Chicago MOf OOP!fTHE UNIVERSITY OF CHICAGO FRIDAY, APRIL 30, 1976CQLR Advises New CanteenBy Peter CohnThe Committee on theQuality of Life in Regenstein(CQLR) has recommendedthe installation of substantialnew canteen facilities on theA-level of the library.A stepped-up food con¬tainment policy,including aninspection procedure at themain entrance, would ac¬company the new policy. The proposal does not callfor any major architecturalmodifications. Changeswould include new vendingmachines with a widerselection than the ones nowin use, new furnishingconstructed with durable,low-cost materials, includingthe possibility of a stand-upbar, and indirect, very lowlighting in the canteen areas.Containment of food to the canteen area is a crucialpart of the CQLR recom¬mendation. The reportsuggests the installation of“a very substantial revolvingdoor or pair of revolvingdoors at the exit-entrance ofthe facility, and thestationing of a guard justinside it, adjacent to therevolving doors.”A two—step inspectionprocedure at the main en¬ trance to the library isanother aspect of theproposed food policy. Theinspection would retain themandatory presentation ofidentification and wouldintroduce the inspection ofbags, purses, and other suchcarrying cases beingbrought into the building.Coin-operated lockers wouldbe installed in the foyercheckroom for the storage ofprohibited items.The Committee also with¬drew a recommendation thatthe Regenstein reservefacilities be move to Harper.High costs and in¬convenience were cited asthe main drawbacks of theproposalThe new report also in¬dicates that "problems withRegenstein policies andstaff.” an issue raised in lastyear's report, “are no longera major topic of concern.”According to the new report,last year's staff problemscame about largely as theresult of the tense at¬mosphere produced by thesecurity measure introducedafter the library fires in thewinter quarter. The reportalso praised the libraryadministration for “sub¬stantial improvements inRegenstein s dealings withits users since the issuanceof last spring's CommitteeReport.”Floor plan showing recommended changes in the Regenstein A-level canteen included inthe CQLR report. No major structural alterations have been proposed.SG Reverses, Endorses Admissions ReportBy John MilkovichStudent Government’s(SG) Committee onCurriculum and Admissionsstaged a dramatic reversalMonday night, obtaining SGAssembly approval on an ad¬missions report only slightlydifferent from one theAssembly had once rejectedThe report, whichdocuments a 31% decline inblack enrollment in theUniversity over the last fiveyears and a 14%drop in thenumber of women in thecollege since 1968, wasdefeated by a vote of 25-18April 19th when its op¬ponents in the studentassembly criticizedstatistical errors. It was alsocharged at that time that thereport displayed a“patronizing attitudetowards minorities” andELECTIONAn election to choose aMaroon editor in chief toserve for the rest of thequarter will be held nextTuesday night at 7:30 inthe Maroon office. AllMaroon staff membersare urged fo attend. that it hurt the University’sefforts to attract minoritiesand women.But the Committee and itsbackers showed up in forceMonday with a slightlyrevised report that in¬corporated mathematicalcorrections. Also added tothe initial report was an ap¬pendix written by Com¬mittee member Steve Askincomparing UC’s graduateadmissions program to thatof Northwestern University.According to Mr. Askin,Northwestern makes “farmore explicit commitmentsto assist (minority)students” than the U of C.The appendix noted thetermination ol a Universityprogram designed to providepoor and minority studentswith “a summer ofcompensatory skillbuilding.”Aside from the addition ofAskin's appendix and themathematical corrections,the report was identical toone that had been rejected aweek earlier Contained in itwas an indictment of the ad¬ministration for its failure toinitiate a “broader recruit¬ment effort to reach and at¬ tract” female and minoritystudents, and for its failureto institute special studiesprograms for blacks andwomen. The report also saidthat rising tuition coupledwith declining student aidhas made it increasingly dif¬ficult for minority studentsto attend the U of C. Tuitionhas increased 33.6% since1971 while fellowships,scholarships and grantshave dropped by 18.4%during the same period oftime, according to thereport.SG voted 39-5 to accept therevised report and has ao-propriated $100 to reproduceand disseminate it.“I think we're in a race tosee who can raise thestudent's tuition higher.Student Government or theadministration.” declaredgraduate representativeLeonard Winegora. voicinghis opposition to studentfees SG reflected his sen¬timents voting a proposaladvocating that SG impose atax on students to be used insupport of student activitiesand urging students' to voteno on a similar proposal tobe offered by the Major Ac¬ tivities Board and the Deanof Students' office in a cam-pus-wide referendum laterthis epring.SG indicated an ac¬ceptance of expenditures inone area, however.“Students could getmugged, or raped, or tor¬tured or killed if we didn'thave security guards for twohours ” So saying. PhillipGrew moved a resolution,co-sponsored by LaurenFurst, that expressed“complete solidarity withthe University of Chicagosecurity police” in acontract dispute with theadministration“The administration ismanhandling them,”charged Mr Grew, whoseresolution faulted the ad¬ministration for failure toprovide the security guardswith legal aid or adequatetime off for injuriessustained in the line of duty.The resolution, which wasendorsed by near unanimousconsent of the Assembly,also denounced the ad¬ministration for not ac¬cepting negotiators ap¬pointed from the securityguards. CIA Looks ForFaculty ContactsBy David BlumSeveral University ofChicago professors havereceived calls from theCentral IntelligenceAgency (CIA).in a mannereach termed totallylegitimate, and wrere askedgeneral questions con¬cerning foreign in¬telligence matters.Information has beensolicited from faculty bythe CIA over the past 25years, either before orafter trips taken abroad.The agency asked them torespond to generalquestions concerning theirareas of knowledge basedon material gathered fromforeign travel. No in¬formation is available onwhether payments weremad e to any professors bythe CIA The report of thesenate IntelliganceCommittee earlier thisweek indicated thatpayments were often madeto professors through frontorganizations. withouttheir knowledge“I don't see why. if theCIA asks me a questionabout a trip I’ve taken oram about to take. Ishouldn't provide an an¬swer. ” said Morton a.Kaplan. Professor ofPolitical Science and anexpert on Soviet affairs.“The CIA is an Americaninstitution, and I'm notagainst the United States.”The difficulty, said Mr.Kaplan. lies withprofessors who provideinformation to the CIA on apaid basis and keep thatfact secret from both theirsources of informationand the institution forwhich they work‘‘I'm opposed tosurreptitious funding, but1 don't think the faculty here would beinvolved with anthingsurreptitious as far as theCIA is concerned.” Mr.Kaplan said.Norton S Ginsburg.Professor of Geography,who has been calledseveral times over the past25 years by the CIA forinformation regardingwork he has done abroad,believed that some Chicagofaculty might be currentlyemployed by the CIA toobtain information in othercountries.“I'd be astonished if therewere no such people at theUniversity of Chicago.”said Mr Ginsburg.The agency's method ofoperation. Mr Ginsburgsaid, includes callingprofessors who are goingabroad for research pur¬poses—often recipients ofFulbright scholar¬ships—and providing themwith questions relating tointelligence research.The last time they calledme was seven or eightyears ago. when I cameback from some time at theUniversity of New DelhiThe asked me what life waslike in New Delhiand thingslike that.” Mr GinsburgsaidHe noted that the CIA hasnever asked him aboutspecific individuals, andthat only once was he askedin ad\ance to pose certainquestions.“When they give youquestions to ask and youget the answers under yourstandard identity as anacademic. then youbecome their agent.” MrGinsburg said.Arnold Harberger.Chairman of the Depart¬ment of Economics whohas extensive contacts inCIA TO 2jSchlesinger Calls ForUS World LeadershipBy Landy CarienThe United States is ‘theglue that holds together theNorth Atlantic alliance.”former US. Secretary ofDefense James R.Schlesinger told ap¬proximately 500 people in atalk at the Law SchoolWednesday.His lecture, titled "Europeand America: The Securityof The West,” was the firstannual Adlai E. StevensonLecture, sponsored by theUniversity’s Adlai E.Stevenson Center Mr. Schlesigner em¬phasized that the UnitedStates, as the "sustainingstrength for Europe.” must"continue to work on themilitary components” of itsalliance position He par¬ticularly stressed the need tobuild up conventional (non¬nuclear) forces as adeterrent to the use ofnuclear forces by theSovietsNoting the degree to whichthe world has changed sinceWorld War 11, MrSchlesinger stated that ‘theSCHLESINGER TO 4New UCBy David AxelrodThe University of Chicago,where the virtues of acompetitive market arefrequently extolled, maybecome a two newspapercampus again in the fall.A group led by ChipForrester, a third yearstudent in the college whorecently resigned as anassistant news editor of theMaroon, has begun planninga new weekly publication forthe fall quarter.Mr. Forrester wasdefeated in a Februaryelection for editor in chief of*' e 1976-77 Maroon.The new publication, yetunnamed, will, according toMr. Forrester, emphasize abroader, “New Republic-style,” approach to storiespertinent to the Universitycommunity.“We have notified theadministration of our in¬tentions, we are in the Paperprocess of becoming arecognized student activity,we are currently selecting afacultly advisor, and we willhopefully soon have officespace.”Efforts have been made toestablish an alternativenewspaper on campus in thepast. The Rap. a newspaperfounded in 1969 as anidealogical alternative to'what was then perceived as aleft wing Maroon, has notpublished since last year.Another alternativenewspaper. Chicago Quadpublished one issue in the fallof 1974.‘This one will succeed,”said Mr. Forrester. “I havehigh hopes.”Peter Cohn, who waselected 1976-77 Marooneditor, said he “welcomes”the new publication.“I think competition is ahealthy thing,” said Mr.Cohn, a second year studentin the college. Agency Questions Faculty On Trips AbroadCIA FROM 1Latin America, said that hehas been contacted ‘two orthree times in the past 20years” by the CIA withquestions concerningforeign intelligencematters.“If I wanted to take aknife and slit my throat, Icould think of no better waythan by going around LatinAmerica asking questionsfor the CIA. Those threeletters work like alightening rod downthere,” said Mr. Har-berger, who was recentlyembroiled in a controversyalong with Chicagoeconomist Milton Fried¬man concerning theirconnections with thecurrent Chilean govern¬ment.‘They were just feelingme out. trying to see whatwould be my interest,” saidMr. Harberger. “I decidedthat there would be toomany adverse rever¬berations.”There was little reaction among faculty to theSenate IntelligenceCorhmittee’s CIA reportreleased this week, whichindicated that the agencymade significant use ofacademics in their covertoperations. None had anyknowledge of University ofChicago faculty in¬volvement with the CIA ona paid informant basis.The New York Timesrecently reported an in¬crease in recruiting oncollege campuses by theCIA. and noted that morecollege graduates aregoing to work for theagency now than during the1960’s. Anita Sandke,Director of the Office ofCareer Counseling andPlacement, was not awareof such an effort at theUniversity of Chicago.“Occasionally a studentwill ask us for informationabout theCIA. and we sendhim down to the Chicagooffice. The recruiters don’tcome on campus, and weCourt Theatre Presents don’t really know howmany students have talkedto them or have gone towork for them,” Mrs.Sadke said.At least two students inthis year’s graduatingclass plan to work for theCIA following graduation. according to reliablesources. Both students aremaster’s degree can¬didates in InternationalRelations, but neithercould be reached forcomment on the specificnature of their futurepositions with the agency.INSIOE THE OLD SEMINARY CO-OP WAS ABIGGER BOOKSTORE WAITING TO GET OUT.NOW A BIGGER, BETTER BOOKSTORE ISSPREADING UNDERGROUNDMORE SPACE! MORE BOOKS!Seminary Cooperative Bookstore Inc.5757 S. University Ave. 752-43819:30 to 4:00 MON.-FRI.iMiss Julie by StrindbergDirected by Terry Zehr 8:30 P.M. New TheatreOpening May 1st 753-3581 $2.50, $1.50 with IDsHYDE PARK'S BIGGEST CHEESE SELECTION AND LOWEST PRICESThe Flying £ax BaxIT HAPPENS FINALLY...WE LIVE UP TO OUR NAME!! ON THIS SUNDAY WEwill deliver to anywhere in HP-KEN. ONE (OR MORE!) FLYING LOXBOXES FOR THE PRICE OF ONE THIN $5.00 BILL. IT WILL CONTAIN ENOUGHLOX FOR TWO (COUNT THEM TWO) GENEROUS SANDWICHES, BAGELS FROMKAUFMAN'S, CREAM CHEESE (CHIVE REGULAR OR PIMENTO), YOUR CHOICE OFCOLE SLAW OR POTATO SALAD, AND TWO GENUINE DR. BROWN'S SODAS. ALLTHIS AND DELIVERED BEFORE 9:00 AM SUNDAY TOO. THERE IS A CATCHHOWEVER. YOU MUST PAY FOR IT BY SATURDAY NIGHT. FOR $1.00 EXTRA WEWILL ALSO DELIVER ONE FRESH SUNDAY N.Y. TIMES.BY THE WAY AS AN INDUCEMENT WE WILL ALSO HAVE ON SALE:IMPORTED FETANORWEGIAN TILSITENGLISH DOUBLE GLOUCHESTER 089A PER LB.11 49PER LB.99PER LB. SMOKED CHUBSKOSHER PASTRAMIIN CREAM ORHERRING wine saucePrices are for one pound or more 099^ PER LB.099^ PER LB.•1991 PER LB.HOURS:M-F 10 A.M.-8 P.M.SAT. 10 A.M. 8P.M.SUN. 8 A.M.-3 PM.2—The Chicago Maroon - Friday, April 30, 1976 Ryutg jCax Bax5500 S. CORNELL241-7050 or 241-7051CALENDARWalpurgisnacht Debauch ReturnsSince time immemorial,the pagan population ofEurope made frenziedcelebration late into thenight before the dawnbrought May Day and thelong awaited com¬mencement of Spring.Following the advent ofChristianity and thecanonization of SaintWalpurga, the night came tobe known as Walpurgis¬nacht, and the pagan ritualswere adopted by Satanists.Sacrifices and deflorationof virgins did not disappearfrom the celebration.For the past two years, at11:30 p.m. on April 30,MilitaryDraft MayRise Again hundreds of U. of C. studentshave poured out of theirhomes and libraries for aneerie torch light marchproceeding from BurtonJudson Courts to Woodward,Pierce, and Regenstein, andending in Hutchinson Court.The Mitchel Tower bells pealfuriously till midnight whenall falls silent and the BlackSabbath begins. This year, inline with ancient tradition, aU. of C. first year studentfrom Mississippi namedMeredith will be sacrificedby a graduate student inmideival GermanicLiterature and one timestudent of sorcery.Although the roast meatsLinking the size of thevolunteer army to the stateof the national economy, afederal commissionrecommend revival of thedraft system on a standbybasis.The Defense ManpowerCommission warnedPresident Ford andCongress that the armymight face serious man¬power shortages in the eventof a sudden war. Thisspeculation is based on their at tonight’s celebration willnot have the dramatic flavorof meat from live animalstorn to pieces by frenziedcelebrants of Dionysiandebauchs in ancient Greece,free beer and cider willcertainly help fill out thefestival air of the event.Weather permitting, dancingshould proceed late into thenight.Why do otherwiserestrained U. of C. Studentssuddenly mass in the middleof the night for an irreligiousoutburst of indecentexuberance? An¬thropologists have longpointed to the emergence ofprojection that enlistmentswill fall off once the economybegins improving.To help avert such asituation, the commissionrecommended pay raisesand enlistment bonuses, tomake army salaries com¬petitive with civiliansalaries. An additionalworry for the commissionhas been what they call theunpreparedness of theNational Guard andReserves to respond to anational emergency. They festivals of release in strictlyregimented cultures. This nodoubt is a contributing factorin the present case as well.It is expected, however,that with the dawn, calm willreturn. Although the civiland restrained dance aroundthe maypole has beenpostponed to May 3 at the U.of C. this year, the midnightdebauchers should returnpeacefully to their studiesand normal lives, theirstarlit carryings ongracefully forgotten, con¬tinuing the unbroken chain ofcelebration from the dimrecesses of their paganancestral past.feel this exacerbates thepotential dwindling ofregular Army enlistments.The commission alsostrongly urged Congress totake steps to prevent theunionization of the armedforces. They also demandedthat Pentagon officials takesteps to eliminatediscrimation against womenand blacks in the armedforces, and noted that mostof the armed forces is stillcomprised of the middleclass. FRIDAYFOLKDANCING: All levels, teachingfor one hour, 7 30 pm, Ida NoyesDOC:The Wizard of Oz, 6 30, 8:30 and10 00 Cobb 51THE ARABIC CIRCLE 3pm, Pick118, discussion in Arabic on "EthicalValues of the Brigand Poets in PreIslamic Arabia" Adel GamaiTHE PERSIAN SOCIETY: 3pm Pick205, discussion in Persian on"Publishing and Libraries in Iran"Abazar SepehriGEOPHY LECTURE Douglas Lillyon Downslope Wind Storms 3 30 pmHinds AuditoriumCHRISTIAN FORUM: PresidentialPolitics, Ida Noys East rm 8 pmCALVERT HOUSE: Chine discussionGroup 8 pm Calvert HouseHILLEL: 7:30pm Adat ShalomShabbat dinner, 52.50 Hillel HouseSATURDAYDINNER SI 50 a plate at CrossroadsStudent Center, 5621 Blackstone, 6 00pm Students welcome.Kt-AIKIDO Practice meditation andaction with the U C Ki Aikido Club,3 00 to 4 00 pm, Bartlett GymUC SKI TEAM: meets every Saturdayat l at Bartlett Gym for discussion andfor workout at Stagg FieldMASS FOR SUNDAY: 5 pm CalvertChapel 5735 S UniversitySACRAMENT OF RECONCIL¬IATION : (confession) 4305 00 Calvert ChapelLECTURE 2 5 pm on Culture andRevolution by Prof Hao Wang ofRockefeller U Also, musical drama &slide show Cobb Hall Auditorium. 