The Chicago MaroonVolume, 79, Number 43 The University of Chicago Friday, March 12, 1971Pahlavi money being returned to ShahThe proposed Pahlavi building was a tar¬get of radical groups last spring, whocharged that it would house research bene¬ficial to the Iranian government. Radicalsalso attacked the Adlai Stevenson Institutefor International Affairs, which was tohave been housed in the Pahlavi building,and raided its offices in Robie House lastMay.They also charged that the Universityshould not name the building after the Shahof ran, who they accused of political des¬potism.Supporters of the building responded thatthe grant provided no funds for research,or for the support of faculty.They added that many faculty in MiddleEastern studies were humanists interestedin language and literature, while the re¬search of social scientists in the depart¬ment did not support the Shah’s regime.Adams said that this protest activity hadnot affected the University’s plans. “Wewere committed to going ahead with theproject, and we made serious representa¬tions of this to the Iranian government,” hesaid.The Pahlavi grant was negotiated inJanuary 1967. Working drawings for thebuilding were completed in October 1969,following the clearing of a lot at 58th andWoodlawn. Chapel house and a music build¬ing were razed to clear the site.After the University learned from theconstruction bids that the project wouldcost $2.5 million, it secured an extension ofthe bids, while efforts were made to raisemore funds.Additional funds could not be raised, andattempts to cut costs by redesigning thebuilding were unsuccessful. The estimatedcost of the project had risen to $2.7 millionby this year.Besides the grant of $2 million for thebuilding, $1 million was to have been usedfor faculty positions and student fellow¬ships in Persian studies.“We couldn’t recognize them unless a se¬cret ballot was held first,” Gwynn said. Be¬fore giving consideration of recognition tothe union Gwynn said, “It must be a viablebargaining unit and there must be a secretballot election. We have to be fair to staffmembers who don’t want to join theunion.”Gwynn was not sure whether the unionhad a signed up majority of the workers asmembers.Mrs Patricia Coatsworth, chairman ofthe organizing committee, said, “If theUniversity’s only concern was a secret bal¬lot election, we could hold one in 24 hoursand the union is confident that it could winoverwhelmingly. And we stated in the let¬ter that if they wanted to verify if we had amajority, we would submit to a mutuallyagreeable third party to look at the mem¬bership cards.”A viable bargaining unit, as MrsCoatsworth defined it, includes “any em¬ployee who works in the library, excludingthe administration.” She feels that “a vi¬able unit to the University might mean thesplitting up of the whole unit into its com¬ponent parts.“Essentially what the administration isdoing is stalling for time through a legalmaneuver,” she said.A statement released today by the organ¬izing committee states in part: “If the li¬brary administration doubts that a major¬ity of employees favor the union and is un¬willing to have an impartial third party ex¬amine and verify the signed membershipcards of unionized employees, the LibraryStaff Organizing Committee challenges thelibrary administration to agree to the hold¬ing of a secret ballot election among li¬brary employees immediately.”Mrs Coatsworth emphasized the willing¬ness of the union to hold an election now.“We really want to Weon all omnlnypps to¬gether” she said, “and prevent divisivenessby dividing library employees into differentcategories,” The Pahlavi Center for Middle Easternstudies will not be built.The University has returned to the gov¬ernment of Iran at its request all paymentsmade toward the construction of the Pah¬lavi Center, and for support of faculty inPersian studies.The Iranian government requested lastJanuary that the portion of its $3 milliongrant received by the University, about$2,237 million, he returned with an interest.Of the $3 million grant, $2 million wereearmarked for a building at the southwestcorner of 58th and Woodlawn to house theCenter for Middle Eastern Studies, to benamed “Pahlavi” after the ruling dynastyin Iran.The University discovered in May 1970that the bids for its construction were$500,000 in excess of this budget, and hassince been unable to raise the additionalfunds.Dean of the social sciences division Rob¬ert Adams said that the Iranian govern¬ment was “concerned that construction hadnot gone ahead,” but added that he couldnot speculate on why they had requestedthat the plans be discontinued.Library union not recognizedBy LISA CAPELLThe University has denied the libraryunion request for recognition and filed apetition calling for an election with the Na¬tional Labor Relations Board (NLRB).Over the weekend the Library Staff Or¬ganizing Committee, of the University localof the National Distributive Workers ofAmerica (NCDWA) sent a letter requestingrecognition to Herman Fussier, director ofUniversity libraries.Fussier left this weekend on a three weekleave. The request was forwarded to Stan¬ley Gwynn, associate director of Universitylibraries. Mrs Coatsworth said there is a possibilityan informal conference will be held thisweek with representatives from the libraryadministration and the union. She felt thatthey may reach a definition of a viableunit.“It doesn’t surprise us that they didn’trecognize us and they went to the NLRB,”she said. “What amuses us is the reasoningthey give us. They emphasize the secretballot and they are unsure about a majorityand we have already responded about'Latent dissatisfaction' that.”With the issue of recognition now underthe jurisdiction of the ULRB, a problemconcerning student participation has arisen.The NLRB has not decided whether stu¬dents may take part in the election whichwould establish the union as official bar¬gaining unit of the library workers. Allworkers. All workers, union and non-union,are eligible to vote in such an election.The next business meeting of the unionwill be held March 18.Campaign going well: Dick FriedmanBy CON HITCHCOCKRichard Friedman slouched onto the Cobbcoffee shop sofa and stared at the mess onthe table.“I can see people here are not anal com¬pulsives.”He leaned forward and started to pick upthe cups and napkins lying about. “I reallyhate this type of mess.” Pause. “Go ahead,ask me a question.”The Republican candidate for mayorlaunched into an interview Friday after¬noon shortly before going upstairs to an¬swer questions from an audience of 150 inQuantrell auditorium.How’s the campaign going?“I’m an underdog, a very severe one, al¬though I am much less of one'at this mo¬ment than I was at the beginning. When Istarted out it was just me.“I approached the Republican party, andasked them for the opportunity of beingtheir candidate, a candidate who couldbring the people together.“lam trying to put together a coalition ofRepublicans, dissident Democrats, indepen¬dents, young people — underline that,young people — blacks and other minor¬ities, Spanish speaking people, and the el¬derly.“The campaign is going very well. Therehas been a very good acceptance. There isa backlash (against the machine) and agreat distribution of latent dissatisfactionwhich I am trying to point out.“I’ve been calling Daley the bungler, notthe manager, the destroyer, not the build¬er. and I’ve made it stick.”Friedman, 41, is a non-stop talker andprojects the energy of all political refor¬mers. A liberal Democrat, he used to head the Better Government Association, whichunearthed corruption and waste in the citygovernment.Now he is making his debut in electoralpolitics. “I have never belonged to any ward organization before, as I couldn’tstomach it.”A critic of machine power, Friedman hasproposed “neighborhood councils” whichContinued on page 3Steve AokiRICHARD FRIEDMAN: Mayor Daley’s Republican challenger in the April 6 electionreports “there has been a very good acceptance” of his uphill campaign.Dohrn wants destruction of US governmentSteve AokiJENNIFER DOHRN: Sister of Weatherman Bernardine was on campus last week tobuild support for May anti-war demonstrations.By LISA CAPELLJennifer Dohrn, former University stu¬dent and Weatherman leader, arrived oncampus last weekend to build support forthe upcoming anti-war demonstrations inMay.The People’s Coalition for Peace andJustice, an anti-war group endorsed by theNew Mobilization Committee, the SouthernChristian Leadership Conference (SOLC),and the National Welfare Rights Organiza¬tion, has announced plans including civildisobedience for the May demonstrations.The plans include a May 1 meeting of theSCLC mule train, marchers from KentState, and other demonstrators at a farmoutside Washington DC. May 2 they willpresent the People’s Peace Treaty to Pres¬ident Richard Nixon and Congress. Plansare to surround the Capitol until Congressdiscusses it. Civil disobedience is plannedfor May 5.Dohrn suggested that people should planthings “in our own cities, too. And it wouldbe really effective if a lot of large demon¬strations are in DC at the same time.”A regional conference to plan local actionfor the April 24 demonstration in Washing¬ton DC against the Indochina War will beheld March 19-20 in the Hyde Park Unionchurch, 5600 Woodlawn.The conference will begin Friday at 7:30pm. Scheduled speakers include RevCharles Koen, of the Cairo United Front;Abe Feinglass, the Amalgamated MeatCutters Union; Jerry Gordon, nationalcoordinator of the National Peace ActionCoalition (NPAC); Suzanne Haig, UnitedWomen’s Contingent; and Laura Dertz,coordinator of the national Student Mobili¬zation Committee (SMC).Workshops and discussions will begin at11 am Saturday. The conference will at¬tempt to combine traditional peace forces,and third world and organized labor groups Dohrn said that this year “we’ve beentrying to figure out a new way to fight.” Inan interview Friday she explained thatmany options for different forms of actionexisted. “We’re moving on so many lev¬els,” she said. “We have so much flexibil¬ity. We have so much we can do.”She termed the explosion in the Capitol awhich have just become involved in thepeace movement,” said Dertz.Dertz is touring campuses in 17 states todiscuss the escalation of the war into Cam¬bodia and Laos and to “bring in areas thatare anti-war but have not been reached bySMC.”Organizers expect the April 24 march inWashington and San Francisco to be widerthan the moratorium march of November15, 1969, Dertz said.“For the first time, she added, such orga¬nizations as the West Coast United AutoWorkers, Welfare Rights Organization,Cairo United Front, The Southern ChristianLeadership Conference and the NationalAssociation for the Advancement of Color¬ed People have endorsed the march andrally.” “victory”. “The only way to win is to be onthe streets and cause as much damage aspossible.“We’re going to have to destroy this gov¬ernment and all its institutions. But one ofthe real priorities is seeing that as fewpeople as possible get killed. We’re forcedto use violence. Society rules by violenceThe peace movement which had splitover tactics into two groups, NPAC and thePeoples’ Coalition for Peace and Justice,has been united for the April 24 action, shesaid.Other action planned for spring includesApril 2-4, commemoration of the death ofMartin Luther King Jr; May 5, campus ac¬tion commemorating the deaths at Jacksonand Kent State; May 16, GI solidarity day;and June action around the draft law.A spokesman for the People’s Coalitionsaid that some of its members will stay inWashington after April 24 to lobby in Con¬gress and at governmental agencies.For information call Chicago SMC, 922-1068. and it’s not going to give up its power.”Both she and Brian Flanagan, who ac¬companied her to Hyde Park, expresseddistress at the mass media. “We reallyneed to build a network of commu¬nication,” she said. “A lot is happeningbut people feel isolated, it’s very importantthat people travel a lot because that’s howwe’re relaying news.”Commenting on the Angela Davis trialDohrn said, “People are finally realizingthat Ruchell McGee, the co-defendent, iswho we should be fighting for.“The most important thing for Angela isto come out in real support. Understandthat she must support Ruchell and that ifshe doesn’t, it will be very hard to supporther trial. Angela is certainly a revolution¬ary woman, but to remain in the Commu¬nist Party (CP), which is a totally destruc¬tive force in this country, we cannot sup¬port her.”When she was in Algeria Miss Dohrn metmembers of the National Liberation Front(NLF). “I can never lose the feeling ofwhat kind of people they are and how im¬portant they’ve been to all of us,” she said.She added that she understands moreabout what internationalism means. “Their(NLF) own struggle depends on what goeson in this country.”It is necessary to build revolutionaryforces between the black revolutionariesand white culture, Dohrn said. Her feelingsare shared by Eldridge Cleaver who, shesaid, “had a real feel that youth culture isa revolutionary force.”Dorhn surmised that the split betweenTimothy Leary and Eldridge Cleaver wassymptomatic of the internal struggles with¬in the Black Panther Party itself.Looking ahead, Dohrn said, “It’s going tobe a real spring offensive.”Speaking for her sister Bernadine andherself, Dohrn said, “We owe a lot to thisschool. Coming to a place in the middle ofblack South Side Chicago, this whole worldhas opened. It’s far out to be back at UCbecause this is where it all started for me.”Peace forces uniting to plan protestFOR GOOD READING LIGHTaccent / inc.OFFERS TWODESK LAMPS SPECIALS0Dimmer control...all metal shade inblack...flexible stem. Fully adjustablefrom zero to full 100 watts...Regularly$20.00, special...$16.50Six inch black ball on chromestem...black base. Uses 50 watt reflectorbulb...(75 watt equivalent). Ball can beturned raised or lowered. Regularly$20.00, special...$16.50ONE WEEK ONLYFRIDAY, MARCH 12th THRU FRIDAY,MARCH 19thaccent/shop, inc.1437 E. 53rd• Corner 53rd and BlackstoneMl 3-74002/The Chicago Maroon/March 12, 1971 S -v*•... L,<r. v* V# • uSOMEWHAT HIGHER PRICES AND OSTENTATIOUS: UCFACULTY MAY RE FOUND IMRIRING HERE.Maroon Restaurant Reviewit you’ve got U, flaunt it!THE EAGLEcocktails . . . luncheon . . . dinner . . . late snacks . . .5JU BLACKSTONE BANQUET ROOM HY 3-1S33WHE7V YOU HAVE THATAWFULFEELITVGBEFORE THATBIG OCCASION..."I haven't athing towear!”.. .The correctjewelry can makeyour oldest ensemblelook like new!Supreme Jewelers1452 E. 53rd St.643-0599 jfcg ALL STATEINCOME TAX 5■ Be mu! In tit eimrth treteri All STABr„ Mm*ulrnueree<Be<kt>tit*mr~NlAMY OMICILECO SERVICES, UNLIMITED6 East Garfield Blvd.(55th & State Street)Chicago, Illinois 60615285-1725$2 DISCOUNT ~FOR OTHER OFFICES(312) 775-0722TAhSAM-YMfCHINESE-AMERIC ANRESTAURANTSpecializing inCANTONESE ANDAMERICAN DISHESOPEN DAILY11 A.M. TO 8:30 P.M.SUNDAYS AND HOLIDAYS1 ? TO 8-30 PMOrders fes take out(m^Eas^63rdiM|MU4^|y^iI.f* 'Ask why I’m running as aContinued from page 1would help decentralize power to the com¬munities, and he enthusiastically discussedhis ideas.“People now are so cynical about prom¬ises made and not kept. We have got toplace elected power and authority in neigh¬borhoods.“My role as mayor is as a problem solv¬er, and as the one to set up fiscal ap¬proaches, and ameliorate problems, andprovide information to people. “And that’s the essential difference be¬tween the mayor and myself. With the ma¬chine, decisions are made in lockedrooms.”He sunk further in the chair and ran hisfingers through his short black hair, stilltalking.“Go ahead, ask me why I’m running as aRepublican,’’ and without a breathlaunched into an answer of his own ques¬tion. “The reason is that it’s very hard torun as an independent. Jesse Jackson’s at-AKIRA KUROSAWA’SMAGNIFICENT ADVENTURE - DRAMA Starring TOSHIRO MIFUNE and MtSA UEHARAREPUBLICAN CANDIDATE RICHARD FRIEDMAN: Speaking in QuantreU Friday,he attacked Mayor Richard Daley for “bungling” and corruption in his administration.• •»%mRanks with Yojimbo and The Seven Samurai as Kurosawa’s best!Onedayonly: MARCH 25 6&8:30 P.M.film images francis w. parker auditorium 330 WebsterAdmlMlon $2 English Subtitlesa TOHO picturein 35mm Tohoscop*twelve thousand of your friendsshop at, enjoy, and share the savings ofform, co-op furniture, 5201 south harperand the co-op super mart, 55th street & lake parkhyde park co-operative society, inc. ff\1526 EAST bbTH STREET/ NO 7-1444 'W* Panel opposes votefor Viet referendumOver 30 people heard a panel of facultyand students attack the April 7 People’sPeace Treaty referendum Wednesday nightat a meeting in International House.Economics Professor D Gale Johnsontold the gathering, sponsored by theCampus Coalition, that the referendum “isa blow to the idea of a free and open uni¬versity.”The Campus Coalition was organized lastfall “in anticipation of heading off campuspolitical confrontations” according to itsleaders.The referendum asks the university tosign the People’s Peace Treaty, which callsfor immediate withdrawal of United Statestroops from Vietnam, and the Universitygranting fellowships to North Vietnamesestudents, among other things.Johnson attacked part of the referendumwhich seeks to prohibit war research, say¬ing, “The most direct kind of war researchhas been going on here for more than 60years — malaria research. That’s very im¬portant in Vietnam. But it’s helped a lot ofother people too.”Theodore Lowi, professor political sci¬ence, argued that “a good university canRepublican never close.”Arguing that the University “must nottake institutional political stands,” hepointed out that “in the past every time itdid, it suffered a crise de conscience after- !ward.” ^Law professor Edmund Kitch, analyzed“the spring offensive that has now begun.”He cited as component parts of student¬generated crisis “a demand the Universitycannot possibly satisfy in the given time-frame,” “a demand that is preposterousbut that sounds good,” and “an opportunityfor participation.”Joel Guttman ’74, a socialist, said “Idon’t see any reason why a socialist shouldnot oppose the referendum. This is just asmuch a threat to us as to anybody else.”The panel agreed that, although the Uni¬versity has failed in the past to maintainalways a clear neutrality, that should be itsgoal nonetheless.Lowi remarked, “The radical left camein in the early days with a pretty good cri¬tique of the universities. They told us,” hesaid, “you’re not neutral. They were right.