University follows energy guidelinesBy PETER DRAPERIn response to the nation’s energy crisisand to President Nixon’s requests for belt¬tightening in energy consumption, theUniversity has announced measuresdesigned to cut its own power use. Theaverage temperatures in most universitybuildings have been lowered and someaesthetic night time lighting will becurtailed.Average daytime temperatures inclassrooms, laboratories, offices, researchfacilities and libraries have been reducedabout five degrees, from a range of 72 to 75down to a range of 68 to 70. The average nighttime temperatures in academic buildingshave been lowered from 65 to 63. Averagedormitory temperature, previously at a constant 73, is down to a range of 68 to 70.Patient areas in University hospitals andclinics will be maintained at their currentlevel of 75 to 78, unless the medical staffauthorizes a cut.Officials and professors, according to theirresponsibilities, are asked to implement thereduction measures and to reduce thenumber of hours a building is heated, cutdown on fresh air intake, keep unnecessarylighting off and reduce light bulb wattagewhere possible.Nightime lighting of Rockefeller chapeland of the center for continuing educationhas been reduced considerably. Exteriorsafety lighting at University academic andresidential buildings will not be curtailed.The plant department estimates thatthese measures will result in a saving of one million therms of natural gas and of 5.5million kilowatt hours of electricity betweennow and July 1.This is a 7 percent reduction in the 14million therms used annually at theUniversity’s steam plant and a 4 percentreduction in the 135 million kilowatt hoursbought from Commonwealth Edison by theUniversity each year. No estimate on theamount of money saved by the energy cuts isavailable yet.Plant department director Les Miller,commenting that he hopes the savings will begreater, said that one limitation on furtherreduction of gas consumption is that certaininstitutions out of the University’s controlbuy their heat from the University. Amongthese are the American Bar Association andChicago Theological Seminary. Another limitation, according to publicrelations vice-president Don Bruckner, isthat significant energy savings come frompeak hours reductions. At an institution likethe University, where the peak hours are9:30 a.m. to noon and 1 to 4 p.m., drasticreductions in heat or lighting would disturbawake and working people.Actually, as Miller says, many otherschools, especially state universities, haveimplemented more stringent energyreduction measures. This is possible becauseof the more rigid, government-directed,authority structure at state schools. ThusMiller stresses that the success of theUniversity’s energy-saving programdepends largely on “the cooperation of theentire University community.”The Chicago MaroonVolume 82, Number 15 The University of Chicago Friday, November 16, 1973University budget up to $181 millionBy ROBIN PRINCEThe University’s 1973-74 consolidatedbudget features an increase of $13.5 million,according to a recent memorandum from theoffice of the Provost.About half, or $6.9 million of the increasedfunds, will be used in expenditures foracademic and other auxiliary enterprises .Of this $6.9 million, $5.6 million will be ab¬sorbed by increased expenditures in theHospitals and Clinics budget.The consolidated operating budget of$181.6 million includes revenues and ex¬penditures for all functions of the Universityexcept Argonne Laboratory.Expenditures and revenues are organizedinto four subsidiary budgets which are partsof the consolidated budget: general funds(unrestricted): restricted funds: academicauxiliary enterprises, and auxiliary enter¬prises.Costs of the main programs of theUniversity are contained in the general fundssub-budget, which totals $55,693,000,$3,557,000 more than last year. Almost $1million more will go to increased physicalproperties operation.Of the programs itemized in the generalfunds sub-budget, student aid is the only oneshowing no increased allocation. It remainsat $5 million.In addition to the general funds allocation,student aid also receives a restricted fundsallocation.Parts of both are used by the office ofcollege aid.College aid director Fred Brooks explainedthe difference between restricted andunrestricted funds used by College Studentaid.“Restricted money is money receivedfrom donors as gifts, with limitations onuse,” he said.“Restrictions are placed on these funds bythe donors in wills, or in some other form.”Examples of these are the Ida Noyesscholarships and the Smith scholarship.Recipients must meet certain qualificationsin order to be eligible to receive them.Increasingly, student aid is availablemainly in the form of loans-mostly certainfederal loan programs.“Most loans for undergi aduates areNational Direct Student Loans,” saidBrooks. These loans consist of one-ninthUniversity money, the rest coming from thefederal government.The University support share is reflectedin the unrestricted funds sub-budget.A second loan program, the FederallyInsured student Loan program, morefavored by the Nixon administration, isbased on indirect loans from the privatesector.According to Brooks, in terms of continuedexistence of the National Direct Student Loan Program, “the omen for the future isnot a good one.”Between the President and Congress thereis a continual battle about money allocatedand distributed.“I hope that the National Direct StudentLoan program will not be phased out,” hesaid, and urged writing to congressionalrepresentatives in support of the program.Also in the general funds expenditures, thelibrary receives slightly over $4.1 million, a$404,000 increase over last year.This increased allocation is to partiallyoffset a decrease in restricted funds receivedby the Library, $433,000 as compared to$500,000 in 1972-73.Mrs. Karen Heydigger, library ad¬ministrative assistant for the budget, ex¬plained the difference between restrictedand unrestricted funds as applies to thelibrary.“Restricted funds come with some stringsattached,” she said, “They are to be used fora special purpose, such as buying rarebooks.”Unrestricted funds, on the other hand, arenot limited to a specific purpose.The allocation for instruction and research in the general funds sub-budget is slightlyover $27 million, a 4.4 percent increase overthe $26 million allocated in 1972-73.Instruction and research is also allocated$49.5 million through the restricted fundssub-budget, for a total of just under $76.7million. Last year, instruction and researchreceived $71.5 million.The percentage of the total budgetallocated to instruction and researchdropped from 42.5 percent in 1972-73 to 42.2percent in 1973-74.Of the overall increase in the general fundssub-budget, slightly over more than halfreflects increases in budgets that do notreceive restricted funds.These include increases in non-academicsalary and wage rates, increased costs ofsecurity, fire-insurance, and utility rates;operation and maintenance costs of new andrenovated space and increased fund-raisingMain revenue sources for the generalfunds sub-budget are student fees and en¬dowment income.The amount of unrestricted gifts which canbe used in the general budget is the same aslast year, about $3.6 million.Student fees are aiso cited as a source of revenue in the academic auxiliary en¬terprises sub-budget, which includes amongits appropriations divisions precolliegiate,hospitals and clinics, and the IndustrialRelations Center. The major portion of therevenues for this sub-budget come frompatient-related income.An anticipated gap of $5.9 million in thegeneral funds revenues is to be filled byunrestricted gifts or funds functioning asendowment.Over the past three budget years, therehave been attempts to increase unrestrictedincome and reduce expenditures. The sub¬budget receiving much scrutiny has beenauxiliary enterprises, especially studenthousing costs.Edward Turkington, dean of single studenthousing, traced the progress his own divisionhas made toward reducing costs over thepast three years. >“We have been trying and have beensuccessful in bringing down our deficit everyyear,” he said.“In 1971-72 residence halls and commonswas budgeted to lose $723,000, and actuallylost $559,000. In 1972-73 it was budgeted tolose $500,000 and the actual deficit was$428,000.“This year the anticipated deficit is$444,000, and we hope the actual one will bemuch lower.”In the past, the deficit has been decreasedby eliminating such things as maid serviceand linen service.The cost of operating small, decentralizedfood systems, such as are used in the College,is great, Turkington indicated.“We have several options to follow todecrease costs this year,” Turkington said.House council advice, as well as that fromnon-University sources, is being considered.One option, recently considered by the Inter-House Council, was to consolidate the foodservices.The budget memorandum shows that asubsidy of $850,000 has been provided tocover student housing and various services,which in addition to student housing andfood, include the University transportationsystem.A slight increase in student enrollment, isanticipated in the coming years. However,faculty size will not increase significantly, inaccordance with a policy established in 1970-71 to limit the size of the faculty to a numberequal to or less than the number of faculty asof June 1970, which was 1116.In June 1973, faculty size totalled 1062.According to the memorandum, there is anassumed tuition increase of $75 per quarterfor 1973-74 and at least $50 per quarter for thecoming years.Financing of new buildings is to includesources for maintenance and operatingcosts.Hospitals and Clinics operations are ex¬pected to continue to be self-supporting.By the Babylon, we wept for thee ZionBy MUHAMMAD FARAHWhen Theodore Herzl, “the spiritual fatherof Israel,” began searching for possible sitesof a future Jewish state, he was told byJoseph Chamberlain, the English colonialsecretary, that the Zionists could have “anyspot in the English possessions where therewere no white people as yet,” (Herzl,Diaries, IV, p. 1362) Both Chamberlain andHerzl thought Uganda would be an excellentlocation, but the sixth Zionist Congressdecided to wait until England could givethem Palestine. As for the “natives” in thefuture Jewish state, Herzl wrote, “We shalltry to spirit the penniless population acrossthe border, while denying it employment inour own country. The property-owners willcome over to our side. Both the process ofexpropriation and the removal of the poormust be carried out discreetly andcircumspectly.” (Herzl, Diaries, I, p. 88)And Zionist expropriation in Palestine wasin fact relatively discreet and circumspect -until 1947, when the fledgeling UnitedNations (in which Africa and Asia werevirtually unrepresented) divided Palestineinto two states, giving 56 percent of Palestineto the Zionist settlers who at that time ownedonly 5.6 percent of the land and whoconstituted no more than one-third of thepopulation. The Arabs failed to see the justice of this partition of their land, which,as an “A” mandate of the League of Nations,was entitled to self-determination.During the course of the fighting in 1948,almost three-quarters of a millionPalestinian Arabs fled Palestine. I. F. StoneGADFLY(who as a Jew who was with the Jewishforces in 1948, feels “bound emotionally withthe birth of Israel”) has written, “Jewishterrorism, not only by the Irgun, in suchsavage massacres as Deir Yassin, but inmilder form by the Haganah itself,‘encouraged* Arabs to leave areas the Jewswished to take over for strategic ordemographic reasons.” (I. F. Stone, N. Y.Review of Books, Aug. 3, 1967, p. 10)Stonealso points out that regardless of who or whatinduced the Palestinian Arabs to flee, theyare legally and morally entitled to return.The simple truth is that the Palestinianexodus was indispensable for the realizationof the Zionist goal of a purely Jewish state.And that goal has never changed. On June 11,1967, Moshe Dayan appeared on Face the Nation.Sidney Gruson asked him, “Is itnecessary in your opinion to maintain Israelas a purely Jewish state?” Dayan answered,“Absolutely. Absolutely. We want a Jewishstate like the French have a French state.”On December 12, 1948, the day after theUN had insisted that the refugees be giventhe choice of repatriation or compensation,Israel passed the absentee propertyregulations. According to these laws, “AllArabs who held property in the new city ofAcre, regardless of the fact that they maynot have travelled farther than the fewmeters to the Old City, were classified asabsentees. Any individual who may havegone to Beirut or Bethlehem for a one-dayvisit during the last days of the mandate wasautomatically an absentee.” (D. Peretz,Israel and the Palestine Arabs, p. 152) 40 percent of the land belonging to the PalestinianArabs who had remained in Israel, and whowere “equal citizens” of Israel, wasconfiscated by means of these laws (ibid, p.142).But the most important Israeli lawsaffecting the Arab “citizens” of Israel werethe “Defense (Emergency) Regulations”first issued by the mandate, but retained byIsrael. Earlier versions of these laws hadbeen used by the English to suppress Arabrevolts in 1936 and 1939. In 1945, they wereused against the Jewish settlers in Palestine. At that time, Jacob Shapiro, a futureAttorney-General and Minister of Justice ofIsrael, stated, “The system established inPalestine since the issue of the Defense Lawsis unparalleled in any civilized country;there were no such laws even in NaziGermany...There is indeed only one form ofgovernment which resembles the system inforce here now-the case of an occupiedcountry.” (Jiryis, The Arabs in Israel, p. 4)Today about a million and a halfPalestinians, in Israel “proper” and in the“occupied territories” are governed by theselaws. Another million and a half remainoutside Palestine, mostly in refugee camps,waiting and preparing for the day when theyshall return to their land.In America, one is constantly barraged byscenes of weeping Jewish women mourningtheir sons and husbands. Do you think thatArab women do not weep for their dead? Wesee Palestinians kill athletes in Munich andthis is evil, and cannot be excused. But howmany of you know of the massacres of DeirYassin, Qibya, Kafr Kassim, Abu Zawal?How many of you know what it is to watchdynamite and bull dozers raze your home tothe ground? As Malcolm X once said of a notso different situation, the apologists of Israelattempt to portray the robber as the robbed,and the robbed as the robber.Percy calls for repeal of no-knockCiting the “mistaken” raid by federalagents of a Collinsville, Illinois family,University trustee and Illinois senatorCharles Percy announced that he willintroduce legislation to repeal the “no -knock” section of the 1970 Drug AbusePrevention act.Percy also asked in a report to SenateGovernment Operations Committee, thatinnocent victims of federal drug raids, suchas the Collinsville family, be allowed to suethe federal government for damages, whichthey are presently not allowed to do.Citing a series of “outrageous abuses” bycertain federal and local narcotics agents,including the widely-reported Collinsvilleraids of April, 1973, Percy said no-knock“has contributed to an atmosphere in whichwholesale assaults on human rights havetaken place.”The no-knock statute is part of the Comprehensive Drug Abuse Prevention andControl Act of 1970. It permits unannouncedforcible entry by Federal agents once theyhave received a no-knock warrant from aFederal judge or magistrate on grounds thatevidence sought might be quickly destroyedor that officers’ lives might be endangered ifnotice of entry is given.Percy noted, “Individual instances of drugagents trampling on constitutionallyguaranteed rights are alarming enough. Butthe evidence of systematic behavior alongthese lines calls for immediate remedialaction. If allowed to spread, this kind ofcallous disregard for the rights of somecitizens, in the name of law and order, couldresult in a severe public backlash against theconcept of law enforcement.”The repealing bill will be introducedbecause of the ‘‘questionableconstitutionality, limited usefulness, doubtful effectiveness, and its undeniablecontribution to the lawless and mindlessconduct of some Federal narcotics agents,”of present law.“A climate has developed where, onoccasion, doors are kicked in, residents areterrorized, property is destroyed, lives areirreparabl y scarred, and, for the sake ofadministrative convenience, questions andanswers are dealt with later. Too often, Ifear, ‘later’ really means ‘never.’ ”Pointing to the recent surge of unlawfulraids and unannounced entries, Percy notedthat some Federal narcotics agents and theirsupervisors “have apparently notunderstood the important constraints in the1970 drug law and have completelymisconstrued the intent of the Congress inpassing the no-knock provision.” He went onto say, “The best way to help remove this invitation to vigilantism in the name of thelaw and order is to repeal the existing no¬knock authority.”Presently there is no effective legalremedy against the Federal government forthe damage committed by narcotics agentsto private dwellings, or for the pain,suffering or humiliation endured by thevictims of drug raids, in violation of theirFourth Amendment right “to be secure intheir persons, houses, papers, and affects,against unreasonable searches andseizures.”“Surely the Federal treasury is largeenough to indemnify citizens whoseconstitutional rights have been blatantlyviolated. 