sexreview. Straight and gay news. $5.00to T.R.A., Box 7425-CM. Chicago,60680.PEOPLE WANTEDWaiters or Waitresses are needed atthe AGORA parttime or full time. 9478309 VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1 Y* AND2 Vi ROOM STUDIOSFURNISHED or UNFURNISHED$149 to $243Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4-0200 Mrs. GroakTAI-SAVI-MWCHINESE-AMERICANrestaurantSpecializing inCAKTONfSi ANDAMERICAN DISHCS04tM DAILY11 A.ftATOfcM PM.tUMOATS AMD HOLIDAYS12 TO kNF.M.Ordon to owlIlldtatUrd MU 4-10*3The Medici delivers from 5-10:30 p.m.,Sun.-Thurs; 5-11:30 Fri. and Sat.667 7394. Save 60 cents if you pick it upyourself.BOOKS BOUGHTBooks bought and sold everyday,every night 9-11 Powells, 1501 E .57th.THE HYDE PARK YOGA CLASS hasspace for beginners on Mondays 5 30and 7.30. Call 324 2415.FREE: "Recording Basics Books."No purchase necessary. U. of C.Bookstores. Photo Dept While supplyof 200 lasts.FREE: Scotch T shirt with purchaseof any Scotch audio product U of C.Bookstore Photo Dept While supplyof 200 lasts OAK FURNITURf-ANTIQUESRCf IMISMCD + AS IS144* I. 55th447-42401-6:00 PMTUES.-SAT DesksTablesChairsDressersBookcasesMuchMoree Also DoRe finishingA FINf CIGARCOMRimS TOW* WITOf*THAT TOURS!IFA NO TOW* GUESTS J*I)ipe*ShopTRI OMIT ONE Of IT'S RIND IN THE H R. A*EAAt Mmrpor Court Stiepflnf Cantor>m *. Horpor C- 7 R8S- )t$1 KENNEDY, RYAN. M0NIGAL & ASSOCIATES, INC.Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEA KENWOOD CHATEAUA 16 room house with stained glasswindows. Dramatic staircase lots offireplaces and a wrought iron fenceall around the house. Lot size 100 x190. Price $95,000 Call Don Tillery667 6666ON A STREETWITH A FUTURE7 room Victorian free-standingtownhouse with 2 baths, fullbasement, new roof, newfurnace, woodburningfireplace. Price $45,000 CanDon Tillery 667 6666BEAUTIFULMODERNTOWNHOUSEThis lovely South Shore townhousehas everything you could possiblywant. Three bedrooms, 2’ 2 baths,central air, modern kitchen withdishwasher, sundeck off masterbedroom, nicely landscaped backyard and finished basement. To seecall Richard E. Hild 667 6666 (res.752-5384). MAR YNOOK TOWNHOUSETwo bedroom jewel, finishedbasement, central air, good parking,nice yard with patio. IV* baths.Conventional financing only. 667-6666VICTORIAN DUPLEXThis 1890's Victorian has sixbedrooms, one bath, four fireplaces,lots of oak, cut stained glass, fullbasement, garage A super buy at$47,500.A RARE OPPORTUNITYTwo-flat brick bldg, in East HydePark with two 6 room apts. w/1’/*baths. Large back yard and fullbasement. Price $69,500 Call DonTillery 667 6666BRICK 4 FLATTwo 7 room duplexes w/2 baths andtwo 4-room apts. Extra large fencedback yard Priced at $72,500. Formore into, please call MargaretKennedy at 667-6666.RENT WITH OPTIONTownhouse at 74th and Coles 2 kingsize bedrooms, 1 ’/i baths. Privateparking. 1 block from Lake Inquireterms. Charlotte Vikstrom 667 6666APARTMENTS FOR SALEHI RISE CON00Spectacuiand city. 3 bedrooms, 2 fullbaths - like new kitchen with dish¬washer, double oven, side by siderefrig, and freezer, complete withbreakfast area. LR has diningalcove and study alcove. Call J.Edward LaVelle 667-6666OVERLOOKS 15TH HOLEThis cozy condo at 67th & Crandonenjoys a panoramic view of JacksonPark, U. of C. and downtown. 