The Chicago MaroonVolume 79, Number 59 The University of Chicago Friday, May 21, 1971Trustees vote againstGM reform proposalsDave FosseHOW DO YOU LIKE TO GO UP IN A SWING? This student apparently does as shesoars on the swing some civic minded person installed on quads. By LISA CAPELLThe University board of trustees unani¬mously decided Monday to vote the Uni¬versity’s shares of General Motors (GM)Campaign stock against three GM proxyproposals at today’s anual stockholdersmeeting.Campaign GM is part of the Project onCorporate Responsibility, a Ralph Naderconsumer protection enterprise. Accordingto law student Bob Kargman, Chicago co¬ordinator for Campaign GM “the projectwas set-up to inquire into how to make cor¬porations more responsible for their ac¬tions.”“The project is asking the universities tovote their GM stock in favor of three newshareholder resolutions that the Projectwill introduce at GM’s annual meeting May21 in Detroit,” said a statement issued bythe Project.The first proposal on “shareholder de¬mocracy” would permit all shareholders tomake nominations and to choose among op¬posing candidates for director.The second, on “constituency democra¬cy” gives consumers, dealers, and employ¬ers the right to participate in the selectionof three of the directors.Proposal number three on “disclosure”requires GM to disclose a breakdown of mi¬nority groups hired, air pollution and autosafety policy.Kargman described the trustees as“amenable” to the proposals. “They hadno resistance to meeting with me.” He as¬cribed this to the moderate nature of theproposals. Richard Burridge, treasurer ofthe University, who presented the propos¬als to the trustees for Kargman, “was quitereceptive and responsive. He was diligent and concerned. He sees that the issues willnot go away.”“It is less astonishing to me that thetrustees voted against the second proposal;however, the other proposals are the kindsof things that university trustees should beinterested in seeing developed.” Kargmansaid. Moreover, “they shouldn’t be allowedto protect their self-interest,” Kargmanadded.Members of the University board oftrustees could not be reached for comment.However, Burridge said “We gave veryconsiderable thought at at least two meet¬ings, to the proposals.” At a meeting of anad hoc committee of the trustees Mr Karg¬man did an outstanding job in explainingthe rationale of the Project for CorporateResponsibility.”The trustees voted no because the meansused by the project “would not achieve theobjectives.”“It was a most interesting discussion. Ithink our trustees learned something fromit and so did Mr Kargman. It was a goodcommunication,” said Burridge.Bryn Mawr, Brown, Antioch, and Pa-mona universities have voted their sharesto Campaign GM. The largest teachers pen¬sion trust in America, the College Retire¬ment Equities Fund said it would supportthe full-disclosure proposal as did FirstPennsylvania Banking and Trust Company,according to Newsweek magazine.Kargman feels that the first proposal“encourages institutional investors to thinkabout who exactly is on the board of direc¬tors.Also since shareholders are the peoplewith a stake in the company the only peoplewho would get elected would be men of tre¬mendous stature or ability.”UC gives OBS funds for black centerBy FRED WINSTONThe University and representatives of theOrganization of Black Students (OBS) haveagreed that the University will spend up to$285,000 to purchase and rehabilitate theChurch of Our Redeemer for an Afro-Amer¬ican cultural center, according to WalterWalker, vice-president for planning and anadministration representative in negotia¬tions with OBS.According to Walker, OBS representa¬tives and the University also agreed thatthe board of governors of the cultural cen¬ter will consist of four representatives cho¬sen by the black student®, four chosen bythe University, and four chosen by the firsteight.Lionel Bryan ’73 and Carl Stovall 71,OBS representatives who negotiated withWalker, said another requirement for thecomposition of the board is that three of thelast four chosen must be students.WALTER WALKER: \*kc president ofplanning negotiated with OBS. Stovall said, “We were concerned that ,students should have a majority on theboard of governors.” Walker could not bereached to confirm if this proposal hasbeen accepted by the administration.A letter from Walker, stating all pointsthat the University and OBS representa¬tives have agreed upon, was presented anddiscussed by OBS members at a meetingMonday night.Bryan said OBS members are drafting areply to Walker’s letter.The University first offered to buy theRedeemer, 5558 Blackstone, last fall.OBS members counterproposed that theUniversity buy the Tenth Church of ChristScientist, 5640 Blackstone, claiming theamount of money the University offeredwas not enough to rehabilitate the Redeem¬er.Walker replied to OBS representativesthat the University was not prepared tonegotiate about anything except the Re¬deemer. He said the University was takingon an obligation to the neighborhood tobring the long vacant Redeemer up tocity sode standards.The University had previously offered theRedeemer to the Black Student Alliance inthe spring of 1969. The black students re¬fused the church at that time for reasonsnever quite clear.In a letter to a committee chaired by ge¬ography professor Chauncey Harris, whichwas established in 1968 by the committee oftne council of the University senate to aidin expanding the University’s commitmentto blacks, Walker said the blacks’ refusalof the center probably “was a result of thestudents coming to the conclusion that theproject required too much work and toomuch organization to be successful.” The idea for the cultural center was de¬veloped by James Bruce, associate profes¬sor of Germanic languages, and CharlesLong, associate professor of divinity, bothmembers of the Harris committee.Bruce’s and Long’s idea for the centerevolved from black students’ requests for aseparate dormitory. Currently all nominations are made bythe board of directors of a corporation.Concerning the second proposal Kargmanfeels customers are “too nebulous” and la¬bor representation is anathema to corpo¬rations however, “dealers are a group thatshould have a say since their livelihoodsare so controlled by GM.”“What has GM got to hide?” said Karg¬man supporting the third proposal. “Dis¬closure would encourage them to thinkabout what they’re doing.”Levi will teach next fallUniversity President Edward Levi willteach an introductory humanities coursefor College freshmen, humanities divisionmaster Warner Wick confirmed Thursday.The year-long standard sequence, Human¬ities 107-8-9, is entitled “history, philoso¬phy, and literature” and is designed to“communicate the arts of interpreting,analyzing and understanding works ofgreat writers,” according to a course de¬scription to fulfill a common core require¬ment.Levi, who was unavailable for commentThursday, will teach one section of the se¬quence, which is taken by many freshmen.Wick explained that the decision for Levito teach the course was reached by “mu¬tual agreement” and added, “it was a mu¬tual development for which we are verygrateful.”The sections, limited in size to 25 stu¬dents each, discuss authors such as Thucy¬dides, Herodotus, Trotsky, Plato, Aristotle,Galileo, Lincoln, Shakespeare, and Dos¬toyevsky.The course will focus on the “unique andessential qualities of each work” as “thatis how the arts of interpretation andanalysis are practiced and developed.” Levi has not taught a course since 1968,when he became President — Up till thattime, he had taught courses in the lawschool.EDWARD LEVI: President of the Univer¬sity will teach a common core humanitiescourse next fall.ABOUT THE MIDWAYDave FosseKEEPING UP THE GRADE POINT: This is how the average UC student maintainsthe median 3.2 point average.No parkingContrary to popular opinion, parking isstill prohibited on the campus quadrangles.The recent increase in parking on thequads may be due to the University’s ex¬perimental policy in not enforcing the ban.According to security chief Capt MichaelDelaney, the University “would like to getaway from issuing tickets.” He said therehas been “resentment to issuing sum¬mons,” and said that the University doesnot like to be “in a money collection situ¬ation.”Delaney said that it was hoped thatpeople would not park on campus even if notickets were issued.Admitting that this policy has notworked, Delaney allowed that “there’s nouse in attempting to enforce the rulesnow;” and said that ticketing would re¬sume at the end of the quarter.“Parking isn’t permitted on the quadran-gels because it detracts from their beautyand creates a traffic mess,” he added.Aging gutAn obsession with daily bowel move¬ments may lead to an over-dependence onlaxatives of increasing harshness, says aUniversity gastroenterologist. Temporaryor permanent damage to the colon may re¬sult.Dr. Joseph Kirsner, Block professor ofmedicine, addressing the annual meeting ofthe American Geriatric Society (April 24),said that harsh cathartics may per¬manently damage the colon. Chronic use oflaxatives may make one lose the normalpost-breakfast reflex or urge for elimina¬tion, he said.People of all ages may over-depend onlaxatives, Dr Kirsner said, but older peoplehave less resiliency. They may find it moredifficult — or impossible — to re-establishnormal bowel movement.Dr Kirsner’s remarks came in a paper on “The Aging Gut” that summed up currentknowledge of gastrointestinal problems ofthe elderly.With most people, he said, there is noconsistent alteration of bowel frequencywith advancing age. But people over 70probably take laxatives twice as frequentlyas people aged 40 to 50.Over-use of laxatives and enemas of in¬creasing harshness may eventually lead toa “tired” colon unable to do its work, DrKirsner commented. Here is his advice onhow to put a flabby colon back in use:—First be sure, through a visit to yourdoctor, that no organic disease is causing aproblem with dry, hard stools.—Drink more liquids; stop over-dosingwith medications such as calcium carbo¬ nate antacids that cause constipation; eatcooked fruits and vegetables.—Try to “go” daily after breakfast.Morning eating causes a bowel reflex inmost normal people. Habitual disregard ofthe reflex may be part of the trouble.—Keep trying each day for four days. Ifstill unsuccessful, take an oil enema (3 ozof olive, cottonseed, or mineral oil) on re¬tiring and retain. If no stool results in themorning, a small tap water enema maythen be taken. Going four days betweenstools may be uncomfortable, but neces¬sary to re-establish normal function, hesaid.AppointmentsHelen Harris Perlman has been named Deutsch distinguished service professor inthe school of social service administration(SSA) at the University.The announcement was made by Uni¬versity Provost John Wilson. Mrs. Perlmancame to the University in 1945 as an assist¬ant professor, became professor in 1954 andwas named Deutsch professor in 1969.Edward Wasiolek, an authority on Rus¬sian author Fyodor Dostoevsky (1821-1881)has been appointed chairman of the depart¬ment of Slavic languages and literatures atthe University.The appointment for a three-year term,effective March 29,1971, was announced byUniversity President Edward Levi.Wasiolek, the Avalon Foundation profes¬sor in the department, is also chairman ofthe committee on comparative studies. Hehas been a member of the University facul¬ty since 1955.Philip Kuhn, associate professor of Chi¬nese history and in the College, has beennamed chairman of the University’s com¬mittee on Far Eastern Studies for a three-year term.The appointment, effective July 1, 1971,was announced by Levi.Kuhn succeeds Edward Kracke, profes¬sor of Middle Chinese literature and in¬stitutions, who plans to travel and writeabroad before returning to the University.Robert Sachs, professor in the physicsdepartment and in the Fermi Institute atThe University of Chicago, has been ap¬pointed to a second three-year term as Di¬rector of the Institute.The reappointment, effective October 1,was announced by Levi.A theoretical elementary particle physi¬cist whose election to the National Acade¬my of Sciences was recently ahnounced,Sachs has been a member of the Universitysince 1964 and director of the Fermi In¬stitute since 1968.Bernard Meltzer has been appointed HallContinued on page 7Contemporary European Films presentsBo Widerberg's Cobb7 & 9:15ADALEN -SaturdayMay 22Cobb Francois Truffaut'sMISSISSIPPIMERMAID Xd»CEF & FOTA presentHOWUN’ WOLF,HOUND DOG TAYLOR,MIGHTY JOE YOUNG,JOHN LITTLEJOHNFriday8:30 PM -1:30 PMBartlett Gym$1 ROCKEFELLERMEMORIALCHAPELSunday May 23, 1971 11:OOA.M.E. SPENCER PARSONSDean of the Chapel"THE USES OF FAILURE"Weekday Chapel MusicTuesday, May 25, 12:15 p.m. Lecture-Demonstration atthe Console, Edward Mondello, University OrganistWednesday, May 26, 12:15 p.m. Carillon recital, RobertLodine, University Carillonneur.Where are the 3 largestwedding ring selectionsin Chicagoland?FINE JEWELERS FOR 60 YEARS119 N. Wabash at WashingtonENGLEWOOD EVERGREEN PLAZA A GREAT MEALFOR YOU!With the great specials at theHYDE PARKSUPERMARKET1346 East 53rd St.you can have a truly great meal. Meat, let¬tuce, V2 and V2, and yogurt. Yummmm.And a little toilet paper for some cleaningup afterwards.Chuck Roast 59c/lb. V2 and Va 29c/pt.Ground Beef 59c/lb. Yogurt, all flavors 39c eachLettuce 23c/head Centrella Potato Chips. .49cCentrella Bathroom Tissue 10 rolls/79cJESSELSOH’ST^*FRESH HSH & SEAFOOD ^7S2-2B70, 7S1-1190,1*1-91 M- 11401. Sled ■2/The Chicago Maroon/May 21, 1171Library workers' rally attracts 200ROGER HILDEBRAND: Dean of the college supports the joint degree proposals andhopes to inaugurate them by next autumn. Four new degrees tobe offered next yearStudents now in their second year in theCollege who might be interested in this pro¬gram are welcomed to apply for informa¬tion at the human development office, 5730Woodlawn. Fifteen students will be accept¬ed into the program, he said.“We’ve talked to 15 or 20 students, butwe’d like to talk to more,” said Csiks-zentmihalyi.Human development focuses on the studyof the life cycle from birth to death. “It’sbeen a concept that developed at Chicagoabout 30 years ago and it’s just now filter¬ing down to the college level,” Csiks-zentmihalyi stated.By KEITH PYLEA rally of library workers attracted near¬ly 200 people to the main quadrangleWednesday afternoon, where listeners weregiven free helium-filled balloons and SVNApunch.Patricia Coatsworth, temporary chair¬man of the library employees union, em¬ceed the affair, which was held, in herwords, “to call to the attention of thecampus that a majority of University li¬brary employees are members of theunion, that we want recognition, and thatwe need the support of the campus commu¬nity.”Meanwhile, Gilbert Lee, University vice-president of business and finance, issued astatement yesterday stating that “the rulesand procedures of the National Labor Rela¬tions Board have been established toachieve fairness to employees with differ¬ing views, and the University will adhere tothese rules and procedures.”Lee’s statement came in response to anopen letter in Tuesday’s Maroon in whichthe library union asked the University tostep into the current NLRB hearing on theunion. NLRB has decided that the union isnot valid since supervisory personel madeit a “company” union in the eyes of thelaw.The letter in the Maroon appealed to theUniversity to step into the hearings and torecognize “the right of Library employeesto be represented by a union of their ownchoice.”Featured speakers at the rally includedStudent Government president Dave Affel-der, lab school faculty association presi¬dent Richard Muelder, history professorPeter Novick, mathematics professor MelRothenberg, and A1 Evanoff, a representa¬tive of the National Council of DistributiveWorkers of Ameria (NCDWA), the libraryunion’s national affiliate.“We want to make it known that not onlydo we want to improve our working condi-trons.” said Mrs. Coatsworth from the adbuilding steps.Affelder, amusing the lunch hour crowdwith his helium-induced squeaky voice,called for the use of “clever guerillatheatre actions” by library workers to wintheir demand for union recognition, andpledged that Students for Violent Non-Ac¬ Dave FosseDave FosseLIBRARY WORKERS’ RALLY: Nearly 200people showed up for the demonstrationlast Wednesday afternoon.Beginning next fall students will be ableto work for degrees in four new Collegeprograms. The College Council approved,Tuesday, the creation of the new Collegiatedepartments of “human development dis¬ciplines of the humanities as well as an AB-MA programs in economics and BA-MATprogram in mathematics.Although rejected by the committee ofthe College council last month, the proposalto create the department of human devel¬opment was passed when it reached thefloor of the whole council. “Why it wasturned down in the committee of the coun¬cil, we don’t know,” said Mihaly Csiks-zentmihalyi, associate professor and chair¬man of the new program. The only comparable programs, accord¬ing to Csikazentmihalyi, are at Stanfordand Harvard, where they are known as so¬cial relations.In addition to these approved programs,Roger Hildebrand, dean of the ^College, re¬ports that joint degree proposals in Englishand history are scheduled for early consid¬eration next fall by the College council. AnAB-MS degree in mathematics is now beingstudied, he added.