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Harper in Harper Court363-16002 - Jhe Chicago,fy\pr??P - Fri^y, Noyqijibv.lA; 19,73Universities feel energy pinch(CPS)--It may be a long, cold winter formany colleges and universities because offuel shortages and rising food costs.Some colleges have been reducing energyconsumption since September, and others,like Colorado State University, have alreadybeen hit by fuel cutoffs.The Fort Collins school had been receivingits natural gas for heat under a contractwhich stipulated the gas could be cut off atany time. Last weekend the power companydid cut off the gas supply and CSU switchedto its limited supply of fuel oil , enough,according to the CSU Collegian, “to lastabout twenty real cold days.” Two otherColorado universities are also down to fueloil.Schools in the Northwest are plagued bypower shortages because of a drought in thearea this past year which resulted in enoughwater to produce only 75% of thehydroelectric demand. In early October,Oregon Governor Tom McCall signed a proclamation asking all schools in the stateto close down for a full month aroundChristmas to save fuel.Some of the steps being taken are reducingclassroom and office lighting levels by 33percent, reducing energy used in dorms,turning off security lights, reducing campusheating levels from 72 to 68 degrees, shuttingoff fountains and eliminating Christmasdecorations as well as urging students toavoid using elevators, electric coffee pots,space heaters and hotplates.The governor of Indiana recentlyannounced a series of energy conservationsteps, including possible shutdown of stateuniversities for two weeks this winter.However, exactly when and if the universitywill shut down is still speculation. Some ofthe energy saving measures taken in Indianainclude large state cars being replaced bycompacts, reduction of speeds at which statecars are driven and closure of partially-usedMoney crisis in free schoolsasserts noted author KozolBy JAY SUGARMAN“Fall, 1973, may be the final test ofwhether the struggles of the 1960’s for justiceand equality are going to be lost to thedisillusionment of the 1970’s.” According toJonathan Kozol, author of Death At An EarlyAge and Free Schools, who spoke on thecrisis in education last Tuesday, November13, at the St. Francis Parker School on theNorth Side.Kozol’s appearance in Chicago was onestop on a twelve city tour, the purpose of thetour being to arouse concern about thefinancial difficulties encountered by all freeschools across the country.Kozol said that three questions had to beasked. (1) are free schools worth saving?,(2) why is there a crisis now?, and (3) whatcan be done about it?The free schools Kozol refers to servemainly those children who are the mostshortchanged by public education; the sonsand daughters of the black, Spanish¬speaking, the American Indian, and the poorwhite, who have been labelled failures by thepublic schools. He carefully distinguishedbetween these schools and others which aregenerally all-white, charge high tuition andisolated in attractive settings of hillside andfarmland.Kozol believes these “schools of the thirdworld” are worth saving because “they areoutside the public education apparatus,outside the white man’s counter culture,inside the cities, in direct contact with theneeds and urgencies of those among the poor,the black, the dispossed, who have been themost clearly victimized by publiceducation.”The impending crisis for free schools waslaid at the feet of President Nixon. “He is thefirst reason for the crisis because of hiscutbacks in everything decent. He cut funds for poverty, and he is stealing food from theblacks and other minorities.”The second cause for the immediate crisisis “liberal exhaustion.” Kozol maintains,“that liberals have the bad habit of jumpingfrom one concern to another beforeachieving any real, long-lastingimprovements.” The battle of free schoolswas making great strides until peoplestarted deserting the cause. “Corporate andfoundation support followed the T.V.cameras to new concerns.” Without thisleadership, private contributions have alsodwindled.Next, he outlined a program called theEducation Action Fund (P.O. Box 37Cambridge, Mass. 02138), a non-profit, non¬political trust established to help save thefree schools. Its immediate purpose is that ofraising $250,000 before Christmas in order tosave Harlem Prep and eight comparablefree schools from Boston to Phoenix, Detroitto New Orleans, whose funds have dried up.Included among them is Southern School inChicago, which Kozol cited as, “the best freeschool in the country.”Kozol added that to emphasize theimportance of the free school crisis and thesurrounding issues of civil rights, thirty-seven eminent authors, teachers andpolitical leaders across the country havecalled upon committed citizens to fast orpray on Thanksgiving, and to speak to theirrelatives about concrete action concerningfree schools.Julian Bond, Noam Chomsky, Ozzie Davis,Dick Gregory, Kennith Kenniston, Dr.Benjamin Spock, and Studs Terkel are someof the well-known advocates of the freeschool movement.He ended his talk on an optimistic notemaintaining “The people who can help thefree school cause are still around, theysimply have to be reached.” Western Washington State College hasjoined the growing list of schools who aretrying to cut back on energy consumption.The move comes after a directive was issuedby Washington Governor Dan Evans,requiring all state schools to cut electricalconsumption by ten percent.The program consists of mandatoryinstitutional controls and voluntarycooperation by all individuals on campus.Mandatory controls include such practicesas reducing thermostat temperatures inbuildings to 68 degrees, reducing the lightlevel wherever feasible, consolidating nightuse of buildings and turning off heat inunused buildings from 4:30 p.m. to 7 a.m.Unless the cooperation of all employeesand students is achieved, an administration official warns that the power company itselfmight have to start cutting power, resultingin shutoffs and brownouts.Individuals are asked to avoid the use ofelevators and reducing the use of coffee pots,space heaters and hotplates.No Christmas decorations will be used oncampus this year and the fountain systemwill not be in operation.The University of Texas is trying to reduceits energy consumption by 30 percent usingsimilar methods. At many schools heatingand ventilating units have been put on timeclocks that will automatically lower thetemperature by several degrees during thenight, a savings of thousands of dollarsannually, and students are urged to bringextra blankets.Instead of ham and eggsWhy not make it a Hamms?(CPS) — The next time someone hasslesyou about spending too much time in thelocal pub shoot this back at them:Just tell them that a bar is probably one ofthe healthiest places for someone to eat.Or at least Dr. H. Ira Fritz thinks so. Fritz,Wright State University’s (near Dayton,Ohio) resident nutritionist, said a personmight be able to live on beer and peanuts ifone is inclined toward that sort of thing.“Beer is very nutritious,” he said,“especially if you brew it yourself, but that’sillegal.” He says beer (the draft kind) hasgrowing yeast in it, which is one of thesupplements for people sufferingmalnutrition.“Yeast has protein, and beer has what wecall ‘good fat,’ and the vitamin content is outof sight, right at the top of the chart.“Beer is a good way for you to get nutritionif you don’t have to worry about calorieintake or getting too smashed to study,”Fritz says.“Beer also has another disadvantage. It’san expensive way to get nutrition. Fritz saysa student who has limited money to spend onfood each week should weigh fourconsiderations when buying food — price,convenience, nutrition and variety.“All four, Fritz says, interact with eachother to determine how much a personspends on food.Beer also has another disadvantage. It’san expensive way to get nutrition. Fritz saysa student who has limited money to spend onfood each week should weigh fourconsiderations when buying food — price,convenience, nutrition and variety.All four, Fritz says, interact with eachother to determine how much a personspends on food. “If you’re not willing tospend money (on food),” he said, “you haveto spend time (preparing meals).”That is why someone with a limited incomeshould buy unprocessed food in as largequantities as possible, Fritz says. Also theshopers watching their money should scanthe grocery store ads for ‘loss-leaders’ andmake a shopping list and stick to it whenROCKEFELLER MEMORIAL CHAPELSunday, November 18,1972 11:00 A.M.SAMUEL D. PROCTORPastor, Abyssinian Baptist Church, New YorkProfessor of Education,Rutgers University, New Jersey"OVERCOMING MORAL FATIGUECOMMUNITY THANKSGIVING SERVICEThursday, November 22, 1973 11:00 A.M.PHILIP N. KRANZAssistant Rabbi, Chicago Sinai CongregationCombined Choirs of Churches and SynagoguesGERALD RIZZER, DIRECTOREDWARD MONDELLO, ORGANISTSponsored ByCouncil of Hyde Park and KenwoodChurches and Synagogues Hyde Park's NewestBicycle Shop1301 E. 53rd St.363-8376We carry the entireCazanave line.Also Alpina, Urago, Astroand French Racer.We do repair work on all makes andmodels. Come in and see us for fast, cour¬teous service. We are right across fromKimbark Plaza. buying groceries to save money.Still, if a student is just a few bucks awayfrom the relief rolls, Fritz says, there’s thebare bones, no-frill diet of skim milk andwhole potatoes.“An adult can liveon that,” he said, (but) Idon’t think anyone can live that way. Icouldn’t live that way...eating is fun.”Fritz says skim milk is a good cornerstonefor a student who wants to eat cheaply andnutritiously. Skim milk with some work canbe turned into things like yogurt and cottagecheese. If one gets tired of whole potatoes,enriched rice and any kind of beans will fill innicely for spuds.One has to be sure that it’s whole potatoesand enriched rice, Fritz said. Processed riceand mashed potatoes will “just get you fullwithout providing much nutrition.”Students with a little more money to spendshould buy eggs, cheese and fish for goodnutrition, according to Fritz. Herecommends turbot, a fish which tastes likesole, a real bargain buy.But if a student wants meat, Fritz sayschicken is the best combination of beingcheap and nutritious. Pork and beef are veryexpensive ways of getting protein unless onegoes out to a steak house one of their familynights.“Fruit and vegetables “are good,” thoughone has to be careful not to buy things likecelery which actually have “negativecalores.’’ And if one is into organic fruits andvegetables, Fritz says the only way a personon a limited budget can afford them is togrow them himself.A student watching his money carefullyshould always brown bag his lunch to school.“You’ll get a more nutritious lunch, and it’scheaper,” he stated.And when eating that lunch, one shouldn’tbuy soft drinks, since, Fritz says, they haveabsolutely no nutritional value. The samegoes for coffee and tea, which when drunkstraight have no calories either.If one gets the munchies during the day, heshould buy things like sunflower, pumpkin orsoybean seeds or peanuts which are cheapand very good nutritionally.* GOLD CITY INN*******HrHrHrHrHrHrt***t****# given * * * * $i#by the Maroon $New Hours: Open DailyFrom 11:30 a.m.to 9:00 p.m."A Gold Mine Of Gr.od Food"Student Discount:1 0% for table service5% for take homeHyde Park's Best Cantonese Food5228 Harper 493-2559(near Harper Court)Eat more for less.(Try our convenient take-cut orders.)The Chicago Maroon - Friday, November 16, 1973- 3The Chicago MarooneditorMark Gruenbergmanaging editorJeff Rothnews editorTim Rudybusiness manager *Rich Bakerassociate editorsSteve Durbin Clara Hemphillphotography editorJohn Vailsports editorMike Kraussassistant business managerAnn ThorneGoing homecosts 20% lessat night.Baltimore $42 Boston $56 Harrisburg $42Lv 10:45 p Ar 2:40 a Ex Sat Connection Lv 10:45 p Ar 2:56 a Ex Sat Connection Lv 10:45 p Ar2:21a Ex Sat DirectNew York $49 Philadelphia $46 Pittsburgh $31Lv 10:45 p Ar 2:46 a N Ex Sot Connection Lv 10:45 p Ar 2:45 a Ex Sat Connection Lv 10:45 p Ar 1:00 a Ex Sat NonstopLv 10:45 p Ar 2:58 o/L Ex Sat ConnectionAdd sma>i secjn'y charge to all lares N-Newark L-LuGuardiaAllegheny’s Moonlighters cost 20% less than our daytimeflights. 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INameStreetCityState ZipMy Travel Agent isState Zip jMy Travel Agent is jICELANDIC| 3056 IEducation lost in structuring shuffleBy RUSSELL FAEGESGoals and methods of education havebecome so closely bound, according toJoshua Taylor, that the structure is beingallowed to work to the detriment of learning.Taylor, William Rainey Harper professorin the College and director of the NationalCollection of Fine Arts at the SmithsonianInstitution in Washington, D C , spokeMonday on the topic, “The lost art, or whathappened in the grove” as the third in theseries of lectures brought in due to theHarper rededication.Using slides of art objects as examples,Taylor proposed that there are two main“areas” to our viewing things, “the innerand the outer.” There are things which weparticipate in and there are those which weadmire from the outside for their strengthand “stability”.We have however lost the first half of thismethod, according to Taylor. We no longeraccept our “immediate visual responses.”What has come about is a “separation of thesenses and the mind.” Taylor spoke aboutsmall children who freely experience the world around them, but are then put into oureducational system. “Most of what we learnis of the context of things.”“By college, the student has becomestructured in his own way,” by learning thestructure of the system. According tc Taylor,this is expressed in the answer of a studentwhen asked what he is doing in school. Hesays “that he ‘takes’ literature, or that he‘takes’ physics.”“The University is divided intodepartments” as in a store. Taylorcontinues the analogy by saying that thesedepartments are “headed by floor walkerswho keep the trade moving” and students“learn where you can shop most profitably”.Instead of reading, you take English Lit orFrench Lit, and if you want to do both, you goto Comparative Lit. All this, instead ofaccepting a book as being written by aperson, regardless of birth. “We’rehamstrung by extraordinarydepartmentalization.”Taylor says particularly that we shouldbring our whole selves into our studies andnot limit ourselves. “To learn means to losetrack of our initial interests.” We are losing sight of why we study. “The wholeness of theindividual gets trapped in the system.”Taylor believes that students should beaware of and participate in a wide range ofknowledge. And everyone involved in theprocess must do likewise, for a “teacher whohas stopped learning, has already stoppedteaching, or should.”“It does take uncommon courage to be aperson, not an expert.” Taylor asks thequestion of what makes someone an expert inthe humanities, “A life of collecting 3 by 5cards?” To do work in the humanities, it isimportant “to bring yourself along”.“You make progress because you stayalive, you make progress because you stayalive intellectually.” Your studies must be arediscovery of personal values. The goalshould be a “refinement of the senses untilthey become one with the intellect at work.”Taylor charges that “our academic grove has become a middle class housingdevelopment,” where everyone has his“little piece of fenced-in land.” In the sameway, everyone jealously guards his field.“We must deal with the whole life of thepeople we reach.” If we don’t deal with thetotal individual, our efforts fall short and areindefensible.What Taylor wants is a new “grove”. Thegoals should be clear, and the methodssuited. Further, both should not be sointertwined that the methods cannot change.“College should provide a climate, not astructure. The curriculum should bedesigned around individuals and it must beremembered that “people teach people, noone has ever learned anything from acourse.”He concluded this is what we must do to“save us from the musty shadows of whathas become a very entangling grove.”Three dead and five injuredas parked ambulance is hitDemand amnesty for theother victims of VietnamBy CHARLES WINTHEISERRepresentatives of several church andpeace organizations and many concernedindividuals met last Saturday on the northside for an “Illinois state conference onunconditional amnesty.”Speakers included Henry Schwarzchildfrom ACLU, Tim Maloney from theWinnipeg Committee to Assist WarObjectors, and Brian Adams of VietnamVeterans Against the War. Schwarzchildrecently debated the question of amnestywith William Buckley on TV’s “Firing Line.”They claimed that over one million menare now in jail, in exile or living undergroundas a result of the war. They also said that anadditional half million persons, includingfamilies of war resistors, would be affectedby amnesty.Demanding “universal and unconditional”amnesty for all resistors and objectors,Adams said, “We are not asking forforgiveness because resistance wasnecessary, legal, moral and, in fact,demanded.” He said all current bills incongress are inadequate and unacceptable.The Chicago Peace Council defined sevencategories of resistors: 1) men who resistedthe draft 2) men who were refused conscientious objector status and so refusedto serve in the military 3) those who refusedto serve in Vietnam, often charged withdisobedience; 4) deserters 5) veterans givenless than honorable discharges as a result ofanti-war activities 6) servicemen and ex-POW's critical of US war policy and 7)civilians who have been indicted for non¬violent protests.Other topics discussed included the historyof amnesty and the plight of resistors whofled to Canada. It was stressed that mostresistors do not want forgiveness, becausethey do not think they have anything forwhich they have to be forgiven. Nothingshort of unconditional amnesty for allcatagories of resistors is acceptable, but itwas admitted that it would probably come as“piecemeal” legislation, and stressed theneed for community action to achieve this.On other aspects of the war, a spokesmanfrom VVAW recently back from SoutheastAsia, said that he was told by officials fof theRooyal Cambodian Government that U S AirForce planes are flying daily raids againstpositions in Cambodia with “every sort ofB52’s.” He also that the CIA was recruiting“mercenaries” from among formerAmerican soldiers living in South Vietnam tofight in Cambodia.LSAT REVIEW CLASSESDEC 1&2 IN CHICAGOProfessional preparation for the LAW SCHOOL ADMISSION TEST; intensive review given in N.Y.andother cities by LAW BOARD REVIEW CENTER attorneys who are LSAT specialists; the course offers:Extensive materials designed to duplicate LSAT questions;Analysis of LSAT's nature-structure scoring, leading to animproved approach to the exam and higher scores;I Proven methods for quickly analyzing LSAT types of problems\Follow-ups show that our average student increases his LSAT score by over 80 points -with someachieving a nearly 200 point increase, demonstrating the course's capacity for enabling you tomaximize your score within your ability.THE NEXT LSAT IS ON DEC. 15th; OUR PREPARATION COURSE WILL BE GIVEN.December 1 st & 2nd, 9:30 am to 5:30 pmMcCORMACK INN, 23rd at LAKE SHORE DR., CHICAGOOffered By The Law Board Review Center of Chicago, Inc.COMPLETE FEE, INCLUDING ALL MATERIALS, IS $65; FOR ADMISSION USE COUPON ORCALL COLLECT: (914) 939-2330 or (914) 234-3702_Law Board Review Center Q Register me for the December LSAT Review Course; $65 enclosed.927 Old Nepperhan Ave.Yonkers, New York 10703 □ Please send info on future courses in (city)NAME: PHONE:ADDRESS:LAST SCHOOL A DEGREES:PRIOR LSAT SCORES: COLLEGE BOARD SCORES: By MARIA CRAWFORDA car which rammed into the rear of anambulance caused the death of three peopleand left five injured. The car, a stationwagon, hit the fire department ambulancewhen it was double-parked in front of 6119 S.Woodlawn Avenue in answer to anemergency call on Monday night.Thelma Jackson, 43, had been lifted intothe ambulance a few minutes before theaccident, and died in Billings Hospital. It hasnot yet