“But they turned around and told us, ‘yougo ahead and work for the establishment;just let us work for the next establishment.You can work for the rich if we can workfor the poor.’ That,” said Lowi, “was a sell- (out.”“That,” added Guttman, “is a mess.”tempt to get on the ballot proved that. So Iwent to the Republicans and asked for theirendorsement.“I’m trying to ventilate the Democraticparty. I have burned my bridges to the par¬ty, but I have no commitments in the fu¬ture for the Republicans. I’m free to chooseamong candidates ... That’s all the timewe got? Well, let’s go,” he said as he stoodup, buttoned the jacket of his trim brownsuit, and briskly strode towards the eleva¬tor. CorrectionWe mistakenly captioned a photo in lastweek’s Maroon “E Spencer Parsons, deanof Rockefeller chapel, has spoken outrecently against abortion.” Of course, RevParsons has been a well-known critic ofpresent anti-abortion laws.★ ★★★★★★★★★★★★★★★★★****** THANK YOUTO OUR PATRONSAND CO-SPONSORS ******This quarter the Ida Noyes Program *.C. Board brought to campus some fine*.*. events. The Icy Wall Dance with Siegal-jf^Schwall, Wilderness Road and a lights^show. The paint-your-own paint-in. Thejf^ Lake County String Band. The Otis Plumjfy^ Dance. Also, Buck Rogers and Bela Lu-)fjfgosi’s The Phantom Creeps. With our)fhelp, the Nightclub presented Phil and the *Fastbacks and Steve Goodman... y^y^ y^yL But next quarter, we will be back and .^burning at both ends. With CEF we will^^pick up Buck Rogers where we left him^^this quarter, and we will show classics of ^jf the cinema (Dr. Caligari & Jules and Jim*.)fto name two) at 25c per program. What*.4-else? We’re planning a Mind Blower, but^.we’ll wait until next quarter to disclose the^.^details for this and numerous other springyfrolics.**** *****THEIDANOYESPROGRAM HOARD★★★★ ★★★★★★★★★★★★★★ AitMarch IS. 1971/The Chicago Maroon/39The Chicago MaroonSTEVE COOK DON RATNEREditor Business Manager•CON HITCHCOCK, Managing EditorPAUL BERNSTEIN, News EditorSUE LOTH, Executive EditorSTEVE AOKI, Photography Editor•JUDY ALSOFROM, NANCY CHISMAN, JIM HAEFEMEYER, GORDON KATZ, AUDREY SHALINSKYAssociate EditorsUSA CAPELL, JOE FREEDMAN, ALLEN FRIEDMAN, FRANK GRUBER,MAN, LESLIE LINTON, ALBERTO LOPEZ, BILL MARGRAVE, KEITH PYLE, ELSA HERSH, BARRY KELL-BRUCE RABE, FRED WINSTONStatf•CARL STOVALL CAROLINE HECK DIANA LEIFERContributing Editor Senior Editor Assistant Business ManagerFounded in 1692. Published by University of Chicago students on Tuesdays and Fridays throughout the regularschool year, except during examination periods, and bi-weekly on Thursdays during the summer. Offices inrooms 301, 303 and 304 in Ida Noyes Hall, 1212 E 59th St, Chicago, III 60637. Phone 753-3263. Distributed oncampus and in the Hyde Park neighborhood free of charge. Subscriptions by mail $8 per year in the U.S.Non-profit postage paid at Chiacgo, III.PrioritiesTwo weeks ago we concluded an editorial with the hope that thecurrent hard times would force the University to re-assess its priorities.Already, we’ve been proven wrong.It was discovered last week that the University has decided to dis¬continue the counseling and psychotherapy center run by the depart¬ment of psychology. The dean of the social sciences division told ourreporter that the budget is forcing the department to close the centerby June, the end of the fiscal year.The center has filled a double function: it serves several hundredstudents and neighborhood residents every year by providing good freecounseling, and it provides training experience for graduate students inclinical psychotherapy.Apparently the center was way down on the list of somebody’slist of priorities. Apparently the center and its service to the community,was not deemed important enough to maintain.We hope that this school is not going to give up on its newly dis¬covered role in the community. Other programs, such as the Ida Noyessummer program and the office of service opportunities, are going tohave trouble finding funds if the current priorities prevail.When the budget has to be cut, not everybody is going to be happy.Some things have to go. But the people making those budget decisionsare not the ones who are paying the higher tuition or benefitting fromcommunity services. fWe have heard from a lot of people angry about the closing of thecenter, people who go there for treatment and students who counselthere. We have not heard why it was so unimportant that money can’tbe found anywhere in the University to keep it going.We understand from the dean of the division that the decision wasmade somewhere in the foggy reaches of the administration building.But where the buck stops, we don’t know.Peace movementThe peace movement appears to be uniting and plans are beingfinalized for local and national demonstrations in the spring.The two major antiwar groups, the People’s Coalition and theNational Peace Action Coalition, decided this week to bury the hatchetand co-sponsor the April 24 demonstration in Washington.People interested in more militant dissent can stick around for theMay demonstrations which will include massive civil disobedience inan attempt to stop business as usual in the Capital and to force Congressto discuss the people’s peace treaty.Daily, it becomes more evident that Nixon is trying desperatelyto win the war in Southeast Asia. If the invasion of Cambodia doesn’twork, there is an invasion of Laos. What next? Perhaps an invasion ofNorth Vietnam at the risk of direct intervention by Red China.When the invasion of Laos was announced, American students re¬acted too little and too late. Undoubtedly, the Nixon administrationinterpreted our reaction as a failure of the test they put to us. Therest of the country interpreted it as passive consent to the policiesof war.The time is right. The country is suffering the worst wave of work¬ers’ strikes in a decade, a direct result of the war-caused inflation. TheGI anti-war movement is growing; the militant American Serviceman'sUnion has a membership over 11,000. Last week in Iowa, farmers andhardhats joined young people in demonstrating against Nixon. A recentGallup poll revealed that 73 percent of the population want a withdrawaldate set.The demonstrations set for April 24 and the first week in Maypromise to be the best time for expression of dissent,* for a revival ofconscience in this country.4/The Chicago Maroon/March 12, 1971 "You say such fascinating things, Rasputin."LETTERS TO THE EDITORSCenter closingThe closing of the University of Chicagocounseling and psychotherapy researchcenter is a tragedy for the University, forits students, and for the community. Uni¬versities across the country are phasing outtheir programs in clinical psychology, onthe grounds that large numbers of psy¬chotherapists will be needed in the future,and that new institutions must be foundedto train them. But no such new institutionsare emerging. And so the psychologist whois interested in people is going to a schoolof social work, or to a seminary, or to oneof the few good clinical programs remain¬ing in the universities. To me, this is cop¬ping out on the problem, which is of suchmagnitude that it seems almost unmanage¬able. But the answer surely does not liein closing down what centers already existfor the training of psychotherapists andcommunity psychologists.There is an argument going around that community psychology, or the relationshipbetween social conditions and psy¬chopathology, is not an academic discipline.But any psychologist acquainted with theliterature in the field knows that this isnot so. There certainly is such a discipline,and the counseling centers across thecountry are prime sources of experimentaldata. It seems to me that to close downthese centers when we most desperatelyneed them is tragic.This is not to mention the needs whichthe center has served in the University andin the wider community. The practicumhas been a significant training experiencefor clinical psychologists and others, suchas ministerial students, who are interestedin people. The development of the client-centered approach at the center under thedirection of Carl Rogers has been tremen¬dously influential throughout the academiccommunity. Further research in ex¬periential psychotheraphy has been carriedout since the departure of Dr Rogers, andContinued on page 6BULLETIN OF EVENTSFriday, March 12GEOPHYSICAL SCIENCES SEMINAR: "Shell Structureand Mineralogy of Molluscs: environmental and bio¬logical tools," Dr James Kennedy, Oxford University,room 101, Hinds laboratory 4 pm.CHICAGO MASQUERS: "The Masque of Winter," tobenefit Musical Society, Cloister club, 8:30 pm, $1 do¬nation at the door. ..RECRUITING VISIT: Township high school district 214Mount Prospect, Illinois, call x3-3286 for appointment.AVERY CRAVEN TESTIMONIAL: by invitation only,call X3-3189 for information.Saturday, March 13LECTURE: Paul Severson, "ESP — New Dimension ofthe Mind or New Concept of Man," College of Com¬plexes, 105 West Grand, 9 pm, $1.INTERNATIONAL HOUSE ASSOCIATION: DuplicateBridge, International house, east lounge, 2 pm.Sunday, March 14UNIVERSITY RELIGIOUS SERVICES: Walter Walker,vice-president for planning, associate professor, socialservice administration, "The Crucible of Difference,"Rockefeller Chapel, 11 am.REHEARSAL: Shir, Hillel house, 4^15 pm.TALK: Joel Sprayregen "Russian Jewry," congregationRodfei Zedek, 5200 Hyde Park, 7:30 pm.Monday, March 15MICROBIOLOGY CLUB: Ruby Petrusek, department of microbiology, "Photodynamic Lessons In DNA," Rick¬etts North, room 1, 3:30 pm.Thursday, March 18SUPPLEMENTARY MINERALOGY PETROLOGYSEMINARS: Dr Brian Windley, University of Leicester,"Archaeean evolution I," Hinds 349, 12:30 pm.GAY LIB STUDY GROUP: Finish making of a counterculture, Blue Gargoyle, 8 pm.OPEN NIGHT FOR WOMEN: Volleyball, badminton,basketball, Ida Noyes hall, 7-9 pm.Friday, March 19WINTER'S END CELEBRATION: gather maple syrupat Circle Pines Center, a cooperative family campnear Delton, Michigan $10 for the weekend, call La-rayne Black, MU 4-4037 or Polly Boyajlan, 288-1609 forinformation.Saturday, March 20_INTERNATIONAL HOUSE ASSOCIATION: Duplicatebridge, International house, east lounge, 2 pm.Sunday, March 21INTERNATIONAL HOUSE ASSOCIATION: Free filmsand tea, International house, home room, 7 pm.Saturday, March 27INTERNATIONAL HOUSF ASSOCIATION: Duplicatebridge, International house, east lounge, 2 pm.THE GREY CITYVolume 3, Number 20 The Chicago Maroon Magazine of the Arts Friday, March 12,1971Top: Candide finds a dancer in the Organic Theater show. Bottom: “GargoyleCartoons.” Photos by Steve Aoki“With an estimated population of3,460,000, Chicago is virtually a theatri¬cal desert. It survives chiefly on ‘na¬tional companies’ from Broadway, butthere is precious little indigenous Chi¬cago theater. This is surely a nationaltragedy,” Clive Barnes wrote lastyear. But that was last year. In thepast year and a half, a variety ofindigenous theatrical groups havesprung up in Chicago, and one of them,Paul Sills’ Story Theater, is currently aBroadway hit.Now, two miles north of Chicago’sLoop, there’s a thriving theatrical andartistic community that is providingChicagoans with a concentrated stripof original night life. In a half dozenblocks along North Lincoln Avenue,Chicago’s off-Broadway and Green¬wich Village is flourishing. North Lin¬coln Avenue is providing a mecca forthe hip young city-dwellers and moredaring suburbanites who feel that OldTown, Chicago’s earlier focus for nightlife, has been overrun by teenyboppersand commercialization.The North Lincoln area now includesseveral theatrical groups, three headshops, the award-winning, nationallyknown french restaurant, “The Bak¬ery,” shops of several craftsmen andcandlemakers, and the Biograph The¬ater, which shows movie classics —and is the theater in front of whichJohn Dillinger, Public Enemy No. 1 in1934 was shot by FBI agents when hetook his girl friend to see Clark Gablein “Manhattan Melodrama.” There isalso an Apartment Store specializing infurnishings for mobile apartment dwel¬lers. And there are a variety of pubs,including the John Barleycorn whichshows slides by the Old Masters, andthe Wise Fools, which offers live jazz. Avariety of art galleries and boutiquesdot the side streets and the immediatearea.The recent blossoming of the NorthLincoln Avenue area is the result of aconjunction of several forces, the mainone being economic. The area’s renais¬sance so far resembles the one ex¬ perienced by the Old Town area in thelate 1940’s.Old Town was a delapidated area onChicago’s near north side in the early1950’s until young artsy types beganbuying townhouses for $4000 or so andfixing them up. Later affluent youngprofessionals followed suit. The risingdemand for housing in the area boostedproperty values considerably and gaverise to an eight-block long entertain¬ment and restaurant area on WellsStreet. In addition to boutiques, an¬tique shops, and restaurants and bars,Wells Street became the home of Chi¬cago’s famed satirical revue, The Sec¬ond City, which moved into an aban¬doned bakery in 1960, along with a 24-shop arcade.While the Loop and Rush Streetnightclubs attracted older, more con¬servative crowds, Old Town was theplace to go for young Chicagoans andtourists. By 1967, however, it wasbecoming overrun with teenagers;complaints of thefts and a murder ortwo were reported, and gradually thearea became less attractive and moregarish. The predominance of Coney Island-type concessions and entertainryent inOld Town, coupled with the rise inrents, hastened the need for a newfocus for entertainment and artisticpursuits. Artists need an inexpensivearea close to the center of the city,offering large spaces and access totheir public. The Carl Sandburg Vil¬lage, with 1750 high rise apartments,was built in 1962 on the fringe of OldTown. It, combined with DePaul Uni¬versity and Columbia College, formedthe basis of a youthful market thatcould sustain endeavors catering tomore sophisticated tastes. The marketwill expand in the spring when 1570apartments will be completed in a 5-block stretch of the N Lincoln Parkarea and another 1500 units are in theplanning stage.North Lincoln Avenue, whichbranches off from Wells Street a fewblocks up from the entertainment area,provided the answer, since it was aneconomically declining area with avail¬able spaces and potential audiences.The catalysts for the artistic growthof the North Lincoln area have been Paul Sills, Jim Shiflett and Eli Gilath.Paul Sills, a native Chicagoan, hasbeen leading the city’s most inventivetheater since the mid-1950’s when hewas a University of Chicago student.He helped found the Playwrights The¬ater Club which the City closed for“building violations,” the CompassPlayers, Game Theater, and SecondCity. Sills left Second City because, hesays, it didn’t change with the times,and moreover it was a profit-makingoperation while Sills believes, “The¬ater should have everybody as a share¬holder.” He adds, “Real theater startsin a different way, out of its owncommunity with actors who sharesomething like a spiritual relationshipwith each other.”While most theater people thrive onpublicity, Sills isn’t a man of publicpronouncements. He’s a moody char¬acter who’ll talk only if he feels like itand grunts the rest of the time, espe¬cially to the media.In the summer of 1968, Sills askedJim Shiflett to help him raise moneyfor a Free Theater on Wells Street. Itwas soon established and the “storytheater” technique began developing.By November, however, the buildingwhich housed the Free Theater, a RockContata about the civil war directed byWilliam Russo of the Columbia CollegeCenter for New Music, and the OxfordPub, was slated for demolition. Theproblem was solved by the purchase ofthe former home of the U. S. SlicingMachine Company and Monte CarloBowling Alley at 2257-63 North Lincoln.Funds to purchase the building wereamassed by the Community Arts Foun¬dation (CAF), which was founded in1966 by an ecumenical council ofchurchmen, artists, and commu¬nications people, with the Rev JamesShiflett as director.Jim Shiflett, a six-foot-six, striking,concerned, charismatic man says it’salways a “scrunch” for money, but thefoundation has been fulfilling its goal ofestablishing involvement and a dia-Continued on Page ThreeSutherland in WonderlandDonald Sutherland didn’t really want to talkabout Alex in Wonderland, but finally he did. “Iwouldn’t be surprised if some people find it boring,”he said calmly. (The film, directed by PaulMazursky, just closed after a brief two-week run atthe Roosevelt Theater.) “It’s too fragmented, butthat’s the way Paul wanted it.”After twelve years on the London stage and smallparts in British movies, ranging from Die! Die! MyDarling and Dr. Terror’s House of Horrors to Joanna,Donald Sutherland hit it big in M-A-S-H. He’s been infive or six films in the last year or so. Alex inWonderland is by far his most complete perform¬ance.Donald Sutherland was wearing a short beard —much shorter than the one he sports in Alex — whichhe explained was for his role in Klute, opposite JaneFonda. Like Fonda, Sutherland has been dabbling inradical politics lately. His latest project is puttingtogether a show with Elliott Gould, Jane Fonda andhimself for Army bases around the country. Sort ofan alternative to the Bob Hope tours (hope Suther¬land and company have better jokes!).Sutherland also endorsed the Peoples’ PeacePetition, and quoted Brecht’s poem to the DanishWorker-Actors when asked about the function of an actor. Someone asked about “radical chic.” Suther¬land disapproved. The director in Alex is planning apro-Black Panther movie, but lives in a $200,000Beverly Hills house. “I think Paul has that problem,too,” Sutherland said slowly. Does he live in a bighouse? “Well, yes. I could justify a smaller place.”Donald Sutherland smiled. Army bases, here wecome!The conversation returned to Alex. Sutherlandfeels that the character should be “slicker andfaster.” Under Mazursky’s direction, he played therole in a very low-key style. It’s more in keeping withSutherland’s personality than with the character’s.In person, Sutherland is even more imposingthan he is on the screen. He’s very tall (about 6’3”)and stands straight. In fact, he’s a very straignt-lineperson. Speaking of Alex, he expanded on the“fragmented” criticism. “It should move in astraight line.”It’s too bad that Alex got screwed by gettingbooked into a theater that specializes in action flicksfor the Saturday night audience. Alex in Wonderlandis a very fine film that required special treatmentwhich it didn’t get in Chicago. Hopefully, it will comeback. (Donald Sutherland is a fine actor, too.)