“My goal is to have all the new degreeproposals passed upon by Christmas sowe’ll be able to offer the class that comesin the fall of 1972 a full program of jointdegree opportunities in addition to fine divi-dional programs,” Hildebrand said.tion would continue to support the employ¬ees in their struggle.Muelder, president of the laboratoryschool teachers union whose demands arestill unresolved, urged that “not even theUniversity of Chicago can stand in the wayof workers who want their rights.”Novick, who is also president of the Chi¬cago chapter of the American Associationof University Professors, spoke on the “vir¬tues of unionism” and the necessity of “or¬ganized force,” and challenged the Univer¬ sity to “live up to its moral assumptions.”Rothenberg, a member of the New Uni¬versity Conference, voiced his support forthe “just and righteous struggle of libraryworkers,” and said that “the worse fearthe University has is a union.”Evanoff called for “unity to bring theUniversity to its knees.”After the rally the library employeesmarched back to Regenstein library, hold¬ing high their picket signs, and singing“Solidarity forever, the union marches on.”Bradburn appointed master ofsoc sci collegiate divisionBradburn will replace retiring master Ar-cadius Kahan on July 1. The master is thechief administrative officer of each colle¬giate division and also serves as an associ¬ate dean of the College.Bradburn, a social psychologist, will con¬tinue as a professor in the business school.He is on a leave of absence this year.NORC, located at 6030 Ellis, is inter¬nationally known for the studies which ithas conducted in the social sciences and isa leading center for the training of socialscientists in modern research methods.Bradburn will resign as NORC director asof July 1.College dean Roger Hildebrand, praisingBradburn, explained why a person not inthe division had been selected master.“It’s good to take a fresh look at the wayof operating the division. This is not meantas a criticism of Arcadius Kahan, who hasbeen a brilliant master, especially thisyear, when he made a number of new ten¬ured appointments.“It’s a good time to review the governingstructure of the division, to streamline theprocedures. He (Bradburn) knows the divi¬sion well and will be an excellent master.”Bradburn, 37, graduated with honorsfrom the College in 1952 and received ad¬vanced degrees at Oxford and Harvard.While at NORC, Bradburn has worked onprojects involving career plans of collegegraduates and the factors involved in psy¬chological well-being and a study of in¬tegrated neighborhoods.Norman Bradburn, director of the Na¬tional Opinion Research Center, has beenappointed to a three year term as masterof the social sciences collegiate division.NORMAN BRADBURN: Director of NORCwill be the new school science collegiatedivision master.Peter LorrieLauren BacallCharles Boyer CONFIDENTIAL Fri., May 217:15 & 9:15Cobb $1AGENT...————-— —-—- —— 1 • -■■■• r— — •*■■*■*■ ' ■ Z ■ 1_ 1 ■-'V • .May U, 1671/The Chicago Maroon/3itUI ,13 vnM\aocibM on!\'jCL'KLUNK LETTER"Super JocK answersa dumb letter. bnOOTH FAIRY"The day to day ad¬ventures of NewtonSnookers and hisconfrontationwith teeth. C."CHEAP TRASHYSHOW Biz REPORT"how old is Natalie ,Woo&and why isntRoy RogersLe6nar d. "CAN THIS MARRIAGEBESAVED?“ ,Sometimes yes,andSometimes no./The Larry Lujack Morninq ShowWeekdays, 5AM till 989WLS©4/The Chicago Maroon/May 21,Coach Andersons quitting marks end of eraBy GORDON KATZAfter 35 years of coaching the Universityvarsity baseball team, J Kyle Anderson iscalling it quits. A member of the CoachesHall of Fame, Anderson’s retirementmarks the departure of one of the last linksto the days when Chicago was a Big Tenpowerhouse.An outstanding shortstop and secondbaseman on Maroon baseball teams duringthe mid-twenties, Anderson played flankerfor the late Amos Alonzo Stagg.Immediately upon graduation in 1928, An¬derson signed a contract with the Pitts¬burgh Pirates. He played with the club forsix weeks, and “then they moved me Southto one of the farm teams.” MeanwhilePittsburgh won the National League pen¬nant behind the Waner brothers and PieTraynor.In 1929 Anderson was declared a freeagent by baseball commissioner KeneshawLandis as part of the verdict in the “cover-up” case. The case involved the practice ofseveral major league teams of unnecessar¬ily holding experienced ballplayers in theminors until they were needed.While some of the other players whowere subsequently released from their con¬tracts found positions on teams, Andersonaccepted an appointment to the Universitycoaching staff.Does he regret giving up a baseball ca¬reer? “Not really. It would have been fun,but I’ve had no regrets,” Anderson said.Serving as an assistant football coach un¬der Stagg and later Clark Shaughnessy, An¬derson assumed duties as head baseballcoach in 1935.During his years as coach he saw severalof his players make their way to the ma¬jors. Among the most prominant was ArtLapatka, a left-handed pitcher who playedfor several National League in the late 40’suntil, he caught a line drive with his pitch¬ing hand.“There were dozens of men who we hadwho could have gone into pro ball but choseto continue school instead,” Anderson ob¬served. PROFILE600 feet,” Anderson recalled.Anderson also remembers how Roy Hen-shaw, a former University and Cub pitcher,taught Maroon pitchers Gene Borowitz andLou Hamilton the move that enabled themto pick off 17 men from first base in amonth. Henshaw, according to Anderson,had such a good move while playing in themajors that “there was one guy who playedfor Washington that he would walk just to pick him off.”In addition Anderson has been in theforefront of numerous national collegiateand amateur baseball programs. He servednine years as secretary of the AmericanAssociation of College Baseball Coachesduring its formative years.A member of the Olympic Baseball Com¬mittee and chairman of the NCAA BaseballRules Committee, he served as manager ofthe US Pan-American Baseball team in1959. In 1965 he was awarded the SilverTrophy for outstanding contributions to col¬lege baseball.Meeting on law school gradingsystem changes are 'fruitless'J KYLE ANDERSON: Coach of tike base¬ball team win retire after 35 years.Anderson’s baseball philosophy of slickbase running and clever squeeze playsgrew out of his admiration of Ty Cobb, who,he studied while growing up in Detroit. Ac¬cordingly, his best teams have featuredtight defense, hit-and-runs, double steals,delayed steals, and bunting.One of his prize pupils was Dave Lawton,who Anderson describes as having “hadabout eight different slides and he lovedthem all.” In one game Lawton beat North¬western by capitalizing a dropped thirdstrike into a grand slam.Then there was John Casey, who is eu¬phemistically referred to as “Casey at theBat.” He earned this title by striking agame-winning grand slam with two out inthe bottom of the ninth against Notre Damein April 1949. “It was a wild day with a 30mph wind blowing in on Stagg Field andCasey hit a home run that must have rolled Two meetings between a committee ofsix first-year law students and a group oflaw school faculty members have resultedin no progress in the law students’ de¬mands for a change in the grading system.The student-faculty meetings came aboutafter 75 percent of the first-year law stu¬dents signed petitions requesting that theirgrades be withheld from their official tran¬scripts to protest the grading system.The student-faculty meetings came aboutafter 75 percent of the first-year law stu¬dents signed petiitons requesting that theirgrades be withheld from their official tran¬scripts to protest the grading system.According to Victor Bass, one of the lawstudents on the committee, the most recentmeeting “was not getting anywhere andwas fruitless.”He said the meeting did determine, how¬ever, that the students should present theirproposals for a new grading system to thelaw school curriculum committee, ratherthan the faculty.The students have a meeting scheduledwith the curriculum committee for the lastday of finals week this quarter.Bass said that the curriculum committee which normally consists of four facultymembers, now have only two since one pro¬fessor resigned and another is on a year’ssabbatical. Two new members should beappointed by the time of the meeting, Basssaid.“Hopefully we can then get somethingdone,” he added.According to Edmund Kitch, associateprofessor of law and a member of the cur¬riculum committee, the committee willhear the law students proposals and if theydecide a change is needed they will presenttheir proposals to the faculty who willmake the final decision.The grading system, now consists of onepercentage figure calculated to two deci¬mal places for all of a student’s coursegrades for one year.What the students signing the petitionswant, according to one first-year law stu¬dent wishing to remain unidentified, is“some sort of pass-fail system that will notput so much emphasis on one grade for allcourses and which will also include workdone outside of regular courses such as le¬gal aid.”UNIVERSITY ORCHESTRAEugene Narmour, ConductorBrahms: Haydn-VariationsMoss: Paths (World Premiere,commissioned by the College)Stravinsky: Firebird* Admission Free *May 22, 1971 MANDEL HALL 8:30 P.M.Ida Noyes Program Board PresentsTOP OF THE NOYESharpsichordMay 287-9:30 Roof Top Dinner with MusicFrench Gourmet Cooking vocalist$2.50Tickets in advance onlyat Reynolds Club &Woodworth Bookstore Ph.D/M.D.Public Relations ConsultantTemporary/Summer AssignmentChicago based, International In scope, we are theleader in our field In the Health Care industry. Ourproducts do not pollute or kill; they are of benefit tothe public.We recently developed a breakthrough in our fieldwhich may be revolutionary in scope. And an exten¬sive promotion program Is planned. Our new presi¬dent, (known to come to work on a motor cycle orbicycle, wearing a Rommel-length leather coat) hasInstructed the personnel department to locate a “bril¬liant, groovy, technical type guy to act as our spokes¬man In this promotion." Our straight Brooks-Brotherstype Personnel Manager might extend that statementto include a person with the verbal ability to expresshimself with clarity, candor, wit, charm, and authorityamong technical peers and communications profes¬sionals. Also, appearance and presence, as well asstamina.The nature of the work will Involve extensive travel,presentations to prominent organizations, appear¬ances on radio and TV programs, speaking to jour¬nalists, etc. We will, of course, provide the requiredorientation and training.A Ph.D. in a technical/scientific field or an M.D. Isrequired. Excellent compensation package Includingexpenses, etc.V Write full details today to: Personnel DirectorP.O. Box 6386, Chicago, Illinois 60680An equal opportunity employer m/t 5424 KimbarkMl 3-3113^ foreign car hospital■ JET TOEUROPE& ISRAELInexpensive flightsthroughout the yearLowest Fares, choice of1 way or round tripSTUDENT HOLIDAYS40 EAST 54th STREETNEW YORK, N.Y. 10022212/832-6844J ELIZABETH GORDONHfclR DESIGNERS1 620 E - 5.3rd St288 2900May 2i, i971/The Chicago Maroon/5D:\ i\ ..ju jui') a.-lfaThe Chicago MaroonPAUL BERNSTEIN, MITCH BOBKIN, CON HITCHCOCKCo-editorsDON RATNERBusiness ManagerJUOY ALSOFROM, Managing EOMorFRED WINSTON, News EditorNANCY CHISMAN, Executive Editor SUSAN LOTHSenior EditorAUDREY SHALINSKY, Executive EdMorGORDON KATZ, Contributing EditorSTEVE AOKI, Photography EditorUSA CAPELL, JOE FREEDMAH. KEITH PYLEAssociate Editor*eRICK BALSAMO, FRANK GRUBER, LESLIE LINTON, BRUCE RABE, STEVE STRAHLERStaff, STEVE COOKEditor Emeritus DIANA LEIFERAssistant Business ManagerFounded In 1BH. Published by Universtty of Chicago students on Tuesdays and Fridays throughout the regularschool year, except during examination periods, and bi-weekly on Wednesdays during the summer. Offices inrooms 301, 303, 304 in Ida Noyes Hall, 1212 East 39th Street, Chicago, Illinois 40037. Telephone (312) 7S3J243.Distributed on campus and in the Hyde Park neighborhood free of charge. Subscriptions by mail $• per yearin the United States. Non-profit postage paid at Chicago, Illinois.General MotorsThis week the University board of trustees voted against threereform measures on the stockholders ballot of General Motors. Cam¬paign GM suggested some worthwhile and necessary reforms in thestructure of General Motors that might have helped expose some ofthe tacit discrimination and unfair consumer practices that abound inmost large corporations.Similarly, the board voted last year not to allow its stocks in Com¬monwealth Edison to be used to suggest pollution reform by the com¬pany. Commonwealth Edison is the largest single pollutor in this smog-filled, dirty city (the University is the sixth largest).Both of these proposals strike us as valid reforms. We are upsetto learn that the board has once again not taken any initiative in usingits power as a major stockholder to push for corporation reform. Manyof the social ills of this society could be significantly improved by ac¬tions of these large corporations. Pollution particularly is a problemthat these corporations create and can therefore correct. The stock¬holders of these companies have the power to affect these changesand many universities hold enough stock and enough prestige thattheir votes for these reform measures could carry great weight.In the past the University has not voted its stock to avoid takingstands on issues that could be interpreted as being, in any way, political.We agree that the University of Chicago should not take stands onpolitical situations such as elections, referenda and petitions. However,there are few people on this campus or in the community who wouldnot agree that corporation reform and activity in social problems is anecessity. This is not a political matter. Rather, it is a social need.Members of this community could respect the University if it tookthe lead in attempting to reform these corporations’ policies. The stocksthat the University hold in major corporations should not be used topressure these companies as the University depends, in part, upon cor¬poration grants for its existance. However, voting the University stockfor these reform movements is in no way a radical, or unexpected move.On the GM issue, four other universities have already voted for thereforms. We think that the University of Chicago should be the fifth.Levi teachesWe were happy to learn that President Edward Levi will teach anintroductory humanities sequence in the College next year.The twenty-five members of his section should greatly benefit fromhis presence in the classroom, and in conjunction with his freshmenbreakfasts program it will help new students in getting to know the mapwho runs the University.Levi has often been critizied by students for being an invisible fig¬ure on campus. But visibility in and of itself is of dubious value. A Uni¬versity President who goes out of his way to make token appearancesbefore students, such as Kingman Brewster of Yale, often wins cover¬age in the national news media at the cost of some respect on his owncampus. Instead Levi has chosen to associate with students in the class¬room, a place where his presence will be more fruitful in the long run.It is true that the great majority of students will not have an oppor¬tunity to experience Levi’s teaching. But his decision is valuble as an ex¬ample which we hope others will follow. More senior faculty membersshould teach at a level at which undergraduates can register for theircourses. The University is always improved when its men with greatnames show students why they deserve them.6/Tbe Chicago Maroon/May 21, 1971 "My Memoirs' - the movie rights alone areworth a fortune!"LETTERS TO THE EDITORSBall cancelledIt is with more than some personal regretthat I wish to announce the cancellation ofthis year’s Beaux Arts Ball. This event,billed as a POTA-CEF affairs, had neverbeen allowed to germinate into the kind ofevent that deserved the support of thegreater student body. The physical and fi¬nancial support promised by FOTA neverdid materialize to the degree that they hadpledged. The expected support by CORSOlikewise was twisted into a kind of lethar¬gic opposition to the affair under theprompting of certain University officials.The merit of the operation has been de¬stroyed by the lassissitude of both studentgroups and administrators.As always, it is the students who mustlose. I have been connected (as an originalmember of Revitalization) with many con¬certs over the years: The Cream, Joni Mit¬chell, John Sebastian, Chuck Berry, LivingTheatre, Jacques Brel, Poco, etc. In all thistime, I have never encountered so great aweight of pure lethargy as I have this quar¬ter with regard to this event. Lethargyfrom FOTA members, from other students,from various administrators.Details of this fiasco will be written offby some hard-pressed officials as the re¬sults of “inadequate planning” and/or“premature action.” I can personally as¬sure you that neither was the case. ThatFOTA has bankrupted itself on what weconsider to be wasteful extravagance is notour concern. Others have misspent $20,000equally poorly. But when such conditionsare allowed to jeopardize and suffocate use¬ful entertainment functions, I personallybecome quite annoyed.Dean of Students Charles O’Connell hastold you last week that activities oncampus are in the pink of health. Thisgives the lie to that patently false asser¬tion. CEF has always been encouraged byits officers to support other activities be¬sides films: FOTA, Revitalization, Univer¬sity Theatre, etc. Such support has resultedin things like the Donovan concert, theVaudeville show, 11 free movies iri the last2 years, the foundation of the UndergroundSnack Shop, the production of Peer Gvnt.etc. This spring we are quite proud of bring¬ing Kris Kristofferson to campus with thegenerous help of IHC and SVNA. It is amatter of pride with us that we won’t beconnected with outside events alone, byourselves. Nor with events that will not beabsolutely as good as their potential mightallow.Yet such is the case with the Ball. Allmajor work has been dumped into our lapsby confused lower-classmen who purport tobe running FOTA and co-sponsoring thisevent. We have been consistently dis¬couraged and blocked on all sides in ourown efforts: financially, physically, men¬tally, by certain powers on this campuswith whom you are already familiar. NotLang from B & G, or Nelson, or Schmidt,or Sgt Mitchell at Security, or Hass atBartlett. These men have given of theirtime and experience. Unfortunately, givenfor no good end.As one who is about to graduate within amatter of days, this