* * remrfjjGo Directly To Jail! Do Not Collect $200By Steve CookRegistering this year was a bit like play¬ing monopoly, and the chances of gettingdone in two hours were about the same aslanding on Boardwalk and Park Place.Blue cards, section tickets, green cards, IDcards — at least Community Chest paid youten dollars for winning a beauty contest.Of course, there were ways to beat theodds. Three students spent Monday nighton the quads with a bottle of wine and theirbedrolls. The wine lasted all night and theywere the first in line Tuesday morning. By10:30 a.m. they were done with the regis¬trar and ready for another bottle.According to Mr. Albert Hayes, the regis¬trar, this year’s registration procedure willprobably not be used again in the future.The old method of upperclass pre-registra¬tion in the spring was not used this yearbecause of major curriculum changes inseveral divisions.When the changes had not been workedout by the end of spring quarter last year, then Dean of the College Wayne Booth de¬cided that upperclassmen would have toregister from scratch this fall.Hayes said, “The mechanics (of gettingregistered) have worked very well for theupperclassmen, and freshmen seem to begetting along all right.” But the new pro¬cess required “a good bit of planning” forthe registrar’s office and the hiring of some30 to 40 students.But for those with busy advisers or oldforgotten library fines, registration couldbe rough. “I’ve got this feeling that theyreally don’t want me here,” complainedone student who owed Harper Library $40.Two days after he was due to register thestudent reappeared, shaking his head andmuttering as he gathered registration tick¬ets.Four rooms in Cobb were commandeeredby the Registrar for giving out section tick¬ets. “We thought it would be easier on thestudents to go to Cobb for their tickets rath¬er than Bartlett gym,” said Hayes. Running LUCKY FEW: Registrants await adviser appointments. David Travisfrom room to room after section tickets inCobb, while praying that your sectionhadn’t closed, soon resembled rolling dicefor Ventnor Avenue.But if you lost the game this time around,course changes can be made through theregistrar’s office during the second week ofthe quarter. Section changes this year will not be handled through the registrar, butthrough the staff of the particular course.Otherwise, students are expected to remainin the same section throughout the year.Now that you’ve gone the route fromCobb to Gates-Blake to Cobb to Kent toBartlett, you probably won’t ever have todo it again. But wasn’t it a drag?THE MAROONVolume 78, Number 7 The University of Chicago Friday, September 26, 1969University LeasesAcreage To TWOTHE SITE: Land leased to TWO by University for housing. David Travis By Sue LothThe University and The Woodlawn Orga¬nization (TWO) early this month announcedjoint efforts designed to make possible con¬struction of new low and moderate incomehousing for the Woodlawn community.Announcement of the housing pact, madeat a press conference Sept. 4, is based onan understanding reached after extensivediscussions initiated by the University be¬tween TWO and the University.TWO will receive a fifty year lease oneight acres located between 60th, 61st andStony Island east of the Illinois Centraltracks, a part of the land scheduled for Uni-Narcotics Agents Infiltrate CampusBy Wendy GlocknerThe infiltration of undercover narcoticsagents on the University of Chicagocampus has not yet resulted in any arrests,according to Mitchell Ware, superintendentof the state narcotics control division. How¬ever, “pushers have a lot to worry about,”he said.The University is part of a statewide planto enroll 50 narcotics agents as students onsix Illinois campuses where drug use isjudged to be a problem.Agents are apparently young and easilyable to fit in with students, according toWare. Several agents are students whocame to the narcotics control division forsummer jobs and are continuing to workduring the school year. Others, however,are enrolling as new students this fall, headded.As far as Chicago is concerned, a Univer¬sity official speculated that undercoveragents were already enrolled in the univer¬sity, since prospective agents would havehad to apply to the university severalmonths ago in order to enroll this autumn— probably before the present plan waseven formulated.The university can do nothing if it dis¬covers that one of its students is an under¬cover agent, except, said Dean of StudentsCharles O’Connell, “advise him to get offthe campus.” Any discovery of an undercover agent,however, will not be the first for the Uni¬versity. During the summer Jerry Kirk, aChicago student, was exposed as an under¬cover FBI agent when he appeared beforea hearing of the House Committee on Inter¬nal Security (HUAC’s successor). Kirk hadparticipated in several sit-ins and had at¬tended Students for a Democratic Society(SDS) meetings.Both administrators and students ques¬tion the need for narcotics agents oncampus. O’Connell said that there was noevidence of an increase in the use of drugson campus. Furthermore, one studentstated that the durg traffic here hasdwindled considerably during the past ninemonths. “I think they ought to go home,”he said. “Nobody’s doing anything terriblybad.”As far as drug dealers in Hyde Park areconcerned, several students feel that thereis little reason to become upset. “Only thevery stupid dealers will be affected bythis,” said Roger Black, a fourth year stu¬dent in the College. “Most narc agents canbe spotted; they aren’t real people. They’refake. Most dealers will avoid them; onlythe blatant dealers who try to sell drugs onthe street will get caught.”One dealer, a fourth year student, dis¬agreed. “Narcs are smart enough to actlike regular cool-headed people,” he said.“There might be a hassle.” Nevertheless, he feels that many pushers are not worriedabout the infiltration of agents on campus.“You just have to be careful,” he said.“Don’t sell to anyone you don’t know. Nottoo many people are uptight around hereanyway.”Several students who are highly involvedwith drugs however, are apparently very“uptight”, and consequently refused to talkto the Maroon. “It’s not just one law thatmakes kids uptight,” one student said, re¬ferring to the placement of the agents oncampuses. “It’s the whole really tense situ¬ation.”One student feared that the infiltration ofnarc agents would destroy the Universitycommunity. “This sort of thing breeds sus¬picion and mistrust,” he said. “People willnever be as open now as they used to be.”“The question of how far a state can en¬force its law without inflicting upon therights of the individual,” as one student de¬scribed it, appears to be another factorwhich disturbs students. In fact, one “non-head, non-dealer that’s interested in free¬dom and no government or establishmentshit” has posted an announcement offeringa $100 reward to anyone who “publicly re¬veals (and proves) any narc or narcs oncampus.”The Illinois division of the American CivilLiberties Union (ACLU) has reacted toContinued on Page 13 versity acquisition in the 60th-Cottage Ur¬ban Renewal Project, for the purpose ofconstructing housing.The University will also make temporaryloans to TWO of up to $500,000. These loanswill be used to secure the architectural, le¬gal and other necessary services which areprerequisite to full federal funding of thehousing program.Implementation of the understanding issubject to the University’s acquisition ofthe property. Owned by city agencies, itsprice was set at $1.10 per square foot, about$383,000 for eight acres and sale of the landwas authorized by an ordinance passed bythe City Council about a year ago.At the press conference the Rev. ArthurBrazier, TWO president said “Housing isone of the great needs in Woodlawn, andTWO is very pleased that the University ofChicago is responding in a positive way toalleviate this critical shortage of decenthousing for low-to-moderate income fami¬lies.”Questioned later, Rev. Brazier added, “Idon’t think the University is making anygratuitous hand-out. I think that they recog¬nize that their interests are involved.”Present plans call for the University tolease TWO about three-fourths of the landbordered by Sonny Island, 60th, 61st and theIllinois Central tracks. The University willkeep acreage bordering on the Midway.Walter Walker, recently appointed vice-president for planning, said “The in¬stitutional needs of the University arelargely determined by its commitment tothe pursuit and communication of knowl¬edge. The University of Chicago has de¬cided that, for the next 50 years, its in¬stitutional needs willjiot be compromisedby the action we are announcing today.”The Woodlawn Organization, a commu¬nity organization of more than 100 blockclubs, civic groups, and church groups inWoodlawn. grew out of the TemporaryWoodlawn Organization, formed ten yearsago in opposition to the University’s SouthCampus land project.TWO will seek rent supplements for theproposed housing units, the Rev. Braziersaid. “We think that the rend supplementprogram is one of the most viable pieces ofCortfinued on Page Nine2/The Chicago Maroon/Soptombf 26, 1969N rs> 1 ^It takes about threeweeks te isoover osFIRST:You’ve got more importantthings to do now.SECOND:You bought some of yournew clothes before the termbegan, (but, cleverly, not all)THIRD:You must give yourselfenough time to make ajudgement about the rightthing to wear the Univer¬sity of Chicago.Soon our name and/or ourlabel will begin to turn upfrequently. When (if) you docome, we think we knowwhat you’ll be looking for. . . and we have it in vastarray.We carry every worthwhilename you’ve seen in Play¬boy, Esquire, Gentlemen’sQuarterly and a few unpub¬lished numbers that are ex¬clusively ours. Our groovy thread* collection include*winner* like:Body shirt* ... in every imaginableshade & pattern. From $6 to $20Big, wide Canterbury belts.From $5 to $12Flared & straight bottom slocks from allyour favorites ... H.I.S., Levi's & others.From $6 to $14Cohn & SternSmutt Sc (ttamiiuBShopIN THE HYDE PARK SHOPPING CENTER55th & LAKE PARKopen Thursday & Friday evenings ’til 9^ \ f I « * 4 t f * \ *Monsters Of Midway Return To Haunt UsDavid TravisPRACTICE: With Aristotle in hand, our football players hit hard at another day of practice.By Mitch KahnThe Maroon varsity football team isplunging towards their date with history.Next Friday afternoon the monsters of themidway will open the first varsity footballseason since 1939, against Wheaton College.The gaining of varsity status for footballcontinues the athletic tradition of the Uni¬versity which was once one of the most col¬orful in the nation. The University of Chi¬cago was one of the founders of the Big Tenin 1896 and under Amos Alonzo Stagg, “thegrand old man of Chicago,” it was a rank¬ing athletic force for almost 40 years. Chi¬cago was the first great midwest footballinstitution, and its athletes have includedsome of the most accomplished performersin the annals of the sport, including All-Americans Walter Eckersall, Jay Ber-wanger, and Clarence Herschberger, thefirst Chicago All-American in 1898.Walter Eckersall, almost a universalchoice for All time All-American Quarter¬back, was certainly the most amazing ath¬lete ever produced by this school. In 1905,he led the famous “champions of the west”to an undefeated and untied season, scoring252 points in nine games while holding theiropponents to one field goal. In 1903, his firstFire DamagesCafe EnricoEnrico’s restaurant was damaged by afire Thursday night, the second restaurantin that 53rd Street area to burn in recentweeks.Enrico’s, which is located on 53rd Streetnear Dorchester Avenue, burned after afire broke out in its kitchen at approxi¬mately midnight. By 1:15 the fire wasunder control. The restaurant at that timewas filled with smoke and its windowswere broken.The Hobbyhouse, a restaurant located on53rd Street near Kenwood Avenue wasgutted by a fire recently.An unreliable source who refused to givehis name speculated that the fire wasstarted by grease in the kitchen. The build¬ing was not razed. Although there apparent¬ly was smoke damage, the damage wasso slight that even the paintings on thewall were not ruined.Enrico’s is an Italian resturant which isfrequented by many Chicago students andfaculty. It is most noted for its many- paintings which grace the walls andromantic guitarists which pervade theatmosphere.Unreliable sources stated that the fireswere probably part of local Tong wars, asChinese restaurants worked to eliminatetheir competition before going to work oneach other.The Hyde Park Women’s Liberation Cen¬ter, a meeting place for various women’sliberation groups and a place where womencan get literature and discussion on the sit¬uation of women today, opened this sum¬mer at 5406 Dorchester Avenue. As one ofthe organizer’s put it, “Women have beentrying to set up this sort of thing in Wash¬ington. There’s nothing like it in New YorkCity.” The Hyde Park Center may well beunique in the nation.The Center, originated earlier this sum¬mer out of an idea of Dale Richardson andCarol June’s, who envisioned a center forwomen that would house group counseling,abortion counseling, a library, and a dis¬cussion and meeting place. Ideally, theywanted to buy a large house to use as thecenter, but instead operate out of Mrs.June’s home. A meeting was called earlythis summer and publicized throughoutHyde Park asking women to come andpresent their ideas on what they wantedfrom such a center. Approximately 50 to 60women showed up, and ever since then theCenter has been active, housing weeklymeetings of various discussion and studygroups, offering literature, and talking with* year with the Maroons, he recovered afumble and ran it back 107 yards for atouchdown (110 yd. field). The next year heran back a kickoff for 106 yards and anoth¬er touchdown, setting another record whichwill never be broken. Twice in his careerhe drop-kicked five field goals in a game,against Illinois in 1905, and against Nebras¬ka in 1906, for another as yet unsurpassedrecor. And he only weighed 144 pounds.Some of the early Maroon teams werealmost as impressive as Eckersall. The1913 team was untied and undefeated, al¬though it did allow four touchdowns to bescored against them during the season. Inthe opening game of the 1919 season thevarsity gridders pounded Great Lakes, 123-0. In the four years from 1902 through 1905By Pdul BernsteinMany of the students disciplined for theirpart in last February’s sit-in will be eligibleto return to the campus this fall. And sev¬eral of them when interviewed indicatedthat they intended to make use of the op¬portunity.According to dean of students CharlesO’Connell, only 11 of 81 suspended studentsare ineligible to register this quarter, al¬though it will not be known until registra¬tion is completed how many of the remain¬ing 70 have decided to return.Of the 81 suspended students, 64 wereoriginally given sentences which permittedtheir return this quarter. Six of the remain¬ing 17 filed appeals which were acted onfavorably.Thirty-six of the original 43 expulsions re¬women who call or drop in about topics in¬cluding abortion, politics, education.One of the center’s organizers stated,“We are trying to get to the point where wecan organize groups.” She explained that“ ‘We’ is ten or twelve women interested inwomen’s liberation.” The group has aunique composition in that its memberscome from backgrounds that differ andsometimes clash. “We represent all politi¬cal groups, but our first concern is wom¬en’s liberation. Our only political com¬mitment is that we’re committed to wom¬en’s liberation as the first politicalpriority.” The organizer noted that thoughall political groups are represented at theCenter, it is difficult to be very active boththere and in other political groups. “Wereally can’t be,” she said. “If we have apriority for women’s liberation, then wereally can’t be in one of those other verypolitical groups, which are not mutually ex¬clusive but have very different emphases.”The Center is not oriented particularly to¬ward the University. Most of the womenwho showed up for the orignal meetingwere not from the University. “Our firstpriority is not University women,” one ofthe Center’s organizers said, “They have the Maroons outscored their opponents 1157to 137 including a 108-0 romp over Mon¬mouth in 1903, and posted 32 shutouts out ofa total of 44 games.The University of Chicago ended varsityfootball after a more than-dismal 1939 sea¬son. The holocaust included three con¬secutive losses of 61-0 to Harvard 85-0 toMichigan, and 47-0 to Virginia. In the next-to-the-last game the Maroons attempted tosoothe their aching egos and beat a halfdead Oberlin team 25-0, in what was to bethe last varsity football victory for over 30years. However, they returned to their ear¬ly season form in time to lose to Illinoisthe following weekend 46-0.This year’s team has been building an offense reminiscent of the 1905 champions,despite the loss of veteran halfback JohnLehnhardt, and tackle Arnie Lund. HeadCoach Wally Hass is hoping to encouragemore people to try out for the team regard¬less of their previous experience. “Many ofthe monsters on this year’s team have heldlittle or no prior football experience, buthard work and desire can overcome this.The kids just have to want to play.”The team’s schedule this year includesWheaton, Valparaiso, Lake Forest, Mar¬quette, and North Central.The first home game will be against Val¬paraiso, Oct. 10, 4:30 at the new StaggField on Cottage Grove Avenue between55th and 56th Streets.expelled students had to face was getting ajob or keeping one once it became knownwho they were. Some students felt that itwas their identity as radicals rather thantheir disciplinary record that preventedthem from getting work.“No employer wants to hire someonefrom SDS,” said one expelled student.“And if they know you were kicked out ofschool, it just makes it easier to find thatout.”Another student complained of beingunable to get a job in the bookstore as afull-time worker. He felt that the Universitywas anxious to keep radicals from gettingto know campus workers.Some student had other news to tell. Thefact that a disciplined student had so manyfriends who were in the same situation of¬ten helped him in knowing where to look fora job. One girl mentioned that her formerboss, having fired her under pressure, hadlater rehired her.Students speaking of their feelings to¬ward the University often indicated a will¬ingness to return. Returning studentsadmitted they would have reapplied for ad¬mission had it been necessary. Some stu¬dents said they were willing to stay hereonly because transferring was too much ofa bother. Others spoke of the number offriends they had, of an affection for a cer¬tain teachers, and of a personal attach¬ment to many elements of the campus, des¬pite their opposition to the policies of theinstitution.-Some students refused to call last year’saction a failure. “You don’t go to a highclass school and expect to start a revolu¬tion.” said one expelled student. “You haveto have a long-range view and think of thestudent movement as a whole. You’rebound to make some mistakes, but you’restill helping to further a social process.”When asked if he felt reluctant aboutjoining a future protest because of the re¬sults of last year’s disciplinary action, onestudent stated, “You don’t get involved inpolitical action in the first place unlessyou’re willing to take risks.”Women's Liberation Center Started HereSome Disciplined Students Registermain in effect. The appeals of the 7 ex¬pelled were acted on favorably, reducingtheir original discipline “substantially,”0‘Connell said.According to assistant dean of studentsJames Vice, appeals were acted on favor¬ably in cases where students had originallyremained silent before the disciplinarycommittee, and were later willing topresent their arguments to 0‘Connell. Sen¬tences were also changed in cases of aca¬demic hardship.In telephone interviews with expelled andsuspended students, the Maroon foundmany to be apprehensive at the mention ofthe word “sit-in”. They spoke rather on theside-effects their disciplinary sentenceshad.The first problem many suspended andWRAP [Women’s Radical Action Project!and the graduate women’s groups. We tendto see ourselves as more community ori¬ented.”The Center tries to have someone presentto answer the phone (363-1348) and talk tovisitors all day. One of the center’s orga¬nizers explained what happens if a womenjust comes in, not with any driving motive,but just because she’s curious or interested.“We just sit there and rap. They might notshow up again for six months, but at leastthey’re into it.” She also stated a numberof people from out of town and out of statehave heard of the Center and visit it whenthey come to Chicago.The Center’s plans for the future includean expanded library and bookstore of liter¬ature on women’s liberation, a Chicagoradical women’s conference to be held thisautumn, and a brief introductory course onwomen’s oppression. The conference isscheduled to take place October 31 (Hal¬lowe’en), November 1 and 2. It is to be acitywide conference being held, accordingto the Center, “for the women who are pri¬marily committed to the development of anindependent, multi-issue women’s move¬ment.”September 26, 1969/The Chicago Maroon/3b A nContinuation of UC Federal Grants Policy UrgedBy Con HitchcockA University committee chaired by Dr.H. Stanley Bennett, Bensley professor ofbiological and medical sciences and profes¬sor of anatomy, has recommended that theUniversity continue its policies regardingfederal grants and contracts with severalmodifications.Changes recommended are that each fac¬ulty member’s responsibilities in teachingand in research be set on an individualbasis determined by the faculty member’stalents and scholarly objectives and in ac¬cordance with University needs and com¬mitments. ination of gi ant and contract offerings withregard to the suitability and relevance ofthe programs and functions of the Univer¬sity. Such an examination allows facultymembers full freedom to prepare appli¬cations or to refrain from applying forgrants with no outside pressure preservinga procedure in which applications originatewith individual faculty members and areexamined by the appropriate officers of theUniversity before being submitted for thegovernment.Another recommendation is a study ofthe merits of offering options of 4-quarterappointments to faculty outside the biolo¬gical sciences division. This would providean alternative to the present University pol¬icy of allowing off-quarter salaries drawnfrom research grants and contracts for fac¬ulty members on 3-quarter appointmentswho have provision for off-quarter salary inthe budgets of research grants or contracts.The committee urged continued exam- The report also urged that grants be re¬fused which imposed secrecy on the proj¬ects and prohibition of publication of re¬sults. Other recommendations by the Ben-net committee included exerting pressureon the government designed to promotesound, adequately financed, stable federalgrant and contract policies, providingmechanisms whereby faculty members canget competent advice from colleagueswhenever the University guidelines appearto be insufficient, and special care in re¬view of grant applications directed towards“result oriented” federal granting pro¬grams. The committee pointed out that as ofApril 1, 1969, governments grants to theUniversity totaled over $44 million, one-third of the combined operating ex¬penditures of the University. This per¬centage is comparable to such universitiesas Harvard and Michigan. In amounts offederal funds committed to the University,Chicago ranks twelfth in the nation withappropriations similar to those of Harvard,Pennsylvania, Ohio State, UCLA, and Ber¬keley.The committee feels that the mission ofthe University is compatible with that ofthe government, as both are “maintainedto serve the public interest.”At present Chicago participates in pro¬grams with 13 federal departments andagencies. The majority of funds comesfrom the Department of Health, Education,and Welfare (HEW), the largest contrib¬utor being the U.S. Public Health Serviceand within that the National Institutes ofHealth supplying the largest portion, nearlyone-third of all grants to the University.All major parts of the University exceptthe divinity school use federal grants and funds. The biological sciences division usesthe largest percentage of all grants, about45 per cent.Funds have been used extensively forconstruction and remodeling of buildingsused for teaching and research. A studyhas shown that without federal researchfunds, a faculty member in the physicaland biological sciences is unable to main¬tain a productive research activity or totrain satisfactorily his graduate students.The committee also reported that lessthan seven percent of the funds granted tothe. University come from funds with a mil¬itary connotation, and that the quality ofundergraduate teaching has in no way beenimpaired.Members of the committee, appointed in1966 by then-porvost Edward Levi, includeDr. Bennett; Sidney Davidson, acting deanof the business school; Robert Gomer, pro¬fessor of chemistry; Nathan Keyfitz, for¬mer professor of sociology; J.A.B.. vanBuitenen, professor of South Asian lan¬guages and civilizations; Knox Hill, profes¬sor of philosophy; and Robert McCleary,professor of psychology.Contactlenses are made .