The Chicago MaroonVolume 81, Number 26 The University of Chicago Friday, January 12, 1973Dubi blasts Cook County problemsBy DAVID SOBEHLSONFather Leonard Dubi is one of the in¬creasing number of young priests whobelieve the church has a responsibility tobecome involved in contemporary socialissues. Last Wednesday night, Father Dubicame to campus to discuss the organizationof which he is the chairman, the “Citizens’Action Program”.The discussion started at 7:30 p m with arecitation by members of the audience ofpersonal experiences of frustration andpowerlessness. Many pointed to attempts todeal with the political machine in Chicago asmaking them feel powerless, while a notinsubstantial number discribed life atUC as frustrating. Father Dubi thendescribed CAP as a group of people who arefrustrated by their experience with injustice.He decided that self-interest is the only thing that will bring people out to work for anorganization, and that thus, the membershipof CAP grows as it deals with problems af¬fecting greater numbers of people.Dubi spoke then of the events in his life thatled to hia t-'coming a “founding father”, ofwhat was then the “Campaign AgainstPollution”. Ordained in 1968, he foundhimself frustrated by his inability to dealwith the source of a problem he encounteredas a deacon the previous year, when 750 newhomes were built in his parents’ community.In this planned community project, 725Black families were moved into apredominantly White community with noaddition in the recreational, educational, ortransportation facilities in the community.The White families in the area moved outrapidly, and, in some cases, angered byDubi’s attempts to affect racial attitudes inthe area, in an effort to keep the communitypeaceful. Dubi spoke of his first assignment, at StAndrew’s church, on the North Side. Duringhis stay there, his work on the campaign of alocal alderman alienated some of the otherpriests in his parish and annoyed some of theadvisors of the pastor. Father Dubi admitsthat he “made some mistakes”, andrevealed that his biggest one at that time wasprobably inviting “hippie” into his 7th gradeclass to help in a discussion of “drugs and theyouth culture”. The parents were outragedupon hearing what a priest teaching theirchildren had done, and it was agreed that hewould leave at the end of the year.His new assignment was at St Daniel’s inGage Park. Father Dubi spoke of his fear atthat time that dealing with people he ex¬pected were poor, uneducated, and bigoted,would be impossible for him. Listening totheir problems, he found that the main issuesconcerning them were education, taxes, andpollution. In late 1969, Mike Royko wrote a columnabout pollution. Thirty of the people whowrote to Royko concerning this cplumnbecame the original members of “CampaignAgainst Pollution”. The target was Com¬monwealth Edison.The membership of CAP doubled, thendoubled again. One-hundred-fifty people,attempting to join a supposedly openmeeting of the Illinois Commerce Com¬mission concerning an Edison rate increase,were forcibly restrained from doing so.Meanwhile, Dubi heard about CAP from afriend of his, to whom Dubi then gave thenames of various people in Gage Park whohad complained to him about pollution. Hiscommunity became involved.In mid-February, an article in the ChicagoTribune revealed that Paul Booth, chairmanof the Campaign Against Pollution, was, aswell, a high ranking officer of the Studentsfor a Democratic Society. In a compromiseto the conservative members of CAP, FatherDubi consented to become co-chairman, andthus moved to the forefront of the movement.By this point, CAP had already swelled to amembership of 20,000. The annual Com¬monwealth Edison stockholders meeting inApril was coming up, and the members ofCAP were working hard toward that day.They bought several shares of Edison stock,enabling 50 members of CAP to enter themeeting. These 50 people marched down theaisle, all behind Father Dubi, and allshouting, “Mr Chairman!!”, in an effort tobe recognized by the chair and thus gain thefloor. Father Dubi described this action as,“the rudest thing I had ever done in my life”.Dubi laughed at the article in the Tribune thefollowing day describing the “busting up” ofthe meeting by a “young priest with 50hippies”, noting that the median age of thepeople following him was close to 45.The next target of CAP was the airpollution produced by the Sanitary District.CAP forced a meeting with the trustees, in acommunity high school auditorium. Themeeting was attended by 1500 people, and thetrustees were forced to sign an anti-pollutionpledge, before they could leave. They keptthis pledge, and the air is a bit cleaneraround Gage Park. now.Next came U S Steel, the most formidableopponent yet. After finally forcing a meetingwith the President of the company. CAPdiscovered that U S Steel had been un¬derassessed by $12 - $16 million. CAP had anew target : P J Cullerton. the Cook CountyTax Assessor. CAP also had a new name. Nolonger fighting pollution exculsively CAPbecame the “Citizen’s Action Program ".CAP then fought perhaps its mostpublicized battle, against the proposedCrosstown Expressway. In this they foughta move supported by both the Mayor ofChicago and the Governor of Illinois. Thisfight started last March, and may not yet beover. They forced Governor Ogilvie to stopland acquisition, and Dubi feels CAP won agreat victory in the election of Dan Walker asGovernor. However, much pressure is beingbrought to bear on Walker to change his anti-Expressway position, and the battle has notyet been won.CAP is psychologically fulfilling for itsmembers. By getting to work together. Dubisaid, the members of CAP lost many of theirhangups, and saw many of their stereotypes“fractured”. Dubi pointed to CAP as the onlyorganization of its kind in the country to be sosuccessful, and reported praise coming fromRalph Nader, Governor Walker, and formerSenator Fred Harris.The important thing, said Dubi, is toorganize, to do community work, and thusget people involved in the process. As aresult, people will become frustrated, andtry for action.Father Dubi pointed to the Chicago TransitAuthority as CAP’S next target. He spoke ofan effort to stop CTA rate increases, andforce a full resumption of service on the line.It costs five dollars to join CAP Theirphone number is 929-2922 Father Dubi askedthat anyone interested in community actiongive CAP a a call. The meeting was spon¬sored by student government.rip Purdue by 51 pointsUC BASKETBALL: Waiting for the pass, Ed Wilkerson anticipates a basket, whileSherwyn Waldman poises for the rebound. Photo by Michael BenedikMaroonsBy MIKE KRAUSSAs a mere 250 spectators looked on, theChicago Maroons walloped Purdue NorthCentral Tuesday night by a score of 83-32.Unbeaten on their home court this year theIviaroons will attempt to make it three winsin a row and five straight victories in asmany starts at the UC Fieldhouse, when theyface Clark College of Massachusettes at 2 pmtomorrow afternoon.Despite the meager home crowd theMaroons controlled the ballgame from theopening tip off. Anthony “Jed” Barrett, theMaroon center got the tip to Frank (Hot Dog)Edwards. Edwards was fouled by Purdue’sDave Thornburg but converted the second oftwo free-throws to give the Maroons firstblood. As Purdue came down court SteveKroeter stole the ball, but theMaroon offense could not score. ThenBarrett intercepted a Purdue pass and drovedown court for a solo score.Edwards picked up two more after pullingoff Gerry “the Shark” Clark missed fieldgoal. As the Purdue offense tried to gainsome initial balance the quick hands of JeffSalberg picked off another pass. Salberg’sthrow to Edwards and the following basketmade the score 7-0 with four minutes alreadygone in the first half.Hornburg finally broke the ice for Purduewith a twenty foot jumpshot, but that was tobe the last Purdue score for another threeminutes. Maroon center Barrett made ashort turn around jump shot and picked up athree point play as an over zealous Purdueplayer slapped his wrist. Shark Clark thenstole the ball and drove the length of thecourt for the score. Clark again stole the ballbut this time an aggressive Purdue playergot the rebound and Purdue came back fortheir second field goal in seven minutes.Clark hit for two on a twenty foot jumper.Then Moon Kroeter came up with a steal andpassed to Salberg who was fouled. Salbergrepaid the favor of the foul by hitting twicefrom the charity stripe. Barrett andFrank Edwards each intercepted passes,Edwards converting his steal into two points.Clark scored twice more from the floor andEdwards put a fine move on a lone Purduedefender as the Maroons continued tocapitalize on Purdues mistakes, converting athree-on-one breakaway into two points.At this point Coach Stampf decided to put2nd year guard Ed Wilkerson intothe game. Wilkerson joined the Maroon rompby promptly intercepting a Purdue pass.Salberg picked off another one, on theMaroons next trip down on defense, afterwhich Purdue Coach Ed Benar decided itwas time to take a time out and talk thingsover. The Maroons led 24-6 with 10:35 left inthe first half.Stampf put freshman Luthor Rollins in forSalberg as the fired up Maroons awaited thereturn of the weary Purdue team. ThePurdue squad finally returned from theirrespite to continue their futile chase of the Maroons. Barrett put the final icing onfor the Maroon first string as he scored fortwo from the floor. Coach stampf showedmercy for the hapless Purdue team bycalling off the onslaught and putting in theMaroon second string.However, there was no mercy in the heartsof the players. Perhaps still seekingvengence from their eight point defeat in theColorado Christmas Tourney, EugeneClark, Gerry Clark’s younger brother, ledthe continued Maroon attack with threequick buckets. The Purdue team couldn’thold down our second string and the halfended 40-17.The second half began much as the first.6’4” Jed Barrett controlled the tip-off,sending it to Edwards. Frank made a finefake and quick pass to Clark, making it42-17 Chicago.The second half was highlighted by seniorSherwin “Wildman” Waldman. Sherwinspurred the Maroons on after the starting fiveleft the floor, with Ins eight rebounds and fivefieldgoals, finishing the evening with aneleven-point total. Also big for Chicago wa's Norval Brown who scored his first tw o pointsin a Maroon uniform Tuesday night.The crowd called for a hundred points andwas not disappointed when the game ended,Chicago the victor by 51 points. 83-32.The big victory may hurt the Maroonswhen they face Clark College on SaturdayAn overconfident Maroon team could be runout of the fieldhouse by the hot Clark squad.The two big men to watch in Saturday’sgame are 6’1” guard Wally Halas with 26-point-a-game average and 6’3” forwardJames Groesser with a 22-point-a-gameaverage. The Maroons will have to hold thetwo big Clark College scorers down if theyj expect to win tomorrow. Leading rebounders■ for the Maroons, Edwards and Barrett, willhave their hands full with Grosser who is, rumored to jump more like he’s 6’9” rather| than his 6’3”.It should be an exciting game as well as afine test for the defense prior to their takingto the road for games at Lake Forest Collegeon the 20th and National College on the 23rd.After tomorrow’s home game against ClarkCollege the Maroons will return onJanuary 27 for a battle against Trinity.Styx to celebrate atBig John birthday partyThe Chicago rock band Styx will be per¬forming at the “Big John” dance being heldin Ida Noyes Hall tonight at 9 pm. The oc¬casion is the birthday of John Hancock,which coincides with the usual date of the bigwinter quarter dance. The title is not entirelyarbitrary, according to some of the publicity,as “John Hancock is the first signer of thedeclaration of independence to have a 100story building in Chicago named after him.”In addition to the music, there will be avariety of door prizes donated by localmerchants. Also, showings of an ex¬perimental film by Hale Aust, and the ever-popular Friday coffee-house featuring home-baked goodies.“I was really delighted to see some of thecontributions we received” said RichardScotch, the student in charge of the dance.The grand prize is a $100 “travel certificate”good for what ever travel or holidayarrangements you wish, donated by TowerTravel, Inc. Putting in $35 of your ownmoney, you could take a University ofChicago charter flight to the Bahamas overspring break.” “On the other hand,” headded, “you could take a one way flight toMexico.”Among the other twenty-odd prizes aremeals at a variety of neighborhood anddowntown restaurants, including a meal fortwo at the elegant “Ninety-fifth”. TheNinety-fifth was recently listed in theChicago Guide as one of Chicago’s threefanciest restaurants, and is on the ninety-fifth floor of the John Hancock Building.Other participating restaurants are StationJBD, the Courthouse, Cafe Enrico, Efendi,Gold City Inn, Tai Sam Yon, the OriginalPancake House, The Agora, The Center forContinuing Education restaurant, The Houseof Eng, Lucitas, Chances R, the Surf andSurrey, the Medici, Bon Appetit, the Dove,the Hyde Park Coffee Shop, Paradise Lost,and (of course) Kentucky Fried Chicken.There will also be dinners for two at Berghoffthe well-known German restaurant in theLoop, and Sauer’s, located near McCormickPlace. Finally, there is dinner for two at a Hospital volunteers play vital roleBy LINDA LORINCZThe University’s Hospitals and Clinicsvolunteer department provides a range ofinteresting and rewarding opportunities forcommunity service. Approximately fiftystudents volunteered their services lastquarter in areas ranging from emergencyroom aids, to gift shop workers.According to Agnes McDermott, directorof the volunteer department, volunteerscommunicate human concern for patientsand families during the patient’s stay at thehospitals“Hospital volunteers offer more thantrivial extras. They act as the link betweenthe patient and the hospital staff.” Thevolunteers have the time to answer questionsin the emergency room about where to goand who to see. They have the time to playwith bedridden children in Wyler. “Oftenpatients who are afraid or upset or confused would rather talk to a volunteer thansomeone officially involved as a staffmember,” she said.Present and former student volunteerssaid volunteering helps them get in touchwith reality. It gives them a rewarding breakfrom their studies. Others feel they gain jobexperience from voluteering.Volunteers work on nursing floors, inemergency rooms, at the Information Desk,in laboratories, with the Social ServicesDepartment, and in the Hospital Gift Shop.In addition volunteers join the children in theWyler Hospital playroom and visit thoseconfined to their beds. Volunteers also takepatients to religious services in the hospital.Service carts which volunteers wheel aroundthe nursing floors provide library services,stationery, stamps and personal necessitiesfrom the Gift Shop, and arts and craftsprojects and materials.Kim, assistant in the volunteer office, said,“the department often tailor - makes volunteer positions” fit the student’s in¬terests and skills. She added quickly, “noexperience is necessary.” Every volunteerhowever, has a training period; additionaltraining and experience are required for themore difficult assignments such aspreparing children for surgery.Students from other schoos besides theUniversity of Chicago find the experience ofserving as a hospital volunteer a maturing,humanitarian activity. Aside from the op¬portunity to make new frinds, volunteers areoften inspired by associations with people inthe medical professions. Sometimes thesecontacts lead to career choices anddecisions. The volunteer department willreadily supply recommendations forstudents upon request.Volunteers are needed now, and everyquarter. Interested persons should arrangrfor an interview by contacting the volunteeidepartment at 947-5252 between 8 am and 5pm any weekday.well-known establishment that requested itsname not be used. There will also be avariety of other prizes including housewaresfrom Goldblatt’s, student passes toDocumentary Films showings, admission toa Hitchcock Hall sponsored film, and pairs ofice-skates donated by Nestor Johnson MfgCo, Gee Sport Center, and Sears-Roebuck.Admission to the dance will be $1.00,University of Chicago identificationrequired. (Bring your own rabbit’s foot).This dance in past years has been knownfor the special interest of the bands involved,which have included Wilderness Road andSeigal-Schwall, along with numerousChicago blues bands. This year’s group,Styx, should be especially enjoyable. One ofthe most popular groups now on the Chicagocircuit, STYX has already started to make itbig with singles ■ HOSPITAL: Ronald Ellis arranges with Cheryl Coleman to volunteer his time forthe University Hospitals. Photo by Linda LorinczTHE BAHAMASMarch 16, 1973 to March 26, U73 CHICAGO-NASSAU. BAHAMAS-CHICAGOAir Canada Douglas DC-9*135 Roundtrip* Final payment due Feb. 8THE FRENCH ALPSMarch 17, 1973 to March 26, 1973 CHICAGO-PARIS-GENEVA - LA PLAGNEAir France $316 Roundtrip Spend one night in Paris and sevennights in La Wagne and unlimited use of the ski lifts there.PARISMarch 17, 1973 to March 26, 1973 CHICAGO-PARIS, PARIS-CHICAGOAir France $315 Roundtrip Spend eight nights in Paris.*A transportation tax of $3 is collectible on all tickets issued for departinginternational passengers from the continental U.S. This tax will be collectedat the time the ticket is paid for.Eligibility for all flights is limited to University of Chicago students, faculty,and staff. A $50 deposit is requested. Full payment is due on February 6.For more information, call 753-3598 between 1:30 and 5:30 in room 306 inIda Noyes Hall. University of Chlcaso Charter Flights2-The Chicago Maroon-Fridoy, January 12, 1973 NOTICETHIS SPACE WILL BE ALLOCATED EVERYWEEK TO PUBLICIZE ACTIVITIES ANDEVENTS OF STUDENT ORGANIZATIONSWHICH HAVE RECEIVED FUNDS FROMCORSO. REPRESENTATIVES OF SUCHGROUPS SHOULD SUBMIT THEIR NAMES(1 PER GROUP) AND SIGNATURES ONANY INDEX CARD TO THE MAROONBUSINESS OFFICE, IDA NOYES HALL.THEREAFTER, ANY ADVERTISEMENT FORA GROUP BEARING THE SIGNATURE OFTHE GROUP'S REGISTERED REPRESEN¬TATIVE AND SUBMITTED BY 11:00 A.M.THURSDAY WILL APPEAR IN FRIDAY'SMAROON. A SIMILAR ARRANGEMENTPERTAINS TO THE CHICAGO RAP.-STUDENT GOVERNMENT.P.S. DO YOU HAVE AN IMAGINATIVETITLE FOR THIS COLUMN? LET MAROONKNOW.Catania plans involve the peoplebill to allow domestic workers to claimbenefits from unemployment compensationif they receive more than $500 from oneemployer (domestic workers are presentlynot covered by unemployment com¬pensation), and set up some type of Women’sLegislative Clearinghouse.Regarding the hottest political ftem inIllinois politics - the property tax - Cataniabelieves it is “unrealistic to put a freeze onit.” She would favor a freeze if it was notacross the board since necessary specialexemptions like sanitary districts and somelocal governments would only chip it away.She agrees with Governor Walker that muchcutting can be done in the budget and favorsa direct state finance of education.When asked what changed her from agraduate chemist to a politician, Cataniarecalled the time she was unemployed: “Istood in the lines and though things should bebetter.” She was not criticizing the law, butthe administration of the law which “tends torepression.”She had worked for seven years as in¬ formation director for a firm specializing inair pollution investigation. She left in 1970when the company hired a man at twice hersalary whom she had to assist because hehad no technical experience. In March 1971,she became the first woman in Illinois tocollect unemployment compensation basedon claim of sex discrimination in her job.When she quit her income was greater thanher husband’s because she sold her stock inthe company. Catania claimed dependecybenefits for her four children, but had toprove to the Illinois Labor Department thatshould be awarded the benefits. Traditionhad always had the husband claim depen¬dency benefits when he was unemployedsince the husband usually had the largerincomeIn the new 78th General Assembly whichconvened Wednesday, there are eight womenin the House and three in the Senate. Thiscompares with three women in the Houseand one in the Senate during the 77th GeneralAssembly.Catania believes that the women’s causcusMaroon matmen drop Lake ForestWRESTLING: A UC matman struggles for the pin.By TIM RUDYState govenment “can’t be overlooked. Itinfluences all of our lives very directly,” saidSue Catania, newly elected staterepresentative from the 22nd district. Theindependent Republican granted an in¬terview to the Maroon several days beforeleaving for Springfield, the state capitol,where she was sworn in Wednesday.The new state rep spoke about her plans toinvolve her constituents in her work, herlegislative hopes, and why she is now in thepolitical field.Catania, as the only women ever elected inthe 22nd district and as the lone Republicanfrom the district in the legislature, would liketo start a district assembly. Her idea is toenhance the communication between herselfand the people she represents. The assemblywould be modeled after Alderman DickSimpson’s ward assembly in the 44th wardOne individual, along with one alternate,would be chosen from each of the 153precincts comprising her district. Twenty-five per cent of the members would constitutea quorum and a vote of two-thirds of thatgroup would be binding on Catania. Cataniasaid such a group would serve as a directingguide for her since she feels that people areready for political action. Though shedoubted whether the district’s other tworepresentatives would participate (Illinoiscitizens elect three members to the stateHouse of Representatives from each district,no more than two from the same party)Catania said she would invite them too andfelt she would abide by the binding provision.A district office, at 3830 South Michigan,will try to handle any problems that con¬stituents might have.Catania expects that Illinois’ newgovernor, Democrat Daniel Walker, will be“freer” than most members of his party and,therefore, “I expect I would be in favor ofmost of the things Walker is in favor of.“Though she voted for Republican governorRichard Ogilvie in the election she did notcampaign for either man. Catania is op¬timistic about the new governor becauseWalker is open and receptive and “has beendoing some very good things in his ap¬pointments.”In the legislative area, Catania wants tocombat the rising crime rate with a ban onhandguns. She also hopes to co-sponsorlegislation to get rid of discriminatory in¬surance ratings which work againstresidents of cetain sections of a large city.She will also work to make unemploymentdependency benefits proportional (relatingto a person’s previous earnings), introduce a By D R GONZODuring the last Olympics millions ofAmericans excitedly watched the progress ofthe American wrestling team. For many thiswas probably their first exposure to com¬petitive wrestling (contrary to popularopinion competitive wrestling is not seeingDick the Bruiser mangle the Outlaw onchannel 26). Unknown to many, theUniversity of Chicago offers students anopportunity to both view and participate incollegiate wrestling.Any student in the college can go out forwrestling by just coming to the practicesheld daily in Barlett gym at 4 pm.The wrestling Maroons (1-0) opened theirseason last Wednesday by defeating LakeForest 23-17. The Maroons were tied 17-7 withone match left in the meet when heavyweight Tom Hunter, 245 lbs. pinned his op¬ponent in little over one minute. Hunter wonhis match by literally lifting his man into theair and throwing him to the mat. All thatremained for Hunter after that move was toeasily pin his rivals shoulders to the mat forone second, thus gaining six points to take themeet forJLJC.The Malfoon matmen travel to Galesburg,Illinois, this Saturday, where they’ll have atriangular meet against Knox College andIowa Wesleyan at 3 pm. Last year the Maroons posted a 5-6 season.This year coach John Schael predicts thatthe matmen will have a winning season dueto the depth in the ranks of the team. Ac¬cording to Schael some meets last year werelost due to forfeits in weight classes whereChicago had no wrestlers. This year it ap¬peared that they would finally have a fullsquad, but 126 pounder Chris Innano injuredhis foot in practice one day before the LakeForest meet. Innano is expected to be out of.competition for only one week though.