situation of stagnationof institutional creativity is not as repellentto me as to those who must remain here inthe future. The strength of my feeling andunhappiness in this is revealed by this fact:that in my 4 years here, this is the firsttime I have ever bothered to try to bringthis fiasco to the public light in print. I doso now because you deserve to know thetruth. And so that you will know that thisFriday it was not CEF that let you down.Leo J. MoldaverPresident, Contemporary European FilmsEd. note — More information and de¬tails on this matter and on student activ¬ities at the University will be found in agadfly in next Friday’s Maroon.SDSThe Maroon article on the Milton Fried¬man speech was a complete distortion ofthe facts and amounts to siding with racistFriedman. While quoting extensively fromthe “distinguished professor,” you reducedthe arguments of SDS members to “ob¬scenities.”The real obscenities came from MiltonFriedman. When questioned about the rac¬ist character of unemployment, FriedmanContinued on page 1• aniu / ft **)c •• v ''"Off 'LETTERS TO THE EDITORSContinued from page 6said that black workers needed “more in¬centive to work.” This is a vicious attackon black workers who are hardest hit byhigh unemployment.Friedman’s lies are exposed by thou¬sands of workers all over the country whoare fighting for jobs. The sharpest fight isgoing on in the ghettoes of New York where50 percent are jobless and four out of fivefamilies are on welfare. These black work¬ers are rebelling against cuts in welfareand demanding jobs.From Friedman’s point of view (i.e. “Thesocial responsibility of business is to in¬crease profits”) unemployment is “neces¬sary” to overcome the rising inflation.Rockefeller couldn’t have said it betterhimself. tacking racists like Friedman are all waysstudents can fight on the side of workingpeople to build an alliance against the richbusinessmen.This summer SDS is sending people tomany major cities to spread the worker-student alliance and the fight against, rac¬ism everywhere. We will build mass sup¬port for ghetto rebellions against racistunemployment and support for the up¬coming steel strike.Anyone interested in this project shouldattend a city-wide SDS meeting to plan forthe summer. The meeting is Sunday May23 at 1:00 pm at International House.Kathy LindsleyBruce ClarkLeon PritchardJerry Salak Morris vs SDSStudents for Capitalism and Freedom in¬vited Milton Friedman to an open meeting.It was their right to do so.People from the University communitycame to hear Friedman, and to ask himquestions and to argue with him. Thosewere their rights.Friedman came because he alwayscomes, seeking truth and a little good,clean, intellectual fun. That, of course, washis right.New, SDS also came. They asked ques¬tions and they gave arguments, and theywere perfectly right to be there and to doso. But, unlike the rest of the civilized com¬munity, SDS was not content with just theirown rights alone. They shouted, they stom¬ped, and they stuttered curses with all thefervor of people who have just discoveredbad words. They trod, in short, upon therights of others — not only of Friedman, ofSCAF, and of me, who are maybe villains,but also of the absolutely untainted au¬dience.No one was unfair to the gang. There waseven participatory democracy. At onepoint, when a particularly long-winded SDSorator surfaced for air, Friedman called areferendum: “Should I step down and letContinued on page 9ABOUT THE MIDWAYThe poor bosses he talks about are rakingin millions in profits every year and intendto keep it that way by laying off workers.Does Milton Friedman have to try to get onwelfare or wait long hours in line for foodstamps?Many people hate Friedman but seem tothink he doesn’t have much effect — sowhy attack him? Friedman’s racist crap isprinted in newspapers and magazines allover the country and he is the main apolo¬gist for the present unemployment rate.His ideas are just as much an attack onblack workers as the racist cops who shotdown a black worker in New York recently.Yes, SDS disrupted Milton Friedman andwe will continue to disrupt the spreading ofracist lies. At Berkeley, Professor Jensen,who claims to have proved that blackpeople are genetically inferior, can’t give apublic lecture or teach a class withoutbeing booed down. He has to hold unsche¬duled classes! This should happen to racistprofessors everywhere.Fighting against layoffs such as those atInternational House, building support forthe ghetto rebellions in New York, and at¬ Continued from page 2professor of law at the University.Meltzer, a native of Philadelphia, suc¬ceeds Sheldon Tefft, who has been Hall pro¬fessor emeritus of law since his retirementin 1968.The appointment was announced by Wil¬son.Meltzer was a Special Assistant to Assist¬ant Secretary of State Dean Acheson andActing Chief of the Foreign Funds ControlDivision for the Department of State from1941 to 1942.During the Nuremberg war trial, Meltzerserved as trial counsel on the United StatesProsecution Staff, on assignment from theU S Navy. Hospital workersThe University hospitals and clinics ur¬gently needs volunteer workers for thesummer. Nursing aids for adults and chil¬dren are needed as well as workers to as¬sist in the pharmacology and photographydepartments.There are also positions available forthose who wish to do recreational work.Those interested please call 947-5252.Chess victorySaturday the University chess team, theMaroon Knights, defeated the North¬western “A” team 2%-2%. The chess teamneeds a victory in its final round in theChicago Intercollegiate Chess League to be- come league champion.Victors in Saturday’s match were teamcaptain Harold Winston ’71, Paul Volkman,pharmacology, and Harry Ploss ’72.The final match is this Saturday in IdaNoyes at 1 pm.FOTA fairThe FOTA fair, highlighted by a fire¬works display at 9:15 pm, will take placeon the main quads Sunday from 2-10 pm.The fair will also feature music by J DCrowe and the Kentucky Mountain Boys,American Indian dancers, Irish folk songs,Serbian dancers, and folk dancers.Contests will be held in hog-calling,frisbee, yo-yo’s, jacks, paper airplanes, andPi recital.CEF & FOTA presentKRIS KRISTOFFERSON Tuesday, May 253 PMMandeli!STRAVINSKY:FIREBIRDMOSS: PathsBRAHMS: Haydn VariationsMay 22, 1071 UNIVERSITY ORCHESTRAEugene Narmour, ConductorMandel Hall C DESKS-BOOKCASESSWIVEL CHAIR - LAMPS - TABLESNEW & USEDequipment&SUPPLY CO.BRAND )8440 So. South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardLlAyiiCr’S ALL Nt€tiT SUCHPERFORMANCES FRIDAY & SATURDAY FOLLOWING LAST REGULAR FEATURE8.30 P.M.STARTSTONIGHTPETRIFIEDFORESTStarring Bette DavisplusTHE LIFE OFEMILE ZOLAStarring Paul MuniTHE BIOGRAPHTHEATRE2433 N. Lincoln Dl 8-4123Plan to visit us soon. Ad¬mission at all times is only$1.25. Bring your Friends. GERMAN BOOK SALE25c - 5 For $1POWELL'SBOOKSHOPBoarders on the Unusual(i.e., Wierd)1503 East 57th St.-10-10 Daily955-7780(Now Buying Books) PREGNANT?NEED HELP?For Assistance in Obtaining ALegal Abortion Immediately inNew York City.FINANCIAL CONSIDERATIONGIVEN TO ALL STUDENTSCALL(312) 922-07778:00 a.m. to 9:00 p.m.7 Days a WeekABORTION REFERRALSERVICE(ARS, Inc.)May 21PUTNEY SWOPE12:15, 2:00 A.M. May 22KING OF HEARTSTOM JONES12:15 A.M., 2:00 A.M.May 28MAGIC CHRISTIAN12:15, 2:00 A.M. May 29MONTEREY POPDON'T LOOK BACK12:15, 2:00 A.M.June 4KAMA SUTRA12:15, 2:00 A.M. June 5THREE IN THE ATh:THREE IN THE CELLAR12:15. 2:00 A.M.June 11The Revolutionary12:15,2:00 A.M. lune 12Count Yorga, Vampire12:15 A.M.The Dunwich Horror 2 00 a mJune 18The Wid winch June 19%%yn12:15, 2:30 A.M. 12:15, 2:30 A.M.| TKimtlSO I TAKCAW-YMtCHINESE-AMERICANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS12 TO 8:30 P.M.Orders to take out1318 East 63rd MU4-1062A bicycle puts youclose to nature - Thusspake ZarathustraTurin in, Turin on,drop joggingV for velocipedeCheapest prices for Car¬lton, Raleigh, Robin Hood,Falcon, Peugeot, Gitane,Mercier, Radius ana Daws.Factory trained mechanics.Used bicycles cDasmod-ically. Fly-by-nii: rentals.Turin Bicycle Coop2112 N Clark LI 9-8863Free DeliveryM-F 12:00-830; SAS 10-8i tie carpetbaggers from Uki I own’May ^!,” 1971/The Chicago Maroon/7Spend YourSummer withCinema Center FilmsSummer greetings from Cinema Center Films, theyoung-and-growing motion picture division of the Colum¬bia Broadcasting System.Our name may escape you, but our films should befamiliar. Internationally-acclaimed hits such as “The Boys in the Band,” “Scrooge,” “The Reivers,” “A Man CalledHorse,” “The April Fools,” “A Boy Named Charlie Brown.”And just as we made those screen entertainments sooutstanding, we’re now getting ready to make your sum¬mer—four times over.STEVE McQUEEN“LE MANS”A CINEMA CENTER FILMS PRESENTATIONWRITTEN BY HARRY KLEINER • MUSIC BY MICHAEL LEGRANDEXECUTIVE PRODUCER ROBERT E. RELYEA • PRODUCED BYJACK N. REDDISH • DIRECTED BY LEE H. KATZINA SOLAR PRODUCTION • PANAVISION® COLOR BY DE LUXE"A NATIONAL GENERAL PICTURES RELEASE SCREENPLAY BY CALDER WILLINGHAM • BASED ON THE NOVELBY THOMAS BERGER • PRODUCED BY STUART MILLARDIRECTED BY ARTHUR PENN • PANAVISION® TECHNICOLOR*A NATIONAL GENERAL PICTURES RELEASEDUSTIN HOFFMANWANTS TO KNOW“WHO IS HARRY KELLERMANAND WHY IS HE SAYINGTHOSE TERRIBLE THINGS ABOUT ME?”A CINEMA CENTER FILMS PRESENTATIONCO QTAQQIMOBARBARA HARRIS • JACK WARDENDAVID BURNS - DOM De LUISEWRITTEN BY HERB GARDNER • PRODUCED BY ULU GROSBARD ANDHERB GARDNER • DIRECTED BY ULU GROSBARD • COLOR BY De LUXE®A NATIONAL GENERAL PICTURES RELEASEDUSTIN HOFFMAN“LITTLE BIG MAN”A CINEMA CENTER FILMS PRESENTATIONCO-STARRINGMARTIN BALSAM • JEFF COREYCHIEF DAN GEORGE and FAYE DUNAWAYAS MRS. PENDRAKECINEMA CENTER FILMS A DIVISION OF THE COLUMBIA BROADCASTING SYSTEM8/The -Chicago Marooo/May -21,- 4871LETTERS TO THE EDITORSContinued from page 7him come up here (to the lectern) andmake his speech?” The house roared,“NO!”SDS was there, they said, representingsocialism, minorities, and the workingclass. Assuming they really do have such aconstituency, which is hardly a likely as¬sumption, did SDS do any good?Was Milton Friedman out-argued? Wascapitalism discredited? Was a strong caseshown for socialism?No, to all questions.Perhaps Friedman can be logically de¬feated; perhaps capitalism is wrong, per¬haps socialism is right. I know that therewere several intelligent people in the au¬dience who were prepared to challengeFriedman on very rough ground — I in¬vited them.A great many other people had goodquestions and hard arguments also. Veryfew people m the audience were committedcapitalists, let alone members of SCAF.Many came with very open minds.SDS did no harm to the cause of capital¬ism. But they did, and they do, effectivelyprevent the defense of socialism.It isn’t that SDS is forced underground.They have all the privileges of any otherstudent organization, and they have theirspeakers, and their demonstrations, andeven their little capitalist sales, where theyraise money by undercutting other pur¬veyors of cheap merchandise.Nor is it that SCAF is a hush-hush weap¬on of the ruling class. SCAF has filed pub¬lic copies of its Constitution and financialrecords with the Student Activities Officeevery quarter of my association with it. AllSCAF meetings are open to anyone; any¬time there are SCAF refreshments, anyonemay have them. There are no SCAF se¬crets. Can SDS make the same claim?Nor is it that no one will listen to SDS.Several months ago SCAF invited the SDSchapter in to SCAF’s weekly Wednesday af¬ ternoon tea. We proposed to cordially ex¬plore our differences, and to see if therewere any common ground leading towardthe betterment of anything anywhere. SDSabsolutely refused, insisting on a public de¬bate. -We immediately agreed. SCAF has longhad friendly relations with, for example,the Young People’s Socialist League, arelationship that did culminate this year ina public debate. But unlike the very ration¬al and thoughtful YPSL, SDS violentlyturned down its own proposition. There wasno debate.Mao Tse-Tung, writing in “On CorrectingMistaken Ideas in The Party,” had someexcellent advice for SDS. “Unable to seebeyond their limited environment,” hewrote, “... a few comrades believe that noother revolutionary forces exist ... Somecomrades, disregarding the subjective andobjective conditions, suffer from the mal¬ady of revolutionary impetuosity; they willnot take pains to do minute and detailedwork among the masses, but, riddled withillusions, want only to do big things. This,”Mao concluded, “is a remnant of putsch-ism.”The Chicago capitalists have learned thewisdom of these thoughts of Mao. SCAF isbeginning to work very hard — patiently,thoughtfully — to make its case.But SDS does not learn lessons. They arecaught up in a phony romanticism wheretfiey play at being revolutionary workers.Real politics is harder work than they.'^lagine. SDS is bad for chivalry. SDS isbad for the University. SDS is bad for thecountry. But what is most ironic, and per¬haps most tragic, is that SDS is bad forsocialism.Joseph A. Morris, ’73Maroon murderers?It is no strange coincidence that Miss Al-sofrom was asked to write a front page sto¬ry on the death of campus events. The Ma¬ roon has done its best to insure that thisdeath occur.Before FOTA began, the Maroon in bothan editorial and a news feature malignedthe FOTA committee and denigrated theevents. Doing its best to prove its prognos¬tication of failure to be accurate, the Ma¬roon’s coverage of FOTA events empha¬sized the relatively small turnouts in bold¬face headlines.A really successful event, the sock hop,was given no coverage save for a note inthe Grey City Journal. The sock hop at¬tracted over 1000 people dressed in the spir¬it of the dance. The gym was packed withpeople dancing, and most people wentaway smiling.But the sock hop did not even rate withthe chalk-in, which got two Maroon photos.Nor did it equal the maypole dance, whichFriday, May 21LECTURE: Gerald Wasserburg, California Institute, atopic of Interest for any literate geochemist, 101 HindsLaboratory, 5734 Ellis, 4 pm. Tea at 3:30 pm, Hinds176.CONCERT: Allegro consprito presents a concert ofmadrigals, Bond Chapel, 8:30 pm.FLICK: Confidential Agent, with Peter Lorrie, LaurenBacall, and Charles Boyer. Cobb, 7:15 and 9:15 pm.Sponsored by NUC.PLAY: Origin 0400 Reynolds Club, 8:30 pm.RENAISSANCE PLAYERS: Mundas et Infans, directedby Annette Fern, Swift Courtyard, noon.CONCERT: Contemporary Chambers Player, Mandel,8:30 pm.Saturday, May 22CONCERT: University Symphony Orchestra, Mandel,8:30 pm.PLAY: Origin 0400, Reynolds Club. 8:30 pm.FLICK: Adalen 31, CEF, Cobb, 7 and 9:15 pm.GAY LIB: Coffee House, Blue Gargoyle, 7:30 pm.GAY LIB: Bisexuality consciousness raising group pic¬nic, at the point, 7 pm.REHEARSAL: University Orchestra, Mandel, 11 am. drew 80 percent fewer people than did thesock hop and yet found its way on to thefront page with a photo and a news story.Even the lascivious costume ball, whichmany thought a bore, got front page cov¬erage.Space limitations are no excuse. Miss Al-sofrom’s well researched list of pastcampus events and her analysis of DeanO’Connel’s incisive remark could certainlyhave given way to timely coverage of asuccessful campus social event. And aphoto capturing one of the sock hop’s activ¬ities would have been somewhat more in¬teresting and informative than that of acrowd waiting for the Quantrell doors toopen for a movie.But apparently the Maroon prefers to seecampus events die rather than flourish.Steven HarrisLawSunday, May 23SERVICE: Rev E Spencer Parsons, "The Uses of Fail¬ure" Rockefeller chapel, 11 am.RIDING: Riding club meet at noon in front of Gordon'sfor transportation. For information call Pat 667-3321.WOMEN'S COFFEE SHOP: Pot luck dinner and openpoetry reading, Blue Gargoyle, 6:30 pm, free childcare.GAY LIB: Open Meeting, Ida Noyes library, 7:30 pm.GAY LIB: Youth meeting, 218 Ida Noyes, 3 pm.SLIDES: Nora Mitchell, "India From a Religious Pointof View" Bonhoeffer House, 5555 Woodlawn, 6:30 pm.FOTA FAIR: Crafts demonstrations, continuous musicand entertainment, hog-calling, frisbee, yo-yo's, jacks,paper airplanes, and p. recital contests, 2-10 pm, mainquads. Fireworks, 9:15.FLICK: Mississippi Mermaid, CEF; 7 and 9:15 pm.Monday, May 24GAY LIB: Women's meeting, 171 W. Elm, 8 pm.DISCUSSION: Margaret Schmidt, Chicago Women's Lib¬eration Union, Margaret Guttshall, International So¬cialists, Linda Shepherd, Socialist Worker's Party, anda woman from Sojourner Truth Collective Ida Noyeslibrary, 7:30 pm.BULLETIN OF EVENTSFOTA presentsPETER PANGO ALL THE WAY.PICK A FAIRRight now,that goes double:Pick upTWO 6-paksof theKing of Beers®.WHEN YOU SAYBudweiser.YOU'VE SAID IT ALL!ANHlustR Busch inc . st mms Sunday morningNever grow up- 1 AMbring your water pistol Hutch CourtThe University of Chicago Chorus Frank Tirro DirectorJames Mack, Director-electThe University Chamber Orchestra- Roger Solie, Conductorand anAll Star Jazz Combo presentaHANDEL- Ode for Sdinr'CeeUue Oay,/ BAC H • Suite fvrOnhettru in DTIRROAtwruan Justfe Peum/CHARPENTILR Messedt Miniuf 'MANDEL HALL 57th and University AvenueMAY 26 th Friday evening; at 8.30ADMISSION FREE.SPRINGCONCERT >“«Fjer and She and Ef11)ThE loves of a sensuous woman MODEL CAMERAThe Minolta Team willshow (Demonstrate) the en¬tire camera line in ourstore.SRT101 -SystemMovie CamerasInstamaticsFriday, May 21 stSaturday, May 22nd10-624/48 hr.developingMODEL CAMERA1342 E. 55th St.DR. AARON ZIMBLEROptometrist•ye examinationscontact* lensesin theNew Hyde ParkShopping Center1510 E. 55th St.363-6363ABORTIONpregnancies up to 12weeks terminated from$175.00Medication, Lab TestsDoctors fees includedHospital & Hospitalaffiliated clinics.(212) TR 7-88032h hours-7 daysPHYSICIANS REFERRALWa know wo can halp you. ovon itit's juat to talk to aomeone.May 21,1571/The Chicago Maroan/9THE MAROON CLASSIFIED ADSCLASSIFIEDSClassified ad deadlines are 10:00AM Monday for Tuesday's Paper,and 4:00 PM Wed. for me Fridaypaper.The cost is 50t/line the first run¬ning and 40* for repeated in¬sertions for University people;75‘/line and 60*/repeat line fornon University people.Strictly Per¬sonals are run for everyone at30 / line.Ads must be pdid in advance sobring them to our office, Rm 304Ida Noyes, or mail them in with acheck.FOR SALETable 36"x60" $20, round whitetable 42" $23; 4 chairs $5 each Firmdouble bed $60; chest of drawers$18, 5-shelf bookcase $12 HideabedSofa $30. 