7 30pm movie on "College Students" inIda Noyes TheatreTUMBLEWEEDS. Dancemnusic,theatre collective from San FranciscoIda Noyes Cloister Club 8 30pm $2 00student, S3 50 generalCEF: Black Orpheus by MarcelCamus 7 15, 9 30 Cobb SIFOTA Blues ant Boogie Woogie PianoConcert Little Brother Montgomery,Floyd Dixon, Willie Mahon and SamPrice Mandel Hall 8 p m S3 50general public, 52 00 studentsSUNDAYBAHAI: informal discussion on "The Relationship between Science andReliqion" 6 30pm Ida NoyesROCKEFELLER: 9 45am SundaySeminar, Chapel Undercroft, BibleReading Seminar conducted by ESpencer Parsons, Dean of the Chapel11 am University Religious ServicesPreacher Nathan A Scott Jr., ShailerMathews Professor, Divinity SchoolSermon The Bearing of Burdens,4pm An hour of dance and song,without ticket and without chargeCAt VERT HOUSE: Masses 8 30am6 5pm Calvert Chapel 11am Folk MassBond Chapel Sunday Supper 6pmCalvert House Jl 50 advanced sign upat Calvert required, 7pm lecture andpanel response "Sexuality and PapalTeaching A Critical and constructiveresponse within community" JamesF, Bresnahan S.J. and a panel oftheological students from the JesuitSchool of Theology Calvert HouseTHINKING AND WRITING PAPERSAND DISSERTATIONS Class ondeveloping ideas that excite you 9pmBlue Gargoyle FREECROSSROADS "The Grain in TheStone" Bronowski's series—TheAscen of Man focus on man asbuilder and architect Shown at 8pmOpen to all Crossroads 5621BlackstoneHILLEL: Lox and Bagel brunch, SI 75Hillel HouseFOLKDANCING 8/ General Level,teaching 1 1/2 hr, donation 50c IdaNoyesFOTA Joel Shapiro, piano Works ofCopland and Binkerd 3 30pmLexington HallCOMPUTER CLUB weekly meetingReynolds Club N Lounge 1 p mDOC Alfred Hitchcock's Sabotage,7 30 and Secret Agent 9 30, Cobb $1MONDAYCHESS U C Chess Club, 7 00 pm, IdaNoyes, Everyone welcomeKARATE U C Karate Club meets inIda Noyes, 6 30 pm 8 30 pm.C S LEWIS GROUP: The ScrewtapeLetters Ida Noyes, East Rm 6 30pmMAY DAY DANCE on the Quads,noonCHEM LECTURE Henry Rapoporton Porphyrin Peptide Bonds, etc 4pmKent 103MIDDLE EAST RESTAURANTIs under new managementGood authenticmiddle eastern food| at reasonable pricesConvenient location at5444 So. Damen(Free customer parking)Specials every day10% Discount on meal withthis coupon!INTERNATIONAL HOUSE FILMS PRESENTS LAKE PARK RENTALS6633 S. Cottage GroveRentToolsBuffersChain SawsDolliesRototillersElectric SawsRug ScrubbersSandersTile CuttersLawn MowersWallpaper SteamersRYDER TRUCK RENTAL ONE WAYRents trucks to move ityourself. Low rates one-way.Newest auto-shift Chevys &other fine trucks. Power-lifttailgates, moving aids,nationwide road service, in¬surance, credit cards."FOR INFORMATION CALL Trailers• TrucksCALL667-8700DAILY7 AM to 6 PMSUN.8 AM to 3 PMTake advantage of the 10%discount on all one-waysreserved before May 29,1976. With this ad.IF...1414 E. 59th 7:15 P.M. Saturday, May 1$1 CLOWNS9:30 PM. Yes, we have popcornFriday, April 30, 1976 - The Chicago Maroon—3Public Opinion VitalTo National DefenseSCHLESINGERFROM 1luxury of withdrawal andwaiting is no longeravailable to us. ...We aredeeply enmeshed in the veryforeign entanglements thatWashington warned usagainst.”Because of the largenumber of small and middlesized states which now exist,Mr. Schlesinger believesthat the US. is the onlyavailable counterweight inthe free world to “thesuperpower known as theSoviet Union.” He notedhowever, that the vitality ofthe North Atlantic TreatyOrganization (NATO)alliance depends on themoral stamina of the in¬dividual nations comprisingthat alliance, and that themoral stamina in general isnow at iow ebb.” But, headded, this is only tem¬porary: ‘the nature of freesocieties is that they havetheir ups and downs. TheUnited States remains themost resilient society onearth.”Indicating that defenseproblems now are morepolitical than military. Mr.Schlesinger explained thatour allies do not makesubstantial efforts to in¬crease their military forcesbecause they fear that wewill correspondinglydecrease ours. Mr.Schlesinger emphasized thatthe other NATO nations must be assured that the US. willnot decrease its forces if theyincrease theirs.Mr. Schlesinger noted theimportance of shared valuesand goals to the continuanceof the North Atlanticalliance. “We are indeed thedaughter of Europe. ..the US.represents the inheritance ofEuropean culture and inparticular the 18th CenturyEnlightment. ...Unless thereare shared values, noalliance can be permanent.”The most important goal ofthe alliance, Mr. Schlesingerbelieves, should be to buildup deterrents as fast as theSoviet Union builds up itsnuclear forces. One of thebest deterrents to the use ofSoviet nuclear power, hestated, would be a unitedEurope. The US. shouldthrow itself enthusiasticallybehind the movement forEuropean unity...Americanleadership can push Europein the direction of politicalunity.”Both Mr. Schlesinger andthe audience were amusedby his response to a questionabout whether the Sovietsare producing more cost-effective military equipmentthan the US. He noted thatone problem of the US. isthat “we're trying to give theAmerican boys on boardthose ships (Navy vessels)an American standard ofliving.” James Schlesinger, the hawkish former Secretary ofDefense. In explaining recent enthusiasm in Washingtonfor increased defense spending, Mr. Schlesinger quippedthat "the money tree is apparently watered with the bloodof martyrs." Andrews Resigns,Vail Named Acting EditorMaroon editor Gage An¬drews announced hisresignation at last Tuesdayevening’s staff meeting.News editor John Vailbecame acting editor, and isexpected to head the paperuntil the end of the quarter.Two other editors haveresigned within the past twoweeks. Chip Forrester lefthis post as associate newseditor, and Sally Petersonquit as layout editor. Bothformer editors will continueon the Maroon staff asreporters.The text of Mr. Andrewsresignation statementfollows:“For the last few weeks,the Maroon has been muchon my mind. Several shortterm crises arose; some longrange problems reappeared.I have dealt with each ofthese as honestly, as ef¬fectively, and as well as Iknowhow.“My goal for the Maroonthis year was complex. Iwanted to restore financialstability to a paper that wasteetering. That has hap¬pened. I wanted to preservea sense of the Maroon’sresources and history thatwas being threatened. I havelaid the foundation for doingthat. I had five years ex¬perience with the Maroonand its problems, and want¬ed to bring them into focusand managable proportions.I think I have done that. “To accomplish my goalsfor the paper, I brought tothe Maroon skills in editingand in layout. Unfortunately,the managerial problems Iencountered often over¬shadowed my other abilities.Yet, despite all theproblems, I retained mysense of purpose andnecessity concerning theMaroon.“Recently, and for per¬sonal reasons, I have had oc¬casion to question that pur¬pose and necessity. I havemade errors of personal andprofessional judgmentwhich, for whatever reasonsthey were made, I cannotjustify to myself. For thesereasons, I am resigning aseditor and staff member ef¬fective immediately.“I have earlier informedthe news editor, the businessmanager, and next year’seditor of my decision. I willremain in an advisorycapacity until my successorhas had a chance to learn thejob. The constitutionprovides that John Vailbecome acting editor until anew election can be called.“I leave with mixedfeelings. For me, workingclosely with many of you hasbeen an occasion for joy andrespect. I thank all of you forthe positive contributionsyou have made to the paper.I hope that in the future theMaroon will live up to thecapabilities of its members.“Thank you.”VolunteerBlood.Help UsTo HelpYou. Why Give Blood?The University of Chicago Hospitals and Clinicsalways has an urgent need for blood! A call to theBlood Bank (phone: 312-947-5579) will arrange aconveniently scheduled appointment for your do¬nation of blood. As an alternative, you can fill out a“Volunteer Donor Pledge Card” which will allowus to call you when we need a blood donation.Every voluntary blood donation at the UCHCBlood Bank automatically provides blood assur¬ance if you and your family are hospitalized here inthe future.VOLUNTEER BLOOD DONOR PLEDGE CARDBlood Bank, Rm. M134The University of Chicago Hospitals & Clinics950 East 59th Street • Chicago, Illinois 60637 • Call 947-5579□ □ □ □BLOOD TYPE RH FACTOR AGE WEIGHT(if known) (if known)Have completed a pledge card before n yes no /hl^\ donated(l have) ( nd07 ) bloodbefore(please check one) ! pledge to donate a unit of bloodif called upon, my medical his¬tory and the state of my healthpermitting.NameLocal Address i □ can □ can t make a donationduring business hours.City State Zip Local PhoneOccupation Employed ByBusiness Address City State Zip Business PhoneI can be reached by phone best at o clock.That phone number is a Normal Business HoursNormal Business daysAsk for Parking Information._ *Written Signature Date Social Security NumberThis space fordates drawn4—The Chicago Maroon - Friday, April 30, 1976An Interview With Stuart GordonBy John LanahanThe first Organic Theater Production Isaw was Warp! Part II, on August 19, 1972. Ihave since seen every one of their shows,and shall continue to do so as long as I am inChicago. I look up the names of the castmembers in the phone book. I hope I'll runinto them in the grocery store. I associatethe company with a mystique that I hopewill not be broken by analysis. And in thecenter of all my overage adolescentidolizing is Stuart Gordon, director andproducer of the Organic Theater Company.And so, one warm weekend a few weeksago, I drove up to the Leo Lerner Theater atthe Uptown Hull House Center to interviewthe master. I was slightly late, and hoped hewould still be there when I arrived. The doorto the Uptown Center was locked and I felt,standing there with my tape recorder andcasettes, a little like the wimpy kid cominghome from his violin lesson, about to bejumped by the drug-crazed neighborhoodtoughs. I knocked, and the ursine figure ofStuart Gordon came up the stairs to let mein. I humbly shook his hand, and followedhim backstage, to one of the eressing rooms.The room was small and long, mirrored andbrightly lit on one side, with concrete wallspainted light green, adorned with occasionalgraffitti written in bathtub caulking. Ifiddled with the tape recorder, getting itready for the interview, while Stuart sat onone of the creaking wood chairs, lookingmellow. He wore blue jeans and a fadedwestern shirt made of blue denim andcalico, with sparse, random sequinscatching the light. The top two buttons of theshirt were undone, and the black wool on hischest showed over the top. From thr front,he seemed pudgy, but solid. His hair wasmedium length, in thinning black ringlets,and he wore black muttonchops, exposing acleft chin. His eyes were brown, but notmemorable; and he wore glasses with darkplastic frames, which appeared to be somedistant cousin of the aviator style. His voicewas soft, yet firm; it became rhythmic onlywhen it seemed he had a prepared responseto my questions.Since Stuart is both a producer and adirector, I wanted to ask him questionsrelevant to each area. When asked if he wasa producer, he responded:“Yes. I never knew exactly what aproducer was until I came to Chicago, andthey started calling me one; and what Ithink a producer is, is the person who isresponsible for deciding what show to doand getting that show up, ultimately. Thedirector is in charge of the artisticdecisions, and the producer, I guess, is incharge of the financial ones."We discussed the origins of the OrganicTheater. The company started in Madison,Wisconsin, with a group mostly of studentsfrom the University of Wisconsin, and a fewpeople who had dropped out of school. Thegroup had difficulty in Madison, since mostof the cast would not do theater on a fulltime basis, and the company was gettingharrassed by the local theater-clique. In late1969, the company, with the aid of Paul Sillsand Jim Shiflett of the Body Politic, movedto the Holy Covenant Church at 925 W.Diversey. There, for a monthly rent of $25,the company put on its first two shows inChicago. The first of these shows, anadaptation of George Orwell's AnimalFarm, cost $300, pooled from the resourcesof the then seven member company. Thegroup made a profit on the first show, anddivided up the money in order to pay the $55weekly salary to each of the members.I asked, "Do you think you could still dosomething like that now.”"I think it would be a lot harder. I mean, at the time we started the theater for $300,and $300 today is probably worth about $30,so you would need a little bit more money.But, I think, yeah. One of the things abouttheater that excites me is that you can do itwith practically nothing if you have to—ifyou want to do it badly enough. You know,with film and TV you need all this expensiveequipment; but with theater, all you need isan actor and an audience, and you're allset."The company's work became increasinglyambitious, until Warp! Parts Mil, thesecond of which attracted even a future U.of Chicago law student. Warp! became anoutrageous success, by Chicago standards. Iwas never able to get a ticket for Warp!Part I, it was always sold out; and the showcontinued to sell out until it left for NewYork in December, 1972. I asked whathappened to Warp! in New York:"Well, I would say what happened withWarp! in N Y. basically was that it wasrejected by the N.Y. critics, although it wasnot rejected by the national critics. Therewas a very strange discrepancy goingon...."JL: How would you differentiate the two?SG: "Well, I guess I would say is, like, theNew York Daily News is a New Yorkperiodical, where Newsweek is a nationalone Newsweek, for example, gave us a ravereview, the Daily News said it was ihe worstpiece of garbage that had ever been done onstage; and so the show was closed in NewYork City at the same time we were gettingletters of congratulations from all over the country. I think what it was, was a bias onthe part of the New Yorkers—theaterpeople—against Chicago theater; andactually, since then, I've seen it not so muchthat they're against Chicago, as they'reagainst anything other than N Y."Stuart continued, "A lot of people say itwasn't a mistake doing it on Broadway, andin terms of staging the show, the showworked fine where it was being done..."JL: You did it at the Ambassadour...SG: "We did it at the AmbassadourTheater, which is a fairly small Broadwayhouse."JL: It was a proscenium stage...SG: "Although what we did is we thrust it,we did it on the edge of the stage, we pushedit, and we took out some of the rows, the firstfew rows of seats, and so we were able to doit in a sort of a thrust situation. The showwas working. I think what was wrong withthe Broadway environment was that it has acertain image, you know, the Broadway"give my regards to Broadway" school ofthinking, and that was what did us in. Ifwe'd done the show politely off B'way, therewould have been no problem; but it was thenerve of these people to do this on B'way,and not only to do one play, but to want to dothree, you know, it was too much hubris, orsomething like that."Warp! closed in N.Y. in March, 1973. TheOrganic's next show, The Wonderful IceCream Suit, opened in Chicago inSeptember, 1973. (This show has reopenedand is currently playing at the VictoryGardens Theater.) In the interim, between Warp! and Ice Cream Suit, Stuart claims, "Islept for about three months straight, andwe got the theater back together."The Company returned to Chicago, since,in Stuart's opinion, Chicago is an excellenttheater city. Theater here is far lessexpensive to produce than in N.Y., and"there is a real good audience here, and thatover the years, the Organic has built up afairly loyal following, which gives us anopportunity to take chances."The company is now expanding itsoperations. In addition to the Leo LernerTheater at the Hull House Center, which willbe retained for the company's "moreintimate productions," the group is seekinga lease on the Ivanhoe Theater on NorthClark. The company intends to raise moneyby selling life subscriptions to patrons.These sell for $150 or $500 for front rowseats, ane are tax deductible, as theOrganic Theater is a not-for-profitcorporation. The seating at the Ivanhoe willbe a larger version of the arena-type houseat the Leo Lerner Theater. Although Stuartwould prefer a more flexible space, if that'snot possible, "my next-favorite would be thearena. In terms of staging, I think it is themost intimate and controlled kind ofseating."I mentioned the rumor that Stuart mightbe directing a show at the Court Theatre thissummer. My spirits fell when he said,"Yeah, I'd wanted to very much. As amatter of fact, I’d been hoping to open one ofour shows as part of the Court season, but itdoesn't look as though it's going to bepossible." He explained that the Ivanhoedeal might come through almostimmediately, and, if so, the company wouldhave to put up a show there this summer,and he would not have the time to work inHyde ParkHaving run out of questions to ask himabout producing, I asked Stuart who werehis directorial roots, his mentors. Hereplied,"I hadn't realized until I got to Chicagohow much in debt I was to Paul Sills's work;that I had been influenced a great deal bythe Second City, and by some of the things Ihad seen where I didn't know it was hisstuff, and then later on the story theater; soI would say that Sills is definitely a stronginfluence. The other one, although I haveseen very little of his work, actually, isPeter Brook; and I think his book, TheEmpty Space, is probably the best thing I'veever read on directing.""Story theater" is a term I had heard useda great deal while in Chicago. I asked Stuartto define it:"I would say story theater is where thecharacter narrates for himself. Thedifference being, other than straightnarrative, is that the narrative jumpsaround—as each character is active, as hebecomes the active individual—he narrateshimself, so that the narration accompaniesthe characterization."JL: You mean 'narration' more than justsomebody sitting up there and talking.SG: "Right—what happens is that you'llhave a story theater presentation that willbegin with the little girl saying, 'once upon atime there was a little girl who walkedthrough the woods to visit hergrandmother,' and then the wolf would pickup the next piece of narrative and say, 'andshe met a wolf,' and so what happens is thatthe actor is explaining, he's telling the storyat the same time he's acting it, but thenarration jumps from character tocharacter when he's active.I asked Stuart what he liked about storytheater. He answered, "I like it in that it is(continued on page 8)April 30, 1976 - The Chicago Maroon—5Friday,******************STUDENT GOVERNMENTFILING DEADLINES EXTENDED UNTILTUESDAY. MAY 4 AT 12:00 NOONELECTIONS TUES. & WED., MAY 11-12* Petitions available in the S.G. Office (218 Ida Noyes),Student Activities Office, and the Ida Noyes Desk. Petitionsmay be signed by any 10 registered students.