“This year,” says Schael, “if we losematches it will be on account of which teamhas the better wrestlers and not due to a in the legislature may have some pdwer. TheHouse is almost evenly divided, 89-87. In such8 situation she believes the women’s votes inthe House could make a difference. Shepointed out that when the GOP caucusballoted for speaker the vote was 55-38. IfBlair’s opponent had not been Henry Hyde,who led the floor fight against the EqualRights Amendment, then the vote mighthave been 45-44.The 22nd district extends, west from LakeMighigan to the Dan Ryan and from north tosouth from 22nd St to 51st St except to 55thbetween Woodlawn and Cottage and down to52nd between Dorchester and Woodlawn.Sue Catania is “really looking forward” toher work as a state legislator. She hopes toassist the 22nd district so that it will be abetter place to live in. Catania also men¬tioned she was hoping for a large number ofvolunteers to help out in her district office.Presently, she plans to have the office openfrom noon until 8 pm Mondays throughFridays and from 10 until 4 on Saturday.mere lack of wrestlers on our part.”One problem hindering UC grapplers is thescheduling of labs during practice times.The next opportunity UCers will have toview the matmen in Bartlett gym will beJanuary 20 when they meet ConcordiaCollege at 1:30 pm.The University of Chicago wrestling squadlast Wednesday was comprised of 118 lbsCarl Ling ‘76,134 lbs Russ Dickerson 75, 142lbs Dave Rudis 75,150 lbs Mark Lipinski 76,158 lbs Greg Wrobel 76, 167 lbs Tom Wehling73, 177lbs John Vail 76, 190 lbs Fred “TheTerror” Tremmel and heavy weightHunter.CHICAGO SINAI CONGREGATION5350 South Shore DriveDR. SAMUEL E. KARFF, RabbiPHILIP N. KRANZ, Assistant RabbiSabbath Eve Services,Friday, 5:30 p.m.Sabbath Morning Service,Saturday, 9:45 a.m.Sunday Worship Service,11:00 a.m.RABBI KARFFwill speak onTHE NEW CHRISTIAN EVANGELISMAND THE JEWIf the Age of tho Missionary Returning? Midwest Family Planning Association2952 N. Milwaukee Ave., ChicagoPROVIDESFREE Counseling on Problem PregnanciesFREE Birth Control LiteratureFREE Pregnancy TestFor futher information, call342-2111(A Non-Profit Organization)HYDE PARK THEATRE #153rd & Lake Park NO 7 9071STARTS FRI.syfawnnusiimr 1/12“An outrageous,Hollywood-hip,rip-off!Raw atmosphere!"—Kathleen Carroll,New York Daily Newsm. IRndy UJarholPresentsalso A DOUBLE FEATURE“TRASH" U. of ChicagoCOLLEGIUM MUSICUMTHE EARLIEST PRINTED MUSICfrom the prints of O. dei PetrucciBond Chapel Free Saturday 13th( 8:3011 VilNTERCUSSESJAN.K-AMRJ7TCHlnt 1PL,Rettery 71WoodcutCAU ,»rcutetftisfc^w£!&Mwl1!!1) BSBMttpsL'JFriday, January 12, 1973-The Chicago Maroon-3ABOUT THE MIDWAYHugh Trevor-RoperHugh Trevor Roper, the Regius professorof modern history at Oxfbrd University and“one of the foremost historians of our time,”has been named the Sara H Schaffnervisiting professor for 1973 at the University.Trevor-Roper, who will visit the Universityfor the first time, will deliver a series of sixlectures January 8 through January 26 on thetopic, “Historical Philosophy, 1750-1850.” Hewill emphasize the effect of historical changeon perspectives of historiography. Thelectures will be sponsored by the Depart¬ment of History at the University.Two public lectures will also be given onJanuary 18 and January 25 at 4:30 p.m. in theauditorium of the Laird Bell LawQuadrangle, 1111 East 60th Street. The topicswill be “The Witch-Mania in the 17th Cen¬tury” (January 18) and “Hitler in GermanHistory” (January 25). Admission is free andtickets are not required.Trevor-Roper has written and editednumerous historical works, including TheLast Days of Hitler (1947); Hitler’s WarDirectives, 1939-45 (1964, ed.); The Gentry,1540-1640 (1953); The Rise of ChristianEurope (1965); and The Philby Affair (1968).The Sara H Schaffner visiting professorwas established in 1966 by the late philan¬thropist Joseph Halle Schaffner to honor hismother. It provides for a series of lecturesand for discussions with senior and juniorfaculty members and students. Robert McCAdams, dean of the division of the social sciences, administers the fund that supportsthe lectures.Trevor-Roper is the fourth professor toreceive the professorship since it wasestablished. The three others were MichaelPolanyi, Hungarian physical chemist andsocial scientist; Raymond Firth, socialanthropoligist; and Dr Andre Cournand, whcwon the Nobel Prize for his pioneeringresearch on the physiology of the humanheart.Swimmer diesKenneth Carey collapsed and died of aheart attack Wednesday while swimming inBartlett pool. Carey was an architect in thephysical planning and construction depart-'ment of the medical center.The 48 year old AAU champion wasnationally rated for his age group. He wasrated 9th in the 200 yard individual medley,and 10th in both the 200 yeard breast strokeand the 100 yard individual medley.Carey was aided immediately when hecollapsed on a poolside bench. He was rushedto Billings Hospital where he waspronounced dead.Beer BustA beer party to benefit the united farmworkers and the lettuce boycott will be heldtonight, January 12, at 5401 and 5403 SWoodlawn, apartment #3. A donation of $1will be collected at the door, and the dollarentitles the donor to all the beer he can drink. All members of the community are invited.The party is scheduled to begin at 8:30 pm.All procedes will go to the UFW strike fund.Levi honoredEdward H Levi has been nominated as anofficer in the order of the legion of honor(French), it was learned today.The Legion was founded in 1802 byNapolean I as an honor society similar to theancient orders of knighthood. Membership isbestowed by the French government for onlythe most distinguished merit.Levi was nominated by the French consul-general, Philippe Oliviet. No reason for thenomination was given by the Consulate herein Chicago, although press officer JacquesLardet speculated that Levi was beinghonored for his “good relationships withFrance.” A date for investiture has not yetbeen set.BlackfriarsThis Sunday night, the 14th, the Black¬friars will begin their series of playreadingsin the Ida Noyes library. Shaw’s Pygmalion,which (as surely everyone knows) was madeinto My Fair Lady, is the first of the selectionof stage plays that became famous musicalcomedies (or obscure musicalcomedies—you win some, you lose some...).These readings are intended to be informalaffairs. Anyone who feels like spending thewinter’s evening sitting by a warm fire,reading aloud with other people, chomping on popcorn in the middle of someone else’slines, and so on is welcome to come.There’s no need to read the plays ahead oftime, unless you want to find the part thatwas really meant for you. If you’ve alwaysbeen stuck in the chorus just because youdidn’t look like a star, this may be your bigchance.People who come to read “Pygmalion”this week should please try to bring a copy ofthe play with them, though they can comeeven if they can’t find one. The reading willbegin at about 8 pm.LightsA powerful sodium vapor floodlight hasbeen installed on the roof of the ad¬ministration building to test its potential foruse over the entire campus, according toUniversity planner Drew Leff.Legg, who says that there are “no definiteplans” to extend the University’s present on-campus exterior lighting system, never¬theless indicated that the light is beingconsidered “along with a number of othermediums” as a replacement for theUniversity’s present mercury vapor system.Improvement of the lighting system isdefinitely planned for the front of the LawSchool on 60th street. 5 white-globed mercuryvapor lights will be erected there in thespring after the ground thaws, according toLeff. Three will be placed to the east of themain entrance, and two others to the west. Inaddition, large floodlights will be mounted onthe roof of the law school auditorium. TheseWCThe Student Activities Office'sWinter CarnivalpresentsA SNOW SCULPTURECOMPETITIONWin up to $50 in prizes of cosh and othergoodies Anyone doing better than theexample to your left will win somethingRULES After the first sizable snowstorm(4 -J-), create your master piece on thequads or any University grounds nearone of '.'ne dorms. Then call the SnowSculpture Hot line to let us know whereand whose it is. You must also fill out anentry blank within 72 hours at Ida Noyes209-Hotline 9-5 M-F 753-3591or call Rich at 684-5334 on Sat. or Sun. PREDICT THE SUPER BOWLand win 2 tickets totheCHICAGO BULLSVSeMILWAUKEE BUCKS(CONTEST ENDS JAN. 13 MIDNIGHT) Name ____________ ———„JAddress.Phone IWinner of the Superbowll~u. I1IScore Ito—\Friday 7:15 & 9:30 Doc FilmsKen Russell'sTHE DEVILS CobbSunday 7:15 & 9:30Claude Chabrol'sLEDASoc. Sci. 122Jazz comes to Hyde Park atAtop The Hyde ParkBank Building1525 E. 53rd St.955-5151RESTAURANTTuesday nights from 7:00 to 11:00Paul Bloom's FOCUSEnjoy a concert with your meal.(Student discounts apply) REGISTER NOW! Open to the PublicEvening Classes for Adults10-Week Courses: Jan. 15--Mar. 23Evenings: 7:30-9:00 PMClasses: Weekly, Starting:Introduction to Buddhism Thur. Jan. 18Study of the Eternal Life Sutra Fri. Jan. 19Sanskrit-Beginner's Class Mon. Jan. 15Japanese Conversation-Beginners... Thur. Jan. 18Japanese-Intermediate Thur. Jan. 18Japanese Brush Painting Fri. Jan. 19Japanese Tea Ceremony Thur Jan. 18Bonsai-Art of Jap. miniture trees ... Thur. Jan. 181(*Meets First Thur. of each month except Jan.)For Information and Registration Cali 334-4661BUDDHIST EDUCATIONAL CENTER of B.T.C.4645 N. Racine Ave.. Chicago 60640(near Wilson and Broadway)4-The Chicago Maroon-Friday, January 12, 1973ABOUT THE MIDWAYwill purposely be aimed away from thebuilding “to prevent interference with thelaw school’s architecture.”The new sodium vapor light, which isundoubtedly the brightest light anywhere onthe campus, faces almost directly east fromthe roof of the University administrationbuilding. Its bright reddish-brown light iscurrently illuminating virtually the entirecenter of the quadrangle. Further use ofthese, or any other new lighting on campus,is being delayed “until funds becomeavailable,” according to Leff.AshenhurstRobert Ashenhurst has been reappointedchairman of the committee on informationsciences and director of the institute forcomputer research at the University.Ashenhurst recently received a grant fromthe national science foundation. It will helpcreate a centralized computer facilityproviding support to dozens of ex¬perimenters on the campus, utilizing theincreasingly common minicomputer — aflexible and inexpensive control facility.Ashenhurst hopes within two years to tietogether as many as 40 of the University’sminicomputers in an online digital computersystem which will fill experimenters’ oc¬casional needs for a higher level of computersystem than a single instrument can offer.It is also planned that the University’snetwork will be linked into a national net¬work -- currently including more than 20 sitesacross the country -- presently being beingput into operation.Ashenhurst was born Paris in 1929. Hereceived his BA (1950), SM (1954), and Ph D(1956) degrees from Harvard University. Hejoined the University faculty in 1957 as anassistant professor and was appointedprofessor in 1965.Wilkinson lectureCalling Richard Nixon “The mostrepressive President in my lifetime,” FrankWilkinson, executive director of the nationalcommittee against repressive legislation,spoke on “The Administration and CivilRights” Wednesday afternoon at the lawschool.Wilkinson cited evidence of illegalwiretapping to back up his claim. Hecharged that in 1969-70 the administrationtapped the telephones of 61,400 people for“national security” purposes, but the tapsresulted in only 257 convictions. “Couldn’tsome old-fashioned police work haveproduced this?” he queried.In addition, he charged that there weremore than 350,000 phones tapped without acourt order as required by law. These taps onsupposed “domestic subversives” werestopped by an 8-0 Supreme Court decision in1971.Wilkinson described the function of hiscommittee as fighting against repressive legislation, particularly four bills. Two of thebills were the 1968 anti-riot act “which in¬vites the role of the agent provocateur by theArmy to get evidence for the conspiracycharges” which the law allows and theOmnibus Crime and Safe Streets act whichlegalizes wiretapping with a court order.“Also there is the District of ColumbiaCourt Reform Act (1970) which allows for thefining of people who refuse to cooperate withpolice in placing bugs or who report to theperson that his home is bugged. Included inthis law are provisions for ‘no-knock’searches and for preventive detention. Thefourth bill, the Organized Crime Act (1970)can be used against other people besidesmembers of the underworld,” he added.Later in the talk, Wilkinson mentioned “Atthe end of the last electoral campaign, Nixonstated, “I have kept my vow; I have checkedcrime.” He claimed that ‘tough laws’ like thefour our Committee is against had helpedcurb crime. After checking figures on theseven major crimes, I discovered that theyranged from 2 per cent to 47 per cent higherunder the Nixon adminsitration than duringthe last year of the ‘permissive’ JohnsonAdministration.”MIA driveThe newly-formed UC chapter of MedicalAid for Indocina has begun a fundraisingdrive within the Hyde Park community. Theorganization is currently soliciting moneyand volunteers in Mandel Hall. Plans for thefuture include film showings, Vietnamesedinners, and door-to-door solicitations. MIAalso plans to bring speakers to the campus incooperation With the Hyde Park PeaceCouncil.The national MIA organization wascreated primarily to serve the needs of thepeople of Indochina, and secondly, to providea constructive means of action forAmericans opposed to the war in Vietnam.MIA buys medical supplied and hospitalequipment in the US and western Europe,and the supplies are then sent to Hanoi. Theneed for this source of medical aL hau in¬creased recently due to the renewed bob¬bing raids which destroyed the Bach MaiHospital in Hanoi. Those desiring furtherinformation on the activities of MIA areurged to contact Len Rakinsky at Universityextension 3907.Babysitting-plusThe Sojourner Truth Child Care center,4945 Dorchester, has announced an“babysitting-plus” program for children ofcommunity residents.For the first time, the center’s facilitiesand staff will be available on an hourly basison Saturdays, from 8 am to 3 pm for childrenbetween the ages of 3 and 6 years. Theprogram begins Saturday, January 27.The charge for the service will be $1 perhour. Parents will be required to pay adeposit in advance amounting to the total fee possible from the time the child arrives until3 pm when the service ends.Any unused portion of the deposit will berefunded when the child is picked up.The parent Board of Directors of theCenter, in creating the new program,believes this innovation will fulfill the unmetneed of community residents for occasionalweekend child care.The service will be staffed by matureadults employed by the child care center.The center’s toys and equipment will beavailable for use by the children, and a hotmeal (included in the fee) will be served atlunchtime.Parents are requested to call the center(located in the St Paul and the RedeemerChurch) by the preceding Thursday of eachweek in order to reserve space for Saturday.Parents who do not make advance reser¬vations are welcome to come to the center onSaturdays and will be accommodated on afirst-come, first-served basis.For further information and to makereservations, contact Ms Suzanne Happel,director of the center, at 538-8325.Hatha YogaYoga instructor Jack Merring has an¬nounced that two new classes for beginnersare scheduled to start next week, Jan 15 and17, at 5:30 pm at the first Unitarian church.Tuition is $25, and classes run for 10 weeks.New enrollments will be accepted throughFriday, January 12DISTRIBUTION: The Joseph R Shapiro art collection willbe distributed today to those students wishing to liven uptheir abodes with works by internationally known artists,$2 25, Ida Noyes, 4 pm. .FILM: "The Devils", DOC, $1, Cobb, 7 15 and 9 30 pmDANCE: SG dance with "The Styx", SI, Ida Noyes gym, 8pmPRODUCTION: CEF hosted student film by Hale Aust, IdaNoyes east lounge, 8 pmLECTURE: "Reflections of Jewish Life in Germany andHolland 1930 1945" psychology professor Erika Fromm,Hillel, 5715 S Woodlawn, 8:30 pm.LECTURE: "The MidOcean Dynamics Experiment" DJames Baker of Harvard, HGS 101, 3:30 pmSEMINAR: "High Resolution NMR studies of Hydrogenbonded protons in tRNA and Chymotrypsin" R G Shulman,Bell Laboratories, RIA 480, 4 pm.SEMINAR 2: "Pseudodifferential Operators and PartialDifferential Equations," Charles Fefferman, Eckhardt 133,4:30 pm.FILM AND DISCUSSION "Medieval Architecture of India" following films of temples of Konarak and Khajuraho.Prof Pramod Chandra, 5621 S Blackstone, 7:30 pm.MEETING: Debating society, Reynolds club, 7 pm.Saturday, January 13BASKETBALL: Maroons vs Clark College, free with ID,fieldhouse, 2 pm.CONCERT: Collegium Musicum, music of Petrucci, BondChapel, free, 8:30 pm.FILM: "The Wild Child", CEF, $1, Cobb, 7:30 pm,FILM: "The Vow (Tkies Khaf)", Hillel, $1.50, students $1,8:30 pm. the third week.To stimulate interest in his classes,Merring is willing to give demonstrationswithout charge to organizations and groupsassociated with the University. For moreinformation, call Jack Merring at 955-0936.InterregnumThe new campus literary magzine, In¬terregnum, invites submissions of poetry,essays, plays, and photographs for itswinter quarter issue. Artwork and fiction areespecially needed.All submissions must be accompanied by aself-addressed, stamped envelope, and maybe sent to either the box in Ida Noyes Hall orto Curtis Johnson, 341 Chamberlin, Burton-Judson.Manuscript submissions must be typed,and the submittee should have a copy of thework Photographs and artwork must beblack-and-white; photographs should also beprinted on glossy stockContributors will retain full rights uponpublication and will receive a free copy ofthat issue.The deadline for winter quarter sub¬missions is February 8.Fifty copies of Interregnum's first issue(which includes an interview with AllenGinsberg and a fine essay by ProfessorCawelti) is available at 50( per copy bycontacting Curtis Johnson at the aboveaddress.Sunday, January 14FILM: "St Louis Blues", NIA, Cobb, $1, 7.30 pmFILM 2: "Leda", DOC, Social Sciences 122, $1,7:15 and 9:30pm.EATS: Mandarin Chinese meal, Bonhoeffer House, 5554 SWoodlawn. Limit: 30 people, $1 25, 12:30 pmFIRESIDE CHAT: Rick and Mary Bienecke talk about thenew best seller, Jonathan Livingston Seagull, Brent house,5540 S Woodlawn, 7 pm.SERVICES: University religious services Topic of sermonby Rev E Spencer Parsons "January 20th—No time fordancing", Rockefeller, 11 amPLAYREADING: Anyone who wants to participate in aplayreading of Pygmalion is invited to Ida Noyes library at8 pm Bring your own Pygmalion.MEETING: Seniors interested in the selection of a commencement speaker are to meet in Reynolds Club southlounge at 7 pmMonday, January 15REVIEW: English professor Keith Cushman reviews thedrama In the Matter of J Robert Oppenheimer on WHPKFM 8 am and 8 pm.SEMINAR : Slonal Synthesis of Immunoglobulin Molecules:a V gene switch", John Hopper, Zoology 14, 4 30 pm.CONCERT: Frans Brueggen and the Sour Cream, works forrecorders, renaissance to contemporary, tickets $4 and $2($1 discount to CMS subscribers), Mandel, 8 pm.FILM: "Nobody's victim" a new film on self defense forwomen, 50c, Blue Gargoyle, 8 pmCALENDARMEETING: Pi Lambda Theta meeting with film "ModernWomen . The Uneasy Life", Judd Hall commons, 2 pm.C.E.F. presents Saturday Jan. 13THE WILD CHILDCobb a film by Francois Truffaut7:00 & 9:15 1lFRESH FISH & SEAFOOD7S2-3370, 752*1190, 343-9114 • 13401. 53*9©9 AM - 9 PM 7 Days A WeekHYDE PARK PIPE AND TOBACCO SHO&1552 E. 53rd - under 1C tracksAll students get 10% off/Jask for “Big Jim"PipesPipe Tobaccos Imported CigarettesCigarsFriday, January 12, 1973-The Chicago Maroon-5Now rent levels that respectcollege incomesand great apartments too:Consider Number 1PriceStudios...as low as $115 per monthOne bedrooms ...as low as $125 per monthTwo bedrooms ...as low as $158 per monthAt last, rent levels that respect collegeincomes! All apartments will rent, accordingto special formulas, for not more than 25 percent of adjusted income of residents. Thefigure is subject to adjustment for income andfamily size. Reserve apartments now forspring, summer, fall occupancy. For a no¬obligation preview appointment, or moreinformation, call the Draper & Kramer CampusHot Line, 624-4701, 24 hours a day.Win $500Receive $50 Certificate Fre°If you rent at Lake Village East, you’llreceive a $50 merchandise certificategood for free furniture or accessoriesat the famous Form Co-op furniturestore in Harper Court—PLUS a chanceto win $500 in free furniture of yourchoice. The $500 prize will be awardedwhen the first 50 apartments arerented. Open only to students, staff,and faculty of Chicago area collegesand universities. It’s an extra addedincentive to check out Lake VillageEast now.* 6-The Chicago Maroon-Friday, January 12, 1973 PlusDozens more reasons this unique38-sided new high-rise offersideal accommcdations foryoung singles and marrieds2. Brand new building; people planned. Nosterile box, this. A nearly circular tower with38 sides to make home base a little moreinteresting.3. Quiet and privacy, thanks to short corridorsand only eight apartments per floor.4. Varied, unusual apartment layouts (no twoapartments on a floor are alike).5. Spectacular views of the city (and at these lowprices), plus plenty of light from full-lengthwindows.6. Campus bus service.7. Express buses downtown at the door.8. Good auto access to Lake Shore Drive, aminute away.9. Shopping, with three centers nearby.10. 200 trees, one for each apartment, in alandscaped plaza.11. Outdoor benches for summer studying.12. Playlots (mostly for the kiddies).13. Spacious laundry room.14. Dry cleaning shop (fast service).15. Package receiving service.16. Studios—large living and dining areas, goodfor singles.17. One-Bedrooms—especially spacious, with twodifferent views of the city, great for youngmarrieds.18. Two-Bedrooms—big living, dining area aslarge as 24 x 15 feet.19. Master Bedrooms as large as 15 by 11 feet.20. L-Shaped deluxe kitchens, with stainless steeldouble sinks.21. Top appliances, including gas range and ovenand large refrigerator.22. Air conditioning (optional).23. Fine wood cabinets, with plenty of counterspace.24. Ceramic tile baths, with deluxe fixtures.25. Easy to maintain floor tile.26. Master TV antenna (no charge).27. Free drapery tracks.28. High-Speed elevators.29. Solid core apartment doors with peepholes.30. Dead bolt security locks.31. Colorful corridors, fully carpeted.32. Refuse chute on every floor.33. Free on-site parking, brightly lighted.34. Luxury lobby with quarry tile floor.35. Bicycle and carriage storage room.36. Security system.37. East Kenwood location: $25-mil!ion in newconstruction in immediate area; secondhighest per capita income in the city.38. Management by Draper & Kramer, specialistsin integrated housing. Office on the premises. Special college previewFreeContinentalBreakfastSaturday, 10 A.M. -1 P.MCome have a free continental break¬fast on us at a preview apartmentshowing for university students, staffand faculty. See our beautiful modelapartments. Or simply make a mentalnote to stop by at 47th and Dorchesterbefore your Saturday errands, if you’rehungry.See Lake Village East now. Reserve forspring and summer occupancy whileapartments last.Lake Village East38 sides and features to match4700 Lake ParkDraper & KramerManagement AgentsFor more information and a previewshowing, call the Campus Hot Line,624-4701.ENTERTAINMENT AND THE ARTS“I’ve become very prejudiced, but also more specificin what I want to do. Specifically what it is I’m notsure. I don’t think it could be named. Essentiallyevery artist has their own box, and they pick up thatlid just so much and they pull out things and dosomething with it and it’s like taking an acid trip. Butwith acid you just open the box and everything poursout.The second segment of the Chicago Dance Festival,an appearance by the Louis Falco Dance Company,was part of the dance deluge that fell upon the cityduring the first weekend of December. In the case ofthe Falco company, though, Windy City dance-loverswere rewarded with more than just one public per¬formance, because the group was in residence on theUniversity of Chicago campus for two and a half days.In addition to the Friday night concert at Mandel Hall,there were three Master Classes for all levels ofdancers (two were taught by Falco and one byAssociate Artistic Director, Jennifer Muller), and aunique lecture-demonstration for the Urban Gatewaysprogram.Such activities fit well into Falco’s philosophy ofdance and the arts. In a Maroon interview givenshortly before he left the city, Louis Falco estimatedthat the company spends about half of its time atschools, mostly colleges and universities. TheNational Endowment for the Arts, which comprisesthe major support system for such tours, is con¬centrated mostly in institutions of higher education,and occasionally regular commercial sponsors pickup tabs in the same area. Of course, the Falco com¬pany does play regular, legitimate theaters, too. snuwill return this June to Alice Tully Hall, where theyheld New Yorkers spellbound for four days last year.The lecture-uemonstrating for underprivilegedgrSueschoolers was different from what Falco hasdone at other universities. “That was kind of fun,” hesaid. “We excerpts from our pieces...we did a littlesection and then I asked them what they got from thesection; did they like it? Did they hate it? What didthey think the people were doing on stage? What didsome of the movements suggest? And they gave me alot of good images. At the very beginning they werevery shy and sort of tentatively putting up their hands,and I said, ‘Look, there’s no right or wrong answer’ -not in art, essentially.”Another rpH^or. wily lie iikes to play schools is that insmall cities, the colleges and universities are mostlythe places with the best theaters and the only way ofbringing in live entertainment. And a large part ofFalco’s philosophy consists of offering dance towhoever wants to see it. The company often does datesin obscure places, partly because it is important tokeep the company working, but mainly be¬cause the group loves to dance and Falco doesn’t real¬ly care who .sees it as long as they react. “I wouldrather get a terrible review than something apathetic.During the performance, the audience should knowsomething about us as people and what we’re doing.” Much of what Falco choreographs for his companyis, in fact, autobiographical or semi-autobiographical.