667-73691 desk $10; 1 large bookcase $5 and1 double bed $10. Call 684-7357 Mustsell before June 1.VW-Beetle 1970; best offer. Deliveryon W-Coast possible. Excellent con-dit. Call 288-6775SALE, Desks, Table, chairs, lampsetc. Everything in apt Must Go. Sat.10-6. Call 684-2452.FOTA is pleased to announce thatDean James Vice will be judgingthe hog-calling contest at the FOTAfair on Sunday. There will be equal¬ly qualified judges for the othercontests.1970 Plymouth Valiant Good condi¬tion, only 15,000 miles. Std trans, ra¬dio. $1500 or best offer. Call Rich.955-4972.Whirlpool Air Conditioner 5000 BTUTwo years old $70 or best offerSalomon 3-8227-weekend 324-0975 ex¬cellent condition.TENT FOR SALE: Black's 2 or 3man tent 7x7x6 ft weight 8Vt lbsUSED ONCE New $70 will sell for$55. 677-5091.DO NOT ENTER■» » You like people■►—►Are willing to listen totheir problems•—►Want to learn how tohelp them• ■► Are not looking for com¬pensations• ■ » But are willing to pre¬pare for a life of dedication toothers by bringing to them the“good news” of Jesus’ life,death, and resurrection. Thismeans prayer, work, study, andcontinued self-giving, life of theContactBro Kevin O’Malley, C.PPassionist Community. Dept A5700 N. Harlem AveChicago, III 60631 40 Assort. Briar Pipes. Finest quali¬ty. Cheap!! 477-8846.Fast Developing. Model CameraFurniture: Desks, chest, bed, fan,bookshelf. Ultracheap 493-22374 Harness Jack-Type Floor Loom45" Weaving Span 995-9657Best Waterbeds In Town $29.95 ForKing Size, 5 yr. guar. $29.95 8> Cus¬tom frames, hfrs, at Dr. Feelgood's,State & Chestnut.Water beds from $70, health food,old furs, and other discoveries atPRESENCE, 2926 Broadway. 248-1761.Little Red 66 Opel. Cheap. Runs.Keep Trying. 667-2257.STRINGS GALORE! Darco,D'Angelico, Ernie Ball; Gibson, etc.Electrics by gauge, and sets. LIFERHYTHMS. 1701 E. 55th Street.BRIAR PIPES — Used Dunhill,Savinelli 8> Viggo Nielson from $5 atRADICAL RAGS 5503'/j Hyde Park.Honda 160cc, 1 yr old $375. 955-0319FLUTE SILVERPLATE EX¬CELLENT COND 8, TONE. MUSTSELL $75. 643-7169.Moving overseas, must sell: Fiat124 Spyder '69, ex. cond, w-snowtires $1950 ; 4 -dwr file $25; desk$45; Dinette Set $40; double bed$70; 327-3515 after 9:30 pmCAMPINGEQUIPMENTSales - RentalsHICKORY 324-1499If the Summer Hawk is burningyour ass — cool on out in some$1.00 shorts from RADICAL RAGSAlso used Jeans 8< overalls $2. & $3.Allied Stereo Tape Deck — with Mi¬crophones, $65. 752-8380.Bookcases, chairs, kitchen cabinet,wash, machine, sofa. 955-4230DUAL Turntables new cheap BASEBlank tape. Bob BJ836. 753-2261Shure Microphones 25% to 40% oftLIFE RHYTHMS 1701 E. 55. 955-0459Jean bells $4.49. John's Men's Wear,1459 East 53rd Street.WHY RENT? $12,500 buys 2 bdrm.brick cottage, fireplace, oak firs,new kitchen. South Shore singlehome area, near campus bus, idealfor fac/stud couple 374-5241 — 752-4976 after 6 pm.Diningroom table, large rug, foldingchairs. Norm, 752-6286.Room Dividers pd $50 price nego¬tiable. Sngle Matrss & box springs— excellent cond.-$20 or best offr —Avail end of V*; 643-4425.Books, Paperbacks, Bought andSold. 1503 East 57th Street. Powell'sBookshop. 12-10.Save $$ on Dual KLH, -Scott, AR,Dyna, at MUSICRAFT. On CampusBob Tabor. 363-4555.FURNITURE: 3 Dbl. Beds, desks,tables, chairs, lamps; pots, pans.752-1469 evenings.LEO'S BALLWear a costume. Best costumes winprizes. If you forget your costume,Leo will be selling you his specialNeanderthal Man masks for only aquarter. Tonight Bartlet 8:30, $1.ART SALEVERY CHEAPH.E.L.L. COURT THEATER TRYOUTS: TheCrucible, dir Annette Fern; Lysist-rata, dir. Nick Rudall. Taming ofthe Shrew, dir. Annette Fern. May2, 9, & 30. June 5 & 6, 2-5 in MandelCourt Yard. Call 753-3581, 1-5STAFF, STUDENTS. SUBJECTSNEEDED FOR SPEECH EX¬PERIMENT. ONE HOUR'S WORK,$1.75 Cash. On Campus. Call x3-4710for an appointment.AMBITIOUS MEN of all trades,north to ALASKA and YUKON, ar-round $2800 a month. For completeInformation write to JOB RE¬SEARCH, P.O. Box 161, Stn-A, To¬ronto, Ont. Enclose $3 to cover cost.MANAGER WANTEDCoffee and snack shop and campusInstitution needs manager for 1971-72school year; flexible hours, but shopIs open primarily In the evening,Salary $50-$80 depending upon arrangements. Call 753-3593 for Inter¬view.Need mother's helper to go with usto Martha's Vineyard in Aug. Room,board, $15-wk. Call 624-8363.RIDERS — From E. Chgo., Ham'd.,Wht'g., (off Cal. Ave) to campus8:30-5:00. Call D. Gohus 3-8612.Female to share 2-person bsmt.Own room 8, corridor; UNUSUAL57th 8, Blkstne $58.75. 288-1315Take on Fast Sue at the FOTAjacks contest at the Fair Sun.WNTD: Rock, Folk, Soul Gps. toplay benefit on 6-4 at Wobblie Hallfor "Meet Loaf, Inc.", A Rap Cen¬ter-Good Exposure-Call Mike, WES-6313.Fern. Student to take daughter toweekly appt. 731.2684. Will payMotel Desk Clerk, part-time, Break¬ers Motel, 79th 8< South ShoreDrive. 374-4500.VIVACIOUS YOUNG TALENTto create unique entertainment ex¬perience at Pierre's, Internationalnightclub opening in the Holiday Inn— Lake Shore Drive. Singing, danc¬ing, show tunes, spontaneous dia¬logue — Pierre's girls perform inquality surroundings at top income.Talent and freshness required, ex¬perience optional. Will train andcostume. Call Lou Magen, 943-9200.Fluent SWAHILI speaker to help mepractice twice-wk. 363-1788.I•PLATTER |■ o:..-, rk.A... 1PIZZAPizza, Fried Chicken1 Italian FoodsI Compare the Price!^,460K^^ver 28°°j BALL TON,GHTBright graduating senior, - biologymajor, needs summer employment.Has many talents; further, offersexperience In lab research andsales. Call Don: 667-5012.Bells of Same . . . and finger cym¬bals — from $1. LIFE RHYTHMS.APARTMENT WANTEDWe need nice 3 bedroom apartmentbeginning October 1st. (1 yearlease). Must be a good building lo¬cated in Hyde Park or South Shore.Pay $230 Up. Call 643-2098, 493-1790or 752-6957. Keep Trying.WANTED ~~~~WANTED: Ride to NY, no laterthan June 9, share expense, contactMiss Louise Hurwitz, 743-7726.Giving up your apt? Let us knowbefore the agency. Want 3, 4 bdrapt Oct 1, Call 667-7133 PMCare for our two female cats duringJuly and August*? Exp. 8, $25. 374-1389 after 4.Craftsmen, musicians, dogs, thecommon people, firecracker freaks,professional pi reciters, J.D. Crowe,and hopefully the sun — they'll allbe at the FOTA FAIR, Sun., MainQuads.Responsible Med. student seeks rmin Hyde Pk homes for fall: ContactPete — 514 Burton-Judson, 753-2261,evenings.CONSPIRACYA festering array of old-line bureau¬cratic-hack functionary elements atthis august tower of mental trauma,having been able to screw thegreater part of the student bodywith their rancid mindlessness formany years in the detail of a totalblanket of obscurity, has takencourage now, and has gone to theoffensive in public, telling the read¬ership and staff of a major campuspaper that the contradiction of lifein Hyde Park is that: while a per¬son risks mugging, polution, raper,assault, boredom, and a wide rangeof perversions in going to schoolhere, he gets it back by being apart of the "best learning ex¬perience in the country" (as Ed♦ells the bored, but thrilled rich oldaivimni). Does the fetid squalor ofthl.s Pimp Royale escape the sightof any student: that upon finishing 4years here with the best professorsin USA, he must place his careerand his life in the hands of the fou¬lest looking, most bedraggled crewof mentally pauperized dimwits everassembled under the title of "ad¬viser-administrator" and try to geta job or placen ent or grad school.To call such people fops is an un¬derstatement. Tell us how we can'tget into schools again because get¬ting the best grades at the bestschool makes us less qualified foradmittance. Fore Rent June 1, 1 VS» rooms. So.Shore $85. 493-7513.Student to live In spacious rm withbath in each, for 15 hrs babysitting.This summer and/or next year. Call624-8363.5508 Cornell Huge 8 rooms 3 baths,4 bedrs, pre-med, med ft grads,noncoeds. Jujy 8, Sept.4 rm, 1 bdrm apt on Lake, E. EndAve, 24-hr drmn, $225 mo, availJuly 1. Call 3-2884 or 288-5314FACULTYGoing on leave? Three responsiblelaw students with references wouldlike to watch your house or apart¬ment, and pay you for it. Call 324-8256, pm.SUMMER SUBLETSWANTED50 incoming MAT students needsummer lodgings. If your landlordisnt a racist, you can get yr apart,ment listed in a mailing to MATS.Call Alice Stockwell, x3-4161, soon.Etchings, lithos, drawings: Allframed, some antique frames. Greatbuys, $2. to $30 . 477-8846.O n e-w a y ticket London-ChicagoSept. 9 UofC affiliation required$127. 753-0437 or message 753-2270room 839.Harold Enterprises 8, Leo the Lip(H.E.L.L.) bring you the B.A. BallTonight Bartlett 8:30PEOPLE WANTEDFEMALE (Grad. Std. Pref) to takemy place in very large nicely fur¬nished apt. Own room, own fullbath. 643-8148.Roommate to split quiet, safe, 5-room South Shore apt., summer andyear. Block to campus bus. Call 643-4417 until 11:30 pm. SUMMER JOBSInteresting, challenging jobs for col¬lege girls and teachers are avail¬able at ELAINE REVEL, INC. Youcan make good money while work¬ing for ERI on temporary jobs asa typist, clerk, ’ steno, dictaphoneoperator, etc. Apply at ELAINEREVELL, INC. CHICAGONorth — 4832 N. Lincoln LOl-2696Loop — 230 N. Michigan ST2-2325Hyde Park — 1525 E. 53rd St., 684-7000 OAK PARK — 944 Lake St.AU 7-6888 DES PLAINES — 2510Dempster 774-9625.SKOKIE 5200 Main St. 679-1550,I will be at NYU next yr if Youwant to find an apt w/me or knowof a place — Call 667-3321Subject Wanted grad student in clin¬ical psych wants subject for in¬tensive study of one life includingpsych tests and interviews Resultsshared with subject. Call Frank 288-8049.DELIVERY MAN WANTEDPerson with van or micro bus want¬ed to deliver the Maroon every oth¬er Wednesday during the Summer.Good money. Call Mike or Diana at753-3263.PEOPLE FOR SALEHouse painting this summer. IntExt. Efficient, cheap. Call Brian752-4780 or 32887.TYPING: Fast, accur. FA 4-4703.CHEAP XEROXING!! Xerox 7000(fastest, also reduces, can halvecosts) open to all. 10 cents to 4cents dep. on vol. 753-2078.MASSAGE FOR MALE 8. FEMALEHawaiian, Scandinavian, and Mid-Eastern massages — all three com¬bined into one very satisfying mas¬sage. Call BOB, 326-4739 anytime.Need a band. Call Joe 447-5091. Come to the Beaux Arts Ball tonightand see Isaac shoot it out with Leo8, Dirty Don the Rat (alias RobberBaron) stab the winner in the back.RIDES10/The Chicago Maroon/May 21, 1971U vuoo adTUTO ,18 Ride wanted to Los Angeles aroundJune 15. Will share expenses. CallSammy, 667-6130 after 6 p.m.Rider Wtd. Share driving exps. toPORTLAND, ORE. 752-1469 IRASPACECHICAGO BEACH HOTEL5100 S. Cornell DO 3-2400Beautiful Furnished ApartmentsNear beach-park-I.C. trains U of Cbuses at door Modest daily, weekly,monthly rates.Call Miss SmithSUMMER ROOMS AVAILABLE5615 UNIVERSITY$11 per week minimum PL2-9874.Sunday, May 23rd: the place to beis the FOTA Fair, and that place isright on the UC quads.Tire of waiting days, weeks, monthsfor your guitar to be repaired?Gives Speedy Service A Store Runby Musicians for Musicians. LIFERHYTHMS.Clean, 4_rm apt, 1 bedr 2nd fladults; mod rent; Roseland area;264-4491 aft 7 pm.Spacious 7 rm S. Shore apt 4bdrms, 2 gar Dshwshr & dryerNewly Dec Avail July 1. RA3-4400.$245-mo.5405 S. Woodlawn 3-rm apts forJune OCC. Mi3-2760; 667-5746 Green.54th PI & Univ 4 rm, 1 bdrm apt, /avail June 15 $14 mo 493-1062 or 758-3762.Buy our turn and sec deposit movein June 15 and you can have ourApt. Forever! Located 2 blks fromcampus 8. hospital 3 bdrms. Rent —$145 mo. 955-33734J rm, 2 bdrm apt for summer andnext year 1364 E 52nd St Call 643-3438 or 758-3561 mornings.Sublet 2Vi rm turn apt near bus, 1C,shpg UC campus bus at door.Adults only. $125 mo Phone FA4-0200.June 1 Rmmte wanted for summerFall option Big Room 43.50 8< util.5221 Kenwood 684-37442 bdrm turn apt for rent. 1156 E56th St, across from new library.$170-mo 8, utils Avail July 1st. Suit¬able for couple. References re¬quired. Call John Fell, N07-1733 af-iei / pm io see apartment. Lge. turn. 1 bedrm. apt, June-Sept.Corner 74th k Coles. One blk. fromlake, 1C, campus but $125 or nego¬tiable. Call Sue at 7-5330 or 721-6933after 6.Fern rmt needed for summer. Aircond, furn, mod. apt. $60. 643-6370Large 2 bdrm apt 54 8. University$140 mo. Porch dishwasher, bsmtwasher 8, dryer June 1-Sept Call493-0579 after 3:30.2 rms really nice 57th 8, Drexel $55-mo. Call 684-7466.FEMALE SUBLTRS WNTED FORapt on 7th fir Llttel Pierece. AIRCond ktchn, good company, view ofscenic 57th CHEAP. 493-3284June 17-Oct 1 Luxurious Bright 6 rm2 bath ideal for family So Shore nrbus $175. 374-4635Furnished studio apt. 1380 E. HydePk Blvd; utilities paid, carpeted,linen service, phone, $135. After 5:30KE6-4300 apt 203EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbark Plaza)1200 East 53rd StreetHYde Park 3-8372 Room available in spacious Ken¬wood home for summer; some fea¬tures: Spacious living quarters &backyard, 3 baths, $65-mo. Call 363-1530 or 955-9473.Sublet 6-15 to 9-20 Large apt — 4bedrooms 2 blks from campus, CallKAZ 752-5582 yard, cheap.Lovely room with HUGE waterbedand classy stereo. 2 bathrooms June14-Sept 30, 57 8, 1C, $30 per month.Call 493-9645, ask Mike.SUMMER SUBLETApt to Sublet-June-August oncampus 8i block from UofC Hospi¬tals. Call after 8 pm on wk days,288-6042.SHAPIROS ARE DUE JUNE 1st.2-Bedroom Apt, 5400 Harper Optionfor-fall. 643-7887Summer Sublet, Large 4 rm aptCall 363-7631.SUBLET: Large, furn. 4 room apt.2 blks. to campus $110-mo. 667-4309Summer Sublet: 5 rooms (3 bed¬rooms), furnished, near campus$115-mo. Call Jerry 288-3728 SUMMER SUB. Vh fur. Sun. apt.Piano, ster. Cornet-54 . 363-0937 aft. 9pm.HUGE Master Bdrm avail summer(poss fall opt) air cond, util gratis.Lory, Near 1C, 5 min campus $65mo, 1400 E 57, 667-3531 ElaineSUBLET 7 rm apt S Shore, 4 blk 1C8, blk campus bus. July 1-Sept 30.Option on lease. 221-5964Summer Sublet Large Room inSpacious Apartment 667-37345 rm apt S Shore $152.50 per mofrom 7-1 w-opt to lease In Oct 493-5389.Sublet June-Opt to lease OCT 2bdrm-garage-Hyde Pk No. 288-6304Sunny 4 rms ideal for single orcouple fully furnished, porch, alr-cond, hi-fi, 4-poster, many gorgeousplants to water. 5635 Kenwood. 493-0468. $160.SUNNY Furn studio apt 85 per moavail June 6 — late Sept 324-1471 548>Blackstone. Utils. Incl.Large furn 2 bdrm apt 1 block fromcampus $125. 288-7780.PteQ$0nf ffeosant ShiVtCasual, different entirely newStyled Shirt by Paul Harveyin blue or brown. *10Hang-out i$ a part of Cohn t sternFork shopping center/55"^ tbrk-JABORTIONIS SAFE AND LEGAL IN NEW YORKScheduled immediately with New Yorkboard certified gynecologists.Done in accredited hospitals and clinics$175 including fee (less than 12 weeks)Call Collect Immediately, 24 hours a dayDays -(212) 358-4102After 8 PM - (516) 922-4891NEW YORK ABORTION REFERRALSERVICE2 Female Roomates Wanted toshare summer sublet. Large, airy, 3bdrm apt, 56 & Univ. 752-8459.SubleMrm, 1 bedroom, furn. APTSoShore 8. 74St. June-Sept, S150 mo.Call 375-2707 after 6:00 p.m.SUMMER SUBLET Furn. 6rm apt,54 & Ingleside. 643-7446.Fully furn 5rm apt close 1C UCshopping piano stereo part-air cond.June 15 (or later) til June 1972.Idea for couple. $185 mo. 643-3429.FOTA Fair: 2PM - 10PM.Rmmate wanted, 1400 E. 57 MidJune-Mid Sept. Own rm in 7 rmapt air-conditioned. $52 mo. Call955-0691.SUBLET June-Sept 2-3 air-condbdrms. $53 mo ea. 955-9126.COME TO THE FOTA FAIRMale June 15-Sept 15 SUBLET Poss.Op. 71-72 Own room alrcond. LittlePierce 324-0238.SUBLET 3 bedroom frnshd apt 56 &Drexel-Summer-$130 PL 2-2820.7 rooms 4 Bedrooms 2 Baths Black-stone and 57th, Call 324-3787 be¬tween 7:30 & 10:30 pm. ASTROLOGY — Personal con¬sultations are now offered to stu¬dents at a special student fee. Con¬cerned about career selection, jobopportunities, love, and your realself ... Call 723-1363 Jo Mitchell,D.F. Astrol. S.Blow your mind with good music.Lowest prices on all stereos at MU-SICRAFT. On campus. Bob Tabor,Life Rhythms is Hyde Parks firstmusic store for musicians. We areopen 7 days a week. 1701 E. 55thThe corner of 55th & Hyde ParkBlvd.With four years of the finest under¬graduate education in the USA be¬hind you, you seniors need a vaca¬tion before you go on welfare. Go toCalifornia on American Airlines.Call campus rep. Jim Sack, 684-6667.LOST: Electric typewriter in Re-genstein. Large reward. Call Steveat 753-3777.SHAPIROS ARE DUE JUNE 1st.MUSIC LOVERS-Allegro Conspiritoinvites you to a salute to love &S p r I n g-MADRIGALS-Bond ChapelFrl. May 21 8:30 FREE! SHOOT THEPIANO PLAYERCEF and Program Bd. show thissuper-flick for 25 cents next Thursat Ida Noyes so that you may knowthat although several organizationson campus cannot put on a goodshow at any cost let alone a lowone, we are still in there fighting.At 7 & 9:15.SCENESPeter Pan: 1AM Sat Nite-Sundaymorning Hutch Court. Bring yourpillows 8, water pistols.La Revue CAFE MOULIN ROUGEFri Sat, Sun May 28-30 ReynoldsClub Theater 8:30 Tickets $1. Rey¬nolds Club Desk.Informal Bible Study Sun Eves, 8:30P.M. Call 667-7632.Come with me to the Casbah ...Middle Eastern Cuisine at Ahmad's,1450 East 57th Street.FOTA Contest Day will be held atthe Fair on Sunday. Contests in HogCalling, Frisbees, jacks, yo-yo's, pirecital. Surprise faculty judges.PRIZES.Yoga Poses Concentr. Meditatn.Beg-Adv. Single-Group Classes SRINERODE OF INDIA DO 3-0155FUTURE CPA'S — Learn how toPrepare for the CPA Exam. BeckerCPA Review Course. Call Collect(312) 236-5300.INDIAN COOKING CLASS. BEGINSune. call 955-9812, before 9 a.m.or after 7 p.m.CRAFT COOP features prints, tiedye, leather, macrame, and otherhandcrafts, all done by local artists.Visit us Mon-Fri 11:30-2:30 ThursNile 7-9 in the Blue Gargoyle 57th SiUniversity.FOTA Fair: American Indian Danc¬ers, Serbian Dancers, more. With train service at its usual effi¬ciency, send your stuff home airfreight on American Airlines. Callcampus rep. Jim Sack, 684-6667 fordetails.SHAPIROS ARE DUE JUNE 1st.MADRIGALS — and other funthings Bond Chapel 8:30 Fri May 21.FREE!Calvert House's Mass on the Grass:10:30 Sunday, May 23, in HutchinsonCourt.Student Co-op will buy books. StartMonday May 25. 