* Use only the form provided by S.G.* File for the constituency which you will be a member ofnext fall.* Parties must file a Party Registration Form for party nameto appear on the ballot.* Contrary to previous announcement, dorms will electtheir representatives at house meetings. Dorm candidatesnot now living in the house they wish to be elected fromshould still file petitions to insure they will be considered.LAST CHANCE****************** Full Time Summer WorkCollege Students must be able to:1. Work Hard2. Relocate (no car necessary)3. Have good references$844 per monthInterviews held atWindermere Hotel, Rm 215Friday, April 3012:003:00 6:009:00m CHECK OUR NEWEVERYDAY LOWMAGIC PRICES mFarmland orArmour StarSLICEDBACON $149A Lb.BLACK LABEL BEERWarmOnly $J396 Cans Reg. $1.55 FRESHCALIFORNIASTRAW¬BERRIES39V 7 UPSJ296/12 Oz. Cans Reg. $1.69BANANAS14VSTORE HOURSMonday-Wednesday 9 a.m. to 7:30 p.m.Thursday and FridaySaturdaySunday 9 a.m. to 8 p.m.9 a.m. to 7 p.m.9 a.m. to 3 p.m.HYDE PARK CO-OP SUPERMARKET1526 E. 55 th STREET 667-14446—The Chicago Maroon- Friday, April 30, 1976OiJarmanand Moye:Downto EarthBy Carmel HubbellIf vou couldn't make it to Heaven, at leastdon't miss a short stay on Earth. Earth,the yin of the yang, is the theme of part twoof Joseph Jarman's and Don Moye's twoconcert presentation Sun Song. Part II willbe held tomorrow night, May 1st, at 8:00P.M. in the auditorium of the LutheranSchool of Theology, 1100 E. 55th Street.The solar mythos, the continuingcelebration of the sun as life source andenergy source is the underlying motif of theconcerts, the first of which was held April9th. Really one concert with a three weekintermission, the first half explored fhereaches of Heaven. The music wasexquisite. A rich, multi-layered conqa duetopened the set, and as the audience wasdrawn to the rhythm, Jarman moved first tobamboo flute, then flute, Moye to vibes tocreate on of the most beautiful lyricalcompositions to emerge from the music.Their playing continued uninterrupted fornearly three hours as Moye went with hischaracteristic deftness from one percussioninstrument to another, Jarman from reed topercussion to reed. With perfect harmony,sometimes hard, sometimes soft, alwaysaware of each other, the two musics met,separated, met again. An Islamic piece onoboe and percussion brought down thehouse. Extraordinary beauty — heaven.Earth may be a little harsher, the colorsno longer muting into one, as Jarman andMoye explore our guts and hearts, the otherhalf of everyday life.Admission is $3.50 at the door, if you wishyou may purchase tickets in advance fromeither Afrikan Ports, 1352 E. 53rd or the JazzRecord Mart, 7 W. Grand for $3.00. Don'tmiss it.. Boogie- Woogie at Mandel;Country at CbistersFOTA will be presenting Norman Blakethis Thursday, May 6th, in the Cloister Club.Blake is a fine country musician on bothguitar and fiddle, and he'll be backed up byhis wife, Nancy, on cello, and notedNashville performer Charlie Collins onfiddle and second guitar.Norman Blake grew up in SulphurSprings, Georgia, listening to the trainsrolling by, and to country and bluegrassmusic on the radio. He started playingguitar when he was 11, and he has beenmaking and performing music ever since.After a varied career around the South,Blake was touring with June Carter in 1960,and started playing back-up for JohnnyCash in 1963. He was a regular on Cash's TVshow in 1969 and, through Cash, he met andformed a band with John Hartford, VassarClements, and Tut Taylor. He now performsmostly as a solo.Blake began to be known to a largeraudience through his work as a studiomusician. He was heard on Bob Dylan'sNashville Skyline album, and then he touredand recorded with both Kris Kristoffersonand Joan Baez, playing on Baez's hit "TheNight they Drove Old Dixie Down."Influenced by Kristofferson and Hartford,Norman Blake started writing his ownsongs, reflecting his memories of people andexperiences from his boyhood in GeorgiaNorman Blake displays a wide diversityon the guitar, playing with metal fingerpicks, bare finger, and flat picking styles.He will be combining his trip to Chicagowith a recording session for Flying FishRecords, and he already has severalrecords out on both Rounder Records andFlying Fish. The concert, again, will be onMay 6th, at the Cloister Club, at 8:00, andadmission is $2.50; $1:00 for students. Pianists Floyd Dixon, Sam Price, WillieMabon, and Little Brother Montgomery willappear in Mandel Hall Saturday at 8:00 |p.m., when FOTA '76 presents a concert of 05Blues and Boogie-Woogie piano.The finest of West Coast Blues pianomen,Floyd Dixon is representitive of a group ofpianists active in the late forties and earlyfifties whose playing was characterized by asmooth, sophisticated approach to theBlues. He was a strong influence on theyoung Ray Charles and is an outstandingmusician. Floyd Dixon is based in SanFrancisco. This will be his first Chicagoappearance in many years.Billed as "The King Of Boogie-Woogie,"Sam Price can play complicated rhythms atan amazing speed, while his technique isnothing short of perfect. As respected in theworld of Jazz as in Blues, he is an unusuallyexciting performer. Sam Price currentlyworks out of New York.Willie Mabon was one of the most popularChicago Blues artists of the fifties. His hitrecord, "I Don't Know", is an undisputedclassic of the period. An expatriate, he leftChicago several years ago for Europe,where he tours most of the time. He is herevisiting his family, but will go back overseassoon after his Mandel Hall performanceA professional musician for more thanfifty years, Eurreal "Little Brother"Montgomery is a brilliant soloist who playsin a strictly formalized, yet intenselypersonal style. He is known for his polishedtechnique, displayed on Montgomerystandards like "Vicksburg Blues," acomposition that is by far the mostambitious interpretation of the "forty four"theme ever recordedDrummer Roy Slaughter is consideredone of the finest percussionists in ChicagoHe has worked in numerous Jazz bands andhas played behind many well known Bluesmusicians.-Vf Aadvance tickets:peyncldsclub desk LITTLE BROTHER MONTGOMERYSAM PRICE WILLIE MABONFLOYD DIXONSAT. MAY 1MANDEL HALL $:0(WS3.S0; students 82.GCFOTA ’76jez [lot f ?! MV I Mi! S! NHE WIZARD Of OINTechnicolorFRIDAY, APRIL 306:30, 8:30. 10:30COBB HALL, 5811 S. ELLIS AVE.ALL TICKETS $1.00Blackfriars PresentPUBLISH OR PERISHMay7,8 & 9Students $1, others 82 8:30 P.M.Mandel Hall50* more at the doorFriday, April 30, 1976 - The Chicago Maroon—7 TheGreyCityJournal4—TheGreyCityJournal 1976 FOTA ScheduleMay 1:Blues and Boogie Woogie Piano ConcertLittle Brother Montgomery, Floyd Dixon,Willie Mabon and Sam PriceMandel Hail8 p.m.$3.50, general public$2.00, studentsMay 2:Joel Shapiro, Piano20th-Century American Piano MusicLexington Hall3:30 p.m.May 3-7Noontime SeriesHutchinson Courtyard and MainQuadranglesMaypole Dance and CelebrationPie FightMartial ArtsChalk-In and Brass SocietyStudent Poetry ReadingYo-Yo and Frisbee ContestMay 6:Open Poetry ReadingReynolds ClubNorth Lounge8 p.m.May 6Norman Blake, Folk GuitarCloister Club/Ida Noyes Hall8 p.m.$2.50, general public$1.00, studentsMay 7:Chicago Poetry and Prose FestivalJim Hanson, Jim Mulac, Henry KanabusReynolds ClubNorth Lounge3 p.m.May 7:Blues ConcertBlues Band with Jimmy Lee Robinson andOdie PayneCloister Club/lda Noyes Hall8 p.m.$1.00, general public$.50, students May 8:Chicago Poetry and Prose FestivalBarbara Barg, Betty Codell, Arnie AprillReynolds Club North Lounge3p.m.May 9:Brass Society ConcertInternational House8:30 p.m.May 10-14Noontime SeriesQuantrell AuditoriumQuizes in Quantrell:Spelling BeeKnow Your UniversitySporting WorldLiberal EducationEverythingMay 10:Chicago Saxophone QuartetIda Noyes Theatre8:30 p.m.May 12:Chicago Hysterical SocietyReynolds Club Theatre8:30p.m.May 15Eddie Jefferson and fhe Von FreemanQuartetCloister Club/Ida Noyes Hall8:30 p.m.$3.50, general public$2.00, studentsMay 16University ChorusMandel Hall3:30p.m.May 16"The Chester Noah"16th-Century Mystery PlayRockefelller Chapel4 p.m. May 17-21Noontime SeriesHutchinson Courtyard and MainQuadranglePaper Boat RaceDixieland BandCircus KingdomMartial ArtsKite FlyingMay 17Second CityMandel Hall8p.m.$3.50, general public$2.00, studentsMay 18Tom Weisflog, OrganRockefeller Chapel8 p.m.May 20Gerald Rizzer, PianoWorks by Beethoven, Debussy, Bach,Bartok, and BrahmsMandel Hall8:30p.m.May 21UC Brass SocietyLutheran School of Theology Auditorium8:30 p.m.May 22Boston Symphony Chamber PlayersMandel Hall8:30p.m.$3.50, general public$2.00, studentsMay 24-28Noontime SeriesHutch in son Courtyard and MainQuadrangleMusical EnsembleHuman Chess TournamentColeman on the Quads (Local WeatherReport) Tug-O-WarPlants and Crafts ShowMay 26"The Horn: From the Forest to the ConcertHall"Louis StoutCloister Club/lda Noyes Hall8:30p.m.May 25Fiori MusicaliMandel Hail8p.m.May 27Chicago Monteverdi SingersCloister Clublda Noyes Hall8:30p.m.$2.50, general public$1.00, studentsJune 5Alumni Parade3:30 p.m.June 5FOTA FinaleRockefeller Chapel8:30 p.m.TheXMoufriQleditorPaul M. Millerassociate editorsKaren HellerBarry J. KaplovitzC.J. MeyersDean ValentinestaffMiles Archer Carl LavinGwendolen Cafes Suzanne ListerW.T. Hobson Jonathan MeyersohnJohn Lanahan Harold RichardsMike SingerThe Grey City Journal is published each Fridayduring the reqular academic year as part of theChicago Maroon. Inquiries concerning subscriptionsand advertising should be addressed to BusinessManager, 1212 E 59th St , Chicago, III 60637 TheEditor invites commentsCOMMITTEE ON PUBLIC POLICY STUDIESannounces a program tnPublic Policy StudiesThe Graduate Program in Public Policy Studies leads to the Master ofArts degree in Public Policy. Applications are now being acceptedfor the 1976-77 academic year from students currently enrolled in theGraduate Divisions and Professional Schools of the University. Forsuch students, the Master's degree in Public Policy is a one yearprogram.Students who desire to develop expertise in the area of public policyin addition to their ongoing (or completed) work in a discipline orprofession are encouraged to apply.A limited number of UNIVERSITY PUBLIC POLICY FELLOWSHIPS will beawarded; additional student aid will also be available.For further information and application forms, write or telephone:Mr. Lynn H. Vogel, Administrative DirectorCommittee on Public Policy Studies969 East 60th StreetChicago, Illinois 60637Telephone: 753-4883COMMITTEE ON PUBLIC POLICY STUDIESStephen R. Berry, ChemistryNorman M. Bradburn, Behavioral Sciencand BusinassPastora Cafferty, Soc. Ser. Admin.William B. Cannon, Soc. Scr. Admin.Gerhard Casper, Lav and PoliticalScienceJames S. Coleman, SociologyKenneth W. Dam, LavSidney Davidson, BusinessDavid Greenstone, Political ScienceClifford Gurney, Biological Sciencesand MedicineJames Gustafson, ZivinityPhilip W. Jackson, Behavioral Sc Zerotad Education. John E. Jeuck, BusinessHarry G. Johnson, EconomicsBarrv D. Karl, HistoryStanley N. Katz, Lav and HistoryWilliam H. Kruskal, StatisticsAlbert Madansky, BusinessPhil C. Neal, LavGeorge A. P.anney, Jr., Lav andHoc. Ser. Admin.Harold A. Richman, Soc. Ser. Admin,and ShairmanGeorge S. Tolley, EconomicsDaniel C. Tosteson, Biological Sciencesand Medicine THE UNIVERSITY OF CHICAGODepartment of StatisticsCourse Offerings, Summer 1976UNDERGRADUATE COURSES200 ELEMENTARY STATISTICS. Infroduction to statistical concepts andmethods for the collection, analysis, interpretation, and presen¬tation of data. Elements of sampling, simple techniques for analysisof means, proportions, and linear association are used to illustrateboth effective and fallacious uses of statistics.* Texts: Elements ofStatistical Inference, by Huntsberger and Billingsley; Statistics: aGuide to the Unknown, edited by Tanur, Mosteller, et al. Prereq:Satisfactory performance on a special elementary mathematicsexamination. 10:30-11:50 TTh, STAFF.220. STATISTICAL METHODS AND THEIR APPLICATIONS. Introduction tostatistical techniques and methods of data analysis in the social andnatural sciences. Examples from the biological sciences will be em¬phasized. Topics will include: data reporting; random variation andsampling; one-and two-sample problems; linear and multipleregression; analysis of variance; analysis for discrete data. Studentswill be required to apply the techniques discussed to actual researchdata.* Primary text: Statistical Methods by Snedecor and Cochran.Prereq: Mathematics 151 or 1 quarter of calculus. 1:00-2:30 TTh,IZENMAN.230. INTRODUCTION TO MATHEMATICAL PROBABILITY. ( Business 324)Fundamentals and axioms; combinatorial probability; conditionalprobability and independence; binomial, Poisson, and normaldistributions; law of large numbers and central limit theorem; ran¬dom variables, generating functions. Text: An Introduction toProbability Theory and Its Applications, Vol. I, by W. Feller. Prereq:Mathematics 1 53 or 3 quarters of calculus. 10:30 MWF, RINOTT.* Introductory courses make serious use of high-speed computers toexemplify and explore statistical concepts and methods. The natureand extent of computer work will vary according to the course andinstructor. No previous experience with computers or programmingis expected for any first course.Additional information may be obtained by writing or calling the Chair¬man, Department of Statistics, University of Chicago, 5734 South Univer¬sity Avenue, Chicago, Illinois 60637. Telephone: (312) 753-8041.8—The Chicago Maroon - Friday, April 30, 1976Blackfriars Expose Ivory RealitiesBy Aaron FillerSteve Kemp plays the Harpsichord. Evenwhile he was working here on both a PhD inBiochemistry and an MD, he performedregularly with the collegium Musicum andwiththesummer Court Theatre where he wasmusical director last summer for DoctorIn Spite of Himself. It was Mr. Kemp's some¬times bitter experience that many professorsand upper degreecandi dates at the Universityof Chicago did not think highly of a PhD orMD student who devoted a great deal of timeto the non-academic pursuit of playing hisharpsichord; and, so, he wrote a play aboutwho makes good at the University ofChicago, and what sort of behavior isfrowned upon bv PhD advisors, tenure committees, and other Hyde Park ogres.Fortunately for the objects of Mr. Kempsjibes, he is a jovial fellow with a welldispose sense of humor, so he has chosen touse a Blackfriar's musical comedy as themedium for expressing his discontent. Hebegan constructing the plot in Novemberwhen he acted as the musical director forBlackfriars's fall production of BeggarsOpera. At some point, he tied in with MarkJohnson, a second year graduc u student inLinguistics.Although Johnson received his BA inEnglish, he had never really produced anynotable written work. His position as Abbotof Blackfriars and several year's ex¬perience as an actor suggested the mediumTNE siikhS j Mat CUJcAje'if IHTKViUW fI/ALLmm[ML VARIOtA TH£ FOK.TI6TH AHKIU*ItSAfcy OF THC N)AfcA WCEH O* HOV tes , t-CCTOFeS , SON**, e*HI<5iTS, ^OCTB.'iFgfciOMMJ vSCCNtft ant PiSCOSiiOM MTHt imiueviri ©i* oticavoman $-io : £*niBlT or sPAM'Sft C-ivil '■Var. PaSTetS,PHOTOS, LETTERS, eic , B«q*AN CtAllCCM . r».l s. CLLIi . £ |\l l ^ ftlWSTUW TERKEL^ToM <*LHl€R. S MQ-S SONRT OP T*E nJAft, I /| IELINOR.’ LA7NAfrV*; ,Evt> BALCrtt»O.Sky ; RoBERT (otftDNi), U- Of |H4|p ,Pittsburgh, who left university of tinta*o the gMono amTU«D^M4fixfc! \rfinye»Hes&A<|r5^, 9 .teurswPmtf (3#T Ft l DAV front u*ies. breasted hall, oriental institute, iist£■ S'** ST.M-.00 (.Offet noun. WITH VETERANS Of THE AfirARA-M LINCOLNBRIGADE. ABC Oihetotf AMD 8o«J coLODNy, Pick. louM^S*IQ S uni vCR-S'Ty .TOO WOVlt : "CREAMS AND NifrftT MAR6J, " PRil£ -W iNN iN<r ^DocuM£NrHR.*j ; discussion with producer. hbe o£ntc.oFF,BREASTS! HAU_, OfcifcNrAL INSTITUTE , IlSr 6 S^^-ST.: 1.00 READ IN '. SPANISH PoET*1 Of THE WA R., ftlC-ARDO"♦ctnu-cJn , u- or Chicago, Pick lowno-e , s university./0T.OO the N S. Rou9 IN THE W^, PANEL ; ELINOR. LANGES',Barton elEdxtein , Chicago circle; Paul Johnson, (RooseveltU-; klM MtOvAiD, NortTHWESTERN U ; MICHAEL Ct?Ner ANDJohnatmnn ^nllowam , LAice FoRest. Bergman g-All£R.H,S»H S ECUS ALTO RcftEAT WntHLEN, ©Hte U-) Ae*t Rut^SoV , AA*>.P.1:00 NOMe : ' BLOCKADE, " WITH HENRY *=©N>A , BERGMANGallE^Y, PR 11 S • ELLIS .Too mo*io : h>mih»wah,i ’ thc spanuh earth, - R'<td m^he.KqSSiV'S ;,TP D'E IN HUtHH,” B?EASTefc HAU-, ORirNTALINSTITUTE # HSS t . S‘*n> 51. v0M:oo Mo^iE '• NENiNCiWAY '( "FOR. whon ntt 8CllTollS,*’ withCtARt Cooper AND iNRRiD BE R fir NAN • DcscusSiOn: WilliamWATSON , M l.T. , 50 cinl/SCiCnces HR, Ili4 e.S^N'ST. 4rjSLvR.oo politics in spain and Europe ouRin^- war. :BDwARd MAUEFAMS , Colombia n.j wiluam WATSON, M l.T. }AR.ISTc.DE TOLBERT, U Of CHlCA*rO; ICAARfN MtCANN, «• OFScoNSiNj SAUL WELLMAN, ABRArAM liNCOlN QRl^AJlEBergman *ralleRy , seii s eulis ■ i.MlWiBCSATURDAy \ 1:00 SPAIN To DAy : Wiuli AM WATSON , N. I. 7-; COWARD8- fAFALEPAkis , XoLUNEiA u. ; RENATO QARAnoNA, CtRLLCc^" CAMPUS j SAUL WCLLMANN , ABRAHAM UHColN BC KVAtxf , ANDOTHEES . QLANTRtLL AMDinoeiMM , ColB HALL # S«l| S.I CLLlS. AlSo otto Ficmo, Circle (ANpuS.tASt yp**' tobJ wwvust i» Hu iftMith M vsst- of musical comedy, and, when Steve camealong with his ideas the project waslaunched.Mark has long nurtured a private theorythat a standard formula for musicalcomedies could be prepared involving atypical complicated series of boy-meets-girl, etc., capers. His contention was that,given the standard formula, anyone couldwrite a musical comedy around it aboutanything.For Kemp it was an opportunity to makefun of both sides in a light sort of way,satirizing students and faculty, Sparticistsand administration all in one charming fellswoop. For Johnson, it was an opportunity tocreate a number of musical comedycharacters and flesh out a plot to produceexcellent campus comedy.While he was at it, Johnson decided to goon to satirize musical comedy itself. Afterhaving acted in six major Blackfriar'sshows in his years here, he gleefully set outto include as many charming cliches andformulas as his experience could conjureup. Although Steve Kemp's music and lyricsare completely original and there is only onesurreptitious song parody, each song doeshave some parallels in the classics ofmusical comedy.The play is being directed by 3rd yearstudent in the College, Mary Kennedy. Ms.Kennedy, who is Blackfriars's keeper of thejewels, is directing for the first timealthough she has been receiving formaltraining in various dramatic arts since theage of fen. Besides being the University ofChicago's only present registered Dramamajor (General Studies Humanities) shehas been doing a great deal of extracurricular theatre work at U.C. includingacting in Court Theatre's Winter productionof Exits and Entrances, and AssistantDirecting both that show and Blackfriar'sfall show this year, Beggars Opera.As long as the playwrights behavethemselves, she claims, directing anoriginal play is an exciting proposition. She feels one can fully create and come to knoweach character, without being prejudiced byearlier interpretations.The show is another fine episode in theBlackfriar's long standing practice ofproducing top-notch campus comedy, atradition dating back to around the turn ofthe centur y. The collaboration of Kemp andJohnson provides a light and fast movinashow with an important, if not slightlyveiled, parting shot at the University by aseventh year student somewhat disgruntled,but still smiling.TumbleweedOriginally a dance company,Tumbleweed tours the US this spring as asix-woman, seven-man entertainmentcollective. Their performances are based onoriginal works and improvisation in music,dance and theatre which reflect theirpersonal experiences and formal trainingThe dancers are strongly based in moderntechniques (including work and study withGraham, Ailey, Tharp, Cunningham andNikolais) and long experience in ballet, jazzand gymnastics. The musicians draw ondiverse backgrounds in jazz, rock, newmusic, classical, and other American,Occidental, and Oriental traditions. Theyare also part of the founding group of theBlue Dolphin in San Fransico, a club whichis run by and for musicians so that they havebetter access for performance Theseinfluences contribute to Tumbleweedsunique style as they synthesize theseinfluences into a coherent whole They willbe playing in Ida Noyes Saturday, May 1st,at8:30p.m.3rd year studentsmeeting to discussLAW SCHOOLAPPLICATIONSMonday, May 103:30 p.m.Harper 130For more information call 753-3267Friday, April 30, 1976 - The Chicago Maroon—9 GreyCityJournalTheGreyCityJournalo Festival of Poetry and ProseBy Jim Hanson and Steve LevineThis week, F.O.T.A. presents a ChicagoPoetry and Prose Festival. Four poets andtwo writers will be featured in readingsfrom their own works; the events willprovide members of the U of C communitywith the opportunity to hear some youngerwriters from this city. Some of these peopleare heard, on occasion, reading at the BodyPolitic or at the Creative Writing Center atNortheastern Illinois University, but, sincefew Hyde Par kers get a chance to see poetryreadings in other parts of the city, this willoe an introduction-of-sorts to a group ofChicago writers.One of the major forces in bringing thisgroup together was Ted Berrigan, whotaught at Northeastern for the better part of five years, and who, with his wife AliceNotley, extended friendship and advice to agroup of younger writers. Henry Kanabuswas one of these writers. He studied atNortheastern under Dorn, Berrigan, andRaworth. Born in Amburg, Germany Hankhas two collections of poetry, Flood Lights,which came out last year from Apocalyp¬se/ Stone Wind, and Particles of Violence,as yet unpublished. Last January he readhis poems at St. Mark's in New York. He has appeared in such magazines as The World,Stone .Wind, Telephone, Out There, In TheLight, and Bondage and Discipline, and willsoon appear in Big Sky and Oink! He wasawarded an Illinois Arts Council prize forhis poetry last year. He fancies knives, andhis idol is the unborn twin of Alfred Jarry.Jim Mulac moved to Chiocago last fall. Hewas a longtime inhabitant of the Iowa Cityscene before that, known as a poet, pianist,and collaborator with other poets likeDarrell Grey and Allan Kornblum. Adetailed biography (including facts about1962 underage beer-purchasing in Bettendorf, Iowa) and a selection of poems canbe read in a magazine called The Spirit ThatMoves Us, from Iowa City.Jim Hanson is a member of the fellowshipof educated men (B.A., U. of C., 1976) andeditor of In The Light. His poems haveappeared there and in 432 Review, forthcoming shortly from New York. Acollaboration with Steve Levine, ThreeNumbers, appeared this winter from Tooth¬paste Press. These three peots will read at 3in the afternoon on Friday afternoon, May 7,in Reynolds Club lounge.Barbara Barg is a student of anthropologyat Northeastern, although she has takenclasses in writing there, as well. She isassociate editor of Out There. When weasked her to tell us about herself she said,"Barbara Barg has been around for aboutas long as she can remember. She considersherself 'endearing' and resents rejection.She has been published in every magazineshe ever worked on. Her favorite 'hobbies'need financial backing. Her favorite quoteto drop is 'Ain't nothin' no good without the grease.' She thinks of herself as a 'good'person. She's a free-bleeder. Elie est ungrande oiseaux totem. Senorita Diabla! OyLay!" She has also been recently publishedin Mati, Out There, and KCHU programguide, in Dallas.Arnold Aprill writes, "Arnold Aprill'sgreat-grandfather put out his left eye inorder to escape being drafted into the Czar'sarmy. He (Arnold —not his greatgrandfa.her) has been around for about aslong as Barbara Barg can remember. Heedits two Chicago magazines, runs neveragain press (which brought out LarryLance's collection of cartoons Cruelty lastyear), runs various writing workshops (&often runs off at the mouth — ed.). And soon, but let's not talk of that, remember Aprilin Paris? Arnie is one of the essential peopleon the Chicago poetry scene. He asks us alsoto mention that he never did finish school(Northeastern). He is currently planning"peotry/ performance" pieces for theChicago Poets Theatre, a new undertaking.The first issue of his magazine of shortpoems, Bondage and Discipline recentlyappeared.Betty Codell is a Chicago writer who isstill going to school at Northeastern Shewrites, "Betty Codell, as another famousactress once said, would have been a betterperson if she hadn't been born. She'll leavethe children out of this." Her often hilariousworks have appeared recently in Out There,Milk Quarterly, and Black Maria.The reading featuring Barbara Barg,Betty Codell and Arnold Aprill will begin at3 p.m. on Saturday, May 8 in ReynoldsClub lounge. We hooe to see vou there.(Left to Right) Jim Mulac, Henry Kanabus, Barbara Barg, Jim Hanson, ArnoldAprill. Photo by Gary Engleman.Campus FilmAll films will be shown in Cobb unlessotherwise stated. Adm ission is one dollar foreach film.CEF offers: Black Orpheus ( 1958),directed by Marcel Camus. For lovers of theconfusing, calculating and ever so complexEuropean film. CEF says: "On one level wefollow a pair of lovers as they try to elude anenemy dressed as a skeleton amid theteeming life of a Brazilian carnival. On aricher, more symbolic level, we see theirstruggles together as the strivings of Loveagainst the forces of Death. Though thelovers are ultimately doomed, Death doesnot pronounce the final word. In the end weare left with a triumphant celebration of therenewed potentialities of life." Saturday at7:15 and 9:30.DOC offers: Wizard of Oz (1939), directedby Victor Fleming. From the man whcdirected Gone With the Wind (which wasreleased the very same year). Yes folks,this is the very same film that you watchevery fall on your small black-and-white TVscreen, brought to you with constant in¬tervention by Proctor and Gamble. Thistime you can actually witness the yummyyellow of the yellow brick road and theenticing emerald of Emerald City inglorious Technicolor and without commercial interruption. With Judy Garland asDorothy, Ray Bolger as the brainlessScarecrow, Jack Haley as the heartless TinWoodsman, Frank Morgan as the wonder ofa Wiz, Billie Burke as the Good WitchGlinda, Margaret Hamilton as the BadWitch and , best of all, Bert Lahr as theCowardly Lion. Recommended. Friday at6:30, 8:30 and 10:30. Sabotage (1937), directed by Alfred Hitch¬cock. One of Hitchcock's most obscure andforgotten films. A rather unexciting storyabout a saboteur who accidently kills hiswife's younger brother. All the mistakesthat the master made in his earlier films hehas repeated in this one. With Sylvia Sidney.Sunday at 7:30.Secret Agent (1937), directed by AlfredHitchcock. One of those affairs in whichpractically every member of the cast turnsout to be spy. Madeline Carrol gets mixed upin the numerous spy ring, code messages inchocolate bars, pistols and express trains.Carroll plays the role of a dilettante who hasjoined the Intelligence Service for a thrill,and who, sent to Geneva to play the wife ofJohn Gielgud for espoinage reasons, falls inlove with him while being pursued by RobertYoung. Peter Lorre is a homicidal virtuoso,a student of the theory, as well as thepractice of garroting and throat slitting,repulsively curly and convincingly Orientalin make-up. With Lilli Palmer. Sunday at9:30.Maleand Female (1919), directed by CecilB. DeMille. This is the first in DOC'sTuesday night series of films created anddreamed up by Cecil "whenever you'reready, C.B." DeMille. Based on J. M.Barries's play The Admirable Chrichton,DeMille has rearranged it to suit his pur¬pose, completely changed its emphasis andcharacter, and given it the personal DeMillestamp, complete with Biblical illusion andflashbacks to ancient Babylon. A movieromance for those who go to movies to beentertained. The romance tells the story ofthe best looking most competent man andmr Titeo of b.« substa«c£j M\ READ A60UT YOUR HERITAGE V\ THE STRUGGLES OE AMERICAN WORKERS JAMESSCHULTZCLEANERSci LABOR S UNTOLD STORY CUSTOM QUALITYCLEANINGl Paperback edition available at your bookstore S3.95 10%student discount1363 E. 33rd St.Pubiitfwd Uv UNITED ELECTRICAL RADIO ft MACHINE WORKERS OF AMERICA HJEIIt EaI Sill St'MI N#w York. N V 1002? 752-693310— The Chicago Maroon - Friday, April 30, 1976 the prettiest girl of a party shipwrecxea onan island that slowly, but surely, gravitatetowards one another over the span of twoyears, regardless of the fact that in Englandhe was a butler and she was a "lady."The Man from the Alamo (1953), directedby Budd Boetticher. Why DOC films hasdecided to put two Boetticher films into theirauteur series is beyond comprehension. ATexas hero (Glenn Ford) is dispatched fromthe Alamo siege to his upstate home, wherehe is promptly ostracized for cowardlydesertion. It's a pleasure to see a Westernprotagonist as cynical and indepdent asFord for all the big heart underneath.However, his grimly sealed lips make thpentire picture one ot those annoying enterpr ises that might have evaporated into asingle sentence. For Glenn Ford is nocoward or deserter, you can bet your life,having been delegated by the AlamoTexans to return and safeguard theirfamilies. With Julia Adams, Hugh O'Brian,and Chill Wills. Wednesday at 7:30.Seminole (1953), directed by BuddBoetticher. DOC says: "Rock Hudson is incharge of the U.S. army's attempt toremove the Seminoles from theirEverglades homeland. He is forced ,toconfront a childhood friend, Anthony Quinn,who plays a very convincing Chiet Osceola."Wednesday at 9:00.International House offers: If...(1970),directed by Lindsay Anderson. A wonderfulinsight into the frustrated lives and theimaginative minds of English boys at astrictly regimented conservative "public"school. The protagonist, Mick Travis (whosestory is continued in the great O LuckyMan!) dreams of those things peculiar to the prep school mentality; fantasies of sex,violence, open rebellion and completerevolution. The wonderful thing is that thestory ends with realization of Mick's and hiscomrade's greatest desire, the taking overof their beloved institution. Malcolm MeDowell is a glorious Mick. Lindsay Andersonis perfect as the headmaster. HiglhlyRecommended. Two evenings at Internationa! House Saturday at 7:15 andThursday at 7:15.Clowns (1974), directed by FredericoFellini. Fellini's instropective study ofman's humor and the humor of man. Actorsand people on the street are the clowns of thefilm and the real circus clowns arepresented as the sole seekers of truth, theonly conscious knowers of the true comedyin life, evoking images of Lear's Fool. Twoeventings at International House. Saturdayat 9:30. Thursday at 9:30.NAM offers: Mother, directed by V. I.Pudoukin. If one had to choose a single filmto represent the entire career of a director,Pudoukin's example would be Mother. It iswithout a doubt his finest work. As he did inStorm over Asia, Pudoukin again concentrates on specific people in his filmrather than on abstract heroes of state.Mother takes place during the smoldering!,turbulence of 1905-6 in Russia, as the nationwas preparing for the successful 1917revolution. The seeds of the later revolutionwere most assuredly planted in this earlyrevolt. Paul Rotha said in The Film Til Now,"It is impossible to describe the emotionaleffect of this film without hesitation I placeit among the finest works in the history ofthe cinema." Thursday at 8:00.— Karen Heller• Eye Examinations• Contact Lenses (Soft & Hard)• Prescriptions filledDR. MORTON R. 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Ellis 753-3317M-F 8-5 Sat. 9-1Friday, April 30, 1976 - The Chicago Maroon—11 TheC*revCitvJmirnnlTheGreyCityJournal Stuartoo (continued from page 1)an incredibly good way to handle exposition,because it takes care of it very, very neatly.With the combination of action andnarrative, you can show some things andtell others and you can find the quickest wayof moving a story I've ever seen on stage.With Huckleberry Finn, one of our aims wasto leave as much in tact as we could, so thatit was really ideal, since Huck is telling thestory, that story theater is the way to go."Stuart noted, ever, that the Orqanic'sadaptation of Twain's Huck Finn "is storytheater in the extent that Huck narrates ashe's doing it; although it is different fromstory theater, in that Huck is the onlynarrator." Huck would often set the sceneby narration, and then dialogue would takeplace between characters described byHuck, outside the convention of storytheater. Stuart added, "when we firststarted, we made a very strong effort toavoid the story theater style, to work inother methods, because there were alwayscomparisons being made between our groupand Paul Sills, and we feit it important tomaintain an individual identity. With HuckFinn, it was the first time I felt comfortableenough with our own identity to be able tosay. 