“Every artists uses himself. And what else am I goinglo create other than parts of my life? That’s, I think,when you make the most important statements - whenyou go far enough into yourself.“Sometimes we consciously work on one thing inchoreography or a theater piece, but unconsciouslythere are so many forces operating on it.... No oneperson is about just one thing. So many other thingscreep into it.The Mandel Hall performance on Friday nightDecember 1 included two of the more celebrated Falcoworks. The first piece was choreographed by JenniferMuller. Muller’s Nostalgia is a study of what happenswhen one carries a return to the past too far. Theoverall impression of the piece, however, is light,brassy, and kinky.Three young girls, played by Jennifer Muller,Georgianna Holmes, and Mary Jane Eisenberg, inplatform shoes and gaudy print dresses, strut theirway through their chosen lifestyle. There is a brightsurface, which is not so much a sincere state of mindas a “show-must-go-on” attempt to cover up grossinsecurity and desperation.The accompaniment cannot be termed a musicalwhole in the conventional sense. Rather it is a tapecollage, created by Muller and the company’s MusicalDirector Burt Alcantara, and made to sound likesomeone is tuning in an old radio. Snatches of BillieHolliday and Bessie Smith alternate with static andfuzzy whines from bad vibes in the ionosphere.They are erotic to the end in a manner which isdenied to classical ballet by the very nature of theform. The type of dance with which the Falco com¬pany is concerned, and the sort of movement patternsWhich Muller choreographs, have an inherentc—j— n..:urhirh in mv mind isireeuum, UUlUiij auu ucaiUUU; ..IIIv**' 111 lllJ 1U1‘IU.,.worth a hundred nights with the American BalietTheater. Nevertheless, Muller, Holmes, and Eisen¬berg acquit themselves superbly in Nostalgia-Falco isjustifiably proud of the fact that all his dancers areexcellent technicians-and the fact that they can leavehair, costumes and movement so free and easy andstill perform with such finely-honed grace is a greatertribute in itself than any reviewer could provide.Louis Falco treats sex in his ballets in a casual way.It is there because it is part of his, and everyone’s life.“I’m very sensual”, he says. “A good dancer has tobe. It’s so phvsical and in one sense it’s one of the mostobvious things to do - to have the dancers relate toeach other on a physical level. Sensuality, and sex and eroticism - they’re daily. And many times we justignore it.”Discussing a comment made by an irate spectator inPittsburgh to the effect that tax dollars were beingused for “dirty dances,” Faco laughs, “We were doingan outdoor performance...and it was twelve-thirty inthe afternoon and everybody was on their lunch hourand people just walked by and saw us dancing. Well,anyway, as we were performing, this man startedscreaming....“Anything involving sex is dirty. Actually they’llaccept brutality much more than they will sex.That’s just where their heads are at in this country.But I don’t really want to shock anybody We don’t doany nude dancing simple because I haven't found thatit’s necessary to do it in any of the ballets yet. I don’tparticularly want to dance naked in front ofeverybody. It’s not a moralistic thing; I just haven’tfelt the need to express myself in that way. And a lot ofthat (my choreography) comes out of the need of theindividual.”Another facet of Falco’s self-expression is seen inhis 1971 ballet Sleepers, which comprised the secondpart of the Mandel Hall program. The dance is similarto another Falco work, Journal, which dancegoersmay recall from the Netherlands Dance Theaterperformance in Chicago last spring. Using fourdancers - in the case of the Friday performance Falco,Muller, Holmes and Matthew Diamond - personalrelationships are explored within the confines of acommunal bedroom setting. Two couples - Falco andMuller, Holmes and Diamond - play, scrap, struggleviolently and finally reconcile. Journal uses a largercast, and somewhat more scenery and deals with amuch broader period of time. It begins with childhoodexperiences, progresses through the rituals of court¬ship and finally focuses on the trauma of a crumblingrelationship.Sleepers sustains a similar male-female ‘iGr.SlCr.,and movement patterns are as strenuous as those inJournal. Women perform the same gymnastic feats asmen, while never losing their grace or balance, andarticulating their lines loudly enough to be heardeasily in a large theater. In fact, both ballets containsequentces where the female partner of a duet -Jennifer Muller in the case of Sleepers - yowls “get offmy back”, and she means it quite literally, as she iscarrying her male partner around at the time.The ballet offers ample evidence that Falcoseparates sexuality from sexism - while eroticism isrampant, women’s roles are interchangeable with(continued on page 14)Friday, January 12, 1973-The Chicago Maroon-7Kehr Decrees iThe hand of her attacker cuts off the anguished screamof a matrimonial agency owner as she realizes that heintends to strangle her.1972 was a pretty disappointing year for film. Theonly clear trend that emerged this year was aresurgrnce of slicker and sicker violence, epitomizedby Kubrick’s revolting A Clockwork Orange, and theless said about that, the better. Generally, it was theold standbys like Hitchcock, Edwards, andMankiewicz who came through, and the only surprisewas Michael Ritchie, whose film seems like a deadend anyway.The commercial success of The Godfather andWhat’s Up. Doc? may indicate that the Americarcinema’s largely unfruitful effort to redefine itself isat last coming to an end, prompted by the audience’sembrace of the classical forms. However, the vastmajority of the hundred or so films I saw this yearwere the same “youth oriented’’* rehashes ofadolescent fantasies jazzed up with jump cuts andzoom lenses that Hollywood has been producing forsome time.This list is composed of films that met twoqualifications. First, they had a commercial run inChicago during 1972, and second, they were conceivedrecently enough to be generally reflective of the year.The first qualification eliminates the entire ChicagoFilm Festival (which seems redundant), as well asfilms that probably would have made the list likeBunuel’s Discrete Charm of the Bourgeoisie andCukor’s Travels with My Aunt, which were releasednationally in 1972 but haven’t yet played in Chicago.The second disqualifies Ozu’s Tokyo Story andChaplin’s A King in New York, both of which receivedtheir first American runs this year, but were made toolong ago (1953 and 1957, respectively) to really beconsidered as 1972 products.1.FRENZY/Alfred HitchcockFrenzy was, sadly, the only film of genius this year.It was Hitchcock’s fifty-second film, and at least hiseleventh masterpiece. Now approaching seventy-four,Hitchcock shows no signs of letting up after most of hiscontemporaries have retired.Frenzy is a very rich film, and it is impossible todiscuss it in any depth in this space (I recommendSam Bernstien’s article in the current issue ofFOCUS! for those interested). From one angle, thefilm is a return to the disturbing questions raised inStrangers on a Train, which Hitchcock was unwillingor unable to fully confront when that film was made.In Frenzy, Blainey and Rusk are involved in the samerelationship as Guy and Bruno in the earlier film: anobvious psychotic and a superficially sane man whosepersonalities intertwine and gradually merge. InStrangers, Hitchcock either couldn’t quite face up tohis implications, or else backed away because ofcommercial considerations. Frenzy comes under nosuch restrictions as Hitchcock digs deeper and deeperinto the darkest aspects of sex, marriage, and family,stripping away the protective coatings of civilization to reveal the true basis of society: chaos. Man standsconfused, culpable, and unprotected.As steadily as the camera moves down the Thamesin the opening shot, so does Hitchcock draw us into hisnarrative. His impeccable technique dictates ouridentification and shifting sympathy with hischaracters, until the final scene when we too are forcedto feel the grip of Frenzy.2.THE CAREY TREATMENT/Blake EdwardsBlake Edwards’ film was cut by the producers,dumped into the neighborhood theaters, and disap¬peared without a trace within >two weeks. For thoselucky enough to see it, Edwards’ film survived itscareless treatment, and remains, even in its truncatedversion, one of the finest and most personal films ofthe year. It’s surprising to realize how far Edwardshas fallen in the eyes of the Great AmericanAudience; just a few years ago he was turning out bigB.O. pictures (meaning financially successful inVariety jargon) like The Pink Panther, Days of Wineand Roses, Breakfast at Tiffany’s, etc. One needs amagnifying glass, however, to find any traces ofGunn, The Party, Darling Lili, and now, The CareyTreatment.Edwards’ fiiiiis explore the possibilities of moral action by a plastic man in a plastic society. The filmsare composed of images of the shiny surfaces, thesleek lines, and the blinding colors of the consumerculture. In The Carey Treatment, James Coburn is adoctor who tries to clear a colleague of the charge ofperforming an illegal abortion which resulted in thegirl’s death. In the course of his investigation, he turnsup the rotten underpinning of the hospital in which heworks: drug addiction, suicide, murder. But theCoburn character is just as superficial and posturingas the people he tries to expose. The charactersmaintain their cool, detached, unfeeling attitudes asthey sink into the abyss. Dr. Carey is merely a manwho does not care trying to convince himself that hedoes. The limited capabilities of Coburn and JenniferO’Neill in the leads work well in the context of thefilm—their shallowness becomes the shallowness ofthe characters, who are actors themselves. Edwardsis one of our most important and consistently goodfilmmakers. It is a shame that ho is falling into ob¬scurity.3. SLEUTH/Joseph L. MankiewiczHaving just spoken of an auteur who's submerging,here’s one who’s returning to the surface. Mankiewiczhas been having bad luck ever since he involvedhimself with the curse of Cleopatra, but after Sleuth, Idoubt that he will have trouble finding his lunchmoney. See more protracted review elsewhere in thisissue.4. WHAT’S UP, DOC?/Peter BogdanovichIt wasn’t exactly a year for comedies (unless yel!want to count The Poseidon Adventure), but critic-turned-filmmaker Peter Bogdanovich’s loving tributeto the comedies of Howard Hawks is probably thefunniest picture of the last decade. Bogdanovich’s useof the Hawks format (straight-laced intellectual, inthis case Ryan O’Neal, won over by irresponsiblenature girl, here Barbra Streisand) raises questionsabout where homage ends and rip-off begins, but whocares as long as the whole thing ends in a twentyminute ‘"base with some of the most inventive visualhumor seen ilHCe ^tor, f.r Tallin were in theirprime.5. SAVAGE MESSIAH/Ken RussellRussell’s film finally opened in Chicago after fourweeks of understandable hesitation by the exhibitors(the film had been doing very badly in New York). Sowe should thank God (or, more particularly, Brotmanand Sherman, owners of The Cinema) for letting us secit at all. Savage \^>ssiah is unequivocally KenRussell’s best film, .. masterful realization of thehemes that havp ohspsepd him «inr*e hie nar]jcsjfora vs into the cinema brought off here with a styleImperfect in Original8-The Chicago Maroon-Friday, January 12, 1973executives halfway through the picture’s run in aneffort to make audiences mindful of Leone’s pastsuccess A Fistful of Dollars. The comparison waswholly unfair. Leone’s first comedy featured JamesCoburn and Rod Steiger on a fun-filled romp throughthe Mexican Revolution that held little in commonwith the earlier film’s dusty documentation of ClintEastwood’s killing machine. Class struggle a la Sergioowes more to Groucho than Karl, with Leone’ssocial consciousness being manifested in a hilariousview of feeding time for the bourgeoisie, giganticclose-ups of smacking lips filling the Panavisionscreen. Leone has been sticking with the western longafter its fair weather friends, like Sam Peckinpah,have deserted it for more profitable territory. Thissort of perseverance should be recognized and ap¬plauded, since one good western a year is about all wecan ask for these days.7.ULZANA’S RAID/Robert Aldrich 10. PRIME CUT/Michael RitchieStill carrying on the tradition of the film noir thatflourished in Hollywood during the forties and fifties,Robert Aldrich has made a characteristically darkand violent film of his first western in ten years. BurtLancaster leads the cavalry against a band ofmarauding Indians, and comes to realize the futility ofhis actions when he finds himself fighting on theirlevel, like a savage. Blackly ironical, like all ofAldrich’s films, Ulzana’s Raid points up the paradoxesof the fight for civilization, the murder of the mur¬derers. Eventually, as the characters discover howineffectual they are, there seems to be only one wayout: death, by their own hands o^the merciful in¬tervention of others. Cold, cynical, and bordering onthe nihilist, Ulzana’s Raid gleefully anticipates theMongol hordes as civilization confronts barbarismand it becomes increasingly difficult to tell who isbetter equipped to deal with brutal reality. Aldrich’sgrasp of the medium is sure and complete, and,although Ulzana occasionally goes off on tangents, thebrilliance of his technique is unmistakable.8.TWO ENGLISH GIRLS/Francois TruffautReports of the decline of Francois Truffaut seem to Peter Bogdanovich directs Ryan O’Neal and Barbra Streisand in “What’s Up, Doc?”iriaay, January 12, IV73-1 he Lhicago Maroon-VMichael Ritchie's film was a strange and carefullyworked out switch on the archetypal fairy tale plot,and was probably the only American surrealist film ofthe past year. A white knight is sent by his king to putdown an insurrection led by a provincial ogre, andrescues a few fair virgins while in the line of duty. Thewhite knight, however, is Chicago gangster LeeMarvin, whose steed is a black Cadillac limousine.The ogre is Gene Hackman, who, under the nameMary Ann, runs organized crime in Kansas with ameat packing operation as a front. Every aspect of theingenious parallel, from Laughton-like court banquetsto machine gunners in silos standing in for archers inthe turrets. From a pre-credit sequence of a manbeing made into hot dogs to a concluding machine gunbattle in a field of giant sunflowers, Ritchie is con¬stantly inventive in the creation of his absurdities.Even though Prime Cut is essentially a trick film,and for that reason probably a fluke in Richie’scareer, it is encouraging to see a young director tryingsomething new in an old genre. Ritchie’s other filmsrange from the pretentious (Downhill Racer) to thepedestrian (The Candidate), but maybe he might havesomething after all.Other notable films (in no particular order) wereFrancis Ford Coppola’s The Godfather, SamPeckinpah’s Junior Bonner, John Boorman’sDeliverance, and Czech director Ivan Passer’s firstAmerican film Born to Win. Much to my continualembarrassment, I did not see either Stephanie Roth¬man’s Group Marriage or Robert Mulligan’s TheOther, both of which probably would have fit in heresomewhere.—Dave KehrJames Coburn and Regis Toomey discuss the advisability of investigating the death of anotherdoctor’s daughter in “The Carey Treatmentand appeal that he had before seemed incapable of.Russell is a very eccentric artist—most of his filmsare very uneven in quality, often shifting levels fromscene to scene. In Savage Messiah, Russell for thefirst time seems to love his grotesques, maintainingboth his and our interest in the characters by bringingthem closer, integrating them more with his per¬sonality. The Russellian acedic satire is reserved forthe true villains of the piece, instead of being in¬discriminately scattered over everyone in the picture.Savage Messiah is a very fine film, which promotesRussell to the major leagues.6. LE BOUCHER/Claude ChabrolChabrol never seems to get the same critical at¬tention as his colleagues Godard, Truffaut, and Roh¬mer, although he is infinitely more consistent.Chabrol’s consistency might not be preferable to theothers’ vacillation between the extremes, but it’s goodto have someone to count on. If Chabrol has madefewer great films, he has made the greater number ofgood ones.Chabrol is often cited as Hitchcock’s prime disciple.Le Boucher, a story of a woman in love with asuspected ax murderer, points up this relationshipquite clearly. Chabrol’s cinema is much moresatirical than Hitchcock’s and his characters con¬sequently seem flatter and less emotionally gripping.Le Boucher is relatively light on the wild flights ofexistential humor that characterize his other films,but just as typically is tied up with Chabrol’s passionfor symmetry. be greatly exaggerated. After seeing Two EnglishGirls, it’s easy to forgive him for all those Ozzie andHarriet projects he’s been turning out for the past fewyears. Two English Girls demonstrates that Truf¬faut’s abilities are as sharp as ever; MississippiMermaid, Bed and Board, etc. not withstanding.Truffaut has achieved a subtle and unobtrusiveperiod setting for his story of a young Frenchman’sinvolvement with a pair of English sisters at thebeginning of the century. Truffaut’s predominant shotis a medium close-up from a slightly elevated angle;very much the viewpoint of memory. Truffaut’s giftfor discovering small, almost imperceptible gesturesthat give an independent life to a character is alsovery much in evidence. Sad but never bitter, TwoEnglish Girls captures the ambience of a curiousrelationship with grace, compassion and clarity,clearly the film of a master working at the height ofhis powers.9.DUCK, YOU SUCKER/Sergio LeoneThe funniest title of the year was changed to AFistful of Dynamite by grim-faced United Artists’1972’s Ten BestChicago: Home Basefor American PoetsPerhaps more than anywhere else,even New York or San Francisco,Chicago is where things are happeningamong young American poets thesedays. There is an incredible amount ofliterary activity going on in this citytoday, most of it passing unnoticed bynon-poets as they go on with their lives;but to poets, Chicago is an obviousvortex of energy, spinning out poets,magazines, and small books. I recallhearing the poetry editor of the ParisReview (possibly the most importantliterary journal in English now) saythat Chicago seemed to be “where it’sat.” It’s certainly a change from thedays of millions of young writerstearing out of the Midwest in a blazinghurry, moving towards all the actiongoing down on either coast.In the last year or so, four small-circulation literary magazines havebeen started here. They come fromcreative writing workshops at theUniversity of Illinois and NortheasternIllinois University where a successionof energetic poet-teachers, Ed Dorn andTed Berrigan, have created a mass ofenergetic poets.Among the magazines are OINK (438W. Belden Apt. 5, Chicago 60614); StoneWind City, (3307 W. Bryn Mawr,Chicago 60625); and the MILKQUARTERLY (7724 N. Marshfield,Chicago 60626). Perhaps the best of theChicago Magazines is Chicago, (911 W.Diversey, Chi. 60614), edited by the poetAlice Notley, which contains more thanjust Chicago poets; it includes work bysome of the finest poets writing today.Either through their own resources,or through the funds of various university English departments, all of|these groups sponsor poetry readings,'bringing in poets from outside andscheduling readings at a variety ofplaces, so that almost every night of theweek there is a great readingsomewhere in the city.One of the best reading scenes, if notthe best, is that run by the “yellowpress” collective at the Body Politic(2257 N. Lincoln). Every Monday nightthere are readings, and I have yet toattend a bad one. (Conscience compelsme to add I have not attended all.)Among the poets who have read therealready are Ted Berrigan, AndreiCodrescu, Saint Geraud (Bill Knott),Philip Whalen, and, last Monday, PeterSchjeldahl. Among those tentativelyscheduled for the near future are EdDorn, Jerome Rothenburg, andGregory Corso. In addition to thesepoets of “repute,” many very fineyounger poets, both from Chicago andelsewhere, have read there, and willcontinue to do so.The Schjeldahl reading last Mondaywas typical, so here is how it is. Peoplefill one of the serveral store-fronttheaters in the Body Politic complex.The readings are usually packed, whichis incredible, considering that “poetry”as we all know, is quite boring; and alsoconsidering the fact that they neveradvertised by any more than a fewflyers here and there, and perhaps a oneor two lines “personal” in the Reader.Before anyone reads, “yellow press”products are hawked and an in¬ troduction is delivered on the subject ofthe first reader, who is usually a localpoet. The introductions, which are in ahigh-flown rhetoric, are alone worth theprice of admission, or would be if therewere an admission charge.Last Monday, Darlene Pearlstein, oneof “yellow press” poets, read the firstset. The poems she read were writtenfor children, and the only word whichcan adequately describe them is in¬credible. Another word which comesclose is funny, in the best sense.Hearing them was a total pleasure.Between sets there is a brief in¬termission, during which many peopleslip out to get beer and such. After this,another introduction is delivered, forthe “star” reader.The “star” Monday, Peter Schjel¬dahl, is author of White Country(Corinth Press, 1968), Adventures of theThought Police (Ferry Press, 1971), anda critic (of art and music) for the NewYork Times. Schjeldahl is a meditativepoet, with a brilliant, ironic sense ofhumor. He devoted most of the readingsto selections from forthcoming book,Dreams, a sequence of short prosepieces, although he also read older andnewer poems not part of that sequence.Among these was his Ho Chi MinhElegy, a truly great work which I quote:HO CHI MINH ELEGYHo Chi Minh was our real PresidentThe one we counted onFor right decisionsHis face enthralled us: Confidential, Oriental, clear4s a passage of musicHe was always himselfHe held in his thoughtsThe immensity of these timesCradled in his sense of what was fitHe smoked Salems, you know,Think for what else he might have likedusHad he not been obliged to wage warTo give us ourselves and our futuresThe readings begin at 8:30 eachMonday, at the Body Politic. NextMonday Allan Kornblum, editor ofToothpaste, and Darrell Gray, author ofSomething Swims Out (Search forTomorrow) and editor of Suction, willread. Kornblum and Gray arerepresentatives of the thriving ActualistMovement based in Iowa City, anotherliterary vortex. Today, the Midwest iswhere it’s at. Probably their reading willbe great.If one is interested in contemporarywriting, these readings are con¬siderably more than worthwhile. Theyare fantastic. The Chicago readingscene is more active than all but NewYork, the poets are usually good andsometimes are much better than that.It’s too bad no such scene exists withinwalking distance of the University, butthose are the breaks. It’s good to knowone exists in the city. I couldn’t do lessthan suggest people check out thesereadings, and the magazines too.—Simon SchuchatCHICAGO IS A WINTER CARNIVAL7* * net KIDS,come to rue"BI6> vXWU131*17*0AY,DAUCE/MobtcVr .