<)of modern plas¬tics which have en¬tirely different charac¬teristics than the tissuesand fluids of the eye. Conse¬quently your eye cannot handlethis foreign obiect without help.So, in order to correct forMother Nature's lack of foresight,you have to use lens solutions tomake your contacts and your eyescompatible.There was a time when youneeded two or more separate solutions toproperly mod¬ify and carefor your con¬tacts, makingthem ready foryour eyes But nowthere's Lensme fromthe makers ofMurine. Lensine,for contact com¬fort and convenience.Lensine is the one solutionfor complete contact lens care.Just a drop or two of Lensine coatsand lubricates your lens. This al¬lows the lens to float more freelyin the natural fluids of your eye.Why? Because Lensine is an "iso¬tonic" 1 solution, \ery much likeyouh own tears. Lensine is com¬patible with the eyeCleaning your contacts withLensine retards the build-up offoreign deposits on the lenses. And soaking your contacts inLensine between wearing perodsassures you of proper lens fcygiene. You get a free soaking-stor-age case with individual lens com¬partments on the bottom of everybottle of LensineIt has been demonstrated thatimproper storage between wear-ings permits the growth of bac¬teria on ihe lenses. This is a surecause of eye irritation and, insome cases, can endanger yourvision. Bacteria cannot grow inLensine because it's sterile, self-sanitizing. and antisepticLet caring for yourcontacts be as conven¬ient as wearing themGet some Lensine...Mother's little helper.mMother Naturenever planned oncontactlenses SMOKEV ROBINSONI THE MIRACLESOCTOBER 3 • 130 PMAUDITORIUM THEATREMASON WILLIAMSJENNIFEROCTOBER 17 • 1:30 PMORCHESTRA HAILBLOOD, SWEATA TEARSOCTOBER 26 • 7:30 PMAUDITORIUM THEATRETIM NAROINOCTOBER 31 • 8:30 PMORCHESTRA HALLJOSE FELICIANONOVEMBER 2 • 7 30 PMAUDITORIUM THEATREBLENR YARBROUGHNOVEMBER 21 • 8:30 PMORCHESTRA HALLTHREE 000 NISHTNOVEMBER 22 • 7 00 6 10 30 IAUDITORIUM THEATREJANIS JOPLINNOVEMBER 23 • 7:30 PMAUDITORIUM THEATRECHICAGO (CTA)NOVEMBER 27 • 7 30 PMAUDITORIUM THEATREMOODY BLUESNOVEMBER 30 • 7:30 PMAUDITORIUM THEATRE□Ticket Price*: S6.50, $5.50, *4.50, S3.50Special attendee |l*i> te mail erderi at22nB Century, 70 W. Hubbard, Chi cafe,IINaeii 80810. Enclose a self-addressedstamped envelope.Tickets now available at Ticket Central,Montgomery Wards. Marshall Fields andother Ticketron Outlets.LISTEN TO WCFL FOR LATEST 22N0 CENTURV CONCERT INFORMATION>mtp»m«pppp eneaeeeeenee o n *■#'»»Loan Repayments Ease Student TensionRepayment of past loans has further alle¬viated the tense student loan situation, ac¬cording to Charles O’Connell, dean of stu¬dents.During the summer, the allocation ofmoney from the national defense studentloan fund (NDSL) to the University was cutback over $500,000 for this coming year to$1,275,000 from last year’s $1,800,000.To help alleviate the tight market for stu¬dent loans during the summer, the Univer¬sity National Bank issued student loans at aseven percent interest level. (Because eightand a quarter percent is now the acceptedrate on the outside market, the House ofRepresentatives has recently passed a billwhich permits the government to paybanks incentive fees of up to three percent,depending on the lending market.)Now, however, the $100,000 which theUniversity National Bank received fromthe state of Illinois has been used up byboth students renewing last year’s loansand new student applications. Thus, nomore student loan money will be availablethis year from the bank.The bank received $150,000 less in studentloan allocations this year from Illinois thanthey had received last year.Enough money will be available, how¬ever, as long as the number of appropria¬tions does not exceed last year’s, saidO’Connell.Loan funds available to the medicalschool were cut in half; the present situa¬tion is unkown however, since medicalschool administrators could not be reached.If money had not been made availableto alleviate the situation, graduate stu¬dents would have been the hardest hitstudents. Most undergraduates applied forloans in the spring, and according toO’Connell, those commitments were met.Many graduate students however, do notapply for loans until the fall; furthermore,graduate students borrow up to $2500 ayear while undergraduate loans make up asmall part of financial aid packages. To further help meet the need for loans,the University’s restricted loans will beused. Restricted loans are those which aregiven to the University stating a stipulationfor their use. Restrictions include age, sex,ambitions, majors, and family back¬grounds. *O’Connell plans to set up loan packages,including restricted loans and loans fromeither the NDSL or the University.University students took out approxi¬mately $700,000 in guaranteed loans lastyear. O’Connell said that considering na¬tional representation of the student body,the percentage of loans coming from thebank is significant.Many students fear that the situationwill hinder their education, and some saythat they may have to leave school. Thegovernment is presently considering meas¬ures to correct the loan situation, but withthe lack of money for many federal pro¬grams, there is little likelihood of any moremoney. David TravisDRUM CONCERT: Freshman listen at an orientation picnic Sunday afternoonat the Promontory.Orientation Mixes Old And New FeaturesOrientation this year adds many new fea¬tures and returns some old ones to theschedule.In previous years, the concept behindregistration was that new students shouldbe greeted with a variety of different activ¬ities to preview life at the University, butas the quarter started activities slowly pe¬tered out leaving the student to fend forhimself.Throughout spring quarter last year, thecommittee planning the orientation sched¬ule emphasized the need to extend the ori¬entation program into the fall quarter asmuch as possible so that new students werenot let down when classes began.This year’s schedule reflects that idea.One of the most prominent features of thefall quarter schedule is the college camp retreats scheduled for three separate week¬ends, October 9, October 18 and November1. The retreats, to be held in Williams Bay,Wisconsin will be overnight stays for fresh¬men, and hopefully, some upperclassmenand faculty members featuring seminars,informal discussions, recreation and toursof nearby Yerkes Observatory.Retreats to the camp, owned by GeorgeWilliams College, were part of orientationin the early sixties, but stopped as the Col¬lege grew and facilities at Williams Baycould not accommodate the entire fresh¬men class. The idea was resurrected forthe 504-member class of ’73.In a report last winter a faculty com¬mittee also suggested that retreats would be a good way to improve the life of en¬tering freshmen.Also new to the orientation fall quarterschedule are orientation addresses and re¬ceptions. The addresses, which will featureprominent members of the faculty, will be“My life at the University of Chicago”reminiscences, according to James Vice,dean of freshmen. Already scheduled to ap¬pear in these addresses are George W.Beadle, past president of the University;Herman Sinaiko, professor of humanities;Maynard Krueger, professor of economics;and Herbert Anderson, professor of phys¬ics.Traditional O-Week activities such asplacement tests, meetings with advisers,tours, picnics, and plays, continue to fill outthe orientation schedule.AUTUMN QUARTER SCHEDULEOct. 1 Wed. MARAT/SADI Dir: P. Brook 7 & 9:30 p.m.Oct. 4, Sat. DON'T LOOK BACK Dir: D. Pennebaker 7 & 9:30 p.m.Oct. 11, Sat. CLOSELY WATCHED TRAINS Dir: J. Menzel 7 & 9:30 p.m.Oct. 12, Sun. NIGHTS OF CARIRIA Dir: F. Fellini 7 & 9:30 p.m.Oct. 19, Sun. SEVEN SAMURAI Dir: A. Kurosawa 7 & 9:30 p.m.Oct. 26, Sun. THE MAGICIAN Dir: 1. Bergman 7 & 9:30 p.m.Nov. 2, Sun. *'$1 DOUBLE FEATURE * 7 p.m. Twelve Angry Men 9:30 p.m.: Animal FarmNov. 8, Sat. PETULIA Dir: R. Lester 7 & 9:30 p.m.Nov. 9, Sun. THE KNACK Dir: R. Lester 7 & 9:30 p.m.Nov. 15, Sat. THE 400 BLOWS Dir: F. Truffaut 7 & 9:30 p.m.Nov. 16, Sun. THE FOX Dir: M. Rydell 7 & 9:30 p.mDec. 6, Sat. ALFIE 7 & 9:30 p.m.All SHOWS: COBB HAll AUDITORIUMEACH SHOW $1 INDIVIDUAL TICKETS; ALL SHOWS $5 SEASON TICKETSDON'T DENY YOURSELF THIS ONE SMALL LUXURYSeptember 26, 1969/The Chicago Maroon/5SkThe University Responds to Protest:By Jerry LipschIn the past year and a half, most universities beset by student disruption haveconsolidated their approach to disrupters. The former ambivalence between repressionand “sympathetic” tokenism has been resolved in favor of repression. In so choosing,the institutions have squared themselves with the prevailing political stance of thepowers in our society — Law and Order.The University of Chicago is no exception. In fact, its administration was heraldedfor having conducted this approach with such finesse as to set an example for others inthe possibility of repressive responses which do not rely on the police. Avoiding policewas a particularly important accomplishment, because it is precisely the images ofbrutal blue-helmets beating long-haired blond little girls that fatefully divided the facul¬ty of other universities against themselves. But President Levi, recognizing that thesupport of most faculty was essential to his success chose to avoid the police and relyas long as possible on the intimidative power of the most Kafkaesque and ethicallyprimitive disciplinary procedures ever applied at the University.An entire article could be devoted to the strategies and subtleties on both sides oflast year’s sit-in. My purpose here, however, is only to emphasize that the University’sresponse, though physically less violent and aesthetically less repulsive to all, was inkey respects essentially the same as if police had been called. The law and orderresponse, however intricate its ideological cloak and its vagaries of strategy, is redu¬cible to the same basic elements. The simple fact that when in-absentia suspensionsfailed to scare students out of the building, the faculty Council prepared the publicideological groundwork for the possible invocation of “civil authorities” — this fact,when considered in light of a refusal to talk to the rebels seriously — reveals theintimacy of what, from a “humanitarian” perspective, may seem widely differentmeasures.But, like all law and order atmospheres, the University of Chicago’s joins at leastthree basic elements: (1) direct political repression; (2) a fetichism of procedures orrules; and (3) a neo-McCarthyist ideology.RepressionThe first of these, repression, consisted in the expulsion and suspension of scores ofprotesters, with heaviest penalties befalling those with the most militant views (cf., thestudy of relations between political belief and severity of punishment published anddebated in last spring’s Maroon). Some have argued in justification of the proceduresthat this correspondence arose from considering the student’s intentions a factor in hispunishment, as is practiced in criminal law. But it should be pointed out that, unlikecriminal procedure, no gradation of offenses was formally established, so that, forexample one person is charged with “taking over a building to force discussion” andanother of “taking over a building with intent to destroy the University.” As there wereno such definitions, the disciplinary committees had free reign arbitrarily to ajudge thecrime and punishment in each case. Add to this the fact that the responsibility for proofwas on the student to justify his presence in the building (i.e., in effect one waspresumed guilty until he argued himself innocent). Add also that to refuse to answerquestions was taken as failure to provide countervailing evidence to the charge ofdisruption. One can readily see that, de facto, this inquisition required one to reviewany aspect of his political perspective the inquisitors considered relevant to the “clari¬fication” of his deeds.Arguments that the University, as prosecutoi, should be required to establishguilt of specifically defined offenses, were rejected. Attempts also to get voting studentson the dsciplinary committee were rejected on the rather revealing ground that stu¬dents can never participate in decisions that concern the ba^sic nature of the university.Such matters include what a faculty committee termed “crimes against the mission ofthe university.”But beyond the totalitarian procedures, the very fact that the University’s responsewas simple, immediate discipline is an act of political repression. Nothing clarifies thismor^ than the discipline committees’ refusal to hear a collective presentation to justifythe act itself. In other words, it was not debatable that the seizure was in fact a“crime” — all that was at issue was the intentions of particular offenders.CoercionThe definition of the sit-in as an offense is intimately connected with the secondaspect of the law-and-order posture: a fetichism for procedures and rules. The sit-incould be treated as a simple offense because, more or less explicitly, the faculty-administration regard the existing methods for the redress of student grienvances to bebasically adequate and appropriate. These “existir g means” boil down to the students’privilege to try to convince faeultv rnembers of the correctness of their views. Ofcourse, this is empty rhetoric t<$ protesters who, like rebellious blacks, under¬stand that existing means are dominated and controlled by established interests andpoints of view that fundamentally are in conflict with those of the rebellious, and whichare primarily responsible for the conditions they are fighting. Rebellions occur pre¬cisely because the existing “channels” are consistently unresponsive.The issue of “coercion” (and the distinction between the permissibility of thoughtsand that of deeds, recently espoused by Professor Tave) have bearing here. It is thesecretive protection of university decisions from open political debate, and the closed¬ness of procedures to effective student influence, that constitute the primary coercion.The seizure of a building is but a crude attempt to acquire a minimum basis of powerwith which to implement students’ political concerns. It is interesting, by illustration,that despite all the rhetoric about thought and action, the University has never agreedto suspend action on a policy — such as the severance of Marlene Dixon — untilstudents and faculty could arrive at a peaceful meeting of minds. It seems that thoughtand action are to be separated for students, but acting is always legitimate for faculty-administration authorities, despite sudden objections. It is true, as Levi has written,that authority is not equatable with mere violence or coercion. But when, from thestandpoint of their just interests, existing authority consistenly behaves illegitimatelyto abusively, a constituency properly regards the “conduct of business as usual” asitself a coercion.Most students who are active in student protest feel — and, for the most partjustifiably — that trying simply to convince faculty members to agree with them aboutthe issues they raise is like trying to convince Henry Ford to socialize automobileproduction in the United States. I know this analogy will not hold much water withfaculty members who are, for the most part, unable to see themselves as, in anyparticular sense, “interested,” in the manner, say, of an executive of a large corpo¬ration. Rather, academics here see themselves as the embodiment of infinite mentalpossibility, unbound and disinterested rationality and reason. They are philosopher-kings who by virtue of their status and intellectual training are beyond fundamental4/ffie Chicago Maroon/ September 5S* f964 Phil LathropON STRIKE: Last spring's protests over disciplinary actions resulting from lastwinter's sit-in threatened to cause as much disruption as the sit-in itself.bias (though guilty, perhaps, of peripheral ones), save that purity of interest in thepursuit of truth itself which is “the mission of the university.” Hence, no issues ofpower within the University are relevant. Faculty hegemony and the unexamined pow¬er-relations within the University are simply accepted as the natural evolutionary ruleof the intellectually competent and enlightened over the incompetent and irresponsible.The specter of responsibilityIn raising the specter of “responsibility,” however, the faculty risk of the question:responsible to whom or to what? I cannot help wonder to whom the University is beingresponsible in its legally sanctioned destruction of low-income housing all over HydePark and north Woodlawn. To what was it being responsible in forming and affiliatingitself with the Institute for Defense Analysis and in still maintaining informal con¬nections with it? To whom is it responsible when it consistently avoids the retention ofradical Marxist faculty members and primarily teaching-oriented junior professors? Towhom is it being responsible in paying its hospital workers near poverty wages? Myprejudices lead me to assert that, to be truly responsible, the University must con¬spicuously uphold its ethical and social responsibilities both as an intellectual commu¬nity allegedly devoted to real intellectual honesty and as a corporate entity in thisneighborhood and society. Otherwise, its high sounding intellectual missions is no morethan a cover for the narrow self-interest of a comfortable class of academics.Let me return to the processes by which decisions are made to point out that even ifyou have an interest in what is going on here you have no way of knowing it until“after the fact.’’Although students are purportedly able to bring their concerns to bearon the faculty decision-making bodies, the agenda and minutes of these bodies aregenerally not available to students. Moreover, students have no systematic means ofbringing questions before these bodies, except by the faculty’s good graces — i.e., thefaculty’s interest in dealing with the issues students raise. Also, students are neverpermitted to participate at length in the discussions that lead to deliver atm: usuallythey are asked to state their position through a few representatives, questions arewelcomed from the floor (though rarely asked), and then they are asked to leave. Thenthe faculty body is free to deliberate in secret about matters which may affect us all.Finally, of course, there is the board of trustees, which meets in private and is notaccessible to students in any way except through the president of the University.Rarely have radicals felt the president capable of fairly presenting their position.An issue of two years ago will exemplify the usual outcome of radicals’ effortsthrough “normal processes.” Students planning an obstruction of Dow recruitmentinterviews were threatened by the faculty Council with disciplinary action as a violationof freedom of speech. The following month, however, student government proposed thatthe Faculty Council send the government a protest against the State Department’srefusal to grant a visa to Chetti Jagen, a communist insurgent who was scheduled tospeak on this and other campuses. The Council judged, however, that such mattersThe Newest Style in Law and OrderOdvrd TravisTHE UNIVERSITY STRIKES BACK: (top) The number of students expelled last wintereventually reached 43. (bottom) Some disciplinary hearings were held in desertedlaboratories at Stagg Field.were not its concern. Some students were a little puzzled that a University which hadbeen so devoted to the freedom of Dow recruiters to speak on campus was not likewisecommitted to Jagen’s freedom—or, more precisely, the intellectual freedom of thosewho wanted to hear Jagen.This is but one example of the University’s clearsighted sense of obligation in protect¬ing itself from student demands, and its vague acquiescence and cooperativeness whenit comes to the demands or priorities of the powers-that-be. At the Columbia rebelliontwo springs ago, a letter from then President George Beadle to Columbia’s PresidentGrayson Kirk was discovered, dealing with both universities’ withdrawal from theInstitute for Defense Analysis. Beadle made clear his desire to initiate disaffiliation(there was a sit-in on IDA brewing here), but in a manner, apparently, that would notoffend the Defense Department — specifically that would not “disrupt the work ofIDA.” Beadle suggested some kind of restructuring whereby universities need notformally “belong” to IDA. One might ask — were one so inclined — why the Universityof Chicago goes out of its way to protect the integrity and smooth functioning of aDefense Department think-tank that devises scientific and social-scientific technologyfor the domination of the third world by American military, economic, and politicalpower. To whom, I ask again, is the University “responsible?” Interestingly enough itis the radicals who are accused of trying to “politicize” the universities. This is trueindeed, if to politicize means to make these affiliations controversial, rather than secretand concensual.Open procedures, secret particularsThe secret and closed nature of the University’s really important decision-makingprocesses is evident. The closeness of faculty and trustee meetings, the unavailability ofmost files to community inspection, etc., all contrast sharply with the notion thatdecisions can be affected by the free and open discussion of ideas on issues relevant tous all. But in addition to this kind of general secrecy, the University’s response tospecific challenges after the fact consists also in procedural closedness. Take, forexample, the case of Jesse Lemisch, a radical historian and activist of two sit-ins.When students charged that political biases were involved in the failure to retainLemisch, the history faculty responded with offers to