been determined whether Mrs.Jackson was killed in the accident. She hadcollapsed earlier in her apartment,apparently of a heart attack.A civilian ambulance attendant, JesseEdwards, 32, died in Billings on Tuesdayafter doctors had amputated both legs. Hehad been pinned between the car and theambulance.The third victim, William Sharp, 37, wasstruck by the ambulance as it was rammedinto a police car parked in front of it. Sharpwas one of several bystanders who werewatching as Mrs. Jackson was placed in theambulance.John Fier, 22, a civilian ambulanceattendant, was treated at Billings, as wasClifford Armstead, 42, the driver of theambulance. Both were released.The patrolmen, Mathias Moser andPalmer Harris, were taken to Woodlawn Hospital and were in fair condition. Theywere standing behind their squad car andwere hit when the ambulance crashed into it.Earl Travis, 42, the second bystander wasalso taken to Woodlawn Hospital and was insatisfactory condition.The driver of the station wagon, SimonThompson, 29, jumped from his car after theaccident and ran away. Approximatelyfifteen minutes later he returned and wasarrested.Thompson, was charged with involuntarymanslaughter, drunk driving, negligentdriving, leaving the scene of an accident, andfailure to have a driver’s license.Further along 61st St. a woman was setafire in the basement of a building during analleged rape. She died in Billings Hospital.Brenda Henison, 26, of 6200 S. Woodlawnwas apparently abducted when she went to anearby laundry and currency exchange at3:45 p.m. on Tuesday. She was stripped ofher clothes and set on fire. It has not yet beendetermined whether she was sexuallymolested, but police said tests will beconducted to determine this.Miss Henison was found in the basementwhen a resident of the building, at 6102 S.Dorchester Ave., went to the basement afterhearing her screams. The resident called thepolice after throwing a blanket over thebody.TJHIflGTO BEingTHEREIP vEFyon.PHOTO GREETING CARDSBY KODAKBring in your favoritesnapshot or color slidefor a holiday greetingthat friends and relativeswill cherish throughoutthe coming year.1342 E. 55th St.493-6700 CONTRACEPTIVESTHROUGH THETHE MAILObtaining male contraceptiveswithout embarrassment can bea problem. Now SensitiveProducts Corp. has solved thatproblem. We offer a completeline of famous brand condomssent by mail in a tasteful plainpackage for absolute privacy.Now you can choose from awide variety of brands andlearn what the differencesreally are. We offer the famousTrogan, the exciting pre-shapedConture and ten other top-quality brands. All meet strictgovernment standards ofreliability.We II be glad to send you ourillustrated brochure whichdescribes the products. Sendjust $3.50 for a sampler pack ofa dozen contraceptives-threeeach of four leading brands plusour brochure or send 25‘ for thebrochure only.SENSITIVE PRODUCTS CORP.P.O.Box 562, Hopkins, MN 55343Please send me:$3.50 Sampler (12 Condoms)$5.50 Special Sampler (21 Con¬doms)Catalogue only: 25*(Enclose Cash, Check, or M.O.)NAMEADDRESSCITY STATE ZIP GREEK ANDAMERICAN CUISINESPECIALIZING IN• Saganaki• Mousaka• Pastichio• Dolmades• Souvlaki• BaklavaWith a complete“Breakfast-Lunch-Dinner”MenuServed Daily1335 E. 57th St.^(corner of 57th & Kenwood,|] 947-8309CEF PresentsCobb Hall Sun., November 18THE SLEEPING CAR MURDERS 7:00 & 9:15The Chicago Maroon - Friday, November 16, 1973 - 5'J „Y t.n.TvvoL'i w.t'4 -lABOUT THE MIDWAYTravel book(CPS) — The Council on InternationalEducation Exchange (CIEE) is nowcompiling information for a book about low-cost travel in the US for both US and foreignstudents traveling in this country.The Council, as part of their research forthe book, is looking for as many overnightaccommodation facilities as they can find for$5 or under per night for listing in the book,CALENDAR which will be co-published by CIEE andArthur Frommer and distributed by Simonand Schuster. If anyone knows of any suchaccommodations on their campus or nearby,please contact Marjorie Cohen, CIEE, 777United Nations Plaza, New York, NY 10017.SFA courtDean of students Charles O’Connell hasrejected the suggestion that was maderecently that faculty and administrationFriday/ November 16COLLOQUIM: "Finging earth models with inadequate,insufficient and noisy observations;;, Ralph Wiggins, HGS101, 3:30 p.m.BAND: Rosehips String band returns to Blue Gargoyle,$1.50 . 8:30 p.m.FILM: "Fat City", DOC, Cobb, 7:15 and 9:30 p.m.FILMS: The Chicago International Film Festival, throughNovember 18. Complete listing found in Grey City Journal.LECTURE: "Political change in China", Michael Oksenberg, SS 122, 8 p.m.PLAY: Everyman, tickets $2 for students and seniorcitizens, others $2.50, Rockefeller Chapel, 8:30 p.m., throughNovember 18. For further information call 753-3581.Saturday, November 17FILMS: Award winning children's films for television, $1,Mandel Hall, 11 a m.SPORTS: Central AAU 10,000 meter cross country championships, Washington Park, 1:30 p.m.— POETRY READING: John Ashbury and John Hollander,$2, Law School auditorium, 4:00 p.m.FILM: "Diary of a Mad Housewife", Order of the C, Cobb,7:15 and 9:30 p.m.PARTY: Peace Corps and Vista returned volunteers andthose interested in applying party and slideshow,Crossroads Center, 5621 Blackstone, 8 p.m.Sunday/ November 18BRUNCH : Lox and bagels at Hillel, $1.50,11 a.m.SEMINAR: "In defense of imagination", Undercroftchapel, 9:45 to 10:45 a.m.SERVICE: University religious service, "OvercomingMoral Fatigue", sermon by Rev. Samuel D. Proctor,Rockefeller Memorial Chapel, 11:00 a.m.AAonday, November 19FILM: "Vietnam; a question of torture", Blue Gargoyle,night.CHESS:Tournament continues, round fire, Ida Noyes, 7:15p.m.\C$cre begpnmt!) a treaty ft Doth 0 ftptfabcroflKucnfentietl) Dctljc tofo*itton cutty creature to route anogpttc a counte of theju lyucs mtins vboiloe/aniHsmtnatucof autocall playc.University Theatre PresentsevenyMANdirected by^Nicholas RudallNov. 9,10,11 and 16,17,18 8:30 pmRockefeller Chapel$2.50 / $2.00 studentsFor information call 753-35816 - The Chicago Maroon - Friday, November 16, 1973 members of the Student-Faculty-Administration (SFA) Court serve for a termof one year and must be reappointed at theend of October each year.According to O’Connell it has never beenthe practice to annually replace the facultyand administration members of the court.They have stayed until they have re¬signed. There is no general implica¬tion in the Student Government consti¬tution that all terms of office shall befor one year, he said.O’Connell emphasized that his opinion wasnot designed to interfere with thedeliberations of the SFA Court in anyparticular case. “I’m going to let thestudents settle their own problems,” hestated.HousingThis spring the U.S. Supreme Court willrule on the constitutionality of zoningordinances that restrict the number ofunrelated individuals allowed to live in asingle dwelling.The ruling will have a great impact onstudents and university communitiesbecause many areas have zoning ordinanceswhich restrict neighborhoods to one familydwellings occupied by no more than twopeople unrelated by marriage, blood oradoption. These ordinances often apply toUniversity areas, although they are not stringently enforced because of studenthousing shortages and the interest of thelocal landlords.The court recently agreed to hear a casebrought by three students from the StateUniversity at Stony Brook, New York, andtheir landlord.The case requested that a zoningordinances of the town of Belle Terre, LongIsland, that limits the occupancy of adwelling to no more than two unrelatedindividuals be declared unconstitutional. Thestudents initiated the suit in the summer of1972 when they were accused of violating theordinance.The case was heard in the U.S. DistrictCourt in the September 1972 and that courtruled that Belle Terre had a lawful interest inmaintaining the “marriage and blood-related character” of the neighborhood andcould do so through its zoning.The Second Circuit Court of Appealsoverturned the decision last February. Theopinion noted that inhabitants of aneighborhood and city officials “cannotunder the mask of zoning ordinances imposesocial preferences upon their fellowcitizens.”Sleep(CPS) — Smoking pot before going to beddoes not make for a good night’s sleep.continued on page 9% There are 347 designsin the Vanity Fairdiamond catalog.(We can save you 50%on all of them.) For more than 50years we’ve been in the dia¬mond business —importing,designing and manufacturing— selling directly to dealers.Our prices have alwaysbeen among the lowest. Andnow we’re offering collegestudents the same great sav¬ings.How much savings? On anaverage, about 50% less thananybody else’s price. And forthe skeptics among you, wegive a money-back guaranteein writing.But why not see for yourselfby visiting our showroom orsending for our free 44-page,full-color catalog.Our diamond showroomsare at 55 East Washington,Chicago. Or . . .send for the proof.| \inufyJMrl)Umunuls155 East Washington St..Chicago, Illinois 60602Send me the proof; the free Vanity Fair catalog.Name IIIIState Zip &SchoolAddressVANITY FAIR DIAMONDSCHICAGO • NEW YORK • ANTWERPLETTERS TO THE EDITORSecurityAn open letter to campus security,I think it must have seemed very funny tothe thief (thieves) who were able to punch ahole in my car trunk; the car was parked onthe Midway Plaisance across from In¬ternational House; remove my snowtires,unscrew the nut on my spare tire, take outthe spare, put back the snow tires, close thetrunk, and take the spare tire and run, allwithout attracting the attention of anycampus policeman.Am I correct that the Midway Plaisancebetween Blackstone and Dorchester is stillconsidered our campus? Or am I wrong?Yours sincerely,George MaInternational HouseAlma materThis is my second year at the University,but Friday’s (October 26) was the firstconvocation I have been to. Conse¬quently I had never heard the AlmaMater,jmd when the Rockefeller chapel sangI was appalled. No wonder no one in theaudience knew itIs this inspired poem, this tuneless tune, thissentimental harmony supposed to make usproud of the University and maybe a littlemisty-eyed at reunions?The enthusiasm evidenced at theBlackfriars show Friday night certainlysuggests that some poet and somecomposer could create a song that sayssomething about the University and whywe’re all here.Peter Danielsgraduate student, linguisticsIM protestLast year there was confusion about yourpolicy limiting the participation of UCTCmembers in the Turkey Trot. This year youshould take a clear stand on the issue andpost it before the race. As it is now, varsitymembers can run for the hell of it and UCTCpeople can compete for a turkey. I wish thatyou would consider excluding all varsity andClub runners from the race entirely.Good reasons exist for this rather drasticmove, and they deserve thought:1.The race has become increasinglycrowded over the last few years. Because ofthe hoard, people were pushed, tripped andeven knocked down last year. The fieldcondition is bad and certainly not helped bymore runners. Elimination of those who run just for practice would help ease thecrowding.2. Those who run for organized groupshave plenty of opportunity for competitionelsewhere-better, in fact, since at theTurkey Trot they essentially run againsttheir own team.3. Team runners also have an unfairadvantage. For one thing, they run incompetition regularly and on the Washingtonpark course where the Trot is held. Also, theyhave benefit of coaching and an organizedprogram of training.4. If they are students, I suppose UCTCpeople feel entitled to a chance at a turkeytoo. But, they get things which otheramatuers do not. Coaching costs money. Ialso remember how easy it was to getequipment at “discount prices” when onebelonged to a team.5. Above all, you should remember why wehave an “intramural” program. Those of uswho play in intramural sports are not in thebusiness of winning medals or letters; we donot train for races. If we wanted to race allthe time, we would join a team. The Trot is aonce-a-year chance to compete with ourpeers, maybe even win a race and a turkey toboot. People on the varsity or UCTC teamspractice so that they can win races-racesagainst teams from outside the walls of thisschool. Watching them finish half a blockahead of the disorganized runners does a lotto spoil the race. Last year, although statedIM policy was a limit of one UCTC memberto a team, the winning divisional team,which placed 1,2 and 3, was all UCTC. Oneonly had to look at the gym bulletin board tosee that was true. Why not just give theUCTC A turkey and leave the race in a trueintramural spirit?Yours truly,John M. ClarkAnatomyCo-op/VoicesSo far, the Maroon has notreported on thelatest controversy at the Hyde Park Co-op.Now, whatever they may lack as hard news,Co-op brouhahas ought at least to rate atheater review. Unfortunately, the show willbe over by the time your article on thisSunday’s meeting (show?) appears.At this meeting, co-op members will decidewhether to continue their subsidy of HydePark Kenwood Voices in the form of amonthly two page $450 advertisement.The central point of the issue is that ofadvertising vs. subsidy. I quite agree withMr. Roth, Reader’s publisher, that themoney paid to Voices is a subsidy. And, I opposed it on the ground thathowever worthy a cause Voicesmay be, it is immoral to expect people to payfor it out of food money! No one wouldsuggest that rents be raised so that thelandlords of Chicago car. subsidize Voicesand most consumer-minded people arealready up in arms that CommonwealthEdison spends our electricity money on TVads to tell us what great guys they are. Still.Mr. Rose (of Voices) and Mr. Roth reasonthat if Voices ought to survive, (and mostpeople who have seen it would like it to) thenCo-op members are the people who must dothe job. Why not come up with a solutionwhich more directly calls on the people whosupport Voices with their voices to support itwith their dollars?Mr. Roth is quite right in pointing out thatthe 1968 member resolution that gave moneyto Voices had a high percentage of worthy-cause-subsidy in it. I have only tworesponses. The membership, in its usualway, acted stupidly and against theirkowngood. Perhaps this time they will ask, notonly if they can afford the extra cost on theirfood to subsidize Voices, but how some of thepeople living on welfare or pension orscholarship checks, who perhaps can’t evenaffored to join the Co-OP but must buythere, might feel. Then maybe heartswill bleed differently,. Second, in the little-known facts area, a very small number ofmembers voted the 1968 resolution intoeffect, a couple of hundred, and the ratio wasapproximately five to three.I entirely agree with Mr. Roth’s attempt toconsider the whole issue on a cost-efficiencyadvertising basis. I have already asked Mr.Spencer to consider the question of whetherthe Co-op should drop ads in bothneighborhood papers, and start fromscratch. I think the management ought to bemade to show that whatever advertisingprogram they choose is the best and cheapestand this without any stuff about subsidiesand fairness.Finally, I cannot afford to buy most ofwhat the Co-op sells. Instead, I get as muchas I can from another member-controlled co¬operative, a food-buying club associatedwith Cornucopia. I do so not because I am acollectivist, but because I need to save money.Those Co-op members who thought that'swhy they joined the Hyde Park Co-op maywant to consider this, read my letter and Mr.Roth’s very good reply. In today's Reader,and go to the meeting on Sunday, November18, at 3 p.m. at the Hyde Park Union Church,56th and Woodlawn, and perhaps give the Co¬op back to the consumers. Co-op/Voices replyTo the editor:A 1968 “fairness’ resolution voted by Co-opmembers gives Hyde Park Kenwood Voicesan equal share of advertising with theHerald. It is both an advertising andinstitutional decision.The Herald circulates 7,000, VOICES,22,000, most delivered door-to-door within theneighborhood. It costs less than the Heraldon a per-thousand basis.The Co-op, under Walker Sandbach,viewed support of the Herald throughadvertising as a community service becausethe neighborhood needed a newspaper - thiswas institutional advertising, not necessarilytied to products.Many people, while recognizing theHerald’s right to speak, opposed its views.Thus the VOICES was born, representingoften another viewpoint.To subsidize one view, the Herald, wouldbe for the Co op to align itself with that viewonly. Therefore the majority of the membersvoting chose to support both papers and abroader variety of community and cityviewpoints.The VOICES single-handedly exposedseveral land-grabs by Charles Swibel of theCHA and racism within the CHA. It exposedmajor scandals in the community andelsewhere relating to the Dept, ofUrbanrenewal.It published the remarkable untold story olJANE, the underground abortion service. IIexposed the notorious Civic Center Bankscandal that sank two Supreme Court judge:and began the downfall of Otto KernerIt led the fight against Edward VHanrahan when other newspapers werelauding him. It has conducted consumeiprice surveys of groceries, gasoline, drugsand other commodities -- naming stores byname and giving full price information (andwas commended by the Co-op Board for theservice)It has been honored by the American CivilLiberties Union and cited by NewsweekChristian Science Monitor, The Nation andother national publications, as well as allChicago’s newspapers and TV stations.An independent, alternative publication isvital to the health of the community. Thuswe seek community support on both businessand social grounds.Sincerely.Don Rose, editorACAPULCO. . Dec. 21-28$289Complete8tudenta, Faculty. A Staff contactvagabond 684-3429tours (*ioPm) 40% OfFatTHE BOOK NOOK"Across from tho Co-Op"THISWEEKIIsaac Hayes "Joy”Allman Brothers "Eat A Peach’New Ringo Starr Joe Louis MilkPRIDE YOUCAN POUR. o^ * ' in1/ v:--7 MART* &CR+F+SINVITATION!Arts & Crafts Sale scheduled for Dec. 6 & 7 inReynolds Club. Tables free to U.C. students; feevariable for U.C. staff & faculty. Get your projectsgoing now. Make some extra money whileproviding quality crafted goods for holiday giving.Call x 3591 for information OFFICE WORK AVAILABLETypist, stenos, dictaphone operators: For in¬teresting jobs, Hyde Park persons apply, Suite631, Hyde Park Bank Building, 1525 E. 53rd St.2 or 3 days a week or a full week. Choice ofneighborhood or downtown. Top wages.ELAINE REVELL, INC.Contact: Ann Coyne at—684-7000Chicago's Prestige Temporary Office Ser¬vice. WILL YOUR CAR START £IN COLD WEATHERGET A f UNI-UP NOW! ...Visit our ServiceDept, for Tune-ups, IL,Brakes, Simonize,Storage & DeliveryGATEWAY GARAGE5508 Lake Park 241-6220The Order of the "C" presentsDIARY OF A MAD HOUSEWIFE7:15 & 9:30 $1.00 Sat., Nov. 17Cobb HallTheChicago-Maroon - Friday, November 16, 1973-7Another