150 attend SpeakoutThe Speakout, a public forumon University financialdisclosure, drew roughly 150students to Kent Hall last night.News bulletinFive student members of thecoalition and mathematicsprofessor Melvin Rothenbergdiscussed the consequences ofnext year’s proposed $300 tuitionhike and made demands for fullfinancial disclosure of theUniversity’s budget.Coalition member Seth Rosencharged that dean of studentsCharles O’Connell’s response, aletter containing publishedbudgetary information, “showed that the Speakout has had aneffect on the administration.However the information theygave us was just a drop in thebucket.’’ 1,500 copies of O’Con¬nell’s response were distributedon campus yesterday.Administrators, specificallyPresident Wilson, were invited tospeak at the meeting, but noneappeared officially. O’Connell’sassistant, Paul Ausick, was in theaudience.Rothenberg. who has been atthe University for 16 years, saidthat the disclosure of informationhas “always been a burning issueon campus.” This was the firsttime, however, that demands forinformation, have centered onbudgetary affairs, he saidPoli sci grads seek greatervoice in department policyBy BARBARA PINSKYThe graduate faculty in thepolitical science department willvote today on a faculty-studentproposal allowing for studentparticipation in faculty recruit¬ment in the department.Chris Rude, graduate student inthe department, explained thatfaculty recruitment and hiring hasbeen one of the key issues con¬fronting PSA, the graduateassociation of political sciencestudents.“We haven’t had significant input into faculty hiring. This hastremendous impact on us(graduate students). The peoplewho are hired in the departmentdetermine what we will study andeventually what we will end upteaching, said Rude.According to Jim Greer,chairman of the PSA SteeringCommittee, the issue of morestudent participation in facultyhiring was raised in earlyNovember, but student in¬volvement did not begin untilJanuary.Poll Sci to 3 900University workers vote nextweek on Teamster affiliationBy DAN WISENearly 900 University workersare scheduled to vote next week onwhether they will continue to berepresented by local 1657 of theAmerican Federation of State,County and Municipal Employees(AFSCME). The workers, votingin a decertification electionsponsored by the National LaborRelations Board (NLRB), willchoose to retain their affiliationwith AFSCME, their represen¬tative since 1946, associatethemselves with Teamsters Local743, or elect to have no represen¬tation at all.The bargaining unit, composedof hospital service workers andcampus food service andhousekeeping employees, is thelargest union on campus.Four to five hundred signaturesgathered on petitions challenginglocal 1657 were submitted to theNLRB on January' 10 by CharlesMcCormick, an employee fired bythe hosDital 18 days laterMcCormick says he was told hewas fired because of alleged in¬terference with a doctor in theperformance of his duties, but hesays he has filed “five or six’’complaints with the NLRBcharging the University has un¬fairly dismissed him. and has citedthem for threatening him when hecame to the hospital to organize.“They told me that if they see meout there, they’ll arrest me onsight,” says McCormick Since he was fired January' 28, hehas been supporting himself bydevoting full-time to a Loop shoeshine stand he opened last year. “Iknow I’m right, and I haven’tlooked for another job because I’mhoping to get my job back.”Hospital personnel officials denythat his firing had anything to dowith his union activities Mc¬Cormick worked in the generalservices division of the hospital asa custodian.Several sources in the hospitalhave charged that McCormick waspaid for gathering signatures bythe Teamsters. “We know he wasin the pay of the union,” said one“several other people were ap¬proached for the same purpose.”“I never got a dime from theTeamsters.” McCormick said,“the members of the committee(which circulated the petitions)agreed to approach the Teamsters.They never approached us.”The election comes at a crucialtime,” remarked Archie Camp¬bell, AFSCME local president,“our contract comes up forrenewal in April. If we do well (inretaining certification), then wecan move ahead in the negotiationswith strength. If not. we’ll catchhell at the bargaining table, if weget there.” Campbell noted thatchallenges to the election mightdelay the start of negotiations. TheNLRB prohibits contract talkswhile a union’s right to bargain isquestioned The largest campus union.Local 1657 of AFSCME, iswaging a leaflet campaign toretain the representation of 900hospital and campus serviceemployees. They are beingchallenged by Teamsters Local743 in a National LaborRelations Board election nextweekTeamsters Local 743 has tried toorganize hospital workers before.In 1973, hospital techniciansparticipated in a representationelection, and a majority of theworkers chose no representation.The .AFSCME local mounted ananti-Teamster campaign in thatelection“We beat them (the Teamsters),but the University beat us,” saidCampbell.Students get pinchedThe issue is moneyBy PETER COHNSince the protests of theVietnam years, students at theUniversity have assumed anincreasingly passive politicalNews analysisrole. No major issues have cometo the fore, either on the national or the local level, that havegenerated organized dissent.Yet during these quiet years,changes in government policyand the state of the economy haveweakened the economic status ofstudents and have forced fun¬damental changes in all levels ofthe University.Recent expressions of student discontent at the University, suchas at the Speakout last night andin meetings of graduate studentsin the departments, may be anearly sign that the economics ofscarcity will not be passivelyaccepted.Young scholars at Chicagohave felt the economic pinch inthe form of steadily rising tuitionlevels, reductions in federalscholarship support, and a dropin the level of direct financialsupport from the University.Less immediate, but perhapsmore discouraging, has beendampening in the prospectsfacing students after graduation,determined largely by the declinein the academic job market andmore widely by the nationaleconomic slowdownUniversity aid grants, bothrestricted and unrestricted, haveremained constant at ap¬proximately $5 million duringthis period, and outside grants,mainly federal, have droppedfrom $7 8 million to $4 5 millionTo compensate for the drop inaid, which is particularly sharpwhen inflation is taken into account, the University has in¬creased its student loans from$2.6 million in 1971-72 to over $7million in 1975-76Analysis to 2Student dissatisfaction with University tuition and aid policy and withits policy of financial disclosure have led to the most vocal protestssince the Vietnam era. (photo by Philip Grew) Browder: the truth?By DAVID BLUMAlmost two months ago.mathematics department chair¬man Felix E Browder stood before39 of his colleagues in thebasement of Rosenwald Hall topresent a “minoritv report” to theNews analysisFacuitv Council. Next Tuesdayafternoon, in a bizarre twist.Browder will join his fellowCouncil members to hear a sub¬committee announce whetherBrowder told them the truthBrowder's controversialstatement aroused the anger ofboth fellow faculty members andadministrators Having chargedthat the faculty's power at theUniversity of Chicago was beingusurped 'by a budget-orientedadministration with little concernfor academic excellence. Browderbecame the target of angry memosand veiled threats from all sides ofthe issue“If Mr. Browder's charge istrue.” President John Wilson toldthe Faculty Council last month,“the Board (of Trustees) has aserious problem on its hands, if itis not true or if it is a distorted orgrossly exaggerated charge, theCouncil and the Committee of theCouncil have a serious problem onits or their hands ”Attempts to clarify the meaningof “a serious problem” provedunsuccessful, as most members ofthe Council used the confidential nature of the Faculty Council astheir shield. Those who werewilling to talk were those who.along with Browder, believed thatWilson and his associates wereaiming for a confrontation on theBrowder issue“Wilson’s just losing his temperagain,” were the words of oneprofessor deeply involved in thereport and its ensuing controversy.Among those who fault Wilson forhis handling of the Browder affair,the most widely held view is thatWilson seeks vengence for what hefelt was a personal attack on hisadministrationHis defenders contend thatWilson has been unfairly malignedby Browder and his scatteredsupporters Two colleagues ofWilson — Arnold Harberger.chairman of the economicsdepartment, and Walter Blum, aprofessor of law — circulated hard¬hitting memos attacking Browderand his reportBrowder to 2InsideEditorials, p. 4Letters. p. 4GCJ, p. 5Sports, p. 18Calendar, p. 15IAnalysis from 1Up until this quarter, students have saidlittle about the rising cost of a Chicagodegree and the greater pressure they havebeen under to put themselves in debt inorder to meet the costs.Graduate students have gone the furthestin expressing their grievances, probablybecause they have been hit the hardest.Students in anthropology, philosophy, andpolitical science have organized to expresscriticisms of departmental aid policies.The Speakout Coalition, organizedprimarily by undergraduates, has taken amore diffuse approach, declaring a tuitionmoratorium, denouncing cuts in financialaid, but taking as its main platform thedemand that the administration ‘makepublic before the entire university com-Browder from 1“By deluging the Council with routinematters,’’ Blum wrote, in an effort tosummarize the content of Browder’s report,“the Administration makes it impossible forthe Council to attack the meaty issues.“I submit that this viewpoint is nonsense— or, borrowing his term, ‘surreal.’ ”Harberger presented a more thoughtfulview, attempting to analyze the content ofthe Browder statement in light of politicalrealities.“It is hard to escape the conclusion thatthe blame for the alleged failings rests withJohn Wilson,” wrote Harberger. But headded: “No mention is made of any of themerits of character, judgement and per¬formance that led to Mr. Wilson’s beingnamed Provost of the University andlater...elevated to the Presidency...“No notice is taken of Wilson’s steadfastdevotion to the principles of academicfreedom and his quickness to expose himselfin defense of our faculty when that freedomis threatened.”Those words recalled Wilson’s strongstatements in defense of Harberger and his munity the financial affairs of theUniversity.”University administrators have had thedifficult responsibility of managing anunderendowed institution, a universitywhich has been called an “academicoverachiever,” through the years of fiscalstress.Faced with an inflation that has increasedprices by almost 50 percent since the 1970-71academic year and a weakened federalcommitment to research and scholarshipsupport, the University initiated a policy ofretrenchment which has affected everyoneon campus — students, faculty and staff.In 1973-74 when the University’sunrestricted budget was based on a $4.6million deficit, President Edward Levi setthe administration on a course of financialausterity directed at reducing the budgetcolleague, Milton Friedman, when the twoeconomists were accused of aiding therepressive Pinochet regime in Chile in theformation of economic policy. Wilson’sstrong position came in opposition to aproposed “Committee of Inquiry” byStudent Government into the facts of theFriedman-Harberger visit to Chile.The committee empowered by JohnWilson to investigate Browder’s chargesresulted from discussions between Wilsonand Robert Reneker, chairman of the Boardof Trustees, following the presentation ofthe minority report. The committee wasoriginally to have comprised all themembers of the Committee of the Council,but Browder’s membership on the Com¬mittee appeared to be a conflict of interest.After long negotiations within the Com¬mittee, Browder finally agreed to the for¬mation of a sub-committee authorized toexamine the substance of Browder’s report.The hearings did not take long, and thesub-committee has completed its report. Nolists of witnesses were made public, but theprincipal characters in some of Browder’sexamples of the exercise of administrationpower were known to have testified before underwriting by $2 million every year.As part of that policy, tuition has gone upby close to $600 in the College and thedivisions and by $850 in the law and businessschools. Although the tuition increase mayseem high to those unfamiliar witheconomic theory or the policy of theUniversity, administration officials arguethat the increases are not as bad as theymight seem.When inflation is taken into account,administrators say, the tuition increase hasbeen negligible. In addition, whenUniversity tuition levels are compared withthose of similar institutions, they are $500 to$1000 lower.Not convinced by these arguments,Speakout members charge that the annualbudget documents made public by the ad-ministration gives students no way “tothe panel.Both supporters and opponents ofBrowder’s report seem to agree on the basicprocedural issue. The Faculty Council, theysay, should not be the format for angry,inaccurate diatribes directed against oneman or even issues as broad as thoseBrowder raised.Some offer the same advice to JohnWilson: this year, they point out, thepresident’s quick temper caused em¬barrassment for the University during theTosteson debacle, when the dean of thePritzker School of Medicine resigned afteronly two years here to accept the deanshipof Harvard Medical School. Wilson firedTosteson as Dean and Vice-President — andis known to have considered firing oneCollege administrator this year for publiccomments Wilson found offensive.The likely conclusion is that Browder’sreport will be neither sanctioned ordenounced by the sub-committee. Now thatthe search for Wilson’s successor has begun,the angry charges from his detractors willdie down, and the Council and Universitymay forget Felix Browder’s report asquickly as it first responded to its content. judge the severity or even existence of thecrisis.”Resentment toward WilsonThe agitation of the coalition might neverhave come about were it not for the growingsense of student resentment against theadministration, and against PresidentWilson in particular.Wilson fueled the student protest with hisdeclaration that, “I don’t feel it necessary toanswer to the questions of the general publicor of the campus community.”No matter how strong the resentment, theprotests are unlikely to result in thedisclosure of the detailed University budget,which would include a department bydepartment breakdown of budgetallocations.Other universities, as well as non-profitinstitutions and public corporations, do notrelease the kind of detailed budget in¬formation demanded by the coalition.Institutions follow standard accountingprocedures, usually under the supervision ofan outside auditing agency, as specified infederal regulations regarding corporateprocedure.Although the protesters do not have thepower to pressure the University into goingbeyond established guidelines of financialdisclosure, they have not focused onalternative means for student involvementin the budget process that have been used atother University’s, which often have studentrepresentatives on budget planning groups.A major weakness in the approach takenby the coalition members has been theirquick resort to confrontation tactics. Deanof students Charles O’Connell was quick tocapitalize on th.s in an open letter to thestudents, 1.500 copies of which were cir¬culated around campus yesterday. “I amsorry,” O’Connell wrote, “that none of theorganizers of the Speakout Coalition soughtme out to comment on their very real andvery understandable concern about risingAnalysis to 3CONTINENTAL'STAKEOFFAND PUT ON.We take off AW and put onlots ofextras everywhere we fly.Whenever you take off on Continental,take off 28% from the cost of a regular rounctrip Coach ticket to all our mainland cities wour Economy Excursion Fare. It’s a greatway to keep your money in your pocket.Then sit back and watch Continental puon a show.We ve put the Pub on our wide-bodiedDC-10's, with electronic PubPong games andpopcorn. Plus exclusive specially condenseddouble feature films, old-time newsreels andfavorite animated cartoons. You can also puton the feedbag for only a dollar with ourGood Times Snacks.2-The Chicago Maroon Friday, March 4,1977 Jwe'll On our spacious, wide-look 727's you can puton your headset and enjoy the free stereoith entertainment. There's overhead storage plusa middle seat in Coach and Economy thatfolds down when unoccupied so you can relax ort spread out the books.Call Continental or your Travel Agent andask for our 28% Economy Excursion Fare.Continental will provide information regarding specific flights and numberof seats available. Purchase your ticket at least 14 davs prior to departure and siav7 to 30days. Our 2*".. discount applies until May 31. 1077. Reduced savingsafter May 31.1977 are subject to CAB approval, f ares and savings subjectto change without notice. The Coach Pub is available on allContinental DC-10 s excluding Hawaii through-service.We really move our tail for you.CONTINENTAL AIRLINESThe Proud Bird with the Golden TailWilson asked to explainphilosophy dept, financesBy BARBARA PINSKY The letter also expressed the concern thatfirst year students receive a dispropor-In a letter sent to President Wilson twoweeks an graduate students in thedepartme li of philosophy expresseddissatisfa lion with the financial aidsituation ii, the department.They asked for the administration toexplain the distribution of aid throughoutthe various divisions and departments andcalled for the employment of graduatestudents in the humanities division asteaching and research fellows.“No other major philosophy departmentin America has to make do with as little aswe do; if this situation continues un¬doubtedly many of the best students will belost to other institutions/’ said the letter.“The faculty shares our concern with theinadequacy of University support tograduate students.”The students have called for an ex¬planation of the amount of aid per student inthe department, the average amongstudents actually receiving some aid, andthe percentage of the total budget allocatedfor aid to students in the divisions.