The University of Chicogo Friday, November 9, 1973Ramsey Clark calls for impeachmentIMPEACH-IN: Ramsey Clark, the former U.S. attorney general, spoke Tuesday atAAandell, and called for the impeachment of Nixon. Photo by Steve Aoki.By LISA VOGELTo maintain the Republic in accordancewith the Constitution, Ramsey Clark, formerAttorney General under the Johnson ad¬ministration, explained that the House mustbe free to obtain all the evidence concerningallegations of misconduct against thePresident.Speaking before a large audience atMandal Hall on Tuesday night on the subjectof impeachment, Clark went on to argue thatthis was of prime importance to theseparation of executive, judiciary, andlegislative powers, this being the fun¬damental safeguard in the Constitutionagainst tyranny.Clark, who has received several degreesfrom the University, began his speech bydescribing how he admired Earl Warren. Hetold of how Warren wrote a book called, “ARepublic—If You Can Keep It” and of howthis title represented his (Clark’s) per¬spective. Mr. Clark explained that the titledates back to when Benjamin Franklinwalked out of Independence Hall after justsigning the Constitution. A woman shouted tohim, “Which is it, Dr. Franklin—a republicor a monarchy?” He replied, “A Republic, ifyou can keep it.”Clark went on to elaborate about thesubject of Congress’ role in the investigationof the President. He reiterated that theHouse had sole power of calling up im¬peachment proceedings and that it wasabsolutely necessary that the House do itsduty. The House should demand every factrelevant to any accusation of misconduct onthe part of President Nixon—otherwise, hesaid, its power is imcomplete.Mr. Clark also declared that it was obviousthat there was enough evidence to beginBy CLARA HEMPHILLLast Monday, the National LaborRelations Board (NLRB) ordered theUniversity to offer jobs to two hospitaljanitors who were laid off in August of 1971,and to give back pay to those employees whowere transferred to another unit at a cut inpay.In addition, the NLRB ordered theUniversity to agree to bargain collectivelywith the union from which the janitors weretransferred, the Service Employees’ In¬ternational Union, AFL-CIO, Local 321 and topay the union dues which would have been impeachment proceedings. He listed threeexamples of this evidence: 1) the secretbombing of Cambodia; 2) the ITT scandal;and 3) the Houston Plan. He ended his speechby saying, “The truth of the Constitution willabide. The question is, will we?”Clark answered three questions af¬terwards. The first one asked how theproblem of the president discharging thespecial prosecutor could be avoided a secondtime. Clark responded by talking about theHouse working with the special prosecutor insome way, thereby not really completelyanswering the question. The second questionasked if Nixon would be able to claimexecutive privilege in the House. Clarkexplained again that the Constitution couldbe referred to for supporting the separation-of-powers principle. The last question was along, angry, and confused tirade againstNixon that included such suggestions asNixon belonging on the bottom of the Atlanticocean. After listening for a while, Mr. Clarkconcluded by replying, “You’ve convincedme that we need Constitutional governmentmore than ever.”The meeting was called an impeach-in byits sponsors, Student Government and anorganization called Article 2, Section 4. Thislatter group derives its name from the partof the Constitution that describes im¬peachable offenses. One of its members,David Axinn, said, “Our purpose is generallyto mobilize people in communities other thanHyde Park to express opinion to theircongressmen and senators.”There were four other speakers during theevening, after Clark. The first was RabbiSimeon Maslin, president of the Council ofHyde Park Churches and Synogogues. Heurged Jews to get involved with the.struggleagainst Nixon, to not let themselves bepaid by the transferred janitors.The order came as a result of a charge ofunfair labor practices filed two years ago,when the University unilaterally transferred14 janitors, at a cut in pay, during a contractterm, from a bargaining unit represented byLocal 321 to a bargaining unit represented byanother union, Local 1657, of the AmericanFederation of State, County, and MunicipalEmployees’ Union, AFL-CIO.Two of the 14 did not accept the new jobs,and accepted “lay off pay” instead.Three of the transferees, according to theNLRB legal briefs, received approximatelythe same wages after the changeover as blackmailed by threats of lack of support toIsrael.Next to speak was Professor Katz of thelaw school here. He directed himself to thequestion, “What constitutes an impeachableoffense?” He maintained that it was a morecomplex problem that Clark had described itto be. Katz said that the wording of theConstitution (as to impeachable offenses)reads “...treason, bribery, and other highbefore. The others, however, suffered netreductions in wages from a few cents an hourto as much as 80 cents an hour.The employees complained that the jobduties in the Local 1657 unit were moredemanding than in the Local 321 unit.Fred Bjorling, director of personnel, saidMonday that the University will appeal theBy JEFF ROTHThree rapes and an armed robbery over aone week period in Hyde Park have led tointensified nightly patrols by both Universitysecurity and Chicago police.As a result of the crimes, dean of studentsCharles O’Connell has had a notice sent toresident heads in University housing to warnstudents to be careful when venturingoutside of the dorms at night. O’Connellhoped that students living off campus wouldalso understand the situation and be alert.O’Connell stressed that there is no need fora “wave of terror” in the community. “Whatwe have is a situation where we ought to becareful,” he stated. The crimes, he said,have been distrubing and “not like a typicalHyde Park operation.”The crimes have occured at: 50th andCornell, 52nd and Dorchester, 57th andKimbark, and, most surprisingly, at 55th andLake Park. The times when the incidentshave taken place have ranged from 6 p.m. tothe early morning hours. They have involvedat least two men in each instance, at leastone of whom has been armed.The victims in most cases have beenforced into cars and made to lie down out ofsight. In one case a victim was taken in herown car. In some instances the criminalshave taken them out of Hyde Park, and in crimes and misdemeanors.” The problem is,he added, that nobody knows exactly whatthis means.Katz concluded by recommending acareful and speedy examination of thesituation to see if impeachment proceedingsmay be begun. Linda Hershman, a lawyerfor the ACLU spoke next. She informed theaudience that the ACLU board of directorshad voted unanimously to advocate im¬peachment proceedings.NLRB decision.In response to the charge of pay reductionsand reduced benefits, Bjorling added, “Mostof them actually got a raise in pay,” and,“benefits (medical insurance andhospitalization) are uniform across thecontinued on page fourthree cases women nave been raped. Thevictims then have been returned to the HydePark area. There have been no beatings orpistol-whippings, and none of the victimshas been shot.The University has asked for and receivedspecial assistance from the Chicago PoliceDepartment in the wake of the crimes. Aspecial tactical unit has been assigned toHyde Park, O’Connell reported, and studentsmay see more squad cars in the area. At thesame time Uniiversity security has added anadditional squad car in the area betweenWoodlawn and Blackstone on 56th and 57thStreets. Nevertheless University vicepresident Walter Walker commented: “It'sthe kind of thing that’s very difficult toprevent with orthodox police procedures.”Police may begin to stop people on thestreet lafe at night to question them,O’Connell indicated. People generally wantto be protected and still not inconvenienced,he said, but “it’s quite likely that somepeople will be inconvenienced before thisthing is over.”There have been no further incidents forseveral days now, and O’Connell remarkedthat the crimes “may or may not be a hit andrun attack that has passed.” Whatever thecase, he believed that “these characters willbe caught, and soon.”RAPES: Walter Walker, University vice-president, discussed the difficulty of solvinglast week s rapes.NLRB tells University to give janitorsRapes and robbery leadto increase in police patrolsABOUT THE MIDWAYSG electionsDue to vacancies caused by electedrepresentatives moving from their con¬stituencies. special elections to fill 24 vacantseats in the student government (SG)assembly must be held, according to Elec¬tions and Rules committee chairman RobertEsty.Estv added that individual constituenciesshould hold elections to fill their own vacantseats, while vacancies in the “OtherCollege" and in graduate seats will be filledby a special campus-wide election to be heldnext Thursday and Friday.The seats to be filled include 16 in theundergraduate houses and 8 in the graduateschools, as follows: Breckinridge, Mead,Dodd. Chamberlin, Lower Wallace, UpperRickert, Lower Flint. Blackstone, Green¬wood. Hitchcock and Boucher have to fill oneseat apiece, while there are four vacancies inthe “Other College" category.The divinity school, the library school, thePritzker School of Medicine, and the lawschool each have one graduate seat to fillwhile the social sciences division must fillfour seats.In addition, the SG executive council hasbeen empowered by the Constitution to fill 14 seats which no one ran for last spring.These vacant seats are as follows: OtherCollege, the divinity school, the educationschool, the biological sciences division andthe social sciences division have one emptyseat aoiece. The Physical sciences divisionhas three vacancies for the council to fill,while in the humanities division, apparentlynobody ran, for there are six vacancies tofill.Nominations for the other college andgraduate school seats wdiich are to be filledby election are open until this comingTuesday, while anyone interested in fillingthe appointive seats should see SG presidentBrickell. Anyone interested in further detailsabout the election should contact eitherBrickell or Esty in the student governmentoffice.Study abroadScandinavian seminar is accepting ap¬plications for its study abroad program inDenmark, Finland, Norway, or Sweden forthe academic year 1974-1975. This living-and-learning experience is designed for collegestudents, graduates and others who want tobecome part of another culture whileacquiring a second language. An initial three week language course,followed by a family stay, will give thestudent opportunity to practice the languageon a daily basis and to share in the life of thecommunity.All Seminar participants meet at the in¬troductory, midyear and final sessions,during which the American and Scan¬dinavian program directors work closelywith each student on matters related to hisstudies, experiences and progress.The fee, covering tuition, room, board,one-way group transportation from NewYork and all course-connected travels inScandinavia is $3,000. A limited number ofscholarships loans are available. For furtherinformation please write to: 100 E!ast 85thStreet, New York, N.Y. 10028.GenevaKent State University, in cooperation withfour other national organizations, is offeringits third Geneva semester on the UnitedNations system. The program studies theworkings of the international system, and theconditions required for the advancement ofworld stability and peace. At the same time,it helps the student to acquire basicknowledge of the French language or to further develop his skill in French. Theprogram thus offers a base for broad, yetpersonal, opportunities for interaction withthe world at large.The Geneva semester begins with a oneweek introductory session divided betweenVermont and New York. In Vermont, thestudent will take part in a special program atthe school for international training whichwill introduce him to the many facets of theGeneva semester. The student will then visitthe United Nations in New York, and fromthere depart for Geneva, where he will spendthe bulk of his time. The final 15 days of theprogram will involve travel to many of thedifferent international organizations locatedthroughout Europe, with visits scheduled inVienna, Paris, Brussels, Strasbourg, and theHague.The program is open to sophomore, junior,and senior students enrolled in goodacademic standing at any college oruniversity in the United States. There are norequirements as to academic major. Thesemester runs from January 23 - May 24,1974, and students can earn up to 32 quartercredits.Further information and application formscan be obtained from the center for in-continued on page eightLETTERS TO THE EDITORNCLCBy exposing Edgar Epps last Monday as awell-heeled counter-insurgency organizer,the Chicago Labor Committee has broughtworking-class politics to Woodlawn and theUniversity.The problem of racism, which Epps wasostensibly addressing, cannot be overcomeby mere appeals to sentimentality (i.e.,sheer ideology). Any ‘anti-racist’ movementthat does not address itself to the basicmaterial issues of the ghetto and theworking-ciass at large (food, housing,productive jobs, well-financed schools, etc.)must be either an idle liberal protest, or avicious propaganda campaign to make theoppressed minorities proud of their povertyand ready to regiment themselves inconditions of ever-deepening depression.Under such conditions, counter-insurgencythink-tanks (notably the CIA), operatingthrough popular ‘community spokesmen,’can play on the lawful divisiveness within theworking-class to get ghetto-dwellersscreaming for ‘community control' of theirown rotten schools, slums, businesses, andeven police forces!Behind Epps’ bland pedantry and wrist-slapping of the bestialist Jensen are well-developed plans to ‘rationalize the ghettointo virtual slave-labor programs.Intimately involved with The WoodlawnAssociation (sic) and the WoodlawnExperimental School Program, Epps is atthe forefront in demanding work-study’ for ghetto youth -- i.e., cheap-labor supplieswhich will destroy any organized laborresistance remaining, not to mentionprecluding even high-school education levelsfor these youth. As if to nail down his point.Epps is actively pushing Skinnerian, rat-likereading instruction methods, where childrenhave phonetics drilled into them by rotebefore learning the meaning of the soundsthey are muttering, and even then learn oniya vocabulary appropriate for the least-skilled workers! And this ‘pedagogy’ is soregimented that it can (and will) beadministered by desperate welfarerecipients forced to work-off their checks, oreven by students themselves - thusdispensing with college-trained teachers andunion-scale wages.With Epps so consciously bolstering theinterests of the capitalist class in a time ofeconomic crisis, it hardly comes as asurprise that his background includestraining at Tuskegee Institute, the counter¬insurgency center of the south, and theInstitute of Social Research in Ann Arbor, anotorious CIA outpost since the late ’40’s.While exposing Epps before his‘constituencies’ in academia and the blackcommunity, we will proceed to channelghetto ferment into alliances with studentsand workers in the struggle to set up aworking-class government -- which, byembarking on a massive reconstruction ofabundant housing, schools, and transitsystems, will smash the currently-real basisfor racism or any other anti-human ideology.Don Jacobs for The National Caucus of Labor Committeeseditor’s note: Mr. Jacobs did not providefactual documentation of his charges, butpromised to do so at a later date. For furtherinformation, contact Jacobs.SecurityThanks to Mr. Isaacs' letter in theNovember 2. 1973, Maroon about thecontinuously busy Security Departmentphones that confronted him at about 7:00p.m. one recent evening, I was prompted toinquire if Illinois Bell had yet developed anydevices that might provide a solution to thispotentially dangerous problem.Calls to the Security number (3-3061;“hunt" 3-3062, then 3-3063 upon finding a busyline. During evening hours, which are thebusiest, the Security office is manned bytwo officers - dispatcher and watch com¬mander (lieutenant). When all three linesare busy, the dispatcher might be on two.and the watch commander on the other,discussing a problem that has been referredto him by the dispatcher. Illinois Bell nowhas a solution: the dispatcher will soon beable to switch discussion calls for the watchcommander to the administrative Securitylines (3-4201. 2, and 3). These too “hunt".This should lead to increased answeringability on the 3-3061 series.Sincerely.D. L. O’LearyDirector University Security Esty resignationI would like to say the following in regardto the article in Tuesday’s Maroon that I amserving as Election and Rules chairman indirect violation of the constitution.' Althoughthe constitution does not specify that amember of the Executive council needremain a member of the assembly, yourarticle is certainly correct in implying thatthis condition is contrary to what SG shouldbe. I did not resign immediately for tworeasons. First, a change in the chairmanshipol E and R would have, in my opinion,screwed up the running of the freshmanelections just held, and wouid screw up therunning of the special elections November 15and 16. Second, at the time I decided toremain, almost one half of the seats in theAssembly were vacant. I did not want mysuccessor to be elected by what was anassembly in no way representative of thestudent body. Both of these reasons willcease to exist the night of the 16th. when theresults ot the special election are posted,and, at that time I will resign my post.Bob Estycontinued on page nineI would like to do something very wor¬thwhile like perhaps plant a tree on the oceanbut I am just a guitar player— —Bob Dvlan.One must still have chaos in oneself to beable to give birth to a dancing star...Alas, thetime is coming when man will no longer givebirth to a star— —Nietzsche.Factory AuthorizedDealer The Adventures of A<HAIA <LAU8(pronounced: AH-HI YA Kl AUSSi ' Greece is as close to vour lips as a glass <,f SANTA HELENA WHITEWINE. Perfect for sipping, memorable at any occasion SANTAHELENA should be chilled betore serving.'m*mtt* Cmcr fryCarilfea twpartarv IIS flow J0*773VolkswagenSouth-Shore Inc.7234 S. Stony IslandBU 8-4900TAhJAM-Y&NCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU 4-1062 10T /UEXP/VDPPI'M PU/UP OFMACEDONIA il1 60 FLY APHOENIX THE KIDS OFTODAY AINTGOT NORESPECT BUT THEY|DIG SANTAHELENADRY WHITEWINE2—The Chicago Maroon—Friday, November 9, 1973UC faculty questions library firingsPROVOST WILSON: Faculty members criticized the findings of Wilson's committeewhich investigated the firing of six library employees last summer. The employeeshad been involved in union organizing activities.The University faculty moved this week toforce President Levi to convene the facultysenate. The move was part of a widespreadeffort to make the university reconsider itshandling of last June’s firings of sixRegenstein employees.Public outcry after last June’s dismissalsforced the University to devise someresponse. The Provost appointed a threeman committee (chaired by JonathanSmith) to investigate whether the dismissalsactually had been necessitated by“budgetary necessities”, as the libraryadministration had claimed. Several of thedismissed employees charged that the,primary motive for their firings was theirpast history of union organizing activities.The Smith committee met for severalweeks during the summer, investigatingdocuments and interviewing most of theprincipals of the action. Near the end ofAugust, the committee released its findings;the report was circulated throughout thelibrary and the faculty. The committee’sreport, which exonerated the administrationon every count which the committee hadinvestigated, was overshadowed shortlyafter its release by a National LaborRelations Board decision concerningmembership qualifications for theprofessional librarians’ union.This week, a reply to the Smith committeereport was distributed to all the members ofthe faculty. The report, prepared by theResearch and Publications Committee of theUniversity of Chicago Library Professionalstaff Union, Local 103A, DistributiveWorkers of America (and available at theunion office on the third floor of the BlueGargoyle), makes several charges:-that the committee was sharply limited inits ability to investigate the dismissals, bydirret order of the Provost. The minutes ofthe meeting of the Library Board on June25th quote the Provost as ordering thecommittee not to second guess the Librarydirector. In effect, the committee wascharged solely with clearing theadministration’s position;-that Stanley Gwynn, assistant director ofthe library, is flat out guilty of perjury. Thereply to the committee cited a specificexample: that after the June 15th firings,Mr. Gwynn stated that Ruth Murray - whoremained the education bibliographer afterDavid Green’s dismissal - had beenperforming book orderings and other relatedduties for a long time. A year previously,Gwynn had told a NLRB panel exactly theopposite;-that the criterion for firing the employeesabsolutely could not have beendispensability. The people fired were not themost dispensable in any sense; that wasmerely the excuse used by theadministration;-that the committe had been directly chargedby the Provost not to review the actualcauses for dismissal. The field ofinvestigation was narrowly defined to be whether or not budgetary reasons were thefactor for ther having to be firings. In allcases, review of specific dismissals wasreferred to Mr. Stanley McElderry, directorof the library.The reportwas distributed to the faculty tohelp explain the necessity for theextraordinary move of having the facultyorder the President to convene the senate. Afaculty mandate on the issue requires 10% ofthe faculty’s votes, and President Levi isobligated to comply. Several facultymembers were unable to remember the lasttime the faculty had the senate convened. (Itshould be noted that voting membership inthe faculty senate on this issue will includethe entire faculty, with the exceptions ofinstructors and assistant professors whohave been teaching less than a year.)The fired employees welcome the newsthat the faculty may reopen their case.Though the two non-union affiliated fireeshave both found administrative jobs sincetheir dismissals, none of the four unionaffiliated Drofessionals has found work. One,David Green, has returned to school. Theother three, Pat Coatsworth, Sharon Irvine,and Harvey Arnold, have been unable to find work, and are currently attempting to collectunemployment compensation.Their attempt is an uphill effort. Since theUniversity has dismissed them, theUniversity is responsible for paying theirunemployment compensation until they canfind jobs. This is a legal obligation, unless theex-employee permits the employer not to, orunless the ex-employee is not legally eligiblefor compensation.The University is attempting to remove itsobligation to pay the three personsunemployment compensation. According toPat Coatsworth, currently involved in ahearing with the Illinois employmentcommission concerning her rights to receivecompensation, the University has hired a legalfirm that specializes in fighting the rights ofex-employees to receive compensation. Shestressed that “any persnwho is an employeeof the University of Chicago and is without aunion or any other form of protection