'well, we will do it in the story theaterstyle'; and Sills had always encouraged usto feel free to use it if we wanted to—hedidn't have any copyright on the idea—andhe felt it was a very viable form for otherkinds of work."The Organic's productions of Huck Finn,Parts I and Part II, were the best set ofshows I've seen in Chicago. I asked Stuartwhat attracted him to Huck Finn enough toadapt it for the stage"Well, Huckleberry Finn I hadn't readuntil about three years ago..."JL: You didn't have to read it in high school?SG: "Somehow t got away withoutreading it. As a matter of fact, the highschool where I went to was really weird, inthat all of the books I had to read in highschool were about World War 11—it was thatkind of high school—so they managed toforget about Huck Finn. I think it was alsoduring the time when there was a lot of civilrighfs action, and the book was beingcriticized by the NAACP as being racist so Idon't think it was taught for a couple ofyears there. So, I missed out on it, andsomehow I managed to pick up a copy of itjust because there was nothing else around,and absolutely flipped—I just got so into it itwas unbelievable. And I realized that all ofthese years I had thought I knew whatHuckleberry Finn was all about, and I hadabsolutely no idea."He elaborated later on his fondness for thework: "The thing about the book that I likeand it's something that I've tried to see us doin our own work, is that it doesn't seem to betrying hard at all; it's just this yarn beingspun, just rolling off his tongue. When yougo back and examine it, you see howstructurally tight it is, and how the themesare woven in and out of it; but when youread it, it just seems like falling off a log,easy as pie."Later in the interview, I raised thequestion of politics and theater. TheOrganic's work has always struck me asapolitical. Stuart did not agree, ana hisanswer made me consider that I might beconfusing politics with political didacticism.He explained,"To me, good theater is political; even if itis not specifically political, that there arepolitical messages that are comingthrough."JL: Could you give me a definition of"political"? Maybe we don't have the sameSG: "I would say that 'political' doesn'tnecessarily mean political parties orideology; but, for example, I thinkHuckleberry Finn is incredibly political. IS }i APR. 26 TO DEC. 20,76 J*„ 540 ROOMS „ J* ALL ONE PRICE i******************4 SEE YOURr TRAVEL AGENT ORCALL TOLL FREE §FOR 1to4 PERSONS(THESE ROOMS UPT0S40. DAILY WINTER SEASON)540 DELUXE AIR CONDITIONED GUEST ROOMS(250 FULLY EQUIPPED KITCHENETTES) * REFRI¬GERATOR AND 23’COLOR TV IN EVERY ROOM5 POOLS * SAUNA * TENNIS * WASHERS ANDDRYERS * CHILDREN S COUNSELORSMIAMI BEACH'S1*800*327*5271BOOKING NOW/FIRST COME/FIRST SERVED **********************★★★★★★★★★★★★★★★★★★★★★★★★12—Th« Chicago Maroon - Friday, April 30, 1976 think it's more than just social; it's talkingabout kings and queens and the way thatgovernments are set up and whatgovernments do to people.' The idea ofproperty—I think it's a very anti-capitalisticplay—one of the basic themes runningthrough that thing is the idea of money, thatpeople become each other's property. It's areal strong condemnation of the wholecapitalistethic."He continued later, "Good theater, whenyou're dealing with people realistically, thatreal people deal in a political world..."JL: Politics is a part of life.SG: "Right—and that that should comethrough, in some plays more than others. Iwould like to see the work we do in the futurebecome more obviously political than thework we've done in the past."Stuart, however, does not considerhimself a Brechtian. He elaborated: "I hateplays that are preachy. I hate plays wherethey say, 'this is the message, and this iswhat it all means.' I don't particularly likeBrecht, for that reason. I think that theatershould educate, but that it should do it in away that it is not imposing itself on you, orthat you're not even aware that you're beingeducated until it's too late."If there is one thing that this writer hates,it is confusing the literary value of a playwith its theatrical value. I asked Stuart if heagreed that the literary and theatricalvalues of a play were separate."Yeah, I do."We discussed some of Ben Jonson'sworks, and Stuart cited The Alchemist asJonson's best literary work, and Volpone asan inferior liferary, but superior theatricalwork We then discussed Hamlet as an idealcombination of both literary and theatricalexcellence. Stuart explained,"Hamlet's strength is, that besides beinga brilliant philosophical doctrine, it's alsoelectric theater."JL. It's a great permutation of a revengetragedy, which is a very easy form ...SG: "Yeah; we read a lot of revengetragedies in preparation for another showwe did, Bloody Bess, a couple of years back,and we realized what a brilliant idea it wasto take a Machiavellian, and make himdown himself, a reluctuant Machiavel¬lian—it's just a wonderful idea." (Those ofyou who are interested in this discussion,might read John Marston's The Malcontent,if you haven't already done so.)Stuart feels that each of the plays theOrganic Theater is different from theothers. Stuart finds that "every play is, in some way, autobiographical, there is areason for doing it at a particular time,"JL: Autobiographical tor whom? Theplaywright, the director, or everybody?SG: "For all it is. Most works of art areautobiographical, some way or other, sothat for us is finding the right thing thatexpresses the way we feel at a particulartime. That was the case with Ice CreamSuit. Ice Cream Suit was the first play weever did that we didn't write ourselves oradapt ourselves. The reason for that was itwas right after the debacle in New York, wecame back, we were trying to get thistheater back together, and I really startedfeeling like Gomez, looking for fiveMexicans who were going to share this suit.The play was speaking to us, it was saying,'because you're poor and down and out doesnot mean you can't enjoy yourself fromtime-to-time, and there is a way you can liftyourself out of it. The way you can do it isthrough sharing,' which, if theater isnothing else, it's that."Stuart has directed two productions inChicago outside the Organic Theater,Rashomon at the Court Theatre in thesummer of 1974, and Chemin de Fer at theGoodman last Spring. Stuart choseRashomon, since he felt it fit the outdoorsetting of the Court Theatre and "it's agreat little detective story." He choseChemin de Fer, "because I felt theGoodman Theatre takes itself much tooseriously, and that Chemin de Fer is a put-down on the bourgeoisie, on the middle-classvalues of the turn-of-the-century Parisians,and I felt I could have some fun with it andmaybe give the Goodman Theatre anatmosphere of a good time."All but one of the Organic Theater'sproductions have been from original scripts.I asked Stuart why he had chosen to dooriginal scripts."Well, I think for two main reasons. One,is that I think it is much more exciting, whenyou walk into a theater and have absolutelyno idea what's going to happen, what you'regoing to see or what you're going toexperience; whereas, "Oh, here's anotherproduction of Twelfth Night, it limits thecharge. The other thing is, I think very fewpeople are doing original scripts now, thatthere are a lot of good people who arewriting good plays, who are just not gettingthem produced. If we're not going to do theoriginal plays, who is?"Those interested in submitting an original(continued on page 10)j" PIZZA !! PLATTER !1460 E. 33rdMl 3-2SOOFAST DELIVERY jAND PICKUP: 1SellWe RentRepairTYPEWRITERSADDERSELECTRONIC CALCULATORSDICTATORSU. of C. Bookstore3750 S. EllisHours: M-f 8-3 S 9-1733-3303UNIVERSITY OFPARIS SORBONNESUNY/New Paltz Program6th YearUndergraduates inphilosophy and relatedmajors earn 30-32 creditsIn regular Sorbonne (ParisIV) courses. SUNY—ParisIV agreement insuresstudents avoid cum¬bersome pre-inscriptionand attend Paris IV, notprovincial universities.Director assists withhousing, programs,studies.Orientation, languagereview. Sept. 15-June 13.Estimated living, airfare,tuition, fees: $3200 N.Y.residents; $3700 others.Prof. O. BlankanshipPhilosophy Dept., S.U.C.New Paltz, N.Y. 12361(914)237-2696Panovs: Lacking the Fine EdgeBy Eden ClorfeneThe Soviet Union has recently, in theworld of ballet, attracted more attention forwhat it has lost than for what it actually has.Nureyev started all the clamor in 1961 whenhe abandoned his mother country, which,while being the greatest vanguard of theromantic balletic tradition in the world, isalso the most artisitcally limited. His defection to the West set the precedent for otherSoviet dancers who also felt they could notserve their art properly under the strictregime of convention, and his example wasfollowed by others.Nureyev instantly became a causecelebre, drawing more attention for thepolitical intrigue of his switchover than forhis dancing ability. He was also a symbol inhis new terrain, as he had become to hisRussian colleagues—only here, his mythicpolitical personage was the basis of what hestood for. Nureyev, with his distinctly Tartar appearance, was a prized possessionfrom the mysterious East—like a cargo ofOriental spices—and his presence onstagewas scrutinized by the general public fromthis point of view. Dedicated balletgoers, onthe other hand, were more interested inNureyev the dancer, whose secret, to them,was the Russian ballet technique.The situation of Valery and Galina Panov,two dancers formerly of the Kirov companyis similar to Nureyev's. But their storyfollows slightly different lines: they madethe mistake of seeking permission to leaveRussia. Valery Panov, a Jew, tried to obtaina visa for Israel because he was unsatisfiedwith his career. His request was denied andhe was dismissed from his work—adevastating blow to any dancer, as it is not long before the body, loses its tuning. Hiswife Galina resigned in protest. After twoyears without a dance studio or company,the Panovs were allowed to leave the SovietUnion, but not until a series of international protests. Since then the Panovshave appeared only as guest artists withvarious American troupes as they did lastweekend with the Eglevsky Ballet Company(based in Massapequa, Long Island) at theArie Crown Theatre.The Friday night performance demonstrafes that the Panov's transientarrangement is not an optimum one for thedevelopment and direction of their talents.Without a company, they are without arepertoire; without a repertoire, they arelimited to performing either various pas dedeux excerpted from complete ballets, suchas the Le Corsaire and Harlequinade pas dedeux performed on Friday, or original pasde deux choreographed by Mr. Panov forhimself and his wife, of which AlbinoniAdagio Celebre was an example. Thesethree pieces were placed among three otherworks performed by the Eglevsky company,an altogether unfortunate arrangementbecause the Panovs in their strictly bravuraand classical dancing out like step¬children; and, as the Eglevsky companyperformed pieces with about five times theambition and choreographic interest asthose done by the Russians, one began towonder why the Panovs were billed as themain attraction.Mr. Panov's dancing possesses the telltalesigns of rustiness. He is noticeably heavy,and, as a result, does not nearly achieve theappropriate elevation on which the bravurashowpiece "Corsaire” depends. He does,though, have an authoritative stage pres¬ence. But his movement lacks sharpness. The dramatic force with which he attacks aseries of combinations is, frequently, theonly force present.Nevertheless, as his performance inHarlequinade testifies. Mr. Panov is quite acharacter dancer. Yet the role only calls foroveracting and hamming—again a sadwaste of talents which would be moreproductively harnessed if Panov participated in a repertoire Company withmore dramatic roles.Mrs. Panov, like her husband, is not a subtie dancer. While she displayed technicalvirtuosity her movements were brisk, attimes degenerating to the vulgarity of aCan Can dancer. This is not necessarilymeant as reprimand; there is indeed an at¬tractiveness about that style. It results inanticipation of the music's beat—in otherwords, a rushed execution of a dancephrase—and this approach is not one whichI prefer.I was also disappointed with Mr. Panov'schoreography. Albinoni Adagia Celebre isjust the sort of thing a Russian would consider modern. The piece is supposed to be aprayer to the internal and unrealizeddreams of man. So we see Mr. Panov en¬shrouded in a black cloak, and when themusic begins, he opens his cloak to let thedreams of his heart escape—his wife, hiddeninside the cloak emerges, portraying thesedreams.The subject matter has tremendous potential for theatrical effect and charac¬terization. But Mr. Panov does not evencreate a coherent atmosphere in combiningprayer with dreams. One evokes gloom, andthe other evokes exaltation. The dreamaspect of the piece is so much overshadowedby the overall somberness that its onlyrealization is through Galina's sheer white costume. Her dancing is hardly what one ^could call dancing; most of the time we see nher lifted or dragged across the floor by herhusband. If anything, the piece suggests a ^royal funeral. 0The highlight of the evening was the com gpany's performance of Balanchine's Con-certo Barocco, set to the Double Violin Con ocerto of Bach. Premiered in 1941, this work grepresents one of Balanchine's first plotless &ballets. Balanchine removed a storyline and Ireplaced it with pure movement; that is,movement as suggested by Bach's music.Movement contoured by music is nowBalanchine's defined style.This ballet uses eleven dancers, clad inwhite: two are soloists, corresponding to thedouble solo violins, eight are the corps deballet, corresponding to the background orchestra, and a single male is left. Thevocabulary is strictly classical ballet, buthere the basic vocabulary undergoesvariation in order to completely correspondto the Baroque music. The synthesis isheavenly. In the vivace ane allergro sections, the dancers move with a persistentswiftness to the music's strong but unencroaching pulse. They form the intricatepatterns of which Balanchine is a master inventor. It has the powerful aura of grace, innovence, and purity. The middle adagiomovement is a br illiant example of lyricism,where the bodies, now called upon to displayqualities other than rhthmic accent, sud¬denly reveal poignance and delicacy. Theballet is simple and beautiful, and says insoft understatement that movement alone iswhat ballet should be about.The company performed another Balanchine piece, Allegro Brilliante, to mijsic ofTchaikovsky. It does not possess the inventiveness of the previous one, probablybecause the Tchaikovsky score does notlend itself to dancing as well as the Bach.The only real disappointment with the company's performances came with AndreJolivet's Riituals for an Impatient Age, thesole modern work.The Making of a Local Directorby Aaron FillerThere is no theatre in America where onecan walk in and discover a director trainedat the University of Chicago. Recentlyhowever, although a review of the variouscourses taught at the University in the areaof drama reveals a strong trend towards thepurely academic, the U. of C. Court Theatreand its studio theatre have been growingrapidly in quality and city wide recognition.If, indeed, the training of a director islargely practical and takes place outside ofthe classrooms of drama schools and on thestages where the plays are produced, thenCourt Theatre is well on its way to producingits first professionally skilled director.The Court Theatre staff did somethingvery unusual in the planninq of its majorSpring production this year, it invited anoutside director to choose and direct a play.This director is Terry Zehr, and the play isStrindbert's Miss Julie, opening thisweekend in the New Theatre.Sometime during Terry's second year asan undergraduate at the University ofOregon he decided to become a director.He had done some acting in high school, but,directing was an aspect of the theatrethat represented something untried, anobjective for an education.Chicago's Goodman school of drama isone of a steadily shrinking number of suchschools that otters a degree in directing.These schools tend to be primarily actingschools; a growing sense that directing cannot really be taught as such has moved thisarea of dramatic training into a secondaryposition. The bachelor of Fine Arts programthat Zehr entered at Goodman consisted almost exclusively of acting training. Theattitude at Goodman is that the best tool adirector can acquire is a thorough un¬derstanding of how actors go about doingtheir work. By learning along with actors itis expected that students will be