Vol.86. No.44 The University of ChicagoChris Smith:his weaponwas wordsBy CAROL SWANSON“He had made his choice of weapons,”said Luther Rollins, an alumnus of theuniversity and assistant to the Director ofcollege admissions. “You could probablycarry a gun to get your points across, but heliked to use the keen and sharp mind.”The University lost this keen and sharpmind eight days ago when ChristopherCourtland Smith, assistant to the dean ofstudents and lecturer in the divinity school,died in Billings Hospital. He had suffered amassive stroke on the Tuesday before andnever regained consciousness. He was 54.Smith first came to the University in 1949as a student receiving his B.D. degree fromthe divinity school in 1955. “He was not aChicagoan by roots,” said Rollins, anassociate and close friend of Smith’s, “andeven though he had an unusual student lifehere, he fell in love with the place. Comingback was important to him.”Smith did come back to the University,but only after serving as the chaplain at theIllinois Children’s Hospital for two yearsand becoming the director of the ChicagoParental School in 1959. His work there withunderprivileged youngsters contrasted withhis work here at the University, where heworkedwith talented young people and theleaders of tomorrow. “This showed hisflexibility,” said Rollins. “He believed inthe potential of many students.” Christopher SmithSince joining the University staff in 1972,Smith was dedicated to minority recruit¬ment. “He was optimistic for the future,”said Rollins. “His weapons were the silentkind: meetings, discussions. . . Progresswas subtle and slow and he was neversatisfied. He was always looking for newgoals and answers.“He believed that we could find qualityminority members — blacks and women —without having to have a double standard.He was honest about it. It would take moneyto look, but we could find them.“He really loved the University,” saidRollins. “I know it sounds corny, but hehonestly and sincerely believed in his work.. .We have to give Chris credit for laying thefoundations for the hopefully positive thingsright around the corner. We’ll all look backand know that it was Chris Smith.” til rule changecomplicates minority reportpresentation by membersBy DAVID BLUMThe Committee of the FacultyCouncil, responding to the in¬flammatory nature of Felix E.Browder’s minority report lastquarter, has proposed a new rulethat could effectively block thepresentation of such reports in thefuture.Their proposal, passedunanimously by the Committeewith one abstention, would requiremembers of the Committee to“submit minority reports. . .through the spokesman.” In thepast, due to an inconsistencybetween the University Statute’sand the Council’s Rules ofProcedure, members of theCommittee were permitted topresent minority reports directlyto the Council.Browder’s report was madeunder the Rules of Proceduregoverning the Faculty Council.However. Article V, Sections 1 and2 of the Statutes clearly designatesthe Committee spokesman as theconduit between members of theCommittee and the Council itself.The only real distinction betweenthe statutes and the rules ofprocedure is that, under theStatutes, a member of the Com¬mittee of the Council cannot standbefore the Council as a whole topresent a minority report. Thus,several Council members view themove to change the rules as a direct response to the minorityreport of Felix E. Browder, whichwas distributed to members of theCommittee of the Council and theCouncil itself only moments beforeBrowder read it to the assembly.Browder’s report, whichcriticized Wilson administrationpolicies and proposed that a searchcommittee be formed to find aimmediate replacement forWilson, stunned most Councilmembers largely as the result ofthe acerbic language it contained.While many professors privatelyconceded that Browder had raisedimportant issues, there wasagreement on all sides that theform of the minority report wasbrazen and unnecessarily harsh.As a result, though no formalaction was taken against Browderfor his presentation of the report,most faculty members considerthe proposed rule change as adirect rebuke of Browder and hisreport.The subcommittee of the Councilappointed by President Wilson toinvestigate the specifics of theBrowder Report examined theconflict and determined that thestatutory procedure waspreferable to the Council rulesThe Committee of the Council,upon receipt of the report, voted toamend the Council’s Rules ofProcedure to conform to theStatutes.Council to 3Reflects other departmentAmerican History grads: active last year, quiet nowBy BARBARA PINSKYIn recent weeks, graduatestudents in several departmentshave expressed concern over theirlack of political influence at theUniversity and have criticizedfinancial aid and other policies ofparticular concern to graduatestudents.This is the first of a two part seriesof articles on the activities ofgraduate students in Americanhistory to secure directrepresentation on the depart¬ment’s faculty committee. Today’sarticle documents the efforts of thegraduate student’s last year. OnTuesday, the views of faculty andstudents on the present status ofthe department will be presented.PhilosoDhv students, with thesupport of the graduate faculty inthe department, have requestedPresident Wilson to release in¬formation explaining financial aidallotments to the department,claiming that there is not enoughmoney to adequately supportadvanced students.In the political science depart¬ment, students have been workingwith faculty to insure represen¬tation on the department’s facultysearch committee. The PoliticalScience Association, anorganization of students in the department, has stated its plans todeal with other important issues,including financial aid policies.Anthropology students have metwith faculty to discuss theirdepartment’s position on class sizeand financial aid.Graduate students in thesedepartments voice many of thesame criticisms — scarce financialsupport, no salaried teaching ex¬perience within their respectiveprograms, and a depressed jobmarket for doctoral candidates.American history gradsshow some concernsAmerican History graduatestudents directly addressed thesecommon problems last year whenthey sought representation on theAmerican History Field Com¬mittee (AHFC), which is com¬posed of tenured faculty and hasbeen labelled the “fountainhead ofpower” in this part of the depart¬ment.Responsibilities of the AHFCinclude faculty hiring, devisingcurricula, accepting and rejectinggraduate student applications,passing first year students into thePhD. program, and rankingstudents for financial aid.According to students in thedepartment, a Standing Com¬mittee on Student Representationwas formed in October, 1975, todraft a list of grievances, signed by29 American history students.Their statement included the following points:•There are no official means ofcommunicating with the FieldCommittee, short of a directpetition to the Field CommitteeChairman.•Intellectual, urban, and economichistorians are not adequatelyrepresented in the department. •The financial problems of thirdyear and dissertation levelstudents that may force them toleave the department beforetaking the degree.•There is a need to reconsider andredefine the very structure of thegraduate history program in orderto establish as a priority the problems of historians entering thejob market.•A difficulty in planning a courseof study is created by the greatflexibility in teaching schedulesfrom year to year.In order to alleviate the com¬munication problem betweenstudents and the AHFC. theStanding Committee urged that aformal channel be established,with two students acting as votingmembers of the CommitteeKarl Morrison, then chairman ofthe department, called the studentmemorandum a “judiciousstatement.” and recommendedthat an open meeting be held todiscuss the concerns raised by theStanding Committee.However, in a letter to theStanding Committee. ArthurMann, Chairman of the AHFC,stated, “The AHFC does not havethe power to make the structuralchanges that were proposed in thememorandum.” but did note that“a means was needed to allow forcommunication between studentsas a whole and faculty7 as a whole.”Mann then explained why the.AHFC was unanimous in rejectingthe request for studentrepresentation on the Committee:History to 3Plant department employees planted 41 red maples in front ofRegenstein along 57th St. early this week. An anonymous privatedonation funded the planting, which completes the original landscapeplan for the library. Money had not been available for the trees sincethe completion of the Regenstein in the fall of 1970.The Maroon has a place for youIf you’re interested in writing, or in anything elsehaving to do with newspapers, visit us on the thirdfloor of Ida Noyes.‘FASTSPEEDVRAPID■SWIFTPRONTO...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE...OUR SERVICES INCLUDE•Copying .Business Cards C°P*M•folding •Matllers .Copying*•Collating .Flyers Ouplic.tlng-Fa.t•Binding .Ad Books• Wedding mutations .Church Bulletins•Padding Etc .TtiMis - Term Papers•Envelopes .Funeral Programs•letterheads PBfTKfist Hyde Park Bank Bldg.1525 53rd StreetROSS Chicago, III. 60615INSTANT PRINTING WHILE U WHIT Suite 626RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW& AUDIWe Offer Top-Quality Mechanical ServiceTune-Ups * Electricai * Brake SystemExhaust System * Other RepairsConveniently Located at5508 S. Lake Park(Gateway Garage Bldg.-Downstairs)Monday-Saturday, 9am 9pmCALL684-5166 Checker Board Lounge423 E. 43rd St.featuring:Buddy Guy & Band, Jr. Wells& Voice Odum.Fri., Sun. 9-2, Sat. 9-3(Blues Monday)(all drinks $1.00)373-5948SO. SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudios AvailableStarting $155.00'Modern hi-rise bldg in pleasant surroundingsjwith central air cond , private beach, commissary,(^beauty shop, indoor and out door parking avail}For an appt., call 768-3922 or visit our office'kM-F 9-4:30DOWNS, MOHL & CO.Equal Opportunity Housing "I HAVE CALLED YOU BY YOUR NAME'BROTHERS OFHOLY CROSSResponding through educational,health, social, pastoral and otherservice ministries.Br. Thomas Maddix, CSCBox 308, Notre Dame, IN 46556With This Ad OnlyLots of used office furniture just in, includ¬ing: desks, chairs, file cabinets, tables,sofas.Drawing Tables $65EQUIPMENT&SUPPLY CO.8600 Commercial Ave.Open Mon.- Sot. 8:30- 5:00RE 4- 2111Once Upon a Time in the WestFriday 8 & Sunday 10 I-HOUSE 8:00 pm, $1.50History from 1“Because the AHFC is an examining anda certifying board...it would be inap¬propriate for students to be members of theboard. Their presence on the board wouldmake its deliberations unworkable.”He said that student representation wasnot practicable because the AHFC plays animportant role in the recruitment of newfaculty and the promotion of faculty alreadyhere. Letters of recommendation arealways kept in the strictest confidence, andthat confidence would be breached ifstudents had access to the letters.Open meetings rejectedAs an alternative to representation on theAHFC, the faculty proposed that regularlyscheduled open meetings be held throughoutthe year.The Standing Committee on StudentRepresentation rejected the AHFC’sproposal for open meetings. Although theCommittee agreed that full studentrepresentation was unworkable due to thecertifying and examining functions of theAHFC, it saw the proposal for openmeetings equally unworkable:“We continue to believe that some systemof student representation would be the mostdesirable form of dealing, on an ongoingbasis, with our problems. Between the twopoles of ‘full representation’ and regularopen meetings, we feel that there exists thepossibility of an alternative mode of dealingwith problems of mutual concern.Council from 1Wilson told the Council that AllisonDunham, the University’s general counsel,advised him that the Statutes would be ineffect until the Council approved theproposed motion, since the Statutessupercede the Rules of Procedure.However, the Council was divided on twomajor questions:• Would the approval of the rule changeeffectively eliminate the presentation ofminority reports by members of the Com¬mittee of the Council?• Was it inappropriate to consider theproposal alongside the report of the Councilsub-committee, which had found Felix E.Browder, chairman of the mathematicsdepartment, inaccurate in nearly all thespecifics of his minority report?“I believe that the Council should dealwith questions of substance, which is toevaluate the matters raised by the reports,and that procedureal matters should bedealt with separately,” said Isaac D.Abella, associate professor of physics.“I would find it unfortunate if these itemswere linked and that the Council would beasked at this time to amend the rules, aprocedural matter, thereby indirectly ex¬pressing its views of the sub-committeereport, and the Minority Report.”Abella’s remarks to the Council weretaken from the confidential minutes of theFaculty Council’s March 15 meeting, a copyof which was obtained by The Maroon.Abella proposed a comprehensive review ofthe Council’s rules of procedure, so as to As an alternative to full representation,the Standing Committee proposed thecreation of a Parallel Committee, to becomposed of elected representatives ofgraduate students in American history andmembers of the Field Committee.The Parallel Committee would not beauthorized to deal with certifying andexamining functions, but would addressitself, on a formal and regular basis, tosolving the problems outlined earlier.However, the proposal for a ParallelCommittee was not considered by theAmerican History Field Committee. In aletter to the Standing Committee, Mannrepeated that the AHFC would hold openmeetings with graduate students but wouldnot change the structure of the AHFC toinclude any type of student representation.He also expressed his own feeling that thedepartment wished to deal with studentconcerns directly and with graduatestudents individually.Mann argued that the existing system wasthe best system for both faculty andstudents because there were no studentrepresentatives designated as in¬termediaries.The open meetings, to be held quarterly,were not continued beyond spring quarter oflast year. A student explained that thosewho had been active on the Ad Hoc com¬mittee became inactive after the proposalfor representation was denied.separate the Browder issue trom tneproposed motion.The only direct opposition to the proposalwas voiced by Saunders MacLane,distinguished service professor ofmathematics, who submitted a statementread to the Council by Paul J. Sally, Jr..professor of mathematics.“May I point out that a spokesman mightvery well, from background or conviction,be in considerable disagreement with anopinion to be stated in a minority report,”said MacLane. “Hence, a regulation thatany such report must be submitted throughthe Spokesman would at the least have achilling effect upon such minority opinionsand at the worst might stifle or distortthem.”Gerhard Casper, professor of law, spokein favor of the motion, and renounced thesuggestion that the Council begin a reviewof all its rules of procedure. Other councilmembers, while deferring opinion on theproposed measure, quizzed the Committee’sspokesman, Suzanne Oparil, at length on theprocedure that would be followed if themotion were passed.Oparil, an associate professor ofmedicine, explained that a written minorityreport would be circulated to other mem¬bers of the Committee, and would be read tothe Council by the spokesman.At the suggestion of President Wilson, thematter was deferred until the next FacultyCouncil meeting, scheduled for April 12. TheCouncil meets in a basement classroom inRosenwald Hall, and their sessions areclosed to faculty and students except byinvitation. NewshriefsFaculty searchcommittee electedThe 51-member Faculty Council lastmonth elected seven faculty members toadvise the Board of Trustee’s Presidentialsearch committee.The faculty committee was elected from agroup of 21 faculty members nominated bythe Council in late February.The members of the committee are:• Norman M. Bradbum, chairman of thebehavioral sciences department.• Gerhard Casper, professor in the lawschool and the political science department.• James W. Cronin, professor in the physicsdepartment.• Peter F. Dembowski, chairman of theromance languages and literature depart¬ment.• Eric P. Hamp, professor in the depart¬ments of linguistics md behavioral scien¬ces.• James H. Lorie, professor in the businessschool.Neither the trustee committee nor thefaculty advisory have met yet, and a jointmeeting of the two groups has been set forthe end of April. Procedural guidelines forthe committees have also not yet beenworked out.Morton-MurphyAwardsThe deadline for application for Morton-Murphy awards is Wednesday. The awards,for a maximum of $150, are given “to showrecognition to students who have madesome significant contribution, above andbeyond the call of duty or personalfulfillment, to campus life.”A student may apply directly for an awardor be nominated by “any member of theUniversity community, student, facultymember, or staff member.” Last quarter, 10 students received theawards, three for $50, two for $75, two for$100, and three for $150. Money for theawards comes from an endowed Universityfund, and there is no set limit on the numberthat can be given.Morton-Murphy applications areavailable in Harper 252.Garden PlotsApplications for gardening plots on thecomer of 56th and Ellis will be taken by thePlant Department Wednesday. 