againstarbitrary lawsuits, and who is fired, shouldcontact the union office at 241-7177immediately. The union will provideassistance so that people are not intimidatedinto waiving their rights.” Most people giveup, she says, simply because they are forced to use part of their compensation to hire alawyer, solely for the purpose of defendingtheir right to receive continuedunemployment compensation.The letter accompanying the union’s replyto the Smith committee report makes twoother requests of the faculty. First, itrequests that the faculty petition theUniversity to permit the American LibraryAssociation (ALA) to carry out itsinvestigation into the firings. The ALApassed a resolution ordering aninvestigation during a plenary session of lastsummer’s convention in Las Vegas.Permission to investigate has been refusedby the library.Second, the letter requests that thedismissed employees be permitted to appearbefore the faculty senate, to state theircases. Several of the fired employees statedthat they felt reservations about testifyingfully before the Smith committee, believingthat the committee was biased, and thattestimony at that time might seriously harmtheir chances if the employees took legalrecourse in order to regain their positions.The consensus among the facultyresponsible distributing the letter anddocuments to their colleagues, and fororganizing the move to convene the senate, isthat the university will probably try to takeaway their initiative, and convene the senatebefore a mandate is reached. They contrastedthis “hastiness” with the University’s effortto delay the implementation of the NLRBdecision, which the University has appealedto the Seventh Circuit Court in Washington.The unions, on the other hand, point out thatthey have never appealed a NLRB decision(despite the recent report to the contrary inthis paper).The union effort has cause for jubilation atthis point. The faculty senate will probablybe asked to reject the Smith committeereporlt, and reinstate the employees until thematter is resolved. Despite the University’sdelaying tactics in Washington, theprofessional union feels that the NLRBdecision is an irreversible and legally viabledefinition of supervisory status. Thisdefinition would be the test for eligiblity inthe bargaining unit for representation, andthus membership in the union. Since theNLRB decision, as it has been interpreted bythe union, has been explicitly reaffirmed bya second decision, it is only a matter of howlong the university can delay beforebargaining begins.The all-campus union, open to clericalsand staff throughout the university who arenot covered by another union, reports that ithas received union cards from almost tenpercent of the persons eligible to sign. Allliterature from the library and the all¬campus unions is available from the unionoffice, at 241-7177. This includes copies of allthe documents discussed in this article: thereply to the Smith report, the coveringletters, the Smith report itself, the requestfor a faculty senate.Clark encourages adherence to legal principlesBy TIM RUDY“Politics is the art of the possible, whilelaw is the processing of principle,” ac¬cording to former U. S. Attorney GeneralRamsey Clark. The former chief law en¬forcement officer of the nation spoke at theImpeach-In Tuesday evening at MandelHall. In an interview with the Maroon on hisway back to the airport, Clark spoke of thechanges in the Justice Department since heleft, the reasons why any special prosecutormust be under the control of the executivebranch, and his plans for running for theSenate next year.The Justice Department, in Clark’sopinion, has recently been “staffed at theupper levels by men who had a politicalconcept of their role... You can find politicalviews in every major office of that depart¬ment.” The attorney general stressed thatnot every decision was affected since a largenumber of decisions have to be made eachyear, but he felt that the important decisionswere affected by political interests.The former attorney general mentionedthat before the Nixon administration tookover in 1969 the Justice Department had a 20year tradition of filling the dozen toppositions with nonpolitical appointments(those who have not run or served in electedpolitical office). Clark said that former Attorney General Richard Kleindiest hasbeen “in politics since he’s been wearinglong pants.” Clark was not surprised thatKleindiest later publicly stated that he didnot recognize a bribe when it was offered.Clark admitted that Robert Kennedy wasan exception to the tradition, first because hewas the President’s brother and secondbecause he was a presidential campaignmanager. Clark does not feel that RobertKennedy should have been appointed, butremembered that the first thing Kennedy didafter taking command of the departmentwas to insist that none of the staff engage inpolitical activity. Clark was on Kennedy’sstaff and noted that many of those staffmembers since 1969 have often soughtpolitical office. The former attorney generalstated that when he was at the departmentdefeated politicians were not permittedappointment to high policy positions.Clark does not think it wise to divert toomuch energy to the tapes controversy. Thetall Texan lawyer, now practicing law inNew York City, feels that the Watergateprosecution should “get going on in¬vestigation and pull together all the facts”because “things get away.”The problems of Watergate are “moreprofound and persuasive than a bunch of badguys”. Clark complained about the im¬ potence of the House of Representatives. Hefeels that the House, after the scandals of thepast year, must begin impeachmentproceedings. Clark does not feel that theCongress let its power slip through its fingersas Justice Robert Jackson wrote in the steelseizure supreme court opinion, but threw itaway. The growing power of the office of thepresidency as a general phenomenon hasbeen noted, but Clark feels that the default ofthe other branches of government is also asnoteworthy.Regarding the special prosecutor, theformer attorney general believes that hemust be a part of the executive branch ofgovernment. Clark complained about courtstrying to wrest power from the executive andcited the examples of judges in Mississippiand Illinois who tried to tell the JusticeDepartment how to prosecute cases. Clarkcontinually stressed the fact that in ourgovernment prosecution is a part of theexecutive function. For this reason hedisagrees with the proposal of 53 senatorsthat Congress give Judge Sirica or theFederal District Court for Washington thenight to name an independent prosecutor. “Idon’t think,” Clark concluded, “you can takethe power out of the executive.”The former attorney general has proposednew legislation to deal with the problem of disputes between different branches of thegovernment. The Clark proposal wouldprovide for a standing panel of neutral orindependent prosecutors, under theexecutive, to handle such disputes.Clark believes that the President mustretain his power to discharge; “you can’tdeprive him of that.” At the same time Clarkfeels that the Senate should not hold hostagethe nomination of Ohio Senator WilliamSaxbe to be attorney general while it con¬templates how to deal with the problem of aspecial prosecutor. The former attorneygeneral does not feel that the advise “andconsent clause should enable the Senate toset conditions for a nomination. He ex¬pressed his fear this could lead to a setbackin the civil rights field if someone likeSenator McClellan of Arkansas could getcertain concessions from an incoming at¬torney general.The Texas lawyer attended the Universityfor six quarters in 1949 and 1950 working on amaster’s degree in history. He also attendedand graduated from the law school. Clarkserved as Lyndon Johnson’s last attorneygeneral. Though he has never held electiveoffice before, Clark mentioned that he willrun for the U. S. Senate from New York nextyear. That seat is presently held byRepublican Jacob Javits.The Chicago Maroon—Friday, November 9, 1973—3Staff charge of unfair laborpractices confirmed by NLRBNLRB ORDER: D.J.R. Bruckner, vice-president for public affairs, disputes the findingsof the NLRB which charge the University with unfair labor practices.Liberal education praisedBy LUCINDA OGDEN“The need for liberal education has neverbeen greater,” said Professor William ReaKeast, Monday, in the first of a five partlecture series, entitled, “The College: what’scoming and what’s gone,” given tocommemorate the dedication of Harper.Speaking on the topic, “What Happened toLiberal Education?”, Keast said that manypeople seem to think liberal education as apurgatory students are condemned to passthrough before moving on to the specializedheavens. He said his own opinion of the valueof liberal education is that it is the “basis ofinformed and alert citizenry of men.”He also said, “No liberal education isworthy of the name unless it goes beyondcertain habits of the mind and builds anawareness of diversity and relevance.” Keast discussed what is needed inestablishing a strong program of liberaleducation. He said it requires a joint effort ofboth the students and the faculty, common toan entire group of people over an extendedperiod of time. Constantly renewed andrefreshed, it must be seen as central to theentire enterprises providing social andcultural exchange.“Some people might say liberal educationhas disappeared,” he said, “for, except for ahandful of colleges, this one being the mostdistinguished, liberal education can hardlybe said to exist today.”The reasons he gave for this phenomenaare the expansion and extendedopportunities for higher education,structural rigidity, bureaucratic structureswhich diminish diversity, federal programsemphasizing vocational training, and continued from page oneUniversity,” unaffected by jobs transfersfrom one work unit to another.Bjorling clarified thhis statement, which isin disagreement with the NLRB findings,saying that after the transfer, the wages ofthe members of Local 321 were increasedwhen their contract was renewed. Ac¬cordingly, those whose wages were in¬creased initially as a result of the transfermay have been paid less than the membersof 321 under the new contract. In terms ofwages, he says, some of the transferredemployees “have been clearly ahead, somebehind,” adding that “some took lighter dutyjobs.”Bjorling argues that the Local 321bargained with the University, agreed to themodification of the contract, and agreed tocommunity colleges with a poor concept ofiiberal education.Keast said that liberal education “has nopast”, except for at this university, and fromthe way things look now it “has no future.”“It would be a grave mistake,” he said inconclusion, “for the college in rededicatingitself to lose it’s character in this area. Ithinkthe agenda of the college should include avigorous effort to move outside of itself inhope of expanding its influence anddeepening its example in the area of liberalarts. It should ask, and resolve to ansuer thequestion, “What happened to liberaleducation?”Keast is a graduate and former professorof english at the university, and a winner ofthe highest alumni award. He is currentlythe chairman of the English department atthe University of Texas. the changeover before it was implemented.According to the NLRB legal briefs,several union representatives and theunion’s attorney told Bjorling that Local 321objected to the changeover on legal grounds.In regard to the University’s claim ofcomplicity of the union in the changeover,the NLRB legal brief states,“The action (of the University) in this caseconfronted the union with a fait accompliwhich it was apparently powerless toprevent...it is not surprising that the unionofficials attempted to salvage for theirmembers what they could in the way of or¬derly transfer proceedures by discussing thismatter with University officials, rather thanperemptorily hanging up the phone... Theiraction in this regard can hardly be construedas an assent to a major repudiation ofthe existing agreement.”The transfer was proposed two years agoto raise the standards of hospital cleaning.For maintenance purposes, the hospital isdivided in two areas, clinical and non-clinical. The members of Local 321 areresponsible for cleaning the non-clinicalareas: classrooms, offices, laboratories, andcorridors.The members of Local 1657 clean theclinical areas: patient rooms and operatingrooms. Both the University and the Local 321agree that the personnel in Local 1657 per¬form a much higher quality of cleaning.In 1971, as a result of relocated offices andlaboratories within the hospital complex, theoriginal sharp distinction between theclinical and non-clinical areas becameblurred. Physicians complained about thelevel of cleanliness in portions of thehospital, and expressed a desire to have thestandards of cleanliness raised.The transfer of workers from Local 321 toLocal 1657 was to have upgraded the qualityof cleaning. The union was not opposed to thehigher standards of cleanliness, it was op¬posed to the cuts in wages for its members.CO-OPSPECIALSWINE & LIQUOR DEPT. COUNTRY'S DELIGHT FRESH MEATARMOUR STAROLD MILWAUKEE SKIMMED •** •«*,.aT-1ARMOUR TESTENDER BEEF WIENERSBEERReg. $2.29 MILK USD A CHOICEROUND OR 119SWISS STEAK 1 Lb. **e9* L19Reg. 73* SOLD AS STEAK ONLY199 K1* USDACHOICE m IQ 98*12 Cans JL % Gal. A RUMP ROAST 1 Lb. %r w Lb.NOW!—15 CHECKOUTS TO SERVE YOU—THE NEW YOGURT CENTER IS OPEN— NEW HOURSVISIT OUR NEW WINE & LIQUOR DEPT. MONDAY-WEDNESDAYTHURSDAY-FRIDAYSATURDAYSUNDAY 9A.M.-7:30 P.M.9A.M.-9 P.M.9 A.M.-7 P.M.9 A.M.-5 P.M.HYDE PARK CO-OP SUPER MARKET1526 E. 55th STREET4—The Chicago Maroon—Friday, November 9, 1973Legal perceptual problems outlinedMENTSCHIKOFF: Law professor Soia Mentschikoff outlined problems of legal per¬ception Monday. Photo by Ross Lyon.Romantic to VictorianBy MEREDITH ANTHONY The Romantics opposed this with a newPoems are .variously thought of as“adorable objects, containers of meaning,sacred cows.” But, according to Englishprofessor Jerome McGann, they areprimarily none of these things.“Poetry is a medium of communication,”he says. Each poem contains an implicit“contract between the reader and the poet.”“Professor McGann traced the evolution ofthe form of these contracts in the 17th, 18thand 19th centuries in his lecture, “FromRomantic To Victorian,” at Woodward CourtTuesday, October 30. He punctuated hislecture with readings from a dozen poetsrepresentative of the various trends.Romanticism came about in response tothe poetry of the 17th century in which, saidMcGann, “The writer of the poem and thereader of the poem are agreed on what thepoem is about -- before the poem is written.”The subject of a poem is taken for granted.“The purpose of the poetry was not to con¬vince but to please.” Furthermore, in Donneand Marvell, “the social situation isuniform.” poetic convention according to the professor.The political ferment of the early 18th cen¬tury called for poets like Pope to “give outgood ideas, important ideas, ideas to helpcement the fabric of society.” But as poetrybecame more polemical it also “turned in¬ward, became egomaniacal.” Wordsworth,who set out to “reform the social bases ofpoetry,” ended up “contemplating his naveltill 1850.”Wordsworth had seen the problem in termsof poetic diction. Poetic language hadbecome conventional and was no longerpowerful. It was a “possession of theelite...that must be gotten rid of toreestablish the contract between the poetand the people who listen.” The poet wasseen as the same kind of person as the reader“only raised to a higher power.”In order to recover the ground on whichcommunication is based the poet felt he hadto find out what is man’s nature, namely,“the Platonic conception, man asmicrocosm.” Coleridge, said McGann,claimed that “the poet is the basis of thecontinued on page seven By DAN WISEIn the second of a series of lectures on“What has Come and Gone in the College andUniversity” in connection with the Harperrededication, departing law professor andnationally known legal authority SoiaMentschikoff adressed herself to the topic of“Problems of Perception in Legal Contexts”.She began saying, “If I were to state themajor problem in the world today, it wouldbe the problem of perception.” She thenillustrated that since we are unable toperceive everything or even to put what wedo see in a universal context, we select whatwe are to perceive.Because of our backgrounds, every persondevelops his own set of ideas or conceptswhich serve as “lenses" for what he sees.The problem is to discover what “lenses”other people use to look at the same thing welook at and see something different. In alegal context, the problem is “What factsmake a difference in a legal consequence”?This “lens” is called relevance.Mentschikoff then related it to the familiarcourtroom situation. In this context, there isa division of the perception process. The juryis to decide what the facts are. The judge,acting as expert, informs the jury as to whatrules of law apply to the situation in question.Since the jury does not receive itsinstructions from the judge until after theyhave heard the evidence, they cannot look atthe evidence throughthe “lenses” oi law' asset down by the judge except in hindsight andinstead, each jury member uses his ownindividual set of lenses.“The issue is do we really want to have ajury decide the facts in the case according tothe law, that is apply the law to the facts, ordo we perhaps want to leave a little leeway inthe system and let the jury apply its ownnorms of what is right and wrong rather thanaccepting completely the norms of thesystem?” she asked. If our system wantedthem to apply strictly the norms of law, thejury would receive the instructions beforethe evidence is heard, she concluded.A second problem of perceptiorencountered in the courtroom is the problemof credibility according to Mentschikoff. Thejury must decide who is telling the truth andFriday, November 9COLLOQUIUM: The problem of Jurassic faunal provinces", Anthony Hallum, HGS 101, 3:30 p.m.SEMINAR: ''When is a complex torus the Jacobian of acurve", David Mumford. Eck 133, 4:30 p.m.LECTURE: "Judiasm and politics", Joseph Cropsey,Hillel, 8:30 p.m.FILM: "Tiara Clan", DOC, Cobb, 7:15 and 9:30 p.m.FILMS: The Chicago International Film Festival, ThroughNovember 18.Complete listing will be found on page four of the Grey CityJournal.PLAY: Everyman, tickets $2 for students and seniorcitizens, others $2.50, Rockefeller Chapel, 8:30 p.m. ThroughSunday. For forther information cali 752-3581.Saturday, November 10PRESENTATION' "American popular film types" withEnglish professor and Humvideo sponsor John Cawelti,Crossroads, 5621 S. Blackstone, 7:30 p.m.FOOTBALL GAME: The Chicago Maroons, who were fitcompetition for the Houston Oilers until the Oilers won lastweek take on Northeastern Illinois University in theirseason finale, Stagg Field, 1:30 p.m. Odds from Jimmy theGreek - the game is off the boards, favor of NEIU. who is lying. People use two “lenses” fordetermining credibility. There is firsthandknowledge (using the example of anautomobile engine, if you know somethingabout engines and someone describes thenoise that the engine makes you are ableto make an intelligent guess as to what theproblem might be.)The second method people use todetermine believability is phsicalappearance. There are certain people whoappear trustworthy and others who appearjust the opposite. (She cited the example ofthe statement, “Would you buy a used carfrom this man?”).Appearance, however, has nothing to dowith honesty. Our trust is often ill-placedbecause of our methods of determiningcredibility. “We do not get conned by peoplewe do not trust.”She then began to discuss stereotyping insociety.“There is a third set of lenses which hasbeen developed by my friends in the socialsciences which I view as some of the moredangerous lenses of our time ... If you areover thirty you think this way, if you’reCatholic you think this way, if you’re Jewish,you think that way...What has created thestereotyping of people as if they were ofsingle dimension?” She then cautioned theaudience, “Don’t seek any identitywhatsover. You are multi-personal, multi¬dimensional! Don’t ever let anyone trick youinto thinking you are a woman and nothingmore...The great crime of our civilizationtoday is the attempt to give you a singledimension. Nobody can make you perceiveyourself in any way except in the way inwhich you wish to be perceived yourself.”She went on to point out the fallacy ofdepending on “experts” to give the facts. Weshould realize that they only present thefacts which their “lenses” see. The facts arepresented in the way that they perceivethem. One of our most important mistakes isthat we try to find facts independent oftheory. For example, in the court context,the lawyers say, let’s find the facts and thenlook at the law. One cannot do that for theseare interdependent processes. The failure toinstitutionalize this realization, Mentschikoffconcluded, creates many problemsespecially in the legal area.GAME 11: If you don't want the day to be a total bomb,sports wise, (seeprevious item), drop in on the soccer teamwhen it takes on Wheaton College at Stagg Field, 10 a.m.FILM: "Fritz the Cat", DOC, Cobb, 7:30 and 9:15 p.m Getthere early - the lines are going to be VERY long. (You'rekidding, DOC!)Sunday, November 11SERVICE: University religious service, Rockefellerchapel, 11 a.m. Sermon by E. Spencer Parsons,"Conquering chaos".SEMINAR: Before the service, seminar in Undercroftchapel from 9:45 to 10:45 a.m.FILM: "Touch of Evil", CEF, 7 and 9:15 p.m. SS 122.FILM II: "Bombay Talkie", India Association, Cobb, 7:30p.m.Monday, November 12LECTURE: Here we go again with Harpervent (countn'tthey have chosen a name less Madison Avenueish?). Thisone's a lecture on "The Lost Art, or What Happened in theGrove" by Joshua C. Taylor, Quantrell, 4 p.m.LECTURE: "Will the '70's be a replay of the 50's?",Michael Harrington, chairman, Democratic SocialistOrganizing Committee, Blue Gargoyle, students 50 cents,others $1, 7:30 p.m.CALENDAR752-2870.752-8190.363-9186-1340 E, 53rdBRENT HOUSE-ADULT FORUMSunday Morning, 9:15-Brent House5540 Woodlawn Ave.1 st Chapter of Genesis DiscussionwithDr. Walter Michel ROCKEFELLER MEMORIAL CHAPELSunday November 11,1973 11:00 A.m.E. SPENCER PARSONSDean of the Chapel“CONQUERING CHAOS”SUNDAY SEMINARRockefeller Memorial Chapel Undercroft9:45-10:45 a.m. Discussion:“Raping the Earth: Embalming God”Leader: The Reverend Lawrence M. Bouldin,United Methodist Chaplain JAMESWAYPETERSONMOVING & STORAGE646-4411OR for646-1234 free estimatesCompletePre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport-Export'Containerized StorageFormerly at General Office55th A Cllif 12655 So. DotyUrt!tod Van Linos Chicago, III. 606331The Chicago Maroon—Friday, November 9, 1973—5Spectre of eugenics stalks the landBy DAVID BLUMBERGIn their efforts to combat “the resurgenceof racist theory in America”, the CommitteeAgainst Racism sponsored the second in aseries of teach-ins against racism lastMonday night. This particular section of theteach-in was entitled “Eugenics: AnAnalysis of the Legal and Medical Aspects ofMandatory Tests.” Guest speakers wereElliot Bien, professor of law at DePaulUniversity, and James Bowman, professorof pathology and director of theComprehensive Sickle Cell center at theUniversity.“Ther are chill winds blowing in thiscountry today. One of them is racism, andthe other is eugenics,” began Elliot Bien, Heproceeded to explore two aspects of the legalside of eugenics, marriage laws andsterilization laws.