•tnsrt*ooo* \(fiooooueU)wiijl v rt»*jno-uxhc nt iAjeiTVSTin to* ixmes o* .ifBfjmoe cut'vmee(TtbeuT #.TI*7XSFMOAV JAMAfiV nit* to* Minoner o*e tuck/ft TMrtr/ DOOR PRIZES AWARDED INCLUDE$100 WORTH OF TRAVEL FROM TOWER TRAVEL INCIn Conjunction With the University of Chicago Charter Flights ProgramWITH $100 YOU COULD:take a U of C charter to sunny Nassaustay in a seaside Bahamian hotel for a weekgo home for spring break to see your familyor masquerade In New Orleans at the Mardi Gras-ANDAgoraCafe EnricoChances RCourt HouseEfendiGold City InnKentucky Fried ChickenMediciOriginal Pancake HouseStation JBDSurf A SurreyTai Sam YonBerghoff’sCCEBon Appetit The DoveHouse of EngHyde Park Coffee ShopSauer'sParadise LostLucita'sThe 95thNear South IVI Spaghetti DinnerSkates: Nestor Johnson Mfg. Co.Gee Sport CenterSears Roebuck A Co.Other: Doc FilmsHitchcock FilmsTower Travel Inc.THE BIG JOHN IS ANOTHER EVENT FROM THE W.C(WINTER CARNIVAL)COMING WINTER CARNIVAL EVENTS INCLUDE:Monday. January 22 Ramsey Lewis Trio concertThursday, January 25 son of film orgySunday, January 28 Dan Hicks and his Hot Licks concertThursday, February 8 Skating Party at North FieldSunday, February 11 DANCE with MUDDY WATERSWednesday, February 14 Dick and Anne Aibin concertThursday, March 1 Monroe Doctrine Bluegrass Band concertFirst Big Snowstorm Snow Sculpture contest with BIG prizes10-The Chicago Maroon-Friday, January 12, 1973Few people know that Henry the Eighth ofEngland, the daring, intelligent, lady-charmingmonarch of the 16th century, was also a passionatemusic lover, who practiced daily on one of his seventy-six recorders. ,Frans Brueggen could have been the young king inmodern grab last Saturday, at a rehearsal of the ArsAntiqua baroque ensemble, in Ann Arbor’s UniversityReformed Church.The Dutch recorder virtuoso, due Monday at MandelHall with the Sour Cream recorder trio-himself and apair of Dutch colleagues--had an air of regal authorityas he walked rapidly down the aisle to the platformwhere the musicians were assembled. Off came hisdark glasses, revealing enormous, irresistible eyes.Thoseeyes had made devastating conquests, and wouldmake many more.The sun reflected off the church’s white walls andhigh wooden ceiling. The conductor, Linden Lawless,led from a pale green harpsichord. Old-fashionedlamps lit up the stage.As the ensemble plunged into the opening bars ofTelemann’s C Major Concerto for Recorder, Brueggenpushed his long, rumpled, darkly gray hair off hisforehead, and gazed fixedly into space, oblivious of thesprinkling of admirers eagerly watching.When he began to play, his recorder moved up and Seventeenth and eighteenth century sources are nottoo helpful on the intangible non-verbal meaning ofmusic, according to Brueggen. Most devote hugechapters to technical and stylistic aspects of musicmaking, but conclude that ultimately, ‘good taste’makes music sound special. “Now, what is good taste?It is expression, something they couldn’t teach ordescribe.” However, if you read between the lines ofmany baroque theory books, he added, you find thatthe authors did consider expression crucial. “Thenicest spots in the old theorists are those where theyare insecure, where their rationality fails them....”Often, in the expressive Pablo Casals tradition,Brueggen abandoned verbal direction, and used hisface and hands, voice and instrument, to mimic theeffects he sought. He snarled at the cello: “Your at¬tack should be ruder: Growl!” He smirked at theviolins, “Don’t whine.” He told them all to linger alittle, and blew one note which went on and on as if itwould never die.Brueggen ended the rehearsal with a bit of advise.“What counts in the long run is how dangerous youare. The Courante should be poisoned with pauses.Usually we run from the last beat of the bar to the firstttvakes iaUs good teacher, but very tough,” his ex-pupil, MarianneMilks, whispered to me during the rehearsal. Avivacious blond Ann Arbor recorder teacher, it wasshe who invited Brueggen to solo with the Ars Antiqueand give a master class. “You can study with him formonths and he won’t say a word. He hardly ever givescompliments. It can get you down. If he knows youhaven’t practiced, he will fold his arms, close his eyes,and say ‘wake me up in an hour.’ But he is a nice,gentle person; sometimes he will say, ‘that was good;let me take you out for coffee.’ Also, he tries never tolet people who aren’t too advanced feel discouragedBrueggen only accepts students he senses were bornfor the recorder. “There have to be clear visible andaudible signs. I can tell straightaway, in five minutes.First, I watch the way a student unpacks his in¬strument-how he opens the case, and puts therecorder together. Is it at the right speed, with afeeling for precision? Is is done with love?“Then, the natural born recorder player combinesan intimacy with the instrument, and a sense ofsimplicity-the recorder is a simple instrument-withenergy, force, burning eyes. He must not be toofanatical, but a little bit lethargic and detached.”(Could Brueggen have been describing himself?)Such careful screening of potential professionals isnecessary, Brueggen maintained, because becomingdown in the corner of his lips. His cheeks puffedslightly, his chest rose, elbows flapped, all aiding hisextraordinary breath control. His whole body swayedwith the music.The notes echoed through the room. The sound wasso sensuous, it hurt.Listening, I recalled the first time I heardBrueggen, several years ago in Edinburgh. He and hispipes had looked so small, and the stage so big. Yetsuddenly, enticing new sounds had surrounded me,vheedling, cajoling, snarling, caressing, biting, bitter¬sweet.“Music is magic,” Brueggen told me later on. “Ithas the power to make you sick or torture you, and torelieve pain and enlighten your spirit. Music shouldaffect you deeply....”He stopped the group, and blew hard into his in¬strument to clean it out. “The important thing aboutthe fast movement is that we agree on how manyaccents per bar.” He demonstrated what he wanted,switching almost instantaneously from precisepunchy sixteenth notes to languishing rubato. Later, inthe Dieupart Suite in A, he told his harpsichord andcello partners, "In principle, you are the timekeepers. We should be together and not together. If Iam with you, I have decided to be precise; if I am notwith you I have decided to be free, like a bird. If Ibegin to shimmy, don’t go with me.”I commented that Brueggen’s performance ofbaroque music seemed to have a lot to do with baroquevocal style. “I learned a great deal from the historicalvocal sources,” Brueggen replied. “In the baroque eraall the virtuoso instrumentalists imitated the virtuososingers.”Brueggen tries to transpose virtuoso vocalpronunciation into instrumental terms. “You mustdevelop such a clear, fine sense for intervals, thatregardless of whether the interval is on a weak orstrong beat, is quick or slow, or high or low, you try tobring it out as if it were a special word you wanted tosay.” of the next. Dare to put in commas!”As the master crouched to the ground, lovinglyputting his instrument away, I glanced above his headat a purple poster which read, “When the time hadfully come.” Are we ready to receive the recorder as alegitimate virtuoso instrument?“Actually,” said Brueggen over red wine in an AnnArbor coffeehouse, with Beethoven for backgroundmusic, “the Renaissance musical revival started inHolland in 1952, when the recorder was accepted as amajor instrument at the conservatories.” WhatAmerica needs, the continued, is more good recorderplayers, and one conservatory where recorder istaught. Brueggen approached Juilliard about fiveyears ago, but they weren’t interested. “As far asinstitutionalizing the instruction and profession ofrecorder playing, America is twenty years behind thetimes.”Brueggen began to play the recorder at six, just forfun. During the second world war, it was hard to findrecorder players. Brueggen’s teacher was jazzclarinetist Kees Otter, who played recorder on theside. “I was actually the first who did nothing else fora living but play the recorder.”Nowadays recorder is taught at all ten con¬servatories in Holland, (“A ridiculous number of musicschools for such a small country,” he commented, notwithout a touch of pride.) Brueggen’s permanentposition is at the Conservatory at the Hague, though hespend the last four months teaching baroque per¬formance practice at Harvard, and will go to Berkeleyin two weeks. He hates the usual teacher-pupilrelationship, “the horrible dependence of the studenton his master,” and likes the way the problem ishandled at the Hague. “We have a group of recorderinstructors, all belonging to the same school ofpiaying, but each with his own specialty. One doesFrench style, another Italian, or technique, or avante-garde. The pupils go from one to the other.” He feelsthis methocf gives students more self-reliance.What do students think of him? “Franc Brueggen is 2 a recorder player is a big responsibility. “One must bea master. Remember, you can never join an orchestra.And because of the limitations of the instrument, thereis no such thing as a good recorder recital. It is eithervery good or a crashing bore.”Brueggen’s two prize ex-pupils, Walter Van Hauwe,and Kees Boeke, are his comrades in the Sour Creamventrue. (No folks, they’re not distant cousins of therock group Vanilla Fudge.) The group has performedin Europe, and is on its American debut tour. Theprogram spans the entire range of the recorderrepertoire, from old works played on orginalinstruments to avante-grade pieces.The name has no deep significance. “We chose aname that sounded like a pop group, to differentiateourselves from other recorder groups. Maybe ‘Sour’ isto counteract the way people usually think recorderssound: sweet. We don’t play sweetly at all-we playvery unsweetly. All three of us were bored to deathwith the normal way concerts are given these days,like formal 19th century events, so we decided to dohings differently.”What form does the rebellion take? Ah, that is best leftunsaid. As a friend pointed out, surprise is essential,since protest is often designed to shock people into re¬evaluating long standing customs.Their are no explanatory notes on the program.“Their absence is deliberate. Contemporary music-and through our use of authentic instruments andstylistic approach we strive toward the older music’ssounding ‘contemporary’ as well-should be, in ouropinion, consumed as it is produced; the ink still wet,the ears unhardened.”Come to the concert Monday night in Mandel at 8.1Tickets from the Concert Office, Lexington Hall, $4, $2for students. $1 for Chamber Music Series subscribers,all unreserved. You have nothing to lose but yourmisconceptions.—Deena RosenbergFriday, January 12, 1973-The Chicago Maroon-11KATSA&OS P U A 6 M A C V..NC• Complete Prescription Needs• Prompt Delivery Service1521 E. 53rd ST. Phone 288-8700C 4 THIS IS AFELLINI MOVIEFOR PEOPLE WHOHAVE NEVER SEENA FELLINI MOVIES-Time Magazine66 FELLINISROMA’CMttyie RUSH.* tOAK w 944-2966The Lookof the30*/Get it together in thegreatest collectionof sweaters, shirts,baggies & other 30’sthreads! Lots ofpatterns & groovycolors to pick. Plus aton of jeans alwayson hand. You’ll dig it. JAMESSCHULTZCLEANERSCUSTOM QUALITYCLEANING10% student discount1363 E. 53rd St.752-6933Find us(CERMAK)22ND STREETYOU'LL BEGLADYOU DID . . .EMIL MAMSPONTIAC2232 BLUE ISLANDAVENUEIN CHICAGO254-2900PART OP COHN & STERNHYDE PARK SHOPPING CENTER55TH A LAKE PARK ttam tryingto bribe youwithuncertainty,withdanger,withdefeat.AA .. jorgeluisborgesThat’s mostly what you’llfind if you commit yourlife to the millions in theThird World who cry outin the hunger of theirhearts. That...and fulfill¬ment too...with theGOLUMBANFATHERSOver 1,000 Catholic mission¬ary nriests at work mainly inthe developing nations.We've been called by manynames - "foreign dogs" ..."hope-makers" . . . "capital¬ist criminals"...“hard-nosedrealists”...Read the whole story in ournewpp n ri 16-PAGEr sxJhrj bookletTells it- **•| Columban Fathers ■j St. Columbans, Neb. 6805^I Please send me a copy of youjCM fI booklet. No strings.II| NameAddressCityStateluiiege Zip Chicago’s Spot Inthe KlieglightsIt’s a new year, after all. So, followingis a timely collection of thoughts onpast, present and future shows, notes onnew things to see and do, and some briefmention of University people who aremaking good in the w ider theatre world,all in acknowledgement and celebrationof UC’s and Chicago’s place in thecurrent theatre scene.First, a couple of things to see. AtKingston Mines is a new production ofEdward Bond’s Saved, directed by CecilO’Neal and running Friday throughSunday nights, 8 pm, for the nextmonth. Written in 1965, the play is atight, naturalistic, serious drama aboutan urban low'er class family - and -friends (the original British productionw'as done in a heavy Cockney accent),with the action centering primarilyaround an adolescent girl’s dreams ofand disasters in love. The script ispretty slim pickings for the intellectualappetite, probably precisely because ofthe intensely personal and evenauthentic nature of the problems asposed. The facts of the characters’ liveswhich are combined to yield a plot arejust too rarified and individualized to beable to abstract from them. This maynot be strictly a function of this play;though the director claims otherwise, itlooks to me like there’s been plenty ofgood drama written about lower classor ghetto type tragedies, not only in thepast decade but throughout the century.In which case, this play simply isn’tinnovative enough with its subjectmatter to spark the kind of soul-searching experienced at a first viewingof On the Waterfront, for example.Nevertheless, Saved counts among themost consistently tight, evenly pacedand balanced, and impeccably actedproductions I’ve ever seen. The leads ofPam the girl and Len the rejected lover,played by Ginette Goldberg and GaryHouston, are casting and acting strokesof genius. And the rest of the cast, in¬cluding the parents and the gang, standproperly on the second step where theydo perfect and careful and noticeable-distipetive jobs. The acting of the entirecompany is uniformly flawless, andthat’s a good reason to go see Saved.Also to keep in mind is that KingstonMines is bringing the San FranciscoMime Troupe to their theatre aroundthe first two weeks of February. TheMime Troupe’s performance on campusa couple of years ago was well-received,no doubt some of you remember, andtwo years’ work is bound to havepolished up their politicking as well astheir style, so I’d call this visit a don’t-miss. Check at the Theatre, 2356 N.Lincoln, Tel. 525-9893, for details.Nearer to home, namely on campus:UT is bringing a young, fairly unknown,but purportedly excellent playwright,Charles Kespert, in from New' York on.January 19*20 for 4 performances, byhim, of his one man play Light CellDeath. Word has it that this will be ‘aunique theatre experience;’and as hehas the credentials to back up the claim,well, just try to imagine somethingonstage that’s really ‘unique’! A first¬hand preview will be in our next issueat any rate. Two show's a night at 8:30and 10 PM are scheduled for Friday andSaturday, tickets are $1.50.UT itself puts on its major productionof the quarter, Oh What a Lovely War,in about five weeks. Meanwhile, 9thweek is tentatively an ExperimentalWeekend, final decision on if and whatwill be made within the next week or so,so if you’re interested in acting or techon a less mammoth and presumablymore experimental scale leave yourname with the UT office, X3-3581, andthey’ll notify you of audition schedulesand etc.Three workshops are also in therunning; Saturday afternoons are the Acting Workshop given by LucilleStrauss and a Dancing Workshop,concentrating in tap and the like, to betaught this quarter by Mari-Lu Hen-ner’s sister. (So where’s Mari-Lu: UbuRoi, Good Woman, et. al.? Good newsis that she’s taking off from school thesequarters as she’s actually contracted totour 15 cities with the now-famous NearNorth Chicago original, Greasel A UCactress made good, w'e are all veryglad, and send Congratulations.) Thirdis the Tech workshop scheduled forTuesday nights and given by Techmanager Charles Jenkins (who is alsodirecting Lovely War, incidentally).Finally in the making is an informalgroup that’s planning to do a series ofstaged readings, requiring only 9-3nights of rehearsal, to be presented inReynolds Club before an informallygathered audience. The emphasis herewill be on giving people a chance to read‘classic’ plays for an audience withoutthe harrassment that a full com¬mitment to a completed productionrequires. Lani Granum, Tel. 924-6164, isinformal organizer; the first readingplanned is of Strindberg’s The Father.Last but not least is an honorablemention of the latest past production atUT, Bob Hopkins’ IMAGES of Jarringand Schizophrenic. The show un¬doubtedly (and as always with Hopkins’work) deserves a full review, but un¬fortunately it opened after the finalissue of the Maroon in December, so weare sorry and herewith some notes.Perhaps metaphor is partly an ef¬ficiency device, and thereby I’m turn¬ing heavily to metaphor in thisconglomerarticle. At any rate, inrecalling IMAGES I find myself con¬tinually fastening on the physicists’Theory of the Exploding Universe. Towit: Hopkin’s relatively long andsuccessful career as a director at UTmay be likened to the history of auniverse in which all of its parts were inclose prox imity and unified at its in¬ception and which then exploded, theparts progressing over time into fartherand farther reaches of space and beingin the process farther and fartherremoved from one another. This last iswhat’s specifically relevant to Hopkin’smost recent production, as it seemed tome that while one was acutely awarethat all the discrete parts originatedfrom the same exploded source, namelythe eclectic universe of Hopkin’s ownpersonality, one was still rumbling inthe gut at the parts having by now (withthe passage of time?) taken on iden¬tities of their own. I suggest that hisjuxtaposition of disparate scenes pro¬duces the same sense of dissonancethat we feel when we think of ourselves,on Earth, as coming from the sameplace as the blue sister stars inQuadrant - ZQ. Essentially, the distancethat Hopkins has travelled requires thatthe connections to the source are moretenuous by now, such that they can nolonger support such concrete and alsolong-playing episodes as the per¬formance en toto of Widor’s Toccatafrom the 5th Organ Symphony, and thestory of The Bread. Claiming that theseries of —sodes is ‘jarring &schizophrenic’ isn’t sufficient either, Idon’t think, as, again, he’s got brickstied to carpet thread and he’s expectinga lot for them to defy gravity and headout instead of hang down.Hopkins plans, tentatively, anotherproduction in the spring; perhaps thenmy explosion theory gets exploded, andall will be well. I hope so; the parts ofhis shows are ail inspired in and ofthemselves, and no one who’s seen hiswork doubts his ingenuity. And after all,a series of explosions is entirely inkeeping with the times.—Deborah Davison12-The Chicago Maroon-Friday, January 12, 1973Paste-Ups From a Noble SavageUsually the simple artistic tools ofscissors and paste are thought to beused only by school children. Currentlyat the Museum of Contemporary Art anexhibit of intricate collages by theWest Coast artist Jess justifies that themethod can indeed be a sophisticatedone. Yet these Paste-Ups, as Jessdescribes his own inventions, stillmaintain a certain quality of simplicityof a basic primitive technique. Even so,they are all products of a deft craft¬smen. But few of these works, which menship all art is artifact. But withJess’ art the quality of his vision sur¬faces not as neatly refined and polishedartistic entities, created in onematerial, but more as sophisticatedcollections of things. The man Jesshas transformed these varied picturesinto a unified art work by the act ofcollecting, and the use of his mind. Thisobvious stamp of an artistic procedureraises the cut-out images into thecurious realm of meaning, but with thatremains the basic primitiveness of Jess’ the meaning to a vast complexity ofmeaning in visual combinations.Juxtaposing myriads of human shapesand circumstances which he has cut-outof context, in a work such as “Tarot X:The Wheel of Fortune,’’ Jess provides anew context which in general gives theviewer a feeling of endless worldinessand the large extent of possible humansituations.In “Tarot X’’ each particularcharacter has an attached printedexclamation, visually attributed to him Jess is supposed to have first begunhis mature technique in an abstractexpressionist vein. Aside from thisearly influence which was so strongtwenty years ago, in addition Jess hadan appreciation of Victorian art thatwas and is rare for his generation. Thesimple black and white effect in manyof his works, with his obsessionaleclecticism and crowding reveal theVictorian aesthetic. The ambiguousspace that Jess tends to create in hiswork remains as his link to the abstract“These make him take more steps than necessary and he walks around tiring himself till he has an epiphany...”represent a twenty year span, are anattempt at a strikingly slick illusion.The action of the artist is always readilyapparant.I get the feeling that Jess has littleconcern for masking his technique. Hewants us to know that his curioussenibility is at work. He directs ustoward the immediate realization thathe is indeed a human being, not someideal, but simply a man whomanipulates C'Jtout images to inventnew ones. His source materia! includesphotographs, printed words, and manyVictorian book illustrations andengravings. The complexity of hisingenuity with this abundance ofprinted matter clearly emphasizesJess’ position as a Modern. A fewcenturies ago the same attempt wouldbe impossible because of the lack oflarge scale printings circulating in theiv TntiaV 2re swimming inprinted matter constantly, *,esscreations capture that contemporaryfeeling. * *The awareness of the viewer that he iswitnessing the product of a man isheightened by the extraordinary wealthof images that Jess puts together. Thiscontent combined with his very basictechnique lends the quality of a con¬temporary artifact to these Paste-Ups.It’s true that in in? sense of crafts- artistic act. The man and the materialare distinct, yet at the same time one.To me, Jess’ inventions convey ageneral sentiment that is very con¬temporary. His attempts to promote theutmost in complexity, in simple detailsand just in the gross quantity of images,suggests a modern approach. Jess’mental orientation appears to seek thefundamentals and universals of lifeexperience in this modern approach, byexposing the endless possibilities of anexperience’s dimensions. A most recentexample of this attitude is a large,colorful work titled, “The Virtue ofIncertitude Perplexing the Voice ofDefinition.” In it his complex ex¬pressive technique uses basic color andline, but they are divided into so manyindividual molecules of imagery that asimple generalized division of the colorand line is difficult.I think the title of this work suggestsilim its Subject "lust be approached inthe same CornPl*cated and multi¬faceted fashion. Jess mienClS fnr usgive his creations their due time, 1suppose in the same way that we mustallot much time to the understanding ofthe subjects that he chooses, such as“Definition” or “Incertitude.” Thisseemingly basic subject matter existsfor Jess in varied ironies and mixedvisual possibilities, that at once extend like in the wording of a comic strip, butthat has a meaning usually far-removedor ambiguous to the meaning one wouldnormally anticipate. Each line of wordsdoes indeed have some relation to theface that is supposedly speaking it, butin addition could suggest vastlyunrelated subjects. These diversionsJess makes use of as a technique quiteoften, to expose the indefinite quality ofhis attitude. The viewer is almostoverwhelmed by the sheer obsessionwith which Jess apparently built andarranged his pictures to express thisfeeling.Just as we are never for a secondreleased from the immense existentialburden and responsibility of living, andthinking, we are never relieved by theextensive ir^entorv of life-imageswhich Jess presents. His use of medicalpictures concerning muscle, cir¬culatory, and skeletal structures inl ~n,Fnole Viic r\ocifinp 21 OIlUllldiia u.«v.uu men mo aa wmodern includes the imagery of thescientific. The artistic saving grace forThis exteii;;'.'? crowding of Jess'imagery is in his suit ?ense °_organization. This organization itselt,however, is not simple either, at leastnot blatantly evident. The power of hisart rests in its ability to fascinate andencourage the viewer onward, fartherFriday, January 12, 1973-The Chicago Maroon-ivinto the complexities of his meaning,expressionists. His abstraction beyonda certain kind of visual space, however,focuses on his manner of juxtaposition,so that the viewer questions not the“where” of his images but the “why.”The other part of the Museum’scurrent exhibition is an environmental“voyage of discovery” by the SouthAmerican artist Rafael Ferrer. In it thefeeling of artifact and cultural milieauis particularly strong. Ferrer writesthat this exhibit, which has such objectsas old fishing boats and hanging oars,colored maps of exotic lands, and anexplorer’s mock “hut,” is a geographicapproach to his mind and the tropics. Inhis words, “A recreation of the worldthrough objects that relate to places inturn produces more places and moreobjects - an endless association.” Thisgroup of artifacts which he hascollected and transformed into an en¬vironment gives the Museum walker avery real sense of far-away peoples andculture. There are no display cases, sothe experience very quickly becomes afantasy tour for the museum par¬ticipant.These exhibitions run throughJanuary 2b.__^oderic horn1 'iFalco: Fluidity, Flexibility(continued from page 7)men’s in terms of movement patterns. Louis Falcodoes not hesitate to assign energetic movements to hisfemale dancers because he knows they can do them.