“Faculty is concerned about the ad¬ministration’s allocation of funds,” said JeffBedrick, a 3rd year student in the depart¬ment. “Only $43,000 has been allocated tothe department for next year. Departmentsat other universities receive 4 or 5 times asmuch. Columbia University’s philosophydepartment, for example, receives $180,000per year.”Analysis from 2tuition charges at the University and therelations to those charges of the Univer¬sity’s student aid programs.”The statements of the coalition do notsuggest that they have taken full advantageof the budget information that is publiclyavailable, and have not attempted to obtainsupplementary information from ad¬ministration officials at the vice-presidential level who have been willing tospeak with students in the past.Important policyquestionsThe hasty nature of the coalition protestmay obscure the very significant questionsthat can be asked about the University’sfinancial policies. And although ad¬ministrators have been quick to point thisout, they cannot escape a major share of theresponsibility for the hostility and alienationthat has»generated the dissent, because it istheir failure to establish meaningfulchannels of communication with studentsthat has led to this quarter’s unrest.The conflict may become more intense,but it is more likely that it will be forgottenafter the spring break. If the issues are to beclarified, now is the time for the specifics tobe presented.The administration has developed afinancial aid and tuition policy which isclosely related to the overall budgetaryplanning of the University. The University’sunrestricted budget has not been largeenough, administrators maintain, to allowfor any substantial increases in the amountof direct aid to students, and the increases intuition have been necessary to support theunrestricted budget with income fromstudent fees, which fund 50% of theUniversity’s unrestricted spending.Officials are also quick to point out thatthe tuition policy has been used to increasethe enrollment of the University, as thetuition levels have maintained a substantialdifferential between Chicago and its com¬petitors.Financial aid policies, administratorsargue, also compare favorably. Amongschools in the Consortium on the Financingof Higher Education, an organizationconsisting of most of the prestigous. high-cost institutions in the country, Chicagoranks first with Columbia as the school withthe most students receiving aid. 60 percent38 percent of the students here are in thehigh need category, defined as familycontribution to tuition of $2,000 or less, ascompared to a consortium average of 23percent. 22 percent of the students atChicago are in the low need category', withfinancial contributions of $2,000 or more, ascompared to a 16 percent average for the tionate amount of available money:“This policy has the effect of diminishingthe already insufficient amount of moneyavailable to continuing students; thus somestudents are faced with a painful situation inwhich they must discontinue the studiesthey have begun. This policy is not in thelong term interests of the University anymore than it is in ours.”Ian Mueller, a professor in the depart¬ment, commented that there may be adisproportionate amount of money allocatedto various departments.“I think some departments have moremoney than others,” Mueller said. “Thismay be because of connections with theadministration or because some depart¬ments need more money to have anystudents at all.”He added that employing graduatestudents as teaching assistants is “a highlydesirable thing to do.” This issue has beendiscussed among faculty members for sometime.David Kolb, director of graduate studies,said that “it would be nice to have moreinformation” regarding the allotment ofmoney by department and division“It’s becoming more obvious that its aquestion that has to be dealt with. Thequestions raised in the letter and theunhappiness expressed are shared by bothfaculty and students. The concerns areshared.”consortium. 40 percent of the students atChicago are in the no need category, ascompared to a 60 percent consortiumaverage.One of the major reasons for the demandfor disclosure of the full University budgethas come from feelings that University aidis distributed inequitably among thedivisions of the University. The percentagebreakdown of aid sources to the divisions ofthe University do not indicate any majordisparity between the proportion of thestudents in the divisions and the percentageof total aid, although the proportion ofborrowing and the proportion of outside aidvaries widely.The business school, for example, makesup 10.6 percent of the University population,receives 7.1 percent of University aid, 1.1percent of the outside aid, and does 18percent of the borrowing. The relativelyhigh dependence on borrowing reflects thehigh post-graduation income potential of thestudents. The law school aid level reflectsan analogous situation.In the humanities division, which makesup 9.8 percent of the enrollment, studentsreceive 12.6 percent of the University aid,4.3 percent of the outside aid, and do 11percent of the borrowing. Social sciencestudents are in a similar situation, makingup 17.3 percent of the population, receivingIV.5 percent of the University aid, 24.5percent of the outside aid, and doing 15.2percent of the borrowing. In both thesedivisions. University aid is almost exactlyequal to the proportion of the enrollmentpercentage, with a heavy reliance on loans,although the social sciences’ relativelystrong position on outside aid allows for asomewhat lower dependence on borrowing.Increase in loangivingIt is the increasing use of loans, althoughno one has maintained that loans are easy toget, that has caused the most concern. Theprospect of creating a generation ofstudents who have mortgaged their futureshas become a very real fear.In addition, there is the danger that theUniversity will become increasingly ex¬clusive, an elite bastion open only to thoseable to afford the school’s steep tuition.“What I worry about the most.” said SteveAskin, chairman of Student Government’sAdmissions Committee, “is that a U of C Ph-D is becoming a market commodity,available only to those who can pay themoney.”The pressure is definitely building, bothon administrators who have to cut the pie.and on the students who are getting smallerpieces This pressure is the underlying forcein the growing political rift betweenstudents and the administration, and theadministration has demonstrated that itdoes not have the rhetorical acumen or thesensitivity to keep the rift from growing Poli Sci from 1“The meetings were frustrating ... wewere tied down in minute details andlanguage,” said Greer.After several unsuccessful meetings, theSteering Committee of PSA and the facultywrote up separate proposals for a newsystem of participation. Although there aredifferences between the two proposals,Greer and Rude said that the compromisesreached between faculty and students haveresulted in the final proposal to be voted onthis week.Students, however, are not satisfied withthe new proposal. “They forced us tonegotiate,” said Greer. “There’s a vastdifference between what we asked for andwhat we got.”He explained that students still do nothave any vote in faculty hiring and are notpermitted to sit in on the final facultymeeting where decisions are made con¬cerning new appointments.Suzanne Rudolph, chairman of thedepartment, commented, “Students feelthey have compromised to us because wewill be structuring their participation onnominating committees. ”The function of the nominating committeeis to select student members to the facultyrecruitment search committee.Students and faculty disagree over thecomplicated issue of weighted voting toinsure fair representation of students.“The search committee, to work ef¬fectively, must have a spread ofrepresentation,” stated Rudolph. Toguarantee a fair spread, the faculty hasupheld its position on weighted voting.But students want to structure thenominating committee independent offaculty advice.“The form of student participation on thecommittee should be fully in the hands of thestudents themselves.” said Greer.PSA has outlined a list of other key issuesthat concern graduate students "in thedepartment. A major problem is that someadvanced students do not receive enoughfinancial aid to permit them to completetheir studies- therefore, there is an attrition of students who otherwise would be com¬pleting the final stages of their programs.Rudolph expressed concern over theproblem of financial aid.“It’s as tragic for us as it is for them,” shesaid. “We want them to spend their time intraining without financial worries. But thereare limitations on our resources. Sourcessuch as the Ford Foundation, NIMH, NIH,and HEW have dried up. Levels of Federalfunding have fallen drastically.”A second concern is the lack of sub¬stantive evaluation by faculty members ofstudent work. Rude stressed that it is un¬satisfactory to receive a paper back from aprofessor with a letter grade and no writtencomments.“Students aren’t given a review of theirgeneral strengths and weaknesses. We needto receive an over-all evaluation of our workso we will know where we stand and be ableto better decide if we belong in theprogram,” he said.PSA is also worried about the shrinkingsize of the faculty. According to Rude, threefaculty members are leaving permanentlyand four are going on sabbatical next year.As a result, there will be “a serious shor¬tage” of course offerings in two areas ofstudy, American and comparative, due to alack of faculty in those areas.Rudolph said that the department expectsto hire a new faculty member in the area ofAmerican within the next couple of weeks,and she indicated that efforts are beingmade to hire in other areas as well.A fourth complaint is that classes are toolarge and that an insufficient number offaculty are available to work with studentswho need advice on projects or papers.Greer noted that there are only 18 activefaculty members trying to work with the250-300 students in the department.Rude explained that some classes areoverwhelmingly large.“There are "workshops with 40 peoplewhere we are trying to do research as agroup ... its simply not feasible to analyzedata in a group that size.”He concluded that until students arepermitted to participate more extensively indepartment affairs, their needs will * gounsatisfiedNew radio link for police:threat to campus privacy?By N.S. BAER“Students should be aware that they mayface some important changes now that thosemonitors are being used.” cautioned aUniversity patrolman in reference to theradio monitors installed two months ago inthe 10 Chicago patrol cars based in HydeParkThe new monitors allow the city policeto receive all radio calls sent to the Univer¬sity security force, allowing for an un¬precedented degree ot cooperation betweenthe two forces.The concerned patrolman is not alone inthinking that this new relationship may posea threat to the rights and privacy ofUniversity studentsCommander George MacMahon of the21st District said that he could not forseeany violation of students' rights or an in¬trusion of their privacy with the monitorsHe pointed out that his patrolmen “don’t goin there (University private property)unless we re called ”But some security sources feel thatcaution is essential in assessing the impactof the new system on students. Onepatrolman noted that “Since a Chicagopoliceman and a University patrolman mayarrive on the scene at the same time, thenany situation concerning students has thepossibility of being supervised by a city-policeman ”One University resident head said that“I’ve been impressed with the city police."but added that “a city police uniform cer¬tainly heightens what ever is going on.” Headded that it is extremely reassuring to astudent to have a security person on thescene when the Chicago police are involvedFor this reason, he said that the effort on thescene between the city patrolman and theUniversity patrolman should becooperative.But according to one Universitypatrolman, this reassurance may not beavailable to the student in most situations“I’ve been told to leave the scene by aChicago policeman in instances when astudent, employee or faculty member has been involved.” he said. After thepatrolman can get enough information forhis report the guard said he may be told“Your services are not wanted here" by thecity patrolman The University patrolmancannot give the student the security of aUniversity representative, reported theofficer.According to one Chicago police official,the policemens' role will be the same as inthe past. That is. “to assist citizens indistress ” Both University and city policeofficials agree that the new radio monitorsw ill help patrolmen perform this task.“We re out there to maintain the peace,not to make arrests,” he said When askedwhat calls the city police will answer thedistrict commander replied that “They aresupposed to answ er calls of a serious natureor when a crime is being committed ”But in many situations just what con¬strues a “serious crime” is a matter ofdiscretion on the part of the Chicagopoliceman who hears a call on the newmonitor Will he respond to a call whichmight be handled better by a University-security person?As of two weeks ago. University buildingsare now referred to only by their addresseswhen broadcast over the security depart¬ment frequency. Would a Chicagopoliceman know that a student disturbanceoccurring at “5514 S University” washappening in Pierce Tower, an un¬dergraduate residence hall'7 Should herespond to such a call0Before the installation of the monitors asecurity officer arriving at such a scenecould make the decision to call in theChicago police, according to one source inthe security department But now thejudgmental question rests with the Chicagoofficer who hears a security departmentradio call through his monitor Will herespond or won't he? The discretion in manycases, several sources noted, will be hisalone“If the discretion will rest with a Chicagopolice officer, then we must ask ourselves ifthis individual has the University-students,faculty and staff-at heart, said one memberof the security forceThe Chicago Maroon Friday, March 4, 1977 3• if. M 1 I / I t|'| | '■) I v •\'V' ty.fM .ybl:n 1 r cov.Mt v eSV.'EditorialWinter of discontentIt was only two months ago when we wereshivering through the coldest winter of thecentury. Life on campus has warmed up con¬siderably since then, with tempers as well astemperatures rising.The announcement of a projected $300 tuitionincrease next year led to a student movement,the Speakout Coalition, which is demandinggreater financial disclosure from the Universityadministration. Their meeting last night was arefreshing change from the acquiescence ofstudents in recent years, who have been soconcerned with their own affairs that theyhaven’t bothered to question decisions whichadversely affect them. The faculty have alsobecome more restive and mathematics depart¬ment chairman Felix Browder’s charges ofadministration ursurptation of faculty powerhave raised serious questions of how decisionsare made at this “faculty-run” University.Graduate students in several departments, in¬cluding anthropology, political science, andphilosophy have begun to collectively addressissues within their respective departments andthe problem of financing their education withfunding sources drying up around them.Although outbreaks of dissent have come fromvarious quarters of the University and have beendirected at different concerns, there is a com¬mon theme running through the complaints.When President John Wilson, in one of his rarepress interviews earlier this quarter, remakredthat he “was not a public figure” and saw noobligations to “answer the questions of thegeneral public, or of the campus community, forthat matter,” he revealed a style of leadershipwhich has no doubt given rise to the protests nowbeing heard. There is no question that a privateUniversity, facing inflationary pressures, adisappointing enrollment outlook, and ainhospitable job market for many of itsgraduates, must at times make tough and un¬popular decisions in order to survive. None of theprotest movements, if they can be called that,have questioned the necessity for sacrifice in thecoming years. They are merely asking, each intheir own way, for a role in setting the prioritieswhich will determine the course of the Univer¬sity policy.The University of Chicago has traditionallyhad a strong commitment to the development ofinquisitive and ciritical minds.No one should be surprised then that facultyand students would direct their attention to theinternal affairs of the University with that samecherished spirit of inquiry.The Chicago MaroonFounded in 1902Editor: Peter CohnNews Editor: Dan WiseFeatures Editor: Jan RhodesSports Editor: David RieserPhoto Editor: Dan NewmanAssociate Editor; David BlumProduction Manager: Michael DelaneyGraphics: Chris PersansBusiness Manager: Niko MaksimyadisAd Manager Doug Mi lie''Staff:Tony Adler, Earl Andrews, N.S. Baer Steve Block, SteveBrown, Ellen Clements, Nancy Cleveland. Steve Cohodes,Lisa Cordell, Skye Fackre, Abbe Fietmen, Mort Fox,Philip Grew, Maggie Hlvnor, Joel Jaffer, Jerome Marcus,Tom Petty, Barbara Pinsky, RW Rohde. Rusty RosenClaudia Rossett, Adam Scheffler, Chuck Shilke, CarolStudenmund, Bob Wanerman, Sarah ZesnerThe Chicago Maroon is the student newspaper of theUniversity of Chicago, published Tuesoays and Fridaysduring the regular academic year The Maroon office islocated at 1212 E. 59th St., Chicago, Illinois 60637. Thetelephone number is 753 3263.4-The Chicago Maroon Friday, March 4,1977 Letters to the EditorPhilosophy studentsA copy of this open letter fromstudents in the philosophy depart¬ment to President Wilson wasreceived by The Maroon.Dear President Wilson,As the graduate students of thedepartment of philosophy, we arewriting to you to express ourdissatisfaction with the currentfinancial aid situation. The problemis simple: not enough money isallocated for financial aid in ourdepartment. No other majorphilosophy department in Americahas to make ao with as little aid aswe do; if this situation continuesundoubtedly many of the beststudents will be lost to other in¬stitutions. This will damage thestanding of our department in theprofession. The faculty shares ourconcern with the inadequacy ofUniversity support to