able toapproach directing as a science of con¬verting an artistic concept into actuality onstage, a means to guide the actor in the waysmost useful to him to execute the intent ofthe play.Masters training at Goodman is moresharply focused on actual problems ofdirecting. Attention is given to analysis ofplays, visualization of the production, andsome basic techniques for blocking (movingactors around the stage) and casting(choosing them).In the course of the MFA program,student directors direct student actors andthis is a handicap to a potential direcotr in anumber of ways. The faculty of the schoo1generally tends toward choosing plays thatemploy simple easily characterized parts,generally leaning towards recent realisticplays. Although this provides a goodmedium for acting instruction, it is notgenuinely adequate for preparation ofdirecting technique. Equally limiting is thegeneral practice of the assigning of parts byfaculty members, completely removing thedirector's perogative of casting according tohis own concept.In the winter of 1973-74, Terry Zehr sawan ad in the Chicago reader invitingproduction proposals for one act plays for anexperimental weekend at the Reynolds ClubTheatre at the University of Chicago.His proposal was accepted bv theUniversity Theatre (now Court Theatre) Studio Theatre Board, and he did his firstindependent work as a director. Theproduction of Lanford Wilson's GreatNebula In Orion that resulted was aresounding success from all points of view.It was visibly quite well executed and waswell received by audience and reviewers asan outstanding high quality work, and, atthe same time, Zehr himself was thoroughlysatisfied at having achieved his artisticconception.As an MFA final project Goodmandirecting students mount a full scaleproduction of a play of their own choiceTerry Zehr chose a modern, realistic, yetsomewhat avante garde work by HaroldPinter. His production of Old Times in theReynolds Club Theatre in February of 1975was regarded by campus reviewers at thebest and most meticulously well articulatedplay in the Studio Theatre that year.Not only was the production high quality,but Zehr was able to attract a cast and some of the most highly skilled actors andtechnical people to collaborate in a Studioproduction at the RCT in a number of years.As a member of the audience that viewedthe play, this reporter was surprised tcdiscover that all this aside, Zehr wasstrongly disatisfied with the show. It wasclean and intense, but he did not feel that hehad truly realized his own conception.With his trining at Goodman behind him,Terry Zehr looked towards preparation ofhis first play as an independent and formally educated director. Opportunitypresented itself when he received a caHfrom the professional staff of Court Theatrerequesting that he direct Court's majorSpring production. He would be the firstdirector other than Court's own Nick Rudallto direct a play in the New Theatre. He wasasked to choose a realistic, modern playwith one set, and he came up with Strindbert's "Miss Julie."The choice of Miss Julie was intended as atrial of his own talents; he views it as anextremely challenging production for adirector. He found the play excitinq and in¬teresting in reading, but direction proved tobe complex. In the thorough analysis towhich he subjected the play, he came to see(continued on page 11)technical staff for the play composed of^************************^CARPET CITY6740 STONY ISLAND324-7998origmafas what you need from»10 used room size Rug to acustom carpet. Specializing!fn Remnants & Mill returns atia fraction of thecost.lecoration Colors and]polities Additional 10%liscount with this ad.FREE DELIVERY DOROTHY SMITHBEAUTY SALON5841 S. BLACKSTONE AYE.HY 3-1069Permanents that aremanageable short ones - andlong ones. Tints - bleachesstreaks. Hair shaping as youwish it. Children s hair cutsalso. Call for appt. Mondaythrough Friday.8 a.m. to 8 p.m.No Saturdays. EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURTROSENBAUMOptometrist(S3 Kimbark Plaza)1200 East 53rd StreetMYde Park 3-8372GUITARS, BANJOS,MANDOLINS,RECORDERS.VIOLINS, AUTO¬HARPS ANDHARMONICAS*2/0 S Harper*in Harptr Covrt*NO 7-/040 ALSOBOOKS. INSTRUCTION AND REPAIRS **********#***#*********** GOLD CITY INNgiven * * * *by the MaroonNew Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m.A Gold Mine Of Good FoodStudent Discount:10% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less. ********#*******##*********(Try our convenient take-out orders.)*ft IF4^ 4^ 4^ 4^ ijc sjc * ijc sk 4^ 4^ 4^4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^ 4^^Friday, April 30. 1976 - The Chicago AAbrogh—1310—The Gordon^“(continued from page 8)u script for production should send it to TheOrganic Theater Company, 4520 N. Beacon,0 Chicago 60640. Stuart explained that thecompany has a backlog of scripts, and willnot be able to respond for at least twomonths. Although the majority of the scriptsare "not right for us for one reason oranother," a few works, like David Mamet'sSexual Perversity in Chicago, produced theSpring of 1974, were found that way.Stuart plans to supplement the originalworks performed by the company with theproduction of one "classic" every year, inan attempt to expand the range of the group.If he follows this plan, Chicago will have itsown repertory company, offering thegreatest amount and variety of dramaticworks in the city.The internal workings ot the companyhave fascinated me from he time I sawWarp 1 I asked Stuart if he has selected thecompany. He said yes, that he decides whoinitially enters the group, although once inthe company, the decisions become a groupeffort. If, however, there is a dispute as towhat should be done, Stuart's word is final.The company has auditions, but seldom andirregularly, since they are held usuallywhen someone is leaving the group andneeds to be replaced. The auditions vary,depending on the person needed and theshow in which he or she would be used.Stuart offered, however, his criteria foractors:"First of all, I think the person has to havethe skills down, basic movement and voice.Plus, I try to find someone who is fairly openand imaginative, someone v ho is going totry different things, as opposed to fallinginto the same old hackneyed moves. Also, inthat openness, someone who is willing tomake a complete fool out of himself or dosomething that he might think is dangerousor unpleasantfor the sake of ..."JL: Seeing if it works.SG: "Yeah, right, taking the chances; and ’that, to me, is the rr.ost important thing."Stuart's theories on acting change everyfew months. The only conception of actinghe has always had is that "what has to be onthe stage, ultimately, is truth. The audiencehas to believe that it is true, no matter howbizarre or fantastic an environment it'sbeing presented in, there has to besomething about it which the audienceconnects and says, 'yes, that's right, that iscorrect, that is true'—the truth within theuntruth, which, to me, is what is excitingabout theater." He criticized the majority ofacting performances as "very superficial,masks, with nothing behind the masks. Tome, what is important, is those glimpses ofhumanity.'' Stuart has no standard way ofapproaching a show. In the first few weeksof rehearsal, he determines the method ofapproaching the show, because each showhas its own set of rules. Stuart has, what herefers to as "a tactic" when he first starts ashow, but changes that as the rehearsalsprogress and he finds things he hadpreviously not seen. "Each show suggestsits own method."Stuart has never felt he has lost artisticcontrol of a show. The company hasabandoned a few productions after a coupleof weeks of rehearsals, but Stuart has neverhad the feeling with his shows that "this isnot any good" or that there would be no wayto get it to work by opening. Stuartrecounted, however, an incident in which hefelt he was almost losing physical control ofone of his shows, Bloody Bess, a veryphysical and violent revenge tragedy,produced in the 1973-74 season."When we originally did Bloody Bess inChicago, the reaction to the show was verystrange. The press gave it very mixednotices; some of the press was good, othersfelt it was a very mindless exercise, sort of'why are they doing this, what is thisteachina us' " The houses for the show werevery irregular; some nights there would bea lot of people, and some nights therewouldn't be anyone at all. As a result of it,the actors' spirits started to droop, and westarted finding that we were getting a lot ofinjuries in the show. There was a lot ofsword fighting, although most ot theinjuries, I should point out, were notstabbings, but mostly twisting ankles andthings like that, or falls. When we took theshow to Europe, it became incrediblysuccessful, and absolutely not a singleinjury from that point on."There was a period there where I felt theshow had been designed too dangerous to bedone, there was too high a level of risk in itsperformance We were having two or threepeople out each week, for injuries, and I hadfelt that I had in a way, designed aFrankenstein, a show that was going to endup wiping the entire cast out. There was onepoint where Carolyn (Gordon, one of theprincipal actresses of the company; she isalso Stuart's wite) was in a sword fight, andher sword broke, and a piece of the swordjust missed her eye by about half an inch.And to me, that was the closest I came tofeeling that a production is heading fordisaster."Stuart takes his cue from the audience todetermine whether or not a productionworks. "Theater is unlike other art forms, inthat you can't get discovered five yearsafter you're dead It has to be immediate,immediate communication. If it's working,you know it right there on the spot; if it'snot, it never will."I asked, with no small amount of self-For Warm Days Ahead:Earth Shoes.Style 900S28.50They're cool, they’re comfortable, they'relight, they're perfect for spring and summer.They're tlie Earth" brand shoe, the shoe thatstarted it all, the shoethat’s so unique, it’spatented.CHICAC O LINCOLN PARK: 2112 N. Clark St.Free irking at 2036 N. Clark St. (31 2) 528-8510.CHICAijO/HYDE PARK: 5210 S. Harper Ct.Oft street parking in city lot. (312) 363-4088. ^Open 7dayi. MasterCharge accepted. Gif t Certificates available.Please present jhis advertisement for a free tin of Tana LeatherProtector & Conditioner with purchase of any style Earth® shoes interest, if Stuart had any ideas on thefunction of a critic. He responded,"Sometimes I feel 'why should there becritics at all.?' other times I get into thatthere should be critics for everything—ifthey're going to criticize art, they might aswell criticize breakfast foods, and cars,because it's just as important, in someways." He continued, "criticism isimportant only if the person who iscriticizing you is important to you, if theiropinion matters. There are some criticswhose opinions I value, and others whose Idon't at all, and there are some friends ofmine whose criticism means more to methan anything I would read in a newspaper."Criticism, of course, has value—it'sfeedback. What I find interesting about it, isthat here is someone who is respondingdirectly to what you've just done, and theyare writing down how this thing has affectedthem in some way or another, probablymuch more concisely and morestraightforward than anyone who you wouldjust walk up to and say, 'well, what did youthink?' So in that sense, I think it has value."What I resent is when a critic gets thepower to open and close a show."JL: I think that's one thing that criticsdon't realize—that they have a lot of power,and it's very easily abused.SG: "In N.Y., especially. This is the thing(about the Warp! incident that really flippedme out, was the idea of a city this sizeallowing its mind to be made up by fourpeople—in some cases, one person. Chicago,luckily, is not quite in that spot; the criticshave a lot of influence, but they can't killyou "JL: People don't pay that much attentionto them here.SG: "There's a certain Chicagoskepticism of everything, which involveseven the critics, when you know not tobelieve everything you read in the papers."Stuart referred to some Organic shows,such as Sexual Perversity in Chicago, whichlaunched David Mamet's career as aplaywright; or Poe, which was described byone paper as "the longest necrophiliacscene in history," as examples of shows thatwere not favorably reviewed, but weresuccessful. The audience is the critic.The Organic Theater would like to expandinto other dramatic mediums, film and TV.They are considering doing a film, probablyonly a short one, due to financial restraints,sometime this year. As for TV, Stuart wouldlike to do a serialized version of Huck Finn,shot on location on the Mississippi Channel11, WTTW, was interested, and startedbudgeting for the project, but had to cutback due to lack of funds. The OrganicTheater, however, is still scouting locationsin southern Illinois, while on their currenttour of Huck Finn. "There are stretches otIllinois that look like they haven't changedin 150 vears."Stuart watched a lot of TV as a kid, butmore movies. "I was the kind of person who would go see a movie five times that I reallyliked."JL: Whatkind of films do you like?SG: "My favorite kind of films are whereyou forget that you're watching a movie. Idon't like self-conscious movies; I don't like'art' movies for that reason. I like moviesthat are really visually oriented—I likeFellini a lot, whereas I don't really care forBergman that much. I like adventurestories; and Hitchcock is among myfavorite directors. I like to go to a movie andjust get lost in it."The interviewer, at this point, became lostin the interview; and did not notice that thetape recorder had stopped, and the casetteneeded to be flipped over. So, Stuart's firstanswer to my final question, "why do youdirect plays?" went unrecorded. Wediscovered this, and Stuart attempted to re¬answer the question:"Theater is the most powerful art tormgoing. It is not just a static piece of an artobject, like a sculpture; but it is a livingexperience, and because of it, it has thepower to change people—to get your ideasacross in the most exciting and immediateway around. To me, that is what goodtheater is all about.Originally, I didn't care for the theater. Ifelt that most of it was boring, or stagey, orpretentious; or just too expensive to haveanything todowith it."JL: Movies did it better; I know when Iwas a kid...SG: "Yeah, right, right; but there arecertain things that theater can do that amovie cannot possibly attempt. What Ibecame hip to was that you could usetheater's strengths, as opposed to trying tocover them up as weaknesses—the fact thatit is never the same ich night; the tact thatit is so dependent on its audience to make itwork. Our society today attempts todehumanize. Everyone feels 'what could I,as an individual, do about anything; I amimpotent, I cannot change things.' Thething about theater, it says, 'you areimportant; you matter; that if you were nothere at this performance to influence theactors, that what would happen on stagewould be something completely different;and that you have a stake, artistically, as anaudience member, in what is happening.You are sharing it.' It is a very, very strongstatement, I think, on human worth, amongother things. And that, I guess, is why Iwould say I direct."Gargoyle MusicLive music continues this week at the BlueGargoyle Coffeehouse, as well as exoticcoftees, teas, and munchies. This Fridaynight, May 7, a contemporary jazz ensemble, Kebatinan will be performing.Admission is free as usual. The Coffeehouseis open from 8:30 to 12:00 Tuesday throughFriday nights.m GUIDE TO TAIWAN,the Island Province of the Republic of ChinaFind the Heritage and New Hope ofA 5,000 Year Culture Tonight!Films (in English)China's Western Dragon(Travelogue to Formosa)Masterpieces of Chinese Arts(Collections of Palace Museum)XT. -v ' v'*'#1 —'l-House, Home RoomApril 30 (Fri.) 7:30 P.M.Free Admission SPECIALDISCOUNTPRICESFOR ALL STUDENTS & FACULTY MEMBERSJust present your University ofChicago Identification card.As Students or Faculty Members ofthe University of Chicago you are en¬titled to special money savingdiscount prices on all materials usedon Volkswagen Service Work, allVolkswagen Parts, Accessories andany new or used Volkswagen you buyfrom Volkswagen South Shore.Authorized VOLKSWAGENVolkswagen SOUTH SHOREDealer 7234 s. Sfony IslondOpen Daily 9 A M to 9 P MOpen Saturday Sales 9 A M -5 P MPorts 9 A M 12 NoonPhone 288 490014—The Chicago Maroon - Friday, April 30, 1976Director(continued from page 9)it as an almost neurotically non logical andnotably poorly crafted work. Strindberg hadwanted to try to create a “naturalistic newtheatre." The subject matter involves thenon-modern topic of a class conflict, adifficult situation for modern Americanactors to construct.The burdens for unifying and animatingthis play falls heavily on the director. Theplay has a great deal of repetition ofmessage and action, the director has tomake each incident fresh and interesting, hemust make the action and progression believable to the audience. Zehr saw thechoice as presenting a great opportunity forfailure, a serious challenge where anysuccesses he did achieve would clearly pointup his strengths and weaknesses.Miss Julie will be opening in the NewTheatre beginning tonight