“And they would do it much more if men allowed themto.” he says.Clive Barnes has remarked that Falco uses moredialogue in his work than any other choreographer inthe world. With characteristic modesty, Falco, whenconfronted with this statement, hastens to explainthat he is not the first to combine dance and dialogue.Doris Humphrey, who initially molded Falco’s senseof movement via Jose Limon, choreographed a workin this vein, and Eric Martin is doing a great deal ofexperimenting in the same area.Falco will agree, however, that possibly the way heuses a dialogue in Sleepers (which was created beforeJournal) was unprecedented and so, in that sense, hefeels it’s unique. “Sleepers started out as a movementballet,” he explains. “We had a score being written forit. and we were composing the dance, and about threeor four weeks before it was going to be performed, westarted doing improv’s - just talking to develop thecharacterizations.“Because quite often dance gets in a rut with peoplejust dancing and the body is doing the dramatics butthe face isn’t. So it’s not really specific enough whatthey’re doing. It’s like with many dance works: theygeneralize. I feel that things have to be very specific -about what, to whom - if they’re really going to bemeaningful to an audience. And to me, just dealingwith - say, pain - on an abstract, grand level doesn’tmean anything. I want to know who did what to whomand what kind of pain it is, and then I can have com¬passion and understanding for it. And so we took awaythe dialogue and it started falling down again. And itgot so that I began to miss the dialogue.“So we kept working and developing the dialogue.Then, a week or two before the premiere I heard themusic and put the music to the dance and I felt like itlooked like every other dance that I had seen or doneand it lost all of its individuality and the individu¬ality of the dancers.Interestingly enough, the Falco company gets asmuch flak from its audiences for the liberal use ofdialogue as for its liberal dances. In response to this,Falco shrugs, “...many times when we see somethingKIMBARKLIQUORSINE MERCHANTSOF THE FINESTIMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN pA|K53RD KIM» j£k LIOQORS, INC.U1*.Z.53nlSt.SZ-Almbark Mom NY 3-3355 I we’re not used to, it’s upsetting. And we can’t acceptthe fact that something is upsetting and accept theidea that it is just that. There are always taboos -what we can do with the theater and what we cannot.”Those patrons who might have trouble stomachingdialogue found a reprieve in the third part of theMandel Hall evening, when the company presentedwhat is allegedly its best-loved work, Caviar. Per¬sonally, it is not my favorite although I can un¬derstand why it is so appealing to some. Severaloutsize sturgeon constitute the props, in a settingdesigned by the South American artist Marisol, andthe entire company of six dancers performs. Uniformaquamarine costumes, and severly pull-back hair¬styles on the women create a unisex effect and help totone down the atmosphere of sexuality of the previoustwo works. Music is used; written and performed by arock-jazz group named Vertical Burn in conjunctionwith Burt Alcantara, it was taped for the Chicagoperformance but is done live when performance datesare near enough to New York.The piece, which provided a particularly goodshowcase for Georgianna Holmes, combines bothmodern and traditional movements, balancing both ofthe whole, fairly equally. In explaining the creation ofCaviar, which was first performed in New York twoand a half years ago, Falco says, “What I dealt withmainly was open imagery, which is movement ideasand what they suggest dramatically. Then youdevelop them so you have something humoroushappening here, something a little more serioushappening there, and they all take place in the samesituation at the same time.“When I choreograph, I usually start with amovement idea- different bodies moving differentways with different timings. Then I start thinking ofDANCEwhat it suggests dramatically. Sometimes I’ll followthat idea. Then suddenly it shifts and...it’s constantlya changing thing.”Playfulness is an important part of Falco’s life andwork. “I appreciate a good sense of humor, and evenwhen I’m being very serious and very heavy aboutsomething I still see many humorous qualities inthings.The Falco comapny most assuredly did not sufferfrom such a constraining problem on Friday night.Seeing all six, who are close friends in private life,dance together in Caviar, I was struck by the happyand open enthusiasm that they brought to their work. Ihave encountered such unconcealed bright cheer¬fulness only once before, in the Netherland DanceCompany.“I’ve never even mentioned facial expressions,”Falco says. “If you get into something dramaticallyand you’re relaxed enough, then your face is going toshow what you’re experiencing. The main thing is thatyou’re free enough to experience whatever it is that’sgoing on, and being stingy with your emotions. If youreally think someone’s fantastic, you’re going to dosomething that makes it special, say your face lightsup or whatever. People are very stingy with theiremotion...and that’s a way of behaving.“But our company’s not that way. They’re all veryoutspoken and very individual, so that’s all part of thething that acting brings to light on stage.”Falco’s company is one that can permit itself suchliberties; classical companies which have done onlyclassical works and lack this sort of freedom andspontaneity. Nevertheless, Falco believes that suchgroups will continue and prosper if only because,“there are millions of people who still haven’t seenthem. There’s people growing up who still have to seethe classics to get bored with them. I’m bored withthem, but I’ve been seeing dance for sixteen years orsomething....”Falco is alsp confident that troupes such as his willcontinue to prosper as well. Ideally hp jl0see the company known as a theater grouD a« jy/uen asa dance group. “I wouldn’t “’~‘i to mold'the future ofdance in t.H» Country,” he says. “I would just likeenough freedom to do whatever I wanted to do in mvown country. And that would mean I would like ourown theater and to have a nucleus of people that wouldwork together which would mean designers, artists,actui a, signers, musicians, all working separately andtogether. We’d work out of the same building wherewe’d share in ideas, explore very similar things, and constantly have a feedback. And that’s what I wouldfind exciting.“I think such a building would have to be in NewYork because.. New York is the dance capital of theworld. Russia may be turning out some goodtechnicians in terms of the classics but the creativeforce is not really happening anywhere else. And inEurope it’s mainly the American choreographers whoare working with the European companies...”With finances being a major problem in dance, whatdoes he think will happen? “Just what I want,” hesays, with a breezy air of self-confidence and deter¬mination. “Why not? There’s a lot of things I want todo. I want to direct films, I want to direct actors, Iwant to work in many different areas. But dancewould be an integral of all that.“I don’t have a final statement now. Hopefully Iwon’t have a final statement for another forty years.Unless someone tries to make if for me and then I’lltry to outdo that one, too.”Bella Lewitsky, highly respected California dancer,teacher and choreographer, conducted a Christmasworkshop here, December 18-22. Sponsored by ElviMoore of the Women’s Physical Education Depart¬ment, the workshop attracted over 30 dancers from DeKalb to Rhode Island. The classes in dance techniqueand teaching of dance were held at the InternationalHouse. , , _—Elizabeth RussoExit Falco;Enter FarberFeeling stiff and cold with the January blahs? Thenget out your most comfortable clothes (leotards arebest) and warm up for a visit by Viola Farber andcompany next week. The New York based dancers willperform and teach here January 18-20 as part of theChicago Dance Festival.Co-sponsored by the University of Chicago and theChicago Dance Foundation, this Festival gives you theopportunity to see and dance with modern danceprofessionals.Acquaint yourself with the Viola Farber DanceCompany when they open Thursday night at 8:30 inMandel Hall. General admission runs from $3-5, ID-carrying students pay only $2. The company of ninewill dance “Patience,” “Mildred,” “Dune”--allchoreographed in 1971--and premiere “Poor Eddie.”Viola Farber designs witty, technically intricatedances, sometimes leaving sections open to thedancers for spontaneous improvisation. “Mildred,” asolo for Ms. Farber, sets her balancing on one leg forrelatively long intervals, her red velveted body flexingdefiantly against the push and ridicule of stagevoices. A Czerny-crazed pianist provides ac¬companiment.Following the Thursday night performance, fourmaster dance classes and a lecture-demonstrationwill occur in either the gym or dance room of IdaNoyes Hall. Classes begin Friday morning at 10:30,when advanced students may join the company classin the dance room. All classes cost $1.50 for Universityof Chicago students and $3 for the public.Friday night at 8, the dancers will give a lecture-demonstration in the Ida Noyes gym. Cost is $1. FindSaturday morning classes for beginning, intermediateand advanced dancers in both the gym and danceroom from 10:30-12. Call Elvi Moore at 924-1705 forfurther information. —Nancy iviooreViola Farber DcriCe Company: (l. to r.) Viola Farber,A flue Feck, June Finch.M-The Chicago Maroon-Friday, January 12, 1973Afternoon of a TemptressIn the mid-60’s Eric Rohmer wrote his“Six Moral Tales” which deal with avariety of ethical perplexities, in-; variably sexual, that confront a specialbreed of character: the common in-1 tellectual. Rohmer’s medium isliterary-cinema; a genre where thei essential ingredient is the screenplayand not the screen. The intellectualshave arrived but they’re not writingbooks, they’re filming them.Chloe in the Afternoon is Rohmer’sfinal moral essay and it investigates theparadoxes of a happily marriedexecutive who is suddenly faced withthe prospect of committing adultery.The problem is simply whether or not he| should want to make it with Chloe, asensual coquette who tries hard toseduce him. It just so happens thatZouzou (the actress) delivers one of the most strikingly sexual performancesthat’s ever been filmed, and you’ve gotto admire the guy for resisting thetemptation.Chloe’s relationship with her marriedcompanion builds at a steadycrescendo, and yet Rohmer maintains adominant control of the action withoutany loss of substance: it’s just enough tomake us anxious but not impatient. Butthe climax never comes and the joke’son us. After all, you didn’t really expecta man of such rank and dignity to jumpFILM in bed with a female counterpart ofMick Jagger, now did you?My Night at Maud’s dealt with asimilar ethical principle: whether ornot a man’s moral scruples will suc¬cumb to opportune sexual temptations.Claire’s Knee was a light-hearted studyof an odd, but not perverse, infatuationwhich a young man develops for abeautiful girl’s knee. His ultimatedesire to caress it is finally realized andthat’s about as far as Rohmer goes intothe domain of sexual fulfillment.Chloe in the Afternoon is less cerebralbut more emotional than My Night atMaud’s and yet it deals with the mostserious moral problem that Rohmerconsiders: it’s not merely a question ofsleeping with a woman or caressing ayoung girl’s knee, but it’s a question ofadultery. It poses the power of seduc¬ tion against the power of reason and theconstant struggle of intellect against thetempting forces of emotion. Chloerepresents Rohmer’s attempt tobalance his burdensome intellectualnotions with his weightless sexual in¬fatuations, and both are equallystressed.Rohmer is serious but hardly austere.Like Louis Malle, he manages to treadlightly on hot material: his filmsmanage to captivate the audience andthen suddenly release them at theprecise moment, when they neitherexpected nor wanted their iiberty. Roh¬mer’s a teaser, but a good-natured one,and all he wants is a little sympathy forhis people.—Alex VesselinovitchOlivier, Caine in Cinematic MazeSleuth begins with Michael Cainetrying to make his way through agarden maze to meet Laurence Olivier,who waits for him in the center. InJoseph L. Mankiewicz’ new film, themaze becomes a symbol, as the twoprotagonists struggle to get inside eachother’s labyrinth of character, so theymay reach the soul and destroy it.Olivier plays Andrew Wyke, anaristocratic writer of mystery stories,who has invited Caine’s Milo Tindle tohis country estate, ostensibly to discussa solution to a difficult situation. Tindleis a hairdresser (and only half British atthat) who intends to exercise a littleupward mobility by running off withi Wyke’s wife. Wyke appears un-' concerned, even relieved, that Tindlehas come to take his wife off his hands,and proposes that Tindle steal hisfamily jewels, which will give thehairdresser enough money to supporthis bride to be in the style to which she isaccustomed. Wyke will content himselfwith collecting the insurance money.The two set out to lay the phony cluesfor the police—Caine disguises himselfin an outrageous clown suit and carriesout the robbery under Olivier’s direc¬tion. Here follow Bizarre Plot TwistsNos. 1 through 4, which I won’t spoil foryou, as the two men find themselvesengaged in a deul of intellects, whichculminates in their mutual destruction. Sleuth is Mankiewicz’ best film in adecade. Not since All About Eve has hepainted such a chillingly successfulpicture of psychological slaughter.Olivier and Caine rip and tear at eachother with bloodcurdling savagery,playing a game with human dignity asits stakes. Mankiewicz, who is probably the most intellectual of Americandirectors, orchestrates the cerebralconflict with scathing cynicism, everyword becoming as deadly as a bullett.Sleuth was adapted from the play byAnthony Shaffer, and it shows its stageorigins quite openly and shamelessly: asmall cast, a single setting, and even clearly discernable divisions betweenacts.Mankiewicz’ strategy in retaining thetheatrical structure naturally goesbeyond a time saving device. One of themotifs that he has skillfully weaved intothe film is that of game playing. TheOlivier character is obsessed withfruitless mental exercise. His toys, inaddition to the maze in the garden,consist of a half completed blank jigsawpuzzle (which Caine delightedly sweepsoff the table during the fake robbery), acomplicated ancient Egyptian boardgame, crossword puzzles, chess sets,and a collection of automatons. Thefilm, with its two characters, definedplaying area, and succession of acts,itself takes on the aspect of a ritualizedgame. First act: Olivier’s advantage,second act: Caine’s advantage, thirdact: endgame, as Wyke’s mentalexercise becomes a little too fruitful.Sleuth is a complex and highly en¬tertaining film, which is hardlydiminished on a second viewing whenthe element of surprise is missing.Mankiewicz is well served by LaurenceOlivier’s expectedly brilliant per¬formance, and by Michael Caine’ssurprisingly good one. Sleuth is stronglyrecommended, and is currently playingat the Esquire.—Dave KehrFLORIDASpring Break In Daytona Beach9 Days - Only $ 157 Complete(Round Trip, Motel, Taxes, & Disney WorldI)ARTIMURO TOURSCall Afternoons: 236-9442MOVING?"* PETERSONMoving & Storage646-4411 forfro# estimatesComplete Pre-Planned Moving ServiceLocal • Long Distance • Packing • CratingImport - ExportContainerized StorageGeneral Office(MMM M»« LMM Formerly atSMtk UMSS..OM,Chicago, Hi. 60633 mmirmn© authorized sales & service312-mi 3-3113Toreign car hospital & clinic, inc.***^^5424 south kimbark avenue • Chicago 60615 A frighteningdocumentary onthe nuclear ageibyHeinar Kipphardfdirected byGene Lesser IN THEMATTER OFJ. ROBERTOPPENHEIMERThru Feb. 11HEADQUARTERSFOR.PASSPORTPHOTOGRAPHS.APPLICATIONSPHOTOGRAPHS| black & whileand colorCall MU 4-7424 nowfor an appointmentCorona Studiosi o i *-t L J J K v LOOP304 S. DEARBORNKitty Corner to theDirksen Fed. Bldg939-2524PASSPORT PHOTOSWHILE YOU WAIT?/o Appl. 7 In iJiltryJUST COME ANYTIMEHOURS 8:30-5:30SAT. 9-3AMERICAN PASSPORT STUDIOSFriday, January 12, 1973-The Chicago Maroon-152*98 list5*98 list now 1.79 6.98 listnow 3.59 9.98 listONE WEEK ONLY now 4.19now 5.99:mpofL £XXZWpoit IXQKDOK I JCOK&OKkm I MOM)40 % OFF LIST- RAINCHECKSAVAILABLE IF PAID FOR AT TIME OF ORDERcharge BBSr ^ MHBJ with mamW&b RECORDS HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 516-The Chicago Maroon-Friday, January 12, 1973ISfa' Sound & Sense: Mini & MaxiMark Twain has defined the properproportions of a maxim: a minimum ofsound and a maximum of sense.Dictionary for the Disenchanted is amelange of maxims that cover most ofmodern man’s well-gnawed bones ofcontention. Lexicographer-sociologistBernard Rosenberg, has compiled a‘reference’ book in the tradition ofAmbrose Bierce’s Devils’ Dictionary,for those who see life as infinitelymenacing—and amusing—in a worldgone mad. Rosenberg is a pithy ob¬server of_ the parrying, phrase coin-BOOKSing pundits and politicos who haveturned the king’s English upsidedown. He rebels against the labels thatbind us into iron-clad roles, and theimmobilizing—albeit modern—con¬ventions that we wear like straightjackets.Dictionary for the Disenchanted, withillustrations by Rob Powell, is availablein local bookstores and around town.Published by Henry Regnery ofChicago, it costs $4.95. Here are somesample definitions:Artist: A man easily identified by hisbizarre clothes, outrageous habits, longhair, insouciant manners, and othervisible stigmata that render him in¬distinguishable from everyone else.Bachelor: A man long acclaimed fornever making the same mistake once.Benign Neglect: A judicious policy ofofficial indifference to the black masseswho, if decently housed and adequatelyeducated, would cause acute unem¬ployment in the professions dedicated tohelping disadvantaged people.Capitalism: A socioeconomic systemthat, though no longer in existence,should nevertheless be abolished infavor of socialism. The distinction isimportant: capitalism is the ex-politation of man by man, socialism the exact opposite.Credibility Gap: The gnawing suspicionthat once in a while the Administrationmay not be lying.Crucifixion: A favored form of capitalpunishment in the ancient Levantineculture. More recently recommendedby Martha Mitchell as suitable punish¬ment for Senator Fulbright. If the ideacatches on, hangmen will learn a newtrade and convert Pennsylvania Avenueinto the Via Dolorosa.Derangement: A generic term thatcovers all kinds of lunacy. Often ex¬pressed in oral, gustatory, andpsychocaloric images. Accordingly, onegoes “nuts” or “crackers” or“bananas” usually while in pursuit of“bread.” This activity is wholly com¬patible with grinding down and gobblingup one’s equally anthropophagousneighbors.Dollar: An exotic species, or specie, ofcurrency, that floats and flies in ver¬tiginous downward curves.Dry Cereal: A gourmet dish contrivedto supplement the Staff of Life.Discovered by a genius who noticed, asthe automobile replaced the horse, thatthere was a surplus of marketable oats.Kiddies and their progeny eat it up, butthere is still too much. Happily, thisdelectation, which also carries untoldnourishment, is now spreading tohitherto deprived peoples.Like: In current usage, an all-purposeexpletive. Along with “you know,”“hopefully,” “dig,” “cool,” and “man”it has so enriched American Englishthat we can henceforth do without mostof the remaining 600,000 words that stillclutter last year’s unabridged and out-of-date dictionaries.Man: A biodegradable butnonrecyclable animal blessed withopposable thumbs capable of graspingat straws.Nice Guys Never Win: 1) A half truth,the other half being that nasty guysnever win either. 2) Nobody ever wins-man is a born loser.Nothing: What man should alwaysexpect, even though it is considerablymore than most men will ever get. Dictionary for the Disenchanted - RosenbergNowhere: There, as in Gertrude Stein’scomment about Oakland, California,“There is no there there.”Political problems: A category divisibleinto: 1) those problems that solvethemselves; 2) those for which there isno solution.Politician: A public figure ofunquestionable integrity and a sharpeye for the buck whose association withthe Mafia is either known or unknown.Relive it: What all of those who do notread history are condemned to do. Inthis, they resemble all of those who doread history.The Silent Majority: A Homericreference to the dead. This concept hasbeen revived through alliterative in¬cantation by Spiro Agnew, a Greekphilosopher of the Eleatic School whosevoice resounds through all the ec¬toplasmic catacombs of MiddleAmerica.Speed Ball: Mixture of heroin andcocaine snorted through the nostrils,administered hypodermically, or in¬serted into the anus. A good dose in¬ duces simultaneous depression andelation, only occasionally resulting indeath.Suburbia: Swinging parts of inner citylife transplanted to the grasslands bymigrants to facilitate their escape fromwhat they bring with them.Suicide: Self-destruction, or, moreprecisely, “murder in the 180thdegree,” a competitive sport in whichthe United States does not yet rankNumber One. But it tries harder.Twentieth Century: 1) Modern Times 2)A period in which mankind waited firstfor Lefty and then for Godot—finallyrelinquishing any hope that eitherwould ever arrive.University: 1) A medieval institutionfirst established in Bologna, Oxford,and Paris, that, although scandalouslyoutliving its time, has proved to beadaptable. 2) Most accurately definedfor the present by an editor of AmericanScholar as a therapeutic center, anadventure playground, and a partialsolution to the problem of unem¬ployment.Nia present, _ Jan. 14IS BLUES91 • LvUICobb Hall 9 DLWEe 7:1 & 9:30NORTHWESTERN UNIVERSITYOn the Lake 12 miles north of the LoopA few aided openings* are now availablefor Graduate Study inSolid State ElectronicsSystems EngineeringComputer EngineeringBiomedical EngineeringPHONE 492-7374 or WRITE:ChairmanElectrical Engineering DepartmentThe Technological InstituteNorthwestern University2145 Sheridan RoadEvanston, III. 60201'Inquire about Tuition Scholarships.Fellowships and other Financial Aid First Unitarian Churchoffers winter classes inHATHA YOGAYou don't have to be Hindu to like Hatha Yoga. Formodern Americans both male and female it's agreat way to keep in shape, to relax from the ten¬sions of urban lire, and to push the world out ofyour mind. You'll learn some techniques ofDreathing and stretching, relaxation and con¬centration that were perfected some 3,000 yearsago.Classes start on Monday Jan. 15, and Wednesday,January 17, at 5:30 p.m. Tuition is $25 for 10weeks. For an extra $15 you can come twice aweek. Classes for Intermediate students are at7:15 the same evenings.For University organizations, special demon¬strations can be arranged at no charge. For groupsof 12 people or more special classes can bescheduled. To find out more, call instructor JackMerring at 955-0936.First Unitarian Church5650 Woodlawn FA 4-4100J VISAConsider VolunteeringWe want peoplewho are willingto spend Sundayafternoons helping othersat the Chicago StateMental Hospital.Try it.for further detailscontact Gene Cruz-Uribe753-2297Friday, January 12, 1973-The Chicago Maroon-17PtpgtmiH of Musk prsMntiEASLEY BLACKWOOD piano■ssthovsn • S—Ions • SchubortSUNDAY • JANUARY 7,1973 • 4s00 PM.MANDCL HALLAdiwjwlonUfr—HAVILL’SRADIO, TELEVISION& HICH FIDELITYSALES, SERVICE & ACCESSORIESZenlty — PanasonicMastc-ivork — KLH1368 L 53rd, Chicago 60615 • PL 2-780045 Years Serving Hyde ParkROCKEFELLER MEMORIAL CHAPELSunday January 14, 1973 11:00 AM.E. SPENCER PARSONSDean of the Chapel"JANUARY 20th - NO TIME FOR DANCING"SUNDAY SEMINARRockefeller Memorial Chapel Undercroft 9:45 to10:45 a.m. Discussion led by The Reverend PhilipM. Dripps, United Methodist Chaplain.DESKS-B00KCASES-FILESSWIVEL CHAIRS-LAMPS-TABLESNEW&USED^■■•■EQUIPMENTL BftAND J-ppfvnaUsed 3 & 4 Drawer Files Letter & Legal size -$20 and up.8600 Commercial Ave.Open Mon.-Sat. 8:30-5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardThurs. till 9:00 P.M.LOWESTYOUTHFARESTOEUROPEof any scheduled airlineIcelandic Airlines offersyou lower fares than anyother scheduled airline fromthe United States to the heartof western Europe.You fly daily scheduledjets from New York toLuxembourg for convenientconnections to most every¬where on the continent.You save money anytime of the year when you flyIcelandic.GET DETAILS ON OUR FARESNOW See your travel agentMail coupon.I on"1To; Icelandic Airlines630 Fifth Ave , N.Y.. N Y. 10020(212) PL 7 8585Send folder CN on Lowest YouthFares to Europe □Name.Street.CityState _My travel agent is.-Z'P-ICELANDIC Brent House InstituteforIntergroup CommunicationTHEATER GAMES WORKSHOPSaturday, lanuary 13,10-65540 Woodlawn AvenueCost $10Leaders: Tom GoforthJane JacobsA professionalABORTIONthat is safelegal &inexpensivecan be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours-7 daysfor prof who..