20 plots areavailable for students, faculty, and staff,and the recipients of the plots will bedetermined in a lottery April 14. Last year,160 applications were filed for 60 plots.The construction of new tennis courts hasdecreased the number of garden plots from103 last year to 57 this year. Because holdersof gardens have the option to renew, only 20of the 57 lots are available.Winners of the lottery are required tomake a $20 deposit for the 16’xl9’ plots; $10of that deposit will be refunded at the end ofthe season.Persons wishing to sign up should visit theoffice of physical planning and construction,located in room 310 of the Young Building,between 8:30am and 5:00pm Wednesday.Tut exhibitStudents with University ID cards will beable to get into the Field Museum’s King Tutexhibit, opening on April 15, free of chargeand will also be able to wait on the shortermembership line.The Oriental Institute which will have aTut exhibit-of its own is co-sponsoring theexhibit with the Museum. The Universityand the Museum have received a joint$107,000 grant from the National En¬dowment for Humanities for Tut-relatedactivities.Maroon electionThe election for next year’s Marooneditor will take place Tuesday, April 12 at7:00 pm in the Maroon office. There will bea party after tne election. All staffmembers are expected to attend.ITYI1 : -J1 it ; >7 Days A WeekHYDE PARK PIPE AND TOBACCO SHOP1552 E. 53rd - under 1C tracksAll students get 10% offask for "Big Jim”PipesPipe Tobaccos Imported Cigarettes CigarsOAK FURNITURE-ANTIQUES•criMiSHio + as is Desks16491. sstti ptf TablesS47-4M0 If Chairs, . „ Dressers14:00 PM Bookcasestues-sat. SSMoreWe Also DofinishingDOC Films Presents: EVERYONE INVITEDSCIENCE AND SCIENTISTS IN INDUSTRYPRESENTSDr. Dennis RaderSchlumberger - Doll Research Centerto speak onPHYSICS RESEARCH ATSCHLUMBERGER: PERSPECTIVES ONACADEMIC AND INDUSTRIAL RESEARCHTuesday, April 12, 1977 at 4:00 P MHinds Geophysical Sciences AuditoriumRefreshments and discussion afterwards Cornell Law SchoolUndergraduate Prelaw ProgramJune 27 to August 9.1977A demanding six-week creditprogram for college studentswho want to learn what lawschool is likeFor further information write to DeputyDean J T. Younger, Cornell Law SchoolMyron Taylor Hall, Ithaca. NY 14853PETER PAN/Walt Disney /CHILDREN OF PARADISE/Marcel CameFri. April 8 6:30,8:30.10:30 Cobb Hall $1.50 Sun. April 10 8:00 Kent 107 $1.50The Chicago Maroon Friday, April 8,1977 3A new deanThe College occupies a peculiar position withinthe structure of the University. Although it is adistinct academic unit, the College is dependenton the graduate divisions for virtually all of itsfaculty. The College usually grants tenure onlyin conjunction with a graduate division.Therefore, every faculty member up for tenurein the College must demonstrate substantialadvances in research to his divisional peers aswell as a commitment to undergraduateteaching. As a result, there is in actuality norecognizable body of full-time faculty in theCollege. There is a real danger that the College,without an identifable, renewable facultyidentity, could become submerged within thelarger divisions which support it.Many staffing problems in first and secondyear courses have been alleviated by theestablishment of the Harper Fellows teachingprogram. Generally, their reception has beenfavorable but it seems odd that the foundation ofthe College, the common core, the concept whichmost gives it an identity, is perpetuated by agroup of teachers who are barred because oftheir exemption from the tenure track fromtaking a long-term interest in the College. Theymay be full-time, but they are not long-term.Staffing of common core and “second quartet”courses is a recurring problem, but the ad¬ministrative problems created by the Collegecurriculum should not be allowed to obscure themore fundamental purposes of the liberal artsprogram. Discussion of curriculum has occurredsparodically on several occasions in the past fewyears but the discussions have lacked structureor definite objectives.Without a full-time faculty, the College, at thevery least, must have a full-time dean. CharlesOxnard has had many good ideas and has showna genuine interest in encouraging faculty toteach in the College. However, he has beencriticized for not devoting sufficient time to hisduties as chief executive of the College. It seemshe was often either on his way out of town, or hadjust returned.The search committee now looking for asuccessor to Oxnard should choose an individualwho has both an understanding of the problemsof the College and an aggressive commitment torepresent the interests of the College in thebargaining process of University politics.An energetic, imaginative, and accessibledean could help to put an examination of thecurriculum on an effective track.Warner Wick, William Rainey Harperprofessor of philosophy, is chairing the Collegedean search committee. He has encouragedstudents to offer their views of what qualities adean should have and who might fill thesequalifications.Carefully written, thoughtful recom¬mendations have been seriously weighed in suchmatters as the Quantrell teaching awards.Students can have a voice in the search for aCollege dean, but only if they are willing toexercise it.The Chicago MaroonEditor: Peter CohnFeatures Editor : Jan RhodesSports Editor: David RieserPhoto Editor: Dan NewmanSenior Editors: David Bium, Dan WiseAssociate Editor : Abbe FletmanProduction Manager: Michael DelaneyGraphics: Chris PersonsBusiness Manager: Niko MaksimyadisAd Manager: Doug MillerStaff.Tony Adler, Earl Andrews, N.S. Baer, Steve Block, Steve Brown,Ellen Clements, Nancy Cleveland, Stephen Cohodes, Lisa Cordell.Skye Fackre, Abbe Fletman, Mort Fox, Philip Grew, MaggieHlvnor, Joel Jaffer, Jerome Marcus, Tom Petty, Barbara Pinsky,RW Rohde, Rusty Rosen, Claudia Rossett, Adam Scheffler, ChuckShilke, Carol Studenmund, Bob Wanerman, Sarah ZesnerThe Chicago Maroon is the student newspaper of the University ofChicago, published Tuesdays and Fridays during the regularacademic year. The Maroon office is located at 1212 E. 59th St.,Chicago. Illinois60637. The telephone number is 753 32*3. r 1 ■■ ' "Letters to the EditorGardeners wantspaceTo the Editor,Recently the University an¬nounced that as a result of ananonymous donation, eighttennis courts would be con¬structed on land at the corner of55th and Ellis. Two years ago asection of this area was dividedinto 36 garden plots and the“ownership” allocated by lot¬tery. Needless to say, there werefar more applicants than plotsand most plots were shared bythree or more persons.Although construction of thetennis court will result in thedestruction of these gardens, noarrangements have been madefor alternate gardening sites.The large over-subscription tothe lottery attests to the stronginterest within the Universitycommunity for gardening areas.Vacant areas do exist onUniver sity property which maybe suitable for gardening, butnothing will be done by theUniversity unless strong in¬terest is expressed by those whowish to garden this year.Several discussions with Mr.Lynn Bender, UniversityPlanner, have revealed that thelocation favored by theUniversity is a large tract ofland just south of the Midwayand west of the IC tracks. Theprimary drawback to this areais the security risk posed by itslocation on the south campus. Amore favorable area, at least interms of location, is the vacantfiejd on the north side of BartlettGym (corner of 58th andUniversity). However, Mr.Bender has informed us thatbecause of future plans to buildon this site, the University willbe reluctant to spend the onethousand or so dollars requiredto fence in the area, providewater and spread topsoil.With encouragement frompotential gardeners in HydePark, we feel the University canbe convinced to develop one orboth of these areas for farming.We urge that anyone interestedin gardening write Mr. LynnBender, (Physical Planning andConstruction, Young MemorialBuilding, 3rd Floor) and statehis/her views, particularly withregard to willingness to use thearea south of the Midway. Theaddition of topsoil, water lines,fencing and adequate lightingwould make this area quiteproductive.Sincerely yoursKent WilcoxMichael BartkoskiVirginia SawinBruckner correctsCLRTo the Editor:The 10th week issue, dated March11 (The Chicago Literary Review)had a long piece about “Dreams inStone” in which there were someerrorsFirst: the reviewer said that I“fired” Hoke Norris as Director ofPublic Information. That is false. Ihired Mr. Norris in 1574 for that job,and he did it wonderfully. He brought to that office confidence,guidance and professional quality ithad long lacked and he was able tohire as specialists for the officesome of the best people in town. Hisdecision to retire at the end of lastyear was very painful to me, and, infact, he delayed his retirement forsome months at my request. Thatthere should be a suggestion that aman of such character and ac¬complishment was dismissed issimply obscene. He left here, hesaid, to get the time to write. I havereason to wish every day that hewere still here.Second : the reviewer said that thebook “was not copyrighted by theUniversity and printed by Univer¬sity of Chicago Press...but printedby R. R. Donnelley and Sons, ownedby a member of the Board ofTrustees.” The grammar is garbled,but the innuendo is plain. In fact:publishers and printers are differentagents, and university presses hirecommercial printers just aseveryone else does. Beginning in1974 I discussed this book withseveral publishers and then withagents for printers of art andphotographic books on the EastCoast and from three Europeancountries, as well as with curators ofphotography from several univer¬sities and four major museums.Everyone agreed that Donnelley —the largest commercial printer inthe country — would be among theirown first two choices. That is whythe company was chosen. TheTrustee referred to by the reviewerhad nothing to do with it. I believe hebought a number of copies to give asgifts and that is the only connection Ican think of.Third: the reviewer stated that “Itseems that the money backing thebook came out of Mr. Bruckner’sbudget and proceeds will returnthere, unlike University of ChicagoPress publications.” That statementis something worse than mere error.The reviewer talked to me on thetelephone four days before thereview appeared. She asked whetherthe funds to pay for the productioncame from my budget and I repliedthey did not. She asked what wouldhappen to “profits” from sales. Isaid I hoped to sell enough books topay for production. She askedwhether I did not expect to make aprofit and I replied that I do not; Iadded that I hoped to pay for thebook itself this year and, eventually,to recover also the cost of the entirecollection of photographs. So, sheknew more than she told herreaders. I assume the readers of thispaper know well enough that it ispossible to order a press run of booksand then pay for it from sales, in thesame way any commercial dealerorders any commodity for sale.I apologize to the readers of theMaroon for asking for so much at¬tention. Through the years I havenot contradicted statements againstme and I will not. But, in this case, awriter has assumed a moral rightover the reputations of the twodecent men whose characters shouldnot be denigrated in any con¬demnation of me; and there was afalse statement about funds with noacknowledgement by the writer thatshe had from me, beforehand,particular answers which contradicther assertion.D. J. R. BrucknerSecurity breachTo the Editor,I wish to inform you that you havebreeched the highest securityclassification in the governmentalregulations in your story concerningmy plan to fly a balloon over Russia.As soon as we have an officialsecrets act, you will be prosecutedretroactively. It is dear that you must haveaccess to KGB sources, or at leastthe CIA, as Professor Fujita and Ihave taken great care to have ab¬solutely no contact either directly orindirectly concerning our joint plan.Furthermore, I wish to protest theimplications of the article that I amwasting taxpayers’ money. Weabsolutely are not dropping twelve-year old bourbon into Russia. We aredropping white lightning which ischeaper and which the Russiansprefer. The twelve year old bourbonis either being consumed locally oris being given to the Raritaneans tobribe congressmen with.In the interest of secrecy andaccuracy, I remain,Morton A. KaplanFSACCSL:a Model T?To the Editor,Happy Birthday to us.The Faculty-Student AdvisoryCommittee on Campus StudentLife (FSACCSL) is ten years oldthis spring. In the spring of 1967the Council of the UniversitySenate created the committee toadvise the Dean of Students ofthe University. Like any bir¬thday, it seems a good time toreflect.In the early years, FSACCSLserved an important purpose.These were the years whenrelations between the Univeristyadministration and large groupsof students were strained andvolatile. The committeeprovided a direct means ofcommunication betweenstudents and administration. Inthis way it also served as astepping-stone for constructivechange. Since students coulddirectly confront the dean ofstudents, the committee mayalso have been a safety valvewhich treated explosive sen¬timents in a more controlledmanner.The times have changed. Likethat wonderfully constructedmarvel of modern technology,the Model T, FSACCSL seems tobe a monument to an era whichpassed it by. I’ve heard storiesof midnight meetings, leakedinformation and fast politicsthat makes the FSACCSL oftoday look like a tired oldpolitician with one foot in thegrave.But it does not have to be thatway. The chronic lack of at¬tendance that plagues mostmeetings, the non-existence of apublic record of ourdeliberations and a choice oftopics for discussion and con¬sideration which does not ad¬dress the major non-academicconcerns of students are illswhich can be relieved.Several FSACCSL membersare concerned with the com¬mittee’s problems and aretrying to do something aboutthem. The questionnaire whichappears in today’s Maroon andwill be distributed throughoutthe University community is aneffort to get in touch withstudent opinion. As a member ofFSACCSL, I think it is one of theonly ways our committee canget back to the job of advisingthe dean of students from aninformed point of view.Nolan Baer4-The Chicago Maroon-Friday, Aprils, 1977The Chicago Maroon's Weekly Magazine of Criticism and the ArtsOn the Case with Lukacs LeBagThe Sportswriter in the Balcony: Scenes From a GameEditor's Preface: As most of you areat least somewhat aware, the ChicagoBulls have, in the course of a few shortweeks, undergone a transformation,from nonentity to challenger in theNational Basketball Association. Theirrecent streak, which has reachedeighteen wins in their last twenty-twogames, has resulted in record at¬tendance at home games, soaring radioand TV ratings, and greatly increasedmedia interest. None too eager,however, to do another in-depth profileon Coach Ed Badger's wardrobe,Captain Norm Van Lier's love life, theloneliness of Artis Gilmore, or theWestern Conference playoffpossibilities, we have instead dispat¬ched Lukacs Le Bag to some recent mentality at work. A Bulls team thatground out victories at a steady rate oftwo for every three games over a wholeseason only averaged 7-8,000 fans agame because of the Continental BankRule: they'll find a way (to blow it).Indeed, over the years, the rule hasheld up beautifully: the Bulls havebeen second only to the Durocher eraCubs in devising ways to lose cham¬pionships (viz. playoffs vs. L.A. in '72and Golden State in 74). So, sustainedinterest has remained small until now,when a reverse effect is takfng place.The thirteen-game losing streak hadput the Bulls out of everyone's mind byDecember 1; the recent drive forrespectability came under the rightcircumstances for a suspension ofA Bulls team that ground out victories at a steady rateof two for every three games only averaged 7,000-8,000fans a game because of the Continental Bank Rule:they'll find a way (to blow it). Indeed, over the yearsthe rule has held up beautifully: the Bulls have beensecond only to the Durocher-era Cubs in devising waysto lose championships.games for a perspective we think isunique in Chicago sportswriting — theview from standing room in a sellouthouse.I. Why Some People End Up in Stan¬ding Room belief, as the theologists might call it,in the normal course of events. Theturnaround has been so sudden thatmany people have let down theirdefense mechanism of good oldChicago cynicism.But why fall for the Bulls now? Whydo fools fall in love? — It's the sameshow, when you come right down to it.Falling in love, psychologists say, canonly come under conditions when one iswilling to make oneself vulnerable togetting hurt. We go out to the stadium,and we're not prepared for the even¬tuality of losing — and they don't lose.Amazing. So we keep going back: justas the possibility that Ms. Right willshow up at the next 1-House discoalways exists, so there is the chancethat the Bulls will replicate the feats ofthe '67 Red Sox, the '69 Mets, or, inrecent basketball vintage, Golden State two years ago or Phoenix last year. InFenway Park in Boston, there's abillboard for the Jimmy Fund, a cancerresearch foundation; there's a sick kidin a Red Sox uniform in the picture withthe caption, "I can dream, can't I?"The sign should be up in the Stadiumthis spring.III. On Madison Street, That SadStreet: Getting There is How Much ofthe Fun?You'd think that there would besomething special about the East-Westdividing street for the great gridsystem of Chicago. But, like so manyopportunities for civic niceties that arepassed up in this town, Madison Streethas nothing positive to recommend it.It features the back of the FirstNational Bank in the Loop, as well asMaxim's restaurant (the otherMaxim's — the one you pronounce withthe accent on the first syllable). Butcheck out Madison once you get by theKennedy. The real Skid Row is here —just as cruddy as you could possiblyimagine one to be. A surfeit of usedstore-fixture places. An abandonedused-car lot. The kind of bars you seeambulances pulling up to often. Takethe #20 bus and see what you don't seeon the Gray Line. Except maybe inDetroit.IV. Architectural CriticismIn the midst of the squalor of theWest Side, at 1800 West Madison, is theChicago Stadium. An absolutely im¬posing concrete monolith, it is one ofthe huge arenas built during the GoldenAge