and going onthrough a run of two weekends. This will beTerry Zehr's third production at theUniversity of Chicago as well as his firstexcursion outside the Court Studio Theatrewhere most outside directors work here. IfMr. Zehr does indeed launch a successfulcareer as a director, it will be from thetheatres of the University of Chicago that hehas taken his start. Although his basictraining in the format and techinical aspectsof directing come from Goodman, his allimDortant practical education as a director has been acquired here in Hyde Par4cJudging from the quality of Mr. Zehr'sprevious work, the Court Theatre is to becongratulated for its role in the education ofone of Chicago's most promising newdirectors.Poetry EventsThis afternoon, at 3 p.m., the first readingof the Chicago Poetry and Prose Festivalwill take place in Reynolds Club North. Itfeatures Henry Kanabus, author of FloorLights' Jim Mulac, poet and pianist; andJim Hanson, editor of In The Light.The second reading will take place tomorrow, at the same time and place. Thesecond reading features Arnold Aprill,editor of Here It Is! and Bondage andDiscipline; Barbara Barg, associate editorof Out There; and Betty Codell, on the staffof the feminist magazine Black Maria(Please refer to the story on page 3.)Tuesday evening, May 11, at 8:30 inReynolds Club lounge, the U of C PoetrySpeakers' Series with the Wm. VaughnMoody committee presents Joseph Ceravoloreading from his own poetry. Mr. Ceravolois a civil engineer, poet, and native of NewJersey. His collection, Spring In This WorldOf Poor Mutts, published by ColumbiaUniversity Press in 1968, won the FrankO'Hara award.Admission to all these poetry events isfree and without ticket.torchlight parade * 11-30 T'j,satamc rites\of sprinq A /atbutcfi* 12 midnrLv 1 courtapril 50worship ar tfje ctjurcti of our choiceWalpurcysnacb (TParade Route: BJ Woodward Court,Pierce, Regenstein, Hutch.FREE BEER AND CIDER ROAST MEATSROCKEFELLERMEMORIAL CHAPEL59th Street and Woodlawn AvenueSunday • May 2 • 11:00 AM.NATHAN A. SCOTT, JR.Shaller Mathews ProfessorDivinity Schoolu MTHE BEARING OF BURDENSSUNDAY SEMINAR-CHAPEL UNDERCROFT9:45 to 10:50 AM.E. Spencer Parsons, Dean of the Chapel willconduct a Bible Reading Seminar coveringthe theme of Redemption and Revelation.Sunday Afternoon at the Chapel4 O’clockAN HOUR Of DANCE AND SONGElvl Moore, DirectorUniversity of Chicago Dance Group. DianeMcCullough, Mezzo-soprano; MichaelCullen, Pianist; Kenny Takaoka, Per¬cussionist. Without ticket and withoutcharge. KAFTtNOAPPETIZERSZIMI ROLLSchopped ham. swtss cheese, turkey cookedtogether m our ovwi homemade zunnSAGAN AKIkacen cheese and ouzo flamed right before yourvery eyesSALADSMEDITERRANEAN SALADlettuce, tomato, kalamarta olives, feta cheeseHOUSE SALADrrixed greens and tomatoesFRESH FRUIT SALAD COLD CRABMEAT TOMATOluscious crabmeat salad stuffed into tomato$1 45 wedges topped vwth something specialCHEESE SPINACH PIEcheese and spinach wrapped m h*o SOUPSTHE HOUSE SOUPCheddar cheese soupTHE DAY’S SOUPyour guess »s as good as our sGEORGE WASHINGTON MEMORIAL SALAD BARa most elaborate array of lettuce, tomatoes, tangerines, strawberries, apples and raisins beet salad, olives, baby dillpickles, swyss cheese, croutons, mushrooms, chicken salad, cream cheese, sliced peaches, macaroni salad, caviar,pineapples, cauliflower, tn-been salad, spinach, german potato salad, bananas, cole slaw, hard boiled eggs, rmrrts.cucumber salad, bean sprouts, carrots, radishes, sour cream, melons, green peppers and assorted dressingsLUNCHEON SALAD BAR „DINNER SALAD BAR ^with luncheon $1 25 wth dinner entree $1 25a la carte $2 95 wrth sandwich $2 25a la carte S3 50EGG MIXTURESFETA CHEESE OMELETTEan omeletie rolled around nch white feta cheese,onions, and tomatoesFRESH FRUITS FRENCH TOASTthick slices of cinnamon raisin french toast withan array of fresh fruits and whipped cream LOBSTER BENEDICTmedallions of lobster on a toasted engksh muffin,topped with a poached egg and bechamel saucePENIRLIhomemade zumi baked with Cheddar cheesetopped with ham and eggs of your choice RING AROUND THE EGGfresh sauteed vegetables and poached eggs on an$2 95 english muffin with bechamel sauce $2 75EGGS AND CHICKEN LIVERSsauteed chicken livers served with eggs ofS2 95 your choice $2 50SANDWICHESGYROSground beef and vegetables •sauce tzatzkiserved with fried potatoes and choice of rye bread or bunHAMBURGER $210CHEESEBURGER *2 20CHEDDARBURGER $2 30SWISSBURGER $2 30FETABURGER *2 35BLUECHEESEBURGER $2 35SOURCREAMBURGER $2 35OLIVEBURGER $2 35MUSHROOMBURGER $2 35WHISKVBURGER $2 50ENTREESserved only after 4 pmCURRY RICEchicken cxrry with rice and appropriate garnishes 54 45SOUVLAKIbeef shischkabob skewed with tomato, pepper,onions, mushrooms, served with nee $3 95KOTA SCHARASorw-fiaff broiled chicken on a scharaYOUVERLAKIAgreek meatballs served with rice and toppedwith cream sauceDESSERTSthe kaffemo proudly presents a selection of mediterranean delicacies refinedwith our own touch, they are displayed east of the dining area, take a trip andselect from the array for yourselfMOCAsavajar. brandy, coffee glaze, peanuts, carameland fresh fruits i pita with ourFALAFILthe answer to the vegetarian demandSOUVLAKIbeef shischkabob and vegetables in pitsauce tzatzkiREUBEN HOT TUNAgrilled ttna salad and cheese on ryeS2 10FRIED CLAMS*210 CHEESE BLINTZESserved vwth fresh frurts and whipped cream S2 OO*2 4552 10$2 95$2 50$3 75$3 25 CREVETTE BOUILIgiant broiled shrimps served on crushed ice withour ratxgot and shrimp 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coffee40 sanfca40 hot chocolate 8553 85404035353540FOTA presents: Series Continues each Monday in MayVINCENT MINNELLI film series, part i$1 per evening 6:30 CABIN IN THE SKY8:30 MEET ME IN ST. LOUIS10:30 YOLANDA AND THE THIEFMONDAY, MAY 3 OUANTRELLFriday, April 30, 1976 - The Chicago Maroon—15 TheGreyCityJournal—11Calvert HouseTSa Cat hoik Ituknt CantarA Public Lectureand Panel Response"Sexualuality and PapalTeaching A Criticaland ConstructiveResponse Within Community”kyJames F. Bresnahan SJ.and a pa rial of ThaologyStudanti from thaJasuft School of ThaologySunday, May 2nd 7 PM.5735 S. UniversityTAI-SArWAfcNCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOWEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS' 12 TO 8:30 P.M.Orders to take out1318 last 63rd MU 4-1062Young Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288 2900c D?134^493 2 E 55 St Chicago IL 60615-6700 jVERSAILLES5254 S. DorchesterWELL MAINTAINEDBUILDINGATTRACTIVE 1% AND2'/t ROOM STUDIOSFURNISHED or UNFURNISHED$138.. $221Based on AvailabilityAll Utilities IncludedAt Campus Bus StopPA 4-0200 Mrs. GroakACCOUNTING ANDFINANCE MAJORSLET US HELP YOU TOBECOME A CPAREVIEWCHICAGO-Loop 312 346-7871Des Plaines 312 299-5523Blue Island 312 346-7871COURSES BEGIN MAY 26 8 NOV. 24G„“ S-*:-53s'.w Sr,GENTS BEPPtSENT1/3 op USA (Jour -feet have been watting tor the'day theycould have a pair of Levi's all tv themseives.Newi&jfs heavy leathers, with rugged soles...h rivets.. .’n little orange tags. Ctnon; .guys, get into Levi's.. .tvr-fmt - eJD°n.ns Llvis for feet16—Th« Chicago Maroon - Friday, april 30, 1976 » * 4 ♦ I I 1 » I M k >ie % *1Males To Compete For Mr. U of C Sloan FellowsWhat does it take tobecome Mr. U. of C? Eachappearance of theLascivious Costume Ballallows the participants toperuse the assets of the con¬tenders for this illustrioustitle and to award by popularvote the garland of condomsto the candidate mostrepresentative of UCmanhood. Past winners suchas Gangrene La Rue and HotGrits have displayed some ofthe unmentionable qualitieswhich make up Mr. U. of C.As the picture ac¬companying this storyillustrate, the competitionshould be fierce. This con¬testant prefers to remainanonymous until the finaljudging when he oils up toripple his biceps, etc.Any UC student, faculty,staff or spouse of same withvalid identification (bringyour marriage license to besure) will have the op¬portunity to vote at midnightby their catcalls and heavybreathing for Mr. U. of C. Inaddition, for the ridiculouslylow price of $2.25 withregular clothes, $1.25 withcostume, and fcr nothingwith skin, the participants will be let loose with theirprimeval instincts to danceto two separate bands on thefirst and third floors as wellas to go swimming and toogle art films, exotic danc¬ers, and educationalreading and fondlingmaterials. Party favors willbe distributed, and the Frogand the Peach will be open.Frank Malbranche, thisyear’s MC, has promisedsome fantastic prizes for thevarious contests being heldjust before Mr. U. of C. iscrowned.The decision has beenmade to add a contest forbest appearance in wetshorts to accompany thecontest for best performancein a wet T-shirt. Water willbe provided. The audiencewill also decide whichcontestants are the best duoin costume and which groupof five or more has the mostlascivious costume. Like theRose Bowl parade it isrecommended thatorganizations exhibit theirentry around the Hallthroughout the evening togenerate voter support. LastLascivious Ball the failure tosheathe a giant phallus in Four University scientisthave been named Alfred PSloan Research Fellows for1976.The four, Paul Grobstein,Assistant Professor ofPharmacy; LawrenceGrossman, AssistantProfessor in the Departmentof Geophysical Sciences;Kathryn Levin, AssistantProfessor of Physics; andRobert M. Wald. AssistantProfessor in Physics,receive two year fellowships in varying amountsaveraging about $8500 ayear.Candidates for thefellowships are nominatedby senior scientists familiarwith their capacities. Thegrants are designed topermit flexibility for themost creative researchersNo formal research proposalis required, and the Fellow isfree to change the directionof his research at any time.time caused one group entryto simulate union with ahuge ovum by many X, Y,XY, and XX markedapparitions with tails. As Bedford Forrest, one of thisyear’s judges, says, “comeearly and come often. Youwill never forget this nightas long as you live.” EDITORSActing Editor John VailAssociate editorsSports David RieserDarkroom Frank FcxNews Peter CohnMike JonesDan WisePolitics David AxelrodContributing editorsDavid Blum Jan Rhodes StaffLandy Carien, Andrea Holliday,John Milkovich, Tom Meigs, MarthaConger, Aaron Filter Scott Z.emba,Michael Dvorkin. Jean Tobin, JimKaplan, David JOhnsen Boo Zivin,Peter Eng, Mary Marfise, MikeSherberg, Ellen Clements, LibbyMorse, Ed Conner David JaffeCliford Krauss, Donna Jaffe,Miriam Schuchman, JohnHockenbery, John Docherty RalphMohr Kathleen BauersfeidBUSINESS STAFFManager Mike KlingensmithAd sales B G YovovichOffice Karol Kennedy* AM • * PM 7 D«y* AHYDE PARK PIPE AND TOBACCO SHO£1552 E. 53rd - under 1C tracks yyAll students get 10%.1. \ /ask for "Big Jim'Pip**Pip* Tobaccos Imported Cigarette*Cigar* OAK FURNITURE-ANTIQUESREFINISHED1649 E. 55th56 7-4 3801 -6:00 PMTUES. SAT AS IS DesksTablesChairsDressersBookcasesMuchMoreWe Also DoRefinishing Tne CHICAGO MAROON is mestudent run newspaper serving meUnivers ty of Chicago and HydePark The PUBLICATIONSCHEDULE is twice weekly, onTuesdays and cr days, during therequiar aetdem c yearOpinions expressed in the ChicagoMaroon are no’ necessar iy those ofthe University of Chicago studentsfaculty or administrationEDITORIALS state the polcy of thepaper, an a unless otherwise notedrepresent t£e positions of theeditors All dessenting opinion —LETTERS COMMENTARY, andGADFLIES— must be submitted tothe paper no later than two daysprior to the next issue, ana must DeSigned. ,The Maroon reserves *ne r ght to edit ail submissions forpublicationCORRECTIONS may be broughtto the attention of the editors bywriting ca'e of the Maroon office, orby calling tne news office Allcorrections will appear n thesoonest issue at’er the error isbrought to l ghtThe OFFICES o’ the ChicagoMaroon am located at 1212 E 59thS’ . Chicago Illinois CC637 SUBSCRIPTIONS cover the threeregular academic quarters, and are$9 tor the year payable in advanceTELEPHONES of the ChicagoMaroon are editorial office 7533264 business oft.ee 753 3266The OFFICE HOURS of the paperare 8 30 1 and ’ 30 4 30 weekedaysChe ilmhcrsitu of ChicagoPETER C GOLDMARK, JR.Director of rhe Budget of the State of New YorkFormerly Executive Assistant to the Mayor of the City of New Yorkoucii firedettt a aemtaarTHE PROBLEMS OFNEW YORKMONDAY, MAY 3, 19764:15 P.M.THE SEMINAR HAS BEEN ARRANGED BYTHE SCHOOL OF SOCIAL SERVICE ADMINISTRATIONSCHOOL OF SOCIAL SERVICE ADMINISTRATION BUILDING969 EAST 60th STREET • ROOM E IVADMISSION IS WITHOUT TICKET AND WITHOUT CHAKGE OFFICE OPPORTUNITIESATAMERICAN BAR ASSOCIATIONSECRETARIES/TYPISTSWe have several important openings for experienced secretaries (min. 2yrs.) who seek greater challenge and variety in their work. voull needdictaphone experience with at least 60 wmp typing skills, proficient inspelling, grammer and word usage. Duties involve contact with members,administrative, travel and making meeting arrangements.ACCOUNTS PAYABLE CLERKHigh School grad with good figure aptitude and high degree or accuracy.Some prior office experience. Must be able to use adding machinecalculator and typewriter. Duties will be to process bills for payrollOur organization offers a complete fringe benefit package in addition toexcellent starting salaries. Bus service to and from I.C. stahon and Loop.Call for an appointment at 947-3809 or 947-381 1.An tqual Opportunity bmployerFriday April 30, t 976 - The Chicago MarooniIM Softball Season OpensBy Frank MerriwellThis is the time of the yearwhen the benighted non¬residents of Chicago find outthat there is such a thing as asixteen inch softball. Inorder to promulgate thisknowledge the intramuraldepartment has graciouslyset up IM softball tourrneys, men’s women’s, andCoed.In the men’s division theSee Your Food dynasty is over and the field is open tojust about anyone. In theundergrad residence Reddivision, inside sources reportthat Henderson has beenrunning two-a-day practicesthis month and will be theteam to beat. Hitchcock Eastand Lower Rickert justmight be the teams to do it.In the Blue, Salisbury looksvery tough but they will havestiff competition from PhiGamma Delta. Shorey lookslike it could wire the field inSoftballer’s Twin BillThe varsity softball teammight be going for it all thisweekend as they take onChicago Circle and CarthageCollege.All three teams are statetitle contenders and thegames they play Saturdaymight well influence thedecision.Chicago has a bit of an edgeso far. They played a doubleheader against Illinois Statelast Tuesday, and thoughthey lost both games theymade a very good im¬pression on the muchstronger state school.Coaches at ISU. which sportsat least three varsity softballteams, commented that theMaroons were the bestcompetition they had facedall season.The first game was thereal heartbreaker. The battery of Harvilla-Brinkallowed but three hits but theteam found itself behindfrom the beginning. Still,they produced a three runrally in the seventh inningswhen State got the extra runto win 5-4.The second game was notquite as close. The battery ofKhoe-Boydston presided overa losing effort as theMaroons dropped thenightcap 4-0.Coach Kirby said she“wasn’t predicting anything.Certainly we're good. Justhow good is the question.”How good will basically bedecided Saturday. The firstgame will be against Circleand will start at 10:00. Thegame against Carthage willstart at 2:00. Both games willbe held on Circle CampusHalsted and Polk. the White Division but it willhave to stave off Blackstoneto win the title.In the undergrad In¬dependent league FrogsCome Harder looks like asure bet to rule the pond.The Divisional race islooking no less crowded. TheB School Bombers arefavored in the Divisional Redwith the Big Med Machinegiven an outside chance. InDivisional White, Ham¬burger Deluxe should grindall opponents but theDivinity Dogmatics haveprayer of a chance. The BlueLeague is wide open withHumanities Stars, the Nerdsand the Master Batters sure to beat the pack. HaroldLloyd’s looks good but theheavy recruiting for the WildBunch should win them theGreen Division title.The Co-ed division has alsobeen opened up, without theprescence perennialfavorites East Your FoodIn the Undergrad Red,Greenwood looks like theteam to beat while Salisburyand Shorey should befighting it out in the UnderGrad Blue. The DivisionalRed will be led by Georgeand the Dynamics butDivisional Blue is im¬possible to call, due to lack oftalent. IM SOFTBALL TOP TEN1 Hamburger Deluxe2 Wild Bunch3 B School Bombers4 Salisbury5 Shorey6 Big Med Machine7 Frogs Come Harder8 Divinity Dogmatics 9 Blackstone10 Hitchcook EastAlso receiving mention:Henderson, Lower Rickert,Phi Gamma Delta,Humanities Stars, Nerds,Master Batters.SPORTSCrew Club Faces Money WoesBy Marty SinnotThe Women’s Crew Clubrowing marathon wascancelled because of lack ofsponsorship. The event,which was to be held lastThursday and Friday, calledfor corporation sponsorshipin return for advertisement.A goal of 13,000 dollars washopefully going to be raised,which would cover the cost of badly needed new boats andtravelling expenses for thisracing season. The womenhave all ready purchased asix thousand dollar, eight-person boat, with fourthousand dollars remainingunpaid.