graduatestudents.It is rumored that there areinequalities in the distribution of aidto the various divisions anddepartments. If this is so, thisunequal distribution should bereplaced by a fair one. If, however,we are mistaken in thinking that thedistribution of financial aid to thedifferent divisions is unequal, werequest that you dispel these rumorsby giving us information on thefinancial aid allocations of thevarious divisions. Specifically, toevaluate our situation, we will needthe following information,preferably tabulated by depart¬ment: first, the average amount ofaid per student in the department;second, the average among studentsactually receiving some aid. Fur¬ther, as to the source of the money,the percentage which is restricted tothis application. Finally, so that wecan evaluate the significance ofthese figures, we will need to knowthe percentage of the total budgetthat is allocated for aid to students inthe divisions.Further, as one way to increasethe amount of money available foraid, we suggest that the Universitybegin to employ graduate studentsin the humanities division asteaching and research fellows, as isalready done in other divisions.While it would not be appropriate forgraduate students to create or runcourses, they could assist professorsin ways that would contribute toundergraduate education, adding tothe number of people who would beavailable to aid the student, withoutinterfering in the relation of theundergraduate to the professor.Finally, we object to the ad¬ministration’s directive to thephilosophy department to offer adisproportionate amount — a fullhalf — of the aid it has available, toprospective first year students. Thispolicy has the effect of diminishingthe already insufficient amount ofmoney available to continuingstudents; thus some students arefaced with a painful situation inwhich they must discontinue thestudies they have begun. This policyis not in the long term interests ofthe University any more than it is inours.Your co-operation in dealing withour problem will be extremelyhelpful, and we await your answer tothis letter.The graduate students of thedepartment of philosophyKiddie stuffTo the Editor:When I picked up the article thatwas supposed to be about our bicycletrip I thought I was reading aboutSpin and Marty. Then I thought Iwas reading about the Hardy Boys.Then Nancy Drew. Then our nameswent up in lights with their made-for-TV ring. Suddenly I puked.What this kiddie stuff has to do with our bike trip I’m not exactlysure. For nearly three years wecycled through Latin America in anattempt to learn as much about thepeople and the countries as wecould. We weren’t seeking fame,material for a book, or televisioncameras. , ,,That some people see our “silverbicycles as tools of exploitation andimperialism is laughable. Nearly allLatin Americans were delighted tosee two North Americans who werewilling to leave their world of booksand comfortable homes, and hadenough interest in Latin America tospend three years sleeping on floorsand on tops of ping-pong tables.As for that caption (“They spokewell of the United States)”: It is ourcountry and we are attached to it.We don’t, however, speak well of theU.S. policy which supports theSomoza dictatorship in Nicaragua orother similarly disgusting govern¬ments. If the caption implied that wedo support such policies I’m ex¬tremely sorry.The Maroon article had itsmoments, and had it not tried to beso cute and slick it could have madea good storv. Unvortunately, as itwas published it comes off asnothing other than a piece of crassjournalism. Jack ForemanSpeakoutTo the Editor,I sincerely hope the letter callingfor a student speakout was an at¬tempt at sarcasm, if not I pity thewriters. Anyone who thinks that,“Most students see themselves asmembers of an academic com¬munity, not merely as payingcustomers” and cites as examples ofthis the “long and hard” work putinto MA3 and SG has either histongue in his cheek or his headbetween them. SG aptly demon¬strated the apathy of the studentbody by being elected by a minorityof the students, and bv pleading forpeople to fill us empty seats. MABsteals from the undergraduates togive to the graduates. In order tofully enjoy the benefits of the $4quarterly fee we must go to theevents, wait in line to pay somemore to do so, like the company ofUC students, and enjoy someoneelses idea of good music. The onlypeople who can enjoy all this are themusicians who get paid regardless,and the MAB organizers who canfeel good about bringing theirculture to dah poe slobs.For those wno come here to be inan academic community, I suggestthey live in Hyde Park, try to auditcourses without paying, attend asmany free lectures as possible,and look for intellectual stimulus inconversations at Jimmies. The pre-rofessional students in the collegenow why their paying tuition. Afterall what does a few hundred a yearin tuition mean to them in the longrun.For the seemingly ever dwindlingnumber of students who don’t wantto become body mechanics,shysters, or thieves a tuition in¬crease may be of serious concern.However, if you want to learn youhave to sacrifice. Anyway, it’salmost worth $6,000 a year to see thecampus radicals and SG liberalscompete with the Hyde Park dogs tosee who can put out more.One concrete suggestion is toeliminate MAB, and its twelvedollars.Adrian DiamondSamuel LevensonRoberto GuadianaCommercial blightWe all thought U. of C. was sup¬posed to be a not for profit in¬stitutionI’m not referring to the spirallingtuition costs, nor the price of books,nor room and board, but to therather unsubtle advertisements thathave appeared overnight on campus for a neat little disco-dance at theEffendi restaurant. Now, studentsshould be informed about weekendactivities around Hyde Park, but forthis unctuous and not very goodrestaurant to innundate the campuswith their unattractive flyers,posters, and even sheet-sized ban¬ners seems a little obsessive.Everywhere we look on campusthere is a commercial intrusion bythe Effendi restaurant into our quietacademic lives. In the library, onbillboards, on the first floor of CobbHall, in all the buildings on campus;in short, there are ads everywherefor this basically unexciting non¬campus event.Now, one asks, who is responsiblefor this offensive and annoying in¬festation of our campus. The answeris that this mockery of overkill isbeing propogated by a couple ofsecond-rate F.W. Woolworths ofHyde Park, the Rosenbergs, ownersoi the Effendi restaurant and theFrog and the Peach. I object to thisunpleasantly overt littering andcommercial destruction of ourcampus. Besides, who the hell caresabout a disco dance anyway; theRosenbergs must think this is thenear north side, or perhaps NewYork (should I say Long Island).These ad tactics are wasted in HydePark, and they’re ugly as well.If other advertisers in Hyde Parkfelt free to employ these tactics, ourcampus would be literally spewnwith leaflets, flyers, posters, andsigns selling the wonders of anevening of fun at the Tiki Lounge,The Cove, or Jimmy’s. The residentsof Hyde Park can find their ownentertainment without the insidiousintrusion of the Rosenbergs. We’llthank them to discontinue thisuseless and overt advertising tactic;they’re ruining our minds, offendingour eyes, and littering our campus.— Max CousinsReporter respondsTo the Editor:I’d like to respond to the letter inThe Maroon on Friday, February 18,by Gene Szullita and Michael W’eisschastizing me for “distortionspresented as journalism” and“bordering on the criminal.”It seems that although one of thesetwo men now attends ColumbiaSchool of Journalism, both Mr.Szullita and Mrs. Weiss are in soreneed of reading, if not writing,lessons.These two alumni have made ahuge error in recognizing the formatof The Maroon. In the Tuesday issue,the front page is reserved forstraight news and news analysis.The inside pages, however, alwayshold feature articles in which thewriter may step forward and statean opinion.Perhaps the Maroon is guilty of aneditorial mistake in not printing aqualifier like Opinion of Forumabove the Pro-Life article. However,we do, and perhaps we do somistakenly, trust the intelligence ofour readers to discern the nature ofthe articles we print. If the title“Pro-Lifer Decries Abortion’’coupled with the obviouslyjudgemental kicker “Abortion — HeWouldn’t” was not enough of anindication that the article to followwould take a point of view, would aqualifier have driven the pointhome?The article was meant to take apoint of view; Mr. Stygar was awareof this at the interview. Apparently,my view was well expressed to haveprompted so venomous a letter.By the way, a first rule of jour¬nalism; find out the gender ofsomeone before writing about them— It’s Ms. Fletman.Abbe FletmanThe Chrcago Maroon's Weekly Magazine of Criticism and the ArtsSpringsteenHis PromiseBy Jeff Makos"Here's one for the lost and lonely souls.'— The PromiseYou've got to be from the streets to understand Bruce Springsteen. Not that all theyoung jukes at the Auditorium last Wednesday really were; they were there to see ifThe Boss still had it in him to be the future ofrock ' roll, and they got a rock show socarefully crafted that it was hard to believethat Springsteen's been doing the same actfor the last few months.But the street still matters. The audiencewas split between young James Dean clonesand older working class heroes. Not thatthere is a conflict between the two groups -Springsteen's romanticadventures appeal to those inand out of the teenagewasteland.Springsteen's romantic adventures appealto those in and out of the teenage wastelandbut it raised doubts about what the EStreeters are trying to do on stage, and howmuch they are really getting across.Because as much as the spectacle of theshow and the brilliance of the groups'recorded sound brings a smile of satisfaction to even the most jaded rocker, thebackstreet echoes of Asbury Park, USA,haunt even the lightest of Springsteen'ssongs, turning that smile into a cold stare atthe world of losers he represents. The manpresents an image, a mythic creation appealing to all parts of the Rock world. Thatthere were many older listeners showed that KeepsSpringsteen appeals more to those who haveseen the cold world of the Jungleland than tothe high school voyeurs screaming for"Blinded by the Light." And this year'sshow seemed aimed at the "lost and lonelysouls" that Bruce sung about in a new song,"The Promise."The show was basically the same as theone he brought to Chicago in late 1975. Butthat show was lighter, full of the energy of aTime /Newsweek cover boy who's got theworld on a string. This year's edition wasstill magnificent, with a power andprecision lacking in the sagging seventiesRock era, but behind the mannered stylewas a desperation. Maybe it's his financialtroubles; but all his jumps into the audiencecouldn't hide the fact that Bruce is atroubled man.The songs were mostly from Born To Run,with three new songs and a slow version ofBo Diddley's "Mona." The show on a wholehad an intense edge to it, like a junkiewalking down the cold Asbury Park board¬walk. One of the high points of the two hourset was a stunning version of Eric Burdon's"It's My Life." Kicked off by Miami Stevevan Zandt's feedback wails, Bruce began along rap about his early days, parentalproblems, "searching for his father in thedarkness." The band was driven andSpringsteen was possessed. Getting up nightafter night to do this Stanislavski breakdown might just do the man in. He laterraved during "Backstreets" with a PattiSmith-styled rap about God's promise tohim that he would "blow this old town intothe sea," and ended by screaming, "YouLied!"Tense material, even for a schizoid rockerwho acted like Tina Turner's bastard son onsoul songs like 'Tenth Avenue Freeze out,"strutting his stuff like the new JamesBrown. Which is the real Springsteen? Theconfused adolescent of "Spirits in theSpringsteen: sitting in the back seat of a borrowed car, his illusions of innocencegone, and maybe even the joy of Rock 'n Roll. Night" or "Thunder Road," or the soul starwho walked out at the end of the last encore,leaving his band to play on after his exit? In'75 he rapped about joyous events: theforming of his band, his shy love for a prettyflamingo down the street. This year he sang"The Promise," and although this beautifulslow tune was immediately followed by therocking "Quarter to Three," on which Brucesings "I never had it so good, you know younever could," the haunting message of "ThePromise" belied this confidence.The song is about a car, "TheChallenger," into which he's put his entirelife. He later has to sell it, sits drunk in theback seat of a borrowed car, after watchingtoo many movies, living the lives of toomany illusory heroes, admitting to himself,(and the 4000 seat crowd) that his illusionsabout innocence are gone, and maybe eventhe joy of rock 'n roll. Maybe even the joy ofthe street life he espouses are gone. But heends the song on an optimistic note, singingabout how he has to "keep on dreaming,then rocking out with "Quarter to Three,"keeping the image alive.There were a lot of people in that audiencewhose hopes and dreams were riding withSpringsteen in the back of that car, peoplewho know the pain of too many sleeplessnights, too many dreams about a past that's gone, aoout a future that may never be asgood. And regardless of his ability tomanipulate an audience, he can't keepmining the same punk image. As hisaudience ages, Springsteen will have tomature, and he is. The concert seemed to bea promise that his Rock 'n Roll vision willremain intact.One brief moment stands out from thelong set: "Thunder Road" is ending andBruce careens out in front of the PAspeakers to get closer to the right hand sideof the crowd. But he stops, and as the banddrives the number home, he leans againstthe PA, revelling in his own sound.Egotistical? Maybe. But it was more personal and revealing than all his jumps intothe audience. It was as if he wasreawakening his rock 'n roll soul in amoment of awareness that he had actuallymade it. And each one of the audience'ssurvivors were there with him, not denyingthe man's moment of glory, because if hemade it maybe they can make it too BruceSpringsteen knows that, however much heplays the rock star role, and howeverplanned he becomes, if he loses touch wi+hthe street, he will lose himself. It will beinteresting to see where he goes from here.He's an exile on Main Street, but theBackstreets remain to be explored. Andconquered.Soap Operas: the Continuing Saga ExpandsBy Karen HellerBeware: An addiction to soap operas ispowerful.Case History: During her four years incollege, a senior at the University of NewMexico had scheduled her courses aroundAll My Children. One day she and about onehundred other regular viewers were watching the soap opera in the Student Union,when an employee at the University cameup and switched the channel The studentsrose up in anger. Racial violence ensuedbetween the employee, who was black, andthe senior, who was Chicano. That sameday, the senior went to the office of theProvost and protested the employeee'sactions, threatening to organize a coalitionof All My Children viewers which wouldtake action against the administrationunless their rights were respected. The Provost complied with the student'sdemands and the next day a guard waspermanently placed on duty beside thetelevision at 12:30, the time All My Childrenairs in New Mexico.As confessed four weeks ago, this writerhas of late joined the group of emotionaldependents who-chose Ryan's Hope and AllMy Children as their poison. Previouslyattempting to purge myself of this modicumof sin, I had avoided noon time television bydevoting myself to scholarly pursuits. Butmy dedication and diligence were onlyrewarde y evening inculcations of thesame stuff The soap operatization of nighttime television, commercial film andpopular fiction assured me that I was* not atall alone as I had once believed, but insteadhad joined the ever enlargening circle ofrespectable and loyal soap opera fans. Once I came to this realization, I began totake pride in my habit and fellow addicts. Asa popular type of melodrama, I deemedsoap operas a viable art form. If Irwin Shawmade commercial soap operas, wasn't itpossible to assess Robert Altman as thecreator of artistic ones? If Harold Robbins,then why not E. L. Doctorow? And if Altmanand Doctorow were respectable creators inthis genre, then weren't D. W. Griffith andJohn Ford to be revered as its masters?Hence what had begun as a small, butnevertheless sinful indulgence hadblossomed into an empirical vision of soapoperadom in which all the world's a continuing drama.A comparison between television and filmis an obvious and natural one. Therehearsals and the repeated takes, theediting and the music, help to create pohsnea, permanent products. The spontaneous, often improvised, acting ontelevision or in film makes the events appear more realistic. The swiftness and unityof the action, greatly aided by the freedomof the camera to focus our attention on animportant action or reaction, makes filmand video tape the best medium for soapoperas.The soap opera genre is evident in currentcommercial films, particularly in disastermovies. But this is not a recent developmentin the industry, nor is it solely a part of themoney making end of it Highly respectabledirectors like John Ford and D W Griffithmade films with several characters andtheirproblems in a community, period, or athemeFord's Stagecoach (1939) focuses on thelives and problems of eight differentcharacters Here are the models for thelater inferior imitations; the prostitute withthe heart of pure gold, the drunk doctor, the(continued on page 9)The Grey City Journal-Friday, fTlafch 4, 1977-1The RumprollerAntisocial Munnurwith a two bar coda, or another addedIs this the real Don Cherry?Don Cherry, Horizon (A&A1 SP 717) with:Don Cherry, Bitty Higgens, Charlie Haden,Frank Lowe, Ricky Cherry, Bunchie Fox,Verna GUI is, Moki, Hakim Jamil.Ornette Coleman came riding out of thewest, and one of the many wonders hebrought with him was a young trumpetplayer named Don Cherry. The kid hadgrown up copping Clifford Brown licks likethe rest, but had given up the glamor ofsearing eighth-note runs for the new music.As far as the trumpet was concerned, formany years Don Cherry was the new music.On his little pocket trumpet he would weaveintricate melodic solos in the way of