of Sports in the late 1920's, like, forexample, the Boston Garden and theold Madison Square Garden. Beingfamiliar with either of those putridestablishments doesn't prepare one forthe clean, impressive, well-designedbuilding the Stadium is. It's not ornate,but there is a grace and a pleasingscale to the oval of deep red seats,framed by the white facade of the twobalconies. For my taste, there are In the midst of the squalor ofthe West Side, is ChicagoStadium. An absolutelyimposing concrete monolith,it is one of the huge arenasbuilt during the Golden Ageof Sports in the late 1920's.almost no bad seats or standing-roomspots in the place (only the lower —expensive — seats at each end). It's anawesome place, especially filled up.My pulse never fails to quicken as Imake my way up the 94 steps to thesecond balcony and get the first view ofthe arena from the very top.The place is an acoustical horror forany rock group that cares about how itsounds, but it is wonderful for crowdnoise. There's a richness to the roarthat you just don't get in other sportsestablishments, especially in themodern, drab bowls. It's a fantasticrush.I'd told the people to get tickets inadvance for the damn game. I knowthat the Stadium is in a neighborhoodwhere any white liberal fears to tread.I know the Ticketron computer is asreliable as the 1970 Rambler Rebel Inearly froze my you-know-whats offbecause of during January. But somethings you have to do: the future isnow. There are people who, not going tothe Bulls game, can be content withThe Rockford Files or hunting for aparking space around Rush Street, butI, in the true spirit of the Bulls, decidedto deal with the difficulties inherent inthe situation. I now hold two ticketstubs for second balcony StandingRoom for the games of March 24 andApril 1, and have written on the back,"Bulls 102, New York 85", and "Bulls107, Denver 97" respectively. A sport¬swriter in standing room. Right nearAisle A, behind the basket.II. "Adversity — Chicago Loves It!!!"One of my very favorite lines, spokenby Jim Durham, the august radio voiceof the Bulls, during a losing playoffeffort versus Milwaukee three yearsago. These words might well sum¬marize the Bulls' situation today.Think about the Bulls of a few yearsago — a record of 42 wins and 38 losseswould have been considered horrid fora team that had, as its season goal,twice as many wins as losses. Why,despite the fact that 42-38 looks a darnsight better than last year's 24 58wonders, is everyone in town goingberserk over a rotten season that's justnow becoming passable?Actually, this is the Chicago sports V.Fans: Alone TogetherAll the excitement built up during theday in anticipation of seeing the gameand being part of the crowd just diesafter one arrives, alone, an hour early,to get a proverbial spot on the rail.There's nothing to do but wait until thegame starts. Standing room and thecheap seats, contrary to popularopinion, tend not to be populated withthe true cognoscenti of sport. Thejournalist's effort at doing a StudsTerkel was quickly aborted when herealized that all the comments he wasgetting from other fans, wereregurgitated from the Tribune sportspages. How boring. (A favorite curse:"May Rick Talley sit next to you on acoast to-coast Amtrak trip.")Camaraderie among fans is rare; mostare there for their own version of thatdirect, magical communion with thegame and the players. But, for many,especially good Catholics, communionis circumscribed by dogma, and theseguys, it seems mostly follow thedogma of Sports Illustrated, SonnyHill, and Jimmy the Greek.The Grey City Journal-Friday, April 8, 1977-1FOTASPLURGE THIS SPRING Norman Maclean» ¥Author of A River Runs Through_Jtwill read and discuss his work in the lecture:“Montana withNouns & Verbs”AUCTIONon furniture for your flat,food for your face, or on your favoriteFriday Apr. 15 Noon.Reynolds Club Wednesday April 13th, 7:30 p.m.Ida Noyes Halla reception will followMr. Maclean is the William Rainey Harper Professor Emeritusin the College and Professor Emeritus in the Department ofEnglish. He is the author of the first fictional work to bepublished by the University of Chicago Press.ROCKEFELLER MEMORIAL CHAPEL amv^.APRIL 8, 12:00-12:50 P.M.PREACHERJACK L. STOTTS, PresidentMcCormick Theological SeminaryGaster €dc VigilAPRIL 9, 11:00 P.M.Easter breakfast following the service in Chapel undercroft.APRIL 10, 11:00 AM.PREACHERE. SPENCER PARSONSDean of the ChapelSermon: *Alive Forevermore'2-The Grey City Journal-Frlday, April 8, 1977—1 The Bozos You Love A Lot on Fiim_ In Movies HereThe F/resiw Theatre*FMsmmmesThe Firesign Funnies plusThe Magical Mystery TourSun. April 10 6:30 & 9:30Cobb Hall $150Saturday April 9A BRIEF VACATION7:15 & 9:30Cobb Hall $1.50“Blood Knot” - AlmostBy John LanahanIf the current Victory Gardens productionof The Blood Knot worked, it would be asmall miracle. To start off, the play has anumber of problems, most of them struc¬tural. In addition, the original director andcast for the show quit, and the productionhad to begin again from whole cloth.The author, Athol Fugard, has becomequite popular in recent years, becauseAmerican audiences prefer to examineracism in the more extreme and politelydistant context of South Africa. Some ofFugard's plays, like the recent Stage IIproduction of Sizwe Banzl is Dead, which heco-authored with John Kani and WinstonNtshona, are deceptively simple depictionsof men caught in the grizzly paradox ofracism. At its best, Fugard's style consistsof numerous narrative anecdotes pulledtogether by a small usually two-person cast.The first half of Sizwe Banzl, for example, isa long but interesting narrative by onecharacter, this monologue setting the toneand scene for the rest of the play. Un¬fortunately, The Blood Knot, one ofFugard's earliest works, is not able to fuseits numberous anecdotal tangents into acohesive circle. It is difficult to figure outwhere the play is going — it's an odd mix¬ture of expressionism and absurdistrealism. It lacks the elegantly simpledidacticism of Fugard's later works, andseems a kind of aimless mea culpa byhumanity for the sin and hell of racism.The director, Dennis Zacek, did little topull a show out of this production. There wasfar too little editing, and some bizarredirectoral touches in the first act that wouldhave been hilarious if they had not been soconfusing. About ten minutes into the show,I wondered if I hadn't mistakenly stumbledinto a weird production of Genet's TheMaids, changed to an interracial, trans¬sexual context. My silent dismay soonmildewed into boredom, as the play am¬bled and rambled along for a full threehours. The last scene, however, directed in astraight expressionistic style, was prettygood by itself. Had the entire play beendirected in that manner, the show mightA Gripping have been interesting, assuming it had beengreatly pruned. Unfortunately Zacek wasunable to repair what Fugard hadmiswrought, and the audience received noother message than "turkey."The cast of two was unbalanced betweenFrank Rice, who was. pretty good, andWilliam Stecz, who was not. Rice, as thedark-skinned Zachariah, was aimiablymatter-of-fact, and grasped the earthyEveryman nature of his role. Stecz, as hislight-skinned brother Morris, who passedfor white but returned to his brother out oflove and guilt, presented the sometimeludicrous, sometime pathetic spectacle ofan actor in search of a character. I fullyexpected him to start sucking Zachariah'stoes, or something equally Genetian, in thefirst act. This closeted incest gave way toplain confusion until the last scene of theplay, when the expressionism finally gaveStecz something to hold on to.The set, by Maher Ahmad, gave the entireproduction the air of a prison camp — whichwas more of a lief motif than anything else.The lighting, also by Mr. Ahmad, wasrestrained and realistic until the end of theshow, when it adapted well to the victoriousexpressionism. The costumes, by MarshaKowal, captured the feeling of industrialpoverty essential to the show. The recordedmusic, composed by Douglas Ewart,sounded like an alienated steel band playedthrough a synthesizer.Somebody goofed with this show, butthose who want to assign blame to a singleperson will be disappointed. The BloodKnot is a nearly "promising," but un¬successful work by a playwright who laterlearned to master his craft. The play maywell be impossible to direct and act, butsomebody at Victory Gardens should havefound that out before reaping this bitterharvest. For those of you desperate for anexcuse to get out of Hyde Park, the VictoryGardens Theater is located at 3730 NorthClark, just west of Wrigley Field. Call 549-5788 for ticket information and show times.“Streamers”By Mike SingerDavid Rabe's Streamers, currentlyplaying at the Goodman Theatre, is theconclusion of a Vietnam trilogy of plays,which includes Sticks and Bones and TheBasic Training of Pavlo Hummel. Althoughit is set in a military base and tells howsoldiers bound for Vietnam react,Streamers is not, unlike the two earlierplays, about the dire, personal harm causedby war. Rather, Rabe is interested in thestruggles human beings go through in orderto relate to one another. The play's symbolis a paratrooper whose chute fails to openand becomes a "streamer." Similarly,Rabe's characters struggle to pullresponsive chords in one another, but fail.In his depiction, Rabe conceeds nothing todramatic decorum; there are two on-stagestabbings, some attempts at fellatio, a fewnude bodies, and dialogue foul enough tomake Lenny Bruce blush. These elements,which are often lurid in and of themselves,are not gratuitous as they relate to the playas a whole. Rather, these elements, work tointensify a struggle that is an inevitableresult of the nature of the characters fromwhich it proceeds. As the character Carlyleastutely remarks, "We're all just people,man; some of us ain't even that."True to Rabe's script, director GregoryMosher has mounted a production that istense and disturbing. By individualizingevery character, Mosher heightens thetensions between them. The four majorcharacters are about as different in per¬sonality and background as one can find.Richie is a somewhat self-acceptinghomosexual. Billy is a conventionally-minded farm boy. Roger is a young blackman who has compromised his racialidentity for the sake of social integration.Carlyle is a brutal and homicidal egotist.The rapport among these characters istenuous at best, and absent at worst. W.H.Macy as Richie, Richard Cox as Billy,Meshach Taylor as Roger, and RobertChristian as Carlyle are all splendid in theirroles. Rounding out the cast, JJ. Johnston(Sergeant Cokes) and Michael O'Dwyer (Seargent Rooney) deliver comic-patheticportrayals of power-figures who nevermatured beyond childhood games of hide-and-seek. The only weak members of thecast are the three military police officerswho have very little force in scenes wheretheir presences should be the strongest.Technically, the production creates amilitary environment that is desolate andstark. Joseph Nieminski's simple, realisticset consists of a cinder block wall, threemilitary costs, four overhanging lights, anda few lockers. Pat Collins' lighting creates aglaring, incandescent white. This lack ofvariegation heightens the bleakness andalso produces a fitting, self-containedmonotony. Marsha Kowal's costumes arethe typical drab uniforms worn by lowerechelon.In short, the Goodman production hasdone nothing to temper the bleakness ofRabe's script. For those who go to thetheater to laugh and be entertained, thisproduction will be something of a shock. Formany of the theater's bourgeois sub¬scribers, it will surely prove offensive.I think that the Goodman should becongratulated for their production, notcondemned. Streamers is a marked changefrom the classical entertainment theyusually produce. A vital art needs daringvisions if it hopes to remain vital. In thisproduction, the Goodman seems moreconcerned with a daring, artistic vision thana box office return. Since it is the firstprofessional production Streamers hasreceived outside New York, the Goodman ismaking Rabe's work accessible to a wideraudience. Streamers also marks theGoodman mainstage debut of Mosher, ayoung director who, as this productiondemonstrates, is talented and skilled.Somebody once remarked that life onstage should be about as casual as a night¬mare. For theater goings who subscribe tosuch a philosophy, I can think of no betterevening "entertainment" than Streamers.It will be playing through May 1. A Bizarre Twin-BiBy Esther Joy SchwartzFour top-notch actors, seven speaking roles, one dead corpse, Fred Astaire'srendition of "Top Hat," a British soap opera, two bizarre plays, one set in Londonand the other in Oklahoma, make up the current twin-bill at the St. NicholasTheatre. Though a little bottom-heavy, the evening is kooky entertainment andrich theatre acting, worth the price of any ticket!A Slight Accident, a wonderfully zanypastiche, opens the evening, and ratherpleasantly. James Saunder's clever andtalky little piece is about the boredom androutine that sets into people's lives, makingtheir marriages unhappy and tiresome.When the ever-so-urbane British wife,Camilla, shoots her husband dead "onpurpose accidentally," her civilized life inone instant changes into mad cap runningabout, deception and absurd babbling. All of! this rises to a roaring volume as she hidesher husband's corpse under a bearskin rug,I invites over her scatter-brain friend, shortlyfollowed by her stuffy husband, and thendevilishly explains how an accident couldoccur on purpose. The witty exchangesbetween Camilla and her unhappily marriedfriends is wonderful to watch, and an actor'sdream to play. While Saunders' dialogue isnot in the same league with Shaw's orCoward's, the smooth and polished proseflows freely.The non-stop flow from Audrie J.Neenan's Camilla holds the audience spell¬bound. Clad in a garrish caftan, turban, andgold rimmed glasses, Neenan struts about| like a young Rosalind Russell playingAuntie Marne. Her ever-so English dictionnever falters, even during her mile-aminute speeches. She is funny, too, when: there is no dialogue: fixing a drink, sitting ina chair, hiding the revolver under a cushion.One loves her lunatic runnings-about;i laughing at her or with her is effortless.William J. Norris and Linda Kimbroughplay their roles beautifully. Even M.Patrick Hughes, as the corpse, manages to! lie on his back the entire half-hour without| stirring.David Emmon's purposeful drawing-: room set and Julie A. Nagel's costumesprovide smart, elegant color to a funny; situation.The Chicago debut of director GeraldGutierrez can indeed be heral ■‘ed. One of theoriginal members of John Houseman's "TheActing Company," Mr. Gutierrez hasdirected The Taming of the Shrew, MollieKazan's Rosemary, and David Mamet's TheDuck Variations. We are privileged to havehis expertise at a local theater. He is stylishand firm, he controls the script tastefully,without confining it, and he paces this near¬farce neatly. Presented with a bizarresituation, Mr. Gutierrez gives us real peopleinstead of overblown caricatures, and tiesthis production in a pretty package, cappingthe opening with piped in waltz music from; Franz Leher's The Merry Widow, and adead corpse rising in full-view for a finalcurtain call. William Hauptman's Domino Courtsreinforces my belief that outstanding actingand slick showmanship may momentarilydisguise the deficiencies and fragility of aplay, but in the long run, a weak scriptprevails and the performance tends to drag,irritate, bore and even anger the viewer.Director Gutierrez's production ismeticulous from the Gangbusters' radioprogram at the opening to Rita Pietraszek'seerie veil of night light at the closing, but inbetween we must bear weak dialogue,gaping silences, insufficient motivation, andmeaningless action. All of this adds up to arestless evening.Hauptman's play does not work wellbecause as a playwrite he bites off morethan he can chew: slapstick, monologue,soliloquy, movie parody, poetry, andmelodrama. All of these techniques aremuddled, so no one device is fully explored.The play delivers no gripping message,though it tries to, and the emotion-chargedcharacters leave you cold.The story, set in a seedy OklahomaTourist Court during the depression, is agood one: the reunion of two small-fry bankrobbers. Together with their wives, thesefour characters desperately cling to theglory of the past, fantasize about the future,dream about glamorous lives, and eulogizethe celluloid existence of movie stars. Floyd(M. Patrick Hughes), the dumb-witteddrunk who wishes he looked like FredAstaire, yearns for the wild days when heand his partner, Roy, were known as the"Hot Grease Boys." His wife, Ronnie(Linda Kimbrough), a vain ex-waitress, fillsher empty hours looking in the mirror orplaying dominoes. Roy (William J. Norris),a sinister James Cagney-type thug boastsabout his new-found prosperity as theproprietor of a nightclub where the waiterswear gorilla suits, when in fact he is nothingmore than a phony upstart, a snivellingcoward who is frightened of fire and maddogs in the dark. His wife, Flo (Audrie J.Neenan), who adds comic relief, is a plain-Jane, frumpy woman starving for affection,or at best, a good hot meal.The entire production is highlighted byhypnotic acting. The actors assume verydifferent roles from the opening one act-erand carry off the transformationsbeautifully. Their southern dialect is everybit as convincing as the British accents inAccident.The St. Nicholas Theatre, 2851 N. Halsted,presents A Slight Accident and DominoCourts, Thursdays through Sundays, for alimited engagement through April 24. Forticket information call 348 8415.The Grey City Journal-Friday, April 8, 1977-3With the ABT: The Fun and the Power Close to DanceBy Eden ClorfeneABT is a ballet company that specializesin full-length, three-act ballets. They areexpensive productions with elaborate setsand large casts, requiring not only a host