discuss the procedures by whichfaculty are judged, but refused to discuss the “particulars” of Lemisch’s case. Ofcourse, the “particulars’ were all that concerned the angry students. The same prob¬lem occurred in the case of Marlene Dixon, the radical sociologist over whose sev¬erance last year’s sit-in occurred.Another example: when former Director of Admissions and now Dean 6f StudentsCharles O’Connell was charged with political bias in an admissions interview, theUniversity responded with a general denial and a willingness to discuss the proceduresby which applicants are considered. Again it refused, allegedly as a protection of theapplicant, to discuss particulars. A committee to investigate the charges was appointed. But its likely objectivity (no students were allowed on it) was evident in its advancestatement to the effect that “within the law and in cognizance of the value concensusprevailing in our society” the faculty will choose “the succeding generation of schol¬ars.” President Beadle later hedged that this was an unfortunate choice of words; but,ironically, the committee’s statement was more damning than the original interviewreport.Allegedly the University has provided new channels for student influence — thedivisional student councils in the College divisions, and graduate schools. How effectivethis new “student participation” is, however, was probably previewed last spring in thedecisions over the tenure of Richard Flacks, a radical sociologist and flfchaps the mostpopular teacher in the College. Graduate and undergraduate student councils concernedwith sociology did a systematic review of Flack’s teaching ability as seen from the eyesof his students. Flacks was well known for going out of his way to help both graduatesand undergraduates. Despite overwhelmingly favorable reports from all kinds of stu¬dents, ana despite general acclaim in academia for Flack’s work on student protest(including impressive opinions by Barrington Moore, left-wing Harvard sociologist wellreputed even among our establishment-oriented sociology faculty). Flacks was given a“token” offer of tenure in the College and a delay of tenure decision on the graduateappointment. Since Flacks had an offer of tenure at Santa Cruz for an associateprofessorship, he had no trouble deciding whether to stay. It is extremely likely thatconsiderable personal and political bias entered into the failure to keep Flacks here. Itis we 1 known that, as a result of his political affiliations with radical students, notenured faculty member in the sociology department was willing to speak to Flacks lastspring. In fact, when Flacks was brutally beaten by an unknown assailant in his office,the chairman of sociology was personally not up to conveying the concern of thedepartment for his recovery, but asked the wife of a junior faculty member to do thehonors. This reflects, the extent of ill-feeling toward Flacks, which could only arisefrom his political behavior, style, and beliefs. For anyone who knows him can tell youhe is far from an offensive personality.It is important to realize that the closedness in the University contradicts the pre¬tension that we live in a “community” of scholars. We in fact exist in a closed, private,non-profit corporation of hierarchically organized intellectual talent which seeks toshape our intellect, and to socialize our goals and expectations to the general benefit ofthose who essentially provide for universities. These benefactors are primarily thesame men who run foundations, own major corporations and banks (of the world, thatis), who profit from military interventions and foreign exploitation, and who, broadlyspeaking, “run” our society — the “Power Elite,” the “military-industrial complex,”the bourgeoisie, the “Rich and the Super-Rich” — of which a good sample comprisesour board of trustees.Scholarly community or power elite?It is a prevalent, implicit fantasy that we live in a separated cloister, that the boardof trustees and other benefactors of our pursuits are sort of disinterested caretakers,hardly to be noticed — somewhat like the tentative agnostic’s concept of Divine Provi¬dence. Unfortunately, this is not the case. The relationships of universities — oursincluded — with the dominant interests in society have extremely important implica¬tions for the nature of the University, including student life. I am suggesting no systemof conspiratorial control. I am speaking rather of sociological influences which, thoughnot explicit in each event in the University are observable as social and politicalreality. The University of Chicago is and always has been a conservative institution, inthe sense that it knows where power is in our society and accommodates itself to it.This is not to say that any faculty member is told to do “x” research or avoid teachingconcept “y.” The system’s controls are not primarily proscriptive or prescriptive,especially for the upper echelons of the work force, but rather are mainly incentive.They elevate the familiar and discourage the fundamentally critical. They socialize thepsychology of self-fulfillment to the technological requirements of corporate capital’sown tendencies and ambitions. This and every major American institution is, in termsof its internal power relations and its priorities, reflective of dominant interests.This condition is basic to the battle going on between University faculty andadministration and student protesters. Let me quote John McDermutt’s observation in arecent issue of the New York Review:The university has been developing the power and status of its own elites. Theseinclude the research elites whose power and status are based on consultantships, ontheir ability to win research grants and contracts, and thus prestige for theiruniversities, as well as ... those whose power ... is buttressed by their prestige inthe national professional associations and expressed in their control of the majoracademic departments ... (There has been) a tangible increase in the influence ofthese elites ... power has become more centralized ... has gravitated toward anidentifiable collection of research and professional mandarins. It is the power of thelatter over curriculum, admissions, research and consulting policy, hiring and ad¬vancement that is being challenged by student dissidence.To convince many of you that this is the case here is beyond the dimensions of asingle article. But the new students among the readers will probably be more convincedby the day to day encounter with many faculty members than by any analyticalexposition. For the University’s rootedness in the power-structure at large has con¬sequences as well for the educative process, for the very experience of education here,including that of the least favored constituents, the undergraduates.To put it in a cursory form, the power relations that constitute the internal struc¬ture of departments and their relations to institutions outside generate a distinguishable“professionalist mystique,” which is both emotionally confining and educationally op¬pressive. It consists in a defensive pretense to expertise, and in the general mystifica¬tion of intellectual competency. In turn, a hypercritical educational approach iscreated. This University’s extreme cultural emphasis on learning to be critical, asopposed to creative or self-expressive, is symptomatic.This educational style — more characteristic of some teachers than of others —serves as a socializing influence upon prospective intellectual talent (students). Thefirst important element in this process is the diminution of self-confidence through theimplicit elevation of intellectual competency to something rather distant and differentfrom the student’s common experience. The result is often enough a kind of “identi¬fication with the aggressor” — this is, often the student yields to the attack on his self¬esteem (and perhaps our students are especially susceptible to this). The student beginsby sacrificing a good deal of his “self” — that is, he denies that relevance of hisuneducated feelings and experiences, and above all, the existential basis of his in-telectual interests, as these are shamefully inchoate and poorly articulated. He in-strumentally adopts instead the definitions of relevance of his teachers, who are in-Continued on Page ElevenSeptember 26/t 1969/The C^ago Maroon/7EDITORIALRegistrationRegistration, like the common cold and flat tires, is an afflictionregarded by its victims as both intolerable and inevitable. It is anordeal to be endured and then forgotten as quickly as possible, untilnext year. When students bring grievances to the administration,registration is not among them; the whole problem is so ludicrousthat it truly would be a fall from the sublime to the ridiculous tocomplain about registration when there are so many other problemsthat are more tragic and more dignified.And yet the damage wrought by present registration processesis not trivial. First, there is the gross injustice of its bureaucracy,which this year has taken the bizarre twist that if your last namebegins with T, you can take your pick of courses, but if you’rean A, you’ll have to be content with the leftovers. Second, andmuch more damaging, is the indelible impression students receivethat they are dealing with an institution that is callous, unjust,and exploitive.To faculty members this may seem like a ridiculous statement.After all, everyone knows that registration is just a process oforganization, a detail far removed from the true work of the Uni¬versity. Everyone knows that students should form their opinionsnot from the six hours they spent waiting in line to register for acourse that was closed anyway, but rather from the enlightenedhours they spend in the classroom. Everyone, in the cool reflectionof his office, knows this is true. But students who have to wait inlines for hours, who find that they have to change their academicprograms because they were born with their names at the wrongend of the alphabet, who are sent on wild goose chases aroundcampus in the rain to unwind themselves from someone else’smess of red tape, react as any human would under those circum¬stances — with their emotions, with disgust and with resentmentat the treatment they have received. For freshmen in particular,whose experience at the University is limited, trial-by-registrar isan initiation they are not likely to forget.Nearly all the people who work at registration are fore¬bearing and helpful, trying to do their best with an impossiblesystem they never invented. A very few, however, exhibit a callous¬ness that is appalling. There are some people who, normally power¬less in their jobs, obviously relish the control they have overstudents whose fate rests in a tenuous trail of paperwork. We heardone such person tell a student she was lying when she insistedthat she had handed in a document which this administrator wasunable to trace. He then proceeded to inform her, with smug g’ee,that she could not proceed with her registration.Perhaps the faculty — who are supposed to be running thisplace — don’t know just how bad registration can be. More likely,they aren’t interested; to someone who isn’t involved, registrationis not very interesting. Faculty had better get interested, however.If they think that registration is unimportant, they’re wrong.People remember experiences in which they’re badly treated.A lot of students’ dissatisfaction with the University stems fromtheir opinion that it is an exploiting and callous institution. All thearguments of the faculty and administration to the contrary don’tcarry much weight when this is exactly the impression that registra¬tion conveys to students.It is not true that nothing can be done about registration, that'it is an ugly fact to which we must all resign ourselves. Thereare things that can be done, but they take money. There are peoplewhose occupation is to work out bureaucratic processes, and theUniversity should hire such a person to clean up this mess.Finally, we are well aware that given the present state ofmost universities, solutions that require money are a lot easier towrite about than to implement. And yet this is one case in whichthe University cannot afford to bypass improvements. We are surethat the present inefficient and time consuming system must costthe University more over a period of years than it would cost todevelop a workable system. And in terms of bettering its relationswith its students, the University, already on unsure ground, couldn’tpossibly be too extravagant. ABOUT THE MIDWAY———Summer FunChicago was a summer festival, and forall of you who weren’t able to attend, theMaroon offers a special, one time onlyguest appearance by the incomparableAristotle Schwartz to fill you in on whathappened ’midst our gothic walls while youwere gone.Football came back! We’ve been rein¬stated with varsity status. First homegame, October 10Jews move over! Sixteen black studentsfrom urban areas in the southern UnitedStates will enroll as freshmen this autumnpartly because of the efforts of six studentswho worked last year as part time admis¬sions officers.The University has forged ahead in itsbattle against emergencies. Emergencytelephone call boxes have been installed oncampus. Pick it up, and you’ve got Univer¬sity security police. . .Children’s medicalemergencies are under control too. Fromthis summer on. the emergency room of theWyler Children’s Hospital at 59th and Elliswill be open 24 hours a day.If you’ve been just dying to help some¬one, your time has come. The Universityhas opened an office of service opportunity,a central referral agency for students whowant to work for Chicago area socialagencies, community service organizations,hospitals and schools. Proceed to the sec¬ond floor of the Reynolds Club.Coming out this season: Our best wishesto the following additions to and changes inthe University’s star-studded roster:John T. Wilson, vice-president and deanof faculties since October 1, 1968, has beenappointed provost, a post vacant since Ed¬ward Levi became President last year.Walter Walker, associate professor in theschool of social service administration, hasbeen appointed vice-president for planning.Edward Levi’s roster of vice-presidents isnow complete; now there’s one with abeard.Harold Richman, associate professor inthe school of social service administration(SSA) and director of the center for thestudy of welfare, has been appointed deanof SSA.Stuart Tave, master of the humanitiescollegiate division, has been appointed act¬ing dean of the College until October 1when Roger Hildebrand, professor of phys¬ics becomes dean.Robert N. Clayton, Professor of Chem¬istry and Geochemistry and in the EnricoFermi Institute, has been appointed Masterof the physical sciences collegiate divisionand associate dean of the College.Sidney Davidson, the Arthur Young pro¬fessor of accounting in the graduate schoolof business, has been appointed acting deanTHE CHICAGO MAROONEditor: Caroline HeckBusiness Manager: Emmett GonderManaging Editor: Mitch BobkinNews Editor: Sue LothPhoto Editor: David TravisFeature Ed,itor; Wendy GlocknerAssociate Editors: Con Hitchcock (A/Vanaging),Steve Cook (News), Chris Fraula (Features),Mitch Kahn (Sports)Assistant Business Manager: Joel PondelikSenior Editor: Roger BlackStaff: Paul Bernstein, Frieda Murray, AudreyShalinsky, David Steele, Leslie StraussPhotography Staff: Ben Gilbert, Mark IsraelEssentially Unclassifiable: Rob CooleyDark Lady: Jeanne WiklerFounded in 1892. Pub-lished by University ofI'i,1 Chicago students daily dur¬ing revolutions, on Tues¬days and Fridays through¬out the regular schoolyear and intermittentlythroughout the summer,except during examinationperiods. Offices in Rooms303, 304, and 305 in Ida Noyes Hall, 1212 E.59th St., Chicago, III. 60637. Phone Midway3-0800, Ext. 3269. Distributed on campus and inthe Hyde Park neighborhood free of charge.Subscriptions by mail $7 per year. Non-profitpostage paid at Chicago, III. Subscribers toCollege Press Service. of the school. Gary D. Eppen, associaprofessor of industrial administration, h<been named associate dean of the schocArthur E. Wise has been appointed assitant dean of the graduate school of eduction, assistant chairman of the departmeiof education, and assistant professoreducation.Knox C. Hill, professor of philosophy ardirector of undergraduate programs in pilosophy, has been appointed secretary ithe afculties.Karl J. Bemesderfer, former assistaidean of the College, has been appointed a:sistant to the President.EatThe Bandersnatch, home of Ida Noyesfinest cuisine, opened Wednesday for ilthird year with a new expanded schedulIt is now open an additional two hours dailfor lunch.The Blue Gargoyle coffeehouse, gutted tfire last spring, will also re-open on Moiday, October 13. No hours have been ainounced as yet.The Bandersnatch, now open from nocto 2:00 and again from 5:30 to 12:4showed a profit of $200 Wednesday as o|posed to the past average of $130.O'Connell TrumpsDean of Students Charles O’Connerecently called a bluff on the New Unive:sity Conference, a radical faculty-studerorganization which last week issued a flyeentitled “Don’t Play the ACE”.The flyer said that the American Councon Education (ACE), an association of colege and university administrators no'sponsoring a nationwide study of studeractivities, might use the study results tweed out “protest-prone” students beforthey were accepted at schools.Noting that Reed and Beloit colleges haalready refused to participate in ACE, thNUC warned UC freshmen, “The ACE e:pects to collect its data because it assumefreshmen in the first weeks of college wifill out any form they are handed.”In the dean of students office TuesdajO’Connel said “This is not a new questiornaire. It has been administered at about 3(colleges in the last few years.“When asked to join the study, howeveithe University in 1966 wrote to ACE — whave these letters on file — to say we dinot want to participate.“They wanted us to administer questioinaires during registration, but we felt stidents at the registration period wouldnfeel as free to decline the questionnaire.“We have never participated and wdon’t plan to.”BULLETINMonday, September 29LECTURE: Professor Gilbert Etienner of the Intenational Institute Geneva, Switzerland on "regionDisparities and Agricultural Growth in India" 4:10 pnFoster Lounge.Tuesday, September 30LECTURE: Prakash Tandon, (author of Punjabi Centiry), 4:10 pm, Foster Lounge.RECITAL: Beethoven piano sonatas, Robert Winter, piinist, 8:30 pm. Mandel Hall, no admission.Put Up or Shut UpNow is the time for all good mento come to the aid of their party.Or, in this case, their student activi¬ty. Tonight is student activities nightand Ida Noyes Hall will be just brim¬ming with chances to partake intempting diversions. Not among theleast tempting is an invitation to jointhe staff of the Maroon. We’ll bewaiting for you in our offices. Justgo up to the third floor of Ida Noyes,turn left, and go to the end of thehall.Last year, you probably complainedabout the Maroon. This year, whydon’t you do something about it?8/The Chicago Maroon/September 26, 1969I i* ■ • « ' « r rs, • n 11.1,1.1 r/f rnTT’TTTTTTi 1 l U MJ.I J J J l U IJJJ.U .Davis Speaks To Sympathetic UC StudentsBy Freida MurrayRennie Davis, a member of the ‘Con¬spiracy 8’ on trial in Chicago this week,spoke to a sympathetic crowd of 200 atMandel Hall Tuesday afternoon.A national founder of SDS and a ChicagoProject coordinator, Davis was one of thepeople who organized the demonstrations atthe democratic convention last August. Hehas just returned from North Vietnam asan escort for three American prisoners re¬leased by the North Vietnamese.Davis explained the law under which theeight were indicted. The civil rights act of1968, signed into law by President Johnsonas part of the aftermath of the King assas¬sination, contained an amendment nowknown as public law 2101, which makes it acrime to cross state lines to incite a riot, orto conspire to cross state lines to incite ariot (a riot being defined as three or morepeople who attack or threaten to attack theperson or property of another).According to Davis. Attorney GeneralMitchell has said that if he can get a greenlight to invoke 2101 in civil disorder caseshe can achieve ‘law and order’ in this coun¬try.In more concrete terms, what 2101 meansis that Bobby Seale of the Black Panthers,for example for making two speeches as asubstitute speechmaker one day during theconvention faces ten years in jail, Davissaid.The eight defendants are being tried oncharges of inciting riots and of conspiringto incite riots, each of which carries a fiveyear jail sentence.P. L. 2101 has been condemned by manylawyers and constitutional students as aviolation of the first amendment, but theeight are not, according to Davis, con¬cerned with the constitutional status of thestatute. Since they are being charged withcrimes of intent their defense will focus onwhat the intent actually was. They want tofocus on the issues which brought them toChicago in the first place. The eight have encoimtered many legalhassles. The Federal government has ad¬mitted that the case against the eight willcollapse without wiretap evidence but pre¬siding Judge Julius Hoffman will not allowa wiretap adversary hearing until afterthe trial.Thirteen pretrial motions were denied, in¬cluding one for a simple continuance be¬cause the chief counsel for the defense istoo ill to appear in court. Judge Hoffmanwill not allow the defense attorneys to ex¬amine the jurors and he, examining themhimsplf, will not ask what the defendantsconsider relevant questions (What kind ofdrugs do you use? Would you let yourdaughter marry a Yippie?) Judge Hoffmanis 74 years old.Davis also discussed the Vietnam War.He thinks that Nixon is moving toward aHerbert Kahn motion: he will deflate anti¬ war sentiment here by troop reductions,which he frankly admits are for the benefitof domestic war critics, especially theyoung ones, and fortify the cities and a sec¬tion of the coast, leaving the countryside tothe influence of the Viet Cong. This way theThieu-Ky regieme can be salvaged. Toachieve this ‘limited’ objective, Davis saidthe U.S. is using “genocidal” weapons: In¬cendiary aluminum and magnesiumbombs, which destroyed an area largerthan Hiroshima in one raid, steel frag¬mentary explosive bombs, “which have nopurpose except to destroy people and whichinflict a very painful death, usually by ex¬tended bleeding,” and 10,000 pound ex¬plosive bombs which create minor earth¬quakes. The “earthquake” bombs are usedagainst the “underground” society of theViet Cong, Davis continued, in which peoplein the field live in bunkers, hollow cavesunder 40 feet of mountain rock, and conduct schools, newspapers, and theatrical per¬formances.Coupled with this Vietnam activity is Nix¬on’s policy of law and order, who is trying,Davis said, focus on the leaders of pro¬test. Davis feels the trial of the eight lookssuspiciously like a political purge.Davis closed his speech with a call fordemonstrations around and during the trial.