“What happened with themarathon was we didn’thave enough time. We talkedto some possible sponsorsFULL COURT PRESSThe Chicago BaseballMaroons pulled out asqueaker Wednesday af¬ternoon against WTieaton,winning 1-0 in the ninth in¬ning, on a Norval Brownclutch double.Paul Kawalek pitched ano-hitter, easily his bestouting to date. A sore armhas kept Kawalek frombeing particularly effective this season but this per¬formance indicates that he ison the way back.This is all good news toCoach Angelus who claims tobe alone among varsitycoaches in being unhappywith his team. ‘‘Till they getabove 5001 won’t be happy,”he said.Mr. Angelus’ mood maywell be improved by theUC VARSITY SCOREBOARDBaseball:Maroons 1 Wheaton 0Softball:Illinois State 5-4 Maroons 4-0Tennis:UC Men 6 Chicago State 3Lake Forest 9 UC Women 0Golf:North Park 413 Maroons 432UPCOMING EV ENTSBaseball:UC vs Kennedy-King, (double-header) Sat.May 1,12:00, Stagg FieldSoftball:UC at Chicago circle, Sat. May 1, vs Circle,10:00, and Carthage, 2:00 Circle Campus,Halstead and PolkTennis:UC at the Whitewater Invitational, Fri. andSat. April 30 and May 1. Whitewater Wiscon¬sin. weekend. The Maroons willbe taking on a nine fromKennedy-King for a doublebill this Saturday. Breakingall rules of traditionalCoaching, Mr. Angelus islooking past Saturday to theUC Invitational to be heldnext week out at Stagg andsees tomorrow’s games as atune-up. The first game willstart at 12:00 and will be heldat Stagg Field.The University Women’sCrew Club will race thisSaturday in the Mid-WestSprints at Madison,Wisconsin. The biggest of theMidwest regattas with over200 oarswomen and 400 oarsmen, the Sprints will beChicago’s first major event.Prominent among thecompetition will be theNational Champions, theWisconsin Women’s Crewwho boast two silver medalwinners from last year’sworld Championships held inEngland.The Chicago women willbe entering a Novice-8woman boat (rowers with noprevious racing season) andan Open 4-woman boat (bothexperienced and novicerowers). Heat will be in themorning with the final racestaking place early Saturdayafternoon. but they had all their ad¬vertising money planned outfor the year,” said CrewClub Treasurer Sue Urbas.“Right now we are plan¬ning another marathon forthis coming September.That’s the only way we aregoing to raise big money forthe eight person crew boat.”In trying to work out theirfinancial problems,Women’s Crew has dealtwith the University with nosuccess. ‘The Universityhasn’t given us any financialsupport at all. There areindividuals that have reallyworked hard but nothing hasbeen done. They see crew asa problem. They don’t wantto put out any moneybecause they don’t know if itis going to survive. TheUniversity doesn’t even wantthe boat once it’s all paid off.It would be an asset to theschool. We have also lost ourcontribution account withthe University,” said Ms.Urbas.The University has apolicy that nothing is paid foron time payments. Since theWomen’s Crew did not havethe full six thousand for thepurchased boat, theUniversity closed the crew’s;Mmn&>*** * %<~ rA '■ K'k, v.First baseman Norval Brown who knocked in the winning run in Wednesday's win(photo by Frank Fox) bank account.“As a result of our need fora new boat and the positionthe University has put us in,Mark Maxson, our coach,has taken on the respon¬sibility that the boat is goingto be paid off. It’s a case ofwhere they’s a will, there’s away,” said Sue Urbas.According to both MaryJane Mulvaney, Women’sPhysical Education Directorand women’s crew facultyadvisor, and Paul Ausick,assistant to CharlesO'Connell, the women or¬dered and purchased theboat with full knowledge thatthe University has no moneyto give.“Women’s Crew took thison full knowing that I can’tsee any financial feasibleway out. There exists many,many problems which theyall knew,” said Mary JaneMulvaney.Paul Ausick feels the sameway.“I told them I couldn’tcome up front with any cash.The boat was ordered withthe understanding therewould be no Universitymoney available.”Women’s Crew says thatthe University has beenunfair and is not justified inits lack of financialassistance. Urbas declaredthat, “We would like to pointout that we have been shatupon after we havedemonstrated our per¬severance and commitmentto the University that isneeded to give financialsupport.”Women’s Crew hopes tomeet with the sale of T-shirtsand through student ac¬tivities fund, they havealready cancelled one racebecause of money. ‘‘Animmediate concern is to getmoney so we can go to theregattas. Individualmembers can’t pay for allthis stuff. They have reallybeen hit hard so far,” saidUrbas.18—The Chicago Maroon - Friday, April 30, 1976CLASSIFIED ADSSUBLETSummer sublet 6 room condo suitablefor 3 at 5716 S. Kenwood 955 1796Need quiet place to study Stay forsummer in 2 bdrm furn apt 5/ 15 8/ 15Call 684 1667 after 6 p.m.Sum Quarter sublet furnished 1 bdrm56&Kimbark reasonable Call 955 8952after 6SPACE55 HP 3 flat 100000 2 condos Ml 39086Summer sublet. Possible, fail option.Avail June 15. Convenient location, 57& Kimbark. Furnished, own roomFemale $100/ mo. Call 955 2221.77th $ S. Shore Dr. Spacious 5 rm aptPrivate garden, facing lake 8.park; tennis courts. 15 min. to UC$250/ mo Call SOB 7727.ROOMMATE WANTED Starting Autquartr pvt. room. Rent $82.50/ mo plusutil. Sublet available for entire aptSummer Quarter Rent $149.95/ moplus util 5415 S. Woodlawn 288 8968So. Shore 5 rms. newest luxury 6 aptbldg, now July or Sept $325 Must beseen Adults only. 684 5544CHICAGO BEACH BEAUTIFULFURNISHED APARTMENTS Nearbeach, parks, loop buses, door Modestdaily, weekly, monthly rates 24 hrdesk, complete hotel services. 5100 SCornell, Do3 2400 Miss SmithHarper Square 4850 Lk Pk Av. 3 Bdrm,1-1/ 2 Bath, A/ C, Unfurn, Lake ViewExc. Security, Garage, Laundry$375/ mo. Avail 6/ 15 538 2564 EvenProfessional woman wants to subletChgo apt. for the summer Wouldconsider exchange. E Trexel, 234 SFigueroa St. #1334, L A CA 90012 213613 1287.Need an apt for the summer? Oneperson needed to share East HydePark apt $87/ mo; Call Joe 288 3113Room bath 8, part board available begJune for school year in exchange forsome babysitting near campus CallGrossman 288 5174Membership and housing availableNext year in Delta Upsilon FraternityCo ed, mostly single rooms, parking,location near campus Openings formen only Call Steve or Shannon, 7533444Woman (grad student or staff) neededto share apt Avail June 1 Own room,$100/ mo. plus utils. 57th 8, DrexelCall eves. 947 0044Spacious two bedroom apt (bsmt) forsublet beginning June 15. Rent $135including electricity. 53rd and HarperOne bedroom also available for nextyear. Call 947 9596 after 5 p m.SPACE WANTEDFINDERS REWARD $30 when I sign alease for 2or3 br HP apt for June 1Will sublet to take over lease Call 2888372SPACE FOR SALEOPEN HOUSE Sunday 16. Gracious 7rm condominium 2 blocks from thelake Beautiful hardwood floors,refinished woodwork, modern kitchen3 bdrms, built-in dishwasher, washer,dryer 5480 S. Everett 493 0932PEOPLE WANTEDWanted: Cashier for evening work 6pm till 11:30 pm Monday andTuesdays. Apply at Morgan's SuperMart 1516 East 53rd StreetTutor for 8 yr girl over summerreading, math. Hours flexible Calleves 241 7452BUSINESS STUDENTS: Improveyour resume, get some great job experience and make some moneyHow? Work as Business Manager forthe Maroon next year Call 753 3265 formore informationWhere else can you get free applejuice, insurance, a smile 8, help yourfellow human beings? Billings BloodBank! Call for appt 947 5579MOTEL ROOM CLERK 4 or 5evenings will train 79th and SouthShore Dr Call 374 4500 betwn llam3pm onlyClerk for social service agency inHyde Park Job includes care ofdetailed office records, typing skillsdictaphone and answering phone CallMrs Bell, MI3 4062Reliable sitter for infant, T W Th 35pm May July 9 Call 288 6130 SPAM Youth League demonstration toprotest SYL apathy in the Quad 12Earn some extra money. Needsomeone to do household chores for 12hours per day, several days a weekCall 947 8302.Reliable energetic sitter neededseveral afternoons and evenings perweek Two children ages 6 and 4 Hrs.flexible $2.50 per hr. Call 241 5068Wanted: Female student (nonsmoker), rm 8, bd in exch for minimalchild care and hsehid resp Call 9470781 evenings.Ray School Store Clk hrs 11:45 am12:30pm M F @2.50/dy. Call T Fry241 6788 or E Goodman 493 7046PEOPLE FOR SALEWRITING WRONGLY? English Gradwill proofread papers 8. essays forerrors in grammar and style. David268 0935.For exp piano teacher call 947 9746SCENESNew Coffee House Friday April 30 7 11p.m 50e United Church 53rd andBlacks tone Ave FREE Coffee 8. TeaHolly Near will sing at AthenaeumTheater, 2936 N Southport 8 pm SunMay 2. Sponsored by ChicagoWomen's Liberation Union. $3 50 atthe door $3 in advance Free childcare 772 2655.Help pass ERA in Illinois Canvass inChicago! Rally in Springfield May 16see UFO table in Mandel for infoCome join U of C folkdancers in IdaNoyes every week Mon beginning leveland Sunday general level, withteaching, 8pm, 50c Fri, all levels, 7:30free Help us celebrate spring!FOR SALE72 Ford LTF p/ s, p/ b, auto trans goldbrn vinyl top $1600 . 947 03311970 VW automatic bug, 50,000 miles,$800 753 2261 rm 8171972 Super Beetle new brakes batterymuffler tires 10000 miles body good$1350 O N DPASSPORT PHOTOSColor, 2 for $9 00MODEL CAMERA1342 E 55th St 493 6700Photo l D's and application photosalso available72 Fiat 128 excellent condition $1100 oroffer call 324 2088 Keep tryingEnglish model 3speeds $68 667 5620Used 1&3 speeds, tandem 667 5620Kryptonite bike locks $16 65 667 5620LOST-REWARDLong green Army overcoat Sentimental value Reward offered Call753 0160GAY LIBERATIONGAY MEN'S AND WOMEN'S COFFEEHOUSE Come celebrate MayDay with us! The Blue Gargoyle 8 002 00 P M May 1.SPSS CLASSLearn to use SPSS statistical packagefor transforming data, computingstatistics 6 sessions, $25 Computertime provided Call before May 7 toregister 753 8409 HELP PASS ERAMeet us at Mandel this week pass ERAin Illinois this year ISTUDENTSHaving trouble with a paper ordissertation? Free help developingideas, 9:00PM SUN Blue GargoylePHOTO GRAPHERSThe Maroon is looking for photographers to join the paper's photo staffnext year Paid positions are alsoavailable in the Maroon darkroomContact Peter Cohn at the Maroon, 33263LAYOUTThe Maroon is looking for people interested and experienced in graphicsto join the design staff of next year'sMaroon Paid positions are availablein several technical areas of the paperContact Peter Cohn at the Maroon, 7533263BELLY DANCELessons all levels Jamila 955 5019NOW RENTINGSafe quiet newly dec cptd free util atcampus bus stop Dorchester Devonshire Apts 5118 S Dorchester 324 3939HIRE-AN-ARTISTIllustrations, portraits, free lance artwork to your order Call Noel Price947 0698 evenings.BOOKS BOUGHTBooks bought 8. sold everyday, everynight, 9-11, Powells 1501 E 57th.CHICAGO AUDIOSpecial sale on systems during April!!Buy a system costing more than $500from the list of participating dealers,and in addition to our already rockbottom prices, we will give you a $10rebate Call soon, the offer lasts onlyone month 241 c~52PAN PIZZADELIVERYThe Medici Delivers from 10 pm weekdays, 5 11 Saturday, 667 7394 Save 60c,if you pick it up yourselfSTEP TUTORINGInterested in helping neighborhoodchildren? The Students TutoringElementary Project needs volunteerstutor students in school work, such asreading or math, or to help in specialprojects such as art, music, or scienceFor more information call Ron Schwartz 924 2664 or Rod Wing, 753 3541CREATIVESERVICESCreative Sabbath Services every Fri.night at Hillel, 5715 Woodlawn at 7 30p m For more info call 752 5655WOMEN'SMAGAZINEPrimavera, the women's literarymagazine is on sale in all Hyde ParkbookstoresLOSTWould whoever found a soccer ball onQuads Sun 4/ 25 call Rm 3410,Woodward Court EXOTIC FOOD COOKSAnyonedesiringtocookinternationaldishespleasecallsam7217S17eveninqs-MAY DAY DANCEMay Day Ceieoration Mon May 3rd onthe Quads at noonERA TASK FORCEMeeting Tues May 4 at 7 30 p.m. in theWomen's Center — 3rd floor of BlueGargoyle Organize for May 16 Rallyin Springfield.UNIVERSITYFEMINISTSMeeting on "Women's EnrollmentAdmissions at UC" on Mon May 3 at7:30pm in dining room of BlueGargoyleMOVING SALEMaytag washer dryer 1970 $300, pairGibson refrig die by side '71 $250 Sngisleeper sofa $100/ queen slpr $200Twin&Queen beds best offer after6 684 1667WALPURGISNACHTBeat Hutch Court tonight at midnightCelebrate the Pagan rites of Spring,dance, debauch, drink free beer andcider A human sacrifice and witchesSabbath will be included Roast beefsandwiches will be on saleSUMMEROPPORTUNITIESINTERN PROGRAM in PsychologySocial Work, Agriculture, JournalismPublic Relations, Business Administration, Landscape Architecture,etc in a unique country atmosphere —55 acres — living communally withoutstanding qualified faculty — Fourand eight week summer terms Writefor brochure Samel and Melvin AKopp Center for ContinuingEducation, 1562 Valley View Road,Honey Creek Wisconsin, 53138(Midway between Chicago, Madisonand Milwaukee.)SECRETARYSecretary to executive director Excellent typing skills and use ofdictaphone transcriber requiredSalary based on education, experienceand interview. Career opportunityGenerous fringe benefits Phone 9472015 or send resume to federation ofTax Administrators, Public Administration Center, University ofChicago, 1313 East 60th Street,Chicago 60637VICTORIUSMAY DAYSparts and Cohorts. But have youreally served the needs of the realpeople? Existentialist for JerryBrownPSI-U PARTYBoogie on down to another PSI UPARTY tonite 9 00 5639 UniversityHELP!The newly formed U of C Sailing Clubis looking for a faculty advisor and afleet of boats, as well as informationabout the 1970 Sailing Club Please callLandy Carien 753 2249 (1307X) LeaveMessageTORCHLIGHTPARADEAt 11 30pm tonight a fiery march to amidnight Walpurgisnacht will begin. Itwill begin at B J proceed to Woodward Court, Pierce Tower, &Regenstein Library, and, finally toHutch Court for sacrifice, debaucheryand dancing Free beer ana cider willbe providedJIM POSTWarm up for the Friday nightfestivities with Jim Post a one manfestival at the Sanctuary (Gargoyle)8.00 April 30 Tickets on sale at theFret Shop in Harper Court5529 SOUTHBLACKSTONERestored 2 bedroom apt , oak floors,new kitchen, new appliances. Compietely decorated private vegetablegarden and woodworking shopavailable Must have referencesinquire at office 16 daily andweekends on premises $375 per mo.One bedroom, restored elegant 4 room apt Refinished oak floors, woodburning fireplace, completely newkitchen with all new appliancesPrivate vegetable garden, woodworking shop available Inquire atoffice 1 6 daily and weekends $350 permoPERSONALSWRITERS' WORKSHOP (PL2 8377;PREGNANCY TESTS: 10 a m , 2 p mSaturdays Southside Women's HealthServices Augustana Church, 5500 SWoodlawn Bring 1st morning urinesample $1 50 donationSPAM IN OUR LIFETIME a hecklerA vote tor SYL is a vote tor SPAMGivemassagecallsam72l75l7eveningsLet's hear it for SPAM!Long Live Karol KennedyJelly Beansbe thejudge...The Court Housepleads guilty toserving tasty lunches,delectable dinners,righteous drinks, anda bountiful Sundaybrunch...Try usTHECOURTHOUSERESTAURANTBUSINESSSTUDENTSThe Maroon is looking forBusiness and Advertisingmanagers for next year. Theseare paid positions and lookgreat on a resume.Call753-3265for information BRENT HOUSEEcumenical Campus Ministry 5540 WoodlawnSUNDAY, MAY 25:00 Underground Church6:00 Supper ($1.25)7:00 Student report on recent Mid-East visitKENNEDY, RYAN, MONIGAL & ASSOCIATES. INC.a Iff 9Directory of ValuesWe Know Hyde ParkReal Estate Inside OutAPARTMENTS FOR SALEWOODLAWN AND 54thThis 4 Vj room co-op apt haseverything modern kit. ond bathlarge living space of DR IR and porchstudy $94 50 mo includes taxes CallJ Edward LaVelle 667-6666SECURITY AND STYLEEast Hyde Park 5-room apt w 2 bathsin elevator bldg with doorman Carpeting and appliances included Pricedat $38 000 Coll Mrs Ridlon 667 6666YEAR ROUNDSUNSHINETop floor tree tops & morning sun¬shine A beautifully modernized onebedroom apt with new fully warron-teed appliances included Close tocampus A fme investment Qt $24 1 50Call Jan Homes or Phil Elmes at 667-6666 TWO STORY APT10 rooms big modern kitchen withlorge breakfast area IR 20x20w morble fireploce. Sun porch 12x15DR 20x20 l'j baths Forking me inassessment Coll J Edward LaVelle667 6666REASONABLY PRICEDEast Hyde Park 6'> rm condo w sunroom large modern kitchen 2 bathsall new appliances Mo assessment$100 price $33 500 Coll Mrs R.dlon667-6666$154 60 PER MONTHImagine1 Taxes included in choice co¬op 2 bdrm plus bright cheery studeyWorking fireploce Especially grooousliving room Near Regenstein$21 000 Call Charlotte Vikstrom 6676666KENNEDY, RYAN. MONIGAL & ASSOCIATES. INC.( HD1461 East 57th Street. Chicago, Illinois 60637667-6666Daily 9 to 5; Sat. 9 to 1 ; Or cal! 667-6666 Anytime 52' 1 Sov.(^ Harper 667 4008Friday, April 30, 1 976 - The Chicago Maroon—19FRENCH OR GERMAN WINlAT BARGAIN PRICES1970 Chateau Fourteau V 2491970 Chateau Des Lugiies^ ^ ®or^eaux I491970 Beaujolais 1491970 Chateau LafUe Rothschild 24°°970 Chateau Latour Grand Vin !400LIEBFRAUMILCH 249 or LIEBFRAUEiBERG ln1 BOTTLE FREE WITH EACH BOTTLE YOU BUY!398 MAY WHE-THE BEST MADEIN GERMANY ' 'Complete Party Service From 2427 East 72nd SreetAppetizers to Zinfandel t BA 1-9210 ' ■OoSIvt 10 A.M.-9 P.M. Suttdeys Nb©sv6Gourmandise3 Year Old Vermont CheddarImported f?am Denmark Reg. 3 39CHEESE PRICES ARE FOR ONE POUND MINIMUM PURCHASE