ofdancers but "supernumeraries," ballet'sterm for extras.For AST's recent March visit, no less thanfour of its scheduled works needed supers —"Petrouchka," "The Firebird," "TheSleeping Beauty," and "Swan Lake." Inresponse to the ad in the Tribune, a group ofpeople, varying in ages, shapes, and sizes,gathered at the Opera House Civic Theatrefor the audtitions on Sunday, March 13, justtwo days before the company's arrival. Iwas one of them.Before the audition I was warned thatcompetition would be tough, judging fromlast year's turnout of 500. I came expectingat least that many, if not more, because thisyear's visit of the ABT featured the return ofboth Cynthia Gregory and Erik Bruhn.Bruhn, the great danseur noble of the 50's,was starting a second career as# a characterdancer and would dance the title role inMichel Fokine's masterpiece,"Petrouchka".Bruhn's comeback as Petrouchka was animportant event, and I was certain that itwould attract all the balletomanes inChicago. But for some inexplicable reason,only a hundred or so showed up.At about half past four, Dana Bruce, anunusually tall, handsome man, appearedonstage, scanned his audience of hopefuls,and no doubt wondered whether he couldassemble a varied and sundry crowd scenewith such a limited selection. Bruce shrugged, and decided to make do with whathe had."Okay —he said, demanding the easilywon attention "may I have all girls under5'5" and above, oh, 4' 10"."The request beckoned some 25 little girls,some quite thin, others chubby, mostdressed in the conventional leotard-pink-tights-slippers ballet attire. They bidfarewell to their supportive stage mothers,and eagerly filled the stage.Bruce arranged the pre-teen prospectivesin a semi circle around him, and silentlygazed out at the faces and bodies. The or¬deal seemed like the line-up at a county jail.His discerning eye found places in the castfor about half of the girls, while the restwalked off in disgust and disappointment,no doubt pinning their hopes on next year.That was all there was to it. We stoed onstage while Bruce looked at us, carefullyindicating whom he wanted with a pointedfinger and softly spoken "You." Theprocedure was repeated for women tallerthan 5'5" who had, as Bruce put it, "skinnywaists," for "dancer-type" men between5'10" and 6', for men of any type (as usual,men were far outnumbered by women), andfinally for "character-type" women, thosepossessing neither the dancer's long,graceful looks, nor the dancer's hair,which is always in a bun. Most of theselected women had that dancer's bearingexcept for those in "Petrouchka," whicheven had a specific calling for fat, ungainlyshapes.As well as casting and coaching thesupers, Bruce is ABT's productionassistant. He purchases all the dancingshoes for the company, and is in control ofthe wig department. Also a performer, he assumes minor character roles, like theconstable in "Petrouchka," or Odette'sfather in "Swan Lake." However, I'mconvinced his most valuable asset to ABT ishis ability to charm people and to displaygreat patience."My job with the supers is something fewpeople could tolerate. I know most people inthis business could never do it becausethey're all caught up in their own littleworld. But I love it—ever since I was a littlekid I would become uncomfortable if thewhole stage didn't look right, if people werenot in their right places, blending well withthe whole stage. I love to work with others,and I have been working with supers forover ten years," he said.I was selected for "Petrouchka," the onlyballet in which I wanted to be cast, alongwith about 50 others. When the balletpremiered in 1911 it signified the beginningof the modern ballet era. Never before hadsuch a perfect dance-drama been created.Fokine's choreography departed from thestrict classical idiom to express the per¬sonalities of the three main characters:Petrouchka, the forlorn puppet with a soulwho yearns to be human but can only cometo life at his cruel master's command; theheartless Ballerina, the cold coquette whomPetrouchka loves; and the animalistic, vainBlackamoor, who wins the Ballerina's af¬fections. The dancing at all times supportsthe dramatic action — the artificialdivertissements of dancing, which interruptthe continuity of the story, were finallydispensed with.The curtain rises to the sound ofStravinsky's joyous melody. It is the weekbefore Lent, which in 1830 Russia is a time for celebration. We have to entertain theaudience for a deathly long period of 5minutes until the Charlatan appears toreveal his puppets. We must at all times beanimated, busy, and purposeful. Havingseen the aimless milling around of thecrowds in other modern revivals of"Petrouchka," I was fully aware of how dullthe ballet could become if our smiles to ourneighbors were not heartfelt. AlexandreBenois, designer and co-author withStravinsky, wrote in his memoirs:"I used to watch carefully during therehearsals to see that every walker-onfulfilled the part that had been given him.The mixture of the various characteristicelements gave the illusion of life. I allowednobody to improvise or overact."Assembled only Three days before theperformance-, the only knowledge we mighthave of these characteristic elements wouldbe if we happen to acquire them on our own.Bruce had no time to illustrate Russianmanners and behavior. His main concernwas the blocking of the scene, and makingsure we wouldn't get in the dancers' way. Hedidn't even ask if we were familiar with thescore.The first rehearsal was just an hour afterthe auditions. All 50 of us gathered onstage,forming a line from one end to the other.Bruce roamed back and forth, silentlyassessing the motley crew he had chosen.The first task was the assignment of theSDecific character roles—the samovarlady, the ribbon seller, the candy seller, theballoon man, the drum men, the peep showmen, the general and his wife, the bear andhis trainer. The rest of us assumed variousranks in a social hierarchy, and were putSPECIAL RING PROMOTIONby Josten’sDates: April 11th thru April 22nd ONLYTime: 8:00 - 5:00Place: University of Chicago Bookstore5750 S. Ellis*$10.00 Discount*5 Week Shipment - COD*$10.00 DepositFellow Students:The University of Chicago Jewish Appealwill hold its third annual campaign duringthe coming week.Our campaign will be conducted insupport of the work done by the UnitedJewish Appeal, the Israel EmergencyFund, and dozens of other welfare organiza¬tions in Chicago and around the world.A campaign worker will contact you torelate in more detail the needs being servedby the campaign. If you wish to contributeand are not contacted in the next two weeks,contributions may be sent c/o Hillel Foun¬dation, 5715 South Woodlawn. We hopethat you will give generously.For more information on the campaign,or to volunteer to help, call 752-1127 duringthe day or 7*2-7415 in the evening.THE UNIVERSITY OF CHICAGOJEWISH APPEAL4-The Cre_y Cky Joumaj-Friday, April 8, 1977'tm - < t i1/ I V • A 1 * . ■«<.* »- ,* , ; <+ U '^*aMc*********************£PIZZAPLATTER1460 E. 59 rdMl 9-2800FAST DELIVERYAND PICKUPYoung Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900GREASE” IS BACK!3 WEEKS ONLY!Opens Tues . APRIL 5thru Sun., APRIL 241st week Tues 8 00Wed 2 00 & 8 00 ThufS 8 00Fri 1 00 & 10 00Sat ? 00 & 8 00No jprtvmanff f avw Si*&m >02nd & 3rd week Tues Fri 8 00Sal 2 00 & 8 00Sun 3 00 & / 00Tues Thurs 8 00 Sat Matinee2 00 Sun 3 00 & 7 00 S10 009 00 8 00 / 00 6 00 5 00Fri H, Sat ewes SI2 00 11 0010 00 9 00 8 00 7 00Tickets On Saleat the Bon Office andTICKETR0N OUTLETSf O' ntormal(312)372ric 'oio»«*i on call(312)372 4814OPERA HOUSEUtiw * ait‘tw -O-o,' i nu-'MAOt GOLD CITY INNgiven * * * *by the MaroonNew Hours: Open DoilyFrom 11:30 a.m.to W)0 p.m.A Gold Mine Of Good FoodStudent Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(nw«r Horpwr Court)Eat more for less. ********#********#******#♦(Tryour convenient take-out orders.)iHILLEL BOOK SALEMON. APRIL 11 - FRI. APRIL 15We are selling our general philosophy booksto make room for more Judaica. Sale duringHillel House daytime hours.into groups. I was given the role ot"peasant" and part of a group of six.Mr. Bruce proceeded, bar by bar, throughthe piano version of the-Stravinsky score.You would think that ten years of blockingthe same scene, of correlating this particular action with that particular passagewould degenerate his work to an uninspiredroutine. But on the contrary, it has givenhim a bouyant confidence. He does nothesitate when he directs, nor does he worrywhether everything will turn out alright, oremphasize ABT's recall of the revolutionarymoment in 1911. We were here to have funand that was it.But there was no tun at the first rehearsal.It is tiresome and embarrassing to pretendto be friendly with people you met only tenminutes ago. And it is especially tiresomewhen all you have to do is frantically wave"hi" to people, or laughingly point to yourneighbors across the stage as if they areinvolved in the most hilarious activity, whenall they are doing is pointing right back atyou. I felt like a girl riding on a float in theRose Bowl Parade.Rehearsals, of course, got better as we gotto know each other. Our parts were nothingwe could throw ourselves into, but requiredsincerity and spontaneity. By the thirdrehearsal I felt we aave the illusion of lifeBenois envisioned.Home stretch, the stage rehearsal, fourhours before the performance. Incredible isthe only word to describe that detailed,ambitious work of Benois. There was amerry-go-round, a miniature Ferris wheel,the balcony on which I walked up and downduring the first scene, a two-story house, aRussian version of a bordello — in short, anentire Russian village compressed into a stage. Bruhn walked around silently in astrange, silky Oriental bathrobe, obliviousto us all. The other dancers with the smallerparts were far more gracious, and actuallymanaged to muster up enough curiosity tolook at us.But the best part of all was dressing up forthe performance. If we could create suchpandemonium in the dressing rooms, I wasconvinced we would outshine the otherdancers. The women had to apply their ownmake-up; we nervously attended to oneanother, making sure everything was right.Bruce, never resting, had the thankless taskof dispensing all the costumes, counting onhis practiced eye to find the right-sizedcostume for each body.The costumes were double layered, hot,and heavy. In our stargazing enthusiasm wemade the mistake of donning them far tooearly. All there was left to do was admireourselves.The pertormance itself was an op¬portunity for me to watch Erik Bruhm froma ringside seat. Our entertainment was inthe preparation for this night, and now itwas the audiences's turn to receive theirs. Ifthere is one image I would like to remem¬ber, it would be Bruhn's face as Petrouchka.The immobilized agony, the eyes frozen inan expression of tortured shock; as he wentthrough his gestures, the whole ordealstruck me as strange. There he was actingon the distanced proscenium stage, per¬forming for a sold-out house. It wasa moment when the plight of the fictionalpuppet character struck home. Had Fokinecreated a cynical commentary on his ownlife as a performer? And I wondered if anyof my friends also had trouble being merrywith that anguish so close.Flight Department, Aero Rampart1245 Aviation Way, Colorado Springs, Colo. 80916NameAddressCity StateSpend your summer in beautiful Colorado Springs,learning to fly at our authorized Cessna Pilot Center.We're the largest fixed base general aviation facilityin Southern Colorado, State approved, studentsqualify for VA financial assistance, and our pilot/teachers have access to 14 school-owned aircraft.We have courses ranging from Private thru Helicopterthru Airline Transport.Send for our free brochure today.It will give you full details on course content andmaterials, costs, instruction methods and other data.URBAN PLANNING AT HUNTERThe Department of Urban Affairs at HunterCollege of the City University of New Yorkoffers a two-year, 60-credit program leadingto a MASTER OF URBAN PLANNING degree.Action oriented, Hunter's program grappleswith social and economic problems and ex¬plores the areas of housing, transportation,environmental and health care planning.Fieldwork opportunities abound — in cityand suburban planning agencies, in neighbor¬hood groups, in community developmentorganizations.Requirements are flexible and an able,diverse, and experienced faculty is ready toadd guidance and direction to student goals.Extensive financial aid is available. Currentcosts are, $750 a semester for City residentsand $1,000 for non-City residents, plusactivity fees.For more information and admission applications write:Director, Graduate Program in Urban Planning,Hunter College/C.U.N.Y.*790 Madison AvenueNew York, New York 10021(212)360-5594 Ann’s House of Beauty6736 S. STONY ISLMDePHONE 363-9396Permanents, for colored & tinted hairregularly S35.00now only $15.00 Tues & Wed Only-yes we press and curl-WIGSWigs 2 for S5.00Spring Salelong and short dressepants and pantsuitsgaucho suites4 piece vest suitesBank Americard and persona! checks welcomeFlamingo on the Lake5500 S. Shore Dr.Studio and one-bed¬room apts. starting at$210; furnished or un¬furnished. Carpetingand draperies included24 hr. switch boardsecurityRestaurant/Bar -Pool/Gardennear the UniversityCall: Mr. LaRock atPL 2-3800a / t 1 i / { Ja SALES with0 service is our El/l BUSINESS oY REPAIR specialists il<p on IBM, SCM, §Olympia & others£ Free Estimate >Ask about ourA RENTAL withoption to buyn New & Rebuilt A£ TypewritersCalculators00 DictatorsAddersM U. of C. Bookstore $5750 S. Ellis Ave.V 753-3303 TY MASTER CHARGE, 000 BANKAMERICARD V0 £ « C A " * ± t LAW SCHOOL INTERVIEWSCounselors areavailable daily at theUNIVERSITY OF SAN FERNANDO VALLEYCOLLEGE OF LAWto offer guidance and career planningCall or write USFV, 8353 Sepulveda BlvdSepulveda, California 91343. Tel 213-894-5711The College of Law offers a full-time 3 year day program as well as part-timeday and evening programs. The school is fully accredited by the Committee ofBar Examiners of the State Bar of California.KUNG-FU IS ALIVE AND WELLIN HYDE PARKTHE UC TAI CHICH'UAN OFFERS ASPRING INTRODUC¬TORY COURSE TONORTHERN SHAOLINKUNG-FU. SUNDAYSAT 6:30. 4945 S. DOR¬CHESTER (ENTER ON50THSTREET)EMPHASIS ONHEALTH. LONGEVITYAND SELF-DEFENSEALL ARE WELCOME'KUNG-FU AT 6 30AND TAI CHI AT 7 30EVERYSUNDAYMASTER GEORGE HUINSTRUCTOR.The Grey City Journal-Friday, April 8V 1977-5By George SpinkIt seems that every couple of years I hearor read about "the revival of the big bands."The last time I heard it was several monthsago on an early-morning, AM radio talkshow, when a listener phoned in toprophesize that the big bands of the 1930'sand 1940's were about to make a comebackso strong that it would radically alter the popmusic scene. The listener supported hiscontention by noting that Bobby Vinton hadmade a recording of "Moonlight Serenade,"Glenn Miller's theme song, and that severaldisco tunes also were based on songs fromthe Swing Era.Both the announcer and his listenerignored the fact that most big band per¬sonalities of the 1930's and 1940's are nolonger with us. The romantic ambience ofthe Swing Era has been gone for more thanthree decades, when on almost any night ofthe week people could dance to the big bandsat the Glen Island Casino on Long Island, theMeadowbrook along the Pompton Turnpikein New Jersey, the Aragon or Trianon inChicago, the Palomar in Los Angeles, or themost beautiful of all the ballrooms, theAvalon on Catalina Island. The music of thebig bands was carried nightly by the threemajor radio networks (NBC's Blue and Red,and CBS) from ballrooms and nightclubs tomillions of radios in homes, gas stations,diners, and automobiles from coast to coast.Benny Goodman, Artie Shaw, JimmieLunceford, Glenn Miller, Duke Ellington, theDorseys, Chick Webb, and all of the restcreated the magic that allowed everyone toforget, if only for a while, all of the misery ofthe Depression and the despair of World WarTwo.The Swing Era has been over for a longtime, and any talk of a big band revival isonly a myth. However, there have been bigbands around ever since, and the news todayis that they are still going strong. "Thingsain't what they used to be," as the Dukemight have put it, but they haven't been allthat bad in recent years. And they're aboutto get better, thanks in part to Ralph Burnsand Martin Scorsese.By now, everyone knows of MartinScorsese. His new film, "New York, NewYork," is scheduled for release in June. Itwill stir up a lot of talk about "the revival ofthe big bands." Robert DeNiro plays a tenorsaxophonist and big band leader during the1940s and Liza Minnelli appears as hisfemale vocalist. DeNiro primed himself forthe role by taking sax lessons from GeorgieAuld, an alumnus of Artie Shaw's and BennyGoodman's orchestras, whose own style,influenced first by Bud Freeman and laterby Stan Getz, has endured so well over theyears. Minnelli adapted her vocal techniquefor the film by spending hundreds of hourslistening to big band recordings featuringAnita O'Day, Marion Hutton, and HelenForrest. The characterizations of DeNiro in"Mean Streets" an- "Taxi Driver" and ofMinnelli in "A Sterile Cuckoo" and "Cabaret" preclude any speculation that"New York, New York" will be a Seventiesremake of "The Young Man with a Horn," inwhich Kirk Douglas failed both as an actorand a musician in his portrayal of BixBiederbecke.But who is Ralph Burns? Jazz criticLeonard Feather has said that Ralph Burnswas to Woody Herman what Billy Strayhornwas to Duke Ellington — a highly giftedcomposer and arranger who enabled Her¬man, beginning in 1944, to bridge the gapfrom swing to bop. Burns created one of themost beautiful ballads of all time for Her¬man's famed Second Herd (1947-1949),"Early Autumn," which also revealed StanGetz's unique talent on tenor sax. Burns'scareer, however, merely began with theHerman band, and over the years his talenthas assumed new dimensions. You