—Charles FlynnCapitol Recordspresents aGIVE TOUR BODY AN EASTER VACATIONContest to Daytona BeachLfw “ V* 1?25m£ •l i <I *LIST PRICE $4.98SALE PRICE $3.29Dave Mason&Cass Eliot^ uavu tv& Cass* 9LIST PRICE $5.98SALE PRICE $3.89THE RULEFILL OUT COUPON,DROP OFF AT STORELISTED BELOW.THE PRIZEA THREE DAY VACATION FOR ONETO DAYTONA BEACH.PHOTOGRAPHYDEPARTMENTSecond Floor THE COUPONYes, I need a vacation, bad.nameaddresstelephonecollegeno purchase necessaryentry deadline - april 1, 1971i UNIVERSITY OF CHICAGOBOOKSTORE5750 South Ellis Donald Sutherland at topBecause we believe it. watching thefilm is very much like taking part insome encounter group- there’s noway to escape the image on thescreen, nor to deny its truth, “rrr2/Grey City Journal/March 12, 1971 V'*: fJi >? - n- ^ Iffc* 11The Rolling StonesSHELTERDirected by David Maysles A<bert Maysies Charlotte Zwer n4-TRACK STEREO SOUND SYSTEM w ^squireM • OAN STNilTVi\yLCV'S ALL-NIGHT SUCHPERFORMANCES FRlDAr & SATURDAY FOLLOWING LAST REGULAR FEATUREMar. 12 Mar. 13WIST SIDE STORY AROUND THE WORLDNatalie Wood IN BO DAYSDavid Niven12:30 Only 12:30 4 2:30Mar 19 Mar. 20THE LANDLORD MAD, MAD, MAD, MADWORLDBeau Bridges12:30&2:30 12:30 onlyMarch 26 Mar. 27SOLDIER BLUE THE GRASSHOPPERCANDICE BERGEN JACQUELINE BISSET12-30 A 9-30 12:30 4 2:30Apr. 2 Apr. 3THE PEOPLE NEXT DOOR GETTING STRAIGHTEli Wallach Elliott Gould12:30 4 2:15 12:30 4 2:30Apr. £ Apr. 18BALLAD OF CABLE HOGUE GIANTJason Robards 12:304 2-30 James Dean 12:30Onlyneon si soStuart Gordon discusses theater with his companyPaul Sills: Chicago to Broadwayform, and demonstrates the essentailtheatricality of children’s games.”To achieve this magic, Sills workedhis actors hard. At a typical rehearsalhe could be heard screaming, “I’msmarter than you are about thesethings. You’re blowing it. Now let’s goon and stop this dumbness. You’rekilling everything. Spontaneity is thekey to everything in the theater. Digit!” The actors respected his judg¬ments and felt he was offering themvery special direction. He took MollyMcKesson from the Chicago cast toNew York as an understudy and askedTom Towles to join the Los Angelestroupe. The rest of the Chicago cast forthe most part are holding odd jobs aswaitresses or train switchmen, andliving around North Lincoln; waitingfor Paul. “He always comes back toChicago,” they say with hope anddetermination. Why does Sills stickwith Chicago? “I feel more at home inthis particular swamp. I hate it betterhere,” he says.While Sills was moving into the oldUS Slicing Machine Company home¬stead, another group was reshaping acentury old trolley barn into the King¬ston Mines Company and Cafe. Incontrast to Sills’ theater group, whichwas salaried and remained intact, theKingston Mines group has a new,unpaid cast for each production.Operating expenses at the theaterhover around $900 a week, includingover $100 a week for oil to heat thecavernous building in Chicago’s frigidwinters. Initially the company washelped by a grant from the PlayboyFoundation.The Kingston Mines Theater is theresult of the efforts of a productdesigner named Eli Gilath, who’s thelogue between the arts, the communityand the church. “Everyone will ex¬press himself, and every communitywill express its life, and the arts can bethe vehicles of that expression,” hesays.Shiflett’s introduction to the arts isan interesting tale. He was pastor of aChicago church for about nine yearswhen he came into contact with ViolaSpolin — Paul Sills mother — who rantheater games for children, and thatmeeting changed his life. “The theatergames involved a teaching process thatdealt with human beings in terms ofjoy. It was possible for people to joinwith each other in play, in a peculiar,natural communication,” Shiflett says,staring intently with cool blue eyesframed by his dark beard.“At first I thought the church couldbenefit from theater games, but I alsofound out the Protestant church issuspicious of communications pro¬cesses that it hasn’t discovered. Sincethe church has to justify why some¬thing fits in it, it becomes a hindranceto creation and discovery,” he adds.Shiflett says of Sills, “We have abrother relationship, we use each oth¬er, and fairly trust each other, andneed each other. It takes a long time toknow a guy like Sills. His actorsoperate on the basis of loyalty to himand expect him to do the same. Hedoesn’t have allegiances to anyone oranything except maybe to the originalSecond City group.” (Elaine May andMike Nichols of that group initiallyfinanced his Chicago story theater,which now has a company in LosAngeles as well as on Broadway.)Shiflett adds, “Theater is the onlymaster of Paul. Actually, Paul andtheater go back and forth being themaster. One of his problems here isthat there’s a second city complex inChicago, used as a political instrumentby people who want to maintain theirown idea of what art is. In Chicago, thepeople controlling the art scene aren’tartists. There’s an art establishmenthierarchy; it’s there in spirit at least.They always wait for New York to putits stamp of approval on things,”Shiflett says plaintively. Before Sillswent to Broadway in the fall of 1970, hesaid he would probably close afterthree days at a downtown Chicagotheater.The Villains, in the eyes of manyartists are the Chicago critics. Whilethey complained about the hard ben¬ches in Sills’ Body Politic Theater orrecommended his show as somethingfor children, Clive Barnes was sayingthat “Story Theater is possibly the firstmodern staging — really modern thatis — to be seen on Broadway sincePeter Brook’s Marat / Sade ... Iadored the show, which brings backinnocence to Broadway, raises cha¬rades to the strange eminence of an artCandide and friends on a trip. Hello! theater’s production manager, and di¬rector June Pyskacek, a college dramateacher who worked with the ChicagoCity Players for five years. (They’renow called the New Chicago CityPlayers and have moved out of OldTown and up to the North Lincolnarea.) The Kingston Mines’ first andvery successful production was JeanClaude van Itallie’s The Serpent, whichthe author let them do for moderateroyalties after he had seen the ChicagoCity Players production of his AmericaHurrah, which June directed.While their cafe, The Company Store,dispensed cider and sandwiches andespresso along with guitar music, thetheater has presented The AssaultUpon Charles Summer, The People vsRanchman, The Year Boston Won thePennant, Gargoyle Cartoons, andGrease, an original rock and rollmusical recalling the 1950’s by Chicagoplaywrights Jim Jacobs and WarrenCasey, directed by Guy Barile. Theyare currently also performing Hallow¬een and Lunchtime by Leonard Melfion Wednesdays and Thursdays, whileGrease is performed on weekends.In “Gargoyle Cartoons,” a programof four short sketches by MichaelMcClure, best known for The Beard,with its simulated oral sex, there werefrequent gross-outs and bizarre scenes.The bawdy cartoons provided shallowmaterial but were zany and skillfullypresented, with gusto. Wrick Paulcostumed a weird, enchanting assort¬ment of creatures including giantfrogs, pandas, meatballs, an eight¬breasted lady, and a Spider Rabbit.Their latest production, Grease the25-year old’s No No Nanette, hasbrought hoards to the theater, whichcan accomodate 300 skinny souls onwooden plank benches and the floor.The 27-member cast executed lavishproduction numbers smoothly and withprecise timing. The sets, designed byWrick Paul of the Ivanhoe Theater,were very well-done, from the RydellHigh School building to the juke boxesat the Burger Palace. The recollectionsof the 1950’s were accurate, the ges¬tures and mannerisms were styled toperfection by the Pink Ladies in theirbee-hive hair-dos, bobby sox and clubjackets, and the Burger Palace boys inD. A’s, sleeveless undershirts, andblack leather jackets.Stuart Gordon, director of the Organ¬ic Theater, is a burly, dedicated youngman in overalls and work shirt, elec¬trified hair, and rimless glasses, whodescribes himself as “possessed by thetheater” and is making magic with it.Stuart formed his troupe in Madison,where they worked together at theUniversity of Wisconsin on numerousproductions, including Peter Pan. A 10-minute nude scene in Peter Pan led topolice harassment and the company decided to move to the North Lincolnarea, where Stuart was attracted bythe freedom and success of the otherexperimental theater groups. PaulSills arranged for the company toperform in a nearby church, and whenSills went to L. A., he invited Stuart tocome to the Body Politic. That was inJune of 1970. Stuart’s been there eversince, packing them in Wednesdaythrough Saturday in the 150-seat house.The company’s offerings have in¬cluded adaptations of Animal Farm,The Odyssey, and Candide, and anoriginal production called The TarotCards, with each running from 11 to 15weeks. Stuart has basically kept thesame group together over the years.Each member is involved in all aspectsof the production; collectively theymake the sets and costumes, do thepublicity, lighting, sound, take tickets,paint, and clean-up. This full-time jobnets each of the six-member company$50 a week. If any money is left over, itgoes to the Community Arts Founda¬tion to help pay the upkeep on thebuilding, which also houses a variety ofcommunity theater and writers’ work¬shops.Shiflett says, “Chicago is a hardtown for the arts. In the last analysis,they always ask of the artist, ‘Can hemake a living at it? ’ Chicago respects ahustler and Stuart’s a pretty goodhustler. In three weeks he set up hisOrganic Theater here and it cost lessthan $500, dimmers and all. You knowhe’s got something. He pays his groupand works as a part of it himself.”Stuart wants “to make theater neces¬sary, to make people unhappy if theycan’t see it. You should do anythingthat reaches people by getting a senseof where everyone’s at, and then openthem up, and do what the other mediacan’t do,” he says. The name of hisgroup, the Organic Theater signifiesthat their productions are producedorganically, not artificially. “It’s alive,it grows, it changes, and basically, it’speople,” Stuart says, gently swaying inhis rocking chair in the living room ofhis apartment, which is furnished inassorted comfortable Salvation Armyperiod pieces.Chicago’s brutality and harshnessprovide take-offs into fantasy that findtheir way into his use of brutality inCandide, a highly acclaimed and creat¬ive production. “Living in a ghetto jwears you down, gets you fired up, and jkeeps your energy level high,” he saidover a greasy chicken take-out dinner ihe was sharing with his wife while shesewed costumes one night.Cecil O’Neal, at 27 the oldest memberof the company says, “Stuart neverstops — he’s an idea-machine, hisimagination, and creativity are over-Continued on Page 11March 12, 1971 /Grey City Joumal/3CONTEMPORARYEUROPEANFILMSSpring ScheduleMarch 31 Monterey Pop (75‘)cobbApril 3 2001: Space Odyssey Mandel 6:45/9:30April io My Night At Maud’s Mandei 6:3o/8:3oJ* S 10:30April 11 Cobb 7:00/9:15April is Virginia Woolf ( 75*) Law schoolApril 25 The RailiffMay 1May 9May 23June 5 ( T) Law SchoolThey Shoot Horses,Don’t They CobbThe Passion of Anna CobbMay 22 Adalen-31 CobbMississippi Mermaid(Truffaut) CobbMay 29 SatyriconMay 30 Last SummerZ CobbLaw SchoolCobb 6:30/8:30/10:30ALL SHOWS SHOWN AT COBBAT 7:00 & 9:15UNLESS 0THEKW1SE SPECIFIEDThe Honest Sincerity of Mary Who?Mary Travers has a problem. Her name. Probablynine people out of ten would not recognize her name,but when you precede it with “Peter, Paul and,”almost everyone envisions that girl with the swingingblond hair whose mezzo-soprano voice sweetened theearly part of the ’60’s with “500 Miles”, “The CruelWar” and “If I Had a Hammer.”For ten years, Peter, Paul and Mary brightenedthe music scene, though as the sixties progressed,other groups, newer groups, took the limelight awayfrom them, but never did the group’s quality falter.They produced superior album after superior album,coming up with hit songs til the very end of their tenyears together (ie, “Leaving on a Jet Plane.”) Now,PP&M are dead, and out of the ashes of that proud,important group has come Mary, just Mary, singingby herself on a new Warners album (WB 1907)entitled, simply enough, Mary.In Chicago last week on a promotional trip for heralbum, Mary very much wanted to meet with somecollege newspaper writers. So, I tramped up toMister Kelly’s on Rush to await her. Some ten othercollege writers sat around Mister Kelly’s leopard-skin oilcloth tables trying terribly hard to lookterribly sophisticated, smoking cigarettes, drinkingcoffee. They chatted quietly, but not so quietly thatthe others couldn’t hear how knowledgeable theywere, discussing PP&M tunes, the intricate harmo¬nies of that group, and how they worked theircassette tape-recorders.We had been told that Mary was very interested inpolitics, but the conversation veered towards hermusic from the outset. “Now that I’m by myself, thechecks and balances are gone. I don’t have Peter andPaul to rely on. Before, when we bombed, I couldalways say it was their fault. And when we weregood, it was always we. Now it is just me. It’s scary,really. But it’s like riding a roller-coaster. The firstfew times you’re scared, but the more you do it, theless scared you get. I’m sure the the first few weeks Iappear on stage by myself, I’ll be petrified. Butmaybe in the next week, I’ll only feel like fainting afew times, and the week after that, maybe only onceor twice. And the longer I do it, the better it will get.”The session went slowly, with Mary relating manyinteresting though not terribly important stories about herself and the group. But she was obviouslyenjoying herself immensely. Some people enjoy beinginterviewed, they like being the center of attention,and Mary seems to be one of these.“Where did ‘Blowing’ in the Wind’ come from?”one guy asked. Mary quizzically turned up her faceand, trying to be tactful, said “from Bob Dylan’smind.” But this did not satisfy the questioner. “Yeah,but what was he thinking about when he wrote it?”Calmly, Mary waited for him to retract his questionas the obvious ridciulousness of it settled in, but inthe silence, he further asked “Like does it have somespiritual basis?” She answered patiently, explainingthat the creative process in a songwriter is like thecreative process in a poet, a novelist. “A song¬writer,” she said, “sits down and writes what is onhis mind.” For a more specific answer, she merelyARTLyon’s Photos on ExhibitDanny Lyon, considered by many to be the finestdocumentary photographer in the United States, willexhibit 50 photographs taken between 1969 and 1971at the Bergman Gallery beginning March 31st.According to Lyon, this will be the last exhibit ofhis still photographs. He has devoted increasinglymore time to motion picture work over the past fewyears. A showing of two of his latest films will be heldat SS 122 at 7:30 pm, March 31. Lyon will talk aboutthe two films, “Soc Sci 127” and “The Destiny of theZerox Kid,” after the showing.As an undergraduate at the University in theearly sixties, Lyon began photographing the civilrights movement. Many of his photographs of civilrights activities in the south appeared in The Movement a book published by Macmillan. Since thattime, Lyon has published The Bikeriders a volume ofphotographs and interviews he did while living withthe Chicago Outlaws for more than a year. Anothervolume, “The Destruction of Lower Manhattan,” is adocument of the razing of large portions of thewaterfront on New York’s east side. A volume ofphotographs taker while Lyon lived (voluntarily) ina Texas jail for 18 months, will appear later this year.Lyon will talk about still photography to studentswho are taking Art 113 (Photography) early nextquarter. The photographs in the show have neverbeen published. They include many taken in NewMexico, where Lyon now lives.