25% paper backstextbooks, too. AM only.Sophia Loren has been invited tothe Grand Opening of Mondo MiaRestaurante. Have You?me to Peter Pan 8< never growup. 1AM Sunday Morning.MADRIGALS - Allegro ConSpiritopresents a concert of madrigals,rounds, etc, featuring Thos Weelkes'cosmic work Thale the Period ofCosmography 8< other works by Wil-bye, diLasso, Marenzio, Henry VIIIet al. Fri. May 21 Bond Chapel 8:30FREE!SALE on New Slingerland Drums.30% Off All Sets — Used sets withZILDJZNCYMBALS. LIFE RHY¬THMS MUSIC. 1701 E. 55th St.Fixing guitars is a Life RhythmsSpecialty 1701 E. 55th.LOVEABLE NEWSSTANDHyde Park's most loveable news-stand-Bob's Newsstand 51st & LakePk now carries over 1000 differentMag titles plus 40 different under¬ground comix! Hours: Mon-Fri:6am-6pm; Sat: 6am-lam Sun 7am-4:30pm. Sun N.Y. Times on saleSunday 8:30am. Shalom!RESTAURANTMONDO MIA'S — OPENING SOON PIANO RECITALMay 21 8:30 Master's Lodge PierceHalt, Laura Fenster will play Scar¬latti, Scriabin, Chopin, Liszt, Cope¬land. FREE.KRIS KRISTOFFERSONICEF, IHC, and Isaac's FOTApresent a concert by the best youngcountry-folk artist in the nation to¬day: Kris Kristofferson, at MandelHall on May 25 for only 1 inflated $.Kristofferson has won 8 GrammyAwards, was voted the year's topCountry 8i Western Artist and iscomposer of such song sensations asMe 8< Bobbie McGee and Pilgrim'sProgress. Seats on sale at MandelCorridor this week.COTTON COMESTO HARLEMCEF announces finally and officiallythat our June 5 film will be CottonComes to Harlem. Not Wild Child, Zor Women in Love. This decision ispermanent, unappealable 8, quiteimmutable. Shows at 7 & 9:15 atCobb. Good Luck. BEAUX ARTS BALLIt is the position of CEF that thecancellation of the Ball may be laidto the mental bankruptcy and bu¬reaucratic inability of certain mem¬bers of another campus organizationwith a very big budget, a very pret¬ty calendar, and very few brains.Since the $$ promised and the coop¬eration have not materialized in anyform, neither will our support. Un¬helpfulness on the part of certainspecific administrators was alsoparamount in this debacle. We arequick to thank, however, Mr. Hass,Mr. Lang, Mr. Schmitt, Mr. Nelson,Sgt. Mitchell, and the Electric Shopfor their efforts. The process of de¬duction may tell whom we blame.We are still quite proud to be put¬ting on Kristofferson at MandelTuesday, though we would like torepudiate the role that the pretty-calendar boys had in doing any ofthe work for this either. We are sor.ry the dance couldn't come off.INVESTMENTSPartnership in Retail 8, Rentalcamping equipment business MinCapital $1000 HICKORY 324-1499.LIBRARYASSISTANTHalf-time, hours to be arranged. Typing40 w.p.m., light bookkeeping. At least 2years college. Center for Research Librar¬ies.955-4545fireworks - craftsmen - music - dance - contest dayFOTA FAIR SUNDAYAAAIN QUADS2-10 PM1 bdrm apt. Furnished $185. Facultywishes to sublet to responsible partymid June-Dee. 4 large, bright rms.Newly decorated. 5300 Block Dor¬chester. 9554)159.The Main Quads will be a sea ofartists 8i craftsmen demonstratingand selling their art, on Sunday atthe FOTA FAIR.Summer Sublet-South Shore fur¬nished, 6 rms, $150-mo. Mid-June toAug. 684-4383.Roommate to share Ig. furn aptJune-Sept. S Shore $67 752-7017Summer Sublet: 58 and Kenwood 2bedrooms. Call 684-6689 Between5:00-7:30.INEXPENSIVE sum sub 55 & Univat least 2 bdrms avail; lots of win¬dows; large backyd 643-4425.Female Subletters Wanted: Junethru Sept., 3 bedrms, 2 baths, 56 >■Univ., mod. kitchen, very clean,cool, quiet. Call 955-01943Vi room apt. near the Point. Fullyfurnished with double bed. AvailableJune 1-Sept 10. Lease for fall avail¬able also. Call 752-6851.Roommate for large bright apt nr53 8i Woodlawn. Must like cats Call667-7193 (Opt. for Fall).Apartment for Sublet During thesummer quarter $100. monthly. 54St. and Harper. Call 363-8725June 15 Sep! 15, 58th Si Harper 4bedrms sunporch furn 752-8459.Vh RM APT: Available June 1 53rd& Harper Rent $105 plus $50 SUB¬LET FEE, 667-5091.Summer Sublet 4Vt rms spacious53rd and Greenwood. Dates flexible.$121-mo. 288-8049.SUMMER-MADISON, WISC. 4 bdr-on campus, 4 min from union — 1blk from Lake — air cond — PriceNeg. Call 608-2554458 or write 141W. Gilman-A.Lge, sunny furn. air cond-apt v gdcond 4-5 bdrm. Nr campus, June-Sept 15. 363.0229. 363-8228.CHEAPER THAN RENT6rm, 3bdrm, 2 bath, condo for sale.Washer, dryer, carpeting, drapesincl. 51st 8. Kenwood. 536-7024, eve¬nings and weekends.1400 E. 57 ST.One or two people needed to com¬plete group for Little Pierce lottery— Call 288-3623.PERSONALSHEY MIKE! Congratulations. Love You don't have to be Jewish to bePregnant ... but If you are. Callthe Ark. 463-4545, 4-10pm.Sell your library to the Co-op Bsmt.of Reynolds Club.If you own any Charlie Byrd al¬bums Call 753-2261, Room 338.Cold Blood will not be appearing atthe Beaux Arts Ball.-Come to the Coffeehouse for goodmusic and a relaxing atmosphere.This week featuring the 6-piece JazzBo Syncopaters. Tonight Ida NoyesLibrary 8-12.Coming May 28-30 CAFE MOULINROUGE Reynolds Club Theater.FOTA's Peter Pan will be a realaudience participation event.Photograph Contest Deadline, May26. Be sure to get your pictures inby then. FOTA.Tickets now on sale at Mandel BoxOffice for Kris Kristofferson and forthe Super Blues Dance-Concert,from CEF 8. FOTA.Dance the night away with Howlin'Wolf, Hound Dog Taylor, 8. MightyJoe Young. Friday.CONCERTCONCERT: University Orchestra.Stravinsky: Firebird. Moss: Paths(World Premiere). Brahms: Haydn-Variations. Saturday, May 22. Man.d e I Hall. 8:30 p.m. AdmissionFREE.SHAPIROS ARE DUEWorks on loan from the Art to Livewith Collection are DUE JUNE 1stIn IDA NOYES, Room 209. Thosereturning works late will be fined 25cents per day.SVNAMalbranche Competition Closes To¬day. Winners to be announced.SUPER CONCERTSFOTA and CEF present the con¬certs of the quarter. Friday May 21at Bartlett Gym from 8:30-1:30A.M.:Howlin' Wolf with Carey Bell,Hound Dog Taylor, Mighty JoeYoung, and John Littlejohn ... OnTuesday May 25 at 3PM at Mandel— Kris Kristofferson (the hottestname In country 8, western music).Tickets are only $1 for each concertand are now on sale at Madel BoxOffice.GREAT BLUES: Howlin' Wolf withCarey Bell, Hound Dog Taylor,Mighty Joe Young, John Littlejohn.Only $1 Friday 8:30-1-30. FOTA Fair: J.D. Crowe and theKentucky Mt. Boys return to UC af¬ter their smashing success at theUC Folk Festival last year.FOTA Fair: LARGE metal sculptur¬ing will be done right there.Where else could you see Kris Kris¬tofferson for only $1?LIFE RHYTHMS is an authorizedSlingerland drum dealer. StartingMay 12 (For one month) new Sling¬erland Drums on Sale for 30% offlist price. 1701 E. 55.HELP STUDENT GOVERNMENTGET ON THE CASE. All interestedpeople should try to attend the In¬formal Outdoor Meeting of S.G.,Tuesday, May 25, Noon, in front ofAd. Bldg. Bring your ideas. We maybring some punch. Rain location —Cobb Basement Coffe Shcp.NORA MITCHELL WILL BESHOWING SLIDES OF INDIA ''AReligious Point of View", Sundayevening, May 23 at 6:30pm at Bon-hoeffer House, 5554 South Woodlawn.The road.Playit, feelit,know it, sense it,command itTake of it whatit has to offer.The Renault 16. Front-wheel drive.4-wheel independent suspension.Torsion bars. Rack and pinion steer¬ing. Front-wheel disc brakes.Up to 30mpg. Top speed, 90 mph.Net effect: Total adhesion tothe road and a whole new way torommunicate with it. $2,495.2347 S. MICHIGAN AVE.CHICAGO, ILL.TEL. 326-2550 MINOR MASTERPIECESCEF Inivtes those of you who mayhave missed Adalen-31 on its terrific13 day summer run last year tosaunter on down to Cobb this Sat.at 7 or 9:15 and enjoy Widerbergcreations come to life again in col¬or. One of '69's Ten Best. And onSunday, May 23 we have Truffaut'sMississippi Mermaid, a box-officesmash in NY last year which en¬joyed an 8 day Chicago summerrun. Starring Jean-Paul Belmondoand Catherine Denueuve In one ofTruffaut's most controversial andappealing films. It will also be atCobb: 7 8. 9:15.SUPER PERSONALSGirl wanted for chauvinistic pur-pose-to jump out of a cake in thetraditional fashion. Safety guaran¬teed. Inquiries and responses to Ma¬roon Box X.Julia Childs — Eat Your Heart Out!Mondo Mia's.Reb.-you are no longer the one sex-ualiv for me; in fact, I just usedyou on Tues. night. You're really avapid, vacuous little girl-and you'vegot dumpy legs. I need a woman,not a sex stimulator.Who will play Tinkerbell? PeterPan —1AM Sunday Morning.Blow your brains out! HohnerHarps always on sale at LIFERHYTHMS MUSIC 1701 E. 55th."Hollywood" Juul — You've beenscooped. RMABORTIONSWHY PAY for abortion counselingyou can get FREE In Hyde Park?NY abortions from $150 Call ClergyService, 667-6015CPA REVIEWBECKER CPA REVIEW COURSE— new term begins Wed., 6-2. Halfof all successful III. candidates areformer students. 346-7742.GAY LIBConsciousness Group on Bi-Sexualltywill have picnic at the Point, Sat. 5-22, 1pm. All people welcome. Bringsome food to share. HARPERCONCERT SERIESThe Harper Concert Series presents:String Quartet in B Flat Major K.548, "The Hunt", by Mozart. Per¬formed by Jim Rundle, violin; SallyBauman, violin; GerryKarnow,viola; Bob Koenig, Cello. Friday,May 28th, 4 p.m., Harper ReadingRoom. Sponsored by the College andthe Office of Student Activities. SATYRICONDespite typical incompetence In thesphere of advertising you shouldstand warned that this film will beshown at 3 performances on May29 : 6:30, 8:30 and 10:30 at Cobb. $1.This is also official from CEF.PETER PANjFOTA is definitely bringing you Pe.ter Pan (the 1950's Mary Martinmusical) on Sat nite-Sun morning at1AM iiv Hutch Court. Bring yourself, your pillow, and your waterpistol.DEPARTMENT OF MUSICTHE CONTEMPORARY CHAMBERPLAYERS OF THE UNIVERSITY OFCHICAGORALPH SHAPEY • Music DirectorIves • Webern • Bach • MartinonFRIDAY • MAY 21, 1971. 8:30 P.M.MANDEL HALLFREE FREE THE HIGH FLYING S.G.Created theFLUE KYAt the Point12 p.m. tH forever, Sat. May 22Weddings, Birthdays, Free Kites,Bongo Players, SFA Court, Sustenanceand bring your honey and B.Y.O.J.Hi TomWelcomeback toHyde ParkMAK YOUR CLASSIFICD TO TNK MAROON12121.59tftiS«., Chicago, 6063?DATES TO RUNNAME, ADDRESS, PHONECHARGE: 50* per line, 40* per each line iff the ad H repeated in asubsequent, consecutive issue. Non*University people: 75* perUne, 60* per repeat line. There are 30 letters, spaces, andpunctuation marks in a line. ALL ADS PAID IN ADVANCE!HEADING: There is an extra charge off $1.00 ffor your own heading. Normalones (For Sales, etc.) are free.May 21, 1171/The Chicago Maroon/11LOWE'S RECORDS PRESENTS•s*'*6 oW®"*6RECORD VALUES FROM $2.98 UP TO $6.98 ARE NOW ON SALE,RANGING IN PRICE FROM $.49 UP TO $1.79. YES FOLKS, THETIME HAS COME TO GET THE SPRING CLEANING DONE,WHICH MEANS FANTASTIC BUYS FOR YOU THE CUSTOMER,THE STUDENT, THE PROFESSOR,THE HIPPIE, THE MUSICLOVER AND/OR HATER. NOW IF THIS SOUNDS LIKE BERTWEINMAN OR TONY MARTIN, YOU ARE PROBABLY RIGHT,EXCEPT FOR ONE THING: THESE AREN’T CARS ORSTOCKINGS THAT WE ARE SELLING, BUT RATHER RECORDS.RECORDS, RECORDS, RECORDS AND THEN SOME MORERECORDS WITH A HEAVY EMPHASIS ON THOSE OF THECLASSICAL NATURE. WE HAVE BACH, WE HAVE BEETHOVEN,WE HAVE SCHOENBERG, WE HAVE LISZT, (WE HAVE CERTAIN5.98 LISTS FOR 1.79), NOT TO MENTION OTHER SUCHBEAUTIES AS RACHMANINOFF, MOZART, AND SATIE. POPRECORDS YOU SAY YOU WANT, AND WANT THEM CHEAPALSO? WELL COME IN AND TAKE A LOOK AT THE BINSCAUSE WE HAVE SOME 49-CENTERS THAT WILL KNOCK YOUOUT (OR YOUR EARS, WHICHEVER YOU PREFER). WHAT’STHE CATCH YOU SAY - JUST THIS, BECAUSE OF THE NATUREOF THIS SALE, ALL CLOSEOUT RECORDS WILL BE NON-RETURNABLE, BUT AT THESE PRICES YOU CAN’T GO WRONG.THE REDEEMING FACTOR IS THAT MOST OF THESE RECORDSARE FACTORY - SEALED TO YOU, READY TO BE DRIVEN OUTOF OUR SHOWROOM. SO COME ON DOWN AND GET A DEAL.ALSO: ALL 6.98 8-TRACK & CASSETTE TAPES 4.95WE ACCEPT MASTERCHARGE & BANKAMERICARDCHARGEWITH Ban. Ami »,ca#d0UX& RECORDS HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 512/The Chicago Maroon/May 21, 1971THE GREY CITYVolume 3, Number 28 The Chicago Maroon Magazine of the Arte Friday, May 21,1971Pearson: “Trn Here to Sing99Local soprano Barbara Pearson, twenty-four,won the first-place award in the annual MetropolitanOpera auditions, which were held April 4 in NewYork. Born in Chicago, Miss Pearson spent 10 yearsin Formosa where her parents were Swedish Cov¬enant missionaries. Grey City Journal music criticThomas Sokolowski interviewed Miss Pearson:When did you start singing?I started when I was eighteen. I have had fourteachers, but two of those don’t even count. The onesthat count are Norman Gulbranson of NorthwesternUniversity and my husband Thomas Wickman,whom I still study with.Are any members of your family musical?- My parents are missionaries; my mother playsorgan, so a little portable organ went with them toRevival Meetings. My father plays the trumpet, justfor fun — nothing serious.Were you told at an early age that you had “avoice” and that you should take up singing ?Yes, I sang in choirs and all that, but when Icame back to the States I decided that I was going tohave nothing to do with singing and that I wanted togo into speech.Is that what you did in college for all yourundergraduate studies ?For all my undergraduate studies, I went for oneyear. I get a big kick out of saying that I am anunsuccessful college dropout.I read in one of the articles about you that youwent to the University of Chicago ? claim me, Northwestern is trying to claim me, andthe U. of C. is trying to claim me. No, I have just donea lot of singing around here, with the CollegiumMusicium, the University Symphony and somechamber groups. I sort of consider this my homebase.Did you win many small contests before winningthe Metropolitan Opera auditions?Well, a lot of small ones, for little ladies’ clubsand stuff like that.Would you say that anything in your voice haschanged? Have you gone from a dramatic to a lyricsoprano?No. my voice has just matured. I have never beenstuck with a vocal butcher, of which there are many.I just fell into the right hands and have been goingright up. I have been one of the fortunate ones; itdoesn’t happen very often. I am not saying that it hasall been duck soup; I have had to work hard at it.Do you know any complete operatic roles at thispoint?No, I just fool around with some. I never learnanything until I have to perform it before anaudience. Right now, I am working on Pamina in theMagic Flute, Micaela in Carmen, Liu in Turandot. Iam a lyric soprano, my voice has a lot of presenceand ring at the top. Maybe when I am forty I will beable to sing bigger roles.Is there any music that you find yourself bestequipped for? I know that you have sung solos in twoMahler symphonies.T think Mrvzart is my host musip I have done alltypes of music from baroque to Hindemith and Berg. music?No, I have seen it hurt too many voices; I won’tdo it. It’s like doing bad gymnastics. You can sprain avocal chord.Would you say that you are primarily an operasinger or a concert singer ?I am mostly a concert singer for the simplereason that I haven’t done much acting or stagework. The kind of music I am involved with at themoment is what I consider the greatest music going.When I was working on the Mahler I considered it thegreatest going, and now I am working Theodora and Ithink that Handel is the greatest thing going. It alldepends on what you are caught up in, and mostrecently I have been involved in a lot of concert work.Do you speak any of the languages which yousing?The one language that I speak, beside English, isChinese, but there isn’t a hell of a lot of music in that.No, I don’t speak any of the more common languages,but I am studying German now and I am going toBerlitz.Is it necessary to go to a voice teacher to learninterpretation?Most people have good instincts; the only reasonthe voice won’t come out is because the instrument isnot flexible or free enough. Most of the person’sproblems are due to bad singing, and not to problemsof interpretation.You seem to think that it takes a very long time tobuild a voice. This, however, does not seem to applyin your case.No. Well, let’s see. North Park College is trying to Have you ever done any contemporary classical Continued on Page FiveDoors, Hethro Tull, Elton John:Good, Bad, IndifferentAqualung by Jethro Tull (Reprise MS2035):Jethro Tull is currently one of themost popular English groups in thiscountry with sellout concert tours andmillion-selling albums. The reason be¬hind all this is hard to figure outbecause their music is just not thatgreat. Oh, they do use a nice flute andsometimes on their earlier albums,Stand Up particularly, they achieved agood blend of jazz and rock, with evensome classical influences, but morerecently, they have been a bore.Aqualung is a pretentious, poorlyrecorded album. The entire second sideis an anti-religious essay with some ofthe worst lyrics written since JesusChrist Superstar. The message here isnot against all faith, but against afirmly established, organized religion:“I don’t believe you; you got the wholedamn thing all wrong; He’s not thekind you have to wind up on Sundays”and “How do you dare to tell me thatI’m my Father’s son when that wasjust an accident of Birth.”The first side is better, lacking thebadly constructed unity of the essay.The best song on the album, “MotherGoose,” captures a day of a schoolboyin London with some interesting linesand images: “Saw at least a hundredschoolgirls sobbing into handker¬chiefs as one.”The only way to recommend thisalbum is to urge everyone who has notlet a single Jethro Tull album get byhim to catch this one too. Otherwise,stick with earlier Jethro Tull.L.A. Woman by the Doors (Elektra75011):This may be the last Doors album; ifso, the group will be exiting on a goodnote. L.A. Woman is the best Doorsalbum since Strange Days, released in1968. This new album captures the bestinstrumentalizingthe Doors have donesince “Light My Fire,” perhaps thebest rock song ever written.