*!, oenfidtrtit!and caring help.18-The Chicago Maroon-Friday, January 12, 1973 jp************ mb———j| c~«b*w | RECORDS■J 1645 E.55TH STREETIf CHICAGO, ILL. 60615£ Phone: FA 4-1651*4|h|u1i^h|h|hTAKEAW-YLWCHINESE-AMERICANRESTAURANTSferitliung inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 6:30 R.M.SUNDAYS ANO HOUDAYS12 TO 1:30 P.M.Orders to tak« out1316 Eo«t 63rd MU4-1062DR. A. ZIMBLERDR. M. MASLOVcentacf lensesin theNew Hyde PorkShopping Center1510 E. 55th St.363-6363EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372REGAL NOTESUNDERSTAND PLAYS, NOVELS AND POEMSFASTER WITH OUR NOTESWe re new and we’re the btgett! Thousands oftopics reviewed for quicker understanding. Oursub|ects include not only English, but Anthro¬pology. Art, Block Studies, Ecology, Eco¬nomics, Education, History, Low, Music,Philosophy, Political Science, Psychology.Religion, Science, Sociology ond Urbon Prob¬lems. Send $2 for your catalog of topics avail¬able.REGAL NOTES3160 "O" Street. N.W.Washington, D. C. 20007Telephone: 202-333-0201StudentDiscountModelCamera1342 E. 55th493-6700Most complete photoshop on South Side.LAST WORKSHOPClasses Now forming inpreparation for Feb. 10thLSAT. To be conducted inChicago Jan. 27, 28, Feb. 3 &4. (full day sessions, Saturday& Sunday)Course created by notedprofessor and conducted inChicago by Harris Luscomb,(Yale College & Columbia LawSchool.)Proven techniques &methodology.Verified record of outstandingachievment.For information andregistration, contact.LAW BOARDS INSTITUTE450 Sovonth Ave.Now fork, NY 100G1212 594-1970 Music is My LifeBilly Preston(A & M SP-3516)The first time I ever heard of BillyPreston was at one of the RheingoldFestival’s summer concerts in NewYork City about five years ago. At thattime, he was playing back-up keyboardbehind Ray Charles. Before Charlescame on stage, Billy Preston had somespace to play alone with the othermembers of Ray’s back-up group.He was very impressive and well-received. I remember leaving thatconcert not only with the resoundingwarmth evoked by Ray Charles, butalso with the desire to keep BillyPreston’s name in mind; he wassomeone to look out for in the future.From that time on, I was interested inhearing more of Preston. The op¬portunity arose recently in the form of anew album, Music is My Life.In this album, Preston accompanyinghis keyboard talents with vocals onevery tune, is joined by supportingvoices, a horn section, and even, attimes, string accompaniment. Thearrangements are tastefully ac¬complished. In general, however, thealbum suffers from a profound lack ofexcitement.The tunes are all written by Prestonhimself with the exception of theLennon-Mc Cartney work, “Blackbird.”The lyrics are generally unconvincing.Two of the songs deal with how Godloves us and turning on to Jesus; thelyrical themes are the banalities ofcontemporary rock music, not broughtoff successfully in this case.The music is of a funky, soulful genrewhich emphasizes keyboard soundsheavily. There is little doubt thatPreston is a virtuoso of piano and organ,as well as the harpsichord, in this formof music.Little of the music presented here is ofthe exciting texture of the successful 45release, “Out of Space,” which cameout last summer. Nevertheless, themusic is even and pleasant, if unin¬spiring. The rhythms are surprisinglyundramatic for Soul, and vary littlefrom song to song, tending to decreaselistenirtg interest.Preston has a voice that is noticeablyinfluenced by Ray Charles. It issometimes rousing, sometimessmooth, and always has the slightlyrough edge necessary to complementthe accompaniment convincingly,although unexcitingly.Most striking on the album is a songespousing Black pride, which hasalmost enough verve to be successful.“Nigger Charlie” is well-conceived andis perhaps the best example ofPreston's keyboard gifts. The singingis. unfortunately weakened because, asin other songs on the album, it isoverembellished. The tune, however,has that special quality which brings asong back into the memory long alterthe record has ended.“Blackbird” is a homophonic ren¬dition of the Beatle’s original, which,through its altered texture achieves atotally different result, not withoutvalue.Billy Preston has stated on this albumthat music is his life. As a musician, hisvirtuosity is indeed apparent. In theend, however, it is his failure to con¬vince as a composer and lyricist, on thisalbum, which destines it to be one of themany pleasant, but mediocre albums onthe contemporary music scene.—Alan WertheimerMary C. Brown and the HollywoodSignDory Previn(United Artivtv 11A 9Dory Previn is never going to be mistaken for Sally Sweet-tongue. Hersongs are some of the most acerbic,aggressively acidic that are currentlybeing written. They are the songs ofsomeone who has been hurt and who isstill striking back.There is no doubting that Ms. Previnhas talent. She sees with an artfuldistortion, and it’s true that herdistortions are often merely damningcomments on reality: I can tell by theway the songs hurt. And she is veryeclectic and unrestrained about whomshe attacks.A few of her other topics: a midgetwho wants to be black so that he’ll standout among midgets; a mama’s boy whogoes blind because of her stupidity;anger at being forced to use her righthand when she is naturally left-handed;and a few scathing comments on theHollywood starlet system.I am not saying that Ms. Previn isn’tright, even though she resorts to a fewcliches (feet of clay) in order to makeher points. I am saying that, for somereason, there are two kinds of pain thatare found on records. One kind comesout often in gospel and blues: the pain isclearly presented, but the freedom ofresponse lies with the listener. Thesecond kind of pain comes fromsomeone flailing at you because theyare mad about something. The fact thatsomeone is beating you doesn’tautomatically mean that they arewrong, but it doesn’t win any sympathyfor their cause. Dory Previn fallscleanly into the second group of paininflicters. This record is for masochistsonly. —GagenAndrewsRoll Em Smoke Em Put Another LineOutPatto(Island SW-9322)If the Who are a little too clean foryour taste sometimes, then you mightgive this band a listen. This stuff is realdegenerate-rock. Not that it’s bad, mindyou. You can hear some good blues andsome interesting jazz in there oc¬casionally, but Patto does a lot of plainold smoking.Side one starts off with a snappy littletune called “Singing the Blues onReds,” in which the band membersconvince us that they know about whatthey are talking. This is followed by“Flat-Footed Woman,” which appearsto be some sort of love song. This cut isembellished with some fine piano workby Oily Halsall, who is the instrumentalstar of the album on guitar andkeyboards. “Mummy” is a touchingstory of a boy’s affection for his mother.It will give you a good idea of where thedrummer and author John Halsey’shead is. Closing the side is “Loud GreenSong,” which is sort of a typical rave-upextravaganza.“Turn Turtle” begins side two andyou’ll marvel at the ability of this groupto lose control of themselves in unison,though not before putting forth somepowerful music. “I Got Rhythm” is alow-key number remarkably restrainedcompared to everything else offeredhere, but it is nice and slithery. Thestory of “Peter Abraham” and hisfriends sounds like the soundtrack to adelirium tremens vision. The finalselection is the mini-opera “Cap’n PandtheAtto’s (Sea Biscuits parts. 1&2)”,which will certainly leave you seasickwith craziness. Compared to this,“Yellow Submarine” was a toy boat inthe bathtub.The most astounding thing about thisentire fiasco is the unbelievable unity ofmind these four guys have. They fittogether so well, and none of the cutsreally sounds out of place among theothers. It is unusual these days to seesuch an overpowering, well-definedcharacter in a band. And while youwon’t hear it much on the radio, Patto iscertainly speaking to and for a lot ofpeople - more than you’d like to admit.Maybe even you. If you can stomachthis record, then it will certainly fill avoid in your collection which no one elsehas come close to. —Jay PollackMAROON CLASSIFIED ADSSCENESCollegium Musicum concert. Sat. 13thThe earliest printed music, sung andplayed in instruments of the periodBond Chapel, 8:30, free admLecture by Ericka Fromm at Hilleltonight at 8:30. "Reflections on JewishLife in Germany & Holland, 1930 45."Yiddish film "The Vow (Tkies Khaf)"will be shown at Hillel tomorrow at8 30 SI 50, students SI 00 (free to thosewith series ticket bought last quarter.)5715 Woodlawn.The Coffee House is open every Fri.night. Good folk and jazz music.Coffees, teas and goodies 8 12. IdaNoyes LibrarySPACERm avail, now in 2 bdrm apt. 52nd &Blackstone rent $72.50 call 947 0970 or528 5036.Condominium for sale. South Shore 10min from campus. 5 rms WW cptg. 2ceramic bath, low assesment andprice. S10500, $5000 down, balanceterms to suit. For appt. 493-6159.3 bedrms, 2 baths, S216/mon. 5309Harper. Available immediately. Call947 0330.2/1/73 my loss is your gain forced toleave beautiful spacious sunny 5 rmapt for new job. Terrace w/s exposureon friendly ctyd. $192 near 1C campusbus 493-9670 eve.Mate roommate wanted share beautiful spacious air cond apt.$75/ mo. a really nice place. Larry667 2775 after 6.Female grad student needs apt tosublet till July. Call Karen at 924 4892evenings. Rent: under $145.Live in Frederika's famous buildingNearby furn and unfurn. 2 and 3 apts.for 1, 2, or 3 people. Refrig, stove, pvt.bath, stm. ht. Quiet, Sunny, View.Parking, trans, $120.00 up Free Utils.6043 Woodlawn 955 9209 or 427 2583.Short term lease or longer.Room in spacious Hyde pk apartmentcall Bob or Don 667 1824 eves.Married or single stud, sublet effic.apt. married stud. hs. $127/ mo. furn.493 0582 or 3 3965.TENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSfurn 8. unfurn.LAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES2343 E 71st StSee MONICA A BLOCK667 2002 or 667 2004CHICAGO BEACH HOTEL. 5100Cornell DO3 2400 Beautiful FurnishedApartments near beach, park, 1Ctrains, U of C buses at door. Modest daily, weekly, monthly rates CallMiss Smith.PEOPLE WANTEDPART TIME MANAGEMENTPOSITIONS NOW AVAILABLE forserious mtnded individuals. Earn $200400/mo. up to $400 800/mo Call MrKlimek 348 2612 after 3:00Wanted: congenial and inspiringteacher for aspiring and enthusiasticcoronet student call Rob 955 7011.NEEDED: book reviewers for theMaroon; need all kinds; undergrad/grad/fac/others Call 7533263 MF35.YOU MUST BE SMART, TOUGH,AMBITOUS part time managementpositions that will fit your ownschedule. Earn $400 SBOO/mo. on a parttime basis. Call 760 5560 or 348 2612after 3 pmFull or part time mens clothingsalesmen stockboys. Goldbergs 4756 S.Ashland Apply in personMODELS WANTED Exceptionallyattractive females needed byprofessional photographer for figuremodeling assignments. Excellent pay$40 $60 per day. No experiencenecessary Call Mike eves andweekends 945 4666 Office hours 644-7600Wanted Exp. babysitter for 8 monthold girl in our home. Call 955 8869. 53rdand Cornell. Bank tellers full 8. part time Exp.only, no trainees Excell, salary 8.hours. Call Miss Scott, Univ. NationalBank 684 1200.Need electrical engineer to diagnoseproblem and repair stereo speakerWill pay. Call Mark 3 3774. evesBoard and room in exchange for childcare: School age boy and girl. Hoursarranged. Eves 955 2179 days 947 5514.PEOPLE FOR SALETutoring for speech problems,947 9254.Tax consultant will help prepare yourtax return Call 731 9636.Sitter avail for hrs after school, Laband full time during Lab schoolvacation and holidays Call Merrilyndays 947 6218, eves 752 1140Portraits 4 for $4 00 up MaynardStudio, 1459 E 53 2nd floor 643 4083Learn Russian from native teacherTrial lesson no charge Call 274 1420.Experienced typist Weekends andEvenings Call Diane 349 0586TYPIST exp. 752 8119 after 6:00 pmDRAFTING. Figures, Graphs, Lettering Call 643 2450 evenings.Experienced manuscript typing onIBM Selectric 378 S774WANTEDWant to buy: double bed, desk andeasy chair please call 955 7841The preview issue of Ms magazineWill pay $$$ for a clean copy Call Rich753 3263 days, 955 0818 evesFOR SALE1964 VOLVO 544, rebuilt engine 8< frontend 561 3712 asking $4007o ut^Uhoi.\&ram from}p€of Smith|U)boU Graineadh Cookies]h**tairu*""VoJycti in amftr»Yjuro'&Hciiscliti) of Gandhi rtfth Orqamcyw'Or wcQualife thrubetter eatirtq-s\V 1 Tood ifears*£/shInform at iOur qoalto serve I «rfed*-o-ssSte.>**U)e cater to: ITIacrobiotic the pur«t anamostnatural health food diets orqamc foods Possible*\V I AW^ -» IN THE HEART OF HYDE PARK S3"° NEAR HARPER(S -♦IH57 E. ST. PH.feH3IIOO-»_ .gap Organicone/Body C/confers A rgigJ 'PuM+Naluro/ / \ s>xv<vM.xs>XhTomiitsd 0% &4rComplete Juice BarFresh Organic Juices -made before your own eyes Portable StereoPhono- AM- -FM ExCondition 2 yrs old Best off 955 2840eve.SKIERS? Look like an OlympicChampl—learn poise and balance athome? -with a Ski Ski I —before youhead for the hills. Write ForsterDesign, Ind. 1311 Congress, Saginaw,Michigan, 48602.*STRING QUARTETS?We are interested in sponseringchamber concerts later this quarter ifwe can find people interested inplaying. If you're interested or youknow about someone who might beleave your name and number at 7533591 9 5 M FMODERN DANCEWORKSHOPMythological Dance Theatre CoDance workshop Winter Quarter,taught by Violetta Karosas acclaimedDance Showcase '72. Workshop 1/2 blkRegenstein 56th 8, Woodlawn HydePk. Union Church gym. 3 time/wk. 15sessions $45, 288 3706WANTED: SNOWSCULPTURE ARTISTSTo work out their art on the Quadsduring Winter Quarter Win fame andcash prizes! Call 753 3591.INFORMATIONWANTEDI am looking for evidence of governmental repression If you have aninteresting or important incident toreport, send if to Mark Gruenberg c/oThe Maroon, 1212 E 59th St., ChicagoThanks very much.‘HEBREW CLASSES STEP TUTORSStudent Tutoring Elementary ProjtctSTEP needs volunteers to tutor bi¬weekly There are a lot of littlechildren who could use your help. Ifyou are interested, please call DaveKandel at 324 7436 or John Zyskind at643 2762.BUSINESSOPPORTUNITIESSTART YOUR OWN PART TIMEBUSINESS to pay educational expenses or for supplementary Income.Earn $400 800/ mo. We provide alltraining. Call 769 5560 after 4 pm.UT: STAGEDPLAY READINGSUT invites members of the universityto participate in a program of stagedreadings Those interested are askedto submit a 1 act play or a selectionfrom a longer play which they wouldlike to read. UT will provide scripts,facilities Si will schedule the readingsfor late aft. or eve performances openfree to the gen public. No previousacting or directing experience isnecessary Call 753 3581PERSONALSFlying Club New Skyhawk MidwayInstruction Available 281 3373Stop the mad bomber! Ida NoyesLibrary, Monday January 15 , 8 00 pm2nd lecture in "In the Kingdom ofNignt" series tonight. Prof ErickaFromm (Psychology 6- College), atHillek, 5715 Woodlawn, at 8 30YES VIRGINIA,VISA is a volunteer group Can VISAbe what you're looking for?John D RockerfellerBeginning reading, intermediate andadvanced conversational classesEvery Wed at 8 30 at Hillel HouseTURNING ONI will be turned on from five to elevenP.M Thursday, Friday, Sat and Sunall quarter, turning out great pizzas atreasonable prices. Love, ParadiseLost Pizza Oven.Ms. YES?Seek copy of preview issue of Ms. Willpay CASH No checks or money ordersoffered Call Rich at 753 3263 days or955 0818 eves.UT:EXPERIMENTALWEEKENDUniversity Theatre is now receivingproposals for the experimentalweekend, scheduled for the 9th wk ofwinter qt. Those people with previousdirecting experience who would like todirect a one act play are invited tocontact UT before Fri Jan 19th: 7533581.SUPPER SPECIALThis Sunday the First of Many SupperSpecials at Paradise Lost Hot RoastBeef Homemade Soup 8. More tor 99cPIZZAPizza This Quarter at Paradise LostCome 8, Try every Thursday to SunJayLOX& BAGELSThe Brunch returns this Sunday andevery Sun. to Hillel 5715 Woodlawn, atII a m. Still $1. l cannot think of anyone I love morethan a VISA volunteerI.Needa FriendThere are a lot of little old ladies whohave no one at all. Can you be asomeone to them? Try working thegeriatrics ward as a VISA volunteerJONATHAN LIVINGSTON SEAGUU.presented in picture, story and song byRick and Mary Bienecke Burton atBrent House this Sunday Jan 14th 550Woodlawn begin 7 pm undergroundchurch at 5 pm supper at 6 pm for $1.Do you want to stop smoking? Newgroups starting soon for UnivResearch project, call 947 6537Rick and Mary Bienecke Burtonpresent JONATHAN LIVINGSTONSEAGULL in picture story and song,at Brent House this Sunday Jan 14th5540 Woodlawn begins 7pm underground church at 5 pm, supper at 6pm for $1Happy birthday, John Hancock We'llbe with you at 9 00 tonight in Ida'sGym The StyxNew additions and editions in MysteryLibrary Return the ones youborrowed and get new ones IdaNoyesSkates now in : hockey, figure &racers Bring U C ID to Ida NoyescheckroomBrent House this Sunday Jan 14thpresents Jonathan Livingston Seagullin picture, story and song by Rick andMary Bienecke Burton, begins 7pmunderground church at 5pm supper at6pm for $1GUITAR CLASSESGuitar classes at the Fret Shop startJan 16, Tues afternoon for youth. Wednite for adults Beginners, int, or advAlso fiddle class. Lessons in other foikinstruments. Register now; 5210Harper N07 1060.SPEECHPERCEPTIONEXPERIMENTSStudents and staff: Participate in anexperiment on speech perception 4hours ot listening in 2 sessions$2 00/hour. Call 3 4714 for appPIZZAFLATTER1460 E. 53rdMl 3-2800FAST DELIVERYAND PICKUPELIZABETH GORDONHAIR DESIGNERS1620 E 53rd St288-2900r BOOKSALEI 75% OFFON Ij ENTIRE STOCK !j REID Jj MICHENER j| 5309 KIMBARK |I 6 PM to 12 PM* —- I I * Whodunnit? Who took Agatha Christieand didn't return her’’ Ida NoyesMystery LibraryMany thanks to the donors of doorprizes to the "Big John" BirthdayDance, 9:00 pm tonight, Ida Noyesgym. $1.00 ID required. See page 10for list of donorsWRITERS WORKSHOP (PL2 8377)We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU).Put a taco in your tummy. Lucita'sMexican Food, 11 am to 11 pm Fri Sat1 am 1440 E 57th St 955 0888Play Tennis rain or shine South SideRacquet Club, 1401 Sibley Blvd,Dolton 147 & Calumet Exp VI 9 1235Don't forget the Efendi's SundayBrunch Great eats!!t-riday, Jonuary^2, 1973-The Chicago Maroon-19HURRY HURRY HURRYTO THE!SENSATIONALfANNUALWHITE SALE!;This sale lasts only until January 31stIYou say you never heard of a White Sale in a winedepartment, gin department, or tequilla or rum depart¬ment? You want more for your monev? You say noretailer appreciates you? Then shop the sensational,stupendous, Colossal, gigantic and even big annualWhite sale at the sensational, etc. annual white salewhere even Black & White is on sale for $5.00, GordonVodka quarts for $3.45 and Dewar’s White Label HalfGallons $12.25.20-The Chicago Maroon-Friday, January 12, 1973Part-time co-op worker beaten by security guardBy STEVE DURBINA part-time employee of the Hyde Park Co¬op was beaten by a security guard one dayafter the same guard pulled a gun on threepeople investigating the use of non-unionlettuce. The incident apparently stemmedfrom the employee’s signing of a petition,adding to it that he knew union lettuce wasnot always used.Michael Flores, a student at the Art In¬stitute and part-time worker for the Co-op,said that on Wednesday, Nov 30, while he was working outside in the cart stand, a shoppingcenter security guard, Marshall Taylor,came up and began banging Flores againstthe cart stand. Taylor was also warning himthat he had better keep his mouth shut. Agroup of bystanders started to gather, but,according to Flores, “this guy Taylor is bigenough to have handled all of us.’’When the crowd asked Taylor why he wasbeating him up, Taylor replied that Floreshad been poisoning the food, and that Floreshad attacked him. Another security guardcame and dispersed the crowd, while Taylor ceased fighting. The night manager arrived,but told Flores that he could do nothing aboutit.After the altercation, Flores called theUnited Farm Workers and the police, whoarrived a short time later. The police advisedhim that he could file a charge of disorderlyconduct against Taylor, but that Taylorcould file countercharges. This is whathappened, and Flores spent the night in jail.The case was later thrown out of court.Flores filed a grievance with the Retail,Wholesale, and Department Store Union, of which he is a member. He also had a meetingwith the general manager of the Co-op. GibSpencer. As a result, the landlord andmerchants association formed a boardcommittee of three to investigate the in¬cident, and other reports of trouble withTaylor. According to Spencer, the committeemet with UFW last Tuesday, and plan tomeet with Taylor The committee has not seta date for the completion of the investigation.On the subject of Taylor’s competance,Spencer said, “Sometimes he over-reacts alittle to some situations.’’. rrr<ty Avehiv--Sp-c-5t Jn -J.'bXS.X-JVri'-c licago MaroonThe University of Chicago Tuesday, January 16, 1973f 11 MV III CO to promote area welfareBy JEFF ROTHSitting almost at the corner of 55th St andKenwood is a one-story brick building thatmost people, if they notice it at all,automatically assume is a school. It is not.The building is the headquarters of one of theoldest settlement houses in the nation, theHyde Park Neighborhood Club.Founded in 1909 to “promote the physicaland moral welfare of the boys and girls of thecommunity,’’ HPNC has grown anddeveloped with the neighborhood it serves.The present club building, designed by Keckand Keck, includes a gym and a kitchen, andwas built in 1953. A 7200 square foot additionwas opened in 1966 as a result of a buildingfund drive. Although the building seemsdesigned with children in mind, the set¬tlement house serves some 3000 persons of allages annually, from pre-schoolers to seniorcitizens.According to Mary Jaspers Nowlen,HPNC’s public relations director, Hyde Parkhas a much higher proportion of workingmothers than the rest of Chicago. As a result,the settlement house provides a pre-schoolday care program for children between theages of two and five. Children can attendeither a full day or a half day program,Monday through Friday. The program, nowin its second year, cares for 89 children dailyand is filled to capacity. Five “head”teachers and five assistants look after thechildren. (I walked into a roomful of theseyoungsters last Wednesday during a napperiod. Not surprisingly, quite a few of thechildren were wide awake. They were,however, perfectly quiet, a desirable but unfortunately rare state for children of thatage. I am convinced that thair teachers mustbe magicians.The organization also has a program forschool children, aged six to twelve. Thisstudent day care program provides variedactivities for the children, who come to theclub directly after school and remain thereuntil their parents come to pick them up.There is also a program for teenagers andnear-teenagers, Tween-Teen, which makesfacilities available several evenings a weekfor them to watch movies or television,dance, work on arts and crafts, etc.The settlement house’s Tot Lot provides anindoor playground three mornings per weekfor children under five accompanied by anadult. This program is held in the HPNCgym, where toys and equipment areavailable. Participating children can alsocheck out books from a small circulatinglibrary.Tutoring is available for Hyde Parkstudents who need it through a Saturdaymorning study center. This service iscurrently being utilized by 25 students, whoare being taught by volunteer tutors, manyof whom are University students. AnnDansie, who is involved with this program,said that the number of participatingstudents was “a little low” at present, butcould be increased with a slight amount ofeffort.Several programs are oriented to theelderly residents of Hyde Park. There arethree groups of senior citizens which meetweekly. The Friendly Club gets together atthe center Wednesday afternoons for lunch,coffee, and bingo. Despite the cold weather,SiORY HOUR: Jill Morton, a teacher's aide, reads to several youngsters at the HydePark Neighborhood Club. Photo by Nancy Hays 17 seniors participated last Wednesday. TheDel Prado seniors meet Thursdays at the DelPrado Hotel, 5307 S Hyde Park to planconcerts, movies, and trips, among otherthings. Most of the members of this grouplive in the hotel area. The Seniors for Actionare interested in issues affecting seniorcitizens. They meet Thursday mornings forlectures and discussions on topics such asMedicare and Social Security.The settlement house, in cooperation withthe UMCA’s Seniors on the Move, also holdsregular grocery shopping trips for the seniorcitizens. Ann Dansie, who is also in charge ofthis program, described the average weeklytrip as “a social event as well as a service.”The elderly shoppers, most of whom wouldbe unable to carry heavy grocery bags homeby themselves, are taken to and from thesupermarket by bus. Many of the seniorcitizens taking advantage of the program arenon members of HPNC senior groups.Individual senior citizens also participatein a crafts program, which also gives them achance to help the settlement house. Theseniors make various articles of clothing,etc., in their spare time, which are then soldby HPNC. As Mary Nowlen explained,“there’s just a tremendous amount of pridethat the seniors have in knowing that they’vemade something that