view of crime in Hyde ParkBy MARK LLOYDThe other night in the library I was talkingto a friend of mine who told me that next yearshe was going to live on Chicago’s North Sideand commute to and from the University.When I asked her why, she launched in to avirtual tirade on crime in Hyde Park. Sheexclaimed that it is unlivable in thisneighborhood; it is impossible to walk thestreets at almost any time with any degree ofsafety, and in order to protect her life it isnecessary to leave.When I asked her about her ideasconcerning a solution to the problem, she hada rather radical approach: to build a wallaround Hyde Park and let in only those witha proper ID., or short of that, put a ‘cop’ onevery corner and require all those in HydePark to carry I.D.’s with photographs andfingerprints. Failure to carry such I.D.would result in arrest.She went on to explain that she wasemotional about the issue, but with duereason: In three separate incidents, herapartment has been burglarized, herboyfriend and herself robbed at gunpoint, andher roommates in the apartment raped, all ofwhich made me cringe, for I have beenthrough some violent episodes myselfIn fact, I empathize not just with her butwith all of those who have suffered liketroubles in this community. But if you askme if I uphold her in her anger, or supportimplementation of any of her proposals oreven back the University’s policy ofmaintaining its own private police force, I willgive you a flat no. Let me tell you why.My friend, along with the rest of theUniversity and its surrounding community,claims to be concerned with the spiralingindex of crime, violent and non-violent, andthe ways in which this malady can be cured.Unfortunately, that claim simply isn’t true.In areas south of 63rd Street and west of Cottage Grove and north of 47th Street,where crime rates are higher than in HydePark, most crime is committed by blacksupon blacks, and the response in Hyde Parkis zero.Throughout the entire city of Chicago,police brutality, which is so flagrant thateven the conservative Chicago Tribune ispresently running a banner headline serieson it, is committed mostly by whitepolicemen upon black citizens, and theresponse in Hyde Park is zero. But in HydePark most crime is committed by blacksupon white and the uproar swallows up amillion dollars a year in the form of a privateGADFLYUniversity police force.It is this hypocrisy and injustice I amangry about. If crime is such an urgent issuefor white people in Hyde Park, then itdemands the same attention in other areas ofthe city - and ultimately the world.I would believe the people in and aroundthis University when they tell me about their‘outrage’ with crime if once someone wouldbe outraged over the brutal crimes by whitesagainst blacks under the racist regimes inSouth Africa and Rhodesia. I would believethe administration if just once they wouldshow enough real concern with crime to sendone of their squad cars into an area of thecity where crime is really bad.The problem is that after four years here Ihave rarely heard an emotional outburst or asolemn public announcement about anythingexcept the street crime in Hyde Park. Faced with such deafening silence, I am forced toconclude that most white people who live inHyde Park and who are University relatedare not really concerned about crime unlessthey themselves are the victims. And whenyou think about it, this conclusion has a lot oftruth in it.Crime was never an issue at thisUniversity, or anywhere in America, untilthe post-WWII period when whites began tobe victims in the big cities. But violentcrime has always existed inAmerica: against native Americans in so-called Indian Wars, against blacks by way oflegalized slavery, until 1863 and throughlynch mobs, pogroms, and axe handles sincethen, and in inner city ghettos ever since the19th century population explosion ofAmerican cities. But crime was not an issuebefore WWII either because it was legal orbecause white middle-class people were noton the receiving end of it. Even today, whencrime is an issue for whites, the issue isperverted because whites are genuinelyconcerned only with the crime which isperpetrated upon themselves, as isevidenced by the University’s securitydepartment.Perhaps some day when people say theyare against the ravages of violent crime inthe inner cities they will be speaking thetruth. If and when that day comes however,the middle and upper class, power wieldingwhites in our society will have adopted aradically different outlook on justice and lawenforcement.Let me anticipate some objections to myviewpoint. First, it is argued that theUniversity is not an institution dedicated tosome subjective code of ethics, but rather tosimple adherence to the law, total academicfreedom, and an official stance of neutralityon all public issues. Thus, the very antithesisof its existence would be to promulgate and enforce its own brand of justice. But this isexactly what it does.It is not really concerned with strictadherence to the law as was demonstrated tome for two years in Pierce Tower where thehousing system openly advocated illegalliquor consumption by minors, winked atillegal drug use and where once the residenthead presided over the showing of an illegalpornographic film in the lounge of ThompsonHouse. And by organizing its own policeforce, which works hand in hand with theChicago Police Department, and byinstituting various forms of anti-crime andanti-disruption programs, the school violatesits claim to neutrality. Instead of beingneutral, it becomes an active supporter andreinforcer of the status quo, enforcing thestatus quo brand of justice on all those in thecommunity. But remember that status quojustice in America brought us a constitutionwhich made any black person three-fifths ahuman being, state laws which legalizedslavery, Jim Crow discrimination andsegregation, as well as army troopsgangbusting labor movements, federal lawsdenying women even the right to vote,segregated professional sports, and finallythe Vietnam War and Chicago in August,1968. Incredulous as it may seem, theadministration of the University declares itsneutrality.Lastly, when people are forced to abandonthe neutraility stand, they say that crime issuch an issue that left unchecked, it maythreaten the University’s very existence.Thus by creating a security force to protectitself, the University is only acting in acommon sense manner to protect its owninterests. The problem with that is if wemake self interest our modus operandi, wehave no grounds on which to condemn thecriminals who surely can be said to be actingaccording that principle in the first place.27th almost Annual1 ATI/F ilAftiCUTACU Come to...LATKE-n AIYIlN 1 AonCumnneiiim LEATHER LANP.. JLoyrnpusium ^Ll4Jj E/13T HYPE PARK BLVP.^^Tues., Nov. 20,7:30 p.m. ALL HANDMADE ITEMSCloister Club, Ida Noyes Belt Bags Brief Cases1212 E. 59th Saddle Bags Head WarmersModerator: Prof. Morris Janowitz Battle Bags Sheepskin JacketsPanel: Prof. Booth, S. Cohen, Fischman, Wine Bags Leather JacketsS. Kaufman, E. Orlinsky. Back Packs and other originalideasRefreshments at Hillel Houseafterwards (5715 Woodlawn) STUDENT DISCOUNTThe Adventures of A<HAIA<LAUS %}(pronounced: AH-HI-YA KLAUSS)I'LL CALL MYSELFr'ALEXANDER THE N/CEALEXANDER THE GOODALEXANDER TH£...CtY> Open a bottle of DEMESTICA RED or WHITE WINE and learn whythey are the largest selling wines in Greece. DEMESTICA RED, awell-balanced red ... DEMESTICA WHITE, a light and fruity tableHEY THISDEMESTICAWINE ISGREAT3°MSk8 - TheChicago Maroon - Friday,November V6,1973 I'LL CALL MYSELFaALEXANDER(MTH£ nWINE for peoplewho walk onthis earth...If you've walkedbarefoot on sand orsoil you know howgreat it is. Yourheels sink low andyour feet embracethe earth. Then youput on your shoes,return to the city,and become anotherconcrete fighter. . .but the concretealways wins. YouAs pictured in the Last Whole Earth Catalog..yearn for the earththat lies buriedbeneath the city.The Earth Shoe isthe first shoe inhistory with the heellower than the sole . . .this helps return youto nature thoughyou are forced to livein a cement-coatedworld. The EarthShoe's patenteddesign gently guidesyou fo a more erectand graceful walk,and reduces fatigueand the aches and pains caused by ourhard-surfaced city.For men and womenin shoes, sandals,sabots and boots..From $23.50 to $48.Brochure available.2112 N. Clark St.,Chicago, III. 60614[312] 528-8510LETTERABOUT THE MIDWAYcontinued from page 6Dr. Ismet Karacan, a Florida professor ofpsychiatry, compared the sleeping patternsof pot smokers and non-smokers by hookingup EEG and EOG recording devices tovolunteers’ heads while they dozed away.The chronic pot smokers were permitted toget stoned shortly before going to bed, andthen the sleeping patterns of the two groupswere compared.Karacan reported finding both smokersand non-smokers slept for about the samelength of time. But the recording devicesfound one major difference between the twogroups: non-pot smokers enjoyed nearlytwice as much time in “stage-four sleep”--which is the stage in sleep when mostrelaxation occurs.Karacan also had chronic marijuana usersrefrain from smoking for at least 24 hoursbefore going to bed; this time, their stage-four sleep returned to normal.GargoyleThe Blue Gargoyle, at 57th and University,is promoting an “open mike night” formusicians in the community to get togetherand share their material. The first sessionwill be next Tuesday, November 20, at 7:30p.m. The first night is intended for non¬electrical instruments; other than that, anykind of music is fair game. Bring your ax...listeners welcome too.Radioactive burialJohn H. Rust, professor in the departmentsof pharmacology physiology and radiologyand director of the A.J. Carlson AnimalResearch Facility at the University, hasbeen named chairman of the panel on landburial of the committee on radioactive wastemanagement of the National ResearchCouncil (NRC).NRC is a subsidiary body of the NationalAcademy of Sciences (NAS) Washington,DC Under a US statute, NAS advises theUS government on science policy.The panel that Rust heads was organizedby the NAS in response to a request by theUS Atomic Energy Commission to evaluateAEC practices in the ground burial of solidwastes contaminated with radioactivity.Rust and his panel will work with the NAScommission on natural resources in assistingthe AEC to formulate a “safe andresponsible” radioactive waste managementprogram.ImpeachmentEighty-four college and universitynewspapers in a joint editorial have calledupon the House of Representatives toimpeach President Richard Nixon. Theeditorial, which was run in the October 26 issue of the Maroon, was mailed to membersof Congress on Monday.The college papers that signed the editorialincluded those of Harvard, Stanford,Columbia, Princeton, Yale, MIT and CalTech. Together the newspapers representmore than one million students from 29states. They have a combined circulation ofnearly 700,000.The editorial was originally drafted by theeditors of the Amherst Student, thenewspaper of Amherst College, a smallliberal arts school in western Massachusetts.It was circulated to campus newspapersacross the country.Legal aidIllinois art groups and artists who arefinancially unable to retain orn attorney maynow apply for free legal services through anew organization called Lawyers for theCreative Arts, LCA executive director MrsCindy Rosenberg has announced.LCA -- which was formed by members ofthe creative city committee of the younglawyers section of the Chicago BarAssociation, with the assistance of theIllinois Arts Council -- will not itself renderlegal services. Rather, it will refer qualifiedartists and art groups to volunteer lawyers.Neither the lawyers nor LCA will collect anyfees for their services.Possible legal services would includeassistance in incorporating and qualifyingfor Federal tax-exempt status, adviceconcerning leases of studios or theaters,counseling on contracts and adviceconcerning copyrights.LCA is interested in providing legalservices to artists and art groups in all thecreative fields, including the performing,written and visual arts. LCA maintains twocriteria of eligibility; 1) the legal problemmust be closely related to the artisticpursuits of the artist or goup; and 2) theartist or group must befinancially unable to retain anattorney. When a group or artistbecomes financially able, LCA assistancewill be terminated.Financial eligibility will be determinedthrough the use of standards similar to thoseemployed by other legal aid organizations.Artists and art groups seeking assistancemust be prepared to submit appropriateinformation to indicate need. Also,applicants may be asked to submit someevidence of their status as artists (e.g.,having shown their work in arecognized exhibition).GrantA $20,196 grant for research on Dopplerradar observation of severe convectivestorms has been given to Drs. Ramamesh C.Srivastava and Jaroslav Sychra of the* Van Heusen putsit all togetherWhen Van Heusen puts together ashirt collection, you can bet it's right intouch with your times . . . withthe kind of bold styling, supercomfort, and great new designsthat really turn you on. Standapart from the rest of the herd,and assert your lifestyle in a VanHeusen . . . the one shirt thatputs you altogether in fashion!VAN HEUSEN" University of Chicago’s department ofgeophysical sciences. The award was madeby the Boulder, Colorado-basedEnvironmental Research Laboratories, partof the U.S. Commerce Department’sNational Oceanic and AtmosphericAdministration.Doppler radar has been increasingly usedto observe distributions of rain, ice crystals,hail, and water vapor in clouds, and winds invarious meteorological situations. Usingcomputer simulation of model situations andradar measurements, the University ofChicago scientists hope to develop optimumstrategies for using single and multi-Dopplerradar systems in observing severeconvective storms, and in the subsequentprocessing and analysis of the radar data.From examination of measurements by asingle Doppler radar, Srivastava and Sychrahope to develop simple criteria forrecognizing regions of intense shear andcirculations, as in tornadoes. In addition, thescientists hope to provide criteria for gheoptimum positioning and utilization of multi-Doppler radar systems and methods for theanalysis and reduction of data obtained fromsuch systems. The research will also provideestimates ot various sources of errorcontributing to degraded performance ofsuch systems.STEPS.T.E.P. (Student Tutoring ElementaryProject) will conduct a workshop thisSaturday, November 17, from 10 a.m. to 1p.m. at Ida Noyes. The workshop will discussdifferent techniques in teaching reading andarithmetic. It is not limited to S.T.E.P. tutors— anyone interested in teaching reading orarithmetic, or who is interested in tutoring ingeneral is welcome to participate. For in¬formation about the workshop or S.T.E.P.call Jay Sugarman (947-8804) or Mary LuGebka (643-8266).FellowshipsThe 1973 edition of the brochure on“Fellowship Opportunities: U S andAbroad” is now available. The publication,which has been compiled by the Office ofCareer Counseling and Placement, can bepicked up in Reynolds Club Room 202,according to director Anita Sandke. I enjoyed our meeting and also appreciatethe coverage you gave my orientation talk inthe Maroon of October 19 — but I’m mostunhappy over the sloppy reporting. Wouldyou kindly reprint this letter so that studentswho only read your report get the factsaccurately:1) The correct name of the communitytheatre at the south end of Old Town is theGill Community Theatre. 2) Old TownPlayers do not perform free — tickets cost$2.50 for any seat in the house. 3) I neversuggested that restaurants are excellentmeeting places for young people —membership in the Museum ofContemporary Art, Young Friends of theArts, and American Youth Hotels offer farmore possibilities, as do all the otherorganizations described in my book InstantChicago: How To Cope. 4) The Ear! of OlaTown is not primarily a restaurant but agood place to hear folk music. 5) Ratso’srestaurant has an extremely ecclectic menubut Ratso’s makes no claim to servingorganically grown food. 6) Otto’s is anexcellent place to get a big bowl of soup andbread for $1, but it does not offer all the breadand beer you want at that price. 7)Amazingrace (one word) in Evanston is not arestaurant but a coffee house serving onemeal in the evening. Neither is it anexclusively Northwestern student hangoutthough it’s on the Northwestern campus. 8)North of the Chicago River is where most ofthe action is — not simply the Near NorthSide. The Near North Side can be a disasterarea insofar as tourist traps go. 9) I did notsuggest the spending the night in the NewTown area in order to “fully appreciate (it’s)values” but simply because students atChicago have transportation problems. I didnot recommend any hotels but simply gavenames of some that offer student rates. Myaudience knew I had not personally checkedthose out and that I’d appreciate knowing ifany of the hotels were bummers. 