themaster, Ornette.With all the false historiography going onin those years if was inevitable that Cherrywould be compared to the young MilesDavis. Those who favored the comparisonoverlooked the fact that Cherry had his ownsound, and his solos were not just complements to Ornette's, but additions.After he left Ornette's band Cherry wentout on his own. He played with the New YorkContemporary Five, one of the great bandsof the era, and made records as a leader, thebest of which are Symphony for Improvisersand Complete Communion.Then one day he took off for foreignshores, and all the news we got were pic¬tures of the kid, older and wiser, with no pocket trumpet in sight, just tiny woodenflutes and bells.In retrospect, and with the release of thisnew album, the work that Cherry did afterhe left Ornette was not realty his own. Hewas still heavily influenced by the style ofhis former master and it took the triparound the world, the mantras of India andthe chants of Africa, to free him completely.In the packaging of this album there is aheavy emphasis on Cherry's thirdworldliness Stanley Crouch, wno wrote the.»iner notes, pulls this one out of the air:"Don is now looked on as one of the fewcontemporary musicians who knows non-western systems from the inside rather thanethnic records." I'm pretty sure that thepeople who are doing this sort of looking atDon Cherry are not from Chicago. Our ownlocal musicians have been the kings of third-wortdliness for so long, and with suchbeneficence, that it is going to take morethan a couple African riffs to dethrone them.In the fifties it was very common in hard-bop bands to hear a theme in 3/4 or perhaps complexity. But you could be damn sure theminute the solos started the beat would shiftto 4/4, the coda would be dropped, and you'dbe hearing straight bebop. This is whatCherry does with his third-world music. Apiece starts with some nice African chant ormantra (take your pick) but by the time themusic gets going, we're listening to EddieHenderson. I don't mean to imply the musicisn't good, it's a fairly listenable album. Butanyone who would put up Cherry as one ofthe leaders in jazz, a great intellect of themusic, would have to be off his rocker.There are a lot of musicians in jazz whoare great as sidemen, playing other people'sconceptions, but can't lead a group of anygreat stature. I'm sure ot offend someone ifI start naming names, I'll leave it at a fewclear examples: all of Miles' sidemen savetwo, and all of Coltrane's sidemen.To get oack to the record at hand: themusic is interesting but not very good for amore serious reason than those alreadyhinted at. Be warned! what follows is adiatribe.No one has convinced me to this day thatthere is anything constructive in awesterner practicing meditation. Aspracticed by the sillies in Hyde Park andacross the country, it basically entailsemptying your head, ridding it of all thetension which exists between an individualand his environment, until you are left witha murmer of perfectly reposed feelings: anantisocial murmur. Cherry has obviouslybeen deeply affected by meditation. Hismusic sounds a lot like what's left whentension goes. He uses rhythm as a dronewhich penetrates without being noticed. Theonly improvisation is short bursts andphrases repeated over and over until theytoo penetrate without being noticed. Theoverall affect is a murmur of de sensitizedfoam.The question I pose is ; What good is such amurmer in an art form which derives itsessence from a tension release motif? Thecop out has become very popular in theseventies; like, "I'm tired of all this complex music, I'd just like to hear a peacefuldrone for a while." But running away is noanswer, especially when the thing that'sbeing run away from is the very thing thatmakes our culture tick. This record shouldbe very popular with the catatonic ... or is this the real Don Cherry?generation, those who deluge themselveswith stimuli until they can no longerrespond, those who party until they get sohigh they can't move. Granted it is acomplex age with tensions getting greaterday by day, but that's no reason to overlookthe present reality in favor of the swan songof a swami.The reaction to Cecil Taylor's performance Saturday night is a case in point.All I've been hearing for a week since theconcert is, "It was just too intense " "I gettired of a man banging the piano for twohours." Now these people who live in anenvironment which sends hundreds runningto student health, which causes masshysteria and permanent insomnia, aretrying to tell me Cecil Taylor was no goodbecause he screamed for two hours? Ifanything, he didn't scream loud enough andlong enough. What do you want to ac¬company your sabbatical in a society on thebrink of insanity, the Greatful Dead? Thiswill be my last review of music catering tothose interested in a return to the womb. Asa friend of mine would say, this is not thetime or the place for pussy shit action.(Conclusion)Improvisation is a tool of refinementan attempt to capture "dark" instinctcultivation of the acculturatedto learn one's nature in response togroup (society) first hearing "beat"as it exists in each living organism.Copyright 1973 by Cecil TalorRunning away is no answer, especially when the thingthat's being run away from is the very thing thatmakes our culture tick.•••••••••••••••••••••••••••••••••••••• •• •A TIME CIGARCOMPIFTIS TOUR DINNERTHAT TOURS!IfAMO TOUR GUESTS .1$THE OMIT ONE OF IT'S KIMD IN THE H P. AREAAt Harper Court Shopping CenterSTM*.HarperC- 7 HI StSTpipe^Shopw BEAT INFLATION SALE7ht \Jnt Prices of Tokamine Guitars andHohnerHarmonicas have gave up. To helpstretch your budget, well sell mostmodels at the old prices throughMarch.Shop qill© S HarperMl Horptrmi-taae ^/Buy Now and SAVE!2-The Grey City Journal-Friday, fTlarch 4, 1977On the Case with Lukacs LeBagCecil Taylor: Music Minus Zero, No LimitIf you woke up Sunday and noticed somesnow on the ground, it fell during a fairlysevere flurry that lasted about half an hour,starting at two in the morning. It wasn'tquite your classic blizzard, but it wascoming down and whipping around prettywell for awhile. We were walking homefrom Cecil Taylor's second set at theNightclub during that time. I hardfy noticedthe weather. The snow was nothing compared to the storm of music that came out ofthe Cecil Taylor Unit.I, of all people, should have been preparedfor it. I have several of Cecil's records. I hadeven studied music with a former memberof his group and played similar music to hisin several ensembles during my preChicago days. Admittedly, I'd never actually heard him in person (for a non NewYorker, that's no great sin, as he is rarelyable to get out into the real world fromManhattan), but still. . .I'm an old man, andI'm supposed to be beyond using ex¬pressions like "mind-blowing" and "farout." I shouldn't be walking around tellingpeople things like: "It was 2001 for theears," "How do so few people make so muchmusic?", and even "That was the heaviestthing I ever heard." Anyway, suffice it tosay that I was profoundly moved and maybea little bit scared by the performance.I have talked before about there being an"edge" to jazz: at least some tension isusually present in the rhythmic patternsand variations, in the use of dissonance, andin the often aggressive approach of themusicians.During the 1960's, the "new thing" tendedto emphasize the tension building aspects ofthe music to a much greater degree thanbefore. Coltrane had paid his dues instraight ahead hard bop, and thereforegained fairly widespread approval for hismusic, but Cecil Taylor and his con¬temporaries went directly for the outerlimits of intensity and aggressiveness. Formany, the music became unlistenable andwas regarded as a downright threat —which was fine with the musicians, whowere tired of having their art treated astitillation. Nonetheless, there was a veryhigh frustration quotient in creating musicthat was at the same time avant-garde andin the vital Afro-American tradition — not tomention the aggravation inherent in at¬tempting to find outlets for that music. So,the attempt at a 1960's free jazz "synthesis"seemed to have gone by the boards, exceptfor the important and often brilliant work byAACM related musicians. The survivors ofthe 70's seem to have largely settled into thelanquid groove of CTI/UA/RCA/ITT Disco-Fusion Electronixx, Inc. (cf. Gato Barbieri,Pharoah Sanders, Lonnie Liston Smith etal., and today's "Rumproller"). But Cecil isstill going right after the tension.When you learned your elementaryFreud, I'm sure the teacher drew a head onthe blackboard showing a brain with threelayers: the good old superego, ego and id.Cecil seems to want to bore right in throughpeople's minds to that id level, where theforces we can't control start to come out.Other music may occasionaally reach thesame level of intensity as Cecil's, but onlyafter long build ups, and, usually, after aclimax, the playing reverts to the old level— or wanders off aimlessly. Like most men,at least, one climax at a time is enough.But Taylor, with his knowledge of the Black music tradition, his percussive approach to the piano and his mind bogglingtechnique, can sustain a climax and ac¬tually manage to base most of his music onthat peak intensity. The groove isestablished in a musical fourth dimension,where speed, duration, and harmonic andmelodic relationships don't seem to exist inthe usual ways. There was no let-up, noslack time or spaces or slowdowns to allowone to collect one's thoughts and draw backfrom the intensity. Listening to them was anexhausting experience; I left feeling asthough I'd been pushed past a musical limitI thought I wouldn't ever exceed. As I saidbefore, I have devoted some effort to seeinghow far I could go with the 60's jazz thing,and I had more or less given up on it. ButCecil and his group haven't, and in a sense itwas a triumphant musical evening, becauseit was the first time (maybe since I sawPharoah Sanders while he was still playingserious music in 1970) that I'd heard the"new thing" paradigm actually work, andnot bog down in mere bombast or atonaldoodling.After two minutes of the set, the acereporter put his notebook back in his coatpocket, and, as a result, is hard pressed tomake too many particular comments aboutthe evening. The totality of the "unitstructure," after all, in Taylor's music,takes primacy over individual licks. But there were five strong and distinct musicalpersonalities on the stage that night, and alldeserve some recognition.It was amazing to learn that Saturday wasBeaver Harris's first performance with theUnit: the communication between drummerand pianist is essential to the music, and itwas very active here. His use of malletsthroughout the set, while perhaps limiting,was nevertheless effective in establishing alower-range sound level in the absence of abassist. Tenor saxophonist David Waredrove straight ahead and over the top of themusic with repreated, full power riffs a laSanders, while his counterpart on alto, thegreat Jimmy Lyons, buzzed around, out¬flanked, and complemented his longtimealter ego Taylor with great imagination.Raphe Malik, on trumpet, while notpossessed of great range, nonetheless usedhis excellent, sharp attack and cleanphrasing to great effect. He stood in markedcontrast to many muddy brass players. Wesaw and heard Cecil in his ac¬companist/energizer role for well over anhour oefore he took a solo; one can forgetthat he is more than a pounder on the piano,that he is possessed of great melodic, as wellas r hythmic, prowess. His playing can be asinventive as Garner's or Peterson's, oranyone's; he's just in a different frame ofmusical time and space.Taylor, with his percussive approach to the piano andhis mind-boggling technique, can sustain a climax andactually manage to base most of his music at peakintensity.Cecil Taylor Von FreemanCecil, in A.B. Spellman's memorablepiece about him in Black Music: Four Lives(Schocken Books), had this to say about acouple of singers: "I saw this white Britishsinger, Petula Clark, on television and shewas singing 'Downtown', the tune she madeit on. Like, it was very humorous becauseshe was screaming and she was trying tolook composed at the same time. But whenJames Brown goes into his thing, he goes;it's a complete catharsis He goes. Everyfucking thing goes and there ain't no holdingback." Such was the case in Cecil's set,without shucking and jiving. And it made alot of people uncomfortable. Most of usplace a great value on holding back, keepingsome emotion in reserve, even in ecstasy orIn despair. But tension has to be let out, andCecil Taylor showed the limit of catharsis inmusic. Even in the laid-back atmosphere ofthe Nightclub, there's a lot of Baudelaireanspleen around; the Cecil Taylor Unit had theinsight to pick it up and fire it out throughthe piano, drums, saxophone and trumpet.Most people don't like to be told that it'sthere, especially in such an explicit manner.In terms of musical expression, maybe, inthe long run, the suggestion of tension ismore effective and valid than its overtrealization. Noentheless, Cecil Taylor is avital man to have around, if only to remindus not to make like Petula Clark.Von Freeman said something veryrevealing to the audience after having in¬troduced the rest of his group: "Up herewith cats like these, I feel completely free.You know what that means to a man of myknowledge and wisdom: I can do anything!"After having said that, he proceeded to setthe tone for the rest of the evening byplaying perhaps a little bit more than mostpeople might have wanted him to play. Evenon ballads, Freeman took his beautiful ideasa little bit "outside," forgoing the obviousresolution in favor of something unexpectedin the upper register of his tenor. On hissolos, the wonderful Young John Youngstayed in a more familiar bebop groove and£ received a better reception from the people% than did the leader. Von kept everyone offu balance with his raps and much of hisS playing — much moreso than he usually^ does. The set was dedicated to Cecil Taylor;7. in making this apparently trite gesture,g though, he was setting us up for what was too follow. The musicians are free; they can do£ anything — but it might not be what youexpect.RIP-OFFAUTO REPAIRFOREIGN CAR SPECIALISTSSERVICE ON VW & AUDIWe Offer Top-Quality Mechanical ServiceTune Uds * Electrical * Brake SystemExhaust System * Othef Repa r?Conveniently Located at5508 S. Lake Park(Gateway Ga’age Bldg -Downstairs)Monday Saturday. 9am 9pmCAIL684 5166 With This Ad OnlyLots of used office furniture just in, includ¬ing: desks, chairs, file cabinets, tables,sofas.Drawing Tables $65EQUIPMENT&SUPPLY CO.S600 Commercial Ave.Open Mon.- Sat. 8:30- 5:00RE 4-2111 ROCKEFELLER MEMORIAL CHAPELSUNDAY MARCH 69 A.M.Ecumenical Service of Holy Communion11 A.M.University Religious ServiceE. SPENCER PARSONSDean of the Chapel“TAKING JESUS CHRIST SERIOUSLY”4P.M.Organ RecitalROBERT ANDERSON, Chairman of the OrganDepartment. Southern Methodist University.Dallas. Texas; works of J S Bach, RegerToumemire. Messiaen and DupreWithout ticket and without chargeThe Greg City Joumal-Fridoy, (Tlafch 4f 1977-3Young Onsigns byELIZABETH GORDONHair DesignersI 6 / 0 L 5 3rd S‘y8 o ;^ooTWA Charters.if you can t get a seat,it s becauseyou've waited ** *4-The Grey City Journal-Friday, fTlarch 4, 1977 a J3 SALES withservice is our l*<P BUSINESSREPAIR specialistson IBM, SCM, §>€ Olympia & othersFree Estimate\ Ask about ourRENTAL with *n option to buyNew & Rebuilt AK Typewriters0J CalculatorsDictators *p AddersU. of C. Bookstore $VY 5750 S. Ellis Ave.753 3303MASTER CHARGE, Yoo6 BANKAMERICARD Va U C A " H +EYE EXAMINATIONSF AHSHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(SB Kimbark Plata)1200 East 53rd StreetHYde Park 3-8372TAKCAM-MMCHINESE AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOKN DAILYT1 A.M. TO t:30 P.M.SUNOAYS AND HOLIDAYS12 TO *30 P.M.Ot4t% to taka out131B last 43rd MU 4-1062Dorothy SmithBeauty Salon5841 BlackstoneHY 3-1069ooen 7 A M -7 P M.Men thru Friclosed SaturdayHair Cutting Wedgies - etcTinting - Bleach.ng Permsonly the besfCall for apptBAMWMAAMIMMAMICARPET CITY6740 STONY ISLAND324*7996fos what you naad from► 10 usad room size Rug toustom corpat. SpacioTizinn Remnants ft Mill returns,o froction of the originalost.