“Love Her Madly,” the single, and“Hyacinth House” are two of the very best cuts. Ray Manzarek is a superborgan player and his talent is high¬lighted here, particularly on the single.Robbie Krieger plays an amazing gui¬tar line on both songs and John Den-smore’s drums are unobtrusive, butadd a strong, hard bottom to the sound.Jim Morrison is in better voice on bothof these cuts than he has been in years.However, the album’s one masterpieceis the title cut, a long, fascinatingconglomeration of the talents of eachindividual Door.Some of. this album, it is true, is onlyordinary. “Been Down So Long” stealslyrics from Richard Farina and“Crawling King Snake” allows theDoors to wallow in their old lizardfetishes, but for the most part, L.A.Woman is a fitting end for a greatgroup.11-17-70 by Elton John (Uni 93105):The title of this album refers to theday this live album was recorded in theWABC-FM radio studios in New YorkCity. In November, the Elton Johnmystique was at the height of itshysteria and word had it that thisconcert was excellent. Now that thehysteria has died down somewhat, therelease of this album shows that theadoration of the fans might haveclouded the hearing of many people, forthis live show was just not that great.Elton John here sounds dull, not par¬ticularly energetic, and mighty repe¬titious.Three of the six cuts have beenrecorded before, one other is “HonkyTonk Woman” and the two new cutssound a lot like other Elton Johnmaterial. Some of the performancesare good, particularly Elton’s piano on“Burn Down the Mission” and NigelOlsson’s drum work throughout the set.However, there is not much to hear onthis release, especially if you alreadyhave the other two Elton John records.This man could be a very big talent fora long time, but at the rate he’s going,he may be old hat in six more months.—Mitchell Bobkin Banana-crazyWoody AllenBananas is Woody Allen’s latesteffort, and it is far far funnier than hisearlier Take the Money and Run.Audacity is what makes it work —Woody takes on everything from Latin-American hunger to judge Julius. Hestill cannot resist the bad gag (thereare two bad ones for every howler),and sometimes he destroys a visualjoke by not anchoring his camera.Furthermore, I still resist Allen as acomic performer even as I crack up atnearly everything he writes. The sup¬porting players (especially his ex-wifeLouise Lasser) are perfect, and How¬ard Cossell covering an assasinationand then a honeymoon for Wide Worldof Sports is beyond words (if HowardCossell can ever be beyond words). Allin all, a very funny movie — maybesomeday Allen will put together areally good comedy.—Myron MeiselLOW PRICE TICKETSFOR >11 STUDENTSBUDDY HACKETT presentsmmmMAY 18 -MAY 30Mon thru Thurs 8 30 P MFri and Sat 7 30 P Mand 10 30 P M ,un 8 00 P MONLY $4.50 PER TICKET. LOW PRICE TICKETS FORSTUDENTS APPLY EVERY NITE BUT SATURDAY.TICKETS SUBJECT TO AVAILABILITY. TICKETSAVAILABLE AT BOX OFFICE ONLY. FOR TICKETINFORMATION: 298 2170. YOU MUST HAVE YOURSTUDENT I.D. WHEN PURCHASING TICKETS. CONTEMPORARYEUROPEAN FILMSMay 20 Ida Noyes 25'Bergman's Winter Light 8 PMMay 21 Bartlett Gym $1Beaux Arts Ball 8:30-1:30May 22 Cobb $1Adalen-31 7 & 9:15May 23 Cobb $1Mississippi Mermaid 7 & 9:15May 25 Mandel $1Kris KristoffersonMay 27 Ida Noyes 25'Shoot the Piano Player 8 PMMILL RUN THEATERGoH and Milwaukee Roads m Niies MSPRING CRAFT CLASSESNow FormingCALL 928-9208 TODAYCLASSES BEGIN SOONWEAVING Ten 114 hr. Lessons $30.00MACRAME Six 1 hr. Lessons $12.00RUG MAKING Ten 1 hr. Lessons $20.00CROCHETING Six 1 hr. Lessons $12.00KNOTTING Six 1 hr. Lessons $12.00TEXP. ARTS UNL Ml TED13739 St HJFVOTkRIVERDALE2 Grey City Journal May 21, 1971 MODEL CAMERAThe Minolta Team will Ishow (Demonstrate1 the en-tire camera im* in our jstoreSRT101-SystemMovie CamerasInstamaticsFriday, May 21stSaturday. May 22ndlO-o24/48 hr.developingMODEL CAMERA13 £ 55th St. PREGNANCYPROBLEM?THERE IS NO CHARGEFOR OURABORTIONREFERRAL. why spendI* MONEY NEEDLESSLY?OUR PROFESSIONALSERVICES ARE FREE.CALL (215) 722-53607 DAYS 2 A HRS.UJ MfflI Th. bm >» O' t.L«*rs!Ld,USf STUD- SOUNDSt You. u.l.'.r ^ 1,7-?rn'%,11 ichkin'c »i r produced sounosCPUS! IMIS TO MAPPtNPlease Spacfyi , * Ta.Dt Cassette. Or LP Record*«*<•■««„„ p***41 Sound Concepts Inc — Boa 185'’j Charities* i.o va ;29(X nnJ£JSUN INCOMESun Life’s new incomeprotection planCould you afford to stop working for a year?If not, talk with your man from Sun Life ofCanada about their new disability income plan... to keep the money coming in when you renot aDie to.SUN LIFE OF CANADARALPH J. WOOD. Jr.GUIOne N. LaSalle St.Chic 60602FR 2-2390798-0470 13%Harlemcurtain opened on a surrealistic set: a platform oneither side of the stage with a man in black on theright, a woman in white on the left, and dry icesteaming beneath them. The dancers began to unfoldwith hypnotic movements to the eerie music ofMarios Nobre. The dance began and ended that way.In between, Arthur Mitchell juxtaposed a classicalarabesque on point with a visceral contraction. Themovements were abrupt and arbitrary ; the dancewas neither ballet, modern dance, nor a happycombination. The dancer’s noisy toe shoes wereentirely unnecessary, as was also the case in “Ode.”In “Ode” four men and a woman postured acrossa backdrop of tenement stairs to the accompanimentof Otis Redding’s “Sitting on the Dock of the Bay”and “Happy Song.” However incongruous the girl’stoe shoes, the dancers performed this piece with acertain vitality and despair which animated thisdance more than any of the preceding ones. Thechoreography was not unusual, and Mitchell usedsome African movements which have become popu¬larized in social dancing, but the dancers evoked anatmosphere of thwarted power and virility whichgave the dance a strong impact.Hopefully Arthur Mitchell suggested his up¬coming choreographic endeavors in Rhythmetron.This last dance successfully combined ballet with theprimitive theme of ritual to an insistant Africanrhythm provided by Marios Nobre. Mitchell moved alarge number of dancers about the stage but did notarrange them in his usual symmetrical positions. Theopening was a bit melodramatic: a mechanicaldevice lifted a vast orange cape off the shoulders ofthe High Priestess. But Mitchell did not rely on anyother gimmicks to make his dance succeed. Some ofthe most exciting moments of the evening occurred inthe Pas de Six, the second movement, when the threewomen performed two breathtaking leaps and catch¬es with their partners. The curtain came down withthe entire company in a frenzy of movementilluminated by flashing lights.The Dance Theater of Harlem must choose itscourse carefully. It enjoys vast financial backing,draws from a large pool of talented dancers, and hasan able director. But the company still needs trainingand, more important, a clearly defined awareness ofthe type of dance more relevant to a black company. Iwould have liked to see them perform more dancesby other choreographers. However, the Dance The¬ater of Harlem has existed only two years and thecompany will continue to improve and grow.—Gwynne Hulda LewisThe Dance Theater of Harlem was enthusiasti¬cally received on its opening night performance lastSunday at the Auditorium Theater. The DanceTheater of Harlem is a unique group — an all-blackclassical ballet troupe — and Sunday marked its firstChicago appearance. While a certain uneveness oftechnical execution and sometimes disappointingchoreography marred the evening’s offerings, thegroup showed exciting potential. Their training wassuperb and they expressed a unique dance spirit.The Dance Theater of Harlem fills a lamentablelacuna in the dance world. Its director. ArthurMitchell, a leading dancer with the New York CityBallet for the past fourteen years, is the rareexample of a black who has succeeded in a classicalballet company. The associate director, Karel Shook,is also an outstanding dancer. In 1968 Shook left theNetherlands Ballet to join Arthur Mitchell and hisnascent group.Mr. Mitchell founded the Harlem group toprovide technical training as well as career opportu¬nities for the ghetto youth. The dancers reveivemodern dance technique from volunteer teacherssuch as Mary Hinkson as well as ballet training.Although the entire company of dancers dis¬played exquisite bodies, the company still suffersfrom a number of technical difficulties. ArthurMitchell seems to emphasize extensions for thewomen. Though the dancers are amazingly limber,they have trouble holding their balance. The menmove well but never executed any particularlydaring or flamboyant steps. The company oftenshowed a painful lack of precision when they dancedin unison. Nonetheless, the dancers are a strong,graceful group, and considering that the average ageof the dancers is only nineteen, their present abilityindicates a tremendous potential.Mitchell has said he wants to present “classicalballet with soul” However Sunday night’s programincluded four dances by Arthur Mitchell which madeit very difficult to sense what direction he wants tofollow. The dances might be categorized loosely as aclassical ballet, a quasi-modern dance, a road-showsort of dance, and African ballet. Perhaps Mitchellpurposely chose variation for his program, butunfortunately his choreography does not succeedequally well in every idiom.The first piece, Fete Noir, was choreographed toShostakovich’s Piano Concerto No. 2. Portrayingguests at a ball, the women wear tutus and the mensport gold-braided uniforms and boots. Fete Noiruses classical choreography with a few unusual movements. But this dance showed the dancers’imprecision in its worst light. In the first and thirdmovements it was impossible to discern at whichtimes the ten to twenty dancers on stage weresupposed to be moving in unison. The secondmovement suffered on two counts: it was a duet withtwo couples doing identical movement, as thoughwhat was uninteresting for one couple becameinteresting with two, and furthermore the twocouples were still not quite in unison.The second and third dances used fewer dancersand thus allowed the choreography to show through.Biosfera was a curiously schizophrenic duet. The RhythmA Triumphant TheodoraThe Chicago premiere of any work promises to beinteresting. Excitement and curiosity are all themore intense when the work has been composed overtwo hundred years ago by a first-rate musician. Theperformance of Handel’s Theodora at RockevellerChapel last Sunday was just such an event. Itrevealed a great masterpiece, while raising thepuzzling question of why such a score lay dormant forso long.The oratorio deals with the arrest of Theodora bythe Romans because of her Christian beliefs, hersubsequent confinement to a brothel (a fate worsethan death), and the attempted rescue by Didimus, aconvert in love with the heroine. The work drawscontracts between dishonor and death, faith andhedonism, and ends with a triumph of love overdeath; some of this seems a bit hackneyed today, butthe originality of the music saves the work.Any problems in the performance of Theodorawere rendered negligible by the outstanding singingof the soloists. Soprano Barbara Pearson sang thetitle role of Theodora with perfect clarity and a rare,transparent tone quality. Her voice is outstandingthroughout its range. She embellished the final notesof most of her arias in a grand coloratura style thatcame across as much more than a mere showing-offof high notes. As she bade farewell in the end of thearia “Fond flattpring world, adiou'” Hpr voippclimbed higher and higher with seeming effortless¬ness ; it was difficult to believe that such a sound was coming from a mere human being.Unquestionably,the highlights of the concertwere the two duets which combined the voices of MissPowell and Miss Pearson. The singing of the finallove duet, expecially, gave the work the sublimitythat the text seemed awkwardly to strive for.Larry Mendes, a fourth-year student in thecollege, conducted the performance. He had manylegitimate ideas on interpretation, but he seemed tolose control of the ensemble from time to time. Theworst slip-up occurred at the beginning of the tenoraria “Though the honors ...” when nobody seemedto know where anybody else was. Nevertheless, thetask of preparing a large group for such a long workis a considerable undertaking, for which the con¬ductor deserves our thanks.The orchestra at Mendes’ disposal was uneven,ranging from the very fine playing of the first violinsoloist to the weak playing of the middle-rangestrings. This sort of inconsistency was not veryinjurious to the homophonic sections, but polyphonydemands greater balance; in the overture’s fugue,the subject, introduced by the first violins, wasbarely recognizable when it re-entered in the secondviolins.Theodora is a long work, so cuts were inevitable;the benches in Rockefeller fight every attempt atfinding a comfnrtahlp position Thp only sprioucomission in the oratorio was the Act II chorus “Venuslaughing from the skies,” where the pious Barbara Pearson, who sang role of Theodoramood is relieved by the revels of the pleasure-seekingRomans. Musically, this is one of the finest chorusesof the work. It shows, too, that Handel was adept atportraying sensuality as well as piety. The omissionof this chorus left the work unfairly one-sided.The performance of Theodora has certainly beenthe highlight of this year’s Festival of the Arts. Itgave the audience much memorable singing, and alsofreed a masterly score from the silent library shelf,where hopefully it will not be trapped for another twohundred years.— Mark BlechnerMay 21, 1971/Grey City Journal/3Rick: Expressionistic SimplicityCary Rick will present a one-man dance concertSunday, May 23 at 3:30 at the Athenaeum Theater,2936 N. Southport Ave.Mr. Rick is a native Chicagoan who went toEurope in the 1960’s and studied with RosaliaChladek in Vienna, and Mary Wigman and DoreHoyer in Berlin. Since 1969 he has been performingand teaching in Finland. Presently he’s on leave fromthe State Theater School, Helsinki and teachingthrough May in the Dance Department of theUniversity of Wisconsin-Milwaukee.The reviews in Helsinki were uniformly enthu¬siastic about this exponent of expressionistic Ger¬man Modern Dance. As the Suomen Sosiaalidemok-raati said, “Cary Rick, American dancer, doesn’t usethe stage to display himself or show us technicaltricks ... the stage is, for him, the place where hecommunicates his personal life-experience. To thisend, every nerve of his body, and indeed, his entireself become his instrument.” Another Helsinki papersaid, “the spiritually deep and concentrated pro¬gram of Cary Rick, performed with utmost econom¬ical simplicity and great personal abandon, was atruly unforgettable impression.” _ ,The program on Sunday includes Totem to musicby Miroslav Kahelac and Sabbath with music byResto Siaurla. The sections of Totem are “In¬cantations,” “Cain,” “Sodom,” “Messiah,” “Job,”and “Incantation.” Sabbath has five sections “Sab¬bath” (Celebration), “Aleph” (study), “Chassid”(Belief), “Kaddish” (Mourning), and “Zion” (hope¬ful work).Student tickets are available at $1.50 by callingElvi Moore at 924-1705, or x3574. Regular tickets are$3. For further information, call Mrs Costello, 734-1560.—Paula Meinetz ShapiroMahler’s Magnificent GrandeurThe Chicago Symphony Orchestra, under musicdirector Georg Solti, performed two monumentalworks last week — the Piano Concerto No. 5 in E-Flat(“Emperor”) of Beethoven, and the Symphony No. 8in E-Flat (“Symphony of a Thousand”) of GustavMahler. Although the Beethoven suffered from a lackof preparation and a generally insensitive reading bypianist Vladimir Ashkenazy, the Mahler was imbuedwith stunning artistry.Apparently, Solti devoted inadequate rehersaltime to the Beethoven. Wrong notes cluttered thehorn parts during the first movement, and occasion¬ally the orchestra and the soloist were in completedisagreement regarding tempo.More serious, however, was Ashkenazy’s indif¬ference to the musical qualities of the concerto.Accents became not points of emphasis but harsh,wedge-like thumps. Variations in dynamics werepoor. Although some softer passages received ade¬quate shading, Ashkenazy played louder passages ata consistent, monotonous fortissimo which strippedthe concerto of its inherent beauty. The soloist,moreover, continually harassed the orchestra withcapricious tempo variations.Ashkenazy has the technical equipment to playthis concerto well. Hopefully he will reach an artisticmaturity to match his technique.The Eighth Symphony of Gustav Mahler, is muchmore than a Barnum-like spectacle for crowds ofperformers. Mahler, mystic that he was, combinedtwo seemingly antithetical texts, one in Latin, theother in German. The Latin hymn, Veni, creator spiritus, is a plea for universal peace and divine love.In Mahler’s hands, however, it becomes not aconventional praise to God but a song of yearning, oflove, and of rare devotion. The German text, theclosing scene of Part II of Goethe’s Faust, is thereception of the errant but majestic Faust intoheaven by crowds of angels.Solti responded to the enormous demands of thepiece with the expertise Chicago has come to expectfrom him. In almost all instances there was perfectbalance among all the diverse solo, choral andorchestral forces. Solti’s flair for the theater wasapparent as well, for he treated the work as acoherent whole where each development, transitionand climax had its individual importance in theentire structure.The performance, however, was not without fault.Poor acoustics in the Opera House muffled thefortissimo passages and gave them a canned effect.The organ was inadequate for a performance of thisdimension. Limitations of space and economy, more¬over, forced a reduction in the choral forces.Although the adult choirs adapted readily to thesehandicaps, the children’s voices lacked the volumeand power to project over the orchestra in somepassages.Yet the total effect of the symphony was one ofmagnificent grandeur. The buoyant confidence of theLatin hymn, the quiet mystery of the Goethe, theveritable explosion of love and redemption at theclose — all these Solti and his excellent forcescaptured with ease.