10) AYH(American Youth Hotels) does far more thansponsor canoe trips for the adventureous —it’s a good organization to join preciselybecause it offers a splendid variety of mainlyoutdoor activities at the lowest possible fees.Very Sincerely,Jorv GrahamHEADQUARTERSFORPASSPORT ,PHOTOGRAPHSAPPLICATIONSPHOTOGRAPHSinblack & white- and colorI MU 4-7424 ICorona Studios1314 E. 53RD ■ Friends of the Gargoyle presentDirector Mr. Sveceny will lead a discussionafterwards. FreeSun. Nov. 18 at 7:20 Blue Gargoylea documentary film on the 1968INVASION OFCZECHOSLOVAKIA9 AM-9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHO&1552 E. 53rd - under SC tracksAll students get 10% off,ask for “Big Jim''PipesPipe Tobaccos Imported CigarettesCigarsTHE EAGLEcocktails . . . luncheon . . . dlanar . . . lota snacks . . .HU BUCKSTOBE BANQUET BOOM NYS-1I»v The Chicago Mcrroon*‘*friday, November-V6,“1973- 9y Isll,By KEVIN McDONALDManagement of anxiety is the heart ofpsychotherapy, according to Dr. Jarl Dyrud,a professor in the school of medicine anddirector of clinical services, Department ofPsychiatry. Dyrud spoke on “Anxiety: NewApproaches to an Old Problem,” at the finalWoodward Court Lecture last Tuesday.Anxiety, according to the Oxford Englishdictionary, means “uneasiness or trouble ofmind about some uncertain event.”Man has had anxiety ever since hedeveloped a bit of foresight. We have to haveit to trigger appropriate responses to signalswe receive that something might happen.The problem lies in keeping anxiety withinreasonable bounds.Acute’ anxiety consists of an acute senseof impending disaster and a mounting feelingOf helplessness. This often results in itsvictim being incapable of making theappropriate' responses to the problem,Dyrud noted.These average expected appropriateresponses, though, vary from situation tosituation. For example, finding one’s doorunlocked upon returning home at night wouldevoke a response in Hyde Park muchdifferent from that in some ruralcommunity.Chronic' or ‘trait’ anxiety attack personswhose alarm goes ‘on’ and stays ‘on’ inresponse to any small signal. This has theresult of severe depression.Down through the ages, theologians andphilosophers have said the best way to avoidanxiety is to live a virtuous life.Safety and survival determined that thegroup’ was crucial for early man. Familytraining provided the source of the child’sindividual expectancies. As groups grewlarger than single families, commonlyshared values, beliefs and expectanciesmade fov ‘consonance' between the familyunits. Perhaps the role of shamans andpriests was to relieve anxiety which came from the sense of sin and dread of failinggroup expectancies. ;According to Dyrud, there are three waysto reduce anxiety: 1) lower expectations, 2)raise performance, 3) take a pill or potion.Alcohol, he says, is probably the oldest such‘anti-anxiety’ drug.In traditional society, an individual’s rolewas very well defined. Consequently, therewas little difference between one’s internaland external expectations. One function ofmyths was to sanction the social structure, todo this for the benefit of the group and socialorder. The individual was left with no optionsand thus freed from the burden of choice. Outof the transmission of myths, the “Age ofFaith" was born and lasted a million years,during which man could face the unknownserenely.Many people say the “Age of Faith” hasgiven way to the “Age of Anxiety”. Dyrudsays that we still share common assumptionsand values. Old myths are being questionedand discarded. But they are nonethelessbeing replaced with functional equivalents inso far as these provide a pattern forprediction to live with uncertainty.Most people who come to psychotherapyfor help, he says, are ‘self-referred’. Theyfind their lives difficult to live. Instead ofbeing engaged in active pursuit of pleasure,they are continually striving for a reductionof anxiety. Nowadays, our expectancies,internal and external, change as we grow. Inthis ‘open’ society, there are numerous rolesavailable to the individual. Evaluation ofperformance becomes clouded. In contrastto traditional society, one must actively seekout a congenial group membership. Thereexists a greater potential forindividualization and a greater choice ofgroups. Chronic anxiety becomes common.People who come to psychotherapy usuallyhave failed to find a ‘congenial’ group forthemselves. The psychotherapy shouldreduce the ambiguities in the individual’sstandards of evaluating his own performance and should help him find ‘his’group.This is the role of the modern dayshamans, those in the helping professionssucfo as clergymen, psychiatrists, etc.including some less formal types. Thesepeople, Dr. Dyrud believes, all share acommon set of assumptions. One of these isthat all people are more alike than they arediffer^Ut.There exist ‘anti-anxiety’ drugs (otherthan alcohol) which reduce acute anxiety. Itis generally assumed that this can only be atemporary relief of the anxiety. What isneeded is change in behavior and more reliefof excessive expectations.Traditional psychotherapies share anotherassumption that they should make thepatient aware of the myths on which hisstandards and expectancies are based.However, this approach too often fails toidentify the options available to the patientand to equip him with the capacity to chooseand carry out oneThe new therapies are valuable techniquesat a time when the majority of people areanxious. They are successful when theychange performance and train patients tomove in a new direction. These more ‘direct’approaches are good when they replacedread and anxiety with a new agenda foraction.Some patients come to therapy with a highlevel of ‘expectant’ trust. This means thatthey don’t see the therapist initially as athreat. They readily trust him. With thesepatients, Dyrud says, any direct techniquecould be used.For those with not so high a level ofexpectant trust, the therapies usually take amuch longer time. The therapist sometimeshas the unfortunate tendency of becomingmore purely ‘evocative’ or ‘directive’ in hismethod, to provide himself some security inbehavior in the face of failure of treatment.This is bad because this patient needs more,not less, flexibility from the therapist. The therapist must convey a feeling to the patientthat he believes the patient can be asuccessful, effective, capable person. Arelationship of trust must be developedbased on mutual acceptance of eachindividual’s “core of mystery”. This iswhere history taking takes over from thesheet of statistics.The therapist is the agent for change, therepresentative of the prospect that thepatient can belong to a congenial group of hisown. He helps the patient transcend the needfor a “pat” answer to questions about hisbehavior and gives support. The patientshould develop a reasonably benign foresightand the capacity to live with unsolvedproblems. He needs to learn to discriminatebetween the cues and the inappropriateresponses to them. He should learn tobecome better through improving hisperformance. A large part of psychotherapyinvolves this “sharpening up” of thepatient’s responses to problems through ati usting relationship.Eight year-old girl founddead in Hyde Park homeAn eight year-old Hyde Park girl wasfound stabbed to death yesterday in thekitchen of her Woodlawn Avenue home.Police said that Sheryl Vanderbilt, 8, of 5425S. Woodlawn, was discovered shortly after5:00 p.m. Thursday. She was lying on thefloor of her kitchen, wrapped in blankets andcovered with multiple stab wounds, theapparent cause of her death. Sheryl livedwith her mother, who was out at the time.No suspects have been apprehended yet,according to Sgt. Erickson of the ChicagoPolice Department’s 2lst Precinct. Furtherdetails were unavailable as the Maroon wentto press.Chicago MaroonCLASSIFIED AD FORM ££££»INSTRUCTIONS: Fill in the form, one letter or punc- CHARGE: ALL ADS PAID IN ADVANCEtuation mark per square. Leave spaces appropriately. .r 50 per line for UC people40* per line for repeat adsCAU 753-3265 for more information 75* per line non-UC people60* per line for repeat ads■ - ’ fNAME AND PHONE NUMBERDATES TO RUNHEADING(there is no charge for regular headings. I.e., Space. People for Sale. etc. Your own heading costs $1.00 per 15 space line. 75* for repeat.)1 . :■ ' ' "1 ri K. •' J • " • >l ■ ’■...h ■ : ; . ~L • :;■ ,, '1 ■ -? •- . . ; i \ ' 5; p iV ■ ■■ w : S‘.; ' J : •:■■■■ ■V.:L-. f- |w _ c ;, ,. ... fv,L. .... :< i. - ' V‘r--: ■:v' -~k . . .S-. V .If- •h" ’ ' v- ‘ v ■;r ; r.• -vv ; ■ ‘,.., :- .._* ■; r ''> ■ 'r ■ ; ; ' ' ■ ’- .. ; fIt.- . - % • ■. '. ' ■ :I- ? .. -V. ’ . : V ' J / : " ■:: •; . - P. ■ . • ■ - l■ ; ■ ■.V. ..f*;.v --. - : ".■ ■ s. r;V-v "- • ■ ■ : u• i: ■ ■4 • ■M , . r‘ . .••. . " - p; ■ ■ 1 ■■ i ;IU • 1 h■ nica9° waroon - maay. Novemper ... : ..V;_ MlMAROON CLASSIFIED ADSSPACEStudio Apt. to sublet 12/1/73 to 4/1/74.Mod. Hirise bldg. E. Hyde Park. Conv. toCo op, 1C, CTA, and campus bus. Lovelyview of Lake & City I pay $170/mo. Willnegotiate. Call 288 1295 Mon & Wed. 10 1.Room in Kenwood. Call again if youwere told it was taken 548 4748.Beautiful spacious Hyde Park house forrent. Unfurnished Available Now.$395.00 Call 799 9542 after 5 D.m.RESPONSIBLE LAW STUDENTS wishto rent and care for your turn, apt orhouse in Hyde Park. As of Dec. or Jan. 1.Now in prof's house. References avail.Call Jeff 324 3349.Live in Frederika's famous bldg.Nearby, turn, or unfurn. 2 and 3 rm.apts. for 1, 2, 3 people. Refrig., stove,pvt. bath, stm. heat. Quiet, Sunny. ViewParking, trans., $120.00 up. Free Utils.Latham, 6043 Woodlawn. 955 9209 or 4272583. Short term lease or longer.Apt. Sublet: 2 bedrooms, spacious inHyde Park Call 241 7335 or SU7 4435.CHICAGO BEACH HOTELBEAUTIFUL FURNISHED APART¬MENTS Near beach, parks, 1C trains, 11mins to loop U of C and loop buses atdoor. Modest daily weekly, monthlyrates. 24 hr desk. Complete services 5100S. Cornell. Miss Smith DO 3 2400.TENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSFurn. and unfurn. Lake Front CommunitySouth Shore Community Services 2343 E.71st St.See Monica Block 667 2002 or 2004.Moving? Hire my van and me. Call Alanat 684 1175. die?" East aisle of Gargoyle, Mon. nite,Luther's table talk.Documentary Film on the Invasion ofCzechoslovakia Sunday, Nov. 18. BlueGargoyle director will lead discussionafterwards. Free admiss.Musicians nite come to play & listen 8<meet other musicians, Tues. Nov. 20,7:00 Blue Gargoyle 5655 Univ.The Order of the C shows Diary of a MadHousewife at 7:15 and 9:30 on Saturdayin Cobb. See Richard Benjamin putwomen in their proper place! $1.00India Forum 10AM 12 AM Sundays. 1527N. Dearborn. Nov. 18, G.R. Rtddy:Politics of Separatism in Andhra. ForTransp. etc. call 924 2721.SON OF ROSEHIPS Return of Rosehipstring band to the Sanctuary at theGargoyle. Thurs. 8. Fri. at 8:30, 1.50.Dr. Susan Meschel will speak on"Growing up Jewish in Hungary, 1944-1956," Friday, 11/16 at Hillel, 8:30 PM.ISRAELI FOLK DANCING everyThurs. 8:15 p.m. (Note new time). Hillel5715 S. Woodlawn PL2-1127.PEOPLE WANTEDRide wanted to & from NY 955 2706 after6:00.ASTHMATICS needed for study of newtherapy. Earn up to $200 and get athorough work up free. M F 7 5504Driver needed 3:30 5:45 M.W.thurs. Wewill supply car if necessary. Job is closeto campus. Good salary. Call 667 8078.SCENES RIDE NEEDED: to N. Alabama forThanksgiving. Share driving 8. expenses. Dan 753 2105, room 734.Expert to teach whistling thru the teeth,in the manner recognized by taxidrivers. With or without fingers. Box G,in the Maroon office.Need extra money? Sell rubber stamps.A necessity for everyone. Call HU7 3158or 1791.PORTRAITS 4 for $4 and up. MaynardStudios. 1459 E. 53, 2nd fl. 643 4083.PEOPLE FOR SALENEED TYPING DONE? PHONE 5823C88.Discussion of "Letting Defective Babies TYPIST exp. Call 752 8119 after 6 PMThe Order of the C shows Diary of a MadHousewife at 7:15 and 9:30 on Saturdayin Cobb. See Carrie Snodgrass put menin their proper place. $1.00Remember Vietnam? What happened toThieu's political prisoners? See film:Vietnam a question of Torture. Mon.nite, Nov. 19, 7:30. Experienced manuscript typing on IBMSelectric. 378 5774.Exp. typing. Neat work 947 0033.PRIVATE GERMAN TUTORING forbeginners and advanced pupils, alsoconversation. Call 363 4300. Apt. 417.Experty typing. Reasonable 667 0580.Russian by Exp. Native teacher. Triallesson no charge. 472 1420, CE6 1423.FOR SALEWHO tickets main fir 237 4948 eves.11 x t7 carpet, chairs, bike. For babies:crib, feeding table, dressing table, carseat. Best offer. 947 8537.Dishwasher portable G.E. excellentcond, $40, 363 3829.VW 64 Bug rebuilt engine new clutchgood body Sunroof needs some work.$375. 241 7463.Ford custom '66 very g«od condition for$425. Call 241-5121 evenings.Skiing equipment. Olin Mark 1 skis 204CM and Large Pro. Boots. Nearly new,you set the price. 947 8480 or 3 3618.Tapestry chair Victorian lamp walnutchair tables 947 8909 or 753-2677.GAY LIBERATIONCoffeehouse tonight 8 12, Blue Gargoyle,5655 University. Dancing, conversation,fellowship.DESPERATE! Need someone to takethe office on Wed. PLEASE call 753 3274Mon nite or 324 7483 thru the week.Officeopen Sun. Thurs. eve 7:30 11. IdaNoyes 301. Tues is women's nite. Comeup or call 753 3274.Unitarian Gay Caucus Get together. Fr.Nov. 16 Call Clark R. House at 324 0173For Details.Sexual identity discussion Group 7:30Thursdays Ida Noyes. Straights,Bisexuals, Gays, undecideds, welcome. Hollander, reading from their poems.The Law School Aduitorium, 1111 E. 60thStreet. Saturday, Nov. 17th, 4:00 PM.Admission $2.00LUSTIt had to come out at last. The leadingentry in the contest contest involvesnaked starlets from the film festival, sixfeet of snow, three quarters of a pound ofbear fur, dyed orange. The object of thecontest has nothing to do with guessingwhose bear gets shaved for the fur.Enter the contest contest, where lust islegal and set your own rules. Enter in theMaroon Office, INH, 303.HOBBYISTS!Do you have a saleable Hobby? EnterArts 8, Crafts Sale, Dec. 6 8,7. Call x3591for info. PLAY TENNISLOSTFREEGILL & COMPANYLIQUORSThe only liquor deliveryservice in the Hyde Park-Kenwood area.1238 E. 47th St. (at Kimbark)KE 6-6500Draft beer in gal. & kegs.Full line of wines. Young Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900 1/2 GALLON OF JOHNIE WALKERBLACK goes to the winner of the GCJContest Contest. See rules in the GreyCity Journal Section of this paper.MUSIC FREAKSCome to, listen, and share with the localHyde Park musicians 7:00 Tues. BlueGargoyle.POETRY READING FIREWOOD1 black 8. tan mace shepherd. Vic. ofMidway 8. Woodlawn. Reward. Ron 4612453 days, 721 9878 eves. Joy 324 3826.Answers to Stokley.ASST SCOUTMASTERWANTEDFormer scout wanted to serve as anAssistant Scoutmaster of troop 599.Meeting Wednesday evening at ChicagoSinai. Congregation 5400 South ShoreDrive. Call 752 7428. Or 363 5078.MEDITATIONRuhani Satsang. The technique of SuratShabd Yoga as taught by Sant KirpalSingh. Weds, eves, 8:00 PM in Ida NoyesHall, Rm. 213.TO THE PEOPLE INCHARGE OF THEMINIBUSSESNow that you are getting two NEWminibusses, and seeing that you havefour already, I have a request. 2 plus 4equals 6. SIX minibusses equal TWO oneach route, and no more 30 minute waitsfor the C bus in the middle of nowhere.How about it fellas?HILLEL CLASSESConversation Hebrew is now meeting atHillel every Wed. Beginners 7:30 9:30PM. Intermediate 9:00 10:30.REFRIGERATORRENTALMini frige: Pennies a day, Billedmonthly, call Swan Rental 721 4400. 6 indoor courts, 3 outdoor courts. Privateand group lessons available South SideRaquet Club, 1401 E. Sibley, VI9 1235.STEP TUTORSStudent Tutoring Elementary Projectneeds volunteers to tutor biweekly.There are a lot of children who could usethe help if you are interested, please callJay Sugarman at 947 8804 or Mary LouGebka at 643 8266.RECORDERS!Apologies for the last ad Come meetother recorder playing people MondayNov, 19 7:30 IDA NOYES27th LATKE -HAMENTASHSYMPOSIUMTues. Nov. 20, 7:30 PM, Cloister Club IdaNoyes, Participants: Profs WayneBooth, Stephen Cohen, Donald Fischman, Stephen Kaufman, David Orlinsky.Moderator MorrisJaowitz. Food atHillel, 5715 Woodlawn afterwards. LOX & BAGELSBrunch this Sun 11 00 AM at Hillel 5715Woodlawn, only $1.50.PANP1ZZAPELIVERY~The Medici delivers 5 p.m. to 10:30 p.m.Sun. thru Thurs. 5 p.m. to 11:30 p.m. Fri.and Sat 667 7394. Save 60 cents bypicking it up yourself.STUDENT DISCOUNT- Weeknights at the Efendi! 955 5151.FOLK DANCING8 p.m. at Ida Noyes Hall. Sunday(general), Monday (beginners). Friday(requests) 50 cents donation for info,Call Janet 955 8184.PERSONALSLOSTDark prescription glasses in doublecase Call 753 2492.FOUNDElectronic component in Bookstorelobby. To claim please call withdescription. 753 3317.MUSIC SOCIETYChamber Music night Thurs. Nov. 157:30 Ida Noyes Hall 2nd floor Recorders,brass, strings, refreshmts.CONTEST CONTESTThe Grey City Journal Contest Contesthas received only two (legitimate)entries thus far. If this keeps up, we, thejudges, will declare a no contest contestcontest, and will keep the prizes toourselves. Be forewarned. Pottery, weaving, macrame, candles,jewelry, crochet, collages, etc. wantedfor Arts 8, Crafts Sale Dec 6 8, 7 oncampus. Call x3591 for info.MIMI: Met you at party on Nov. 10 andfell in love would like to share moreelderberry with you call Ben at BA 61970.PREGNANCY TESTING every Sat. 10 45500 Woodlawn. Cost $1.50 Bring 1stmorning urine sample.Got a problem? Need information? Justwant to talk? Call Changes, 955 0700 M-F6 12. Blue Gargoyle.WRITERS' WORKSHOP (PL2 8377)Sculptors, weavers, potters, candlemakers, jewelsers, etc. wanted to showin campus Arts 8. Crafts Sale, Dec. 6 8. 7.Call x 3591 for intoARTSY?Prepare now for Arts 8. Crafts Sale, Dec68,7. Call x3591 for info.WASH. PROM?Interested in reviving the Wash Prom?Com Tues., Nov. 19, 7:00 PM tops of thesteps, 2nd FLR, Ida Noyes. Everyone iswelcome,CRAFTY?Prepare now to show in Arts 8, CraftsSale, Dec. 6 8, 7. Call x3591 for info. INFLATION GETTINGYOU DOWN?Fight back withUJfMT mPoetry magazine presents the 19thannual poetry day, John Ashbury 8. JohnJ 1645 E.55TH STREET J** CHICAGO, ILL. 60615?£ Phone: FA 4-1651 J************:&Factory AuthorizedDealerSAABVolkswagenSouth-Shore Inc.7234 S. Stony IslandBU 8-4900 UNIVERSITY BudgetBARBERSHOP1453 E. 57th ST. RentaCarCLOSED MONDAYS684-3661’ .airstylingRazor cuts ■■■of Hyde Park5508S LakeParkAve$ 5 per dayplus 1 OC a mileand up493-7900 Seasoned and Split hardwood 1, 1/2, or1/4 ton. Bsmt 8. upstair. De. 241 5430.PIZZAPLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUP THE FLAMINGOON THE LAKE5500South Shore DriveStudios from $1 58One bedroom from $ 170Furnished or unfurnishedShort term leases752-3800Mrs. Adelman VERSAILLES5254 S. DorchesterWell Maintained SecureBuildingSublet lovely 2 Vs roomStudioAt Campus Bus StopFA 4-0200 Mrs. GroakWRITINGS ANDDRAWINGS Ik JAMESSCHULTZCLEANERSCUSTOM QU AUTYCLEANING10% student discount1363 E. 53rd St.752-6933 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1 200 Eost 53rd StreetHYde Park 3-8372 TAl-SAM-VAWCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062jBolqHis lyrics, poems, prose, art.A large, beautiful book of 332 pages, size 8%& x lOVt, printed in twocolors. $6.95 at all bookstores. Published by Knopf LET THE FOLKS BACK HOME KNOW WHAT YOU'RE INTO.In touch with a Maroon subscription foronly $9. This sends all remaining issues forthe academic year.CHICAGO MAROON 1212 E. 59th St., Chicago, III. 60637NameAddressThe Chicago Marooh - Friday, November 16, 1973 - llAt no other wine outlet is quality of suchprime consideration. Only at THE PARTY MARTcan rare values such as these be found. All ofthese wines are imported exclusively for us.SERVINS TURKEY?One of thesr red wines will meet your need1971 Pinot Noir French Burgundy $349S f 981961 Qiateauneuf Du Page 5298. ...799- - _ .1966 Whelener Sonnenuhr Spatlese 7"798.NOT SERVING TURKEY?Try one of these dry white wines1970 Liebfraumildi1967 Chateau Greysac1961 Chateau La Leuviere1970 Gevery Chamberlin1971 Moulin A VentFor Use while tilting at windmillsTrockenbeerenauslese1969 Hall Gartner JunsferLondon Cream SherryYou've never tasted better....for Dessert |791983”499449|9985003"Complete PartyService From2427 East 72nd StreetBA 1-0210 Appetizers to Zinfandel351 East 103rd Street508-1811Daily: 9am-10pm Sunday: Noon-9 pm12 * The Chicago Maroon - Friday, November 16, 1973Pull-Out SectionDOM MCL€4f1Photos and interview byRobert NewcombeThe waitress waved our group over to thetable; the eight of us walked across theempty dining room and sat down. The roomtemperature was low, due to the President’senergy saving requests of the previous night.Don McLean tightened his scarf; his facestill showed the strain of that night’s concertin Mandel Hall. His black, curly hair was stillBut he was hungry—and willing to talk tothis reporter.I understand you did a tour in Europerecently. Was there a big response for youthere? Could people understand the lyrics ofyour songs?