•coration Colors and'alitias Additional 10%,iscount with this od.FREE DELIVERYTWA Charters toLas Vegas and Londonare filling up fast. Nowonder. You get thetremendous savings of acharter flight and thedependable service of ascheduled airline.Charters to London start in May. To get on youmust reserve at least 45 days in advance. But if youreally want to go, act now. At just $349 round trip,seats are going fast.To Las Vegas you get round-trip airfare plushotel accommodations for not much more than thecost of a regular Coach ticket. Flights are leavingnow. Just book at least 15 days before you plan to fly.Because of government regulations, TWAcannot book you directly. You must makereservations through your Travel Agent or a charterM organizer. own college charter,write: Manager, TWACharter Sales, Box 25,Grand Central Station,New York, New York 10017For more informationjust send us the coupon.TWA Charters to London and Las Vegas.Flights are filling up fast. So get moving. If you can’tget a seat it’s because you’ve waited too long.I TWA ChartersBox 25Grand Central Station, New York, New York 10017Please send me more information on TWA charters taLondon □ Las Vegas □When do you want to go?For how long?St udent TeacherNameAddressCity OtherStateMy Travel Agent isBeing the best Isnt everything, its the only thing:TWA CHARTERS*A lot of Character in A Little Night Music9TheaterBy Mike SingerStephen Sondheim's A Little Night Music,which has settled into Reynolds ClubTheatre for the next five weekends, is abitter-sweet musical based on Bergman'sfilm Smiles of A Summer Night. Set inSweden at the turn of the century, the storyis about revolving adulteries and amorousfrolics. The three-four time waltz music, theclever lyrics, the choral quintet, the elegantcostumes and the sensual set all work todefine the work as carefree and sweet, in thetradition of light opera. Yet, lurking beneaththis refined, well-crafted surface is a bittervision; as the lovers intermingle with oneanother, searching for their proper mates, itbecomes apparant that their coquettishglances, perfected poses, and refinedgestures are transparent veils that coverhollow lives. Madame Armfeldt, a statelydowager who invites the lovers to hercountry villa, remarks that "solitaire is theonly thing in life that demands absolutehonesty". When her philosphy of cards isconsidered in terms of human interactions,one is hard put to invent an epigram thatwould be quite so witty; most of thesecharacters dread being by themselves, letalone honest to one another. The lovers areconscious of and threatened by time and agewhich will finally entrap them all. The nightsmiles only three times — on the young, themiddle-aged, and the old — and then itsmiles no more.One of the most striking things aboutSondheim's musicals is the mixture of bitterwith sweet. Company juxtaposes the joys ofmarriage with the fear of loneliness, andFollies celebrates the allure of glamor whilechastising its superficialities. Sondheim'smusicals are thought provoking as well astheatrically entertaining; his works haveled the way toward a new age ofsophistication in America's musicaltheatre. Sentimental love songs, trite plots,and star vehicles are on the way out.Diverting spectacles and elaborate phan¬ tasmagoria, as the recent Broadwayfailures of Hellzapoppin' and 1600 Penn¬sylvania Avenue attest to, are no longer thesole reasons Americans go to musicals.University Theatre is to be congratulated,above all else, for deciding to produce amusical as significant as A Little NightMusic.Under the direction of John Tsafoyannis,the production is well paced, sensually-evocative, and for the most part, performedwith grace and style. Working in the smallspace of the Reynolds Club stage,Tsafoyannis has managed to impart awonderful fluidity to the panorama ofscenes. In general, he has played down theegotism and grand, romantic gestures of thecharacters one remembers from theBroadway production. His conceptionheightens the characters' humanity, butdiminishes their affected nobility. In places,the artful cunning is perhaps temperedmore than it should be. Nevertheless, theevening contains many memorable per¬formances.Annette Fern, as Mme. Armfeldt, usessensitive timing to punctuate the wit of herworldly wisdom. Peter Syversten, playingher butler Frid, is strikingly emphatic in his brief scene with Petra. John Salewski issimultaneously diffident and comical asHenrik, Dave Durham has a relaxed stagepresence proper to his urbane characterFredrik. Robert Behr is appropriatelysevere and pompous as the Count, andSarah Garwood delivers her lines with thebiting innuendo her role demands. BeccaHozinsky, Victoria Goldfarb, and AltheaWatson are all good in their roles. Pat Prinz,as Desiree, was disappointing; her problemis more of a matter of direction than talent.Desiree is a stage actress and a bit of afemme fatale. Although certainly notBernhardt (sheonly plays in the provinces),Desiree should have some of the af¬fectations and broad, romantic gestures oneassociates with actresses of the period. Oneremembers Glynis Johns' throaty voice andnarcissistic manner from the Broadwayproduction and finds little hint of it here I'mnot urging imitation; I simply think that ifMs. Prinz was allowed to make fuller use ofDesiree's acting skills her artfulmanipulation of various lovers would seemmore plausible.Much of the acting is intermingled withsong and Frid is the only character whodoesn't sing. As for the voices, the chorus of liebeslieders deliver the most uniformlymelodious strains of the evening. Musicaldirector Lourin Plant has also modulatedfine musical deliveries from John Salewski,Dave Durham, and Victoria Goldfarb. Onecould justify Althea Watson's small,childish voice as fitting her ingenuecharacter and Robert Behr's rough deliveryas appropriate to the gruffness of CountMalcolm. Yet, this is a musical.Maureen Melville's set, consisting oflayers of pastel colored satin drapes is afunctional and aesthetic triumph. The setallows fluid stage movement and evokes amood of romantic sensuality and elegance.Curtis Flower's stylish costumes are appropriate to both characters and period,Jim Lichtenstein's lighting is subtle, andJohn Tsafoyannis's choreography is as goodas one can get in the small space. Besides anobtrusive trumpet blare in the final scene,the orchestra is very well synchronized withthe stage action.All things considered, University Theatrehas mounted a very good production of avery worthwhile musical. Ticket in¬formation and reservations can be obtainedby calling 753-3581.Robert Behr, Gave Durham, and Sarah Garwood in A Little Night MusicSPIN-ITSPIN-IT1444 E. 57th St.684-1505store hours: Mon.-Sat. 10:30-8:00Sunday 12:00-6:0QThe ENTIRE D.G. stock is on sale$7.98 List L.P.s.. $4.9 Sale PriceAll Multi-Record D.G. setssimilarly reduced.Sale extends March A thru the 17th SALE ON GREATCLASSICAL MUSIC Psychoanalytic PerspectivesLecture Series Co-Sponsored byThe University of Chicago Extensionandthe Chicago Institute for PsychoanalysisBruce MazlishProfessor of HistoryHead. Department of HumanitiesMassachusetts Institute of TechnologySubject: Psychoanalytic Theory and History: Groups and EventsDiscussant: John Demos, professor of History. Brandeis UniversityMarch 9 • Wednesday • 7:30 PMLaw School Auditorium1111 East 60th StreetTickets: Students $3 • General $57533137 / or at doorATTENTION SOPHOMORESThe deadline for ASHUM applications hasbeen extended to Friday, March 11. Forinformation, stop by Harper 996 or callThe Grey City Journal-Friday, march 4, 1977-5and ^Aamde^ "iVorJcA Au,dfta/iann <$ewman ^/cdvei/n a/nddfloAiann ^feAa&Uan @$acAd^ ^dni\ier£itys d d)Siic<i<j{/) ^olle^uim dAuMcu,d&and d)k(Lfid - #^mdau 9f ^/unday 4 d6 <y(tanrJi, S:SAVAILABLE NOW AT HEAR HERE RECORDSE EI |E E2833 N. Broadway, Chicago4016 V2 Cicero, Chicago609 Demster, EvanstonI Ifl(lllllllllllllllllllllf|{||lllllllllllll!lllllllllll!ll!lllllltlllllllllllllllllllll!lllllllllllllllll!ll!l!lllllllll!llllll||||||||||||||||||ftllll|||||||!f(*|“Born to Run’/ ‘The Wild, the1 Innocent &theE Street Shuffle”I and “Greetings From AsburyI Park.”| All on Columbia| Records and Tapes.Dance_By Eden ClorfeneAmericanBallet TheatreCynthia Gregory strikes an attitude in "Swan Lake"The star-studded American BalletTheatre will appear at the Opera House onMarch 15 thru 20. Though MikhailBaryshnikov and Natalia Makarova will bemissing from the ranks, this year's mainattraction is the return of Cynthia Gregory,probably the greatest American dancingtoday, from her sudden retirement twoyears ago.Ever since Baryshnikov joined ABT threeyears ago, the company has been enjoying aresurgent, almost fanatical, interest fromall over the world. Before Baryshnikov'sdefection from Leningrad's Kirov Ballet,ABT could not possibly fill the AuditoriumTheatre. Now that its roster can boast of theman whom everybody considers to have farsurpassed Nureyev, the company hasmoved to the grand old Opera House, andwhen he or Makarova are dancing, the onlyavailable tickets are scalper's.ABT's immediate fame is somewhatundeserved, because it is still essentially thesame company it was before it had an op¬portunity to sweep the Soviet stardust offthe stage. The management, not whollysecure with the company's offerings beforethe arrival of the Soviet defectors, usedtheir admission as a way to gain publicattention. The American dancers, no doubtfelling American Ballet Theatre had grownto be a misnomer, were quite unfairly up¬staged. It was one of the reasons forGregory's retirement. The truth is that if anything was lacking inthe B.B. (Before Baryshnikov) era, itcertainly wasn't dancing talent. Gregory isabsolutely phenomenal, a once in a lifetimetriumph of technique and artistry. AndSallie Wilson, Fernando Bujones, Terry Orr.and Martine van Hamel — to name a few --were in no way anything to be ashamed ofWhat ABT really ripeded all along was a livelierrepertoire.The repertoire, though extensive andvaried, gave no indication of a clear artisticdirection. ABT was, and still is, the only trueAmerican vanguard of the Europeannnlletic tradition, harboring all the fulllength classics like "Giselle" and "SwanLake," as well as works from the Diaghiievcompany, like "Petrouchka," and "LeWhy RostropovichCan’t Sleep NightsBy Richard BrownDaniel Shafran, in his first American tourin eleven years, performed a concertsponsored by WFMT at Orchestra Hall lastweek, apparently in order to prove that he'sone of the world's greatest cellists. Fewcellists can say that they've played all fiveof the Beethoven cello sonatas, much less allin one evening, but the Soviet cellist playedall of them and part of a Shostakovichsonata in a grueling two and a half hourconcert. No one left unimpressed.As my companion noted, Mr. Shafran isan intense performer, and the performancewas exciting because every note he playedcould be felt. He drew a deep, sensuous,singing tone from the 1630 Amati (which hewon at the age of fourteen in the USSRnational cello contest), that at times gaveme goosebumps. Another thing that impressed me about the cellist and his pianist,Anton Ginsburg, was their sensitivity to themusic's many changes of mood. Very oftenthey became suddenly violent in the midst ofa calm, which is characteristicallyBeethovenian. It was obvious that the cellistwas concerned with more than virtuositybecause his tremendous technique was usednot to impress, but to better express whatwas in the music.The duo worked very well together. Thenensemble work was very tight, which wasremarkable because of the Beethoven cellosonatas have such a high degree of interaction between the two instruments, andboth parts are virtuosic. There were norough spots. Beethoven's cello sonatas are worthlistening to if you're not familiar with them.The last three are among his best works,and the first two are also extremely good.The latter, the Op. 5 sonatas Nos. 1 and 2,feature the piano more than the cello, fallinginto the composer's earlier, more classicalperiod. When they were written in 1796, theywere quite innovative for the time, givingthe cello an equal musical voice rather thana primarily accompanying role. The firstmovement of the Op. 5 No. 1 exploits the lowtessitura of the cello very effectively, but ateighteen minutes it seems a little too long.The Op. 69 sonata in A Major (written in1807 8) is from Beethoven's middle period,and is probably the most popular cellosonata. There are three movements, whichadds a lively middle scherzo movement.The first movement exhibits Beethoven'sgrowing romanticism and use of operaticdrama, with frequent cadenza like passagesfor both instruments, and the lastmovement explores the high range of thecello Also notable is the increasing tendency toward interrelated movements. Bythe time of the Op. 69, Beethoven knewbetter how to write for cello, and this pieceis a true duo sonata with equal parts of eachinstrument.The two Op. 102 cello son;.fas were written in 1815, and are fine examples of the com¬poser's later, more romantic style. Myfavorite of the group is the No 1, which isalso the shortest of all the pieces. Thebegginning slow sections of both movementsare well-suited to the lyrical qualities of thecello, and again show the influence of opera.TJie second movement has material fromthe first. Also noteworthy in this work isthe more extended use of double stops on thecello, and a tendency toward a contrapuntaltexture, which is more expanded upon in thefugal finale of the Op. 102 No.2. (Fuguesappear more frequently in the later music ofBeethoven, when the composer studiedBach's Well-Tempered Clavier quite extensively.) It was my impression that Mr.Shafran felt most at home with the Op 102sonatas.The duo played the long and slow thirdmovement from the Shostakovich CelloSonata as an encore, ano its mood comparedfavorably with that of the Beethoven pieces.The work had its meditative and operaticqualities, which the cellist exploited in thedouble stop cello solo in the middle of thepiece. I was quite impressed with itsstrength and the energy of fhe cello part.The crowd gave the deserving musicians astanding ovation after the tremendousconcert. Spectre De La Rose," The pastiche also•included slices of Americana in JeromeRobbins's "Fancy Free" and deMille's"Rodeo."ABT has also performed a whole host ofworks by "contemporary" choreographerssuch as Alvin Ailey, Eliot Feld, and Rudivan Danzig. The dancers were able tohandle the variety, but the public could notAs much as the repertoire was a splendidand respectable showcase of historic andmocern choreography, often the revivals ofthe great originals were lifeless reproductions. Missing was a truer, more convincing spirit, the quality that keeps the'-ucience consistently happy.This year's visit, only a week, is nowherenear enough time for a sense of thatshowcase. However, Gregory will danceOdette in "Swan Lake" and Carla Fracciwill perform in"Giselle' . And like last year,there will be an opportunity to enjoy a nightof the great Stravinsky ballets, with theChicago premieres of "Le Sacre du Prin-temps," and "The Firebird."And for the first time, the Opera Housewill offer Student Rush tickets, whichmeans no earlier than a half hour beforeperformance, all tickets will go at half pricewith the presentation of a student ID.The ABT Schedule:3/15 - La Bayadere, Voluntaries*, Pas deDeux, Push Comes to Shove3/16 - Petrouchka, Firebird*, Sacre dePrintemps*3/17 - Swan Lake3/18 - Giselle3/19 - The Sleeping Beauty*, at 2:003/19 - The Sleeping Beauty3/20 - The Sleeping Beauty, at 2:003/20 - The Sleeping BeautyAll evening performances are at 8:00Ticket prices range from Si5 to $3.50.•indicates Chicago premiereFor those who are sorry they chose tomiss such a concert — don't be too upset,because Shafran and Ginsburg just releaseda recording of the five Beethoven cellosoratas on the Columbia/Melodiya label(Columbia Odyssey Y2 34645, two discs),which approaches the concert in the level ofexcitement, and is much better in terms ofbalance. It's destined to become a collector's item.The CHy JournalEditor: JonathanMeyersohnManaging Editor: Karen HellerAssociate Editor: Mark Neustadt, Mike SingerMusic: Lukacs LeBag, Toby Hofslund, DeborahHughes, Bruce McLaughlin, Paul Gudel,Richard Brown.Film: John Aiken, Henry Sheehan, Andrew RossTheater: John Lanahan, Stephen Conodes, EstherSchwartz, Christine Martinez, Charles Harvey.Art: Carl Lavin, Chris Gauker, Julie Siegel. JaneSalk, Gwen Cates. L.R UpshawDance: Eden ClorfeneGraphics: Karen MolineHumor: Jeff Baddeley, Steve BlcokTelevision: David BlumThe Grey City Journal is published weekly during theacademic year as part of the Chicago Maroon The editor•nvites commentsSO. SHORE BEACH APTS.LUXURY ON THE LAKE7447 SOUTH SHOREStudio apts. from $1551 Bedroom from $1902 Bedrooms from $296^Modern hi-rise bldg in pleasant surroundings,|with central air cond , private beach, commissary,!'beauty shop, indoor and out door parking avail)For an appt, call 768-3922 or visit our office',M-F 9-4:30DOWNS, MOHL & CO.Equal Opportunity Housing BRENT HOUSE5540 WoodlawnSunday, March 65:15 vespers5:45 social hour6:15 supper ($1.25)7:00 John Cawelti will speak on“Trends in Popular Culture” The Department of Musicpresents TheCONTEMPORARYCHAMBER PLAYERSof The University of ChicagoRALPH SHAPEY Music DirectorWorks byBENNETT«XENAKIS#HARRIS#SESSIONSSolo piano:Abraham StokmanSATURDAY. MARCH 5. 1977 • 8 30 P MMAN DEL HALL. 57 th & University AvenueFree and open to the publicVOULEZ—VOUS...VANS?1977 FORD CRUISING VANWe’ve Got Them...PLAIN OH FANCY.2347 South Michigan AvenueChicago, Illinois 60616Area Code 312/326-2550SALES PARTS/SERVICE LEASING We wantyour business.DrexelPHONE: 538-4600Your Hyde Park Chevy dealer.4615 SOUTH COTTAGE GROVESALES: MONDAY THRU FRIDAY 9 TO 81 SATURDAY 9 TO 5SERVICE DEPARTMENT OPENS AT 7:30 AM MONDAY THRU FRIDAYCHECK OUR NEWEVERYDAY LOWMAGIC PRICES mU.S.D.A. CHOICE BEEF BLADE CUTPOT ROASTSOLD ASROASTS ONLY W Lb. OLD STYLEBEERWARM ONLY H EC6 Cans 1Reg. 1.69 X U.S. NO. 1 IDAHO RUSSETPOTATOESio Lb. QQtBag w W Ea.JENO’S THICK CRUST4$ PIZZA20 Oz. 1 AQReg 1 **1.69 X CREAM ETTES THINSPAGHETTIn, 70‘Reg. 92' # w ,U\ Y0PLAIT FRENCH+* YOGURT«... 33*Reg. 39' WWSTORE HOURSMonday-Wednesday 9 a.m. to 7:30 p.m.Thursday and FridaySaturdaySunday 9 a.m. to 8 p.m.9 a.m. to 7 p.m.9 a.m. to 3 p.m.HYDE PARK CO-OP SUPERMARKET1526 E. 55th STREET 8-The Grey City Journal-Friday, march 4, 1977 667-1444FilmBy Karen HellerAdmission for International House andweekend Doc and CEF films is $1.50. Onweekdays, CEF and Doc tickets are $1.00.All Doc and CEF films will be shown in Cobbhall. All International House films will beshown in I Houe auditorium.The Sorrow and The Pity (1972), directedby Marcel Ophuls. (Doc) An amazingdocumentary exploration of the Nazi Occupation of France during the second WorldWar. Combining old newsreel clips (most ofthem German) with present day interviews(filmed in 1969), the picture is divided intotwo parts.Recommended. Friday at 8:00.Farewell, My Lovely (1975), directed byDick Richards. (Doc) Robert Mitchum starsin this moody, boozy re-creation of PhilipMarlowe's tacky, neon flashed Los Angelesof the eariv forties and of Marlowe's searchfor the ultimate Raymond Chandlerheroine, Valma (Charlotte Rampling).George Sanders played lhe sleuth in the 42version, The Falcon Takes Over, and DickPowell portrayed him in the second, MurderMy Sweet (1944). But Mitchum, who nevertruly received the acclaim he justlydeserves, tucks his weary disillusionmentback into the soft felt hat and shabby trenchcoat that he donned in the '40's and playsMarlowe the way he always should havebeen played, with maturity, restraint andsteady force. Recommended. Staurday at7:15 and 9:30.Night at the Opera (1935), directed bySam Wood. (I House) The brothers Marxcamp it up in perhaps their best film.Not to be missed is the final Operascene which includes every backdrop andmemborable aria from Longene Symphonette's "Opera's Top Forty." With ascreenplay replete with jokes by those twowonderful jokers George S. Kaufman andMorrie Ryskind. Staruday at 7:00 and 9:30.Smile (1975), directed by Michael Ritchie.