“This is no time to be in the classroomsand halls of universities,” he said. “This isa time to be in the streets of this city and ofthis country. I hope to see you all in thestreets of America.”In the question and answer session thatfollowed the speech Davis stated some ofhis personal beliefs. He believes that thiscountry must have a revolution, that theexisting institutions cannot be reformed,and that each person must make the de¬cision to become a revolutionary. Davissaid that the pacifist days of protest arevore, that there must and will be violence.UC, TWO Relations Could Lead WayContinued from Page Onelegislation that has been passed to alleviatethe housing shortage and we think that ithas never been utilized to its fullest extent.And we are going to do everything in ourpower to utilize rent supplement in thisproject.”When asked if black workers would con¬struct the housing sites, the Rev. Braziersaid. “We think that the rent supplementblack construction workers, black con¬tractors, black sub-contractors, black ar¬chitects are going to be involved in this pro¬gram up to the hilt.“We are going to work very closely withThe United Coalition that is headed up byReverend C.T. Vivian and other leaders.”Asked if the University’s relations withthe community “are a good example of how a university should relate to the communityin which it resides?” The Rev. Brazier an¬swered “I would say that the University’sinvolvement at this point can indeed showthe way to a number of other universitiesacross this country who find themselves lo¬cated in the heart of the city.“Many universities are grappling withthis problem. Many universities still feelthat they can operate as centers of aca-dema, completely divorced from the sur¬rounding community. And I think that whatis happening here, in Woodlawn, betweenThe Woodlawn Organization and the Uni¬versity of Chicago, can have a significantimpact on other universities.”Julean Levi, director of the South-EastChicago Commission and professor of ur¬ban studies, said “TWO and the University of Chicago are not strangers to one anotherin any degree at all. We’re jointly involvedin the operation of a mental health pro¬gram (The Woodlawn Mental Health Clin¬ic) where we’ve seen every youngster infirst grade in the 12 schools in Woodlawnfor the last six years; in a child care clinic(Woodlawn Child Care Center) where morethan a hundred children are seen everyday; in an experimental school district(Woodlawn Experimental School District)involving 4,000 children in a program car¬ried on jointly with the Board of Education,TWO and the University; in a neighborhoodfacilities center (Social Services Center)now under construction on the campus in¬volving an investment of over two milliondollars, and in addition all of the model cityand the planning efforts in which we haveworked with TWO.”RIGHT ON CAMPUSFOR YOUR TRAVEL NEEDS LARGE ORSMALL - AIR, STEAMSHIP, TOURS, RAIL-MIDWAY TRAVEL SERVICELOBBY 'AD" BUILDINGTEL Ml 3-0800,EXT. 2301, 2302, 2303NO CHARGE FOR OUR SERVICESEXCEPT NOMINAL FEE FOR RAIL TICKETSSENIORSIT'S YOUR CHOICE100 INTERVIEWSor100 JOB OFFERSA on* interviewFor you, your friondt, your family,£ oil job hunltnCol! or come in NOW!DUNN PERSONNELCONSULTANTS17 N. State St. - Suit* 1300ST2-5422•A Stot* licenced Agency. USED CARS50 FULLY GUARANTEEDCOMPACTS 8, GAS SAVERS64 FALCON AUTOMATIC S49564 CORVAIR MONZA STANDARD . .49664 TEMPEST CUSTOM AUTO. 2 DR. . .49563 DART DODGE AUTO. 4 OR. ... .49563 CORVAIR 4 OR.AUTO .39563CHEV. BISCAYNE CPE. . .39562 BUICK SPEC. 4 DR. AUTO .39662 BUICK SPEC. 2 OR. AUTO . 29562 RENAULT 4 DR. STICK .19561 OPEL 2 OR. AUTC . . .95ARTHUR - CARS3845 N. WESTERNCHICAGO, ILL. KE9-609GWHEN YOU GO TO PAYTHE BURSAR IN BARTLETT...Somebody outside the door may hand you some ominous-looking document called,"The 1969 Maroon Marketing Survey”. Please don't groan, panic, or defecate. It willonly take about 15 minutes or so to fill it out, and if you weren't doing that whilewaiting in line, you would probably be going mildly nutsy from being bored anyhow.Don't identify yourself on the survey, hand it to the person who gave it to you whenyou're done, and go have a beer at Jimmy's. Or, if you didn t finish it there, send itthrough faculty exchange to The Maroon, Ida Noyes Hall. Or stop over.We'll not only take the survey off your hands, we'll show you our junky officefurniture, sell you one of 3000 copies of the June 6 issue, sell you 10 subscriptions, and431 V2 classified ads saying: "Screw The Maroon marketing survey.”Why are we doing this? We hate like hell to infringe on the sanctity of registration,and if you're folded, spindled, and mutilated by that time, you do NOT have to fill outa survey if you do not wish to. However, our advertisers don't know anything aboutyou to speak of, and don't know whether you want to know when they are selling pot,pots, pottie chairs, potted plants, or potted people. That is, they don t want to wastetheir money, your time, and our energy, running tavern ads if nobody is old enough todrink, for example.Your cooperation would be greatly appreciated.Thank you. Your friendly neighborhood underground college newspaper businessmanager, Emmet Gonder EVERYBODYWANTS ITSend in this coupon if you want to learn how to earn a greatdeal of money for yourself while operating your own exclusivefranchise on campus distributing Audio-Lites.\NAMESCHOOLCITY STATE ZIP-IMAIL TO:American College Distributing Corp.P.O. Box 636, De Kalb, III. 60115JOB HUNTERSIT'S YOUR CHOICE100 INTERVIEWSor100 JOB OFFERSA one interviewFar you your friend*, your lomily,A oil job Hunter*Coll or come in NOW!DUNN PERSONNELCONSULTANTS17 N. State St. - Suite 1300ST2-5422—A State licenced Agency - IF YOU ARE 21 OR OVERMALE OR FEMALEHAVE A DRIVER’S LICENSEDRIVE A YELLOWJust telephone CA 6-6692 orApply in person ot 120 E. I8th St.EARN MORE THAN S25 DAILYDRIVE A YELLOWShort or lull shilt adjusted toyour school schedule.DAY, NIGHT or WEEKENDSWork from garage near home or school.IF YOU ARE 21 OR OVERMALE OR FEMALEHAVE A DRIVER S LICENSEDRIVE A YELLOWJust telephone CA 6-6692 orApply in person ot 120 E. 18th St.EARN MORE THAN $25 DAILYDRIVE A YELLOWShort or full shift od|usted toyour school schedule.DAY. NIGHT or WEEKENDSWork from gorage near home or school.September 26, 1969/The Chicago Maroon/9»■^accentsC STARTS TODAY1437 E. 53rd(53rd & Blackstone)Ml 3-7400 fall special sellingSEPT. 24th - THRU • OCT. - 4th .Special Store Hours, Monday thruFriday 10 AM to 7 PM, Sat. 9 AM to 6 PM.Open Sunday, Sept. 28th, 10 AM to 3 PM.SAVE ON LAMPS - FURNITURE - GIFTWARES% A OUR ASTRO DOME STUDY LAMP •with sight saver 200 watt bulb includ¬ed - satin white glass diffuses - Ulapproved • choice of mocha orgreen.Floor lamp - reg $15 now $12”Desk lamp - reg. $13. now $10”LAMPSAccent offers reduced prices on mostof its outstanding line of floor, desk,table, wall and ceiling lamps. One-of-a-kind floor sample and discontin¬ued lamps will be reduced. 20-40%B TREE LAMP - with three metalbullets that swivel to put light whereyou want it - featuring 4-way controlswitch $14”SLAT BENCH Sixty-inch slat bench -hardwood with walnut-finish-sturdyenough to sit on.Reg. $20 now $16”c THE PAPER BAG LAMP - Be thefirst to own one. It-comes with seven11' x 15” flame-resistant bags. Sixbags already designed in yellow,orange, magenta, blue, olive, blackpattern, and one blank bag for thecreative do-it-yourselfer. All sevenbags, an 11' x 18” collapsible framewith socket which takes a 75-wattbulb comes in a neat storage.box complete $9”ADJUST-A-TABLEAn excellent read¬ing or study table - its top adjustsup or down and can ,be tilted formaximum comfort - folds flat foreasy storage. ISfrong enough to holda small typewriter. Reg. $30.now $24”D DIRECTOR S CHAIR - folding woodframe in black or clear varnish,choice of four solid color canvasslings (black, olive, yellow or or¬ange). A comfortable, good-lookingchair for lounging or study.Reg.$17 now $14”50% OFF SLIGHTLY DAMAGED,ONE-OF-A-KIND TABLESCHAIRS - CUBES - BENCHES -SHELVES - CANDLES - IMPER¬FECT GIFTWARES - DINNER-WARE.E LOUNGE CHAIR AND OTTMAN-hondsome, comfortable, contemporarychair covered with black tufted vinyl.Chrome-plated steel frame.Reg. $135 $99”CORA FLATWARE - 18-8 stainlesssteel from Holland. 5-pc. place set¬ting Iknife, dinner fork,salad,fork,soup spoon, tea spoon).Reg. $8 now 5”Flow cost fiberbqard wallSYSTEM Accent introduced the as¬tonishing new modular storage systemby Union Camp. These modular unitsmade of high-strength fiberboard canbe used as book shelves, recordcabinets, storage units and file cabi¬nets. Use along a wall or as free¬standing room dividers. All surfacesare washable - comes packed flat ina kit containing four fiberboard cabi¬net cubes, two doors, four shelvesand connectors for easy assembly.Accent's introductory offer$9” perkit.G DESK OR STUDIO CHAIRDurable, comfortable choir - con¬toured - oiled walnut back rest -black welded steel frame. Yourchoice of blue, black or persimmonvinyl seat.Reg. 15 now $10”CORK TRAYS AND COASTERS -Imported from Portugal - beoutitulnatural cork serving trays and water-resistant coasters - 50% off.12" diameter trayreg $9“ now4"4” diameter coasterReg. 50* now 25* COVERED BUFFET SERVER - 17x 9 1/2" stainless serving platter withrosewood handles, An elegant andpractical gift item. Reg. $20 now 14*>H WHITE PORCELAIN DINNERWAREchoice of coupe or cylinder cup -20-pc starter set includes 4 cups andsaucers, 4 dinner plates, 4 saladplates, 4 soup or cereal bowls. Reg.$20 now 16”CONTEMPO GLASSWARE - 24tumblers - 8 twelve ounce water orhighball, 8 -five ounce cocktail orjuice, 8 ning ounce old-fashionedglasses. Reg. $5” now 3”I JASMIN DINNERWARE made mSweden - ovenproof- espressobrown color - 20$pc. service forfour 14 dinner plates, 4 salad plates,4 cups, 4 saucers, 4 cereal bowlsl.Reg. $60 now 19”All open stock accessory pieces50% off.K STAINLESS GRAVY BOAT withladle - holds one pint Reg $5 now 3”GIFTWARESL DOMUS STAINLESS FLATWARE -Made of nickel-bearing stainlesssteel. Hollow-handled knives withforged blades - never tarnish or dis¬color - sculptured for comfort ondlovely to look at. 4-piece place set¬ting Iknife, dinner fork, salad fork,tea spoon) - Reg. $8 now 3”M HIGH INTENSITY DESK LAMP -featuring two horizontally mountedbulbs with extremely bright light out¬put • stem and flexished chrome finishin two-tone finishor mocha. Reg ble cable in pol-base and shadechoice of black$11” now $9”N DOUBLE PIN-UP LAMP - two swiv¬el-mounted metal bullets on a curvedarm to give 200 watts of light (100watts each bullet) - excellent forreading in bed now $6”STRAW HAMPERS - Fine qualityclosely woven - made in Mexico.small 121" highl $4medium (23" high) $5large (25" high) $£J FONDUE COOKER SPECIAL enam¬eled aluminum in yellow, orange oravocado with teakwood handle. 4color-coded fondue forks, blackstand, alcohol burner with matchingtray.Reg. $10 now $8”FURNITUREO ACCENT'S BUTTERFLY CHAIR-strong black metal frame - washablecanvas slings in choice of orange,yellow, olive or black.Reg. $15 now $9’»Replacement slings only $4”P FOLDING LOUNGE CHAIRwoven hemp seat and back - walnut-finish beechwood frame.Reg. $30 now $24”Q ACCENT CLOCKS designed byGeorge Nelson for Howard Millerore accessory pieces for any room.These outstanding windup clocks arespecially priced for this fall sale -Reg. $37“Now $18”R COUNTER - BAR white, mar-proofcounter, 18" x 48" top - with blackdouble pedestal steel base. Choiceof 29” (table) or 36” (counter)height.Reg. $45 now $39” NAT ACCENT NO SALE IS FINAL UNTIL YOU ARE SATISFIED10/Th® Chicago Maroon/September 26, 1969.m»^. w MJi i nii fci.f.u jrmT.i t rrrTTT ‘ 1 " 1 " 1. . I 1 1 I 1 1 ——'...little energy left for real self-expression/Continued from Page Sevendined to imagine that their own concerns in relation to a subject matter — i.e., thequestion they feel to be relevant — are inherent to the subject; hence, the teacher’sright to define the relevant questions arbitrarily is allegedly a function of his expertise,not of his particular humanity.As the student is dragged through the teacher’s intellectual priorities and has noroutinized right to affect these priorities, he learns to build a defense against hispersonal feelings and interests, reserving them at best for outside the classroom. Heliterally “turns off” his feelings. Unfortunately, given the sheer quantity of work andthe laborious nature of work “through someone else’s meanings”, there is little energyleft for real self-expression. Also, apathy is partly a product of the anxiety that resultsfrom the accommodation to the teacher’s intellectual priorities over against his own.Those who are most completely affected by this process adopt a split within them¬selves, and much of their relating, even with other students, consists in ever-in-telectualized, feelingless talk. In such cases self-acceptance has been devalued in favorof a Gargantuan intellectual self-image.Another result among those who adopt to the hypercritical approach is a certainattitudinal conformitv with the prevailing notions among the faculty. The conformity isnot so much with any particular set of ideas as with a way of looking at intellectualwork itself. It is an attitude of detachment from practicality, feeling, and concern forthe social relevance or broader consequences of one’s work. It is a sense of thedubiousness of action and the superiority of criticism. Where it does relate to socialaction or responsibility, it takes an implicitly elitist and anti-popular approach.Training Camp for TeachersIt is evident that this process makes for the best academic professionals from thestandpoint of the interests supporting universities. For like all who fulfill well theirnarrow prescribed roles in our corporate capitalistic technocracy, those who learn tocompartmentalize their moral sense adapt best. Thus this University generally fulfills itprimary social function — training the socializers of the technocracy’s manpower, i.e.,producing teachers. The University of Chicago undergraduate education is as much asanywhere else a process of being ground through an academic mill. It tests, above all,who can make it through the rather laborious process, or, as Howard Becker onceremarked, college education is a test of “Sitzlfeisch.”The reader may sense that I have taken him through a rather cursory analysis ofthe University as a whole under the original objective of discussing law and order inthe University. But having some obligation to my original theme, I turn now to aconcluding discussion of what I identified — you may recall — as the third key elementin the ideology of law and order: neo-McCarthy ism.The purpose of phenomena like McCarthyisms is to legitimate the excommunicationof certain members of the community who are preceived as a threat to the whole, bythose in power. Always it is intertwined with certain new limitations to the originalinclusive and universal qualities of the community. Thus, for example, in the UnitedStates, freedom of speech becomes freedom for all but the communists, who wouldallegedly use it to destroy the society which happily affords this freedom. They are“excepted”, as a dangerously foreign element. The paradox, however, is that the“excepted” is not so foreign, but actually reveals or symbolizes some latent realities of David TravisFACULTY-STUDENT MEETING: During the sit-in, such msetings were characterizedby tension. Was it due to students' self devaluation" in favor of a Gargantuanself image?"the structure. He is merely “projected” as foreign. For this reason the excommunicantknows he has hit a sensitive chord, and, moreover, so do most of those who constitutethe community. For this reason, excommunication is, in the long run, no solution torebellion, and is often rather immediately self-defeating.The need at this University to justify the excommunication of students who threat¬ened the University’s power structure by challenging some of is fundamental interestswas as intense as the larger society’s need for anti-communism. In fact, one Nobel-prize winning medical researcher publically claimed that the sit-in was an internationalcommunist conspiracy.Few faculty took so crude an aprpoach. For many others the same ideologicaltactic took a more subtle form — namely, the reduction of student protest to psy¬chopathology.The late Robert Lindner once noted that the term “sick”, though offering theappearance of enlightenment over the brand “possessed, by the devil”, has come toserve essentially the same motional and political function in our society. This was thecase here at the University last winter and spring. The chorus of psychoanalyticpontifications began with Bruno Bettleheim’s allegation that sit-in leaders were “para¬noids” acting out their neuroses and — as is the usual charge with more primitive formsof McCarthyism — “manipulating” the others. This tack was reinforced by threeprofessors participating in a University produced educational television panel, “round¬table.” On that show, Charles Wegner astutely observed that one symptom of thepsychogenic depravity of radicals was their lack of interest in “gadgets.” JosephContinued on Page TwelveBLOWYOURSELF UPSend any black & white or colorphoto up to 8" x 10" (no nega¬tives) and the name “Swingline”cut from any Swingline stapler orstaple refill package to: Poster-Mart, P. 0. Box 165, Woodside,N. Y. 11377. Enclose cash,check or money order (noC.O.D.’s) in the amount of $2.00for each blow-up; $4.00 forblow-up and frame as shown.Add sales tax where applicable.Original material returnedundamaged. Satisfactionguaranteed. Allow 30 daysfor delivery.Black and Whita2 ft x 3ft tAPoster only ^($4.95 value)with plastic frame $4($7.95 value) THEGREATSWINGUNETOTstaplerThe world’s largest sellingstapler yet no larger than apack of gum. Q^y 9Stwith 1000 FMI ttoptoa!THE GREAT NEW SWINGLINENANO STAPLER Otaimad to fitthe Naim. Portable. ONLY St40.-With 1000 (taptos, f 1.9R. THE GREAT SWINGLINE COBDESK STAPLER A to*! Wavyoml^* *HRa compact build. AMY SI JR.With 1000 ttaptoa, Sl-tt.32-00 SKILUMN AVENUE, INC.LONS ISLAND CITY, N.Y. 11101 loomuuuniand only 19CThe Justrite pen byEberhard Faber is a greatwriter. Writes more andwrites better, withoutblotting, smearing orglopping. Because thepoint is a slickcarbide ball.Has many othercredentials: See-Thrubarrel that revealseverything (like howmuch ink is left)... Self-cleaning inkeraser... Plastic capthat protects the point...A handy clip.And the Justrite isbetter-looking, too.Medium point(illustrated) just 190;fine point, 250. Four inkcolors: Red. Blue. Green.Black. At yourcollege bookstore.EBKRHARD FABER® WIUUS BAMC. PA. • NEW YORK • CANADA • GERMANY • VENEZUELA • COLOMBIA HELLO! I am theChartreuse Goose,your friendly, neighborhood Chicago Maroonmascot. 'Twas I who observed that Ceres wears apadded bra. I noticed this last week as I flew overthe Board of Trade Building.WE ARE ALL “A BLOODYGOOD BUNCH OF KILLERS’ ... INTHE/***£ WML Jfc YEAR***^•*1* w OF THETHREEPENNYCINEMAFREE PARKING LIMITED ENGAGEMENT2424 N. Lincoln AvenueChicago, Illinois 60614phone; 528-9126STUDENT RATECLIENT SIMULATORSNEEDEDOne* again, the teaching staff of the Coun¬seling Center Psychotherapy procticum,would like to provide its students with anopportunity to try to be helpful to personswith minor psychological problems. We needvolunteers who have problems, concerns, oranxieties they would be willing to discuss witha graduate student who is in dinicol training.We hove found in the past two years thot thisexperience tends to be helpful and interestingto both volunteer and student.The following ground rules apply:1. The volunteer must commit two hours aweek for five weeks.2. The moximum number of interviews avail¬able is ten. There will be no exceptions.3. There is no fee.4. Each volunteer must hove a half hourorientation interview with o stoff member tomake sure the ground rules are clear.5. Participation in this project it in no wayconnected with the regular on-going therapyprograms at the Center.6. Interviews will be recorded but the contentwill be treated with th» customary CounselingCenter regard for confidentiality.7. A staff consultant may join tfM student andvolunteer for one or more interviews.t. Volunteers need not be connected wit- theUniversity of Chicogo.If interested please colt Ml 3-0600, extension2360 to moke on appointment for an ori-i emotion iiheryfcw 1 R * - - » CheckerlaxiHASIMMEDIATE OPENINGS• EXCELLENT EARNINGS• WORK ANY NUMBER OFDAYS PER WEEK FROM 2to 6 DAYS• DAYS or NIGHTSMALE or FEMALEMINIMUM AGE 21APPLY84S W. WASHINGTON8:00 AM to 4:30 PM: DAILY8:00 AM to 11:00 AM: SAT.CALL 421-1314September 26, 1969/The Chicago Maroon/11RMBUtti[ Conti n u edJ|ro rrvj? Pag^E le^r|Eh6Wltbtt^m#{^^CT|^BlmaM^BgdEh^^Blof :discdntem&t^^j|i|;eIle^^^|om^^^PIfcthMl'fool^i^alitu^^ll^Uier^rssu^^n^^^Mfront r61:|t hoienvir;otnf!oi'M^)m^t;iip^ berJpS^j|tdj|pt^Tai ning^^t^m^l^ilel^^in'in^^^^^Lt6 dopicliorisoffraaica 1 sfasjj: (|evlevehts^Sis^c'.ntlfv&Tt^m^li]ex1ernal^^l^i.e^t.|atpppraisoft iHlSBKlreiHaiuf^&ftKwxaTnin:ng{>ntfl$ ?|j|p^llS^Wi IlM IM iWf ESmwmWKmi?§natMelf*t -jHi ■yy*:?:;^r^ki^yherTaylq^Toppe^yo^p^ actical^tSaMMs^My^•w>ll^f?y^*thnwgly»o^'%f^|^pnltLllwklthat^Ejs’olutMM^MWl^',** i' *W a'^t-aa H■*-Qnta'tlf^l^Hi‘^llol^»^t^%aSiyip>inromrMcmin^mmmU^M^mantsmn**Wf ’;£lOCTOBERf»tf12/The Chicago Maroon/September 26, 1969MMMMMMJA. * ? >*« ' ' ' *41 ' * IIVTvTT. I f.( J TriTll.I.M I t' I'l'i l 1. S WIT..