“They understand. They understandsomething or they wouldn’t be there. Everyforeign tour I’ve done has been sold out. Infact, most every concert I give is sold out.The one tonight wasn’t because it wasrescheduled.”Did you like playing in Mandel Hall?“I don’t play big halls, two or threethousand seats; the most I ever would play,oh you know, five thousand, but I don’t dig-Idon’t think I’d want to play more than that. Ilike doing outdoor concerts in thesummertime, with 10,000. To me, the kicks ingiving a concert is to play the songs and to dosomething unique with the evening. Themoney doesn’t mean anything. I mean, Ihave a lot of money and I don’t need anymore. There are lots of reasons why you dowork; I mean, in the beginning, you know,there might be people you want to supportand things you want to do, and so you workhard, and one of the motives is to make themoney. You know, a few hundred dollars aweek for you to survive; you do it on yourown terms. But when you’re paid enormoussums of money to perform, that goes out thewindow - unless you’re greedy. So thatmotive is gone now, so really the only onethat’s left is just to make your music andhave an evening that’s interesting and willlast for the audience.”When ‘Killing Me Softly’ came out, did yourealize it was about you?“No, it was number one before I evenfound out.”What was your reaction?“Well, ’73 was a very wonderful year forme. It was, well, that song was part of it and‘And I love You So’ being recorded by(Perry) Como was part of it. thingshappened as a result of my labors notdirectly attributed to my writing. I mean, Iwasn’t making my own ‘hit’ records, and Iwasn’t in the limelight. And I liked it verymuch. I don’t particularly like being in thelimelight, under the intense scrutiny thatoccurs when you, you know, everything youdo is being watched all the time. I’ve hadthat; and I’ve had it for a very long time, andI really got bored by it and annoyed by it. Ifanything, I did everything I could do to stopit. I didn’t appear on t.v., and I don’t usually.I didn’t try to promote myself, specificallybecause the amount of publicity andattention I was getting was just too much,and I didn’t see any reason to make anymore.”If you could do it over, would you stillrelease ‘American Pie’?“Oh, sure. I work in peaks and troughsover years. I don’t just, you know, you figure,I’ve released three albums, I’ve had threehits myself and one by another artist, andlots of my tunes have been recorded bydifferent people. You just can’t ask for muchmore out of three albums than that. I reallythink I’ve gotten enormous mileage out ofthree records.”When did you first decide that you wantedto sing professionally?“I knew that I wanted to be what I am nowwhen I was 15. And I’ve gone through variousperiods of wondering why i ever made thatdecision, and then sometimes be very glad that I did, and everybody does that. Youcan’t just go through life with ease. Thereare ups and downs. There are easy times;and sometimes the times that everybodythinks are the easy times are the toughesttimes.”Did Pete Seeger’s performance beforeyour third grade class have any influence onyour decision?“Well, I took up the banjo because of him. Istarted (to play banjo) when I was fifteen,and I’m still working on it.”You sounded great out there tonight.“I had my moments tonight, but I was ateeny bit rusty, but it was alright tonight. Iwas really happy about the new songs;‘Winter Has Me in its Grip’, ‘Great, BigMan’, ‘Did You Know’, and ‘Lalalove You’.Those four tunes are brand new. They’ll beon the new album. I’ve been writing furiouslylately, so that’s why I don’t go on the road. Isit at home spending a lot of time getting thebest possible things done so I have a lot ofmaterial to choose from ‘cause I really loveto do a very good recording.”Did you write ‘On the Amazon’?“No, no, I just collected it. But, you know,one of the reasons I made the record I’ve justreleased, ‘Playing Favorites’, is becausethere’s a side of my interest in music whichis very devoted to collecting songs that I like,aside from writing songs. And even thoughthere’s such a stupidity everywhere withregard to categories that most performersare put in that, you know, if you make yourliving as a singer and a songwriter, you areimmediately expected to sing only your ownsongs. And that’s an expectation which isimposed upon most artists because of theeconomics involved. That is, if you can get anartist to write his own songs, you can publishthem, too. I made this record to show thesecats I can go either way; I can still have acareer without writing songs. This album hassongs that I just like. It’s got ‘Everyday’ ...”Is that the only Buddy Holly song you do?“I did two tonight. I did ‘Fool’s Paradise’ -a very little known Buddy Holly song - and Idid ‘Everyday’.”When did you get your first recordingcontract?“In 1969, no, ‘70, in 1970. So I’ve really beenaround for three and a half years. I releasedmy first single, ‘Castles in the Air’ in 1970,but that didn’t do very well. You know, onething about what I’m doing is it covers a lotof ground and I’m hitting a lot of areassimultaneously. Just when someoneunderstands what I’m doing in one area,they’re hit with something else. Now, if' itwere to, you know, if it were my wish tomaximize the number of people whounderstood precisely what it is I’m doing, Iwould stick to one kind of song. You know, I’dstick to ballads, or I’d stick to rock and roll,or I’d stick to something else, but I’m notreally concerned about that terribly; I’mmore concerned about having fun with musicand there’s a certain bit of the eclectic in me,I guess. I like to dabble in many areas.”Do you like to perform?“It’s a very enormous amount of work. I’ma lazy cat. If I had my way, I’d sit around in atree all day. There are certain things youhave to do; You write songs, you recordsongs, you work on your performing. I love toperform. But I won’t do it for four monthsstraight. You know, you need time torecharge your batteries. It’s funny, I’mconsidered to have taken the summer off, butI made the record that just came out. Andthen after the summer was over, I did threeweeks in Europe, sixteen concerts in twentyone days. Then I came back and wassupposed to do this concert in Chicago, but Ijust couldn’t do it. I’ve been home for awhileworking on a t.v. show. I’m going to be homediot for the next four months, writing andrecording. The money comes in from recording and touring simultaneously. Youknow, Chicago, all of these groups that work,they really work. They’re not like me. Theygo around three or four days a week, andthey make their records on their days off,and they turn out three albums that aredouble sets every year. These cats just workthemselves into the ground, and they’reburning themselves out. I’m not going toarouse myself into oblivion for a fast buck;it’s just not worth it. If you live at that speedfor a couple of years, it’ll take five years justto get your mind back. You tour solidly fortwo years, you know, 200 to 250 dates a year -I’ve never done that much, but lots of groupsdo - you have the responsibility of creatingenormous amounts of material, you’ll beassigned to a bed in a hospital. You end upspeeding around like an idiot. You need somekind of dope because you can’t get enoughenergy to do all that shit, so you startpopping pills to get the energy; and the cyclestarts because most of the time in thisbusiness you strike while the iron is hot.‘Wow, there’s a cat out there who is holdingfive grand for me to sing; I better go get it,even if it’s up in Alaska.’ What the catdoesn’t understand is that it’s all an illusion.Even if you managed to earn an enormousamount of money after a few years, you do itat the expense of your essential creativity,and the expense of your enjoyment, may beeven at the expense of your life, if your planecrashes. So what I feel is that I have to find ahealthy combination of hard work andenjoyment. Maybe I won’t still be a ‘star’when I’m forty, but so what?”Is what you’re doing now what you ex¬pected to be doing when you were fifteen?“Yes, exactly. I’m still playing the samebanjo I was using when I was fifteen. Sure, Icouldn’t have imagined being as successfulas I have been, but it’s as close as I couldpossibly have imagined. In fact, although Ibecame successful in 1972 due to my secondalbum, I bet that the year ’72 was one of theyears that was least creative for me, one ofthe most dangerous years because, for thefirst time in my life, I was hinging my per¬formance on certain songs. I was locked intowondering whether or not people are ac¬cepting me for one song or five songs or analbum, but now that’s all gone. Now I realizepeople like me for whatever songs I’ve beendoing. Im very happy with my ‘job’. I couldnever work for someone, having someone tellme what to do all the time. I knew what itwas that I wanted.”Did you know American Pie was thethirteenth most requested record last weekat WLS?“I know; it’s coming back. I hear iteveryday. The wonderful thing about thatsong is that it has a brand new meaning now.It’s not old. The first time around it was sortof a bubble gum type thing, and now peopleare starting to hear what I was saying, ‘Bye,Bye, America’.”The conversation then shifted to the sadstate of affairs in Washington, with everyoneadding something. McLean knew a lot aboutthe situation; he pays careful attention tonew developments everyday. He ended thedinner with these words:“I would like for some magic miracle tohappen, for Nixon to say ‘Hey, Don,“American Pie” is my favorite song, and I’mgoing to resign ‘cause of what you said inthere; I feel I’ve been corrupted. And I’mgoing to let you be President for the rest ofmy three years.’ I’d fix this country.”What would be the first thing you’d do?“First thing I’d do is have a counter¬culture airline, with stuffed couches, andpass out dope instead of drinks, good musicin your earphones, X-rated movies. That’sthe first thing I’d do right there. Move upfrom here. No, really, to get on an airplane,you have to accept a lifestyle.”fILM fCVTIMdLTH€ HUMOR Of OIROTURGBY DAVE KEHRFrancois Truffaut’s Day for Night pandersto my eccentric sensibilities so much that italmost seems as conflict of interest to haveto review it. The film is irresistable -easilythe most enjoyable film that Truffaut has evermade, but beneath all the loving homagesand general good will there lurks a certainhollowness that I can’t guite account for. Godknows how many movies have been madeabout movies (Brian de Palma’s Sistersfigures as the most current and one of themost accomplished examples), but I don’tthink that there’s ever been a movie aboutloving movies, at least not about the allconsuming love that Truffaut and the othermembers of our strange film-worshippingsub-culture have for them. They don’t call uscultists for nothing, I suppose, and I stoppedbeing insulted by that word a long time ago,reveling in all of those glorious pagan im¬plications. Picture it, if you can: thousandsof myopic cineastes salaaming before theGreat White Screen, as the High PriestTruffaut cautiously approaches with a fewreels labeled Day for Night, his offering tothe Cinema-God. Which may also explainwhy I staggered out of Mandel Hall feelingan identity crisis coming on.I an understand why Sarris called thepicture “The film Truffaut was born tomake’’, if only because the only film a manwho has spent his life obsessed with film canmake is one about people who have spenttheir lives obsessed with film. This issomething I worry about when I think Ishould. Quo vadis, to coin a phrase.The film begins with an elaborate trackingshot through a street scene. Jean-PierreLeaud comes up from the subway, walksacross a park, and slaps Jean-PierreAumont. There’s a cut to a crane shot of thecrane that’s just taken the last shot, withTruffaut standing among a crowd of extrason the ground, playing a direetoi who’splaying Truffaut, directing Jean-PierreLeaud who’s playing an actor a whole lot like Jean-Pierre Leaud. Soon they’re joined byValentina Cortese playing Valentina Corteseand Jacqueline Bisset as Jacqueline Bisset.An artful fiction, what? “Truffaut” ismaking a film called Meet Pamela if Iremember, about a girl who runs off with herfather in law. In Truffaut’s patented ram¬bling style, Day For Night follows theshooting of the film through a series of loveaffairs, temperamental actors and ac¬tresses, midnight rewrites, lost negatives,and, best of all, personal reveries about thechosen profession.Truffaut’s films always seem to have theeccentric incidental structure—they’re like aseries of scenes, almost vaudeville turns,with one merely following the last instead ofbuilding it. You can never say ah, in thisscene he’s doing x, y, and z because in thelast one he did a, b, and c. The incidents arearranged almost offhandedly, and while, Isuppose, this is nearer the rhythm of“everyday life” (whatever that is) than themore compressed structure of traditionalnarrative films, he loses more coherencethan he can really afford. In this case,though, the confusion is built into hismaterial, and his habit of telling anecdotesinstead of stories finds its counterpart in thedisjointed process of making a film.Truffaut discovers all of the gentle irony inDay for Night that we’ve come to expectfrom him but haven’t seen in his last fewpictures. While his humor is the humor ofcaricature, he is interested more in quirks ofemotion rather than quirks of personality.Truffaut observes his people from slightlyremoved and superior position, the old manat the head of the table charting his family’sprogress, and exercising his control only bydirecting his glance. He loves them all, yes,but they’d kill each other if he wasn’t around.Day for Night is one of those pictureswhere everybody is ging to have theirfavorite scene, and I’ll tell you mine if you’llgell me yours. Leaud and his girl friend aredeciding how to spend their evenings in Nice.The girl has picked up a list of little Truffaut's "Day for Night" was a vaguely disturbing successrestaurants in the neighboring villages, and anybody be so stupid?) and says “What, areshe wants to hit them one by one. Leaud looks you crazy? There are thirty seven movieat her with genuine horror (how could theaters in Nice! Je vais au cinema!”Imported by Suntory International. I.os Angeles. C';i.Dear Akadama MamaThe Kama Sutraof Wines.Dear Akadama Mama*I was at a party where they werese r v i n g A k ad a m a Flu m w i t h Se ve n -Up. and 1 tell you it was fan tastic. Iwonder if you know of any other neatways to serve Akadama wines.A. FanDear A. Fan:First off let me thank you for thewonderful weekend I had preparing toanswer vour letter. We really had a ballexperimenting with Akadama Red.White and Plum. And the only reasonI'm not still partying it up is that I hadto meet a deadline for this column.There are so many ways you can enjoyAkadama. I like to think of it as theKama Sutra of wines. Here are some ofmy favorite recipes. Bottoms upOUTRIGGER PUNCH2 bottles Akadama White1 can frozen concentrated limeade1 small block of iceMix together in punch bowl withpineapple and lime slices. Servesapproximately 10 medium size cups.SANGRIA AKADAMA2 bottles Akadama Red1 quart of club soday-i can frozen concentrated lemonadeMix with lemon and orange slices inlarge pitcher. Serve over ice. PLUM DUCK1 bottle Akadama Plum1 quart extra dry champagne1 small block of iceSliced oranges and strawberriesMix in punch bowl: serves approximately10 medium size punch cups.AKADAMA BRASILIA'Equal parts Akadama Red andorange juiceSpritz of sodaServe with ice.AKADAMA SPRITZERPour chilled Akadama Red into tall glasswith ice. Add soda and stir gentlyVODKADAMA1 part Vodka1 part Akadama Redi or add to taste iTwist of lemonRefreshing!PLUM AND BRANDY1 part Akadama Plum1 part BrandyServe in a large wine glassor brandy snifter.RED BALL EXPRESS1 jigger GinAdd Akadama Red to tasteTwist of lemonSensational!Listen to Mama, andpass the Akadama, the winethat tastes a lot more than it costs.2 - Grey City Journal - November 16, 1973FILM FG9TN/1L9HTYHJIT MV HMD “THG HUMHM DOCUF1€MTHRY”Satyajit Ray's "Charulata" will be shown Saturday, November I 7, in Mandel Hall.BY MEREDITH ANTHONYRay has also made a great many types offilms. He explained, “I keep changing mystyles and subjects. I like changes; I likecontrast...Style is dictated by the material athand, by the subject matter.” The filmsshown this week have included a sillymusical fantasy, The Adventures of Goopyand Bagha, and its antithesia, a grimchronicle of the decay of an era, The MusicRoom, a sort of musical tragedy. HoweverMr. Ray’s best, and, we will assume, hismost representative works are charac¬terized by sense of absolute authenticity, asense of realism reminiscent of Chekov orIbsen. He is a master at achieving intimacywithout sentimentality. It is not surprisingthat his first film, Pather Panchali, won the1955 Cannes award in the catagory, ‘besthuman documentary’.Ray is best known in this country for theApu Trilogy of which Pather Panchali is thefirst part, followed by The Unvanquished andThe World of Apu. These early films weremade in Calcutta in 1955-1958 with a smallbudget and under difficult and technicallyprimitive working conditions. Here, as inmany later films, Ray did not use manyexperienced actors, preferring to elicitbeautifully fresh, delicate characterizationsfrom non-professionals.A student of the great writer, RabindrathTagore, Ray released a documentary on hislife in 1961 and has adapted and filmedseveral of Tagore’s stories. One of these,Charulata, is an Indian version of The Doll’sHouse. One of Ray’s major concerns is withthe folly of stereotyping and Charulata is abeautiful portrait of woman’s life and itsdevelopment apart from her role in arepressive society. Most of the criticism of Ray’s moviesmentions the pacing which is very differentfrom that of American and European films.The rhythms are very much slower althoughthey never drag. Howard Thompson in theNew York Times said of Charulata, ‘‘Itmoves like a majestic snail.”Satyajit Ray has the imposing presenceappropriate to his eminent stature in worldcinema. In his early 50’s, he is dignified andintense with long, narrow, intelligent eyesand a remarkable deep, powerful,penetrating voice. He writes or adapts mostof his own screenplays and often composesfine sensitive music for them. He is thepresident of India’s federation of filmmakers and he also edits a series of books forchildren. He expressed his concern at thelack of good children’s literature, both inprint and on film, and mentioned that hisnext project will be The Golden Fortress, amovie for children whom he refers to not as‘children’ but as “very young people.”Satyajit Ray’s latest film, Distant Thunderwon the grand Prize at the Berlin Festival. Itwill be shown in Mandel Hall at 9:15 tonight,November 16th.