someone wants tobuy.” The last “Senior Sale” was held lastDecember at the Hyde Park Savings andLoan Association and netted $2000.HPNC is also involved in the nationalprogram Project FIND, which is aimed atlocating and helping elderly persons eligiblefor food stamps. The settlement house iscoordinating the search in Chicago zip code area 60615. Fifteen volunteers, includingmany University students, have beenworking since last September contacting theapproximately 2000 people in the area whoreturned a card enclosed with their Augustsocial security check stating that theythought themselves eligible for food stamps.The volunteer first decides whether, in hisopinion, the individual is eligible, and if so.has the individual fill out a food stamp ap¬plication form. An appointment is then madefor the individual in question at the foodstamp office in the Loop. The program wasexpected to end November 15. but thenumber of senior citizens to be contacted hasbeen so great that Project FIND has beenextended to January 31.Besides serving for the young and theelderly, the settlement house also hasprograms to interest those in between. TheCraftsmen's Program offers classes insubjects such as wood carving, pottery, andfurniture upholstery. A complete list ofwinter classes, which began this week, waspublished in the January 5 Maroon.The settlement house has a staff of 37.headed by executive director Irene M Smith,who formerly taught at the University'sSchool of Social Service Administration.HPNC’s staff includes some 11 personsworking under the f ederal Work/ Study plan.6 of w'hom are students at the University.Under the Work/ Study program, the federalgovernment pays 80 percent of the em¬ployee's wages, with the employer payingthe remaining 20 percent. In the case of 6 ofHPNC’s Work/ Study employees i including 3Continued on page 3EDUCATION: Three girls learn the intricacies of baking from program director, Brenda Morgan. Photo by Nancy HaysThe Chicago Marooneditor-in-chiefLisa Capell Maroons lose on courtin close match: 68 - 65business managerPaul Bates news editorFred Egler executive editorFred Winston managing editorBreck Borcherdingassociate editorsJeff Roth Mark Gruenberg Tim Rudyassistant business managerRich BakerstaffGage Andrews Steve Askm, Joan Cecich, Steve Durbin, Don Gecewicz, Clara Hemphill, CD Jaco,Leonard Lamberg Ron Leach Joe Lee, Keith Levine, Marc Pollick Arno Rothbart, Andrew Segal,David Sobelsohn Mark Spieglan, Curt Spiller Mike Strimling Gene Szuflita Alice Uniman Alex VesselinovitchAlan Wertheimersports editorMike Kraussphotography editorUgis Sprudzsphotography staffSusan Lyons Robert Newcombe Mike Benedik, John Vail Linda Lorincz Pat Leavitt Brian Rowearts and entertainment editorElizabeth Russoclassical music editoDeena Rosenberg pop music editorJay Pollack art editorFred Horn film editorDave Kehr drama editorDebbie Davisonbook editorMark Ackerman dance editorNancy MooreFounded in 1892. Published by University of Chicago Students on Tuesdays and Fridays throughout♦ he regular school year, except during exam periods and, intermitently during the summer. Of¬fices in rooms 303 and 304 in Ida Noyes Hail, 1212 East 59th Street, Chicago, Illinois 60637.Telephone (312) 753-3263. Distributee on campus and in the Hyde Park neighborhood free ofcharge. Subscriptions by mail $9 per year in the United States. Non profit postage paid at Chicago,Illinois. By TOM YONDORFOn Sunday the Miami Dolphins pasted theWashington Redskins for the championshipof the football world. Saturday the UCbasketball team missed becoming the bestteam in the field-house by three points.You’ve got to hand it to coach Stampf’sballplayers though. Down by at least tenpoints for most of the game, they came backin the closing minutes to challenge ClarkUniversity for the claim to victory. LutherRollins, Frank Edwards, and Jerry Clark ledthe closing spurt which sputtered as theCougars perservered 68-65.Coach Stampf shuffled his players for mostof the first half before coming up with thefive men who would work effectively againstthe best team UC has faced all season. At theguards, Steve Kroeter provided the cool helearned this autumn at quarterback andLuther Rollins the spark that freshmenalleycat ball players occasionally bring toChicago. As usual, Jerry Clark and FrankEdwards turned in excellent performancesat the forward spots, scoring 26 and 22 pointsrespectively. At center, Cary Hines con¬tributed a fair performance, managing tocollect 5 rebounds while trading playing timewith the regular center Tony Barrett.By half-time the Cougars led 35-24, and haddemonstrated that they were a disciplined,well-coached team that mixed its defensesand scored consistently. Stampf shook up hisstarting five by moving Barrett to forwardand starting at center, future Dr. SherwinWaldman controlled the opening tip, sendingthe ball to Edwards who drew first blood bydriving in for a layup. This proved to be oneof the few demonstrations of ball control byUC until late in the second half, and wasrumored to have employed a zone, a man-to-man, and a box-and-one defense in the firsttwenty minutes of play.On offense Chicago was in a position to score whenever Clark or Edwards receivedthe ball on the right side with room tooperate. Unfortunately the guards whoseresponsibility it is to move the ball seemedoblivious to this, and it was not until Kroeterand Rollins teamed up that Chicago beganutilizing its own strength.The turning point in the game came with4:33 left after Coach Stampf called for a timeout. Down 63-49, Chicago came back to score5 unanswered points before Clark’s coachsignaled his players for a time out. Stampftook advantage of the respite to order a full-court press which netted Chicago five morepoints and the adulation of the cheering crowdand dedicated band. With the score 63-59 theworried Cougar coach again stopped theclock with 1:33 remaining in the game.Chicago took the ball from out of bounds.Jerry Clark got the ball in the corner on theright side, drove to the free throw line,winked at number 24 Yaro Kroesser who tookthe fake and jumped, and Clark threw up aleap-shot that somehow found its waythrough James Naismith’s later day peachbasket. This fine performance brought theMaroons to within two points of the Cougars,and capped the surge which found impetus inthe exhortations of Coaches Stampf andAngelus, and was effected through theheroics of men with names like Clark andEdwards, Rollins and Salberg, and TonyBarrett.Unfortunately, Wally Halas, a distantrelative of the Chicago Bears owner, and theleading free throw shooter in the nation, wasfouled a number of times in the last minute ofplay. The Cougar’s locked up the game on thestrength of Halas’ four clutch foul-shots.Clark and Jeff Salberg replied with fast-break layups, but time ran out on the ChicagoMaroons.Chicago plays at Lake Forest Saturday at 8pm.The famousRAMSEY LEWIS TRIOin concertMonday, January 22Mandel Hall 8 P.M.General $050UC student 1 50General 3°°UC student 200At the door:Mandel Hall Box Office January 17, 18, 19, and 2211:30-1:00ANOTHER W.C. EVENTComing-Sunday, Jan. 28th- Dan Hicks and His Hot Licks2 - The Chicago Maroon - Tuesday, January 16, 1972m 11 n i u«(iIt «• » < « < < • 1D/scs come cheap at student co-opBy CLARA HEMPHILLOne of the little known and little praisedbargain basements in Hyde Park is hidden inReynold’s Club basement in the Student Co¬op. It is the record store, student run byPeter Mensch and his buddy MichaelMastricola.Mensch is the hard-sell member of thepair, and if you put up with his spoken ad¬vertisement for the record store, he willwork hard to get you the album you want.Mastricola, the soft-sell partner also workshard to satisfy his customers but in a morequiet way. “I reserve the right to remaininconspicuous,” he says, quoting aprominent faculty member. Together, theyrun a business which boasts the cheapestrecord prices in Hyde Park.The cheapest records in the city are sold atR and S Records at 3128 W Armitage. There,records which list at $5.98 and $6.98 sell for$3.39 and $4.19 respectively. But, for thecareless Hyde Parker, taking into con¬sideration the CTA fares, the Record Co-op isthe most economical place to buy records.Most of the $5.98 list records sell for $3.75.Some- Columbia, Angel, RCA, andVanguard - sell for $3.50. This is about adollar cheaper than Loew’s on 57th St.According to Mensch, these prices arepossible because of the low operating cost thestore has. The University charges the storeno rent, and the managers receive only $15 aweek for their services. The mark-up onrecords is only 50 to 60 cents.In addition to low prices, the record storecustomer has the benefit of great availabilityof records, and the store encourages specialorders. Now, they are able to order littleknown and hard to get labels, British im¬ports, and jazz imports. Soon the store hopesto stock these labels.With all these consumer benefits, why doesanyone shop for records anywhere else? Onereason is the small stock. “The only bummerabout the record store,’’ said one customer,‘‘is that you can’t get immediategratification.” Even though ordered recordsarrive in less than a week, many customersprefer to buy albums on the spot. When askedabout this, Mensch replies, “I think we’vegot a passable rock stock now. If we soldmore records, we would have the money to get a bigger stock. Also, if we sold more-say120 records a week-we could drop the pricesfrom $3.75 to $3.50.” The store now sellsabout 60 records a week.The record store hopes to increase theirstock of classical records soon. The store justreceived $200 from Student Government toincrease their stock, and the managers areexpecting to receive an additional $300 verysoon.Space is a problem which prevents a greatenlargement of stock. The record store andthe book co-op, housed in the same room, arein fact separate businesses. Living inpeaceful co-existence now, a great expansionon the part of the record store might bedetrimental to the bookstore. Keith Balter,temporary manager to the bookstore co-opsays, “We give the record store space anddesk hours. They bring us business. But ifeither of us expanded very much, the otherwould be hurt.”Another limitation of the bookstore iscaused by lack of publicity. With such a lowmark-up, they are unable to advertise. Thismay be one of the reasons why stores likeLoew’s have more business. An employee atLoew’s said the store was successfulbecause, “people know we’re here. We usedto be in the Plaza, people learned about usthere and followed us here.” Publicity, larger stock, and more room would help the these limitations, the store is the best recordReynold’s Club record store. But, even with deal in Hyde Park.SCENE AT CO-OP: Record manager Peter Mensch and co-op manager pro tempore,Keith Balter, doing business in the Reynold s Club basement. Photo by Susan LyonHPNC relies on local volunteersContinued from page 1of the UC students) that 20 percent is paid bythe University. Commenting on this financialsupport, vice-president for planning WalterWalker said: ’’the University feels thatworking with existing agencies provides thebest use of scarce resources because itenables the agencies to extend their servicesto more people than they might otherwise beable to.”HPNC relies “to a great extent onvolunteers from the neighborhood,” ac¬cording to Mary Nowles; and director IreneSmith echoed her plea for more volunteers,expecially those interested in tutoring. Manystudent tutors find it impossible to continuefrom one quarter to another because of schedules, and new tutors are thereforealways needed at the beginning of a quarter.The Neighborhood Club has also beenactive in Kenwood. The Kenwood Center,located at the First Baptist Church, 935 E50th St, serves elementary school childrenfrom the North Hyde Park area with aprogram of sports, tutoring, and arts andcrafts, as well as a black history course. Astaff of 5 handles the 55 to 65 children in theprogram.The settlement house has an annual budgetof several hundred thousand dollars. HPNCbenefits from the Crusade of Mercy(Chicago’s community fund), as well asmany private contributors. 30 percent of theorganization’s support comes from the federal and state governments. Many of thechildren in the pre-school day care programare in the Headstart program, but MaryNowlen emphasized that the children weretreated equally in the program and nodistinction was made between Headstartchildren, children of public aid recipients,and children of middle class families. Over aquarter of HPNC's revenue comes fromprogram revenues. Fees are charged in all ofthe settlement house’s programs, but theseare waived for those who cannot afford them.Anyone who would like to either par¬ticipate in any of HPNC’s programs or serveas a volunteer is invited to contact the set¬tlement house at 5480 S Kenwood or call MI 3-4062.From the crypt of Burton-Judson, Ron Flagg won theMaroon Super Bowl Contest after submitting 120 entriesThe Maroon received over 700 entries and thanksits readers for their participation. We hope RonFlagg's writer's cramp and blisters go away soon.A picture of the winning entry appears at the right. | Phone -22-5- 2-52? Jj Winner of the Superbowl Score Ij d&Mm/-6o.2j\Jesus ChristWe're sure you've heard the name, after allJesus is a very popular subject today. Butwhat was he really like and what did hisearly followers do? During the first centurypeople with first hand contact wrote aboutit. Some of that writing has been preservedin what came to be known as the "NewTestament''. THE JESUS BOOK is a modernthought translation of those writings. Read itand get at the person behind all of the talk.THE JESUS BOOK is available at thefollowing location for $1.95.UNIVERSITY OF CHICAGOBOOKSTORE5750 SOUTH ELLIS AVENUECHICAGO. ILLINOIS 60637 IT'S HEREDiscount Records andStereo Tapes2854 W. DEVON AVE. CHICAGOIt's Here...It's New...It's Record TimeIT'S HERE RECORDSNew Releases All $5.98 L.P.S $3.29AU OTHER $5.98 LP. ALBUMSEVERY DAY LOW PRICE... $3.39All $6.95-8 TRACK STEREO TAPE CARTRIDGESEVERY DAY LOW PRICE... $4.39Including Ntw jjgwJ*< lieONI COUPONGOOD FOR 25cON ANY LP. ALBUM OR 8 TRACK STEREO TAPEPAY ONLY $3.04 WITH THIS COUPON FOR ANEW ROEASE PIUS STATE TAXIk 25cOpen U a.m~ to 9:00 p.m. First Unitarian Churchoffers winter classes inHATHA YOGAYou don't have to be Hindu to like Hatha Yoga. Formodern Americans both male and female it s agreat way to keep in shape, to relax from the ten¬sions of urban life, and to push the world out ofour mind. You II learn some techniques ofreathing and stretching, relaxation and con¬centration that were perfected some 3,000 yearsago.Classes start on Monday Jan. 15, and Wednesday,January 17, at 5:30 p.m. Tuition is $25 for 10weeks. For an extra $15 you can come twice aweek. Classes for Intermediate students are at7:15 the same evenings.For University organizations, special demon¬strations can be arranged at no charge. For groupsof 12 people or more special classes can bescheduled. To find out more, call instructor JackMerring at 955-0936.Fir$t Unitarian Church5650 Woodiawn FA 4-4100I Tuesday, January 16, 1972 - The Chicago Maroon - 3ABOUT THE MIDWAYThumbsThe Plantry is blooming. Over a hundredhorticultural delights wait in Ida Noyes ineager expectation of someone who will givethem a new home and shower kindness andlove upon them. The Student Activities Officereports a turnover of 150 plants in the plantexchange begun this quarter. “It’s been verygratifying,” the Green Thumb, otherwiseknown as the blonde secretary, said, com¬menting on the response so far. One studentwife, Phebe Whitehead, brought in 39 littlepotted plants which she had grown underfluorescent light.The anxiously awaited Tulip Contest willstart this Thursday. Anyone wanting to be acontestant should come to the Student Ac¬tivities Office to pick up the requisite bulb,pot, and dirt. After the tulips have grown,they will be submitted to a distinguished butstill unnamed University person for judging.Prizes will be awarded.Track and fieldThe University of Chicago varsity trackand field team will begin its intercollegiateindoor season on Friday January 19 in aquadrangular meet against McMasterUniversity of Canada, DePaul University,and North Park College. The Maroon trackmen compiled a 36-16 record last year.This years track team will be without theservices of Decathon Champion DaveKnaak, last years Bond Medal winner.The Bond Medal is awarded to theUniversity of Chicago track man who hasscored the most points during the season.)In the sprints the team’s performances willbe highlighted by returning lettermen RonPrice and Edwin Johnson in the 60 yard dash.Ron was last year’s Midwest Conferencechampion in the 60 yard dash. This yearChicago has a good group of quarter and halfmilers. Outstanding performers in theseevents are John Ivy, Brian Kay, JohnHallstrom, Neil Seeley and Irwin Thomas.From this group Coach Haydon should be able to construct a mile-relay team betterthan last year’s undefeated relay team.In the hurdles Larry Byk, Don Gunner, andGeorge Jones will be looking to fill the gapleft by Knaak’s graduation.The middle and long distances should bestronger this year with returning lettermen,Blair Bertaccini, Mike Borish, and BruceBoynton. All three of these runners comeindoors after a good cross-country season.In the field events the team will look toGeorge Jones and freshman prospect JimSmall in the shot put. In the long and triplejumps, Larry Byk and Jim Hawkins willbe trying to improve their place-winningperformances of last year. In the high jumpChicago has a good freshman prospect inCraig Floyd who cleared the height of 6’ 4” inhigh school. Fosbery-style jumper Hawkinsis also a consistent performer in this event.In the pole vault a freshman should againhighlight the event, this time Ray Diaz, whovaulted 13 ft as a prep competitor.The roughly 40 man squad has numerousother performers who it will look to forsupport and depth during the season. Theindoor track schedule is as follows: January12—UCTC Invitational Relays/ Jan.19 —McMaster University, DePaulUniversity, North Park College/ Jan 20Chicagoland Open/ Jan 25—WheatonCollege, Illinois Benedictine/ Jan 27University of Michigan Relays/ Feb1 —North Central College/ Feb8—Frosh—Soph and Junior College Relays/Feb. 10 UCTC Open Meet/ Feb 17— WabashCollege, University of Illinois, ChicagoCircle/ Conference Indoor Championships/March 7 Lewis College/ March 10 UCTCRelays/ March 17 Eastern MichiganUniversity USTFF Relays/ March 24-Central AAU Indoor Championships.SMCChicago antiwar groups are planning areawide protest activity against the Indochinawar for January 19th and 20th.The Student Mobilization Committee(SMC) is one of several organizations who are sponsoring a national day of studentprotest in the Chicago area as a prelude tolarge demonstrations on January 20th bothhere and in Washington at the second Nixoninauguration.SMC spokesman Bill Rayson said that theyand the Chicago peace action coalition aresponsoring activities on January 19th atDePaul University, Northwestern,University of Illinois-Circle campus(Chicago), and Northeastern IllinoisUniversity. The activities will include teach-ins “and other forms of informational protest,” according to Rayson.The activities on the 19th are meant toserve as a prelude to the January 20thdemonstrations. Both demonstrations areaimed at an unconditional and immediate USwithdrawal from Indochina and “an end tocampus complicity in the war.”The plans for January 20th includedemonstrations in Chicago and inWashington. The Chicago demonstration willfollow the pattern of many previousContinued on page 6ON THE TRACK: Bruce Boynton finishes last leg of one mile distance medley at lastyear's freshmen-sophomore track meet. Photo by Ugis SprudzsSUN INCOMESun Life’s new incomeprotection planCould you afford to stop working for a year?If not, talk with your man from Sun Life ofCanada about their new disability income plan... to keep the money coming in when you'renot able to.SUN LIFE OF CANADARALPH J. WOOD Jr.CLO2630 Hotsmoor Rd.Hossmoor, III. 60422799-2250 A professionalABORTIONthat is safe,legal &inexpensivecan be set up on anoutpatient basis by callingThe Problem PregnancyEducational Service, Inc.215-722-536024 hours—7 daysfor profession!, confidentialand caring help.U^NT ADsVIf MAKE I^ MONEY JgSTANLEY H. KAPLANEDUCATIONAL CENTERis organizing classesfor the following tests:MCAT: May, 1973GRE: April, June,1973;ATGSB: April, JuneAug, 73ISAT: April July, 73DAT: April 73TUTORING CLASSES START7 WEEKS BEFORETEST DATECALL EARLY012) 677-07794 - The Chicago Maroon - Tuesday, January 16, 1972 » ) • \ < I « t * t * iGADFLIESMaroon's art staff irked as Inauguration nearsReaders of the Maroon are used to the“Arts and Entertainment” section beingdevoted to precisely those topics. AsInauguration Day, 1973, draws near,however, the Arts editorial staff believesthat a statement of our feelings about thisevent and some of its ramifications is ap¬propriate. The inauguration, during war¬time, of a President who has promised peaceagain and again at politically opportunemoments is of overriding concern to allAmericans.All the arts have been affected by theAsian war. Artists cannot help but be in¬fluenced in their work when they wake upevery morning to news of military in¬terventions, bombings, and death. The stateof the arts suffers today through a lack offinances, while the American war effortdrains this country of money, energy, andhope. Despair and frustration have settledover the nation; in particular, in the minds of artists and of the young.The media has made much of what iscalled “this malaise” in the past, but nowthey are curiously silent. It is for thesereasons - because we are youth in Americaand because we are a medium whichrepresents art - that we are speaking outhere.The press and the airwaves are filled nowwith talk of peace, much as they were in thedays before the election. We believe that theAmerican public and the media have aresponsibility to be skeptical of this talk.Based on pre-election events, we can find nosure reason to confirm the hope that peacewill come from Paris, either before theelection or in the foreseeable future. Therumors that peace is at hand may be thePresident’s way of quelling the demon¬strations planned for Inauguration Day. Therumors may or may not be true, but in anycase, we do not believe that they can be categorically believed.Anti-war demonstrations are beingplanned nationwide for January 20. Werealize that many of our readers may betired of hearing about and attending suchevents, and that the issue of repressed andrepressive media is an oft-mentioned one.Nevertheless, we feel that the Americanpublic cannot forget that the President istrying to control the media. We of the “Artsand Entertainment” staff must protest this.We urge our readers not to let January 20pass quietly. We would like all people toremember this day as a time when actions ofresponsible protest were carried out acrossthe land, rather than as the secondInauguration Day of the man who initiated awayward search for an elusive peace.We would like to hear the Six O’clock Newson Saturday night begin with a coverage ofpeaceful demonstrations in Washington andacross the United States, with Inaugural ceremonies reduced to an openingprepositional phrase. In this way, the presswill not be totally a vehicle for those inpolitical power.A demonstration is planned for eleveno'clock on Saturday at the Civic Center in theLoop. Please attend If. God willing, the wSrhas been ended by then, go anyway. Andcelebrate.Frederic Horn. Art EditorElizabeth Russo, Arts and EntertainmentEditorJay Pollack, Popular Music EditorNancy Moore. Dance EditorDeena Rosenberg, Classical Music EditorMark Ackerman. Book EditorDennis MooreGage AndrewsHoward M. Isaacs. Culinary PZditorDavid Kehr. Film EditorDeborah Dairson, Drama EditorLibrary staff union continues to fight universityThe Library clerical staff union is aliveand well and living wherever books arestacked from one end of the campus to theother. With less than ten days remainingbefore the end of our new membership drive,we have signed up far more than the 30percent required to file a petition for anemployees election with the National LaborRelations Board. When the final count is in,we expect once again to represent theoverwhelming majority of Library em¬ployees.Dramatic changes have taken place in theUniversity Library since the first unionmembership campaign was launched onFebruary 1, 1971. Each time our union hasdemonstrated its strength, the Universityhas responded quickly. We have not yetsucceeded in our ultimate goal — ademocratic election supervised by the NLRBto demonstrate our numbers and compelhonest collective bargaining — but we have forced major reforms while fighting to attainit.Students of the University have recentlywon their basic right to receive equal pay forequal work in the Library. Discriminatorywage scales have been partially abolishedand near parity between student and non¬student wages for similar work have beenestablished for the first time in theUniversity’s history. This latest victory wasabruptly announced shortly after our unionmembership drive was launched last Fall. Itcame despite the fact that last year