-- •Undoubling Improves DormitoriesBy David SteeleEveryone complains about the dormi¬tories, and finally something is being doneabout it. In an attempt to solve its housingdifficulty and to make the college housesmore liveable the University reduced thesize of the College class of 1973 to 500 ascompared to 743 in the class of 1972, andmade changes in the resident heads’ suitesand in the house rules.The most apparent effect of the reductionwas the larger number of rooms availablein both Pierce Tower and Woodward Court.The number of singles in Woodward in¬creased from 49 to 101 and in Pierce from25 to 52, but a significantly greater numberof upper classmen did not stay in the dor¬mitories because of this; 116 upper class-men returned to Pierce this fall, 12 morethan last year. The number of returningstudents in Burton-Judson decreased from140 to 122, but a resident said that this wasa normal fluctuation in residents. Fifty per¬cent of the returning students in Piercewere upper classmen, but this percentageincrease resulted solely from the decreasein freshman admissions. In WoodwardCourt this year a few first year girls wereassigned small single and large doublerooms, once the sought after property of up¬per class residents.Eighty-five percent of all first year stu¬dents live at either Pierce, Burton-Judsonor Woodward, with the remaining 15 per¬cent living at Chauncey Boucher, 1442 E.59th Street (Eleanor Club), or HitchcockHall.The resident heads’ suites in Shorey,Thompson, and Upper and Lower Wallacewere doubled in size and include two bed¬rooms, a living-dining room, a full kitchen,and a study. The improvements have in¬duced faculty members and their familiesto become resident heads.Kenneth Northcott, chairman of the Ger¬ man department and Shorey house residenthead, has brought his wife and two of hischildren to live in the ninth floor suite.Robert Stein, assistant professor of Eng¬lish, is the new resident head in Thompson,and Marian Munroe, instructor in biology,is in Upper Wallace Allan and Judy Rosen¬baum and their three month old daughter,Michelle have moved from lower Flint tolower Wallace.Rickert House, divided into upper andlower houses, placed a new suite and resi¬dent head in the upper house.A committee on house autonomy sent itsreport to all dorm residents along with thenotice of its acceptance by CharlesO’Connell, dean of students. The purpose ofthis committee was to transfer the author¬ ity for making and enforcing social rulesfrom the administration and the housing of¬fice io the individual College houses. Theadministration will help the houses enforcetheir decisions, but the power to initiate theenforcement is with the houses. Autonomywill allow the houses to institute 24 hourintervisitation, which has been demandedfor the past two years by some houses.Many first year students said they did notunderstand exactly what the report meantand complained that the wording wasvague. at the beginning of orientation on Wednes¬day, September 17th. Most students askedabout their impression of the dormitoriessaid that the buildings were about whatthey had expected, but many girls weresurprised by large double and single rooms.Entering students seemed slightly dazedby their introduction to the housing system The housing system should be more live¬able this year than in the past. The small¬er number of students should decrease thenoise level in Pierce and Woodward, andthe changes in housing rules should makethe houses seem more independent andmore like separate communities ratherthan a place to be escaped from at the endof the required year of residence.Narcs Protested Activities Night Is Tonight!Continued from Page Onewhat they consider a threat to the freedomof the individual with letters to GovernorRichard Ogilvie and presidents of severaluniversities. In a letter to Ogilvie protest¬ing the student-narc agent program, theACLU stated that the plan would impair theindividual’s “freedom of inquiry.” The let¬ter went on to say that “one of the mostimportant safeguards of that freedom is thepreservation of the academic communityas a place where students and faculty canexplore ideas together, uninhibited by mis¬trust and suspicion.”Other universities which have been infil¬trated by narc agents include North¬western, University of Illinois, Southern Il¬linois University, Western Illinois andBradley.The interception of an auto carrying 130pounds of marijuana near Bloomington onSaturday is thought to be the first result ofthe new narc agent program on campuses. Balloons have been popping up all overcampus advertising Student ActivitiesNight in the “Barbaric Splendor” of IdaNoyes Hall from 7:30 to 12 tonight.About 60 organizations and clubs willsponsor displays, and demonstrationsthroughout Ida Noyes. Though the night isplanned as part of the freshman orientationprogram, any UC student may attend andsign up for extra-curricular activities.Halfway through the evening, six groupswill entertain in the Cloister Club. Allegrocon Espirito will provide a program ofmadrigal-singing, and the judo club willpresent an exhibition of skill.Blackfriars, a student theater group, willsing a medley of swigs from the musicalsthey have presented in the past year. Thefolk dance and the modern dance clubs willperform. SD5 has planned a skit.In addition to the special entertainment,groups will exhibit every phase of campuslife — academic, political, service, recrea¬tional and athletic. The Dame Club, aSunday New York Timet, 8:30 AMBOB’S NEWSSTAND51st and Lake(daily too)Hugh slocks oj Current Magazines,Paperbacks, Assorted Pornography,Candy, & Gum. Come & meet mydog "Michael.” group of faculty and student wives, will sellbaked goods throughout the night. TheBandersnatch, student government officeand the Maroon will be open and recruitingworkers. Helium balloons will be givenaway.Doc Films, one of three film clubs toshow movies, will present films contin¬uously in the library. WHPK, the campusradio station at 88.3 FM will broadcastfrom the second floor of Ida Noyes.Eight athletic clubs and the cheerleaderswill be represented. A kayak from theyachting club and a collection of artifactsfrom the archaeology club will be on exhib¬it.Political groups including the SDS fac¬tions will be in the East Lounge. Music anddance groups will be in the third floortheatre.Student Activities Night is sponsored bystudent government through the StudentActivities Office. Skip Landt is the directorof student activities.Space age wrenchSuppose you’re up in space and you need to tightena nut on the outside of your space vehicle.Well ... if you use an ordinary power wrench, youknow what happens! You spin around. Not the nut.But with this new space wrench, the nut turns—notyou!Neat?You bet. And we’ve got all kinds of fascinating equip¬ment designed specially for way out there. And lots for way down here, too.If you’re a science or engineering graduate anayou’re looking for a good place for your talents, be anofficer, a leader, on'the Aerospace Team. The U.S. AirForce is the largest scientific and research organiza¬tion of the space age.You’ll be right where the breakthroughs are...break¬throughs such as better ways to tighten a nut.Pretty exciting if you’re looking for a new twist.UNITED STATES AIR FORCE, Box A, Dept.SCP 99, Randolph Air Force Base, Texas 78148MAJOR SUBJECT PLEASE PRINTGRADUATE DATE CAREER INTERESTSHOME ADDRESSSTATEI UNDERSTAND THERE IS NO OBLIGATION.TT TAKE A *MAROCN STAFFMEMBER OUTTO LUNCH^SMEDLEYS TAKE AMAROON WORKER OUTSchlitz on tap’Extra large pitcher of beeFree peanutsSandwichesThe in-groupheadquarters TO DINNERvf> ^ ^ »T j^in Harper Court5239 Harper Ave. SUPPORT APAPER THATENJOYSTOMEET & EATWITH YOUMI-3-0 800x3263STOP NAIL BITINGWITHNow you can stop your nail biting, cuticlechewing habit, TODAY1, with STOP BITE Let'sface it, this ugly habit is bad news. Why lookdumb, when you can be IN with long beautifulfinger nails. This amazing new product is aglossy cover that paints on the nail surfacewith a bitter taste you'll hate, and WHAM“STOP BITE" ends the nail biting habit, LIKENOW!We guarantee you results, or return your moneyBuy "STOP BITE'' only $1 50AT ALL DRUG STORES‘DARK-EYES’' CO., INC.CHICAGO, ILL. 60624"T'TTI 1IM Are you agood student?Are you acareful driver?If you are tired ofpaying a high premiumfor your car insurance itwill pay you toinvestigate Sentry'sgood student discount.This is in addition toSentry's discount fordriver education. Callyour Sentry man for fastfacts.Jim Crane372-7227SENTRY ITINSURANCE.*. WpthroW, iVe . Chicago Maroon/ VI - -mm mm, • a ^ « |14/The Chicago Maroon/ Sep$?mbor 26, 1969The Great AmericanCollege Bedspread may sendyou to college free!(Announcing the 2nd Annual Bates Piping Rock“Send Me to College” Contest.)___ Last velOlinree Budch, a collegejlr IfcyF ^ freshman, won the Bates 1st Annual^ “Send Me to College” Contest. And ayx™s ^a>t* tuit’on m Hofstra' This year, the “Send Me to College”Contest is going to he even bigger.H Because this year Bates is goingto send three students to college.And one of those students could be you.The contest is simple to enter. AH you have to do is go to theDomestics Department in any of the stores listed in this ad. Putyour name and address on one of our ballots. And wait. The contest runs from September R t(lfOctober 3.Why is Bates doing all this?Well, you've been taking a Bates Piping Rock to college for somany years, we felt it was about time Piping Rock took you to college.You've made Piping Rock the Great American CollegeBedspread And no wonder. Piping Rock comes in 18 differentcolors. And you don’t have to waste valuable time taking care of it.Piping Rock is mac hine washable and dryable. There's even a NoPress finish, so it never needs ironing.So enter the Bates Piping Rock “Send Me to College”Contest at any of these stores. _And lec Bates take you to college.' PIPINGROCKtSABATrSTM RSG ♦FULLDrUUlSATSTOHES Cv/vVV*i4$l Broadway, New York ttiOUtTifis is Piping Rock Available in W college colon: In sizes: tuin, $10.98; double, SUSS; bunk, $9.98, Prices a bit more in the West. Matching draperies available. i>* VFABRIC MART STORES 9 Chicago & Suburban WIEBOLT STORES, Chicago & Suburban■ ■ ' • «;■ ■ • ■ * « ■ ■ ‘ * . • •dMV < ? muMI *i '% *. T, j i i \ *J 1 l V!*'. V.V »' ; 4 i fc k J* '« V*V » J J J * 1 1 Mj(Maroon Classified Ada)KEEP ON TRUCKIN'RATBS: For University students,faculty, end staff: 50 cants perline. For noo-UnlversIty clientele:75 cents per line, M cants perline each additional insertion.Count 30 typewriter spaces perline.TO FLACI AO: Come with ormall payment to The ChicagoMaroon Business Office, Room304 of Ida Noyes Hall, 1313 E.50th St., Chicago, III. 60637.The next issoe of the MarooawIN ha Sept. St. Deadline far alladvertising is 4 PM an Sept. St VIATE THEIR PENT-UP AGGRES¬SIONS BY BEATING THE HELLOUT OF AN EFFIGY OF THEIRBOSSES.Have you Pent-up Aggressions? Alle¬viate them at the U of C KarateClub. Come to our Pre-Class meet¬ing Oct 13 INH 7:30.FREE KARATE LESSONS for Ger¬ald K!rk at the U of C Karate Club.Self-defense, Sport, nr Mental Dis¬cipline — As you like it. U of C Ka¬rate Club Meeting — Mon, Oct 13,7:30 Ida Noyes 213.Is there a radical analysis bt liter-a t u r e ? Guerilla fiction? Anyonewanting to talk aboutthis/read/team write somethingplease call MIDIRKY after 5.SEXUAL FREEDOM LEAGUE,INC.CHICAGO AREA CHAPTERFor info write to:S.F.L.P.O. Box 9252Chicago, Illinois 60690There is a group in England calledHARO MEAT. They wanted to calltheir first album ERECTION butthat was nixed, the Ip is going to becalled simply HARD MEAT.JIVING K. BOOTS plans an all-nudetour of the South lecturing on Lenin,Marx, humanism, tolerance and thehealth danger of short haircuts Inhis mental home in Penge he said,“I expect to go down a bomb".JAPANESE WORKERS ALLE- SG members — Plesae give yourPERSONALSDENNIS FROM THE SEMINARYAND THE GUY WITH BLONDHAIR AND BEARD. REMEMBERTHE LITTLE BLOND GIRL YOUHELPED GET HOME FROM REX-ALL TUES. SEPT. 16? TALKINGTO YOU AAAY HELP US PREVENTWHAT HAPPENED FROM HAP¬PENING AGAIN. PLEASE CALLLOU Ml 3-0800 X3313 or PL 2-9704 atNIGHT. PLEASEPLEASEPLEASEORIGINAL POSTCARDS at StudentCo-op Reynolds Club Basement.SUPPORT YOUR LOCAL POST¬CARD-MAKER.ATTENTION:Candidates for Teaching Positionsis Chicago Pnbiie SchoolsNATIONAL TEACHER EXAMINATIONSfor Elementary (K-8)and Selected High School AreasCHICAGO N.T.E. REGISTRATION DEADLINE DATE:Thursday, October 16,1969, 4:30 p.m.Chicago Public Schools will use the scoresas part of their 1970 certificate examinations for:KledergartM-ftimary trades 1-2-3(h.TX-Early Childhood Education)lattneadiatt aed Upper grades 3-8(N.T.E.-EdvcatlM lathe Elementary Schools)Art Credos 7-12(N.T.E.-Art Education)High School English(N.T.E.-English language aed literature) Homemahleg Arts Credee 7-12(N.T.E.—Home Economics Education)Industrial Arts Cradoe 7-12(N.T.E.- Industrial Arts Education)High School Physical Education-Men* (N.T.E.-Men's Physical Education)High School Physical Education-Woman(N.T.E.-Woman's Physical Education)High School Mathematics (N.T.E.-Mathematics)All Candidates Must Taka tha Common Examinationand tha Taaching Area Examination Relevant tothe Certificate SoughtApplicants for teaching positions in theChicago Public Schools should:1. Register with the Educational Testing Service, Princeton, NewJersey to take the common examination ami the relevant teachingarea examination. Registration for N.T.E. closes October 1l, llM.vindicate on the N.T.E. form, line 10, that scores should be sub¬mitted to the Chicago Board of Examiners,Chicago Public Schools.3. File application for certification examination (form Ex-5) withthe Board of Examiners. The following credentials should accom¬pany the application (Ex-5), if not already on file: Official copy ofbirth certificate, official transcript of aH college work attempted.The application and credentials must be filed by Thursday, Octo¬ber 16,1969, 4:30 p.m.Tt» Metieeel Teacher Exenmetieiis will btederinistered Nov. if 1969 ee 400 college computesFor additional information: Board of Examiners, Room 624CHICAGO PUBLIC SCHOOLS228 N. La Salle Street, Chicago, Illinois 60601or the Office of Teacher Recruitment,Chicago Public Schools or Teacher Placement OfficePlease send me information about theNational Teacher Examinations for:□ Kindergarten-primary grades 1-2-3Intermediate and upper grades 3-8□ High school. (subject area)Name.Address.p City. .State. .Zip- address to SG secretary soonext 3274 1-5 PMEnjoy the last decadent days of oldE u rope before the Revolution.Christmas Charter, Ml 3-0800, Ext.3598 1:00-5:30.Porsche, Mercedes, Volvo, VW, etcTey all cost much less in Europe.Charter Flights Christmas Charter.Ml 3-0800 Ext 3598Psyched licize your grandmother atINSANITY SOUTH 51st near Harperten to ten dailyMany thanks to those who helped inAl Raby's great primary electionvictory and with your help we'llbeat the machine again in the Nov.runoff.Sign up for clashes and interestgroups at Hillel Open House Sunday.JR — THE FOREST FLOWER HASDIEDSOME SOUND ADVICESterio compacts to study with. KLH,Scott, Fisher at Musicraft Campusrep Bob Tabor 363-4555BRING THE WAR HOMEOct 8 Evening rally in Lincoln ParkOct 9 Rock Band Concert in ParkOct 10 Stop The Trial, Fed BuildingOct 11 Mass march in LoopRevolution is a trivial shift in Iheemphasis of suffering. The capacityfor sekt-indulgence changes hands.But the world does not alter itsshape.People who read student newspapers8, don't send their parents any are abunch of cheap people.Come on you cheap students, send asubscription home.Happy new year President LeviWhy doesn't the Aardvark Theatrepay the Maroon the money they oweus?Invite the Maroon staff to your housefor dinner Ml 3-0800 x 3263How can one "groovy freak" be sucha dog?Gerry Kirk is back with friendsOct 4 12 noon SDS rallyBuckingham Fountain & march to FedBuilding info call 472-1541 or 787-4010The Byrds Sat Sept 27Mendel HallRevitalizationTHE FANTASTICKSTryouts Ida Noyes Oct 2 7pm Oct 411amMUSICIANS — THE FANTASTICKSneeds pianist, harpist, bass. Call BU8-6610 Rm 3105 MikeSHAPIRO COLLECTIONART TO LIVE WITHDistribution of Paintings October 10that 4 PM in Ida Noyes Hall. Numbersfor sequence of distribution may beobtained beginning at 8:30 AM.Bring a validated ID card and $1.25.First come First served.Mr. Skinner, assistant principal ofDowners Grove North CommunityHigh School, believes that "School isNke a business, and we're preparingkids for the business world. Goodgrooming is an asset, and a boy withlong hair is not well groomed."FOR SALE '66 Dunstall Norton 750cc ofr; 650ccNorthon 550, 493-7443 Or 7127FURNITURE BARGAINS: Set of 4living room tables, coffee, end cor¬ner, $45. Dinette set $40 Oddments.Weekdays, Ml 3-4335; Nights, FA 4-8190MBA STUDENTS WANTEDWant to Make Money? Want to GetExperience to Snow Employers onYour Resume? Sell Ads For the Ma¬roon. Commission & Mileage. Con¬tact E. Gonder. Ml 3-0800,x3263.ROOMMATESFern Rm-mte wanted 22 or over.54th & Dorchester. 493-0196.Female Wanted to Share Apt. With 3Others. Own Room. $46.50-mo. E.H.Park. 363-6447.Fern Grad to share 3 bdrm. HydePark Apt. with 2 others Caii Donna363-7682. BOOK WANTEDSMEDLEYSSchlitz on top'Extra large pitcher of beeriFree peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.ROOMMATE WANTED TO SHARELARGE HYDE PK. APT. WITHFEM GRAD $72. CALL 955-6606 AF¬TER 4 P.M.PUBLIC NOTICEGERRY KIRK IS AN FBI INFOR¬MANT WHO KNOWS HOW TO USEA GUN, AS ON SATURDAY NIGHT,AUGUST 9. HE PREVIOUSLYGAVE PARANOID TESTIMONY ONBSA & SDS TO HISC. YOUR"FRIENDSHIP" WITH HIM MAYMEAN A SPEEDY POT BUST,ETC.The Gold City Inn is Now Servinglunch. New, longer hours.11:30AM-2:30PM lunch2:30PM-9:30PM dinnerclosed WednesdaySupport Your Local Head Shop. IN¬SANITY SOUTH 51st Near Haprer.WANTEDWANTED: GIRLS BIKE 26" LightWt. 324-2864.Man's Bike. Cheap cheap cheap.Call 324-3005. BRAIN AND INTELLIGENCE ByWard C. Halstead U. of Chi. Press(1947) Phone Ml 3-0800 Ext 4774.ACTIVITIES NIGHTCampus Organizations! If youhaven't arranged your booth for Ac¬tivities Night, come to Ida Noyesar'' it now. Be here between 4and 6:30 to set up your Booth.Tonight at 7:30. For all New andReturning Students. Ida Noyes Hall.PEOPLE FOR SALEFEMALE VOCALIST SEEKSGROUP IN COUNTRY-WESTERN-ROCK-BLUES BAG. REF: FLYINGBURRITO BROTHERS 752-5694.AUTHENTIC CHINESE COOKINGTaught in Lovely Chinese Home.Tuition and Materials $35. Begin Oc¬tober. Limited Enrollment. 7 perClass. 324-8070.PEOPLE WANTEDKnow something about cars? Needmoney to go to school this year?Bob Neal needs a part-time sales¬man for evenings (4-8) and week¬ends. You will be selling Toyotasand Triumphs. Experience not nec¬essary, but must be a fair dealer.Apply in person to Bob Neal, Com¬petition Motors, 7729 Stony IslandAve. "I recommend this job with¬out reservation. If you got screwedon a scholarship or toan, here is achance to make good commissionmoney with a reputable dealer."Emmet Gonder, Business Managerof The Chicago Maroon.Hard-working .student wife to runa one-girl office. Full-time job work¬ing for neighborhood Toyota-Tri-umph dealer. Will do typing, letterwriting, filing, bookkeeping, antanswer Ihe phone. Prefer mature,intelligent gal witling to really work.Convenient to compus, competitivewage. Apply in person Bob Neal,Competition Motors, 7729 Stony Is¬land Ave. "I've known Bob Neal for6 months now, and he's a very fairand reasonable man to work for. Ipersonally recommend this job toany student wife willing to stickwith a job and work for her mon¬ey." Emmet Gonder Business Man¬ager of The Chicago Maroon.INTERESTED IN THE PROBLEMSOF SCIENCE AND SOCIETY? STU-DENTS AND FACULTY ARENEEDED TO HELP ORGANIZE ASERIES OF WORKSHOPS ANDDISCUSSIONS ON THE FOLLOW¬ING TOPICS: SCIENCE EDUCA¬TION FOR NON-SCIENTISTS: EN¬VIRONMENTAL POLLUTION:OVERPOPULATION; COMPUTERSIN SOCIETY; PROBLEMS ANDPRIORITIES IN FUNDING SCI¬ENCE; SCIENCE, DEFENSE ANDUNIVERSITIES; AND POSSIBLYOTHER TOPICS. IF YOU AREWILLING TO HELP OR TO CON¬TRIBUTE IDEAS TO THIS PRO¬GRAM, PLEAS CALL KENSPEARS AT NO 7-4700, EXT. 8227. Need part-time afternoon asst, todental office. Will train qualifiedperson. Located in Hyde Park BankBldg. Ml 3-9607.STUDENT MOTHER WANTS SIT¬TER FOR 2 YR GIRL 2 MORNINGS A WK. JEANETTE GALLAG¬HER. MU 4-1912.STUDENT OR NON-STUDENTWITH LARGE AUTO OR VANWANTED FOR DELIVERY OFRADICAL. MONTHLY IN HYOEPARK. EXCELLENT PAY TOSOMEONE COMPLETELY RE¬LIABLE. CALL 324-9358 EVENINGS.Be the Claude Killy of the Univer¬sity. Ski Europe. Charter FlightsChristmas Charter $199 Ml 3-0800,Ext. 3598. 1:00-5:30 PM.FEMALE STUDENT SITTERWANTED ONE AFTERNOON AWEEK 12-5, 55th & WOODLAWN.CALL 687-3105.PART-TIME JOBS IN RESEARCHFOR SCIENCE AND NON-SCIENCEMAJORS NO EXPERIENCE NEC¬ESSARY X8655.Needed Someone to Work PART-TIME With The Woodlawn BusinessCommunity. Office 8c Gen. Work.Call The Woodlawn Businessmen'sAssoc, at DO 3-5362, Leave Messageif No One in OfficeBRIDGE THE GAP LIVE-EATWITH THE OTHERS. 3rd Fir Apt InProf House for 25 hrs bbystg & serv.Call 684-3326.DIRECTOR FOR HUMANISTICAL¬LY ORIENTED CHILDREN'S SUN¬DAY AM PROGRAM, EXCITINGATMOSPHERE. ETHICAL HUMAN¬ISTS SOCIETY. 410 S. MICIGAN.CALL MRS. SMITH. 922-5561 or 679-1504.YOUNG WOMAN WANTED TOCARE FOR TODDLER AND BABY.REGULAR JOB: MON-FRI, 9:30 -5:30 GOOD PAY. CALL 643-8169.FOR RENTFurn Rm, own bath meals avail inexchange for afternoon child care.Hrs to be arr. Pis call Prof-Mrs. R.Taub 285-3906.STUDIO APARTMENT, Immediateoccupancy $90 1618 E 53rd 666-3777or 684-4349.Nearby unfurn. 3-rm. Also apt. toshare with woman. 955-9209.NEAR UNIVERSITY OF CHICAGO3-5 room apartments, all w-tile baths& showers. Ideal for students, in¬terns, nurses young couples NOCHILDREN. RENTAL, CALL RE4-4141 $90-110.TOO GOOD TO BE TRUE? STILL 1PLACE LEFT IN STUDENT RUNHOUSING We have our own prof,cooks, linen and maid service. Anda sense of community. Rates com¬petitive to apt. living. Mike 684-96081 & 2 bedrm. apts. 74th Exchange 1blk. from I.C. $150 & $170 Call So8-444.fej Collet*. — <2 1964 Corvair-1960 Pontiac-Run pert.$140-ofr. 281-2675 aft 5.Psychedelic Lighting Manual! Makeyour own light machines, strobes, col¬or organs, slide effects, etc. Send $3.00to Lightrays Co. 713A Pine St. Phila.Pa. 19106.CAR tor sale Perfect 27,000 mi. mo¬tor. Drive it. Best offer over $125. '59Ford. 4Or. Body fair. DO 3-0447 (PM).Xerox Copies 9c, 7c, 5c, 8> 7c 5c 3c$10 runs, 10% Discount cn 9c 7c 5cMODERN IMPRESSIONS.1031 West Polk at UICC.Phone: 8294)248.TWO TICKETS TO LYRIC OPERA'SMADAME BUTTERFLY AND OTH¬ERS. EXCELLENT SEATS IN FIRSTBALCONY AT $7. CALL 288-5694;6PM.MIST SELL, LEAVING COUNTRY,OCT 4 CHEVY, 1964, 6Cyl, Stk, ONLY30000 Ml. (REALLY) VERY CLEAN,NO RUST $695 or BES^, OFFER TEL:6844853.Stereo Components at Lowest Prices.Special Discounts on AR, Dyna, Scott.Musicraft on-campus Rep. Bob Tabor363-4555.1961 FORD GALAX IE BY U C. STU¬DENT 2 Dr. HDTP. EXC. COND.,$350, CALL GARY BORN, 324-9090.LUELLA NEAR 78th.IMMACULATE, 3 bdrm brick, 2-cargarage. Price $18,000 FHA TERMSIF DESIRED. MR. MOORE. DO3-6672. SILVERWOOD, INC.EVERYTHING MUST GO. Bed,Chest, Breakfast Set, Sofa, SofaCouch 8t Many Other Things. x3069PM SA 1-3975.GREAT BOOKS-UNUSED: CAS¬SETTE PLAYER-RCA; VAC. CLNR,ELEC. HEATER; METAL BKCASE.324-4953.GUITAR FOR SALEEpiphone steel string acoustic $75Ex Condition HELP WANTED.PART TIME AT HOSPITAL LO¬CATED IN AREA. TV ATTEND¬ANT, NO TV KNOWLEDTE NEC¬ESSARY. CALL MRS EASTMAN676-2226 or 375-7544.FOOD CO-OP? GRAD STUDENTNEEDS KITCHEN AND FELLOWSTUDENTS TO SHARE FOODCOSTS AND WORK. SEE ORWRITE DAVE NICKLAS, 5540 S.HYDE PARK BLVD.DESPERATE-Need 2-3Vi Rm. SubletSept, or Oct — End Dec. 667-7086.FEMALE VOCALIST SEEKSGROUP THAT CAN PLAY BACHTO ROCK PL 2-2200.CAMPING EQUIPMENTFor Rent: Sleeping Bags-Tents-Stoves-Lanterns-Call HICKORY Ex2381 or 324-1499.WRITERS WORKSHOPWRITERS LEFT, NEW LIBERALGROUP has two-fold purpose: Criti¬cal Forum for Fiction Writers andCommittee to Form New LiteraryMagazine. Meeting Early October.Contact Monastra 955-4615, for De¬tails. MALE ARCHITECTURAL ENGI¬NEER WITH SOME ASSIGNMENTSOVERSEAS DESIRES MATUREFEMALE STUDENT OR SOPHIS¬TICATED YOUNG WOMAN TOLIVE-IN AND SHARE HIS 4 RM..HYDE PART APT. RENT FREE.CALL 643-3487 ANYTIME WEEK¬ENDS OR AFTER 8 PM WEEK¬DAY EVENINGS.CLERICAL POSITIONSSecretaries, General Office, Libraryclerks, etc. We'd like to welcome allthe newcomers as well as familiarfaces here on campus 8< suggestthat if you are seeking employment,why not come in & see us. We havea variety of interesting positionsavailable. Our interviewers will beglad to meet & discuss them withyou 8i describe the outstanding ben¬efits you'll enjoy. Come to: U. ofChicago Personnel Office, 956 E.58th St. or Call: Ml 3-0800, X4441EOE.BABYSITTER(S) WANTED FORIRRESISTABLY CHARMING IN¬FANT. FLEXIBLE HRS, PART-TIME WKDAYS. 955-2887 (KEEPTRYING)RESEARCH SUBJECTS FOR CIGA-RETTE SMOKING EXERCISESTUDIES NEEDED HAVE TO BESMOKERS. CONTACT MR. OOLD-BARG. MU 4-6100, x 5565. 6 LGE rms. w-porch. 72 St. E. ofExchange Av. near lake, close to 1Crailroad, CTA, shopping area, newlydec. & Furn., no pets. Suitable for 4or 5 graduate men students or pro¬fessional men, security deposit byapplication, $225 a month. 768-5050.ALPHA DELTA has two. spaces in acheap double room, available imme¬diately. Ten meal-wk board contractrequired. Very good location CallPL 2-9718.2 bdrms, Lrg Livingrm with dinette,2 baths, gas cooking incl in rent.CALL Mr. McDowell 768-0767.EXTRAORDINARY VIEW OFLAKE SAH. POND, & PARK. TOP 1FLR, 1 bdrm apt, 4 closets, Lgrbath. CUSTOM MADE DRAPES,CRPTING FOR SALE. Call Mrs.Businga REGARDING APT No. 1103AM ONLY FA 4-1000.FOR SALE OR RENT NEW RANCH4 BDR ULTRA DELUX HOUSECALL SA 17842 EXCEPT SATUR¬DAY AIRCOND GS HEATf September 26, 1969/The Chicago Maroon/15MMMMBMMI — mi ~li A** <4 I MB MMaybe our namegives you the wrong impression.You might think that if you come to work forus we’ll stick you behind a desk making phonesfor the rest of vour life.Uh-uh.Don’t be misled by the word Telephone inour name.Actually we re a group of over 60 companiesand some of them happen to be in the telephonebusiness. They’re in our General Telephonegroup and are involved in developing new waysfor man to communicate.So if you want to work for our phone group,you can.But if your interest lies in other things, youmight prefer working for another of our com-Sylvania Electric Products * Lenkurt Electric • Automatic E panies, like Sylvania.Sylvania manufactures over 10,000 productsalone, knocking out everything from Micro-Electronic Semi-Conductor Devices to Educa¬tional Communications Systems.The communications field is one of thefastest-growing industries around. The more itgrows, the more we grow and the more roomyou have to stretch within us.We’re looking for Scientists and Engineerswith ambition and ideas.Together we can discover new worlds.Or make an old one easier to live in.General Telephone & Electronicsal Telephone & Electronics Laboratories CHICAGO’S GRFATEST CULTURAL BARGAINAuditorium Theatre CouncHPresentsTHE 80th ANNIVERSARY SEASON^ of theAUDITORIUM THEATRE (80}kQf LIVELY ARTS SERIES6 exciting eventsfor the price of 4PRAGUE SYMPHONY BEVERLY SILLSfirst American tour opera's new superstarFlU Oct. 10,1969, 8:30 P.M. Tues., Nov. 11,1969, 8:30 P.M,CHRISTA LUDWIG and WALTER BERRYsuperbly matched voicesSat., Jan. 3, 1970, 8:30 P.M.ARTURO BENEDETTI PRESERVATION HALf,MICHELANGELI JAZZ BANDSupreme Pianist original New Orleans jazzff|„ Mar. 20, 1970, 8:30 P.M. Sat.. Apr. 18,1970, 8:30 P.MfJOAN SUTHERLANDfcccompanied by RICHARD BONYNGEan unsurpassed musical experienceMon.. May 4, 1970, 8.30 P.M,DANCE SERIES3 spectacular balletsfor as tittle as *6.40CITY CENTER AMERICAN BALLETJOFFREY BALLET THEATREthe toast of New York a simply marvelous .ompanyThurs., Jan. 29. 