(Doc) A film about a regional beauty contest in sunny, funny southern California.Barbara Feldon palys a grown up girl scout,a Tricia Nixon with brown hair whoorganizes the pageant and is sonauseatingly nice that her husband shootsher in the arm. Bruce Dern plays anotherpageant coordinator who believes in thePresident, the Army Reserve, apple pie andthe American capitalist way. Actually, thepageants on the tube are so damned boring Ican't imagine why anybody would make amovie about the "backstage excitement."Sunday at 7:15 and9:30.Dial M for Murder (1954), directed byAlfred Hitchcock. (DOC) Ray Millandportrays a London husband wno anempisdark machinations to get his wife (GraceKelly) bumped off. Failing at that, he triesto twist the evidence so that it looks asthough she willfully murdered the man whotried to murder her. With John Williams andRobert Cummings. Thursday at 7.30.North By Northwest (1959), directed byAlfred Hitchock. (Doc) An advertising manon the lam is being followed by a group ofvillains who want to dispatch of him becausehe seems to be onto their plans. It is, ofcourse, merely a case of mistaken identity;an illusion the FBI is desperate to maintain. During the ensuing chase throughNew York, Chicago, Midwest cornfields anathe giant faces of the Presidents sculpturedon Mt. Rushmore, the man starts a romancewith a blonde Mata Hari who apparently isaiding the villains chasing him. Cary Grant,as always, is superlative, handling thegrimace, the surprising look, the spooning,plus a splendid case of paranoia, withprofessional aplomb and grace. With EvaMarie Saint and James Mason. HighlyRecommended. Thursday at 9:15. Soap Opera(continued from page 1)helpless but proud nine months pregnantwife, and the outlaw who proves his integrity and true bravery. These charactersare crammed into the dusty confines of astagecoach.Stagecoach was so popularbecause of its high artistic quality and soapopera story, that it was remade twice.D. W. Griffith's films, The Birth of aNation (1915) and Intolerance (1916) areprobably the first examples of filmed soapoperas. In Intolerance, Griffith studies thelives of four young, innocent women livingin different ages of intolerance. Classical,Biblical and contemporary motives arecompared in Griffith's continuing dramaabout humanity. Griffith did not simplykeep his story confined to a community or aperiod; his soap opera saga spans centuriesand continents, unified by a theme that hesaw as recurrent in human nature and thatthe audience could, and still can identify andsympathize with.Richard Lester and Robert Altman aretwo good examples of contemporary directors who make panoramic films.Lester's Three and Four Musketeers andRobin and Marian are based on popularstories, offering a richly detailed view of theperiod. Authentic costumes and sets,beautiful locations evoking landscapepaintings and love stories are synthesized inthese works. A tight unity of these elementsenables the viewer to watch and understandthe entire moving portrait, whereas in reallife or in other films on a limited subjectmatter, the viewer percieves only a smallfragment.Altman's Nashville and McCabe and Mrs.Miller, his best and perhaps mostpanoramic films to date, employ many ofthe same techniques utilized in Lester'sfilms. But, instead of chosing romanticfictionalized histories, Altman choses morerecent, grimmer and realistic stories andsettings as the subjects of his films. BecauseNashville emphasizes the differentcharacters and McCabe and Mrs. Millerconcentrates on the period, mood and set¬ting, it can be argued that they are not trulyrich panoramic works, but are almost likesuperficial images that offer only a tem-porary understanding of the situationThe guardian angel and U. ofC. muse says: good luck onyour exams and have a nicevacation.By KarenMoiine Unlike the day time soaps, Altman's filmsleave the viewer emotionally detached fromthe individual characters because so manyof them are realistically unattractive. InNashville, only Lily Tomlin is truiy likeable.The viewer may have pity for RoneeBlakely and Keenan Wynn, but there neverreally is any true identification or honestsympathy for any one of the almost thirtycharacters.Soap operas, or to be precise, their moreartistic form, the panoramic work, havebeen around in films since the beginning ofthe century. In making this discovery andunderstanding that soap operas can also beworks of fiction, I wondered if panoramicworks didn't have an older heritage whenreading such 19th century authors asDickens and Trollope, I discovered many ofthe same elements found in present daypanoramic works: multiplicity of characters and problems in a uniform setting andperiod. Distinct class differences madeillegitimate children and other crimes twiceas daring and shocking. Trollope, perhapsthe master of the 19th century panoramicwork, attempted to juggle nearly one■hundred characters in one book and thenwould often bring them back in later works.With the revival of characters, large in¬terrelated families and a clear conception ofthe community, Trollope's Barsetshireseries might be deemed the artistic 19thcentury All My Children.The more I thought, the more soapoperadom and the panoramic workshaunted me. I kept going deeper and deeperin my analysis. Wasn't de Laclos' LesLiasons Dangereuses a panoramic work? Ifso, then that made the tradition older than amid-19th century one and establish a continental, perhaps universal, appeal. Mightnot Checkov, Shaw and, dare I say it,Shakespeare be authors of the dramaticpanoramic. In reading other pieces ofliterature, I wanted to know more about thecharacter's family, the community, and hispersonal probllems. Everywhere I wished tounderstand the entire situation—not to beinterested with one or at best a few, butdistantly interested in all, seeing the entireportrait, not just a fragment.And then I knew I'd gone goo far. I forcedmyself to end such serious contemplationand return to the real soap opera world ofHyde Park where I am not an isolatedviewer examining the entire portrait, butmerely a character grasping to understanda piece of it.By John AikenAmerican filmmakers have yet to answerthe musical question, "Where have all theflower-children gone?" Swiss director AlainTanner, however, shows us what has happened to their French and Swiss counterparts in Jonah Who Will be 25 in the Year2000. The film tells how a group of disaffected members of the European counterculture cope with life in the 70's. They haveretained their fundamental beliefs, but theyhave adapted these beliefs to circumstanceswhich now appear to be more inexorablethan they once did.While the film is politically oriented, it isalso a comedy. This may be easily acceptedby Tanner's European audiences, but itposes a difficulty for American audiences,since they have no point of reference for thiskind of film. The closest analog in Americanfilms are those of Frank Capra and PrestonSturges, and even these are certainly farremoved from the films of directors likeTanner, Wertmuller, etc. The oddity of thejuxtaposition of doctrinaire politics andcomedy produces an initially disorientingperception of a film like Jonah. As the filmprogresses, however, we become accustomed to politically committed filmcharacters, not as wild eyed caricatures,but as three dimensional people. We canagree or disagree with them, but in eithercase we can both laugh at them and withthem. Time and JonahPolitics, however, is only a part of whatJonah is about. As the title of the filmsuggests, Tanner is very much concernedwith time. Although he does use such blatantdevices as "One Year Later. . ." title cards,he also uses more subtle means to establishthe passage of time. For example, severalscenes take place in a classroom. Each timethe action moves back to the class room, theplant on the instructor's desk has grown alittle larger. Such careful detail exemplifiesthe over all skill with which the film ismade.Discussions about time occur throughoutthe film. In one discussion, time is describedas moving in a spiral. Within thisframework, the great thinkers of history donot follow time along its spiral course. Instead, they have the transcendental abilityto see directly and clearly the subsequentring in the spiral. But the film by no meansconcentrates on such recondite aspects ofthe nature of time. More often, thecharacters are concerned simply witheither how quickly or how slowly timepasses, as when Madeleine expresses herfrustration because not enough history isgoing to occur in the span of her lifetime.For her and the others, the disillusionment which she and the others experiencedwhen the 60's passed into the 70 s has leftPASSOVER AT HILLELDID YOU GET YOUR PASSOVER MAILING?SEDER PLACEMENTS: REGISTER AT HILLELHOUSE BEFORE YOULEAVE FOR SPRING BREAKMEALS There will be eight luncheons beginning SundayApril 3 and six dinners beginning Monday April 4 Themeal reservation deadline is Tuesday March 29 Pay¬ment must accompany reservations NO REFUNDSafter Thursday. March 31 You may also register formeals oefore you leave for Spring BreakIF YOU ARE ON A DORM MEAL PLAN AND WANT A REBATEYOU MUST MAK£ YOUR REQUEST WITH THE STUDENTHOUSING OFFICE BEFORF APRIL 1ST % only a vestige of hope for the changes insociety which they wanted. Their energiesare no longer expended in grand schemes of1reform, but in searching for self-fulfillmenton the periphery of society. The communalfarm on which all of the characters occasionally gather is a retreat from the worldwhich they once directly challenged, whenthey took part in the riots of the late 60's.Now they challenge society indirectly.Marie, who works as a supermarketcashier, undercharges customers who areon a limited income, Marco uses his historyclass not as a means to indoctrinate hisstudents with the past, but to encourage thedevelopment of an inquiring mind aboutwhat has occured, and about current events.The film effectively deals with in¬terpersonal relationships by treating themas something more than superficial, hap¬penstance alliances. We see the charactersas they encounter each other, as theybecome intimate, and as shifts occur in thedynamics of their relationships. By thefilm's end we have a substantial idea of howthe characters function as individuals, ascouples, and in groups.The film's outlook is an optimistic one, .'oralthough time, in one sense, is the agent oflife's mutability, in another sense, time isthe immutable transmitter of knowledgefrom one generation to the next. Jonah, thechild who is born at the film's end, is the heirto these twin aspects of time; the ephemeralhopes of individuals and the lasting hopes ofmankind;$ OAK FURNITURE-ANTIQUESMRMtSHCO + AS ISi*4*L5Sifc tAf JA TobloiM74MO Tf Chain1-4j00 PM Dra««onTUCS.-SAT. ■ookco*o<MudMoriAksoOtKa finishingCZZ1The Grey City Journal-Friday, march 4, 1977-9INTERNATIONAL GUIDE TOTRAVEL HOUSINGREDUCE TRAVEL COSTSStay in College and University Residences• over 230 colleges and universities listed\ • 21 countries represented (includingU. S.and Canada)* • inexpensive rooms• low-cost mealsincluding: tLight of life and loveDon’t look for loveDelicate BalanceWindegoBicycle WheelWalk on the waterBack on the Street AgainGroove to TennesseeHello BabeWomen in Chicago ■ BACKONTHESTREETAGAIN„•.te.Mountain Railroad Records• campus activities• available holiday periodsFor completely revised and expanded 2ndedition of Travel Guide to College andUniversity Housing, send $3 to TeachersTravel Service, P. O Box 7006, Berkeley,PA 04707AVAILABLE ATTHE STUDENT CO-OP &SPIN-IT RECORDSSEE JIM POST IN CONCERTMARCH 4-7 At AMAZING GRACEEVANSTON ALLTOGETHERne LocationAtTO SAVE YOU MORE•rWAfiEN*CHEVROLET VOLKSWAOEH .SPECIAL DISCOUNT PRICESFor ALL STUDENTSAND FACULTY MEMBERSJust present your University ofChicago Identification Card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to soecial money savingsDiscounts on '/oik ‘ vvcgen & Chevrolet*Af£JI • CHEVROLET orrafts, accessories and any newused Volkswagen or Chevrolet youbuy from Volkswagen South Shore orMerit Chevrolet Inc.131011 AIM) • U9VMSR10A 1310HA1N)SALES & SERVICEALL AT ONE GREAT LOCATIONrVOLKSWAGENSOUTH SHORE7234 Stony IslandPhont: 684-0400Open Dally 9-9 P.M. / Sot. 9-5 P.M.Parts Open Saturday too til 12 Noon FASTSPEEDYRAPIDSWIFTPRONTO rat* crass instact muvnm 900.PRINTING...IF YOU NEED IT FAST WE’RE AS NEAR AS YOUR PHONE...OUR SER VICES IN CL UDE•Copying •Business Cards •X*fox Copies•Folding •Meillef s .Copying*•Collating *Flyers Duplicating-Fast•Binding .Ad Books• Wedding Invitations .Church Bulletins•Padding. Etc• Envelopes• LetterheadsQUIKCROSS •Thesis - Term Papers•Funeral ProgramsHyde Park Bank Bldg.1525 East 53rd StreetChicago, III. 60615INSTANT PRINTING WHILE U WAIT Suite 626WANTED:SEEKERS AFTER TRUTHIF YOU BECOME A MEMBER WEWILL GIVE YOU A 10% DISCOUNTON ANY BOOKS YOU BUY - AND WEHAVE 13,000 TITLES TO CHOOSEFROM - JUST THINK OF IT - 13,000OR IF WE DON’T HAVE WHAT YOUWANT, WE’LL ORDER IT FOR YOU -WITH A SMILE.SEMINARYCOOPERATIVEBOOKSTORE5757 S. University752-4381 9:30-4:00 M-FCPAT • VAT • SATOur broad range of programs provides an umbrella of testmg know-how that enab'es us to offer the best preparationavailable no matter which course is taken Over 38 yearsof etper ence and success Small classes Voluminoushome study materials Courses that are constantly updated Permanent centers open days & weekends all yearComplete tape facilities for review of c ass lessons and foruse of supplementary materials Make-ups for missed les¬sons al our centers 2/ane J2.eer&e6tauzantDelicious conroneie FoodFost Special Luncheon:$1.95Mort-Thurs 11:30 AM 9:00 PMFri. & Sat. 11:30 AM 9:30 PMSun 3:00 AM 9:00 PMCLOSED TUES.643-3407 1316 E. 53rd St.• Eye Examinations• Co»Uct lenses (Soft l Hard)• Prescriptions filledDR. MORTON R. MASLOVOPTOMETRISTSHyde Park Shopping Center1510 E. 55th363-6363 RYDERrents trucks to move it yourself• dependable, top-main¬tained Chevrolets and otherfine trucks • local or one¬way at low rates • panelvans and 12-ft vans withauto-shift, other sizes tomove up to 7 rooms of furniture • power-lift tail¬gates or handy loadingramps • hand trucks andfurniture pads; tow bars totrailer your car • nationwideroad service • moving tips• insurance • major creditcards honoredRyder Truck Rental-One-WayASK ABOUT OURCOMPACT COURSES2050 W. DevonChicago, III. 60645(312) 764-5151Outside NY State OnlyCALL TOLL FREE800-221-9840 FES7 POE PiPt -ionSPf Cl*i>S7S VNCE "y iflCenters in Major U S. CitiesPREPARE FOR THE NEW MCA TWHERE THERE IS ALWA YS ADIFFERENCE!!! Ann’s House of Beauty6736 S STONY ISLANDoPHONE 363-9398binary SalePERMANENTS-Regular J35 00 for Tintedand Color HairFREE CONDITIONER for Dry.Brittle l Damaged HairFREE FACIAL with Every Hair StyleNow Only $15.00TUES l WED 10 - 4 30YYIGLETS.WI6S CLEWED 1 STYLEDJE WELRV.C0SMETICS.Cwi»» I <» nlREVLON COLOGNESF-eo T.jrtr., „ ih S50 00 P./"ho-»INN WINNER Mrjm $tyl>rfBank Awprir.arB and Nnrsnal Owtfs Ntelg—n Bring In This Ad And University ID10% OFFOn All One-Way RentalsInformation & Reservations523-5555Neighborhood Dealers ConvenientlyLocated Throughout City & SuburbsFree Moving Guide without obligationNational information & customer service: 800 327-7777DOC Films presents: ^Dick Richards’ Michael Ritchie’sFAREWELL MY LOVELY SMILESat., Mar. 5 7:15 & 9:30 Sun., Mar. 6 7:15 & 9:30Cobb Hall $1.50lO-The Grey City Journal-Friday, March 4, 1977CalendarFridayFolkdancers: 8pm, Ida Noyes.Middle East Center: Faculty-Student Lunch,12:15pm, Ida Noyes; Arabic Circle,“Reflections on the Wahabi Movement,”Zafar Ansari, 3:30pm, Pick 218; PersianSociety, “The New Constitution ofAfghanistan,” Zalmay Khalilzad, 3:30, Pick118; Sherry Hour, 4:30, Kelly 413.Hillel: Adat Shalom Shabbat Dinner, 6pm;Creative Services, 7:30pm, Hillel House;Bayit Shabbat Dinner, 6pm, 5458 SouthEverett, Bayit.Department of Economics: Workship —Economic History joint with Latin AmericanEconomic Development, “The Economiendaand the Optimizing Imperialist: An In¬terpretation of Spanish Imperialism in theAmericas,” Nicholas Sanchez, 3:30, SS 106.Geophysicrl Sciences: “Constraints onDynamical Fluxes on a Spherical Planet,”Peter Stone, 1:30pm, Auditorium, HenryHinds Laboratory.Arts sponsor a march and rally celebrating In¬ternational Women’s Day, march steps offfrom 92nd St. and South Chicago Ave. at12:30pm.Change Ringing: Handbells, 10-llam; Towerbells, 1 lam-1 pm, Mitchell Tower- RingingRoom.Hillel: Purim Party, 8:30pm, Hillel.Compton Lecture Series: “Solar Scenarios:The Problem with Problem-Solving,” EarlSwallow, 11am. Eckhart Hall 133.ArtsCEF: “The Sorrow and the Pity,” 8pm, Cobb.Collegium Musicum: Motets and chambermusic of Johann Sebastian Bach and JohannHermann Schein, 8:30 pm. Bond Chapel.Court Theatre: “A Little Night Music,”8:30pm, Reynolds Ciub Theatre.Rockefeller Chapel: Organ recital, TomWeisflog, guest recitalist, playing the 1stmovement of Leo Sowerby’s Symphony in GMajor, 12:15pm, Rockefeller Chapel. No.charge.Performance/Midway: “Dagarane,” Gun-dersen Clark, 8pm, Midway Studios.SaturdayInternational Women’s Day March: MidwestInternational Women’s Day Coalition will Sunday Auditions for the James Goldman/StephenSondheim musical drama, FOLLIES, 2pm,Reynolds Club Theatre. All UC students,alumni, and personnel invited. Mature actorsand actresses up to age 65 are especially in¬vited. Effects of Cracks, Partial Melting andAggregation on the Elastic Properties ofEarth Materials,” 9am, Hinds 101.ArtsContemporary Chamber Players: Works byBennett, Xenakis, Harris & Sessions, 8:30pm,Mandel Hall. Free.DOC: “Farewell My Lovely,” 7:15 & 9:30pm,Cobb.International House: “Night at the Opera,”7:00 & 9:30pm, International House.Court Theatre: “A Little Night Music,”8:30pm, Reynolds Club Theatre.Rockefeller Chapel: Robert Anderson con¬ducting a Master Class, open to the public,9am-12noon, Rockefeller Chapel.From the Midway: What to do with leisuretime that technology has given us is the topicof John Cawelti’s talk, 7am, WHPK (88.3FM).Context: Week’s news in review, 8am, WHPK(88.3 FM).Your Doctor Speaks: Dr. Gwendolyn Schmidtdiscusses surgery and children, 8:30am, WH¬PK (88.3 FM)Speak Out: Unedited tape, 1pm, WHPK (88.3FM).Hillel: Lox and Bagel Brunch, 11am, Hillel.Rockefeller Chapel: Ecumenical Service ofHoly Communion, 9am; University ReligiousService, “Taking Jesus Christ Seriously,” E.Spencer Parson, 11am, Rockefeller Chapel.Folkdancers: 8pm, Ida Noyes.Phoenix Alumni Productions(PAP): ArtsRockefeller Chapel: Organ recital, RobertAnderson, 4pm, Rockefeller Chapel.Collegium Musicum: 8:30pm, Bond Chapel.DOC: “Smile,” 7:15 & 9:30pm, Cobb.Court Theatre: “A Little Night Music,”8:30pm, Reynolds Club Theatre.MondayChristian Science Organization:Metaphysical preparation for exams, 12:30,Harper East Tower, rm 586.International Women’s Day: Literaturetables, llam-3pm, Mandel Hall & Billings.Jewish Appeal: Organizational meeting,7:30pm, Hillel Foundation.PAP: Auditions for FOLLIES, 7pm,Reynolds Club Theatre.Folkdancers: 8pm, Ida Noyes.Meadville Theological School: “Heretics’ inPoland in the 16th Century,” Lech Szczucki,4pm, Divinity School, Swift Commons Room.Committee on Developmental Biology:“Body and Antibody,” Donald Rowdey, 8pm,Zoology, Lillie Room #29.Department of Chemistry: “Experimentsversus Theory for Some Small Molecules,”Edel Wasserman, 4pm, Kent 103.International Women’s Day: Panel discussionon International W’omen’s Day, 9pm, WHPK(88.3 FM).TuesdayPAP: Auditions for FOLLIES, 7p.Reynolds Club Theatre.International Women’s Day: Celebrationfrom 11am on in the Blue Gargoyle.Department of Geophysical Sciences: “The Performance/Midway: “Paper Comes Aliveat Midway Studios,” Tom Kovachevich, 8pm,Midway Studios.WednesdayMiddle East Center: “The Rivers of Time,”film, 12:30pm, Pick 218.Psychoanalytic Perspectives Lecture Series:“Psychoanalytic Theory and History.Groups and Events,” Bruce Mazlish, 7:30pm.Law School Auditorium.Committee on Public Policy Studies:“Analyses of the Iron and Steel Industry,”Herb Krappinger, 1:30pm, Kent Laboratory,rm 103.Committee on Cognition and Communication:Edward J. Shoben, 4pm, Beecher 102.Liberal Education and the Modern UniversityLecture Series: “Liberal Education: TheEthical Problem,” Charles Wegener, 4:30pm,Harper 130.Department of Biochemistry: “HormonalControl of Fatty Acid and LipoproteinSynthesis by Liver Cells in Culture.” 