the sameproposal was rejected by the Library ad¬ministration. Student pay increases,averaging over 50* an hour, and retroactiveto last October, have been issued in the pastthree weeks as the union membership driveentered its final month.Despite this victory, and many others overthe past two years, the University remainsintransigeant in its refusal to recognize the Library unions and bargain collectively. Inits attempts to prevent an election amongprofessional employees in the Library (whobelong to a separate local of our nationalunion), the University has even set its at¬torneys to seek its own conviction forviolating the National Labor Relations Acton trumped up charges filed by an anti-unionlibrarian. It has even appealed its acquittalon these charges in order to delay an electionamong the professional staff.Although the Student Bill of Rights com¬mits the University to respecting the right ofstudents to join unions and bargain collec¬tively, University attorneys have announcedopenly that the University will fight toprevent its students from doing so. In thelegal battle which promises to follow ourpetition, the University of Chicago hasalready announced it will fight to establish anational precedent denying students theright to collective bargaining throughout the country.The Library clerical staff union. Local103B, DWA, needs the support of theUniversity community. We urge everyLibrary employee who has not yet signed amembership card to do so at once. Thestronger our union the greater is the chancethat the University will recognize the futilityof continuing its costly legal maneuveringInformation on the union may be obtained bywriting to Local 103B, DWA. 7701 S EssexAve, Chicago, Illinois 60649. Contributions tothe Local 103B Campaign Fund may be sentto the same address. We urge every memberof the University staff, student body, andfaculty to write to University PresidentEdward Levi to express support for a speedyemployees election in the Library for boththe professional and the clerical staffs.Library Staff Organizing CommitteeLocal 103BDistributive Workers of AmericaOBS supports library workers - seeks student aidThe Organization of Black StudentsWorkers Committee supports the Universityof Chicago library union in its attempt togain recognition as a bargaining agent. Weurge all students to participate in this effort.Student library staff workers, in particular,have much to give and much to gain byjoining Local 103.Local 103 is an independent unionrepresenting professional and non¬professional, full-time and part-timeworkers. It is affiliated with the NationalCouncil of Distributive Workers of America.Like the NCDWA, Local 103 is committed to“organize the unorganized,” to perpetratemulti-racialism in the labor movement andto advocate peace. At the University of Chicago, Local 103 willact as a counterforce to the University’sbureaucracy which has proved insensitive tothe needs of its employees. According to thelibrary staff organizing committee, the unionintends, in part, to secure: better wage andsalary scales; low-cost insurance coverage;an end to inequities in compensation, un¬derstaffing and doubling of workloads; anadequate grievance and appeals system andjob security to full-time and part-time em¬ployees. It will give library staff workers “aresponsible voice in making those decisionsthat affect (them) ... as workers at theUniversity of Chicago, and those policydecisions that affect public service.”Before it can effect these measures, the union must be able to count on the support ofthe University of Chicago student body.Student library staff workers must signmembership cards to indicate their desire tohave Local 103 speak in their behalf atcollective bargaining sessions. The unionalso needs students to come to unionmeetings, to run for election of union of¬ficers, to serve on negotiating committees, tohelp write proposed contract provisions — inshort, to become an integral part of Local103.Students have already benefited fromunion activities. Student library staffworkers are now given clericalclassifications and pay scales. As the librarystaff organizing committee states in its booklet “Why We (Still) Need a Union."“Students are in the lower end of the payscale: compare their $1.95 per hour startingsalary, for instance, with the starting-pay ofthe Building and Grounds staff — $3.00 perhour ... Without fringe benefits of any kind,facing tuition and living costs which haveskyrocketed in recent years, subject to theuncertainties of a tight job market and thecaprice of library administrators, studentsneed effective union representation morethan anyone else.”If you are a student at the University ofChicago and would like to help, contact CraigKennedy at 493-7514.OBS Workers CommitteeINFLATION GETTINGYOU DOWN?Fight bock withUMOTfttlSLSAT WORKSHOPClasses Now forming inpreparation for Feb. 10thLSAT. To be conducted inChicago Jan. 27, 28, Feb. 3 &4. (full day sessions, Saturday& Sunday)Course created by notedprofessor and conducted inChicago by Harris Luscomb(Yale College & Columbia LawSchool.)Proven techniques &methodology.Verified record of outstandingachievment.For information andregistration, contact.LAW BOARDS INSTITUTE450 Seventh Ave.New York, NY lOOOl212 594-19701972 - The Chicago Maroon - 5ROCKEFELLER MEMORIAL CHAPELSaturday Jan. 20 3:00 P.M.INAUGURATION DAY SERVICE OF PEACEIF A CEASE FIRE IS ACHIEVEDLET US GIVE THANKSIF THE BOMBERS STILL FLYLET US PROTESTThe Service is part of a national INTER-FAITHVIGIL FOR THE PEACE series of events taking placein Washington and New YorkLET YOUR PRESENCE BE YOUR WITNESSFOR PEACE, FREEDOM, AND JUSTICE Dutch TulipBeauty ContestThis is the contest that asks the questions: Can a Dutch Tulip sur¬vive bud and prosper in Hyde Park much less go on to win a iprize as Tulip of the Year. The answer9 Well we don t know if 1one can survive but if there are survivors however embattled .it might win the much-sought title. Second third and fourth \prizes will be offered if appropriate (Bulbs, pots dirt & directions in Ida Noyes 209 iThurs., Jan. 18, 2:00-4:30 p.m.Monday, Jan. 22,2:00-4:30 p.m.Categories: iSubstandard conditions (windowless basement rooms people >with plant-eating cats etc.) ]Standard Hyde Park conditions including dorms: (bad light bad 1air drafts, etc.) |Good conditions (ppnnlo cellars windows on all sides ,plant mobiles, fluorescent set-ups etc.) iExcluded: George Beadle Joseph Galinis (Barnes Botany Lab) |antfothw similar illustrious green thumbs. IiiiummimuiminmniKumTuesday, January 16,ABOUT THE MIDWAYContinued from page 4demonstrations. Assembly time is at 11 amat State St and Wacker Dr; the demon¬stration will then proceed down State St tothe Civic Center, where there will be a rallyat 12:30 pm.Buses are available for the trip toWashington and the inaugural demon¬strations. Buses will leave from Monroe Stand Columbus Dr (Grant Park) at 6:30 pmthe evening of Friday, January 19, and willreturn to Chicago at 9:30 Sunday morning.The Washington march will assemble atArlington national cemetery and march tothe Washington monument. Bus tickets are$37 for a round trip and they are available atthe Chicago peace action coalition offices,407 S Dearborn, room 760, from 10 am to 8pm, or by calling 922-1068. SDS is offeringround-trip buses to DC for $25.Policy center appt.Two members of the faculty at theUniversity have been appointed to theexecutive council of the University’s centerfor policy study, and eight other have beennamed to serve as faculty fellows of thecenter.Jerald Brauer, the Naomi ShenstoneDonnelley professor of history of Christianityin the University’s divinity school, and DrDaniel Freedman, Chairman and the LouisBlock professor in the department ofpsychiatry, were named to the executivecouncil.The newly appointed faculty fellows areBrian Berry, the Irving Harris professor ofurban geography; James Cronin, Universityprofessor in the department of physics andthe Enrico Fermi institute; Philip Jackson,director of pre-collegiate education andprofessor in the department and graduateschool of education and the committee of human development; James Lorie,professor and director of the center forresearch in security prices in the graduateschool of business; Martin Marty, professorof church history and associate dean of thedivinity school; Dr. David Skinner, chair¬man and the Dallas Phemister professor inthe department of surgery; AnthonyTurkevich, the James Franck distinguishedservice professor in the department ofchemistry, the Enrico Fermi institute, andthe college; and, Paul Wheatley, professor ofgeography and in the committee of socialthought.Bio lectures“Medicine and the Community,” a lecture-and-panel series on three community socialproblems, will be presented during the nextfew months by faculty members of thedivision of biological sciences and thePritzker school of medicine at the Univer¬sity.The series’ purpose is to present tostudents and the University community theapproaches taken by the biological sciences,including medicine, to investigate socialproblems.Dr. Chase Kimball, associate professor inthe departments of psychiatry and medicineand chairman of the committee for socialmedicine, announced the series will be opento all members of the University community.Drug addiction, population, and healthcare delivery are the announced topics. Eachwill be approached from the perspectives ofan epidemiological definition, selectedmethods of current investigations, andpresent clinical community approaches.Most of the lectures and panels will beginat 3 p m in the Frank Billings auditorium(room P-117) of the University’s hospitalsand clinics complex at 950 E 59th St. Onehealth care lecture is scheduled in the DoraUNIVERSITY THEATRE PRESENTSFrom Theatre Genesis, New YorkLIGHTCELLDEATHby Charles Kespertin Reynolds Club TheatreJanuary 19 and 20 at 8:30 and 10:00admission 1.50 De Lee Hall at Chicago Lying - in Hospital,5841 Maryland Avenue.Tuesday, January 16: “Drug Addiction:III. Clinical Approaches,” Moderator: DrDaniel Freedman; panelists: state of Illinoisdrug abuse rehabilitation program— DrJohn Chappel, assistant professor in thedepartment of psychiatry and chief ofmedical services, IDAP; Matthew Wright,Clinical director, IDAP; Ellen Afterman,director of programs, Gateway House founda¬tion, incorporated.BaseballThe Maroon Varsity Baseball team willhold two meetings prior to the opening of spring practive February 1st. Coach JohnAngelus requests perspective varsitybaseball players attend one of thesemeetings.The first meeting will be held on MondayJanuary 22, at noon in the Trophy room ofBartlett Gymnasium. Players interested inparticipating but unable to attend theMonday meeting should attend the secondmeeting, Thursday, January, 25 at 12 noon inthe Trophy Room.Coach Angelus is looking forward to a vastimprovement over last years 4 and 7 record,with some hard hitting freshmen talent andsome good playing weather. Last years teamwas rained out of over half of theirscheduled games.CALENDARTuesday, January 16 Wednesday/ January 17FILM: "Johnny Guitar", DOC, Cobb, $1, 7:30 pm.REVIEW: Sally Rand and her fans are watched by Germanprofessor Kenneth Northcott as he views A Night at thePalace on UC review of the arts, WHPK FM, Sam and 8 pm.ORGANIZER: David Ross, a Ralph Nader aide, visits theLaw School auditorium for an open meeting for those interested in organizing a Public Interest Research Group atUC, 8 pm.PANEL DISCUSSION: "Drug addiction—clinical approaches" with panel of two doctors and three laymen,Billings Hospital Auditorium, 3 5 pm.STARSCOPE: Astronomical society meeting tonightfeaturing short lecture by tall lecturer Topic unknown as ofyet, but will be known at Eckhart 207, 7 30 pm.MEETING: Medical aid for Indochina organizing meeting.Blue Gargoyle, 8 pm.CHORUS: Alleluia, alleluia! Orchestral chorus beingorganized for spiritual singing, words or wordless, BlueGargoyle sanctuary, 7 9 30 pm.WIRSZUP LECTURE: "Where is Philosophy?" with profRichard P McKeon, Woodward Court, resident master'sapartment, 8 pm.PHYSICS COLLOQUIUM: "Lattice Excitations of theQuantum Solids: Helium", RIA 480, 4:15 pm. SECOND CITY STRIKES AGAIN: Second city's latestrevue, "Tippecanoe and Deja Vu" is revued by Englishprofessor John Taylor, WHPK, 8 am and 8 pm.FILM: "Take the Money and Run", DOC, Cobb, SI, 7:15 and9:30 pm.CLUB: Table Tennis club, Ida Noyes, 6 pm.REHEARSAL: University orchestra. Winds come to tootleaway 6:30 pm, everybody else to join them at 7 pm.Thursday, January 18REVIEW: Philosophy professor tries to make sense out ofFellini's Roma, WHPK, 8 am and 8 pm.FILM: "The Picture of Dorian Gray", Cobb, SI, 7 and 9 pmDANCE: Viola Farber modern dance company, Mandei8:30 pm.COLLOQUIUM: "Galaxies in Near Collision", prof AoanToomre, Eck 133, 4:30 pmMISSION: Hyde Park chapter of the Divine Light mission ishaving an organizational meeting, Blue Gargoyle, 7:30 pmRECRUITER: For peace corps and VISTA at Brent House44492 for appointmentFREE U: Chicago blues course, Ida Noyes sun parlor, 7 pmIwANTTRIVIA? r THE FINEST MEDICAL CAREAT THE LOWEST PRICESFOR A SAFE LEGAL ONE DAYABORTIONEVERYTHING CAN IE PROVIDEDFOR YOUR CARE, COMFORT ANDCONVENEINCE BY PHONE BYOUR UNDERSTANDING COUNSE¬LORS. TIME IS IMPORTANT -CALL TOLL FREE TODAY.A.I.C. Services 215-885-1646 REGAL NOTESunderstand plays, novels and poemsF ASTE R WITH OUR NOTESWe re new and we re the bigost1 Thousand*♦ opi c* '(viewed for quicker understanding. Osublets include not cn>> English, but Anthrpology Art, Black Studies, Ecology, Ecnom.es, Education, H.$t0ry, Law, MusicPhilosophy, Political Science, PsychologyReligion, Science, Sociology and Urban Problems. Send $2 for your catalog of topics avoila b 11REGAL NOTES3160 O'’ Street, N.W.Wo.hmgton, 0 C 20007Telephone 202-333-0201H33 Down 568 05 Monthly. 36 poymerifi,Annual Percentage Rote to M.54.Tool Deterred pr«# $2382.80. 1 33 DOWNSole* Tax ExtraS681UPhone 288 4900VOLKSWAGEN SOUTH SHORE7234 S. STONY ISLANDOpen Daily & Saturday Closed SundayJazz comes to Hyde Park atAtop The Hyde ParkBank Building1525 E. 53rd St.955-5151RESTAURANTTuesday nights from 7:00 to 11:00Paul Bloom's FOCUSEnjoy a concert with your meal.(Student discounts apply) The Lester Aronberg JudaicaLectureship CommitteeannouncesAN ILLUSTRATED LECTUREbyBENJAMIN MAZARProfessor of History and Archaeology and former PresidentThe Hebre w University, Jerusalemon the topic:THE EXPLORATIONSAT THE TEMPLESITE IN JERUSALEMFRIDAY . JANUARY 19, 1973 • 4:OOp.m.breasted Hall 1155 t. 58th StreetThe lecture is free and open to the public6 - The Chicago Maroon - Tuesday, January 16, 1972ABOUT THE MIDWAYSCENESShapiro art collection on display in IdaNoyes Cloister Club. M Th. 112; 4:3011:30 p.m. Distrib. Fri.ANTI WAR DEMONSTRATION.Assemble at State and Wacker Sat.Jan 20th at 11:00 a m.SPACEWorking student, black female wishesto share apt. with same in H P orSouth Shore area Ask tor Pat 375 3553aft. 5:30.3 room apt. k.b. in London, Eng. 6months or longer, from March or April'73. Exc. sit. S. Kensington closebuses, undergr. shops. Contact(Chicago) 324 7079 eves 6 9 pm.For rent: one bedroom efficiencyfurnished. Kingsize bed. 55th andKenwood. Minutes from U of C. S120good security. Call Sahni 288 4850Female rmmate E. Hyde Pk own rmshare w one other woman call 955 1992eves.ROOMMATE WANTED near campussecure furnished apt free parking call752 3470 after 11 p.m.Furn rm fr fern stu w Fall opt availNOW 1400 E. 57 3635267 furniture opt Female grad student needs apt tosublet till July. Call Karen at 924 4892evenings. Rent: under $145.Live in Frederika's famous building.Nearby furn and unfurm. 2 and 3 apts.for 1, 2, or 3 people. Refrig, stove, pvt.bath. stm. ht. Quiet, Sunny, View.Parking, trans, $120.00 up Free Utils.6043 Woodlawn 955 9209 or 427 2583.Short term lease or longer.TENANT REFERRALREASONABLE RENTALSDESIRABLE APARTMENTSturn and unfurn.LAKE FRONT COMMUNITYSOUTH SHORE COMMUNITYSERVICES2343 E 71st St.See MONICA A. BLOCK667 2002 Or 667 2004CHICAGO BEACH HOTEL. 5100Cornell D03 2400 Beautiful FurnishedApartments near beach, park, 1Ctrains, U of C buses at door. Modestdaily, weekly, monthly rates. CallMiss Smith.PEOPLE FOR SALETutoring for speech problems, 947 9354 FOR SALEDRAFTING: Figures, Graphs, Lettering Call 643 2450 evenings.Experienced manuscript typing onIBM Selectric 378 5774.PEOPLE WANTEDWant wed rings made: 525 8011 evesEARN UP TO $2000 a school year ormore hanging posters on CapitalCampus in spare time Send NamePhone, Address Ref to: Coordinatorof Campus Representatives 207 mich.Theatre Bldg. Ann Arbor Mich. 48108Beall: 313) 662 5575PART TIME MANAGEMENTPOSITIONS NOW AVAILABLE forserious minded individuals. Earn $200400/ mo. up to $400 800/ mo. Call MrKlimek 348 2612 after 3:00Wanted: congenial and inspiringteacher for aspiring and enthusiasticcoronet student call Rob 955 7011.NEEDED: book reviewers for theMaroon; need all kinds; undergrad/grad/fac/others. Call 7533263 M F 3 5Bank tellers full and part time. Exp.only, no trainees. Excell, salary andhours. Call Miss Scott, Univ. NationalBank. 684 1200. SKIERS? Look like an OlympicChamp! learn poise and balance athome? with a SkiSkil before youhead for the hills. Write ForsterDesign, Ind. 1311 Congress, Saginaw,Michigan, 48602STRINcTqUARTETS?We are interested in sponseringchamber concerts later this quarter ifwe can find people interested inplaying. If you're interested or youknow about someone who might beleave your name and number at 7533591 9 5 M F.MODERN DANCEWORKSHOPMythological Dance Theatre Co.Dance workshop Winter Quarter,taught by Violetta Karosas acclaimedDance Showcase '72. Workshop 1/2blk Regenstein. 56th and Woodlawn.Hyde Pk. Union Church gym. 3time/ wk 15 sessions. $45, 288 3706INFORMATIONWANTED reasonable prices. Love, ParadiseLost Pizza OvenUT: EXPERIMENTALWEEKENDUniversity Theatre is now receivingproposals for the experimentalweekend, scheduled for the 9th wk ofwinter qt Those people with previousdirecting experience who would like todirect a one act play are invited tocontact UT before Fri Jan 19th: 7533581PIZZAPizza This Quarter at Paradise LostCome and Try every Thursday toSunday.SPEECHPERCEPTIONEXPERIMENTSStudents and staff: Participate in anexperiment on speech perception 4hours of listening in 2 sessions$2 00/ hour. Call 3 4714 for appSTEP TUTORS ASTRONOMICALSOCIETYAstronomical Society meeting tonightEckhart 207 7 30 p.m tonight! Shortlecture by tall lecturer all membersand guests please attendDANCE FESTIVALViola Farber Dance Co Concert$fU$4. J$T WJM Vt&rTeSZ'r'eDemonstration: Fri Jan 19, 8 00p m., Ida Noyes gym, $1 at the doorMaster Calsses in Dance Technique$1 50 for UC students; $3 othersTickets and information at Ida Noyes207 753 3706 or 7533574PAN PIZZA DELIVERYThe Medici delivers 5 pm 11 pm Sun.thru Thur 5pm midnight Fri and Sat667 7394 Save 60c delivery, if you pickit up yourself at 1450 E 57th StISRAELI DANCINGTHIS WEEK at Hillel Thurs 8 10p.mGAY LIBERATIONGAY LIB OFFICE Sun Thurs 7 3011pm Ida Noyes 301, 753 3274 Mon. isWomen's NightIMPORTANT GAY LIB MEETING todiscuss anti war demonstration,Muddy Waters Dance, Gay Lib DanceConsciousness groups ets Wed at 9pmin Ida NoyesRm. avail, now in 2 bdrm apt. 52nd andBlackstone rent $72 50 call 947 0970 or528 5036.Condominium for sale. South Shore 10min from campus. 5 rms WW cptg. 2ceramic bath, low assesment andprice. $10500, $5000 down, balanceterms to suit. For appt. 493 6159.2/ 1/ 73 my loss is your gain forced toleave beautiful spacious sunny 5 rmapt for new job. Terrace w/ s exposureon friendly ctyd. $192 near 1C campusbus 493 9670 eve. Tax consultant will help prepare yourtax return. Call 731 9636.Sitter avail for hrs after school, Laband full time during Lab schoolvacation and holidays. Call Merrilyndays 947 6218, ev3s 752 1140.Portraits 4 for $4.00 up. MaynardStudio, 1459 E 53. 2nd floor 643 4083Learn Russian from native teacher.Trial lesson no charge. Call 274 1420.TYPIST exp 752 8119, after 6:00 pm.FLORIDASpring Break In Daytona Beach9 Days - Only $ 157 Complete(Round Trip, Motel, Taxes, & Disney WorldI)ARTIMURO TOURSCall Afternoons: 236-9442THE CHQGO CANCE FOUNDHTON AMT THE INVERSITY a ChOGGm Cooperation with The Illinois Arts Council and The National Endowment For The ArtsDance CompanyThursday January 18 19738 30 PMMandel HallTickets: $5.00 $4.00 $3.00($2.00 for students)Available at Ida Noyes HallLee ture-Demons trat ionFriday January 19, 1973Ida Noyes Gymnasium8:00 p.m. ($1.00 at door) '65 Plym 318, needs exh pipe, wiper,burns oil: $100 Ph 525 8011 evesFor sale: Portable Dishwasher, attaches to faucet, fits top of sink. Callevenings 947 95691964 VOLVO 544, rebuilt engine andfront end. 561 3712 asking $400. I am looking for evidence of governmental repression. If you have aninteresting or important incident toreport, send it to Mark Gruenberg c/ oThe Maroon, 1212 E 59th St., Chicago.Thanks very much.HEBREW CLASSESBeginning reading, intermediate andadvanced conversational classes:Every Wed. at 8 30 at Hillel House.TURNING ONI will be turned on from five to elevenP M Thursday, Friday, Sat. and Sunall quarter, turning out great pizzas atREGISTER NOW! Open to the PublicEvening Classes for Adults10-Week Courses: Jan. 15--Mar. 23Evenings: 7:30-9:00 PMClasses: Weekly, Starting:Introduction to Buddhism Thur. Jan. 18Study of the Eternal Life Sutra Fri. Jan. 19Sanskrit-Beginner s Class Mon. Jan. 15Japanese Conversation-Beginners. . . Thur. Jan. 18Japanese-Intermediate Thur. Jan. 18Japanese Brush Painting Fri. Jan. 19Japanese Tea Ceremony Thur Jan. 18Bonsai-Art of Jap. miniture trees . . . Thur. Jan. 18(*Meets First Thur. of each month except Jan.)For Information and Registration Call 334-4661BUDDHIST EDUCATIONAL CENTER of B.T.C.4645 N. Racine Ave., Chicago 60640(near Wilson and Broadway)Need some warmth in your life?A healthy and live plant fromThe Village Green is just that.Come in and browse. Bring this adand receive a Special Discount onpurchases over $5.00.recn1465 East Hyde Park Blvd.(corner 51st & Harper)Hyde Park's newest Foliage BoutiqueABORTIONINFORMATIONABORTION GUIDANCEAn Abortion can be arranged within 24hours and you can return home the same day you leave!CALL TOLL FREE(800) 523-4436A Non-Profit Organizationopen 7 days a week Student Tutoring Elementary ProjectSTEP needs volunteers to tutor biweekly. There are a lot of littlechildren who could use your help Ifyou are interested, please call DaveKandel at 324 7436 or John Zyskind at643 2762BUSINESSOPPORTUNITIESSTART YOUR OWN PART TIMEBUSINESS to pay educational expenses or for supplementary incomeEarn S400 800/ mo We provide alltraining Call 769 5560 after 4 pmVELIKOVSKY PERSONALSProfessors and competent gradstudents If you are interested inserious and scholarly discussion ofVelikovsky via an intellectual journaldevoted to his theories call 588 5530after 5. DOOR PRIZE WINNERS HopeBlitstien, A Campole, Jim Carpenter,Cornelius Chapman, Sai ling Chu, EdDessau, Steve Dunn, Dan Faith,Lorraine Gilligan, Doug Hamilton,Eric Hanneman, John Kelty, ElisseMorse, Jeff Penn, Stuart Podhaver,Bill Pollack, Paul Sullam, JoelTellinghuisen, Ron Wolff, LuisYglesias COME TO IDA NOYES 209WITH ID Deadline for pickup WedJan 17, 5 p mDo you want to stop smoking? Newgroups starting soon for UnivResearch project, call 947 6537WRITERS' WORKSHOP (PL2 8377)KLHSTEREOFOR SALEKLH compact stereo with newdiamond needle Very good conditionThis stereo cost $200 new but I will sellit for $75. Call Fred at 324 8152 We need people to play in the CoffeeHouse Call Debbie 753 3444 (DU)Put a taco in your tummy. Lucita'sMexican Food, 11 am to 11 pm Fri Sat1 am 1440 E 57th St 955 0888Play Tennis rain or shine South SideRacquet Club, 1401 Sibley Blvd,Dolton 147 and Calumet Exp. VI9 12359§C 5fC jjf s|c sjc 5jC 3jC 3|C 5jC 5jC 9|CFRONT FOR JAZZChicago Front for Jazz meeting Jan18, 8:00 pm Ida Noyes TheaterYES!THERE ISISRAELIDANCINGTHIS WEEK!Thursday, 8 P.M. Hillel1 *** CARPET CITY **#**3, 6740 STONY ISLAND£ 324-7998At X.^ Has what you need from a S1 G gw used 9x12 Rug, to a customerIf carpet. Specializing in Rem-^ nants % Mill returns at a^ fraction of the original cost. ^ft Decoration Colors and Qualities.Additional 10% Discount with ^^ this Ad. ^* FREE DELIVERY *S*************Tuesday, January 16, 1972 - The Chicago Maroon - 7TELEPHONES:288-1177288-1178288-1179WE HONORMASTER CHARGEANDBANK AMERICARD u/ouun ’Dauqs)1204 EAST 53rd STREET(LOCATED IN THE 53rd KIMBARK PLAZA SHOPPING CENTER)HOURS: 9 - 9:30 WEEKDAYS 9 - 8:30 SUNDAYSSALE DATES JANUARY 17th thru 23rd WE FILL ALLWELFAREANDINSURANCEPRESCRIPTIONSEXCEDRINTABLETSExcedrin 100 Toble,sReg.1.77 Pertussin•WhdmurfCOUGHSYRUPVfKTfVf F Of ML A ALIMIT 1 PERTUSSINWILD BERRYCOUGH SYRUP3 OZ. Ben-GayPenetrating HeatLOTIONFor hours of rilieffrom minor puns ofARTHRITISrheumatismMUSCULAR ACHESneuralgiaSTR0N6IR 1008 LISTING BEN-GAYLOTION4 oz. SizeReg.$1.69LIMIT 1 LIMIT 1MAKE SWAIN DRUGS YOUR COUGH CONTROL HEADQUARTERSBARNES and HINDSWETTINGSOLUTION CASSETTETAPE3-C60's BARNS and HINDSSOAKINGSOLUTIONReg.2.142 oz.LIMIT 1 Reg.2.99 Reg.2.14LIMIT 1 PACK 2 oz.LIMIT 1BODYALLDEODORANT8 oz.LIMIT 1 GILLETTETRACIISHAVER POND'SCOLDCREAM3.5 oz.Reg.2.95 Reg.$1.10LIMIT 1IVORYLIQUIDFamily Size PLASTIC COATEDPLAYINGCARDS JOHNSONLEMONPLEDGE r LIMIT 17 oz.LIMIT 1 LIMIT 1 LIMIT 18 - The Chicago Maroon • Tuesday, January 16, 1972