1970. 8:30 P.M. Thurs., Mar. 5,1970. 3:30 P.M,ALVIN AILEY AMERICAN DANCE THEAIREsheer excitement and beautyFri., Feb. 27. 1970, 8:30 P.M.SERIES PRICESLOCATION 6 LIVELY ARTSEVENTS 3 DANCEEVENTSBox Seat $39.00 $23.20Parquet 32.50 1880Parquet Circle 3250 18.80Dress Circle 28.50 16.40Lower BalconyFront 28.50 16.40Middle 22.00 13.60Rear 22.00 11.20Upper Balcony 17.00 880Gallery 12.50 6.40SUBSCRIBE TODAY FOR CHOICE SEATSMy check is enclosed for $_NameAddressCity .Tel.-State^ .ZipMail check with stamped self-addressed envelope to:AUDITORIUM THEATRE COUNCIL70 East Congress Pkwy., Chicago, Illinois 60605Tickets for individual events will be availabls by Mailand at the Box Office beginning September 10,1969.For Benefits, Theatre Parties andTicket Information call 922-6634Non - Profit Org.U. S. POSTAGEPAIDChicago, IllinoisPermit No. 793116/The Chicago Maroon/September 26, 1969CHEAP THRILLSFinding and enjoyingChicago’s own musicon next - to - nodollars per week.By Andy PolonCONGRATULATIONS! If music is an important part ofyour ]ife, then Chicago has spectacular entertainment tooffer you. This city has long been a vital center of Ameri¬can, sounds, and you can still hear everything from the“original” Chicago blues to the 1969 version of Southsidesoul. If you’re adventuresome enough to risk leaving thesecurity of Hyde Park for the obscure niches scatteredabout the city where the blues keeps falling, you’ll get a* first-hand acquaintance with the real thing — blues that’llmake John Mayall sound sillier than John Phillip Sousa.Chicago also has its share of good classical music, Coun¬try and Western, rock, and more. Here’s a sample:, Music here comes in three ways: concerts, cabarets,and jam sessions. The Loop boasts several concert halls,of which the Auditorium, Opera House,, and Orchestra Hallhave full classical bills. There are many recitals and con¬certs that are well publicized, but check the front of theWFMT-FM monthly program guide (available at the U Cbookstore) for a good listing. U C has a fine classicalschedule as well; the music department’s annual serieshas ranged from the Guarnari to Gamelin. Ralph Shapey’s' Chicago Contemporary Players carry out an exciting andambitious 20th Century classical music program that in¬cludes recitals, concerts, and lectures. Add to this ourstudent and faculty concerta. the Oriental Institute’s Asian< classical and folk offerings, and the Mandel Hall lunch¬time musical appetizers ,and the classically oriented mu¬sic buff should have his ears full from this campus alone.Chicago’s still a major gateway to the urban North for> Southerners. The pawnshops around town are goldmines ofgood second-hand instruments left in exchange for trav¬eling and living expenses, from clarinets and other hornsto electric and folk guitars. The white and black musi-. cians who stay on in the city have given rise to Chicago’sfantastic working class club scene; the city has literallyhundreds of small bars with bandstands just large enoughfor a small blues or country band to eke out a living. TheCountry ‘n’ Western bars are mostly in the White lowerclass areas on the North Side, especially near HalstedAve. in the 3000’s, and a few in Cicero (call station WJJDfor particulars, or pressure the U C Folklore Society intofinding out where they are.) These bars are like a crossj between the Johnny Cash show and a scene from ThortonWilder, especially on pay day, so don’t act like a stuck-upcollegiate when you go there. Just get drunk and friendlylike everyone else and enjoy the fine country pickin’ n’singin’. And, man, don’t start playing Easy Rider — justenjoy it and respect it for the folk culture it is.The clubs that really mean Chicago, though, are theblues bars. That’s where it all hangs out, from Hound Dog* Taylor to B.B. King — the Chicago blues is alive and well,and in fact last year was the best year for the blues scenesince the 50’s. This is due to both the bloom of Blackconsciousness and pride in its beautiful roots, and theenormous recent interest of white college audiences in' blues. Several new blues bars have been opening, follow¬ing'the success of the old landmarks such as Pepper’sLounge (43rd and S. Vincennes — two blocks east of Mar¬tin Luther King Drive), and Teresa’s (W. 48th and S.* Indiana). Junior Wells appears at Teresa’s, (which heowns) on the weekends, and also at Pepper’s one or twonights a week. Pepper’s also features Otis Rush, HowlingWolf and Earl Hooker regularly. Near it you can still catch J. B. Hutto and his Hawks at the Jet Star ShowLounge on 47th.There are two main areas for the blues clubs —around S. 47th St. (right near campus) and along W.Madison on the North Side. West Madison boasts the L &A Lounge, where Magic Sam holds forth weekends andwhere great Monday night jam sessions are sometimesbroadcast by Big Bill (over WOPA). A little further westare clubs such as the Alex and Key Largo ... a clubowned by and starring Howling Wolf (which also featuresSam Lay). The list could go on and on; a phone call orvisit to the Jazz Record Shop (7 West Grand) will connectyou with Bob Koester, who’ll be glad to tell you who’swhere (especially if you buy some of his great records).A lot of good blues concerts are given at UC, but theclubs give the real feel of the blues life style. I urge youto go for the scene as well as the sounds; admission is atmost a buck, a beer costs sixty-five cents and the well-known clubs like Pepper’s and Teresa’s are friendly andlively. The guest night jams are uneven, but usually re¬warding and often spectacular. For instance, Buddy Guyshowed up at the Monday guest night at Pepper’s lastspring to play a “Sweet Sixteen” that out B.B.-ed all com¬petition. If you’re white, it’s a good idea to go by car(although Pepper’s is easy to reach by El) as the neigh¬borhoods are rough and the clubs don’t warm up until 10or 11 p.m. If you’ve no one to go with, ask one of the bluesfreaks in the C-shop or the Bandersnatch to accompanyyou, and make sure you’ve got proof of 21 years of age(anybody’s card will do). But GO — wily after you see abluesman performing for his fans and neighbors will youknow why that song calls it “Sweet Home Chicago.”Chicago’s a soul town, and the Regal theater (at 47thSouth Martin Luther King Drive) has a new stage showevery week, with neat gospel and blues revues as well asstar-studded soul. (If you go to see James Brown there, besure to get tix in advance.) The South Side also has goodsoul clubs, which can be no bigger than blues ones, or thesize of the Burning Spear (at 55th and South State, for¬merly “the Club”), a fine soul cabaret with top nameperformers like B. B. King and Flip Wilson. Both thfe Spear David Travisand the Regal are only short bus rides from Hyde Park.South Shore has some soul shacks too, including the T-Jar,which used to have Odel Brown and the Organizers, one ofthe best of Chicago’s home-grown soul-jazz bands.It’s about time I got around to rock, eh? Besides theNorth Side schlock rock bars on Wells Street, there areseveral rock clubs and near suburban discoteques, such asBamaby’s, the Cellar and St. Pepper’s, that often offerfirst name groups as well as good local bands, for a twoor three dollar cover charge. They’re usually non-alcohol¬ic, college oriented Northside places, and often self-con¬sciously “mad” — but when the Byrds came to town lastwinter you could catch them at the Cellar for $2. The tworock dance halls in town are the Aragon (formerly Chet-tah), which closes every so often, and Aaron Russo’s Ki¬netic Electric theater Playground (4812 N. Clark). ThePlayground features Johnny Winter, Charles Lloyd, andSavay Brown this weekend for $3. If you come late andbring a stack of underground papers (even the GCJ?) tosell/distribute, you can usually get in free.But if you’re both broke and timid, Columbia College’sCenter for New Music (2259 N. Lincoln) is putting on freerock contatas, on Sundays and Mondays. Dig ’em — evenNew York City hasn’t got them.Sad to say, the Chicago jazz scene is suffering asbadly as in other US cities. Jazzmen are barely making it,save for a few who are into rock and soul, and otherdance music. Old Town has a couple of jazz clubs but tnebest jazz is at the Illinois College concerts. In general, OldTown is a pretty risky place to hear music — the actionthere is more visual than listenable, and all pretty arti¬ficial. If you’re looking for some teeny-bopper action,you’ll get your fill from Old Town’s rock joints and streetlife. But you can also catch Miles or Diz at the PluggedNickel, or see folks like Doc Watson, Rev. Gary Davis,and Dave Van Ronk at the Quiet Night. Folk music inChicago still lives in small coffeehouses and on campuses;the WFMT guide has a listing for this too. But the realtreat for folkies comes in February, when the UC FolkloreSociety puts on its annual Festival — the greatest tradi-Continued on Page Eight■nitMusic in Chicago: What’s to Come •THE CHICAGO MUSICAL SEASON for 1969-70 will opensuddenly on September 26 — tonight — with a perform¬ance of Moussorgsky’s Khovanschina at the Lyric Opera,and Stravinsky’s Petrouchka at Orchestra Hall.Over the next three months, the Lyric will be offeringa fare of nine operas varying in scope and character fromMozart’s Don Giovanni and Wagner’s Flying Dutchman, toRosinni’s Barbiere di Seviglia and Pietro Mascagni’s Cav-alleria Rusticana. The other operas include Verdi’s Mac¬beth, Bellini’s I Puritani, the eternal Madame Butterfly,and Manuel de Falla’s El Amor Bruio. Some of the“name” soloists for the above will be: Marilyn Horne inthe Rossini and Claire Watson, Tito Gobbi and Sir GeraintEvans (recently knighted) for the Don. And for the Wag¬ner — a composer very rarely heard these days in thepristine halls of the Lyric — Chicago will hear Finnishbass Martti Talvela, and Anja Silja, the tall, young sopra¬no, whose rumored contract with the Met caused BirgitNilsson to cancel all her commitments for the Ring cycleover the next three years. Other artists on the roster forthe coming year include vocalists Grace Bumbry, ThomasStewart, Felicia Weathers, Nicolai Ghiaurov, and con¬ductor Ferdinand Leitner, who will direct the Mozart.The Chicago Symphony Orchestra schedule for 1969-70reflects three things: first, that the Music Director of theOrchestra is Georg Solti; second that his Principal GuestConductor is Carlo Maria Giulini; and third, that 1970 isthe year of the bicentenary of Beethoven’s birth. Giulini,who will direct the orchestra for the next four weeks, is anoted interpreter of Mozart — and this was borne out inhis appearance here last spring, in which he presented afine Requiem. However, his programs this year seemmore designed to demonstrate Giulini’s proficiency in avariety of other fields of music. He will direct Petrouchkatonight and tomorrow evening; Firebird next week; andMoussourgsky’s Pictures at an Exhibition on October 16and 17. In addition, there will be ample exposure to Giul¬ini’s Beethoven, as Isaac Stern joins Signor Giulini in theD major Violin Concerto on October 2 & 3; and ByronJanis teams up with him for the Third Piano Concertoexactly one week later, in a concert which will also fea¬ture the Brahms Fourth Symphony.From late November to Mid-January, following an in¬terim spate of guest conductors, which will include ErichLeinsdorf (now freed from his nexus to the Boston Sym¬phony Orchestra) and newcomers Georg Semkow andEliahu Inbal; Georg Solti will arrive to take the reins ofthe Chicago Symphony Orchestra as its Permanent MusicDirector. His programs will feature the Beethoven EighthSymphony and Dvorak Cello Concerto (with Jacqueline DuPre — come just for her!) on November 27 and 28; theMozart Piano Concerto No. 27 with Robert Casadesus onDecember 4 and 5; Haydn’s oratorio Hie Creation, oneweek later, with Heather Harper, Giorgio Tozzi and tenorStuart Burrows; the Bartok Second Violin Concerto withYehudi Menuhin, and Brahms First Symphony on Decem¬ber 18-19; and, last, but certainly not least, the MahlerFifth Symphony on January 1 and 2.The y^ar 1970, ushered in by the jubilant Mahler’sWhere's the 3 largestwedding ring selection?119 N. Wabash at WashingtonENGLEWOOD3*1 EVERGREEN PLAZA, 2/Gney. City Joumal/Septeafber -26, 1969 Fifth, will see even more Beethoven performed in Chi¬cago, with the Missa Solemnis to be directed by Giulini onFebruary 12 & 13, featuring soloists Teresa Zylis-Gara,Anna Reynolds and Ezio Flagello; then, a concert versionof Fidelio, led by Solti on March 12 and 16. The soloists forBeethoven’s only opera include: Anja Silja, heldentenorJess Thomas, Kurt Boehme (our old friend Fafnir), LuciaPopp, and Donald MacIntyre. Other exciting programs inthe 1970 schedule include: Brahms D major Violin Con¬certo with Zino Francesscati (Giulini conducting) on Feb¬ruary 5 & 6; Brahms’ Third Symphony and Chopin’s Sec¬ond Piano Concerto, with Giulini and Claudio Arrau, onJanuary 29 & 30; and Mozart’s Piano Concerto No. 18 withGiulini and Geza Anda (better known for his Elvira Madi-gan “rendition”), on February 19 and 20. In addition, Soltiwill return to conduct the Brahms Double Concerto, withVictor Aitay and Frank Miller, concertmaster and princi¬pal cellist of the C.S.O., respectively — that on March 19-20; then the Beethoven Fourth Piano Concerto, with Clif¬ford Kurzon, on March 5 & 6; the Tchaikovsky D majorViolin Concerto with Henryk Szeryng, plus Le Sacre duPrintemps, on February 26 and 27; and, once again, last,but far from least, the Songs of a Wayfarer of GustavMahler, followed by his colossal Sixth Symphony, on April2 & 3 — almost one year, to a day, after Solti’s trium¬phant performance here of Maher’s Second Symphony.In Spring, 1970, the C.S.O. will be led by numerousvisitors, such as Aaron Copeland (April 9 & 10); and Ra¬fael Fruhbeck de Burgos, who will direct the SymphonieFantastique (Berloiz’ musical autobiography), along withthe Mendelssohn E minor Violin Concerto with Itzhak Perl¬man, on April 16 & 17. Charles Mackerras, also makinghis conducting debut in Chicago, will direct an all-Janacekprogram, which will feature the Czech composer’s Slavon¬ic Mass — this on May 14 & 15. Finally, veteran IrwinHoffman will collaborate with Andre Watts, wunderkind,to present the Brahms Second Piano Concerto on May 7-8,along with Ralph Vaughan-Williams’ A London Symphony(please, not to confuse with Haydn!)Other interesting concerts should not be overlooked bythe ever-vigilant writer. These include: the StravinskyViolin Concerto with Hoffman and Gyorgy Pauk, alongwith Ravel’s La Valse, on April 23-24; the ShostakovichFirst Symphony with Solti on February 26-7; ArnoldShoenberg’s Orchestral Variations, with Bruno Mademaat the podium, on January 15 & 16; and the d minorMozart Piano Concerto (No. 20, K. 466) with VladimirAshkenazy and Eliahu Inbal on October 30 — a concertwhich will aiso feature the Sibelius Fifth Symphony. Then,there is the “Emperor” Concerto with Leinsdorf and pia¬nist Bruno Leonardo Gelber on November 6 and 7; theTchaikovsky Fourth Symphony on. November 20 and 21,with Georg Semkow; and the esoteric Second Symphony ofAlexander Scriabin, along with the Haydn Second CelloConcerto, with Pierre Fournier joining Mr. Semkow — thison November 13 & 14.In addition to the above panoply of concerts and oper¬as, other noteworthy musical events in Chicago includethe opening of Hair; and a spate of concerts sponsoredAMO GUTHRIEALICE'S* ReSVaUR ANT by the U. of C’s very own music department. The latterincludes three visits by the Juilliard Quartet to performseveral Beethoven Quartets and the return of the dis¬tinguished pianist Paul Badura — Skoda to campus. How- 1ever, these concerts shall be amply advertised on campus,thus necessitating no further word in this column, for tnemoment. This, in short, is a format of coming musical fevents in Chicago this year. Those requiring more specificinformation concerning the above should either contact thewriter c/o Maroon office, or send by mail for scheduledof: the Chicago Lyric Opera, 20 N. Wacker Drive, ChicagoIll. 60606; and, the Chicago Symphony Orchestra, Orches- ,tra Hall, 220 South Michigan Ave., Chicago 60604. Good 1listening awaits! . tPeter L. Ratner ISECOEDS“Fathers and Sons”At a Family ReunionA TWO RECORD ISSUE from Chess Records has recentlyprompted large and substantial amounts of comment fromthe publicity organs that be. Father’s and Sons, a sevendollar item has been released to feature Muddy Waterswith one of the all time great conglomerations to bacKhim: Muddy Waters, vocals and guitar; Otis Spann, pi¬ano; Mike Bloomfield, guitar; Paul Butterfield, harmoni¬ca; Donald “Duck” Dunn, bass; Sam Lay, drums; BuddyMiles, drums; Jeff Carp, harmonica; Paul AsbelJ}rhythm; Phil Upchurch,bass.They concentrated on revivals of many of Muddy’s,indeed Chicago blues, classic efforts. “Mean Desper¬ation,” “I’m Ready,” “Walkin’ In the Park,” “Got M>Mojo Working” are spaced between recording session andconcert.The result is certainly not “the blues” in a strict clas¬sical rendition. In songs like “Mean Disposition” moder^guitar and harp work is interspersed with a more tradi¬tional Water’s sound. The blurb indicates the album is adefinitive, Chicago blues collection; but the classical workhas shots injected apparently calculated to dress-up? popu¬larize? distort? the work they do. It’s the expected out* 1(come of a jam between old time “fathers” and the young,white counter-part or “sons.” I wonder if Butterfield isreferring to himself when he states “It really made me jjUfeel good to get back and really be playing some shit or* L*the harp that was the shit I came from.” It’s interesting ifto consider if Muddy Water’s music can really do that for } ■an eighteen year old suburbanite. Faithful it can’t pretend Jto be; interaction between the giants in the classic and,'modern blues field it is.The final analysis leaves Muddy Waters dominatingthe bill and any problem with the mixed efforts of somany congeals under his vocals. From a popular “musical^ . ihappening” to good blues, it surprised everyone that it fworks so well.Joel PondelikCHESS PLAYERS!!!Try correspondence chess for fun,relaxation ond leisurely study forgame improvement. Free in¬formation - join Chartered Chess -1312 "B" Street - Hayward,California 94541Clark Ienjoy ourspecial studentrateO C C atailtimesfor college studentspresenting i.d. cardsat our box office• different double featuredaily• open 7:30 a.m.—lateshow midnight• Sunday film guild• every wed. and fri. isladies day-all gals 75little gal-lery for galsonly• dark parking-1 doorsouth4 hrs. 95c after 5 p.m.• write for your freemonthly programdark & madison fr 2-28431 The International Smash Hit Musicalft*.Chicago Tribune•Ma«ttf«»yMoootinebeord H Torontohi yeor-lDettm*. Chicooo TodovjB«a»rer1 wiM#4 wards . • • pfciladeiobiarf,«rri^« •—'-;;rI AT SUPERMUSICI powtrM. capableHOT miss thImpassiBarnes.Med turn901 N RUSH 1*1 theatreDE 7-1000 SHOW TIMESFILMAround the FestivalTHE NEW YORK FILM FESTIVAL began eight days be¬fore it officially opened this year, with a retrospectiveshowing of Jean Renoir’s nearly complete work in thesmall auditorium of the Library and Museum of the Per¬forming Arts. Now, nine days into the main event (thisyear housed in the new Alice Tully Hall) the Renoir side¬show has just ended, a sideshow which has eclipsed themain event. With wily one major exception, the Renoirpictures have not only been vastly superior to those beingshown in the regular program but they have been farmore unpredictable as well.Renoir has said that he is constantly involved in mak¬ing a single movie. Perhaps because of those films whichhave hitherto been generally available in this country, thestatement is usually taken to mean that Renoir is an artistcompletely cwisistant to himself, whose life work is aseries of minute modifications on an original theme. Insurface texture and in lighting, in content and in morality,a straight and steady line appears evident from Les Reg¬ies du Jeu and La Grande Illusion to Le Dejeuner sur1’Herbe and The Elusive Corporal. If this retrospectivehas accomplished nothing else, it has shown us that Re¬noir’s development as an artist has been as complex andvaried as that of any other great filmmaker. We can nolonger regard Renoir’s career as a long succession of re¬makes but must, if we allow ourselves the dangerous in¬dulgence of taking a director at his interviewed word,regard his work instead as forming itself into a strangeand web-like single oeuvre. The facile thematic judgmentsmust be abandoned; Renoir’s humanism is not all encom¬passing and the seemingly disparate Le Testament duDocteur Cordelier is found to have roots in La Nuit duCarreford with its direct lighting and La Petite Marcb-ande des Allumettes with its extreme black and whitesused to demonstrate a struggle between good and death.Festivals tend to leave the mind reeling and an inter¬im report such as this cannot possibly contain a reflectiveand synthesized reevaluation of an auteur’s work. The re¬sponse is simply too immediate and as in the past, I shallconfine myself to a few notes and observations on thefilms which have been presented. In the case of Renoirthese will tend to be general statements rather than de¬tailed analyses of specific films.The greatest revelation for many was the scope andbeauty of Renoir’s silent work. The festival in this is con¬tinuing its monumental policy of making American au¬diences aware of the power, beauty, and importance of theFrench silent film. Renoir emerges here as a dis¬tinguished contemporary of Feulliade, Gance, andl’Herbier; like them a man almost immediately possessedof a sense of the cinema and the ability to personalizeemerging conventions.It is from such early films as Le Bled, Tire Au Flanc,and Chotard et Companie that we learn how self-indulgentRenoir could be with his camera movement. The last men¬tioned film the only one of the three to have been shot forsound) is particularly revealing since its reliance on long-tracking shots and thematic involvement with the conceptof art (showing those who are called artists to be far lessartistic than those called panderers) link it directly withLe Crime du Monsieur Lange. Chotard is a slick and attimes diverting film while Lange remains a supreme mas-THE CATHOLIC CHURCH, filled with the elaborate ritualof a colorful and complex history, has captured the atten¬tion of the aesthete, the artistic sensibility, for centuries.The wealth of the Church