—Jim Leak Here is no continuing city, here is no abidingstay.Ill the wind, ill the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late,and rotten the year;Evil the winter, and bitter the sea and grey thesky, grey grey grey—T. S. Eliot, Murder in the CathedralEditorsTheater: Associate Editors T , ,John Del PeschioFilm: Myron MeiselArt: Susan LeffDance: Paula ShapiroMusic: Mark BlechnerPhotography: Scott CaruonJack Markowski. Bob Purricelli, MarkSwedlund, Harvey Shapiro, Tom SokolowskiDrew Leff Marina Baraldini Steve Metalitz Jim LeakWrite!The editors of the Grey City Journal would like torequest members of the University community whoare interested in contributing to the Journal nextyear in any area — art, music, dance, theater, film orother — to contact either the associate editor inwhose domain their contribution falls, or the editorsat the Maroon office Tuesday and Thursday after¬noon.HYDE PARK THEATRE U1 HYDE PARK THEATRE #253rd & Lake Park NO 7-9071 5238 S9. Harper 493-3493HELD OVER2ND BIG WEEK \Kohlbers Theatres|IMUHMM HHMuffei_RONMOOOYc*r g ALSOSTARTS FRIDAYMAY 21“TheTwehre Chairs’is uproariousfun! Any true fan ofcomedy has to see ft/i—ABC-TVA ST0RT OF YOUNG LOVEMines H NChOLSON end SAMuCl Z AftKOFF presentANNA CALDER-MARSHALL TIMOTHY DALTON^ » CIM.Y MONTE'SlUudierioa**«¥» • MALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEDRIVE A YELLOWAPPLY NOW-START WORK IMMEDIATELYOR AT THE END OF THE SEMESTERJust telephone CA 5-6692 orApply in person at 120 E. 18th St.EARN UP TO $50 OR MORE DAILYDRIVE A YELLOWnAV NIGHT or WEFKFNP<;Work from garage near home or schoolBarbara Pearson on the Way UpContinued from Page OneAgain, it all depends on who you study with; it isreally dangerous — that is one of the reasons I amafraid of going to Germany. It is so easy to get with ateacher who you really believe is good but isn’t.Can a mature singer pick a poor teacher just aseasily as a beginner?It is not very likely but it could happen. As asinger you can’t listen to yourself, you always have tohave someone keeping tabs on you.Do you think a good teacher has to be a singer?No, it’s all ears. Mr. Gulbranson was a singer,Tom never was. 2Do you have any idea what roles you will beasked to sing in Germany? What roles would you liketo sing ?Pamina in the Magic Flute. Other roles I wouldwant to do — like Donna Elvira in Don Giovanni — Ireally should wait for a while. Others are Micaela inCarmen, Liu in Turadot but they don’t do many ofthose there. Also Mimi in La Boheme.You must have sung with many accompanists.Can a bad accompanist throw you off the track ?No, however if you do a Wolf song, it is a duetbetween the piano and the voice. It is just like havinga choir where two of the parts are singing well andthe other two parts are singing poorly; it just isn’tgood music. Even so, I would not lose my place normy cool. The performance would not, however, be agood one; the pianist is as important as the singer.What singers do you admire today, and for whatreasons?My two favorite singers are Cesare Siepi andMartina Arroyo. They have very much in common.They are both very much Bel Canto singers.It is odd that you mention them as being BelCanto singers, since most people do not considerthem as such. What do you think of those singers likeBeverly Sills, Joan Sutherland, and Marilyn Horne,who are considered by the public as Bel Cantosingers?They are all a bunch of flash and dazzle. Ipersonally don’t think Beverly Sills is that great; hersoft singing is beautiful, her coloratura is impres¬sive, but the voice is not beautiful by any means, onceyou get past pianissimo. As for Joan Sutherland, shesings flat more than anyone I have heard and alwayswith “mush mouth”. I admire Marilyn Horne; hervoice is uneven because her voice has registerbreaks. Cesare Siepi is a more perfected singer; he isstill great even now. He sings well and is beautifultoo. It’s incredible. I admire Arroyo because shekeeps getting better and better and better. Most ofthe great singers get to the top and level off or slip,they very seldom improve. Leontyne Price is startingto get good again. There was a period when she had awobble a yard wide. (At this point Miss Pearsonimitates a wobble.) Evidently, she had gotten into afight with her teacher; now she has gone back to himand all the problems have been ironed out.Would you like to record ?Ot course. The only way to get rich and famous isto record. There is the old argument that one might singlarge roles in Europe, but no one will know aboutyou; wheras if one sings at the Met, even in bit parts,one becomes a more professional singer and onebecomes better known.That’s not true. People always want singers withEuropean training. In regard to rehearsal schedules,the European companies have it all over theAmerican companies. At the Met they rehearse awork for opening night and that’s the end of it. Withthe constant change of conductors and singers, theresults are devastating. I sas II Trovatore at the Met,and it was absolutely ridiculous. The singing wasgorgeous, but the acting was atrocious. Arroyo andRichard Tucker as lovers to begin with. Reeeally! !You are certainly not fat, but what do you thinkof the old adage that opera singers have to be hefty?Is obesity necessary for vocal production ?You know something. In the last six weeks I havegained ten pounds. I think it all comes down toanxiety. You eat to reduce the frustrations. Lastweek, we went out to dinner every night of the week.. After a gourmet dinner, wine and a few drinks andveal scaloppine, you are simply bloated. (MissPearson imitates being bloated.)That brings up an interesting point. Manysingers say that before a performance they won’t eat,go out, or even talk. How do you feel about this ?(Miss Pearson’s roomate laughs.) I almost didn’tthink I was going to make it to the performance of theMahler Eighth Saturday night. No, I don’t think allthat is necessary. You can tire the voice, but no morethan an athlete is tired after a hard workout. Thingsjust have to be worked into the voice very carefully.(How can I say this? I am preaching just what I’mnot doing.) For myself, I find that the voice doesn’ttire very easily. I am a very healthy person; myinstrument is very healthy. 1It is obvious that when you are having a good dayyou will sing well. How about when you arephysically ill or when you have emotional problems?Will the performance be a bad one?Not necessarily. When I stand up to sing nothingbothers me. If I was going to fall apart, it would havebeen before the Met contest. I had just left myhusband and I was in a strange city with no friends. Ididn’t have the faintest idea that I was going to win.So I just went out and said that since they werepaying for it I was going to enjoy myself. And I did! Iam lucky, I won. So I got two kicks. You have to standup, turn off everything, and say I am here to sing. Ireally think that is why Solti asked me to do theMahler — because I had done an understudy for himbefore for the Beethoven Ninth and I. did somerehearsals for the Mahler. (Lou Ann Wycoff becameill and Miss Pearson took over the part) I mademistakes the first day, but I came in the second andcorrected them; he notices that and the orchestranotices it. People in that category don’t bitch at youthe first time. The second time, yes. It’s the same asif the orchestra makes a mistake; the conductorreminds them of it, but he also assumes that theyknow their parts. He doesn’t say, “Now let’s do itagain, boys! ” I found that Solti did the least coaching with me of all the soloists. We worked well together.Have you ever worked with any other big nameconductors?No; however I have worked with Margaret Hillisof the Symphony Chorus and in another way, she isvery good. But there is only one Solti.Do you find that singing in the chorus will ruinthe solo voice ?No, working in choruses and ensembles bringssome of the greatest experiences a singer can have. Ithink that that is one of the things in my favor. I amone of the few singers that can follow a stick. That iswhy I worked so well with Solti; he just had to raisehis hand and I came in. That’s also why I havealways gotten along with instrumentalists,because Iam a good musician.Has any advice from a well-known musician beenof great importance in your career?I think I can credit Margaret Hillis with'reallygiving me a good push. She had me sing solos with thechorus and she is the one who had me sing for Solti.And if I hadn’t sung for Solti...Do you think that you might turn into a dramaticsoprano?I might become a spinto (vocal category betweena lyric and dramatic soprano.), but if I do any of thedramatic roles they will be in the Germanic Reperto¬ry. I think I am better suited for it in bothtemperament and vocal color, than I am for theItalian Repertory. Let me explain it this way; Arroyois an Italian sounding soprano, and Teresa Zylis-Gara is a Germanic sounding soprano. I could doAgathe in Der Freischultz, Elsa in Lohengrin, andthe composer in Ariadne auf Naxos.Any particular concert parts?I want to do the Missa Solemnis of Beethovenmore than anything else in the world. I love the piece.Not many sopranos can hang up there in the hightessitura. If I get tired, it is the lower part of my voicethat gives way.Do you get along with most singers?Yes, I’m really not temperamental. Though, Ican get very annoyed with someone that doesn’tknow his part. I learn very quickly ; it only takes meone voice lesson to learn a piece of music.What was the first thing a voice teacher told youto do?Sing, Goddammit! ! Singing requires gettingyour nerves together. I get very emotionally in¬volved. I almost started to cry at the end of theMahler Eighth. However, this did not affect my vocalquality. I think a singer should be able to sing overanything. I have had a fever, a cold, a sore throat sobad that I couldn’t talk, but I could still sing. It’s all amatter of technique..What is your goal at this point?I have not even thought about it; I have alwaysplayed everything by ear. I find that it’s so easy toget disappointed if you have your heart set onsomething. Just always be prepared in case anythinghappens. I guess that is my philosophy.t >♦ H « t,* * M May 21, 1971 /Grey City Journal/5Exclusive Showing *STARTS FRIDAYFar East KitchenChinese & American ^FOOD & COCKTAILSOpen Daily 1 2 10Fri. & Sat 12 12Closed Monday53rd & Hyde Park Blvd955-2229ACCOUNTING MAJORS12nd HILARIOUS WEEK!Ft Lauderdale for$7a day. WINNER OF 2 ACADEMY AWARDS!BEST SUPPORTING ACTOR-JOHN MILLSBEST CINEMATOGRAPHY**★★★! 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CEDAR 3V2 HRS. $1.00“TAKING OFF”6/Grey City Journal/May 21, 1971Krieglestein Paper Planes, and RobotsThe subject of Werner Krieglstein’sOrigin 0400 is of the greatest serious¬ness and urgency; at the same time, itis possible that it condemns any workbuilt around it to be a self-destructmechanism. But then perhaps that isthe author-director’s intention. If so,the play is successful in a curious way.The problem is the reduction oflanguage to cliche, of meaning tovacuity; its corollary is the trivializa-tion of such concepts as “truth,”“love,” and “reality.” We in thetwentieth century are all too familiarwith the process: technology and com¬merce (advertising) are the villains,our sense of reality is the victim, andalienation is the consequence. Epito¬mizing the dilemma, as Mr. Krieglsteinindicates in some notes in his program,is the conversion of the Vietnam War toan exercise in rhetoric.What we have of plot is suggested bythe following observation in the pro¬gram: “The fool is the last trueindividual in our society. As long as hecan stay completely isolated from therest of society he has a chance tosurvive as a personality.” Whatevertension or “conflict” we have on stagearises from the confrontation of atraditional fool-Pierrot-Christ figurewith a group of robot-like, efficient,non-human beings. The members of thegroup move and respdnd mechanical¬ly; they speak and act in cliches andadvertising slogans; they admire sexbut have a horror of dirt and sweat.The blatancy of the symbols does notreflect any want of subtlety on Mr.Krieglstein’s part, but rather his in¬tention — as a matter of dramaticstrategy — to assault the audience.The play begins for the audiencebefore it is seated: on the steps and inthe aisles members of the ensembleareencountered going through their me¬chanical gestures and uttering disjunctphrases. (Is the intention to create —another cliche — “total environ¬ment”?) The play then proceedsthrough a series of quite discreetscenes, some of them concretizedmetaphors; there is no causality orcontinuity operating, but rather anattempt to achieve a cumulative in¬sight and effect.One of the early metaphorical con¬trasts in the play will serve to illustrate how the play works; it will perhapsalso suggest the kind of critical ques¬tion this method raises. The programsdistributed to the members of theaudience as they enter the theater haveon one side a series of dotted linesindicating the proper places for foldingthe sheet to produce what is called onthe program a “Model Origin 0400paper plane.” In an early scene all themembers of the ensemble take a pro¬gram from a stack on stage andproceed efficiently to create paperplanes. At the same time, on a platformat the back of the stage, the Pierrot-fool figure makes one futile attemptafter another to fold the sheet properlyand make a plane; slowly a pile ofcrumpled and misshapen failures ac¬cumulates around the platform. Con¬clusion: the very failure of the fool(equals inefficiency, isolation) guaran¬tees his humanity.But I was struck by a most curiousphenomenon. On the evening I attend¬ed, a good number of the audiencearound me spent perhaps the first tenminutes or so of the play paying little attention to what was going on onstage, but a great deal of attention tofolding the program into a paper plane.It would be interesting to determinewhether this a) demonstrated the in¬adequacy of the drama on stage, b)revealed something about the au¬dience, or c) indicated the brilliance ofKrieglstein’s metaphor.Krieglstein employs a number ofdevices which are stronglyreminiscient of German theater of the1920’s — especially Expressionist the¬ater’s use of “robot” ensembles, “fac¬tory” uniforms, and striking lightingeffects; also recognizable in the playare elements of Brechtian distancingand didacticism. (This is perhaps nottoo surprising if we remember that theplay was originally written and pro¬duced several years ago in Germany,where these influences are still veryprominent.) In addition, the use ofextended, yet fragmentary, quotations(e.g., from Lear and Hamlet), as wellas the use — for ironic purposes — of agrotesquely modified portion of theGood Friday Mass, remind one of T.S. Eliot’s method in “The Waste Land”(“These fragments I have shoredagainst my ruins”).Yet if influences are evident, never¬theless the play is characteristicallycontemporary in its very eclecticism,its willingness to use any and everydevice to overcome the moribund con¬dition of theater, and its attempt toinvolve and in some degree to affrontthe audience; most especially, ofcourse, we are struck by the contempo¬rary emphasis on the physical — onathletic, stylized, choreographedmovement.It is with regard to this “choreogra¬phy” that the ensemble, and Kriegls¬tein as director, are particularly to becommended. The play clearly requiresa coordination and training which oneordinarily associates with a repertoryor other long and intimately associatedgroup. It is remarkable that a “pick¬up” group which could scarcely haveworked together much more than amonth could produce such highlycoordinated and effective group move¬ment and interaction. Annette Fern, asthe only “solo” performer in the tradi¬tional sense (she was the fool-Pierrot -Christ), does well with a part which iscomic, compassionate, and confusing.Overall, I found the play only partial¬ly successful. Ensemble movement,especially when reflecting mechanizedhumans, has lost such of its effective¬ness as a theatrical device. Some of thecarefully worked out repetitions ofmovement, and on occasion the pacingitself, lost the audience for briefstretches. And the frequent uncertain¬ty or ambiguity of meaning in particu¬lar scenes and encounters was notalways balanced by dramatic impact;at times the audience was more con¬fused than moved.Yet the work, both as experimentand as achievement, is serious andprovocative. The precision of direction,the imaginative use of the limitedstage, the excellence of the ensemble,and not least the novelty of the con¬ception — all these are reasons enoughnot to miss this unusual theatricalexperience.The play runs again this weekend —tonight through Sunday, at 8:30 in theReynolds Club Theater.— Marvin MirskyCulture VultureMUSICThe Musical Society presents a violoncello recital thisSunday in Quantrell at 3 pm. Featuring cellist Ron Wilson,works by Bach, Britten, Debussy, and BrahmsMonday night, in Mandel at 8:30 pm, pianist Eloise Polkwill perform a recital of the piano music of Mozart andSchubert.The Old Town Renaissance Consort will present "Jeremiah" Sunday at 4 pm, at the Cathedral of St. James, 666 NRush StThe Chicago Chamber Orchestra presents Telemann'sWater Music, Sunday, 3:30 pm, South terrace at the lagoonof the Museum of Science and Industry.Tomorrow evening the Chicago Symphony Orchestra willperform Surinach's "Concerto for Orchestra", Gerhard's"Collages", and Tchiakovsky's "Concerto tor Piano No. 1."Conductor: Henry Mazer Pianist Andre Watts OrchestraHal i at 8 30 pmToday the Contemporary Chamber Players, conducted byRalph Shapey will perform Ives' "Tone Roads No. 3" and"The Gong on the Hook and Ladder " Bach's "BrandenburgConcerto No. 4," Martlnon's "Vigintuor No 1," andWebern's "View Lieder," Opus 13. Mandel Hall, 3:30 pm.At Alice's tonight will be John Little John Blues Band withJimmy Rogers 950 W WrightwoodThe Allegro Conspirito presents a concert of madrigalstonight at8:30 pm in Bond Chapel. Free AdmissionKris Kristofterson, folk and country musician, will appearin concert Tuesday at Mandel. 