“What I’m doing is depicting reality. Iexpect the American audiences to acceptthat,” India, film director Satyajit Rayironically replied to a question about thesuitability of his studies of Indian life for thenon-Indian audience. American audiences atthe Chicago International Film Festivalseem to be accepting it quite readily throughthe festival’s retrosDective of his work whichrepresents many of the diverse facets of hiscareer. Ray spoke to audiences on campusMonday and Tuesday, answering questionsafter the screenings of two of his films. Many of the questions aimed at producing someaccount of Ray’s literary antecedents andthis seemed to annoy him considerably. He isclearly well-versed in world cinema as wellas being highly educated and widely read ingeneral, but he tried to avoid having to definea specific tradition: “Of course things haveinfluenced me. Everything we see influencesus.” When pressed by the U of C audience toname names he rattled off twenty of the mostfamous directors and added whole schoolslike “all the American directors of the 30’sand 40’s.” It is easy to see why the question of an¬tecedents irritated Mr. Ray, and for thesame reason, it is an intersecting question.Ray is a highly original director. This is notto say that he didn’t have influences but thatthey are not obvious in the finished work. Hehas assimilated them into his own artwithout leaving the sort of cinematic foot¬notes that we are accustomed to and enjoy inso many other contemporary film makers.Truffaut’s Day for Night, for instance, whichwas screened earlier in the festival, is averitable bibliography of such references.go coMTevr comtcstPRIZC9 (SO MR)2 series tickets to DOC films for the Winter QuarterA free single album of the winner's choice from theRecord COOP, the super cheap record store in the base¬ment of the Reynolds Club.V2 Gallon of Johnnie Walker Black Label, courtesy of theGCJ 1st Poobah, Liz RussoThe Grey City Journal Contest Contest is a serious put on. It is ajoke, in the sense that we cannot conceive of sobriety as an utternecessity of life. But it is also for real, in that the prizes listed thisweek (and others to be announced) will be awarded. So read therules, and enter. In fact, suggest a prize, and if we can we ll award theprize (though possibly not to the person suggesting it).RULES:1) Participation in the contests submittedmust not require violations of the law by the con¬testants as an essential part of the game.2) No special skills or training, which wouldgive select persons an unfair advantage may berequired (thus no deep sea diving, only swim¬ming, for instance). Any equipment needed mustbe reasonably available to all contestants.3) Contestants must not be required to placethemselves in unreasonable physical danger.4) Any of the above three skills may beviolated by cheaters, if they can get away with it. 5. Contest Contest entries should be sub¬mitted to the Grey City Journal, Ida Noyes Hall.Only one contest to an envelope; all envelopesmust be marked on the outside with "contest con¬test". All entries must be accompanied by in¬formation identifying the contest creator:pseudonyms may be used for possible publicationonly if the real name is also submitted. All entriesmust be received in the Maroon/Grey City Journaloffice no later than 6 PM, Wednesday, November28th. The names of the winners will be announcedin the issue of December 8th; the contests them¬selves will be reserved for publication, at the discretion of the editors.6) All entries become property of the GreyCity Journal, and can be returned only under ex¬traordinary circumstances and by personal ap¬plication to the editors.7) This contest is open to everyone who readsthis paper. It is void where prohibited by law orfate. Stores, institutions, and other corporate en¬terprises may enter, but are not eligible for therewards and must provide some manner ofreward for the winners of the submitted contest.Relatives of the winning contest contest con¬testants are ineligible contestants. 8) Awards are guaranteed to total at least fif¬ty dollars worth of cash, merchandise, or prestige.Corporate entries—especially if they are suf¬ficient in number to warrant a separatecategory—will receive the equivalent of at leastfifty dollars of advertising through publication oftheir contests. A contest does not have to be agrand prize winner to receive an award; awardswill be made at the discretion of the judges, andthe awards offered will be detailed in upcomingissues.9) Any questions should be directed to theeditors of the Grey City Journal, 3-3265.Grey City Journal - November 16, 1973 - 3t \\ r. > .... in it ' ' 1 m .1 t: r.OM TH€ CULTURG CMWLBY HENRY POSTIt began in total disbelief. Who would everthink that an English jazz singer could beanything other than milk toast and warmedovaltine at an early bed time? And so CleoLaine took me by complete surprise onTuesday night at Orchestra Hall last week.She takes her audience as well on a sur¬prising musical adventure that leavesalmost no ground unturned. She’s got a voiceto rave about. Can hit high “g” withoutstrain. And displays a stage presence that’sdisarming.She sings to the backup of her husband,John Dankworth on sax and clarinet, and abass, piano and drums. Her vocal instrumentin astoundingly controlled and expressive.The effect is a breathless silence-leavingyou speechless.Take anything, give it to her, and she’llturn it into more than it ever was.“Fascinating Rhythm”, “Friendly Per¬suasion”, Bessie Smith’s “Give Me A Big’sFoot”. How’s that for a range?Even a simple lyric like “All my sadness,all my joy, came from the love of a thievingboy” floats into your deepest heart andcarries you along.In England, she’s been known for a longtime but this is her first American tour, tosignal the American release of her album, “IAm A Song.” And so it was sad to see herhouse half empty and only able to reward her with half of what she deserves. Which iseverything.And since she’s got everything-voice,style, taste, acting ability, a sense of humorand perfect diction-you wonder just where itwill all lead. Her arrangements of T.S. Eliot,Auden, and Donne poems as well as herplayful toying with Shakespeare make yourealize just how well schooled andsophisticated her entire sensibility really is.Even Carole King comes off. Which is no easyjob. She shows her great wit in a version ofNoel Coward’s “Mad About the Boy” (an oldfavorate sung in three different voices - thanof the sophistocate, the school girl and themaid). But then to top things off, she sang“Stardust” the way a Scandinavian might ifshe’d learned it off a record.But then the final touch, as if it were everneeded, came with her “Bill” fromShowboat, the song that stopped audiences inLondon production each night.Buy her album. See her if you ever can.She’s a major talent and produces eveningsyou can never forget.That was Tuesday.On Wednesday, I trucked on over to seeRedford and Streisand in “The Way WeWere”. Which is hit entertainment as theysay. With little more than that. But whatmore do you want?Later that night, a bar that’s recently re¬decorated and is pushing itself as a new “chic” spot in town gave a private party. Thebar, Tenament Square, is intended to reflecta cross section of citiness--a small deli room,a fancy go-go stobe compartment, a clubythirties room and a pin ball arcade room. It’sfine really, and rather friendly, with a littlefor everyone. It’s possible that the thirtiesroom will attract the ‘chic’ Chicago crowd.But time will tell. (And besides, in thiscontext, “chic” means Vogue readers, notwriters.)But look for yourself. It’s at Ontario andFairbanks.Jacques Brel is alive ar.4 well and living inParis at the Ivanhoe. It’s ni"e to have theplay alive in Chicago, but it’s not well, onlyso-so. That’s despite the valiant and talentedefforts of Chita Rivera, a true performer.She had just finished a run in that sametheater’s production of Father’s Day, a playtoo hot and filled with “fuck” for Chicago’scrowd to support. A shame in that case sinceChita Rivera was great in this brilliantlywritten play by Oliver Halley.What made Jacques Brel only so-so wasthe unimaginative direction and unsurity ofthe cast. An embarrassing moment came forall when one of the male leads forgot it alland had to start a song over again. While nodoubt a cruel comment, it was none the lessaccurate as a friend remarked, “I love theshow and know it by heart. Too bad the castdidn’t.” The other major distraction was the bad sound system with its echo effect.But it’s really quite lively and fun. Themusic is what you knew it would be and asidefrom these imperfections time may wellwork the play into a delightful shape. AndChita Rivera is worth seeing over and overagain.To wrap things up, Friday brought thePointer Sisters into town. On a bill withRamsy Lewis at the Auditorium, the girls dida great job and shook the house with theirnew hits and soon to be released pieces fromtheir new album. These four girls have amanager and produced who rules with aniron hand it seems and will take them ontoTV and into Caeser’s Palace after FrankSinatra does two weeks there in the nearfuture.Of course, they haven’t got the mostpolished act. Far from it. But it’s roughnessand formlessness is fresh and rather at¬tractive. Who knows, though, how that willstand up to Las Vegas? I’d hate to followFrank Sinatra. But there’s still time, andwith some polish, verbal and staging ad¬ditions, these four astounding girls will dig adeep and lasting niche for themselves as oneof the more exciting and talented groups inthe country.And for one week, I’d seen more than Icould handle. Crawling through the culturalins and outs of Chicago can take it out of vnu"I'm off to my favorite Little Shop. GOING TO A"TURKEY DO” ON* THANKSGIVING BUTYOUR CLOTHES AREFOWL?COME TO THESCHOLARSHIP SHOP1362 E. 53rd ST.GET FEATHEREDBUT NOT FLEECEDJAMESWAYPETERSONMOVING & STORAGEP „ 646-4411rail OR forW,n 646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-Export.Containerized StorageFormerly at General Office55th J> Ellis 12655 So. 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Hyde Park Bank&Trust Company1525 E. 53rd StreetChicago, Illinois 60615752-4600 Member FDIC4 - Grey City Journal - November 16, 1973 f * 4 * M S \Styx IIStyxWooden Nickel WNS-1012By TOM BODENBURGThis album has some shortcomingswhich inhibit and obscure the better material,preventing the group from featured star status."A Day" will either put you to sleep fromboredom, or will drive you to fits of anxiety, won¬dering if or when the song will finish. "Earl ofRoseland” and "I'm Going to Make You Feel It"are two compositions of schlock, deserving of asecond rate bar room band capable of playingonly Johnny B. Goode and Louie, Louie" on arequest night. I kid you not, dear friends.In summation, one must laud Styx for trying.Perhaps their next album will maturate the bandand vault it into nation-wide recognition. Thepotential is discernably there, now it requires fur¬ther effort and artistic originality to wield Styx in¬to a band deserving of a national following.Big Bad JugGene AmmonsPrestige P - 10070—Simon SchuchatI don't really understand musical categories;why one record is rock, another jazz, a third coun¬try, doesn't always make sense to me. There are,for example, lots of rock records that are all coun¬try music, but since the musicians are Californianfreaks, it's "country-rock."Jazz is the most confusing to me. Obviously SunRa is doing a particular thing; but it seems to meto be farther from what Duke Ellington has donethan from certain things Zappa has done.For example, this record, Big Bad Jug. It isnt'particularly spacey, and it rocks. It makes methink of some early Dead in parts, particularly theway the keyboards are used (although it doesn'tsound like the Dead) but there are no vocals, onlysolos. The songs are soul, or MOR tunes "jazzedup which is, after all, where jazz originated.Taking pop music and playing around inside itsvarious structures; melodic, tonal, rhythmic, andso on.On the album are songs like "Papa Was Arolling Stone." The conservative base for themusic doesn't really allow (or suggest) the kind ofweird sounds that the great innovators of thesaxophone produced: Ammons doesn’t do to "FlyMe" or "Papa was A rolling Stone” what Coltranedid to ”My Favorite Things. But he doesn't haveto,<jnd shouldn’t even be expected to, really. Thefirst Coltrane version of "My Favorite Things ispretty straight, and experimentation, in any case,is not a prerequisite for good sound.Ammons' sax playing isn't particularly in¬novative. It is very clear, controlled, and sweetplaying in a "mainstream sort of context. Itoperates within given melodies, stretchingwithout distorting. It is not demanding. It is en¬joyable.The supporting musicians are all excellent; theindividual playing is finely controlled. On four cuts Billy Cobham, of Mahavishnu fame, playsdrums and is responsible to a great extent for thetightness and speed; another cause of this is RonCarter's very fine bass work on all cuts. Thekeyboard work is the essential mediator betweenthe front and back sound, and Sonny Phillips,Hank Jones, and Earnest Hayes on various cuts allgive me pleasure.If you're not into jazz, this might be a goodrecord to start on. In a sense one might not evencall it jazz, or at least "post-modern" jazz. Itdoesn t force you to deal with great waves ofdissonance, complex timing, or several musicianssoloing at once. Its very simple. Label's don't ap-ply; this is music.On The RoadTrafficIsland SMAS 9336BY MARK BUSHMANAfter the release of Traffic's first live album,Welcome to the Canteen, band leader SteveWinwood conceded only that the album was"good documentary." That description was ac¬curate in some respects: the album serves betteras a snapshot of the band’s last, short-livedreunion with Dave Mason than as a work of rockart which can be appreciated independent of itsplace in the history of Traffic. On the other hand,the new live Traffic album, On The Road, isclearly intended to stand on the merits of itsmusic. No attempt is made to re-create the con¬cert atmosphere: most cuts fall into silence abrup¬tly with the last note played rather than fading in¬to the edited applause bridged customary for livealbums. The music is showcased, and the formatof the album in effect dismisses as irrelevant thefact that the music was performed in concert.Without a doubt, the music on On The Roaddeserves the serious frame which the albumprovides for it. "The Low Spark of High HeeledBoys" is given a darker treatment here than in thestudio version. The mood is set by a short burst ofJim Capaldi's spine-chilling voodoo babbling,framed by Reebops well-placed conga wallops.Since moving off of drums, Capaldi has served asTraffic s shaman, and this opening second or twoshows what an important force he is in channelingthe band's energy. From there, "Low Spark" un¬folds itself in a decidedly more mysterious, evilform than it did in the studio two years ago.On The Road's center of gravity is "Unin¬spired," a song which Traffic wrung the life out ofin the studio, yielding the sterile version on ShootOut At The Fantasy Factory. This performancefulfills the song's promise: it stands with "LowSpark,” "40,000 Headmen," and "No Time ToLive" as one of Winwood and Capaldi's richest,most completely realized compositions. Aided byBarry Beckett's empathetic piano, Winwood singsthis near-spiritual with moving sincerity and con¬viction. His is the voice of a friend in need, tellingus that there is both no reason and every reasonfor not failing. He doesn't expect recompense,realizing that while "Today you might bydying/Tomorrow you II be sailing/and you won'teven hear these words I speak." If all this soundscorny now, wait until your finals week trauma.Even for a band as consistently rewarding as Traf¬fic, "Uninspired" is a rare gem, and it is finallydone justice on this album."Shootout At The Fantasy Factory" is leaner,looser, and more successful here than is thestudio version, and the standard Light Up orLeave Me Alone rocks steady. But these cuts,good as they are, seem secondary to Low Spark"and "Uninspired." The readings given those twosongs alone provide sufficient justification for therelease of On The Road. 8TH CHI MNC€f€STNi4LDance on the Midway, the Eighth AnnualChicago Dance Festival will be presented bythe Chicago. Dance Foundation and theUniversity of Chicago Extension at MandelHall during the 1973-74 season. Fivecompanies will participate. This will be thefirst appearance in Chicago of fourkof theseoutstanding companies and the MurrayLouis Dance Company will be presenting arepertory of works new to Chicago by thisgreat dander-choreographer. The BellaLewitzky Dance Company will open theFestival on December fifth, sixth, andseventh with a half-week residency, and willpresent one concert, a Music for Danceseminar, and ballet, modern and jazztechnique classes. In January, the Festivalwill present three companies on threesucessive Tuesdays. Manuel Alum, with hi<=partner Ma Lou Airoudo, will give a concert onJanuary fifteenth. On January twenty-second, Wendy Perron and Risa Jarislao,will give a concert of works by differentchoreographers. Pilobolus Dance Theatrewill perform on January twenty-ninth. Inaddition to the concerts, these dancers willoffer a variety of technique andimprovisation classes and workshops.The Murray Louis Dance Company willreturn to Chicago for a week residency fromMarch eleventh through seventeenth. Mr.Louis and his company were last in Chicagoin January, 1971. They will give fourconcerts; on the eveningskof Friday, Marchfifteenth; Saturday, March sixteenth; andSunday, March seventeenth; and onematinee on Sunday, March seventh. Inaddition, there will be technique andchoreography classes, and a Film andDiscussion program with Murray Louis.All concerts and other presentations areopen to the public. The concerts will be atMandel Hall, 57th Street and UniversityAvenue. Ample free parking will beavailable across the street. Seven concertswill be at 8:00 P.M., and the one matinee willbe at 2:30 P.M. on Sunday, Marchseventeenth. Tickets will be sold by a seriessubscription for five concerts, at a twentypercent savings, as well as by single ticketsale. Ticket prices are six, five and fourdollars, and student tickets are available atthree dollars.The Murray Louis residency aresupported in part by the NationalEndowment for the Arts, a Federal Agency,and the Illinois Arts Council, a StateAgency.)The ticket and performance informationphone number is 753-3139 and information forclasses and workshops is 753-2116. 