mightremember him as the Academy Awardwinning screenwriter for "Cabaret." Andyou will definitely remember Ralph Burnsas the musical supervisor and conductor for"New York, New York."New York, after all, was home for all of themajor big bands of the Swing Era. GlennMiller, Benny Goodman, Duke Ellington,Count Basie, Woody Herman, Artie Shaw,and the other big names of swing held courtThe Swing Era has been over fora long time, and any talk of a bigband revival is only myth.However, there have been bigbands around for years, and thenews today is that they are stillgoing strong.in the Cafe Rouge, the Madhattan Room, andany of dozens of outstanding swing clubs,including the two legendary spots on Fifty-second Street, the Famous Door and theOnyx.Scorsese's subject, cast, and locationcouldn't be better. Or his timing. Although abig band revival is only the remotestpossibility, there has been a growing interestin the big bands for several years, notablyamong the younger generation.Big bands have been working steadily for along time, though you seldom read about it.Stan Kenton, Count Basie, the DukeEllington Orchestra now led by MercerEllington, Maynard Ferguson, Buddy Rich,Thad Jones and Mel Lewis, Harry James,the Glenn Miller Orchestra under thedirection of Jimmy Henderson, and arelatively new orchestra, co-led by ToshikoAbiyoshi and Lew Tabackin, are workingalmost every night of the week, 50 weeks outof the year, as they travel throughout theUnited States and Canada and often findtheir way to Europe, Japan, and other partsof the world.The Bluebird SeriesThe Bluebird ReissuesThe songs on these albums are presented in chronological order, sometimesincluding second takes never before released. Produced by Frank Driggs, thesealbums are excellent reproductions of masters disks or mint-condition 78s. TheBluebird reissues are the most ambitious undertaking of any major record com¬pany to date and destined to become rare collectors' items. All are two-record setswith the exception of "The Complete Lionel Hampton," a six-record album.Young Louis Armstrong (1932-1933) — AXM2 5519The Complete Charlie Barnet (1935-1937), Vol. 1 — AXM2-5526Sidney Bechet: Master Musician — AXM2-5516Willie Brvant and Jimmie Lunceford and Their Orchestras — AXM2-5502The Complete Tommy Dorsey (1935), Vol. 1 — AXM2-5521The Complete Benny Goodman (1935), Vol. l — AXM2-5505The Complete Benny Goodman (1935-1936), Vol. 2 —AXM2 5515The Complete Benny Goodman (1936), Vol. 3 —AXM2 5532The Complete Benny Goodman (1936 1 937), Vol. 4 —AXM2 5537The Complete Lionel Hampton (1937 1941) — AXM6 5536The Complete Fletcher Henderson (1927-1936) — AXM2 5507The Father Jumps: Earl Hines and His Orchestra — AXM2-5508The Complete Glenn Miller (1938 1939), Vol. 1 — AXM2 5512The Complete Glenn Miller (1939), Vol. 2 —AXM2 5514The Complete Glenn Miller (1939-1940), Vol. 3 —AXM2 5534The Complete Artie Shaw (1938 1939), Vol. 1 — AXM2 5517The Complete Artie Shaw (1939), Vol. 2 —AX M2 5533The Smoothies: Easy Does It —AXM2 5524The Complete Fats Waller (1934 1935), Vol. 1 — AXM2 55116-Th* Grey City Journol-Frlday Rpril 8,1977 Glenn A/Grey City Gu**stra. Photo courtesy of Bobbe Wolf Behind these bands is Willard Alexander,who has been booking the best of them sincethe mid-1930s when, in spite of a dislike forswing on the part of the top execs at JulesStine's Music Corporation of America (theypreferred the "sweeter" style of GuyLombardo), he started placing BennyGoodman's first orchestra. Alexander hasbeen booking the best of the big bands eversince, and today, although he is in hisseventies, he and his staff of 20-plus people inChicago and New York keep the big bandsworking.These bands tend to play a mixture of oldand new arrangements, leaning one way orthe other depending on whether they areperforming for a dance or in concert.Whatever the engagement, the Ellingtonband can bring an audience to a standingovation with a medley of "Stain Doll,""Don't Get Around Much Anymore," and"Take the 'A' Train." Kenton can achievethe same effect with "Artistry in Rhythm"or "Intermission Riff." He also can do it withChicago's "Twenty Five or Six to Four."Woody Herman's recent 40th anniversaryconcert at Carnegie Hall offers a goodexample of what you can expect his band toplay on a typical night — just as they did inChicago two months later, when Hermanand his current herd played a one-nighter atDrury Lane Theater at Water Tower Placein February. He blended his standards,"Apple Honey," "Sweet and Lovely," "FourBrothers," and "Early Autumn" with newarrangements scored by his currentmusicians, including an exciting assortmentby one of his tenor saxophonists, Gary An¬derson: "Fanfare for the Common Man"(based on Aaron Copland's composition;"Blue Serge" (written by Mercer Ellingtonfor his father's band in the early 1940s); and"She's Gone" (composed by ChuckMangione and Bat McGrath). Un¬fortunately, Herman broke one of his legs inan automobile accident in late March, buthis band will continue performing while heconvalesces.Herman's musical flexibility is the key towhy his band has survived so well over theyears, just as it explains the continuedsuccess of the other big bands.The Glenn Miller Orchestra, however,perpetuates the distinctive reed voicing thatwas the signature of the original Miller bandmore than 30 years ago. Benny Goodmantold me recently that Glenn Miller was thelast person he thought would ever make it asa big band leader because his tromboneplaying simply did not compare with that ofJack Teagarden, Will Bradley, or TommyDorsey. "But Glenn succeeded with hisarrangements and sidemen," Goodmanadded, and Miller in fact had few equalswhen it came to taking a number and mak¬ing it sound as if it had been written forhis own orchestra. Glenn Miller's music wasimmensely popular during the Swing Era, somuch so that one out of every three nickelsdropped into a juke box between 1939 and1942 triggered a Miller recording. Thecurrent Miller band, now conducted by thevery capable trombonist Jimmy Henderson,continues to play in the Miller style, offeringa careful blend of songs old and new. It isalways the Miller standards, however, suchas "In the Mood," "At Last," "TuxedoJunction," "Serenade in Blue," "Perfidia,""Along the Santa Fe Trail," "A String ofPearls," and "Little Brown Jug," that evokethe loudest applause from the audience.The sounds of the big bands not only can beheard live today but also on recordings asnever before, even during the Swing Era.Next time you're in the Loop, browsethrough the big band section of either RoseRecords store. You'll find all of the recentalbums by the current big bands plus hun¬dreds of re-issues by the older bands.Columbia, MCA (formerly Decca), Savoy,Verve, Blue Note, and RCA have beenreleasing these re-issues for several years,enabling newer collectors to acquire in muchless time and tor much less money what tooktheir older brothers a life-time to obtain.RCA's Bluebird re-issue is the most am¬bitious undertaking of any major label.Rising band leaders recorded on Bluebird,RCA's lower-priced label, and if theyclicked, were switched to the more ex¬pensive Victor label. Under the supervisionof Frank Driggs, who earlier produced some excellent re-issues for other record com¬panies, the Bluebird albums are usually two-record sets, each by a single artist, with cutsarranged in chronological order.The Bluebird roster included FletcherHenderson, Benny Goodman, CharlieBarnet, Willie Bryant, Jimmie Lunceford,Louis Armstrong, Sidney Bechet, FatsWaller, Earl "Fatha" Hines, TommyDorsey, Artie Shaw, Glenn Miller, andLionel Hampton. Driggs will be admired bybig band aficionados for decades for theexcellent sound quality of these albums, forhe has reproduced directly from masterrecordings or mint-condition 78s borrowedfrom collectors, in pure monaural soundwithout any concession to electronicsimulation of stereo (something otherproducers unwisely attempted in the oast).A number of small, independent labelsrecently have issued scores of albums withexcerpts from big band radio broadcastsduring the 1930s and 1940s — the so-calledairchecks. These albums often contain songsor arrangements not previously recorded orreleased. Their sound quality varies, butusually they convey all of the excitement of alive performance, something seldomachieved by studio recordings.Does all of this add up to a big bandrevival? I think only the most hopelessromantics among big band aficionados — ora hopelessly misinformed early-morning,AM radio announcer — would make such aclaim. But all of the movies in recent years,including the forthcoming "New York, NewYork," that have been set in the Swing Era;all of the big bands that have survived somany changes on the pop music scene; andall of the big band albums, old and new, nowon the market do add up to an appreciationby yet another generation of one of the mostexciting periods in jazz: the Swing Era.George Spink is Assistant Director ofDevelopment at the University. On Saturdaymornings he hosts the "Saturday SwingShift" over WHPK-FM (88.3) from 9am to12pm.t— NBig Band Calender for AprilApri 8 9 Woody Herman atthe Lost Valley SkiResortApri 10 Jazz Consortium BigBand at Durty Nellie'sPubApril 11 Rog Pemberton BigBand at Wise FoolsApri 11-14 Thad Jones/Mel Lewisat the Jazz ShowcaseApri 12 Chicago GrandstandBig Band at BiddyMulligan'sApri 15-16 Buddy Rich at the LostValley Ski ResortApril 17 Jazz Consortium BigBand at Durty Nellie'sPubApril 18 Rog Pemberton BigBand at Wise FoolsApril 19 Chicago GrandstandBig Band at BiddyMulligan'sApril 21 Stan Kenton at theSabre RoomApril 22-23 Stan Kenton at the LostValley Ski ResortApril 22-23 Harry James at theWillowbrook Ball¬roomApril 24 Jazz Consortium BigBand at Durty Nellie'sPubApril 25 Rog Pemberton BigBand at Wise FoolsApril 26 Thad Jones/Mel Lewisat Barrington HighSchool■April 26 Chicago GrandstandBig Band at BiddyMulligan'sApril 28 Buddy Rich at Down¬ers Grove North HighSchoolApril 29 30 Duke Ellington Or¬chestra at the LostValley Ski ResortVThe Grey City Journal-Frlday, Hpril 5, 1977-7• lye ElMiutIws• Cot lac! leius (Soft l tori)• Prescrip<i«B FilledDR. MORTON R. MASLOVDPTOUfTtlSTSHyde Part Shape mg Center1510 E. 55th363-0363yane jZeeRestaurantDelicious lontonefe FoodFast Special luncheon:$1.95Mon-Thurs 11:30 AM 9:00 PMFri. t Sat. 11:30 AM 9:30 PMSun. 3:00 AM 9:00 PMCLOSED TUES1 643-3407 1316 E. 53rd St.TAHSAVt-MJfCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOetM DAILY11 A.ML TO S:30 P M.SUNDAYS AND HOLIOAYS12 TO ft30 P.M.Orders to toll a ovtISIS test Mr* MU4-1M3i > — 1 — — A iiDorothy SmithBeauty Salon5841 S. Blackstone493-1069I will take appointmentsfrom 7 a m. until 7 p.m.Closed Saturdayfacials ■ make up servicecomplete hair careMember ChicagoHairdressers Association John AshberyFRIDAY, APRIL 15, 8PMThe Poetry Center at The Museum ofContemporary Art237 East Ontario Street$3.00 admission • $2.50 for MCA MembersThis program is partially funded by a grant from the Illinois Arts Council. \\7htIni5 hop Osit© S Harp**'#in HarptrMO 7-r©4© FOLK MUSIC CUSSESStart April 4 to 9* Guitar*Five String Banjo* Autoharp* FiddleSeven lessons, $28Saturdays, evenings, and afternoonclasses for children and adults, begin¬ners intermediates. Private lessonsalso available. Cali for schedule.DID YOU KNOWthat the Seminary Co-op Bookstore:stocks reference works in overtwenty languages?has over 100 titles in stock in both itsFar East and Womens’ Studiessections?has a comprehensive selection ofbooks on Marx and Marxism?has over 60 Oxford Classical Texts instock?regularly obtains the latest books inmany fields?DROP IN, 9:30 to 4:00,MONDAY through FRIDAYSEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FItcouldbetomorrow! 1Paramount Pictures Presents 3 Robert Evans production 3 John Frankenheimer filmstarring Robert Shaw. Bruce Dern. Marthe Kelier Black Sunday co starring Fritz Weaverand Bekim Fehmiu. Music Scored by John Williams, Director of Photography John A Alonzo.A S C.. Executive Producer Robert L Rosen. Based on the Novel by Thomas Harris.Screenplay by Ernest Lehman. Kenneth Ross and Ivan Mottat.Produced by Robert Evans.Directed by John frankenheimer. Services by Connaught Productions. In Color '{■'mktmcth Read ^ pape(t)aci, Panavision^A Paramount PictureNOW... At These Theatres:STATE-LAKE,PowwMin FORD cmChicago DEERBROOK.PootOoM■ORTON GROVE,Marlow Qravo NORMDGE,Norndgo WOOOHELD,YORKTOWN.LaiwtaH MORE PUZA,Onftilti knd RIVER OAKS,Catuwwt City8-Tha Gray City Journal-Frlday, April 8, 1977 THE UNIVERSITY OF CHICAGOThe William Vaughn Moody Lecture CommitteeandThe Office for Public affairspresentA ReadingbyMARILYN HACKER(Winner, National Book Award, 1973)MONDAY, APRIL 11, 19778:30 p.m.HARPER MEMORIAL LIBRARY 1301116 E. 59th Street, Chicago, Illinois 60637Ac/misston is without ticket and without chargeCampus FilmsBy Henry SheehanThere is a plethora of films on campus thisquarter, so for all you discriminating film-goers, here is a critical look at those films,group by group, emphasizing zeniths andnadirs. this QuarterDoc Films is showing 49 films this quarterand there is no way to cover all of them.Next week there will be an article abouttheir Renoir series, so for now we will justlook at a few highlights. Doc reserves week¬ends for recent features and there are twocoming up. The best is Richard Lester's TheFour Musketeers, part two in a colorfulsend-up of the Dumas story. It should be thekind of film everyone likes, full of comedy,romance and adventure. I know a lot offilms promise that but this one actuallydelivers. It will be shown April 29. RobertAltman's lastest contribution to the GreatSneer, Buffalo Bill and the Indians, will beshown May 6.On May 28 Doc shows two by Joseph vonSternberg, Shanghai Express and Morocco.Von Sternberg is in ascendancy again afterhaving been held in disrepute during recentyears. He is a great filmmaker, and thesetwo films, both with Marlene Dietrich, are agood introduction to his work, Moroccocontaining Dietrich's famous "lesbian”kiss.On Tuesdays Doc will be featuring filmsthat have nothing in common aside from thefact that they were all made during the1940's. One of the most important shows isthe one featuring Edgar G. Ulmer's Detourand Joseph H. Lewis' My Name is JuliaRoss on May 4. These two directors slavedaway on poverty row and created works ofpersonal power and, especially in Ulmer'scase, perversity. Ulmer has long been afavorite cause of Doc films, but publicresistance to him has finally begun to discourage them. I recommend that youtake a chance on an unfashionable directorand take a look at these films — they are infact very good.Also featured this quarter by Doc are twotremendous films by John Ford, They WereExpendable and She Wore a Yellow Ribbon,plus films by Robert Bresson, AlainResnais, Claude Chabrol, and Fritz Lang.The New American Movement will againbe showing films this quarter. NAM showsfilms of a political nature in order topromote discussion on campus. I know tomany of you hard working students thissounds about as exciting as the commoncore, but do not allow yourself to bediscouraged by this description, becausemany of the films are very entertaining. OsFuzis (April 25) by Ruy Guerra is anexample of Brazil's cinema novo which isoften characterized by a bawdy goodhumor. Alain Tanner, currently packingthem in art houses around the country withhis Jonah Who Will be 25 in the Year 2000,will be represented by La Salamandre.Although Tanner is very political he is notvery rhetorical and his pictures generallydeserve the adjective "charming." Thescreenplay, I am reminded, is by JohnBerger, who wrote Little Big Man NAM isalso providing a service to Cineastes on May2 by showing the work of two shadowyRussian directors, Lev Kuleshov andAlexander Dovzhenko. Both are pioneers ofSoviet film and provide a better view ofRussian filmmaking than one would get byjust watching the films of Eisenstein.Contemporary European Films again hasa small but distinguished schedule of films.On April 24 CEF graces the screen withFour Nights of a Dreamer a recent film byRobert Bresson. Many people find Bresson's films austere and rigid but the two filmsbeing shown this quarter, Au HassardBalthazaar by Doc and Four Nights of aDreamer by CEF should go a ways incorrecting this. Bresson is concerned withsuffering and how it leads to states of grace.I know it sounds dull, but the films are ac¬tually moving and beautiful. Wedding inBlood (May 15) is another example ofClaude Chabrol's brilliant analysis of thebourgeoisie on the edge. Chabrol hasemerged as the most gifted of the FrenchNew Wave directors and the two films of hisbeing shown this quarter should not bemissed.There are other fair to good selections:Eustache's Mother and the Whore and JanKadarls Lies My Father Told Me, a goodmiddle class "art film."The Law School has undoubtedly the mostspecialized film listing, showing almostexclusively screwball comedies. For the twoof you out there that are not familiar withthe term, screwball comedies refers tocomedies made in the 1930's with adultsacting in a child like manner and withdialogue and action flying at a fast andfurious pace. The Law School is showing oneof the best of these, Ball of Fire by HowardHawks, and one of the worst, Libeled Ladyby Jack Conway. Two other notable shows,Woman of the Year with Hepburn and Tracyand Swing Time with Rogers and Astaire,both directed by George Stevens. Evidentlythey are having some kind of "camp" nightover there on April 14, showing All AboutEve and a 1949 Miss America newsreel.1-House is showing two good films, SergioLeone's Once Upon A Time In the West onApril 8 and 10 and Nicholas Ray's RebelWithout A Cause on a double bill withEast of Eden on May 13 and 15.This Week in FilmBy Karen HellerAdmission to the International House,week-end Doc, CEF and Law School films is$1.50. On the weekdays, Doc, CEF and LawSchool films are $1.00. Admission to theNAM films is $1.00 for Doc pass holders and$1.50 for all others. NAM, CEF and Docfilms will be shown in Cobb hall. Doc'spresentation of Michel Carne's Children ofParadise on Sunday and Harold Lloyd's GirlShy on Thursday will be shown in Kent 107.International House films will be shown in IHouse auditorium. Law School films will bepresented in the Law School auditorium,1111 E. 60th Street.Peter Pan (1953), produced by WaltDisney. (Doc) The cartoon version of thefamous J.M. Barrie tale. When this film wasreleased in 1953, The New York Timespronounced it similar to other Disney films."