“There is a dangerous resurgence ineugenics today. Much of the work done by theNazis on the Jews is being re-proposed inlegislatures throughout the country. Thejustification of these proposals is theimprovement of the human race.”The first of the modern sterilization laws inthe United States was proposed in Virginia in1925 and enacted in the same year Biencontinued.In 1927, the same law was struck down bythe Supreme Court on the grounds ofviolation of the Fourteenth Amendment’sstatutes on equal rights for all. However,Bien stated that the interpretation of thecourt left open the avenue of a correctlyworded “statute designed to protect thePublic Health.” The law stated,“sterilization is compulsory for inmates inan institution with detrimental inheritedcharacteristics.”A 1940 ruling by the Supreme Court struckdown a similar Oklahoma law on the groundsof violating rights guaranteed by theROUTE CHANGE fourteentn amendment. Justice WilliamDouglas said, in the majority opinion, “Thiscase presented the problem of legalrepresentation.”“In other words, ” said Bien, “If thestatute had been worded to provide equalapplication of the law, it would now be law.”He went on from there to say, that a 1966Supreme Court opinion had paved the wayfor a plan with a scientific basis. “This isvery dangerous,’’ he said, ’’for theknowledge of genetics is increasing rapidlyenough for a sterilization plan to beimplemented in the near future.”The issue of marriage restriction by lawcame under bitter attack by Bien. He cited aSupreme Court case stating “... (laws)cannot have a marriage restrictionaccording to race.” and went on to say, “ Isnothing sacred?” Mr. Bien then took thestand that almost all eugenics are bad withthe statement, “In trying to solve socialproblems there is no legal policy to prefacefixing of the problem. We should fix societybefore we fix people.”Bien concluded that the state of moderneugenics is “just fix them.” Eugenecistswould use any means available to achievetheir goals: psychosurgery, electronic ap-parati, and sterilization for all sorts ofinherited traits like mental illness,schizophrenia, and manic depressions.With the statement, “We know nothing tocompel the legislatures to examine theavailable scientific and ethical data”, Bienconcluded that any eugenics plan drawn upwould most probably contain both violationsof the fourteenth amendment and biastowards one or more specific minoritygroups.Dr. Bowman rose then to address thegathering of about thirty-five people. Hequoted a lawyer named Grad who said, “...Itis clear, however, that the availability of new biological techniques and their potential foreugenic controls - both positive and negative- may have a deep impact on familystructure, on the relation of the family to thestate, and on the decision-making andplanning processes of the government. It isunlikely that a society can simultaneouslymaintain both freedom of the person and aneffective i.e., compulsory, eugenicprogram....”For a contrasting viewpoint, Bowmanquoted Dwight Ingle, professor emeritus ofPhysiology and a eugenicist, as saying, “...Itseems to me that a substantial percentage ofsteady welfare clients should not havechildren. Counseling of the sociallydependant should be done by a newly createdprofessional class of counselors who wouldwork closely with physicians trained to dogenetic counseling...”“The drawing of analogies does not prove apoint,” he continued, “But it seems to methat the placing children of harmful culturewith children of enriched culture in order tocorrect the effects of the harmful culturedoes not work any better than trying to curesmallpox by putting its victims among wellpeople. The outcome is to spread both kindsof disease—biological and social—to wellpeople...”Bowman stated his position mosteloquently by saying, “I counter Ingle’sstatements with a quotation from Kass ... Itis probably as indisputible as it is ignoredthat the world suffers more from the morallyand spiritually defective...”“And I add perhaps, the parents of Hitleror of Mussolini or of Stalin or of the lateSenator McCarthy or of the Watergateburglars and supporting cast would havebeen deemed genetically acceptable, butwho has harmed our society more - these so-called genetically desirables or - epilepticDostoevsky; drug users Poe, Rimbaud; psychotic Newton' or Van Gogh; blindMilton; deaf and son of an alcoholicBeethoven; crippled Byron, ElizabethBarret Browning, and Toulouse-Lautrec;pauper Mozart; tubercular Schubert,Chopin; Robert Louis Stevenson, PaulLawrence Dunbar; syphlitic and leperousGauguin.“These persons would have been declaredundesirables according to the Model EugenicSterilization Law which was proposed by theAmerican Eugenics Society in 1925.“This proposed code including thefollowing: 1) feebleminded 2) insane(including the psychopathic) 3) criminal(including the delinquent and wayward) 4)epileptic 5) inebriate (including drug-habitues) 6) diseased 7) the blind(including those with seriously impairedvision) 8) the deaf (including those withseriously impaired hearing) 9) deformed(including the crippled) 10) dependenthomeless, tramps, and paupers).The eugenecists had a clear and simplesolution. Relying upon new advances in thestudy of heredity, they felt that thecontinuing evolution of man might beassured by preventing the unfit frompropagating and encouraging the fit toreproduce early and often,” Bowman noted.The rest of his lecture, Dr. Bowman gaveconcrete and specific examples from sicklecell hemoglobin disease and trait, and Tay-Sachs disease discounting present eugenictheories. He also used examples of deviantbehavior among people with an XYYchromosome configuration as being toounpredictable to legislate against. Also, Dr.Bowman came out against mandatory testsfor so called class diseases such as Tay-Sachs. He stated that because the diseaseoccurred in other classes, testing one class isdiscriminatory and racist application ofeugenetics.mini busEffective NOVEMBER 10,1973, the "B" and "C" ROUTES willbe changed as described. A study has shown that betterservice will be provided for both "B" & "C" ROUTE patronsas a result of the change which Is being made at the•arse time as the two mini buses used on these routes arebeing replaced by two new and larger vehicles. ROUTE CHANGE"B" ROUTEStarts at RegenstelnWest to EllisSouth to 59thEast to UniversityNorth to 53rdWest to GreenwoodSouth to 55thWest to InglesideNorth to 51stEast to Lake ParkNorth to 48thWest to DojrchesterNorth to Parking LotSouth to 53rdWest to WoodlawnSouth to 57thWest to Regensteln RevisedNBN route "C" ROUTEStarts at RegenstelnWest to EllisNorth to 55thEast to KenwoodNcrth to 54th St.Bast to HarperSouth to 54th PlaceWest to DorchesterSouth to 55thEast to CornellNorth to E. Hyde Park Btod.Bast to S. *de Pack Bird.South to 56thWest to lake ParkSouth to 57thWest to Regensteln/Pvrttwr mUmnmtHm mmy to toM—4 hmm fto naan PipartuM, MO Cart SSOi tow*. Mr. A. Martotor, TSI-SSSt.6—The Chicago Maroon—Friday, November 9, 1973 S L MSIIS, Ofcaator, Mb* OparatiMiMiller criticizes teaching of scienceBy MELINDA KANNER“There is a serious defect in our scienceteaching today, especially to the generalpublic.” With this premise Dr. Neal Millerbegan his lecture, “The Teaching and Un¬derstanding of Science” to members of thegraduate school of education.Miller’s address focused on one majortheme: “We put our emphasis on facts anddetails and not enough on the process of thediscovery of facts and laws, and ultimatelyon practical benefit.”According to Miller, science education,particularly that at the elementary level,fails to teach an understanding of scienceand instead depends upon the learning offormulas and facts. Not denying the im¬portance of facts in their proper perspective,Miller lay heavy emphasis upon the im¬portance of understanding. “The result of this failure is a general public who isignorant of the understanding of science.Such ignorance is dangerous, especially themisuse of technology can be dangerous.”The responsibility, in no small measure,falls on attitudes held by the public. “Thereis an incorrect image of the scientist aseither a magician who pulls rabbits out ofhis hat or as a cold-blooded manman,” hesaid.“This ignorance is reflected by thefollowing attitudes: first it is thought, ‘Whywaste money on research when we’re notapplying what we already know?, andresearch must be directed to projects whichhave immediate practical value.’ Buthistorically, overspending and extendedresearch funds have been the result of a lackof a scientific foundation,” Miller said.This rush to an immediate practical ap¬ plication is one of the greatest dangers whichfaces science research. “That’s where thebig pay-off is. That’s where you get the bigprize. As soon as you get right in sight of apractical application, plenty of money isavailable, but only then.”“There is serious danger in the cuirentcancer research program,” Miller said.“The danger is that there is a lot of moneyspent before we really know what we’redoing. There is too much money being spenton the payoff and not enough on the foun¬dation and the causes.”Speaking of this foundation, Miller saidthat it must be started with elementaryscience training and he “urged educators toinitiate a second scientific reform, a reformof the relationship of science to society. Wemust teach students so they will be moreinterested in understanding. We mustmodify teaching, not the students. The blame goes to scientists, not to professionaleducators. I would like to enlist the help ofeducators without blaming them.”Through the description of severalhistorical scientific examples, Miller ex-messed the necessity to explore the historyof science, the trial and error and successs ■ juence, through which the general publicand non-science students might understandscience.“We need to do historical research, casecontinued on page tenPoetic contracts analyzedcontinued from page fivehuman in society. He is a special, con¬centrated kind of person.”In the 17th century poem “the end wasknown from the beginning.” The Romanticpoem is very dramatic. “It is a problem to besolved.” The reader’s experience in readingthe poem should duplicate the poet’sprogress, his experience in writing the noem.“It’s as if each line were discovered while hewas writing the lines -- they’re thatdramatic.” High Romanticism is very im¬mediate,very concrete, and, presumably,very sincere.The later Romantics, Keats, Shelley andByron, attacked this “system of poetry,” thebelief that the harmony of the mind mirrorsthe larger harmony of man in society, “theconstriction of poetry.”Blake, who was largely unknown until thelate 19th century, “attacked the audience,”and attempted to force the reader to changehis mind. “He set traps in his poetry, playedtricks with language...Changing life and the conception of life was Blake’s program.”Blake was rediscovered by the Sym¬bolists who also wrote “poems designed tooverthrow the reader.” The SymbolistsMcGann felt, got their method of attackfrom Byron. “The Byronic hero throws thereader back on himself.” His mysteriousnature “causes the reader to buildmythologies” which “expose the pattern ofhis own mind.”The Victorians charged that theRomantics “didn’t know enough, didn’t write’useful’ poetry.” Tennyson, Browning andMatthew Arnold dealt with “subjects thatwere current in society, not transcendental.”The Victorian reader comes to a poem to seethe nature of society, not his own nature.Poetry became “a vehicle for exposing thenature of what it means to be a Victorian...Problems here are raised buy they are notsolved, just exposed.”The breaking point of High Victorianismcame with Matthew Arnold who couldeventually no longer think of himself as aDear Akadama MamaMama’sLove Potions.Dear Akadama Mama:Have you any interest inWomen's Lib?President, Showgirls' Lib,Las VegasDear Ms. President:I'm more interested in Mama'sLiband Mama feels if you do right byyour Daddy, he'll do right by you.Now my Daddy, I treat himright. When he comes dragging homeat night I fluff up his ego. Slip off hisshoes. Hand him his pipe. And headfor the Akadama wine. Forget thosetooty-fruity wines. They're for boys,not for my Old Man. So I get out myAkadama recipe card and mix himone of my love potions.You'd be surprised how fine aSaturday can be when you start it offwith Akadama Red and orange juice.And the second best way I know toend the day is with Akadama Plumand Brandy.So if you want my advice, Ms.President, just keep passing thatAkadama. Take it from Mama./lmportcl by Suntorv Inlfrniilionnl. I .os ,\n*rrlc*. California FAME & FORTUNATE.Lately a lot of Akadama fanshave been sending me their favoriterecipes. Fortunately there’s enoughroom left in this week's column topass some of them on to you.Akadama Red and bitter lemon tonicAkadama Red with apple juiceAkadama Plum with ginger aleAkadama Plum and champagneListen to Mama,and pass the Akadama, the winethat tastes a lot more than it costs. part of society. “All Arnold’s poetry is aboutloneliness... He looked at society and said,‘That’s crazy’.”Thus according to McGann, the contractbetween the poet and the reader has evolvedfrom the “our poetry” of the 17th centurywhich connoted a friendly accord, to the “mypoetry” of the Romantic period, “theegotistical sublime”, through the “yourpoetry” of the Victorians which aimed atraising social consciousness.McGann, who is Byronically handsomealthough, one suspects, considerably betternatured, confessed to having planned to weara red velvet suit. However his home had beenburglarized and all his clothes taken so hisair of mysterioso was diminished somewhatby a well-tailored plaid. His grasp of theevolution of poetic theory, his enthusiasm forhis material, and his audacious decision toread, among more respectable pieces, oneslike “The Charge of the Light Brigade”made him a distinguished addition tothe Wirszups’ list of distinguished lecturers. The Chicago MarooneditorMark Gruenbergmanaging editorJeff Rothnews editorTim Rudybusiness managerRich Bakerassociate editorsSteve Durbin Clara Hemphillphotography editorJohn Vailsports editorMike Kraussassistant business managerAnn Thornes tadMarie CrawfordBarbara FoleyDave BlumbergHarold ZeidmanNorma BuchananJoan CecichRobert CharkovskyKurt HansonJim IhdeJoel JotferCharles JanulisMelinda KonnerMiles ArcherDan Wise Lisn VogelJim NachbarJim KaplanMike KlingensmithBrian McGoheyDavid McGovernMike McMahonJonathan RobinsonBarbara ShapiroMichoel RudyMark SpeiglanRobin PrinceLouis NietoWashington bureauMichael SussmanICE RINK31st Street Exit from Lake Shore Drive500 East 33rd StreetChicago, Illinois 60616MANY PROGRAMS-INCLUDING:Adult Hockey $85-17 games.Play off TrophiesLearn to Skata $28-8 weeksPlus Public Sessions Pass OPEN HOUSENOVEMBER 11, 1-6 P.M.Free Skating PLUS CollegiateHockey Championship Scrim¬mage Game Figure SkatingExhibitions Register When YouSkate.^omfUetU JfceA TOTAL PRO SHOP“Inner happinessrn ir 's *be basisI/M for successful/UVU and fulfillingactivity.”STUDENTS INTERNATIONALMEDITATION SOCIETYm MAMAHISMI MAHtSM n.ul nTranscendentalMeditationINTRODUCTORY LECTURE, WED..NOV. 14,7:30 PM.Preparatory Lecture, Thurs.,Nov. 15,7:30Ida Noyes Hall, 1212 E. 59th St.FREE INFO: 241-7343The Chicago Maroon—Friday, November 9, 197S—7• AM>9 PM □7 Days AWHYDE PARK PIPE AND TOBACCO SHOI^1552 E. 53rd - under 1C tracksAll students get 10%ask for "Big Jim'' ^>^.1Pip**Pip* Tobaccos Imported CigarettesCigarsKIMBARKLIQUORS-WINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to youlTHE ONLY TRUE WINE SHOP IN HYDE PARK53RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbarlt Plaza NY 3-3355© SPECIAL ®DISCOUNT PRICES® FOR ALLSTUDENTS &FACULTY MEMOERSAs Students or Faculty Membersof the University of Chicago youare entitled to special moneysaving discount prices on allVolkswagen Service Work, allVolkswagen Parts, Accessoriesand any new or used Volkswagenyou buy from Volkswagen SouthShore.Upon presentation of your Univer¬sity of Chicago Identification card,our employees will show youregular price and your specialdiscount price of whatever youbuy.Remember, Volkswagen SouthShore is the closest factoryauthorized full service dealer inyour area. 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Columban Fathersj St. Columbans, Neb. 68056■ I am interested in becoming a| Catholic Missionary Priest. Please. send me a copy of your booklet.I| NameI Address• City| 7ipCollepeI State ABOUT THE MIDWAYcontinued from page twoternational and comparative programs,Kent State University, Kent, Ohio 44242, orcall (216) 672-7980. The deadline for ap¬plications is December 3, 1973.MartyHigh-level government officials involvedin the Watergate scandal were ‘‘moralistsbeyond morality,” according to divinityschool associate dean Martin E. Marty whenhe addressed a group of California alumni ofthe University and their guests November 1and 2, in San Francisco and Los Angeles.‘‘They had moved themselves beyond thenormal frames of moral discourse whilepreaching its pieties,” Marty said, ex¬panding upon the advance text he gave to theMaroon last week.He was invited by California alumnigroups to speak on the rebuilding ofAmerican ethical awareness after theWatergate issue is resolved. He spoke as “anhistorian who works in the context of atheological and academic community.”“The unfortunate personal tragedy ofVice-President Spiro T. Agnew came to lightat a time when it fortunately could serve ascontrast to the vastly different set of moralissues raised by the Watergate events,” hesaid. “Mr. Agnew’s shortcomings can beviewed along old fashioned moral lines;people who are concerned about ethicalinconsistency and hypocrisy, about con¬ventional venality, can comprehend theAgnew case-- just as they could understandthe British sex scandals revealed in Spring,1973.“The Watergate issues have little to dowith such conventional approaches (indeed,at the heart of my argument is the evidentfact that high-level government officials andservants were moralists beyond morality.They had moved themselves beyond thenormal frames of moral discourse whilepreaching its pieties. ’’ impeaching the President while Tim Rudy,undergraduate political science major and ofMaroon news editor, will speak for im¬peachment.The three students will be joined by threeother local citizens on the WBBM (Channel2) broadcast, Common Ground, to be aired at12‘50 a.m. Saturday evening. The show wastaped last Tuesday.SIMSOver a quarter of a million practitioners oftranscendental meditation will becelebrating November 11-18 as World PlanWeek U. S. A. The purpose of this week is tofocus public attention upon a world planwhich was inaugurated in 1972 by MaharishiMahesh Yogi, to establish 3600 teachingcenters of the science of creative intelligenceand transcendental meditation throughoutthe U. S. and the world. Various governmentofficials (including Governor Walker) will beproclaiming World Plan Week.For those interested in learning moreabout TM, there will be an introductorylecture on Wednesday, November 14, 7:30p.m. in Ida Noyes Hall which is free and opento the public. For further information, phone752-8459 or 241-7343.ObituaryPhoneClass Carl Eckart, theoretical physicist of worldrenown and former member of theUniversity faculty, died October 23rd inLaJolla, Calif.Eckart received his Ph.D. from Princetonin 1925 and joined the University faculty in1928. At the beginning of World War II, hetook leave of absence from the University todo war research at the Navy’s underwaterresearch laboratory at Point Loma,California.In 1946, he resigned from the University tocontinue his research in theoreticaloceanography at Scripps Institute ofOceanography, which became a part of theUniversity of California, San Diego.Before World War II, Eckart was one of theleaders in the development of atomic theory.In 1926, there were seemingly two differentand rival theories explaining atomicphenomena: “wave mechanics” developedby E. Schrodinger and “matrix mechanics”conceived by W. Heisenberg. Eckart showedthat the two theories were equivalent andthus contributed greatly to the developmentand final formation of the Quantum Theorv.Echart changed his field of interest totheoretical oceanography after the war andbecame one of the leaders in his new field..Students on TVThree University students will appear ontelevision this weekend to discuss thepossible impeachment of President Nixon.Two graduate philosophy students, JulianaGeran and Roger Pilon, will argue against NASA awardEdward Anders received an “exceptionalscientific achievement medal” from theNational Aeronautics and SpaceAdministration (NASA), in Washington, D.C.on October 25.Anders, the Horace B. Horton professor inthe department of chemistry, the EnricoFermi Institute, and the College, was namedbecause of his studies of meteorites andlunar rocks. He was cited for “...hisexceptional scientific achievements incosmochemical investigations of meteoritesand lunar samples, especially throughneutron activation analyses of key traceelements, leading to significant advances inour understanding of the evolution of thesolar system and the origin of the moon.”Anders credited his research group saying,“Let’s face it, they’re the ones that havedone all the experimental work.” Anders’lunar group comprises John Morgan, R.Ganapathy, and Urs Krahenbuhl (recentlyreplaced by Hideo Higuchi).EppsEdgar Epps, professor of urban educationand recently appointed member of theChicago School Board, was disqualified from.serving on the Board because he failed tomeet the Board’s five year residencyrequirement. The state has a one yearresidency requirement for cities with apopulation under 500,000. It has, however, aseparate five year requirement for all citiesover 500,000, which applies only to Chicago.Epps has only lived in Chicago for aboutthree years.Epps said that there are efforts underwayto have the state legislature change theresidency stature. Since there is no timelimit on how soon the vacancy must be filled,the Board will keep the appointment openuntil the Legislature reaches a decision.Epps commented that the would try to be ofservice to the Board regardless of thelegislature’s decision.Library canteenNew possibilities for the student canteen inRegenstein Library were discussedWednesday at a meeting of the librarysupervisors. An administration proposal wasmade which would combine the presentstudent canteen with the adjacent staffcanteen. This combined effort would bemanaged by the Nonesuch, operators of thecoffeeshop in Wieboldt. Entrance to theproposed canteen would be from outside ofthe library, though a door next to the mainentrance.At present, this proposal is being discussedand the staff of the library is being polled onhow they would feel about giving up theirlounge. Preliminary indications are that thestaff is divided 60-40 against the newproposal.No alternative proposals were presented atthe meeting. It has been suggested that thelarge conference room behind the studentcanteen be incorporated to from a newcanteen, but the library administration isagainst this action.Library automationAt a meeting on November 6, the StudentAdvisory Committee for the UniversityLibraries heard a progress report on plansfor automation of the library circulationsystem. In that report, Robert Miller,director for readers’ services of thelibraries, indicated that the proposedcomputerization could speed and simplifysuch operations as book recall and renewal.Basis of the plan is a computer-readindentification tag to be attached to theidentification cards of library users and oflibrary materials. According