—Joel Snyder advised “Ask Dylan.”Mary is a very opinionated woman. “Marat/Sadeis art with a capitol A; Jesus-Christ Superstar is apiece of shit!” Mary mentioned two current per¬formers whom she admired, Roberta Flack and JohnDenver, but when pushed for more names, she drew ablank. Elton John? someone suggested. “Well, Ididn’t like his second album much. It was adisappointment.”Joni Mitchell? someone else asked.“With Joni Mitchell, I always get the feeling that if Ipushed her, she would fall to pieces. I like people witha bit more guts.” The only other singer who Marysingled out for admiration, though after somecontemplation, was Judy Collins. “Her ‘Albatross’ isgreat. Now there’s a real mini-opera. That Jesus-Christ thing is pretentious. Those guys act like theydiscovered everything, like they are the first and nowthat the revelation has struck them, they’ll share itwith the world.”“The purpose of the creative artist is to intuit whatis really important in a song. Everyone has his owninterpretation of material, and the interpretativeartist gives you his.” As for her singing with PP&M,Mary said that most of it is unlistenable for her.“Those songs were ten years ago. I sing better now. Ihad a lot of practice.” She said that the success of“Leavin’ on a Jet Plane”, which was recorded twoyears before it became a hit, did little for her ego.“ ‘Leavin’ on a Jet Plane’ was old hat to me. I waspast that point already.”Politics could not be avoided however. “Aren’t anyof you girls interested in women’s liberation?” sheasked. When no one answered, Mary repeated thequestion. “I think women’s lib is dead,” a guy fromNorthwestern said. “Is that so?” Mary asked. “Isthat your woman sitting next to you? Well maybe youtwo have worked out some kind of agreement whereshe does what you tell her, but saying that women’sliberation is dead is like saying black liberation isdead. Oppressed people are going to struggle.”Her promo man whispered in Mary’s ear that shehad to go but she did not leave without firstautographing copies of her album. Surprisingly, thestudents crowding around her like ten-year-old star-struck kids. Pushing their albums toward her, theygiggled and cooed as she asked their names. Then sheturned, ran toward the door, but turned suddenly tosay, “Don’t forget women’s lib, girls. Right on!”Fortunately, this was the only disconcerting mo¬ment during the interview. For the rest of the time,Mary was a sincere, honest woman, and I liked her.This sincerity and honest comes through verystrongly on her record, which is not a masterpiece byany means, but which is good for light, relaxedlistening.The problem with the album is its material. None ofthe songs are particularly impressive. Paul Simon’s“Song for the Asking”, Elton John’s “Indian Sunset”and Rod McKuen’s “Children One and A11” are thealbum’s best. The other songs are all just adequate;their success lies with Mary’s strong, vibrant voice.This album is obviously a must for PP&M freaks,but for everyone else, I suggest waiting for Mary’snext effort. Mary Travers is a good singer and I thinkthat with a better choice of material, she may reachthe Judy Collins echelon. —Mitch BobkinDoc FilmsCobb Hall $1 STANLEY DONEN’!"bedazzled Friday March 127:15 & 9:30starring PETER COOK DUDLEY MOOREELEANOR BRON and RAQUEL WELCHPREGNANCYPROBLEM?THERE IS NO CHARGEFOR OURABORTIONREFERRAL. WHY SPENDMONEY NEEDLESSLY?OUR PROFESSIONALSERVICES ARE FREE.CALL (215) 722-5360 EYE EXAMINATIONSFASHION EYEWEARCONTACT LENSESDR. KURT ROSENBAUMOptometrist(53 Kimbork Plaza)1200 East 53rd StreetHYde Park 3-8372 Far East KitchenChinese & AmericanFOOD & COCKTAILSOpen Daily 1 2 - 10Fri. & Sat. 12-12Closed Monday53rd & Hyde Park Blvd955-2229 Where are the 3 largestwedding ring selectionsin Chicagoland?FINE JEWELERS FOR 60 YEARS119 N. Wabash at WashingtonENGLEWOOD EVERGREEN PLAZAMarch 12, 1971/Grey City Journal/5MEDIARISBalkan BluesBrother Can You Make Up Your MindCrystal RiverIt's Been So LongIt's Too Late NowJay's TuneMountain LickOne Hundred Years AgoThinking of HerSave40%NOWONTHESE LP'SDory PrevinsGreat Record -Mythical Kingsand IguanasGREAT! BUYNOWANDSAVE40%PRICESGOINGUP_SOON THE BESTCONTEMPORARYMUSICRECORDEDBY THEWORLD'SLEADINGJAZZ ARTISTSWITHMETICULOUSAUDIOANDPRODUCTIONSAVE NOWON THESEWINNERSPlus CompleteLiberty United ArtistsAnd Blue Note CatalogAll 5.98 mtrPRICES ARE GOINGUP SOON—WE ACCEPT MASTERCHARGE & BANKAMERICARDCHARGEWITH Bank Avf ricard(HO&b RECORDS HYDE PARK1444 E. 57thMU 4-1505OPEN SUNDAY 12 TO 567Grey City Journay/March 12, 1971RECORDSLet-Downs from the Faces and JimiThe Faces: Ron Lane, Ian McLagan, Rod Stewart, Ron Wood, Kenny JonesThis is the new album by the groupthat presented that amazing concert inthe Auditorium Theater two weeks ago.Unfortunately, the album does notcapture all the excitement and greatmusicianship that pushed the Audito¬rium audience into a frenzy. But it’snot a bad album — just a disappointingone.The problem with the Faces on thisalbum seems to be that no one isleading the group. The three old SmallFaces all play very well, but they donot seem to have any influence uponthe shape of the group’s music. Sim¬ilarly, Ron Wood, a great slide guitarplayer, hasn’t really influenced whatthe group sounds like. This has left theleadership of the group fall onto theshoulders of Rod Stewart, who may bethe proper leader of the Faces, but whohas not yet taken up that responsi¬bility. The group plays well on thisalbum, but it seems to be playingwithout a purpose, music that isn’tgoing anywhere in particular.The best song on the album is notreally a Faces song. It sounds morelike a cut from a Rod Stewart soloalbum, but this is just quibbling.“Sweet Lady Mary” is a marveloussong, mellow and easy with Rod sing¬ing better here than he ever has. Alsothe song’s lyrics, by Stewart, are themost professional and natural of anyRod Stewart song so far.All the other songs on the album aregood. I particularly like the two live cuts, “Maybe I’m Amazed” and “I FeelSo Good.” “Maybe I’m Amazed,” byPaul McCartney, features Ron Lane onvocals and the interplay between hisnasal high voice and Rod Stewartgravelly rough one is quite nice. Yetthis live version is no where near asgood as the one I heard at the Audito¬rium. The other live song is too long.The Faces play well for about fourminutes out of this nine minute cut andthe rest of the time Rod plays aroundwith the audience, asking three times,“Are you with me?” Then he ex¬changes lines with the audience for anynumber of minutes in a rather boringinterchange.Two other good cuts are “Had Me aReal Good Time” which sounds betterthe louder it is played and “On theBeach” which lets the other Faces singout in an empty sounding, thoughintricate harmony.Instrumental^, Ron Wood comes off best on the album, with his slide guitarsounding very good on “Jerusalem”and “Richmond.” Once again, RonLane’s bass is hidden in the group’ssound and Ian McLagan’s organ is notas precise as it is on the group’spresent concert tour.I still think that this group has thepotential to become the supergroup ofthe seventies, but they will not reachthat point on the success of this album.Hopefully, they will record a livealbum on the tour, an album thatshould capture the greatness of RodStewart, Ron Wood, Ron Lane, IanMcLagan and Kenny Jones.The Cry of Love by Jimi Hendrix(Reprise MS 2034):We have now heard the last recordedmaterial from both Janis Joplin andJimi Hendrix, and it seems that Janiswas closer to perfecting her art thanJimi was. The Cry of Love is just atypical Hendrix album. He plays very well indeed, but then he always did. Hissinging still strikes me as being a bitphony, and I wish that I could hearsome improvement in his vocal style.The songs are all adequate, thoughagain, I had hoped that a new, moreexciting group of songs would turn uphere. No, the success of this album, andit is a success, lies exactly in the sameplace that all other Hendrix successeshave been — Jimi’s playing and thetight back-up playing on drums andbass.Jimi Hendrix was a great guitarist.With a little more effort, he might havebeen head and shoulders above thecrowd, but it seems he was alwayssatisfied with less. The only improve¬ment in the sound of this album at all isthe addition of Billy Cox on bass, whoplays far better than Noel Redding,Jimi’s old bass player. Mitch Mitchellagain proves that he is a fine drummer.—The Great PumpkinChicago’sOnlyCraftsGalleryweavingsceramicsglassjewelrysculptureEDWARDSHERBEYNGALLERIES737 North Rush787-9115CARPET CITY6740 STONY ISLAND324-7998a Hoi what you nood from a $10,Tuied 9 i 12 Rug, to a customFcorpet. Specializing in Remnants *Mill returns at a fraction of the I^original cost. OOP RECORD(Sells the Cheapest Records Aroundand we gottaSALE!Records in stock and anything orderedfrom the Schwann Catalogue10% OFFUsual SaleList Price Price4.98 3.29 2.965.98 3.99 3.596.98 4.49 4.04^Decoration Colors and Qualities.tAdditional 10% Discount with this|Ad.| FREE DELIVERYELIZABETH GORDONHAIR DESIGNERS1620 E 53rd St288 2900 From Now to the End of the QuarterSTUDENT COOPleynold^Club Basement/~ MORecent AcquisitionofFine Art PostersWALLER GALLERY5300 BlackstoneDO 3-74462^ jesselson’sT^"FRESH FISH & SEAFOOD752-2*70, 752-E190, 363-9184- 1340 i. 53rd BUSINESSMANAGERNEEDEDWell Folks, Ole Tight Don will retire afterSpring Quarter, and is looking for a replace¬ment.The job requires 20-30 hours per week, min¬imum and is open only to students. The hoursare flexible, and you are your own boss. Appli¬cants should be in the Business School, al¬though this is not absolutely necessary, andshould have some accounting knowledge andgeneral business awareness.The position entitles you to a quarterly salaryplus a very generous end of the year bonusPLUS numerous fringe benefits and ripoffs,including a full time secretary of your ownchoosing.For further information, you can call the Ma¬roon office at 753-3263 and ask for Don orDiana. Applications will be accepted startingtoday and should include a short resume ofpast education and and experience. Turn themin at the Maroon office, Room 304 Ida NoyesHall, or leave them in mv mailfolder in Busi¬ness East.Don RatnerThe Magic Money ManMarch 12, 1971 /Grey City Journal/7\ V /jW,* t.*» ('.''iWa/**<$•***** SPECIAL PURCHASEBIG DEAL!3000 Penguin and Pelican Books at up to90% off!*#*fwhy?*A|When?AtHow?*# n©r©? At the Book Center, Naturally.tT **********AWe found out that there are still 12 U.C.^Students (8 male, 4 female) that have|fnever been in our store. v&Starting Saturday Morning, March 13 and-Jtcontinuing as long as our supply holds out. ¥#Any Sale Book, Regardless of Price, now^25‘, with purchase of any regular priced*;^book in the store.###**#****##**##ti¬ffti¬fftftftftftf4tftftftftf. NOW AVAILABLEAT THEBOOK CENTERii In Harper Court"52nd & Harper ***i***************************tfROYKO will be appearing at the Book Center^^Saturday, March 20, 6:00 pm to personalize#-^copies of his new bombshell, BOSS. §^We are now taking reservations for auto-#^graphed copies for those of you who for|*4some reason cannot be present for Royko's$^appearancetitftftftftftftftftftftftftf mTHEBOOK CENTERHours:Mon-Tues-Thurs-Fri Noon to 9 pmSaturday 10:30 am to 9 pmSunday 8:45 to 9 pmClosed Wednesday #######***#****"O’ ,0,#4^44444:4444444^4^44»4444^4^444:444S/Grey City Journal/March 12, 1971 Saturday at aOnce upon a time there was an artgallery, but not the sort of gallery thatcaters to wealthy art collectors, thekind that makes the typical UC studentexcuse himself for living when hewalks through the door, or the kind runby some radically chic chick wearingher latest Rive Gauche get-up andGuggi shoes, who calles her regularcustomers, “Da-a-hling.” Oh no, notthat kind of gallery at all, but a veryspecial kind of gallery, the only one ofits kind in Chicago, where you can lookand touch, see and feel, and if you’rereally good boys and girls, play with ahalf-dressed froggy gremlin.We’d heard about the wonders of theEdward Sherbeyn Gallery, 737 N Rush,and last Saturday, seven Grey CityJournal people set out to see forthemselves just what wonders awaitedthem there. We followed the yellow-brick road and it lead us to a yellow-brick Victorian house, nestled amongthe bars, boutiques, and barbershopsof Rush Street, Chicago’s stab at theEast 50’s. No sooner did we enter thedoor than there arose a chorus of ooohsand aaahs, so delighted were we withthe sights that met our eyes. Necklacesand mantles of brightly colored porce¬lain shapes, strung together with vividyarns and fabrics; a velvet cape, hungwith ethereal-sounding bells, the likesof which King Arthur’s court jesterwould have drooled over; ceramicpots, baked to a tee, so that theirflowing forms shimmered with lus¬trous glazes; macrame dresses, skirts,ponchos, looking for all the world likethe work of some highly intoxicatedspider. And more! We just didn’t knowwhere to look first!So we spread out over the gallery,each on his own search for the stillunknown pleasures that might awaithim. Two GCJers wound their way upthe red spiral staircase to the roomsabove, and found there a small, sunlitparlor, hung with leafy plants. Alonglow tables were spread rows of potterybowls, ginger jars, platters, and on thewalls were brightly colored primitivedrawings by an unassuming Polishpeasant and a Navajo Indian whodoesn’t even know he’s an artist. A longsofa invites you to sit down and takeeverything in at your leisure. Theunselfconsciousness of the work dis¬played suggest that you, the viewer, bejust as unselfconscious, and enjoy,enjoy.Two GCJ pilgrims took the stairwayto the basement and found still moretreasures. Hand-blown glass, wovenwall-hangings, all sorts of feely objects. . . some that we could wear, some wecould play with, some to open andclose, and some just to look at. A veritable subterranean treasure trove rfor the young, old, and in-between.The three of us who remained on thefirst floor wandered into another room 9and met, the wizard of this magical 9house. Edward Sherbeyn, musta¬chioed, Levied, and plaid shorted, wel¬comed us warmly to his home (for helives on the top floor of the house) andtold us everything we wanted to knowabout the gallery, which, had it beenany other gallery, we’d have beenafraid to ask.We wanted to know, for example, [Ihow he happened to open a gallerywhich showed only crafts, as opposedto fine arts. Well, boys and girls, it’slike this. A few years ago, Mr Sherbeynhad run one of those other kinds ofgalleries, somewhere in the wilds ofChicago’s mid-north side, and he hadpaintings on the walls, scupture on thefloor, and here and there a piece ofpottery or two. Pretty much like anyother tastefully filled gallery. And a lotof people came in to look, but lo andbehold, they looked at the pottery a lotmore than they looked at the paintingsand drawings. And when they openedtheir pocketbooks to buy, the potterywent first, too.An idea began to grow in Mr Sher¬beyn’s head, and it grew, and it grew,until it became the wonderful yellow-brock house we were sitting and oglingin, the only gallery in Chicago whichshows only crafts, and the only gallerywe know of here that’s warm, inviting,and fun. ,“Taking a painting or a print andhanging it in a museum is like burying mit,” says Edward Sherbeyn, our very Iown wizard. “And besides, art is really |in the doing. The kid who comes inhere, dressed in levis which she em- Ibroidered herself, because she likes Iembroidered levis; that’s what art is.Art can no longer be an exclusive thing.Crafts are a much more democraticform of art than, say, oil paintings and tlbronze sculptures. After all, how many kpeople can have Picassos in their living Vrooms? Crafts can be done by prac- utically everyone. They don’t have to bejudged like fine arts. And if you don’twant to make them yourself, well, 1they’re so much more readily and \easily available than are master draw- cings or priceless etchings. And they’re cfunctional, too.” Well, we couldn’t 1disagree with that, Mr Wizard.At this point, we were rejoined by the trest of our entourage, emerging from 'all corners of the house, bright-eyed *and excited about all the wonderful <things they had found. “Come upstairs <and see this, go downstairs and seethat,” all talking at once, urging us onto explore all the nooks and crannies ofCultureVulture-Don’t LetJames Taylor at Syndrome tonight MUSICThe Chicago Symphony Orchestra will be presenting a fullschedule of events through the beginning of next quarterToday at 2 p.m. — Giulini conducts Raydi's "ConcertRequiem," Beethoven's "Piano Concerto No 2 in B flat.Opus 19", Denniston's "Sun Song" and Brahms' " 'Tragic'Overture." Tomorrow at 8:30 — a special Pension fundconcert (tickets $10 $25) with soloist Leontyne Price singingMozart, Barber, and R. Strauss, and a performance ofStravinsky's "-Firebird."March 18 and 19 — Giulini conducting Busoni, Mahler anda third work. March 25, 26 and 27, Martino Arroyo singsVerdi's "Requiem" with Giulini again conducting. All atOrchestra Hall.Collegium Musicum will pyrform in Bond Chapel tomorrow night with the music of Josquin des Prez and hiscontemporaries. 