... Wendy is a virtual duplicate of the primbnow White; the pirate, Smee, is the sameas the dwarf Happy, and Baby Michael is aDopey who talks. Peter himself isreminiscent of some of the boys in Pin-nochio. As for the famous Barrie fairy, thecrystaline and liminous Tinker Bell, she isas nubile and coquettish as the maidencentaurs in Fantasia." Doc says, Why, theperils of Captain Hook and the ferocious"ticking" crockodile are nothing comparedto the deliciously Freudian overtones of thefilm's menage a trois: Peter Pan (the boywho never grewup), Wendy (who con¬sistently mothers him), and Tinker Bell (animpish female tease). I guess you'll justhave to judge it for yourself. Friday at 6:30,8:30 and 10.30.Once Upon A Time in the West (1969),directed by Sergio Leone. (I House)Probably the best spaghetti Western evermade. Charle Bronson portrays a strongsilent type (what else?) called "The Man."Jason Robards is a mean half breed namedCheyenne. Henry Fonda is an even meanerfull-breed who kills little red haired andfreckled children (how wonderful). ClaudiaCardinale is a scheming, lusty prostitutewho loves to love her tormentors. Greatmusic, very nice photography, good story.Recommended. Friday and Sunday at 8:00.A Brief Vacation (1975), directed byVittorio DeSica. (CEF) A fine romantic andlast film of the Italian director. Florinda Bolkan stars as a miserably unhappywoman oppressed by her husband, hisfamily and her gruesome job in a rubberplant. Ironically, the government, throughits national health program, frees her fromher misery and sends her on a wonderful butbrief vacation. There she meets a radicalstudent, a wealthy model, a famous dyingactress and a beautiful younger Fren¬chman. Recommended. Saturday at 7:15and 9:30.Children of Paradise (1945), directed byMichel Carne. (Doc) The story concerns thecriss-crossed passions of a group of ParisianTheatre folks — clowns, charlatans andtragedians — in the mid-nineteenth century.It is a story of the fatal attraction of fourdifferent men to one girl, a creature ofprofound and rare impulses, in the glit¬tering milieu of the demi monde. The film isbeautiful to look at. Pierre Brasseur,Arletty, Marcel Herrand and especially,Jean Louis Barrault are excellent.Recommended. Sunday at8:00 in Kent 207.Holiday (1938), directed by George Cukor.(Law School) Edward Seton is a rich,powerful New York banker who fearsrevolution. Johnny Case (Cary Grant) is ayoung idealist in favor of change, althoughnot so much change that he isn't willing totake a position at the Seton bank. He falls inlove with a woman while on vacation, only tolater discover that she is the bureaucrat'sdaughter. Then he meets the otherdaughter. (Katharine Hepburn), and as noman can resist Hepburn, particularlyGrant, he eventually falls for her. A goodfilm although Hepburn is too serious for herown good. Grant, however, is divine. Plus aBuas Bunny cartoon. Sunday at 7:00.Desk beT 11957), directed by Walter Lang.(Law School) The second to last Hepburn-Tracy film. The two actors are fine but thedialogue and plot are rather poor. She is ahuman computer. He is an inventor whobuilds a machine to replace her. Guess whathappens? With Gig Young and the ever-sassy Joan Blondell. Sunday at8 45.Firesign Funnies (1972 1974), directed byStephen Gilmor and Anton W Green andMagical Mystery Tour (1967), starring TheBeatles. (CEF) CEF says: This bizarrecompilation contains three short films: Martian Space Party — a loony mindtweaker of a film. If what you see has anyresemblance to the Republican Party's-National Convention, you win a weekend atSan Clemente; Love is Hard to Get — a freewheeling spoof of '30's sci-fi movies, KingKong and Japanese Samurai flicks; TV orNot TV massacres public TV as Proctor andBergman (at their most surreal) man a VH-F station totally by themselves, spoofingvirtually every type of show, commercials,news, weather, soap operas and more, and .. . Extraordinarily entertaining and funny,Magical Mystery Tour stars the Beatles,with the Bonzo Dog Doo Dah Band and otherassorted freaks and oddities and showspowerful creative influences from RichardLester, Federico Fellini, and BusbyBerkeley. You've seen the album, now hearthe Movie. Both at 6:30 and 9:30 on Sunday.Emitai (1971), directed by OusameSembene. (NAM films) The closing days ofWorld War II in the Casamance region ofFrench controlled Senegal. All able youngmen are being drafted into a strange warthey know nothing about. When a criticalfood shortage prevails at the front, theFrench authorities ask the village for 50 tonsof rice — an impossible demand. The en¬suing dialectic of religion, opression, andthe will to resist provides a portrait inmicrocosm of what causes revolution andhow it is initiated. Sembene is the mostimportant independent African director,and the first to achieve internationalstature. Recommended. Monday at 7:15 and9:00.Two Lane Blacktop (1971), directed byMonte Heilman. (Doc) Doc says; JamesTaylor pumps gas for a living and teen-agegirls for fun until he bets his car, a '55Chevy, against a Pontiac G.T.O. in a crosscountry race. Heilman's choice of anoblique narrative and his fiercely personalstyle transform this very simple story into amesmeric fantasy — of gamesmanshipplayed finally in an existential world.Tuesday at8:30.Remember the Night (1940), directed byMitchell Leisen. (Doc) A drama stated inthe simplest human terms of comedy andsentiment, tenderness and generosity. Anassistant district attorney (Fred MacMurray) falls in love with the light fingeredlady (Barbara Stanwyck) he is prosecuting.He would have had her acquitted except thatshe being in love too, has acquired a sense ofhonor. People who haven't seen MacMurrayand Stanwyck together (except back toback on My Three Sons and The Big Valleyreruns) don't know what they're missing.With an excellent screenplay by PrestonSturges. Recommended. Wednesday at7:30. Hold Back the Dawn (1941), directed byMitchell Leisen. (Doc) A school teacher in aMexican border town in order to gain ad¬mittance into the States. During theirMexican honeymoon he comes to truly lovethe screenplay. Charles Boyer is the rakeand Olivia de Havilland is the unsuspectingteacher. With a screenplay by CharlesBrackett and Billy Wilder. Wednesday at9:15.All About Eve (1950), directed by JosephMakiewicz. (Law School) Bette Davis andAnne Baxter star in this excellent film aboutthe theater and its kind. Davis is the starand Baxter is the ingenue who will stop atnothing to take her place, man and life. Foronce Davis turns the other cheek and allowssomeone else to play the bitch. Baxter isquite good as are Gary Merrill, GeorgeSanders (as a gloriously cynical theatercritic), Celeste Holm and Marilyn Monroe inone of her first speaking parts. Shown with a1949 "Miss America" newsreel. Recom¬mended. Thursday at 8:30.Girl Shy (1924), directed by FredNewmeyer and Sam Taylor. (Doc) Thegreat Harold Lloyd stars in this film about atailor's apprentice and would be author whonervously stammers and stutters in thepresence of young women. His book getsrejected and he's too shy to speak to the cuteyoung thing he sees on the train. But have nofear, all works out in the end in this best ofall possible worlds. Lloyd clearly demonstrates in this film why he belongs up therewith Chaplin and Keaton. Recommended.Thursday at 7:30 and 9:00 in Kent 107.The <uv JournalEditor . Jonathan MeyersohnManaging Editor: Karen HellerAssociate Editor: Mark Neustadt. Mike SingerMusic: Lukacs LeBag, Toby Hofslund, DeborahHughes, Paul Gudel, Richard Brown, JeffMakos, Mike McGreal.Film.- John Aiken, Henry Sheehan, Andrew RossTheater: John Lanahan, Stephen Cohodes, EstherSchwartz, M Anatemno.Art. Carl Lavin, Chris Gauker, Jane Salk, GwenCates, L.R UpshawDance Eden ClorfeneGraphics: Karen MolineHumor: Jeff Baddeley, Steve BlockTelevision: David BlumThe Grey City Journal is published weekly during theacademic year as part of the Chicago Maroon The editorinvites commentsThe Grey City Journal-friday, April 8, 1977-9schoolandalotmore... ALL TOGETHERAt One LocationTO SAVE YOU MORE!SPECIALDISCOUNT PRICESfor all STUDENTS andFACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Membersof the University of Chicago youare entitled to special money sav¬ing Discounts on Volkswagen &Chevrolet Parts, Accessories andany new or used Volkswagen orChevrolet you buy from Volks¬wagen South Shore or MeritChevrolet Inc.SALES & SERVICEALL AT ONEGREAT LOCATIONCHEVROLETVOLKSWAGENSOUTH SHORE7234 Stony IslandPhone: 684-0400Open Dally 9-9 PM./ Sat. 9-5 P.M.Parts Open Saturday ’til 12 NoonWhere else can you study danceand be in the undergraduate prelawprogram or fulfill a premedrequirement and take a course intransfer lithography withinteresting and exciting peoplein a setting of hills, lakes,gorges, and waterfalls?Fulfill requirements, completecourses in order to accelerate, orsimply take the time to study thoseextraordinary things for whichyou’ve never before had the time.Request an Announcement and seefor yourself all the reasons whywe're where you should be thissummer.Cornell University Summer Session,111 Day Hall, Ithaca, New York 14853 George Dukeis master ofthe keyboard.George Duke."From Me to You!’His debut albumon Epic Recordsand Tapes. All the excite¬ment key¬board-playerGeorge Dukegave to theCobham-DukeBand and theMothers ofInvention, he’snow givingdirectly to you.Produced by George Duke for George Duke Enterprises, Inc.Georoel■rom Ma DukeFrom Ho To Youi fP*C c :9’7C8S*NC PAvailable at the M&N Record Hut1375 E. 53rd St. in Hyde Parkr— lrr i£There IS a differenceHiPREPARE FOR:GMAT • GRE • OCATVAT • SAT iP^M ■ECFMG • FLEXNATL MEDICAL BOARDSNAT1 DENTAL BOARDSOur e o»3 'arge o' programs provides as umbrella o' restmq know-how mat enables us to otter the best prepa’at onavailable no matter wbicb course is taken Over 38 yea-*,ot e«penpncp and success Small c'asses VoluminousHome study mateoa's Cou'ses mat a>e constantly uddated Permanent centers open days even,ngs 8 weekends an yea' Compete tape (actties 'or review of classlessons and <o' use o' supp'ementa'y materials Make upslor miss.d 'essons at ou' ce-te'SSPRING,SUMMER WINTER COMPACTSMOST CLASSES-8 WEEKS BEP.EXAMCOURSES SOON TO COMMENCE;GRE-LSAT-GMAT-SATPUBLIC LECTURE SERIEjSponsored by the ENRICO FERMI INSTITUTEof theUNIVERSITY OF CHICAGOTHE ARTHUR H. COMPTON LECTURESFifth Series by Paul J. WiitaThe Enrico Fermi InstituteSaturdays April 2 through June 4, 1 977"EXPLODING STARS AND EXPLODING GALAXIES:RAPID EVOLUTIONS IN ASTROPHYSICS"This series of lectures will outline our current un¬derstanding of some of the more exceptional astrop-hysical objects: those that emit substantial fractions oftheir total energies during relatively short times. The firstcouple of lectures will provide an overview of basicstellar structure and evolution. We will then investigatewhat hoppens in novae and supernovae, concentrating onsome of the theoretical research conducted at the FermiInstitute. Then, after briefly examining “normal'galaxies, we will look at peculiar, very energetic,systems: radio galaxies and quasars. Throughout theselectures an attempt will be made to show how ob¬servations relate to the theories that have been con¬structed to explain them. Even though many of the topicsto be discussed are being actively pursued right now, thelectures will be presented in a rather non-mathematicalway, roughly ot the level of "Scientific American’' articles.The lectures should be comprehensible to any curiousperson who is willing to think about these dramatic con¬cepts.Reading lists will be provided for each lecture.Fusion and Evolution : The Production of ElementsApril 9,11:00 a.m. Eckhart 1331132 E. 58th St.For further information, phono 753-9611 Elegant cruise ship or luxuriousCarfeny'^n5<toes«»i*St,te„.KaragFotg^. -tv # No other cruise line offersmore ancient sites, moremodern excitement andunsurpassed luxury —ar.d Karageorgis does it- * with style-aboard theM * superb 23,000 ton Navarino,formerly the Gripsholm.Experience the ancient splendorof Greece—Olympia, Mycenae,Epidaurus, Delos, Delphi, Mt.Athos—plus four of the world’s most exotic cities: Athens, Dubrov¬nik, Istanbul and Venice. Aboard the beautifully refurbishedNavarino. From Venice alternate Saturdays or Piraeus alternateTuesdays. 14 ports in 14 days, and Karageorgis does it with style.Relax aboard the 16,000ton Mediterranean Sea orMediterranean Sky. Theconvenient, luxurious wayto take a car to Greece.Sailing from Ancona, thenearest port to the center ofEurope year round. Sailingto Patras—the ideal gatewayto Greece in 34 hours direct,or 35 hours via Corfu.Four convenient sailings perweek through the Summer.Two a week in Winter. Fromeither end. Luxury cruise linerstandards of accomodations,cuisine and service, with the convenience of your car on board.And there’s a bonus 30% reduction for students.KARAGEORGIS LINESSee an expert — your travel agent — or for more informationcontact: Karageorgis Lines, 1350 Avenue of the AmericasNew York, N.Y. 10019 Telephone: (212) 582-3007All vessels are of Greek Registry.A FIN! CIGARCOM PI FITS T0U« DINNERTHAT YOURSELF #| \AND TOUR GUESTSTHE ONLY ONE OF IT'S KIND IN THE H P. AREAAt Harper Court Shopping Center5325 S. Harper C-7 28* 5151R&LoW10 GRADUATESTUDY IN. SCIENTIFICMANAGEMENTTECHNIQUESCase Western Reserve UniversityDept, of Operations ResearchIf you have a bachelors degree and anability to work with quantitative tools and/orcomputers, you may wish to broaden yourhorizons by learning scientific methods whichare useful in solving management decisionproblems in business, industrial and govern¬mental organizations. Employment opportun¬ities for graduates are excellent. If you arealready employed, look into company-spon¬sored study.CLASSES IN EVENING AND DAYTIME IN AREAS INCLUDING•Mathematical Programming •Computer Simulation•Data Processing and Computers •Dynamic Programming•Decision Theory •Computer Programming•Production/Inventory Control •Applied Statistics•Operations Management «R&D Management•Systems AnalysisLEADING TO •M.S. in Operations Research (1-2 Years)Ph.D. in Operations Research (3-5 Years)APPLY NOW FOR FALL SEMESTERCLASSES START AU6UST 29, 1977iFor complete information and application forms contact by mail or call! Orodwate Program la Operations ResearchI Department «f Op«rati«as ResearchI (as* Waster* ■•serve Vaiversity • Cleveland, Ohio 44104| Pfc*a« (214) 340-4140II NAMEIi ADDRESS PHONE| CITYL STATE ZIP 1IIIIIIIII-ICalendarFridayMeetingsTiao-Yu-Tai: “Eternal Glory to the GreatLeader and Great Teacher Chairman Mao,”documentary film from China with Englishsubtitles,8pm, Ida Noyes Library.Rockefeller Chapel: Good Friday ecumenicalservice, “Jesus, Our Neighbor,” Jack L.Stotts, 12noon, Rockefeller Chapel.Folkdancers: 8pm, Ida Noyes.Center for Middle Eastern Studies: Faculty-Student Lunch, 12:15pm, Ida Noyes; ArabicCircle, “The Character of the EgyptianRegime,” 3:30pm, Pick 218; Persian Society,3:30pm, Pick 118; Sherry Hour, 4:30pm, Kelly413.Hillel: Creative Services, 7:30pm, Hillel.Crossroads: “And None Shall Make ThemAfraid,” slideshow on the Middle East crisis,8pm, Crossroads Student Center.LecturesDepartment of Economics: Applied PriceTheory Workshop, 3:30pm, Cobb 104;Economic History Workshop, “Economics ofMortality in North America, 1650-1910: ADescription of a Research Project,” RobertFogel, 3:30-5:20pm, SS 106.Department of Biochemistry: ‘ ‘ Mechanism ofPhospholipase A2 Action,” Edward Dennis,2pm, Cummings 101.Geophysical Sciences Colloquium:“Evolutionary Patterns and Plate Tectonicsin the Mesozoic,” Erie Kauffman, 1:30pm,Auditorium Henry Hinds Laboratory.ArtsDOC: “Peter Pan,” 6:30, 8:30 & 10:30pm,Cobb. SAO: Marquette Univ Varsity Chorus,12noon, Reynolds Club.International House Filina: “Once Upon aTime in the West,” 8pm, I-House.Art Exhibit: Shani Kerman, assistantteacher in the Lab School, 7:30am-3pm, 1stfloor foyer and library.SaturdayMeetingsAugustana Lutheran Church: The LutheranChurches of Hyde Park will celebrate theSolemn Vigil of Easter, 11pm, Graham TaylorMemorial Chapel, 5757 S. University.Rockefeller Chapel: Easter Vigil service, aEucharistic celebration of the Lord’sResurrection, llpm-12:30am, RockefellerChapel.Court Theatre: General non-equity auditionsfor summer productions, 12-6pm, MandelHall.Crossroads: Folktales from foreign lands, 3short films, 7:30pm, Crossroads InternationalStudent Center, 5621 S. Blackstone Ave.Change Ringing: Handbells, 10-llam; towerbells, llam-lpm, Mithcell Tower ringingroom.LecturesCompton Lectures: “Exploding Stars andExploding Galaxies: Rapid Evolutions inAstrophysics,” Paul Wiita, 11am, Eckhart133.ArtsCEF: “A Brief Vacation,” 7:15 & 9:30pm,Cobb.UC Brass Society: Concert, 8:30pm, IdaNoyes Cloister Club.SportsMen's Baseball: UC vs Niles College,12noon, Stagg Field. SundayMeetingsCourt Theatre: General non-equityauditions, summer productions, 12noon-6pm,Mandel Hall.UC Jewish Appeal: Kickoff meeting, 8pm,Hillel House.UC Tai Chi Club: Tai Chi, 7:30pm; Kung-Fu,6:30pm; Chinese Massage, 4:30pm, 4945S. Dorchester.Changes: “Stress, Illness, and StressReduction,” Dobbi Kerman, 7pm, BlueGargoyle.Computer Club: 1pm, N. Reynolds ClubLounge.Rockefeller Chapel: Easter, “AliveForevermore,” E. Spencer Parsons, 11am,Rockefeller Chapel.Folkdancers: 8pm, Ida Noyes.ArtsLaw School Films: Katharine HepburnNight, “Holiday,” 7pm; “Desk Set,” 8:45pm,Law School Auditorium.CEF: “Firesign Funnies,” plus “MagicalMystery Tour,” 6:30pm & 9:30pm, Cobb.DOC: “Children of Paradise,” 8pm, Kent107.International House Films: “Once Upon aTime in the West,” 8pm,' I-House.MondayMeetingsUC Friednds of the Symphony: Tickets forthe April 20th performance by the Chicago Symphony Orchestra, Sir Georg Solti con¬ducting, go on sale, 9:30am, old Mandel BoxOffice.US China Peoples FriendshipAssociation: “Sunshine Over Lhasa,” adocumentary on Tibet, and “Away with AllPests,” Joshua Horne on health care inChina, 7pm, Ida Noyes Library.Anarchism Study Group: Organizationalmeetng, 8pm, Sun Porch, Ida Noyes Hall.Polish Students Association: 7:30pm, IdaNoyes, 3rd floor.Folkdancers: 8pm, Ida Noyes.Chess Club: 7:30pm, Memorial Room, IdaNoyes.Change Ringing: Tower bells, 6:30-8:30pm,Mitchell Tower ringing room.LecturesDepartment of Chemistry: “Electron-Atom(Molecule) Collision Processes at Low andIntermediate Impact Energies,” Dr. SandorTrajmar, 4pm, Kent 103.Center for Latin American Studies: “HumanRights, National Security, and Chile,” Ed¬ward Korry, 3:30pm, Business East, room101.Committee on Virology: “HerpesvirusAntigens and Cervical Cancer,” Dr. LaureAurelian, 4pm, E.B.B. 117.ArtsNAM Films: “Emitai,” 7:15 &9:30pm.William Vaughn Moody Lectures: A readingby Marilyn Hacker, 8:30pm, HarperMemorial Library 130.UC Friends of the Symphony: Tickets for theApril 20th performance by the ChicagoSymphony Orchestra go on sale, 9:30am, oldMandel Box Office.Attention: The Teaching FacultyBook requirement forms will be delivered to all academic departments on April 1st. If youwill be teaching a course during either the Summer quarter or Autumn quarter of 1977,please ask your departmental secretaries for these forms. Please return the Summer quarterforms by Friday April 15th and the Autumn quarter forms by Monday April 25th.Please keep in mind that if the book requirements are turned in on time, the coursematerial will be available to your students that much earlier.If you have not received your forms by April 1 st, or if you need additional forms, pleasefeel free to call me, ext. 753-3305 or 753-3313.Ronald HarrisManager, Textbook DepartmentTHE UNIVERSITY OF CHICAGO BOOKSTOREThe Grey City Journal-Friday, April 8, 1977-11—We wantyour business.