to presentintentions, the new system will first beimplemented with patrons and materials atHarper Library.In order more systematically to evaluatecontinued on page nine8—The Chicago Maroon—Friday, November 9, 1973ABOUT THE MIDWAYcontinued from page eightthe present adequacy of library services, theStudent Advisory Committee continued itsplans for polling of University students,faculty, and staff using the libraries. TheCommittee expects to begin this surveyduring the winter quarter, 1974.PerformanceRichard Tucker, renowned tenor of NewYork’s Metropolitan Opera, will give abenefit performance on Sunday, November18 at Congregation Rodfei Zedek, 5200 HydePark Boulevard.Tucker, who is also a cantor, will give aperformance beginning at 7:30 p.m. Ac¬companied by pianist Alexander Alexay, hewill sing operatic pieces, show tunes andcolorful Israeli music, according to aspokesperson for the synagogue.Tickets for the performance may bepurchased through the office of thecongregation, on a first-come first-servedbasis. The office phone is 752-2770, and theseat prices are $50, $25, $15 and $10. Proceedsof the benefit will go to the synagogue.Cancer moneyOn behalf of the Damon Runyon-WalterWinchell Cancer Fund, Irving Kupcinet,Chicago Sun-Times columnist and TVpersonality presents a $14,300 check toUniversity of Chicago Cancer ResearchCenter investigators Dr. Werner Kirsten,center, and Stephen Schwartz.The check is the first installment on a two-year grant to the University to investigatehow type C tumor viruses invade animal andhuman cells and reproduce within the hostcells. Frequently they do this without harmto the host cell. C—Type tumor particles,widely found in the cells of mammals,including humans, cannot reproduce withoutinvading living cells. Some type C cells havebeen proved to cause cancers in rats, mice,and other experimental animals. One goal ofthe research is to learn if they cause cancerin humans.Dr. Kirsten is professor in the departmentsof pathology and pediatrics and in thecommittee on genetics at the University’sdivision of the biological sciences and ThePritzker School of Medicine. Schwartz is aresearch associate and instructor in thedepartment of pathology, where he is working with Dr. Kirsten on the virusproject.Senior citizensThe Hyde Park-Kenwood CommunityConference and the Hyde Park Neigh¬borhood Club will help senior citizens file taxrebate claims for payments of up to $100 thisSaturday and Sunday.A volunteer attorney from the Conferencewill provide forms and assist seniors to takeadvantage of the new Illinois Senior Citizensand Disabled Persons Property Tax ReliefAct on Saturday, November 10th, from 10a.m. to 4 p.m. at the Hyde Park Neigh¬borhood Club, 5480 South Kimbark, and onSunday, November 11th, from 10 a.m. to 4p.m. at the Conference office, 1400 East 53rdStreet.Seniors should bring the best records theyhave to document their actual income during1972 and the rent they paid during that year.The new Illinois law provides for paymentsof up to $100 for persons who were Illinoisresidents in 1972, provided the proper form isfiled by November 15th. To qualify for a 1972tax rebate, a person must have become 65years old before midnight, December31, 1972, or be unable to work for over 12months due to a physical or mentaldisability. In addition, the person’s totalhousehold income for 1972 must have beenless than $10,000. Homeowners and con¬dominium owners who qualify receive back aportion of the real estate taxes they paid.Renters and persons living in private nursinghomes receive back a portion of the propertytaxes their landlords have paid.Seniors whose doctors discourage climbingstairs are advised to come to the Neigh¬borhood Club on Saturday.Head startCarnegie School Head Start has openingsin both morning and afternoon classes forchildren who will be four years old byDecember 1,1973. The teacher, Mrs. EugenieMirelowitz, is trained in early childhoodeducation and has been a kindergartenteacher at both Carnegie and Ray schools.Parents who feel their children can qualifyfor Head Start may visit the school at 1414East 61st Place and enroll their four yearolds. The staff can be reached by phone at493-7296. If needed, bus service can bearranged for a small fee.LETTERS TO THE EDITORcontinued from page twoTutorsLetter to students in the College:One of the primary concerns amongstudents in the College, as well as the Collegestaff has been the quantity and quality oftutorial assistance that is offered. In order toassess the job that the tutorials are doing, we(the College staff) need some feedback fromthe students in the College. This feedback isalso essential if we are to be able to makeany productive suggestions for either thecreation, elimination, or changing of suchservices. A questionnaire on tutorial serviceshas been distributed to most of the studentsin the College, and we need your responses.If you have lost the questionnaire that wassent to you, or if you did not receive one, theycan be picked up in either Gates-Blake 111 orG-B 108. The form is very brief and will nottake more than a few minutes to fill out. Oncecompleted they should be returned to Gates-Blake 111. Thanks in advance for your helpand cooperation.Judson HixsonCoordinator Tutorial ServicesRespectIn the Tuesday, November 6, edition of theMaroon appeared the second example oftasteless marketing on the part of theUniversity of Chicago Press. I refer to thequarter page advertisement which read: “InMemoriam LEO STRAUSS (1899-1973)author of Natural Right and History ThePolitical Philosopy of Hobbes, TheUniversity of Chicago Press.”I was not a student at the time that a similar advertisement appeared followingthe death of Bernard Weinberg. I thus did notsee the ad until well after the appearance ofthe subsequent edition of the Maroon. Ifurther thought that surely such an ad wasonly an aberration and that there would be nosequel. Hence I did not write then. The ap¬pearance of the Leo Strauss ad makes itnecessary to comment on both the action ofthe Press and that of the Maroon.I did not know Leo Strauss; however, I wasa student of Bernard Weinberg, in one of themost enjoyable classes I had as an un¬dergraduate in the College. One of the facetsof Bernard Weinberg’s personality and stylewas that he had impeccable taste. I have thestrong feeling that exploitation of the deathof a faculty member by the press andMaroon would have been anathema to him.Given the academic stature and honor ac¬corded to Leo Strauss, I have no reason tothink that he would have felt otherwise.Indeed, it should be evident to anyone withminimum sensitivity that to use what shouldbe a statement of respect in order to mer¬chandise scholarly work is an indecent anddisrespectful act both on the part of the pressand the Maroon.I am informed that the price of the ad¬vertisement which appeared in the MaroonTuesday was fifty dollars. I wonder if the onehundred advertising revenue to the Maroonand the possible increase in sales revenue tothe press of the books of Leo Strauss andBernard Weinberg is really worth thejudgment of them which must follow inreaction to the publication of such ad¬vertisements.David R. FosseGraduate School of Business JAMESSCHULTZCLEANERSCUSTOM QU AUTYCLEANING10% student discount1363 E. 53rd St.752-6933 IIWIII'SRADIO, TELEVISION& HIGH FIDELITYSALES SERVIC E & ACCESSORIES/rnith — l,anu*unn-Mnhlvruurk — Kill1388 E. 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde Park[• EYE EXAMINATIONSHEADQUARTERSFORPASSPORTPHOTOGRAPHSAPPLICATIONS* PHOTOGRAPHSinblack & whiteand colorI MU 4-7424 ICorona Studios • CONTACT LENSES• PRESCRIPTIONS FILLEDDR. MORTON R. MASLOVDR. AARON ZIMBLERHyde Pork Shopping Center1510 E. 55th St.363-6363Will your car start In cold weather?GATEWAY GARAGEService Dept.Storage - Delivery - SimonizingTune-ups - Brakes5508 LAKE PARK 241-6220CHRISTMAS INSAN FRANCISCO?How much are you going to spend on airfare?1. $252 regular coach fare2. $220 Discover America fare3. $196 youth standby4. $ 174 U of C Charter Flights fareSIGN-UP TIME HAS BEEN EXTENDED TILL NOVEMBER 14.IF WE DON’T FILL THE PLANE BY THAT DATE, WE WILLHAVE TO CANCEL THE FLIGHT.Eligibility Is limited to U of C students,staff, and faculty (spouses and dependentchildren). Parents of the above areeligible for the San Francisco charter. $50deposit per seat required.CHARTER FLIGHT PROGRAM1212 E. 59th St.Ida Noyes Hall rm. 306753-3598 weekdays 2 to 7Final payment and sign-up date Nov. 14The Chicago Maroon—Friday, November 9, 1973—9IHC reviewing food service deficitsToo much emphasis on factsand not enough on progressBy MARIE CRAWFORDThe University has been running the foodservice in the dormitories at a fairlysubstantial deficit. The basic problem,according to Mike Schneider, president ofthe Inter-House Council, is that thecafeterias are underserving. Housingdirector Edward Turkington agreed, sayingthat the food service system serves too fewstudents in too many places. There are threedormitories serving food—Woodward Court,Pierce Tower, and Burton-Judson.Part of the problem stemmed fromchanges made in the dormitories to satisfystudent grievances. The number of studentsliving at Woodward Court, for example, wasreduced from 525 to 330 when some of thedouble rooms were changed into singlesafter students complained of overcrowding.Similary, the number listing at Pierce wasPhoto by Jim HuffmanEYE EXAMINATIONSFASHION EYEWEARCONTACT LENSES MaroonDR. KURT ROSENBAUM Staff MootingOptometrist 8:00 p.m.(53 K;- bark Plaza)1200 E: st 53rd StreetHYde Park 3-8372 Wednesday, Nov. 14SPECIAL ELECTIONSto fill the following vacanciesin the S.G. assemblyOther College-4 seats(undergrads not living in dormsorfrats)Divinity School-1 seatLibrary School-1 seatMed. School-1 seatSocial Sciences (grad)-4 seatsNominations close5 p.m. Tues., Nov. 13Pick up forms in Student Activitiesor in S.G. officeElections will be Nov. 15,16reduced from 325 to 225.Solutions to this problem will hopefully beworked out for next year. The problem isbeing studed by the Inter-House Council,which has set up a special committee to dealdirectly with the problem. One of the moredrastic solution would be to raise the boardrate, which Turkington said would haveto be raised by about 35 per cent to cover allof the costs.In the other extreme, one solution would beto get rid of the food service entirely.Turkington hopes that neither of thesesolutions will be put into effect, and the Inter-House Council is studying possibleintermediate solutions.Some solutions which are being consideredby the committee are the closing down tofpart of the food service, an increase in boardrates though not by 35 per cent or arequirement that all students who live in dormatories must buy 20-meal contracts.Changes in the food service will not occurthis year but will be made next year. Thechanges will be decided on sometime in thewinter quarter, so they can be incorporatedin the budget, which is set up around that time. The Inter-House Council will work withTurkington in deciding what changes will bemade, with the goal of arriving at a solutionthat will meet the deficit problem but thatwill also not be unsatisfactory for studentsliving in the dormitories.continued from page sevenhistories on how science has progressed...Weneed more materials for the understandingof science in our educations. We need tocarry these histories, with their failuresthrough to the stages ultimately as technicaladvances.”Miller called for a putting together ofscientific understanding. “Imagine you hada very large and complex jigsaw puzzle andyou wanted to go straight across, from oneside to the other. You would never be able tosort through all the pieces. So you take pieceswhich seem as though they fit together. Thatgives you some idea of what the whole puzzlef2 H<^fi^ ($ 'JK' Hinic^rW '5 pfir7of-/ Cohtt dn jSfesndr I So l F. 5S’sr.is going to look like. This is the un¬derstanding of basic research.”“Science,” Miller continued, “is seeinghow facts of nature seem to form lawfulrelationships that suggest a way to get to aspecific goal. We can’t always clearly see thegoals, but we are guided by the features ofthe terrain. Often you don’t know just whatyou’re going to discover, but when you seethose nuggets of gold, there won’t be anyshortage of prospectors.”Dr. Miller closed the lecture just beforeleaving to catch a plane. “That’s just myopinion, of course. I could be wrong.”LOUIE'S BARBER SHOPWill style your hair as youwould like it done.1303 E. 53rd St.FA 4-3878 (fautetl |J 1645 E.55TH STREET jf*CHICAGO, ILL. 60615 S2 Phone: FA 4-1651 Jj|e $ $ 5jc % aMe $ $ $ s|c jfc]s|t— K ogor Ebert. Chicago Sun Times“ ‘Paper Chase’ gets rated A+.”—Mary Knoblauch. Chicago Today. . achieves a rare, lyrical regard for work, ambition,and intellectual battle.”—David Elliott. Chicago Daily Nows“A fascinating film. Timothy Bottoms, in his best per¬formance to date, outshining his work in ‘The LastPicture Show.’ John Houseman makes a brilliant actingdebut ... a rare and wonderful figure.”—.Judith Crist, N Y. Magazine20th Century-Fox PresentsTimothy BottomsLindsay WagnerJohn Houseman)>The Paper Chase’produced by Robert C.Thompson end Rodnck PaulDirected by James Bridges Screenpiey by James BridgesI upon the novel by John Jay Osbom. Jr. Mure by John WilliamsColor By DeLuxe [PGfsa.944-2966PARK ATCARNEGIE GARAGEREOUCED RATES10—The Chicago Maroon—Friday, November 9, 1973MAROON CLASSIFIED ADS UNIVERSITYTHEATRESPACEFurnished KITCHENETTE APT NOW! $122.00 mo. One person lease. 5442I Harper Ave. Midway 3 9389Apt. Sublet: 2 bedrooms, spacious in| Hyde Park Call 241 7335 or SU7 4435.Three bedroom house tor rent. OnI campus. Ideal for group of students.Parker Holsman Co., 1461 E. 57th St.,493 2525.I 1 & 2 BDROM APT. E So Shore. Newlydec. Stove, refrig. 1 block 1C SA1 8420.SENSIBLE TERMS are available withthis 2nd floor coop apt 2 bedrms, liv & dinrm. Monthly assmt of $180 includes all.Negotiable equity 525 shares.KENWOOD BEAUTY Handsome 12 rm.residence, 4 1/2 baths on large lotSolarium rec rm 8. bar Nr 50th & Ellis.Asking, $59,000.ALL NEW INSIDE 4 Modernized Apts,plus Coachouse, gas heat, low taxes,ncome $11,160. 52nd & Dorchester.Asking 54,900.5038 BLACKSTONE 3 Units w/two 2story apts, yard, Year income nr $6,000.Low tax. For apt. call MRS. RIDLON*BAIRD & WARNER*1523 E 53rd St.****324 1855TO SUBLET 4/1/4 Rms $165 So Shore947 5163 or aft 5, 643 3451 DianeRooms for rent per quarter 5639University. Call David at 288 9870. CheapCHICAGO BEACH HOTELBEAUTIFUL FURNISHED APARTMENTS Near beach, parks I.C. trains,11 mins to loop U of C and loop buses atdoor. Modest daily weekly monthlyates. 24 hr desk. Complete services5100 S. Cornell. Miss Smith. DO 3 2400.'ENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSFurn. and unfurn. Lake Front CommunitySouth Shore Community Services 2343 E7 1st St.,ee Monica Block 667 2002 or 2004,THE VERSAILLES5254 S. DorchesterShort term leasesavailable. Well main-taineci securebuilding. Attractive1 Vj and 2Vj roomstudios. Furnished orunfurnished. $124 to$172 utilities inciuded.At campus bus stop.FA 4-0200 Mrs. Groakr$ pipe ShopCOMOY. PETERSON. GBDSASIENEI. AND OTHER FINEIMPORTED PIPESTOBACCOS & CIGARSCASWELL MASSEYROYAL COPENHAGENAND OTHER MEN’SFINE TOILETRIESCHRISTMAS LAY AWAY PLANUNDER NEW MANAGEMENTin HYDE PARK BANK BLDG.1523 E. 53rd St. Moving? Hire my van and me. Call Alanat 684 1175.SCENESIndia Forum 10 AM 12 Sundays. 1527 NDearborn. Nov. 11 Irving Harris: BirthOrder and Creativity For Transport,etc. 924 2721Studs Terkel and Jonathon Kozoldiscussing the crisis in AmericanEducation in a oenefit for the SouthernSchool of Chicago Tues Nov 13 atFrancis Parker School 330 W Webster atClark St 8 PM Donation $3 students, $4others. 769 0185.Women's hockey?? If interested callLake Meadows Ice Rink, 225 3373.Prof. Joseph Cropsey (Pol Sci.) willspeak at Hillel on "Judaism andPolitics" tonight at 8 30.Mon. nite discussion "What ConstitutesReadiness for Marriage?" East Aisle,Gargoyle, 6:00.Blues? Siegel Schwall Sanctuary, 8:00Thurs., Fri.Chicago Blues Coming to the SanctuarySiegel Schwall 8:30 Thurs 8. Fri.ISRAELI FOLK DANCING everyThurs. 8:15 p.m. (Note new time). Hillel5715 S. Woodlawn PL2 1127.Where else can you hear really fine bluesfor $1.50? Siegel Schwall 8:30 Thurs 8.Fri,PEOPLE WANTEDMature woman or reliable studentneeded to sit in my home with my 2 1/2yr. old daughter on Tues. and Thursafternoons.Programmer, part time, fortran exp.753 3830.Interviewer needed for biomed researchproject, up to 4 months, up to $1000, workyour own (daytime) hours. Needs a littleinitiative and common sense only 9475515 M F.VOLUNTEER OBSERVERS needed forresearch project with chronicschizophrenics at a state hospital. Needto spend two days a week in an interaction situation. Car helpful, notessential. Starts Jan first. For interviewcall 793 5570, x 254, 514.Exper pianist or guitarist who singssought by bass player to form duo Peter7 8 PM. 753 0450Wanted: Room clerk for S.E Motel.Part time, full time. Hours: Mondaythru Sunday 4 PM to 12:00 Midnight.12:00 Midnight to8:00 A M. Call 581 4460.ROOMMATE WANTED: Male studentTHE FLAMINGOON THE LAKE5500South Shore DriveStudios from $1 58One bedroom from $170Furnished or unfurnishedShort term leases752-3800Mrs. AdelmanYoung Designs byELIZABETH GORDONHair Designers1620 E. 53rd St.288-2900Joe Louis Milk wanted to snare apt in Hyde Park. Call241 7335 or SU7 4435 leave messagePORTRAITS 4 for $4 and up. MaynardStudios. 1459 E 53, 2nd fl. 643 4083.CONSIDERING a career with theFederal Government? For professionalguidance in the application process toselect your career with the properagency, whether in Washington or in thefield (domestic or overseas), write toFederal Employment IntroductionsService, 7481 Lee Highway, FallsChurch, Virginia 22043. Serious inquiriesqiven personal attention.Adult sitter necessary after school hrs.Call Mernlyn 947 6218 days. Eves. 7521140We need a responsible person or coupleto live in our third floor apartment inreturn for babysitting specified hoursweekmghts or weekends, house sit if weare away. Pleasant neighborhood inKenwood on U of C bus route. 548 0017.peopleTor saleTYPING SERVICE All school paperstyped. Very reasonable rates. Call Mrs.Bounds 76th S. Maryland St. 488 7481NEED TYPING DONE? PHONE 5823088.Studt (w/ref) do housewk. Fri. Sat. aft.Call 947 9054 til 10 PMExp. typing on IBS Selectric. 947 6347 or955 4195.TYPIST exp Call 752 8119 after 6 PMExperienced manuscript typing on IBMSelectric. 378 5774.Like Julian Bream's music? ForCLASSIC GUITAR STUDY 262 4689Exp. typing. Neat work 947 0033.PRIVATE GERMAN TUTORING forbeginners and advanced pupils, alsoconversation. Call 363 4300. Apt. 417Experty typing. Reasonable 667 0580. 1966 Mustang Conv. Good body, engine.$275. Call 493 4190 Ev. 8. wknds.VW 69 F'back good cond $495. 684 3200.Hand Knit ICELANDIC SWEATERS. SM L XL. $60 Call Joe at 421 6240Tapestry chair Victorian lamp walnutcanir tables 497 8909 753 2677.71 Vega for sale new shocks, clutchfron disc brakes, winterized and oilchange, engine clean, runs smooth mustsell $1,500 or best offer 241 5253.Olds Cutlass '66 A Cond. Clean, EngineExc. $600, Best off. 288 8856 Aft 6 p.m Proposals for plays for Winter Quarterare due by 5 PM on Nov 12, Mon. SeeJudy Fink ‘or form and info, RC302. Call753 3581 for details.SF MAGAZINESWANTED Old, cheap, SF Magazines,especially ASTOUNDINGs, F 8. SFsCall 241 5438.gayliberatTonMy best friend' Tan 8. White shaggymutt med meight Mass dog tagUniversity area Oct. 28th Call Steve 6845334 REWARDFOUNDWANTEDICE RINKIce skate in a wooded setting 10 min.from home, public skating, adult hockeyleague, learn to skate, etc. Open houseNov. 11, 16 Free skating. 225-3373.DESK LAMPWANTED: Inexpensive study lamp fordesk. Call 241 5438.FOR SALE MEDITATION... .. Ruhani Satsang: The technique of SuratSkiing equipment Ohn Mark I skis 204 Shabd Y as faught b/Sant K;rpalCM ano Large Pro. Boots. Nearly new Sl h Weds eves, 8 00 PM m lda No^esyou set the price. 947 8480 or 3 3618, Hall, Rm. 213.40% OFFOfAcross from the Co-Op'THIS WEEK Inew Grateful Deadnew Whonew Diana Ross-Marvin Gaye TO THE PEOPLE INCHARGE OF THEMINIBUSSESNow that you are getting two NEWminibusses, and seeing that you havefour already, I have a request. 2 plus 4equals 6. SIX minibusses equal TWO oneach route, and no more 30 minute waitsfor the C bus m the middle of nowhere.How about it, fellas?REFORM-LIBERALCREATIVE FRIDAYEVE SERVICEMeeting, Tues Nov 13, 6:00 PM at Hillel,5715 Woodlawn, to explore thepossibilities of such a service.How does the Christianrespond to these politicalbodies called churches asecclesiastecal politics andinstitutional self-preservationthreaten to overwhelm con¬cern for the work of the Chur¬ch? What will be the relationbetween clergy and laity inthe future? At St. Gregory ofNyssa we not only talk about* these questions, we try out an¬swers. If you have anything tooffer, or if you just wish tolisten, coffee is served at10:00, worship begins at10:20 at 5757 S. Universityevery Sunday.if rjrPRIDE YOU iCAN POUR, c Modern Hebrew Lit new meets 7:30 9:00PM Thurs at Hillel.There are 2 Hebrew ConversationGroups Wed. nights. Beginners 7:008:30, Intermediate 9:00 10:30.REFRIGERATOR-RENTALMini frige: Pennies a day, Billedmonthly. Call Swan Rental 721 4400.FIREWOOD■ Seasoned and Split hardwood. 1, 1/2, or1/4 ton. Bsmt & upstair De 241 5430PLAY TENNIS6 indoor courts, 3 outdoor courts Privateand group lessons available South Side- Raquet Club, 1401 E. Sibley, V19 1235.College reception Harper first fl. 1 setkeys; 1 pair women's glasses (found onMidway) 1 pipe, 1 man's leather glove,x3 2703 Jessica.Small car will pay handsomely forgarage or resting place in Kenwooddriveway. Hyde Park considered. CallHal 753 3675.ASST SCOUTMASTERWANTEDFormer scout wanted to serve as anassistant scoutmaster of troop 599Meeting Wednesday evenings at ChicagoSinai Congregation 5400 South ShoreDrive. Call 752 7428. Or 363 5078.TO ROCKEFELLERCHAPELThank you for fixing the carrillon Unitarian Gay Caucus Get together FriNov. 16 Call Clark R. House at 324 0173For Details.Office open Sun Thurs nites 7:30 till 11.Tues is women's nite. Come up or callGay Men's Coffeehouse every Fridaynite 8 12 at the Blue Gargoyle, 5755University. Dancing, food andfellowship Bring a friendWe still need someone to staff the officeon Wednesdays. If you can help, call 7533274 Monday eve, or 324 7483 during theweekSexual identity discussion Group 7:30Thursdays Ida Noyes. Straights,Bisexuals, Gays, undecideds, welcome.FOLK DANCING STEP TUTORSStudent Tutoring Elementary Projectneeds volunteers to tutor biweeklyThere are a lot of children who could usethe help if you are interested, please callJay Sugarman at 947 8804 or Mary LouGebka at 643 8266jPERSQNALSKenwood family in search of other withone two children for exchange ch Idcare. We have happy busy 6 yr old toshare, and would like to go to Fiim^estival sans kid.Free Bible Correspondence Course!Send Name and Address to PrayerTower, 301 W Garfield, Chicago, 60621.No Personal Contact Unless RequestedPREGNANCY TESTING every Sat 10-45500 Woodlawn Cost $1.50 Bring 1stmorning urine sample8 p.m. at Ida Noyes Hall Sunday(general), Monday (beginners). Friday(requests) 50 cents donation for info,Call Janet 955 8184 Go* a problem? Need information? Justwant to talk? Call Changes. 