8 pm, for free.The Chicago Chamber Orchestra will present selectionsfrom Mozart, Nielsen, Boccherini and Schubert at theBeverly Arts Center, 2153 W 111th St on Sunday at 8 pm.March 21 they will perform at the Museum of Science andIndustry at 3:30. Works will include pieces by Nielsen,Vivaldi, and Mendelssohn.The Chicago Symphony Orchestra will present twochamber concerts, one today at 8:30 with works byBeethoven, Francaix, and Faure, and the other March 22 at8:30 with the Juilliard String Quartet performing an allBartok program. This second program will be repeatedMarch 28 at 7 pm. All at Orchestra Hall.Vladimir Ashkenazy will play at Northeastern IllinoisState College, 5500 N St Louis this coming Monday, March15. Call JU 3 4050.The Civic Orchestra of Chicago will perform March 19 at8:15 with works by Ligeti, Paganini, Stravinsky and Straus.Orchestra Hall.A Chicago Symphony Orchestra Popular Concert withworks by Corelli, Bach, Bartok and Hindemith will bepresented March 20 at 8:30at Orchestra Hall.Elizabeth Schwarzkopf. March 21. Orchestra Hall, Tickets $3.50 to $7.50.Byron Janis, March 28, Orchestra Hall, Tickets $3.50 to$7.50.POPThe Syndrome will really be jumping for quite some timeto come. James Taylor, Jo Mama and Carol King will bethere tonight. The Grateful Dead will be there Mar 19, BlackSabbath Mar 20, Johnny Winter Mar 26, Jethro Tull April 2allery of a Different ColorTOP: Left: Look! A frog is attacking a helpless little chicken. Center: MrWizard himself, Edward Sherbeyn. Right: The ebony princess refuses to kiss. BOTTOM: Left: Eeek! The giant frog exposes himself. Center: Ethereal bells inthe snow. Right: “Gurgle-Garump, frogs in a tub. Photos by Scott Carlson.the building. We were like a bunch ofkids on a seek and destroy mission.Wisely, our host intervened, providingus with a more orderly course of action.First to the jester’s cape. “Try it on,”he said. Forward stepped a fair mem¬ber of our group, and out came acamera. Poses were struck, shuttersclicked, and the fun (Stage II) hadbegun. Eager eyes searched for cloth¬ing to model, objects to hold or standby; vanity got the gest of us, and we allwanted our pictures taken. A girl’seyes turned to a magnificent macramecoat, and everyone could tell she want¬ed to model it for the camera.“I’m sorry,” said Mr Sherbeyn, “Butyou can’t wear that. It’s a piece of sculpture, and you can’t take it off theframe. Besides, it weighs a ton.” Eyesfell. It sure did look like a coat. “Butthere’s more downstairs,” we weretold, and that’s exactly where we allwent. Down the winding staircase, pastthe blown glass, the ceramic saddleshoes and silver spike heel fetish shoes,and over to the frogs that go “Gurgle-Garump.”In the far corner of the basement wefound masks ... oh what masks. Aswith a wave of a wand, two of usbecame the most fantastic chicken andfrog you’ve ever seen. It wasn’t quiteBeauty and the Beast, but it was greatto fulfill our childhood fantasies ofmagical metamorphoses. But we stillneeded a princess to kiss the frog andturn him into a handsome prince. There was the perfect princess dressupstairs, worn by a beautiful Africanebony princess, but she displayed nointerest in kissing either the frog, thechicken, or for that matter, any of theGCJ staff. Alas, alack!Not to be discouraged, however, wepressed on, poking at this, peering atthat. Suddenly a loud scream piercedthe air. “Come upstairs and see thisone.” Up we tromped, two flights up tofind . . . you wouldn’t believe what wefound! A grotesque frog, exposinghimself, by the light of an amberbeacon. My oh my! Such a sight! Thatjust goes to show how horny a frog canget when a princess won’t even kisshim..I could go on and on, telling you about all the different things we saw and didat the Edward Serbeyn Gallery, but it’sreally hard to follow a grotesque frogexposing himself. Besides, you shouldgo and see for yourself. It’s not hard toget there.You can take the subway to ChicagoAvenue, walk west two blocks to RushStreet, and down Rush a few doors tothe yellow-brick house on the east sideof the street. You can’t miss it. There’sa bathtub filled with garbage right inthe front of it. Or, if you prefer, take theIC to Randolph and walk north toChicago Avenue. It’s really a nice walkin good weather, and you can do somewindow shopping en route along Mich¬igan Avenue. The gallery is openeveryday, and Sunday 1-5.—Naturally Curly Dianat Finals Get You Down; Go Do Something Exciting. — —— ——The Association will be at the Auditorium Sunday at 8 :30.Bonnie Koloc, a popular Chicago Based folk singer, is nowat Mister Kelly's on Rush north of OakThe schedule through next quarter at the Quiet Knight isDoc Watson through March 14, Arlo Guthrie, March 17 to 21;Tom Rush (tentatively), March 24 to 28, and Alex Taylor,March 31 to April 4. 953 Belmont, 348 9509.The Lettermen will be at the Auditorium tomorrow at 8:30for all you who still like pop muzak. 8:30.DANCESiberian Dancers of Omsk. Opera House. March 13, 14 at2 30 and 8:15. Tickets S3.50 $10.00.Ballet of Sybil Shearer. National College of Education,2840 Sheridan Road, Evanston. March 21, call Box Office fortime and price at 272-2770. (Make your reservations as soonas possible, they always sell out early.)See the March issue of Dance Magazine for a storq on theChicago Dance Festival produced by Hyde Parker JudySagan, and written by the Journal's Paula Meinetz Shapiro.(Dance Magazine is sold at the Book Center in HarperCourt.)Chicago dance now has its own monthly newspaperpublished by the Chicago Dance Foundation, 4949 S.Woodlawn Ave., Chicago, III. 60615. If you would like theirfirst issue (free), you may write to the above address, ifyou'd like to subscribe, the rate is $2.00 for one year for TheDance Paper.American Ballet Theater. Auditorium Theater. March 17-28. Show student I.D. at the Box Office before eachperformance (no earlier than 2 hours their press releasesays) to obtain one of the limited number of seats availableto students at $3 off the top three prices of $9, 8, and 7. Theseseats were made available by the American Ballet TheaterFoundation of New York. (See preview in this issue).March 17, 8:30 pm, Les Sylphides, The Moor's Pavane,The River, Theme and Variations; March 18, 8:30 pm,Brahms Quintet, Giselle (2 Acts); March 19, 8:30 pm, SwanLake (4 Acts); March 20, 2:00 pm, Swan Lake (4 Acts);March 20, 8:30 pm, The River, A Rose for Miss Emily, LeCo, Jai, ras ae ueux, oaite parisienne; Marcn 21, ljupm,Les Patineurs, Jardin Aux Lilas, Edudes; March 21, 7:30pm, The Moor's Pavane, Giselle (2 Acts).March 23, 8:30 pm, Coppelia (3 Acts); March 24, 8:30 pm,Coppelia (3 Acts); March 25, 8:30 pm, Schubertiade, Giselle(2 Acts); March 26, 8:30 pm, Swan Lake (4 Acts), March 27,2 00 pm, Les Patineurs, Jardin Aux Lilas, Gaite Parisienne;March 27, 8:30 pm, Les Sylphides, Miss Julie, Pas De Deux, The River; March 28, 1:30 pm, Swan Lake (4 Acts); March28, 7:30 pm, Swan Lake (4 Acts).For tickets and additional information, call 922 2110.The Dance Troup, a company affiliated with ColumbiaCollege will present Fossils and Double Play every Wed at 8pm starting March 24 through April 14 at 1725 N. Wells.Manjusri Chaki-Sircar, an internationally known andoutstanding performer of Indian dance, will present aconcert in Mandel hall on Monday, March 29 at 8 pm.Tickets $2, students $1.50. The New York Times praised heron her last trip to this country for "exceptional delicacy offorearm and hand movement along with a rhythmicallyprecise sense of timing . . ." Dance Magazine has likenedher to an "Indian Isodora."THEATRETryouts for "Origin 0400," a modern passion play byWerner Krieglstein, will be held tomorrow from 2 to 5 pm inReynolds Club theatre.Actors for the production, which also is to be directed byKrieglstein, need not have any previous acting experience.The play will be performed the seventh and eighth weeks of•spring quarter.The theatrical experience of this year will be the showingof Peter Brook's production of A Midsummer Night'sDream at the Auditorium March 30 through April 4. Send fortickets now for they are selling out quickly. This is theproduction New York Times drama critic Clive Barnescalled "The greatest production of Shakespeare I have everseen in my life."You're A Good Man Charlie Brown opens at the HappyMedium, 901 N Rush later this month. For an extended run.Oh Coward! will close at the Happy Medium very soon, so ifyou want to see this show, go now.George M, the musical about George M Cohan, will playfor one week only, March 23 to March 28 at the Opera House.Chekhov's The Seagull is being performed for free everyFriday and Saturday at 7:30 at the Columbia CollegePerforming Arts Center, 1725 N Wells. 944-3756.Tonight in Ida Noyes for $1 at 8:30, you can experience ai enriaissarice piay, I tie gue ui Wiiltei, On fcUeu uy JohnKlaus and Annette Fern. The Chicago Masquers present thisold English musical pageant with sword, court and countrydancers, lute songs and musicians on harpsicord, lute,recorders, and other instruments.Free Theater will present through May, William Russo'sAesop's Fables Sunday at 7 and 9, Monday at 7:30 and 9. Atleast through the end of the month, they will also present Russo's Civil War on Saturday evenings. Call 929-6920 formore information. The theater is at 3257 N. Sheffield.Obviously, admission free.Theater First will present Roshoman starting March 19.For more information about performances, call 463-3099.Marching Song has opened at the Goodman Theater andwill run through April 4. Tuesday through Thursday andSunday at 7:30. Friday and Saturday at 8:30. Thursdaymatinee at 2.Second City revue this mongh is Picasso's Moustache.Mrozek's Tango will run at The Playhouse, 315 W North,through April, 751-9643.The Me Nobody Knows continues at the Civic Theater,Washington and Wacker. This is the Chicago production ofthe current New York Obie award winning rock musicalbased on the creative writings of school children from theghetto. Tickets $4 7.50. Call 726 7890.Grease, a 1950's rock musical, has opened at the KingstonMines Theater, 2356 N Lincoln.The Effect of Gamma Rays on Man-in-the-Moon Marog-ilds at the Ivanhoe, 3000 N Clark, 8 pm. Runs through April25. Irene Dailey, star of The Effect of Gamma Rays on Man-in-the-Moon-Marigolds, will conduct seminars about theplay and about theater in general after performances.Interested groups should call 248 6800.Man of La Mancha continues to run at the CandlelightDinner Playhouse, 5620 S Harlem, Summitt. Dinner isincluded and in fact required. Tuesday through Thursday$5; Friday $6; Saturday $6.95 for the first performance and$8 for the second; Sunday $4.50 and $6. Call theater fortimes.The all male black musical Buck White continues at TheChurch, 5400 Blackstone. Thursday at 8:30. Friday at 5 and7:30. Tickets $2.50 $4.50 with $1 student discount except onSaturday.At the Organic Theater, 2259 N Lincoln, Candide continuesthrough March 27. Tickets $2.50; students on Wednesdayand Thursday nights get a $1 discount.ARTWorks by Jess* izsak. t Hungarian toingoo >«hn livedthrough the Nazi concentration camps, will be exhibited atthe Harper Galleries, 5216 S Harper through this Sundayonly.The 73rd exhibition by artists in the Chicago area will beat the Art Institute March 13 until April 18.The Art Institute will exhibit photoserigraphs by LarryStark from March 6 through April 25, in Gallery 106. A selection of Japanese prints will be on exhibit at the ArtInstitute, in Gallery 114, through March 25.An exhibit of Japanese hanging scrolls and handscrollsfrom 14th through 19th centuries continues in Gallery 116 atthe Art Institute.Drawings and Lithographs by Jean Dubuffet continues atthe Art Institute in Gallery 107.The Art Institute also features an exhibit of Etchings andLithographs by Paul Klee; Gallery 107.Paintings by Miuoko Ito are on display at the Hyde ParkArt Center, 5236 Blackstone.Jesus Raphael Soto's optical constructions at the Museumof Contemporary Art, thru March 28. Also, "Four ArtistsPaint Their Outdoor Murals inside the Museum. " the publicmay see the work in progress and converse with the artists.German Paintings of the Nineteenth Century at the ArtInstitute through March 28.Black Experience at the Bergman Gallery featuresdiverse black artists' works, thru Mar. 20.The Renaissance Society Gallery in Goodspeed Hallshows "Venice in Peril" and "Views of Venice: Canaletto,Whistler and Masson."TALKIESGood ole Doc has Stanley Donen's Bedazzled tonight inCobb at 7:15 and 9:30. Starring Peter Cook, Dudley Mooreand Raquel Welch.Yellow Submarine, the epic graphic work of the '60s,written, believe it or not by Erich Segal of Love Story fame,will be shown by CEF tomorrow night in Cobb at 6:30, 8:30and 10:30.International prize-winning feature films are being shownevery Sunday afternoon at the Three-Penny Cinema as abenefit for Labor Today Magazine. March 14 — RobertoRossellini's Open City with Anna Magnani and BulletBargaining in Ludlow. March 21 — Charles Chaplin'sModern Times with Charles and Paulette Goddard, and Likea Beautiful Child. Both shows at 1 pm.A long-neglected film by Akira Kurosawa, The Hiddent-oriress, win oe snown i nursoay nignt, March 25, at theFrancis Parker School, 330 W. Webster, at 6 pm. The iii.n isan action fantasy starring Toshiro Mifune; it is Kurosawa'sfirst wide-screen production. One night only.March 12, 1971 /Grey City Joumal/9"Che (jniDersitu of ChicagoROCKEFELLER MEMORIAL CMAPEL59TM STREET AND WOODLAWN AVENUE • CHICAGO, ILLINOISX 0.MSt. Total PassionTHE ROCKEFELLER CHAPEL CHOIRwith 27 members ofTHE CHICAGO SYMPHONY ORCHESTRARICHARD VIKSTROM, Director of Chapel MusicEDWARD MONDELLO, OrganistDONALD DOIG, Evangelist ARTHUR BERG, JesusBARBARA PEARSON, Soprano SUSAN NALBACH LUTZ, SopranoALONZO CROOK, Tenor PHYLLIS UNOSAWA, ContraltoMARK ZOLEZZI, Tenor STEPHEN SWANSON, BaritoneSunday * April 4, 1971 * 3:30 p.m.Tickets: Reserved $5.00 General Admission $4.00UC Connected/Alumni $3.50 UC Students $2.50On Sale: All TICKETRON outlets including Marina Citydial T-l-C-K-E-T-S for informationWoodworth's Bookstore, 1311 East 57th StreetCooley’s Corner, 5211 Harper AvenueReynolds Club Desk, 5706 University AvenueMail Orders to: Chapel Music Office, 59th Street and Woodlawn Avenue, Chicago 60637P/ease make checks payable to The University of Chicago and enclose stamped, self-addressed envelopeSLUNG-HINGS♦ a new Chinese-American Restaurant in ♦j Hyde ParkJ 1435 E. 51st Si. I667-1316^ Special Chinese Brunch Service every Saturday & Sunday^ from 11 to 2 p.m. 50r per plate. Items on this special are:I- b«g how2. Sailed-^ aler Crispy Cake♦ 3. Loose Kgga u„. ♦♦♦♦♦7. beef Shui Mai8. B. B. 9. Pork Bun9. Chinese Sausage Bun. 4. Hiding Horse 10. Shrimp Chin .▼ 5. Peanut Lgg-Treated Crispy Skin Cake 11. Slippery-Smooth Chicken Bunf^6. Finely Chopped Coconut Ball 12. Dry - Steamed Shui Main4 Asa SPECIAL FOK READERS OF THIS PAPER, to give♦ you an opportunity to sample our unique dishes, wemake the following offer:♦♦♦♦♦♦♦♦♦♦♦♦♦♦ BKIM. I\ THIS AD AND RECEIVE:Dragon Pheonix Kew Reg. $6.00/now $4.00Snow Flakes of July Reg. $3.00/now $2.50Ding Beef with Almond Reg. $3.30/now $2.90Prime T-Bone Hong Kong Steak Reg. $5.50/now$4.75Sweet & Sour Shrimp Reg. $3.50/now $2.95Hong Sue Chicken Reg. $3.40/now $2.85Have a large glass of Imported Vine—Vhile. Kose'or Burgundy withour complete dinner for the same price listed in our menu.Order 1 day ahead the following:Pekin Roast Duck (half) Reg. $4.50/now $4.00(whole) Reg. $8.25/now $7.50Vi est Lake Duck (whole) Reg. $ 10.00/now $8.50SPECIAL STi HEATS Mt.HT S EVERY TLESDAY$0953 ♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ MALE OR FEMALEIF YOU HAVE A DRIVER'S LICENSEAPPLY NOWDRIVE A YELLOWJust telephone CA 5-6692 °rApply in person ot 120 E. 18th St.EARN UP TO $50 OR MORE DAILYWORK DURING SEMESTER BREAKSORDAY, NIGHT or WEEKENDSWork from garage near home or school. Datsundelivers extrasthat otherscharge extrafor or don'thave.Price S1990 p.o.e.Drive a Datsun... than decide at:SCHMIDT MOTORS3527 N WESTERNCHICAGO. ILLINOISChicago's Finest. Most Unique CinemaShangri-Layur Avne continuous■ PCC PERFORMANCES222 No STATE .it Wicker Drive Plenty of PARKING.it DoorAll you can eat plus 2 glasses of Imported ^ ine - While, Hose" orBed. ^ ith am of the following:a I. Pekin Beef 3. Chicken Chop Sues or Chow Mein▼ 2. Kxtra f ine Cut Chow Mein 4. Beef Chop Sue'^ ^our choice of Pork, Beef or Chicken Subgum 95▲ Vlushrooni (.how Mein Cantonese Stvle For4 Cocktail Hour 5-7 Keg. drinks 50* ^^ Banquet Room Available for 30-50 People ^♦ Carry out service also available. Offer f,q0d Till 3/17/71 ^1 10/Grey City Journal/March 12, 1971 in iissn MinnRelationsTHE LOVE STORY E ROM DENMARKmum omrNow Playing I tnlm (ills Irlus! lirCOldR STARTS TONIGHTKING OF HEARTSandA THOUSAND CLOWNSStarting March 19WINGSAll Silent Classic of 1927.Starring Clara Bow,Richard Arlen, Buddy Rogers.Help keep the Biograph abovewater. Spend a dollar and aquarter and get the best deal intown. All donations acceptable.THE BIOGRAPH THEATRE2433 N. Lincoln Dl 8-4123Plan to visit os soon. Admissionat all times is only $1.25. Bringyour Friends.Koga Gift ShopDistinctive Cift Items FromThe Orientand Around The World1462 E. 53rd St.684-6856Stockhausen, Boulez and Xenakis; Europeans on display.European Experiments in ConcertIs Europe still the world’s center of contempo¬rary music? Last Friday’s concert by the Contempo¬rary Chamber Players seemed to reply to thisquestion with an emphatic “No.” The programconsisted of works by four of the best-knowncomposers from across the Atlantic, all of whomwere born in the twenties.The concert opened with Karlheinz Stock¬hausen’s Kreuzspiel, one of the composer’s firstworks. The piece began with some interestingrhythms in the percussion but quickly degeneratedinto a long-winded conversation among the in¬struments, with the piano pounding tediously at theextreme ends of the keyboard. This is certainly notone of Stockhausen’s best pieces, but at least it borethe semblance of music; at a concert last year, theGerman “avant-garde composer” supposedlystepped onstage with his shirt unbuttoned and beganto drive nails into a block of wood — with deepexpression, to be sure.The next offering was by far the finest on theprogram. Improvisations sur Mallarme by theFrench composer Pierre Boulez (pronounced boo-lez’— it is not a verb!) is based on two sonnets by thenineteenth century French poet. “Paint not the thing,but the effect that it produces” was Mallarme’smotto. The poems that resulted are obscure inmeaning, relying for their power on the atmospherethey evoke. The two poems Boulez uses in Improvisa¬tions are icy and barren, with recurring images ofwhiteness, cold, glass and loneliness. The in¬strumental ensemble accompanying the soprano solointensified the atmosphere of the poems, drawing onthe chilling sonorities of the xylophone, bells, andpiano, and the threatening sound of the percussion.The maracas struck a note of terror in the secondpoem, as their rattling ebbed away gradually. It ishard to image music more removed from emotionalromanticism.In Boulex’ incredibly treacherous writing for thevoice, wide leaps become the norm. As in past performances, the soprano soloist, Elsa Charleston,handled her part with what seemed like extraor¬dinary ease. Her technical mastery enables her todraw much more from a complex score than merenotes. Her rendering of the word “fantome,” forexample, was spooky enough to make one’s stomachdrop.After a chance to calm down during the inter¬mission, the audience was subjected to Polifonica-Monodia-Ritmica, by the Spanish composer, LuigiNono. The point of the three-sectioned Nono workseemed to be the isolation of the musical elementsnamed in the title. The plan unfortunately did notsucceed very well. The polyphony of the first sectionconsisted of various voices stopping and going in themost dreary rhythmic eveness, and the percussivelast section hardly had enough rhythmic originalityto make it worthy of its name.The concert closed with Atrees, supposedly atribute by the Greek composer, Iannis Xenakis, toPascal, the French philosopher and mathematician.Pascal believed that the dignity of man rested in hisability to think, and that man’s duty in life is to orderthe world around him. Xenakis is known for his use ofcomputers to produce works according to “theprincipales of mathematical indeterminacy.” Theeffect of Atrees was truly indeterminate. For themost part, the instruments tossed around isolatednotes. The most meaningful part may have beenwhen the brass settled on one loud chord, evoking thesound of a stuck automobile horn.Except for the Boulez piece, this particularconcert did not give a very encouraging picture ofcontemporary music. Nevertheless, we owe a greatdeal of thanks to Ralph Shapey, the CCP’s musicdirector and conductor, for bringing live high-qualityperformances of contemporary works to campus. Hisconcerts offer a rare chance to get a perspective onwhat is happening in modern music.