- -•* A"'% ■ •-'f*v' tr* :■*DrexelPHONE: 538-4600Your Hyde Park Chevy dealer.4615 SOUTH COTTAGE GROVESALES: MONDAY THRU FRIDAY 9 TO 81 SATURDAY 9 TO 5SERVICE DEPARTMENT OPENS AT 7:30 AM MONDAY THRU FRIDAYThe Morris Fishbein CenterandThe ASHUM Programjointly presentDavid Rosner,Teaching Fellow in the Department of History of Scienceat Harvard,who will lecture on the topic'Urban Reform and Management Idealsin the Progressive Era Hospital:Brooklyn, New York”Monday, April 11, at 4:30 p.m.Harper 103 The University of ChicagoLibrary Society1977Book Collecting AwardsThe Librarv Society Book Collecting Awards aremade possible by the gift of a Society member toencourage undergraduate and graduate students tobuild personal libraries.Contestants must have personally collected thebooks and materials in the collections they enter. Thelibraries must be composed of printed or writtenmaterials relating to literary, historical, or scientificsubjects. The collections will not necessarily bejudged for rarity or cost: more important are the in¬dications of personal interest, of clarity and unity ofpurpose, and evidence of bibliographic knowledge.Entries will be displayed at a meeting in theRegenstein Librarv to which the contestants and thejudges, who will be members of the Library Society,will be invited. The contestants will have the oppor¬tunity7 to discuss their collections with the judges atthat time.Prizes will be announced at the University HonorsAwards Assembly. Separate prizes of $100 for firstprize and $50 for second prize will be awardedfor graduate and undergraduate libraries. Excep¬tional undergraduate collections may be nominatedby the University of Chicago for the Amy LovemanNational Award of $1,000Rules1. The contest is open to all regularly enrolledgraduate and undergraduate students at the Uni¬versity of Chicago2. All materials submitted must be collected andmust be the property of the contestants.3. No fewer than six nor more than fifteen represen¬tative selections may be entered to represent eachcollection.4. Each contestant should submit a description ofthe aims and noteworthy features of his collectionand a list of the materials entered and collected.5. A Committee of the ludges may request permis¬sion to view the contestants' entire collections.b. The judges will determine the admissibility ofquestionable materials and collections. Their de¬cisions are final.CalendarApril 18 Notify the University of Chicago LibrarySociety, loseph Regenstein Library, of in¬tention to enter.April 19 Submit sample items and a description ofthe entire collection to the Society Office inthe Joseph Regenstein Library.May 10 Meeting of Contestants and Judges in theSpecial Collections Reading Room, Joseph•Regenstein Library.May 27 Awards announced at the University-Honors Awards Assembly, RockefellerChapel.Thinclads open with winMaroons beat Valpo in chilling thrillerHardballers prepare for building seasontheir first win Dan Wittenberg picked up thefirst Chicago second.The meet continued along these lines forthe next several events with the Crusaderspicking up firsts and Chicago scramblingfor the lower places. John Schuster and PeteSmith took second and third in the mile asdid Bill Horsthemke and Clay Skinner in the440 and Rich Gordon and Chip Pfaller in the100 yard dash. Jim Jacobsen added a thirdin the 120 high hurdles.In the next event, however, Chicagoturned the meet around. Picking up points inthe field and piling up seconds and thirds theMaroons were only 4 points behind at thatpoint in the meet. But in the half mile TimBastian sailed out to an easy first withLester Savit in second and David Rieserstruggling to keep third and the teamjumped out to a seven point lead.The meet would not have even been closewithout the work of the fieldmen. PeteWendell led the attack with firsts in the longjump and triple jump with Dale Frierpicking up a second in the former event.Tom Furlong had picked up a win in the polevault. Weight men Kim Johnson and MikeKarluc also had a fine afternoon taking firstand second in the discus and third andsecond in the shotput. Karluc added a firstin the javelin to help the Maroon cause.When Julian Brown and Dave Taylorfinished first and third in the three mile,Chicago could have iced the meet by win¬ning the mile relay. Although team-matesBastian, Skinner, and Savit staked him to amodest lead, John Schuster could not holdoff the final charge of the Valpo anchor Pete Wendell took firsts in both the long and triple jumps in the meet againstValpraiso. (photo by Jon Wright)man, who turned out an incredible 50.3second leg to nip Schuster at the wire.That left it up to high jumpers Rhoads andMark Meier who came through with a one-two finish to put a happy end to the contest.Although Valpraiso was plainly unin¬spired about the meet the win was still agood one for the Chicago squad. The thin¬clads have not beaten the Crusaders for anumber of years so the early and unex¬pected win set a nice tone for the season.The meet showed the squad’s depth. Not only did 44 Chicago runners compete but 20of them scored points. “It was an interestingdemonstration of team balance,” saidCoach Ted Haydon, “we picked up on theirweaknesses and filled in behind theirstrength.” .Chicago will be hosting the frosh-soph-junior college relays this Monday starting at4:00 at Stagg Field. The next home dualmeet will be Tuesday the 26th against LewisCollege.Rich Gordon placed second in the 100 and220 yard dashes against Valpraiso. (photoby Jon Wright)The column By MARK PENNINGTONThe University baseball team has facedseveral adversaries already this season,but only one of them has been on thediamond. The Maroons dropped a doubleheader to Kennedy King College lastSaturday. Among the causes of the doubleloss were several off the field factors withwhich the team will likely be tattling allseason.The team has not had the time or thefacilities to really get ready for this spring’s campaign. They have had to movefrom the spacious confines of thefieldhouse to the cozy comers of Bartlettgym. The weather has been exceedinglynasty, keeping Coach John Angelus’splayers indoors nearly until their firstgame. In addition, the team was forced bywhat Angelus calls a “Catch-22" situationto forego the usual spring trip south“because we have not got enough pitchersfor everyday competition.” Unfortunately,the coach laments, the only way to getthose pitchers ready is to let them pitch alot. The Maroons will just have to playthemselves ready. Such on the job trainingis likely to be rough, at least to begin with.Coach Angelus points out a number ofstrong points, which should hardly beoverlooked in all the dismay over thedifficulties which the team faces. Theteam is young, which gives it enthusiasm.The players have lots of talent, whichneeds only time and experience to bloominto a solid team. They have speed, andshow it.After the discouraging inadequacy ofpre-season labors however the MaroonsBy FRANK MERRIWELLTeeth were chattering in the mid-springcold the dusk was slowly settling on StaggField and the Valpraiso Coach was kickinghimself.Not only had he and his team not wantedto run this meet with the University ofChicago but the contest was actually tied 72-72 with only the high jump left. And his besthigh jumper stayed home because of thecold. His second man made a valiant effortbut after Maroon jumper Curt Rhoadscleared 5’ 10, the meet was all but in the bag.Sure enough, the Valpo man missed allthree of his attempts and the Maroon trackteam had their first win of the outdoorseason 80-75.The meet did not start on an auspiciousnote. Chuck Anderson gave up a substantiallead in the steeplechase when he misjudgedhis steps to the water barrier. Planting hisshin firmly in the middle of the bar An¬derson went plunging head first into the icypit below. Although trackside witssuggested that he should get points for thedive Anderson took himself out of the racewith an injured leg and Valpo was staked toFilling the form of greatness SportsBy DAVID RIESERA certain Maroon forwards first reactionto the change in the NCAA stuff rule was tothink how nice it would be to see MarquesJohnson or someone slam an ungodly dunkshot right in the face of his hapless op¬ponent. It was only after five minutes’reflection that he realized that the samerules that governed Marques Johnson alsogoverned him and that he himself would beable to slam an ungodly dunk shot right inthe face of his hapless opponent. Or at least,it would be legal thing for him to do.This story points out that the light-yearswhich separate Maroon athletes from theircounterparts at the more serious athletic-uh-educational institutions, often preventthem from remembering that they arecontrolled by the same legal body. TheNCAA governs all sports, but their influenceis rarely felt at the level at which Chicagooperates.Every year however each local athletegoes through a procedure which brings thepoint home. This occurs when he fills out hisNCAA Student Athlete statement. Thisrequires him to swear that he has notviolated any of the NCAA regulations, thathe has not accepted money above tuition,room, board and laundry money, that he hasnot turned professional, and that he has notallowed his precious name to be used by anyfirm for promotional purposes. Presentlythis statement consists of a signature on ashort, one page form. Two years ago, onehad to swear, offense by offense.This only applies to men because the women are not governed by the NCAA.Instead they are under the protective thumbof the Association for IntercollegiateAthletics for Women, which requires onlythe head of the department to swear that norecruitment violations have taken place.For the men the whole process comesthrough as a pain. “We will comply withwhatever the NCAA requires us to do,” saysassistant athletic director John Schael, whohas the things on file. “To tell the truth,” headmitted “it’s really pretty useless.”Other coaches respond with more or lesspassivity. All carry through the charadebut, as one coach complained when he waspassing the form out to his team, “there isno reason we have to do this.”He is right, of course, but in a way it is sortof flattering for an athlete here to have toswear that he has not turned professional.For most, swearing that they have notreceived a promotion is as close to one asthey will get.Indeed, the temptation is often to do theopposite, especially when there was anODDortunitv to claim one had violated aspecific rule. This was director of athleticsJeff Metcalfe’s response.Although his signature is required tomake the form official, he saw it for the firsttime only recently. He acknowledged thatthe odds were that “we would not findourselves hauled up in front of an NCAAcourt martial.”But he continued with eyes gleaming."The best thing,” he said, “would be to getaccused. At the heart of the problem is the loss ofnine regular players, three pitchers andsix fielders, who had played together forfour years. Among the nine were two All-American hurlers and an All-Area short¬stop. As a result, the present team isoverwhelmingly composed of players withno college baseball experience.From here, the difficulties multiply. Forexample, being stuck in Bartlett allowedonly batting practice from the pitchingmachine, which is good but “not the realthing.’’ The team has had no opportunitiesto work on actual game situations, such ashandling multiple steals, and this com¬bines with the overall inexperience toheighten the problem. The absence of aspring trip and the team’s youth make thedevelopment of cohesion in the field acontinuing problem.In short, this is “a definite rebuildingyear.” The players have to learn baseball,and the coach has to learn the players Forinstance, Angelus says that “I don’t knowwho the best bunter on the team is rightnow.” This and similar gaps in knowledgecan only be filled as the season progresses.Fans should expect to see a constantlyshifting lineup as the search for thestrongest combination progresses, settlingdown only about mid-season. did get one break Tuesday’s scheduledgame against powerful I IT was rained out,while the sun reappeared in time for aWednesday intra-squad game.Two coaches have been added to theMaroon stable. Dan Tepke has taken overthe outfield and coaches third base, w'hileChuck Schjacht handles the pitchers anddirects traffic at first, leaving Angelustime to concentrate on the infield andcatchers while managing the whole show-.Angelus notes that two assistants are a bigimprovement from times when he has hadto coach the team by himself.A likely lineup for the hardballers wouldshapeup something like this: veteran MikeGiblin at first; Chuck Woods at third; ScottJansen at short; Jim Chapman catching.The outfield will see Carl Herzog, PaulHarris, and Russ Lee, in left, center, andright. Long ball hitter Steve Roczniakplays second base and designated hitter,along with other dh’s Kevin Tetsworth andJohn Kekich. Pitchers Rick Dagen, JohnPhillips, John Pomidor and sorearmedMori Fox complete the starting bunch.For those who want to watch whatshould be a steadily improving baseballteam, the Maroons host Niles College in adoubleheader at Stagg Field starting atnoon. Saturday. April 9.The Chicago MaroonFriday, April 1,1977-17Faculty and StudentsMay 2nd will be the last day Spring quarter books will be on sale. The text¬book department will officially close after this date. All students who wishto purchase textbooks must do so before this date.I ask that instructors who wish to add books to their reading lists make all ad¬ditions two weeks prior to May 2nd. Every effort will be made to expediteyour orders so that your late adoptions will be available before our closingdate.All books that are presently back order with the publishers because they wereout of stock when the original order was placed will be cancelled on this date.THE UNIVERSITY OF CHICAGO BOOKSTOREAfter over 50 years as a Chevrolet Dealer,Midway Chevrolet Co. is going out of business.All new and used cars must go. This is a once in alife time opportunity to buy a car at unbelievablylow prices.No reasonable offer will be refused.Bank Rate Financing Available.Jl8-The Chicago Maroon Friday, April 8,1977 DON'T GO HALFWAYMiDWAY*S*6522 S. COTTAGE GROVE AVE.PHONE: Ml 3- 3500 open daily til a p mSAT A SUN TIL 6 P M CLOSEDSUNDAYCLASSIFIED ADSSPACEWANT HOUSESITTER for SPRINGQRT. Ref. Do 6297.Room avail, in modern 3 bedrm. apt.on minibus route at $65/m for May &June w longer option. Call Art even¬ings at 548 2425.Private room prof home 5 min. walk tocampus kitchen privilages air cond.female only $100 per month tel324 4481.Roommate wanted to share specioussecure 3 bedroom apt. Own big room.Available May 1st. $97/mo. 684 1530bet. 4 6 p.m.Roommate Wanted 5742 Kenwood NiceRoom Great Location $93 a month Furniture Available Call 955 9351 or324 9543 ask for Katie or LeaveMessage.Australian Dr. wants to rent 2 or 3 br.house or apt. June 15 or Sept 1 77 thruJuly 1, 1978. Call 241 7751.LIVE on the only curved street inHyde Park, 5237 Kenwood. One roomavailable in large 6 room apartment.CALL 288 5342.READY WHEN YOU ARE: Sunny,modern 1 BR apt in married studenthousing. Near shopping, on 2 minibusrts., lots of storage space. $182/mo.248 8348 eves.5405 S. Woodlawn >2 rms. turn. 1 per¬son. 643-2760 or 667 5746.PEOPLE WANTEDCASH!! Normal, asthmatic and hayfever volunteers sought for simpledrug study. Contact Dr. Valentin Popa947-1841.Wanted a Student of the Philosophy ofLaw, History of Law, Sociology ofLaw, Psychology of Law, theJudaochristian Ethic and or theEconomics of, and as the Source of,Law to collaborate with a practicinglawyer for thierty two years in writinga book on The Origin and Nature ofLaw. Edward Aren, 386 1899.Research subjects wanted forphysiological study of newpsychotherapeutic compound. Sub¬jects must be healthy males over 21.Two 72 hr. sessions required. Subjectmay go to work or classes in thehospital after first 24 hrs. of each ses¬sion. Pay: general medical checkupand $225. Call Roy at 947 6983.TYPIST needed by sociologicalresearch project, 10 hrs/week,$3.25/hr. Call Sara, 753 4140.WANTED: 3 TICKETS TO ORIENTAL INSTITUTE LECTURE 4/10.Will pay $7.00 per ticket. 