955 0700 M F6 12. Blue GargoyleWRITERS' WORKSHOP (PL2 8377)TO FAC EX USERSGet your stuff to FacEx on time Theycan't deliver your notices to us on timefor the calendar unless you do so. Theresponsibility lies with you, according tothe Fac Ex director. Thank you TheMaroon.HILLEL CLASSESConversation Hebrew is now meeting atHillel every Wed. Beginners 7:30 9:30PM Intermediate 9:00 10:30 OM.Conversation Hebrew is now meeting atHiHei every Wed. Begginers 7:30 9:30PM intermediate 9:00 10:30 PM.Yiddish now meets Tues. at 6:30 PM atHillel, 5715 Woodlawn MaroonStaff Mooting8:00 p.m.Wednesday, Nov. 14Hyde Park’s NewestBicycle ShopSwiafieoK (fade1301 E. 53rd St.363-8376We carry the entireCazanave line.Also Alpina, Urago, Astroand French Racer.We do repair work on all makes andmodels. Come in and see us for fast, cour¬teous service. We are right across fromKimbat k Piaza.We’ve really got some nice old thingsWe want to sell ,An 1891 Singer sewing machine in perfect shape, no cabinet but it Iwill fit in any standard treadle cabinet, $25; an ebony cane with a jreal gold head that s very intricately engraved and dated Decern- jber 25, 1875, $75: two pocket watches one an Elgin railroad wat- jch with brass case, $15: the other is Swiss with a gold filled hun¬ting case, $45, both keep very good time an old (40 s) GE shor¬twave radio that works well $30 a solid oak fireplace from an1892 townhouse, unstripped, $50.andtwo double beds-one is maple and is headboard, footboard andsteel side rails, no mattress, $10, other is old dark wood, highheadboard and footboard that curves around, battered but ser¬viceable side rails, springs and mattress, $20: also a single mat¬tress for $5 and an old steamer truck for $5; and a huge mirror,about 3 feet by 6 Vi feet for $20.Call Jerry at 684-1 175CEF presentsfircnn ufoiic’ tmipu nr cun Sun.( Nov. 11ursonSoc. Sci. 122 flBIIS luubn Ur tVIL$1.00 7 & 9:15The Chicago Maroon—Friday, November 9, 1973—1 1HALF BOTTLESSAMPLER*20ooBuying wine in half bottles has manv advantages: ahalf bottle is just about right for two people at ameal...and it’s less expensive to explore unfamiliarwines in half bottles, because you’re not investing asmuch...And you’ll invest even less this week if you buythe Party Mart’s specal half-bottle sampler...as a mat¬ter of fact, you’ll save over 25 percent off the single¬bottle price" The sampler contains twelve bottles ofassorted red and white wines from France, both Bor-deau and Burgundies...twelve chances to expand yourknowledge and increase your enjoyment while enjoyinga significant saving. If bought singly, the price for thesetwelve half bottles would oe $29.01. The price at theParty Mart this week is only $20.00. This Party Martsampler makes a very reasonable holiday gift or housepresent too. Pick up at least one special half-bottle sam¬pler this week for only...*20««12—The Chicago Maroon—Friday, November 9, 1973 Daily: 9 am -10 pm Sunday: Noon - 9 pmPull-Out SectionPHOTO BY JIM COOLEY IT’9 rtLLinTHCmusicBY H€NRY POSTPHOTO BY JIM COOLEYThe regulars at Dugan’s Bistro didn’t knowwhat was going on. They’d gone out for a hotnight on the town to dance and prance in thea-go-go frenzy and wild delirium tremens ofthe Chicago gay bar. And there it was, theirdance room, blocked off by a thick braidedgold rope and a ticket taker standing guardand fending off questions.“Tickets? For what?” they asked.And always the same response, “Sorry,tonight’s a special concert preview ofFrancine And Artichoke.”Once turned away, the regulars stood,sometimes a little begrudgingly, with drinksin hand wondering what all the hee-haw wasabout.Tickets?Special concert?Judging from the infectious excitement ofticket holders who arrived up to an hourbefore the 11 o’clock show time, they knewthis act had to be something special. Peoplescrambled for seats while social kisses blownacross the room collided in midflight andtumbled down into the quickly fillingtemporary auditorium set-up. The brave barwaitress was kept running and panting withdrink orders. The room was plugged in andelectric with the conversations, the swirl of“hello’s” and the embraces of an audienceunusually anxious to hear the act that willhopefully open the upstairs room at theBistro once management problems aresettled.A pleading afeccionado leaned over thegold braid, “Isn’t there anyway I can get in?I’ve just got to see them.” Others calledacross the ropes to helpless friends. But itwas all too late. Much too late. The room wasfilled well past capacity and as 11 drew near,the walls were lined with elbow to elbow androw to row excitation and steamingexpectation.Eddy, the co-owner made his way up tothe front of the stage and lifted his arm tofend off the sudden glare of the blinding spotwhich surprised him almost as much as the enthusiasum of this October 24th previewcrowd. Tucked into a well cut suit with atriple star rhinestoned pin “that was the onlydecent thing I could find in Las Vegas”, therather nervous but warmly receivedproducer of the evening introduced thegroup.A burst of applause.***It’s three days later and I’ve tried everyway I know how to get through Artie’s (thatArtichoke’s) telephone answering machine.The last straw had broken this usually toughback with frustration. I drove to his house,out of my life, for some simple informationbut still excited at the possibility of seeingArtie once again.Yes, we’d met before. A few times, in fact.I’d heard him sing once before, too. But atour first meeting, I knew nothing of hismusic. That was at Oak Tree at 4:30 a.m.The Oak Tree is run by an ex-femalewrestler who goes by the name Frankie. Onthe corner of Oak and Rush, this 24 hourrestaurant has a different clintele for eachhour. At five in the morning, foot wornhookers and night people with no where elseto go gather and have an early breakfast.Frankie’s been known to stand up to anyoneand bash their heads in, but on this quietspring morming all was calm as Artie, twoother friends and I sat down to fried eggs, loxand bagels.Between bites of jellied toast and sips ofcoffee, we’d talked about “being too smart”.Artie had taken the “emotionalist” side.Hindered by graduate school credentials, myfriend and I were cast as the “Thinkers”,which made for a re-run of a conversation I’dseen too many times before.As I slid back from the chatter. I watchedArtie’s eyes. They darted back and forth likethe alert eyes of an excited child. This was noecho of a beaten personality with a backlogof personal statistics. Talk as he did of beingan “emotionalist”, it was clear he had apiercing intuition which he, of course, refused to call “intelligence” but is in factthe basis for his creative expression. Hiseyes didn’t notice things, they saw things.The conversation turned, as did the eventsof the evening which left a thick and complexemotional fog fouling the first night air, a fogI hoped would clear while I picked up myneeded information. While the fog stillremained, I learned instead of Artie’smusicial world and the way he sees it.Artie Feldman’s tape collection dominateslivingroom conversation. That and talk of hismusic. Of course, it has to. That’s Artie’sworld — music. His tape collection coversevery musical continent, from the completeworks of the earliest Philly groups, toMotown classics, to B’way shows, to GoldenOldies. Artie constantly leaves his chair tochange cassettes and give audio tours of oneera or musical emotion after another. Hespeaks music, lives it and talks to you in asong and lyric.This musical world is well protected. Hisphone is never answered but always spills itsrecorded message at you leaving you with a“tone” and a silence for your name, numberand message. The silence is such anunwelcome quiet, an emptiness walling alloutsiders out. Where Artie prefers they stay.In his musical fortress he lives alone with acat, who, like his sounds system, iscompletely at his touch control. It’s the partof the musical world that he can’t controlthat “I just can’t stand.” The day-to-day, insand outs of the music industry. The businessthat “will pull you under.” Artie bitchesabout the business realities and grumblesover structural barriers to his goal -- makingmusic.Even talking about these “realities”makes him uncomfortable, so things turn totales of how he and Frannie got togetherStories of his early years in Philly. Stories ofwhat had happened since he came to Chicagoin ’66, where the group’s basically R&Bsound is headed. What’s on the horizon forfuture “gigs” -Max's Kansas City in NewYork - the Bistro? But always the tapes and his attention never leaves the sounds.***Artie and Frannie dash out. With lightsshining, the applause rings. They dive intotheir first number, “Reach Out In TheDarkness,” roll into “Ain’t It Amazing” (anold Curtis Mayfield song), and then settleinto their own with “I Didn’t Get Enough OfYour Love”.as the duo float through their well-executed harmonies always backed withthick R&B vitality, the crowd, long since wonover, lies in the palms of their hands.Frannie has a voice of unusual quality, andknows how to use it with controlled slides andartful shifts in texture that often bring outwhat normally remains buried in a songArtie, with his eyes dancing, sings a cleanline, puts it to you with a driving surge anddelivers a musical clarity that’s as strong asit is pure.They finish up, and for that matter tearapart, their audience with a rock medley ofsome all time greats -- “It’s Alright”, “YesI’m Ready”, “Little Bitty Pretty One”, “BeMy Baby”, and “Heat Wave”. And it washot. Very Hot. Even the crowd out front waspleased and anxious for the upstairs room toopen with Francine and Artichoke.** +While sipping tea and drinking in songafter song, Artie begins to tell me of his ideasand feelings. “The love I want just doesn'texist,” he says. “It's all in the music. Youhear it? Like that. I mean, it can only be inmusic. I’ll never find it. It just doesn't exist,except in music.”Artie gets up and with full recordedorchestra backup stands in front of me andsings His arms lift and his hands reachoutstretched into a livingroom air he's filledwith music. When he sits down, it’s as if it’sall been said. His cat quietly crosses thebasement apartment dominated by Artie’ssound system and gently rubs against his leg.“It's all there in the music,” he sighs Andhe is._ lirnrmTll AllT11^lw < Gorden Cameron) if the technicalBy MEREDITH ANTHONY difficulties can be overcome. Everyman,The University Theatre’s production of himself, never leaves the stage as heEveryman will open tonight with great pomp traditional does toward the end to receiveat Rockefeller Chapel Director Nicholas the last sa . aments. These devices all serveRudall’s concept of the 15th century morality to emphasize the point that this allegory is anplav, the credit for which he shares with expansion of the single moment, begun whenJerome McGann, is a brilliant fusion of ritual Death touches Everyman at the outset of theand realism. Abstract formal stylization and play, and ending with the symbolic descentminute characterization are blended to into the grave at the end and Everyman'screate a dramatic spectacle of great power march out toward God with his Good Deeds.Everyman is generally considered the ('an a Chicago audience m lfTS expect to hefinest example of its genre and is the most edified and entertained by a medievaloften produced oif the medieval religious church piav of obscure Dutch origin"plays. The morality play was originally an Absolutely. The atmosphere of the campusillustration of a sermon, an exposition of cathedral; subtly accentuated by candle lighttheological concepts m dramatic form before the performance, together withEveryman combines elements of two major Gregorian Chant, sumptuous costumes andconflicting themes in medieval thought and exceptional!) fine performances by theart, the danse macabre and 'hears rnoriendi dozer, players will create a total effect thatThe dance of death' aimed to terrify Wagner would have en\ ied. In addition to thespectators into religious obedience by its strong* md fascinating stage with its man)graphic representations while the ‘art of ‘doping terraces, the production will makedying well' advocated right living as use of many elements of the church itselfpreparation for a more gracious leave The rehearsals for Everyman, ium etaking. The theme of Everyman transcends play itself, took the form of a senes ofits immediate religious context. Mr. Rudall dramatic encounters Mr. Rudail met andexplained. “It - human as well as religious overcame me alter another, the problemIt s too simple, too naive, but it works d that ranged from the obscurity of some of thesurvives, it’s still very human.” language of the script and the need for stageThe simple statement of the play, as Mr activity during occassional didacticRudall phrased it is that every man must passages, to difficulties of set and lightingface death with what he has done in life.” inherent in the adaptation of a church into aThe dramatic structure consists of a workable theatre.powerful series of encounter'- in which the Mr. Rudall displayed :u markableprotagonist. Everyman, who has been ingenuity in problem-solving and, quitesummoned by Death, appraches and loses often, remarkable forbearance The players,each of the things he valued m life, first the all exceptionally fine on stage, off-stageworldly ones and then his own body and revealed some strange inconsistencies in themental faculties. When his soul goes to give casting - Good Fellowship grumbledaccount of itself only his Good Deeds, constantly for instance, and Beauty chain-strengthened by his penance, accompanies smoked - as well as some peculiarlyhim. appropriate traits - God seldom showed upMr. Rudall’s production has several at all.interesting and suggestive aspects. He has Mr Rudall s firm direction showed hisdouble-cast the four exterior values, Good conviction that the difficulties of the play andFellowship, Kindred, Cousin, and Goods, rn the place not only could be overcome but thatthe first part of the play as the four interior the result would be well worth the effort,attributes, Discretion, Five Wits, Beauty, He’s right. University Theatre’s Everymanand Strength. In their second roles the promises to be exciting and powerful. Don’tplayers may wear life masks of Everyman miss it.DRAWING BY DAN ABRAHAMORIENTAL INSTITUTE DAVID WOLPER RETROSPECTIVE1155 E. 55th Street Shows at 3:00 pm and repeated at 6:30pmF RlDAY November 9 THE RISE AND FALL OF THE 1 mLRD REICHSAT U R DAY November I 0 HOLLYWOOD: THE GREAT STARSTHE LEGEND OF- MARILYN MONROETHE LAST TRIBES OF MINDANAOHOLLYWOOD: THE GOLDEN YEARSWEDNESDAY November 14 FOUR DAYS IN NOVEMBERTHE RACE FOR SPACEHOLLYWOOD: THE F ABULOUS ERAHURSDAY November 15 THE MAKING OF THE PRESIDENT; 1960CHINA. THE ROOTS OF MADNESSNovember 16 MONKEYS, APES, AND MANSURRENDER AT APPOMATTOX.UNDAY November IS SOPHIA ENTERTAINSTHEY'VE KILLED PRESIDENF LiNCOLA THOUSAND DAYSSATURDAY November 1? HOLLYWOOD AND THE STARSI HE JOURNEY OF ROBER T K KENNfTICKETS AVAILABLE AT J?Mandel Hall Box Office A5706 S. University753-3581 1HFilm Festival Office12 E. Grand Ave. Rm. 301Chicago, III. 60611644-3400 £ ►GENERAL ADMISSION: $2.50 per showMEMBERS & STUDENTS: $2.00 per show lit! w<-iM*r'Hf M: 14 m■■■ $44&c&: :When you say Budweiser,you’ve said it all!' ‘ANHEUSER BUSCH INI . I i 11111r ’ i2—Grev City Journal—November 9, 1973“PdRK ITWITH OUR GIRLS”(\ NU9ICHLHrfLLOW€€N WITHOUR H€W NOTHGR9By LARRY FRISKEThe Human Fly? An ebullient RichardNixon accompanied by a priestly-looking,Bible-toting Billy Graham? Count Draculawith a flashing neon nose? A pair of eyebrow-twitching, cigar-flicking Marx Brothersencircling each other to smoke out the realGroucho? Yes! Yes, I say! And even more(like in music) happened at a stone gasHalloween party within the unlikely confinesof the Auditorium Theater.The scheduled entertainment featured yetanother reincarnation of the Mothers ofInvention, accompanied by that wizard ofrock and satire, Frank Zappa. Intoning eachsyllable with the utmost of sincerity andcandor, Frank opened the night with astraight-on, “Good Eve-ning, Folks. Hap pyHal-lo-ween!” After the actual musiccommenced, it soon became evident thatthese Mothers measured short whencompared to past Zappa groups. They havebeen together only four weeks and it showed.After some of the usual fumblings after eachnumber, Frank finally exclaimedapologetically, “Man, we are HURTING forsongs! ” My anticipation of freaking out witheither Jean-Luc Ponty or Ian Underwoodquickly vanished. However, the dude behindme, shouting out for the first hour, “Where'sthe violin?’’, really was freaking out!Fortunately, the keyboard and synthesizerflash. George Duke, and Ruth Underwood,vibes, marimba, tympani, large and tinygong, bass drums, and miscellaneouspercussion, lent some experiencedcohesiveness to the doings. Considering thehodge podge of musical influences and stylesevident in any Mothers group (acid rock,sardonic comedy, modern boogie. high energy electronic jazz, 50’s rock, etc.),the importance of experience and sensitivityamong the members is of the highesturgency for a coherent musical expression.Political events of recent months, eventhough providing much raw material,actually take the sting out of much satirichumor. For plain incredibility, comedy, andshock, how could any comedienne hope toequal the most recent press conference byRichard Nixon? “Inca Roads”, even thoughwritten before the latest UFO scare, didprove to be one topical musical satire. RuthUnder wood, who is classically trained atJulliard, opens on marimba with a themestatement. The ensemble alternates betweenthe signatures of 3/ 4 and 4/ 4. Frankbegins to relate a legend of how somemythical spacemen landed in the PeruvianAndes in ancient times. The bandemphasizes each thought at the appropriatemoment with ensemble blaring. GeorgeDuke takes over and comps grandly on theorgan and then the electric piano. Frank thendirects everyone else to cool it while heconducts a summit meeting between thegroup’s two drummersStill, I would have been disappointedwithout the no-holds-barred encore.Featuring the triadic medly of “Mr. GreenGenes, “King Kong,’’ and “Chunga’sRevenge,” Frank turned serious with hisguitar and led the Mothers through the bestsustained musical jam of the evening. Itturned out to be more than enough to earnanother of the obligatory standing ovations.Frank Zappa remains the most inventive andresourceful composer, arranger and playerin rock music today. By LESLIE KOHNThe above phrase attracts the attention assoon as one approaches “Mel Markon’s” onLincoln Park West, seemingly miles awayfrom the little neighborhoods of Chicago’sethnic restaurants. I guess the sign explainsthe difference as well as anything elsemight; Lincoln Park West is one of thefashionable “chic” areas of the city, if such aterm may be used. And the logical conclusionthat one may draw from this statement isthat Mel Markon’s wouldn’t be on LincolnPark West otherwise. It just wouldn’t fit overin Gage Park or South Chicago. All thingsconsidered it’s a pretty decent place, butmore about that later.We arrived, expecting to find a crowd ofpeople in $100. embroidered jeams, sportingbushy moustaches etc., and to some extentwe were correct. However, the 7:30 PMSunday evening crowd included quite anumber of the “unyoung” and the “unhip”.After a 20 minute wait we were seated at aspacious booth with wood seats in a largish,comfortable room with some rather in¬teresting artwork on the walls. The at¬mosphere is definitely informal, withwaitresses in jeans and a 5” x 20” brightorange menu printed in “20th Centurycaveman” which ranges wide over allbranches of culinary endeavour. In otherwords, the cuisine is Jewish (sort of), Con¬tinental (sort of), plus dashes of Japaneseand Hamburger. The menu runs all over theplace and the restaurant suffers from itsambitiousness.We tried the dinners, consisting of soup,salad, entree, potato, and vegetable. Idecided to test their “Jewish cuisine” andbegan with Matzo ball soup. The broth tastedcommercial, and the enormous matzo bailwas too dry in the middle. Two smaller oneswould have been better. The soup wasfollowed by a salad of lettuce with a tastycreamed garlic dressing. The lettuce wascold and crispy, but hadn’t been drainedadequately as the water mixed with thedressing at the bottom, creating a thin soup.Yechh. All along I was enjoying somedelicious onion sticks, the best part of a large bread basket.We tried Roast Brisket of Beef ($4.50) andSteak Teriyaki ($5.95) as entrees. Brisket isnot often served in Chicago restaurants and Iwas looking forward to it. Alas, it wassomewhat dried out, though pretty decentotherwise. It was a generous portion of meat,but as I was finishing, it had already turnedcold. Kishke (stuffed derma) was served onthe side and was quite good. The bakedpotato with sour cream was decent enough,as was the crisp broccoli. The SteakTeriyaki, surrounded by peppers, tomatoesand assorted other vegetables, was fair butdidn’t have much of a Japanese identity.Chopsticks came along with the meal, a nicetouch in a non-Oriental restaurant.If there is one thing I can say about adinner at Mel Markon’s it is that one willusually come away from it with a fullstomach. After the entree I was rather full,but I decided to risk dessert. I orderedStrawberry Cheesecake ($0.85) and found itto be absolutely delicious. A large, rec¬tangular slice of cake, it was covered withsweet strawberry syrup (which I dislike)into which were embedded a few dozen freshstrawberry halves (which I love). Theoverall effect was superb; light, creamycheesecake and fresh, firm, tart berries.Unfortunately I couldn’t finish it. though Imade a valiant attempt to do so.All in all. the meal was decent, but notexceptional. The exigencies of serving 100customers at a time take their toll. Servicewas quite good and I really have no specific-gripes. You may get a better bargainelsewhere, but Lincoln Park West isn'texactly Maxwell StreetThe menu also includes hot sandwiches, a1/2 lb hamburger ($2.10), egg dishes,pancakes, bagels and lox, “health food' , deiiand you-name-it. Prices are high but notoutrageous by any means. Mel Markon'sopens at 7AM and closes at 1 AM Sun-Thurs.at 2AM on Friday, and at 3AM on Saturday.The location is 2150 Lincoln Park West andyou can “Pwrk It with Our Girls” (or oc¬casionally with their guys).GCJ COHTC9T CONTC9TPRIZC9 (SO MR)2 series tickets to DOC films for the Winter QuarterA free single album of the winner's choice from theRecord COOP, the super cheap record store in the base¬ment of the Reynolds Club.Vi Gallon of Johnnie Walker Black Label, courtesy of theGCJ 1st Poobah, Liz RussoThe Grey City Journal Contest Contest is a serious put on. It is ajoke, in the sense that we cannot conceive of sobriety as an utternecessity of life. But it is also for real, in that the prizes listed thisweek (and others to be announced) will be awarded. So read therules, and enter. In fact, suggest a prize, and if we can we ll award theprize (though possibly not to the person suggesting it).RULES:1) Participation in the contests submittedmust not require violations of the law by the con¬testants as an essential part of the game.2) No special skills or training, which wouldgive select persons an unfair advantage may berequired (thus no deep sea diving, only swim¬ming, for instance). Any equipment needed mustbe reasonably available to all contestants.3) Contestants must not be required to placethemselves in unreasonable physical danger4) Any of the above three skills may beviolated by cheaters if they can get away with it 5. Contest Contest entries should be sub¬mitted to the Grey City Journal, Ida Noyes Hall.Only one contest to an envelope; all envelopesmust be marked on the outside with "contest con¬test ’. All entries must be accompanied by in¬formation identifying the contest creator:pseudonyms may be used for possible publicationonly if the real name is also submitted. All entriesmust be received in the Maroon/Grey City Journaloffice no later than 6 PM, Wednesday, November28th. The names of the winners will be announcedin the issue of December 8th; the contests them¬selves will be reserved for publication, at the discretion of the editors.6) All entries become property of the GreyCity Journal, and can be returned only under ex¬traordinary circumstances and by personal ap¬plication to the editors.7) This contest is open to everyone who readsthis paper. It is void where prohibited by law orfate Stores, institutions, and other corporate en¬terprises may enter, but are not eligible for therewards and must provide some manner ofreward for the winners of the submitted contest.Relatives of the winning contest contest con¬testants are ineligible contestants. 