4pm,Daniel Lane, Cummings 101.Laboratory Schools: “The Laboratory Schooland the Gifted Child,” Robert Havighurst,8pm, Judd Hall 126.Smart Gallery: “The Trained Eye: The ArtHistorian as Photographer,” exhibition'sopening, 5pm, Smart Gallery.Rockefeller Chapel: Robert Lodine,University Carillonneur, in recital, 12:15pm,Rockefeller Chapel.ThursdayCommittee on Genetics: “Globin ChainSynthesis,” Ruth Bloom. 12noon, Zoology 29.LAW’: "Reminiscences of Chancery Judge.”Samuel B. Epstein. 8pm, Rosary College, 7900W. Division St., River Forest, ILDOC: “Dial M for Murder,” 7:30pm; “Northby Northwest,” 9:15pm, Cobb.MAKE SURE YOU GET©I) e jNcttr go rk SuitesON SUNDAY MORNINGHAVE IT HOME DELIVERED.Only $1.50Starting March 12th you can have the Sunday New York Timesdelivered to your door. You’ll never miss it again just368-4390 night or dayand ask for the Sunday Morning News ServiceFORGUARAN TEED HOME DEL IVER YThe Greg Citu Journal-Fridau, march 4, 1977-1111 i t * •VERSAILLES5254 S. DorchesterWELL MAINTAINEDATTRACTIVE 1 ’/, AND2% ROOM STUDIOSFURNISHED or UNFURNISHED$149 to $243Short TermBased on AvailabilityAll Utilities includedAt Campus Bus StopFA 4-0200 Mrs. Croak4 BedroomAt JacksonTowers5555 EverettEach of the four bedrooms has itsown bath in this fabulous 16thfloor apartment.Unusual layout gives you lakeviews from every window.New kitchen with lovely applicnees. Totally (and recently) redecoratedA Must SeeUrban Search337-2400On A DesirableKenwood BlockA House To FallIn Love With48th & EllisA turn-of-the century house de¬signed for elegant comfortableliving for you ond your fami-ly.Fme large, sunny bedrooms on2nd floor. The third floor hasthree charming attic bedroomsplus space for a family or gameroom Front and bock porches.Modern kitchen and baths. Lovelylarge yard.Urban Search337-2400MagnificentHome OnThe Campus56th & WoodlawnThis handsome brick home, builtm 1902, is very speooi.Beautiful wood-paneling is intactm the gracious foyer and diningroom The large modem kitchenopens onto the dining room aswell as onto o super family roomThere ore at leas* four other bedrooms *n the house depending onhow you count.If you need a playroom there isan enormous one on the thirdfloor. Otherwise you have a boll'oomThe house *>s centrally air-condvIroned and in all Other ways lov-ngly restoredBeautifully landscaped yard andew two-cpr garageUrban Search337-2400 WHY IS SGLINDA STEINFULLERDEAN OF BEER?WHY NOT?Fellow Beer Persons.Life is full of unansw'er’ed questions such as: Is therejnteliigent lifeelsewhere in the universe? And if so. do they wear socks?In beer, however, there are no unanswered questions. Because thereis only one word for beer, and you know it.Schlitz.Therefore, as your Dean of Beer, I suggest you researchthe essential rightness of the word for yourself at your nextsocial function. Or even your next antisocial function.And please note: The recommended sourcematerial for locating the word can be found in anyphone booth. In other words. look in the YellowPages. Under “Beer?Thank you.WHEN IT'S RIGHT,12-The Grey City Journal-Friday, march 4, 1977A GIANTBOOK SALEstarting this SATURDAYat the University of ChicagoBookstorefeaturing:* over 1,000 academic hardcover books atENORMOUS SAVINGS* excellent selection of paperbacks at HALF PRICE* marvelous and useful remainder books atPAPERBACK PRICES (includes many imports!)AND a SUPER-BARGAIN TABLE AT 25<t-50* and up* COME EARLY FOR THE BEST SELECTION!!! * * * *Remember, we’re open from 9 to 5 on Saturday for your added convenience.As always, your Bookstore charge, BankAmericard, or Master Charge is welcome.University of Chicago Bookstore /General Book Department5 750 South Ellis, First floor 753-3311/4The Chicago Maroon Friday, March 4,1977 17Cagers to state tourneyBy FRANK MERRIWELLThe university women’s basketball teamhas already left for the Illinois Associationfor Intercollegiate Athletics for WomenSmall College State Tournament being heldthis weekend in Grenville, Illinois.Chicago goes into the tournament rankedthird but close losses to first two seedsGeorge Williams and Concordia, suggestthat the team could well beat its ranking.Last year the team went to the tourneyunranked and took fourth.On the other hand the Maroons last weeklost to the number four seed Quincy Collegein the last home game of the year andprobablv the last game to be played in IdaNoyes gym. Chicago never quite jelled intheir 65-44 loss.The Maroons were only down 10 points athalftime but Quincy came out smoking andquickly built the lead to 20. The downstateteam had absolutely no trouble penetratingthe Maroon zone. In fact Quincy shot anamazing 65 per cent in the second half, most of the baskets being easy inside lay-ups.The Maroons went into an effective fullcourt press towards the end of the game butby then it was just too late. Chicago finishedtheir regular season with the unhappyspectacle of going full blast against thevisiting team's scrubs just to make thescore respectable.The loss may not be as significant as itseems. If the Maroons had pressed earlierand played the zone to cover the forwardcoming inside instead of the center at thefloulline the game would definitely not havegotten out of hand. George Williams playedQuincy a little better the following day, andpositively thrashed them.Being seeded, Chicago will get a firstround bye, giving the team a little extrastudy time. They will take on the winners ofthe Grenville Olivet-Nazarene game in thequarterfinals. Assuming they win, Chicagowill go on to the semis probable againstConcordia. If they get past that game theywill probably face George Williams in thefinals, on Saturday. Emille Townes (41) sets the ball outside to Helen Harrison (13) against Quincy lastFriday night, (photo Dy Jon Wright)The columnThinclads, swimmers try for conference crownsBy DAVID RIESERThe championship season continues thisweekend with the track and swim teamsboth traveling out to Iowa for respectiveconference meets.The track team will probably have thebetter weekend of the two. Coming off a 12-5indoor season the thinclads have an ex¬cellent chance at second and a very slimshot at the conference title.Coe College is the team's main obstacle tothe crown. Coe has the best indoor facilitiesin the conference and is able to attract andtrain some very’ fine runners, including all-American half-miler Ken Mullen.Conference cross-country champsCarelton College will also be a contender,but their expected domination of thedistance events will probably not be enoughto win the meet.Coach Ted Haydon is taking a 20-mansquad out to the meet, hoping to pick upwhat points he can. “Our strongest asset hesaid, “is that we have the personnel to coverall the events without doubling or tripling,As the meet goes along the other teams willbe running out of manpower.”Maroon thinclads also have an advantagein that they have been able to run thincladthrouout the winter. Although the Armouryis one one’s idea of a track facility it is muchbetter than running in the snow.“We’ll have a good chance, “Haydoncontinued, “with six places and only sixteams, there are a lot of points.”The men’s swim team has somewhatSki teamsFinishing off their first season theUniversity ski teams left no question thatChicago would become a force to bereckoned with.Three weekends ago the women’s teamwon a meet at Olympia, Wisconsin, beatingrival University of Wisconsin-Madison forthe first time Paced by Beth Dorris thirdplace finish in the slalom, the Maroons alsoplaced Joannie Yamal 1 and Laura Rhodesin the top ten.While the women won the men’s team hadto settle for fourth in the seven team fieldSteve Thomas led the team with his eighthplace finish.18 The Chicago Maroon Friday, March 4,1977 more limited expectations. “We shouldfinish in the middle of the pack,” predictedCoach Bill Vendl, “if we take fifth or betterit would be nice,”The team is coming to the meet brimmingwith confidence after their last meet, atwhich they administered an 89-20 drubbingto the Beloit Buccaneers. It was the firsttime a Chicago team has won against Beloitall year. Indeed, the devastation was sototal and unexpected that Beloit withdrewfrom further competition for the season.The Bucs knew they were in trouble whentheir top swimmer Dave Campbell could notpull away from Chicago’s Wayne Hooper inthe 200 individual medly. Although an all¬stater from Minnesota, Campbell foundhimself dead even with Hooper at the turngoing into the last two laps of freestyle. Attheir first breath Campbell saw Hooper’sface.. And Hooper was saying goodbye. Socrushed was Campbell at being so brutallyblown out of the pool that he quit the team assoon as he got out.Chicago went on to take every first in themeet. Hooper grabbed wins in the 1,000 and5,00 free in addition to his IM first. JonRynning was also a three-way winner,anchoring the 400 free relay, and taking boththe 100 and 200 free. Chris Gomez and CalCooper were winners over 200 yards in thebreaststroke and backstroke respectively.John Murashige contributed a surprise firstin the 200 fly while Bruce McLaughlin wonthe diving.This weekend good performances areexpected from Hooper, Gomez, Rynningand Dave Cavrell. Vendl also hopes to pickAt the Iowa Governor’s cup held the nextweek the women took a second place trophywhile the men had to settle for anotherfourth. Joanie Yarnall led the women in theslalom with a fifth place finish, while BethDorris took eighth and Laura Rhodesfinished tenth. In the giant slalom Dorriscruised in with an easy third. Dorris wasfourth overall, .15 seconds away from abronze medalJohn Prunskis had the best run in theslalom for the men, being the only one tocrack the top fifteen. In the GS the men’steam took second with Thomas, Prunskisand Yoshi Yoshimura place 14th, 15th. and up points with the 400 and 800 freestyle relayteams.“We could place high depending on wherepeople go,” said Vendl, “I just have to try tooutguess the other coaches and put the rightman in the right event.”Although the Great Sweatsuit Con¬troversy has yet to be resolved to thesatisfaction of everybody, the entire teamnow has sweats of some sort. Also the teamjust purchased varsity t-shirts, to helpachieve sartorial unity at poolside.Both teams will be hurting as a result ofthe late quarter sojurn to the hinterlands.The swim team left yesterday and will begone three days whereas the track teamleaves today and comes back tomorrownight. Still, the aquamen have one ad¬vantage over the thinclads. A Friday nightin Iowa city has got to be far better than aFriday night in Grinnell.The women’s swim team all but finished!M report their championship season with a thirteenthplace finish at the Illinois State Meet lastweekend at Champaign.Most of the points were picked up by NoelBairey who is well on her way to the nationalmeet next week. Bairey swam personalbests in the 100 and 200 freestyle and tookthird in the former and second in the latter.She also cranked out a lovely 200 individualmedly that was good enough for fourth“Her 200 was perfect,” said Coach RandyBlock, “her splits ( for each stroke) were aseven as you could hope for.”Bairey’s performance was amazingconsidering that she beat many who hadpeaked for this meet while she is still in deeptraining for Nationals.Peggy Culp set a personal record in the100 breaststroke but could not turn it overquite fast enough to make qualifying timefor the national meet Ann Merryfield had agood weekend turning in an excellent timein her 200 backs.Network wins men’s v-ballBy R.W. ROHDEInternational Network won men’s in¬tramural volleyball last Friday, beatinggraduate champions DeGowan & DeGowanconvincingly. The victory gave In¬ternational Network, a team comprisedmostly of members of the UC volleyballclub, their second consecutive all-University championship.Earlier in the evening, Phi Gamma Deltawon the undergraduate residence cham¬pionship. Phi Gam beat Henderson in semi¬final action, then went on to dump UpperRickert in the finals. Upper Rickert hadoverran Lower Rickert in their semi-finalmatch. Phi Gam went on to lose to In¬ternational Network in the undergrad finals.finish fine first season20th respectively. Prunskis led the menoverall with a sixth place standing.Despite the fine performances in Iowa,disaster struck late that week in the form ofthe Midwest Collegiate Skiing Associationchampionships. None of the women made itthrough the tortuous slalom and none placedin the giant slalom. Of the men only DaveLezak was able to break the top twenty, andthat was in the GS.Despite it’s finale the first season wasexcellent. Dorris, Prunskis, and Thomaswere all ranked in the MCSA honor role, andboth the men’s and women’s teamestablished themselves in area skiingcompetition. Dave Sagan of Henderson won un¬dergraduate handball, beating Matt Bishop,the independent champion in the finals. In arematch of last quarters squash finalists,Sagan won the residence championship bybeating Tim Lorello of Upper Rickert twogames to one.Sagan will have to play Lou Foletti, thewinner of the graduate tourney. Folletibested Scott Gordon in the finals.In co-ed badminton, Croft and Balint wonthe all-University title, thrashing JanetSullivan andCheeNg 15-2,15-4. Sullivan andNg won the undergraduate title, whippingCarol Fulton and John Wright, the in¬dependent champions, 15-1, 15-1. Sullivanand Ng won the residence title for theirBradbury team, beating Dick Rubesch andHelen Harrison of Shorey in the residencefinals, 14-1,15-7.Taking a quick look at recreational action,Carolyn Grobstein won women’s squash,while Mike Cherry won a tough 3-2 battleover Michael White in the men’s squashtourney.On the extramural front, it appears thatthe Bongers will represent UC in the Schlitztourney. According to Bill Vendl, afterholding several meetings with the twoteams, Tufts refused to play the Bongers. Aspokesman for Tufts had a different story,and stated, “We feel Vendl was completelyunfair in the handing of the Schlitz tourneyaffair. We plan to take our complaints toother authorities.” At any rate, the Bongerswill meet the winner of Roosevelt U and StXavier at 2:30 on March 12 at Chicago Stgym.Sportss ^CLASSIFIED ADSSPACEHyde Park Condo. Spectacular 18th firview all rooms, 1 bdrm., formal din.,refinished hdwd firs, 24-hr sec., lowassess Park avbl., asking $30,000 Call236-6102, 9-5 or 241 -6360 after 6.WANTED: ROOMMATE to share 3rdfir 5 rm apt. 54th St. betwn Green-wd &Univ. with musician who plays 8.rehearses on Northside: seldom home.Rent: $200, your share, $85 100, neg.Avail. March 15. Call David; 947-6543or Marc 324 5646.Thinking of selling your homr or apt?Hyde Park family seeks 46 bdrmhouse, condo or coop in good cond.Price, moving date open. 663 5060, 955-2887 (eves).Want a year, semest, quart, out offown? Wis. hse all comfort garagegarden 130 acre forest prop hunt. fish,ski. snowmob. school bus. $250 rentmonth. Call 955-0396.Roommate wanted for large 2 bdrmapt 2 bl from campus 955-5189KENWOOD 3RD FLOOR w/kitchenprivileges in exchange for babysittingapprox. 8 hrs. per week. 2 girls ages 8& 9. Start spring qtr. 373 0454 after5pm.M/F to share Ig twnhse: own rm., nrM'bus-53 & Wdln. $110. 363 2013.Sublease from April to Sept, (w/optionto lease) two bedrm. two bath apt.w/dining room. Dishwasher, Doubleoven, air conditioning. Two tenniscourts, view of Lake and DowntownChicago, indoor parking available.Call Denise or Joan 241-7032.5045 S. Woodlawn, 2 rm. apt., 1 person,643 2760 or 667 5746Share large apt w 4 people own rm 85per mo occupancy immed or beg spring quarter call 493 2822 evenings.ROOM FOR RENT TO F $70 MO 54th& WOODLAWN 363-1513MARIESUNNY modern 1-BR apt in marriedstdnt housing avail beginning Spr Qtr.Lots of storage, near shopping, goodlocation. Call Joel Mintz 353 2094(days), 363-2545 (eves, wknds). Mustbe married 8. UC student.Grad dorm rms. avail., single men,adjacent UC campus. Theo. Sem. Spr.Qtr. Student Service Office, 752 5757,ext. 32.U.C. housing contract, maleor female,single 753-3771. Grant.HOUSING CONTRACT FOR SALE.Male grad in Coulter, male/femaleelsewhere in system. REWARD. CallJim Drennan 753-2261. #515.Sunny room in large apartment, spr¬ing quarter. 1400 E. 57th (LittlePierce). 955-4437,Fern to share Ige 2-bdrm apt Exc loc-56 & Kim. Well-maint. avail 4/1 orsooner Pref. Grad Stu or Wrk'g WornRent $135 Util, a $5. Call Kay, Sophie493-4057. Suggest 5-10pm.PEOPLE WANTEDWanted part-time saleswoman Sat10:30-6:00 Sun 12:00 5:00 TransworldImports 5200 So Harper Mr. Williamsor Ms Fleming on Sat 493-6000.OUTDOOR WORK SATURDAYSEARN $25. Opportunities for dynamicstudents. Fight pollution and end yourown personal recession at the sametime. Call Ken at 939-1985, Mon-Fri.OVERSEAS JOBS-summer/yearround. Europe, S. America, Australia,Asia, etc. All fields, $500$1200 mon¬thly. Expenses paid, sightseeing. Freeinform. Write: International JobCenter, Dept 11, Box 4490, Berkeley,CA 94704,CHILD CARE: Need someone fulltime daily in my home. Schedule canvary. Salary negotiable. Call after 5 orSat. 