752-4749before 10 a.m., after 9 p.m.Part time telephone sales women foryoung company in international trade.Preference given to applicants withbilingual skills - English/Spanish. CallMr. Mannan Salaam International651 7600 ext. 200.COUNSELORS WANTED - Phys.Ed. majors, athletic students, drama,WSI, coed overnight N.Y. Statechildrens camp. Apply David Et-tenberg, 15 Eldorado Place,Weehawken, N.J. 07087.Center for Research Libraries has permanent part-time opening for aClerical Assistant. 20 hour work week,paid vacation and sick leave. Must beable to work entire year. Light typingnecessary, familiarity with a foreignlanguage helpful. Call 955 4545 for interview. Ask for Personnel.ENVIRONMENTAL ACTIVISTS.Challenging positions for women andmen with Illinois' largest environmen¬tal group. Organizational developmentand fund raising in aggressive antipollution campaign. Management opportunities. Call for interview.Citizens for a Better Environment.939 1985 Mon Fri.OUTDOOR WORK SATURDAYSEARN $25. Opportunities for dynamicstudents. Fight pollution and end yourown personal recession at the sametime. Call Ken at 939 1985, Mon Fri.Summer Jobs. The Citizens ActionProgram (CAP) has salaried jobsavailable for college men and women.Our goal is to promote citizens par¬ticipation in decision making affectingour lives. Training provided; advancement encouraged. Call for an inter-view. CAP 2468 N. Lincoln 929 2922Babysitter wanted Mon, Wed Thur.2:30 to 5:30 excellent pay, 5 min tocampus. Call 667 3716 after 5:30 or947 6582, 9 to 5. Leave name.PHOTO SALES& STOCK.If you like people and enjoyphotography MODEL CAMERA islooking for two part time employeesMust be available through summer.Applications are available at MODELCAMERA. 1342 E. 55th St.PEOPLE FOR SALEInterested in typing evenings in myhome. Will discuss price. Barbara,373 3594 after 5:30p.m.HIRE AN ARTIST - Illustration of allkinds — even on short notice NoelPrice. 493 2399RESEARCHERS - Free lance artistspecializes in the type of graphic workyou need Samples, references on request. Noel Price 493 2399.For experienced piano teacher of alllevels call 947 9746. SCENESTaking the LSAT in July? LSATreview weekend at the Palmer House17 E Monroe, Chicago, July 9th & 10th.Call Law Board Review Center, col¬lect, (914) 623)4029 or (914) 234 3702.$85. Special group rates for five ormore.Ongoing group for gay and bisexualmen over thirty will begin Mondayevening, April 18. The group is spon¬sored by the Gay Services Program ofThe Chicage Counseling andPsychotherapy Center, 5711 S.Woodlawn, and will be led by two gaypsychotherapists on the Center staff.$75/person/10 two hour sessions. Call684 1800 for more info. Ask for Bill.Come hear Marilyn Hacker read herpoetry Monday, April 11, 8:30 p.m,Harper Memorial 130.Harper Sq. Child Care Center 4800Lake Park: full-day program($40/wk). Summer only: V2 day pro¬gram ($25/wk.). 538-4041.FORSALECondo for sale. TheMews, 57 & DorChester. One bedroom apt; Ir/dr, woodbrng. firepl; sunporch nice study;remodelled kitchen; oak floors andlots of woodwork. By Onwer call753-4413 weekdays.Sofa bed, stroller $5. Humidifier, lamp& shade, leather hassock $3. Shoppingcart$l. Chairs, TV stand, table lamps;50 cents. 363 2682.VOLVO PARTS: 4 speed trans.,clutch, anything else you can salvagefrom our 122S. 493-2040.SAVE $10-$100 on most name brandstereo components, CB's, calculatorsand TV's. One call can SAVE YOU 10-40% on the retail cost. Call ROBIN752 8012.BICYCLE Man's 10 speed, lock &chain, double book basket. $70 or bestoffer. 248 8348 eves.FREE TUITIONFree tuition for 1 or 2 years at any oneof 140 Universities, Technical Schoolsand Yeshivas in Israel. Fully accredited programs for Junior Yearand Graduate study. Enrollmentminimum 2 years in advance, benefitsfrom 1979-1989. Please contact:THE GIFTOF EDUCATIONDepartment CH Suite 71010 Rockefeller PlazaNew York, New York 10020212-541 7568DANFORTHFELLOWSDanforth Fellows organizationmeeting, Monday, April 11, 12:00,Swift Hall 201.PRACTICE YOGARejuvenate Body mind-spirit. SpringQuarter Yoga Workshop begins oncampus Thursday April 7th at theGargoyle 5:30-7:15 p.m. Includes:yoga postures, breathing techniques,energization, meditation. Taught byDobbi Kerman on campus since 1971. 7sessions $30. Info643 3595.SEEKINGSUMMER SUBLETMarried law grads seek furnished apt.or house to sublet from June throughAugust. Call (617 ) 498-4670 (before10:30 am or after 11:00 pm), or writeJ.B., 106 Dane Hall, Cambridge, Mass.02138.KINDERGARTENTEACHER WANTEDHyde Park Child Care Center needskindergarten teacher degree & ex¬perience necessary small class, opportunity for independent creativeplanning. Call Ms. Sinaiko 538-8325days or 493 2981 eve.PLEASEHELP MOMI need a responsible babysitter for my6 mo. old daughter. MWF 10-2 p.m. inyour home or apt. $2.25 per hour. CallRegina at 86 7 5671 or 422 0462.LAW IS ANASS DEPT.Jurors needed for trails each Sat. inApril Choose your date. See realjudges lambast real law students.Free lunch 935 0456 or 752 1818 or685 6512, evenings.ARTEXHIBITART EXHIBIT by Shani Kermanassistant teacher in UC High School.JEWELRY, CERAMICS,SCULPTURAL WEAVINGS,WRITING until April 14. University ofChicago Lab High School 1st floorfoyer & library 7:30 a.m. 4 p.m.M.W.F; 7:30a.m. -3p.m. T,F. CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m. at 5715 S.Woodlawn For more info call 752 5655.WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde ParkBookstores & Bob's Newstand. Volune#3 is out!HELP PRIMAVERAPrimavera, the women's literarymagazine needs students to contributemanuscripts and artwork. We alsoneed editorial assistants & businessmanagers. Contact us c/o Ida NoyesHall or call Janet at 752 5655.FORTRAN CLASSLearn to program in FROTRAN. 10sessions class $25. Computer timegiven for problems. Register beforeApril 15. Come to the ComputationCenter or call 753 8409. EUROPEATEUROPEAN PRICESLow cost flights to Europe. Mid East,Africa, and the Far East. Call EuropeInternational Ltd. Toll Free800 223 7676.UNIVERSITYBARBERSHOP1453 E. 57th ST.CLOSED MONDAYS684-3661HairstylingRazor cutsATTENTIONPAN PIZZADELIVERYThe Medici delivers from 5-10:30 p.m.,Sun.-Thurs; 5-11:30 Fri. and Sat.667 7394. Save 60 cents if you pick it upyourself.BOOKS BOUGHTBooks bought and sold everyday,every night 9-11 Powells, 1501 E. 57th.PERSONALS -Writers' Workshop PL2-8377.Pregnant? Troubled? Call 233 0305 foraffirmative help, 10 2 p.m. Free Test.Swinging gals near you! New adultdating service. Send stamp for free ap¬plication. Together, Box 405-CM,Wilmette, IL 60091.Pregnancy Testing Sat. 10-2Augustana Church, 5500 Woodlawn.Bring 1st morning urine sample,$1.50 donation. Southside Women'sHealth 324 2292.Ben is it really you? Or am I losingmy mind. Your Sally.LOST: '75 Gold H.S. Ring. BlueCrest and Initials MM. ContactCarol Cmiel 3-2249 SentimentalValue.FOUND: 1 watch. Identify at pub.Sunday night is Kate Hepburn Nightin the Law Auditorium. 7:00 HOLI-DAY, 8:45 DESK SET.LOST: large black folder of tubamusic, on evening of March 7 nearHarper Library, Any info appreciated. 288 3657 evenings.Wanted: affectionate bunny for nibbling, chasing, et al. For info contactCRAZY RABBITChicago Hot-Line—the city's sexreview. Straight and gay news. $5.00to T.R.A., Box 7425-CM, Chicago,60680.1-2 3 4 5-6 7 8 9 10 12-13-14-15 16 17 18-19 20-21 22 23 24 25 26 27. That'swhat how many you are looks like.Happy Birthday T-3! MAROON ADVERTISERSUSING FAC EX FOR ADDELIVERY MUST ALLOWONE WEEK FOR TRANSIT.PLEASE ENCLOSE 102 FORMWHEN APPLICABLE.EYE EXAMINATIONSFAHSHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(58 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372VERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1 V, AND2 V, ROOM STUDIOSFURNISHED or UNFURNISHED$149 to $243Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4-0200 Mrs. GroakTHE DIVISIONAL MASTER’S PROGRAM IN THE SOCIALSCIENCES and THE DEPARTMENT OF POLITICAL SCIENCEpresentWilson Carey McWilliamsProfessor of Political ScienceRutgers UniversityAuthor ofThe Idea of Fraternity in Americaspeaking on“Thomas Paine and the American Tradition”Wednesday, April 13,1977 — 4:00 p.m.Pick Hall 016 - 5828 University AvenueFAMILY FREE SCHOOL1448 E. 53rd Str.has opening forCHILDREN 5-9Free learning in a structured environmentLoving, experienced teachersEstablished parents’ cooperativeFor info: Call FA 4-4100 (Judy Morris),228-2985 or 548-2353 KENNEDY, RYAN, M0NIGAL & ASSOCIATES, INC.Directory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSESINTRODUCINGTHEONEBYTHELAKECharming 4 bedroom home on SouthShore Drive near 77th St. Large yard50 x 220. Many extras. Priced for immediate sale at $47,500. CallMargaret Kennedy 667 6666.GIVE YOUR FAMILYTHE BESTSpacious 3 story Kenwood homenear 49th & Dorchester. Fullymodernized. 8 rooms, 3'/2 baths plus4 room income apt. Side drive, 2 cargarage, lovely garden. Only $88,500.667 6666A KENWOOD CHATEAUA 16 room house with stained glasswindows. Dramatic staircase, lots offireplaces and a wrought iron fenceail around the house. Lot size 100 x190. Price $95,000 Call Don Tillery667 6666MARYNOOK TOWNHOUSETwo bedroom jewel, finished base¬ment, central air, good parking, niceyard with patio. l'/2 baths. Conven¬tional financing only. 667 6666. FOR SALEBEAUTIFULMODERNTOWNHOUSEThis lovely South Shore townhousehas everything you could possiblywant. Three bedrooms, 2Vj baths,central air, modern kitchen withdishwasher, sundeck off masterbedroom, nicely landscaped, backyard and finished basement. To seecall Richard E. Hild 667 6666 (res.752 5384).THREE DEMENSIONALPATIO HOMEAvailable for October occupancy...Three level town home now underconstruction. Patio garden Built-ingarage. Three bedrooms plus con¬vertible family room. Many, manyextras plus a quiet, tree-lined street.See our model and plans. 667 6666.ON A STREETWITH A FUTURE7 room Victorian free-standingtownhouse with 2 baths, fullbasement, new roof, new furnace,woodburning fireplace. Price$45,000. Call Don Tillery 667-6666APARTMENTS FOR SALEHI RISE CONDOSpectaculand city. 3 bedrooms, 2 fullbaths - like new kitchen withdishwasher, double oven, side byside re frig, and freezer, completewith breakfast area. LR has diningalcove and study alcove. Call J. Edward LaVelle 667-6666 BACHELOR APT.This lovely remodeled one bedroomco-op has the very latest in supergourmet kitchen. Newer building,quiet, close to campus. To see,please call Richard E Hild 667 6666(res. 752-5384.)OVERLOOKS 15TH HOLEThis cozy condo at 67th & Crandonenjoys a panoramic view of JacksonPark, U. of C. and down+own. 6rooms, working fireplace, indoorparking. Only $23,750. Call 667 6666TEAK BUILT-IN STUDYSuper coppertone and walnut kit¬chen. 5 large rooms 2 baths - highfloor sunset views. Financingavailable. $21,500 co-op. Char'otteVikstrom 667-6666BIGGER THAN A HOUSE...but easier and less expensive tolive in. Eight plus (extra solariumrooms. Kitchen is super, apt.beautifully maintained throughout.Sunny bright, ail appliances.Custom walnut study with wall built-ins. Must be seen. High 50's NrHyde Park Blvd. & Woodlawn.Charlotte Vikstrom 667 6666 LESS THAN S100 MO.LIVINGEXPENSEThis bright one bedroom co-op has aformal living room and dining room.The assessment is less than $100.Game rooms and workrooms inbasement. Close-in to campus. Tosee, please call Richard E. Hild 6676666 ires. 752-5384)NEAR RAY6 rm., 2 baths, large liv. room,sunporch. All newly re-hab. Beautfloors convenient to everything.Super for campus. In the 40's.Charlotte Vikstrom 667 6666SUPERB, ELEGANTCondo near lake in South Shore;grand large LR, DR, bedroom andkitchen. Sun porch, cedar closet,first class living $12,500. Call AlfredDale 667 6666PRIVATE SUN TERRACENear 56th & Cornell. Bright, sunnywood floor. 4 rms., nice floors,spacious, low assessment Asking$27,000. Call Nadine Alver orCharlotte Vikstrom at 667 6666 NEAR 57TH& DORCHESTERDecide now, pay later 6 rooms 2baths tree top level elevatorbuilding. Sparkling mint condition.Sun deck, woodburning fireplace.Upper 30's Possession &pt, 15. CallCharlotte Vikstrom 667 6666LUXURY HI-RISE7 splendid rooms super kitchenone block from Lake MichiganTriple track storms and screens.Beautiful floors spacious, graciousliving. $36,000 for equity. CallCharlotte Vikstrom 667 6666. FIRSTTIME OFFERINGOne bedroom co-op close to Lakeand transportation. June possession$15,500. Board approval required Toinspect, call Margaret Kennedy 667-6666APARTMENT BUILDINGSAND LAND FOR SALEA PACKAGE DEALTWO APT. BLDGS.One bldg, has 24 apts. and one with17 apts must be sold together Bothbldgs, are in good condition withgreat income both are good forcondo conversion. $375 000 Call DonTillery at 667 6666 BRICK 4 FLATTwo 4-room apts. and two 7-roomduplexes with 2 baths. Extra largefenced back yard Priced at $72,500.For more info, please call MargaretKennedy at 667 6666VACANT LANDSIX FLAT62ND&ST. LAWRENCEThis bright 6 flat. 3 4's & 3 5's, hasnew gas steam heat a new roof onthe bldg & 3 car brk garage A goodbuy! To see or for more info callRichard E. Hild 667 6666 (res. 7525384) 40 x 140 zoned R 5, 52nd and Kennwood To see, call Richard E Hild667 6666 (res. 752 5384).HYDE PARK SIX FLATThis well located six flat has somemodification of apartments. Goodconversion potential. Doubleplumbing, 2 garages heavy dutyelectrical, newer boiler, good income To see call Richard E Hild667 6666 (res. 752 538411461 East 57th Street. Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667-6666 Anytime-The Chicago Maroon-Friday, April 8,1977-19FSACCSL STUDENT SURVEYThe Faculty-Student Advisory Committee on Campus Student Life (FSACCSL) wasestablished to advise the Dean of the University Students on the range of non-academic functions performed by his office. The purpose of this survey is to helpFSACCSL determine which of these areas of campus life students feel are especiallyin need of appraisal and consideration by FSACCSL. This questionnaire will be readby student members of FSACCSL, and the results forwarded to the Dean and theCommitteeI am a student in:Do you live in theHousing System?In an apartment?At home?Undergraduate (circle year) 1234Graduate (circle year) 1 2 3 4 5MaleSingleFemaleMarriedHere are some areas that FSACCSL can review:L Athletics and Recreational SportsL Have you ever wished to enter a non-required physical education class, andbeen unable to do so? YES NOWhat was it?2 Are you satisfied with the amount of time athletic facilities are available foryour use? YES NOWhich facilities would you want open more often?3 Are you satisfied with the Intramural program9 YES NOWhat would you change94 Any other comments or suggestions for improvement? (Use back if necessary)II Student Health ServiceHow would you rate the quality of care you personally have received in:Student Health Clinic excellent5 good4 fair3 poor2 terrible1Student Gynecology Clinic 5 4 3 2 1Student Mental Health Clinic 5 4 3 2 1Emergency Room 5 4 3 2 1What would you like to see changed in any of these areas9Any general comments or impressions?IIL Career Counseling and Placement ServiceL Have you ever tried to gain employment through this office?Part-time campus employment9 Summer employment?Part-time off campus employment? Post-graduation employment?2 Were you satisfied with the amount of individual attention that youobtained9 YES SOMEWHAT NO3. How satisfied were you with their services?VERY satisfied SOMEWHAT satisfied NOT satisfiedWhat could have helped you more? What was the problem94 Do you feel adequately informed about career options or opportunities forfurther study?Very informed MODERATELY informed NOT AL ALL informed5. Any comments or suggestions for improvement?IV. Student ActivitiesL Would you say that since your arrival on campus, the quality of the social lifein the form of “things to do," hasIMPROVED STAYED ABOUT THE SAME GONE DOWNHILL CollegeDivisionsBiological SciencesHumanitiesSocial SciencesPhysical SciencesDepartment- 12 3 41 2 3 4 51 2 3 4 51 2 3 4 51 2 3 4 51 2 3 4 5Professional SchoolsBusiness 1 2 3 4 5Divinity 1 2 3 4 5Law 1 2 3 4 5Library 1 2 3 4 5Medicine 1 2 3 4 5SSA 1 2 3 4 52. Are you a member of a registered student club or organization?YES NOHow would you rate the services given to your organization by the StudentActivities Office?VERY helpful SOMEWHAT helpful NOT helpVERY helpful SOMEWHAT helpful NOT helpfulWhat would you change?3. Are you satisfied with the programs of the Major Activities Board?YES NOWhat would you change?4 What specific suggestions would you offer for improving the social life oncampus?V. All in all, how satisified are you with:VerySatisfiedAtletics and recreational SomewhatSatisfied Neutral SomewhatDissatisfied VeryDissatisfiedsports programs 5 4 3 2 1Student Health service 5 4 3 2 1Career Coiunseling &Placement Office 5 4 3 2 1Student Activities 5 4 3 2 1Residence Hall life(if you live in a residence hall): 5 4 3 2 1VI. How would you rate the order in which these areas should be reviewed byFSACCSL?Athletics 12 3 4Student Health Service 12 3 4Job and Placement Office 12 3 4Student Activities 12 3 4VII.Please add anything else not included in these questions which you feel is aproblem concerning student life at this University.VIII.There are certain areas of campus life that FSACCSL does not ordinarilyreview, but for which there is an appropriate student advisory body, such asthe Library, the Housing system, etc. Please add any specific comments orsuggestions for improvement that you have about these and similar areasIX.If you vtould like personally to discuss any questions raised by this questionnaireplease sign below, and a member of FSACCSL will contact youNAME TELEPHONERETURN TO BOXES LOCATED IN: MANDEL HALL CORRIDOR. COBB HALL FOYER. 1st FLOOR ADMINISTRATION BUILDING or Admin 21920-The Chicago Maroon-Friday, April 8,1977 J