8) Awards are guaranteed to total at least fif¬ty dollars worth of cash, merchandise, or prestige.Corporate entries—especially if they are suf¬ficient in number to warrant a separatecategory—will receive the equivalent of at leastfifty dollars of advertising through publication oftheir contests. A contest does not have to be agrand prize winner to receive an award: awardswill be made at the discretion of the judges, andthe awards offered will be detailed in upcomingissues.9) Any questions should be directed to theeditors of the Grey City Journal 3-3265Grey City Journal—November 9, 1973—3THE UUIMHTE EXPERIENCEC^crebcffpnnttDrtmatrfe Do lb f> Dptfaocr oflKittu fenbetl) Dctljc to fo«titon rurcp creature to tome aitogptte a tountc of they* ipttcs mtins lbojlot/anD to tnmanttof autocall piape.University Theatre PresentseveuyMANdirected by^Nicholas RudallNov. 9,10,11 and 16,17,18 8:30 pmRockefeller Chapel$2.50 / $2.00 studentsFor information call 753-3581 FILMFCTTAT UCYG4RBy DAVE KEHRThis is the opening night of the ChicagoFilm Festival, which, I suppose, should comeas no surprise to anyone who has hadoccasion to be on campus anytime during thelast three weeks, since, optimistically, theFestival has directed no small part of itspublicity campaign toward the University ofChicago student body, in the hope thatthereby will be filled those seats vacated bytimorous North-Siders, historically the mainsupport of the Festival, reluctant to leavetheir Lake Shore Drive high-rises and puttheir ascots on the line in Hyde Park.The Festival board’s decision to forsaketheir native territory and move into MandelHall will remain one of those unfathomablemysteries, like “Who is Guru Maharaj Ji?”or something. Anyway, it’s here through nextSunday, with its main attraction, the featurefilms, in Mandel Hall, a David Wolperretrospective in Breasted Hall of the OrientalInstitute, the student and televisionproductions in the auditorium of the Centerfor Continuing Education, and Educationaland Business films in the auditorium of theMuseum of Science and Industry. Many ofthe features will be also shown at the DevonTheater, 6225 N. Broadway, as a sop to theNorth Siders.The Festival’s program is much betterthan it was last year, with three films thatare probably worth seeing instead of lastyear’s one. I haven’t seen any of the films onthe schedule yet (except for the Satyajit Rayoldies), so the following Auteurist’s Scratch Sheet is necessarily based on vaguerumblings from the East Coast.Day for Night/ Francois Truffaut.Saturday, Nov. 10, 7:00. Andrew Sarris hasbeen oing nuts over this ever since it wasshown at the New York Film Festival butgiven Truffaut’s recent track record, Ihesitate to put too much faith in it. Truffaut’sultimate position in film history is far frommanifest, and a lot of people, myselfincluded, are on the verge of dismissing himentirely. A good look at Such a Gorgeous KidLike Me casts considerable doubt on The 400Blows, and it may be that Truffaut’s bestwork has been in film criticism rather thanin film making. Films about filmmaking,like Day for Night, have suffered a severeblow in the person of Federico Fellini, whohas done nothing but since 8-1/ 2, in spite ofpast successes like The Bad and theBeautiful and Stagin' in the Rain, butnevertheless, the possibilities for some goodold illusion and reality stuff is still there. Igather that Truffaut’s film focuses mainly onhis own obsessions with movies, with ahealthy bit of show-biz sociology thrown in.Whether or not, as Sarris says, “This is themovie that Truffaut was born to make,” thisis the Festival’s only prestige item, and willprobably be its only sell-out, so be advised.The Bitter Tears of Petra vonKant/ Rainer Werner Fassbinder Monday,Nov. 12, 9:15. When Fassbinder’s film wasshown at the New York Film Festival, it waspicketed by a gang of angry Lesbians, whosomehow thought they were being exploitedby the film’s theme. Actually, Fassbinderhas no interest in presenting TorturedLesbian Relationships - mainly he’sinterested in exquisitely melodramaticsituations. Long a student of American film,with a particular interest in the work ofDouglas Sirk, Fassbinder seems to begenerally regarded as the leading figure incontemporary German film. The BitterTears of Petra von Kant is the latest film ofthis incredibly prolific filmmaker, and itmay well be the best film of the Festival.Fassbinder’s work is very hard to see, so thismay be a unique opportunity for mostChicagoans.At the Meeting With Joyous Death/ JuanBunuel, Thursday, Nov. 15, 9:15. There’sreally no other reason to recommend thisfilm other than that Juan happens to be theson of Luis, so maybe he learned something.Purportedly a Gothic horror story, Juanmight be working in familiar territory.Gordon Parks, Jr. (Super Fly) is a betterdirector than Gordon Parks, Sr. (Shaft), butthat’s the only favorable analogy I can comeup with. Take a chance, you only live once.The schedule, in toto, looks like this:FRIDAY, NOV. 9 - 3:30 Love/KarelKachyna (Czeck7:00 Triple Echo/ Michael Apted (G.B)9:15 An Evening With ... (a personalappearance by an as yet unnamed Americanactor or filmmaker)SATURDAY, NOV. 103:00 Chronicle of a Crime/ LoranZafronovic (Yugoslavia)7:00 Day for Night/ Francois Truffaut(France)9:15 Illumination/ Krzysztof Zanussi(Poland)11:30 Somewhere, Someone/ YannickBellon (France)SUNDAY, NOV. 113:00 The Spirit of the Beehive/ Victor4—Grey City Journal—November?, 1973 Satyajit Ray will make a personal appearance for the Film Festival retrospectiveof his works.Francois Truffaut (right) may have the Festival's only sell out with his film "Dayfor Night".Erice (Spain)6:00 Between Friends/ Donald Shebib(Canada >8:15 Tribute to David VVolperMONDAY, NOV. 123:30 The Music Room/ Satyajit Ray(India)7:00 The Foreigners/ JohannBergenstrahle (Sweden;9:15 The Bitter Tears of Petra von Kant/Warner Rainer Fassbinder (Germany)TUESDAY, NOV. 133:30 The World of Apu/ Satyajit Ray(India)7:00 The House on Chelouche StreetMoshe Mizahi (Israel)9:15 Israel, Why?/ Claude Lanzmann(France)WEDNESDAY, NOV. 143:30 Devi/ Satyajit Ray (India)7:00 A Tribute to Warner Bros, (anothersenseless compilation film)9:15 Days of 1936/ TheodorousAngelopoulos (Greece)THURSDAY, NOV. 153:00 Two Daughters/ Satyajit Ray(India)7:00 The Mongols/ Parviz Kimiavi Gram9:15 At the Meeting With Joyous Death/Juan Bunuel (France)1 FRIDAY, NOV. 163:00 Mahanagar Satyajit Ray (India)7:00 The Pedestrian/ Maximillian Schnell(W. Germany)9:15 Distant Thunder/ Satyajit Ray(India) 11:30 The Reconstruction/ TheodorosAngelopolous (Greece)SATURDAY, NOV. 171:00 Charulata/ Satyajit Ray (India)3:00 W'hen the Heavens Fall/ Risto Jarva(Finland)7:00 The Seagull/ Yuli Karasik (Russia)9:15 Morgiana/ Juraj Herz (Czech)11:30 Private Road/ Barnev Pitts-Mills(G.B.)SUNDAY, NOV. IS3:00 The Goat's Horn/ Metody Andonov(Bulgaria)6:00 Year of the Woman/ SandraHochman (U.S.)8:15 Best of the Festival (award winnersin all categories)Be advised, the schedule is highly subjectto change. In the last few weeks, we've seena few substitutions, and there are likely to bemore. Two additional Satyajit Ray films(Company Limited and Goupi Gyne andBagha Byne) will be shown on the 17th. if theprints arrive. Last minute information canbe had from the Festival office (644-3400),and you can also check with them for theschedules of the television, student, andindustrial filn.s. The David Wolper films atthe Oriental institute will be shown from the9th through the 17th at 3:00 and repeated at6:30. General admission to all shows is $2.50,and $2.00 for students and Festival members.Series passes are no longer available.dUTGUR RGPLIG)TO ORDURGBy DAVEKEHRIf this were 1965, it might be worth takingthe trouble and space to refute HowardIsaacs’ anti-auteur tract which appeared inthese pages last week under the title“Learning What Makes Bad Criticism”. Butthis is 1973, isn’t it, and if Howard wants toindulge his taste for the anachronistic, wemight as well let him do it in peace.The fact is that auteurism is hardly “thecoming wave”. It came quite a few yearsago, and left behind it the first principle thatwas so badly needed for genuinely academicwork in film to begin-simply that thefilmmaker deserves the same amount ofrespect that other artists are accorded. I’venever seen a work of art thathad its source in more than oneimagination, and to maintain, asHoward does, that personal expression isimpossible in cinema seems ridiculous in theface of the tremendous amount of evidence tothe contrary.There is not a single accredible filmscholar in the world who is not grounded inthe auteur theory, although there are plenty of popular journalists (like Kael and Simon)who are not, and this seems to be where poorHoward is confused. To take John Simon as aleading (or even a significant) authority onfilm makes about as much sense as settingup Robert Cromie as a literary scholar. Youbecome a literary scholar by reading andstudying a lot of books, and you become afilm scholar by seeing and studying a lot ofmovies. Somehow Howard, like Simon andKael, has reached the dubious conclusionthat judgement is not based on knowledge, acritical attitude that wouldn’t get you veryfar at this University or any other.No true critic lacks theory orbackground. There is a great deal of workstill to be done in film aesthetics-we are justnow moving away from the first principlesoffered by the auteur attitude through thetheoretical investigations of Metz, Lovell,and Wollen. Film criticism is ‘becoming ascience, while film reviewing (as practisedby self-important dilletantes like Kael andSimon) remains where it deserves to be, onthe level of literary ephermia. Keal andSimon continue to try to force film into thepopularly acceptable middle class mold of asub-art, in which anyone and everyone canbe an expert without exerting the slightesteffort, which is nothing more than a veryconvenient and very defensive attitude,laughed off the stage a long time ago.I’m sorry that Howard can’t appreciate thedepths of I Was a Male War Bride, but I’msorrier that he doesn’t want to take the effortthat that requires. BuytheBSR 710 or 810.Either way you’llget the shaft.The BSR 810 and 710 have their brains intheir shaft A carefully machined metal rodholding eight precision-molded cams. Whenthe cam shaft turns, the cams make thingshappen. A lock is released an arm raises andswings, a record drops, a platter starts spinning,the arm is lowered, the arm stops, the arm raisesagain, it swings back, another record is droppedonto the platter, the arm is lowered againand so on, for as many hours as you likeDeluxe turntables from other companies domuch the same thing, but they use manymore parts-scads of separate swinging arms,gears, plates, and springs—in an arrange¬ment that is not nearly as mechanicallyelegant, or as quiet or reliable; that producesconsiderably more vibration, and is muchmore susceptible to mechanical shock thanthe BSR sequential cam shaft systemWhen you buy a turntable, make sure youget the shaft The BSR 710 and 810 Fromthe world's largest manufacturer of automaticturntablesBSR (USA) Ltd .Blauvelt New York 10913Grey City Journal—November 9, 1973—5WittiTWAit pays to be youngWe save you money when you fly.From Chicago,round trip to:London $293Winter’s a great time to visit Europe. The crowds are gone. Paris $305The prices are down. And TWA’s Youth Fares are even lower Madrid $305than they are during the summer. Geneva $310Tb qualify, you have to be between 12 and 23 and make your Rome $310reservations within seven days of your departure. Athens $395Airfare does not include local airport tax or security charges. International airfares change Jan. 1, 74We save you money when you land.You’ll get guaranteed accommodations without When you land, take your boarding pass or ticket1-advance reservations at a student hotel for just $5.20 to any TWA Ticket Office in London, Paris, Frankfurt,a night, in 50 European cities. That includes breakfast, Rome, Madrid, Athens or Amsterdam, and you’ll gettips, service charges and, believe it or not, even some a book of bonus coupons good for all kinds of free thingssightseeing. Nobody else gives you anything like it. as well as discounted extras like bicycles, theaterPick up your Stutelpass* Coupon Books at any TWA tickets, sightseeing, meals and lots, lots more,office or see your Campus Rep. Stutelpass is a service mark owned exclusively by TWA.Any airline ticket is acceptable.TWA is what travel should be.NIA PRESENTS* A NIGHT OF COMIC NOSTALGIA *featuring W.C. Fields—My Little Chickadee (with Mae West)plus Reefer Madness plus Cartoons—Cartoons—CartoonsCobb Hall—Nov. 15th (a Thursday) 8:00 p.m. (only) As always $1.006—Grey City Journal—November?, 1973BUMPCST SO In CHIQ1GOBy PAUL J. GUDELThe most immediately impressive thingabout the Budapest Symphony Orchestraconcert given in Orchestra Hall last Sundayafternoon was the number of empty seats. Itis surprising how a partially empty hall caneffect one’s enjoyment of the concert. The airof electricity and anticipation, the sense of acommunal experience that makes live musicso much more exciting and satisfying thanrecords, lacks a little something when onecan move four or five rows closer to the stageduring intermission.Any concert held in the afternoon is alsolaboring under a disadvantage. In a societyin which music is an integral part of thefabric of social and personal life, I supposemusic could be celebrated at any time of day. In modern American society, however,“going to a concert” is a definite social ritualwhich has become so fixed in a pattern ofother, nightly, events (going out to dinnerbeforehand, etc.) that an afternoon concertseems somehow inappropriate, like havingbeer for breakfast.At any rate, to the music. When theBudapest Symphony played in Chicago in1972, they played those two mainstays of theHungarian repertoire, Liszt and Bartok. Andthis time? More Liszt and more Bartok, plusa horn concerto, composed in 1970 by IstvanLang, a young Hungarian composer.Tchaikovsky’s violin concerto rounded outthe program.The orchestra’s performance didn’t measure up to my 1972 memories of it. Itsounded less bright, less differentiated intexture. Perhaps it was the fault of theconductor, Geza Oberfrank. Perhaps mymemory was at fault. Anyway, theTchaikovsky concerto, although played withgreat dash by soloist Gyula Kiss, left anoverall impression of sogginess.The Bartok Piano Concerto #3 went muchbetter, with pianist Andras Kiss turning in avery creditable performance. This was themost substantial piece on the program. The“Concerto Bucolico” for horn and orchestraby Lang is directly in the Pink Floydtradition, and as a concerto it is actuallymore interesting than the Tchaikovsky. Atleast the conversation wasn’t totally one¬ sided. What’s worse than a concerto in whichthe solo instrument proceeds to make a boreof itself?The afternoon wound up with Liszt’s LesPreludes, which is great fun. Everyoneknows Les Preludes who has ever watched agrade-B, 1930’s Hollywood melodrama.Whenever Turhan Bey pours the juice of thetanna leaves into the mouth of Kharis themummy, murmuring incantations whichwill inspire him to rise from eternal sleepand smite the Unbelievers, there’s old Liszt,sawing away in the background. It’s beenfashionable to sneer at Liszt’s orchestralmusic Actually, it’s fine stuff - pretentious,but imaginatively so. It’s a perfect exampleof the creative use of the cliche. Give it a try.ADRIFT, RADAR IN EXILEBy MEREDITH ANTHONY“Film-making is not a very interestingprofession,” demurred Czech film directorJan Kadar to an unconvinced audience in theArt Institute’s Fullerton Auditorium lastWednesday. Kadar, whose classic Shop onMain Street won the Academy Award forBest Foreign Film in 1965, spoke about film-making and about the influence of the Czechpolitical situation in the 1960’s. Kadar leftCzechoslovakia in 1968 when the Russianinvasion interrupted the shooting of Adrift,which was finished and released in 1970.Adrift, screened before his talk onWednesday, is not as perfect as Shop on MainStreet, it is formally more difficult. Adrift isan underestimated milestone in cinemahistory. Its surface seems pellucid andlyrical but its internal structure is socomplex both thematically andcinematically that none of the Americanreviewers agreed on any point as to whatreally happened and their reviews revealonly their own preoccupations. In AdriftKadar achieves the much sought after fusionof the inner and outer life. He is the cinema’sJames Joyce. “Film-making,” he says, “islike dancing — you have to feel it.”Credited with helping form the “newwave” in Eastern European film-making,Jan Kadar is quite prepossessing with asilver-streaked mane of hair and heavy-lidded eyes that are crinkled at the cornersand appear to be permanently smiling at thehumorous side of every situation. HisEnglish is fairly good but he apologized for itcharmingly and his hesitations were soboyish that all the old ladies in the audienceswere shouting out the words that they weresure he was groping for.He spoke of the “Czech miracle” of theearly 60’s. “All of a sudden lots of young film¬makers started doing films with a different subject, a different form, a different‘language’... The best place in the world tomake movies was Prague in the 1960’s.”There were problems there, he assured us,but they were problems of a different naturefrom the ones here. There were noproducers, for instance. All the money camefrom the state. “In America getting money isimportant. In Czechoslovakia the importantthing was getting approval for ascreenplay.” Once you had that approval youwere free, although if the finished productturned out to be “politically ambiguous” thefilm was not released. Kadar added wryly,“I did a lot of those pictures.”Kadar lamented that the state’s onlyconcern was with the ideology represented.But then you didn’t need to worry aboutwhether a picture would sell. When Shop onMain Street came out it was a “modestsuccess” critically, but it only ran about twoor three weeks. “Who wanted to see an oldJewish lady and a schlemiel?” Then camethe announcement that it had beennominated for an Oscar. The Czech publicwas very award-oriented but Czech pictureshad only won European awards then.“What’s an Oscar?’’ Kadar asked.“Everyone was trying to find out.” When thepicture was brought back to Prague afterwinning the Oscar it ran for four months!“It’s insane to do a picture for an emptycinema but not every picture need appeal toeverybody... You have to find the rightaudience.”Kadar cited “Lenin’s now-famous slogan:‘film is the most important of all the arts,’ ”but he explained, “Lenin had in mind itsimmediate impact and not artistic control...The first thing the Russians did after the 1968invasion was grab the TV, radio and film.”The completed portion of Adrift had to besmuggled out of the country, taped to theunder-carriage of a truck, when the company left Czechoslovakia. The Russians weren’tletting any film out of the country.Mr. Kadar showed some footage from“home-movie for film-makers”, part of aproposed documentary on Radar’s directingtechniques shot in Canada last year. Whentwo young Americans approached him,Kadar thought the idea was silly. “A goodfilm is like a good meal; who wants to knowthe secrets of the cook?” He said afterward,“I saw the material and laughed.” So did theChicago audience. It was singularlyunrevealing. His recipe is safe.Kadar has not been idle in exile. He hascompleted one film in the US, the criticallyand commercially unsuccessful The AngelLevine, and one in Canada, Lies My FatherTold Me, which should be released this fall.He is also scheduled to begin work on TheTaste of Power for a French company thisyear. After that? If he can’t make the kind ofpictures he wants to or exercise the controlBy HOWARD ISAACSIt was just an average week-day night. I’dworked until ten, then gone over to a friend’shouse. When I arrived, she was in the throesof an Artistic Decision, namely: Did thepipes need a second coat of pink paint? Thevery boldness of the scheme required carefulconsideration, and a goodly quantity ofscotch. About 1:30 a.m. I finally stumbledinto my apartment and promptly began thenext day’s dinner, to wit:MARINATED FLANK STEAKTrim the fat from said steak and combine:1/ 2 cup oil1/ 2 cup red wine he feels is necessary, he’ll quit film-makingand teach. He’d hate to have to do that,though: “Talent, if not working, isdegenerating.”Has he changed much since he leftCzechoslovakia? Yes and no. “Not inside”,not his principles and artistic goals, but, likethe fisherman at the end of Adrift, “the manis no longer the same man. He can never goback.”The Art Institute Film Center co-sponsoredJan Radar’s appearance with the ChicagoCouncil on Foreign Relations as asupplement to the regular film series at theArt Institute. This excellent program runs onWednesday and Friday nights and admissionis a dollar. They show American andEuropean classics and have frequentdirector’s retrospectives, currentlyfeaturing Billy Wilder. Phone 236-2523 fortheir schedule.1/ 4 cup soy sauce1 tsp. curry2 tbs. ketchup2 cloves garlic, slicedThrow it all into the blender just longenough to sing one quick chorus of “Hail tothe Chief.” Lay out the flank steak in abaking dish and pour the sauce over it. Coverit with aluminum foil and shove it into therefrigerator for 12-24 hours. When you’reready to cook, just remove the steak from thedish and broil it normally. Yummy.While the whole thing does require minorforesight, it actually takes only about 2minutes to put together. I was in bed by 1:45.PMlIWeD 9TG/Wauthorized sales & service31?-mi 3-3113foreign car hospital & clinic,^5424 south kimbark avenue • Chicago 60615 inc."BRAVOfor this most sophisticated,entertaining, and delight-fully satirical comedy.