—Mark Blechner DANCEAlvin Ailey:Something Old,Not Much NewAlvin Ailey’s American Dance Theater came toChicago on March 3 for only one performance. It wasa sell-out; every one of the 4000 seats, including thehigh-altitude sections of Auditorium Theatre wasoccupied. And I think Ailey could have packed themin for a week judging by the broad audience heattracted.It’s a draining experience for a 17-man companyto arrive on the scene for only one performance; itdoesn’t leave much time to get familiar with thestage and wings. This was evident in the perform¬ance, which wasn’t one of the best the Ailey troupehas given. There were four or five slips and falls, thepresentations weren’t as sharp as they could be, andthe company is still weak when they dance in unison.But that’s not the whole Ailey story. “Revela¬tions,” choreographed in 1959, remains a gem in theAiley repertoire. The company’s presentation isvibrant and has the audience picking up the rhythmicwave-lengths. The piece builds to a momentum ofjoy, the dancers and audience take pleasure in thedancers’ ability to create beautiful forms with theirbodies and to sustain and share a peaceful radiance.Visually and choreographically the piece is a knock¬out, with white and blue stripes of gauze-likematerial rippling upstage and beautiful womenswaying in unison and wearing long white dresses.And then there’s Judith Jamison, a tall aristocrat ofmovement, creating gentle impressionistic visionswith one arm and manipulating a white parasol withthe other.The effective lighting in “Revelations” by NicolaCernovitch, was in marked contrast to the first pieceon the program, “Streams.” The lighting for“Streams” by Chenault Spence was a hindrance tothe visibility of the technical expertise of DudleyWilliams and Ramon Segarra, among others. Insteadof subtly enhancing the production and creating adream-like mistiness or softeness, the lightingcreated a very muted, blurred haze, which had thesame effect as wearing someone else’s bi-focals. Themusic, though interesting, was too loud, and thechoreography with its slow and sustained move¬ments was bland.“Flowers,” which is based on Janis Joplin’s life,was a disappointment. It was too theatrical, tooobvious, too shallow: the lonely flapper-dressed starwith flowers and admirers (who become evil mendressed in sleek black outfits also danced against ablack background), and the evil pusher wearssunglasses and gives her the poppy symbolized by ared handkerchief. To add to this Broadway rendition,the men literally and ceremoniously walk over hertwice and lots of icy flashbulbs are flashing as shedies. Only in Joplin’s songs which are played, are youreminded of the loss and inner torment and conflictshe must have experienced. —Paula Meinetz ShapiroDR. 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South Chicago Ave.(Parallel to Chicago Skyway)Open Mon. -Sat. 8:30 -5:00RE 4-2111Immediate DeliverySpecial Discount for Studentsand faculty with I.D. cardEiaTrinity CollegeRome CampusJUNE 9 TO JULY 29 —$960 INCLUSIVESTIMULATING CURRICULUM • OUTSTANDING FACULTYETRUSCAN ARCHAEOLOGY PROGRAMSend for new 1971 brochureTrinity College/Rome Campus, Hartford, Conn. 06106 ATTENTION:VOLKSWAGEN OWNERSIf your Volkswagen needs bodywork, bring it into our shop andlet Peter Petersen repair it.Peter is a trade school graduatefrom Germany and is a crafts¬man from the old school. Heonly knows one way to repair aVolkswagen—the right way.South Side's Finest Body ShopOur 17th Year In BusinessSHORE AUTO REBUILDERS, INC.1637 East 75th StreetMidway 3-8066March it 197-i/Grey City Journal'llTW\INTRODUCES1/3 OFFWith a Youth Pass¬port card you get 1Aoff on all TWAdomestic flights, on astandby basis. 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It presents not onlyan absorbing and immediate account of TheFree Speech Movement, the first suchupheaval, but gives unique perspective oncollective actions by large groups of every sort.Illustrated with photographs. $6.95THE BEGINNING:BERKELEY 1964by Max Heirich| ' j Available at your local bookstoreI w I COLUMBIA UNIVERSITY PRESS* New York, New York 10025 TERROR WAITS FOR YOU IN EVERY ROOMTHAT DRIPPED BLOODFromthe authorof “Psycho”bwmuMiusi'qgitMAKTHE HOUSE THAT DRIPPED BUOOO ChrisJo*1Ir'"* FRIDAY ®Nyree Dawn Porter Denholm Elliott Jon Pertwee —-Christopher Lee Peter CushingJotfm* Ovnkjm Joufckl** JotalpMrtf John ftnpfiiNode Ho*'4 MO Strong Tor ftfemt tf4 **4 Ml u’Cl'U©Oriental12/Grey City Journal/March 12, 1971 ^foreign car hospitalKIMBARK„ LIQUORS»WINE MERCHANTSOF THE FINESTjfeg^IMPORTED ANDDOMESTIC WINESFeaturing our direct imports,bringing better value to you!THE ONLY TRUE WINE SHOP IN HYDE PARKS3RD KIMBARK LIQUORS, INC.1214 E. 53rd St.53-Kimbark Plaza HY3-3355CARPET BARN WAREHOUSENew and Used CarpetsRemnants and Roll EndsOriental ReproductionsAntique French WiltonFur Rugs & Fur CoatsINEXPENSIVE ANTIQUE FURNITUREOpen Tues. thru Sat., 9-4Sunday 10-31228W. Kinzie 243-2271.)Poco’s Been a Pickin’ ’n a Grinnin’Poco: Messina, Schmidt, Young, Furay and GranthamFor three years I have been waitingfor great music to come to Chicago.There have been any number of com¬petent concerts in that time, but thetruly memorable shows, the ones thateveryone talks about, always happenelsewhere. San Francisco, New Yorkand Detroit, in particular, have hadgreat luck in sponsoring shows byartists when they reach their peak, buthere in the Second City, concerts havealways been an ordinary thing.In the last two weeks though, all thishas changed. In last week’s GCJ, Ireported on the great success thepeaces had in the AuditoriumTheater.Whatever good luck charm the Facesbrought with them must have stayed,tor Poco hit similarly amazing heightsin their Auditorium concert last Sun¬day.I have been pushing Poco for a longtime. They were destined to make itbig. The group has been around forover two years and only now are theyreaching the upper stratum of the rockworld. Along their trip to the top theygained a good bass player, TimSchmidt, lost their lead guitarist, JimMessina, and gained an even betterguitarist, Paul Cotton. Richie Furay onguitar, George Grantham on drumsand Rusty Young on pedal steel guitarand dobro are the original members ofthe group who have stuck it out all theway.Poco music is happy music. “I don’t sing no songs to make you sad,” Pocosings, and they are right. No one couldbe down when listening to the cheerycountry rhythms and happy energeticsinging of this group. Richie Furaysings most of the leads and he jumps upand down while he is singing, half out ofpure energy but also out of pure joy.Poco’s trademark is their tight, coun¬try harmonies. Poco’s harmony is builton thirds. Tim Schmidt and George Grantham supply most of the harmonywork and they stay within the thirdrange of Furay, first a third below him,then meshing, then a third above, andthen meshing again. This tight harmo¬nic structure might seem to be repeti¬tive, but in actuality, it breeds a kind ofrelaxed, calm feeling that is infectious.When a group builds its harmonies onfifths as well as thirds, you must sit upand listen.“Candide” Pleases with SophisticationContinued from Page Threewhelming.” He adds, “Sills has beenhere for 20 years, and Chicago stilldoesn’t support him. Its goddamn frus¬trating! The critics sit here and letNew York pass judgments. We don’twant any patronizing crap; we justwant to have them come and see us.Most of the critics are imbedded in theolder traditions of theater. They wantto deal with a PR man, have a presspreview and a party. If you’re busycreating theater, you don’t have thetime, energy, or money to devote to thisetiquette. The most important thing isthe performance and creation, not the\ commercialism.”The 23-year old director, exercises agentle control over the volatile mem¬bers of the Organic Theater. There’s» Euclid Harques Life, for example, askinny, balding dude who can projectpathos, lewdness, myopia, all in thespan of 30 seconds. When asked to pose! for pictures, Euclid’s response was to perch atop a fire-hydrant and demandhis picture be taken while he relievedhimself.Robert Engel, another member ofthe company and Euclid’s roommate,wasn’t surprised when 50 bales of haywere delivered to their apartment oneday. It seems Euclid wanted to forgethe was in the city and thought dumpingthe hay all over the apartment wouldhelp. The only problem was that theywere constantly losing things, in¬cluding friends with hay fever.The lively company handles delicatetasks, such as audience participationin Candide with sophistication andskill; they actually had businessmen —crew-cut grey suit and all — acting likesheep with suckers in their mouths andenjoying it. Candide broke all attend¬ance records and was extended for a20-week run. The company’s newestoffering is Ray Bradbury’s MartianChronicles, which was scheduled to open on April 23.Whether or not these artistic adven¬tures have a long life expectancy onNorth Lincoln Avenue depends mainlyon one man, Lewis Hill, Chicago’sCommissioner of Planning and UrbanRenewal. Some people interested inpolitical mileage have warned that infive or ten years North Lincoln will looklike the garnish Wells Street in OldTown. Some homeowners in the LincolnPark area have expressed concernover this, resulting in some very thor¬ough “inspections” of the theaters anda few trips to court to get licenses andbuilding permits straightened out.There are also several hospitals in thearea looking covetously at the land nowoccupied by Chicago’s new theatergroups. But no matter, Stuart Gordonsays, these theater groups will live.They’ll just turn up on another street.It’s no problem for people “possessedby theater.” Richie’s voice is a high tenor andwhen he doesn’t sing lead, his role inPoco’s harmony is very interesting. Itis most common that sopranos, or thehighest voice, sing the melody. Butwhen Tim sings lead, the group’shighest voice, Richie, supplies highharmonies that are staggeringly clearand high. He has such a flexible voicethat he often is singing an octave aboveTim, who is also a tenor.But Poco always had these talents.What has made them catch-fire now isthe great improvement in their in¬strumental playing. Paul Cotton, thenew guitarist, has added just the rightspark of hard rock guitar to push theother members of the group into aharder, tighter style. I had always feltthat the other members of the groupwere holding back, but now they playwith all their skill.The group develops their in¬strumental sections in much moredepth in concert than they have ontheir albums. Here the true in¬strumental talent of the group shinesthrough. George’s drum playing is fastand furious. While the group progress¬es with a steady four-count beat,George is double-timing them on thedrums, playing at an eight count. Thisadds unbelievable excitement to thegroup’s sound. On the extra beats,George does interesting things likecymbal riffs, or tight snare hits, notplain bass notes.Yet the most impressive spark ofcreativity in this group belongs toRusty Young on pedal steel and dobro.Rusty is a somber, dour gent who, it isrumored, never smiles on stage. Well,he must have been very pleased withthe group’s sound on Sunday for he wasbeaming from ear to ear, even encour¬aging the audience to clap along. Themost impressive display of musi¬cianship I have ever seen came at theend of the concert when Rusty played along pedal steel solo, a solo so impres¬sive that the audience stopped boppingalong with the music to just sit quietlyand watch. As Rusty built the solo onwaves and waves of sound, his facetightened into a grimace, so intensewas his playing; he even pushed out hischair and kneeled on the floor to finishthe piece with increasingly highernotes that rippled through the audiencelike lightening.The group refused to come back foran encore flfter Rusty’s solo spot, andsome members of the audience booedthem. But really, what could they beexpected to do after that amazingpedal steel piece? 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VALUABLE COUPONSPECIAL STUDENT PRICESUPON PRESENTATION OF THIS ADLIBERAL TRADE IN ALLOWANCESAT THE WORLD S LARGEST GUITAR STOREALSO FEATURING OURTRUMPET CENTERHA 7-5327ho in ui Visions o fPRAe.FR 6 RITTFR, INC14/Grey City Journal/March 12, 1971 GIBSON’S, FENDER'S - REWIRED FOR REPAIRS AND | j“FUNKY” OLD SOUND. REFRETTINGJREPAIRS ANDREFRETTING IifdanceABT To Perform Four Premieres1€*> *. Etudes, an ABT production, will be shown March 21THEATERA Woefully Flat Marching SongThe American Ballet Theater, which will beperforming at the Auditorium Theater from March 17through the 28th, ranks as one of the outstandingballet companies of the century. It began in 1937,when Mikhail Mordkin, a principal dancer with SergeDiaghilev and partner to Anna Pavlova, founded theMordkin Ballet. Lucia Chase, who financed thecompany, danced the title role in “Giselle” for thecompany’s first performance. In 1940, it becameknown as Ballet Theater, with Lucia Chase anddesigner Oliver Smith as the directors, and in 1958 itbecame the American Ballet Theater (ABT).Miss Chase has said that ABT seeks to “serve asa gallery of the dance wherein the ballet master¬pieces of all periods and all countries are displayedtogether with the contemporary works of Americanartists.” The ABT’s Chicago programs reflect thisgoal (see Culture Vulture).The well-known diversity of their repertoire isone of the reasons Natalia Makarova, who defectedfrom the Leningrad Kirov Ballet last year, choseABT; another reason was the uniform excellence ofall the dancers — principals, soloists, and corps deballet.One of ABT’s perennial problems is its lack of apermanent home or regular base from which to work.While they will soon become the resident dancecompany of the Kennedy Center for the PerformingArts in Washington, the National Ballet of Washing¬ton will also perform there. Without a permanentbase and extended residencies, it is difficult todevelop its fullest potential and influence.When the ABT arrives in Chicago, it will be trueto its tradition of operating on a grand scale. It willbring over 100 dancers, musicians, technicians andadministrators, plus five tons of scenery and cos¬tumes. The principal dancers include Erik Bruhn,Ted Kivitt, Ivan Nagy, Carla Fracci, CynthiaGregory and Sallie Wilson. Five of the dancers areChicago natives: John Prinz and Naomi Sorkin aresoloists, and Buddy Balough, Robert Brassel, andRory Foster are corps members.The programs include four Chicago premieres:“The River,” choreographed by Alvin Ailey withmusic by Duke Ellington; “Moor’s Pavane,” by JoseLimon with music by Henry Purcell; “A Rose forMiss Emily,” by Agnes De Mille based on WilliamFaulkner’s story; and Michael Smuin’s “Schuber-tiade,” with music by Franz Schubert.For those concerned with catching some of thesuper-stars: Natalia Makarova will perform onMarch 17 in “Les Sylphides;” “Swan Lake” onMarch 19 and 28 with Ivan Nagy; “Jardin aux Lilas”March 21 (matinee); “Coppelia,” March 23, and“Giselle” with Ivan Nagy on March 25. Carla Fracci,a guest artist, will perform with Erik Bruhn in“Giselle” on March 18 and 21, and they’ll be in“Coppelia” on March 24. Miss Fracci will be in“Jardin aux Lilas” on March 27 and that eveningBruhn will dance Chicago’s only performance of“Miss Julie.”There is a $3 student discount off the top threeticket prices, and for anyone interested in dance itwould be a shame to miss this opportunity to see oneof the world’s finest ballet companies.