684-2216.Office clerk, must type, part time 3hrs/day, 5 days a week. Salarycommensurate with exp. Call MrJulius at MIDWAY CHEVROLET 6433500BLACKFRIARS SPRING SHOWActors, Singers, Dancers, etc.Audition Sat March 5 INH 1-4. See theCASTLE May 6, 7,8 in Mandel.Housekeeper Light Chores for UCFaculty Couple. On Campus. 241 5164eves. 753 8624 Days.ANXIOUS? Department of Psychiatryneed anxious volunteers for an experimental evaluation of a new antianxiety medication. Subjects must be ingood physical health, 21-35 years old,and high school grauduates Subjectswill be required to stay at BillingsHospital for two night and one day (approximately 40 consecutive hours)once each week for 9 consecutiveweeks. Renumeration includes athorough physical exam, room andboard while in Hospital and $450 00For details call Frank at 947 6983, 9a m. 5 p.m., Monday Friday.Like children? Need a job? Child CareTask Force needs people to fill parentchild care requests Full or part time,your home or theirs. 288 8391. 9-1weekdays$2 00/hour. Subjects wanted forpsycholinguistics experiments.Department of Behavioral SciencesCall 753 4718 to register.FOR SALE'74 CAMARO. Automatic, am/fmradio Si cassette player, low mil 2366102,9 5 or 241 6360 after 6. FOR SALE1790 Dodge Dart Swinger, 2 dr.. 6 cyl.Body and Engine in perfect condition.Absolutely no rust. 28,000 miles only.Snow tires. Must sell for leaving US.Asking $1 ISO. Or best offer. Call753-3745 (day) or 947-0615 (morn. &eve.).1971 Buick Skylark - Green V-8, A/C.Body fair, engine good $650.288-6568.HOUSE SALE. Air cond., TV, Iron,Humidifier, Kitchen items, etc. Call947 0615.Portrait Photography - since 1892 inblack & white or color graduation,resumes & passports. We furnish cap& gown. Koehne Studio 17 North StateSt. in the Loop. Room 1100 De2 2780.MARCH BINOCULARS SALEMODEL CAMERA1344 E . 55th St, 493 670071 Dodge Dart, 2-dr., 60T Miles, manynew parts, gd. cond. 663 5060, 955 2887(eves).Dbl bed matress $50, door desk $30,wood dresser w mirror $125 antiquetable w drawers $30 Will bargain. 241 -5822 evenings.1975 Grenada Ghia 351 cu in engine airconditioning radial tires power win¬dows power disc brakes upholsteredbucket seat am/fm stereo radio clockPRICED, a steal, call 753-3953 or after6:00 pm call 568 1579.PRINTROLTIMER SPECIAL $44.95MODEL CAMERA1344 E. 55th St. 493-6700PEOPLE FOR SALEFRENCH LESSONS/conversationexpd. French native teacher, call 2887058.FRENCH tutorials with expd. Frenchnative teacher 324 8054Interested in typing evenings in myhome. Will discuss price. Barbara,373-3594 after 5:30p.m.TYPING SERVICE/HY PK7667-4282between 4-11 p.m.DISSERTATION TYPIST. Long exper. U.C. Evanston 328 8705.Typing accurate, neat & speedy anymaterial - will pick up & deliver. CallElaine624 3192Thesis, Dissertations, Term Papers,Inc. Foreign language gen-corresLatest IBM corrective SEL IItypewriter. Reas, rates. Mrs. Ross 2394257.11 a m. -5p.m.Typing done. Term papers, theses,dissertations. Fast, accurate, correct.MA, journalism. Reasonable rates.Old Town. 787-3715.Experienced babysitter will babysit inher home on campus call 667 5816.SCENESBLACKFRIARS SPRING SNOW,Actors, Singers, Dancers, Techies,etc. Audition Sat Mar 5 INH 14. Seethe CASTLE May 6, 7, 8 inMandel.Auditions for Sondheim's musicalFOLLIES. Mar.6, 2 p.m.; Mar. 7 & 8, 7p.m. in Reynolds Club Theatre. Alumsand persons over 30 especially urgedto try out.INCOME TAXIncome Tax forms preparationsand/or advice. 684 5813.LOST!Notebook spiral UC brwn in Reg Lib orvicinity, Feb. 13. All my class notes,1st page Zonis calss. If found pleasecall Julie Targ 288 8177.FREE PETSA black labrador sired these delightfulpups. First come, first served. Onlytwo left. Leave a message for DianeSilverman at: 337 2400BREIRA MEETINGBreira's National Membership Convention has just concluded Hear participants' reports on debates on theArab Israeli conflict and theAmerican Jewish community. Thurs¬day, March 10,8 pm, 5464 S. EverettSEEKSUMMERSUBLETAtty and wife seek hse. or apt to subletJune to Sept Write E Robinson 21Ellery St. H1 Cambridge, Mass 02139FREDASTAIREHappy Birthday, SC!(E leven Days late is better by far thaneleven steps off?) Ginger RogersGOODCHEAP FOODJoin the Hyde Park DistributionCenter—a nonprofit food coop Atwholesale prices we get fresh produce,dairy products, meat, baked goods,nuts, grains, flours, honey, cider, etc.Next distribution Tuesday 3/8 at 6 p.mat the Gargoyle Come see how wework For more info call 955 5826 KENNEDY. RYAN, MONIGAL & ASSOCIATES. INCDirectory of ValuesWe Know Hyde ParkReal Estate Inside OutHOUSES FOR SALEREMEMBER ALLTOWNHOUSESARE NOTCREATEDEQUALOur new townhouses to be builtthis Spring on Blackstone at 54thoffer outstanding design featuresfor contemporary living Eachhome features 3 or 4 bedrooms, 2or 2'/2 baths, in house garage,solarium and much, much moreSee our scale model and floorplansPRAIRIE SCHOOLMANSIONThis lovely 15 room brick mansionhas great potential for a superKenwood home 5 baths, 2 cargarage surrounded by period ironfence. For information or to see,call Richard E. Hild 667-6666 or752 5384KENWOOD LOCATIONA 2-storv house with 7 largerooms, large kitchen, 2 baths,woodburning fireplace, 4bedrooms, full basement, new fur¬nace, new roof Lot size 35 x 150.All for $49,500 Call Don Tillery.667-6666APARTMENTS FOR SALEHI RISE CONDOSpectacular 14 floor view of thelake and city. 3 bedrooms, 2 fullbaths - like new kitchen with dish¬washer, double oven, side by siderefrig, and freezer, complete withbreakfast area LR has diningalcove and study alcove. Call JEdward LaVelle 667 6666AGREATLIFESTYLEIn this deluxe apartment condo 3bedrooms, 2 baths parquet floors,carpeting, custom shutters,sauna, pool, 24 hour security-all inCornell Village. Asking $60,000Call Don Tillery 667 6666U.OFC.LOCATIONWalk to class Newly decorated.Beautiful oak floors Less than$100 per month assess This co-opbuilding even has a poo! table$13,500. To see, please callRichard E Hild 667-6666 (res 752-5384LIGHT AND AIRY2 BR co-op apt. in well-kept courtbldg. Convenient to University and1C Parking Individually-controlled radiant heat Requiresboard approval. Call 667 6666BIGGER THAN A HOUSEbut easier and less expensive tolive in. Eight plus (extra solariumrooms. Kitchen is super, aptbeautifully maintainedthroughout. Sunny bright, allappliances Custom walnut studywith wall built-ins Must be seenHigh 50's Nr. Hyde Park Bivd &Woodlawn. Charlotte Vikstrom667 6666APARTMENT BUILDINGSAND LAND FOR SALESOUTH SHOREMAGNIFICENTOLDER HOMENeat, sharp, renovated 8 roomhouse, side drive, full basement.Ideal for proud young owners.Near 76th and I.C $32,500 Call AlDale 667-6666INTRODUCING...THE ONE BY THE LAKECharming 4 bedroom home onSouth Shore Drive near 77th St.Large yard 50 x 220 Many extrasPriced for immediate sale at$47,500. Call Margaret Kennedy667 6666BEAUTIFULHIGHLANDS11-room residence on lot 100' x135'. Large LR w/naturalfireplace 6 bedrooms, library,solarium. 3 full baths plus 2 half-baths. 3 car brick garage w/sidedrive. Cent, air Priced in upper60's. Cal! Mrs Ridlon 667 6666OVERLOOKS14TH HOLEThis cozy condo at 67th & Crandonenjoys a panoramic view ofJackson Prk, U. of C. and downtown. 6 rooms, working fireplace,indoor parking Only $23,750 Call667 6666LARGE CONDOON HYDE PARK BLVDOnly 3 apts in bldg - this beautifulthird floor unit has 9 large rooms,5 bedrooms, formal dining roomlots of large closets, sunporch, twobalconies, fireplace, two chan¬deliers, 3 baths, modern kitchenand storm windows throughout.Low assessment Asking $43,000Call Don Tillery 667-6666TEAK BUILT-INSTUDYSuper coppertone and walnutkitchen 5 large rooms 2 baths -high floor - sunset views. Financmg available $21,500 co-opCharlotte Vikstrom 667-6666MODERN CO-OPThis newly listed modern onebedroom co-op apt has a beautifulnew kitchen with dishwasher &ceramic top stove. It's air con¬ditioned and has radiant heat. It'sconveniently located for U. of Cstudents and is a great buy at$17,000 For further info or to seeplease call Richard E Hild 667-6666 (res 752 5384RIDES WANTEDRide wanted to DC spring break. Willshare driving, expenses, etc. CallMarch 753-2249 (ext 3428 X) and leavemessage.Ride wanted to Wash DC or thereabouts over break. Will share, tc.Anthony 753-3773 (203).FREE PETSweet and kind pet. Loud watchdog.Unknown parentage but noble lineage.Female and fertile. Household unableto give adequate attention to thisdesireable animal. Good home a must.References. Leave a message forDiane Silverman at 337-2400.STUDENT COOPBooks bought and sold. Permanentbargain book table; new additionsweekly Open 9:30 - 6:00 M-F, 10-4 Sat.DANFORTHDanforth Fellows lunch meeting Mon.March 7, 12:00 p.m.; Swift 201 Topic:Expectations, Now and Later.HELP PRIMAVERAPrimavera, the women's literarymagazine needs students to contributemanuscripts and artwork. We alsoneed editorial assistants & businessmanagers. Contact us c/o Ida NoyesHall or call Janet at 752-5655.AUDITIONSFor Blackfriars Spring Show The Cas¬tle. Ida Noyes Theater March 2, 7:3010:30 March 5, 1:30 - 4:30.BOOKS BOUGHTBooks bought & sold everyday,everynight 9-11, Powells, 1501 E. 57thSt.HIRE AN ARTISTFree-lance artist specializes inpreparation of visual stimuli for psychresearch. Also general illustration,etc. Noel Price 493-2399FREE TUITIONFREE TUITION for 1 or 2 years at anyone of 140 Universities, TechnicalSchools and Yeshivas in Israel. Fullyaccredited programs for Junior Yearand Graduate study. Enrollmentminimum 2 years in advance, benefitsvalid for 12 years. Please contact:THE GIFT OF EDUCATIONDepartment CH Suite 51475 Rockefeller PlazaNew York, New York 10019212-541 7568 or 7530.PAN PIZZADELIVEREDThe Medici Delivers from 5-10:30weekdays, 5-11:30 Friday and Satur¬day, Sunday 5-10.30, 667 7394. Save 60cents if you pick it up yourself.REGENERATEInterim yoga classes forming for moreinfo call 643 3595, DobbiREAL ESTATEA turn of the century mansion design¬ed for elegant, comfortable living foryou and your family. Seventeengorgeous rooms serviced by 5V2modern baths. 2 kitchens plus the cozywarmth of 7 wood burning fireplaces.This unbelieveable showpiece must besold. Financing available. REMARC288 7838MASSAGEWORKSHOPThe best way to get a good massage isto learn how to give one Workshops inSwedish and Rumanian Deep musclemassage begins this Thurs. Feb 24th,7:30 9:00 at the Gargoyle TextDowning's The Massage Book 7 sessions $35 Call Cobbi 643 3595.FEELGREATTotal Body massage workshop beginsthis Thurs., Feb 24 at the Gargoyle7 30 9 00 p.m. $35/7 sessions Call Dobbi 643 3595WOMEN'SMAGAZINEPrimavera, a women's literarymagazine, is on sale in all Hyde Parkbookstores & Bobs NewsstandVolume #3 is out!SPACE1 Br apt near lake, I C .JJC AvailableApril 1, must see to appreciate 2886140 after 6 00 CREATIVESERVICESCreative Sabbath Services are heldevery Friday at 7:30 p.m at 5715 S.Woodlawn. For more info, call752 5655PERSONALSTo all those hip bearded dudes, hatstealers, and heart wrenchers:Howya' doin, and blow it out your ass.The Heartbeat's got a murmer, but notcardiac arrest. Let's see about a littlepumping action.Oh ye Gods! 19 years of my life spentin misconception! Only now do Irealize that for breakfast BANANASare by far superior to orange juice.Moffi."The high price put on cous cous atruly enigmatic material obliges meto sign off and to send you my friendlywishes.How to beat those Winter QuarterNinth Week Blues: Hop through thefourth floor of Regenstein repeatingthe word "poopsie" with every hop...Tell John Wilson he has nice eyes... Goto class in a gorilla suit... Go to the ArtInstitute and look at Seurat's "SundayAfternoon"... Count the Dots.. Erect asign over the front door of Wallace thatsays, "Abandon all hope ye who enterhere"... Go to Jimmy's for breakfastand have three plates of french friesand a warm pitcher of last night'sbeer... Then go to your first class andthrow up... Get laid.TEXANSHappy independence day, March 2.Don Jones & John Woods.PERSONALSBlue-Eyed Babe! Have not seen you on3rd floor yet.Chicago Hot-Line — The city's sexreview. Straight and gay erotica. $5.00to T.R.A., Box 7425-CM, Chicago60680Writers' Workshop (Plaza 2 8377).DATING SERVICE. Over 1200members. Ladies join free 274-6248 or274 6940.Pregnancy Testing Sat. 10-2Augustana Church, 5500 Woodlawn.Bring 1st morning urine sample. $1.50donation. Southside Women's Health.324 2292Russian typewriter wanted,preferably used. Call Spider Ostapchuk 324-2285Pregnant? Troubled? Call 233-0305 foraffirmative Help 10-2 p.m. Free test.Books due this week? If you return anexpensive one, get a receipt; otherwise you could pay.• in •: HYDE PARK :• /'all •• 493-2740 5-9pm !•••••••••••••••••«i PIZZA !PLATTER14601. 53rdMl 3-2000FAST DELIVERY ]AND PICKUP• iATTENTIONMAROON ADVERTISERSUSING FAC EX FOR ADDELIVERY MUST ALLOWONE WEEK FOR TRANSIT.PLEASE ENCLOSE 102 FORMWHEN APPLICABLE. BLOCK LONGVacant land near 84th & Stony.Transfer good title immediately.$125,000 Call Charlotte Vikstrom667 66668 UNITAPARTMENT BUILDINGExcellent Hyde Park locationGood income Double plumbingNew wiring For information sheetand to see please call Richard EHild 667 6666 (res 752 5384)SOUTH SHORE DRIVEBrick 3-flat with extra deep lot 3-7room apts in good condition 5 cargarage Tor more informationplease call Margaret Kennedy667 6666 A GREAT SIX FLATLocated in West Hyde Park on52nd St 3-5 rooms 3 6 rooms Allw/2 baths, new circuit breakersnew furnace. 4 car garage Pricedlow at $57,000 (negotiable). CallDon Tillery at 667 6666INCOME PROPERTY17 flat bldg w/9-6'z, 6-4<2 & 2 3 sincl. new roof, new wiring w/cir-cuit brkrs , outside door intercom,new gas furnace & water heaterGreat for condo conversion NearLake Price $145 000 is negotiable71st and Coles Call Don Tillery667 6666INVESTMENTOPPORTUNITYSharp, corner, well maintained 15apts near 70th 8, Oglesby 9 4 s, 65 s. Good tenants Asking $115 0001461 East 57th Street. Chicago. Illinois 60637667-6666Daily 9 to 5 Sat. 9 to 1, Or call 667 6666 Anytime-The Chicago Maroon Friday, March 4,1977 19****************************************+*************4 j^bWAR\Hyde Park's residents are long reknown as staunch defenders of independent thoughtand action. For years when the rest of Chicago may have sat passively by whileinjustices were done Hyde Parkers have repeatedly stood up for causes they believedin.Most residents may not be aware however, that they are the unwitting pawns in adramatic David and Goliath struggle being fought in their midst, right now'This conflict involves the multimillion dollar Chas. Levy Circulating Co., and . . .Bob's Newstand. 51st ano Lake ParkThe entire metropolitan region of Chicago receives 90-95°6 of its reading material otherthan local newspapers from the Levy Co.This means that all magazines paperbacks, weekly national tabloids, and most im¬portant. the daily and Sunday New York Times can only be received by storekeeperswho deal with Levy They have a virtual monopoly.Why should this concern Hyde Parkers7 Because this enormous corporate giant istaking steps that could have the result of forcing Bob's Newstand out of business.The reason being that for years they have haa no local competition at all. until now.Levy is concerned because Bob's Newstand. your steadfast neighborhood news sourcesince 1965. has branched out ever the last year Bob's now distributes 60 differentmagazines and newspapers to some one hundred stores at prices cheaper than Levy.This gives the store owners a new opportunity to choose who he purchases his pub¬lications from, at a competitive price A very basic freedom, but one Levy is deter¬mined to eliminateLevy was aware of Bob's distributing business but apparently assumed it was nothingto be concerned about for tne first year. This was because Bob's was initially onlydistributing obscure journals to selective stores. Early this year Bob’s began dis¬tributing the major titles, such as Playboy Chicago, etc. and dealers respondedfavorablyLevy finally reacted wiien Bob's ceased buying any magazines from them and switchedto an out of state source insteadAs more and more independent store owners switched all or part of their magazinebusiness to Bob's Levy's president called Bob Katzman. in for a meeting at Levy'snorthside corporate headquarters. His offer, summeo up, was why not sell out your operation to us? We will buy yourstores as well as your distribution company, and you could work for us at manage¬ment level. No longer will you have to work 100 hour weeks, wear dusty blue jeansor sell newspapers in the snow! ... and no more competition for Levy, of course.Except Bob refused to sell. Not for any price. Some things aren’t for sale, like Bob'sindependence.Levy’s president threatened to spend up to two million dollars if necessary to opena store in Hyde Park to compete with Bob’s. And then the meeting ended.Recently readers of the New York Times may have noticed a sudden advertisingblitz in neighborhood newspapers, listing numerous strange new sales outlets forthe Times, such as the A & P food store and Walgreens Drug store.This is no small happening.The Levy Co. persuaded these places to start carrying theTimes because Levy knowsthat by cutting into Bob’s New York Times sale, they also reduce his sale of Chicagopapers and magazines as well. This seriously jeopardizes the viability of the business.And why is Bob’s now receiving many of his major magazine titles later than down¬town stores serviced by Levy?8ecause, ironically, even though Bob’s and the Levy Co. are competing. Bob’s isstill dependent on Levy for magazines.Here is how:Bob's buys his magazines from another company in Indiana. However, it is Levy'strucking company that supplies the Indiana firm. And Levy is delivering their mag-zines late.Bob Katzman, 26. owns and has operated Bob’s Newstand since he opened it in 1965.when he was 15.His business has grown and prospered as it has accommodated Hyde Park’s special¬ized interests. In return. Bob's employs some 20 Hyde Park residents, aged 14 to 84.black and white, men and women.Levy's actions could stop an enterprise that serves Hyde Parkers 365 days a year,regardless of freezing weather, fires, or personal illness. Bob’s needs your support,and business now more than ever before.Bob is not afraid of a good competitive fight, but it is considerably more difficultwhen your opponent’s gloves are made of gold.Before you buy your New York Times from a large chain store, think about what youare doing and what it can mean to free enterprise in Chicago.Interested citizens address inquiries to: Bob Katzman. 5100 S. Lake Park, Chicago, Illinois *******************************************************20-The Chicago Maroon Friday, March 4. 1972