-William Wolf. Cua Mkuim"A funny film . . . shouldbe seen by anyone search¬ing for some easy laughs.”Bruce Vilanch, Chicago TodayPLAYBOYT H E A T E R1104 ■ OtMOOON ■ MOM »«« 1414 Brent HouseEcumenicalUniversity Center5540 Woodlawn Ave.SUNDAY NIGHTSupper—DiscussiononEVERYMANwith Prof. Richard PayneAssistant Professor of English5 P.M. Underground Church6 P.M. Supper $17 P.M. DiscussionALL WELCOMEGrey City Journal—November 9, 1973—7PLCWUMBLC MUSIC TH€ 0JOLUTIOM Of G4RM€MBy DIANE WONIOAre voices instruments or are instrumentsvoices? After hearing Pro Musica Antiquathe night of November 5th I can no longertell. Their blend was complete and beautiful.Lutes, sopranos, regal, small woodwinds andsmall viols mixed till it was a strain to findwhich instrument sent forth which soundThe bass, larger viols, the vielle and thecrumhorns blended like coarsly groundspices. They could be separated, butcomplemented each other tastefully.One of the most pleasing combinations wassoprano Christine Whittlesey andcountertenor Daniel Collins. Ms Whittleseyhas a brilliant, clean voice and her tonequality carries well. Collins has a strong,nasal quality and also great carrying power.Together they are soprano recorder andsoprano erumhorn, perfectSoprano Anne Tedards blends best withtenor Hay deVoli. DeVoll has the bright voiceof this combination and Ms. Tedardscomplements it with her mellow, flowingtone.Fortunately Rodney Godshall is not abooming bass. He fits the ensemblemagnificently. Godshall and Collins sang twoduets. Both were by Guillaume Dufay, a latemedieval composer who introducedsweetness to Middle Ages music. Rich incounterpoint and resolving into soft, sweetharmonies, the songs were executed in aliterally thrilling manner.When the ensemble sang together theycarefully controlled the voice qualities theycould - strength, vibrato, etc. - to make surethat they melded and resolved as one multi-ranged voice. I can only describe them asfantastic even if the word is overworked.They held the audience in the palm of theirhands, along with their music. Four of fivepieces sung by the ensemble were sacred,but varied natures - ranging from thedemanding contrapuntal harmonies andrhythms of Johannes Ciconia and theconservativeness of Dufay to thecounterpoint complexities of JohannesOckeghem. Ockeghem’s Missa CuiusvisToni, the longest sacred piece (or secularpiece) in the program is written withoutclefs. The performers are at liberty to singthe Mass in the mode they consider proper for that performance. Perhaps, since theywere singing in St. James Cathedral, theychose the lydian mode (the mode said toevoke heavenly thoughts) to reflect theirhigh vaulted stage.The instrumental ensemble, besidesproviding excel lent harmony andaccompaniment for the singers, entertainedus with most of the evenings secular works.The musicians are indescribable. That thewall to wall audience was more than pleasedcould be seen on the widely smiling faces andfelt in the wave of applause that followedeach piece. (If further proof is needed I willremove the bandaids from my blisteredhands.)Shelly Gruskm played the Flute (wooden),Recorder, Crumhorn, Bagpipe Gemshorn,and Rauschpfeife with a great deal of gusto.Watching him play the smaller of the endblown woodwinds I realized how hard it is tobring out their small voices in so large achamber.David Hart used the Recorder, Shawm,Viol, and Lute to bring out the counterpointsand melodies of the sopranos, especiallywhen his instruments were the sopranovoices tall but the Shawm) in the allinstrumental pieces. Stan Charkev was themain Lutenist but also played the Viol.Frederick Renz, a very serious seemingmusician, masterfully keyed the Regal(small enough to be held on his leg) andOrgan, Wendy Gillespie, my favorite ProMusica member, played the Viols, Vielle,Recorder and Crumhorn. She becomes veryinvolved in the music and the fact that sheobviously enjoys her involvement makes itgreatly enjoyable to become as involvedeven though you’ve no instrument in yourhands.As an encore the group played a livelyItalian folk dance with Tedards on thecastanets, Whittlesey on tambourine,Godshall on bells and Collins on hurdy-gurdyalong with the rest of the musicians. Since itfollowed the first standing ovation, weprobably would have enjoyed it even if ithadn’t been such glorious fun to see andhear. (The second ovation, quite unanimous,followed the second encore.) Music DirectorGeorge Houle has much to be proud of.and directed by Hall Bartlett from the book by Richard BachScreenplay- Richard Bach and Hall Bartlett $o«gti>ritt*n and performed by Neil DiafFIOndCinematographer - Jack Coufftr Production design - Boris l even Photograph' 1970- Russell MunsonS 1 Original sound track by Neil Diamond on Columbia Records and Tapes. Panavision* Color by Deluxe*or; A Paramount Pictures ReleaseEXCLUSIVE CHICAGO SHOWIHG By DIANE WONIOWho and what is Carmen? To answer thatquestion you must consider which Carmenyou mean. If you attack the questionchronologically, then Carmen is first theproduct of a classical mind in a romanticera. Prosper Merimee created Carmen in1846. Merimee was a misogynist. ThereforeI all the women who figured as centralcharacters in his plays and novellasdestroyed the males they became involvedwith, whether politically, religiously, orsocially. They even destroyed other women ifthose others were not as u'ily, witty,seductive and scheming. Merimee spent hisbachelor life using many women. He hadfeelings of affection only for four of themThese affairs never came to marriage andprobably his inability to form a realpartnership with a woman increased hismisogynism.Carmen was his total woman Seductive,faithful for awhile, wily, and capricious byturns, and finally untrue. She left her lover,Don Jose, for another, Escamillo thetoreador, Merimee’s Carmen was also agypsy; she believed that the future wasfixed, that she must remain as free as shecould within that fixed framework.In 1873 Georges Bizet chose Carmen as thesubject of a grand opera. Merimee’s novellamodern classic. And, although Bizet hadonly traveled in Italy, Germany and hisnative France, he had a recognized talent forcreating musical landscapes, especially ofnon-French nature. Being a composer ofmostly romantic works, a Spanish settingwith gypsies, love triangles and many moodsto play with greatly appealed to him. Theopera he created with much difficulty turnedout to be the first naturalistic opera. Thiswas a bit of a shock to his following, and tothe critics. It created quite a heated stir inthe Paris press when it debuted in 1875. Partof the problem was the great abundance ofgypsies, prostitutes, murderers, and thievesCarmen put before the opera audiences at LaOpera-Comique. Opera was as that time anaffair for a family night out. Parents werequite upset. There had never before been adeath on the Comique stage, and never a woman like CarmenBizet's Carmen had a great depth, which isachieved in opera with great difficulty. Thecharacter is created both by the music(Bizet’s) and by the lines written by thelibrettists (Henri Meilhac and LudovicHalevy). Halevy was creating a flatcharacter Bizet fougnt and fortunately wonthe battle of the lines His rewriting madeCarmen the mysterious, sensitive, freespirited gypsy we sometimes see on thestage. (The next step to Carmen is the onetaken by the singers.) His rewriting of thefamous “Card Song" and of the enticing“Habanera” give the listener a look atCarmen's soul Both portray her gypsyspirit. In the “Card Song” Carmen turns upDeath in the cards first for herself and thenfor Jose. She tells of how useless it is toreshuffle the deck What is written will be. Inthe “Habanera” she shows more of hergypsy upbringing. For the non-Romany(non-gypsy) a gypsy woman has onlycontempt. She will use him only to furtherthe purpose of the clan. “Love is a child ofEgypt” (the Romany consider themselves“children of Egypt” because their own rootsin northern India were lost to them, but thestory of a voyageur like themselves whocame from Egypt where she was a slave, asthey were in north India, appealed to them.They made her their Saint Sara.); “he hasnever, never recognized any law” (save thatof his gypsy clan); “if you don’t love me, Ilove you! If I love you, watch out foryourself!”So Bizet continued Carmen in the traditionof her Spanish gypsy ancestry and made herslightly less a devil than Merimee’s originalby letting her background be the motiveforce of her behavior-The singers who portrayed Carmen havechanged the nuances of her character manytimes, each singer portraying her ownversion of the gypsy with only slightmo'4 " ‘ions by their directors. Thecomments of their critics tell a lot aboutCarmen’s changing character.continued on page 9m The first thing you have to learnabout skiing wellis how not to spend lots of money.W1 $99.80. i >:*:'lou know the more vou ski the big slopes, the betteryou'll ski For as low as $99.80" Continental gives youVail, including 7 nights lodging, (> days lifts and 10square miles ot slopes. !t could cost you up totwice that much it you take off and make yourown arrangements.To save you additional money, we offer a wideselection of special low cost air fares. We eventake your skis free. And Continental promisesyou memorable flights on our comfortable,DC- 10s and 727s to Denver. Or we llfly you to Colorado Springs orAlbuquerque.Cali your travel agent or Continental at 686-6500for details. Or mail the coupon.‘Per person, double occupancy, plus air fare and tax Add $17-20during Dec. 15-22; Dec 29-Jan. 5, Feb 9-March 30CONTINENTAL AIRLINES SUCPO Box 4187North HoilywtNtd, California 91h08Continental also ottersWinter Park. Taos. Steamboat and many other majorareas. Send tor free, complete brochure on Continentals Ski Holiday:Name ns special ski values in Breckenridge. Aspen, Jeamhoat and many other major western ski [State -Zip-CONTINENTAL AIRLINES • mii8—Grey City Journal—November 9, 1973“reoer mmiscontinued from page 8Marie Galli-Marie created the role in 1875.She was a beautiful mezzo and she playedCarmen as Bizet envisioned her. The criticscalled her Carmen “scabrous.” MinnieHauk, the American who followed Galli-Marie as the foremost Carmen was lessrisque, with more “heartless sensuality,caprice, cruelty and fantastic definance.”Galli-Marie was a Carmen with pride. Haukwith vulgarity.Most of the early Carmens continued thecharacter of the “tigress with cruel clawsready to dart forth and rend and tear on thesmallest provocation.” Emma Calve added a“panther-like quality” and “dangerousimpudent coquetry.” Calve learned gypsydancing from Romany friends. She broughtthat knowledge to bear in her Carmenportrayal. The slim American sopranoGeraldine Ferrar emphasized dramaticpossibilities. She also starred in Cecil B.DeMille’s motion picture Carmen.In more recent times Carmen has beenportrayed by Victoria de los Angeles, MariaCallas, Leontyne Price, Regina Resnik (whois currently singing in Lyric’s La Fille duRegiment), Ruza Baldani, Grace Bumbry,and Marilyn Horne.Horne gives the role a tough-guy stancewith feminine vulnerability underneath.Bumbry’s Carmen is beautifully seductivebut strong even in her moment of death.Resnik sings a vibrant Carmen and accentsher tragic end from the beginning of theperformance.I have heard Victoria Cortez, who opens inCarmen at the Lyric, sing Carmen on theMetropolitan broadcasts. It will beinteresting to see her interpretation. Isuspect it will be a strong, proud Carmenwith a bit of seductive femme fatale, ratherthan a slinky one, tossed in. Her QueenElizabeth in this season’s Maria Stuarda wasconvincingly strong. Carmen will give hermore room to act as well as sing.The rest of the Lyric cast will be (if Lyricdoes not pull another of the fast changes so“popular” this season): Marina Krilovici,Miwako Kuo Matsumoto and Patricia Wells,sopranos, who will be singing Micaela andFrasquita (Wells and Krilovici will betrading off); Nicoletta Ciliento, mezzo-soprano, as Mercedes; James King andFlorindo Andreolli, tenors, as Don Jose and<Dancairo; and bass-baritones GlenCunningham, Giorgio Giorgetti, LorenzoSaccomani, Richard Sutliff and ArnoldVoketaitis. Saccamani will sing Escamillo;Voketaitis, Lt. Zuniga; and Giorgetti, Sgt.Morales. The set design is by Piero Zuffi andhas been popular in past Lyric seasons. Thepictures I’ve seen of it are impressive. Thedirection is by Luciana Novaro. MaestroJesus Lopez-Cobas will be making his Lyricdebut as he conducts the opening nightperformance on November 14. The other sixperformances of Carmen will be on Nov. 17,19, 24, Dec. 6,12, and 14. The curtain rises at8:00 p.m. By MILES ARCHER“Natives of Philadelphia, Ronald andJeffry are proteges of the famous duo-pianoteam Pierre Luboshutz and Genia Nemenoff.The twins made their debut as youngsters ofeleven in an appearance on the Milton BerleShow....These successes brought moreconcertizing and television appearances asthe guests of Arthur Godfrey, Garry Moore,Steve Allen, Sam Levenson, and on the“Tonight Show.” The Marlowes wererecently seen on NBC-TV’s “I’ve Got ASecret.”I found it impossible to read this pressrelease for Friday night’s Chamber MusicSeries concert without laughing, especiallythe last line about “I’ve Got A Secret.” Afterreading this material, I had at least half adozen preconceived ideas as to what thevwere going to be like so that walking intoMandel Hall and seeing two grand pianosplaced together in yin and yang fashion didnot surprise me at all. Nor did I gasp, asmost of the less prepared audience did, whenRonald and Jeffry Marlowe walked on stagelooking “oh so identical.” Actually, I shouldadmit that up until the moment I saw them Ithought the press release may have been a“put-on”, but, clearly, these were real, live,identical twins. This was no “put-on”.The concert opened with Sicilienne by J.S.Bach (transcribed by Guy Maier) and the“Winter” concerto from The Four SeasonsBy STEVE STRICKLANDThe crowd waited anxiously for the concertto begin. The James Montgomery Bank hadcompleted their set and the MahavishnuOrchestra was about to commence. Thecrowd erupted into spontaneous applause asthe band members strode across the stage.However, before the concert was to begin,John McLaughlin asked the crowd for amoment of silence. This illustrates thedifference between the MahavishnuOrchestra and most other bands. Theinfluence of Sri Chinmoy, McLaughlin’s gurutowered over the entire night’s proceedingsand helped produce one of the most intense 21/2 hour sessions I have ever experienced.The Mahavishnu Orchestra is anextremely difficult band to review. They donot play songs in the traditional sense; theirsongs are merely starting points forindividual extensions of each musician’svirtuosity and while each of the musiciansare incredibly competent, their concerts arerarely group efforts. From the opening barsof “Meeting of The Spirits,” it was obvious by Vivaldi (transcribed by the Marlowes).The highly “contrapuntal” nature of theoriginal pieces made the transcriptions seemrather natural and the brothers didcreditable jobs on their keyboards. Neverhaving seen a piano duo concert before, andmost certainly not one where the pianistswere identical twins, it was interesting tov.atch them in these two pieces as theyplayed “mirror-image” parts on theirpianos.The third piece on the program, Debussy’sPrelude to the Afternoon of a Fawn, servedone function, to show what sort of a piecesimply does not work with a piano duo.Debussy’s well known work derives animmeasurable part of its beauty from itsflowing looseness, and this is precisely whatthe Marlowes seem incapable of giving. Thecontext of a piano duo simply had too muchof an inhibitory effect. The previous twopieces had been highly structured and, aswas mentioned before, stronglycontrapuntal, so this lack was not noticed asmuch as in the Debussy. The spontaneitywhich is the essence of the piece just was notthere.Without a doubt, the best performed pieceon the program was Bartok’s Sonata for TwoPianos and Percussion, the percussion partsbeing handled by Eric Kivnick and DavidWoodhull, members of a percussion groupcalled The Batterie. A very active and livelythat this was to be one of the Mahavishnu'sbetter nights. From there, the concertevolved into some excellent new materialfeaturing extended guitar and synthesizerwork. At least one of the new songs was fromBilly Cobham’s solo album, while the otherswill most probably be on the nextMahavishnu Orchestra album. The bankcontinued into the realm of their previouslyreleased material, most often using thethemes of each song to end one musician’ssolo while starting another’s. “MilesBeyond,” “Hope,” “Celestial TerrestrialCommuters,” and “Birds of Fire” from theBirds of Fire album were played and allsongs culminated in “One Word.” This songis Mahavishnu at their finest and it containedan incredible bass solo by Rick Laird andBilly Cobham’s perpetual motion drumming.Each of the three solo instrumentalists,Jerry Goodman, Jan Hammer, and JohnMcLaughlin each play short 2-3 bar soloeswhile the music rotates in a circular manner.This, then, climaxes in Billy Cobham’s drumsolo, which was one of the high points of theevening. “The Dance of Maya” and “Vital piece, it lacked any feeling of beingartifically scored for two pianos that theother pieces may have given.The program closed with two moreromantic sort of pieces, Passacaglia byHandel and a Fantasy on themes from DieFledermaus, both transcribed by Luboshutz.Apparently, the good job they had done onthe Bartok satisfied the Marlowes for theevening, for these last two pieces, thoughplaced accurately, lacked a real spark of life.Finally, as if to remind us oi meir musicalorigins, Ronald (or was it Jeffry) announcedthat, for their encore, they would play PierreLuboshutz’s piano duo version of Stars andStripes Forever. It served to remind theaudience that, no matter what it had thoughtof the concert, it should temper its feelingswith the realization that the Marlowes hadcome a very long way from the Milton BerleShow.Speculum Musicae, a group of young NewYork musicians, was even further awayfrom Mandel Hall than the mileage to theMuseum of Contemporary Art. where theyappeared last Monday night. They offered a•ot of noise with a little jazz thrown into themusic for good measure.- Other programs on the roster forContemporary Concerts this year areSiockhausen’s Stimmung sung by theCollegium Vocale Cologne andharpsichordist Elisabeth Chojnacka.Transformation” followed from the INNERMOUNTING FLAME album. “Awakening”featured the violin of Chicago’s own JerryGoodman, one of the best jazz violinist’s inthe business. With the addition of “TheNoonward Race”, this was basically theconcert.The Mahavishnu Orchestra are expandinginto the realms of rock, jazz, and easternmusic and they are the current pacesettersin high energy rock-jazz music. Their criticalacclaim has opened the doors to bands suchas Weather Report and Return to Forever(Chick Corea) that previously would havebeen closed. They are one of the few supergroups that continue to play together and thereason is that each of the musicians is givena degree of freedom that is rarely equaled inother bands. I only hope that theycontinue to produce theincredible music that has beentheir trademark or the musicworld will have lost a band thathas rarely been equaled andnever surpassed.MrfH/WHNU IM CONCERTGREEK ANDAMERICAN CUISINESPECIALIZING IN• Sayunaki• Mousaku• Pastichio• Dolmades• Souvlahi• tiaklavaWith a complete“Breakfast- Lunch- Dinner”MenuServed Daily1335 E. 57th St.■( corner of 57 th & Ken wood,[I Come to...ALL HANDMADE ITEMSBelt BagsSaddle BagsBattle BagsWine BagsBack Packs Brief CasesHead WarmersSheepskin JacketsLeather Jacketsand other originalideasSTUDENT DISCOUNT A small Catholic community ot the English BenedictineCongregation invites men in search of God to becomemonks in its monastery family.Our active apostoiate includes a varied pastorai ministryand the conduct of a college preparatory school.Dedicated to the search for God through prayer andwork, we are a young community (founded ih 1955)that seeks to grow in numbers and in the service of Godand of mankind. We aspire to be a living, vibrantwitness to the vigor of the Catholic faith andits relevance to the spiritual, intellectualand social needs of thedBBll j§ world todayWrite Father Luke RigbyBox 27321St Louis Missouri 63141Grey City Journal—November 9, 1973—9RCCORD9Wake of the FloodGrateful DeadGrateful Dead Records GD-01"Being alive means to continue to change,never to be where I was before. Music is thetimeless experience of constant change."—Jerry GarciaBy STEVE YOUNGThe Grateful Dead are a band of constantchange. Even if, contrary to what lead guitaristJerry Garcia declares, the band weren'tdedicated to this continual evolution toward someundefinable goal which has to do with makinggood music, circumstance has forced somechanges on the former Pranksters of Ken Kesey'sacid tests. In 1971 the West Coast group partedwith second drummer Mickey Hart, when it cameto light that his father Lenny had made off withcountless thousands of the Dead s money, whileserving as the group s manager. Then one of theoriginals in the group, heavy-drinkin' Ron McKer-nan (fondly referred to by most as the Pig ), gottoo ill to tour. Keith Godchaux, an old family friend, joined up to replace him on keyboards,bringing along his wife Donna to contribute oc¬casional backing vocals. When the bottle finallyclaimed Pigpen last fall another bridge with thepast was irrevocably severed, but the group thatgave us truckin' just keeps on. Changing con¬stantly, searching always for that indefinablesomething. Woks of the Flood is another stepdown that road with no end.The group's first release on Grateful DeadRecords, Wake is an offering of some of thematerial they've written in the relatively easydays since the fabled European Tour in spring, 72.Most of the material on the album had appearedin their stage repertoire by early spring of thisyear, along with a number of other new com¬positions notable for their absence on the newrecord. The band chose to deviate from theircustom of live recordings to enter the studio andmix in a few supporting musicians on such diverseinstruments as violin, brass of various sorts, andtimbales. Since the Dead play strictly electric onstage these days, a necessity forced upon them asa result of their growing popularity (acousticwork just can't be effectively put across to15,000), the studio session had the added ad¬vantage of allowing them a few musical subtletiesno longer feasible in concert. You see, theGrateful Dead have arrived, in a commercial sen¬se.Truly good acts seldom remain obscure forlong. For years now the Dead have had a cultistfollowing capable of packing a friendly two tofour thousand capacity hall to overflowing, a loose group of stoned freaks who loved the groupeven on their infrequent off-nights. But wordbegan to spread of those occasional "preciousmoments" when, in Garcia's words, "Your playin'ana the whole room becomes one being." Moreand more restless ones began looking into thephenomenon called the Grateful Dead and foundthere something they could come back to againand again. It has to do with that constant change.The culminating act, I suppose, came last July, when no less than 600,000 people crowded intoan up-state New York raceway to discover, inmany cases to re-live, the experience. Even whenonly one fortieth of that number gather togetheragain to recapture live Dead, that's enough to fillone of these new hockey rinks or amphitheatresto the gills. The Dead too must adjust.The Beatles quit touring when they found that(con't on page 11)ANNOUNCINGGAGE PARK VOLVOa dealer as good as the car!VOLVO ‘74The Prestige Car of its classA new ownership... and a new car Wf(VOLVO)^§7QUALITY Volvo 74 isthe best Volvo ever. You know how goodthat can be. And Gage Park’s eager-to-please newmanagement reflects the quality of the Volvo itself.WARRANTY One full year—unlimited mileage—all parts andlabor. The most liberal warranty in the industry.SERVICE A full team of service craftsmen assure you prompt,pampered, economical service.MILEAGE Volvo gives you the best mileage of any car in itsclass. And you know how important that is with gasshortages and still-rising prices.Visit us and VOLVO 74 ...Judge for yourselfGAGE PARK VOLVO6120 South Western Ave. / 471-0900FREE 5 Year, 50,000 Mile Warranty with every car sold in November FREE The dilemmaof being a womanWHERE A COMPLETE DINNERFOR TWO IS STILLUNDER $5.00311 E. 23rd Street2 blocks W. of McCormick PlaceTelephone: 225-6171Open 11 am to 9 pm/closed SundaysMidwest Population CeWe know. We understand. We care.Uur Women s Service Division includeslicensed clinic, complete with a superiorprofessional staff. Outstanding service iswide variety of areas such as pregnancycounseling, pregnancy termination (up toand menstrual extraction (starts period up toFor further information or an appointment, call iconfidence.