—Paula Meinetz Shapiro All in all, you should be quite glad that it’stenthweek. At any other time, you might have beeninterested in finding some amusement to partake ofthis weekend, and in your search, you might havedecided to sample the new production at theGoodman Theater, John Whiting’s Marching Song.Be thankful that you’re too busy to catch this show,for if Marching Song is not the worst play ever, it hasa strong hold on the place position.Few plays ever produced are based on cliches.Marching Song is one of the unlucky few. This is thekind of play where every character tells you exactlywhat is on his mind, his deepest, most personalphilosophies on life, and does so in such hackneyedterms that you couldn’t care less. Here is a samplingof some of the great one-liners from the play: “Christman, you’re breaking her heart; ” “Your future is asbright as a blind man’s holiday;” “It would be toohorrible if there weren’t even kindness left betweenyou anymore;” “I’m free and I want to stay thatway;” “It’s not my head that’s bothered, it’s myheart’;; and “Like most women, I feel, I don’treason.”The plot of this play is too contrived and com¬plicated to try to explain here. Suffice it to say that Istill don’t believe it and I don’t think the actors dideither. The main problem with this play, other thanthe lines, seems to be that Whiting never decided whothe play was about. Near the end of the play, thecharacter whom I assumed was the main one died. Iexpected then, that all the revelation after his deathwould somehow involve him. No, this was not thecase at all. The main action at the very end of theplay involves two other characters who, thoughintricately tied to the dead man, are more concerned with their own problems than with what his deathsignified.To make matters worse, the play delights inintricate symbolism — now subtle as a Mack truck,now clear as mud. “So, am I your goat-herder’ssong?” the girl asks, and the main character replies“Yes, you are my goat-herder’s song.” Other sym¬bols are never explained and I have yet to figurethem out. During the entire play, men stand at theextreme rear of the stage, on a balcony, their blackfigures silhouetted against the sky. But their sym¬bolism is never explained and I found their presencedistracting and annoying.With such wonderful material to work with, it isamazing that any of the Goodman’s cast of actorswould even appear on the stage, much less try to actthis play out. But they were there, Doublas Campbelland all the others. All of these actors have been seenin better productions but part of the blame for thefailure of this production lies with the actors, fortheir woodenness did little to redeem this play.The only performer who must be singled out forrecognition is Leonardo Cimono who played the onlycharacter who was at all interesting. DouglasCampbell got stuck with an impossible role and didnothing with it. Ann Casson, Richard Curnick andMax Howard were all dull. Rebecca Taylor, however,evoked titters rather than sighs when she tried toexpress her love for the man who would die.Marching Song will run through April 4. You’llprobably be away over break and by the time youcome back, this show will be over. Perhaps everyproduction can’t be The Night Thoreau Spent in Jail,but need we have plays like Marching Song ?—Mitch Bobkinthe committee on southern asian studiespresentsthe celebrated Indian dancerMISS MANJUSRICHAKI-SICARand companyMANIPURI • BHARA TNA TYAM • MODERNMonday, March 29, 8:00 p.m.Student faculty $1.50 General $2.00 Mandel Hall, 57th & UniversityTickets in Foster Hall 106 NOWcontemporary european films 6:30 8:30 10:30YELLOW SUBMARINESaturday March 13 CobbM&tek l2, 19?i/Grey Gity JoumalfT^SAVEon all Spirits and Winesfor your vacation needsLOWEST PRICES IN THEMIDWESTCHOOSE FROM THE TREMENDOUS WINESELECTION - 1400 DIFFERENT WINESVINTAGES FROM 1856 TO 1969All nearby states have much higherprices. Stock up before leaving Chicagoand save as much as $200 per fifthon all spiritsThe Party Mart2427 East 72nd StreetBA 1-9210WE FEATURE ONLY NATIONALLY ADVERTISED BRANDS16/Grey City Journal/March 12. 1971Royko at Book CenterNoted columnist Mike Royko will appearat the Book Center on Saturday March 20,to autograph his new book “Boss,” anunauthorized campaign biography of May¬or Richard Daley.The Dailey News writer will be at theHarper Court store from 6 to 9 pm.Royko, whose daily column has oftenblasted the Daley administration with caus¬tic wit, has been praised by reviewers as“the best newspaper writer in the coun¬try.” His book has been called the “bestbook on Chicago and the best book on Da¬ley” ever written.Danforth fellowsAnthony Grafton and James Morris, sen¬iors in the College, have been named Dan¬forth fellows.The fellowships, announced this week,are awarded to students who intend to gointo college teaching. The four-year awardconsists of tuition and $1800 annually.Grafton, from New York City, is a majorin early modern European history and thestudent ombudsman. Morris, of Mendota,Ill., is majoring in civilizational studies.Both were elected to Phi Beta Kappa lastyear.About 100 Danforth fellowships areawarded annually from 1800 students nomi¬nated by their Universities.Ethnic lecturesA former director of the National OpinionResearch Center (NORC) at the Universitywill give the first in a series of lectures onAmerican ethnic groups at 4:30 pm Mon¬day, March 29.Peter Rossi’s lecture, free and open tothe public, is entitled, “The Italians inAmerica Today.” The lecture, sponsoredby NORC’s Center for the Study of Ameri¬ can Pluralism, will be held at social sci¬ence 122.Rossi is presently a professor in the de¬partment of social relations at Johns Hop¬kins University.Ratner busted!Four students were arrested for posses¬sion of drugs last Friday night when Chi¬cago police searched their apartment at5711 Kimbark.Three students, who wish to remain ano¬nymous, were arrested for possession ofmarijuana after police allegedly foundsome in the apartment.Peter Ratner who lives with one of thearrested students was arrested for pos¬session of stomach pills which he sayswere prescribed to him by his doctor.According to Ratner, two weeks beforethe arrests his roommate was cornered bya plainclothes policeman in a Hyde Parkbar. He showed his ID to the cop, who tookdown his address. Ratner said the police¬man trailed him home from the bar.Ratner was the only one home when thepolice came knocking with a warrant 5:30pm Friday. Ratner was arrested for pos¬session of the pills, then his roommate re¬turned home and was also booked.Ratner spent the night in jail and wasreleased Saturday morning on bail.Two of the other students turned them¬selves in to police when they heard war¬rants were out for their arrest.“I was completely incredulous about thewhole thing,” said Ratner, former head offestival of the arts and an occasional con¬tributor to the Grey City Journal. “The in¬cident reminded me of the ‘Trial’ by Kaf¬ka”.“These trumped up busts are pure har-rassment of students,” he said. “Somethinghas got to be done when police can throwyou in jail for possession of prescribedmedicine.” PETER RATNER“Incredulous!”The four are scheduled to appear in courtApril 15 on the drug charges.Bail for the first three was set at $100.Ratner was freed on $50 bail.Security negotiationsUniversity security is currently negotiat¬ing with the University administration forhigher wages and better working condi¬tions.Captain Michael Delaney, director of se¬curity, said negotiations “have been goingon for a couple months.”The security force, he said, which is amember of Teamsters union local 710, has“many, many demands and has resolvedmany things.” He foresees “no problems.”There have been no negotiation meetings since February 27 due to the illness of theunion’s chief negotiator, according to GlennRichardson, associate director of the per¬sonnel office.Richardson said that negotiations havealso been held up by the death of anotherunion negotiator. He hopes they will recom¬mence next week.The negotiations could result in a “reduc¬tion in the number of security posts but notnecessarily in the number of guards,”Richardson said.Patrolmen are currently earning from$3.29 an hour for beginning patrolmen, to$4.49 an hour for patrolmen in the topgrade with a minimum of three years ser¬vice.If negotiations cannot be settled they willenter “compulsory and binding arbi¬tration” as dictated by the union contract,Richardson said.AAUP officers electedPeter Novick, associate professor of his¬tory, was elected president of the Univer¬sity chapter of the American Association ofUniversity Professors (AAUP) at a chaptermeeting Wednesday night. He succeedsNorman Nachtreib, professor and chair¬man of chemistry.Also elected were Leigh Van Valen, assis¬tant professor of anatomy, as vice-presi¬dent, and Melba Phillips, professor of phys¬ics, secretary-treasurer.The campus chapter of AAUP has ap¬proximately 225 members.Aime Binh postersWomen’s liberation is selling posters ofMadame Binh, chief negotiator for theprovisional revolutionary government inParis, to raise funds.The posters are being sold at the wom¬en’s center, third floor of the Gargoyle,11:30 am to 4:00 pm Monday through Fri¬day.FINALS WEEK SCHEDULEfor your Convenience, Last Opportunity for the Best PIZZA in Hyde ParkTHE BANDERSNATCHOPEN ONLY FOR DRUM: MON, WE, WED, S:30-8:00 pmDue to Popular Demand: PIZZA this Sat, till 12AMYOU DIDN'T READOUR LAST ADThe HYDE PAM SUPERMARKET (formerly theNational), 1346 E. 53rd Street, is a student-run, low-cost supermarket. We have cheap prices, an un-crowded, friendly atmosphere and great special buys.We told you all this in our last ad, but you weren'tlistening, so as an added incentive to try us, here aresome special discount coupons. Come in and try us.Once you have, you'll never shop anywhere else.25* REFUNDon purchase of$5.00 or morewith this coupon25* REFUNDon purchase of$5.00 or morewith this coupon 50* REFUNDon purchase of$10.00 or morewith this coupon50* REFUNDon purchase of$10.00 or morewith this couponA Unique Place to BeCAMP NEY - A - TIChina Lake, No. Vassalboro, Me.50-60 Boys, ages 7-164 or 8 weeks, 16th yr. of operationACTIVITIES: water sports, athletics, archerv, trips,camp craft, etc. Brochure:Peter True (Chicago Representative)1000 East 57th St.Chicago, Illinois, 60637753-2233 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$**$*DELIVERY PEOPLEIf you have a VW Bus or Van or similarvehicle, and can work Friday mornings, callthe MAROON for a good paying job. Weneed men or women to deliver papers eachFriday and pay well for the 4-6 hours ofwork involved. Call Don or Diana at 753-3263, or write us over the break if you areinterested.$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$WHOSE FAULT ISPREGNANCY?It takes two to tango. Men must share the responsibility fpr pre¬venting unwanted pregnancy. After all, it’s yfiUf future (and thefuture of someone close to you) that’s at stake. We’ve made iteasy for you to do your part. Now you can get condoms—nationallyknown and imported European brands—by mail from a new non¬profit family planning agency. No auestions asked. So get with it.Write today for full details without obligation orSend $4 for package of mixed samples (3 each of five condombrands, including both British imports).Thu program is endorsed by the Community and Family StudyCenter of the University of ChicagoPOPULATION SERVICES. INC.IUS N. Columbia St., Dept. j-4£ Chapel Hill, N, C. WH«Gentlemen: Please send me Sample package (remittanceenclosed Full detail* without obligation.Name ■Address „City . State- Zip- GOODYEAR TIRES -DELCO BATTERIESAuto Parts at Mechanics PricesSeat Covers InstalledLocksmith ServiceComplete Auto Repairs on all CarsDiscount to Faculty, Students, &University EmployeesCASTLE AUTO DISCOUNT STORE4401 S. Cottage GrovePhone DR 3-4400Hours 8 to 7; Sat. 8 to 6; Sun. 8 to 2ADVERTISERSIf you are located in Hyde Park and have notbeen receiving the MAROON on a regularbasis, and feel that your place of Businesscould use at least 25 copies of the MAROONevery Tuesday & Friday, please call our office753-3263, or write and let us know so we canput you on our delivery list for next quarter.March 12, 1971/The Chicago Maroon/5LETTERS TO THE EDITORSContinued from page 4has followed in the tradition of the client-centered approach, although this “school”of psychotherapy has changed considerablysince the early writings of Rogers, Thecounseling center has a distinguished his¬tory.The center serves a tremendous need inthe community, some 55 percent of theclients being community residents (the oth¬er 45 percent are students).If this decision on the part of the Univer¬sity is irrevocable, those of us who careabout people might devote some energy tofinding funds so that the center can existnext year on its own. It would not take agreat deal of money to make this possible.It seems to me that this is a tremendouslyimportant social issue in this commu¬ nity.Mary BurtonMeadville Theological SchoolDraft clarificationThere are several apparent dis¬agreements between the statements whichthe three of us made when being inter¬viewed separately for the article on draftcounselling which appeared in your Friday,February 26 issue. We would like to clarifyour views and offer a consensus on howhelpful lawyers may be in keeping a manout of the military and on the present in¬crease in draft-related prosecutions.One of us (Frank Easterbrook) is quotedas stating that “ ‘It’s almost always pos¬sible to beat them in court.’ ” and another (Ben Blaney) as saying “that about 90 per¬cent of those who go to lawyers can avoidthe draft...”There are, however, many cases that goto court which are not adjudicated in thedraftee’s favor. Only a man with a strongcase, such as good evidence of proceduralerrors or blatant prejudice on the part ofSelective Service, will stand a fairly goodchance of beating the system in court.Many men who see lawyers escape thedraft not because they go to court but be¬cause they work with the lawyer from thevery start on all aspects of their dealingswith Selective Service. Lawyers get manymen out, for instance, by helping tPlem toget deferments just as a draft counselorwould try to do.If a man is willing to work on his case with a lawyer or a draft counselor from thetime he -is 17, he stands a good chance ofbeating the draft under the present lawHowever, we do not want to suggest that aman who has tried to get a deferment formthe system and has failed and is now facinginduction should feel that going to a lawyerwill necessarily get him off the hook.The government has stepped up its prose¬cution of draft cases and will soon startusing computers for quick determination ofa man’s present status, including failure toreport for induction. No man should feelthat he can fail to report and be free fromthe threat of prosecution.Ben BlaneyFrank EasterbrookMarki LeCompteHyde Park Draft Information Center$**WW**W***™*********$GOLDCIT Y INNMaroon*******JL* New Hours:^ Open Daily* From 11:30a.m.* to 9:30 p.m.* ' 'A Gold Mine of Good Food"** Student Discount:****** 10% for table service5% for take homeHyde Park's Bast Cantonese Food#5228 Harper *********************(near Harper Court)Eat more for less. 493-2559£*** tat more tor less. *$ (Try our convenient take-out orders.) MIDWEST’S LARGEST DISPLAY OFNEW AND USED SPORTS CARS1971 FIATS The driver’s Car **H*jyk ■» ^ 'J&Lf W 4UrAoeoor KnowsAWARD WINNING ROCK MUSICAL JMCONTINENTAL MOTORS INC.5800 S. LA GRANGE RD. LA GRANGE, ILL. 352-9200 “It’s Just a Hit”- - Leonard, TRIBUNEFOLK MUSIC, JAZZ, COFFEES “Touching and Funny,’’- - Harris, DAILY NEWSAT A RELAXING ATMOSPHERE Its a Winning Show,’’- - Syse, SUN TIMESirilT THE LAST OFAlPieAOlll. THE QUARTER Superb’’- - Dettmer, CHICAGO TODAYCOFFEEHOUSE SPECIAL STUDENT-FACULTY RATES S3.00—■SEATS AS AVAILABLE MON. THRU THURS. EVES.—IDA NOYES LIBRARY8 through 12 midnight PR/IP TUCATDC 20 N0 packer drive.UlvlU 1 MLM 1 IA L CHICAGO -PHONE 372 4814NICKY'S PIZZAAND RESTAURANT“ROYAL PIZZA BY NICKY THEUNCROWNED PIZZA KING"Fast Delivery Hot from the Oven5 p.m. until (losing1208 EAST 5 3RD STREETWhether you relax In the friendly atmosphere of our restaurant or inthe comfort of your own home, you'll always find the folks at Nicky'seager to serve you with a pizza that is a gourmet's delight andstill the “Crown Delicocy of Hyde Park." Drop by or give us acall and see for yourself. We appreciate your potronoge.PHONE FAIRFAX 4-5340OPEN SEVEN DAYS A WEEK — HOURS 11:00 A.M. TO 2:00 A.MSUNDAYS — 12 NOON TO 2 A.M.YOU STUDY,WE’LL COOKHyde Park’s finest deli, the oneacclaimed by the Grey CityJournal as a “great lunch”, ad¬vises you to order out duringfinals week. We’ll cook for you.You eat our delish food.MORRY’SDELI1 SOS G. 55th Street Please Follow Smokey’s ABC’sALWAYS holdmatches till coldBE sure todrown all firesCAREFUL to.crush allCAA LV1 smokesPLATTER6/The Chicago Maroon March 12, 1871 Pizza, Fried Chicken *Italian Foods *Compare the Price! |1460 E 53rd 643-2800 JL„.W1£UVER_„J WE'D UKE YOU TO JOIN OUR RAPIDLY GROWING FAITHasan ORDAINED MINISTERWITH A RANK OfDOCTOR OF DIVINITY'And ye shall know the truth ond the truth shallmake you free' John 8:32 FIGHT RACISTUNEMPLOYMENTWorker /student monk in Washinqton,D.C. Match 70thSponsored lor oily by PIP SDS Mother Power& Ford Workers ForwardFer hrie -lUttlteri STIR. rm. tillWa want man and woman of all oges. who beiteve os we do, to joinvs in the holy search lor Truth. Wa believe that oil man should soakTruth by all juft moans. As one of our ministers you con:1. Ordain others in our noma.2. Sat up your own church ond apply tor exemption fromproperly ond other taxes.3. Perform marriages ond exorcise all other ecclesiasticpowers.4. Get sizeable cosh grants tor doing our missionarywork.5. Seek draft exemption as one of our working mis¬sionaries. We con tell you how.6. Some transportation companies, hotels, theaters, etc.,give reduced rates to ministersGET THE WHOLE PACKAGE FOR $10.00Along with your Ordination Certificate, Doctor of Divinity ond I.D.cord, we’ll send you 12 blank forms to use when you wish to ordainothers. Your ordination is completely legal and valid anywhere in thiscountry. Your money bock without question if your pockoge isn’teverything you expect it to be. For on odditionacSlO we will sendyour Ordination and D.D. Certificates beautifully framed andglossed.SEND TO: MISSIONARIES OF THE NEW TRUTHBex 1393, Dept. G9, Evanston, HI. 60204Name...AddressCity StateZip$10 end. □ (no frames) $20 end. □ (frames)UNWANTED PREGNANCY A CLASSIC -Reprinted after 14 years!Today, as the efficiencyexperts move into the seatsof power In Washington—foreboding ill (or those con¬cerned with the maximizationof human welfare bndcreativity —Daniel Belt'sseminal little work is morerelevant than at any timesince it appeared.