6rooms, working fireplace, indoorparking. Only $23,750. Call 667-6666TEAK BUILT-IN STUDYSuper coppertorte and walnut kit¬chen 5 large rooms - 2 baths - highfloor - sunset views. Financingavailable. $21,500 co-op. CharlotteVikstrom 667 6666.LUXURY HI-RISE7 splendid rooms super kitchenone block from Lake Michigan.Triple track storms and screensBeautiful floors spacious, graciousliving. $36,000 for equity. Cal!Charlotte Vikstrom 667-6666BACHELOR APT.This lovely remodeled one bedroomco op has the very latest in supergourmet kitchen. Newer building,quiet, close to campus. To see,please call Richard E Hild 667-6666(res. 752 5384.)SUPERB,ELEGANTCondo near lake in South Shore;grand large LR, DR, bedroom andkitchen. Sun porch, cedar closet,first class living. $12,500. Call AlfredDale 667-6666 OVERLOOK PARKOne bedroom co-op close to lake andtransportation. June possession.$15,500 Board approval required. Toinspect, call Margaret Kennedy 6676666CLEAN AND BRIGHTSparkling 6 rm - 2 bath in special 157th Street campus location. Large ’living room, formal dining room,sun porch. Priced in $40's CharlotteVikstrom 667-6666LARGE TREE TOP APT.Space and grace in 8Y* sunny rooms.Completely modernized Systemsexcellent throughout Sparklingkitchen. Master BR 21 feet longfw/two huge walk-in closets, jPanelled study. Many, many extras, j$58,500. Charlotte Vikstrom 667-6666DECIDE NOW-PAY LATER4 new deluxe units (one already »sold) - central air - thermopanepicture windows - view of Lake - !country kitchen, own controlledheat. Patio. $27,500 and $28,000 Near73td in South Shore. CharlotteVikstrom 667 6666BE FIRSTFirst listing, first floor, first owner |First offer gets it. Now available 5room, lovely cond. Ex applianceincluded. Super TV security Near |Bret Harte. Low monthly. $33,000Charlotte Vickstrom 667 6666LIGHT ANDAIRY2 BR co-op apY in well kept courtbldg. Convenient to University and1C. Parking. Individually-controlledradiant heat. Requires board approval. Call 667-6666FIRST APT. HOMEConv. to transp., low assessmentsClean, light 4 room spacious aptwith balcony. $27,500 To see callNadine Alver or Charlotte Vikstrom667-6666APARTMENT BUILDINGSAND LAND FOR SALEHYDE PARK SIX FLATThis well located six flat has somemodification of apartments Goodconversion potential. Doubleplumbing, 2 garages heavy dutyelectrical, newer boiler, good in¬come To see call Richard E Hild667 6666 (res 752 5384).VACANT LAND40 x 140 zoned R 5. 52nd and Kennwood. To see, call Richard E. Hild667-6666 (res 752 5384). RENTWITH OPTIONTownhouse at 74th and Coles 2 kingsize bedrooms, IV* baths Privateparking 1 block from Lake. Inquireterms. Charlotte Vikstrom 667 6666EXCELLENT CONDITION19 FLAT BUILDING3-6's, 9 5's, 6-4 s plus bsmt newfurnace, new boiler, new blockporches and stairs, roof one yearold Circuit breakers 220 wiringPrice $135 000 Call Don Tillery 667«1461 East 57th Street. Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667 6666 Anytime-The Chicago Maroon—Friday, April 15, l0'"' 1'. All Albums by the Guarneri Quarteton RCA records are on sale:$7.98 List price LPs.. .$4.79 Sale PriceSale extends fromApril 15th through April 30thSee the Guarneri Quartet at Mandell Hall,U of C campusFri. April 15 at 8:30 pmMab presents/ *ROY AYERSUbiquitywith special guests "BINO"Sat., April 23 8 PMMandel Hall5706 S. University Ave.Tickets may be purchased in advanceat Reynolds Club Ticket Booth