(312) 644 3410100 East OhioChicago, Illinois 60611A non profit organization10—Grpy City Journal—Novpmhpr 9 1 973R€CORK(con't from page 10)the experience was no longer rich or satisfyingenough musically, or lucrative enough financially,to justify the hassles. They just felt too con¬strained in the studio by bonds which dictated tothem that they record predominantly materialthat they could put across to 50,000 screamingkids in a baseball stadium. So they became astudio band, and within four years theydiscovered to their dismay that they had loosenedtheir bonds so much that they were no longer fun¬ctioning as a unitary group. Farewell to the firstgolden era.The Stones have survived in large part by subor¬dinating much of their talent to the live per¬formance, and separating the rest until thegreatest rock and roll band in the world hasdeveloped a shadow which scarcely resemblesthe liver than you’ll ever be. You can catch Dylanat the cinema.The Grateful Dead continue to enjoy both thefrosting and the cake however, playing musicwhich at the same time satisfies their own com¬plex tastes and electrifies their ever growinglistening audience as well. And the Dead arecapable of putting that music across to a liveaudience too, convincing all but the deaf andhopelessly cynical on a good night. Possessingone of the tamer acts you can pay money to see inthis age of glitter and strut, the band still playsthe longest sets I’ve ever heard by an establishedrecording artist, varied but never dull, as theypick up their audience and carry it through a suc¬cession of country ballads, love songs, blues num¬bers and half-step Mississippi up-town toodeloos.Which brings me back to that new album.Characterized by mellow backing vocals and agenerally subdued air of laid-back country playin’,Wake of the Flood exhibits the continuedrichness of the Robert Hunter-Jerry Garciasongwriting team, responsible for four of theseven tracks. Garcia's playing, like his ap¬pearance, is a living example of spaced-out, even-tempered country cool, fully human yet somehowcosmicly beautiful. His shadowy lyricist, Hunter,remains elusive, yet impressive on Wake, withhis judicious mix of melancholy nostalgia andclear-eyed optimism still apparently far fromexhausted.The opener, "Mississippi Half-Step UptownToodeloo," in the tradition of "Cumberland Bluesand "Bertha," kicks off the album with a rollickingtune, again expressing the n’er-do-well, happy-go-lucky sentiments of Garcia's earlier "Deal" and“Tennessee Jed.” Then the Dead give us a tan¬talizing spot of the swelling harmonies of "Crossthe Rio Gronde," to fill out a combination fullyexecuted only in concert. The second track is asurprise, featuring the musical arrangements ofKeith Godchaux and Hunter, in "Let me sing yourblues away." Martin Fierro contributes a catchyKing Curtis-style sax accompaniment, and Keithand Donna just out and out croon. Then we re intothe nostalgia. "Row Jimmy Row” brings back thefour-part harmonies of "Rio Grande, mixed withsome beautiful Garcia licks and solid bass fromthe nimble fingers of Phil Lesh. The seven minutesplus enables the band to open up with their firstfully performed number of the side, and it leavesone fully convinced that the Dead are becomingmasters of the country ballad genre. "Stella Blue,”the final selection of side one, is moreproblematic.Along with Wharf Rat" and perhaps "BlackPeter,” Stella Blue' will be ranked as one of Gar¬cia’s frankest, and most melancholy compositions.Even the up-tempoed refrain comes off plaintive,and the reference to those "dusty old strings" em¬phasizes once more the timelessness of the musicexperience in a man who has said, "my way ismusic...I've been into music so long that I'm drip¬ping with it, it's all I ever expect to do. I can't doanything else." As Stella Blue fades, it leaves asense of restless longing in the listener that bor¬ders on the depressing. The song's just thatpowerful.Here comes Sunshine kicks off the B side witha piece of post-apocalyptical optimism reflectingthe title of the album, for surely after the floodwill come the sunshine. 1 still swear that it wassongs such as this that kept those rain clouds incheck at Wotkin s Glen until the Dead had left thestage. Once again Donna joins Jerry, Bob and Philon the refrains, and you see the light.Eyes of the World" is highlighted by a fine duetbetween Lesh's bass and Garcia s guitar whichweaves in and out of the lyrics, both underliningand accentuating the message of the song. Forthe first time on the album the band addressesthe listener directly, urging us to wake up, findout that we are the eyes of the world. Eyes of theWorld" is one of the most effective numbers in thecurrent Dead live repertoire, appearing as it doeslate in the evening and emerging out of a jam,rather than setting off from ground-level. Thesong soars.The surprise treat of Wake of the Flood is ser¬ved up last. Just as one is beginning to ask whereBob Weir is one the album, the first notes of theWeather Report Suite" prelude lightly drift offthe grooves, and you ve set off on twelve minutesof constant shifting gears, building crescendosand sterling vocals Weir's voice is perplexinglysimple here and it takes a few listens to get usedto its direction on the suite, but the more youlisten, the more impressed you become. It's no ac¬cident that the Ace' provides lead vocals on allthree of the Grateful Dead's big production num¬bers, "Truckin'," "Playin' in the Band,” and "SugarMagnolia." Bobby continues to display his in¬ dependence of Dead lyricist Hunter here, teamingup with John Barlow and some Anderson dude forwords and music. The brass accompaniment fur¬ther embellishes the composition, and combinesto make this number blood-brother to its threeabove mentioned compatriots. It was no surpriselast Thursday at Northwestern when the band en¬ded its first set with this song.It's a delight to attend a Dead concert thesedays, because you can pretty much count on theband to assure a certain standard of arrangemen¬ts. Sure enough, although the chairs could havebeen done without, and I met one semi-officialusher to whom only Hunter Thompson could dojustice, the hall was generally friendly and thesound (the Dead travel with their own) predic¬tably superlative. Early on the band announcedthat they had come to play. I always hope for afew gifts' when I see the Dead, unlikely songsseldom performed live by the band. I counted fullythree last week. Kris Kristofferson's "Me and Bob¬by McGee," a rock standard ever since Jonis got ahold of it, is excellent material for the lilting har¬monies of Garcia, Lesh and Weir, and its ap¬pearance as the third number of the night pointedthe direction of the whole evening. Anotherwelcome surprise in the first set was an electric"Brokendown Palace" from American Beauty-days, and when the Dead broke right into Mor¬ning Dew" to start the second set, whew!That second set seemed like one continuous en¬core to me, and I was not surprised when upon itscompletion, the group left the stage for good,unresponsive though not inappreciative of thefrantic pleas of the audience for more. When thelast number is a string-along of "He's Gone,""Truckin ", "Wharf Rat," and Sugar Magnolis,"there are few places left to go anyway. Excepthome.Wake of the Flood convincingly demonstratesthat enlightened self-interest exists in music too,just as concerts like the one in Evanston onNovember first display the ability of the GratefulDead to convert their studio material into one ofthe finest live shows still on the road. (I've nowheard all but one of the tunes from Wake of theFlood performed live) And the rigours of touringhave seemingly not forced compromise in theband’s musical development. The Grateful Deadkeep on growing, expanding, and improving atwhat they do best, which is playing music. Here isone group of musicians I look forward to goingthrough life with, as they continue to sample, ab¬sorb and assimilate the best of the Americanmusical heritage into a style and execution whichis all their own, and as such unparalleled inquality as well.Kris & RitaKris Kristofferson & Rita CoolidgeA &M SP 4403ButterflyCheryl DilcherA&MSP 4394I Am A SongCleo LaineRCA LPL1-5000Don't Cry NowLinda RonstadtAsylum SD 5064New BeginningsMorganna KingParamount PAS 6067Butterflies in HeavenMary McCrearyShelter MCA 347Maria MuldaurWarner Bros. MS 2148By GAGE ANDREWSThere is a new disease in the reviewingbusiness, a disease seems to be exceptionallyvirulent. It is named after its most famous victim,famous Rolling Stone rock critic Stephen Holden.Its main symptom is an uncontrollable fascinationwith the human, especially female, voice; Holdenhas been writing reviews of female singersalmost exclusively in recent months.! have succumbed to this disease, partiallybecause these music trade viruses are tough littlebastards, and partially because much of the goodnew music seems to be coming from women. Thisreview is an expiation of my illness, and hasproduced an at least temporary satiation with theentire field for me. Some of the records were biglet downs.I am going to consider the Kris & Rita album aRita Coolidge record for two reasons; first,because I was very eager to hear her new album,being a big Rita Coolidge fan, and the sight of thisalbum in the store triggered the usual heart¬beating, sweaty-paim reaction of anticipation;and second, because the record was released onCoolidge s label, and not on Kristofferson's.This record was the biggest disappointment ofyear for me. Rita can send cold chills up and downmy spine, dancing minuets on my vertebrae-yetthroughout this whole album I felt as though I wasbeing soaked, fully clothed, in warm, too-sugary,cocoa.It's not all Kristofferson's fault-he only wrotefour of the songs, and his performing is no worsethan usual, of late. But, you see, they're in love-inaddition to their being married, and her beingpregnant, and their both being movie stars, andthe whole rest of the domestic scene. Thathypothetical slowing of the sense of time that oc¬curs when people are in love really happens, allover this record. The songs ooze off the recordlike snails suffering from massive overdoses ofmolasses.They blew the whole thing. They don't har¬monize well, and though having her sing all thefirst verses of the songs kept me from running out of the room more quickly, it just becomes more ofa bummer when his voice cuts in. It's like beingput to sleep with a hammer after inhaling poisongas.Rita sang so well over a lead guitar-especially aspare electric line drifting around her voice. Ibuilt the tension just enough for her voice to easeit. The nearest thing to a guitar line on this recordis that she was in fit Garrett and Billy the KMwith Bob Dylan, who presumably still owns one.This album is a total, lethargic, stupefyingdisaster.The Cheryl Dilcher album belongs in the famecategory. I was told by someone that I would likethis record. She was wrong. Admittedly, she wasthe record company PR person, and didn't havethe faintest idea what my tastes run to, but still...There are many things I dislike ab.>ut thisalbum; the cover art is repulsive, including thepseudo-coquetteish picture on the back; Dilcner'svoice grates horribly on my nerves, which con¬stitute a sensibility that has strained desperatelyto become inured to Melanie and Edith Piaf; andthose butterflies, which my roommate Hates.But worst of all is the aura of abject, sup¬plicating feminity that flits horribly throughoutthe entire album. My bias does not stem from adislike of femininity, nor from any rabid leaningstowards women's lib; no, it's simply that thisalbum has a soft, caressing, grossly insinuatingporousness that affects me tne same way thesight of velvet does-it makes me wont to throwup.Cheryl, it's just that if you ever walked into oroom where I was sitting and shouted at the top o'your lungs "Eat It Raw!", I would assume that youwere cooking the hamburgers badly, and it nodupset you-and that is not tne kind of sensibility Iwant around.Butterflies in Heaven by-passed my room¬mates dislike for butterflies, since she hasn'theard, heard of, or seen the album. But McCreary,unlike Dilcher, doesn't simper; she is the kind ofshouter that A & M thought they were gettingwhen they signed Rita Coolidge. McCreary ripsthrough tne title cut without the slightest tracecoyness.I am having trouble finding something to sayabout McCreary, perhaps because I am too soberto write. I can t put down how she affects me.Clearly, she is one of the new breed of femalerock singers. Jam's’ descendants. Yet it's not justimitation. Her voice doesn't project "instantrecognition”, but that may require a qualifying"yet'. She sings fast, dusky, rocking-but thedegree of polish is just between the raw tearingpower that Joplin had, and the practiced,choreographed appeal of Tina Turner. Anotheralbum, in different circumstances, might makethe difference for McCreary; this one doesn'tmove me.Cleo Laine and Morgana King are of a differentbreed. They belong to the night club singers, themost obscure of the non-SUPERSTARS (thoughLaine performed a concert in Symphony Hall lastTuesday). Both women profit from the freedomthat goes with their field, the freedom of diverseaccompaniment and arrangement that most folksingers don't have, or at least don't use.Morgana King is trying to build this album-infact, her whole current career-around her in¬terpretation of Stevie Wonder's "You Are The Sun¬shine of My Life". Even Wonder himself said that"King has aone the best version I've heard".King's "Sunshine" can't hold a candle to Won¬der s, despite his charitable statement. She hasmade a career out of cover versions that, whilepersonable, don t quite cut it. King may do MOR(Middle Of the Road) versions very well, as shehas here, but that won t prevent her from havingto have a whole series of "new beginnings".Cleo Laine is another story. Despite the factthat all the songs presented here are too short forher really amazing improvisaticnal abilities tocome into play, there is no question that this isher most successful album in recent years.The liner notes of the Ip comprise a competentand fairly complete review of tne album, so I willmerely direct you to them, and state that for once,the liner notes of an album are accurate.It is clear after one listen that the wholeshebang of sidemen, production techniques, etc.,is merely wrapping around the incredible gift ofher voice. Theres a high "G" in Carole King sMusic" that is stunning; a minute long burst ofscat singing that covers a Bach improvisation; acharming acapella introduction to Rogers andHammerstein s "It Might as Well Be Spring .Laines smooth shift to falsetto is barelynoticeable; her range and control is more thanadequate for classical music. She is easily amongthe best, and the most overlooked of the modernchanteuses. A small gem of an interpretivealbum.I've saved the best for last, to reward all thosepeople who plugged through this far. Linda Ron¬stadt has finally released her new album (after a2 year wait!), on a new label, and it correctseverything that was wrong with her previousalbums.The violins ore toned down. The impetus ofeach song is carried by her vocal line, with theprimarily country-rock backup filling in the holes.The musicians feature ex-Byrds and Taylor familystars, a few Asylum artists (like John DavidSouther, who also deserves credit for a fineproduction job); and Sneaky Pete and SpoonerOldham on steel guitar and piano, respectively,are constantly inventive and supportive, focusingthe spotlight where it belongs-on Ronstadt.Despite the urging of the promotion people tostress her wide appeal, I will narrow down Ron-stadt's field. She could easily become the firstsuper-star of country rock. The performance isthere, it only awaits recognition. Poco, the FlyingBurrito Brothers, Commander Cody, and theEagles (who used to be her band, according to thisblurb I have here, and that must have been fine)have firmly established the medium, but untilRonstadt all the female singers have drifted overto straight country.Ronstadt does an electric selection of songs,which helps to prevent her being stereotyped.Rick Robert's "Colorado" is superbly haunting,and Neil Young s "I Believe in You is one of thestronger ballads contained here. Souther wrotethree of the songs, all of them good showcases for her voices, especially the title song.There is no "Long, Long Time" that comesleaping out of this album at me (so far), but thereason is merely that the quality of the wholealbum is high enough that there are no really badcuts for contrast. Ronstadt has reaffirmed a oncewavery position among the finest singers around.Surpassing Ronstadt, and instead establishingher own first solo album as the most entertainingfolk album of the year so far, is Maria Muldaur.Having outlasted tne Jim Kweskin Jug Band, andat least temporarily without her husband Geoff,Maria has roundea up the best musicians to befound, and imbued them with her own gentle andgleeful mania.Songs trip up and down, wondering in and outof musical classification with talented abandon.Perhaps the epitome of the album, and certainlyone of the most tantalizing and burlesque songsin folk music, is her rendition of "Don't You FeelMy Leg (Don’t You Get Me High)". Muldaur comeson firmly sexy, an enticing put-down artist. She isa contradiction all the way, appealing becauseshe isn't throaty and sultry, relaxing because sheis rambunctious. Totally different from all her con¬temporaries, Maria Muldaur s album is a uniqueand delightful experience.I’m Doin' Fine NowNew York CityChelsea BC1 1-0198The Main Ingredient Greatest HitsThe Main IngredientRCA APL 1-0314Back to the WorldCurtis MayfieldCurtom CRS 801 5By MARK BUSHMANSoul in the Seventies has seen the coming toprominence of the album as a mode of personalstatement, and the rise of the East Coast,especially Philadelphia, as the center of a newsophisticated soul," related to but funodmentallydiffering from the Motown Sound of the Sixties.While producer-writers Gamble and Huff havebe*>'. getting most of the attention as the forcebehind the Philadelphia movement, a formermember of the team s production staff, Thom Bell,has been making records on his own which areevery bit as good as Gamble and Huffs. Bellproduced and arranged the fine Spinners album(Atlantic SD 7256), and has come through againwith completely successful work on New YorkCity s I'm Doin' Fine Now.Since Bell produced only four out of elevencuts (the remainder being handled by Wes Farrelland John Bahler), the New York City albumclearly demonstrates how crucial a role theproducer plays in this music. The Bahler andFarrell productions are more than competent, of¬fering an appealing, glassy sound. However,these cuts pale quickly when one turns the discover and gets to the Thom Bell things.As with the Spinners, Bell is here dealingwith a group that locks an outstanding leadsinger. This shortcoming is evident on the cutsproduced by Bahler and Farrell, where the group'svocalizing is brought so far up front that is standsor falls on its own. Bell, on the other hand, knowsexactly how to overcome this weakness, heweaves the instrumental arrangements aroundthe singers parts, so that a swirling string sectionslips into a single naif-note of four-part vocal har¬mony, a voice swoops down to meet an ascendingbass guitar figure, or the lead singer completes achord begun on the piano. The producer therebycreates an illusion of depth, putting one voiceacorss the street with the violins and anotherright in your ear olong with the horns. He alsogets the best drum sound in the business, helpingthe music travel down your backbone instead ofstopping at your head. For production jobs likethis, Thom Bell should get a Nobel prize.Unlike New York City, the Main Ingredientmakes New York City-style soul music, in somerespects reminiscent of Little Anthony s betterdays. The group had its biggest hit two summersago with "Everybody Plays the Fool," whichfeatured Cuba Gooding as lead vocalist. Goodingis the replacement for the Ingredient s originallead, the late Don McPherson. McPherson was gcontrolled, subtley effective singer, superficiallysimilar to someone like Eddie Kendricks. Mc¬Phersons death has unfortunately left the MainIngredient with little to distinguish them fromether groups working in this realm, but c full sideof his best work can be heard on The MainIngredient Greatest Hits.While Marvin Gaye and Stevie Wonder arethe obvious examples of soul artists successfullyusing the album as a medium for coherent personal statements, Curtis Mayfield has been at itlonger, and Back to the World, coupled withSuperfly, shows that he has things to say andknows how to say them. While Mayfield s recentmusic gets a little samey for me its all funkywithout being obnoxious. Back to the Worldcontains some interesting melodic ideas, in¬consistent but frequently pithy lyrics, and is sim¬ply and faultlessly produced by Mayfield himself.The cover art is a knock-out, too.For those bored with the currentmachinations of "mainstream" rock, albums likethe above may be worth checking into. For mymoney, soul, whether in the"Philadelphis/sophisticated. concept album," orMemphis studio" tradition, is the vital forceremaining in American rock.Grey City Journal—November 9, 1973—11Maybe the way to change the worldis to join a large corporation.We don’t make a lot of noise, but this is where it’sreally happening. You see, a large corporation like Kodak hasthe resources and the skill to make this world a little more de¬cent place to live. And we intend to do what we can to seethat this is exactly what happens.Take our home city, Rochester, New York for exam¬ple. We cut water pollution in the Genesee River by usingnatural bacteria to dispose of unnatural wastes. We cut airpollution by using electrostatic precipitators in a new com¬bustible waste disposal facility. Wo helped set up a blackenterprise program in downtown Rochester, and we’ve beenexperimenting with film as a way to train both teachers andstudents —including some1 students who wouldn’t respond toanything else., And we didn’t stop with Rochester. Kodak is involvedin 47 countries all over the world Actively involved.; v--'v* $ ** v% - ■Lak Why? Because it’s good business. Helping to cleanthe Genesee River not only benefits society... but helps pro¬tect another possible source for the clean water we need tomake our film. Our combustible waste disposal facility notonly reduces pollution... but just about pays for itself inheat and power production and silver recovery. Our blackenterprise program not only provides an opportunity for theeconomically disadvantaged ... but helps stabilize communi¬ties in which Kodak can operate and grow. And distributingcameras and film to teachers and students not only helpsmotivate the children... but helps create a whole new market.In short, it’s simply good business. And we’re in busi¬ness to make a profit. But in furthering our business interests,we also further society’s interests.And that’s good. After all, our business depends onsociety. So we care what happens to it.KodakMore than a business.12—Grey City Journal—November 9, 1973