— from the Introductionby Lewis Coterorkand itsDiscontentsr*< Cun at rWciatKt in tmancaby Daniel BellAT YOUR BOOKSTOREor direct from theHave a legal abortion in New York by licensed, certifiedOb - Gyn.Pregnancy to 12 weeks: $225.00 League (or Industrial Democracy112 East 19th StreetNew York, N Y. 10003Enclosed is $ lorcopy(s) of WORK AND ITSDISCONTENTS at $1.25 each.We can arrange for you these services:The AbortionRound-Trip FlightTransportation - airport to clinic and back, inNew York, for less than $325.00Leave AM - Return PM. Prompt Service, no waiting. Name -—— —Address ——City -—Slate —Zip(Bulk rates available on request)COLChicago Area: (3 12)334-5843Hours: 9 AM to 8 PMTHE MAROON CLASSIFIED ADSJUNE GRADUATESJOBS AVAIL/MAJOR CITIESCALIF-ARIZ-HAWAII Wanted: A ride for 2 to NYC. Canleave after the 17th. Call 684-6849.Wanted — Ride to Detroit. Ask forJessie — 955-9126.Professional/Trainee positionscurrently available in all fieldsAvailable positions monitoreddaily & rushed to you weekly.For full information package,including a 4 week subscriptionon currently available jobs, plussample resumes, salary & costof living comparisons, & areaexecutive recruiters directory,send $9 to:JOBS IN THE SUNBox 133-La Jolla-Calif 92037 SPACEApt. to Rent: 2 Bdrm. Unfurn.Avail. June 15: Incl. carpet stove,refrig.: Great view 54th 8, Harper:$185: Call eve's or weekends 955-1198.Furn. room, kitchen privileges nicelocation. Call 493-7443.Room to rent in So. Shore apt. Im-med. Occupancy 375-3959.Single rooms in Hyde Park with op¬tional meal contract. Call BU 8-9870. WANT a person to manage day-to-day operations of the U. of C. Char¬ter Flight Program. Approx. 1-5:30pm — must be willing to stay onone year. $2.75 hour. Call 753-3598between l-5p.m.Fern rmmte wanted 53rd 8< Harper.Own room. On campus bus route.$65-mo. Call 752-7442.Fern Roomate Wanted, Own RoomHyde Pk-$50 per mo. rent 8, $10util. 5104 Kimbark 493-8085.Gay Roommate Wanted 493-5658.SKIERS WANTED: Due to cancella-ions we can take 2 more people toSteamboat. Call 324-8930.for saleCOLOR TV Big, old, ugly. Good pic¬ture $50. BSR Stereo Tape Deck,S75. 753-2261 240BJ.' 6 4 Volvo PI 800 Sports Coupe.Rebuilt Engine-Parts Guaranteed$1350 or best offer. 684-5956.BUFFET Clarinet, orig. $375.Used six mo., then stored. Best of¬fer over $200. Call 493-8850 after six.Sewing Machine "RICCAR" MustSell in $95. New cost $309. Day 753-2802; eve. 493-5987.Scott 342 Receiver all trans $75. Call271-6530 evenings.Ford Sta. Wagon 1965 8 cylinders,289 hp 39,000 miles, $700. Day 753-2802 - Eve. 493-5987.Student leaving the country sellsPontiac LeMans '63 $250 or best of¬fer - 753-0030 or 752-1799.FANTASTIC BARGAINKUTE KUDDLY KITTENS . .. Rea¬sonable ... Cheap ... Free! 752-2575.Water beds from $70, health food,old furs, and other discoveries atPRESENCE, 2926 Broadway. 248-1761.Save $$ on Dual KLH, Scott, AR,Dyna, at MUSICRAFT. On CampusBob Tabor. 363-4555.RECORD SALEDAVID CROSBY LPand everything else, is ON SALE atCoop Records Reynolds Club base¬ment. 2.96 3.59 4.04FREE ROOMS FOR RENT-w-excellent lo¬cation, meals, and a bunch of greatguys. Karl 752-9718.WANTED: someone to take overmy dorm contract. Spring quarter.Call John 61 Hitchcock.31 rms, (large), exc. cond. in HydePk. Rent $140-mo. Lease from Apr.1st. Call 288-6411.One furnished room in a 3 bedroomapt is now available for Immediateoccupancy. Call 684-6849.Wanted: 1 rm. w-bath 8. kitchen fa¬cilities Aprll-Sept. Reese HospitalEmployee. 536-2641ZOUNDS-FREE apt. renting April.31 rms Near 1C, Co-op; beach fewblocks $150-mo After 6 955-6980.Room for rent fern pref $10 wk. kit8. bath priv. 536-6490.Modern 51 room apartment. Tilebath, tile shower stall with glassdoor, large rooms tile kitchen. ES5-5899.SUBLET: 2 rooms. Furn. 5330 S.Harper. Apr-Oct. $115 with util. 684-5956 after 7 p.m.CHICAGO BEACH HOTEL5100 S. Cornell DO 3-2400Beautiful Furnished ApartmentsNear beach-park-I.C. trains U of Cbuses at door Modest daily, weekly,monthly rates.Call Miss SmithGARAGE FOR RENT5508 CORNELL. $150-year. S15-mo.WILSON. 288-5381 12-2p.m.PEOPLE WANTED Resp. babysitter needed for charm¬ing 2 yr. old girl. My home wkdys.8am-4pm, student not currently inschool welcome. 955-2887 after 5 pm.CARRIAGE HOUSE needs 3rd GayRoommate. Near campus $66 8< util¬ities. 493-7118.ROOMMATE: Own room, large andrecently painted. 54th 8> Greenwood.April 1. $40. 684-7927.B lackobserve r-research asst,needed for home visits. $3-hr; 5 hr-wk. begin immed. 748-2016 or Ive.name. Marge 753-4177.DELIVERY MAN WANTEDThe MAROON needs a delivery manto deliver papers one day a week.Excellent pay. Must have Volkswa¬gen Bus or similar type van ortruck. Call x3263 — Don or Diana —or drop us a line over quarterbreak, giving us your phone 8< ad¬dress & type of car.Fortst fires bvr>■ore tko> treesFREE: Friendly black rabbit needshome. Has cage and food. Marthax3-2233 Rm34. Leave note.FREE KITTENS: 7wks old. Boxtrained. Unusually bright 8, affec¬tionate. 955-3920 eves.BOUNCY Black dog — loves every¬body, especially kids. Mainly Labr¬ador, 2 years old. Free to goodhome. 643-2599.WANTED Teachers Wanted 1971-72. One-Day-A-Week Schools and Hebrew Teach¬ers. Attractive remuneration, pen¬sion and fringe benefits for full-timeHebrew teaching personnel. Part-time positions available.Placement ServiceBoard of Jewish Education72 East 11th StreetHA 7-5570STAFF, STUDENTS. Participate inan experiment on the perception ofspeech. $1.75 for an hour's work. Oncampus. Call X3-4710 for an appoint¬ment. RIDERS TO MIAMINeed 2 riders to Miami Preferablygood drivers. Leave March 17,Wednesday midafternoon. Possiblereturn in week or so. Call Greg at288-3337. Leave Message. Or callChris 753-3774.BLUES BAND FORMINGYoung Musician wishes to meet oth¬er experienced musicians to formnew Blues Band. Cali RABOVSKY.VOLVO WANTED 544 or Sport Prefgood condition 1962-1965 . 3-4343 days.751-2894 evenings.SPACE WANTED So. of 55th, Ig. 1-bdrm or small 2-txtrm, $160 max.Wanted by April 20. Call 493-8850 af¬ter six.People wanted for psychodramaThursdays at 7:30 Multi-Media The¬ater 5210 S. Harper ID Disc.University faculty member needswell-furnished apartment to subletfrom March 20th till at least June20th. Can consider a 9ix monthlease. Please all 753-4712 (days) or288-7030 (evenings 8, weekends).RIDES WANTEDRide for 2 to NH-Vt (Mass). End ofexam wk. Can drive. 721-3040.I desperately need a ride to the Ith-aca-Syracuse Area on or after the19th. Share the usual and more.Phone Keith, BJ216 753-2261. PART-TIME typist (65wpm) forroutine office work. Hours 8:30-1 or1-5. Pleasant office. Campus loca¬tion. 753-2078.See Sartre's No Exit Saturdays at8:30 Multi-Media Theater In HarperGalleries 5210 HarperMother's Helper wanted to live InFaculty Member's house. Board androom for aft. help with 2 children.Flexible. Call Mr. Zonis 3-4548, 548-4196Intelligent woman to care for pre¬cocious, civilized child 9yrs 8. Univ.prof. Basic cooking, cleaning, mustdrive. Gainesville. FLA Small Sala¬ry, room, board, trans. 753-0211 forinterview for April.MEN of all trades to NORTHSLOPE, ALASKA and the YUKON,around $2800.00 a month. For com¬plete Information, write to Job Re¬search, P.O. Box 161, Stn-A, To¬ronto, Ont. Enclose $3.00 to covercost. 752-3800.PEOPLE FOR SALETyping, papers, theses, copy for re¬production. NORTHWEST. 673-5839.EXPERIENCED STUDENT PAINT¬ERS Reasonable rates. Will workspring break. Call 684-0560.RUSSIAN INSTRUCTION by nativeteacher. Trial lesson, no charge.236-1423 or 363-2174.YELLOW SUBMARINEGive your mind a break. Are youreally going to spend all of Satur¬day night at Harper? NO! YellowSubmarine beckons to worn out in¬tellects and an assortment of car¬toon buffs 8< professional mental de¬fectives. At Cobb at 6:30-8:30-10:30.It will be playing whenever you de¬cide to give you. Bigger than DarlingLili, more impressive than the Levibrothers. You can't fight it. SPRING QUARTERINDIAN DANCE. What better wayto begin the Spring Quarter? MISSMANJUSRI CHAKI-SIRCAR, theoutstanding interpreter of Tagore'sdance drama, in a recital of classi¬cal and modern Indian dance. "Likean Indian Isadora ..." (DanceMagazine). Monday evening, March29, 8:00 p.m. Mandel Hall. Theprice? Unbelievable. $1.50 student-faculty. $2.00 general. Tickets NOWin Foster 106.MOVING?Licensed mover 8i hauler. Call ArtMichener. 955-2480SCENESGREECE: Summer study travellive on Skopelos Island w-Grk fami¬ly, study class. Greek civ 8. art,Mod. Grk, folk dance. Trips to Ae¬gean Islands June 23-Aug. 4. $370for tuition, rm 6, bd. Write Prof.Christides, Class. Dept, U. of Minn,Minneapolis or 955-0194.Yoga Poses Concentr. Meditatn.Beg-Adv. Single-Group Classes SRINERODE OF INDIA DO3-0155.American Airlines has merged withTrans Caribbean. Now you can gethijacked the next time you fly toHaiti. For other vacation flight infocall campus rep. Jim Sack, 684-6667.ILLINOIS STATE RENEWALSCollege students whose parents areresidents of Illinois should file appli¬cation for renewal of Illinois StateScholarship by April 1. Applicationsavailable in the College Aid Office5737 S. University.Bobby Davis and Jim Cahr Trio,Wed. 3-17 at the Gargoyle 8:00.Last dance before finals. JamesHawk. March 12 Ida Noyes 9-1.HIGH SCHOOL PEOPLE FROMHYPPO: Sunday, March 14 at Bon-hoeffer House, 5554 S. Woodlawn,6:30pm. Have you listened to theyounger generation lately?American is the only airline thatdoes not stick standby's in thecramped middle seat — they putyou in the aisle instead. Fly some¬where before you turn 22. Callcampus rep. Jim Sack 684-6667 forflight information.COLLEGE AID APPLICATIONSNow available in College Aid Office5737 South UniversityDue April 1Mifune joined by girl kondo champin Kurosawa's most fantastic actionadventure: The Hidden Fortress.Thursday March 25 at 6:00; FrancisParker School, 330 W. Webster.James Hawk James Hawk JamesHawkMULTI-MEDIA THEATREis located just north of Hyde ParkNo 2 Theater in Harper Ct. in Har¬per Galleries 5210 S Harper.Thursdays Psychodrama at 7:30Fridays Hypnosis at 7:30 SaturdaysSartre's No Exit at 8:30GARIN NEGBACome create a community with uslWe are a group of college studentsplanning »o settle in Kibbutz Urimstarting Sept 1972 Nat'l conventionChicago area April 2-4 Call Barbara973-0494 Wiil discuss role of profes¬sional on Kibbutz.INDIAN DANCEMISS MANJUSRI CHAKI-SIRCAR"... quite possibly the loveliestyoung dancer to come from India inyears." (Dance Magazine). In Man-del Hall, Monday, March 29, 8:00P.M. Set aside the first evening ofthe quarter for her exceptional per¬formance of Manipurl, Bharatnat-yam, and modern Indian inter¬pretive dance. Tickets available nowin Foster Hall 106. Student-faculty$1.50. General admission $2.00.Harper Library Concert SeriesAn interlude ofString Quartet MusicSally Baumann, ViolinJim Bundle, ViolinJerry Knrnow, ViolaBob Koenig, CelloTammy Ltyvell, SopranoProgramString Quartet #75, opus 33, #6 Franz Joseph HaydnThree Songs for String Quartet and soprano Karl MarxA bschidsliedDeingedenkenBist du ach meere weitFriday, March 12, 4 p.m. Iluiper Beading BoomSponsored by the l niversity College and the Defrosting It nil THE MASQUE OF WINTERMar 12, 8:30 Ida Noyes ChicagoMasquers benefit MusSoc $1.00.GAY LIBGAY COFFEE HOUSE LIVESthis Saturday evening. Locationsposted on door of Gargoyle.ABORTIONS Have you considered basking in thewarmth of Albany or Tulsa thisspring vacation? American Airlinesmakes it possible with multipleflights daily. Call campus rep. JimSack 684-6667 for details.Very cheap flights to Europe andAsia. Contact 922-0723.Dance. James Hawk. March 12WHY PAY for abortion counselingyou can get FREE in Hyde Park?NY abortions from $150 Call ClergyService, 667-6015PERSONALSLAST CHANCE to sing with theUniversity Chorus this year. Springconcert will include: Tirro —A M E R I C A N JAZZ TE DEUM;Handel — ODE FOR ST. CECELIA;Carpentier — MIDNIGHT MASS. Ifinterested, contact Mr. Tirro, MusicDept. 753-2611. First rehearsaltonight, 7:30pm, Lexington Studio.FIND OUT! Introduction to Hyp¬nosis Fridays at 7:30 Multi-MediaTheater. Student Discount15% Discount for University of Chi¬cago people. Tuesday nights atEfendi. 955-5151Interested in exploring new lifestyles in Israel? Call Motke aboutour new program 465-6681. Studentsfor IsraelWriters' Workshop. (Plaza 2-8377)Blow your mind with good music.Lowest prices on all stereos at MU¬SICRAFT. On campus, Bob Tabor,363-4555.OVERLAND EXPEDITION TO IN¬DIA Leaves London mid-June. $490ENCOUNTER OVERLAND 753-0411Students for Israel offers an ex¬citing new summer program in Is¬rael for those seriously consideringliving there. Jul-Aug $50 8< trans.(Will offer cheap flights) Will bebased on Kibbutz and will visit vari¬ous Kibbutizim, development towns,urban collectives, etc. ContactMotke 465-6681 for more info.E x p I ore settlement possibilitiesMeet friends to settle with in Israelthis summer. Call Motke Yehezkeli.465-6681PACK YOUR KNAPSACK FOR AD¬VENTURE. Bicycle and camp InEngland. 30 day tours $566 fromBoston. Competently equipped.Write: Bicycle-Campers Inter¬national, Box 13927, Gainesville,Fla., 32601.DON'T MISS SUPER RECORDSALEGet Hyde Park's best buy thruquarter ends. STILLS, HENDRIX,JOPLIN and ANYTHING ELSE2.96-3.59-4.04. Co-op records, Rey¬nolds bsmt.MURPHY SCHOLARSHIP APPLI¬CATIONSpring Quarter applications avail¬able in College Aid office, 5737 S.University. Deadline is April 8. Forstudents who contribute to Univer¬sity life through extra-curricular ac¬tivities.FOTA Art Exhibition 8. Contest May1-14 $50 First Prize For more infocall June 684-5720. FOUND: Near Hyde Pk Coop —Leo keychain. Yours? Call 324-7513.WORK-STUDY JOBS STILL AVAIL¬ABLE FOR SPRING QUARTER.Guidelines require that students befrom low-income families. If youthink you qualify come by the Col¬lege Aid Office, 5737 S. University.Flying stand-by is the only meansof transportation which enables oneto bring the anxieties and doubts ofU.C. with him on his vacation. Be¬gin your troubles with AmericanAirlines. Call campus rep. JimSack, 684-6667 for reservations orstandby info.JAMES HAWK — Dance — TonightIda Noyes 9-1 75centsLost: Brown handwoven scarf atMedici Feb 27 Reward 643-1820.CEF ENDS THE QTRBy reminding you about YellowSubmarine at Cobb tomorrow at6:30-8:30-10:30 and about the IdaNoyes Program Board's showing ofGunga Din Mar. 29, about aboutnext qtr. for CEF which will in¬clude: 2001, My Night at Maud's, Z,Last Summer, Satyricon, Adalen-31,and more.SUPER PERSONALSLONNIE: Want the dress for $25.To Foster, Kip, and Jerry — Warn¬ing: Not all Busts come from Kan¬sas! Har!What's HY.P.P.O. up to this Wed?Or Fri, even. What s HY.P.P.O.?Good food and music, at the BlueGargoyle?RITA G: Buena suerte en tu exam-en. El mundo te la debe.What distinguished music dilettantewith the initials P.R. now has acriminal record?APARTMENT WANTEDIF YOU ARE MOVING OUT OF,OR IF YOU KNOW OF A LARGEAPARTMENT THAT WILL BEAVAILABLE FOR THE '71-72SCHOOL YEAR I AM INTEREST¬ED IN RENTING IT, MAYBE. SO,I WOULD APPRECIATE ITGREATLY IF YOU WOULD LETME KNOW ABOUT IT, SOON.PLEASE TELEPHONE FRED, 236-B-J, 753-2261 or better yet, 752-9538.AFTER 6 PM, PLEASE.SPECIAL MADNESSSALE4 Days OnlyJMMM ****** MMMMM MM MMMM ft* fti:ii;iii::i:•:i::iDESIGN, IN DM A,LTDWe burned down in Pipers Alley, and yousaved 50% on all merchandise. W e still have alimited quantity of sale merchandise left. Takeadvantage of these great savings:Gold Embossed Exotic Print Dresses $5.95Peasant Hand-print Dresses $7.95Patchwork and Embroidered Dresses $9.95Beaded Dresses - glass, wood, & mirror $ 11.95A fghan Vests $23.95Afghan Maxis, Midis, & Coats $38 - S70HURRY-LIMITED QUANTITIESDESIGN, INDIA,LTD.Pipers A lley1608 /V. Wells751-0004 2461 /V. ClarkChina wo. Illinois525-3200VM MM MM MM MM MM MM MM MM MM MM MM MM MM MM MM MM MM MM?Marc* IX, JWl/Hie Chicago Maroon/7STOCK UP NOWSAVE 40%PRICES GOING UPAPRIL 1stAll $5.98 ‘"’C8 $359All $4.98 S2"See the Stones movie' 'Gimme Shelter" Complete London Catalog onSale Popular - Classical - Opera -International & RockNPS 3 NPS-1 XPAS 71043SPC 21009 OSA 1393 DBS 18036OSA 1395the music of Enk SatieTHE VELVET GENTLEMANCtnmMt QmMmporam Clumtv drawALL6.98 8-TRACK & CASSETTE TAPES 4.95WE ACCEPT MASTERCHARGE & BANKAMERICARDCHARGEWITH Bank Awf RicaroQW&i, RECORDSOPEN SUNDAY 12 TO HYDE PARK1444 E. 57thMU 4-15058/The Chicago Maroon March 12, 1971