4(con't from page 6 )specializes in chamber opera.Renato Fasano, an internationally knownconductor, pianist and composer, is not onlythe founder and director of the Virtuosi DiRoma, but is the youngest director of anyconservatory (Pierluigi di Palestrina) inItaly.Virtuosi Di Roma.rfRT IN CHICAGO(con't from page 7)today’s society.Westermann’s woodcuts struck me as farmore foreboding than the lithographs.Working with the three primary colors, theartist depicts such wild scenes as a writhingnude falling through a city sky The bold,geometric quality of the woodcut becomes apersuasive tool in the hands of an artist whocan handle the medium in which he works - askill I believe Westermann has mastered.I found the works of Vera Berdich the mostpenetrating of the entire collection.Combining photoimagery with color etching,aquatint, mezzotint, and drypoint, he hascreated four scenes, all entitled “SymphonicMetamorphosis”, and numberedaccordingly. They are small, integratedstudies of strange transformations, eachdone in shades of black, and illuminated bypale reds and yellows.Berdich s three larger works are equallyalluring. She seems to have established aclassic mode for the mixture of etching withother printing techniques. Although the toneof each picture is distinct, I was well awareof a harmonious exactitude and refinement.After viewing the complete show, I havechanged the nature of Chicago graphics.From an art purely based upon technique,works such as those presented here havebrought graphics to the forefront as a validmeans of expression. “The Chicago Style -Prints” will be followed by three exhibits —one of paintings, one of drawings, and one ofsculpture. Special thanks are extended toMr. Adrian for supplying backgroundinformation invaluable to my appreciation ofthe works shown.Van Heusen putsit all togetherVan Heusen putstogether bold styling,comfortable fit, andbright new ideas inpattern and color... tobring you a shirtcollection that's right intouch with the times.Come by and discoverjust what Van Heusenhas put together foryou and for . . . rmier'sFood. Drink & People- 311 E 23rd Street2 blocks W of McCormick Plac^Telephone 225-6171Open 11 am to 9 pm closed Sundays'* ♦ \ ifV • Grey City Journal - November 16 1973 - s9IIAOR09€BY DIANE WONIOComedy and drama, suspense andintrigue, love and sacrifice; all of these fitsnugly into the plot of Der Rosenkavalier andare carried smoothly along by Strauss’sometimes Wagnerian, sometimes Mozartean music. When Rosenkavalierpremired in Dresden in 1911 it was a greatsuccess. It still is wherever it plays today.The comedy centers on the egotisticalBaron Ochs (which translatesappropriately) who wishes to marry theyoung, beautiful Sophie as a favor to her.Sophie, however, falls in love with Octavianwhen he delivers Ochs’ silver rose (as anannouncement of their engagement) to her.Meanwhile (here enters the intrigue) Anninaand Valzacci spend their time spying on theyoung lovers. They call Baron Ochs to thescene as Octavian and Sophie embrace. Ochsis nicked by Octavian’s sword in the ensuringfight, and while being subsequently soothedby wine and assurances of Sophie’s hand byFaninal (her father) he begins to think of Mariandel (and to plot with the twointriguers to find her) and to think of his donJuan image of himself. Boosted by his ownself-evaluation he feels better; especiallysince Annina has brought him a note fromMariandel asking for a tryst.Now, Mariandel, whom Baron Ochs hopesto conquer, does not exist. “She” is Octavianin disguise. It is in this disguise that Octavianhopes to expose Ochs for what he is, thusfreeing Sophie from the horrid prospect ofmarriage to him.Underneath these plots and ploys runs thepower of the grand lady, the Marschallin. Inher late forties she is having an affair withOctavian. She realizes that he will soon falltruly in love and forget his infatuation withher. Of course she is right. But the power of her realization comes from her passionatestatements on the flow of time and the flow ofrelationships. Her gracious behaviortowards Octavian and Sophie in the last act(after Octavina/ Mariandel has exposedOchs to Faninal and, in fact, the majorportion of the cast) gives Octavian thecourage to leave his infatuation in his pastand turn his whole heart to Sophie.Mezzo-soprano Crista Ludwig will bealternating with soprano Helga Dernesch inthe role of Octavian. Judith Blegen, sopranowill be singing Sophie. This gala look at the1800’s in Vienna will open at the Lyric OperaHouse on November 23rd at 7:30 p.m. withFerdinand Leitner at the podium. Theremaining five performances will be on Nov.26, 30, Dec. 5, 8, and 10.SOLTI’9 THG4TGRBY TOBY LOU HOFSLUNDWhatever the music, Solti is a theater man.Consider his recent performances ofBeethoven and Mahler.That explosive “Et resurrexit” after thequiet “et sepultus est” in the Missa wasdramatic and exciting. And the openingmarch in the Mahler Sixth set a standard forexcitement which was rarely equalled.Granted, in every Solti performance thereare soft and sublime moments. Youremember them. In the Missa it was the “etin carnatus est” begun in almost a whisperby the men of Margaret Hillis’ superbchorus.Similarly, just before the final cadence ofthe Mahler—when one hopes it will go on andon—there is another Solti touch, a suddenquiet conciliation after ninety minutes ofconflict. With everyone in the orchestrarushing towards an intense finale, Solti heldback ever so slightly as if giving us time toprepare for it.Any performance of these works requiresmore than just a conductor. Fortunately,both featured the Chicago SymphonyOrchestra. For the Mahler the orchestra included a lot of extras. The percussionsection alone includes this variety ofsound: glockenspiel, cowbells, deep bell, rodand hammer, and xylophone. And the resultswere big, sometimes brassy, and often bold.From the forceful rhythmic figure of theAllegro to the lyrical song-like melody of theAndante, the orchestra brought out the manychanging moods in the Mahler—the soaringand striving of the first movement, theweighty dance of the Scherzo, the mixture ofjoy and sorrow in the Andante, and thehymnlike airiness of the Finale.The Beethoven benefitted from MargaretHillis’ superior chorus which handled thefiendishly difficult double figures with greatease, orchestral playing that was tight anddisciplined, and a quartet of soloists which,although not especially exciting, did manageto sing most of the right notes in the rightplaces.However, when it’s all said and done, bothperformances belong to Solti. I was glad heshared them with us.P S. I’m going to be able to hear theMahler Sixth in New York’s Carnegie Hall.I’ll let you know how the audience reactedand how the performance went.cross countryskiing seminarIncluding a Complimentary One-Day RentalTravelers Abbey is presenting its first seminar in Nordic skiing.If you need your waxing problems solved or just are interestedin discovering a new experience, join us on November 20th at7:30 at the Broadway location.Mail this coupon or drop it off at either location,i Yes, I'd like to join your cross country skiing seminar.NAMEADDRESSPHONE NUMBERJ5238 S. Blackstone947-9887 2934 N. Broadway' 549-3230 WIHT€R’9 “FOUR 9€d<tON9”1 BY TOBY LOU HOFSLUNDChicagoans seem to stay here because theylike the four seasons. This is a kind of sneakyway to go into the Auditorium Theatre con¬cert, but so what.In case you haven’t heard already, one ofEurope’s most distinguished chamberensembles, the Virtuosi Di Roma, is comingto the Auditorium Theatre for oneperformance only, Friday, November 16, at8:00 p.m. It wouldn’t make any differencewhat they were playing. Their performancewold be special. But as you probably guessedby my rather gimmicky lead, the second halfof tonight’s program will be devoted toVivaldi’s Four Seasons.In the 1725 edition the fourconcertos —“Spring”, “Summer”,“Autumn”, “Winter”—are each preceded bydescriptive sonnets and related to specificverses. For example, the solo violin trills “ahappy bird song”, languishes under the“merciless summer sun”, celebrates theharvest with a lively dance, imitates “thestrong blasts of a terrible wind”, and “walkson the ice with slow steps”.The romantics are given all the credit forinventing programme music—Strauss, Liszt,Smetana, Berlioz. Well, one Antonio Vivaldi,two hundred years before any of theseprogrammatic composers could reach the pedals of tfie piano, was writing programmemusic. For example, look at the story hepaints of spring. Shepherds tend their folksas birds sing happily in the trees and over themeadow. All is calm, pleasant, and very easyto listen to. Winter isn’t so bad either. Thedrama of cold winds blowing over frozenstreams and lakes provides variety andsustains interest to the end of the work.In their interpretation of this masterpieceof mood and vitality the Virtuosi di Romaignore all modern editing and play it likeVivaldi wanted it played. Which means, theorchestra will perform the original 1725edition—musicologists please note—which isfree from all corrupting influences (editor’smarkings, wrong notes, etc.)The rest of the program looks fun. TwoCorelli concerto grossi and another livelyvirtuoso piece by Vivaldi, Concerto in C foroboe and strings.Each member of the orchestra is a soloistin his own right. These fourteeninstrumentalists—six violins, three violas,two cellos, a contra-bass, oboe andharpsichord—play every thing from Baroqueto Berie. Besides touring (they have madeten tours of the United States since 1950), theVirtuosi di Roma accompanies Rome’sPiccolo Theatre Musicale, a company which(con't on page 5 )THANKSGIVING WINE SPECIALSMR. KIMBARK SAYS! Shop where you can getthe finest selection, as well as better valuefor your holiday dinner.hiihihiiiii"''*'IMPORTED GERMAN RHINES & MOSELLESIdeal for your holiday turkey or fowl dinner. Allare the fabulous ’71 vintage, the finest year since'53. 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CansCase 24 CansFOR YOUR DESSERTFINE IMPORTED WOODAGED PORTS bv CROFT3 DIAMOND TAWNY PORTMatured in Oak Casks ‘315thFINE RUBY PORT *31,Matured in bottles d 5thDISTINCTION TAWNY PORTAged 10 years in wood H 5thImportedBEAUJOLAIS &COTE DU RHONEDomaine of Robert Sarrau$029L Sth(COUPON —COUPON| With this couponi Save 69* on* LANCERSImported Rose or White$029I.2 oJ53rd KIMBARK LIQUORS INC.1214 E. 53rd St. - 53 Kimbark PlazaOpen 9 a.m. to 11 p.m. Sun. 12 noon to 8 p.m.Open Thanksgiving Day to 6:30 p.m.* cash A carry6 - Qjrpy City Journal - November 1,6,, 1973y T.V. . j, fi’J'.V 'J 1 iv.v. TU, Imperfect in OriginaldRT IM CHICAGOBY AMY WEINSTEINROMdNIdNAkl A1MIDWAY 9TUDI09 THG MATURINGOF THGCHICAGO 9TYLGIn an attempt to broaden myunderstanding of artistic expression, I oftenfind myself dealing with galleries and artistsfar removed from the community in which Ifunction. Unless I am attentive, however,this can result in the oversight of manyenriching encounters that might be made oncampus, itself.I was delighted to find that the MidwayStudios, in conjunction with the Center forContinuing Education, is presenting anexhibition of contemporary Romanianpainting. Originally planned expressly forthe Center for Continuing Education, theStudios now display a majority of the works.The show was arranged by the Office for theOrganization of Exhibitions of Bucharest,under the Council for Culture and SocialistEducation.The exhibit exposes the work of a numberof the most imaginative modern Romanianpainters to an alert American audience. Onthe whole, they do not appear radical in theirapproach lo the diverse complexities ofcontemporary art. Rather, these artists haveunified a melange of the traditional as wellas the innovative characteristics ofRomanian life in their works. The expressionof a primary interest in lively colorcoordination and simple, geometriccohesiveness expresses itself in all thecanvasses.I found the works of Georgeta NaparusGrigorescu particularly reflective of bothpast and present Romanian life. The onlywoman represented in this show, she hassucceeded in weaving a rich tapestry ofhuman associations into each of her pictures.Through the use of small geometric sectionsand strong colors, she creates compositionsstressing the poweres of love, animosity,sensuality, grotesqueness, sensitivity, and severity.A beautiful interplay between subtlety ofcolor and vivacity; of life appears inherent inthe works of Bradut Covaliu. A variagationof earthy tones gives his painting “In theVillage” profound depth. As two figuresconverse in the foreground, all the concernsof village life are presented. I was able tosense the various levels of the conversants’concentrations, mingling the drudgery of lifewith the simple satisfactions that it yields.Contrasting the works of Covaliu, are thespiritually oriented works of Iacob Lazar.His version of “The Village” is worked in apanorama of budding greens and airy blues.It seems to be a positively versed creation,representing the rewards of customaryvillage life. His work is not a picture ofpeople and structures, but a view of thevibrant aura that surrounds the nature of thevillage.Several portraits done by Corneliu Babastruck me as grim depictions of subduedhuman passion. The soft, somber visagesstare from the canvasses with ponderouseyes. Livid reds of background color arestrangely replayed in their languid features,giving life to quizzically captivating faces. Astark white feather perched atop a mas ofdark brown hair, or two slightly ruffled cuffsembellishing a dark tunic semblesuperfluous frivolities, countering thesesensitive human expressions. Babacontemplates man’s search for compassionthrough the eyes of his subjects.The exhibit presents a diversity ofapproaches and emphasis on the part of eachindividual artist. When considered as awhole, however, I felt the bond of commonspirit and tradition prevail.The exhibit will last through November 28. The first exhibit of a four part seriesentitled “The Chicago Style” opened in anatmosphere of warmth mingled with a dashof class, on Sunday, November 11. The show,hosted by The Arts on the Midway program,and assembled by Mr. Dennis Adrian, is acompilation of prints representing the mostcontemporary graphic work developing inthe Chicago area. It will continue at theCenter for Continuing Education untilDecember 15.Over the years, the graphic arts have comeinto focus as a dynamic, well diversifiedartistic phenomenon. As a modern form ofexpression, they uniquely lend themselves toan intensely personal field of vision. Workwith graphics allows the artist to utilize avariety of specialized techniques in order toeffectuate the creation of highly sensitiveimagery. This show of prints illustrates arange of axes upon which some of the mostprominent studies concentrate.Chicago has long been an active center ofprint production, generating some of themost original material available anywherein the world. Fine collections of prints anddrawings housed at the Art Institute ofChicago, and a good number of smallergalleries, are easily accessible to artists inthe vicinity. An equation with works of pastepochs reflected in the compositions ofChicago artists demonstrates a keenperception of the fundamentals of graphicartistry. Growth evolving from museum anduniversity art schools, as well asunhampered experimentation undertaken byworkshops and cooperatives havegerminated a group of imaginative artists,willing to face graphics as a sophisticatedstudy. Yet, the full potential of graphicexpression has not been realized. Thenumber of angles and techniques applicableto the field cover a wide spectrum, and this exhibit attempts to show how Chicagoprintmakers have been handling them.I first looked at prints by June Leaf. Twostudies of tree life, “Branches and Leaves,”a lithograph colored by hand, and “GreenTrees,” a color lithograph, are sensitiverenditions on the same theme. Conceivedsometime between 1958 and 1959, these workssharply contrast a third lithograph,“Masks,” completed by the artist in 1967. Inher later work, Leaf uses strong colors andlines to relate a grotesque picture of modernAmerican backyard life. These verydifferent approaches attest to the variencethat can be achieved within one area of thegraphic arts.The “Wonder Production” of Ellen Lanyonespecially intrigued me. The use of delicateline, color, and form renders her workssomewhat reminiscent of the pictures a childmight relish in a well illustrated book of offairy tales. A preface to the set of 12 colorlithographs describes the process by whichmagic tricks optically effect a captiveaudience. Here, Ms. Lanyon becomes themagician, and relates her compositions tothe onlooker bewitchingly.H. C. Westermann, another printmakerrepresenting “The Chicago Style,” alsodisplays a series of color lithographs. As IcomDared them, it seemed that Westermannhas been able to manipulate colorlithography to produce an ettect quitedifferent from that of Ms. Lanyon’s. Broadblack lines on white backgrounds,accentuated by brilliant colors characterizethe style he chooses to use here. The stark,horrifyingly amusing scenes of anabandoned, tropical Holiday inn, or severalstrange creatures in a devastated land,become vivid statements about the future of(con 't on page 5)FOR SOMETHING DIFFERENTMALE OR FEMALE STUDENTS •EARN UP TO$50OR MORE DAILYDRIVING A YELLOWSPECIAL STUDENT SHIFTSALL YOU NEED IS A DRIVER'S LICENSECALL 225-7440ORAPPLY AT 120 E. 18th ST.WORK FROM A GARAGE NEAR HOME OR SCHOOL SHOP VE COOPERCLAY BAKERS for fowl, beefand fish. SABATIER carbon steelknives. HOLME GAARD handblown Danish crystal. SAUSAGEAND CHEESE-MAKING outfits. OLD FASHIONED CAST IRON COOK¬WARE. The great iron pans that made gran¬dma such a memorable cook. Skillets ofevery size plus specialties from muffin pansto griddles to French friers.Priced $1.85 - $9.25Most Under $5.00 BUTCHER BLOCKS. HANDSOME. PRAC¬TICAL. Fitted pieces of elder impregnatedwith resins to prevent absorption Fromsmall cutting board to full size butcherblocks with legs From$4.99 to $275.00Most Under $20.00M0NEEPauling Rd. at Rt. 50(At the Thompson Winery)563-8790 HYDE PARK5226 Harper Court752-4313 PARK FOREST208 Plaza481-1744HOURS:Won FrhlQ* Sat:-10-5:30Sum-12-5 HOURS:Mon-FrPO-S Sat: 10-5Sun: 12-5 HOURS:Mon-Frh 10-0 Sat:-10-5:30Sun:-12-5Grey City Journal - November 16, 1973 - 7THE U OF C CHARTER FLIGHT PROGRAM ANNOUNCESFinally and definitely we are landing in Lon¬don and Rome for our Christmas in Europecharter.A $50 deposit will hold your seat. But...Mon-day November 19 is absolutely the last dayto sign up. There will be no extensions. TheBritish government must have the names ofall passengers by the 21 st. After Monday youwill not get on the flight.U of C Charter Flights invites you to:December 15 to January 4Chicago-London-RomeRome-London-Chicago$232 roundtrip + $3 airport taxAlitalia DC8Eligibility is limited to U of C students, staffand faculty (plus spouse and children)Come to Ida Noyes Hall room 306 today between 2 and 7 orMonday between 9 a.m. and 7 p.m. or call 753 3598.8 - Grey City Journal - November 16, 1973