has grown through collaborationwith creative genius — witness the treasures of the Re¬naissance it now possesses. Ironically, this collaborationhas placed in direct contact the spirituality of the Churchand the sensuality of its greatest artistic contributors. Pe¬ter Luke has fashioned a compelling and intricate playfrom the writings of a man caught between these forces.Frederick William Rolfe, our eccentric but very realsource, was one of the oddest literary curiosities of thetwentieth century. Under the name of Baron Corvo, hisautobiographical fantasy Hadrian VII shows him ascend¬ing from total obscurity to the Papal See through a politi¬cal fluke within the Vatican itself. Luke has wisely framedRolfe’s dream within the frame of his barren and asceticreal life, balancing Rolfe’s real character with his colorfulPapal self. The result is a portraiit of painful subtlety andtruth, Rolfe-as-Pope telling us more of Rolfe-thePauperthan that poor and troubled man could ever reveal byhimself.TTie irony of Rolfe’s attraction to the Church manifestsitself in ways that reveal the dual nature of the institution► t M » » ♦ M I M M » f M M M M M M M M M f i M * ♦ * *„ TOP: Charles Laughton in “I, Claudius”BOTTOM: “Une Femme Douce”terpiece. Whereas in Chotard Renoir let himself be carriedaway by the motion and rhythm of his tracks in Langethose same tracks have been controlled and invested withfar deeper meaning.Renoir’s ability in casting and direction of acting isnowhere as evident in the films available here as in suchunavailable films as La Fille de l’Eau and Nana, La Nuitdu Carrefore and Madame Bovary, and Le Testament duDocteur Cordelier. The respective performances by Cath¬erine Hessling, Pierre Renoir, and Jean-Louis Barraultshowed that Renoir not only had the guts to cast actors intotally unassociated roles but also the ability to com-itself. The greatest frugality lives under the sumptuousfabric of Papal robes; great power resides within a sys¬tem that overtly rejects temporal power. Rolfe recognizesthe paradox of the Church and attempts to correct it, atthe same time destroying features personally attractive tohim. The changes made by Hadrian vn are idealistic inthe extreme, damaging his security in favor of selflessreform. His increased vulnerability, brought about by pub¬lic life, makes him the target of criticism both within theChurch and in the papers of his native Britain. It even¬tually implants in him the bullet of an assassin.The staging of the play makes full use of the ceremo¬ny of the Church, treating the symbols of Catholicism asscenery of a most fluid and elegant sort. The playersthemselves are arranged to promote the spectacular beau¬ty of ritual, at once real and fantastic. Hume Cronyn, asHadrian, illuminates the eccentic Pontiff and his creatorwith power and subtlety, referring one to the other in such away as to reveal the sensual-spiritual tension within each.He is ably supported by members of the Stratford Com¬pany. This play appeals to both the senses apd the in¬tellect of the audience In an exciting and intelligent fash¬ion.Gregory Ferguson pletely eliminate mannerism in favor of character.Le Testament du Docteur Cordelier deserves specialmention as it is about to be released this year in Americaby Contemporary films, ten years after Renoir completedit for French television. Cordelier would appear to be avery strange project for Renior. Based on Dr. Jeckell andMr. Hyde and Goethe’s Faust, the film must concern itselfwith personal change, and Renoir has adapted his stylefor this purpose. The frames contain a greater amount ofdepth than those we normally associate with EuropeanRenoir. (It is perhaps significant that Madame Bovary,Renoir’s only ’30’s film about change contains the deepestframes of the period.) Furthermore the lighting is directand ostentatiously artificial; this is a studio film and Re¬noir is making no bones about it. The result is to give thisfantasy the sinister aspect which it not only needs butdeserves.Yet it is not a good-evil dicotomy that is evidenced bythe transformation of Dr. Cordelier into M. Opale. Whenwe see Cordelier at the beginning of the film he is ob¬sessed with carrying on his experiments although heknows that as Opale he becomes a child molester and amurderer. When the testament itself (a tape recording) isplayed, we discover that Cordelier was obsessed with theidea of good to the point where it became an unnaturalvice. He would carry cigarettes around with him sothat he could demonstrate his will power by not smok¬ing them. The transformation into Opale is not so muchone into evil as an unmasking of the obsessive personalityCordelier normally is.Distinct character changes occur in those around Cor¬delier. The psychologist Severin becomes a nervous wreckas a result of Cordelier’s theories and finally dies of astroke when he witnesses a transformation. The lawyerJolly is unwittingly drawn directly into the experimentsand is forced to abandon his reflective life to become aman of action to whom the final horror may be revealed.Cordelier becomes an important balance to Le Dejeu¬ner Sur 1’Herbe, preserving the extreme stylization of thelatter film while staying clear of the artificiality andstilted qualities which make Le Dejeuner nearly in¬sufferable. <Une Femme Douce (Paramount) is the only unques¬tionably great film to appear at the main part of thefestival so far. Robert Bresson has always been a difficultdirector and this picture presents special problems as it isBresson’s first work in color. Bresson has based the entireearlier body of his work (consisting of only eight films) onthe establishment of light values as expression of theme.He has often been extreme in his use of black and white;of the two films preceding Une Femme Douce one, AuHasard Balthazar (1966) is entirely in whites while theother Mouchette (1967) is entirely in blacks.Perhaps it is this extremity which finally has turnedBresson to color. Balthazar and Mouchette are not onlyextreme statements they are final ones. Mouchette is aparticularly traumatic film since it removes the possibilityof salvation from the central character and thus creates aworld of unendurable pessimism. Salvation has been aconsistent theme for Bresson, and its absence is as mucha central concern as its presence. But Mouchette createdsomething of a dead end. The film moved in such a sing¬ularly relentless manner that the subject seemed to havebeen closed.Une Femme Douce finds an artistic way out for Bres¬son. By abandoning the basic visual metaphor of his ear¬lier work he has forced himself to restate not only theconclusions he has reached but the problem as well. Byusing a flashback structure, the final suicide of the girl inthe title has an inherently inevitible quality. However,while we know that the inevitable is going to happen wediscover in the course of the picture that there existed aninfinite number of choices which contributed to the finalact. Doors, recurring symbols of entrapment, are con¬sistently left open, only to be closed again a minute later.In effect each scene works to a single point, a singlechoice which left out the chance of life.Bresson has not permitted himself the pedestrian solu¬tion of permitting the action to be the simple result of thecollected choices. By the film’s midpoint we begin to seethat despite the somewhat forced structure, the girl’s ac¬tions have the same fatalistic entrapment as those of thegirl in Mouchette.The payoff comes in the sequence before the repeat ofthe suicide. The girl (played by the exquisite DominiqueSarda) is seen in high angle close-shot looking up. Tra¬ditionally this has become a sign of recognition of (or atleast a search for) devine salvation. Her face for a mo¬ment reflects that special aura of the moment of epipha¬ny. We expect a shot of some object which has triggeredthis monetary transformation; if not, something whichwould at least make the association complete. Instead,Bresson shows us that she has been looking up into amirror. Her reflected face is devoid of the brief radianceof the shot before. The rest of the room as reflected in themirror contains no way out. Rather than having had anepiphanatic experience the girl has just drawn a horren-Continued on Page EightTHEMTREThe Pope andThe Pauperm ♦ m # * ^ 'September 26, 1669/Grey City Jouraal/3uimiClassical Eugene O’NeillTHE MINNESOTA THEATRE COMPANY’S not com¬pletely successful staging of O’Neill’s Mourning BecomesElectra is perhaps the most interesting of their offeringsthis season. This is not because it is better than the oth¬ers, but because it is so rarely seea The play, an Oresteiaset in post-bellum New England is a trilogy which wouldprobably run four hours in all. Guthrie has managed toshorten it to a deadening three and a half hours.Nevertheless, by sheer force of the myth, neither painis forgotten. The myth is Agamemnon (Ezra Mannon) re¬turning home, this time as a victorious Union general toClytaemnestra-Christine. However, the play is a uniquetreatment of these characters. in Minnesota “There’s no one left to punish me. I’m the last Mannon,I’ve got to punish myself.”There are a large number of persons making up theMannon family and their satellites, but a curious unfoldingof dialogue welds them into one through the use of masks.Tragic masks cover all of the central characters, initiallyin their appearance. Lavinia, the daughter, is said to beara striking resemblance to her mother, Christine, and toher father. Orin, the son, is told by his mother, “Don’tlook like that! You’re so like your father!” At anotherpoint, during the father’s viewing, Lavinia startles him.The Bird ReturnsSORRY ABOUT THIS FOLKS but your old friend the Cul¬ture Vulture is too busy waiting in line for registration to“acculchurate” you this week. In order to avoid gettingsuch fascinating courses as “Heart Patterns in Middle-Aged Men” or Medieval Serbo-Croatian” you have to ar¬rive at 3 a. m. equipped with portable air mattress andcamping stove and so there I am.For all of you new students who don’t know who thefamous Culture Vulture is, allow me to introduce myself. Iam a sophisticated feathered bon vivant who lives amongthe gargoyles on the quadrangles who once every week ischained to a typewriter to write observations onthe“cultural scene” (as they say on Madison Avenue).This week if I get a chance to escape the chaos inGates-Blake and Cobb, I’ll be swooping in on the GrandKabuki, The Byrds (I must admit to nepotism — they’recousins) and Hadrian VH. This being the Beethoven year,I’ll go see the FREE Musical Society Concert on Tuesdayin Mandel Hall.Now that I have introduced myself I must introducethe rag for which I lower myself to write — The Grey CityJournal (GCJ to its friends). The GCJ (in opposition to itsname) prides itself in being inflammatory enough (in anyway you can think of) to burn away some of the grey onthis campus. If you think you are schizophrenic, psychoticor just plain mad enough (in all senses) submit somethingor come up and see us sometime. “Orin! Come and see father!” He jumps to his feet. “Yessir!.. .What the devil—? You sounded just like him.” Thistheme is followed through to the very house itself, de¬scribed as “a pagan temple front stuck like a mask onPuritan gray ugliness.”More fascinating are the masks developed in the char¬acters’ actions. As the plays unfold, the characters beginto repeat each other. Lavinia extracts a promise from hermother not to see her lover, Brant. That is in the firstplay. In the third play, Orin extracts the same promisefrom Lavinia when she wants to marry Niles. Christine’ssuicide, following Brant’s death, for which she blames her¬self, is repeated by Orin’s suicide on account of blaminghimself for her death.Simultaneously, a series of unmaskings appear beforeeach of the major characters; to Lavinia in the first actas she finds out first about Brant’s illicit blood relation¬ship to her, then of her mother’s adultery with him; toOrin as he discovers that his mother, who he loved, hasmurdered his father, and who then learns of Lavinia’s freebehavior with another man, thereby destroying her purityand the possibility of loving her.The mask theme is made clear in this production.Lavinia and her mother both have flaming red hair. Theresemblances needed between Ezra aMnnon, Orin, andBrant are evident enough. An essential part of the Greektragic concept has been overlooked, however. Along withthe masks is needed the introductory explanation for eachplay furnished by the townspeople, purposely stereotypedby O’Neill so as to make of them a chorus. Director Sha¬piro has cut huge sections of chorus dialogue in an effortto shorten the plays, and has weakened them in the pro¬cess. Five characters are totally missing from the secondplay in a very funny sequence with a pompous countrydoctor, a gossiping clergyman, and their appropriatewives. If only for needed relief from the tragic action, thissequence should have been retained.A second recurring idea in Mourning is the progres¬sively increasing reality of the dead Mannons as opposedto that of those remaining alive. The ancient scandal of along-dead brother has caused the tomb of a house to bebuilt, and has spawned Adam Brant, illegitimate son ofthat brother, returned to avenge his mother’s treatment atthe hands of the family. The dead Ezra causes Christine’sdeath. The dead Christine finally kills Orin, and so on.On the Minnesota Theatre Company’s stage, this ideais represented in the larger than life reminders on stageof everything that is dead or past, dwarfing those who stilllive. Finally only Lavinia is left, haunted by Orin’s secret¬ly written history of the family. The element of fate, in¬troduced at several previous points is here defined. Besides the awkward length of this trilogy, the com¬pany had to contend with their own thrust stage whichalternately helped and hurt the creation of a usable stageenvironment. For example, the initial setting of the piecewas unclear which wouldn’t have happened had O’Neill’sexplicit directions been possible to follow.Lavinia Mannon is played by Fern Sloan and neuroticOrin is Michael Moriarty. Both are very good. Margaret »Phillips as Christine Mannon is at once viciously evil andpassionately in love.The Minnesota Theatre Company has mounted a diffi¬cult play and has made clear many of its intellectualcomplexities. Perhaps the next time it’s done, we may seethe whole thing.Christopher LyonBISTCITTiiimiHere is no continuing city, here is no abiding stay.Ill the wind, HI the time, uncertain the profit,certain the danger.Oh late late late, late is the time, late too late, androtten the year;Evil the wind, and bitter the sea, and grey the sky,grey grey grey. T. S. EliotMurder in the CathedralEditorJessica SiegelManaging EditorJeanne WiklerStaff ExtraordinairePeter RabinowitzT. C. FoxStaffGregory FergusonChristopher LyonMyron MeiselThe Great PumpkinPeter RatnerPaula ShapiroThe Grey City Journal, published weekly in cooperation with TheChicago Maroon, invites staff participation and contributions fromthe University community and all Chicago. All interested personsshould contact the editor in the Maroon offices in Ida Noyes Hall.Chicago Ave at MithigatHeld Over 9TH MonthAcademy AwardWinner -Best ActorA bittersweet love storythot touches the heartCLIFF ROBERTSONCUiniLOOM''CHARLY"SlUfhnt tmf *v«rytjso I.O. Card Sfl 'styjj' SEPTEMBER 26 27JOHNNY WINTERSCHARLES LLOYD QUINTETsrf cial r.nFntSAVOY BROWN,b\ 2 North Clark Street1 784 I 700 f mmmiHELP MAKEAMERICA BEAUTIFUL!DO YOUR PART!Become a demonstrator of personaland home care products. Everyoneneeds them, so why not sell them?Liberal commissions promote yourfinancial independence and let youearn unlimited spending money ona full or part-time basis. All trainingfurnished.Flexable hours to fit around yourclass schedule. Work in your ownarea.For interview, cal! 236-0324. FIRST TWO STUDENTS FROM YOUR SCHOOLWITH COLLEGE IDS ADMITTED FREESMEDLEYSMENTIONTHEMAROON Schlitz on tapExtra large pitcher of beer^Free peanutsSandwichesThe in-groupheadquartersin Harper Court5239 Harper Ave.4/Grey City Journal/September 26, 1969 Lehnhoff School of „M“sic& Dance BU8-3500Instruction by an outstanding faculty: Members of The Chicago Symphony,Grant Park & Lyric Opera orchestras.Announcing a Special Program forAdvanced & Beginning StudentsinPrivate & Group InstructionAdded to the Faculty are:ROGER MALITZ featured cellist of theContemporary Ghamber PlayersEUGENE GADDINI Member of the ContemporaryArts Woodwind QuintetFor Group Guitar Lessons: TED JOHNSON teacher form the Old TownSchool of Folk Music.BALLAD OF A SOLDIERWritten and directed byGrigori Chukhrai$1.00 General Admission$0.75 Foreign Students8:00 p.m.INTERNATIONAL HOUSE ASSEMBLY HALLFREE REFRESHMENTSA vehemently original, beautiful, humorous, patriotic, sentimental journey throughwar churned Russia; and the best Russian movie made since \\ \\ 11. The director(.hukhrai emerges as an exhuberantly gifted movie maker: the best of his camera workhas force and a creative gayiety; he makes inspired use of sound, silence, rhythm, anda wonderfully witty and expressive score. He casts and directs his players faultlessly.”.4Mixed Bag of FilmsAFTER A LONG SUMMER without any film columns inThe Grey City Journal, (worse, no GCJ at all) the sorrynews is that there are very few films of any great note sofar in 1969. Nevertheless, there are several movies thathave premiered since last June that should not be missed.Best of the bunch is Sam Peckinpah’s The Wild Bunch,unquestionably the film of the year, and one of the finestAmerican films of the decade. Peckinpah attracted someattention in 1962 with Ride Hie High Country, and eversince has been plagued by the natural opposition of Holly¬wood businessmen to difficult artistic temperments. Firedfor Projects (most notably, The Cincinnati Kid), unableto obtain proper financing, Peckinpah had his next film,Major Dundee, seriously mutilated by studio intervention.Now, with The Wild Bunch, Peckinpah has made a workof such force, grace, beauty and resonance (as well as abox-office success) that his long-thwarted career seemsdecisively launched, and a corollary thrill to The WildBunch is provided by the anticipation of many more filmsfrom Peckinpah. (His next film, the Ballad Of CableHogue, starring Jason Robards and Stella Stevens, is cur¬rently n the editing phase.)The Wild Bunch deals with an outlaw band in theAmerican Southwest around 1914: a group of misfits at theend of their respective tethers, deriving the strength tocontinue from the group that they form. The film dealswith the dynamics of such a group, and in the processunfolds a moral examination of violence in motive, deed,and consequence. This reveals a complexity of the relativemeanings which violence has for different people in differ¬ent situations.The dialogue in the film is classic: the kind of gritty,hard-boiled conversation of interesting men, realistic butnever dull. The poetry does not come from the writers,nor is it the kind of “gutter poetry” extrolled in emba-rassed proletarian art. Its poetry is in its context; themeanings, and not the words themselves, are beautiful.“What I want and what I need are two different things,”says the leader of the vigilante group out to capture andkill the Bunch, and the simplicity of the statement insummarizing his moral dilemma is incisive and perfectly“right.” There is a cynicism in the dialogue that bites thebest of Brecht.Peckinpah is a master of cinematic shorthand. His com¬positions reveal character and situation, rather than mere¬ly illustrating the dialouge. Every character appears witha complete, unstated history, firmly grounded, and witheven the most minor characters there is this kind of com-TiimtYour OwnThing” Isn’tTheirsYOUR OWN THING, which won the New York DramaCritics award for the Best Musical of 1968, was a majorstep in the obliteration of the dividing-line between Broad¬way and off-Broadway when it opened in the East Villageand attracted an uptown crowd. This multi-media playwith a rock score will be playing at the Studebaker The¬atre in the loop for another four weeks. (Due to demandsthe musicians union in Chicago the play’s run was cutof short.)Y.O.T.’s plot is Shakespeare’s Twelve Night up¬dated — twins are shipwrecked and separated, each windsup as a member of a rock group called the Apocalypse.The band’s manager is a square-sort mooning over a for-tish night club owner (played by Gretchen Wyler), who, inturn is hot for the young bloods in the band. The plotunfolds with the accompaniment of a rock band blastingforth and leading the singers whose voices are projectedfrom eight booming-mikes on a small stage.The show is an interesting conceit; bits of Shakes¬peare are interspersed with what the over-thirty writerthought was hippie talk, but is it ail necessary? It is basi¬cally an “I Love Lucy” plot, with all sorts of mistakenidentities, and I-thought-that-you-thought-that-I-thought sortof scenes. It isn’t quite rescued by Shakespeare, whosepicture is often flashed on the screen, along with Bogie,John Wayne, and in poor taste, the late Everett Dirksen.The flashing lights, recorded voices of these greats,slides, and film sequences add spice to this light vehicle,but it doesn’t add up to a feast. This is not a musicalwhose songs you come out singing. Nor have you beensitting on the edge of your seat or especially interested in plete presence that makes the smallest nuance no lessexact for being small. And Peckinpah as a filmmaker hashis own sense of history. Visual and textual references topast Westerns abound (particularly to Ford, Hawks, Hus¬ton, and Siegel, who was Peckinpah’s first mentor in Hol¬lywood); their use is critical and explanatory, as he de¬scribes the relationship of his personal artistic vision tothose of past masters. When the village processional, sing¬ing “Gather by the River,” is massacred between thecrossfire of two battling gangs, the scene gains signifi¬cance when we remember John Ford’s use of the samesong.Most exciting of all are the complex amibivalencies ofthe themes and attitudes. Peckinpah condemns violenceand is repulsed by it; conversely, he also acknowledges apersonal need for it and a morbid fascination with it. The,two violent set pieces that open and close the film arehorrible in their graphic explicitness, as hundreds ofpeople are savagely murdered, and yet they are ap-palingly beautiful to watch in their final slow-motion glo¬ry. Peckinpah’s violence doesn’t hurt the audience, asdoes Penn’s in Bonnie and Clyde or does Siegel’s; Peckin¬pah implicates his audience in the motivations of the vio¬lence rather than in its consequences. He posits no an¬swers to the moral dilemmas propounded, but he exploresthe issues with rigor and honesty and with such firm artis¬tic control and expressiveness that he consistently com¬mands admiration. And he does it all organically, neverpushing into his material meanings that do not naturallylie there. He’s a damn good storyteller and deeplyprofound artist, and The Wild Bunch reflects both quali¬ties. Don’t miss it. A more complete analysis of the filmcan be found in the upcoming issue of Focus! magazine,which Doc Films is reviving, with national distribution forall future issues. Copies should be available sometime inNovember.There are several other heartily recommended films.The Don Siegel-Robert Totten Death of a Gunfighter willbe at the Clark two weeks from today; it was discussed inthese pages somewhat belatedly a few months ago. Up¬coming are George Cukor’s Justine and Agnes Varda’sLions Love, the latter an American-made film in Englishby