3 pm. Admission $1.At Alice's tomorrow night Rawl Hardman Group.Good ol' down home ragtime hillbilly music at Alice's,every Wednesday, from The Great Butterflynet Mystery 8pm 950 W Wrightwood 528 4250Tomorrow evening the University Symphony Orchestrawill perform in Mandel at 8:30THEATERThe Goodman Theater will present Lady Audley's Secretopening May 24 Written by Douglas Seale, the play is takenfrom an 1862 best selling novel by Mary Elizabeth Breden —ail about love, villains, good, evil, etcOrigin 0400 written and directed Ov Werner Krieglstein inReynolds Club Theater tonight, Saturday and Sunday, at8:30 pmTne Ivanhoe presents Another Part of the Forest throughJune 6. Written by Lillian Heilman 3000 N Clark. Tuesdaythrough Friday, 8 30 pm. Saturday, 6 pm and 9 30 pmSunday, 7 pmBuck White ,s moving iO Saint James United MethodistChurch. 4611 S Ellis Avenue The all male black musicalPlays every Thursday and Friday. Tickets are $2 50 4.50with $1 student discount except on Saturday.You're A Good Man Charlie Brown nas opened a’ theHappy Medium 901 N Rush for an extended run. Studentsmay purchase tickets for $3 a half hour before curtain time.Tues Fri performances at 7 30 pmChekhov's The Seagull is being performed tor free every' and r,afurdo» .. 7 30 Iht Columbia Colic.,.Pr orming Art:, Center, 1725 N Wells. 944 3756F-ee Theater wilt present through May, William Russo's wo0o O o o J* •> -P- o o O O/•jm *M* fOTTEfly, +*JAIMt SOUfUANO mtOWMY JTuPIOJC7TCLIC CAROL 6014, XNGieSIPCPC LORIS fQHTON* PLZ-77 OBGCOftGC ttt riAY2J;29z 01 THC MAGIC POO Aesop's Fables Sunday at 7 and 9 Monday at 7:30 and 9. Atleast through the end of the month, they will also presentRusso's Civil War on Saturday evenings. Call 929-6920 formore information The theater is at 3257 N Sheffield.Obviously, admission freeThe Me Nobody Knows continues at the Civic Theater,Washington and Wacker. This is the Chicago production ofthe current New York Obie award-winning rock musicalbased on the creative writings of school children from theghetto. Tickets$4 7.50. Call 726-7890Grease, a 1950's rock musical, continues at the KingstonMines Theater, 2356 N LincolnARTAt the Museum of Contemporary Art, May 22 through July4, "Radical Realism" and "Cosmo Campoli Retrospective".(Casmo Campoli is a sculptor from Hyde Park.)The Renaissance Society Gallery will show "ChinesePainting at Mid-Century" through June 12, 108 GoodspeedHall.The Bergman Gallery presents "Erotic and FantasticDrawings oy Nine Artists" :arranged by GCJ art editorSusan Left) through June 5. CobP4l8The 31st Society for Contemporary Art Exhibition at theArt Institute continues through May 30: Montgomery WardGallery.Irish artists Patrick Hennessy and H Robertson Craig areat Guildhall Galleries, Lts., 406 S Micmgan, through May 22Harriet M Harris Center offers very inexpensive coursesin drawing, painting, leathercraff, macrame, etc. begunApril 12. Call 955-3100 for infoTwentieth Century Prints a’ the Art Institute. Galleries108 and 109Ryder Gallery (500 N Dearborn) shows the fifty best prin‘advertisements and television commercials of 1970 andAIGA Communication Graphics show through June 4th.DANCECary Rick will present a one-man oance concert, SundayMav 23, 3.30, at tne Athenaeum Theater, 2936 N. SouthportHe is an American student of tne expressionistic Germanschool of modern oance The program includes Totem, andSabbath Admission $3 Students $1.50 (purchase ticketsfrom Elvi, see preview this issueThe Dance Troupe, directeo by Shirley Mordine, willpresent Journey and Three Folk Pieces, modern danceworks), for the last time, Wednesoay, May 26 at 8. ColumbiaCollege Center, 1725 N. Wells. Contribution $1.50A Dance Workshop by Ronny Kaye continues throughJune at the Kingston Mines Tneater, 2356 N. Lincoln Ave.Classes are Monday nights, body movement 7-8, modernjazz, 8:15-9:30. $2. pet Class. 525 9893The Stuttgart Ballet will be at the Civic Opera House June7-12 $3 50-10.The Dance Paper, a Chicago monthly on dance, isavailable at $.20 a copy or $2 per year by writing the ChicagoDance Foundation, 4949 S Woodiawri Ave., Chicago, 60615(If Vuu ic cut iOus gnu money cautious, a complimentarycopy of the February issue is available from the sameaddress.) FOTASunday, from 2 pm to 10 pm on the main quads, the rOTAFair, featuring craftsmen music and fireworks (afterdark), will take placeSPECIAL EVENTSThe Black Alliance of the School of Social ServiceAdministration will present its first annual Black CulturalFestival, "Liberation Through Unity," on Saturday, May 22,1971.The program will feature Lou House, moderator of WLSRadio Stations Black Is" and Executive Director of theCouncil for Bio Medical Careers, Calvin Morris, AssistantDirector of Operation Breadbasket; and the Phil CohranMusical Ensemble. Also included in the program will bereadings by Black poets Eugene Perkins, Sterling Prumpp,and Johari Amin; There will oea fashion show, professionaldancers, and Black artists will display exhibits beginningMonday, May 17. Following the program will be a dancefrom 10:00 untilTickets are avaiiaoie at all Ellis Bookstores — 6447 S.Cottage Grove 1638 E 87th and 4234 W Madison — and atthe door, 969 E. Sixtieth Street ;corner of Sixtieth Street andEllis Avenue )All momes raised will be used tor the establishment of ascholarship fund tor black students.FILMA bit of a slow week or, campus: Friday night, NUCpresents Confidential Agent from the Grahame Greeneentertainment starring a superb Cnarles Boyer and asomewhat uncomtortaoie Lauren Bacall. Saturday night,CE>= presents Bo Elvira Madiqan; Widerberg's Adalen 31,which combines ivrical love AND laoor strife. Sunday nightCEF is unspoohng Truffaut s Mississippi Mermaid withBelmondo and DenueveDoc Films is showing two films this week: on Tuesday, thefinal George Cukor's picture Bhowan, Junction, and onWednesday Douglas Sirk s Time to Love and A Time to Die,ooth about love thwarted by war. both in super Widescreen,and both in Cobb at 7 30 The Ida Noyes Program Board ,sshowing Shoot the Piano Piaver Thursday night, butsomeone there should be sho’ — tne picture has been shownthree times ,n tnr»« wear, o- anu un(_e ,h<1,Cinemascope version Truffaut made — a viewer really can'tunderstand what the picture is about with one third of thepciture missingMay 21, 1971 Grey City Journal 7NOW ON SALEORD VOXVOX STPL 1.19ea.ORDVOX SINGLES - STPL - $4.98BEETHOVEN: Symphony ho. 6 "Pastorale"—Otto klemperer*97110'A CHOPIN RECITAL—Guiomar Novae*. Piano*97020 CHOPIN: Mazurkas—Gutomar Novaes, Piano*99170 CHOPIN: Waltzes (Complete)—Guiomar Novae*. Piano*99920 GRIEG: Piano Concerto; FALLA: Gardens of Spam—Novae**99930 BEETHOVEN: Piano Concerto #4; ••Moonlight"—Novae**99290 PROKOFIEV: Peter A Wolf; BRITTEN: Young Person * Guide*99940 GRIEG: Lyric & Holberg Suites, etc910.000 BEETHOVEN: Symphony No 9 "Choral"—Horenstein* imTV 34*41910.200 SCHUBERT: Symphony in C Great”—Perlea910.220 RIMSKY-KORSAKOV Scheherazade—Perlea910.290 BALAKIREV: Islamey; LIADOV Baba Yaga, etc —Perlea910.330 GRIEG Symphonic Oances. 2 Elegiac Melodies—Remoortel910.390 TCHAIKOVSKY Symphony No 5—Hollreiser910.420 LISZT Piano Concerti Nos. 1 & 2—Brendel. Piano910.900 GLINKA: Overtures; Jota Aragonesa, Fantaisie, etc —Perlea910.700 BEETHOVEN Symphony No. 3 "Eroica"—Horenstein910.710 CHOPIN: Piano Concerto No. 1—Novaes. Piano910.770 BACH Italian Concerto, Toccata A Fugue, etc —Eisner, Harps.910.790 HAYDN/VIVALOl/BOCCHERINI: Works for Cello—Cassado910.910 DVORAK "New World" Symphony—Hollreiser910.920 LALO/ST. SAeNS/FAURE: Works for Cello—Cassado910.930 CHOPIN: Etudes, Op 10 A Op 25—Guiomar Novaes*910.940 CHOPIN Preludes. Op. 29; Sonata No. 2—Novaes* TURNABOUT - TV -»2.98GAPE: Symphony No. 1, Op 5 — Knudsen tTV39HJ MOZART: Bastlen ABastTenneIV PE CRIGNY: Organ MusicIV!1VMPC7 HAYDN: Lyra ConcertiMOZART; ,,Posthoru,, Serenade A "S«rrnata Notturna'ITMiaw baroque TRUMPrr'CftfteHTl LP RECORDSALE1.49 2.390NDIDtMime or THE EARLY RENAISSANCE9111 III WIN Untie for FlutaDVORAK: Slavonic Dances' 31. Recorded With DOLBY S/N STRETCHERORFF: CATUU.I CARMINA - HollreiserHAYPN: "LeeV'.^iird" A "loko" QuartetsMOZART: "Coronation" Man A Vetperae Solemne*| MOZART, lawti | Concerto tor 2 PianosBARTON A STRAVINSKY: Piano ConcertiVIVAIOI: la Fida Nmfa (Abridged)VECCHI A BANCHIERI: Madrigal*| BRAHMBi Hungarian Dance* ~ThETaAMueGREGORIAN CHANTS FOR LINT A EASTERTV *4079W 34971 BACH: Cantata* No* M A 2l7~TV 34973 HUMMEL A HAYDN: Piano ConceM:tV 34974 COUPERIN: 2 Matte*; LE BECUE Magnificat\NjmrTV 34079 I DVORAK: Piano Quintet; Pumky TrioTV 94077 BEETHOVEN: Bagatelles — BrendelTVB4B7B TELEMANN/VIVALDt/ROSEni: Horn ConcertiTV 34079910.970 BEETHOVEN: Symphonies 7 A 9— Remoortel910.990 BRAHMS Piano Concerto No 2—Gyorgy Sandor, Piano911.010 MOZART Piano Concerti Nos. 19 A 20—Ingrid Haebler911.090 BERLIOZ: Symphonic Fantastique—Perlea911.110 MOZART: Clarinet Concerto A Quintet—lost Michael*911.170 BEETHOVEN: Violin Concerto; 2 Violin Romances—Lautcnbacher911.190 ROSSINI "William Tell" A other Overtures—rerlea911.190 TCHAIKOVSKY: Symphony No. 4—Hollreiser911.210 MENDELSSOHN: "Italian” Sym.; TCHAIKOVSKY: Capriccio Italien TV 34091 BOULEZ: Le Marteau sans Maltre tTV 34092TV*4003TV 34094TV 34099TV 34094TV 34097TV 34099TV 34049TV 34090911.240 BRAHMS Hungarian Dance*; DVORAK: Slavonic Dances—Perlea911.310 MENOELSSOHN: "Scotch" Symphony; Midsummer Night'* Dream911.390 BEETHOVEN: Piano Concerto No. 4; Salieri Vars.—Brendel911.390 TCHAIKOVSKY: Nutcracker, WEBER Inv ; STRAUSS: Rosenkaval.er911.440 BACH Toccata A Fugue, 6 Chorale Preludes, etc —Kraft, Organ911.490 VIVALOI 4 Seasons—Biffoli; Accademici di Milano911.900 RACHMANINOFF/TCHAIKOVSKY Piano Concerti—BlumentalS11.S4<fBACH Violin Concerti—Lautenbacher A Vorholz911.990 WAGNER Overtures A Preludes—Hollreiser911.590 LALO ST SAeNS: Works for Violm—Rosand911.990 TCHAIKOV./RIMSKY KORSAKOV/BORODIN/MUSSORG — Hollreiser511.720 LEURS AMOURS Bthv'n/Chopm/Peb'sy/Schumann Liszt—Klien511.770 TCHAIKOVSKY Swan Lake A Sleeping Beauty—Remoortel511.450 DEBUSSY RAVEL/DUKAS/CHABRIER—Remoortel511.930 BEETHOVEN Piano Concerto No 5 "Emperor"—Guiomar Novae* TV 34091TV 34092TV 34093TV 34094TV 34095 » MOZART Cone No 20; BEETHOVEN Rondo — BrendelTV 34099 CALOARA Christmas Cantata — EwerhartTV 34097 SPANISH ORGAN MUSIC — RillingTV 34094 MOZART Concertante, K. 364 A Concertone, K. 190TV 34099 MONTEVERDI L SCHUET7 Magnificat*--tillingTV 34100TV 34101TV 34102 BACH Violm Cone.; Harpsichord Cone Nos. 4 A 5TV 34103TV 34104TV 34105TV 34109 BACH Cone for 3 and 4 Harpsichords511.970 CHOPiN Waitres—Ingrid Haebler512.270 BRAHMS Symphony No. 4 - Schmidt lsserttedt512.290 FRANCK Symphony m d. Symphonic Variations—Cielen512.330 BACH 2- and 3 Part Inventions—Galling, Harpsichord512.340 USZT 8 Hungarian Rhapsodies—Vazsonyi. Piano*12.390 SCHUBERT impromptus. Op 90 A 142—Alfred Brendel512.400 VIVA FLAMENCO'-de la Rosa. Lopera A Ramos512.410 BIZET L'Arltsienne, GRIEG Peer Gynt—Perlea512.470 10HANN A 10SEF STRAUSS Waltzes A Polkas—E. Straus*512.500 CHOPIN Krakowiak. Andante Spianato. LISZT Hung. Fantasy512.510 MOZART • Jupiter” Symphony. HAYDN Surprise" Symphony912.530 BEETHOVEN Pathttique. Appassionata. Moonlight—Klien912.950 CHOPIN Preludes. Op 28 A 45. etc -Walter Klien912.740 MOZART Requiem—Bader. Conductor912.790 SARASATE Navarra A other Work* for Violm—Rosand912.900 MUSIC FOR A WEDDING Wagner. Mendelssohn, etc —Simon*912.990 CHOPIN Nocturne*. Vol l—Guiomar Novaes*512.990 CHOPIN Nocturnes. Vol II—Guiomar Novae**912.970 ST SAINS: Symphony No 3. Op 74—A*ma; Benz*912.990 FRITZ WUNDERLICH Sing* Song* from Viennese Operetta*VOX BOXESON SALE4.19 BEETHOVEN.* Septet; 3 Duos. WoO 27 ORDM. HAYDN A HUMMEL: Viola Cone A FantasyMOZART: Piano Concerti Nos. 17 A 19BARTOK: Cone, for Orch.; Piano Cone. No 3BRUCKNER: Symphony No 7BACH: Chorale Preludes for the Christmas Season—KraftNIELSEN: "Helios" A "Saga Dream"; GADE: "Echoes"RIISAGER: "Etude" A "Qarrtsiluni" tBARTOK Miraculous Mandarin A Wooden PrinceMOZART: Cone, for Flute A Harp; Fantasia; AdagioSCHUETZ: Christmas Oratorio — GrischkatCARISSIMI "Jephte" A "Judicium Salomonn" —Rilling lgerman BAROQUE TRUMPET CONtEftTl:"Hertel, Fasch. ,Stoeirel A Biber ^ NUMERICAL LIST 9* CONTENTS—CANDIDE—CE—>3.98CE 31001 STOCKHAUSEN: ProzesslonCE 31002 MESSIAEN: Olteaux ux.; Bouscarlu; Rev.de* olteauxCE 31003 BUSONI: Kon**tucl<:DI».{ Rndo Ariocch., Clar. Con.OCE 31004 GER. 9* ENG. MUSIC OF LATE REN. FOR BRASS ♦CE 31005 ENQ. SECULAR MUSIC OF LATE RENAISSANCE*CE 31006 JOHN FIELD: Plano Con. No.2; 7 Nocturnes »CE 31007 MUSIC FOR GLASS HARMONICA •CE 31008 MILHAUO: 6 Little Sym; L'Homme et ton deslr •CE 31009 LIGETI: Avon tu ret; Nouv. Avon; Volumlna; Et. No. HCE 31010 MOSCHELES: Pa. Con.; Sul. Etudos; Char. Etude* •CE 31011 VON HENSELT*. Pa. Con.; 12 Etudes caracterlstlc »CE 31012 RAMEAU: Le tumptu do la qlolru •CE 31013 MILHAUD: Car. O'Alx; Via. Concerto; Pure. Concerto*CE 31014 BRUCKNER: Quintet; WOLF: Italian Serenade*CE 31015 AVANT GARDE PA.Berlo7Boulez/Stock./Oalla./Kre.oCE 31016 CARTER: B Etudes. Woodwind 6ulnt.;HENZE!:tiulnt.9CE 31017 FROTTOLE: Mantovano/Trombonclno/Pretentl/Cara.CE 31018 SATIE: Embryons; Parade; Clnsma;Pleae de Medusa*CE 31019 POLISH REN. MUSIC FOR ORGAN 4. HARPSI.*CE 31020 PORTUGESE HARPSICHORD MUSICCE 31021 PHILA. COMPOSERS FORUM: Boulez; Delia; Pouts*CE 31022 STOCKHAUSEN: Kontekte 9, Refrain*CE 31023 RUBINSTEIN: Pa. Concerto No. 4; Melody In f, etc.CE 31024 SATIE: Socratt; DEBUSSY: Chanson da Bllltl* *CE 3102S MUSIQUE CONCRETE- Schaeffer/Macne/Phlllppot.CE 31026 PFIT2NER: violin Concerto*eg nra? jifHP* ,,m—■fiS.MflM VARESE: lntair,4!K>ff»frlFrH>f|^anijty/9ctgo4ra1etc. *Cf, nm : Piyo CoocartoATjio^BCE 31030 MOSZKOWSKI: Plano Con.iCaprlca CspagnSIBELIUS Quartet; BEBWAID Quartet No~}" "HAYDN Symphonies Nos. 15, 16. 17 — Boettcher CE 31031 TAUSiG-.Coocf i g^asjHungaflan.AlnjaAlrs<OtC)--Pontl*STAMITZ Clannet. Flute & Bassoon ConcertiBOCCHERINI: Quintets, Pp '13. Wo. 5 i Op. 47. No I'—orcTTELEMANN "Ino " Cantata — Ri'lingMUSIC AT VERSAILLES AT THE tlM{ QflOu'IS XIVHANDEL Concerti Grossi, Op 3 — KehrHAYDN Symphonies No 31 4 No — BittingTELEMANN Ccncerti for Flute, Oboe & 3 TrumpetsTV 34107 BRUCKNER Symphony No 4 — HollreiserTV 34109 BEETHOVEN BRAHMS Clarinet Trios — GlazerTV 34109 NIELSEN Quartet No 3 8 Serenata in Vano—CopenhagenTV 34110 MUSIC FOR MANDOLIN 8EETH0VEN/SCHLICK—KunschakTV 4111-13 MOZART Magic Flute — Beecham (3 Record*) 1TV 4114-19 MOZART The Marriage o* Figaro — Butch (3 Record*) tTV 4117-19 MOZART Don Giovanni — Busch (3 Record*) fTV 4120-22 MOZART: Cosi fan tutte — Busch (3 Records) ttV 34123 M, GIULIANI/CARULLI TORELLI PAGANINI: Guitar Cone.TV 34124 TEtEMANN~"Pimp.nonc" - Ciannella j Wtnk; Rillingtv 34125 SCHUMANN Frauenliebe und Leben: STRAUSS: LiederTTV 34129 FRENCH ORGAN MUSIC Attaignant ft TitelouzeTV 34127 BACH Cantatas Nos 204 i 209 — EwerhartTV 34129TV 34129 HAYDN: Symphonies Nos 1, 13 8 28 — Haydn SymphonyMOZART Piano Concerti No. 25 & No. 27 — BrendelTV 34130 JANACEK/HONEGGER/BARTOK/STRAVINSKY Piano WorksTV 34131 MONTEVERDI Return of Ulysses (Escerpt*)TV 34132 MOZART HAYDN Organ ManetTV 34133 WILLIAM BOYCE 8 Symphonies — FaerberTV 34134 MOZART Musical Joke; HAYDN: Toy Sym.; L. MOZARt:'Musical SieighrideTV 34139 ALBINONI/CORRETTE MOZART/HANDEL: Music for OrgirTTV 34139 SOLER: 6 Concerti for 2 Keyboard InttrumentsTV 34137 FRENCH LUTE MUSIC: Schaeffer MOZART/WEBER: Bassoon ConcertTTV 34139 HAYDN Mas* in Time of War — GillesbergerTV 34139 BEETHOVEN "Diabelii" Variations — BrendelTV 34140 SCHUBERTQuartet •Trout" Quintet — Kentner A Hungarian .TV 34149 RACHMANINOFF Symphonic Oances i Vocalise -Dallas Sym : JohanosTV 34149 IVES Holiday* Symphony — Dallas Sym.; JohanosTV 34147 FAURE Requiem -- Martini. ConductorTV 34149TV 34149TV 34190TV 34191 BOlELOIEU Concerti for Harp, for PianoNIELSEN Little Suite 9 Quartet No. 2 —CopenhagenHAYON Symphonies No 8, No, 7 9 No. 8 -- BoettcherWEBER Concerto No. t. Concertino. Quintet for ciarinet 34401 TURNABOUT - TV — $2,98PAISIELLO A STAMITZ: Plano ConcertiTV 34003 MOZART: Symphonies' No. 29, 23, 20TVTVTV 34007 HAYDN: 4 flute Quartets, Op. 7TV*4910 CORRETTE Concert! A Sonatas for FluteV 34012 HAYDN: String Quartets Nos 79 A 79TV 34013 MOZART: "Haffner" SerenadeTV 34014tV 34019TV 34019 HOFFMANN A GIULIANI: Mandolin Quartets”TV 34017 MUSIC OF THE HIGH RENAISSANCE IN ENGLANDTV3401A MONTEVERDI: "Combattimento di tancredi e Clorinda"TV 34019tV 34021TV 34023 HUMMEL A HOFFMANN: hUndolInToncertlELECTRONIC MUSIC Lewin-Richter. Avni. Mimaroglu. etc~PITTERSOORF: Concerti for Harp A Double Bass"SCHUBERT: Waltzes; German Dances; Vaises NoQlesVIVALDI: Concerti for Piccolo, Viola d'amore A LuteFAURE A ROUSSEL: QuartetsBACH: "Coldberg" Variation*MEDIEVAL AND RENAISSANCE MUSIC for Harp, ViQleBERG: Lyric Suite and String Quartet, Op. *VIVALDI: Sli Flute Concerti, Op. 10TV 34029tV 34029 HANDEL: 9 German AriasVIVALDI: 4 Wind ConcertiTV^HTV 34027 SONS OF BACH: I.C., J.C.F . A W.F. BachMOZART. Piano Concerti K. 413, K. 450Wimn HUMMEL: Piano Concerto; Double Concerto,TV 34028 VIVALDI: Gloria in D; MOZARf: "Eiultate" A "Benedictus"tV 34031wlmr HAYDN: Trumpet, Oboe and Horn ConcertiSCHONBERC*Verkllrte Nacht; String Quartet No. IDA CAPUA: La ZingaraLORTZINC: "Per WaWenschmied" Eicerpts t~MOZART: Oboe Quartet; Hern Quintet; Clarinet Trlo~TV 84887 BARTOK: Piano Concerto No. 2; Sonata for 2 Piano* A Pete ~BRAHMS: Piano Quartet. 6p~3V|MOZART: Symphonies No. IB. 19.’ TTTV 34041 VIVALDI: Four Season* tw MUSIC FOR PIANO FOUR HANDSfcACH: CanUUs No 202 "Wedding" A No 212 "Pea*antjrNIELSEN: Violin Concerto. Op. 3* tBACH: Brandenburg Concerti No* 13 1BACH Brandenburg Concerti No* 4 6 tTV ELECTRONIC MUSIC: Mimaroglu. Berio. Cage*W 34047 LOCATELLI: Concerti No* 11 A 12TV 34040 NIELSEN: Symphony No. 2 "Four Temperaments'1'TV NIELSEN Symphony No 4 1 Ineiltnguithable1' tTV 340B1* SCHOENBERG Piano Cone.; Violin ConeOnlyAt SAVE ON TAPES AT LOWE SCHARGEWITH 9an« Amf sir aroOtOBtv records HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 58/Grey City Journal/May 21, 1971