a French female director.Cukor (My Fair Lady, The Philadelphia Story, A StarIs Born) has always been a bone of contention betweenwarring critical schools, and Justine is the perfect em¬bodiment of the conflict. Based on Lawrence Durrell’s TheAlexandria Quartet, the question of faithfulness to the“Your Own Thing” with Priscilla Lopez at ngm.the story, or wrapped up with the visual, emotional, sen¬sual, or theatrical effects.The star of the show, Gretchen Wyler, is obviously abig name in a small part booked in the hopes of luring thesuburban set, “oh yeah, I saw her on Johnny Carsons.”But the theatrical excitement of the evening is providedby Priscilla Lopez, a young lady who is, as they say,destined to be a star. You wish she had done a one-woman-show.The rest of the cast is fresh and lively, and does agenerally good job. They are a likable lot, wholesome likethe kid next door; you can envision them in a T.V. situ¬ation comedy. (Allen Bkunt, one of the guitarists in theApocalypse, was on the Donna Reed show for two seasonsas Miss Reed’s daughter’s boyfriend!) But aren’t realrock singers supposed to be mean, dirty, and sexy?Y.O.T. had its thing — innovation in 1967, and poten¬tial; unfortunately this potential did not materialize.Paula H. Meinetz and Harvey D. Shapiro original, as usual, seems to be the principal preoccupationof reviewers. I would question whether there is any bur¬den of faith to such a minor whether (“ Gone With TheWind for the only slightly more intelligent”), but what isimportant is what the film is. If one can forget aboutDurrell, the work stands on its own as a flawed but superbpiece of personal art, by a very legitimate artist.Justine deals with the typical concerns of Cukor: thestuff of which dreams are made, of. CuKor, who doesn’tcollaborate on his scripts, develops his themes throughselection and emphasis within the material, highlightingthat which concerns him and thus making the work hisown. Justine is his first film since the excellent My FairLady, and in it there is perhaps a shade more cynicismthan he has previously shown. There is little else besidesCukor to sustain us: the acting ranges from competent toawful; the writing is middle-brow profound. The arti¬ficiality of the back projected exteriors, while probably'intentional, doesn’t work any better here than it did inMarnie. The exclusively a director’s picture, and the vis¬ual developments of the conflicting and overlapping desir¬es and faiths and trusts of the characters, and the evoca¬tive relation of them to the locale (Alexandria, but reallya studio) creates a deeply emotional fabric that tran¬scends the spy-exotic formula of the plot by the ex¬pressive commitment of the artist to his meanings. I canonly urge you to check all literary prejudices at the doorany need for acting.Agnes Varda’s Lions Love received its first publicand rush to the picture when it opens here next month.One hint: watch Cukor’s manipulation of Anouk Amiee(Justine) within the frame; it is direction that precludesscreening last week at the New York Film Festival, but itis likely that it will be here sometime in the next year. Itis in the Andy Warhol tradition (traditions spring up onvery little time these days) and yet — get this — it isneither too long, boring, asexually pornographic, etc. Itstars Warhol’s contribution to the world, Viva; the authorsof Hair, Rado and Ragni, as a menage a trois of moviestars; and avant-garde filmmaker Shirley Clarke as anavant garde filmmaker. Most of the dialogue is impro¬vised, and most of the takes are very long, but the visionof the director never falters. The non-sequiturs are charm¬ing and hilarious, yet unified in purpose. Partly it is thevpersonalities of the three that give the work coherence,but it is as much the perceptive selection of material andcamera setups by Agnes Varda that unifies the film. The¬matically, by any standards of rigor, the film is a mess;but then again rigor is not always the standard required.The movie is about — well, such sentences are best leftunfinished. It is a complex mosaic of concerns and themesand attitudes and expressive nuances, on the subjects ofliving in threes, filmmaking, the Hollywoid system, death,politics, and stardom, and how they are all interrelated.Like the early Godard, Varda plays around with myths interms of daily life and institutions (the “star” system).These are stars on the verge of being discovered; thereand Robert Kennedy and Andy Warhol, “stars” on theverge of being shot. The ideas are so intriguing and socomplexly interwoven that for the first hour of this movieone gets the mistaken idea that it is a masterpiece; ittakes a while to realize that the pieces, while they feellike they fit together are never really connected by theartist. We react linearly to a most non-linear movie; ■emotionally, each reflex leads to the next, but in¬tellectually it is impossible to backtrack. What remainsafter it’s all over then? A good deal of wit, an infectiouscommunication of spirit, the urge to make one’s own mov¬ie (much like Astair-Rogers make one want to dance), andthe nagging desire to see it again. The film also exploresthe hangups of creating a film, very much like 8^; butdon’t be put off by the comparison, Lions Love is a verygood movie. It combines all the virtues of modern avant-garde filmmaking with few of its faults. It is unpretentiousdespite the solemnity of its concerns. It is light and self-mocking and thoroughly loveable. And if it isn’t profound(what really is?) it is stimulating. The choice of title pret¬ty much sums up the movie. Varda: “Well, originally itwas to be called Lions Love and Lies, because three is abeautiful number, but that seemed too cumbersome, so wemade it just Lions Love. The two words go together beau¬tifully.” Myron MeiselA Conspiracy?Only in Chicago could eight men who disagree so muchon politics be implicated in a conspiracy.Only in Chicago can a courtroom be stacked with sanita¬tion men.Only in Chicago can a judge turn down more than ten .defense motions.Only in Chicago could the cops fail to find Richard Flack’sassailant but succeed in rounding up in a few hours suchpolice assailants as Howie Machtinger and David Klafter.Only in Chicago?A conspiracy?September 26, 1969/Grey City Jonmal/56/Grey City Journal/September 26, IMSTHE UNIVERSITY OF CHICAGO CAMPUS BUS SERVICEEFFECTIVE SEPTEMBER 22, 1969Buses are clearly identified by a sign reading "CAMPUS BUS." Upon signal from a patron, days. The "C" Evening Bus will operate 7 days a week except on University Holidays. Schedulesbuses will stop to take on or discharge passengers at any intersection. The "N," "E," and "S" are subject to change without notice.Buses will operate as stated below, Monday through Friday, except on official University Holi-Because of legal restrictions, use of the above transportationservices is limited to members of the University faculty, staff,and students. Passengers will be admitted to the vehicle uponsurrendering a ticket to the driver, except on the "C" Bus, whereUniversity identification must be presented. The driver will not bepermitted to accept cash or to sell tickets. Identification as astudent, faculty member, or employee will be required when pur- WHO MAY RIDEchasing tickets. One-ride tickets at 15 cents each and MonthlyCommutation tickets at $4.50 each for the "N" and "E" routes,and at 25 cents each ride or Monthly Commutation rate of $7.50each for the "S" route, are sold at the following locations:Bursar's Office (5801 Ellis Avenue)Billings Hospital, Cashier's Office (950 E. 59th St.)University Bookstore (5802 Ellis Avenue) Blaine Hall, Room 105 (1362 E. 59th St.)International House, Information Desk (1414 E. 59th St.)Reynolds Club, Attendant's Desk (5706 University Ave.)Law School, Receptionist's Desk (1121 E. 60th St.)•(NO refunds on lost or unused commutation tickets. "S" routetickets are accepted on all routes).PICK UP TOUR MULTICOLOR MAPS AND SCHEDULESAT THE TICKET SELLING LOCATIONS.— ROUTES AND SCHEDULES(E) EAST-WEST-BROADVIEWMonday through Friday excopt onUniversity Hobdays(Approximately 30 minutes round trip under nor¬mal driving conditions. Stops at oil intersectionsupon signal from patron)ROUTEStarting at 59th and Stony, Bus proceeds Weston 59th to Cottage Grove; North to 57th; Eastto Stony Island; North to 56th; West to LakePark; North to 55th; East to Cornell; North toE. Hyde Park Blvd.; East to S. Hyde Park Blvd.;South to 57th Drive; S. W. to 57th & Stony; Southon Stony to 59th St., the Starting Point.NOTE: All runs'make pickup stop at the Broad¬view.SCHEDULE"E"-A.M.E-l E-2Starts at 59th & Stony6:15 —6:45 7:007:15 7:307:45 8:00* 8:15 8:308:45"E"-P.M.E-3 E-4*1:30 (Tues. Only)*2:00 (Tues. Only)*2:30*3:00*3:304:004:305:005:30 4:154:455:15 Ends at 57th& Stony THE UNIVERSITY OF CHICAGOCAMPUS BUS ROUTESFALL, WINTER AND SPRING QUARTERSSeptember 22, 1969-June 19, 1970N-IStarts at 48th & Greenwood N-2 N-36:50 — —7:20 7:21 7:22’7:50 7:51 7:528:20 8:21 8:228:50 8:51 8:529:20N-4 N-5Starts at 59th & Kimbark12:00* —12:30* 2:41*1:00* N-4 Coat'd. 3:26*1:35* 4:10 4:112:05* 4:40 4:412:40* 5:10 5:113:25* 5:40 5:41Last trip ends at 57th & Dorchester* These runs will not be madeDecember 22nd through January 4»hnorMarch 23rd through March 29thInterim Periods.* These runs will not be madeDecember 22nd through January 4thnorMarch 23rd through March 29thInterim Periods.(N) NORTH-SOUTHMonday through Friday except onUniversity Holidays(Approximately 30 minutes round trip under normaldriving conditions. Stops at all intersections uponsignal from patron)ROUTEThe A.M. bus starts at 48th and Greenwood, pro¬ceeds East on 48th to Dorchester; South on Dorches¬ter to 53rd; East on 53rd to Harper; South on Harperto 54th Place; West on 54th Place to Dorchester;South on Dorchester to 56th St.; East on 56th to LakePark; South on Lake Park to 57th St.; West on 57thto Dorchester; South to 58th; West to Kimbark; Southto 59th & Kimbark (The P.M. Starting Point), thenWest on 59th to Ellis; South on Ellis to 60th; East on60th to Woodlawn; North on Woodlawn to West¬bound Midway Drive; West to Ellis; North to 57th;East to University; North to E. Hyde Park Blvd.; Eastto Woodlawn; North to 49th; West to Greenwood;and North to 48th St., the A.M. Starting Point.NOTE: P.M. Buses start at 59th and Kimbark butrun the same route.SCHEDULE"N"-A.M.Last trip ends at 59th & Ellis"N"-P.M.Further information may be obtained from the Plant Department, 960 East 58th Street, Mr. A. Herbster, Midway 3-0800, Extension 3082. E. L. MILLER, Director, Plant OperationsSeptember 21, INf/Grey City Jo«nal/7THE UNIVERSITY OF CHICAGO CAMPUS BUS SERVICEEFFECTIVE SEPTEMBER 22, 1969Buses are clearly identified by a sign reading "CAMPUS BUS." Upon signal from a patron, days. The "C" Evening Bus will operate 7 days a week except on University Holidays. Schedulesbuses will stop to take on or discharge passengers at any intersection. The "N," "E," and ”S" are subject to change without notice.Buses will operate as stated below, Monday through Friday, except on official University Holi-Because of legal restrictions, use of the above transportationservices is limited to members of the University faculty, staff,and students. Passengers will be admitted to the vehicle uponsurrendering a ticket to the driver, except on the "C" Bus, whereUniversity identification must be presented. The driver will not bepermitted to accept cash or to sell tickets. Identification as astudent, faculty member, or employee will be required when pur- WHO MAY RIDEchasing tickets. One-ride tickets at 15 cents each and MonthlyCommutation tickets at $4.50 each for the "N" and "E" routes,and at 25 cents each ride or Monthly Commutation rate of $7.50each for the "S" route, are sold at the following locations:Bursar's Office (5801 Ellis Avenue)Billings Hospital, Cashier's Office (950 E. 59th St.)University Bookstore (5802 Ellis Avenue) Blaine Hall, Room 105 (1362 E. 59th St.)International House, Information Desk (1414 E. 59th St.)Reynolds Club, Attendant's Desk (5706 University Ave.)Law School, Receptionist's Desk (1121 E. 60th St.)(NO refunds on lost or unused commutation tickets. "S" routetickets are accepted on all routes).PICK UP YOUR MULTICOLOR MaPS aND SCHEDULESAT THE TICKET SELLING LOCATIONS.— ROUTES AND SCHEDULES(C) COMBINED EVENINGROUTE(7 days per week except on University Holidays)NOTE: This service is free to University of ChicagoStudents, Faculty and Staff upon presen¬tation of University identification.(Approximately 40 minutes round trip under nor¬mal driving conditions. Stops at all intersectionsupon signal from patron)ROUTEStarting at 59th and Dorchester, bus proceedsEast on 59th to Cottage Grove; South on CottageGrove to 60th; East on 60th to Woodlawn; Northon Woodlawn to Westbound Midway Drive; Westto Ellis; North to 57th; East to University; Northto 53rd; West to Greenwood; South to 55th; Westto Ingleside; North* to Hyde Park Blvd.; East toDorchester; South to 53rd; East to Harper; Southto 54th Place; West to Dorchester; South to 55th;East to HyJe Park Blvd.; South to 56th St.; Westto Lake Park; South to 57th; West to Dorchester;South to 59th & Dorchester, the Starting Point.SCHEDULEStarts at 59th & Dorchester6:00 P.M.6:407:208:008:40 No 9:20 Run10:00 P.M.10:4011:2012:10Last trip ends at 57th & Dorchester about 12:45Specific Pick up Stop at:59th & Kimbark 60th & Ellisda Noyes Law SchoolHarper Library 57th & Ellis59th & Ellis Reynolds Club(S) SOUTH SHORE-SOUTHCAMPUSE. L. MILLER, Director, Plant OperationsMonday through Friday except onUniversity Holidays(Approximately 60 minutes round trip under nor¬mal driving conditions. Stops at all intersectionsupon signal from patron)ROUTEThe A.M. bus starts at 67th and Jeffery, proceedsSouth to 76th St.; East to Exchange; N. W. onExchange to 73rd St.; West to Luella; Norththrough 71st on to Crandon; North on Crandonto 68th; West on 68th to Stony Island; North onStony through Jackson Park to 59th and Stony;(the P.M. Starting Point) West on 59th to Ellis;South on Ellis to 60th; East on 60th to Stony; S. E.through Jackson Park to 67th and Jeffery, theA.M. Starting Point.SCHEDULES-1 S-2 S-36:40 7:00 *7:207:40 8:00 *8:208:40 9:00 *9:20"S"-P.M.S-4 S-5*1:30 (Tues. Only) —2:30 *3:253:30 4:104:30 5:105:30 6:10* These runs will not be madeDecember 22nd through January 4thnorMarch 23rd through March 29thInterim Periods.(Last trip ends at 60th & Stony)Further information may be obtained from the Plant Department, 960 East 58th Street, Mr. A. Herbster, Midway 3-0800, Extension 3082.w' wi i —MM)FILM ***», m 4 ?! ?! **T t * *4 f?**Fox Stalks FlicksContinued from Page Onedously wrong conclusion from a moment of recognition.She goes to the window and jumps off the balcony. Shehas recognized that life has nothing left for her, but mis¬takes death as a way out of life. Yet her suicide was noway out at all. The reflected room remains and she istaken back to it. As we remember the scales interspersedwith the flashbacks we realize that death here is as full ofentrapment as was life.It takes a Catholic to postulate a system which couldequate death with life. It takes a pessimistic genius toperceive such a system as being totally without hope. Ittakes an artist to make us believe any of the above. In¬credible as this may sound, Bresson makes us believe.For the rest of the festival so far there is little ofsurprise or much interest. The best of the lot aside fromthe Bresson is the BBC’s The Epic That Never Was. As adocumentary I find it neither better nor worse than tele¬vision documentaries made in America now. (The Epic...was shot in 1966.) Certainly the conventions contained inthis picture (Emlyn Williams replacing a book on hisshelf: “ah yes, I was just refreshing my memory”) ap¬pear incredibly antiquated. At the same time, I feel fairlycertain that unlimited use of the hand-held camera andthe shock cutting so popular now will be just as antiquateda short five years hence.The footage of I, Claudius contained in this picture isadmittedly fantastic. Van Sternberg was always great andthis footage is no exception. How great a film I, Claudiusmight have been had it been completed is unknown, presspronouncements to the contrary notwithstanding. All wecan say of the I, Claudius footage is that it is beautifulwhich is nearly, but not quite, enough.The impression that is strongest is that of an actor’stragedy. Charles Laughton is seen giving an absolutelymagnificent performance and then suddenly turning to thecamera in the middle of a speech and saying “that’s thebroadest damn East End Cockney accent I’ve everheard.” This sort of behavior which is on one level child¬ish and unprofessional and cm another strictly honest andobsessive leaves one with the impression of a man totallyout of touch with himself and his situation (not to mentionhis art). Laughton the actor, capable of the most incred¬ible heights and the most demeaning downs, comes closeto being a tragic figure himself. The Epic That Never Wasfails as a tragedy for the ironic reason that even the littleof what we see of Laughton as Claudius is so great and sotruly tragic that Laughton’s own misfortunes, which weretruly nothing at all to demean, appear petty and pedestri¬an in comparison.Ingemar Bergman’s TTie Ritual (Janus) was shot for Swedish television. It is dull, pretentious, and most of thereal work is done cm the soundtrack; in short it is typicalBergman. Bergman here uses an inordinate number ofclose shots, perhaps because a TV screen is too small topermit much else. The result is that the characters inisolation are that much more pointless than if there hadbeen at least minimal contact shown between them. Thefact that thematically they seem to form a unit makes thiskind of shooting all the more objectionable. Bergman con¬tinues to assault the -audience with his endless humorlesssadism. In this picture he cheats us as well, promising aperformance of the scandalous ritual which is apparentlythe reason these grating personages are of interest to us.When Bergman finally lets the performance begin, and we as audience hope for a moment of erotic joy in an other¬wise joyless desert, he stops it about thirty seconds in. Hehas neither the courage to show us the ritual nor to denyit to us completely. The fact that any audience will submitto this kind of insult and attack and then applause issomething which goes beyond the bounds of my com¬prehension. The only thing I was able to learn from TlieRitual was that Swedish television permits its viewers tosee a man handle a woman’s crotch and a pair of nakedbreasts. But believe me, given the manner Bergman han¬dles these, there is far more sex here at home when acloathed June Carter Cash belts it out to all us malesevery Saturday night. T.C. FoxBlues, Jazz, Rock9 Folk....Continued from Page Onetional music extravaganza in the country. The Societytakes great pains to provide a full weekend of the finesttraditional folk artist still kicking — everyone from fid¬dlers and storytellers to bluegrass and bluesmen. If youwork with the Society you can get in free and get to knowthe performers, too.Like other big cities, Chicago has a full series of bigpop concerts but these are so well advertized that I won’tneedlessly elaborate. Check the Sunday Sun-Times (andsometimes Thursdays) for a good concert schedule — theSun-Times also used to print a great weekly list of currentfeatures at about fifty rock and blues clubs. Giant Countryand Western shows are held in the far suburbs (checkwith WJJD). Incidently, the Preservation Hall Jazz Bandwill appear this Friday at North Central College (310 E.Benton, in Naperville). It’s a fine old dixieland group.But the best pop concerts will be right here on campusRevitalization produced a heavy series of folk jazz, androck concerts at reasonable prices, including Butterfield,Chuck Berry, Joni Mitchell, Buddy Guy and Phil Upchurchlast year. Now if Revitalization could only throw a danceat Rockefeller Chapel, or reopen the Piccadilly ...There’s plenty of free music around, too, especially inHyde Park. Local musicians gather on Sundays at the 55thSt. Point to play. It’s a nice place to bring your guitar orhorn and jam. The Black Southside churches have greatSunday services, with full-blooded gospel; the whitechurches have lots of free classical music (includingRockefeller Chapel) that’s not advertised, but well worththe search. Up North, Alice’s Restaurant is an anti-warG.I. Coffeehouse, where the food is cheap and music isfrequent. The Blue Gargoyle on 57th St. may not exist thisyear but if it will be like last year it will have musicWelcome Back* Support your localhead shop.» Posters & other psychedelicparaphrenalia.> School supplies, too.51st nearharper almost nightly, often for free and you can play there too.It was a good place to meet other neighborhood musi¬cians. The Gargoyle was Hyde Park’s nearest thing to afree church — it’s run communally and abounds with goodvibes and cheap food. On Saturday nights there’s usually ahootnanny at the New Dorms Commons, where all areinvited to play, sing or just listen. And if you’ve got anhour to kill between classes on weekdays, stop ova- at therecord library in Lexington at 58th and University, andspin some sides — it’s a really relaxing study break.There’re massive doses of good, free 24-hour music onthe airwaves — particularly WFMT and WEFM for classi¬cal, WJJD for Country and Western, and WOPA, WVON,and WGRT for soul and blues. The best time for blues islate at night; WVON’s Purvis Spann has a great showafter midnight, expecially Saturday nights when he digsup all those old r and b classics. The FM rock stationshere leave much to be desired but UC’s WHPK-FM morethan compensates for this. Its rock, folk, blues and classi¬cal programming last year really swing, and those whohave heard Columbia’s KCR or other college stations willreally be impressed at what Lonegan, Young and Co. didfor Chicago FM last year. Let’s hope it continues.Well dig it — that’s more than you’ll get to. For youcollectors, Chicago has great record stores for vintagediscs. Go to Metro Music on W. 55th Street, right off theEl, and ask to see the 78’s in the basement... but that isanother story already. This city has a vital and earthymusical structure, one very different from the showbizflavor of NYC OR LA. Because so much good music is“down home” here, it takes some digging to get to it —but that’s a gas, too. Go to it!Andy Polon, a music fiend now based in New York spentfour and a half years exploring the music world in Chicago.SUBSCRIBETHE CHICAGO MAROON, 1212 E. 59th St. IdaChicago, IllinoisMaroon issues for the full academic year (69-70) can be sent anywherein the country for $7.00. For an additional $1.00 we throw in the June 6Yearbook Issue last year.Complete your collection, keep your family informed of campus life, im¬press your friends.mmm mm mb mi ■■ ■■ mm met mm mm mm mm mm mm m wm mm mm mm mmmm mm mm ms mm mm mm mm mm mm mmjmm mm m wm mm mm flIJ NAME ...{ ADDRESSI □ 1 year subscription $7.00J □ Yearbook Issue $1.00 Total inclosed"FOR WOMENWHO CARE"25 Girls are ready to serve you at the -MME. C. J. WALKER COLLEGE OF BEAUTYCULTURE6352 South Cottage Grove AvenueChicago, Bu 8-9689 No Appt. NecessaryIf interested you can enrollin Beauty School at anytime. Night and DayClasses, Part Time Classes- Easy Terms)(All work done by stu¬dents under Supervisionof licensed instructors) • Wet Sets $2.50• Relaxers $9.00* Shampoo, Pressand Curi $2.50* ScalpConditioning $2.00Hrs.9 A.M. - 9 P.M. Tues - Fri9 A.M. - 5 P.M. Saturday HILLELOPENHOUSESunday, Sept. 28Buffet Supper in Sukkah5715Woodlawn 6:00 p.m.8/Grey City Journal/September 26, 1969